Rambling 304: Important History Facts You Arent Taught

In this episode of The Rambling Podcast, hosts Jack and Cristina dive headfirst into the origins of Google, the evolution of search engines, and the absurdity of modern technology. They discuss how Google transformed from its humble beginnings to a climate action advocate while questioning its actual age and mission. Along the way, they explore the history of fast food, comparing McDonald's and White Castle, and ponder the mysteries of hot dogs and sausages. Expect a wild ride through conspiracy theories, pop culture references, and a healthy dose of humor as they attempt to connect the dots between seemingly unrelated topics.

+Episode Details

Topics Discussed

  • The Origins of Google

  • Fast Food History: McDonald's vs. White Castle

  • The Evolution of Search Engines

  • Hot Dogs and Sausages: An Unexpected Debate

  • The Matrix and John Wick: Are They Connected?

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+Transcription

Rambling 304: Important History Facts You Arent Taught

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling Podcast. I am your host, Jack. Cristina: And I am your host, Cristina. Jack: And this is the show where we ground humanity's most absurd and baffling ideals. Blah, blah, blah, blah. Anyways, what were we talking about? Cristina: About Google. Jack: Google, dude, we don't know where Google came from. So what was the thing? What were you saying? Cristina: Oh, that. You were saying something about that they've been trying to help the environment for 30 years. Jack: Oh, yeah. They're not old enough and yeah, oh yeah. The bottom of the Google page, it says, our third decade of climate action. Join us. Cristina: You don't think Google's old enough to have been doing it for 30 years? Jack: I mean, I was thinking about it. It just means that they would just fall back to 1995 and that they would be some really, like, basic level of, of like, search engine. Assuming they were a search engine to begin with. Because some people were. Other things. Like Amazon wasn't what it is now. It was a bookstore. Cristina: Okay. Jack: You know, it was an online bookstore. That's it. Cristina: Google, I think, I would guess. Jack: And it was like competing with Yahoo and aim, right? Cristina: Who? Google. Jack: Google. Like it was coming into a fresh new world where a bunch of like, OGs have been standing their ground since like two people connected two wires and were like, wow, a message. Cristina: Yeah. The first Internet thing I remember was aol. Jack: Yeah, me too. Yep, AOL first, then Yahoo, then. Yeah, then Yahoo and then Google. But I never used the oil to search. Cristina: No, it was always there. Jack: It was always there, but I never used it and I never use. They had like a. Yeah, they had their, like messenger and chat rooms. That's what I used AIM for. Cristina: Yes. I also used it, I think, for games. I think there's like a child's version of it. Like there's the adult version, I guess, and the child's version and the child version of aol. Like children stuff. Interesting kid friendly things. Jack: Kid friendly things. Cristina: If my memory is correct, I'm. I'm not sure. Jack: I have no idea either. We're gonna go off entirely off of our heads right now. When we want to search, the ability is present, but we don't have to. And we can conclude. Cristina: But Google is. Jack: Hey, how. How old do you think Google is? Cristina: 35 years. Jack: Google? You think Google is 35 years? Cristina: I think Google is 40 years. Jack: Google's 40 years. Cristina: Is that a stretch? Jack: Okay, okay, okay, fair enough. Let's see let's see how logical we can be and how close we can zone in based entirely on the fact that this. The Google exists, I suppose. What's the information we have? They said 30 years they've been doing it. Cristina: So you think they've been around 30 years? Jack: I guess they've been around 30 years. No, no, no, no, no, no, no. Because they haven't just. They didn't just show up and immediately. Cristina: That's what I was thinking, like, yeah, first thing was like, we're gonna. What was it? Protect the environment while also being a search engine. Like, who knows? Maybe that was their origin. And we just don't know that. Jack: That'd be very interesting. That'd be very interesting. So your counter argument for the origin of Google is they were originally a green Earth movement that somehow became a search engine, probably to give people information relative to green Earth or something. Cristina: I doubt it. I seriously doubt it. Yeah, let's go with that. Jack: Wait, you doubt it? Then what's. Cristina: You. Jack: What do you think it could be? Cristina: They must be older than that. I think maybe they eventually decided to do that, but I doubt that they just started off like, yes, we're gonna help the environment and also Google. Jack: But then the question is, what in the h*** is. Or what could they have been before being a search engine? Cristina: They were a search engine. I don't know. Jack: You think they were just a search engine and that they were somehow just like. Like, it would be like the people who didn't invest in Bitcoin when it was like, really low, measly garbage. Like, put 10 bucks, you'd be filthy. You're good. You're good forever. Had you put 10 bucks. People who put thousands. Oh, my God. But really, a lot of people were like, whatever, dude. Cristina: Mm. Jack: It's gonna be like that. Cristina: What do you mean? What do you mean it's gonna be like that? Jack: The search engines. Cristina: Oh, because you think it could have started off as a search engine? Jack: I think. Fire engines. I think that it didn't begin as a search engine, though. Cristina: What do you think? I think something related to technology. Jack: Technology, you think maybe they were some sort of. Okay, let's take Origins, for example. Think of Nintendo. Take Nintendo and the fact that Nintendo was a playing cards company. Cristina: I think Google was like a computer, maybe could. Jack: Maybe Google was trying to compete with the original computers. Interesting. Cristina: I don't know. Is that what you think, though? Jack: I don't know. I don't know. What information do we have? What does Google do now? That is hefty. No, it doesn't tell us anything because Amazon changed so crazily from what it was doing. Cristina: Yes. And Google has stayed the same, as far as I know. Jack: As far as you know? Cristina: As far as I know. Jack: But did you know it was as old as 30 years? Cristina: I would have guessed that. Would you? Jack: Oh, s***, I would not. Fair enough if you just. I guess because then you got to think about like, who was the first? Who were among the first. Cristina: Yeah. Like it's not that old. Jack: But then you think of the fact that all the other ones are dead. Jack: And it's like you would have just. I would have concluded, oh, it's just some relic of the past and some better modern technology replace everything from them. Cristina: So you think it's newer or older? Jack: Well, now I'm conflicted because 30 years, I'm assuming. I don't think. Think they began as a climate movement. So they must have been something ahead of being a climate movement that was. Cristina: Outside of being an search engine as well, though. Jack: I mean, I guess, I guess them not having been a climate movement does not have anything to do with them not having been a search engine. I just think that maybe they also transitioned into being a search engine from being something different. Cristina: I don't know. They could have been the search engine forever. We could find out that they've been around for 80 years or something. Jack: Interesting how that's possible. No, that would have been a clean transition from like radio or newspaper. For some reason, something adapted. If that's the case, they're around. If Google is around 50 to 100 years, somehow in one manner, shape or form, then it transitioned over and over from being in some primitive other form like radio. Cristina: I don't think so. I think it's new. I mean, it's not new, but it's for. It's. I think it was an engine. I don't know, that's. I just think you think it was. Jack: A search engine to begin with. Cristina: Yeah, it was around probably. When did McDonald's come to be? Jack: McDonald's came to be. I think I would. I'm gonna argue McDonald's came around the 40s. Cristina: Oh, crap. No, okay. I don't think that old. When did it become a fast food restaurant? Jack: I think it began as one. Cristina: Oh, really? Oh, I don't know. Jack: I think it might have been the first fast food restaurant. Cristina: I just decided I was gonna be. It's gonna be a fast food restaurant. Jack: Or immediately you think, okay, oh, what's your theory here? You believe restaurants begin as like nice, classy places or Trying like one, the. Cristina: Two themed restaurant thing. And then it'd be okay. Jack: Fair, fair, fair, fair. So let's visualize this one. Yeah. The argument is people make a restaurant. Cristina: Yeah. Jack: They make a restaurant. Cristina: Maybe not today. Today. Jack: Before chains happened. Cristina: Yeah. Yeah. Jack: So you had a restaurant. This is the theory. Right. How do we break it down? We had a restaurant. And your idea is there's two paths in life. You either get real serious and start refining it and creating quality, or you start skimming and cutting corners and worrying more about the money than the product and slowly becoming fast food. Cristina: I don't know. Because, like, maybe they were always fast food. I don't know. Jack: Like they chose it. Cristina: Yeah, because I feel like the commercials say that they came from a farm family or something. Maybe I'm wrong. Because if it started off as a farm, then what does that tell us? Jack: I don't know. Let's look. Cristina: Or maybe it has nothing to do with a farm. Jack: All right, are we ready already? Cristina: What are we gonna look up first? Jack: Let's find out about Google. How old Google is with no other context. Cristina: Okay. And that, what, it was just how old? Jack: Yes. Let's begin there. Cristina: Okay. 50, 40, 30. 40, 30. Jack: Okay. Okay. I'm gonna go back to Google right now. Cristina: Why? The answer was unbelievable that you have to Google it. Jack: Our third decade of climate action. Join us. Cristina: Mm. Let's move it all started. Jack: Google is 26 years old. It was formed in 1998. That's with. That's just the first. That's what Google is telling us now. This does not mean that anything we have discussed is incorrect. Cristina: I don't know. This just means everything is incorrect. Jack: This just means that the name Google and whatever new direction they started to move in began 26 years ago. Now, they could have had a different name. Cristina: And that's what you want to look up now? Jack: That's my theory. Without any additional information. Cristina: No, I feel like that totally fits everything. And it's probably correct. Jack: What, that they were something different? Cristina: No, that they were just 20 years, 26 years old. Jack: Then how the h*** have they been doing it for three decades? Cristina: Once they passed 20, it became the third decade. Jack: The beginning of the third decade. Cristina: Yeah, that's the beginning of the third decade. Jack: Let's go back and read what it says. Exactly. Okay, okay, okay, okay, okay, okay. Cristina: Or maybe after 25 is the beginning of the third decade. Jack: It says our third decade. Third decade of climate action. Decade one. No, no, we've completed one decade is what you would say. So we're in the Middle of the first decade. So yeah, now we would be in the middle of the third. Yeah, I was just trying to kind of like follow the steps. So now we're in. We'd be in the third decade. Our third decade of climate action. Cristina: Okay, but let's still find out when. What exactly it was before it was Google. Unless it was always Google. Jack: What was Google before it was Google onset? Cristina: It says Google. It was never anything. Cristina: What was the answer? Is there no answer? Is it too complicated to understand? Jack: Okay, okay, okay, okay, okay, okay. In nineteen 1996, there was a platform named Backrub. Cristina: Oh, okay. Jack: The name came from the method of analyzing backlinks and websites to determine their like, importance and ranking in search engines and whatever. Cristina: Okay. And that's the original. Jack: That's the original name. It became Google in 1997 when they decided to rename it to Google. A play on the word Google Googol or Goggle Google. I guess it's Google G, double O, G, O L, which is ten to the hundredth power. A ridiculously large number to reflect their mission of organizing massive amounts of information. Cristina: Okay, wait, so when did Google form and when did Backrep form? Jack: Backrub formed in 1996 and then it rebranded as Google in 1997. Cristina: Oh, okay, so then. Okay, still 26. Jack: We are one year short of reaching. Yeah, we gotta get to 1995. Cristina: Why? Jack: Because that would make it 30 years and then they would have justified 30 years of the mission. Cristina: I thought it was the beginning. It's not really 30 years. Jack: Is it the beginning? Our third decade of climate action. Join us four. Okay, let's learn English. Cristina: What are you going to start with? What's a decade? Jack: Yeah, our third decade of climate action. All we need to know is does this mean our we're starting? Does this mean we're starting? Cristina: Yeah, because. What is it? 02. No, wait. 1 to 10 is 1. 10 to 2 is 2. 2 to 3 would be 3. Jack: 2 to 3 would be 3. Yeah, that would be the third decade. Cristina: Yeah, so it would be part of the third. Jack: Okay, it's. My God. Okay, it depends how we're interpreting it. Okay, let's get a total breakdown here. If it means we are starting the third decade and we are at 21, this is because the first decade. Okay, so if you're asking whether it's 21 or 23, then the answer depends on whether the phrase means starting or within. We have to determine that one first. Cristina: He says you said starting. No, I don't even know. I'm not sure if you said it or did they say it? Did you say that? Jack: That's just the Internet's response. So it would. The most logical possibility is that as long as we're using the word within, it is. It is within. Cristina: Yeah. Jack: Oh, wait. Google has an AI, doesn't it? Third decade of climate change quote. Let's see what AI tells us. Cristina: Okay, you're gonna ask Google? Jack: Yeah, Google has an AI. And then I'll go to ChatGPT. Cristina: Okay, you can go from one AI to another AI. Jack: Yeah. Third. Our third decade of climate change. Does this sentence mean within or does it mean the beginning? Google, you son of a b****. How do you decide when? Cristina: What did it say? Jack: It didn't answer. I didn't get it. Just linked me to a bunch of. Like a normal search engine. Does that only work on the phone? No. I could swear the Google AI answers. Normally I don't use it. Cristina: I wouldn't know. Jack: I go to chat. GPT copy. I don't know. Cristina: Don't tell her what you're doing. She'll be jealous. Jack: Okay, let's go to chat. GPT Think chat. GPT stalks people. Our third decade of climate. It depends on the context. Generally, third decade of climate suggests we are within Rosa. Cristina: She saw. Jack: Yeah. Cristina: Okay. Jack: The third decade, not at the beginning. Cristina: Okay, we're in within the third decade. Yeah. No, not happy with the answer. Jack: Okay. Yeah, yeah, yeah, yeah, yeah, yeah, yeah, that works. Cristina: We still didn't learn anything about McDonald's, though. Jack: Oh, yeah. We did not find out when. Wait, what's the question? Cristina: I don't remember what we wanted to learn about McDonald's. Maybe. How did it start out? Jack: Yeah, yeah, yeah. Okay, first of all, is it always. Cristina: A fast food chain? Jack: Well, So I know McDonald's is 1940s. D***. I was on it. Founded in 1940s as a result, as a restaurant operated by Richard and Maurice McDonald. Cristina: But was it a fast food chain restaurant? Ready? Jack: Let's. Let's go into the world of Wikipedia. McDonald's is the world's largest fast food restaurant chain by number of locations serving. Yeah. History. Cristina: That's great. Jack: Siblings Richard and Maurice McDonald opened the first McDonald's in 19. No, it can't be. Cristina: What? Jack: Oh, no. I thought I was looking at a year. Bro, it was 1398. I am like, 1398. Yeah. There's no way you did this in 1398. But it's at 1398 North East street at West 4th street in San Bernardino, California. On May 15, 1940, the brothers introduced the Speedy service system. It was fast food. Cristina: Okay. Jack: In 1948, putting into expanded use the principles of the modern fast food restaurant that predecessor, White Castle, had put into practice. I am blown away. So White Castle is the original fast food restaurant. Cristina: No, go look that up. Jack: Yeah. Looking this up separately. I don't understand. That's crazy. Okay, simply, what is the first fast food restaurant according to Google? Now the AI answers. I don't understand. White Castle, which opened in 1921. Cristina: Oh, wow. That was the first one. Jack: Wow, wow, wow. And then 19 years later, McDonald's showed up. Cristina: What? That's so strange. Jack: Okay, interesting. Interesting. There's no way I could have guessed that. I thought McDonald's was the first one. Cristina: That's interesting. Yes. Especially because White Castle burgers aren't even like real burgers. I don't know what they are. Those are burgers from the future. Jack: The future was like, look, they're so weird and squishy. Cristina: They're the ones. They're like, what? Jack: Soft? Cristina: Often like dystopian future movies talk like, that's the food from that. Like. Jack: Yeah. It's like really fake. Like Play doh. That sort of looks like food. That's it. It's just Play doh. That looks like food to some degree. White Castle struggles today. Cristina: That makes sense. Jack: Yeah, but like, how the did it make? I guess there was no. Cristina: It was the first of its kind. It had to make it had to. Jack: Make it based on this fast. Cristina: People were like, I would just want it now. Jack: And they could be cheap. Just skim on all the resources. Cristina: Yeah, makes sense. I guess pre. Jack: Make everything, save it and store it. Calculate the average person amount we get per day, our usual foot traffic, and make sure that we have enough stored to outlap to burnout within that time before we resupply. That's all you need to do. Even if you don't have. Because it's 1920s, we're talking. We don't have. Not everybody has access to a classic fridge. And like, it would be expensive to run a bunch and have. So you're preserving old school, but there's still ways to preserve you. Drowning s*** in salt and in sugar and s***. You know, just trying to preserve it from getting old. Cristina: And that's how it is. That gross. I don't know. It's not a burger. It's not a burger. It's its own thing. Jack: It had to be some sort of other mush. Cristina: It's like the hot dog of burgers. Oh, no. Jack: Do you think that hot dogs predate White Castle. Cristina: Oh, White Castle. Jack: Fast food or hot dogs? Cristina: Hot dogs. Jack: You didn't. Hot dogs. You're older. Cristina: Yes. Jack: How much older were you guys? Do you think hot dogs are ancient? Cristina: Maybe. I can see that. Jack: I can see that, too. I can see that, too. I can see that, too. Cristina: I can see the early 90s. 19. 19 thousands. I don't know. Jack: 18 thousands? Cristina: Yes. Jack: Like 1900s? Cristina: Hundreds. Yes. Jack: So that would make it, what, like, 20 years younger? You mean like 1901? Cristina: Yeah. Jack: Okay. My guess is sausages came to be in the 1600s. Cristina: We're talking about hot dogs, though. Jack: Yeah. Hot dogs. My bad. Not sausages. Hot dogs. I was. I was running through my mind on all the possible. Cristina: Of course, sausages came before hot dogs. Unless we were going to find out that hot dogs came before sausages. Absolutely confusing. Jack: Yes. I'm thinking that. That I was trying to follow the origin of sausages, and I think sausages are pretty old. So I was. In doing so, I came to the conclusion that their dogs have to be much older than we think, and we think they're American, but we're wrong. Cristina: And they're older than hamburger buns. Just hamburger buns. Jack: You think hot dogs today in. Wait. I think so. Cristina: I think so. Yes. Yes, yes. Jack: You think hot dogs came with hamburger buns? Cristina: No, I think they're. They're not buns. Hamburger burgers, Beef patties. I think hot dogs are older than beef patties. Jack: Okay, fair enough. Okay. Yeah. I think hot dogs predate. I think hot dogs predate burgers is what you're saying. Cristina: Yeah. Jack: Yeah, I think so, too. I think hot dogs are really old. Cristina: Yes. But not older than sausages. Jack: No, I think sausages are super old. Cristina: So. Jack: This is a ridiculous search series. Cristina: This is important history facts that they don't teach you 100%. I don't know. Jack: You know what you just named this episode. I'll put this right up here. Important history facts you aren't taught. Cristina: Fair enough. Yeah. Jack: How old is a hot dog? Cristina: Find out. White Castle's older. Probably not. I don't think so. Jack: Okay. Cristina: What? Jack: Put in your. I now have the answer. Put in your final claims. Don't search anything. Don't you? Cristina: 1800S. I'm changing my answer. Jack: The change in your answer. Cristina: 1800S. Jack: Is that your final? And are you sure? Cristina: I don't know if I'm sure. Go young. 19. Yes. Jack: Yes to. To what? You sure? Cristina: 1800S. Yeah. Jack: 1800S. Cristina: Hot dogs. Jack: Hot dogs. Cristina: Yes. Jack: Hot dogs. Cristina: Yes. Jack: Hot dog. You're wrong. Cristina: What? Jack: And I'm wrong. But I Was on the right track. I was following the right trail. Hot dogs come in roughly to the closest estimate, unclear to Germany. Frankfurt, Germany. The market district in Germany. 1487. Cristina: Hot dogs. Not hot dogs, sausages. Jack: Hot dogs. Specifically invented. 1487 in Frankfurt, Germany. Cristina: Hot dogs. Okay. I would. I knew it was probably Germany, but not 1400s. Jack: You thought Germany? Yeah. Why? Cristina: Because hot dogs. Jack: What the. What the. About a hot dog tells you Germany? Cristina: I don't know. Something about it does. Jack: Fair enough. Cristina: Okay, now, did they also make sausages, though, or is that from, like, Italy? Jack: I. I was thinking Italy. Origin of sausages. I knew. Yes. Okay, now let's be clear. My timeline on this was extremely f****** wrong. Now put in your bid for when you thought, when you think and why. And then I'll tell you what I thought and why. And then I'll tell you the answer. Cristina: Are you telling me it's younger than hot dogs? Jack: Sausages? Cristina: Yes. Jack: Tell me what you thought. Cristina: I would have guessed 1400s if I thought hot dogs was 1800. Like, that would make sense. I would guess it was like 500 for some hundred years older. Jack: Okay. Cristina: Is it some hundred years older at least? Jack: Through much of the things I've read over time, A lot of the research we've done for the show, for my personal interest, because I'm a weirdo, I've come across the mention of sausages dating roughly to about a thousand B.C. i've seen sausages mentioned repeatedly, especially when we're looking at Indian texts. They actually have sausages made from the. The things they do eat. They make sausages equivalents even out of vegetables and s***. It's a method of making a thing. Cristina: Yeah. Jack: And so the sausage we're familiar with, the normal actual meat sausage or whatever gets mentioned repeatedly in throughout the world. I thought that the earliest mentions I was aware of is because that's as far back as it went. So I was thinking about a thousand years bc it goes farther back. It is over 5000 years bc unclear where sausages might be among the first manufactured foods. When they learned how to create packaging for meat or whatever, probably in order to preserve it. They were invented as a. I just as the answer was there in front of my face. They were invented as a way to preserve meat by mixing it with salt, herbs, and spices. Cristina: Where at? Jack: In Mesopotamia. Cristina: Oh, okay. So super ancient food. Jack: Yes. Ridiculous. Cristina: Okay. Jack: It's ridiculously ancient, that. Cristina: Yeah, it was very off. Jack: I was very off. Cristina: I don't know. I thought it was as old as hot dogs, but I thought hot dogs. I Didn't know hot dogs were that old. Jack: No, I knew sausages were old. I was so wrong about how old. You even find it in scripture and crap. Cristina: It's weird. Jack: Yeah. Cristina: Or I guess not weird because they're that old. Jack: Yeah, they're just damning it. No, don't. Don't eat it. Cristina: You're going to eat those sausages. Jack: Don't eat those sausages. You're going to h***. Cristina: Mm. Jack: So, like, sausages have been around. You could find them in pretty old things. Cristina: Weird. Jack: So now the question is, I mean, we found the origin of McDonald's in general. We don't know the origin of Google other than I guess they were. But then what was the environment around them? Do you think they were alone? They were the first ones to be like, we're gonna collect information and then these other guys were the copies. Cristina: I don't know. I. Maybe. No, there's probably competition on getting to do that and that's why they became that. Because they weren't originally that. Right. As backrub, they were something a little bit different. Jack: You think they were something before backrub? Cristina: No, as backrub it was. Was backrub exactly the same as Google? Jack: Yeah. With the original mission of creating and archiving information. Cristina: Oh, okay. I thought I did something else. Jack: Okay, so for perspective, before Google came along, we had a shitstorm of people. Cristina: Okay. Jack: All doing the same thing. Here's a list of them. Archie came in 1990. Veronica, 1992. Cristina: A lot of them are going to be 1990. Jack: Jughead, 1993. Ali Web, 1993. Cristina: How many of these have you heard? Jack: Jump Station, 1993. None of them so far. World Wide Web, Wanderer, 1993. Infoseek. That one. 1994. Web Crawler. I've heard of that one. To 1994. Lycos. I've heard that one. To 1994. Yahoo. Directory. We've both heard of that one. 1994. Excitement. You might have heard that one. Cristina: No. Jack: Too. 1995. Alda Vista, 1995. Meta Crawler, 1995. Cristina: Interesting name. Jack: Ask Jeeves. Currently known as Ask. 1996. Cristina: Okay, I know that one. Jack: So Ask is a current big one that still stands and predates Google and so is Yahoo. Both of them predating Google yahoo. By through two years. Because BackRub shows up in 1996 after Ask Jeeves and after Hotbot Hot Pot. Yeah. So famous current day ones. Yahoo. 1994 is the oldest big name. And then Ask. Cristina: Ask is still around. Jack: Yeah. Cristina: Okay. Jack: Which used to be Ask Jeeves which I remember. And it's currently ask.com, which they changed I guess sometime in the early 2000s. Right. In 1996. And then Hotbot, which isn't big name, and then Backup, which is Google today. So only two big names, Yahoo and Ask Jeeves and Yahoo Sorgi, slowly dying, trying to survive. You kind of occasionally see some. Cristina: What is bigger than Google or close. What's the second? Jack: The second biggest. Currently, my bet is going to. What's your guess? Cristina: I don't know any other engines really. Jack: Really? Cristina: Not really besides Google. If I'm on something else, I go to Google. Jack: You. My guess would be Bing. Cristina: Bing, yes, Bing. That's where everything I am at before I Google Google is Bing. It has to be Bing. Jack: It's either bing or it's DuckDuckGo. There's no other way. Anything else holds the second spot. I refuse. Cristina: I don't really know about DuckDuckGo. Jack: Yeah, I think it's. Cristina: I'm guessing Bing. Jack: I think it's those three. And then in fourth place as a search engine will go Yahoo. Cristina: Okay. Jack: What do you think? Cristina: Bing. Jack: You think Bing is number two? Cristina: Yes. Jack: Okay, let's see. Cristina: That's all I know, man. Jack: As of January 2025. Cristina: How I would be shocked if Google is not number one. Jack: How big of a chunk did you think it was? Cristina: What? Google? Jack: Google. Cristina: 80%. Jack: 80%. Do you think your estimate is high or low? Cristina: High. Jack: You think it should be lower? Cristina: I think so. I think there's a lot of competitors. And even though I'm only using Google and sometimes Bing to get to Google, the rest of the world isn't doing that. Jack: That is a great, A great assumption. Using the information you have, Bing is number two. Cristina: Well. Jack: Knowing there are in fact other competitors, how big do you think Bing actually is? Cristina: I know. You didn't even tell me how much Google is. Jack: Well, I can't do that yet. Give me a percentage that you think Bing eats up of the market. Listeners. While you're listening, guess. While you're listening, guess, find one of our social platforms, which you could find. Just Convopod. You could find us on Facebook, you could find us on Instagram, you could find us on TikTok. Find an old video. Who gives a s***? Find something and comment on it. What you're listening to and your guess for exactly what. The answer. Cristina: Yes. Before we give you the answer. Because you must have had an answer before you find out. Unless you already knew the answer. And who knows? Jack: Yeah, unless you already knew the answer, give Us. Wrong answers. If you're listening. If you're listen, don't cheat. Don't cheat. Cristina: Yeah, don't cheat. Jack: Even if you're like a shy, nervous person who hates going on the Internet. You go, you. You f. You. You f******. You f****** go and you tell us what you think. Don't Google s***. Stop cheating. Stop cheating. This information is probably wrong anyways. Come on, we're playing a game here. Go. Okay, Anyways. Anyways, what percentage do you think? Cristina: Okay, I'm a lower. I mean, I'm a lower. Google from 80% to, like 30. I feel like that's still. I'm gonna give it 20% and giving 2%. Jack: You're gonna give what? Let's go over this again. Cristina: I'm thinking Google is 30% of the whole thing. Jack: 30%? Why? You lowered Google? You thought Google was too high? Cristina: Yeah, and the thing is, it's a huge competitive market. It can't be at 80. So I'm going with 30. Jack: Okay. Cristina: And then I'm giving Bing, like 3, 2. 10%. 10% and giving it 7. 7% while Google is 20%. Jack: Okay, everybody else, put your. Put your answers in. Put your answers in. Send it to us via mail if you have to. And I don't know, a random. Pick a. Pick an address. Pick an address when the cops get angry. Whatever. The answer is. What? The ballads are in. Is that what they say? The ballots are in. The ballots are in. The ballerinas have entered the room and are gonna tell us. Ballerinas, please talk. Okay, so Google has 80. Cristina: What? I was right. Originally. No way. Jack: 9.8%. So if we. If we just close it almost 90. 90. Yeah, if we close it off. Cristina: Well, I'm giving being like 10. No. Oh, my gosh. I'm so saying it's low. It's low. It's even lower than I thought. Jack: Okay, so then 10.1%. Think about it and then refine your answer, everybody. Now that you know you've given me your first answer. Cristina: Okay, now I'm guessing two now. Jack: Now answer and send me your second guess. Refining your first one. Cristina: Give us your first guess with the second. Like if you thought Bing was at whatever you thought Bing was, and then your new answer to being. Give us both, yo. Jack: Yeah, yeah, give us the first answer and now give us the second answer. I mean, if they didn't answer the first time, now they have to answer with both. Okay, but if they did answer the first time, then. Now they're answering to correct the original answer. So we'll know, there's the cool ones who partook in the game. Everybody else is kind of whack. But. Cristina: 2%. Jack: Ballerinas come back and give us the answer. And the answer is. Is that your final. That's your final guess? Cristina: Yes. Jack: No refinement. You're good. Cristina: Yeah. Jack: The answer was actually where you were originally when you began, which was 3.93, which is basically a 4.4percent of the entire market, leaving a 6% to be for everybody else. Cristina: It's so crazy. I did not think Google could be that high. I really didn't think so because there is so much competition. It makes no sense. I don't understand. But my original answer was closer to the truth. Who knew? That's insane. Jack: Now, knowing the information, you know, who is number three? Cristina: I don't know anyone. Another Google engine that's not part of Google. Jack: Another search engine. Cristina: Yeah. Yes. They're like, this is our test search engine. Jack: Okay, you forgot about Yahoo. Cristina: Oh, Yahoo. Okay, it's Yahoo. Jack: It's not. Cristina: It's aol. Does that have a search engine? Jack: I don't even know. Good guess. Yes and no. It's not. Cristina: They do have one. Jack: They do have one, but it's not them. Cristina: It's Facebook. Jack: That'd be amazing. They do have a search engine. And I. I wouldn't be surprised if soon enough they replace a huge chunk of the Internet. Cristina: Mm. But it's not that. What is it? Jack: It's Yandex. Cristina: I don't know what that is. I've never heard of it. Jack: The Russian equivalent of Google. Cristina: Yan Yandex. Jack: No, no. Cristina: Who's using it? And why isn't China search engine number two or three? Jack: Really good question. I don't know. Cristina: Like, I think there's something wrong with this list. There's something wrong with this list because there should be a search engine that a whole country uses. Jack: Yeah. Cristina: Humongous country uses. And they only use because they can't use anything else. Like, come on. Jack: Well, China is here, but I go, okay, so here's the argument. Here's the argument. China's is on this list of top five. It is. I think the problem is they can't afford it. No, no, no. They can. They don't allow it. I think the problem really comes down to they're one of like three people who don't allow it. So even if that's two point however many billion people, there are 8 billion people in the world and there are not even 1 billion people in North Korea. Not even close. It's a negligible amount. We could say that they're just blended into and dissolve into the Chinese population. So pretty much. Although. Yes, that's a lot of people. They're still just one fourth of the entire earth. The rest of the earth is still using Google. Cristina: Okay. Jack: And then the rest of the earth is familiar with the search engine. Google is most likely to show you, which would be Bing, if you're looking for the alternative. Cristina: I'm never looking for Bing. I'm always on Bing looking for Google. Jack: Yes. Because some places just forced Bing because they don't like the monopoly of Google. Cristina: Oh, okay. Jack: And they have, they make, you know, partnerships with Bing and stuff. Cristina: It makes sense. Okay. Jack: And Yandex is interesting that that gets used. How is that so popular? Cristina: What other countries are using it besides Russia? Jack: That's the question, right? How. What percent do you think it has? Cristina: Percent of? Jack: What percent of the pie do you think Yandex has? Cristina: 3%? Jack: 3%? Cristina: I don't know. Is that too high? Jack: I don't know. Think about it. What's your reasoning? Cristina: What was Bings? Jack: Bing's percentage was four. If we, if we round it. Cristina: Two. Jack: Is that your final guess? Cristina: Yes. Jack: Yeah, it's 2.7. Cristina: Okay. So almost 30%. Okay. Jack: Yes. Yahoo is number four. Cristina: It's gotta be less than a percent or it makes 1%. Exactly it. Like I guess. Yeah, I'm going for 1%. Jack: Yahoo. Is 1.2%. Cristina: Okay. Which is one. Jack: Yeah. Cristina: At the end of the day. Jack: Well, 1.3 when you round the two. But it's fine because it's. It's 27, so it's really 1.3, but still doesn't round the one up. And then we have Baidu, which is the Chinese one. Cristina: The Chinese one, which is I guess even less than 1%. It's less than. Jack: So it would have to be. And I guess that's the other problem because being conservative traditional people, even if they're technologically advanced in a lot of aspects, there's a lot of old culture that survives in there. A lot of people might simply not use the Internet in China and it might be real subject to the younger population. There's a lot of older people in China, a lot, and they're not. So they might just not be on the Internet. So it's not only are they 2 billion people alone in neglecting it like by themselves, essentially we could blend everybody else into them and they would just kind of dissolve into the 2 billion of Chinese people. So not only is that the case, but then even within The Chinese population, we have huge portions of them not partaking in the Internet to begin with. So they're not using the search engine. And then we got to consider their own alternatives that are pulling people away from their major search engine. Cristina: Okay. No, really. Jack: It would be their one major search engine competing with ones used by the earth. Cristina: Okay. Jack: Now, their major search engine doesn't necessarily have to be their only one. Cristina: How many do you think they have? Jack: Interesting. Cristina: I think there's one. Jack: You think China has one major search engine? Cristina: Yes. And if there's any other, it's a secret and that they try to keep from the people. Jack: Interesting. You think China has a single one? I think there are many other ones. And a bunch of secret ones. Cristina: No. Jack: All right, let's find out. Cristina: Find out. There's two. Jack: You think two? Cristina: Mm. Jack: Let see, as used by the population in China, what percentage of the Chinese market do you think Baidu has? Cristina: 99.9. Jack: Right. Because you think it's the only one. Cristina: Yes. Jack: And the other one is like a government secret. Cristina: Yeah. Jack: Baidu, as of January 2025, has 47% of the pie in China. Cristina: Oh, okay. Jack: With Bing, what number two. Cristina: Oh, I guess that's the secret. Jack: That's the secret to being so high up. What is the percentage of the piping has? Cristina: 30%. Jack: Good guess. 35. Cristina: Oh, snap. That's why, like, there would want to be on the Chinese one. Jack: I don't know. That bunch of them don't want to keep in mind we're talking about just the people on the Internet over there. We gotta say that maybe, maybe one third of the population is not on the Internet. So one turret, one third removed. So what is everybody using now? We gotta break everybody up among their other platforms. Now that takes out a huge portion right there already. Cristina: How much? Jack: 47 in Baidu and 35 in Bing. Cristina: Okay. Jack: What is. Cristina: What, the third. Random? Jack: Yeah, I mean, I guess there'd be no way to guess it. So the third one is called how. And what percentage do you think that holds? Cristina: 10, actually. Jack: Pretty good at guessing this. It's actually 8. You're in the ballpark. Okay, but the next one's gonna blow your mind. It's gonna make total sense. Cristina: Suddenly Google. Jack: Number four. It's not Google if you can't first guess the name. Think about it. Then guess the percentage. Cristina: 1%. Jack: Right. What do you think it is? Cristina: And it's not Google. Jack: It's not Google, I can tell you that much. Cristina: It's that Russian app. Jack: It's f****** Yandex at 3.1%. 3.2 actually is 3.19. So 3.2%. It's f****** Yandex. And 3% of the Internet users in China is still a huge f****** chunk of people. Yeah, there's so many people. That's a crazy number. Yandex is totally inflated by the Chinese market and Bing is totally the Chinese market. Cristina: Yeah. Jack: Nobody else is inflating those numbers. We're not using that. And even if we were using that, there's only 300 million of us. We are not changing those numbers because we're definitely mostly like almost all of us. I think In America alone, 99.99. Cristina: We're getting our laptops with it and then like swapping out for Google. I don't know. So that makes sense. That's crazy. Jack: Fascinating. Cristina: Yeah. Jack: Okay, what do you think the percent of Google. Hold on. Americans is Google? Yeah. Cristina: Can we do that already? Oh, no, not Google specific. Jack: For America alone. Cristina: Okay, then we're gonna go to Russia then? I guess, but. Okay, Google is, I don't know, 80%. In America it's 90. It's 90. Jack: We're not really giving our attempt. One in 10 people doesn't use Google. Cristina: Oh, my gosh. What are they using? They're not using Bing, are they? Jack: I don't even know what they're using. Let's find out right now. Going down. Numerically speaking. Search buddy. Okay. Yeah. Although it would be Bing. Although it has 4% on average for the United States, Bing pools 7%. Cristina: Wow. Jack: Okay, that's number two. Nobody's getting our attention. Cristina: No. Okay, well then Russia. Is there a second one? Jack: You mean China? Cristina: No, we already did China. I want to do Russia now. Jack: Oh, we did. And we got which percent? What are you looking for about Russia? Cristina: What they are. What are they using besides their yen? Oh, their app. I mean, their search engine app. Search engine. Jack: Okay, top five. Okay, the list as of January 25th, Google. There top five search engines. First one, Yandex. What percent are you giving it? Cristina: 50%. Jack: Here's a problem. No country has the ability to give its people propaganda the way ours does because we're all going to the same place. It could all be a lie. Cristina: Yes. Jack: They can manipulate the s*** out of us. We definitely the sheeple of the earth. They. It's 73%. Nobody is as close to one f****** source of information as we are. We are not diversifying our information as a collective planet. Cristina: Okay. Jack: Or as Americans. My bad. Cristina: Americans. Yeah. Jack: As Americans, we're not diversifying our information. This is a real Actual problem. Everybody else is diversifying information. The next one is pretty horrifying because the next one is an information problem. China removed itself from the information problem. We don't have to worry about it. But I understand the paranoia that comes from the other side of the lane. Google is number two. Cristina: That's what I thought. Jack: They know everything we know. We don't know everything they know because we are programmed to be sheep. We're not seeking their information, they're seeking ours. That's a problem of making people so f****** stupid that your people are going to be outsmarted by every other collective average people. If an invasion happens, any other country can s*** on us and our people can't handle it because our people have been made too stupid and easy to beat by the leaders who are trying to beat them. That's a problem. You need to be a leader who can overpower its people and you got to be a leader who isn't a p****. Simultaneously, yes. If you got to make your people stupid in order to control them, you are a b****. You're p****. You didn't have the ability to do it without watering them down. A true leader. A true leader. Not some evil whack villain who f****** does it from the shadows. A true villain. A true villain. A true hero stands in front and is better than all the people who he has educated and informed. They must all know what he knows. And he is still more conditioned and prepared than all of them. So they couldn't fill his would be a good leader who leads strong people. This country functions off of a bunch of sissy a** people who entirely sit on their money and then rely on a bunch of whack weaklings that they underpowered in order to contain and continue manipulating. So we have a bunch of weak people being led by a bunch of weak leaders who couldn't outperform their own people to begin with. So they have to make them stupid. That's tragic. Not the case in a country that is consuming their enemies information by one fourth of their population on average. Yeah, they know everything we know. Cristina: So do you think they like our media? Jack: They definitely like our media. Bing is number three. Cristina: That's funny and not funny. I don't know what is Bing everywhere. I guess that's why it's top three. Jack: In the world or whatever Yandex is in all three countries we've mentioned as well. Cristina: Yeah, Google isn't. No. Well yeah. I would expect that from China not to have Google. Jack: Bing doesn't complete 1%. It's 0.7. Cristina: 0.7. Wow. Jack: What do you think number four is? You also know it. Cristina: I know it. Oh, my gosh. I don't know. Ask Jeeves. Jack: No, one more guess. Cristina: Can you give me a hint that we'd say it? Jack: Yes, we've talked about it. Cristina: I don't know. Jack: People put in your answers. Cristina: Guess it's the one from China. Jack: What was the Baidu? Cristina: I guess so. Yeah. Jack: It's not you tapping out? Cristina: No, it is. I don't remember the ones that we've talked about actually. I don't know really. Jack: Even really popular ones. Cristina: Let me think. I completely forgot Bing. You already said Bing's number three. Jack: Yeah. Cristina: Yahoo. Jack: Yahoo is number five. Cristina: Whoa. What? Jack: So you still don't know number four? Cristina: Oh, no, no. I don't know. I don't know. Jack: It's duck, duck, go, duckduckgo. Cristina: Oh, the one you knew about. Jack: Oh, wow. So what do we top here? No, it's not even top here. It's top over there. Cristina: Weird. Jack: I guess I'm a Russian bot. Cristina: I'm thinking. Oh, my gosh. I had the. I was saying the Russian spy, though, but I guess, yeah, I mean. Jack: What do you mean, Russian spy? It's not a thing anymore. What are we? Old men in suits who run the world? I'm not a Russian spy. I'm some f******. We're Curry. We're current age, bro. Cristina: From spy movies. They're just normal, everyday people. Jack: Everybody. I mean, if you're watching John Wick, literally everybody you've ever seen or whatever. Cristina: What are they supposed to be? Jack: It's a world of super hitmen. I don't know how these people alive. Cristina: Everyone's a hitman. Jack: How's anybody alive? Cristina: It's a secret society which everyone's involved. Jack: Yeah. It's a secret world that every human you've ever seen is a part of. Cristina: I think it's the future of Fight Club. I think that's the continuation of the Fight Club movie that we didn't even. Jack: Know that it just. I mean, I guess if you keep extrapolating how psychotic it got immediately. Cristina: Yes, yes. This is what it turns into. Oh. Oh, my gosh. Jack: Just a bunch of men continuously trying to destroy the world. Farther. Why would they be hitmen? Cristina: I don't know. Because they thought it was cool. Jack: I don't know. Cristina: They're just men who. Jack: Because the original goal was to destroy society. Cristina: No, their original goal was just to fight each other. Jack: Yeah. And then they became. Then it was like destroy society. Cristina: Yes. That was number two, though. The first was like we punch each other. Jack: No, that was number one, the original. So here's how it goes in the first. What do you mean? Number two, like second plan? Cristina: Yes. Jack: Okay. Yeah. Because it was all part of the original con. The original story. Cristina: Yes. But not like everyone knew when they were punching each other that we're gonna go to. Jack: But the process from one to the other made sense. It began as we're gonna come down here and do something that's against society's normality. We're gonna be animals and that's gonna give us a sense of freedom. The extension thought of that is we're gonna punish the very society that put us in the situation to need to go down here and do this. Cristina: Yes. And then the hit. The Hitman movies, what are they called? Jack: The John Wick movies. Cristina: Are them creating the new society they. Or I guess they've already created the new society. Jack: S***. You know what's weird about John Wick that I didn't think about? And it's like John Wick is kind of also the Matrix, where everybody's just part of it. Cristina: Yes. Oh, my gosh. Is it the Matrix? Did he wake up and not realize he's still Neil, but he's not Neil like he is Neil. Jack: Fascinating. Cristina: He just doesn't know it because he's just in a other version in John Wick. Jack: They tried their best to erase as much of him as possible. Cristina: Yeah. Jack: And they then threw him back into a more comprehensive version of the Matrix, trying to restrict them more. But he still has the ability to be the Jesus. No, not Jesus, but what do they call him? Cristina: The. Jack: The Baba Yaga. Cristina: Oh, Babaja. Yeah, Baba Yaga. Jack: He has to be Baba Yaga. But it's really because he actually has Neo powers. Yes, still Neil. But he doesn't know this anymore because the Agents Smith and the rest of the AI managed to suppress him. Cristina: And when he died, he probably popped up in another world. It wasn't him dying, it's just him going somewhere else. Jack: Yep. Cristina: Because the Matrix, they just infinite loops. Jack: They're gonna make sure he doesn't break out again. And the conditions for him specifically, increasingly get more difficult. Cristina: Interesting. Jack: So it's always more likely he'll die. So then he does, and then he resets. That way you can keep resetting him without having to do it manually. Cristina: Yeah. Jack: That way he never gets out. Because he'll always get out. Maybe they tried. Holy s***. Maybe they did this without a loop. Reset? Cristina: How? Jack: So they eventually managed to catch Neo in this thing and they're like, good. We raised his mind and we put him in there. But the first time, they didn't realize eventually he'd be able to use his abilities again. And then he did. And then he got out again. But they caught him again. They put him in. They found a way to kind of suppress his abilities. Kind of, sort of. Cristina: They can never truly do it, though. Jack: Yeah. So basically, they have to kill him. Cristina: Before he gets there. Jack: Hence the John Wick scenario, where every time you survive it, it's a little harder. You're gonna lose. You're gonna lose, and you're not gonna have the time to focus on escaping. You're gonna lose. Cristina: Okay. Jack: And then it'll reset. And nobody has to be around to watch it happen. Cristina: Mm. Jack: They just need you to die at some point. In that version, it resets. Boom. New version, you don't remember anything. Cristina: No loop. Jack: That's how you solve Neo. Cristina: Okay, that's horrible. Jack: And so you solve John Wick. And we can tell because. What was the first one? Oh, my dog, let me go chase the gas. And then it was, oh, my car. Let me go chase the guys. And then it was. Oh, I overstepped when I went into the building. Let me deal with it. Cristina: Yeah. Jack: And then the next one is the entire cities after me. So escalated one group of people, an entire series of hitmen, an entire collective. The city. Cristina: The city is kind of ridiculous. Jack: So it's getting more the difficulty every time. Every time he survives it. So he survived the next one. If he somehow did survive, it's gotta be harder than that. And if your multiple is just two times harder each time, which it wasn't. It was exponential, definitely. Every time it escalated quite a bit. Cristina: Yes. Yes, it did. Jack: If it only took four almost deaths for the simulation to pump out whatever the f*** happened in the fourth movie, a whole city of people, then what would be the result of the fifth iteration, or the fifth wave, it sends you. Cristina: I don't know. What do you think is gonna happen? Jack: And those waves were what, how far apart? I would say that the first movie finished, and then the second one began a week, two weeks, a month later. Cristina: I don't know. Jack: And then the third one happened instantly. Cristina: Yeah. Jack: And so the fourth one, they were kind of back. They were all one day almost. They were like, maybe a week apart. Cristina: That's kind of wild. But it's like. Yeah. Times four, times 20, times 50 or whatever. Like, what could possibly be next? Jack: Yeah. Yeah. I don't know. A state. Cristina: Like, I'm pretty sure he did Die. But he might come back somehow. Jack: Maybe he is Baba Yaga. Cristina: Yes. Jack: Rises back up and then. Cristina: And then what? Maybe zombies. He has to fight zombies as a zombie. That doesn't make sense. Well, like what could possibly happen? Jack: Fascinating point, fascinating point. If we were to extrapolate this a little further and say that Neo, AKA John Wick, gets killed eventually in his cycle as John Wick and becomes some. Some other new random variation generate Rand randomly generated by the matrix he's specifically locked into. Then is it absolutely possible that when he did Constantine, that was just another random iteration as well? Cristina: It could all be connected. Jack: That resulted also with him being absolutely overpowered. One of a kind guy who could outperform random crap that he shouldn't have the ability to. Oh, out power. Cristina: How's that? Jack: And some dying eventually. Cristina: Oh, well, I think they take the. Jack: Cancer out of his lungs. But somehow he still dies. Well, I don't remember. Oh yeah, I think the. I think Lucifer or some angel or some sticks is their hands into him and scoops out his lung cancer. Cristina: And then he dies immediately. Jack: I don't know. I don't remember how he dies. I think he dies eventually. I could be wrong. Okay, but that could be another iteration. I'm sure he dies some. Somewhere down the line. In which he dies at the end of it. Cristina: Somewhere. Jack: Because it kept getting harder. Cristina: Yes, he has to. Because it keeps getting harder. No matter how overpowered he becomes. Because eventually he can do whatever he's been super overpowered. Jack: But in the real world, he's that level of overpowered. Right? No, this doesn't make any sense. In the real world, he's just normal in the mate. I don't understand the story. Cristina: I don't know. Jack: He's just a guy in the real world and then he connects into the Matrix. Cristina: What power the real. There is no real world. He's never out of. Jack: He doesn't. Yeah, but according to what the movies tell us, he doesn't know this. Oh, what does he think is happening where he connects into the Matrix. Okay, he has powers. What the h*** does that have to do with you specifically as Neo? Why can you do that? Why are you the Chosen One? Isn't it science? Why is there a Chosen One? Cristina: I don't know. Jack: Yeah, but in reality we know that he was never outside of the Matrix because it's in the subtext of the Matrix. Because it explains that he was born as an anomaly within the system that needed to be caused intentionally in order to. He's basically not aloy but a Corrective, I guess. He is aloy corrective measure. You know how in in Horizon there is Gaia who's supposed to recreate the world. Cristina: Okay. Jack: But if something goes wrong, there is Hades to hit reset. Cristina: I'm just saying he's not Hades. But he's aloy. Jack: I don't even know what my point wants to begin with. Cristina: He's somehow related to that story Horizon. Jack: Somehow? Yes. Cristina: Is he aloy? Is he there to reset the computer? Did the computer make him to reset it? Is that what you're saying? Is that possible? Jack: I guess. Cristina: I don't know. And the computer doesn't remember why it did it. Jack: Wait, who the h*** are we talking about? Cristina: Neil. Jack: Right. Neil. Cristina: And weren't the computer made Neil right. As some type of glitch? Jack: Why the computer made Neo as a glitch? In order to cause a. The computer needs to reboot regularly. I don't know what my. Okay, I don't know how it's. My problem is I don't know how I was trying to connect it to Aloy because. Yeah, so Neons exist. We'll just explain them separately and see if I could connect it. Cristina: Okay. Jack: The existence of Neo is essentially some sort of a reboot mechanism. So is Aloy a reboot mechanism? Aloy is a salvage system which is essentially a reboot mechanism. Right, I get it. So Gaia is to create the world and Hades is to destroy it if something were to happen. And Aloy is Gaia's countermeasure against Hades. Against Hades because there was nothing wrong. But Hades is bugged the f*** out now. So the countermeasure is aloy a different kind of sub secret other thing to protect the system. Neo is essentially that every so often this must occur in order to sort of debug the system and go back to default setting. Cristina: Okay. Jack: And so within the Matrix, which even Agent Smith is technically part of. Because there is no real world. As far as we know from the perspective in any information we're given. Neo is born within the system. Which is why there is no real. Cristina: It's just a computer. Jack: It's just a computer. Even when they disconnect, that's part of the simulation. Yes, because he's born within the system that is specifically mentioned over and over. That's also how he is the chosen one. Because he is born within the system. And that's how he has the ability to manipulate it. Neo is the story of Lane from Serial Experiments. Lane. They are the same person to some degree. It is an individual never understands it. Cristina: Like Lane understands it. Jack: No, Lane has the moment that I think Kyle has, or Stan, one of those two in south park where he is really thinking about religion until he literally is Kyle. Until he literally starts to transcend and then becomes a floating head because he sort of goes to the next state of existence or whatever. The what? Cristina: Yeah, I do not remember that. Jack: But okay, that's basically. Cristina: Yeah, that's what she is. Jack: Yeah. Cristina: Okay. Jack: Well, I guess that solves the world's problems. I don't know what the point of any of this was. Cristina: I don't know. Jack: We got to the bottom of it, though. Cristina: I don't know what the star of that was, though. To get to the bottom of. Jack: What's the farthest thread you remember. Where do you think it started? Cristina: We started at movies, I believe. Jack: Movies? Cristina: I don't know. We were talking about Google. Jack: Oh. Why were we talking about movies? Cristina: I don't remember where. How Google got into the Matrix. No. Jack: Okay. Without anybody going back, what do you think we were talking about? Do you remember? I have no clue. Cristina: It wasn't the Matrix we started. Jack: And we definitely started at Google. I have no idea how we transitioned into the Matrix. Cristina: Cyclone. Fair Neo. Jack: Those lines are clear. Cristina: What's the other guy? Jack: John Wick. Yeah, yeah, yeah, yeah, yeah. All that. All that's connecting. I just don't know how we got to those from. Cristina: Because he is the Baba Jaga. Jack: And how do we get that from search engines? Cristina: I don't know. He's from Russia. We're all spies. Jack: We're all spies. I don't know. Cristina: You're a spy. You're Russian spy. Jack: I'm definitely Russian spy. I don't know how that connects to John. Cristina: We're close, though, because everyone's a spy. I mean, everyone's a. What is he, a hitman? Hitman? Jack: Why was everybody a hitman? Cristina: I don't know. Did we find out why? Jack: No. It was a connecting thought. Why would I. Why would it? Why do we. I don't know. Cristina: I don't know. Jack: I don't know. I don't know. Anyways, so if you guys enjoy the show, let us know. In the same places we said earlier, which are just kind of a pot on our socials. Cristina: If you answered our questions, let us know. Jack: Yeah, I mean, they would have answered. We would know. Yeah, we would know. Don't do that again. You could tell us. Cristina: Yes, tell us that you told us the answers. You were like, hey, you didn't mention us. I don't know. Jack: Yeah. Cristina: Should they mention? Should we mention them? I don't know. Jack: No, they gotta tell us they answered. Cristina: The question after they already answered the question. We need a separate message. We need. Jack: We need a separate message that should be roughly like 40 minutes later that's telling us you sent us a message roughly 40 minutes back. Cristina: And there should be two messages, though. One is the ones you thought Google. Jack: And there should be three messages. Cristina: One of your correction. Jack: Yes, it should be your first guess, which included your correction for the second guess. And that's just your second message because your third message is letting us know you sent us those two first messages. Cristina: Yes. Jack: And this must be done in disorder. We will not accept them otherwise. I don't know what that means. We won't accept them. But. But f*** you. Cristina: We won't accept contest. Jack: There's a secret contest, and you won't know whether you won or lost anyways. But if you win. No, you can't win. You're disqualified. If it's not done in this order, okay? Cristina: And if it is done, you do win. Jack: You could win. You qualify. Cristina: You qualify. Okay? Jack: And when you win, you won't know. Cristina: Okay? Jack: And the reward. We're representing you. So it's the opposite of when a celebrity goes on a show. It's the opposite of when a celebrity goes on a show and they win a thing. And all that money is like going to some other person. Maybe they got like a. I'm representing Bob, who's a normal guy, but I'm a celebrity or whatever the. And like, when I win the money, I don't need the money. I'm a celebrity. So Bob gets the money. He gets whatever I win. Cristina: Okay. Jack: Okay. So you guys are gonna guess. We're gonna. Cristina: We're the ones that are gonna win. We're winning. They win the prize. Jack: They win. Yeah, the prize they win is for us. Cristina: Oh, okay. Jack: So whatever super mega awesome prize you guys are guessing, so we win it. Cristina: Okay. Jack: You won't ever know what it is, and we will never remember to tell you. Cristina: We should at least try to remember to tell them, hey, this person won it for us so that we wouldn't. I don't know. Jack: Fair. If we remember. Cristina: If we remember. Jack: If we remember, we probably won't. But if we remember, then, yes, we're gonna let you know that you want it for us. But we probably won't. Yeah, I won't remember this conversation ever happened. And then we'll start. Cristina: If we somehow find the message, maybe that will trigger our memory on this. I don't know. Jack: Fair. Cristina: We'll see. Jack: Yeah. Anyways, you could again, you could you find us socials, message us three messages. Just convo pod, Facebook, tick tock. Cristina: X. Jack: And what for Instagram. Cristina: Remember to subscribe, rate and review the show. Jack: Yes. Word of mouth. Tell people that you either one failed any of these games and that you have to send the stream messages in order for us to care. Cristina: They have to tell them all of that. Jack: Yeah. If they also don't tell anybody. The fourth condition. Cristina: I guess you got to write us another message. Jack: You need. There's five parts here. For this to qualify, you must first have answered the first question, then in a comment, then answered the second question in a comment which would have been like roughly two, three minutes later. Then you must have roughly about 40 minutes later sent the confirmation that you sent us the two first messages. Then you must go tell somebody. Tell somebody. And then you're gonna come and send us a fourth message telling us that you told that person, tagging that person in as proof because we don't believe you. Cristina: I don't think we're gonna get anyone to make it this far. And then, yeah, I guess no one's gonna win this contest then. Jack: Nobody wins this contest. And we get. We both split it even. Cristina: Okay. Jack: This super mega gift, that's for us anyways. Cristina: Yeah. Jack: We're gonna break it down the middle and neither one of us wins. We share. But if, in fact, we're gonna secretly choose in the background based on the answers we get, and they're gonna go into the secret raffle and one of them. One of them is going to win. And I hear you. Who's gonna pick? We're gonna own half of everybody who submits. Cristina: Okay. Jack: And it's gonna be our. Our teams. One of us is gonna hold the team. Who's a winner. Cristina: How would we know? Are they also voting for us as well? Jack: No, they're not voting for us. They're just answering these questions and then they immediately qualify. If they did. If we received four messages, okay. In the. And they must be these types of messages, and they must be equal times apart. Cristina: They do not have to be. Because if episode first and then. Jack: No, no, no. Cristina: Like, that's not fair. Jack: No, no, no, no. It doesn't qualify. It doesn't qualify that. They have to be clever. Then. Now they got to do homework for being. For not doing it initially. Now they got to do homework. They got to start the episode. They got to. Cristina: They have time to find out answer. Jack: When they got to do it. Yeah. Too bad. Now you're listening. To it again. You get to find out when. I guess not really. I guess not really. You just have to keep jumping until you get to the questions, which is probably really easy to do. And then like, okay, I'm a comment right here. Then, okay, I'm gonna jump forward however long. Then I'm just gonna calculate that amount of time from when I commented, set a reminder, and come back that long from now and send the second one then. I mean, no, that's the third one because you sent the first two. You could do those easy. You do this in one sitting. You like, I don't know, watch a couple of reels or some s***, and then do the second comment. Boom. That's three minutes. Fine. Now the. The. The third one is the one that's 40 minutes apart. Now you just set a reminder and you walk away. Right? Because you weren't gonna do what I'm saying. You're an. You're like this guy. I do what I want. I still want to partake, because fun game. But you. I'm not doing. I don't know, maybe somebody likes doing. Thank you. Thank you. Cristina: Cool. What word? Jack: That was an AI telling me my. My weekend should be great. Thank you. Cristina: Okay, this has been the Rambling podcast. Take nothing personal, and thanks for listening. Jack: Bye. Cristina: Foreign. Good morning. Good morning. The podcast is hosted by Cristina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo, and logo by Seth McAllister with social media managed by Amber Black.

Rambling 303: Johnny and the Bobs

Could a Synth similar to Fallout 4 androids truly trick a person? Could anything else  fool us the same? Who the hell is Bob? The duo unpack the concept of uncanny valley and whether or not it’d be possible to replace someone familiar with a copy.

+Episode Details

Topics Discussed

  • Synths
  • Demonic Possessions
  • Clones
  • Twin Brothers

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod

Rambling 302: How Was 2024?

What was memorable about 2024? What was Israel’s role last year and why? Are elites screwed? The duo talk about the events of 2024 that stood out to them and attempt to add context and ground those events. 

+Episode Details

  • Diddy Parties
  • Jersey Drones
  • Olympic Break Dance
  • American Presidential Elections
  • Israel and Jews
  • Drake v Kendrick Rap Beef

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Rambling 302: How Was 2024? Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling Podcast. I'm your host, Jack. Cristina: And I'm your host, Cristina. Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And so we're gonna. That. Because that's our job. Cristina: We're. Jack: We're essentially. Yeah. Cristina: We're what we get paid for, as. Jack: We get paid for. We're reporters of. Of the cosmos and data and. And junk and stuff. A lot of junk and stuff. And I know we've been on the Luigi case and how that connects to all the. The elites freaking out. But because of that, we never got to, like, do a gear review. So I figured we could just quickly talk about some of the things that was cool about last year. Cristina: Really? Jack: Yeah. Cristina: I can only think of, like, the past few months. Jack: What happened in the last few months that caught your attention? Cristina: Not the last few months, but, like, I guess recent things that have happened. Like the whole thing with our president and, like, Trump coming into office, but, like, everything leading up to that. Jack: What things happened leading up to that? You mean all the multiple assassination attempts that happened to this. Cristina: That is a big thing. That's kind of crazy. Also all those videos of Kamala Harris making fun of her and the weird things that she said. Said throughout that whole thing. Jack: Okay. Politically speaking, it was really just their. Cristina: First debate of Trump and Biden, even before Kamala. Kamala came into the picture. Like, I guess that politically was all the most recent thing that's happened this year. Well, not this year. Last year. Jack: Yeah, towards the. I mean, it was a weird. I mean. Right. So everything happens, and it leads to this obvious moment where we have the largest red wave that has ever happened, I believe, in history, where pretty much everybody just turned and was like, the left is psychotic and the Democrats are psychotic and the progressives are psychotic. And like, oh, no, the Republicans and the conservatives and the right wingers, they are at least fighting in the side of the right. People just in general decided that, you know, but here's the issue. I was actually thinking about this. I was having this very thought, I think last night. I'm not entirely sure where I was really considering this huge red wave that's happened. And, like, where is the straw that broke the camel's back? Right. And I think really, really, really it happened around the. The gender people. That's. I think that's where it all went wrong. Around the gender people, the kids who are like claiming the term trans, which doesn't make any sense. Anybody listening to this who's claiming to be trans? You haven't transitioned through anything gen. Not like you could identify whatever. But you're using the wrong terminology to describe, like, a person who was trans had to transition. That was what it meant. And that's the definition. You guys aren't stealing it the same way. I still don't refer to, like. I'll say gay because it makes sense, but I don't define that word as homosexual. That's still being happy. I mean, you can't steal words and choose your definition for them. That's ridiculous. But that being said, the Alphabet people, AKA the trans community, but not the actual trans community, but the fake trans, because the real trans community is men who became women or women who became men. Cristina: What does this speak? Jack: They are just a gender people. That's it. Cristina: People that like, yeah, I'm weird and. Jack: I'm like a woman even if I'm male. And I'm like, what? Oh, yeah, cool. Whatever. You could believe or be whatever the h*** you want to be, but you're using the wrong terminology. Trans is not what you are. That's a ridiculous use of something that you have not done. But they broke the camel's back. Nobody had a problem with gays and lesbians. Nobody had a problem with transvestites. Nobody had a problem with transsexuals. Nobody had a problem with any of these things. People had a problem with forcing them to partake. In your universe, the only people who tried that were the gender people. They were the only 00:05:00 Jack: one trying to force other people to partake. And you're doing that in the wrong country. The country of we do whatever we want, not whatever the f*** you tell me to, is not where you come and tell somebody to do something again. Cristina: Okay? Jack: That's gays and lesbians, transsexuals and transvestites. Whatever, do what you want. You could do whatever you want because it's the United States of America. You do whatever you want. But just like that, everybody gets to do whatever they want. Cristina: Reminds me of them bringing it to school or something. That weird thing that was happening. I don't know if that was a real thing. Jack: What? Trans. Not. What is it? Cristina: I don't know. Jack: Drag queen reading time or whatever. Cristina: Oh, yes. But they were also dancing. Jack: Yes. Cristina: Like, what was that? Jack: Here is an interesting thing that me and friends of mine who are, I don't know many transgender. Not transgenders, transsexuals. But I know Some people who enjoy dressing like women, and when it came down to it, they didn't stand by that either. That was some weird thing that happened with the gender people. Like, they started taking facets of all the other. First they forced their way into the Alphabet. Essentially, LGBT was all that it was. It was three people telling you what they're interested in sexually, and then two people on the T telling you that either they have fully transitioned or enjoy dressing like the other part. That's the LGB and the T. The lesbian, the gay, the bisexual, and the transsexuals and transgenders. I mean, the transsexuals and transvestites. That's what those letters meant. And those individuals just wanted to be left alone and be accepted within society. They don't want to be special. No special treatment. Just let me do what I want to do. None of them were ever forcing anybody else to do it. When the T started to warp into a weird general thing that included things that are happening in your head and not in your body, suddenly forcing it on other people was in all parts of it. It's not. It began with call me. My pronouns. I'm forcing you to do something. But then it's like, no, no, no, you have to, because we're gonna put it in the laws. And, oh, no, anybody who wants you to play along, you have to do that. And also, I'm going to. This is just a bunch of continuous different areas of society where they kept trying to force other people to do it. And then you entered the schools and tried to force through the kids because we can't get the adults. We're going to train you small, but, ooh, ooh, you f***** it up. You got you. We were tolerant. We didn't like it. But it's like, whatever, America. Do whatever the f*** you want. You're not going to really make us call you anything, but whatever. You can scream at us if you want. You got the right to do that. I got the right to ignore you. It's when you entered the school and I saw a While ago on TikTok that is no longer gonna be with us, Rip. But who cares? Everybody moved to the other platform already. I saw a lesbian who began talking from the. From that perspective. I was watch. It must have been like a year ago where they were like, you guys are starting to cross a lesbian talking to the gender people. You guys are starting to cross a line where you've. You've essentially attacked the kids, and you're gonna undo everything that the rest of us have worked for, which is just to be accepted. Now they're starting to look at us like we're all like you because you're using our letters. You're messing up what we have worked to accomplish because you're trying to target children and forced adults. And it's like, well, a year later, that got proven, and now I. The problem is, as an Andrew Tate incel might explain, if a hoe has a friend and you are looking at the friend who's friends with a hoe, you're gonna associate and say, they're both hoes, right? That's kind of the logic one of these guys would use. It's who she's around. She might be the normal girl, but one chick surrounded by hoes must be, you know, the stupid logic they would apply. That kind of applies here in how society is working. First, they took your letters, and then you guys welcomed them, which is fine, except when it went bad, you 00:10:00 Jack: had already allowed them into your circle. So when they're looking at who to blame, you look like a hoe. They're a hoe. You're a hoe. You were all hoeing together. Maybe you weren't, but who's gonna try to find out which one of them isn't the hoe? Cristina: Okay? Jack: And so society is looking at, well, lgbtq. You guys allowed them there. Now, that's one label. You guys fell under the same label, and you didn't fight it off at the be. You let them. So now you decided to identify with them. And then s*** went wrong, and you wanted to separate yourself. You want the LGB to remove itself, but you didn't do that when it was good. You were consuming the benefits of their work. You didn't make a stand to differentiate. You only making the stand now that it's hurting your previous progress. Even if it was wrong to begin with. You're only making the stand out. So to everybody else, you're just another hoe. And as we strip the rights from them, yours are gonna be f****** gone too. It's very sad, and that f****** sucks. But you kind of stood next to that hoe so long, everybody thought you were a hoe too. And, like, d***, that sucks. But you guys kind of didn't dismiss them the way everybody else did. And I kind of. You chose to stand by them. Now you're not, and I acknowledge that. And look, I am still kind of on their side on that. You should be able to dress and get. You should. You can't make anybody call you s***. Yeah, you should be. You, you can't get anybody to call you anything. That's ridiculous. You're not gonna do that. Oh, don't misgender. Shut the f*** up. You're gonna get misgendered anytime I want you to get misgendered. But you have a right to feel however you feel inside. And you can identify as whatever the f*** you want to identify. Nobody can take that away from you a hundred billion percent. You're allowed that, but you can't make anybody else. And I'm on their side with that. But they're all gonna take the hit now because you know, you were hoeing together and we now people are recoiling and you know you're gonna get the f*** out of the bathroom. The bathroom thing doesn't f****** make sense. It doesn't went. What stops a guy right now looking like a normal dude going into the woman's bathroom? Yeah, you could just literally walk into a woman's bathroom right now. I don't get that f****** reasoning. That one's dumb. I understand if a little girl, when you put it in, when you add context to it, it suddenly gets a little darker. A little girl and a grown man only go into the bathroom. Now you got a problem. Cristina: If a little. If a dad takes his daughter to a bathroom, should he take her to the girl's bathroom or the guy's bathroom or is it appropriate? Jack: It doesn't matter. Cristina: Where does he go? Jack: He's taking her to a stall regardless. Cristina: Yes, but isn't it look bad either way? Jack: No, it gets bad. The only time it really gets bad. And this is the only side of this argument that the people against it. See, your 11 year old daughter knows how to use the bathroom alone. Mom, I'm going to the bathroom. Grown 45 year old man also goes into that bathroom and nobody else is in there. Yeah, you see, he doesn't have to be doing anything. There's a 45 year old man around your 11 year old daughter when she's removing her pants. That's all you need to know. Yeah, that kind of f****** sucks. That's not happening now on those grounds alone. Oh, but I'm allowed to do. I get it, bro, but you can't just think of you exclusively. Cristina: You have to think of people do though. Jack: Yeah. And they're like oh, I should be allowed to. You should. Yeah, you should. But the same way, and I say this knowing the backlash that's about to happen, women do have to dress a certain kind of way. Not because it's right. That they should dress a certain way, but also well know your audience, know where the f*** you're around, and know that guys are monsters. So, like, don't be at a party, super skimpy dress and be shocked that some dude is f****** groping on you because you kind of look like the part of the person who would, you know, and that sucks. And definitely don't blame the chick when the guy does the wrong thing. But also she was there kind of portraying the thing. So it's part of he's a monster and she's kind of an idiot. That's kind of where it lands. Not she did something wrong. No, she did something stupid. He did something wrong, but she did something stupid. The argument is, do you trust going to the hood, any hood, pick a hood, and putting $10,000 on the floor, going to the store, buying something and coming back to get your $10,000. 00:15:00 Jack: The same way you wouldn't be half naked around people who want to rape you. Cristina: Could you do that in other places? You're saying only in the hood? Jack: No, I'm just giving you, I'm just giving you the most obvious location. Cristina: Okay. Jack: Because the argument would be yes, but also you could be in the middle of daylight in a city, walking down a city block, and how many videos are there of some dude just jumping on a woman, trying to rape her right there in front. Like, yes, it could happen anywhere. Cristina: Yes. Jack: But in the obvious situation when it would happen now it's kind of. You're doing something dumb too. If it just happened and you're anywhere. F***. Society sucks. Like people are monsters. Cristina: Reminds me of something from 2024 whole would you want to go into the woods with a bear or a man or something? Jack: It's funny because this falls into the same thing, right? This is the other side of that coin. 2024 was the peak and the collapse of women on women superior to men. We've. We're seeing whatever the f*** they're claiming is feminism, which is really feminazism. We're seeing that fall apart now because a bunch of incel type dudes have just opted into not dating women at all. And the men who are kind of soft but kind of, you know, pool chicks anyways, are opting into. We're going to be in our, what is it, the soft guy phase or whatever the s*** was happening. So women were like, oh, the bear. Like, you know what? We're only going to be taking the bros out from now on and we're not going to be talking to You. You want to talk to us, you can approach us, and you have to ask us out, which means you got to pay for the dinner or don't get dinner. I'll go take my homie out. So a bunch of that happening sounds pretty cool. Mm. But I don't know. It's weird. I don't know. It's weird. 2024 was the end of a lot of weird things. I do think. I do think real feminists spoke up. Cristina: Mm. For what? Jack: Just in general. Just in general. So many women are like, look, I don't. I want to be taken care of. And, like, I don't want to f****** work. And, you know, a lot of. Not femme. I guess that one isn't a feminist. Yeah, it depends. It depends. That's still. That's still feminism. When the woman wants an equal role, although different. The problem is feminism got corrupted by the we can do everything men could do. You literally have less physical mass on a biological scale. We have hundreds of thousands of years of spatial development in males and emotional development in females. Interpersonally speaking, you are. We are not the same. Cristina: Yeah, but we want to do the same thing, but better. But it should just be. We want. We would like to do the same things. Jack: You would. Yeah, exactly. You would like to do the same things. Cristina: That's it. Jack: No man could do a thing. A woman developed naturally to do better than a woman. There's no man who could do that. There's also no woman who could do anything. A man is naturally more able to end. Yes. There are outliers for those of you out there who just thought of some specific instance, and it's like, oh, what about this celebrity or the super athlete? And it's like, that's why they're a f****** celebrity and a f****** super athlete. No s***. Pick out the exceptions in general, the rule would be. Is what I'm talking about. And yeah, like, there's no instance in which a guy is gonna best a woman at women things. The problem is there's also weird lines about what those things are. It's funny to say, b****, get in the kitchen. It's like, bro, pull back. Men were the kitchen. Men were the kitchen for so f****** long that even in the worst of scenarios, the man is the better chef always. But that's because he had to hunt the food and he had to make sure the food didn't rot on the way back. So they had to cook the food. You bring the food ready. That all happened on the trip. The women were social interaction and safety in numbers and structure. It was the mental development. Food had nothing to do with it. That was part of body, which was part of the father's job. Now in society, these logical things most people don't know and are f****** stupid. Many guys will say, b****, get in the kitchen. That guy does not know anything about life. He's just saying dumb, ignorant crap. Because women can easily be like, b****, get in the kitchen. Because biologically, that was our role. Cristina: Interesting. Jack: We were literally the. Go get me some food, bro. 00:20:00 Jack: And we would be like, yeah, I guess. I mean, I'm gonna starve too if I don't. So I guess I gotta go get the food. Cristina: That reminds me of the Olympics though. That happened. That was really funny. Reminds me of the breakdown. Yes. Yes. That's what I'm thinking about. Oh, my God. What's her name? X ray, Something like that. I don't know. Jack: Yeah. Oh my God. Cristina: She could dance as good as a man, right? Jack: That was 2024, wasn't that. Cristina: I feel like that was early this year, right? Jack: Maybe. Maybe I know that they were. Cristina: Or was it last winter? Jack: Well, I remember it at least. A scandal happened in 2024 where we learned about. I don't know if I was. Yeah, I think. I think The Olympics happened 24. I don't know. I don't follow. Cristina: And then that man and lady shooter. Jack: Yeah, it was 2024. Yeah. Oh, you talking about the two dope shooters. The guy who was just fire and the chick who looked like an anime character. Yeah. Those people have been memed to death. Cristina: There was some cool stuff from the Olympics. Jack: Yeah, it Sports that normally get completely ignored, but the fact that this guy had no tools. Everybody showed up with a thousand gadgets. He just freeballed it. Cristina: Yes. Jack: Just one eye. Not even. He didn't even close an eye. He just. Straight up. That's crazy. Yeah. Nuts how this dude's been shooting too much. It's just natural in his hand. He knows what it's gonna hit. Cristina: What does he do outside the Olympics? Jack: I bet he's some super spec ops individual. And nobody, nobody would know because that's exactly. You know, he's like, probably real life John Wick. Cristina: No way. In the Olympics, he. Jack: Why would they know about his secret life? I guess he's just. Dude, as far as the books show, I don't know crap about him. Meanwhile, he goes home, changes into a suit, kills 35 guys in a hallway with a. With a toothbrush or something. You know, it's just easy. He's leaving the Bathroom. A mob of guys is trying to kill him and all he had is the toothbrush. But man, did they regret him having that in his hand, you know? But no, that was cool. And the. The Asian chick with the. Cristina: The video, she looked like a video game character. Jack: Like a video game. What were these people's name? Oh, Yousef is one. That's the guy who was the other one. Yusuf. And what. Cristina: When. What year was that? Olympics. So, I mean, you said it was last year, but that was. That was the winter Olympics, right? Jack: Yeah, I don't know if it was Winter Olympics, but Kim Yeji, that's the other one, Yusuf. And Yeji, Yeji was the anime like character individual. Probably the coolest looking man. Crazy, crazy, crazy. Cristina: You show me. Yeah. Jack: Main character energy, bro. Yep. Cristina: Well, both of them had main character. Jack: Both had main character energy. My dude just free eyed it. Bro is so crazy. Come on. Are you kidding me, dude? He's so like. What? He must be some spec ops murderer. That's too casual, bro. No, she had gear. She's an Olympic participant. Cristina: And you don't think he is? Jack: Everybody else wears what she's wearing. Some variation of it to help shooting. This dude showed up with nothing but his regular life glasses. Cristina: Look up what he does for a living. See if what. See what Google says he does. Jack: Just a normal shooter. It says here. Cristina: Yep, just a shooter. Jack: Just a normal dude. Cristina: Okay, Yeji. Jack: No, that's not Yeji. His name is Yusuf. Yeji is a chick. Cristina: Oh, okay. What a year. What else do I remember? The whole Drake and Kendrick thing happened. Jack: Oh, my God. Oh, oh my God. I got so over that. Cristina: Yeah, but that did happen. Jack: That did happen. Cristina: It was ended with Kendrick winning and then getting the spot in the super bowl and then what's his name? Lil Wayne. Being very sad about it. Jack: Yeah. Going on many shows, talking crap about I should have been mine, boohoo. And then when. When Kendrick calls you out on that, he's all like, what did I do? It's like, come on, bro, don't tell me you don't remember complaining everywhere about some s*** instead of congratulating the homie. Cristina: Mm. So that was an 00:25:00 Cristina: interesting part of the year, though. Jack: Yeah, it was good while it was. While it happened. But the problem is it didn't. Oh, God. It did not go away. It's kind of like when Eminem first worked with Rihanna. Beautiful lie or love the way you lie or whatever the h*** the song was. Cristina: Just heard that song over and over. Jack: And over, and the song just played almost on A loop on the radio. Cristina: Yeah. Jack: And it's like people and TV and everything. Everything, everything, everything. Was talking about. Well, not talking about it, Playing it. It was everywhere. So prominently, so prominently inescapable. That felt like this beef. Cristina: Mm. Jack: Where everybody was talking about it all the time, indefinitely. Everybody had a take, and you couldn't go on the Internet without some crap related to it trending. Cristina: Yeah. Jack: And it was like watching a novella or some crap, man. Cristina: It was fun. It was fun, though. Jack: Yeah, it was fun. It was definitely an interesting battle. Probably one of the greatest battles of all time. Cristina: Mm. Jack: And definitely a forced Drake with Family Matters to create the most comprehensive work he's ever done. And I would argue that his most artistically honest, to himself, work Is the Heart, Part 6. Because he, for the first time, released a piece of. I genuinely consider it art. Because he released a piece admitting to his confusion in a conflicted emotion while also still trying to keep up a front, which is the art, you know? Cristina: Yeah. Jack: He's saying, like, no, I plotted this, but also I feel uncomfortable about where this is going and, like, all these facets of, like, I'm here by my own doing, but I don't like where I am. Cristina: Interesting. Jack: And, like, whoa. Honest, bro. Weird and honest. Cristina: Yep. And we learned that he couldn't have been a pedal because he's too rich for that. Jack: Wow. Yeah. Cristina: It was a lot of. It was a learning experience. We learned a lot about them, too. Jack: We learned that Hendrik is kind of an actual monster. I mean, he's a hood dude, so you know who hood dudes do. Cristina: If you thought that was a character. Jack: Yeah, I know. He got serious about and, like, what's. Is the talking about the little girl and then revealing to the world the existence of the little girl. And it's like, then the Internet, because that's a problem. If it's just a different era and you say this out loud, whatever you know the most as reporters will be annoying. But you say in the era of the Internet, within a week, they found the lady, they found the girl. Now, the complicated part about that very scenario in that story is that the lady they found seemed to be well off and not doing anything herself to be well off. So she came from a rich family, which means the kid was fine anyway. Or Drake was always taking care of the kid and keeping her out of the light the way Kendrick does with his f****** family, which would then make Kendrick a bit of a hypocrite. But he didn't care about that. He was saying straight out, you don't know how to play hood games. Don't try to play hood with me. And then Drake was like, no, no, no, no. I'm more hood than you'll ever be. And then Kendrick is like, well, let's see how that looks. And then he just dragged this little girl in. It's like, your reputation's forever. Let's play that game. I'm hood. Hood. Your s***'s f***** forever. Let's play that game. Even if everything comes out as a lie, people are not. Not everybody's gonna hear that you're pedophile somebody until the day you die. Cristina: Yeah. Also, if it's not true, if you take care of that girl, too bad. Jack: Now they know you were hiding her. Cristina: Yep. Jack: You were hiding the girl. Who cares? Who cares if you were taking care of her? Now she's out there. Now you got another problem on your hands. Oh, I just create a problem for you. Your s***. Cristina: The pedal thing is a big problem. Bigger problem. Jack: The pedo think is a bigger problem. And fandom is psychotic. Cristina: Mm. Jack: Like Drake isn't safe. No, he needs bodyguards forever now. That's it. He just needs bodyguards forever now. He before had to work, you know, still danger, but it was more the fame that was a problem. And people annoying you as a celebrity. No, Drake has to live in fear now. There are people who think you're a pedo, think you're pedo celebrity. There are people who are immediately associating you with Diddy and Epstein. That's just part of your life now. Cristina: Diddy's thing. Part of. Is there pedal stuff happening with that? I don't even know. Jack: I don't know. But he's immediately a celebrity who's called pedophile. So, like, that's immediate association to Epstein, Immediate association to Diddy, whether 00:30:00 Jack: or not it's true. Maybe it's not. Cristina: Wild. Jack: Yeah. Cristina: That's all I remember from last year. Jack: Well, the Diddy thing was from last year too. Cristina: What Diddy thing? Oh, yes. Jack: Yeah. All the pedophilia and his. The video of him beating that lady. Cristina: Parties or freaky parties. Jack: I don't know if him chasing that lady down the hallway. Cristina: That's his girlfriend or something. Jack: Yeah. I think being super abusive. And that opened the floodgates to where a bunch of people started saying crazy. Cristina: I don't know what else, though. We recently talked about Diddy, though. Jack: Yeah. Cristina: And also Luigi and also the fires and like, those. That's all super recent. And the drones. Jack: The drones, yeah. Cristina: That was also something like what happened Last year. That's not. I mean, so close to this to right now. Jack: I mean, staying with Kendrick in mind, the super bowl, that had a bunch of people, right? Was that this year? Was that two years ago? Was that last year? Last year where it had Kendrick and Snoop Dogg and Dre and all these people? I'm pretty sure that was that most recent. Cristina: That was crazy. That was crazy. That was a pretty. That was probably the biggest. Yeah, they broke records for that halftime show. A lot of people watched that. I think that was the most watched super bowl or whatever. Jack: I guess would have to be, right? With so many high end, high name celebrities. Cristina: The M and M's album come out this year. I mean 2000 last year, I guess. Jack: No, I think. I don't know. You mean music to be murdered by? No, no. Cristina: Houdini. Jack: Houdini. Oh, maybe. I think it did. I think it did. I think that was a 2024 album. So that did happen. Trying to see, like, is. There must be a website. Cristina: A website for what? Jack: For 2024 events. Cristina: Oh, okay. Jack: Okay, here. There is a list of crazy things. Let's see, we have the. Okay, Israel and the fact that Israel releases a map called the Greater Israel, where they kind of essentially want to attack and take over all the surrounding countries, believing they could, with the support of the United States behind them. Cristina: What? Jack: Yep. Cristina: But we're not gonna do that. Jack: It is unclear. They are our masters. As far as we can tell, they control us. Cristina: They made a map. Jack: Yeah. They have a sort of layout of what they would like to happen. And it encompasses several different countries, including parts of ir, Saudi Arabia, Egypt. They want to take over Cyprus. They want. There's just. They want to take over Syria. There's a bunch of little details. Cristina: Crazy. Jack: I mean, they want us to like. Cristina: Yeah, I understand that, but like, that's crazy. Jack: Yeah, it's absurd. But there's the plans that they have for. For the Middle east is to expand. They keep saying God gave us. No, people gave you that. You tried. God claimed a bunch of land for you many times and you weren't in different places they've been. Fun fact that has been released. These railists have been kicked out of 191 countries throughout the course of time. Everywhere they go, they implement the same strategies, which are they loan money, they bankrupt the country. The country kicks them out, always in that order, until they got their own territory, which they took off of a different country because nobody wanted them in their country. This argument has also been posed as to. If you're Such good people. Why didn't the Americans give you some land if they're with you so hard? If the Germans, who are actually allegedly the people who hurt you, why didn't we give you a piece of their land to make your country? And they've been posing a lot of arguments like this. Why does every country kick you out if you guys are so good? You get kicked out of a hundred. There's only like 200 and some s*** countries. They've been kicked out of almost every country on earth until they landed, creating their own country. And now they want to take over all of the surrounding things in their country, around their country. Cristina: Insane. That is insane plan. This would be the reason for World War Three. Jack: I don't 00:35:00 Jack: know. I don't know. But that is absurd that they plan to do that and they want us to help. But I guess that's another thing we can talk about that happened 2024. The current changed. Cristina: The current. Jack: Yes. Now countries are labeling what Israel is doing as a genocide. Now people are comparing what the Israelis are doing to what N*** Germany did and actually finding astounding parallels in how they're approaching attacking these people, how they are unarmed, how they are put into camps, how they're walled in. There are videos of Israeli military firebombing civilian regions. These people burned to death, horrifying civilian regions where there are no hostiles. Cristina: How's that guy not in trouble? Jack: No, he's gonna go to prison or be murdered by somebody. And it is inevitable at this point. There's too many countries that have turned against at this point. We're at a point in history where a lot of the talk is maybe people weren't wrong about Hitler. Cristina: What? Jack: You could find it everywhere on the Internet. The consistent comments of maybe we took out the wrong guy. And when you look at the events that are taking place and how he had a. Yes, he was. He took out many other people, but he had a specific target and he had a specific reason as to why that was the target. Weirdly enough, that reason is playing out right now. His reasoning was, what they did to my country, they will do to everyone else. They will poison. Cristina: You're saying these people are the same exact people. Jack: Jews is who he targeted primarily under the guise of what they did and what they could do. Cristina: And these Israelites are related to those Jews? Jack: These are not Israelites. Cristina: Isn't that Israel? Jack: That's Israel. Israelites are a specific group of people who are not in Israel. Israelites are black Jews. Cristina: Where are they? Jack: They're just Israeli. Cristina: Israeli. Okay. What are they called? Jack: Israelis. Cristina: They called. Okay. Are they. But you're saying they're Jews. Jack: No, The Israelites. Cristina: No. The Israelis. Jack: The Israelis are Israelis and they are Jews. They're not black Jews. Cristina: No. Jack: Those would be Israelites. Cristina: I'm saying they're the same Jews from Germany. Jack: It doesn't really matter. They're Jews. Cristina: They're Jews. Okay? Jack: Because they're descendants of the Jews from Germany. That's where they. Their families got sent and where they built. Everybody who was left. Israel got formed in World War II. The result of World War II's end was the creation of Israel. Cristina: You're saying those are the people? Jack: The ancestors. All of the Israelis in Israel are descendants of The World War II people who were being exterminated by Hitler in the first place. Cristina: They moved to Israel. Jack: We moved them to a piece of land that was part of Palestine, took it out and called it Israel. We stripped a part of Palestine to create Israel. Cristina: And they were cool with that. Jack: We have them walled in. We control whatever land we want there. Cristina: How do we do that? Nukes, I guess. Jack: They're not doing anything because. Nukes. Cristina: Huh? Jack: And we took away all their weapons and we barely supply them food so that we can control their energy levels too. They can't uprise because they don't have the energy or focus to do it because we starve them out in apartheid where they're just. Cristina: We're not the monsters. Jack: But we're not the monsters. They are in the cage we've built for them. Cristina: Okay. Jack: Yeah. Cristina: Because that's awful. I don't understand. Jack: Yeah. We took a people who existed already. We're like. We're gonna trap you over there in that box. We're gonna make. And we're gonna give this land to these guys who everybody hates and we're gonna put them on your land because you. You are gonna stay in the box next to them. And they already don't like you. So sucks to be you. Cristina: They're gonna fight each other and we're gonna help both of them fight each other. No. Jack: No. They're not gonna fight each other. Cristina: Look at us as a villain. Jack: They're not going to fight each other. The Israelis are going to fight the Palestinians. And they're going to anchor a bunch of neighboring countries with a lot of weaponry into creating terrorist organizations that are going to go hide in Palestine. And then we're going to attack Palestine under the. You know, Hezbollah's in there. And it's like you forced 00:40:00 Jack: them in there because you were bombing Every other place. Cristina: I don't know. This doesn't sound right. Jack: So they ran to Palestine, where they created and developed more. And now you're attacking them there, where you trapped a bunch of people to begin with. And they hid there because you're like. Well, they were like, you're not gonna. You trapped them and haven't killed them, and then you started killing the people you trapped, too. Whoa. Cristina: But we're not. Jack: We're not the bad guys. No, no, no. You know, we got the little. It's that movie that. That part of Spaceballs where the guy with the skull on his cap is like, hey, man. You know, you ever think about it, like, maybe we're the bad guys. You know, we got a little skull thing on. It's like, oh, no, don't be. Don't be crazy. Cristina: It's crazy. No, no, no. We're the good guys, of course. But, yeah, it's the Jews. Of course it's the Jews. It's always the Jews. No, America. What? Jack: Well, it's both at this point, because, again, it's two systems working together. One, the United States loves money. Two, Jews know how to make money. So what does the United States do? Protect the people who know how to make money at all costs. They do what? They run most of American businesses. They run most American politics. They run most. They run the United States. Cristina: Is this a conspiracy? Jack: No, it's a fact. All right, let's go down the list. Zuckerberg's a Jew. Google, owned by Jews. Comcast, owned by Jews. Warner Bros. Owned by Jews. Starbucks, Goldman and Sachs. Bloomberg. Marvel Entertainment. Cristina: How about Disney? Jack: Disney's owned by Nazis. Cristina: Oh. Jack: Like literally that one's owned by Nazis. Now, people, in the politics. Bernie Sanders is Jewish. Chuck Schumer, Dianne Feinstein. Adam Schaef, which is a House representative. We got Jerry Nedler in the executive branch. We got Anthony Blinken. We got Janet Yellen. Cristina: Would you be happier if they're all Christian, though? Like, I don't. Jack: No, it doesn't matter. The point is, they have a say in every facet of life, including. They control what we see on our screens. They control Comcast, they control Facebook and Google and Warner Bros. That's 99% of everything you consume. Like, they'll own Fox and CNN and this and that. Cristina: I don't know. It's just like. Okay, like. Okay, you said Facebook. Mark Zuckerberg, he's Jewish, but what does that have to do with the company? So the company is Jewish because he's Jewish. Jack: No, no, no. No, no. There are Jewish people in seats of power that can manipulate anything in any direction they want. So perception of Israel, for example, which literally Facebook did they literally suppress anything in favor of Palestine and anything against Israel. You see, that's literal perception manipulation that he himself did, but also so did Google. Cristina: And what is Google run by Jews? And what about YouTube? Jack: YouTube is owned by Google. Oh, that's why it's all the same. So now you think about why when you type the thing on Google doesn't show up, but then we go to Tor and you type the same thing and it's just right there. But why? Well, perception manipulation. They're owned by the people who are trying to control how we perceive things. Okay, for perspective, I'll break down by going up one more rank from Jewish seats. Right. So we have mentioned to the companies and we've mentioned some politicians, let's take a step back and go to giant firms, right, like the Vanguard Group. The Vanguard Group is an investment group who buy huge shares inside companies. So when people talk about shareholders, they're talking about these people. And you always got to please the shareholders. Okay, so these people could know. Vanguard is created by and run by Jewish people that started developing during World War II. They own Apple, Microsoft and Tesla as well as Exxon, which controls the distribution 00:45:00 Jack: of petrol, JP Morgan and Pfizer. So they affect the pharmaceutical industry and they affect the automotive industry. They affect media, they affect how you get your news, when you get your news through where you get your news. Now that's the Vanguard Group. State Street Corporation, also Jewishly owned, owns Apple, Amazon, Tesla, many healthcare and pharmaceutical companies and often collaborates with BlackRock and Vanguard as one of the big three. Those are the big three. Cristina: What are the big three? Jack: BlackRock, Vanguard and the State Street Corporation. Cristina: Okay. Jack: Then we have Goldman and Sachs, smaller than those, but doing the same thing with stocks in all of these. Same company, Jewish owned, okay? Blackstone, Jewish owned, owns the housing market and private equity with portfolios just all anywhere anybody lives. So they are the ones who redline and they are the ones who decide what communities get what housing, where funding gets decided. They lobby for housing markets. The reason a lot of people can't afford it. There banks in general usually built and run by Jews. They send the money. They are the people who create the debt, then collect the debt. That's how the N*** Germany war happened. Following the first World War where Austria was turned into poverty. It was made into poverty through the loners who were the bankers. That led to desperation that then Led to conflict funded by the same bankers who stripped Austria, then funded the very war by funding companies and then getting the payout from that, which then led to the creation of BlackRock and Vanguard and these companies that are now the same investment companies that own all of our media and all of our Internet and all of our marketing, top to bottom. This is all Jews in every direction manipulating how the country works, how the planet works to some degree. I don't even know how we got here. What was the point? Cristina: Something about, I guess, Israel, what's happening? Oh, they want to be a bigger country this year. Jack: Oh yeah, they want to keep expanding, using us to do it. But oh yeah, the point was that we they money, they've always made money and they run our country for sure. Because that was your argument. Your argument was just because they're Jewish, what does that do to the company? Well, this is what it does to the company. All the media that creates, all the divisiveness owned by Jews, all the wars that are funded, funded by the banks, banks run by the Jews. Cristina: Then we'll happily help them become a bigger country. Jack: We're probably going to help them become a bigger country. There's so many of these companies. Millennium Management, Soros Fund, there's a bunch of these just infinite companies, Blackstone, Apollo Global Management, just all owned by Jewish descendants or Jewish immigrants. And all control essentially the state of what happens in the Western and Middle Eastern world. The place Jews have no influence seems to be the Eastern world. They have no power there. Cristina: But they want us to help them do that, to get power there. Jack: They don't want us to help them get power there. Because you're thinking Middle Eastern, close to the west, okay? I'm talking China and Japan and Korea. Those people are like, no, no, no, we don't trust these Jews. They work through us, which is controlled by the Jews. So because they weren't going to work with Israel directly, okay? So they have us as the other piece that the Asians will gladly collaborate with. Cristina: Okay. Jack: D***, I never noticed that. No, it's still. They still control everything, okay? Because a lot of the time we influence the Oriental markets while the Middle Eastern is dominantly manipulated by Israel. But Israel controls the United States. Even if the Far east doesn't want to interact with Israel, they want to interact with the United States. And the United States is run by Israel. Holy s***. It doesn't matter. I never thought about that. That's crazy. Cristina: That's crazy. Jack: Yeah, that's crazy. It doesn't matter. If they didn't trust them. You're still working with them one way or another. Fascinating. Cristina: Other thing happened. Jack: Well, that happened and there was. Well, the tide has turned. A lot of people have been 00:50:00 Jack: calling them terrorists and a lot of people are getting ready to arrest this guy. Cristina: But what side is America on, though? I guess their government, our government doesn't sides with Israel, so won't we help them expand? But that's not what we're trying to do. We're trying to make peace. Jack: That's because the people are going to revolt. Cristina: Our people? Jack: Everybody. Cristina: Oh, everyone. Jack: Every. The governments of the world are f***** if they don't fix this problem because the people are going to start overthrowing governments. And that just goes back to the fact that we've seen some dominoes are falling on the elites. It's become a tension of. It's going to collapse. And so America is not an idiot either. Like, you know, f*** this s***. We're not not beat to lose the entire thing just for a little more power. We'll solve this and worry about circling back later, okay? And that's why we're saying, like, no, we're gonna stop you. Cristina: Oh, okay. Jack: But it's like, yeah, it's because some f****** elites got popped. And people are like, hahaha, it happened. Hahaha. And that hahaha, made you, like, wait, you're not scared that it happened? It's like, why would we be scared? That was one of yours. Like, oh, f***, you're right. I was only scared because it just happened to one of mine. But you guys don't care because we've been f****** you forever. Oh, f***. No, no, we. We're gonna solve it. We can do what you guys want. The war is gonna end. This is all fear and panic action. They don't want to solve s***. They want more war money. Cristina: Okay? Jack: They want more war money. We need. We need to fund all these companies. Cristina: For now. It's more like trying to pause it. Jack: Yeah, they're gonna pause. They're gonna find another excuse. Their own. What's gonna happen? They gave us weed because we were turning on them. The same reason they took it away when they wanted us to go to war. So they're like, you know what the problem is? Our two plans overlapped. Let's just cool down the Israel s*** for a second. We'll keep them sedated. They'll forget. We'll take it away when we make something horrible happen. So they want to go back. So they want to force us to go back. Oh, they infiltrated our cities again. 9, 11 happened. We have to protect United States and invade. So that would happen again. But you know, after the drugs sedate everybody and long enough, you know, five, six years of like, okay, it's all calm down, whatever, and then they'll be husband. Somehow these people who don't have advanced technology somehow out bested our recon. We got them in a box. We got them in a box. Listen, American citizens, the people we had in a box with cameras everywhere that we know everything they do and everyone they communicate with and we follow them and we can pinpoint them through satellites all day, every day. Oh yeah, they tricked our super advanced technology with their primitive ways. Cristina: Who? Jack: The people in Palestine and Gaza. Oh, they tricked us with their super smarter, more clever ways. Even if all our technology. We got infrared, we're seeing them through walls. One of them got out somehow and slammed the plane into our home. I. But you guys don't want us to do anything, so we gotta, you know, we're gonna do what you guys said. You guys said we can't go over there. But also weed is illegal now because we have some reports, look, look, Tesla did some reports showing that, oh, we does this, this and that are bad on kids. Kids grades are suffering. Oh my God. You know how much we care about grades. We've always cared. So we gotta make it illegal. And also the bad guys got in somehow. Oh, no. We don't know how they did it. But we can't go to war. You guys told us we can't. No, no, no. You know, everybody gets all riled up. Cristina: Because you're not thinking, okay, you're gonna. Jack: Get all riled up, but you think. Cristina: They'Re gonna stop weed from being legal. Jack: They're gonna stop people from being mellowed out in order to get the people to agree to go to war. Cristina: We'll see. Jack: They're going to sedate us every time they want us to not rise up. And they're going to pent up our energy and stress us out every time they want us to go to war. 911. 911 was such a small, insignificant moment. We have in a single bomb taken out more people than happened in 9 f****** 11. And we've done it to innocent people who aren't inside of a corporate building milking poor people for something we've blown up poor people in larger numbers who aren't f****** other poor people. Just poor people living life. That's such an insignificant moment in history. All 3,000. Yeah, tragic. Those people died. We kill Way more people than that. All the f****** time. But why was it such a tragedy? Because we need you guys to want to go to war. This is gonna be on every f****** news station all the 00:55:00 Jack: f****** time. But who want the news stations? The big companies who are owned by the investors who are owned by BlackRock and Vanguard. And those are the Jews. The countries we always invade. Companies they want to attack. Okay, those are people who attacked us. So you're telling us we got a base right over there with the most advanced technology on Earth, then we're over here with the most advanced agencies on Earth and somehow we didn't see it coming. Cristina: Yeah, topic, topic. Okay. Jack: They're always trying to get us in that direction. But that's done soon. Cristina: That's done soon. Jack: That's done soon. Cristina: Yeah, but you think there's gonna be a third war though? No. Jack: Yeah, I think we're headed towards World War three ultimately. Another thing that happened, the Amazon forest began to burn again. Cristina: That happens every year. No, no. I don't know. Jack: Oh s***. I don't even know about this. The first fusion energy plant. Cristina: Fusion energy plant? Jack: Yep. The world's first operational nuclear fusion plant came online, promising a revolution in clean energy. Cristina: Cool. Jack: AI awakens which groundbreaking AI development blurred the lines between human and machine cognition. Yep. This is the. Cristina: This year was pretty crazy with AI rapid development. Jack: Yep. S***'s been nuts. First Mars base was established. We send all the goods up to start building up their robots. Cristina: Awesome. Jack: And also the first asteroid mining has begun. Cristina: Asteroid mining. Who's astro mining right now? What country did it? Jack: The company is called astroforge and through the United States government, it has acquired a total of 127 grams, which is not a lot of asteroid material, but that is cool. Yeah, it's very small, but the be. That's basically the beginning. And it's only for government use, but for commercial use is now being written in the book. Since it has been proven to be able to accomplish which after it's established for commercial use, then the number of companies that will pop up around it and push it forward quickly and thus reduce the cause because so many are going to be working on better technologies, thus making older technologies more relevant and more casual. So eventually within our lifetimes, anybody who. Who within the next 50 years will be younger than 70 will have likely normal visits to outer space in the next 50 years. That's going to be casual. Just within our atmosphere and like the upper areas outside of our atmosphere. So like asteroid mining in the local. Like whatever debris is right There. Local. Maybe just between Earth and the Moon or between Earth and Mars. Well, mining it. I don't know what you do hanging out up there. I mean, I guess eventually space travel should be more people just be chilling out in space. Cristina: Yeah. Jack: But, like, 50. It depends on the travel technology because you still got to beat Earth's gravity. And, like, that's gonna take energy. I don't think casual travel is gonna happen until we come up with something better than combustion. Because casual with combustion is going to be dangerous. We're not going to be able to breathe. Cristina: Yeah. Jack: Cities of smog. Cristina: So when it comes to space mining, people aren't in those ships that are mining or they're being mined by people or. Jack: No, there was a human. There were human manned missions. Yes. Cristina: Oh, okay. Jack: But they were all. That's why it was so little. Cristina: Oh. Jack: So when we either go farther or when we come up with better tech for the people to be safer, we can then have larger sums. But it was essentially test missions to prove that it's possible. Cristina: That's so pretty cool. Yeah. Jack: So the beginning of asteroid mining has begun. The beginning of planetary colonization has begun. And we have AI development that's developing quickly. That's actually going to feed into each other. Especially because one of the guys controls two of the things, which is Elon Musk. Developing highly powerful AIs and developing extremely comprehensive robotics. Plus the space mission itself allows for all three to cross paths, allowing for him to be the deliverer. Cristina: Oh, his thing was last year, too, with the robots and, like, showing us how we can. Jack: Oh, my God. Cristina: I'm space robot, Maze and whatever. Jack: Yeah. The robot, he is moving every part of everything forward. So we're gonna have robots, both. All three. Cristina: Buses. Jack: Yeah, taxis. Buses. And maids. They're not just maids, just 01:00:00 Jack: house assistants. Cristina: Yeah. Jack: They could do simple tasks with you. Fold clothes, clean floors, that kind of stuff. That's pretty dope. That's. Yeah. That was in 2024. Pretty good year, all in all. There's a lot of crap going on. What else? Robotics and space travel and space colonization and terrorists. Only because it was a rich guy they took out. If it was a poor person. I'm like, oh, whatever. Cristina: Fires. Jack: Fires. Cristina: You already mentioned fires. Fires everywhere. Jack: Political divides, turning everybody. Cristina: The weather's been weird or weirder maybe. Jack: The weather's been very strange. Dangerously so. Cristina: Mm. Jack: We're gonna get to a point where it's funny, but within the same period of time that we expect a bunch of areas in the United. In the United States, in the Planet to become really advanced. We also expect a bunch of areas to become nearly uninhabitable. Anything around the equator is going to become too problematic for several reasons. One, all of them tend to be pretty low elevation. That's why there's a lot of islands in the area. The ones that aren't incontinent masses tend to be quite small. And as water level rise will disappear, a lot of that could vanish depending how high the water goes. And so water level alone gonna make that inhabitable. And the places that are already hot within that area, even if they aren't too close to water danger, they are potentially gonna get so hot that living there on average is gonna be impossible without special equipment. So the equator's region is going to generally speaking empty out and people are going to go more towards the poles, where the new better living conditions are going to be at. Now this has nothing to do necessarily with people. Humans didn't cause climate change. Climate change happens naturally, straight through the existence of earth. We've just sped up our portion, so we're like, oh my God, no. But it was again, we were whatever. It just sped up the rate. Yeah, usually at the rate it happens, society accurately gets to follow because it happens so gradual. Really. Let's have a science conversation. What global warming really is for the left and the right, who are highly uneducated in this area. The left thinks we're causing climate change. No, you guys are dumb. Do some homework. The left, the right thinks there's no such thing as climate change. No, you're also very dumb. Both of you are so tribalistically f****** stupid that you've done no homework. You just say the opposite of what the other guy says and don't know what the f***. So the reality of the matter is there's always a consistent shift climately. There have been ice ages and really hot periods. Happens back and forth, back and forth, back and forth. The last high peak of ice was about 20,000 years ago. And it's been getting hotter ever since. Before humans made any kind of technology that could warm the earth, it was already happening. It was already happening. For the last 20,000 years it's been getting hotter, hotter, hotter, hotter, hotter. Now society develops in such a way that that moves so slow, we can build around it, we adapt, we move gradually from here to there. It happens over such a 20,000 years, that's how many generations. So every year you move 10ft that way. But you know, over 20,000 years you got the f*** out of the way, out of the Way the heat or the cold or whatever the crap you got out of the way because it took so long. You gradually moved as it gradually changed. Now we built society and then sped up the rate. So now what would happen in 10,000 years is only going to take a hundred. Cristina: That's so horrible. Jack: That's horrible. Now we didn't cause climate change. That's stupid. The climate would change regardless. Also, there is climate change. That's just how Earth works. So both sides are wrong. We didn't cause climate change. No, that's impossible. We're not so f****** godly. We're not the end all, be all of the universe. But also for the people who have no sense of anything. No, there's climate change happens always. And so in about 50 years we're going to start to hit the annoying parts of some of these locations where, well, it was already hot and tropical, would hit 95 regularly. Except now it's 120 every day now. Livable. But do you want to. Cristina: No, no. Jack: Most people can get the f*** up out of there. Cristina: Is that part of the fires? Jack: Yeah, it's the excessive 01:05:00 Jack: heat. Well, no, no, really, really. The fires is due to California. It's California's fault. It's California's fault. Cristina: Why? Jack: Because he dried themselves out for a f****** fish. Cristina: What about the other countries on fire they're dealing with? Jack: Oh yeah, I guess so in their cases. Cristina: You can't blame California for every fire. Jack: No, no, no. Their inability to manage it. Cristina: Oh, okay. Jack: I suppose the severity of the fire is entirely due to the fact that we made it dry. We did. We sucked out the moisture to help a fish. Redirecting the water that should be filling the reservoir. And then that reservoir would have allowed us to deal with the fires and would have kept moisture in the air and around all the locations that would have made it harder to burn. But the arid dryness and then the super strong winds pushing the fires onto anything that was already super dry. Then feedback loop do that over and over and then you have this monumental fire caused by a bunch of people who thought it made absolute sense to prioritize random crap instead of people as goes the left. Meanwhile the right does the exact opposite and prayers prioritizes people completely eliminating everything else. And it's like you guys, you guys don't get it. Extremes is the problem. Cristina: Extremes. Yeah, it's dangerous. Jack: It's dangerous. The left lives in an extreme. The right lives in an extreme. The Democrats aren't. I was about to lie. The Democrats and the Republicans are fine. The problem is the left and the right identifying as them. But like, politics has nothing to do with your sociological bullshit, plain and simple. What laws get made over here and laws get made over there has nothing to do with your ideology of how people should interact with each other, but you still use the government to do it. And thus we f*** up the city. Cristina: Mm. Jack: Burning because laws got passed. Because you prioritize one person or the other, it's like, oh, that's dumb. Cristina: A year. Jack: What a year word. Anyways, I guess that's some of the stuff that happened throughout the year. A bunch of Jewish hate, a bunch of fires and stuff. So. Cristina: What was your favorite part? Jack: The year ending. Anyways, I guess that's all we've got. So yeah, if you guys want to. If you guys have anything to add. What do you guys remember Think like or hate from 2024? Let us know. You can message us that stuff on our socials, on Twitter, which is X. And on Facebook and Instagram and not TikTok anymore. Cristina: We. Oh we'll see. Remember to subscribe, rate and review the show. Jack: Yes. And Word of Mouth is a movie overpowered thing that has ever existed. So tell people that we have just discussed ridiculous things about 2024 and maybe they have something interesting to talk about. 2024. Cristina: Let us know. This has been the Rambling Podcast. Take Nothing Personal and thanks for listening. Jack: Sam. Cristina: Good morning. The podcast is hosted by Cristina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black. 01:09:16

Rambling 301: Fall Guy Luigi and Cali Fires

How are the California fires getting started? Who really is the Hitman Luigi? And are these two things in any way connected? The duo continue connecting the dots of the mysterious Rich Guy Eater and it might shockingly explain the growing California fires.

+Episode Detail

Topics Discussed

  • the Victim, the Hitman and the Fall Guy
  • California Fires
  • Epstein’s List
  • Diddy’s List
  • The Desperate Rich
  • Bias Jurors
  • Evidence Destruction

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Rambling 301: Fall Guy Luigi and Cali Fires Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling Podcast. I'm your host, Jack. Cristina: And I'm your host, Cristina. Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And today we're gonna have a bit of a continuation of conversation that we've been having the last couple of episodes. Because a pattern is starting to form, one that we have predicted in previous episodes in particular. The rich being eaten by the poor following Mr. Luigi's assassination of the insurance CEO. Cristina: You think that's continuing to happen all over? Jack: Yes, yes, I do. I think that all the things that have happened in recent weeks kind of follow that trend. And it's building up to be something quite interesting. I think desperation is showing in all the corners of all of the. I guess what of the country? Cristina: The U.S. what? Jack: The U.S. yes, the United States. Elsewhere too, but very, very prominently here in the United States. Anything that happens here will begin infect the rest of the world. That we, as we do on average, it always spreads out and starts to get to other places. Cristina: What crazy things have been happening besides like the fires in Cali? I think it's like the only big news. Jack: Well, we'll get to that eventually. But staying to the Luigi situation. The fact that they're trying to find a. They're trying to find jurors to convict the man. But the American law, which will not be violated. Because if they put anybody but jurors there, and if the jurors are anybody but the peers there, then they will prove the system was always fake, fictional, and only applies to the poor. That will be the loudest scream. And at that moment, there is no reason why poor people shouldn't break into every store, raid every single insurance building, and literally physically kill these people with their hands. It'd be no reason to, because we know you're only protecting the rich and you don't give a f*** about the poor. Right now what they're trying to do is get jurors to convict Luigi. But because jurors have to be peers. They have to be a jury of your peers. And people who are peers to somebody like Luigi also have gotten monumentally f***** by car insurance, house insurance, medical insurance. Insurance companies are a scam that the little guy deals with. And now you need to sit a group of peers who have been equally f***** to then say he's guilty about what he did, when in reality. Cristina: But he definitely 100. Jack: He totally is except in the screening process that they're doing to sit the jurors. You always get to screen jurors. Nobody seems. They openly begin with I think he's innocent. So there are no jurors selected for this yet because. And there's gonna never be. Or you just. Eventually they just have to do it. And if they take him to prison without putting him through a trial, the system is going to implode and people will eat. The rich people will go to the f****** streets and they will stab the f*** out of every CEO. People are going to go to the f****** streets and start murdering the police that arrested him, the politicians that allowed a non. Like a non trial to happen. Like all of these situations that you'd have to violate the laws that you've told us for years that we must obey. And now we have a situation where obeying the law is gonna f*** the rich people. Cristina: But if they do get people to. Jack: Would never happen. It's not even an if. Every single juror that they have screened, they've had to dismiss without exception eventually have to sit people. You only have a certain. Every person only has a certain limit of individuals they can dismiss. So what do you do when everybody you sit there was f***** by the same insurance companies or same insurance scams to some degree. So this, there's no way this works in favor. So you gotta bend the law or break the law. But if you do that in this current situation, if you break the law to enforce the law, 00:05:00 Jack: it doesn't work. You're just gonna make. You're gonna make it so that the little guy instantaneously decides none of this is real. We can destroy everything and everyone that plays that game. Cristina: That's crazy. Jack: Yeah, because it's. We don't do that under the assumption that to some degree it works. But that is genuinely why the poor don't eat the rich. They believe it's the. The whiniest of the poor complaining about the most corrupt of the rich. But if the government itself gets involved and says, well, you don't need a jury of peers because they're all going to let you go and based on that you're not going to have one. Well, now you've broken the law. Cristina: Okay. Jack: And now it means nobody ever has to go to jury again. Jury is you just make us go there and then you don't pay anybody legitimate income for being there to just get that. That's another part. You're trying to convince these people to go be a juror and not go to work, and you're not going to pay them a realistic amount of money for being there. So they're just losing out on paychecks. Cristina: Inherently, it's a very strange system. Jack: It's a very strange system in favor of the politicians and the CEOs. But right now you got to convince the people you're robbing of money to sit there. To then sit there and say, the guy who did what they all wish they could do because of how corrupt the system is should go to jail. You're trying to convince those people that you're actively. By sitting there to side with you instead of the guy who did what they all think was awesome. Cristina: But, like, all I need is people to say he did it. Jack: Yes. Everybody needs to agree. If a single person doesn't agree, then the trial goes on indefinitely until everybody agrees. There has to be no doubt in the jurors one person could hold that b**** up. So what's gonna happen is the person who is most willing to hold that b**** up is gonna make everybody else cave in his favor. Even if they were gonna say he's guilty because they want to go home, they need money. Cristina: Yeah. Jack: You could hold it hostage by you saying, no, he's innocent. You couldn't convince me. And now what? Now we're here until I say he's guilty or until you guys say he's innocent. And I'm not going anywhere because we're getting equally f***** here. So until you guys get your heads out of your a**** and stop siding with the rich guy who's f****** you too. So all it takes is one of those guys. Cristina: Okay. Jack: And I guarantee you. Cristina: How long could this process take, though? Jack: Indefinitely. It could go on indefinitely until they agree. They have to agree, one side or the other. Indefinitely. There's no limit. Cristina: Whoa. But just to find these people. I guess there's a limit to that. Jack: Yes. There's a limit to how many people you can dismiss. Cristina: Okay. Jack: And they're hitting that limit. Cristina: Well. Jack: Which means this trial is going to go through with a jury of peers. And that jury of peers is gonna. There's no argument any insurance company can make in favor of the CEO or the company. There's no argument that the little guy will side with. Oh, you filthy rich f******. Yeah. This is why you needed more money. This is why you had to turn more people away. This is why the sick should have stayed sicker. What? How? How are you gonna convince them? So it's a definite poor eat rich situation where he's gonna go free. He's gonna go free. The guy who killed the CEO is gonna be back on the streets. Cristina: I don't know. That sounds kind of crazy. Jack: Nobody's gonna convict them. If are you gonna. Who the is gonna be the dumb judge to go ahead and override and say now he's guilty? Who? Cristina: There could be judges that do that, though. Jack: No one. That's illegal if it's with peers. And second, if there weren't jurors, how stupid could a judge be? That mean that makes you the next target. Use the target overnight. Now you just can't do anything. You need bodyguards, you need this, you need that. Because you're gonna be caught on the street because you're crooked for allowing crooked people to get away and heroes to go to prison. I'm sure it'll happen. Like this judge decides he goes to jail the next day. Documents of all that man's corruptions are just gonna be uploaded to the Internet. Racist things he's done for the same crime. Maybe a black guy got twice the sentence a white guy did for exactly the same thing. All of that is just gonna hit the Internet instantly, overnight. That judge is gonna resign and then not have judge protections. Oh, it's a domino effect. There's no way this is a stalemate for the rich people. Cristina: Are people waiting for this, this trial? Like, are people like. Jack: I bet. I don't know. Cristina: I don't. I guess there's. Jack: I don't really follow the interwebs so hard, but okay. Cristina: Because there's a lot of trials that have been famous and people just watch because, like, whatever the crime was or whatever the person was 00:10:00 Cristina: involved in and is this going to become that kind of situation? Jack: I think definitely. I think this is going to take the attention of everybody. I think this is. Again, it's going to be one of those situations. I. I truly believe this is going to be crazy. Advertising televised all over the place because. And that's the part that's going to horrify people. They could be like, we're not going to televise it, but there's obvious reasons for why they would not want to do that. And it's too obvious. So you guys give us celebrity trials. You guys give us this, you guys give us that. You were very loud about the President of the United States of America. You wanted all the cameras aim at that trial that should have been private and behind closed doors. Because the situation wasn't about his presidency. The situation was about personal life situations. They have no bearing on presidency. He gets a f*** who he Wants that is a grown a** man. What the f*** does that have to do with his political views? But you guys decided, including CEOs decided that that has to be in front of the people. Well, you really just wanted to distract people. That wasn't for legitimate reasons. You guys are prone to creating distractions and prone to. Well, you're probably signing hella bills in the background while they're looking at this. Okay, so now this is about something that directly affects people. On average, insurance issues. And one that people are very informed about because this made waves everywhere. Somebody shot a CEO. I dare them to not air this. And that not be what breaks it. I dare them. They would never not air it because they've made it so important to air useless s*** that now backtracking on that for this means you're scared that people are going to talk about it and make it worse. You're scared it's going to get worse. Cristina: And know what's going to happen then. Jack: Yeah. Cristina: Are they? Jack: It's going to be televised. The jurors are gonna set them free. People are gonna see that happen. And CEOs are f*****. It already happened. They removed photos from CEOs off of websites, they removed names, they removed these people who loved to flaunt how rich they are suddenly are okay with being absolutely private about how rich they are. Oh, suddenly just oh, we're not. I don't own the company. Everybody knows I own. My name is off of there. My picture is off of there. Nobody can find us. Wow. Cristina: Okay. Wow. Jack: I thought the attention was your game. Cristina: What? Jack: So I, I definitely think it's going to be televised. And I think it, I think it's. Cristina: Going to be suffering. Jack: I think it's going to be set free. It has to be a jury of his peers and at least one person there is going to be like, no, you can't convince me. Cristina: I guess that's possible. Yeah. Jack: Alternatively, hella CEOs are going to bribe all the jurors. Cristina: That is also possible. Jack: They all walk away. Filthy rich people are weak willed and for a little bit of money, yeah, sure, whatever. He's guilty. Cristina: But you think he's gonna be put away for a long time. Probably not even like he gets convicted. Jack: He would go away for life. Maybe. Yeah, yeah, yeah. They'll figure it out. But there's no way you could do this and everybody not be like you guys did some sketchy in the background. There's no way this could turn out that the people aren't gonna freak the f*** out. There's no way. You guys created the problem. And if the problem goes away when. If it was a normal street person, the problem would never go away. No, no. You're showing your corruption from the top to the bottom. You will prove nothing works and it is all a lie. It would just be the proof. That's all you'd be offering. Cristina: Mm. Jack: That would be politicians offering the fact that. Yeah, no, we forgive all rich people. We don't forgive any poor people. Cristina: I mean, it's possible that. Because, like, what can we do if they did there. Jack: Oh, no, that's an easy one. They saw a street person kill a CEO on f****** video. Cristina: So you think more people are just gonna do the same? Jack: You tell me that man doesn't get like the. The hero in this story is the one who gets punished and a million more don't go out and do it. Cristina: I guess they don't want to do that. They don't want that to happen. Jack: It's a hard, hard situation for these CEOs. It is the moment of the poor eating the rich. Cristina: If they let that happen, they can't let that happen. Jack: Donald Trump has been elected president and he has hired an individual, Elon Musk, to start regulating government and start regulating government laws and individuals and outside companies that get touched, which includes insurance companies that have unnecessary levels of protection. Cristina: That's weird. Jack: All 00:15:00 Jack: of that is now under the supervision of a guy who believes all that s*** is crooked. Cristina: Under Elon Musk, though, Elon Musk is. Jack: Going to be regulating the government and how the government legislates according to its own need for money. He's regulating money. Cristina: That's not strange. That's a little strange. Jack: Why? That's I don't know. The CIA is strange, and that's a third party company the FBI estranged as a third party company. What's strange about hiring a third party company to regulate the amount of corrupted third party companies that exist? I guess if his job is to decrease the money and he does what he did with X, X only got better because all the sensitivity left. He fired 90% of the company to prove it's all DEI hires and the company is running better. That's kind of like overpowered. He plans to do that to the government. It's overinflated. You guys are too many and you're pocketing too much unnecessary amounts of corruption. Cristina: So you think it's mostly about firing people. Jack: He's probably gonna fire a s*** ton of people. Yes. There's a bunch of positions that don't even do Anything. This is people pocketing money in every possible facet, I guess. Like, if nothing ever gets done. If nothing ever gets done, why are they there? Cristina: I don't know. Yeah. Jack: Why are you pocketing money? You've been sitting in this office for 20 years. What's the difference between when you got here and now? Cristina: I'm not get away with it. Jack: Yeah. You got all the money in your pocket. So what. What the happens? Okay, you gotta go this person. Okay, yeah. They're actually trying to fix the streets, but they're being blocked by that a****** who wants to put money in his pocket. Fire the guy who's trying to put money in his pocket. Give this guy promotion so he can keep fixing streets. That's all he's gonna be doing. Cristina: I guess. Jack: Yeah. Cristina: That's awesome. Jack: And that involves interacting with insurance companies who have unnecessary protections to. F*** the little guy. Cristina: We should stop that. Jack: Mm. So he's gonna find out why. There are certain individuals who continue to legislate in favor of insurance companies. Obvious reason is they are invested in the insurance companies that are going to profit from those same legislations, of course. And they're going to remove those individuals, those people. That's why they tried so hard to get rid of Trump, because Trump is going to make sure and likely expose, not just fire them, but tell the world why they're getting fired. Cristina: This is part of cleaning out the swamp thing. Yes, it's continuing. Jack: And a bunch of people brainwashed on the left couldn't handle that because there it's against team. Team sports. And as you know, both sides are kind of dumb. They're sucked into team sports. People don't think anymore. There's no nuance. I'm either all blue or all red. And I do not agree with anything they say. Even if it made sense. And it's like, well, then you guys are idiots on both sides, which is the actual case. But outside of the stupidity of team politics and everybody who gets sucked in, they're proven they don't think at all. It seems like the swamp cleaning will in fact take place and it's not going to be in favor of the insurance companies or the politicians who are bending laws in order to make profit off of insurance companies. Cristina: It's taking too long for that stuff to happen. Jack: Why? Cristina: Why? Like, people have had a problem with the government forever. Jack: Like, right, it's the beginning of the year and this dude just got elected. Cristina: No, I mean, like in. Jack: Throughout history, government as led by the Democrats for the last many couple of years is nothing But a bunch of pocketing schemes and war funnels. Cristina: Oh, yeah. Jack: So like, it's all money into pocket and like, they have no reason to change any laws because they can keep funding wars and be supported by the Democrats. We're like, yeah, send more to Ukraine and. Yes, and more of us. He's more over there. More. It's like, God, bro. Guys, how are you gonna be like, stop funding Israel but keep funding Ukraine? This is so stupid. They're so dumb. Both sides. Because the other side's the same. The other side's like, stop funding Ukraine but keep funding Israel. They're the good guys. Like, okay, we're not for war, but we're for war. No, shut up. None of you think. None of you have thoughts. Cristina: We're not for that one. Or for this. Jack: Yeah, you guys don't have thoughts. You guys just. You parrot whatever the f*** your team says and you didn't think about it more than that. And then you go online and you freak out and you have these angry conversations about s*** you've never looked at based on some headline you read. It's ridiculous. A bunch of feedback loop nonsense. Bunch of idiots everywhere. Super stupid low IQ s***. Anyways, Luigi's gonna be free. That's likely. And if he's free, he's likely gonna go catch somebody else and that's gonna motivate other 00:20:00 Jack: individuals to do the same thing. Cristina: I can't imagine that that's the next thing. He's gonna be free and then he's gonna do it again. That's what you're saying? Jack: Not necessarily. Rather, his existence for being free will result in more CEOs being taken out. Cristina: Oh, okay. Yes. Jack: More people in these crooked power positions being taken out. On the flip side, if he gets convicted, I think that same outcome happens. Cristina: Yeah, it doesn't really matter whether he's here or not. Jack: I think that outcome happens quicker if he is convicted. They'll at least have a little buffer time before the next one. If he's free. Cristina: But now that it's possible, it has to happen again. Jack: We already know it's possible. And the desperate move. Had they not done this, it would have looked less bad. But the need to parade him around for no reason was so obviously a. Look, we caught him. Don't do it. Which is like, wow, you guys freaked the out. Somebody paid that governor to go stand next to that guy. And he was like, yeah, this makes sense for money. Because he wouldn't have done that otherwise. Why? Why would he do that? What reason is there for the governor, the mayor, whatever the f*** that was. To parade that guy around. That makes no sense. It's entirely a money thing. And, like, even walking him around, so many guards, so many, like, walking for cameras, photo ops, so people see he's caught. Cristina: That only helps. Jack: Yeah. You guys just clearly showed everybody you're desperate. And you guys feed on fear because you're human. So are the people you're feeding on. Cristina: Yes. Jack: And they've suddenly seen you really f****** scared. Not only that, you guys created the feedback loops that made them like that. You guys created the Facebooks and the Twitters you guys created the comment sections you get. Because it was money for you. It was more money for you. You and your buddies got money from these things to keep them raged in and freaking out and loving. So they grew up on that. They grew up on feeding off vanguard and fear and people sad and bothered. And now they saw you angry and fear and sad and bothered. Holy. You guys f***** up. You guys f***** up. You created a problem. Then you showed them you're. You're one of them. You're one of the people who could be picked on now. Cristina: Mm. And it's gonna happen again. It has to happen. It doesn't happen again. Doesn't matter what. What the results are. Jack: Nope. Has to happen again. Cristina: That's crazy. Jack: It's just the pace at which it's gonna happen. We saw the first instance of the poor eating the rich, and now we're seeing the slow snowball effect. Right now we're dealing with jurors and an inability to get seating jurors that seem unbiased because you made them all bias in favor of f*** insurance companies. You made them all. You made everybody in the United States who isn't a 1% individual biased towards insurance companies. 100%. Cristina: Yeah. Probably even people who are in working in insurance companies don't like insurance companies. Jack: 100. Because they themselves are probably not even getting quality insurance. Cristina: Exactly. Jack: So you turned everybody against insurance companies, and then you're going to try to convince people that the insurance company isn't the bad guy in a situation. You lost. You lost before it began. Cristina: Yeah. Jack: You lost before began. You dug that grave so deep. Cristina: Mm. Jack: That once you get pushed in, there's no chance you're climbing out. It's too f****** deep. You dug that f****** hole for, like, 40 years. Cristina: I don't know. It's tough, but, like, banks get away with anything and they still go. Jack: Right. Cristina: Like, why isn't this happening with them? Why is the way things are still the way things are for that because. Jack: People haven't been in. Again, the assumption that to some degree it still works. Cristina: Still works. Jack: To some degree, it still works. That is the assumption. To some degree, it still works. Doesn't matter what happens in this trial. They're gonna prove it was bullshit and made up and never worked. Cristina: Okay. Jack: It only works if you're rich. Cristina: Mm. Jack: Which means it doesn't work. You're just paying your way out of everything. Except you can't pay your way out of this one. Cristina: Lovely. Jack: So I think that's gonna go crazy now. Interesting things about Luigi. As we said, the courts can't seem to find jurors that aren't biased. They're all on the side of, I didn't see anything. And I think he was totally innocent. Must have been another guy or something along those lines. It wasn't him. Oh, that video. No, that doesn't look like him to me. So that's the unanimous problem they've got with jurors, which will very likely result in him going free. They can only do this for so long before you're 00:25:00 Jack: clearly breaking the law trying to find a different juror. Cristina: Okay. Jack: And a couple of things, right. We talked about the guy in the camera not looking like Luigi. Cristina: Yes. Jack: People have deep dived into this, that they look so different. They look so different. Face structure difference, height difference, shoulder difference. The guy they caught versus the guy who was in the video. The green and gray, they had totally different. They did not find the right guy. Cristina: But what about. Did he write about it or. No. Jack: Right. So he could scratch up a manifesto. Anybody could do that. And if it's not well developed, like, who cares? Anybody could write anything. And at this point, we're calling manifesto. And any idea he wrote on any surface or any technology slightly relative to what he did. If you made a f****** Facebook comment about doing this, that's his manifesto now. Cristina: Okay, you get my point. Jack: Like, what are we talking about? Manifesto. He had a notes app with five sentences. That's a manifesto. They're just saying that so it looks like that's the guy. Cristina: Okay, so that's part of that. Jack: Part of the brainwashing. Okay, it's not a manifesto. The guy jotted down a couple of thoughts. Cristina: Yeah. Jack: It wasn't like they're gonna find this and understand my motives. It's like, no, this is why I hate that guy at the end. Cristina: Okay. That guy specifically, or was it even about that guy? Was it just about insurance? Jack: It was just about insurance, but it doesn't even matter. Who the context of that in any manner, shape or form. Because it's not the guy. It's visibly not the guy. Who cares if he has anything written down, okay? He's not the guy. You could tell looking at them two entire. The guy who took the hit has no Latin visible roots. That was a white guy. Like a pure white guy. And I know people are like, oh, Italians are white. Shut the up. You guys are so ignorant. No, that's why we have two different words, Latino and Hispanic. And Latino are all from Latin descent, while Hispanics are from Spaniard descent. He is an Italian. Luigi, the guy caught is an Italian that is Latino. And you can tell he has Latin descent features, as most Latins do. Whether you're a Hispanic, whether you're Spanish, whether you're Portuguese, whether you're. There's a kind of resemblance going on that you're not, quote, white, unquote, you're Latin, okay? And the guy in the video was not. Cristina: He's just white. Jack: He's a white guy that was a visibly white guy. While the Luigi dude. Nah. So here are a couple of theories that have been circling around. And a couple of them kind of have some solidity to them, but we're not gonna talk about the solidity. We're just gonna talk about these theories, okay? So stay focused with me, please. First, the guy Luigi caught. Right, the guy who's caught. Cristina: Okay? Jack: Second, the guy in the video. And third, the guy who allegedly had the beef with the CEO. Now, the guy Luigi who was caught, did not have any accounts, did not have family members who had United Healthcare fully disconnected. There's didn't seem s*** other than the fact that he had a manifesto, because nothing he had matched. He doesn't match a guy in the video. All he had that connects him is essentially, quote, the manifesto, unquote. That's the connecting feature that says he's the guy who did it. Cristina: Okay? Because he said or he wrote one time I don't like. Jack: Yeah, because he had a notes app with insurance saying, I hate this guy. Cristina: Okay? Jack: So that's their connection. That's all. He's the guy based on that. There's no other proof literally connecting him. That's the only, only proof they have. You can look this up yourself. The only proof the government actually has, the only proof the police has, the only proof anybody has is the notes app. Outside of that, we're just trying to connect it to the guy in the video, okay? Now this falls perfectly in line with you guys. Never found them. You don't want the people to know that, though. You need the people to believe he got caught instantly. Let's follow this up with the fact that the first guy they caught, they immediately paraded without having to confirm more. Yeah, that is. Cristina: It's not what you do exactly. Jack: Kind of a quick coward is happening. You can tell the. And the pattern of that kind of tells you more. It feels less like it's him now that you guys did that. Your only proof is really his app because he had a quote, manifesto, unquote. But you didn't find the weapon. You didn't. You can't. He just looks like the guy. Cristina: Nothing. Jack: Nothing. Cristina: There's really nothing. Jack: There's nothing. Just the fact that 00:30:00 Jack: he confessed in that. Cristina: And he somewhat looks like this guy. Jack: No, he doesn't look anything. Cristina: Not even a tiny nothing. Jack: Nothing does not look anything like him. Cristina: Weird. Jack: Yes. So that's the guy caught. The guy who did the hit had a silence. The weapon, my dude, was smooth as anything. It was calculated, measured, soulless. Kind of like a professional. Cristina: Like a hired. Jack: Like a hired individual. Exactly. But if you hired an individual, you're also not catching him. That's how he's professional. Cristina: Yeah. Yeah. So even, like, even if you did catch that guy, you didn't really catch that guy. That guy. Jack: And then the fact again that the dude who was caught has no beef with United Healthcare. He couldn't. He has no connection to them. How do we have a guy who's clearly a hitman, not some random dude who got an emotional moment. No, this was methodically professional. And then a guy you caught who has no connection. And the closest you could get is he said things that sounded relative. Cristina: That's crazy. Jack: Enter the third guy, the guy with the problem. How do we get here? We have a dude who clearly has a massive issue and made actions happen. There is a dude who's responsible for paying the hitman and the hitman for paying the fall guy. Nobody caught the real guy. Cristina: Okay. Jack: You didn't catch the killer or the dude who hired him. You caught the guy who was paid to take the fall. Cristina: People think that he was paid by. Jack: That is an ongoing theory. Now here's. Here is the trick where it might get quite shaky. The line divides down the middle when we get to who paid the fall guy. Cristina: What do you mean? Jack: It likely wasn't the hitman because he would need his professional enough to just vanish. Wastes money on that. And it wasn't the guy who bought the hitman because you bought the guy. Cristina: Who'S gonna vanish is the insurance company. Jack: It was a f****** insurance company banding together and paying the most random guy that could come. Whoever looks most like him. Whoever looks most like him. We caught him. We caught him. You guys can't get away with it. He's caught. Look. Haha. And that's why he doesn't connect. And that's why the manifesto's so f****** loose. You guys couldn't connect. You couldn't find it. It was too clean. He popped up. Did the job. Disappeared. And then you relied on a random f****** tip. Allegedly. And then you caught some random guy. No. You guys paid whoever people thought already looked like him. You waited for the public to react. You found whoever looked like him. And you're like make your life so f****** easy. You just. Here's the story we're gonna go with. Cristina: Okay? Jack: All the money. We're filthy rich. We can make you a billionaire tomorrow between all of us. And not one of us took a single hit. You're rich like us. But we gotta show you as a criminal. We got to throw you in prison. You could get out. We'll send you to some other country. You disappear. But we got to go through this process. Cristina: Do we have to find out what happens to him after all this? Jack: If he goes to prison? How would we know that he's in prison? Cristina: Yeah. Jack: We'll probably throw him in some locked up little room that nobody can see. Allegedly. And he's out in a different country living the life. Because that's not the guy. That's not the guy. The people who can find. I will redirect everybody to how overpowered the Internet really is. Anybody who doesn't know about this. The FBI once tried to f*** with 4chan. 4chan. Random people, just random people hacked the FBI and acquired the most crooked files they could find. Posted some of it online. You could find this and warn the FBI. Leave us alone or it's all going up. The FBI has never since talked about 4chan. This is a fact. Go online. Look it up. This has nothing to do with opinion. You could find these cases happening. Cristina: So there are people online trying to figure out who the real person is responsible. Jack: True experts aren't the FBI. There aren't the CIA. How do we know there was coke inside the White House and it couldn't be found who did it? You guys are crooked. You guys are intentionally not telling us information. While people can hide something anywhere in the world within a couple of minutes. 4chan got there. 00:35:00 Jack: You can't hide anything. We got the best hackers we got the best meteorology. We got all the resources to undo any level of anything you could ever imagine doing politically, doing through government, doing through police, doing through any agency. 4chan has a better. And those are the guys, the guys who scare the FBI, the guys who can rat on anybody with proof who uploaded, the guys who take down the big kahunas. Those are the same experts who are saying, there's no way you could convince any of us that is him. Cristina: Okay? Jack: And they're showing image by image, breaking down face structures, breaking down face shape, eye shape, distance, eyebrow shape, every little bit. It doesn't match. It's not the same person. Cristina: So it's most likely just a person that knew the guy and just didn't like him. I hired a hitman. Like no one in a personal level. Jack: No, no, no, I don't think it's a personal level. I do believe somebody was affected negatively and was like, f*** that guy. I mean, it could be anybody. Could be anybody. We don't know. Yeah, there's some third individual we don't know about, responsible for hiring a legitimate professional who killed the CEO. We don't know who hired him, but it's unlikely either the hitman or he hired the fall guy. Because the point of the hitman is there's no need for a fall guy. Cristina: Okay. Jack: The question would just linger. Also, you guys can look online for this one. 97% of all murders go unsolved, usually when they're unprofessional. This guy showed an absurd level of professionalism. That guy's not getting caught. You guys don't catch regular killers. You're gonna catch a dude who does it for a living. That's a joke. So how did they so instantaneously find. Cristina: The guy, the right guy? Jack: You didn't know. You made it up. You made it up to trick people because you're f****** scared. Cristina: Because there's nothing else they can do. Jack: There's nothing else they can do. But in reacting, they made it worse. Yes, because you showed you're scared. And fear is what all humans feed on. You've just been the creator of fear, feeding off of it. Now you're the person in fear and the little guy is feeding off of it. Oh, and the little guy made the fear that they're feeding off of you. The tables have f****** turned. Interesting. So, yeah, that's what's going on there. There's three individuals. One is the fall guy, probably upon on the side of the insurance company is just taking the fall. Luigi is not to Be worshiped. Luigi is the guy on the bad side getting paid. I mean, whoever paid the hitman is the hero. Because the hitman also had no stake in anything. It was money. He wouldn't have done it without being paid. It was money. He has no stake in anything. His insurance is probably immaculate because he. Cristina: Can afford it, I guess. But like, the person who did it is probably no hero either. Like we. It's better not to know. Jack: Yeah, no, he's probably doing it for 100. It could definitely be a rich enough guy whose family was on the plan and got shafted and they died. And they're like this son of a. No, that I got so much money, let that guy die. So it could 100 have been one of his peers. We're like, God d***, this is crooked. Cristina: I don't think he, like, it's probably a crooked person who did it. I don't think a normal person would do that. That heroic thing. He's not a hero. He has to be someone who just didn't like this guy. It feels more like. Jack: Yeah, no, I'm not saying anybody did it to be a hero. Cristina: Yeah. Jack: No matter what it was because they were personally affected by him. Nobody is claiming some dude was just like, I gotta start saving the world from CEOs. That didn't happen. Cristina: No. Okay. Jack: Otherwise, why the. Are the rest of the CEOs alive? Guys, they're still out there, go do something. But it was somebody who's affected by the specific company that let it, you know, settle and brew and develop into a visceral hate. Cristina: Crazy. So crazy. But yeah, I guess that makes sense. He's probably not the guy. Jack: The guy who, who got the ball rolling is free and will likely depending on. I mean the. The tide. Not even the tide. The global sentiment changed a little. People are cheering on the death of CEOs now. This is normal. Now it's like, f*** the rich people turning into the fires. You mentioned earlier, the fires raging and people are looking at the area called Sylmar and like, oh, f***, these people are screwed. And you know, these poor people's houses are getting burned. And that sucks. Paris Hilton's house burned down. Oh, too bad for her. It enters the rich neighborhoods. Oh, I'm kind of struggling, feeling sad for these rich bastards who still had 00:40:00 Jack: water when the rest of us didn't. Quickly the sentiment went from the rich people, let them lose everything. Cristina: People are watching the fires and are cool with it. Jack: People are looking at the fires, hit rich areas and are like, well, I guess you Guys had it coming. These statements that have been being made are Saddam and Gomorrah, the biblical towns that God smit with fire for being cesspools of evil and corruption. That's what people are saying is happening right now. Saddam and Gamora, you guys are getting what was coming. Cristina: Ow. Okay. Because. But all the fires are in rich people places. There are people being affected, though. Normal people. Jack: Funny. No, funny fact. Every single fire was started at the very edge of a poor section where the wind is pushing it towards the rich section. So people in the poor side started it, you think knowing it would go that way? Cristina: No, that's. Jack: Every single fire. Every single fire, without exception, was started by a person. The four major fires, the Palisade fire, the eat in fire, the Hearst fire, and the sunset fire, all began on the front side of the wind, pushing it towards the richer side. Cristina: But that doesn't mean. Man, I don't know. That's kind of. That's. Jack: Additionally, every single one of the fires was too far to ignite each other, so they were all separate ignitions around exactly the same moment. Cristina: And that's not a thing that could happen in nature. Jack: It could happen in nature. Some of these started a couple of minutes from each other. Cristina: Okay, that does sound very planned. Jack: I don't know. Yeah. All on the same side of the draft. All on this. All on the same. Get the f*** out of here. All around the same, like a three hour period. Cristina: It feels like if they were planned, someone was really. Like, they had to know about the wind and stuff. Like, it was super planned out. It wasn't like. Jack: No. Cristina: A normal. Jack: No, no, no. Cristina: It wasn't random. Jack: Listen to me. Once a year, these wins come through. Oh. Every single year without fail. Cristina: Okay, so it's normal. It's an. Jack: It's an annual thing around the same time every year. Cristina: So all you had to do was be ready. Be ready? Yeah. Okay. Whoa. Jack: All you had to do was be ready. Cristina: What is that? Like, people think that they actually were started by other people. Jack: They've literally caught two different people starting fires. Cristina: That's crazy. Jack: Yeah. They're both arrested. Cristina: Well, yeah. Jack: Video. They were caught on video. Cristina: But doing the main fires, or these are just random other fires that are just now happening too. Jack: They were just starting fires and then they were caught doing it. Cristina: Okay, that is crazy. Yep. And it's just in Cali, though, right? Like. Jack: Yep. Jack: You see. You see the pattern, right? The snowball of the rich eating the rich is starting now. Cristina: Okay. Jack: Destroy all their s***. We're Gonna make them buy their s*** again and then we'll destroy their s*** again. And then when they buy their s*** again, we're gonna leave the country. Leave the country. You're not part of us. Get the f*** out of here. That's. We're gonna get there. That's gonna happen soon. We're gonna get to the point where we just keep trolling the rich out of the country so the middle class becomes rich. Cristina: That would be nice. But that's so crazy. I don't know. That's a hard one to believe. Jack: But it is. It is the reality at the moment. Cristina: Yeah. What? Jack: Yeah. And more so is the fact that the Palisades fire, right? That's the Pacific Palisades and Malibu. Big for politicians. That's where politicians live. All levels of political individuals. The eat in fire is in Altena and Pasadena, which is. Oh, my bad. That's the one that's big with politicians. The Palisades fire, which is in the Pacific Palisades in Malibu, that's big with CEOs. That's where the insurance individuals live. That's where the hedge fund guys live in Pacific Palisades in Malibu. So that's the Palisades fire. Then the E and fire in Altena and Pasadena. That's where the politicians hang out. So a bunch of politicians there. Fire went in that direction. And the sunset fire is the Hollywood Hills. Those are where the big music industry and celebrities live. Cristina: What? Yep. Jack: And then we have the hearse fire, which is the one that predominantly affected a poor area. Cristina: Okay, but. Okay, so that affected normal people. Jack: Yes, that one affected normal people. But that happens to be in an area where they've wanted to buy out the poor people to begin 00:45:00 Jack: with. And that's the one that a lot of people are like, this is E really similar to Hawaii. Why is the water off here? Cristina: The water. Jack: That's where the water was shut off. They're like, you guys really shut off the water in the middle of this fire. Very Hawaii. Now this is where the fires create an interesting division of situations because the fires all started in poor neighborhoods, towards rich neighborhoods. Is it the poor eating the rich like Luigi or. Let's go back to where these places are located. Pacific palisades in Malibu. CEOs, specifically insurance CEOs and hedge fund individuals. Jack: Interesting. Real close by. We have the Eaton fire, Altenia and Pasadena. Big with politicians. Okay. Just so happened to be. In both cases, the fire dominates areas where people were. Thank you 4chan, for all your information. Where people are really close Friends of Epstein. Second unrelated bit of information that I will share is the sunset fire on the Hollywood Hills is predominantly taking place around where people are known to have been close friends of or have been at Diddy parties. So was it the poor trying to eliminate the rich and even the tide? Or was it the rich trying to get rid of the evidence, knowing that the dominoes are falling? The rich, the list is coming one way or another. Cristina: I don't know. Jack: And now you have Trump and Elon Musk claiming we're gonna find it and release it no matter what it takes. Cristina: But if they burn down the evidence. Jack: There'S nothing to blame. Cristina: Yeah, that sounds most likely. Jack: It's more likely that these multi millionaires will sacrifice their existing property knowing they have more money in the bank then. Then a risk. Many years in prison. Cristina: That's crazy. But yeah, I think that might be more likely. Jack: And who would they pay? Most certainly somebody poor. Cristina: To start the fires. Jack: Somebody poor to go start the fire. Cristina: Yeah, that's probably not hard to do. Oh. Especially if they don't know what they're doing. What? Jack: But in either scenario, you're showing your f****** fear. In one, we're getting back at you, finally. In the other, you're scared. We're getting back at you, finally. There's no way around it. Every move that happens beyond seeing a CEO die is worse for all the rich people. It doesn't matter how the f*** they do it. If you guys started these fires, that's eventually coming out too. There's too many individuals. And as it gets a little more suspicious, you're gonna get the real intelligent individuals involved. The people who could find the flag in the middle of a random f****** country simply looking at the sky. Those people. Those people are looking in this direction now. What do you do when those people open their f****** mouth about what they find? Cristina: I can't wait. Jack: Interesting. And there's no amount of payoff. These people are rogue. These people are the kinds of individuals who. The who Alfred was talking about. Some men just want to watch the world burn. Cristina: Okay? Jack: And these guys, they're neutral party. They're neutral party enough to watch the world burn. Cristina: Crazy. Jack: That's why people get scared of places like 4chan. Cristina: You can't do anything about that. Jack: You can't stop a force that powerful. Cristina: Well, so we'll find out soon about what's really going on over there. Jack: Yeah. No matter what, the words are gonna come out. Somebody's gonna have the pro. Somebody's gonna put it in an indisputable Kind of way. And when that happens, it is f****** over. It's a snowball. And it continues to snowball. And it doesn't seem to be stopping. Every single day, the inch multiplies. So it began at one. The next day it's two. Perfectly fine. But the next day it's four. Still kind of slow. The next day is eight. It's picking up, but it's still slow. What happens at day 100? Oh, it doesn't stop. It's a snowball. The bigger the snowball, the more snow it can collect in a single rotation. So it gets bigger, faster. 00:50:00 Jack: So what do you do? Yep, Every single step. Why did you guys surround him? Why did you guys get politicians surrounding him? You made that too suspicious. People wanted to look at what's happening. People looked at what's happening and they're like, hold the up. This guy doesn't look the same. People started sending it to the right places. Hey, you dark individuals down there in the hole, we don't address because you guys are scary. Take a look at this. You guys never seem to be wrong. The dark spoke back and said, that's not the same guy. Well, interesting. The dark said, that's not the same guy. The dark has no stake in anything. They don't care. Leave us alone. And we're good. A question. And it was like, mirror, mirror on the wall, who the f*** is this guy? They were like, not the guy that they say he is. Well, interesting. Okay. Mirror, mirror on the wall had these fires get started. Well, they were all started in the down of where the draft was going. So it's gonna be taken up. Interesting. Fascinating little detail. Mirror, mirror, little by little, every move they make, points more at them. Cristina: Ridiculous. I don't get it. I don't get it. Especially though, turning off the water. Jack: It's an area they've wanted to turn into something like eat in. I mean like the Altena or Pasadena or Pacific Palisades. They wanted to upscale it, but it's a lower income area. What an opportunity. Cristina: Yes. Jack: That is actually interesting point that you would mention that that specific side with the poor people, weirdly enough, is the most important side here. That's the most. Because the other ones are just on point. It's too on the nose. It kind of like we have no information here. We don't know who did this. Could it be the poor attacking the rich? Could it? That's the one that tells us it's the rich doing it. Cristina: Yes. Jack: That's where they f***** up. That's where they F***** it up. Had they not hit that spot. Their greed got to them. Cristina: They revealed they hit it. But like the still. The whole water thing. Jack: No. No. Because it doesn't make any f****** sense. It doesn't make any f****** sense. All of them started down for this one. It also did. Cristina: Mm. Jack: That doesn't make any sense. You don't need to cut off the water for that immediately to be suspicious. Cristina: Mm. Jack: The fire started towards all of these rich areas. And in this one poor area that all those same rich a******* have been trying to buy out, the fire also started below. And it's the only area that the fire started at like that that isn't rich. And it's just so happens to be the one f****** spot they've all been trying to get. Cristina: Mm. That is very sus. Yeah. Jack: So all they happened with Sylmar is them out themselves. It's the cause the rich started it. Trying to delete all their data, trying to erase all their evidence. Cristina: Insane. Jack: Now we can throw away. This is the poor eating the rich for this fire instance. This is the rich getting desperate. Cristina: Mm. Jack: Because the dominoes are falling. Now the question is one of two things. Because again, everything splits down the middle. And again we're looking at the right people who know how to break this information apart. The theories that came up about this were actually really substantially good questions. Did the rich do it trying to cover up their tracks? Or did whoever. The individuals who actually. Who. Who are actually their bosses, the people who make them famous. The people who get them up there are like, we're gonna punish you guys for getting caught and cut that off so it doesn't come back to us. Because then people are gonna know who we are. Cristina: I don't know. That one mysterious. The one poor thing makes me think it's just the rich people. Jack: It could totally be. But the problem is the guy who runs them is still the rich people. And now your question has to be, would they destroy their own? Probably somebody punishing them is their boss. Like you guys are getting caught left and right. Nope. I'm not gonna be part of this. You it up. You're gonna get punished for it. Cristina: Okay. Jack: We know it's likely that not that the rich people themselves, but that their boss because of one f****** thing. The moment that the Diddy thing happened, they tried to connect the Epstein people to it. They're just trying to throw. Everybody looking at Diddy. Look at Diddy. Everybody look over there and leave us alone. Everybody keep looking at Diddy. Celebrities whole purpose in existence is to Distract people from 00:55:00 Jack: the CEOs and the politicians at this point. And they get paid knowing that's their f****** job. Your job is to cover up. And whatever the f*** happens, you're always going to be the COVID up. You're here to protect us. We'll make you famous because you want to be famous and because you're going to play ball. If you don't play ball, who gets famous? Nobody gets famous. If you don't play ball. Notoriously, you have to. But what ball are you playing? It's music. It's movies. What the f*** do you mean play ball? Who you playing ball for if you're all artists here? Oh, for the people who own the art companies. Yeah, the CEOs. For the people invested in the art companies. The politicians. Cristina: Crazy. Jack: Did he happens? Oh, the two lawyers are married now. Anybody who wasn't paying attention to Diddy. Oh, what are the odds? And now you got sucked into that side anyways. Tying random events so that you keep looking at Diddy so that you only look at the celebrities. That just makes the celebrities looks like their only job was ever to be a fall person. And you get to be famous. But if we ever ask you to fall, you have to. Cristina: Okay, does this make sense? Jack: Except somebody fall when they shouldn't have. Did he? He slipped. So we're gonna punish you. Extra. Extra. Anybody who can be outed because of you is also gonna be punished. Or the desperation of the f****** hit. We got to keep f****** throwing people in there. We got it. We can't bring attention to ourselves. Throw more noise at the Diddy situation. As loud as we possibly can. People looking too hard at a CEO getting shot by a random person. Cristina: There's too much happening. Jack: Too much happening. We're seeing it lose control. We're seeing people, the rich panic. Cristina: So then it is someone higher up doing all this. Jack: At least the dark holes with the information believe strongly it's leaning more in that favor. Okay, Whaat they believe it's leaning much more in favor of this is some. Cristina: Cleanup job or something. Jack: It's a cleanup job. It's a cleanup job. We're getting too close to revealing these lists. And now we just elected the guys who are going to do everything in their power to do that. Get rid of all the evidence. They straight up said they're gonna release all the information. Get rid of all the evidence. We're not connected to anything. Destroy everything. You can't find every shred of everything. Destroy it all. Destroy the house it happened in. Cristina: Okay? Jack: Everything goes no proof of anything. Cristina: Yeah. That's horrible. It's so crazy. It's so crazy. Jack: Desperate times are getting more desperate. The actions are looking more desperate. Either that or it is people, Civilians actively already attacking the rich. Cristina: That is one idea, I guess. Yeah. Jack: It seems less likely that sheep are going to try to attack a wolf. A lot of people have been brainwashed down into a really complacent spot in life where you're like, I'm not gonna do it. I'm not gonna risk me going to jail. That's. Which means somebody got paid to do this. How do you get paid to do this? Rich people paid you it. Cristina: That's the only way. That's really it. Jack: Yeah. Cristina: At the end of the day. Jack: And the rich people are doing it to cover their tracks. Cristina: Yeah. Jack: It's desperation. They're like, f*** all of Cali. There's nothing but poor people here. Anyways. F*** my house. I could buy another one anywhere. Dang it, Diddy Scott. I ain't hanging out with him anymore. Cristina: They probably start over. More than one house. Jack: Like, just go to the other one. Cristina: Yeah. Jack: It's safer to own property than it is to keep your money. They already separate their money into assets that they can liquidate at any given moment. Had they. If they needed more money. Can't be taxed on some s*** that isn't physical cash, man. Cristina: So most likely someone did this. Jack: Most likely. Several different civilians around the same time were all paid by rich individuals to destroy their homes through fires that would follow the draft and set ablaze to all the evidence that they were on that Epstein was close to them, that they were close to Epstein or that they were close to Diddy or any of that. It was those areas that were predominantly affected which is the sketchiest part of this whole. Cristina: Very sketchy. Jack: Very sketchy. Interesting note that. Cristina: That is pretty interesting. I don't know. I thought these are just fires or the aliens did it, but mostly just fires. Jack: Weirdly enough, the alien thing is a whole different mess that we're still unclear about. But somehow I am more convinced that also has to do with Luigi somehow. Cristina: Oh, my God. Jack: That's part of Luigi. Or the fire. All of this is one thing. Everything we're seeing is one thing occurring somehow. We just don't know how there's not coincidentally a thousand different. No, no, no, 01:00:00 Jack: no, no, no. Something weird is going on. And it's all one f****** thing. Cristina: And we're gonna figure that out. Jack: We're gonna figure that out. It's all one f****** thing. Cristina: All Right. Jack: We don't know how. No, because they're trying really hard to keep all the parts separate, but they keep slipping out. Cristina: Yes. Jack: And connecting random dots they didn't want people to see. Cristina: So I don't know. They still have such an advantage, but we'll see. Jack: They've never had an advantage, really. It just comes down to the fact that the people, like, real profound, hack through anything. Individuals, people, real skill, real talent. They don't care about other things. They're just. They love what they do. That's why they get as good at doing it as they get. So the people who can easily put a stop to them are not on their side or against them. They're neutral party, like, whatever. These are the same people who could just deposit a million dollars into their account off of anybody else's account. These aren't people who struggle in life. They're just bored and past time. But those are the right people to ask for information because they also love. Again, they love their job. They love what they do for fun. Cristina: It's not even a job. It's not even a job. Jack: It's for fun. Exactly. Well, I say the job because it's all they do. Cristina: Yeah. Jack: But they love what they do. Cristina: Yeah. Jack: The point that if you pose the question, you're gonna get the most honest, direct shot ever. And it's like, well, if we go through all our avenues and look at this from this light. From that light. From this angle. From that angle, this is what it looks like. Cristina: It's like, crazy. Jack: Thank you, you, you lovely skilled individuals, please dive deeper and reveal more. Cristina: Okay? Jack: And any of you 4chan individuals, I mean, anybody of you who are in here, you already know who I am over there. But any of you who haven't communicated with me because I don't necessarily post all the time. Good job. Cristina: Good job. Jack: And keep looking. Keep looking. I know where the real. I know we are the real people. Not saying I'm some crazy level hacker. I just hang out on 4chan, but I know that 4chan is the real people. Those are the people who could solve any problem or create any problem. That's what went FBI. That's when the FBI started getting handsy. They were like, hey, look what we found about you guys, okay? And they were like, oh, no, you guys are innocent. Never mind. You guys are innocent. Innocent. It's like, yeah, I thought we were. I thought we were. Now go away. Yes, gladly. Never again has the FBI bothered because that's. That's corruption. Cristina: Mm. Jack: But the problem is FBI in the pocket of a bunch of CEOs. So the FBI is coming down too. As everything starts to unravel and the snowball gets bigger, there are few things it's not gonna trample. Anyways, that's what I got. That's. Cristina: The week has been wild, I guess, or since the last time we've been here. Jack: Yeah, it's been heftily. Cristina: It's been an interesting start of the year. Jack: Yes, yes, yes, yes, yes, yes. I initially wanted to do a year, a review of last year, but the first week of this year has been so much we couldn't. So maybe next week, but we might not even get to that, depending what happens between now and then. Cristina: All right, well, because we're gonna be. Jack: Following this closely because this is spinning out of control and I want to be here for it. So if you guys want information on this, be sure to find us and contact us with anything else you found or any details you think we should give us information? Yeah, anything you find, let us know. We're going to be talking about it. We're going to be your news source for what's happening here. So you can find us, you can contact us, you can reach us on our socials. That's at just convo pod on Tick Tock, on X, on Instagram, on Facebook. Feel free to reach out and tell us what things you want us to look at. Cristina: Remember to subscribe, rate and review the show. Jack: And remember, word of mouth is the most overpowered thing in the world. And if you want people fully aware of the fact that the rich are slowly being eaten, we're the ones talking about it. Bring it this way. Tell them to come listen. Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. Jack: Saba. Good morning. Cristina: The podcast is hosted by Cristina Colazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts info, art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black. 01:05:15

Rambling 300: Diddy and Luigi

Is this reality? Is anything real? Can any source be trusted on any subject? The duo dive even deeper into the conspiracy theory surrounding the Chinese Drones and the CEO assassination. Now, with Diddy tied to Luigi, chaos ensues and the duo is increasingly suspicious of the United States Government and what their involvement in all this really is!

+Episode Details

  • Matrix Falling Apart
  • Deja Vu
  • Lover Lawyers
  • Government Coverup
  • Epstein’s Island
  • Floating Orbs
  • Government Drones
  • Chinese Invasion
  • Conspiracy Theory

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Rambling 300: Diddy and Luigi Jack: Welcome to the Rambling Podcast. I'm your host, Jack. Cristina: And I'm your host, Cristina. Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And today, as usual, we have a plethora of ideas to unpack, because there's nothing short of. But the ideas we got to unpack feel like we are in a simulation. Heftily. It feels intentional at this point. We've talked about this before. Cristina: Yeah. Jack: About how things in the world feel too intentional. And like, I feel like the puppet master is slipping and things are becoming too obvious or the matrix is falling apart. And this really began either 2016 or 2008 or somewhere or maybe 2001 at one of these points. Something broke. Cristina: Something broke. Jack: And, like, the snowball of ridiculousness or. I mean, we had a conversation the other day, and you mentioned something that I thought was really interesting. And maybe this is gonna freak out a lot of people listening, because it might be on the nose. Cristina: What? Jack: But maybe somebody is dying and they're witnessing as they're dying, and oxygen is slowly fading. The. You're witnessing all the things you've known mixing more and more as you're reliving your life. It's starting to make less and less sense. So somebody, me, you, maybe the listener is the only person who exists. And, okay, these events did happen in life. Not the way you're seeing them anymore, because you're seeing the event from over there and the event from over here kind of intersecting. And so it's looking crazier and crazier. It's so crazy. You're starting to notice even as you exist in the dream of dying. So you're just in state, just living your life. And then mixture is happening. But the mixture that I'm talking about last week, we were talking about the. Cristina: Drones that were invading, and I think they're still invading. And they still don't think they've stopped invading. Jack: They have not. They have been consistently invading. And then we had the CEO. Cristina: Luigi. Jack: Luigi. He's not the CEO. But Luigi took out the CEO. Cristina: I don't. No one knows the CEO. He's just the CEO. Jack: He's just a CEO. And all the CEOs panic, then whatever. And I don't know, for the last couple of years, NASA has consistently told us, oh, yeah, those videos we took from you guys to analyze, that we expunged from the Internet. We're putting them back up on the Internet and help us figure out what it is, because we don't know. You remember when they did that, they, like, public. Yeah. Like here, public, help us. We need your collective knowledge. And it was like, wait, you took these because they were like, foreign or something? You're telling us you don't know what they are? And now we get these drones and they're like, we don't know what they are. And it's like, what? But some of them look like your drones. But we figured something out. We figured something out. Talking about this. Cristina: They're investigating it. Jack: They're investigating it, right? What we see. The reason they're like, don't shoot the drones down 100%. This is what's happening. The reason they're saying, don't shoot the drones down is because all of the drones belong to us. The drones aren't foreign technology, the ones that have been shot. They're just normal technology. And we know where they came from. There's two different kinds of drones. There's a normal static drones and like military style drones. They're all up there fine. Okay. It was confusing at first and we thought they were looking at each other. Cristina: They're looking at something else. Jack: They're looking at the third thing in the sky. People keep uploading videos of floating orbs over and over and over. A bunch of people are like, oh, look at a drone. And it's just a floating orb. And I think they thought it had a light looking around or something. But some people have sent up drones and seen just floating orbs. Cristina: Really? Jack: So the lights aren't lights on drones. There are lights on drones and people see, no, there's a drone that's flashing. Cristina: Mm. Jack: But then there's the white light that's just hovering. That's probably what both types of drones are looking at. And yes, we know the military drones belong to us. While we're saying we don't know where the other drones came from. But the other drones, as we've determined, are Chinese technology. Okay, so we have Chinese drones. But they're not looking at people. They're not. They're doing what? They're hanging out in the same space. Cristina: With the lights, the lights. We're all looking at the lights. Jack: They're looking at the lights are trying like, what the f*** is this? And the reason that our government is like, don't shoot any 00:05:00 Jack: of it down is not just because it's their stuff up there too, but rather they're fully aware. They just don't want to panic the people and say it's directly Chinese. Although everybody who keeps unpacking is like, we can even Find the f****** Chinese imprint in the technology. It's all Chinese. But our government's like, we don't know where it came from. And it's because they're also, like, tied with the Chinese government. They're like, dude, anything anybody can tell us, please just. We'll make sure they don't shoot your s*** down. We'll have our s*** up there. Any country that wants. What the f*** is hovering over our sky. Everybody, all your best technology. Come on. Cristina: Okay. That's what you think is happening. Jack: That's probably what's happening. And so, as usual, we always work with China and then we tell people, oh, they're the villain, but we always work with China on everything, telling them they're our enemy. Always tied. We got. We have trade partners and we're political partners, and we're partners in a bunch of s*** with China just to keep claiming they're the enemy. Cristina: The whole Covid thing, that was us over there. Jack: 100%. It's all one. And we just. We could blame them as much as we want, but we're always working with them. The reason that we see both Chinese drones and American drones, and they unanimously tell us not to shoot any of them is because they know that those drones aren't a harm. We're all looking at the same thing, and they're working together, trying to figure it out. But you're not going to tell us that because they still got to sell us the bullshit propaganda that they're the enemy. Cristina: Okay. Jack: So they can keep us distracted for whatever other means that they're trying to accomplish. Cristina: Whatever that. Jack: It's unrelated. Cristina: Yeah. Jack: It just happens to be that they need to keep that narrative up. And this other event seems to be. Cristina: Happening, and the other event is just lights. Jack: The other thing is some kind of light in the sky, some orb or something. Something is happening and. Cristina: But they haven't used the words UFOs or not. Jack: Well, they don't use that anymore. Cristina: They say whatever the new word. They don't. Jack: They don't even use that word UAPS or something. Cristina: They haven't called it a uap. Jack: Yeah, they haven't. They avo. Because they genuinely. You know, this is. This is an interesting point, you know, when the government actually knows and when they don't, because they'll sell you some and have their labels and whatever. When they do know, and they just know it's a UAP and unidentified and people immediately, oh, my God, it must be aliens. But right now it probably is aliens. And they're saying what we're not throwing any words there. We're not going to say UAP because we say UAP when we need to misdirect them about something. Cristina: Okay. Jack: Right now, we actually don't f****** know. We can't say UAP because we don't want to miss direct population about what this thing might actually be and then have. Cristina: Also, they don't want their technology to be destroyed from people who are afraid of it. Yeah. Jack: Oh, it's aliens, but people still shooting. Cristina: Yeah. Jack: So the idea that this chaos continues to sort of spin out of control. Celebrity president in 2016, and we had a social media president in 2008, and we had the tower struck in 2001. And we have people sex changing, and we have school mass shootings, and we have all this sort of infinite spinning that's just a little more ridiculous than it was before. It's always more ridiculous than it was before. It's never less ridiculous than it was before. It's always more. Whatever the case might be. We had snow in Texas. Oh, s***. Cristina: Mm. Jack: Is that crazy snow in the Sahara Desert? Cristina: Okay, that sounds crazy. I don't know. Jack: We have seven storms in a row hit the same part of the United States in one month. Just over and over. F****** kept going. This weird, glitchy, impossible thing is happening in it. Again. More ridiculous than it was before. More ridiculous than it was before. Cristina: This is part of that whole Mandela effect theory thing. I like when that happened, everyone was like, that's when they decided we were in the Matrix or the Matrix is breaking or whatever. Jack: Fascinating. The Mandela effect might be part of it. Cristina: Yeah. Jack: Not a result of it, but rather the Mandela effect is a result. Cristina: Yeah. Of the Matrix breaking. Jack: Yes. Cristina: Part of that. Many things that were happening at the same time. Jack: So you remembered it one way, but then it showed up a different way. Fascinating. The Mandela effect does fit in there perfectly. And I guess that if we really are dying and everything is kind of like mixing to kind of make more sense of that, deja vu would make sense too, because you would literally have been reliving the moment. Jack: It's your second time there. And sometimes, maybe when you have deja vu, it's because it was exactly as the moment was before. It's not a weird, tampered moment. It's a moment where other things didn't leak in. So your memory was so intact, you literally thought it was the same moment. Cristina: Weird. Is deja vu happening more and more? That'd be crazy 00:10:00 Cristina: to find out. Jack: You know what's weird. And I think Everybody shares this experience. Deja vu happens less as you get older. And it's weird that that would be the case because you would have done the same things more as you've gotten older. So moments would feel more repeated over time if that was the cause. But it's not. You live longer and experience it less instead of more. So you're experiencing something that didn't exist before. To frame that better, deja vu must be a memory of something. It actually did happen in a different life. But as you structure around this life and build filters around this life, you have less and less access to it. So when you do something like drop acid and your walls come down and all those filters come down, maybe you get to sense deja vu more and see other versions of your existence that you've walled out structurally. Cristina: Okay. Jack: As you've gotten older. Cristina: Are you sure? If people feel what. Jack: What do. What do you think? Would you agree? Cristina: I don't know. I have no idea. Jack: Do you feel you used to have deja vu more in the past and less as time goes by? Cristina: I feel like it's been equal and, like, very rarely. Either way. Jack: Interesting. Okay, so now, after confirming, yes, it is less. Cristina: Then what you're saying is right. You just build walls. Jack: Yes. Yeah. So for anybody listening, we just took a pause for a moment as we looked it up, and. Yeah, no, statistically speaking, it declines more around 25 years of age is where it ends in high frequency. And then it just starts to decline rapidly, and it happens more in later teens, early 20s, sort of peaking roughly around 18, presumably, which lines up nicely with age. But then that goes to say that why do. Why are we having these experiences more? I mean, less with time? Like, we had more life experiences in the past. Doesn't make sense. Cristina: Doesn't make sense. Jack: Unless we did have more life experiences in the past. Yeah, we're just slowly erasing that as we structure our new personality. And we're like, we weren't that person. We're this person. Cristina: Yes, yes. Jack: And the times we do still have it are things that break through that are too perfectly exact and remind us. And we've already built this Persona, so when they happen, they're like, oh, weird. It feels like I did this before. Cristina: But it's still you. It's just different you. Jack: Yes. Cristina: It's like all your timelines are happening at this moment. Jack: That is another possibility. If we're just gonna talk exclusively deja vu and not try to connect it to any of the things we were just talking about, then deja vu in a logical descriptor of the fact that it's including time, you feel moments are repeated. And we would have to sort of assume that it's somehow connected to foresight and to future sight and past site. Then deja vu is you literally seeing another instance that they're so identical. Maybe the fabrics that create different universes are literally touching and you're feeling another exact instance. So it's. Instead of us being like, wow, I feel like I did this before. No, you're doing this right now elsewhere. And they're closely contact. How do I put this for people who don't understand the visual? I'm trying to explain. If you had a bunch of sheets stacked on top of each other and you. Each one had. Okay, better yet, caricature and animations. When you have a bunch of pages with one image slowly moving. So two universes are similar. When two pages are very close, the movements look almost identical. When you're flipping through and you stop, if you look at two pages right next to each other, the cartoon looks almost the same. That was drawn on both of those pages. Slightly different, but almost identical. Now, that would be too close by universes. If you picked two really far away universes, you could pick the first page and the last page and see the cartoon doing two completely different things in both of those. Now it's the same cartoon, but the more similar they are, the closer they are. And sort of dimensionally, we would be talking that are not dimensional because we're within all the dimensions even now. But all the timelines, all the alternate universes, parallel universes would be the different pages, and really different versions of you are just pages of you really far away and parallel. The universes are literally the pages closest to you. Those are events almost identical. The closest pages are almost the same. So in the scenario I'm talking about, deja vu would be two of those pages touching or something, and you'd be. Cristina: Like, it wouldn't make sense. That only happens when you're 00:15:00 Cristina: young. Jack: It wouldn't. It wouldn't. That's. Cristina: Why would you block that, be able to block that out when you're older? Jack: I don't know. Well, I'm answering your perspective. You said it wasn't that, so I'm just answering what that would be like. In the case of deja vu, being connected to dying, it would make more sense that you're literally experiencing a past life. And as time goes by, you structure that life more and more out. Cristina: Yeah. Jack: If we apply that same logic, though, maybe the reason we feel it less, maybe we always have the ability to feel our other timelines, but it's useless information. Cristina: Yeah. Jack: So like all we, when we're children, we have immense perception of things that we cannot perceive as adults, but it's because they're not in necessary for survival. So psychologically, we start to block things out from existence. You can prove this by, for example, when you're in a crowded room, you can focus on whatever is the most dangerous sound at any moment. And that would just tune out all the other s***. It's still there, but you've erased it from your existence because you heard a siren really far. Now all you hear is a siren really far. You stopped hearing the people in the crowded building, but it's because you're looking for the danger and knowing that the people around you is still important for the danger. Because people can hurt you. So they haven't really erased in such a way that they stop existing. They just become. The volume went so down. But if you need to bring it back suddenly, it's still there. And if somebody does something weird, your subconscious will bring it into loudness again suddenly. If somebody yelled, you wouldn't not hear them. Just because you're listening to the siren and all the volume went down, you'd hear that person too, over you, silencing everything. Because that's still relevant now. An alternate universe that we might have been able to detect our whole time that you can't affect in any manner, shape or form. You would never need that information. So as you get older, instead of learning how to turn down the volume and turn it back up, you erase it from existence. It's still there. Just remove it. And when you're a baby, you can't function because you're existing in all these different planes, trying to move in one of them, but you don't know how to do that yet. You're all the different planes doing all the different movements all at the same time, everywhere, simultaneously. But you learn over time to structure one perspective. Cristina: Being a child, that's horrifying them. Jack: Or there's no reference. I guess there's no reference. I mean, you do literally just scream and cry all the time, but there's no reference point. It's all of everything. You're God. A baby equals God in this moment, because he is all the versions. Cristina: Crazy. Jack: That's weird to think about, because biblically, that would also make sense, right? The narrative always holds up. Hermes isn't wrong. Everything is cyclical and everything is one. Even in the Bible. God creates a universe. Eventually, God creates Jesus. And that's what a singular forced perspective. Down, down. He's everything and then he's not. The baby is everything. A baby is every version of him. But slowly you need to structure so that he's not. Cristina: Mm. Jack: Why is individuality out of the everything important? Everything strives for it. Cristina: That's very interesting. I don't know. It makes me think of, like, those people that are just kidnapping children. Like, are they also doing it with babies? Not doing anything with babies. But, like, are there experiments being done to babies to know about reality? I don't know. It's weird. Jack: It is very odd that the. I don't know. How would you be able. How would you be able to process it? How would you be able to build a test so that you could run on a baby? And it makes sense. Cristina: I don't know. That is true, but I don't know. When technology advances, they'll come up with something like trying to look into our dreams. Like, that doesn't seem like a possible thing. But there are people working that. Jack: Yeah, 100%. 100%. And there are people who are slowly creating images of what's in our dreams. And that's weird. Cristina: Yeah. Jack: I'm gonna figure it out. We're gonna figure it out. Because I was reading an article. I don't know if it's true or not. It's probably bullshit. But the attempt to sell the thought was that Google's quantum computer can sense other. Like a parallel universe is. I'm like, get the f*** out of here. But then quantum calculations would suggest that by default, we believe in quantum states. We could do this. So they'd be claiming something that we believe something quantum could actually do. Cristina: So then they wouldn't be shocking if it can do it. Jack: Exactly. Problem is, Google's quantum computer is really a quantum chip. And the quantum chip can't be used because it needs to be kept near absolute zero temperature. But it is a quantum chip. I just need to make the system in which you could use it. Cristina: They don't have the system. They just have the chip. 00:20:00 Jack: They have the chip that would make anything quantum. But you need to be able to run it, which means you need to be able to bring everything else down to not overheat the chip and keep its fidelity. Cristina: That seems like a complicated problem. Jack: That's why quantum computing sucks. It's really hard to do. Cristina: So then they're not doing it. Jack: Yeah. Like, really? The claim doesn't make any sense except, like, how did they test. It would be my question. If you can't run the chip. Jack: Unless this is. Well, it should theoretically be able to. Cristina: That's. That's really unfair. That doesn't make any sense. I mean, I guess you can say that, but, like, that doesn't mean anything. Yeah. Jack: I don't know. Anyways, the world's falling apart, reality starting to break down, and then we got these freaking. All this came from the aliens and the dude being shot. But the reason that it's getting more absurd and that I bring up all these past things is because even these things get more absurd. I'll list a couple of more absurd things so that we have a reference point. For example, that one time that a bunch of Democrats were so angry at Trump, and Trump is a manipulator, so he knew that whatever he said they would want to do, do the opposite, because we got a monster and idiots fighting each other for anybody who's on either side. A bunch of people following a narcissistic psychopath and a bunch of idiots who are narcissistic psychopaths kind of fighting each other. So Donald Trump is a narcissistic psychopath with a cult following of idiots, while the entire left is a bunch of narcissistic psychopaths. They're not. They are. They're not following one. They just are. And they. They're fighting each other. And the fight is so stupid that Trump was like, those idiots are just going to say the opposite of whatever I want, no matter what, and then publicly says, I don't want to sign the bill that his side proposed. But, of course, no person on the left does homework, so they just, you better sign the f****** thing, thinking it was proposed by their side. So then he goes publicly and says, the Democrats made me do it, and he signs a bill, and then the immigrant children had to go to prison with their parents. That kind of stupid s***. That's where the world we live in right now. Cristina: Mm. Jack: You know? Cristina: Yeah. Jack: That kind of ridiculous. Like, whoa. Cristina: Well, did that happen? Jack: The cartoon? Yeah, it's comedy. It's just happening by itself at this point. Cristina: Mm. Jack: Or the. The LGBT push that ultimately had. It kind of shot itself in the foot because they were, like, openly trying to indoctrinate children at one. How have we not arrested people who canceled a parade when we said, have it. You just can't bring anybody under 18 to it? And they were like, then screw the parade, bro. I thought you said you didn't have an agenda. But again, they're not going to find, okay, an island of children harvesting was discovered. The government's like, now, we're not gonna give you answers and we're not gonna arrest anybody. And everybody just has to eat it. That's just reality. That's also happening. Cristina: Rest one guy. Jack: Yeah, the guy who's gonna rat on. Cristina: Everybody with a bunch of people, but no, just this one guy. Jack: Yeah. Officials found the island, so we're gonna get rid of the one guy who was connected to everything and can rat on everybody. And you guys are never gonna know who else. That's reality. That's happening. That's the truth. We sooner got people release from the P. Diddy thing. We know, we got tapes, we got video. Because it's celebrities. It's a distraction that was always there to distract you. So of course they can find that easily. They can easily give you who's on the Epstein list. They just don't want to because it's so easy. I guarantee you P. Diddy had it more locked up. But they wanted it because it's a distraction for you. You're focusing on celebrities, not politicians and world leaders who did the same exact thing. You're talking more about Diddy now than Epstein because the celebrity ism. You don't know the names of who. Who is over there if they're not celebrities? Cristina: I don't know. So far, no one has forgotten about Epstein 100%. Jack: But the only names anybody is looking for are the names of celebrities on the list. People they already know. If you said this random name, you'd be like, who the h*** is that? Maybe that guy runs a company that owns most of the other companies, but you're really still just looking for celebrity names. Cristina: Yeah, Familiar names. Jack: That's it. So they gave you that with P. Diddy. A bunch of names, you know, oh, my God, this celebrity and that celebrity and distractions, distractions, distractions, distractions. Because easy, you'll stay focused on it and stop asking questions about. And the more that P. Diddy speaks, the more that things are said about P. Diddy, the less things we're going to hear about Epson. The idea is to bury it and everybody's an idiot. Everybody's falling for it. They're going to keep falling for it because you're going to. The more you try to say, yeah, but what about the Diddy. But what about the Epstein list? The more you say, the 00:25:00 Jack: more crap. They're going to throw this to distract you. Eventually, they're catching everybody. They're going to throw the right thing to catch Your attention, even if you resisted all the other s***. Cristina: But the title. Jack: They have all your data. They have all your data. They know everything you've ever done, everything you've ever been interested in. Slowly, they began with the massive things that's already suppresses a lot of the smaller, accurate voices. Throw the massive people of celebrityism and gossip and blah. Okay? That takes out the whole top majority that doesn't think some people are like, I'm not gonna be distracted. I know this is a distraction for the Diddy list. I mean, for the Epstein list. I know this is a distraction from the Epstein list. So, okay, guy goes and shoots a CEO. Okay, okay. Interesting. Now you got some. Oh, yeah. Well, they deserve it, you know, CEOs. Because the reason I was worried about the Epstein list, because the elites. Well, that guy's one of the elites. Yeah, yeah, yeah. They took him out, you know. Well, now you're talking about that. You're not talking about Epstein anymore. Cristina: So I think everything's just a distraction. Jack: Not just for that. Not just literally is an example of how easy it is for them to keep finding things to distract you from one thing. Cristina: Okay. Jack: Except they're doing it about everything related to them, the same power. But anyways, it gets more ridiculous is the point. Everything gets more ridiculous. So in this very instant, the ridiculousness is so. Is such that the guy who shot the CEO and the person currently dealing with P. Diddy. So the lawyer of one and the lawyer of the other are a married couple. Cristina: Okay. Jack: The lawyer of the kid who shot the CEO and the lawyer of either. I don't. I think it was Diddy's lawyer. I think it's actually Diddy's lawyer and the lawyer of the kid who shot. Those are a couple. That's a married couple. Cristina: Silly. Huh? Jack: That's reality right now, I guess. Cristina: I guess that is. I don't know. It's odd. Doesn't make sense. I don't know. Jack: Well, it does make sense if you consider what I just said. Cristina: That's just part of the distraction too. Jack: Well, I'll fill you in on how they got the people who were too focused on the Epstein list, but could get distracted by the kid shooting the CEO now interested in the celebrities because those people are one. You just ended up over there. Regardless of you trying so hard to stay over here. They made it seem like that was over here. And you're like, oh, that's both about elites. Epstein list is about elites. The CEO shooting is about elites. Epstein shooting. I mean, the shooting of the CEO is the most recent thing. I'm a focus on that because that's an actual instance of an elite getting it. Cristina: Okay. Jack: And he's connected to celebrities. Wait, so I have to look into the celebrities? Because the CEO is tied to that over there, not over here. You have still nothing given to you about the Epson list. You have. Your only trail connects back to the celebrities. Cristina: Mm. Jack: So even if you weren't over there, they're making sure you land over there because they need to distract it. Everything is gonna tie back to the celebrities. Cristina: No matter what celebrities is. What's the important thing? Okay. Are they making this guy a celebrity or people doing that? Jack: They're not. People are doing that. The media is just trying to get you distracted by Diddy. Cristina: Oh, okay. Jack: So they tied the two separate problems up together. Cristina: Yeah. Jack: And now that's the headline. Cristina: Okay. Jack: So that even for the people who were distracted by the CEO, now you get the Diddy headline with the CEO combined as one thing. They're trying to move you over there. Cristina: Okay. Jack: Keep pushing you to that side to. Cristina: Forget about everything else. Jack: Yeah. So they can keep doing what they're doing. And they're gonna keep trying to distract you. Everything is a distraction. And the problem is, last week, we were also talking about how it's difficult to even trust the Internet. Cristina: Mm. Jack: Because it seems like a lie. So much of it. Cristina: And that seems like lie. Jack: I mean, like, what are the odds any of this has even happened at this point? I gotta see all of this. I gotta see the kids. The problem is, I would still believe it's all tampered. If you showed me a footage of it happening and you weren't the government, I would believe you got that from somewhere. They put it anyways, you know, Like, I don't know. What the f***. I don't know how to bypass the fact that they could always be lying. Ultimately. Cristina: Yes. I don't know. It is tricky. And then, like, I don't know. People are very obsessed with the Luigi thing, though. Jack: Yes, they are. Cristina: Luigi. And whatever happens 00:30:00 Cristina: to him, like how he might get the. What is it called when you. Death penalty. Yes. Instead of, like, what they were comparing it to school shootings and how nothing really happens to those people. Jack: Yeah. They're fine. Cristina: People are really upset about this. Jack: Yeah. Yeah. They're gonna punish him unfairly, as they would. Again, people who. Mass murder in school shootings. Cristina: Yes. Jack: Get less than one dude who killed one guy, and the guy he did is responsible for millions dead. But it's because he's an elite. That's it. Cristina: That's it. Jack: That's the only difference, the only thing that changes. And we're all going to eat it. Everybody's just going to be okay with it. We're going to complain, but nobody's going to stand up and do anything. Cristina: Oh, no. Jack: We're just going to be complacent until people stand up and do something in groups. You're not going to go, oh, I'm the only one who's going to go over there, just going to kill you or arrest you or something? Cristina: Yes. Jack: Everybody needs to stand up. Cristina: This is a cover up for the aliens in New Jersey. I don't know. Because they're like, everyone who's not in New Jersey is making fun of the people in New Jersey for talking about the drones. But like, what if it is something happening? Jack: What if it is something happening? And yeah, that's crazy, right? Because last week, what were we talking about? The drones themselves might be a distraction. Cristina: Yeah, if they're distraction, then, like, what if there is something happening? There could still be something happening. Jack: I think the government is doing. If they're all. If everything is a distraction. The government's doing the sketchiest s*** it's ever done ever. That's it. It's all in one shot. Aliens and f*** it. They're doing everything. Everything is being thrown at the wall because they're doing something sketchy, bro. Cristina: But do you think they're doing it in New Jersey or it just happens that they just want it? Just choosing anything. Anything that's happening is what's. I don't know. Jack: I don't know. I don't know. You're jumping from thought to thought because it's like, is, are they all. Or is there something happen? Are these real? Cristina: Yes. Jack: You know, because it's like, I don't know. If your question is if they are all fake, then what's happening? I don't know. Yeah, I don't know. Cristina: There's no way to know. Jack: There's no way to know. It only makes sense if some of this is real. And then we can try to deduce what is actually occurring for that being real. And the other stuff not. Cristina: Mm. Jack: If the CEO killing was real, then the drones could easily be a distraction for things like that. People focusing on that and not, oh, well, we could take out the CEOs. Wow. This is the thought, oh, we should start doing that. Maybe, you know, throw f****** aliens and they'll get distracted, scream louder about P. Diddy. But the fact is they're not trying to suppress that. In fact, they're trying to get people to talk about it more. Just over there, where they're not asking about what? Who knows? Something. Cristina: Something. I don't know. Jack: The problem being now that we've tied the CEO with P. Diddy, it's unrelated to the aliens. Meaning the distraction is not the UFOs. This new information actually removes the possibility that the distraction is the flying objects. Because the attention is strongly being focused. Cristina: Yes. And they're calling those people like crazy for talking about it. They're trying to get people to not talk about it. Jack: They're trying to discredit it really hard. Cristina: Yes. There's nothing to see here type of thing. Jack: Yeah, exactly. I mean, they literally told that to a senator who was like, what the h*** do you mean? It was flying over my house and nobody's worried. Cristina: Mm. Jack: Interesting. Yeah. That's another thing. A bunch of senators have been making governor. Senators and mayors have been publicly, like, why is the government giving us no answers? Everybody's like, dude, come on. We. We're seeing it. And if, like, this happened over the White House, you would have answers within seconds. Cristina: Yeah. Jack: Why don't you have answers right now? And like, that's legit. They have a total point. The fact that they're going on publicly saying this means they're not in on whatever it is. Cristina: So that is the Definitely something happening. There's something happening while everyone's saying, don't worry about it. Jack: The distraction is the celebrities. 100%. Cristina: Yeah. Jack: The distraction is the CEO. That was just chance that it happened. But they're like, whatever. It's more noise. Use it. Drop out there. We know whoever runs a show is opportunistic, like no one's business. Anything that does happen by mere chance, well, that'll help us. And they'll structure around it quickly and make things dramatic, and they'll drain anything out 00:35:00 Jack: of all its resources. Just trying their best to distract you by. Even if they didn't cause it. 911. It was an inside job. Probably not. 100% not an inside job in the sense that they got into planes and they brought it. It's also not likely they told the enemy, come and do it. 99.99% chance they accept. Yeah, 100%. The entry. We. We know they intercepted something long before it happened. Cristina: Yeah. Jack: Stocks moved everywhere. All the rich people were down. They knew. They moved some weeks ahead, some days ahead to the same things that all went up and they climbed with it. So they knew even if they didn't cause it. That was opportunism at its finest. We can go to war and go get the resources we want. We can all profit off of the stocks that are going to go up. Cristina: Mm. Jack: Opportunism. We know whoever runs a show is. Cristina: Opportunistic because it happens. So many. That's just one of the many situations that feel like that, that it's like they had to have known. Jack: Like, they're capitalizing. Cristina: Yeah, Covid. Jack: Maybe they. Maybe they knew there was a rogue agent in there who's like, I'm gonna f*** these people. F*** the world. They. I'm poor. They pay me dog s***. I work hard hours in here all the f****** time. They don't give a f***. I' breaking the vials and walking out. Let's see what happens. The planet. And they somehow got wind of that, and they're like, well, let's move money and stocks the way we usually do. Whatever. Cristina: Okay. Jack: We'll go hide in a bunker as the people die off. It's fine. Cristina: Yeah. Jack: Again, stocks moved everywhere right before COVID breaks. When? In the first month, it was what, 2019? Like, October, November. Stocks by the rich here and there, but that's when the first sound of it. Cristina: Mm. Jack: Okay. A little whisper here, a little whisper there. Like, f****** move the stocks everywhere. Let's get rich. So they knew. Opportunism, always. CEO gets shot. Wasn't a plan, but we can work it in. We can work it in. A chef for sure. Cristina: Okay. Do you think they knew someone was planning something? Jack: No, I think it was random because usually they warn him. They're all in on it together. They would have warned them. They're all buddy, buddy. But this one slipped, and they caught him. He. He left no trace that he was going to do it when he did it. Well, it happened, man. They killed Bob. That sucks. Yeah, but that means his company stocks are going to drop. Oh, that means. That means Tom. Stocks are going to skyrocket. Right? Let me call. Let me call Tom real quick. Jump in on that. Oh, wait. This is so loud that the people are gonna. Why don't you just put a little bow on it tight to Diddy over there. We can. They don't know. We just make the story in the background, Falsify papers. We own the businesses that make the official papers. Who gives a s***? They won't be able to prove anything. We own the program that stores the data. If they were able to hack and look for it, they would just find the s*** we made up. Cristina: Mm. Jack: Why not make Them a couple. Why not keep them distracted? Why not? Opportunism. Cristina: See, see the fact that that got. Jack: Blasted on the news so hard. The fact that they want to talk about it so much now, now it's related to P. Diddy. Couldn't escape it somehow. A bunch of people just got tied back in. I bet they'll tight random s*** to P. Diddy. I bet the closer people get to Epstein's list, the more s*** that's just gonna be related to Diddy instead. Cristina: Really? Yeah. Jack: H*** yeah. H*** yeah. All the people who we know were on the Epstein list, the first thing. Cristina: They'Re gonna reveal that was on the list is gonna be pity dirty, obviously. Jack: 100. No, but that's not. Listen to what I'm saying. All the names that people already know were on the list without it being released are the celebrities that have been revealed to be on the P. Diddy parties. And people were like, oh, right, the prince was on the. Cristina: The prince was not on the Diddy thing. Jack: No, Diddy parties. Cristina: Really? Jack: Too many people at Diddy parties. Oh, Jay Z is on the. Oh, wait, but. Jay Z is in the. Oh, but Beyonce with oh, but but. And it's like, wait, so you're just tossing the names people do know so that people stop looking over here and. Cristina: People, they think it's the same list, but it's not really the same list. Jack: It's not the same list. Maybe these people weren't even on the list. Cristina: Like a teeny piece of that list. You think they're just picking, making up names? Jack: No, I don't think they're making up names. Oh my God. There's not. P. Diddy didn't do anything. P. Diddy didn't f****** do anything. Maybe only the people who can for a fact be identified are gonna be moved over to the Diddy list. And those are the people from the Ebbs team list. The whole f****** Diddy thing is a distraction. Cristina: I'm pretty sure Diddy did that though. 00:40:00 Cristina: Maybe he did that. Jack: Listen to me, you're thinking so ridiculously small scale right now. Diddy would have all the proof of the events Diddy did and the fact the celebrities get put through trials where they must be recorded so that they do have some blackmail so they always stay in line. That f****** sounds like the things the elites that are on the f****** Epstein list would do. It's the same information. All they did was use the information, craft the story around Diddy. Of course Diddy was doing the thing did he was probably doing on Epstein's Island. Maybe Diddy didn't have any events. Maybe all of these events are just Epstein island events. Twisted and turns that Diddy seems like the ringleader because he's the guy who was caught. And people. Maybe he was one of the higher up ranks on Epstein's Islander. The people who run these circles or whatever the. So Epstein was this the top. He's the top. Top of whatever the structure is. And Diddy is a part of whatever the structure is. Kill f****** Epstein. He's not talking about any of us. Tragically, those of you who've gotten busted or are going to and we know are going to, and we can't hide it because you were f***** up and got caught. You're all gonna be moved to the list and story we're gonna form to protect the rest of us. We have videos of you. We have videos of the people we're gonna. And we're gonna structure this in such a way that somebody's gonna be the fall. Now, this could have played two different ways. Either Diddy was designed as a fall guy from the beginning so that if anything ever goes south, your fame, that we're gonna give you the power that you do whatever the f*** you want on Earth, but if s*** ever hits a fan, you're the guy taking the hit. That's a trade off. Cristina: Okay. At least they gave him a few years because many. Yeah. Jack: And he probably thought it was never going to happen. Cristina: And they probably told him had that time to prepare. Jack: Fair 100%. And on the flip side, because it's. Cristina: Not like it happened yesterday. Jack: Like he had no 100%. And I'll tell you the next thing. Sure. He's the public fall guy. I'll say that again because matters. He's the emphasis. Public fall guy. He goes to prison in a locked up box because he's a monster. Which one of us casual people who isn't an elite is looking at him in that box to make sure he's there. Fall guy. I'm just gonna go live like a king now because my soul, my role has been served. I can't be a celebrity anymore because I'm allegedly in prison. But I'm gonna go over there where I'm fine on my other cool island with the rich people come visit me all the time anyways. Why wouldn't I. Why would I actually go to prison? I could pay everybody. I'm a billionaire. And I'm the billionaire. Who's the fall guy. The whole plan was, if this ever happens, I'm gonna be removed from the public eye. And they're gonna say I went to jail and now I'll go live my life the rest of my life in peace. Because the story got made because people got caught. And they need to fall guy, mate. Or he's just a guy who was part of the circles. And you got busted, bro. You got busted hard. We're just going to make you look like the leader. Because if they think it's Epstein also running this ring. No, no, no. We're not having that. So anybody who's been busted, we're going to make up this new ring and you're the f****** fall guy. F*** you. Yeah, you were one of us. Now you're not too bad. Don't get caught next time. Opportunism. They could have had videos, which they do of each other. Intentional. All their elites and anybody who can't get away gets added to the Diddy list. And they were all. There was no Diddy list. All the Diddy lists are epsting lists. It's all the one. It's all one list. Cristina: Okay. It's just a little fraction of the bigger list. Jack: It's just a made up invention to distract from the Epson list. Cristina: Okay, but it's not made up because those people are actually on that list. Jack: Yes, well, it is made up because there's no Diddy real scenario. Cristina: Yeah. Jack: Yes, there were Diddy parties, but the access and ability and power and privacy all provided by Epstein Conglomerate. Cristina: Mm. Jack: You know. Cristina: Yeah. Jack: And so, yeah, he might have been hosting his parties, but there's probably parties being hosted everywhere. A bunch of different people here and there hosting parties here and there. Just as horrible. But they're all within the same protection circle. He just happened to get caught. And people within his thing. So they're falling or cutting it off. And anybody who got caught on this list, we're writing into that. All of you. Cristina: Reality of strange. Jack: I don't know, but that's like. This could totally be a possibility because of how prominent this comes as people keep saying, where's the epsing? And I'll scream louder about that list. Cristina: Mm. That list is easier 00:45:00 Cristina: to access. Jack: Easier to access. And they had time to structure it to put whoever they want and build the narrative and this and that. And they'll keep talking to you about it. Oh, and these people were there. Oh, and they did this and. Oh, they did that. Cristina: Here's the video proof. Jack: They'll keep. Yeah, they'll keep. There's a video of Diddy. Either people could. I don't know who's on the. On the audio. My bad audio. And I don't know who's on the audio, if it's Bad Bunny or if it's whoever the h*** some musician allegedly on the video crying as Diddy is f****** them in the audio. And there's probably thousands of those from Epstein's Island. Millions. Millions, maybe. But they gave you that one because they don't want you to talk about Epson. They want you to be like, oh, look, more proof about Diddy. They could find all of this. You're telling me Diddy, who had more money than some of the people on the Epstein's list, he didn't have it more locked up than the people on the Epstein's list. This dude is way richer than some of those people, and he didn't have access to the same security measures and definitely better ones, especially being a gangster rapper where he's dealing with gangster s***. Come. Come on. You trying to sell me this narrative believably. Huge loophole right there. Cristina: I don't know. Especially. I don't know. Like, he's been doing this forever. And then what happened? What happened that it's now out? What was the thing that made the difference? Jack: Actually, don't know. I have no idea what got the ball rolling. Cristina: Yeah. Jack: But probably somebody intentionally built the out. Cristina: Yeah. Jack: Time to release it. Cristina: Mm. Jack: You know what? I never thought about that. I never thought about that. That's something worth looking at. Let's check that out. Cristina: It's gonna be something so small and ridiculous. Jack: Get the out of here. His girlfriend suddenly, after 10 years of going through the same thing at a random moment, decided, I'm gonna go talk about what he did and file a lawsuit. Nah. Get the out of here. Cristina: And she knew everything. Jack: She knew everything the whole time. And put all the thing on blast. And it's like, nah, nah. Ten years. You just happen to say it now just in time to distract people from the. Get the out of here. Nope. You got paid. Cristina: Yeah, that's exactly what I was saying. Like, she got paid 100%. Jack: She was paid to be the girlfriend, and she was paid the rat. I'm sure every one of these m************ has some chick or some dude watching over them, collecting extra background information just in case of s***. You're part of our circle, bro. No. You'll be watched so that when you slip. Cristina: Yeah. Like, how do you put up with that? The moment you see something like, you're just going to, like, I don't know. That's kind of crazy. Jack: And the fact that the other allegations followed, but she settled it the next day, it looks like. Say it. So the allegations come in. Cristina: Yeah, she just got the ball rolling. Jack: She got the ball rolling and back. Yeah, that's too intentional. Cristina: That's kind of crazy. Whoa. Jack: That's too intentional. This was an intentional distraction. A hundred percent. You guys want a sex scandal? Here you go. Yeah, you were talking about it. Here's celebrities in a sex scandal. Enjoy. Stop talking about the politicians and the elites in it. There's no way you can convince me otherwise now. Cristina: Very sus. I don't know. Jack: Yeah, this is manufactured and 100%, that's why Diddy is tied up with the shooting. Because the lawyers. 100% that that's not real. None of this is real. Cristina: No. Jack: The whole Diddy case opened up because it needed a distraction. And these tying up the CEO, they need a distraction. They have a story they want you to focus on and they're going to keep connecting everything to it. Cristina: Turning all the events, though, are real. Jack: What events? Cristina: Whatever he was doing was really happening. They were just letting it happen until they wanted to choose the moment to let us know. Jack: Unknown if that's true. Because now you're just assuming that everything else is true and that he was in fact the ringleader as opposed to. He is one of many. Cristina: Well, yeah, but still, it's like that. Yes. Like he was still part of it. Jack: Like he was part. Cristina: It was still a real thing that was happening. Jack: Yes. Diddy parties, a lot of celebrities with video proof of them at there at that time have been like, I didn't see anything. Because Diddy parties were probably not what people think they are. They were private celebrity parties. Now, that doesn't stop Diddy from having been in parties that had minors and had sex abuse and had all these things happening. But the parties that people are talking about with Diddy parties are not. But the creation of the concept of the Diddy party being the same party with the sex act does one important thing. And we also talked about this last time. It 00:50:00 Jack: creates confusion. It does, because there are celebrities who can prove nothing happened. But then there are celebrities that were at the Diddy parties and claim, I experienced all of them. And then you have the what the is going on? The confusion matters. Confusion matters because now you can talk about it. If you just had a flat answer, you wouldn't talk about it. But now which celebrity is who in? Oh, no, you're just playing celebrity. Guess them all. Cristina: Yes, yes, yes, yes. Jack: And that'll keep you distracted over There. Who else is on the list? Oh, well, this person knows that person. People. Oh, pictures of Drake hanging out with P. Diddy. Oh, pictures of Kendrick hanging out with P. Diddy. Both of those people found their lane after the beef. They're like, oh, no, you're hanging out with the pito. No, you're hanging out with Peter's. Like, both of you were hanging out with the pito. Mean, either one of them did anything. That doesn't mean anyone didn't. Yeah, they could have just as much and just as not 100 if there's. Yeah, but the point is that question. And you'll point at each other, and your celebrity is a no. Yours is. Yeah, whatever. Keep doing that. Don't do it about us. Do it about them. Cristina: It's just a distraction. Jack: All of it is distraction. It feels too elaborate. Cristina: That's how the balls began. Really? That's crazy. Jack: Girlfriend decided to talk suddenly and then. Cristina: Back out the next day after so long putting up with it or just making this case and a big. Jack: Oh, never mind. Next day. Yeah, I'll take the money. I wasn't gonna do it yesterday. Yeah, I'll take it. Okay. What? What? What? Can do it. When he offered, you initially had to do it after you spoke. That was important part. Cristina: The important part. Yes. Was getting. Jack: Getting the word out. Cristina: Yeah. Jack: So that everybody else like, oh, no. The closest person said, if the rest of us do, it'll be believable. But the point was to get the ball rolling. Cristina: Mm. That's insane. Jack: Everybody likely has these fall pins built in. Well, look, in order to control you later, we need you to do some horrible things to some people. We're gonna suppress intentionally, but collectively, it could f*** you. So you stay in line. Yes, sir. I want that fame and fortune. Yes, sir. I'll fall in line. Cristina: Okay. Jack: Why we're always guilty here. As long as I don't rat on you, you don't rat on me. As long as I don't slip up, all is good. Cristina: Yeah. Jack: Except tragically, somebody had the fall, and now, in hindsight, they're like, if we don't. The CEO thing was going to happen. We wouldn't have shafted Diddy. But whatever. Tie them together. Opportunism. We needed distractions. Well, now we got two. Cristina: Yes. And put them together. Jack: Make them a bigger distraction. Because you got to control the story. You got to control the story. Cristina: Mm. Jack: And you can't if there's multiple stories and people are making up. No. If there's one story and you can keep feeding Information that everybody who would be distracted by a million different stories. Cristina: Mm. Jack: Then you can keep. Keep them brainwashed, keep them focused. Cristina: That makes sense. That makes sense. And that's why we're not supposed to talk about the drones. Jack: That's why we're not. Yeah, we're not supposed to. It's weird. But that means the drones aren't part of the distraction. Because if it was, they would try to tie it up. Cristina: Exactly. They don't want us to talk about it. Jack: They do not. Literally. They've gone publicly and said, like, there's nothing to talk about. There's nothing to look at. Those are literal statements by the government of the United States about things, about foreign objects that governors, mayors, and senators have no clue what they are. The rest of the government is like, it's fine. It's cool. There's nothing there. Cristina: Mm, nah. And everyone else are like, yeah, we see it, bro. Jack: Well, I guess. Cristina: Yeah. People outside are like, yeah, those are just drones. Yeah, big deal. Jack: I guess. Cristina: I guess if they're not paying attention to what else is up there. Jack: Yeah, it sucks, because there is something up there, and they're clearly not aware of what the h*** it is themselves, but it has them worried. The people will be worried. Cristina: Like, don't. Jack: Maybe the. Don't shoot it is also partially. Don't provoke it until we figure it out. Cristina: Oh, my gosh. Jack: Like, we don't know what the this is. Don't. Don't push our luck, guys. Let's investigate without hostility. Cristina: Yeah. Jack: If that's the case, rednecks are gonna. Us. They're gonna take the wrong shot, and the mothership is gonna be like these ants. This ant hill invade the whole. Cristina: I didn't even see that mothership. That's just outside of reach. Jack: That senator said he saw. Right. Cristina: He said that, though. Jack: Afghanistan has a mothership off the side of the ocean, and that's where the drones are coming from. There is footage of swarms of drones coming from seemingly the same direction. Cristina: No way. Jack: I mean, that's what's weird about it. And they are all coming from the ocean, which is also weird. Like, what the is out there? Cristina: Well, it's out there. Oh, there's a mothership. Jack: And how is this drone getting the range? Cristina: Yeah, the f***. Jack: How is this drone way 00:55:00 Jack: the h*** out here? Cristina: But then it has to be ours, because, like, we would only be. There wouldn't be some other. It would have to be ours. We wouldn't let someone park their thing that close to us. It has to be us. Jack: Unless we don't know where the f*** they're coming from. Cristina: Okay, but if it's an, I don't. Jack: Know, an alternate theory, everybody, this is a wild one. Everybody has crazy hidden technology. We know. United States technology must be dozens of times more advanced than what the average human has access to on a daily basis. Assume that's applicable to everywhere on Earth. And we're not number one. We're just way up there. In theory. There is no mother base. Maybe there's just some portal off the water and we can't stop it. And the drones are just coming through there. But they are coming from China. And they got their end of the portal and their other end over here and they just go through it. Whatever. Okay, explanation. Cristina: The crazy. Jack: That's wild sci fi tech. Cristina: Yes. Jack: How else are we getting drones from an undetectable source in the water? Cristina: Come on, man, it's always portals. Yes. Jack: How else do we get it? Now on a crazier tangent. Cristina: Crazier than that? Jack: Well, relative. Okay, I don't mean to talk about the same s*** for the rest of eternity, but we know of people who had portals, so it's not like that's a crazy thought. Cristina: Who's had portals? Jack: All of the ancients. Cristina: Okay. Jack: And like, we also know there were explanations of how they work, and some of them were from place to place. Cristina: I mean, if it's from water, then it's. There's only one answer then. Jack: Exactly. It's coming from what ocean? Go ahead, say it out loud. Cristina: I don't know. Jack: You don't know what ocean? We're on Jersey. Cristina: Atlantic. I don't know. Jack: Atlantic Ocean. Cristina: It's the sea, people. But why? Jack: I don't know. Cristina: Jesus. Over here. What's happening? Jack: I don't know, but we got floating drones coming from the water. Not from the water. They're coming from over the water somewhere in that direction. Just where the water is. We've never seen them come out of the water. But also where the else could it be coming from? Yeah, unless it's a portal. Cristina: Unless there's portal. Jack: So portal and water would have the same answer. Cristina: Yeah, yeah, I don't know. Jack: If water, then one answer. If portal, two answers. The tech is Chinese people have identified that. We don't know where the h*** they're coming from or how, but they seem to be coming from the water direction at least now. Weird that we have a weird Chinese invasion of drones happening on this side. And again, the observation of Anchorage happening towards Alaska. Cristina: Mm. Jack: Weird. But we also had to not let people Forget through the Mexican border, fleets of Chinese immigrants coming through that were dropped off in South America and came through the border with the rest of the immigrants. Cristina: So you think China is really taking over? Jack: I think there's an actual invasion happening. Not only is there an actual invasion happening, they were sent to New York in the buses. They went to New York. That is the same side of the ocean. They're looking at the same ocean that Jersey's looking at. They went to New York City of all places. They're looking at New Jersey from the water. They're looking at New Jersey. It's right there. You can see it. Cristina: What is their plan? Jack: I don't know. They come over and let's say they are engineers and they can make things that can control the drones. And then some drones are just dropped off from somewhere far off that we can't detect. But we have the technology on our side built that when they come in range, they can take over. And now the goal is just keep sending drones. Once they disconnect from our range, they will have already entered their range and they'll be able to keep moving it and they won't be a traceable anything in the water because we're too far for them to find it. And we just keep sending drones. And once they're out of our range, it can still be controlled from over there because they built the control towers and everything on their side, hidden in apartments and s***, that they can just. Cristina: Keep maneuvering it crazy. Jack: With money given to them by the government because they're immigrants. They were getting free money, so they bought all the goods using the same money that the government, their very own government, gave the people who were immigrating. They used that money, built the tower. So then control the drones and be able to do mass observation. I don't f****** know. It's just theories. Cristina: Theories. This is a crazy theory. I love it. Jack: But how do we connect all the Chinese immigrants? Anchorage being observed by Russia and China and a bunch of drones being identified as Chinese technology floating over New Jersey. Cristina: And 01:00:00 Cristina: say it's crazy thing because we started with like we're working with China anyway. So, like, what does that mean? Jack: It's weird, bro. I don't know. Cristina: Because it's just us. At the end of the day, we are the Chinese. Jack: Even if we're using them as the puppet, we're still involved somehow. Yeah, I don't know. I don't know. Cristina: I don't know. Jack: I don't know. I don't know. I don't know. Cristina: Yeah. Look, for these. Okay, I'm gonna. Man, we have to investigate some. There's a conspiracy here. Jack: Obviously there's something here. Cristina: There's something here. We gotta check it out. Jack: Okay, I guess this is what the show is about now. We're gonna investigate this. We've gone on lengthy investigations in the past. Nothing as long as the Elysiums. This might not even be related to that. This is Chinese related. I mean it could be, but it would only be the portal in the Atlantic Ocean. Cristina: Yes. Jack: So if there is. And if there is one, there isn't the other. If it's coming from the ocean, you don't need the portal. And it coming from the ocean would explain the range. It's just coming up from the water and then traveling a while. But when they're brought, when they're caught, when they're destroyed, they're just drones. It's modern day technology. Cristina: It doesn't look like nothing ancient. Jack: Nothing ancient, nothing foreign. No technology we don't understand. Cristina: Not alien. Jack: They're just technology of Chinese grade. That's all we know. Cristina: I'm gonna investigate. Yeah, there is something here. Jack: There's something here. There is something here. We're gonna find that. Because it's not the Alicians, it's definitely China. But how and why? And it's us somehow. Cristina: Somehow. Exactly. That's the important thing. It's really us. At the end of the day. Jack: Always. Always. Cristina: We are the puppet masters to some. Jack: Degree because we have. We're we're also the puppets of somebody. Cristina: Yes. Jack: Anyways, we are totally out of time now, but I guess we're gonna look into this and have more information for you guys next week. Week. Hopefully. Hopefully we find something. Cristina: Yes, I hope so too. Can't wait. Jack: And if you guys know any additional points, any details that we haven't talked about, feel free to tell us. You can find us on our socials to do that @justconvopod. That's on Instagram, on Tik Tok, on Facebook, on X. Cristina: Remember to subscribe. We're in Review the show and word. Jack: Of mouth is the most overpowered thing on earth. So tell people about the show and that we are currently investigating these drones and we will get to the bottom of it. Cristina: Yes, this has been the Rambling podcast. Take nothing personal and thanks for listening by. 01:02:29

Rambling 299: Dead CEOs and Chinese Drone

In the latest episode of our podcast, we delve into the absurdities that define our current reality, starting with a seemingly innocuous discussion about the medulla oblongata, a part of the brain that sounds as ridiculous as it is crucial. Hosts Jack and Cristina explore how language, particularly in the realm of science, can often be a reflection of deeper truths about the world around us. They break down the origins of scientific terminology, revealing how many terms are built from Latin roots that describe their functions, leading to a fascinating conversation about the elegance of scientific language. However, the episode takes a sharp turn as the hosts pivot to discuss a shocking recent event: the public shooting of a CEO. This incident serves as a springboard for a broader discussion about societal collapse, the rich versus the poor, and the growing unrest among the populace. Jack posits that this event is a reflection of a larger trend, suggesting that we are witnessing the first signs of a societal upheaval where the disenfranchised are taking matters into their own hands. The conversation reveals a deep-seated frustration with the systems that govern our lives, particularly those that profit off the suffering of others. As the episode progresses, the hosts touch on the themes of confusion and misinformation that permeate our media landscape. They discuss the role of government surveillance and the increasing presence of drones in our skies, questioning whether these are tools for safety or instruments of control. The hosts draw parallels between the chaos of recent events and the idea that we are living in an age where truth is often obscured by narratives crafted by those in power. Listeners are invited to reflect on the absurdity of our current reality, where the lines between truth and fiction are increasingly blurred. The episode encourages a critical examination of the information we consume and the societal structures that shape our understanding of the world. With humor and insight, Jack and Cristina guide their audience through the complexities of modern life, leaving them with more questions than answers—an invitation to engage in the ongoing conversation about our shared reality. Tune in to hear the full discussion and join the exploration of what it means to navigate an absurd world. You won't want to miss this thought-provoking episode that challenges the way we think about language, society, and the events that shape our lives.


+Episode Details

  • The CEO Assassination
  • Luigi: Hero or Villain?
  • Public Reaction to Violence Against the Elite
  • The Rise of Drones: Surveillance or Invasion?
  • The State of Society and the Apocalypse
  • The Role of Media in Shaping Perception

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Rambling 299: Dead CEOs and Chinese Drone Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling Podcast. I'm your host, Jack. Cristina: And I'm your host, Cristina. Jack: And this is the show where we ground humanity's most absurd and baffling ideas, which we will definitely do today. But we were just talking about the medubla oblongata and how it sounds ridiculous. Cristina: Yes. Jack: And so I was gonna go and do the most basic surface level. We're gonna trust Wikipedia right now. Cristina: Okay. Jack: And we're gonna see where it came from. The word the. Yeah. Why? It's. Why it's so dumb. Cristina: You think wiki's gonna tell us why it's so, though? Jack: I think so. I think they'll tell us about. Cristina: The word is from someone's name. That's why it's so dumb. Jack: Let's see, let's see. Does it tell us where the word came from? Okay, what if we go to a dictionary or some crap? Cristina: So you're leaving wiki? You just said you were gonna go to wiki. Jack: Then we can't trust wiki. Cristina: No, we can't trust wiki. Jack: Okay, based on how it sounds, where do you think it came from? Cristina: I don't know. Each piece probably means something. Jack: You're right, because. Yeah, yeah. It's not just a science word, but rather it's specifically a medical word. And medical words are built of descriptors that tell us what it means ultimately. Cristina: So I'm gonna guess that. And if it's not that, it's based on someone's name. Jack: Okay. Okay. Cristina: Those are my two guesses. I don't know if I have a third guess. Third guess is, I don't know someone like that name. They had the word first. They're like, what could I make this word mean? Has anyone done that before? You give it a meaning. Like if you had the word cat before you had the animal cat. And then you're like, okay, I'm going to call that thing cat. Jack: Interesting. Interesting. So you're. You're. You're questioning right now how we come across the original idea to name a thing? Cristina: Yes. Jack: Well, the only people we would need to defer to would be, I guess, an inventor. How does an inventor go about naming a thing that didn't exist before, that they have created? And I guess ultimately it comes from previous components that you're aware of. A good example would be the invention of the iPhone. Although it's not the invention of a phone, it's the invention of a computer phone. And he used parts he knew, like the word phone already, and merged it with things. So if we think of that as just the most exaggeratedly basic version of it. Cristina: Like microwave. Jack: Yes, exactly. And it's kind of telling you something about it in a manner, shape, or form. It's using what you already know about the concept. So. Cristina: So at the end of the day, that goes with the first thing guess of what. Why the word is the word. It's just, it's. It's parts. Jack: Yeah. So it breaks down into the following. The medulla means marrow or innermost part. And in. In anatomy, it refers to the central part of an organ or the structure. Medulla. Cristina: Okay. And the rest. Jack: And then oblongata, derived from oblongas, meaning elongated or oblong. And they're both Latin. Cristina: Okay, what's the first one again? Jack: Medulla. Cristina: No, I mean what it means. Jack: It means marrow or innermost part. Okay, so it's the innermost elongated brainstem. Cristina: Okay. And that's what it actually is. Jack: It literally translates to elongated marrow. Cristina: Okay, but that's what it means also, the word. Jack: Yes, the word means elongated marrow. And the brain stem is the elongated marrow and the. Or the elongated marrow part of the brain. Some. Cristina: Okay. Jack: And it's Latin. So it comes from Latin and it means that, so. No, you're totally right. It's just explain a word explaining itself. Yeah, it's just a word. I mean, in science that tends to happen. 00:05:00 Jack: And it makes science one of the most elegant and direct languages. Because even if you have no idea, if you've never heard the word before, you can at least piece the word together. The. The words meaning together just based on what it is, that or how the. Cristina: Word is written, how the word is. Jack: Right, yeah. What went into creating the word. Cristina: Okay. Jack: Is all you need to know what happens in science, what's happening, what that word means a lot of the time, not all the time. Some things are ridiculous. Think what simple concepts like dark and black is used just for anything unknown. And sometimes, I mean, the fun thing is they're not fun thing. But the clever thing is it's always minus the darks and the blacks that are concepts we usually don't know. We slap that on something that has a question mark. The dark side of the moon. Simply because we don't see it, so we're less familiar with it. A black hole. It's because we can't study it. We can't see the inside of a black hole. We can only see its effect on everything minus that Science is a literal language. So literal, a lot of the time they'll just be like, like, Just like that. It's like the elongated brainstem, basically, that's just straight out telling you what it is. Cristina: Why did you choose that word? Jack: I don't know why I said that word, but now we know it came from. It's Latin and it means elongated marrow, which is basically just discussing the part that it's from. Anyways, today we're going to speak about current events that I've wanted to talk about, but we kept getting interrupted. And we're definitely. Cristina: Anymore. Jack: They're not current anymore, but we're still going to talk about them. Nevertheless. People are desperate to know what it is I've been trying to talk about for the last several weeks, but we kept getting sidetracked. But in the time that we have been waiting to discuss that, two very interesting things that we're going to quickly run through happened. And I want to talk about them before we get to this news that I've been trying to talk about. Cristina: Okay. Jack: And the first of the things as is the CEO. Dude. What the. Cristina: I don't really know what happened. I know he died. And I know the person who killed him. His name? Luigi. Jack: Luigi. Well, it's unclear if Luigi act is the guy. Cristina: What? Jack: He's just the guy who got arrested. Cristina: Oh, okay. Jack: It's unclear if he's the guy who actually did it. Cristina: Oh. Jack: Although, maybe. But the story goes that this guy's mother has some illness and she watched her mother suffer. I don't know if she died. Maybe she did, maybe she didn't. His mother was suffering for a very long time, continuously getting turned down by that guy. I guess he got obsessed with the revenge scenario here. And one of the things that people digging around about the guy who got shot is that he runs the insurance company that turns down the most people. Cristina: Okay. Jack: And so, yeah, interesting, right? Plot thickens. And so this guy hunted him down and killed him in the middle of street one day. Cristina: What? Jack: Yep. The shot him. Cristina: Okay. Whoa. And then why is he a celebrity now? For that. Jack: Okay. That's where it becomes interesting. And where the darks of the world are taking an interesting turn and where a lot of the things that are happening on earth kind of start to click together. First of all, people are valuing this guy as a hero because he did what a lot of people would do or wish they could. Not what they would do. What a lot of people wish they could do is hit the people who control your lives back for making Your lives s***** and them profiting off of every bit of that. He took that into his hands and really did it. People were like, oh my God. Yes. And he didn't do it selfishly. He did it for his mother. He has. There's paper trail. They know that. What the reasoning is. Cristina: Crazy. Okay. Jack: Now weird chain reaction that's happened is other CEOs are horrified. They've removed their social medias and they have removed their images from their websites from online, from their company things or whatever. These people who love showing off how rich and powerful the are suddenly removing the. The fact that they're rich and powerful from the eyes of other people. Cristina: Yes. I feel like, I don't know if it was this or before this, that there was this meme with Elon Musk covering his body with babies. I don't know if it had to do with this though. Jack: Weird. Cristina: But like he's going to use his children to defend himself against any shooters or something. Jack: It's because after a CEO got shot, the very next image of him, like the very next time 00:10:00 Jack: you see him, he was just always his kid. Cristina: Who? Elon Musk. Jack: Oh, he had a kid with him ever since. Cristina: Oh, that's awful. Okay, yeah. Jack: Interesting. But this brings up an interesting point. And, and it reflects a lot that's going on. So what this is. And a lot of people are kind of noticing it and it's. It goes into people like worshiping this guy and being like this. Do it to the rest of them and all this crazy. It comes down to we just saw one of the first rich be eaten by the poor. And it happened in public for everybody to see and realize, wait a minute. That guy who s**** on everywhere we eat is just like us. He's not a God. A random guy did it. A ra. I'm a rat. You're a random. Wait, we're all random people. That's all it took. Why did I think of him as some other thing? This insurance company did it to my family. It's a weird domino effect. Cristina: So you think this is just the first. Jack: I think we just saw one of the first rich get eaten. And I think like all things, cracks show before the dam breaks. The flood always arrives and somebody always notices and nobody listens to that person screaming, okay. Until the flood arrives. Cristina: So you think, you definitely think this isn't going to be the last time. Jack: I think that we are entering some really horrible state in time where I do. I do believe it's apocalyptic. I've been saying this for a While. And I genuinely do believe we have maybe within a couple of years, 10, 20. Cristina: Think this is a result of that, or this is just proof. Jack: This is more of the ball getting ramped up. We're in the apocalypse. It's been happening for like 20 years. If we were to say, like, when the. When would we think it began? Some point. The last 20 years. The apocalypse began that moment. Not the biblical apocalypse. Although they could say whatever they want. Short lines up. If you think about. And you want it to. Cristina: Okay. Jack: But the end of times as we know it has in fact begun in a logical kind of way, in a measurable kind of way. We see nuclear powers everywhere, all on edge, looking at each other, all wondering which one of us is going to pounce and take the rest of them. Yeah, we're one world government is going to happen. Which one of us is going to be. And it's that tension. Everybody's armed. If somebody slips up, we all die. Cristina: Mm. Jack: So when it happens, it's going to be a clean sweep. And everybody thinks they're the one who's going to do it. They're the one who has it figured out. Somebody makes a wrong move, we all die. Cristina: Yes, but it's gonna happen soon. Jack: Yeah, exactly. It's either gonna. One dude is gonna do it right, or it's rap. It's the end. We're here. I think we're reaching the great filter that scientists speak of. This thing that, like, why don't we see civilizations in space? It should be filled with them. We should be in. We shouldn't be able to escape seeing them all the time. And it's because maybe life happens everywhere, but there's some thing, some hurdle that happens sociologically or scientifically or something that stops you from making it. Nuclear power is dangerous. We are all so armed enough that if we launched everything, we could clean out the Earth. We have enough, and we've got it aimed in enough of a spread that even the places we don't hit are gonna be covered off and everything is gonna be snowing an ice ball for a long time. It's f***** either way. Nukes drop, everybody goes. Cristina: Everybody goes. Jack: Everyone goes. There's no solution to it. Everyone goes. And. Yeah, no, that's crazy. It's. I do think we're in that. And if we assume in the last 20 years that ball got rolling, then the George Floyd riots that spread out across the world, they spread out across the world. It wasn't just the United States. It was a country started. Yeah. Any country with Black people that felt oppressed rose up. It was riots in places. Cristina: And are people going to be rioting or are they writing for this? No, I don't know. Jack: I know. Think about the thing that happened with the Capitol. Was it rushed? Was it not? Did people incited that they. Not the moment. So impactful. The world knows about it. Cristina: Okay. Jack: And it's this sort of 00:15:00 Jack: bubbling. It's slowly. The heat has been kind of. You see the water shaking, but it wasn't bubbles. And now we're seeing one here, one over there. Eventually that s***'s gonna boil, and that's when the s***'s hitting the fan. Right? And we're just seeing the first bubbles. This guy was the first bubble. It was the first crack on the. D*** it. We're seeing signs of whatever that first domino was. Either Trump getting elected, either the Twin Towers getting it. Either the first black president being chosen, either the queen dying. Something happened somewhere. Cristina: I think this is gonna be a new normal, horrible thing. Like the school shootings that keep happening. Jack: School shootings have happened within this time. It's not ex. Yeah, that's just that the school shootings is another part of it. We had rarities of one case here, then five years later, another case over there at some point. Three, four a year. Yeah, you just hear about it all the time. You're like, oh, yeah, another school shooting. Schools just have protocols now. They just teach your children. If a shooting happens, what you do, it's like, what the. How. How is that normal? Cristina: I don't know. But is this the next thing like that? Jack: It is. What? Cristina: Is this the next thing like that? Jack: I think there are a couple of things and this is one of them. Yeah, I think maybe not like that. I mean, I don't know. That's. Can you imagine if every other day. Cristina: But I think shooting and at the sea, some CEO. Jack: Yeah, well, I think not necessarily the shooting of a CEO, but there is a. Now that we talking about it. And it came to my mind and it has happened before. Not the shooting of the CEO. No, no, no. The mocking of the dead. Because it happened with the submarine. Those rich guys. That was the mentality everybody had, those rich guys. Cristina: Okay. Jack: And this happened again. And now. Yeah, that rich guy. It didn't. I didn't connect those two dots until this very moment. Cristina: But there is something there. Jack: There's something there. It's people like, yeah, see, that's the mentality. You can see people like, nah, it let it happen. Whatever them. It's like, d***, bro, that was Still a person, ultimately. But no. The mentality has shifted them. Let it happen. Let them all go through it. Whatever. I hope more go underwater and sink. And it's like, okay, you guys are getting going some dark place. Cristina: Mm. Jack: But it's not dark if it's normal. That's just where the people are. Cristina: Okay. Jack: You understand? That's the problem. Because if it's dark, other people are gonna be like, no, no, no, don't go there. The problem is everybody's in on it. It's not dark. Cristina: It's not dark. Jack: It's just where the people are. Dark is down from where you are. Everybody's in the same spot. That's just normal. That makes this normal. Everybody's on board. Every time it happens, everybody's on board. This is the second instance. Just as many people on board. Like, yeah, it. Okay, can't wait to hear about the next one. I mean, think about how messed up it is when they tried to hit the president. How many bastards online were like, well, next time, don't miss. Cristina: Yes. Jack: Think about how messed up that is. People are disconnected. They're down for it. Those are. Those are the cracks. We're seeing one here, one over there. They look unrelated. Oh, that kid was doing tricks against the d*** wall, and he was always hitting the same spot. He was there for months, always trying to land the same trick. Obviously, that's a crack from that. And that's crack over there is from when Mike hit it with the golf cart. He got it up here somehow. I don't know how he got it on the dam, but then he hit the wall, and that's why it's there. Unrelated cracks. There's nothing to worry about. That's happening with every instance. Oh, unrelated. No, this was the president, and he's. He is Hitler. Yeah, it's unrelated. That has nothing to do with it. Well, no, this guy's mom was going through the thing, and he was directly affected. That's unrelated. Jack: But is it. The reaction is the same every time. Is it unrelated? Maybe what's causing the moments is. Cristina: Yeah, but people's reaction. Jack: People's reaction isn't unrelated. That's just where we are. That's not unrelated. That's where we all are. Why? Weird. Interesting. Cristina: I don't know. Jack: And I think we're watching the dominoes fall. Very. Some mad metaphors. All the metaphors in the world. Is it a dam? Is it bubbling? Is it dominoes? Is it a snowball? Cristina: I don't know. It's the ending of Fight Club. Jack: Yes. Yes. We're watching Project Mayhem leave narrator's control, where he can't even realizing he's Tyler Durden. Tell the 00:20:00 Jack: guys, hey, guys, no, we can stop this. Look, I'm telling you to. And they were like, no, you told us that if. That if you tried to stop us. You're not you. You're some other you. It's like, oh, f***. I prepare for everything. This is totally out of my control. And, like, I think humanity is somewhere. I mean, dude, France has been in a war with itself. Cristina: This kind of makes sense because, like, if the government is secretly controlling everything, and then we're reacting this way because, like, we see that it's all fake anyway. Jack: That's the other problem. Oh, my God. Cristina: So why should we care? Jack: You bring up an interesting point. Because. Okay, I was just about to mentioning France right now. Right. With your point in mind. Well, that's what they show us. And why would they show us something they didn't want us to see? Cristina: If we know it's all fake, if the reactions these people are having aren't real, Especially the people telling the story, these journalists. Jack: It's all fake. So even. See, if I didn't see it myself, then the question would be somebody, maybe no CEO got hit. Maybe this is. This was the point of directing the mentality somebody is orchestrating. Somebody's out there with. With a little stick in a suit, standing over the planet, swinging his little stick and moving his hands around like we're an orchestra and we're slowly but surely being manipulated into states. There's a guy who's like, I want to be the only rich guy. I don't want to start having people eat rich people. Let's just make it normal water. The idea, though, is that then the. The concept here. Because everything is even the concept of the. Because they're not gonna show us things that are gonna make us think this. Either we broke through, which is possible. Social media is definitely a pain in the a** of people who liked lying. Or is it not? And that's also part of the illusion. Cristina: You think? Jack: No, maybe there can. I have entered states where I contemplate whether anything I've seen on the Internet was ever a real thing. How do we know? Even think about the concept of friends you've never met. Some people have messaged with individuals their whole lives that they've never heard their voice. How is that person real? Now, let's assume that what we know about the technology we have and our government held up always. Then 20 years ago, when The Internet began. That's just our introduction to it, because we know in the 60s, the Internet was created. Simple. But most people have no concept of this easel. Easy, easy to find. But most people are. Oh, the Internet began late 90s, early 2000s. Right. Assuming that's the logic, would they have equally by the beginning of us having the Internet, they have had all the tools already in place to control us and manipulate us. Since day one, it's always been there. It developed with that there. Obviously, if I wanted to message you because I've met you, there's also direct connection with the few people who are actually using the thing. Everybody else is spinning in the wheel, and nothing is real. Most of us are interacting with AI through AI for AI. Cristina: Yes. Jack: And I can still connect to you through the sea of AI and people around me are real. But we're all being manipulated by this one AI that's pretending to also be these other people who we've never seen, never met. And there's no way to do it. There's a few real people out there, but they would never want to. The fake ones would never want to really meet me. Oh, I can't because of this and blah, blah, blah. No, I'm living my life down there and whatever. Mm, interesting. So most of what you've always seen, forever, the entire time you've been interacting with the Internet, fake. The same way every newspaper that came out could have completely been fabricated stories meant to manipulate and sway your thought. You have no way of proving. No way of proving it. If the. Let's assume the newspaper was that the whole time. Maybe not the whole time. It was really about giving news. Little by little, power was taken from the newspaper somehow. Like a. Like a Facebook being influenced by the government and bending them somehow. Just like that, this happens. You have hands coming in from behind and slowly take over. And now newspaper is just propaganda machine. Fine, totally. But the Internet's about to come through. But wait with the newspaper company. And we sell bullshit for the government as the government is being built. Oh, they are paying us to make this thing where we're gonna give them, quote, news that the government can directly 00:25:00 Jack: modify however they want. We create templates, and they fill it in the blanks. Cristina: The government. Jack: The government or some. Or maybe tell us what to say. And maybe the whole time. And then Facebook comes in and, oh, Facebook is stealing our data. It's because somebody found out maybe it was doing it the whole time. It didn't start late. It was designed to do it. Cristina: Oh, okay. Jack: Somebody Found out. Oh, no. We're gonna change the thing. They just tightened security, so it's harder to find. Cristina: Definitely. Definitely. Yeah. Jack: You get my point, huh? So it was always lying to you. You were never looking at anything. It's all. Nothing is real. I've gone into that space of mind a couple of times, and it would make sense. Cristina: With the Internet or with everything? Jack: With everything. If not the newspaper, then maybe some medium before the newspaper was the bull. Maybe the town square screamer guy. Cristina: Him? Jack: Yeah, maybe. Every time he came out, the king is like, well, tell them this. It ain't true, but whatever, okay? And that guy becomes the news guy, and then that guy sells the newspaper and that guy tells you the news on, like, an anchor. And then the news anchor becomes the influencer. And, like, ultimately, all these people you've never met and never seen aren't people. You're being sold bullshit. Controlled by people who are paid to sell you bullshit. Cristina: See? Jack: And, oh, a CEO got shot. Never happened. We think it happens, and everybody around us thinks happens because we all see the same thing saying, I think it happens. And then we all repeat that it happens, and we all believe it, and we have no way to disprove it. Cristina: Okay? Jack: It happens somewhere away from me. How am I gonna go prove it? How are you gonna prove it? Anybody who's not and anybody who's there. Did you see it happen? Oh, no. It happened down there. You've never met somebody who saw it happen. You never meet anybody who saw it happen. It happened. You were showed it happened. It happened here. And this time. Oh, how weird. I was a block from there and I didn't see it. I didn't hear gunshots. Cristina: Crazy, okay? But if I did, if I had to actually do that every time I thought, like, I had to know the story was real. If I really was that obsessed, you don't think I'd be able to do it? You don't think I'd be able to find someone that saw something? Jack: You could find somebody who's told to tell you that. How do you know that's not the case? You know? Okay, that's my point. How do we know? But anyways, outside of the point, that's just a headspace I've gone into several times associated with things. Cristina: Yes. Jack: And if we assume everything the government does is, everything media companies do is they're just trying to sell more ads. Everything is manipulated. Manipulation of the public. Why would this be the moment that decided to tell us the truth? That would literally put them, the controllers, in Ninja. Either we broke through, there's a puppet master somewhere, or I mean, I guess that's pretty much it. I would broke through, there's a puppet master somewhere. Cristina: This isn't true. Jack: Or this isn't true. Cristina: It's probably not true. I don't know. Jack: If there's a puppet master, it's not true. Cristina: If it is a puppet master, it's not true. Jack: Yeah, we're being manipulated into thinking it is. Well, so that then we revolt against rich people or something for somebody else's benefit somehow. Cristina: I don't know what the benefit is. I guess if the person that is fake dying could be just trying to hide. Jack: Interesting point. Cristina: Or just I'm tired of this life, let's go live a different life. So what's the best way to do it? Jack: CEO dies in public. Cristina: So then now he's no longer CEO. Now he's playing baker at some country somewhere else. I don't know. Jack: Interesting. Interesting. Cristina: Like death doesn't really have to mean death either. Jack: But then this goes actual back to the. The puppet master scenario. Somebody didn't actually die there. So what was the public. You didn't. You could just pay paperwork to say you died. Cristina: Want to make a big show about it? Well, because a lot of people know the CEO, I guess he needs to get. Make people he knows believe he said, yeah, it's not for us. Jack: Interesting. You think he got into some hot water? Yeah, maybe he's in some s***. Cristina: This is the way actual people with money have to get rid of the life that they're not happy with. They got the money for it. Jack: Got the money for it. An absurd amount of money. He could become anybody who wants. Cristina: Yeah. Jack: Live the rest of his life perfectly fine. Interesting. So your argument is in a Black Flag event didn't happen. It was just a cover up. Cristina: Cover up? It could be a cover up. Jack: One big cover up. Cristina: I don't know. It all sounds insane, but like, how would you know? Jack: All of it sounds pretty crazy. Yes. I don't know. I don't know. The problem is nothing is provable. 00:30:00 Jack: Right? Cristina: But then what happened to this person? Luigi. Jack: Okay, so following the attempt, I guess the success. Following the success of this, other than people cheering him on, CEOs panicking. The cops went and hunted down a guy. They got some tips and they found him just sitting there at a coffee shop or something. A lady. An employee? No. Was it an employee? Yeah, I think it was an employee or a lady sitting there who was like, crap, I'll call and get in on it. Or whatever. But they're not getting the money anyways, apparently, because they called the cops, not the people who they were supposed to send the tip to. Cristina: What? Okay, someone's trying to make money. Jack: Yeah, they only did it for the money, so now they're a rat and everybody knows it. Cristina: Oh, my God. Jack: Also, they got doxed. Cristina: Oh, my God. Jack: That lady's information is all over the Internet. Cristina: Okay, so. But no, I don't want to care about here is crazy. Jack: What becomes interesting. They find a guy. The hoodie first. The problem is, I can't jump to what happened to the guy because in order to throw the cops off, thousands, hundreds of thousands of people just started dressing exactly the same to just make it exceptionally difficult. There are people just wearing the same green hoodie and, like, gray sweater or whatever the h*** he was wearing in the video. People just started dressing like that, either in honor of him or to throw the cops off. Regardless, the cops were very confused. There was too many people fitting exactly the same identity for days. Cristina: But then what happened, though? So they do get him. Jack: No, they get a guy. That's the. That's where the. That's why it's important that I say that. Cristina: Oh. Jack: Because the guy they caught, some dude called Luigi. People have broken down the video of the guy who did it. Now, I believe Luigi said he did do it, but people were like, that dude's kind of taking the fall for Luigi at this point. Because, I mean, Luigi's taking the fall for the guy who did it. These are two different heroes. Is the idea that people have. I've stumbled upon this thought a couple of times because the people dissecting the video where he shot the CEO have seen the mug shot and compared every single note. The guy you arrested did not suddenly grow a unibrow over the last two days versus the guy who shot, who was not. Cristina: There's a video of this, too. Jack: Hella breakdowns. People showing them. People are calling Luigi a hero because he's not letting the mystery shooter get caught. Now, again, I don't know if this is the actual truth. This is just the Internet's impression. And this hasn't been confirmed by any authority figure. This is people. But also the people who are least going to tell you the truth are the authority figures. And the experts are usually the people. Now, there's this theory, a psychology theory that's a very pronounced sociological effect. Weird phenomenon where individually people are stupid, but collectively they tend to be right with astounding precision. This is easy to prove as a test with A jar of marbles, A random number of marbles. You give people the same jar, different groups of people. Everybody's gonna be very wrong about how many marbles are in the jar when they guess. But collectively, they're gonna be almost on the mark. Cristina: When you, like, average out the number. Jack: Yeah, when you average out the numbers, they. They're always right. They're, like, within margins. I've seen the test on, like, YouTube. Get to. There'll be, like, 10,000 people, and they're within, like, 50 marbles of the right number, and there'll be, like, hundreds of thousands of marbles in the thing or whatever the h***. Just crazy numbers and the likes get there real with crazy precision. It never fails. This is why voting systems tend to really reflect what the people really think, because individually, everybody's stupid, but collectively, our thoughts mix into one cohesive thing. Cristina: Okay? Jack: And I think the people might be. Cristina: Right, but he's not the guy. Jack: He's not the guy. I think he's not the guy. I think this guy's just taking the fall. I think he's one of the many people who are like, you. Rock on, and you should be free because you did what we wish we had the guts to do. You're the hero, and we're the followers now. Cristina: But is there really a guy? Jack: There's a shooter, and there is a dead CEO, and there's a dude named Luigi, and he doesn't fit any of the characteristics. And the outfit he was seen while he was getting arrested with, which a bunch of people recorded, does not look like the same hoodie or 00:35:00 Jack: the same sweater. Cristina: He looked like the same. Jack: No, they were both green. It was. This is a green hoodie, like the guy in the video, and a sweater that was gray like the one in the video. But they were breaking down. This is the guy dressing like the dude and then claiming he's the dude. Because the dude in the videos hoodie has this cut. And you could see there, somebody pointed at a little pocket that he had here that this guy you arrested who's wearing the thing, doesn't have. And the. The unibrow that the guy in the video doesn't have, but the guy you arrested does. And somebody's pointing out the shape of his head. This guy looks kind of like a white guy. The guy you arrested is not. So a bunch of those going on, and it's like, man, the average here is. People are saying that dude isn't the guy. And then when you look at it, you're like, I mean, crap, you'd have to stretch it to say he is. Cristina: Okay, but so far he is. Jack: So far he is. According to authorities. Got him. Well, don't do it again. You're gonna easily get caught. Cristina: That's the end of that. Jack: That's the end of that. You see the problem? That's what they want us to think. Don't do it again. You will catch you easy. We're good people. Over 72% of all murders in the United States go unsolved. This statistic is provable. It's not something people should know. But. But just for your knowledge, that is a fact, you can Google this. Cristina: Murders go on. Jack: Most over 72% on average go unsolved. Most crime is unsolved. You have a group of people working on it. That is true. Most things go unsolved. We only report the ones we do. Think about that and look at your local statistics. You don't have to take my word for this. Now apply that logic and tell me they got the right guy. And they're not just saying that. Cristina: They always say they have the right guy. Jack: They always say they have the right guy. Cristina: We have to assume that they're wrong. They've always lied. Jack: They do that so you don't panic and decide. Or not panic. They do that because they're panicked. They don't. If they don't catch the guy, the next dude is gonna say, wait, he did it and got away with it. Cristina: And most likely we all did get away with it. Jack: Many, many, many. Most. Statistically speaking, seven. More than seven out of ten. Cristina: That's crazy. Jack: More than seven out of ten got away every time. Cristina: But they're not gonna show us that. Jack: They're never gonna show us that more than 7 out of 10 get away every time. Cristina: So then the guy that they're showing us has to be alive, Statistically speaking at least. Yes. Jack: If we caught the guy who tried, the president. Two of them. Cristina: They can't be. Jack: You're not telling me that this guy is also you? Just all super mega agents, get the f*** out of here. No, nah, nah. You guys can't solve crap when it matters. You're solving this random s***. Yeah, for a CEO, dude. Nah, you don't believe it. You're trying to sell some, like, mountainous s***. All the other CEOs threw a bunch of money at this problem and they're like, he got caught. We don't give a f***. He got caught. Somebody put somebody and say he got f****** caught. Somebody's going to jail. They're not going to Be out there thinking he got out because then who the one of us is next. Get the f*** out of here. And that's where they all at right now. There's statistics. I'm not saying that's him. I'm not saying that's not. I'm offering you data, factual data. Nobody has to believe me on s*** right now. Go look online. Go look at your local statistics and you tell me I'm bullshitting. Most mergers go unsolved now. You don't even have to. You assume he's in that 30% that does get caught. Right? Or not he's in. Assume that the 30% plays out and that somehow. Now you go and look at the two pieces of evidence is all you need to do. You don't need to take my word for s***. Think everybody's crazy. Do start there. F*** it. Cristina: What? Jack: And you just go and look at the video. It's public as f***. Of the assassination. And look at the guy. Pause it. You could zoom in. And then you look at the guy they arrested. Do this at home. Pause the show. Cristina: Can we pause the show to do this? Jack: You want to look at it? Cristina: Yeah. Jack: All right. Okay. Okay. We looked. We couldn't find. How do I put it? Cristina: I found his brother Mario crying. Jack: Great. We. I. I found the video, but it's unclear whether the video was removed by the user or if the video was actually wasn't removed by the user because he could have just blocked it. It goes to the error page where it says the video couldn't be played. So the video is experiencing some playback issues. 00:40:00 Jack: Interesting. Cristina: Okay. Jack: Now, in looking for this, I have confirmed something weirder yet, which I don't know where I stand on because the sources include ABC News, cnn, USA Today, CBS, and fox. But this is very confusing because it's kind of getting to that. Some event happened recently where we didn't know what was true. And we were like, this is probably the point. They want us confused. This guy was not insured by the company at all. At least the guy they arrested has zero connection to the United Health Care. Cristina: He. Jack: His parents were not insured by that company. His mom was not insured by that company. I think he lied. But what's complicated about this is the guy who got arrested was found with a notebook. Well, he wasn't found with a notebook, but in his home there was a notebook that was essentially tracing the CEO's footsteps. So it's the guy, but the story's a lie. Cristina: Okay. He's stalking this guy. Jack: He's been Stalking the CEO that he killed. He was planning to kill the guy. Cristina: For a while, but there's no real reason of why he did it. Jack: The reason he gave is a lie. Cristina: Okay? Jack: Because he was not insured by that. And a guy doing the thorough work he had, he would have known that's not the guy. So he told a story, although it's the story we're going with. But he wasn't insured by United Healthcare at all. Again, it looks like the intent here is confusion because that's too conflicting. I wish I remember what the recent thing that happened that was kind of like this was where it looked like the intention was confusion. Like, who's the bad guy here? Cristina: I think it was the dead bodies. Not the dead bodies. The mysterious crates. Crates on boats that were going somewhere that could have been bodies. Like there was always stories about something happening. But I don't think they found the bodies. They're just like something weird's happening. Jack: I think also covet as well the amount of like contradictory. But I think that was a cover up. I think they were trying to cover that up and because it was slow. Cristina: How many things are just cover ups? Jack: I think a lot of things are cover ups because his government up here and there's. Cristina: Okay, is this a cover up? Jack: I don't know if this is a cover up. I don't know. I don't know what the h*** I just read. This is crazy. I don't know. Then what the. Did he shoot the guy for what the? Cristina: Because he. See, he's a CEO, so you pick. Jack: Why he just tracked this guy at random and like this one out of a hat. Cristina: Yeah, we don't know. Jack: Yeah, it's not. It's weird. It's definitely strange. Luigi Mangione was not insured by United Health Care. Cristina: That's why he did it. Because he's not insured from them. I don't know. Jack: Which means it couldn't be denied by an insurance company that he was not involved with. Yeah, no, it's just a weird, like. I don't know. Anyways. Anyways, that's one of the two informations. Interesting. Cristina: I don't know if we learned anything. Jack: No, we didn't learn anything. But I just wanted to talk about that real quick. The second thing we got to talk about really quick, which is we didn't ground it, though. Cristina: We ungrounded. Jack: We were. We were. We were grounding it. And then I read that part. Yeah, Yeah. I got more informed and it stopped being grounded the moment it flew away. I mean, how do we. We were so close, too. I think. Think, like, oh, man. I don't know. How do we make this make sense? There's some information missing here. Cristina: I don't know. Jack: We'll probably return to it. We'll come back another day. We'll see what we. What we learn in a week. Cristina: Okay. Jack: The second piece of information is the aliens. Cristina: Aliens everywhere. Jack: Everywhere. Cristina: Always. Jack: All the time. Cristina: All the time. That's weird. Jack: Yep. Cristina: But they're not aliens. They're just droids. They just say droids. Drones and drones. Yeah, that's drones. Jack: Chinese drones. Cristina: Are they Chinese drones? Jack: I don't know. We'll say whatever the h*** is Chinese. I don't know. The government told us it's Chinese. There's the news. Or somebody told us it's Chinese. How do we believe it? Cristina: Does it look Chinese? Jack: How would we know what a Chinese drone looks like? Cristina: Does it just look like a normal drone? 00:45:00 Cristina: I try to look at videos. It just. It? Yeah, I guess. I don't know. Jack: Drones got, like, a general look. It doesn't look like any other drone. Cristina: But they're trying to make it look like a ufo, too. Like it's a drone. But it's round. Jack: Yes. Okay, so they've been seen all over the country. Primarily in New Jersey. Weird. Cristina: Weird. Weird New Jersey. Jack: Weird New Jersey. Always attracting the aliens. Always attracting the ghosts. Cristina: They're here for the big fit. Jack: The big fit. Cristina: The Bigfoot. The Bigfoot that's here. Jack: Maybe they're just here for, you know, the Jersey Devil. Cristina: We also have that, so. Jack: You know what's funny? You know what's the funniest part about this? They are hanging out in this area. They're in the area where Clinton Road is. I didn't even think about this. They are hanging out. Out here. What the h***? There's no escaping that place. Cristina: This place is supernatural. Okay? Jack: Yeah, there's something weird here, and they're. Cristina: Just checking that out. Jack: Especially as something like something's happening with humans right now. Cristina: But if they. Dish, you found the drone. Jack: It's not alien, robot. It's It. It. If it is an alien drone, then they didn't send a fleshy meat sack inside of it. Cristina: Why would they do that? Jack: It's just not. Yeah, it's dumb. It's just technology floating around. Cristina: Yeah. Jack: Now, we shot it down looking at that video. It's just technology. Normal. It didn't look alien or foreign. It's just technology. Cristina: Okay. Jack: Okay. So that's what it looks like. Cristina: That's what it Is somewhat like a plane. Jack: Looks somewhat like a plane. Looks like a government drone. Cristina: And what does that mean? What does it mean? If it's just a government drone, why are they in New Jersey? Jack: That explains why our government immediately blames China. Cristina: China sent their government drones here. Jack: No, it's because it's the easiest, quickest, fastest, immediate go to response anytime our government does anything themselves. Cristina: So you think they're doing something and they're covering it up by blaming China. Jack: We can't prove them wrong. Cristina: They really shouldn't do that because then it makes it sound like maybe China has control of our drones. And that's even. That's. That's the fear. Why are they trying to spread that fear? But I don't think they're trying to spread that fear. But now that's the fear. Jack: Anytime we don't like something, they blame China as to build some sort of enemy with them. Cristina: But like, if that were the truth, that's pretty horrible because it's clearly our. Ours. It's us. Jack: Well, no, all drones across the world that are usually military drones look the same. Cristina: Oh, okay. Jack: It's not just ours drones. Cristina: It may not. Jack: There's different kinds of drones. The ones that look like floating saucers are more sports drones that they got four propellers and can do all kind of weird acrobatics. Military drones tend to just be planes that can do direct strikes. Cristina: And you think it's someone else's. You don't think it's ours? Jack: I didn't say either. I think our government is saying it's China. And like, I don't trust our government. It's full of. And it's probably our governments. Cristina: If it's our. Whether either way is kind of bad because it's a lot. It's not like one. They're sending one. It's a bunch. Jack: We're seeing mass observation. If it is our government, then they are creating mass observation for indefinite surveillance of the whole population. They are testing out the military state. Cristina: And that's kind of crazy. Yeah. And everything I read, like, I couldn't read about us shooting one down, even though that one looks like it was shot down. But there's a bunch of articles saying don't shoot them down. Jack: Yeah, interesting point. Cristina: They're saying not to, like. Yeah, I guess that makes sense. If those are your things, you don't want people to be shooting them down. Like so. Jack: Yes. Interesting. Interesting fact. They are telling. I mean, of course, if it's theirs. Cristina: Yeah. But like, why? What if they've lost control of their own drones. Jack: That'd be crazy. Cristina: Like, would they tell us that? Jack: Why would your drones come to New Jersey? Cristina: I don't know. But because, yeah, that. That shows that they truly don't have any. Jack: Look at. There's no strategic advantage to coming over here. Nobody in New York is like, we saw drones. Cristina: No, but I. I think they're spreading. I think some people are seeing them. Jack: In PA and in Maryland. Cristina: Yeah. So it is spreading. Jack: Interesting. Cristina: Why started here? I don't know. Jack: I mean, government surveillance is weird. That is definitely one answer. Yeah, it is a possibility. Government surveillance, which. Oh, my God. Cristina: This might be black. 00:50:00 Cristina: Mira. We might have lost them. Jack: We could have lost them. Or no, it's intentional. Is it coincidence that the CEO thing happens and the President's attempt happened and that we mocked the people in the submarine and we're at a day and age when the rich and the powerful are trying to legislate moderation of the Internet and control and censorship. And then, then drones start showing up, watching people and things kind of. When you look at all the parts, it looks like the people are getting out of control. Initiate the protocol to take control of everything. Cristina: But as far as we can tell, they're not really doing anything. Jack: It would be slow. You can't do anything quickly. Remember Hitler's teachings. Why? A wise man once said, it's more effective to gradually change the rules than it is to make one mass big sweep. You do annoying small things that. So you take the big problem, you take the giant rule you don't want them to freak out about, and you break it into all the separate parts that make that rule up, and then you just little by little, change those to the other side. They're not going to see the bigger picture. You made it about the little thing. And they're going to react a little thing and react a little thing. But then it's nuanced and boring and stupid, and it doesn't really affect them in any big way. Cristina: So you think there's more steps to this? Jack: I think there's a thousand steps. And I think everything is unrelated looking and small and nuanced. Cristina: Part of the apocalypse, Part of the. Jack: Apocalypse, Part of as we know it, it's ending. Cristina: That's crazy. Jack: I don't know what's going on. It is crazy. And. And again, it would fit the picture right? It's. It wouldn't make this a separate set of news from the CEO being shot. It would make it an inevitable result of people in power hitting panic in the last couple of Months or years. And initiating all sorts of things to assure their own safety against who they deem to be the peasants, which would be. These drones are created by the rich and powerful to watch all the people and make sure that they are safe. Cristina: But why start in New Jersey is really funny. Jack: That would make the most sense if that was the case. Where do all the rich people go? The ones who don't want to be. Cristina: In the public eye saying they're in New Jersey? Jack: Montclair, New Jersey. West Orange, New Jersey. It's close enough to New York that they can still accomplish all their money needs and get home within the hour. Cristina: Okay. What? I don't know. There's too much going on. It's definitely not aliens. Jack: At least it's definitely not aliens. Based on the information we have, the thing surrounding it. It's humans. And quite possibly it's our own government drones. It's not even, like, advanced technology. The one shot down looks kind of standard. It's just military grade, which is problematic, don't get me wrong. Yeah, that's bad. Yeah, but. And the fact that our government is like, don't shoot that. Definitely foreign military technology down. What? What? So we're just. You're telling us it's China. What's the alternative here? We're China's now, and you're just not saying it out loud. Yeah, I doubt that. You say that the bad guy too often. Let's shoot him down, everybody. Shoot him down, everybody. Cristina: If that is China, then China won and now they control us. Yeah, like, is that the conclusion? Like, I guess China rules. Jack: I guess. Cristina: I don't know. Jack: They won the race to the one world government. Cristina: I guess. So, like, this is the start of that. Jack: Nah, that. Shoot him down. Don't listen to anything anybody tells you. If it's not your drone flying over your property, shoot it down. Doesn't matter how big it is. Shoot it down. Cristina: You might get hurt. Jack: Huh? Cristina: Now you might get hurt. Jack: No, get out of its way. You shoot it down in the opposite direction of where you are. You watch it. Oh, it's in front of me and it's coming my way. Okay. I'll wait until it's directly over me and shoot it. It's gonna fall somewhere to the other side. Cristina: Mm. Okay. Jack: Don't get hurt. Just shoot it down. Shoot him down. F*** that. Don't listen to anybody who's like, no, they're alien. They're foreign technology by our enemies. Also. Let it doing. Nah, f*** that. If it's foreign technology, that's spying on you, Shoot it down. If it's your government lying to you, shoot it down. There's no reason they could come up with for you to not shoot it down. That's justifiable and logical. They're gonna try to gaslight you. I swear to God they're going to. Don't listen to them. This sounds like a load of s***. It doesn't matter which side they try to flip it. 00:55:00 Jack: It's just a bunch of. Shoot it down. Don't hurt anybody. Don't go do what some of these maniacs is. Yeah. Cristina: Didn't you say someone got hurt or something? Someone died. Jack: Oh, yeah. No, fair enough. Somebody got. Yeah, they did shoot it down and hit somebody on the highway. Cristina: Yeah. So that's probably the reason they're telling people not to shoot it down. Jack: Fair. Fair. Cristina: It was big enough to kill someone. Jack: Shoot them down in the woods. Make sure it's flying in the direction that there aren't people. There you go. Shoot those down. Now. If they start to strategically plan their flights in the direction of people because they. They take note of this, then. Then whatever. Consider your safety over everybody else's and do what you got to do. They gotta come down. They're spying on us. Cristina: They're spying on us. Jack: If it's the enemy. Enemy spying on you if it's home. Well, home is the enemy now. And they're spying on you. Cristina: Yeah. Yeah. It's pretty bad either way. Jack: It's pretty bad either way. If it's aliens, they're spying on you and like, they're. Cristina: I don't know. Jack: I mean, I don't know what you could do. Cristina: It doesn't really. You can't. Like, even if you shoot it down, then it's not gonna accomplish. Jack: No. Another one will be replaced probably. Cristina: Yeah. Jack: Quickly. They won't care. They could cross space. They probably got infinite numbers of those things. Cristina: Yeah. It's already too late. If it's aliens, it's too late. So it doesn't matter, I guess. Jack: Yeah, that's legit. If it's aliens, it's too late. There's nothing we can do about that. Cristina: Yeah, but if it's not, Just shoot it down safely. Safely. Jack: Safely shoot it down. Try to avoid people getting harmed. Cristina: But. Jack: But on the. On the offside. This isn't foreign or from home. What, it's just a plane. Cristina: Yeah. Jack: On the flip side, maybe the guy only shot the wrong drone. And that's not. Because if you look at some of the other videos and images, it kind of looks Like a weird alien craft, like a flying saucer or some s***. Cristina: So you think the government threw the up their drones around the area where the alien drones are, and that's why they don't want you to shoot any drones because you might destroy the government's drones that are. Jack: Maybe they're trying to study. What the h***? Interesting point. Cristina: There's some weird drone war happening right now, and they don't want us involved in it. Look, so it's easier just to say it's China, but leave it alone. Jack: When you look up, you're gonna see either the stars or drones, and they're gonna be at war. So while this Star wars is happening. Cristina: Horrible. Okay? Jack: And it's a Clone War that's happening. Don't shoot anything down. Let that Star Wars Clone wars happen. Can you imagine if I could do that indefinitely with random topics and just speak in titles? Cristina: Titles. That's horrible. That's horrible. And I hate it. I think everyone else hates it too. Jack: If you didn't know the reference, it would be fine. It's only if you knew the reference that you're like, you clearly like. Cristina: But then once you add Clone wars, it doesn't really make sense anymore. Jack: Why? That's the name of the movie. Star Wars Clone. Cristina: No, but, like, what does this relate. Where's the clone in this? Jack: Oh, crap. You're right. Cristina: It should actually connect to what's happening. Jack: Oh, the problem is here's. Here's where I messed up. Here's where the logic happens. The clones were created to fight the drones. Cristina: Okay? So you have to actually know what's going on in Star wars to get it. Jack: There's no clones in this, so it doesn't make sense. It made sense in my head when I remembered that the clones are actually controlled by the same people who own the drones. Cristina: Oh. Jack: Yeah, that's the real story. The people who own the clones own the drones. This fake proxy war to acquire more. Cristina: Power, maybe that's what this is. Jack: I guess. I guess. Cristina: Yeah, but powerful. Jack: Who from the people. The. The only thing we have to take. Cristina: Him if whoever's running China somehow. This is a show for China to show our capability if they decided to attack us like this. Jack: You think there's an invasion? Cristina: Dude, here's the argument. Jack: Here's the argument. Here's the argument taking just. Let's assume we're not being lied to. News media is correct and government statements are true. These are Chinese drones spying on the east. We have Chinese actual planes and spy planes checking 01:00:00 Jack: us out in the west, you want us to be safe. You have the border on the south letting through, on top of everybody else, a wave of, for some reason, Chinese immigrants coming from the south into the country that are being driven in buses directly to New York City with the rest of the South American immigrants. Bro, if we just take what you're telling us at face value. Do you want us to think a war is about to happen and are you about to start attacking the people? Is China invading? That's one. If not, are you using this as a means you're feeding? You're telling us this is all true. You're telling us. Government's telling us. You want us to think that there's an invasion happening so that you can invade ourselves. You're gonna attack us and blame them. Is that the goal here? Cristina: Or to have a reason to attack them? Jack: Or have a reason to attack them? Fair enough. Both. Maybe do both. Cristina: Yeah. Jack: Attack them and say, oh, they're everywhere among us. We have to take control so we can weed them out. Out martial law until we find them. And they'll never find them. Cristina: So you think. Jack: Why are you telling us that all of this is Chinese? The Chinese with the Russian to the west, Chinese drones to the east, Chinese immigrants. There's no China beneath us. They took planes and technology there and migrated through the southern border. How the f*** this sounds like an invasion, bro. Like a strategic one too. Really good one. Cristina: But it's not an invasion if we're letting it happen and we know about it and we're helping them. Like it's not. It's ownership, it's something. Exactly. So are we already. Have we lost already? Or is. Are we just saying China's the bad guy when China's actually the secret puppet master this whole time? Jack: I don't know. They are the aliens we see in our skies and our government selling us. No, and those are not aliens. Those are the Chinese. Don't hurt them. And yeah, don't hurt that thing that's also in the West. Looking over one of our most important access points. Actually one of the most important access points on Earth, Anchorage. They're just hanging out by that. Russians and Chinese, the people we have over here on the East. Casual. Also, we got crazy beef with the Russians that they're hanging out over there with. Especially because we just green lit their direct war competitor to use weapons that are going to attack their people and their leaders deep into their country anyways. Yeah, don't shoot that plane down. What the. Does that mean? What? Confusion. Yeah, all the information Is conflicting all of the time. It's like, did Luigi do it? Weirdly enough, the spaceships that we're seeing and the guy shooting the CEO are all one f****** story. It's a weird control thing happening, and there's a bunch of confusion everywhere. Intentionally, it seems intentional. Cristina: Okay. Jack: Weird. Cristina: Mm. What? I don't know. I don't know what's going on. Nothing makes sense. Jack: Nothing makes sense. Confusion looks like the goal. Like, it absolutely looks like part of the plan. Here is a bunch of information. We saying this. We're saying that we're all legitimate sources. According to what we're saying. It's like, what? What? Dude, you said that's the bad guy. You said they're a threat. You said they're trying to spy on us. You said, there's nothing worse to our security than China. Also, those are Chinese drones. And also, don't touch them. Let them be. Cristina: Yes. Jack: At in the same breath that you're telling us the most dangerous nuclear power on earth that directly hates us is teamed up with them watching our western border. And you're like, no, it's all good. You just had a training. Nah, nah. When you put it all together, bro. Nah. Cristina: What's happening then? Jack: I don't know. I don't know. It looks weird. Cristina: It looks very strange. Jack: But everything does lately, because it's falling apart, I think. Again, my theory is the grasp for total control because the people are. They're over it. Cristina: But then is any of this anyone or is this us? Jack: I don't know. I don't know if somebody. That's the crazy part, right? Because it comes back to how much of this is true. If everything is being controlled. Did we break through and show a CEO? No, because it's on everything. It's everywhere. Cristina: So it's all fake or real? Jack: One or the other. That's the problem. And that's the other issue. If it's all fake. It's always been fake. We've never been told the truth. We have an idea what reality looks like. The people who know have always lied to us about it. Cristina: Yeah, that could be it, I think. Jack: Weird. Cristina: Yeah. 01:05:00 Cristina: I gotta find some of these drones. That I'll know. Jack: Anyways, those are the two things I quickly wanted to talk about. Now we can talk about the point of this episode, which is supposed to. Oh, crap. Cristina: What? Jack: We're way over the time. Cristina: Oh, all right. Jack: Yeah, we're gonna have to do this next time. Cristina: No one is gonna care. Jack: They care. And look, I promise we're gonna get to this. It's important they need to know our thoughts on these matters. Cristina: Okay? Jack: And we're going to get to it. Except we don't have time for that today. So next time we're gonna talk about this. But today we unpack those aliens. Cristina: Did we? Jack: Yeah, there's no aliens. Cristina: I guess so, yeah, we did that part. Jack: And we also made more sense with the story of the aliens. Made way more sense of the story of Luigi. Cristina: Oh, yeah, it's all fake. Jack: It's all fake. It's all grounded. It's definitely feasibly a bullshit narrative made up by a bunch of different. So it's one of two things. Either yes, all of it is fake or all the parts are true. Either some dude really did kill a CEO, and that's not somebody trying to trigger you. Somebody broke through and decided to do the thing and the people cheering it on are real people. And there's a thing about to happen. There's a thing that's about to happen. Cristina: That's why we got these droid drones to stop this from happening. Jack: Exactly. The drones. So most of the news is true and people are spotting the rich people's attempt to solve their own fear. Yes, or all of this is f****** true. And those are not ours. That's an invasion. What's happening in the south is an invasion. And what happened with this guy is not real either. That's some stage situation done by the people who usually want to trick you into wanting to go to war with people. If you believe 911 was an inside job to have an excuse to go invade a place, then the drone excuse is the same logic. And there's nobody out west either. That's bullshit. We're just looking for reasons to convince the people that we need. And if we. The more riled up we get, the people the more riled up. So next thing we're gonna find out is that somehow this guy's an insurance company, was owned by some Chinese crap. Whether it's true or not. Oh, they had investors who were Chinese and making money off of whatever. Whatever the h*** we're going to be like. Oh, China. Cristina: Go to every story and see how all of them, any story you've ever heard is related to China. Jack: I bet. Bare minimum. I think it's like using nothing but FOX and cnn. We can connect any story back to China. Okay, then I guarantee you I'm almost. I'm like 99.91% sure that I can. Using no other sources. If they've talked about it, I could probably find the Mention of China in the article, even if they're not directly blaming it. Don't write the word China because it's part of the agenda. You need to think China associated with this article somehow. Cristina: Yes. Okay. Jack: Officials theorize maybe it was China or spectators were believing it was a Chinese. You know, just structured in a way that the thought, oh, Chinese put it up there. Even if they're saying they didn't, but then you'll read it later, they think China put it up there. Before long, even if all of them told you China didn't put it up there, you kept hearing China put it up there. Cristina: Yes. Jack: People definitely think China put it up there. We're not saying they did. People definitely think that, though. That guy over there thinks that. We spoke to these people of some expert think we don't. We're just reporting random crap. Some expert think. Some probably experts. We've deemed experts who were these experts. But with these experts, they think China put it up there. Before long. They never said it was China. No, but I'm sure with all of. Cristina: Them, they're always doing that. Jack: Subliminal messaging everywhere. Cristina: Yeah, the masters of it. Jack: Anyways, if you guys have any input, any thoughts on this Luigi character, any thoughts on that shooting, that murder, any thoughts on these alien drones that are really Chinese drones, that are really American drones that aren't real at all. They're probably just birds. Cristina: It's just birds. Jack: It's just birds. Robot birds. Government. Yeah, it's government birds. That's it. Okay, if you guys got any input on any of that, let us know, as well as how excited you are to hear the news. I got to share with you guys about the research I've done. Anyways, you can tell us about all these things on our socials at just convopod, on Tick Tock, on Instagram, on Facebook, on X. Cristina: Remember to subscribe, rate and review the 01:10:00 Cristina: show. Jack: Yes. And word of mouth is the most exaggerated thing in the world. Tell them we've solved it. We figured it out. We know who did the thing, why they did it, and what comes next with profits. Tell them we can tell the future. Cristina: All right, this has been the Rambling Podcast. Take nothing personal and thanks for listening. Bye. It. Good morning. Good morning. The podcast is hosted by Cristina Collazo and Jack Thomas, produced by Elin Taylor and published by Great Thoughts.info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black. 01:11:11

Rambling 298: The Grounding of Stuff

In this episode of the Rambling Podcast, hosts Jack and Cristina embark on an exhilarating journey through the absurd and baffling ideas that have captured humanity's imagination. From the enigmatic Bermuda Triangle to the mythical Elysian creatures, this episode promises to ground some wild theories and concepts that have puzzled thinkers for generations. The conversation kicks off with a reflection on their previous episodes, where they explored various creatures and the mysteries surrounding them. Jack and Cristina delve into the origins of their exploration, which began with a quest to understand the phenomena of the Bermuda Triangle. As they unravel the threads of their investigations, they find themselves veering into the realms of clouds, weather patterns, and even groundhogs! One of the most intriguing topics discussed is the concept of adrenochrome, a substance that has been linked to various conspiracy theories and mythical narratives. The hosts delve into the historical context of adrenochrome, connecting it to tales of ancient civilizations and their often bizarre practices. They explore the idea that adrenochrome may have been used in rituals by figures such as the infamous Countess Bathory, who is said to have sought the substance for its supposed youth-preserving properties. As the episode progresses, Jack and Cristina navigate through a labyrinth of theories linking ancient civilizations, including the Atlanteans and Elysian beings, to modern-day myths. They ponder the significance of the equator in these ancient cultures and how it may have influenced the development of societies across the globe. Their discussions touch on the importance of grounding these ideas to make sense of the seemingly chaotic connections between history, mythology, and science. Listeners will find themselves captivated by the hosts' dynamic conversation style, which blends humor with profound insights. The episode serves as a reminder of the importance of questioning the narratives we are presented with and encourages listeners to think critically about the world around them. So, if you're ready to dive into a world where the absurd meets the profound, tune in to this episode of the Rambling Podcast! Whether you're a seasoned listener or a newcomer, you're bound to find something that sparks your curiosity and makes you rethink the stories we've been told. Don’t forget to subscribe, rate, and share with your friends as we continue our quest to ground humanity's most bizarre ideas!

+Episode Details

Topics Discussed

  • The Bermuda Triangle and its mysteries
  • Elysians and their connection to ancient civilizations
  • Groundhogs and adrenochrome
  • The significance of the equator in historical contexts
  • The role of Hermes and the nature of necromancers
  • The implications of time travel and reality manipulation
  • Vampires, werewolves, and the evolution of myth
  • The secrets of the Catholic Church and its figures
  • The duality of good and evil in the realm of deities

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod

+Transcript

Rambling 298: The Grounding of Stuff Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling Podcast. I'm your host, Jack. Cristina: And I'm your host, Cristina. Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And I think we've been doing that successfully lately. Cristina: Yes. Jack: So last week and the show before then, we were trying to get to what I was trying to talk about this entire time, but we got busy grounding things because that's our job. And that sidetracked us from getting to our one and only goal that this week we're definitely, without a doubt, gonna get to, which is, again, the fill people in on everything. And we've been doing this for a very long time. All we ever haven't. Cristina: Yeah. I don't understand. We've been doing what we've been supposed to be doing. Jack: Well, because grounding is our job, we can easily get sidetracked into grounding things because everything is groundable, if that makes sense. Cristina: So then we've been doing our job. Jack: Yeah, yeah, it's. It kind of loops back and forward to some degree, but I think we have some pretty good Grady greatest hits when it comes to grounding things. I think the whole Elation saga was beautiful. There's a lot, but it's infinite. And like, that gets frustrating. I think finding independent creatures that aren't related to them dope, and many things that are related to them dope. And it's funny because a lot of that, even finding the Elysians, really began about trying to see what the h*** was happening at the Bermuda Triangle. Cristina: That's where it started. Jack: Yeah. We were trying to find out what was happening in the Bermuda Triangle and then looking into clouds. Cristina: And then I thought it started with the unicorns. Jack: Well, that led us to the Alicorn that Antonio Dracohan. And that's kind of technically, that's the beginning. If this was a movie, if this was structured into a movie, the way that it built up into the Elysians. Right. Not even talking about the Elysian specifically, but a meta look at the show we were originally looking at. I think it was. Oh, no. Because then we migrated to the Groundhog. We were just looking at creatures and we were breaking apart clouds. There were some weird cloud patterns that we wanted to look into. And so we went through an entire breakdown of clouds, and then we veered off. We knew that the something weird was happening with that collection of clouds on top of the Bermuda Triangle. So that Allured us. Do you remember that? Cristina: Yes, but I don't think that had anything to do with Alicia. Jack: Not yet. Cristina: That was part of whatever story we had before. Jack: Well, no, because we were trying to find out what was happening directly under them. What was. What were they there for? Why was there a collection of clouds over the Bermuda Triangle? And I think then we looked into the groundhog, which I don't know if he ever finished his training. Cristina: Was it. Yes, he was part of training. To talk to the clouds. To the clouds? To get the clouds to talk to the sun, I think. Jack: Yes, because the sun is technically a cloud, too. Cristina: I think we were trying to stop some impending something from the cat People. Jack: Yes. Maybe an invasion or something. Cristina: Yeah. Jack: Oh, no, no. We were trying to originally. Originally find out what was happening with the other stars disappearing in the great void. Cristina: Oh, yes. Jack: And we would need to talk to the sun to do it, which we. Cristina: Would use with clouds, but we thought we could use the. What is it? The. The groundhog. Because he could communicate with the weather. Jack: Yes, exactly. Oh, man. Cristina: The last one just died. So we had to train a new one. Jack: Yes. We had to give him adrenochrome. Cristina: Yes. Jack: He was Phil, right? Cristina: I don't know. Jack: It was Steve. Philly is the one who died. And then Steve was his replacement. A random groundhog we just gave a bunch of adrenochrome and started training. Cristina: Secrets of hogs is that they always were taking adrenochrome. Jack: No, it was specifically the one for. The one that they were talking to. Cristina: Yes. Yes. The groundhog 00:05:00 Cristina: that was chosen for Groundhog Day is always taking a dream. Jack: But that one died. Cristina: Yeah. Jack: And so we were training one the way they were doing because we accidentally killed Phil. Cristina: I think so. Jack: I don't remember how we killed Phil, but we killed Phil. I know that much. Cristina: I believe that is right. Jack: And then maybe they don't even know we replaced Phil. They don't know. They're just humans. And then we replace Phil with Steve, and they have no idea. And then secretly we've been training Steve in order to talk to the clouds so that the clouds. Specifically weather, I guess, which was also bouncing off of when we were talking about lightning as a component, but unrelated to the clouds, because those are two different individuals interacting. Cristina: Yeah. So that's the idea. And then we're gonna communicate with the planet somehow. Jack: And then we're gonna get. Go on and on Steve. To talk to the clouds. The clouds would talk to the sun. The sun would. But still, something weird was happening down there. Cristina: Yeah. Jack: And actually, Steve wasn't going to talk to the cloud specifically. There was a cloud with a face that we were gonna go talk to. Cristina: And we needed. Jack: Yes, yes. And we needed Steve for that. Cristina: Okay. Jack: So we were specifically gonna talk to that one cloud. That's a cloud. God or some crap. A demi cloud. And he was gonna talk to the sun or something. Cristina: I guess so. Yeah. Jack: Cool. But in doing so, we were like, weird that these clouds have. They're like floating over the. The Bermuda Triangle. And so we veer off and we're looking at different underwater things. I know. We were doing that for a while and we stumble upon. Actually, no, we ignore that for a while because we did Bimini Road, which we didn't. We thought about, you know, leading into the. Again, from a movie's perspective. It saw us doing these things, and then it shows us going somewhere else and discovering a different clue. But the. The. The viewer knows. The viewer knows. It's like, oh, this is related. The Bimini is by the Bahamas. A little tiny road that we looked at a long time ago that had the statues underwater. And it was like, kind of aiming towards the Bermuda Triangle. And we're like, oh, yeah, they're definitely down there because of xyz. Reason we still didn't know that the Elysians are the Atlanteans. We're just like some other people over there. And then we started looking into the Persian Gulf oasis because we were doing Atlanteans in specific. We were still calling them Atlanteans until we got to Antonio Draco. Cristina: I feel like before him, we were talking about the equator. Jack: Yes. Which was another thing related to them, wasn't it? But again, we didn't know. We're just like this giant equator surrounding the Earth. And it looks like these places built along this line were all in communication with one another or in communication with some bigger governing body. But they were all in sync with us. We still haven't found out what the point of that was. I thought we did the whole equator line. I know that a bunch of them died out. Is it because it was the line which. Cristina: Like, which Satan went to give them the tech? I guess it's easier for him to travel in a straight line. Jack: Yeah, I guess. Or maybe delivery was easier between the countries. So, like, we keep passing it down the line. We're all next to each other and he doesn't have to personally deliver it. It'll always keep rolling down the path. Cristina: Yeah. Jack: Or maybe the equator is just the line in which the civilizations were Gonna be built like they were starting there. So we see them as just. Cristina: But why did they choose that? Jack: I. Why versus, like become a bubble or. Versus, like anything? Squiggly line. Cristina: Yeah. Jack: Why a straight line, Right? Cristina: Yes. Jack: I have a theory on that. And I think it has more to do with Hermes. If you look at a lot of Hermes research, there were a lot of these symbols. He was essentially, if you remember, he was building comprehensive, like transmutation circles with a bunch of detailed symbolism and junk as part of meditation and energy moving and whatever he was doing. I think similar to the Hedron Collider, which is probably one of those. I think this line surrounding the Earth was the beginning of a complicated design that maybe was to envelop the Earth or a design that does in fact envelop the earth. And we have only found that specific 00:10:00 Jack: version of it interesting. Cristina: If it relates like, was he murdering them? Like, did they die off or did he kill them? Jack: No, no, no. Oh, well, that's another interesting. Cristina: Because we know the first. There was a different line and no one made it from that other line. Jack: So you think the Kearney. No. But the equator is just where everything moves along. I guess they must have done it ahead of time. Interesting. Interesting. Look at it like this. Look at it like this. Because this does have to make sense to some degree. Right. The equator gradually shifts place. The globe exists. And the equator is always by itself moving simply because of how rotations work and whatnot. So what if the line is starting to catch up? But they built society there and never told them. These guys are always working in secrecy. And the equator slowly kept migrating to that line. Slowly kept until it lined up. We know that alignments matter. We know the solaces work in Castillo in order to bridge a gate that allows people to go into the Shadow Realm and teleport along. So that's. Alignments matter. Somehow. If they built civilization, let's say north to south and started the line west to east, and it was always moving clockwise. It would eventually migrate from west to east to north to south. If in that moment something happened. Great transmutation. And all those people died. Philosopher stones. This could explain why some of these structures are some of the oldest ever seen. Cristina: Yes, they were. They weren't building on that line when it was the line. No, they were just way before the. Jack: Build on the line. That was unreal. And nothing they could track. Cristina: Yeah. Jack: Or understand. Cristina: But someone did. Jack: Yes. And in order to get them to do this successfully, they did need technology. Maybe it was never about sharing the Technology. And the way we think about it, for Lucifer, maybe Jehovah man, we jump back and forth here real hard. Cristina: Bad guy. Jack: Who's the bad guy? Cristina: Okay. But Lucy was doing something sketchy. Jack: He was doing something sketchy. He was doing something really ridiculously sketchy. Because everybody was gone. Cristina: Yes. Jack: There's nobody there at all. It's all 100% gone. All that really exists is the ruins to that. And Jehovah recorded is telling him no. He is like, but come on, bro. We need this. Cristina: Yes. But we know he at least did it or tried to do whatever it was that he did twice. Jack: Because when he went to Shadow Realm. Cristina: No, because there was an old equator line that is destroyed of ruins and stuff. Jack: And the newer one, the new equator line, has nothing built on it. Cristina: It has nothing built on it. Jack: No. Oh, the new equator line is just where the line kept moving to. Cristina: Oh. Only the old one had the ruins. Jack: Only the old one had the ruined lines. Cristina: Oh, okay. Jack: If there is, we don't know where because nobody's thought about this. Cristina: Okay. Jack: And maybe it would be trackable. Maybe major cities line up in a way we never thought about or something. And then one day, by default, because. Cristina: It could be more than one line. Through the Earth. Jack: Yeah. Cristina: Around the earth. Jack: Yeah. Cristina: We just have to find. Jack: We would just have to find to connect the dots. Cristina: Yeah. And it has nothing to do with the equator. Just. We just need to see that pattern. Jack: But you know what's even scarier at this point, this means that 12,000 years ago, we weren't beginning to develop. We know that their technology was crazy, but they weren't beginning to develop immense technology. They were already at earth scale technology. 12,000 years ago, they could just, in one shot, boom, across the earth, kill everybody and make. Well, at least along the line of the equator. Maybe they didn't want to erase humanity. Cristina: That's what I was thinking. That the whole purpose of that would be so that not all of it was gone. Jack: So maybe they don't even need these factories like Epstein's Island. What the h*** is that for? Well, then again, where it's two different purposes. Cristina: Specific people. Jack: Yes. That's to drain. That's for adrenochrome. Cristina: Yeah. Jack: Versus something like stone. The stones. So maybe they've been able to make stones casually, whenever they want. Cristina: Yeah. We just need to find more lines. Jack: We just need to find more lines. On the flip side, wars are an easy way, and they're clearly in charge of the government. Cristina: Somehow 00:15:00 Cristina: that seems more of adrenochrome. Than a stone thing? Jack: We don't know. Cristina: We don't know. Jack: We don't see. In some instances, we see the bodies, but in other wars, it's just like, oh, yeah, some private attack happened. And it's like, wow, really? Or is it only when we drop, like, bombs and we can't go look at the evidence? Like, that was probably no bomb. You guys are just showing us a bunch of. And really, at the end of the day, what happened was you guys made another stone. Cristina: Would the bodies disappear? Jack: The bodies would disappear. Cristina: Okay. Jack: If it's for adrenochrome, the bodies would stay. Cristina: Mm. That's why most of them has to be for adrenochrome. Jack: Have you seen the bodies in most of them? Cristina: I think someone has. Jack: How do you confirm that person was real and not just another person? Just saying. Oh, yeah, I saw it. Cristina: Oh. Jack: I bet North Korea makes stones regularly. Cristina: Who would know? Jack: I bet there's human farms there where they breed humans. Because nobody knows where they breed humans. And then just en masse. But you dilute the genetic pool if they're always just cattle. Cristina: Yeah. Jack: And you're just making the. There's something about the more complex the life force. Well, the life form than the more complex life force. Yeah. What is the rule? The more complicated the life form, the more complicated the life force. The less complicated the life form, the less complicated life source. It began a long time ago at Butterflies or some s***. Weird. Because we discovered a bunch of adrenochrome before we found out it was connected. Cristina: Mm. Jack: We found it through butterflies. Well, we've heard about it here and there, stumble upon things kind of pointing in that direction, then when they looked at it, and we found that through butterflies, that was, like, the original, like, attempt. And then other people throughout history, which I remember specifically, we looked into that were figuring it out in other ways. The countess in the 1700s or 1600, somewhere around there. It could have been the 13th. Who the h*** knows who was killing her? Her maze. That was for adrenochrome. And so we found, again, adrenochrome somewhere else, and we didn't. She might have not known, and we might have not known. But, again, a bunch of people did, though. So maybe she was in the in group who knew about adrenochrome. And although the people who wrote about it didn't get it, she knew why she was doing it. She stayed young, and they were all, oh, yeah, she was using it for her skin. And that was. Make her stay young. And it's like, no she was drinking that s***, bro. Cristina: Yeah. Jack: That's why she actually. That's why it actually worked. F***. That's exactly why it worked. She was killing them b****** and drinking it. And they were. The people reporting on it didn't really understand. They thought she was bathing in it, but she was just putting it in the tub to have a source of it. Cristina: Ew. Jack: She could continue to drink. I guess she was vampiring the f*** out. And this has a lot to do with the area she was in. They probably thought vampirism worked this way. We interpret it in the horror movie style, but vampires are relatively new. They weren't. Cristina: Vampires are based on adrenochrome. Jack: Vampires are actually just based on Dracula, and Dracula ain't even that old, so. S***. You get my point. Like, there wasn't a concept of vampires back then. Their understanding of a vampire was crap. Like the Countess. And like, Dracula could have easily been based on the Countess in a castle. Cristina: Yeah. Jack: Attracting maids. Cristina: Yes. Jack: And drink. Literally drinking their blood. Cristina: It's the same story. Jack: It's the same story. And we found the Countess and we found a couple of, like, old school serial killers who were doing the same thing. We. We did that for Halloween one. So we were just looking at weird instances like that. We have a couple of really good Halloween episodes. Cristina: Well, didn't do any this year. You got anything for right now, this. Jack: Moment to do some Halloween? Cristina: Yeah. Jack: No, I don't now. We didn't do it for this year, but next year we should hit all the holidays. Find. I mean, it's interesting to go look at something that we haven't looked at for a while and with new eyes and find something we missed before. Cristina: Yes. Have we ever did a Thanksgiving thing? Jack: We've done many Thanksgiving. Cristina: Oh, yes, we have. But we haven't talked about the turkeys that we save that we pardon. I don't get that. Jack: We pardon turkeys. Cristina: Yeah. The President pardons turkeys every year. Yeah. He puts them in a hotel, keeps them fed and happy, and then he, I guess, brings them in front of people like the, like. I don't know, like the groundhog. Jack: Yeah. Cristina: And 00:20:00 Cristina: it's like, these turkeys cannot be eaten. Eaten. Jack: They must die of old age. Cristina: Yes. And I don't know how anyone keeps track of that. Jack: I bet. I bet that's the turkey the President eats. Cristina: Oh, that's awful. Jack: I bet some president was a douchebag and did that. If that's not the case, somebody was like, you know what? This is a stupid tradition. I want that turkey President. But no, no. Replace the turkey. Nobody's gonna know. I want that turkey. I want to eat a famous turkey. Cristina: The one that you said can never be eaten. That's messed up. Jack: Why? What's the difference? How would anybody even know as long as the illusion persists? Cristina: I don't know. I feel like you'll get. You will not get away with it. Jack: I. I want to get away with it. And then on my deathbed as president, I'll be like, get cameras and everything. I'll be or ex president, however that works. And I'll be like, for the world to know I ate that turkey. Cristina: That's messed up. Jack: Boom, boom. Will anybody give up? Nobody's gonna give a. They're gonna be like, he ate a turkey. Cristina: They're gonna say, you're a monster. Jack: If they. If it happened, like, the next day that it came out, they would be like, oh, my God. Yay, though. Cristina: Yeah. Jack: Right now, most of them send you. Cristina: To jail to rest, to live the rest of your life to. Jack: I'm. I'm on my deathbed. Cristina: Who cares? You're gonna be in your deathbed in a jail cell. Jack: That's. I mean, I guess it wouldn't matter to me. Cristina: It wouldn't matter to you? Jack: No, no, it wouldn't matter. I'm already dying. Like, what do I got? Days. Cristina: Yeah. Jack: Like, spend the rest of my days in a place that has to take care of me for a fact. Cristina: Yeah. Jack: Whoa. Cristina: But you'll be in orange or whatever color those suits are, and then they. Jack: Die in a box. Cristina: Yeah. Jack: That's cool. Cristina: Okay. Jack: Concrete box. Who else did we find that was using adrenochrome? Oh, we found some Greek stories with it. That was afterwards. That was after we found out the Elysians. When do we find out they were called the Aletians? Cristina: Probably to do with Greece or Egyptians or. I think it was Egyptian. Jack: I think it was in the text that the Egyptians had discussing the Elysians, because they also referred to them as the Sea peoples. Cristina: And so did the Greek. Not the Greeks, the Mayans. Mayans. Jack: We looked at Maya a bunch of times. We looked at my. A long time ago without knowing they were connected to the Egyptians. Cristina: And we also, like, recently found out that they have portals to the shadow realm. Yes, that we think. We were thinking there. Jack: No, we knew they had portals to the shadow realm. We found out recently they were crossing people regularly. Cristina: Yes. Yes. That's happening everywhere. Jack: Yes. Cristina: And we had no clue that was happening. Jack: Yeah, we looked at that. Didn't know that there was this Entire civilization there went like two years without having any idea. Meanwhile, we found the. The villages around the world, including the one in Puerto Rico. That's a really famous one. All these groups that are just mixed shadow realm, Earth realm creatures found out. Cristina: All those people that were talking crazy stories about, like, I'm afraid that my child's gonna be kidnapped by a fairy. And then we realize, oh, crap, there's. Jack: They're onto something. They're on to. They were. It wasn't fairies, but they were kind of on the market. Cristina: Yeah, they were. They were close. Jack: They were close. They were close. There's a bunch of creatures kidnapping children. So it was based on some interesting y. Cristina: They were insane. Jack: No, man. It is a kind of weird road that took us here. Adrenochrome was a weird one. We found that so many times because. Cristina: It'S the easiest way. Jack: Everything, even by accident. I really, really. I always think about the story about the wolves in the. In the battlefield and how they would go out and like, when they were starving because the battlefield scared off all the other creatures, so they had nothing to hunt, and they were just out there feeding on the freshly dead people. But those people were in war, bro. They had just unloaded their guns, had the guns unloaded on them, seen friends die, seen bombs go off maybe in that time, or depending when. When wars happened. Because this was in the, what, the 17, 1970s, 1917s, and another one again in the 1950s. So there was bombs already. And like, this resulted in some crazy creatures, bro. Yes, that's nuts. Werewolves, which then, in hindsight, kind of informs our older story when we looked into werewolves and we found out that the natives would dress up with the. Cristina: Fur of the wolves and then turn into wolves. Jack: Not turn tools, but run 00:25:00 Jack: around the woods. Cristina: There was some stories of people wearing wolf fur and then turning into wolves. Jack: No, that's what they thought they saw. That's what the people. The. The white man. Cristina: Oh, he saw. Jack: Because they would see the. The problem is that they were with wolves. The natives in these areas would be wearing the fur of their family members who were wolves. They lived in nature with the wolves, naturally, and so they would be wearing the wolf fur and the wolf would be seen by the people who lived around there. And then they would see shortly thereafter, a native wearing wolf stuff, and they think it's the same thing. That's where the original myth of the werewolf came from. But the actual real world equivalent is a werewolf, a wolf drinking adrenochrome and then resulting. Cristina: The werewolf is a Wolf becoming a man and not a man becoming a wolf. Jack: Exactly. It's not becoming a man, but kind of getting a more bipedal look. It's very Pokemon. Cristina: Okay. Jack: You know, just transformed and now it's bipedal for whatever reason. So. Yeah. Cristina: I don't know. I feel like there are some men that claim to have turned into wolves, though. But are those just crazy people? Jack: No, because we also have people that were turning in the things. Not everybody has exactly the same reaction, but it's more or less the same reaction. We've had men turning into wolves. No, I don't think we've ever had people turning into the wolves. Cristina: There's a guy, I think for the church, he was confessing that the devil made him dress up as a wolf, turn into a wolf to fight the. No, the church forced him to turn into a werewolf so he can fight the demons or something. There's some wild story like that. Jack: We talked about it on the show. Cristina: Yeah, it was before all of this. It's way in the past of just talking about creatures not connecting to anything. Jack: That was when we were doing werewolves one and two, right? Yeah, man, I don't even remember that. Cristina: Yeah. I think he was claiming that the church would turn him and like a bunch of other homeless people into werewolves to fight demons. Jack: What the. Well, I don't remember all that. Cristina: I don't know what that is. But I know that they do have weird stuff happening. Jack: We know because the Church does weird s*** all the time. Cristina: Yes. They have portals and they also have items. Sacred items. Jack: Yes, they do, actually. Cristina: Body parts. Magical body parts of saints. Jack: Yeah. They hoard all the things with power they could find. Cristina: Yeah. Jack: But later we found out that was entirely because they were trying to erase the existence of magic and. Which is really just really complicated science. Cristina: Yeah. Jack: And the body parts and things are saving are. Because think about it. They're saving a cloth that was protecting Jesus and he came back to life in or something. And it's like. Well, that was some technology that was reviving him or whatever. Or that had like proof of some residue of some kind of compound that they don't need anybody to know exists, you know? Cristina: Okay. Jack: Of the fruit or something. Cristina: Yeah. Jack: So they. They keep all of these things. They either have some kind of ability attached to some complicated technology or whatever the case might be, and they confiscate it all and hide it. Cristina: That's crazy. Still. That's pretty crazy. Jack: And still they couldn't compete with actual Jesus. Cristina: Well, they're. They're either Helping him or hiding him? Jack: Why would they need to hide him? Cristina: Because they're working with the. The. I'm thinking fairies, but that's not the word. I'm thinking. Who, Who. What is he? Jack: What is who? Cristina: Jesus. Jack: He is an Elysian Alicia. Cristina: And they're either working with Jesus or the Elysians. Jack: The church. Yeah. I think. I think we have three parties. Cristina: You think they're separate? Jack: I think they're separate. I think there's more than three parties. I think party we actually. I think. I don't think we've ever broken this down. I think party number one is the Elysians and their homies, like the Mayans and the Egyptians. Group two is Jesus and whoever's backing him, which is unclear. Cristina: Shadow people. Question mark. Jack: Question mark. Because we don't know. Because group three is a shadow people with Lucifer and all those individuals. Because even the shadow people who've joined our Earth Realm teams, we're calling those as part of Jehovah's team. Okay, so those are the Elysians. We have the Elysians there with all those people, including the shadow realm people that are there. Then we have the shadow room people who are a separate entity entity 00:30:00 Jack: made up of many Elysians and humans who've been outcasted one to the shadow realm. We got Jesus. That's three main group tied up there. Then we have Mab and her group of people somewhere doing something that's hyper unclear to us. See, we all never know. Exactly. Then we have the Greek that randomly pop up and are like always keeping up. They're like Piccolo. They're always keeping up with Goku and like how. Okay, but they're always there. And we don't know if any of this or even if the Elysians themselves are in any way connected to the original top of that, which is Jehovah's father Yahweh and his father Eloi. And how. That we still don't understand the giant leap from all of that all the way back to Yaldabao and how any of them might connect to what's happening now. Cristina: Yes. And we have no idea anything about Hermes either. Jack: Hermes, he's like neutral party. It looks like he helped everybody do whatever. Yeah, he's such a central figure. Cristina: But he might have even helped Jesus Satan with the line. Jack: He might have. But we know many instances suggest he might have helped Lucifer. Cristina: Yeah. So that's interesting. Jack: It looks like he might have helped Lucifer. It looks like he might directly be the teacher of Jesus. Yeah, it looks like he gave a johor who Worked or was friends or something with Jehovah. Cristina: And he has some connection with the Greece. Jack: And he has some connection with Greece. And he might have existed back with Eloi and Lilith, which suggests that he would have also been around at the time of Jesus, Jehovah's father, Yahweh. He would have been in contact with every single everything straight through. Cristina: Yes. Jack: I don't understand how. Because he is a God, he might actually be. Everybody else is some being that got there. He might actually. Dude, based on how we're describing him, right? Cristina: Yes. Jack: He goes everywhere, lives immortally, contacts everybody. Now, here's an interesting part about Hermes, which, based on his talks, might make sense. Let's say Hermes does come around in the year 12,000 BC, right? That's when he's born, not before then. But what do his lessons teach us? He says the fabric of reality itself is up to you to move around and control as you please. If you understand my teachings, you can just casually move in and out. Nothing matters. Nothing is of consequence. Everything is readjustable. Could it be that although he began there, he easily just shows up in the past? Is that a capability of his? Yes, because we know many necromancers can just f*** with time. Cristina: He can too. Yeah, I guess. Jack: Just poof. So he was born recently, but he could just be back there? Cristina: Yeah. Jack: And that explains him showing up everywhere. He became he again. He was just a creature that became a God beyond anything all these other people could even fathom. Cristina: Mm. Except for Jesus, maybe. Jack: Well, he taught Jesus. Cristina: Yeah. Jack: It to this moment, it kind of does almost look like Hermes over Jesus. So if we were to just calculate their abilities and what they've done. Cristina: Yeah, but if Jesus gets to actually ex. Goes follows those principles that he has to teach, like what makes the difference, what makes him under. Jack: It looks like Hermes can cross into the fairy realm. It does not seem like Jesus can. As far as we know. Cristina: As far as we know. Jack: As far as we know. Cristina: Exactly. I don't know. That doesn't really. Jack: Only based on what we've found, he. He hasn't. Maybe we'll find something different to the contrary. But as of now, it looks like Hermes is the only one who's figured out how to enter this other space. With all of the efforts that everybody else has. I haven't seen a mention of Jesus doing that. Cristina: Well, maybe that story of him going into heaven. What does that mean. Jack: Going into heaven? Cristina: Yeah. And the end of his story before he comes back to Earth, like, what is that? I don't Know exactly. Jack: He dips out. Cristina: Could that be him exiting? Jack: But then that means he's always behind. He didn't just inherently have the ability like these other 00:35:00 Jack: things. He discovered that like a science. Which means that Hermes mastered it. He's a beginner at it. Hermes is still above. Cristina: Yeah, but that doesn't mean he can't get to that point. Like once you got it, you got it. Jack: He has a head start. Is he gonna. Is Hermes gonna continue getting better or is there a top? Which means if there's a top, they can catch up and land there. If not, then. Because again, if it's science, you can keep pushing it. Oh yeah, you can continue to push it. Cristina: But I think Jesus is still up there. Jack: He would be number two. I'm thinking he's number two. Cristina: Yeah. Because he did escape. I think he might have gone there. I think that was the story. Jack: And that's simply because we cannot rank things from Elfame. We have no idea. Yeah, it's possible. Those things are way more complicated in ways we couldn't comprehend. Cristina: But he might have gone into alpha and then came back. Jack: Yes. Cristina: I think that's. That's the story to say that. Yes. Jack: Right. But yeah, no, 100%. But that doesn't make him. I still think we've discovered that there is less appearance of Hermes. He's more rare to come across. So he's better at being invisible. He's been around longer, so there should be more of him. But he is good at being invisible. Cristina: But also he's using much of different names. I don't know. Jack: He always goes by Hermes. Cristina: He does. Oh yes, he does. It's Jesus that goes by different names. Jack: Jesus goes by different names and is still nowhere as elusive. Cristina: Okay. Jack: We don't know necessarily anything about what Hermes looks like. We just know he was robed. He was nice and discreet. Okay, he was robed. We have no descriptors for his face. We. We know just the things surrounding his robe. His face is usually in shadow and the robe itself was very dark. Gave look to that traditional necromancer thing, secrecy and privacy. So they adopted the look. Cristina: The necromancers. Jack: The necromancers adopt the look. That's also why we always see Jesus robed up. Everybody else might have layers to the robes, tuck ins on their ways. But Jesus wore like gown style things. It was very necromancer. And he's known for having the scarf with the hood. Cristina: That's not Mary. Are you sure? Jack: Jesus had the same thing. I guess Mary was also trying to be private. Oh, but that's logical. And the most important facet here is. I mean, Jesus would have to become a more more complicated threat eventually because he's still half Elysian. Cristina: Yeah. What is a Hermes? Jack: Human. Cristina: How do we know he's not half. How do. Jack: We don't know. We just know that you have to be human to be an echromancer. Cristina: Yes, but Jesus proves you could just be half human. Like you don't have to be full human. Jack: Jesus proves you could be half human. This brings up an interesting problem and it totally explains the Elysians not wanting Elysian men or women to breed with humans. Because nephilim that become necromancers may be problematic. Cristina: Yes. Yeah. Jack: Is the fear the necromancers, the few necromancers we know about are problematic. And then there's Hermes, who seems undefeatable by any standard we could imagine. Cristina: But then you think they'd be an enemy with him, but there don't seem to be. Even though they fear everything he is, they don't want another version of him. Jack: I mean, everybody's trying. Think about what the requirements were for the Golem. Think about what the requirements were for Jesus. You have to be able to cross all three thresholds seamlessly. What? Who's the only other individual we know who could do that? It's Hermes they're trying to imitate Hermes. Cristina: Yes. Jack: Right. And he ain't a fairy. They just know a human learned how to do the thing and that for whatever reason, Elysians can't be necromancers. Cristina: Yes, but they don't want to make more. They do and they don't. They don't want it. Jack: You want to control them. They want to be able to make a necromancer and control it. Cristina: Hence the creation of like things like Jesus. No more. Jack: Jesus was a problem. Yeah. Think of not Alexander. Was it Alexander? No, the. The sword guy. 00:40:00 Cristina: The sword guy. Jack: Who was being tricked? Arthur. King Arthur. Who was being tricked by Merlin. By Merlin. But the whole goal of that instance was a necromancer or not a necromancer. A person with the ability to cross between thresholds who could be controlled. Cristina: But he was all human. As far as I know. Jack: He was all human. Yes. And he was too easy to control. It became problematic. And we know that Merlin was an elation. Or is an elation. I don't know if that guy still around. But Hermes equals. I mean, not Hermes, Merlin. Equal elation. Cristina: He has to be half. Jack: He has to be half. Yes. You're Right, because how is he? And that's why he's whack. Cristina: Why is he whack? Jack: Because the more human you are. Cristina: So you think he's more than half human? Jack: No, he's the whack necromancer. Merlin is whack because. Because he is half and half. Cristina: But you have to be half and half. Jack: No, you have to be human. Cristina: Oh, but Jesus is half and half. And that he's not. Jack: Isn't half and half. Cristina: You think he's human. Okay, psychic abilities. Jack: Stories give us some details here to fill in for this thought, but I have some filler ideas. Right. For some blank areas. The stories emphasize how important Mary is, not just to the cause, but to Joseph. Joseph is a magi. A magi. And he is one of the other three who will later show up. He was her personal escort. They are Alician soldiers of some sort. Cristina: Okay, right. That's her man, though. Jack: No, that's the lie they're telling. Cristina: Oh, okay. Jack: But where you're getting at is where I think was maybe intentionally left out. The Bible tells us he's her man. Of course, the Bible is foolish and made up in order to suppress the truth. But the Bible tells us. So what motivation did the Bible have to tell us he was her man? Why wasn't he just her brother? She was gonna be a virgin and have a husband. Cristina: Yeah, that's weird. But weird. Jack: Could have. Any other narrative could have been spun there. Yeah, maybe. Maybe he was human and that's why he was different from the other Magi. Just like Mary was human. Because we know that child is part of Jehovah's DNA. But maybe the intention was to water it down and so it's not just Jehovah. What part of this do you need science for? Where was the experiment taking place in? Well, maybe both of them are the bad. Thus he's only one third Elysian. Cristina: Oh, crap. Okay, those make it more interesting. Jack: Interesting. So he has as much stake in this as the Elysians, but, you know, you're also just a human bro. We can get rid of you quite easily. So you're just gonna escort her? Well, you got bodyguards are gonna be watching, and they're gonna show up when it matters. You're gonna see them, and you just gotta take her over there. Where does he go when he gets. He just vanishes. The story just cuts off. We assume he left with the other Maggie, but he just. His story just ends. So what is that about? Well, his purpose was complete. He probably died off. Cristina: He died off. No, he died off. Jack: They get. They get to older age. Oh, but like, what's his. Why do we stop talking about him so heftily? It's because of this reason. He is really inconsequential, but is part of the equation, which is why he was actually present there the whole time. He's like, no, it's my Katu and I'm gonna follow this lady. Cristina: Okay. We just couldn't say, yeah, they were. Jack: The chosen ones to some degree, but it was just human. Cristina: Okay. Jack: You know, And I think that was a way of diluting some science was used in order to dilute elation DNA. Even if elation DNA is better for stones, they're not going to get rid of themselves. So they could easily run this tech, but no humans. But in order to make a necromancer, you need human. And they want one that they can control. But I don't know if they have Hermes, why they would need to. I don't get that part. But Hermes himself then trained Jesus. He's so neutral. 00:45:00 Cristina: He doesn't. He seems like part of the group, but he doesn't seem like part of their group. Jack: I think he literally isn't part of their group. I think he's just friends with Jehovah. And everybody must respect his neutrality because what are you gonna do about it? The fact that he's blessing you with his time is good enough. Cristina: But then he gets to train the guy that they offer, cuz that guy went to him. Jack: Again, neutrality doesn't matter who comes or what you want. I can do whatever. Cristina: Mm. Jack: I'll help you with limits. I don't hurt others or whatever. But what you do, but what I gave you is up to you. Cristina: Crazy. Jack: So everybody comes for something different. It's like, yes, he's really God about it, to the point that even Jesus goes to him on record. Yeah, well, Emmanuel. Emmanuel goes to him and it's like, bro, this dude moves like real omniscience. Cristina: Yeah. Jack: Move through time, influence, whatever. Yeah. Oh, you said your grandfather needed what? Okay, I'll go back and I'll. Cristina: That's weird. Jack: Yeah, whatever, dude. Oh, no, I can't do that. I'm not gonna go get rid of the people. No, I can't do that. You need the. Oh, yeah, yeah, I can make the thing. Whatever you do with it, that's up to you. I don't give a crap. It's your choice. If it affects me, I'll bring him back. I don't care. Cristina: Real omniscience, okay. Jack: He moves like that, right? He has that feel if I don't care what happens, I don't care. I don't care what. I'm not doing it, but I don't care what happens. Cristina: Yeah. Jack: And then he can adjust whatever in his favor. That's so impressive and everything. Again, if we look at the whack, watered down, non knowing necromancers, it's still like, d***, son. All of them except St. Patrick seem capable of controlling time. They're watered down. All of them. They're. They're whacker than Jesus. And Jesus can't mess with Hermes. That's where we are. They can control f****** time. Cristina: Yeah. Jack: It looks like maybe Santa, St. Nicholas is like real top tier op. Maybe third in line here because of how exaggerated he is. But it could just be time control that he looks like he's everywhere freezes, everything goes everywhere, takes him a long time. Then time moves forward again. Cristina: It's still really exaggerating. I don't know. It's pretty powerful stuff. Jack: Pretty powerful stuff. He also has deals with what seem to be actual fairies. Actual fairies? Cristina: Yeah. Jack: Which is like, d***, how do you do that? Yeah. Cristina: Yeah. Maybe they're not fairies. Maybe they're shadow worm creatures. Jack: They could be shadow worm creatures, but they can. We don't know shadow creatures that fit those suits. But we know fairies that do. Cristina: It's just too weird. Jack: It's weird. Cristina: It doesn't make sense to anything. Jack: But again, maybe he's. He does appear to stay neutral as well. So maybe the fairies aren't siding with him. And maybe the fairies aren't trying to stop Hermes. Who are the fairies trying to stop? All the people trying to imitate Hermes. Fair people don't care about Hermes. Why? Cristina: I don't know. Jack: Doesn't seem to be f****** with them. Neutral. The people who are like, we want infinite power. They get elf slapped on top. Stop their progress, please. Cristina: Okay. Jack: But Hermes clearly already capable. They're like, whatever. Interesting. They're scared of power hungry people because if they cross out, they're coming for us. Cristina: Okay, Jesus, kill off Marilyn and Jesus. Jack: Jesus is a problem because Jesus is the one that slipped through. And although Jesus isn't aiming to hurt them, Jesus seems to be on a revenge path. Right. Is his goal the Elysians or could he easily deal with the Elysians? Cristina: I don't know. Jack: Because if they are is infinitely trying to get stronger. And they're infinitely trying to get stronger. So he must again try to get stronger. So they must again try to get stronger. And now it's gotten to the point that they reach the Elfame just trying to get stronger than each other. And then they're just consuming everything around them in a war between each other. And that's the fear. That's why it didn't look like anybody was after anybody specific and that the Elfame was just fight. Who are we scared of? And it's like this guy or that guy or what? No, both. Cristina: Both. Jack: But it's not about them going after you. They don't care about you. They're. They're Borg. They're infinitely power hungry the way humans are. Okay, we want more. But it's about getting rid of each other. Cristina: It could be that very. It feels very Dragon Ball Z. Jack: Like just like always. Upscale. Cristina: Stronger. Yeah. Jack: And it doesn't stop. We've gone out of the realm. Man. I remember the ah, memories. What the good old days when we just thought creatures here, creatures there. Maybe some aliens, maybe an alien or two local 00:50:00 Jack: that can't, you know, lives in space between planets. Because why would it try? How would it travel from super far? They couldn't. It's just a biological something living in space to finding out no crap could travel. And here's the science behind it. Stars away, stars across, galaxies across. Until getting to the point of like nah. There's entire clusters of stars completely captured. Because escaping the entire universe is totally possible. And there's multiple of these things. And here's some science behind it to dimensions and realms. It's like I remember the good old days back then when it was so simple. Now. Now we have interdimensional multi realm existing different creatures of different magnitudes of development tied in infinite ways with each other and in different ways. All scientific. Cristina: They're trying to get up there, up somewhere there. Jack: So complicated. So, so complicated. It's ridiculous. It is good old days of just hey, vampires and zombies. You remember comparing vampires and zombies and they both need blood. Which it totally should have filled us in on so much. Totally should have. Because we erased it slowly from zombies to say that they were after blood. But zombies were after blood at the beginning of the invention of talking about zombies. But maybe the creators of zombies thought oh this too on the nose. It's too close. So I'm just gonna connect the dots. And so we slowly phased out zombies going for blood. And then they just became science zombies. The way like oh, vile. We're trying to cure cancer. But. But it was always science. Cristina: It was always science. Jack: Adrenochrome. Oh the science in a different way. Cristina: Yeah. Jack: We they try to block us off of certain paths of science so that we don't get informed on those things like realms and crap like that. That must use biological and physically tangible science applications in order to to interact with. But the laws were taught to build upon exclude the factors that would lead us in those directions so that only those who know about them can know about them. Esoteric knowledge everywhere. You know, it's funny, that reminds me that Wet Judges was the same story as zombies. We had. We were just going through different creatures and we found out that this creature existed and that it was the. The result of something unknown. But this is what the creature behaves like. And it's not a shadow Realm. Creatures opposite to a win dingo. But they both turned out shadow room creatures. But there was some difference between them that we were like one comes from this and the other one kind of sorta. Eventually we discovered wolves. And both of these things shared a lot of characteristics. And that episode involved the connection of well, this is how a wolf biologically becomes. And this is how wolf biologically becomes that one. I believe the Wet Judge is the feral shadow realm version of a wolf. And the Windingo is the in control shadow realm version of a wolf. And both of those we found in isolation separate because we were just doing episodes about creatures. Cristina: But what do they have to do with the Shadow Realm? Jack: Adrenochrome. And they're both shadow realm creatures. Cristina: Okay. But they're based off of wolves and the wolves are from here, not from the shadow Realm. Jack: Exactly. Were wolf. Well, wolf can wolf takes adrenochrome the stages of a wolf as they would break apart. A wolf can sue. Let's take one of these 1950, 1940. Like six werewolves from the battlefield. Battlefield night people hiding. It sneaks up in the shadows and starts eating and drinking some of the blood. Because it's dies or. No, no, let me get there. It's gonna turn into. In consuming so much of it. A werewolf. Cristina: Mm. Jack: The werewolf is just the in control version of the wolf. Now two wolves came. They were talking about two separate wolves from the same pack. They came. They ate the same body. During the werewolves, both of them became werewolves. One of them was smart enough to consider coming back and the other one was a little cower. And as soon as it heard people ran away so they didn't consume the next day. This happens repeatedly. And the second wolf doesn't come back. The first werewolf stays a werewolf. The second werewolf now becomes a lichen. 00:55:00 Jack: It goes feral. It's just a Savage now. Cristina: Okay. Jack: It even forgets how to get back to it. It's just now a monster. Cristina: Okay. Jack: But they're more or less fizzled off Earth Realm. Cristina: Yes. Okay. Jack: Yes. And they all fizz. They physically look very similar, except a werewolf looks like a humanoid. It looks very similar than the werewolf is very gray, furred, wise and less crazy, I guess. Cristina: Okay. Jack: And the lichen is black fur and slimmer, while the werewolf looks bulkier. The lichen is thinned out and like up looking. It's like a really thinned out werewolf that's all black. Cristina: Okay. Jack: Now if the werewolf dies a werewolf, it becomes a wet judge. Cristina: Okay. And if the lichen dies, it becomes the other thing. Jack: And if lichen dies, it becomes a wendingo. Cristina: And those creatures are Shadow Realm creatures. Jack: And those creatures are Shadow Realm creatures. Cristina: Or they're ghost versions. Jack: Yeah, yeah. A lot of Shadow Realm creatures are ghost versions of earthrealm creatures because there's an inherent tie between them. Cristina: A little weird, because the Shadow realm is the original realm and we are. Jack: A pocket realm within it. Cristina: Yeah. But when we die, we go back to the original realm. Jack: Well, this is supported by all sciences, all religions and all philosophies that the. This association from the self unites us to the all. Another way of thinking about it is the texts that make it sound like it's a simulation. If the barriers are built around a certain type of code and you extract that code, then whatever code is left could exit the equation. Cristina: Okay, and then we just go back to the shadow realm. Jack: We can just be part of the shadow realm. So it's possible. Weird thought that everything within earthrealm is already a creature that might exist within the shadow realm, and we are just programmed with the external shell that we then think is ourselves. Cristina: What do you mean? Jack: Like my body isn't my body? Maybe I was always a gin, but because I'm born over here, the body feels like a body. But then it's weird beating our campy because creatures from the shadow realm coming over here to kidnap children and stuff, but to live. But they don't. They don't become suddenly physical unless they go through a procedure. Yes, and I don't understand what the procedure necessarily is because there's no specifics on it. Yeah, we know that they need a model, which is why they kidnap kids. They need an example of who they're going to become and that person is going to stay alive. They don't kill that person. Cristina: They don't. Jack: Well, somehow still existed when Lucifer became physical. Cristina: Yes, but did he transform also? Jack: Then Samuel got turned into Alfamer. Cristina: Is that what happened? Jack: No, he got turned to a Naga, I think, right? Cristina: Yeah, I think so. Jack: Yeah. Cristina: This story is twisted and weird. Jack: Yeah, that's a weird. Someone else been through the ringer. It's a weirdo. But this isn't a couple of places. Because if you think of Glycon from the Greek, he also was just a Greek dude who became a Naga. Cristina: That doesn't make sense. With the help of Keto. Because Nagas are fairies. So these are people becoming fairies. Jack: These are people. Well, people becoming Shadow worm creatures and Shadow Realm creatures becoming Earth Realmers are still weird. Cristina: That's weird. But it's less weird. They're becoming fairies. Jack: Well, presumably the Shadow Realm is a pocket within Alfame. The best way to think about it is if Elfame is Earth Realm, then the Shadow Realm is the Internet. And EarthRealm is like Facebook. Each one is inside the other in a smaller, more constricted way. But it's still the one thing. Like it's still Facebook exists within Earth. Cristina: A video character becoming human. Jack: Yes. So, okay, I guess the. The most logical way to make the next step remove would be to say we have humanoid robots that don't have any AI. They exist everywhere. Cristina: Okay. Jack: And the Facebook AI decides it's going to figure out how to enter one of our robots and navigate earthrealm. That would be the leap that Jesus born in earthrealm does 01:00:00 Jack: to get to Alfame. He is the Facebook AI. Cristina: Yes. Jack: Getting into one of our robots and now existing as a Earth Realm being. Cristina: What does it mean when one of us becomes a Naga? Jack: That would be the equivalent. Cristina: It's still in there. Jack: Yes. So there must be some form of code that creatures from the top have. Like MAB logging in. Cristina: Oh, NPCs. No, not NPCs. Main characters. Jack: Main characters. Yes. They acquire main character abilities. Yes, that's what it really means. Which is a good example in being Hermes. Main character abilities. Cristina: Okay, so if you can do become a Necromancer or become a Naga, you're doing the same thing. Yes, sort of. Jack: The difference is they're trying to make Nagas of existing individuals that they know are already loyal. They don't want one born. They're trying to make one out of people they know are already loyal to them. So there's some half baked kind of approach there. Cristina: And they. I don't think they have the same abilities as Nagas. Jack: No. It doesn't seem like they have the tip top. The closest person who got To. That was the first one we know about, which is the oldest, which is Yaldabaoth and his. Not his artificial Naga, which I guess everybody else is. An artificial Naga that we're talking about. Cristina: Yeah. Jack: But it looks like his was literally created from nothing. It wasn't based on anybody. Which is also why that one's overpowered. Cristina: That doesn't make sense. That does it. I don't know. Jack: Osteomorphus. That was the name of that serpent. Osteomorphous. Cristina: Came from nothing. Jack: He came from nothing. He was raw, created. So he must be more pure than doing it on a creature that was already a different creature. But they'll be loyal because they're part. They're in on it. It's their hard work, too, versus this. No, you were made exclusively for this purpose. You could turn on me and it might have. We know it had its own intentions. It might have done whatever, but that's the risk. A different variation on that is Jesus. It might go rogue. Except it went rogue and they did. Where they. How do they control it? Cristina: I don't know. But how do you do that? What? You said he just made one. Jack: Made one? What? Cristina: Made a Naga? Jack: Oh, I don't know, but it would be like, how did we invent a robot from nothing? Like, it's just. It's that he just made science. Figure it out. Cristina: Okay. I don't know. Jack: But the leap Jesus made is pretty impressive, especially if we. If we listen. If we listen, Deacon, listen. If we take the texts that make it sound like a simulation at face value and say, oh, yeah, that's definitely the true one. Jesus made it out of the simulation and into an Alfame robot. That's basically what we'd be saying. Yeah, he jumped to the middle stage. Or went through it. We know he went through it. Literally. He could enter the wider Internet. Cristina: But he's not the only one. Jack: No, he's not the only one. Because whatever quote AI unquote Hermes is can easily just walk out. And he was just Earthreal. So he is another Facebook AI. He's the original Facebook AI that managed to just get into a robot in her throne. Cristina: That's weird, but yes. But then I still don't understand, because Nagas are. Jack: I think Nagas are an attempt to do a biological cheat sheet for Hermes, because you can either study and get it. That's a. The filter is crazy. Phew. It's so hard. So few people have figured it out. Immense power. Even people who didn't figure it out. Alexander the Great There you go. Even people who didn't get it, what they did get, made them monstrously overpowered, but with limitations. The idea of a Naga bypass the limitations instantaneously. Shortcuts. It's all shortcuts. Cristina: Okay. Jack: Because the right way to do it would be learned hermetic principles. Follow the laws that Hermes lays out. Understand his lessons. He says it, it's the only way. And the proof kind of stands on it. The fact that nobody else figures it out. Cristina: Yeah, he figured it out. Jack: He did. Cristina: And nothing is like gonna figure it out after him though. Is Jesus really it? Jack: Well, we don't know. Merlin came after Jesus. Cristina: That's true. Just forget he's the most recent. Jack: Yeah, he's the most recent. He was whack, but he was the most recent. Then again he was way overpowered. Still time bending. Cristina: That's crazy. Jack: Yeah. Cristina: Even if he was defeated, it's still pretty crazy. Jack: I guess so. Well, yeah, he was tricked, but he was tricked by a fairy. He was killed off by a fairy. Cristina: Yeah. Jack: Like you know. The question is, could Hermes know her? Is the problem is also Hermes has no goal. Think about how interesting this is. It doesn't look like. No, but St. Patrick's was associated. Even if he was human. Cristina: What do they mean? Jack: He was still associated with the Elysians. They called on him for help. Cristina: I don't know. Because of him and Santa makes it seem like the religion is behind is part of them or they made the Catholic Church. Right. Jack: The Catholic Church was made by the Elysians, but the Catholic Church employs humans. Cristina: Yeah, but to keep the Elysians secret. Jack: Yeah. The whole point is to keep the Elysian secret and to make Jesus just seem like he's unrelated to the Elysians. Cristina: Okay. Jack: Yeah. And it looks like, you know, they're neutral. And maybe they were priests who were like, we're gonna put. We're gonna send you on a quest. We're gonna send priests. Maybe that's the point of priests. Raising some priests regularly to a school out in Greece where they're gonna come across a series of tests and tasks at the School of L. If they pass enough of them, you're going to get into a special class and you're going to take it and you're hopefully going to pass that class. That class is all that matters. Everything you're going to do for the next 20 years of your life is pure training to try to pass one class. That's it. Good luck. And then, you know, just kept sending people, kept sending people, kept sending people and one guy, St. Patrick, makes it through and meets Hermes and takes classes with him and, and St. Nicholas makes it through and gets there. But how many hundreds of other priests went there and like tried and they could, didn't even know what they were there for other than I told I was going to do this my whole life. And I'm not going to get married, I'm not going to have children, and I'm going to go back and go, you know, I dedicated my life to them. I'm gonna go lead a church and I'm gonna be great. I'm gonna have it said and made. But I don't know what the beginning of that path was. And only few of them, and they disappear forever. Now it's the, the St. Patrick's of the world. It was like, no, I'm an OG. I got the abilities that they want. Cristina: Yeah. Jack: And so those are in house necromancers. Hermes is neutral party if they can, if they. Anybody who can get my teachings can get my teachings. Cristina: So you think he was training? Jack: He was at Lesium as written by Aristotle. Cristina: In his notes, they say for how long? Jack: Unclear, but he was at Lesium, so that's fact number one. The specific lines were that he was waiting for the special students. And Aristotle's take on that is that his students were the elite students, the students that had taken all their other classes, the students that have aced everything else. And it's a school of philosophy. What the f*** does it mean to ace that? It means to understand everything there. Cristina: Which makes sense for what you need for Hermes. Jack: You got to enter equipped in every aspect of everything. And so you get to his class. Most people didn't make it. And I don't know how he would evaluate them, but he must have been looking at the notes of the other teachers there and been like, I want that student on that guy. He seems to be doing good every class specifically in these topics, which means he understands the nuance I'm looking for. Maybe all the other teachers were just cover. Cristina: For the real goal. Jack: For the real goal. Everything is designed as an intricate filter. And it's, it's a tournament. There's one winner. Of course, there's more multiple winners. But in this case, you know, to picture it better, it's tournament style. The guy who makes it to the championship past all the tests, but you still got to eliminate, eliminate, eliminate. And so you can't have a huge class of thousands of people. You got to be very restrictive. And maybe not. Maybe anybody who can make it can make it. Except people don't make it because it's really hard to get. Cristina: Mm. That's really hard. Jack: It's really abstract. Cristina: Mm. Jack: Really abstract. But it all makes perfect sense is the problem. So you gotta be able to understand really abstract thoughts in order to then bend reality with your mind the way that Hermes suggest can happen. And that we've found this proof through Naga and other necromancers and the people who cheat and manage to get a stone and aren't necromancers because that's so op. Cristina: Yeah. But he's the reason that there are stones. Jack: Yes. He invented them. Cristina: That's crazy. Jack: Yep. He is so good at being secretive. Hermes. He's so good at being secretive and so good at making things that we didn't know that both parts of the craft 01:10:00 Jack: were literally him. We found the first part and we're like, he made the thing like somebody else made the other part and improved on it. No, it was also him. It's just. It's hard to connect any part of things that have to do with him because everything exists in isolation. Because he's so good at just disappearing off of that side of the planet and popping up over here and doing a bunch of crap over here and stays over here for a thousand years and disappears over here. And he's over there now. No given. Doesn't seem to care about the passage of time. Doesn't seem to care about what side anybody's on. Does no barriers exist. I'm in this room. I'm in that room. Whatever. Cristina: That's what he does. Jack: Very godlike. He reminds me a Q from Star Trek. Cristina: Probably less of a troll than him, though. Jack: We have no idea. We have no, no idea. Not a clue what his personality is like. Not a clue. We know some people had character to them. Some of the Elysians were like, you know, you can imagine them. The guy who's just whoring around banging humans. Cristina: Okay. Jack: You're probably a chill dude. Bro. Cristina: Know. Jack: You know, he's just a dude. He's out there just linging, slinging his come everywhere he goes. Cristina: We don't know anything about Hermes. Jack: Who the h*** does? Cristina: I thought he's a weirdo or not weirdo. He's just secretive. Jack: He's private. Cristina: Private. Jack: We got stories from Santa. We got stories from Patrick. We got Jehovah stories. He seemed to be pretty chill, but kind of stern dude. Lucifer seems kind of more worrisome. He's these would, you know, panicky Lilith has a bit of attitude to what she does. Everybody has characteristics based on everything we found. And then Hermes is like, I don't know about you, dude. I don't know if you're, like, serious jokey. If you're like, you know, expressions. He's robed. Cristina: Yeah. Jack: Every description of him, robes. Nobody sees this face. Even his homies have no idea if he's smiling or not. He's talking to a robe all the time. Cristina: That's kind of crazy. It's pretty crazy. We don't know anything weird. There could be more than one. Jack: There could totally be more than one. But also, he can bend time. What the. Cristina: Like, why do you need more than one? Jack: Why do you need more? He's everywhere. He's everywhere. He's all over the place. Everybody's Hermes at one point. It's like, no, it's the same dude. We thought it was multiple people. Cristina: Yeah. Jack: And then it's like, no, it's the same guy. What? How? How, How, How? In fact, we thought it was so multiple people because Loi is the title and Hermes exists. And we're like, that's probably the title, too. And he existed back then, and they knew each other. Weird. So different people. And then we're like, nope, it turns out same guy. It's like, how the f*** does this work out? We still haven't even proven that about Loi. Cristina: I don't think he's. I mean, I think he is more than one guy. Jack: Loi feels like a title. And the way they describe the giant ship shifts in behavior. Feels like different people. Feels like a title within the family or a job position or political role or something. Cristina: Yeah. Jack: Hermes is literally the guy's name. He'll go by a different name. And then tell them, I'm Hermes. They gave me this name over here. But Hermes is from actual name. Cristina: Weird. Yeah. Jack: And he'll write it. He'll be like, I'm Hermes. Cristina: He writes it, I'm Hermes. Jack: I'm Hermes. And then he made the emerald. He made this, everybody. No, Hermes. Geras Magista's made this. Don't happen. How? How do you do this in Europe? And then at the same time, he made that in Afghanistan, bro. Let's have a real conversation. Cristina: Because time travel. Jack: Because time travel. Cristina: And because there's nothing really. Jack: Instantaneous teleportation. Cristina: Exactly. Jack: And, like, it doesn't matter. Cristina: Solution to any problem is time travel. For Hermes 100. Jack: That explains ever once that's. It's like, yeah, you could bend time. Cristina: Yeah. Jack: So you're just hanging out back there, like the day you chilled with that guy's grandson millions of years later. Cristina: Mm. Jack: To you it was minutes apart. Cristina: Yeah. Jack: You just skadoodled across and it's a. It's seamless. If we were watching you from a movies perspective, you're like, all right, Jehovah, I'll let him know. You take two steps, we zoom in on you. You take two steps, none of the scenery changes. And now you're standing in front of Loi. Hey. Your grandson said this. And when we zoom out, we see Eloi, but not Jehovah. That's how seamless it would be to him. Cristina: That's pretty crazy. Jack: He didn't think about it just there. Cristina: That's totally how it could work. I don't know. Jack: And from the point of view of both of these individuals, he never left. Cristina: Mm. Jack: Because he can pop into the same fraction of a second he left that with Jehovah and walk right into that same moment and be like, your grandfather said this. And from your point of view to my. I'm right now, I'm Hermes. And right now you're Jehovah. And you tell me you need to tell my grandfather to add this, this, and that to 01:15:00 Jack: the equation starting on this next sentence. I'm Hermes. Okay. All right, Jehovah, I'm gonna go tell your grandfather right now what to do. Listen, Loi, it's very important that you add these couple of parts. Now. Loi tells him whatever it's like. Okay. I'm gonna make sure your grandson knows this. Jehovah. Listen, he said that, that one sentence, he's gonna talk to two people across time. And to him it's gonna feel consistent and linear to them. Not a moment past the moment you said links. Cristina: And then he sees a different person. Jack: Yeah. Cristina: Okay. Jack: And time has stopped over there. Cuz not really. He's just in the past and he's gonna go back to that same moment. Cristina: Okay. Okay. That's crazy. That's his ability though. Jack: Does his ability though super overpowered. And he can do that at any point in time, at any place in time? That's God. Cristina: That's ridiculous. Yes. That's good. I don't think there's anything above that. Jack: I don't think there's anything above that. Minus whatever exists in Alpha that we have no reference point for. Yes, but the realms we are aware of. Even elves don't touch this. Nagas don't touch this. Cristina: As far as we can tell. Jack: Yeah. It would have to be the theory of the simulation. And it would have to be that MAB is a programmer and only then, because then she'd have the ability to like deprogram the robot, shut off the Internet, whatever. Cristina: But she can't. So it's not that. Jack: Or she should. We don't know if she can. Maybe she is just one of the programmers at the big company. The company really owns the Internet. She just knows how to work. She's the best worker, knows how to do it. Okay, but she can shut it off and ruin the project and save the world if it got that bad. Stop things from getting out and just destroy the robot that they got into. Whatever. Try not to. Expensive project maybe. Whatever that might mean in that realm. Cristina: Yeah, you know. Jack: Anyways, that's the road that took us to where we are. It's just all random pieces, man. Cristina: But it makes somewhat sense. Jack: It is composed. It makes perfect sense. It is a rational, reasonable, thought out kind of. Our job is to ground things like we said. Cristina: And we did it. Jack: Yeah, we've been doing it like you said. We've been doing it the entire time we've been grounding things. And those are all examples of how we've grounded things. And we added some groundings to thumbs things in. Just by talking about grounding things, we just grounded some more things. Yes, that's how we do now. The problem with explaining to the listeners that we do ground things and giving them examples is that it took an hour to do so. So we never got to get to the notes. Okay, so next time we're definitely going to get to the notes. But this time at least we grounded some things. Cristina: Which is the point. Jack: Which is the point. The job got done. Cristina: The job got that. Jack: The job got done. Cristina: It always gets done. Jack: It always gets done. And if anybody came here from last week looking to hear the episode that was planned, you're gonna have to come next week to find out what that was. But we'll totally get to it next week. We're talking anyways, if you guys think that you have noticed in our current grounding of things. But no, about the Elysians and all that stuff. Anything that you think we. We didn't. A detail that checks out. Maybe we touched on it enough that you were like, oh, that made me think about that. Let us know. Send us your input, your ideas. Anyone who just jumped in is like struggling to comprehend the mess of we just talking about. I realized that the other day. I was thinking about like, what if you jump in and you don't go back? Cristina: That's good. Then we summarize everything. Jack: Yeah, but like, what the h*** is an elation. And what is the shadow mentioned? Cristina: All of that. Jack: No, I know we didn't clarify much of it. It was a lot of like. But then again, if they start here and they hear the next episode and then the next episode, you'll figure it out. It'll start to make sense. It doesn't matter where you start. Just enough. Yeah, about it. Anyways. Tell us what you think. Tell us what you know. You could do that on our socials at just Convopod, on Instagram, on Exxon, Facebook, on TikTok, Tick tock, anywhere. Cristina: Remember to subscribe, rate and review the show. Jack: Yes. And word of mouth. Tell everybody that we exist and that we're out here doing the Lord's work and grounding things. Bringing angels to the ground the way the Lord did. Cristina: We are the groundhogs. Jack: No, we are the groundhog. Cristina: I don't know. Jack: We hug angels from the ground. Cristina: Or our family. That's what we're gonna call them. The people that are listening. You guys are the groundhogs. Jack: Oh, my God. It makes sense because we're always grounding things. Cristina: Yes. Okay. This has been the Rambling Podcast. Take 01:20:00 Cristina: nothing personal and thanks for listening by. Jack: SA. Cristina: Podcast is hosted by Cristina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black. 01:20:53

Rambling 297: Most Likely Apocalypse

In a world rife with uncertainty and chaos, the concept of the apocalypse has been a recurring theme throughout human history. From biblical tales of Noah's Ark to modern-day fears of viral outbreaks, the notion of an impending end has captured our imagination and shaped our beliefs. In this week's episode, we dive into the absurdity of apocalyptic predictions and explore the myriad ways in which humans interpret the idea of the end. Our hosts, Jack and Cristina, embark on a rambling journey that questions the very fabric of our understanding of apocalypses. They ponder whether multiple apocalypses could occur without us even noticing, drawing parallels between historical accounts and contemporary fears. With a playful yet thought-provoking tone, they dissect the narratives that have been passed down through generations, questioning their validity and relevance in today's society. One of the standout moments in the episode is the discussion surrounding the Great Flood, a story that has been interpreted in countless ways across different cultures. Jack argues that if the flood was indeed a historical event, it may have been localized, leading those who experienced it to believe they were the last survivors on Earth. This perspective invites listeners to reconsider the stories they’ve been told and challenge the narratives that shape their beliefs. The conversation takes a fascinating turn as they explore the role of government in societal collapse. Cristina suggests that the most likely apocalypse could stem from a viral outbreak, one that might be inadvertently released by those in power. This theory resonates with recent global events and raises critical questions about trust, control, and the lengths to which authorities will go to maintain order. As the episode unfolds, listeners are encouraged to reflect on their own beliefs and the absurdity of trying to predict the future. Jack and Cristina emphasize that while we may never know the exact nature of an apocalypse, the discussions surrounding it reveal much about human behavior and our desire for understanding in an unpredictable world. Join us for this engaging and thought-provoking episode that challenges conventional thinking about the apocalypse. Whether you’re a skeptic or a believer, there’s something for everyone in this lively exploration of humanity's most baffling ideas. Tune in now and share your thoughts on what you believe the future holds!

+Episode Details

Topics Discussed

  • The Great Flood and its implications
  • The role of government in potential apocalyptic scenarios
  • Predictions from Nostradamus and the Simpsons
  • The concept of multiple apocalypses
  • The absurdity of our understanding of reality

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+Transcript

Rambling 297: Most Likely Apocalypse Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling Podcast. I'm your host, Jack. Cristina: And I'm your host, Cristina. Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And as always, we're going to do that today. Now, last week, we went on a crazy rampage trying to ground. To do our job. To do our job. We're trying to do our job. And so we did that. But I had other plans at the beginning, and we never got to that. So this week, we're definitely going to get to it. Now, the world goes crazy randomly. Time repeats and events repeat. And people think the world is ending all the time. Cristina: Yes. Jack: Recently even did an episode about the apocalypse and which one we thought was. Was more likely. Cristina: Mm. Jack: Because the apocalypse is coming. We're here to tell you the apocalypse is coming. I'm sure that if it repeats, then. Cristina: It'S never coming because we'll always have a period where we're like, the apocalypse is coming. Jack: But what if doesn't come? What if. What if multiple apocalypses happen? Cristina: Wouldn't we have noticed? Jack: Well, no, we. We're alive after it. Let's just think about it. Let's just use the Bible as an example. The Great Flood killed almost everybody. It was one family left that was on the ark. Allegedly. According to the story, they then repopulated Earth. That was the apocalypse. Cristina: Okay. Jack: Now there's evidence of a great flood. And there's a lot of stories to talk about the same moment from different points of view of the ark. Obviously, it's a mythological story that probably holds no real bearing, but that was the apocalypse. Cristina: What about the last one? That was supposed to happen. That didn't happen. Jack: Well, no, there's probably a bunch of. It's gonna happen and doesn't. Cristina: Okay. Jack: And then some actual apocalypses. Like the apocalypse has happened and we're here after the apocalypse happened. Oh, and we're gonna have an apocalypse. We see our apocalypse isn't. There's. There's not the apocalypse. Instead, I believe what we should be saying is an apocalypse. Cristina: Apocalypse. Jack: Yeah. There's an apocalypse coming. Cristina: Okay. But has nothing to do with what anyone's talking about. Jack: Well, that's what. That would be my next point. Right. Maybe somebody's figured it out. Like, there's a lot of random ideas. Somebody's got to figure it out. Right. Cristina: I don't. I guess. Like, you mean like just randomly. Jack: Not randomly. Maybe somebody really like it's everybody piecing whatever they can together in whatever way makes most sense to them. All religions and sciences do all the same thing. Cristina: Because were they talking about it before it happened? And with the flooding, where people like, an apocalypse is coming. It's going to be zombies, it's going to be war. It's going to be. Jack: I do believe. Cristina: And then it ended up being water. Jack: I think. Cristina: I think. Jack: Well, yeah, think about it. They. He was literally telling people according to the story, which means somebody was telling people there were announcements of a flood coming, but some people were believing it and some people weren't. Let's say that the. The. Cristina: But were other people spreading other stor. Stories of like, no, there is an apocalypse coming, but it's not water, it's fire. Jack: What would me. I don't know. Cristina: Whatever. Jack: Why? Cristina: Because that's what's happening now. I'm saying, like, there's not one person saying one thing and then everyone's what, believing it or not believing it? Oh, I'm sure a million things. Jack: No, I'm sure. I'm sure there was a billion different things happening at the same time. Maybe some thought it was the flood coming. Some people thought maybe the. Whatever civilization was over the hill was gonna come and kill them all or pillage them all or. Cristina: Mm. Jack: And that that was gonna be the end. Some people thought, no God is gonna come take us all literally. Cristina: I think people still think that, though. Yeah. Yeah. Jack: But I think that's the case. I think that maybe there were multiple apocalypses. And I think people. There were people that believed many different apocalypses were gonna happen, but only one. Cristina: Is the real one. Jack: Only one is a real one. It's like religion, the apocalypse. I mean, I guess. No, I guess you're the same. I guess it's the same thing. Religion and the apocalypse are the same thing. You can't have a religion without the ap. Cristina: Why? Jack: Because then what would it be? Right? Like. Or not. Let me correct that. That's wrong statement. 00:05:00 Jack: You can't have heaven without the apocalypse because everybody is gonna go get punished and the ending for everybody's coming, and one day there's gonna be nothing. Unless, I guess, no, you can fix that problem. You could say that Earth is indefinite, but everybody will one day die and transition to heaven. That means that Earth can go on indefinitely and that heaven will still exist. So never mind. You. That's also a lie of a statement that I made. Cristina: Okay. Jack: But you kind of. It's like all religions, or most have an apocalypse scenario. The World is ending is part of it. Cristina: But you think one of them have it, right? Jack: One of them might. I'm not saying one of them do. I'm saying one of them might. Cristina: Okay. Because someone might have came up with. Jack: Yeah, there's too many. There's over, what, 8 billion of us trying to figure it out. Everybody has an idea of what's right and what's wrong and how it kind of works. And like, I'm sure enough of us have enough pieces that maybe we've talked collectively. You know, that seven degrees of separation where everybody kind of knows each other indirectly somehow. The one person who needs to know the thing knows the thing, and he has all the parts and he knows it. Cristina: I don't know if he needs to know anything. I think it's just random chance that you'll just know. Say the thing you think that it is and it's right. Like it's just. Jack: But you don't think somebody figured it out? Cristina: I don't. I don't know. It could be just by accident. It could equally be either or. Jack: How if it's hyper specific. That's crazy. Cristina: It could be either or. Jack: Oh, my God. Were you the one who showed me that thing? That, that. That phrase. Not the phrase, the quote of the guy saying that we are. Yeah, it was you. That we are the. Cristina: The monkeys that end up writing Shakespeare. Jack: Yeah. Earth is. We're an infinite number of monkeys that continue to breed and make more monkeys. And we literally already wrote. Cristina: Right. Shakespeare. Jack: We already wrote Shakespeare. Cristina: Yes, that's exactly the apocalypse. It's just. It's just random chance that the one person will have the right answer, but no one's gonna believe them because we're all trying. We're all saying something different and we. Jack: All want to believe our thing. Yes, whatever. You're not special. You couldn't figure it out before me. Cristina: So it's gonna happen. Sure. But I don't know if it's because he really, truly figured out. I mean, he could have, but it doesn't really make a difference. It's just gonna happen. It's. It has to happen that someone is gonna have it right, whether they really thought about it or not. Because time. Jack: No. Well, the apocalypse is gonna happen regardless. But who got it right and how did they get it right? I think. I think if it's really specific, they could get it right. But then there's that argument of, like, absolute random chance and, like, I don't know. But also I think. I think it's purposeful and random. At the same time, if that makes sense. Like, Hamlet was not written by accident. The person who wrote it did it with intent. Now, within the universe, it seems completely random. Cristina: Okay. Jack: But it's our scale. It seems intentional. And that brings up a weird question about reality. You know, size and, like, what looks intentional and what doesn't. Cristina: Mm. Jack: Because I guess if you zoom out far enough. Total random tangent here. But if you zoom out far enough, human behavior might look absolutely random. It's chaotic and I guess. And if you just back up enough, we just randomly kill each other, go into war and around our peace with each other at random moments and just. We're just crazy. But up close it makes sense. Cristina: Yes. Jack: I guess this applies logically to everything. Yeah. Same thing happens with, like, outer space. Right. You. You look at anything, it's like, oh, space is just chaos and random. But you zoom into an atomic level. This atom is responding to that atom simply because it was moving in this direction. And everything reacts that way. There's a. You could predict how it's going to go simply based on understanding it at a granular level. And you think unrelated. That was just an unrelated tangent. Cristina: That's what made me think of. It's not that someone will come up with an answer. Jack: I mean, somebody might. Cristina: That's just gonna be in the Simpsons episode. Jack: Here's the problem. Simpsons do a lot of random crap, so it always looks like they're predicting junk. But I think the problem there is the Simpsons have this. How do you call it? You know, these people who. Not pro. I guess it's a prophet. What is Nostradamus. He's like a fortune teller, right? Cristina: Who? Jack: Nostradamus, the dude who has a book. Who predicted a bunch of crap in the future. Cristina: Oh, yeah. I guess. Jack: And like, oh, my God. So much of it came true. And it comes down to, like, you. Cristina: Know, if you're just. Jack: You've had thousands of predictions, Homie. Cristina: Yeah. Like a few of them eventually 00:10:00 Cristina: will be true. Yeah. Jack: And the Simpsons has how many seasons they've been around for how long? Cristina: How many are wrong versus how many are right? Jack: Yeah. How many episodes go by that you couldn't say they predicted something for before something happens that you say they predicted something for? Cristina: Yes. Jack: You know, and it's like they're cherry picking. Cristina: Yeah. Like, if you saw the actual dicks of all of that. Jack: Yeah. It's such an infinitely small amount of things they got right versus things they got wrong. Cristina: But they still probably will come up with it. Jack: Yeah. And I'm sure That somebody's gonna be like, the Simpsons, you know, they called it, but it's like they've explored every idea there's. Cristina: Exactly. Yeah. They probably explored every different type of apocalypse. Jack: Yeah, a hundred percent. How many different ways has that world ended? And then it happens over here. Oh, my God. The Simpsons predicted it would be a chemical plant. Oh, my God. The Simpsons predicted it would be aliens. It's like, what? Cristina: That doesn't make sense. Jack: That doesn't make sense. That does not make sense at all. Cristina: But that's what's going to happen. I guess they'll figure it out. Or we'll think that they figured it out, even though they didn't figure it out because they're just, like, making stuff. Jack: Up as they go. Pretty much, yes. Okay, so then my question is, how do we predict the apocalypse? And then in knowing how we predict the apocalypse, we can identify who would already know. Cristina: You think someone already knows? Jack: I think somebody must already know. If somebody can know, somebody does know. If somebody can know, somebody does know. We'll go with that assumption. Cristina: And you think we could figure out who knows? Jack: Well, we can figure out. We can try to get as close as possible, but beforehand, we got to figure out. The two assumptions we're going with right now are one, if it can be done, if it can be known, somebody knows. Two, it can be known. So we just have to prove how, though. We have to move forward with those two ideas right now. Cristina: How do you prove how? Jack: Well, we got to figure out how we could. How we're going to predict the future, how we're going to tell which apocalypse. I guess the idea is not when we were having the apocalypse episode, we were having a conversation about what we would do and just kind of theoretically, what's more likely. Right now, we're just going to totally weigh out which one is going to happen or not. We weren't deciding which one was more likely, but rather what were the possibilities. Now, knowing the possibilities will just figure out which one is most likely. Cristina: How. Jack: I think, for example, we can easily exclude robots. Cristina: Why? Jack: Because I don't think we're anywhere. I. We're wrong about what AI is inherently. We're just wrong about what AI is. We're calling it artificial intelligence, but there's no intelligence there. It's googling. And even when it's not googling, Even when it's not googling, it's just sort of reacting off of the information that it was trained on to begin with, which is to use all the information and simply organize it, it's imitating, it's not originating. It's never creating its own thought. There's no intelligence. It's not even learning it really. It's just spitting things out. And imagine keyword searches, okay. And this is answers that, this answers that, this answers that. Let me put those together and give all the important parts from all of it. Which I guess is also kind of like intelligence works to some degree, but because I guess that's what we do. Cristina: But it's not coming up with anything new. Jack: It's not going to come up with anything new. It would never make up its own thing. It would be impossible. It would have to always rely on imitation. And for it to be true, intelligence would need the ability to originate a. Cristina: Thought, which so far, no. Jack: So far, no. I think like the computers taking over, realistically, might not be soon or at least the soonest we. What we'd be discussing right now is which is the soonest, most likely. Cristina: Zombies. No. I don't know. Jack: We get. We've gotten pretty close with some pharmaceutical things, but it doesn't seem, I think definitely viral is up there getting sick. Cristina: Getting in some type of way. Jack: Yes. I don't know if zombies. I think we'd quickly just nuke that city and get that done with. We've got too much media making us paranoid and we're going to be like, now solve that one. Cristina: Okay. We're going to do Resident Evil. Jack: Yeah, probably. We just get rid of it. Cristina: Yeah. Jack: So definitely not that I think viral. Yes. 00:15:00 Jack: No, I think no zombies for sure. Cristina: No aliens for sure. Jack: No aliens. It wouldn't like really, it wouldn't make sense. Why aliens wouldn't need to interact with us for what. Cristina: And if people swear they are, if. Jack: You can try, I mean, they can study us. That makes sense. We're a different creature. But they don't have to speak with us. They don't need to talk with our leader like none of that bullshit. And it does. They don't need to destroy our planet or take over it or anything. Whatever resource exists here exists in abundance everywhere else in space. And the fact that they can clear the distance of space means that their technology is so exaggeratedly overpowered they can make the resource they're missing. So they don't need anything from us. They don't have any reason. Studying us would be the most important thing. And other than that, like, why are. Cristina: They still studying us? How long does selling us take? Jack: Well, there's creep. We evolve, we change. We keep studying animals even after we know them. Okay, science is science. You, you're never fully informed. You're only closer than you were before, and that's as close as you can get. But. So I don't think they're gonna end the world though. If anything, they're helping preserve us from meteors and that could end us. Okay, you know, they're out there. Why has nothing hit us in so long that has just reset the clock? Well, they're out there somewhere, just like keep that planet safe. It's fine. They're just creatures developing. Cristina: That's possible. Okay? Jack: Possible. We never see them because we can't mess with any of that. But they're out there just protecting Earth. Yeah, aliens everywhere. Just. They're not even out there. He's got robots doing it. Cristina: Robots. Jack: They got robots destroying stuff. No aliens, no AI, no zombies. Definite disease. Seems high, but I think. You know what it's gonna be. The possibility to me is that it's gonna be a government created attempt to scare the people that gets out of control. Because they're trying to control the people again. Maybe the people losing control. And the government wants to hold its grip on society because of whatever the h***. Cristina: They're gonna scare us. Jack: Trying to scare us with a real thing they made. Well, only, you know, you gotta crack some eggs to make an omelette. And then that omelette gets out of control. Cristina: But it's the people or the thing that they use to scare the people. Jack: They were using the thing to scare the people, to get the people back under control. Cristina: And then the thing. Jack: Yeah, think Covid. But it goes way rogue. Okay, so the government makes the thing, releases it on the people with an attempt to. Oh, we're gonna put new rules and lockdowns and this and that. We're gonna get our laws back in our side. And then it even goes out of control that the government can't control it. Cristina: And it could be just a thing like. Jack: Yeah, it could just be virus. Yeah. It turns out to be way more contagious than they thought. Okay, that seems likely to me from all of it. Cristina: Is that your final answer though? Jack: Well, that's just one thing. I've discussed. What other apocalypses could happen. I think that's definitely high on this. Until we discuss something that stands out a little more. Cristina: The government is deciding it. Jack: No, they weren't deciding on the apocalypse. The government was simply trying to scare the people with something like Covid. Cristina: Okay. Jack: They happen to turn out way more contagious and starts killing people or mutates really quickly out of Their control. Cristina: But. Jack: I think that's possible. But like, what else is there? That's not them plotting the apocalypse. This is the apocalypse by chance happening because they're stupid. Cristina: Would you think they try to. Like, what would plotting the apocalypse look like for them? Jack: The government tries to plot. Okay, fair enough. This would have to be a scenario in which they have all the resources they need and can live without the peasants, essentially. And so rich people would need to interact with the government. And then that's the. You know, those are all the elites, politicians and rich people, and they somehow work together to set, settle, let's say, you know, get Mars up and running and we'll abandon Earth and all of the people, and they'll have no leadership and they'll kill each other down there. We'll just come back in like two, 300 years after we've killed each other. Reclaim Earth. Cristina: What? Jack: That's the situation which I think the apocalypse is all leadership suddenly leaving with all of the important information and resources. Cristina: I don't know if they can do that, but that sounds crazy. Jack: Yeah, I don't think they can either. I think there's enough of us that we would just keep going, figure it out. Cristina: We can figure it out. Maybe they take the resources somehow, but I don't know what that would mean. Jack: Well, not even the resources. It's more of informational hierarchy. If the president left, and so did the Secretary 00:20:00 Jack: of Defense, and so did the vice president and all the senators and all the mayors and all the congress people and all the judges. Cristina: That's a lot of people. Jack: If they all left, if they all left, everybody with some higher status, all of them, the world, in the world, all in one time, who's gonna take charge? Cristina: I don't know. Jack: Death is gonna happen f****** everywhere. Cristina: Everybody wants it, so people are just gonna be fighting for it. Jack: Who's enforcing the law? Cristina: Mm. Jack: Who's making the law? Who's gonna punish you? Cristina: Yeah. Jack: I think if elites leave chaos. Cristina: Okay, that's. Jack: Oh, right. We never think about it, but easy. So they set up up there. They decide, okay, keep sending resources, survival things. Get it going. So it's independent and we. Literal paradise. We've made away from these people. Cristina: But then they want to come back. Jack: After we've killed ourselves and died out here, then they could easily reclaim Earth without a struggle and have even more resources. An absolute paradise. Plus all the technology and crap that. Cristina: Was left behind, we'd still be here. There'd be still people on the planet. They'd just be more dangerous. Jack: Yeah, I think we'd eventually end up back in order. There'll be a lot of murders at first and it would be chaos and it would just settle again. Cristina: Yeah. Jack: Most of us. Cristina: They wouldn't be able to like communicate with what's left of us or something. Jack: No. They would just immediately get off. We're like. Those guys are aliens. Cristina: Huh? Wouldn't we think they're aliens? We would. Jack: They come from outer space. We don't know. We've never seen them. Those are people who live on Mars. They're Martians. They're claiming they're human, but they're Martians. They came from Mars. Cristina: That's crazy. No, no, no. Jack: It wouldn't cause an apocalypse that feels like the ending. It would look crazy. It would be a nuts period in time. The Earth just kind of quickly went into absolute chaos. But I don't think it would be apocalyptic. I don't think it would end. I think many most people would still be alive. Cristina: But you think if there is an apocalypse, the government are the people that would know that it was coming? Jack: I think only if they are responsible for it. Cristina: Oh. Jack: Which would be the same as a nuclear apocalypse. That's government's fully aware. So viral. It was probably the government trying to take control. That was what that was. Covet was. Cristina: Okay. Jack: That's covert. Was. It's American government facilities testing on viruses in China. Cristina: Were they trying to attack. They weren't trying to attack China or anything. Jack: What the h*** they were doing or why this. These people were always saying are the enemy. We're always working with. Cristina: If you're working with them. And they. Yes, we do swear they are the enemy. Jack: People are idiots. They'll believe whatever they're told. Those people are bad. Oh. But winning trades. Cristina: Something's not right. Jack: Something's not right. Yeah. No. They're always good. They're always bad. Cristina: They're always bad. Jack: Oh yeah. So definitely like nuclear apocalypse or viral outbreaks seem high for them knowing. Cristina: But nuclear. Who would even. Jack: And that's a total destruction situation. Cristina: Yeah. No one really wants that. Jack: But if it happened the governments would know. Cristina: Mmm. I guess. Yeah. Jack: You know, because everybody would start firing at everybody. The country that knows it's going down is gonna launch in every direction it had aimed. Because f*** you guys that knew and didn't stop them. And then every one of those countries are gonna do the same thing. It's a chain reaction. Cristina: I think everyone's just gonna. Jack: Everybody. I think if a single nuke goes out, all the nukes go out. Cristina: No, I Hope not. Jack: That's why they're called deterrence. Nuclear deterrent. You're not going to use it because they're going to use it too. Cristina: But once someone does, that's it. That's really it. Jack: A single one. Everybody uses it. That's the problem. That's actually the premise of Fallout, I believe. Cristina: Does someone used it? Jack: Someone use it? I think the world is affected, not just the United States. Cristina: I wish we knew more. Jack: Yeah, but that. Those are my. The government knows scenarios. Cristina: I think the government knows. Jack: So you think it's one of those two? No. There's an apocalypse. Could be other things. Maybe religious people are right. Maybe it's gonna be a religious apocalypse. Cristina: That one's a tough one because it's always like. I don't know. To them the world is always worse or it's getting worse. It's just bad people are immoral. They're monsters. It's like, are they. 00:25:00 Cristina: Has things changed? Is there more horrible people than there were? Jack: Well, no, but let's assume that the ending of the story is right. Even if it getting worse isn't. Then there's still an apocalypse. But then which religion. Which religion is right? Jesus is gonna come back. Everybody. Cristina: Because we're American. He is coming back. Jack: Everybody. Everybody. Over and most apocalypses have that happen. Some kind of a war. Most narratives are some kind of. Cristina: We're not even part of the war. Jack: At least not in the Bible. Cristina: I don't think so. Jack: I think. Cristina: You think there is a story. Jack: I think it's either Norse mythology or Greek mythology. The narrative is that one side uses the souls of the dead to fill their army out or some crap like that. I don't know if it's either one of those two. I know some religions. Cristina: What about the humans? The humans are used or. No. Are they just in the middle of it? Jack: The humans who are alive? Cristina: Yeah. Jack: No. Everybody would die. Cristina: Everyone would die. And then our souls are part of the fight. Jack: Yeah. This. The. Basically the. Whether you've died or not, once the apocalypse begins, eventually you're just going to die. Cristina: Okay. Jack: Because plot. And then you're going to be. You're going to join one side or the other, whatever. Cristina: I don't know. That doesn't make sense to me either because. What about all the people who don't want to choose a side? Jack: No. You force them to a side. It doesn't matter which. Yeah. I don't know why it makes sense as a story, but let's say that's right, then. Okay. Cristina: I don't know, it's just hard to imagine that, like, we're all told there's evil and good and you gotta fight for one and everyone's gonna really be. Jack: Easily choose, like, well, no, you're not choosing me. You know, there's good and evil. You're not told which one is which. Both are telling you, I'm good, I'm good there. Cristina: You like, why even fight then? Jack: No, because one of them is lying. Cristina: That's. Jack: And it's up to you to decide. Cristina: Why would you trust yourself in that type of decision? Jack: Because there is no option. There's a f****** war. Cristina: There is. And you're already dead. Why does it matter? Jack: You're gonna cease to exist. I guess would be dying after you've died is ceasing to exist. Cristina: But how do you know that's right? Jack: You don't. I don't know. These things that are already there are telling you it's right. Cristina: I know, it's just hard to believe after you die, like, whatever anyone says, it's hard to believe what they're saying. No, unless you believe everything everyone says. It's either everyone's lying so I can't do anything, or everyone's telling the truth now. Jack: I don't know what to do. You're thinking about this wrong way. Look at it like this. If you are a Christian and you die, and when you die, you are in this sort of blank slate place and you walk infinitely in what looks like nothing and eventually you come up to a white gate with a golden fence. Wait, no, if. Golden fence, A white fence with a golden gate. There you go, a white fence with a golden gate and a dude who's gonna. Who tells you to stand in front of him and he's gonna talk to you before he lets you in. You can for sure question, but you kind of know that. D*** the Christians got it based on all the clues. You know, you don't have to be like in. I guess everything else they said after this point is wrong. After the initial point you're kind of like, well, they got this part right. I might as well just follow the narrative now. Cristina: Well then what if you get in there and then it ends up being heaven, h*** or whatever? Jack: It could totally be the case. Then some of the parts of the story were messed up and as you got, but you got to follow it. But you're not gonna see the white pearly gate and question it and be like, well, I guess this could be fake. Like, no, you died and now you're here. Be like, oh, I get. What else can you do? I guess you're in the new plane and you have nothing else to go off of. You're not just deciding, well, after this point, they must be wrong. Okay, they got, they got it this right, but that's it. Like, based on what? So you just kind of roll with it. I don't think after the first confirmations you're just gonna turn on it, you know, so you die and you get to the war zone or whatever, and they're like, you gotta pick a side. You're not gonna be like, I can't trust which side resonates with you. You're gonna go with that. Okay, well, it kind of looks like this. And based on that text, it was kind of like, this side's a good guy, so I'll go there. And if you're wrong, you're wrong. The end. Cristina: Is there even a right and wrong? Jack: The Bible thinks there is. Cristina: Okay. Jack: You know, religions think there are. Islam thinks there is. 00:30:00 Jack: The Quran says, oh, there's good and evil. Okay, Jews don't think there is. Cristina: They don't? Jack: No, no. If you're going for Orthodox and traditional Judaism, there are many things that are absolutely different. Heaven isn't a thing that was added later. It's not real. Cristina: How much later? Jack: Quite, quite a while. There was no heaven or h*** for an infinity. Judaism did not have that concept. That was added much later. There's so many texts, so many texts. Cristina: With Jesus around the time. Jack: It wasn't added with Jesus, it was added prior to Jesus. I think the first mentions in the older texts start at the end of the Torah. But if said that at the end of the Torah or it came with Jesus. I know that most of the Torah does not have a single mention. And they were. The first parts were written in that order, so there's no existence of h***. It was just later it showed up somewhere. Cristina: So you just die. Jack: You just die and kind of join, become one. Actually, as a rabbi once explained it to me, we don't know. We don't know. We don't know what happens. We're not divine. And that's legit. Fair, bro. Any Christian that's like, no, this happens. It's no, no, no. You couldn't know. Cristina: You couldn't know. Jack: You couldn't know. You're not divine. You're not here and there. You don't know you're gonna be there. When you're there, you're just there. You're not over here. Cristina: It's too complicated to imagine that the Apocalypse is gonna be just one of the Bible endings. Not Bible, but religious endings is right. Jack: Why? Cristina: Because there's too many. There's too many. Jack: Well, that's even more proof that one of them would get it right, I guess. Cristina: But it's not like they knew. It feels too random. Or maybe. Jack: Depends how much of it they got right. If it's like a single detail and the rest of it is wrong. Cristina: But. Jack: All right, we'll give it to you. Cristina: Because then. Jack: Yeah, okay, that's random chance. But it's like, if you got every beat okay, like, then how do you figure it out, bro? There's no way you could have predicted that a tree in this forest is gonna fall. Then an explosion is gonna happen across the world at exactly this second. Cristina: Some horns are gonna sound. Jack: Yeah. From the whole sky, everywhere, all the time. Exactly at this date is gonna sound. And everybody's gonna hear all at once. Like, how'd you predict all of this? That guy knew something. Cristina: Okay. Jack: Versus, like, during a storm, we're gonna. The world is gonna burst and bust into flame. And it's like, what if a weird volcanic eruption happened and it created a storm? Cristina: Because of all the block, Then obviously he was right. Jack: Like, yeah, that's chance. We could, like, give it to you because you got it. But like, random chance said that a volcanic eruption of a super volcano threw enough debris into the air and created an entire electrical storm. And then I think another super fire. Cristina: Volcano can explode and, like, kill us all. Jack: Absolutely. Absolutely. That could totally happen. Cristina: Could that just be the end? Jack: Yeah. I wonder how long after a super volcano would we all be dead? That would be an apocalypse. But like, what speed of an apocalypse would it be? Cristina: The perfect amount of speed. I don't know. Jack: Perfect amount of speed that maybe that's. Cristina: What'S happening on the road. I don't know. Jack: It could. It could. We have no idea. What the h***. Cristina: No idea. Jack: The ash everywhere and the blocked sky. Cristina: Yeah, we gotta see how long that does take. Jack: Super volcano. Cristina: Super volcano. Jack: Interesting. So now, I never thought about that. I always thought, like, nuclear warfare, but. Cristina: In Japan must sink or Japan sinks or whatever it was called. There was a volcano that exploded, but it didn't destroy the world. Jack: It wasn't a super volcano. Cristina: It wasn't a super volcano. It was a pretty big. It felt like it was super Mount Fuji. Jack: It was a volcano that's not super. That's not super. Cristina: What qualifies a volcano to be super? Jack: I think super volcanoes are so large, they don't look like volcanoes to Us. Cristina: They're so large they don't look like volcanoes. Jack: Yeah. I could be wrong in just saying s*** like if anybody who doesn't agree with this, comment below. That doesn't even make sense. But yes, wherever you'd go, comment, comment there and let us know. Cristina: In Spotify you could comment below or at least on your phone. I'm pretty sure you can. I don't know if. Jack: Oh I guess if you listen on Spotify, comment below on your phone, just comment. I forget we're on Spotify. Yeah, interesting. Okay. Okay. Super volcano breakdown of series of events. Right. Initial 00:35:00 Jack: weeks is from the day of eruption to three weeks. So eruption blast is going to kill thousands of people instantly and ashfall is going to suffocate the nearby populations. That's instant death. Instant death. Cristina: Instant as in like it's immediate. Jack: The people close to the blast. Yeah, this is just within the first three weeks. This is all happening. Cristina: Okay. Jack: All of these people are f*****. Then transport and flights completely are grounded. There's no planes going up. You can't see there's a lot of magnetism going on. There's a lot of chemicals in the sky. Food shortages are going to immediately start kicking in because of the inability to transport things in planes quickly. Oh and health care is going to get over overwhelmed right off the bat. Cristina: Okay. And that's all of, that's the first few weeks. Jack: All of that is the first three weeks. Cristina: Okay. Jack: So absolute chaos in the first three weeks. This is super volcano apocalypse now. Crop failures are going to follow in the first, first to three months from ash spread. Drinking water contamination is going to be widespread. Global supply chain disruptions are going to ridiculous. Starvation is going to begin in the poorest areas and the death toll is going to reach millions globally in the first three months. Cristina: The first three months. Oh my gosh. Jack: Then from three to six months we're going to have temperature drops and it's going to cause the crop to fail entirely. Food hoarding and riots are going to start to increase as people start to get hungry and desperate to in random locations. Respiratory illness is going to spread in an uncontrollable rate as the exposure to the ash is going to be absurd. Cristina: Wonder how much people are left at this point. Jack: Migration from affected areas is going to begin and the death toll is going to be in the hundreds of millions. Cristina: Okay. Jack: From three to six months. Six months to a year. Nuclear winter is going to cause mass starvation and infrastructure breakdown in all regions. We're going to have disease spread due to poor sanitization sanitization, sanitation and governments collapse in many regions around the world. And we're going to start reaching the billions at this point, in the first year to two years, the persistent cold is going to kill surviving crops. Cannibalism is going to begin around this place. Population drops to survivalists almost exclusively. Global communication ends completely. And the death toll is going to be roughly over 90% of humanity in the first two years. Cristina: The first two years we're done. Jack: The first two years is 90% of humanity. Year three to five, Ash begins to settle. Worldwide, small agricultural zones reappear. Few communities rebuild infrastructure. Survivors adapt to the new ecosyste. Some and remaining humans, millions, the entire Earth collectively, only millions would remain would start to rebuild. So we would have the new. So that would be an apocalypse. Yeah, I think that's the post apocalypse. So we don't need everybody to cease. What we were seeing during the flood was the most crazy of events. It was so exaggerated. Cristina: Wait, you're talking about the Bible flood? Jack: The flood, yes, that Bible flood. If that was real, it's so exaggerated that only one family. The real idea would be you didn't know everybody on Earth. You thought everybody around you was all that existed. And maybe around the Earth after that flood happened, many people just like you survived. And those people repopulated. And that explains the giant differences between cultures. Cristina: You think they thought I don't understand so but like once they got off the boat, they would have noticed if there was other people? No. Jack: Why? Everybody's dead. Cristina: But there are people out. Jack: There are people out there. So it's Earth. Cristina: But when they're breeding with their children or their children are breeding with themselves, like they never realize or look around, I guess it's just them. Until eventually I'll paint this picture for you. Jack: Noah makes the ark. Noah gets on the ark. There's many people around Noah. There are also already natives in the Americas and in South America and people way over in Asia and in the depths of Africa. Migration has happened long. 00:40:00 Jack: It's been hundreds of thousands of years. Migration. We're everywhere. And then the flood happens. Now he doesn't know that people are this far spread out. Since the last ice age, the ground connecting where they migrated over doesn't exist anymore. It was ice. They walked over ice. It melted away. Now you don't even. It's been so many generations since that happened. You have no perspective. But you're here. Flood happens, everybody around you dies. All of them. You never see somebody again who wasn't in your family. You think Earth drowned and you wrote history. You're the last people surviving who know how to write and tell stories. Cristina: How many generations did it take before it was not just his family breeding with itself? Jack: Well, it would have to repopulate the entire general area. Everybody was his family, no matter what. It's. Until we start going into, like, they met Asians or they met South Africans, or they crossed and met people in. In South America or in North America. Cristina: Very strange. Jack: But everybody else is related to them to something. So. Cristina: Yeah. Jack: At least to the top guy. Cristina: Yes. Which I guess, in the end of the day, doesn't that mean, like, if you believe in the Bible, you also believe you're part of Noah's family? Yes. Jack: It would have to be. You're part of his lineage. Cristina: Yeah, yeah. It's Noah and it's. Jack: Yeah, we literally have us. The way I like to think about it is as follows. Adam and Eve. They create all of humanity that goes completely out of control. Then the destruction of everybody but the family. That will be the new Adam and Eve, pretty much. And then they again do that. They are 2.0. That's also why they are considered to be the important. Cristina: Except also Eve died. I. I guess you got to get rid of Eve no matter what. Eve does not exist, because isn't she the one? Oh, no. I'm thinking of the different story crap. All these Bible stories are ridiculous. I was thinking of the lady who looks back at the city and then she dies. That's not a. That's a different apocalypse, Right? Jack: That's not apocalypse. This is a city. Cristina: Oh, that's just the city. Jack: This is the world, allegedly. Cristina: Okay. Jack: People who believe in the Christian Bible and in the Torah believe they are descendants of Noah. Cristina: Okay. Jack: Everybody is a descendant of Noah. Cristina: Okay, that makes sense, I guess. Jack: Yeah. Cristina: In this weird way. All right. Jack: But that still means we're descendant of Adam. Because you can follow a line between Adam and Noah. Noah is some descendant of Adam. Everybody is. But really, everybody is also a descendant of Noah. Cristina: Okay. Jack: It's not that everybody's a descendant of Adam, but not a descendant of both Cain and Abel. You're either one or the other. You get my point. No, it doesn't work that way. Everybody's a descendant of Noah. Now, if Noah had five children, everybody's a descendant of one of those five children. Nobody's the descendant of both. Cristina: Okay. Jack: Or all five. I guess there's five. Cristina: Unless they made it with each other. Then you were. Jack: Unless they made it with each other. Yeah. Cristina: At least two of them. Jack: Yes, exactly, exactly, exactly. You would be a descendant of at least two. Yeah, but that would still mean descendant of. We're all descendants of Noah, according to this narrative. Cristina: Okay, that's very strange narrative. Okay. Jack: Now it rained for 40 days and 40 nights. That caused the Earth to flood. Cristina: I guess. Jack: So it must have been some crazy rain. Cristina: Yes. Jack: And was there no water on Earth before then? Where'd the water go? Cristina: Where did it go? Jack: It went to the center. Not the center, but it sank into the Earth. The Earth absorbed the water because then. Cristina: Where did it come from? Jack: Interesting. Let's assume the story is true. The story is true. Okay. What are we really talking about right now? We are talking about some sort of meteor fall that as it was entering the atmosphere, the fire was burning it down, the water and it just kept evaporating in our atmosphere, filling it out. There had to be some crazy. But they were all small rocks of H2O just burning in our atmosphere, filling it up with water, water, water. And Dennis just starts. There must have been a crazy colossal meteor that just missed us. That was really gonna end the job. Cristina: But like an ice ball. Jack: Yeah, Giant ice ball coming through and, you know, a bunch of surrounding smaller balls, but it passed really, really, really, really close. Maybe Earth didn't have a bunch of water yet, but really, really close. Or maybe Earth had right amount of water. Maybe we consider the ocean isn't directly connected to the center. 00:45:00 Jack: Maybe that's just a pool that has no exit and all the water is stuck there. But maybe there's holes here and there where water can go down. So when it rained for 40 days and 40 nights, the drain after the flood was quick because everywhere else the water would dissipate through. It could get down into the surface. But where the oceans are, there's no escape. So a giant meteor is coming through. It's. It's an ice rock, an asteroid coming through. And it has a bunch of small. Many, many. It must be huge. It must be some moon sized rock that just barely missed us. And then we're getting bombarded by the smaller ones that are burning up in the atmosphere. Cristina: No one notices that. Jack: I don't know. And how would he have known? That's the other problem. If we assume this is true, how would he have known? The billabo? How could you just know there's a giant rock from space? It couldn't be that. He had to be like a meteorologist or something. Cristina: Okay. Jack: And be predicting the movements of the clouds. I don't know. I don't know how do you flood the Earth? Cristina: That's kind of crazy. Jack: How do we scientifically ground this in a way that makes sense? How'd you flood the Earth? It couldn't have been. It had to be just this area. Cristina: It had to. That would make the most sense. That makes the most sense. Jack: Like everybody's ever been around is flooded. Cristina: Yeah, that's it. Like if he was in that weird Greek town that was flooded. Was it Greek Indian town? Oh, that was on the water and it just disappeared. Because they flooded it themselves. Jack: Yeah, but they knew that other people existed and they were. It's not. That's a small area. They could have easily traveled on foot somewhere else. You have to be such a. It still had to be a pretty epic flood. Or. These are people who never traveled anywhere. And it was. I mean, I guess maybe it was really hard to travel. Cristina: Yeah. Jack: A time where? In an area that was underdeveloped. Cristina: And are they on an island? Jack: No, but just assume we're. They're in an area that's underdeveloped and they are in. It's desert. Underdeveloped desert. And there isn't a lot of other places to go to. You guys are some of the first people. It's only been a couple of generations, right? Man. How many generations has it been between. Cristina: Between him and Adam? Jack: Between him and Adam. Yeah. How many people exist at the time of Noah? Cristina: Look that up. Jack: Okay, okay, okay, I got some answers here. In the entire planet at the time of Noah, there was roughly about 10 million people in all of Earth. Cristina: Okay, Right. That's still a nice amount of people. Jack: Yes. Now in the area directly surrounding Noah, like his general region, there was about a million of those people. That was one of the starting points of all people. Cristina: Okay. Jack: And like that and Africa probably had the two largest populations. Cristina: Okay, I thought you were saying like a hundred people. Jack: No, no. In that region. But it's important to keep perspective. Noah existed in a time and place that. I was right. Travel was nearly impossible to any faraway community. They didn't know other communities existed. And there was no worldview. Cristina: Okay. Jack: In the time of Noah. They did not. Cristina: That was their world. Jack: That was their world. They didn't consider that there were other people farther out. That wasn't a thought. All that existed is everybody you've seen. If you saw somebody that you've never met before, they claim they were from a far off place. Now suddenly that place exists in your world. And that often didn't happen. Most people thought them and their closest communities were all that ever existed, which. Cristina: Is a big size community. Jack: But okay, so relatively speaking, he would have thought so in his direct surrounding area, about 500,000 to a million people. Right. But his perspective based on who he might have ever seen and who he has seen has ever seen, he would have thought that There were about 10,000 people in all of Earth. Cristina: 10,000 people. Jack: 10,000 people in all of Earth. Additionally, his region could have easily flooded in its entirety and killed everybody if it, if a flood happened. Let me correct. I couldn't easily have flooded. If a flood did happen there, it could have easily flooded the entire region and killed everybody. So yes, he could have honestly believed, but everybody died. Cristina: A million people or the 10,000. Jack: He thought 10,000 in his region that we would. Where we would point at it on a map. There were about a million people. He was so far from most of those people, he probably didn't know they existed. Cristina: Okay. Jack: In his small within the dot, we would point out from million people. 00:50:00 Jack: Those people are so spread out between each other that it wasn't beneficial just. Cristina: Losing a million people. I mean, a thousand, ten thousand people. He probably would be like losing the world. Jack: The world ended. If 10,000 people died, he thought everybody was gone. Cristina: Okay. Jack: If his area flooded and 10,000 people died, he's like, there's nobody left around me. By the time the flood is gone, he never saw another person ever again. Cristina: All right, so then we're not all connected to him. I mean, maybe they want to believe. Jack: No, that's the Christian Bible. Cristina: Yeah. Jack: Okay, but definitely his belief could be justified. And most of the world never even realized that happened. Cristina: Yeah, it's just a flood. Jack: It's just a flood. That was fair enough. Kind of large, but just in his spot. Cristina: But in the real, in like right now, could a flood like that happen? Well, in that could not have happened because that didn't happen. But like, could the world get flooded? And how Earth? Jack: Yes, it would have to be like I said, it would have to be like a giant ridiculous rock coming through that's all ice and bringing mad small ice rocks. Maybe it made impact long before it got anywhere near us and broke into a billion trillion tiny little pieces. So small. Cristina: It's gonna be a lot of water coming from somewhere else. Jack: Yeah, they're all just ice so that the moment they hit our atmosphere, they start just melt away. They just melt away quickly, all of them. But one does it fine. It just turned into a little cloud and you know, but then another and then another, and then another and then another. And it Keeps happening. It keeps happening and keeps happening. It keeps happening. It keeps happening. Cristina: How huge could asteroids get? Can they get planet size, moon size? Jack: Yeah, yeah. This won't be that. And also something like that would be making impact of crap left and right is huge. Gravity. It would be aiming at other crap. By default we have too much gravity. And plus whatever gravity of the thing it would just have made impact eventually become small anyways. That's why they're usually certain sizes. Cristina: Okay. Jack: And. And we literally just call things that are those sizes rogue planets. Cristina: You know, rogue ice planet hits us. Jack: Yeah. It would have to be a rogue ice planet because we wouldn't call it a meteor or an asteroid. Cristina: Okay. Jack: It just know you've crossed the threshold now you're even rarer. But yeah. We can expect big enough sizes and then get bombarded regularly until it starts to become too packed and starts to rain little by little versus a couple of days of rain without stop. And the rain always, always, always is heavier than a minute ago. Indefinitely more. Cristina: But what are we dying? Jack: Would. I mean a lot of people would if it caught us off guard. Well no, the problem is with our current day technology wouldn't happen. Cristina: Both. And we'll just be both people. Jack: We'll be both people. Cristina: But could we survive off of just fishing? I guess would be the way because there's no plants us like you get seaweed I guess. I don't know. Like obviously the food. There will be a huge problem in the future. Jack: If we jump a thousand years in the future and we say that the planet is always flooded. We've adapted and we figured it out in the apocalypse scenario because you can think in the future. A thousand years in the future plants adapted and became the water plant survived. Cristina: Yeah. Jack: And plants that could be drowned and handle it have adopt adapted and we've figured out ways to get them. And we've grown plants on the sides of buildings and on top of buildings that are floating and crap. And still if a big enough flood we've made skyscrapers those are going to be packed with people. Cristina: Yeah. So you'll think it won't really be the end of the world. It'll be the end of whatever we had. Life as we know it's like yeah, it's going to be a whole different type of life. Jack: And I still. Yeah. I think if we. If it's coming, we know because we have the technology to prepare and see it coming from a million miles away and turn society into all. Cristina: You can't just flood in a day like you Just can't. Like no automatic. Everything's flooded. Jack: No. Cristina: That kind of thing. Yeah. Okay. There's no chance. But like, how could that even. Jack: I mean, we could change the scenario a little and say we see nothing in space and then tomorrow it's the moon's distance from us. Do we have the time to start building the boats? We won't. It's gonna flood. But now how bad is the flood gonna be if it's. It's still not gonna happen overnight. No, it's gonna build up slowly. Cristina: So you can still plan. Jack: Yeah, we won't. People are gonna die. We don't have the facilities. Cristina: Yes. Jack: For this. Cristina: People will die. But it's not never gonna be as high as other scenarios. Jack: No. 1 we're throwing. Most people are throwing everything out of skyscrapers. Leave the bottom. Everybody get the f*** away from the building. We're emptying every floor from bottom the top and stocking all the skyscrapers with all the food, all the food we could find, all the skyscrapers. Scientists 00:55:00 Jack: are going to give us an average based on how much rain they think for how long. And hopefully they're right. And it doesn't go beyond that point. And we're going to go. Starting at the top and we're just going to the. When the rain begins, as the flooding begins, we will start to inhabit these buildings more and more and keep going up, keep going up, keep going up, keep going up, keep going up until we can't go up anymore. Not everybody's gonna fit. Cristina: No. Jack: Billions are gonna fit. Cristina: People find other things. Jack: Boats for days. Cristina: Raptors, Rafters. Raft. Yeah, raft. Boats. Jack: Oh, rafts, things. Cristina: Little boats. Jack: Yeah, yeah. Just boats and crap canoes. Everywhere would be fine. A bunch of people be fine. Cristina: The. Jack: Other problem is, is this gonna be just flooding or is this gonna be storming? If it's gonna be storming, people are on boats. They, the skyscrapers. Cristina: I was thinking of flooding, but like it could be storming. I don't know. I don't know. Jack: No, it's f*****. Especially if trees get swallowed up. Cristina: Yes. Jack: If trees are underwater, you're f*****. Trees stop floods. They slow down waves and movement. If you have a giant forest by the ocean before your city, the trees slow down any kind of impactful water from gaining momentum. But if it goes over the trees and a wave can just roll over it, then what? Cristina: But would like the world becomes flooded because of this asteroid? Are there also more storms because things are different? Jack: Yes, yes, yes, yes, yes. Cristina: Like, is that a product of what's going on yes. Jack: The humidity level is going to rise ridiculously. It's going to make everything way f****** hotter. The sun is going to directly be hitting water all the time, creating vapor consistently. That's going to rise and create an infinite cycle of rain. After the ice finishes landing on Earth, the amount of rain that has established is going to cycle through indefinitely. If it floods over trees, that's crazy amount of flooding. And it's just going to cycle indefinitely. So it's going to be so much humidity with the sun always hitting and there's going to be moisture in the air always. And there's going to be vapor in the air always. And clouds are going to be be packed and dense always because the sun is always hitting. And it's just going to be an infinite cycle of rain and rain and rain and rain. Cristina: Okay? Jack: It won't unflood. It will never unflood beyond a certain amount of water. Cristina: Okay? Jack: I'll never unflood unless I'm right. And the earth has gaps underneath in which the wash the water will just go. And what we see as oceans isn't because there's more water beneath them, but rather because that's. That's an area that water can't escape from. If that's the case and everywhere else, water will eventually sink through the ground through, okay. And it might be a really long time before we have what we consider dry. But if that's the case, people in skyscrapers will be fine if they have the resources. People on the boats will probably die because of the storming and crap until the water sinks in. Cristina: What if they're on big, those big, big, big boats? The big. Jack: It depends, right? Because the big. The bigger the boat, the safer by default. It depends on the type of wave too. Really really small boats on really really big waves do fine because it'll unnotably just the wave is so big it doesn't affect the small boat. It would go under it. If you have a really big boat and a really big wave, you're f*****. Cristina: Oh. Jack: If you have a really big boat and many small waves, you're fine. If you have a small boat and many small waves, you're okay. Cristina: If you have a submarine, you're good. Jack: Depends how high the water went. You just need to be below where the waves would affect you. Cristina: So can you like what would not work out? For a summary, if the world is flooded, like what? Jack: No, they could just submarines already in the ocean world floods again. Good. You're fine. Anybody on the submarine is fine. They don't Even notice. Cristina: Okay, they're fine. Jack: Water over them, it's just take longer to get up. There's more pressure. You got to go higher up now. I guess so, because the water level's rising everywhere. Cristina: Well, hopefully they can figure that out. Jack: But I guess flooding could happen. I don't know if it's the most likely or even probably not. Cristina: Probably not at all. Jack: But what else could happen? What other apocalypse could there be? The volcano is pretty badass one. I think that's possibility. But we don't know. That's random chance. And they we would start rebuilding after five years. Cristina: I don't know. Probably that government making something that accidentally. Jack: Leaks out a virus, right? That feels so right. They're gonna be like, no, we're just gonna do a little of it to scare them. Cristina: It 01:00:00 Cristina: happening once makes it feel like, okay, it could happen again. It happened once, man. I made it even the first time. Jack: Dude. I'm sure many of these other diseases and things that have rolled by in the past were the same thing. Cristina: Exactly. People already question a lot of other things of like, was this the government's cancer is probably. Yes, yes. Jack: So probably right. Cristina: So yeah, maybe that's most likely. Jack: It's the government's full of s***, bro. So, yeah, I really, really. I think so too. I specifically think some kind of a viral outbreak, something similar to Covid that we just. That really goes rogue to control. It's. Oh yeah, it's Covid 2.0. We're gonna throw it out there and. Cristina: You know, we got pretty sure there was a cop two and three. Jack: Yeah, whatever. Some Covid chapter two. And they're gonna have like a vaccine or something. They'll be like, no, we. We built vaccine before we threw it out there, so we're good. And then it mutates one step too far and it's like, crap, we don't have a vaccine for where it went. Cristina: So dumb. Jack: And then it's like, oh crap. And anybody who catches it has liver failure by the next day. And it's like, d***, everybody's dying everywhere. It's like, d***, bro. Cristina: Yeah, that's exactly what's go happen. Jack: Yeah, that's what's going to happen. Some crap like that. Cristina: But then. So at the end of the day, the government knows. Jack: I guess it would have to be an apocalypse that was caused by the government. And they know. But afterwards they wouldn't tell us. In the moment, they'll never admit to it. Cristina: Okay. Jack: Because we would revolt. Didn't want that. The whole point was to try to take control. They're going to make us revolt further. They're not going to tell us. Cristina: Okay. Jack: So that's definitely. I do agree. I do it. I think that's the most possible. I don't know what the point of this conversation was. Why were we trying to figure out what was the most likely? Cristina: I thought that was your topic of the day. Jack: No, no, we never got to that. I guess we'll have to do that next time. Cristina: What? You said this was it. Jack: I know, but we had to figure out how the world is going to end. And apparently it's going to be a viral outbreak that the government is going. Cristina: To cause by accident. Ish. Jack: Yeah. Cristina: Semi is not really. I don't know. Like, it's not intentional, but they definitely let it happen. Jack: Yeah, I mean, it's like it's. It's basically the argument for 9 11. Right. What that is like, you think they did it? I mean, if they didn't do it, they knew it was gonna happen and they, like, they didn't stop it. Cristina: Okay, yeah, something like that. Jack: You know, it's the argument for 9 11. I mean, I won't say they did it. Cristina: Yeah. Jack: But like. Like they knew they had intel and they could have easily. And they were like, it'll be in our benefit if we let it happen. Cristina: Yeah. Jack: As it goes. Cristina: That's. Yeah, that's it. Jack: I guess just a moment of it'll. Yeah, sure. It'll be in our benefit if it gets out. We'll easily contain it. The scare will be in our benefit now they're scared because most of them died. And they're like, we don't know what to do. Cristina: But that's. That's the thing. That's what happened with COVID I guess, in a way too. Jack: A bunch of them. That's. Cristina: That's it. Jack: So I guess. Cristina: I guess next week we'll find out. Jack: Yeah, next week we'll find out. But at least this week we know that the apocalypse is definitely gonna happen. Cristina: And Noah was exaggerating. Noah's was. Noah's story was exaggerated. Jack: Exaggerated. It does not. It doesn't fit, man. It's crazy. It's impossible. But, yeah, whatever. Anyways, so the next time we'll. We'll definitely get to that stuff and you guys can tell us what. What apocalypse you guys think is going to be the most likely. Just sit down. Cristina: Think about. You think actually knows it, because that was part of it too. Yeah. Jack: If the government isn't the knowing party and somebody. Oh, it was because we were trying to find out if Nostradamus was a predictive genius or something. Not really. But like, if somebody were to to by chance know for a fact, yes, Apocalypse is coming, what would be the most likely scenario? And it would definitely be the government having accidentally made it themselves. Cristina: Yeah. So if you have a different answer to this question, let us know. Jack: Yes. Contact us. Send us a message at. Just convopod on X, on Facebook, on Tick tock, on Instagram, wherever you want. Cristina: Remember to subscribe, rate and review the show. Jack: Yes. And word of mouth is the most overpowered thing in the world. If you know somebody who has even better answers, tell them to listen to it and get ideas and then tell us. Cristina: Yes. This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. S.A. 01:05:00 Cristina: good morning. Good morning whoever dub attempt. The podcast is hosted by Cristina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black. 01:05:29

Rambling 296: Godzilla: The True Story

In the latest episode of our podcast, we dive deep into the world of Godzilla and the myriad of conspiracy theories that surround him. The conversation begins with a playful exploration of how people might react if a creature like Godzilla were to emerge in reality. Would conspiracy theorists claim it was a hidden truth all along? Would the government be implicated in its creation or containment? Jack and Cristina's banter is both humorous and thought-provoking as they dissect the origins of Godzilla. They ponder whether the creature could be a result of nuclear testing or a prehistoric beast awakened by human interference. The discussion takes an intriguing turn as they connect Godzilla's lore to real-world events, particularly the atomic bombings of Hiroshima and Nagasaki. The duo raises compelling questions about the government's role in these narratives. Why would they hide such a creature? Are they preparing us for something far more sinister? The episode touches on themes of fear and control, suggesting that perhaps the government uses these stories to desensitize the public to real threats. Listeners will appreciate the seamless blend of pop culture references, scientific speculation, and cultural commentary. The conversation is not just about Godzilla; it serves as a lens through which we can examine our relationship with fear, authority, and the unknown. As the episode unfolds, Jack and Cristina challenge each other to think critically about the implications of releasing such a creature into the world. They explore the idea that Godzilla could be a metaphor for humanity's own destructive tendencies and the lengths governments might go to in order to maintain control. This episode is a must-listen for anyone intrigued by the intersection of mythology, science fiction, and reality. Join us as we unpack these absurd yet captivating ideas and consider the possibility that Godzilla might just be more than a fictional monster. Tune in now and prepare to have your mind blown!

+Episode Details

  • How did it get so big?
  • Are its powers scientific?
  • Was it created or discovered?
  • Is it in the wild or kept under control?
  • Are there others?
  • How do we know about it?

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+Transcript

Rambling 296: Godzilla: The True Story Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling Podcast. I'm your host, Jack. Cristina: And I'm your host, Cristina. Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And today, I thought it would be really cool if we looked at something that happened recently and unpacked how the world has reacted in response to these things that have occurred to Godzilla. Godzilla. I mean, I guess I wonder how people would react to Godzilla. I know there would be people who would be like, wow, it was based on truth. Instantly, a bunch of conspiracy theorists are gonna say, we were right all along. And the elites always put the truth in front of you because they have to tell you for whatever deal they made with something. Cristina: If it's part of conspiracy, then did they. Did the government, the world government, or whatever make Godzilla interesting? Jack: Or Godzilla could be a demon, a deity of some sort. God. God is in the name. Somebody's gonna put that connection together. Cristina: He's a God that was hidden, but someone knew about him. So did the government hide him until he broke loose or until the government was like, you know, the world government was like, okay, these people are out of control. We gotta let this guy loose. Jack: You think? Okay, okay, let's go back. You think the government made Godzilla? Cristina: No, I'm not saying they made him, but if they kept him a secret, then they probably have him locked up. Jack: Yes. Yes. Okay, fair enough. Fair enough. So the premise here is ultimately right. We're gonna fix this. This is gonna make a lot of sense. The premise here is two things. Regardless of how Godzilla is real and two, actually, three concepts that need to work here. Godzilla is real. And we're gonna prove this somehow. Cristina: Sure. Jack: And two, the government somehow knew. Somehow, somehow. Cristina: Whether they kept it or they just knew where he was or something. Jack: And three, that's because we only know about Godzilla to begin with. Because the government always has to tell us whatever they're doing, even if in secrecy. So they have to put it in front of us somehow. Cristina: Okay. Jack: Because the elites have to show us they made a deal with something. As we know is whatever theory. Cristina: Yes. Jack: And they have to show you. They got to tell you what they're doing, so they'll do it in cryptic ways so you don't know, but you know, or whatever. Cristina: I don't get it. I think it's so you can be used to it, so that when it happens, you're not as scared. Except the point of showing it is to scare you. Like, I don't. I don't know. So, like, they show it to you so that you. When it does happen, you're not too freaked out about it. Because they don't want you to kill yourself. Because at the end of the day, they still need you alive. Jack: Yeah. Cristina: For whatever their evil plan is. They just need you to know that it was possible. And then when it's possible when it's there, then. Jack: But I don't know why they would want you to know about Godzilla. Cristina: Why would they? They want us to know about everything. Aliens? Jack: Yeah. That's why. I think it's not that they're trying to descend. I think those people are wrong. If. If our three things are to be true, then they don't want us to know about Godzilla because they're unleashing Godzilla to kill us. Cristina: No. Jack: To do what? Why? Why would. Okay, let's. Let's work on one of these problems at a time. Cristina: Okay? Jack: Why are they. Cristina: Who. Jack: Somehow the theory that you're going with is they're trapping Godzilla. Godzilla? Maybe they could have made Godzilla, but Godzilla could have existed beforehand. Cristina: Yes. Jack: So it could happen either way. Maybe it was an accident. It could be that the story they told us about Godzilla was accurate. Cristina: It's just a natural thing that happened out from radiation hitting a lizard or something. From their bombs. Jack: Is that the initial story? Cristina: Something like that. Like they. We bombed Japan and then Godzilla was made. No. Jack: Okay, okay, okay, hold on. Let's. Let's f******. Without looking it up first, let's. Let's make our assumption. Okay, so you think war. Cristina: Yes. Jack: And nuclear waste. 00:05:00 Cristina: Yes. And then lizard and nuclear waste equals Godzilla. Jack: Okay, okay. I think cautionary tale. Power plant or chemical waste plant or something. Cristina: Yeah. And a lizard. Jack: Yeah. Wait, but you're saying war? Cristina: Well, it could be either or. Jack: Okay, you're just saying chemical. Cristina: Chemicals. A lizard, Godzilla. Jack: Chemicals. A lizard Godzilla. I agree. I think. I think it's a cautionary term. Cristina: Chemicals. I think it's bit a lizard and made Godzilla. Jack: Chemicals. Bit a lizard. Cristina: It's like Spider Man. Jack: Okay, fair enough. Kind of like the Ninja Turtles. Cristina: Yes. Jack: I mean, to be fair, that story. Cristina: The Ninja Turtles of whatever that story. Jack: Is about four N4 turtles that got bit by a radioactive rat, Right? Cristina: I don't know. Jack: And didn't he find them already mutated and turned into. No, they were just turtles. Cristina: Turtles. And you're saying he made them? The rat, the rat made them? Is he the villain? I don't think so. I think he found Them? No, the bad guy probably made them by accident. Doing weird experiment things. Jack: I bet. I bet it's some crap like that. Cristina: Experiments or an accident. Jack: No, I think. Yeah, it would probably have been like. And then he was trying the. His quest in life was to stop what he. The problem he created. So he spent his whole life trying to fix the issue of four mutant rats. I mean, turtles and a. I don't know. Maybe he made the rat too. They knew each other or something. Wasn't Master Splinter his master? Cristina: And he's just a dude. It's just a regular human dude against some wild animals. Jack: Any train. Cristina: And he's bad. Jack: Well, I don't know. I think I could be wrong. I don't know why. This is the memory, and I'm not gonna look it up. We're never gonna find out, okay? Because I've never seen the Ninja Turtles. I've read so little about the Ninja Turtles. I think, like, I literally don't even know how they became. Cristina: Like. Jack: I'm assuming it's waste if my memory says waste to some degree. Right? Cristina: Yeah. Jack: I think the rat knew martial arts because the guy taught it. But as you have brought up the question, did this guy teach a normal rat martial arts and that rat then went off into the world and became a mutant freak? Or did this guy make or find a mutant rat? Cristina: I can't believe he actually. No, I don't think he has to do anything with them. That can't be part of the story. It doesn't make sense. Jack: Then how the h*** did. He's a good guy. It doesn't matter what the h*** we're looking at. This guy is probably trying to just stop these weird animal freaks. Does he have targets? Does he harm people? Cristina: I think he's a criminal. Jack: Oh, he's a criminal. Cristina: I'm pretty sure he's doing crime. Jack: Are they superheroes? Cristina: I think so. Because I feel like the girl that's involved is also, like, a journalist or something. Jack: Holy s***. Are they Spider Man? Cristina: Yes. They're just like Superman. Jack: Are they super strong? Don't they have to, like, know martial arts? They gotta combat these guys one to one. They're not like one shotting everybody. Cristina: But they're. It's hard to hurt them. They're turtles, I guess. They have the highest defense. They might not be the fastest or strongest, but they're defense man. Jack: In a world where other creatures also mutated in a similar fashion. If we said they all approximated to about the same size, why would that happen? I don't Know even why the turtles began with. Okay, the least defensive thing Would probably be a standing turtle. Cristina: Well, maybe they can do stuff with their shells. I don't know. Jack: How could they see you if the only way for that defense to be high up, and you'd still have six points that you can be poked or stabbed or killed through? Yeah, you're just upping your defense. It's not perfect. Cristina: You think it. They're less defensive, though? Jack: I don't think they're less offensive. I think they're just lame. Cristina: They are pretty lame. Yeah. Jack: Yeah, yeah. In fact, we would have to increase the size of these turtles to make everybody the size of the biggest already existing. So the elephant is the only creature that wouldn't increase in size. All the other creatures would. 00:10:00 Jack: Except giraffe. We'll see the elephant, the giraffe. That's where we cap off. They don't change. Everything below them must increase in size to be at least the height of the elephant. If the turtles went up. Cristina: Yes, because they're like godzilla, who was a little lizard. Because it was smaller than them. Probably. Jack: Yes. But their soft spot is going to be larger. Yes. Cristina: Their soft spot. Jack: Yeah. The flat, the six points where the head goes in, where the two front and back legs going, and where the tail goes in, which is actually not different holes. Usually you have two large slits which are where their arms, the top arm, the top legs, and their head are. And then where their tail and back and hind legs are. Those are the two exits. So those two soft spots, as the turtle gets larger Would then be more vulnerable and be a larger target for the opponents. And if they're hiding, to remove their head, arms, and legs. Cristina: I don't know why they pick turtles. I don't know. It makes no sense. Jack: Yeah. They couldn't see you. Cristina: I thought they picked something cooler. Jack: They couldn't see you. Cristina: Turtles was cool. And then they gave them the attitude of spider man. I'm imagining that they came out around the same time on spider man because they have that boyish attitude that spider man has. But there's what, four or five of them? Jack: Say that again. Cristina: That they have the same attitude that spider man has. Jack: Yeah, they're broad out and, like making jokes. Cristina: Yeah. Jack: Except the angry red one. Cristina: Huh? Jack: He doesn't make jokes. Right. He's serious. Cristina: I don't know. There's an angry ninja turtle. Jack: I thought there was an angry red one. Cristina: I don't. I don't know. Jack: I know. Hold on. Let me see. Cristina: I don't even know if there's four or five of them. I don't even know the number of turtles. Jack: I think there's four turtles and a girl turtle. Four dude turtles. Cristina: Girl turtle. Jack: There's a dudette turtle. Cristina: There's not a dudette turtle. There's a girl, but she's not a turtle. Jack: No, there's a girl. Cristina: There's not a girl turtle. Jack: I promise you there's a girl. Cristina: She must have came out way later because the original turtles are. No. Are just boy turtles. Jack: No. I mean, yeah, sure, but there's a girl turtle. No, there is a hundred percent a girl turtle. Cristina: When did they introduce a girl turtle? It makes no sense. Jack: I think pretty early. Cristina: Are you positive? Jack: I guarantee you there is a girl. Cristina: But she's not a turtle. She's a human. Jack: There's a female ninja turtle. I swear to God. No. Cristina: What does that mean? Jack: She got turtle b****. Cristina: That's exactly what I was picturing. But no, there's not ninja turtle. No. Jack: In turn, she's blue. Girl turtle. Cristina: But that's just a made up turtle. Jack: She's blue and light. She's light. Cristina: She's not one of them. They just turned one of their turtles into a female turtle. Jack: No, they got blue. They got b****. Cristina: No, look, there's a. That's him. Jack: No, no. Cristina: Yes, there is that guy. They just changed his sex, but he still. No, there's no female ninja turtle. Jack: What is her name? Cristina: I don't know. Jack: There you go. Cristina: Ew. Jack: Yeah, there's just a chick that's lighter blue. Cristina: When did she. But she's not part of the original Ninja turtles. Jack: You probably not. I don't. Sure you could tell. I'll go with that. I have no idea. Cristina: I just know they don't look like teens anymore. I don't know what they're supposed to be. Now you see that girl? She's the girl. And she's just a human in the yellow suit. Jack: That's the reporter. Cristina: Yeah, I think something like that. Jack: There's just an extra turtle here who isn't even a chick. Cristina: I don't know what's happening. Jack: Yeah, but you get the point. Cristina: No, I don't. What was the point? That they. Jack: There's a female turtle. Cristina: The turtles. Originally there's like four turtles, now there's. Jack: Five and there's a chick. And I think it's been like that since like the second iteration. Cristina: No, he's like. Even the newest projects, you don't see the girl turtle. Jack: Oh, fair enough. Maybe they just don't like. Maybe sexism is alive. Cristina: Maybe. Jack: Okay, There are three scenarios here that are depicted in films that we can use to try to understand Godzilla right now. Cristina: Okay. Jack: One, nuclear testing. You were right. My specifics on it being a power plant was wrong. 00:15:00 Jack: But it wasn't war, it was for war. Cristina: Okay. Jack: It was just test site, probably some random a** island in the middle of nowhere, but had wildlife. Biology suggests in other films that it was a prehistoric kind of dinosaur. Cristina: I don't understand. Jack: So upon the discovery of this dinosaur that was somehow living underwater, is it. Cristina: Like that movie where they found King Kong in the center of the world? Jack: Kind of, yeah. Cristina: Like she's just sleeping in the center of the world and somehow she pops out here. Or he. She. I don't know what Godzilla is. Jack: Well, she. I think she's neither. Cristina: Okay, Well, I think she's like a. Jack: Frog could just, you know, asexually reproduce. Cristina: But Godzilla was down there. Jack: Yeah. Or just sleeping at the bottom of the ocean or something like Nessie. Cristina: Okay. Jack: And so, yeah, that's the other idea. Cristina: And there's a third one. Jack: The third one is essentially a hybrid logic where there was this maybe unknown reptile that was exposed to some chemical waste and that. So it's sort of both things. It had a unique chemistry that then allowed it to become. Cristina: I'm not sure what you tried to say. Jack: There are other lizards and other things in the same water with the same lizard that then became Godzilla. Godzilla was either amongst the species that it was the last of, or it had wandered off into a different eg area and reached the radiation. And its unique DNA had its reaction to the exposure to be turning into this large thing and nothing else did. Because the logic would be why would radiation turn this one lizard huge and not all the others, which is legit? Cristina: I don't know. Because like, if he's real, then what stops all the other things that they are showing us to be real? Jack: Legit. So assuming that Godzilla is a self contained situation, then we can write off the nuclear test site is wrong. And it's probably some kind of creature that has existed for a long time. Meaning the government found it. Cristina: Okay. Jack: They didn't make it. They saw this thing. Who knows how long it's been hidden or caught. But the government has it. We don't know when or why. We just know that they have it. Cristina: Okay, solved. Jack: They caught some sort of ancient creature. Cristina: That's what they do. Jack: Yes. Okay, now how do they know its capabilities? Cristina: They gotta experiment on it like they do. Jack: But how? Where? I guess we, no matter what, we can make a Space large enough. If we have enough funds, it doesn't matter. Cristina: Yeah, maybe it's where we say the aliens are. What's that spot? Area 52. Area? Jack: Yeah, giant location where it could fire whatever beam into nowhere. Cristina: They're experimenting on it. That's how they make their flying ships. They're not using alien technology. They're using an alien like creature. I guess. Jack: Fair enough. And its energy beam is what taught us about lasers and s***. Cristina: Yep, yep, yep. Jack: Interesting. Okay, so then now the question is, why would they release it? To do what? Cristina: To get us not to not. It's confusing because it has to do with Jesus coming back to life and the rapture. But it's like the government is against Jesus. So I don't know. I try to understand these conspiracies, but it's always something like this. Jack: Okay, well, assuming the whole Jesus thing is wrong and the rapture isn't gonna happen, grounding this in the re. In being as real as possible, what are some reasons the government might release Godzilla? Like, what's a real concern that they would be like, oh, get the people in check. I mean, maybe think about it. Think about it. We got conspiracy project 100% to fight the aliens. No, if some government. That's probably why they show us this movie specifically. Right. It's like, oh, we found this creature is one movie. But hey, he helps us from time to time. Cristina: Yeah, Godzilla sometimes not that bad. Jack: I bet they've always been working on mind control technology in order to figure it out for Godzilla. Maybe. Maybe it's not a creature they can control. So they maintain it tied and sedated because it's like, dude, this dinosaur 00:20:00 Jack: is bigger than most of our mega structures. Cristina: Yes. Like, why are they gonna. It's not to attack us. Like, they don't need a giant lizard, dude. Jack: Also, the size depiction of Godzilla tells us that maybe Godzilla has been around and we've seen it throughout time. Because think about the different scales. Sometimes it's just the right size to fight King Kong, and King Kong is so small, it had to climb to the top of the Empire State Building. Cristina: Yeah, he's not that. Jack: He's not that big. Cristina: Yeah. Jack: Other times, Godzilla is so tremendously f****** large that it is the height of the Empire State Building. Cristina: So what are we. What are we saying? It's actual sizes? Then I think maybe the child, if there's children version is the size of King Kong. Jack: And really the adult is what we're holding back. That's the. When we're talking about, we let Some creature out to protect Earth. That's what we're talking about. We're talking about that really big one we're hoping the guy we can control at some point. Because we're going to need it for when the big s*** comes to. When the meteor is almost here. Shoot a beam into the sky. Cristina: Could be okay to stop the, you. Jack: Know, aliens are coming. Start attacking. Fire all you've got. Cristina: You don't think it's like a government thing? Like, they know the other. Every country has their own Godzilla thing. And they're like, okay, if someone releases their Godzilla, then you got the. You got to press the button to release our Godzilla. Kind of like the nuclear crisis, except with monsters. Jack: Then. Then America doesn't have Godzilla. Cristina: Why not? Jack: Because Godzilla's Japanese, Right? Cristina: I don't know. Because I think it comes from us doing the experiment with radiation. Them seeing what we're doing. That created the fear. Jack: But they caught the creature. It's their creature. It was over there. Cristina: So. Or maybe we're attacking them with it. Jack: I have a theory that works with a lot of the world. Godzilla is Japanese, and we have our own creature. Theirs was our fault. Cristina: Okay? Jack: Ours was our intention. Cristina: Oh, what is ours? Jack: I don't know. What creature do we talk about in any manner, shape or form that makes absolute sense as an equivalent to Godzilla? Cristina: I don't know. Jack: Was King Kong our creation? Cristina: I think so. Jack: We have a giant ape somewhere. Cristina: Somewhere does not really compare to Godzilla. Jack: But no, we went to Jurassic Park. We went to. Yes, we went. Yes, we went to Brazil and found King Kong. Right. Cristina: I don't know. Jack: We went to some random jungle out in a different country. It wasn't over here. No, we didn't capture King Kong and bring him over here. We went back to King Kong. Cristina: I know. Jack: We did capture King Kong at some point. That's how he got to the Empire State Building. Cristina: Yes, we captured him from the island he was at. Jack: Yes. But that's the story of how that went wrong. Okay, so is Jurassic Park. Yes, but I think you're right. I think we were like, we can do bigger and better, and we could do it with nothing but money. Cristina: Yeah. So we made not just one many. Jack: We got all of them. We got hella creatures bigger and badder than all your creatures. Cristina: I don't know if any of them compare to Godzilla. Yeah. If you look at the biggest dinosaur and put it next to Godzilla, is it competing? But even if it was competing in size, like, it doesn't have the ability to. Jack: Yes, Godzilla. Some other That's. Cristina: Even if Godzilla was smaller in size, does it matter if it shoots out beams? Jack: Yeah, it's like a pure energy. Like it'll cut, it'll. Cristina: It's. Jack: It's a lightsaber. Cristina: Yes. Like it doesn't matter what we have. No matter how large it is, there's no winning. Jack: I know. You know, like, I don't think it's gonna be. Man, that. That would be nuts. Cristina: You're looking up. Let me see, let me see. Jack: The largest dinosaur was about 85ft long and potentially as tall as a three story building at most. Cristina: And what is Godzilla size? Jack: Yeah. Now the question is, what was at its largest? Cristina: There's many, so. Yeah. Jack: Yeah, straight up. It varies from film to film, but the largest is 00:25:00 Jack: is 350ft. How tall is the Empire State Building? Nah, nah, nah, nah. So this creature was around tall buildings, but it wasn't the size of the Empire State Building. The Empire State Building ain't a joke. Godzilla's tallest size was 350ft. The Empire State Building is a hundred and fourteen fifty four feet. Cristina: Okay. And what was the tallest dinosaur? Jack: The tallest dinosaur was roughly half the size of Godzilla. With our estimate being that the possible for the largest dinosaur was roughly 122ft. But the largest we've seen that we believe can get to that size at its highest point was 85. So Godzilla will s*** on anything. Cristina: Okay. Jack: Anything. How big was the biggest King Kong? Cristina: I still don't think it's gonna compete. Jack: King Kong stands at approximately 104ft. Cristina: That's kind of whack. Jack: Yeah. Cristina: I don't understand. Jack: Biggest Godzilla is three and a half times bigger. Cristina: Yeah. That's ridiculous. Jack: Yeah. He would stop this. Cristina: He's huge and he's got powers. Who is. Who is fighting Japan if this was Japan's creature? Jack: I don't know. Cristina: That's why it has. It can't be. Jack: No. That's why we made so many investments. That's why we made so many. We're compensating. Cristina: I think Godzilla is our creature. And whenever we're not happy with Japan, we release it on Japan. Jack: Oh, s***. Maybe there wasn't a nuke. Maybe we were testing, ended up with this thing and sent that out. Cristina: Yes. And that's why they fear us and it. Because it. It's the same thing. It's us. We are their nightmare. We are Godzilla. Jack: Interesting point. So then the question is, when was the first Godzilla movie and when do we drop the bomb? Cristina: Oh, I bet that the bomb came first. I'm betting I'm betting. Jack: You think the. The bombs hit first? Cristina: Yes. If not, then at least when we started testing had to come first. Jack: Okay. Okay. We found something strange here. The first Godzilla movie. Go, Jira. Literally, the name, how you're supposed to say it, it's like in quotation marks here. Cristina: Okay. Jack: Came out on November 3, 1954. Cristina: What are you saying? Like, it happened a day later or something. Jack: Hiroshima. Cristina: Oh, my gosh. Jack: Was dropped on August 6, 1945. That was 10 years before the 11 years earlier. No, nine years back. That's nine years back. So the bombs got dropped first? Cristina: Yes. And then shortly after they make a movie. Jack: Shortly after they make a movie. Cristina: Yeah, yeah. Jack: And the area was supposed to be radiated for really exaggeratedly long time. That's wrong, though. So now it's common knowledge that, no, it's gonna be livable eventually. Cristina: So you're questioning if it was actually what we said it was? Jack: Yeah. Was Godzilla really released into. Cristina: Yes. What? I don't know. Jack: You think that'd be crazy? Cristina: No. Jack: What if we really. What if? Cristina: Really? Jack: What happened is the United States released Godzilla as a warning. But then the question is, how far apart were these? No, they were three days apart. Cristina: What was three days apart? Jack: Hiroshima. We dropped the bomb on August 6, 1945, and just erased that in Nagasaki was August 9 where we dropped it. This was three days later. There is only one possibility. If what you're talking about is the case, we have more than one. And that's why there are different sizes. The fat quote, Fat man bomb was the big one. Because the first one we let go was called the Little Boy. And the little boy could just be the small 00:30:00 Jack: Godzilla. Cristina: Yeah. And because these maybe are scientific experiments, like, maybe once they do their damage, they die. Like, maybe not leave them. They don't actually live, though. Jack: Oh, like they're gonna be. Like, they're gonna die quickly. Cristina: Yeah, they die quickly. Because they're not really. They're. They're radiated. They're. They're. They're animals, but they're not. Like, why would a radiated animal and all these stories, they stay alive and healthy and everything. Like, that's not true. They die immediately. Wouldn't they? Jack: All the other creatures. Cristina: Any creature. Jack: You mean the Godzilla? Cristina: Yes, the Godzilla. Like, any radiator. Jack: How did we get it to that size if it's gonna die quickly? It would have died long before it. Cristina: Reached that size because we hadn't had it woken up. Maybe. Maybe. Jack: We're finding these creatures, right? We're trapped. We're capturing them. Or we're making them. Did we make Godzilla? No, because we found them. We found them. This is a fact. We found these creatures. Cristina: Yes, but maybe we found their eggs and then we still have. Jack: They still have to grow naturally. Right. Because it's. We've established some creatures, a dinosaur. Cristina: Okay. Maybe they just diabetely out of their environment, Their natural environment. Jack: But they'll be right next to the water. Isn't it from the water that we're getting them? Cristina: No. From somewhere super duper radiated. Jack: No, because they're just. Unless we found somewhere naturally radiated on the planet. Cristina: Yeah, maybe because it's an ancient creature that happens to go into a radiated area that creates the Godzilla. Jack: So the argument is there's a lizard that hangs out in a raid. There's a spot naturally on earth that's always radiated. Cristina: Yes. Or that we turned it into radiated and just. Jack: No, these are dinosaurs. Cristina: These are dinosaurs. Jack: These are dinosaurs. We've established that. That the government had nothing to do with it. Cristina: No. Yes. Jack: So we must be finding these. Cristina: Yes. Jack: There must be somewhere on earth that's naturally radiated. Cristina: Okay, yeah, maybe. Jack: Or are we just finding dinosaurs? There's some kind of unique nessie like creature, basically. Right. But why can it shoot a beam from its mouth? We gotta justify that. That's the radiation we had justified size. I guess more ancient dinosaurs than the dinosaurs were used. So that's really what's happening. Cristina: Yeah. Jack: And because of that it was de down. And because of that, like it hibernates deeper down in the planet. Cristina: But we can hear it through Russia because they have that giant hole in the ground that makes really spooky sounds. Maybe it's just the dinosaurs. Jack: Maybe they don't sleep underground. Cristina: What? Jack: Maybe they sleep and live underground. And this is one of many. And they're always down there. Cristina: Yes. Jack: And what we hear through the hole. Cristina: Is that they're just. They live down there and it's radiated. Jack: And then we find. No, they don't even have to be radiated. The size, it just works different down there. Cristina: Okay. It's not radiation. Jack: Yeah. But they. They live around lava and immense pressure. Cristina: So maybe where does the beams come from? Jack: I don't know. I don't know. Maybe it's kind of like they're doing something through the. They learn, they evolve naturally. Being able to do a combination of something with air the way that that crab underwater does that make a small explosion. Cristina: Seriously, it's just. It's. There's some scientific reason. Jack: Scientific reason why it can shoot out lasers. Yeah. If we think about like a way to first create an air funnel. Maybe you have some sort of internal system that works like gills but for oxygen. So that you can open and suck in air from one side as you're simultaneously pumping the air out through a more narrow air. Cristina: So radiation has nothing to do with it? No, that's just the story Japan believes because of what we said we were doing. Yes, they put the scientific experiment to it. That's part of the story because that's the story they were told. But we're just lying. Jack: Or you're right and it is radiation. But then it happened by accident. Yes, and. But no, it wouldn't make sense. How did this creature so immediately after. Cristina: They'Re attacking die? Jack: I mean there's a ten year period. Well, we'll say the nine year period. We'll say a movie started being made a year after the events at earliest and the movie got put out a year later. So two year gap. So two years before it would have had to happen. So there would have been only seven years for that lizard to go from as small as it was to as big as it was. It wouldn't happen. The only way would be if this thing was growing for infinities. Cristina: Yes, it already has to be that big. Jack: It already had to be that big for many, many, many, many year. Hundreds of years maybe. Cristina: So they found it. They found it 00:35:00 Cristina: and then it died. Jack: Yeah. So it's from the center of the earth. It comes out here and whatever trick it could do. But again. Okay, wait, we're trying to figure out this trick. Right? So it has some gill like system. It should in theory be able to open some thing to pull in air and have a different where it's shooting the fire from. Should have some kind of like narrower airway so that if you're pulling in twice the amount of air then you have some sort of a pump and you could shoot out the air continuously. Then that's solid. You could. Cristina: You somehow makes lasers. The air turns and say lasers. Jack: Well, the laser wouldn't exactly be a laser. Maybe that's just a weird depiction and it's not like a lightsaber. Maybe it's more like fire. Cristina: Okay. Like a dragon. Jack: Like a dragon. And so it's breathing this in and kind of like a venomous snake that can spit out this kind of thing onto you or something like that. Maybe. Cristina: Why wasn't Godzilla just a story about a dragon? Because we have so many dragon stories. Why wasn't this just a different dragon story? Jack: Maybe the Japanese don't Have fire breathing dragons? Maybe we have fire breathing dragons. Maybe that's a western thing. Cristina: Japan, I mean, China didn't have dragon that breath fire. Jack: I don't know. I have no idea. Cristina: Okay. Jack: Why you think it was What? Cristina: I don't know. Because like, wouldn't they just say it's a dragon that's attacking us and not some scientific experiment attacking us? Jack: Well, they think it happened after the bombs. Here would be the theory. Right. Grounding this a little farther. We dropped the bombs. Cristina: I thought they were the bombs that we dropped. Jack: Well, this is me adjusting. Okay, we dropped the bombs. No, they have to be the bombs. Yeah, but assuming I'm wrong, we dropped the bombs and the bomb woke the thing up. Cristina: Okay. Jack: It's the only time we've ever dropped these bombs. Ever. It's the only time nukes have been used on these areas that aren't just abandoned islands in the middle of nowhere, deserts that are uninhabited. We're dropping it where there's people and foliage. Cristina: I woke this ancient dinosaur up, and. Jack: It woke this ancient dinosaur up. Cristina: Okay. Jack: That could be why they, like, the bombs dropped. Then the thing happened. So that the. The whole story about the bombs. I bet Godzilla did not attack either one of those two places. What place in Japan did Godzilla attack? Tokyo. Cristina: Tokyo. Okay, that's random. Jack: I guess because it was like a real super mega area. We were just attacking normal civilian areas that had a base, I guess for control, it was military related, trying to calm them down or whatever the h*** we were trying to do. Tokyo? Yeah. So that takes place in Tokyo. So that's a possibility. One of two scenarios explains the attack of Godzilla on Tokyo. Either we dropped two bombs and woke something up. Cristina: Yes. Jack: Or these bombs were the lizards and they wandered off. Cristina: That could also be it. That means. Yeah, I don't know. Because like if we did wake up a lizard up, there was just one lizard. Jack: Maybe not. Maybe there was a bunch of lizards. Or maybe we knocked something down underground that allowed one of these already existing creatures from underneath. But we can go back to the original concept that they. That we, the United States, found a way to go down there and get these creatures that have always been down there. Because we do hear something when we hear down. No matter what, these creatures are underground. How we acquired them is now the question. We found out where they are. Cristina: They're underground. Jack: They're underground. Did they originally pop up in Japan? Or did we go get them probably through that hole in Russia, and then keep them? But how do we transport the biggest one? Cristina: Yes. Jack: Problem. We should have a base where we're finding them. Cristina: Alaska. Jack: Alaska is probably a really good place. There's a bunch of rural places out here. 51. 100. Yeah. Cristina: Area 51. Jack: Yeah. Just holes that go deep. And we just have access to pulling these things up and keeping them around the hole so we can throw them right back down if we don't need it. How are we going to dispose of this s***? Cristina: Yeah. Jack: You know, because we tried. Maybe we tried to dispose of some that went wrong. And that's why we have stories of some coming out of the water. Cristina: Okay. You know, 00:40:00 Cristina: and then still, like, any alien story could be pointed to this creature because it could be more than one creature that's down there. Like, they don't all have to look the same. Jack: Yeah. What are they eating if they all look the same? Cristina: Yeah. So, like, if they're like. If they're dinosaur like, I guess, which is very lizard like, so very alien like. Jack: Yeah. And it's definitely. There's lava if they go deep enough. But I don't think they're so deep. I think they're just deep enough that they don't normally get to us or ever. And water must be down there, too. They're ocean levels. Deep, deeper. Slightly deeper. They're slightly deeper. They're in the gaps of air underneath the ocean. And then we found ways. And we tell people, the normal civilians don't have access to the technology that can take us so deep to withstand that level of pressure. But the government's never going to tell us that it does. And it can easily get down there and it can access these creatures and get to them. Cristina: And then what? Just attack countries with them? Jack: But then this. Yeah. Like you said, one country has King Kong, one country has Godzilla. One country has this thing. One country has that thing. One country found it, used it. Other countries found out about it and figured out how to get more. So chances are we have maybe different countries have different size Godzillas. I got a really old Godzilla that's the size of this. Cristina: Okay. All those different ideas. Jack: I got a really huge moth. Cristina: Huge moth is Russian thing that they attack us with. Jack: Yeah. You know, anybody can have anything and they could be getting it from the same place. You just gotta have the technology to go get it and the ability to. Cristina: Restrain it, which I don't know if anyone does have that, though. I don't know. Jack: Then how do we stop the ones that were. We. We. Cristina: I think you can still kill them. I think killing them isn't like a hard thing to do. It's just like hiding the body and then making up stories to what actually happened. Jack: So you have to be able to control it. You can't just kill it. You got to kill it in the water. Cristina: Yeah. You have to kill it in a way that hide. Like, you gotta. You still have to, like. Jack: Fair enough. So then perhaps still like every alien. Cristina: Story where the government came by, asked a bunch of questions, told a lie about what actually happened, and like, I have a theory. Yeah. What? Jack: Maybe it was one. Cristina: Was one what? Jack: The first one caused small destruction as compared to the second one, the one that caused great destruction. They were both powerful. But what if the first one was Godzilla doing it? Little boy was Godzilla. Cristina: And the second one was to kill Godzilla. Jack: Was the. Kill Godzilla. The bomb. Cristina: Okay. Jack: What Godzilla was doing. We're testing it. We're seeing if Godzilla works. Cristina: Okay. Jack: And then it kept wandering, and we're like, how do we control it? Okay, here we go. Well, it worked. Gone. No proof. Cristina: Mmm. Jack: Two part system. It'll keep destroying more than a nuke can if you just let it keep going. Yes, they tested that on the first one. It'll do. Nuke levels of destruction. And until we decide to stop it, it'll keep going. Cristina: Mm. Jack: Can we stop it? Well, let's find out. Here we go. Boom. Cristina: Okay. Yeah. They have to get rid of it. Jack: They have to get rid of it. Maybe the government has the ability to drop things like this at random. Cristina: Crazy. And it's all the governments. Jack: Then many, many, many governments have the ability to drop some colossal creature onto other governments, onto other countries. Cristina: Yeah, to just attack. Jack: Or maybe not. Maybe it's just a few. Depends who has stories of disability. We're the only people who are like, oh, no, we can't. We control it. It's our thing. We call on that show, we want it. Of course we use it. In the middle of the ocean, nowhere, where nobody knows where the h*** people are. Like, oh, how did the Americans shoot down that boat all the way over there? And it's like, we don't need to. Cristina: Know, but we're still. We're still lying about what it's happening. Jack: Yeah, I bet. If we can't control it. No, man, that's a question, right? How do we. We don't have mind control. We're still trying to figure it out. Yeah, if we could control something that big, we'd be controlling humans long since. Cristina: But there's no way we can. Jack: There's no way we can. So we're not using it casually. That has to be Wrong. We're definitely lying about what happened. But I'm pretty sure we dropped a thing that caused nuke sized damage. Cristina: And then we used the nuke. Jack: And we used the 00:45:00 Jack: nuke to see if that could stop it. Now there's no proof that it ever existed. It's gone. Cristina: Yes. Jack: Evaporated the bones into nothing. Cristina: That could be it. Huh? Jack: Simple. Although I think bones would survive a nuke. They would just be crispy. I have no idea. Maybe if you're close enough, you get disintegrated into powder. Cristina: But like, even if you find the bones, am I still dinosaur bones? I don't know. Jack: Yeah, and that's why the wood. That's my point. Like, it would have to be at a point that it gets incinerated, Right? That's the only way that you have zero. Cristina: Zero proof. Jack: Zero proof. Okay. No, the bones would totally disappear. Cristina: So. Jack: Interesting. If this says the bones of a person would disappear, then the question is to go directly and do the size. How big would a bone have to. Cristina: Be to not disappear? Jack: To not disappear. Cristina: Okay. Jack: Okay. All right. So let's do some breakdowns here. Humans would get eviscerated into nothingness and cease to exist. See, even their bones, which are our thickest, densest part, Godzilla's bones. To scale appropriately to its size, maintain its weight, and be logical according to how gravity and whatnot works, it would be about 20 times thicker than a human bones. Cristina: It's pretty thick. Jack: Yes. Even then, at ground zero, it would be so obliterated into nothingness, vaporize into beyond dust, that there would be no evidence it ever existed. Well, a nuke would erase the existence of such a creature at ground zero impact, you make it the target. Boom. Gone. There's no evidence it ever existed. Cristina: So we could have released Godzilla onto Japan and then murdered the Godzilla that we made? Jack: Yes. We didn't make Godzilla. Cristina: Oh yeah, we freed Godzilla, released Godzilla out to Japan, then killed it. Then they made a movie about it. Jack: Yes. Yes. The argument would be that we dropped a Godzilla on Hiroshima on August 9, 1945. And three days later, in Nagasaki in August 9 on 1945, we dropped a nuke to get rid of it, testing our entire scenario. And it worked. And nobody has f***** with us since? Cristina: I guess so. Except everyone keeps making bombs. Jack: Yes. Because they know how to stop it. Cristina: Yes, I guess so. Because they saw that we were able to stop it. Jack: Interesting. Fascinating. Cristina: So all of those bombs are not Nobody's using? Jack: Nope, nobody's Just a single one. Cristina: And also, it's just too Many. Why would you need that? More than one. They're probably country. Jack: Yeah. These are probably controlled nukes to create small blast areas with the same intense energy in the small area. So if you have a lot, you're not causing widespread destruction. Nobody has shot a nuke at anybody anymore. We're waiting. Cristina: For what? For these monsters pop up. Jack: Yes. And we're efficientizing them. We're always making it more efficient. Knowing somebody might have one of these. Cristina: Things, someone might release one. That's the real danger. Jack: Interesting. Cristina: Whoa. That's so crazy. Because we have the most nukes, but we're the one with the obvious amount of creatures. Most likely, too. Jack: Well, we're not. Cristina: I think we are. Jack: We have so many. Oh, so we're just like you guys. Couldn't release one on us for any reason. We'll drop a nuke instantly. Cristina: I think we also are protecting ourselves from our own monsters. Jack: Our monsters. Their release of their monsters on us. Well, now, here's something interesting. We would be screwed in an attack. Because we're thinking a couple of episodes ago, we're doing where would we get attacked through, right? And like, if. What would we do in a scenario like that? We didn't consider something like this. But if something like this were to happen, the most likely location to drop it off would be in the ocean and let it come to us. So they don't have to put themselves in danger. So they would just get close, but they wouldn't hover over our airspace. We drop it in the ocean near us, and it would find land in our direction. Coasts would be f***** up. The coasts are the way in for whatever creatures dropped in the water near us and for land. Cristina: But why are we dropping creatures in the water? Jack: War. What if we're invading the United States? Cristina: We, The United States? Jack: No, like, people. Humans. Oh, humans are invading the United 00:50:00 Jack: States. Cristina: Oh, okay. Jack: So Russia is like, yeah, let's attack. What if that's what's happening near Alaska right now? And they're hanging out by the water. Cristina: So that we could throw our monster in the water? I don't know. Jack: They've got their monster. Cristina: Oh, okay. Jack: There's ships and planes. They're surveying our area consistently. They've probably got their creature underwater in some giant cage, and it's probably imprisoned, tied up in some way, and they're just planning and testing to release it. And they could just release it and leave. They don't have to do anything. One day they just leave. A couple of hours later. A couple of days later, something starts attacking Alaska. Cristina: Okay. Jack: I don't know how Canada is going to protect itself, but I guess Canada would be screwed here too. Cristina: They got their own monsters, Hopefully. Jack: They got their own monsters. Hopefully. Unless the point is that Canada doesn't have a way to defend itself. And the only way would be for us to start nuking Canada to kill the creature. Cristina: That's crazy. Jack: Which would create an interesting problem. Would we do it? Cristina: I guess that's why we got so much nukes. Jack: I think maybe that's also why our least defended area is the only access point. Because the least amount of people are around the Alaskan area. It's a transport point, but there are the least amount of people in Alaska. If we had to drop a nuke, it would be an easier decision than if it came up through New York City. Cristina: Okay, you get my point? Yeah. Jack: So we make that the easiest attack point, and that's the only likely placer probably to go. Because then we would just start bombing them or dropping our own creatures on them. So then they have to release it over there so that by the time it gets to the water, I mean, it gets to land, starts destroying things locally, we have enough time to react and attack it before it leaves Alaska. And we never have to catch Canada with our nukes. Maybe that's strategic. Cristina: Weird. Jack: But yes, would make sense and would keep the rest of the United States safe. Over. Militarize. All of it. Agree with Canada. We're going to keep that land mass up there and we're going to make it the least defended. You defend your borders like a. But we can nuke that. If they ever drop a creature. Cristina: Do we have creatures on every border then? Jack: Like, we don't. We don't know. We just know they might be dropping a creature on us and that's why they're hovering over there. Cristina: But they are not in Mexico just getting ready to attack us. Jack: Interesting. You think? I mean, that would make sense. Then that would actually explain the wall a little better. Cristina: Yeah, maybe. Jack: Maybe the wall's point was to stop these creatures. Because the creature might not just be destroying for no reason. It's gonna avoid crap. Cristina: Mm. Jack: It's a creature. If you're not controlling it, that's just doing random s***. You build the wall, it might not even try to go over. It might turn away and go somewhere else. Cristina: Interesting. You know, just then, if we're thinking about that, like, maybe all the walls, but then, like, China has walls. Jack: China has walls. They've been doing it since whatever century. Cristina: We know them because the dragons. So like who had the dragons that was attacking China that they decided, let's build some walls, dude. Jack: Even this really ancient place we were researching, the Indian place, Dwarf or whatever from 9,000 BC, had giant double layered walls surrounding them in the water too. Cristina: And it wasn't even just the land that they were protecting. Even the waterside, man. Jack: You know what's crazy, dude? We've also seen many people were f****** with Camaras. The text said so much about chimeras. Cristina: I don't know because I thought these were natural creatures. But then if you start talking about chimeras. That's not natural. Jack: That's not natural. Unless it's creatures we're seeing now are the creatures from back then that they were f****** with. And that's why it would have these abilities. It would be a creature that is some over like leftover relic, ancient scientific experiment. It's not us like our experiment. It had to get to think about the two problems we were trying to solve earlier. How does it have these abilities? Well, we had to make it. How is it its size? No, I had to age to that point. Cristina: Yes. Jack: Solution. It was made and it aged to that point. What does that tell us? It had to be made long ago. Cristina: Okay, One of these ancient civilizations. Jack: And maybe there's a bunch of. Maybe they're everywhere. Some civilizations go underground. Some civilizations can move things to other planets. Maybe us in current day looking at the moon, saw some s*** we shouldn't have because we know there's theories about the other side of the moon, the dark side of 00:55:00 Jack: the moon, which isn't dark because it gets light, but we don't see it. And like, maybe there's something out there. Maybe that's the reason China wanted the return to that side of the moon. Maybe what we saw was like, oh, crap, we don't want to wake that thing up. Or we saw civilization that was like, you guys don't talk about seeing space because they got their creature, whatever the crap might be. Maybe there's creatures like that everywhere, everywhere. And we're just finding them. Some civilizations went extinct. Cristina: So all these fairy tale like creatures that are monsters are not really monsters at all. But then would we put like you said, the Loch Ness monster, And then there's vampires, werewolves, all those other creatures. The Ninja Turtles. No, whatever. Chupacabra. They're like all just ancient experiments. Jack: No, not all ancient experiments, but they're all scientifically explainable. Just like adrenochrome could be scientifically explained to some degree. We don't know what causes all these different things. But I think. I think none of it is magic. And I think we do have maybe current day proof of weird s***. Things we have seen that more than one individual has seen. And there's some kind of proof, whether it be current day photos and things that aren't considered fiction. Nessie's a weird one. Some ancient other kind of creature that. No, it has to be from the past. Everybody assumes has to be. Scientists are like whatever creatures is. Resembles this thing from way long ago. Except it would have had to be even longer ago. Then Dwarka and then the Elysians. It had to be from like Elio's time. Cristina: Okay, Elio. Was he around dinosaurs? Jack: Am I saying that wrong? What the h*** was his name? Loi. Cristina: Loi. Jack: Loi. It could have been from like Loi's time, but still, that's. No, it had to be from millions of years ago. That's a problem. So it would have still even outdated. Loi. No, if 3 million years ago isn't. It still has to be like 150 million years ago. 3 million isn't that long ago compared to a creature that Nessie looks like. So maybe there's crap so long ago has nothing to do with any of those people. Cristina: Yes. Jack: Technology so ancient, that's crazy. Cristina: If it's still technology evolved, I guess. Jack: It would have continued to evolve, you. Cristina: Know, But I don't know. I don't know. Jack: It could have. So somehow. Somehow science was involved in the making of this thing. Cristina: Mm. Jack: Because still. How are you f****** doing it, then? Cristina: Again. Jack: Again, physiologically. I tried to explain it physiologically. Those creatures to shoot things. We know crabs can make explosions into grounds. Really specific ones. Or. I think it's a shrimp or something. And so that's. Some creatures have superpower. Like things spit acid out or whatever. Cristina: Yes. Jack: And. Or some, you know, throw smoke out or whatever ink out. If you can do some kind of air pressure thing where you suck in twice the amount that you push out, then you can push out through a smaller airway, creating more of a pressure. Because more air through a smaller airway goes faster. You get some range. And if you can have some kind of ignition and put into that air that's moving through some kind of flammable air you throw in, there's gas, some flammable gas you throw into the air that you're pushing out, then you can create some kind of flamethrower like thing. Cristina: Okay. Jack: And if it shoots out with enough pressure, the closer to your mouth it is, the more like A laser beam it would be. And the further away, the more like regular, you know, it's less pressure. Farther off, it's more like fire far. So maybe you can get a nice stream that looks like a beam. If your size is big enough from our eyes. If you shot a fire beam and it was the length of like 30 buildings at the peak of your mouth, it's gonna look like a straight out beam, not like a fire blast. Right. Because you're shooting. Because it's closer to whatever spot you're shooting it from. Cristina: Okay. Jack: It's gonna be closer to the shape of the airway you're pushing the air through. Took it look like a beam. There could be explanations all this weird. So what's our landed conclusion? That there's creatures at the center of the earth that have aged for who knows how long. Cristina: Yeah. Jack: Countries have found them, some countries have captured them. And likely evidence of this is that Hiroshima had something called the little boy dropped off that we think is a nuke. But it might have been Godzilla and it created nuclear sized destruction. And that three days later after it strolled off, we threw an actual nuke called Fat man to evaporate Godzilla and see if that could work. And it did. And ever since there has been prepared. Everybody's been preparing, Everybody's been making bombs, everybody's been 01:00:00 Jack: making nukes everywhere. All at the same time, just in case, just for the day. Cristina: That makes sense. Jack: And when people are cryptic instead of just saying nukes. So just saying I'll bomb you. When somebody like the North Korean leader is like, I got a present for you. And he says that to Trump, what he's talking about is, you know, you saw the creature. I show you my creature. I got that for you. Cristina: That's weird. Jack: And leaders know, but people don't. Cristina: Leaders are showing each other their creature. Interesting. Because they don't have to show anyone. But they could. Jack: They could, they could, they could. And people aren't gonna talk. Cristina: Yeah. Weird. Okay. Jack: Yeah. Cristina: Trump knows about him. Jack: Maybe a bunch. No, Trump would immediately talk. I think Trump wouldn't be able to hold it. I think he would just tell the world in excitement. Cristina: So you don't think he was told yet? Jack: I don't know. Maybe he was. Maybe what we see and what he is are two different things. Who knows? Anyways, we have solved the possibility. So what's the consensus? Is Godzilla real? I, I only if the government has to show us everything because they're doing some cahoots. Cristina: That's the whole point. Yes. The government is just Showing us things that are real. Jack: Yeah. So if that's the case, then Godzilla is real. Yes, because they have to show us everything. Cristina: Yeah. Jack: And then that would explain the proof behind Godzilla being real. Cristina: Because the government showed it to us. Jack: The government showed it to us because. Cristina: Obviously they run Hollywood. Jack: Yes. And history shows that, yes, there was definitely some bombs dropped and people saw a lizard in Tokyo. You know, so we got bombs, we got movies, we got evidence everywhere that something happened that they're not telling us. Cristina: But they are telling us just through movies. Okay. Yep. Jack: And the correct story is In August 6, 1945, Godzilla was released on Hiroshima. Godzilla wandered the island past Tokyo and got to Nagasaki, where he was finally nuked. Cristina: Yes. That is the story. The unofficial true story. Jack: That is the unofficial true story of Godzilla. Okay. I'm glad you guys made it with us through this to discover what really happened here. This was important. Cristina: It was. Jack: We've established details that matter to the people of Earth, and now we know true military capabilities of a lot of countries. It's way worse than a nuke. You wouldn't think so, but if you don't have to keep firing and you can just release a thing that could only be killed if you nuke your own people. Cristina: Yeah, that's pretty crazy. Jack: Yeah, that goes hard. Cristina: That goes hard. Jack: It's just gonna keep destroying until you nuke it. Guys, you got to nuke your own people. Enjoy. Explain that to your civilians later. Cristina: Yep. It's. It's. It's what's happening. Jack: It's what's happening. Cristina: It happened. Jack: Fire. That's crazy. That's such a solid military tactic. I guess that's why bioweapons are really overpowered. You want people to have to attack their own people. That's winning a war. Cristina: That is insane. Jack: That's. Yeah, you won. If you gotta start attacking your own people, whoever did that to you, they won. That's fire. They don't have to worry about themselves anymore. You're too distracted dealing with you crazy. Cristina: Mm. Jack: Bioweapons. Resident Evil had the right idea. Cristina: Again, bioweapons. Jack: The way to go. Anyways, if you guys think that we missed something important here that should have happened as a natural development of Godzilla or some other proof that maybe exists. Cristina: In the world 100% right that we're right. Jack: If you can help us justify this, let us know. Reach out to us. You could do that on our socials, at just convo pod, on Tik Tok, Instagram, on X, and on Facebook, wherever. Just type our name. Cristina: You'll find everywhere. Jack: Yeah. Cristina: Remember to subscribe. Right. And review the show. Jack: Yes. And word of mouth is really overpowered. Tell everybody about the program and the fact that we have absolutely given. Given you nothing but solid fact and proof that Godzilla was real and a timeline that you could throw in people's faces and show them, look, this is proof. And when they're like, you're using a weird kind of confirmation bias, looking for evidence to prove your argument instead of disprove it, you tell them what is proof of your beliefs. And they're going to be like, good point. But you're being absurd. And you're going to say, I can back these thoughts up with science. Can you? And that argument is gonna win. Cristina: Okay. Jack: Because they're gonna 01:05:00 Jack: be like, I can't. Even if they know inherently, it might make more sense. In your total argument, you've used nothing but science. Even if applying it only where. Only where very convenient. And ignoring the areas that would make it unconvenient, you'd be the only one in the conversation with science. Cristina: Ridiculous. Okay. This has been the Rambling Podcast. Take nothing personal and thanks for listening. Jack: Bye. Cristina: Good morning. Good morning. This podcast is hosted by Cristina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.in fox art by 0lupo and logo by Seth McAllister with social media managed by Amber Black. 01:06:20

Rambling 295: Real Life Pokemon

In the latest episode of our podcast, we embark on a whimsical journey to explore the question: what if Pokemon were real? This episode is a delightful blend of humor and thought-provoking ideas, as hosts Jack and Cristina dissect the implications of living alongside these fantastical creatures. The discussion kicks off with a seemingly innocuous topic—potty training. Jack recalls a conversation about how challenging it would be to potty train a wild Pokemon. Cristina agrees, pointing out that training any animal is hard enough, let alone a creature with powers and instincts of its own. This leads to a deeper exploration of the challenges of owning Pokemon as pets. Would you really want to catch a wild Pokemon? Or would it be better to raise a baby Pokemon to ensure it becomes a well-behaved companion? As the episode progresses, the hosts delve into the ethical considerations of Pokemon ownership. They ponder whether it is right to own humanoid Pokemon, drawing parallels to issues of race and speciesism in our world. "Are we just being racist and slave-owning these humanoid Pokemon?" Jack provocatively asks. The conversation raises important questions about consent, rights, and the nature of ownership in a world where intelligent creatures exist alongside humans. The episode also touches on the practical aspects of living with Pokemon. How would our homes adapt to accommodate larger Pokemon? What jobs would Pokemon have in society? From firefighting to healthcare, the hosts imagine a world where Pokemon play vital roles in our lives, contributing to society in ways we never thought possible. In a humorous twist, they also consider the absurdity of Pokemon battles and the implications of "chicken fighting" in a world where Pokemon are treated as pets and companions. Would we pay our Pokemon to fight, and how would that change the dynamics of their relationships with us? This episode is a rollercoaster of laughter and insight, leaving listeners to ponder the complexities of a world where Pokemon are real. It's a must-listen for anyone who has ever imagined what it would be like to catch 'em all in real life. Tune in now and join the conversation about the wild and wonderful world of Pokemon!

+Episode Details

Topics Discussed:

  • Potty Training
  • Humanoid Pokémon Ethics
  • Pokémon as Pets vs. Workers
  • The Reality of Pokémon Battles
  • Chicken fighting
  • Eating Pokemon

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Rambling 295: Real Life Pokemon Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling Podcast. I'm your host, Jack. Cristina: And I'm your host, Cristina. Jack: And this is a show where we ground humanity's most absurd and baffling ideas. And today I figured we would do this to the max. Cristina: What does that mean? Jack: We were having a conversation. I don't remember when, where, or about what, but at one point, one of us said, like, if Pokemon was real. And that stayed with me. I don't remember what the conversation was, and I'm sure there was an example in context, but I don't remember what we were talking about. So I don't know the example or the context. I just remembered, what if Pokemon was real? Cristina: That was on the podcast or that was. No. You have no idea. Jack: I have no idea. I have no idea when this happened, but in doing so, I really sat down and thought, no, it was about potty training. Cristina: I kind of remember this. I think. Yes, it was. Random conversation. Okay. Jack: Yeah, I think it was about potty training. Cristina: Yes, yes. Jack: I think it was on the show. I think we were talking about that meme that shows how weird it is to go to sleep. Like, a kid will go to sleep with their Pikachu, and it's cute and cuddly, but a kid goes to sleep with their Mochomp, and it looks like gay p*** or something. Cristina: I don't remember that. But that is creepy. Jack: Yes, it's weird. Cristina: It is weird. Jack: And I think maybe we're talking about a fox or something. Like, how annoying it would be to have a certain Pokemon as a pet. Cristina: I don't remember. I just do remember the potty. I just don't know how we led. What led to the potty training. Jack: Yeah. Cristina: But I remember bringing that up being like, that's the worst part. Like, I wouldn't want to have Pokemon because of that. Jack: Yeah, you couldn't get old Pokemon. You got to catch babies. Oh, you see, this is exactly. But before we continue, what I thought we would do today is basically what we're about to do right now, which is just makes, like, put Pokemon in the world. What would that look like? We're gonna make it real today. Our one and only goal is fitting Pokemon into reality. Their abilities work as they're described, and they are shaped the way they are described. But, okay, our world works the way it does. Now, how would these two things fit together? First, potty training was how this began. And that makes a lot of wild Pokemon. A problem. You can't catch an older, higher level wild Pokemon. Potty training. Cristina: That sucks. You couldn't potty train. If it's anything like an animal, you don't. It doesn't. After a certain age, it's just gonna keep doing what it's doing no matter how much time as you try to train it. Jack: Yeah. Cristina: Teacher what's right or whatever. Jack: Yeah, no, it's gonna. Yeah, exactly. It's just gonna do what it's used. Cristina: To because it's a wild animal. Jack: And in theory, you could train them to be able to. But it would be so much work. Cristina: Would be. I don't know. It's weird to train. I don't know. It's. It sucks training a regular animal to do potty training. Jack: And now you got this thing that, like, can you up. Cristina: Yeah. And you're going to tell them how to. How you use the bathroom. Jack: How do you discipline a Pokemon? You just got to approach with confidence, I guess. Cristina: I guess. Jack: Like, only certain people can be Pokemon trainers in the real world. Only some people. It's not going to be a million kids. Cristina: It's not going to be all the Pokemon. There's so many options of Pokemon that you just can't have. You just couldn't. Because you die being around them. Like, anything that has fire coming out of it, like, you couldn't survive with it in your house and then all that smoke. Jack: Yes, 100%. Anything that actually has fire coming off of it. But it doesn't mean that those Pokemon are useless. For example, think of people who deal with clearing areas so that forest fires don't affect major living locations. Those Pokemon themselves are very useful because they can just wander those paths over and over while other people contain the fire. Cristina: We'd have Pokemon that have jobs, but to have them as actual pets or whatever. Jack: Those could be pets, but I guess it could never come inside. And it would need to be in a specific kind of environment where they can be in your backyard without burning everything 00:05:00 Jack: down. Cristina: Yeah, but if you're in the city, you couldn't. You couldn't do that. Jack: Definitely. You're locked out of having a lot of things, But a lot of them are also unrealistic to just have in a city. Unless you're taking them to a gym. Like, they need to be in their Pokeball. Cristina: Yeah. Jack: Like, what the f*** is a Charizard? That's huge. Cristina: It's huge. A lot of things are too huge and dangerous. I don't know. I don't know how it could Work. Except that, like, have the baby and never evolve it. Jack: Well, the d. Well, no, everybody. Here's the thing. It's like an animal. If it's raised around people is my theory. It's not gonna hurt people. Cristina: Okay. Jack: I think that's definitely how it works. And a lot of them, if we look at. If we use some source material and think of, like, the way the shows show things, things tend to be what they look like. They behave in kind of ways as to what they're supposed to be. Cristina: Yes. Jack: So, like, the Tauros are at a farm. And that makes sense. They're basically a pet, but they're also livestock. And, like. Cristina: Yeah, so we'd see, like, the cow. Jack: Yeah. Milk tank would be there too, and it would make sense. And their purpose and abilities could be contained. And that person is an expert at controlling them. I. I could not tell you in a million years how to control a bull. I don't know. I couldn't tell you. But I know a bunch of farmers that do. Cristina: Yeah, they could, I guess. Yeah. But, like, what could you deal with? What could. Which ones can you deal with? Jack: Like, things that you could really. Let's say also like Machamp. Cristina: Is that his name? The guy with the many hands? Jack: Yeah, the four hands. Cristina: When does he get underwear? As a baby. He doesn't have underwear. Like, are you giving him underwear? Why don't you give him pants? Jack: He's a wrestler. Cristina: It's a wrestler 24 7. He has to be a wrestler. He's a man. Jack: There's a bunch of Pokemon with clothing. Cristina: Yes. You should clothe them. You should give them normal clothes for Pokemon type clothes. Like for dogs. You have dog type clothes. They should be the same with Pokemon. Jack: No, let's really talk about Machamp here or Machoke or whatever the crap this guy's name is. All three of them. Cristina: Yes. Jack: That's basically like a different race of human. Cristina: Yes. Jack: Like, it might say its name exclusively, but, like, come on, we do not own them. It thinks to the. Apparently most Pokemon think to the degree that a human does. Even if they can't speak our language, they think to the degree a human does. Cristina: Maybe like dolphins. Jack: Yeah. Yes, exactly. And then we have this. This one that already thinks like a human looks like, then looks like one. And it's like, at what point are we just being racist and slave owning slaves? Cristina: Yeah. I don't think we could own them. And also, they should just have their own society, like their own town. I don't know. Jack: Yeah, no, Machoke would definitely be just A species of people. Cristina: And we should give them clothes? Yeah, they. Jack: No, they could do whatever. We don't do what they do whatever the they want to do. Cristina: You think they're just choosing to wear. Jack: If they're. If they're gonna live in our society, then yes. But if they're gonna live in their own society, they could do whatever the they want. Cristina: Okay, so if they want to be naked, that's fine. Jack: Hey, if they're fine with it, I'm fine with it. Cristina: Okay. Jack: They got to do whatever because you. Cristina: Think they decided that. Jack: I don't know. I don't know. Cristina: When they level off the side. Jack: Yeah, I assuming. No. No. Because they all have the same underwear. It's just part of his body. Cristina: That's insane. Jack: Yeah. Cristina: How does that work? Evolution is weird because where is it coming from? Jack: It's not underwear. It's just skin. Cristina: Ew. Jack: That's in the shape of underwear. Cristina: Oh, okay. Jack: But he. It's just weird. Cristina: It's a human. Jack: Yeah, he's a human. Cristina: Yeah. And, like, there's other ones that are like that too, though, that, like, what do we do with them? Jack: A lot of the fighting Pokemon really are like. If you think of maybe not. I mean, he's still so humanoid. Hyp Lead is like, just really long legs, a big torso with no head, but, like, his head is his torso, kind of. And then arm sticking out of that. But also, he still thinks like a human. And again, he's kind of mostly humanoid. I think that would also just be a person. Cristina: I think so. And his baby form is his. His baby also. Jack: That looks like a human. Cristina: Like a little boy. Jack: Yeah. So all Hypno Hitmo. What is it? Hypmo Top. Hitmo Lead. Hitmo chan with a. The one before him. Those are people. They get to just be human, I think. 00:10:00 Jack: Yeah. We. That's illegal. That's slavery. Cristina: Which ones are okay to own? That seems wrong too. Jack: Animals. If you look like an animal, we're just gonna look. We do it to dolphins right now. We're like, f*** the dolphins. Cristina: Okay. Jack: So we're gonna use that same application. And it's. It doesn't matter if you're even smarter than us, okay. If you do not look like we do. Cristina: Okay. What about that? Talking meows. Does he get away because. Jack: Because he's talking. Cristina: But not. No other mouse. Jack: Yeah. And any Pokemon who can communicate psychically and it sounds like a human voice. Cristina: That's probably every psychic type. Jack: Hey, that's fair. If it is, it is. If it's not, it's not okay. That's totally fine. And that means that we can't have psychic Pokemon. Also. Those are dead people. That's mess up. Cristina: That's ghost. Although I guess we can't have. Jack: Yeah, no, you're totally right. So we can't have psychic Pokemon because those are just. They. They can't. They can break the illusion. No, they can break the illusion too hard. Yeah, they're just people and they're going to be letting us know they're just people and they can control our mind. Cristina: Yeah, that's dangerous. Jack: Those. Those are for weapons and other things. They have to live amongst us. Cristina: What about dark Pokemon? That's dangerous too. Jack: They're literally just evil. That is their defining characteristic. Cristina: So we can't have evil dudes. We can't have ghosts. We can't have. Jack: Because we couldn't trust the dark Pokemon. Psychic Pokemon 1. They need jobs with us. There are many things we could use them for. Cristina: Okay. Jack: And psychic are also like psychic. We don't want to have an issue with them. Cristina: Yeah. Jack: Yes. Psychic fighters that look human. Because there's fighters that look like weird. Cristina: Like what? Jack: Like a fighting tree. That's not human enough. Cristina: Wait, the tree is a fighter? Jack: Yeah. Is it a fighter? Cristina: The Sudo. Sudo. Jack: Yeah. Cristina: I'm gonna look it up real quick. We should have a picture of all the Pokemon because I don't know every Pokemon's name. Jack: Okay, so he's not fighting. He's Rock. Cristina: It's Rock. That is weird. Jack: That is an incredibly weird fact. Cristina: Fighting makes more sense. I mean, grass makes the most sense, but fighting would be the second option, I guess. But no, he's a rock. Jack: Well, let's see. Right now, which man Pokemon would be an issue in real life? The freaking monkey one. Primeape. That cannot. That's just a monkey. That's fine. Monkeys are kind of humanoid. But there's far enough. Cristina: We can have all the rats and the cats. Yes. Here's the problem. Jack: Here's a problem. I'm about to break out that illusion real hard. Because the problem comes down to the fact that today, apes. Today gorillas and s***, all your ancestors or whatever, Machop, Machoke and Machamp. Cristina: Are all. Jack: More human looking than every ape. Other than humans that exist today. That's how human that thing. It looks more like us than it does our own apes. That's how human that thing looks. That's just a person. Okay, you know, that's definitely just a person. Hitmo chan is just a person. And because it's related to Hitmo lead. Even then Hitmo lead looks like a person. Cristina: Yes. Jack: And Tyrogue is who you're talking about. Cristina: Who's Tyrone? Jack: The one that evolves into all three of them. Cristina: Oh, okay. It looks like a child. Jack: Then. Cristina: We have wearing clothes. Yes. Jack: The bird. The firebird. Doesn't actually have fire Firebird. A torchic that becomes combustion, then becomes blaziken. The Fighting Chicken. Cristina: Okay, but it looks human. She's a human wizard thing. Or her last. No, wait, no, that's someone else I'm thinking of. Jack: This is a chicken. Cristina: But it's chicken. Jack: It. It looks. It's just a fire. Cristina: Fire chicken. Oh, the fighting Chicken. Okay, Is she at the zoo? Where. Where did we put that at? Oh, that's a person, I guess. Jack: Yeah, that's a person. That's just a human. There's too many real human. There's Pokemon that are just gonna live amongst us. Also, the psychic with the ballerina dress. Gardevoir. Cristina: Oh, what about her? Jack: That's just a person. Cristina: Oh, yeah, but we already ruled out psychic. Jack: Yeah, we did rule out psychic. Cristina: Can't have pets. Yeah. Jack: Okay, so definitely. No exaggerate. Anything that looks more like us. Anything more human looking than a gorilla cannot be simple. Cristina: Okay. Jack: Anything. Cristina: There's still a lot left over. Jack: Yeah, there's a lot left over. 00:15:00 Jack: There's a lot left over. Also, we couldn't have things indoors that are obviously going to destroy the indoors. Like you said. Pokemon that have, like, fire. Pokemon that actually have fire coming off of them. Cristina: Yeah. Are there some poisonous Pokemon that, like, if you touch them, they poison you? Jack: Yeah, yeah, yeah. There's definite Pokemon that are just truly dangerous to have unless you know how to handle them. Cristina: Okay, so we can't have poison types. That rules out. Yeah, we're slowly ruling out a bunch of types, though. Jack: Well, it depends on the poison type. You're not just gonna get poisoned by touching all of them. Cristina: Yeah. Okay. Jack: But here's another thing. We'd be eating Pokemon. And people don't think about this. Cristina: Maybe we just eat their eggs. Jack: We're still human and we're gonna eat Pokemon. No, that's just gonna be a reality of life. It's weird again when you think about how sentient these beings are. Cristina: We're gonna eat them, and we're just gonna eat them. Which Pokemon can we eat? Jack: We can eat Milk Tank as a different kind of cow. Cristina: Okay. Jack: You know, we can eat. Except we're not going to because it's humanoid. Cristina: That bird. Jack: The bird. Cristina: Well, baby ones, maybe. Jack: We could eat baby Ones? No, but that's their children. It's weird to us, but they're going to end up humanoid. Cristina: What if they like to eat their children? Jack: They can do whatever. Cristina: Oh, they can do it. But we can. Jack: We're not going to eat their children. But humanoid Pokemon are definitely out. And because of that, we don't eat that chicken person. But we can eat. We can eat anything that's. Do you know anything that's an animal, like a gorilla. Obviously the society approves of. We're not going to eat like the elephant Pokemon. Cristina: Who wants to eat a Pokemon? No one wants to eat a Pokemon. Jack: People are going to eat Pokemon. It's just going to be normal in society to eat Pokemon. Cristina: I don't know. That's really tough, I guess if Pokemon are already normal. But if they came out of nowhere. Jack: No, this is if they were normal. Cristina: Oh, okay. Jack: This is if they were normal, but society somehow evolved the way it did today. Cristina: Oh, okay. Jack: How would they fit into the current structure? Know based on how they are? We would be eating some Pokemon. We'd definitely be eating some Pokemon. We would have been eating Pokemon our whole lives. Cristina: How many people would be doing Pokemon? Jack: Oh, my God. I think a lot of people would be Pokemon. Cristina: Like. Jack: Also, is Mr. Mima made to Ash's mom? Cristina: I don't know. He's a person. I don't know. Also, he's psychic. Jack: He is a person and he's psychic. Okay, fair enough. You can't animal Pokemon. So you could. Your Machoke. Cristina: Yeah. Okay. Jack: You could. You could actually. That Pokemon. That wouldn't be illegal. It has to be consenting or a trade. Cristina: Okay. Jack: It has to be consenting or a trait. Cristina: I don't know. Jack: But hey, whatever you're into, man, you get to your. Your humanoid Pokemon. Cristina: Thank you. I think I rather eat them. Jack: You rather eat them? A choke? Cristina: No, I rather do nothing with one. I don't want to look at one. Jack: Yeah, Machoke is pretty awful looking. Cristina: There's some Pokemon I just don't want to look at. Jack: So then humanoid Pokemon would have all the rights. Humans do, basically, right? We're gonna let them vote in their elections. Unless they're acclimating to us. You said give them their own place. Cristina: No, that doesn't make sense. Because if it was there, they're with us since the beginning of time. It doesn't feel right to just separate from them. Jack: I mean, we could have been raised separately, different kinds of. But also there'd be places where people, humans and these different civilizations live together. Cristina: I guess you know, so you don't think it's everyone everywhere. Jack: There's many countries you can go to that are just one. One race. So there's probably a bunch of places that we'd be able to go to that are just one species. But there'd be places we can of humanoid, and there'd be other places we go to where there's multiple species of humanoid. Cristina: Okay. I guess. Jack: Think about how dark the reality is in Pokemon that they really are enslaving these things. Cristina: Yes. I don't know. Yes. Once you put something in the computer, I think that's really sad. Jack: Yeah. You just soulless at that point. Cristina: Yeah. Like, it's worse than just having them in your ball because you know at least it's gonna come out eventually. No, they don't even exist in your computer. That's it. Jack: Yeah, they just exist in stasis. Cristina: Yeah. Like, when are you gonna look at that again? It's lost forever. Jack: So then, which Pokemon would make 00:20:00 Jack: excellent pets? Cristina: Dogs and cats. Normal types. Jack: Fair enough. I think this is the moment where. Well, you couldn't have it as a pet. It would be like your clefairy. It would be your clefairy. Cristina: What, the adorable. Jack: No, Persian. You can have it as a pet, but it could be your roommate. It could be your family member. Cristina: It could be your family. Why would it be your family? Not your blood, but cat. Jack: It's literally a cat, but thinks like a human. Literally. Cristina: Do they not all think like humans? Jack: You think cats think like humans? Cristina: No. You're saying. Oh, so you're saying only Persians. Jack: Oh, Persian isn't psychic. Cristina: No, it's not. Jack: Oh, it has psychic moves. Right. Okay. No, you should definitely be able to have Persian as a pet. Yeah. That cat. Yeah. No, that's a pet. That's a pet for sure. Cristina: All the animals besides the psychic ones and the dark ones and the ghost ones. Jack: Yeah, the ghost ones, because those be dead people. And dead Pokemon, the. And that's f***** up. The psychic ones because they can prove their humanity. The humanoid ones, because that's just f***** up. And the dark ones, because we can't ever trust them. They're literally evil. That's the point. Cristina: Yes. And you can't get older Pokemon as pets. Jack: You can, but you have to know what the h*** you're doing. Not everybody can have an older Pokemon as a pet. It's like getting an older dog or some s***. That's just a person with problems, especially if they're a wild person who's lived outside their whole Lives. Cristina: That's insane. Jack: Yeah, I guess. Fair enough. I guess. That's not a person. Interesting. Cristina: Why? Jack: Because it's not. Think about it. Cristina: It's a wild animal. Jack: That's a wild animal that wasn't raised with people that was raised out there not thinking thoughts like humans. Cristina: And there's like, come on. Animal shelters. Like, for wild animals to be killed. Jack: There'S probably gonna be. Cristina: Oh, I guess. Jack: But think about it. I never thought about this. It's like if, like an indigenous person out there or something wild and savage, except they're one of us now. What would be the difference between one of those indigenous people? If they looked like. If they were all gorillas but the behavior was identical, we would say that that's not behavior that reflects us at all. That's animalistic behavior. Simply because they're an animal. Cristina: Mm. Jack: Even if they were doing exactly what they're doing every time they see us now. Except they worker at us. Cristina: So which Pokemons will those be? Just wild Pokemon. Jack: Those would be wild Pokemon. Cristina: Okay. Jack: Wild Pokemon outside. We would just. Because they're behaving, unhuman. Those are not people. Cristina: So then we can't have old. But you said we can. Jack: People who understand how to train them perfectly fine. But I'm saying wild Pokemon trained out there would never compare to a Pokemon, like, raised indoors or whatnot. Raised around people. I think the ones that are humanoid are only humanoid because they were raised around humans. The ones that have those thoughts, not physically. Cristina: Okay. Not the physical, because they're naturally just. They look like us anyway. Jack: Yeah. Cristina: Okay. Jack: But if one of those very ones that was very humanoid lived in the wild and acted like a savage, we would still protect it with the laws of humans. Because our laws are going to dictate anything that looks more human than the gorilla. We just like, they're like savages. That's it. But they're people. Those are people. They look too much like us. Cristina: I feel like there's still so many Pokemon we cannot have. I feel like a lot of Pokemon are bigger than we think they are. And that's a problem. Jack: But then again, people, you know, really filthy rich people would have made homes capable of housing some of these. Cristina: Yeah. Like even just like the Persian you were talking about, like a normal apartment can't hold a. Jack: No. That's like the size of a casual, like, small, big cat. Cristina: Yeah. You need space. You need a lot of space. Jack: Yeah. We would need so much room. An average size apartment wouldn't house like. Cristina: A Pidgeotto or Pidgeot. Like those things are huge. Huge. Jack: Huge f****** bird. It couldn't open it with swings. Cristina: Yeah. Jack: Like your house to that fully evolved human sized bird is like a birdhouse. 00:25:00 Cristina: Yeah. So, like, I don't understand, like, you can't. A lot of these have to have their own home or live in your backyard or something. Jack: No, you gotta understand that homes would have simply changed, okay? We would have adapted with them. Cristina: So we wouldn't have apartment buildings. Like, how would the city look if it's filled with Pokemon? Jack: Ceilings would be really tall in every home. Or, you know. No, not every home. Because again, it would still be up to who can afford to house these things and feed them. Cristina: Okay. Jack: You know, the bigger, the more you gotta feed it. If it eats, I guess there's some Pokemon that don't eat. Cristina: There's Pokemon that don't eat. Jack: Pokemon that aren't even like living things more than they are like sentient things. Cristina: You can't have those as Pokemon, can you? Jack: Like, I'm sure you can have like, if like Sudowoodo. Cristina: He's a rock stick. Do we. Can we have him? Jack: I guess you could have him as a pet. As a Pokemon. Catch him if you want. I don't. What's the difference between owning and having it? Cristina: No, you own arms, legs, a face. What makes him not human? Jack: He doesn't look. He looks like a tree, not like a human. Cristina: Okay. I don't know. He's a weird one. Jack: You gotta look human, okay. Not just be standing by people. Cristina: Okay. Jack: Because then like Charizard could get in. Oh, yeah, that's just. No, no. But. Lost my train of thought. Which Pokemon was I trying to think about? Cristina: I don't know. What Pokemon were you trying to think? Jack: I have no idea. But no. The freaking bird. The houses would have adapted. Yes, the houses would have adapted to the size of Pokemon. So people who like, let's say damage is you can't own a metagross. But if you wanted like a giant alien looking spaceship, right? You want a giant alien looking. There you go. Another. But those things. Well, no, that's way smaller than the metagross. But gross is the example for a reason. Cristina: Okay. Jack: Because it's huge. Yes, but like, if you're Elon Musk, you probably have a giant. The biggest you could find. Cristina: Metagross. Jack: Metagross. It looks like an alien spaceship and it's the size of a building. And then he rides it around his like SpaceX facility. Cristina: Horrifying. Okay. Jack: You know, it walks him from one building to the other. Giant Spider thing. Cristina: We keep the lights off and it's crawling with its bright red eyes. Oh, my God. Jack: And it could float. Cristina: Horrifying. Oh, my gosh. Even scary. Jack: It probably would have been what inspired him to create most of the space stuff at that point. He'd be talking about his weird alien spaceship Pokemon. Cristina: Except that that guy is psychic, so he can't actually can't. Jack: You're totally right. Cristina: But that could be a co worker or employee, whatever. Jack: You're totally right. And man, there's so many. There's so many Pokemon. It's weird. But yeah, adopting Pokemon would have to be way considered. I'm sure they'd be like, man, it'd be weird because, like, rich people would be going to adopt like. Like adoption agency. Cristina: Yeah. They'll be in the global trade thing with all the Pokemons putting. Getting all the IVs. 31. Like finding the perfect expensive Pokemon. It wouldn't just be any Pokemon. Jack: Yeah, no. Cristina: They'd be looking for the beginning, the shinies. Jack: Yeah, they'd be collecting shinies. They'd be looking for the strongest, best Pokemon they could find. Wasting all their money on maybe the Alphas. Cristina: I don't know. Jack: But that's different. Them buying that versus going to, like, because you. They could buy a normal Pokemon. They can't buy a humanoid Pokemon. They got to go to a foster home. Cristina: Yeah. Jack: And then when they go to a foster home, they're shopping between humans of different races and literal different species of humanoids. Cristina: Okay. At the foster home. Jack: Look at this human baby. Oh, look at this cute little machoke. Cristina: Oh, my gosh. You're deciding between those two. Oh, okay. Jack: Yeah. Think about how white people will sooner adopt a black or Asian kid to kind of check off their diversity box or whatever, instead of another white person who's equally in need. It's the same idea. There would be more options of species to adopt. Cristina: Okay. But normal person would not be adopting. They would just be finding them. I don't know. Jack: What do you mean a normal person? Cristina: Like, would we have Pokeballs in this 00:30:00 Cristina: society that's grown up with Pokemon? Jack: Yeah, we would still have Pokeballs for sure. Because we would also need, like, some of these Pokemon aren't having jobs, they're animals. Cristina: Because then we'd be catching them the old fashioned way. Jack: Catch them the old fashioned way. Like, we're not gonna. Like, we catch. I'm sure people go catch as well as breed. Ataros. Cristina: Mm. Jack: That's just a bull. Cristina: Yeah. This is a pretty cool bull, though. But. Yes. Jack: Yeah, but Then they catch this bull in their little Pokeball Majiggy. As well as freedom. Whatever. You're not a human. Cristina: It sucks. We can't have ghost Pokemon. Jack: Why these dead people? They're ghosts. Cristina: Why are there so many ghost Pokemon? I look so cool. Jack: If you had non Pokemon plants, you would want in your house a water Pokemon. Cristina: If you had non. Jack: Non Pokemon plants. Plants that aren't Pokemon. Cristina: Oh, okay. Jack: You want a water Pokemon living in your house. Cristina: Okay. But if you had a plant like Pokemon, would you not still want a water Pokemon? Jack: That's weird. How would one help the other? Cristina: I don't know. Because it's still a plant Poke. I mean, the Pokemon that's a plant still needs water. Jack: That's a weird relationship. Cristina: You give you water from the water Pokemon. Or would it still be seen as an attack? No, I don't know. Jack: No, they can control it. Cristina: Yeah, like, can't he just spray him with water and he just drink it up the way plants do? Jack: Mad kinky. Okay, assume the one who's doing the water spit spitting is the. The humanoid Pokemon with the spinny thingy on his body. And then assume that the other receiving end Pokemon is the flower that looks like a. A sexy lady or whatever the. They're going for. Cristina: Sexy lady flower. Jack: It's like a lady plant thing. They're definitely trying to make her look like she's a hot to. Kind of like that annoying rabbit. Cristina: Annoying rabbit. But the sexy flower lady, not flower. Jack: It's like some plant or some crap. I'm not entirely sure what it is. Let me see if I can find it. Cristina: And it's not. It's not bell awesome. Ryan P. She does not look sexy. She's just cute. Jack: It's the thick one. There you go. The thick one. Cristina: Oh, Rose. What's a ro. Red Roserade. Jack: Roserade. Cristina: Yeah. Jack: Okay, so sure. So it's that buff bro looking thing trying to in this case, squirt its water onto this lady looking thing. And those just happen to be the two Pokemon that you own. That's weird. Now also, I think that Pokemon should be excluded because she's too humanoid and he's too humanoid. They're kind of allowed to do whatever they want. Cristina: Okay, so if he does want to give her water, it's not wrong. Jack: It's not wrong. Cristina: You can't tell him to give her. Jack: You can't tell him. That's. That's abuse. You can't tell him to do anything, especially not to give her water. Cristina: But there's how many flower looking Plants are okay to have. She's not okay to have. Jack: She literally looks like a chick. If you look like a person, that already exists. Cristina: Bellossom, that other choice. Is she okay? She looks like a little girl. Yeah. Jack: Blossom's in a sketchy area, you know, because it's like. You look like a flower, too. Like, a lot. A lot. But also you kind of look like a person. Cristina: Okay, but gloom is okay. Jack: You. Yeah, you get. Gloom is just a creature. Cristina: So if you're lucky and you evolve into something that looks humanoid, you're okay? Jack: Yes, 100%. You just lucked out by evolution. But the problem is, then your whole lineage must be protected so that you can get to where you're going. So I guess we have to weigh some of these. No, Blossom, because she looks so much like a flower, she's excluded and will just be a Pokemon. Cristina: Okay, so what if I want my Bulbasaur to water my. Whatever, my Bellossom? Jack: Well, that's just a turtle. That's an animal. You can get it. Do whatever you want. Cristina: Okay. So you can water her. Jack: You can water her. Cristina: Okay. 00:35:00 Cristina: And it's not wrong. Jack: And it's not wrong. And it's not weird or rape. It's nothing of the sort. Cristina: I'm just trying to water my plant. Jack: Criminals would also have preferred Pokemon. They probably opt into. And we would see this in a lot of places. Regions would have regions, jobs, different. Everything. Everything would have specialized Pokemon, you know? You know, think about how easy it would be to have power plants if you have electric Pokemon working there, generating electricity themselves. Cristina: And steel Pokemon, will they help? Jack: Probably for building things. Maybe they can pull really exaggerated loads of weight. Interesting. Interesting. Cristina: Well, then, if they would be helped like that, I guess Rock Pokemon, too. Jack: Yes, but also psychic Pokemon would literally be your employee at that time, moving things with their mind to help you build and lift even more. Cristina: They're way more helpful in, like, working with us than actually being pets. So I don't know if we should have Pokemon as pets. I think we'd do more if we were just like, let's work together and build and stuff. Jack: But, like, a fire dog is still a dog, you see. Like, it doesn't work anymore because you. Cristina: Can'T do anything with a fire dog. Jack: Yeah. Like, what the h*** are you going to do with a fire dog? Just treat it like a dog and. Cristina: Except you can't have Houndoom. Oh, man. Oh, he's evil. Jack: Yeah, he is. Cristina: He's just an evil dog. Oh, no. Jack: But our canine is a fire dog. Cristina: He's humongous. Jack: You couldn't. You could never. You could never have some of these cooler looking Pokemon in the real world. Cristina: Exactly. Jack: You would really. Cristina: You could have the baby version. Jack: You would have him on a farm. Cristina: Yes. Jack: He's like a giant. He's giant golden retriever. Cristina: Yeah. Jack: And he's like a good 10ft tall. Well, sometimes. No, realistically, he could be like six feet tall on all four. Cristina: That's crazy. Jack: And that's huge. That's monstrously big. Cristina: Ridiculous. Jack: That's so inappropriately. But think. He's so. His fur is so cuddly. Cristina: Yes. He would feel like you could probably ride him around like neck like. Like your little dog or dogs. I don't know if people sleep with their dogs on their bed. Jack: He would be the size of your bed laying down. Cristina: Yeah. It's adorable. Jack: He would be the size of your bed. Cristina: He would be your bed. Jack: He would be your bed. Yeah. You could sleep on top of him. You wouldn't need the bed. Throw a blanket in on the corner of a room or something. He lays down and then you go and lay down on top of. Cristina: Oh, he's too huge though. Ridiculous. There. There's too. I don't know what Pokemon. Jack: All the small ones are easy. Like you could have a Pichu. Cristina: Okay, well then when it becomes a raichu. How big is that? Right. You. Jack: No, you choose not to evolve it or you gotta let it out. Cristina: Okay. Jack: Because that's pretty big. Well, then again, it says no, but that's just smaller than humans, so. Cristina: Right. You. Jack: Yeah. Cristina: Do you know what? What? How tall does it get? Jack: Three feet. Cristina: Okay. Jack: It's not that bad. Cristina: Okay, I guess. Okay, that's not bad. Jack: It's not bad. Cristina: But like a rat attack. That thing is huge, isn't it? Jack: It's still not like a human height. Cristina: Oh, how big is it? Jack: That's also like three feet. But then you can't have like Really? A Charizard is hard. A Blastoite is hard. These like giant Colossal Pokemon. Cristina: Charmeleon school. Jack: But he's on fire. You can't have that in your house. Anyways. Cristina: Charmeleon. No, I guess Charmander either. Bulbasaur is okay. Jack: Yeah. Squirtle. You can have most starting versions of Pokemon in your home, but it sucks. That's why you gotta get the out of the house if you want to be a trainer. Right. Because, well, you can have a bunch. And a bunch of them are going to get huge and you're not going to have that here. Cristina: So just gotta be A bunch of babies. Jack: They gotta be babies. You can't let them evolve because it wouldn't fit in your house. Cristina: Yeah. Jack: So you put them in a computer. Cristina: No, that's the worst. There's no computers. We did not invent the computer. Jack: I promise you. We would have invented the computer too. Cristina: No, that's the worst. That makes no sense. Jack: No, I'm sure they're keeping humans in that prison too. Cristina: It should be illegal. That's the prison. That's just a new prison system, is a computer. We don't have prisons. You just go into a computer. Jack: Well, no. Yeah. When we make that a prison for the humans. For criminals who are humanoid. Cristina: Okay. But actual humans. Jack: Well, humans too. Cristina: Okay. So then we would 00:40:00 Cristina: have to. Jack: Well, we are humanoid. Cristina: Exactly. So we're getting rid of the prison. Jack: Yeah. And putting us in computers that simulate our misery or whatever. Cristina: Okay. We're gonna make the Matrix. Jack: Yeah, we're gonna make the Matrix. I'm sure the Matrix is what's happening inside of a Pokeball. The Matrix is what's happening inside of Pokeball. No. Or is a state of not being. Is there nothing going on inside of a Pokeball? Because then it doesn't work as a prism if you're just not being and no time passes for you. Cristina: Like, I don't know. Jack: I think that's maybe what's happening. Cristina: I don't know. Because they don't act, like, horrified when they're out, like, how much no time. Jack: Has passed for them. Cristina: But when they realize time has passed, shouldn't that be horrifying the first time it happens? Will they be used? Like, how are they used to it? Jack: They're raised that way. Cristina: I don't know. Jack: That's why it's easier to catch younger Pokemon and harder to catch older ones because they're freaking out. The younger ones are like, what the f***'s happening? The older ones are, f*** that s*** up. Cristina: Okay, then that makes a little more sense. They're like, no, I don't want that. I know what's gonna happen. Jack: No, they don't know what's gonna happen. Cristina: Because they've never stayed in it. I don't know. It still doesn't make sense. No, no, no, no. That's horrible. Jack: Now, I have a note here that I find is funny because I was trying to think about the battling, and then next it. It just says, like, chicken fighting. Cristina: Like chicken fighting. Jack: That's basically what Pokemon battles are when you're doing it just for s**** and giggles, I guess. Cristina: Should we be throwing money in it. I guess we do throw money in it. Yeah. That will still be chicken fighting. Jack: It's chicken fighting. It's chicken fighting. We're enslaving humanoids and forcing them to fight. Like hobos for meat or something. Bro, what is happening in Pokemon? Cristina: I don't know. I mean, what if we split the money with the Pokemon? Would that make it more fair? Jack: You're making them fight for it and you're just taking what they earned. What the. Are you the fight handler? Yes. I guess you're just a fight promoter. Cristina: Yeah. Like when you have. You gotta battle with three Pokemon at the same time, you gotta help them decide what's the best. Jack: Why would they need. Cristina: I don't know. They need help deciding which move to make. Okay. Yeah. They would just stand there getting hit if you didn't tell them. Hey, dodge that hit. Jack: Yeah. No. 100%. It appears that all Pokemon have no sort of sense of drive of any sort. And they have a crazy sense of indecision. Cristina: Unless they're wild. That's the only time they know what to do. Jack: That's weird. We made them dumb. They're pugs. They're like pugs. Cristina: They become pugs once we catch them. Jack: They're just dumb and. Well, no, if they raise that way, because wild Pokemon that you do manage to catch sometimes still do whatever the they want because they know what to do. That's true dog life. Cristina: Okay? Jack: We make them dumb. We catch them and raise them like a stupid animal. It's like the difference between raising. Just bring a wolf home when it's a baby, raise that wolf, and then tell that wolf to go meet the wolves that grew up outside. They're gonna be like, you're retarded. Cristina: You can tell that wolf that you're retarded. Okay, yeah. Jack: You're dumb. You're dumb. Cristina: And that's why they need us to fight. And that's why dividing the money makes sense. Jack: Well, no, because those slaves don't get money. And those slaves are pets. They're animals. Cristina: There's no slaves. What are you talking about? In the game, sure, I guess they're slaves. But in ours, you wouldn't have. Jack: Machoke would not be fighting. No, he would have Pokemon he's using to fight. Cristina: Yes, but he would be splitting the money with those Pokemon. Jack: Why? Those are animals. You don't split your money with your horse now just because it's. Who pulled the people. That was your money. All you do is buy it. More hay and food. Cristina: Fighting is illegal. Isn't It. So we can't just have our Pokemon fight each other unless they're getting something from it. Jack: So is your argument that if we paid the chicken, it would be legal? Cristina: Yes, it would be more. Okay. Jack: Is paying the chicken the way to bring back chicken fighting? Cristina: Yes, I think so. Jack: Because it's not illegal chicken fighting. It's emotional chicken. Cristina: Exactly. Now he has a job. He's feeding his family. Jack: It's the logic behind p*** which is legal. Yes. Yes. A hundred percent. As long as it's being recorded. Yes, it's fine. Cristina: And they're getting paid and it's all. Yes, there are rules. That's how it works. I don't know. Yeah, 00:45:00 Cristina: it doesn't need to make a hundred percent sense. Everyone just has to agree to it. Jack: But in poor countries, people would still be chicken fighting. Pokemon fighting. Cristina: Yeah, they'll just keep the money themselves. Jack: Yeah. Cristina: Okay. Jack: But then, because they're animals, we're not Pokemon fighting. Basically, there's just like, ufc and Machoke is whooping a** like he's a Brazilian or something. Cristina: Well, no, because he wouldn't be fighting. He'd. Have you said he would be having Pokemon to fight? Jack: Well, no. UFC is just humans. Cristina: Oh, okay. So he can fight in the ufc. Yeah. Jack: Be fighting humanoids. Because he's not a Pokemon. That's where he would fight. Cristina: Yes, but maybe they'll have, like a class for every Pokemon or something. Class, too. He's. That. He's gotta be way heavier. Jack: He literally has powers. Cristina: Exactly. Although he probably can't use them. Jack: Oh, no. Cristina: But he's technically probably a wild Pokemon anyway. So he should be able to use it because no one owns him. Jack: No, he's just a person. Cristina: Exactly. So he should be able to fight like a wild type Pokemon. Jack: Well, that's not like a wild type Pokemon. It's really because he developed a sense of identity. We trained our Pokemon to do whatever we wanted to. Cristina: Yes. Jack: And we told them what to do, and they just do it. They're like dogs. Cristina: Yes, because he's not. Jack: He was raised. Yeah, but not because he's wild. Cristina: No. Jack: But rather he was raised like humans. You just do whatever you want, and I just do whatever I want. I didn't raise you to do only what I say. Cristina: Yeah. So, okay, then he. Yeah, he would just a person. Be able to fight. Jack: Yeah, he could easily go fight and he would just know what to do. Cristina: Okay. Jack: Probably no more than four moves. Cristina: Why do they only know formulas if. Jack: I think it's just up to the trainer's crappy Memory, Really? Cristina: Okay. I guess. Yeah. Like, some people probably just spam two moves. Who knows? Jack: Yeah. Like, you don't need a thousand things. Do the same four things over and over. Cristina: You'd be fine. Jack: Yeah, but so then UFC would have. Yeah. Divisions for. Because you couldn't. You couldn't realistically fight. You would die. Yeah. They got powers, man. So they would have to fight only their own, in their own weight class. There would be so many different species classes and weight classes within the species classes. Cristina: Yes. Jack: Whoa. UFC would be amazing. Cristina: We'd be tuning too much. We wouldn't be able to watch every episode. No, no, no. Jack: The crazy fights all the time. It's dope. And to be crossover things when possible, things that kind of scale, because, like, we're assuming all Pokemon that are no longer going to be referred to as Pokemon, but the humanoids would be stronger than, like, the heavyweight classes. Right. They're just way over that. So they would be exciting to watch like that. Like, just way over the scale. We're like, oh, heavyweight match. Cool, dope, crazy fight. But, like, macho fight. That's like. They could hit like a train. He could literally hit, like, if he was a train, and he's gonna hit another thing that could get hit by a train and be fine. Cristina: Yes. That's crazy. Jack: Like, that's way higher up of a weight class. Cristina: Yes. Yes. That works. Jack: That works. And I'm sure that there'd be infestations of Pokemon rats. Rats. There would be rat attackats everywhere on everything. They would be. No. Here's the f****** problem, dude. Birds would just stop. There'd only be Pokemon. There'd only be flying Pokemon. There wouldn't be birds. You know how big a feral Pokemon is? Even small Pokemon are huge. Cristina: Yeah. Jack: They're gonna eat all the birds. Cristina: Bugs would still be around. Jack: Bugs would be a problem. Cristina: Like human. I mean, not human bugs, but, you know, non Pokemon. Jack: Yeah. They'd be hard to get rid of. Cristina: Well, Sylvia, I think. Jack: But Pokemon bugs are going to be an issue. Cristina: Yes. Jack: If you don't like bugs, that's nightmare world to live in. Cristina: Especially, like, a hive of beedrills. How horrifying is that? Jack: You die. One stings you, you die. If you're human. The size of that bee. Cristina: Because, like, beetles are humongous if they have to. And they have that Pokemon that's like a queen bee, too. Like, are they living in hives? How big is that hive? That queen is kind of big. Those babies are kind of big babies. They're like. They're like Pikachu size, but they're still. That's a baby bee. Jack: No. Yeah, I know. We're talking that this bee is easily seven feet tall. Cristina: And then. Jack: Hives of these things. Cristina: And then how much is in a hive? Like, of hundreds. Hundreds of these tall beings. Like, they're living. It's probably like a tower made of honey or something that we just see. Jack: And 00:50:00 Jack: building. Cristina: That's where they are. We're gonna keep away from that. Jack: Yes, it's a building. But then again, those things are so big that either it's away from civilization out in the woods somewhere, which. Cool. Cristina: Yes. Jack: Or they're also just kind of living to a humanoid degree mentally, because they're so huge. Like, we can't stay out of each other's way. Then you just raise yourself around us, and then you're like the machoke. Cristina: Yeah, but they just have their own thing. Jack: Yeah, yeah, yeah. For sure. They can make their own home. Cristina: Horrifying still, because they're huge. Too many are too big. Jack: Too many, man. There's. Yes. All of the above. And that applies to so many Pokemon. So all these humanoid Pokemon would have to learn how to use money. The ones that lived in our societies. Cristina: Yes. And that's why we're paying them to fight each other. Jack: Well, they're just fighting the way humans are fighting. We're not paying the animal Pokemon. No, no. Cristina: So no chicken fighting. Jack: Only humanoid Pokemon get paid. Cristina: Okay, and those aren't Pokemon. Jack: They're just humanoids. Cristina: Yes, but we can't make our Pokemon fight each other. That's illegal. Jack: At least in this country. Okay, but there are countries where it's not. Cristina: Okay, but here, no. Jack: Here, no Pokemon fighting. Cristina: No Pokemon fighting. No battles. Jack: But the battles are going to be happening in third world countries for sure. Cristina: Okay. Jack: And on top of that, there's gonna be intentionally humanoid military operatives and animal Pokemon weapons. Cristina: Okay. Jack: Yeah. Armies of fire Pokemon running into enemy territory, using their fire ability to burn things down, being directed by humans and humanoids. Cristina: Mm. That's crazy. Can we do that? Jack: War would change so drastically. We literally have powers at this point. And there would be issues all the time. The moment somebody got a whiff, there's a. There's a legendary Pokemon with insurmountable amounts of power. Like a lot of countries, it's a race to the moon. Every time we hear about anyone about a legendary. Cristina: Yeah, yeah. Jack: Every country. Every country. Everybody. Cristina: I don't even know, like, these legendaries, they live in their own. They can make their own home outside of Earth. Can't they? Jack: Like, some of them. Cristina: Some of them are earthbound. Jack: Yeah. Like the ones that. Like the giant whale and the dino thing, like, the water and ground, those. Cristina: Are too dangerous to even be next to. They're huge also. Jack: Yeah. They cause tsunamis and earthquakes. Huge. Cristina: That's gonna be a problem. How is this not gonna turn into an apocalypse? Jack: Well, it would have been normal always. Cristina: Okay, that seems really dangerous. Jack: It would have been normal always. Otherwise we would have never gotten this far. If it was apocalyptic, we would have just never existed. Cristina: Okay. Jack: But we've made it here. Except society works with us today. Cristina: Yes. And we're only able to have some Pokemon test, but very few, so we'd. Jack: Have a lot more citizens. It's just weird. But then again, it's weird to think about, oh, there's a bunch of wild Machoke, but also, like, there's a bunch of wild humans. Cristina: Yeah. Jack: Just out there being human. Cristina: Yeah. Jack: In the wild. Cristina: I mean, Macho will go to school with us and have jobs with us. Jack: Yeah. Cristina: 100. Jack: Even if they can't say anything but their own word. No, they would learn. I think they would learn because Meowth proved that. Yeah, he just practiced. Cristina: Yeah. And there's no reason why he would learn English from saying meow all the time. Like, if he can do it, they can all do it. Doesn't make sense. Jack: The police would be racist to other humanoids. 100%. Cristina: The police. Yeah, human, please. Jack: Oh, human police is gonna be racist to humanoids? To be fair, even if we let them into our society because they're humanoid, we would still treat them like lesser people. Cristina: For fact, even if they spoke English. Jack: Even if they spoke English. Cristina: I guess. Jack: It would go like this. White people treat everybody like crap. Then black people are gonna treat everybody. They're gonna be cool with the Pokemon, but not cool with the white people. Cristina: And then. Jack: How would this break down socially? Because it's. What 00:55:00 Jack: is it? The minorities? No, I guess it. No, it really breaks down to the following. The Pokemon that behave like white people will side with white people. And the Pokemon that behave like black people would side with black people. And the Pokemon that behave like middle. Like there's Middle Eastern behaving Pokemon. Cristina: Okay. What? Jack: Yeah. And racism would distribute itself like this. Cristina: You're saying there's Pokemon that act like different races? Jack: Yeah, there's Pokemon that have, like, racial biases attached to them. Some of the psychic Pokemon, if you look at Alakazam, always doing very Indian poses and always dressing in, like, old, ancient, wise India man or Chinaman, who knows? So he's this very specific area. A cliche character of it. Even how his eyes are formed, all of it is a giant cliche of this region. The people from those regions would be fine with this Pokemon, and they would prefer that humanoid Pokemon over some other humanoid Pokemon over, like, a Machoke that just looks like an American. Cristina: He looks like an American. Jack: He's too beefy. He's been eating too well. Cristina: Okay. Jack: You know. Cristina: Yeah. Jack: And we would prefer Machoke to Alakazam just because we're racist. Cristina: Okay, that makes sense. Jack: That would happen to all Pokemon that are humanoid. We would just racially align with more of them or species. Ly. It would still be racially. We would still have race that crosses boundaries within these collectives, because species is not race. Cristina: So are you gonna. Jack: I guess culture is what we're talking about. Cristina: We're calling them. But are we gonna be calling them the race or culture that they're a part of? Jack: I guess we would call them. Interesting. That's weird. I guess we would be calling them part of the culture that they're part of. It's weird, right? Because you can be a Alakazam from India. You're Indian just because you're from India. That's also part of not just your nationality, but your culture is Indian. So you're an Alakazam raised in India. I'm sure that's different than an Alakazam raised in the United States. Behaviorally, very different. Cristina: Yes, it would be. Jack: Yeah, yeah, it would be. Now, on average, where a Pokemon is from is where its behavior is going to line up to the most. And a region where this Pokemon is really common. Well, that's an Indian Pokemon. Cristina: Okay, so you're saying Pokemon are going to be spread out. Like actual animals are spread out in. Jack: The world and like people. Cristina: Yeah, and people. Yes. Okay. Like certain types of animals. Jack: Yeah, yeah, yeah. Like, maybe some are everywhere. Like Pidgeys. Cristina: Yeah. Because they can fly anywhere. Jack: Yeah. But then there's some that are just confined to where they're from. Cristina: Yeah. Okay. Jack: But the humanoids travel more. And also there's some Pokemon that can't go anywhere even if you're humanoid. There's gonna be some Pokemon that are. Cristina: Humanoid and just struggle and to stay where they're at. Jack: Yeah, they have to stay where they're at because other environments would be dangerous. Cristina: What do you think Snorlax is? I don't think he's humanoid. Is he? Jack: No, he's not humanoid. Cristina: That's just a bear. Jack: I think that's a bear. I think he is a bear. He's a hibernating bear. Cristina: Oh, okay. Jack: I never thought about it. Cristina: It's a bear. Jack: I'm just fascinated by how these panda. How this race problem is gonna break because are we gonna think about it like color? A lot of people literally devolve to color and would say lighter skin, white, darker skin, person of color. Cristina: There's no white skinned Pokemon. Jack: No. But then how do we. Because we're gonna. We're human. We're gonna be racist. Cristina: Oh, so we're just gonna call them whatever color they are? Jack: Like. Well, no, the question is how would we do it Racist to them? Cristina: I don't. Jack: Not just human racism. Cristina: Yeah, but how would. Jack: Because we can't. Cristina: Okay. Okay. Jack: Unless we're like, well, you stupid blue Pokemon. Cristina: I guess we could do that. Why not? Well, we'll invent words. Jack: Call them an ink stain. Cristina: An ink. Yes, like that. Jack: You ink. Cristina: That sounds awful. What is that supposed to be too like a poison type Pokemon? I don't understand. Jack: No, it's just any blue Pokemon. It's racism. Cristina: Okay. Jack: It's Pokemon whose skin is blue. Okay, you ink. Cristina: But ink can be blue, black, red. Jack: It's blue. Because pens. 01:00:00 Jack: Even if pens could be black, the common use for pen. You think is blue. Oh, call them an ink. Cristina: That's awful. Okay, that works. I guess. Jack: I guess, like how would we. I'm sure we would be racist because we cannot discriminate because they're still humanoid. We would find other ways to be a*******. We just do that. Cristina: Yeah. So we call them names. Yeah. Jack: The psychic Pokemon would also be translators. Cristina: Yes. Jack: I mean, great profession. They could translate between any two given languages. They're psychic. They're not even really using words. You're hearing it on words. Cristina: They could just lie to you too. But unless that's more like an evil psychic than you control society easily. Would you trust that psychic Pokemon would. Jack: Be running the world? If anything, there'd be nobody who can move outpacing them. We would be the second rate citizens. Cristina: Yes. I think psychic could be above. Jack: Yeah. We couldn't do anything. Cristina: We're normal time. Jack: They would be the nobility. They'd be royalty. Cristina: Yeah. Jack: And then we're just. We're still human. We're second most dangerous. And probably they just ignore us. Cristina: Yeah. Jack: Because what are we gonna do to them? Cristina: I think so psychic is a little too above. I don't know. Jack: Psychic who think at a human level. Because you can be psychic, have psychic abilities and not be super intelligent. So if you're raised in the wild and you just got psychic powers. You're probably using it in different ways. Cristina: Okay. Jack: Versus a refined individual. I guess it really comes. No, but they would have figured it out. They would have made society themselves. There must be really hyper intelligent Pokemon too. Cristina: I wonder who would that be? Jynx? Jack: Jinx. Cristina: She lives in a cave, doesn't she? What is she supposed to be? I don't know. Jack: That's a racist Pokemon. Okay, well, that's basically the black woman in a dress, the Pokemon. And then they made her purple because she was black. Originally it was blackface. It was blackface, the Pokemon. Cristina: Okay. But with very blonde hair. Yeah, but she's a psychic type, right? Jack: She's the psychic type. Cristina: Oh. Would she be above us, or do you think she's not? Jack: It depends on intellect. I don't know. I don't know. Is that Pokemon? If it's raised in a cave, it's not. Cristina: Okay. Where's Mr. Mime found? Also in a cave. I don't know. Jack: Yes. It's weird that they just hang out in caves or cavemen. Cristina: That's scary. Jack: We can raise them to be just as intelligent as we are, so they need us anyways. There's no Pokemon that just went out and built society. Cristina: Munchups. No. I don't know what in Pokemon in general, like. Jack: No. I mean, yeah, it would have to be, right? Unless Pokemon really went out and did it. But there has to be, like, a Pokemon that went out and made a society, and it's just those Pokemon living in pain, Right? Cristina: Mm. Jack: But no. Cristina: Why? Jack: I don't know why the f***. It's never happened in the shows or whatever. Not that I know. Cristina: Not that you know of. Yeah, I know. Jack: If it's been a very long time. Cristina: It could be so. Jack: Last time I saw Ash was going to the Orange Islands. Cristina: I don't even know what that is. Jack: That was like 2003. Cristina: Oh. But like, what's that in generations? I guess two Pokemon. Two. Oh, my gosh. Okay. Jack: And what generation are we on? 9? 10? Cristina: 20? No, 12. I don't know. Jack: I don't know how anybody keeps up with any of this. Cristina: I don't know. I hardly know the Pokemon. I know. Jack: Would there be any Pokemon in the medical field? Cristina: Chansey? Jack: The medical field would be destroyed. There'd be mostly Pokemon in the medical field. It would. Humans wouldn't be allowed to be Pokemon. You would raise non humanoid Pokemon with the explicit purpose of using their healing ability and recovering people. Absolutely. We'd live to Forever. Cristina: I don't. Okay. Jack: Everybody's hella healthy. Cristina: Has healing abilities, though. Jack: Hella chancy. Cristina: Okay, so just chassis. Okay. Jack: Yeah. There's a bunch of Pokemon that can do things like that. Cristina: Like that. I don't know. I mean, they could heals. Heal themselves. Jack: Anybody who learns. Anybody who can learn a Heal for the party. Cristina: For the party. What move is that? Jack: I don't know. Cristina: There is a move like that, though. Jack: Yeah. Cristina: It was the party. Not just yourself. Jack: Yeah. It heals other members in your party. Cristina: Okay. Jack: And so that would. That guy would be in the medical field for. For a fact. Cristina: Yes. Jack: And one that heals. Well, itself. Great fighting. That's a UFC fighter. Cristina: Okay. Jack: Great. Also great for firefighting. Cristina: Yeah. 01:05:00 Jack: For war. Cristina: Heal itself, I guess. Jack: Any Pokemon that can heal itself. Cristina: How many Pokemon heal themselves? I mean, besides, like. I can only think of, like the grass type Pokemon that still helps the help of others to heal themselves type of thing. Jack: Or rest. Cristina: Or rest, I guess. Rest. The psychic, Right. Jack: Yeah. What is roost Flying. Cristina: Oh. Jack: But it doesn't matter what they are. The point is they can recover it. Cristina: Yeah. Jack: And if they can recover, they have purposes that you could put them in dangerous situations and they'd be fine. Cristina: They can't be pets, can they? Jack: A lot of them can. Why can't they be pets? Cristina: Because, like, Chansey kind of seems like a smart. Jack: Well, okay. The same rule. If she can outsmart an ape, then you're too human. Cristina: Yeah. Like, she's got a career. Why are we keeping her as a pet? Jack: Unless she's raised in the wild and is just an animal. Cristina: Why is she raised in the wild? Jack: Because I'm sure there's many that are just out in nature. Cristina: Okay. Okay. Jack: Anyways. Anyways, that's just what I wanted to talk about. Take a weird look at what it would be like if Pokemon were real. Because of potty training? Cristina: Because of hobby training. I'm very confused about potty training. I just. I don't think it's worth having a Pokemon. Jack: I mean, a bunch of Pokemon like. Cristina: Or, like, just have one. Like, there wouldn't. There's no chance of having six or seven or whatever. Jack: Depends on the Pokemon. Cristina: You think there's some that learn quicker than others? Jack: Yeah, for sure. And there are some that are tiny enough so they're not a problem. Cristina: Yeah. You have, I guess, your whole pack of those. Jack: Realistically. Cristina: I think realistically everyone just have one. Jack: If Pokemon showed up today and most of them just minded their business and we caught what we could and fit them into These homes we would like. A lot of Pokemon are removed from what we could have. It would just be the small ones. Cristina: The small ones. But I think everyone would just be okay with having one. I don't think anyone really needs more than one. Jack: Unless we had that find your friends. If we had that machine system, we would become soulless real quick. Cristina: Okay, but let's pretend no computer. No computer that traps anyone. Jack: It wouldn't just be one, but, like, you could have one. Most people would have one. Cristina: I think most people. I think it would be one or two actual pets. Like, some people have one, some people have two. But, like, it's reasonable. Jack: There's crazy cat ladies who have many. Cristina: Yeah. And there's that. But that's not. Jack: And Farms will literally have many. Cristina: Yeah. But most people averagely one to three. Jack: Yeah. Cristina: And then there's always the person that's a little bigger. Jack: The bigger it is, the less likely you'd have another. Cristina: Yeah. So pretty basic. Jack: Makes sense. Cristina: I don't think 7. 6. Is it 6 too much? Jack: If they were small, they're small. Cristina: Yeah. Jack: It's like having six gerbils isn't crazy. Cristina: Yeah, yeah, yeah, yeah. Jack: I mean, it still sounds kind of like a lot, but. Cristina: Yes, because they're not gonna be that small. Jack: I wonder if. No, there's a couple of Pokemon that actually start really tiny. Cristina: Like Pichu that you saw, you know, even smaller. Like. Jack: Like an inch. There's Pokemon start like an inch big. Cristina: Well, it's an inch. What Pokemon? Jack: Top of my head. I don't know, but. Cristina: Oh, that tiny spider. There's a tiny spider. The electric spider. He's tiny. Jack: Well, yeah, there's a bunch of Pokemon to start off really tiny. Cristina: Okay. But that guy is like a flea size. Jack: Oh, well, he's literally a flea. Cristina: Oh, okay. Well, no, it's a spider. Jack: Yeah, I think it's a. It's a tick, actually. Cristina: Oh, it's a tick. Jack: But anyways. Anyways, if you guys have any idea as to what would fit Pokemon or what weird thing would obviously occur if Pokemon showed up. Cristina: Yes. Is watering your Pokemon with another Pokemon. Jack: Inappropriate If they look humanoid? It looks like sex. Too much. Okay, but tell us. Going to go into our socials and tell us if it's inappropriate or not. If your water Pokemon, who's male looking and just a buff guido, decides to water your female Pokemon who is made curvy and voluptuous for some reason. Cristina: Why is she female? What if. Why is it not a man that looks like a pretty lady? I don't understand. Jack: I wonder if that Pokemon comes male. Cristina: That could. Jack: If it does come now male. Is that. Is that more. Is that just like a drag queen or something? Is that the equivalent of a gay. Cristina: Okay. Because it's a guy watering a guy flower. Jack: No, if the guy. If the same flower that's a sexy, voluptuous lady was just male. Cristina: I guess it's. Jack: That's the equivalent of like a gay dude. Cristina: No, it's. I don't know. No, I don't know. It looks like a flower. That flower looks like something. Someone. Mosquito. Tuskeedo. Jack: What? Cristina: Crap. Jack: From what? Cristina: Sailor Moon Mosquito mask. Tusketo mask. Jack: No, I don't know. Who cares? I don't know the name of it. Cristina: But the guy. Yes, the guy with a mask. Jack: Yes. Anyways, you guys can talk to us on our socials. Oscar Pod. That's on what? TikTok, on X. Cristina: Instagram. Jack: Instagram. All the socials. Just type in. Just convo pop. Cristina: And remember to subscribe, rate and review the show. Jack: Yes. And word of mouth, tell people about this program. Get it across that we're trying to figure out out what it would be like to see how Pokemon would function in the real world. Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. Good morning. Good morning. This podcast is hosted by Cristina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.in fox art by 0lupo and logo by Seth McAllister with social media managed by Amber Black. 01:12:03

Rambling 294: Surviving the Apocalypse

In a world filled with uncertainty, the idea of an apocalypse is both fascinating and terrifying. In our latest podcast episode, we, your hosts Jack and Cristina, delve into the absurdity of apocalyptic scenarios and offer practical survival strategies that anyone can adopt. From the looming threat of nuclear war to the more whimsical idea of a zombie apocalypse, we explore various potential end-of-the-world scenarios. The conversation kicks off with a light-hearted discussion about how often apocalyptic predictions are made, and how they can sometimes feel like a recurring theme in our lives. We then dive into the serious implications of global conflicts and the potential for World War III, highlighting the current geopolitical tensions between superpowers. With countries like Russia, China, and North Korea on the brink, we discuss the reality of preparing for such events and the importance of being informed. But what would you actually do in the event of an apocalypse? Our discussion takes a practical turn as we outline essential survival strategies. We emphasize the need to leave major cities, where chaos is likely to erupt first. Instead, we suggest heading to rural areas where resources might be more accessible, and the likelihood of encountering other survivors is lower. Jack and Cristina also talk about the importance of learning basic survival skills before disaster strikes. From purifying water to setting animal traps, we encourage listeners to equip themselves with knowledge that can make all the difference in a survival situation. Libraries become a crucial resource in our plan, as they hold valuable information on local flora and fauna, which can aid in food sourcing. The podcast also touches on the practicality of using bicycles for transportation during an apocalypse. Unlike cars, which can be noisy and easily tracked, bikes offer a stealthy and efficient means of travel. Our hosts humorously question why bicycles are seldom seen in popular zombie apocalypse narratives, despite their clear advantages. As the conversation unfolds, we delve into the psychological aspects of survival, discussing how trust and community can play pivotal roles in navigating a post-apocalyptic world. We recognize the importance of building relationships and finding like-minded individuals who can contribute to a shared survival effort. Ultimately, this episode serves as both a thought-provoking exploration of potential apocalyptic scenarios and a practical guide to preparing for the unexpected. Whether you're a survival enthusiast or simply curious about the end of the world, there's something for everyone in our engaging discussion. Join us for this enlightening episode and equip yourself with the knowledge to navigate whatever the future may hold. Tune in now, and let's prepare for the apocalypse together!

+Episode Details

Topics Discussed:

  • World War 3
  • Zombie Apocalypse
  • Tyrannical Government
  • Purifying Water
  • Hiding vs Running
  • Bicycles

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Rambling 294: Surviving the Apocalypse Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling podcast. I am your host, Jack. Cristina: And I am your host, Cristina. Jack: And this is a show where we ground humanity's most absurd and baffling ideas. And today we have some something quite interesting to dive into. So the apocalypse is upon us. Cristina: It was always. Every year. Every year there's an apocalypse. Jack: Yeah, I'm sure we've done a couple of apocalypse based episodes too. Like possible apocalypses based on statistical probability. I remember we did the death clock thing. Cristina: Yeah. And just wild, like random people online with their ideas of the apocalypses because of like the Bible told them or whatever. Jack: Yes, yes, yes. And there's a bunch of apocalypses. So today I want to talk about the apocalypse. I want us to discuss the coming apocalypse, which is the most likely, which I know we've done before. And then what we're gonna do in that moment. You know what, in the moment of the apocalypse. Cristina: Oh, what are we gonna do in the apocalypse? Okay, yeah, but there's something else. Jack: No, I don't know then. Cristina: Oh, okay. Jack: But yeah, and so there's like a global conflict taking place. Like a World War III is kind of starting between a bunch of countries that are all nuclear strapped. So like the nuke apocalypse seems real and possible. Cristina: No, no, I hope not. No. Yeah, but like we all got zombies, zombie nukes. That's awful. Actually both are awful. Jack: It. Well, it depends on the zombies. I think zombies are manageable to a certain degree. Like the majority of people are idiots and probably going down, but it's survivable with thought and a lack of panic, I think. Well, slow zombies. If it's like 28 days later or some. Cristina: The problem we're doing. Jack: Yeah, problem, you kill yourself. But yeah. So the war conflict, what's that look like? We have China. We have China and Russia hovering over Alaska right now. We have Russia teaming up with North Korea. We have. Cristina: Yeah. North Korea sent troops to Russia. Jack: To Russia to help with Ukraine. Well, and we have the. We have Russia and IRA teaming up with Iran to fight off the attacks from Israel. Israel's currently just N*** Germany it all up and just deciding we are the elite only race that matters. Let's extinguish everything else out here. Cristina: And what are we doing? Jack: We're funding Ukraine, which is against Russia and Israel, which is against Iran, which is teamed up with Russia. So we're just inherently on the opposite side of Russia. Cristina: Okay. Jack: We're not Even the main team here. No, we're finally just some side noise. Kind of like in World War II, where we're just some side noises. Showed up all late. Cristina: Hey, it ended. Jack: Because allegedly, American education says that America ended World War II. Cristina: Of course. Jack: Of course. Showed up last minute, and that's when we did it. Yep. It wasn't the amount of. It's like everybody else shows up and beats the crap out of the bad guy and. And then Goku shows up and saves the day. And it's like, come on, he fought everybody else, bro. Even if they were weak, each one of them picked that as hp. Just a little. Just a little. Cristina: A couple of hits here. Jack: A couple. You get here. He's like a 30% HP. You're showing up fully stamina up and fully HP'd up. About to fight a guy with half stamina and 30% HP who took a h*** of never. Cristina: How it goes. That guy was never using his full potential or whatever, his full strength. He was fighting at like 10 until Goku showed up. And then when he shows up, he's like, okay, I'm gonna go to 50 until Goku shows him. Oh, no. And then he goes up to 100, I guess, eventually. Jack: And then go. But that's. That doesn't. I mean, I guess it does happen a lot, but it's never that they're holding back intentionally. It's. In the case of Cell, he was trying to find his perfect form. He was trying to get there. His quest was that. Cristina: That's cool. Jack: In the case of Frieza, she. Cristina: He. Jack: He. Cristina: I think it's a he. Jack: Yeah, I'm pretty sure it's a he as well. He just didn't have a reason to power up. You know, 00:05:00 Jack: the apes, the Saiyans who become apes would power up at random. There was no pattern to it. It's just like, let's power up and destroy some. Oh, you know. Yeah. They would just do it to ease their job of taking over a planet or something. You know, easy stuff. Cristina: Okay. Jack: But there were a couple of, like. I think also Boo was merely chance who he absorbed affected his power. Okay, so he wasn't like, picking a form. He didn't know what he would turn into. Cristina: Yeah, but then who is this? What is World War II? Jack: Like, World War II? Well, it's definitely. I don't know. It ain't any of them. Because that's just a pattern of repetition when it comes to Dragon Ball Z is a pattern of. Everybody else fought them, then you show up and they were powering up the whole time while N*** Germany doesn't work that way. It was kind of always overpowered. And everybody else kind of whittled their numbers down and down and down and down. And then the United States showed up, and they're like, oh, we got some, like, help last second, but it wasn't, like, a lot of help. Everybody else did the legwork. Cristina: Yes. Jack: But. Cristina: Oh, that's more like Satan popping up after Goku did it. Oh, I guess. Jack: Yeah, yeah, yeah. That's Hercule. It's Hercule showing up to take the. The credit. Cristina: Yeah. Jack: It's the United States job. What's not. Nobody there, like, you us take the credit. They do that for Hercule. They're like, take the credit so we can live in peace. Cristina: Yeah. Jack: In the case of the United States, you're like, we're taking the credit. Cristina: No one's gonna say anything. Jack: Nobody's gonna nuke all. Cristina: Anyone's tired. They just fought. They're all exhausted. Jack: Yeah. Cristina: Okay. Jack: They're like, we can't fight the US on this. We have no people left. And they are prominent right now because the bad guy's dead. They showed up, and we know they're the global terrorists. So here they are saying they're gonna take the credit for stopping us, and we just can't stop them. Just rewriting history. That's how we do. Cristina: That's cool. Jack: But, yeah, it's looking pretty intense. We got Russia, we got Iran, we got Israel. Israel, on the other hand, is attacking. Not just Iran, but they're attacking Lebanon, they're attacking Palestine. So that's three involved. Then. Russia is three. Because it's Russia, Iran, and North Korea. And we have China. And China in the. Yes. Four on the side of Russia. And we have. Then the United States backing Israel and. And Ukraine being backed by the United States and Canada backing Ukraine. So that's four there. Cristina: How many in total? Jack: Eight so far. Cristina: There's not more than that. Jack: So let's count. There's Russia. Cristina: Yes. Jack: There is Iran. There is North Korea, there is Lebanon and Palestine and Israel and the United States and Canada and Ukraine and China. So we're at 10. Cristina: 10. That's. That's love. Jack: 10. Cristina: That's not the world yet, though. Jack: No. But the problem here is it's close to a world war because China's a superpower, Russia is a superpower. The United States is a superpower. Israel is a superpower. Canada is a superpower. There's a lot of op powers at. Cristina: Play here, and you just need a Bunch of super superpowered people. Jack: Yeah, you need a bunch of numbers and a bunch of superpowered people. But at the moment this seems like the most likely. On the flip side, Elon Musk is out here making robot apocalypse come true. Cristina: You think he's gonna be faster? Jack: I don't know. Elon Musk is moving pretty quickly. He's looking to get off the plan. So he could definitely flick a switch on all the robots that he puts in control down here and then they'll start ruling over the world and he'll have Earth to his taking while he's not there. Cristina: That's a wild plan. Jack: Horizon. And he left knowing what would happen. Cristina: So he's just ripping off Horizon. Jack: Yeah, essentially he's going to Mars where he's going to control all the robots and robots can't get to him. Except eventually they might. Cristina: The ones here. Jack: Yeah, they'll eventually start replicating and make their own shuttles and take off after any kind of life. Hence the birth of the Borg. Cristina: That's still. That's Horizon too. And then he has to come back here because he knows how to reset them or like end it forever. Jack: Yeah. That's interesting that the Borg. Do we know the origin of the Borg? Because it kind of feels like this. Although I think we do know the origin of the Borg. I just forgot. Cristina: Don't remember. I don't remember the origin. Jack: But the Borg from Star Trek. For anybody listening, it's a race of robot people that weirdly they're all cyborgs and they take over flesh meat sex. Yeah, very interesting. 00:10:00 Jack: Which in no man's sky, the Borg is the Krovex because they are also all connected and share a single mind and hive mind, likeness and consciousness. Cristina: The robots, I thought the. Jack: Not. Cristina: Well, yes, I guess. But the little Sentinels. Is that what they're called? Jack: Yeah, they're also connected, but not to the Corvex. Cristina: Okay. But to each other. Yeah. So they're. Jack: They're all. Cristina: I guess. Jack: Yeah, sort of. Except they feel mechanical. Cristina: They feel mechanical. Jack: They seem mechanical. Like there's no conscious mind there, I guess. Like they are purely machine. While the Krovex do have a sense of identity. That's a sense of identity and they have a sense of unity altogether. Cristina: So I guess it is different. Yeah. The other guys are more like animals, I guess. Jack: Yes. But I do think. I mean everything goes wrong eventually. The Internet was supposed to be this sort of freeing, awesome information center and it become this corrupted, sort of twisted troll filled propaganda machine filled with misinformation. Yeah. Filled with misinformation and ads everywhere. Misinformation ads and p***. Cristina: Yes. And usually you can find three in one. Jack: Yeah. A lot of the time you could find misinforming p***. That is propaganda, like, 100%. I'm sure that's a thing that has to. Cristina: Oh, my gosh. Telling you who to vote for. Jack: Yeah. Cristina: Oh, my gosh. Jack: Maybe. I'm sure there's, like, sexy Kamala p***. She's like, vote for me. And with, like, fake news attached to it as she's telling you. You know why? Why you should vote for her. Cristina: Yeah. That's probably a thing. Jack: So there is. I don't know. Cristina: You think online's gonna do it? I don't think. Jack: No. I just think that that's proof of technology being whack. Cristina: Oh, okay. Jack: Oh. Not just technology. Anything that we create eventually gets corrupted somehow. Cristina: Yes. Jack: And if we're gonna have a bunch of robots serving people and robot cars bussing everybody and taxiing people all the time in your house is connected. What happens if a single virus gets in and it goes rogue? And it. They are. They're all connected. And they connect even more after they have a mind of their own. Cristina: And then you're connected to them because of the nanoshev. Jack: You're connect. Cristina: Oh, my God. Jack: Yes. Neural link. That's actually crazy. That's a totally possible apocalypse right there. Neural link is any Is. You know, enough people get it because it's convenient and you're bypassing the need to even own a computer. You could just, you know, put your hands in the air and a keyboard shows up and you see things people don't on your personal screen. But you can also screen. You can also screen share if you have one and I have one. I can be like, oh, you ready? Sync up. Boom. Now we're both seeing the same screen theaters would be mind blowing. You go to a movie theater, everybody syncs up. Nobody can inter. Like, if somebody walks in front of you, you can still see the movie. Yeah, because it's in front of them. Cristina: I can block people. Jack: You can block people? If somebody is too loud, you could probably cancel. Oh, my God. It's crazy. You can block people and erase their face just like static. The happening, Right? Cristina: Everything's happened in black mirror. It's just a show about tech apocalypse. Jack: Yeah, well, not necessarily tech apocalypse, but crap going wrong with tech one way or another. Cristina: Mm. And. Jack: Yeah, no, you could definitely. Like, that'd be a cool way to block somebody. But we. I mean, it'd be Normal at that point, I guess if you're raised with people just being able to block each other. Cristina: If you're raised in that, that's fine. Yeah. But, like, if we just ended up tomorrow doing that. That's insane. Jack: Yeah. It's f****** weird. Have a neural link and it affects what you see and what you hear. And I can just press a button or not even go into the menu and hit a thing and suddenly your face gets blurred out and your voice gets muffled forever until I decide to unblock you. Cristina: That's too much. I don't. I mean, that's great, I guess, if you really hate people like that. I don't know. Like, who'd actually want to do that? Jack: But interesting. You. And fair enough. Maybe you can make yourself private to people with neuralink. Cristina: So how do they avoid hitting you? Or, like, walking. Jack: You're not invisible. Cristina: Okay. But they can't see your face. Jack: They just can't see your face or. Cristina: Hear your voice because it's all fake. Jack: Yeah, it's like, you know, like it's censored bubbles. Cristina: No. 00:15:00 Cristina: Oh, my gosh. That's weird because then everyone's just gonna be their characters or whatever. It's gonna be like, yes, AI meets. Jack: You mean ar? Cristina: AR means AI. No. Yeah, I guess. AI. Jack: No, no. Ar. What are you looking for? Cristina: Like the online gaming where you're just characters. MMOs, MLS and things like that. Yes. Jack: Oh, virtual reality. Cristina: Virtual reality. Jack: VR. Cristina: VR. There you go. AR meets VR. Jack: Yeah, it's kind of be like that, walking around. Cristina: Never know what anyone actually looks or sounds like. Look, if they don't want us at. Jack: That point, if the technology is good enough, looks cease to matter because it's how a person is on the inside. You can make anybody look like anybody you want, which would also be normal. Cristina: Yes, you could. Jack: I could leave it so that everybody looks like a human version of them. Like they do. Cristina: Yeah. Jack: And then change how the world looks. But I can also decide I want to change how the world looks and. Cristina: Everybody in it so everyone's reality will look completely different from everyone's reality. Jack: That's probably already the thing. Cristina: Yes, but, like, this is like, a very dramatic version of that. Jack: Well, how do you know what anybody else sees? Cristina: I'm guessing it's not that crazy different. Jack: Yeah. Especially if we can all sync up to use it equally. That's a weird part about perception, but. Okay, so Elon Musk could then flick a switch and nobody can hear each other, nobody can see each other. All the houses that are connected to the Internet's power gets cut off. Or he doesn't have to do any of that. Maybe he leaves. It goes rogue. He anticipated it could happen. And the robots start to shut off the power on us, to consume the power entirely themselves. They start to control our flow. We can't beat them. This ain't a freaking movie where we're just taking on robots. You get hit full force by a car, you just die. Cristina: One of his trucks. Jack: Yeah. A sentient robot is just going to f****** kill you. It's going to overpower you easily and it's going to kill most people going to flee. It is really his horizon. If anything goes rogue. What are we doing? Unless we. Yeah, unless we could stop it digitally send a virus or something. What the f*** could we do? Cristina: I guess we have to depend on hackers. Jack: Yeah, hackers would be. I mean isn't that what's happening in the Matrix? Hackers are the future. Cristina: They're hackers, aren't they? Jack: Hacking? Isn't that literally the point with the numbers flying over the screen and them looking at it and understanding what you're looking at? Cristina: I'm gonna rewatch that. I don't know, I guess it makes sense, but I don't understand how it would be hacking. Jack: You would have to hack their codes. What do you mean? What they're doing, what they're doing in a matrix. Yeah, well everybody is. They're hacking. The matrix is the Internet and they're connecting themselves to the Internet. Cristina: But when they get out of that, they're still in the Internet, are they not? Jack: They don't know that. Cristina: Oh, they don't know that. Oh, okay. Jack: They think they've disconnected into reality. Cristina: Oh, okay, okay. Jack: The what it's alluding to when you consider the two pill scenario is that they are still in the system. But they don't know that. Cristina: Okay, as far as they know, they knew. Jack: As far as they know, they're in base reality. Cristina: Yes. Jack: And they are hacking the virtual reality and connecting each other to it. Cristina: Okay. Yeah, I don't know, it seems weird. Okay. Jack: So okay, we need to think of the most general apocalypse scenario where we don't know what's happening. Let's the road it but early days, not tail end like the story. Okay, so the apocalypse happens and we hear on the news people are dying in mass. We don't know why. It could be a bomb, it could be a virus, it could be an invasion, whatever the case might be. People are dying en masse. Cristina: Do you even like get out of the house if you hear that. I don't know. Jack: Well, we have to move if we know it's coming our way. Cristina: Okay. Jack: Major cities. Exit major cities if it's nukes, exit major cities if it's zombies, exit major cities if it's an invasion. Okay, you're leaving major cities anyways. That's why a general apocalypse is easy to handle. Get out. Cristina: Okay, but in this situation, they're not telling us what it is we. Jack: Yeah, but we're supposed to make up a solution for all. Cristina: Okay. Jack: The most general solution. So we don't know what's going on. We do know. But like, what will apply in every case? Yeah, definitely have to leave major cities. That's important. Robots are coming. Robots are coming forward than most people are. That would be major cities. Cristina: Well, if anyone's coming, I guess you. Jack: Also want to strap down with guns and go to where there's a good line of sight. So, okay, day one happens. News radio 00:20:00 Jack: is going off. The. Whatever is coming. The apocalypse has begun. Either a bomb fell. I'm thinking. Look, most cases we know that all the major tech companies are in the west. That's where the problem would begin. When it comes to robotics, easiest points of access for a nuclear attack are from that direction. It would be from the west. From the. An invasion type of situation would also be over there. But. But the major pharmaceutical companies around the. Cristina: East go to Canada. Is that the solution? I don't. Jack: So in the case of a zombie apocalypse, getting out of the east would be best. Cristina: Okay. Yeah. Jack: So that's a bunch of scenarios where the west is a problem, but that's an issue immediately. If it's pharmaceutically caused, if it's a virus, if people are dying. Cristina: We still wouldn't want to go to a city. Jack: You don't want to go to a city if it starts in the east. I mean, either direction, I think head to where there's the least amount of people. Cristina: So you're saying the middle of the country. Jack: Yeah, I suppose the middle of the country or up towards the border you want to hit. And additionally, in the case of an invasion or a zombie apocalypse, up and towards the cold will make it harder. Cristina: It's a invasion of like Russia. Russians, they're used to that weather. Maybe the middle of the country is the safest because, like there's crazy weather there, like tornadoes. Jack: Yeah. Cristina: And earthquakes. I don't know. Jack: Yeah, but they'd have to travel quite a way in an invasion to get to us. They'd have a lot of different terrain to overcome. Even if we were on. I mean, I guess if we're too close to Canada, as long as we're not in Canada summers, as long as we're in the center, on the border from either direction that they invade left or right. In the United States, they would have so many different terrains and we would have defense, military defense, surrounding all of it. And enough rural areas that if that fails, we can hide out. Cristina: Okay. And if it's our own military attacking. Jack: Us, that's another problem. Right. Let's say the. The United States government goes rogue. That becomes leaving the city really hard. If the city goes rogue, then what? Right, not the city, the country, the government. So you have officers and military turn on the civilian population. Cristina: How long could they. I mean, I can't imagine that really working out because, like, the people would overwhelm them. Like, how do you turn against your own family, though? Like that? Jack: Some people are more deadened. They consider the mint. Well, I don't know about cops, but definitely the soldiers. Cristina: Soldiers, but like, I guess cops, yeah. Jack: Nah, chances are cops will be on the fence, there'd be a bunch of cops. I mean, it's the end of the world. I'm sure. They start flipping, a bunch of cops are joining people. Cristina: Okay. Jack: Yeah, I'm pretty sure a bunch of cops will join individuals. Cristina: But it's not enough to fight the military. Jack: I don't know. Do you think there's enough to fight the military? Cristina: Enough people? Probably. I don't know. No, probably not. With what they have. Jack: I guess it really comes down to that. What the military has versus what normal civilians and a couple of cops have. Cristina: Yeah. And then where do we go? Mexico? Jack: Well, like, I guess it's just out of where we are. Mexico definitely makes sense. I don't know. We gotta go where there's weapons, I suppose. Cristina: Where are the weapons? I don't know. Jack: Where there's people, I guess, that would normally have weapons. So south, southern states, we can raid places as we leave. If there's mass evacuations happening in all. Cristina: The situations, I guess that would be. Jack: What'S happening in every situation. That would be what's happening, yes. Also, food becomes a problem. Like, if you're traveling to exit major cities, what do you do? You stuff a bunch of bags and take them with you. And are you just a target now for anybody who didn't think that far ahead and just like evacuated quickly? Cristina: But everyone has, like, that's the first plan is just take what you have. Jack: Yeah. And I guess people aren't even thinking about what Anybody else has at that point. That's more about when resources are thinned. Cristina: Which will happen pretty quick. Jack: Which happened pretty quick. As people start hoarding. People start breaking into places and hoarding whatever they can. If anybody hidden within the city. And cities are immediately going to become war zones. 00:25:00 Jack: Enough crime in cities that there must be weapons. Cristina: Yeah, man. That's just too dangerous. In any situation. The city is too dangerous. Jack: Yeah. It doesn't matter what it is. If it's a nuclear attack, it's a huge target. If it's a government takeover, then it becomes a central location for them to get the most amount of people. Same thing goes with an invasion. They're probably going to try to win over the largest areas in the quickest time in order to have the least amount of resistance. Zombie apocalypse. That's the quickest place to fill up. Cristina: That's. Yes. Oh, my gosh. If the zombie apocalypse happens, cities tend. Jack: To be the most technologically advanced, so they would likely have the most robots for when the virus gets out. Cristina: Yeah. And if it was something that was just killing people through, like, disease. Jack: Yep. Cristina: Everyone's together. Jack: Yep. Everyone's. It sucks to be in a city for the end of the world. It makes sense as to why super filthy rich people get the out of there. They go to the middle of nowhere where they couldn't be a target of anything. Cristina: On the island. Jack: Yeah. Away from it all, in the. The deepest, most rural part of the ocean. Cristina: But I don't know if, like, going on a boat and trying to survive like that makes sense. Jack: On a boat. No. A single storm could end it all. And going on an island, you need to. It can't be a tiny island. And you got to be sure that there's not a bunch of other people there, but that there is vegetation that you can eat. Because what are you gonna do for food? I mean, I guess you get fish. Are you gonna eat fish forever? Cristina: Well, islands usually have fruits. Jack: Yeah. Yeah. So it can't be a small island. It can't be like, you can't go to Epstein's Island. It's not big enough. Cristina: You go to Puerto Rico. Jack: Fair. But that island is about to sink any day. You also have to consider that what island is big enough to survive long term and not get hit by hurricanes all the time either you want to escape and be safe, not escape and have to deal with a different problem. Cristina: What? Does wine suffer? Yeah. Wait, was that fire on, like a forest fire? Jack: Yeah. Cristina: Oh, okay. They're not safe. I don't know. Jack: No, I Think definitely Canada is the way to go. Cristina: Canada. Jack: I think Canada. We can't go to Mexico. They get hit by hurricanes all the time. Cristina: Yeah, we get hit by everything. Yeah, so they might. No wait, they have fires though. Jack: Who? Canada? Yeah, well, it depends where we go in Canada. We need to go into the mountains too. Snow covered. We want altitude. We want to be well removed and with some altitude. So we can see things from far away. Cristina: Yes, yes. Jack: And then we got to be able to find and plant cold weather crops that would grow regularly and take advantage of the small heat in the. Cristina: How do you plan something like that if you're not a farmer? Where do you even start farming? Jack: Where do you start farming? Cristina: Like you just go to a library is the start. I guess I don't know if there. Jack: I mean in the case of a. Yeah, I guess you got to go. If an apocalypse happens, go to the library and collect some survival books. In the first days of something sketchy happening, go to the library and don't think. Cristina: Survival books, but like just like what's like gardening books. Yeah, that's a survival book in the local area. Okay then. Yeah, stuff like that. Yeah, yeah. Jack: Get how to plant, get how to build, get just a bunch of random back to basics books. Cristina: But you gotta learn about what's in the area specifically. Jack: So that means worry about the acquire the food on route and work minus what you can take. And when you get to your destination, then hit the local library and try to take whatever's information is local for the area. Cristina: Oh, then you can find places there, I guess. No, but everything that they have like tourist spots or anything like that, you wouldn't want to. Jack: You don't want to go where there's a bunch of people. Okay, so plan number one, definitely Canada. That's where we go in the case of anything. You could find enough rural places and enough difficult terrain. Cristina: Yes, right. Jack: This seems to be safe no matter what the situation. No matter what's the apocalypse. In every variation, you're mostly safe. Cristina: Even an alien apocalypse? We never talked about that. What about if aliens? Jack: Yeah, but what the h***. They're also going to go to major cities. Likely. Cristina: Yes, that's true. Jack: There's all this bullshit about rural areas, but like an invasion happens. They're no longer bothering with rural areas. Cristina: That's their favorite spots though. Jack: What would an invasion in a rural area look like? Cristina: I don't know. Okay. Jack: It would just be what take one person. Well, invasions concluded. Cristina: They love doing that I guess normally. But yeah, I 00:30:00 Cristina: mean like maybe they Just. It's the slowest apocalypse ever. They just take one person at a time. Jack: There's too quick of a turnover for reproduction. That doesn't make sense. There's 8 billion of us. Cristina: Yeah. How do we stop them? Jack: We wouldn't. In none of these situations are we pretending we could stop somebody. Cristina: Okay. Jack: We're not out here trying to stop the American government. Or an invasion happens. Yeah. Where we gotta run? Where do we run to? Cristina: Okay. Jack: Unless you got plans for stopping them, I'm all ears. Cristina: Yeah. Jack: No, if you've got solutions to fight them back as the invasion happens, get. Cristina: A robot to fall in love with you, I guess. Help you fight them. I don't know. Jack: That's a way to go, I guess. Food and water are huge issues. Cristina: Yes. Jack: You got to be close to water. Cristina: But if you can't find the water, the library will help you make water. Jack: Or find other water sources. Cristina: Yeah. Jack: The library will help you make water or find other water sources. Well, I guess make water sources. Cristina: Okay. Like dig a hole. Yeah. I don't know. When you said make water. I don't know. Jack: Yeah, like dig a hole and the water will show up. Cristina: Yeah. Jack: But I guess they didn't make that water. Cristina: No. But they can also just show you like the local parks or water rivers or whatever near you. Jack: Yeah. And then you gotta boil the water every time. Yeah. Cristina: But yeah, they'll give you advice on how to do that. Jack: Hopefully with all hoops there's at least enough books to get you started on some planting and whatever. Although a bunch of books might be rated for their information about the area. Cristina: Then learn about it now, before the. Jack: Apocalypse, how do you know where you're. Cristina: Going to know how to clean water? I don't know. Jack: Oh yeah. To clean water, I suppose. Not the plant. Cristina: No, not the plant. Jack: Because you don't know where you're going. Cristina: Specific that you need for survival. Like, water is super important. Jack: Yeah. Learn how to purify water now, just in case. Cristina: Just in case. Like that's one very, very important thing. Jack: Yeah. And you could use it anywhere you go. Cristina: You can eat almost anything. Jack: So fair. And if you kill it, you know, you could eat it for a fact. Cristina: Yeah. Jack: As long as it's like meat or some s***. And there's the obvious fruits and stuff that if you stumble upon. Cristina: So just have some water cleaning knowledge, I guess. Jack: Also it doesn't hurt to, along with water cleaning knowledge, have animal trap creating knowledge. I think those two things might be more important than learning how to farm because that's Long term. But if you can learn how to build a trap that'll catch something that's. Cristina: Yeah. You already know how to fish. That also helps people who already are survivalists already. Jack: Not even survivalists. People who just hang out in the woods. Cristina: Like the hunts. For fun. Jack: Yeah, exactly. They all know. Or not even for fun, just some people hunt for food. Hunters just know. Cristina: Yeah. Jack: How to do these things. How to build traps, how to track animals. That's important. And for like mountain climbers and hikers who do like crazy treks, they usually know how to purify water just in case. Cristina: Being a climber probably helps a lot. Being able to hide on top of a tree in a really crazy situation. When you're trying to hide from someone. Jack: Or up a scaled cave. Cristina: Yeah. Just high places. Jack: Yeah. Vantage points that look like nothing. Those are the best. Because you don't want to build on a tree. And then it's just obvious. And then when you try to get down, it's like, well, you. There's only one way down, buddy. But if nobody can tell where you live because it's up 30, 40ft on the side of a f****** mountain. Cristina: Yeah. Jack: And it doesn't. Cristina: Yeah. Jack: They can't even see the entrance from any point. And you can easily. Cristina: Yeah. Because a lot of these situations you're. Wherever you're hiding is probably going to be real obvious. If there is someone or something hunting you down, it's easy to spot if you live there. If you're like, what is it boarding up the windows and stuff like that. Like obvious signs. Although if you don't do that. Jack: Well, yeah, that's fair enough. And depending on the apocalypse, I guess the first couple of. I guess really what we're talking about is initial moments. Right. So we got to ground an apocalypse. Let's say it is a zombie apocalypse. Right. Let's be fun about it. Cristina: Okay. Jack: In a zombie apocalypse, we have to kind of wait it out first. Cristina: Our location, wherever you're at. Jack: Yeah. You don't want to be in the mix of a bunch of crap happening simultaneously. If you're in a major city, you kind of want to wait out until it's quiet. Cristina: Even in the city. Jack: Even in the city. 00:35:00 Cristina: Well, yes, especially because everyone's trying to get out. Jack: Yes, exactly. If you're in a rural area, whenever you want to leave, you can leave. Be careful. But you, you're fine. If you're in a city, leaving becomes a strategic choice. Cristina: You're like fighting everyone and the zombies. Jack: And you don't want to do that you don't want to be caught in the middle of a stampede of people or anything like that. So a lot of the time, staying where you are is probably the best advice. People who have basements go into your basement or people who. Look, if it's possible to hide the existence of your basement and there's only one way in, do that. And you keep storing things in that basement and you make the top floor look invisible. And then you just stay down there quiet. Cristina: Yeah. Jack: And you wait days. Cristina: You shouldn't, should you lock your doors? You shouldn't, like, make it obvious you're hiding in the basement. I mean, that your house is a hiding spot. Jack: Yes. Like, in any case, you should make it look like you took what you could and ran out to. Cristina: Mm. Jack: You put as much as you can in the basement. That's survival based. And you do it in a rush. And you don't clean up, you don't tidy up. And you. You can lock the door. Cristina: Yeah, but like, if they step in, it looks like you ran out. Jack: Yeah, it looks like it was raided. Or like, yeah, you were rushing and still close your door for measure. Habit. And so they'll take whatever's left. But you'll still be down there with the important stuff. Yes. You'll have the food, which you hoarded intentionally. You hid down there. You'll have whatever survival things and weapons and crap that you might need and people just fade away. Cristina: But what weapons would that be? Like your kitchen knives. Like if you don't really have anything. Kitchen knife anything becomes a weapon. Jack: Yeah, a kitchen knife is super useful. It's actually genius if you can have a couple of different kitchen knives on you. If you have a kitchen knife on. If you have a kitchen knife rack, take the rack. Cristina: Oh, okay. Jack: You have hella kitchen knives. Especially if there's multiple of you down there. Cristina: Mm. Jack: Somebody comes down there, all of you can stab the out of them. Cristina: Crazy. Oh, no. Jack: You stay nice and quiet and you just wait days and days and days. When you're halfway through your supplies and you start to panic. Ration right off the start. Don't be eating comfortable suddenly. Yes, you ration right off the bat. Cristina: Okay, that's tough. Jack: Yep, you ration right off the bat. Cristina: But then. Okay. And then some days pass and then it's quiet. Jack: When it's quiet. Whenever it's quiet, you wait down there until it's quiet and you don't hear panic or it's so sparse that you know outside is nice and empty. Assuming this is zombie apocalypse or A military invasion of sorts. Staying where you are and being quiet until it looks empty and dead. Cristina: Yeah. If there are any zombies, I mean, they walk away, they usually go towards noise. So if your place has been abandoned, it should be fine. Jack: Yes. And soldiers who cleared the area would have come through and looked at everything and been like, oh, this is clear. Cristina: That's horrifying, though. I don't know. And the robots, though, like, they can just hide there forever. Jack: Yeah. Cristina: Robot can just be at your house for the rest of their life. Jack: You wouldn't even. Waiting. Well, no, they still have to charge. We haven't discovered infinite energy. So robot comes in, it could stand there for a certain amount of time, but it will have to recharge. Cristina: But it just connects itself to your wall. Jack: If electricity isn't destroyed, you're f*****. Yeah. If that's not turned off. And it could just walk in and just stand there and charge itself in your house and not even move. Cristina: Mm. Just the skies in your crap and. Jack: But here's the problem. In the case of a robot apocalypse, where do you hide? If everything is a tracker, everything has gps, everything has a camera. You can't. No, it's. We're all cooked. It's done. Cristina: Yes. Jack: I guess robot apocalypse is looking dire with the amount of cameras everywhere. Cristina: The woods. You run to the woods. Jack: Yeah. You gotta wait until enough people are dead. No. D***. In the case of robot apocalypse, you gotta. Yeah, because then you're an easy target for them to focus on. Cristina: Mm. Jack: You do have to go to the middle of nowhere. Cristina: No town, no city, no nothing is safe. Jack: You got to leave all electronics behind. Cristina: Mm. It's gotta be so far. Go up a mountain again. Jack: Yeah, up a mountain. You gotta get way out of places. And you have to be places where your thermal image cannot be seen. And that includes because of satellites as well. We could be seen from every. So it's so exaggerated. Cristina: Yes. I don't know, man. Mountain climbers have 00:40:00 Cristina: it. They can survive. Jack: Except if you go up a mountain and there isn't a cave, then you could just be spotted by, like, satellites. Cristina: Okay, well, you gotta go to that library for that map. You're supposed to check out your area before you do something crazy like that. Jack: Yeah. And how do you get out quick? In the case of rule about apocalypse and everybody's scrambling and running in every direction, how do you survive? You can't. It's in a city. You can't exit. You're f*****. But if you don't exit, they'll focus on you and Then you're f*****. Cristina: You talk about zombies now? Jack: No, robots. Cristina: Oh, they're robots. Oh, that's what you said. Jack: Oh, maybe. Cristina: Okay, now we're focusing on robots. Jack: Yeah. If you're trying to get out during a robot apocalypse, which is the best advice, then you're going to be stuck dealing with people in the middle of their panic. But you have to do it at that moment. If it's robot apocalypse, if it's an invasion, if it's zombies, you can stay. You could hunker down, try to be invisible, hide in a wall or something for a couple of days, you know, if it's robots. If it's robots, then what? Cristina: You gotta get a bike. Yeah, I guess that wouldn't be the safest way to travel. And fastest. Because you can't trust your cars. Jack: No, you can't trust your cars. Robots can one cars run on electricity on top of gas. And to the electricity one, the gas could be shut off. We don't know how to acquire gas. And the electricity is usually powered with. Not powered by. It has a battery, but it usually is accompanied with computers and whatnot. So that's just a tracking machine. You're just being tracked. You need as little electrical energy as possible. So bicycle is the way to go. Cristina: Also probably running away from the government would be the same. You don't want to use anything that they'll track. Jack: Yes. You don't want to use anything to track or anything that a simple EMP could disable in the middle of an invasion. If it's an invasion happening and soldiers coming in, they could just drop an EMP somewhere, disable all electronics. And now what? Yeah, you won't even notice if you're on a bike. Cristina: Yeah. So the bike is the safest. Jack: Bike is the safe way to travel. Cristina: It is in every situation. Jack: Yes. Bikes and horses are such a commodity. Although a bike over a horse. Cristina: Bike over a horse. Especially in the zombie apocalypse. Jack: Yeah. Cristina: Why is there no one riding a bike? Why are they still horses? Jack: No, it's a real question now I'm thinking about the walking dead and how, like, why weren't there a bunch of bicycles everywhere? Cristina: No, there's like, they do cars for so long when it's so loud. And motorcycle, which is super loud. Like it's insanely loud. And then horses, which are still pretty loud. Especially a group of horses. Yeah, it's a pretty loud sound. Jack: It's super loud. A bike is just cutting through the wind. Yeah, easy. Cristina: And they have roads everywhere. Jack: Everywhere. I don't understand. I don't get it. And I'm sure there were enough bikes everywhere. Cristina: Yes. I don't know. The zombies ate all the bikes or destroyed all the bikes in anger or something. Jack: That's an interesting question. Where did the bikes go in the walking that it would have broken. Cristina: Invented. Jack: And I know they do exist because there was that one guy who rode the bike to distract them. So it's not like the word zombie. That never happened in that universe. Bicycles do exist in that universe. So there must be bikes everywhere. Cristina: But then no one uses bikes. Jack: Nobody uses bikes. Cristina: What is going on? Jack: It would destroy all conflict, you know? Cristina: Yeah. Jack: You could easily sneak up on any enemy. You could easily bypass any number of infected. You could easily get from point A to point B without having to worry about the bike eating because it's not a horse. Cristina: Yeah. That is so crazy. I guess. Yeah. That would solve a lot of stuff. Jack: You could go as far as your energy allows and you can coast down hills. Cristina: Bike is a beautiful solution to a lot of problems. Jack: Yeah. Yeah. We're hoarding a couple of bikes. Cristina: Yeah. Jack: Bike parts for days. That's genius. Bike parts for days. Cristina: They're not even that difficult once you figure out how it works. Jack: Yeah. And anytime that you have a. Anytime that you have a. Let's say you. You know. So. Okay, our plan is what? We're going to the center of the country, somewhere in between the United States and 00:45:00 Jack: Canada. That border area, which is rural as. Cristina: Yes. Jack: And we find a bunk, or not a bunk, but like a cabin out. Cristina: There in the middle of nowhere. It's gotta be cabin. Jack: We take no electronics and we raid the library for books on local important areas, maps of the area and what businesses are there and what food grows in the area. We take that back to our cabin every time we do runs. We can also steal casually bike parts. Cristina: Yes, easy. Jack: Bike chains, tires, whatever. Just bike parts. Build an infinite number of bikes, little by little bikes for all different purposes. Cristina: Stop by every bike store and just do a little whatever. Jack: Yeah, whatever. If their bike stores are stripped anyway, you go and you find anything related to bike. Make sure you have enough tools on you. You know, a screwdriver, a wrench of some sort. Just enough to strip a bike at any moment and take important things that would normally break often. Cristina: Okay. Jack: Remove the rubber tire and its air tube. You stuff that into the bag that you have with you. Instead of taking the whole frame. Once in a while, you take one frame of. Not one frame, one rim. Cristina: Okay. Jack: Once in a while, you take one rim. Because it's huge. You take one and all the stuff you're supposed to take, and then again next time, one rim and all the stuff you're supposed to take. Little by little, you have a bunch of rims and you take notes of where you left the rim because you can only take one at a time. Go back, get more stuff, get more bike parts as well as food and other things. Cristina: That's a good idea. I like that idea. I think it works in every situation. I don't know. Jack: Yeah, it seems to. A bike is ideal. You can bypass the enemy. If it's a military invasion, a bike is still helpful. You can sneak around. Cristina: Yeah. Do you think so? Jack: I do. I think so too. Cristina: But I don't know. You don't want to be riding a bike around the military either. You don't want to be anywhere near them. Jack: No. But if you had to, it's an easy way to move quickly and sneak away. Cristina: Not everything is dangerous. I don't know. I don't know what's the worst of all these situations. It's like the military is pretty bad, but zombies, of course. Pretty bad. Jack: They're all pretty bad. I mean, that's why we're running away in the first place. Cristina: Yeah. Jack: We're suing its world ending to some degree. Cristina: World ending? Jack: Yeah, it's an apocalypse. And so we go north and we steal food on the way and we steal bike. We get the cabin, starts hoarding bike parts, leave them in the back of the cabin. And books, all kinds of books from libraries and stuff. That's also going to be entertainment. But entertainment isn't going to be get a novel about a story. No, entertainment is going to be. Learn practical skills in the middle of the end of the world. Cristina: Yes. Jack: Continue to collect books on knowledge and continuously spend your day practicing those skills and developing them. Cristina: I don't know if having a farm is a good idea. Like, would that be assigned to other people? Jack: Yes. Cristina: So, like, how do you grow crops and not worry? Jack: No, you can't be on a farm. Cristina: Not on a farm. Like, if you grow anything in a field, someone will find it, like in your backyard. Or if it's. Jack: If you're in a cabin in the woods. You plant in the woods. Cristina: In the woods? Jack: Yeah. Cristina: Away from the house. Jack: Even if it was near the house, the idea is the cabin isn't surrounded by people. It's a cabin. This is out there. Cristina: Okay. But you're not growing your crops around your cabin. Jack: You can, because you're not around anybody. The cabin should be removed enough presumably if you got a cabin near people, you're already okay. If there are other structures around you. Somebody could be in that next cabin at any day at random and you wouldn't know. Cristina: Okay. Jack: You don't want to be visible. The ideas go so rural. Your cabin is the only place for very, very long time. Cristina: But no one will stumble upon your cabin by accident. That'd be too wild. Jack: I mean, how would they? Didn't you have to look for it? Cristina: Yes, to begin with? I don't know. The robots can figure it out. They're looking everywhere. Jack: It depends. What are you envisioning as a cabin here? Because if somebody could just stumble upon it, you didn't find the most hidden area possible. Cristina: But how hidden? I don't know how hidden cabins are. Like you're saying they're like nothing is near it. Jack: Yeah. Presumably there should be some cabins that are super removed and that you could find that are just out there by themselves. People who were really doing woodsy s***. Cristina: Because how do you get to those? I feel like those cabins are gonna be the hardest to get to 00:50:00 Cristina: because the person who had that cabin is still in that cabin. Jack: Likely the case. That's when you make some hard decisions about ending someone's life. Cristina: That's crazy. Like the most easy cabins to find is probably the ones that have like in the park area where people stay in the summertime. Jack: So yeah, we got our cabin here and then. Yeah, there's a cabin just a little over there. Cristina: Yeah. Jack: No, no, no. You want to go into the middle of nowhere. You're not going to a sunny spot for summer vacation. You're going into a cold, s***** place intentionally up a mountain. Nobody goes on vacation up a mountain. That's why you're looking for these cabins. Cristina: And hoping no one lives there. Jack: Hoping no one lives there. I mean nobody would be living there. Think of like an ice fishing cabin that's removed. Cristina: That's crazy. Okay. Jack: You know, just that level of removed. You're looking for cabins in those kinds of situations. Alternatively, you could find totally removed town and then go and find the most removed house in that town. Cristina: Oh, okay, that makes sense. Jack: Yeah. Or the house with the best position to see the most in a place that's very empty. And slowly, if it's just enough, if it's just few enough people, then you can slowly kind of clear out every place day by day. Cristina: Mark all the places separate. Jack: Not separate. You want to be as close as possible. But let's say there's just two of you and it's A relatively empty town because the apocalypse is happening. Then again, it depends on like the, the amount of time if it's beginning. Those places have people. Cristina: Yeah. If it's a town, then you're just hiding. Jack: You're just waiting until they're. If we wake up and it's been 10 years. We were in a coma and it's been 10 years. The apocalypse has happened and now we're like, how do we survive now? Go to a rural town, clear the town, and then pick the place of the best vantage point. Well, you start by picking a place of the best vantage point, clearing that place. Cristina: Setting up what is like clearing the town though. You're murdering people. Like, what are you doing? Jack: If it's been 10 years and the apocalypse happens, presumably there aren't people. You're just making sure there aren't people. Cristina: Okay. Jack: You know, you're just going to each place and making sure there's nobody there. Cristina: And if there is someone there, then. Jack: I don't know. I don't know. That's an interesting question. You get to. Oh, you leave, I guess. Cristina: Yeah. Jack: It's their territory you moved into. Cristina: Oh, he's like, I guess like, what if one of these dangers are hidden in there? But I don't know why they would be hiding in something that's empty. Jack: Yeah. If it's military or government invasion, they're not just gonna be hiding out in the most rural empty place. That's not happening. Cristina: But a zombie is possible. Jack: Zombie is totally possible. Yes. In a zombie apocalypse. But then you'd get rid of the zombie that would be clearing it. Cristina: But if you just woke up, then I don't know how you're gonna do that. Jack: What do you mean? Cristina: You said in the ten year. Jack: Yeah. Okay, how are you not gonna. What? Unless it's a runner, in which case there's nobody left. Jack: You're dealing with just a typical Walking Dead esque kind of zombie. And that's easy to deal with one. You see a zombie, you're like, that's a zombie. You're like, there's nobody else. I gotta kill that thing or it's gonna kill me. Okay. How do you decide who you trust? Cristina: You don't. I don't know. That's interesting. Jack: And how do you decide who you trust? If they. I mean, personality goes a long way. Cristina: But there's acting and I don't know how you can tell anyone can seem like a friendly person who just needs help. Jack: Yeah, 100%. You don't have to help anybody. I think you need to. But you also can't be the person in need of help. You just need to ultimately be. You have to be resourceful and get people who are resourceful. Cristina: Right. But how do you do that? Jack: You find people who you reject. The people who are useless. Cristina: Mm. The people who are resourceful. Like, how do you get them to trust you? Jack: I don't think trust happens just by default. I think you guys need to agree. Look, we have talents or whatever. We know this and I know that. And people can be forced into situations together. Most people are going to try to avoid other people, but in certain situations, people will get familiar. And I think those are the moments that matter. Right. Where you start to determine utility. How useful is this person that comes first? And then considering their implication within your group, is this the kind of personality I'll conflict with? And you, you know, you learn with 00:55:00 Jack: time because people can lie. And, like, what do you. Do you do not trust anybody, but don't trust anybody right off the bat. Cristina: But when you start trusting people, how big does this group become? Jack: How would you keep facing situations where you end up trusting people? Cristina: I don't know. Jack: I think the team builds up at the beginning. At the beginning. Couple of people, if even that you're gonna try to get away with what you have. You got a family. You got what if you have a family of. Hopefully you got a basement. You could just disappear for a bit. If your basement is obvious, it's just a giant door in the middle of the house, bro. If it's a random door against a wall that you can easily block somehow, and that's the only way in, great. If that isn't the only way in and there's an outer way in, then you move a giant. If you have it, a bookshelf or something in front of the door, and you stock it with everything you have. So it's just there? Cristina: Yeah. Like your bed is pretty big. I don't know if that could work. Jack: No. You don't want it to be obvious. You're blocking something and then you're inside and somebody can just move it. Like I said, a bookshelf. Something obvious that just looks like it belongs there. And you stock it like it's just a bookshelf that's been ignored. Cristina: If you don't have a bookshelf, that's a weird one. Jack: And you do whatever you need to. To hide the handle. You can remove the handle. You could remove the handle and push that bookshelf as far back as possible. If it has an outdoor entrance the outdoor entrance is going to be way easy if you have a normal kind of opens up cellar door situation. Cristina: Yeah. Jack: You can, from the out, you being outside, decorate the doors to be invisible. Cristina: How do you do that? Like with trash or something? Yeah. Jack: 100. You could put a bunch of trash that's just attached to the doors so that when you close the door from the inside, the trash still lands on top of it, hiding it. Cristina: That's cool. Yeah. Jack: Yes. And then you could just be down there and nobody would even know that place has a basement. There wouldn't be proof on the outside or on the inside. Cristina: It just sucks being trapped in a basement. It really does. Jack: 100%. But you would need to wait it out. You want to wait out the noise, whatever the case is. In the case of a nuke, it's the same thing. What are you just dying down there? Ultimately you're just waiting. Cristina: Yes. Oh, I don't nuke. There's nothing we can. What? That's the worst apocalypse. That's the worst apocalypse. Jack: That's definitely the worst one. Cristina: There's nothing you can do unless you're outside of it. Jack: I would think that whatever happened in the Road is a nuclear apocalypse because of all the ashes. Cristina: There's nothing but ash and nothing to eat, nothing to drink. Jack: Oh, no. Plants grow. Cristina: I don't know. Jack: There's water, but they don't give a s***. They don't even filter the water to drink anything. Cristina: It's awful. Jack: Yeah. The kid got sick. Hella times. Like, okay, whatever. It's like better than that. Drinking anything. Cristina: That's horrible. Hopefully that's not the situation that's a horrible situation. But yeah, that seems like it was a. Something like the new. Yeah. Jack: No food grows, no people around, no plants anywhere. There's. You can't see the sky. Everything is ash everywhere. Everything is ash. Absurd. That's a hardcore apocalypse. Cristina: Like you're just scavenging for old cans. That's it. That's all you're doing. Jack: You're surviving off of no hope of finding any other food. Cristina: Nope. Jack: Because nothing can. Cristina: The canned stuff. Jack: That's it. Cristina: That's crazy. Jack: Which eventually will run out. Cristina: Yeah. Jack: Eventually will run out. My question about the road is, was that kid born in the apocalypse? Cristina: I don't know. I don't know. He could have because his w. He had to have been born right before. He must have been a baby or some. A child because the lady killed herself and like she could have been born after that. Jack: Yeah, fair enough. No, but they were being chased. Cristina: Yeah. Jack: They were being chased by somebody. They're like, they're gonna come for us or whatever. So she could have. The kid could have been a really young child, like a baby or something at that point. I don't know. Cristina: Oh, okay. Jack: There's no timeline to this either. It's really just a dude and his kid wandering. Cristina: Yeah. Yeah. So I'm not sure. Okay. Because they don't really say when that's happening. Jack: No, there's no. It could end the fact that everything is destroyed. It's been kind of a while. That kid might have been born in that. And like, maybe there was life and people trying. Cristina: But it was impossible. Jack: It was impossible. Cristina: Growing where food where in a situation like that. 01:00:00 Cristina: I don't know. I think you just want to be dead. I don't know. Jack: Presumably. Cristina: I don't know. Survive of cans until you can't. Jack: Yeah. And going north kind of still works out. An apocalypse happens when it comes to nukes. Just go north. The difficulty is the cold. Cristina: Mm. Jack: I mean, if it's nukes, go south, I guess, because you have less people to worry about. You want to go where the situations are going to be eased off so they can focus on the things that can't be eased off. If there's an invasion, if the military turns on the people, if there are zombies, you want to go where there's no people and where it is cold so that the most people struggle, there's the least likely locations to be large numbers of people. If it's not, and it's nukes and a lot of people die, suddenly, going south might make sense because you remove the element of you having to deal with the cold. And you will be in areas where maybe you can grow things more easily than going up to where it's cold and it's harder to grow things. You want to go where you can possibly survive. You do want to go to places like that avoid you dealing with the elements and making growing food more likely. Cristina: And do what? Go north, South. Jack: If it's nukes, go south, go south. You want to go to the places less likely to be hit by nukes and less likely to be affected by the air from nukes. North, there is way more people. South, there are way less people. If you go very, very south, you get to very, very rural. I mean, that's also a possibility. You can just go to South America. Just keep going down, keep going down, keep going down. Gets hotter and hotter and hotter. In the case of an invasion, you're f*****. Like, that's. They can Come from anywhere all the time. And the terrain only gets easier to. Cristina: Maneuver in South America, the more south. Jack: You go, until you get to jungles and s***. And you don't want to be in those jungles. Cristina: Oh. Because I was saying, like, maybe the jungles would be a good spot. Jack: You don't want to be in those jungles. Cristina: That's where you die. Jack: That's where you die. Cristina: Mm. Jack: Because if the people who live in the jungles don't come for you, the animals that live in the jungle are gonna come for you. Jack: You kind of want desert. You want a lot of. Not desert. Not desert, but you want a lot of open space that you can see in every direction for a long time. You want to go to those southern American countries. You don't want to be in Brazil. That's a problem. Cristina: Why? That's the city. Jack: No, that's. I mean, there are large cities there, but that's also where the giant Amazon forest is coming from. Cristina: Oh, okay. Jack: Like, you want to be far away from those areas. Cristina: Okay. Jack: And those still have dense populations. Again, your best bet is always go north to get to the, like, fewest number of people. But the early stages before super north, keep in mind, most people live on the. I believe it's the northern hemisphere of the world, right? Well, most people live around the equator, but, yeah. China and India kind of cheating, I guess. If you remove China and India, where do most people then live? And I'm assuming most major cities. If you look at the United States versus a bunch of other places, you look at Europe, you look at all these places, everybody's up. We're on the northern part. So you got to go extra, extra north to get away from people that's very cold. Yes, you want to go very, very cold, but that also makes it very hard and less likely you're going to encounter people. Cristina: That's a good thing, I guess. Yes. Jack: You got to be willing to do what other people aren't willing to do in order to survive. Cristina: It's the only way you survive in every situation. Jack: In every situation. And going south could help, but you also have to go through all. I mean, you could go to the center of the country, travel, but then you got the bottom states that are packed with people, and then you still have to cross that into the top of Mexico. That's packed with people. Cristina: Yeah. It's too dangerous. Jack: And then keep going south, going. You gotta cross the jungle. You can't stay there. You can die, but you gotta cross the jungle. Cristina: Then once you cross it Is that safe? Jack: Yes. You'll get to. You'll start entering more rural areas with less exaggerated foliage is like jungles. And get to more old school style countries or countries that are modern but still have a lot of areas that are old school. Old Spanish countries. Cristina: Good place for bikes, man. Jack: Good place for bikes. Good place to hide out in random places. There's not a lot of structure the way we know it over here. Mad layered. You'll have 01:05:00 Jack: have like one floor homes, a lot of them. Cristina: That's perfect. Jack: You know, you get the. You move into the one building, you got view. Cristina: Mm. Jack: Or you can go to completely rural areas in these kind of Spanish areas. It works like that. If you could find a boat and get to an island that doesn't flood easily. The problem is with islands, you also got to deal with. You want to deal with tropical. You don't want to deal with jungle. Cristina: Yes. Jack: Jungle's gonna kill people. Cristina: Jungle kills people. Jack: I think the jungle is more dangerous than going somewhere astoundingly cold. Cristina: Yes. Jack: Getting warm is gonna suck. Cristina: Getting warm where it's cold. Oh, okay. Yeah. But that's. You just have, I don't know, a lot of blankets. Jack: Yeah. Cristina: A lot of coats. Jack: Yeah. Double air, triple air for the super harsh winters. I mean, as the world I see other apocalypses didn't discuss, the planet is getting hotter and hotter. If this increases at an exponential rate. Cristina: Then the top makes most sense. Jack: Yeah. You want to keep going north until you're in these hefty northern areas. But on the flip side, the north is gonna start getting packed in that kind of apocalypse. Cristina: Oh, then staying in the middle makes the most sense. Jack: You don't want to bake alive. You want to go where it's warmer. But in this inevitable scenario, the more north is going to start getting more packed because it's going to be more livable as it gets hotter. Cristina: Yeah. And the south is just gone. Jack: No, the south works just like the north, only the equator is extremely hot. If you go south from the equator, you get colder and colder. Cristina: Then it makes sense to go there then to the equator, to I guess South America. Jack: We can go to South America. We can go to North America. North America has way more land. South America gets thinner and thinner. Lower down you go, meaning that'll get more densely packed. Cristina: Less people is a better thing. Jack: Consider the equator. And if it's a climate based situation and that the equator is the middle, most people underneath the equator are going to keep going south. Most people on the north of the equator are going to keep going North. Even if there are more people in the north for a climate crisis, there is way more ground for them to spread out. Less likely, you'll see people. But South America doesn't work that way. South America is a funnel. It keeps getting smaller and smaller and smaller. Meaning everybody is going to most likely be packing. They're going to be more and more. Even if there were a few people. Yes. They're going to keep going south. Keep going south. And there's going to be more and more people. Always more and more people. And that's where the hostility is going to happen. Same thing happens with Africa as it gets warmer and warmer. The African continent. Yeah. Is going to get worse. It's going to get bad. And South Africa is going to be at risk because that's going to have the largest swarm of people. Cristina: That's a lot of people. Okay. Jack: And just like the United States, having Canada and this open, kind of increasingly opening above us, so does the eastern continents. Cristina: Russia. That's pretty safe then. Jack: Yeah. You keep going up. Russia is eventually going to be in a case of a real climate crisis. Russia becomes paradise. Cristina: Well, we're not traveling to Russia. Jack: We're not traveling to Russia. We'd be going to Canada. Cristina: Okay. Jack: Our equivalent of that. Cristina: That makes sense. Yeah. Jack: Those are basically rough ideas, rough concepts that we would do. Cristina: Yes. Jack: I don't know if we solved anything. Cristina: Are we supposed to solve things? I don't think so. Jack: I don't know. Cristina: We have a basic plan. Bicycles, books. Jack: Strip bicycles. Strip books. Not strip books, but steel books. Cristina: Steel books. Jack: First, go somewhere that solves your problem almost instantly. Cristina: No, before anything, even before of an apocalypse. Learn how to filter water. Jack: Learn how to filter water and how to build animal traps. Yes, that's it. Filter water, build animal traps. Important. Cristina: Super simple. Jack: Super simple. Very logical. Yes. Then after the situation happens, north or south indefinitely. Yes, definitely. Now. Cristina: With a bike. Jack: With a bike, if you can. But if you've got to travel, when you get where you're going, you use a bike. You use a bike to move around quietly. Cristina: Okay, so that's in the future. Jack: Yes. And then you hoard bike parts. And also before you even get that far, when you enter where you're settling down and you've set camp and you're like, this is where we're staying. After you've secured and looked at the area and making sure you're nice and safe. Nearest library. Make the trip. Steal books about the local plants, the local structures, all the things you need to know about the area you're In. Cristina: Yes. 01:10:00 Cristina: Super important. Jack: Yes. And then start stealing bicycles and stuff so that you can make every travel easy. Cristina: You see, there's a plan there. It makes sense. It's good. Jack: Yeah. Cristina: It's not exaggerated. It's a simple. It's beautiful because it's simple. Jack: Yes. And anybody can do it. Cristina: And anyone can do it. Yes. It was a great plan. Jack: Yeah. Fair enough. There was a building plan the whole time. Teach yourself the two basic skills ahead of time. Go to one of the extremes. After the crisis, when you arrive at the location you believe you're gonna stay. Raid libraries as you're looking for food or whatever the crap you plan to do. Make sure you get informed on your surroundings and then acquire transportation so that you can regularly travel. Cristina: Brilliant. Jack: Brilliant. Cristina: I think we did it. Jack: Totally. Cristina: It works for any situation. Jack: Yes. The one cheat that everybody needs to know and learn. Make sure you steal sewing string, sewing wire, sewing yarn or whatever, and a bunch of tiny bells. Cristina: Oh, okay. Jack: And then you can hang the bells on the wire in the night, and you could create a huge perimeter. And anything touches the wire at any distance, all of them ring. So you just need some leading all the way to you. Cristina: I don't know how good that is because, like, what if it's a zombies thing? Like, you wouldn't want the sound attracting them to your house. Jack: It would tell you that they're zombies. Cristina: But it wouldn't attract them to get closer to you. Jack: Well, you don't want crazy walking by. No, you don't want crazy loud. It's a bell. It's not a giant horn. If they're walking by and they ring it, then they're confused. It's coming from everywhere. Cristina: Oh, okay. Jack: There's two things you really need with that. You want the louder ring to be wherever the trip is. So you want a bell to be clink, clink. That one over there rang really loud. All the others rang to let me know, but the loudest one was over there. That's where it got tripped. The other ones are just moving because it got tripped. So I know it came from that direction. And these all rang. But even if you're asleep, one of them would be near you. So it would ring. When something tripped any wire anywhere, a. Cristina: Little bell will ring next to you. Jack: Yes. And then you'd be like, oh, something's here. Cristina: Okay. Jack: Learn how to use wire or string and sewing string and. Cristina: Have a bunch of bells. You don't even know how to work bells. Jack: Hoard bells over time. Hoard a bunch of string and a Bunch of bells to set basic parameters. Yep. Basic perimeters, alternatively. No. The problem is you want your bell to go off the one near you. Cristina: Mm. Jack: So I guess there's ways around this. You can make outdoor perimeters where you fasten edges. This one to that tree, one bell in between, this one to that tree, one bell in between. Do that over and over, creating a perfect perimeter. But you can also do it where those aren't going to be interrupted. Those one rings, only that one rings. You know exactly where it came from for your house, your fastened area. That's when you would put a bunch of wires and connecting things in every direction so that you're sleeping in the one hidden spot. It doesn't matter where somebody steps on it. It will ring all of the ones in the house and the one near you. So you could just hear it get up. Get up and react. Cristina: Okay. Jack: That's true. Good scenario. That would be my advice for, like, be safe in simple ways. This whole plan is simple. Cristina: It's awesome. I like it. I think anyone can do it. Jack: Anybody could do it. That is the goal. Right. It's very simple, basic plan. Anybody can pull off it will probably. Cristina: Help in any situation. Jack: Yes. Because it's not focused on any one apocalypse. There's a couple of, you know, stay home if you can, but move if you can. Those are the only variations. This is how you stay home. This is how you move. Although the how you move, I guess that's really up to you. But where you move to, this is how you stay home or where you move to. How you move to where you're going, it depends on the individuals. Can you all ride bikes, then ride bikes if you can't, well, you guys gotta walk then. If there are cars and no MP drop, take a car. If it's robot apocalypse, take a. Don't touch a car. Cristina: Most situations, I think don't touch a car because, like, that also, people will find you. Jack: People will find you. Cristina: It's an easy red, but it depends. Jack: On the timing, too. If it's early in it. Use a car. You're part of the noise. Cristina: Okay. Jack: Keep getting more rural. More rural, more rural. Then abandon the car a distance away from where you're going. Cristina: Yeah. Eventually you gotta let go that car. Jack: Put it somewhere hidden that you can run back to that, you know. And if it's gone, somebody's 01:15:00 Jack: somebody's around there. Cristina: Whoa. Jack: But don't put it near where you're staying. Cristina: Mm. Jack: Because people will find it. Cristina: Yeah. Jack: People will find cars in the most random of places. Cristina: Yeah, cars are too dangerous. I don't know. Jack: Yeah. And too noisy. Cristina: Yeah. Jack: But the only problem is if an EMP drops, the noisy cars are the only ones that will drive. Purely mechanical. Cristina: That's why. That's dangerous too. That's. Jack: Yeah. It makes those cars the most desirable. Cristina: Mm. Everyone's gonna be fighting over cars. You don't want that. You don't want it for survival. Jack: People are also gonna be fighting over bikes. Cristina: Okay. You don't need bikes for survival either. Jack: But you're gonna hoard bikes because it's easy. Cristina: Okay. Jack: It's not easy to hoard cars and repair them. It's easy to have a couple of tools and repair some bikes. Cristina: Okay. Jack: You can always have a bike. I don't know why in the Walking Dead they don't have bikes. It makes no sense. Cristina: I don't know. They have carriages. Jack: I don't. I don't understand. Anyways, hopefully this is helpful to you guys to some degree. And if the apocalypse comes, there's a basic plan here. It started off kind of aimless, but slowly zoned into a plan. Cristina: It makes sense. It's a plan that works. Maybe. We'll find out. We'll find out. Jack: Yeah, we'll find out when the apocalypse heads. Anyways, if you guys like conversations like this, Ones similar. We haven't had anything like this in a while. Although there are older episodes that have strange off conversations like this, you guys can definitely find those. And if you have any ideas that you think fit a basic, easy to accomplish plan anywhere for anybody to do. Cristina: Or it could add to what we made. Jack: Yeah, basically, that's what I'm saying. If you want to add to what we're talking about. Anything that would fit so easily to our plan. Cristina: Okay. Jack: That anything could fit, you know, any piece that won't overcomplicate it that allow anybody to still accomplish this, message us and let us know. You could do that on our socials at just convopod, on Twitter on X. No, X is Twitter on X, on Facebook, on Instagram, on Tick Tock, wherever you'd like. Cristina: Remember to subscribe and review the show. Jack: Yes. And word of mouth is incredibly overpowered. Tell people we're trying to get everybody to survive the apocalypse. Let them know that's what's happening here. Cristina: Let's do it together. Except don't. Don't join me. We gotta do. We gotta be separate. I don't know. Jack: Yes. Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. Jack: Sam. Cristina: The podcast is hosted by Cristina Collazo and Jack Thomas. Produced by Lynn Taylor and published by Great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black. 01:18:18

Rambling 293: Atlantis Migration

What can the migration path of the Elysians tell us? What was the true goal in heading to Atlantis? Did they go straight there first? The duo unpack the  mass evacuation of the Persian Gulf Oasis and the Migration of the Elysians on their way to the Atlantic Ocean.

+Episode Details

  • Elysians
  • Atlantis
  • Bimini Road
  • Persian Gulf Oasis
  • Greater Bahamas Landmass
  • 20k Years Ago Sea Level
  • Year 1

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And so last week we were talking about the city of Dwarka, which was a hyper advanced, ancient civilization with actually an abundance of proof, text and a bunch of s*** that they most likely were in fact, what they were saying.

Cristina: Some weird futuristic place in India, off.

Jack: The coast of India. But they sank their city, most likely intentionally, to avoid some bigger, greater boogeyman.

Cristina: What could that be? That's crazy. That's such a crazy thing.

Jack: And this happened long before Jesus Christ. So it wasn't the same instance. No, it was longer ago. It was further back in time.

Cristina: So what were they fearing? What could be bigger about it? What could that be?

Jack: Yeah, it could have been anything. Right? Like we have no reference point for things from longer ago.

Cristina: No, but can it have been another civilization? They sounded like the most advanced.

Jack: Yeah, they sounded like they were at least kind of touching the. What we know the Aletians to be.

Cristina: Yes.

Jack: Well, on the flip side, they did have like, more primitive technology when we compared to certain things. When we're talking about them gathering solar energy and the Egyptians building entire Dyson spheres, like those are two massively different stages of power. We're talking that in that case, the people of Dwarka were stage two on the Kardashev scale. Maybe not even. No, not even. Because they're not taking all of the power of the star.

Cristina: No, but they're taking power from the star.

Jack: So their civilization one getting to Civilization two, while the Egyptians were already Civilization two leaning into Civilization three. Because the entire Dark Void, the Great Void, is made because of a crap ton of Dyson spheres. That's entire stars captured in this gap, maybe even galaxies, which would then push them into the third, leading to fourth. And the Elysians are still stronger. So Dwarka isn't actually that. That.

Cristina: So are they afraid of the Elysians, the Egyptians?

Jack: All these groups would be more powerful than Dwarka. Now there are some things. Again, space time manipulation now brings us into a different stage. Yeah, we haven't heard mention of this from any of the others, but like, how the h*** they have instantaneous transportation using the pyramids and things like that. So they. Everybody's got their specialty, it looks like. And if these people can manipulate space and time, that's kind of op.

Cristina: Yeah.

Jack: Yeah. Because space travel, maybe you can't construct some giant thing around the star, but clearing space becomes easier than it is for everybody else, minus the Egyptians, who could instantaneously get somewhere.

Cristina: Crazy.

Jack: Now, thinking about this, I wanted to know who these people were scared of. There were other civilizations to look at. I started going through them, and as I'm doing it, the pattern is the same. So it's not even worth looking at the civilizations per se, and they're less advanced anyways. So we already saw the most advanced of the ones we haven't looked at, and we still can't tell what it is that they were fearing to begin with. So looking at this and seeing that they were this level of advance so long ago.

Cristina: Yeah.

Jack: I just started combing back through the data, everything we have. What do we have? And started looking at everything again. What is this information trying to tell us now with this new perspective that there were civilizations this level of advanced prior to the Mayans even getting technology, prior to the Egyptians even getting this technology. We know that the Elysians existed with the first mentions of jehovah being roughly 12,000 years ago.

Cristina: And we knew there was a civilization around the world on the line.

Jack: Yes. That they were all advanced about 12,000 years ago.

Cristina: Yes. We have no idea whether now that they destroyed themselves, which we assume they all destroyed themselves, or that something actually got to them.

Jack: And it's funny, because India is on that old equator line. Okay, so Dwarka is in theory one of those locations which.

Cristina: Which destroyed itself. So did the others. What happened?

Jack: Did the other. Interesting point. Did the others do it to preserve their own safety? Were they all flourishing? interesting.

Cristina: Was Satan involved also, I guess is another question.

Jack: Lucifer.

Cristina: Lucifer, yeah.

Jack: Satan ain't a thing. Satan is religious. But in looking at these things, I started stumbling upon some things that I found kind of interesting. And I thought we would discuss them today in order to add some new perspective, because the perspective we had allowed me to look at this and then to consider things from a different light. So I want to talk about the Elysians and I want to talk about their migration pattern, because I think their migration pattern might be informative in a couple of degrees.

Cristina: Really. What?

Jack: So as far as we know, based on our understanding of the events, based on texts provided by the Mayans, from the Greek, from the Egyptians, and some random obscured sort of settlements here and there, we have understanding that the Elysians came from the Persian Gulf oasis. And when the tragedy happened, whatever it was that forced them to run away from their home. They broke up into three groups. One went north, we're assuming to the Norse area.

Cristina: Yeah.

Jack: We know this because Mananan hungs out up there. So they would have already either gone to establish those things or had things up there already they could have safely gone to. One is to where is known today as Gaza. In the Palestine. In Palestine. Which was previously known as Philistines. And we know this because the genetic marker that only exists around the Persian Gulf oasis is the exact genetic marker that exists in that area.

Cristina: Okay.

Jack: Right. We're going to talk about neither one of those two though. Talk about the obvious one that most people know about, which is the ones that went to the Atlantic Ocean. Right.

Cristina: Okay.

Jack: Because that's where the story begins for who knows about these people? Most people only know about them through this location. So do you remember what the basic idea is? Where'd they go? Everybody knows the answer.

Cristina: Bermuda Triangle.

Jack: And what's there.

Cristina: And then their water city known as. Yes. Okay.

Jack: Okay. That's the common knowledge about what happened. The third group goes west, goes to the Atlantic Ocean. Goes to where the Bermuda Triangle is and dives down into what is known as Atlantis.

Cristina: Yes. And they might have a storm machine that's making that craziness that's happening above it.

Jack: Yes. Or maybe not a storm machine. But we've also determined that it is possible that there are different kinds of life we struggle to identify. And that there are clouds, like creatures.

Cristina: Yeah.

Jack: Or that clouds themselves have a type of sentience that they have learned how to communicate with. And so, okay, there's that mess going on. Right. But let's focus on the water and then the migration pattern.

Cristina: Okay.

Jack: They hit the ocean and go all the way to where they're going and dive down. How the h*** did they do this? Did they have the technology to float on the water while they built the city? Was the city being built for a long time and then they just managed to leave? Right. When the thing happened is like whether it's complete or not, the structures that are there will finish while down there. Like how? How.

Cristina: How are there. There should be theories on how. Is that what you're gonna talk about? Because I really don't know.

Jack: It's complicated. Right? I really don't know because that's weird. How did. How, How, How, How. How. So those are the three groups. Right? Norway region. The Philistines, now known as Palestine. Specifically the Gaza region. And then the Atlantic Ocean. Simple. Now, these are supported through various sources of records and hieroglyphs. In several different countries. From several different countries as well as traces of a nomadic race starting at the Persian Gulf oasis and following their remnants straight through. One disappears into the Atlantic Ocean, one lands specifically Gaza and one goes towards the north and kind of trails off eventually. So we can prove the hieroglyphs and the records aren't wrong because we can find traces of individuals that kind of fit the suit, but they go to the Atlantic Ocean in the Bermuda Triangle specifically. And it gets weird.

Cristina: That's already weird.

Jack: That's already weird. So what can we see in that area? Do you remember what we know for a fact that we can look at in that area that provided proof of like. Oh yeah, definitely down there.

Cristina: I remember line statues, but I don't know if that related to that.

Jack: Yes, it's the Bimini road and the underwater areas surrounding it.

Cristina: Okay, right.

Jack: So the Bimini road is a block like pattern road going into the water and for miles surrounding it you find statues and pyramids and reared structures all over the place. In the water, in the water.

Cristina: Crazy.

Jack: Everything looks worn and wasted. And the road itself is isolated by itself going far in the distance. You got to find these other things in the water. It's not like you see the road and oh, there's a statue right next to it. It's underneath this giant area. And that brings up some interesting questions. Right? If they went to the Atlantic Ocean, what was this road for? If they went underwater, who was this road for? Why would you want an obvious path leading down there?

Cristina: Huh?

Jack: I was thinking about that. I was thinking about how stupid it would be if you're trying to hide the leave remnants of where you went.

Cristina: It would make sense if it wasn't always underwater.

Jack: If it would make sense if it wasn't always underwater. But then what's the story of Atlantis? What is the point? And like I don't understand. If it wasn't always underwater, would they not underwater? So where are they now? And why don't the islands surrounding that have any of the same structures going on? Okay, interesting, right? Questions just pop up, things we didn't think about before. So I have some theories we can discuss and some evidence to support some of these theories. There are four possibilities we're going to go with scientifically the most likely. If we were looking at any other civilization without considering hyper advanced technology, if we were looking at any other modern day civilization, how would we explain the same thing? But first let's talk about where Bimini is and what Bimini is. There is an island, the Bimini island, specifically northern and southern Bimini. And they are off the coast of Florida, close to the Bahamas.

Cristina: Okay.

Jack: And this general region right there by the Atlantic. Let me see if I can get you a nice little image here. And you're gonna see kind of the area right here.

Cristina: Do the islands themselves have anything I.

Jack: Just said they didn't.

Cristina: They didn't. Okay. So it's just things near it.

Jack: Just things near it. And we'll discuss any details on the islands in a bit. That's not the point yet. But here are the islands. You know, this is just kind of the region very close to Florida. Yeah, this is Florida. Very close. I'm gonna show you. This is the island right here. That's Miami. These are the literal Bimini Islands. That's how small we're talking. We can zoom out a little more. And you're gonna see right down there the Bimini Islands. Very small. Here's the Bahamas. Way larger.

Cristina: Okay.

Jack: Yeah, that's kind of what we're looking at. It's very small.

Cristina: Bunch of small, scattered islands.

Jack: Yes, a bunch of small scattered islands. And we know the path. The Bimini road is coming out of the northern Bimini island towards the north of the Atlantic Ocean. Right now, thinking about the most common possibility, we have to do some scientific research. I'm gonna give you the theory and then the explanation as to why it's likely. So initially, the idea would be that Bimini island and where Atlantis was were one place.

Cristina: Oh.

Jack: And that we were looking at the. If you remember the difference between Legend of Zelda, Twilight Princess, I think it is, and then the Legend of Zelda Wind Waker, where the entire world of Hyrule has become island tops as the world got flooded and everybody had to migrate to the highest points.

Cristina: Okay.

Jack: It's possible those islands are.

Cristina: That they're just the tops of something.

Jack: Else, the tops of a larger landmass. Now, the island chain of Bimini and Atlantis would have had to be one seamless structure somehow. And it could have been a country or a continent of its own.

Cristina: Okay.

Jack: Now, this is supported because in a lot of different texts, it is described as a country or a continent just as often as it is described as a city. Some people describe it as a mega city, some people describe it as a country that's super advanced, and some people describe it as a continent that had an advanced civilization.

Cristina: Okay.

Jack: It's unclear what of them it is. We always lean on city because most of the descriptors used after the country, continent, or city kind of lean towards the city idea of skyscrapers. But can you imagine a super metropolis the size of a country where buildings don't end from here the way over there? Very dystopian future of, like, there's no nature. It's all trees, all the. I mean, it's all buildings all the time in every direction. It doesn't matter how many miles you drive. More buildings, more buildings, more buildings, more buildings indefinitely for the length of an entire country without a pause, without breaks in between.

Cristina: That's what it's supposed to be like.

Jack: No, that's just a way to explain what the text say.

Cristina: Oh, okay.

Jack: No way to certify what it's supposed to be like. There's a bunch of different explanations. That's why people land at city, because that's the only place you could think of that would have so many buildings and things. But if it's the size of a country or continent that was also unending from one side to the other, nothing but buildings, then you got to consider how large and advance this really was that be just so consumed by infrastructure.

Cristina: Okay. And it would have been all of that.

Jack: All of that.

Cristina: Okay.

Jack: Except we're assuming that the. You know, we always describe it as a city because of that. That is the point. We always talk about it as a city because of this. But if these are just the tops of the structure, then maybe it was larger than we thought.

Cristina: Okay.

Jack: And it just shrunk down so that the remnants are left by Bimini.

Cristina: Are there people in Bimini?

Jack: Yes.

Cristina: Okay.

Jack: And so if it was a country, what is known as Atlantis could have been the capital of the country.

Cristina: All right.

Jack: And that's why we heard about that mostly. It could have been the largest city in the country.

Cristina: I guess that. That could be, too. Yeah.

Jack: It could have been the most densely populated city in the country.

Cristina: Mm.

Jack: Or simply the most technologically advanced city in the country. We think of Seattle. That's not particularly densely populated, but it's kind of advanced compared to a lot of other things. We look at New York. That's not the capital, but it's a huge, you know, metropolis. So there's areas that aren't capitals and aren't the most densely packed, but they're definitely. They. We hear about them more. And when people think of the United States, they think, oh, New York, okay. Oh, Hollywood.

Cristina: But, like, the whole state or country, whatever, went underground, not just Atlantic, Atlantis. That's just one of the places that went down. Yes, but it's a bunch of.

Jack: It would have been a giant Landmass that existed.

Cristina: Okay.

Jack: If it were a continent, then what is known as Atlantis today could have been the governing country of the continent. It could have been neutral territory in the country where most people can go without war. It could have been the most technologically advanced country on the continent.

Cristina: Okay. That spot big enough to say like, a continent could fit there?

Jack: Well, we're going to discuss that when we get that far.

Cristina: Okay.

Jack: It could have been the most dangerous country. And this also falls definitely in line with thinking about how people were describing them as the sea people and describing them as being terrorized by them. It being the most dangerous country lines up with us hearing about it more. The sea people from Atlantis, I guess they were being terrorized oceanside. Everybody.

Cristina: Yeah, I guess it just seems like they had one specific enemy. I don't know if everyone was afraid of them or they were all afraid.

Jack: Of how people were described by several people as pirates and terrorists.

Cristina: Oh, okay.

Jack: Yeah.

Cristina: Oh.

Jack: Only country of the Elysian people within the region. So if there was a continent there, maybe the Elysians only resided in Atlantis and not the entire continent.

Cristina: Okay.

Jack: And that's why we hear about Atlantis now, to explain these things, the civilization would have, by default, been absolutely large, or at least the structure would have been gigantic. The date we would have to put this in would be very different. Then this is where it becomes unlikely. So all that information makes it likely. And I'm about to explain how it's both likely and unlikely for our narrative. The water levels 20,000 years ago were 400ft lower. That is not 2,000 years ago. 2,000 years ago, it might have been a foot lower. 20,000 years ago, it was 400ft lower.

Cristina: Okay, now they have to be way older than we think. If it was the thing.

Jack: Yes. Now, I'm gonna show you again the image of Bimini. And as I scroll down, you're going to start seeing where the landmass would have been and how much it would have taken. Here we have Bimini. There's Miami.

Cristina: Mm.

Jack: Again, Bimini down there. The Bahamas. Miami.

Cristina: So tiny.

Jack: This would have been the landmass.

Cristina: Okay. Yeah. It's a little country.

Jack: All of that would have been over water. A further away. Look, all of that starting all the way at the coast of Florida and leading right over the Dominican Republic and encapsulating all those islands would have been over water. This is larger than some actual countries. Larger than Puerto Rico, larger than the Dominican Republic, larger than Cuba.

Cristina: Connected to Cuba and Dominican. No, no. It was his own thing. Okay.

Jack: There would have. It would have been way closer, but it would not have touched.

Cristina: Oh, didn't touch Florida either.

Jack: No, it would have been really close. You could have seen it from Florida.

Cristina: Oh, okay.

Jack: Really far away. You would have seen it. Well, but you wouldn't have made contact.

Cristina: With Florida because it was its own island.

Jack: Yeah. There would be water between Florida at this point.

Cristina: It's a big island, though.

Jack: It's a big island. It's a pretty big island. And that kind of brings up a lot of interesting points. Right. So important details about this. The again, that's the water level. That's what it would look like with the water level 20,000 years ago. And it would connect the entire Bahamas region, all the islands towards the bottom, all the islands towards the top. The Bimini, that entire bubble would be one landmass. For perspective, the state of New York is 47,000 square miles. This island would be 48,000 square miles. North Carolina would be 49 is 49,000 square miles. Mississippi is 47. Pennsylvania is 46, and Alabama is 51. This is 48. Those are just states.

Cristina: Yes. So it's the size of a state. Well, American state, as we saw.

Jack: It's bigger than Cuba.

Cristina: Yeah.

Jack: And so there are some countries that this is roughly in the ballpark of Greece is 50,000 square miles. North Korea is 46,000 square miles. That's 2,000 square miles smaller.

Cristina: Okay.

Jack: Liberia is 43,000 square miles. That's 5,000 square miles smaller. And Cuba is 42,000 square miles, which is 6,000 square miles smaller. It would have been the size of a little country.

Cristina: Yeah, it looks like it. Yeah.

Jack: Interesting little details.

Cristina: But we only know about one city.

Jack: But we only know about Atlantis. So again, it could have been, like I said, it could have been the capital of the country. It could have been the largest city in the country or the most densely populated one or the most technologically advanced city in the country. And if we're calling this a country that's similar to this is like New York.

Cristina: New York. So, like, it was the city. Is Atlantis the popular city, but the country is also known as Atlantis?

Jack: Could be the case. Yeah, yeah, yeah. Maybe like the. The most important part of it was also named after it. Definitely could have been the case. But it's also possible that this entire landmass, because we don't see remnants of highly advanced technology on any of these islands, it's possible that the civilization of the Elysians was focused mainly in this one state or this one city within that country.

Cristina: And Then the rest was just wild.

Jack: The rest was just other people.

Cristina: Oh, okay.

Jack: Just other people who weren't. Think about how Dwarka was built and how they had walls stopping the primitives from just coming in and going easily. And they wouldn't sell advanced tech, but they would allow markets for. You know, you could buy food, you could buy this, you could buy that.

Cristina: Okay.

Jack: But they wouldn't allow people to leave. So maybe this was the most advanced city and primitives could come through.

Cristina: But they all live like normal people.

Jack: They all live like normal people. Hence the knowledge of. All the Atlanteans were so advanced as compared to the rest of us. Their technology was so out there. Which definitely falls in line when we think about things like Eloi and how they were so advanced, trying to figure out humans. Except Eloi isn't mentioned. At this point, we stop hearing about Loi, and this is long before we get to Jehovah. This is actually in the pocket of one guy we can't seem to find anything about. Yahweh.

Cristina: Yeah. Oh, crap.

Jack: The guy we can find nothing about happens to fall in line with the timeline where this land mass would have existed, but no longer does.

Cristina: And you think he has something to do with.

Jack: Not something to do with it, but rather he vanished with it?

Cristina: Yes.

Jack: You know, he didn't cause it. No, but this falls in line with. Well, he was kind of likely, by our estimates, around 20,000 to 40,000 years ago in that range. And this land mass would have existed around that time. This was the highest point. Okay, so this is how the most land, before the water starts coming back up to swallow it. It took 20,000 years to swallow it, but this was the most amount of land. Yeah, but before it, there would have still been land, just less of it over time, as the water level was higher.

Cristina: So. So weird. Like, they must have known that that was gonna happen and then protected themselves from that. Or did they just. Or is there no one there now? But there has to be someone there now.

Jack: There are people on the islands.

Cristina: Yeah. No, I mean, like, Atlantis is still.

Jack: Yes, for sure. But then Atlantis is somewhere beneath this mess. It's somewhere where this giant landmass would have been, according to this theory. And again, based on how migration patterns happen, if they settled the island and the island had, you know, people distributed all over the place, it's possible in this argument that the city was built and then they throw the dome that protects it from being swallowed by the water while everything else around them gets swallowed by the water.

Cristina: That's pretty harsh.

Jack: And then everybody. Why is that harsh?

Cristina: Because they're not protecting other people.

Jack: What is their obligation to anyone else?

Cristina: I don't know.

Jack: And everybody moves to the highest points, slowly migrate. You got to understand, this is also happening over a long period of time. It's not like overnight the water level rose, they covered their city, and slowly the water came for them. And all people migrated over generations and generations migrated more to the higher points, to what is known today as these islands. And then they went extinct. However they went. And then the people who settled them later shut up. Okay, under this logic, they didn't need to show up, hover on the water and send tech down.

Cristina: No, they just built over time.

Jack: They built their city on land, and then the water level started rising and swallowed it. Pretty basic, pretty simple. Based on how migration patterns really work. That would explain the islands, people on the islands. That would explain structures underneath the water. That would explain a lot of this all in one shot. The difference is we don't have on any of these islands who would have been closest to the Alicians. We have no data other than the Bermini Road and the structures underneath the water. We have nothing on the islands themselves.

Cristina: Oh, yeah.

Jack: So arguments could be that knowledge was lost as the water levels rose and different generations passed over thousands and thousands of years. But this also doesn't line up with what happened 2,000 years ago. The argument here would be Atlantis existed that entire time. And when they left the Persian Gulf oasis, all they had to do was go to an existing metropolis city. Underwater.

Cristina: Yes.

Jack: Didn't have to build anything. It was there.

Cristina: They had. They must have used teleportation or something. I don't know, who knows?

Jack: But there is a migration pattern. But we also know that, like Cyprus is a migration point. There are light. Not migration point. They're teleportation points. Oh, I guess because Mary went from one to the other and they might.

Cristina: Have done the same.

Jack: Okay, Cyprus one, Athos was one, so on and so forth.

Cristina: The mountains.

Jack: The mountains.

Cristina: Weird. Using the mountains to go underwater.

Jack: So the migration was trying to get to the right mountain. And that's why when they hit the ocean going west just vanishes and they trail off. Because they did manage to reach where they were going, the mountain that would send them to Atlantis.

Cristina: Oh, snap. Yes.

Jack: And Atlantis built over there. Where that land mass used to be is underwater protected and has been protected for thousands of years. Underwater. That is theory number one.

Cristina: That's a great theory. That's the best theory. Or does it get Better.

Jack: There are other theories. You decide whether they're best or not.

Cristina: Okay.

Jack: Next would also require the 20,000 years ago period to have played out. Right. Same idea. And the water level starts rising over time and the Atlanteans don't exist. And the story we get from the Persian Gulf voices, those people must have gone to the tops of these islands or something. The argument here is they settled what is known is Atlanta as Atlantis first. That was the original location they went to. Atlantis was the place they landed. At first, this island was huge. They settled that area. But as the water levels began to rise over thousands of years, like natural civilizations, you know, the coast came up close, we built our houses up the hill. Over a couple of hundred years, the water reached again. We built our houses higher up the hill, so on and so forth. To repeat this pattern until now, when all we have is the islands and the underwater structures leading to them. From their natural migration from the lowest point of the island to the higher point that is now several islands.

Cristina: Okay.

Jack: Normal migration pattern. Absolutely. Logical migration pattern. There was a city known as Atlantis.

Cristina: Yeah.

Jack: Or a settlement or something. Maybe could have been hyper advanced, but there was no point in. Maybe they couldn't protect it the way we're assuming they did. Maybe that's impossible.

Cristina: Okay, so they just moved out of there. Yeah, eventually.

Jack: Not even fast. Just slowly, slowly moved out.

Cristina: So it just looks like something's there, but what they left behind.

Jack: Yes, just slowly as they built roads and, you know.

Cristina: Mm. Kind of like that other place that we talked about last week. Like it was there and then the water and then they left. Like there's no reason to stay there. Oh yeah, they sank it. So crazy. Okay, wow.

Jack: Here it just. These are just logical scientific explanations for like what's the most likely, based on common knowledge. Yeah. Maybe they just settled in one spot. And as water levels over thousands of years rose, they kept moving and building where they are. They just build where they are, but they're always moving where they are over hundreds of years, you know, so they're.

Cristina: Probably not there anymore.

Jack: I'm probably not there anymore. The structures are probably down buried in the water somewhere as debris and crap lands on it and covers it over thousands and thousands of years. But like, we see things here and there, we see statues here and there, all spread out under the ocean within this area. But ultimately it was just the migration pattern. They settled low and over thousands of years kept moving. And we see all the structures from their migration patterns to the higher points that are now all the islands okay. And as they went higher, less space, more people in that space leads to more war and less resources. People eventually die out. If this was a giant location, and that would explain the lack of these individuals. Now, funny enough, the opposite argument of the it being a giant single landmass that was one giant collective of people. If it was one giant thing, and they were all the Elysians, as the lower parts of this giant metropolis kept getting drowned out, again, they just moved to the higher points.

Cristina: Yeah.

Jack: And higher and higher. More of a seamless transition. So if it was all a single thing, they get to the top. And the only question is, where did the structures go in that argument? In the second argument, they killed each other trying to survive. Everything kind of disappears.

Cristina: Okay.

Jack: They murdered one another just trying to survive.

Cristina: Yeah. Okay.

Jack: And that would lead us to, you know, where is the stuff? Well, we can see it underwater, but where'd they go? Well, they got.

Cristina: They're dead.

Jack: Yeah, it got. It got narrow.

Cristina: It got dark. Okay.

Jack: It got narrow. And so the problems with this theory is that there is a lack of above ground evidence in the form of local structures similar to the ones beneath the ocean. That's a problem. There's little information matching the data that aligns with what the Egyptians and the Mayans claim happened. There's not anything saying this is the path that took place. The increase in sea Height, level since 20,000 years ago suggests this could make sense. Though it is a great argument in that lack of evidence in the form of matching records as well. There's nothing along those lines. And lack of evidence in the form of not just statues underwater, but any kind of formation or migration pattern that shows them coming out of the water, other than the structures, doesn't exist.

Cristina: Yeah.

Jack: At this point, all we have is the Bermuda Road.

Cristina: All that there is that would point.

Jack: Like a literal path going into the water. And so hard to argue these because.

Cristina: It looks like they just disappeared. If we were just to follow the.

Jack: Path, yes, it looks like it's just nothing there. But again, it's also really hard to find things considering that 20,000 years is a really long time. We're talking erosion, we're talking a tectonic plate movements, we're talking debris from above the ocean currents and water bearing things slowly 20,000 years, anything will disappear. Even if it's still there, it would be invisible to us. Just like Dwarka. Dwarka wasn't 20,000 years ago. Dwarka was only 9,000 years ago. And it's completely underwater stories. Yeah, we have stories and sonar imaging. That's it. Because it's almost completely buried just by natural. Natural causes. Nature did it. It's just completely underwater. Other than them sinking it to the bottom, they didn't bury it. They just let it sink time buried it. Yeah. 20,000 years is twice the buried.

Cristina: Mm

Jack: And actually no, because 20,000 years is way more water level rising. The swallow it.

Cristina: Yes.

Jack: So it's more and more and more buried, especially if it began at the bottom.

Cristina: That's crazy. Yeah. There's no way to see what was there.

Jack: Now we go to the two other possibilities, the ones that would line up with the records, but that don't line up with the water level. So the records. This is a big problem. Right. Because natural understanding of how migration and things happen suggests the water level makes perfect sense. Except where the f*** is everybody Then? The opposite is what do the records of the Mayans, the Egyptians, the Greek, the Indians, the settlements locally, they got a different story about what these people did and where they were. And their stories work together. They corroborate, even if they never. Well, yeah, we've discussed it.

Cristina: Yeah, but there's new stories or you got a new connection to what they said?

Jack: I'm not talking about anything that they said. I'm using that data to do what I did with the previous two things, but now only aligning to the existing stories we've discussed. I'm not adding stories, we're just using those stories to conclude what's going on.

Cristina: Okay.

Jack: And this would take place between the year 4 BCE and 6 CE. That's before the current era and after the current era. Okay, now interesting idea here for this possibility. They get to the Atlantic Ocean and they head towards these islands. And group three, keep in mind group one goes north, likely to the Norse areas, Norway and Ireland and those kind of areas. One goes to the place known today as Gaza in Palestine, which used to be the Philistines. We have genetic markers to prove that. And the other side going to the Atlantic Ocean, the third group breaks off into two groups.

Cristina: Really?

Jack: Well, that's a theory. One settling on the islands today known as the Bahama Islands and Bimini and this in that region. Okay, mostly the Bimini Islands. And one goes to what is known as Atlantis. That group splitting off into two would allow them to both have the mention of Atlantis and to have the Bimini road. The road is then a connecting point between these two places where they settled both.

Cristina: Okay, so there they are still around in the meaning island. No, they're not oh, okay.

Jack: They would just be in Atlantis. Oh, but they settled these two at some point would be the argument here. And the road would have just been a connecting path to these settlements and. Or city. It could have been a settlement and a city. Now, in the case that this did happen, they would have probably begun on Bimini, landed there first, and settled there, building their way to Atlantis with their technology. If Atlantis wasn't already an existing structure, they could settle here, have just a con. We know they did this before because of Mananaan. They had settlements on Ireland. While they did what? They built the island, they worked on the island. They kept coming back and forward from Ireland to this island in order to study the things on it.

Cristina: Okay, so it could be a similar situation.

Jack: It could be a similar situation. They did something like this before, and so they didn't need to leave any thing there. They just needed to be there while they built Atlantis. Okay, and what we see is literally just a path of moving construction material.

Cristina: Yes, that makes sense.

Jack: Even if it's underwater, if you have a rover that's carrying it all, well, you don't want this rover all lumpy underwater, going up and down hills. You pave the road underwater leading to where you're building, and that will allow you to do that even if your tech can handle it. You want to efficientize your process, especially if you're trying to hide.

Cristina: But they're building underwater.

Jack: The idea would be they're building Atlantis underwater. This would only been 2,000 years ago. This isn't 20,000 years ago.

Cristina: Okay, okay. Crazy. All right.

Jack: Yeah. This is. They left because of whatever thing happened 2000 years ago around the time of Jesus. And as a result, they decided to. They first landed at this island and then started building Atlantis, which is why we hear about Atlantis. Most of these explanations are why do we hear about Atlantis and not. Not anything else.

Cristina: Okay.

Jack: And so that's a good way to explain it.

Cristina: Yeah. Okay, that's fine.

Jack: You know, perfectly logical. If these two groups did divide and they didn't do it this way, maybe they'd already been working on Atlantis, but they needed a way to reach people other than teleportation. Purely. And the reason we find no technology would be because of an agreement between both sides. The technology is required to sustain Atlantis. And the group of people that settled on the Bimini Islands would be the gatekeepers. They know how to reach the island. They know how to reach Atlantis. For those who don't know or are too far to reach one of the mountains. Okay, they can Guide you there to Atlantis. They know where exactly? They know how to navigate into Bermuda. They know how to do all that stuff and then get you to Atlantis. So they don't need any technology. They lived like primitive people, intentionally so that there would be no technology. So there's no signature that somebody could track them through.

Cristina: That's pretty crazy though. I don't know.

Jack: Break off into two groups. One goes into Atlantis, the other one stays on the islands. People who can determine these people aren't primitive, they're pretending to be.

Cristina: Okay.

Jack: Would then know to ask them to get to Atlantis. And they would know because they're pretending to be primitive.

Cristina: Okay.

Jack: It's part of the deal. You guys settle up here, we'll settle down there. Just a few of you will be the guides. Gatekeepers. Preventing people from getting to us, but showing those who manner how to get to us.

Cristina: Interesting. That's a. Interesting idea. I don't know. Different.

Jack: Yeah, it's a definitely different. It's, you know, but again an explanation. And the Bimini road would have been originally a construction path. And before most people had the ability to go deep into the water and follow the road, maybe they at least knew under the water where is the rover that they could dig up and drive somebody.

Cristina: Okay. It does feel like those that it is a construction path and not an actual normal path of just straight to it.

Jack: Yeah, yeah, it's. Yeah, that definitely might be the most possible. Yeah. So this would be very likely if they did split off into two groups. And one would be the protective primitive seeming group that works as the gatekeepers. And the technology would have all been in Atlantis.

Cristina: But would they have eventually gone into Atlantis as well?

Jack: Yes, presumably eventually when it became too dangerous, they would have either died out on top of or gone home to just leave no trace of their existence ever again. That would be the logical conclusion here.

Cristina: Okay.

Jack: Possibility. And that would be option three. Okay, so so far we have one giant landmass. It was either a country or a continent. And they were either the major location. It was a New York, New York situation. A popular, militarized, most densely populated, most technologically advanced. For some reason, hearing about Atlantis is because Atlantis was more important than the rest of the overwater landmass.

Cristina: Yes. And it's slowly underwater.

Jack: Yes. The other is they settled at the bottom. That died out. There's no such thing as Atlantis. If there was, it was just the first thing mentioned. And as it broke off into smaller islands, as the water level rise, the concept of the continent of Atlantis dissolves. And just these islands remain.

Cristina: Okay.

Jack: Then we have this group breaking off into two. One, protecting, which again, falls with the narrative of they still communicate with people. They still showed up and communicated with the Greek. Terrorized some individuals here and there as well. Only experimented on humans left and right, I guess. But they were still around. And they had mountain peaks to reach people. Maybe physical ways to get to them as well. Maybe it wasn't all transportation. Maybe it was if you can find these people, you can get there. If you don't know where the mountains.

Cristina: Are, yeah, they'll tell you. I do like that. I also like the first one, but. Okay.

Jack: And then along the lines of this narrative we've uncovered, with all the other people's stories lining up, this is one possibility. This has them going west very different than the ones who went north and the ones that stopped in Gaza. But it lines up with that narrative. They went west, and this is the area they would have gone to. And this makes sense as a move to protect themselves. All of the above fits with this, minus the existence of Bimini. Again, it could have been a construction road. It could be a literal path down there. The third, the fourth one is the alternate migration pattern. So the idea here is first they migrated to Bimini. Maybe it was more important to get the f*** out of the Persian Gulf oasis. And who cares where. This lines up with the fact that they did break off into three groups initially.

Cristina: Okay. You know, and they ended up in Benimini.

Jack: Yeah, they just got the f*** out of the Persian Gulf oasis. Some went north somewhere in the Gaza, some crossed the ocean. Everybody was just getting the f*** out of the Persian Gulf oasis by any means necessary. And maybe that took priority.

Cristina: Okay.

Jack: And once they landed there, they could again establish developing technologies over time.

Cristina: Okay.

Jack: Allowing them to explore deeper into the ocean, eventually settling Atlantis. So Atlantis would have come later. They landed at Bimini and worked to get to Atlantis.

Cristina: That's the hardest one to believe. I don't know.

Jack: Yeah. But this one lines up again with the. It being a construction path. While option three suggests they broke off evenly, this is the option that suggests it is a construction road. And it was entirely not a connecting point, but rather. And I mean, not, not, not a connecting point, but it wasn't designed just to be. Travel back and forth or take people from one side to the other. It was entirely, let's take resources down there.

Cristina: Yeah.

Jack: To build where we're gonna live. And this did. The panic with which they evacuated, the entire Persian Gulf oasis would align with this. Settle wherever we can, and then we'll find something. But we have to leave.

Cristina: But they get there when it's already underwater.

Jack: What do you mean when it's already underwater?

Cristina: Like when they go to be. Meaning there's. It's an island.

Jack: It's an island. 2000 years ago, everything is just islands. Only 20000 years ago was it one landmass. Okay, this is 2000 years ago when they left Jesus's birth area. Yeah, these are islands. Now these have been islands for about 10,000 years. Okay, so yes, everything was an island. The scenario which is a continent, would require this to have happened 20,000 years ago. Those were the first two, these are the second two. These are happening only 2,000 years ago. All of these places are islands. Like I said 20,000 years ago the sea levels were 400ft lower. Yeah, 2,000 years ago it was only about a foot lower. Okay, so it was islands. And again, this does perfectly line up with a desperate escape. You know, get somewhere safe first.

Cristina: Yeah, and it makes them sound extremely advanced. If it only took them 2000 years to make that Atlantic City underwater instead of Atlantis. Yeah, Atlantis underwater, it would have taken.

Jack: Them way less 2000 years. Would have assumed they finished it like among the last couple of years.

Cristina: Yeah, that's ridiculous. Advancement like that's too advanced. But I don't know, like they are supposed to be advanced, but that's kind of crazy.

Jack: No, it didn't take them 2,000 years to do it.

Cristina: If they got there 2,000 years ago.

Jack: If it took them two. If they got there 2000 years ago and it took them 2000 years to do it, they would have done it within our parents lifetime. That's when they would have finished Atlantis.

Cristina: But no, I guess not. But like they. How long do you think it took them after?

Jack: Well, the argument here would be that it was under a hundred years.

Cristina: 100 years.

Jack: That's still so along the time we start seeing the Knights Templar would have been when they were now no longer worried about building.

Cristina: Okay.

Jack: And it becomes about fixing the narrative to protect themselves. Yes, now hiding is no longer the issue. Hiding the data is.

Cristina: Yeah, but they're so advanced they made something underwater in 200 years.

Jack: Well, based on what they already had under the water into Persian. Keep in mind this is following the narrative of the data that the people are telling us were already super crazy. Hyper advanced. Yeah, it would have taken them no time to do what they already had. They just didn't do it overground. They did what they already had in the Persian Gulf oasis, which was underwater already. And so it was much easier once you have the technology, even if they didn't take the tech, they know how to do it. And even if they didn't take the tech, maybe they left the way in and out of the Persian Gulf oasis that allowed them to take the technology to the Bimini Islands. And then without taking a portal straight to Atlantis, they then have a road to deliver the things.

Cristina: Okay.

Jack: Thus keeping them safe. And nobody who lands on these islands would know. And then they just destroy the portal they were bringing the things through.

Cristina: Okay, so there are ways.

Jack: Yeah, they could have brought a lot of things out of the Persian Gulf oasis from inside their home in the palace of Alcaraz and just kept bringing things out regularly and using this technology to build more technology. All they needed initially was the bubble that would protect where they'd build the city. Once that's dry, everything else is easy.

Cristina: Yeah. Okay.

Jack: Once it's dry, you're good. So you create the force field underwater, establish drain all the water out of it, and then you're good.

Cristina: And they did it before because they were already living underwater.

Jack: They were already living underwater. We don't know how they built that. No idea how they built the palace of Alcaraz. That's crazy. But it was there. On the flip side, if that was built by Yahweh 20,000 years ago, then maybe that was also above ground.

Cristina: That could be. I don't know. Because we know it makes more sense if these things are above ground and then they protected it going under.

Jack: So the possibility would be a combination of 1 and 4. 20,000 years ago, Yahweh was around. We just don't know anything about him. And also, water level was 400ft lower. The entire Persian Gulf oasis was above ground. The Alicians could have settled there. They could have also created Atlantis at that point.

Cristina: Yeah, that seems most likely.

Jack: MANANAN was about 7,000 years back, so at least that far back we had different settlements.

Cristina: Yeah, it's hard to imagine that they just had one.

Jack: With the size and technologies they had, they must have been. And we know 200,000 years ago, we're dealing with LOI up to 3 million years ago, we're dealing with at least an individual called Eloi, which could have been several different people. And if it's several different people, which is the most likely possibility, unless these beings aren't purely human or aren't human but humanoid.

Cristina: Okay.

Jack: Live exceptionally long, we would. We would assume it's different people.

Cristina: I think so.

Jack: And Loi is a title and that's why Yahweh went by Loi at some point. And that's why Jehovah gets confused for Loi, because they all received that title.

Cristina: Yes.

Jack: And if that's the case, and this is a 3 million year old civilization, they would have had to had settlements.

Cristina: Yes. It makes no sense that they just have one city and then that went down and then they have a second city and that's the whole history.

Jack: Well, no, after that first city, when goes down, they would have three. We just.

Cristina: Oh yeah, plus those other two.

Jack: One of them got enslaved, presumably by the shadow people, which is where Gaza landed. The other one disappeared somewhere up north, likely just merging in with their people over there into the invisible island. And the ones that went west. But there would have had to be more. They only just abandoned the Persian Gulf oasis, which might have been the capital city to these people. The most important location, kind of akin to what Israel is to the Jews. It's the middle point of wherever Jews are anywhere on earth, Israel is the middle point to them. Israel is the important location. So if we think of it that way, the Persian Gulf oasis might have just been the point. It was the center. Regardless of where all the settlements are, your governing body is in the Persian.

Cristina: Gulf oasis because that's where they're trading with everyone anyway.

Jack: Yes, well, they're not trading from trading.

Cristina: But yeah, but it's easy to travel from there to the other countries.

Jack: So either that's the main governing body or just a really great point to connect to everybody else. That's also likely where most of their scientific advancements happen. If it was at that point the most advanced city they had, or maybe it was always Atlantis and as the water levels rose, we just 20,000 years lost a lot of information.

Cristina: Yeah.

Jack: And we're just more familiar with the Persian Gulf oasis. But maybe Atlantis was there the whole time.

Cristina: It could happen. It really could have been.

Jack: Yeah, you really could have been. So it's possible that it's a merge of for N1 and yes, all of this was above ground and they didn't have to migrate because they had such great technology. They're like, no, this is even better for us. If we put these things in place. As everything gets swallowed up, we'll just be secretive by default.

Cristina: Okay. And you said that's how many years ago?

Jack: 20,000 years ago is when the water level was 400ft lower and the evacuation from the Persian Gulf Oasis happened 2,000 years ago.

Cristina: And that other place in India when did that go Underwater?

Jack: Dwarka was 9,000 years ago.

Cristina: 9,000, okay.

Jack: Dwarka was 2,000 years before Mananan settled in Ireland.

Cristina: But Dwarka is unrelated. It's so crazy.

Jack: Dwarka isn't related. Dwarka is on the old equator. So it could be one of the other civilizations.

Cristina: Now we gotta re. Investigate those other civilizations.

Jack: Yeah, basically, it's a lot of revisiting things and looking at it differently.

Cristina: Yeah.

Jack: So with this information, it's absolutely possible that there are a ton of Elysian settlements. And that's the. The fact that a lot of the Middle east and Eastern Europe all have the same argument of the sea people are pirates and terrorists and whatever and this and that. This giant, unfathomable technologically advanced force maybe with several individuals from the same groups. We know that there are the main figureheads. But obviously like when current civilization collapses, we're not going to remember Bob from down the street. The names that are going to echo through time are Steve Jobs, President Barack Obama. You know, those names are going to sustain as the elites that mattered. And everybody else is going to.

Cristina: We don't know any normal elation. We don't know.

Jack: Yeah, exactly. Everybody had significant importance and that's why they were recorded over and over and over and over to the point that we hear about them even now, thousands of years later. That's why they were recorded under the Sphinx and under the Castillo.

Cristina: Interesting. Yeah. Except for that random lawyer. I don't know how his story was recorded, except that his sister ended up becoming important.

Jack: Yes. So I think it's more about her story that we found out about his.

Cristina: Oh, okay.

Jack: He was just somebody important in her life. And him. Yeah, it's really her story because him introducing her to the Shadow Realm is what allowed her to meet Ixshaw.

Cristina: Yes.

Jack: And then Inan and Ixshaw swap places. So it's really. His story was just about introducing her to the right circumstances.

Cristina: Okay, so not even he's random.

Jack: Okay, not even his random. Interesting. Right. With this data, we have the possibility of multiple settlements. We know that there is something sketchy about Yahweh and why we can't find his information. Maybe he is and has been the person who's in charge of Atlantis the way that Jehovah was in charge of the Persian Gulf oasis. That's another way to look at it. He could have been the president. He could have been the mayor. He could have been whatever. Of Atlantis.

Cristina: Yes, Leader.

Jack: Yeah, the leader. There you go. The leader of Atlantis and Jehovah. His son was the leader of the Persian. Which also kind of leans into the kings and queen scenario, that your descendants are the ones who will be in charge.

Cristina: Oh, yeah. They could have had something like that there.

Jack: We know they had crowns. We know they had thrones. We know they had a lot of symbolism. They had religion. They were also Rhoastrian.

Cristina: What's that?

Jack: A religion?

Cristina: What's it called again?

Jack: Zoroastrian. Oh, Zoroastrianism predates Islam.

Cristina: Oh, okay.

Jack: And so, like the guy who discovered the magnum opus, he was a Zoroastrian, a Greek Zoroastrian. And. Yeah. So this suggests that there are many settlements. We know of a couple of them, but it suggests not settlements, but rather the Persian Gulf oasis wasn't the only actual established city. And the invisible island wasn't either. It would also be Atlantis, most likely. And this lines up with the narrative that's provided to us by the other civilizations that have records that survived.

Cristina: Yes. So they're everywhere. Probably. I mean, there's probably more that we don't know about.

Jack: There's probably more that we don't know about. And it's possible Jesus knew about a lot of these places too. We don't understand what the point of going straight to Japan was. But maybe there were settlements along the way. Maybe he was in contact with the Elysians. I don't know.

Cristina: It's hard to tell. I don't know. Because he went through China. He went. He went all over the world. I don't know.

Jack: Well, at least east.

Cristina: Yeah.

Jack: And it's very confusing. But that being said, it doesn't look like the Elysians went anywhere east. It looks like the most eastern location they had was the Persian Gulf voices. It looks like they purely went west while Jesus purely went east.

Cristina: Okay.

Jack: Opposite directions.

Cristina: Yeah.

Jack: Kind of hard, too.

Cristina: Was that on purpose? I don't know.

Jack: Jesus definite maybe Jesus did do it on purpose. Jesus might have gone the opposite direction where he knows there aren't elisions.

Cristina: Yes, yes, yes, yes, yes, yes. Okay. I think that too, because of the whole handwriting thing. Like he was trying to keep himself, even though they can dream about him, at least when he was born.

Jack: Yeah.

Cristina: We don't know if they continue dreaming about him, because that'd be crazy. They can just watch his every move or whatever. But.

Jack: Yeah, well, no, I think that stopped. Like he learned to control that or whatnot.

Cristina: Yeah. But yeah, I think he wanted to hide himself from them too.

Jack: Well, actually, according to all the texts, it only happened that his birth, like a Giant mental shock wave sent through time. At his birth, it hit forward and it hit back, but only of that moment. So that everybody knew where they were. No, it was actually not even his birth. It was his conception.

Cristina: Weird.

Jack: Yeah. At his conception, a mental wave shot across the earth, a psychic wave. And everybody had visions of him in the future, of him staying there and in the future and in the past. So they, in the future, in the past, all saw the his life there. So they moved and casted him so he wouldn't have a life near them.

Cristina: And he stayed away from them.

Jack: And he stayed away. He went farther away from them. They went west. They went north and west, spreading out in every direction. He went east, away from all their settlements. Their narratives are trying to suppress his existence, his honest existence.

Cristina: Okay.

Jack: Fascinating.

Cristina: Yes. Because he doesn't want to do anything with them either. Or at least it doesn't seem.

Jack: At least it doesn't seem that way. Interesting though. So the possibility that Atlantis does in fact exist and is where Yahweh has been and that it's on a continent. It had a former continent.

Cristina: Yeah.

Jack: And that if the water. So it would be everything, all of the above. Right. It would be. They got there, it was a single continent. This was the most important location or the most advanced. It was led by Yahweh, most likely. As the world water level started to rise, they were the only ones not to migrate away. They put technology that allows them to cover themselves. As the water level rises, the city most likely sinks even deeper because of tectonic plate movement. 20,000 years, they could just disappear under not just the water, but under the ground, underneath the water, which would even support crap like hollow earth. Like maybe that's just them.

Cristina: Okay.

Jack: And they're even covered by dirt, so it's not just water.

Cristina: Okay. So you can never find them.

Jack: You can never find them. And only they know the ways in and out. And so that means that. Yes, single continent. Yes, they were the most important place there. Yes, there were people on what's the islands of today. Most likely they had individuals of their own on these islands, living amongst the other people. But eventually they even evacuated that and the Persian Gulf oasis people had a location to go to after they left that spot. Yes, left the spot. One of the three groups, the ones that went north, also had settlements to go to. The real question becomes what happened to the ones that went to Gaza. We know that all other cultures describe not the current day Jews, but the Jews of that time were being described as shadow people from the Other side. So the argument would be, were they cut off by these people and they landed there and were trapped.

Cristina: And it somehow has to do with stones or something.

Jack: Yes. The possibility of preserving these people for the time when they figure out how to make philosopher's stones again. Which could be today, it could be what's happening now. Except all they need is the DNA. So these people are now mixed with human, but they still have the DNA. And the shadow people are either indistinguishable from human, or these are descendants of the ones that went through the process to be humanoid, like Lucifer. And so they're also indistinguishable from humans. It's two groups of people who are indistinguishable from humans. But we can track a genetic marker that's non existent anywhere else in the people of Gaza. And we know factually that the country of Israel just happened right after World War II. That didn't exist prior to that. Okay, so two groups of people who shouldn't even exist. Both do in the same region, and one is attacking the other. Neither should exist. Both attacking each other. Well, one attacking the other.

Cristina: Yeah.

Jack: In what seems to be the plan originally to create philosopher's stones, you would need to make the best philosopher's stones by killing people with the Elysian blood.

Cristina: Whose plan, though?

Jack: And it's a long plan too. Yes, we're talking long game.

Cristina: Because of course, it can't be the Alicians. They wouldn't. I mean, I don't maybe. I don't know. I don't think so.

Jack: I don't think so either. I think it wasn't avoiding Jesus. I think people knowing where they're hidden place. If this happened 20,000 years ago and this was overground, and that was overground. And then they let themselves be consumed by water because they had the technology and the infrastructure to support themselves. Then secrecy became part of their lifestyle. Then this psychic wave goes in every direction and people know where you are now. And then we see what's happening today. And the fact that when that migration happened, one of the three groups got cut off and forced into this little spot. Okay, Maybe the Alicians were avoiding something more dangerous that also received the psychic wave that told them where they were.

Cristina: I wonder. Okay.

Jack: Need a leash and blood to make the best stone.

Cristina: I don't know. Who could it be? Because you only think of the Alicians as a top.

Jack: Yeah, I mean, we obviously don't know. It's not like we're gonna sit here and just come up with an answer. But. But they seem to have also avoided something that they lasted longer than everybody else avoiding. That is the last mass evacuation we know about. The Alicians. They stood their ground longer than everybody else until Jesus was born and a mental shockwave went out.

Cristina: Yes, it could be shadow people, but I don't think so.

Jack: Why would the Shadow people be stronger than the Alicians? That's the problem. Bare minimum they would be equal. And there's way more Elysians.

Cristina: Okay, what about rogue Nagas? Is that something to fear?

Jack: There are rogue Naga but I don't know why they would need anything from the Elysian. They would be more overpowered by the fault. I think they're more akin to like angels protecting the gods of destruction in Dragon Ball. You know, like obviously way stronger than the God of destruction and your job is just to assist them. Them Naga seemed to be that infinite intelligence. They can bend space itself. They just do whatever the you want though. They don't back talk or I'm just like okay, sure.

Cristina: Yeah. Okay.

Jack: So it wouldn't look like they would need any of that. And if they needed to find you, they probably easily could without needing that shockwave to go out.

Cristina: Okay, yeah.

Jack: So there's something else. But that even the Elysians needed to leave once it knew where they were but what that would be. So yeah, this is basically what we got. This set of information that enlightens us into this migration and what could and what it could mean. The possibility that Atlantis has always been around is there now.

Cristina: Makes sense.

Jack: Makes sense.

Cristina: Makes sense.

Jack: At least through all the data we've looked at. And it would explain where Yahweh was then that it was impossible to find anything on the guy. We find things about people before him, we find things about people after him. And his only mentions are casually through those but never about him directly.

Cristina: He's underwater.

Jack: He could just be in this city that's buried and invisible to the rest of us. President, Leader, Leader.

Cristina: His best leader.

Jack: Way to zone in on that.

Cristina: Yeah.

Jack: And it kind of leans into the royalty aspect of if you're here and you sent your son to go rule over there. There's this aspect of you your descendants are naturally the people in charge.

Cristina: I think so. The kings. Yep.

Jack: Yep. Anywho. So that's what we got. That's where we are. So if you guys have any idea about any additional bits, tidbits of information, anything you might find relative. Were talking about. What seems more plausible out of these options. What seems less likely based on everything we already know. You could, you know, hit us up on our socials and let us know at just convopod that's on X, on Facebook, on Instagram, on TikTok, wherever.

Cristina: Yes, I really think the big island thing makes more sense than they just quickly made something in their water.

Jack: But yes, I do agree. I think that it's a combination of all these things and were over water to begin with.

Cristina: Remember to subscribe, rate and review the show.

Jack: Yes and word of mouth is the most awesome important thing. It tells people about this program and will inform them on the truths we are discovering.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: It.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 292: The Lost City of Dwarka

What is the ancient city of Dwarka? What is known of it? What is it no longer around? The duo comb through what is known of a lost ancient city found beneath the ocean by researchers. From its structures to its technology and its ultimate downfall, no stone is left unturned. What is discovered adds a new layer to what we know about ancient civilizations.

+Episode Details

  • Ancient City
  • Advanced Technology
  • Sonar Scanning
  • Historical Records
  • Solar Energy
  • Flood Prevention
  • Mysterious War

Official Website - https://greythoughts.info/podcast

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Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is a show where we ground humanity's most baffling and absurd ideas. Or is it absurd and baffling ideas? One of those two something there, right?

Cristina: Baffling, absurd ideas.

Jack: Like how world's most absurd and baffling ideas. No, it's actually that order. At least we usually do most absurd and baffling ideas, not baffling and absurd. Although it doesn't really matter. No, because they're both baffling. Like, wow, how jarring and absurd. Like, this is crazy.

Cristina: This is crazy.

Jack: Yeah, for the most part, it's very crazy. Anyways, we have, as of late, been kind of diving in and out, looking at random crap, and that has been connecting dots for us by looking in different directions and random crap associates back to all the previous crap. Because everything in the universe seems to be one giant megastructure. All lines connect.

Cristina: Yes. It's just hard connecting them. But like, with enough information.

Jack: Yeah, with enough information, all the dots eventually come together. But I've been looking around and I found something interesting that, weirdly enough, has not come up before, although could be very relevant, actually is really relevant. I made sure it was relevant.

Cristina: Okay.

Jack: So apparently there isn't just the Persian Gulf oasis that is underwater and abandoned, but rather other locations that similarly exist underwater abandoned. We've seen, you know, trails, but it's usually associated with the Elysians.

Cristina: Yeah.

Jack: Like if we look at the path in Bimini going straight down to the Atlantic Ocean in the direction of the suspected location of their current home, and the sculptures and statues and things in that direction, they kind of just line up with the Elysians.

Cristina: Yeah, like the lion statues and stuff.

Jack: Yes. And pyramids down there and all the usual kind of crap. Right. Now, interesting enough looking in other locations and kind of combing through random data, I've come across a couple of other places that fit these suits but aren't related to the Elysians. Not directly. Not that the Elysians built it. They related to the Elysians in a different kind of way. Which we'll get to.

Cristina: Okay.

Jack: And so I did some deep dives, I read some books, I looked through some articles and some research papers, and I've put together some of the information on one of these locations. We're going to go through all of these locations eventually.

Cristina: Okay.

Jack: But one of these locations stuck out to me very, very specifically. And hopefully when we go to the other ones, this will enlighten them. The place we're going to be talking about is called Dwarka.

Cristina: Where's Dwarka?

Jack: Dwarka is a sunken city off the coast of India.

Cristina: Oh, my gosh. Okay, so there's a bunch of cities underwater. That's what you're saying?

Jack: There's a bunch of cities underwater. Wow. Now, Dwarka is first mentioned in some scripture related to some of those we know now are fairies. But yeah, related to scripture.

Cristina: Okay.

Jack: And the Indians have all the scriptures about these deities that turn out to just be part of the fairy cluster. But we do have some other mentions starting all the way in the year 300 BC. Now, I went through all of this, but there were a group of people who were already putting this information together. And so I went through their collective works that kind of unpacked all of these other works that exist throughout history and time. So we're going to be looking at some specific texts, some research papers and some collections.

Cristina: What's the name of the place?

Jack: Dwarka. Now, the things we'll be looking at are the Lost City of Dwarka by S.R. rowe. Marine archaeology of the Indian Ocean Countries, edited by S.R. rowe. Excavations of Dwarka by H.D. sankalia. The Archaeology of Bet Dwarka by A.S. ghaur and Sundarash. And Archaeological Survey of India Reports, which is a collection by various individuals and they all use research with sonar, deep dives, they have excavations happening down there. They have a bunch of random all. All the different crap you can imagine on top of all the different mentions of text that existed and both public records that existed in the past and of scripture that has been written relative to this place. So all of the above is in these. And so I went through their works and as I was going through their works, I was cross referencing by going and looking at the original thing that they're talking about to make sure they're not putting their own twist on things. But I use these as a guide ultimately.

Cristina: Mm.

Jack: Now, there's a lot going on here. And I'll tell you what is included inside of these texts so you have some idea of how we know the things we know.

Cristina: Okay.

Jack: Within all of the research, we have archaeological findings, we have marine exploration data, we have underwater scans, we have, which also includes like sub bottom profiling and scans of below water level. That's basically what that is. We're getting scans of what's directly over the and scan. Not over the water, over the ground, underneath the water. And then scans of what's beneath the ground.

Cristina: Beneath the ground?

Jack: Yes.

Cristina: Okay.

Jack: There will be diving expedition reports, artifact documentations which include stone anchors, pottery and actual structures that have been seen, located and scanned. Carbon dating maps of the city and layout reconstructions.

Cristina: Cool.

Jack: Based on old texts, geological and environmental studies, comparative studies with other ancient cities, cultural and trade connections to the region, non religious historical records and interpretations of religious records, and scholarly analysis of the scripture and inscriptions for historical correlation.

Cristina: Deep dive crazy. That's mad info on this city.

Jack: Yeah, yeah, yeah, yeah, yeah. People have been trying to figure it out. If we use all of that data and what we personally know, that is not considered part of the canon narrative because you got to cross reference such a plethora of data, you're going to see how this starts to form into a very cohesive image. So let's begin. Now, basically, this was described as one of the most advanced cities to have ever existed. And we know like, that's a huge statement considering the Egyptians existed, the Greek existed, the Mayans existed.

Cristina: And how old is this supposed to be? As old as those or older.

Jack: So weirdly enough, we know that the Egyptian and the Mayan are no older than 6000 BCE. They were given things provided by the Elysians in order to catch up in the first place.

Cristina: Around the same time around.

Jack: Well, no, I believe it was first the Egyptians and then the Mayans much later. But this city is actually 9,000 BCE, which gets way close to the first mention of Jehovah ever. 12,000 BCE. Fascinating. Yeah. This is older than Maya and Egypt and actually even older than Greece.

Cristina: That's crazy. That is old.

Jack: And claiming to be one of the most advanced cities ever. Now this is obviously without the. The knowing of these other locations, how would they know? They could totally have just been. It's the most advanced at this point. And then later these mega cities arrive. So by reference point, they wouldn't have known. And it could have been without knowing about the Aletians, they could have definitely 100% been the most advanced. And then later more advanced civilizations came to be. This is located on the western coast of India, near modern day Gujarat. Gujarat. And this emerged in the Gulf of Combat, which is close to the present day city of Dwarka, which is a city of the same name. There's a currently Dwarka.

Cristina: Okay.

Jack: And there's this ancient Dwarka that's underwater. That's underwater. And again, constructed about 9,000 BCE older than that, roughly According to archaeological evidence.

Cristina: Was it always underwater though? Like does. Did something happen that put it underwater or something?

Jack: Put it underwater? Yes.

Cristina: Okay.

Jack: It was not always underwater. Now we're just gonna break down how advanced the city was. For the most part, we're gonna talk about the details of the city and just kind of inform people on what the city kind of was like. Now keep in mind everything that's being cross referenced to prove this. So first of all, the city had a grid type of layout. So it has a grid layout and text described that this had wide roads, structured grid system, advanced urban planning, and was efficiently distributed to kind of look like a modern day city. Now this is proved by sonar scans that we can see collections of structures together with gaps in the middle that if you were to map it out, would essentially just be roads, streets, straight shot streets, because collections of structures would be to either side and then emptiness straight down the middle and Sounds pretty.

Cristina: Advanced for the past. Yeah, yeah, yeah.

Jack: And it would have, you know, would like create blocks. Basically it would just create city style blocks in a like literal grid. Squares. It's just squares. So in theory, you could just walk around a block and you moved a square and in the block itself, many different types of structures of different sizes, of different widths, of different heights. Interesting design. According to texts, there are zoned districts. So the city was divided into sections for residential, commercial, governmental use, suggesting highly organized zoning, which could be supported by the fact that we do see the city blocks. Additionally, in the scans, you also see collections of different sizes of buildings. So there'll be many small structures in this area all together, rather than one really small, one really big one. You know, it'll be a lot of really small ones and then over there a lot of really big ones. That's kind of showing that there was at least correlation between the structures. Maybe this was residential and houses, or maybe those buildings were where they lived and these were all government buildings that were the smaller ones.

Cristina: Okay, yeah.

Jack: So there was a distribution according to size and width, which could support the idea of zones, allowing for things to work. There was also in the very center of the town, what appears to be a sort of. How do I explain all the roads ultimately lead to a circular center, which could be the market, based on everything else leading in that direction, which happens to be next to one of the oddest shapes. Not oddest shapes, but oddest collection of buildings that don't kind of match anything on the outskirts, which would assume residents lived on the outskirts and towards the center was the market. And the government things.

Cristina: Okay.

Jack: As well as possible recreational areas, they had multiple gates and entrances to the city.

Cristina: There's a lot there, like, that's still there too. The gates, like, how much can they actually see from the scans? Or this is part of the.

Jack: All of the above. Okay.

Cristina: Just combining all the information.

Jack: This is combining all the information. I'm not going to break down what was what in crazy detail because we would never make it through this. But. And where it matters, I'm going to tell you. You don't have to ask about it. I will tell you specifically what we do see when it matters. But strategic gates at different points of entry provided access to the city while enhancing security and traffic flow. So there was ways in and out through different entrances and exits. A comprehensive large scale wall has been caught on sonar. On sonar. Surrounding the entire city. Well, so a quite large wall, the size undefined, but definitely could be easily over 30ft tall, surrounding the entire city. And then the gates are on this like giant wall, allowing for entrances, roads. The empty gaps that we would believe are roads kind of seem to go straight into where the gap in the wall would be, which would suggest that is the gate itself.

Cristina: Okay.

Jack: So they definitely had the city protected from the outside. Maybe you needed kind of passes to come in and out. Especially if this is such an advanced layout of a city. Everybody else who didn't have the technology was not gonna scale the wall. And these are poor people walking in. Not poor people, but unadvanced people.

Cristina: Okay.

Jack: Coming to this mega, super futuristic, comparatively place. Now, in the text, it suggested that there were grand palaces, so palaces made of gold and precious metals, which would suggest a monumental architectural ability with reinforced designs in the buildings themselves. Now, sonar scans can't actually detect the specific materials the structures were constructed with, but marine archaeological dives near the site have located all the materials mentioned.

Cristina: Really?

Jack: They can't prove any structure was made.

Cristina: Of these materials, but those materials are there.

Jack: All the materials mentioned are there.

Cristina: Okay.

Jack: So at least they had the ability to create the materials. That seems accurate. The idea of having an entire building made of these materials kind of immediately becomes questionable because how would you even source all of these materials in high quantities enough to make your city out of it?

Jack: That's where it kind of gets iffy. And it relies a lot on, well, the tech save. Like that's about as far as we can really honestly prove other than, well, they had the materials. We don't know if the buildings were made out of the materials.

Cristina: Okay.

Jack: Water management and engineering was fascinating. In this place, they had canals, waterways. And descriptions mentioned that the canals were running through the city potentially for transportation, irrigation and water supply. Fascinating that transportation is one of them, because it's not transportation of water. Water supply is part of it.

Cristina: Okay.

Jack: But the canals were used to navigate through the city as well. A counter to roads.

Cristina: Oh, that's cool.

Jack: Venice, Italy, essentially.

Cristina: Yeah, but they had roads too.

Jack: Yes, they had both. Venice has both. It's not just water, but is it.

Cristina: Mostly water or is it equal parts water and road?

Jack: It's definitely way less water. Navigation, it was way more roads and, like, just a few canals here and there that you could use for navigation.

Cristina: Okay.

Jack: But it's. It was there, which was an interesting idea to just that they also included this. Now, sonar scans have confirmed this alongside, detecting numerous thinner structures deeper than the canals themselves, and the waterways that scatter in every direction beneath the city. So there's the canals on the surface of the city. And then scans into this through the surface get you to what seems to be smaller structures going in every possible direction, which would suggest localized distribution of water to all structures within the city.

Cristina: That is crazy. That's crazy. Advanced.

Jack: Crazy advanced. Way more advanced than we would think for something 9,000 BC, which is 11,000 years ago.

Cristina: Whoa. How.

Jack: Crazy. So those are likely thin pipes underneath the canals which are delivered in the water. Now, reservoirs are said to be in the city. They're mentioned in all the texts that the city had large reservoirs ensuring a stable water supply, which would indicate advanced hydraulic engineering as well, in order to distribute it. Now, sonar scans can't actually confirm this, although large anomalous shaped gaps within random parts of the city suggest these might have been reservoir. They're just weird gaps on the surface and structures are built around them, and they're not of any specific shape, but they're just holes.

Cristina: So the best guess.

Jack: The best guess would be that those would have been the reservoir. If so, the city might have been selected specifically because of the reservoirs. So they chose this location to build the city because they had had places where they could naturally collect clean water.

Cristina: Nice.

Jack: Now we get into something a little more interesting. The flood prevention systems. This is going to come in very handy later.

Cristina: What?

Jack: Yeah. Now, flood prevention systems are described as protecting Dwarka from floods, suggesting an early form of flood defense, or levees. Right. Scans show some distance far from the city, like away from the city walls themselves. Deeper down, thicker than the city walls. A second set of shorter perimeter walls with connecting canals and unknown structures surrounding them likely Water pumps to drain the water out of the city.

Cristina: That's crazy. What happened.

Jack: This also suggests the possibility of flooding being a real issue they faced. So they built ways to counteract it.

Cristina: But it wasn't enough for whatever happened to them.

Jack: You think that a flood took them out?

Cristina: I don't know. It's hard to imagine what happened to them if they were already prepared based.

Jack: On all the technology we're talking about. Flooding is not what took them out. They have everything in measure. You know, the colossal size of the flood. That would have to catch them off guard with this level of technology.

Cristina: Yeah.

Jack: And even then, they're ready to. If their structures are as strong and hard as they claim. The floods weren't gonna take them out. The floods weren't gonna remove them in any manner, shape, or form, so nothing was gonna happen. You know, go to the top of your buildings, and we'll drain the city.

Cristina: But something happened to them.

Jack: Yeah, I'm gonna get to that.

Cristina: Okay.

Jack: Now, building materials. Here's where it gets kind of iffy and hard to believe. Golden towers is a claim. Within the texts. Oh, palaces with golden towers were mentioned, possibly indicating advanced metallurgy and material strengthening techniques, which we can find the materials again, but we can't prove what the structures are made out of. It simply can't be proven, and it kind of exists in the text almost exclusively. Acquired materials from archaeological dives does in fact suggest dense reinforced gold. But this is actually. When it comes to gold in particular, it's kind of easy to do this with a lot of primitive techniques. We don't need particularly advanced anything. If we can create heat enough to melt other metals and mix them with. With the gold, that would dodge the need for any kind of advance, anything. Enough heat. You could just throw iron into the gold. You'll dilute the gold a little, but it'll still be gold. Yeah, and it'll be stronger. So it's not the. You don't need rocket science. Now the question is, what kind of reinforcement? None of the ones we found are particularly astounding when it comes to gold. There are many other materials that are astounding that probably shouldn't have existed at that point, but the gold wasn't one of them. So assuming these towers were made of gold. Well, you didn't do anything too impressive. And also, what the h*** would even be the benefit?

Cristina: Yes, you know, this is pretty.

Jack: Yes, it's pretty. But on the flip side, if you're so advanced, then you leave the realm of danger, especially with your walls. Being so defensive. And you land that. Why not make things look beautiful?

Cristina: Put a tower.

Jack: Why not?

Cristina: I guess you're not afraid of your neighbors, but then you have a. I don't know. Well, you're the most advanced as far as you know. As far as you know? Yeah.

Jack: Like, what do you. A couple of people with some sticks and rocks are gonna come and take your metal golden building. How?

Cristina: Yeah.

Jack: Additional materials include crystals and precious stones. Gemstones adorn buildings, which could indicate knowledge of decorative stone working. And again, more reinforced materials. Although can't be proven purely within the texts. No amount of sonar or archaeological dive.

Cristina: Has proven this, so they haven't found any of that.

Jack: Well, we can't prove that the buildings are made with gemstones. Yeah, we'd have to go to that level of depth underneath the ground and look at the building. We'd have to excavate the whole city out of under the water. Under the water's dirt. Oh, we'd have to pull the city out of under the water's dirt in order to look at the buildings. The problem is the city sank and crap fell over the city. The city is not just underwater. It's under dirt. We can't look at the city.

Cristina: Oh, okay.

Jack: That's why scams are so important. But because of this, we can't tell what the decorations look like, what metals are made out of. When we're doing dives, we're diving and reaching the bottom and touching dirt on top of the city, and that's where we're finding the materials we locate. We would have to drill into the dirt to reach the buildings underneath us. Now, again, no amount of archaeological diving or sonar scans could prove that the buildings are decorated with gemstones. We can find the gemstones.

Cristina: Okay.

Jack: We don't know what the buildings have on them, though, so only really excavating the city would prove this. Now, durable foundation. Coastal buildings suggest strong foundations, you know, to resist the sea's impact, in the case of storms, to resist flooding and all this kind of crap. So it would require innovative underwater construction techniques if you're on the coast. And the fact that they had walls for flooding proves that water was a problem. Sonar does confirm that below the city, there are additional structures almost always tied directly to buildings and canals.

Cristina: Okay, that's more water protection.

Jack: More water protection. This is assuring the buildings themselves aren't gonna have their foundation erode and fall. So they didn't just build up, they built down.

Cristina: That's pretty advanced. Oh, my God.

Jack: Pretty advanced and pretty deep down. If you're trying to stop a building from tilting or something, which would suggest, you know, additional reinforcement to withstand in a case of a flood overcoming the city walls. Impressive. Additionally, this. This leans into some really more advanced engineering. There are mentions within the text of earthquake resistant structures.

Cristina: Earthquake as well.

Jack: Yeah. So Texan implies that structures could survive natural disasters of all sorts, including seismic resistant architecture to withstand earthquakes and strong winds. Swaying buildings. How the h*** are they hard metals and swaying?

Cristina: They can tell that the swaying from the scans as well.

Jack: This is text.

Cristina: Oh, that's the text. Okay. That's crazy. That's crazy though.

Jack: Yeah. They can't tell that they can sway. Nothing can sway underneath. Tons and tons and tons and tons and tons of dirt.

Cristina: Dirt and water. That's crazy.

Jack: Yeah.

Cristina: Okay. Whoa.

Jack: But if this is the case, then it would suggest layered construction. So that means beams on top of beams on top of beams that aren't a singular beam so that they can move out of each other's place and instead of a giant wind, snap the thing. But also, if you have a giant metal building, no amount of wind is gonna f****** do anything to that.

Cristina: So you think the text is wrong?

Jack: Well, no, I'm sure they had different kinds of structures.

Cristina: Overall, I guess it's all pretty advanced. Whether it's swaying or not swaying. Like it's. It's kind of crazy.

Jack: Yeah, it's. It does definitely hint to at least our level of technology. Every. Minus giant metal buildings. We do not have the resources. If they did, how. Where the h*** did you acquire this to make entire towers. Skyscrapers that are one solid block. How the f*** would you have done it? The only way would have been to melt steel all the way up there onto the existing steel framework and keep doing that progressively up to make it one giant chunk. Weird. But other than that, you had buildings that were composed of multiple pieces to allow swaying. An earthquake is not gonna shatter a giant steel building. No amount of wind is even gonna push that slightly. But there's no way all their buildings were like that. Those had to be special buildings.

Cristina: Yes.

Jack: You know, you're burning a lot of resources. Yeah. You're destroy you. You. You're wasting material just to make one of those. So you would need all kinds of buildings in order to have a city.

Cristina: Unless they're also known for having mines nearby as well or something.

Jack: I'm sure most of this was mines. And there's no amount of mine. A single mining operation with hundreds of mines would get you one building. Maybe.

Cristina: Maybe. Okay.

Jack: Skyscrapers. Nah, it would get you one, dude.

Cristina: But they described having a tower.

Jack: At least many towers. Oh, many towers and many towers made of different materials, but many of them were solid, which is like how. How the h***. Oh, okay, so you used everything you had and there was nothing left?

Cristina: Everything and more. They were seven. Trading with a bunch of people too.

Jack: Yes. They must have been trained. With this level of technology, it's easy to believe that they were traveling great distances with some and delivering things to themselves.

Cristina: That's the only way. That's crazy.

Jack: Now, the city also had public spaces and temples. This is all mentioned within the text. And a lot of this could actually be seen on scans. Temples were described as aligned with celestial bodies, indicating knowledge of astronomy and its incorporation into building orientation. Now, although whether the structures detected are in fact buildings or monuments of sorts is unclear, sonar scans do confirm absolute alignment of a large portion of structures within the city with celestial bodies.

Cristina: And that's not just random?

Jack: That's not random. That had to be super intentional. Now this hints to a couple of things. This does hint to complicated astronomical knowledge. And? And some texts go as far as suggesting the awareness of objects deeper into our star system and even some outside of it. Which would require a minimum of interplanetary traveling technology.

Cristina: No, no.

Jack: A minimum. Some things today we could have never seen without being at the edge of our own star system.

Cristina: How's that powerful?

Jack: And they have knowledge of those things that we have only recently, within the last hundred years, come across.

Cristina: That one's hard to imagine.

Jack: It's in the text. That one we can't even deny. It's in the within. Old texts, they mention things we have only recently discovered.

Cristina: Oh, okay.

Jack: What things we have just stumbled upon in the last hundred years? They had 9,000 BCE they knew about. At least they knew about.

Cristina: How is that even possible?

Jack: They got structures aligned with crap we didn't know existed in our own star system, in the belts and s***. They got Planet Xmax mapped out somewhere. It's like get the f*** out of here. How?

Cristina: That's ridiculous.

Jack: You knew about some s*** we just theore still theorizing about. That's crazy. As for the public areas and the markets, Dwarka had public squares for gathering and markets, which implies well designed public spaces for trade and community activities. Text also mentioned trade with other like minded civilizations from both near and far.

Cristina: Like minded?

Jack: Yes. That doesn't mean that they were equally technologically advanced, but that they were at least friendly.

Cristina: Yeah.

Jack: Now it does claim that there were a few trades with rivals that they had in Peace treaties.

Cristina: But they don't mention who these rivals are.

Jack: They don't mention who these rivals are specifically. At least not as far as me writing those notes. Weirdly enough, they had like public polling areas in their texts as well. Pooling pool pools, public pools. People go swimming.

Cristina: Okay.

Jack: Without it having to be the ocean.

Cristina: Yeah.

Jack: Different from their reservoirs that they kept clean.

Cristina: Yeah. They have mad water stuff.

Jack: Yes. The city very connected to water.

Cristina: Yeah, that's pretty cool.

Jack: The outside all surrounded by water, at least in one direction within the city. Natural collections of water, natural water distribution. Water canals that travel on top of having a bunch of locations just to go in water that doesn't taint their drinking water.

Cristina: That is crazy. That's so advanced and so cool to imagine.

Jack: So sophisticated. Yeah, it sounds so elegant. And then you consider everything has water. Everything is made. Marble and gold and shiny metals and gemstones on everything. And then you consider current day designs in India that definitely took inspiration from structures they've seen in the past. And you consider all of their walkways are white, all of the buildings are gold, silver with green, red and yellow stones on them. And the natural water resources everywhere. Beautiful city. Had to be such an astounding thing to look at.

Cristina: Yes.

Jack: So mind boggling now. Now we start getting into something a little more interesting. Transport infrastructure as we've described. They had roads and avenues. Some of them were pretty broad roads nevertheless, which allowed for easy travel. Reflecting on well planned transport networks within city, they also had harbors and docks. Because of their position as a cold SO city. Dwarka's advanced harbors and docks worked for ship docking, pointing to a lot of maritime infrastructure and integration. But it also suggested many, because of the size of the coast and the amount of infrastructure along the coast, that there were not only their ships taking off, but many, many, many receiving ports. Okay, so there was a lot of ocean trade.

Cristina: Yes, there is a lot of trade. That must be how they got material. If this whole, if the text is.

Jack: Correct now one of the only groups of people I could think about that they would trade. That would be. This level of technology would eventually be the Mayans. How would you. Who else are you trading with that could cross the ocean in such vast repetition? They would need equal technology or somewhere near you at least. And that's, you know, they can get from Mexico to travel the water to India. So there's likely a trade line in between those two points.

Cristina: Like the way they made up.

Jack: No, just for them to get to. From all the way in Mexico to the ports over here in India. And then from India, they were probably getting easily to ports in Maya.

Cristina: Yes. Maya has mad material, right?

Jack: They had man material. Yes.

Cristina: Yes.

Jack: But it's not even about the material. It's just about the fact that they, at some point, could have easily been trading with these people. So there's definitely connections. What's weird is the lack of mention. That's where it gets iffy.

Cristina: Who they were in contact with. Who are these friendlier foes?

Jack: No. Why didn't the Mayans mention these people? Why didn't anybody mention these people? Why do we have to look specifically at India? They clearly were trading with people.

Cristina: There has to be. Maybe they mentioned them as something else. Like the people. The sea people was the same way. Like there was a different word that we had to look into that was.

Jack: Oh, yeah, we found the Aletians much later.

Cristina: Yeah. They always mentioned them, but we just. It wasn't the right words that we were looking.

Jack: Yes. So it's completely possible that they were being described under a different term. Yes, I believe maybe among some of the texts that looked arbitrary and random to us. Again, perspective matters. A lot of the time we get informed, go back looking, we're like, oh.

Cristina: So we gotta do that. Okay.

Jack: I mean, we're gonna look at Maya anyways, because we already know that they had cities developed to transport people to the shadow realm and bring people from the shadow realm to live amongst.

Cristina: That's pretty crazy discovery. Yes.

Jack: So we still have. There's a lot in the text that was just not obvious.

Cristina: Yeah. Yeah, we got that way later on from anything else. That's the most recent thing.

Jack: Again, we already knew that they had portals, but we had no clue that this was just right in front of our face.

Cristina: Yeah.

Jack: So it's possible they did mention trade with these individuals. But interesting, though.

Cristina: Yes.

Jack: They also had some bridges over canals, which is just interesting. Some. A few of the canals had breaks over them, thin breaks, which, you know, suggested easy mobility for vehicles and things over it.

Cristina: And both like.

Jack: Yes, very Venice, Italy.

Cristina: Yes.

Jack: Now, diving into some of their defensive situations here. We know the city walls were heftily fortified and tall, which was obviously for protection of the city, showcasing defensive architecture to withstand attacks. These are the inner walls. It had nothing to do with the flood walls.

Cristina: Okay.

Jack: The gates were fortified. Each entrance to the city was fortified, further enhancing their defensive capabilities. Watchtowers mentioned in text. And at each meeting point of the gaps leading to the gates, there are taller structures to either side.

Cristina: Yes.

Jack: Of where the gate would be. So where the gap exists to both sides of the gap in the wall.

Cristina: Some type of tower.

Jack: Some type of taller structure. That had to be a tower. Could have been decorative design. But presumably those are the towers they're talking about. Those are the towers are talking about. Which would help for ensuring surveillance, security and defense. I'm sure they were shooting right out of there. Something was a problem. And naval fortification, seaside defenses included potential underwater barriers, which we can see with the combination. This is a weird one. The flood walls that existed in full perimeter towards the water side, towards the coast were connected. This is the only part where they're connected to the wall surrounding the city. So there's two layer of walls. The smaller outer wall, which is for flooding, and the taller inner wall, which is for defense. Towards the coast. Those walls are connected with different beams and connect. It's a full different interesting structure that creates one giant. If we get attacked from the water, those people are more f***** than anybody could ever be f*****.

Cristina: They have protection for that.

Jack: That is a protection I'm talking about. The protection is that.

Cristina: Yes.

Jack: If somebody attacked from the water, they have their defensive wall and their flood wall as one giant series of pillars. And it looked like they just had thousands at this point of watchtowers, all aiming towards the water.

Cristina: That is kind of crazy. But I mean, you have to do something like that. Yeah, I guess if you're that advanced and that's your weakest spot.

Jack: Yes. So this was obviously for. For naval protection. There must have been problems. Now diving purely into texts and what they suggest. Their technologies according just the text go the extra mile. This gives us a better hint as to what we're talking about here. Keep in mind we can prove most of what we've talked about. So we can assume the texts aren't bullshitting because we can prove almost everything. So when we dive into the technologies, we have to question. Holy s***. Did you just start bullshitting? But it's tied in equal parts with all the stuff we can prove now. They had advanced energy systems. So free clean energy harness from natural sources, which included water. That makes perfect sense.

Cristina: Yes.

Jack: Solar. Okay. Weirdly enough, cosmic. What does that mean the Egyptians technology where they go into space and transport crazy amounts of energy.

Cristina: Mm.

Jack: It suggests they also had that they were maybe not as deep into space as the Egyptians were. All the way in the great Void. Literally creating an infinite amount of Dyson spheres to the point that we look up there and we just see darkness. But likely taking energy straight from not just solar, but rather sending things into the sun that weren't getting destroyed and bringing back mass amounts of plasmic energy. That's leaps and bounds of tech.

Cristina: Yes.

Jack: Just to accomplish something to gather energy like that. We are talking way more advanced than any other civilization without reaching the Egyptians and the Mayans. Definitely at least comparable to the Greek.

Cristina: Okay.

Jack: They're at least tied with the Greek.

Cristina: The Greeks are the ones with the ones not once I forgot there was like pillars that helped gather energy. I can't remember if that was Greek or Egyptian.

Jack: That was Egyptian.

Cristina: Oh, okay.

Jack: Egyptians had mastered energy. Okay, so that was the. Are you talking about. I forget what the obelisks.

Cristina: Yes. Did they have something like that as.

Jack: Well that there's no mention of it here.

Cristina: Oh, okay.

Jack: But they definitely. I'm assuming they must have had something comparable or something slightly more primitive. Again nobody's with the Egyptians when it came to energy.

Cristina: But plasma energy you said what?

Jack: That is still way more primitive than going across all of space and creating Dyson sphere that enclose multiple stars.

Cristina: Yes.

Jack: At no point is this the mention of a Dyson sphere. At most they're sending something into a star to capture energy. A Dyson sphere would be so far ahead of sending something into a star that like this is primitive by comparison.

Cristina: Yeah. Okay.

Jack: Now it's still way more advanced than any city that exists today. This will s*** on any technology we have ever seen in person. Any technology anyone alive today has ever witnessed personally. This is way ahead of that. Still miles behind the Egyptians and the Egyptians were miles behind the Alicians, but still overpowered that is.

Cristina: Whoa.

Jack: Now here we get somewhere that we've not seen mentioned anywhere else. Flying vehicles referred to as vimanas. Vimanas. I don't know how I would say that. V I M A N a S Anti gravity and energy based flying machines capable of both local transportation and possibly inter regional and interstellar travel. Now we're elevating to getting closer to the Egyptians. Probably farther away from the Mayans. But we still don't have a true perspective on the Mayans because when we think about what we're talking about here, the Mayans technology would look closer to magic for us. While the Egyptians technology looks closer to our traditional sciences.

Cristina: Oh, science, yes.

Jack: So the Mayans are masters of crossing to the other side, while the Egyptians are masters of controlling things on this side. Two vastly different types of technology which as we found out with the Shadow. The Shadow gods. The crossing of technology is something important. Mixing of these two worlds matters. And there's zero mention of these Individuals having any connection to the Shadow realm.

Cristina: Okay.

Jack: To this moment, there's not. And I guarantee you through the entirety of what we're going to talk about, there's not one mention. They seem very, very, very exaggeratedly on the side of earthrealm, but technology wise.

Cristina: Interesting.

Jack: While the Egyptians had shadow people and Alicians had shadow people, and the Mayans had shadow people, and the Greek had shadow people.

Cristina: No shadow people. I wonder if there's any mention of Maga. That usually helps.

Jack: I don't know who built the city. It's unclear who was leading, which people were involved or anything.

Cristina: No leaders mentioned. Whoa.

Jack: No one specific. Just breaking down the city specifically. Maybe at some point. I'll try to see if we can find names or something. But as far as we know, there's nothing. No. None of this technology at least connects to the Shadow Realm or even Alphan. Just straight up tech. Straight up Earth Realm tech.

Cristina: Whoa.

Jack: Advanced. They're specialists. Clearly specialists in Earth Realm.

Cristina: No help.

Jack: Don't know.

Cristina: As far as we can tell. That's crazy.

Jack: We don't know. We have no reference point to tell whether they did or did not. But we just know all of it seems to be earthrealm based. If they had people of Val Fame and people of the Shadow realm involved, even those individuals were entirely focused on earthrealm tech, because that's all we're saying. And I guess based on the difference of technologies between Maya and Egypt, we can assume that the Mayan and Egypt were equal just in totally different technologies. Which would mean that these individuals are catching up to the Egyptians and the Mayans. Based on the quality and complexity of.

Cristina: Their technologies, they gotta be equal. I don't know. They sound ridiculous.

Jack: Yeah. And we can assume that the Greek were also pretty up there. The Greek, the Mayan, the Egyptian, the Elysians, and now the people from India, from Dwarka, at least. Very interesting flying vehicles. We've seen this nowhere else. But if you got portals, you don't need to fly anywhere. You can just pop up places. So none of those individuals needed them? Them. These people don't seem to have portals.

Cristina: But what does a flying vehicle mean? Like, what is it made out of?

Jack: It's a machine. I don't know.

Cristina: It's a machine. It's crazy. I don't know. It's just hard to imagine.

Jack: Imagine a car.

Cristina: But would it even look like a car? Would it look like.

Jack: No, it would look like their version of car. It looked like their ancient primitive.

Cristina: Not primitive, but ancient descriptions of what this Flying vehicle looks like.

Jack: No.

Cristina: Wow.

Jack: They just what it could do. It was capable of vertical takeoff. It could travel interstellarly. Which is nuts as.

Cristina: Yeah.

Jack: But we know there are people who could instantaneously cross the universe. So that's still primitive as compared to that technology. They did not have that sort of Egyptian teleportation tech that existed which probably wasn't even Egyptian to begin with. That was probably given to them by the Mayans who were the masters of creating portals and bridging gaps like that. Possibly it existed in the pyramids and the pyramids existed in both locations.

Jack: You know, that's the kind of thing that is like. Well, if you guys are sharing tech then that. That one probably came from this group of people.

Cristina: Yes, yes.

Jack: Knowing what they specialize in. They had advanced shipbuilding and maritime technology. So sophisticated ships, navigational tools, water defense ships, submarines for protection, trade and possibly automated. Nevertheless. So like no people are in there?

Cristina: No.

Jack: What they have AI navigating these ships.

Cristina: That's crazy.

Jack: This is in their text. Like this should just worked on its own. But again this is where we have to be like d***, bro. So scientists have to scientists looking through these ancient texts. I'd be like oh no. This is. This is a 100% just myth at this point. But it's like come on bro, we could do it. Why do we have to be the pinnacle always?

Cristina: I don't know.

Jack: It's weird. Weaponry and defense systems Here we dive into weirder things. Okay. We have interstellar traveling. That's right. We have automation. So AI. So some of that leans into. When you think about what it would require. Right. To interstellar travel you need mass amounts of energy. But if you're going straight into the sun and acquiring energy, you have mass amounts of energy. High energy weapons that include laser rifles.

Cristina: Oh my God.

Jack: Laser missile technology. Precision destruction capable of energy dispersion higher than current day nuclear weaponry.

Cristina: How is.

Jack: How are what and defense shield and barriers probably energy powered.

Cristina: No way.

Jack: So they can in. Now here is where it becomes interesting. The outer wall is way shorter and thicker. The inner wall is taller and thinner. The side of the wall connecting facing the water connects to both walls connect. If you were to draw this out, you could easily flick a switch and a dome would farm over with support. Weird. The structure without having to read any of this bullshit would tell you you could easily form a dome around it. How out of all the s*** that's weirdly the closest one to being proven. A weird energy shield.

Cristina: An energy shield. How are they doing this, this is way too advanced. Now I'm questioning the city. Maybe they were gold, I don't know.

Jack: Yeah. As we get into their tech, it starts to kind of go into the deep end.

Cristina: That sounds ridiculous. Maybe they're mining in the sky. Like why do they have to trade?

Jack: I mean, once we establish that they could do interstellar travel and they could acquire energy from a star.

Cristina: Yes.

Jack: Acquiring pure materials from space becomes easy.

Cristina: Yeah.

Jack: So you don't even have to go that far. You could just go to the first belt, start mining.

Cristina: That ridiculous. Okay.

Jack: The fact that they would have had to be able to exit our star system at all means the outer belt. Easy. You don't have to leave our star to get there. You just stay within our own solar system and you could mine the outer belt infinitely for all of infinity and.

Cristina: Have just infinite resources with this crazy advanced technology. They were letting people into their city. That's crazy.

Jack: Totally primitive people. But these people are going to come in. Nobody's going to hurt anybody. How I know he's going to come in for trade and whatever. The cities surrounding this location that are around today. And their historical records do suggest that although they weren't advanced, they had access to already existing advanced materials that they didn't have the ability to make. So they were going to places to shop for things they couldn't replicate. And these people weren't afraid to give to them because how the f*** are they gonna learn how to do it?

Cristina: They're not.

Jack: They could just come buy it from us and they'll always have to come buy it from us. For all of infinity they'll have to come buy it from us. Because they would never learn with their primitive s*** how to replicate it.

Cristina: That's crazy. There's no way they were like doing that with their ships or that.

Jack: No way.

Cristina: They were not using their technology.

Jack: They were just letting people come in and take the things that wouldn't be able to be used against them.

Cristina: Insane, insane technology.

Jack: Now when we revisit the automation and artificial intelligence, it makes way more sense that they definitely had access to all of these things. And it suggests that their automated systems were used to manage everything from city infrastructure to trade and defense. So AI could have been integrated to everything. What they had Internet?

Cristina: Yes.

Jack: They had a stock market, likely. And that this would choose prices that made sense and allowed every outsiders to come and trade. Allowed civilized equally powerful civilizations to come and trade and primitive civilizations to come and trade in a fair way that it's all calculated and you don't have to.

Cristina: I have to believe that the Mayans and the Egyptians had this type of tech as well.

Jack: Well, we know they did. We know they had AI and we know that at least the Mayans did, which suggested the Egyptians and the Elysians did, since they were always sharing. The minds at least had the ability to store all this data.

Cristina: Yes.

Jack: Which required sorting through it, which would require something with the ability and capacity to run through it.

Cristina: So they all had some type form of Internet and AI.

Jack: Yep. Interesting. And the Internet would probably suggest how the libraries made it to these separate locations. The Sphinx and El Castillo.

Cristina: It makes sense.

Jack: They just needed a hard copy in case of s***. Which did happen. So the hard copy did pay off.

Cristina: Yeah.

Jack: Interesting.

Cristina: Interesting. It's interesting that like Jesus knew about the technology too. I remember we learned that he just stuck to writing paper because it was more trustworthy than.

Jack: Yes.

Cristina: Using anything else.

Jack: Yes, yes, yes.

Cristina: He.

Jack: He did not trust. Using whatever current. And the fact it was. It sounded stupid at the time. Oh, he. And he found that writing was more effective at keeping secrets. And it's like, as compared to what?

Cristina: Dude, it has to be this.

Jack: It had to be this. He was trying to evade the modern mode of communication. Right? Now if we were trying to evade the government, we would do it by sending handwritten letters that would look like any normal male. Is how you would evade the technologies that are being surveilled by the governments of the world. That's exactly what he was doing.

Cristina: Yes.

Jack: Crazy Jesus was actively coming up. He was a rebel. And like, to the realest, most exaggerated. He was the rebel of rebels.

Cristina: Yes.

Jack: Yeah. He was the golden standard. Medical technologies. They had advanced health care. And here's where it gets a little weird. Genetic engineering capable. Capable of extending life, curing diseases and healing injuries instantaneously.

Cristina: How. I mean, I understand. But like all of them, they always. This always ends up. They all seem the same.

Jack: Yes.

Cristina: Once they reach a certain.

Jack: And it looks like when you think about it. Right. Who is super overpowered? All first world countries are first world countries and they're equally first world countries to some degree. Yes. Some are slightly better, some are slightly worse. But they're all First World countries.

Cristina: These ancient first world countries are all.

Jack: Yep.

Cristina: Like that.

Jack: They're all roughly equal. And yes, there's the one mega super like Russia, United States equivalent, which was the Alicians. Oh, we're all scared of you.

Cristina: Yeah, but. But everyone has their unique.

Jack: Yeah, but it's more or less there. Everybody's kind of on the cusp of the same thing. It's just again, we can think. The United States. Oh, they're strapped with nukes. There's the most dangero. I was like, all right, those were the Alicians. They had the most nukes. We'll just call it that. They had the most nukes.

Cristina: Yeah.

Jack: And so people wanted to trade with them the most so that they're on their good graces, like the United States. And people wanted to, you know, always be on their happy side. The Elysians all feared to the point that if you're gonna talk s***, you're gonna talk s*** secretly, you're gonna come up with a different word. Sea people. The sea people. F*** them.

Cristina: F*** the sea people.

Jack: I hate them all. The Alicia.

Cristina: There has to be word. I can't wait to find what these people are called. Really or not really. We know their names, but what other people were calling them.

Jack: What other people calling them and what they were calling other people.

Cristina: Oh, okay, yeah.

Jack: Now, computing. How do we get to AI? Well, they. According to the texts, they don't use the following terms. This is what it would translate to if we were to assume what it meant, which is the ability to compute infinite information almost instantaneously. They must have had quantum computing. They must have had quantum computing. It's the only way for any of this we are talking about to be.

Cristina: Possible once we get to sun power. Like, okay, okay, you must, you must.

Jack: How are you building anyway? No, it's not a stretch. In fact, quantum computing would be primitive comparatively. You must have had past the. Out of that threshold long ago before.

Cristina: You're taking energy from this within the sun.

Jack: Like, okay, you need something that can process making a material that won't melt. Like how?

Cristina: Like how exactly? Yes.

Jack: It needs to withstand the pressure and heat of the sun and then somehow have thrust enough to pull itself out from that gravity.

Cristina: That technology is the true advanced technology. Like, what is that?

Jack: Yes, yes, but also, that's still way primitive than a Dyson sphere. Yes, because the Dyson sphere that isn't collapsing and falling into the star, you must have figured something out. An instantaneous transportation. Crazy. These was leaps and bounds so far ahead of what could be understood. But yeah, definitely quantum computing. They also had environmental control systems, so controlling the weather, obviously, and environmental conditions to manage heat flooding, even manipulating the climate in general to have the most ideal climate at all times. Now we get to scaling, right? Now we get to scaling. Yes, within text alone. There's no way to conclude or prove this any other f****** way than reading it. One Part of this very easy science wise and terminology wise, we can compare this to other civilizations, which is dimensional physics. Opening and closing portals. Now we've gotten to portals. They have the ability to open and close portals now it does not mention at any moment crossing a portal to another realm. It sort of looks like folding space onto itself. So warp technology that allows them to cross huge gaps of space in short time.

Cristina: That's how they're traveling to the sun.

Jack: That's how they're traveling to the sun. And probably entering the sun effortlessly. Maybe it's not even that kind of tech. Maybe it's not something going into the sun in the same way we think maybe they're folding the sun in a way that allows them to put something in there, extract energy and unfold it and be safe.

Cristina: That is ridiculous.

Jack: Weird.

Cristina: That is so, I guess, possible.

Jack: Yep.

Cristina: So if you have that tech now.

Jack: We can compare that to other civilizations and be like, yeah, okay, sure, whatever. The other side that is mentioned in sync with this, we don't necessarily have equal, which is time manipulation.

Cristina: Whaaat?

Jack: Potentially mastery over time dilation.

Cristina: What? What does that mean? How?

Jack: Well, the text suggests that they can manipulate time.

Cristina: And what?

Jack: I don't know, it doesn't specify. Just talks about that being among their technological capabilities.

Cristina: That's kind of insane.

Jack: Yeah, that puts them way up there, right next to the Aleutians. And based on how long ago this was made, maybe.

Cristina: But no one can wrestle time. I mean, besides the necromancers.

Jack: The necromancers, exactly. So we know of people who can. And if the Elysians had access to the necromancers without ever explicitly mentioning time manipulation, they had access to it, they just didn't mention it. But the necromancers did. And the necromancers could easily, almost effortlessly, and it wasn't a problem, it was an afterthought. And the Elysians had access to the necromancer.

Cristina: Yes.

Jack: So they had access to time. We just hadn't stumbled upon this before.

Cristina: So these people possibly did the same. Because without a necromancer.

Jack: Oh, right. How the f*** would you do it? Without a necromancer?

Cristina: Yeah.

Jack: So they must have had a necromancer. But also, we know Jesus was fond of India.

Cristina: Yes. And we also know what's his name?

Jack: Hermes.

Cristina: Hermes likes to travel.

Jack: Yes. And Hermes was also fond of India.

Cristina: Oh crap.

Jack: And Hermes, although close to the Elysians, was a neutral party.

Cristina: Yes. Yes. So.

Jack: The homie, both the homies might have. They might have Traveled here.

Cristina: That's crazy.

Jack: Both the homies might have traveled and given tech or helped with developing tech. Teaching them, okay, you can't do what we do, but maybe we can make some technology that can, man.

Cristina: But, man, that's. That's too much. That's too much. That's more. I don't know. Time tech is just crazier than any type of tech there is.

Jack: Yes. I think it violates anybody f****** with you.

Cristina: Yeah. And yet they were f***** with. At least they had to be. Like.

Jack: Now. The question is, why isn't the city standing today?

Cristina: That is a good question. I want to know. Death friendly. I have guesses.

Jack: Go for it.

Cristina: I don't know. The Elysians didn't like what they were doing. They had to have enemies. Of course.

Jack: Other than the Elysians, what enemy could they possibly have that could do anything?

Cristina: If they weren't friends with the Shadow Realm people, maybe the Shadow Realm people didn't like them.

Jack: Who's gonna have the tech to f*** with us? Who in the Shadow Realm could possibly. We're talking. These people seem kind of ridiculous. Ridiculous.

Cristina: But they were taken down. Like, that's pretty. Like, whatever did do this, it's kind of crazy, whatever it is. It's very scary.

Jack: All right, so the likely possibility is obviously war and some kind of conflict. Now, trade rivalries. Dwarka's role as a major port city likely placed it at the center of competition for trade routes with other civilizations, which may have made it a target for civilizations seeking dominance over those Earths. In a geopolitical context, its strategic location and advanced infrastructure would make it a likely target for power struggles or military conflicts. But nobody surrounding them could have had the ability to f*** with them in any magnitude imaginable.

Cristina: So they could have taken themselves out.

Jack: Mentions of civilizations with equal or superior military power were perceived with the threat of invasion. This is mentioned within.

Cristina: Okay, so then someone else could have.

Jack: They mentioned equals. They were unclear about who those equals were, but there were people who they did fear.

Cristina: Okay.

Jack: Leaders of Dwarka had mentioned evacuation as a possibility to a large conflict with the rivals.

Cristina: That's how scary their rival was. They're like, let's just abandon everything.

Jack: Abandon.

Cristina: The most man city we have ever heard of was like, we just gotta get out. Yep, there's no solution here with this enemy.

Jack: Yep, yep, yep, yep, yep.

Cristina: What is that? Scary from what? Everything you've mentioned. What could possibly be more scarier than that?

Jack: Now, this is where the environmental controls and those really advanced water pumps kick in preemptive sinking is loosely. In different texts. Not one piece says explicitly. But some will mention flooding the city, some will mention sinking the city. Some will mention creating storms to protect the city. Some mentioned evacuation of the city. All of that is one scenario. So the water management systems that the city had were quite advanced, as we know. They included the reservoirs. They included the canals and flood defense systems. This indicates that Dwarka could have easily controlled natural water flows. And it's possible that this was used to deliberately flood and sink the city, ensuring rivals wouldn't capture their technology. It was about.

Cristina: This was the runaway situation.

Jack: This was a runaway situation.

Cristina: What?

Jack: But this tells us something very, very, very, very interesting.

Cristina: This is the second time we saw something like this.

Jack: Yes, exactly. Now, it's not a matter of, oh, the Elysians blood. No, these people sank this before the Elysians did.

Cristina: The Alicians were scared of something. They ran.

Jack: These people were scared of something and they ran. They sank the thing trying to get rid of the potential of whatever other f****** s*** it was. And this is long before Jesus. Now, this was built around 9,000, but this city went down around 2,000 BCE.

Cristina: And when did the Elysians do it to their own city?

Jack: Year one, year one. Which would be 2,000 years after this.

Cristina: What is happening? What could be a threat like that?

Jack: What could be a threat that something as overpowered as Dwarka and Elysium.

Cristina: Like, they look like they got infinite amount of power.

Jack: Yeah.

Cristina: What is scarier than that?

Jack: Unstoppable forces of nature.

Cristina: God.

Jack: Tier. The Almost the highest level we can think of when it comes to the Kardashev scale. At least localized level 4. Without counting, you know, bending the literal fabric of space time in the universe. What the f*** could you be dealing with that these people also had the fear of something stronger and actively sank super ridiculously advanced technology trying to avoid it being captured by something stronger. Who could be the rivals? And who are these people who are still lurking 2000 years after this city sank and made the Elysians paranoid? So then the creation of Jesus was only trying to stop whatever the f*** that was.

Cristina: So you think there's something bigger than the Elysians? Okay, what? That is so crazy. What could possibly be this?

Jack: They needed Hermes and Jesus and it still wasn't enough to somehow deal with whatever this other thing is. Presumably these people are still also around somewhere so deep and hidden.

Cristina: I would think the. I guess the biggest option would be Mel.

Jack: I guess. But the weird problem is we can't get information on that.

Cristina: I know we can't, but, like, that's the biggest. Like, maybe she can delete things. I don't know. Maybe she could delete things from her program if we're just in her program.

Jack: Well, at this point, I'm not even sure if it's still a program. But, like, I don't. I don't know what any of this means anymore. And the fact that, like, who can f*** with these people? This is two different cities of the most advanced anything that has ever existed in all of. Anything that we have ever conceived that feared something more complicated. And even the they made at the very end was so overpowered that it would on the entire Jesus alone. Would. On the entire Elysian civilization and every bit of technology they've ever had. And still that wasn't enough.

Cristina: It's gotta be the fairies doing their thing. The fairies are so advanced and we never actually know what they're doing.

Jack: Yeah.

Cristina: And look, we just know they're safeguarding the program.

Jack: Yes.

Cristina: This would make so much sense.

Jack: Yeah. The. It looks like the. The elves fail when we get to Jesus.

Cristina: Yes. But maybe not.

Jack: Maybe not. Maybe not. Maybe successfully breaking apart the group or how. Making them abandon their level of progress.

Cristina: Yes. Like, that's pretty.

Jack: That's.

Cristina: That's wild. Yeah.

Jack: Yeah. They're forcing these individuals to control. Alt. Delete.

Cristina: Yes.

Jack: You know, they're just forcing them to delete their own.

Cristina: Yes. Because, like. Or you'll get deleted.

Jack: Yeah.

Cristina: You'll delete it. Or you get deleted.

Jack: Like something is going. It's you or it.

Cristina: Yeah.

Jack: And it's like. I don't know. Maybe.

Cristina: Yeah. That makes a lot of sense. Because it's just too advanced to imagine something. Like, what possibly could they fear besides, like, being wiped out?

Jack: Yeah. Yeah. I don't know. I don't know. It's too. It's. It's incomprehensible that there would be an issue.

Cristina: Mm.

Jack: So these people flooded their city.

Cristina: Mm.

Jack: Snapped it off the side, sank it.

Cristina: Into the ocean, and then covered it up.

Jack: Well, no time did that. They just f****** sent it into the ocean.

Cristina: Yeah.

Jack: And time buried it. But it's like, leave it f****** down. Let's get the h*** out of here. They vacuumed the whole b****. They evacuated everything and just dipped. Crazy. So records. The earliest records of the city date back to 574, which mentioned previous records that got washed away and things that disappeared over time, dating its sinking to 1500s BCE. Somewhere between 15 and 1900s BCE, so about 2000 years before the Elysian sank their city.

Cristina: Mm.

Jack: And this kind of ties them to the beginning of other civilizations like the Indus Valley civilizations and whatnot that would then settle within the regions. I know. It's f****** weird, man.

Cristina: I think we have some. We're getting a picture of something at least. What could possibly be going on?

Jack: This puts the Elysians equal to the city of Dwarka. So that's two different cities, not countries. These are cities. Elysium at the bottom of the Persian Gulf oasis and Dwarka at the edge of India. Two highly advanced civilizations that just were.

Cristina: Taken down by themselves like nothing else.

Jack: Yeah. They themselves took. Sank their everything. And the mines ran away, the Mayans ran away. Probably to the Shadow Realm. Originally, we thought, because it didn't look like there was no trail. There was no trail outward. Our conclusion was they went underground, but they didn't need a trail outward if they just left the f****** realm.

Cristina: Yeah.

Jack: Which would explain that. And the Egyptians were like, f*** Earth.

Cristina: Yeah.

Jack: There's a lot of evidence of that. They're just like, we made rockets. We made this, we made that. And dipped. F*** everything.

Cristina: No.

Jack: Something. But no, no, because. No, no, it's not. It's not the elves or. If it is, it's not. It can't be the system logic we applied to it before.

Cristina: Why?

Jack: Because the Elysians took as much tech as they could underground underwater, and the Mayan took a bunch of their tech too. We assumed underground, but likely to the Shadow Realm. And the Egyptians took their tech across the universe.

Cristina: Well, we don't have the proof of what tech they took. Like maybe it's safe tech that the fairies wouldn't be bothered by and they probably destroyed.

Jack: Take tech that allows you to cross the universe. You're talking quite advanced. You're talking the most advanced of the most advanced. Something that could withstand the pressure of the deepest part of the ocean, is the weight of Earth on top of you and it not collapsing. We're talking advance.

Cristina: So what's going on? I don't know. Interesting.

Jack: Minus the fact that we have no proof of the Greek running away. We don't actually know where those people might be at this moment. Minus that. That's four different examples, two of which are colossally overpowered. Way more overpowered than the other two, which are the Elysians and Dwarka.

Cristina: Destroyed their crap and ran away.

Jack: Yep.

Cristina: Weird.

Jack: So what is it that everybody was horrified of that was so colossal it was more important to dip everybody? Full mass evacuation. That's four full mass evacuations.

Cristina: What's that about? What's that about? I don't know. That's crazy.

Jack: Yep. So there you go.

Cristina: I wonder if we'll find out. But like, I hope we do. I doubt we will.

Jack: But like, slowly but surely, I guess it's just crazy. I don't even understand what could be this overpowered. But for all this data, anybody who's interested, all this is available online. All this is available in different series of books. I'll tell you the names of those books again. You can find the lost city of Dwarka. You could find marine archaeology of the Indian Ocean countries. You could find excavations of Dwarka. You could find the archaeology of Bet Dwarka. And you could find archaeological survey of India reports. All are heftily including all of this information. And you can go through it yourself, find which details matter. And all of this is, you know, you could cross reference it with other data that isn't within the books that are mentioned. You could find a lot of the original texts.

Cristina: That would be so insane. I just don't understand. It's ancient and advanced.

Jack: Just like the Elysians. Yeah. Yeah, just like the Elysians. That's crazy. And this is just one we're going to be going through. There are others.

Cristina: Whoa.

Jack: Yeah. So, yeah, if you guys want to talk to us about this, anything you find while looking at this, feel free.

Cristina: To see a connection that we're missing.

Jack: Yeah. Feel free to contact us on our socials at. Just convopod on X, on Facebook, on Instagram, on wherever the h*** you want to type. Just convo pod and we show up.

Cristina: Remember to subscribe, rate and review. Let's share.

Jack: And word of mouth is the most exaggerated thing on Earth. Share it so that we also get hunted down by whatever this crazy force is.

Cristina: What? And this has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: Sabbath.

Cristina: Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 291: Jinn Towns

Are there locations similar to the Neighborhood of Paradise? Do the swapped children have something to do with it? And how does this connect to the Judge? The duo unpack Paranormal Lost Towns and Villages around the world in hopes of discovering a link to either Paradise or the ancient Judge.

+Episode Details

  • Jibaro VIllages
  • Quiet Towns
  • Los Pueblos Perdidos
  • Villages of the Lost Children
  • Brigadoon
  • El Chino

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And this is the show where we ground humanity's most absurd, rambling ideas.

Cristina: Childish ways.

Jack: We don't. In very adult ways.

Cristina: Okay.

Jack: Also, we need to keep in mind that by, like, the end of the year, I got. We gotta make, like, social posts and you know what? Just, you guys, whenever you want to start sending us some questions, you could do that, too. So that by Valentine's, we can just go old school and answer your pressing life issues.

Cristina: All right.

Jack: You know, so that we can help you solve your relationship problems on Valentine's Day or around Valentine's Day, since we upload on every Saturday. I don't know if Valentine's Day is on a Saturday. So near Valen. Whatever. Saturday's nearest Valentine's Day. Or I guess it'll be before Valentine's Day. So they can listen to it on Valentine's Day.

Cristina: We don't make any promises, though. It could be after anyway.

Jack: Yeah. And it might never even happen.

Cristina: Or it may never happen.

Jack: But hopefully it does happen. And hopefully it happens before Valentine's Day. So you hear it on Valentine's Day. Because that's only when reasonable.

Cristina: That's a promise.

Jack: Not really a promise that we might not keep. Because we're not necessarily honest.

Cristina: Yep.

Jack: Or we are honest. We're just not committed. That's all.

Cristina: Right.

Jack: Yeah, yeah, yeah. That's where it is. We mean well, but we're also like, whatever.

Cristina: Give us those problems.

Jack: Yeah. If you give us enough, it'll be inevitable. We can't, like, avoid it or anything, you know?

Cristina: Yeah.

Jack: But we have something interesting to discuss today and to ground today the way we do. We were recently, in a recent episode with an H episode, talking about weird spots. Specifically, we were discussing the neighborhood of paradise. And then we were talking about the Minotaur, which really just brought us back to thinking about the neighborhood. Because we had these people coming in and out of the town. And when people go to the town, they don't see anybody. And then we were like, well, there's just mazes that are familiar. And the mazes tells us that things have happened in these areas. And if things have happened in these areas, maybe the town is something like that. Because people come in and out of the town. And there is a church in the center of the town.

Cristina: Yes. And it's like that house that's very ma.

Jack: Like the Winchester house. Yes.

Cristina: That random crap is happening. Are things going out of that middle room? Probably.

Jack: Exactly. So that church might also have something similar, because the maze had something like that. And also the Winchester house had something like that. And we were like, well, Paradise Road must have something like that, too. And we were like, maybe we should find places like this, See if that's a thing. Find weird places that have this kind of same pattern.

Cristina: Is it a bunch of woods?

Jack: What?

Cristina: Like, is it like. If you did find the other places, are they like woods? Like this place that's in the middle of nowhere?

Jack: If I did find them, I guess.

Cristina: It would be because that house, though, is not in the middle of nowhere, is it?

Jack: It was.

Cristina: It was.

Jack: It was. It was in the middle of nowhere, really. That was also part of the reason it was so hard to get in. And, you know, architects and people down to contractors to go make happen.

Cristina: Okay.

Jack: It was in the middle of nowhere.

Cristina: Okay, that's weird.

Jack: But all right, what's weird? What's different about that house? And what's different about the. I guess that house in the Maze, as opposed to paradise, is that in paradise, we have people coming in and out. Residents, we would call them. But neither the maze nor the house would have that atmosphere. There are rooms. I guess a house would have that atmosphere, wouldn't it? Because people did see many apparitions, ghosts and whatever happening there. Things. Weird things roaming the halls from inside and outside. People noticed all of it but the maze. I guess there's no real way to get a story out of there. I guess that's really why we don't have those stories. I was thinking, like, oh, yeah, they don't have those stories about people coming in and out and this playing out.

Cristina: The same way, but they're dead.

Jack: Not because they're dead, but, like, who. So are the people who are dead in the Winchester house?

Cristina: People aren't dying in the Winchester house.

Jack: The maker of the house still roams the house. That is a literal dead human.

Cristina: I guess. People aren't constantly dying in the house.

Jack: The whole family. The whole family died in the house.

Cristina: I guess the people today aren't dying in the house, are they?

Jack: Right. And then why don't we have those stories about the maze? I don't know.

Cristina: Who's it. Who's exploring the maze? Is that some place that people can go to right now?

Jack: I actually have an idea where the maze is. Fair enough. The maze is quite hidden.

Cristina: Yeah. Like, that's not a tourist attraction, is it?

Jack: No, it's a secret location.

Cristina: Okay.

Jack: Much like the basement of the. Or not the basement, but, you know, the facilities at the bottom of Cross Castle. But. So we're talking about Paradise Road, and we're talking about the maze that reminds us about the mansion. And we're like, yes, the paradise definitely has a church. And there's a pattern here, and there's familiarity. And then we. I don't know what we were. Oh, it somehow made us think, oh, no. We were doing the previous episode last week where we were just thinking about, you know, loosey goosey talking, and we came across the Judge again. The Judge and Inanna, his sister. That wasn't the same episode, not with the maze.

Cristina: I thought it was because we were just recapping everything.

Jack: No, there was an episode about the maze.

Cristina: Oh, okay.

Jack: And there was an episode about Winchester House. And then there was an episode just kind of trying to see what we missed.

Cristina: Okay.

Jack: And so we come across the Judge and how him and Inanna just casually strolled into the shadow Realm, which doesn't make sense. But we never thought about. But then we thought about it, and, like, we have an experiment that took place which was with Lucifer and Samael that allowed Lucifer to become a physical being, which means he can exist on both sides and easily cross a gate without ever needing adrenochrome. And we have the Judge crossing with.

Cristina: His sister, and we have all these tales talking about swapping babies, and we.

Jack: Have baby swapping tales. So the idea was, can we find more? Can we prove this is, in fact, what was happening with other examples after we have this established? And I think we can. So we're going to discuss a couple of different places today, and I'm gonna give you their names real quick, and we're gonna focus on one. Okay, I'll explain later. Why. So we're gonna discuss Jibaro villages in Puerto Rico. We're gonna. The quiet towns in Russia. We're gonna discuss La Isla de las Municas, the Island of Dolls, and Los Pueblos Perdidos, the Lost towns of Mexico.

Cristina: Where's the doll at?

Jack: We're also gonna discuss Brigadoon, which is in Scotland, and we're gonna discuss the villages of Lost children in Japan.

Cristina: But where's the Lost Doll Island?

Jack: Both of those are in Mexico.

Cristina: Oh, okay.

Jack: La Isla de las Muniecas and Los Pueblos Perdidos are both in Mexico. Right. Anyhow, so we're gonna start this by going into Jibaro villages and El Chino in Puerto Rico.

Cristina: Those are two different spots.

Jack: No, I Will explain what this is. That's just the title. Okay, I will get to the point. All right, so let's break apart these villages real quick. Right. So the Hibaro villages refers to mountainous and forested areas in Puerto Rico described as hidden villages, often in dense, remote, forested regions. Which kind of fits the suit we are looking for. When we dive into this, we find out that the locals believe these areas are always known for having lots of supernatural activities. They always discuss them as heavy supernatural activities, strange occurrences and weird things and ghosts and demons and spirits and blah, blah, blah, blah, blah. Kind of what we're looking for.

Cristina: Yes. It's always in the woods.

Jack: Always in the woods. At least these are. I wouldn't say it's always in the woods, but these are definitely in the woods. Now, what makes this particularly impressive is the fact that they are described as empty and abundant. Abandoned to visitors. To visitors. Familiar. Keep in mind that the locals also say that there's a lot of activity happening here, but there's nothing when visitors go. The locals to these areas also claim the villages are populated by spirits.

Cristina: Okay.

Jack: And supernatural entities. Add the Hibaro, the souls of the dead also being the original inhabitants of the region from long ago.

Cristina: They say if these souls are like human souls or like.

Jack: Yes.

Cristina: Okay.

Jack: They're just the inhabitants of the lands from long ago. Those are the Hibaro.

Cristina: Okay.

Jack: Everything else are spirits and supernatural entities. But the Hibaro are just the inhabitants from a long time ago. Unclear about how long ago. There's a lot of stories dictating a lot of different periods of time. So maybe different groups of people throughout different periods of time lived within the area.

Cristina: Yeah.

Jack: But ultimately just the souls of the dead, presumably the original inhabitants from long ago. Now, the weirdest detail about this thing, by the way. This isn't one place. These are many villages in the middle of nowhere.

Cristina: That's weird. But they're near each other or. No. Okay.

Jack: Nope, nope, nope.

Cristina: They're just random.

Jack: Yeah. They're spread out. And they have essentially the same tales going on. And when people go, they see nothing. Visitors go up there and record nothing. Nothingness. Just structures. And they don't know who built them. The interesting tale about this is that the locals always believe that they were the neighborhoods. The villages were built by beings from the spirit world. They use those literal words in Spanish.

Cristina: That's crazy.

Jack: And we know the spirit world in every language translates to the shadow realm, but did you.

Cristina: Have you seen pictures of it? Like, does it look like it's just villages it's just. It looks normal.

Jack: Yeah. It's just old houses.

Cristina: Okay. I wonder why they think that then. That's weird. That's cool, though. But.

Jack: Yeah. So this is just the basics of the village. Let's. Let's focus on the locals a little. The locals surrounding these areas. So locals believe these villages exist in a place where the veil to the spirit world is thin.

Cristina: Of course.

Jack: How specific? The villages are often described as parallel to the mortal world. Very specific phrasing.

Cristina: Yes. Sounds like the shadow realm.

Jack: So exact. It's crazy how exact the wording to this is. And they're described as spiritual reflections of the mortal world.

Cristina: What does that mean? What?

Jack: What do you mean, what does that mean? That's the most exact phrasing I've ever heard.

Cristina: Spiritual reflections. Reflections. That's what you said.

Jack: Yeah.

Cristina: Okay.

Jack: All right. I'll word this in a way we said a million times. The shadow realm is a mirror to the earth realm.

Cristina: I know, but, like, this isn't the shadow realm. This is. They're talking about something on the earth realm.

Jack: Yeah.

Cristina: As a reflection of the earth around.

Jack: No, no, no. They're saying that when the veil is thin, presumably.

Cristina: Oh, okay.

Jack: This is built somewhere else. We see one version, but it is built somewhere else.

Cristina: Oh, that's complicated.

Jack: Actually, no, it's not. Because if you think about the opposite way that this works, the Winchester house fits this f****** suit.

Cristina: Yes.

Jack: This lady built a jumbled mess that looks like a crazy, chaotic s*** show to us, and she just wanders it easily. It makes sense. Over there.

Cristina: Yes. Okay.

Jack: Very on point. Very poignant. Another weird detail is they believe the residents aren't physical in the same way that humans are. Inhabitants to these villages can be seen wandering the lands surrounding them, though.

Cristina: So they can see these beings?

Jack: They see something. Yes, but never when they're in town.

Cristina: Okay.

Jack: How familiar.

Cristina: Yes. That is exactly like Paradise Road.

Jack: That is exactly like Paradise Road to the T. Exactly the same thing.

Cristina: Yes.

Jack: You know, cultural differences, linguistically speaking. But you're describing ultimately the same thing, it seems. But the villages, on the other hand, always appear empty.

Cristina: Yes. So they. They don't see anyone. Like, there's no stories of people in robes or any.

Jack: I did not find any stories of people in robes.

Cristina: Okay.

Jack: Now, these villages are called Hibaro villages. All these villages are called Hibaro villages regardless of where they are. And it's focused on the fact that the dead live there, even if there are other spirits and other supernatural entities. But then what is El Chino?

Cristina: What is that?

Jack: Well, I'm obviously going to tell you now. The chino translates to pathway.

Cristina: What?

Jack: Yes. Most of the village's entrances begin with either a tunnel cutting through a mountain or a dense natural canopy path. A canopy is when trees kind of overlay and create like a nice tunnel just through the tree foliage or whatever. All of these neighborhoods have that happening. Every single one, without exception. And they refer to the path that leads there, usually through a mountain or through a canopy, as El Chino. These pathways are believed to be gates to the spirit world.

Cristina: The pathway itself.

Jack: Yes, but can't be crossed by humans.

Cristina: This actually informs what's happening in paradise with the gps?

Jack: Not the gps, with the unmarked road, the dirt road that just cuts from paradise to the paradise neighborhood.

Cristina: Yeah, but like the Google, not trying, not being able to see either.

Jack: They just literally didn't go through there themselves. And we know that the people there had some kind of contract with the government or some s***. I guess that's why they didn't navigate that path. But the path itself, and people going through the path, like myself and never seeing anybody on the other side. Well, I can't cross the gate.

Cristina: Okay.

Jack: I can drive the path. I can cross the path. I can't cross the gate that the path is. I was going through a canopy. I did not know this, or not a canopy per se, but, you know, some kind of tunnel way.

Cristina: Yeah.

Jack: That would have exited me on the other side if I had the ability to cross.

Cristina: If you were of the type. Yeah. Okay.

Jack: But I wasn't. So I go in and it's nothing to me. El Chino is the name of these pathways, these gates that they believe allow only those who have the ability to cross through. And it's only people who are from the other side who can come in and out.

Cristina: That's crazy. They just know about these places and they're just everywhere. Not everywhere, but there's. There's multiple.

Jack: Yes, they're spread out throughout Puerto Rico. They're in many, many, many locations of Puerto Rico. And they are well known by the older folk.

Cristina: Because that's what I pictured as a very small area. But it's not that small if there's multiple.

Jack: It would take you a while to walk Puerto Rico, even if it's a tiny location. Also it's secluded. Nature allows for this to exist effortlessly. A lot of forest.

Cristina: Okay. Yeah.

Jack: Dense rainforest. So it's, you know, easy place to put a bunch of these locations. And it's hard for people to get to. And then there's that weird archway. And people are like, oh, that place. Now, let's dive into some of this folklore.

Cristina: Yes.

Jack: Now, tales surrounding the Hibaro village involve souls of lost humans. And interesting enough, interesting enough. The kidnapping of the offspring of the lost soul's descendants.

Cristina: What? They're saying they're.

Jack: They're kidnapping this. The babies that are in their own bloodline.

Cristina: Okay.

Jack: The goal is to take the child and possess the body of these children.

Cristina: No way. No way.

Jack: This would allow the soul of the individual to inhabit the child and have another life.

Cristina: Of course. Of course. Of course. That's exactly what we imagined. Okay. But they're related.

Jack: Well, no, we're not imagining in any other scenario that they're possessing the body.

Cristina: They're not possessing the body. No.

Jack: But, yeah, it would be weird if a grown a** adult then jumps into a child's body and is now reborn or whatever, which is what? This is making it seem like it's happening. So obviously we have to read between lines. We know this isn't literally what's going on because we have other examples fast. And it's also possible that the very people taking it are not getting replicas made of a baby. That doesn't make sense.

Cristina: No.

Jack: That's why they still see the souls of the dead there, because they haven't actually possessed these bodies. These narratives are conflicting. But they are taking children.

Cristina: They are taking children? Yes.

Jack: The child is then returned to the family, now with the soul of their ancestor. Allegedly.

Cristina: Okay.

Jack: Mm. Now, alternatively, the supernatural entities within the area are also known to take children. Not the souls, not the dead. They do too. But so do the supernatural entities.

Cristina: Yes.

Jack: These individuals abduct infants and swap them with supernatural beings, most commonly for the purpose of sustaining a connection between the spirit world and the human world.

Cristina: What?

Jack: Yeah. The abducted human babies are then taken to the Jabbato village and raised among the people of the village. Yeah. Now, this ritual allows there to be mortals from the village familiar with the spirit world, and spirits within human villages familiar with the mortal world. So, Jin, take a human baby, bring it to this established location, probably after they do the obvious changing of the baby that existed before. So they do the experiment. They're not the experiment now. It's just a procedure. So they do the procedure that turns the Djinn baby into a perfect replica of the human baby and replace the Jinn baby where the human baby was taken from, then most likely give a bunch of adrenochrome to the baby and kill it, so that then the baby crosses and they can raise it on both sides. So the human baby gets killed, but now exists in the village. And then the jinn baby gets put where the human baby was, looking identical and can cross gates easily. This allows for there to be a human baby in the spirit village of the Hibaros and a jinn baby to be raised in the human villages. So there is interaction, thus sustaining connections.

Cristina: Because that's the goal, to keep that.

Jack: To keep that connection going. Yes. Interesting, though. H villages are not often considered dangerous, evil, or bad.

Cristina: Really? After all that?

Jack: After all that, Locals merely describe them as places where spirits reside and are empty and pointless for humans to wander.

Cristina: Okay.

Jack: There's also a legend about half humans and half supernatural beings created by the spirits with the explicit intention of being able to cross El Chino to engage with both the humans and the spirits for the sake of communication and trade.

Cristina: Huh? It's all about trading. Huh?

Jack: It's always about trading. Yep. And we refer to these individuals as santeras.

Cristina: Wait, what? The people that are trade, the traders.

Jack: The people who are really jinn who've gone through the procedure to be half and half are referred to as santeras. Witches.

Cristina: Witches? Oh, crap. They're like a step below, like necromancers or something.

Jack: Yep. They just have the ability to cross effortlessly from one side to the other. Wizards and witches.

Cristina: Cheating way.

Jack: Yeah.

Jack: Because they're raised believing they're human and they just have this ability and they go through a procedure to be essentially indistinguishable from human, biologically speaking.

Cristina: Yeah, like they wouldn't even know.

Jack: They wouldn't even know unless they go to the other side and find out which they can.

Cristina: Whoa.

Jack: And the same would go for the human baby that gets abducted and killed on this side and then raised on that side. Just raised believing they are a jinn. Yeah, maybe an odd looking one of that. But they are just Jin. They were born here. They were raised here. They know people die in cross. But wait, why am I over here? Oh, I was born here. My family's from over here. But they can also just cross.

Cristina: Are they also witches?

Jack: Well, they have whatever. I guess not. I guess not. Really. The witches are the Djinn, the actual born Djinn. But as somebody who is. Who has consumed adrenochrome, been killed, shown up on the other, you still have a plethora of abilities. So you are probably the supernatural beings are probably that. The humans have been taken to the other side and have abilities that jinn naturally don't.

Cristina: Okay.

Jack: Now, under this logic, this explains a Lot of things. If we consider different cultures we've read about and different non jinn individuals with very human characteristics, but a lot of different powers that come from the shadow realm. Those individuals were probably just human at some point and then just raised over there since they were babies. So we see them as Jin and the stories describe them as Jin, but they don't fit any Jin suit. That's why they're one offs.

Cristina: Oh, we gotta rethink about those stories.

Jack: Yep. Because there are babies being raised as Jin who were just human.

Cristina: We can't tell them apart. We can't tell these human and non human.

Jack: Well, we can, because they are nothing like a gin.

Cristina: Okay.

Jack: That's the thing. They have weird abilities that even Jin feel are strange.

Cristina: Okay.

Jack: They are non jinn individuals. Just like we have weird people who were like, there's something off about you. Why do you have these abilities? You really believe you're crazy. You think you could talk to ghosts? That's nuts. You think you could see the future. But we know in the Shadow Realm, time works differently.

Cristina: Yes.

Jack: And if you're tuned in, maybe you can see the future.

Cristina: And also in real life, there's time anomalies happening.

Jack: Yes. And if a person has the ability to not only move through these things, but manipulate them and see them effortlessly, then you're just a weirdo with a lot of weird abilities that are all real. But we could never understand them. Because you're not even human.

Cristina: They're not even human.

Jack: It looks like magic to us, but it's not. It's science. Everything is science. Even the concept of a witch just got grounded.

Cristina: Yes. They're just made to trade. That's so crazy. It just matches everything.

Jack: Yep. To trade and communicate always.

Cristina: Yeah.

Jack: To sustain trade and communication, that is the important thing. Very weird, right?

Cristina: Mm.

Jack: Now, we began with this place, Jibaro villages and El Chino. Because every other place has almost an identical narrative minus a couple deviations. Every single place on Earth, all around the world has stories like this, almost like the Bible, that are all kind of identical to other cultures and religions. They all have villages like this that match all these descriptions almost to the T. Everywhere on Earth, this is happening.

Cristina: That's crazy.

Jack: There have been djinn living amongst people always, as far as we know. Yeah, but we could probably trace it all the way back to Eloi, where the first couple of gates were ever formed. Yes, because the argument would be that Lucifer and Lilith were the first two to cross. Other than Yaldabaoth, he would be literally number One.

Cristina: And how did he even figure it out? Like, how do you make something a new world and then able to enter it? Like, that whole second part is even more complicated than the whole first part of, like.

Jack: Yes, how did he figure out how to enter? That's legitimately a whole situation of its own. How did he figure out how to enter? But I don't know. That is weird, right? That's really complicated. I don't know how the f***. And then the problem is finding anything about that m*********** so hard. But all the following locations on Earth, these have exactly the same folklore, are based in mountains or forest locations, have stories of being empty to visitors, and are said to be inhabited by mostly peaceful supernatural beings or spirits.

Cristina: Do they also have stories about, like, missing children?

Jack: Some. I would have included it there, obviously.

Cristina: Oh, okay.

Jack: I just said all of these locations have all of the following things.

Cristina: And then you asked about nothing else.

Jack: One I didn't mention. Like, obviously they don't all have that. If I didn't add that there. Now, the villages of lost children. This is in Japan now. These villages are built by unknown individuals. They have no idea who or how because they don't have any of the Ainu people's, you know, methods of building structures. These are completely foreign, weird, alien looking structures.

Cristina: Really?

Jack: Yeah. They don't fit anything that these people have built. They're definitely villages, but they don't have the same kind of traditions that they had in the construction. They have no idea where they came from. And weirdly enough, it's hard to date them because of the materials not wearing away the same kind of way. A lot of different kinds of clays and not a lot of stones used. So you can't really, geographically, not geographically, geologically zone in on how long ago these were made. Weird. Right now, most of these places are often in ruins. The locals believe these villages were built between the Ainu people, that are the indigenous Japanese, and kami, which are spirits of the spirit world.

Cristina: Okay.

Jack: And Yokai, which are supernatural beings and entities.

Cristina: Supernatural beings are different from just spirits.

Jack: Yes, because there are the normal creatures you're familiar with from wherever. Now, the. The distinction here is very familiar to the distinction that's happening with the Hebaro villages where they believe that there are supernatural entities, spirits and the souls of the dead.

Cristina: Mm.

Jack: They made a distinction here. There are three different kinds of things happening, and we know that there are three realms. But this isn't granting passage to three places. It's only granting passage through two.

Cristina: So it'd Be spirits, shadow realm creatures and supernatural entities?

Jack: No. Well, the supernatural entities would be the shadow realm creatures, or the spirits are one or the other, and then the souls of the dead are the other.

Cristina: That could just be echoes.

Jack: An echo wouldn't assist building something.

Cristina: No. I did think they read descriptions. Weird, right? Yeah.

Jack: Something to think about. There is something standing out there that we are not familiar with something. Or we are, and we just not understanding the context per se. So. Yeah, the locals believe that the Ainu people, the indigenous Japanese, the Kami, which are spirits, and the Yokai, which are supernatural entities, built these villages. And these villages always appear empty. Always. And always have a structure identical to a Shinto gate.

Cristina: Hey, in Puerto Rico, did they have any special thing? Oh, no, I guess that's the archways and whatever the entrance is.

Jack: Okay. Yes, yes, yes, yes, yes. But these specifically have a Shinto gate.

Cristina: Yes.

Jack: Or structure. Not specifically Shinto gate, but something almost identical in structure. Except this was built so long ago that it predates the existence of Jesus.

Jack: Which is unknown. Which is not familiar. How long ago? But it's way older than he is.

Cristina: Before he made his Shinto gates. Yes. Wow.

Jack: Yes. So again, he clearly went there to perfect Shinto gates because they were crisp when he made them. But we know somebody taught him how to make them. Yes, Presumably Hermes.

Cristina: Yeah. With the Stonehenges.

Jack: Which. Yeah. Which is likely what we're seeing in those locations. Old primitive versions of these gates. Legend suggested the yokai swap babies with humans because they believe humans will raise benevolent children.

Cristina: Okay.

Jack: Yes. Children who understand the ways of the humans and the ways of the yokai.

Cristina: That's what's important.

Jack: That's what's important.

Cristina: Okay. It's something like necromance, but not really.

Jack: It's a cheat sheet. It's a cheap way. Yeah, it's the cheap way to do it.

Cristina: There's something good about having someone that's both or multiple of whatever.

Jack: Yes. A hundred percent. A hundred percent.

Cristina: Which is weird because the sea people had a problem with the half of themselves breeding with humans, but.

Jack: Yes.

Cristina: Seems like everyone else is okay.

Jack: Everybody else is cool with it.

Cristina: It's cool with it.

Jack: But the Alicians are not. No, they had a legitimate problem with him.

Cristina: Yes. Although it may be leads. It has to do with Jesus, but who knows?

Jack: Well, no, they had a problem with it long before Jesus.

Cristina: Oh, okay, then. I don't know why.

Jack: Yeah, I mean, we had. Who. It was Azazel, I believe, who got arrested for however long for impregnating a female no, actually, it was having. No, it wasn't. It wasn't Shadow Realm individuals. They had a problem with Alicians mating with humans.

Cristina: Yeah, that's what I'm saying.

Jack: These aren't Alicians, aren't shadow people. What the h*** are you talking about?

Cristina: But, like, why? Like, everyone else seems to be cool with mixing, I guess. Shadow Realm people. I guess. Yes, but.

Jack: Yeah, but these are. The Alicians weren't dealing with that. The Elysians were mixing two kinds of earthlings.

Cristina: If they want necromancers, that's the best way to do it.

Jack: Right? But they. They didn't have a problem. Idzamna was a human, literally a human, and Ixchel, his wife, was a Shadow Realm individual. They have no problem with that. Yeah, their problem was explicitly humans with Elysians.

Cristina: Why?

Jack: Well, they have an issue with Nephilim. They didn't like the Nephilim.

Cristina: Wonder why, though. Like, what makes them different? Because necromancers come from this thing of different beings coming together.

Jack: No, necromancer is a human.

Cristina: Is a human. He doesn't have to be part anything.

Jack: No, he has to be purely human. And then die.

Cristina: Oh, okay.

Jack: Yeah. And then after you've. After you've studied the hermetic logic or.

Cristina: Whatever, you need to know every. About everything, I guess.

Jack: You need to know about everything, then die and come back. Okay, so these children couldn't be necromancers. They have the blood. The humans that were kidnapped have the ability to be a necromancer because you must be a human who made. No, but you. I don't understand. You had to consume Adrenocrome at some point. It's part of it. It has to be. How do you die and cross? Right? It has to be part of.

Cristina: Could be feeding the baby's blood.

Jack: And so they have the DNA to do it, but they just don't have the knowledge. So they couldn't be. It's just a cheap way. It's. You have the ability to cross, but you don't have the ability to manipulate. That's really what it ends up being, I guess. Necromancer DNA. If you ever go on the path, my son, you can. But, like, none of us f****** did.

Cristina: Because it was easier this way.

Jack: It was easier. Yeah. And, yeah, this kind of breaks down into essentially a hybrid child to cultivate peace and coexistence with humans was the goal.

Cristina: Mm.

Jack: So there are locations that coexist with humans, which we know about with the Naga. Which we know about with the Nephilim.

Cristina: Yeah.

Jack: And now we're learning about the Shadow Realm. The Shadow Realm equivalent everywhere had people living in coexistence with other people. It was just normal. Now, the Brigadoon in Scotland. This is a weird one. It appears every 100 years.

Cristina: Wow.

Jack: And can otherwise might be seen by humans.

Cristina: But it's a village.

Jack: Yeah. Exists primarily in the Shadow realm. But every 100 years the veil thins enough to be seen.

Jack: Weird.

Cristina: That is weird.

Jack: Very strange. It's plagued by strange time anomalies.

Cristina: That sounds right.

Jack: And confusing changes in the forest's directions.

Cristina: Ooh. Very familiar.

Jack: Yes. Visitors describe feeling like time is repeating or overlapping.

Cristina: That is scary. That is so scary. Okay. But visitors, like, even when it's not there, they're just visiting the area.

Jack: The area where it would be. Yes.

Cristina: Wow.

Jack: And even if they don't see a thing. An infinite feeling of deja vu. Like the moment is repeated. Like if you get deja vu every couple of minutes over and over and over, you start losing your mind. Like, what the f*** is going on?

Cristina: Crazy. It's crazy what's happening. Whoa.

Jack: It's weirder that it shows up every 100 years. I don't know what the h*** that's about. That requires a like, deep dive of its own.

Cristina: Yes.

Jack: Because something strange is happening there that might inform other things. Every 100 years. Like what the f***?

Cristina: Like the. Like the gate at the Mayan place. Isn't that how it works? Every something years? No, Every year. Every one. Once every year.

Jack: Twice every year.

Cristina: Twice every year. It's very specific.

Jack: Yeah. During the solstices.

Cristina: Yeah.

Jack: But yeah. This is a weird one. This is 100 years. Every 100 years. Well, my guess would be that this lines up with something in space.

Cristina: Yes.

Jack: There's some kind of astronomical thing that happens roughly every 100 years and positions it just right so that this becomes possible. Because we forget that a lot. A lot of this s*** is connected to space. Allows mofos dip in and out of space. And because we can't get stories from space, we have no narratives about this. But like, bruh, there's probably s***. We know a bunch of these dudes just dipped out into space. So there's crap out there.

Cristina: Yes, There's a lot of. They know about space. Yes, for sure. We know. They know the tech.

Jack: They've got the tech. It's like water to them. It's super easy now. La Isla de las Muniecas and Los Pueblos Perdidos in Mexico. This is the island of the Dolls and the lost towns. In Mexico. Now, La Isa de la Munacas is an island off the coast, and there's several villages identical to it in their behavior. Said to have been established by Ixchel herself.

Cristina: Ixchel?

Jack: The wife of Itzamna, the leader of the Earth gods. So these were established back in the time of Maya.

Cristina: She made them.

Jack: She personally made them. These villages were constructed with the assistance of El Castillo, which is what you were talking about. That is the pyramid gate that activates through the solstices. And they allowed for spirits, Jinn, to live locally among the humans. I didn't realize there were more. Twice a year, they'd perform rituals which would allow some djinn to move into human villages and some humans to move into Jinn villages. The human sacrifices just made sense right now?

Cristina: Yes, they're known for that.

Jack: They weren't even sacrifices. That's just. They were trying to explain what was happening, and we're like, they were killing people. And it's like. That's just part of the process, bro.

Cristina: That is part of the process. That's crazy.

Jack: It's not the end of life. It's the continuation of perception, and it's the end of your current state.

Cristina: Yeah.

Jack: I guess the human sacrifices weren't sacrifices. They were humans transitioning.

Cristina: Yes.

Jack: And so were the gin. Some gin would come in, some humans would go weird.

Cristina: Oh, my gosh. And she was involved.

Jack: She was involved. And they all existed kind of in the same plane, and you could interact kind of when the veil was thin enough, but you'd mostly live over there or over here, and it didn't matter which side you were born on.

Cristina: Yeah, but for humans that lived in the area, they just saw it empty most of the time.

Jack: Well, no, this is an area with high activity, and there's a literal gate just there, one that everybody knows about. Okay, so presumably this is more like Clinton Road.

Cristina: Oh.

Jack: When you're driving by the road and you see a bunch of crap from the other side regularly, and there doesn't really need to be anything happening. It just looks populated all the time. Now, we know that paradise doesn't work this way. Paradise is positioned tactically and far enough from anything and everything so that it always looks empty. But presumably there's other neighborhoods there that aren't paradise. There's other things. Maybe the kids from paradise wander off and play, and we see those while we're driving on Clinton Road. You get my point.

Cristina: Yeah.

Jack: And so if near El Castillo itself, you see nothing far away from El Castillo, everybody's interacting, regardless of what side they're on. Because this is natural and normal, and one of your leaders is a Jin, and the other one is a human. And it just makes perfect sense for everything to be nice and mixed up here.

Cristina: That's crazy. Okay. And she did that on purpose. Okay.

Jack: Nevertheless, they were known for doing what? Working on kids?

Cristina: Yeah.

Jack: Portals. I don't know why this didn't come up before.

Cristina: That is weird. Oh, my gosh. She was just making portals.

Jack: And there's an island that was entirely dominated by Jin, which is La Isla de las Mun.

Cristina: Why is it called that, though?

Jack: Don't know. Don't worry about it. It's his name.

Cristina: Okay.

Jack: Weird names.

Cristina: Okay.

Jack: But, yeah, they had a bunch of Djinn and a bunch of human living on either side. No discrepancy, no discrimination. Just perfect hybrid. Yeah. You want to move over there? Well, you got to wait for the date or whatever.

Cristina: But today it's not like that. Like, these stories are old.

Jack: Well, let me tell you something very interesting. Where did the Mayans go? They just disappeared, we said. Underground.

Cristina: You'Re saying. Maybe not.

Jack: Maybe not.

Cristina: Okay.

Jack: They could have just dipped out. They could still be right where they were.

Cristina: We can't see them.

Jack: We can't with them. We can't touch them. We can't see them.

Cristina: I wonder why they decided that, though.

Jack: Because of a problem.

Cristina: It's always because of a problem, I guess. Yeah.

Jack: And it all happened around the same time. Something. Something. We still don't know what. Regardless of how much research we get, we'd never get the answer.

Cristina: But you're thinking it was safer to hide in the shadow realm?

Jack: It was safer to hide in the.

Cristina: Shadow realm than be here.

Jack: And Jesus wasn't the problem. Because Jesus didn't give a s***. He was just doing whatever. Jesus went to the shadow.

Cristina: Exactly. Yeah. I was going to say, like, he's over there, too.

Jack: So, you know, he could easily go in and out. It's weird, right? Yeah, they probably dipped out to the shadow realm.

Cristina: But why? So many questions. Okay.

Jack: Yeah. That kind of merits looking at them again. So, yeah, twice a year, they would do this. It's crazy, because it just makes total sense. And the ritual basically involved crossing the threshold of El Castillo. Often, people would be, quote, sacrificed at the top of El Castillo's threshold, which isn't a f****** sacrifice with this context.

Cristina: It's just part of the process.

Jack: Just what you do. I want to move over there.

Cristina: But they all decided to do that.

Jack: They had to. At some point, for some reason. Everybody, we all gotta go.

Cristina: Why? What a mystery. We gotta find out.

Jack: We still don't know why. We've been looking for years at this point.

Cristina: Yes, but this is so different. Because we thought that they went underground and.

Jack: No, well, where they went changed. But why they went is still the same question.

Cristina: Yes, I guess it's still the same question. Yes.

Jack: Yeah. If we were going to find out.

Cristina: For Jesus, the other thing might have made a little bit more sense.

Jack: Yeah. So it's. I mean, now we know it couldn't have been Jesus wasn't doing anything to hurt people. Well, at least the Elysians were definitely threatened by Jesus. And the last one is called the Quiet Towns. This one is in Russia. These are villages said to be invisible to the human eye, but their imprint could be visible in the form of abandoned structures and the silhouette of invisible structures in the night.

Cristina: Weird.

Jack: You could see buildings that aren't there at night.

Cristina: Sometimes I feel like we were talking about something like that in Paradise. Not paradise in Clinton Road. I'm not sure what the stories were that led us to that conversation of like, maybe there's things, buildings there. Maybe it was time related that we can't see.

Jack: Oh yeah.

Cristina: It could be shadow realm related. I'm not sure. Yeah, like maybe that's why people see things.

Jack: People through the thin places, seeing structures that weren't there. Yeah.

Cristina: So that could be what's going on.

Jack: Interesting.

Cristina: Yeah.

Jack: Now again we enter an area with three individuals, so inhabited by the Rusalka, which are water nymphs and spirits and the souls of the dead. That's three different things.

Cristina: Water nymphs.

Jack: Yeah, but that could be anything. They're being so specific there. It could literally not unless they had a very specific kind of creature existing in the area.

Cristina: Okay.

Jack: Now here we enter again. Were they known for abducting children with the explicit intent of cultivating a hybrid civilization between the spirits and the humans? Always allowing the existence of nymphs and spirits among humans to be so normal and common that they'd never draw attention to themselves. It's just about living in harmony. You don't want to be weird. So you get used to having some of us and we'll get used to having some of you.

Cristina: Yeah.

Jack: Weirdly enough, these are considered sacred places and places of good luck and great fortune.

Cristina: These places, the quiet town.

Jack: Yeah. Old lore suggests people would pray their infant children would be selected and blessed by the spirits.

Cristina: Nymphs, that's different. But okay.

Jack: Now it's almost. Until the context gets added, having a spirit child meant indefinite protection for the family checks out. If their kid is now with you and your kid is with them, you're.

Cristina: Tied together will protect you.

Jack: They're gonna protect you. That's really their child. And they're raising your child. They feel they owe you something.

Cristina: That's interesting. That's weird that it didn't work out like that for, like, other places that have this kind of thing going on. But they're like, no, they stole my child. Like, they're fearful of their child being swapped. Not like this where they're praying that.

Jack: Fair enough. I don't think they were particularly horrified of it because they were like, oh, these are just whack band in places or whatever. But definitely it wasn't like, oh, it's good that my kid got kidnapped. But here's like, please take my baby and give me one of yours. It was like, they're praying my kid will always be protected if you take them.

Cristina: Yes. They have much better relationship.

Jack: Yeah. It's the highest honor to have your baby taken by the spirits. Weird. Having an abducted child meant always having family among the spirits. Logic.

Cristina: I wonder if there's stories like that. Then. Like, I'm thinking about Clinton Road. But, like, it doesn't matter because, like, it's just a bunch of people being kidnapped. So it doesn't. Like, how many are children? How many are not even in the area that are being taken to the area?

Jack: Yeah. It's visitors being that go missing. There's no locals go missing. It's weird. Right? This makes perfect sense. This is. I. It looks like everything else we just read is an attempt to get this going. Everything else is trying to accomplish what just goes on in quiet towns.

Cristina: It really depends on how fearful the humans, I guess, are in the area.

Jack: Yes, 100%. But it makes perfect sense. You please take my child because my family will forever be safe. Because the spirits will protect and my child will be blessed in the greatest of ways. I couldn't even imagine how they bless my child. It'll be raised among the spirits and in. In this place beyond my comprehension.

Cristina: Yeah.

Jack: And I will raise their child, making sure that they always look kindly upon us. Well, it literally says that the family of the nymph and the spirits. The spirits and nymphs would always look kindly upon the family that they shared offspring with. The swap ties you to whatever family took your child. You are now an extended family of jinn and humans.

Cristina: And that's only happening in this location.

Jack: That's the way they're interpreting it.

Cristina: Yeah.

Jack: I'm sure. That's kind of what's happening everywhere else. Where it's like, well, we put our kid there.

Cristina: Yeah, we're gonna. So no one uses this type language.

Jack: To describe everyone else. Is like, oh, my God, something off with my child. It's like, you'd be fine. You're fine. Nothing's ever. Nothing else has ever happened because they're just watching over you now.

Cristina: Except they did murder your child.

Jack: They don't know that. They don't know that. They just think I was being raised over there. No, that kid was killed. Yeah, but I mean, it's physically killed. It's fine.

Cristina: Yeah, I guess it's fine.

Jack: As fine as it could be for the situation. Weird. These are the things I have found that kind of fit perfectly and enlighten what could be happening in Paradise Road. In fact, it kind of makes paradise work a little boring. All these are way cooler. In fact, the quiet town is the best one because it's. They turn it into literal ritual and religion and faith and tradition.

Cristina: That's pretty cool. But that. That one's appears every so often. What was it, 100 years? That's the one.

Jack: No, that is one of the earlier ones. That's the Brigadoon in Scotland.

Cristina: Okay.

Jack: That's all we gotta look at. That's some whole other going on that kind of fits, but also kind of has a lot of differences going on.

Cristina: And this one then is. It's still happening. It's still. It's just an everyday thing.

Jack: What, the other quiet towns? Yeah, yeah. It's. Older folk believe in it.

Cristina: That's so weird. It is like paradise everywhere.

Jack: Yes. Yeah, it is. Paradise Road everywhere. And a lot of these places, everything that I didn't mention that. Keep in mind, I began by explaining the details. That every single one of these towns has exactly the same folklore, exactly the same kind of. There's a way in or something. The finer details. The only part that they don't all have is the abduction part, because some of them didn't. But there's a lot to do. And. Yeah, it's just like this kind of is everywhere. And it's probably what's happening in Paradise.

Cristina: I think so.

Jack: Except paradise might be a little sketchier. Maybe it might be leaning towards malicious. A little.

Cristina: Yes. Because there's. There is a secret group of something happening underneath the castle, most likely. Come on.

Jack: Like. Yeah. There's no culture around it. It's kind of just like, f*** these families.

Cristina: Yes. There's some kind of dark happening.

Jack: Yeah. Compared to the cultural Development of older variations of this. It's boring. But when we take away the fact that this has happened for a long time, then we have to consider an interesting fact. Everything I just told you about is ancient. Not Paradise Road.

Cristina: No. Okay.

Jack: That's new and sketchy as.

Cristina: Yes.

Jack: And there's weird things happening that lean more towards science, less towards tradition and ritual and the want to interact safely with humans. No, there's no vibe about interacting safely with humans going.

Cristina: No, not at all.

Jack: Not present by any means.

Cristina: Why is it so much more darker?

Jack: It is, though, creepy and malicious feeling.

Cristina: Yeah. And you didn't find any creepy stories like that, though.

Jack: Not any important relevance what we're talking about.

Cristina: Okay.

Jack: Nothing that lined up so hard. Like these. These were the biggest.

Cristina: Interesting. The ones that stand out, though the ones that match the most are nothing like it. They're also more peaceful. Like. Yes, you're fearful of it, but it's.

Jack: Not because it's the unknown.

Cristina: Yeah.

Jack: That's all it is.

Cristina: Yeah.

Jack: It's not like in every case it's the unknown. Except for the Russians that apparently you just can't f****** scare Russians. They're just like, whatever, Take my child, b****.

Cristina: Yeah.

Jack: They're just cool with it, like, whatever.

Cristina: Very strange what's happening. It's something different about Clinton still.

Jack: Yeah. Paradise is weird, man. There's something off there. It fits a lot of these characteristics, but with the most similar being the he bottle villages. But the he bought a village is ultimately just, you know, where the spirits are up there. The.

Cristina: Mm.

Jack: That's it. But that would be the most similar in that. But then ultimately the goal is still to have a connection between the people. And the santeras are just witches, which are really just jinn women or wizards who would be gin men who were just traded at birth.

Cristina: Yeah. There's nothing like. There's nothing suspicious about any of it.

Jack: It's so transparent. And then you have paradise and Clinton and there's nothing but sketch.

Cristina: Yeah. What is going on? This just makes me question what's going on over there. Yes.

Jack: Anyways, that's what we got. That's what it is. I found some interesting things. I thought that was really cool. All of these different, you know, enlightening. And it. It also fits not just the fact that it kind of enlightens what's happening in Clinton, but the hybrid civilizations that we knew there had to be more of.

Cristina: Yes.

Jack: And now we found the third. We've known of Naga, we've known of Nephilim, and now we have of Jim. And it seems that Jin. The most obvious of them that should be the most of is everywhere.

Cristina: Of course. Yeah, that makes sense. Yeah.

Jack: Yeah. Because it'd be more rare to have like Naga everywhere. That has to be private. Private. And the nephilim, you know, you don't necessarily look as human as the rest of us, so, you know, private. Private.

Cristina: That is really cool though. Yeah, that's really cool. Weird.

Jack: Interesting. And all for peace in most cases. For peace. It's just for peace and to communicate and to share. And these people literally developed. The Russians literally developed a culture around it.

Cristina: That's cool. And it's just. It's just very strange. It just makes the other place very suspicious.

Jack: Yes. So three things to look at. We have to look deeper into paradise and Clinton. We have to look into the Brigadoon and find out what the h*** this hundred year thing is. That's f****** weird.

Cristina: Yes.

Jack: And definitely some refinement to be done about the Mayans.

Cristina: Yes. Where did they really go and why?

Jack: They're probably just still there.

Cristina: Yes.

Jack: Probably just there right in front of us, but we can't see them.

Cristina: Weird.

Jack: Interesting.

Cristina: I like that.

Jack: Yes. Anywho, if you guys have any input, any thoughts, any ideas. If this information made you think of anything, let us know.

Cristina: Give us your questions, concerns.

Jack: Give us comments. Questions, concerns, ideas, anything.

Cristina: Ideas. Remember to subscribe, rate and review the show.

Jack: Yes. And word of mouth. Tell people about this program. Tell people about what we're discovering and grounding.

Cristina: This has been the Rambling Podcast. Take nothing personal and thanks for listening. Bye.

Jack: Good morning.

Cristina: Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts.info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 290: Connecting the Dots Part 2

Is there anything the duo missed? What could it be? What’s hidden within the research that hasn’t yet been spotted? The duo deep dive into a conversation attempting to connect any dots missed and in search of any information overlooked that might have been significant. What they discover changes everything they know with answers that have been right under their noses all along!

+Episode Details

  • Elysians
  • Greek Gods
  • Ancient Experiments
  • Shadow Realm
  • Jinn
  • Lucifer and Samael
  • Shinto Gates

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas as you usually do.

Cristina: Yes. Yes. It's very fun to do.

Jack: Very fun to ground baffling ideas.

Cristina: Yes. Yes.

Jack: Yeah. So today I would like us to kind of just jump back and forth discussing the details that we've recently come across that have less to do with the Elysians and more to do with Clinton Road, its surrounding environment, and the details we found out that work as crossing lines between these two ongoing, infinite topics. Although Clinton Road itself isn't a giant ongoing topic, as opposed to the individual facets of it, we find that connect to other bigger, wide pictures. Although there is a huge Clinton Road picture.

Cristina: Yes.

Jack: Also, apparently I don't take enough pauses when I talk.

Cristina: What?

Jack: Yeah, so it goes as follows. A person can process when you pause the talk. So if I say I'm a very quick speaker, I toss a bunch of information, but it starts to jumble and get muddy and jumble and get muddy as more things start to fall. Because people don't normally think at the pace that I'm communicating.

Cristina: Okay.

Jack: People tend to think at a slower pace. So I gotta throw a couple of things and then take a pause.

Cristina: Okay.

Jack: It's a moment for them to kind of consider. Look at it like this. Now, I could explain to you that the Elysians and the Greek are both related as well as the Mayans and the Egyptians in some kind of larger scale group of people who are always doing experiments. This takes place roughly around the first century and before going back, including all these individuals about 12,000 years backwards. And then if we just remove all the other groups and leave only the Elysians, go back about a hundred thousand to two hundred thousand years and then focus entirely only on the grandfather of Jehovah going back up to 3 million years. All of these people can collectively reinforce the same ideas. And we can go even further back if we go into the shadow realm that happened long before this point. All of this information summed and thrown at a person is a lot to deal with. Now, if I were to tell you that the Elysians were the direct rivals of the Greek and take a pause. Now you're like, okay, I got the picture.

Cristina: Okay.

Jack: With them, were working with the Elysians, specifically were working the Egyptians and the Mayan and Together, they were kind of working into a bigger picture that involved killing any kind of starvation that could possibly happen. Usually. Focus with the Mayans that were dealing with crops and advanced botanics, as well as they were dealing with portals and things of that nature. And the Egyptians, who were working on immense energy storage and immense energy collection. Pauses between these points allows a little more processing, a little more thinking about what I said.

Cristina: Because the Greeks, though, even though the people were not really working with anyone, you don't think the scientist part. The gods weren't working with the Greeks.

Jack: And I mean, it was literally the.

Cristina: Greeks with the Mayans and the Egyptians.

Jack: Well, what we know is literally they couldn't access the technologies that the other guys had. So they're working with them and what. Not getting any benefit from the interaction.

Cristina: Because they were still able. They were not involved in that whole.

Jack: Not a single stone.

Cristina: Not the stone.

Jack: Well, that would be what everybody was.

Cristina: Striving for, those trips to the mountains. What was that about?

Jack: To communicate. Oh, they were dealing. That wasn't with the Egyptians or the Mayan. That was specifically with the Alicians.

Cristina: Okay. The Greeks and them.

Jack: Yeah, it was the.

Cristina: They weren't getting technology from that.

Jack: It was trade, but not. And, yeah, I believe it. I believe this was the science. So it was like the Greek gods who were doing this.

Cristina: Yes.

Jack: Working with the Egyptian, the Elysian.

Cristina: Yeah. So they were probably getting something.

Jack: Trade. It was trade through necessity.

Cristina: Yes, but info science.

Jack: Except we don't have any. Any basis to claim that the Greek.

Cristina: Got anything, because their things are pretty secretive. I don't know. Every story we have of them is just what people imagine was happening. And then we find out through putting it together, it was something. A whole different situation.

Jack: Who, the Greek?

Cristina: Yeah.

Jack: Well, some of the things. Some of the things are just flat out written.

Cristina: Some of them. Well, I guess a lot of them feel like it's not telling us the.

Jack: Actual story in some cases, like when we think about the Minotaur and the Tora Boban.

Cristina: But the most recent stories. Yes.

Jack: Yeah, but then we're still talking about human sacrifice as opposed to. We're talking about blood. We're talking about sacrificing, we're talking about opening rifts through these methods as opposed to, oh, I have a stone or I know a guy who can break the laws of physics. It's kind of different. It feels different, at least.

Cristina: Yeah, the Mayans feel different from the Egyptians and they were using the same.

Jack: Technology because they were literally sharing technology.

Cristina: But they felt different from each Other.

Jack: Yes. While the Greek have zero example of using the same technology. That is my point. My point is literally what you just said.

Cristina: Which is what?

Jack: The Mayan seem different than the Egyptians.

Cristina: Yes.

Jack: But are using the same technology.

Cristina: Mm.

Jack: The Greek seemed different than the Egyptians, the Mayans, and the Elysians, and had none of the same technologies.

Cristina: Okay.

Jack: A perfect example being the Toro Boban and the Minotaur.

Cristina: Okay.

Jack: There is no example of somebody using mixing of different chimeras. And there is no example of any of these groups relying purely on adrenochrome variations in order to accomplish these things. They all had access to some way to bypass the need for adrenochrome. In fact, they were quite exclusively trying to avoid using adrenochrome. They would sooner abolish the existence of an entire people through genocide in order to make a stone. So they themselves wouldn't be subject to adrenochrome, but they wouldn't share that with the. With the Greek that seemed obligated to use adrenoco. Alternatively, let's play devil's advocate and go with what you're saying. Let me stop being the no. The no. And. And let me start being the yes and. Right.

Jack: Let's. Let's get the ball rolling with a yes. And let me be less negative. Let's assume they are, in fact working together. Then that means the Greek didn't give a. And still used adrenochrome despite all the other. It would make no sense on paper if you got something a thousand, billion, trillion times stronger than any form of adrenochrome. But. Okay, so you guys are idiots. You want to both use the adrenochrome and the stone. So you're like, it, I'll get addicted?

Cristina: Well, we don't know. Were they using.

Jack: Yes. They had literal ambrosia. That's where we found it through. They had ichor, which is where we found it through. And they had is ichor. Ambrosia and nectar. That's all Greek. They were the ones who figured these things out by distilling through their own bodies.

Cristina: You're saying the Mayans and the Egyptians had none of that going on?

Jack: Nope. They had the flower one. They had the fruits. They had the stones. They had every other method that prevented them from getting addicted. Okay, and the Greek had nothing but drowning in addiction. They had all of this s***. They're like, yes, more of it. Okay, but then our assumption would be that they had access to all these other methods and still recklessly got addicted to all this that's where we're standing. If they did in fact share these sciences, that means knowing they were all going to be fiends for the rest of infinity and knowing that with the stones.

Cristina: And what if they volunteered to test it out? No, they would have already known. The sea people. I mean, like.

Jack: Yeah, they way before long, long, long beforehand. They only went on the quest to find these things and recreate them because they had the data that proved it ex from people long before them.

Cristina: The times. It makes it very confusing.

Jack: Yeah. Because we think about Jehovah and his group of people starting about 12,000 BC.

Cristina: Ridiculous.

Jack: But that has nothing to do with the amount of data and hardcore research that existed and was passed down for 1000-001500-00200, 303 million years.

Cristina: How are you supposed to. That's a lot of time.

Jack: That's a lot of time. All passed by people from beforehand. And we still have no, and I've looked. We still have no idea how Lilith connects through such different gaps in time. She's. Shadow people live weird, man. Yes, that's some other crap. And we know this because as a shadow person, Yaldabaoth. Also like how you connect with these people through giant gaps in time.

Cristina: And shadow people are in all these groups?

Jack: Yes. It seems that every single group, without exception, except the Greek. It's unsure.

Cristina: It's unsure.

Jack: They have Naga. But I don't know if they've got shadow people. I don't quite remember.

Cristina: I can't quite remember either. There might be like one character that might be questionable.

Jack: It could be the case. There could be. But if they were, it was insignificant enough. Yeah, like they wouldn't stand out to the point that we would just memorize. Because I know Kido. Kido out here making experiments, trying to recreate Naga. That stands out off the top of my head. You know, I know that there is a plethora of different creatures they interacted with a thousand billion trillion times, but I can't actually pinpoint or think of an instance in which the Greek had specifically a shadow person.

Cristina: No, but we know they were going to the Shadow realm.

Jack: Yes, yes, we know that they definitely figured ways out. They had gates and they were. Man, they would have to have had a shadow person that was just useless or something. Right.

Cristina: But then how would they have made the gate in the first place?

Jack: They don't need a shadow person to make a gate.

Cristina: How would they know about the Shadow realm?

Jack: Just the same way a bunch of other people do. They do weird things.

Cristina: I Don't know. That's very weird.

Jack: I'm sure they would still know. You're assuming a weird level of ignorance here. You're assuming that they're aware of things that they're not aware, that they simply. Like what then? What's your competition? You believe you've already figured it out. There's nothing for you to figure out if you believe you're the top because you just don't know what they're doing. You must have known or caught whiff of something in order to experiment in that direction. Otherwise your stories wouldn't claim that the Aletians are anything. You already believe you're the best. Okay, you get my point. You would already believe you're the best.

Cristina: Okay, that makes sense.

Jack: Presumably, so I don't know. If there is a shadow person, it's in somebody irrelevant. Somebody in the background.

Cristina: Yes. But they do have a gate, and.

Jack: They have a what?

Cristina: That they do have a gate to the shadow realm. That seems like the thing that all three of them have in common. Then.

Jack: Which was their gate? I don't even remember their gate in the maze. Oh, crap. Yeah. We just talked about their maze. Yeah, yeah, yeah, you're totally right.

Cristina: They have one for sure.

Jack: But. Yeah, for bare minimum, there is one. But if you think of that narrative, it doesn't include anything. It just really has these Chimera. It has Poseidon, who's just a Greek guy.

Cristina: He's the one making the.

Jack: Yeah, he's the one who made. He didn't make the maze, but he made the creatures that guard it.

Cristina: Mm.

Jack: And the guy who made the maze is just one of the gods as well. Like, none of these people are.

Cristina: There must be a reason. I don't know.

Jack: I mean, obviously there must be a reason.

Cristina: What do they get? Do they cross? I mean, they don't cross, but, like, who's crossing to visit them? What are they doing with those people?

Jack: That is the question. Right. I couldn't find anything on that while looking at that, because I'm like, you clearly have a gay. And, you know, deep dive into find anything.

Cristina: And we know it's the entrance, and then we know the mentor is leading them to the group or at.

Jack: Out of the maze.

Cristina: Out of the maze to the group.

Jack: Out of the maze. Never said to the group, okay, out of the maze. They're being led out of the maze. I don't know who's greeting them at the other end, or if it's just like, hey, you're free. Go do what you gotta do for.

Cristina: Them just to, like. I don't know. Because we know there's a group of scientists in the Shadow Realm that don't communicate with anyone, or at least the other ones. If they're not communicating with them, then maybe.

Jack: That's fascinating. The group that Lucifer and Lilith went and made the Shadow Gods. You're totally correct. You're really right. Okay, hold on. Let me go look at the Shadow Gods real quick, because there's a bunch of individuals. We got Lilith, we got Samael, which was the physical copy that Lucifer embodied.

Cristina: Weird.

Jack: Samael is also Lilith's hubby. I guess he's in love with her. We got Bow. We got. Yeah, it's a bunch of people, bro. We got. There's a bunch of Shadow Realm individuals from the Shadow Realm. Shadow Realm?

Cristina: Are they just sticking to the Shadow Realm or are they coming over here?

Jack: There's some Elysians, Belial. There's Azazel, the Elysian. There's Abraxas, the Elysian. Interesting. And these people are the rejects. Those that do not want to work with the Mayan, the Elysians, or the Egyptians.

Cristina: But they got my. They have Alicians with them.

Jack: They have Elysians with them. But these are outcasts.

Cristina: Yes. Because, like, how is the Greek gonna touch the other group? It has to be, because they have some help. People can't just be alone.

Jack: You know what? We've never connected this before, but this is legit. They have a gateway. The gateway is heftily protected by overpowered creatures. Things that are monstrously overpowered.

Cristina: Mm.

Jack: And these creatures are protecting it, guarding the corridors that you'll, in theory, get lost. And if you tried to get to that door, and maybe that door connects direct. Now, there's no way to get information from the Shadow Realm directly. We always have to kind of, like, telephone our way there by this person. And it's from this side or came over here. So we don't really know where the other side of this doorway goes to. No, but in theory, if you're. If your idea holds up, it could just be into the literal lab of the Shadow Gods. Yeah, it could literally be right there. There'd be no way to know.

Cristina: There'd be no way to know. But, like, there's no way the Greeks got this advanced just by themselves. It's. There's no way.

Jack: Well, their sciences are completely different. It would have to have been by themselves. It would have literally had to been by themselves, because their sciences don't reflect any of the other three sciences. Now, we Know that the shadow people. Not shadow people, the shadow group. The shadow gods took a lot of data.

Cristina: Yes. We have no idea what they're working on.

Jack: And we have no idea what they're working on. Exactly. We just know that they took a lot of data. So they at least know. And again, a bunch of them are Elysians, a bunch of them are shadow people. Some of them are earthrealmers that came from. Are they all Elysians? We got one Elysian, which is Samael. Interesting. We have.

Cristina: We have Lucifer that wants to share the tech with anyone. So like it wouldn't. Like he'd be cool with sharing it with the Greeks. He wants to share with everyone.

Jack: But the Greek specifically don't want to share it. They're also a private. Specifically a private elite group who feel better than the commoner. Which would actually. Interesting point that you'd mentioned that. Because that directly violates what Lucifer would want to accomplish. Because Lucifer wants to spread it. Which if we think about backwards initially, who we thought they were maybe communicating with was probably Jesus, because Jesus is about sharing. And the shadow gods would also be about sharing.

Cristina: Yes.

Jack: So that seems like a more likely connection. Except we have no idea what's on the other side of this gate in the labyrinth. And it could totally be the shadow people.

Cristina: There's no stories. Grrr.

Jack: Oh, there is. Abraxas is one of the Egyptians. He is not an Elysian. Oh, so they got somebody. Because he is one of the Egyptians. He has access to the data of massive energy collection and he has data to manage energy storage, which was the Egyptians goal to begin with. And looking to see if there's anybody else here who stands out. Not really. Everybody else is either on it. There's no Mayans in this group, which is very interesting. No Mayans in the shadow gods, but we do have Egyptians and Alicians and shadow shadow people and their djinn collection. Of those three, I don't know. I guess it's possible. It's possible. It's be. I mean, that group in general does not like the other three groups. Yeah, and my enemy's enemy is my ally. Would suggest that the Greek and the shadow gods would work together to accomplish a mutual goal. But maybe. So we know that the Greek interact with the Elysians to a very low degree. According to the texts, they go to the top of the mountain where it's very restricted. The Greek have to choose one individual who's allowed to go to the top.

Cristina: Yeah.

Jack: And communicate with whoever the h*** is showing up up there. For trade of. I don't know what. Presumably information. But I don't understand to what degree, because, again, they don't like each other and they don't tell us. And we know that the Greek do, in fact, indulge in all of the adrenochrome variations. So they don't have access to the stones. On top of the fact that we know they don't have any stones. Mm. So that wasn't shared information. They also don't know about the plants. That's not shared information.

Cristina: No, they don't know a lot. I don't know.

Jack: So maybe they know of all the accomplishments, but not how. It's like, do it your way.

Cristina: Oh, I guess that's something. That's still something.

Jack: That's still something. It's like we accomplished this thing.

Cristina: Mm.

Jack: But the problem is they are considered enemies. According to the. Not the Greek, according to the Mayans, according to the Egyptians, which both have giant, massive records depicting the interaction between both of these individuals.

Cristina: They were enemies.

Jack: They were enemies. So this is purely diplomatic. This is not a requirement. This is, in any case, the Elysians being most likely strong armed by the other two assisting groups. And so we gotta have peace. We can't just be monsters out here. So we're gonna have a peace treaty and we don't have to share information. They're still our enemy. But we're not gonna be hostile. We just keep it minimum, keep it diplomatic, nothing more.

Cristina: Yes. I think it's for that mountain. They wanted that mountain as their property. But it's in Greece.

Jack: Right, In Greece. Interesting. Mount Athos and Greece.

Cristina: Why fight about it? Make a little trade.

Jack: Okay, so what you're talking about is an embassy. It's neutral territory from another country because it's theirs.

Cristina: It's on their property, but they still don't own it. But they don't own it.

Jack: Weird, right?

Cristina: Yeah.

Jack: It's on their property, but it's owned by a different group. And the rules establish it. They can't even make it to the top on their own terms. They're like.

Cristina: It's very complicated.

Jack: Yeah. What we used to think was magic is just literally technology dampening fields of some sort that just stop things from working that aren't Elysian tech.

Cristina: The flying horses. Flying.

Jack: Well, unicorn.

Cristina: Yeah.

Jack: Wait, what?

Cristina: No, was it the unicorn? There was a horse that they said would just fly up the mountain.

Jack: The unicorn.

Cristina: Wait, was it a unicorn?

Jack: Yeah, the Mary took up to the top.

Cristina: Oh, okay.

Jack: Yeah, it was a unicorn, which is an Elysian invention.

Cristina: Yeah.

Jack: By the way, that's another example of the differences in these technologies and these sciences in which the Elysians can just make a horse that seems to defy the laws of physics. Meanwhile, the Greek had to actively kind of work around that because they couldn't break the laws of physics. So they made a chimera that is a horse and some sort of a bird.

Cristina: Yes.

Jack: Allowing the bird, the horseburg, to flap its way up the Pegasus, that horse.

Cristina: Thing did not survive because they didn't have multiple of any animal. So these experiments were kind of failed experiments. They had to be.

Jack: I mean, they might have had multiple of them. There's a bunch of depictions of the Greek gods on Pegasus flying around and crap.

Cristina: I always see it feels like there's only one in the story. Do you think there's multiple?

Jack: I don't know in what story?

Cristina: In Greek stories, there's only one. Usually. Like the pet of one of them or something.

Jack: No, like Zeus will roll on a Pegasus and so will, like, Poseidon roll on a. Everybody has a Pegasus. I think. Yeah. I think it's easy to make. If anything, it's just not the same as a unicorn. No, this straight up violence. But now, knowing this, we do know that Hermes was in direct connection with Jehovah, which means the Elysians, which explains absolute violation of the laws of physics.

Cristina: Oh, yeah, that does make it make sense. Yeah.

Jack: But that's another thing.

Cristina: How you.

Jack: Why do you need both Hermes and the stones?

Cristina: Well, Hermes needed the stuff.

Jack: I don't know. I guess he does.

Cristina: They do need it. But he made them.

Jack: Yes. He can make the stones in any case. Yeah. He must be teaching them what his grandfather knew, which means Hermes. It's weird because it's also like Hermes interacted with a Yahweh, which we could find nothing on. Found nothing on Yahweh. That guy is secret. He must be so important in some way because he's about as secretive as Hermes. We know so little. He might. There might have been a necromancer in the bloodline, and that's why he's so unheard of, because Hermes was hard to find. We only found shreds by looking for like a year.

Cristina: But we know more about him. We definitely know more about him.

Jack: Yeah, we don't know crap about Yahweh.

Cristina: Yeah.

Jack: Maybe focusing on Yahweh and really granularly picking it apart, we would come across like, oh, yeah, he turns out to have been a necromancer. Even if Jehovah isn't He at least has some of the data. But I guess I would violate the rules of being a necromancer if you just pass it on. Or it wouldn't even matter. If you taught somebody, they wouldn't grasp it. That's the point. Like, you could literally hand it to somebody in its entirety and they still.

Cristina: Be like, what the h***? Gave it out to everyone. We have copies of his work now.

Jack: Yeah, and 100. It was for everyone.

Cristina: No one can decipher it, though.

Jack: You require the teacher.

Cristina: Yeah, that's part of it.

Jack: That is part of it. You gotta seek it, but that's not enough. You gotta seek it, find it, understand it.

Cristina: Yeah, it's like you can read it and it makes sense, but it doesn't make sense the way he understood. He. Yeah.

Jack: And he could just violate the universe in front of you and you would still be like, I don't know how.

Cristina: Mm.

Jack: It's a teach you. Hands on step by inch by inch, centimeter by centimeter.

Cristina: What? I don't know. He's some type of alien. I don't know how he figured it out. If it wasn't through something else, you would think was. He's a C person though, right?

Jack: We'd have unclear. Interesting enough, it looks like he might have been one of the Greek.

Cristina: Oh, crap.

Jack: But even they don't have access to this. So what? Super mega trader. But also, he existed far before even the Greek civilization.

Cristina: But you think he's some type of human?

Jack: I think that's one of the rules. You have to be.

Cristina: Yes, that is one of the rules. But, like, huh? He was one of the original humans.

Jack: Yeah.

Cristina: Huh? No. But didn't they need the stones to make the humans? Unless it wasn't a good stone.

Jack: It wasn't a good stone. Right, because he perfected it with the hermetic seal.

Cristina: Oh, my gosh. Okay.

Jack: He perfected it. Hermes perfected the stone, thus being credited with being the creator of the full functioning, overpowered, destroy the laws of physics stone. Now, he already knew how to do it as a necromancer. But with the stone, you could hand somebody who doesn't understand the ability. That's the point of the stone. You hand somebody who doesn't grasp it, somebody who didn't graduate your class, they can still violate with the stone.

Cristina: Okay, that's the point.

Jack: You can either learn it. That's the hard road.

Cristina: Yes. Or you can use the stone. But then why does Jesus need the stones when he has it already? He's got the abilities. He is a Necromancer.

Jack: Yeah, because that was the whole point of him dying. I guess in the case of Jesus, it wasn't that he needs the stones, is that he needed them not to have it.

Cristina: Okay.

Jack: It's not about him using it, it's about them not using it.

Cristina: So he's not trying to make anymore, he's just gathering what's he's trying out there stop.

Jack: He's actually doing Jesus stuff. Okay, let's stop death, let's stop evil. Which is literally what he preached. Dude, Jesus on paper kind of turns out to be kind of what? It's hard to say he wasn't who he claims to be and who people say he is. Maybe not the son of God in the way people think. I understand that this guy was just a person of high statue and we literally found out that the word God just translate to person of importance. So interesting that he was just the son of somebody really, really, really important that a lot of civilizations thought was. He was the president of the world, essentially. And that's his son. Yes, something like that. But everything surrounding Jesus and all his aliases and his entire path and the people who saw him and what they talk about him that they preach for infinities, and entire religions and cults that formed around him all said the same thing, we must stop the violence. And we, you know, love each other. And everybody talked about the same thing. And then he. He dies. He could have sent anybody to do this. He dies, goes to the other side, goes find it himself, and then comes back.

Cristina: I guess there's something sketchy about him, but at the same time, he's never done anything wrong. Like, even when he was going to. Through China to get to Japan, he just was giving people inventions. Like, yeah, there's nothing weird.

Jack: Like there's something really absurdly sketchy about him for sure, but.

Cristina: But he's like Roger from Rogers. Mr. Rogers.

Jack: Yeah, yeah, it's weird. Like he seems really out of place and heftily sketchy, but there's like no reason for us to think he is.

Cristina: Because no one who's met him has anything bad to say.

Jack: Nothing, not a word. But there's still something wrong about him.

Cristina: I don't know. The weird thing I think is the whole Bible thing, because it was the Alicians that are behind it to make Jesus look good, even though they're scared of him. Like, it's. It's very conflicting in that way. Like, why. Why are you protecting him? But you're afraid of him. Is he good? Are you scared of him. Do you want him to look good so that they won't. He won't come after you because you're hiding from them?

Jack: No, no, no, no, no. The whole Knights Templar fix the narrative and alter how it works has a lot to do with. We cannot have people think we're the bad guy.

Cristina: Well, they're not in it at all.

Jack: Who?

Cristina: The sea people.

Jack: Yeah. So if we make Jesus absurdly good and they just obey him, but we twist his neck because he already had everybody's. He had everybody in the palm of his hand. Easy.

Cristina: Exactly.

Jack: So we got to just. They're not gonna not listen to him.

Cristina: Mm.

Jack: We just gotta change what it is he's saying. You get my point? They can't control people following him. That's already a done deal. We just gotta play the long game because we can. And humans don't live nearly as long as we do and change the narrative so that. Yeah, Jesus, sure, whatever. The big bad. Awesome. Yeah. The way we decide.

Cristina: Okay.

Jack: As opposed to. Well, he's just telling them we're the bad guys. Now we just alter that and say we don't even exist.

Cristina: Yeah. He's not gonna change it because he doesn't care. I don't know.

Jack: I don't know.

Cristina: He doesn't care. He's not looking for them.

Jack: No, man. That's the weird part. There is some sketchy crap like that. It's like you're preaching all this s*** and ultimately you still let the Elysians kind of do whatever the f*** they want to some degree.

Cristina: Yeah. They're so frightened by him, but they won't. They're not trying to stop him and he's not trying to bother them as far as we can tell. Like, we originally thought that was happening, but, like, maybe not.

Jack: Maybe not. It's like he got the stones and then what? Yeah, the end.

Cristina: Like, maybe they are afraid of him, but like, more like a lion or something. Like, it's not a fear that he's evil or anything. It's just a fear that he's stronger. He's like, if we by accidentally did something to him, he would do something to us for sure.

Jack: Yes. And the same thing comes to mind with Mab. Like, what's her problem with Jesus?

Cristina: What's her problem? What does she do or not Jesus.

Jack: But she's scared of something. She's trying to fix something. She's trying to hide from something. She's trying to prevent something. And again, we know that the Alicians made Jesus and she preemptively 200 years prior, maybe seeing the data sends elves as a firewall everywhere.

Cristina: But that didn't stop anything.

Jack: That didn't stop anything. It was too late.

Cristina: Okay, I don't know. Because it didn't do anything.

Jack: Yes, I know, duh. But the idea was for it to. The idea was for it to stop things. It's actually send them there to do nothing. She literally, according to what it says, has sent the elves there to stop the progress. It didn't work. But that was the plan.

Cristina: Yes.

Jack: So she was trying to stop it.

Cristina: Maybe she was trying to stop something else.

Jack: Then she's trying to stop more Jesus happening. Well, she was trying to stop Jesus happening to begin with because it was immediately before that.

Cristina: How much before? You said 200 years.

Jack: 200 years ahead.

Cristina: Mm.

Jack: To stop Jesus. Or presumably, I don't know what the h*** it was for, but 200 years ahead. So as the data starts rolling, as the science starts rolling.

Cristina: I don't know. That's weird because it doesn't seem like they're doing anything or they are doing what they're supposed to be doing, which isn't making sense to us.

Jack: They failed, which is what we also found out. The point was for them to stop them, and it did not work. But the point was for them to stop them. That was the point. That was what was written.

Cristina: Who said they fell though?

Jack: The fact that Jesus came to exist.

Cristina: Kind of tells us that was their actual goal, though. It was exactly their goal.

Jack: Their. The existence of the elves was, according to the text, to stop the advancement of civilizations, while the creation of the Naga was to help civilizations advance.

Cristina: That's so weird.

Jack: Well, no, because the. It wasn't like they. She made them both at the same time. The Naga that helped the elians showed up 12,000 years ahead, so clearly she wasn't expecting 12,000 years later for the advancements to get so out of hand that something like Jesus would happen. Thus throw the firewall in there 12,000 years later. It wasn't like this happened this minute and five minutes later I threw that in there. And thus I both gave you the thing to advance you and the thing to stop you.

Cristina: Were they were there, though, to kill off the Nagas. Wasn't there a story like that or.

Jack: No, no, the Nagas and the elves don't interact.

Cristina: Okay.

Jack: Yeah, the elves are just there to prevent civilizations from going beyond a certain point, hence are calling them the firewall. If this turns out to be some sort of sim, it's preventative. Don't go beyond this line, the Naga are an assistant program, the AI that's helping whatever place they land.

Cristina: Okay. And they're still around trying to stop something that's already. Who?

Jack: The elves?

Cristina: I don't know.

Jack: Maybe. I haven't heard about any elves lately.

Cristina: It's very strange. I don't know.

Jack: Yeah, for sure. But we don't know what the point of Jesus was. We don't know whether he was a good guy or bad guy. But we know Mab was definitely worried about something. Mab was definitely trying to stop the Aletians from getting farther. The existence of the elves was to stop civilizations from getting farther. And they were hit by one. But it didn't work. Presumably because Jesus happened. Unless that wasn't what they were trying to stop.

Cristina: Yes. And what were they trying to stop? I don't know.

Jack: And then we end up with weird things like, you know, fairy forts and crap like this in places that aren't the Isle of Man. Which suggest giant fairy death collections, you know, genocides of fairies. So we know that maybe some of these firewalls have failed.

Cristina: Yeah.

Jack: There are grave sites.

Cristina: That seems like the Shadow realm has more to do with the deaths of fairies than to do us.

Jack: Well, no, because the forest would have happened. That happens when you kill them in the Shadow realm. That's how we got the Forest of Shadows.

Cristina: Okay, but you're saying the fairy forts.

Jack: Are fairies dying on this side?

Cristina: Okay, so there's someone here.

Jack: And we literally know of the Elysians hiring people like St. Patrick to dispose of things like the Naga that aren't theirs.

Cristina: Interesting.

Jack: Okay, because of, you know, he got rid of the snakes. We know exactly what you're talking about, homie. Which means there was. We know that there are city of cities that have Nephilim living there with Naga living there with human. With collection. Collections of different things.

Cristina: Mm.

Jack: Was Ireland dominated by Naga? Was it a Naga settlement? And then you send a necromancer to dispatch bows of it, genocide style. But you don't just kill them. You get rid of them. But what are you gonna do? You're just gonna really waste that life? Was there a stone made there?

Cristina: Possibly. I mean, he is a necromancer.

Jack: Op. Necromancer you get easily.

Cristina: Yeah, I feel like. Yeah, that makes sense. The death wasn't on for nothing. He got something from it.

Jack: He got. It was a perfect exchange.

Cristina: I think so. And then he died on that mountain. And then he came back down.

Jack: Weird.

Cristina: Maybe that's what happened. I don't know.

Jack: Is that what Happened?

Cristina: No, I just know he was on the mountain for a long time speaking to God.

Jack: All these guys do that, right?

Cristina: Yes, but here's another thing where he.

Jack: Goes to the mountain to speak to an Elysian. Come on, bro. This story checks out. Yeah, weird.

Cristina: Well, he makes that weird island. I don't know. But then that island seems like that island. Oh, he had. He made some. A facility on island, though.

Jack: No, that was Mananan, his direct rival. He was one of the Elysians who just did not like St. Patrick.

Cristina: Didn't St. Patrick's though, have some area of worship? Some building we saw pictures of on Ireland?

Jack: Yeah, it was on Ireland. The island that the was the Isle of Man and some other crap was for the Elysians that were sent there to run experiments, which Mananan was the leader of.

Cristina: Okay, so St. Patrick's gonna have some weird building.

Jack: Not that I know of.

Cristina: Thing, man, I just. I remember something, but maybe it wasn't him. I don't know.

Jack: No, as far as I know. Let me see what we can find here.

Cristina: Because I thought he ended up, I don't know, doing some kind of establishment on a island for people who worshiped him or something.

Jack: No, that's. It was a research facility in an invisible island. Yeah, that was Manana.

Cristina: Oh, that's Monanan. Okay.

Jack: Yeah, that was just a place for them to go live and be away from people seeing them.

Cristina: Oh, my gosh. And which guy is Mananan Maranan is the Elysian that was on the island as well.

Jack: Yeah, he was the one who kept having beef with St. Patrick.

Cristina: Oh, okay.

Jack: But St. Patrick was sent there overriding an elation, which goes to show how op that guy is.

Cristina: Yes, but that's because of how op necromancers are.

Jack: Yes.

Cristina: Okay.

Jack: And we're still believing that St. Patrick is one of the whacker necromancers because we have examples of things like St. Nicholas overpowered individual. And Hermes, which. Whoa. We have four different possible necromancers. Hermes, Nicholas, Patrick, and Christ.

Cristina: Was Marilyn that one.

Jack: Who?

Cristina: Marilyn Merlin.

Jack: That's five. Oh, you're right. Oh, we got a couple of necromancers going on. Not a lot.

Cristina: No.

Jack: But five is a nice amount.

Cristina: Very spread out.

Jack: And one of them is way overpowered, which is Hermes. It seems like nobody is touching that guy's level of opinion.

Cristina: Maybe Jesus. You don't think?

Jack: Maybe Jesus. But Jesus also required a couple of things, Right. He still needed the gate to get back. It seems like Hermes even violates that necessity.

Cristina: Yes. Okay.

Jack: I picture Hermes Being so overpowered, based on the difference between the depictions of these individuals. You could see him stand in front of you and him be like, watch. And he just phase out of the front of you. He's just not there suddenly. And then he's like, look behind you. And you do. And he's like, look what I got from the shadow realm in this one moment.

Cristina: Okay.

Jack: I think that level of overpowered is what we're dealing with here.

Cristina: That's pretty ridiculous, but okay. Yeah.

Jack: Yeah.

Cristina: And then Jesus maybe is more like Santa. Or do you think he's above him?

Jack: I would argue that the tier list goes as follows. Jesus is. It's Hermes at the very top, then S class, not Jesus. Yes, Hermes, then Jesus, then Santa, then I guess either Merlin or Patrick.

Cristina: It has to be Patrick. Only because we know more stories about him doing crap. He's doing a lot of crap.

Jack: Fair, Fair. But Merlin had some op scenarios too, especially dealing with fairies.

Cristina: Very small compared.

Jack: Yeah, I mean, I guess so did. I mean, really? Yeah. He was dealing with a single fairy.

Cristina: Yeah.

Jack: Who was kind of trolling him a lot.

Cristina: And then ended up killing him.

Jack: And then ended up killing him using his own method. He tricked the guy to kill him the way he was trying to trick. So he was like the Wagner necromancer.

Cristina: Yeah.

Jack: In any case, it was more like Alexander the Great who didn't graduate the school. He was a flunky.

Cristina: So maybe Merlin's was flunky.

Jack: Maybe he's not a necromancer. But he. No, he still had some kind of overpowered things. He could alter a time.

Cristina: Come on.

Jack: Sop. He was definitely a necromancer. He just didn't get it the way these other guys do. And I guess there's degrees of getting it.

Cristina: Oh, yeah, I would think there's.

Jack: So the range is Merlin on one end, barely a necromancer, but, like, way more overpowered than an average human to the point that humans could not touch this guy in a million years. And then Hermes, where necromancers couldn't touch the sky in a million years. And if we put St. Patrick in the middle and say he can easily dispose of an entire island's worth of fairies, then how overpowered is Hermes at the top? And how scary is then Jesus, who's right behind them?

Cristina: I don't know, because we don't see Jesus doing much. No, it's like scary actions.

Jack: No. But it seems like he can violate physics quite heftily, but not so much that he can come back from the Shadow realm without a gate, even after dying. And he knew this?

Cristina: Yes, he did know that.

Jack: He knew he couldn't just come back.

Cristina: Because there's some things he just can't understand from. From the teachings.

Jack: Yeah, I guess.

Cristina: Yeah, I guess.

Jack: And so the guy who understands it, because it's the guy making up how he's discovering it. He's discovering every part. And then he's trying to teach the people, but it's too hard would be Hermes. And Hermes is somehow immortal. And the line that never leaves me is him stating that you cannot find me amongst the people. You can only find me amongst the information. And that's weird, man, because that means at some point he just gets more abstract and more abstract and like he's more God than God at that point, right?

Cristina: I guess because he's in the data that makes us human or whatever. Like in the matrix. He is part of it. Like he knows.

Jack: Yeah, he can. He's watching us try to figure it out right now.

Cristina: Yeah.

Jack: And he's conscious. He's consciously watching us. But he doesn't even have to be physical to do it. We know Jesus was literally born with the ability to also just see what we're doing, even if he doesn't understand it.

Cristina: Doesn't understand it. What do you mean?

Jack: What? Where he. He might hear us and see us and we might discover something he didn't put together.

Cristina: Oh, okay.

Jack: Well, Hermes, on the other hand, is just watching to see if we figure it out, because he would have already known.

Cristina: He's way more. He is God, isn't he? Is he not?

Jack: He would be the highest tier of anything as far as we know. Okay, so then the question would be where the elves sent her to stop Hermes. Because Hermes is giving information to the Elysians and that's too overpowered. F*** the stones. That's not even an issue. Hermes is.

Cristina: Hermes is. I don't know. Where does he fit into the timeline? There's so much Hermes seems to pop.

Jack: Up literally as written down. According to the mentions of Aristotle, he can be dated back. Now, Aristotle wasn't at this time, but Aristotle claiming what he knows of Hermes. That Hermes could be dated back to about 12,000 years. Now this is a direct mention. While the exact knowledge details that are attributed to Hermes have being discovered them could be traced to about 55,000 years back around the time presumably Yahweh was around.

Cristina: How much?

Jack: 55,000 years back. So even if Aristotle believed the first recorded actual interaction is from some note he saw, that doesn't even exist that he was just talking about explaining that this was about 12,000 years back. That's just the first recording that survived. The data was already put together by that time, which we know for a fact through the notes of the Knights Templar claiming things from 12,000 years ago and the experiments that were initially beginning at that point that sent Jehovah into the shadow realm in order to get the fruit to begin with. So 12,000 years back, the knowledge was all together. That's just when we happened to see the notes together. But it was all already put together. Somebody put it together.

Cristina: So he had to be before then.

Jack: Yes, presumably by the time of Yahweh, which is about 55,000 years BC.

Cristina: And the fairies pop up when again, the elves.

Jack: Yes, because fairies have been around elves. Elves specifically. About 200 BC.

Cristina: That's still kind of a giant. That's a gap, isn't it?

Jack: Yeah, but I don't think there was an issue yet. Until another necromancer starts to show up.

Cristina: Okay.

Jack: St. Patrick happens after Jesus. Nicholas happens after Jesus. Merlin happens after Jesus. The order really starts at Hermes and then Jesus. So there's a necromancer, presumably for hundreds of thousands of years. Fine. Oh, my God, they're about to make another one. For the first time in all of history, you're about to make another one. He figured out how to teach it or how to do it or something. And he told these monsters they're about to make another one. Then Jesus is about to happen. Send some. I don't know. You know, theorizing. I don't know.

Cristina: It makes sense. It's the closest thing we got to something. I don't know.

Jack: Yeah. It's just so convoluted.

Cristina: It's a mess of a history because it's not really written anywhere.

Jack: A bunch of these things are written.

Cristina: But not like owl like, oh, no, obviously.

Jack: Yeah, exactly. We have to find shreds and whatever. Nothing is like, this happened and then that happened.

Cristina: We can just get a history book with this information.

Jack: Yeah, I know. That's what sucks, right? It's just like, oh, we got to go to this book of that guy who mentioned knowing this dude at that point who knew about the thing over there. And then he said this one line. Yeah, it's just cross referencing and just picking out the things that literally line up when you cross reference.

Cristina: That's the best we can do.

Jack: That's the best we can do. Which leaves us with nothing but a crazy amount of assumptions and weird data. Oftentimes zeta we don't even understand.

Cristina: Yeah, there's a lot of data.

Jack: There's a lot of data. So, yeah, I don't know. It's very complicated. And somehow that ties into the labyrinth, which is a doorway, and the Winchester house, which is doorway.

Cristina: There's doorways everywhere. Yes. It's just weird that the Greeks have a doorway. Yes. You don't think that's weird?

Jack: Not when everybody else has a doorway.

Cristina: I guess they know, or we know that they know for sure about the other side.

Jack: Yes.

Cristina: All of these groups know because of the shadow realm. Creatures, though. They know.

Jack: Not necessarily. I'm sure that different. Again, you're very wrong. Because of the judge.

Cristina: The judge? Oh, who stumbled upon it. Yeah, I think they could have stumbled upon it.

Jack: Clearly, a random individual just got there. Presumably he died somehow and didn't realize it. Yeah, but he still got there. And he happened to be under the right conditions that he could just get back.

Cristina: Mm.

Jack: So people can just find it. Yeah, Assuming the conditions are right. Or where the judge stumbled through a necromancer portal or something. Something broke the laws of how things should work, and he strolled through the gap.

Cristina: I don't know. He must have died. That is a good idea, because, like, humans can't walk into there.

Jack: Not physically, no. So not physically. It's not a physical location.

Cristina: Yeah.

Jack: You're only physical on this side. How do you get over there without consuming adrenochrome or something? Unless he did.

Cristina: Oh, I guess that's the case. That could have been.

Jack: Just had no idea.

Cristina: Not part of the story. Yeah.

Jack: Casually. What he had to do. Strolled in. Well, but you didn't really stroll in. He could have just been walking. A tree fell on him, and it was instant. No suffering, no nothing. He has an idea what happened. He's just there one minute and over there the next. But he just so happened to be around the right spot that there is.

Cristina: A gate to come back.

Jack: Yeah.

Cristina: Yeah.

Jack: And to anybody on this side, you walk through a gate and you haven't had adrenochrome. It's just. It's just a weird rectangular shape you can walk through. But to him it wasn't. But then also his sister could go in eventually. Because he showed his sister how to get there.

Cristina: Yes.

Jack: He took Inano.

Cristina: That's strange.

Jack: So presumably the judge in his family had some sort of ritualized thing happening. No, but there's a. There's a problem there, logically speaking. How do the h*** did he. I don't know. I don't know. How did they come back? I know the gate is how they got back, but she wasn't there. She. He came back through and then showed her. He told her about it.

Cristina: I don't know. And there's something. That story doesn't make sense to anything.

Jack: There's. There's some broken logic happening there that we don't know, but let's try to reason it out, because, okay, this guy goes into the Shadow Realm. Let's assume he did die suddenly, and he shows up in the Shadow Realm. Maybe on the trip he was just walking one day, died suddenly, showed up in the Shadow Realm, popped up super quickly elsewhere where there was a gate. He just happened to travel the right route to end up at a gate he didn't notice. He's like, whoa, this is weird. Not home. He went to work.

Cristina: Oh, yeah.

Jack: So he goes back through, comes back in and exits back at home in a different port. He found both gates. Lucky you. Yeah, two different gates, in and out. So after work, he comes back, he frequents the path. He memorizes the path, and then he gets to his sister, who is not. It's not that she's over here on Earth Realm. Assuming this family just has a ritualization of drinking blood or something, and her body is drowning with adrenochrome regularly. And they have no idea what adrenochrome is. They've never heard about it. They're just doing what people do.

Cristina: I don't know. Maybe because, like, it's very easy for them to, like, live there. I mean, she lives there. She swaps on someone there, like, right?

Jack: Except she's alive. How did she swap? How does she go into the Shadow Realm? Is what I was trying to get to.

Cristina: Yes.

Jack: Drink all the adrenochrome you want. How do you walk? Even Jesus had to die.

Cristina: Yes, that's true. I don't know. Okay, continue what you're thinking.

Jack: Right, so maybe they weren't born on that side. Maybe they weren't born on Earth Realm. Maybe these were never humans.

Cristina: I just thought they were.

Jack: Maybe they were born in the Shadow Realm, and so these gates are just easy to walk through.

Cristina: Okay, they just lived in human lives and then they swapped. I mean, they called themselves human lives because they didn't know.

Jack: They didn't know. And through some manner, shape or form, they were physical on this side. And it wasn't through adrenochrome somehow. These are jinn, who had no idea they were jinn. And then they cross easily. He literally stumbled upon it. Get the f*** out of here. That violates everything.

Cristina: Maybe those stories of the jinn swapping out babies with their owns are true and this is what happened. Like they had normal parents. Maybe.

Jack: Fascinating.

Cristina: Like, what if this is an example of one of those stories of like, Yeah, a baby swap and no one noticed, or they did notice something different about the baby, but they couldn't put.

Jack: Their finger on it. Yeah, maybe this was a perfect. Maybe you only swap babies that could trick a human.

Cristina: Yeah.

Jack: Which means that there were people capable. No. Oh, my God. It's so complicated, because then you got to think about that. Inanna trade places with Ixchel, and Ixshel is one of the Egyptians, particularly with Idzamna, that's his wife. And so these two individuals come together and then work with the Elysians. And the Elysians are the ones who discover the method of turning somebody into physical from the shadow realm. So it could not have happened before then.

Cristina: Couldn't have. What could happen?

Jack: Somebody be turned physical from the shadow realm because the experiment was Lucifer and it is. Is mild.

Cristina: Yeah. And you're saying that happened way later, after this happened. This didn't happen after that.

Jack: Well, this happened. Well, actually, we don't. Actually, I have no idea, to be honest. If this happened because we know it did happen.

Cristina: Yeah.

Jack: But I don't know what timeline. So in theory, it could have happened long before they even started working with the Mayans. It could have happened long before then.

Cristina: Mm.

Jack: And then these individuals are experimented on in the shadow realm. So even the falling apart of the. No, it doesn't. Yeah, well, yeah, there is. There are no Mayans in the shadow group. There are no Mayans amongst the Shadow Gods research team. There are no Mayans.

Cristina: What's your point?

Jack: Well, the Judge is a Mayan.

Cristina: The Judge is a Mayan. Crap. I don't remember where the Judge came from.

Jack: And so is Inanna.

Cristina: Oh, my gosh.

Jack: And Inanna swaps place with Ixcho. Ixo then marries Izama for Maya.

Cristina: Oh.

Jack: This could have. The Mayans could have happened way later.

Cristina: Okay.

Jack: And also, we don't even need the Egyptians yet. All we need are shadow people and the Elysians in order to get the experiment that led to Lucifer having a physical form. And we have no timeline for this. We just know it happened. We don't know in what order it happened. And based on the logic, we don't even need Egyptians or the Mayans.

Cristina: Exactly.

Jack: So this could have happened many years. Could have happened with the entire group already there, and then later, even Egyptians Going in without there ever being a. A Mayan in the group. That never happens. They're running experiments and figuring out how to imitate what happened with Lucifer, who did it. And so did Ismail. They went to the Shadow Realm, where Jinn replace babies with.

Cristina: Yes, I think that makes sense.

Jack: That makes perfect sense. Yes, that makes perfect sense. The experiment that happened over here with Ismail and Lucifer. Then they get outcast and they go into the Shadow Realm to form their own group. That research still exists. They were the literal source, the literal subjects of it. And then being the literal sub, they have all the data. They can recreate it. They could keep that experiment going a bunch of times and then slowly replace people on this side with Jinn.

Cristina: I don't know what's that for, though.

Jack: But they're physical Djinn.

Cristina: Yeah.

Jack: They're not human.

Cristina: No.

Jack: People who can just enter the Shadow Realm.

Cristina: Maybe we need to look at those stories again. Look at the stories about.

Jack: Yes.

Cristina: What people think is happening when they're swapping these babies.

Jack: Well, I can tell you one really interesting thing. The original point of Jesus was somebody who can cross the Gates easily. Right. Go in and out. And even Jesus had to die. The golem could phase in and out.

Cristina: Yes.

Jack: He couldn't enter Elfame, but he could enter the Shadow Realm effortlessly, meaning a lot of different groups. Maybe all of these groups still wanted a way to traverse easily. And the only people who figured it out were the Shadow Gods.

Cristina: Oh, that makes sense.

Jack: They figured it out in the Shadow Realm. And then they invented the method of swapping babies, which then allows people on this side to raise them. Eventually they might stumble into the Shadow Realm where they can get the proper education. And she literally swapped places with another Shadow creature, but one that wasn't physical.

Cristina: Yeah.

Jack: When they had to become physical over here in her adult life, while this one was born thinking she's human and could literally just walk through the gate with her brother, who literally just walked through the gate and entered the Shadow Realm, which for other people, it was probably just a random structure. Yeah, the Shadow people figured it out. Man. Everybody figured something out.

Cristina: Yeah.

Jack: If they all work together, would be scary.

Cristina: Mm.

Jack: Unstoppable.

Cristina: But they have to be working together in some type of way, I think.

Jack: Like, do you think the Elysians are working with the Shadow People that they directly discarded? Not the Shadow People, but the Shadow Gods that they discarded. The thieves, the liars, the people who were using the tech and stealing the tech and doing whatever the h*** they wanted with the tech.

Cristina: I don't know, over time things change.

Jack: I think. No, I think these are just ways that I think it eventually leads to warfare. And these are methods do it.

Cristina: Okay. Think there's gonna be a war.

Jack: Not literally a war, but it's a tactical. We have to get a one up. It's deterrent. It's all deterrence for war. Oh, yeah. The Alicians can do this, that and the other. Yeah, well, we got this, that and this to stop them from f****** with us. Okay, you get my point. It's not we're going to war as much as it is. We need to be able to be sure they can't just come and f*** us.

Cristina: Everyone fears everyone in that type of.

Jack: Way because everybody has different weapons, everybody has different abilities.

Cristina: None of the fights are similar actually fighting anyone. There's. Because it's not about preparing.

Jack: It's not about fighting each other. It's not about fighting each other. It's not really about fighting each other.

Cristina: No.

Jack: They just know that these people are effortlessly and ruthlessly willing to run experiments that would kill people. Don't run the experiments on us. That's all it is.

Cristina: It's about defending themselves.

Jack: Yes, they know they're factually gonna kill however many people. Don't let those people be us.

Cristina: Weird, man. Those are. They have to be. They have to be Shadow Realm people. They just didn't know it.

Jack: They didn't know it. And the science must have already existed in order to do it. Then in the Shadow Realm, they go ahead. But they needed models. That's at least a part of it. They needed a model, which is why they steal the baby in the first place. Oh, stealing the baby isn't even about the swap. No, you need the template. You're gonna turn the Shadow person into.

Cristina: Yes.

Jack: So they just kidnap babies, kept the babies, probably. And use those same babies for others.

Cristina: Yeah, probably for adrenochrome too, because they still use adrenochrome.

Jack: They don't need it in the Shadow Realm.

Cristina: Oh, yeah, yeah, never mind. I wonder what they're doing with these babies then.

Jack: No, actually, maybe you're right. Because at the end of the day, if you look at things like how the h*** did Abraxas enter the Shadow Realm? Abraxas had to die. And Abraxas needed to consume adrenochrome. So did Ismael, because he was also an Elysian. These guys needed sustained sources to not lose. Although the Shadow Gods that entered, like Lucifer and Lilith, they were born on the other side. They never needed adrenochrome. Abraxas, Azazel, Ismail. They did in fact need to not go crazy on the other side. You take the babies, you make the template for the child you stole, send out a jinn baby that replaces the spot. And now you would have a child who you can consume the blood of. So you don't go feral on this side, because you're not actually from this side.

Cristina: Yes. Horrible solution. Yeah.

Jack: So when a baby is replaced, it has nothing. It has less to do with the replacement than it has to do with the shadow gods trying to stay consistent.

Cristina: Yeah, that's. That's so disturbing. But.

Jack: And because they were human, it doesn't work. You. And not. And not that it doesn't work, but you. If you don't have it, being on the other side doesn't work. You're useless to them. They must continue. There must be a sustained source of blood. Of blood. Keep taking babies.

Cristina: Yeah, well, so they're still doing that. Probably.

Jack: It's weird because in theory, the template has to be done on this side. You can't cross the baby. It's a human baby. How are you gonna take it?

Cristina: Yeah.

Jack: So the baby gets snatched. There must be labs from the shadow gods over here in Earthrealm.

Cristina: Yes.

Jack: And then gates that maybe exist in labyrinths so they can come in.

Cristina: Whoa, where have they been?

Jack: And houses like the Winchester house.

Cristina: Yes. You think they're in Clinton Road? Who's there?

Jack: It could totally be too. It could totally be too. All these maze like gates could be in service of the shadow gods working alongside, adjacent to them, with the big one having been the Greek one. But there are others that have nothing to do with them. And all the discussions we know about these churches and the blood rituals and the Viking are all the same voices from the other side telling us what to do.

Cristina: Yes.

Jack: Even creating the f****** golem was the same. They kidnapped a bunch of children, drank the blood, heard voices and told them how to make the golem. Which we assumed was the shadow gods.

Cristina: Yes.

Jack: And that would fit perfectly right here in the middle of it with the kids, with the blood, with the Elysians that need that to be sustained with the. Finally, an explanation as to why these people would be swapping babies in the first place. Because that made no sense ever.

Cristina: Yeah.

Jack: And now it does. Because we know that there's experiments that allow them to turn Jin into a physical earth realm being. And maybe some people are just growing up like that, thinking they're human. And you just troll in. They figured out what nobody else Could. It required a lot of murder and kidnapping.

Cristina: But I guess that's nothing to them. I don't know.

Jack: There's nothing to them. You already outcasted us and you guys are killing way more. Yeah, yeah, we're doing it. Showing you it could be one for one, not millions for one.

Cristina: That is. That's pretty scary though.

Jack: Yeah.

Cristina: But it makes sense, especially in clints and world, that we don't know what's going on. But people are being. They're missing.

Jack: People missing.

Cristina: Literally many people are missing. There's obviously some type of labyrinth in there. Underground, above ground as well.

Jack: Yes, yes, yes. Oh man. I knew this would go somewhere that would be useful.

Cristina: It's disturbing, but it's all right there.

Jack: And we know, we literally know that the thin places along the literal Clinton road allows people to see weird things. Kids and other crap that just aren't even there. People who seem ethereal and not real and then suddenly they're not child around people. That is a hot spot for a reason, isn't it? Maybe that is a lab where they make people who are only ever seen coming out. But because there is a gate, you can't see anything when you go in. You're just human. They can come in and out. It always looks empty.

Cristina: That's always looks empty. But you always see people coming out.

Jack: You always see people coming out. They can come out because they're jinn.

Cristina: Yes.

Jack: Who look human, who are physical.

Cristina: They just come out looking like these white robed people. Those aren't.

Jack: No, those. Those people just wander outside. The people that they see come out are just look like rednecks.

Cristina: Oh, okay. Well, those are jinn though.

Jack: Those are the jinn. Those are jinn made physical that could just exit and you could go in there and not find a f****** thing.

Cristina: Yeah.

Jack: At night fear is heightened and people are more scared. And it's already a spooky spoken of place. So you start seeing things, but the fear is amplified and so the veil is thinned. But the veil thinning has nothing to do with the gate you cross through which the gate so happens to be on the nameless road that comes out of Paradise Road into the town of Paradise. There's a literal gate there somewhere and they can come out. But nobody who's not a djinn can go in.

Cristina: No, you just get lost.

Jack: And that's why that place looks rustic and ignored. Because it is on our side. There's nothing there. Yeah, there's nobody there. Nobody lives here on our side.

Cristina: Yeah, over there. They're doing things.

Jack: That's exactly what the f*** is happening, isn't it? That explains the people come out, but nobody ever being seen inside. When we walk through a gate, there's a million Shinto gates in Japan.

Cristina: You can walk through them all you want.

Jack: It goes nowhere. But what are the stories about those Shinto gates? Oh, the spirits come through them.

Cristina: Yes.

Jack: Well, that fits every suit we're talking about. Holy.

Cristina: Yeah, that's. That's it. I don't know.

Jack: Yeah, I guess that's really it. I guess that's really a town of Jin. And that's. Yeah. On the other side. And just like the explanation of the shadow realm. It's an estimation of Earth realm, but jumbled up and weird and messy. And when the veil is thinnest, they come through. No, they can just come through the gate. When the veil is thinnest, it's. You start seeing the shadow realm side. So the streets start to change and whatever. And it's because you're seeing kind of the overlap of both of these two places.

Cristina: Yeah.

Jack: It only happens at night.

Cristina: Mm.

Jack: And there's never a single light because they're all in the shadow realm side.

Cristina: Mm.

Jack: They don't need light. It's different over there. Whatever the case might be. They can see or whatever.

Cristina: Yes. If they have lights, it's still over there. Anyway.

Jack: Interesting. Dude, that explains so hard how they're coming out and nobody's ever seen going in because they just. If you were to watch them, they would just disappear in front of you. You can only see people leaving and go in and be like, what the f***? There's nobody in here. He was just hanging out alone.

Cristina: That's very strange. Yeah. Someone's always leaving the town that's empty.

Jack: Yes. You can only see people leaving. And you could only ever see them leaving from the outside of the road.

Cristina: Mm.

Jack: Into Paradise Road. That's it. You see them coming into Paradise Road. That's it. You never see the nameless road be traveled. You never see anybody in the town of Paradise. Never.

Cristina: Never.

Jack: But you see people in white robes roaming around. Maybe people who know this fact. And they're just friends of the guys who come in and out. These are just people living life. You can go to the store.

Cristina: They're probably still in part of a culture.

Jack: Like these gods who were. Yeah, interesting.

Cristina: Probably going on.

Jack: Fascinating. Wow. We really got to something that made perfect sense according to all the laws.

Cristina: We figured out a few things, I think.

Jack: Yeah, yeah, yeah. The babies too.

Cristina: Babies. Always thinking about those babies. It didn't make sense. It never made sense.

Jack: Never made sense. Never made sense.

Cristina: But now it kind of makes sense.

Jack: It does. Man, that's crazy. That's blowing my mind. Because it makes so much f****** sense that it just explains paradise so well.

Cristina: There's just so much not right with that place.

Jack: Yeah.

Cristina: It's too.

Jack: Too strange.

Cristina: Too abandoned. Too weird.

Jack: And now we got people coming out with an explanation as to how. Because the Judge just strolled in.

Cristina: Yeah. How did he do it?

Jack: And then we have. I don't know why we didn't connect the docs before, because we saw. We know of the experiment. We know of the experiment that made a Jin. A physical being.

Cristina: But the whole time, not knowing the timelines of these events, it's really. Yes.

Jack: Makes it hard. So if we had a line drawn through it that explained that, we could have put this together sooner.

Cristina: Yeah.

Jack: It was like, oh, obviously, over here, they did the experiment, and then this many years later, the Judge walks in.

Cristina: We have no idea. So it just seemed like an odd story, but now it makes sense.

Jack: Yeah, they seemed totally unrelated, but obviously these guys first went over there, and then we never thought about the whole. Well, Abraxas just went into the shadow realm. Get the f*** out of here. No, he didn't.

Cristina: No.

Jack: Didn't just walk into the shadow realm, bro. That's not how that works. We know that's not how that works. And we didn't even question it.

Cristina: We probably questioned it, but just never got any answer.

Jack: Yeah, there was no answer to it.

Cristina: Yeah.

Jack: And now there is the babies that are f****** kidnapped.

Cristina: Mm.

Jack: They're a template. And they are fuel to sustain a physical form that had to die and go to the other side and must continue to consume in order to not go feral.

Cristina: Mm.

Jack: And if they did eventually go feral, they were executed on that side or whatever.

Cristina: Yeah.

Jack: So it must be consistent. And that explains children going missing today. And that explains places like Paradise.

Cristina: Yes.

Jack: Where maybe there were humans. Maybe that's really what's happening with the Druids. They're just waiting to be the one. Oh, I hope I'm the one chosen.

Cristina: To do what?

Jack: To be able to enter. Which means you have to die, but you have to be also you. There's. There's Pete, there's humans, former humans in paradise that are continuously fueled, hence the people go missing. That's what's happening.

Cristina: Yeah.

Jack: Because otherwise, if it was just Djinn and you got the baby done, what do you need to keep taking people for? These people can just walk in and out they were born on the Shadow Realm.

Cristina: Mm.

Jack: You're kidnapping people because you need the source for something else. We thought it was a stone, but that doesn't explain the town. No, the stones don't explain the town. Especially if you don't have a necromancer. How the h*** you gonna make a stone? It makes perfect sense if you're not. And you just. You. Cuz blood is easy to come by.

Cristina: Mm.

Jack: Wolves randomly stumbled upon it by f****** accident. Easy. You're already scared. You're already in this place. You get kidnapped, you go somewhere you don't f****** know. Probably the bottom of the f****** castle. Where there could be a harvesting station and a lab to turn the gin.

Cristina: Yeah. It could be all right there.

Jack: It's all right there.

Cristina: There's like so much area. There's so much happening. I don't know.

Jack: It's all happening now. The question would be, okay, we know what's happening, who's doing it? Because I know it wasn't the same guys from all the way over there in the Middle East. There's other groups of people who figured it out from the Shadow Realm. Maybe this spread like wildfire in the Shadow Realm. They're like, wow, we could just go live in earthrealm.

Cristina: Yeah.

Jack: And then these are ways they did it. And so we. But also, we're talking about the most haunted place in the entire planet. Which isn't in the Middle East. It's in New Jersey, man.

Cristina: It does make the whole. Oh, they didn't understand our rules. So they didn't, like you know the legal part of it, that they didn't get in trouble. These foreigners. Like that was where the shadow around people. Of course.

Jack: Of course. Oh my God. Oh my God. And also, you couldn't even chase them. You had to concede. You try to follow them into their home where they just fled back to. How are you gonna get there? You don't. You just. Oh my God. They disappeared.

Cristina: Mm.

Jack: The f*** did they go? And this happens every time you follow them. You have to concede. You have to be like, f***, no. They just won't let them go. We can't. We can't figure it out. We can't figure it out as hard as we try. Now, in theory, you could imprison one of them, but you gotta get to them before they get back home. But even though it doesn't matter, it's too overpowered. They could just still f*** with you from the Shadow Realm without ever having to come out. So yeah, it is a Matter of. We can't win this battle. No matter how we look at it. We got to let them go. We got to just work with them. We can't. We can't. Nope. Oh, my bad. Foreigners. And they were the ones running. Explains. Like sketchy people coming in and out. Everything is so explained right now. It's crazy.

Cristina: Yeah.

Jack: Just with the judge and the baby swapping so much crap suddenly makes sense. I was also haunted by the baby swapping. To be honest, I was totally haunted by that. But. And the judge walking through the gate. That never made sense.

Cristina: That never made sense. We probably came up with different explanations and none of them.

Jack: None of them made sense. We tried our best, but it's three major events that make everything make sense.

Cristina: Yeah.

Jack: Lucifer using Ishmael as a template to become a physical being. Babies being kidnapped, which is essentially just most likely people being kidnapped in order to have a template to make Djinn into physical beings. And then the actual example of a person who we thought was human straight up walk into the Shadow Realm without dying.

Cristina: Crazy.

Jack: Crazy.

Cristina: That's crazy.

Jack: Those three instances connect in such a way that paint us a beautiful picture.

Cristina: Yes.

Jack: We figured it out.

Cristina: Yeah.

Jack: Wow. Which means that is actually a lab at the bottom of the castle where you do the conversion process.

Cristina: Yes. I mean, if we go down there, it's probably so it's. It's nothing but like on the other side.

Jack: To be on this side. Because the baby has to be on this side.

Cristina: Oh, no.

Jack: That's why the castle needed to be knocked down. You can't have access.

Cristina: Yes. That's so scary.

Jack: And then people go missing. But there is a secret way in.

Cristina: Yes.

Jack: Most likely in the town.

Cristina: Okay.

Jack: It must be on this side. It has to be.

Cristina: They're stealing babies not just from that forest, but from every town they connected to.

Jack: Well, it's not babies in a lot of these cases.

Cristina: Oh, they can just tell anyone.

Jack: Yeah. This mill was a grown a** person who. Ismail was a scientist and he volunteered as a template for Lucifer. That was a grown a** man.

Cristina: Yeah.

Jack: This grown a** man. So you could just kidnap people. It's just easier if you like this. The. The judge and his sister just happen to be people who didn't know. And there's probably a bunch of people like that.

Cristina: Yes.

Jack: But you're taking the template to just, you know, read and spread and whatever. And eventually they can maybe. The envision. I mean, that's so Lucifer. Envision a world in which we're all equal. That's such a. It's A hundred percent shadow people doing it. Yeah. That's such a f****** Lucifer fueled idea.

Cristina: Yeah.

Jack: Just share our ability. Look, eventually they'll just be able to find us and come and we'll all be equal. It's like, that's. But you're kidnapping and murder, man. You clearly. I know you think you're the good guy, bro.

Cristina: Yes.

Jack: Not to say Jehovah is. Jovah's not the good guy. He'll clean out the earth if it f****** filled him with joy and fulfilled his goal, which he literally did at some point. Yeah, but Lucifer, man, you still kidnapping and killing, bro. Always been the case. Entire civilizations collapse because you want to share too much. Like, how are you any better?

Cristina: I don't know. He is.

Jack: I don't know, man. That's crazy. That's nuts. As the experiment with Ismail and Lucifer, the judge and his sister and babies being swapped all connect beautifully to explain everything that's happening in Clinton Road.

Cristina: Yes.

Jack: That gives us the lab underneath with all the facilities, the extra chambers, the room so people can sleep. Dude, you harvesting people down here. You draining people for blood and you're using them as templates in order to change. And then the people who are showing up back.

Cristina: Yeah.

Jack: Are just Jim.

Cristina: And they're thinking like, there's weird blood rituals happening in the castle before any of this. So like. Yeah. They were probably right established at that time.

Jack: Yes. And it was happening over. It was probably just happening in the castle.

Cristina: Well, it's just one of the ways in.

Jack: Yes. And they were like, somebody stumbled, saw it, talked about it. Then, you know, the mayor sends the people in and they start to investigate and then they stumble upon the thing and it's like, look, bro, you ain't never say anything. Yeah. You try. Try to talk about it.

Cristina: Yeah.

Jack: It's like, look, look, bro. I'm gonna just not that we never saw anything.

Cristina: Exactly.

Jack: And then eventually we knock this place down, you guys keep everything you got, keep it to a minimum, and we're good. That has to be it.

Cristina: Yeah.

Jack: D***, bro.

Cristina: They're definitely paying them for it. To not do anything about it.

Jack: Because they were getting money.

Cristina: Yeah.

Jack: And these people work, but they don't need money. They just want to live amongst the.

Cristina: Humans and eat the humans.

Jack: No. Well, what the h*** would the people who are physical not to do anything with the humans. Jin. Don't need blood.

Cristina: Oh, then who. What are they doing again in the.

Jack: The needed the blood in the basement. They just need templates. So that gym.

Cristina: Okay. They need bodies.

Jack: They need bodies. They don't need blood. And so once they got physical forms, they don't need to bother anybody.

Cristina: Yes.

Jack: I can go work, make money. My entire community of people can make money. And we can pay you to leave us alone.

Cristina: Yes. They're still killing the people. They're making templates of.

Jack: Yes, 100%. Maybe there's two or three people that look exactly the same before they get rid of them.

Cristina: That's crazy. I don't know.

Jack: Weird. Two or three. Doppelganger. That might explain the f****** concept of doppelgangers, too. They don't actually kill everybody.

Cristina: Yes. The only reason I think they must, because people do go missing.

Jack: People do go missing? Yeah.

Cristina: Like, unless they're like, you're now gonna live over here. I don't know.

Jack: No, I think they do. I mean, they can't. They're still human. They're probably just trapped in the basement as blood fuels for something. Yeah, fair enough. If there are humans who did cross again, maybe druids or some s*** like that that eventually do cross, they're still human. In order to be sustained, there must be blood.

Cristina: Yeah, that's. I'm saying.

Jack: Fire. Fire. A lot explained. That's really cool. It was very complicated.

Cristina: Very.

Jack: All right. Anyways, yeah, we definitely did. We definitely got to the bottom of this. A bottom of a lot by accident. So, yeah, if you guys have any more input on this, any connections you've made by listening to us that we clearly did not, because we missed some things. Yeah, we always connected it.

Cristina: Now.

Jack: Yeah, we just. A bunch of crap we clearly missed has just been connected. So if you guys have any idea, if you realize anything in the middle of this, let us know. You can hit us up on our socials at justconville, Pod, on Tick Tock, Instagram, Facebook, wherever the h*** you want to reach out to us.

Cristina: Remember to subscribe, rate and review the show.

Jack: Yes. And word of mouth is the most overpowered thing in the world. If you know anybody interested in gin and shadow realm people and crazy experiments and a de occult, tell them about this show.

Cristina: This has been the Rambling Podcast. Take nothing personal and thanks for listening.

Jack: Sam.

Cristina: The podcast is hosted by Christina Colazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 289: The Neighborhood of Paradise

Where is Paradise? What is the history of this mysterious place? What is the true purpose of this hidden Neighborhood Town? The duo finally deep dive into the most mysterious neighborhood in the United States. Nearly impossible to locate, almost no information about it and the strangest circumstances surrounding the area around the neighborhood. The truth about this place will be revealed.

+Episode Details

Topics Discussed:

  • West Milford New Jersey
  • Secret Dirt Road
  • Google Maps
  • Private Residency
  • Public Records
  • Personal Accounts
  • Resources and Food
  • Extremely Strange Details

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And boy, oh, boy, our ideas can get quite, quite baffled today. There is so much baffling to happen, but this requires us to kind of unpack a little something that we've been dealing with lately. So in the previous episode, we were dealing with the Minotaur, a creature from Greek mythology, which turned out to just basically be some kind of freak show experiment.

Cristina: Two of them.

Jack: Two of them. The Toro Boban and the Minotaur, which are related and unrelated simultaneously, like they're brothers. Not the same thing. Although both creatures were discussed in mythology for God knows how long as one thing.

Cristina: That's pretty crazy.

Jack: Yes. Now, one of the things that we realized discussing these creatures was a pattern that we'd noticed before elsewhere, which was where these creatures were. The labyrinth.

Cristina: Labyrinth. Oh, yeah, yeah.

Jack: And the labyrinth is identical to a different location we're very familiar with, which is the house of this lady who was messing with ghosts and creating sort.

Cristina: Of made a labyrinth.

Jack: Yeah. Her house was a labyrinth. Slowly and meticulously built. She stopped contractors from coming in and assisting because she knew they couldn't figure it out. The way she needed it done was very specific. And so the labyrinth, although the construction of the labyrinth isn't specified, the purpose of the labyrinth is kind of clear. Opposite to the lady's house mansion, where the purpose of the labyrinth was not explained, but the construction. Yes. And we can assume one informs the other. We can assume that the labyrinth where the Toro Boban was was very meticulously built and that the purpose of the mansion being a maze was for the same reason that we're formed. The labyrinth is for that entrance, for the entrance at the center, the seance room and the entrance at the Minotaur Guards Y are one in the same, and, well, not literally one the same, but identical in use and purpose. And this was quite illuminating to find this pattern because it told us about the third location that we have maybe been looking in the wrong places this entire time.

Cristina: Somewhere in Clinton Road.

Jack: Somewhere in Clinton Road. Now, we've looked at the castle, we've brushed over Paradise Road. We've looked at the mines, we've looked at the woods, the bridge, the lake, and we just don't find what we're looking for.

Cristina: I mean, it could be in the mines. We have no idea.

Jack: It could totally be in the mines. But the mines are just connected to the castle.

Cristina: Yeah.

Jack: So it's all one somehow. And then the surface level, because again, the mines in the bottom of the castle are connected underground. And then the top layer is a jumbled mess of. You pop it in here. Come over there. You can see this over here. You can see that over there, a weird mess that kind of feels like the maze, but not exactly, because you're not popping in and out. You're not getting lost in this space and popping up in that space. Literally, you're seeing them. But there is a place that behaves like that that, again, we've brushed over, but never really focused on in great detail because the lady in white doesn't seem to be there. The boy doesn't seem to be there. It doesn't seem to be any particular experiments taking place there.

Cristina: But you hear children there, or at least your experience children.

Jack: Yes. And there's reports of that. Yes.

Cristina: Oh, okay.

Jack: Which is not Paradise Road, but Paradise itself. The neighborhood town.

Cristina: An actual real town.

Jack: It's a neighborhood.

Cristina: Is. Yes. But, like, that's the. What you think is the hotspot. The.

Jack: I don't think it's a hotspot is what fits. Yeah, it fits the maze description. Because my personal experience in there was the roads were shifting. We took a straight line. We went on the dirt road named. We went on the road named paradise that became a dirt road and went into an indescript road that took us to Paradise. From paradise, we go in a straight line, no turns. We see houses to the left, woods to the right. We make it to what seems like the other end, do a K turn. So we're looking back where we started. Go in a straight line and don't find the exit.

Cristina: That is weird.

Jack: So a clean 180 back from where we came, except no longer was the dirt road. We came from there.

Cristina: That's such a crazy story, but has anyone experienced such a thing?

Jack: Yes.

Cristina: What? What? What? What?

Jack: Okay, Exactly. So let's unpack what we know about Paradise. So paradise is, as we know, located around Clinton Road in the West Milford, like, forest region.

Cristina: It's a small town in the forest.

Jack: It's a neighborhood that feels kind of like a town.

Cristina: Okay.

Jack: And the. I looked at this on Google Maps to kind of, like, try to zone in, and it's way specific. Now, in the Google Maps overview, you can't actually get a street view all the way through Paradise. Now, it goes as Follows Clinton Road, goes up the right side. You're just looking. You're looking at Google Maps right now. You got a square screen in front of you. To your right, Clinton Road is just going straight up. We're zoomed in, only on Paradise Road. So Clinton Road starts, and it just goes through the whole screen and keeps going. You don't see it. It's just the piece that you do see. And the beginning and ending out of your sight. Okay, Now, a random in the script road connects to Paradise. You can enter Paradise Road from another street elsewhere. Okay, Perfectly fine. And Paradise Road just kind of winds, goes around. It takes a nice little kind of left loop and then connects to a different town. Perfectly fine.

Cristina: Mm.

Jack: Now, between the left entrance of the town of the Paradise Road, the first, whatever the f*** the name of that road is that connects, there's an immediate neighborhood there and the bottom entrance. So to the left of your screen, you would have one entrance. It goes right, winds down the exit to the bottom. It's very small road. The exit to the bottom connects to two roads. The one that connects to Clinton, and again, just another part of a main road somewhere. Mm, the left entrance. You cannot do a street view starting there. Now, you can see that whole neighborhood there from the Google Maps top. It's a visible neighborhood. And if you were to drop your pin on that road to the left, even if you can't get a street view going through the street into the neighborhood, you can see the neighborhood from the street. You can drop the pin perfectly fine. The other end at the bottom of the screen, you could drop the pin there, and you can go on Paradise Road about halfway up before, in Google Maps, on the street view, it just turns into a dirt road. Suddenly you're just moving, and it's paved, paved, paved. And then the pave just kind of ends and fizzles out. And now it's just a dirt road.

Cristina: And that's what you remember, a dirt road. Right.

Jack: It's not the dirt road I remember specifically, but I'll get to that. Okay, but this road just becomes a dirt road suddenly. And you can't go farther with the street view. It stops right there. You cannot move farther beyond that point. Now, this gives you a bit of a loop, begins loops, connects to the other side. The loop area starts at the neighborhood, goes, and then connects to where it becomes paved again, that loop area, you cannot see it on Google Maps from Street View. You can only see the road from Google Maps skyview from the top down. Okay? The road that's in the script that connects to paradise comes out of that side you cannot see on the street view. Additionally, the road that connects cannot be seen from the sky view because it's covered by the forest. Oh, I looked for it and I couldn't find it. It doesn't exist. It's there.

Cristina: It's there underneath.

Jack: Underneath the trees. It's such a literal dirt road. It doesn't exist from the sky view. And Google Maps literally doesn't allow you to explore it. To explore it.

Cristina: Maybe it doesn't see it as a road though, because you said it's trees.

Jack: It's trees. Yeah. It's covered by trees.

Cristina: Yeah.

Jack: Very weird.

Cristina: That is weird.

Jack: Very strange. Who the h*** knows? Okay, okay, here's the literal view I'm talking about. So for reference, down here is Clinton Road.

Cristina: Okay.

Jack: This is Clinton Road all going up. This is the road that connects the Paradise Road. There's many different ways you can connect. A little neighborhood down there. You can also see there's a little.

Cristina: Neighborhood over here, what's considered Paradise Road.

Jack: This entire thing is Paradise Road. Okay, now, weird fact right here. If I were to grab a little thingy. Oh, I can't. I gotta zoom in a little more. Let me go in a little deeper. But you see that neighborhood right up there, Right? It's visible right here.

Cristina: Okay. Yeah.

Jack: Okay, now you see what's happening here?

Cristina: I'm not sure what's happening.

Jack: Oh, my God. Yeah, I can't drop the pin in the neighborhood. I can't.

Cristina: The line is. It has to be blue for you to drop it in. Is that what's happening?

Jack: Okay, yes. And if I go down to the other end, I can again show you. Interesting.

Cristina: No? Yeah. There's specific, but it sees it as a road.

Jack: So I can definitely knows and it sees it as a road.

Cristina: Yeah, but you can't go into those towns. There's some towns there that looks like you can't look at the road.

Jack: Yeah, sure. That's totally fine. What we're looking at is paradise and specific. There's many locations you can't look at. It's. Why is this the specific location we can't look at? And you see how it was paved at some point. You can see that it's paved underneath it, but it's slowly getting more dirt focused as we go.

Cristina: Eventually it just be there.

Jack: Eventually it's just going to be dirt. It just kind of fizzles out deeper and deeper. And it doesn't matter the dark distance we go slowly but surely we hit this very point where it just completely becomes rocks.

Cristina: Oh, yeah.

Jack: Oh, it's just. It's just rocks now.

Cristina: It's just rocks. Yeah.

Jack: And now I can't even go. It just became totally rocks that the street fizzled out and I can't go farther.

Cristina: That's it. That is weird.

Jack: Yep.

Cristina: But that's still the road.

Jack: That's still Paradise Road. They could have easily just driven. It's still a road. It's a drivable road. It's clearly drivable. Why did the Google Scanner driver not want to go there? Who told the Google scanner driver, don't go beyond this point? And how does this make any sense if the neighborhood on the other end is clearly a functioning, elaborate neighborhood and you can jump into that neighborhood as you saw previously? No.

Cristina: Oh, I saw in the bottom. I wasn't looking up there.

Jack: Well, I showed you that there's no way onto here before.

Cristina: Oh, okay. Except for that one road. You can't go onto the.

Jack: You can't enter the beginning of this road.

Cristina: Yeah.

Jack: Weird, right?

Cristina: Yes.

Jack: Now this is Paradise Road we're looking at. Somewhere on Paradise Road is the access road to the neighborhood of Paradise. This isn't the neighborhood of Paradise.

Cristina: It's not?

Jack: No, it's not. That's just a random neighborhood.

Cristina: Okay.

Jack: The neighborhood of paradise was so cluttered by trees that every house within a two foot radius had a fully grown tree directly next to it, which means its roof would be totally covered by trees.

Cristina: So you're saying it's there, but it's not there. Like we can't see it.

Jack: I think we can. And I think that's this circular formation we're looking at here. You can see little spicks of white in a circular formation going on. It's there, but it's hidden. Hidden.

Cristina: That's scary.

Jack: It's visibly in front of our face. You think you can see this whole little area right here fully covered by trees?

Cristina: Yeah. Except there's something in there. Yeah. What?

Jack: And that would mean that the access road must be directly in the area that we can't see.

Cristina: Weird. And we can't even check it out.

Jack: We can't check it out. We can't look at it. We can't do anything without going there ourselves. It would be impossible. There's no other way to investigate. You have to go there.

Cristina: So it's not even like a town we go find, but it is a real town.

Jack: It's there.

Cristina: We can see it there.

Jack: We can see it nice and hidden. We can't Tell where the road begins and ends.

Jack: There's no way to spot the access point.

Cristina: Yeah.

Jack: But it's there because they must be reaching the neighborhood up here somehow. But I remember it being just the. We were just teenagers exploring, and we're like, hey, sketchy dirt road. Let's go on it. And so we did, and we landed at this place. I couldn't tell you exactly where the road is.

Cristina: No.

Jack: But I know in which direction it's going.

Cristina: It's impossible. It's impossible to see, like, how. You had to be there.

Jack: You had to be there. You have to literally be driving this road in order to find it to begin with.

Cristina: It's just. It's not there.

Jack: Yeah. And that road has no name.

Cristina: That road has no name.

Jack: No. Yeah. This is Paradise Road. And Paradise Road leads us to the dirt road, which is somewhere hidden in the woods. No markings. Google doesn't even recognize it as a road. Yet there's still a neighborhood we can see, covered by trees. There is a way there.

Cristina: Weird.

Jack: Additionally, if you look at Paradise Road and you look at Clinton Road, they're about almost equal distances from the neighborhood. In fact, the bottom part of the neighborhood is probably equal. Literally equal distances to both sides. So there might be more than one road in. Unless paradise is the only way. But that means we can maybe drive across Clinton Road and spot in that direction of road. But I did that and didn't find anything.

Cristina: And you typed in Paradise Road and it doesn't pop up.

Jack: No. Paradise Road is this road. Oh, you type in Paradise Road and it'll show you this.

Cristina: Yeah, Paradise, I guess. Can you type in paradise, though?

Jack: No, it won't tell you where the neighborhood is.

Cristina: Oh, okay.

Jack: Now you can find information about the neighborhood online. Not a lot.

Cristina: Yeah.

Jack: But the neighborhood is definitely written about and exists, and people have seen it.

Cristina: Yes, but on Google Maps, it does.

Jack: Not exist on Google. Well, yeah, exactly. It tries by any means to pretend this clear formation here, this circular formation doesn't exist.

Cristina: Very strange. That is very strange.

Jack: But clearly. Obviously. Obviously. Come on, bro. Obviously. We're looking at houses stacked in the middle of this.

Cristina: What else could that be?

Jack: What else could that be? In a perfect little circle, too. Yeah, Perfect little circle going on.

Cristina: There's something weird happening in those trees.

Jack: With the largest patch being in the middle.

Cristina: Weird. That's the church. No, that's. That is so strange, because there's something in the woods. There's something in the woods. You can see there's things there, but you can't see what those things are, we can't investigate.

Jack: We have to literally be there in person. There's no way to like weird, weird.

Cristina: Did it have. I guess on Google they have pictures of the town. Is it like very foresty? Because that's ridiculous.

Jack: It looks like it's people's estimated photo. Like it's not really about the town. It might just be neighborhoods surrounding it.

Cristina: Yeah. It could be abandoned town for all I know. I don't understand.

Jack: Yeah, it could totally be an abandoned town. It's odd in general.

Cristina: Yeah.

Jack: It's a weird view right here.

Cristina: Yes. Is it abandoned? Do you know that? Do you know?

Jack: I don't know what to tell you based on that. If it is, you'll find out as we go through it. But details about this hidden, private, rural as all h*** neighborhood, as we know, located in West Milford, New Jersey. What we just saw, it is tucked away off of the infamous Clinton Road. Very close. But you wouldn't find that considering the area. And the only access point is off of Paradise Road.

Cristina: Yeah, that is weird. Okay.

Jack: Which becomes a dirt road suddenly. Now it doesn't become an undrivable dirt road. Any car, as you saw, any car could easily drive that road.

Cristina: Yeah, it's still a road.

Jack: It's still a clearly clear road. It's a dirt road, but it's not. It's not even bumpy. It was just nice and smooth.

Cristina: Mm.

Jack: It's just an unpaved, very smooth road. Any car could easily traverse it. Yeah. And on the other end, it's paved too. It just becomes paved again. It's really just going through this one patch that whoever decided we're gonna pave the road also decided we're gonna stop paving it right here.

Jack: Weird.

Cristina: There has to be reasons for that.

Jack: Yeah.

Cristina: Okay.

Jack: Yeah, super strange. You just decided out of nowhere we're just not gonna finish paving it. We're going to ignore that other neighborhood, not pave through it. And the entire. Just for whatever reason, we're not going to finish connecting it.

Cristina: That road is in itself some weird mystery. Something's happening on that road.

Jack: Strange, right?

Cristina: Yeah.

Jack: Okay. So weird. It's so weird. It just becomes a dirt road that leads to a hard to find access road that we couldn't find from the top. And I know it was weird when we found the access road the first time. We're like, oh, weird dirt road. A legitimate dirt road that just goes where? Let's find out.

Cristina: Yeah, okay.

Jack: Strangest thing ever. So the road, the access road that comes off of paradise, it has no marking. So it's basically a nameless road. That's why we just refer to it by Paradise Road. Because Paradise Road is the only road connecting to it that has name.

Cristina: Okay. But it itself isn't really.

Jack: Yeah, we can assume. Yeah, it's just a random, like, connecting road, if anything. So really, the only way to the neighborhood is Paradise Road. And then this indescript, unnamed, hard to find other road.

Cristina: Mystery Road. Okay.

Jack: Yo, that's beautiful. Mystery Road.

Cristina: All right.

Jack: Interesting. Mystery Road can only be accessed through Paradise Road.

Cristina: Yes.

Jack: And additionally, Mystery Road is particularly difficult to locate at night because of its completely covered up nature. It's swallowed alive by the surrounding foliage.

Cristina: It's so strange that you even stumble upon it.

Jack: Yeah, yeah, it really is.

Cristina: Because your goal wasn't to go on to Paradise Road or anything. It was just.

Jack: It was just Clinton Road. And we were just trying to scare each other. And we found this other road, jumped on it, and then we somehow found this other. And then before long, we're in Paradise. Yeah, we do remember it. When we get into the neighborhood, there's a sign that says welcome to paradise. That we do remember. And then following that, sinuses beware deaf children. And somebody, you know, sketchly cross one out or whatever. Dead children. But that's really weird. Just getting to it is odd. Just seeing it is weird.

Cristina: Yes.

Jack: And like we just saw, you can follow it. You can follow paradise and it will not continue weird.

Cristina: But it's weird.

Jack: Suddenly becomes a dirt road weird. And that's less weird than the Google scanner. Just not driving it. Dude. So many dirt roads you have driven. This is the shortest patch ever of dirt road that you could possibly drive. It would have been the easiest job completion ever. It would have taken you three minutes.

Cristina: I don't know, maybe it wasn't. It didn't want to because, like, the. The places in a forest, like, even if they laid that out, you wouldn't see anything. You just have lines in the forest. Right in the Google search.

Jack: Well, no. Why. Why didn't he. Complete driving Paradise.

Cristina: Oh, paradise itself.

Jack: He didn't have to go off of Mystery Road. He could have just kept driving Paradise. It would have taken him three minutes.

Cristina: That's true.

Jack: There's nothing in the way. It's just a dirt road that connects right back to the rest of the town.

Cristina: Because you want us to see Mystery Road. I guess. I guess that's why I was. I don't know.

Jack: It seems like they're protecting that road. Right?

Cristina: Like, even if there's no Reason to go onto that road.

Jack: It's weird.

Cristina: Yeah.

Jack: So definitely cannot be found without going there personally. Already the strangest part. Mm, weird. All right, next. It's primarily a residential area. Paradise Town, the neighborhood town. Now, it contains no business structures, no markets or anything of the sort. It's purely residential. People just live in there.

Cristina: Okay, that's a little weird, but I mean, it's not weird.

Jack: You're surrounded by mad neighborhoods with stores and stuff. And I'm sure a downtown area isn't not too far off. Yeah, it's very countryside where, you know, we all live over here, and I got to drive 20 minutes in the town to get to buy groceries or whatever the f***, you know, that kind of thing. So they kind of just live in there. And the roads of the neighborhood are paved. I remember that specifically. The roads inside the neighborhood are paved, which means people came to pave, stopping short on paradise just to block off that part of the dirt road.

Cristina: And that must be another spot that you enter the town through. Maybe.

Jack: Maybe. And then. But it's not Clinton Road, because I click through just following. There's not one moment in which a road goes left. There's nothing.

Cristina: Yeah.

Jack: And I looked carefully.

Cristina: Strange. Okay. I don't know what.

Jack: But the neighborhood is paved, Meaning somebody came to pave in the neighborhood and just close enough on paradise, but didn't finish paradise or Mystery Road.

Cristina: That is weird.

Jack: Weird pattern. Immediately reminds me of the lady who made the mansion where she let people do some parts, and it was like, no, get the h*** out. I got it. The specifics require me to finish these parts.

Cristina: Mmm.

Jack: Very reminiscent of that.

Cristina: Mm.

Jack: Of like, nah, I don't need your help anymore.

Cristina: Interesting.

Jack: Weird. Weird. Just looking at this stuff now, because of this nature, even if the neighborhood is paved and most of paradise is paved, it kind of makes the neighborhood exceptionally reclusive and exceptionally isolated from the rest of the world because you'd have to know where to find a dirt road.

Cristina: That's like, how do people even end up moving in there? Huh?

Jack: And another detail is that the primarily residential area has less than 50 homes total. Very small.

Cristina: Less than 50 homes. Wow. That's a small.

Jack: Tiny, tiny, tiny, tiny.

Cristina: It's not a town, though. It's. It's just a neighborhood.

Jack: It's just a neighborhood. But I will continue to call it a neighborhood town because of how removed it is. Yeah, it feels like a town.

Cristina: Yeah, it does.

Jack: Even if it's a neighborhood, it's weird. It's got already a weird vibe that makes it hard to describe in general, but it formed in the early 1950s.

Cristina: 1950S, that's when all that weird stuff was going.

Jack: That's when all the weird s*** was going down. Of course, for reference, I've got the timeline right up here, so we can focus on the things that happened around the 1950s. So leading into it, in 1950, 1952 specifically, was the first reports of the satanic rituals that were happening. 1955 is when the investigations were demanded by the mayor. Previous to that, 1939 was when the sketchy deal took place. So these are the events surrounding the formation of Paradise Road. Not Paradise Road, of the neighborhood of Paradise.

Cristina: Yeah, but who are those people? Where did they come from? Are they part of these cults? Are they part of the water park, whatever they're called?

Jack: Yeah, weird. Weird. Now, paradise formed in the early 1950s and is composed of residents with a tight knit generational like lineage, so that their families today, the people who live there today, they're related, have been primarily related. So this house belonged to my dad, that belonged to my grandma, and I've lived in this neighborhood always. People don't move in, people just live there.

Cristina: Strange.

Jack: People move out. Nobody moves in.

Cristina: But how did they get there? How did they get there? How?

Jack: At some point in the 1950s, they went in there.

Cristina: I know, but like, strange, strange.

Jack: So another weird part is that many of the residents have like lived there their entire lives. So they were born there and they just stay there until the day they die.

Cristina: But I wonder, like, where do they work? They're not there all day.

Jack: It's gonna get weird in a way that's gonna make it look that way. The entire surrounding area is covered by thick foliage, overgrown nature and unmaintained woods, as we've seen, making it impossible to see from any direction, even from on top. To locate through the dirt road, AKA Mystery Road and even access through Paradise Road. It's just invisible unless you know it's there. Yeah, the privacy of that is absurd.

Cristina: That is crazy.

Jack: It's just right there in the middle of New Jersey, invisible to the rest of the world.

Cristina: It's a mystery that you stumbled upon by mere chance.

Jack: Now, weird time based detail. The houses in paradise have extremely old designs, often appearing to be dated to the late 1800s design styles, with exception for a few that could be dated maybe to the 90s at the. At the latest.

Cristina: Mm.

Jack: So the late 1800s. Many of them look like they were built around that time. But that makes no sense considering the 1950s is when this neighborhood formed.

Cristina: Yeah.

Jack: With the most modern structures appearing to have been the designs of the 90s.

Cristina: That is weird, too. Like, why would they be.

Jack: So in the past 30 years, no advancement in the structures, which would make sense if you don't want to expand in the houses that are there. Just the houses that are there from now on, but still kind of chooses.

Cristina: To go back like that. Like 1800s.

Jack: Weird. Right.

Cristina: You're in the 1950s. You're not making 1950 styles or whatever is the end style.

Jack: Like, there are some houses that appear to be that, but the oldest structures appear to have a late 1800s kind of aesthetic.

Cristina: Weird.

Jack: Very strange. When we look at public records for this. Right. There is very few period that address the neighborhood of paradise specifically. There's no media mentions. There's no public events ever hosted, and there's no historical records. Private, private, private, private. It's also unclear whether all the residents of the neighborhood are American citizens or if they were just born and never registered. It's unknown how many people actually live in that neighborhood. Because people could have legitimately been born there, never registered, and they could just go to stores locally and stuff, and there'd be no reason for them to ever go into a hospital and, hey, I exist.

Cristina: That is. I don't know what.

Jack: And because we know people don't enter the neighborhood to audit.

Cristina: Yeah.

Jack: Because nobody enters the neighborhood. It's unclear how many people actually live there.

Cristina: But it can't be many. Or can it be many?

Jack: Like 50 houses? If we assume three people per house. You got a lot of people already. That's 150 people.

Cristina: People move out, but people don't move in.

Jack: Yeah.

Cristina: Is that true?

Jack: I don't know. We say multiple generations of people.

Cristina: Oh, yeah. They could just move into other homes that were abandoned.

Jack: No, abandoned home is if they just keep multiplying. We can't just assume extended families live in single houses.

Cristina: Mm.

Jack: So my grandma lives in the basement. My dad lives on the next floor. I got five kids myself. We all just overpopulated.

Cristina: Mm.

Jack: Weird.

Cristina: Mm.

Jack: That's very strange that it's unclear how many people live there. It's theorized that many of the residents have been born and raised within the neighborhood of paradise and have not registered at a local hospital or city hall.

Cristina: But they don't, like, go to school either. Or at least unknown.

Jack: Maybe they have their own schooling, homeschooling. That could happen.

Cristina: Yeah.

Jack: So it basically just results in an impossible calculation. You can't tell how many people actually live in there. And I Have no say about this next part. But this has been claimed by people who have ventured through, which is that the residents aren't too kind to outsiders.

Cristina: But you didn't see anyone, so you wouldn't know.

Jack: I saw zero people.

Cristina: Except for the laughing.

Jack: Laughing that was on the way there. That was on Mystery Road.

Cristina: Oh, it could have been the people.

Jack: 100%. I saw nobody, though.

Cristina: That is strange.

Jack: We saw no one the whole time we were there. Not a soul.

Cristina: Well, people have seen people and they're just normal, un friendly people.

Jack: Unfriendly people say hi, they'll ignore people. That kind of stuff.

Cristina: Okay.

Jack: Now, the neighborhood is incredibly self sufficient. One of the stranger aspects of it is that it being purely residential. But rarely is anybody seen. Rarely. In fact, most of the claims of there being anybody weren't even about inside the neighborhood. It was from the few times that people have been seen leaving the neighborhood.

Cristina: Oh, my God. So no one goes in or if they have.

Jack: Nobody has seen anybody go in. People have only seen people come out and when they. Hey, can you tell me about the ignored? Hey, I'm kind of lost. Can you. Ignored.

Cristina: What is strange? People like their family. They're just. It sounds like, I guess what people picture, like hillbillies.

Jack: Yes, yes. It's very, very that. It feels like very like off in my area. But if you rarely see people coming in or out, where's the food coming from? Again, you'd assume they're going to the local stores. But nobody's seeing anybody coming in and out.

Cristina: No, but they're surrounded by woods.

Jack: They're surrounded by wood. Do you think they're hunting? I mean, I guess yes.

Cristina: They sound like those type of people. They sound like, yeah, they just live off the land and they live together as a close knit family.

Jack: Definitely has that vibe. Additionally, at the southern edge of the neighborhood, there is a barn.

Cristina: There is a barn.

Jack: So they could be growing their own food.

Cristina: Yeah.

Jack: And hunting for the rest of it and growing the rest in the woods.

Cristina: They have seen people leaving.

Jack: They have seen people leaving. Nobody has ever seen somebody going in shopping. They could be shopping. Hundred percent. And if that's such a small number of people, then one person with a pickup can fill the pickup up with enough groceries, go in and not have to come out for a while. Mm, Totally solvable problem. But the barn would also fix it.

Cristina: Yeah.

Jack: And the fact that they're surrounded by so much thick foliage and woods will also fix it. They could just grow things in the woods. And that also means you could Just hunt the deer and hunt or whatever that's in there.

Cristina: Yeah. We can't even check if any of these guys have a job or anything possible. Yeah.

Jack: We know nothing about them. Right there in the middle.

Cristina: Just hidden. They're all just hidden.

Jack: Just hidden. Weird.

Cristina: That is very strange what is happening.

Jack: There now while the southern edge of the neighborhood has the barn, it gets weirder because it appears that there's a city hall like structure to the northern edge. City hall, they have a meeting point where there's governance or it would seem interesting.

Cristina: So they don't have. If they do have jobs there. No one really knows.

Jack: Nobody really knows.

Cristina: They might just have like a little society there.

Jack: Yes.

Cristina: They're policing their streets, they're nursing their people there.

Jack: It could all just be. It's consistently described by outsiders as a self sustained and self efficient neighborhood. They don't require the outside world. Very odd. Now what's weirder about this is that you are in one of the most spoken of places in the entire country, yet you yourself are unknown. The castle. Everybody knows about the mines. Everybody knows about the road. Everybody knows about the lake. Everybody knows about. You're surrounded by all this s*** and nobody knows about you. That's the weirdest part about this.

Cristina: That is so weird. But they're so hidden. They're so hidden.

Jack: They are so. But this many people coming through all the time, you would think a lot of people go through that road. So why don't people going through that road consistently find Mystery Road and just explore? There should just be so many cases of, you know, people trying to scare each other or in the daylight, truly exploring. Let's go in the morning so we have the most amount of time before nightfall and we can truly get a look at everything out here.

Cristina: Mm.

Jack: That would mean there's only three roads all of Clinton, top to bottom, 10 miles, no lights, no turns. That's one straight shot. You explored that. It took you no time.

Cristina: Mm.

Jack: Then you got the one turn into Paradise Road and you could travel all of Paradise Road. It would take you all of 10 minutes. And then in that time, how many people would find Mystery Road? It would be a f****** clusterfuck of people consistently finding Mystery Road and exploring that side too.

Cristina: Well, they only go there at night, so maybe it's harder to see.

Jack: I'm sure people go there in the daylight.

Cristina: I know, but just not the same number.

Jack: No, not the same number, but probably a s*** storm of people still. A f*** ton of people probably still go there during the daylight because they're too scared to go there at night. Okay, so where are these excessive numbers of stories? We have so few mentions, there's almost nothing on it. I checked everything.

Cristina: Like how do you keep people. But they're so hidden. They're so well hidden.

Jack: You'd find the road if you're navigating. If you just decided the complete driving on Paradise Road, you would find Mystery Road. Presumably. Unless it's so invisible that you don't even realize it exists. Driving right by it. But we found it.

Cristina: Yes, he found it. I don't know. That's a. That's a mystery itself. I don't know.

Jack: Well, I'll give you the next weird part. Mystery Road people have only ever seen people leaving it at night. Every single report was about night. Nobody has ever even reported seeing Mystery Road in the daytime.

Cristina: So you think Mystery Road doesn't exist in the daytime? I don't know.

Jack: I don't know. It's just. That's a really weird detail. Yeah, because now we're at a category I just called the Fringe.

Cristina: It's.

Jack: These are reports from non residential people that are.

Cristina: That stumble upon Mystery Road.

Jack: To stumble upon Mystery Road. Nobody has ever reported seeing something and it be daylight.

Cristina: It's at night.

Jack: They've only seen people leaving the road at night. If they are seeing the road during the daylight, they're just ignoring it because they don't see anybody coming in around.

Cristina: That could be. That could be.

Jack: Could totally be. But all the mentions of somebody coming out happen at night.

Cristina: Why just that night.

Jack: And nobody claims they've seen anybody go in.

Cristina: And you were there at night and.

Jack: I was there at night. Stumbled by accident onto Mystery Road. It was so obviously there.

Cristina: But you didn't stumble upon anyone. I mean, you did, but not on.

Jack: Not on Mystery Road. It wasn't even Paradise.

Cristina: Paradise. Maybe he came from that place.

Jack: Well, the. A consistent mention on Paradise Road. I didn't experience this and I didn't even know this was happening until I found it. Is that robed and cloaked men have been seen not coming in or out, but wandering around Mystery Road. Like the entrance of Paradise Road to Mystery Road, but also only at night. Which would see exactly what I saw on Clinton Road.

Cristina: They have to live there. They live there. It's a town of cults.

Jack: It sounds like a cult right off the bat.

Cristina: There's a cult lives inside the woods.

Jack: Yeah, checks out. Reminds me of. What was that movie? The movie. Just like that. Whatever. Some movie about them people living in the woods. Hate enough I mean, there's probably crap ton of societies like that too. Just f*** society.

Cristina: We just gotta come over here. That's crazy.

Jack: Weird. But that also explains them being not friendly. Because it's like, you don't belong here. You're in the wrong part of the woods, kid.

Cristina: That guy that you saw, he wasn't like. It wasn't like he was unfriendly. He didn't even like seem to know you existed or did he respond to you?

Jack: Did not acknowledge that we were even present. Didn't look in our direction, no nothing. He kept moving like we weren't there.

Cristina: I mean, that could be seen as unfriendly to other people. Like, it could be that they see something, some guy, and the guy does.

Jack: You know, ignores their existence.

Cristina: Yeah. And then they're like, oh, he's unfriendly.

Jack: It could totally be.

Cristina: It could totally be something like that.

Jack: Some of the reports are that they're just asking for directions and the people completely ignore them. But then this, this has a very, very reminiscent thing to it. What if they literally can't see you? What if they literally have no idea you're there and that's why they're ignoring you?

Cristina: What is that? Would that mean they come from a different time? The houses are 1800s.

Jack: There's something weird.

Cristina: There's something weird happening there.

Jack: Weird. Weird.

Cristina: This has to do with time travel. I don't know what is happening, but.

Jack: If it's time travel, they can still see you. They're just coming from a different time. You go in and you're somewhere else.

Cristina: But like a time bubble, you're seeing into the past.

Jack: Why can you walk where they are? You shouldn't be able to. You would just cross through. Every time bubble is like that. You just cross through. You're on the other side now. Usually they're in weird positions that you'd have to specifically navigate through. But we're talking. You've seen people come out and then you go in that same direction.

Cristina: Nothing happens.

Jack: Nothing happens. Weird.

Cristina: That is weird.

Jack: Now, other reports by people. The roads in the neighborhood. People have gone into paradise. Neighborhood. The roads and homes seem to change positions. I saw the roads change positions. I think our panic didn't allow us to pay attention to the houses. These people have claimed they've seen the same house twice. Driving in a straight line. Identical.

Cristina: Spooky. That's very spooky.

Jack: Yes. That the houses change consistently.

Cristina: The town is haunted. What is happening? It's not a real town or it's a real town. I don't know.

Jack: I don't know. And people have claimed to this site. Can I can definitely speak to this one. People have claimed to have found themselves trapped, driving in circles, unable to find the access road, AKA Mystery Road. Sometimes for several hours. In this small area. Yeah.

Cristina: That is. That is so scary. For some hours.

Jack: Hours. Trying to find the access road. Panicking. Not knowing. And what the f***. It was there the whole time. Maybe it wasn't.

Cristina: Maybe it wasn't. How is the whole place moving? Is it really there? But it looks like it's there. I don't know. And there's people. But are those people really there? They're not even.

Jack: Next point. Nobody who's entered the town has ever seen a person in it. Nobody has ever reported seeing a person after they've gone through Mystery Road into the neighborhood. They've never once seen anyone. Ever. No one has ever seen anybody in paradise.

Cristina: It's a ghost town. It's a ghost town. Maybe. I don't know. No. No. Yes. Maybe. I don't know.

Jack: That's so strange. Nobody has ever seen anyone ever.

Cristina: Never. Never outside of it.

Jack: Just outside of it.

Cristina: And those people don't even see you.

Jack: Those people ignore you like you don't exist.

Cristina: And they're dressed so old fashioned and they sometimes fashion home.

Jack: No. Some people come out in pickups and they'll just ignore you. But they have seen roped people not going in or out. The people they've seen coming out, just normal looking people who are ignoring the out of you. The people hanging around the outside who aren't coming in or out. Robed and cloaked individuals.

Cristina: What is happening? Okay. There was a guy in the pickup though.

Jack: Yeah. They've seen cars come out. People have asked for directions. No response. They'll just ignore you.

Cristina: What?

Jack: They won't even acknowledge that they're there.

Cristina: Just so it's not a ghost town or is it a ghost town? I don't know. Why is it moving around?

Jack: Which I can talk to the roads moving around. I. We did not. We were too young and too panicked after everything. After we lost Mystery Road.

Cristina: Yeah. You didn't even notice if any move. If any homes moved. You would not notice.

Jack: Crap. I can tell you for a fact Mystery Road moved.

Cristina: Yes.

Jack: Because we saw it on the other side of the town.

Cristina: And even though you don't see people in the town, the lights are off. Like there's no lights. There's street lights. At least.

Jack: We saw no light. I remember that so specifically. The only lights we saw the Entire were coming from the car's headlights. Everything we saw was shined through that. Not a single light. That's also another note. Nobody has ever seen lights or electricity or anything. Nothing. Always dark. Only your car lights shine it. It's almost exactly like Clinton Road. Not one light.

Cristina: I don't know then this might be like that. The castle where people just go to do rituals or whatever.

Jack: Except the houses don't look worn down. Everything is maintained.

Cristina: There's paved roads, but no one's there.

Jack: But nobody has ever seen a single person in the neighborhood.

Cristina: Is it just for show what is happening?

Jack: But that's crazy. Nobody has seen a single person ever. I found that so strange. You've seen people come out, but you've never seen one soul inside.

Cristina: That is very strange. What's happening? Is it. I don't know if it's ghost related or not. Is.

Jack: I don't know either. I just like reading about this and really doing some research on this. The. The visual of Mystery Road just vanishing is so clear to me. Straight line. We do a 180 drive right back where we came from. The road isn't there. We take a right because there's nowhere else to go. The road just kind of. We were on the. There was only woods to one side and the houses to the other side. So you turn around. Now the woods are to your right. And eventually you hit the point where you have to take a right.

Cristina: Yeah.

Jack: And then we're wandering maybe 10 minutes. And nowhere where we came in through do we find Mystery Road. Total opposite side. I would argue it's literally across. Not even in front or to the side of it. It was literally across. If we came in through Paradise Road to the bottom, this road would have in theory been facing Clinton Road. Except we took it and came out back to paradise.

Cristina: Who made this? What is this? It's a maze in the woods. It's huge. It's a huge maze.

Jack: Less than 50,000. It's not even a huge maze. It's tiny. It's just impossible to navigate.

Cristina: Yeah. How does it do what it it's doing? What's the explanation to that?

Jack: It is very complicated. I don't know what the h*** is happening. I have no. Definitely worth. It was worth looking at this because of what the h***.

Cristina: Mm.

Jack: Now all of that. And it's not even the weirdest part. None of that. None of that is the weirdest part. The fringe category is not the category that comes next called the strangest. So the weirdest part of Paradise Road is None of the above mentioned, but rather the one most striking important coincidence. At the very center of the neighborhood, there's a church. In the center, at the very center of the neighborhood, there's a church.

Cristina: That church is a portal. I don't know what's happening.

Jack: Oh, and the church appears to be at the center. Regardless of how you travel it, of how you travel it or what, shift or whatever, it doesn't matter how anything else changes.

Cristina: Mayhem should go in that church. Did you see it? Do you remember church?

Jack: I do not remember seeing the church. I don't remember paying too much attention to the structures at all. Yeah, we were in a state of panic. We were just trying to scare each other and having fun until the road vanished. And then it was like, oh, f***. And then the car stopped turning on at that moment too. We panicked for a moment, tried to turn it on. The car didn't turn on. Then it finally did after a couple of moments of messing with it. And it's a car that's in perfect condition always. And that's never happened before.

Cristina: Yeah. So what's the description of the church, though?

Jack: The church, it appears to be a late 1800s design. The church has zero windows and zero entrances other than the front entrance. So you cannot see into it, you cannot see lights, you cannot see anything. There's no way to look inside. Triangular roof, boxy shape, and a front pillar with a cross. The end. Yeah, very old school. Nothing else going on.

Cristina: I don't know. This place doesn't sound real. It feels like it's a staged. A staged thing, like, I don't know, it doesn't seem like people really live there. It's just for show.

Jack: So who the h*** is coming out? Why are there people who look like they live there coming out?

Cristina: Hmm?

Jack: Who are these weirdos hanging around the entrance?

Cristina: Well, we don't know if they live there. It doesn't seem like anyone lives there. If they're. They're going there for something, I don't think it's for living there. I don't think anyone lives there.

Jack: Weird, right?

Cristina: It's for sure to hide whatever they're actually doing there. Whatever that's used for, there's something that's being used for.

Jack: Most people have never seen the church, though. Really? Some people have. Most people haven't. People who've been there. The majority of them have never seen it. I'm among the people who've never seen it.

Cristina: Yes, but everyone that has, it's been in the same exact.

Jack: Presumably the people who've been lost there for hours.

Cristina: Yeah.

Jack: Because it's really f****** difficult to get to the center if everything is continuously changing and throwing you back out to the edges.

Cristina: Mm.

Jack: If everything is always throwing you to the edges, getting to the center must be so f****** complicated. And like we saw in Google Maps, it's not even that big. A couple of houses, maybe. How the h*** can you find it so difficult to get to the middle?

Cristina: I don't know. That's strange.

Jack: The changing and shifting keeps spitting you out, always to the edge.

Cristina: It doesn't want you to get there.

Jack: They just want you to reach it. And a few people who have have no idea to know what the h***'s inside. It's just a church. An old abandoned church. Except the church, by the accounts of the people who've seen it, is the most kept. Well location in the entire neighborhood. It looks old, but it has the freshest paint job. The land around it is the most clean.

Cristina: So most likely that's the important thing. That's what people are. The people that know, the people that actually travel there. That's where they're going. Going to that church. They're dressed like it. It makes sense. I don't know.

Jack: Yeah. It's the best maintained structure. And its design is the oldest. Simultaneously and additionally. Additionally. Nobody has ever seen the road during the daytime. Mystery Road. Which means nobody has ever driven through Paradise Road. I mean, paradise neighborhood during the daytime. Nobody's ever navigated the town during the day, which means they've only ever seen the church at night.

Cristina: Yeah. Which mean it could be they. Those people could be using it at the daytime when no one's there.

Jack: Nobody can get there.

Cristina: No one can get there.

Jack: The neighborhood is just inaccessible. But then what the h*** happens to Mystery Road? It should be more visible during the day. Mystery Road should be most visible during the day. I don't know.

Cristina: That's weird. It's a lot of witchy stuff. I don't know yet.

Jack: Nobody has ever seen the road during the day. They've only ever seen the road at night, which means they've only ever seen people come out of it at night, which means they've only ever driven at night. And people have only ever been in paradise at night. Nobody has ever driven in paradise during the daytime. Nobody has any idea what that would look like.

Cristina: That's probably where things happen. Is probably during the daytime.

Jack: Weird, man.

Cristina: And like, we're. We. There's no. It's impossible to know, though. Unless we go.

Jack: We gotta go there personally. Go and we would have to go during the day.

Cristina: But then who knows? Maybe it will be missing.

Jack: There will be nothing, we'll see nothing. We'll go there and have wasted our time because there's nothing. Which means we have to go at night. That would be the only way. But honestly, that's the time I would want to go there at least. Yeah, we need a big group of people. Cameras and everything. Record every moment of it. 20 people. We're all going. Caravan of cars.

Cristina: Yes. We gotta go into that church. What's happening in that church? Yeah, people in robes. Obviously the church is being used for something, right?

Jack: Yeah, that. Total. Total connection. Total connection. People in robes. The church being the most maintained upkept place. But the houses are well kept too.

Cristina: There's no lights anywhere. There's no lights anywhere. But there's no lights on the church here.

Jack: There's no lights on the church either. There's no lights anywhere. Zero seeming electricity. Yeah, but again, some of the houses look like they were built in the 90s. Electricity definitely happened. No power lines.

Cristina: I don't know. But I don't think that's a real town. I don't think it's a family generated generations of family living there. I think it's the generations of cult leaders living there.

Jack: You think the whole neighborhood is of cults? Is of one cult. Yeah, but that would mean they live there.

Cristina: I don't. I don't know. I don't think they live there.

Jack: So what the h*** would be the point of building these houses?

Cristina: I don't know.

Jack: Especially if nobody can enter.

Cristina: I don't know. The whole thing is very strange.

Jack: It's really weird.

Cristina: It's really weird. Do they live there? Because like no one's. There's no proof that they do live there.

Jack: There's no proof that anybody has ever been there other than the people driving through.

Cristina: Yeah. We just know that we see cult members all over everywhere else around this spot. Yes, everywhere.

Jack: Everywhere. Even completely off of Paradise Road. That's where I saw it.

Cristina: Clinton Road is covered. The whole woods area is covered. The castle is covered. Like where are they not?

Jack: My bet would be they actually do live there. Whatever cult performs rituals at the castle lives in Paradise. I think paradise is the residential area for the cult, for the people who do whatever in that whole thing. And I would argue that so is the entrance to what's left of the castle. And it's probably in that church.

Cristina: Is this what Silent Hill is based on?

Jack: I don't know. But I bet the entrance to the castles to not even the castle.

Cristina: To the mines, to the mine.

Jack: The secret entrance to the mines is probably in that church. I bet that it's there. If it's not there, it's in a random indescript location. And they are the only ones who know exactly where it is. Probably a manhole cover in the middle of nowhere, covered by leaves. And you gotta like know exactly where it is to even find it.

Cristina: But it's as possible that it's in the town.

Jack: It's as possible that it's right there and that that's why it's the hardest thing to find. People can't even get to the church. Nine times out of ten just wandering lost. People don't even see a church. I never saw a church. There's a s***. We were lost for like 10 minutes. That town is not a 10 minute drive. But we never saw the center of that town. I know we tried to go through the center of the town. I guess we never really noticed that we never got to the center of the town. Now thinking in hindsight, how the h*** were we always on the edge of the town? That's weird. I never thought about that. We were always on the edge of the town and we took turns in every direction but we were always at the edge of the town. Even driving in, we would just come out to the other edge. I guess. It just obviously such a small town. You don't question it. You're just like, oh yeah, obviously I just got to the other side already. But I never saw a church. And I would have sworn to you I went through the center of the town.

Cristina: I wonder. Like there must be a secret path to get there then.

Jack: Like a combination of roads.

Cristina: Yeah.

Jack: And that all the other roads essentially just kind of fling you around it so you don't ever mm. Get there.

Cristina: Yeah. Like if you try to not get to the center, I bet you're more likely to find the center or something.

Jack: There's probably exactly one turn you would take that would then take you to a series of other ones. And you got to take exactly one of those turns because they would spit you out. And then again you have to take specifically one other turn. So just a series of only this one, only that one. And they would take you there. Which means people have found it by total accident.

Cristina: Yes. Which is has to be the case. Yeah.

Jack: And then the structure of the houses have been intentionally built to be identical to one another to be extra confusing so that you don't know where you are at any given Moment because you're not familiar with the town.

Cristina: That's true. Like you could be looking. People think they're seeing that same house again. But it could just be that whoever made that town made it really identical. Yeah.

Jack: It's meant to confuse you as you're going through it.

Cristina: Yes.

Jack: So, man, did I just pass and it's the same number. Maybe not. Maybe it's literally just. I mean, it's literally the same number, but it's not the same house. It was just meant to look that way to f*** with your head.

Cristina: Yes. Okay. That makes way more sense. It's not a ghost town. It's not. It's. There's a reason. It's an actual maze.

Jack: It's an actual maze. And if that's the case, in the center is either the entrance to the mines, the real entrance to the mines. Which means the people from this town can actually sneak into anyone's house through the underground tunnels. All the other five towns are at the mercy of this one neighborhood. Or it's not that. And this is a literal maze designed as a channeling location. And that church is as we would call the entrance.

Cristina: It could be both. Like, it's so weird. It's so weird that I can imagine that it's both.

Jack: Could totally be. It could totally. Like the top floor has the, quote, entrance to coming into the church. And the. Somewhere, you know, you go down a couple of stairs, a spiral staircase or some nonsense. And you get to the entrance to the mines.

Cristina: Yes. He's like, why were they hanging out that church? It's. It's because that's. They know about that. The mines. I think they know about the mines. I don't think it was about the church at all.

Jack: It's probably the people who've controlled the mines this entire time. Which means they would have. It's not just the neighborhood. It's the entire network of tunnels underneath and not just the entire net. Who knows how much other crap exists underground. We've had 70 years to continue excavating and building homes underground and building other things on top of the fact that we know about the one that is underneath where the castle was particularly large. Entire chambers. Rooms bigger than the neighborhood itself. The entire grounds underneath the castle are bigger than the neighborhood itself. So you could fit everybody who lives in the neighborhood. Assuming this is the case, you could have 20 times the amount of people that could live in the neighborhood living underground.

Cristina: Very strange. Very strange. What is this cult doing? Whoa.

Jack: Unless they're not even living underground. There's Way more complicated crap happening down there. We do have Clinton Road being the most supernatural place on planet Earth. There's nothing more supernatural.

Cristina: Paradise is more supernatural. And it's such a secret that we wouldn't even know.

Jack: We wouldn't even know. No stories, no nothing. Can't even find it.

Cristina: Yeah. What's happening? How does Mystery Road. Mystery Road, not a road. I don't know.

Jack: Mystery Road doesn't exist. Paradise has no people.

Cristina: But they're all connected. It's all connected.

Jack: It's all one thing somehow.

Cristina: Yeah.

Jack: I couldn't tell you how. There's not enough information. But it's all one thing somehow.

Cristina: I wish we could learn something about this cult. There's no name on it. No guesses.

Jack: Nope. People have no idea. The closest they got was referring to them as Druids.

Cristina: Druids.

Jack: And then changing that name to satanic cults.

Cristina: Okay. And the kkk.

Jack: And the kkk. All of that. Yeah. That's which. None of the above. The closest would be the Druids.

Cristina: Yeah.

Jack: If anything, Druids is what we'll call them because of how weird this is. The KKK doesn't have powers, bro.

Cristina: The h*** out of here.

Jack: Unless. The original purpose of the KKK was in order to create stones. Which would make sense of the sacrifices.

Cristina: Well, now we gotta go look into the kkk, I guess. I don't know. See the history.

Jack: That's all I got. That's all I managed to find about the town. I will call it.

Cristina: It's the town.

Jack: Neighborhood Town is why I was calling it Neighborhood Town. It totally checks out.

Cristina: Right?

Jack: The neighborhood town called Paradise.

Cristina: It's a mystery itself. It's a mystery. A mystery road leads to a mysterious town.

Jack: And the mysterious town is a maze in itself that nobody has ever been seen inside. Ever. Nobody has ever seen somebody in there at least seen it and reported it?

Cristina: Mm.

Jack: If they have, they never talked about it. Which tells us way more information. You saw it and never talked about it. Where are you then? Did you see somebody and then never made it out?

Cristina: Yes. That would be the other option.

Jack: That'll be the other option. Maybe you have seen people, which we.

Cristina: Know many people disappear.

Jack: Many people disappear. Many hundreds.

Cristina: Is this part of what's going on with that?

Jack: It's 100%. It's possible that every single person that went missing along Clinton Road actually went there. It's absolutely possible that's the case. Every single person that went missing found this road and never came out.

Cristina: They saw something they weren't supposed to.

Jack: See or someone, I guess don't find it during the daytime, buddy. That seems to be the case. If you see somebody there, you're. That could be the case.

Cristina: That could be. They don't do anything outside. They don't do anything.

Jack: I saw. Dude, just ignore me. Just ignore all of us.

Cristina: Yeah.

Jack: Didn't react, didn't respond. No, nothing. We just weren't there to him.

Cristina: And he was hunting. Which fits. If they're all just living in.

Jack: Because of the deer.

Cristina: Yeah. That just goes with the whole. They're living there. They just live there.

Jack: Self sustained.

Cristina: Yep.

Jack: Interesting. But that's all I got. That's all I got. That's all it is. Weird. Strange. Oddest place ever. Definitely fits the character of every weird other that's going on there. And definitely seems to be at least related to the center of what's happening.

Cristina: Yes. These entrances, they're all. They all have this whatever mystery thing going on. This mazes and puzzles and something patterns. All of it just very similar looking.

Jack: All three instances. The mansion, the labyrinth and the town.

Cristina: Yes.

Jack: All the complicated maze that could throw you anywhere and are all impossible to navigate and all have the entrance at the center.

Cristina: Yeah. If you have a far away. They look completely different but you zoom in, it's the same thing.

Jack: And on Google Maps we can clearly see a circular formation. We can see the very little bit.

Cristina: Of roof tips of the roots or something.

Jack: Yeah. Through the trees, it's very little. And then the big one in the.

Cristina: Middle, which is probably the church.

Jack: It's probably a church. Weird.

Cristina: Weird.

Jack: Anyways, anybody who has any kind of information related to this, please either the.

Cristina: Mystery Road or Paradise Road.

Jack: Mystery Road. Paradise Road or Paradise, the neighborhood town. If you have any information on any of this, please feel free to contact us and tell us about it.

Cristina: Yeah.

Jack: If you live there and all of this is bullshit and the Internet is making it up. Yes, reach out. Tell us about your neighborhood. Yeah, tell us about your neighborhood. We're curious and yeah, you could do that on our socials. That's at just convopad. On Twitter, on Instagram, on Facebook, on TikTok.

Cristina: Remember to subscribe, rate and review the show.

Jack: Yes. Word of mouth is a really overpowered thing and if you want. If maybe you know people who are into this and can inform us, tell that person to listen.

Cristina: Yes. And hopefully they'll hear us asking them to contact us. And they'll contact us. Who knows? Yes, contact us, please.

Jack: Yes, tell us.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. S.A. good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister, with social media managed by Amber Black.

Rambling 288: Minotaur

What exactly is the Minotaur? What was its purpose? Where does it come from? The duo unpack the many myths and hidden stories of one of Greece’s most infamous creatures in a search to find any shred of relevant data that could help inform them beyond previously reached barriers in the data related to the Elysians or Clinton Road.

+Episode Details

  • Greek Mythology
  • Minotaur
  • Ancient Punishment
  • The Labyrinth
  • Survival Maze
  • Poseidon

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcription

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas, of which there are many. Humanity is very absurd and baffling.

Cristina: We are.

Jack: Yeah, yeah. Very confusing, absurd and baffling individuals. And so to catch anybody new up, we have been recently looking at or trying to solve what the h*** is at the bottom of Cross Castle, which is essentially located in West Milford around Clinton Road. What is considered to be the most haunted place planet Earth. And there happens to be a castle that a bunker was made and everything inside of it was private for quote, official government reasons, unquote. And to keep mining goods protected. Allegedly. But everything about the situation is really weird. And has tunnels leading to towns where the exit and entrances are unknown, a secret in and out in the woods that nobody knows where it might be and the castle having been destroyed, making accessing the bunker underneath impossible from that location and only accessible through the other passageways that connect through different towns. Weird, random things going on.

Cristina: Strange. Yes.

Jack: And this place happens to be located again where the spookiest, most haunted things take place. Except that we can tell a lot of these things line up with things that we've researched and looked up in the past, including creatures from different realms and in. You know, there's a lot of science going on, ancient sciences going on and modern day science is going on and things that allow people to move to ethereal states and to cross into non physical ways and to manipulate the fabric of reality in different manner, shapes of forms or what not. Usually being necromancers or things along those natures. Although in modern day we use the word which was druids. Druids supersedes necromancers. But it's an incorrect words. Ka. Druids kind of lacks the very specific nature of a necromancer having to die to get where he's going.

Cristina: Okay.

Jack: And a druid doesn't need to. A druid is just some other thing. A low budget necromancer at best was.

Cristina: Just hanging out in the woods.

Jack: Yes. And so we have gone on. Sometimes we look at other areas to get informed about other areas. And sometimes we look at things that are more or less related or they have patterns that seem relative to each other in order to get informed on things that in a lot of time it works, you know, sometimes it doesn't and we just find something cool to look at.

Cristina: Yeah, that's so cool.

Jack: Yeah. But sometimes we actually connect the dots and it works. And it's. Oh, yeah, this is clearly related to that. And. And sometimes we just go monster hunting as well.

Cristina: Yeah.

Jack: Because there's weird creatures out there. And sometimes monster hunting answers questions we didn't know we had that do inform these other things. Because monsters aren't really monsters, per se. It's usually just some kind of science freak, and science is way more than modern society accepts.

Cristina: Yeah.

Jack: But that being said, today we have something a little interesting to look at, and this is one of those times that I need you.

Cristina: Oh, boy.

Jack: To tell the audience what you're looking at, because they're not going to be able to see it. IO only podcast. So I need you to paint the picture of what you are currently looking at in front of you.

Cristina: I don't know. It's. I'm sure it has a name. I don't know what the name is. It's a mythical creature. Greek mythical creature.

Jack: Fascinating.

Cristina: All right. I'm sure it has a name. I just don't know what it is. It's like a. I keep thinking centaur, but it's not a centaur. It's some type of beast. It's got hooved legs, horns, red eyes, making you, I guess, think it's like a devil creature, whatever, you know, like, if you. But it looks.

Jack: More detail. More detail.

Cristina: I'm thinking very muscular. Yes, very muscular. Man or lion. Go thing. I don't know. That's covering its private parts because it carries and it has a belt and it's holding a stick, I think. Could be a stick. Could be some type of weapon. I don't know. Inside. I don't know what he's inside of.

Jack: Interesting, right? He's inside something for sure.

Cristina: Yeah. Could be underground. Could be. I don't know. It has a toe, I think. I think so. I don't know. It looks like a combination of different animals.

Jack: What animals would you say it looks like?

Cristina: A lion? A bull, maybe? Because the horns are like a bull.

Jack: Elaborate on the horns.

Cristina: They're long, curvy, pointy. I think he has ears, though, underneath it.

Jack: Yes, I see that, too.

Cristina: Yeah. And he has the hair. The lion mane thing happening. I think. Like, it's. But his arms are very human.

Jack: Minus the fact that he seems to have, like, sharp talons at the very end. It's just hands, right?

Cristina: Yeah, yeah. They look like regular muscular hands and torso with. I don't Know what's happening with his legs? His legs are goat legs. He's like a combo of different animals.

Jack: Okay, okay, okay. Describe his face a little.

Cristina: I don't really can't talk because it's really bad. Like he's in the shadow. So half of his face is missing. Okay. Is that his teeth? His teeth is showing. I'm not really sure what his nose looks like.

Jack: I would argue he has a bit of a gorilla looking nose.

Cristina: Yeah, a gorilla looking sort of face. I think besides the mouth that's sticking out. I don't know if the mouth, the teeth. If that's the teeth. Sharp teeth. And the ears. I'm not sure what animal the ears look like.

Jack: I would also say that's kind of goat like. Yeah, it feels very goat like to me.

Cristina: The ears are like goats. The. I don't know the. If that's goats too. The horns is either go go or fascinating. What did I say before? Bull.

Jack: Interesting, interesting.

Cristina: With the hair of like a lion.

Jack: Definitely something reminiscent, right? Something you've seen before to some degree.

Cristina: Yes.

Jack: Okay, we're gonna take a look again at a different image of this creature. More. More variation of the same creature. So you could paint a little more picture. Maybe it'll. It'll zero in on something. Anything you notice different here. These are all just based on things that have been described of this creature.

Cristina: What's the one next to it? There's the same thing. Are very similar. The first, the one to the left. The one to the left looks very similar except his legs are thinner, very thin. But everything else looks almost the same. His hair is curlier. I guess it's long and curly. Looks more like a goat, I guess. And then he's next to a creature. I'm not really sure. I guess it's supposed to be him too, but just all animal side of him. Is he some type of werewolf?

Jack: No, this is supposed to be exactly the same thing in one state. It's just the level of descriptions are so varied that we can land at these two different images.

Cristina: So he always has the red hair and the horns and those goat like red hair, red hairs, red eyes, curly hair, long hair or not curly. Maybe wavy. Wavy hair.

Jack: Fur.

Cristina: Fur. That second. What is that second animal? It's not a bull though. But it's. That's like a hairy bull.

Jack: Interesting, right? There's something going on there.

Cristina: It's a hairy ball. A giant hairy. Giant hairy bull or goat. I think there's been goats that big.

Jack: No, no. H*** no. There's no Chance there has been anything this size in all of mention, other than this one thing.

Cristina: Okay. This is. It's. It has to be a ball that's just got his. Very hairy. That's very hairy. And the creature looks like a human version of that animal, I guess.

Jack: Interesting. Okay, so the animal's name that you were trying to get to is a minotaur.

Cristina: Yes, that's a minotaur. No.

Jack: Yeah, that would be essentially the minotaur.

Cristina: Okay.

Jack: But we're gonna look at one more image. This is to size, scale, kind of giving you an idea of how big these things really are. Paint this picture.

Cristina: There's a. I guess in the middle is a man, or what a man is supposed to be the size of. I think there's numbers next to him.

Jack: Ignore the numbers.

Cristina: Okay. Well, it's huge. What the mentor, Whether it's a human version of the manotaur or the animal version of the manotaur, they're huge. They're like two humans standing, like if two. If a person had a person on top of them is the size of whichever of these creatures you want to talk about?

Jack: Yes. Easily nine to ten feet tall, right?

Cristina: Yeah.

Jack: And what details can you tell us about these individuals as you're seeing them here? More. I got more specific each time I'm showing you an image. So now you get more detail, more details.

Cristina: I don't know because it looks a lot like the other one. I don't know if there's any real difference.

Jack: Got you. I'll start painting the picture. Then. His legs. The hooved sort of animalistic legs that this, AKA Minotaur, would have is wrapped with leather bindings and some sort of metallic plate to protect its knees. It seems that would normally be exposed. There's something that looks like a kilt or something that's around its waist, probably made from fur and leather. And then around its chest, it has a weapon harness. At the same time, the face still maintains a sort of animalistic face. I would argue here it's even closer to a goat.

Cristina: Looks like a lion.

Jack: You think it looks like a lion?

Cristina: Fair enough.

Jack: It also looks kind of like a lion. Yeah, fair enough. Very exaggeratedly muscular arms, muscular upper body. In every version of it, its upper body is extremely muscular. It definitely does have a tail. It doesn't have hair. It has fur. Oftentimes the fur seems to be focused on the head and the neck or the legs. There's very little fur focusing on the body part. It seems like in every version of this, the body seems to be unexposed. There's a very neck, a little bit of fur on the arms and much on the legs, the hooved legs usually more towards the bottom, but there's some iterations with it a little higher, you get a little fur around the waist. So in, for lack of a better word, it's a minotaur. Yes, except we're gonna have quite a couple of better words.

Cristina: Oh, okay.

Jack: So the minotaur kind of a known, probably one of the more known, less discussed creatures from Greek mythology.

Cristina: Okay.

Jack: And it coming from Greek mythology tells us a couple of details right off the bat. If you have something weird and it came from Greek mythology, there's one group of people we can just point.

Cristina: Zeus and his buddies.

Jack: Yes, Always they're doing something weird. Always. So that's a good place to start looking for what the h*** a minotaur is.

Cristina: Okay, Right.

Jack: So doing some digging, we have some basic details here. Minotaur, the word literally translates to minos bull, so man bull.

Cristina: Oh, okay.

Jack: Literally what it means. The stories of the Minotaur take place roughly around 1500 BC to 1300 BC. Now, outside of our descriptions that we gave to those images, there are some localized descriptions that we can give that come from text. Specifically, body of a man, head of a bull. That's the most obvious kind of descriptor.

Cristina: Okay.

Jack: Yeah, between 7 and 10ft on average. Okay, let's go to its head specifically. Yeah, it's huge, monstrous sized thing. Now, aside from its bull like head, it tends to have long curved horns. These long curved horns can be seen on bulls. These long curved horns can be seen on goats. These long curved horns can be seen on plethora of different creatures. And kind of really pronounced and large. Specifically on him, presumably because of his exaggerated size, again, 7 to 10ft is kind of excessive.

Cristina: Yeah.

Jack: So the horns would presumably be some monstrously sized things.

Cristina: Mm.

Jack: Fascinating thing that immediately gets my attention is glowing red eyes.

Cristina: Yes. Why?

Jack: Because it hints towards a lot of things that are curious. Glowing red eyes seems to be a feature of a lot of shadow realm things. Large flaring nostrils, reminiscent of something like an ape. Of something like a bull. Snarling mouth with incredibly sharp teeth. Now this is interesting because its face is. Its mouth in particular seems to be sort of almost a combination of an ape and the lion. Midway.

Cristina: Yeah. It's the sharp teeth from the lion.

Jack: Interesting. Right. Its face protrudes a little, which is unlike an ape. But the structure of the face and the pushing of the nose has a kind of ape like Structure to it. There's an interesting set of details here. Now, on its head it has short coarse fur covering most of its face and its neck usually coming from its head, appearing oftentimes like a lion's mane.

Cristina: Yeah.

Jack: But also goats tend to have a kind of facial wrap like that. Interesting enough. So do bison, which I would argue.

Cristina: Is what they're trying to go for in these.

Jack: Well, at least the more animalistic version of him was like a bison with horns at this point.

Cristina: Yeah.

Jack: And just its face and head is generally very thick and muscular. A very powerful looking creature. Now details outside of these descriptions that show up in sentences as well, but more like in literal sentences, as opposed to somebody just kind of chalking off what they thought looked like when they saw it and wrote it down. The face seems primarily human with extremely pronounced animalistic bull like features. It tends to have a beard that resembles that of a goats. Very similar to what we're saying.

Cristina: Yeah.

Jack: So this is a translation into English from something from a Greek text that is literal sentence, a paraphrase. Not literally word for word, but it is a paraphrase of what they were trying to get to, which is. Yeah, bull like features and a goat like thing going on. Let's discuss. Its torso now has very broad, powerful chest, oftentimes ginormous, kind of leading to the typical masculine V shape you want. Tiny waist, huge shoulders. And he definitely has a highly muscular. The build is quite defined because of how muscular it is. Extremely veiny, extremely like you. You lift too much, bro. You mad swole.

Cristina: Very bull like. Bulls are pretty muscular creatures.

Jack: Yeah, very stocky. Yeah, very swole. Now its torso is covered in coarse fur, but often leaving the chest and belly area is exposed. So the fur kind of focuses on the back and on the side.

Cristina: Makes me think of like a gorilla type.

Jack: Yes, it definitely has that right. Because gorillas chests seem to be more bare. Well, it depends on the gorilla too. But yeah, it seems to be more bare and whatnot. And although those images weren't too specific on this detail, oftentimes its ribcage is pronounced through its muscular build. That's how tight its muscles are and how tight its skin is. You can kind of see the formation. Not like super protruding and nasty like it's dying of hunger or something, but rather you can tell it's so tight that its rib cage tends to be shown. Okay, now here's an interesting detail. It's often depicted whether wearing a leather strap in an X fashion that is used to hold axes and other weapons as we are familiar with because it tends to have two axes.

Cristina: Okay. I wonder why.

Jack: But.

Cristina: Okay.

Jack: Its arms, again, thick, muscular, kind of almost exaggeratedly so. Way more than its body. Its body is exaggerated, but you gotta then exaggerate farther to get to the ridiculously absurd size of its arms. And as we noted, its hands have sharp claws instead of natural human like nails. So it's a normal human like hand, other than it's ginormous and probably like three times the size of your head. But then instead of nails, actual claws, you can just swipe at something and cut it open.

Cristina: Like a lion, I guess. I don't know if it's like a combo of different animals, maybe.

Jack: Weird, right?

Cristina: Yeah.

Jack: Like it's unclear what we're looking at ultimately. What the h*** are they gonna claim the minotaur really is? If these are all the descriptors.

Cristina: Yeah, weird.

Jack: It's a weird creature for sure. And so slight fur covers the upper arms and usually the. The back of the hand, never the palm. Very gorilla. Like again.

Cristina: Yeah.

Jack: It has very defined biceps and triceps. And again, veins visibly covering its arms. Like it's really ripped and jacked.

Cristina: Okay.

Jack: And then its legs, very strong muscular thighs and upper legs covered in coarse fur, particularly around the thighs. Hoofed feet instead of human like feet. Defined calves and thighs, Slightly bent knees in a stance, ready for action. Oftentimes like a goat or a bull or these kinds of animals, horses and whatnot, that have a position to sprint instantly into action. Usually wearing a leather and fur kilt used to hold potions and weapons or different. Of different types.

Cristina: Okay.

Jack: And for his legs, I also have a little descriptor, which is the stance and bent of the knees resembles that of animals much like a horse, bull, goat, or other animal, seemingly always at a slight bent angle. This is descriptors. This is again a paraphrased sentence from Greek. So.

Cristina: No, I don't know.

Jack: Yeah, it's some like, weird other thing, right?

Cristina: Yeah.

Jack: So overall notes on stance are slightly hunched posture. It's never perfectly wrecked. It's always got like a sort of lean forward going on. It looks really aggressive no matter what it's doing. Like, it could just be relaxing and looking exceptionally aggressive. But. And because of this, it kind of always appears ready to attack, like a lot of these animals. Like a horse always looks ready to jump into action. Always so weird creature. Looking at the descriptions, I was like, this is kind of weird. So based on these notes, the animals you've listed or what?

Cristina: Goats, gorilla, lion, bull.

Jack: Bull and Human.

Cristina: Human, yes.

Jack: Got a couple of things going on, right?

Cristina: Yeah.

Jack: Which one would you say is more dominant?

Cristina: The human, other than the human. Okay. Bull.

Jack: Bull, right. Looks very dominant. What would be second goat? Right. So we would say that the lion and the gorilla are almost not even present.

Cristina: Yeah. Except it has some tiny features that make it more lion, which is like the mouth is lionish.

Jack: I would argue that gorillas have sharp teeth.

Cristina: They do. Okay, Then the face is gorilla. Ish. But it has a mane that looks very lionish.

Jack: But also goats have that.

Cristina: Goats have that. Oh, yeah. And then the claws, though. That's not a ghost thing? That's not a gorilla thing?

Jack: No, it's totally not.

Cristina: It's not any of those creatures.

Jack: It has to be some cat or some s***, right?

Cristina: Yeah. So it look very odd.

Jack: It looks really weird. If you were to give this creature a name, what would it be? What type of creature is it? Not what species. But if you were to say this is classified as this, would you have a word for it?

Cristina: Crap. I'm pretty sure there's a word and I can't think of that word, but I know it. There is a word, is a word.

Jack: For a fusion of creatures.

Cristina: Yes.

Jack: A chimera.

Cristina: Yes, it's a chimera.

Jack: It definitely comes across like a chimera. It looks like a fusion of things. So, yeah, that was weird. And so I was like, well, this is a chimera. I was like, this is interesting. Let's see what more I can find. Just details that exist in history about it.

Cristina: But the claws thing, it does have claws. Is that. That was the description?

Jack: Yeah. Has talons instead of nails.

Cristina: Okay.

Jack: So looking for what is happening here, I went and looked for some behaviors associated with this thing. And it immediately led me to the fact that this thing is aggressive behavior wise, aggressive, savage. In nature, the Minotaur is depicted as a ferocious and bloodthirsty creature prone to violence and driven by primal instincts.

Cristina: Isn't it like protecting something?

Jack: What is it protecting?

Cristina: I don't know, like an entrance or something. It's kind of like the Locknik monster story where it's like there's a hideout and they're protecting it. So maybe he's protecting an entrance to something or a treasure or, you know.

Jack: Yeah. Feels like a troll you can't pass unless you get through me. Definitely. Definitely has that vibe. Right. It's known for killing and devouring those that cross its path, making it a feared and deadly adversary. Well, isolation is interesting with this creature, the Minotaur. Is known for its isolation, which could represent an inability to fit into either human or animal worlds because of its weird kind of night, neither here nor there vibe. And additionally, this sort of solitude might have contributed to its aggressive nature in the first place.

Cristina: Okay, so then when they're describing this creature, is it just one or are there a few of them known and being described?

Jack: There is one.

Cristina: Okay.

Jack: Which you will learn in the story of it.

Cristina: Okay.

Jack: That I will tell you because you asked. So the story goes as follows. King Minos of Crete. Crete is the most populous of the Greek islands. It's the most populated. Offended Poseidon, one of the Greek researchers. Poseidon then cursed Minos by causing his wife, Queen Palisafe, to fall in love with the magnificent bull.

Cristina: Oh, okay.

Jack: As a result of this unnatural union, the Minotaur is born.

Cristina: Oh. Oh, okay. What? I thought he was the thing that she fell in love. Oh, my gosh.

Jack: No, she fell in love. He was just a dude. She fell in love with a bull and then kind of let the bull lay down some pipe.

Cristina: Okay. Okay.

Jack: Yeah. Bestiality. Casually to hide the monstrous offspring, King Minos ordered the construction of a labyrinth.

Cristina: Okay. That's exactly where I would imagine him being.

Jack: Okay, that word doesn't just stand out to you.

Cristina: A labyrinth, like what? Like the thing underneath Clinton Road. I don't know.

Jack: And, like, what else?

Cristina: There's another one. Labyrinth is the house counted as the house. That's how she has the house. Okay.

Jack: It's a maze. A labyrinth is another word for maze.

Cristina: Yes.

Jack: And her house was a maze. And so. Yeah. So he constructs a labyrinth. Huh? A creature from the Greek experiments or whatever the crap. This is some, you know, bestiality moment, and you create a labyrinth to put it in. Somehow the story immediately smells like bullshit and, like, you guys are covering something up to me.

Cristina: Yes.

Jack: Now, the labyrinth is beneath his palace where the Minotaur was imprisoned and fed with human sacrifices from Athens. Such a specific set of words and events.

Cristina: Yeah.

Jack: Human sacrifices in a labyrinth?

Cristina: They might not be related. Okay. I mean, they could be, but, like, sacrifices could be something else happening down there.

Jack: Like what?

Cristina: Stones being made. I don't know.

Jack: Interesting. Okay, that's a great. What other thing?

Cristina: What other thing?

Jack: What do you think was happening in the house? That you would suggest stones in this labyrinth and not on that one?

Cristina: Oh, some type of portal to the other side. Great.

Jack: What do you think is happening at the bottom of Clinton Road? That you would suggest stones here and not there?

Cristina: I guess. Because I don't know about missing people because there's dead people here. I don't know the other two stories.

Jack: Clinton Road, where hundreds of people go missing. There's a whole point about that.

Cristina: Oh, well, then, yes, Maybe that's happening there too.

Jack: That's kind of why we looked there in the first place.

Cristina: Focus so much on the ghost story. I forget about the dead that are the people that are missing. Being missing doesn't mean they're dead because they're missing. Like, it's hard to say 100% while you're saying there are dead. These people are dead for sure.

Jack: Dead, like, well, he's feeding on them, so they're dead.

Cristina: So they're dead, but they're being sacrificed or something.

Jack: According to the words. Yes. Now, guardianship, the labyrinth's protector is ultimately the Minotaur because he's who's there all the time. And he acts as a guardian and gatekeeper of the labyrinth, making a symbol of challenge and an obstacle that must be overcome. People get thrown there, and if you can make it out, you are a warrior. Worth note. This is a challenge for you. You're gonna be sacrificed because you're a piece of crap who maybe broke some law. But if you make it out, you're one of our heroes and you're probably joining us.

Cristina: Okay, interesting.

Jack: Except how do you beat the Minotaur and then somebody else can go and face him. You didn't kill him. What does beating the Minotaur then mean?

Cristina: Reaching the doorway that he's protecting. I don't know.

Jack: I guess the way out. Yeah, just like they throw you in through this side, and there's no way to scale the wall. And somewhere there's a door with stairs, and he's going to try to kill you before you get there. Yeah, fair. So within the labyrinth, his behavior is labeled specifically as predatory hunting. Sort of, yeah. The Minotaur is often portrayed as hunting those who enter the domain, stalking them through the maze, like corridors of the labyrinth. A horror movie immediately. There should be a badass movie about this somewhere, about, like, running away from the Minotaur and is chasing you through the chambers or whatever.

Cristina: Yes.

Jack: Cool. Now trapping the victims, the victims themselves in there. So it serves as a trap, with the Minotaur lying in wait for unsuspecting victims who cannot find their way out. Which leans into what you're saying, a way out. There must be a way out. And you must find the way out before he finds you. So you don't have to kill him. You have to find your Way out. It's a game.

Cristina: There's no way you're gonna kill him.

Jack: There's no way you're gonna kill him. Is a 10 foot monster with weapons deader for a 10 foot monster.

Cristina: Yes.

Jack: So interesting. It's a game of sorts. Right. At least it seems like, you know, old school coliseum vibes.

Cristina: Yes.

Jack: We throw you into the thing will here, will he not modern day. We would just trap every hallway with cameras and make it a show. There's a minotaur down there. It's. It's the Minotaur hour. And today's contestant is Bob. And Bob is gonna be tossing or hopefully he doesn't die on his way down. Then the crowd all cheers. Ah, hopefully doesn't die.

Cristina: Yeah. So we get FL flashbacks to him having an interview beforehand. Yes.

Jack: He, you know, when he sits in front of the camera, he's like, why are you doing this? Well, I feel like I'm the right guy and I can totally accomplish this. I want to be world champion of escaping Minotaur.

Cristina: Yes. And I also don't want to die because I stole.

Jack: Yeah. You know, I was being put to death and I was like, I'll do the minotaur run.

Cristina: I'm fast.

Jack: Yeah. And then I'll become a warrior. Just don't kill me. So. Yeah, fair enough. Like I would watch that show. Just don't throw innocent people. Throw people who have it coming. I mean, theft isn't enough to be thrown in a cage, to be murdered viciously by some monster 10 times your size. And to be fair, we've described it as a human and bull. So it's an animal for sure. And it could smell you. So it's probably way harder to win this than you think.

Cristina: Yes.

Jack: It could just find you through scent. And also it knows where people are being thrown to.

Cristina: Yes. There's many.

Jack: My bet would be the only way this could really work. There has to be multiple routes that you can take. Otherwise it's not fair. You're always going to cross paths. Because the idea would be he would start at the door out and you would start at the only way in. So you got to find your way through the maze to the door out. And he's going to start at the door out and try to hunt you. So there must be more than one way to get there so that if he goes one, maybe you can dodge him.

Cristina: Well, that's very maze like. Yeah, exactly.

Jack: Checks out. But he can also track you better because he's an animal who can probably smell you.

Cristina: Yes. Or if it's like Quincen row, then there's many ways in and many ways out. You just have to get out of. Not. You can't go through the way you came in. That's probably the only rule.

Jack: Fair. And unless you. Yeah. Cuz you probably got pushed in from some height that you can't compensate because you're human. But yeah, there's probably multiple ways. And to make it more complicated, assuming because of the nature of what we're talking about, a maze, it's probably not just many ways in and many ways out, but I think literally one way in and one way out. But you can go to a dead end.

Cristina: Many dead ends.

Jack: Not know it's a dead end. And it just connects you to a whole other part of the maze. Somewhere where you just pop up and you're like, I don't. I'm super confused now. So it's probably a mess like that where you could enter all the way at the farthest left, pop up all the way at the farthest right. So you gotta figure this mess out. Like that. But interesting. Again, if that's the case, then it's a little harder for the minotaur to catch you, thus making it more even Your scent is on this side and then it just pops up over there. But you're also heavily confused roaming these halls.

Cristina: Yes.

Jack: Thus kind of a level playing field at that point.

Cristina: I can't imagine many winners though, right? Or any winner. I don't know.

Jack: So what do we think is actually happening based on this? We're talking about a game, but they're talking about you throw an individual into the maze and this creature hunts you. What's happening?

Cristina: What's happening? Well, if he. I don't know if he's. He's not part of the gods, he's just a random guy. So what could he possibly have to protect? How is he important to anything, this king?

Jack: Well, he's not said to be protecting anything other than the maze. According to the narrative, he's trying to eat whatever thrown in. So it's just a, you know, it's punishment system where you can probably make it out. I guess the reward is if you don't feed him, you get out. Yes, but you're likely just gonna feed him. I think that's the case, right?

Cristina: I think so. I don't know. There seems like something's off. Something's off. Yeah, for sure.

Jack: Okay, I'm going to tell you about the non accepted narrative by looking at.

Cristina: Oh wait, I just got or just remember something. How do people know all his descriptions? Was there a winner because of that?

Jack: Fascinating point.

Cristina: Yes.

Jack: Oh, fascinating point.

Cristina: Or are there guards? Other guards? No, I don't think so.

Jack: Nobody goes in. Nobody goes in.

Cristina: Yeah. Yeah.

Jack: So that's a great question. Good question. Now I'm gonna give you the correction of these stories from many different sources that aren't the accepted narrative.

Cristina: Okay.

Jack: These are mentions in other areas about this. Now, there's an individual called Apollodorus of Athens, and he is one of the authors. He's the literal primary author of the accepted narrative first. So all of the above details came from that individual. Okay, that's from Apollodorus of Athens. So I'm gonna go to a guy named Virgil. Really? His whole name is Publius Virgilius Maro, and the writing is called Virgil's Anaid. This is the text in which he mentions the Minotaur. And he says. Now he only mentions it in passing, by the way. So he chooses to focus on what he deemed more important, which was the labyrinth and its construction. Interesting details he gives us. He claims labyrinth was constructed by Daedalus, which is an individual of note in Greek mythology. Originally learned of the labyrinth during a visit to the temple of Apollo at Kume, where he sees a depiction of the labyrinth on the doors of the temple. Somebody had the maze's layout on their door engraved. On a temple's door engraved. Interesting things happening already. Now we're getting to texts we're more familiar with. Temples and mazes checks out. Okay. The labyrinth is described as inextricable maze with bewildering windings. Checks out to be a maze, very maze like. Descriptions of a maze also described as baffling and confusing. Now a maze whines and takes you to dead ends. For it to be baffling and confusing is hinting towards incoherent nature of it, which would suggest they go on one side, pop out of the other.

Cristina: Okay, yeah.

Jack: Why are you getting baffled and like, how the h*** did I do?

Cristina: Or if it's like that house where like the doors, the stairs lead to nowhere.

Jack: Yes, it could totally.

Cristina: Or the door leads to nowhere or whatever the case.

Jack: Interesting enough, what we know about that house is that this lady built it. Most likely not for that side, but when she died to go to the other side to have a house to roam. She was also the most prominent phantom there.

Cristina: Yes.

Jack: And she was also one of the only seeming non echoes there. Interesting. And now this place is also confusing. When you were asking where the Minotaur was located in that image. That was just probably a corridor of this maze. This means the Minotaur is described as being at the very center of the maze, coming outward to Hunt. Checks out, except for one problem with the logic. You must be starting at one end. The exit must be at the opposite end. And he starts between the two points. See? Only way it would make sense. There's no way you're trying to get to the middle. No, you gotta get out.

Cristina: Yeah.

Jack: So he's starting halfway between those two points, and he's gonna try to find you, and you're gonna try to avoid it.

Cristina: That's tough.

Jack: On your way to the door.

Cristina: Yeah.

Jack: As it seems, these are the only mentions we get from Publius Virgilius Maro. So we go then to a different individual that has another quick passing mention. Aristotle's notes in his library.

Cristina: Oh, my gosh. Okay.

Jack: In his notes, he briefly mentions the Minotaur and refers to him by name as Asterius. Now, you look up Asterias and you'll find variations of this name. Asterias and Asterion. Great. But he gave him a name. That's pretty sweet. Gives us another place to start with. Okay. Anyhow, there's one more writer of prominence that matters here. His name is Euripides. Euripides. So Euripides writings say. Which is a collection. So in his collection of writings, the Minotaur is a result of. Now, this is where it gets weird. This guy is way more obscure, way harder to find, and surprisingly, the guy who has completely different terminology. The Minotaur is a result of a progressive advancement in alchemy.

Cristina: What.

Jack: AKA the sciences of that time.

Cristina: Okay.

Jack: Claims that Queen Pasiphy was the subject of this alchemic procedure.

Cristina: That makes more sense.

Jack: That makes way more sense and is way more along the lines that we would agree with.

Cristina: Yeah.

Jack: The second subject was a babylos. A Babylon is a half bison, half bull.

Cristina: Oh.

Jack: Chimera.

Cristina: Okay, so that plus her equals this thing Pretty much.

Jack: Interesting.

Cristina: We took an experiment and then combined it with her. Made her experiment.

Jack: You didn't combine her. You used her DNA.

Cristina: Yeah. Yeah.

Jack: Because it was a child. We know the union quote resulted in this. So it's a child of sorts. Some sort of assembly or some. Test tube baby.

Cristina: Test tube baby for sure.

Jack: Right. Some weird. And now we're in the territories we've heard about before. Weird experiments.

Cristina: Yeah.

Jack: How interesting. Weird experiments that Poseidon was running.

Cristina: Yeah. Makes sense.

Jack: Interesting. Right. Now, it specifically says Chimera, created by Poseidon. By the way. An alchemic process resulted in the two creatures referred to as brothers.

Cristina: What?

Jack: Yes. Now let's take a look again so that you could be quite blown away by what we're looking at. It resulted in two creatures which referred to as brothers.

Cristina: Now you're saying those two things are two different creatures, not one creature being described two different ways.

Jack: These are two different individuals.

Cristina: Okay. Which is the human version? I guess they are both.

Jack: They're twins.

Cristina: They're twins. Okay. And they both came from this lady.

Jack: They're both from the same woman. And the same father. The same mother. Same father, yes.

Cristina: So one of them, though, looks more like a human. A human. And the other one looks more like the father.

Jack: Yes.

Cristina: Half bison. Half. What was it?

Jack: Half bison, half bull.

Cristina: Bull, yeah.

Jack: Interesting, right?

Cristina: Yeah.

Jack: So this seems to have been lost in mythology. People have mentioned it, but the main narrative, over repeated durations, sort of fused them into one individual. Go back to Aristotle's notes. And he gave us two names.

Cristina: Okay.

Jack: Yeah. See?

Cristina: Oh, this lady was experimented on.

Jack: Yeah. The two names again being Asterius and Asterion. Asterias is the traditional Minotaur we are familiar with. And then Asterion is the quadruped.

Cristina: Quadruped walks on four legs. Oh, okay.

Jack: The more animalistic one.

Cristina: Yes.

Jack: Weird, right?

Cristina: Yes, Very strange.

Jack: Additionally, Euripides gives us a nice little detail that is so hard to find outside of his writing that it is baffling. And I've never heard it before until I saw the word. First I saw the word in Greek, and then I had to translate the word from Greek. So the alchemic process resulted in the two creatures referred to as brothers, which are Asterias and Asterion. Asterias, the Minotaur, is brother to Asterion, the Toro Boban. Those two individuals describe their different physical structures. The Minotaur, very human, like the Toroboban, very animalistic. Both twin siblings.

Cristina: Where is the Toro Boban being kept?

Jack: I just told you that the narrative got fused and turned them into one.

Cristina: Yes, but. So in. But then they're both living in the maze.

Jack: Yes. Okay, so the claims by Euripides go. The Minotaur would result reside in the very center of the maze, protecting what he referred to as the entrance. At the center of the maze is the entrance, not where the person you throw in there to die goes in through just something he referred to as the entrance.

Cristina: Okay. Which could be his entrance into the maze, maybe. No, but then he can't go in.

Jack: And out, so he can't go in and out.

Cristina: It's very strange to call it the entrance or not strange if it's not really an entrance in the way. We're thinking, like, if it's more like a portal.

Jack: Like that.

Cristina: Yes, like the house.

Jack: The entrance at the house was just what looked like a seance room, as referred to like a sandro. Yeah, but it was just an entrance.

Cristina: Entrance, but it wasn't. It was just a room.

Jack: No, it was an entrance, but I guess it was literally an entrance, just not for us. Yes, but it was an entrance. This is not an incorrect terminology. You're not. Don't discredit the word entrance. It is an entrance. He's not wrong. He didn't write it. And you're over here correcting him. No, that is the right word. It's an entrance.

Cristina: Yeah.

Jack: We just got a question. What kind of an entrance? And we have an example of an entrance at the center of literally a maze.

Cristina: Yes.

Jack: Very similar scenario. The Minotaur, what we're familiar with, is at the center of the maze. It's weird that the Toro Boban isn't the one at the center of the maze and that people never see the entrance. So we don't know about the Tora Boban. People have made it to the entrance because they see the Minotaur. It's easier, it seems, to evade the Toro Boban.

Cristina: But he's the one probably eating them.

Jack: The Toro boban.

Cristina: Yeah.

Jack: Yeah, he's definitely the one killing them out there.

Cristina: Yeah.

Jack: And then anybody who makes it all the way to the Minotaur, you then have a fight in your hands that you're probably not gonna win. And he's about to eat too.

Cristina: Yeah.

Jack: Interesting.

Cristina: Mm.

Jack: These two creatures got fused into one and lost a history. Never before have I seen this. The Toro Boban would roam the maze. Hunting the prey is the very next line.

Cristina: Yeah, that sounds like what we thought. Yep. Yep.

Jack: Although that's been attributed to the Minotaur. That is incorrect. The animalistic one is the one roaming those halls, those corridors, while the one most man like stands dead center, waiting casually.

Cristina: Yeah, but even if you make it to that entrance, quote unquote, you're not really getting out. Even if you can pass him, because that's not the actual way.

Jack: No. They're not protecting an exit.

Cristina: No.

Jack: You're meant to die there.

Cristina: Yes. If you made it there, you go the wrong way.

Jack: Yeah, exactly. There's probably a way out. It's just not that way. And that is a way in for something else. Yeah, you're not going to that side. If you can't, I won't let you. I'm only here to let them in, not you out.

Cristina: I mean, maybe you can come back in that way after he's done with you.

Jack: Now, based on the pattern we're looking at, there's some things we could question here. If that is an entrance, that means that there is another exit. Because the entrance is where the Minotaur is. The exit must be elsewhere. The exit to the maze must be elsewhere because the Minotaur is blocking the entrance.

Cristina: Yes. Yeah.

Jack: That is the entrance, not the exit. It's specifically labeled as the entrance. And we know what kind of interest they're referring to. Yes, because we have another example of it. But how do we know more about the Minotaur than we do about the Torah Boban? The people telling the story were never human. They must have originated the narrative. It's Jinn or something coming through. And they're most likely to see the Minotaur on the way in.

Cristina: Okay.

Jack: Then the Toro Boban roaming the halls. They would never come across. He's at the door. He's the first thing you see when you come through the Minotaur.

Cristina: Yeah.

Jack: There's no reason you would see the Torah Boban unless you stumbled into him writing these stories.

Cristina: Are community communicating with ghost. Question.

Jack: Not ghost with Jin.

Cristina: Yeah, but it's like the same to those people.

Jack: Not if they came through.

Cristina: Like they have physical bodies when they come through.

Jack: Like all of the Djinn that come through, you see? So whatever's coming through that becomes physical. Just like the Jinn that interact in all these other groups, it's a physical thing. Those individuals then come in contact with perhaps the individuals telling these stories.

Cristina: Yes.

Jack: And inform them about what they saw. And 99 times out of a hundred, the only thing you saw there was Minotaur.

Cristina: Yes.

Jack: Because the other one is roaming the halls.

Cristina: Yes. To kill humans, not to kill.

Jack: To kill the punished.

Cristina: Yeah.

Jack: Interesting.

Cristina: So they're not hunting Djinns or. None. They're just interested in the humans.

Jack: Yes. They're being fed to do their job. Interesting. Two outcast brothers put in this maze, and they're gonna be fed. It's not really outcast if they're kind of down with it and performing almost a duty. It becomes almost like they were made for this purpose because the maze was made for this purpose. And then your only thing was to put them there. These are op. You could use these for a lot of things, but you put them in the maze and have one Roaming the halls. And the other one guarding, quote, the entrance, unquote.

Cristina: Yes. Like this. This was gonna happen whether that lady was involved or not.

Jack: Yeah.

Cristina: Somebody's being punished.

Jack: But, like, I don't think so. I think that's bullshit story.

Cristina: Oh, you think that part is?

Jack: I think that. Yeah, I think that's all fake narrative.

Cristina: Oh, okay. Yeah, Yeah.

Jack: I think it was just ways to explain it by people who didn't know what was going on.

Cristina: Yeah, like the other story with the.

Jack: Yes.

Cristina: Queen that turned into Snake.

Jack: Yeah, exactly. It's just, you know, warped stories, People trying to comprehend crap. So the Toro Boban is something lost to history, something lost in text. Now, it's mentioned in passing and here and there, casually, very hard to find. But if you look hard enough, it shows up. The Toro Boban called Asterion, and the Minotaur called Asterias, they were named to begin with. Their names were also lost. It's very hard to find their names.

Cristina: Their names are very similar to each other.

Jack: Yes. So things to note about this. We've come across mazes, as we know, and they kind of resemble the scenario.

Cristina: Yes.

Jack: And even if there's no particular maze structure in Clinton Road other than. And it's not even a maze, more than just some weird private area with entrance and exits that we're unfamiliar with, that's not maze. Like, there's probably a straight shot there. We just don't know how to get there. But the. The underground and the whole setup on top where you could, like, literally walk down this way and then pop up over there. But there is a town there that's like a maze, which is Paradise.

Cristina: Oh.

Jack: And you go into paradise and the roads start changing on you and the exits start changing on you. Interesting. There's a maze there too. Sort of.

Cristina: Sort of. Yeah.

Jack: New modern age maze. But we go way far back. There's literally a labyrinth. We go in the middle between these two points, we have a house that's weird and confusing. And we jump a little more further up and we have a town that's equally confusing. So it's the same layout. Presumably at the center of paradise, there must be what? A gate in the center of Paradise. Two different instances are hinting towards the third one.

Cristina: Have you looked up stories about Paradise?

Jack: That is the next goal for sure. Because now we have a point of reference.

Cristina: Okay.

Jack: Now we have a way to look at it other than it's a town. What stories do people know about the town? Like, people don't know things. No, we need reference.

Cristina: Yes. Okay.

Jack: And now we have perspective, we can start looking. Is there anything weird that's ever happened at the center of paradise? Has anybody seen anything like this or that?

Cristina: Yes.

Jack: In paradise?

Cristina: Probably. Then we call it the Jersey Devil. Who knows?

Jack: Yes. Any possibility? Yes, exactly. Something is at the center of paradise. Maybe we were looking in the wrong locations. And where we should have been looking all along was the maze. Paradise. This is my point. We have no idea how to. The place is too big. There's too much crap there. Perspective.

Cristina: Too much going on.

Jack: Too much perspective is so important. We have to get informed elsewhere and then come back. There's some unrelated nonsense. Since it totally turned out related.

Cristina: Yes. Was that your goal?

Jack: No, no. I'm just getting information from any. Again, anything that relates to any of the groups or any of the things could hint.

Cristina: Okay, so something reminds you of this and then you went on this hunt.

Jack: Yeah. No. Not reminded me of this per se, but I'm just looking at things and creatures and I stumble upon the thing and you know, chase random threads and see where they go. If nothing, go over there. I tell you, the ones that do connect, there's a bunch of crap that doesn't. If it's interesting enough, I don't care. If it doesn't, I'll tell you anyways.

Cristina: Okay.

Jack: But amazing. I think there's something at the center of paradise.

Cristina: Yes. And we gotta find it. Yep.

Jack: If anything, it has to be some sort of a portal because we're two for two.

Cristina: Mm.

Jack: The distinct role of the brothers and how the more humanoid of the two would stay at the entrance is of note. That's definitely a welcome party. Not just blocking somebody from the maze, getting to the door and going through some private location you shouldn't be heading to. Like the hidden gate at the seance room. It's almost like you're trying to prevent people going through to the other side. You just want things to come through onto this side.

Cristina: Mm.

Jack: And putting the more human of the two there instead of having the more human of the two walking the halls, you're. It's a welcome party. You have somebody who could, like, I can guide you to where you need to go.

Cristina: Yes, Guide them. Yes.

Jack: Instead of a freaking half monstrous bull looking thing that you're like. That looks like the kinds of crap we kill on my end.

Cristina: Yeah.

Jack: You know, you want something humanoid and like, oh, yeah, I'm here to point.

Cristina: The way or something. Yes.

Jack: Then again, I'm sure he's the welcome party and kind of sets you up for My brother is going to guide you. He's my brother. You're safe. Instead of the brother, be the one who show up. The Toro Boban. You're like, oh, my God, Did I go through the wrong door? Okay, so have the humanoid one speak to you and be looking like a human. And then the Toro Boban that roams the halls would escort you to the actual door that it's familiar with. How to get to.

Cristina: I don't know. I think they avoid him completely because there is no stories of the other guy because the other guy's just murdering.

Jack: Fair enough. Right? They would have mentioned them, too. Yes. You're totally right. They're not seeing him at all. Meaning the. The Minotaur actually leaves its post.

Cristina: Mm.

Jack: Because at the end of the day, nobody's getting that far.

Cristina: No.

Jack: And one trip isn't gonna suddenly allow the person to just get to the door.

Cristina: Yep. The only one anyone sees is the Minnow Tower.

Jack: And anybody who maybe the Torah Boban is kind of like my bro, you know, My brother's kind of off edge, so you stay with me. I'll tell him you're good, and we'll go to the door, and you can exit. But if you come across my brother.

Cristina: Without me, maybe that's why he's so buff, in case he has to fight off the brother. Although they never mention it.

Jack: They don't mention it? No.

Cristina: They work together according to the avoiding or. Yeah. They just stay away from each other. Okay.

Jack: It could be that they stay away from each other, but, I mean, I guess it could be. There's no mention they do. Well, no. They both eat, and they both stop anything from getting to that door.

Cristina: Yeah.

Jack: So they're sharing.

Cristina: Mm.

Jack: So I'm assuming they're still cool with each other. Maybe the Toro Bowman is just way more aggressive, and he's like, keep all that other away from me. I don't want to. I don't want any part of this.

Cristina: Yes.

Jack: While the. The Minotaurs is, you know, more humanoid. I'm more accepted. He is definitely way more rejected than I am.

Cristina: Yes. But he's not a social creature, either, at least in the descriptions I think you gave of him.

Jack: Yeah. Isolated. Both of them are.

Cristina: Yeah. So he's just doing his job. I think it's not to socialize or anything.

Jack: Just like in both of their cases, they're just doing their jobs. Yeah. It just so happens to be that one is at the door and probably the escort to the exit.

Cristina: Yeah. That's it.

Jack: Follow me. And I'LL get you out at the end. Interesting, right? Very. Again, so much of this lost to repeat iteration. Yeah, it just gets lost in translation. The area referred to as the entrance being the center of the labyrinth, opposed to being the entrance being on the outer edges, is very informative. That's definitely a way in from somewhere else. And we have examples which heavily enlightened that this is existing at the center of paradise, at least. Most likely.

Cristina: Most likely.

Jack: Even if not, it seems most likely the experimentation that Poseidon performed as to result in the Babylons to begin with. So he was already creating weird things, made this chimera and then use this chimera to make a double chimera.

Cristina: Yeah, to make a few more, you.

Jack: Know, chimera twice removed. I made that thing and I'm gonna use that thing to make something else. Merge this cool other thing with a human.

Cristina: Which he probably has other experiments too.

Jack: Yes. Based on this, there must be a plethora of experiments that are hard to find that Poseidon has performed. Weird.

Cristina: That's very weird because, like, the. The unicorns aren't theirs. Not the unicorns. The. Yeah, the unicorns aren't theirs. And they thought that was weird about the unicorns. But, like, there's creatures in Greek that would remind you of the unicorns. Like, you would think those are animals from there.

Jack: Well, I have a reason why they would think it's weird. The Minotaur and the toro boban don't seem to have weird supernatural powers.

Cristina: Okay. Yes. Because the unicorn could fly.

Jack: The unicorn can just levitate and they're like, how the h*** did you do that?

Cristina: Yeah. Because if they do have unicorns from there as well, they wouldn't be. They would hover. They would just. They would be more horse like.

Jack: Yes. They would have other things going on. The best they keep in mind. Keep in mind that they have no version of this. Their imitation of a unicorn is a Pegasus. It's still not powers. It's a physical thing. You gave it wings so it could fly. Yeah, because theirs doesn't have wings and can just take off into the sky. And you still have no idea.

Cristina: No.

Jack: So we're looking at the Greek can make chimera. But the Alicians don't need to waste their time merging two animals. They could just take a random animal and jacket.

Cristina: Don't know what they did. Don't know how it's possible.

Jack: But also, we do know how it's possible because the Greek have no idea how the h*** the stones were being made. They were referring them they were just referencing always different, different versions of adrenochrome. They're drowning in that.

Cristina: Yeah.

Jack: While the Elysians figured out the stone that they could just use to make the unicorn.

Cristina: Okay. Yeah.

Jack: Logic. There's. Their methods are so different, and they can result in kind of sort of the same things.

Cristina: Yeah.

Jack: But through vastly different methods. These are two very, extremely different sciences taking place. Interesting, because we have a third completely different science in modern day.

Cristina: Yes.

Jack: So we're looking at. The Greek had one version of science that does not reflect anything the Elicians did or anything we've ever done. Then the Elysians have some form of science that doesn't reflect anything we've ever done or anything the Greek have ever done. And we have a version of science that doesn't reflect anything the Greek ever did or anything the Alicians ever did.

Cristina: Yes.

Jack: Science is not one way.

Cristina: Okay.

Jack: There are roads to take, and some people find other ways. And this is a great example of the building stones we know about. The Elysians never consumed adrenochrome, as far as we can tell. But avoiding that killed quite a lot of people.

Cristina: Yes.

Jack: While the Greek didn't have to kill mass people. They would just have to continuously, you know, kill one here, kill one there to consume the adrenochrome. But they have to remain hooked up.

Cristina: Yes.

Jack: So in order to not be hooked, you got to take a lot of life.

Cristina: That's tricky. There's life. Either way, you're losing life, no matter.

Jack: Losing life no matter what. Interesting. Interesting. Two vastly different sciences. And it makes total logic how you got the stone, and the stone breaks the laws of nature, so a unicorn becomes possible. You over here aren't breaking the laws of nature. You have no idea how the h*** they did that. So you're just altering your physical makeup through literal chemicals. And so in the same kind of way, you could do that. Something else.

Cristina: Yeah.

Jack: Alter the physical makeup at birth and then you got some other thing. Totally different sciences, totally different products. It's awesome that they line up in logical kind of ways, but. Yeah, it's weird. Weird. The unicorn thing versus the Pegasus thing. The different sciences, the methods they took to get there. Fascinating man. Poseidon. Creating chimeras is weird. It's a hat that's not mentioned more. But again, we're talking about real obscure lost information.

Cristina: Mm.

Jack: And it's just fascinating that he. He kind of. We haven't heard of experiments on experiments.

Cristina: Yeah, I guess.

Jack: Yeah. But it would make sense if you can't just do it the first time with a stone. You have to won't A plus B equals C. Then I use C plus D, so on and so forth. Because it's literal, more practical. As opposed to just breaking laws of physics and nature. And as a result of all of this crap, the Tora Bobon gets lost to history and fused in literature to the Minotaur. Ultimately making it look like they've been one all along when they weren't. There's a weird turn.

Cristina: There's gotta be more creatures.

Jack: More double triple, quadruple experiments going on.

Cristina: Yeah. Just like the they when they made the Nagas. They made a bunch of Naga variations of them.

Jack: Trying to get to. But we didn't see see Keto experiment on an existing Naga.

Cristina: No.

Jack: Or an existing Grogan, which isn't a Naga. Just trying to. But he didn't succeed in making it to the way that he would call a Naga. So he made Medusa. And then like this is weak. He didn't work on Medusa's DNA again. He started again from scratch.

Cristina: Yeah.

Jack: While Poseidon is leveled up, bro. He understood. Nah, just work on the thing already. Use that.

Cristina: I like what I made, but I want to get. Yeah, yeah.

Jack: I want to make it better. So I'm not going to start from scratch. I'm improve on the model.

Cristina: Fascinating scientist.

Jack: It seems he would be. But he is amongst the group. And here is just a different visual of the exact same duo. Looking a little more, you know, casual next to each other. No longer in the same image, but a more accurate depiction of what you'd look at.

Cristina: Okay.

Jack: Yeah.

Cristina: Still with the red eyes.

Jack: Yeah.

Cristina: Pretty horrifying.

Jack: Both quite aggressive and menacing looking. Those features kind of line up ultimately. But yeah, when you look at it, it really is just a.

Cristina: They look like they're related.

Jack: They totally do. They totally do. Yeah.

Cristina: Yeah. You could think that was there. It's werewolf version if that was a thing.

Jack: Yep. But you end up with this result of like these two born at the same time. Twin brothers. Both isolated individuals. Highly aggressive, ginormous, 7 to 10ft tall individuals. But looking at this creature has informed us on Paradise Road that leads to the town of Paradise. Yes. Now this random thing aimed because the maze was what mattered here. Yeah. We learned about a cool other experiment. Dope. Pretty awesome that we found some kind of real hidden knowledge. But all of this was just entertainment purposes. Because the knowledge we should all be taking from here is another maze with another gate at the center.

Cristina: Has to be.

Jack: And we have a third maze that we've never looked at because we thought it was just, you know, the jumbled nature of the shadow realm. But that doesn't make sense. The veil wouldn't be so thin there. That's a place meant to channel an entrance.

Cristina: Yes.

Jack: We just gotta find the entrance. Which would be harder to find the closer to the center you get.

Cristina: Presumably, for sure, because it would be.

Jack: More, I don't know, more jumbled, harder to get the closer you get. You take a wrong turn, you might find your way all the way to the beginning again.

Cristina: Yeah. Yes. I think we found something. Or we're gonna find something. I think we're gonna find something.

Jack: Yeah, yeah, yeah. Interesting. Anyways, that's what I have, the Minotaur, which is not one individual, but rather the Minotaur and the Toro Boban both got crushed into one word, Minotaur. But Minotaur is only one individual. Asterias, the bipedal, one of the two.

Cristina: The other one being the quadrip.

Jack: Asterion. Asterias is the Mena, the minotaur, and Asterion is the quadruped.

Cristina: Okay, beautiful.

Jack: Anyways, anybody who has any input, any information, if you got enlightened. Yeah. If you found that interesting, if you concluded something we didn't think about that's hidden in this data we went through, tell us, message us, communicate with us, hit us up on our socials at just convopod on X, on Facebook, on Instagram, on Tick tock, wherever the h*** you want, find us.

Cristina: Remember to subscribe, rate and review the show.

Jack: Yeah. And word of the mouth, talk to people. Tell them, not just you hit us up, but you tell people to come and listen. Especially people who like Greek mythology or people who like any kind of mythology or supernatural things. Or weird things.

Cristina: Or weird things. Yeah.

Jack: It's all here.

Cristina: It's all there.

Jack: We do pretty fringy stuff.

Cristina: This has been the Rambling Podcast. Take nothing personal and thanks, bro. Listening. Bye.

Jack: Foreign.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 287: Lamia

Who is the Greek Mistress Lamia? What is the narrative surrounding her death? What is the truth surrounding her death? The duo unpack the mythology of an interesting creature known as Lamia, a mistress of a Greek God and what really unfolded with their affair.

+Episode Details

Topics Discussed:

  • Greek Mythology
  • Naga
  • Romantic Jealousy
  • Hera
  • Snake Pits
  • Shapeshifting
  • Necromancers
  • Jesus Christ

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcription

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in five, four.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And today we have some interesting things to learn look into. But first, as of late, we've been catching people up because of our jumping around. Anybody who is used to us following a giant cohesive narrative that we've been following for like two years isn't used to the old way. We were doing things of just casually picking things that kind of sort of related to this bigger theme that we didn't know existed. But we were just hunting monsters and figuring out what was going on. Except after a long enough deep dive into what we thought was an unrelated series of things that began with a creature, the unicorn, slowly spiraled into. Every creature seems to be related to this thing one way or another.

Cristina: Yeah.

Jack: And initially we thought a lot of it had to do with the Elysians. When we started looking into the Elysians, but before then, we knew things about the shadow realm and many creatures who were in there. So we were hunting things like that. But before we knew about the shadow Realm, we were also just hunting creatures, trying to find out what the f*** these things are. We thought some of them are aliens. We thought some of them were interdimensional things. And weirdly enough, both of those things are kind of the same.

Cristina: Yeah, I guess so. Yeah.

Jack: You know, we knew this Chupacara was like a God like thing. And we thought it came from space looking for things. But no, it did come from elsewhere. But the elsewhere wasn't space. The elsewhere was a different realm.

Cristina: I don't know if you know anything that actually has come from space.

Jack: No, we know things that have gone out into space.

Cristina: Yeah.

Jack: But it seems that everything we thought came from space we have proven with texts that mentioned it before we even looked up. And it's like, okay, okay, you guys knew about all these things ahead of time. So I was in trying to dig deeper into the Clinton Road thing that we've been looking at. We hit some walls because we gotta find things for this. We gotta figure out what's happening in the bottom of the castle. It's been sealed off. It clearly has a way in and out in a location that is undisclosed to the public because it's been kept absolutely secret with, you know, official reasons or whatnot.

Cristina: Whatnot.

Jack: But the castle it was on was Destroyed. So the entrance there is gone and the exit have been blocked and built around, so we don't know where they exist in the five towns that they're spread into. And then somewhere in this giant property, there could be a random manhole cover that's covered by leaves and happens to be in the woods. And that's the only way in or out of this f******. Like, who the h*** knows?

Cristina: It just sounds so suspicious. It just sounds like that lady with the house that makes it into a puzzle that ends up being a portal for ghosts and whatever.

Jack: Except she wasn't trying to hide anything that was just out there. So why were these people trying to hide it? What is the difference? And this is more recent than the house, too, so what is the point? And, like, I've tried to look. Like I said, the hardest thing about this was gonna be the castle. So we visited the castle.

Cristina: Yeah.

Jack: But all it did was lead us to walls. So because we hit these walls and there's nowhere else to go. Look elsewhere. Maybe we'll get informed.

Cristina: Right, okay.

Jack: So we've gotten informed in the past just by looking at other places. We found the Elysians, and that informed a bunch of s***. We found the Shadow Realm. That informed a bunch of s***. Things that we thought were unrelated. So as I'm looking through random crap, looking through old notes, I come across as, you know, the fact that Zeus was kind of pretty successful at creating Nahaz.

Cristina: Okay, yeah.

Jack: Not Naha's Naga. Nahaz was a specific. Naga is the one from the Garden of Eden's research team. Nahaz is the one we call the Serpent. But so we know that he successfully made a Naga, and we know that he got his Naga to successfully make some that worked and some that didn't, like Medusai and her sisters and crap like that.

Cristina: Yeah.

Jack: Yes, okay. But still have kind of OP abilities that are kind of sort of fairy like. And in looking at that, it came to my mind that, wait, this is the first instance of more than one, more than two, Many, Several. And so I'm like, okay, if you figured it out, you didn't also just stop. Those just happened to be the main narratives, right? The ones that are important because you figured it out, you want to be able to replicate it, and holy s***. That I immediately find something. I was like, there must be more. Just logically speaking, if nobody else could figure it out, the guy who did is probably going to mass produce them. That's the advantage right there.

Cristina: You're OP now he has a Naga army.

Jack: He Would have to. Right. He would have to build. I mean, not a Naga army, but he would have to make multiple. Logically speaking. And I stumble upon a thing called Lamia. L A M I A Lamia. And Lamia is described as a half woman, half serpent. But Lamia is not Medusa or the other Groguns. And Lamia is not Glycon. And Lamia is none of these things.

Cristina: She's from the same area.

Jack: She's Greek.

Cristina: Oh, okay.

Jack: She's Greek, specifically related to Zeus. Oh, weird. So I was like, okay, this is odd. But like, we can easily find it now because. Yeah, you had more than one and you instructed something to make it. Just because we only stumbled upon the three and didn't dig deeper, doesn't there isn't more? Yes, but there's definitely more. She's not even the only one I found.

Cristina: Okay.

Jack: But she's the most interesting one I found. So, as we said, she was originally mentioned in Greek mythology. And very specifically, the same thing that shows up again is half woman, half serpent. Half woman, half serpent. Very, very directly. It seems like Zeus wants Kido to continue making things that are half and half, not fully one. Or Kido is obsessed with not actually succeeding and going halfway because he wants to be the powerful one.

Cristina: Okay.

Jack: I don't know the point of why they're always half and half. If a Naga is not. Anaga is not. Yeah, Anaga is a full fairy serpent.

Cristina: Serpent thing.

Jack: Yeah, absolutely. 100% a serpent.

Cristina: For some reason, he only makes halves and halves.

Jack: All of them are. Now they're really overpowered to the point that they are more OP than a bunch of the s***. Alicians didn't like some of this crap because of how OP it is. Meaning they felt, you know, some of these things were a problem to some degree, but they weren't. Naga, is it because it's impossible to actually go all the way? But no, because we know of people who've accomplished it.

Cristina: Yeah. So did they do it on purpose? And what was the purpose?

Jack: What is ultimately the purpose? So I dive into the story to just what do the Greek have to say about this? What is the main narrative about Lamia? So here we go. First of all, Lamia was the queen of Libya according to the Greeks.

Cristina: What?

Jack: She was the queen of Libya. Okay, but weird that the queen of Libya is a half serpent, half a woman. But whatever. The Greek had weird stories to tell.

Cristina: Okay.

Jack: You know, everything was odd. Now, where this became really interesting to me is the fact that she was in love and loved by Zeus.

Cristina: Okay, yeah. Well, she always have snakes, though. Is that part of her story? Okay.

Jack: She's always been.

Cristina: Oh, okay.

Jack: Always been half serpent. And Zeus is into serpents, I guess.

Cristina: Okay.

Jack: And upon finding out that Zeus was having an affair with her, Hera becomes jealous and curses Lamia to lose her children.

Cristina: Oh, hush. Okay.

Jack: And transforms her into a monster who would devour the children of others.

Cristina: Oh, my gosh. Whoa.

Jack: Hardcore.

Cristina: Hardcore.

Jack: So let's unpack this for a bit. Zeus loves a half serpent lady, but I guess he's a God and he f**** random s***. Like, whatever, dude, you're God. What is a human to you? You're a God.

Cristina: He's with someone who is not cool with.

Jack: He's someone who's not cool with that. But he's always cheating on her. All his children are from different women. And he has, like, 100.

Cristina: Yes. But does she get her revenge like this to every single lady?

Jack: Yes.

Cristina: Like, how does.

Jack: Hera is. Hera is known as a total b****.

Cristina: He's also a monster. That's okay. With the reaction. Her reaction. Whatever he does. Because he's not getting hurt. It's just the people he's with getting hurt, and he's not feeling that well.

Jack: The logic goes as follows. He loves one person deeply, and that's Hera. He loves other people. Not deeply. He loves to love. It's the idea of, you can truly be in love with one person and love many other people who you're not in love with. Yeah, you want to be romantic, and, yeah, you want to f*** and you want to have. But there's one person who you are committed to.

Cristina: But do you not feel bad for these people that are suffering?

Jack: Well, they know they are also involved. They are not an uninformed party.

Cristina: Okay.

Jack: In all of these cases, they are the informed party. Everybody's informed.

Cristina: Yeah.

Jack: Zeus is not a liar.

Cristina: There's a chance that you'll die or you'll have to kill your loved ones to be with me. That's. That's tough.

Jack: No, I'm sure all of these God women are like, I could take. Oh, I guarantee you, every single one of them. The gods are full of themselves.

Cristina: Yeah.

Jack: Every single one is like, I could take her. It's not a problem. But Zeus has always been committed to Hera. And he's like, I'm not gonna say to my wife, she said, you banned, so you banned.

Cristina: Okay.

Jack: But Hera is fine until she's not.

Cristina: Yes.

Jack: Like, she knows. And then I guess she just doesn't want to see it ultimately just like, don't bring it around me. Don't bring it around me. You come home to me and you don't bring any of them b****** around me. And when she sees them b******, them b****** gotta die or become other s*** or whatever the f*** she does.

Cristina: Just live a miserable, miserable life.

Jack: Yes. But to his defense, he 100% seems absolutely committed to Hera, because that's who he doesn't violate. She's like, I gotta kill this person. He's like, s***, I guess you gotta kill this b****. And it's like, d***, bro. Okay, you at least committed, okay? And like, I respect that. I respect the guy who can stay committed. And realistically, yeah, you love other people. Realistically, but you're not going to betray who you're in love with, which is Hera. Great important detail because of where this is going to go.

Cristina: Really?

Jack: That was. That was not without purpose. That rant was absolutely within reason. All right, so, yeah, Hera kind of notorious for tossing people into weird situations, killing them, turning into other s***, ranking them, sending them into other f****** planes of existence.

Cristina: Do you know what kind of monster she turned her into? Like, what does she look like?

Jack: He. She made her existing form feral. She was a woman, and now that woman became a monster based on that woman. Oh, so it's just she became a feral monster. She was still a woman snake thing, but now she was a snake woman. She wasn't before she was a woman snake. Now she's a snake woman, if that makes sense.

Cristina: Yes.

Jack: And like, yes, that's the priority right there. She's like, okay, now you're primarily the serpent. Enjoy killing all the children you would love.

Cristina: Harsh. Okay?

Jack: Hardcore.

Cristina: Hardcore.

Jack: But if she knew, then she opted into the possibility. That's more on her for thinking she could step into number one spot. And it's like, we all know where Zeus stands, and it's by Hera.

Cristina: Okay?

Jack: There's not a soul who's ever questioned if Zeus is going to turn on her. He's not going to. Why would he? Which means you opted into the situation to some degree. You weren't aware of what extent or what move. But you know, if you get busted, you. You f*****. And so you did, and I f*****. Okay, now let's break apart her appearance a little. Described as having the upper body of a beautiful woman and the lower body of a serpent. Right, let's dive into a little more detail. One thing that I found, which, again, as I say it, the image as I keep Moving forward, the image is going to build itself. She has the ability to shapeshift.

Cristina: Okay.

Jack: And that's an important little detail right.

Cristina: There because that's always involved.

Jack: That's a clever little tidbit. Oftentimes into either a pure woman or a pure serpent. Those seem to be her main go to. She can shapeshift into other things. But when she's in her pure woman form, after her interactions with Hera, she lures men in this woman form, and usually men with children, intentionally trying to get to the children and eat them.

Cristina: Oh, my gosh. Okay.

Jack: And when she's in a pure serpent form, she uses that to blend into nature where there would already be children.

Cristina: She's actually. Oh, my gosh. That's horrifying.

Jack: Yeah. She became. It's not just like, you're gonna be a thing. And it's like, yeah, I'm gonna go live my life as the same s***. I am just waiting. No. Hera f***** this lady.

Cristina: Now she hungers for children.

Jack: Now she hungers for children.

Cristina: Oh. Oh.

Jack: Weird, right?

Cristina: Yeah.

Jack: Lamia, the lady who will eat children. But again, there's some patterns that are forming. I don't know if you're spotting them as I'm going through this. Shapeshifters, children.

Cristina: Yes.

Jack: Let's dive into some of these behaviors. They are going to paint even stronger image. She usually appears at night. Succubus behavior right off the bat. And the fact that you're luring men. Odd.

Cristina: Odd.

Jack: Luring men at night.

Cristina: Yeah.

Jack: Sounds like a succubus. As far as I know.

Cristina: Yes. Yeah.

Jack: Which is already a shadow realm creature. So luring men at night and using the darkness to confuse and more easily abduct. Very, very succubus. The only difference is succubus are kind of mermaid, like always by water and s***. It's most likely a succubus is a mermaid and a mermaid is a succubus. Maybe different variations of the same thing. And by the end of this episode, if we remember, we could address that because it's gonna make sense why we would have to compare those things if we remember to.

Cristina: Okay, so you saying she didn't like magically turn her into a feral being. Now she is like the feral version of whatever creature she was. Like adrenochrome. Maybe she was given adrenochrome and killed and now she's after that or something like.

Jack: It's complicated. No, she was definitely a serpent woman.

Cristina: Yeah.

Jack: There are serpent women? Yes, according to the Greek myths.

Cristina: But now she's a feral serpent.

Jack: Yes. But I don't think she was the non feral version of something that's inherently feral.

Cristina: Okay.

Jack: I think there are just, according to the Greek myths, serpent people.

Cristina: Yeah.

Jack: Who are just normal people. And then there's weird other anomalies like the Gorgons and s*** like that. Or the Grogans. It's either Grogan or Gorgon. I don't f****** know. Medusa and her sisters and Keto, things like that. So those are weird artificial violent things. While Lamia didn't seem to be. It was just more of a literal person who happens to be of a specific race, maybe or something. It's not entirely clear. Yeah, there's actually very little information on this. This was a particularly difficult find, which is what made it more interesting because of the paths I had to take to get here. That informed quite a bit. But yeah, it looks like she was not some kind of weird thing. She was turned feral.

Cristina: Mm.

Jack: And there isn't a thing like that. As far as we know, that is specifically her kind of a creature that was a person. Or that she's the non feral version of something specific or race or something. It looks like she's just part of a race of people who happen to be. I don't know where the f*** the rest of her people are. There's no mention to that. Maybe you just made the weird serpent lady queen because she doesn't look like the rest of you. I don't really know the logic behind it.

Cristina: Okay.

Jack: But she was just a normal person other than her half serpent part. Now, when in her serpent form, she is known for consuming the children. When in her woman form, she is known for luring men. And when they don't have children, she kills the man.

Cristina: Okay.

Jack: Then there is little detail about what happens to the man that might inform what happens to the children. Because it's always described as eating. But when in her woman form, she is known for luring men. And when they don't have children, she kills the man and drinks her blood.

Cristina: Of course.

Jack: Of course. Very specific behavior. Now we gotta address how Hera accomplished this. Exactly.

Cristina: That's what I'm wondering. She turned her into.

Jack: Well, that's the end of the story. According to the the narrative of the Greek myth that is most promoted based on this.

Cristina: Okay.

Jack: There's no more information right after that. That's where it ends. These are the events that took place. So what the h*** did Hera do?

Cristina: She turned her into. I don't know, a shadow realm creature.

Jack: Somehow How? The. She obviously drowned her in adrenochrome or some s***. Force fed her some s***. But how had she know? I mean, they're always f****** around with adrenochrome. But Hera knows.

Cristina: Why not?

Jack: Why would she?

Cristina: I don't know, but it depends. Like, what happens to these other women that she tortured?

Jack: Nothing like this.

Cristina: Nothing like this.

Jack: No, I would have. I would have talked about it. Obviously. Okay, so no, this is the case.

Cristina: This is the one case that happens.

Jack: At least this way. Yes, I looked at the other women. No, this is the one.

Cristina: Interesting.

Jack: So what the f*** happened? So she finds the lady and then what? You force fed her a dream? Where the f*** did you get a dr? How do you know adrenochrome was a thing? Even if you heard him talk about adrenochrome, how do you know specifically how to get it, how to make it? Hera knows a little something.

Cristina: Has to know something. Part of the team.

Jack: One of the gods, you would think, right? Yeah, but then who's on her side? Everybody's on Zeus side. Yeah, and Zeus sides with Hera. But Zeus isn't gonna tell his homies. Go, obey Hera. No, in fact, his homies tend to not like Hera a lot.

Cristina: Yeah. So she was snooping around somebody.

Jack: They would have caught her. Bro, we're talking about the most secure facilities in existence.

Cristina: There's no way she just stumbles upon this either.

Jack: Exactly the problem. There's also no way she entered these facilities. There's no way. Not in a billion trillion years. Considering specifically who she is and how she's known to behave, doubtful they would have let her anywhere near one of their labs. 100 guarantee you she didn't end it. I looked just to confirm the fact. Like, did she? There's no narrative that talks about her entering spaces relative to this. If there is, she was so f****** sneaky that nothing was registered ever. And we're talking about quite advanced facilities. She would have been busted.

Cristina: But how did she do this?

Jack: Then it has to be outside of the facility.

Cristina: How?

Jack: How did she accomplish turning Lamia into a feral person?

Cristina: How do you think?

Jack: Well, I don't know my conclusion, my thought is that perhaps she caught her and force fed it to her. But then the question is, how did she acquire? How would Hera stumble upon adrenochrome? What paths could she take? Who do we know that she could have been in contact with? There's so little about this interaction.

Cristina: And anyone she knows because we don't know anyone that talks about that's involved in adrenochrome.

Jack: We know many who are involved in adrenochrome. What do you mean?

Cristina: But, like, in the Greek gods. Any of them.

Jack: All of them have touched it one way or another. They literally discovered ambrosia. They have ichor in their position. And they have nectar, which a bunch of them consume specifically because they couldn't figure out how to do it without it, the way that the Elysians did with the stones and other methods. Okay, so they definitely had access to it. But why would she? And how would she.

Cristina: But why wouldn't she? Like she's one of them.

Jack: No, she's not.

Cristina: She's not.

Jack: She's the wife of Zeus. But she's not a scientist. She's just the wife of Zeus. And a particularly wild gun that they're not gonna let into their facilities, destroy all their s***.

Cristina: Mm. She knows enough. I don't know. It doesn't. It feels weird that she would just know how to do this.

Jack: We're missing the middle part, where somehow she did, in fact, acquire adrenochrome and then force fed it to this lady or something. What we know is that she knows Zeus.

Cristina: Yes.

Jack: And that this lady became some feral thing. And everything in the middle described is obviously adrenochrome related, but we also know she had no interaction with any other scientists in the facility, and that none of them like her.

Cristina: Yes.

Jack: And there's no mention. Not one. Which it would have. We found threads of the randomest s***. Not one mention of her hanging out or associating with any of these things.

Cristina: But she knows, Deuce. And he knows the information.

Jack: Yes. He's also not going to tell the lady, who is constantly having mood swings and having weird power moments.

Cristina: He doesn't have, like, the work at home.

Jack: And I assure you he doesn't, considering that it's the same work that the Elysians would like to confiscate. You're going to keep it in the most secure place, away from where they can easily come and take it from you. They're kind of op. You're going to take your work home, knowing how this s*** could just go down. Yeah, and they never did. Which means you didn't take the work home. Or you did take it home, and for whatever reason, they were just like, oh, let it go. And then this lady's op, that doesn't work out.

Cristina: Mm.

Jack: They're too thorough. Deletions are mechanically thorough. It's computers at this point.

Cristina: Yeah.

Jack: So he never took the work home. She Never entered the lab. His workers don't like her. And she still managed to turn the lady into obviously speaking an adrenochrome rampant creature. Who needs more adrenochrome.

Cristina: Yes.

Jack: Weird. And I don't know. So we know Hera has banished many women different ways. Never this way. And she is again hated by everybody. Nobody sides with her. They all side with Zeus. Although Zeus is a ruthless maniac himself. The loyalty or fear, one or the other. But then Hera behaves this way. It's definitely not the fear. Loyalty. They must just like him more. Yeah, but then again he is creating these. He kind of just successful at doing some s***. It's impressive. So successful. For many years we thought he was just some background noise that was being ignored by the Alicia. And then we found out he was one of the few to accomplish some of these really complicated things that the rest of them failed at. Like creating successful Naga. Even if it took a bunch of s***** experiments to get there.

Cristina: But she's one of them. No, she. She wasn't made at all.

Jack: No, she was just already a person who existed like that. Yeah.

Cristina: Okay.

Jack: There must be a race. There's other serpent people who are not anything weird.

Cristina: Oh, okay.

Jack: Greek mythology is packed with serpent people.

Cristina: Yeah.

Jack: Some made like the Grogans. And some who were just born that way. Like Keto.

Cristina: But I don't know.

Jack: Yeah, neither do I. Interesting though, the fact that she had the ability to do this.

Cristina: Yes. Without any help. As far as anyone can tell, without.

Jack: Any help they have their kingdom. And she managed to get a hold of Lamia and somehow force feed Lamia or Tricker or something. And she then becomes this feral creature.

Cristina: That's ridiculous. I don't know. It feels like she needed help. But who would help her?

Jack: Okay, so then I will continue forward since trying to figure it out is a pointless endeavor. Now we've done appearance, we've done behavior. Now here's where we get into the weeds of the situation. We have to deep dive into the hard explain many different texts, primarily focusing on Homer and Apollonius. But there are six or seven different versions of different texts that are going to inform the story. There's a lot of cross referencing that piece this together. But again we're focusing on the texts from Homer and Apollonius. Although there are some details from other individuals here. Now we find the story plays out a little differently when we do look at their references. And the story begins with a lady called Khalees. So Khalees is the name of a woman with which Zeus was having an affair.

Cristina: Crazy.

Jack: One of the many. And is discovered by Hera. Now, very important to point out that in the Greek myth that is popular, Hera always knows that is explicitly mentioned. It's also explicitly mentioned in Apollonius's writing that she didn't know and she discovered Khalees.

Cristina: Okay?

Jack: Hence the anger in the first place.

Cristina: That makes changes.

Jack: Cheating on me, you piece of s***. Blah, blah, blah. What the f***? Imma smack that b**** up. You know, Instead of being angry at Zeus, you cheating piece of s***, now I'm gonna smack that b**** up. Khalees probably didn't even f****** know. Then again, he's Zeus. Khalees probably knew. Yeah, he probably knows. You know who Hera is. Come on, bro.

Cristina: Yes. Okay.

Jack: They're the rulers. You knew he was sneaking around. You had it coming.

Cristina: Mm.

Jack: Now details that matter without Zeus being aware. During Khaleesa's final visit, Hera uses Zeus guards and has Khalees royal guards killed. Then tosses Khalees alive into a snake pit to die.

Cristina: What?

Jack: Hmm?

Cristina: They just have a snake pit.

Jack: It's ancient Greece.

Cristina: I know. This is so crazy.

Jack: The snake pit consists of hundreds of snakes no larger than a human arm, according to Homer's texts. No, Hugh. Because my initial thought is you're gonna fuse with a f****** snake or something. I don't f****** know. Yeah, it's ancient Greek mythology because this girl Khalees is not a serpent woman. Let me point that out. Apollonius says beautiful woman, pointing out that she has walked a long time because her legs were visibly muscular.

Cristina: She's human, pure human.

Jack: Khalees was pure human, while Lamia was not. Lamia is bottom half serpent. But Apollonius doesn't agree with this narrative. Apollonia says, no, that was a woman. He was having an affair with a normal human woman probably.

Cristina: Okay.

Jack: And thus makes more sense that she was the queen of a civilization of normal human people.

Cristina: Okay.

Jack: And definitely there's no such thing as normal born f****** earthling.

Cristina: Are you talking about the same person?

Jack: Yes, this is the same story. Oh, this is them all talking about the same.

Cristina: One of them that we already talked. Yes.

Jack: The Greek myth and everything I'm telling you right now is their take on the same Greek myth.

Cristina: Oh, okay.

Jack: This is Homer, Apollonius and a few others talking about this very same story.

Cristina: Yes.

Jack: Which puts Khalees, the queen of Libya, as just a human.

Cristina: Okay. Which makes more sense. All right.

Jack: Just a human lady called Khalees. And she had very muscular legs because she. Not muscular, but she had toned legs. Because she walked a very long time. She loved walking. And she had royal guards who Hera had her royal guards disposed of on.

Cristina: Her visit and then murdered her.

Jack: Threw her in a snake pit.

Cristina: Okay.

Jack: To die. Didn't say she murdered her. She threw her in a snake pit to die, which presumably she died there, but that doesn't mean she murdered her. Snakes would have.

Cristina: Okay.

Jack: She definitely left her to die, though. And again, the snake pit consisted of small snakes for the most part. No snake is eating her whole. That would be impossible. To the length of an arm. You can't eat her. Okay, so interesting little details.

Cristina: Yeah.

Jack: The pit was explicitly designed to starve people to death if the snakes don't squeeze them to death. Lovely ancient torture device. Lovely ancient torture device. The important part comes now. We shift our view now entirely to Homer because Homer had some interesting tidbits that didn't make it to any other body, anybody else's story, and didn't even focus on the family. It focused on a random guard.

Jack: Let us unpack. With the upper body of Khalees and the lower body of a serpent. A guard sees Khalees flee into the forest during the night.

Cristina: What did he see?

Jack: The guard sees the upper body of Khalees and the lower body of a serpent flee into the woods.

Cristina: Okay, so she somehow transformed in the snake pit.

Jack: But how?

Cristina: How? Yes, how? That's very strange. That's his part of the story.

Jack: That's his contribution. He gave us this tidbit that nobody else mentioned, but allows us a little more information than just somehow. A civilization of humans put a serpent woman in charge of them fearlessly. No, it makes more sense to put a Greek God. They look like humans who are just real op and huge.

Cristina: Yes. But he's trying to explain how she looks.

Jack: Yes.

Cristina: I don't know. That's weird.

Jack: Got muddy quick, right?

Cristina: Yeah. Unless that wasn't like a normal snake pit.

Jack: It was absolutely a normal snake pit.

Cristina: Well, how would she walk away like that?

Jack: I don't know. She gets tossed in the pit. And then a few days later, a guard doing his rounds sees her upper body somehow bottom half. Serpents now fleeing the pit into the woods, into the forest, casually.

Cristina: She somehow transformed in the snake pit.

Jack: She somehow transformed in the snake pit? Yes. At least it seems that way.

Cristina: Yeah.

Jack: Weird.

Cristina: That is weird.

Jack: Very, very strange. So what do we believe happened here then?

Cristina: I don't. It wasn't a normal snake pit. Do you think it was a normal snake pit?

Jack: It was. I'll tell you what. The next line in his story. His correction of the story tells us, which will enlighten a little more. The next morning, after the guard reports what happened, they visit the pit and find Khaleesa's body still in the pit.

Cristina: So it was involved Shadow Realm.

Jack: It did not.

Cristina: It's a shadow Realm creature of her. But her dead body's there. So he did not see her dead body. No, but it was her. Is her adrenochrome version? I don't know.

Jack: Her body is still in there.

Cristina: Her body's still there.

Jack: She is f****** dead.

Cristina: Yes. But there's something out there.

Jack: Yes, for sure. There definitely is. A woman gets tossed into a snake pit where she fears for her death. The snake pit is filled with snakes who are going to attempt to eat the woman as she fears.

Cristina: Yes.

Jack: For her life.

Cristina: Yes. This is adrenal chrome related. Okay.

Jack: Yeah. And a serpent woman gets seen leaving. And all Adrenochrome creatures seem to have the ability to shape shift.

Cristina: Yes.

Jack: So a serpent got adrenochrome and turned into saw. The only thing there that wasn't a serpent. Its intellect, as we know with adrenochrome, tends to skyrocket as long as you continue consuming it. And you have quite an amount here that's just persistently there. And so you kill her while she's screaming and panicking and she's being choked out in just fear in the most horrific of ways. And then this serpent or multiple. Who the h*** knows at this point? But at least one.

Cristina: At least one. Yeah.

Jack: Turns out into an adrenochrome creature. A hundred percent. Just fully converts.

Cristina: Yeah.

Jack: Then turns like, tries to imitate what she was, what she looks like. But again, it's fresh. It doesn't know what the f*** it's doing. It's just newly. A creature has to discover its abilities, has to figure out how it works and all these things. So it managed half of a transformation that kind of sort of looked like her.

Cristina: Yes.

Jack: And then the pit is deep. Somehow still managed to get the f*** out of there. Like Adrenochrome creatures, you're thinking outside the box. You figured it out.

Cristina: But it's a feral Adrenochrome creature.

Jack: Why is it feral?

Cristina: Because it's eating children and stuff.

Jack: Eventually it will.

Cristina: Yeah.

Jack: But actually, we haven't even gotten to any part in which this correction story even mentions anything like that.

Cristina: Oh, okay. I'm gonna guess that that's part of it.

Jack: That's. Yes, that's literally us using the parts we have to figure it out. Which is the logical conclusion, you got adrenochrome, but you didn't know you had to continue getting adrenochrome.

Cristina: Yes.

Jack: So you became feral, and you go out and once in a while you get adrenochrome without knowing you should keep getting adrenochromes. Now you're just a feral thing, casually killing s*** like a wet judge. Except the wet judge is on the other side. You've not died. You're a physical thing who just persistently exists.

Cristina: Yes. I forget that creatures here can do that, though. I always think it's like you have to die and then.

Jack: Yes, I know. Like I said, I'm present and remember the things.

Cristina: There's a lot of information to remember.

Jack: Oh, yeah. And I connect all of it, as would happen. But, yeah, that seems to be the case. This is all from Homer. This last part started, which makes sense days later. Yeah. So the creature with the upper body of Khalees and the lower body of a serpent is seen leaving into the forest in the night. While the guards making his rounds, he goes and he tells Hera and Zeus and the guards and everybody else like, this is what I saw. And then the next morning, they come and they see Khaleesa still there. Bro, like, you're out of your f****** mind.

Cristina: Yeah.

Jack: You're seeing s***. That's impossible. Okay, she's still there, but there was something that fled into the woods.

Cristina: Yeah. That looked like a half lady, half snake.

Jack: Half lady, half snake. Interesting, though.

Cristina: Yes.

Jack: Which then corrects the story of Lamia, because there's no such thing as a woman named Lamia. There's a creature named Lamia.

Cristina: And that's not his whole story, though. Homer's version.

Jack: That's the whole addition. The rest of it kind of falls in line with what was already discussed. That's his final input that didn't exist previously. Okay, so he finishes off fleshing out this narrative. Now, the name Khalees barely shows up anywhere. These two texts are the two of the only mentions with the addition of a couple of other texts. They don't mention her name. They mention the same story from different points and a little couple of details, but the name literally shows up and refers to the events of Lamia, but without mentioning Lamia, they mention specifically Khalees. And Khalees is not a serpent person, but in the Greek myth, the Lamia is a serpent person.

Cristina: Okay, so after her transformation, she. She's known as Lamia, but before her transformation, she's just a lady named.

Jack: And the narrative we get from the Greek is completely afterwards, but a merge of the events before.

Cristina: Okay.

Jack: So it looks like he was with a serpent woman, but where the were the serpent women born? What the.

Cristina: Yeah. So it was just a woman. He was just with some lady and horrible things happened to her. Because that's what happens when you're with him.

Jack: Yes.

Cristina: Whoa.

Jack: Yes. Yes, yes.

Cristina: That's crazy. That's an actual story of a not.

Jack: Non accidental adrenochrome situation.

Cristina: Yeah.

Jack: Somebody gets tossed into a pit, fears for their life, happens to be with the thing that's gonna kill them. The thing is, it's very similar to the warwolves.

Cristina: Yeah. Like, we have stories like that, but there is usually in the wild happening. It's not around.

Jack: Yeah. Rarely is it like, again, the werewolves is a weird one.

Cristina: Yeah.

Jack: It's literally starved wolves because war scared all the other creatures away. And these guys are just dying, starved. And there's bodies everywhere. You eat what you can, bro, but fresh bodies from war.

Cristina: Oh, half dead, already scared out of their minds.

Jack: Some still alive and screaming because they got crap blown off and s***. Just cut and like, holy f***.

Cristina: Making werewolves.

Jack: Making werewolves. Oh, and this is very similar to that.

Cristina: Yeah.

Jack: You got a snake pit, which means really, really, really. Ultimately, if you look at the amount of serpent creatures that come out of India and the amount of serpent creatures that come out of Greece, the people who invented the f****** snake pits, suddenly the picture builds clearly. You're tossing people into snake pits casually as a prison sentence, as a death sentence.

Cristina: They probably have many stories of these human.

Jack: Maybe not. Maybe not many creatures stories, but. Oh, yeah, yeah. Not stories about pushing the people into thinking them turning, but definitely many, many, many, many serpent, human creatures.

Cristina: Yes, yes, yes, yes. Because I'm pretty sure they have the ones like the flying snake thing, that's just a witch who turns into a flying snake or whatever.

Jack: And it's like sketchy. No, there's something wrong going on here, buddy.

Cristina: Yeah. Yeah.

Jack: But you see how interesting.

Cristina: Yes, I see. It makes sense, though.

Jack: Yeah, that is definitely it. At least it seems to be the case on how the events unrolled were like that.

Cristina: It makes way more sense than the original.

Jack: Yeah, for sure. The original is just a myth.

Cristina: Yeah.

Jack: That's why we can't take the myths at face value because they're usually bullshit. It's a bunch of warped, twisted stories trying to attach morality or some s***. It's like people aren't moral. They just do s***.

Cristina: Yeah.

Jack: And like the truth behind Homer and Apollonius takes on it are just People doing s***. And like her is kind of a loose cannon.

Cristina: Yes.

Jack: There's no way she was going to be allowed into a lab. She's just tossing b****** into snake pits, bro. Come on.

Cristina: That is amazing.

Jack: I'm not going to let her into a lab and then she has a mood swing and thrashes hundreds years worth of research.

Cristina: Okay.

Jack: She would never be allowed into any s*** like that. But she does toss b****** in the snake pits casually.

Cristina: Yes.

Jack: That's just some s***. Who knows how many of these women turned into this s***. Now, again, the story of the Lamia plays out this way, but all these other narratives are also real exaggerated and sort of fluffed up, so they don't show any kind of reality to them. Probably a bunch of these b****** got tossed into snake pits.

Cristina: Yeah.

Jack: Even if we don't have snake stories.

Cristina: Of them and their stories, they probably just. They died.

Jack: Yeah, they just f****** died. Yeah. It's like maybe she was too confident and like, not enough adrenochrome. So you didn't make a monster. Because I'm sure sometimes maybe you just fall, hit your head. No fear was felt.

Cristina: Yes. Yeah. Some people just die.

Jack: You just die. Yeah. And so not everybody became a creature. But this was a weird instance.

Cristina: She probably made a few creatures by accident.

Jack: I'm sure she made a couple. I'm sure. In India. I mean, we know based on just this new context.

Cristina: Mm.

Jack: We know snake pits have resulted in snake like creatures. Multiple. Many.

Cristina: Yeah. And there's got to be people who saw it happen. Like this random guard.

Jack: Yes. Which means we could probably assuming it happens after the time of record keeping. Somebody penned the paper, Right?

Cristina: Mm.

Jack: Now, what does it ultimately mean? We know that the serpent surrounding Khalees, while she was horrified, literally being squeezed to death, were exposed to the adrenochrome. One of the abilities of creatures and adrenochrome that most commonly is acquired is shape shifting. We see it talking everywhere, and the leftover body of Khalees assures us she was in fact, still physically there. So she's not who turned. She actually did die, which created the Adrenochrome. That was important. So one of the serpents morphed over the days. Interesting enough. It also gives us insight into the transformation, because nothing gets bigger or smaller other than Ophiomorphous, the artificial Naga created by Yaldabaoth in the Shadow Realm. That one can alter its scale, but we don't know of other Naga to alter their scale. So that's not a thing. And we don't know shape shifters to alter their scale. So he would have imitated her. It would have just been a tiny arm length snake with half of it being a tiny arm length Khalees.

Cristina: That's weird.

Jack: Yeah, but that's not what they saw come out. She was full size, maybe a little bigger than Khalees. That's the adrenochrome. It's morph increased its size dramatically, which tells us what happened. We don't have many takes on serpents being exposed to adrenochrome.

Cristina: No, but now definitely one of them.

Jack: Yes, definitely, yes.

Cristina: The whole victims of children and men.

Jack: On point. Yeah, on point. So it grew in size like 10 times, 20 times, 30 times. Whatever made it bigger than Khalees by default. And it did its best to imitate what it was seeing around it with one of its abilities. And it didn't fully maximize it, but it got enough to confuse the h*** out of a guard and then fled. It somehow climbed out of the pit, which is whole complicated thing, but again, weird abilities it has. And now it's got arms that it could imitate to have. And like odd, but. And it was days later it was in that pit hours and hours and hours exploring what it was now. Horrifying, you know, so it's. It probably turned into a million things in there trying to figure it out. Anomalous things, shapeless things that just don't make sense. Anybody who looked into that hole must have been mind looking in there.

Cristina: Except no one would because like why?

Jack: It's just dead people in snakes. Yeah, but that's what we got. The lamia is not a woman. The lamia is a serpent. Adrenochrome creature. The controlled version of a serpent. Adrenochrome creature. But that tells us what?

Cristina: There's more.

Jack: That there's more. And not just more. There are literally three other variations to this same creature. Not just more of the creature. This same one creature can have four different states based on what it is. It would have thalamia, which is it on adrenochrome, but that is not what is out there eating children casually. That is what left the pit. The lamia, the controlled thinking, logical, trying to figure itself out, highly intelligent version. That is not what's out there killing men and children.

Cristina: That's just a big snake.

Jack: Well, no, that would be the feral version.

Cristina: Yeah, but that's it.

Jack: Yeah, I guess it would, but it's not a snake. It stopped being a snake.

Cristina: Okay.

Jack: Now it's an adrenochrome Thing. Yes, because the snake would not have been on adrenochrome. And in deep diving, trying to figure out how this all fits together, I successfully did in fact find them. And they all happen to be based around the same area, and they all happen to be based around the same time. So presumably either a s*** ton of these m************ were made, or we can track the specific one that ate Khalees. There is a creature called a dracana, and it's all the identical characteristics of the lamia, with details like it being more monstrous and feral, less human and more driven by primal bloodlust. And texts suggest its behaviors are similar to the lamia. Only difference in the excessive amount of aggression that it shows. The lamia seems passive and it likes to hide. It's staying away from things. Someone don't catch me, don't see me, don't spot me. I gotta be in the COVID of night, in the dark. The dracana doesn't give a. That rolls up on towns, that rolls up on city. It doesn't give a. Broad daylight. It doesn't give a. It's eating.

Cristina: It's eating. Okay, so this is the feral.

Jack: This is a creature people run from towns, from, okay, destroyed villages because this rolled through.

Cristina: Oh, that's crazy.

Jack: Yeah, yeah, yeah, yeah. Which as you'd expect of an adrenochrome creature, oftentimes we don't get something crazy vicious because it's something stupid. But sometimes we get like, you know, if a groundhog. Like, whatever, dude. But if a wolf takes it, okay, we got a bit of a problem. We got nothing but stories of villages being terrorized by werewolves.

Cristina: Mm

Jack: Because when it's bad enough, it's bad enough.

Cristina: Horrible.

Jack: It's horrible. Werewolf. That's a f****** problem. Evacuate. Leave the f****** country. If you can get as far away, put water in between you, it's a f****** werewolf.

Cristina: Yeah, and I'm.

Jack: You know, most werewolves have started themselves out into the shadow realm. Ultimately as we got more technologically advanced and built structures that couldn't get through and blah, blah, blah, blah, blah. So in modern day, we see way less adrenochrome driven creatures because they will starve to death, minus the humans who can create farms easily.

Cristina: Yes, we don't have a problem.

Jack: We can solve our issues. But that's definitely the dracaena. If it. All the characteristics all perfectly, minus the fact that it's out of its f****** mind and fits the characteristics of what we're referring to as the Lamia. See, when we Talk about the Lamia. We're converging two stories of Khalees and a serpent, but the eating children and men were actually converging. The third part, the Jacana. So we're talking about three different instances of Khalees as a woman, of a serpent imitating Khalees and of the Jacana, all overlapping in one narrative that the Greek gave us. Because the lamia never hurt anybody. The lamia dipped into the woods and.

Cristina: That was the end of that.

Jack: That was the end of that.

Cristina: Mm.

Jack: And then we get the dracaena once that s*** goes feral and didn't get exposed enough, and now it's out of his f****** mind and has to just go eat whatever the h*** it comes across.

Cristina: And it wants children.

Jack: Yes. Now, the thing is, eventually that story fizzles out and we start seeing a very similar but different story about something called the echidna.

Cristina: Sounds familiar.

Jack: Is because Knuckles from Sonic is an echidna. But just the name of this thing is echidna. And in Greek mythology, the echidna is known as the mother of monsters, a half woman, half snake creature who gives birth to many of the famous monsters. In this context, the controlled shadow realm version of the Lamia would be the echidna. You make it into the shadow realm because you've died. But once in the shadow realm, you reset, you start again. Insane. Not insane. You start sane. So you're back to clarity. Except if you don't understand how it works, it's only a matter of time before you're right back to feral. Yeah, but you've left the body. You no longer need the blood requirements, but you still need what you were getting from the blood, which is the fear. But you no longer need the blood. So you got some time now that you've died and gone to the other side. And that brings us to the echidna, this creature that seems to be an ethereal shadow ghost. Like half woman, half snake, sort of faded silhouette thing that shows up. And it does not eat people. It sort of scares people to death. Oh, haunts them. It surrounds your house.

Cristina: It wants to fear.

Jack: Wants a fear.

Cristina: Okay.

Jack: It shows up. It surrounds your house. It hits things. It'll be inside. It'll run up to you. It just scare you and disappear right into your face. It's a horrifying f****** monster that's just trying to scare the living f*** out of you.

Cristina: And it's also having babies.

Jack: According to the narrative, it's having babies. But when you look at the stories that are mentioned relative to this creature, there's not one mention of it. That's specifically the Greek narrative. That's the main Greek narrative. That's full of bullshit.

Cristina: Oh, okay.

Jack: Again, we never take the main narrative at face value. It's always a lie.

Cristina: Okay.

Jack: We gotta take the details and. Yeah, so most of the narrative fits. The having babies part does not. But the having babies part is only mentioned in the main narrative and does not get mentioned ever again.

Cristina: Okay, so he. It's a ghost haunting.

Jack: It's a ghost haunting. And it's mentioned follows the dates that directly stop mentioning the dracaena.

Cristina: So that wild creature self died. Feral being. Maybe someone finally got it killed or something.

Jack: Yes. And then we have the ghost. The ghost.

Cristina: That's cool.

Jack: Eventually that must go feral, though.

Cristina: Yes.

Jack: Because again, it's still uninformed. It's just a random thing. And then we get to something called the basilisk.

Cristina: Basilisk. And it's.

Jack: What is it described as? A deadly, mindless serpent spirit driven purely by instinct and fear.

Cristina: Of course. That sounds right. That sounds so right that all these match up in how they saw it.

Jack: Yep.

Cristina: They are all the stages of this creature's life.

Jack: They're all the stages of the creature's life. And they're all top, woman, bottom, serpent.

Cristina: Has to be the same.

Jack: And we found the origin.

Cristina: Yes.

Jack: We can track this very instance to the very pit.

Cristina: This is crazy.

Jack: It's actually the first time we could do that.

Cristina: Yeah. Whoa.

Jack: Yeah. This is the clearest we've ever had.

Cristina: A situation that just lines up with every thing we thought about these creatures and how it works.

Jack: Yes. This answers many questions. Yes. As we were theorizing is the accurate turn of how it works. Every theory we had about how adrenochrome affects the body and what we are really getting from adrenochrome, which is ultimately the fear. And it's hard to even understand what exactly the concept of fear really is in a sort of tangible way.

Cristina: Yeah.

Jack: Because we're definitely not grasping it. We don't understand. Fear is something different to these things in general.

Cristina: Yeah.

Jack: Because why can these things tune into it? Must have already been something else. Why aren't they tuning into our happiness? You know, weren't they tuning into our sadness?

Cristina: Yeah. Because it's all the same. Well, to us, we think they're all the same.

Jack: Exactly. So it's. Fear is inherently something different.

Cristina: Yeah.

Jack: And again, not just to the creatures. Because fear is what adrenochrome is. It's blood with adrenaline caused by fear.

Cristina: Yes. What is Happening. Okay.

Jack: We know Santa Claus, Mr. Clever, got planet Earth just having tiny little bits of faint fear. We know kids exaggerate smallest amount of fear. And he just needs kids to have a little bit of fear. He doesn't eat children. He doesn't do anything. He's just casual.

Cristina: But has accessed by it, though. So, like all of them.

Jack: But he's not some sort of creature. He's still, it seems, a necromancer. And necromancers can still wield things for power instead of having. Which he also has a stone on his staff.

Cristina: Mm.

Jack: So he has a stone and he's overpowered. That explains a lot. He has crazy powers. Entirely due to the fact that he has stones and still manipulating fear globally.

Cristina: Yes. I don't know. But we know he's not. He's not a human. He was a human once upon a time. Yes, but he is.

Jack: I mean, he might still be a human. We don't know what really to describe necromancers as.

Cristina: No.

Jack: Like, I think.

Cristina: But it does seem like they all went through death.

Jack: Yes, you're totally right. You're totally right. It seems in a couple of. In. You're totally right. Yes. In a couple of instances, there have been mentions that it appears to be that they must intentionally go through a process that they will die in. And that's where the original association with necromancers and death comes from. And if he is using necromancer abilities and is in any manner, shape or form, even scratching the powers of a necromancer, which we don't know. He's one of the only examples we have with, like, visible things that we can point at and be like, oh, this must be working in my favor. Like, yeah, definitely. It's hard to even grasp. But he had to die.

Cristina: I think.

Jack: So we know at least. Homer. Not Homer. Hermes. Jesus. Jesus. The best example, because, again, he couldn't go in there and do it. Dying was literally part of it.

Cristina: Yeah, it's part of the plan. That's crazy.

Jack: He's built in his own death. He managed to build the gates knowing he would need them to get back. He got back somewhere else entirely, so they couldn't stop him.

Cristina: Mm.

Jack: But he needed to die to do it.

Cristina: I'm pretty sure Patrick had a die too.

Jack: Maybe. I mean, the fact that he's so exaggeratedly overpowered and can so easily deal with even fairies.

Cristina: Yeah.

Jack: Necromancers can't be touched.

Cristina: No.

Jack: Then the question that we have is, is Mab's problem? The Elysians or is Mab's problem that the Elysians are connected with Hermes? Is Hermes the issue? Is Jesus the issue? We know the Alicians at least had a heart attack after they lost control of that situation.

Cristina: Yeah.

Jack: Get the out of here. We're all she was also fearing could totally be. Is Jesus gonna easily show up in El Fame and smack everybody around effortlessly? Sounds like Hermes can.

Cristina: Yeah.

Jack: And like I'd be shook too, if I made your universe and you can come over here and just f*** me.

Cristina: Mm. That's crazy.

Jack: But here we have the proof that it kind of works. As we suspected it would work.

Cristina: Yes.

Jack: As we have talked that it would work for years. And it played out.

Cristina: Made from adrenochrome transforming.

Jack: And we can. There's. I didn't put the dates here, but the dates kind of follow one another in the right order.

Cristina: That's so crazy because it's exactly what we thought.

Jack: It's exactly what we thought in narrative form. Although the original narrative muddies it up. And unclear is everything we're looking at. Thank you to all the other record keepers. Primarily Homer and Apollonius, who had meticulous notes.

Cristina: That's nice.

Jack: And as we know, Apollonius is really just Apollo. And Apollo directly knew Hermes because they were both present with Aristotle.

Cristina: Ridiculous.

Jack: At the school. Lycium. Yep. Everything connects.

Cristina: Everything connects. Yeah.

Jack: And somehow the problem is how the h*** did Jesus come in contact with anybody? Did Jesus didn't go to Elysium. How did Jesus. Jesus is so complicated.

Cristina: I don't know. He has some. I don't know.

Jack: He has some connection somewhere. Somewhere he must. Or he figured it out. But how? We're talking. The Elysians were definitely trying to figure this s*** out. And you alone with no help from anybody. Get the f*** out of here, bro.

Cristina: He had to have help. If he didn't like how.

Jack: Oh, s***. I just had a theory right now. It just came to me. Well. Well, I guess it kinda does make sense that he would just know. Let's look at the evidence. What is the biggest problem with Jesus that caused everybody to go.

Cristina: Everyone knew about him.

Jack: Everybody knew about him. What does that tell us? He's sending a mental wave of some sort.

Cristina: Okay. Yeah. It's coming from him.

Jack: It's coming from him outward. He was throwing a beacon back in time into the future. And in the present. This is where I am. Everybody was having visions, dreams, and everything about where he is.

Cristina: Yes.

Jack: Now what do we know? Following logical standing. If we think about Santa, what's one of the most Exaggerated things about Santa being everywhere. He just knows what you're doing casually.

Cristina: That's pretty powerful stuff.

Jack: Is that mental blast or whatever the f*** when Jesus was born.

Cristina: Yeah.

Jack: So if Santa, some underpowered thing compared.

Cristina: To Jesus can do it, still know everything.

Jack: He could literally just know everything. Yes, as long as you know it. And as long as you don't have some sort of magneto brain cover protecting you from him looking into your mind or whatever. And even if maybe he's not. Not even looking at your mind, maybe he can just witness moments in space and time.

Cristina: Jesus is. I guess, I mean, that's why he's a God. He is God. He's the son of God. He is God though. That's a God power.

Jack: Yeah. You couldn't hide from him if you wanted to. He just knows. Okay. We hid it over there. Yeah. I know where they hit it.

Cristina: Yeah.

Jack: Oh, he'll never find out about these things. Oh yeah. I can just see their library and I can just see them doing the research.

Cristina: Yeah. Like, how could they really hide?

Jack: How could you really hide? But in return, the flaw with that logic is why are you looking for them if you know where they are?

Cristina: Yes. So they must have figured out a way to block him. To block him? Yes. Yes. Yes.

Jack: Which means. Yes. Going to Atlantis was very intentional. Going to Atlantis also meant that's where they had built the protection field that prevents him from seeing them. He has no idea where Atlantis is.

Cristina: No.

Jack: They know how to become invisible.

Cristina: Yeah.

Jack: Not just literally cloaking, but they know.

Cristina: How to block their minds.

Jack: Yeah, they know how to block s***. But then that comes up to the. Let's go back to the point again. If Jesus is so freaking overpowered and you can so easily just hide from him, then his map scared of you and not Jesus. At this point, the argument really stands on one thing. One of these guys is who worried this lady. It's either the Elysians and Jehovah.

Cristina: Yes.

Jack: Or it was Jesus, which is a product of the Elysians and Jehovah. Anyways. But you know, we're still counting them as two separate entities, ultimately one two different units. And one of these units is triggering this lady into mobilizing elves into Stop. Could be basically being firewalls and trying to stop anybody else from getting to this level of power and trying to literally suppress the Elysians who went into hiding. And just who is she scared of? Is it Jesus or is the Alicians? They're not on the same side. One of those can easily side with her. To stop the other.

Cristina: I don't know. That's tricky. I don't know. It feels like it has to be Jesus because that's probably when she realized. No, like it is the Elysians, but it's because of Jesus that it's the Elysian.

Jack: Oh, like they could do some this. They could do this s*** again.

Cristina: Yes. And they probably would. They probably would. I don't know if they just learned their lessons. I feel like they're the type of scientists that are like, okay, plan one didn't work, let's go to plan two. Well, which is how we got other versions of Jesus that were way weaker after him. Like obviously they don't.

Jack: No, those were different people that was. We can follow him literally walking. Or do you mean like Muhammad and things like that? Because the people who were happening at the same time, we're not literally the same time. Kind of like this. We can track their dates back to back and we can follow every step Jesus took all the way to Japan. That was the same one, dude. That wasn't different people.

Cristina: No, I'm talking about like what's his name? Like the golem thing.

Jack: Oh, yes, yes. But that doesn't seem to have been Jehovah. That seems to have been information that came from the shadow realm. Kind of like the Viking forest. It was just something from the shadow and suspectedly that was Yaldabaoth just doing his own thing. Doing his own thing. And we know he did that with Eloi. He, you know, kind of influenced him. Like, hey, you could do this.

Cristina: Okay.

Jack: Kind of do it that way.

Cristina: Okay, okay.

Jack: Yeah. But Jesus being this level of overpowered and Jehovah's ability to easily make more Jesus becomes kind of a problem, especially because like, you don't know if they're gonna become good or bad.

Cristina: No.

Jack: And like this Jesus, at least not a threat it seems, because he directly preaches peace, love and happiness. And his whole path, every single stop he made for rest. The narrative is the same. He took care of us. He told us to love one another and treat each other really well. And he just kept going on his way.

Cristina: We know the ultimate plan is some weird war against the sea people.

Jack: Well, this is the most important part of this entire episode right here because we are way over time and we have to address this. Anyways, the narrative of Jesus, without diving into the separate cross reference parts, just the book itself, the Holy Bible, which is a rewrite of true events into this warped version by the Templar.

Cristina: Okay, right, yeah.

Jack: It tells us a very important Thing about Jesus. But we also have to remember who's telling us the story. It tells us what's gonna happen with Jesus. What's gonna happen with Jesus?

Cristina: That he's gonna come back.

Jack: Yes. And who's telling us the story?

Cristina: Let's see, people.

Jack: Which tells us what? There's an inherent plan to make another one. There's an inherent plan to make another one. Another Jesus. There's an inherent plan in the book written, telling us there's another Jesus coming. We don't know what Jesus looks like specifically. They can make him look like whatever the f*** they want. Anybody they want. We just know that a person who fits the abilities and characteristics as mentioned in the book about Jesus is gonna return. That doesn't mean literally return. That's just what they want us to believe. Because they are the people who make this.

Cristina: Exactly. Okay, so they are planning.

Jack: Yes. Within the book. We literally have. We literally have their plan.

Cristina: Yes.

Jack: That's telling us eventually we're gonna create another one. But we can't tell them it's another one.

Cristina: No. Because we don't want them to worry.

Jack: Yeah, well, no. We wouldn't even know. We think it's all one person anyways. We didn't know that he was even made.

Cristina: That's true. Okay.

Jack: Yeah. But the book directly. With all the information we have, the book directly tells us another one's happening. Another one's gonna happen. There was the plan. Always. The plan is we're gonna make a perfect version.

Cristina: That is horrifying. I don't know. I mean, like, if it works. But what does it mean? That it worked too.

Jack: Doesn't matter. The point ultimately comes down to the fact that that's whose map Mab is afraid of, like you said.

Cristina: Yes.

Jack: Maybe she's scared that they're gonna make another one.

Cristina: Mm.

Jack: And that one will be even harder to control.

Cristina: Interesting.

Jack: Or not a good guy, especially in today's world. You want an overpowered, beyond godlike thing to have been raised by a current day human woman? We're f*****.

Cristina: I don't know their plan. Well, we don't understand their plan, but obviously they told us their plan. Like we know it's happening. Interesting.

Jack: More is to come.

Cristina: More is to come inevitably.

Jack: According to the Holy Bible.

Cristina: That's crazy. Yes. Okay.

Jack: The Knights Templar, controlled by the Elysian, specifically put in a book the corrected narrative that Jesus is coming back. We know Jesus is essentially a lab experiment. What does it mean that he's coming back if they can't control him? Means they're making another one.

Cristina: They're making another one.

Jack: So you were right about that.

Cristina: Okay.

Jack: Anyways, that's what we got.

Cristina: Whoa.

Jack: Yeah. So if you guys have any comments, questions, concerns, and if you guys want to yell at me for always being so ruthless to Christina, feel free. You guys can come and yell at me, too. You know. You guys know how it goes. You can do that and hate on us on our socials, at Just Combo pod on Twitter, which is X on Facebook, on Instagram, wherever the h***, just search it.

Cristina: Just combo pod. Remember to subscribe, rate, and review the show.

Jack: Yes. And word of mouth is one of the most important, overpowered things that exists. So tell people about the program and the fact that we're finding all these weird things.

Cristina: This has been the Rambling Podcast. Take nothing personal and thanks for listening. Bye.

Jack: Sam.

Cristina: Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 286: Flatwoods Monster

What exactly is the Flatwoods Monster? What circumstances surround its sighting? Have we seen it before? The duo open the case of Flatwoods Monster, a strange West Virginia sighting of an eerie creature more relevant that anyone could have ever predicted.

+Episode Details

  • Mass Sightings
  • Police Report
  • Farm House
  • Meteor
  • Mothman
  • Adrenochrome

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcription

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And this is the program where we ground humanity's most absurd and baffling ideas. Is that not what we do? Is it not what what we do?

Cristina: I'm pretty sure we do that. We do that sometimes.

Jack: Sometimes. Are you claiming that on every single one of our episodes we've not given groundbreaking revelations that alter the way in which humans as a whole vis. Visualize reality?

Cristina: Are you about to show me something?

Jack: I'm about to show you something crazy.

Cristina: Is it more land? Is it more land to look at? And guess what? The land.

Jack: More land. No.

Cristina: No. Okay, good.

Jack: I got a chair.

Cristina: Okay.

Jack: And I got a thing. I need you to walk the listeners who cannot see what you're seeing through what I am showing you.

Cristina: It's like a ghost lady robot alien.

Jack: That's fair. That's fair. I can see all the things you're talking about.

Cristina: She has red eyes. She has salad finger fingers. What are they called? They're very long. They're very long and thin fingers, but like a robotic torso, right? Red giant eyes. Like, if you saw her tonight, you think she's Mothman, but she doesn't have the wings. She does have crazy hair.

Jack: Doesn't that make so much f****** sense, to think that this is the Mothman?

Cristina: Yeah. If you saw that at night, you.

Jack: Would 100% think the Mothman.

Cristina: I don't know if that thing is her hair. It could be her hair. It could be. I don't know. Or her head is on fire. I don't know. It looks like from the Sharer's Point. Like, if it's painting what she's supposed to look like as well. Her head is glowing red. It's just a red glow coming from her head, I think. I'm not sure. Is she an alien? Is she a God? I don't know.

Jack: I don't know. I don't know. Okay, walk us through the chair. Because you focus a lot on her. Walk us through this chair a little.

Cristina: It's a chair.

Jack: Of course.

Cristina: She's behind the chair. And are you sitting on her? Is she like a Santa Claus to someone or something? Like, why do you sit on the chair of her?

Jack: It would be sitting on her lap, I guess. Right?

Cristina: And there's like, a tiny image of, like, her next to a person. And a person's very tiny next to her.

Jack: Yes.

Cristina: That's a normal grown person at her. She. She's humongous.

Jack: Important, important points.

Cristina: And so is that share that big. Like if some. An adult sits on that chair, they'll look tiny.

Jack: Yes.

Cristina: Why is she some Santa Claus alien robot thing? God, what is he? I don't know.

Jack: And you've gendered her, too. It's a her or it could be.

Cristina: A he, but, like, lady.

Jack: Yeah, it's.

Cristina: The thing is wearing a skirt.

Jack: It looks.

Cristina: A very long skirt.

Jack: What would you say is in between the skirt and its tor. Torso.

Cristina: Robot parts. Right.

Jack: Like springs or some.

Cristina: Yeah, or it's some kind of bug creature. Because, like, it's. Yeah, the. The torso is just.

Jack: Okay. An exoskeleton type of thing.

Cristina: Yeah. With the arms. It goes. Well, he. Or it was some type of bug.

Jack: The arms kind of get weird. Now tell me about these arms a little more.

Cristina: They're sticks. There's stick arms.

Jack: If you were to just see the arms, what would you think this is?

Cristina: A tree?

Jack: No, animal. Think animal.

Cristina: Some type of bug is really. All right.

Jack: You would think a bug.

Cristina: Yeah. I think it's related to a bug, but it's too huge.

Jack: What kind of a bug has fingers?

Cristina: I don't know. Like a stick bug thing that. It's just sticks. I don't know. I don't know. There's no animal that looks like that. Not even its hands? No.

Jack: Yes. There's a ton of them. There's an entire category that is so astoundingly large that it conquers an entire section of all life. We've ever considered lizards. Them, too, but not that way.

Cristina: Not.

Jack: No, not three. Birds. Birds.

Cristina: Birds. Bird hands. They're so thin.

Jack: Yeah. It looks like chicken hands.

Cristina: Chicken hands. Chicken hands. I don't.

Jack: Not chicken hands. We know bird hands. Just really.

Cristina: The red eyes make no sense. It has to be some. This is not Mothman. This is not Mothman. Someone just saw Mothman for real.

Jack: This is some kind of a robot, right?

Cristina: It's Mothman.

Jack: Why do you think it's Mothman?

Cristina: The eyes. Like, if you saw that night, you would think it's Mothman. There's no way. There's no way you wouldn't think this is Mothman. The giant size and the eyes. There's no way you'd think it's anything else.

Jack: It is a completely logical conclusion to make 100%. The cleanest, most logical approach would be. This has to be Mothman, right?

Cristina: Yes. I don't know what else it could be.

Jack: I thought exactly the Same thing. And it's not.

Cristina: It's not. But it's something.

Jack: It's a thing.

Cristina: It's a thing.

Jack: Allow me to walk you through.

Cristina: Is it an alien?

Jack: I guess that's for us to figure out.

Cristina: And this is somehow related to Clinton Road?

Jack: Well, it's related to everything. I wouldn't say Clinton Road in particular.

Cristina: Oh, okay. Okay.

Jack: It's bigger picture.

Cristina: Okay.

Jack: So the year is 1952. It's September 12th. Autumn. I guess autumn hasn't even started. When does autumn begin? It begins September 20th.

Cristina: 21St.

Jack: 21St. Oh, it's not autumn. Yeah, it's still this. The end of summer, the tail.

Cristina: It's feeling like fall.

Jack: Yeah, not really, because even the beginning of autumn still feels kind of hot. It's just really. Ultimately, the seasons break down into like. Like maybe six months of summer and six months of winter. With about three months. No, not even. Because that would be too many months.

Cristina: That would be what, six plus? Six plus.

Jack: No, it would be. What would it be? It would be 1, 2, 3, 4 months of each and then 2 months of each. Yeah, I guess that's how it would break down. It really feels so short.

Cristina: Yes, it works. Four. Four.

Jack: Yeah, four. Four, two, two. Okay, I have to move them over. I was just making randomness. I have to visualize the numbers moving over.

Cristina: Yeah, that makes sense. But like, the summer morning is still really cold. It's getting cold.

Jack: I like. Yeah, I like that feeling. The end of summer and the beginning of summer when the cold is in the morning and the heat is in the afternoon. But not excessive heat and not excessive cold. Just this kind of great intermediate area. I like that. That's the best. But also I like when it's always that consistently in spring, I guess.

Cristina: Yeah, that's the best autumn.

Jack: Autumn has a little bit colder going on. Spring has a little bit hotter going on with both of them. Perfect. Anyways, unrelated. Unrelated.

Cristina: How do we know it's not related?

Jack: I mean, it could totally be related. And so, I mean, literally, maybe it could be related because we know that the portals at different locations require the equin knocks to happen. And we don't know if heat is why or it's the alignment or it's the what is it? The hottest point of the day is the longest day. What. What do you. What factor are you looking for? So at the end of the day, like, come on. Our meters are fire, bro. We can connect any random two dots. We're skilled at this game. By now. Everything's gonna make sense. It checks Out. Yeah, could do that about any topic. Challenge us.

Cristina: Yes. Okay, tell me about this thing.

Jack: Yeah, challenge us. Look straight up if you're listening. Challenge us. Give us something. I promise it's. It fits in. I promise it's related, if it's weird or government related or anything. Give us anything. I promise you if it's weird, it's related. Or we'll make it. But 1952, September 12th, we're in Fleetwoods, which is in Braxton County, West Virginia.

Cristina: Okay.

Jack: 1950S is kind of booming. You know, ladies got that weird puffy hair, that kind of curves at the end. And they got those skirts that just end perfect at their ankle and they got white socks on and that shoe.

Cristina: Is that what that thing is trying to do, is trying to look like.

Jack: One of those ladies?

Cristina: Oh, now we gotta find picture of these ladies you're talking about and compare.

Jack: That's kind of cool. That checks out a little.

Cristina: But it's too huge. Like, even if it was trying to attempt something like you're as tall as. You're as tall as the tree. What are you talking about?

Jack: Do you see how easy it is to think this thing is the Mothman, bro? How weird that it is trying to imitate people? Because that's just trying to imitate people, right? And what's the reports of the Mothman? He shows up tragedies and whatever. You know, he does this weird thing where he's kind of like reflecting people. Weird. Why? Why are you imitating people? How the is this not it? Unless this is something like it.

Cristina: Is it really? No, don't tell me yet. Just tell me what these ladies look like in that time.

Jack: Exactly what I described. And so I even lost my train of thought. So 1950s. Oh yeah, everything's booming. Ladies are looking nice, their hair is looking ridiculous, and they got. They all got little apron on top of their head. For whatever reason, TV shows it like that. Yeah, I'm sure it wasn't even happening in reality. That was just the. The, you know, the traditional woman was doing that. The common woman wasn't. And that's why the traditional woman was looking down on the common woman. Because you don't have an apron over your head, you w****. Okay, you know, so the. So that's why in. In images they had the apron. It was all lady like, I bet. Don't look it up. It's probably true.

Cristina: Doesn't sound right.

Jack: How would you. Okay, solve it. Let's solve it right here, right now. How. Why was the air apron, their hairstyle.

Cristina: Was so perfect that they didn't want to mess it up.

Jack: Oh, s***. That could totally be it too. Mad hairspray. But then you're not even showing it off. So they would only wear going to.

Cristina: Somewhere you need to cover it. And then when you're there, you take.

Jack: It out and it's just a tiny little thing you could put in your pockets.

Cristina: Yeah, yeah.

Jack: And your skirts were so fluffy. They probably had pockets before big pocket got to you. And try big. What is it? Big purse. No.

Cristina: They will tie it around their neck maybe.

Jack: Oh. Oh, man. You piece this all together because they do have some. That looks kind of like a scarf or some s***. No, it's not. It's not.

Cristina: It's not.

Jack: It's too thin. What they know. So they probably put it in their giant skirt pocket. Big purse hasn't destroyed pockets yet.

Cristina: You don't know. I don't know. When was that?

Jack: Around in the 1950s. You think there were purses, like, super popular. I bet.

Cristina: I bet when they came out with purses, it became super popular, like immediately. Yes. I think that was a hot thing, purses. Yeah.

Jack: And then they were like, f*** pockets. We could have so many more clothing option if we don't have to consider pockets. And. Oh, is this a typical. We're playing with fire, not thinking about the repercussions. And so we. We're not envisioning a future without pockets.

Cristina: Yeah.

Jack: We're just envisioning, oh, why can't we have both?

Cristina: Why can't we have both pockets?

Jack: We've gone too far. Science has taken us away from pockets.

Cristina: Bring it back. Bring back the pockets.

Jack: Science is taking us away from pockets. Pockets are inefficient. Or for whatever reason science deemed women with pockets is useless. Women with pockets is useless.

Cristina: According to survival, have pockets. And then they still need to carry things. So then they have that little purse on the waist.

Jack: A man purse. Yes.

Cristina: No. Yeah.

Jack: Like, no. Yeah. What do you. F**** pack.

Cristina: F**** pack. That's the man purse. And like, you see, they have pockets and it's not enough.

Jack: So how much crap are they walking around with that they need all that.

Cristina: I don't know.

Jack: F**** packs, ultimately, or let's really be realistic. When you gotta carry your medicine around. You're an older man.

Cristina: I guess so. Well, you're an older person. Yes.

Jack: And when you're classy older, dude, you carry a briefcase with your meds in them.

Cristina: That makes no sense. That's mad work. Why not just get a f**** pack?

Jack: No. If you're in A suit all day.

Cristina: Get a lunchbox.

Jack: Yeah, no, some kind of small. It could look like you have a work bag. You know, a little work.

Cristina: Yes, but I have a briefcase just for medicine.

Jack: Not a little briefcase. You know, like a small work case. Suitcase, whatever.

Cristina: Okay.

Jack: Yeah, it looks like something you'd put a laptop in.

Cristina: All right.

Jack: And you carry that around. But really, it just goes neat with your suit. You probably have a couple of different ones that match your suit. Because you're classy, dude. You work. You're working man at the top of your super tower.

Cristina: Okay. You take mad meds because you're old.

Jack: Just. Oh, it's one of the unfortunate old people who just hear mad medication because they just eat whatever the doctors say instead of working out. Anyways, all of this somehow has to do with the 1950s.

Cristina: What does this lady have to do? Or this thing. What is this thing?

Jack: Well, it's 1950s, where this thing kind of looks like this lady we were describing for whatever reason.

Cristina: Yeah.

Jack: But anyways, 1950s women are booming. Or people at 50s are booming, whatever. The boom in 50s. I know that's wrong, but close enough. And it's exactly 7:15pm According to Sword from people.

Cristina: So this is multiple people reporting.

Jack: Yeah, it's about to get weird, bro. Okay, so let's begin. The sighting begins with brothers Edward and Fred May and their friend Tommy. Hire report seeing an exceptionally bright, exceptionally fast moving object across the sky. They thought a meteor. Who?

Cristina: Okay.

Jack: Yeah. And they claim it hit a neighbor's farm belonging to G. Bailey Fisher. Neighbor. So we got Edward and we got Fred and we got Tommy. And together they see a thing go across the sky. They're like, oh, s***, skyrockes on.

Cristina: Okay, so are they gonna go onto the farm to investigate it?

Jack: Yeah, they're gonna go do that. But as they're going onto the farm to investigate it, they see that it didn't really hit. It kind of slowed down as they followed it.

Cristina: Weird.

Jack: Yeah. So they run back all three. Keep in mind, we already got three eyewitnesses. Nobody is dead. Nobody died. These are eyewitnesses that lived and all told exactly the same story. Now they get back.

Cristina: Back to where?

Jack: Home. Oh, and they run to actually a neighbor's house. Kathleen May, unrelated. Where they explained what had happened. He was like, what had happened was. And then she immediately didn't believe him because she said what had happened. But anyways, as he said what had happened was, we saw this weird thing go across the sky. And then it was. As we followed it to Go see the crash. It was kind of like moving. We were close to the hill. We started running because we wanted to see it go, hit the thing. And it just stopped moving kind of slowly. And we freaked out because we don't know how to explain that. And here we are telling you about it.

Cristina: That's kind of lame.

Jack: Yeah. And she was like, well, that's kind of weird. I mean, all three of you saw it and they were like, yeah, it was kind of like they're slowing down.

Cristina: So I don't get it. Why wouldn't they just. It's like an incomplete story. Why would they do that?

Jack: I know.

Cristina: You see something weird and you don't finish through what you're seeing.

Jack: Well, most horror horrifying stories end with the people who went to investigate dying.

Cristina: That's why. Then they should have said, okay, one of us has to stay while the other two run or something. Like make some weird bet with your friends to get one of you to stay at the spot.

Jack: It has to happen this way. One of you needs to keep looking at it. The other one. The other two, one is gonna keep their eye on you, who's on top of the hill.

Cristina: Okay.

Jack: And the others get. Yeah, the other is gonna stand in front of him. So he's gonna see two people, one looking at him and one at the hill.

Cristina: Yeah.

Jack: Also looking at him.

Cristina: Yeah.

Jack: He's going to be looking only towards them while the guy looking at him directly in front of him is going to be guiding him, looking where they're walking.

Cristina: Okay. But the farthest guy also has to try to get someone to I guess share the news or.

Jack: Yes, they're gonna keep looking at him to make sure he doesn't just vanish or something. Because if he just. Something attacked them, they can say that happened, but eventually they gotta like turn away or something.

Cristina: Yeah. That's why the third guy is not. Doesn't have to pay too much attention because he's trying to wave at somebody or.

Jack: Yeah, they're just already in the neighborhood.

Cristina: Yeah.

Jack: It's just a matter of don't lose sight of him ever. Don't lose sight of him ever. The problem is they don't have hella history of. Of sci fi movies to build on logic. You know, if they just had a bunch of media of sci fi media.

Cristina: So you're saying there's no sci fi media in the 50s.

Jack: Not. Not the way they would need to handle this. Oh, they need some particular apathy. We're being bred now to have. Think about the apathy we're slowly building towards everything. It's because something big is coming, and they need us to not freak the f*** out. It's either the coming of Jesus is actually about to happen and most of us are f***** up, or there's some kind of crazy force headed our direction, and the strong are about to survive, and they're trying to make us all the strong. And they know most of us aren't gonna be it. But, you know, prepare as many as you can, okay? And that's. We're getting slowly watered down to just be like, hey, here's a bunch of alien stuff. It's probably alien guys. And everybody was like, cobra.

Cristina: Cool. Sorry.

Jack: Cool. Mission accomplished. You're doing it. They're doing it. But this lady is like, that's kind of weird. So I can't really do much.

Cristina: Or else you guys investigate unless we get.

Jack: Unless we really see what happened. I can't. Like, we can't run to the cops or something. That's crazy.

Cristina: Yeah, that's pretty crazy.

Jack: We got to really go. Look, man, somebody's going to run all the way to the cops and get the cop to come all the way over here.

Cristina: I mean, that is what you do, though.

Jack: Yeah.

Cristina: You tell the cops.

Jack: Is there even something there? Did something weird happen?

Cristina: I don't know if you truly believe that. I think you'd still call the cops.

Jack: Yes. Luckily, Kathleen is a connected woman, okay? Presumably for reasons we don't have to discuss. As a grown woman, she could do what she wants. I don't know why she's got men who could do her favors at the blink of an eye. But she asks her friend who happens to be a National guard, Eugene Lemonade.

Cristina: 11.

Jack: Yeah, okay. And she. The ridiculous name. I can't even believe this is how the story unfolded. Once I saw this, I'm like, how the. Is this not just a stupid, creepy pasta or something?

Cristina: It's not.

Jack: It's not. I'm like, man, there's real news articles about this thing.

Cristina: Okay, so tell me about Lemon. Mr. Lemon, he investigates.

Jack: So he. He's like, going up there, but everybody's like, we're gonna go check, too, you know, now we got a National Guard. We're good.

Cristina: Okay.

Jack: We're good. He's got a gun. We're fine. Yeah, so she's going up there. I don't know why she's. I mean, bro, I'm telling you, there's something on about this lady and that guy.

Cristina: Okay?

Jack: Right? Like, come on. She's like, bro, you want to do me a favor and come check this out. And then she's going to check it out with him. Bro. Kathleen. What have you been up to? Kathleen. But I don't know if she was married. Nothing says she was married again. She's a single woman. As far as I know. She could do what she wants.

Cristina: Okay.

Jack: They couldn't investigate. So Edward and Fred May join unrelated Kathleen May in order to go to Bailey Fisher's farm.

Cristina: There's just two unrelated MAEs. Not even by cutting.

Jack: I mean we're talking the 50s, bro. We gotta populate somehow. Anyway, so. And they're accompanied by some. The neighborhood kids too. Nunley, Ronnie and you know. Yeah, just a group of kids.

Cristina: Okay.

Jack: A group of kids. Tell me this isn't like the setup, the stranger Things. Well, I guess a bunch of kids, some cop like figure and the lady all going to investigate the thing. Except they're from a city.

Cristina: Yeah. Oh, they're in the city.

Jack: No, this is in the middle of f****** nowhere.

Cristina: Oh, okay.

Jack: Well, you just saw this s***.

Cristina: Something many things actually inspired by a lot of crap. Yeah.

Jack: This happened in the time. It's totally be pulling from this for sure. For sure. Okay. So they run, we get there. They arrive to check. Right.

Cristina: Mm.

Jack: The group reaches the top of the hill and as they get there where they saw the. The object sort of vanish over initially and slow down when they got closer, they. It's dark now by the way. Obviously now it's getting dark. It happened already towards. I guess. Yeah. It was 7:15, which I began with at 7:15.

Cristina: Okay.

Jack: All of this happened. They ran. They saw a thing in the sky. They ran times ticking. Clocks of ticking. It was still daylight. Ish.

Cristina: Somebody to come join them.

Jack: So now. Yeah, they get all this. By the time they're getting here, it's like 8, 8 20. And now it's getting dark. So they're arriving there and it's just kind of, you know that very period of. Right. When it became night. When this is darkest point of the night because it's darker than any part of the night. What do they call that? Dusk. Right. The darkest point when it's just pure blackness for a moment. And it was that point of night when they make it to the top of the hill because you know, Chance the universe decided to write their scenario like this. It's half of it sounds like bullshit. They were just too many reports. These people started painting pictures at some point. But they f****** summarize to be like this. It's crazy. Anyways. So they get There. And the first thing that they see. Keep in mind, all eyewitnesses agreed to exactly the same descriptors for what happened that night. That's what makes this trippy. Hella different people moved into isolation and questioned by several different agencies because of the astronomically weird circumstance. All had the same story to incredible detail as decided by government agencies. Interesting. Let us continue. Okay, now, when they get to the top of the hill, all of them notice something really weird. A red glow, faint, sort of like an amorphous blob.

Cristina: Okay. And they think it's the thing that hit the ground or something.

Jack: They have no idea what this has to do with anything.

Cristina: Okay.

Jack: They have no idea what this has to do with anything. This isn't even where the thing landed. They got to the top of the hill and they saw this thing standing in front of the farm's fence, unrelated to the landing site of whatever that thing was, which they thought was a meteor until this very moment where now they're questioning everything they've ever seen. Because how the h*** do you just have a glowing red aura thing?

Cristina: This is the thing that we see in the picture that they're looking at now. Or.

Jack: No, this is what they claimed. Ultimately the summary of all their descriptions. What? Yeah, this is basically what they saw. So they see this glowing thing and Eugene, the National Guard guy, who's got the flashlight, so he's cool, he's got a flashlight and a gun, is basically Leon Kennedy at this point. And he, he's Hopper, you know, he goes and he flashes the light at the red aura. And when he does the one thing he sees, because nothing else comes back, like blackness, blackness, nothing there. The only thing that makes it through the dark is the red eyes. The aura disappears and we just see red eyes.

Cristina: I guess that, but okay, right now.

Jack: That was disturbing to everybody. So everybody. Oh my God. Yeah, everybody saw the same thing. And they were like, you know, freaked out for a second. Holy. What the f***? Right now descriptions, as soon as he panicked and moved, the light being moved allowed the silhouette of the thing to come into view.

Cristina: Does it look like its head is on fire? Like what's happening?

Jack: So their descriptions go as, follow, standing in front of the fence. Now also, also, I guess we have to describe exactly what happened before I give you the description. They walk to the top of the hill, they see it shine, the thing, the eyes become clear. And when he shifted and got scared, the light came off, revealing the things body. And almost like if it wasn't looking at him, suddenly the Eyes disappear and then they come from the side again. Like his head was somewhere else the whole time and turn to look at him. Trippy. I'll repeat how confusing that is. It was looking. It's like if I'm looking at you right now, my eyes. My whole face is looking forward. And then somehow this image of me looking like this fuzzes up and you.

Cristina: Can'T tell that I'm. That you're looking at me, that I'm.

Jack: Looking at the side. And then I'm suddenly just coming around and looking at you.

Cristina: Oh, weird.

Jack: Yeah. So it looks like I'm looking at you right now. And then my head phases out almost. You can't even tell. It just looks like I get blurry. And then you only notice that it's not me looking at you when I'm starting to turn to look at you.

Cristina: Okay.

Jack: That happened. And everybody saw it.

Cristina: Weird.

Jack: Weird. That was confusing. I don't even know how else to point that. I've never heard that description ever. Weird. But they all had that same kind of like, what the f***? We thought it was looking our way and then as a sudden, now it's looking our way and.

Cristina: But it looked. The face looked the same both ways.

Jack: Yes.

Cristina: Of. It's not looking.

Jack: Yes.

Cristina: And looking or whatever.

Jack: Strange.

Cristina: Very strange.

Jack: It's an owl, bro. Again, perfect thought.

Cristina: But how tall is it?

Jack: There we go. It was about 10ft tall.

Cristina: That's ridiculous.

Jack: That's ridiculous. That is where they initially got startled. The height of those eyes. Well, had them shook, like, oh, f***. What the h*** is that? And then the thing looking their way.

Cristina: And then what just disappears like. Well, where they freak out and run away.

Jack: Well, they say it looked like some sort of shadowy figure, silhouette of some sort. It appeared to have the glowing visible aura outlining it. That was red. A red aura outlining it faintly. The large glowing crimson eyes. And it seemed to have a tail. They all thought they saw some sort of a tail or something.

Cristina: Any type of description on the tail?

Jack: No, they were. They just claimed tail. I actually wanted to know what kind of like, was it fuzzy or was it this?

Cristina: Yeah.

Jack: The closest thing to a descriptor felt like thin. But it was like the. No, no hair details, no nothing. They were unclear on the size and everything. They were just like. They think it had a tail.

Cristina: Okay.

Jack: Its shape seemed to be vaguely triangular too. They seem to be point here towards the top and wider towards the bottom, which fits your description of having a skirt. Now here's an interesting thing in describing that triangular Shape. A couple of people said something that I found interesting and fits instantly, which is that it looks like it has a robe.

Cristina: It has a robe pointier towards the top.

Jack: Like a cloak type thing that's on.

Cristina: Top of the head looks or the image, not that that's the actual description. It doesn't look like the thing on its head is actually there. Like that's part of the glow, the aura of this thing.

Jack: Fascinating. Yeah. I think everybody agrees with you. I don't think that the fuzz that's around it is it by any means. It's part of it. I think its head does have some sort of a small hood on it.

Cristina: It has a small hood?

Jack: No. I would say that underneath the dark, its outfit would claim that there's a hood because it looks like the rest of it is a robe.

Cristina: And what's happening to its ribs, though? They describe that better.

Jack: Well, let's look at this again, because I'm thinking you're claiming this outside, this is what you're talking about, right?

Cristina: Yeah, yeah.

Jack: I don't think that's part of it. I think this outfit that it has looks like some sort of a robe. And maybe this is an exaggeration. And in fact, more like the chair, what it had was some sort of a belt wrapped around it, which is typical of, you know, monks and of, you know, Jesus, like people and of Hermes and things like that, that they get robed up and they tie at the waist.

Cristina: Well, what about the ribs?

Jack: Well, this is what I'm saying. I'm saying that. Yes. I'm saying there's. If anything, if we were to say that this is to look like something familiar. Oh, that would be the belt.

Cristina: Okay. You know, he's in their description, though. They don't say anything about that.

Jack: They don't focus on it.

Cristina: Okay.

Jack: It's just a focus point. Not a focus point. It's a point in the outfit that it has or its body shape that was vaguely highlighted but isn't focused on like the rest. So it's, you know, debatable whether it was part of it or not.

Cristina: Okay.

Jack: Because keep in mind, we have a lot of witnesses. So no variations are included in here, only similarities. Although the images show details from variations. As you saw, the chair has a belt and the creature over here has, like, rails or something.

Cristina: Yeah.

Jack: But as you're looking, they panic. Tall, giant turns at them after it was looking at them. Weird moment. It's huge, 10ft tall. Looks kind of like it has a skirt or like it has A robe. It has a glowing aura around it and they all notice the same glowing eyes. And another weird detail.

Cristina: What?

Jack: Its weird claw like hands. And its weird claw like hands were like in front of him. He was reaching out for something weird.

Cristina: That is weird.

Jack: Yeah, but it wasn't reaching out towards them, only its head was.

Cristina: When it turned its head was doing what?

Jack: Its head looked at them. Its body.

Cristina: Oh, weird. Okay.

Jack: Very strange. Its behaviors were odd. Now, when Eugene tried to get closer. This is a key detail right here. It vanished into thin air as Eugene described it. Like a cloud. He became less there the closer we got. Weird and familiar.

Cristina: Like from what?

Jack: So much of the crap in Clinton Road.

Cristina: How close was he to it when they first saw it?

Jack: Do you know how close was he to what?

Cristina: The thing. Oh, because he wasn't close to it at all. When he got closer, it disappeared.

Jack: Yes. So the top of the hill to the front was about 100ft apart to the front of the fence where this thing was.

Cristina: Yes. But he got closer then as he.

Jack: Got closer, how close was he by the time it disappeared? Yeah, I have an idea.

Cristina: Oh, okay. So he just got closer and it disappeared.

Jack: Yeah, it was. The distance was anywhere between 150. Between 50 and 100ft.

Cristina: Okay.

Jack: And as it got close, as they got closer, it just sort of wasn't there anymore.

Cristina: But they don't think of him or this thing as the Mothman.

Jack: They don't think of it as a Mothman.

Cristina: Okay. Because like the whole. It was flying in the sky beforehand. And then I don't know, there's a lot of weird stuff. That's. Okay.

Jack: Mothman adjacent.

Cristina: Yeah. Well, do they think it is.

Jack: So I don't know. They don't have. They just call it literally Braxton county monster.

Cristina: Okay. Okay.

Jack: And they have no idea what it is. But this thing has very gin like characteristics minus some things here or there. And it's a particularly huge creature. I don't think we've seen gin this size at all. Jin tend to be more human. Like maybe the size of Elysians, which are just taller.

Cristina: Yeah, it's size made me think like it was some type of like Indian God type thing. Like those things are huge, aren't they?

Jack: Or they're description Greek gods or some s***, Right? Yeah, one of those tall Adonis kind of guys, you know. But no, that's kind of weird, the fact that everybody saw all of this. Now the next day, Lee Stewart Jr. Of the Braxton Democrats, which is a news reporter, that's the name of the paper that he works for. Whatever went to investigate and he discovered skid marks on the property of something actually making impact.

Cristina: Okay, weird. That's weird.

Jack: Very strange.

Cristina: You got pictures of that?

Jack: No.

Cristina: Okay, that's curious.

Jack: And after further investigating with some special friends of his, he came up and found there was a gummy clay like substance that was located where the skid marks were. Some weird residue.

Cristina: What did he do with that residue?

Jack: Nothing. He looked at it and was like residue? Yeah, I'm sure they collected it. What were they gonna do with it?

Cristina: I don't know. Take it to the lab, See if it's human?

Jack: Yeah, probably. They did all that, See if it's.

Cristina: Human or it's alien? I don't know.

Jack: Yeah, I guess if it's alien or. I was guessing, like, what kind of metal it was or something. But.

Cristina: Okay.

Jack: Yeah, I guess. Yeah, I guess he wouldn't think. I'm still thinking, like, it's a ship or something. It could be because, like, it landed and this thing came out of it.

Cristina: Oh, well, wouldn't they have seen the thing that landed?

Jack: Yeah, they saw it literally stop and hover.

Cristina: Well, was it that. That they were looking at? Because they never. This said, really a description of the.

Jack: Thing, that's another problem. It flew by quick. It was just a giant bright light in the sky moving that thing, though.

Cristina: That thing is so big. It might have been that thing, like with its head pointy, like it looks like a rocket. It looks like.

Jack: But then what was this cloud? You think when this thing flies, it leaves a trail of fire.

Cristina: It's glowing. It has a glowing aura.

Jack: But the glowing aura they see, you know what it's kind of making. Maybe when it's flying, it's bigger and more luminescent.

Cristina: Yeah.

Jack: Interesting, Interesting. I'm over here thinking, no, those are two unrelated things.

Cristina: It could totally be the same thing.

Jack: It could totally be the same thing, but also it could totally be two unrelated thing. Or not unrelated, but, you know, it could be that this thing came in.

Cristina: A thing, but they found nothing.

Jack: They saw nothing. They got close, it disappeared. They investigated the back of the farm.

Cristina: They didn't see nothing fly away.

Jack: They saw nothing, nothing, nothing, nothing. It just wasn't there.

Cristina: That's weird. It's weird that they would say, see it come, but not see it go.

Jack: Yes, there's a lot of weird.

Cristina: It's a lot of weird. Yeah. I don't know. I don't buy their story.

Jack: Weird, right?

Cristina: Yeah, it's too weird.

Jack: Strange story now because of the news reports this kind of got picked up heavily and it got a couple of agencies worried about maybe there is something going on.

Cristina: But did anyone unrelated to this specific group of people see it?

Jack: No.

Cristina: No.

Jack: But this group of people was made up of random people to begin with.

Cristina: But they were still a group of people.

Jack: Yeah.

Cristina: I don't know.

Jack: Made of random. Anybody who witnessed it would have been a group of people at that point.

Cristina: Whatever. I would like to hear about a person who was not in the group that saw it.

Jack: Oh, no. I don't know. It was just like.

Cristina: Maybe the guy that owns the farm was looking in his backyard and he saw it or something. Where's that guy?

Jack: I don't even know. That's an interesting question. I don't know where the guy is, but, yeah, they were going to the backyard. They saw nothing. I don't know. It was just weird.

Cristina: And it left. So, like, it didn't leave or it.

Jack: Didn'T leave, so it just wasn't there suddenly as they got closer, which doesn't.

Cristina: Make sense because it got there.

Jack: Like, we don't know it got there. We don't know if these two things are related. Again, because we see something vanish the way it did. It didn't need to arrive the way something did.

Cristina: Yeah. Two unrelated things happened. You're saying two very strange unrelated things happened? I don't know. It's even harder to imagine that these.

Jack: Two things are unrelated until you remember what we've been looking at. Locations that have many weird things happening.

Cristina: Are you saying this location has more than just these two things happening?

Jack: Well, I'm saying that we've found the thing in which there are other things happening.

Cristina: No, I don't buy. Unless there's many things. Is there many more stories of this location or is these two the same? This one story that has two things in it? The story.

Jack: This is the story. Yeah.

Cristina: Okay. I don't know if. I don't think it's really. I don't know. It seems pretty random.

Jack: Yeah. I don't know. What the thing in the sky. I don't think the thing in the sky and this other thing have anything to do with each other.

Cristina: How could they not?

Jack: They're two weird things. I don't know what to tell you, man. It disappeared in a way we know with and is familiar. But something arrived in a way we do not know and is not familiar. Unless some. Unless it was just happened to be that a fight between a freaking Elysian and a Shadow Realm creature took place there, and we Saw the Elysian arrive to the fight, and we saw the Djinn leaving it. We know who the victor was, but, you know, like, that's the only real scenario in which, like. I don't know. I don't know what to tell you, but we were clearly looking at some Shadow realm creature, and something else showed up. Maybe it was actually a meteor. That seems very likely.

Cristina: But it was slowing down, so it does not sound.

Jack: No, you're right. It's slowing down is kind of weird.

Cristina: And it was also glowing.

Jack: It was also. Well, it looked like it was on fire.

Cristina: It was. Whatever.

Jack: It was bright. It was blindingly bright.

Cristina: If you saw this thing with the aura in the sky, it probably looks.

Jack: Like it was not blindingly bright. The aura was faint. It was faintly outlined while the thing in the sky was lighting up. The sky made it look like.

Cristina: They don't have any guesses of what the two things are.

Jack: The thing in the sky was seen.

Cristina: By everybody, by the way, in the town.

Jack: Yes. Multiple people saw the light in the sky move across the sky.

Cristina: Oh, okay.

Jack: The rest of the story now. But people did see that. And the logical conclusion is, I was probably just a meteor.

Cristina: But the. What they saw was in a meteor.

Jack: Exactly. Because the kids that followed it have a completely. A more complete story of events.

Cristina: Yeah. I mean, we don't know if the two things are the same, though. But we know the first thing is a meteor because it was just being weird. It was just hovering or slowing down or something.

Jack: It was being very strange.

Cristina: Do they know how big it looked, though? How big it looked when it was in the sky?

Jack: I don't know. How do you. How do you even know how close it was?

Cristina: I don't know.

Jack: You know, it's tricky. You see the problem, though, right? How do we have these two very unrelated events happening simultaneously? They must somehow be related, but not in the way. Not in an obvious sense.

Cristina: They obviously don't have any answers. Okay.

Jack: They obviously don't have any answers in.

Cristina: The investigation whether they discover anything else.

Jack: No, they interrogated the people. They found out that the stories lined up up until the points I've discussed. Those are the things that they all had in common, minus the details that didn't, which you've seen some of them in the images, and there was some of the movement behaviors that they would describe. But other than that, like, useless details, I've thrown away.

Cristina: Okay.

Jack: They didn't know what else. They really got attention. People came in, like, really, like, what the f*** is wrong? These people are making it up and they checked children to make sure. No, it's checked out.

Cristina: Okay. And that chair, who did that? Just a fan.

Jack: Yeah. So based on the descriptions, many, many, many, many iterations of this have been made. And the description of this has actually always been with NASA as a thing to look for. And I didn't know that. They have a list of random things that can't be explained, that in many instances have many witnesses that they look for in sky.

Cristina: Weird. Yeah, but what are they supposed to look for?

Jack: No, just random bright things. Something moving quickly close by that's just bright things like that.

Cristina: Just, you know, interesting.

Jack: So this is something to casually look for.

Cristina: Yeah. We don't know what this is.

Jack: We don't know what this is. Now, obviously, Mothman. You said it a thousand times. Yes, Mothman. Mothman, Mothman. And the Mothman is a definite possibility for what this could be. But I would argue it's something to be more kind of like Mothman if. How do I put it?

Cristina: If something bad happened afterwards.

Jack: No, the idea would be that Mothman is a type of thing. Actually, Mothman is related to somehow to Banshee, right?

Cristina: Oh, yeah, right.

Jack: But Banshee's always been described as a female.

Cristina: Yeah.

Jack: Boom.

Cristina: So this could be a banshee.

Jack: Male banshee. Well, actually, searching this up, putting these descriptors plugging in everything these people talked about, Banshee is the most consistent thing that came up.

Cristina: Weird. Even though I didn't cry or anything.

Jack: Nope. But the descriptors line up clean. It's behavior, but it isn't. Yeah. The one part is that it's not showing up for omens.

Cristina: No one died recently.

Jack: No one died.

Cristina: Not even on the farm animals.

Jack: This was just a really weird indescript moment. Weird, strange, right?

Cristina: Yeah.

Jack: But a banshee is definitely not it. We know what a banshee is, but there is something called a Kali, a kalaiich, a kaleech, something like that. And it's Celtic in origin, or at least where they first cataloged its existence. Recorded it. Right.

Cristina: What is it?

Jack: It's some sort of a creature that is humanoid in appearance and tends to look like an old lady, sometimes like a banshee, and often shows up in the winter, but has in other cases been shown up, has shown themselves during really vicious storms. Wandering outside in the wilderness, when animals are stampeding across like they're losing control, that's when you'll see this thing in between almost not getting touched.

Cristina: But nothing of that is happening. None of that's Happening.

Jack: None of that's happening. No, but interesting thing about this creature I'm talking about. It would seem to show up when fear is happening. Right. Storms, wilderness, when there's creatures that are unsettled. The winter when it's darker and colder. Interesting choices of appearance, huh?

Cristina: For that thing, yes.

Jack: For this random creature. Now where this creature seems to line up the most is the fact that its physical description is very similar, although its movements are not and its size is not. So that part of the description though. But it looks like it's wearing a hood. It looks like it's wearing a robe that opens into some sort of mid sized skirt type of thing. It looks like it has an aura around it. But it happens to be about five feet tall.

Cristina: Okay, that's not tall enough.

Jack: No, but the Mothman would also be in between both of those heights.

Cristina: How tall is the Mothman?

Jack: The Mothman would roughly be about 7ft.

Cristina: He's not tall enough either.

Jack: No, this thing is about 10ft. I'm thinking different heights for the same kinds of things. These things that have a tendency to only manifest and enjoy manifesting, not even breeding their own, but just rolling up when it's about to happen naturally.

Cristina: But this thing, I don't. So you're saying they got scared of the comet thing and then that created the fear that summoned this creature, this thing.

Jack: Now you're getting it. I think the paranoia of what was it? But something was there because it slowed down.

Cristina: Yes.

Jack: So there was something happening. The kids were confidently just going to go watch it land and hit set or blow up in the sky or something.

Cristina: Yeah.

Jack: And then they were like, what the f***?

Cristina: No, Something weird.

Jack: Yeah, they were just kids. They've probably seen this a thousand times. They're like, oh, it's media, let's go check it out. And then it stopped being a meteor before their eyes. And we're like, no, let's stop checking it out right now.

Cristina: I wish they checked it out. I want to know if it was the creature or are there two things happening? I wanna know why? Why didn't they have something?

Jack: Because people have reason why.

Cristina: Why do they?

Jack: Yeah, but I, you know, I was going down the list of possibilities of.

Cristina: Things that they were besides the Mothman.

Jack: Yeah. It definitely wasn't Jinn. It definitely wasn't a Banshee. The problem is that I do believe it's a Kalaich or whatever the crap that is, and I do believe it's a Mothman. I think it's all of the above. But what would These things be a shadow realm creature. Definitely. A hundred percent. They all fit that description for sure.

Cristina: Yeah.

Jack: But now let's check out the Mothman then. Right, because if you look at the Mothman, he first showed up in 1966. That's mad. Years later. That's 14 years later.

Cristina: Okay.

Jack: Except it also happened in West Virginia.

Cristina: Really? Really.

Jack: It only happened two hours away.

Cristina: What? So it could be the same thing, but the size difference. Maybe it's baby.

Jack: Now, it's described as large, 7 to 8ft tall, winged, with red eyes, and humanoid in appearance. Now, Mothman is messed up because the Mothman is crazy. Right. He has been seen by over 200 people. There's over 200 real world reports on this same thing.

Cristina: Yes. Which makes him way more believable than this other random thing.

Jack: Except he's the same thing. Yes, but he always showed. Showed up. Always. In every instance, before and after something bad happened. He seems to be the. The closest thing to a Banshee possible. Right. Before and after something. Well, the Banshee only shows up before. The fact that he shows up after is crazy. Also, the fact that he shows up before is crazy. Also, the fact that a Banshee shows up before is crazy. Weird fact that Shadow Wyrm creatures know somehow.

Cristina: Yeah.

Jack: They can see the future somehow. Or feel it.

Cristina: Maybe they feel it. Maybe they have some sixth sense to.

Jack: Fear hect the future. Yeah, because they know to go, like sometimes months ahead.

Cristina: Yes.

Jack: Like weird. But again, this Mothman creature does this and he shows up and he's associated with the Silver Bridge collapse, which is the craziest scenario. And many people saw. This is where he was seen by the most people. And then the bridge collapsed and hella people died. Over 200 eyewitnesses. How absurd.

Cristina: And then after that bridge, they stopped seeing him.

Jack: They stopped seeing him after the collapse of the bridge? Well, no, he's been seen on and off. That was just the most massive sighting. Okay, now the idea here would be that whatever this creature is, is a Mothman. But a Mothman doesn't make sense because that creature was described as them by female. They are genders to it. A banshee is also female. Now, we're describing these things in isolation, but the behavior seems to be on point. They're very close in similarity, and they're very close in sort of what they do. They show up before. They never seem to be involved in what's happening.

Cristina: No.

Jack: And they seem to kind of enjoy being there mostly beforehand, minus the Mothman, who shows up after it's also the only male version of this we've seen that happens to show up after as well. Although none of them seem to remain during the tragedy that's occurring.

Cristina: Well, what tragedy would have been the one for this one if this was somehow related?

Jack: For what? The.

Cristina: I don't know. It's got the monster.

Jack: The monster. You know what's interesting? I only thought about this connection right now, but the logical conclusion would have been to see if a tragedy happened in the area.

Cristina: Mm. You know, you did not do that, though, did you?

Jack: I did not, but we have the power of research.

Cristina: Okay, okay.

Jack: Maybe it's totally related.

Cristina: They all died.

Jack: They didn't all die. Had nothing to do with them. But about 40 minutes away, there was a. The local hospital that people use from that area, which. God, bro, how far? 40 minutes away to the. You at least have a clinic or some, right? Well, that's crazy. You at least have a clinic or something, bro. That's crazy. I've never heard of some like that Anyways. D***, bro. D***. How many? I guess one hospital would be enough if there's nobody between here and West Bubba, right?

Cristina: Yeah, yeah.

Jack: Like, one hospital is probably still empty.

Cristina: So what happened though, anyways?

Jack: Yeah, at that hospital. Fire kills 17 people in the hospital.

Cristina: In the same day?

Jack: Or just this happened around the same time following month.

Cristina: Okay, okay.

Jack: So, yeah, maybe, I don't know, just random other events. Random thing goes through the sky, random unrelated things shows up, and then a random other thing.

Cristina: Mothman.

Jack: Why Mothman? Specifically, the Mothman is a type of thing.

Cristina: The eyes, I think, is what makes it feel Mothman.

Jack: Right, but what is the Mothman? There's no such thing as a Mothman. A moth is just an Earth side creature.

Cristina: Whatever this is. I don't know.

Jack: Yeah, it's some. It should have a name.

Cristina: That's the name we gave it.

Jack: No, that's a name for a thing that's unrelated to the other two things that are in isolation, their own things.

Cristina: I cannot. Can't just call them all Mossman because they're not. Why? What do we do call them?

Jack: I don't know. We need a name for them. I'm sure we can find a name somewhere, put that they all kind of genuinely fit. But it is some sort of Shadowrum creature.

Cristina: Yes.

Jack: It's not an animal like a Win Dingo or wetchudge.

Cristina: It's just a thing that knows when it's about to happen.

Jack: It's. There seem to be several different types of humanoid creatures, and there seem to be different types of humanoid creatures in Elfame as well. In fact, every thing that humans have ever interacted with from that side, other than unicorns, which seem to not even be from that side.

Cristina: Yeah, humanoid.

Jack: Yeah, they're all high intelligence. But I would argue that it looks like the Shadow Realm has the most. Without counting that. Like us versus Shadow Realm. But we also have a bunch of crap that we're just. The problem is we are oppressive as f***.

Cristina: I don't know. We're probably equal to the. Well, we are in the Shadow Realm where it's shadow. Where is the Shadow Realm? Shadow. So I don't know.

Jack: Yes.

Cristina: Look like them. They don't look like us.

Jack: We look like them. They don't. I mean. Yeah, they've been around longer, right?

Cristina: Yeah, he made us out of that.

Jack: Yeah. No, it seems that there is some now. Okay. There's originally a creature called a strix that was first written about in Greek mythology. And they described it as a bird of ill omen, often depicted as an owl or a bat like creature.

Cristina: Oh, okay.

Jack: The next part is incredibly informative. And it feeds on human flesh and fear. Blood. Oh, interesting.

Cristina: Shadow Realm creature.

Jack: It stopped being one the moment I told you. What I told you.

Cristina: Blood.

Jack: The blood. It is a Shadow Realm creature, but it wasn't always a Shadow Realm creature. I think we have just found what the f*** an owl looks like when it consumes adrenochrome.

Cristina: Okay.

Jack: And I think all these other. Keep in mind the descriptors line up and they are always giant, like weird, tall standing.

Cristina: But we never catch it feeding though.

Jack: We never catch it feeding. But we do know that owls are particularly vicious hunters.

Cristina: You think if they are bodies, they're just. They're just gone. Whatever the bodies are.

Jack: I don't know. But also like it could. Again, this is just a descriptor that the Greek have, right. Of a creature that lines up. It's a bird that shows up during bad omens. But what happens? We know that different creatures take adrenochrome. Their intelligence rises dramatically. I mean some of them, some of them don't, but. Interesting. So then what would happen with an owl? This. The fact that this thing gets so humanoid, so astoundingly humanoid. But many different bird like things are not different. They're all the same. The size is really the variation here.

Cristina: I think the arms relate to birds and that's why you said before with the arms.

Jack: A lot of people tried to debunk this and a lot of the conclusions. The problem is that One person's explanation would be broken by the other. But collectively you could kind of solve.

Cristina: Here and there, someone said birds.

Jack: Somebody thought maybe there was a bird actually standing there that got caught in trees and had crap hanging off of it. And the hands were actually just holding on to the fence.

Cristina: Oh, okay.

Jack: And so what you're seeing, and it's a tall fence, so this, it's a fence to stop animals, horses from leaping over it and s***. So you got this tall a** fence and then you got a bird perch on top of it. And they're saying that now again, warped, obviously. How the h*** is this tiny little bird gonna have these giant arms sticking in front of it? But, you know, as people trying to figure out. Yeah, like, hey, what's the logical conclusion to this? Or whatever. It never got summed up. And that's why real forces came in, interrogated people and like, well, crap, maybe there is something. But the closest I could find to a name is strix.

Cristina: That's cool.

Jack: And a strix is essentially the Greek breaking down what sounds like an owl that had a drink.

Cristina: Yeah, Yeah, I think this makes sense. That could be what we're looking at in the real world.

Jack: Definitely be what we're looking at. And again, how it behaved was very owl, but only the one in the farm. Because maybe the lady leans more towards a banshee.

Cristina: What lady?

Jack: I mean, not the lady. What am I talking about?

Cristina: The Mothman.

Jack: The Mothman. Maybe the Mothman leads more towards a banshee, a male banshee. And the kiliage is more like, why.

Cristina: Do you think the Mothman is the male banshee?

Jack: Its behavior is identical.

Cristina: Yeah, like, why are you making it a male?

Jack: I guess you're making it a Mothman.

Cristina: Yes, exactly. But like, that's a dumb name. That's describing something. But like, is it a man? Can people tell that it's a man? Like, it could definitely just be a female. Yeah, it could just be a banshee.

Jack: The banshee has been described as a female. It's not an animal. Banshee. Yeah, it's a lady. It's a lady. It's always a lady. There's always something off about her. But like, physically there's something that they can't quite like. I would argue those descriptions lean into an imitation that isn't perfect, but you can't tell where it's not perfect.

Cristina: Okay. But for a Mothman, there's no way you can think it might be a lady. It's for sure a man that they're.

Jack: Looking at if the mothman has been described as having broaden shoulders. But that could still be a female. Anyways, this is pretty much all I've got.

Cristina: Okay.

Jack: I think the thing that happened at the farm was we were looking at shadow room creatures. A Shadow Realm creature. I have no. I. I think it was a meteor and a shadow room creature. And maybe the owl happened to intersect and you see both happening simultaneously. The fear that they felt or excitement. I don't know. It was excitement.

Cristina: Meteor is too weird to think that that was an actual.

Jack: I know something weird did happen, but I didn't. I looked. I couldn't find anything. It kind of just looks like it was a meteor. Until they're just. Maybe they were met their minds mess with them. I don't know. I don't know. I don't know. I don't know. That there was a tragedy did happen eventually.

Cristina: Yes.

Jack: I don't know. It's weird.

Cristina: Maybe the thing made it see things. Made them see things. Maybe they. It was around.

Jack: It's a Pokemon. It's not that. Well, it's using psychic on them.

Cristina: Yes. Yes. And that's why. That explains the head turning. But it's not turning.

Jack: Because that is interesting. It's causing illusions.

Cristina: Yeah.

Jack: It made them see the thing in the sky and follow the thing in the sky. Which brought the curiosity. Oh. Luring them to get. Maybe it was trying to feed.

Cristina: Maybe it was.

Jack: Oh, maybe they just saved themselves by actually getting that National Guard. Making it too bright. And that was like. No. Because the fear left. Light came. Fear left. They were confident suddenly.

Cristina: Yeah, yeah, yeah, yeah.

Jack: You know. That they were willing to walk forward onto it. The light made them safe. Which explains why light has always been the. If you can see, it's not the unknown. Right. And sort of like you feel better if you can see.

Cristina: It might be saving these people.

Jack: Light literally saves from the Shadow Realm creatures. I've never thought about how logical that is and why we would call them Shadow Realm creatures then. Because if there's more light, there's less fear. Because you understand your surroundings better.

Cristina: Yes.

Jack: There's natural fear when you don't know your surroundings.

Cristina: And that's why all those Clinton stories. Yeah.

Jack: Because you don't know your surroundings. Duh. Night is the most obvious time for anything from the shadow realm to get through. Because fear just kind of goes up the more the unknown comes up.

Cristina: Perfect.

Jack: Duh. Oh man. It was so obvious.

Cristina: Very.

Jack: Hermes always knew. He's like. It's always been in front of you. You just gotta think about it, right, bro?

Cristina: Yeah.

Jack: And we're like, so slow. We're so behind. We try so much. We're so behind. But little by little, every new location, we learn a little something new.

Cristina: I think we did. I don't know what it was, but we learned something.

Jack: We learned that light actually stops problems to some degree.

Cristina: It helps.

Jack: It helps against shadow creatures because it illuminates.

Cristina: Yes.

Jack: And thus we probably nickname them in return, the shadow creatures.

Cristina: It makes perfect sense.

Jack: Anyways, that's all we have. If you guys have anything to talk about, to tell us, any information you know about anything we discuss, let us know. But also challenge us to relate. Anything. Yes, challenge us. I dare you. And you can do that at our socials, at just Convopod. That's on Tick Tock, on Instagram, on Facebook, on X, everywhere.

Cristina: Remember to subscribe. Right. And review the show.

Jack: Yes. And word of mouth is the most overpowered thing that's ever existed. So be sure to tell people about the show.

Cristina: This has been the Rambling Podcast. Take nothing personal and thanks for listening.

Jack: Bye.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.in fox art by 0lupo and logo by Seth McAllister. With social media managed by Amber Black.

Rambling 285: Mining Operation

What was the Clinton Furnace used for? When was it built? What did its function result in? The duo continue to unpack the mysteries of the Clinton Furnace and the forest surrounding Clinton Road. With even shadier deals being uncovered and more questions being asked then answered, the well just got deeper.

+Episode Details

Topics Discussed:

  • Clinton Furnace
  • The Five Mines
  • Underground Railways
  • Classified Underground Bunkers
  • Steel Shock Resistant Lining
  • WW1 and WW2
  • Shady Third Party Contractors

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcription

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast. I am your host and Overlord Dak.

Cristina: And I am your other host, Christina.

Jack: And this is the show where we grant humanity's most absurd and baffling ideas. Ideas?

Cristina: Are you going to talk like that?

Jack: I can commit to it, but it would be very. No, I can't. I can't. You right. You right. You caught me red handed. Is it because whoever's caught red handed committed a murder?

Cristina: I. I don't know. Like what?

Jack: Like that's what being caught red handed means, right?

Cristina: With your hand doing the thing. I guess. Getting caught. Just getting caught doing.

Jack: Yes, but like, where did the terminology originate from? Like, come on, you got caught with like, the knife in your hand, bro. You covered in blood. That's what happened. Get caught red handed so you can.

Cristina: Try to change upper accent.

Jack: No, I can't commit to it whatsoever. But listen to me, man. So last week on Dragon Ball Z, we were talking about how Goku and Frieza were going crazy. Can you commit? Can you imagine how confused the listener would be if I committed to a whole episode like that instead?

Cristina: Why not? We did it on Batman. We can definitely do it on Dragon Ball Z.

Jack: Did we do it on Batman?

Cristina: Yeah, we did an episode on Batman.

Jack: No, but it would have to be out of the random, like, week. It has to be done in the middle of a series that we're unpacking of many things like we've been doing. And then in the middle of that, just make an episode like we've been talking about Dragon Ball Z and just jump in. Like, last week we talked about this, and now we're talking about this part.

Cristina: Of Dragon Ball Z. Oh, okay.

Jack: And like, even the previous conversation we had that we'd be referencing is fake because that never happened either. So. Yeah, we should totally do that. When they have a whole episode dedicated to a breakdown of a Dragon Ball Z narrative device or piece or an episode or something. Okay, we'll talk about when Goku became a Super Saiyan for the first time. Look forward to that, guys.

Cristina: Whole episode.

Jack: A whole episode. Come on, girl. That was like a year's worth of one scream. Just one guy power. It was like a month long scream.

Cristina: No, that wasn't to become a Super Saiyan.

Jack: Become a Super Saiyan?

Cristina: Yeah, that long scene.

Jack: Oh, no. Yeah, the scene that gets shown on Instagram and stuff is from a modified version called Dragon Ball Kai. I'LL show you the original. You're gonna be.

Cristina: That's for him to do an attack, not to evolve.

Jack: It was crazy too. No, Dragon Ball Z stretches everything out. He was screaming for a while. It was, it was really. No, it was like a month. But it was like a good like a three minute scene of him just screaming the transform.

Cristina: And no one did anything while he did that.

Jack: Come on. The logic is like us watch in amazement, but one, everything is supposed to be happening in super fast motion. They're crazy godlike beings swifting around and this is happening all in the fraction of a second. Right. We don't see it that way. We see it slowly, but we're seeing at their pace, presumably. And second, I am sure he's not actually just standing there and powering up. That's the visual we get from it.

Cristina: Okay.

Jack: You know this, that's the breakdown we're gonna do. It's gonna be great. Dragon Ball Z episode people gonna be like, wow, how, how insightful. And anybody who jumps into the rambling podcast in the middle of one of those episodes will think it has to do with Dragon Ball Z and then jump in and then the conclude the following week when they're like, man, I can't wait for the follow up because I remember what episode follows and then they jump in to see that. And we're just going to continue talking about what we're going to be talking about today.

Cristina: All right.

Jack: It's great. We're gonna do that. Anyways. Last time on Dragon Ball Z, we were talking about the sketchy deal that happened in Clinton Road and the fact that there was an odd sketchy organization.

Cristina: Who did nothing wrong.

Jack: Who did nothing wrong.

Cristina: It was just the. Who was it again?

Jack: The Newark Watershed Conservation and Development Corporation.

Cristina: They do illegal things with this other shady group. This other shady group did nothing wrong.

Jack: Yeah. How would, how would this shady group have known that giving somebody money is illeg if you're telling them not to do their job in exchange for it?

Cristina: If they're foreign, it's not their fault for not knowing the rules. They don't understand the rules. So it's okay.

Jack: Yeah, that's totally how it works.

Cristina: They have to be aliens. They have to be non human for.

Jack: That to be like, look, legal aliens have to deal with. Legal aliens have to deal with s***. Humans like human. Legal aliens have to deal with us still doing this s***. There's no way that this is any kind of human at all.

Cristina: It couldn't be. No, that doesn't make sense.

Jack: Couldn't be. They would be super arrested and thrown in some dark hole. You're not from this country, and you invaded us illegally. You gave illegally. You didn't do it legally. If it was legal, we'd have to look for ways to f*** you. You just did it illegally. We could just use that. Easy.

Cristina: Mm.

Jack: They would love to.

Cristina: Very suspicious.

Jack: Yeah. Very odd. So, yeah, looking at that, we found that that was kind of odd. And then you had some questions, particularly about the furnace. You wanted to know what that furnace was used for. The fact that it was there was weird.

Cristina: Mm.

Jack: So I found that answer for you. And in doing so, I found a bunch of other s***.

Cristina: Weird things.

Jack: You tell me. Okay, so we'll unpack as we go through, and I'll give you some information surrounding any piece. On February 5, 1999, the Newark Watershed acquires the property. This is the first acquirement. That is the exact date.

Cristina: The first thing they got was the furnace.

Jack: No, this is them buying the entire property.

Cristina: Oh, okay.

Jack: The property and everything on it.

Cristina: Okay.

Jack: On February 6th, 1999. 1919. My bad. If I said the previous one was 1999, that's wrong. 1919. And this one is also February 6th. The next day, 1919, a mining contract is approved on the Newark watershed property, AKA the Clinton Road Forest, for a mining operation to be established there.

Cristina: Okay.

Jack: And excavations were to begin immediately. And so this happens. The very next day, an immediate contract for a mining operation gets signed in Clinton by the Newark Watershed to establish some sort of focal point, I suppose, to mind stuff to mine resources. It's pretty early 1919. You know, we just got done with cowboys, and now we're trying to make America great or whatever we were trying to do back then.

Cristina: Mm.

Jack: And so we establish a mining contract. Random details that could be of some relevance. World War I ends on 1918, November 11th. So just a little World War I.

Cristina: Okay.

Jack: And just a couple of months before the acquisition of this. That's two months. I don't know if that's relevant, but the fact that the dates lined up last time, I'm just, like, looking at things together now.

Cristina: Since.

Jack: Let me go look over here. The point that exactly what it is I'm talking about. Oh, yeah. Because World War I, World War II began the day after the deal was made.

Cristina: Which deal?

Jack: The deal at the Newark Watershed conservation grounds.

Cristina: For the mine?

Jack: No, the last property. Last week's episode, the sketchy deal that was just so that they paid them off. That sketchy deal was made the day before World War II. Began. So because of that I'm just looking at wars and relevance. And like it is kind of weird too that a month and a half before they acquired this was also the end of the previous war. So the previous war just ends and they're like, we're gonna buy that thing. And then right before the next war starts, some weird sketchy. Yeah, government manipulation deal happens. So I don't know if that's relevant. That just seems weird.

Cristina: Yes, but does the mining thing have to do with anything?

Jack: I just know these contracts line up time wise, that's all. This was on February 6. The mining contract happened. The territory was acquired on February 5 and the World War I ended on November 11, the previous year. So it was just a couple of months. Weird timing for that.

Cristina: See, I don't know how they're related. I don't know.

Jack: Neither do I. Just sharing information if you don't got input, if anything is interesting. On March 19, 1920, excavations officially began. About a year later, a year and a month, little more than that, excavations finally began and the mines are established in Ringwood, Hibernia, Mount Pleasant, Ogdenburg and Hamburg, which are surrounding areas are just like all within the property lines too. These properties f****** huge. I was looking at that s*** from a sky view. It's ridiculous.

Cristina: I should see that. I want to see that.

Jack: I'll show you eventually. I don't have that ready for you.

Cristina: Okay.

Jack: But it's a huge problem.

Cristina: How much mining did you say? Five?

Jack: Yeah, I think just that was five different. They were all placed and those eventually became neighboring towns and towns formed there because. Yeah. And let's see, the Clinton Furnace then comes in and that is to be used to process the ore. Oh, so that's in the very center of everything.

Cristina: Oh, that's why that's important.

Jack: Yes, yes.

Cristina: So a giant mining opera, but it all seems normal.

Jack: It all seems normal. Yeah. I don't know. That's why I said like I'm just sharing information. I started looking at it. So, okay, these are just details. If you feel like having input on anything, feel free. But yeah, so far we just have that the Clinton Furnace is there for that purpose. I don't know how this connects to anything that has happened before, but nothing.

Cristina: Weird has happened in the mines. Are they still open?

Jack: No, that would be weird. That would. That in itself would be the strangest part. If these were just still functional and they didn't strip them of material.

Cristina: Why not? I don't know.

Jack: No, no, there's no mines there. There's no stories I've got for you. I'm giving you what I've got, man.

Cristina: Okay.

Jack: The Clinton furnace is the process. The ore and the mines would be interconnected with underground railways to send the ore directly to a nearby extraction mine. And that extraction mine would be swift transportation to the furnace.

Cristina: Okay, see, okay, this is very. Not like Clinton roadie. I don't know.

Jack: No, no, I'm telling you what you want. You've got questions in life. I'm providing answers. So this is. This is what you want.

Cristina: There's no stories to any of this. There's nothing.

Jack: I'm telling you what it was for. You had questions. I'm giving you answers.

Cristina: Okay.

Jack: Where your interest goes. I will, please. And yes, I'm just telling you about the furnace, man. Which all happened from this mining operation, which I don't know. You don't think it's weird, right? After a war?

Cristina: Yes, that's weird. But, like, there's nothing else about it.

Jack: Nah, it's just. It's just. It seems. This is what I mean. People have no clue how this was, how the furnace really plays a part in why it's so haunted related. That's weird in itself because when we look at the rest of everything, it's like, okay, I can kind of put together that this caused something or did something happened over there. What about this?

Cristina: What about the mines?

Jack: Well, we'll get to the mines. I'm telling you about the furnace, which is what you asked about.

Cristina: Okay, yeah. You said the furnace are connected to mines.

Jack: Well, yeah. You wanted them on the furnace. I'm telling you about the furnace, man. I'm telling you about the furnace man.

Cristina: Well, now I want to know about the mines.

Jack: Okay, so the mines. Yeah. What about. What do you want to know about the mines?

Cristina: What are the stories behind the mines?

Jack: There are no stories behind the mines. There's people coming in and out of the mines.

Cristina: Nothing has happened. No one sees anything there. No one explores them.

Jack: The mines are abandoned. The mines are dangerous, probably. People go in there all the time. People get arrested there, going and exploring and.

Cristina: Because it's a boy hanging around.

Jack: No boy hanging around mines.

Cristina: No, he's. Why is he around the furnace?

Jack: I don't know. That's what we're trying to figure out.

Cristina: But he's not around the mines.

Jack: He's not around the mines. He's around the furnace.

Cristina: Okay, Nothing's around the mines.

Jack: I don't know. We're trying to figure out the boy in the furnace. Are we gonna ignore the Boy in the furnace. I could go in that direction and go look at the mines instead. What do you want?

Cristina: I don't know. There's more with the boy in the furnace.

Jack: I don't. I. I would keep finding more if we need more. But I can go and look at something else if you want. Definitely can do that. I can look at the mines if you rather.

Cristina: I don't know.

Jack: All of the above is fine with me. The furnace is the only place that kid shows up in the bridge.

Cristina: Okay. How are they related?

Jack: I have no f****** clue. Then it might be the same boy, too.

Cristina: It doesn't make sense, does it? If it's the same boy, like, why.

Jack: So you think two different boys. All right, so let's. How. Let's think about it. Maybe. So we're assuming we know the girl doesn't get to the furnace. We don't see the girl by the furnace. Let's see the boy by the furnace. We do see the boy by the bridge. We see the girl by the bridge. So maybe the boy and the girl by the bridge are the same kids escaping the facility. Hypothetical facility. Escape. Patient people. The kids never dress in a Gallic girl.

Cristina: Was the boy.

Jack: The boy? Yeah.

Cristina: He's never in a gown.

Jack: He's never in a gown. If they were both in gowns, it'd be like, oh, yes, the boy is never in a gown.

Cristina: Or if they were hanging out in the same. Around the same place, but they don't. Because she has a castle. He has the furnace.

Jack: Other than the bridge, there's no connection between them. Interesting mystery. I've looked into it. I've looked into it. I've tried to find other connections between them, other places. People might have said they have been seen together. That kid is never anywhere else.

Cristina: But has anyone seen. When they see one, do they see them again somewhere else, though, or.

Jack: Like, no one person has seen the kid twice as far as we know.

Cristina: Like, whether it's the kid, the boy or the girl. Like, if they see them in one place, that's.

Jack: That's the only where they call and they report. I saw two women out in the woods. One was far back and the other one was over here.

Cristina: Yeah, like, nothing like that.

Jack: Nothing like that.

Cristina: Okay.

Jack: Which is weird. It's always one at a time. The children playing along the side of the road. People have reported seeing many of them.

Cristina: Yeah, but that's still in one moment. Like, it's not like they're going by it. And there's a bunch of different.

Jack: Yeah, exactly.

Cristina: That makes it feel more like haunting related. When it's like something like that. There's something, I don't know, ghosts like about just there. You just see them once and that's it. That's the story. Once you see them, that's it.

Jack: Okay. But some cases have reported multiple different of them. Like somebody who said the girl, then said the children.

Cristina: Okay.

Jack: I drove by a girl and then I saw a bunch of kids by the side of the road at different spots then. Different spots. Same person. That has happened.

Cristina: Okay.

Jack: Passing by the same female and being like, I saw another girl. There were two girls out there. That has not happened. But multiple different reports. Yes.

Cristina: Has anyone seen a man around there besides the druid? Druid.

Jack: Druids.

Cristina: Druids. There's no men.

Jack: Not any relevant ones. We can go look at the, like big mentions and see what's going on with that, but I don't think so. We had the boy on the branch. All the many different girls.

Cristina: There's so many girls.

Jack: The crying children. The kids by the side of the road. Disembodied voices. Headless horseman would be the only man. We gotta look at that guy. That would be the only. Okay, Other possibility. Right.

Cristina: I have no idea what we can possibly learn from a headless dude. It's gotta be some kind. That has to be a creature, right?

Jack: I guess maybe the Headless Horseman has very shadow person vibes to it. But yeah, I don't know. There's something so confusing about like, it feels. It really does feel like maybe we figured out some of the aspects about the lady and Wyatt and about the boy to some degree. Like, I do believe it's. At least one of the females is consistent. If there are multiple. There is one consistent female that seems to have been horrified at the beginning, sort of kind of mellowed out, eventually started running experiments. And she's just wandering around there doing something.

Cristina: And the boys never frightened. He's just hanging out.

Jack: He's never frightened. That's another weird thing. And the boy has always been a boy.

Cristina: That is weird. That makes you like an echo.

Jack: Why do you default to that instead of it being many children, many different.

Cristina: Children just doing over time. Why?

Jack: I don't know. I don't think. Look at it like this. Look at it like this. The lake is a really, really interesting example. And this might actually point to us why we see her running experiments by the lake.

Cristina: What do you mean?

Jack: The lake is where the pockets are. Specifically at the vantage point where you could just look straight through a Bubble and see into the past. Right. Assume many, many, many of these exist. Then we have a different scenario, don't we?

Cristina: What do you mean?

Jack: Well, with the boy. What if we're just seeing there's. There's a bubble that's been present, many different bubbles surrounding the bridge. And so through time, it's just the only spot that we get a clear shot of and the only people going there. Maybe it's on the property of whatever Other Realm facility the experiments are being run at. Maybe it's just part of the property, and that's just where sometimes some of the patients go. They get dressed and they go there, or maybe they live there. I don't know. I don't know. I don't know. But maybe we're looking at a spot that we can actually look at. A different time.

Cristina: Yeah. Just on the bridge.

Jack: Yes. Or at a different realm, and it just happens to be on the bridge where we're looking. And whatever home or facility or whatever's nearby has a uniform.

Cristina: Do you think everything that everyone's looking at is something like that, then?

Jack: Like maybe the whole forest is drowning in these thin places.

Cristina: When we see the boy next to the furnace and the girl and over there and the lady over there and.

Jack: Whatever, none of them are there.

Cristina: Yeah.

Jack: The problem. The problem is with a. I think some of the situations that we see. Yes. Some of the situations that we see now because of. If you think of driving past somebody, you're. You're seeing them for a while, and you see them, they see you, they come to your car asking for help, and when you get close enough, then they're gone.

Cristina: Yeah.

Jack: That feels. Not like a thin place. That feels like the veil between the shadow and this side being very thin now. I think both of those things might be happening at the same time. I think we have a huge, monumentous distortion in space time in which we have both thin places of all types.

Cristina: Yes.

Jack: Time slips can happen to some, so they're looking back. Some are just slipping into different realms so you can see straight to them.

Cristina: Mm.

Jack: But also we have this weird sort of thinning of the veil so that even without going through one of the time slips into the shadow realm or into a different time, the veil between. Like the threshold between the shadow realm and Earth is thinnest.

Cristina: Yeah.

Jack: So we see things from over there, too, and maybe we get a clearer view around the thin places.

Cristina: Interesting. I think so. I think so, because that will explain that area. Why is it so bad? It has to be something like that.

Jack: Something has explained it. And again, the. The lake is a good example of it because lake is drowning for whatever reason. It's surrounded by thin places.

Cristina: But do we see I guess the KKK or the joys or druids whatever around the lake?

Jack: No. The druids are reported to be at the Cross Castle and have been seen wandering alongside the road.

Cristina: But never the lake? No, never anything else.

Jack: Although the black vehicles have been seen in both the castle and the lake.

Cristina: Really?

Jack: Yes.

Cristina: Okay. Because I don't know if they're related or not, but if this is a hot spot for something, someone's got to be investigating it. I guess. I don't know when they were investigating it because it could be any time.

Jack: Yeah, we don't know what's going on. Yeah, but that's weird for sure.

Cristina: So they've been at the lake? Yeah, Somebody.

Jack: Somebody's been to the lake. The lady has been to the lake herself many times too. Yes, she's seen too often there. But only the woman. Woman is seen at the lake messing around with it. The girls don't make it that far. The girls seem to always be closer towards the church. Interesting. I didn't think about that before. There's a church, not the church of Castle.

Cristina: Oh, is there a church though?

Jack: Geographically, I didn't think about that range wise. As the bubble gets farther, you get more mentions of the women, less mentions of the girl. Although the mention of the woman exists throughout the entirety of it. That only applies in time wise, where over time you hear of the woman more, but the girls are consistent. You kind of hear them little less over time, but it's always in proximity. All the areas you report to girls are closer to the castle. And the only places the woman has ever been mentioned that the girls have never been mentioned is farther from the castle. Interesting.

Cristina: What does that mean?

Jack: No idea. Random detail. Random detail I didn't think about before. Further from the castle older. Closer to the castle younger. Weird.

Cristina: That is very weird.

Jack: That supports the patient idea. There's something stopping them from getting far from the facility. The doctor can get far though.

Cristina: I don't know. He's like, if it is the same person, then are they. When they walk, are they aging?

Jack: No, it's not the same person. That would be crazy.

Cristina: How would you know?

Jack: Yeah, I have no idea. There's no way to actually know. You are absolutely right. One thing about these minds that's interesting though, it is the fact that they would be interconnected. This means that current day there are tunnels from neighboring towns around Clinton Road. Straight to a location in Clinton Road. That is the extraction line. Straight tunnels from one end to the other.

Cristina: And these tunnel. I mean, these mines. Nothing has happened in them though.

Jack: Nope.

Cristina: No Silent Hill scenario.

Jack: Nope.

Cristina: Okay.

Jack: There was an interesting note about the mining contract that is worth, you know, observing. In the original document of the mining contract, it was stated that the specifics of the location of the extraction mine would be kept secret and under higher government clearance and would not be public knowledge to prevent theft.

Cristina: What?

Jack: Yeah, it's mining operations. So for security purposes, it would only be to higher government authority.

Cristina: That's weird.

Jack: Why that the extraction point would be.

Cristina: That's not weird.

Jack: So knowing where the exit point is is unknown, but knowing where the entry point is is. Okay. And.

Cristina: Exactly.

Jack: And the entry point is in different towns that established over time because they were locations where you were mining. And people, you know, they, hey, I'm going to work here every day. I'm going to make my house here. And so towns formed around these mining operations that are now towns in New Jersey.

Cristina: Yes.

Jack: Surrounding Clinton Road.

Cristina: Yes.

Jack: All of which are connected by one secret mine that they probably forgot existed and got buried within the town. A way in and out that can make you disappear and show up somewhere in the forest. There's a clean path in five different towns straight to the forest where you could just disappear.

Cristina: Well, it's still strange. Why would they keep that location? Because, like, if you. Like what. What is. What's to keep a secret?

Jack: The ore. What is in the.

Cristina: What's the. Because they can't they just go to the. Where the other mines are to find the ore that they got.

Jack: Like, those would be protected entry points. Like, you wouldn't be able. Like you'd have to travel quite the distance. You'd need the equipment. You wouldn't be able to steal it properly. I'll explain why some of these details get even farther as we go by. In 1925, Newark Watershed established Cross Castle as a future unprocessed ore storage facility.

Cristina: Why?

Jack: Because there's a lot of ore. Can't.

Cristina: They just make a new building? Why would they do that to the Castle?

Jack: They're not going to destroy the Castle. The Castle is fresh too. I know. The guy died a couple of years ago. We just acquired it. It's clean and it's not used. Budget to connect the underground railways from the extraction mine to Cross Castle is immediately granted by the city of Norik. So now let's paint a more clear picture. We have tunnels going from five major north Jersey towns into a random location inside of Clinton Road.

Cristina: But this whole time are people not like saying, hey, there's people hanging out at the castle?

Jack: No.

Cristina: Okay.

Jack: Hasn't happened yet. Oh, okay, that's 1945 or something. No, that's 1960 something. 1960s.

Cristina: Okay, 1960s. We are at 1920s. Okay. Yeah, okay.

Jack: Yes, yes, yes. 1925 is this. And what you are talking about, which would be the original mentions of the ladies. Let me see the first reports. No, no, no. 19, blah, blah, blah. Yeah, first reports of satanic ritual, 1952.

Cristina: Okay, that's still not that far off, is it?

Jack: 1952 from 1925.

Cristina: Okay, that's 25 years apart.

Jack: 25 years apart, but yeah. So the Cross Castle is established as a location. It's going to be the new housing location for the surplus that would then be taken to the furnace.

Cristina: Okay.

Jack: And that then immediately commences the connection of the railway. So the full image is now five railways connecting to a random unknown location in Clinton Road. And then that already random location in Clinton Road is accessible by both the castle and it itself can access the castle. So the people from the castle can access every single city, every single town that would develop in the future. Just inherently, that's the current situation. As it stands right now, there is a castle or the ruins thereof, with a tunnel that connects straight to some random location in the woods. And from that random location in the woods, that is classified information. Go straight to five different towns that anything could be done at any point.

Cristina: That's crazy. And they actually finish all of that? Like they were establishing it, but they actually completed the job.

Jack: Yes.

Cristina: And then when did they decide to abandon all this?

Jack: What do you mean decide to abandon it? When the ore was done.

Cristina: Oh, when was that? What year there was?

Jack: There isn't a year specifically. The mines would be operational and unoperation at random time slowly fluctuating, fizzling out somewhere into the 1950s.

Cristina: Okay, yeah. So it stopped around the 1950s.

Jack: Not really. It was again fizzling out around that point. It's what you're talking about is mining operations. So what happens here is there is a certain amount of minerals underground and they're just going to keep excavating slow. Occasionally this one goes down and because they find nothing for a while or they come up with a new way to drill and they get farther in. So the Mayans consistently were shut, reopen and shut and reopen, but they eventually.

Cristina: Abandoned all the mines.

Jack: So your question is, when was the last one abandoned? I guess, yes, the last one abandoned was in 1951.

Cristina: 1951.

Jack: See the last use of it and it wasn't even for process for collection. It was for remaining processing.

Cristina: Okay, that's not strange.

Jack: Yeah.

Cristina: I don't know.

Jack: But the castle had long not been used anymore. Why would that be strange?

Cristina: Well, because that's around the time that people start using the castle because it got abandoned. When was the castle abandoned?

Jack: The castle was abandoned around 1945.

Cristina: Oh, okay. That's so crazy that they would just abandon something like that. Because it connects to everything. I mean not a bad like. Yeah, like they should have still have it secured or something.

Jack: There's nothing left. When you process all the stuff, what are you securing?

Cristina: I don't know.

Jack: There's nothing left.

Cristina: Finished I guess. Except you can just go into any town.

Jack: Yeah, you can already walk into any town.

Cristina: Just drive in or go into that mysterious location. What's in that mysterious location? Where is it?

Jack: The extraction? It's another mine.

Cristina: Very strange that that's just a secret. Except it's not a secret because if you can go into the castle, you can probably walk to that place.

Jack: Interesting point. Nobody can actually pin exactly where in the castle. The railway. The connector is.

Cristina: Really?

Jack: Yeah.

Cristina: Oh, wow.

Jack: This is documented that there is one.

Cristina: Okay. But there's no actual.

Jack: You can't find one. Unknown where it is. That's the least weird part.

Cristina: What?

Jack: In 1926, a private third party contractor is brought on to begin construction on underground facilities expanding on the castle already existing chambers. These expansions would include the connecting sections of the underground railways. Several sections for storage, akin to underground warehouses, sleeping quarters, bathrooms, kitchens for the workers, and large empty areas for any unforeseen uses that could arise.

Cristina: Like what? What do you think is going on?

Jack: No idea.

Cristina: You think that's weird?

Jack: No. Because towns formed around the other ends of the railways. Because that's what you do when you work and.

Cristina: But then you put a bunch of.

Jack: Things underground because that's where you're working. All of these are where people are working?

Cristina: Yes.

Jack: These are the people who are also processing this underground and protecting it at the same time.

Cristina: Quickly abandon it. Like that's a lot of things to build just to like. Okay, goodbye. I don't know.

Jack: Quickly, quickly.

Cristina: Like that's money. That's people's money. That's not their money.

Jack: The ore must have been fire. It must have been so amazing when it didn't last. They just got what they needed.

Cristina: But right before they got what they needed, they built all this stuff so.

Jack: They can get what they needed.

Cristina: I don't know.

Jack: All of it was so they could.

Cristina: Get what they needed really, really fast. Like they had to sleep there. Yeah, I don't know.

Jack: Work, man. This is how the industrial revolution happened. People basically lived and worked all cohesively. It was one giant thing. All the towns formed. This is literally, literally how it happened. The railroad happened first. Then the railroad allowed access to crazy far locations and the settlements would happen around the railroad.

Cristina: It makes sense for underground settlements.

Jack: Well, this is the same idea because the railroad is the closest thing that exists. All the jobs must be connected to the railroad. The first set of jobs have to be with delivering materials and things like that. Right. So the people who set up camp, those are also the people who are going to build the houses, and those are the people who are going to build the politics or whatever. But that's forming around the ease of access to the job location, which is the train. Those are your customers and that's your material. The same is happening at the other end of the railways where you have the mines, where the people are completely building their towns around these mining operations. And so the entire mining operation goes farther underground, progressively going to the extraction point and then farther down underground into this warehouse that's supposed to be fortified, as this next part will say. All expansions are to put safety and security first. As a result, all warehouse expansions must work like a safe and be capable of being sealed from the inside. The entire living quarters and worker personal facilities need to be deep enough to double as bomb shelters. And they need to consider the possibility of earthquakes.

Cristina: They were digging up alien technology. I don't know this. It's weird. I don't think this is. I don't know. It's so weird. You mentioned if it's about world wars and they gotta beware of bombs and like locking themselves in alien technology.

Jack: Alien technology?

Cristina: To help with the war.

Jack: To help with the war. That's where we're going?

Cristina: Yes.

Jack: And it's here in Clinton Road that they think it's hiding?

Cristina: Yes. And that's why they. They tested it out there. And then all this weird time stuff happens. So then, okay, yeah, it happened.

Jack: So this is some sort of World War II? I mean. Yeah, man. Weird things only got reported happening here. Really. Starting around 1950s when they were done. When the war had finished.

Cristina: Yes. But they were done with the mines as well. Come on. I don't know or no.

Jack: The war began. What year did the war end? 1960, some.

Cristina: Oh, 68.

Jack: I don't even Know, but I don't know. It's weird, man.

Cristina: It is weird.

Jack: You think they're working on alien technology?

Cristina: Well, I. I say alien, I don't mean like aliens from outer space, just.

Jack: Something that is foreign to us.

Cristina: Yes, yes.

Jack: Technology. That is foreign.

Cristina: Maybe they sound. They found some fairy trees underground, like that type of craziness. I don't know.

Jack: But it is weird, isn't it?

Cristina: Yeah.

Jack: We've got an underground essentially fallout shelter for worker. For mining workers. Allegedly underneath Cross Castle. That has. It feels so Resident Evil.

Cristina: Yes, but like they were working on war stuff too. So like it very feels like they were making things that were deadly.

Jack: What do you mean they're working on war stuff?

Cristina: It probably. They might have been working on war technology besides just mining the stuff. They were probably doing the thing there, putting it together there and then sending it out.

Jack: Yeah, but like. Okay, fair enough.

Cristina: But like a secret, secret military base.

Jack: Yeah. We would have to find something to like hint in that direction at least.

Cristina: Oh, I guess. Yeah.

Jack: Because that's just completely speculative. With nothing feeding into that direction.

Cristina: No, it just seems like it's a little crazy. Just.

Jack: It's strange. It's definitely weird to need this super ultra fortified facility underneath Cross Castle.

Cristina: Mm.

Jack: And then to just abandon it and it to happen again. The weird part is it's Cross Castle and it happens in between two wars and there are weird sketchy individuals coming in and out of the place.

Cristina: Yes. Black cars and foreign.

Jack: But then how does this relate to the lady and how does this relate to the kid?

Cristina: No idea. That's just from the weird aftermath. It's just part of the aftermath of whatever they were experimenting on. Just like in the skinwalker farm where they would. It's obviously something was experimented there. And now a bunch of weird things happen consistently.

Jack: The two holes, the square one and the spherical one, just moving around the property and they're like huge. Huge. Like five houses large each.

Cristina: Yeah.

Jack: Actually no, the round one is colossal. It's colossal and it just travels.

Cristina: Yeah. That is very super. Like if there was a hole in Clinton Row, like we. How would anyone know? I mean, in the forest around, it.

Jack: Would be impossible to see. You'd need to be looking from space at the right time.

Cristina: Yes. And the trees are blocking it. So like.

Jack: No, the whole. If it was the size. Okay, fair enough. If it's the size of like a house, like the small square one that was like only like five houses big, that'll disappear if it's the size of the freaking circle.

Cristina: Yeah.

Jack: No, like, you'd see it. You'd see it.

Cristina: Yeah, but like, if it was something in there that was like that square, how would it. There would be no stories about it.

Jack: I mean, there are. There is the fact that the paths change consistently, which is a very, very, very shadow realm characteristic. The shifting and winding of paths. That should just be straightforward.

Cristina: Yes. Come on. Come on. They're doing something.

Jack: But that's very shadow realm. What could you have been working on that thinned the veil so hard? What could you have been working on that created thin places everywhere? We're talking crazy tech, I don't know, that's overpowered. We're talking technology the likes of like the Elysians or something. Come on. Just ripping. In fact, technology they don't have.

Cristina: I don't know. But like in the skinwalker, what was it? Time travel? No, not time travel. It helped them to go farther in space pretty much to survive space. Like maybe that's the start of that. I don't know. Because it happened first. Where did it happen first? What got weird first? Let's gonna walk around for this.

Jack: This got weird first.

Cristina: It's got weird first.

Jack: Yeah.

Cristina: I don't know.

Jack: This is weird in general. Everything is odd in general. I mean, Skinwalker Ranch is. Is a really weird example of a thing that happened, you know.

Cristina: But we know that people were there experimenting on stuff. Like, they didn't keep that a secret while here there's just a mysterious group of foreigners who didn't know that they were doing something illegal. That's the story. That's a crazy story.

Jack: No, Skinwalker Ranch is weird. I'm looking at these lamps right now.

Cristina: Yeah.

Jack: I don't know, man. In the f****** weird a*******. It's crazy too. I don't know. I don't know. So weird to have these kind of. The shifting paths, the moving halls. Very strange. That's so odd. And who the are the people coming in and out of these woods, man? Which ones the black car people? This is the only people coming in now. Nobody else is coming in and out?

Cristina: No, today.

Jack: Oh, this then.

Cristina: Oh, okay.

Jack: Who are these people in the unmarked black vehicles coming in and out of this? This. Who is the third party? Is that the third party that could.

Cristina: Be the third party.

Jack: And it's party construction group, the same third party?

Cristina: Possibly.

Jack: And is that third party construction group the same third party that's on the sketch deal? The sketchy deal. And that be the same people who had the odd doc that went straight to Epstein's Island?

Cristina: That's Very unrelated.

Jack: Those are all just really shady. Equally. Yeah, equally shady. Loosely related things.

Cristina: Okay.

Jack: But yeah, it could totally be just another shady organization.

Cristina: I don't know. But it is. That one is so weird because there is no information really on that.

Jack: You had to, like, dig way deep for anything.

Cristina: Yeah.

Jack: In fact, I had to find the listing of people who just. Their job is to log that. The thing came through. That's it. The stop truck. People that are in a booth, like, okay, this guy came through here. That's the only way we found names at all.

Cristina: But they didn't retract those names or anything like they did with this.

Jack: No.

Cristina: Which is, like, why didn't seem anything.

Jack: Sketchy was happening that was. It was sketchy by every means, but not worth looking at because there was no legal precedent for it.

Cristina: Intelligently done, I guess. Very strange. All of it's very strange.

Jack: All of it is so sketchy.

Cristina: Yes.

Jack: The sketchiest. But yeah. So I don't know. I don't know what to tell you, man. This is kind of weird. And it's so. It doesn't help solve anything. It really just confuses more. It didn't give us more questions. Okay. About the castle. There have been reports of people in that time, seen ridiculous amount of construction materials being taken there. Many people didn't know what was happening. There were different reports. Not reports. There were inquiries consistently to the governor, the mayor, that there was too much footwork coming through and it was disturbing the peace for people, and they were trying to live our lives. And you got trucks and whatever coming through in and out of all secret bases, going into this, into the road or whatever. Is there anything that could be be done? Usually times from the workers. The workers are the one like, dude, we're out here working, and you guys got weird construction or some happening somewhere in here.

Cristina: The workers.

Jack: The workers complaining that, like, bro. But yeah, many times people like, what? What? What's being constructed?

Cristina: And they weren't saying.

Jack: I mean, yeah, they'd give answers and stuff, but yeah, it was. It was documented that there was a huge sudden construction effort. That's what the point of the me.

Cristina: Saying that that's weird. They just make it and then they just go. That's it. Like, they don't spend, like, much time there. They use it for a short time.

Jack: What. How long? How long it will satisfy you?

Cristina: I don't know.

Jack: But, like, how long should they use it for you to be happy?

Cristina: If it's. I don't know. I don't know. A long Time.

Jack: Define a long. 25 years. Not good enough.

Cristina: 25 years, was it 25 years, the underground base thing? Not the 1925 is when they made the things for them to sleep in.

Jack: Yeah, it's 1925.

Cristina: Okay. I don't know.

Jack: Feels like it was. Well because then like.

Cristina: No, it was so secure. Like why not just have houses outside the building? Like I don't get why didn't work.

Jack: Why didn't a town happen around Cross Castle? Yeah, that's the question, right? Why didn't a town happen around Cross Castle? Or the extraction mine?

Cristina: This. The extraction mine was top secret.

Jack: Okay, whatever. Why didn't a well, you don't happen around Cross Castle. If it's now owned the norg watershed.

Cristina: Like why would putting the place underground make more sense than doing something simple.

Jack: Above ground to protect the ore? You cannot.

Cristina: It's already locked. Why do you have to protect the people protecting the ore like that? Like from earthquakes and everything. Like, come on.

Jack: Oh, because they're working underground. It's the same reason you reinforce mining tunnels. This would avoid the need for reinforcing.

Cristina: Mining tunnels if they sleep on the ground. I don't know. That's too much.

Jack: Oh, random detail about the fact that it had to be built for earthquake prevention. Every expansion must be reinforced. Every wall, ceiling and floor by steel layers.

Cristina: That's. How often are earthquakes happening?

Jack: Don't know.

Cristina: That is not an earthquake hot spot.

Jack: Also, steel layers is crazy.

Cristina: What? Come on.

Jack: Steel layers.

Cristina: Steel layers. Come on. There's something so not right.

Jack: Word.

Cristina: They did not need to do that.

Jack: In 1941, the first Jewish committed facility is established Kelmo in N*** Germany. December 8th.

Cristina: Wait, before I go where we're going. Yeah, I still have a question.

Jack: Yeah, go for it. Go for it.

Cristina: It's just. I lost it. But no, I have it somewhere about what they're doing.

Jack: Steel layers.

Cristina: How expensive is this project versus how much they're making off this project?

Jack: Like why does it matter?

Cristina: Does it even make sense? Does it make sense? Do you think it makes sense?

Jack: I'm just giving you the info, man. I don't know.

Cristina: Steel layers.

Jack: That doesn't make sense. No, for sure not. How where the even acquiring the steel from the mines?

Cristina: No, I don't know.

Jack: Steel mines. I have no idea what kind of mines here. What are the mines? It's or it's like gold and iron.

Cristina: More than that. For all this protection. This is insane.

Jack: Do you realize we literally today, today still have giant building sized vaults protecting gold? And then we strap it with army men surrounding it. And that safe itself is inside of a bigger building, usually.

Cristina: Is that safe on the ground and are people sleeping in it?

Jack: No, but also we have the technology now for that to not be necessary.

Cristina: Was that necessary before?

Jack: How are you gonna protect it from a s*** ton of people who know you have gold there?

Cristina: There are people sleeping.

Jack: There are people sleeping in there.

Cristina: Were they also protected by earthquake? What is protection for? Earthquake? Come on.

Jack: The people will be protected from earthquakes. The people will be protected because it's a bomb shelter. If somebody were to try to destroy the facility with bombs to steal the gold, you'd be fine.

Cristina: But the ores are those. Were they. Was it gold?

Jack: Iron.

Cristina: Do you need that much protection for iron? Is it that valuable?

Jack: Okay. Got all the useless information you needed? So the process, the price of gold to iron in 1925, one pound of iron was 1.2 pennies and one pound of gold was $20.

Cristina: Mm. So is iron worth protecting like that?

Jack: Protecting like gold?

Cristina: Yeah.

Jack: No.

Cristina: No. Okay, so is that not weird? I don't.

Jack: I don't know. Would you protect your city construction materials? Would you protect what you plan to build civilization with or not?

Cristina: But the way they were protecting it.

Jack: Okay. Would you flimsily protect what you're trying to build civ with? Just put it out there. Easy for people to get. When you guys are workers, you guys are going to be underground, working. You're going to store your materials overground. You're going to go work underground, but your materials are going to be stored overground.

Cristina: That's what you're mining history. Right. No one really cared. They knew it was dangerous and no one put this much protection on anything. So I don't know what you talk about.

Jack: Okay. So yes, it would have been very easy to. In the scenario where they are working underground, it would have been very easy to steal this. Anybody who know you don't have to know where the extraction point is because you know where the castle is. And they're storing it on top of the castle. Not where they're working where they can see it. It's in the surface, just on top. So they store it there. We wouldn't have those same towns formed around that area. We couldn't. Because people could have easily continued to casually steal the materials because the work was happening underground. There's no reason, unless they hire more people just to go and work that. But if you do that, why not just build using the materials you've already got?

Cristina: Building with. What was the material?

Jack: Again, you need iron mix too.

Cristina: Okay.

Jack: You could put it over ground, but your workers are underground. So who's you? You need more workers now.

Cristina: But they are storing above ground. They're storing it underground.

Jack: They're storing it underground.

Cristina: Okay, okay. Because I was picturing that they were restoring it above ground, but then sleeping underground for some reason.

Jack: I'll read it to you again.

Cristina: Yes.

Jack: A private third party contractor is brought on to begin construction on underground facilities, expanding on the castle's already existing chambers. These expansions include the connecting sections of the underground railroad. Several sections for storage, akin to underground warehouses, sleeping quarters, bathrooms and kitchens for workers. And large empty areas for unforeseen uses that could arise. The warehouses is where they're putting the ore.

Cristina: Okay.

Jack: That's underground. That's not overground. They could put the ore overground, but the workers are underground.

Cristina: But they had some storage overground as well though.

Jack: No.

Cristina: Okay.

Jack: No storage overgrown. All of it was run underground to be more efficient. Because then you have to consider raising all the iron you've gotten. If it's just underground and the tunnels underground, you push it that way. You don't have to lift it. Lifting it requires way more energy.

Cristina: Wait, but was it all going there and then once it was there, then where did it go?

Jack: Well, the extraction point is in. The extraction point is where you get it out. That's where it comes out of the facilities created where the castle is.

Cristina: Yeah.

Jack: Are just level and already underground. So they were expanded to house all these things so they wouldn't have to be brought overground.

Cristina: Okay. So that's not. Nothing's happening there besides the storing of extra stuff.

Jack: I don't know. I don't know. I just have what I'm giving you. But we don't know what could have been happening there because there's also random empty rooms. For what? For unforeseen purposes. Just repurpose some you've got.

Cristina: That is very strange. I don't know, it's weird. Whatever.

Jack: Yep. But this is all just looking at the furnace.

Cristina: Okay. Now where were you gonna go?

Jack: Oh, okay. I was gonna mention that in 1941 was the first Jewish committed facility that was established, which is Kelmo. And that was in N*** Germany in December of 8, 1941. Just random information. And Cross Castle, which is demolished in 1988 as we know, because it became dangerous or whatever. Which. Think about the following. There's underground foot. Basically you destroyed the top of the castle, destroying any way to go inside. It's just ruins. And now there's Some underground facility that exists, totally fortified, that could have totally withstood the demolition of the castle on top.

Cristina: Mm.

Jack: Not having gotten a scratch. And has connecting tunnels outward. So the only way in here is through a secret other location in Clinton Road.

Cristina: Yeah.

Jack: Or do five other secret locations in five other towns.

Cristina: Well, we know. Are the five other towns also connected to the castle or just to the.

Jack: To the extraction point. And the extraction point is the castle. So they're all technically connected. If they're all underground together.

Cristina: Yeah.

Jack: There must be one location where five where six paths meet and one of them goes to the castle.

Cristina: Yeah. But I'm wondering if like those locate those locations are closed off the way the secure. The rooms are closed off where you said like you can lock yourself in.

Jack: Interesting. So your question is, is it only accessible also from the inside? So only the extraction mine is in and out.

Cristina: Oh, see?

Jack: Yeah, yeah, yeah. So one way in? Well, one. Not even one way. It's just locked from the inside everywhere else. You probably wouldn't even tell that there is a tunnel there. There's just. Hey, a door that nobody's ever opened right here. And it goes down to this railway. Maybe not even a railway. You could have done anything and God knows how much time and turned it into a fancy easier facility that they ride golf carts and who the h*** knows, you know? And it goes straight into the bottom of where the castle used to be. And who knows how large the facility down there was.

Cristina: Mm.

Jack: Weird.

Cristina: Ah. There's no stories about anyone who worked there talking about what it was like working there.

Jack: I would have definitely told you that by now.

Cristina: Okay.

Jack: Would have. What a weird thing to leave out. Like. Oh, I have no idea. Also this random other story about a guy who totally worked there. Like, come on. 1990, the Newark Water Treatment facilities come online.

Cristina: What do you mean?

Jack: There are five reserves reservoirs that are up there by Clinton. They're all surrounding Clinton Road. And they are Charlottesburg, Oak Ridge, Conisteer, Clinton and Echo Lake. All of these giant bodies of water surrounding Clinton Road provide water to a huge portion of North Jersey. They all come from that.

Cristina: That area. Lakes are always weird. There's no mountains, but there's lakes.

Jack: There's lakes. And that was established two years after the demolition of Cross Castle.

Cristina: Are they somehow related? I don't know. What's underneath the castle? How do we get there?

Jack: We can't.

Cristina: I know. I just wish.

Jack: But yep, five reservoirs. And they are all within the property lines. And they all deliver water to the people of Jersey. They are it's owned by norc, the property that the water treatment is placed on and the NORC simultaneously owns because they own the property, they own the old mining facilities and they own all this and kind of have access to the. Essentially have total access to the water of the people.

Cristina: Okay, but that water. Okay, Those facilities, though, are not abandoned.

Jack: Those facilities are not abandoned.

Cristina: Okay, but.

Jack: Yeah, that's what I got.

Cristina: Okay.

Jack: That's all the information I got about the furnace and its use and how it's related to anything interesting. Yep. Yep. Anywho, if anybody has any input of any sort, anything anybody would like to say about any of this, you guys can contact us on our socials, on X, on Tick Tock, on Facebook, on Instagram, at just Convopod.

Cristina: Remember to subscribe. Right. And review the show.

Jack: Yes. And word of mouth is overpowered, so use that.

Cristina: This has been the Rambling Podcast. Take nothing personal and thanks for listening.

Jack: Bye, Sam.

Cristina: Good morning. The podcast is hosted by Christina Colazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts info, art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.