Rambling 298: The Grounding of Stuff

In this episode of the Rambling Podcast, hosts Jack and Cristina embark on an exhilarating journey through the absurd and baffling ideas that have captured humanity's imagination. From the enigmatic Bermuda Triangle to the mythical Elysian creatures, this episode promises to ground some wild theories and concepts that have puzzled thinkers for generations. The conversation kicks off with a reflection on their previous episodes, where they explored various creatures and the mysteries surrounding them. Jack and Cristina delve into the origins of their exploration, which began with a quest to understand the phenomena of the Bermuda Triangle. As they unravel the threads of their investigations, they find themselves veering into the realms of clouds, weather patterns, and even groundhogs! One of the most intriguing topics discussed is the concept of adrenochrome, a substance that has been linked to various conspiracy theories and mythical narratives. The hosts delve into the historical context of adrenochrome, connecting it to tales of ancient civilizations and their often bizarre practices. They explore the idea that adrenochrome may have been used in rituals by figures such as the infamous Countess Bathory, who is said to have sought the substance for its supposed youth-preserving properties. As the episode progresses, Jack and Cristina navigate through a labyrinth of theories linking ancient civilizations, including the Atlanteans and Elysian beings, to modern-day myths. They ponder the significance of the equator in these ancient cultures and how it may have influenced the development of societies across the globe. Their discussions touch on the importance of grounding these ideas to make sense of the seemingly chaotic connections between history, mythology, and science. Listeners will find themselves captivated by the hosts' dynamic conversation style, which blends humor with profound insights. The episode serves as a reminder of the importance of questioning the narratives we are presented with and encourages listeners to think critically about the world around them. So, if you're ready to dive into a world where the absurd meets the profound, tune in to this episode of the Rambling Podcast! Whether you're a seasoned listener or a newcomer, you're bound to find something that sparks your curiosity and makes you rethink the stories we've been told. Don’t forget to subscribe, rate, and share with your friends as we continue our quest to ground humanity's most bizarre ideas!

+Episode Details

Topics Discussed

  • The Bermuda Triangle and its mysteries
  • Elysians and their connection to ancient civilizations
  • Groundhogs and adrenochrome
  • The significance of the equator in historical contexts
  • The role of Hermes and the nature of necromancers
  • The implications of time travel and reality manipulation
  • Vampires, werewolves, and the evolution of myth
  • The secrets of the Catholic Church and its figures
  • The duality of good and evil in the realm of deities

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+Transcript

Rambling 298: The Grounding of Stuff Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling Podcast. I'm your host, Jack. Cristina: And I'm your host, Cristina. Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And I think we've been doing that successfully lately. Cristina: Yes. Jack: So last week and the show before then, we were trying to get to what I was trying to talk about this entire time, but we got busy grounding things because that's our job. And that sidetracked us from getting to our one and only goal that this week we're definitely, without a doubt, gonna get to, which is, again, the fill people in on everything. And we've been doing this for a very long time. All we ever haven't. Cristina: Yeah. I don't understand. We've been doing what we've been supposed to be doing. Jack: Well, because grounding is our job, we can easily get sidetracked into grounding things because everything is groundable, if that makes sense. Cristina: So then we've been doing our job. Jack: Yeah, yeah, it's. It kind of loops back and forward to some degree, but I think we have some pretty good Grady greatest hits when it comes to grounding things. I think the whole Elation saga was beautiful. There's a lot, but it's infinite. And like, that gets frustrating. I think finding independent creatures that aren't related to them dope, and many things that are related to them dope. And it's funny because a lot of that, even finding the Elysians, really began about trying to see what the h*** was happening at the Bermuda Triangle. Cristina: That's where it started. Jack: Yeah. We were trying to find out what was happening in the Bermuda Triangle and then looking into clouds. Cristina: And then I thought it started with the unicorns. Jack: Well, that led us to the Alicorn that Antonio Dracohan. And that's kind of technically, that's the beginning. If this was a movie, if this was structured into a movie, the way that it built up into the Elysians. Right. Not even talking about the Elysian specifically, but a meta look at the show we were originally looking at. I think it was. Oh, no. Because then we migrated to the Groundhog. We were just looking at creatures and we were breaking apart clouds. There were some weird cloud patterns that we wanted to look into. And so we went through an entire breakdown of clouds, and then we veered off. We knew that the something weird was happening with that collection of clouds on top of the Bermuda Triangle. So that Allured us. Do you remember that? Cristina: Yes, but I don't think that had anything to do with Alicia. Jack: Not yet. Cristina: That was part of whatever story we had before. Jack: Well, no, because we were trying to find out what was happening directly under them. What was. What were they there for? Why was there a collection of clouds over the Bermuda Triangle? And I think then we looked into the groundhog, which I don't know if he ever finished his training. Cristina: Was it. Yes, he was part of training. To talk to the clouds. To the clouds? To get the clouds to talk to the sun, I think. Jack: Yes, because the sun is technically a cloud, too. Cristina: I think we were trying to stop some impending something from the cat People. Jack: Yes. Maybe an invasion or something. Cristina: Yeah. Jack: Oh, no, no. We were trying to originally. Originally find out what was happening with the other stars disappearing in the great void. Cristina: Oh, yes. Jack: And we would need to talk to the sun to do it, which we. Cristina: Would use with clouds, but we thought we could use the. What is it? The. The groundhog. Because he could communicate with the weather. Jack: Yes, exactly. Oh, man. Cristina: The last one just died. So we had to train a new one. Jack: Yes. We had to give him adrenochrome. Cristina: Yes. Jack: He was Phil, right? Cristina: I don't know. Jack: It was Steve. Philly is the one who died. And then Steve was his replacement. A random groundhog we just gave a bunch of adrenochrome and started training. Cristina: Secrets of hogs is that they always were taking adrenochrome. Jack: No, it was specifically the one for. The one that they were talking to. Cristina: Yes. Yes. The groundhog 00:05:00 Cristina: that was chosen for Groundhog Day is always taking a dream. Jack: But that one died. Cristina: Yeah. Jack: And so we were training one the way they were doing because we accidentally killed Phil. Cristina: I think so. Jack: I don't remember how we killed Phil, but we killed Phil. I know that much. Cristina: I believe that is right. Jack: And then maybe they don't even know we replaced Phil. They don't know. They're just humans. And then we replace Phil with Steve, and they have no idea. And then secretly we've been training Steve in order to talk to the clouds so that the clouds. Specifically weather, I guess, which was also bouncing off of when we were talking about lightning as a component, but unrelated to the clouds, because those are two different individuals interacting. Cristina: Yeah. So that's the idea. And then we're gonna communicate with the planet somehow. Jack: And then we're gonna get. Go on and on Steve. To talk to the clouds. The clouds would talk to the sun. The sun would. But still, something weird was happening down there. Cristina: Yeah. Jack: And actually, Steve wasn't going to talk to the cloud specifically. There was a cloud with a face that we were gonna go talk to. Cristina: And we needed. Jack: Yes, yes. And we needed Steve for that. Cristina: Okay. Jack: So we were specifically gonna talk to that one cloud. That's a cloud. God or some crap. A demi cloud. And he was gonna talk to the sun or something. Cristina: I guess so. Yeah. Jack: Cool. But in doing so, we were like, weird that these clouds have. They're like floating over the. The Bermuda Triangle. And so we veer off and we're looking at different underwater things. I know. We were doing that for a while and we stumble upon. Actually, no, we ignore that for a while because we did Bimini Road, which we didn't. We thought about, you know, leading into the. Again, from a movie's perspective. It saw us doing these things, and then it shows us going somewhere else and discovering a different clue. But the. The. The viewer knows. The viewer knows. It's like, oh, this is related. The Bimini is by the Bahamas. A little tiny road that we looked at a long time ago that had the statues underwater. And it was like, kind of aiming towards the Bermuda Triangle. And we're like, oh, yeah, they're definitely down there because of xyz. Reason we still didn't know that the Elysians are the Atlanteans. We're just like some other people over there. And then we started looking into the Persian Gulf oasis because we were doing Atlanteans in specific. We were still calling them Atlanteans until we got to Antonio Draco. Cristina: I feel like before him, we were talking about the equator. Jack: Yes. Which was another thing related to them, wasn't it? But again, we didn't know. We're just like this giant equator surrounding the Earth. And it looks like these places built along this line were all in communication with one another or in communication with some bigger governing body. But they were all in sync with us. We still haven't found out what the point of that was. I thought we did the whole equator line. I know that a bunch of them died out. Is it because it was the line which. Cristina: Like, which Satan went to give them the tech? I guess it's easier for him to travel in a straight line. Jack: Yeah, I guess. Or maybe delivery was easier between the countries. So, like, we keep passing it down the line. We're all next to each other and he doesn't have to personally deliver it. It'll always keep rolling down the path. Cristina: Yeah. Jack: Or maybe the equator is just the line in which the civilizations were Gonna be built like they were starting there. So we see them as just. Cristina: But why did they choose that? Jack: I. Why versus, like become a bubble or. Versus, like anything? Squiggly line. Cristina: Yeah. Jack: Why a straight line, Right? Cristina: Yes. Jack: I have a theory on that. And I think it has more to do with Hermes. If you look at a lot of Hermes research, there were a lot of these symbols. He was essentially, if you remember, he was building comprehensive, like transmutation circles with a bunch of detailed symbolism and junk as part of meditation and energy moving and whatever he was doing. I think similar to the Hedron Collider, which is probably one of those. I think this line surrounding the Earth was the beginning of a complicated design that maybe was to envelop the Earth or a design that does in fact envelop the earth. And we have only found that specific 00:10:00 Jack: version of it interesting. Cristina: If it relates like, was he murdering them? Like, did they die off or did he kill them? Jack: No, no, no. Oh, well, that's another interesting. Cristina: Because we know the first. There was a different line and no one made it from that other line. Jack: So you think the Kearney. No. But the equator is just where everything moves along. I guess they must have done it ahead of time. Interesting. Interesting. Look at it like this. Look at it like this. Because this does have to make sense to some degree. Right. The equator gradually shifts place. The globe exists. And the equator is always by itself moving simply because of how rotations work and whatnot. So what if the line is starting to catch up? But they built society there and never told them. These guys are always working in secrecy. And the equator slowly kept migrating to that line. Slowly kept until it lined up. We know that alignments matter. We know the solaces work in Castillo in order to bridge a gate that allows people to go into the Shadow Realm and teleport along. So that's. Alignments matter. Somehow. If they built civilization, let's say north to south and started the line west to east, and it was always moving clockwise. It would eventually migrate from west to east to north to south. If in that moment something happened. Great transmutation. And all those people died. Philosopher stones. This could explain why some of these structures are some of the oldest ever seen. Cristina: Yes, they were. They weren't building on that line when it was the line. No, they were just way before the. Jack: Build on the line. That was unreal. And nothing they could track. Cristina: Yeah. Jack: Or understand. Cristina: But someone did. Jack: Yes. And in order to get them to do this successfully, they did need technology. Maybe it was never about sharing the Technology. And the way we think about it, for Lucifer, maybe Jehovah man, we jump back and forth here real hard. Cristina: Bad guy. Jack: Who's the bad guy? Cristina: Okay. But Lucy was doing something sketchy. Jack: He was doing something sketchy. He was doing something really ridiculously sketchy. Because everybody was gone. Cristina: Yes. Jack: There's nobody there at all. It's all 100% gone. All that really exists is the ruins to that. And Jehovah recorded is telling him no. He is like, but come on, bro. We need this. Cristina: Yes. But we know he at least did it or tried to do whatever it was that he did twice. Jack: Because when he went to Shadow Realm. Cristina: No, because there was an old equator line that is destroyed of ruins and stuff. Jack: And the newer one, the new equator line, has nothing built on it. Cristina: It has nothing built on it. Jack: No. Oh, the new equator line is just where the line kept moving to. Cristina: Oh. Only the old one had the ruins. Jack: Only the old one had the ruined lines. Cristina: Oh, okay. Jack: If there is, we don't know where because nobody's thought about this. Cristina: Okay. Jack: And maybe it would be trackable. Maybe major cities line up in a way we never thought about or something. And then one day, by default, because. Cristina: It could be more than one line. Through the Earth. Jack: Yeah. Cristina: Around the earth. Jack: Yeah. Cristina: We just have to find. Jack: We would just have to find to connect the dots. Cristina: Yeah. And it has nothing to do with the equator. Just. We just need to see that pattern. Jack: But you know what's even scarier at this point, this means that 12,000 years ago, we weren't beginning to develop. We know that their technology was crazy, but they weren't beginning to develop immense technology. They were already at earth scale technology. 12,000 years ago, they could just, in one shot, boom, across the earth, kill everybody and make. Well, at least along the line of the equator. Maybe they didn't want to erase humanity. Cristina: That's what I was thinking. That the whole purpose of that would be so that not all of it was gone. Jack: So maybe they don't even need these factories like Epstein's Island. What the h*** is that for? Well, then again, where it's two different purposes. Cristina: Specific people. Jack: Yes. That's to drain. That's for adrenochrome. Cristina: Yeah. Jack: Versus something like stone. The stones. So maybe they've been able to make stones casually, whenever they want. Cristina: Yeah. We just need to find more lines. Jack: We just need to find more lines. On the flip side, wars are an easy way, and they're clearly in charge of the government. Cristina: Somehow 00:15:00 Cristina: that seems more of adrenochrome. Than a stone thing? Jack: We don't know. Cristina: We don't know. Jack: We don't see. In some instances, we see the bodies, but in other wars, it's just like, oh, yeah, some private attack happened. And it's like, wow, really? Or is it only when we drop, like, bombs and we can't go look at the evidence? Like, that was probably no bomb. You guys are just showing us a bunch of. And really, at the end of the day, what happened was you guys made another stone. Cristina: Would the bodies disappear? Jack: The bodies would disappear. Cristina: Okay. Jack: If it's for adrenochrome, the bodies would stay. Cristina: Mm. That's why most of them has to be for adrenochrome. Jack: Have you seen the bodies in most of them? Cristina: I think someone has. Jack: How do you confirm that person was real and not just another person? Just saying. Oh, yeah, I saw it. Cristina: Oh. Jack: I bet North Korea makes stones regularly. Cristina: Who would know? Jack: I bet there's human farms there where they breed humans. Because nobody knows where they breed humans. And then just en masse. But you dilute the genetic pool if they're always just cattle. Cristina: Yeah. Jack: And you're just making the. There's something about the more complex the life force. Well, the life form than the more complex life force. Yeah. What is the rule? The more complicated the life form, the more complicated the life force. The less complicated the life form, the less complicated life source. It began a long time ago at Butterflies or some s***. Weird. Because we discovered a bunch of adrenochrome before we found out it was connected. Cristina: Mm. Jack: We found it through butterflies. Well, we've heard about it here and there, stumble upon things kind of pointing in that direction, then when they looked at it, and we found that through butterflies, that was, like, the original, like, attempt. And then other people throughout history, which I remember specifically, we looked into that were figuring it out in other ways. The countess in the 1700s or 1600, somewhere around there. It could have been the 13th. Who the h*** knows who was killing her? Her maze. That was for adrenochrome. And so we found, again, adrenochrome somewhere else, and we didn't. She might have not known, and we might have not known. But, again, a bunch of people did, though. So maybe she was in the in group who knew about adrenochrome. And although the people who wrote about it didn't get it, she knew why she was doing it. She stayed young, and they were all, oh, yeah, she was using it for her skin. And that was. Make her stay young. And it's like, no she was drinking that s***, bro. Cristina: Yeah. Jack: That's why she actually. That's why it actually worked. F***. That's exactly why it worked. She was killing them b****** and drinking it. And they were. The people reporting on it didn't really understand. They thought she was bathing in it, but she was just putting it in the tub to have a source of it. Cristina: Ew. Jack: She could continue to drink. I guess she was vampiring the f*** out. And this has a lot to do with the area she was in. They probably thought vampirism worked this way. We interpret it in the horror movie style, but vampires are relatively new. They weren't. Cristina: Vampires are based on adrenochrome. Jack: Vampires are actually just based on Dracula, and Dracula ain't even that old, so. S***. You get my point. Like, there wasn't a concept of vampires back then. Their understanding of a vampire was crap. Like the Countess. And like, Dracula could have easily been based on the Countess in a castle. Cristina: Yeah. Jack: Attracting maids. Cristina: Yes. Jack: And drink. Literally drinking their blood. Cristina: It's the same story. Jack: It's the same story. And we found the Countess and we found a couple of, like, old school serial killers who were doing the same thing. We. We did that for Halloween one. So we were just looking at weird instances like that. We have a couple of really good Halloween episodes. Cristina: Well, didn't do any this year. You got anything for right now, this. Jack: Moment to do some Halloween? Cristina: Yeah. Jack: No, I don't now. We didn't do it for this year, but next year we should hit all the holidays. Find. I mean, it's interesting to go look at something that we haven't looked at for a while and with new eyes and find something we missed before. Cristina: Yes. Have we ever did a Thanksgiving thing? Jack: We've done many Thanksgiving. Cristina: Oh, yes, we have. But we haven't talked about the turkeys that we save that we pardon. I don't get that. Jack: We pardon turkeys. Cristina: Yeah. The President pardons turkeys every year. Yeah. He puts them in a hotel, keeps them fed and happy, and then he, I guess, brings them in front of people like the, like. I don't know, like the groundhog. Jack: Yeah. Cristina: And 00:20:00 Cristina: it's like, these turkeys cannot be eaten. Eaten. Jack: They must die of old age. Cristina: Yes. And I don't know how anyone keeps track of that. Jack: I bet. I bet that's the turkey the President eats. Cristina: Oh, that's awful. Jack: I bet some president was a douchebag and did that. If that's not the case, somebody was like, you know what? This is a stupid tradition. I want that turkey President. But no, no. Replace the turkey. Nobody's gonna know. I want that turkey. I want to eat a famous turkey. Cristina: The one that you said can never be eaten. That's messed up. Jack: Why? What's the difference? How would anybody even know as long as the illusion persists? Cristina: I don't know. I feel like you'll get. You will not get away with it. Jack: I. I want to get away with it. And then on my deathbed as president, I'll be like, get cameras and everything. I'll be or ex president, however that works. And I'll be like, for the world to know I ate that turkey. Cristina: That's messed up. Jack: Boom, boom. Will anybody give up? Nobody's gonna give a. They're gonna be like, he ate a turkey. Cristina: They're gonna say, you're a monster. Jack: If they. If it happened, like, the next day that it came out, they would be like, oh, my God. Yay, though. Cristina: Yeah. Jack: Right now, most of them send you. Cristina: To jail to rest, to live the rest of your life to. Jack: I'm. I'm on my deathbed. Cristina: Who cares? You're gonna be in your deathbed in a jail cell. Jack: That's. I mean, I guess it wouldn't matter to me. Cristina: It wouldn't matter to you? Jack: No, no, it wouldn't matter. I'm already dying. Like, what do I got? Days. Cristina: Yeah. Jack: Like, spend the rest of my days in a place that has to take care of me for a fact. Cristina: Yeah. Jack: Whoa. Cristina: But you'll be in orange or whatever color those suits are, and then they. Jack: Die in a box. Cristina: Yeah. Jack: That's cool. Cristina: Okay. Jack: Concrete box. Who else did we find that was using adrenochrome? Oh, we found some Greek stories with it. That was afterwards. That was after we found out the Elysians. When do we find out they were called the Aletians? Cristina: Probably to do with Greece or Egyptians or. I think it was Egyptian. Jack: I think it was in the text that the Egyptians had discussing the Elysians, because they also referred to them as the Sea peoples. Cristina: And so did the Greek. Not the Greeks, the Mayans. Mayans. Jack: We looked at Maya a bunch of times. We looked at my. A long time ago without knowing they were connected to the Egyptians. Cristina: And we also, like, recently found out that they have portals to the shadow realm. Yes, that we think. We were thinking there. Jack: No, we knew they had portals to the shadow realm. We found out recently they were crossing people regularly. Cristina: Yes. Yes. That's happening everywhere. Jack: Yes. Cristina: And we had no clue that was happening. Jack: Yeah, we looked at that. Didn't know that there was this Entire civilization there went like two years without having any idea. Meanwhile, we found the. The villages around the world, including the one in Puerto Rico. That's a really famous one. All these groups that are just mixed shadow realm, Earth realm creatures found out. Cristina: All those people that were talking crazy stories about, like, I'm afraid that my child's gonna be kidnapped by a fairy. And then we realize, oh, crap, there's. Jack: They're onto something. They're on to. They were. It wasn't fairies, but they were kind of on the market. Cristina: Yeah, they were. They were close. Jack: They were close. They were close. There's a bunch of creatures kidnapping children. So it was based on some interesting y. Cristina: They were insane. Jack: No, man. It is a kind of weird road that took us here. Adrenochrome was a weird one. We found that so many times because. Cristina: It'S the easiest way. Jack: Everything, even by accident. I really, really. I always think about the story about the wolves in the. In the battlefield and how they would go out and like, when they were starving because the battlefield scared off all the other creatures, so they had nothing to hunt, and they were just out there feeding on the freshly dead people. But those people were in war, bro. They had just unloaded their guns, had the guns unloaded on them, seen friends die, seen bombs go off maybe in that time, or depending when. When wars happened. Because this was in the, what, the 17, 1970s, 1917s, and another one again in the 1950s. So there was bombs already. And like, this resulted in some crazy creatures, bro. Yes, that's nuts. Werewolves, which then, in hindsight, kind of informs our older story when we looked into werewolves and we found out that the natives would dress up with the. Cristina: Fur of the wolves and then turn into wolves. Jack: Not turn tools, but run 00:25:00 Jack: around the woods. Cristina: There was some stories of people wearing wolf fur and then turning into wolves. Jack: No, that's what they thought they saw. That's what the people. The. The white man. Cristina: Oh, he saw. Jack: Because they would see the. The problem is that they were with wolves. The natives in these areas would be wearing the fur of their family members who were wolves. They lived in nature with the wolves, naturally, and so they would be wearing the wolf fur and the wolf would be seen by the people who lived around there. And then they would see shortly thereafter, a native wearing wolf stuff, and they think it's the same thing. That's where the original myth of the werewolf came from. But the actual real world equivalent is a werewolf, a wolf drinking adrenochrome and then resulting. Cristina: The werewolf is a Wolf becoming a man and not a man becoming a wolf. Jack: Exactly. It's not becoming a man, but kind of getting a more bipedal look. It's very Pokemon. Cristina: Okay. Jack: You know, just transformed and now it's bipedal for whatever reason. So. Yeah. Cristina: I don't know. I feel like there are some men that claim to have turned into wolves, though. But are those just crazy people? Jack: No, because we also have people that were turning in the things. Not everybody has exactly the same reaction, but it's more or less the same reaction. We've had men turning into wolves. No, I don't think we've ever had people turning into the wolves. Cristina: There's a guy, I think for the church, he was confessing that the devil made him dress up as a wolf, turn into a wolf to fight the. No, the church forced him to turn into a werewolf so he can fight the demons or something. There's some wild story like that. Jack: We talked about it on the show. Cristina: Yeah, it was before all of this. It's way in the past of just talking about creatures not connecting to anything. Jack: That was when we were doing werewolves one and two, right? Yeah, man, I don't even remember that. Cristina: Yeah. I think he was claiming that the church would turn him and like a bunch of other homeless people into werewolves to fight demons. Jack: What the. Well, I don't remember all that. Cristina: I don't know what that is. But I know that they do have weird stuff happening. Jack: We know because the Church does weird s*** all the time. Cristina: Yes. They have portals and they also have items. Sacred items. Jack: Yes, they do, actually. Cristina: Body parts. Magical body parts of saints. Jack: Yeah. They hoard all the things with power they could find. Cristina: Yeah. Jack: But later we found out that was entirely because they were trying to erase the existence of magic and. Which is really just really complicated science. Cristina: Yeah. Jack: And the body parts and things are saving are. Because think about it. They're saving a cloth that was protecting Jesus and he came back to life in or something. And it's like. Well, that was some technology that was reviving him or whatever. Or that had like proof of some residue of some kind of compound that they don't need anybody to know exists, you know? Cristina: Okay. Jack: Of the fruit or something. Cristina: Yeah. Jack: So they. They keep all of these things. They either have some kind of ability attached to some complicated technology or whatever the case might be, and they confiscate it all and hide it. Cristina: That's crazy. Still. That's pretty crazy. Jack: And still they couldn't compete with actual Jesus. Cristina: Well, they're. They're either Helping him or hiding him? Jack: Why would they need to hide him? Cristina: Because they're working with the. The. I'm thinking fairies, but that's not the word. I'm thinking. Who, Who. What is he? Jack: What is who? Cristina: Jesus. Jack: He is an Elysian Alicia. Cristina: And they're either working with Jesus or the Elysians. Jack: The church. Yeah. I think. I think we have three parties. Cristina: You think they're separate? Jack: I think they're separate. I think there's more than three parties. I think party we actually. I think. I don't think we've ever broken this down. I think party number one is the Elysians and their homies, like the Mayans and the Egyptians. Group two is Jesus and whoever's backing him, which is unclear. Cristina: Shadow people. Question mark. Jack: Question mark. Because we don't know. Because group three is a shadow people with Lucifer and all those individuals. Because even the shadow people who've joined our Earth Realm teams, we're calling those as part of Jehovah's team. Okay, so those are the Elysians. We have the Elysians there with all those people, including the shadow realm people that are there. Then we have the shadow room people who are a separate entity entity 00:30:00 Jack: made up of many Elysians and humans who've been outcasted one to the shadow realm. We got Jesus. That's three main group tied up there. Then we have Mab and her group of people somewhere doing something that's hyper unclear to us. See, we all never know. Exactly. Then we have the Greek that randomly pop up and are like always keeping up. They're like Piccolo. They're always keeping up with Goku and like how. Okay, but they're always there. And we don't know if any of this or even if the Elysians themselves are in any way connected to the original top of that, which is Jehovah's father Yahweh and his father Eloi. And how. That we still don't understand the giant leap from all of that all the way back to Yaldabao and how any of them might connect to what's happening now. Cristina: Yes. And we have no idea anything about Hermes either. Jack: Hermes, he's like neutral party. It looks like he helped everybody do whatever. Yeah, he's such a central figure. Cristina: But he might have even helped Jesus Satan with the line. Jack: He might have. But we know many instances suggest he might have helped Lucifer. Cristina: Yeah. So that's interesting. Jack: It looks like he might have helped Lucifer. It looks like he might directly be the teacher of Jesus. Yeah, it looks like he gave a johor who Worked or was friends or something with Jehovah. Cristina: And he has some connection with the Greece. Jack: And he has some connection with Greece. And he might have existed back with Eloi and Lilith, which suggests that he would have also been around at the time of Jesus, Jehovah's father, Yahweh. He would have been in contact with every single everything straight through. Cristina: Yes. Jack: I don't understand how. Because he is a God, he might actually be. Everybody else is some being that got there. He might actually. Dude, based on how we're describing him, right? Cristina: Yes. Jack: He goes everywhere, lives immortally, contacts everybody. Now, here's an interesting part about Hermes, which, based on his talks, might make sense. Let's say Hermes does come around in the year 12,000 BC, right? That's when he's born, not before then. But what do his lessons teach us? He says the fabric of reality itself is up to you to move around and control as you please. If you understand my teachings, you can just casually move in and out. Nothing matters. Nothing is of consequence. Everything is readjustable. Could it be that although he began there, he easily just shows up in the past? Is that a capability of his? Yes, because we know many necromancers can just f*** with time. Cristina: He can too. Yeah, I guess. Jack: Just poof. So he was born recently, but he could just be back there? Cristina: Yeah. Jack: And that explains him showing up everywhere. He became he again. He was just a creature that became a God beyond anything all these other people could even fathom. Cristina: Mm. Except for Jesus, maybe. Jack: Well, he taught Jesus. Cristina: Yeah. Jack: It to this moment, it kind of does almost look like Hermes over Jesus. So if we were to just calculate their abilities and what they've done. Cristina: Yeah, but if Jesus gets to actually ex. Goes follows those principles that he has to teach, like what makes the difference, what makes him under. Jack: It looks like Hermes can cross into the fairy realm. It does not seem like Jesus can. As far as we know. Cristina: As far as we know. Jack: As far as we know. Cristina: Exactly. I don't know. That doesn't really. Jack: Only based on what we've found, he. He hasn't. Maybe we'll find something different to the contrary. But as of now, it looks like Hermes is the only one who's figured out how to enter this other space. With all of the efforts that everybody else has. I haven't seen a mention of Jesus doing that. Cristina: Well, maybe that story of him going into heaven. What does that mean. Jack: Going into heaven? Cristina: Yeah. And the end of his story before he comes back to Earth, like, what is that? I don't Know exactly. Jack: He dips out. Cristina: Could that be him exiting? Jack: But then that means he's always behind. He didn't just inherently have the ability like these other 00:35:00 Jack: things. He discovered that like a science. Which means that Hermes mastered it. He's a beginner at it. Hermes is still above. Cristina: Yeah, but that doesn't mean he can't get to that point. Like once you got it, you got it. Jack: He has a head start. Is he gonna. Is Hermes gonna continue getting better or is there a top? Which means if there's a top, they can catch up and land there. If not, then. Because again, if it's science, you can keep pushing it. Oh yeah, you can continue to push it. Cristina: But I think Jesus is still up there. Jack: He would be number two. I'm thinking he's number two. Cristina: Yeah. Because he did escape. I think he might have gone there. I think that was the story. Jack: And that's simply because we cannot rank things from Elfame. We have no idea. Yeah, it's possible. Those things are way more complicated in ways we couldn't comprehend. Cristina: But he might have gone into alpha and then came back. Jack: Yes. Cristina: I think that's. That's the story to say that. Yes. Jack: Right. But yeah, no, 100%. But that doesn't make him. I still think we've discovered that there is less appearance of Hermes. He's more rare to come across. So he's better at being invisible. He's been around longer, so there should be more of him. But he is good at being invisible. Cristina: But also he's using much of different names. I don't know. Jack: He always goes by Hermes. Cristina: He does. Oh yes, he does. It's Jesus that goes by different names. Jack: Jesus goes by different names and is still nowhere as elusive. Cristina: Okay. Jack: We don't know necessarily anything about what Hermes looks like. We just know he was robed. He was nice and discreet. Okay, he was robed. We have no descriptors for his face. We. We know just the things surrounding his robe. His face is usually in shadow and the robe itself was very dark. Gave look to that traditional necromancer thing, secrecy and privacy. So they adopted the look. Cristina: The necromancers. Jack: The necromancers adopt the look. That's also why we always see Jesus robed up. Everybody else might have layers to the robes, tuck ins on their ways. But Jesus wore like gown style things. It was very necromancer. And he's known for having the scarf with the hood. Cristina: That's not Mary. Are you sure? Jack: Jesus had the same thing. I guess Mary was also trying to be private. Oh, but that's logical. And the most important facet here is. I mean, Jesus would have to become a more more complicated threat eventually because he's still half Elysian. Cristina: Yeah. What is a Hermes? Jack: Human. Cristina: How do we know he's not half. How do. Jack: We don't know. We just know that you have to be human to be an echromancer. Cristina: Yes, but Jesus proves you could just be half human. Like you don't have to be full human. Jack: Jesus proves you could be half human. This brings up an interesting problem and it totally explains the Elysians not wanting Elysian men or women to breed with humans. Because nephilim that become necromancers may be problematic. Cristina: Yes. Yeah. Jack: Is the fear the necromancers, the few necromancers we know about are problematic. And then there's Hermes, who seems undefeatable by any standard we could imagine. Cristina: But then you think they'd be an enemy with him, but there don't seem to be. Even though they fear everything he is, they don't want another version of him. Jack: I mean, everybody's trying. Think about what the requirements were for the Golem. Think about what the requirements were for Jesus. You have to be able to cross all three thresholds seamlessly. What? Who's the only other individual we know who could do that? It's Hermes they're trying to imitate Hermes. Cristina: Yes. Jack: Right. And he ain't a fairy. They just know a human learned how to do the thing and that for whatever reason, Elysians can't be necromancers. Cristina: Yes, but they don't want to make more. They do and they don't. They don't want it. Jack: You want to control them. They want to be able to make a necromancer and control it. Cristina: Hence the creation of like things like Jesus. No more. Jack: Jesus was a problem. Yeah. Think of not Alexander. Was it Alexander? No, the. The sword guy. 00:40:00 Cristina: The sword guy. Jack: Who was being tricked? Arthur. King Arthur. Who was being tricked by Merlin. By Merlin. But the whole goal of that instance was a necromancer or not a necromancer. A person with the ability to cross between thresholds who could be controlled. Cristina: But he was all human. As far as I know. Jack: He was all human. Yes. And he was too easy to control. It became problematic. And we know that Merlin was an elation. Or is an elation. I don't know if that guy still around. But Hermes equals. I mean, not Hermes, Merlin. Equal elation. Cristina: He has to be half. Jack: He has to be half. Yes. You're Right, because how is he? And that's why he's whack. Cristina: Why is he whack? Jack: Because the more human you are. Cristina: So you think he's more than half human? Jack: No, he's the whack necromancer. Merlin is whack because. Because he is half and half. Cristina: But you have to be half and half. Jack: No, you have to be human. Cristina: Oh, but Jesus is half and half. And that he's not. Jack: Isn't half and half. Cristina: You think he's human. Okay, psychic abilities. Jack: Stories give us some details here to fill in for this thought, but I have some filler ideas. Right. For some blank areas. The stories emphasize how important Mary is, not just to the cause, but to Joseph. Joseph is a magi. A magi. And he is one of the other three who will later show up. He was her personal escort. They are Alician soldiers of some sort. Cristina: Okay, right. That's her man, though. Jack: No, that's the lie they're telling. Cristina: Oh, okay. Jack: But where you're getting at is where I think was maybe intentionally left out. The Bible tells us he's her man. Of course, the Bible is foolish and made up in order to suppress the truth. But the Bible tells us. So what motivation did the Bible have to tell us he was her man? Why wasn't he just her brother? She was gonna be a virgin and have a husband. Cristina: Yeah, that's weird. But weird. Jack: Could have. Any other narrative could have been spun there. Yeah, maybe. Maybe he was human and that's why he was different from the other Magi. Just like Mary was human. Because we know that child is part of Jehovah's DNA. But maybe the intention was to water it down and so it's not just Jehovah. What part of this do you need science for? Where was the experiment taking place in? Well, maybe both of them are the bad. Thus he's only one third Elysian. Cristina: Oh, crap. Okay, those make it more interesting. Jack: Interesting. So he has as much stake in this as the Elysians, but, you know, you're also just a human bro. We can get rid of you quite easily. So you're just gonna escort her? Well, you got bodyguards are gonna be watching, and they're gonna show up when it matters. You're gonna see them, and you just gotta take her over there. Where does he go when he gets. He just vanishes. The story just cuts off. We assume he left with the other Maggie, but he just. His story just ends. So what is that about? Well, his purpose was complete. He probably died off. Cristina: He died off. No, he died off. Jack: They get. They get to older age. Oh, but like, what's his. Why do we stop talking about him so heftily? It's because of this reason. He is really inconsequential, but is part of the equation, which is why he was actually present there the whole time. He's like, no, it's my Katu and I'm gonna follow this lady. Cristina: Okay. We just couldn't say, yeah, they were. Jack: The chosen ones to some degree, but it was just human. Cristina: Okay. Jack: You know, And I think that was a way of diluting some science was used in order to dilute elation DNA. Even if elation DNA is better for stones, they're not going to get rid of themselves. So they could easily run this tech, but no humans. But in order to make a necromancer, you need human. And they want one that they can control. But I don't know if they have Hermes, why they would need to. I don't get that part. But Hermes himself then trained Jesus. He's so neutral. 00:45:00 Cristina: He doesn't. He seems like part of the group, but he doesn't seem like part of their group. Jack: I think he literally isn't part of their group. I think he's just friends with Jehovah. And everybody must respect his neutrality because what are you gonna do about it? The fact that he's blessing you with his time is good enough. Cristina: But then he gets to train the guy that they offer, cuz that guy went to him. Jack: Again, neutrality doesn't matter who comes or what you want. I can do whatever. Cristina: Mm. Jack: I'll help you with limits. I don't hurt others or whatever. But what you do, but what I gave you is up to you. Cristina: Crazy. Jack: So everybody comes for something different. It's like, yes, he's really God about it, to the point that even Jesus goes to him on record. Yeah, well, Emmanuel. Emmanuel goes to him and it's like, bro, this dude moves like real omniscience. Cristina: Yeah. Jack: Move through time, influence, whatever. Yeah. Oh, you said your grandfather needed what? Okay, I'll go back and I'll. Cristina: That's weird. Jack: Yeah, whatever, dude. Oh, no, I can't do that. I'm not gonna go get rid of the people. No, I can't do that. You need the. Oh, yeah, yeah, I can make the thing. Whatever you do with it, that's up to you. I don't give a crap. It's your choice. If it affects me, I'll bring him back. I don't care. Cristina: Real omniscience, okay. Jack: He moves like that, right? He has that feel if I don't care what happens, I don't care. I don't care what. I'm not doing it, but I don't care what happens. Cristina: Yeah. Jack: And then he can adjust whatever in his favor. That's so impressive and everything. Again, if we look at the whack, watered down, non knowing necromancers, it's still like, d***, son. All of them except St. Patrick seem capable of controlling time. They're watered down. All of them. They're. They're whacker than Jesus. And Jesus can't mess with Hermes. That's where we are. They can control f****** time. Cristina: Yeah. Jack: It looks like maybe Santa, St. Nicholas is like real top tier op. Maybe third in line here because of how exaggerated he is. But it could just be time control that he looks like he's everywhere freezes, everything goes everywhere, takes him a long time. Then time moves forward again. Cristina: It's still really exaggerating. I don't know. It's pretty powerful stuff. Jack: Pretty powerful stuff. He also has deals with what seem to be actual fairies. Actual fairies? Cristina: Yeah. Jack: Which is like, d***, how do you do that? Yeah. Cristina: Yeah. Maybe they're not fairies. Maybe they're shadow worm creatures. Jack: They could be shadow worm creatures, but they can. We don't know shadow creatures that fit those suits. But we know fairies that do. Cristina: It's just too weird. Jack: It's weird. Cristina: It doesn't make sense to anything. Jack: But again, maybe he's. He does appear to stay neutral as well. So maybe the fairies aren't siding with him. And maybe the fairies aren't trying to stop Hermes. Who are the fairies trying to stop? All the people trying to imitate Hermes. Fair people don't care about Hermes. Why? Cristina: I don't know. Jack: Doesn't seem to be f****** with them. Neutral. The people who are like, we want infinite power. They get elf slapped on top. Stop their progress, please. Cristina: Okay. Jack: But Hermes clearly already capable. They're like, whatever. Interesting. They're scared of power hungry people because if they cross out, they're coming for us. Cristina: Okay, Jesus, kill off Marilyn and Jesus. Jack: Jesus is a problem because Jesus is the one that slipped through. And although Jesus isn't aiming to hurt them, Jesus seems to be on a revenge path. Right. Is his goal the Elysians or could he easily deal with the Elysians? Cristina: I don't know. Jack: Because if they are is infinitely trying to get stronger. And they're infinitely trying to get stronger. So he must again try to get stronger. So they must again try to get stronger. And now it's gotten to the point that they reach the Elfame just trying to get stronger than each other. And then they're just consuming everything around them in a war between each other. And that's the fear. That's why it didn't look like anybody was after anybody specific and that the Elfame was just fight. Who are we scared of? And it's like this guy or that guy or what? No, both. Cristina: Both. Jack: But it's not about them going after you. They don't care about you. They're. They're Borg. They're infinitely power hungry the way humans are. Okay, we want more. But it's about getting rid of each other. Cristina: It could be that very. It feels very Dragon Ball Z. Jack: Like just like always. Upscale. Cristina: Stronger. Yeah. Jack: And it doesn't stop. We've gone out of the realm. Man. I remember the ah, memories. What the good old days when we just thought creatures here, creatures there. Maybe some aliens, maybe an alien or two local 00:50:00 Jack: that can't, you know, lives in space between planets. Because why would it try? How would it travel from super far? They couldn't. It's just a biological something living in space to finding out no crap could travel. And here's the science behind it. Stars away, stars across, galaxies across. Until getting to the point of like nah. There's entire clusters of stars completely captured. Because escaping the entire universe is totally possible. And there's multiple of these things. And here's some science behind it to dimensions and realms. It's like I remember the good old days back then when it was so simple. Now. Now we have interdimensional multi realm existing different creatures of different magnitudes of development tied in infinite ways with each other and in different ways. All scientific. Cristina: They're trying to get up there, up somewhere there. Jack: So complicated. So, so complicated. It's ridiculous. It is good old days of just hey, vampires and zombies. You remember comparing vampires and zombies and they both need blood. Which it totally should have filled us in on so much. Totally should have. Because we erased it slowly from zombies to say that they were after blood. But zombies were after blood at the beginning of the invention of talking about zombies. But maybe the creators of zombies thought oh this too on the nose. It's too close. So I'm just gonna connect the dots. And so we slowly phased out zombies going for blood. And then they just became science zombies. The way like oh, vile. We're trying to cure cancer. But. But it was always science. Cristina: It was always science. Jack: Adrenochrome. Oh the science in a different way. Cristina: Yeah. Jack: We they try to block us off of certain paths of science so that we don't get informed on those things like realms and crap like that. That must use biological and physically tangible science applications in order to to interact with. But the laws were taught to build upon exclude the factors that would lead us in those directions so that only those who know about them can know about them. Esoteric knowledge everywhere. You know, it's funny, that reminds me that Wet Judges was the same story as zombies. We had. We were just going through different creatures and we found out that this creature existed and that it was the. The result of something unknown. But this is what the creature behaves like. And it's not a shadow Realm. Creatures opposite to a win dingo. But they both turned out shadow room creatures. But there was some difference between them that we were like one comes from this and the other one kind of sorta. Eventually we discovered wolves. And both of these things shared a lot of characteristics. And that episode involved the connection of well, this is how a wolf biologically becomes. And this is how wolf biologically becomes that one. I believe the Wet Judge is the feral shadow realm version of a wolf. And the Windingo is the in control shadow realm version of a wolf. And both of those we found in isolation separate because we were just doing episodes about creatures. Cristina: But what do they have to do with the Shadow Realm? Jack: Adrenochrome. And they're both shadow realm creatures. Cristina: Okay. But they're based off of wolves and the wolves are from here, not from the shadow Realm. Jack: Exactly. Were wolf. Well, wolf can wolf takes adrenochrome the stages of a wolf as they would break apart. A wolf can sue. Let's take one of these 1950, 1940. Like six werewolves from the battlefield. Battlefield night people hiding. It sneaks up in the shadows and starts eating and drinking some of the blood. Because it's dies or. No, no, let me get there. It's gonna turn into. In consuming so much of it. A werewolf. Cristina: Mm. Jack: The werewolf is just the in control version of the wolf. Now two wolves came. They were talking about two separate wolves from the same pack. They came. They ate the same body. During the werewolves, both of them became werewolves. One of them was smart enough to consider coming back and the other one was a little cower. And as soon as it heard people ran away so they didn't consume the next day. This happens repeatedly. And the second wolf doesn't come back. The first werewolf stays a werewolf. The second werewolf now becomes a lichen. 00:55:00 Jack: It goes feral. It's just a Savage now. Cristina: Okay. Jack: It even forgets how to get back to it. It's just now a monster. Cristina: Okay. Jack: But they're more or less fizzled off Earth Realm. Cristina: Yes. Okay. Jack: Yes. And they all fizz. They physically look very similar, except a werewolf looks like a humanoid. It looks very similar than the werewolf is very gray, furred, wise and less crazy, I guess. Cristina: Okay. Jack: And the lichen is black fur and slimmer, while the werewolf looks bulkier. The lichen is thinned out and like up looking. It's like a really thinned out werewolf that's all black. Cristina: Okay. Jack: Now if the werewolf dies a werewolf, it becomes a wet judge. Cristina: Okay. And if the lichen dies, it becomes the other thing. Jack: And if lichen dies, it becomes a wendingo. Cristina: And those creatures are Shadow Realm creatures. Jack: And those creatures are Shadow Realm creatures. Cristina: Or they're ghost versions. Jack: Yeah, yeah. A lot of Shadow Realm creatures are ghost versions of earthrealm creatures because there's an inherent tie between them. Cristina: A little weird, because the Shadow realm is the original realm and we are. Jack: A pocket realm within it. Cristina: Yeah. But when we die, we go back to the original realm. Jack: Well, this is supported by all sciences, all religions and all philosophies that the. This association from the self unites us to the all. Another way of thinking about it is the texts that make it sound like it's a simulation. If the barriers are built around a certain type of code and you extract that code, then whatever code is left could exit the equation. Cristina: Okay, and then we just go back to the shadow realm. Jack: We can just be part of the shadow realm. So it's possible. Weird thought that everything within earthrealm is already a creature that might exist within the shadow realm, and we are just programmed with the external shell that we then think is ourselves. Cristina: What do you mean? Jack: Like my body isn't my body? Maybe I was always a gin, but because I'm born over here, the body feels like a body. But then it's weird beating our campy because creatures from the shadow realm coming over here to kidnap children and stuff, but to live. But they don't. They don't become suddenly physical unless they go through a procedure. Yes, and I don't understand what the procedure necessarily is because there's no specifics on it. Yeah, we know that they need a model, which is why they kidnap kids. They need an example of who they're going to become and that person is going to stay alive. They don't kill that person. Cristina: They don't. Jack: Well, somehow still existed when Lucifer became physical. Cristina: Yes, but did he transform also? Jack: Then Samuel got turned into Alfamer. Cristina: Is that what happened? Jack: No, he got turned to a Naga, I think, right? Cristina: Yeah, I think so. Jack: Yeah. Cristina: This story is twisted and weird. Jack: Yeah, that's a weird. Someone else been through the ringer. It's a weirdo. But this isn't a couple of places. Because if you think of Glycon from the Greek, he also was just a Greek dude who became a Naga. Cristina: That doesn't make sense. With the help of Keto. Because Nagas are fairies. So these are people becoming fairies. Jack: These are people. Well, people becoming Shadow worm creatures and Shadow Realm creatures becoming Earth Realmers are still weird. Cristina: That's weird. But it's less weird. They're becoming fairies. Jack: Well, presumably the Shadow Realm is a pocket within Alfame. The best way to think about it is if Elfame is Earth Realm, then the Shadow Realm is the Internet. And EarthRealm is like Facebook. Each one is inside the other in a smaller, more constricted way. But it's still the one thing. Like it's still Facebook exists within Earth. Cristina: A video character becoming human. Jack: Yes. So, okay, I guess the. The most logical way to make the next step remove would be to say we have humanoid robots that don't have any AI. They exist everywhere. Cristina: Okay. Jack: And the Facebook AI decides it's going to figure out how to enter one of our robots and navigate earthrealm. That would be the leap that Jesus born in earthrealm does 01:00:00 Jack: to get to Alfame. He is the Facebook AI. Cristina: Yes. Jack: Getting into one of our robots and now existing as a Earth Realm being. Cristina: What does it mean when one of us becomes a Naga? Jack: That would be the equivalent. Cristina: It's still in there. Jack: Yes. So there must be some form of code that creatures from the top have. Like MAB logging in. Cristina: Oh, NPCs. No, not NPCs. Main characters. Jack: Main characters. Yes. They acquire main character abilities. Yes, that's what it really means. Which is a good example in being Hermes. Main character abilities. Cristina: Okay, so if you can do become a Necromancer or become a Naga, you're doing the same thing. Yes, sort of. Jack: The difference is they're trying to make Nagas of existing individuals that they know are already loyal. They don't want one born. They're trying to make one out of people they know are already loyal to them. So there's some half baked kind of approach there. Cristina: And they. I don't think they have the same abilities as Nagas. Jack: No. It doesn't seem like they have the tip top. The closest person who got To. That was the first one we know about, which is the oldest, which is Yaldabaoth and his. Not his artificial Naga, which I guess everybody else is. An artificial Naga that we're talking about. Cristina: Yeah. Jack: But it looks like his was literally created from nothing. It wasn't based on anybody. Which is also why that one's overpowered. Cristina: That doesn't make sense. That does it. I don't know. Jack: Osteomorphus. That was the name of that serpent. Osteomorphous. Cristina: Came from nothing. Jack: He came from nothing. He was raw, created. So he must be more pure than doing it on a creature that was already a different creature. But they'll be loyal because they're part. They're in on it. It's their hard work, too, versus this. No, you were made exclusively for this purpose. You could turn on me and it might have. We know it had its own intentions. It might have done whatever, but that's the risk. A different variation on that is Jesus. It might go rogue. Except it went rogue and they did. Where they. How do they control it? Cristina: I don't know. But how do you do that? What? You said he just made one. Jack: Made one? What? Cristina: Made a Naga? Jack: Oh, I don't know, but it would be like, how did we invent a robot from nothing? Like, it's just. It's that he just made science. Figure it out. Cristina: Okay. I don't know. Jack: But the leap Jesus made is pretty impressive, especially if we. If we listen. If we listen, Deacon, listen. If we take the texts that make it sound like a simulation at face value and say, oh, yeah, that's definitely the true one. Jesus made it out of the simulation and into an Alfame robot. That's basically what we'd be saying. Yeah, he jumped to the middle stage. Or went through it. We know he went through it. Literally. He could enter the wider Internet. Cristina: But he's not the only one. Jack: No, he's not the only one. Because whatever quote AI unquote Hermes is can easily just walk out. And he was just Earthreal. So he is another Facebook AI. He's the original Facebook AI that managed to just get into a robot in her throne. Cristina: That's weird, but yes. But then I still don't understand, because Nagas are. Jack: I think Nagas are an attempt to do a biological cheat sheet for Hermes, because you can either study and get it. That's a. The filter is crazy. Phew. It's so hard. So few people have figured it out. Immense power. Even people who didn't figure it out. Alexander the Great There you go. Even people who didn't get it, what they did get, made them monstrously overpowered, but with limitations. The idea of a Naga bypass the limitations instantaneously. Shortcuts. It's all shortcuts. Cristina: Okay. Jack: Because the right way to do it would be learned hermetic principles. Follow the laws that Hermes lays out. Understand his lessons. He says it, it's the only way. And the proof kind of stands on it. The fact that nobody else figures it out. Cristina: Yeah, he figured it out. Jack: He did. Cristina: And nothing is like gonna figure it out after him though. Is Jesus really it? Jack: Well, we don't know. Merlin came after Jesus. Cristina: That's true. Just forget he's the most recent. Jack: Yeah, he's the most recent. He was whack, but he was the most recent. Then again he was way overpowered. Still time bending. Cristina: That's crazy. Jack: Yeah. Cristina: Even if he was defeated, it's still pretty crazy. Jack: I guess so. Well, yeah, he was tricked, but he was tricked by a fairy. He was killed off by a fairy. Cristina: Yeah. Jack: Like you know. The question is, could Hermes know her? Is the problem is also Hermes has no goal. Think about how interesting this is. It doesn't look like. No, but St. Patrick's was associated. Even if he was human. Cristina: What do they mean? Jack: He was still associated with the Elysians. They called on him for help. Cristina: I don't know. Because of him and Santa makes it seem like the religion is behind is part of them or they made the Catholic Church. Right. Jack: The Catholic Church was made by the Elysians, but the Catholic Church employs humans. Cristina: Yeah, but to keep the Elysians secret. Jack: Yeah. The whole point is to keep the Elysian secret and to make Jesus just seem like he's unrelated to the Elysians. Cristina: Okay. Jack: Yeah. And it looks like, you know, they're neutral. And maybe they were priests who were like, we're gonna put. We're gonna send you on a quest. We're gonna send priests. Maybe that's the point of priests. Raising some priests regularly to a school out in Greece where they're gonna come across a series of tests and tasks at the School of L. If they pass enough of them, you're going to get into a special class and you're going to take it and you're hopefully going to pass that class. That class is all that matters. Everything you're going to do for the next 20 years of your life is pure training to try to pass one class. That's it. Good luck. And then, you know, just kept sending people, kept sending people, kept sending people and one guy, St. Patrick, makes it through and meets Hermes and takes classes with him and, and St. Nicholas makes it through and gets there. But how many hundreds of other priests went there and like tried and they could, didn't even know what they were there for other than I told I was going to do this my whole life. And I'm not going to get married, I'm not going to have children, and I'm going to go back and go, you know, I dedicated my life to them. I'm gonna go lead a church and I'm gonna be great. I'm gonna have it said and made. But I don't know what the beginning of that path was. And only few of them, and they disappear forever. Now it's the, the St. Patrick's of the world. It was like, no, I'm an OG. I got the abilities that they want. Cristina: Yeah. Jack: And so those are in house necromancers. Hermes is neutral party if they can, if they. Anybody who can get my teachings can get my teachings. Cristina: So you think he was training? Jack: He was at Lesium as written by Aristotle. Cristina: In his notes, they say for how long? Jack: Unclear, but he was at Lesium, so that's fact number one. The specific lines were that he was waiting for the special students. And Aristotle's take on that is that his students were the elite students, the students that had taken all their other classes, the students that have aced everything else. And it's a school of philosophy. What the f*** does it mean to ace that? It means to understand everything there. Cristina: Which makes sense for what you need for Hermes. Jack: You got to enter equipped in every aspect of everything. And so you get to his class. Most people didn't make it. And I don't know how he would evaluate them, but he must have been looking at the notes of the other teachers there and been like, I want that student on that guy. He seems to be doing good every class specifically in these topics, which means he understands the nuance I'm looking for. Maybe all the other teachers were just cover. Cristina: For the real goal. Jack: For the real goal. Everything is designed as an intricate filter. And it's, it's a tournament. There's one winner. Of course, there's more multiple winners. But in this case, you know, to picture it better, it's tournament style. The guy who makes it to the championship past all the tests, but you still got to eliminate, eliminate, eliminate. And so you can't have a huge class of thousands of people. You got to be very restrictive. And maybe not. Maybe anybody who can make it can make it. Except people don't make it because it's really hard to get. Cristina: Mm. That's really hard. Jack: It's really abstract. Cristina: Mm. Jack: Really abstract. But it all makes perfect sense is the problem. So you gotta be able to understand really abstract thoughts in order to then bend reality with your mind the way that Hermes suggest can happen. And that we've found this proof through Naga and other necromancers and the people who cheat and manage to get a stone and aren't necromancers because that's so op. Cristina: Yeah. But he's the reason that there are stones. Jack: Yes. He invented them. Cristina: That's crazy. Jack: Yep. He is so good at being secretive. Hermes. He's so good at being secretive and so good at making things that we didn't know that both parts of the craft 01:10:00 Jack: were literally him. We found the first part and we're like, he made the thing like somebody else made the other part and improved on it. No, it was also him. It's just. It's hard to connect any part of things that have to do with him because everything exists in isolation. Because he's so good at just disappearing off of that side of the planet and popping up over here and doing a bunch of crap over here and stays over here for a thousand years and disappears over here. And he's over there now. No given. Doesn't seem to care about the passage of time. Doesn't seem to care about what side anybody's on. Does no barriers exist. I'm in this room. I'm in that room. Whatever. Cristina: That's what he does. Jack: Very godlike. He reminds me a Q from Star Trek. Cristina: Probably less of a troll than him, though. Jack: We have no idea. We have no, no idea. Not a clue what his personality is like. Not a clue. We know some people had character to them. Some of the Elysians were like, you know, you can imagine them. The guy who's just whoring around banging humans. Cristina: Okay. Jack: You're probably a chill dude. Bro. Cristina: Know. Jack: You know, he's just a dude. He's out there just linging, slinging his come everywhere he goes. Cristina: We don't know anything about Hermes. Jack: Who the h*** does? Cristina: I thought he's a weirdo or not weirdo. He's just secretive. Jack: He's private. Cristina: Private. Jack: We got stories from Santa. We got stories from Patrick. We got Jehovah stories. He seemed to be pretty chill, but kind of stern dude. Lucifer seems kind of more worrisome. He's these would, you know, panicky Lilith has a bit of attitude to what she does. Everybody has characteristics based on everything we found. And then Hermes is like, I don't know about you, dude. I don't know if you're, like, serious jokey. If you're like, you know, expressions. He's robed. Cristina: Yeah. Jack: Every description of him, robes. Nobody sees this face. Even his homies have no idea if he's smiling or not. He's talking to a robe all the time. Cristina: That's kind of crazy. It's pretty crazy. We don't know anything weird. There could be more than one. Jack: There could totally be more than one. But also, he can bend time. What the. Cristina: Like, why do you need more than one? Jack: Why do you need more? He's everywhere. He's everywhere. He's all over the place. Everybody's Hermes at one point. It's like, no, it's the same dude. We thought it was multiple people. Cristina: Yeah. Jack: And then it's like, no, it's the same guy. What? How? How, How, How? In fact, we thought it was so multiple people because Loi is the title and Hermes exists. And we're like, that's probably the title, too. And he existed back then, and they knew each other. Weird. So different people. And then we're like, nope, it turns out same guy. It's like, how the f*** does this work out? We still haven't even proven that about Loi. Cristina: I don't think he's. I mean, I think he is more than one guy. Jack: Loi feels like a title. And the way they describe the giant ship shifts in behavior. Feels like different people. Feels like a title within the family or a job position or political role or something. Cristina: Yeah. Jack: Hermes is literally the guy's name. He'll go by a different name. And then tell them, I'm Hermes. They gave me this name over here. But Hermes is from actual name. Cristina: Weird. Yeah. Jack: And he'll write it. He'll be like, I'm Hermes. Cristina: He writes it, I'm Hermes. Jack: I'm Hermes. And then he made the emerald. He made this, everybody. No, Hermes. Geras Magista's made this. Don't happen. How? How do you do this in Europe? And then at the same time, he made that in Afghanistan, bro. Let's have a real conversation. Cristina: Because time travel. Jack: Because time travel. Cristina: And because there's nothing really. Jack: Instantaneous teleportation. Cristina: Exactly. Jack: And, like, it doesn't matter. Cristina: Solution to any problem is time travel. For Hermes 100. Jack: That explains ever once that's. It's like, yeah, you could bend time. Cristina: Yeah. Jack: So you're just hanging out back there, like the day you chilled with that guy's grandson millions of years later. Cristina: Mm. Jack: To you it was minutes apart. Cristina: Yeah. Jack: You just skadoodled across and it's a. It's seamless. If we were watching you from a movies perspective, you're like, all right, Jehovah, I'll let him know. You take two steps, we zoom in on you. You take two steps, none of the scenery changes. And now you're standing in front of Loi. Hey. Your grandson said this. And when we zoom out, we see Eloi, but not Jehovah. That's how seamless it would be to him. Cristina: That's pretty crazy. Jack: He didn't think about it just there. Cristina: That's totally how it could work. I don't know. Jack: And from the point of view of both of these individuals, he never left. Cristina: Mm. Jack: Because he can pop into the same fraction of a second he left that with Jehovah and walk right into that same moment and be like, your grandfather said this. And from your point of view to my. I'm right now, I'm Hermes. And right now you're Jehovah. And you tell me you need to tell my grandfather to add this, this, and that to 01:15:00 Jack: the equation starting on this next sentence. I'm Hermes. Okay. All right, Jehovah, I'm gonna go tell your grandfather right now what to do. Listen, Loi, it's very important that you add these couple of parts. Now. Loi tells him whatever it's like. Okay. I'm gonna make sure your grandson knows this. Jehovah. Listen, he said that, that one sentence, he's gonna talk to two people across time. And to him it's gonna feel consistent and linear to them. Not a moment past the moment you said links. Cristina: And then he sees a different person. Jack: Yeah. Cristina: Okay. Jack: And time has stopped over there. Cuz not really. He's just in the past and he's gonna go back to that same moment. Cristina: Okay. Okay. That's crazy. That's his ability though. Jack: Does his ability though super overpowered. And he can do that at any point in time, at any place in time? That's God. Cristina: That's ridiculous. Yes. That's good. I don't think there's anything above that. Jack: I don't think there's anything above that. Minus whatever exists in Alpha that we have no reference point for. Yes, but the realms we are aware of. Even elves don't touch this. Nagas don't touch this. Cristina: As far as we can tell. Jack: Yeah. It would have to be the theory of the simulation. And it would have to be that MAB is a programmer and only then, because then she'd have the ability to like deprogram the robot, shut off the Internet, whatever. Cristina: But she can't. So it's not that. Jack: Or she should. We don't know if she can. Maybe she is just one of the programmers at the big company. The company really owns the Internet. She just knows how to work. She's the best worker, knows how to do it. Okay, but she can shut it off and ruin the project and save the world if it got that bad. Stop things from getting out and just destroy the robot that they got into. Whatever. Try not to. Expensive project maybe. Whatever that might mean in that realm. Cristina: Yeah, you know. Jack: Anyways, that's the road that took us to where we are. It's just all random pieces, man. Cristina: But it makes somewhat sense. Jack: It is composed. It makes perfect sense. It is a rational, reasonable, thought out kind of. Our job is to ground things like we said. Cristina: And we did it. Jack: Yeah, we've been doing it like you said. We've been doing it the entire time we've been grounding things. And those are all examples of how we've grounded things. And we added some groundings to thumbs things in. Just by talking about grounding things, we just grounded some more things. Yes, that's how we do now. The problem with explaining to the listeners that we do ground things and giving them examples is that it took an hour to do so. So we never got to get to the notes. Okay, so next time we're definitely going to get to the notes. But this time at least we grounded some things. Cristina: Which is the point. Jack: Which is the point. The job got done. Cristina: The job got that. Jack: The job got done. Cristina: It always gets done. Jack: It always gets done. And if anybody came here from last week looking to hear the episode that was planned, you're gonna have to come next week to find out what that was. But we'll totally get to it next week. We're talking anyways, if you guys think that you have noticed in our current grounding of things. But no, about the Elysians and all that stuff. Anything that you think we. We didn't. A detail that checks out. Maybe we touched on it enough that you were like, oh, that made me think about that. Let us know. Send us your input, your ideas. Anyone who just jumped in is like struggling to comprehend the mess of we just talking about. I realized that the other day. I was thinking about like, what if you jump in and you don't go back? Cristina: That's good. Then we summarize everything. Jack: Yeah, but like, what the h*** is an elation. And what is the shadow mentioned? Cristina: All of that. Jack: No, I know we didn't clarify much of it. It was a lot of like. But then again, if they start here and they hear the next episode and then the next episode, you'll figure it out. It'll start to make sense. It doesn't matter where you start. Just enough. Yeah, about it. Anyways. Tell us what you think. Tell us what you know. You could do that on our socials at just Convopod, on Instagram, on Exxon, Facebook, on TikTok, Tick tock, anywhere. Cristina: Remember to subscribe, rate and review the show. Jack: Yes. And word of mouth. Tell everybody that we exist and that we're out here doing the Lord's work and grounding things. Bringing angels to the ground the way the Lord did. Cristina: We are the groundhogs. Jack: No, we are the groundhog. Cristina: I don't know. Jack: We hug angels from the ground. Cristina: Or our family. That's what we're gonna call them. The people that are listening. You guys are the groundhogs. Jack: Oh, my God. It makes sense because we're always grounding things. Cristina: Yes. Okay. This has been the Rambling Podcast. Take 01:20:00 Cristina: nothing personal and thanks for listening by. Jack: SA. Cristina: Podcast is hosted by Cristina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black. 01:20:53

Rambling 295: Real Life Pokemon

In the latest episode of our podcast, we embark on a whimsical journey to explore the question: what if Pokemon were real? This episode is a delightful blend of humor and thought-provoking ideas, as hosts Jack and Cristina dissect the implications of living alongside these fantastical creatures. The discussion kicks off with a seemingly innocuous topic—potty training. Jack recalls a conversation about how challenging it would be to potty train a wild Pokemon. Cristina agrees, pointing out that training any animal is hard enough, let alone a creature with powers and instincts of its own. This leads to a deeper exploration of the challenges of owning Pokemon as pets. Would you really want to catch a wild Pokemon? Or would it be better to raise a baby Pokemon to ensure it becomes a well-behaved companion? As the episode progresses, the hosts delve into the ethical considerations of Pokemon ownership. They ponder whether it is right to own humanoid Pokemon, drawing parallels to issues of race and speciesism in our world. "Are we just being racist and slave-owning these humanoid Pokemon?" Jack provocatively asks. The conversation raises important questions about consent, rights, and the nature of ownership in a world where intelligent creatures exist alongside humans. The episode also touches on the practical aspects of living with Pokemon. How would our homes adapt to accommodate larger Pokemon? What jobs would Pokemon have in society? From firefighting to healthcare, the hosts imagine a world where Pokemon play vital roles in our lives, contributing to society in ways we never thought possible. In a humorous twist, they also consider the absurdity of Pokemon battles and the implications of "chicken fighting" in a world where Pokemon are treated as pets and companions. Would we pay our Pokemon to fight, and how would that change the dynamics of their relationships with us? This episode is a rollercoaster of laughter and insight, leaving listeners to ponder the complexities of a world where Pokemon are real. It's a must-listen for anyone who has ever imagined what it would be like to catch 'em all in real life. Tune in now and join the conversation about the wild and wonderful world of Pokemon!

+Episode Details

Topics Discussed:

  • Potty Training
  • Humanoid Pokémon Ethics
  • Pokémon as Pets vs. Workers
  • The Reality of Pokémon Battles
  • Chicken fighting
  • Eating Pokemon

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Rambling 295: Real Life Pokemon Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling Podcast. I'm your host, Jack. Cristina: And I'm your host, Cristina. Jack: And this is a show where we ground humanity's most absurd and baffling ideas. And today I figured we would do this to the max. Cristina: What does that mean? Jack: We were having a conversation. I don't remember when, where, or about what, but at one point, one of us said, like, if Pokemon was real. And that stayed with me. I don't remember what the conversation was, and I'm sure there was an example in context, but I don't remember what we were talking about. So I don't know the example or the context. I just remembered, what if Pokemon was real? Cristina: That was on the podcast or that was. No. You have no idea. Jack: I have no idea. I have no idea when this happened, but in doing so, I really sat down and thought, no, it was about potty training. Cristina: I kind of remember this. I think. Yes, it was. Random conversation. Okay. Jack: Yeah, I think it was about potty training. Cristina: Yes, yes. Jack: I think it was on the show. I think we were talking about that meme that shows how weird it is to go to sleep. Like, a kid will go to sleep with their Pikachu, and it's cute and cuddly, but a kid goes to sleep with their Mochomp, and it looks like gay p*** or something. Cristina: I don't remember that. But that is creepy. Jack: Yes, it's weird. Cristina: It is weird. Jack: And I think maybe we're talking about a fox or something. Like, how annoying it would be to have a certain Pokemon as a pet. Cristina: I don't remember. I just do remember the potty. I just don't know how we led. What led to the potty training. Jack: Yeah. Cristina: But I remember bringing that up being like, that's the worst part. Like, I wouldn't want to have Pokemon because of that. Jack: Yeah, you couldn't get old Pokemon. You got to catch babies. Oh, you see, this is exactly. But before we continue, what I thought we would do today is basically what we're about to do right now, which is just makes, like, put Pokemon in the world. What would that look like? We're gonna make it real today. Our one and only goal is fitting Pokemon into reality. Their abilities work as they're described, and they are shaped the way they are described. But, okay, our world works the way it does. Now, how would these two things fit together? First, potty training was how this began. And that makes a lot of wild Pokemon. A problem. You can't catch an older, higher level wild Pokemon. Potty training. Cristina: That sucks. You couldn't potty train. If it's anything like an animal, you don't. It doesn't. After a certain age, it's just gonna keep doing what it's doing no matter how much time as you try to train it. Jack: Yeah. Cristina: Teacher what's right or whatever. Jack: Yeah, no, it's gonna. Yeah, exactly. It's just gonna do what it's used. Cristina: To because it's a wild animal. Jack: And in theory, you could train them to be able to. But it would be so much work. Cristina: Would be. I don't know. It's weird to train. I don't know. It's. It sucks training a regular animal to do potty training. Jack: And now you got this thing that, like, can you up. Cristina: Yeah. And you're going to tell them how to. How you use the bathroom. Jack: How do you discipline a Pokemon? You just got to approach with confidence, I guess. Cristina: I guess. Jack: Like, only certain people can be Pokemon trainers in the real world. Only some people. It's not going to be a million kids. Cristina: It's not going to be all the Pokemon. There's so many options of Pokemon that you just can't have. You just couldn't. Because you die being around them. Like, anything that has fire coming out of it, like, you couldn't survive with it in your house and then all that smoke. Jack: Yes, 100%. Anything that actually has fire coming off of it. But it doesn't mean that those Pokemon are useless. For example, think of people who deal with clearing areas so that forest fires don't affect major living locations. Those Pokemon themselves are very useful because they can just wander those paths over and over while other people contain the fire. Cristina: We'd have Pokemon that have jobs, but to have them as actual pets or whatever. Jack: Those could be pets, but I guess it could never come inside. And it would need to be in a specific kind of environment where they can be in your backyard without burning everything 00:05:00 Jack: down. Cristina: Yeah, but if you're in the city, you couldn't. You couldn't do that. Jack: Definitely. You're locked out of having a lot of things, But a lot of them are also unrealistic to just have in a city. Unless you're taking them to a gym. Like, they need to be in their Pokeball. Cristina: Yeah. Jack: Like, what the f*** is a Charizard? That's huge. Cristina: It's huge. A lot of things are too huge and dangerous. I don't know. I don't know how it could Work. Except that, like, have the baby and never evolve it. Jack: Well, the d. Well, no, everybody. Here's the thing. It's like an animal. If it's raised around people is my theory. It's not gonna hurt people. Cristina: Okay. Jack: I think that's definitely how it works. And a lot of them, if we look at. If we use some source material and think of, like, the way the shows show things, things tend to be what they look like. They behave in kind of ways as to what they're supposed to be. Cristina: Yes. Jack: So, like, the Tauros are at a farm. And that makes sense. They're basically a pet, but they're also livestock. And, like. Cristina: Yeah, so we'd see, like, the cow. Jack: Yeah. Milk tank would be there too, and it would make sense. And their purpose and abilities could be contained. And that person is an expert at controlling them. I. I could not tell you in a million years how to control a bull. I don't know. I couldn't tell you. But I know a bunch of farmers that do. Cristina: Yeah, they could, I guess. Yeah. But, like, what could you deal with? What could. Which ones can you deal with? Jack: Like, things that you could really. Let's say also like Machamp. Cristina: Is that his name? The guy with the many hands? Jack: Yeah, the four hands. Cristina: When does he get underwear? As a baby. He doesn't have underwear. Like, are you giving him underwear? Why don't you give him pants? Jack: He's a wrestler. Cristina: It's a wrestler 24 7. He has to be a wrestler. He's a man. Jack: There's a bunch of Pokemon with clothing. Cristina: Yes. You should clothe them. You should give them normal clothes for Pokemon type clothes. Like for dogs. You have dog type clothes. They should be the same with Pokemon. Jack: No, let's really talk about Machamp here or Machoke or whatever the crap this guy's name is. All three of them. Cristina: Yes. Jack: That's basically like a different race of human. Cristina: Yes. Jack: Like, it might say its name exclusively, but, like, come on, we do not own them. It thinks to the. Apparently most Pokemon think to the degree that a human does. Even if they can't speak our language, they think to the degree a human does. Cristina: Maybe like dolphins. Jack: Yeah. Yes, exactly. And then we have this. This one that already thinks like a human looks like, then looks like one. And it's like, at what point are we just being racist and slave owning slaves? Cristina: Yeah. I don't think we could own them. And also, they should just have their own society, like their own town. I don't know. Jack: Yeah, no, Machoke would definitely be just A species of people. Cristina: And we should give them clothes? Yeah, they. Jack: No, they could do whatever. We don't do what they do whatever the they want to do. Cristina: You think they're just choosing to wear. Jack: If they're. If they're gonna live in our society, then yes. But if they're gonna live in their own society, they could do whatever the they want. Cristina: Okay, so if they want to be naked, that's fine. Jack: Hey, if they're fine with it, I'm fine with it. Cristina: Okay. Jack: They got to do whatever because you. Cristina: Think they decided that. Jack: I don't know. I don't know. Cristina: When they level off the side. Jack: Yeah, I assuming. No. No. Because they all have the same underwear. It's just part of his body. Cristina: That's insane. Jack: Yeah. Cristina: How does that work? Evolution is weird because where is it coming from? Jack: It's not underwear. It's just skin. Cristina: Ew. Jack: That's in the shape of underwear. Cristina: Oh, okay. Jack: But he. It's just weird. Cristina: It's a human. Jack: Yeah, he's a human. Cristina: Yeah. And, like, there's other ones that are like that too, though, that, like, what do we do with them? Jack: A lot of the fighting Pokemon really are like. If you think of maybe not. I mean, he's still so humanoid. Hyp Lead is like, just really long legs, a big torso with no head, but, like, his head is his torso, kind of. And then arm sticking out of that. But also, he still thinks like a human. And again, he's kind of mostly humanoid. I think that would also just be a person. Cristina: I think so. And his baby form is his. His baby also. Jack: That looks like a human. Cristina: Like a little boy. Jack: Yeah. So all Hypno Hitmo. What is it? Hypmo Top. Hitmo Lead. Hitmo chan with a. The one before him. Those are people. They get to just be human, I think. 00:10:00 Jack: Yeah. We. That's illegal. That's slavery. Cristina: Which ones are okay to own? That seems wrong too. Jack: Animals. If you look like an animal, we're just gonna look. We do it to dolphins right now. We're like, f*** the dolphins. Cristina: Okay. Jack: So we're gonna use that same application. And it's. It doesn't matter if you're even smarter than us, okay. If you do not look like we do. Cristina: Okay. What about that? Talking meows. Does he get away because. Jack: Because he's talking. Cristina: But not. No other mouse. Jack: Yeah. And any Pokemon who can communicate psychically and it sounds like a human voice. Cristina: That's probably every psychic type. Jack: Hey, that's fair. If it is, it is. If it's not, it's not okay. That's totally fine. And that means that we can't have psychic Pokemon. Also. Those are dead people. That's mess up. Cristina: That's ghost. Although I guess we can't have. Jack: Yeah, no, you're totally right. So we can't have psychic Pokemon because those are just. They. They can't. They can break the illusion. No, they can break the illusion too hard. Yeah, they're just people and they're going to be letting us know they're just people and they can control our mind. Cristina: Yeah, that's dangerous. Jack: Those. Those are for weapons and other things. They have to live amongst us. Cristina: What about dark Pokemon? That's dangerous too. Jack: They're literally just evil. That is their defining characteristic. Cristina: So we can't have evil dudes. We can't have ghosts. We can't have. Jack: Because we couldn't trust the dark Pokemon. Psychic Pokemon 1. They need jobs with us. There are many things we could use them for. Cristina: Okay. Jack: And psychic are also like psychic. We don't want to have an issue with them. Cristina: Yeah. Jack: Yes. Psychic fighters that look human. Because there's fighters that look like weird. Cristina: Like what? Jack: Like a fighting tree. That's not human enough. Cristina: Wait, the tree is a fighter? Jack: Yeah. Is it a fighter? Cristina: The Sudo. Sudo. Jack: Yeah. Cristina: I'm gonna look it up real quick. We should have a picture of all the Pokemon because I don't know every Pokemon's name. Jack: Okay, so he's not fighting. He's Rock. Cristina: It's Rock. That is weird. Jack: That is an incredibly weird fact. Cristina: Fighting makes more sense. I mean, grass makes the most sense, but fighting would be the second option, I guess. But no, he's a rock. Jack: Well, let's see. Right now, which man Pokemon would be an issue in real life? The freaking monkey one. Primeape. That cannot. That's just a monkey. That's fine. Monkeys are kind of humanoid. But there's far enough. Cristina: We can have all the rats and the cats. Yes. Here's the problem. Jack: Here's a problem. I'm about to break out that illusion real hard. Because the problem comes down to the fact that today, apes. Today gorillas and s***, all your ancestors or whatever, Machop, Machoke and Machamp. Cristina: Are all. Jack: More human looking than every ape. Other than humans that exist today. That's how human that thing. It looks more like us than it does our own apes. That's how human that thing looks. That's just a person. Okay, you know, that's definitely just a person. Hitmo chan is just a person. And because it's related to Hitmo lead. Even then Hitmo lead looks like a person. Cristina: Yes. Jack: And Tyrogue is who you're talking about. Cristina: Who's Tyrone? Jack: The one that evolves into all three of them. Cristina: Oh, okay. It looks like a child. Jack: Then. Cristina: We have wearing clothes. Yes. Jack: The bird. The firebird. Doesn't actually have fire Firebird. A torchic that becomes combustion, then becomes blaziken. The Fighting Chicken. Cristina: Okay, but it looks human. She's a human wizard thing. Or her last. No, wait, no, that's someone else I'm thinking of. Jack: This is a chicken. Cristina: But it's chicken. Jack: It. It looks. It's just a fire. Cristina: Fire chicken. Oh, the fighting Chicken. Okay, Is she at the zoo? Where. Where did we put that at? Oh, that's a person, I guess. Jack: Yeah, that's a person. That's just a human. There's too many real human. There's Pokemon that are just gonna live amongst us. Also, the psychic with the ballerina dress. Gardevoir. Cristina: Oh, what about her? Jack: That's just a person. Cristina: Oh, yeah, but we already ruled out psychic. Jack: Yeah, we did rule out psychic. Cristina: Can't have pets. Yeah. Jack: Okay, so definitely. No exaggerate. Anything that looks more like us. Anything more human looking than a gorilla cannot be simple. Cristina: Okay. Jack: Anything. Cristina: There's still a lot left over. Jack: Yeah, there's a lot left over. 00:15:00 Jack: There's a lot left over. Also, we couldn't have things indoors that are obviously going to destroy the indoors. Like you said. Pokemon that have, like, fire. Pokemon that actually have fire coming off of them. Cristina: Yeah. Are there some poisonous Pokemon that, like, if you touch them, they poison you? Jack: Yeah, yeah, yeah. There's definite Pokemon that are just truly dangerous to have unless you know how to handle them. Cristina: Okay, so we can't have poison types. That rules out. Yeah, we're slowly ruling out a bunch of types, though. Jack: Well, it depends on the poison type. You're not just gonna get poisoned by touching all of them. Cristina: Yeah. Okay. Jack: But here's another thing. We'd be eating Pokemon. And people don't think about this. Cristina: Maybe we just eat their eggs. Jack: We're still human and we're gonna eat Pokemon. No, that's just gonna be a reality of life. It's weird again when you think about how sentient these beings are. Cristina: We're gonna eat them, and we're just gonna eat them. Which Pokemon can we eat? Jack: We can eat Milk Tank as a different kind of cow. Cristina: Okay. Jack: You know, we can eat. Except we're not going to because it's humanoid. Cristina: That bird. Jack: The bird. Cristina: Well, baby ones, maybe. Jack: We could eat baby Ones? No, but that's their children. It's weird to us, but they're going to end up humanoid. Cristina: What if they like to eat their children? Jack: They can do whatever. Cristina: Oh, they can do it. But we can. Jack: We're not going to eat their children. But humanoid Pokemon are definitely out. And because of that, we don't eat that chicken person. But we can eat. We can eat anything that's. Do you know anything that's an animal, like a gorilla. Obviously the society approves of. We're not going to eat like the elephant Pokemon. Cristina: Who wants to eat a Pokemon? No one wants to eat a Pokemon. Jack: People are going to eat Pokemon. It's just going to be normal in society to eat Pokemon. Cristina: I don't know. That's really tough, I guess if Pokemon are already normal. But if they came out of nowhere. Jack: No, this is if they were normal. Cristina: Oh, okay. Jack: This is if they were normal, but society somehow evolved the way it did today. Cristina: Oh, okay. Jack: How would they fit into the current structure? Know based on how they are? We would be eating some Pokemon. We'd definitely be eating some Pokemon. We would have been eating Pokemon our whole lives. Cristina: How many people would be doing Pokemon? Jack: Oh, my God. I think a lot of people would be Pokemon. Cristina: Like. Jack: Also, is Mr. Mima made to Ash's mom? Cristina: I don't know. He's a person. I don't know. Also, he's psychic. Jack: He is a person and he's psychic. Okay, fair enough. You can't animal Pokemon. So you could. Your Machoke. Cristina: Yeah. Okay. Jack: You could. You could actually. That Pokemon. That wouldn't be illegal. It has to be consenting or a trade. Cristina: Okay. Jack: It has to be consenting or a trait. Cristina: I don't know. Jack: But hey, whatever you're into, man, you get to your. Your humanoid Pokemon. Cristina: Thank you. I think I rather eat them. Jack: You rather eat them? A choke? Cristina: No, I rather do nothing with one. I don't want to look at one. Jack: Yeah, Machoke is pretty awful looking. Cristina: There's some Pokemon I just don't want to look at. Jack: So then humanoid Pokemon would have all the rights. Humans do, basically, right? We're gonna let them vote in their elections. Unless they're acclimating to us. You said give them their own place. Cristina: No, that doesn't make sense. Because if it was there, they're with us since the beginning of time. It doesn't feel right to just separate from them. Jack: I mean, we could have been raised separately, different kinds of. But also there'd be places where people, humans and these different civilizations live together. Cristina: I guess you know, so you don't think it's everyone everywhere. Jack: There's many countries you can go to that are just one. One race. So there's probably a bunch of places that we'd be able to go to that are just one species. But there'd be places we can of humanoid, and there'd be other places we go to where there's multiple species of humanoid. Cristina: Okay. I guess. Jack: Think about how dark the reality is in Pokemon that they really are enslaving these things. Cristina: Yes. I don't know. Yes. Once you put something in the computer, I think that's really sad. Jack: Yeah. You just soulless at that point. Cristina: Yeah. Like, it's worse than just having them in your ball because you know at least it's gonna come out eventually. No, they don't even exist in your computer. That's it. Jack: Yeah, they just exist in stasis. Cristina: Yeah. Like, when are you gonna look at that again? It's lost forever. Jack: So then, which Pokemon would make 00:20:00 Jack: excellent pets? Cristina: Dogs and cats. Normal types. Jack: Fair enough. I think this is the moment where. Well, you couldn't have it as a pet. It would be like your clefairy. It would be your clefairy. Cristina: What, the adorable. Jack: No, Persian. You can have it as a pet, but it could be your roommate. It could be your family member. Cristina: It could be your family. Why would it be your family? Not your blood, but cat. Jack: It's literally a cat, but thinks like a human. Literally. Cristina: Do they not all think like humans? Jack: You think cats think like humans? Cristina: No. You're saying. Oh, so you're saying only Persians. Jack: Oh, Persian isn't psychic. Cristina: No, it's not. Jack: Oh, it has psychic moves. Right. Okay. No, you should definitely be able to have Persian as a pet. Yeah. That cat. Yeah. No, that's a pet. That's a pet for sure. Cristina: All the animals besides the psychic ones and the dark ones and the ghost ones. Jack: Yeah, the ghost ones, because those be dead people. And dead Pokemon, the. And that's f***** up. The psychic ones because they can prove their humanity. The humanoid ones, because that's just f***** up. And the dark ones, because we can't ever trust them. They're literally evil. That's the point. Cristina: Yes. And you can't get older Pokemon as pets. Jack: You can, but you have to know what the h*** you're doing. Not everybody can have an older Pokemon as a pet. It's like getting an older dog or some s***. That's just a person with problems, especially if they're a wild person who's lived outside their whole Lives. Cristina: That's insane. Jack: Yeah, I guess. Fair enough. I guess. That's not a person. Interesting. Cristina: Why? Jack: Because it's not. Think about it. Cristina: It's a wild animal. Jack: That's a wild animal that wasn't raised with people that was raised out there not thinking thoughts like humans. Cristina: And there's like, come on. Animal shelters. Like, for wild animals to be killed. Jack: There'S probably gonna be. Cristina: Oh, I guess. Jack: But think about it. I never thought about this. It's like if, like an indigenous person out there or something wild and savage, except they're one of us now. What would be the difference between one of those indigenous people? If they looked like. If they were all gorillas but the behavior was identical, we would say that that's not behavior that reflects us at all. That's animalistic behavior. Simply because they're an animal. Cristina: Mm. Jack: Even if they were doing exactly what they're doing every time they see us now. Except they worker at us. Cristina: So which Pokemons will those be? Just wild Pokemon. Jack: Those would be wild Pokemon. Cristina: Okay. Jack: Wild Pokemon outside. We would just. Because they're behaving, unhuman. Those are not people. Cristina: So then we can't have old. But you said we can. Jack: People who understand how to train them perfectly fine. But I'm saying wild Pokemon trained out there would never compare to a Pokemon, like, raised indoors or whatnot. Raised around people. I think the ones that are humanoid are only humanoid because they were raised around humans. The ones that have those thoughts, not physically. Cristina: Okay. Not the physical, because they're naturally just. They look like us anyway. Jack: Yeah. Cristina: Okay. Jack: But if one of those very ones that was very humanoid lived in the wild and acted like a savage, we would still protect it with the laws of humans. Because our laws are going to dictate anything that looks more human than the gorilla. We just like, they're like savages. That's it. But they're people. Those are people. They look too much like us. Cristina: I feel like there's still so many Pokemon we cannot have. I feel like a lot of Pokemon are bigger than we think they are. And that's a problem. Jack: But then again, people, you know, really filthy rich people would have made homes capable of housing some of these. Cristina: Yeah. Like even just like the Persian you were talking about, like a normal apartment can't hold a. Jack: No. That's like the size of a casual, like, small, big cat. Cristina: Yeah. You need space. You need a lot of space. Jack: Yeah. We would need so much room. An average size apartment wouldn't house like. Cristina: A Pidgeotto or Pidgeot. Like those things are huge. Huge. Jack: Huge f****** bird. It couldn't open it with swings. Cristina: Yeah. Jack: Like your house to that fully evolved human sized bird is like a birdhouse. 00:25:00 Cristina: Yeah. So, like, I don't understand, like, you can't. A lot of these have to have their own home or live in your backyard or something. Jack: No, you gotta understand that homes would have simply changed, okay? We would have adapted with them. Cristina: So we wouldn't have apartment buildings. Like, how would the city look if it's filled with Pokemon? Jack: Ceilings would be really tall in every home. Or, you know. No, not every home. Because again, it would still be up to who can afford to house these things and feed them. Cristina: Okay. Jack: You know, the bigger, the more you gotta feed it. If it eats, I guess there's some Pokemon that don't eat. Cristina: There's Pokemon that don't eat. Jack: Pokemon that aren't even like living things more than they are like sentient things. Cristina: You can't have those as Pokemon, can you? Jack: Like, I'm sure you can have like, if like Sudowoodo. Cristina: He's a rock stick. Do we. Can we have him? Jack: I guess you could have him as a pet. As a Pokemon. Catch him if you want. I don't. What's the difference between owning and having it? Cristina: No, you own arms, legs, a face. What makes him not human? Jack: He doesn't look. He looks like a tree, not like a human. Cristina: Okay. I don't know. He's a weird one. Jack: You gotta look human, okay. Not just be standing by people. Cristina: Okay. Jack: Because then like Charizard could get in. Oh, yeah, that's just. No, no. But. Lost my train of thought. Which Pokemon was I trying to think about? Cristina: I don't know. What Pokemon were you trying to think? Jack: I have no idea. But no. The freaking bird. The houses would have adapted. Yes, the houses would have adapted to the size of Pokemon. So people who like, let's say damage is you can't own a metagross. But if you wanted like a giant alien looking spaceship, right? You want a giant alien looking. There you go. Another. But those things. Well, no, that's way smaller than the metagross. But gross is the example for a reason. Cristina: Okay. Jack: Because it's huge. Yes, but like, if you're Elon Musk, you probably have a giant. The biggest you could find. Cristina: Metagross. Jack: Metagross. It looks like an alien spaceship and it's the size of a building. And then he rides it around his like SpaceX facility. Cristina: Horrifying. Okay. Jack: You know, it walks him from one building to the other. Giant Spider thing. Cristina: We keep the lights off and it's crawling with its bright red eyes. Oh, my God. Jack: And it could float. Cristina: Horrifying. Oh, my gosh. Even scary. Jack: It probably would have been what inspired him to create most of the space stuff at that point. He'd be talking about his weird alien spaceship Pokemon. Cristina: Except that that guy is psychic, so he can't actually can't. Jack: You're totally right. Cristina: But that could be a co worker or employee, whatever. Jack: You're totally right. And man, there's so many. There's so many Pokemon. It's weird. But yeah, adopting Pokemon would have to be way considered. I'm sure they'd be like, man, it'd be weird because, like, rich people would be going to adopt like. Like adoption agency. Cristina: Yeah. They'll be in the global trade thing with all the Pokemons putting. Getting all the IVs. 31. Like finding the perfect expensive Pokemon. It wouldn't just be any Pokemon. Jack: Yeah, no. Cristina: They'd be looking for the beginning, the shinies. Jack: Yeah, they'd be collecting shinies. They'd be looking for the strongest, best Pokemon they could find. Wasting all their money on maybe the Alphas. Cristina: I don't know. Jack: But that's different. Them buying that versus going to, like, because you. They could buy a normal Pokemon. They can't buy a humanoid Pokemon. They got to go to a foster home. Cristina: Yeah. Jack: And then when they go to a foster home, they're shopping between humans of different races and literal different species of humanoids. Cristina: Okay. At the foster home. Jack: Look at this human baby. Oh, look at this cute little machoke. Cristina: Oh, my gosh. You're deciding between those two. Oh, okay. Jack: Yeah. Think about how white people will sooner adopt a black or Asian kid to kind of check off their diversity box or whatever, instead of another white person who's equally in need. It's the same idea. There would be more options of species to adopt. Cristina: Okay. But normal person would not be adopting. They would just be finding them. I don't know. Jack: What do you mean a normal person? Cristina: Like, would we have Pokeballs in this 00:30:00 Cristina: society that's grown up with Pokemon? Jack: Yeah, we would still have Pokeballs for sure. Because we would also need, like, some of these Pokemon aren't having jobs, they're animals. Cristina: Because then we'd be catching them the old fashioned way. Jack: Catch them the old fashioned way. Like, we're not gonna. Like, we catch. I'm sure people go catch as well as breed. Ataros. Cristina: Mm. Jack: That's just a bull. Cristina: Yeah. This is a pretty cool bull, though. But. Yes. Jack: Yeah, but Then they catch this bull in their little Pokeball Majiggy. As well as freedom. Whatever. You're not a human. Cristina: It sucks. We can't have ghost Pokemon. Jack: Why these dead people? They're ghosts. Cristina: Why are there so many ghost Pokemon? I look so cool. Jack: If you had non Pokemon plants, you would want in your house a water Pokemon. Cristina: If you had non. Jack: Non Pokemon plants. Plants that aren't Pokemon. Cristina: Oh, okay. Jack: You want a water Pokemon living in your house. Cristina: Okay. But if you had a plant like Pokemon, would you not still want a water Pokemon? Jack: That's weird. How would one help the other? Cristina: I don't know. Because it's still a plant Poke. I mean, the Pokemon that's a plant still needs water. Jack: That's a weird relationship. Cristina: You give you water from the water Pokemon. Or would it still be seen as an attack? No, I don't know. Jack: No, they can control it. Cristina: Yeah, like, can't he just spray him with water and he just drink it up the way plants do? Jack: Mad kinky. Okay, assume the one who's doing the water spit spitting is the. The humanoid Pokemon with the spinny thingy on his body. And then assume that the other receiving end Pokemon is the flower that looks like a. A sexy lady or whatever the. They're going for. Cristina: Sexy lady flower. Jack: It's like a lady plant thing. They're definitely trying to make her look like she's a hot to. Kind of like that annoying rabbit. Cristina: Annoying rabbit. But the sexy flower lady, not flower. Jack: It's like some plant or some crap. I'm not entirely sure what it is. Let me see if I can find it. Cristina: And it's not. It's not bell awesome. Ryan P. She does not look sexy. She's just cute. Jack: It's the thick one. There you go. The thick one. Cristina: Oh, Rose. What's a ro. Red Roserade. Jack: Roserade. Cristina: Yeah. Jack: Okay, so sure. So it's that buff bro looking thing trying to in this case, squirt its water onto this lady looking thing. And those just happen to be the two Pokemon that you own. That's weird. Now also, I think that Pokemon should be excluded because she's too humanoid and he's too humanoid. They're kind of allowed to do whatever they want. Cristina: Okay, so if he does want to give her water, it's not wrong. Jack: It's not wrong. Cristina: You can't tell him to give her. Jack: You can't tell him. That's. That's abuse. You can't tell him to do anything, especially not to give her water. Cristina: But there's how many flower looking Plants are okay to have. She's not okay to have. Jack: She literally looks like a chick. If you look like a person, that already exists. Cristina: Bellossom, that other choice. Is she okay? She looks like a little girl. Yeah. Jack: Blossom's in a sketchy area, you know, because it's like. You look like a flower, too. Like, a lot. A lot. But also you kind of look like a person. Cristina: Okay, but gloom is okay. Jack: You. Yeah, you get. Gloom is just a creature. Cristina: So if you're lucky and you evolve into something that looks humanoid, you're okay? Jack: Yes, 100%. You just lucked out by evolution. But the problem is, then your whole lineage must be protected so that you can get to where you're going. So I guess we have to weigh some of these. No, Blossom, because she looks so much like a flower, she's excluded and will just be a Pokemon. Cristina: Okay, so what if I want my Bulbasaur to water my. Whatever, my Bellossom? Jack: Well, that's just a turtle. That's an animal. You can get it. Do whatever you want. Cristina: Okay. So you can water her. Jack: You can water her. Cristina: Okay. 00:35:00 Cristina: And it's not wrong. Jack: And it's not wrong. And it's not weird or rape. It's nothing of the sort. Cristina: I'm just trying to water my plant. Jack: Criminals would also have preferred Pokemon. They probably opt into. And we would see this in a lot of places. Regions would have regions, jobs, different. Everything. Everything would have specialized Pokemon, you know? You know, think about how easy it would be to have power plants if you have electric Pokemon working there, generating electricity themselves. Cristina: And steel Pokemon, will they help? Jack: Probably for building things. Maybe they can pull really exaggerated loads of weight. Interesting. Interesting. Cristina: Well, then, if they would be helped like that, I guess Rock Pokemon, too. Jack: Yes, but also psychic Pokemon would literally be your employee at that time, moving things with their mind to help you build and lift even more. Cristina: They're way more helpful in, like, working with us than actually being pets. So I don't know if we should have Pokemon as pets. I think we'd do more if we were just like, let's work together and build and stuff. Jack: But, like, a fire dog is still a dog, you see. Like, it doesn't work anymore because you. Cristina: Can'T do anything with a fire dog. Jack: Yeah. Like, what the h*** are you going to do with a fire dog? Just treat it like a dog and. Cristina: Except you can't have Houndoom. Oh, man. Oh, he's evil. Jack: Yeah, he is. Cristina: He's just an evil dog. Oh, no. Jack: But our canine is a fire dog. Cristina: He's humongous. Jack: You couldn't. You could never. You could never have some of these cooler looking Pokemon in the real world. Cristina: Exactly. Jack: You would really. Cristina: You could have the baby version. Jack: You would have him on a farm. Cristina: Yes. Jack: He's like a giant. He's giant golden retriever. Cristina: Yeah. Jack: And he's like a good 10ft tall. Well, sometimes. No, realistically, he could be like six feet tall on all four. Cristina: That's crazy. Jack: And that's huge. That's monstrously big. Cristina: Ridiculous. Jack: That's so inappropriately. But think. He's so. His fur is so cuddly. Cristina: Yes. He would feel like you could probably ride him around like neck like. Like your little dog or dogs. I don't know if people sleep with their dogs on their bed. Jack: He would be the size of your bed laying down. Cristina: Yeah. It's adorable. Jack: He would be the size of your bed. Cristina: He would be your bed. Jack: He would be your bed. Yeah. You could sleep on top of him. You wouldn't need the bed. Throw a blanket in on the corner of a room or something. He lays down and then you go and lay down on top of. Cristina: Oh, he's too huge though. Ridiculous. There. There's too. I don't know what Pokemon. Jack: All the small ones are easy. Like you could have a Pichu. Cristina: Okay, well then when it becomes a raichu. How big is that? Right. You. Jack: No, you choose not to evolve it or you gotta let it out. Cristina: Okay. Jack: Because that's pretty big. Well, then again, it says no, but that's just smaller than humans, so. Cristina: Right. You. Jack: Yeah. Cristina: Do you know what? What? How tall does it get? Jack: Three feet. Cristina: Okay. Jack: It's not that bad. Cristina: Okay, I guess. Okay, that's not bad. Jack: It's not bad. Cristina: But like a rat attack. That thing is huge, isn't it? Jack: It's still not like a human height. Cristina: Oh, how big is it? Jack: That's also like three feet. But then you can't have like Really? A Charizard is hard. A Blastoite is hard. These like giant Colossal Pokemon. Cristina: Charmeleon school. Jack: But he's on fire. You can't have that in your house. Anyways. Cristina: Charmeleon. No, I guess Charmander either. Bulbasaur is okay. Jack: Yeah. Squirtle. You can have most starting versions of Pokemon in your home, but it sucks. That's why you gotta get the out of the house if you want to be a trainer. Right. Because, well, you can have a bunch. And a bunch of them are going to get huge and you're not going to have that here. Cristina: So just gotta be A bunch of babies. Jack: They gotta be babies. You can't let them evolve because it wouldn't fit in your house. Cristina: Yeah. Jack: So you put them in a computer. Cristina: No, that's the worst. There's no computers. We did not invent the computer. Jack: I promise you. We would have invented the computer too. Cristina: No, that's the worst. That makes no sense. Jack: No, I'm sure they're keeping humans in that prison too. Cristina: It should be illegal. That's the prison. That's just a new prison system, is a computer. We don't have prisons. You just go into a computer. Jack: Well, no. Yeah. When we make that a prison for the humans. For criminals who are humanoid. Cristina: Okay. But actual humans. Jack: Well, humans too. Cristina: Okay. So then we would 00:40:00 Cristina: have to. Jack: Well, we are humanoid. Cristina: Exactly. So we're getting rid of the prison. Jack: Yeah. And putting us in computers that simulate our misery or whatever. Cristina: Okay. We're gonna make the Matrix. Jack: Yeah, we're gonna make the Matrix. I'm sure the Matrix is what's happening inside of a Pokeball. The Matrix is what's happening inside of Pokeball. No. Or is a state of not being. Is there nothing going on inside of a Pokeball? Because then it doesn't work as a prism if you're just not being and no time passes for you. Cristina: Like, I don't know. Jack: I think that's maybe what's happening. Cristina: I don't know. Because they don't act, like, horrified when they're out, like, how much no time. Jack: Has passed for them. Cristina: But when they realize time has passed, shouldn't that be horrifying the first time it happens? Will they be used? Like, how are they used to it? Jack: They're raised that way. Cristina: I don't know. Jack: That's why it's easier to catch younger Pokemon and harder to catch older ones because they're freaking out. The younger ones are like, what the f***'s happening? The older ones are, f*** that s*** up. Cristina: Okay, then that makes a little more sense. They're like, no, I don't want that. I know what's gonna happen. Jack: No, they don't know what's gonna happen. Cristina: Because they've never stayed in it. I don't know. It still doesn't make sense. No, no, no, no. That's horrible. Jack: Now, I have a note here that I find is funny because I was trying to think about the battling, and then next it. It just says, like, chicken fighting. Cristina: Like chicken fighting. Jack: That's basically what Pokemon battles are when you're doing it just for s**** and giggles, I guess. Cristina: Should we be throwing money in it. I guess we do throw money in it. Yeah. That will still be chicken fighting. Jack: It's chicken fighting. It's chicken fighting. We're enslaving humanoids and forcing them to fight. Like hobos for meat or something. Bro, what is happening in Pokemon? Cristina: I don't know. I mean, what if we split the money with the Pokemon? Would that make it more fair? Jack: You're making them fight for it and you're just taking what they earned. What the. Are you the fight handler? Yes. I guess you're just a fight promoter. Cristina: Yeah. Like when you have. You gotta battle with three Pokemon at the same time, you gotta help them decide what's the best. Jack: Why would they need. Cristina: I don't know. They need help deciding which move to make. Okay. Yeah. They would just stand there getting hit if you didn't tell them. Hey, dodge that hit. Jack: Yeah. No. 100%. It appears that all Pokemon have no sort of sense of drive of any sort. And they have a crazy sense of indecision. Cristina: Unless they're wild. That's the only time they know what to do. Jack: That's weird. We made them dumb. They're pugs. They're like pugs. Cristina: They become pugs once we catch them. Jack: They're just dumb and. Well, no, if they raise that way, because wild Pokemon that you do manage to catch sometimes still do whatever the they want because they know what to do. That's true dog life. Cristina: Okay? Jack: We make them dumb. We catch them and raise them like a stupid animal. It's like the difference between raising. Just bring a wolf home when it's a baby, raise that wolf, and then tell that wolf to go meet the wolves that grew up outside. They're gonna be like, you're retarded. Cristina: You can tell that wolf that you're retarded. Okay, yeah. Jack: You're dumb. You're dumb. Cristina: And that's why they need us to fight. And that's why dividing the money makes sense. Jack: Well, no, because those slaves don't get money. And those slaves are pets. They're animals. Cristina: There's no slaves. What are you talking about? In the game, sure, I guess they're slaves. But in ours, you wouldn't have. Jack: Machoke would not be fighting. No, he would have Pokemon he's using to fight. Cristina: Yes, but he would be splitting the money with those Pokemon. Jack: Why? Those are animals. You don't split your money with your horse now just because it's. Who pulled the people. That was your money. All you do is buy it. More hay and food. Cristina: Fighting is illegal. Isn't It. So we can't just have our Pokemon fight each other unless they're getting something from it. Jack: So is your argument that if we paid the chicken, it would be legal? Cristina: Yes, it would be more. Okay. Jack: Is paying the chicken the way to bring back chicken fighting? Cristina: Yes, I think so. Jack: Because it's not illegal chicken fighting. It's emotional chicken. Cristina: Exactly. Now he has a job. He's feeding his family. Jack: It's the logic behind p*** which is legal. Yes. Yes. A hundred percent. As long as it's being recorded. Yes, it's fine. Cristina: And they're getting paid and it's all. Yes, there are rules. That's how it works. I don't know. Yeah, 00:45:00 Cristina: it doesn't need to make a hundred percent sense. Everyone just has to agree to it. Jack: But in poor countries, people would still be chicken fighting. Pokemon fighting. Cristina: Yeah, they'll just keep the money themselves. Jack: Yeah. Cristina: Okay. Jack: But then, because they're animals, we're not Pokemon fighting. Basically, there's just like, ufc and Machoke is whooping a** like he's a Brazilian or something. Cristina: Well, no, because he wouldn't be fighting. He'd. Have you said he would be having Pokemon to fight? Jack: Well, no. UFC is just humans. Cristina: Oh, okay. So he can fight in the ufc. Yeah. Jack: Be fighting humanoids. Because he's not a Pokemon. That's where he would fight. Cristina: Yes, but maybe they'll have, like a class for every Pokemon or something. Class, too. He's. That. He's gotta be way heavier. Jack: He literally has powers. Cristina: Exactly. Although he probably can't use them. Jack: Oh, no. Cristina: But he's technically probably a wild Pokemon anyway. So he should be able to use it because no one owns him. Jack: No, he's just a person. Cristina: Exactly. So he should be able to fight like a wild type Pokemon. Jack: Well, that's not like a wild type Pokemon. It's really because he developed a sense of identity. We trained our Pokemon to do whatever we wanted to. Cristina: Yes. Jack: And we told them what to do, and they just do it. They're like dogs. Cristina: Yes, because he's not. Jack: He was raised. Yeah, but not because he's wild. Cristina: No. Jack: But rather he was raised like humans. You just do whatever you want, and I just do whatever I want. I didn't raise you to do only what I say. Cristina: Yeah. So, okay, then he. Yeah, he would just a person. Be able to fight. Jack: Yeah, he could easily go fight and he would just know what to do. Cristina: Okay. Jack: Probably no more than four moves. Cristina: Why do they only know formulas if. Jack: I think it's just up to the trainer's crappy Memory, Really? Cristina: Okay. I guess. Yeah. Like, some people probably just spam two moves. Who knows? Jack: Yeah. Like, you don't need a thousand things. Do the same four things over and over. Cristina: You'd be fine. Jack: Yeah, but so then UFC would have. Yeah. Divisions for. Because you couldn't. You couldn't realistically fight. You would die. Yeah. They got powers, man. So they would have to fight only their own, in their own weight class. There would be so many different species classes and weight classes within the species classes. Cristina: Yes. Jack: Whoa. UFC would be amazing. Cristina: We'd be tuning too much. We wouldn't be able to watch every episode. No, no, no. Jack: The crazy fights all the time. It's dope. And to be crossover things when possible, things that kind of scale, because, like, we're assuming all Pokemon that are no longer going to be referred to as Pokemon, but the humanoids would be stronger than, like, the heavyweight classes. Right. They're just way over that. So they would be exciting to watch like that. Like, just way over the scale. We're like, oh, heavyweight match. Cool, dope, crazy fight. But, like, macho fight. That's like. They could hit like a train. He could literally hit, like, if he was a train, and he's gonna hit another thing that could get hit by a train and be fine. Cristina: Yes. That's crazy. Jack: Like, that's way higher up of a weight class. Cristina: Yes. Yes. That works. Jack: That works. And I'm sure that there'd be infestations of Pokemon rats. Rats. There would be rat attackats everywhere on everything. They would be. No. Here's the f****** problem, dude. Birds would just stop. There'd only be Pokemon. There'd only be flying Pokemon. There wouldn't be birds. You know how big a feral Pokemon is? Even small Pokemon are huge. Cristina: Yeah. Jack: They're gonna eat all the birds. Cristina: Bugs would still be around. Jack: Bugs would be a problem. Cristina: Like human. I mean, not human bugs, but, you know, non Pokemon. Jack: Yeah. They'd be hard to get rid of. Cristina: Well, Sylvia, I think. Jack: But Pokemon bugs are going to be an issue. Cristina: Yes. Jack: If you don't like bugs, that's nightmare world to live in. Cristina: Especially, like, a hive of beedrills. How horrifying is that? Jack: You die. One stings you, you die. If you're human. The size of that bee. Cristina: Because, like, beetles are humongous if they have to. And they have that Pokemon that's like a queen bee, too. Like, are they living in hives? How big is that hive? That queen is kind of big. Those babies are kind of big babies. They're like. They're like Pikachu size, but they're still. That's a baby bee. Jack: No. Yeah, I know. We're talking that this bee is easily seven feet tall. Cristina: And then. Jack: Hives of these things. Cristina: And then how much is in a hive? Like, of hundreds. Hundreds of these tall beings. Like, they're living. It's probably like a tower made of honey or something that we just see. Jack: And 00:50:00 Jack: building. Cristina: That's where they are. We're gonna keep away from that. Jack: Yes, it's a building. But then again, those things are so big that either it's away from civilization out in the woods somewhere, which. Cool. Cristina: Yes. Jack: Or they're also just kind of living to a humanoid degree mentally, because they're so huge. Like, we can't stay out of each other's way. Then you just raise yourself around us, and then you're like the machoke. Cristina: Yeah, but they just have their own thing. Jack: Yeah, yeah, yeah. For sure. They can make their own home. Cristina: Horrifying still, because they're huge. Too many are too big. Jack: Too many, man. There's. Yes. All of the above. And that applies to so many Pokemon. So all these humanoid Pokemon would have to learn how to use money. The ones that lived in our societies. Cristina: Yes. And that's why we're paying them to fight each other. Jack: Well, they're just fighting the way humans are fighting. We're not paying the animal Pokemon. No, no. Cristina: So no chicken fighting. Jack: Only humanoid Pokemon get paid. Cristina: Okay, and those aren't Pokemon. Jack: They're just humanoids. Cristina: Yes, but we can't make our Pokemon fight each other. That's illegal. Jack: At least in this country. Okay, but there are countries where it's not. Cristina: Okay, but here, no. Jack: Here, no Pokemon fighting. Cristina: No Pokemon fighting. No battles. Jack: But the battles are going to be happening in third world countries for sure. Cristina: Okay. Jack: And on top of that, there's gonna be intentionally humanoid military operatives and animal Pokemon weapons. Cristina: Okay. Jack: Yeah. Armies of fire Pokemon running into enemy territory, using their fire ability to burn things down, being directed by humans and humanoids. Cristina: Mm. That's crazy. Can we do that? Jack: War would change so drastically. We literally have powers at this point. And there would be issues all the time. The moment somebody got a whiff, there's a. There's a legendary Pokemon with insurmountable amounts of power. Like a lot of countries, it's a race to the moon. Every time we hear about anyone about a legendary. Cristina: Yeah, yeah. Jack: Every country. Every country. Everybody. Cristina: I don't even know, like, these legendaries, they live in their own. They can make their own home outside of Earth. Can't they? Jack: Like, some of them. Cristina: Some of them are earthbound. Jack: Yeah. Like the ones that. Like the giant whale and the dino thing, like, the water and ground, those. Cristina: Are too dangerous to even be next to. They're huge also. Jack: Yeah. They cause tsunamis and earthquakes. Huge. Cristina: That's gonna be a problem. How is this not gonna turn into an apocalypse? Jack: Well, it would have been normal always. Cristina: Okay, that seems really dangerous. Jack: It would have been normal always. Otherwise we would have never gotten this far. If it was apocalyptic, we would have just never existed. Cristina: Okay. Jack: But we've made it here. Except society works with us today. Cristina: Yes. And we're only able to have some Pokemon test, but very few, so we'd. Jack: Have a lot more citizens. It's just weird. But then again, it's weird to think about, oh, there's a bunch of wild Machoke, but also, like, there's a bunch of wild humans. Cristina: Yeah. Jack: Just out there being human. Cristina: Yeah. Jack: In the wild. Cristina: I mean, Macho will go to school with us and have jobs with us. Jack: Yeah. Cristina: 100. Jack: Even if they can't say anything but their own word. No, they would learn. I think they would learn because Meowth proved that. Yeah, he just practiced. Cristina: Yeah. And there's no reason why he would learn English from saying meow all the time. Like, if he can do it, they can all do it. Doesn't make sense. Jack: The police would be racist to other humanoids. 100%. Cristina: The police. Yeah, human, please. Jack: Oh, human police is gonna be racist to humanoids? To be fair, even if we let them into our society because they're humanoid, we would still treat them like lesser people. Cristina: For fact, even if they spoke English. Jack: Even if they spoke English. Cristina: I guess. Jack: It would go like this. White people treat everybody like crap. Then black people are gonna treat everybody. They're gonna be cool with the Pokemon, but not cool with the white people. Cristina: And then. Jack: How would this break down socially? Because it's. What 00:55:00 Jack: is it? The minorities? No, I guess it. No, it really breaks down to the following. The Pokemon that behave like white people will side with white people. And the Pokemon that behave like black people would side with black people. And the Pokemon that behave like middle. Like there's Middle Eastern behaving Pokemon. Cristina: Okay. What? Jack: Yeah. And racism would distribute itself like this. Cristina: You're saying there's Pokemon that act like different races? Jack: Yeah, there's Pokemon that have, like, racial biases attached to them. Some of the psychic Pokemon, if you look at Alakazam, always doing very Indian poses and always dressing in, like, old, ancient, wise India man or Chinaman, who knows? So he's this very specific area. A cliche character of it. Even how his eyes are formed, all of it is a giant cliche of this region. The people from those regions would be fine with this Pokemon, and they would prefer that humanoid Pokemon over some other humanoid Pokemon over, like, a Machoke that just looks like an American. Cristina: He looks like an American. Jack: He's too beefy. He's been eating too well. Cristina: Okay. Jack: You know. Cristina: Yeah. Jack: And we would prefer Machoke to Alakazam just because we're racist. Cristina: Okay, that makes sense. Jack: That would happen to all Pokemon that are humanoid. We would just racially align with more of them or species. Ly. It would still be racially. We would still have race that crosses boundaries within these collectives, because species is not race. Cristina: So are you gonna. Jack: I guess culture is what we're talking about. Cristina: We're calling them. But are we gonna be calling them the race or culture that they're a part of? Jack: I guess we would call them. Interesting. That's weird. I guess we would be calling them part of the culture that they're part of. It's weird, right? Because you can be a Alakazam from India. You're Indian just because you're from India. That's also part of not just your nationality, but your culture is Indian. So you're an Alakazam raised in India. I'm sure that's different than an Alakazam raised in the United States. Behaviorally, very different. Cristina: Yes, it would be. Jack: Yeah, yeah, it would be. Now, on average, where a Pokemon is from is where its behavior is going to line up to the most. And a region where this Pokemon is really common. Well, that's an Indian Pokemon. Cristina: Okay, so you're saying Pokemon are going to be spread out. Like actual animals are spread out in. Jack: The world and like people. Cristina: Yeah, and people. Yes. Okay. Like certain types of animals. Jack: Yeah, yeah, yeah. Like, maybe some are everywhere. Like Pidgeys. Cristina: Yeah. Because they can fly anywhere. Jack: Yeah. But then there's some that are just confined to where they're from. Cristina: Yeah. Okay. Jack: But the humanoids travel more. And also there's some Pokemon that can't go anywhere even if you're humanoid. There's gonna be some Pokemon that are. Cristina: Humanoid and just struggle and to stay where they're at. Jack: Yeah, they have to stay where they're at because other environments would be dangerous. Cristina: What do you think Snorlax is? I don't think he's humanoid. Is he? Jack: No, he's not humanoid. Cristina: That's just a bear. Jack: I think that's a bear. I think he is a bear. He's a hibernating bear. Cristina: Oh, okay. Jack: I never thought about it. Cristina: It's a bear. Jack: I'm just fascinated by how these panda. How this race problem is gonna break because are we gonna think about it like color? A lot of people literally devolve to color and would say lighter skin, white, darker skin, person of color. Cristina: There's no white skinned Pokemon. Jack: No. But then how do we. Because we're gonna. We're human. We're gonna be racist. Cristina: Oh, so we're just gonna call them whatever color they are? Jack: Like. Well, no, the question is how would we do it Racist to them? Cristina: I don't. Jack: Not just human racism. Cristina: Yeah, but how would. Jack: Because we can't. Cristina: Okay. Okay. Jack: Unless we're like, well, you stupid blue Pokemon. Cristina: I guess we could do that. Why not? Well, we'll invent words. Jack: Call them an ink stain. Cristina: An ink. Yes, like that. Jack: You ink. Cristina: That sounds awful. What is that supposed to be too like a poison type Pokemon? I don't understand. Jack: No, it's just any blue Pokemon. It's racism. Cristina: Okay. Jack: It's Pokemon whose skin is blue. Okay, you ink. Cristina: But ink can be blue, black, red. Jack: It's blue. Because pens. 01:00:00 Jack: Even if pens could be black, the common use for pen. You think is blue. Oh, call them an ink. Cristina: That's awful. Okay, that works. I guess. Jack: I guess, like how would we. I'm sure we would be racist because we cannot discriminate because they're still humanoid. We would find other ways to be a*******. We just do that. Cristina: Yeah. So we call them names. Yeah. Jack: The psychic Pokemon would also be translators. Cristina: Yes. Jack: I mean, great profession. They could translate between any two given languages. They're psychic. They're not even really using words. You're hearing it on words. Cristina: They could just lie to you too. But unless that's more like an evil psychic than you control society easily. Would you trust that psychic Pokemon would. Jack: Be running the world? If anything, there'd be nobody who can move outpacing them. We would be the second rate citizens. Cristina: Yes. I think psychic could be above. Jack: Yeah. We couldn't do anything. Cristina: We're normal time. Jack: They would be the nobility. They'd be royalty. Cristina: Yeah. Jack: And then we're just. We're still human. We're second most dangerous. And probably they just ignore us. Cristina: Yeah. Jack: Because what are we gonna do to them? Cristina: I think so psychic is a little too above. I don't know. Jack: Psychic who think at a human level. Because you can be psychic, have psychic abilities and not be super intelligent. So if you're raised in the wild and you just got psychic powers. You're probably using it in different ways. Cristina: Okay. Jack: Versus a refined individual. I guess it really comes. No, but they would have figured it out. They would have made society themselves. There must be really hyper intelligent Pokemon too. Cristina: I wonder who would that be? Jynx? Jack: Jinx. Cristina: She lives in a cave, doesn't she? What is she supposed to be? I don't know. Jack: That's a racist Pokemon. Okay, well, that's basically the black woman in a dress, the Pokemon. And then they made her purple because she was black. Originally it was blackface. It was blackface, the Pokemon. Cristina: Okay. But with very blonde hair. Yeah, but she's a psychic type, right? Jack: She's the psychic type. Cristina: Oh. Would she be above us, or do you think she's not? Jack: It depends on intellect. I don't know. I don't know. Is that Pokemon? If it's raised in a cave, it's not. Cristina: Okay. Where's Mr. Mime found? Also in a cave. I don't know. Jack: Yes. It's weird that they just hang out in caves or cavemen. Cristina: That's scary. Jack: We can raise them to be just as intelligent as we are, so they need us anyways. There's no Pokemon that just went out and built society. Cristina: Munchups. No. I don't know what in Pokemon in general, like. Jack: No. I mean, yeah, it would have to be, right? Unless Pokemon really went out and did it. But there has to be, like, a Pokemon that went out and made a society, and it's just those Pokemon living in pain, Right? Cristina: Mm. Jack: But no. Cristina: Why? Jack: I don't know why the f***. It's never happened in the shows or whatever. Not that I know. Cristina: Not that you know of. Yeah, I know. Jack: If it's been a very long time. Cristina: It could be so. Jack: Last time I saw Ash was going to the Orange Islands. Cristina: I don't even know what that is. Jack: That was like 2003. Cristina: Oh. But like, what's that in generations? I guess two Pokemon. Two. Oh, my gosh. Okay. Jack: And what generation are we on? 9? 10? Cristina: 20? No, 12. I don't know. Jack: I don't know how anybody keeps up with any of this. Cristina: I don't know. I hardly know the Pokemon. I know. Jack: Would there be any Pokemon in the medical field? Cristina: Chansey? Jack: The medical field would be destroyed. There'd be mostly Pokemon in the medical field. It would. Humans wouldn't be allowed to be Pokemon. You would raise non humanoid Pokemon with the explicit purpose of using their healing ability and recovering people. Absolutely. We'd live to Forever. Cristina: I don't. Okay. Jack: Everybody's hella healthy. Cristina: Has healing abilities, though. Jack: Hella chancy. Cristina: Okay, so just chassis. Okay. Jack: Yeah. There's a bunch of Pokemon that can do things like that. Cristina: Like that. I don't know. I mean, they could heals. Heal themselves. Jack: Anybody who learns. Anybody who can learn a Heal for the party. Cristina: For the party. What move is that? Jack: I don't know. Cristina: There is a move like that, though. Jack: Yeah. Cristina: It was the party. Not just yourself. Jack: Yeah. It heals other members in your party. Cristina: Okay. Jack: And so that would. That guy would be in the medical field for. For a fact. Cristina: Yes. Jack: And one that heals. Well, itself. Great fighting. That's a UFC fighter. Cristina: Okay. Jack: Great. Also great for firefighting. Cristina: Yeah. 01:05:00 Jack: For war. Cristina: Heal itself, I guess. Jack: Any Pokemon that can heal itself. Cristina: How many Pokemon heal themselves? I mean, besides, like. I can only think of, like the grass type Pokemon that still helps the help of others to heal themselves type of thing. Jack: Or rest. Cristina: Or rest, I guess. Rest. The psychic, Right. Jack: Yeah. What is roost Flying. Cristina: Oh. Jack: But it doesn't matter what they are. The point is they can recover it. Cristina: Yeah. Jack: And if they can recover, they have purposes that you could put them in dangerous situations and they'd be fine. Cristina: They can't be pets, can they? Jack: A lot of them can. Why can't they be pets? Cristina: Because, like, Chansey kind of seems like a smart. Jack: Well, okay. The same rule. If she can outsmart an ape, then you're too human. Cristina: Yeah. Like, she's got a career. Why are we keeping her as a pet? Jack: Unless she's raised in the wild and is just an animal. Cristina: Why is she raised in the wild? Jack: Because I'm sure there's many that are just out in nature. Cristina: Okay. Okay. Jack: Anyways. Anyways, that's just what I wanted to talk about. Take a weird look at what it would be like if Pokemon were real. Because of potty training? Cristina: Because of hobby training. I'm very confused about potty training. I just. I don't think it's worth having a Pokemon. Jack: I mean, a bunch of Pokemon like. Cristina: Or, like, just have one. Like, there wouldn't. There's no chance of having six or seven or whatever. Jack: Depends on the Pokemon. Cristina: You think there's some that learn quicker than others? Jack: Yeah, for sure. And there are some that are tiny enough so they're not a problem. Cristina: Yeah. You have, I guess, your whole pack of those. Jack: Realistically. Cristina: I think realistically everyone just have one. Jack: If Pokemon showed up today and most of them just minded their business and we caught what we could and fit them into These homes we would like. A lot of Pokemon are removed from what we could have. It would just be the small ones. Cristina: The small ones. But I think everyone would just be okay with having one. I don't think anyone really needs more than one. Jack: Unless we had that find your friends. If we had that machine system, we would become soulless real quick. Cristina: Okay, but let's pretend no computer. No computer that traps anyone. Jack: It wouldn't just be one, but, like, you could have one. Most people would have one. Cristina: I think most people. I think it would be one or two actual pets. Like, some people have one, some people have two. But, like, it's reasonable. Jack: There's crazy cat ladies who have many. Cristina: Yeah. And there's that. But that's not. Jack: And Farms will literally have many. Cristina: Yeah. But most people averagely one to three. Jack: Yeah. Cristina: And then there's always the person that's a little bigger. Jack: The bigger it is, the less likely you'd have another. Cristina: Yeah. So pretty basic. Jack: Makes sense. Cristina: I don't think 7. 6. Is it 6 too much? Jack: If they were small, they're small. Cristina: Yeah. Jack: It's like having six gerbils isn't crazy. Cristina: Yeah, yeah, yeah, yeah. Jack: I mean, it still sounds kind of like a lot, but. Cristina: Yes, because they're not gonna be that small. Jack: I wonder if. No, there's a couple of Pokemon that actually start really tiny. Cristina: Like Pichu that you saw, you know, even smaller. Like. Jack: Like an inch. There's Pokemon start like an inch big. Cristina: Well, it's an inch. What Pokemon? Jack: Top of my head. I don't know, but. Cristina: Oh, that tiny spider. There's a tiny spider. The electric spider. He's tiny. Jack: Well, yeah, there's a bunch of Pokemon to start off really tiny. Cristina: Okay. But that guy is like a flea size. Jack: Oh, well, he's literally a flea. Cristina: Oh, okay. Well, no, it's a spider. Jack: Yeah, I think it's a. It's a tick, actually. Cristina: Oh, it's a tick. Jack: But anyways. Anyways, if you guys have any idea as to what would fit Pokemon or what weird thing would obviously occur if Pokemon showed up. Cristina: Yes. Is watering your Pokemon with another Pokemon. Jack: Inappropriate If they look humanoid? It looks like sex. Too much. Okay, but tell us. Going to go into our socials and tell us if it's inappropriate or not. If your water Pokemon, who's male looking and just a buff guido, decides to water your female Pokemon who is made curvy and voluptuous for some reason. Cristina: Why is she female? What if. Why is it not a man that looks like a pretty lady? I don't understand. Jack: I wonder if that Pokemon comes male. Cristina: That could. Jack: If it does come now male. Is that. Is that more. Is that just like a drag queen or something? Is that the equivalent of a gay. Cristina: Okay. Because it's a guy watering a guy flower. Jack: No, if the guy. If the same flower that's a sexy, voluptuous lady was just male. Cristina: I guess it's. Jack: That's the equivalent of like a gay dude. Cristina: No, it's. I don't know. No, I don't know. It looks like a flower. That flower looks like something. Someone. Mosquito. Tuskeedo. Jack: What? Cristina: Crap. Jack: From what? Cristina: Sailor Moon Mosquito mask. Tusketo mask. Jack: No, I don't know. Who cares? I don't know the name of it. Cristina: But the guy. Yes, the guy with a mask. Jack: Yes. Anyways, you guys can talk to us on our socials. Oscar Pod. That's on what? TikTok, on X. Cristina: Instagram. Jack: Instagram. All the socials. Just type in. Just convo pop. Cristina: And remember to subscribe, rate and review the show. Jack: Yes. And word of mouth, tell people about this program. Get it across that we're trying to figure out out what it would be like to see how Pokemon would function in the real world. Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. Good morning. Good morning. This podcast is hosted by Cristina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.in fox art by 0lupo and logo by Seth McAllister with social media managed by Amber Black. 01:12:03

Rambling 287: Lamia

Who is the Greek Mistress Lamia? What is the narrative surrounding her death? What is the truth surrounding her death? The duo unpack the mythology of an interesting creature known as Lamia, a mistress of a Greek God and what really unfolded with their affair.

+Episode Details

Topics Discussed:

  • Greek Mythology
  • Naga
  • Romantic Jealousy
  • Hera
  • Snake Pits
  • Shapeshifting
  • Necromancers
  • Jesus Christ

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcription

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in five, four.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And today we have some interesting things to learn look into. But first, as of late, we've been catching people up because of our jumping around. Anybody who is used to us following a giant cohesive narrative that we've been following for like two years isn't used to the old way. We were doing things of just casually picking things that kind of sort of related to this bigger theme that we didn't know existed. But we were just hunting monsters and figuring out what was going on. Except after a long enough deep dive into what we thought was an unrelated series of things that began with a creature, the unicorn, slowly spiraled into. Every creature seems to be related to this thing one way or another.

Cristina: Yeah.

Jack: And initially we thought a lot of it had to do with the Elysians. When we started looking into the Elysians, but before then, we knew things about the shadow realm and many creatures who were in there. So we were hunting things like that. But before we knew about the shadow Realm, we were also just hunting creatures, trying to find out what the f*** these things are. We thought some of them are aliens. We thought some of them were interdimensional things. And weirdly enough, both of those things are kind of the same.

Cristina: Yeah, I guess so. Yeah.

Jack: You know, we knew this Chupacara was like a God like thing. And we thought it came from space looking for things. But no, it did come from elsewhere. But the elsewhere wasn't space. The elsewhere was a different realm.

Cristina: I don't know if you know anything that actually has come from space.

Jack: No, we know things that have gone out into space.

Cristina: Yeah.

Jack: But it seems that everything we thought came from space we have proven with texts that mentioned it before we even looked up. And it's like, okay, okay, you guys knew about all these things ahead of time. So I was in trying to dig deeper into the Clinton Road thing that we've been looking at. We hit some walls because we gotta find things for this. We gotta figure out what's happening in the bottom of the castle. It's been sealed off. It clearly has a way in and out in a location that is undisclosed to the public because it's been kept absolutely secret with, you know, official reasons or whatnot.

Cristina: Whatnot.

Jack: But the castle it was on was Destroyed. So the entrance there is gone and the exit have been blocked and built around, so we don't know where they exist in the five towns that they're spread into. And then somewhere in this giant property, there could be a random manhole cover that's covered by leaves and happens to be in the woods. And that's the only way in or out of this f******. Like, who the h*** knows?

Cristina: It just sounds so suspicious. It just sounds like that lady with the house that makes it into a puzzle that ends up being a portal for ghosts and whatever.

Jack: Except she wasn't trying to hide anything that was just out there. So why were these people trying to hide it? What is the difference? And this is more recent than the house, too, so what is the point? And, like, I've tried to look. Like I said, the hardest thing about this was gonna be the castle. So we visited the castle.

Cristina: Yeah.

Jack: But all it did was lead us to walls. So because we hit these walls and there's nowhere else to go. Look elsewhere. Maybe we'll get informed.

Cristina: Right, okay.

Jack: So we've gotten informed in the past just by looking at other places. We found the Elysians, and that informed a bunch of s***. We found the Shadow Realm. That informed a bunch of s***. Things that we thought were unrelated. So as I'm looking through random crap, looking through old notes, I come across as, you know, the fact that Zeus was kind of pretty successful at creating Nahaz.

Cristina: Okay, yeah.

Jack: Not Naha's Naga. Nahaz was a specific. Naga is the one from the Garden of Eden's research team. Nahaz is the one we call the Serpent. But so we know that he successfully made a Naga, and we know that he got his Naga to successfully make some that worked and some that didn't, like Medusai and her sisters and crap like that.

Cristina: Yeah.

Jack: Yes, okay. But still have kind of OP abilities that are kind of sort of fairy like. And in looking at that, it came to my mind that, wait, this is the first instance of more than one, more than two, Many, Several. And so I'm like, okay, if you figured it out, you didn't also just stop. Those just happened to be the main narratives, right? The ones that are important because you figured it out, you want to be able to replicate it, and holy s***. That I immediately find something. I was like, there must be more. Just logically speaking, if nobody else could figure it out, the guy who did is probably going to mass produce them. That's the advantage right there.

Cristina: You're OP now he has a Naga army.

Jack: He Would have to. Right. He would have to build. I mean, not a Naga army, but he would have to make multiple. Logically speaking. And I stumble upon a thing called Lamia. L A M I A Lamia. And Lamia is described as a half woman, half serpent. But Lamia is not Medusa or the other Groguns. And Lamia is not Glycon. And Lamia is none of these things.

Cristina: She's from the same area.

Jack: She's Greek.

Cristina: Oh, okay.

Jack: She's Greek, specifically related to Zeus. Oh, weird. So I was like, okay, this is odd. But like, we can easily find it now because. Yeah, you had more than one and you instructed something to make it. Just because we only stumbled upon the three and didn't dig deeper, doesn't there isn't more? Yes, but there's definitely more. She's not even the only one I found.

Cristina: Okay.

Jack: But she's the most interesting one I found. So, as we said, she was originally mentioned in Greek mythology. And very specifically, the same thing that shows up again is half woman, half serpent. Half woman, half serpent. Very, very directly. It seems like Zeus wants Kido to continue making things that are half and half, not fully one. Or Kido is obsessed with not actually succeeding and going halfway because he wants to be the powerful one.

Cristina: Okay.

Jack: I don't know the point of why they're always half and half. If a Naga is not. Anaga is not. Yeah, Anaga is a full fairy serpent.

Cristina: Serpent thing.

Jack: Yeah, absolutely. 100% a serpent.

Cristina: For some reason, he only makes halves and halves.

Jack: All of them are. Now they're really overpowered to the point that they are more OP than a bunch of the s***. Alicians didn't like some of this crap because of how OP it is. Meaning they felt, you know, some of these things were a problem to some degree, but they weren't. Naga, is it because it's impossible to actually go all the way? But no, because we know of people who've accomplished it.

Cristina: Yeah. So did they do it on purpose? And what was the purpose?

Jack: What is ultimately the purpose? So I dive into the story to just what do the Greek have to say about this? What is the main narrative about Lamia? So here we go. First of all, Lamia was the queen of Libya according to the Greeks.

Cristina: What?

Jack: She was the queen of Libya. Okay, but weird that the queen of Libya is a half serpent, half a woman. But whatever. The Greek had weird stories to tell.

Cristina: Okay.

Jack: You know, everything was odd. Now, where this became really interesting to me is the fact that she was in love and loved by Zeus.

Cristina: Okay, yeah. Well, she always have snakes, though. Is that part of her story? Okay.

Jack: She's always been.

Cristina: Oh, okay.

Jack: Always been half serpent. And Zeus is into serpents, I guess.

Cristina: Okay.

Jack: And upon finding out that Zeus was having an affair with her, Hera becomes jealous and curses Lamia to lose her children.

Cristina: Oh, hush. Okay.

Jack: And transforms her into a monster who would devour the children of others.

Cristina: Oh, my gosh. Whoa.

Jack: Hardcore.

Cristina: Hardcore.

Jack: So let's unpack this for a bit. Zeus loves a half serpent lady, but I guess he's a God and he f**** random s***. Like, whatever, dude, you're God. What is a human to you? You're a God.

Cristina: He's with someone who is not cool with.

Jack: He's someone who's not cool with that. But he's always cheating on her. All his children are from different women. And he has, like, 100.

Cristina: Yes. But does she get her revenge like this to every single lady?

Jack: Yes.

Cristina: Like, how does.

Jack: Hera is. Hera is known as a total b****.

Cristina: He's also a monster. That's okay. With the reaction. Her reaction. Whatever he does. Because he's not getting hurt. It's just the people he's with getting hurt, and he's not feeling that well.

Jack: The logic goes as follows. He loves one person deeply, and that's Hera. He loves other people. Not deeply. He loves to love. It's the idea of, you can truly be in love with one person and love many other people who you're not in love with. Yeah, you want to be romantic, and, yeah, you want to f*** and you want to have. But there's one person who you are committed to.

Cristina: But do you not feel bad for these people that are suffering?

Jack: Well, they know they are also involved. They are not an uninformed party.

Cristina: Okay.

Jack: In all of these cases, they are the informed party. Everybody's informed.

Cristina: Yeah.

Jack: Zeus is not a liar.

Cristina: There's a chance that you'll die or you'll have to kill your loved ones to be with me. That's. That's tough.

Jack: No, I'm sure all of these God women are like, I could take. Oh, I guarantee you, every single one of them. The gods are full of themselves.

Cristina: Yeah.

Jack: Every single one is like, I could take her. It's not a problem. But Zeus has always been committed to Hera. And he's like, I'm not gonna say to my wife, she said, you banned, so you banned.

Cristina: Okay.

Jack: But Hera is fine until she's not.

Cristina: Yes.

Jack: Like, she knows. And then I guess she just doesn't want to see it ultimately just like, don't bring it around me. Don't bring it around me. You come home to me and you don't bring any of them b****** around me. And when she sees them b******, them b****** gotta die or become other s*** or whatever the f*** she does.

Cristina: Just live a miserable, miserable life.

Jack: Yes. But to his defense, he 100% seems absolutely committed to Hera, because that's who he doesn't violate. She's like, I gotta kill this person. He's like, s***, I guess you gotta kill this b****. And it's like, d***, bro. Okay, you at least committed, okay? And like, I respect that. I respect the guy who can stay committed. And realistically, yeah, you love other people. Realistically, but you're not going to betray who you're in love with, which is Hera. Great important detail because of where this is going to go.

Cristina: Really?

Jack: That was. That was not without purpose. That rant was absolutely within reason. All right, so, yeah, Hera kind of notorious for tossing people into weird situations, killing them, turning into other s***, ranking them, sending them into other f****** planes of existence.

Cristina: Do you know what kind of monster she turned her into? Like, what does she look like?

Jack: He. She made her existing form feral. She was a woman, and now that woman became a monster based on that woman. Oh, so it's just she became a feral monster. She was still a woman snake thing, but now she was a snake woman. She wasn't before she was a woman snake. Now she's a snake woman, if that makes sense.

Cristina: Yes.

Jack: And like, yes, that's the priority right there. She's like, okay, now you're primarily the serpent. Enjoy killing all the children you would love.

Cristina: Harsh. Okay?

Jack: Hardcore.

Cristina: Hardcore.

Jack: But if she knew, then she opted into the possibility. That's more on her for thinking she could step into number one spot. And it's like, we all know where Zeus stands, and it's by Hera.

Cristina: Okay?

Jack: There's not a soul who's ever questioned if Zeus is going to turn on her. He's not going to. Why would he? Which means you opted into the situation to some degree. You weren't aware of what extent or what move. But you know, if you get busted, you. You f*****. And so you did, and I f*****. Okay, now let's break apart her appearance a little. Described as having the upper body of a beautiful woman and the lower body of a serpent. Right, let's dive into a little more detail. One thing that I found, which, again, as I say it, the image as I keep Moving forward, the image is going to build itself. She has the ability to shapeshift.

Cristina: Okay.

Jack: And that's an important little detail right.

Cristina: There because that's always involved.

Jack: That's a clever little tidbit. Oftentimes into either a pure woman or a pure serpent. Those seem to be her main go to. She can shapeshift into other things. But when she's in her pure woman form, after her interactions with Hera, she lures men in this woman form, and usually men with children, intentionally trying to get to the children and eat them.

Cristina: Oh, my gosh. Okay.

Jack: And when she's in a pure serpent form, she uses that to blend into nature where there would already be children.

Cristina: She's actually. Oh, my gosh. That's horrifying.

Jack: Yeah. She became. It's not just like, you're gonna be a thing. And it's like, yeah, I'm gonna go live my life as the same s***. I am just waiting. No. Hera f***** this lady.

Cristina: Now she hungers for children.

Jack: Now she hungers for children.

Cristina: Oh. Oh.

Jack: Weird, right?

Cristina: Yeah.

Jack: Lamia, the lady who will eat children. But again, there's some patterns that are forming. I don't know if you're spotting them as I'm going through this. Shapeshifters, children.

Cristina: Yes.

Jack: Let's dive into some of these behaviors. They are going to paint even stronger image. She usually appears at night. Succubus behavior right off the bat. And the fact that you're luring men. Odd.

Cristina: Odd.

Jack: Luring men at night.

Cristina: Yeah.

Jack: Sounds like a succubus. As far as I know.

Cristina: Yes. Yeah.

Jack: Which is already a shadow realm creature. So luring men at night and using the darkness to confuse and more easily abduct. Very, very succubus. The only difference is succubus are kind of mermaid, like always by water and s***. It's most likely a succubus is a mermaid and a mermaid is a succubus. Maybe different variations of the same thing. And by the end of this episode, if we remember, we could address that because it's gonna make sense why we would have to compare those things if we remember to.

Cristina: Okay, so you saying she didn't like magically turn her into a feral being. Now she is like the feral version of whatever creature she was. Like adrenochrome. Maybe she was given adrenochrome and killed and now she's after that or something like.

Jack: It's complicated. No, she was definitely a serpent woman.

Cristina: Yeah.

Jack: There are serpent women? Yes, according to the Greek myths.

Cristina: But now she's a feral serpent.

Jack: Yes. But I don't think she was the non feral version of something that's inherently feral.

Cristina: Okay.

Jack: I think there are just, according to the Greek myths, serpent people.

Cristina: Yeah.

Jack: Who are just normal people. And then there's weird other anomalies like the Gorgons and s*** like that. Or the Grogans. It's either Grogan or Gorgon. I don't f****** know. Medusa and her sisters and Keto, things like that. So those are weird artificial violent things. While Lamia didn't seem to be. It was just more of a literal person who happens to be of a specific race, maybe or something. It's not entirely clear. Yeah, there's actually very little information on this. This was a particularly difficult find, which is what made it more interesting because of the paths I had to take to get here. That informed quite a bit. But yeah, it looks like she was not some kind of weird thing. She was turned feral.

Cristina: Mm.

Jack: And there isn't a thing like that. As far as we know, that is specifically her kind of a creature that was a person. Or that she's the non feral version of something specific or race or something. It looks like she's just part of a race of people who happen to be. I don't know where the f*** the rest of her people are. There's no mention to that. Maybe you just made the weird serpent lady queen because she doesn't look like the rest of you. I don't really know the logic behind it.

Cristina: Okay.

Jack: But she was just a normal person other than her half serpent part. Now, when in her serpent form, she is known for consuming the children. When in her woman form, she is known for luring men. And when they don't have children, she kills the man.

Cristina: Okay.

Jack: Then there is little detail about what happens to the man that might inform what happens to the children. Because it's always described as eating. But when in her woman form, she is known for luring men. And when they don't have children, she kills the man and drinks her blood.

Cristina: Of course.

Jack: Of course. Very specific behavior. Now we gotta address how Hera accomplished this. Exactly.

Cristina: That's what I'm wondering. She turned her into.

Jack: Well, that's the end of the story. According to the the narrative of the Greek myth that is most promoted based on this.

Cristina: Okay.

Jack: There's no more information right after that. That's where it ends. These are the events that took place. So what the h*** did Hera do?

Cristina: She turned her into. I don't know, a shadow realm creature.

Jack: Somehow How? The. She obviously drowned her in adrenochrome or some s***. Force fed her some s***. But how had she know? I mean, they're always f****** around with adrenochrome. But Hera knows.

Cristina: Why not?

Jack: Why would she?

Cristina: I don't know, but it depends. Like, what happens to these other women that she tortured?

Jack: Nothing like this.

Cristina: Nothing like this.

Jack: No, I would have. I would have talked about it. Obviously. Okay, so no, this is the case.

Cristina: This is the one case that happens.

Jack: At least this way. Yes, I looked at the other women. No, this is the one.

Cristina: Interesting.

Jack: So what the f*** happened? So she finds the lady and then what? You force fed her a dream? Where the f*** did you get a dr? How do you know adrenochrome was a thing? Even if you heard him talk about adrenochrome, how do you know specifically how to get it, how to make it? Hera knows a little something.

Cristina: Has to know something. Part of the team.

Jack: One of the gods, you would think, right? Yeah, but then who's on her side? Everybody's on Zeus side. Yeah, and Zeus sides with Hera. But Zeus isn't gonna tell his homies. Go, obey Hera. No, in fact, his homies tend to not like Hera a lot.

Cristina: Yeah. So she was snooping around somebody.

Jack: They would have caught her. Bro, we're talking about the most secure facilities in existence.

Cristina: There's no way she just stumbles upon this either.

Jack: Exactly the problem. There's also no way she entered these facilities. There's no way. Not in a billion trillion years. Considering specifically who she is and how she's known to behave, doubtful they would have let her anywhere near one of their labs. 100 guarantee you she didn't end it. I looked just to confirm the fact. Like, did she? There's no narrative that talks about her entering spaces relative to this. If there is, she was so f****** sneaky that nothing was registered ever. And we're talking about quite advanced facilities. She would have been busted.

Cristina: But how did she do this?

Jack: Then it has to be outside of the facility.

Cristina: How?

Jack: How did she accomplish turning Lamia into a feral person?

Cristina: How do you think?

Jack: Well, I don't know my conclusion, my thought is that perhaps she caught her and force fed it to her. But then the question is, how did she acquire? How would Hera stumble upon adrenochrome? What paths could she take? Who do we know that she could have been in contact with? There's so little about this interaction.

Cristina: And anyone she knows because we don't know anyone that talks about that's involved in adrenochrome.

Jack: We know many who are involved in adrenochrome. What do you mean?

Cristina: But, like, in the Greek gods. Any of them.

Jack: All of them have touched it one way or another. They literally discovered ambrosia. They have ichor in their position. And they have nectar, which a bunch of them consume specifically because they couldn't figure out how to do it without it, the way that the Elysians did with the stones and other methods. Okay, so they definitely had access to it. But why would she? And how would she.

Cristina: But why wouldn't she? Like she's one of them.

Jack: No, she's not.

Cristina: She's not.

Jack: She's the wife of Zeus. But she's not a scientist. She's just the wife of Zeus. And a particularly wild gun that they're not gonna let into their facilities, destroy all their s***.

Cristina: Mm. She knows enough. I don't know. It doesn't. It feels weird that she would just know how to do this.

Jack: We're missing the middle part, where somehow she did, in fact, acquire adrenochrome and then force fed it to this lady or something. What we know is that she knows Zeus.

Cristina: Yes.

Jack: And that this lady became some feral thing. And everything in the middle described is obviously adrenochrome related, but we also know she had no interaction with any other scientists in the facility, and that none of them like her.

Cristina: Yes.

Jack: And there's no mention. Not one. Which it would have. We found threads of the randomest s***. Not one mention of her hanging out or associating with any of these things.

Cristina: But she knows, Deuce. And he knows the information.

Jack: Yes. He's also not going to tell the lady, who is constantly having mood swings and having weird power moments.

Cristina: He doesn't have, like, the work at home.

Jack: And I assure you he doesn't, considering that it's the same work that the Elysians would like to confiscate. You're going to keep it in the most secure place, away from where they can easily come and take it from you. They're kind of op. You're going to take your work home, knowing how this s*** could just go down. Yeah, and they never did. Which means you didn't take the work home. Or you did take it home, and for whatever reason, they were just like, oh, let it go. And then this lady's op, that doesn't work out.

Cristina: Mm.

Jack: They're too thorough. Deletions are mechanically thorough. It's computers at this point.

Cristina: Yeah.

Jack: So he never took the work home. She Never entered the lab. His workers don't like her. And she still managed to turn the lady into obviously speaking an adrenochrome rampant creature. Who needs more adrenochrome.

Cristina: Yes.

Jack: Weird. And I don't know. So we know Hera has banished many women different ways. Never this way. And she is again hated by everybody. Nobody sides with her. They all side with Zeus. Although Zeus is a ruthless maniac himself. The loyalty or fear, one or the other. But then Hera behaves this way. It's definitely not the fear. Loyalty. They must just like him more. Yeah, but then again he is creating these. He kind of just successful at doing some s***. It's impressive. So successful. For many years we thought he was just some background noise that was being ignored by the Alicia. And then we found out he was one of the few to accomplish some of these really complicated things that the rest of them failed at. Like creating successful Naga. Even if it took a bunch of s***** experiments to get there.

Cristina: But she's one of them. No, she. She wasn't made at all.

Jack: No, she was just already a person who existed like that. Yeah.

Cristina: Okay.

Jack: There must be a race. There's other serpent people who are not anything weird.

Cristina: Oh, okay.

Jack: Greek mythology is packed with serpent people.

Cristina: Yeah.

Jack: Some made like the Grogans. And some who were just born that way. Like Keto.

Cristina: But I don't know.

Jack: Yeah, neither do I. Interesting though, the fact that she had the ability to do this.

Cristina: Yes. Without any help. As far as anyone can tell, without.

Jack: Any help they have their kingdom. And she managed to get a hold of Lamia and somehow force feed Lamia or Tricker or something. And she then becomes this feral creature.

Cristina: That's ridiculous. I don't know. It feels like she needed help. But who would help her?

Jack: Okay, so then I will continue forward since trying to figure it out is a pointless endeavor. Now we've done appearance, we've done behavior. Now here's where we get into the weeds of the situation. We have to deep dive into the hard explain many different texts, primarily focusing on Homer and Apollonius. But there are six or seven different versions of different texts that are going to inform the story. There's a lot of cross referencing that piece this together. But again we're focusing on the texts from Homer and Apollonius. Although there are some details from other individuals here. Now we find the story plays out a little differently when we do look at their references. And the story begins with a lady called Khalees. So Khalees is the name of a woman with which Zeus was having an affair.

Cristina: Crazy.

Jack: One of the many. And is discovered by Hera. Now, very important to point out that in the Greek myth that is popular, Hera always knows that is explicitly mentioned. It's also explicitly mentioned in Apollonius's writing that she didn't know and she discovered Khalees.

Cristina: Okay?

Jack: Hence the anger in the first place.

Cristina: That makes changes.

Jack: Cheating on me, you piece of s***. Blah, blah, blah. What the f***? Imma smack that b**** up. You know, Instead of being angry at Zeus, you cheating piece of s***, now I'm gonna smack that b**** up. Khalees probably didn't even f****** know. Then again, he's Zeus. Khalees probably knew. Yeah, he probably knows. You know who Hera is. Come on, bro.

Cristina: Yes. Okay.

Jack: They're the rulers. You knew he was sneaking around. You had it coming.

Cristina: Mm.

Jack: Now details that matter without Zeus being aware. During Khaleesa's final visit, Hera uses Zeus guards and has Khalees royal guards killed. Then tosses Khalees alive into a snake pit to die.

Cristina: What?

Jack: Hmm?

Cristina: They just have a snake pit.

Jack: It's ancient Greece.

Cristina: I know. This is so crazy.

Jack: The snake pit consists of hundreds of snakes no larger than a human arm, according to Homer's texts. No, Hugh. Because my initial thought is you're gonna fuse with a f****** snake or something. I don't f****** know. Yeah, it's ancient Greek mythology because this girl Khalees is not a serpent woman. Let me point that out. Apollonius says beautiful woman, pointing out that she has walked a long time because her legs were visibly muscular.

Cristina: She's human, pure human.

Jack: Khalees was pure human, while Lamia was not. Lamia is bottom half serpent. But Apollonius doesn't agree with this narrative. Apollonia says, no, that was a woman. He was having an affair with a normal human woman probably.

Cristina: Okay.

Jack: And thus makes more sense that she was the queen of a civilization of normal human people.

Cristina: Okay.

Jack: And definitely there's no such thing as normal born f****** earthling.

Cristina: Are you talking about the same person?

Jack: Yes, this is the same story. Oh, this is them all talking about the same.

Cristina: One of them that we already talked. Yes.

Jack: The Greek myth and everything I'm telling you right now is their take on the same Greek myth.

Cristina: Oh, okay.

Jack: This is Homer, Apollonius and a few others talking about this very same story.

Cristina: Yes.

Jack: Which puts Khalees, the queen of Libya, as just a human.

Cristina: Okay. Which makes more sense. All right.

Jack: Just a human lady called Khalees. And she had very muscular legs because she. Not muscular, but she had toned legs. Because she walked a very long time. She loved walking. And she had royal guards who Hera had her royal guards disposed of on.

Cristina: Her visit and then murdered her.

Jack: Threw her in a snake pit.

Cristina: Okay.

Jack: To die. Didn't say she murdered her. She threw her in a snake pit to die, which presumably she died there, but that doesn't mean she murdered her. Snakes would have.

Cristina: Okay.

Jack: She definitely left her to die, though. And again, the snake pit consisted of small snakes for the most part. No snake is eating her whole. That would be impossible. To the length of an arm. You can't eat her. Okay, so interesting little details.

Cristina: Yeah.

Jack: The pit was explicitly designed to starve people to death if the snakes don't squeeze them to death. Lovely ancient torture device. Lovely ancient torture device. The important part comes now. We shift our view now entirely to Homer because Homer had some interesting tidbits that didn't make it to any other body, anybody else's story, and didn't even focus on the family. It focused on a random guard.

Jack: Let us unpack. With the upper body of Khalees and the lower body of a serpent. A guard sees Khalees flee into the forest during the night.

Cristina: What did he see?

Jack: The guard sees the upper body of Khalees and the lower body of a serpent flee into the woods.

Cristina: Okay, so she somehow transformed in the snake pit.

Jack: But how?

Cristina: How? Yes, how? That's very strange. That's his part of the story.

Jack: That's his contribution. He gave us this tidbit that nobody else mentioned, but allows us a little more information than just somehow. A civilization of humans put a serpent woman in charge of them fearlessly. No, it makes more sense to put a Greek God. They look like humans who are just real op and huge.

Cristina: Yes. But he's trying to explain how she looks.

Jack: Yes.

Cristina: I don't know. That's weird.

Jack: Got muddy quick, right?

Cristina: Yeah. Unless that wasn't like a normal snake pit.

Jack: It was absolutely a normal snake pit.

Cristina: Well, how would she walk away like that?

Jack: I don't know. She gets tossed in the pit. And then a few days later, a guard doing his rounds sees her upper body somehow bottom half. Serpents now fleeing the pit into the woods, into the forest, casually.

Cristina: She somehow transformed in the snake pit.

Jack: She somehow transformed in the snake pit? Yes. At least it seems that way.

Cristina: Yeah.

Jack: Weird.

Cristina: That is weird.

Jack: Very, very strange. So what do we believe happened here then?

Cristina: I don't. It wasn't a normal snake pit. Do you think it was a normal snake pit?

Jack: It was. I'll tell you what. The next line in his story. His correction of the story tells us, which will enlighten a little more. The next morning, after the guard reports what happened, they visit the pit and find Khaleesa's body still in the pit.

Cristina: So it was involved Shadow Realm.

Jack: It did not.

Cristina: It's a shadow Realm creature of her. But her dead body's there. So he did not see her dead body. No, but it was her. Is her adrenochrome version? I don't know.

Jack: Her body is still in there.

Cristina: Her body's still there.

Jack: She is f****** dead.

Cristina: Yes. But there's something out there.

Jack: Yes, for sure. There definitely is. A woman gets tossed into a snake pit where she fears for her death. The snake pit is filled with snakes who are going to attempt to eat the woman as she fears.

Cristina: Yes.

Jack: For her life.

Cristina: Yes. This is adrenal chrome related. Okay.

Jack: Yeah. And a serpent woman gets seen leaving. And all Adrenochrome creatures seem to have the ability to shape shift.

Cristina: Yes.

Jack: So a serpent got adrenochrome and turned into saw. The only thing there that wasn't a serpent. Its intellect, as we know with adrenochrome, tends to skyrocket as long as you continue consuming it. And you have quite an amount here that's just persistently there. And so you kill her while she's screaming and panicking and she's being choked out in just fear in the most horrific of ways. And then this serpent or multiple. Who the h*** knows at this point? But at least one.

Cristina: At least one. Yeah.

Jack: Turns out into an adrenochrome creature. A hundred percent. Just fully converts.

Cristina: Yeah.

Jack: Then turns like, tries to imitate what she was, what she looks like. But again, it's fresh. It doesn't know what the f*** it's doing. It's just newly. A creature has to discover its abilities, has to figure out how it works and all these things. So it managed half of a transformation that kind of sort of looked like her.

Cristina: Yes.

Jack: And then the pit is deep. Somehow still managed to get the f*** out of there. Like Adrenochrome creatures, you're thinking outside the box. You figured it out.

Cristina: But it's a feral Adrenochrome creature.

Jack: Why is it feral?

Cristina: Because it's eating children and stuff.

Jack: Eventually it will.

Cristina: Yeah.

Jack: But actually, we haven't even gotten to any part in which this correction story even mentions anything like that.

Cristina: Oh, okay. I'm gonna guess that that's part of it.

Jack: That's. Yes, that's literally us using the parts we have to figure it out. Which is the logical conclusion, you got adrenochrome, but you didn't know you had to continue getting adrenochrome.

Cristina: Yes.

Jack: So you became feral, and you go out and once in a while you get adrenochrome without knowing you should keep getting adrenochromes. Now you're just a feral thing, casually killing s*** like a wet judge. Except the wet judge is on the other side. You've not died. You're a physical thing who just persistently exists.

Cristina: Yes. I forget that creatures here can do that, though. I always think it's like you have to die and then.

Jack: Yes, I know. Like I said, I'm present and remember the things.

Cristina: There's a lot of information to remember.

Jack: Oh, yeah. And I connect all of it, as would happen. But, yeah, that seems to be the case. This is all from Homer. This last part started, which makes sense days later. Yeah. So the creature with the upper body of Khalees and the lower body of a serpent is seen leaving into the forest in the night. While the guards making his rounds, he goes and he tells Hera and Zeus and the guards and everybody else like, this is what I saw. And then the next morning, they come and they see Khaleesa still there. Bro, like, you're out of your f****** mind.

Cristina: Yeah.

Jack: You're seeing s***. That's impossible. Okay, she's still there, but there was something that fled into the woods.

Cristina: Yeah. That looked like a half lady, half snake.

Jack: Half lady, half snake. Interesting, though.

Cristina: Yes.

Jack: Which then corrects the story of Lamia, because there's no such thing as a woman named Lamia. There's a creature named Lamia.

Cristina: And that's not his whole story, though. Homer's version.

Jack: That's the whole addition. The rest of it kind of falls in line with what was already discussed. That's his final input that didn't exist previously. Okay, so he finishes off fleshing out this narrative. Now, the name Khalees barely shows up anywhere. These two texts are the two of the only mentions with the addition of a couple of other texts. They don't mention her name. They mention the same story from different points and a little couple of details, but the name literally shows up and refers to the events of Lamia, but without mentioning Lamia, they mention specifically Khalees. And Khalees is not a serpent person, but in the Greek myth, the Lamia is a serpent person.

Cristina: Okay, so after her transformation, she. She's known as Lamia, but before her transformation, she's just a lady named.

Jack: And the narrative we get from the Greek is completely afterwards, but a merge of the events before.

Cristina: Okay.

Jack: So it looks like he was with a serpent woman, but where the were the serpent women born? What the.

Cristina: Yeah. So it was just a woman. He was just with some lady and horrible things happened to her. Because that's what happens when you're with him.

Jack: Yes.

Cristina: Whoa.

Jack: Yes. Yes, yes.

Cristina: That's crazy. That's an actual story of a not.

Jack: Non accidental adrenochrome situation.

Cristina: Yeah.

Jack: Somebody gets tossed into a pit, fears for their life, happens to be with the thing that's gonna kill them. The thing is, it's very similar to the warwolves.

Cristina: Yeah. Like, we have stories like that, but there is usually in the wild happening. It's not around.

Jack: Yeah. Rarely is it like, again, the werewolves is a weird one.

Cristina: Yeah.

Jack: It's literally starved wolves because war scared all the other creatures away. And these guys are just dying, starved. And there's bodies everywhere. You eat what you can, bro, but fresh bodies from war.

Cristina: Oh, half dead, already scared out of their minds.

Jack: Some still alive and screaming because they got crap blown off and s***. Just cut and like, holy f***.

Cristina: Making werewolves.

Jack: Making werewolves. Oh, and this is very similar to that.

Cristina: Yeah.

Jack: You got a snake pit, which means really, really, really. Ultimately, if you look at the amount of serpent creatures that come out of India and the amount of serpent creatures that come out of Greece, the people who invented the f****** snake pits, suddenly the picture builds clearly. You're tossing people into snake pits casually as a prison sentence, as a death sentence.

Cristina: They probably have many stories of these human.

Jack: Maybe not. Maybe not many creatures stories, but. Oh, yeah, yeah. Not stories about pushing the people into thinking them turning, but definitely many, many, many, many serpent, human creatures.

Cristina: Yes, yes, yes, yes. Because I'm pretty sure they have the ones like the flying snake thing, that's just a witch who turns into a flying snake or whatever.

Jack: And it's like sketchy. No, there's something wrong going on here, buddy.

Cristina: Yeah. Yeah.

Jack: But you see how interesting.

Cristina: Yes, I see. It makes sense, though.

Jack: Yeah, that is definitely it. At least it seems to be the case on how the events unrolled were like that.

Cristina: It makes way more sense than the original.

Jack: Yeah, for sure. The original is just a myth.

Cristina: Yeah.

Jack: That's why we can't take the myths at face value because they're usually bullshit. It's a bunch of warped, twisted stories trying to attach morality or some s***. It's like people aren't moral. They just do s***.

Cristina: Yeah.

Jack: And like the truth behind Homer and Apollonius takes on it are just People doing s***. And like her is kind of a loose cannon.

Cristina: Yes.

Jack: There's no way she was going to be allowed into a lab. She's just tossing b****** into snake pits, bro. Come on.

Cristina: That is amazing.

Jack: I'm not going to let her into a lab and then she has a mood swing and thrashes hundreds years worth of research.

Cristina: Okay.

Jack: She would never be allowed into any s*** like that. But she does toss b****** in the snake pits casually.

Cristina: Yes.

Jack: That's just some s***. Who knows how many of these women turned into this s***. Now, again, the story of the Lamia plays out this way, but all these other narratives are also real exaggerated and sort of fluffed up, so they don't show any kind of reality to them. Probably a bunch of these b****** got tossed into snake pits.

Cristina: Yeah.

Jack: Even if we don't have snake stories.

Cristina: Of them and their stories, they probably just. They died.

Jack: Yeah, they just f****** died. Yeah. It's like maybe she was too confident and like, not enough adrenochrome. So you didn't make a monster. Because I'm sure sometimes maybe you just fall, hit your head. No fear was felt.

Cristina: Yes. Yeah. Some people just die.

Jack: You just die. Yeah. And so not everybody became a creature. But this was a weird instance.

Cristina: She probably made a few creatures by accident.

Jack: I'm sure she made a couple. I'm sure. In India. I mean, we know based on just this new context.

Cristina: Mm.

Jack: We know snake pits have resulted in snake like creatures. Multiple. Many.

Cristina: Yeah. And there's got to be people who saw it happen. Like this random guard.

Jack: Yes. Which means we could probably assuming it happens after the time of record keeping. Somebody penned the paper, Right?

Cristina: Mm.

Jack: Now, what does it ultimately mean? We know that the serpent surrounding Khalees, while she was horrified, literally being squeezed to death, were exposed to the adrenochrome. One of the abilities of creatures and adrenochrome that most commonly is acquired is shape shifting. We see it talking everywhere, and the leftover body of Khalees assures us she was in fact, still physically there. So she's not who turned. She actually did die, which created the Adrenochrome. That was important. So one of the serpents morphed over the days. Interesting enough. It also gives us insight into the transformation, because nothing gets bigger or smaller other than Ophiomorphous, the artificial Naga created by Yaldabaoth in the Shadow Realm. That one can alter its scale, but we don't know of other Naga to alter their scale. So that's not a thing. And we don't know shape shifters to alter their scale. So he would have imitated her. It would have just been a tiny arm length snake with half of it being a tiny arm length Khalees.

Cristina: That's weird.

Jack: Yeah, but that's not what they saw come out. She was full size, maybe a little bigger than Khalees. That's the adrenochrome. It's morph increased its size dramatically, which tells us what happened. We don't have many takes on serpents being exposed to adrenochrome.

Cristina: No, but now definitely one of them.

Jack: Yes, definitely, yes.

Cristina: The whole victims of children and men.

Jack: On point. Yeah, on point. So it grew in size like 10 times, 20 times, 30 times. Whatever made it bigger than Khalees by default. And it did its best to imitate what it was seeing around it with one of its abilities. And it didn't fully maximize it, but it got enough to confuse the h*** out of a guard and then fled. It somehow climbed out of the pit, which is whole complicated thing, but again, weird abilities it has. And now it's got arms that it could imitate to have. And like odd, but. And it was days later it was in that pit hours and hours and hours exploring what it was now. Horrifying, you know, so it's. It probably turned into a million things in there trying to figure it out. Anomalous things, shapeless things that just don't make sense. Anybody who looked into that hole must have been mind looking in there.

Cristina: Except no one would because like why?

Jack: It's just dead people in snakes. Yeah, but that's what we got. The lamia is not a woman. The lamia is a serpent. Adrenochrome creature. The controlled version of a serpent. Adrenochrome creature. But that tells us what?

Cristina: There's more.

Jack: That there's more. And not just more. There are literally three other variations to this same creature. Not just more of the creature. This same one creature can have four different states based on what it is. It would have thalamia, which is it on adrenochrome, but that is not what is out there eating children casually. That is what left the pit. The lamia, the controlled thinking, logical, trying to figure itself out, highly intelligent version. That is not what's out there killing men and children.

Cristina: That's just a big snake.

Jack: Well, no, that would be the feral version.

Cristina: Yeah, but that's it.

Jack: Yeah, I guess it would, but it's not a snake. It stopped being a snake.

Cristina: Okay.

Jack: Now it's an adrenochrome Thing. Yes, because the snake would not have been on adrenochrome. And in deep diving, trying to figure out how this all fits together, I successfully did in fact find them. And they all happen to be based around the same area, and they all happen to be based around the same time. So presumably either a s*** ton of these m************ were made, or we can track the specific one that ate Khalees. There is a creature called a dracana, and it's all the identical characteristics of the lamia, with details like it being more monstrous and feral, less human and more driven by primal bloodlust. And texts suggest its behaviors are similar to the lamia. Only difference in the excessive amount of aggression that it shows. The lamia seems passive and it likes to hide. It's staying away from things. Someone don't catch me, don't see me, don't spot me. I gotta be in the COVID of night, in the dark. The dracana doesn't give a. That rolls up on towns, that rolls up on city. It doesn't give a. Broad daylight. It doesn't give a. It's eating.

Cristina: It's eating. Okay, so this is the feral.

Jack: This is a creature people run from towns, from, okay, destroyed villages because this rolled through.

Cristina: Oh, that's crazy.

Jack: Yeah, yeah, yeah, yeah. Which as you'd expect of an adrenochrome creature, oftentimes we don't get something crazy vicious because it's something stupid. But sometimes we get like, you know, if a groundhog. Like, whatever, dude. But if a wolf takes it, okay, we got a bit of a problem. We got nothing but stories of villages being terrorized by werewolves.

Cristina: Mm

Jack: Because when it's bad enough, it's bad enough.

Cristina: Horrible.

Jack: It's horrible. Werewolf. That's a f****** problem. Evacuate. Leave the f****** country. If you can get as far away, put water in between you, it's a f****** werewolf.

Cristina: Yeah, and I'm.

Jack: You know, most werewolves have started themselves out into the shadow realm. Ultimately as we got more technologically advanced and built structures that couldn't get through and blah, blah, blah, blah, blah. So in modern day, we see way less adrenochrome driven creatures because they will starve to death, minus the humans who can create farms easily.

Cristina: Yes, we don't have a problem.

Jack: We can solve our issues. But that's definitely the dracaena. If it. All the characteristics all perfectly, minus the fact that it's out of its f****** mind and fits the characteristics of what we're referring to as the Lamia. See, when we Talk about the Lamia. We're converging two stories of Khalees and a serpent, but the eating children and men were actually converging. The third part, the Jacana. So we're talking about three different instances of Khalees as a woman, of a serpent imitating Khalees and of the Jacana, all overlapping in one narrative that the Greek gave us. Because the lamia never hurt anybody. The lamia dipped into the woods and.

Cristina: That was the end of that.

Jack: That was the end of that.

Cristina: Mm.

Jack: And then we get the dracaena once that s*** goes feral and didn't get exposed enough, and now it's out of his f****** mind and has to just go eat whatever the h*** it comes across.

Cristina: And it wants children.

Jack: Yes. Now, the thing is, eventually that story fizzles out and we start seeing a very similar but different story about something called the echidna.

Cristina: Sounds familiar.

Jack: Is because Knuckles from Sonic is an echidna. But just the name of this thing is echidna. And in Greek mythology, the echidna is known as the mother of monsters, a half woman, half snake creature who gives birth to many of the famous monsters. In this context, the controlled shadow realm version of the Lamia would be the echidna. You make it into the shadow realm because you've died. But once in the shadow realm, you reset, you start again. Insane. Not insane. You start sane. So you're back to clarity. Except if you don't understand how it works, it's only a matter of time before you're right back to feral. Yeah, but you've left the body. You no longer need the blood requirements, but you still need what you were getting from the blood, which is the fear. But you no longer need the blood. So you got some time now that you've died and gone to the other side. And that brings us to the echidna, this creature that seems to be an ethereal shadow ghost. Like half woman, half snake, sort of faded silhouette thing that shows up. And it does not eat people. It sort of scares people to death. Oh, haunts them. It surrounds your house.

Cristina: It wants to fear.

Jack: Wants a fear.

Cristina: Okay.

Jack: It shows up. It surrounds your house. It hits things. It'll be inside. It'll run up to you. It just scare you and disappear right into your face. It's a horrifying f****** monster that's just trying to scare the living f*** out of you.

Cristina: And it's also having babies.

Jack: According to the narrative, it's having babies. But when you look at the stories that are mentioned relative to this creature, there's not one mention of it. That's specifically the Greek narrative. That's the main Greek narrative. That's full of bullshit.

Cristina: Oh, okay.

Jack: Again, we never take the main narrative at face value. It's always a lie.

Cristina: Okay.

Jack: We gotta take the details and. Yeah, so most of the narrative fits. The having babies part does not. But the having babies part is only mentioned in the main narrative and does not get mentioned ever again.

Cristina: Okay, so he. It's a ghost haunting.

Jack: It's a ghost haunting. And it's mentioned follows the dates that directly stop mentioning the dracaena.

Cristina: So that wild creature self died. Feral being. Maybe someone finally got it killed or something.

Jack: Yes. And then we have the ghost. The ghost.

Cristina: That's cool.

Jack: Eventually that must go feral, though.

Cristina: Yes.

Jack: Because again, it's still uninformed. It's just a random thing. And then we get to something called the basilisk.

Cristina: Basilisk. And it's.

Jack: What is it described as? A deadly, mindless serpent spirit driven purely by instinct and fear.

Cristina: Of course. That sounds right. That sounds so right that all these match up in how they saw it.

Jack: Yep.

Cristina: They are all the stages of this creature's life.

Jack: They're all the stages of the creature's life. And they're all top, woman, bottom, serpent.

Cristina: Has to be the same.

Jack: And we found the origin.

Cristina: Yes.

Jack: We can track this very instance to the very pit.

Cristina: This is crazy.

Jack: It's actually the first time we could do that.

Cristina: Yeah. Whoa.

Jack: Yeah. This is the clearest we've ever had.

Cristina: A situation that just lines up with every thing we thought about these creatures and how it works.

Jack: Yes. This answers many questions. Yes. As we were theorizing is the accurate turn of how it works. Every theory we had about how adrenochrome affects the body and what we are really getting from adrenochrome, which is ultimately the fear. And it's hard to even understand what exactly the concept of fear really is in a sort of tangible way.

Cristina: Yeah.

Jack: Because we're definitely not grasping it. We don't understand. Fear is something different to these things in general.

Cristina: Yeah.

Jack: Because why can these things tune into it? Must have already been something else. Why aren't they tuning into our happiness? You know, weren't they tuning into our sadness?

Cristina: Yeah. Because it's all the same. Well, to us, we think they're all the same.

Jack: Exactly. So it's. Fear is inherently something different.

Cristina: Yeah.

Jack: And again, not just to the creatures. Because fear is what adrenochrome is. It's blood with adrenaline caused by fear.

Cristina: Yes. What is Happening. Okay.

Jack: We know Santa Claus, Mr. Clever, got planet Earth just having tiny little bits of faint fear. We know kids exaggerate smallest amount of fear. And he just needs kids to have a little bit of fear. He doesn't eat children. He doesn't do anything. He's just casual.

Cristina: But has accessed by it, though. So, like all of them.

Jack: But he's not some sort of creature. He's still, it seems, a necromancer. And necromancers can still wield things for power instead of having. Which he also has a stone on his staff.

Cristina: Mm.

Jack: So he has a stone and he's overpowered. That explains a lot. He has crazy powers. Entirely due to the fact that he has stones and still manipulating fear globally.

Cristina: Yes. I don't know. But we know he's not. He's not a human. He was a human once upon a time. Yes, but he is.

Jack: I mean, he might still be a human. We don't know what really to describe necromancers as.

Cristina: No.

Jack: Like, I think.

Cristina: But it does seem like they all went through death.

Jack: Yes, you're totally right. You're totally right. It seems in a couple of. In. You're totally right. Yes. In a couple of instances, there have been mentions that it appears to be that they must intentionally go through a process that they will die in. And that's where the original association with necromancers and death comes from. And if he is using necromancer abilities and is in any manner, shape or form, even scratching the powers of a necromancer, which we don't know. He's one of the only examples we have with, like, visible things that we can point at and be like, oh, this must be working in my favor. Like, yeah, definitely. It's hard to even grasp. But he had to die.

Cristina: I think.

Jack: So we know at least. Homer. Not Homer. Hermes. Jesus. Jesus. The best example, because, again, he couldn't go in there and do it. Dying was literally part of it.

Cristina: Yeah, it's part of the plan. That's crazy.

Jack: He's built in his own death. He managed to build the gates knowing he would need them to get back. He got back somewhere else entirely, so they couldn't stop him.

Cristina: Mm.

Jack: But he needed to die to do it.

Cristina: I'm pretty sure Patrick had a die too.

Jack: Maybe. I mean, the fact that he's so exaggeratedly overpowered and can so easily deal with even fairies.

Cristina: Yeah.

Jack: Necromancers can't be touched.

Cristina: No.

Jack: Then the question that we have is, is Mab's problem? The Elysians or is Mab's problem that the Elysians are connected with Hermes? Is Hermes the issue? Is Jesus the issue? We know the Alicians at least had a heart attack after they lost control of that situation.

Cristina: Yeah.

Jack: Get the out of here. We're all she was also fearing could totally be. Is Jesus gonna easily show up in El Fame and smack everybody around effortlessly? Sounds like Hermes can.

Cristina: Yeah.

Jack: And like I'd be shook too, if I made your universe and you can come over here and just f*** me.

Cristina: Mm. That's crazy.

Jack: But here we have the proof that it kind of works. As we suspected it would work.

Cristina: Yes.

Jack: As we have talked that it would work for years. And it played out.

Cristina: Made from adrenochrome transforming.

Jack: And we can. There's. I didn't put the dates here, but the dates kind of follow one another in the right order.

Cristina: That's so crazy because it's exactly what we thought.

Jack: It's exactly what we thought in narrative form. Although the original narrative muddies it up. And unclear is everything we're looking at. Thank you to all the other record keepers. Primarily Homer and Apollonius, who had meticulous notes.

Cristina: That's nice.

Jack: And as we know, Apollonius is really just Apollo. And Apollo directly knew Hermes because they were both present with Aristotle.

Cristina: Ridiculous.

Jack: At the school. Lycium. Yep. Everything connects.

Cristina: Everything connects. Yeah.

Jack: And somehow the problem is how the h*** did Jesus come in contact with anybody? Did Jesus didn't go to Elysium. How did Jesus. Jesus is so complicated.

Cristina: I don't know. He has some. I don't know.

Jack: He has some connection somewhere. Somewhere he must. Or he figured it out. But how? We're talking. The Elysians were definitely trying to figure this s*** out. And you alone with no help from anybody. Get the f*** out of here, bro.

Cristina: He had to have help. If he didn't like how.

Jack: Oh, s***. I just had a theory right now. It just came to me. Well. Well, I guess it kinda does make sense that he would just know. Let's look at the evidence. What is the biggest problem with Jesus that caused everybody to go.

Cristina: Everyone knew about him.

Jack: Everybody knew about him. What does that tell us? He's sending a mental wave of some sort.

Cristina: Okay. Yeah. It's coming from him.

Jack: It's coming from him outward. He was throwing a beacon back in time into the future. And in the present. This is where I am. Everybody was having visions, dreams, and everything about where he is.

Cristina: Yes.

Jack: Now what do we know? Following logical standing. If we think about Santa, what's one of the most Exaggerated things about Santa being everywhere. He just knows what you're doing casually.

Cristina: That's pretty powerful stuff.

Jack: Is that mental blast or whatever the f*** when Jesus was born.

Cristina: Yeah.

Jack: So if Santa, some underpowered thing compared.

Cristina: To Jesus can do it, still know everything.

Jack: He could literally just know everything. Yes, as long as you know it. And as long as you don't have some sort of magneto brain cover protecting you from him looking into your mind or whatever. And even if maybe he's not. Not even looking at your mind, maybe he can just witness moments in space and time.

Cristina: Jesus is. I guess, I mean, that's why he's a God. He is God. He's the son of God. He is God though. That's a God power.

Jack: Yeah. You couldn't hide from him if you wanted to. He just knows. Okay. We hid it over there. Yeah. I know where they hit it.

Cristina: Yeah.

Jack: Oh, he'll never find out about these things. Oh yeah. I can just see their library and I can just see them doing the research.

Cristina: Yeah. Like, how could they really hide?

Jack: How could you really hide? But in return, the flaw with that logic is why are you looking for them if you know where they are?

Cristina: Yes. So they must have figured out a way to block him. To block him? Yes. Yes. Yes.

Jack: Which means. Yes. Going to Atlantis was very intentional. Going to Atlantis also meant that's where they had built the protection field that prevents him from seeing them. He has no idea where Atlantis is.

Cristina: No.

Jack: They know how to become invisible.

Cristina: Yeah.

Jack: Not just literally cloaking, but they know.

Cristina: How to block their minds.

Jack: Yeah, they know how to block s***. But then that comes up to the. Let's go back to the point again. If Jesus is so freaking overpowered and you can so easily just hide from him, then his map scared of you and not Jesus. At this point, the argument really stands on one thing. One of these guys is who worried this lady. It's either the Elysians and Jehovah.

Cristina: Yes.

Jack: Or it was Jesus, which is a product of the Elysians and Jehovah. Anyways. But you know, we're still counting them as two separate entities, ultimately one two different units. And one of these units is triggering this lady into mobilizing elves into Stop. Could be basically being firewalls and trying to stop anybody else from getting to this level of power and trying to literally suppress the Elysians who went into hiding. And just who is she scared of? Is it Jesus or is the Alicians? They're not on the same side. One of those can easily side with her. To stop the other.

Cristina: I don't know. That's tricky. I don't know. It feels like it has to be Jesus because that's probably when she realized. No, like it is the Elysians, but it's because of Jesus that it's the Elysian.

Jack: Oh, like they could do some this. They could do this s*** again.

Cristina: Yes. And they probably would. They probably would. I don't know if they just learned their lessons. I feel like they're the type of scientists that are like, okay, plan one didn't work, let's go to plan two. Well, which is how we got other versions of Jesus that were way weaker after him. Like obviously they don't.

Jack: No, those were different people that was. We can follow him literally walking. Or do you mean like Muhammad and things like that? Because the people who were happening at the same time, we're not literally the same time. Kind of like this. We can track their dates back to back and we can follow every step Jesus took all the way to Japan. That was the same one, dude. That wasn't different people.

Cristina: No, I'm talking about like what's his name? Like the golem thing.

Jack: Oh, yes, yes. But that doesn't seem to have been Jehovah. That seems to have been information that came from the shadow realm. Kind of like the Viking forest. It was just something from the shadow and suspectedly that was Yaldabaoth just doing his own thing. Doing his own thing. And we know he did that with Eloi. He, you know, kind of influenced him. Like, hey, you could do this.

Cristina: Okay.

Jack: Kind of do it that way.

Cristina: Okay, okay.

Jack: Yeah. But Jesus being this level of overpowered and Jehovah's ability to easily make more Jesus becomes kind of a problem, especially because like, you don't know if they're gonna become good or bad.

Cristina: No.

Jack: And like this Jesus, at least not a threat it seems, because he directly preaches peace, love and happiness. And his whole path, every single stop he made for rest. The narrative is the same. He took care of us. He told us to love one another and treat each other really well. And he just kept going on his way.

Cristina: We know the ultimate plan is some weird war against the sea people.

Jack: Well, this is the most important part of this entire episode right here because we are way over time and we have to address this. Anyways, the narrative of Jesus, without diving into the separate cross reference parts, just the book itself, the Holy Bible, which is a rewrite of true events into this warped version by the Templar.

Cristina: Okay, right, yeah.

Jack: It tells us a very important Thing about Jesus. But we also have to remember who's telling us the story. It tells us what's gonna happen with Jesus. What's gonna happen with Jesus?

Cristina: That he's gonna come back.

Jack: Yes. And who's telling us the story?

Cristina: Let's see, people.

Jack: Which tells us what? There's an inherent plan to make another one. There's an inherent plan to make another one. Another Jesus. There's an inherent plan in the book written, telling us there's another Jesus coming. We don't know what Jesus looks like specifically. They can make him look like whatever the f*** they want. Anybody they want. We just know that a person who fits the abilities and characteristics as mentioned in the book about Jesus is gonna return. That doesn't mean literally return. That's just what they want us to believe. Because they are the people who make this.

Cristina: Exactly. Okay, so they are planning.

Jack: Yes. Within the book. We literally have. We literally have their plan.

Cristina: Yes.

Jack: That's telling us eventually we're gonna create another one. But we can't tell them it's another one.

Cristina: No. Because we don't want them to worry.

Jack: Yeah, well, no. We wouldn't even know. We think it's all one person anyways. We didn't know that he was even made.

Cristina: That's true. Okay.

Jack: Yeah. But the book directly. With all the information we have, the book directly tells us another one's happening. Another one's gonna happen. There was the plan. Always. The plan is we're gonna make a perfect version.

Cristina: That is horrifying. I don't know. I mean, like, if it works. But what does it mean? That it worked too.

Jack: Doesn't matter. The point ultimately comes down to the fact that that's whose map Mab is afraid of, like you said.

Cristina: Yes.

Jack: Maybe she's scared that they're gonna make another one.

Cristina: Mm.

Jack: And that one will be even harder to control.

Cristina: Interesting.

Jack: Or not a good guy, especially in today's world. You want an overpowered, beyond godlike thing to have been raised by a current day human woman? We're f*****.

Cristina: I don't know their plan. Well, we don't understand their plan, but obviously they told us their plan. Like we know it's happening. Interesting.

Jack: More is to come.

Cristina: More is to come inevitably.

Jack: According to the Holy Bible.

Cristina: That's crazy. Yes. Okay.

Jack: The Knights Templar, controlled by the Elysian, specifically put in a book the corrected narrative that Jesus is coming back. We know Jesus is essentially a lab experiment. What does it mean that he's coming back if they can't control him? Means they're making another one.

Cristina: They're making another one.

Jack: So you were right about that.

Cristina: Okay.

Jack: Anyways, that's what we got.

Cristina: Whoa.

Jack: Yeah. So if you guys have any comments, questions, concerns, and if you guys want to yell at me for always being so ruthless to Christina, feel free. You guys can come and yell at me, too. You know. You guys know how it goes. You can do that and hate on us on our socials, at Just Combo pod on Twitter, which is X on Facebook, on Instagram, wherever the h***, just search it.

Cristina: Just combo pod. Remember to subscribe, rate, and review the show.

Jack: Yes. And word of mouth is one of the most important, overpowered things that exists. So tell people about the program and the fact that we're finding all these weird things.

Cristina: This has been the Rambling Podcast. Take nothing personal and thanks for listening. Bye.

Jack: Sam.

Cristina: Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 279: Stonehenge

Why does Stonehenge look so familiar? Who built this interesting structure? What was its ultimate purpose? The duo accidentally stumble upon Stonehenge while investigating cold spots for paranormal activity. Between familiar designs to identical functions, the similarities and purpose of this place becomes way more obvious than could have ever been anticipated. 

+Episode Details

  • Stone Configuration
  • The Avenue
  • Legends and Folklore
  • Similarities to other Structures
  • Records, Documents and Texts

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. Hahahaha. Baffling day will be in fact.

Cristina: Haha.

Jack: Why, if I were some sort of a mime thing. Not a mime. What do you call it when you stick your hand up a doll's a** and you. He's not a mime, he's a puppeteer. Ventriloquist. First of all, I've never thought of this before, but have we in society sort of classified these two people in the same group? They're kind of like doing something, but also is like, what you're doing is impressive but unacknowledgeable.

Cristina: What?

Jack: The mime and the ventriloquist. Have we been treating them like equals? Kind of like, yeah, you're here, but like, f*** you guys. And not a direct f***** you, like cool, but like passively cool. You're not even like, inherently cool. It's just passively cool. Yeah, like, yeah, I'll stop and look at you for like a minute, for.

Cristina: A second, I don't know.

Jack: And then I'm gonna continue on my way. Regardless how impressive what you're doing might be. Outside of my point, this is a show where we ground stuff. And that doesn't mean that we take things from the ground or that we put things on the ground in the ground in a literal sense. Because in a metaphoric sense, we literally mean. In a metaphoric sense, we literally mean we grab things and put them on the ground. That's what we mean in a metaphoric sense. We mean literally, metaphorically, that we would grab something and put it on the ground so that it's like based. Okay, no, but we don't mean it literally.

Cristina: Even though you're saying literally.

Jack: No, no, no, we don't mean it literally. We mean it metaphorically, but we mean that metaphor literally. Okay, so we're literally meaning that metaphor, but we're not meaning the sentence literally. No, we're meaning the metaphor literally. Of course that we're grounding these thoughts. We're putting them on the ground anyways.

Cristina: We're starting off with like pictures.

Jack: Yes, yes, we are. You get it.

Cristina: Oh, snap.

Jack: You get it. Have you been having fun with the new mysterious? It's always more mysteries. Have you been enjoying this new format?

Cristina: Yes, I guess, because it's very Strange.

Jack: It is, but it's the fact that this keeps happening.

Cristina: It's everywhere.

Jack: Yeah. So I want you to tell me and the listener, I love this because I never put the image up. I tell them I'm always gonna put it up. But nobody puts it up. None of us put it up. Nobody puts anything up. The notes go up. Nothing goes up. Nobody puts anything up. So we're gonna describe this image. You're gonna describe this image. I know exactly what this is. I had to. Yeah, but you're gonna tell me what you're saying.

Cristina: I can't tell what's in the middle. I see. It looks like grass. It's a bunch of. It's just. It's very plain, grassy looking, with a circle.

Jack: So describe the grass. What are we talking about, grass wise?

Cristina: I'm not sure. Grass green.

Jack: Yeah. Like what? Where?

Cristina: Where? I don't know where. This is in the middle of nowhere.

Jack: How is the grass distributed?

Cristina: There's a lot of lines everywhere.

Jack: Is it plains? Is it a field? Is it a golf course? Is it a.

Cristina: It could be a golf course. I don't know. But there's a circle with two lines coming out of it. And then two lines come going over that line. But in the circle, I'm not sure what's in that circle. Is it trees? Can you tell what that's.

Jack: Yeah, I know what's in there.

Cristina: Are those trees, though?

Jack: No, I'm not answering that question yet.

Cristina: Not rocks? I don't know. And the two lines that are going out of the circle, there's something, some other type of path going through it. That. Not grass. Is it a road? It might be a road. I'm not sure.

Jack: Right.

Cristina: But everything else. The lines that are in the grass don't look like road lines. Those are, like, I don't know, biker lines. Maybe someone made it with a machine. But, like, grass is still there. So it's been a while. There, the lines.

Jack: Okay. Yes.

Cristina: And that circle is not perfect. Like, it looks like it's cut up in one side of it. But I don't know if that relates to anything. Okay. And I don't know.

Jack: All right, now give me some theories.

Cristina: What do you think this is something related to UFOs?

Jack: Why?

Cristina: Because it's a circle in a field.

Jack: Interesting. So it's a field.

Cristina: Maybe, but it's very plain. So maybe it's more like a fairy thing because they like to do it in planes.

Jack: Interesting.

Cristina: Circles and planes are fairy related.

Jack: Like what?

Cristina: Like what? Like that. I don't know.

Jack: Yeah. Like what reference? What you're talking about fairies and planes.

Cristina: Yeah. Make circles, I think. And then they usually. What's in the middle of them? I don't know. It looks like trees to me.

Jack: Interesting.

Cristina: Are we looking at it? Far away?

Jack: Say it again.

Cristina: Is this far away? Are we far away from whatever object is in the middle of that circle?

Jack: Yes, we're very far away.

Cristina: So I can only imagine that it's trees, but there's something sticking out. A bunch of something. I guess it could be rocks. It could be one of those things where people put weird rocks, like the stone hedge. But I feel like it's still fairy related, not alien related. Especially if it's. I don't know. I don't know. There's something because, like, when it's alien related, there's nothing in the circle. It's just, whoa, a circle. And then. But because there's something in the middle that makes it also feel like it's more fairy related.

Jack: I like the pattern you're spotting here. I've never thought of this before. We have discussed many alien instances. All their things are very exact lines. There's never objects in them. That is correct. We've also discussed fairies to extensive, deep, extensive details.

Cristina: Yeah.

Jack: And they always have something in the middle, and it's usually a circle. You're totally right. I like all the things you're pointing out here.

Cristina: So. Am I even close?

Jack: What do you think it is? Three guesses. It doesn't matter.

Cristina: Is that what they're called?

Jack: Or fairy trees. Okay, well, fairy trees are in the Isle of Man. Okay, go on.

Cristina: Okay. It's. So it could be a UFO circle. Anyway. Even if there's something there, like maybe things grew in there after a while. Anyway.

Jack: 100%. 100%. Like, what the h*** are we looking at? Right? They favor fields.

Cristina: And if it's just. If it's unrelated to either, then I don't know, a real nice, interesting gardening pattern.

Jack: Okay.

Cristina: It's possible. I don't know why you'd want to talk about someone who did.

Jack: You are absolutely right about a lot of this.

Cristina: Stones.

Jack: Stonehenge.

Cristina: It was Stonehenge. That poor photo is Stonehenge.

Jack: That's photo Stonehenge. Think about everything you've spotted here that we are very informed in right now.

Cristina: So far, you can't even tell that there's stones.

Jack: Yes. That's not even the point. You spotted every. Everything that mattered about this. All the similarities, every f****** ounce of everything that mattered you saw in this image.

Cristina: It's very Bad image?

Jack: Very. It was important this. The distortion of this image mattered. I chose it intentionally because it was very small, and then expanding it made it very hard to see what was in the middle. So that you don't fixate on what was in the middle. I know how you work.

Cristina: That's so crazy, because you can't really tell. Yeah.

Jack: It looks like a blob of whatever.

Cristina: Yeah.

Jack: But you noticed everything else that mattered about that, right?

Cristina: Those things matter, though.

Jack: Every bit of everything you spotted mattered. And a lot of these similarities are like, But the question is, how did we get here? Right.

Cristina: It's not fairies. It's fairies. The answer.

Jack: Well, let me answer the question.

Cristina: Okay.

Jack: How do we get on this road to begin with?

Cristina: With the hole in America.

Jack: Yes.

Cristina: Or I guess even before that. If we're starting from the beginning.

Jack: Yes.

Cristina: It was that lady's house. Yeah.

Jack: We're just looking for distortions in space time.

Cristina: And you think there's a distortion here? There's stories about this place.

Jack: That's exactly what the landed me here. And that's what's throwing me off. Because then you look at it and then you're like, huh? Before I even read a story, I know who showed up here. I know what they saw, potentially just based on what I'm looking at.

Cristina: Really?

Jack: Yes. Give me some guesses and I guarantee you're gonna be on the nose of what the stories relate. Just looking at the shape of that. Give me one creature. Just make it an educated guess. Think about it. Don't go out of the blue based on what you're looking at. Make it one educated guess. Just one educated guess. You're going to be right. There's enough variation that fixates on this that you won't be wrong.

Cristina: I'm not sure what you mean.

Jack: One creature. One creature.

Cristina: The. Based on what you're looking at, creature and not fairies.

Jack: Not a fairy, but a creature that 100% you think could.

Cristina: Shadow Realm creature, or you're saying anything.

Jack: Anything you'd like. What comes to mind? What would show up? Whatever you want.

Cristina: Werewolves.

Jack: 100%. Yes.

Cristina: Okay. I don't know what.

Jack: So Stonehenge seems to be among the top 10 most active places that have ever existed. When I dive into what Stonehenge is, we're gonna be like, oh.

Cristina: Now more than just like what they say of like, it's a calendar in a way.

Jack: Okay, let's go straight to that. It's a calendar in a way.

Cristina: So. Yeah, that's enough of that.

Jack: Yeah. Calendar. That is the Sort of basic narrative we get. Right. That's the accepted narrative.

Cristina: You can see the passing of the seasons on certain points or something.

Jack: The light comes in between the sort of rock formations and that it works kind of like a clock, but for months at a time. And seasons. And that's it.

Cristina: Yeah.

Jack: Just a clock for months and seasons. Pretty basic, Pretty simple.

Cristina: Yes. I mean, it's still kind of complicated because it's so ancient to be doing that, but. Yeah.

Jack: Yeah, a hundred percent. And that's really, really, really badass about it.

Cristina: Yes.

Jack: But then I just gotta ask some basic questions. When you think about what it looks like, what does it look like?

Cristina: What does it look like?

Jack: What? Describe what Gates. Stonehenge.

Cristina: It looks like gates. They're gates.

Jack: Tell me the complicated nature of this. This is absurd, right? Just knowing what we know in general, why is it that we see this formation that's happening here? So now we got a close up look. Describe the current image we're hovering over. Describe what Stonehenge really looks like as we see it today.

Cristina: A bunch of stones. Two stones. Two long stones going up, one stone on top. Like a gate because there's like space in between each one. How many are there? Because there's one in the middle, one on the outside. And it looks like there could have been. There's a little bit in the middle too, but that could have just been the. The ones that were in the middle broken up. So because it looks like a lot of them are no longer there.

Jack: Here's a better angle directly from on top. And to show this is gonna be.

Cristina: A perfect circle like it was once upon a time.

Jack: Mm. Mm. Yes. Yes, it was.

Cristina: Why? Why don't they want to fix that? That's so cool.

Jack: They can't touch it. No, it's ancient.

Cristina: No, they should. They should definitely. Oh, my gosh. That's also part of it.

Jack: Yeah.

Cristina: Okay. Because I thought they were all separate stone doors or whatever you want to call it. Man, I wish we knew what the middle part would have looked like. I'm guessing it would have been similar, but it's hard to tell now because it's. It's so. It's pretty gone. Just the outside layers more together.

Jack: Pretty interesting, right?

Cristina: Yeah. Gates.

Jack: It looks like a bunch of gates put together.

Cristina: Mm.

Jack: So is that the case?

Cristina: Yes. No. I don't know. Yeah.

Jack: You think it's a bunch of gates stacked together.

Cristina: But who would that be for the shadow realm?

Jack: There's observations that must be made about this in the first place.

Cristina: Like where's he located?

Jack: Fair enough. Let us go all the way to the beginning and talk some rough details. Right. First again seeking space anomalies and space time disturbances. We get here and I got here because I found a bunch of weird stories which we'll get into. But it led us to Salisbury Plain in Wiltshire, England. That's where Stonehenge is. Had you asked me where this was, I would have never in a million years known. I would have thought one of these random countries or people yodel or some s***, ya know. Okay, now make a random guess at when this was built. We're gonna start where it matters.

Cristina: Where did it start? I don't know. It has to really. It's. Sure. I'm sure it's related to the sea people somehow. But like I can't pinpoint it.

Jack: Put random year on it.

Cristina: The. The year Jesus was born.

Jack: That's the year one.

Cristina: Okay. Year one.

Jack: No, way longer ago. This is the year 3000 BC. Pretty holy s*** kind of amounts of time back. Yes, let's talk details. 72 stones fill the outer circle. In the complete version, if you fill it out and you create a design that is perfect and flawless without any stones missing.

Cristina: Yeah.

Jack: 72 stones fill the outside. It is in fact a full circle.

Cristina: Okay. Was the inside supposed to be the same though?

Jack: 15 arcs would form out of these 72 stones. That's two up one over every time.

Cristina: Okay.

Jack: 15 arcs will form the 16 sort of doorways. Like you said, they all look like gates. Yes, specifically like Shinto gates. They all have that same kind of flat top to very stable side entrances or whatever.

Cristina: This has to do with the Shadow Realm people. That's not my new guess, but. Okay, continue though, right?

Jack: Like there's something to it too specific going on here. Now, more importantly, and where my fixation rests, here where the most important. Again, why first? What the h***? Fifteen. I don't think those are games. Not the 15 on the outside. Right.

Cristina: What's in the middle?

Jack: In the middle there are five and those are not connected. The ones on the outside creating the sphere or not sphere, but circle.

Cristina: Yes.

Jack: Are all connected. They all share. Each one vertical shares two horizontal and that continues all the way around.

Cristina: Mm.

Jack: But in the middle, each one arc is formed of three parts directly. They don't connect. They are set into a sort of horseshoe formation.

Cristina: Okay, and you said. How many of them are there?

Jack: Five would complete the sort of primary inside part.

Cristina: And that's 1, 2, 3, 4, 5. And then there's just an open space in the middle yes.

Jack: Now, do you remember what you saw in the other image I showed you? It was a circle. With what.

Cristina: The first image?

Jack: Yeah.

Cristina: The very first image was a circle with two lines coming out of it.

Jack: Right. Is that something those two lines, they're important. That you saw were connecting. I mean, think about what you're looking at. Here's Stonehenge in the middle. There's a giant circle surrounding Stonehenge. There's two lines shooting right out of Stonehenge. I'll shrink this. Maybe you get a better view of what's going on.

Cristina: Oh my gosh. Oh, wow. Stones. There's more gays.

Jack: Those two lines are engraved in the ground and those two lines connect directly to the river.

Cristina: What's for.

Jack: That's not the important part. It's not even that they line up and did they connect to the river. It's what they line up with. What they line up with the summer and winter solstices.

Cristina: Yeah. That's why people watch that when it happens. People just live stream.

Jack: Yeah.

Cristina: Watch it.

Jack: Now let's think about this real quick because you know of something else that fits both the suits we're talking about right now?

Cristina: That's when the spirits are easily come out. Right. Is that it? I don't know. Close like.

Jack: Yes, close like. Do you remember something familiar directly connected the two solstices with two of them? Yes. I can give you the reminder if you need it.

Cristina: Yes.

Jack: But if you can remember.

Cristina: It's not that what I said. No, it's relating to the two solstice. I'm not sure.

Jack: Okay, so if you remember, a long time ago, we were talking about El Castillo created by the earth gods, which is essentially a temple where the very entry of the temple is lined up with the autumn.

Cristina: But that was also because we thought it was a gate.

Jack: It was a gate. It was a gate to the Shadow Realm.

Cristina: Exactly.

Jack: And to Mount Cuff.

Cristina: Oh.

Jack: Think about the shape you saw and the fact that this one we're looking at is not lined up to autumn and spring, but rather to summer and winter. And it looks like a what?

Cristina: A pyramid?

Jack: Like a pyramid.

Cristina: Oh, I thought you were talking about the other one. Oh, that. What does that look like?

Jack: Yes, the one we're talking about right now. The giant circle surrounding Stonehenge is very different than the sort of pyramid requirements to reach the Shadow Realm. Pyramids seem to reach the Shadow Realm. We see mountains, we see pyramids. The Shadow Realm. But circles seem to be associated with what?

Cristina: I don't know.

Jack: You were just talking about it. What the h*** do you mean fairies?

Cristina: Fairies. Okay.

Jack: Circles and fairies. I don't know why, but the geometry says circles and fairies and pyramids.

Cristina: In the shadow realm, pyramids and the.

Jack: Shadow pyramids always either connect to the shadow room or teleportation. Okay, we don't have pyramids leading us to the fairies. Okay, but circles always have the portals that take us to the fairies.

Cristina: Mm. But it doesn't take us to the fairies.

Jack: It takes the fairies to us. Yes, but it's a way. It's a doorway.

Cristina: Yes, but only for them.

Jack: Point is that we see fairies connected with circles and we see djinn connected with pyramids and diamonds and triangles and those kinds of shapes. Okay, so it's just a random pattern. I've been noticing, tossing that in there.

Cristina: Okay, but what about the circles we were seeing. Seeing in that farm?

Jack: Which farm?

Cristina: The farm with the circles that were moving around.

Jack: Yes, that's then when the question comes into play. Right.

Cristina: Because that had nothing to do with berries.

Jack: Well, we don't know that. Think about the fact that we saw both a square in the ground.

Cristina: Yes.

Jack: Which, when you funnel it becomes a pyramid and a circle. Both of them were at that ranch.

Cristina: That's very strange.

Jack: Yes. It wasn't one. It was both. A circle in a triangle.

Cristina: You think, together.

Jack: The same kind of sort of indentation in the ground.

Cristina: But it's different time periods. So it wasn't like they were hanging out at the same time together or anything.

Jack: It's just.

Cristina: It's the random.

Jack: It's the best spot to do it because of the activity there.

Cristina: Yeah, but this is. This is probably 100 fairy release.

Jack: This is 100 fairy.

Cristina: Okay, now or not 100.

Jack: I wouldn't say 100 fairy.

Cristina: Because other things pop up.

Jack: Everything pops up.

Cristina: Everything.

Jack: It's.

Cristina: It's a hot spot. Like the other things. The other locations.

Jack: Yes.

Cristina: We've been talking about.

Jack: Yes, but what you gotta question is then why are there so many similarities? Right. We have the lineup with the solstices, but the opposite too. Instead of autumn and spring, it's winter and summer. So the deviation, immediately something changes. Yeah, because now we're not sharing the same solstices, but we're also not sharing where we're going. Something about that alignment connects directly to either the shadow realm or the fairy Elfame. Fascinating. Just a bit of information we've uncovered.

Cristina: Interesting.

Jack: Some sort of something means that spring and autumn, Shadow, summer and winter. Elfame. I don't know how. No, I don't know what. How this connects. But that seems to be the case.

Cristina: Okay.

Jack: For whatever reason, very random observation. But throwing it out there, something we know now, maybe it'll connect in the future.

Cristina: Yeah, in the future.

Jack: You know, just saying it out loud. Maybe somebody tells us something. The message like, hey, what about the. What the.

Cristina: And then it's like, oh, how did we not notice?

Jack: How do we not notice? So something about lining up does matter.

Cristina: Mm.

Jack: And you have to line up with the sun, the way the sun is tossing energy in your way. And how you're using the energy creates some sort of a riff.

Cristina: Yes, but the sun is just very powerful thing that everyone's figured out how to use. Besides us.

Jack: Besides us.

Cristina: I mean, we're figuring it out, but, like, we're not. Like, compared to the Egyptians in the ancient time with their pyramids, like, come on.

Jack: Yeah. No, we're definitely kind of whack. But maybe they took this long.

Cristina: Yeah.

Jack: We don't know. Like, it's. We don't know at what point they were at what. And, like, also, all of them got cheated. They got extra. Not cheated. But they got to cheat.

Cristina: They got to cheat.

Jack: Yeah, we can't compete with that. They got.

Cristina: Okay.

Jack: They themselves are like, oh, yeah, they. Something helped us. Yeah, like, come on, bro. What's helping us? But then again, everybody feel like, oh, we're taking technology from the aliens.

Cristina: Yes, we are cheating too.

Jack: Then we suck.

Cristina: Then we thought, yeah, if everyone cheated.

Jack: Guys, look, let's say we're not cheating and we're doing it all on our own. Let's just. Let's take that credit. Because we have to say we're cheating. Yeah, if we gotta say we're cheating, we're bad about cheating. Come on, man. Come on, man. If we're just bad, then we're not bad. We're amazing. We're doing it on our own.

Cristina: We are really good. Because it's not us. It's these people who are good at hiding it. Like, we know there's the technology that people have that are teleportation. We know that's there. We have. We don't have it. But there's humans that do have it.

Jack: That we came up with.

Cristina: Those humans came, like, in the farm. They figured it out in the farm. Yeah, Scientists. They're humans who can do it.

Jack: Yeah. Without the question is without alien help.

Cristina: Well, with alien help by, like, they were investigating the weirdness, and that helped them.

Jack: Yeah, fair enough. That's usually how it goes. Right? It's science.

Cristina: And now they can live in space and we have no idea about it because we're not one of them.

Jack: That's f****** nuts. Right? The fact that they. Oh man. It's so nut. But this is kind of the same s***. Right? This is just way up there.

Cristina: Tech. Yes.

Jack: And then here's the thing. Here's the f****** thing. That's craziest. We've heard a thousand times that technology sufficiently enough advanced just seems like magic.

Cristina: Mm.

Jack: God. Could that not be more true the more you dig deep. This just looks like lines in the freaking. But think about everything. This is a transmutation circle of sorts. That's all it is. It's channeling energy.

Cristina: Yeah.

Jack: And that energy is lined up with the solstices. We've seen this before. El Castillo has the stairs completely lined up with the doorway in a slightly variation. Open so that it's tighter towards the door, more open towards the base. And then the walkway itself continues that expansion. Then has a little bubble and then spreads out. So it is self is in the form of a transmutation. The field that they designed around it. Transmutation.

Cristina: And the steps are weird too, aren't they? Like they're really big or something.

Jack: Yes.

Cristina: All of it for humans.

Jack: Yeah. The steps are abnormally large and in odd patterns. It's like everything is designed with these sort of geometric shapes in mind. All of it.

Cristina: Yes.

Jack: But when it's a gate or you go somewhere that already has a shape. Someplace tall enough that already has a very triangular shape.

Cristina: Talk about a mountain.

Jack: A mountain. How would you compensate for the mountain if you wanted to make a fairy gate? Because now we can differentiate. We know what a shadow gate looks like. It's some sort of a Shinto fairy gate.

Cristina: I guess so. But like the one in the house. What did that one look like? If we can picture what the inside of the house looked like.

Jack: It was. There's. That's the most f***** problem. We have no idea which side she was inviting in. We assumed Shadow Realm.

Cristina: Really?

Jack: But it could have been either or and both. Because there was no description to anything. It was an empty room. There was just a little shrine area in the corner. And the hooks. That's it. Nothing more. No description. I have no idea what she could have been doing. But the house itself was a giant shape.

Cristina: Yeah.

Jack: In this same case. It's the same idea. It's a bunch of structure surrounding some kind of more important center. Like the seance room. This pattern representing itself again. And it looks too obviously like a gate here though.

Cristina: Yeah.

Jack: But now 15 doorways. I don't think they were doorways. Maybe something else, some help channeling.

Cristina: But five doorways?

Jack: At least five doors. That brings up a problem. Why five doorways?

Cristina: So, okay, you think it should just be one doorway?

Jack: It should be three. Well, it should be two, depending on where you are. Unless it's multiple doorways, the same realms. It's not like a realm doorway as much as it is like, well, that one goes to the Shadow Realm here. That one goes to Shadow over there. That one goes to Elfame. Those two go to other parts of Earth Realm, you know, because there's five and you're already in earthrealm. Do you see? Okay, so there's five destinations. You'd only have two other realms to go to. So they aren't realm portals directly. Unless they are they, you know, more than one repetition. It could just be like Mount Kaf goes here, and this is Mount Olympus and this is Athos.

Cristina: That's if it's ferry related. It has more to do with what's on the other side. Like, they're not all coming here through the same place.

Jack: What do you mean?

Cristina: Well, the people that are living in the ferry place, if the humans there, I guess. Humans?

Jack: Yeah.

Cristina: They're not in. Why are they going through one gate into here? Wouldn't they go like a bunch of different places? Like, I don't know, like if you and a friend from Korea want to take a gate to, I don't know, gta. You just. You, you do it where you're at, but you still meet in the same spot.

Jack: I understand what you mean. I understand what you mean. So she's Korea, I'm here. We both go in through our gates and we're going to like, Las Vegas.

Cristina: Yeah.

Jack: And we both just pop up in Las Vegas. But there's two different doorways. So there's the Korea doorway and there's my doorway.

Cristina: Yeah. Because I don't know what the Parry world works like, but, like, if it's.

Jack: Like that, if it's another layer, then yes. And what this is showing us is that that argument holds more water. Because why can't they just pop up? Why do you need a door? We need a door to get to you. Why do you have a you made door? You wouldn't need to make a door.

Cristina: Well, they've always needed a way in.

Jack: Which also explains the seeing of the. Because we already know that there are the fairy forts that are made by fairies, which have the grass, the trees, circles.

Cristina: Yeah.

Jack: And then one tree in the center, it's a wall. Of trees. Perfectly. Then an empty grove in the middle with one tree in the center. And all of them look identical. And then the Mad Maid fairy forts that we just craft around an empty field. And then boom, a tree shows up in the middle following the same idea.

Cristina: Yeah. Yeah. I don't think they need something to get.

Jack: They've always needed some sort of a path. Which means they can't just hit a button and show up.

Cristina: But whatever they. When they do make a path here, there's no way for us to use that path. Which besides the necromancers, who's figured out. But they really can't go in it either. They just.

Jack: They have another way.

Cristina: They have another way.

Jack: Yeah, but here is the thing. Think about what you just described and tell me how is that any different than a Shinto gate?

Cristina: What do you mean?

Jack: From over there, you can come over here. What happens if you walk in through a Shinto gate on this side?

Cristina: Go to Shadow?

Jack: Since when?

Cristina: Oh, not us.

Jack: No, Nobody. Nobody goes in through a Shinto gate and goes to the Shadow Room. It's a one way gate.

Cristina: It's a one way gate too. Yes, that's true. Okay.

Jack: They're both just one way gate. So you can only come from that side, this way. You can't go from this way, that side.

Cristina: Well, they may. They maybe can.

Jack: As far as we know, we can't go through it.

Cristina: Yes, but they could probably use those gates back.

Jack: Yeah, but I was only kind of answering to the fact that you said it looks like a one way gate.

Cristina: Oh, okay. So.

Jack: Yeah, I could totally. Yeah. I don't know if you want to argue your own point. Sure. Yeah. My point was.

Cristina: Yeah.

Jack: If it is a one way gate, how is that any less one way than a Shadow Realm gate where they can only come in?

Cristina: Okay. Yeah.

Jack: You know. Yeah. It's exactly the same idea. So there's too many similarities here to ignore. Now let's break apart some of these details. Other than the size and the fact that we got five doorways, which brings up a thousand questions. I hope it's more than one destination in the same realm. Because then I'm confused about. Then what the h*** are the other three doorways? Because, okay. Elfame and Shadow. And then what were the Norse people closer to it? And it was closer to seven. They had five or seven or nine.

Cristina: I don't know.

Jack: If there are two doorways that are purely different destinations and the other three are supposed to be different destinations, then. Holy. But again, it could most likely just be like Earthrealm Destination 1, Earthrealm Destination 2, and Shadow Realm Destination 1, Shadow Realm Destination 2, and Alfame. Or all elfame destinations. You know, it could just be whatever. Who knows?

Cristina: Yeah. And be impossible to know.

Jack: Yeah. The lines coming from the structure, the ones lined up with the solstice, are called the avenue.

Cristina: Okay.

Jack: Just giving that information if you feel it's relevant. It consists of groves and connecting lines, and they connect to the nearby river near Stonehenge. Now, where I landed here initially was looking for disturbances and things. I did find weird disturbances and things. And you dive into these reported oddities. You would find reported oddities very quickly. This is when temperatures drop suddenly in climate. You just go ahead and go into the Weather Channel, find a location just like, okay, where. Where have there been abnormal spikes that you guys have been like, huh? And then there'll be weird registrations, and you can like, oh, what year was this? Or whatever. Now, when you do that, you can find consistent spots of weird kind of activity like that. And then if you go and find. Sometimes it's nothing. 99% of the time, it's nothing. It's like, well, you're in a weird hole that you can't really tell in the map. And so wind always works this way here. And so there's an updraft that always sends all the hot air up, and then this causes all the cold air down. So it's abnormally cold here always.

Cristina: Okay.

Jack: And it's like, okay, yeah, that makes sense. But sometimes you're in a place where that shouldn't be happening. Like a giant empty field in the middle of nowhere. There should be no cold air just suddenly collecting different than the surrounding areas.

Cristina: Yes.

Jack: So when that does happen, maybe you.

Cristina: Look into it and also what's happening.

Jack: Yeah. And so you look into the fact that, like, holy. So this place is just a giant cold spot place, and it's already Stonehenge.

Cristina: That's pretty strange.

Jack: I got here through the cold, and then I'm like, holy. Really?

Cristina: No, we got there through the cold.

Jack: I got there through the cold. I wasn't like, oh, Stonehenge. How weird is this place? It's like, it's Stonehenge, and we're just weird people who. It was probably really easy to build, and we're just like, What a mystery. Except, d***. Okay. Like, everything was justified the deeper you dig. Yeah, fair enough. Everybody was right. It's weird. Weird. It's strange.

Cristina: Okay.

Jack: I was hypocrite. I'm like, everybody's an idiot and easily Impressed. And we could have probably built this easily. It was like definitely. It's not about that. We could have definitely 1000% have built it. That's not the point. It's what it looks like, where it is and why. That's where it's like, oh f***. Yeah, we could have built it. But why did we build it? Why, why did we built it? So the legends that got me here initially there was a story about the devil that bought these stones from a woman.

Cristina: The devil somewhere.

Jack: Yeah.

Cristina: Okay.

Jack: That bought these stones from a woman and he bought the stones in Ireland and he brought these stones from Ireland and he took these stones and he placed them here and he was to humiliate the woman. Salisbury Plains, by the way, is the part in England where it is Salisbury Plains in England. So he puts them there, positions him and he's like, hahaha, nobody's ever gonna know why these are here. Yeah, she's never gonna, she's gonna tell everybody. Oh, he tricks me and he put them there and nobody's ever gonna believe her. And the people who do find these are never gonna know why they're here and it's gonna be ridiculous. And hahaha. That's like a real folklore story. I don't understand sort of the premise of it, but yeah, like, the devil tricked her. It's probably some sort of like money moral story. Don't give your money to the devil because going to humiliate you.

Cristina: Okay.

Jack: Or some like that.

Cristina: That works. Sure.

Jack: Now, dancing stones, there were some ballerinas or something. Giants. Because of the area where. And keep in mind the area we're talking about is England. So we're right next to Ireland, right next to like the northern part of Europe where we're getting like weird fringe and like we got the, the Vikings up there and crap like that. So giants. Giants.

Cristina: Do they mean giants as in giant giants?

Jack: They mean tall giants. Not as the right. Nephilim. Giants.

Cristina: Okay, just checking.

Jack: Yeah.

Cristina: All right.

Jack: But also Nephilim were huge too. That they could be both sizes according to some. So whatever the case might be. But giants the words.

Cristina: Okay.

Jack: And so that these stones were actually giant ballerinas dancing that had been petrified suddenly. And so that's what it looks like. They were in the middle of choreography.

Cristina: And then something just scared them.

Jack: Something not scared them, petrified. Turn them to stone.

Cristina: Turn them to stone. Oh, okay. Was it Medusa? Okay.

Jack: Don't know.

Cristina: What a weird story.

Jack: Another story is that they were placed there by deities or something and had Healing properties, you know, basically.

Cristina: I'm sure. Sure.

Jack: That's the obvious one, right? Yeah, I see. I like. I don't like the duh. But then I came across a sentence where I was like, okay, because. Because that. To that point, I'm like, okay, maybe there's cold spots and stone change, but.

Cristina: Like, there's nothing there.

Jack: This is stupid. Yeah. Like, it's getting pretty dumb. There's nothing. And you look at these stories deeper, you dive into any of them, and it's like, you guys are crazy. There's no basis here for anything. It doesn't connect anything. It doesn't make sense. It's nonsense. It's nonsense. It's legit folklore.

Cristina: Okay.

Jack: Until the title of one story, I didn't even have to jump into story yet. It said the fairy Stone, which just justified so many things I already had in my mind.

Cristina: The Fairy Stone.

Jack: Yeah. I already looked at these and I'm like, I see what this is. And I'm already like, yeah, exactly. And I'm like, this circle. Huh? I see what this is. I see a gate. I see fairies, you know?

Cristina: Yeah, I see.

Jack: Yeah, exactly. It's all there. I see weird things. And then this person's like, the Fairy Stone.

Cristina: I'm like, oh, that makes sense. Yeah. Okay, but say more interesting.

Jack: So this local legend was basically that fairies built this place, and it literally. Literally. The legend is not me adding any sauce to this, that it serves as a portal to the fairy realm and other realms.

Cristina: And other realms.

Jack: Yeah. But okay, it's. It could just be multiple destinations in one room. It doesn't say each story is a different realm.

Cristina: Okay.

Jack: So.

Cristina: Yeah, I'm thinking that's exactly what we thought, though.

Jack: Yeah.

Cristina: Okay. Yeah, that's crazy.

Jack: Now this 100% serves the fact that people have seen the weirdest s*** here too.

Cristina: Bigfoot, I don't know. Like what?

Jack: No, like werewolves.

Cristina: Oh, yeah.

Jack: But when you see a werewolf in the middle of nowhere, you're not really seeing a werewolf. You're seeing something that kind of looks like a werewolf. You're seeing, like, a wet shudder and dingo, you know, it's the spot where you would see that, which the theory is, then something must have happened here longer ago from this point that made this the viable spot for this.

Cristina: Okay.

Jack: It must be so long ago that it predates any of our ability to track recorded records and that we have to find, like, tracking down the Aliasians and, like, finding out about Loi Shreds. A little tiny sliver of a mention somewhere Must exist. About that, about this spot. Something must have happened here.

Cristina: It was what it is. Before the stones.

Jack: Yes, before the stones. And we're talking that you guys have a area that seems to connect to multiple points from one place. The amount of entered. There must be something. There must be a lot of some things in shred. Just a tiny sliver. But a thousand times, because enough people would have known about however much death took place to make that work. I believe that's trackable. I believe that must be incredibly trackable. We just don't have this, the context of philosophy, the sort of thought tools to be like, if I see it here, then I can apply that logic over there. But you have five portals in one location that go to different destiny. It doesn't matter how many. They could all be on Earth. You have five portals in one destination. Bare minimum. If every doorway is a portal, how many people died to make it work?

Cristina: How many people died?

Jack: Do you see why it couldn't be? I don't think it could be. I don't think they could all be doorways. And also like, what?

Cristina: No, it couldn't be.

Jack: There must be some channeling nature to them.

Cristina: Yeah. I don't know how, but like.

Jack: Because they're also connected. There's something weird there.

Cristina: Yeah.

Jack: I don't understand the design for that.

Cristina: But it makes sense in the way that the house makes sense. Like she did so much crazy things that look like nonsense. But it made it work. We don't need to know what it is, but obviously it takes a lot of whatever.

Jack: Yes, it's random things we know about this place. It only works twice a year.

Cristina: What do you mean works?

Jack: It only works. These gates only work twice a year.

Cristina: Okay. Yeah.

Jack: During autumn, during summer solstice and during winter solstice. Yeah, so that's an interesting point. It's null and void, easy to keep track of if you have enemies on the other side. Only once a year do you post anybody to watch, you know, trade happens only once a year. Is this a hotspot? Which brings up an interesting point. It is suggested that it is also a trade center. It has resemblances to other trade centers from other cultures. So that it is a trade center of sorts. Now, if we had people from the Shadow Realm trading with people from Earth Realm. Oh, were we also trading with people from Elfame? Because if we're finding that they need gates and we are finding evidence here and there scarcely that maybe they are just another layer. They might be higher up than us, but they are still equal.

Cristina: I don't know. That doesn't make sense to me. I don't know. I always imagine that there's so much above.

Jack: Well, they wouldn't trade with us per se as much as like, volition. The Alicians do you see?

Cristina: I don't know. I don't know.

Jack: And then military action makes a lot of sense, which then takes into account that what we are interpreting as Firewalls. Yes, firewalls. But even within our own discussion, the firewalls are soldiers of sorts.

Cristina: Okay. Yeah.

Jack: And like. Well, the Alicians are a problem and they have other military. Just like in current day, for us, we have enemies and we position ourselves tactically around them.

Cristina: Yeah.

Jack: And we're like, you move weird, we move weirder. So don't move weird. Look at where we are. Maybe that's really the move here when we. Because think about. We know the story very vividly. There starts to be a move, a push towards the Jesus project. And suddenly the people of Elfhame show up and the elves are like, okay, our job has begun. You know, as soon as Alexander begins his role. And we start seeing the motions from Jehovah and we start to see the parts in motion to kind of create Jesus, which is about 150 to 200 years. Alexander starts about 300 years back. That's the same time the way Hermes is starting to kick up his whatever, most important project.

Cristina: When do we see the fairies?

Jack: The fairies start about 300 years, which is the same point we get to Alexander. That's coinciding. That was the most important point of that episode. But it just so all happens to line up there.

Jack: Maybe it was. Oh, f***. They started to move weird. Mobilize the soldiers.

Cristina: Okay.

Jack: You know, the people of Elfame started to do whatever, you know, their nuclear project has begun. Okay. Let's make sure they know where we're. That we're here. So, you know, put some elves here, put some elves there, put some elves over here and they'll know. Make sure all their people are in check so that they remember who we are.

Cristina: Yes, but not us.

Jack: Not us. The people from Elfhame. Specifically, Mab. Giving directions.

Cristina: No, I'm saying, like, they're not watching over us. The humans here, we're watching over.

Jack: They're watching the people of Elfame. Yeah, the elves are watching the people of Elfhame.

Cristina: The elves are watching the people from Elfhame.

Jack: Yeah. Trying to keep them in check. Or that was a point.

Cristina: Alfame is where they go.

Jack: I mean, my bad. The Alicians.

Cristina: Yes.

Jack: My Bad. The elves are watching the Alicians.

Cristina: Yeah. Yes. Okay. Yeah, yeah, yeah, yeah.

Jack: The elves were watching the Elysians. That's what I meant to say.

Cristina: Yes. Yes. Okay, that makes sense.

Jack: So their whole purpose was that they.

Cristina: Come and watch, they sing the weird.

Jack: Stuff, and then Jesus, they see that the Elysians start the ball rolling for the Jesus Christ project. That really got out of hand to begin with for everybody.

Cristina: Mm.

Jack: Which, like, fair. Okay, let's give Mab some credit if the image that's building is accurate. The same way that we give Jehovah credit for telling Lucifer, like, calm the f*** down. You're gonna kill them all.

Cristina: Yeah.

Jack: That same logic is ultimately what Mabsaw. And we're gonna say that Jehovah was so cocky, he thought he was equal the same way Lucifer did.

Cristina: Oh, right. Yeah.

Jack: Jehovah's sin is the same sin that he judged Lucifer for. I know. Just as much. But, like, d***, dude. Ma' am saw it coming, bro.

Cristina: Yeah.

Jack: She was trying to stop it, and now here we are. Jesus is out there. You did it. Yeah, she tried.

Cristina: And the days are coming, and he's gonna come back, and. Yeah, whatever.

Jack: She knew you'd start the apocalypse, homie. Yeah, she knew. And you're like, nah, Lucifer's gonna do it. And it's like, nah. She's like, nah, you're gonna do it.

Cristina: And he did it.

Jack: Funny enough, all the evidence tells us that she somehow ended up in the creation of everything beneath her by creating Yalda, who then created everything beneath him. So, like, that's her fault. Whatever is gonna end her universe, too, is her fault.

Cristina: And.

Jack: And somebody up there was like, don't do this. This is stupid. You're gonna kill us all. And then she did anyways, and now she's trying to control it in her.

Cristina: Creature, her creations created something. Who created something.

Jack: Yeah.

Cristina: That's gonna destroy it all.

Jack: Yeah. It's nobody's fault, but everybody's fault.

Cristina: Yeah.

Jack: Right. This is ultimately what's happening.

Cristina: Turtles all the way down.

Jack: It turtles all the way down. It always turtles all the f****** way down. It's absurd. It's so absurd that we. It doesn't matter where we look, if you have the context to look. So I'm gonna give you the details that don't matter because the puzzle was too obvious. Seeing the shape from the outside.

Cristina: Yeah.

Jack: We're too informed. We looked at it. We're like, I know what this is.

Cristina: Mm.

Jack: We both saw the same f****** thing. You didn't need s*** else.

Cristina: Yeah.

Jack: You just saw the circle in the field. You're like fairies and you're like, the gate. That's a gate. That's only a gate. And then I tell you it's 3,000 years earlier and you're like, oh, it's just a primitive version of the same thing. That one's made of stone and this one is made of poles. It's the same f****** thing. Time changed how it looked. Yeah, that's it. That means Jesus didn't invent the gate. Point number one.

Cristina: No, he was taught about the gate, I think.

Jack: By who? Because he taught a bunch of people a bunch of random s***. You're totally right.

Cristina: That's how I know about the stones in the shadow realm, man.

Jack: He has a rat in there.

Cristina: I don't. I has to be. It has. It was too, too easy. I understand he's probably like Santa Claus that he can sense things, but d***. But like day and a half easy.

Jack: A day and a half in a jumbled mess. Get the out of here now. Dude, it's too easy. He showed up on the other side and somebody's like, follow me, I'll show you. Yes, I would love to see the movie on that. That must be the most epic movie. Jesus, right? Just pops up. He just experienced the movie begins at the most horrible moment of the crucifixion. Great scene, right? Super dark, super horrible. Maybe like five minutes of it happening. Super horror. And then he dies. And then darkness. We hear crying in the background. Whatever, you know, old Israeli music or whatever is gonna kick in. And then a heartbeat. And then. And then he just like, he starts to panic. And then he opens his eyes and. Okay, now he's. He's looking around. He's looking around. Then he just sees something. A. Something's there. He doesn't know what the f*** it is. Kind of looks like a person. Kind of looks like a silhouette. He can't make out what it is. Shadowy looking, like, what. What is this ambiguous thing? And that person Sundays, we have two days. Follow me. Best intro ever.

Cristina: I don't know if the time works the same over there either.

Jack: Exactly. Oh, my God. Maybe it's less. Maybe it's more. No, it's probably more. Who knows? You're totally right. He could have been over there for a super long time.

Cristina: Yeah, we don't know.

Jack: Crazy a** adventure.

Cristina: It's just here. It was two days.

Jack: Yeah. Oh, I never thought about that. Interesting. I like that. Yeah, because it is weird over there.

Cristina: It's weird. So we don't know. And also he Got those stones. Too easy.

Jack: Too easy. Could have been forever. Had to be.

Cristina: Right now he's working with the shadow realm creatures. Like, there has to be a leader that decided this was a good idea.

Jack: Did it Safer to work with Jesus. Yeah, I don't even know. Anyways. Anyways. Going through a bunch of crap. Weirdly enough, I do find a direct mention to this in text. Weird. So in 1136 AD, a man named Geoffrey of Monmouth claimed be very ready for the following sentence. Because this is the trippiest part. This confuses the entire plot that we've devised here because what he says is too on the nose. And then it's like, oh, s***. He specifically and literally puts into writing what? Merlin did this. He did this thousands of years ago. He constructed Stonehenge. Literally, it goes. He constructs the stonehead hundreds of years prior by transporting stones collected near and in Ireland to where they rest now. Now, there's too much accurate information going on there. There's too much accurate information with the devil story.

Cristina: And because I could have been like, fairy, like, talking crap about him.

Jack: Yes. You see the painting that they immediately made, the devil now suddenly made sense because of how they like the twist stories.

Cristina: Yeah. He could have stolen those. He stole those stones from fairies.

Jack: Now, locations tells you everything you need to know. Where did the stones come from? Ireland. And where?

Cristina: I already missed it. What did you say?

Jack: The sentence specifically said shocking. Ireland and places near Ireland.

Cristina: Okay.

Jack: That tells us one important, important location, which is the Isle of Man.

Cristina: Oh, okay. Yeah. Where this fairy garden is, I guess. I don't know what to call it.

Jack: Necromancer built a portal. The power of a fairy portal. That's what we're seeing?

Cristina: Yes.

Jack: He built a monstrously colossal, incredibly intricate, complicated portal that works to access fairy locations. I don't know. And I don't think it could access shadow realm locations because of the rule that seems to happen naturally that we're observing where all of the shadow realm connections. But our one and only fairy realm connection doesn't have a pyramid in f****** sight.

Cristina: I don't think he has the ability to travel the fairy world because as far as we know, necromancers can travel easily. Easily. But like, they're not in the ferry. They're using it somehow to travel here. Easily.

Jack: Yes. The point, there's a way that they're moving through that space.

Cristina: Yes. So then those would be his portals to probably go into other places here.

Jack: Unless those are his portals to literally go into there while he has other ways to move through again. If this turns out to be just another layer.

Cristina: Yeah.

Jack: Then what we're thinking is a satellite could literally be him literally being there.

Cristina: In the fairy world.

Jack: In the fairy world, like necromancers are actually getting there.

Cristina: Oh.

Jack: Because they're another layers or not some inaccessible other location. If they are just another physical layer to us at. And they know how to do that. And the story is a necromancer called Merlin, hundreds of years prior to the writing of the moment, according to the writing, built Stonehenge with stones stolen from fairies.

Cristina: Yes.

Jack: This is kind of heavily on the nose. I could have guessed half of the story had you asked me, you know, like, that's how on point this is.

Cristina: Yeah. That's kind of crazy.

Jack: If you told me where I'd go find some fairy stones, I would instantaneously say somewhere near Ireland.

Cristina: Mmm.

Jack: It would have to be the Isle of Man or some kind of place along the coast. The end.

Cristina: Ridiculous. That's great. This is a crazy story.

Jack: This s*** is so on the nose.

Cristina: Yeah.

Jack: So I was kind of blown away by that. And. Yeah. So look, this is another one of those scenarios where there isn't any one thing literally saying that, but all the.

Cristina: Individual parts are like, definitely that.

Jack: Like, what the f*** else could it be?

Cristina: What else could it be? I think that's it.

Jack: Yeah. It's just very old and withered and not used. Or maybe it works at this point, but people go there at the point nothing happens.

Cristina: Well, they wouldn't be able to do anything. Like it would take one of him to. To use it. Like it probably does work.

Jack: How do we know people have been there during the solstice and it does nothing.

Cristina: Why would it do something for them?

Jack: Well, it's possible this is more than just a one way gate. I don't know if it is. Maybe it is that somehow there's just. But there must be a gate that must be one way from here out to somewhere. And if you put two of those next to each other.

Cristina: But you still need to have the knowledge of necromancers.

Jack: Yeah, but so you built it and then what? You don't. You need the knowledge of a necromancer to activate it too?

Cristina: Maybe.

Jack: Fair enough. That could totally be the case. But if you look at this image, you'll notice that there's a bunch of little details that are no longer present. On top of the fact that most of the structure, the outer circle, is broken at Stonehenge.

Cristina: Yeah. Okay.

Jack: Do you see? I believe that if this is in fact the transmutation circle. We're looking at a broken transmutation circle. The reason it doesn't work is because it can't channel the energy. It's broken.

Cristina: Okay. And they're never going to fix it because they can't.

Jack: They can't fix it. If they do, then they're ruining this relic. They would have to try to replicate the design elsewhere and see if they can get its function going, which includes all of these small little details made of something called bluestone.

Cristina: What is blue stone?

Jack: It's a kind of stone.

Cristina: Where is that from? Is that from Ireland or something nearby, like those other.

Jack: All the stones are from nearby? Yeah, they're all from like Ireland and like local areas. The whole structure was made like that. But then there's a bunch of different things. Look at north barrel, look at the south barrow. There's a station stone. Station stone. It looked like it was a multi purpose device. There are many theories on what this in fact was. It's not just a calendar. As much as some people are like, oh yeah, it's some sort of energy channeling device or it's some sort of starscope or it's some sort of astrological measurement device or something like there's many. That's the point. It looks like it is all of it. Now let's end this on a very important note. All the stones that are horizontal and all the stones that are little circular ones on the outside are lined up with stars. All of them.

Cristina: You think teleportation to space then?

Jack: Teleportation. Not just the different realms. I think there's five gates. And if one would go to like Mount Ka, and if one would go to somewhere in the shadow realm that El Castillo connected to, then you have three destinations left, Right? That's one in Earth realm, one in Shadow realm. So then you say one wherever the Egyptians went to that somehow people are still connecting to space. Yeah, that's somewhere else. And one wherever the Mayans went to underground and one wherever the Alicians went to.

Cristina: No way. Maybe, I guess. I mean, it's. It's a necromancer. They can do whatever.

Jack: Do whatever. All these, these are just random suggestions, right? They could be any. You could assign any random 5. If a necromancer built this, which is.

Cristina: The accusation, which makes a little sense. I don't know.

Jack: I think that makes the most sense.

Cristina: Yeah.

Jack: And like, then you got these five doorways. What five evened out things could we assign to those? They must go to five sort of equal places. And if it's realms, then we'd only have two, because you're already in one.

Cristina: Yeah.

Jack: Unless there's repetition doesn't matter. And if repetition doesn't matter, we can have that many doorways, we can have every single one of those doorways could actually be one. Maybe they make total sense. You know, maybe it's like three next to each other. Like, this one goes to that part, or if that one goes to this part Earth, this one goes to that part Earth. And those four over there in a row are all the Shadow Realm. Those seven are this place. And this goes. You know.

Cristina: Okay.

Jack: Could easily be something like that. And in the case like that, if, let's say a person from Nordic background walked really, really far, landed in this place, and was explained that. Well, this one goes to some people who live underwater. And this one goes to some people who are really good working underground. And this one goes to some people who are really good at working in the skies. Oh, and also the people from the skies work with really good energy, and the people over here work with really great genetics and the people over there. And so you start to explain this system. And slowly but surely, this Nordic person is like, those three are up, but they're different kinds of up. That's down.

Cristina: Saying that's what made their legends.

Jack: It kind of starts to paint an interesting picture. Right.

Cristina: But how many do they have? Don't they have 7?

Jack: 5? 7 or 9?

Cristina: 5, 7 or 9. Oh.

Jack: Depending on which branch of their tradition. You pull from five, seven or nine.

Cristina: But it's impossible to tell what's the original.

Jack: Yeah. And here we have five, which is one of those.

Cristina: Okay.

Jack: They're just throwing, you know, spitballing the way we do. Love just so happens to fit many suits.

Cristina: Yeah.

Jack: And I think it's 90% at least. Definitely. It's 100% a gate territory. That's not a question.

Cristina: Yes.

Jack: Where it goes very related is like 90% the question or the answer. Most likely.

Cristina: Most likely. I would say most likely.

Jack: That's about it. It doesn't seem that there's no. Is the first instance of gates and no associations. Like it's Auto Mountain or some s***.

Cristina: But related to Merlin, man.

Jack: That's a weird one.

Cristina: That's a weird one.

Jack: But also he seems kind of op.

Cristina: Interesting.

Jack: And this is way before whatever mess.

Cristina: He was in with author.

Jack: Yeah. This dude said, thousands of years ago, this guy made this s***. It's like, whoa, whoa, wait. How do you know Merlin that well, bro? How do you know thousands of years ago.

Cristina: Are there more Moreland stories? Because I thought author was the Merlin story.

Jack: You know what's weird? I have seen, like two or three that are allegedly taking place before. I'm like, okay, so he must be some older legend that got tangled up and turned into Merlin, right?

Cristina: Yeah, like Santa Claus.

Jack: Yeah. So if we follow that, I bet that guy's named Hermes somewhere.

Cristina: No. What if they all go back to.

Jack: Hermes where he's a student, you know?

Cristina: Yeah.

Jack: Or I could trace the line back and he's like, at the Aristotle school.

Cristina: We'll find out that they're all Hermes except for the one student, which is Jesus.

Jack: Yes, that be. That would. That would make so much sense.

Cristina: I would.

Jack: That's the most possible story. It's either a bunch of necromancers that we're slowly gonna uncover. Or two.

Cristina: Or two.

Jack: Or two. The guy who made it and guy who perfected it.

Cristina: Yeah. Oh, I don't know.

Jack: Anyways.

Cristina: So crazy.

Jack: This has been Stonehenge, people. This is what I found. All the shapes and weird. Interesting. I didn't focus on those stories as much. Again, there were stories. There were many ghost stories. The basic stories. If you guys want a quick brush up. There's a lot of stories about, you know, phantasms, cold spots. There are again, many werewolves. There are vampire stories that take place there. People visiting it and, like, passing out and having blank marks and blah, blah, blah. From, like, many years ago. Yeah, thousands of years. Not thousands, hundreds of years ago. Medieval times, specifically.

Cristina: Many years ago is fine.

Jack: Yeah, long ago. There is recurring voices. There are moving shadows. But all of this just fits the suit of a place with high disturbances.

Cristina: Yes. Any time disturbances, though? You never mentioned that.

Jack: No. So interesting enough, there doesn't seem to be any other than echoes of people. There doesn't seem people slipping in and out of time. People being there for a couple of minutes and it seeming longer or being there really long and assuming a couple of minutes. Or seeing things that should be out of time moving around them. Other than what we would classify as a ghost echo.

Cristina: Okay.

Jack: Which are a plethora, every variation of every version of ghosts. And then what we would call phantasms and what we would call spirits, which are most likely just gin and creatures from the chaperone. All of those. Yes.

Cristina: All right.

Jack: Time distortions. No. But based on paranormal activity in general, we have our suspected space time anomaly or disturbance, which then literally brought us to the right conclusion of something weird is going on here.

Cristina: Interesting. And then this place might relate to Merlin.

Jack: To Merlin. Of all people. It's interesting how we keep coming back to the same kind of.

Cristina: It's either him or Hermes. And if they're the same, that'd be funny.

Jack: That'd be funny. More names for the same guy. He just keeps doing it. Which would explain why Jesus did the same thing. And then it brings up an interesting point. That was loi training to be the same because there seems to be many people who took that name. Or is it just last name?

Cristina: I don't know. No, I think it's. No, I don't know. I don't know anymore. It might all be one person. I don't know. That's complicated.

Jack: Only one person has ever existed.

Cristina: It's three people. No, it's one person. I don't know.

Jack: I don't know. Anyways, if you guys have any information, hit us up on our socials and tell us what you discover on your searches to better information and understanding. And you can do that on all our socials at just convopod, on TikTok, on X, on Facebook, not on YouTube, but Instagram.

Cristina: And. Yeah. Whoa. That's crazy. I mean, they were, like, doing it slowly.

Jack: Yeah.

Cristina: They just got tired of it.

Jack: Yeah. They slowly were like, let's not take one at a time.

Cristina: Take the whole thing. That's so wild. I took that so long. But. Okay, well, remember to subscribe, rate, and review the show.

Jack: Yes. And Word of God mouth, it's very important to tell people that we're getting to the bottom and grounding the world's most absurd and baffling ideals.

Cristina: Very baffling.

Jack: Very.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening.

Jack: By. Okay, Random thing we just saw and noticed and thought about right as we ended.

Cristina: How we didn't notice. We were talking about it. We were so close to it. The. What is it? The Merlin gates and Jesus's Shinto gates. We're wondering who taught Jesus all of.

Jack: Everything, especially how he gets these gates.

Cristina: How he got these gates, how did Jesus do it?

Jack: And then we see that the Shinto gates are an identical design to Merlin's gates used at Stonehenge. Just a more primitive version at stonehenge, but about 3,000 years older.

Cristina: Yes.

Jack: Shock. I wonder who taught Jesus.

Cristina: Huh? Huh?

Jack: Just tossing that at the end. Anyways, thanks for listening.

Cristina: Thank you. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo, and logo by Seth McAllister with social media managed by Amber Black.

Rambling 227: The Wheel of Fame

Who is the most famous person? What does it mean to be famous? Can it be ranked? The duo create a tier list in order to better understand degrees of fame following the previous week’s discussion on the same topic. 

+Episode Details

Topics Discussed:

  • Describing Fame
  • Global Fame
  • Local Fame
  • Tier List
  • Wheel of Fame

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurdly baffling ideas. And today we have have a continuation to a conversation we were having last week where for some reason we landed a pond trying to figure out what level of fame qualifies giving a celebrity a certain grade and where they would land on that grading system. Celebrity being anybody who is known by a lot of people. But now there's different ways to be known. Now we decided we were going to make our individual tier lists of celebrities, fame, and then compare notes. But we're also going to form between the two of us as we discuss our individual ones. Yeah, I guess a mega list. The super band of lists.

Cristina: Yes.

Jack: In order to truly understand the levels of fame. But these people are gonna move up and down as we truly nail down who's the most famous.

Cristina: And what does it mean?

Jack: And what does it mean? Okay, so we have them on this little wheel thing. And the wheel is gonna choose a name for us. Typical. What's. What's the show? What's the show with the wheel? And you spin it.

Cristina: Wheel of Fortune.

Jack: Wheel of Fortune. We're gonna Wheel of Fortune these names and then talk about them and make our super mega duper list. Yes. That's what we're about to do. So let's spin this wheel of celebrities made up entirely of the people you and I thought of.

Cristina: And I already spun the first wheel. So the winner is Oprah Winfrey.

Jack: That's interesting. I don't actually think Oprah Winfrey is global. That's just. Yeah, you know, it's really American billionaire type of thing.

Cristina: Yeah.

Jack: I think Oprah Winfrey easily lands in like a C tier, a sea tier. Yeah. I don't think she's global, man. I think there's a lot of steps before you get to her.

Cristina: Where. Where would be to you then be like, what would be in beats here.

Jack: In beat here.

Cristina: Yeah.

Jack: In my head, the way these work, S means you are known by a lot of people around the world. Just a lot of people in general. Everywhere there's a lot of people. Then A means you're known in specific areas around the world.

Cristina: Specific areas.

Jack: So you're known. Like there's a bunch of countries that know you, but there's a bunch of countries that don't. Unlike being an S, which It doesn't really matter where you are. You kind of know. So in A class you're known worldwide, but not everybody knows. But in S class you're known worldwide and kind of like everybody has at least heard of you.

Cristina: Yeah. Okay.

Jack: Then B is you're really famous in one place and you have some small pockets around the world.

Cristina: Okay. I can't prove that about her. She is very moon here. For sure.

Jack: For sure.

Cristina: But I don't know.

Jack: I think she lands in C. I had her at.

Cristina: I think I had her in B. No, I had her in A.

Jack: You had her in A?

Cristina: There's now kind of doesn't make sense. I. I kind of agree with you. Like she's not that famous.

Jack: Yeah, I don't think she's that famous. But do you agree with how I'm laying them out?

Cristina: Yes, but also I just don't think she's that famous. She's not like she's definitely not worldwide. Like I'm not sure about B and C and like worldwide versus worldwide, but everyone. I don't know, it's a little tricky. But I just know she's not that.

Jack: Basically A, B and C. I mean S, B, S, A and B are all worldwide, but different levels of it.

Cristina: Yeah. So.

Jack: And then you stop being worldwide. That just means you're in your country or a country that isn't yours, but you're famous somewhere.

Cristina: So C it is. I think. Okay, I'm go with C2.

Jack: I. I think that's the correct choice.

Cristina: I don't know. Like now like maybe she can be D. What is D?

Jack: D is you're just known in a small area. A city. You're known locally. A couple of cities.

Cristina: Okay. More famous than that. She pretty famous, but it's just local. I.

Jack: Yes.

Cristina: Okay.

Jack: Okay. So now let's get the next name. You see, we managed to get that down. We agreed on the. On the rules here. So the hope is that we can sustain it.

Cristina: Kajima.

Jack: Became developer. He was not on my list. Hideo Kojima. That's interesting. I think Hideo Kojima is a B class celebrity because he is known globally. But in certain areas was the result.

Cristina: That in A, again, isn't A the small area or no.

Jack: Yeah. So if he were A, it would be like a bunch of countries know him a lot. Like he's super big there. Like Hasselhoff is just big in random places. Oh, just huge around the world.

Cristina: He's A S. Because there's place people.

Jack: Who don't know about him. But where he's known. He's f****** known. While Hideo Kojima. He's really big, but where he's big, he's known kind of specifically. Those people are really specific people who know who he is.

Cristina: Yes. So that would be B. I originally had him at A. Also. I don't know if Hideo and Oprah. So let's see.

Jack: Yeah. Because he's still huge in his own country, and he's huge in the United States.

Cristina: But everywhere, I guess.

Jack: But not everywhere. And even then, he's not. No, exactly.

Cristina: And celebrities know him.

Jack: But those would be the pockets here and there.

Cristina: Okay.

Jack: Small groups of people.

Cristina: Famous to famous people.

Jack: He's famous to famous. That's. That's actually kind of amazing. He's famous people's celebrity.

Cristina: I'm so good. I think B does work, though. I hate that your rules make sense. It does make sense. I'm trying to understand B and A still a little bit, but I'm. I'm getting it. Okay.

Jack: All right, let's roll this again and see who we get. The Wheel of Fame. That's what this is gonna be called.

Cristina: Wheel of Fame. Wheel of Fame, Yes. Is it another from my list? Bts?

Jack: I actually had this on my list.

Cristina: You had them on your list?

Jack: On my list.

Cristina: Okay. Their world famous. You don't even have to know anything.

Jack: No, I have to think about this. I have to think about this. I had to think about this a lot. And I do think they're a. Not us. I think they're a. For one reason. They're known globally and they're known, like, heavily. But there's two issues going on. One, they're. They're like Hasselhoff. The amount that they're known is subject to their location. They're huge in really specific places. Second, they're huge to a specific group of people.

Cristina: Yeah, huge.

Jack: Because there's many of them. But a specific group of people. Grandparents don't know who the they are.

Cristina: That's how you're gonna. You have to Every age ring. That age ring.

Jack: Yeah. I had to. I had to think about it. Like, could I ask. Somebody doesn't know who you are.

Cristina: Okay. But he's. They're a. Right.

Jack: They're a. They're a. Yeah. If I can ask anybody and anybody would know who you are.

Cristina: Yeah.

Jack: You're s. Okay. S is hard to get into.

Cristina: I actually did not have them on my name. I had them originally, and I removed them for someone else because my list was just getting too long.

Jack: BTS An A class level of fame.

Cristina: But I think who I replace them with is someone equally as famous. But we'll see the next person.

Jack: All right. Spinning the wheel. I wish we had the. The sound effect for it.

Cristina: There probably is. Huh?

Jack: Alex Gray.

Cristina: Alex Gray. Oh, my gosh.

Jack: I think that's an easy. Like C. I think he's real big in the United States, and he's either C or B. Like a low B?

Cristina: No, C, maybe.

Jack: Because I think he's still famous enough to be known globally, but by small groups of people who are specifically seeking him out. I don't think there's anything huge. So I do think he's probably leaning more towards A. Yeah. Like a low B. So that makes him a C. I.

Cristina: Would say C. I'm feeling C. Like, I really like him, but I don't think it's.

Jack: His level of fame isn't colossal.

Cristina: I don't think I know anyone else.

Jack: People know his art more than they know him.

Cristina: Yeah.

Jack: That's how serious it is.

Cristina: Yeah. That was your choice, because I don't think I picked him. Yeah. Okay.

Jack: That was mine. So Alex Gray was a. Is. He is not that. Alex Gray is a visionary artist, really successful one. Also owns a museum called the hall of Mirrors, which is a psychedelic church.

Cristina: I don't know it's a museum, but it's. And there's worshiping there.

Jack: Yes. And he's also a psychonaut who explores the innards of his psychology. And so his art kind of shows that, too. He's very spiritual, very connected to the oneness of the universe. And this idea of a very pure Zen Buddhism. So he's way into that. And so, yeah, that's Alex Gray.

Cristina: And you're a fan of Alex Gray?

Jack: I'm a big fan.

Cristina: Like, I'm a fan of Hideo Kojima. Okay.

Jack: Alex Gray is my personal favorite artist. Okay. The next individual on the list is Hitler. Hitler.

Cristina: I had him on my list. I don't know if you had him on your list.

Jack: I did have him on my list, and I also believe that. Oh, no, I didn't have him on my list. I thought I would.

Cristina: And then you. What? You were.

Jack: Then I forgot.

Cristina: Oh, you.

Jack: Hitler's S. Easy. I think Hitler's S. You know what?

Cristina: I don't even know where I put him.

Jack: I think Hitler's an S class level of fame. Everybody knows who the h*** Hitler is.

Cristina: I put him in B.

Jack: Earth.

Cristina: I play him in B. Because he's so unlike that people probably forget, like, want to forget that he was the thing you know?

Jack: No. Nobody will ever so known. You can ask strangers about him and they just want to exit the conversation immediately. And it doesn't matter where you do it. If you just bring up Hitler. Everybody was involved. He was fighting.

Cristina: Like, everyone knows his name.

Jack: Everybody knows his name. And everybody knows what he did. That's like something that everybody teaches no matter what side you're on.

Cristina: Yeah. Like there's.

Jack: There's no escaping it.

Cristina: Everybody deserves to be an escort.

Jack: Yeah.

Cristina: I'm surprised that you didn't have him on your list.

Jack: I didn't. And I am actually surprised I didn't have him too. That's really impressive. I think I'm getting better as a human and my heart has grown several times.

Cristina: That's a lie. You talk about him all the time.

Jack: Yes, I do. I do. I talk a lot about Hitler.

Cristina: And the next one is Leonardo da Vinci.

Jack: Leonardo da Vinci. So I'm not sure if this is mine, but I was gonna put Leonardo da Vinci and I. I think I took mine out. I took out Leonardo da Vinci in exchange for someone else. So now the question is Leonardo da Vinci. How famous do we think this man is?

Cristina: Well, I had him in the S. Tier. I don't even know like, I know he's a famous painter. I know I And sculptor. Right.

Jack: He was a Renaissance man. You did all the things. He was a venture as well.

Cristina: Yeah. And I'm sure a lot of people know his name.

Jack: People know his name. Leonardo da Vinci.

Cristina: If he's not as. He's a.

Jack: He's definitely a. I think he's a for one reason. I think you can ask people about him and they not know his name. I think you could legitimately, like they've known of people like him. He could blend into the crowd.

Cristina: Okay.

Jack: Yeah. He's not one of a kind as well. That's another requirement to standing out so hard.

Cristina: Okay.

Jack: This one of a kindness. This. You. You become a legend at some point.

Cristina: And he's not.

Jack: And he's not.

Cristina: I'm gonna play him at A. I think A is right.

Jack: You think gay is right?

Cristina: I think so. I don't think like just putting Hitler and S is already kind of like, you got some people down.

Jack: Yeah. Like he's way up there. It's like the level of known he is. He's amongst the most known people ever.

Cristina: That's crazy. I don't know how many other people. There should be a few other people at least.

Jack: I hope it's not just definitely a few other people like him.

Cristina: Arnold Schwarzenegger is the next name. I can't say his name.

Jack: Arnold. Yeah, Schwarzenegger. That's right. Schwarzenegger. Nagger. E, G, G, E, R. Negger.

Cristina: Anyway, that's. He. Come on.

Jack: He's very known, but he's not like. Everybody knows his name regardless of where they are.

Cristina: I feel like he's a world. No, he is.

Jack: But also he's an American action hero. That's very American thing. I do truly, honestly believe that there are people who don't know who he is. There are people.

Cristina: Yeah.

Jack: Who just have no clue. And some people have seen him and don't know his name and. No, I think he's an A.

Cristina: He's an A. He's a B. No, he's a.

Jack: He could be an A, I think. Well, no, that. Well, yeah. Here. That's. I guess that's the next step. He is definitely a very American thing. So I think he's a B. He's really famous in the United States. Really? Like everybody out here and people out.

Cristina: There would know him if they're into those type of things.

Jack: Yes.

Cristina: Like Hiro Kojima.

Jack: Exactly. Gamers know about him.

Cristina: Mm.

Jack: So yeah, he's. He's in that area for sure. Definitely be.

Cristina: Oh, yeah. Okay.

Jack: Yes. Now, who else do we have?

Cristina: Tiger Woods.

Jack: Tiger Woods. He is probably really, really American.

Cristina: That is. Yeah, Yeah. A lot of my celebrities, of course, are going to be really American.

Jack: Yeah, it seems to be the case.

Cristina: Like, there.

Jack: He doesn't seem like. Yeah, but he's not like super duper, mega, ultra famous. It's kind of a real American thing. Most of his fame is due to just American s***.

Cristina: But a lot of Americans, not just people watching golf, know him. Like, that's what makes him extra celebrity. Like, he's not d. Oh, no, no, no.

Jack: He's definitely a C class celebrity.

Cristina: Yeah.

Jack: He's as known as you could be before you break out and are known globally.

Cristina: Yeah.

Jack: Because the problem is golf itself isn't like the most global of sports. That's a real white American sport. So a real.

Cristina: Like. Who knows anyone that plays? Do you know anyone else? Any golfer?

Jack: No.

Cristina: A name like, I think that makes him like anyone. I guess that's what really being a celebrity is about. Everyone knows your name.

Jack: Yeah.

Cristina: If they don't watch you.

Jack: Exactly. Tiger woods is really well known. So he fits the suit that's required for the most part.

Cristina: And then we got Britney Spears.

Jack: Britney Spear.

Cristina: Yes. I think that was me.

Jack: Man. She's like. She's down there, dude. Because I don't think she's like. She's not. Definitely not worldwide. And she's not like even in our own countries. Hella people who have no idea who that.

Cristina: You think so?

Jack: Yeah. Like the new generation has no idea who Britney Spears is. And like the really, really old generation has no idea who Britney Spears. She was always kind of specific. She was pop.

Cristina: Yeah.

Jack: Pop is only for Whoever was about 16 when it happened, you know, so.

Cristina: Like kind of down there.

Jack: Yeah, exactly. She's like a. Like a D. D tier.

Cristina: Okay. Yes. Finally. I just want to put her in D tier. Just because we need someone in D tier.

Jack: Yeah. Just create that locality. That's all it is. She's local so she's specific pockets of people.

Cristina: Yeah. Oh, before I move on though, where did I have her originally? I probably had her higher than they though, but I'm not sure. Oh, B. That doesn't make sense though. That definitely doesn't. Next up is Stephen King.

Jack: Stephen King. This is a hard one because I don't actually know how like out there. His stuff is one. He writes in English and translating work.

Cristina: People know him more about. More for his movies. Yeah.

Jack: And then we're talking. Or his movies, like huge smash hits in the world.

Cristina: Probably not.

Jack: They're probably like real us stuff.

Cristina: Yes. So he's got to be C or D. Yeah. But he might be famous to two.

Jack: Different groups, which makes him really famous and probably breaks them out a little. So he might. Might actually be a B tier celebrity where he's known around the world, but by pockets of people. Because horror lovers and book readers.

Cristina: Okay.

Jack: Both like horror movie lovers, I guess. Horror lovers, movie lovers and book readers.

Cristina: We think outside this little place. People know him if they're into those things.

Jack: Yes, that's exactly my point. He's huge here in the United States and he has fans outside that enjoy his material.

Cristina: You know he's going into B. I do.

Jack: I do believe he's B tier. Yep.

Cristina: Bbb. Okay.

Jack: And which is interesting because I probably would have thought. My initial thought was that he was.

Cristina: Like a C. My original list, he was a C. The original list, he.

Jack: Was a C. Yeah. It makes sense at first thought, you know.

Cristina: Yeah.

Jack: But let's see who we have now. We have President Barack Obama. Interesting. Fascinating. I do in fact believe this man is similar to Nelson Mandela. He is a very, very. Because of his race alone, well known and to the point that I. He's either high A or. Or loaz. I think he's close to like being known by Everybody. Everybody in this country for a fact. And everybody in many other countries for a fact. The question is everybody in every country.

Cristina: Question mark. I don't know.

Jack: That's the real.

Cristina: I'm thinking about this because I don't. I do have him and I'm not.

Jack: Sure it makes sense. I think. I think he's an a**. I think he's up there with the best of them. Because I'm thinking the world is always talking about the United States. We're a show, bro. This is. This is huge.

Cristina: Everywhere they talked about Trump as much. Is he equal?

Jack: Yeah, I think so. I think he's also an S tier level of fame.

Cristina: Let me think about.

Jack: I think he successfully made himself that famous. I think these are really. We're talking about the most famous humans have existed. I think those are the two most famous presidents ever.

Cristina: I think he is us too.

Jack: I think it's hard to find somebody who's never heard of him.

Cristina: That's true.

Jack: In fact that's the best definition for S. If more than half of Earth knows who you are, how do you.

Cristina: Know Steve Jobs is next?

Jack: Steve Jobs. This is a weird one because it.

Cristina: Depends on who to American.

Jack: No, it's just really advanced countries.

Cristina: Oh people. But regular normal people knew about him. I think. I don't know.

Jack: Think about like a really impoverished country.

Cristina: Okay.

Jack: With little access to technology. They got like TV and crap like that. Do they know who Steve Jobs is? They still know who the president is. Their president's probably always talking about our president and how horrible of an example he is. But do they know who Steve Jobs is? No. At the height of Steve's Jobs did that cross their airwaves even a little knowing they would never hold one of those things the president doesn't talk about.

Cristina: He's got to be a B at least, right? C B. I don't think an A. I don't.

Jack: Steve Jobs. He isn't super mega known everywhere. He's not super mega known in many places by mass. No, I think he's. Yeah, I think he's B. I think he's really well known in some places with pockets here and there.

Cristina: Yes. That's very specific to what he did.

Jack: Yes. Tech and like people who aren't into his tech just don't really know him.

Cristina: Yeah. Or people who just know that anything that's Apple related I guess kind of knows him like or about self smartphones. They have to at least know the name Steve Jobs. I think so.

Jack: Who revolutionized.

Cristina: Exactly. Yes. Yes.

Jack: And the next I Wonder if we're gonna be able to make it through this. Probably gonna be like a two parter.

Cristina: Ridiculous.

Jack: Oh, Michael. Michael Jackson. That's a complicated one. I think there's many people who don't know him, but I don't think it's like he's either losing or a high A. Whoa. I think the question is, do you think President Barack Obama is more known than Michael Jackson? I think no, you don't. I think you think Michael Jackson is more known?

Cristina: I think so. I think the world. Because the world likes music. Yes, he's known.

Jack: But there's many people who didn't get to listen to a bunch of music or they are only familiar with their own music and still know who our president is. You know, like it doesn't matter your level of poverty. You still know the politics of your country and that means you still hear about s*** shows like the United States, which means you hear about their leaders. So you still know about the President, but music wise, would you still come across Michael Jackson and. No, I still think we could find people sooner that don't know who Michael Jackson is.

Cristina: Okay. A tier.

Jack: I think. Well, I'm not saying he's not so I'm saying comparatively to the President Obama.

Cristina: But SB he's not a B. A. It's gotta be A. Yeah.

Jack: He's bare minimum. He has to be a high A or a low S. I think very well known in many places, but not everywhere. I think not half of the world.

Cristina: Not half of the world, but every the world that the people that do know him know that he's famous.

Jack: Yeah. Here's the thing. You have to be so famous that you are. You have to take the majority of most other places and still manage to take huge chunks of China and India.

Cristina: Like we have to know that he's famous there too. They would.

Jack: He would be famous there too. To these. This crazy magnitude. I am sure our president is, you know. Okay, easy test.

Cristina: I'm gonna put Michael Jackson in A.

Jack: You don't agree?

Cristina: You think S. No, I. I think, hey, that's why I'm putting him in A if I'm thinking B.

Jack: But I feel like, no, I think he's too famous for that. I think he's really, really exaggeratedly well known. I just don't think it's like a huge chunk like that. Next up is J.K. rowling. Okay. I think a lot of people don't know who the f*** that is. Like a lot of people.

Cristina: I think they do if they know her movies No, I think a lot.

Jack: Of people know about Harry Potter movies and still don't know who the f*** she is. I think a f*** ton of people know her movies and don't know who the f*** she is.

Cristina: Yes. Okay. Her work is more famous than.

Jack: Yes, she is.

Cristina: Except for the people that are hating.

Jack: Yeah. And the people who are superfans or.

Cristina: Read the book hate community. And she has super fans. But I guess they have to know then. But I guess. Yeah, there's more people that know about Harry Potter than her.

Jack: Anyway, she's B.

Cristina: She's gotta be. Yeah.

Jack: I think she's a B tier celebrity.

Cristina: I think so.

Jack: I think huge in couple of places and then some pockets here and there.

Cristina: Originally I had her in D though. Let me think. D. Because I guess the point is like, yes, her work is more famous than her.

Jack: Yeah. Way more famous. People don't know who that. I have never seen her face once. I have no idea what she even looks like.

Cristina: What did you say originally? B. I'm thinking.

Jack: No, I said she's crazy unfamous.

Cristina: No.

Jack: Oh, like what I gave her. Yeah, she's a B. I think she's really famous in a couple of places. And then have pockets here and there for people who like connect through your thing. Yes, I think that's it. I think she's B.

Cristina: Okay. Or C, because I had her at D and now I feel like I want to put her in the middle between where you had her and where I have her. But maybe.

Jack: Do you think she's only famous in the United States or in England?

Cristina: Just her name. I mean, because like when you say her things are more famous than her. Like that's around the world. That's around the world. And like, I don't. Yeah, I think Harry Potter is more famous than her. Like Harry Potter probably deserves B tier if he was a real thing.

Jack: No, Harry Potter would be a tier.

Cristina: A tier. Mmm.

Jack: Harry Potter is very known around the world.

Cristina: Yeah.

Jack: Yeah. Harry Potter is huge in many places.

Cristina: She a B tier.

Jack: I think she's a B tier. She's really famous in a couple of places. And then has people who know her through her writing.

Cristina: Yeah, she's like, yeah. I guess if I compare it to like Stephen King's like.

Jack: Yeah, yeah.

Cristina: They're pretty much the same crap above him. Maybe. I don't know.

Jack: No, I think Stephen King is more famous. Stephen King has done it for longer and has a bunch of crap. He has. But he has writers on his own.

Cristina: Bigger than her.

Jack: Not by writers alone. He probably has a bigger fan base because he has way more crap.

Cristina: The next up is Pope Francis.

Jack: I think easy.

Cristina: S easiest. It's easiest, yeah.

Jack: Because even if you literally don't know the man's name, you still the man. That's how crazy he's on some other. It's like the ro. It's like royalty. If you are one of the royals, it doesn't even matter. Nobody knows your name. Everybody still knows you. Everybody doesn't matter who you are. You just know.

Cristina: Yeah, same thing with the Pope.

Jack: You don't even know who the Pope is at the moment, but you know there's a Pope at the moment and you know what he does and what he's about. Like, you get it? You understand? All right, next on the list, Mel Gibson. Mel Gibson. At this point, there's an obvious ones who are yours. Yeah, they're just like American sports or actors, essentially.

Cristina: I tried my best.

Jack: Don't hate to just come across. I don't even know how. I think just American, like, really American man. And I think that's maybe. I don't know.

Cristina: I know his name. That makes him famous.

Jack: I think that. Yeah, I guess he's famous, but like, I really think that's like a. Like a C tier type of thing. Real in the country, but I don't think in the world.

Cristina: So maybe a D tier.

Jack: C tier, yeah.

Cristina: Oh, okay. Okay, Okay.

Jack: I think he's very famous within the country and at most, maybe in some places around the world, but not like a lot of people.

Cristina: Yeah, not a lot of people. Yeah, I think mostly in the country. I'm trying to think he's not like Britney Spears, though.

Jack: I think Britney Spears is way less famous than Mel Gibson. I feel like Britney Spears is very niche. Mel Gibson. Crap. Tons of people of all ages knew him.

Cristina: Okay.

Jack: Britney Spears. Yeah, he's still alive.

Cristina: Okay, cool. Next up is Jay Z.

Jack: Jay Z. Just keep throwing. Keep throwing them in B. I mean, in C.C. keep throwing.

Cristina: Someone's gotta join Britney.

Jack: Yeah.

Cristina: Jay Z doesn't go there.

Jack: I guess he would, right? He's real specific music. Then I think people still know him even if they don't like him.

Cristina: Really? That's the problem.

Jack: I think he's real. I mean, like, grandparents would know who he is. Fair enough. Like in the same country.

Cristina: So we're going with SIRD Yeah, he's.

Jack: D. He's D. He's groups of people.

Cristina: Yeah, look, we gotta have some Ds, okay.

Jack: Mel Gibson.

Cristina: And how many, like, outside of America would be like, did you come up with any Ds that are not famous here? Like.

Jack: No, not really. That would be hard, Right?

Cristina: Exactly.

Jack: We need to be there. CND are gonna be mainly around here. Ye.

Cristina: It makes.

Jack: But, like, why didn't you think of more famous people? People with higher levels of fame is what I mean.

Cristina: I have. And you thought of them, too. And I. What about Hitler? You didn't even think of Hitler.

Jack: I didn't think of Hitler. Okay. Yeah. No, but that's what I'm referring to. Yeah. Yeah. Okay. Okay. So Beyonce.

Cristina: Beyonce's next, I don't think. My choice, of course.

Jack: I think C or D. C or D?

Cristina: You think she's above Jay Z?

Jack: I think Mel Gibson needs to be brought down right now.

Cristina: Yes, Finally. Okay, but then what about.

Jack: And Beyonce goes down there, too.

Cristina: Okay, you know what? Okay, so.

Jack: And then I think Alex Gray as well.

Cristina: Alex Gray. You know, are we understanding Seymour? What's happening?

Jack: Yeah. I think C is really, like, everybody in your country knows who you are.

Cristina: Okay.

Jack: And we're dealing with people who only specific groups of people know. I think Tiger woods also goes down.

Cristina: Tiger Wood.

Jack: I think C is the one that's empty, man.

Cristina: No, we have the opposite problem. Is Oprah Winfrey staying there? At least leave Oprah alone.

Jack: Yeah, we'll leave Oprah for now.

Cristina: For now. I don't know. Because I think so. Like, we don't even know. We know she's a famous talk show host. But she's so famous.

Jack: Yes, exactly. Like, everybody knows her one way or another. The question is, then, is Oprah more famous or less famous than J.K. rowling?

Cristina: Less famous.

Jack: Like, way less famous. Yes, we know that.

Cristina: For. I think Tiger woods might need to be moved up. Because. Even though. Because you know these other people for their music. Because you probably heard.

Jack: Ask a teenager who Tiger woods is.

Cristina: They won't. No, they'll know him. That he's a golfer, but they've never seen him golfing.

Jack: Maybe they won't even know that he's a golfer. Maybe some of them have never even heard his name. What happened with him was so long ago.

Cristina: Okay. Okay. Oprah. See? For now.

Jack: Yeah. People still gotta figure out Oprah.

Cristina: Yeah. JRR Token, another writer.

Jack: I don't know how famous this guy is. I've never.

Cristina: Lord of the Rings. Lord of the Rings.

Jack: I don't know how famous that is.

Cristina: I know. Not that. Yeah, he's. I guess he's the Automatic.

Jack: But, like, where is he from the.

Cristina: Lord of the Rings? He wrote it.

Jack: I know what he did, yeah. Where is the guy who wrote it from?

Cristina: Where is he from?

Jack: Yes. Is he British?

Cristina: I have no idea where he's from. I know nothing about him. Except that he made that.

Jack: So then he's at least bare minimum B tier. Because you know who the h*** he is.

Cristina: Because he's. If he's from outside the country. Yeah, but if he's from the country, he's not B.

Jack: Well, not by the measurements we're making.

Cristina: South Africa, United Kingdom. So he's. He's South. Wait, he was born in South Africa, died in the United Kingdom.

Jack: Okay. Yeah. So 100% that is a writer. That is a B tier.

Cristina: B tier. But not a C tier.

Jack: But not a C tier because it's not just famous within his own country.

Cristina: Okay, okay.

Jack: Slowly moving through it. Stephen Hawking. B Easy B. Really famous in a couple of places and then known sporadically throughout the world for what he's done.

Cristina: B. B, yes. Wait, you said B, right? Yeah, yes. Not A, Not.

Jack: Not A. I don't think he's massively known everywhere. I think there's a lot of people you can ask who he is and they'll be like, what?

Cristina: Yeah, I think B. B makes sense.

Jack: I think B as well. So far so good. But it's basically my. My thing makes perfect sense is what we're arguing.

Cristina: Yeah, I think so. I'm happy with it. Van Gogh, Vincent van Gogh. Where does he go?

Jack: Oh, his work is globally famous.

Cristina: It is. But Leonardo da Vinci was that.

Jack: His work was globally famous too. How low is da Vinci? The question is, do they know his name?

Cristina: So he might be an A too. Do they know his name?

Jack: Go. That's the question. Right. Because if the work is eclipsing them.

Cristina: That would be B. That would be. Yeah, I don't know. I think he's an A.

Jack: The good thing about something like Stephen Hawking is that they're tied together. The scientist seems to be tied to the work always. But in the case of somebody who did something artistic, for whatever reason, they could be outshined by their art.

Cristina: They could be a B. I don't know what B.

Jack: We'll make a case for it.

Cristina: I'm trying to remember the difference between A and B.

Jack: B is where you are well known in one place and then pockets of people know you for what you've done around the world.

Cristina: Okay, then. No, wait, That's A.

Jack: That's B.

Cristina: That's B. Yeah. Yeah, that makes sense. I don't know. I feel like his artwork, when it comes to Artists. Yeah, I think there are. Probably stands out more than the art is artists himself. Like, people aren't like, whoa, Leonardo did this? Or whatever. No, what's the name we're doing? Leonardo's up there. Should he be up there now? Like, I'm. I'm confused. Van Gogh, like, you probably would be more impressed by the art than the artist.

Jack: I would argue that Leonardo da Vinci was more known than Van Gogh's name.

Cristina: I think so. I think so. So I do think he's a B, Van Gogh.

Jack: Here's the problem. Being more known doesn't mean jumping down an entire class. You could be the bottom of A, you know. But is he that known?

Cristina: I don't think that known, though.

Jack: You don't think he's super known in many places? No, he's a little known in many places.

Cristina: Yes.

Jack: Yeah, fair enough.

Cristina: Yes. So B it is.

Jack: Yeah.

Cristina: Okay.

Jack: Interesting. It seems B is the most densely packed of the bunch so far.

Cristina: We Gotta find some Cs, though. Yeah, I would have thought most of.

Jack: My name is really famous locally. Another artist, Michelangelo, presumably in the same place. But I think Michelangelo lands closer to da Vinci than he does to Van Gogh because he is also a Renaissance man.

Cristina: He was doing more than art. Yeah, he's doing more than art.

Jack: I mean, wait, Michelangelo was just the painter?

Cristina: No, Vince, Van Gogh was just a painter. I think Leonardo da Vinci was doing more.

Jack: Yeah, Leonardo da Vinci was doing more.

Cristina: Yeah. Yeah.

Jack: But that's not what we're talking about.

Cristina: Oh, we're talking about Michelangelo. Michelangelo. Was he doing more? No, he wasn't.

Jack: He was just doing paint.

Cristina: He's just doing paint.

Jack: Okay, so yeah, you could throw them in there. No paint, no bottom.

Cristina: Yeah, very famous, though.

Jack: Yes, one of the most.

Cristina: And now Albert Einstein.

Jack: Albert Einstein. I think.

Cristina: Come on.

Jack: Now we're talking A tier. I think this is a person who is really well known in many places around the world.

Cristina: Very, very.

Jack: I don't think everyone.

Cristina: You don't think they just know his name? Like, most people don't know his name. A lot of people know his name, but not everyone knows because I feel like his name is so famous, even if they don't know what.

Jack: Yeah, they know. They could. They just use it casually. Oh, yeah, Einstein.

Cristina: Exactly his name.

Jack: So his name might make him an S tier. Fair enough. He might be so well known.

Cristina: Like, even if you're not into science or have no idea what he did. Yeah, you might know his name.

Jack: You have no clue and you still know Einstein.

Cristina: I'm saying he's an S then.

Jack: Yes, I agree. I agree with Einstein. And S makes sense.

Cristina: Yes, I think so. Yes, yes, yes.

Jack: Okay, next we've got Jackie Chan. B. B. I think he isn't super well known in many places. I think he's really well known in a couple of places. And then in pockets where people love specifically what he offers.

Cristina: Been two whole countries. Yeah. That's huge pockets.

Jack: Yeah, but it's still not even half. Unless he's wrecking those numbers out there in Bollywood.

Cristina: I don't know. What if he is? I don't know, actually. I have no idea.

Jack: I highly doubt it.

Cristina: Yeah, yeah, yeah. B tier it is.

Jack: I think you make sense in B tier.

Cristina: B tier makes sense. Yes. No, the next person is Samuel L. Jackson. Come on. A C now. No, I'm just joking.

Jack: He's a D. This is a D. I think Samuel Jackson is pretty well known. You think there's a lot of people in the country that don't know who he is. Like, you think he's a C? I think he's a C. I think. I think he's probably the only actor will ever see who's the C class.

Cristina: Yes.

Jack: Who's in the seat here?

Cristina: That makes sense.

Jack: Oh, but I think he's countrywide. Yeah. I think because he's constantly in something, dude. Nerds know who he is and jocks know who he is and action lovers know who he is and he's gonna do more romance. Miss. He probably like a million.

Cristina: He probably is, yeah. Interesting. All the things he's in all the things. We all know him.

Jack: He is definitely in all the things. Will Smith.

Cristina: Yes, Will Smith, another actor.

Jack: I think we are talking the very bottom of B. I think he's very, very famous in at least one or two countries, like where everybody knows. And then I think he's in pockets throughout the world. And pretty large pockets, I would argue, but not like predominant pockets where it's majority still like pretty good sums everywhere.

Cristina: Will Smith.

Jack: Will Smith.

Cristina: From what?

Jack: From his music. Oh, his music has been played. It's some of the original rap and it was family friendly and it kind of made the range.

Cristina: B tier.

Jack: Yeah. I think he's well known enough throughout the world to be B tier. I don't think it's like eight here. There's no. Not even scratching that. I think he's the bottom, bottom, bottom, bottom of B. I don't think it's just within our country.

Cristina: Johnny Depp.

Jack: B, B. I think B.

Cristina: B.

Jack: I think he might be at towards the top of it, though, I think he might be closer to, like, an A than Will Smith is for sure. I think that's. You think Will Smith is more famous than Johnny Depp? I mean, maybe.

Cristina: I feel like Johnny Depp is very American. I don't know about outside of American. Then for Johnny Depp, I feel like he's a C. You think.

Jack: You see, Fair enough. He could be.

Cristina: I think some of his characters are, like, very famous and they're outside the country. Like that dumb Captain Jack.

Jack: Yeah.

Cristina: But as an actor, I don't think he's as famous.

Jack: That's fair. That's fair. I'll take it. I'm too unsure to make a stand. I am too unsure to make a stand, so it doesn't matter. Greta Thornberg.

Cristina: Greta Thunberg. Thunberg. That's how I spelled it. I don't know. Whatever. I picked that person. I don't even know how to spell her name.

Jack: I think that Greta is V. She's known by, you know, people who love outrage.

Cristina: Yeah. Yes, she is.

Jack: People who love outrage are people who are addicted to the news. One or the other.

Cristina: Yeah.

Jack: It's about it.

Cristina: Yeah. Yeah, yeah, yeah. She's not.

Jack: Not, like, huge, mega, super famous individual.

Cristina: She's out there. She's doing stuff.

Jack: Next.

Cristina: Machine Gun Kelly.

Jack: Easy.

Cristina: D D? Yes. I don't think anyone. I don't know anyone who knows him, like, except for, like. Or. I know he's a musician, and the only thing I know of him is the thing that he did with Eminem or against Eminem, if you want to say, whatever that was, that mess.

Jack: But you knew of him only because of that thing.

Cristina: I didn't know of him before that thing.

Jack: Oh, word. Okay.

Cristina: It was outside of him that made him famous. Someone else brought him to the light. And then I was like, oh, okay, now I know that name. But before that moment, I had no idea.

Jack: Yeah, he's an EZD who's.

Cristina: Easy. D. Edgar Allan Poe.

Jack: Well, make the case, because I don't know.

Cristina: You don't know? I don't know. He. He's a famous writer. I know that's. I don't know. I would say C. D, C, D. He's not American. If that counts. If that counts, then maybe B.

Jack: How famous is he in the United States? That's the question. And I think very.

Cristina: As a writer.

Jack: Yeah.

Cristina: Yeah, I think he's pretty famous. But also. Wait, he is American. I think he is American. Does that matter?

Jack: Well, I actually think he's one of those considered to be Something like Shakespeare.

Cristina: Yes, I think of that too. But like, not whatever. Shakespeare is obviously above whatever we put him like, he.

Jack: They don't care that Shakespeare is probably only famous to English speakers?

Cristina: I don't know. Maybe. No. Are you sure? Are you sure he's only famous?

Jack: But again, he translate Shakespeare to, like Japanese.

Cristina: Yes. If they love plays. I don't know. But okay, when you say like that. But I think, yeah, still, Edgar Allan Poe would be lower than Shakespeare and Shakespeare is probably not as high as I thought he was.

Jack: So growl. And Poe is like a bee.

Cristina: So he's like a V. Okay. Next up is Snoop Dogg.

Jack: Snoop Dogg.

Cristina: Another bee, Another bee. I think this person we both had on our list.

Jack: Yeah, I did. And I had them as a B.

Cristina: You had him as a B? I probably had him pretty low. I don't know, but doesn't matter. A B, a C. I do want more Cs.

Jack: It's not about just trying to fill the category.

Cristina: I know, I know, I know. But he is a B because he's.

Jack: Very well known in some areas and has fans everywhere else.

Cristina: Everywhere. He fans. Fans everywhere. Yeah.

Jack: Slowly but surely picking out this list.

Cristina: We'Re more than halfway done.

Jack: Dave Chappelle.

Cristina: Dave Chappelle.

Jack: Another B.

Cristina: Another B. He is famous. Super famous here.

Jack: Yes. And probably in a couple of places.

Cristina: Probably a couple of places. No, his name.

Jack: He's probably really high B. Really low. A. Something like that.

Cristina: I'm gonna give him a B, though. Yeah.

Jack: It doesn't seem infinitely known. Easy. S. Donald Trump.

Cristina: Donald Trump. I guess we already talked about him. Comparing him to Barack Obama.

Jack: Yes.

Cristina: Which makes him an a**. Yes. Next up is Vladimir Putin.

Jack: Vladimir Putin. This is an interesting one. I do believe that this is at, as of now, an S class individual. There's probably people who didn't know who Vladimir Putin was. They just knew that there was a president in Russia. But I think now everybody. For sure, we knew about Vladimir Putin, but it's because the United States is, for whatever reason, highly obsessed with Russia. But other than that.

Cristina: But now he's worldwide. Everyone knows who he is.

Jack: Yes. He brought himself up to be. Because he still believes in the old school war that has everybody. Like what?

Cristina: Yeah, they're scared of him. And yeah, yeah, I think he says, I didn't think of him though. But yeah.

Jack: Vladimir Putin.

Cristina: Everyone's learned his name by now.

Jack: Yes. And Zelensky as well. Banksy. This is an interesting situation because it's really specific, but it's a really, really well known individual that Sells some of the most expensive art on earth.

Cristina: Very random artist.

Jack: Well, he doesn't sell the art. Somebody else does against his will. I think Banks sees a B. I.

Cristina: Was gonna say that. I was gonna say that. I think he's a B. Next up is Michael Jordan.

Jack: Michael Jordan, Yes. I think Michael Jordan is probably really, really famous in the United States and not too famous anywhere else. I think that's a real us thing.

Cristina: Us thing. That's ac. Yes, That's a C. I think so. I think he is super famous.

Jack: But in the United States.

Cristina: In the United States, yeah.

Jack: That's the important part. In the United States.

Cristina: Bill Gates.

Jack: I don't know. This is an interesting one.

Cristina: Is he more or less famous than Steve Jobs? He's gotta be. He's definitely more famous than Steve Jobs.

Jack: Yes. Because he's still alive.

Cristina: Yes. Okay.

Jack: And he gets involved in more things.

Cristina: He does. He does get involved. Like, I think more people know his name. Definitely.

Jack: The question is how many more people is he known in pockets throughout the world?

Cristina: He's in Africa.

Jack: Yeah. And that's about as far as it goes. Pockets around the world.

Cristina: Pockets around the world. Pockets around the world. Not a B. Yes, yes, yes, yes. But with Steve Jobs, that's kind of weird.

Jack: One is higher than the other. That's all it is. All right, one more and then we have to save the. The rest of them for next time because we won't be able to make it. Alan Watts.

Cristina: The last name.

Jack: I think Alan wants probably a B. He's very. He's known around the world. Not, I think, mass numbers, but collectively, yes. Millions of people. But I think it's like people. It's niche, but throughout the world.

Cristina: Yes. It's kind of like.

Jack: Everybody in B tier. Hideoko Jima.

Cristina: Okay. Yeah.

Jack: You know, Hawking, walking, like. Yeah, 100.

Cristina: Yeah. Cool.

Jack: Okay. Yes. We gotta like save it here and call it wraps because we are done. We're gonna go for our time. But yeah, I guess we were the obligation to continue this and put the. To fill out. The tier list is now among us.

Cristina: Among us.

Jack: Among us.

Cristina: That be. That B is ridiculous. But I feel like maybe that's what a tier list would look like.

Jack: Yeah. They would be like the more centered place would have more of them and the extremes would have the least of them.

Cristina: That makes sense.

Jack: Yeah, it works out. So. Yeah, I guess. Stay tuned for next week when we finish the tier list and you could see where our celebrities submit some names and we'll. We'll go.

Cristina: Yes, we'll Think about adding it.

Jack: We'll go down the entire list once it's done and we add everything to it. But yeah, send us names. You think of just famous people who would land maybe on one of the empty classes. Maybe people who are only famous within their country but nowhere else to fill out C class. Or people who are only really, really famous locally to fill out the D class. Or maybe you got some S classes that we're not even thinking about.

Cristina: I just thought of an S class that I don't think. I can't tell if they can go in or not because I'm unsure if they're fictional or non fictional. And I'm gonna say who it is anyway. Because we're not gonna put them in Mary from the Bible.

Jack: Mary. No, because we can't prove the Bible. We gotta assume they're fictional.

Cristina: Okay. Like, oh, Jesus. But.

Jack: Oh, well, yeah, but you guys can send us any of those names you come up with. You can send us those on our socials. Tw, Instagram, Tick Tock, Facebook. We're everywhere at just Convopod.

Cristina: Remember to subscribe. Right. And review the show.

Jack: Yes. And word of mouth is overpowered. So scream it at people, tell them about the show and tell them we're making a. A fame tier list.

Cristina: Fame mega tier list.

Jack: Yes. Like a super bad, super tearless super band.

Cristina: Yeah. This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. Bye. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 222: Problematic Time Travel

Can time paradoxes be fixed? How would they be fixed? And would solving the paradoxes then suggest time travel is possible? The duo ramble on about time travel and attempt to patch the holes in time travel paradoxes.

+Episode Details

Topics Discussed:

  • Time Travel
  • Paradoxes
  • Grandfather Paradox
  • How to Solve a Paradox

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Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas. I am your host, Jack, and I.

Cristina: Am your host, Christina.

Jack: And I truly, absolutely do believe, in fact, that we can solve the time travel paradoxes.

Cristina: All of them?

Jack: All of them. All of them. I am sure I can solve all of them. There has to be. How many paradoxes could time travel possibly lead to? We just build. We build obvious rules around them, around all the paradoxes, and solve crossing the problem. Right. That's the. That's the logical conclusion here. So I believe. I believe with nothing but reason, we can craft rules and avoid certain behaviors that, while doing time travel, would allow us to effectively navigate the future or past without messing up. I think it's possible.

Cristina: I don't know. Because what if it's, like, the version that you don't actually change anything in your time? Like, what's the point?

Jack: Like, in, like, Trunks.

Cristina: Yeah.

Jack: Like Dragon Ball Z. Like, there's no real purpose. He's like, affecting a whole other universe.

Cristina: Yeah. Unless that's an interesting way to test things out in that other universe. You don't have to do anything. Anything. Like things you want to do here, but you wouldn't, because maybe it's illegal. You do over there, and then you just jump back here.

Jack: That's. That's totally fair. That's absolutely fair. But you can also 100% just go and change that universe for your benefit and then just stay there.

Cristina: How would you do that?

Jack: Well, you're. If you're not affecting your universe.

Cristina: Yeah. How would you be affecting a whole other universe? It would be like, what type of technology do you have kind of influence?

Jack: I think I'm thinking, like. Like you said, Dragon Ball Z Trunks, the history of Trunks events. He jumps into the past, but it's not really his past. It's just a past. In that scenario, you can at least affect it in the direction you want, knowing what's coming up ahead, at least to some degree. If it's so bad that it's at least catastrophic. That's a perfect scenario of time travel used effectively. Like, hit the fan so hard it Use time travel. Who cares about a paradox?

Cristina: You know, I don't know. If he's like, okay, you fact. How will you affect anything? I don't.

Jack: You would just alter. Like, he jumps back in time.

Cristina: Right.

Jack: And he tells the Z Fighters, there's gonna Be some androids.

Cristina: Yeah, but he's someone who knows them in the present. Like, how would a normal change anything? Like you'd have to be someone that knows people that knows, you know. Like you have to be up there already.

Jack: No, you could just go to people you know. Unless you're trying to make giant. I see. Like Giant Global. Exactly, I see. I see. Like you're going into the same world.

Cristina: Like he wasn't just some random dude who went to talk to them.

Jack: Yeah, cuz we're. We're basically. Yeah, yeah. We're basically talking like if Steve came off the street, get went in the time machine and he's like, how would he know who the h*** the Z Fighters are? Basically is the question.

Cristina: Yes.

Jack: You know, Yes, I see where you're coming from.

Cristina: Like you can't go talk to Elon Musk or the President or.

Jack: Yeah, like how the h*** would I do it?

Cristina: Yes.

Jack: I would still have every barrier that a normal person would. This is not even a paradox. This is a legit problem. Let's say I'm an amazing scientist, but one nobody knows who the h*** I am.

Cristina: No.

Jack: So I go ahead and I make a time machine. Because you have to be that weird scientist. Nobody believes. If you believe time travel is real. And then you make a functional time machine. Holy s***. You somehow violated all the rules of everything. But whatever you prove, you proved physics wrong. Good job, bro. We suck. But it works. So we applaud you. The future will be based on your machine. All of science will. Great, so now you go ahead and you jump in your time machine and you travel back in time. You are still just some random m***********. Like who the h*** you can't get to the President. Like bro, you couldn't even. You couldn't put this on the Internet for the world to see. And anybody actually even see it, they wouldn't give a s***. They think you're joking.

Cristina: Your other time traveling buddies. But then you still wouldn't change anything. You just wouldn't change anything. You just hang out in your machine.

Jack: See, I guess it's just lead to a paradox. There's a paradox that suggests that nothing can change.

Jack: You can never change the past. It's impossible.

Cristina: Even someone else's past because it's a different reality.

Jack: Oh, I guess in the case that it's a different reality, it's not your past exactly.

Cristina: They could change like your mom. You could, I guess someone close to you if you knew something was gonna happen to them. But that's still not Your person. Like, it doesn't even matter if you did. Unless you were just curious to see what would this change be like.

Jack: Yeah. And, like, what would you be changing? I guess it's like your parent gets hit by car. Your kid gets hit by car.

Cristina: Yeah, I don't know.

Jack: And then you're like, okay, I know when and where, so I'm gonna go right before that and stop the situation. Yeah, like, I guess, but like, what a.

Cristina: And then you live in that reality, but I guess.

Jack: Right.

Cristina: That's weird. Did all this work for that? This is very the Flash because you.

Jack: Haven'T lived in the time. Like, if. How to put it. You saved your kid here, but you haven't lived with your kid in your own reality since whenever the accident was to the moment you jumped back in time. So when you get your kid back, that kid's gonna have some. Some gap of time missing. That's crazy. It's probably. You're not gonna figure out the time machine a couple of days after he died. We're gonna start this mission right after he died, and you're gonna be working at it.

Cristina: Why would he notice?

Jack: Why would who notice?

Cristina: Your kid notice. Your kid's gonna notice you saved him, but he died.

Jack: The kid is going to be like. Everybody would have age except the kid. This is what I mean. Like, if you were to somehow save the child, like, the kid wasn't even there. He wasn't in reality. He wasn't in. In. In a. In a version of your reality, there was a point between where the accident happened to your kid. There was a long period of time, and then you finally did the time travel could have been 10, 20 years. You began this mission, let's just say by some miracle, on the day he died.

Cristina: I don't understand how that affects the kid. Well, the kid is taking him back to your time.

Jack: Well, no, I'm saying in. In the. In the scenario that somehow you jumped back to your time in your time was altered back to a universe in which your kid didn't die. You yourself didn't experience. Whatever version of the universe moved forward until the moment you left because you weren't there with your kid. That that kid lived still those 20 years. He aged into adulthood. You went back in time and you changed it from your point of view. You're still back in time. It changed into future. You're now gonna jump back to the future if somehow a linear thing, right, of this.

Cristina: Of this reality.

Jack: Yeah, yeah. The same reality, one straight line ahead. You somehow jumped back in your own, in your own universe.

Cristina: No, but he would be dead in your own universe. Because the point is that.

Jack: Well, no, listen, you jump back in time and you save him, right?

Cristina: Yeah.

Jack: So the universe that you're in, somehow it's the same universe. So then you jump back forward to the moment that you jumped back to the past. Let's say it has a timer. Oh, I gotta save him in the next hour and then get back inside the time machine, so. Because it's gonna go right back to the moment that I left from. Okay, so you go ahead and you jump in your time machine, go back in time. I got the hour. I gotta save him in the hour and get back inside machine. So you go ahead. It was a car accident. You know when and where, whatever. You put it down to rocket science. You literally made a time machine. So this is easy peasy. You get there, you solve it to the T, and you stop the moment you saved your child. And the universe moves forward. Now you're somehow. This is your linear situation, which is only one non branching universe. So you, it's really your universe. You jumped back in like in a scenario where you can really affect it. So he goes ahead, jumps in the time machine before the hour is over and poof. Goes right back to the moment that he jumped out of. Mission accomplished. I saved my kid. But this was like 20 years ago that the accident happened. How weird. Because now you get there and you don't know this man who shows up, this man who's like, hey, dad, you've never met this person. This is a stranger who has memories of you because you still left from that point in time.

Cristina: Yeah.

Jack: So there was a version of you there that something happened and, or what happens there? That's another paradox because you were physically there, but you did leave from the future. So what happens to that chunk of time after you save them? But you left. You went back to the future. So who the f*** raised this guy?

Cristina: Your other half, like what?

Jack: With a woman? He's just, but so he's just missing?

Cristina: Yeah, he's fatherless until you come back. And then he's like, wait, dad, what?

Jack: Yeah, but it doesn't make sense, right?

Cristina: Why?

Jack: Because in the first before you altered time, you jumped in the time machine. You, you already experienced. You actually lived those 20 years since your kid died.

Cristina: Yeah.

Jack: You were, you were physically there.

Cristina: Yeah.

Jack: Then you exited at the end, went back in time, made a change. Why does that mean that you weren't there? What did it change what you did? But that doesn't make sense because you weren't there.

Cristina: Because then. Yeah. If it's to save your child, like, because then you wouldn't have saved your child. It's one of those. When you don't do time travel, time.

Jack: Travel is an issue.

Cristina: But you said you're gonna solve things. Why are you poking. You did not solve anything. You said you're gonna solve.

Jack: Well, I gotta find the holes in order to patch them, right?

Cristina: Mm.

Jack: That's the logic here. I gotta find the holes in order to patch them. Okay, so the fact that this is a problem. Well, it's not even the only problem. Right. We also have the issue of not being able to change anything at all. That's just two issues, right? The fact that we're. One, changing an entirely different universe, maybe.

Cristina: Yes.

Jack: To the fact that we would literally just be missing gaps in time that are completely unexplainable. That's a whole paradox of its own. That's an issue. But three, the fact that maybe no matter what we do, we couldn't change the past. We'd just be passive observers with zero influence in the universe. Like, we could literally talk to somebody and it wouldn't affect any series of events that would happen.

Cristina: We could talk, but what if we.

Jack: Like, warned somebody of Hitler? What if I went.

Cristina: Who would listen to you?

Jack: Who would listen to me, Right?

Cristina: Yeah.

Jack: But if I told enough people, would nobody ever be convinced?

Cristina: No. People go around now saying crazy things to everyone they meet and doesn't mean anything. They're just a crazy person who's talking about we're going to h*** or whatever it is that they're.

Jack: Yeah.

Cristina: Okay. The aliens are coming.

Jack: What I'm saying is, if I could convince them, would they be convinced?

Cristina: Would it be possible?

Jack: Or with the universe, make it inherently impossible?

Cristina: I think it would be impossible.

Jack: Like, the. The laws of physics prevent it.

Cristina: Yeah. It just. It doesn't. It wouldn't make sense to them. Like, if they couldn't figure it out beforehand. Why would they just know now? Just because you're telling them. Because that doesn't make sense now.

Jack: I don't get it. What do you mean?

Cristina: Like, they don't know anything about him. Anything you're saying about him could be lies. Why would they trust you? Or anything you're saying? Why are you not just some crazy dude.

Jack: Yeah.

Cristina: Who's predicting the future. Like, so many crazy dudes who are always predicting the future.

Jack: Plethora of crazy. Plethora of crazy dudes.

Cristina: We're always like, the end of the World is coming. The ninth planet is gonna hit us. That type of crazy. What makes you different?

Jack: To be fair, the ninth planet was going to hit us at some point. That is a fact. The ninth planet was gonna hit us. We solved that problem. But it was occurring.

Cristina: That's not important though. That's not important because if no one knows, no one's gonna just believe you.

Jack: Yeah, yeah, it's fair. So, but, but that does. What does that have to do. It's not even about that, right? The reality of the matter is if I could somehow convince them, if I could be like, this is footage of you in the future. Look, you don't remember you doing this stuff? That's because this is from the future. This is videos of things in the future. Now, if, if the universe couldn't be altered, I would ask and they would say, what? Nothing. I guess it wouldn't even be able to respond. It wouldn't make sense. It wouldn't register. But if the universe could be altered, and it's just in your scenario, I'm just not convincing enough because for whatever reason, but in this scenario, if I could, in like, for a fact, prove to you that I'm from the future, would you be like, oh, whoa, that's crazy, the fact that you have videos of me from T shirt, or would that just whoosh right over your head? Because it could never register because the universe is preventing you from registering this information. Because there's some, some barrier.

Cristina: There has to be, because it doesn't happen. Like, if it's possible, then we would know already.

Jack: And there's the other problem of, whoa. Is time travel even in a realistic sense, possible? Because there's the issue of, like, we've never seen somebody come back from, from, from the future. You know, like, nobody in history has been, like, somebody from the future has visited me and they have proof about it?

Cristina: No, I mean, maybe there's someone that says that, but no one believes them with, with proof.

Jack: Maybe they do have proof.

Cristina: Well, they say they have proof, Baron. No, it's never believable.

Jack: But here's the. No, no, no. Somebody from the future would definitely have way better proof than like, we do. They're from the freaking future. It would be so easy for them.

Cristina: Oh yeah, well, when people have proof, they don't share. I guess it's kind of like the guy with the gold tablets that only he can see, and if anyone looks at it, I don't know, it's unreadable. Is that what happens? I don't remember.

Jack: Yeah, they can't read it. Yeah, only he can read it.

Cristina: So like if this guy has something from the future and we saw it, we wouldn't understand because it's from the future. It's too advanced for us to get.

Jack: Yeah. Anything from the future is like that does the same. It's weird, right? It doesn't even have to be from the future really. That's how we ended up on the subject of the sea. People who just happen to exist in our same time, but started to develop so long ago that by the time we are now they are so astoundingly futuristic that they look like nature. That's crazy. That's absurd.

Cristina: But. Exactly. We can't even figure it out. That's old stuff. Old tech.

Jack: No, and that's just present. So what do we do with future tech then? Again, we could just be really lame in the future and because how much into the future are we talking? Right. Let's say. Oh yeah, we're going to in a hun. Let's give us a thousand years. Right. In a thousand years could we take the sea people in a fight, but.

Cristina: Can we time travel?

Jack: In a thousand years?

Cristina: Yeah, yeah, we could time travel in a thousand years. We can time travel. Do you think maybe.

Jack: Yeah, I don't know. I don't know. Depends. Depends. Time travel being absolutely possible is problematic. We have a broken machine that allows us to do anything. But that's not realistic. No, it's bending the rules. What do you do with out sort of abusing the rules of the universe?

Cristina: Space. Time travel.

Jack: Bending space.

Cristina: Yeah. Traveling so fast in space, you need a space to do it because then you destroy everything around you. If you did it here.

Jack: Why? Why would you destroy everything around you?

Cristina: Because the tech is too much for time travel. Yeah.

Jack: It would require a crap ton of energy.

Cristina: Yeah.

Jack: And yeah, because ultimately. No, it would. If you do it efficiently. Like if you can make a time.

Cristina: Machine, then you're just a little box that you go in.

Jack: My point is it would be sufficiently advanced enough that I doubt it would be a giant building type of structure. You know, because it's already a futuristic society. They would probably begin really small in a lab and work their way up in scale.

Cristina: But I think it needs to be a ship.

Jack: It probably. Yeah. Just so that it doesn't take the chunks of land it's on, if anything else.

Cristina: Yeah. And also you don't know where it's gonna land. Like you can't make it land where you want it. Exactly. Like you might be off a little Bit and then everyone dies.

Jack: But you're from the future, so you can get your ship to calculate where in space everything is gonna be at around a certain point.

Cristina: That's why it's easier to travel like that. It was a lot safer. Yeah, just a little bit off. You're not gonna crash into the Earth. But if you did it on Earth, you might just end up in a building.

Jack: Yeah, yeah, yeah. But no, a computer would make sure it wouldn't happen. The computer would be able to calculate it, so. Exactly. But it would still be more effective to be in space anyways. Yeah, but I think a computer could work those kinks out because the computer would be able to have the smallest margins of data, you know, I guess large amounts of data on the smallest margins effect.

Cristina: But where is it getting this energy to run this machine?

Jack: What, the time machine?

Cristina: Yeah. How much energy? The sun? What kind of tech? There can't be. It can't be small. It can't be small.

Jack: No, the problem is you need infinite energy, and the sun isn't infinite energy.

Jack: That's really the issue. Like, how do you. That's the biggest flaw with time machine. How the h***. How. What are you supposed to do to solve that problem?

Cristina: You're supposed to solve one of these problems, though. Do you have the solutions for this one?

Jack: Well, first we need a perpetual motion machine. That means infinite energy.

Cristina: And how big is that machine?

Jack: Well, perpetual motion as of now seems impossible.

Cristina: Yes. But if you made something humongous.

Jack: No, I don't think that would change it because it would still be subject to the laws of physics. And everything follows a logic of entropy, which means it will stop.

Cristina: It will stop eventually, yeah. Then how do you make it work?

Jack: I don't know. There has to be some rule within physics that makes it possible. Somebody has to have put this argument forward. Right. Because the issues with time machine aren't the going backwards thing. It's how we would interact with the past. Because nothing in physics tells us that time does move only forward. We just happen to perceive it that way and for whatever reason, in a linear fashion. But science does suggest. It doesn't suggest. It just doesn't barrier time motion in any way. You could, in theory just move backwards at any given moment. We would never notice. It would be impossible. So the biggest issues are definitely just interacting with the past and how, like, either the past is preventing us from doing it, or we do something and it erases us from the situation because we had no motivation to come back and do it, which means Then it happened anyways because we never came back to stop it. Which is another version of the universe just stopping us from doing it because of laws.

Cristina: Yes.

Jack: Of the universe. So how will we move past those situations? Right. You would always need that. I think that's an easy one to fix. That's why I say that one. Because I believe in order to fix a situation in which the motivation for you to go back in time is removed. I guess I don't understand. You would have to, in theory, be able to solve a different issue unrelated to why you jumped back and you.

Cristina: Become Barry from the Flash. You change something, and then you got to go back to change something. So you got to go back to change something.

Jack: Yes.

Cristina: You always need a reason to go back and change something, and then you're always in a loop of you got to go back and change something.

Jack: Yeah. Going back through his house, primarily. Which is a freaking nightmare.

Cristina: But that's what you're saying. The only way to keep the time machine and have that motivation to build that time machine is to have a problem to solve with the time machine.

Jack: Yes.

Cristina: And that would only mean that whatever you solved didn't really solve anything, because you just made a new reason to use the time.

Jack: No, you didn't make a new reason. You. This splits off into two things. You either go back in time, solve the issue you went back to solve, which then removes the reason for you having gone back in time in the first place. Which means it happened because you didn't go back in time to stop it. So then you go back in time to stop it. And because it happened. So that just creates a closed loop.

Cristina: Yes.

Jack: The other alternative is you go back in time to stop it, but you somehow go and affect a different situation, not what you went back to stop. So the thing you went back in time to stop never got fixed. So you still went back in time. You just never managed to fix it. And then you just go forward in time. So the easiest way to solve this issue would be. No. My theory was I want the issue solved, so I give somebody else the time machine and instruct them on what to do. They would go thinking it's for one thing, then go and do a different thing that I would switch on them. So I make them study for one case, but really they were going to do the other thing. So that motivation never gets satisfied. The reason they went back in time is never affected, which is like, I'm sending you back in time to kill Hitler. You can kill him. He's like, yes, I'm gonna go kill Hitler. Okay, so he goes back in time, but then he doesn't really go kill Hitler, he has to go kill Steve.

Cristina: So he goes and he kills him to kill Steve.

Jack: Yeah. So somehow he got a note, a briefcase with all the instructions, and the last one is actually, don't pull the trigger on Hitler. Shoot Stevenson.

Cristina: Okay.

Jack: And he's like, what? But he does it.

Cristina: Why?

Jack: So does he then disappear?

Cristina: Who?

Jack: The guy who I sent back in time. He doesn't disappear because his motivation was killing Hitler, and Hitler never got killed.

Cristina: This feels really pointless.

Jack: Well, no, because I had alternative motives, which is to kill Steve for whatever reason. So then I managed to go back in time and change something. But the problem is then me in the future, you don't.

Cristina: You see? Yeah, no, that doesn't work out.

Jack: Yeah. Cuz the same problem occurs. It still leads to the same issue.

Cristina: Yeah, unless he built the time machine, you give him the reason, but it's not the real reason.

Jack: No, there's no way around this. No, around it.

Cristina: Because if you made him, if he made it, and you were like, you can use this to kill Hitler. And he goes, and then you change his mind or tell him some other thing to kill Steve. And then he kills Steve instead. Hitler is still alive, which was his main goal of making the time machine. Is that what you're saying? That still makes no sense. Because why would he kill some random dude? I don't know. This doesn't make sense.

Jack: It doesn't make sense. But look, if he were to kill Steve, then my point is solved in the future and I have no reason to tell him to go kill Steve. Like it still cancels itself out. There's no way around.

Cristina: He still has his reason of making the time machine, which.

Jack: Well, no, because the. The moment could never happen in which I sent him back in time.

Cristina: What if he was already going back in time but his reason changed? No. I don't know.

Jack: No, I could never affect the moment because it involves time travel. Yeah, I could never affect it. It's pretty. Yeah, I think it's true. We simply can't affect it. It's gonna keep canceling itself out.

Jack: Every possible direction just goes back to an impossible paradox. It.

Cristina: I don't know.

Jack: Yeah, I stopped it. So it happened.

Cristina: Mm, yeah. It's still gonna happen. There's nothing you can do.

Jack: Time travel is complicated, man.

Cristina: But you said you're gonna break it. You're gonna figure it out.

Jack: We're gonna figure it out. There must be a way There must be a way to figure it out. Around this issue of time travel. How do we unparadox us? You can be able to alter the past successfully without. The only solution is it's a different universe. That's the only way. Really? Really. It has to be a different universe. You have to be going to parallel universes past so that it's almost identical. I guess.

Cristina: I don't know. But it doesn't make sense. Like, okay, so, so you, so you go there and save your child, but if you go back to your time, your child's still dead. But in this new reality. Do you just live in this reality where your child is alive and what happened to the version of you that's in that reality?

Jack: That's another problem, because you would in theory have a version of you in that reality.

Cristina: You would murder that person and take over their life so you can live with your child. Does that solve it?

Jack: But hey, you're older though, I think. Just be there and don't kill the other. You just be too. It's cool.

Cristina: That's cool. I don't know. That's very odd. It is pretty strange because how do you explain that?

Jack: You. Who to who. Who cares?

Cristina: I feel like you're breaking other people's realities at that point.

Jack: Yeah, but what problem? Who cares? Who cares? They're gonna be like, oh, I didn't know he had a twin.

Cristina: And then your child gets mentally ill because reality of having you and the older version of you where you. He knows he's dead in. Because you're there for a reason.

Jack: Well, that's the question. Do you tell your. Do you tell your kid? Do you have to come clean about.

Cristina: I guess you don't, but like, it's kind of suspicious that you're there to watch over this child.

Jack: You could be his uncle. You would literally be his uncle, his dad. Yeah, but look, you. Oh, I guess you. I guess you didn't stop him from dying when he was born. You stopped him from dying at some point 20 years later, right? Yeah, no, it's been 20 years.

Cristina: It's been 20 years.

Jack: You don't know how old he was. Oh, yeah. He could have just been a little kid.

Cristina: So. And then now he's 27 and you're like, I guess what were you when you were. When he was 7.

Jack: You're 37, I guess, which would then make you 57.

Cristina: Yes. And then your version of you that's younger is like very confused because you're obviously them, but older.

Jack: Yeah.

Cristina: You'll Be like, I'm your father. What kind of lie?

Jack: Yeah, it wouldn't make any sense.

Cristina: It wouldn't make any sense.

Jack: But also. Yeah, I don't know. Would you. That's so messing with me. Would you not have been there? You traveled forward in time. You changed the path. I mean, you traveled back in time.

Cristina: You're not traveling back. You're not traveling forward. Actually, you're. What if you just save him and then you stay there?

Jack: Save him and stay there. I think that solves a lot.

Cristina: No, but it still doesn't. Because everyone's confused. Because there's still this other version of you.

Jack: Because you entered a different universe.

Cristina: Yes.

Jack: You just got.

Cristina: But you're still older.

Jack: Yes. You just gotta explain that. Came from a different future. A different universe's future. To save this child.

Cristina: No, you're not supposed. Because that messes with the child. Unless you think it's possible for someone to find this out and not have some kind of mental something happening in which they know. They're like, it doesn't make sense for you to care that much. But we saw in the Flash where Cisco is obsessed because the Flash killed his brother who he never met. It happened. Okay, that's the show, too, but still.

Jack: Brother from a different.

Cristina: Exactly. This is the exact thing that show is talking about. People are weird. They get attached to these weird things. That child, even though he's alive, he knows there's a version of him who's dead. And he's gonna freak out. Even though he's alive.

Jack: Interesting. Interesting. We gotta consider people's stupid emotions.

Cristina: Exactly. That's the problem. It's so weird. It's a weird one, because it's not really time travel related now. It's just.

Jack: Leftism.

Cristina: I don't know. Mental health.

Jack: Mental health.

Cristina: People around you are gonna freak out. Everyone that knows that you're from the future.

Jack: Yeah. They're gonna. It's gonna be really weird. And, like, there's gonna be a lot of skeptics. They're gonna say, dude, pulling a prank or some. Something like that, you know?

Cristina: Yeah. Like, I don't think a lot of people will believe it if you have no proof. Like, maybe you. You're. You got a time machine. You hide it, right? Like, you're. It's not out in the open. You just look like an older version of that other version of you. Then that's the only hint to anyone who believes it. That's the only thing they got to say. Like, your time travel is, hey, you look like that guy but older man. I don't. Maybe if they do a blood test that would also prove it.

Jack: Now, thinking about it, I don't think it would be safe. I don't think it would be safe to tell anybody you have a time machine. Just think of humans just straight up. We were being real ignorant right now.

Cristina: Yes. But I'm thinking the technology is so advanced, no one could do anything with it.

Jack: Okay. So only the driver.

Cristina: Yeah.

Jack: Got you. It was just.

Cristina: They can't even find it.

Jack: Interesting.

Cristina: It's out in the open and no.

Jack: One like it's straight up invisible and you could phase through it.

Cristina: Yeah.

Jack: Interesting. Okay.

Cristina: There's nothing you can do to him to get to it. He'll die with his technology.

Jack: Yeah. Like his hand opens it or something, you know?

Cristina: Yeah.

Jack: Not even he is. He is beating hand. It has. He has to be alive.

Cristina: Oh, but how would you know that? Like you could still not believe him and kill him.

Jack: Yeah, but you wouldn't know that. Exactly. Exactly. Nobody would ever be able to use it.

Cristina: Okay.

Jack: It would then just be. It would just be irrelevant to tell him to tell. Not for to tell him, but for him to tell anybody because they would never be able to find it. He would always be unbelievable. Although they might torture him to get to it.

Cristina: Exactly.

Jack: So I guess it would still be dangerous if somebody believed you.

Cristina: So you can't tell anyone because if.

Jack: Somebody believes you, they might kill you to find something that they can never find.

Cristina: Yeah. But the people around you would definitely know something's up. You'd have to tell them at least.

Jack: Yes. And they would definitely believe you if there were suddenly two of you.

Cristina: Yeah.

Jack: And if one of you was older.

Cristina: Yeah.

Jack: That's where it becomes a real problem. Right. Unless if it's like, is this your real dad situation? Everybody's gonna believe that in sudden.

Cristina: That you're telling people that you're the father.

Jack: That they just assume that and believe that's the truth. Regardless of what they tell you. They believe that they're just like, oh, he looks way older, but almost the same. That must be his dad. Like that's secretly their background thought. Regardless of this. Oh yeah, sure, whatever.

Cristina: Even if you're right next to the other guy.

Jack: Yeah. That you look so identical. They think he's your. The dude from the future is the father of the child of the guy he looks identical from.

Cristina: Oh, okay. I guess because you're 20 year old.

Jack: You're 20 years older than him. This is a 20 year old older you now. And the 20.

Cristina: Would you want this version of you to be in your child's life. If that version of you isn't really you, it's a stranger who's claiming to be this child. I mean, I guess you'd believe him, but still, he's kind of obsessed, and you don't know him.

Jack: Yes. And now your kid's safe, so you're never gonna have that obsession.

Cristina: Yeah.

Jack: This is a stranger who thinks in a way that you'll never.

Cristina: Yeah, he'll.

Jack: You'll never have the trauma of your kid dying because of this car accident. Because he saved your child. You don't even believe your kid was ever even gonna be hurt.

Cristina: Yeah, like, you're just trying. Like, do you automatically believe him?

Jack: No, I think he would have to convince you. But what could you bring from the future that could be believed? Right, because you would have changed the future with the photo. Change. You know, I bring you a photo, will the photo change because the future changed? But that's a photo from a different universe.

Cristina: I don't know if that would matter.

Jack: So you would just be like, no, this is clearly you. Look. And I'd be like, oh, yeah, that is me. And I remember that day and everything. And like, yeah, this is. Oh, no, you can't remember the day because it's in the future. Yeah, see, that's definitely me. And he's doing something that only I would know, or blah, blah, blah. Or I guess you could do that. Tell him all your deepest target secrets because you know them all.

Cristina: Okay, he knows that you're him. But why does he want you to be in his child's life?

Jack: Because you're him.

Cristina: So you.

Jack: Your kid is only around because he saved your kid.

Cristina: That's. But why do you believe him?

Jack: Because he can prove he's you.

Cristina: But he could be a crazy you from the future who's obsessed with your child.

Jack: Oh, s***. Okay. I wasn't thinking about that. I wasn't thinking that he would be deceptive. I was mainly thinking, like, no, he could prove it. A hundred percent.

Cristina: Yeah.

Jack: Without a doubt.

Cristina: And then you find him raping your child one day. Then what?

Jack: But then that means you have that.

Cristina: Potential in you, but you don't, I guess, at this moment, because your child.

Jack: Is alive, you think raping your child is a byproduct of the obsession he.

Cristina: Got for making this machine.

Jack: Oh, you think it's like a Jesus, like obsession?

Cristina: Yes. I don't know.

Jack: People wanting to be with Jesus.

Cristina: He just got so obsessed with a child while making this machine that it Became more.

Jack: It became more than the.

Cristina: Than just wanting him to live. No, let's not say he wants to do that. He just wants to raise a child with you.

Jack: Yeah, but I'm trying to, man. The biggest issue is really affecting the past, and there are a couple of barriers to do that. And so if you enter a different universe, you're affecting something else entirely. And the real question becomes, if you tell people it doesn't matter, it doesn't matter.

Cristina: But also, how do you live a normal life?

Jack: How do you live a normal. You can. You can't live the normal life. That's easy.

Cristina: You just gotta leave.

Jack: There are many people who are illegal.

Cristina: Okay. So you gotta live an illegal life.

Jack: Yeah, just go chill by the border, you know, like, there's. That. That part is easy. You could definitely just blend in if you're stuck on this end. Okay. I guess the question is, is it worth saving your son if you'll never be able to see him again? You truly have to love your son and then go back in time to save him from the car accident, knowing he would have a life and you'll never get to spend another moment with him.

Cristina: Why would you not get to spend that moment with him?

Jack: Because you're gonna go live somewhere where there are few people and not be bothered. Because.

Cristina: Oh, because you're gonna live that illegal immigrant life.

Jack: Yeah. You're gonna go live that immigrant life.

Cristina: That's complicated. Because you can't just hide in his house to raise a child. You have to hide and spy. I don't know. Or you gotta go back home.

Jack: Hide, inspire. Go back home. What do you mean?

Cristina: Hide somewhere else and spy on your child through the Internet or whatever.

Jack: Oh, like stalk em. Yeah, I guess you get Internet. Stalk your child.

Cristina: Yes.

Jack: But I guess if ultimately, if the mission is effectively saving your child, then mission accomplished.

Cristina: Well, it's not just about saving it. You want to raise this child that's not your child.

Jack: That is your child.

Cristina: Well, it's not technically. I mean, this reality is not. It's this other version of you's child.

Jack: Yeah, but, like, universes are almost identical.

Cristina: But do you want to raise your child with you? Like, that's so weird. Imagine if an older version of you came right now and wanted to raise your child with you. How weird is that? You're just gonna be accepting of it because he's from the future. I mean, even what's the proof? Isn't that weird?

Jack: But he knows better because he's from the future.

Cristina: He doesn't Know better on raising children.

Jack: Because he has had the same amount of experience. No, he was seven.

Cristina: Yeah. And that's it.

Jack: So that's seven more years than I have. Bam.

Cristina: No, it's not. It's the exact same. Because your child's seven.

Jack: Well, because he jumped back to the. Yeah. No, you're right. It's the same amount of parenting. So what? A better parent than somebody who's at your exact level.

Cristina: But still, like, do you want to agree on everything? Do you wanna.

Jack: I guess they could do an odd couple scenario where they're like a.

Cristina: And if you're with a girl. And, like, what if he's with that girl, too, but in the future?

Jack: Oh, I guess it doesn't matter because.

Cristina: What if they become in a relationship, but you're with her right now and.

Jack: Well, it's in the future.

Cristina: No, but what if. But he's now here. What if she falls in love with this older version of you and wants to leave you for you?

Jack: Interesting. Interesting.

Cristina: And then what if you realize your child actually starts to fall in love with this version, this older version of you more than you? Like, how much?

Jack: What if everything slowly migrates in his favor?

Cristina: Yeah, like, he's so much better than you. I mean, he built a time machine. He made me super cool.

Jack: He's 20 years cooler than you.

Cristina: Exactly. He's 20 years cooler.

Jack: There's no way to even compete with that. He's 20 years cooler than you'll ever be.

Cristina: Yeah. So.

Jack: Well, that is what it is. What are you gonna do? It doesn't even make sense to be like, no, me from the future. You're not gonna help me raise my kid. You make something crazy happen, and he knows better.

Cristina: But, like, he can't do anything. I don't know. Because you're feeding him and you're living him leaving. Live in your house and he has your woman you gotta do.

Jack: Freeload and then, like, making you a cuck.

Cristina: Exactly. He's got everything of yours, but he doesn't have to work because he can't work. And you have to feed him.

Jack: He could work.

Cristina: He's gonna work illegally, I guess.

Jack: He's gonna bring that cash payout.

Cristina: Okay.

Jack: Every day.

Cristina: All right.

Jack: At the end of the week. I doubt that one, though. Under the table is probably every day.

Cristina: Every day.

Jack: Yeah. Maybe they get paid every day.

Cristina: I don't know. Okay, so he can at least contribute somehow.

Jack: He will. Maybe he makes a lot of money illegally. Although that Southwest is probably milked.

Cristina: Why? Because, like, he can do some weird Illegal hacking job or something. I don't know. He's got the technology to time travel. He could do some online.

Jack: That's fair. He could probably just make himself rich. Yeah, like realistically, just hack into the bank, change numbers, make himself legal paperwork. He'd do all of it. That would be so easy. It's from the future. I don't know why any of this would even be a slight problem.

Cristina: This is weird, because then if he gets noticed, questions are asked, he gets found out, he gets kidnapped and tortured to tell them about his machine.

Jack: It's so difficult to kidnap and torture him because of his text. It would be so astoundingly and amazingly complicated. In fact, I would go as far as to say that I believe there's nothing anybody could do to stop him. If he came from a future with a time machine. Oh, it's only 20 minutes. D***. I'm thinking it's so far in the future, it's only 20 years. So I guess it's close scientifically that like. Yeah, you could still get shot and die if.

Cristina: Yes.

Jack: Like, you know, like your tech is on par to some degree. Only 20 years difference. And you didn't make an upgrade, you just went back in time. Unless you came strapped with crazy future guns.

Cristina: No, like 20 year older guns. No, I don't think so.

Jack: Won't be like crazy leaps and bounds. You're more or less in the same ballpark. So you jump back in time, change this thing.

Cristina: I don't know if it'll work out.

Jack: It wouldn't. It wouldn't. It wouldn't be able. You wouldn't be able to. You wouldn't be able to. It's one. It's a different universe. Then there's the problem of the two you's.

Cristina: That is just an awkward thing.

Jack: Yeah, I mean, you could do it awkward. It's not a problem. Socially, that might be an issue. The government might like, put a hit on one of you. This can't be. You can't let people know there's time machines. That's problematic. So like, if anybody finds out that could anybody of significance that could make this problem go away. They will.

Cristina: Yes.

Jack: So that's another problem. Letting people know it all.

Cristina: But you need to let someone know.

Jack: Why?

Cristina: Because then how do you live with this family?

Jack: Which means you got to tell at least the family.

Cristina: Yeah. So.

Jack: But what the. Who cares? What do. What's the point?

Cristina: Because someone is gonna find out, right?

Jack: You're gonna tell the family.

Cristina: Yeah, but like someone you don't want to know will eventually find out if you're.

Jack: I mean, I guess it's not a sure thing, but a likely thing. With the more time goes by, the more likely it becomes.

Cristina: Mm.

Jack: But it doesn't mean it's gonna happen.

Cristina: No.

Jack: So there's still the possibility it goes pretty smoothly.

Cristina: Mm I don't know. It's just a weird situation.

Jack: That's mainly because it's time travel.

Cristina: Yes. But also you're living with yourself. It's very weird.

Jack: Yeah. And time travel led to how weird that is.

Cristina: Yes.

Jack: You went back in time and you're living with yourself in a different universe. It's really just universe changing in a different time.

Cristina: Mm.

Jack: It's the weird line you draw from one bubble to another and then down that bubble's linearity into the past. But somehow you didn't just enter it. You landed specifically outside of your bubble in the other bubble in the past.

Cristina: Yeah.

Jack: Weird.

Cristina: Mm. So does it work out?

Jack: I don't know. You. You still wouldn't be able to interact with anything and change it without killing the motivation for you to go back in the first place. If you accomplished your mission. Yeah, it's the biggest. If you accomplished your mission, you never needed to go back and solve it. You know, like whatever it is you're doing would immediately see if it's a.

Cristina: Different reality, I guess.

Jack: Not really. If it's a different reality, but then you're also aware that it's a different reality, and that's a different issue entirely. Right. Because it's more about you integrating into this new world. There's nothing about it being the past. It's significant other than the. At least to you, you saved your child. So it's more about integrating into whatever world you're in because it's not the world you came from originally and everybody but you belongs there. So everybody's fully aware of this. You're sticking out feature that you come with.

Cristina: Yes. And knowing you feel that too. Like you'd feel like the odd fallout.

Jack: Yeah. Because you come from the future.

Cristina: Yeah. Or you come from a different reality, whether it's the future or not.

Jack: Fair enough. Yeah. You come literally from a different place outside the common space.

Cristina: You're an alien in a way.

Jack: Yeah. But I think that's something everybody would have to get used in the future anyways, being an alien. Because any new place you visit, you're the foreign one too. Yeah.

Cristina: So you. What if you save your son and then he grows up to be Hitler?

Jack: That would be nuts.

Cristina: Do you go back in time and kill your son.

Jack: You couldn't. It would be impossible. It would be impossible to go back in time and stop Hitler.

Cristina: Because then you gotta go to a different reality anyway.

Jack: Yeah, you. Oh yeah.

Cristina: Because you can never go back to your original. That's the point.

Jack: Yeah. So Hitler would just have happened.

Cristina: Yes. I guess you would then jump back. No. Yeah, I guess you go to another reality where you don't save your son. But then you're still living with you. But you don't have to tell you anything. You could just live your own life without telling you what you. But then that version of you makes a time machine to save your son.

Jack: Goes infinitely.

Cristina: Yes.

Jack: Ah.

Cristina: It's a. Yeah.

Jack: It's always gonna cancel itself out.

Cristina: What? I thought we got it.

Jack: No, it's a closed loop. It's always a closed loop. There's absolutely nothing could be done. Really?

Cristina: Really.

Jack: The. The problem we have to solve before we can jump into any other problem is finding out how we can go back in time and change anything without changing the need for us to go back in time.

Cristina: Mm.

Jack: That's hard.

Cristina: That's hard. So hard.

Jack: Because our purpose has to be there.

Cristina: But even in this way that we figured it out, like you could just jump somewhere else, but then there's still a version of you who's stuck in this reality even though it's not you. You're still living a normal life even though you know that there's a version of you that's gonna create Hitler. There's nothing you can do about that version of you. You could just continue living life.

Jack: Yeah. And it's also not gonna affect you.

Cristina: Yeah. Yeah. That's that other version of you's problem.

Jack: Yeah. It'll never, as long as you live, come across your radar.

Cristina: Exactly. So it kind of works out sort of.

Jack: Yeah. It kind of makes everything meaningless essentially. Because nothing matters. Like there's a million other universes. And he's gonna go out there and make a million Hitlers. Who cares? He didn't make it here. Yay.

Cristina: Yeah, I guess. Cuz you're always gonna jump to a version where he's not. Where you didn't kill. I mean, save your son. That's.

Jack: Yes.

Cristina: So that helps. So then when you made that time machine to go to save your son, there was a version of you that just popped up into your reality that you just left behind because he was running away from his reality where he accidentally made Hitler.

Jack: That's fascinating. If you do this long enough, eventually in the future, like if you're going to the same place throughout time. Eventually in the future, you're gonna come across this guy.

Cristina: No, you always jump. You'll be you. You guys will always be jumping to the next. You'll never be in the same with the other person. I think.

Jack: Why, if there's many versions of you throughout time.

Cristina: I guess because it's really.

Jack: Especially if you develop a habit and go through the same place over and.

Cristina: Over in the same place.

Jack: Yeah. Like you. You always teleport to the same house or the same part of space or wherever the case might be.

Cristina: Yeah.

Jack: That throughout time you do that. So every version of you will slowly start meeting other versions of you and having casual small talk with other versions of me as you walk hallways and stuff of this place.

Cristina: This is very strange.

Jack: Yeah.

Cristina: Reality is broken. Okay.

Jack: Yeah, for sure. Anyways, anyways, anyways. Anyways. I didn't get anywhere.

Cristina: No.

Jack: I managed to solve nothing. And I actually uncovered more issues that are unsolvable. But I tried my best and got nowhere. So what I have to do is really find all the different time travel related paradoxes and see what proposed solutions for these problems exist and see if I can improve on those solutions and make them viable things.

Cristina: Okay, yes, let's do that.

Jack: That's what matters. Doing that and accomplishing that is in fact the most important part.

Cristina: Why?

Jack: I don't know. Maybe we could apply that to Jesus.

Cristina: Okay, that sounds good. Yes.

Jack: And you guys can tell us about any version of a time travel paradox solution that you may have on Instagram, Twitter, TikTok and Facebook.

Cristina: Remember to subscribe, rate and review the show.

Jack: Yes. And word of mouth, tell people, talk to people, mention the show. Tell them that we're trying to figure out how to kink out the problems with time travel. We're gonna figure it out.

Cristina: Mm.

Jack: It's gonna be figured out.

Cristina: Of course we're gonna do it.

Jack: Yes. We're gonna be ones.

Cristina: Yes. This has been the Rambling podcast. Take nothing personal and thanks for listening. What?

Jack: What?

Cristina: Some other location.

Jack: I think. Think so too. Look, all jokes aside, it's not that far from the Bermuda Triangle. Like, it isn't in the Bermuda Triangle, but it's like next door neighbors to it. That's crazy. I didn't know that. I could have sworn Costa Rica was an island.

Cristina: I don't know, maybe I confused it with.

Jack: That's nuts. So Costa Rica is Central America.

Cristina: Oh, yeah, yeah, yeah. I don't know the connection though.

Jack: That makes it weirder. Had it been in the Triangle, there's also a bunch of crap about Atlantis in the Triangle we know.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.in fox, art by 0lupo and logo by Seth McAllister. With social media managed by Amber Black.

Rambling 221: Fast Family vs John Wick

Is John Wick fast enough? Is the Fast Family clever enough to evade an undying will? Time travel? Continuing an off-mic discussion, the duo begin their movie directing careers. Their first project is a John Wick Fast and Furious crossover. Learn the entire plot to ‘2F v W’ as told by the directors.

+Episode Details

Topics Discussed:

  • John Wick’s Dog
  • Family
  • How to Kill John Wick
  • Time Travel
  • Paradoxes

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And we were just talking about whatever the h*** is going on in Fast and Furious.

Cristina: Both Fast and Furious. And. And hoping that John Wick somehow Messes. Mixes in.

Jack: Somehow mixes in. Yes. But we're also breaking down who is just becoming part of the Dom Toretto's family, which includes a bunch of cops. A bunch of cops. Illegal. Like a bunch of different criminal. I don't even like, Special Ops people. At some point, what's happening, Right. Like, the government hires them and they, like, also get some of those people to join them.

Cristina: Yes. And then they steal from them and.

Jack: Yeah. Like, they're ultimately criminals or something.

Cristina: Yeah.

Jack: Like at the. Or are they like. I don't understand. The problem is we have. We have to watch these in, like, a straight line to really understand. Like, watch all of them back to.

Cristina: Back in chronological order.

Jack: There's a. There's a string crossing all of them. Like, you could follow progression. Whether it's grounded in base, in reality, I doubt that's occurring. But, like, I definitely think it's trackable. There's definitely a story there.

Cristina: Yes, we should do it. We should do it. Ah, yes. And then we talk about it.

Jack: Then we talk about it, man.

Cristina: But this I keep calling John Wick. John Wick movie. What would we call it? Fast. Wick.

Jack: Fast.

Cristina: Wick the Fast. Wick the Fast.

Jack: Wick the Fast. Wick the Fast and the Wick.

Cristina: The Fast and the wick. 20. You gotta put some number.

Jack: A number. No, it's like crossover. It's like Alien versus Predator.

Cristina: Okay, so no numbers. It would be very.

Jack: What would be the. Wait, what would be the name? Wick versus the Furious Wick, I guess. They are the Furious, aren't they? That's a team name.

Cristina: The Wick and the Furious.

Jack: Because the Furious are fast.

Cristina: Furious are fast.

Jack: The Furious are fast. So if we were to name this movie, it would be. If we were to say who versus Who.

Cristina: Well, some of them are just fast. Not Furious. Like, it's like the guy. I don't know, what's his name? The young dude that joins him.

Jack: Yeah, yeah, yeah.

Cristina: The cop that's not a cop anymore.

Jack: Which cop does not.

Cristina: A cop from the first movie.

Jack: Brian.

Cristina: Brian. He's just the fast. He's not the Furious.

Jack: Yeah. So yeah, that's what I'm thinking about right now. That I think the whole family is fast, and it's really the fast family.

Cristina: But they are some furious, I guess.

Jack: Yes, but they're not the Furious family.

Cristina: Okay.

Jack: They're the fast family. Although this. The Furious just immediately translate to them being aggressive and, like, handling their business or whatever that means all fast and they're all furious.

Cristina: Yes, I guess they are all fast and furious.

Jack: Yes, because that means they're all. Even if they're all choosing. Some of them are just straight up choosing to live peaceful, sedate lives.

Cristina: Some are more fast than the others. Some are more furious.

Jack: Yeah, but at the end of the.

Cristina: Day is so furious. Like, she's the furious one.

Jack: Yes, but at the end of the day, they're all fast and they're all furious. Even if some are more fast and some are more furious. Like, yes, there's a spectrum. But because of that, all of them are fast and all of them are furious to different degrees.

Cristina: We should just say Fast Furious. Wick. Fast Wick Furious.

Jack: Fast Wick Furious.

Cristina: Yes.

Jack: No, because Wick can't be the fast one. That's not the key.

Cristina: He is definitely fast.

Jack: He is. But it's just.

Cristina: He's definitely furious. The Fast Furious Wick.

Jack: No, that's still just talking about him. That's not mentioning them. It has to say Wick. It's. And it needs verses because it's one versus It's a crossover Alien versus Predator.

Cristina: You know, the Furious versus Wick. The Fast versus Wick. Because you don't need both words sometimes.

Jack: They don't use fvw. It's a shortcut. It's a shortcut. That sucks, though. I know. It would have to be like fast versus Wick. But it doesn't make sense.

Cristina: Let's make it complicated and just put two F VW. Because this Fast and Furious are two Fs.

Jack: Two FVW. Interesting. Random. It is, but it isn't.

Cristina: But yes, I like that.

Jack: That's pretty badass. I dig it.

Cristina: So then they fight him because they killed his dog while racing away from some money, some bank they just robbed.

Jack: Is it like the odds of somebody just again killing his dog and that being the next launching point? Unless isn't the first time. Like, if we get Beautiful. Beautiful. Like if we get a prequel of John Wick to see how he began his career as the greatest killer ever, back when he was the wackiest killer ever, before he discovered the best ways to do it or whatever.

Cristina: Okay.

Jack: Was it because they killed his dog and he wanted to get revenge. Originally.

Cristina: I don't know. Because I was hoping that this dog was the trained dog that knows how to use a gun.

Jack: Right, because they're gonna give his dog a gun.

Cristina: Yes, they're gonna. He's gonna give his dog a gun and he's gonna learn how to shoot. And maybe the dog was trying to stop them from robbing the bank because that's his new job. Because the dog wants to have a job to shoot people. I don't know. The dog is a guard to the bank. So the idea is to have a gun.

Jack: Why doesn't John Wick just get shot? Like he. Finally. And it's the la. Like B roll death ever. He's just John Wick. He's just chasing. He's doing his awesome John Wick stuff and he dies. Some random, other unseen, unrelated, like stray bullet from a gang fight somewhere else hit some clean through the head and John Wick dies. But the dog was there to see it happen.

Cristina: Oh, wait. So the star is the dog. He's gonna join the Fast and Furious.

Jack: Oh, my God. I forgot that the Fast and Furious were there. Y. I was just thinking this was a John Wick movie because I forgot about the Fast and Furious entire.

Cristina: They're robbing a bank. The dog is the guard. He learned how to shoot because of John Wick, who's his last. I guess who's dead.

Jack: Who's dead?

Cristina: A dead John Wick. He's now a dead John Wick. So I don't know how this is a crossover. I mean, I guess because we see John Wick die.

Jack: We see John Wick die. So chronologically, this must be happening at the end of the entire John Wick series.

Cristina: Yes. This is kind of, I guess, the. The. I don't know.

Jack: D***. So we never even get John Wick versus Fast.

Cristina: Don't want to kill him.

Jack: We never even get John Wick against.

Cristina: The fact Unless he comes back alive. Why not? They. Someone has the technology to bring him back to life.

Jack: Like Jason or something. Jason wasn't Jason X. No, it wasn't Jason X who did Jason versus. It was Jason versus Freddie.

Cristina: Right? Yes.

Jack: Okay. Oh.

Cristina: But anyway, yes. Okay. So the dog joins them, but you think it's because he's become best friends with them, but secretly is so that he can steal the money that they stole to bring John Wick back to life somehow? It doesn't need to be explained. It's a lot of money from a bank. It's enough to Bring John Wick. I don't know how long John Wick has been dead from this point, but maybe he was frozen the whole time and he has enough money to cure him. So we can have John Wick in this movie.

Jack: So we can have John Wick in this movie. John Wick has to die because his dog needs to be the hero. Maybe the point is that the dog can somehow get the fast people. So in any case, the fast dog, not the fast dog. John Wick's dog has to be the one hiring the fast crew to find the cure, because they can do anything. He's just a dog with a gun. Okay, but they can do anything.

Cristina: Okay, so when they rob, they're robbing the bank, and then he's like, whoa, they did such a good job. No one could stop me.

Jack: Yes, me, John Wick. Stop.

Cristina: Yes, I've killed plenty of people. But they somehow got away. And then he becomes friends with them. And.

Jack: No, he doesn't even just become friends with. He doesn't become friends at all. He hires them. He doesn't trust them, though. Okay, but he hikes their family concept. They're. They're not his family. He only has one family member.

Cristina: Okay, so John Wick, who died randomly.

Jack: Who got hit by a stray bullet from a gang. At. From a. From gang violence a block over.

Cristina: Okay, so it's not even related to the John Wick movies. Like, not. The main villain didn't actually kill him, whatever that is.

Jack: It was because nobody can kill him if they want to.

Cristina: Oh, okay. So it had to be by accident.

Jack: It had to be by accident. That's his power. He can't be killed. He can only be murdered.

Cristina: Okay.

Jack: Or how do we put it? No, he can't be murdered. He could only be killed. There you go.

Cristina: Sure.

Jack: He can't be murdered. He could only be killed.

Cristina: So they. Okay, so then what are they doing?

Jack: What is who doing?

Cristina: The past. How are they bringing him back?

Jack: They are. Well, they had something. You know, he's like, somebody has to have something that connects. They know the government and people because they've been hired by people.

Cristina: But don't they have to, like, race to something or steal something?

Jack: Yeah, yeah, yeah. So. So what' happening here is they. They find out. We're going to find out at the end of this conversation. By the end of this conversation, we will know what it is. But they're chasing something that's time sensitive. That's all we need to know. There's a time sensitive place they gotta be to get the thing or the person or be at the right place at the right time to get the. Whatever necessity is required for John Wick to come back to life.

Cristina: They have to drive fast enough that it breaks the time barrier and they travel back in time.

Jack: They have space abilities.

Cristina: They just travel back in time. With normal car. There's no like science scene behind it. It's just they got so fast that they go backwards.

Jack: More like Ant Man.

Cristina: Like Barry from the Flash, I guess. I don't know. He can't travel back in time if he goes too fast.

Jack: Yeah, he can.

Cristina: Yeah, they do that.

Jack: He enters a Speed Force.

Cristina: Yeah. They enter the Speed Force. Yes. In normal cars. But they're just so fast.

Jack: Oh my God. That actually kind of makes a ridiculous sense. Assuming all universes coexist one way or another. If. If you were to just go fast enough, it doesn't matter who you are or where you are. You go into the speed for. By default. Because the Speed Force is real.

Cristina: Yes.

Jack: No matter where you are.

Cristina: Should we bring D.C. into this?

Jack: We'll find out.

Cristina: Okay.

Jack: Did you just go fast enough?

Cristina: Because we need to change the title.

Jack: If we do and you go into the Speed Force. Well, no. This is just the. The main point here is just somehow this is about John Wick and the fast people.

Cristina: Okay.

Jack: But he goes fast enough. They go fast enough.

Cristina: The group.

Jack: The group. Because they're all really fast. And this mission for. They're being blackmailed by this dog or something. So they're also furious and they gotta do it. So they're. They just figure out going super fast in their cars so fast that together they enter the Speed Force.

Cristina: Yes. And they go back in time to save John Wick.

Jack: To save John Wick.

Cristina: To save.

Jack: But then they'll never get the mission to go back in time. You see, this is the problem with.

Cristina: Going back in time.

Jack: It's really.

Cristina: It doesn't matter in this world. Okay. We're not. It's not going to deal with time travel problems.

Jack: So they're going to go back in time, they're going to save, and they're.

Cristina: Just going to live in that reality. And there's no other version of them. Okay.

Jack: No. They'll cease existing.

Cristina: Immediately. Ceases in this movie. They're there.

Jack: Okay.

Cristina: Fair. The other version of them just is gone.

Jack: Wait, we were making a movie? Oh yeah. It was a movie with John Wick.

Cristina: Yes. They save him. Like they push him out of the way of the bullet with their car or something. And then he's mad at Them at first. So they become enemies. Then he starts killing everyone the Dom knows. Because he has to.

Jack: John Wick has to murder them. No. Yeah. Wait, he just comes back to life and starts murdering?

Cristina: He doesn't come back to life. He's just alive dead.

Jack: Yes. He's just not dead.

Cristina: He's just not dead. Because they save him.

Jack: Yes.

Cristina: But he's angry because maybe his dog was there too. And they accidentally killed the dog instead of him while they were trying to save him.

Jack: Yeah. Yes. But now. So this is assuming that there's just one state of time and they. Although they traveled through time, there wasn't a future. They just sort of rewound time.

Cristina: Yes.

Jack: And that in. They just remove themselves from that rewind so that when they stop time, they jump out and they now save John Wick. They move him slightly to the side and the bullet doesn't hit him.

Cristina: Yes. But the dog dies.

Jack: But the dog dies. I guess it looks like they threw the. Maybe the dog was behind him. The dog was tactically placed behind John Wick. Or not tactically with the dog was just happen to be there in the same trajectory of the round that was shot from the gang. Like violence that was going on a block over. So the bullet comes and it flies down the block.

Cristina: Yes.

Jack: The fast group are so fast that they not only time traveled back to that moment, but they beat the bullet as it's getting there. And they move John Wick out of the way.

Cristina: Yes.

Jack: And the bullet hits the dog. Yes.

Cristina: But they somehow do it with the car. And somehow John way getting hit by the car doesn't kill him at all. Doesn't like.

Jack: Oh, right. So they just hit him with the car.

Cristina: Yes. Yes. But it doesn't like do anything to him. No damage.

Jack: No damage.

Cristina: Just. He just moves out of the way. Like in most of their movies. They. People get hit and it's nothing.

Jack: They're fine. And this is John Wick can't die.

Cristina: Yeah. So. But the dog dies from the bullet.

Jack: Yes. Yes.

Cristina: And then John Wick decides to murder them.

Jack: Yes. Because it's their fault. He didn't die and the dog did.

Cristina: Yeah.

Jack: The important part is the dog did. I was gonna be the shield. And then you stopped it.

Cristina: So that. So he purposely jumped in front of that bullet. Oh my dog in the first reality.

Jack: This is the reveal at the end of the story, isn't it?

Cristina: But it's not. We got two more hours.

Jack: We got two more hours of this and he has to kill a lot of people.

Cristina: Yes, exactly. That's what we're here for.

Jack: That's what we're here for.

Cristina: So wait, the first half is the Fast and Furious and then the next half is going to be the Wick. Oh, now that he's alive.

Jack: Oh, yes, yes. Oh, this is a really good movie. I would watch this really weird sci fi film. Crazy crossover. So now we got Wick and he has to kill the fast people. But they're really fast.

Cristina: They're really.

Jack: They're really fast and they know they can't kill him.

Cristina: Yeah.

Jack: So now they're back to their old days of having to rely 100% on driving. They usually rely on driving anyways.

Cristina: But he has to, like, show them why he's not someone they should mess up. Like, one of them should die at that scene.

Jack: Like, yes.

Cristina: He, I don't know, pulls one of them out of their cars and murders them. And it's really violent and scary. And then the wrestler, like, oh, yeah, yeah, yeah. And maybe the dog told them about it, but like, they didn't really understand until they saw it.

Jack: Interesting. Like, yeah, my master is like a real thug.

Cristina: Yeah. So. And then they saw and they were like, oh, crap, we can't fight this. There's nothing we can't. We're fast and we're furious. But this is something else.

Jack: He has to outsmart the smartest guy, who's ludicrous. He's smart and he has to out.

Cristina: He's a brainy dude.

Jack: Yeah. And he has that out like. Like beat in a fight. The best fighter, which is the Rock.

Cristina: I feel like he can.

Jack: He has to take both of them.

Cristina: Oh, are those the first people who take out? He takes.

Jack: Yeah, those are the people that die in that scene.

Cristina: Okay.

Jack: Yeah, yeah, yeah. This is people that die immediately.

Cristina: Whoa.

Jack: He has to be able to beat those people at whatever they're doing best.

Cristina: Yeah. So he first kills Lud Kris. Cuz that's probably the easier of the two.

Jack: Yes.

Cristina: And then the Rock, trying to stop him, gets murdered because he's like, whatever, I can stop him. Or whatever. Look at these arms. And then he dies.

Jack: Yes.

Cristina: Then the crew drive away.

Jack: Then they're like, holy crap.

Cristina: Or do they try to hit him with a car and they realize, oh, not even the car can stop him.

Jack: Well, yeah, this began because the car failed. Because keep in mind, both the Rock and Ludicrous are also drivers. They began by hitting him with a car and then he beat them at whatever thing.

Cristina: Yes.

Jack: Their go to is always just hit him with a car. They every they have to start at that.

Cristina: Okay. But they're not gonna try to do it again because the first time was to save him. So should they try again to kill him?

Jack: Oh, no. Yeah. After he starts murdering people and fighting. He. After he just gets hostile. They hit him with cars initially. That's what happens. He gets hostile because you killed my dog.

Cristina: But he's like.

Jack: Or maybe he just kills Ludacris first because it's easy. But then the Rock is like, I'm gonna beat you up.

Cristina: Mm.

Jack: And he's like, total smackdown. Total smackdown. One sided. And the.

Cristina: Rob his arm out and, like, stabs him with the arm. The. The bone part of the arm or whatever that's sticking out.

Jack: Yes. Through his mouth.

Cristina: Through. Yes. It's just disgusting.

Jack: It's the scariest thing they've ever seen. It's the scariest thing they've ever seen. By the way, he appropriately earned his name, right? The Baba Yaga.

Cristina: Yeah. Yeah.

Jack: Like it's appropriate that he's some scary thing.

Cristina: Yeah.

Jack: Because like, holy crap, John Wick is an issue. And he's horrifying. Yes, he's really horrifying.

Cristina: He's.

Jack: No morals. No.

Cristina: He.

Jack: Dude. He doesn't respect the law.

Cristina: No.

Jack: Doesn't give us the slightest crap.

Cristina: So then they run.

Jack: So then they run.

Cristina: But what is their plan?

Jack: What? Yeah, exactly.

Cristina: They just drive.

Jack: Well, their family. They got to go have a family meeting, as they usually.

Cristina: They do need a dinner together.

Jack: Yes, they're gonna have that family meeting during dinner. No, they need a happy dinner. And the family meeting. The family meeting is usually in a warehouse where they're gonna have that pep talk.

Cristina: Okay.

Jack: So they're gonna go to dinner first because happy times.

Cristina: They're not. They're mourning the death still.

Jack: Yeah, yeah. Stuff like that. Celebrations and sadness or whatever. And then after we see that happen.

Cristina: What is the conversation doing that? They're not planning anything. They're just like, let's eat and mourn and laugh.

Jack: Yeah, yeah, yeah, yeah.

Cristina: With alcohol.

Jack: Because there needs to be filler stuff. Yeah, we need to fill too.

Cristina: And then when they're in the warehouse, they really talk about. Okay, now let's get serious. What are we gonna do?

Jack: Yeah, because think about it. All the times that they hang out in the family, this is just a normal family dinner. And then there's like the ending movie family that. So right now is that normal family dinner where they remind us, oh, yeah, they're family, which they tell us every five minutes. So I don't know why, but we're also gonna, in this movie, tell people every five minutes that they're family. And then we're gonna show them that their family, after we told them an.

Cristina: Infinite number of times, one of the lines should be, and don't forget we're family.

Jack: Yes, that should definitely be one of the lines. And he'll do. Do. Vin Diesel's a good actor. He'll sell it. Yeah, he'll sell that line. But that line's gonna be there.

Cristina: Do they laugh at the line?

Jack: No, because it's gonna be at the end of a great speech. It's gonna be a motivational speech that doesn't mention the trials ahead specifically, but it's gonna say stuff like trials ahead. The speech is gonna go more or less like. And together, there's nothing that we can't do. And there's no one I'd rather have at this table more than all of you. And don't forget, we're family.

Cristina: Yes. That's the dinner.

Jack: That's the dinner speech.

Cristina: Okay.

Jack: 100%. He's just motivating them for the dark times ahead. Because they know the conversation they're having later in the warehouse that they totally could have had here. Because it's exactly the same people in both places.

Cristina: Yeah.

Jack: But it's a sketchier place, and that makes them comfortable. I'm not judging. Whatever. Like.

Cristina: Yes.

Jack: Group rituals. They have.

Cristina: Whatever group is so big. Where was the whole group at the beginning? Because there has to be that intro of every person being contacted to fly in from wherever they are in the world.

Jack: Right. There's two different, like, warehouse meetings.

Cristina: So, like. And then they gotta.

Jack: They gotta have the first warehouse meeting where they're like, oh, no, that's. So we're doing the wrong order.

Cristina: Okay.

Jack: The first warehouse meeting happens, and they are like, hey, we can't. First they. They talk about the issue and how we're gonna solve it. We can't. We need more brains. We need more people.

Cristina: Yes.

Jack: So what we gotta do is. Do what? Get the family together.

Cristina: Yes. And that's when they contact all these other random. Everybody that we've seen in the other movies.

Jack: Yes. And we have a bunch of scenes of like, hey, dude, what's going on?

Cristina: And a lot of airplanes landing.

Jack: Yes. No, but before the airplane's landing, we get, like, a good 20 minutes of seeing what they're doing for a moment before they get the call.

Cristina: Oh, yeah. Like the two of those guys gambling or.

Jack: Yeah, exactly. Like, where they were when they got it. Some of them. We are our favorite People. So we'll see, like, a longer chunk of them, like, them doing a bunch of stuff, and then boom. Oh, yeah, we forgot. This is not a movie about them. That's how good they are.

Cristina: Yeah, but.

Jack: Oh, yeah, the call. This was about the call. We forgot we were watching their life. Right. Okay, now. Yo, can you come and help with the thing? And that'll happen, like two characters and there'll be some background people that were like, oh, yeah, I remember that guy.

Cristina: Yeah. And, like, Jason Statham. You gotta. Yeah, he's not hanging out with them. He. You need to call him. And he's, like, playing tennis out there for some reason.

Jack: I was gonna go towards more of a sketchy job. Look, he's on break right now.

Cristina: He's on break.

Jack: He's on break. He might be this crazy terrorist guy, but he also has downtime.

Cristina: Yeah. He has a hobby, and it's. It's tennis.

Jack: Plus, he's also converted to familyism or whatever they do.

Cristina: Oh, okay.

Jack: By the way, it's called familyism.

Cristina: Familyism What?

Jack: Familyism is the ritual religion that they follow. That's really what's happening here. It's family.

Cristina: Then they need, like, a cross type of thing, you know, like a symbol for their family.

Jack: It's the letters GTR with Dom's face under it. With Dom's face under it. Or GTR tattooed on Dom's cheek. That's what it is. It's Dom's head with GTR tattooed on his cheek. And then on the other side, he has Brian written across his other cheek.

Cristina: Okay.

Jack: It's kind of. It's more like a flag they don't worship. A symbol of some sort. I guess a flag is a sort of symbol. And that's like their cross equivalent.

Cristina: Yes.

Jack: And the flag happens to be, like, Dom's head.

Cristina: Yes.

Jack: Inside of a box with letters on one side and GTR on the other.

Cristina: Yes.

Jack: And they all have that tattooed on their arm too. And that's how you really know if somebody's in the family.

Cristina: Mm.

Jack: And we get glimpses of it during the family dinner, which, by the way, happens after that first warehouse meeting where they call everyone. Where they call everybody. Everybody flies in. We get the shot of everybody's individual situations.

Cristina: Yes.

Jack: And then after everybody gets the calls, we see all the planes start showing up, and then we get again, see everybody one by one. But as they're walking into the warehouse, the warehouse that they're still in. But we're not gonna have the big convo yet.

Cristina: We're Not.

Jack: No, because they're just showing up now.

Cristina: Okay.

Jack: And after everybody shows up and there's a bunch of handshakes and stuff and kisses and hugs and laughing, we see the dinner and he gives that motivational speech.

Cristina: Wait, so they leave the warehouse.

Jack: They leave the warehouse.

Cristina: Okay.

Jack: They were in the warehouse. They called everybody. Everybody's life happened. Then they came back into the warehouse to welcome everybody.

Cristina: Okay. And then they leave the house.

Jack: Then they leave the warehouse and go have dinner.

Cristina: What is John Wick doing in this moment? Or does he just not exist until we need him?

Jack: Yeah, he's just. I don't know. He's talking to a guy who works with trash people.

Cristina: He's getting more guns.

Jack: He's getting more guns. Yeah, he's prepping.

Cristina: He's finding robots. He's building robots with guns.

Jack: Yeah. No, he's like talking to some guy.

Cristina: Just talking.

Jack: He's usually just talking to some guy. He doesn't do much. He just goes talk to some guy and then solves it himself.

Cristina: Anyways, he's looking for a warehouse.

Jack: Yeah. Yes, exactly. He's out there.

Cristina: I know they're out here and they're right under my nose.

Jack: Yeah, that's actually really good. That's awesome. They're looking for the. He's looking for the warehouse.

Cristina: He knows they're in a warehouse. He just doesn't know where the warehouse.

Jack: Because the crime world is connected. He just asked somebody, and they're like a warehouse, but nobody wants to tell him what warehouse.

Cristina: Yeah. Or maybe they all lead him to different warehouses that are not the warehouse. Because everyone's family. They're all secret family.

Jack: They're all secret family.

Cristina: Yes.

Jack: Everybody Dom has ever met.

Cristina: Yes, exactly. It's the opposite of his world. In this world, everyone is connected to.

Jack: Dom one way or another.

Cristina: Hiding their.

Jack: That. That familyism.

Cristina: Yes. Like, maybe we see glimpses of their tattoo, though.

Jack: Yeah.

Cristina: When they're giving him directions to these warehouses that have nothing in them in a.

Jack: In a fight club movie kind of way where it's so subtle, you're meant to miss it.

Cristina: Yes, but it's right there.

Jack: But it's right there. Like, if you were to re. Watch this movie, you would see how everyone on Earth.

Cristina: Yes. But also we'll have a scene where we will show that everyone on earth has.

Jack: Yes. At the end.

Cristina: Yeah, that's towards the end.

Jack: Like after somebody has won or lost this fight.

Cristina: Yes.

Jack: And John Wick is just thinking back.

Cristina: And then he realizes. Yes.

Jack: Pieces it together.

Cristina: But before that, they leading him on to random warehouses. And these people, okay, they have dinner, and then now they go to the warehouse again for the third time. But this time it's for real. What's the point? Yes.

Jack: So this time it's for real. They go there, they're standing around, and they're discussing how they're gonna deal with John Wick, how they gonna get away.

Cristina: From him, how they gonna.

Jack: Well, they think of. They spitball for a while, but it ultimately lands on. We have to drive really fast back.

Cristina: To the future where he's dead.

Jack: But that doesn't exist anymore.

Cristina: Why?

Jack: Because we cut that timeline out when we went.

Cristina: Do they care?

Jack: No, but we explained why it didn't matter before.

Cristina: Why did we explain it? I feel like we should have explained anything. And it just works because they want it to work, because that's how it works.

Jack: That would be too easy. This would be too short. We need to fill two and a half hours.

Cristina: We did. With all those intros and conversations and meaningless. Like, there's so much meaningless junk happening.

Jack: Fair enough. Look, we filled two hours, not two hours. We filled 40 minutes. If we say 20 minutes was seeing their lives, and then 20 minutes was saying hi to them when they came into the. And then the. The dinner party was maybe like 10 minutes. That's 50 minutes.

Cristina: 50 minutes. And then the whole intro of the dog and seeing the do August. The where the.

Jack: Yeah, so we can. We can realistically say that's 30 minutes. We had 50 minutes before. Plus 30 minutes. That's an hour and 20 minutes. We still have 40. 70 minutes ago.

Cristina: 70 minutes ago.

Jack: Yeah. So we had the dog leading all the way to John Wick. Oh, wait, the fight scene where John Wick is a. Kills. Freaking ludicrous. And the rock could be like another 10 minutes. So that's an hour and a half. So all we need to do is kill 60 minutes now.

Cristina: Okay, so.

Jack: So we have to come up with a plan and execute it. We know driving fast, but we don't know. So, okay, we fill that in. We know driving fast. We have to see the driving fast. We could have a scene that's 30 minutes long driving away from John Wick, who's always catching up and slowly picking at two or three of them before just murdering them and murdering.

Cristina: But what's their plan before it's just like, we're just gonna drive.

Jack: I don't know. We just know it's the.

Cristina: Because they need something. They need to be like, okay, this is the plan. Or it's like we're Just gonna confuse him. I don't know. Or their plan is to drive fast enough to go to the future. But he sees them and he slowly kills them while they're trying to do that. So they never get to do that.

Jack: He kills some of them, but the.

Cristina: Ones that live are not able to do it.

Jack: No, they do. But also John Wick could do anything.

Cristina: So he goes with that.

Jack: Also going into the future. Okay, John Wick is going into the future where he was murdered.

Cristina: But his dog is now alive.

Jack: But his dog is now alive. And now they have to deal with John Wick and his dog.

Cristina: The dog explains what happened.

Jack: Oh, my God. And that's how he gets. No, that's how he becomes family. No, it makes sense.

Cristina: No, do we change the. No, we don't change the title.

Jack: Oh my God. It was a freaking perfect film.

Cristina: It was nice. You see, the time travel fixed it. It did not break whatsoever.

Jack: Wait, but then listen to my logic here. This is crazy, because we kind of just inadvertently solved an interesting paradox. Sure, we are violating every rule under the sun, but completely irrational logic. We sort of created a problem and solved it with the same. It's like a double negative. It's positive now. The time travel ruined it. So if you use time travel to solve it, you're good. Yes, except Barry always does a third jump because he thinks he didn't fix it. And maybe he didn't. Then he did negative again and then positive again and then negative again. Or it just doesn't work.

Cristina: Yes, it's always something. Yeah, something's always wrong.

Jack: There's too many variables. It's infinity.

Cristina: Except this is a fast five, so nothing goes wrong.

Jack: So nothing goes wrong.

Cristina: Except that lots of them are dead.

Jack: And he fought. Yeah, except a bunch of them are dead. But it's okay because they now have John Wick. Yeah, a lot of them are dead. And John Wick killed them.

Cristina: Do you know which one are dead though? Is his girl dead? Is his son in law dead? Is his sister dead? Is it his sister? That's his sister, right? His nephew. Yes, that's his nephew for sure.

Jack: Nathan is dead.

Cristina: Satan for sure has the guy.

Jack: Yeah, yeah, yeah. You know what?

Cristina: Too close to him dies. But all the other side characters.

Jack: No. Well, these people are all his closest family now. He doesn't. He has no measurement bar.

Cristina: Whatever.

Jack: Everybody equally a million percent.

Cristina: For us, we know his family. Family versus his friend family.

Jack: Well, this is. This is what we have to think about. This is an opportunity to do something really cool. Right? And so Think of, like, the Walking Dead. The coolest moments late into the series are really when the original characters are left together because everybody else goes somewhere else. Now, the original characters have been separated to rule a town over here or be a leader of a scavenger team over there. So there's four or five towns, which means four or five of the original characters get split around and there's four or five scavengers. And some of them just straight out went Nomad, just to spread them out evenly. Okay, that's happening here. But the opposite. We're trying to get them together because the coolest moments, again, was when something brought all of these original people away from their nomadicness and their town leadership and whatever, and we just get, like, Michonne and Daryl and Rick and Carol and everybody together. You're like, wow, this is cool. So we want that. So we got to kill off everybody who wasn't in the first movie. That's how many people have to die. We've decided the parameters.

Cristina: Except that we killed Ludicrous.

Jack: Well, yeah, we just.

Cristina: Everyone else but him.

Jack: No, everybody. We can kill as many people as we want, but everybody who does that, who's left, has to be part of the original cast.

Cristina: Okay.

Jack: That's the only requirement. Everybody left? Yes. Because there's, like, a thousand of them.

Cristina: Okay. But then after that happens, he becomes their friend. But when's the moment that he realizes, oh, wait, all these other people I've been seeing are part of the family in a secret way? Or is it.

Jack: Oh, but no, that's a. That's when Toretto is going to explain something. But first we have to find out who dies. Oh, so I think Tyrese has to die because he showed up in the second movie.

Cristina: Okay.

Jack: And so did Ludacris, which is perfect.

Cristina: Because we already killed him off.

Jack: Which is perfect because we already killed him.

Cristina: All right.

Jack: John Cena has to die. Unless he already died.

Cristina: I don't even know. I don't know. Was this. Was his character there? He was a villain.

Jack: He was a bad guy. Yeah. He's Toretto's brother, though.

Cristina: He had to be dead.

Jack: No, he had to become part of the team.

Cristina: Yeah.

Jack: Okay. This is basic. Basically, the ultimate idea is everybody who was an original character. Everybody who was an original character survives. Unless they're already dead. And everybody who's not a first film character gets murdered by John Wick. As they're running away, trying to move fast enough, there was a place they had to get to. Running away from John Wick. This Is what. This is how we're killing time right here. There was a place they had to get to where the cars, their normal, everyday cars, can be driven fast enough to gain an impossible amount of speed and travel through time. That's how they did this the first time, to get here and save John Wick. And that's how they got. They got to get back to that place to leave, getting away from John Wick. So they're racing there, and he's murdering them. And those of them left.

Cristina: Is he murdering with a car? Is he jumping on their cars?

Jack: Yes, he's getting from car to car, slowly picking apart, murdering all of anybody.

Cristina: He has to, like, start on the motorcycle, because that's cool. So he jumps from his motorcycle onto their car, and then I guess, like, he gets in the car, kills them, drives the car to the next car, jumps out of the car into the other car, kills them.

Jack: But everybody who's known for fist fighting really well, dies in a fist fight.

Cristina: Yes.

Jack: That has to happen. So you beats them trying to get into their car, and it will not.

Cristina: Gets a more violent death of like some random objects being thrown into. Oh, crap.

Jack: And I have another way for us to fill out more of this time, okay. Some of them find out, like, not everybody was there, right? So communication gets cut. Trying to do the mission and bring him back to life, but it finally works and they save him from the thing. Some of them are cut off and go. Because they were planning it very exact, right? They. They went to the hill that they needed to drive really quick down. They time traveled back, but they were a couple of hours early. They split off. They're like, we're gonna meet right here at the time of the thing, okay. And when they get there, they realize we don't need everybody. So, you know, this guy went to see his daughter, and that guy went over there to like, do this thing or whatever.

Cristina: Okay. Before another gathering.

Jack: Yeah, no, no. They're just. We just know that not everybody, although the plan is established and everybody went back in time, not everybody is at the mission site doing the thing, okay? So that when specifically everybody who's a fighter is doing something else somehow. And then radio communication gets cut or whatever, and they don't know where they're gonna run. But the guys run away after John Wick is saved by those that are there, all they get is a mission complete, guys. Everything is going great. And then radio cuts off, and it's because John Wick started murdering them right after they saved the dog. So all the Fighters are elsewhere, and they're like, we don't know what's happening, but we're gonna wait for communication. And John Wick starts murdering. Specifically Hopper, who he beats the crap out of.

Cristina: I thought they all got together after. After he murders the first two. They go have the warehouse and the dinner, then. The warehouse to invite everyone? No, they go to the warehouse, invite everyone.

Jack: No, that was all to solve the mission for the dog. For the dog.

Cristina: Oh, I thought they had a dinner and all that also after.

Jack: No, that was to solve the problem.

Cristina: Okay. And then they solve it by time traveling.

Jack: Then they solve it by time traveling. And so they saved. That's how they got back to save, Okay, a John Wick in the first place. So save John Wick by the time.

Cristina: They'Re not getting together after that, because then he's looking for them for their warehouse. That's why they had the dinner and stuff. And they were. He was leading to the wrong warehouses while they were planning what they're gonna do. Unless we're not gonna have that anymore either.

Jack: No, he is looking for them. He is looking for a specific warehouse. So we. We've somehow still come across time problems.

Cristina: So they don't meet up at a warehouse.

Jack: No, they do. That's how everything gets executed. Yeah, they get the job by the dog.

Cristina: Like, the strongest dudes should be there then.

Jack: Yeah, they are. They are. So what's the order here? The dog hires them for the mission, the mission gets done, but first they find out it's impossible. We need more brains. They call people, we see what they're doing in their personal lives. Actually, let's go back to the beginning. The movie starts. John Wick is living his life, and we're seeing him just be a normal guy being emo. Looking at. Yeah, and looking at photos of his dead girlfriend or whatever the h*** that was his wife.

Cristina: And so he's watching a video of her watching him in the video.

Jack: Yeah, exactly.

Cristina: We don't see him in the video. We just know he's. She's looking at him.

Jack: Yeah, exactly. Exactly.

Cristina: And she's just smiling.

Jack: And then he. We see him for a while having this. This normal, boring life thing. And he goes to do something, and now we're just left. The camera watches. You know, we see him walk out the door, and he pets his dog. He's like, I'll be right back. And he closes the door. But we're on the dog side of the door when it closes, not on John Wink side of the door, following him. The cameras and following him. This is when we find out, oh, first five minutes of seeing John Wick was really. They all had. It's every. Because also, this movie has to be rewatchable, right? Because everybody's gonna have little tattoos and stuff. So when they rewatch it, they need to be like, oh, yeah. Wait, when the camera was there, it was stuck with the dog. That's how we were supposed to know. Oh, it's about the dog right now.

Cristina: Oh, okay.

Jack: So once he leaves, we're like, oh, how weird that we're just still with the dog the first time we watch him. The second time, we're like, oh, yeah, I get it. Anyways, the dog's still there. And then the cat. The dog just starts walking away. And we follow the dog, and that's when the dog then puts on his uniform. He goes to the. We're just thinking he's a normal dog, but he's not.

Cristina: Because we got to find out he has a gun and he knows how to use it.

Jack: Yes. And he's gonna go protect the bank. He's working.

Cristina: Yes.

Jack: So he just puts on his security guard uniform, his cop uniform. He's a police dog. That's a real job. You guys thought this made no sense. Ha. Jokes on you. He puts on his police dog uniform, and he gets his gun and he goes to the bank. He clocks in. It's a normal day. First he goes to the precinct. He's like, hey, guys. Yeah. H***, yeah. We have to. Right? We gotta fill up. Two and a half hours.

Cristina: Okay?

Jack: He goes ahead. He gets his coffee in the morning, fills it up. You know, there's the donuts that Stacy always brings because she's. She's a pick me. She wants to stand.

Cristina: I don't know. If we see him grab a cup of coffee. I don't know, because I feel like it should be a bowl of coffee on his table or something he grabbed.

Jack: No, Fair enough. There's a bowl. It's like a coffee mug, but the handle is instead of.

Cristina: He has to grab it with his mouth, though. Like, I'm assuming he's using the gun with his mouth.

Jack: Yes. Listen, there's a. Instead of a coffee mug where you hold a vertical handle, there's a coffee bowl with a horizontal handle.

Cristina: Okay. And then he brings it to the.

Jack: Table or something he brings out to the coffee machine in the coffee room when he first gets in. Because everybody's getting coffee because it's the morning.

Cristina: Okay.

Jack: And so he takes his coffee bowl and he gets his coffee. Has small Talk with Bob.

Cristina: Yes.

Jack: And then he. Stacy, who brings the donuts every day, brought the donuts. And he goes and he grabs a donut. He does. He's allergic to chocolate. He doesn't touch. He doesn't touch the chocolate donut.

Cristina: You remembered. And she's like, yeah, here's your special donut. Yeah.

Jack: Yeah. He always goes jelly.

Cristina: Oh, okay.

Jack: He always goes jelly. And so he gets his jelly donut, takes it to the desk, comes back. You know, he has no opposable thumbs. He has. He has to use his mouth for everything. So he takes the donut first, then comes back, then he grabs the coffee bowl, then he takes the coffee bowl.

Cristina: Over there, and he brings it back empty.

Jack: He brings. Yeah, exactly. Pretty quickly, too. It's almost instantaneous.

Cristina: Yeah. So we don't actually watch him eat the donut and drink the coffee.

Jack: Yeah, he did it. Then he. He's there. He. He gets his paperwork, signs his time sheet, does what he has to do, leaves go the precinct, and he goes to the bank. And it's normal. We see how loved he is at the bank. Everybody comes, hey, how you doing, Waves. Everybody knows his name. Yeah. We're killing time for days, setting it up.

Cristina: Like, this is about a dog.

Jack: Yes. We're tricking people. It's important.

Cristina: Okay.

Jack: And so we got it for two and a half hours, and we find out he's really loved a real popular police dog that.

Cristina: Yes. But they're gonna rob this bank, though, right?

Jack: Yes. And they totally show up in the middle of the day after we saw him. Totally. Be awesome. At the end of the day. Not even the middle of the day. It's the end. His shift is almost over. This was almost.

Cristina: He was about to clock out.

Jack: He was about to clock out, and John Wick was about to pick him up. That's how this happens. John Wick was about to pick him. He goes to work earlier, so he can't take him to work, but he comes out of work so he could pick him up from work. Okay, duh. So he goes to the bank to pick up his dog, who's finishing work as a police officer, and then he gets shot by a stray bullet.

Cristina: Okay, so now that that's related to the bank, it's just a stray bullet being fired outside of the bank.

Jack: Yes. But this happens right after he saw the people rob the bank.

Cristina: He saw the people need to. Oh, okay. There.

Jack: No. The fast guys just show up. We know who it is, but we don't see them yet. We don't see their Faces. We see cars bust through the front windows and bust through the front entrance. Cars all tinted windows.

Cristina: Before we know that, the fast.

Jack: But we know. But we know. The viewer knows.

Cristina: Yeah.

Jack: Crashes through those front windows and side entrances. People with masks. Like the first movie when they were robbing trucks. They got all the tricks and all the tech.

Cristina: No one dies.

Jack: No one dies. They just rob the place clean, clean, get all the money and dip. Then immediately following that, the chaos led to some.

Cristina: So how does the dog find them?

Jack: He's a good smell. He can smell what? Gang violence.

Cristina: Sniff them out.

Jack: Okay. Yeah. There's a gang war happening outside. Stray bullet. And just as John Wick is about to get there, and he was about to tell John Wick about his crazy day where the people robbed the place. Bam. Hit by his trade bullet when his back was turned. And the dog is terrified and horrified there. But when he's mourning John Wick, he remembers. He remembers.

Cristina: He's like, those people are so advanced. They can figure this out. Yes, he remembers their smell. He follows it to their warehouse house.

Jack: Yes. Where he black. He first scopes the place out because he's John Wick's dog. He's not an idiot.

Cristina: Yeah.

Jack: So he scopes the place out and successfully gets dirt on all of them. So they can't say no.

Cristina: Yes.

Jack: Oh, we gotta see him doing it too.

Cristina: Oh, my gosh.

Jack: No, we gotta see him getting the dirt on. If at least the dirt on Dom. It's just one.

Cristina: Yes. Okay. That's better.

Jack: Yeah, it's just one guy. It's just Dom.

Cristina: Okay.

Jack: And he gets the dirt and he shows Dom.

Cristina: Mm.

Jack: And then Dom tells everybody. You guys have to trust me. I can't tell you what it is.

Cristina: What is the dirt? We gotta find out. Even if it's towards the end of the movie.

Jack: No, it's the breath. The dirt is the briefcase from Pulp Fiction. We don't know it's that question mark. So people watch it over and over.

Cristina: Okay.

Jack: We'll never know.

Cristina: Be an actual briefcase and Reese. Briefcase.

Jack: Yes, the dog has a briefcase. And he shows Dom and he says there are copies. There's one copy. I won't tell you where it is, but I'll give you this one and I'll destroy the other one. And I'll let you see me destroy it.

Cristina: Yeah, but you have to picture of the dirt. Yeah, but we don't get to see the dirt. It's just referenced as the there as well.

Jack: Yes, yes. It's only referenced as a dirt dirt. The Dirt is whatever's in the briefcase.

Cristina: Yes. We never know what it is. And we'll never know.

Jack: And we'll never know.

Cristina: Awesome.

Jack: And then Dom is like, oh. And then he tells the people. His people, his family.

Cristina: And they trust him.

Jack: And they trust them because they're family.

Cristina: Although when they find out it's about the dirt, they're like, we're really p***** that we're doing it for the dirt.

Jack: But they're still like, we're loyal no matter what. We don't agree. But we're down.

Cristina: Yes. And once they start dying, I guess. I don't know.

Jack: No, because. Because now the mutual enemy really took life.

Cristina: Mm.

Jack: Before it's like, we don't like what you made us do, but we're still gonna do it because we're loyal.

Cristina: Until that guy starts murdering them.

Jack: Yes. And then they're like, we need to stop him together.

Cristina: Yes. And so they do by. No, they don't, because he kills them. Most of them, except for whoever is the original.

Jack: Yes.

Cristina: But those people are. Have the ability, though, to get to the future.

Jack: Yeah, they've successfully get to.

Cristina: After they like. So after all of this, though, happens between. No, I mean, it's time travel, so it doesn't matter. It's not really the future.

Jack: Immediately after, they're blackmailed.

Cristina: Yes.

Jack: They then know that we're gonna trust Dom, we're gonna solve the problem. They get the minds together. We see the scene of everybody being called because they need to get people with. The problem is first they have a five minute discussion. This is too difficult. We can't figure it out. We need all the homies because that's how we figure these really hard conundrums out. They call all the homies one by one. We. But although we only see Dom make one call, it's the cool scene where he's like, I know what we do. We get the family together. And then he. He presses a single button on the cell phone. He opens. It's a flip phone. For whatever reason, he open. Opens a flip phone, hits a single button, makes one call. And from that point forward, all we see is a bunch of scenes of all.

Cristina: Everyone getting contacted.

Jack: Everybody getting contacted. After we get a little background on all of them.

Cristina: Yeah.

Jack: Seeing maybe like five minutes of each one and what they were doing. Maybe that's five minutes is excessive. We'll say like two and a half minutes each of what each one is doing. And there's like 10 of them.

Cristina: There's 10 of them. So no, no, they're Calling people from the first movie gets two minutes. Everyone else gets a minute.

Jack: Fair enough. Yeah, we. So we fill in like 15 minutes total. Whatever, it's fine.

Cristina: Yeah.

Jack: And we get the scenes leading up into the call. And then afterwards the scene of planes for days showing up. And when they walk into the warehouse and people greeting them, hugs and whatever. After everybody up to the last one shows up, up. We get the dinner. The dinner gets this, the fun conversation. We see the cars parked in the front. We always got to see the cars parked in the front. We need that shot, of course. All their cool vehicles. And we're wondering, oh, who's driving what? You know, that's important. That's important. That's that candy. And then they have the speech that Dom says. And then they go and solve the problem, which is by going back in time and saving John Wick. They kill the dog, but the dog dies.

Cristina: Then they start to die.

Jack: Then they start to die because John Wick is murdered.

Cristina: You know, so then they go to the warehouse again.

Jack: They decide, wait, oh, they gotta get away. Do you think they're getting away from John Wick?

Cristina: Yeah, to the warehouse to make the plan of like, okay, now we gotta go back in time.

Jack: Yes. Oh, but also their family is gonna be alive. No, they're going forward in time.

Cristina: Yeah.

Jack: Family screwed.

Cristina: Yeah.

Jack: Yes. So in any case, they're like, we gotta. They do escape somehow. Cuz they're fast. They're really fast. But they're like, if we leave wherever place, we're hiding it now. So they go to a random warehouse.

Cristina: Okay. Yes. But he's looking for them because he knows they ran into a warehouse. So he just says no. Which warehouse?

Jack: Yes, because he knows warehouses is their thing.

Cristina: Yeah. Yes.

Jack: And he's like, they went to a warehouse. Yes, immediately. He just knows. He's.

Cristina: He's a smart guy. He's like fast cars. Okay, warehouse.

Jack: Yes, exactly. They need to hide the cars. Where are they going to hide it?

Cristina: Exactly. Warehouse. Exactly, exactly. Beautiful connection. He's a genius.

Jack: He's perfect. It's such glass clear, rational.

Cristina: Yes. The problem is everyone's on their side hiding them.

Jack: Yes, exactly. So he's being led a bunch of whack fake warehouses that aren't the warehouse. But we all. We're seeing a bunch of interactions. So that hidden in this moment and really throughout the movie. But this moment has the closest density of people with the tattoo showing up randomly and vaguely being seen. It'll be like, like seven or eight different scenes where somebody with the tattoo misleads John Wick back to back in like a. In like a 10 minute period. It's been throughout the movie, but now it's a 10 minute period where you see a bunch of them.

Cristina: Okay.

Jack: Until he gets to them. And then they gotta scramble out of that warehouse.

Cristina: No, they. By the. Okay. But by the time he gets to them, they have the plan of. Okay, we're just gonna go back to where we were to do the time travel thing.

Jack: Yes, they're just gonna Time.

Cristina: During that whole moment. It was coming up with that plan of like. Okay, you know, the greatest. The best plan is just to do the plan we did already.

Jack: Yes, but backwards. We're gonna. We're gonna backwards our plan and go back to. Because whatever logic suggests we can. Now we're gonna jump back to the moat. We're just choosing. If we close our eyes and go really fast, we can imagine.

Cristina: Yes.

Jack: It's like Death Note.

Cristina: You.

Jack: When you write the name, you have to think of the face of the person, not just your name.

Cristina: Yeah.

Jack: So when you time travel, you have to. All you have to do is think of where you want to go.

Cristina: Yeah. But they're not even realizing, like, they're going to a reality where the dog is alive. They're not even thinking about that.

Jack: No, that was the whole plan. No, that was. The whole plan was to go back to the moment they came from.

Cristina: Okay. With the dog still alive.

Jack: Well, no, they didn't even think about that part.

Cristina: That's what I'm saying.

Jack: They were just like, we're going back to that previous moment.

Cristina: Yes. And then luckily the dog is alive there. Like they weren't even thinking about the dog. And the dog was there.

Jack: Yes, But I guess this also means. Oh, no. But their family came with them from that reality.

Cristina: Yes.

Jack: So their family is still dead because their family traveled back to the previous reality.

Cristina: Yeah.

Jack: With them. So they died back there. And then they jumped forward and couldn't bring them back because they were dead. And they left from this place. So that they're gone.

Cristina: Yeah, they're dead.

Jack: So it's now just the original people. The dog. And John Wick shows up. And then the dog is like, no, I'm still here. And he explains to them what happened. Happened.

Cristina: Yes.

Jack: Which I guess technically means they did accomplish the dog's mission.

Cristina: Yeah. They saved the John Wick. Yeah. That's why he doesn't want them to John Wick to kill them.

Jack: Yeah. But this is fire. Because their solution wasn't originally to bring John Wick back It was to save John Wick back then.

Cristina: Yeah.

Jack: But they had to run away from John Wick. He followed them and he brought them to the original dog instead of just saving it and seeing that dog be with John Wick. But that dog died, actually. So he couldn't even be with John Wick. No, John Wick followed him back in the movie. So their plan must have been actually. Because this couldn't have been by accident. They always know what they're doing.

Cristina: It was Dom. He just kept it as a secret.

Jack: Yes.

Cristina: To surprise everyone. Like, he knew.

Jack: He always knew.

Cristina: He knew.

Jack: He knew.

Cristina: Yes. Him and a dog wink at each other.

Jack: Yes. Whatever was in the briefcase might have been related. But they're only gonna hint at that possibility. Yes, somehow.

Cristina: And then they have one more dinner.

Jack: Where John Wick is at the table. We see his car. His. Because he also has a cool car.

Cristina: He also.

Jack: So now we see John. All the original cars.

Cristina: Drives to the party in the cool car, gets out. And then we see the tattoo on his. On his fist.

Jack: No, it's on his arm like everybody else because he's a family member. So everybody's car is there. And it looks. We don't even see them make friends at this point. We just. We're just wondering, oh, my God. Did he or did he not? So we're at the dinner with the cool shot of the cars on the outside. And we're zooming in slowly. We're, like, floating way far away from the neighborhood, slowly getting closer to the house. We're hearing them like we're there already, talking and having fun. We know it's dinner. We can hear plates and forks and somebody said past the something. But we're not. We're not close up yet. We're zooming into the house, see the lights on. We can hear the.

Cristina: Are there any funerals in this movie already?

Jack: Well, maybe. No, no, no. We don't. We can assume it happened.

Cristina: Okay.

Jack: We can assume it happened. We got these two and a half hours in the bag. We're good.

Cristina: Okay. No funeral.

Jack: No funeral.

Cristina: They mention about the people they lose, though.

Jack: They do a toast in this very.

Cristina: Okay.

Jack: Very dinner.

Cristina: Okay.

Jack: And does the. The shot keeps getting closer to the house. We see all the cool cars. We're like, oh, cool. No John Wick. And we're getting closer, like we're about to go all the way in. And then a car cuts the camera off. The camera backs up a little. Ooh, John Wick's car. He was just late. He did become part of the family.

Cristina: But we don't really know. Is John the Wick's car? It's just a really cool car.

Jack: No, it's a John Wick's car.

Cristina: Oh, yeah.

Jack: That's why it matters that he rolled up. Because we're like, oh my God, is that John Wick's car? And then he gets out and the first thing we see. And the dog tattoo on his arm. And the dog has the tattoo on his arm.

Cristina: Weird. Okay. I think it would be on his collar or something.

Jack: Oh, crap. Maybe. Yeah, that. I guess that would make more sense. He just has a collar with the thing on it.

Cristina: Yeah.

Jack: Because they're both part of the family.

Cristina: Yes.

Jack: And they walk in and then we hear. We know the credits start rolling. We don't even see this dinner yet. This credits start rolling because at the very end after credit moment, we get the toast and we see them all together and John Wick at the table with the dog. That's the end credit scene.

Cristina: Yes. And they're eating their dinner with like the photos of the dead crew.

Jack: Yes. On their own chairs. Each photo has its own chair and its own plate.

Cristina: Yes. Disturbing, but beautiful.

Jack: Beautiful story. Beautiful. Movie credits done.

Cristina: Should we still call it to fv?

Jack: Yes, because there was a lot of fighting and murder going on. So it's definitely. Yeah. 2F VW.

Cristina: Beautiful.

Jack: Beautiful.

Cristina: This is a great movie. I can't wait to see it.

Jack: This is fantastic.

Cristina: Who would want to see this movie?

Jack: Everybody would want to see this movie. It only makes sense that this movie would exist. Yes. Anyways. Anyways, I'm glad that we have established that this movie is amazing and exactly how it would unfold. The right way.

Cristina: Yes, the right way. We didn't put any pigeons in the movie. I feel like we needed some pigeons.

Jack: Well, no. In his chase for these people where he was being misled and when they were planning. He was also at some points talking to random people working in garbage, which means he also communicated with homeless people with pigeons.

Cristina: Okay. Closer to the right.

Jack: Yes.

Cristina: Warehouse. Okay.

Jack: Some people misled him, others got him closer.

Cristina: Okay.

Jack: Anywho. Anywho. Great. But we are way over time. So if you guys want to tell us how we can improve on this.

Cristina: Movie, or if you want to make.

Jack: This movie, or if you want to make this movie. If you want to make this movie, I'll direct it. If you want to direct it, please direct it. If you're a director who wants to make this, like, give me royalties.

Cristina: Yeah. Just mention us.

Jack: Yeah, yeah. Say. Say you stole the idea. But listen, contact us to steal it on TikTok, Facebook, Instagram, Twitter, usConvopod.

Cristina: And remember to subscribe, rate and review the show if you haven't already.

Jack: Yes, and word of mouth. Go out to the streets and scream. Scream the name of the street show so that everybody hears it and knows what you are talking about.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye bye. But then that gives us a doorway into like how, why? What's the connection? There's some connection between Costa Rica, Russia and Greece. And we already know there's a billion connections between Russia and Greece, but we just found some random, particularly strange connection between Greece, Russia and Costa Rica. A one off. Absolutely strange. Nobody knows where they came from. Nobody knows who made them. These civilizations were completely different. One of them is in an island in South America. There's no way anybody in Greece or Russia could have ever in a billion years encountered these people and still have the same thing, the same size, in the same areas of. Of abandoned meadows. What the h***? How? And they don't even know what the h*** these fears were for.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 208: Death Rituals

What happens to 2022 after it dies? What do we do with its body? Where does its boring soul go? The duo pick apart the funeral traditions from around the world and many beliefs of the afterlife in order to predict what will happen to the now gone year.

+Episode Details

Topics Discussed:

  • Funeral Traditions
  • The Afterlife
  • Handling Corpses
  • The Tower of Silence
  • Death
  • Resurrection
  • Immortality

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And today's pressing issue is the fact that 2022 is in a coffin in a hole somewhere.

Cristina: I don't. I can't imagine that.

Jack: You can't imagine that it's in a coffin in a hole somewhere?

Cristina: Yes.

Jack: Well, it happened.

Cristina: It happened.

Jack: It happened. Now we're in 2023. This is the first episode of 2023 when it comes to the beautiful, lovely Rambling podcast. Because the 2022 version of It Died. It Died. Is dead. It's one with the thing now we're on episode, however, starts this year. Yeah, that's what this will happen, bro. And the birth of 2023. It's like 3, 4, 5, 6, 7, 8. I don't know what day it is, but it's this year. And it's that many days old.

Cristina: Yeah, it's that many days old.

Jack: It's that many days old in theory. Although that should be like seven days. Right?

Cristina: That feels like the right number because.

Jack: Sunday started on the first.

Cristina: Yes.

Jack: So seven days from Sunday would be Saturday.

Cristina: Mm.

Jack: Which would make Saturday the 7th, a full week.

Cristina: Yeah, that makes sense.

Jack: That means today is the week. Birthday of 2023. Happy birthday. 2020. Or happy. I guess it's also birthday. It's not an anniversary celebrating the year. It's not. Birth date. Happy one week ago. Birth.

Cristina: Yes. That makes no sense because, like, the person listening is probably not listening when this is happening. So this.

Jack: Time stamping. So they know when it happened.

Cristina: Okay.

Jack: Now they know. Oh, of course. That happened on Saturday 7th January of 2023. It has to be, you know.

Cristina: Mm.

Jack: That's how it goes. That's how things happen.

Cristina: It doesn't feel very important to them.

Jack: To who?

Cristina: The listener.

Jack: What doesn't feel important?

Cristina: Just having a stamp like that.

Jack: Maybe we don't know. We're not the listener. Unless you're going back and hearing every episode, which I'm not doing.

Cristina: Please don't do that. Or do that.

Jack: Listeners do that.

Cristina: You.

Jack: I don't know what you're doing in your own spare time.

Cristina: I'm listening to them in reverse.

Jack: So it's satanic messages all the way through.

Cristina: Mm.

Jack: In reverse. Just starting at the new ones and going to the old ones.

Cristina: No. Well, yeah, I guess it doesn't matter.

Jack: Really?

Cristina: Really?

Jack: It doesn't matter what order you do it? It's a podcast. It works.

Cristina: Yeah, yeah. It works either way.

Jack: It works either way.

Cristina: There's no story being told. Or there is, but it doesn't make sense anyway.

Jack: Yeah, it's, like, loose enough that, like, it doesn't matter where in the story you jump in. You're still lost. Like, I remember this kind of being mentioned. If you go an episode back, you're like, how the h*** is this the same thing?

Cristina: Yeah.

Jack: So, yeah. Anyways, with the death of 2022, I was thinking that it would be very interesting to look at all the different death things that happen, specifically, like, how we would send off 2022 now that it's dead. Do you mean been seven days since its death? Well, there's a bunch of death rituals that take place in the world, and I thought it would be very interesting.

Cristina: To pick one to send 2022.

Jack: Often put 2022.

Cristina: Well. Okay.

Jack: And show them the reality of the matter when it comes to that, you know? So I got a couple of different ideas of how to handle burials. And then I also have the idea to. For us, that we're gonna pick one, and then we're gonna make a coffin, and then we're gonna put 2022 in it, and then we're gonna do whatever thing we choose to do with it.

Cristina: Are all of these related to burying it?

Jack: No, but it doesn't mean we can't make a coffin, put them in the coffin, and then leave them there until we're ready. Because it's a vampire, We. What if we need to close the casket with it in it and put garlic all around it so it's trapped in there, not coming out?

Cristina: I think we're supposed to tie a.

Jack: Bell on it or something if we bury it.

Cristina: Yeah. Oh, but we're not burying it.

Jack: No. We're just keeping it around until we know. Until we know it's both not a vampire and what we're gonna do with it.

Cristina: Okay. What are some of the things we could do with it besides burying it?

Jack: Well, the most unique thing I've ever seen ideologically, makes perfect sense, which is in Tibet, they. After you die, they chop your body out. They chop it.

Cristina: Chop it into little chunks.

Jack: Into little chunks. And then they feed it to the animal so that you can be part of nature.

Cristina: Okay. The first part was disturbing. Somehow the second makes it a little better.

Jack: Well, the ideology here is complicated. It serves a couple of purposes, really. Yeah. So first and most Importantly, by chopping the body, you've released the soul that was trapped inside the dead body.

Cristina: That's how you get it out.

Jack: Cut it out.

Cristina: What? Okay.

Jack: Second, the body is then used for nature feed. And in doing so, you take away the toxins. This will show itself again later.

Cristina: Toxins.

Jack: Toxins. Because the body is dirty and germs are like, abandon ship. And all the germs are, like, getting off.

Cristina: Mm.

Jack: That's why it's, like, not advised to come in contact with dead stuff, because the germs are all evacuating. And you touched it and it climbed on you, and then they're like, oh, no, we found the host. It's all good.

Cristina: Wait, are they feeding these animals that people like?

Jack: Yes, they chop up the people and then give them to animals.

Cristina: They're not cooking them or anything. I don't know.

Jack: I don't know. They didn't go that far.

Cristina: Oh.

Jack: But I know that that happened. They call it a sky burial. Usually they put them really high up so the birds get to them first.

Cristina: Oh, that's cool.

Jack: Yeah. Then they become part of the sky.

Cristina: And that's cleaning toxin. The queens.

Jack: Yeah. You don't. You don't give them to the. You don't put them in the dirt. People walk all over that dirt.

Cristina: Oh. So you.

Jack: The birds just take it and then their bodies destroy whatever is in there.

Cristina: Okay. There's no animals that would get sick by eating dead human by accident.

Jack: I mean, there's probably a crap ton of animals, but I don't think we're thinking that far.

Cristina: Okay.

Jack: Now, in Madagascar, there's a bit of a otter thing happening. I don't think we're gonna do this one. I just think this is interesting. But in Madagascar, they do what is called dancing with the dead.

Cristina: What?

Jack: Which is a weird sort of tradition in which every few years you go to the graveyard, you dig up your dead, you pull them out every few years of the grave, you wrap them in new clothing, and then people play music, and you dance with the body.

Cristina: Every few years. You said every few years.

Jack: Every few years.

Cristina: I don't know if I like that one.

Jack: Well, what it does is help the body decompose faster by putting fresh new things for crap to grow on and eat the body.

Cristina: Is that why they're doing it, though?

Jack: That's one of the things that happens as a result.

Cristina: Oh, but they have explanation of how it started?

Jack: No, I wasn't looking for the history or the beginning of any of these things, just looking for what people do.

Cristina: Okay.

Jack: And that's what they do over there. They dance with the dead.

Cristina: They dance with the dead. Wow.

Jack: Yeah.

Cristina: That's so strange.

Jack: It's pretty weird.

Cristina: Yeah. I mean, maybe it's better that it's newly clothed. Like, if it was still in its crappy clothes, that would suck more. Would it matter? I don't know. You're dancing with a dead thing. That sounds like. I don't know.

Jack: Yeah. Completely goes against. But then again, I guess there's no germs left. Everything left. But no, if it's still decomposing, there has to be.

Cristina: That's why you wrap it up.

Jack: Yeah, I guess. But then why go through all this? Why not just let it, like, don't ever come in contact with it type of situation?

Cristina: That's cool. What was the first place?

Jack: The first place was Tibet.

Cristina: Tibet. This is Madagascar. Okay.

Jack: Yeah.

Cristina: Cool.

Jack: Yeah. One burial you're very familiar with, probably because everybody has seen it in a movie or walked by the beach and seen a floating body on top of a raft lit on fire. It's really common. Can you imagine?

Cristina: That's not very common.

Jack: But everybody's heard of that.

Cristina: All the movies. Yeah.

Jack: Yeah, all movies. All the movies ever.

Cristina: Yeah.

Jack: If you're gonna be cool, you're gonna light somebody. It's because it's. The reason I sent so many movies is because there's a lot of movies about the Norse people and Norse events. And this takes place in all the Nordic countries.

Cristina: Okay.

Jack: Yeah.

Cristina: Just. They just send them off and burn them.

Jack: Well, it's not necessarily burning. There's a couple of ways this could be taken, but often times they just lay them atop a cliff on, like, a. Not like a raft, like a thing that's gonna slide down the cliff, and then they just let them slide in. Some of them are the floating ones that they send out.

Cristina: Some just go out to drown. Well, not really drown. They're dead, but just.

Jack: Yes.

Cristina: They're burying them in water.

Jack: Also known water graves.

Cristina: Oh, okay. That makes sense.

Jack: Yeah. So they. They do it a couple of different ways, but the idea. That's why it's Nordic countries, plural, because there's variants, but they're all. Essentially, we're throwing your body in water. There's different ways of doing it. Here's a raft, some fire, it looks elegant, and you sink.

Cristina: So even when it comes to burning the body is not really about burning the body. It's just about sending your family in the water.

Jack: Yeah. I think the burning the body might be symbolic of something.

Cristina: Yeah. But the main goal is you're gonna go in that water.

Jack: Yes, always. The main goal is your body is hitting that water one way or another.

Cristina: And you don't know the explanation for that.

Jack: A lot of. A lot of these, or just in general, death rituals don't always necessarily have a complex thought attached to them. It's just an easy way to dispose of bodies without having them pile up and toxifying all our areas.

Cristina: Yeah.

Jack: And considering hole digging isn't the easiest thing in the world, a lot of cultures decided to just opt out of that.

Cristina: Okay.

Jack: Didn't even cross their minds, really. And it's just like, we're doing this because it's easy. It's not like, oh, there's some profound.

Cristina: Deep way to get this around us.

Jack: Yeah. It's essentially you just got to get rid of the body one way or another. Yes. So in India, they have something weird and interesting, I suppose.

Cristina: Weirder than dancing with the dead.

Jack: Very similar.

Cristina: Okay.

Jack: So they actually sort of parade their dead around town.

Cristina: Oh.

Jack: Visibly. Not even, like, hidden. Just like, hey, people, look at this dead body I'm hanging out with.

Cristina: Mm.

Jack: Yeah. They do, on the other hand, have weird things attached to the. To them. Like, they'll dress them in colors appropriate to, like, whatever they believe the person represents. So an example would be, like, red for purity or, like, I don't know, yellow for knowledge or something.

Cristina: That's interesting.

Jack: So they would be dressed in the color that they believe best represent the person, and then parade them around town.

Cristina: So everybody knows they must get something from that, though. There must be some reason for that. Or I guess it is just a. Celebrating the person who died.

Jack: Celebrating the person who died. For sure. I'm sure there's some deeper profound meaning as associated to why they need to do these other things. Or again, it could just 100% be like, hey, they were cool. Everybody look.

Cristina: Yeah.

Jack: But if there is a reason, don't know why.

Cristina: Because it's not about getting rid of the body. If you're bringing the body out of its grave. Is this a yearly thing too? Or a random. Did it say? Or this is like an anniversary sort of thing after they die.

Jack: No, this is just after they die, and then they get cremated and there's no way to do it again.

Cristina: Oh, okay. Okay. I thought it was one of those weird things of every.

Jack: No, no, no. Show the body to everybody, then dispose of it so it can never be used again.

Cristina: Oh, that's pretty cool. I guess this is the last time. And that's it. Okay.

Jack: Well, coming back to the idea that a dead body is toxic, there is a ritual that's very odd and also includes birds. So there's a tower. They take the body to the top of the tower, lay it at the very tip and leave it there for crows. Because crows can purify the body. Now you're looking for something with meaning. This is something with meaning.

Cristina: Where is this happening?

Jack: This is happening in Zoroastrian. What?

Cristina: And what is, why is this happening?

Jack: Well, they believe the body is incredibly toxic. And the crows are the only things that can kill or not, I guess. Yeah, crows, vultures mainly. Anything that's gonna pick at the body. So vultures are gonna devour the body. And they believe that the vultures ability to eat anything toxic is the best way to dispose of the body. They don't want to come in contact with the body, they don't want to touch themselves, they don't want to bury it. They don't want around people. They think that's tainted and dangerous.

Cristina: I wonder how long that process takes. They gotta wait for them to eat everything before they put another body or something. How does that work?

Jack: Like if several people die?

Cristina: Yeah, I'm guessing it's such a small place that maybe they don't have to worry about multiple people dying at once.

Jack: Could be. But also, even if multiple people died at once, what? They travel across the country to bury their dead? I'm sure they all have a thing. And like how many people die in a city a day? Not like a lot. I'm sure you could get it done at one location.

Cristina: It's one tower though that they're going to.

Jack: No, it's probably many towers.

Cristina: Oh, okay.

Jack: They called the activity the Tower of Silence.

Cristina: Oh, what's it called?

Jack: The Tower of Silence. That's the Berry Ritual. It's called the Tower of Silence.

Cristina: It sounds really cool.

Jack: Yeah, you take them up there, you put them and you don't go back.

Cristina: Alright, I like that one. That might be my winner. Wait, should I be spoiling what I'm voting for? Okay, ignore that. Although I'm really interested in that one.

Jack: You're really interested in that one? Well, there's a couple more to go through and then we can make a choice. So one of the ones we can go to is the people of a place called Tinguyen. They dress their deceased in the fanciest clothing they can find and then they sit their body on a chair and then place a cigarette on their lips. We've actually seen there was a popular photo of that going around the Internet a long time ago, people were like, what the f*** is wrong with this lady? And I actually had no idea, but now thinking about it. Yeah.

Cristina: Okay, so it's. People just wait with a cigarette. That's important.

Jack: Some people just put the. I don't know why they put it, but they do.

Cristina: Okay. They dress them up and sit them there.

Jack: They sit them on a tray at.

Cristina: The funeral, at the house. Where's this person at?

Jack: You. I mean, it could be at the funeral.

Cristina: They're not just gonna keep it there forever, are they? That's not the end of the story, is it?

Jack: It's probably at a funeral, and then they. Probably.

Cristina: Yeah. Yeah. Okay. Because that would be very strange if you just have a dead person there greeting everyone in your home, just living with you.

Jack: Well, let me follow up with the next one then, because the Van Goet people blindfold their dead and then sit them on a chair, usually in their house.

Cristina: What? What? What's the blindfolding? That's kind of creepy.

Jack: Not sure. Maybe you also don't want to see creepy eyes.

Cristina: Yeah, that whole thing is really weird. I don't know.

Jack: Can you imagine getting home and there's just a dead body sitting on a chair, and nobody's making a big deal about it?

Cristina: That is very strange. But they think it's not strange. Well, we don't know if they're living with this dead thing. Hopefully not. I don't know.

Jack: Seems like they're living with it.

Cristina: Well, that is a weird one.

Jack: It is a really strange ritual. My idea is, like, it has to be so uncomfortable. Right. But then if you're used to it, I don't know if you're adjusted to anything. It doesn't matter.

Cristina: People have trophies of animals.

Jack: Yeah. Anything that's normal is just normal. Now let's see. The Cebuano people, they dressed. They dressed the children who are attending the funeral in red so that they aren't bothered by ghosts. That doesn't even have anything to do with the dead guy.

Cristina: No. Unless the dead guy's gonna bother them. Unless they're wearing.

Jack: Ghosts are protecting him.

Cristina: Yes. Oh, that's very worrisome about who those people are.

Jack: It's like lamb's blood letting God know which kids are the right ones to kill.

Cristina: Yes. Maybe that's like, if you have. If your kid isn't dressed in red, they're gonna have a bad life because they were at the funeral not wearing red. Because luck is so important. So this is a good luck thing. And then not Wearing red would be.

Jack: The bad luck, I guess. But it is entirely to protect him from Gose.

Cristina: Yeah, but like for the rest of their lives or just this moment?

Jack: Don't know what to tell you.

Cristina: Because if it's for the rest of their lives, then it's kind of a bad luck thing. If you don't wear red, you're haunted forever.

Jack: But why?

Cristina: I don't know. Why are you just haunted for the funeral?

Jack: Because there's a ghost there.

Cristina: There's a ghost there.

Jack: Bare minimum. One.

Cristina: One ghost. But aren't the adults afraid of being haunted? I guess. Or whatever they expect this ghost to do?

Jack: Don't know. There doesn't seem that they're dressing in red.

Cristina: No.

Jack: And again, maybe they are.

Cristina: Maybe they are.

Jack: I don't know. Let's see. The Sagada region hangs coffins from cliffs. It's closer to heaven.

Cristina: And it just hangs there.

Jack: Yep.

Cristina: And then someone eventually will fall off.

Jack: The cliff or, I don't know, hang it with the chain.

Cristina: How does this cliff look like? Bulled. With coffins hanging from it. Decorated in coffins.

Jack: What, like a cliff?

Cristina: Yeah.

Jack: You think they all go to a cliff?

Cristina: Well, the cliffs. If it's more than one, it's. I mean there's got to be a minimum. It can't be. Ridiculous. You think there's like countless of cliffs in this place?

Jack: No, I think they're not packed with bodies.

Cristina: Oh, you think one or two?

Jack: Yeah, it's probably bare minimum. Two or three per cliff.

Cristina: Okay, but like just one cliff with just one body. That's impossible. Everyone would want that be fighting for that cliff. Unless they want to be next to their family. Then there should be cliffs that are full of dead bodies.

Jack: Yeah, I guess. Now think about it. Bury everybody or not bury nobody's being buried around one another.

Cristina: Weird. Okay. I don't know if that's bad. It's interesting to look at, I guess.

Jack: Well, ready?

Cristina: This one. Very strange.

Jack: Yes. The Kvite people get stuffed into a hollow tree when they die. Usually one they picked while they were alive.

Cristina: Awesome.

Jack: You pick a tree, you're like, stuff me in that one.

Cristina: Oh, that's so good. That is fed to animals.

Jack: And that look, that one is a double edged sword. You don't want to be a visitor to this country and be like, I'm a wander woods because there's nothing else to do. Today I'm a tourist. Everybody is asleep because it's too early. But I'm a morning person and there's no way it's 6am the sun's out. I'm gonna go dig and I'm gonna go take a trip through the woods and. Oh, my God, somebody stuffed body into this tree. I gotta call authorities or something.

Cristina: Then the authorities probably have this happen a lot. There's probably signs everywhere that say don't look into those trees.

Jack: Or dead bodies in the trees are just a. Okay. Normal. Yes. Dead bodies in trees. If you're a tourist. Normal.

Cristina: Yep. You gotta warn the tourists. I guess.

Jack: So those are the different things we could do to 2022. A couple of them. There's probably way more.

Cristina: But there's probably way more.

Jack: Just some of them.

Cristina: Shoot, it's a space.

Jack: Just some of them. I think 2022 is too. Too bland.

Cristina: Too bland for that.

Jack: No, hang it off the top.

Cristina: Oh.

Jack: So it would make sense to put it somewhere out of way. I vote for putting it on, you know, Tower of Silence. Put it up there, ignore the s***.

Cristina: Out of it while the birds eat it.

Jack: While the birds eat it. I like that one. Because if we wanted something to go through, like to cease existing, we would like Cremate 2020. You know, like, screw 2020, Cremate 2020. Or we would like. Oh, I guess these people are already dead. I guess I was going to be like, a way to kill people is old school firing line. But yeah, we're not talking about murder. We're talking about after you're already dead. What do we do with you? So what do you vote for?

Cristina: That's and for myself. Being stuffed into a tree.

Jack: You vote for which one?

Cristina: The Tower of Silence.

Jack: Oh, okay. And you want to be stuffed into a tree.

Cristina: Yes.

Jack: You want the tree to eat you?

Cristina: Yes. Or feed me to animals. That sounds pretty cool too.

Jack: Now you want to be fed to animals.

Cristina: Yeah. In the first place. You shop them up.

Jack: Yeah, I guess that makes sense. Give them to all the critters. They can come and eat you. Check us out. So now that we know what is it we're going to do, I figure we could figure out what is gonna happen to 2022 in the afterlife.

Cristina: What?

Jack: Yeah. So when you die, some people believe it's not the end. More happens. And if you knew this, it's really strange. For absolutely no reason, with absolutely no proof that could exist that that could exist. Zero proof for this could ever exist. It's something literally untestable.

Cristina: But there's a million theories on it.

Jack: They are sure. They are sure that something happens after. There's no way to prove it.

Cristina: Mm.

Jack: In fact, it's statistically more likely that nothing happens afterwards. Like just odds alone. Yeah, like infinity. To the one chance that something might happen afterwards.

Cristina: But if something did happen, what will it be?

Jack: I don't know. What do you think would be.

Cristina: We're choosing for the year.

Jack: Yeah.

Cristina: I don't know. Many ways. I don't know. Have the basic go to heaven or go to h***.

Jack: Sweet. Okay, so then I'll start with the simulation theory. That's the obvious one. Obviously it dies. Only to realize this is all a program. Duh. That's the best afterlife where you find out it was all a simulation and you were in the Matrix that dead you. Isn't this dead you? You have always just been plugged into a thing. You didn't die. Now we'll just restart the program. It's fine.

Cristina: Okay, it just restarts.

Jack: It could just be a video game and game over. I don't know. Yeah, it could. It's a simulation. What would you do with the simulation? Different than when he would do with the simulation. Point is, it's a simulation. I guess it could restart. You could have a simulation run on a. On a loop where after it hits a certain point, it just reboots over and over. That's a possibility, but I don't know. I just know that he dies in the sudden realization of, oh, oh, it was all a dream. I used to read Word up magazine.

Cristina: And then it continues living and then it dies. And then it wakes up and it's.

Jack: Like, oh, yeah, I guess.

Cristina: Okay.

Jack: It's weird, but a lot of beliefs are ultimately come down to the same thing.

Cristina: What? Yeah.

Jack: I mean, there's one of them in here that's like. That you believe. What was it that they believe? That you come to the realization that. Or Here we go. You are. That your consciousness is a part of the universe. The universe is a giant consciousness and you're a little part of it. When you die, you rejoin the bigger consciousness with the oh. And then you become an individual again and get that individual perspective until the day you die again and rejoin that giant bigger consciousness. So that's always getting that, oh, this is the reality going back in, oh, okay. That happens a lot.

Cristina: And like, different religions believe in that.

Jack: Yeah. In the whole kind of like realizing the. Oh, s***, here's a conclusion.

Cristina: Okay.

Jack: Yeah. Now, basic beliefs are that. Not basic beliefs, but, you know, everybody's basic belief is heaven, h***, blah, blah, blah. No, the Rastafarians believe that life is actually eternal.

Cristina: Really?

Jack: Yeah. And righteous people can't die.

Cristina: Really?

Jack: Yes. And you die when you've walked off the path of righteousness. So they don't actually celebrate their funerals because they believe those people didn't deserve to be alive.

Cristina: Whoa. What. What happens to those dead people?

Jack: They. Nothing.

Cristina: Nothing.

Jack: They're just dead blackness once you die because you don't deserve to stay alive forever.

Cristina: But everyone else gets to live forever.

Jack: Well, not everyone forever.

Cristina: What? That's interesting. Yeah. What? I've never heard of that. They just live forever.

Jack: Yeah.

Cristina: And then what, though? Like, do they know anyone or do they have stories about this?

Jack: Probably everybody eventually succumbs to sin or whatever. Yes, it's very Adam and Eve, not Adam and Steve. Something very similar to that is the never ending life theory.

Cristina: That sounds very similar.

Jack: Yeah. So it basically believes that you are always alive and that when you die, you're immediately reborn into your life without any memory.

Cristina: Your life. Like you're just reliving your life or a different life? Does it matter?

Jack: I think this is similar to my belief, which is you die, you get blinked into an identical situation where you didn't die and you don't remember the previous situation where you just died. Oh, so it's seamless.

Cristina: Okay. You're not being reborn in this?

Jack: No. A second ago, a plane hit and we died.

Cristina: Mm.

Jack: But then I popped up here and I don't remember a plane hitting and me dying.

Cristina: Okay.

Jack: I just. This is happening then too.

Cristina: Yeah, but that's how they explained it.

Jack: That's essentially how they believe it. Well, so you're always just kind of. There's no end to life ever at all?

Cristina: No, just a life. Just not your life?

Jack: Pretty much, yeah. The end to a life, but not the end to your life. The cosmic theory is the one I was talking about earlier.

Cristina: Which one?

Jack: Where you become one with the universe and then your consciousness then comes back. That's a. There's a lot of repetition going on as well. A lot. A lot. A lot of repetition. The never the life is infinite theory or whatever, you know, that one falls in part with the parallel universes theory.

Cristina: What is that one?

Jack: Well, you. I guess it's the same exact logic almost. It's just thought of differently. As opposed to you simply existing, dying, blinking into existence elsewhere. And. And that being the only version that's currently happening. Because death never happened, you just kind of keep. Even if you die, you move on to the next moment that you didn't. So this is the same idea, but with, I guess, an added explanation as to how the h*** it's really Happening or partial explanation.

Cristina: What's that explanation? What?

Jack: Parallel universes.

Cristina: That's the explanation?

Jack: Yes. That's also the name of the theory. Because the point of the theory is the parallel universes. There are identical parallel universes, and somehow your energies are connected and when you die, you just get blinked into that other version.

Cristina: I don't know how I feel about that one.

Jack: Because science, scientifically speaking, it wouldn't work that way. Now, metaphysically, yeah, you could just die and warp forward into whatever the h*** current situation you were already in. Because you are all of the above simultaneously. Without metaphysics, that kind of parallel universe s*** doesn't check out. Because that should be a traversable distance. That means that in this. I don't like this one, because in theory, this just means I saw you die right now. And I have a rocket ship that's infinitely fast. I could just aim at the other universe, go there. It's identical. And it's the you from over here that's over there.

Cristina: What?

Jack: That wouldn't even make sense.

Jack: But that's a physical distance. Another, I traveled so far, I exited this universe and entered that universe and then saw you there.

Cristina: Okay.

Jack: When you died over here.

Cristina: That doesn't sound right.

Jack: Yeah, I don't like that one. I don't like that one. An alternative to this one is again, this is so similar. They're all so similar, but so different. This one is again, also like the life never ends theory. But the idea here is if you were to die, you would simply be like, oh, it was a dream.

Cristina: I feel like so many of these feel like that.

Jack: Well, yeah, bunch of this. That's what I'm saying. They're all the same crap. That's kind of how I began this by telling you they're all so similar. Then I, before telling you about this one, I specifically said, I know.

Cristina: Still, it's kind of. It's pretty ridiculous how similar.

Jack: I mean, everybody's an idiot. This. The basic principle is, no, my religion is right. No, my religion is right. No, my religion is right. But they're all arguing the same thing.

Cristina: And so far, all these deaths are the same thing because they're probably based.

Jack: On the religions, you know, that's to say that science is also a religion.

Cristina: That's why so many of these. Sounds like some sciency nerd.

Jack: Yeah, but that's the dream theory. The dream theory is everything is a dream. Always. Forever.

Cristina: Forever.

Jack: Forever. And so if you died now, you would just wake up as an old lady. If you died as an Old lady. You'd wake up as a kid thinking, oh, a weird dream about being an old lady. If a bus hit you as a kid, you'd be like, oh, my God, I had a weirdest dream where I got hit where I was one, a kid, and two, I got hit by a car. And that could just happen infinitely.

Cristina: Yeah, I guess. Yeah.

Jack: All it would take is two dreams for you to exist in a dream inside of a dream, and everything that you got out of two would still be a dream. If you were having a dream right now, and in the dream you went to sleep and started to have a dream, it doesn't matter what happens beyond that point. If you were to come out of the second dream, you're still in the first dream and think that's reality because you saw yourself wake up.

Cristina: Oh, yeah, that's. That would be weird. I wonder. No. Could anyone even dream in a dream, though? Like, is that a thing?

Jack: It's probably half.

Jack: You probably had dreams in which you thought you were dreaming.

Cristina: That is strange. Yes.

Jack: Then you wake up in the dream and you're like, oh, wow, that was a crazy dream. Anyways, I'm a ride my dinosaur to school the way I normally do.

Cristina: Wow.

Jack: You know, like, wow, man, that dream was crazy. I had when I was sleeping last night.

Cristina: Oh, really?

Jack: What happened? Well, I thought I was. I died. I thought I died. Anyways, it looks like your T. Rex is fighting my T. Rex. We should get outside and separate them.

Cristina: Yes, that sounds right.

Jack: You know, then there's Plato's theory. Plato believed that the physical world is actually just in our heads. Or not in our heads, but limited by our heads, if anything.

Cristina: Mm.

Jack: Limited by our heads. That when you die, all you're doing is liberating your mind. And your mind can truly be fulfilled with real knowledge and real information that the bodies are confining us.

Cristina: He thinks our mind keeps going.

Jack: He thinks.

Cristina: Yeah, like a soul.

Jack: Yeah, yeah, yeah. Like it goes on and doesn't have the restrictions and limits of the body.

Cristina: Interesting. I don't know. The mind goes. The mind is being stopped by the.

Jack: Body, like knowledge is being stopped by the body.

Cristina: And then you die. And then you're able to.

Jack: Yes, because the body only has a limited amount of ram. While in theory, the argument would be your metaphysical self has infinite potential.

Cristina: Okay.

Jack: That would be the solution to that problem. Then we have the nothingness theory, which obviously. Doll cuts.

Cristina: That's it.

Jack: Yeah. Now, the weirdest thing is people describe this as cutting the black, but that would be impossible. Because I would be seeing something cutting the black.

Cristina: That's what he said.

Jack: Cutting to black.

Cristina: Oh, cutting to black. Oh, okay.

Jack: Which would be impossible because that means you're seeing black. Which is impossible because you're dead and nothing exists, including black.

Cristina: Yes. Because you won't be. It's weird to explain. You wouldn't be sensing anything.

Jack: You wouldn't be sensing anything. That's the hardest part to try to tell somebody. Nothing is hard to explain.

Cristina: Yeah.

Jack: Like, we have a. Like everybody has a general loose idea. We can explain it in some figures, usually with, like, molds. Molds help. Let's say there are 10 bottles and 10 molds with which you made the bottle. And 10 bottle. Nine bottles are in the molds. One bottle isn't. You can see an empty mold. What's happening in that mold if the mold wasn't there? Is the nothingness. There's one less. Negative numbers are nothingness.

Cristina: Mm.

Jack: You know, it's the lack of something. We can represent them, but it's impossible to visualize. Lack of something.

Cristina: Yeah, we can't imagine that. We can't.

Jack: But you can see something missing.

Cristina: You see something or see something.

Jack: Not somewhere. So that's a. That's as close as we can get to nothingness.

Cristina: Still nothing compared to whatever it is.

Jack: No, because we have no concept for it.

Cristina: Yeah.

Jack: Nothingness and absence aren't even close. It's just maybe the closest.

Cristina: Interesting. And a lot of people believe this then.

Jack: Or, I mean, if you're an atheist, you probably believe it.

Cristina: Oh. But they call it. What was it again? Call it cutting into the. When they cut the black, cut to blank. Black. Okay. Maybe cut to blank makes more sense.

Jack: Blank is still a thing.

Jack: It's blank. What do you think Mormons believe?

Cristina: They go to heaven.

Jack: You think they go to heaven?

Cristina: That's. I'm assuming that's what they think. Jesus is waiting there for them.

Jack: I feel like you know the answer and you forgot it.

Cristina: I probably. I probably forgot it because it's all gibberish.

Jack: You become a God when you die.

Cristina: I do not remember that. You become a God.

Jack: You become a God when you die.

Cristina: Yeah, that's the end of it.

Jack: When you're good and righteous as a Mormon or, you know, a Latter Day Saint believer follower, you become a God when you die. And non believers get condemned in the afterlife.

Cristina: What does that even mean? What do they think becoming a God is?

Jack: Ask a Mormon.

Cristina: Where can I find many places?

Jack: There's probably Mormons all over the place.

Cristina: Like, what the do they even have an idea of what becoming a. I feel like that's against believing in God in the first place. To say you become him.

Jack: Is it? The biblical text literally states that before the fruit was eaten, immortality, health, knowledge, just all the things you'd need to essentially be a God were just going to be given to you.

Cristina: But you wouldn't call that being a God. You can't do everything God is supposedly able to do.

Jack: Fair enough. They would be more like demigods.

Cristina: Yeah. At most maybe equal to angels. Maybe. Whatever they are.

Jack: It depends on an angel's reach. What's like a basic angel's capacity as compared to a human?

Cristina: Yeah. I don't even know if they can live forever or they just live a long, long time.

Jack: Longer than our understanding, but probably also expire at some point.

Cristina: No, they must live forever only because, like, why would they betray God and go to h*** to live there forever? Like, nah.

Jack: Unless h*** was funner. Like, what if h*** isn't that bad and heaven is just whack and we're over here like, oh, no.

Cristina: Heaven.

Jack: We must go to heaven. Everybody, the party's up there. Everybody wants to go to heaven. Meanwhile, it's like, real boring and like h***'s real exciting. And they, you know, the devil's. I mean, God's trying to not get. To get you to not go there because it's evil and it'll hurt and so hot. His heat is turned all the way up. But really, it's just like, nah, bro. I keep it at a nice, like 75 and we party all day long, like, yeah, I kind of want to go to h***, bro.

Cristina: You don't want to become a God with the Mormons.

Jack: God with the Mormons and just God.

Cristina: All day, I guess.

Jack: Got it. All day.

Cristina: God all day. That's crazy. That's what they believe. Oh, that's cool. Is anyone else believing they become God?

Jack: No, but there are a couple of different versions of immortality, including the Egyptians. That's why they begin. Well, this is a weird one. So we know that they mummify. They're dead. Wrap them up. Do you know why they do it?

Cristina: Not the mumming up, no.

Jack: Okay. The. Do you know why they're buried with their s***?

Cristina: They do get. I know they get tested with, I think, their heart or their brain or something on the scales.

Jack: The Egyptians, Yeah.

Cristina: That's not them. Were they? If it's lighter than a feather, then they. They were a good person or something.

Jack: That is.

Cristina: That's not it. I don't know. Sounds okay. Far off.

Jack: Okay, this is judgment.

Cristina: That's for death.

Jack: Yeah, but where your soul is being delivered. Interesting point that you'd bring that up. Because now we have a conflict of interest. Because what I'm about to tell you and what you've just told me are both things I know are true of the same people.

Cristina: Okay, so there's multiple things happening.

Jack: It's really conflicting. I don't know why I didn't remember the one you've just mentioned. That's not what happens in the afterlife. Yes, it happened. I mean, it happens after you die, but that's not the conclusion of the afterlife. Ultimately, you have to go to heaven or h***, which is what that scaling system is deciding or their equivalent of. Yeah, but it's messed up and weird because I guess. I guess you would need to be murdered or. I don't even know. Okay, so the idea is that mummification of being buried with all your crap is essentially because that same body needs to be preserved. Because that's where you're coming back to life. And, yeah, we're just going to put you down here where you're safe. Away from light, away from air. We're going to seal this after we seal you, so we're going to seal you up with all your s***, and we're going to seal this place. There's no air to rot your body and leave it there. One day, you're going to come back to life and all your stuff, your wi. Your stuff and junk. Here's three different problems I have. Problem number one. Yeah, they do get weighed. I don't know why I didn't remember that and how this works. So I'm assuming there has to be an actual way you can die that your body cannot be returned to, and then they believe that happens? That's my assumption.

Cristina: No, But I think they rip those. They take those things out. They have, like, machines, specific tools that they suck out of your nose or some weird thing of, like. I don't know if it's the brain or the heart. They do stuff. When they're mummifying you, they take those things out.

Jack: Is it Egyptians?

Cristina: I think so.

Jack: Or is it a different group of people who mummified people? None of this matters, okay? Because there's one thing we have to consider. And now it's haunting me. As I've talked about this out loud, let's say they're right and you are gonna come back life in that body.

Cristina: Mm.

Jack: Let's play this out real quick. Let's Just. Just in theory. Just in theory play out. What's gonna happen? You're just. You start seeing dark. Suddenly you're like, I was hanging out with my wife, and suddenly everything goes to black. Don't know what happened. All I remember is I was on the camel and I fell back and I'm pretty sure the camel was about to step on my head by accident. Don't remember happening. I just remember falling off the camel and now everything's black. Maybe it did step on me and I passed out for a short while. But why is everything so black? Am I in a coma? I can't move. It feels really tight. Oh, my God. I can't open my mouth. I can't. I can't move my body. No, it feels real stiff. Am I sitting? Where am I? Where am I? Oh, my God. I'm mummified. Okay, whatever. So you get through that idea and you're panicking because, hey, it worked out. But, oh, my God, I'm wrapped up and I think I'm suffocating, so I'm probably gonna die again. But no, you manage to move your arm just enough and tear a couple of things and then rip a hole through your mouth. And. Okay, you still can't see, but slowly you pick off all the things. And now you're in a tomb where nobody can hear you see you. The only air that's there has been there for God knows how long. And that's the only air you're gonna have. No food, no nut. This is a nightmare. If it was real.

Cristina: Yes. I don't know. Maybe they were thinking, like, the people that freeze themselves. Like, it's.

Jack: Eventually we'll be able to.

Cristina: It's gonna be there. The science will figure things out.

Jack: Dude, let's hope that was the idea behind it. Because if their idea behind it is no, they'll come back one day.

Cristina: They must think some. Like, when they come back, some, they're gonna be in better bodies or something.

Jack: No, they're gonna be in that body. That's the point of preserving the body.

Cristina: They preserve it so badly and they rip things out of it. Like, that doesn't make sense.

Jack: I don't think it's the same people.

Cristina: You don't think it's the same people?

Jack: It would defeat the purpose to rip your heart out and be like, yeah, you're coming back. You know, that doesn't work out. There must be a group of people who are just mummifying them. Probably Egyptian in a different group of Egyptians who are ripping hearts out or Whatever.

Cristina: Okay. Or maybe the God that does that doesn't actually do, like their. Their hearts and stuff is still in them. The God that's doing this isn't really doing this physically. Like they're not doing. Because it's a God that's weighing the stuff so they don't have to physically weigh anything.

Jack: If this interesting. But you're not dead. When you're mummified, you're not dead. Oh, you must die a different way. Because, yes, you're dead, but you're coming back.

Cristina: Yes.

Jack: Nothing could be done to this body. There must be a different type of process that then leads to the investigation by the gods.

Cristina: Okay.

Jack: Also, they're demigods themselves because they don't know.

Cristina: Yes. So weird. That's horrifying. I don't really want to be a mummy.

Jack: Neither would I. It's a freaking nightmare. To wake up in a h*** prison.

Cristina: Yeah. That's just crazy. That's just crazy. Like you got to be super strong or something. Right? Like, how do they expect them. I expect them to do.

Jack: To stay there and die again. It's like, hey, man, all your stuff is here. Don't come out. Yes, you're dead. You're zombie now. If you come back, stay there. We don't want no zombies walking around.

Cristina: That makes sense, I guess.

Jack: And we're gonna extra wrap you just in case so that you. After we throw you in this hole, nobody can get out of. You're also in a wrapped. Is probably difficult to get out of. So you're in a coffin. In a coffin. In a coffin. And that's without mentioning the fact that some people are mummied. Put in a box and then put in a tomb.

Cristina: Yes.

Jack: So they're making sure you don't get out. You. Oh, my God. This just got worse because you're. You somehow you wake up, you're going through that whole nightmare and somehow managed to rip a hole in your mouth. Breathe and slowly take off everything. But you're still in a box that you don't even realize is a box. What the h***?

Cristina: You scream for help with the little.

Jack: Air you can get.

Cristina: Yeah.

Jack: Nothing. You need the strength to break it open after it's been bolted shut.

Cristina: Yeah.

Jack: Somehow got it open. How you gonna rip a giant rock the size of a building out of the front of the tomb they put you in. I don't know. You just die in there again. It's fine. If you did come back, you're not living long.

Cristina: And they must be preparing for zombies.

Jack: Put them all In a tomb together and then put them up when they in that tomb, Wrap them all and put them all in coffins and then close the tomb and keep their stuff.

Cristina: With them so they can enjoy themselves. Because we still love them, I guess. Yeah, yeah.

Jack: Just in case. Zombies aren't real. They got some stuff before they die again. But no zombies out here. No Egyptians knew.

Cristina: They knew. Also.

Jack: Also, let's applaud Egyptians real quick for being the goths of culture.

Cristina: How so?

Jack: They kind of are. Right. They've always been pretty goth with the eyeliner going on. And they're always, like, with death and a bunch of other weird things. And they love cats. Like, it's like, cats are so goth. Yeah, it's so goth. So goth.

Cristina: So goth with zombies now. What?

Jack: Yeah, cats and zombies. Very Egyptian, apparently.

Cristina: Mm.

Jack: Now the next thing is a pretty standard and probably the most common one. The paranormal theory. Yep. The theory that ghosts get stuck out here.

Cristina: That's it. Ghost.

Jack: Yes. Yes. Ghosts get stuck and there's ways to communicate with them and things that could be done, but essentially you're just roaming out here among the living with the rest of the dead that can see the other deads, but you can kick.

Cristina: Them out of your home.

Jack: There's a bunch of different ways to interact with them because they are still part of the living world. They themselves are just dead.

Cristina: Mm.

Jack: And part of the dead world simultaneously. Because the dead world touches both, but the living only touches one.

Cristina: Okay. So you can't get rid of them or you can.

Jack: Not from Earth.

Cristina: Not from Earth.

Jack: You can't extinguish them. Yeah. You probably move them somewhere else.

Jack: Interesting enough, that goes along with a different ideology, different belief, one that goes hand in hand with Christianity, actually, because Christianity says Earth will be h*** at some point. And this is called the pessimist theory, which assumes that we have all ready. Died.

Cristina: What?

Jack: We're already dead. This is the afterlife. So if you have it good, you lived a great life and did things good, and if you have it crappy, you were a s***** person.

Cristina: Oh, that's a Christian thing.

Jack: No, the idea that Earth will be h*** or the afterlife is Earth at some point. And the pessimist theory is this is the afterlife. So those two ideas cross at that point.

Cristina: Okay, yeah.

Jack: Not to say this is h***, but this is the afterlife is the idea of a pessimist. We've already died. We're just wherever we go after we die.

Cristina: Yeah. I wonder what that place. Do they have any ideas of what that place was?

Jack: Of where we were alive. Yeah, Not a clue. Does who like a specific person who mentioned this one time?

Cristina: It's not a belief that they have like pessimists, I guess. I don't know, whatever. It's a religion or whatever.

Jack: No, pessimism is just a negative person who believes nothing matters and everything is dead.

Cristina: And everything is dead.

Jack: Everything is dead.

Cristina: Okay.

Jack: The typical Hindu belief of reincarnation. But this one is interesting because the Hindus believe in class based reincarnation. So how you performed in life chooses your status in the next life. The better you do, the higher up you go. Until you free yourself from the system by making it to the top or.

Cristina: Whatever the top like says, being super rich. What's the top?

Jack: Living the best life, I guess. Happiest, most fulfilled life. And you don't become rich. You exit the reincarnation cycle. That's the goal. You're trapped here until you figure it out.

Cristina: And then you stay as the God that all the consciousness are.

Jack: Yeah. Yeah. I guess you joined the bigger thing, right?

Cristina: Yeah.

Jack: Boring Christian. Heaven and h*** and. Oh, egocentrism. You're the only thing that exists. Also known as solipsism.

Cristina: Okay.

Jack: The universe starts with you and ends with you. It is entirely processed inside of your mind. There is nothing else anywhere else. You've generated anything, everything, anyone and everyone that's ever existed and you've ever met.

Cristina: I feel like I'm very. Or most people are very boring. Very boring people. Like this is the best we got. Or I got. This is the best I got with my imagination. Is that it?

Jack: Yeah, I guess.

Cristina: Made all of this up.

Jack: But you're also every part of this.

Cristina: Yeah.

Jack: So you think this is the best you got, but you're also the richest human who has ever existed.

Cristina: How?

Jack: Because everyone is in your head. There's nothing. Oh, there's not even a head or body. Your body's inside your head.

Cristina: Yeah.

Jack: There's only mentalism. First principle of the hermetic principles, I guess. First rule of hermetic principles. How do you say that? It's a first thing on the hermetic principles. Whatever.

Cristina: First thing.

Jack: Yeah, the first principle, mentalism. It's all in your head. Your body in your head, the people in your head. Everything's in your head. So what do you think about what people think about?

Cristina: What people think about?

Jack: What do you think about what people think about?

Cristina: I think they're not creative enough.

Jack: What would you make the afterlife?

Cristina: I don't know. Probably the spaghetti monster one.

Jack: I was thinking the same thing that bowl in the sky. The spaghetti bowl in the sky. I don't know why that wasn't here, but it made sense. That's something people. The problem is I don't think people believe it.

Cristina: Oh. But it's the most creative. If people did believe it.

Jack: The pasta bowl. And he'll use his noodle y appendages to hug you.

Cristina: And there's beer and women, I think is part of the deal.

Jack: Yeah. In the pasta bowl.

Cristina: Yeah. And if you go to h***, I think it's the same thing. But your pasta's cold. I don't know.

Jack: Yeah.

Cristina: Some ridiculous thing, but yeah.

Jack: So that's pretty much it. So we're going to. What the. What are we going to do?

Cristina: We're going to send 2022. Oh, no.

Jack: We're going to put 2022 on top of the Tower of Silence. And what do we believe? Is this going to be born again?

Cristina: It's just going to be born again. That's the only conclusion?

Jack: Yeah. It's just going to snap back to reality somewhere else. We're sending 2022 to someone else. Some other universe that isn't here.

Cristina: It's going to wake up and be 2023.

Jack: No, because then it would have just aged.

Cristina: No. What?

Jack: It would have just aged into 2023.

Cristina: Oh.

Jack: Two different entities. They could exist next to each other. You could stare at them on a calendar next to one another.

Cristina: Yes. Okay.

Jack: Think about it. Think about it.

Cristina: So you're doing what to it?

Jack: I'm putting it on top of the Tower of Silence and it's going to be reincarnated or not reincarnated.

Cristina: Just going to snap back into life as 2022, though. Yeah, just somewhere else.

Jack: Just somewhere else where 2022 went well. And didn't die.

Cristina: Okay. Okay.

Jack: It's gonna snap into the version where 2022 has 366 days.

Cristina: Oh, that's very. But if it's. Is it on its last day, though, or it starts from the top?

Jack: No. It's gonna be on its last day forever because it dies that day two. But then it goes into the one this probably happened. Think about it. Infinite possibilities. You died because the plane hit, but you snap back into the situation where it didn't. Tomorrow you're walking down the street and you get hit by car. We snapped into version that didn't. You're probably dying every day. Every couple of days. We're probably dying all freaking time.

Cristina: That reminds me of Russian Doll, where the lady dies over and over again.

Jack: It's probably happening.

Cristina: It's probably happening.

Jack: Minus the memory.

Cristina: Yes, I guess that's what's happening with her. But yeah, minus the memory.

Jack: Minus the memory. Okay, anyways, anyways. Anyways, anyways. That is basically what happened. 22. It's dead.

Cristina: That's what happened.

Jack: It's 2023. We're over it.

Cristina: We're over it. I'm over it.

Jack: Added little sauce on top. El dia de los muertos is when you celebrate the dead, but not sad. You celebrate it happy.

Cristina: But you're not bringing them out.

Jack: No, no. You're celebrating to them.

Cristina: And I think in memory of.

Jack: In memory of.

Cristina: Okay.

Jack: And I think 2022, nowhere near as bad as 2020, so I think it should be celebrated as an upturn from that point.

Cristina: How do you feel about 2021 insurrection? Is that better or worse?

Jack: Was that 2021 or was that 22? 2020. It was some point. No, it was 2021. Right. Because Trump got elected on 2020, which means the insurrection followed him, not wanting to give the post. So yeah, 2021. Last year.

Cristina: 2021. Yeah.

Jack: Anyways, anyways, there's a bunch of episodes on death. I think there's three or four actually different topics related to death. Actually there's questions about death. There is us just talking about death in different contexts. There's a bunch of episodes you guys can look at about death and year end wrap ups as well. Not just us counting where the clock is for the world. Dominar in a million different things for last week's episode, but how other people.

Cristina: Celebrate their new year. Do we have an episode like that? I feel like we do, probably.

Jack: But I believe last year's was just the wrap up actually reviewing. Or maybe that's what we did last year. And then two years ago we were kind of counting on the 2020. No, actually I think we did wrap up both years.

Cristina: I think we did wrap up on both years.

Jack: Yeah. This is the only year without excitement.

Cristina: Yes. So that's a good year, I guess.

Jack: Yeah. Because all the. We only did it because of how much horrible crap happened altogether. Yeah, there's not enough horrible crap this time.

Cristina: There's some crap, but not that bad.

Jack: Not a lot. I'd say it's a pretty good year considering where years have gone lately.

Cristina: Yeah.

Jack: So anyways, so you guys can find us on all our socials at just Convopod, which might change in the future so that the rambling podcast could have its own. But who knows? We'll figure it out as we move forward. But just Convope pod that's on Twitter, Instagram, TikTok, wherever. Just type it.

Cristina: I remember to subscribe and review the show.

Jack: Yes. Leave us some reviews, please, and let.

Cristina: Someone who might like this show know.

Jack: About it, because word of mouth kicks a**. And I'm sure you know people who care about death and. Or want to die and. Or know somebody who died or plan to make somebody dead. So in any of those scenarios, how.

Cristina: To get buried or something.

Jack: Yeah, yeah, that works too. Way less morbid than all my options. So somebody who just wants to figure out how they're gonna get buried when they die eventually, as opposed to somebody who just wants to blow their mind. Brains are right now. But regardless of how. Which one of these people you know, this episode is useful because it'll teach them. One, what people do with the dead. And two, of people where they think their victim is gonna go.

Cristina: Where their victim is gonna go, or.

Jack: Where they think they're gonna go when they get murdered.

Cristina: This has been the Rambling Podcast. Take nothing personal and thanks for listening.

Jack: I guess if you're. I guess there's a. Probably a little of everything. Most of people listen to, like, like, these story podcasts. Think of, like. Yeah, it's almost like an audiobook. Think of like the left right game, right? Like, is it relaxing or is it entertaining?

Cristina: Extremely entertaining.

Jack: Yeah. Like, it's not. I wouldn't say it's relaxing. You sit back and you're like, oh, I'm so relaxed.

Cristina: But what podcast would give you an. What was it? I can't remember.

Jack: Anxiety.

Cristina: Anxiety? No. Was that the word?

Jack: No.

Cristina: Intense.

Jack: Yeah. An intense experience.

Cristina: An intense experience. Listening to a story would make you intense?

Jack: I have no idea. I. You know, people say all the time that they've had like a. Oh, I read the book and it made me cry. Okay. That was an intense experience.

Cristina: I guess. That is intense. It's making you cry.

Jack: Like, whoa, whoa, whoa. You cried reading a book. Whoa. I wish I had that much fun reading a book. Yeah, I love reading books, but I don't feel like I've ever had that experience.

Cristina: No, but even, like, watching shows, you don't get that experience.

Jack: No, I don't feel like I connected anything with anything that way, like that I feel genuine or. Fair enough. I'll never forget this one book, Deep, dark and dangerous, long, long time ago, about a ghost girl. And that ghost girl used to p*** me off while I was reading that book.

Cristina: Right.

Jack: When I was a kid.

Cristina: That made you feel something.

Jack: It made me feel anger.

Cristina: Anger. Okay.

Jack: Which I suppose was intense.

Cristina: Okay, so there was something. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynne Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister, with social media managed by Amber Black.

Rambling 204: Cryostasis Christmas Present

Is cryostasis possible? Will the technology to properly manage it ever be perfected? Will Santa explain the origin of his “magic?” The duo compose a plan to simultaneously get ahold of Jesus Christ and Santa Clause with one absurdly intricate, highly convoluted, and mostly unnecessary plan.

+Episode Details

Topics Discussed:

  • Cryostasis
  • The Cryonics Institute
  • Jesus Christ
  • Time Machine
  • Technology of the Future
  • Santa Clause

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+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast, the show where we grant humanity's most absurd and baffling ideas. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And I have some green. Some great news. It's the greatest news.

Cristina: How great.

Jack: I think I came up with a way for us to honestly bring Hitler back in an actual ice cube.

Cristina: He would have to already be in an ice cube.

Jack: Yes.

Cristina: So how is that possible?

Jack: That time machine we have over there, we're gonna. Right before he blows his own brains out, or they blow his brains out, or somebody kills him, or he dies, or he runs away or whatever the h*** happens following the events of World War II, we quickly s***** him and freeze him and put him, ironically, wherever Captain America was, just because that's funny.

Cristina: But why are we doing this to him from all people?

Jack: So that we can complete your wish of wanting Hitler to show up underneath the Christmas tree.

Cristina: That's not my wish. I want Jesus now.

Jack: You want Jesus now. But look. No, now we gotta do it with Hitler. But the good thing is, it's possible. That's crazy. Actually, now that you say Jesus, I do think that would be way more entertaining and actually cooler. Like, we'd have to go so much further back.

Cristina: Yeah.

Jack: Thus confirming Jesus, kind of essentially destroying all arguments in opposition of him.

Cristina: And if we don't find him, we get Hitler because, like, that's our backup. I guess.

Jack: Yeah, I guess that could happen, too. If we go back and we just like, hey, who's. Where's Jesus? They're like, who's who? Who's Jesus, bro? But the point is that there's totally a way to do it. Yes, there's totally a way to accomplish this. We can actually.

Cristina: Wait, what's the plan?

Jack: So we're going to use a time machine that we tend to ignore because it messes everything up all the time. But this involves Jesus now. We have to do it.

Cristina: But. Okay, and what are we doing?

Jack: We're going back in time, and then we're going to freeze Jesus in an ice cube, and then you're going to go ask Santa for Jesus ice cube, and he'll go find where Jesus is.

Cristina: Why are we going in a.

Jack: What?

Cristina: There's something that doesn't make sense here.

Jack: What, the fact that we just kidnapped Jesus.

Cristina: We have a time machine to get him, but we need Santa?

Jack: Well, no, we have a time machine to go back and put him in.

Cristina: Ice and then what do we need Santa for?

Jack: Well, in the present, you're gonna ask Santa to give you Jesus under your Christmas tree.

Cristina: Why didn't we just take him with us?

Jack: I don't know.

Cristina: What?

Jack: But cryostasis is possible, I guess. I guess the reason we didn't take him with us is just so that he can be delivered as we suggested previously in an ice block.

Cristina: I feel like we could just take him with us, though.

Jack: Yeah, but you want Santa to give him to you.

Cristina: Why?

Jack: That's the point.

Cristina: Easier to have Salah just unfreeze him.

Jack: Well, we're gonna unfreeze him.

Cristina: What? And also, wouldn't freezing him just kill him in ice? We're just putting him in ice.

Jack: We're putting him in ice? Well, no, if we just put him in ice, horrible things will happen to him.

Cristina: He'll die.

Jack: He'll die. If we just put him in ice, he'll die. And we're not trying to kill Jesus. That's for the Jews to do. We're gonna stop him right before he does get killed, I guess. And then we're gonna put him in a block of ice.

Cristina: But wouldn't I kill him?

Jack: Well, no, because it's gonna be a cryostasis block of ice.

Cristina: What's the difference?

Jack: So one is gonna freeze your blood over, the other one's gonna avoid that happening. So, okay, in other words, the blood in your veins and in your arteries, the cells that make them up are gonna slowly turn into ice and create like little snowflakes, essentially.

Cristina: When you die.

Jack: Yeah, that's when you die, essentially. That's why you can't unfreeze a person, but you can unfreeze somebody from cryostasis. Just freezing somebody will murder them. But cryostasis, the logic would be you.

Cristina: Could undo it, but what's the difference? What are you doing in cryostasis?

Jack: Oh, well, there's some sort of liquid that's highly unstable, and you can pump a gas that stabilizes in there, but it's not actually cold necessarily as much as it is just stabilizing.

Cristina: Does it turn into ice, though, or. It looks like ice or something. I don't know if it actually freezing the person.

Jack: I think it's just fluid.

Cristina: Okay, so they're in water or something.

Jack: Yeah, you don't want the water to turn to ice, essentially.

Cristina: Okay.

Jack: And the gas stabilizes the liquid so that it doesn't turn to ice. But we can freeze him is the point. Or not freeze him. We can stasis him, put him in cryostasis.

Cristina: Put him to sleep.

Jack: Yes. And then get Santa to go find him, track him.

Cristina: I don't understand why we need to do that.

Jack: So that he can be put under your Christmas tree. Why Santa?

Cristina: Why do we need to.

Jack: Also, this is a way we can get Santa if we needed to catch him.

Cristina: That is an interesting idea. Why would we freeze him? We should just ask Santa to get him.

Jack: Why? If he'd be dead? Because the Jews would kill him.

Cristina: We could ask him to go back in time.

Jack: Interesting.

Cristina: Yeah.

Jack: So the question is, then we don't have to do anything. Just asking Santa to do anything. He'll just go and do it regardless of what it is.

Cristina: I guess as long as we've been.

Jack: Good, go murder Jesus.

Cristina: Except for that. No. I think you also have to ask for something good. And we're not asking him to murder.

Jack: Oh, we have to ask for something good.

Cristina: Yes.

Jack: How is materialism good, Santa?

Cristina: I don't know. It's the top. That's the goodest thing you could ask for stuff. Stuff. He wants stuff.

Jack: Just get stuff.

Cristina: But we could have him bring Jesus from the past. It'll be a two part wish. You asked for him to time travel and I asked for him to come back with Jesus.

Jack: No, we wouldn't have to do that. Because based on the logic you're applying to Santa right now, the fact that he can even go back in time means we could just tell him, hey, I want Jesus from this year brought here right now.

Cristina: Actually, maybe this doesn't make sense. Does he have the power to time travel? I don't think so.

Jack: Why?

Cristina: Have you ever heard about a time traveling Santa?

Jack: No, but why would we hear about it?

Cristina: Because we hear about all his other weird stuff.

Jack: Yeah, but if he traveled through time, unless he was going forward and it just looked like he missed for a really long time or traveled backwards and they don't remember anything that happened subsequently. It we like how? How would we know?

Cristina: How do we know? But what if he doesn't have the power though? So I guess we do need a time machine. If he doesn't have time travel as a power.

Jack: But now the question is, does he have time travel as a power?

Cristina: How would we know? I don't know. Because I don't know any stories of Santa traveling through time.

Jack: What are his powers? Essentially he can change his shape and size.

Cristina: Yes.

Jack: That allows him to travel through chimneys and stuff. He has some sort of aids.

Cristina: He could live forever.

Jack: He might live forever. He might be immortal.

Cristina: He might be immortal.

Jack: He can see and hear Everything. All the time.

Cristina: Yes.

Jack: Dude, even Jehovah doesn't have that. Dude, that's so nuts.

Cristina: He sees you when you're sleeping. Okay, yeah.

Jack: You could do things Jehovah doesn't see.

Cristina: Like what?

Jack: How the h*** did the snake get the fruit to Adam and Eve? If God saw that, then he intended for them to do that.

Cristina: Yes. So that he could punish them. Because he enjoys punishing.

Jack: He's a sadist.

Cristina: Yes. What are you talking about?

Jack: Yeah, he made a bunch of crap to destroy it all. I mean, I guess that's what a writer does, right?

Cristina: Mm. He enjoys punishing people as much as he enjoys.

Jack: Well, he can enjoy it. It doesn't make any sense.

Cristina: He's not a real God.

Jack: No, because that wouldn't be a real God. That's still a demigod. Getting enjoyment out of anything would still make you a demigod.

Cristina: Yeah, he's a demigod. Yeah.

Jack: Jehovah, right?

Cristina: Yeah.

Jack: Yeah, for sure.

Cristina: There's no way nothing about that story would make sense.

Jack: Nah, nothing about anything involving Jehovah would make sense.

Cristina: Exactly. No version of God that comes from any religion makes sense. If they're anything like these stories.

Jack: Yeah. They have straight up not care and not have a physical form because that also doesn't matter. Like, even the concept of acknowledging your creations wouldn't make sense because you don't give a f***. You. The concept of you alone makes no sense. And you're fully aware of that. And also you're aware of how it does make sense. Like all of the above.

Cristina: Yes. So, yeah, there's no actual God in any of these stories.

Jack: There's no actual God, the capacity, or there is a God and everybody's God.

Cristina: But none of these stories are telling the story.

Jack: Stories are telling the story of God. You're right. They're all just in the stories from.

Cristina: Random s*** from random demigods.

Jack: Maybe that means we're more God than those gods.

Cristina: How?

Jack: Because in theory, the mind is God. Right. That's what's happening in all those arguments that if it's a pure God, that's everything, then it's also nothing. And it must acknowledge all of that and somehow everything is it. Then the inside of your head is God. You're making everything your God. Yeah, because what would be the difference?

Cristina: What would make you more God than a demigod?

Jack: You made those things. Those things didn't make you the demigods. Yeah, demigods are some creation in the thing, while the real God is the big thing outside of the Thing?

Cristina: Yeah. You're saying we made the demigods?

Jack: Yeah, we made all the demigods. We had to. If. How do. Ah, man, I don't know. It's a very matrix, fourth dimensional point of view going on. But with a time machine, we'll also think more four dimensionally and then we can freeze Jesus.

Cristina: Yes. Okay, so then what are you. Why do we need Santa again?

Jack: Santa Claus is gonna go get Jesus Christ in cryostasis container.

Cristina: Why don't we. I don't understand why, if we're doing it ourselves already, we're kidnapping him, putting him in this machine.

Jack: Right.

Cristina: Why can't we just put the machine in the time machine? The machine that we're keeping him in?

Jack: Because the goal is to get Santa Claus.

Cristina: That's true. Why is he involved in this? I don't know. I feel like it's two different missions that don't relate. Why is this involved? Yeah, like why are you kidnapping.

Jack: I mean, might as well be practical and like make use of it at the same time.

Cristina: There's just like these two things don't seem to relate.

Jack: They're not. We're just knocking two birds out with one stone. We want both Santa Claus and Jesus.

Cristina: What's for?

Jack: I don't know. Experiments.

Cristina: Experiments. Because I know Santa probably can help us reach the other planet that. The planet gods or whatever.

Jack: You think. You think that's the solution?

Cristina: I think he could talk to Snow.

Jack: Think Santa could? I mean, look, he has to, right? That's exactly what like Frosty is. He's just.

Cristina: He's a freaking snow. Exactly.

Jack: He's just. No, he's sentient snow. Did Santa Claus make Frosty?

Cristina: I don't think so.

Jack: Sentient snow? What the h*** is snow?

Cristina: I don't know, but it became sentiments all by itself.

Jack: That's a question, right? Is it by itself? It was probably magic.

Cristina: What does that mean?

Jack: I don't know. There was a lot of magic up in the North Pole during North Pole days.

Cristina: Where's the magic coming from?

Jack: That's an interesting question. You're suggesting that maybe it's not Santa doing it, but maybe Santa's own magic is coming from some other source.

Cristina: Yes, because there's magical creatures like the elves, the elves.

Jack: The question is, are they getting their magic from Santa or is there some third party? Is everything in the North Pole getting its magic from Santa? Is he overpowered to that degree? The elves are getting it from him.

Cristina: Frosty's getting it because there's elves outside of the North Pole. Don't they have magic.

Jack: They're still connected to him somehow.

Cristina: He leads the elves also.

Jack: Is he link? It's like a human who got lost with the elves and then became the boss.

Cristina: Yeah. No. I don't know. No way.

Jack: Because he's not human himself. He can't be.

Cristina: But he is.

Jack: But he has crazy powers.

Cristina: He got that from something.

Jack: He got that from something. Oh s***. He got that from something.

Jack: Santa was just a guy. That was the point.

Cristina: Yeah. You know, the church was giving their saints powers.

Jack: Fascinating.

Cristina: Where did they get it from? They were getting it from Jesus.

Jack: Where did they get it from?

Cristina: Because he opened all those portals to the other side.

Jack: Is that how that went?

Cristina: I think so. I don't remember. Is that how that went? I feel like Jesus made a bunch of portals to. What's the other place called?

Jack: What other place? H***.

Cristina: Upside down. I don't know. The second world.

Jack: Oh, the shadow.

Cristina: The shadow realm.

Jack: Oh crap. That is what happened, right? The sacrifice of Jesus.

Cristina: No, Jesus was making actual portals.

Jack: Why? Because Jesus was the fake. No. Okay, let's review the story.

Cristina: Okay.

Jack: Somehow an evil deity of some sort showed up from the shadow realm, used fear to manifest. Yeah, that's what kept it round. Eventually the good one came a diff. Or a different one.

Cristina: Different.

Jack: Came and somehow disposed of that problem through X way and took their place. Thus the change of Old Testament. New Testament. Right.

Cristina: I think the other one's still around though.

Jack: They're both still around. Okay, but like when prisoner isolated somewhere. I believe now Jesus was the shadow one, right? I don't remember.

Cristina: I don't remember. But I'm pretty sure the other one's still around because I'm pretty sure Adam and Eve is in Atlantic.

Jack: Yes, that's right.

Cristina: And they're trapped, but in a protected dome. So that that other. The evil dark entity thing doesn't get them interesting.

Jack: Yeah, yeah, yeah. This checks out.

Cristina: This checks out.

Jack: It sounds about right so far. So the argument is then that somehow Jesus blood because Jesus was going around opening portals. So then that's the point, right? There was a guy who went around spreading the word.

Cristina: Yes.

Jack: And then that gave people the knowledge and then get into fear and created thing and to come through.

Cristina: Because they were using the portals to set monsters into the world from that so that they can kill the monsters with the Holy Spirit or whatever. But that also helped create fear, which they need because power.

Jack: Yes, yes, you're totally right. The church was doing this.

Cristina: Yeah.

Jack: So in the church. No, because it couldn't be adrenochrome. Right. Then we know that has to be. No, it can't be. It can't be. And I can tell you why it can't be adrenochrome. It's because he doesn't need more of it. He doesn't need Santa Claus. He doesn't need more adrenochrome. All he needs is the fear. And he's over freaking powered. Something they taught him or something they gave him or something. Made it so that he would go from being a man, being a God.

Cristina: The church?

Jack: Yeah, the church had to give St Nicholas something that then made him so overpowered. Unless St Nicholas and Santa Claus aren't the same guy, and then we still dealing with some other s***.

Cristina: I. So is this some random guy pretending to be St. Nick?

Jack: No, St. Nick is one guy and Santa Claus is another.

Cristina: Okay, so Santa Claus. We're just saying that they're the same people.

Jack: We could be. Maybe they are the same person, but they could be not. They could be different people.

Jack: They're probably the same person. I'm just throwing theories out there.

Cristina: Yeah, but where would he get his power? Whether he's the same or not the same? What is the power thing happening? Does that mean he could just be a creature from the other side?

Jack: If he isn't St Nicholas, then yes.

Cristina: How does that make sense?

Jack: Creatures from the other side, you can use fear to manifest.

Cristina: Yes.

Jack: He could be something like that. Yeah, that makes sense. That checks out.

Cristina: He looks human. Maybe. Then again, no one's seen him. Really. It could be just a creature. It could be a creature, but transform into this man that we see, because that's what they like to do.

Jack: Oh, shapeshift. Well, we know he can shapeshift already.

Cristina: Oh, okay.

Jack: Yeah, like that's already a fact. He uses that just to get through your chimney.

Cristina: He could come from the other side. Okay, but then what about the magic? Where's all that magic coming from? Does it come from him?

Jack: Well, yeah, that's the problem. If he's from the other side, then he's messing with things that already have magic.

Cristina: I already have magic.

Jack: Yeah. Like fairies and s***.

Cristina: Yeah. And he can communicate with snow, though. That's important.

Jack: Yes.

Cristina: Where does Frosty come from? He's a snow thing.

Jack: Well, everybody can communicate with Frosty.

Cristina: Yeah, he didn't make him that thing.

Jack: Well, we don't know if he can. If he made him. We don't know if Santa Claus made Frosty. We just know that Frosty can talk to anybody because he just speaks normal Language?

Cristina: Mm. Yes.

Jack: Yeah. So it's he made sentience. No. If he made him, I don't know. But then the question is, is the North Pole something that radiates some certain magic? So everything up there has these abilities and random crap. Not knowing how to use it results in things like Frosty being able to talk and walk and move around.

Cristina: I don't know. There's probably as much weird stuff there as there is everywhere else. It's just. It seems like there's more there because there's not a lot of people there.

Jack: Interesting. Well, then. Okay. So your argument is that there's a radius everywhere.

Cristina: Yes.

Jack: Of magic.

Cristina: Yes.

Jack: And that a bunch of crazy s*** happens in there, but over there, they're all within the same radius where the magic happens. So it happens to all of them, all time. And in other places there's just people kind of. Maybe one lives on the edge. Maybe nobody lives in it.

Cristina: Yeah, there's things everywhere. Vampire like things, all these different creatures. Werewolves, whatever. Yeah, everywhere. Japan's full of monsters. Ireland's full of monsters.

Jack: Ireland is full of monsters for sure.

Cristina: Exactly. So, yeah, North Polar doesn't have more than anywhere else.

Jack: But your argument would be that the North Pole has monsters and that that's the same thing happening everywhere else in the world. But that would just mean that there is. That they're by magic and not adrenochrome.

Cristina: Yes, because, like, it couldn't be adrenochrome because there's nothing up there, up where in North Pole to be getting adrenochrome. Like, if they were getting adrenochrome, where would they be getting it from?

Jack: Well, they're not getting adrenochrome. They're getting fear. Yeah, which is why what they gave St. Nicholas, if that is St. Nicholas.

Cristina: He'S the only one getting fear. Like, what are the elves getting? What are the magic snowman and any other magical creature?

Jack: Well, Santa Claus isn't just getting feared. The fear allows him to have all these abilities.

Cristina: Well, that's all him, though. What about all these other. Unless you're saying they're all coming from him.

Jack: Well, it could be. That's my theory. That if he's getting the power, he's sharing the power.

Cristina: Can they share the power that way? It doesn't feel like they can. Like, it always feels like these things just only an individual thing has the powers and just hoards the power until they go crazy.

Jack: Well, no, maybe it's beneficial. Maybe. You got to think about it. What if he's Granting them immortality in exchange for. You guys gotta be able to make certain things and do things quickly and whatever. Immortality is the guarantee here. You'll never age. You'll be immortal forever. All of you will leave forever. I will allow you to do that. But I need the power to do that.

Cristina: But if they're elves, they should already have that power.

Jack: Immortality.

Cristina: Yeah. I feel like all elves have that power.

Jack: No, they can age very far. Oh, they will die.

Cristina: Oh.

Jack: Regardless. Regardless. The point is that we can freeze Jesus.

Cristina: Okay.

Jack: And then Santa Claus will go fetch Jesus.

Cristina: Okay.

Jack: Or not freeze him, but cryostasis him.

Cristina: Yes. And then Santa Claus is gonna go back in time to get him.

Jack: No, he's not gonna go back in time. We went back in time and put him in cryostasis, and then time passed with him in cryostasis, and now it's the present, and Santa Claus is gonna go get him and bring him back.

Cristina: Okay. Okay. Because we hid him somewhere where he was at. Because we're not gonna travel with his body to where we're at.

Jack: Yeah. Because the point is to get Santa Claus.

Cristina: Yeah. Okay. And then what?

Jack: I don't know. We'll have Santa Claus or we can talk to him. Isn't the goal to get him the. To see one where he gets his power? Like, holy s***. Holy, bro.

Cristina: Yeah.

Jack: What?

Cristina: Also Just learn about everything that's going on in the North Pole. All these questions that we have. Yes, but.

Jack: And get. Maybe. Maybe he's strong enough. Maybe strong enough? He's omniscient. What?

Cristina: Strong enough for what?

Jack: To fight whatever crap the Cat people are on.

Cristina: Okay. But anyway. But what about Jesus?

Jack: What about Jesus?

Cristina: What are we doing with him? With the cryostasis? Okay. Keeps him alive. And then. Well.

Jack: Well, then we will retrieve him from the other side.

Cristina: How?

Jack: Well, there is a. I don't. I don't know the details myself, but there's a place. Cryonics Institute. It's people who freeze people.

Cristina: Okay.

Jack: And they're gonna give us this technology.

Cristina: Mm.

Jack: And do it from there. They have a website. We could just go online.

Cristina: Mm.

Jack: And get to the Cryonics Institute website. And on the Cryonics Institute website, they will allow us to subscribe to get frozen. But they got services.

Cristina: No way.

Jack: They got services for days. But they have a. We gotta go from the beginning. We're gonna break this down and break this down.

Cristina: Services, like, different services, like. It's not just freeze and then unfreeze. That's not it. Yes.

Jack: So there's a whole. Whole list of Things. But, but let's go through this real quick. Is the Cryonics Institute and they have cryonics emergencies. If you have cryonics emergencies, like you're.

Cristina: About to die, you're having a heart attack. I don't understand. There's not.

Jack: My grandma just died. Freeze her, please, so we can undo the death.

Cristina: But she's dead.

Jack: I don't know how it works. You're asking too many questions. But for a cryonics emergency, you can call if anybody. If anybody has a cryonics emergency list need to do this. The number is 1-586-791-5961. If you want to be frozen, cryonics is who you got to get in contact with. Now, their tagline, a second chance at life.

Cristina: If you're about to die, it doesn't make sense.

Jack: If you're like life extension with reach most affordable cryonic suspensions, okay, that suggests that there's alternate options.

Cristina: Affordable, like there's more expensive options.

Jack: World's largest provider of whole body cryonics. CI class performed more than no way to go.

Cristina: So are we gonna check out the emergencies?

Jack: No, we're not gonna check out the emergencies. You're gonna look at through some of these services and look at some of these descriptions.

Cristina: All right?

Jack: Life is priceless.

Cristina: Okay?

Jack: Imagine a world free of disease, death and aging. At the Cryonics Institute, we believe that day. That day is coming. And cryonics is presently our best chance of getting there.

Cristina: Okay, so they don't just want to wake up at any time.

Jack: No, they have.

Cristina: They're waiting for the moment where we're. We didn't. We don't wake up. We solved everything.

Jack: Yes. We stopped dying.

Cristina: Oh, my gosh. They think that's gonna be a moment.

Jack: The hope is the rapture happens and then the seven years of like, peace and then some years of h***, and then people disappear and then Earth is inherited by Jesus or some s*** like that. I think they're waiting for the paradise part of that narrative so they could just. Oh, oh, now it's the time that doesn't make sense.

Cristina: But okay.

Jack: Cause science, like our mission is to extend human lifespan by preserving the body using existing cryogenic technologies with the goal of revival by future science. But will it work? But will it work?

Cristina: No.

Jack: Research makes a powerful case for cryonics.

Cristina: The crazy thing is though, like, if there is a moment when we do reach all that stuff that they're hoping for, they won't be able to afford it because that's still going to come With a price. What?

Jack: Getting woken up?

Cristina: No, getting the. The medicine that's going to keep you alive after you've been woken up. The medicine that's going to keep all the diseases away from you, all that crap. Well, there wouldn't be because you don't have insurance. There's no way. They would have to give you something so that you wouldn't get diseases. There's nothing.

Jack: Listen to me. Listen to me. Listen to me. I believe part of the thing is we would have solved everything. To the point that selling it would make no sense. It's too solvable.

Cristina: So solvable.

Jack: It's basic.

Cristina: Why like the flu, it just gets bigger and dangerouser and everything. Like you gotta always have something new to fight it because it's gonna get worse. Like there's no way to truly solve it. You just push it back. So wouldn't it be the same with everything else? You're just gonna push whatever back?

Jack: Well, we don't know if we can actually solve the problem. We're assuming our science is currently primitive and that in the future figure all that out. We'll figure all that out with enough time. Everything has a solution with enough time.

Cristina: Yes. I guess if you think time, if it's infinite.

Jack: It doesn't have to be infinite. It doesn't have to be infinite. Less than a thousand years, you've solved every medical problem ever. Science using technology. Technology has only existed for about a hundred years. Give it a thousand. Where do we land?

Cristina: I guess the only real way to solve all these problems is to become robots though.

Jack: No, we will definitely get far enough in science that we can handle it.

Cristina: Okay.

Jack: For sure. That is just a fact of time. So long as a meteor doesn't destroy us.

Cristina: Oh crap. Do you see that last one?

Jack: Doesn't matter. Listen. Human cryopreservation.

Cristina: I get that one.

Jack: That's the basic one, right? So cryopreservation is an ambulance to the future. Keeping patients in a state of stasis with the hopes future technology will be able to revive them. Only CI members with funded contracts in place can be preserved. Okay, the next one is standby tools and training. And standby is the process. A process performed immediately following a person's legal death. CI provides instructions and emergency notification tools for members and non member cryo. Cryo what? Cryonicists alike. Member and non member cryonicists. Like cryonicist. A person who cryonatizes people.

Cristina: But wait, so like teaching people how to. We're not a member. We can still figure out how to do this?

Jack: Well, if you're gonna be in cryostasis, you'll be taught how to do cryostasis.

Cristina: What?

Jack: Or maybe. I don't know, I don't get it. Next is professional standby options. CI has arrangements with Suspended Animation Inc. To provide standby services at special rates for our members. These services are provided independent of CI.

Cristina: This sounds so expensive.

Jack: Could be ridiculous. Expensive. DNA and tissue preservation. CI will store tissues and DNA samples for members. We provide a special kit to collect samples and store and collect samples indefinitely at industry standard liquid nitrogen temperatures. This is a one time fee.

Cristina: And how does that help at all?

Jack: If you wanted your genetics to be preserved, to maybe be cloned or be regenerated in the future.

Cristina: Oh, okay. Like your first plan didn't work out. You got this backup plan.

Jack: Yeah, I suppose. And then the one you're very excited for. Pet cryopreservation. Over 170 people have chosen to cryopreserve their beloved pets with CI cryopreservation of dogs, cats and other small to medium sized animals gives your pet a second chance at life.

Cristina: Monsters. What? Why?

Jack: Why? Well, the good thing is that you will be able to live forever if this doesn't go horribly wr.

Cristina: Mm.

Jack: And it's probably gonna go horribly wrong because why wouldn't it?

Cristina: Probably. But why would your animal care. Why would they want to.

Jack: Who said your animal gives a. People will keep family members at the brink of death forever if it means they get to still have that family member alive.

Cristina: Depressing. That's so sad.

Jack: Reality. But they also have this little nifty video here. Gonna see if. Okay, okay. We just saw the video, first of all.

Cristina: Mm.

Jack: $28,000.

Cristina: That's not bad.

Jack: It's not bad. It's not bad. If you wanted to be frozen, you could, like they said, afford this off of your life insurance.

Cristina: Mm.

Jack: Now, the fact that they had to support their claim with so much evidence is the like, the fact that it's not just like, oh, yeah, clearly this will work.

Cristina: Except we don't know if it's gonna, because currently it can't work. Like, yes, they can freeze you, but there's no unfreezing.

Jack: Yes, as of now. But also you're gonna die anyways.

Cristina: You're gonna die anyway.

Jack: And if you're about to die, freeze yourself.

Cristina: But the science that backs it up. That was not science backing it up. Those articles are not scientists specifically writing about the company.

Jack: Yeah, those peer reviewed, probably. About cryogenics.

Cristina: Yes, but not about this specific company.

Jack: Oh, no, I was Writing about the company.

Cristina: Yeah, but they made it sound like these scientists are backing us up. They're writing about us like. No, no, they're not.

Jack: No, you made it sound like that. They're back in cryonics.

Cristina: Isn't that what they're called? Cryonics. That's the company's name, but it's also.

Jack: The name of the process.

Cristina: Crap. That's very. Come on. Come on. That's not right. That's not right at all.

Jack: Yeah, yeah. Cryonics is what you're using.

Cristina: Yes, but then you're calling yourself that, and then you're saying scientists are backing us up, but it's not really.

Jack: They didn't say us. They said they're backing Cryonics.

Cristina: But that's their name.

Jack: Yeah, but it's also the name of the process. And those scientists are definitely writing about the process.

Cristina: Yes. It's still not right. I don't know. It's not right.

Jack: It's misleading.

Cristina: It's very misleading to you. What? I don't know.

Jack: Yeah, yeah, yeah. So that's pretty crazy. But it is possible we could just take one of these courses, the one that's a class, and be taught.

Cristina: That's so crazy, because you don't have to even be a member to take a course to learn how to do it.

Jack: No, you don't have to want to be a frozen. In order to go around freezing random, unsuspecting victims.

Cristina: I guess. I guess that'll help us.

Jack: Yeah. So we're gonna go learn how to do it. Pretty simple. Then we're gonna use our time machine, go back in time, find Jesus and do it to him.

Cristina: Yes, but is watching that video free, or do you also have to pay for that? Because they said members and non members, so that makes it sound like it's free.

Jack: But no, I'm sure you have to pay for the video. Like, members get the video for free. Non members have to buy the video.

Cristina: Oh, so crazy.

Jack: Order to start capturing.

Cristina: They also have, like, a donation button. Like what?

Jack: Everybody needs a donation button.

Cristina: Everything is so expensive. Who has time to donate as well?

Jack: That's already rich people.

Cristina: I guess. Like, I guess if you're doing that, you're not gonna need the money that you have anyway, so why not just give the rest away?

Jack: Yeah. Like, it's already. You've chosen to do something that's essentially a waste of everybody's time. Now the question is, what if works? If it works, we're not responsible for killing Jesus.

Cristina: No, because we didn't. But we have to take him to a time where this works. There's still time travel involved. And we can't take our ship to. I mean, our time machine to take him to the future.

Jack: No, we're not going to take him at all. Jesus is going to wake up in the future from us, but we're gonna get the ice cube from Santa. Simple. We're gonna learn how to create cryostasis chambers. We're gonna go back in time with our time machine to where Jesus was captured. Jesus. Right after he's crucified, but not died yet. We're gonna sneak him, we're gonna put him in a cryostasis chamber, and then we're gonna come back to the present. Then we're gonna get Santa Claus to bring him to you, to your Christmas.

Cristina: Tree, because we need him in the future.

Jack: No, listen to me, okay? In the middle of the night and Santa Claus and bring. We're gonna capture Santa and now we have Jesus.

Cristina: Yes, yes.

Jack: We can get Jesus in the present. Then we're going to use our time machine in the present to take Jesus into the future where the technology to undo the cryostasis exists.

Cristina: How, if we can't take him in the machine in the first place, can.

Jack: Take him in the machine. We're just not going to.

Cristina: Just for Santa.

Jack: Just to get Santa. Who's the point?

Cristina: Okay, but then the second time, we're just gonna take him to the future. Okay?

Jack: Yes. So that we can unfreeze him.

Cristina: But don't we need the money to unfreeze him? Because these people are paying for the service.

Jack: I mean, it's gonna be in the future where it's free.

Cristina: Where it's free.

Jack: So it's gonna be easy. It's so easy. Everybody has a defrost in their house.

Cristina: Okay. Why would everyone need one?

Jack: People are being found frozen all the time.

Cristina: Okay. They're just everywhere.

Jack: Yeah, chances are.

Cristina: Okay. This is a great idea.

Jack: Yes. That is the goal at the moment.

Cristina: It makes sense.

Jack: Yeah, it does.

Cristina: But, like, do they have plans? I want to see if they have, like, different plans. Like family plans.

Jack: Oh, no. We have to get different prices from them. They don't put the prices explicitly other than the collective 28,000. You have to have conversations with.

Cristina: Wow, that's lame.

Jack: Perhaps we can call them and find out the prices.

Cristina: Nah, you could do that.

Jack: Have whole conversations with them.

Cristina: Nah.

Jack: The point is that we can take Jesus to the future. We can have the future people who have the technology. Un. Cryostasis. Jesus Christ. Assuming, though. Well, they have we just go far into the future enough for that problem to be solved?

Cristina: Yeah. How far do we go?

Jack: I don't know.

Cristina: Is this gonna be like the time machine?

Jack: I guess we just have to keep jumping and hope for the best, right?

Cristina: Yeah.

Jack: You have to keep jumping forward and hope this time we land where we're going because we can't jump too forward. Who's gonna even understand us?

Cristina: Yeah, eventually we'll end up in the past somehow. I don't know.

Jack: I mean, I guess. Well, not really. The idea would be society collapses in such a way. I mean, I guess it would be exactly the time machine. We're gonna circle back around to the beginning of a different civilization. In that movie, they just happen to all look human still, or to some degree humanoid. Yeah, but like, really, really, we're not gonna look that way. This can change. We're gonna be some other s*** if enough million years go by.

Cristina: Mm.

Jack: You know, this is how it goes.

Cristina: It's gonna be human dolphins, but can you imagine?

Jack: But in the future, we just have to make it to where they have the ability to solve the problem. And the first again, they. It has to be free. We have to go so far into the future that now it's free. Because you have to be able to get this procedure done without them, like.

Cristina: Ridiculous amount of bill or whatever.

Jack: Well, no, if you get to live, who gives a s***? Just ignore the bills. But they just simply won't do it if there's no way for you to pay. You have to make it far enough that that's not a concern. They have.

Cristina: Yeah.

Jack: So one, we at least have to go that far into the future.

Cristina: We also need. We also need them to have figured out, like, how to solve every problem.

Jack: Like answer or whatever disease you have. At least whoever you are who's frozen or in cryostasis, wherever you are, your specific problem needs to have been solved at the same time that money has been dealt with and that they actually have the technology too. So the two sciences that need to have happened is whatever your problem is needs to have been solved and they need to figure out how to undo cryostasis. And economically, they need to have figured out how to just erase money from existence.

Cristina: Yes, very important.

Jack: Those three things solved will allow. That's the time period whenever those three things simultaneously exist.

Cristina: That's so far in the future. Yeah, so far.

Jack: Well, we don't know. Maybe it could just happen all tomorrow.

Cristina: They solved it by all becoming robots.

Jack: That's totally a possibility.

Cristina: It's the only way you can't get cancer if you're a machine.

Jack: But maybe we just figure out biology. We definitely are messing around with gene altering technology that might just kill us. Man. That one, that's gonna create super cancer. Second, that's also gonna create zombies. Third, that's gonna create literal monsters that are gonna start to plague earth.

Cristina: We already have the zombies.

Jack: We have the zombies.

Cristina: Yeah. That's why we were hiding in a. Oh, no, wait. We weren't hiding because of the zombies. We just had zombies on our island.

Jack: Yes. Unrelated to when you're hiding, think about what's happening here. Here. We essentially gave a bunch of people adrenochrome and then took it away from them.

Cristina: Is that how we made this? All right.

Jack: That's the only way we could have made those.

Cristina: I don't luckily remember how we made it.

Jack: I'm pretty sure it was the p. No. Crap. I think it was us. I think it was us by that point.

Cristina: What?

Jack: Me and our versions of us. I think those are the ones who did that.

Cristina: Those. Wait, you're saying us?

Jack: Yes, I think it was us. Us who were.

Cristina: Not another version.

Jack: Not a version of us. I think it was us. Us who were on that. So we're capable of astounding cruelty as well.

Cristina: Mm. Well, we didn't make it.

Jack: We. We bought that island or some s***, right?

Cristina: I don't remember.

Jack: No, we bought Dana White.

Cristina: Yes.

Jack: A fight island or whatever.

Cristina: I just don't remember where the zombies came from. I just know that people can risk their lives and if they turn into zombies, we got more zombies, so it's fine.

Jack: But if they attraction.

Cristina: If I don't remember.

Jack: No, they don't.

Cristina: Where did the zombies come from? Did we just have one original zombie? Like, I don't.

Jack: Or maybe there was. Maybe there were people already working on zombies and we just confiscated their zombies because that's wrong.

Cristina: Anyways, that could be.

Jack: And we just. They're already there.

Cristina: Yeah. And then we got people to come to the island for the attraction of.

Jack: Zombies, which made zombies.

Cristina: Which made more zombies. But that was fine because it's already attraction.

Jack: And they fill out the contracts to go there anyways.

Cristina: Yes. That's part of being allowed to see the zombies is if you get bitten.

Jack: Yeah.

Cristina: You're stuck here.

Jack: Go to zombie island and if you get bitten, you're screwed.

Cristina: Yeah. So it works out.

Jack: True business, Woodman. There's a city and there's a game. You get a billion dollars. Right. Survivor. Last person surviving. $1 billion. Hunger Game esque thing. Except the city is closed off and it has zombies.

Cristina: Mm.

Jack: That's it. There's a bunch of zombies and a hundred people are like, okay, we're gonna go into the city. Thousand people, whatever.

Cristina: More. Only one person can survive.

Jack: There's three. There's 3 million people in the city. Maybe not. Maybe there's like, you gotta survive there for 10 years.

Cristina: Okay.

Jack: But in that 10 year period, you know, all the supplies you'll ever need are in there. And will regularly go back in and hide stuff. So you can just keep navigating and finding crap. But you can't leave. You gotta survive there 10 years. Exaggerated. You can survive there five years and you will get $1 billion, every single one of you who survives.

Cristina: Okay.

Jack: But you're fighting for the same resources.

Cristina: Because I feel like you'd want to work together if, you know, like a, we can all win this money if we survive. But then again, the whole resource thing is a huge problem.

Jack: Oh, I got you. I got you. I got you. Problem solved. Problem solved. Problem solved. $6 billion divided by however many of you survive.

Cristina: Yeah. Like, once you get closer to the end and there's less resources, there's more reason to kill the people you're with. If you're with someone.

Jack: Yes. As you're getting closer to the end, the longer you. But he also. It makes sense to get a posse of people together so you can acquire as much crap as possible. Then not need to, but then you still know. What if there's a counter? That's all you really need to know. There's a bunch of zombies and there's a counter somewhere above the city or just on every screen.

Cristina: Everywhere.

Jack: You're always walking around and you always know how many people are left, but.

Cristina: Also how much time is left.

Jack: Yes.

Cristina: Because it's. How many years? 10 years? 5 years? Yes. That's. When it comes to resources. I don't know. It's gonna be fighting.

Jack: Yeah. You're not gonna know. You're gonna get desperate at random moments. I think no time is better. I think just knowing how many people there are and not knowing how much time there is.

Cristina: Okay. Then you won't. You'll have less fighting.

Jack: I don't know. I don't know. Because I feel if there is. If you do put a timer.

Cristina: Mm.

Jack: And you use this timer to know what day you're at. As you get closer, you get more relaxed.

Cristina: I feel like you get more riskier too.

Jack: No, because you're gonna make it.

Cristina: Yeah. But, like, you're less worried about the People around you or the zombies around you. Because, like, oh, I'm gonna be home soon.

Jack: Yeah, everybody becomes a danger because you don't want to share. Yeah, everybody becomes more dangerous with every passing day. So as every day passes, you just get a little farther from people.

Cristina: Yeah, I probably would hide the whole time. I don't know.

Jack: You gotta last five years.

Cristina: Mm.

Jack: How you gonna get resources if you're always hiding?

Cristina: If you're hiding somewhere that has a.

Jack: Lot of resources, you gotta get there first. How you gonna get there alone?

Cristina: I don't know. That's true. I don't know. That's sucky.

Jack: Gonna eventually have to rely on people.

Cristina: Yes, whatever. We should do this, though. We got the zombies, we got the island.

Jack: Well, we have to buy a city, close off a city.

Cristina: Why can't we just build a city on the island?

Jack: We could build a city on the island. We got a bunch of lizard people.

Cristina: Exactly. But what about Jesus?

Jack: We're gonna have him unfrozen, and then if he is in fact Jesus, we have solved a lot of problems. We got some overpowered being.

Cristina: Mm. So we should forget about saving the world and move on to this Zombie island movie show?

Jack: Well, no. What movie or show? Why would it become a movie or show?

Cristina: Become a show? Like, we can pay people to watch this.

Jack: Fair enough. This would be quite good entertainment. Yeah, but I suppose the point of this is Santa Claus, right? Yeah, because we want to get Santa Claus and we want to find out if Santa Claus is how. Like one. Truly. How overpowered are you two? Is that overpowered enough to help us stop whatever problem we have with the cam people? Because that's a problem.

Cristina: Yes. Or should we forget about that and go on to this Zombie island show?

Jack: You want to forget about Santa Claus and do this Zombie island show instead?

Cristina: Yes.

Jack: Why?

Cristina: Because it's more interesting.

Jack: Interesting.

Cristina: Unless he's into it.

Jack: All right, fair enough. We can set this experiment in motion. Right. So we're gonna build a city on Zombie Island.

Cristina: Mm.

Jack: And then we're going to keep track of what's happening on the island every week and report back with everybody. Maybe at the beginning of the episode, maybe at the end of the episode.

Cristina: Mm.

Jack: And we just let them know what's happening with the people on Zombie island that have volunteered to get paid. $6 billion divided amongst the however many people.

Cristina: And yes, maybe with that prophet, we don't have to wait to go to a future where we can't. We could afford unfreezing Jesus or whatever. Like, maybe we could afford the research.

Jack: Yeah, Just fund the research so we can unfreeze them ourselves.

Cristina: Yeah.

Jack: Figuring out if we also have really good scientists. We do, but like, the fact that we would need to go forward in time despite the fact that we exist tells us that's a problem. It's just something about science right now that's making this impossible.

Cristina: Yes. Okay. So we do have to go to the future.

Jack: Yeah.

Cristina: No matter what.

Jack: Yeah.

Cristina: All right, let's do that. Let's save Jesus.

Jack: Save Jesus Christ for.

Cristina: I don't know how he's gonna help us again.

Jack: He's not helping us.

Cristina: He's not.

Jack: Santa Claus is helping us.

Cristina: Yes. Okay. For Santa. Jesus. For Santa.

Jack: Jesus is getting. I mean, Santa Claus is getting Jesus. Yeah, we're just getting Jesus.

Cristina: Using Jesus to get to Santa.

Jack: Yeah. And then we're gonna use Santa to solve all our problems.

Cristina: Yes. Okay.

Jack: Yeah. And we'll also be able to fit. Not just solve all our problems, but also understand what the h*** he is, where his powers come from, if he's in fact St. Nick or some other thing. And like where the. Did he give the abilities to everything in the North Pole or is there some anomaly happening? Is there thin places or magic bubbles or something going.

Cristina: Yes, probably. I bet that's what's happening.

Jack: Which one?

Cristina: It's just a weird place with weird things happening.

Jack: It could be. I mean, elves that can like generate random crap. A man in red with seemingly all knowledge. Again, how exaggerated is it to know everything? Everything all the time?

Cristina: Yes.

Jack: And you don't need to know. Ah, so exaggerated. You just know everything all the time. As long as you can remember everything, you know everything that's ever happened since you've had this ability. So you also know the past as far as you've had this ability. And you know the present that you can see at all times simultaneously.

Cristina: Almost like knowing everything.

Jack: It's almost like knowing everything. It's pretty, pretty exaggerated.

Cristina: Yeah.

Jack: If you can see somebody's thoughts as well, you know the moment they know that they're gonna do something. Nobody could ever hit you.

Cristina: Yeah.

Jack: Somebody's about to shoot. You also know where to dodge. You're impossible to touch.

Cristina: Mm.

Jack: You know everything everybody's gonna do the moment they know they're gonna do it.

Cristina: He's got some superpowers. Yeah.

Jack: That's so exaggerated. Jehovah doesn't have this. Jehovah couldn't touch that with a ten foot pole. Some dude ate an apple behind his back and he was like, what? Why'd you do it? Like Whoa, dude. That happened in your own backyard. Literally.

Cristina: You gave it to them, though.

Jack: Yeah.

Cristina: Look at this thing. It's amazing. Don't touch it, man.

Jack: There's a lot wrong with Jehovah, right? But you don't touch the tree. It's the only thing here. Do you?

Cristina: I don't know. Yes. Like, no, it was on purpose.

Jack: You can't just, like, it feels like a setup. It does feel like a setup. It's like when a cop puts a. A really nice car in a really bad neighborhood and leaves the keys inside and then just parks across the street in an unmarked vehicle and just watching. Make it obvious that the keys are in there, leave the window open like somebody had too much faith. And then you see people start walking by.

Cristina: People actually try to steal those cars.

Jack: Yo, these are setups, and they're all over the Internet. Yeah, you can watch. It's great. Oh, watching these videos, it's so beautiful. But it's that setup. It's entrapment. That's hella illegal. Oh, this is, like.

Cristina: It's not illegal for. For God, no.

Jack: Yeah, because he was. But also, that was Jehovah of dark. And also, you know, it's still not illegal, but, like, it is a setup. It feels really set up. Here's a tree. This very one right here. Just this one? Yeah. Don't do anything with this one specifically. Don't touch it. All the other. I don't care about the substance, but.

Cristina: You live right next to it. You'll see it every day for your whole entire life.

Jack: This tree. That's the center of this place, is the one tree you can't touch. No, don't worry about it. Everything else is fine. Nothing's off limits in here except this one tree. Don't you. Don't you touch this tree. I'm not gonna tell you what it does, but you don't touch it. You don't look at it. You don't so much as sn. You don't inhale air. This tree is around. Anyways, I gotta go. I'm gonna be over there with my.

Cristina: Back turned to you, even though I see and hear.

Jack: Yeah, I can see and hear everything that's happening. I'll be over there looking at that other tree. That's super insignificant, bro.

Cristina: I don't understand, like, because they understood him or they didn't understand, like, did he not explain himself of, like, what he was, man? Did they not know?

Jack: I never thought about that. That's a huge problem. That's a huge problem. They had no understanding. They had no sin.

Cristina: No understanding of anything. They had noise. Just told them, hey, don't do that.

Jack: No, look, they had no sin yet. Yeah, they had no sin yet. They hadn't sinned. So they're pure. They're as pure as God literally intended them to be before the interference of Lucifer, they were as pure as God intended them to be. They had no ability to make malice and only had the ability to make the right choice because no sin had come into existence. So why did they disobey what they didn't know, though?

Cristina: He didn't tell them anything. He didn't tell them what he was. Don't.

Jack: No, no, no, listen. He said don't eat the fruit.

Cristina: That's all they knew?

Jack: Yes. Why did they have the ability to eat the fruit if they wouldn't have disobeyed? They already knew. He explained he was God. And for whatever reason, you just listened to me and they're like, okay.

Cristina: But they still disobeyed.

Jack: But they still disobeyed. Meaning God's most perfect creation in its most perfect state was flawed.

Cristina: Yes. Oh, I guess because it didn't take much, he could not. It wasn't even peer pressure or anything. It was like, hey, go, go eat that.

Jack: Okay. The answer to the question is he can't make the rock.

Cristina: Can't make the rock.

Jack: Can God make a rock big enough he himself couldn't push? Well, he couldn't make the rock to begin with, and even if he could, he couldn't have the strength to push it. But no, he can't make the rock. And if somebody else made it, he couldn't push it because he's not all powerful. That's what happened. He couldn't make perfection. Jehovah within the Bible itself in its first important moment other than the actual creation. But it's for. God's first react. Interaction was with the creating of an already flawed being. Actually, the same argument stands.

Cristina: Yeah, that they were flawed and he had that apple thing piece. He knew he needed them to feel like, oh, they are the reasons they're flawed.

Jack: Well. Well, no, because there's also the. The one before that. Because God also made Lucifer.

Cristina: Mm.

Jack: Lucifer was flawed?

Cristina: Yes.

Jack: God's never made something perfect. No, the lie is that he tells you it's perfect, but it always goes wrong. Entropy affects everything that God touches. It's all just 3D s***. It's. God is constrained by. D***, he's probably dead, bro. God's trapped by the same laws of physics.

Cristina: Yeah, he is.

Jack: He really Is entropy still affects everything that Jehovah does. That's crazy, because Adam and Eve were not pure. Neither was Lucifer. Even if the. Even if for infinite number of years he was following orders and doing it right, eventually he wasn't. It was not perfect. It just took an infinity to happen. But it happened.

Cristina: But it happened.

Jack: But it happened. Jehovah has never created anything perfect. There's no proof of it.

Cristina: No, I guess not.

Jack: Not even within the Bible. The only argued perfection was Adam and Eve before the apple. But why don't we ever consider that the angels should have been perfect. They should have all been perfect. Except some of them just were. Just like what? Did they also not know what the h*** God was?

Cristina: I don't know.

Jack: Why would they just be like, nah, we could take him, bro. The fact that they thought that is something crazy. If he's all powerful and you know it's. Then no way you're f****** with.

Cristina: They know him. Like they know. No, in a way we don't know.

Jack: And they're still like, no. We could probably win the war.

Cristina: Yeah.

Jack: D***. There's something not right there.

Cristina: Yeah, it doesn't make sense.

Jack: Interesting. Crazy.

Cristina: Yeah.

Jack: Somehow Jesus is gonna be useful if he turns out to not be a guy. If he's not a guy. Well no, he's not a guy. We know that. Crap. He's useless again. He's just. He's just a vampire. And so were the apostles. Those are just the first people he bit after he drank a bunch of blood. D*** place.

Cristina: We'll still have Santa. That's important, right?

Jack: Yeah. And there's a lot of power there. Which is another kind of God.

Cristina: Yeah, he's the real guy.

Jack: He's a real God. Yeah, he is. Jehovah's two small potatoes, bro.

Cristina: Yeah, he's.

Jack: He can't even make even Santa's freaking plan to get fears perfect. All knowing really is overpowered. Yeah, he just has some in place. That works, bro. And it just keeps working.

Cristina: Yeah, he. He won. I don't know.

Jack: Literally Jehovah couldn't figure it out. You cannot. You have to just be a demigod, bro. I mean, some random dude Saint Nick just passed you. If it's ain't there, which you're gonna find out anyways. Anyways. Anyways. Too much crap. All at the same time.

Cristina: Yes.

Jack: We're running out of time here. Yep. So basically the conclusion is this plan could work. The whole point of this episode was for me to tell you to explain to you that yes, your dream come true. Of having. But it won't be in a nice block. So I guess it's not your dream come true, but it's some variance of this.

Cristina: Okay.

Jack: And then we'll catch Santa because we'll just make it happen. Or at least get to interact with him. Your dream, my dream, or not even a dream. It's a wish really. But it allows us to get Santa.

Cristina: Yes.

Jack: We don't have to capture him. We just need to find him, which is hard to do. And we'll talk to him. And in talking, the him will find out all the secrets. And we'll also have Jesus because he'll bring them to us. Even if we'll find Jesus, which will also answer a bunch of questions.

Cristina: Yes.

Jack: Yeah. The hardest part is also the most irrelevant one, which is getting Jesus out of the cryostasis in the first place, which just involves a whole bunch of traveling to the future, finding the right intersection of events.

Cristina: Yeah.

Jack: And then getting it done. And then coming back in time with Jesus out of the cryostasis. So we have potential. Just guy or potential. Some form of a deity.

Cristina: We should probably tie him up or something.

Jack: I know. Because the possibilities that he's just a bad guy are really high.

Cristina: Yeah. If he's just a vampire, it's not going to be safe.

Jack: Waking him up probably definitely a vampire.

Cristina: And like putting him to sleep. Because we gotta put him to sleep first.

Jack: Yeah.

Cristina: That's step number one. We gotta find him alive.

Jack: Well, we. We know.

Cristina: Well, he'll be weak if we get him. At the moment he's being on the cross, he's gonna be super weak there.

Jack: This whole plan is really stupid.

Cristina: Why?

Jack: Because he's probably just in a hole somewhere. Because he already can't die at this moment. Because he's immortal. Because he had adrenochrome.

Cristina: Well, we're not going after that Jesus. That's in our present. We're going to get the one that's in the past that we know is weak, that we can catch.

Jack: The one now is probably weak because he was a vampire then.

Cristina: He still wouldn't he still be a vampire.

Jack: Yeah, but he was a vampire then. When he was closer to the last time he had adrenochrome than now when they threw him in a hole somewhere. And that's why we haven't heard of him.

Cristina: But he's way more vicious now. He's been in the hole this whole time.

Jack: Yeah, but way weaker.

Cristina: Craving blood.

Jack: He's a zombie.

Cristina: Yes. Zombies are not good.

Jack: He's a single zombie. We can definitely tank a single zombie.

Cristina: Okay, but then how are we gonna get Santa involved?

Jack: Well, now we just have to totally wish for him to just bring a zombie Jesus. That's actually way easier.

Cristina: Dangerous. Okay, I guess if we put zombie Jesus in our island of zombies, we.

Jack: Could have zombie Jesus in our island.

Cristina: But like, how is that gonna help be helpful if he's a zombie?

Jack: I don't know. Look, you can find more information on stuff at our socials, usconvopod, everywhere, Twitter, Instagram and. And TikTok and stuff.

Cristina: Facebook.

Jack: Facebook.

Cristina: Yes, you can remember to subscribe, rain review the show.

Jack: Send us emojis and stars.

Cristina: And stars. And the people who might like this show know about it.

Jack: Yes. Word of mouth talk. Scream at them, yell at all the people, tell them. And then you're gonna be like, oh yeah, that show.

Cristina: And then lick them.

Jack: That's how it works.

Cristina: This has been the Rambling podcast. Take nothing personal. Thanks for listening. Bye.

Jack: That's society for you. That's exactly how the it works though. And nothing's gonna happen to these guys. Nothing. Me too. Movement goes. Came up. Too many liars hopped on board. Movement died the f*** down. There was a great movement there. At some point. Guys were getting outed, but some people needed f****** attention. Jumped on and dissolved it.

Cristina: Yes.

Jack: The amount of liars overcame the amount of truth tellers to the point that the people who were lying were lying about people who already wised up to the fact that this movement was rising and saved proof. Holy f***. How long and how many of you were just bullshitting that you told people to just start recording your interactions just in case You're a sleazy weasel.

Cristina: If Kevin Spacey is alright, is he still alive?

Jack: Probably.

Cristina: I hope so. Good morning. Good morning, whoever Debate. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 194: Sweaty Fart Socks

+Episode Details

Topics Discussed:

  • Goat Overpopulation
  • Jurassic Park
  • Alien Bestiality
  • Selling Fart Aroma
  • Sweaty Sock Vendor
  • Starting OnlyFans
  • Multiverse Farts
  • Volcano Diving

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean? Welcome to the Rambling Podcast. I'm your host, Christina.

Jack: And I'm Jack.

Cristina: This is the show where we ground humanity's most absurd and baffling ideas.

Jack: Yes. So let's get to the grounding, bro.

Cristina: To the grounding?

Jack: Yes. What we do here is ground things like not unlike terrorists. Terrorists ground. For example, planes. They ground planes.

Cristina: Is that what they do?

Jack: Didn't we just finish that holiday like a couple of weeks ago? We just a whole holiday about celebrating terrorists ability to ground planes and buildings and buildings. Well, buildings are already on the ground, technically speaking.

Cristina: Oh, yeah, I guess. But they are, I guess. That's horrible though.

Jack: Why do we call them buildings instead of built?

Cristina: That sounds bad.

Jack: It does. But also we'd be so used to it. Building would sound stupid.

Cristina: Then you built a built.

Jack: You built a building. That's still wrong. That's so weird.

Cristina: I guess it shouldn't be called build. Like Bill shouldn't be in building. Because. Building.

Jack: Yeah, exactly.

Cristina: Because it's already one thing. Why are we giving it.

Jack: Yeah. Yeah. It's like saying you laying.

Cristina: What?

Jack: You lot of lying.

Cristina: What are you trying to say?

Jack: Raced. Racing.

Cristina: Race day. Racing. I think you can say that. I don't know if that's incorrect.

Jack: You raced a racing.

Cristina: I guess. Why doesn't that make sense?

Jack: I mean, I guess you could say you raced a race.

Cristina: You raced a race? Yes. There you go. Erase the. Erase. That's. There's nothing wrong with that.

Jack: This is not the previous episode where we were talking about language, bro.

Cristina: This is part two.

Jack: Part two about language?

Cristina: No, man, that'd be crazy. Did you know that there were mountain goats that were. That are being. Were being airlifted out of a national park? I mean, it could still be happening now. I don't know.

Jack: So there are. Why are they being. Because they. They can't be. I don't know.

Cristina: I want you to guess.

Jack: The T. Rex is gonna eat them otherwise.

Cristina: No.

Jack: Because of the fire.

Cristina: Because of fire.

Jack: No, because they are royal goats. Was it goats? What was being lifted?

Cristina: Goats.

Jack: Goats. Okay.

Cristina: Yeah. Royal goats.

Jack: They're extinct. Goats.

Cristina: Extinct.

Jack: They're going extinct. They're close. Extinction?

Cristina: The opposite. There's too many. But that's not the problem.

Jack: So where are we drop. Are we throwing them in volcanoes?

Cristina: No, we are just taking them to other locations.

Jack: Is it where the T. Rex is? No, this is how we control the amount of goats. And we also manage to like, keep Jurassic park at bay because we keep digging all the goats over there and feeding into T. Rexes.

Cristina: Well, these goats are native to where they're at, and they just once introduced there, they just repopulated like crazy. Oh, s***. Like, there's now, like, there was, like, 700 of them there. But that's not why they're lifting them out. Because I don't want to tell you yet. Can you guess another reason why they might be lifting them up besides feeding T. Rex?

Jack: I don't know. Feeding a T. Rex is what makes the most sense, but they're overpopulating. I don't know. Why are they airlifting them out? I don't know.

Cristina: Because they're craving human pee. It's a problem.

Jack: What?

Cristina: Yes, they love human pee.

Jack: Why?

Cristina: Because it's a great source of salts and minerals that they need, I guess.

Jack: And where are they finding this human pee?

Cristina: People who like to go hiking and stuff in the mountain. Because that's a popular thing nowadays, going hiking and camping.

Jack: I mean, I'm pretty sure that hiking has always been a thing that's always been popular. Not like recently.

Cristina: No, no. Yes. But hiking in a place that's super populated with goats, that's not a thing. No.

Jack: I bet there's places where that's common. There's goats in so many places on Earth. There's no way that there's not a place where people are. Like, there's no place on earth where people are hiking and there are goats. Like, come on. There has to be goats.

Cristina: Yes, but that much in one location.

Jack: 700 Goats is not, like, a lot.

Cristina: That's not a lot to you? That sounds like a lot to me.

Jack: Are they all just packed into the.

Cristina: One trail, into this one mountain? That's why they're airlifting them to other spots to spread them out more.

Jack: How small is the mountain?

Cristina: I don't know. In my head, it's small.

Jack: And there's just 700 goats everywhere you look?

Cristina: Yeah. Like every. Like, you can't get away. They're just everywhere, would you say?

Jack: Let's just give you a visual about why things like this don't make sense in my life. Do you know what a school looks like? Right?

Cristina: Mm.

Jack: You could fit, like, 3,000 kids in a school. Comfortably.

Cristina: Comfortably, Comfortably.

Jack: Like a large enough school you could fit. Is a school definitely smaller than a mountain?

Cristina: Mm.

Jack: Okay. So they're at least more spread out than that.

Cristina: Yeah.

Jack: How many schools would it take to make a mountain? One mountain. Hundreds, right?

Cristina: Yes. But these goats are bothering People, I'm guessing that's the point.

Jack: That's really the point. It's not that there's a lot of goats. Is that humans are like, this is annoying.

Cristina: Yes. Yes. It's truly about. The goats are annoying.

Jack: Yeah. We're making up an excuse. There's so many. No, it's just, you want our pee, and we think it's weird.

Cristina: Yes.

Jack: That's all it really is, is coming.

Cristina: Into our camp, feeding our pee pee. Well, I guess your clothing that's covered in sweat and pee. Well, maybe not.

Jack: Clothing is not covered in pee. I mean, I guess it could be, but, like, those are the people I would be scared of in the woods.

Cristina: Someone who's covered in sweat and pee some.

Jack: Yeah. I guess it's a pretty bad combo.

Cristina: It's a bad combo, but it's gotta be, like, sweaty clothes. In the end of the day, you take it off and then a goat is eating it.

Jack: Goat is eating your. Your. I guess now they're get. You're taking. They're taking the goats out so the goats don't choke on the peed clothing that they're eating.

Cristina: Yes. Well, not really, Tisha. I don't think any goat was dying. It's really just these goats are annoying.

Jack: We hate these goats. Let's get them out somewhere and just for their safety.

Cristina: Yes.

Jack: Sounds like things humans do.

Cristina: Yes. Yes, it is. It does sound like what you do. That makes sense.

Jack: Yeah. Humans are usually just annoyed about things and they want to get rid of it without sounding like a douchebag. So make up an excuse that sounds more knowable than you would behave on a normal basis.

Cristina: Yes. And did you hear about that lady who was kidnapped by aliens? Well, there's a lot of stories like that.

Jack: I mean, like, pretty much every interaction with aliens directly was that they were kidnapped.

Cristina: They're never not kidnapped.

Jack: They're never not kidnapped. It's either they saw somebody get kidnapped, they just saw the aliens being weird, or they were kidnapped.

Cristina: Yes.

Jack: It's always kidnapping.

Cristina: It's never an invitation.

Jack: Well, once.

Cristina: Once.

Jack: Billy Mayer.

Cristina: Oh, yeah. They didn't kidnap him then.

Jack: No. He's the chosen one or something.

Cristina: Yes. Oh, his story makes no sense now. Compared to every other story.

Jack: That's why his story is special. All the other stories are bullshit.

Cristina: Or he's lying. He's working for the aliens. He's.

Jack: I guess he kind of is, though.

Cristina: Yes.

Jack: That's sort of his own story. Yeah, he's kind of like partner with them or some s***.

Cristina: Yes. They're Using him to say that aliens are good. Don't lie.

Jack: You know what? Look, if we were to really think about this, let's say all of this is true. It's more likely they're just using him because they're extremely advanced life forms themselves.

Cristina: Exactly.

Jack: So they just. Using Billy Mayer and his cult. Yeah, and his cult. They're using his reach into people. Interesting.

Cristina: Interesting. Ah. So then what is that prayer meditation thing really doing? If it's not really to. What is it? Send energy to the world to protect it or something?

Jack: Or energy or something.

Cristina: Yeah.

Jack: Maybe this is a. A group of people that have found another group of people. But aliens, these creatures have found a shortcut so that they don't need adrenochrome. They don't even need fear. They're doing some other.

Cristina: Yes. Which is. I'm not really sure what exactly it is.

Jack: Neither do I. I'm not sure what the it's supposed to be, but who knows? Like, these creatures need something.

Cristina: Yes.

Jack: And there is, like, godness surrounding some of this crap. So, you know, it does make sense that there would be maybe some other way.

Cristina: Just these aliens figured it out because all the other aliens.

Jack: I guess even Santa Claus still uses fear.

Cristina: Exactly. Every alien and a Santa Claus uses.

Jack: Fear in one way or another.

Cristina: Yes. And every God, too. Like, why would there be one specific type of alien that like. Oh, we figured something out, Elsa.

Jack: Somebody had to be the first. Oh, that killed any argument, right?

Cristina: Yeah.

Jack: That kills any argument. Somebody had to do it first. Maybe that's just what happened.

Cristina: Then what is it?

Jack: I don't know.

Cristina: What could it be? I don't understand. Well, whatever. This. This lady that recently, she got kidnapped. She fell in love with the alien.

Jack: Did he fall in love back?

Cristina: He did fall in love back.

Jack: Why'd he leave?

Cristina: Because he was like, aliens and humans shouldn't be together because the aliens would be like. You know, they would be like, why are you with that dog?

Jack: So it.

Cristina: I was.

Jack: I was about to make the argument that, like, whatever, but. Yeah, yeah, yeah, yeah. That. That checks out. That checks out. Why would you be with that dog? This is weird, bro. It's probably illegal.

Cristina: It's probably. Exactly. Or that cow, I guess I should say, because if they're. They like kidnapping cows, they probably see us as cows. Who knows? That'd be a better description.

Jack: And it's even worse than that because it's like, what are you doing with that ant?

Cristina: What are you doing?

Jack: You know, it's. We're so dumb and primitive.

Cristina: Yeah.

Jack: By comparison.

Cristina: Yeah. But she, she. Her option was though, she could have run away with him, but she was like, I can't leave Earth because I know if I leave it, I'll never come back or whatever.

Jack: Right, that. That's very clear. Wouldn't that be the point?

Cristina: Yes, I guess she would only want to be with him if it. Like a part time thing. I don't know.

Jack: A part time thing?

Cristina: Yeah. Like go to space whenever and then come back whenever.

Jack: No, she wants to.

Cristina: Like she wants to live both lives.

Jack: Yeah, yeah, yeah. She wants a little bit of space. A little bit at home.

Cristina: Yeah.

Jack: Space, a little bit at home.

Cristina: Yeah. That's pretty.

Jack: I want to be able to see my family on weekends.

Cristina: Yes. I don't know. What would you do?

Jack: What. In what situation?

Cristina: You fell in love with an alien.

Jack: Yeah.

Cristina: You're gonna leave?

Jack: I guess I've got. I've. I'd have to be there.

Cristina: Yes. Which is weird. Like, what were they doing to her? I don't even re. I don't remember they're saying anything.

Jack: Also, how dumb is this alien that he found this huge. I mean, I guess, bro, whatever. There's people who fall in love with their couches. Like, I get it. It sees. Whatever. There's no argument. Like, I'm trying to reason this, but. No, we have this commonly with random s***.

Cristina: Yes.

Jack: There are people like, PETA is out there f****** chickens. Do you know?

Cristina: No, no, that's not what's happening.

Jack: That's exactly what's happening. They fall in love with these animals and then f*** them. What?

Cristina: That reminds me of the Catholic Church. I just read this thing today that they. They're removing that priests can't. There was already a law. This is a shocking thing to me. At least that was letting priests keep, you know, the confessions of people a secret. Like, you know, you tell me. I don't have to tell anyone what you did.

Jack: Right.

Cristina: Including pedophile stuff like abuse. They don't have to tell anyone.

Jack: Right.

Cristina: And this place just removed that. So now the priests have to tell the truth. And I'm like, oh my gosh, is this how the priest got away with this all this time?

Jack: But, oh, well, no, probably. But that's in a lot of different areas that law is applied. Psychiatrists have that, lawyers have that, psychologists have that, social workers have that, doctors have that. All these people have that same rule of when you tell us something and anything I know about you is absolutely confidential and if I tell anybody, I lose my license and go to jail.

Cristina: Yes. I Wonder how many of them were being the abuser at the same time.

Jack: Being what?

Cristina: The abuser while saying that, like, oh.

Jack: Yeah, there had to be a bunch of hypocrites.

Cristina: Oh, my gosh. Like, that's so crazy.

Jack: So there are doctors who steal organs. They made an oath to not hurt people. It's the same s***.

Cristina: Oh, that's pretty horrible too. Okay.

Jack: Yeah. That's crazy s*** out there.

Cristina: That's pretty crazy. What?

Jack: How many cops who take an oath to uphold the law are in the background doing a bunch of illegal s***? Happens everywhere. Everybody is corrupt in their own system. They're a bunch of hypocrites. There has to be.

Cristina: Yeah, yeah. It's crazy. Know what else is crazy? There was this lady who had to go to hospital because she. I don't know exactly why she think. I think her farts were gonna kill her or something. She was selling her farts and she had a crazy diet.

Jack: To create the smelliest of parts.

Cristina: Yes, to create the smelliest of parts. And then she ended up in the hospital after, like, two months.

Jack: What was wrong with her diet?

Cristina: I don't know. It was mostly like. Is probably not the healthiest thing just all beans. Yeah.

Jack: Cheese. Every day, all day.

Cristina: Yes. Pretty much every day. All day.

Jack: Cheesy bean burritos. Every day. Spicy cheesy bean burritos.

Cristina: Yes. All day. Breakfast, lunch, dinner.

Jack: Yes. Sell these farts with a cup of coffee and a banana.

Cristina: Oh, wouldn't that make her poop?

Jack: Yeah, that's gonna make her poop very watery, and then it's gonna make a lot of. Just a great combo to make it smell.

Cristina: Ew. But she's not selling her poops.

Jack: Oh, she has to make gas. Yeah. Mine. Screw the coffee and the banana. She needs to make her poops. Smell her. Her fart smell. Not her poops. So we need to make her gassy and smelly.

Cristina: Yes.

Jack: So she needs a lot of carbonated drinks. Oh, she needs broccoli and cheese.

Cristina: Yum. But. And beans.

Jack: You're totally right. Broccoli, cheese, beans.

Cristina: That's all I can think of. I'm not sure what else makes a person fart, but she was doing that. She was doing that and selling. She was making money.

Jack: She was making bank.

Cristina: How much was it for one jar? She sold like a. She was selling them for, like, a thousand dollars. The jars.

Jack: Holy f***, dude.

Cristina: She made over 200,000 in her two months of doing this, Yo.

Jack: Oh, my God.

Cristina: Ye. What? So it was just little jars with her farts and, like, little flower Petals in them too for some reason, which I don't know if that takes away from the fart.

Jack: Oh dude. What the is wrong with people? Had she what?

Cristina: Yeah.

Jack: What? At a thousand dollars each? She had 200,000 people. Individuals.

Cristina: People are into farts.

Jack: Holy s***.

Cristina: You're gonna start selling fart. I wonder if you have to be famous though. Piece. I know she was. She's. I wouldn't say famous, but a celebrity, you know, like p***?

Jack: No, onlyfans celebrity.

Cristina: Well, probably. Probably. But she was like in. On tv, I think a reality show.

Jack: That has a lot to do with why she was selling them for a thousand dollars each successfully.

Cristina: So she's one of those type of people just trying to get become a famous something. But then she made an adult website and then for some reason, I guess someone asked her for a fart. So that's how it started her fart career.

Jack: I wonder if Miley Cyrus decided because she's weird like this, right? So she would be like, alright, from now on I'm gonna start selling my farts. How much could Miley Cyrus sell one bottle of her fart for? She's a super mega duper star. No, you know what? No. This is the only feasible human I think would do this. I was like Beyonce fart.

Cristina: But like, well, why not in the.

Jack: Same situation, Beyonce would just say yes for whatever reason.

Cristina: Yes.

Jack: How much in theory will she make? Could Beyonce with one jar. Sell one? Yeah. One jar of a fart for. We're talking this like person who was once on TV for some s*** we don't know about. Some Z class celebrity.

Cristina: You could. She couldn't even sell it. It would have to be something auctioned off.

Jack: It would be too valuable. Especially because it's really weird, right? It's such a strange thing. And also like a kink thing. It's such a. It's just a really complicated situation.

Cristina: Yes, yes it is.

Jack: Simply because it's a Beyonce fart in a jar.

Cristina: Exactly. Like the things people will do like for her hair, her nail clippings. Like I don't.

Jack: Man, you gotta understand. Somebody is going to some billion. It depends on who buys it, right? If it's just like just a filthy billionaire. He's gonna have it just because everybody else. I have the thing they don't have and they want it.

Cristina: Yeah.

Jack: Never going to open it. Don't give a. He's going to put it somewhere and just tell people I own Beyonce's part. He's going to put it in a case, walk people into a Room.

Cristina: I think that's better than a super fan.

Jack: Yes, that's. This is the problem. A super fan is going to enjoy it way more.

Cristina: Yes.

Jack: One time.

Cristina: Yes. They're going to perfume themselves with that fire.

Jack: They're going to jerk off to it. They're going to sniff the crap out of it. They're going to stick that bottle in all their holes. They're going to do all the up with thing.

Cristina: They're gonna put water in it, in the glass so far and then freeze it and then take it out.

Jack: No, if you put water in it, the. They'll empty out. They can't.

Cristina: They can't. They have to put that fart.

Jack: Well, they have to put the bottle in there as it is and hope that the fart can freeze. It just needs to get so cold that the fart falls to the bottom and it's frozen somehow. And then they can extract it. Coin of Beyonce's collected frozen fart. And then they could just eat it or whatever they're gonna do, you know, whatever the.

Cristina: If there's a rose petal in there, maybe it'll like stick to the rose petal and then they can eat that.

Jack: So that like, they could save a part of it if they wanted. Man, that's f***** up.

Cristina: But the rose petal brings its own scent.

Jack: What we need. Yeah, exactly. So we need to find something also. Like, is she.

Cristina: Consider.

Jack: How is she bottling her farts? This is another problem because I think she's scamming these people.

Cristina: But she actually did the diet. No, she went to the hospital.

Jack: Look, I. I think she's maybe inadvertently scamming them. How is she capturing the farts, bro? I guess it's not really that complicated. She could just. Her a** has to be bare and then she has to put plastic surrounding her b*******, particularly far into like a bag. But then she can close. Hot pinch off.

Cristina: Yeah.

Jack: So it's trapped in there. Then she connects the bottle to the end where her a** was previously attached to the bag. And then she squeezes the bag a little, thus putting the. The. The fart a little. A little bit of the fart into the bottle. And then closing the bottle with.

Cristina: I don't understand.

Jack: So there's a couple of things. That bottle, she needs something that. Like a. Like a sponge of some sort. So that that sponge can really like, sort of retain the. The. The palpable fart aroma.

Cristina: Then why would.

Jack: In the bottle, you want something that's going to hold it but doesn't have its own sun that's why the rose petals are stupid.

Cristina: Yeah, but I don't think she was thinking about it.

Jack: This is why. I mean, she probably just, like, farted.

Cristina: Into the air and tried to catch.

Jack: It and bottled it. I'm telling you, systems that she did not consider in order to optimize how to best give the highest quality so that later she can raise her prices. She's not thinking.

Cristina: No, but it doesn't matter. Like, she ended up hospitalized, so.

Jack: Did she die, though?

Cristina: No, no.

Jack: Did she even waste half of her money that she made in this process?

Cristina: Probably not.

Jack: Yeah. So she's good.

Cristina: Do you think she should start again?

Jack: No, know I'm saying, like, she made her return. Who cares if she went to the hospital? She. She knows she made money and she.

Cristina: Can find the next weird kinky thing to sell.

Jack: No, I think she. She definitely has the thing here.

Cristina: You think she. She should go back to it then? Yeah.

Jack: She just needs to figure out how to keep herself with. With nutrients in her body. She needs to have nutrients in her body.

Cristina: She should stop worrying about having stingy parts. Like, it should just be fine. Farts, whether it's stinky or not.

Jack: Well, the kink part is probably what gets a lot of that money in there.

Cristina: And it needs to be stinky.

Jack: Yeah.

Cristina: Okay.

Jack: They want to be like, oh, yeah, there's something good here. Oh, yeah. They want to smell it. Oh, yeah. Feels it's her.

Cristina: It's her fart, maybe not farts. What about, like, sweaty socks or something like that stinks.

Jack: Yeah, people do that. That's too. And you can just wear that. And it's a literal item you can hold.

Cristina: Yeah. There's easier ways to sell more.

Jack: I think it would actually. Because feet and people.

Cristina: Yeah, people like feet.

Jack: Yeah. Yeah. Yeah. I think. I think sweaty socks probably makes more money.

Cristina: Yeah.

Jack: And it's way easier. You could buy packs of hundreds of.

Cristina: Socks you can wear multiple at a time.

Jack: Well, no, you want to optimize it. You just do a day. I mean, I guess you do. You just work out a lot.

Cristina: Yeah, that's what I was saying. Like, you go to the gym, you put on five pairs.

Jack: No, no, not even look, you. I mean, I guess some people are just gonna get weaker socks than others because whatever sock is farthest from your foot is going to be the weakest sock. It's gonna smell the least. It's gonna have the least amount of sweat.

Cristina: Then you reuse those as the first sock.

Jack: Then you can just wear one at a time.

Cristina: Yeah.

Jack: So the idea here Would be you would just turn your life into a series of being healthy activities. Hiking and exercising and whatever. And you're always wearing these socks. So you. Let's say you work out eight hours a day doing different kinds of workouts. And that's all you do. Not even ate at four hours a day. It every hour swap to a different pair of socks.

Cristina: And when you sell it, do you sell them as pairs?

Jack: No. I guess you would sell one. Why would you sell two? Let's say one. People are weird. Maybe they don't wear your socks. God, it's so weird. Anyways, so you. You go ahead and use. Yeah, I guess you do. So every hour. That's for a day. Without even counting the socks you'd wear throughout the rest of your day.

Cristina: Okay.

Jack: You also need to make shoes wears exclusively. Shoes that are so. That aren't breathable. No air gets in so that you get as sweaty as possible. You just customize your life for this. You buying? You look. Every one individual that pays has already covered the pair of their socks that you have bought. That is. So you're making crazy bank. If you buy. If every pair was a dollar and you sold the pair of socks for a thousand.

Cristina: Yeah.

Jack: You made them with 999 increase.

Cristina: Crazy. What's crazier though? Farts. Socks. You think there's something else?

Jack: There's something weird about farts more than socks somehow.

Cristina: That is so weird. I don't know why. I guess because it's not there. Like you can't even.

Jack: What about the bath water situation?

Cristina: That's pretty bad too.

Jack: Yeah.

Cristina: Is it worse than socks?

Jack: The fact that people drink in it?

Cristina: Oh, okay.

Jack: But this is. This is what makes me think about. I know people can be weird about that f****** fart or the socks. You know how many guys are gonna jerk off in that sock simply because it was on some chick's feet?

Cristina: So weird. But that Beyonce part, that would be crazy.

Jack: Also, let's be real. There's some money opportunities here just. Just for you to consider if you ever wanted to become filthy rich.

Cristina: Who, me?

Jack: Yeah.

Cristina: Oh.

Jack: Just being a female allows this to be quite easy for you.

Cristina: Mmm.

Jack: The logic is making only fans where they only see your feet ever. And then sell merchandise that has been on your feet for absurd amounts of money. It's very easy.

Cristina: My feet have to be attractive looking like this.

Jack: You just learn how to pose your feet.

Cristina: The end.

Jack: I guess it doesn't even matter. People like different things. You just take photos and the bright audience will find you that's crazy.

Cristina: And then you know what this lady did after that? She's still selling farts. Sort of. They're NFT farts.

Jack: She is. How is she?

Cristina: I don't know how it works.

Jack: So just let me just run by the technology she went from. I'm not considering this at all, too. I'm using innovative new world tech in order to design fart experiences in virtual reality.

Cristina: Yes.

Jack: So I have gone so far to the other side that I have scientists actively figuring out. Figuring out how to convey my farts into your senses through the new VR landscape that is happening. Soon. Soon you'll be able to buy her virtual farts. Virtual farts in the. What is the multiverse?

Cristina: The multiverse?

Jack: No, what is it called?

Cristina: It's not the multiverse.

Jack: No, the multiverse.

Cristina: That's not Facebook's word.

Jack: The metaverse. In the metaverse.

Cristina: Ah, okay. Yeah. You can buy her parts in the metaverse.

Jack: I mean, NFTs exist in the metaverse, so you're gonna. You can already do the f****** thing.

Cristina: Yeah. I don't understand. Like, is it gonna be a picture? I don't know.

Jack: This is what I'm saying.

Cristina: She's.

Jack: She's innovating. It. It's an nft. It's a digital nft. So you forever preserve her fart and can smell it for the rest of eternity. And only they can prove the real smell is this. You know, somehow it's trace. Somehow you can trace this smell to the original owner.

Cristina: Complicated. NFT is confusing enough already.

Jack: She's figured it out, bro.

Cristina: She is made a smell. That's ridiculous.

Jack: 200,000. All she did was reinvest in herself. She paid one scientist 200,000. It's like with these $200,000, you better figure out how I can preserv my farts forever and everybody can buy them.

Cristina: And own the same fart anymore. Because she doesn't own that far. Or every time she.

Jack: No, she makes a new fart, she can keep making new farts and selling them at the original bidder. She doesn't have the original bid. You know, she doesn't have to worry about it. She just keeps making bank every time somebody new pays for that.

Cristina: Oh. Because every fight fart is unique. Every fart is unique.

Jack: Every fart, every scent, every, you know, every fart procedurally generated.

Cristina: Ah, so ridiculous.

Jack: Yeah, yeah, yeah. She's. She heard us. And then immediately got to work so that by the end of the same story, you'd land at her already having figured out the problem. She Thought about this.

Cristina: She's a genius. She's a genius, man. That is ridiculous. There's also another ridiculous story. Is this man dressed up as an old lady in a wheelchair to go into a museum where the Mona Lisa is, wherever that place is, and he threw a cake at it.

Jack: Did it land?

Cristina: I think so. I don't know.

Jack: Is he in prison?

Cristina: Probably, yes. He did it, though. Why did he do it? He did it for the world. He said, think of the world. There are people who are destroying the Earth.

Jack: Is so. All right. To summarize, to reiterate, in other words.

Cristina: Yes. He said artists. Artists tell you, think of the Earth. That's why I did it.

Jack: He thinks the Mona Lisa is responsible for something. He thinks the Mona Lisa is ignoring the problem. Okay, wait. Right. So worry about the planet.

Cristina: Who is telling. He's telling her.

Jack: He's so angry at her. What does she do? Why isn't she worried about global warming and stuff?

Cristina: Exactly. So he was sent to a psychiatric unit.

Jack: Okay. Yeah, the nuts. That's fair. That's fair. He was very angry at the Mona Lisa because of what's happening to the world.

Cristina: Yes.

Jack: Okay, okay. Let's take a look.

Cristina: That makes the story. Mike.

Jack: Maybe he has no. Like, you know, just let's. Let's just assume he's not f****** crazy. And maybe it's just a weird situation that we're not understanding. And to him it made perfect sense. Maybe this would make sense. So how do I think it makes sense? Perhaps this guy has no idea what that painting is about, and he has no idea how old the painting is. Maybe he just knows that's a famous painting. And maybe he thinks it's a painting of a person who's actively, currently, right now, famous. Like alive. They're just an old person. Live.

Cristina: Right?

Jack: So he has no idea. And so he thinks that the world is here. Oh, man. Every time I see this museum, everybody's in there. They're looking at the celebrity. They're always looking at the celebrity. And there's so much suffering in the world. Then this thing that Ukraine happens and whatever, and he's this aggravated that I don't even see this person show up on tv. I've seen the painting a million times. I know what they would look like if they showed up on TV talking about the issues. But they're always, at least enough that people come back regularly to look at a picture of them. So why aren't they talking? And he just had it. And one day he's like this stupid b**** I've never seen in my life. F*** you. Here's a cake. You should be worried, you horrible person who's just so vain that people just look at you and he thinks that's a person who's live right now.

Cristina: There's no way. Because then why would they take him to where they took him if they. He thought that. Because that's kind of reasonable. If he thought that was a real person.

Jack: I guess they don't know this story.

Cristina: Oh, okay.

Jack: They're just like, he threw a cake and screamed, it's your fault.

Cristina: He didn't just throw a cake. He walked in there. Not walked in. He was in a wheelchair. He rolled in there with a woman's wig on.

Jack: Okay, yes. I forgot you said that part. I feel like I stroked out.

Cristina: You pretended to be an old lady.

Jack: I feel like I stroked out immediately after you said that and blocked that whole part out and only remembered that this man threw a cake at it and tried to reason that mess out. But no, he walked in there.

Cristina: He wheeled in there, Wheeled in, rolled in there. He rolled in there in a wheelchair with a wig on, pretending to be an old lady.

Jack: Hold up, hold up, hold up, hold up, hold up, hold up.

Cristina: He's not old. He's like.

Jack: Hold on. 36. Did he need the wheelchair either? Like, was the fact that he was in a wheelchair because he didn't require the wheelchair and so he was. It was weird that he was on one or was the wheelchaired fellow wearing a wig?

Cristina: I'm not sure, actually. So it could have been just a wheelchair.

Jack: Like, it's. Is it a guy who already has things wrong with him?

Cristina: I don't know. I like to imagine that. No, no, he was like. He was a normal dude.

Jack: Same as the wig. The wheelchair just did.

Cristina: Not prop.

Jack: Yeah, it was just. How funny if I went in there.

Cristina: But I don't know. Like, how would you do it, though, if you. If the wheelchair is not normal, how did you woo yourself in there normally? I mean, I guess it's not a hard thing to use. Yeah, yeah, yeah. But you're also pretending to be old lady.

Jack: Is he pretending to be an old lady or did he look obviously like a man with a wig?

Cristina: I don't know. They described it that he disguised as an old woman, so there must have been someone convinced.

Jack: No, no, no.

Cristina: This wasn't a.

Jack: It doesn't mean that disguise was by any means. Couldn't.

Cristina: Okay.

Jack: It could have just been that this guy wore a wig. I guess I would have just said it. That Way, Right?

Cristina: Yeah.

Jack: A man in a woman's wig or whatever.

Cristina: Yeah. It could have just been a guy in a wig. Like, why would they say old lady? He must have been trying to be an old lady.

Jack: No. Yeah, Fair. That's fair. You're totally reasonable. He was definitely. No, I mean, he could still be trying to be an old lady and look like a dude. Yes, but I'm saying, like. No, he had to be at least convincing because it would have just said.

Cristina: A guy in a wig.

Jack: A guy in a wig. No, the fact that it was a disguise.

Cristina: Yeah.

Jack: Means that he was. It was a lab.

Cristina: And the wheelchair. Like, if he wasn't already disabled. Like, they would just say a disabled guy with a wig.

Jack: No, I don't feel they would have addressed it at all.

Cristina: Oh, okay.

Jack: Or they would have tried to be casual about it. Like the. A man wearing, you know, disguised as a woman, wheeled himself into. So that they just brush over the fact that he's in a wheelchair as opposed to making a point of it.

Cristina: Oh, okay.

Jack: You know, because it's not important to the story. But they can still inform us about the guy he wheeled himself into.

Cristina: Yes, but no, he disguised himself as a lady.

Jack: Yeah.

Cristina: That's pretty crazy. And you said you mentioned the volcano earlier, right?

Jack: Yeah. To throw the goats in.

Cristina: There was a story where a guy almost fell down a volcano. A young guy. He was trying to take a selfie, probably, and his phone dropped into the volcano. So he was like, let me go get that.

Jack: Let me go down into the volcano and get my phone.

Cristina: Yes.

Jack: I mean, look, movies and video games have people going into a volcano, but it makes sense because the volcano is just a mountain with a hole that gold that goes to the center of Earth. But, like, it's still a mountain. So there's holes here and there where you just climb down. Usually the big hole in the middle. And if it's not an active volcano, it's dormant. There's a lot of, like, dryness there that you could just. It's just a hole. You could go into the hole and it's rocky. It's not just a straight hole. Straight down is this.

Cristina: He's not been near that hole. There's probably giant, like, signs everywhere saying, don't be here. This is a restricted area. This is dangerous.

Jack: Probably or probably not? Depends. If it's just a dead volcano, it doesn't matter.

Cristina: Well, yes, but there was signs, I think. Yeah, there was still, like, you shouldn't be there type of thing.

Jack: Like, don't climb into the center of the Earth. It might be a problem.

Cristina: This is not a tourist spot.

Jack: I wonder, man. Like, could we, in theory, just keep climbing? Why do we need to dig all the way down? Couldn't we just walk down?

Cristina: Walk down what?

Jack: A volcano? Into the center. Where's the lava coming from? It comes from the center. Not literally the center, but, you know, like way in there.

Cristina: People die, don't they?

Jack: Yeah, but then if we already can't just go through the holes that already exist, we're like, well, if we dig far enough, we'll be able to, like, unless we. So the goal of digging deep enough is it because we know how far in lava would be, so we could stop before then and then explore that area. That would be the only logic.

Cristina: If we did what?

Jack: Again, dig deep enough into the Earth, knowing where lava begins and stopping right before we get there so that we can explore the deepest depth. Depth.

Cristina: Without hitting lava.

Jack: Without hitting lava. Also, this is some kind of a movie where they somehow made a ship that could withstand lava.

Cristina: What?

Jack: Because they had to go to the center of the Earth in a ship. In a ship.

Cristina: Into lava.

Jack: Into lava. And in the center of the Earth, they were gonna detonate nukes.

Cristina: Wait, if you're talking about King Kong, they were in a spaceship or something.

Jack: It's called the core.

Cristina: Oh.

Jack: It's a movie about a group of scientists, space scientists, astronauts making a ship. Well, no, I'm sure a submarine made the ship. It's kind of like an excavator of some sort that digs, but it looks like a train or something.

Cristina: Okay, that makes more sense than a boat. Yeah, I guess.

Jack: And so they get in this ship. Yeah. Or. Or thing, this pod. It's like a train. Whatever. They get in the thing.

Cristina: Yes.

Jack: And they dive in it. It. It has lasers or. Or something that's shooting in front of it and digging.

Cristina: This sounds ridiculous.

Jack: As they're going through.

Cristina: Okay.

Jack: And so as you're. As you're going through, the idea is to go to the center of the Earth and like, jump start Earth because it stopped and its magnetic field is about to fade away. Or some. Or maybe that's not the plot. Maybe it's like the. The Earth's heat is escap. To jump start the Earth from the center is the point.

Cristina: Yeah.

Jack: To save Earth. And then they got to escape. None of this matters. I'm just giving you a simple. The point is they somehow built a ship that could withstand being in lava.

Cristina: Did they explain it or was it like magic? Movie magic.

Jack: They probably explained it. But I'm sure if you thought about the explanation, like physics doesn't apply really. They just said a bunch of big words so the. That people who know, like the commoner doesn't know what the f*** they're talking about. So you're just gonna be like, oh yeah, the digamajugi does the whatever. Mabob.

Cristina: Yes.

Jack: And so we're just like, yeah, totally. But like a scientist would be like, what? This is mad gibberish.

Cristina: This is. Yeah, probably.

Jack: Yeah, it's probably how it happened.

Cristina: King Kong, though. When they go to the center of the Earth, it's another world.

Jack: With the sky.

Cristina: Yeah, with the sky. What?

Jack: That sky is underneath us. Yeah.

Cristina: Or inside us. Not underneath or I guess both is. Right.

Jack: Well, here's a way to screw your mind up. If everything repeats in every direction and everything is visibly equal in every direction, why wouldn't there be a sky beneath us? And we're seeing a sky, but we're also like the sky we're seeing is within a dome and somebody standing on the other side of that dome with their own sky and this just repeats infinitely. Like, why wouldn't it?

Cristina: Weird.

Jack: It checks out according to what it seems reality is.

Cristina: Sure, that could work.

Jack: Yeah. So as crazy as it is, also like, seems like a. Like a coin flip away, I guess.

Cristina: But I hope our center of the earth does have. What was in there. Godzilla? King Kong?

Jack: Both.

Cristina: Both. No, King Kong comes from somewhere on earth. On top of Earth, I guess, whatever. On a random island.

Jack: Isn't Godzilla also just some sort of experiment gone wrong?

Cristina: Yes, actually. Yes. Okay. I don't know. What's the explanation?

Jack: Yeah, I don't know which one of these f****** came from the other side or is.

Cristina: Or both of them did.

Jack: No, that's where the evil robot making people are, right? That's where they made the evil robot in the center. I don't f******. Whatever.

Cristina: I didn't see this movie.

Jack: Neither did I. I'm just guessing at this point.

Cristina: Yes.

Jack: Look, the point is everybody should watch King Kong vs Godzilla. Because it was a great movie.

Cristina: We should watch it and then talk about it.

Jack: Oh, s***. I like that. We should totally. And then we'll come and report.

Cristina: Yeah, maybe.

Jack: Maybe we can do like those shows and we'll have a whole episode just dedicated to unpacking Godzilla versus King Kong.

Cristina: I wonder how much is there to actually unpack.

Jack: Man, I'll turn this into homework. I'll take notes and everything we'll have. We can have a full conversation about King Kong. Versus Godzilla.

Cristina: All right, we'll do that. Yes, yes, let's do that. Well, anyway, this guy who fell in the volcano survived.

Jack: Yeah. Because there's probably no lava on the volcano. It's just he fell and I don't. He probably just came back and told people in town, hey, guys, I fell into the volcano and came out, hey.

Cristina: There was another guy who fell into that same crater and he died.

Jack: It's probably because he hit his head on the way down.

Cristina: And then another. A child fell in and fell into boiling mud. And then his parents tried to save him, and then all three of them died.

Jack: How does anybody know this happened?

Cristina: They find the bodies? I don't know. I don't know. There's someone's job to clean out the volcano from the dead bodies of the people. Like, they just know people are gonna fall in there.

Jack: So, like, the news quickly breaks down when you think about it. Right. Like, where coming from. If people. If everybody who experiences this diet.

Cristina: Yes.

Jack: Who's coming back to tell us?

Cristina: They have to. I guess people. No, the people who are like, hey, my. My parents disappeared. Where are they?

Jack: And they went up to the volcano. I know.

Cristina: Like, yes. Or that area.

Jack: No, not even. So how. What's the order of. They can't do anything.

Cristina: What?

Jack: Because they would also die trying to get to these people.

Cristina: Yes.

Jack: So how do you know the order of events?

Cristina: That would have to be the order.

Jack: No. Why. Why couldn't they all have just fallen in?

Cristina: Oh, yeah, they could have. No, I mean, like, someone told.

Jack: No, no, no. I'm sure somebody found out. How do they know the details of how it happened? This person fell in first. People trying to get him out. Out. Fell into. How do you know they didn't all just jump in? Like, hey, boiling mud party, guys, you know, like, how do we know this isn't another guy's situation where they're like, you know what I'm thinking? Into the bushes.

Cristina: Yeah.

Jack: Into the bushes.

Cristina: Yeah. I don't know. Because of how their bodies looked, I guess would tell them everything.

Jack: No, no. It's like squirm and scream and die. You changed your position. Just jump in and freeze.

Cristina: I don't know. Maybe someone was tape recording this specific family. Maybe there was a fourth member who was like, nah.

Jack: And he's back and he's like, you guys would have believed what I just saw. You think I'm crazy, but all my family just jumped into sound like, I did this. Please don't take me to jail, but my family. Okay. Oh, my God. Cops. Cops. I'm horrified. I'm horrified. Look, I didn't do anything. I did not do anything.

Cristina: I feel like that's suspicious already.

Jack: How do you get my. My God. No, you. How do you.

Cristina: Yeah, look straight out.

Jack: Say it, my fam. Oh, my God, My family just jumped into the volcano. Oh, my God, My family just jumped into the volcano. My little brother fell in. Yeah, I guess, I guess. No, it checks out. Checks out. You panic. Oh, my God. My little brother fell in and then my parents tried to get him and it fell in and then everybody was screaming and I couldn't do it. Oh, my God.

Cristina: Oh my God, I couldn't do it.

Jack: That's so. Okay, yeah, if it checks out, I could see that.

Cristina: That totally checks out.

Jack: Yeah, yeah. It would just be panic. You cuz this too premeditated. If you're like, I didn't do it.

Cristina: Exactly.

Jack: Even if you didn't, you began way suspicious.

Cristina: Yeah. Yes. Even if you did nothing, because they're definitely gonna. Like, even in the moment, they might think about it, but they'll have that recording. Yeah.

Jack: They're gonna be like, man, how weird that this person immediately began with a disclosure of their innocence.

Cristina: Yeah, that's really sus.

Jack: That's super sus. Yeah, yeah, yeah, yeah, yeah.

Cristina: Crazy.

Jack: But you see how innocent I am. I would. I would 100% begin like that and be like, guys, I totally didn't do anything, but. And I. Innocent. I know this guy is innocent. I'm making him up as I go. I know factually he's innocent. Yeah. And I'm still like, hey, guys, I didn't do anything, but look like there's nothing more suspicious. Dude, I didn't think you did anything until right now.

Cristina: Yes.

Jack: I didn't even know anything happened until you told me. You didn't do the thing that. That I didn't know existed.

Cristina: Yeah.

Jack: So, like, now I only associate the thing that happened with the potential that maybe you were involved.

Cristina: Like, real crime that's happened. Like when you find out the kid killed the parents or whatever. That's always how it is. Like, I didn't do anything. I just walked home and my parents were dead or whatever the story is.

Jack: Yeah, they were like this when I found them.

Cristina: Yes, yes. Or the husband's like, oh, I just stumbled. Like my wife fell down the stairs or something. I didn't do anything. Like oj.

Jack: Oj like, no, I came in, it was like this.

Cristina: Yeah.

Jack: They don't know. OJ didn't even call the cops right Somebody else had to find a body.

Cristina: He was probably, I don't know. He definitely did it though, right?

Jack: Like, I don't. Allegedly. I don't know, man. I was, I didn't solve this crime.

Cristina: But look, they all based it on a dumb glove.

Jack: Like according, I don't know because. According to who? Right? Like media. Media says the people, the lawyers I've never met because of the research. They didn't do that some cops did, that they didn't meet. They're just trusting that these people do their job really well, but that these people are getting underfunded any and they don't have the resources. All cops are like, we're underpaid. This person's probably stressed. Who did the entire, you know this, the CSI people who went in and did the investigation. This guy was stressed as. We don't know, bro.

Cristina: Have we watched him try to put the glove on his face?

Jack: No. I remember it was all tiny and s***.

Cristina: But no, like, did you see him even really try? Like, did it look like he was trying to put the glove on?

Jack: Yeah.

Cristina: Really?

Jack: Yeah.

Cristina: Can I see you real quick?

Jack: Yeah.

Cristina: Okay. Why did they get him to put the gloves on on top of gloves?

Jack: The gloves that he already had on were leathix gloves. They wouldn't create any real large barrier between his hand and the other gloves.

Cristina: Oh, okay. Yeah, it's very strange.

Jack: It's so that he doesn't get the, the gloves, he doesn't get his fingerprints on them, he doesn't touch them, none of his body oils or anything get on the gloves so that later they could be like, oh, we found this bullshit on here.

Cristina: Why didn't they just buy new gloves?

Jack: No, it has to be the same gloves that were at the crime scene. It's the gloves that the crime was committed with.

Cristina: Oh, okay.

Jack: So you have to try them on to prove whether he could fit the gloves or not that were found at the crime scene. I know factually those gloves were the things holding the murder weapons.

Cristina: Yes.

Jack: So if he couldn't fit them, he can prove his innocence. But if he could fit them, well, even if he couldn't prove his guilt, you would have one more piece of innocent, one more piece of evidence against him.

Cristina: Yeah.

Jack: To made sense to do that.

Cristina: Interesting and strange. It's just so strange to have that as an evidence to watch him put gloves on.

Jack: I mean, the same thing would apply with like, if we knew for a fact the exact shoes that were at a crime scene.

Cristina: Oh, and have the person try them. Wrong.

Jack: Yeah, they would have to try the shoes on. If they fit perfectly.

Cristina: Yeah.

Jack: Okay. You know. Yeah, this is the same idea.

Cristina: That's interesting.

Jack: Well, look, we're running out of time, right? So to summarize the things we've learned today. Actually, f*** summarizing the things we've learned today. Basically, we need to get you to take a bunch of photos of your feet, put them on an onlyfans, and I suppose advertise your feet also on Twitter so that people then go to your onlyfans for essentially the same photos, except they're giving you money for it this time.

Cristina: Okay.

Jack: And we're gonna have you wear different socks on and sell the photos. But one lucky individual gets to buy whatever socks are in said photos, and they'll buy those for thousands.

Cristina: Why? Because we should fart on them.

Jack: Yeah, we should. You should fart on your. On your sweaty workout socks.

Cristina: Yes.

Jack: We're gonna make it. I'm your manager here.

Cristina: We'll make a killing out of socks that were fart socks.

Jack: That's gonna be our business. We're just gonna call it sweaty fart.

Cristina: Socks to sell to people who have goats. Their goats will love it.

Jack: Sweaty fart socks, man. D***. This is gonna be great. We're gonna be rich. Does not feel like appropriate merchandise for this show. How would we even make that happen? It would be impossible. We'd need to hire people.

Cristina: We need to hire people so then.

Jack: Walk around in the sock so that we can have a lot of merchandise for the floods of people who would be buying all the socks.

Cristina: Okay, so wouldn't. Why would they want just random people?

Jack: Because they want smelly socks, period.

Cristina: Oh, okay. It's just about now selling.

Jack: Yeah.

Cristina: We need to.

Jack: We need to mass produce these socks so we can make a killing.

Cristina: All right.

Jack: I'm thinking about big money.

Cristina: Yes.

Jack: Not like, not small family owned business.

Cristina: But do they need to know who wore the socks?

Jack: No, no, no. This. Screw this home owned, family owned business sock bullshit. We're trying to be like Walmart. We squeeze out these little bottle farting b****** and these stupid sock selling jackasses and we're gonna have a f****** enterprise. I am in the empire business.

Cristina: Farty socks. Farty sweaty socks.

Jack: Sweaty fart socks.

Cristina: Sweaty fart socks. Okay?

Jack: That's all that matters in the world. Sweaty fart socks.

Cristina: Yes. Let us know if you would be into some sweaty fart socks.

Jack: Everybody wants the sweaty fart socks.

Cristina: Mm. Mm.

Jack: Look, if you guys want to keep. You want to. You want to follow, you want to understand and follow this Journey as this business, this new startup we're about to launch, starts to take form. If you guys want to be in on the ground floor of sweaty fart socks, you can follow our socials, where we'll be putting all that information at Twitter, Instagram and tick tock at just come of a pod, you know.

Cristina: Yes. Remember to subscribe, rate, and review the show.

Jack: Yes. That's how you're gonna find out. And let us know that you are ready for this new venture, the new direction we're taking this show in.

Cristina: Yeah. And let someone who might like this show know about it.

Jack: Also send us a comment. Do you want sweaty fart socks?

Cristina: Yes. Tell us. Like, look, tell your friends that you know would be into it and tell them to tell us.

Jack: Y. Oh, yeah, that's totally. Makes sense. So word of mouth, you know, look, if you want us to make a.

Cristina: Fortune, would they want us?

Jack: Or if you want sweaty fart socks. Look, look, the point of the sweaty fart socks are on the table now.

Cristina: Yes.

Jack: It's. It's a joke and we're kidding. Unless somebody's like, but I'll pay for it.

Cristina: Yeah.

Jack: And then I'll be like, hey, hey, you want to come? We need to talk. Look, there's a money offer.

Cristina: Yeah.

Jack: So this is a reality now. We're going to get. Get paid for your sweaty fart socks.

Cristina: Of course. Of course. This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. Okay.

Jack: Penguins are the troops. They are quick mobility in arctic conditions, and they survive the arctic conditions quite effectively. They can swim. They can walk. There's quite an abundance of them surrounding the entirety, making sure nobody crosses the Arctic wall without a pass. And. And on top of all that, they leave and can get quickly to the overlords and inform them if somebody did make it over.

Cristina: Oh, okay. What? They, like, quickly walk because they're not very.

Jack: They can swim.

Cristina: Oh, yeah, they're swimming. Okay. Why can't they fly? Why not make them to be able to fly like that?

Jack: It's already cold. Why would you put them higher up where there's less ability to stay warm?

Cristina: Because they're not living things. Or are they? Also, they're live. They're alive.

Jack: Yes.

Cristina: They're man made, but they're living creatures.

Jack: Yeah.

Cristina: Okay.

Jack: It's what you get when you merge something like, I don't know, like, what's a really fuzzy short thing?

Cristina: Hamster.

Jack: Insignificantly tiny things. It's a chimera of sorts. Who cares what things emerge? It's a chimera of sorts.

Cristina: Yeah.

Jack: Then part human, actually.

Cristina: Part. Oh, my gosh.

Jack: Yeah, but these are people who signed up for it.

Cristina: Part human, part robot. Is that what's happening?

Jack: No.

Cristina: No. Oh, okay.

Jack: It's all biological. It needs to be able to survive in the Arctic. They can't be delivering batteries and s*** out to the middle of West Bubba. The resources wasted would be absurd.

Cristina: I don't know. I thought they were, like, sun powered or something.

Jack: That would make total sense considering how few trees there are outside there.

Cristina: Yeah. So. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and Published by Great Thoughts.info Art by Zero Lupo and logo by Seth McAllister, with social media managed by Amber Black.

Rambling 193: Words and Stuff

Who decided what words mean? Why do those people have the right? Why is communication so difficult? And how come strangers want to flash us instead of talking to us? The duo unpack language and all its quirky little features relative to today’s society!

+Episode Details

Topics Discussed:

  • Chatroulette
  • The Internet
  • The Rules of English
  • How Language Works
  • Webster’s Dictionary
  • Urban Dictionary
  • Amnesia
  • Multiple Personalities
  • Anime Tropes
  • Soap Operas
  • Perfect Communication

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in five, four.

Cristina: What does live mean? Welcome to the Rambling Podcast. I'm your host, Christina.

Jack: And I'm your host, Jack.

Cristina: And this is the show where we ground humanity's most absurd and baffling ideas.

Jack: Yes. All thinky and whatnot.

Cristina: All thinky?

Jack: Yeah. Cuz words.

Cristina: Cuz words? Yes.

Jack: I mean, right. Who. Okay, who's gonna tell me thinky isn't a thing? If I said thinky, you. You'd know exactly what I meant. No, think by thinky. If I were to say, like you could just use. English is so intelligent. Context clues. Gives you all the information you need to know. So I'm like, man, that puzzle's real thinky and I can't solve it. You know what I mean?

Cristina: I sort of.

Jack: Yeah, like you can assume, you can assert, you can figure it out. It's there. That's. That's.

Cristina: It's really all it takes.

Jack: That's really all it takes. So who says thinky isn't a thing? If I can convey a thought with thinky and you can catch that thought, then it. It served its purpose. It worked.

Cristina: It worked. Yeah.

Jack: The purpose of language is just communication. And the purpose of communication is to try to convey to you the thought and feeling that I have for the thought, I guess the same time, as accurately as possible. And that's like trying to calculate something's position and its speed at the same time or some s***, you know?

Cristina: But this is all things inside of you that you're trying to pull out.

Jack: Yes, that's. Well, that's the purpose of communication. Communication is to just convey that thought. And your opinion on the thought, I suppose, to make them feel. But we can't do it. A hundred percent impossible. But that's the purpose of it. And if thinky can do that, then it's a word just as much as any other word because it served to communicate something super exact. So who's to tell me the thinky isn't.

Cristina: I guess, right? Yeah, it works.

Jack: Cuz it just. That's how Cuz words.

Cristina: Cuz the words.

Jack: Definitely words. Tell me. No cuz words. No. You got to come and fight me. You got. You got to convince me. No.

Cristina: No to thinking.

Jack: No to cuz words. Oh, I can make any word work, but in theory, anything could be. That's how slang happens, right?

Cristina: Yes, exactly. How slinky happened.

Jack: Yeah. Like slang is just random s*** that people. It's. Slang is to a cult what language is To a church. Okay, so both slang and a cult are way small. Small groups of people, local, while language and a church. Well, you're only a church, not a cult, because you've been around a while.

Cristina: Oh, okay.

Jack: When the word has been around a while and it's so common that the majority has it, it's no longer slang. It's just commonplace. Yeah. It's just a church.

Cristina: Because the dictionary is. I guess the church and little words are just.

Jack: That's crazy. Who decided, dude?

Cristina: Who? Who?

Jack: Okay, first of all, which dictionary is the one that's God?

Cristina: I don't know.

Jack: Is it Webster? Why do I feel like it's Webster?

Cristina: There's like, a bunch, though, aren't there?

Jack: There's totally a bunch of different dictionaries.

Cristina: That's the one.

Jack: You know, though, which of the dictionaries is the one that all the other ones are just following behind? Is it Webster?

Cristina: I don't know.

Jack: Is that way. That's like the big kahuna.

Cristina: Is that like, just a person who's in love with words? Like, I mean, the original dictionary? I guess.

Jack: What is. What the f*** is happening there? Because think about this. They're just. They're choosing this. Is it a team of people who. I. Why do they get to choose which word is a word? It's just. That's weird, bro.

Cristina: I use Dictionary.com. they're full of words.

Jack: Yes, but why is Urban Dictionary considered less legitimate than, like, Webster Urban Dictionary, huh? You get my point? This is what my thought is saying, like, why is Webster the thing like, Urban Dictionary is just, like, those are real words that you can communicate. Yes. A bunch of troll s*** is written in there, and just people being a*******. I get it. But a bunch of that s*** is actual real words that people use as well.

Cristina: It's really hard to find, though. Like, you can't just go into Urban Dictionary and find the word, like, randomly. Like, you would just get the troll words. It's hard unless you know of the word you're looking for, I guess.

Jack: Yeah. That's the whole point, Right? Like, you want to find the definition of something you heard.

Cristina: Oh, okay.

Jack: That's what a dictionary is for. I mean, I guess some people discover words in a dictionary.

Cristina: Yeah, but what if you want to discover words like, how do you know in at least in that dictionary?

Jack: Well, that's probably not the best dictionary. That's the same like Wikipedia, which is just an encyclopedia of all things.

Cristina: Mm.

Jack: That, like, because of the amount of incorrect information in it, it's useless like, no, that's incorrect.

Cristina: Mmm.

Jack: You know, it's astoundingly useful. It's a shortcut to general information that's mostly reliable, and it's a good starting point for you to do other research to confirm and get real data.

Cristina: Mm.

Jack: Fantastic.

Cristina: That is fantastic.

Jack: I feel like Urban Dictionary is that.

Cristina: It's.

Jack: It's that for words.

Cristina: Yeah. Yeah.

Jack: It's like, you can. It's not the best place to, like, go find a new word. We can find the new word if you wanted to. And that's like, a good place to at least start and then look for other definitions of the word.

Cristina: Yes.

Jack: She can still learn, I guess.

Cristina: Just a lot of it's so dumb. Like, a lot of it's just names. I don't know.

Jack: Yes. People just insulting other people. That's all it is.

Cristina: There's people insulting other people. They know.

Jack: That's.

Cristina: Whoa.

Jack: Yeah. That's like. It's crazy how that's like chat roulette. It's like the amount of dicks you'll come across here.

Cristina: Do people still use that?

Jack: Probably. There's probably a couple of variants of this. I know there are. I don't know your names, but I know factually, there's a couple of different variants.

Cristina: Like the one that starts with the. Oh, that's similar, right?

Jack: Omegle. Yes. I think that's the more popular one now. Chat Rulet is probably, like, the ancient one.

Cristina: How ancient?

Jack: I don't know.

Cristina: Ten years ago, maybe.

Jack: I guess. I guess. Because you got to think about it this way. We're talking, it exists on the Internet. Like, how f****** long ago could it have really been? Like, the Internet just kind of happened. So, like, anything big like that. Yeah. At best, I'll give it like, 15 years. It existed.

Cristina: Okay. That's a long time.

Jack: You know, Internet, so young. 15 years ago, you hit face. I met MySpace.

Cristina: Mm.

Jack: D***, you go back 15 years, you could hit MySpace. No, it might have been a little after MySpace, right?

Cristina: What, the shot? Whatever.

Jack: No, just 15 years ago.

Cristina: Oh, okay.

Jack: Is 15 years ago still after the death of MySpace?

Cristina: I don't know.

Jack: But yeah, Chat Roulette and Omegle is a popular one. I think Chat roulette's the other one. Yes.

Cristina: Were you on that?

Jack: I was on Chat roulette, yes. Mad dicks.

Cristina: Are you on Omegle?

Jack: No, I've casually jumped into Omegle. But there's also mad dicks also.

Cristina: I don't know if I'm saying that word right.

Jack: I don't. I Don't ever know if I'm. If I've never heard. I've. Okay. Like, I know I sound redundant to anybody listening because I've said this before, but if I don't. If I've never heard somebody say the word, I don't know if I'm saying it right.

Cristina: Yeah.

Jack: Like, if I only read it, like, how the f*** do I know?

Cristina: Yeah. I feel like that's how we see it. Like when people put videos on it on YouTube or something, like clips. You're just reading the title that says the word. I don't think the people actually say it while they're in the clips, because that would be weird. They're already, you know, they're doing the video. Do they say, I doubt it.

Jack: I don't know what you're talking about.

Cristina: If you're on. If you're watching a clip From Omegle on YouTube, like someone pranking someone else, they're not gonna say look at me on whatever that is. Omegle. Yeah, they're not gonna introduce the website. I mean, it's on the title. Unless they do. And I just don't remember the word that they're using to describe Omegle. Is it Omegle?

Jack: I think it's Omegle. How else would you say it? Okay, spell it out.

Cristina: Omogo.

Jack: O, M, O. Mugle. E. Omi.

Cristina: Omegle. I have no idea.

Jack: No, I think it would be Omegle.

Cristina: Omegle.

Jack: Omegle. I think it's Omegle.

Cristina: Yeah, maybe. It just sounds so weird. It's a weird word.

Jack: I think in order to change the sound of the E in a lot of circumstances, we need an H. Omegle.

Cristina: Like meh.

Jack: You know, it would be meh.

Cristina: Meh.

Jack: So otherwise it would be me.

Cristina: Okay, so it's probably omi.

Jack: What other sounds E do?

Cristina: Just me and me.

Jack: No, no, just anything followed by E and ending on E. How many sounds.

Cristina: Can we get ending with E?

Jack: Yes, Just things that end in E.

Cristina: It could sound like nothing. Like have ends with E. Oh, f***.

Jack: Name.

Cristina: Name.

Jack: That E is silent.

Cristina: Exactly. Ending with E is silent.

Jack: But that. That's weird because that E changed the M. Right. Instead of Nam, that M became some whole other s*** name. It actually changed. It affected the M and changed the A.

Cristina: Did it change the M? How did it affect the M?

Jack: I guess it didn't affect the M. It changed the A. Only.

Cristina: Yeah, yeah, that's how it works.

Jack: Changed the A from nam to name.

Cristina: Yeah, that's his job.

Jack: The E'S job. Right. So the E doesn't really change. The E is the changer.

Cristina: Yes.

Jack: I kind of dies because it ends a lot of words.

Cristina: Yeah. Changes a letter and then dies.

Jack: It becomes useless.

Cristina: Yeah.

Jack: Weird. And I know that's not, like, even a rule in English. This is a weird pattern that exists.

Cristina: That's definitely a rule in English.

Jack: That's a rule in English.

Cristina: Definitely.

Jack: Like, if we took a profound English class, it would teach us that for whatever reason, E affects a vowel before it.

Cristina: I feel like he learned that in, like, first grade or something.

Jack: Really?

Cristina: Yeah.

Jack: Vowels affect each other that way. No f****** way.

Cristina: Yeah. I feel like when they give you spelling bees and stuff like that, when they're trying to teach you how to.

Jack: Spell words, then I don't. What the f***? Then again, I don't remember my f******.

Cristina: You don't remember?

Jack: I don't remember anything.

Cristina: Because you're. You're one of those many characters that people make up online. Yeah.

Jack: Oh, for message board. Like RPGs.

Cristina: Yes. What do they have?

Jack: They all have amnesia.

Cristina: Exactly. Okay, there you go. Amnesia. You have amnesia.

Jack: Yeah. No, no, no. They all have amnesia. That's fascinating to me that that's so common, especially in those. Any kind of role playing scenario. And the anime world.

Cristina: And the anime world. The anime world filled with amnesia.

Jack: So much amnesia.

Cristina: So does dramas, soap operas, Soap operas love amnesia.

Jack: But soap operas don't just love amnesia. Soap operas have, like, super, like a Resident Evil game. There's just like a lot of s*** they're all gonna have.

Cristina: Yeah.

Jack: You know, like Resident Evil has the lab. That's always gonna happen as the rocket launcher that gets thrown at the end. It has the boss that always has to mutate into something bigger. You know, it has all these things that are always gonna happen. Two characters and you gotta split up for whatever reason. You know, always the same s***. And like, soap operas have, like, there's like an evil twin.

Cristina: Always.

Jack: Always. And there's always like the guy in the hospital that everybody, like, visits. She's in a coma sometimes. Yeah. I. Is it two people in a hospital because they go and visit the sick. Oh, no, because one is a sick dying person that's not in a hospital. That's like in a room somewhere in the attic or some, like the granny or some crap to old dying person. Yes. In bed. And then there's a person in the coma that's usually because of the evil brother or some s*** like that.

Cristina: Twin brother.

Jack: Yes. And then there's always the gun.

Cristina: Mm.

Jack: And they show It. And it's in, like a drawer or some s*** like that, you know?

Cristina: Yes. And there's always someone with amnesia.

Jack: There's always one with amnesia.

Cristina: Yeah. Makes sense.

Jack: But why is that in soap operas? And why is that in anime? And why is that such a role playing thing?

Cristina: There's something cool about it. Not cool. I don't know. Because you can.

Jack: It's lazy. It's lazy writing. You don't need an origin story. You're just like that.

Cristina: Or you have an origin story you just don't want to reveal right away.

Jack: Interesting. And you want.

Cristina: You want to build it up. Yeah, yeah.

Jack: Unravel it little by little.

Cristina: Because then it's going to be shocking when we know, oh, the guy with amnesia was, I don't know, a prince the whole time or whatever.

Jack: Yeah. Interesting. Interesting, man. I guess that is a shortcut to cool, but it goes back to lazy. It goes back to lazy because you're taking the shortcut no matter what. It's an easy way to just. Instead of being clever and coming up with a new way to do it.

Cristina: With a new way to reveal things without making a character either have amnesia or just be extremely mysterious.

Jack: Yes. No. The. Oh, my God. Amnesia isn't even the only thing. And it might be the less, the lesser of the two things.

Cristina: What's the.

Jack: Now that I think about it. Oh, no. Oh, no. It's the one with the two personalities.

Cristina: Oh.

Jack: That has way more common in all of the things we just talked about.

Cristina: The two personalities are crazy different. Like Jaco and Hyde.

Jack: Yes.

Cristina: Yes.

Jack: Banner and Hulk.

Cristina: Ah. It's everywhere.

Jack: It's everywhere. It's everywhere. You just think of Harley Quinn's two moods. Oh, man. It's everywhere.

Cristina: It is.

Jack: Yup.

Cristina: So do you have. You have amnesia? Do you also have the true personality thing? Are you also a character?

Jack: Yeah, man. I'm probably. Because you gotta understand. You gotta understand. The. The origin story is really complicated. It has N*** Germany and it has robot technology. There's ghosts involved. It's. It's a mess. There has to be, like, several different lives going on.

Cristina: Okay. Makes sense.

Jack: Yeah.

Cristina: That is too complicated. It's pretty complicated. We'll figure it out, though.

Jack: Yeah. Using words.

Cristina: Mm.

Jack: Because that really is how it works. Right? Just fascinated by just being able to say tricky.

Cristina: Tricky.

Jack: Yeah. Because it's not a word, but it kind of is.

Cristina: Tricky is a word.

Jack: Is that what I said before?

Cristina: Tricky, Thingy.

Jack: Thingy.

Cristina: Thinky.

Jack: Thinky, Thinky. Yes.

Cristina: Well, thingy is really a word that people use. That isn't a word.

Jack: Yeah. Actually, that's a better example. People probably use thinky as well. But thingy is definitely not a word. Or by now it probably is.

Cristina: It probably.

Jack: Is it probably in the God of dictionaries or whatever.

Cristina: Thingy.

Jack: Thingy.

Cristina: Mm. It's an awful word.

Jack: Now, who is the, like, OG word N***? Let's. Let's find out who that person is. A person or people or, like, who's choosing? I just want to know who's choosing.

Cristina: They're called lexographers and I'm looking up the word a writer, editor or compiler of a dictionary. And they don't add new words to the dictionary. That's not their job. They're not making up words. They're just seeing what words are being used by a lot of people.

Jack: So they do what's already. I guess they're collecting data. Yeah, yeah, they're collecting data. It's already how language works. So it's like whatever people decide is a. Whatever people are using as a word, they'll just record if it's popular enough.

Cristina: Yeah. It just has to be used by a lot of people. Used by those people largely in the same way. Like, it has to have the same meaning between these people.

Jack: Yeah. It can't be, like, completely radically different from one person to another.

Cristina: It's likely to stick around and it's used and it's useful for a general audience and that's all they need. And that's the word when that is already a word. But, you know, that goes in the dictionary.

Jack: Yeah, yeah, yeah.

Cristina: So that makes sense.

Jack: Yeah, it checks out, because I feel like that's the only way to do it. Right. You can never control how language works. But then the problem is, if it's only going to the majority at all times, the words that are used by the majority, then it completely ignores words used by minorities by default, by definition. So if the majority of a country, for example, who predominantly uses language, although I suppose they also might include words from England.

Cristina: What, in the dictionary?

Jack: Yes. Like in. Again, using Webster as the only one I know off the top of my head, which is why it's the one I'm suspicious of, because, like, how are you this overpowered that I know of a dictionary, but does Webster collect British words?

Cristina: I don't know. If they're a dictionary for English words, then I'm assuming no. Unless they're borrowed English words, which would be a lot of the words anyway.

Jack: Wait, British is English.

Cristina: Yeah, but, like. No, I know we use the same words. But I'm saying, like, they have words that we do not use.

Jack: Yes.

Cristina: Like they. You call the toilets something else. Or wait, they call it whatever they. You call the bathroom something else. Something like that.

Jack: Yeah, whatever.

Cristina: You know.

Jack: Not the point. Yeah. Yeah, but I know what you mean.

Cristina: Those words would not be in our dictionary.

Jack: Yeah. So they would, for a fact, not show up.

Cristina: I would think so.

Jack: Got you. Okay, okay, okay. Because that's.

Cristina: If it's a dictionary specifically for Americans, this is dictionary for English, then English is really complicated. And I don't know how.

Jack: Yeah. Because this is too many.

Cristina: It's too many. Yeah.

Jack: But I guess that would be the different definitions we see. Right. But also. Okay, yes. Here's the thing. We see different definitions for a word in a dictionary.

Cristina: Yes.

Jack: Which means they're not taking just one meaning for it anyways. They're already sort of giving you several of the meanings for the word.

Cristina: Yes. But those. It's probably because the meaning of the word changed over time. Like, it was very popular for this meaning once upon a time, and now it's this meaning, like. Or sometimes there are words that you would use differently. You use one word differently depending on the sentence. So I don't know.

Jack: Yes. But I still stand by. I think urban dictionary is probably the best tool for communication at the time.

Cristina: For the best communication.

Jack: The best tool for communication because you can understand sort of a more nuanced part of language. I guess you'd have to go through, like, if you were learning English and you wanted to just basic communication and get everything out.

Cristina: Mm.

Jack: You go through Webster. That's the kind of dry, you know, sit down at a desk kind of thing. But then, like, the jazz player is the urban dictionary, which is the. The nuanced kind of tasteful other things you could say.

Cristina: You just gotta be careful on what you pick, though.

Jack: Well, obviously. But I'm saying that the sort of. Its position relative to it is sort of that. Sort of. Kind of. Just the more loose kind of not boring.

Cristina: Yeah.

Jack: But like, you couldn't understand a lot of those things without going through Webster first.

Cristina: You need both, I guess.

Jack: Yeah, we definitely need one first. You don't necessarily need the other, but the other one will add.

Cristina: Definitely add. But they're both good to have. Because then you understand things that you probably wouldn't with urban. Like, I don't know who would be using that. Children. The urban dictionary, like, is that words just children are using. I don't know.

Jack: No, I think it's just all the words, all the Words. Words.

Cristina: Oh, okay.

Jack: Or all the popular words.

Cristina: All the popular words.

Jack: I don't know how popular word has to be in order to get there, though. It's just a. Has to be real popular. What the h*** do you mean by.

Cristina: Popular, then, in urban dictionary? I don't even think it needs to.

Jack: Be popular on Webster. Webster. Oh, like, let's think about this. If a town, a single town uses.

Cristina: The word, is that enough?

Jack: Is that enough? This just one town, small town, let's say 500 people in this town. Is that town qualified? Okay, so if no, then there's number. Right.

Cristina: But does it matter where it's at? Like, does it have to be a word spread out? Like, how do you determine? Like, maybe if the town has its own dictionary for some reason, then, yeah, it would be in there in their dictionary. That's how it works.

Jack: Yeah, I guess. I guess there's a general dictionary. Like, all these words, obviously, to everybody just mean this.

Cristina: Mm.

Jack: That's the first part. And then all these words are from where you're reading it.

Cristina: Yeah.

Jack: Or from where it was bought or from where it was originally made.

Cristina: Bought or originally made?

Jack: Yeah. Like, the area where it came from is essentially the region of earthworch came from.

Cristina: Would they have that in the dictionary? I wonder how it works, because we couldn't. We couldn't find how many people actually they need to say it's a word.

Jack: Yeah. I don't know. It's so vague. Right. So I don't. I don't understand. What number is it that they're using? And why do we allow certain things like this to exist where some of the information seems not even real?

Cristina: What do you mean?

Jack: Like, the number they're using to judge this, it's, like, not there. They're not sharing it, or they're intentionally keeping it away. And for whatever reason, nobody's questioning it.

Cristina: Because no one's gonna do that. Work themselves.

Jack: I guess that's work.

Cristina: Or I'm assuming it's a lot of work. Unless they're just making things up. That'd be crazy. If a word. No, because, like, if they try to make something up, someone will notice. There's no way you could just make up your own word, add it to the dictionary, and then no one's gonna question that.

Jack: You could say it's. I mean, if you're saying it's from a random other place, but they could look that up. Now they can.

Cristina: I don't know how they worked before, but now you can make sure that the words in the dictionary are actually words.

Jack: Yeah. No, you're totally right. Because there are things like just the Internet. So freaking overpowered.

Cristina: Mm. So it's. I don't know. Like, do you think people used to sneak in words?

Jack: I bet they have. I bet. I bet a couple of words got in there.

Cristina: Just made up.

Jack: Yes. Like straight made up words, but the people thought were actual words because maybe they were just clever enough to choose something that sounded right.

Cristina: Yeah. And they got a really good definition that made it work. That made people were like, I want to use this word.

Jack: Yes.

Cristina: This feels right.

Jack: I think in a situation like that, maybe not like faking a word, but in a situation like that, the common use of the word is the goal. That would be real interesting to choose something that had, like, a real cool sound to make it popular.

Cristina: What do you mean? Like, you're not gonna make up a word.

Jack: When you do make up a word.

Cristina: Oh.

Jack: But you get. If you're gonna make up a word, might as well choose a word that's gonna sound so astounding.

Cristina: Choose a word.

Jack: I mean, you're making English. Yeah. To make a word, you're inventing a whole word.

Cristina: Mm.

Jack: So, like, that's just interesting because we're saying that this is just recording. There's no creating. None of the people working on these dictionaries are making up words. No, but what if. What if, like, let's say there's six of them? What if all six of them are like, we're gonna make up this word, though, and everybody's gonna think it's just from a region that they're not in. How could they prove it wrong? You don't know which region it came from. We're just generally throwing it out there.

Cristina: What if someone just asked, though, like, to say crap. What?

Jack: Why would they have to say, I.

Cristina: Don'T know, because you're trusting them to do that? I don't know.

Jack: To tell you. Yeah, that's in Webster's dictionary.

Cristina: I don't know. I don't know.

Jack: Yeah, I don't think there's like an origin. I'm sure there are origin stories for words. Like, I'm sure in. In like Wikipedia, you can find something like that.

Cristina: The origins of some words.

Jack: Yeah. Probably find the origins of all words.

Cristina: But in Wikipedia.

Jack: Yeah. Wikipedia has all that crap. Actually, that's probably the source we should be going to for things like this.

Cristina: What? Yes.

Jack: Now, if there are things like Wikipedia, there's things like Webster, and their ultimate purpose is to inform and assist with communicating you know, rapidly with casual information, even if they're not the most reliable source of. Reliable enough. Not 100%, but it's like 95 is pretty solid, you know?

Cristina: Yeah.

Jack: Why aren't they the mainstream? What's stopping them? Wikipedia has actually become the mainstream. It has kind of replaced encyclopedias as a whole. But it seems that urban dictionary does struggle. It's kind of not well known and it's been around a long time doing what it does. It's known. It's not such monstrously big that it even slightly competes with the classic dictionaries.

Cristina: Yes. Because most people probably see it as a joke. I don't know. See, so much of the words are.

Jack: Trolley words, I guess. So I guess the problem is that all the words that get submitted get posted no matter what. No matter what.

Cristina: Yeah.

Jack: So that is an issue. That is an issue because it's like a giant thread of definitions and you could write kind of whatever you want on the thread or not. It's not really a thread. It's on top of the other. But it's like a Instagram comment fashion. They're stacked on top like messages.

Cristina: Yeah. Yeah. I don't think it'll ever be as good as a regular dictionary unless someone does monitor it. But then that takes away from the. What makes it special. Yeah, Just any word is a word.

Jack: Now. I wonder if anywhere in the world there is no such thing as a dictionary. Like they, they. They've never been told the words. Like maybe they don't understand the concept of language and they can continue to speak. They do speak to each other. They have words and everything, but they don't understand. Like maybe some lost tribe that couldn't comprehend the idea that you made this all up.

Cristina: I don't know what you mean.

Jack: Like, language is made up inherently. Yeah, but these ancient people, do they believe they made it up or do they believe there's just something natural about these words? Even if somebody technically made it up down their bloodline? Yeah, they probably attach some meaning to it. And it's like we've always talked.

Cristina: You don't think they have it written down?

Jack: Depends. Not everybody writes everything down. On the flip side, who the h*** knows? There's that one tribe that used to tie knots and tell stories and count that way. And it's like, what?

Cristina: What?

Jack: Like, how is this.

Cristina: What? Isn't it the same thing with like, the Egyptian, the photos? What are those words? The hieroglyphs, Are they not the same? Maybe.

Jack: Yeah, but we're used to stories told through Pictures, not stories told through how many knots are tied on a string.

Cristina: Yeah. That's crazy.

Jack: Like, how is that a story? How. What? I couldn't. How did you figure? How'd they figure it out? How'd they.

Cristina: That has to be a lie. To make it up together, there has.

Jack: To be fake news, right?

Cristina: Yes. Aren't there people that just whistle at each other to communicate? Yes.

Jack: Oh, that's so weird. I remember that.

Cristina: That feels like. That's more believable, I think.

Jack: Whistling at each other.

Cristina: Yeah.

Jack: Why?

Cristina: Because you can make it different, right? Like, there's different tones to it. No, actually, now nodding does kind of make sense in a kind of Morse code type of way.

Jack: Nodding.

Cristina: Making knots into stories or whatever.

Jack: Yeah, yeah, yeah, yeah. Oh, I guess so now that you say Morse code.

Cristina: Yeah. So, yeah, I guess. I guess anything could really.

Jack: Yeah. Yeah. Okay. Yeah. No, you broke it down. You broke it down. Because at the end of the day, Morse code is just 1 and 0. So if you can just convey 1 and 0, you have a perfect communication system.

Cristina: That's all you need.

Jack: Because you can make it more complicated than that. Just with 1 and 0.

Cristina: Mm. So with the knots, it's gotta be the same, like, the size of it, how far they are from each other. There's different details that we would not be able to tell. But these people who are reading it.

Jack: And even if we figured it out, there's probably mad nuance. We haven't.

Jack: You know?

Cristina: Yeah.

Jack: But then is their only way of communication through these nods?

Cristina: No, no.

Jack: They just spoke normally. But they didn't have writing. They just did this instead.

Cristina: Yeah, I mean, I'm sure they writing now. I mean, that was probably before they had writing.

Jack: Yes.

Cristina: Right.

Jack: I mean, it had to be. Right.

Cristina: It had to be. That's just a weird thing to be like, I can write, but let's play with string instead.

Jack: I'm gonna make a whole. Not spiderweb so I can teach you something I could just say out loud in, like, a second.

Cristina: Yeah. There's no way.

Jack: Yeah. It's so inefficient. It has to be for artistic reasoning. Right. That's the only way those knots would make sense.

Cristina: Like, even before, if they didn't have anything to write and they just had a bunch of rope for some reason. Like, that's the most common thing for some reason. That's why they communicate with ropes.

Jack: So the goal here, I mean, not the goal, but the idea here is they learned how to knot before people invented rope.

Cristina: Before rope.

Jack: Yeah. They had to learn how to knot before rope.

Cristina: Why?

Jack: Where are they getting the folk?

Cristina: This is civilization before paper.

Jack: No, my bad is the other way around. They learned how to rope before they learned how to talk. That's where I'm getting at. Because they've. If they know how to talk.

Cristina: Yes.

Jack: Then they already know they have words.

Cristina: But if they don't know how to write it down or like that's not the first thing that they thought of to do was like.

Jack: So like, I can speak to you right now, but I don't think of anything else other than in knots. Other than words coming out of my mouth.

Cristina: Yeah. Like you picture in knots as well. I guess. Like how we can picture these words as words, you know, on the text, your, you know, regular Alphabet letters.

Jack: Yes.

Cristina: You know that because that's what everyone uses. Because that's the thing we do. But like, if we just didn't have that, like, why did we choose that? Like, maybe they just evolved differently or whatever. Like.

Jack: Yes, 100%. When we look at a different places, the country, different countries, characters, it looks like just not language. If you're not used to seeing it.

Cristina: Yeah.

Jack: Looks like random nothing until you get familiar.

Cristina: Yeah, exactly.

Jack: Exactly. So I'm assuming, I guess that that's what we were facing here.

Cristina: Mm.

Jack: Sort of removed. It's only strange and not a thing because I'm not used to it, but the more I get it, the like. More. Yeah. Of course it works.

Cristina: Of course.

Jack: Think of it.

Cristina: It's probably the way they sent messages to each other. I don't know.

Jack: Like, I feel that's crazy. I mean, I guess you make a cool, intricate looking, like dreamcatcher appearing thing and then you send that on the trip and then they look at it and they're like, wow, this dreamcatcher informed me on everything I needed to know.

Cristina: Or maybe the person who wants to tell the story is the one that makes the rope and it's to remind themselves of the different parts of the story. It's not to actually give the other person to read the story because maybe they wouldn't be able to understand the story. Like, what if that's how it works? If you make the story yourself, you put points to remember the story and then that's how you tell the story to someone else.

Jack: You use it as a reminder.

Cristina: Yes. As a reminder.

Jack: Yes.

Cristina: Does that make sense?

Jack: I suppose, because.

Cristina: Because it's so weird to imagine that everyone's understands that story of that rope. Whatever rope you.

Jack: Yeah. Because had. How do they know that you're There has to be room for interpretation and that kind of restricts it. But then again, there doesn't have to be room for interpretation. We just like that.

Cristina: But yes.

Jack: Like maybe everything just means one thing and doesn't need context.

Cristina: It could, but it could also be just a person knows. I don't know. That's so. I wonder if there's anything else. Okay, there's the rope thing and there's the whistling thing, but that's it.

Jack: Role playing.

Cristina: Rope thing.

Jack: Roping. Roping Rope thing. The rope thing.

Cristina: The rope thing.

Jack: Oh, the rope thing. Yeah. Make the nodding.

Cristina: Making knots. Yes, making knots.

Jack: Yeah. This makes me wonder how many of these. Actually, I was gonna say like, you know, old languages or translations from something that isn't even necessarily a spoken language or words, but something like nodding or hieroglyphs or something in the translations, we definitely lose something. Like there's no way. We're a hundred percent spot on with what we're talking about when we're trying to convey. Oh well, this is what this picture might lay up. Maybe.

Cristina: Yeah.

Jack: You know, but even today, with really extremely well known languages, let's say some of the most popular languages in the world, Spanish, English and Mandarin. In those three languages, from like English to Mandarin, how much crap is lost simply because like we're estimating and we can get pretty close. Somebody can know both fluidly, but also they still know the estimations. Like it's natural and that's. They don't even think of it as an estimation. But really if you sat down and thought about it, there's probably words that don't even exist in the other language. So you can convey that. You have to say a bunch of other words to try to best get to that, you know.

Cristina: Yeah.

Jack: So you're losing something. You're never really saying exactly the same thing. You're just getting close.

Cristina: Mm.

Jack: That's weird.

Cristina: That's weird. But that's what communication is sort of communicating what's going on inside.

Jack: You're always trying to communicate as closely as possible, but never 100% because it's impossible.

Cristina: Yeah. That's impossible. To both share the feeling of thinking like all of it all, whatever is up there. There's no way it's so.

Jack: But then it doesn't even matter because they're not. They never lived. Your perspective to have your filters to affect the information and think about it. Your way to then understand the emotions are feeling in the first place or the opinion they've got relative to the thing.

Cristina: Mm.

Jack: Because you Gave it to them. No, they need to also get your experiences in that con or the experiences relative to that thing, which could be. So.

Cristina: It's complicated.

Jack: It's complicated. It's so impossible to get somebody to understand. But you can agree to a bunch of crap.

Cristina: And you.

Jack: You know, some of the things in, for example, language. Some of the things in language won't convey what you're trying to say. You know, you go in agreeing that some of the things won't put. The majority of. Will psycho use. Very useful. The majority of the things, I think will be able to be conveyed not perfectly.

Cristina: No.

Jack: But better than the zero that if I didn't have this way of communication.

Cristina: That's why we always have new words. That's why the dictionary has to keep growing.

Jack: To do it better.

Cristina: Do it better. Yeah.

Jack: Specific. Yes. We're always trying to get closer. The closest would be. It wouldn't even be cloning because that would just. You break off the second you're cloned, Right?

Cristina: Yeah.

Jack: Yeah. It has. It's crazy. No, it's really just in a moment, not through permanence, because impermanence defeats the purpose, but for a moment, to be able to convey a perfect thought with emotion, opinion, and, like, every experience is attached to it that you're just like, whoa, I get it. Literally 100% to the same degree that you do.

Cristina: That doesn't sound possible. Doesn't sounds crazy. Like, how would you be able to do that?

Jack: Yeah. But I mean, I guess. I don't know. We consistently, as humans, think we got s*** in the bag, but we probably. With language particularly, we probably got a lot of crap wrong.

Cristina: Like, what do you mean?

Jack: Just language in general. We probably got a bunch of words from one language to another. Even within our own language, we sit here and debate. England says this word this way, we say it that way. Same thing happens in Spanish. I actually have a better example there. Marica is an insect in Spanish, but also marika could be a gay person. It's a slur for a gay person in Spanish. So they're totally different meanings. The same thing goes for the actual word gay. It means happy, but it also means homosexual.

Cristina: Mm. But you know how the person. What the person means when they say whatever they're saying?

Jack: Because the context surrounding it. Yeah, yeah.

Cristina: Like, it's hard to confuse what they're talking about. Unless, like, that. That's really hard to imagine someone being confused by that.

Jack: Yeah. But I guess. I guess it's too. I guess English is pretty solid. Most elixes are I don't know.

Cristina: A guesstimate is good enough. Just being close to the right answer is good. It's passing. It's fine.

Jack: Yeah, because it achieves the goal of communication. Getting close.

Cristina: So do you want to guess some urban dictionary words?

Jack: Sure.

Cristina: Because it shouldn't be that hard.

Jack: All right.

Cristina: It's English. Yeah, I think.

Jack: Urban dictionary. Okay, so what am I doing? Explain it.

Cristina: Okay, I'm going to tell you a word. You're going to guess the meaning of the word. Then I'll give you a sentence if you need it, with the word. And then do I give you the definition? I was thinking, no, I should give you the word. I don't know. You ask what you want. The definition or a sentence after you guess what the meaning is. Okay, no, the definition will give it away. I'll give you the definition if you get it wrong.

Jack: What I'm trying to do is. The definition.

Cristina: Yeah, yeah, yeah. So, okay, I'll give you a word. You guess the word, I give you example. If you fail, you guess again, and then I'll give you the actual definition if you fail again.

Jack: Okay, that makes sense.

Cristina: Get two tries. Yes, that makes sense. Okay, the first word. Potaint. Potent potaint.

Jack: Something about the a******. Po. I don't know. A pooped. You pooped your taint.

Cristina: Mm.

Jack: A poopy taint. S***** a**.

Cristina: Very close, very close. Do you want a sentence?

Jack: Yes.

Cristina: The potato screamed when I kicked it in the potaint.

Jack: Oh, it's just an a******. The b*******.

Cristina: It's very specific.

Jack: It's a taint. Yeah, it's a taint area of a potato.

Cristina: It's the soft and sensitive part of a potato.

Jack: Oh, s***. Okay.

Cristina: It's a pot taint.

Jack: Cat. You.

Cristina: Yes, yes. Very close, I guess.

Jack: Interesting. Interesting.

Cristina: Mourn hub.

Jack: Okay, Mourn Hub. Hub is p***, but mourn. It's necrophiliac p***. Mournhub.

Cristina: Whoa. Okay.

Jack: You said mourn Hub. Yes, mourn Hub. It feels to me like it's. It's like death dot com, you know? It's like necrophiliac p***. A tube is also. Tube would make me think p*** is.

Cristina: A. I'm gonna give you the exact.

Jack: Okay.

Cristina: Okay. Person A. Got any plans tomorrow? Person B. No. Well, I'm going to my dad's funeral at the p***. Sorry. Mourn Hub. Person A. Oh, man. I'm sorry about that. If you're feeling mourny, I'll give you a call. I know someone to give you someone you might like. Ignore. Morning. That's the Next word. Or one of the words, but. So do you know what p*** crap mournhub is?

Jack: No.

Cristina: Has nothing to do with p***, okay? It's just a nickname for the funeral home.

Jack: I would never have guessed that.

Cristina: Okay, so ridiculous crap. Why does it sound so much like pornhub?

Jack: Pornhub doesn't make me think p***.

Cristina: Morning. What do you think that is from the last thing it was mentioned? What could it be?

Jack: I don't know. What is it?

Cristina: There's a feeling of extreme horniness during times of great emotional pain.

Jack: Okay, so morning.

Cristina: Yes, Morning. While h****.

Jack: Morning.

Cristina: Wooden onesie.

Jack: An uncircumcised d***.

Cristina: Oh, I have to read this. Okay, this sentence is so horrible. Or because it has an accent, but whatever. Me mom's prettier than you and she's sleeping in a bleeding wooden onesie.

Jack: I don't get it. And she's sleeping in a. This is the sentence.

Cristina: Mm.

Jack: Say it again.

Cristina: Me mom's prettier than you and she's sleeping in a bleeding wooden onesie.

Jack: I don't know.

Cristina: The term originated from Ireland used to define a coffin.

Jack: So it's also about death.

Cristina: Yes, they're all about death. No, they're not. How about COVID version?

Jack: A person who hasn't caught Covid. Or it's the first time catching COVID.

Cristina: They haven't caught Covid or taken any of the vaccines. That's a Covid version.

Jack: Interesting.

Cristina: You know some Covid versions.

Jack: Probably.

Cristina: Kakamamie. Kakamami. Kakamami.

Jack: Kakamami.

Cristina: Mamie. That's probably how you say it.

Jack: Mamie.

Cristina: Yeah.

Jack: No idea. Give me a sentence.

Cristina: This cockamamie washing machine never works properly.

Jack: Say what?

Cristina: This cockamamie washing machine never works properly.

Jack: It's a company. It's a piece. It's an insult. A piece of s***.

Cristina: It's crazy.

Jack: This crazy? It means crazy.

Cristina: I don't know it. A word you use when you cannot. Can't think of the proper terminology. That's so dumb.

Jack: It's like f***.

Cristina: Hot. Af. That should be easy.

Jack: Hot as f***.

Cristina: Yes. Yes. Blip.

Jack: What?

Cristina: Blip.

Jack: Blip, Blip. Spell it.

Cristina: B, L, E, P. Blep. Blip.

Jack: I don't know. Give me a sentence.

Cristina: Tiger is just sitting there with a blank look on his face and an adorable blep.

Jack: Get the f*** out of here. I don't know. What's the definition?

Cristina: A cat sticking his tongue out.

Jack: Oh, my God. Nobody would know that.

Cristina: Do you need an fobby? You know fomo?

Jack: Yes. Fear of missing out.

Cristina: Okay, now guess. Phobia, phobi.

Jack: Fear of.

Cristina: You can do it.

Jack: B*******. Backing phobe. What's it.

Cristina: Okay, try the opposite of fomo.

Jack: Well, no, no, no. What was the word? Oh, phobia, phobia. Fear of. I'm over it.

Cristina: Fear of being invited.

Jack: Oh, that's not the opposite of. Fear of missing out.

Cristina: Well, you don't wanna be in.

Jack: Yes.

Cristina: So it's kind of the opposite.

Jack: No, because in the other option, you're not avoiding anything either.

Cristina: Yeah. One is you wishing you were there. One is you fearing being there.

Jack: Oh, I see. Okay. Yeah, that makes sense.

Cristina: Okay. Should I give you one more?

Jack: Yeah.

Cristina: Okay. C*** wobble.

Jack: A c*** wobble? Yes, It's a limp d***.

Cristina: That's. Andrew is such a c*** wobble. That's not even helpful at all.

Jack: That isn't what Isn't a completely useless.

Cristina: Person that spouts constant bullshit.

Jack: Oh, I know those people.

Cristina: You know some cockwobbles.

Jack: I know, I know. I've met many cockwobbles in my life.

Cristina: You gotta use that as part of your dictionary.

Jack: Like my language.

Cristina: Yes. If you're gonna use any of these words, it should be cockwobble or blip.

Jack: Not cockwobble.

Cristina: Not cockwobble.

Jack: No cockwobble.

Cristina: Oh, okay.

Jack: Because it's gonna make people think.

Cristina: Yes.

Jack: Wow, this cockwobble thing is serious.

Cristina: Yes. I'll give you a few more. Nikki.

Jack: Nicky.

Cristina: Nakey.

Jack: Nakey is nude.

Cristina: Nude? Yes. Pretty much. It's chilling without any clothes on.

Jack: No, the chilling part is just added. You don't have to be chilling to be nakey.

Cristina: No, because that's naked. I guess it's like being able to live freely without clothes or pressure from others to put some on.

Jack: Interesting. You could be naked at home.

Cristina: I guess that's pretty much the easiest place to be. Nakey.

Jack: Yeah. Or a nudist colony.

Cristina: Yeah, but someone running around outside. Nakey problems. Yeah. Yes, problems. The next one is lawyer's lawyer.

Jack: Lawyer's lawyer. Person likes to argue. No, a debater.

Cristina: A debater. A lawyer's lawyer. When the crimes you commit are so bad that your lawyer needs to get a lawyer.

Jack: So ridiculous lawyer ends up needing a lawyer.

Cristina: And the next one is unfuck withable. I don't know if I'm saying that right. And f***. Wisible.

Jack: Yeah, but that's an easy one. That's just somebody who won't take s***. No wake. F*** it. You're gonna immediately snap back.

Cristina: Mm. How you get some of these? Like two, three of them?

Jack: Yeah, but those Are easy. Is it truly weird, like, intentionally picking, like, crazy, unknown ones that makes it difficult?

Cristina: How about recession dating?

Jack: What the f***? Recession dating. That's picking whatever's out there. Like, settling for less.

Cristina: Pretty close. You go out on a date with someone you're not interested in to get a free meal due to the state of the economy.

Jack: Okay, but that's literally just what the name sounds like.

Cristina: Yeah. Yeah. Okay, one more. It's don't p*** down my back and tell me it's raining.

Jack: I've heard this saying before.

Cristina: What?

Jack: Don't p*** down my back and tell me it's raining. What is that? Don't lie to me. Don't betray me.

Cristina: Whoa, whoa. Two of the three? Because it's pretty much, yes. Something you say when someone lies to you, cheats on you, or betrays you. So you got that one.

Jack: Yeah, fair enough. See, that's. That's life experience. That's an easy one, too. I've heard that one before many times, so. Yeah, but we're running out of time anyways. It doesn't matter.

Cristina: All right?

Jack: It doesn't matter. The point is that communication sucks, and we all suck at communicating.

Cristina: But words are great.

Jack: But words are great. And language is pretty dope.

Cristina: So use some of these, especially in Blip.

Jack: Blip. Anyways, if you guys want to listen to conversations of this nature, maybe there's more of these. I don't know. But these other episodes in what we talk about, a bunch of other crap. We probably discussed language at some point in the past. Probably not directly, but I'm sure we, like, circled it.

Cristina: I'm pretty sure we have.

Jack: Yeah. Yeah. So, you know, there's like, 200 episodes. You can fish to to find that.

Cristina: Good luck.

Jack: May the force be with you. But you can find us outside of the show at our social medias with clips and stuff, and you can find that. That's all Facebook, Twitter, and Instagram, uscometvopod.

Cristina: Remember to subscribe, rate, and review the show.

Jack: Yes. Word of mouth. The most important thing since the creation of toast. Why do people say that this is the best thing invented since sliced bread or whatever? F. I don't know. Sliced bread is badass.

Cristina: I don't know.

Jack: But, like, also, it's not loaf bread.

Cristina: It's not that amazing.

Jack: Take a seat. Sliced bread.

Cristina: There's better things than sliced bread. Peanut butter.

Jack: I think it's just convenient. Oh, I think it's convenient and good tasting simultaneously. I think that's what catches people.

Cristina: It's so boring, but okay.

Jack: Yeah.

Cristina: Pretty much better than pizza. No, I let someone who might like this show know about it.

Jack: Word of the mouth, powerful talk, invite talk.

Cristina: Say these words.

Jack: Yes.

Cristina: That we've taught you.

Jack: You've learned much.

Cristina: This has been the Rambling podcast. Take nothing personal, and thanks for listening.

Jack: Bye. Somehow Penguin Day and Martin Luther King Day are so close to each other, considering how related those two things are.

Cristina: How those things are related. But I have a question, though, because from what we talked about last time, we don't have penguins. I mean, do we have penguins?

Jack: No. Penguins aren't birds, okay? We. We have a creature that is bird like, that has been manufactured, okay, to survive in Arctic conditions.

Cristina: And we call them penguins.

Jack: And we call them penguins, all right, because their flaps are used to push them through the water. But the flaps look like wings. We're like, that's a bird. But, like, we all know birds aren't real.

Cristina: Yeah, that's why I was confused. We gave a whole day to this fictional thing.

Jack: No, no, no, no, no, no. Penguins are the protectors of the Arctic Wall, and it was created by the overlords on the other side of the wall.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo, and logo by Seth McAllister with social media managed by Amber Black.

Rambling 180: Original Hosts

Before the clones took over the show, why were the original hosts so valuable to the Illuminati? Does the portal in Cristy’s backyard have something to do with their disappearance or early demise? The duo investigates the original two hosts they were cloned from and questions why the events of the show have turned out as they have, ultimately landing them at a conclusion they’d never expected!

+Episode Details

Topics Discussed:

  • Time Travel
  • Illuminati Clones
  • Conspiracy Theories
  • Original Show Hosts
  • -Nazi Germany
  • Prodigy 16 Year Old
  • Genetic Manipulation

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: This is the show where we ground humanity's most absurd and baffling ideas. Like that subtle shift of this introduction.

Cristina: Whoa.

Jack: Whoa. Did we. I said that last episode, right? I wanted this changed.

Cristina: You did?

Jack: I think so.

Cristina: It's weird without childish ways or whatever.

Jack: And now we're grown ups. Now we're adults.

Cristina: When do we grow up? We started six years old now.

Jack: What? Yeah.

Cristina: We're clones or something, right? We're less than six.

Jack: Well, yeah. We're less than six because of two things.

Cristina: Because.

Jack: We were cloned somewhere in, like, season three or late two. So we would at least be, like a year and a half younger than the show.

Cristina: Whoa. Yeah, we're really young. So how old do you think how.

Jack: Old we would be? Like four and a half.

Cristina: Oh, wow.

Jack: Yep. Yeah. Yeah. That's crazy, right?

Cristina: That is crazy. Except for you're not the same person that was a ghost robot.

Jack: I. Look.

Cristina: How old do you think that person was?

Jack: He was 64 years.

Cristina: Oh.

Jack: As a old man and then 64 years as a ghost. No, it was. What? It was some s*** like that, right? It was 64 years. We've had this conversation before. Trying to recall this old man. That was me, right?

Cristina: Yes.

Jack: I'm cloned from some weird mythical. Isn't that weird? I'm cloned from some weird mythical creature that, for whatever reason, we haven't gone to hunt yet.

Cristina: We should. Because he knows something about the future that we're trying to solve at the moment.

Jack: Is that the same one that does know about the future?

Cristina: I think so.

Jack: There's too many.

Cristina: I think he's the same dude.

Jack: Word. Because I get that time travel has a lot of problems.

Cristina: Mm.

Jack: But, like, when you really think about it, if you're not keeping active track of clones, then you can never really know which one's the real one and which, like, who did what at any given moment. Because everything about them is identical.

Cristina: Mm.

Jack: They're as identical as two people can be. More identical than twins. They're literally the same person.

Cristina: Yes, but you wouldn't. I mean, you, though, would know. Maybe if you don't have those memories, you know, at least that wasn't you.

Jack: No, you. Yeah. You would know. I guess. I suppose. But, like, if I am telling you the investigator. No, I remember. I wasn't there. But then he's also saying the same thing.

Cristina: Mm.

Jack: Who you gonna believe?

Cristina: I don't know. Yeah. If it has to be one of you guys.

Jack: Yeah.

Cristina: Lie detector. Then again, it could be a third clone, I guess. I don't know.

Jack: Interesting. No lie detector breaks that.

Cristina: Really?

Jack: Yeah, if it works the way we're told it works. A lie detector should in theory just be able to prove it. Okay, like f*** your everything is the same. One of you is lying. Like factually on paper.

Cristina: It's not you. As far as we know, you're not the person time traveling.

Jack: But I'm cloned from that guy. Yes, but some. How the f*** did they make me different? How does cloning work in our f****** universe? You know, because why am I not also just him? Why am I me?

Cristina: How? You're not very different from him. Do you mean like younger?

Jack: No, like why am I not over here time traveling and like changing the world too?

Cristina: Well, you're not there yet, maybe.

Jack: No, I'm cloned from that guy. He didn't show up from the future? No, he was just.

Cristina: He was just doing it.

Jack: I literally have those memories type of s***.

Cristina: You have those memories like.

Jack: Of course I would. I was cloned after that.

Cristina: Oh, okay. But then how do you know that's not you?

Jack: Well, somehow, provably, I'm a clone of that guy, right?

Cristina: Yeah.

Jack: Then at that point still, why am I not behaving like him? Because I'm still. I still have those emotions and thoughts, right? What's the difference?

Cristina: What if he figured something out? Something after I was cloned from him? No. I guess. Then you should know. Then you should know what happened. Why he was doing all those things.

Jack: I should. Right? That's a huge plot hole.

Cristina: That's huge plot hole. Because at one moment he was trying to give everyone hiv and the other he's trying to.

Jack: No, he wasn't in. Oh yeah, he was.

Cristina: Those are two different versions of him. But he is the same dude.

Jack: And it wasn't hiv, it was AIDS candy.

Cristina: Oh.

Jack: In a van with the sign AIDS candy written on the side. And he was. This is in the 80s and he was giving. He was only in predominantly black neighborhoods.

Cristina: Isn't this. That's the 80s. But also his explanation of 9, 11.

Jack: Really? I feel I sort of remember that. What do you mean?

Cristina: Yes, because I remember I wasn't there because I wasn't alive or the real me wasn't alive because she was like 11 or 12.

Jack: Yeah, yeah, yeah, yeah, yeah. No, you were 16.

Cristina: Oh, 16.

Jack: So none of this had happened so far. Yeah, yeah, yeah. You have no memory of something that you weren't alive for. So you've never heard of 9 11, which I had to tell you about.

Cristina: Yes. That version of you was telling me about. I think it was that version of you, I guess.

Jack: Was I cloned from directly from that guy or from the dude who followed him?

Cristina: Oh, yes. Here. Yes. I don't know.

Jack: Or are we all cloned from the same one guy? Because they have the DNA. It's not like we're a clone of a clone.

Cristina: Yeah.

Jack: Except there is a clone of a clone out there and he's the slow one.

Cristina: Yes, He's a slow one.

Jack: He's the one with the one arm, right?

Cristina: Yes. He's an old white dude with a robot arm or something.

Jack: Like one eye and one eye. Yep. Dude. Okay. When we did see this billboard with that guy on it.

Cristina: Yes.

Jack: Right.

Cristina: You know, he's a model now. Good. He's not killing. He's gonna kill you. He really believed he killed you.

Jack: He really had an eye patch?

Cristina: Yeah.

Jack: And a robot arm?

Cristina: Yes.

Jack: What was he doing? What? Like, let's. Let's.

Cristina: What was he doing?

Jack: Yes.

Cristina: He was probably born like that. He was just born. Defected.

Jack: Whoa.

Cristina: Yeah. He killed germs thinking it was you. And then he became a model. That makes sense, man.

Jack: That was an astounding moment of like. Whoa. We really. We caught you, dude.

Cristina: We caught him. Yep.

Jack: But he's easy to catch because he's super slow.

Cristina: And also he's got one arm and one eye.

Jack: One arm and one eye? Yeah. He's not like, real useful anything.

Cristina: No.

Jack: Whoa.

Cristina: That's crazy. He's a model.

Jack: I mean, disabled people need models, right?

Cristina: Yeah.

Jack: That's real. That's fair. Disabled people do need models. You got a. What is it? Everybody wants to see themselves represented in something, I guess.

Cristina: But why is he so old?

Jack: What? Old people can't get support?

Cristina: No. Like, how is this clone version of you old? But you're young. I know. The original was old. And all the ones that came after him were younger. Except for the one that was disabled. The clone of clone was old again. Or is that part of it going wrong? Because he's a clone of clone. He was the same age, probably of the guy. The original you.

Jack: Well, no, here's a real interesting question. This is truly. Because. Okay, so we're patching plot holes right now.

Cristina: Mm.

Jack: That's a real good question as to. But it was never established that I was young. I suppose.

Cristina: I guess you could still Be old.

Jack: Except no, because our images have me being all young, so I'm visibly. There's at least suggestion that I'm young.

Cristina: Well, you could also be doing what all the Internet people do. Have a fake representation of yourself. Nah, nah, nah. That's you.

Jack: But the question is, how'd that happen?

Cristina: How that happened?

Jack: How do we patch that hole?

Cristina: I think him being the broken one is a good reason.

Jack: No, not why. Not him. Why am I young?

Cristina: Because they want younger versions of us.

Jack: Okay.

Cristina: Would they want older version of you? Our bosses?

Jack: So that's also to say that I've been with the Illuminati straight through. Having been whatever I was.

Cristina: Yeah.

Jack: Then a ghost. Then a ghost robot. I'm just some wonder. Or that original guy.

Cristina: Yeah.

Jack: So you'd been working with the Illuminati for a long time. Trusted. That's why we're high ranking. You know, we've been involved.

Cristina: We didn't earn this. Our other version.

Jack: But you're actually 16.

Cristina: Oh, yeah.

Jack: You're just cloned out of a 16 year old.

Cristina: So.

Jack: Yes, well, we got to figure that out. But guess I guess his background, right? We're finding out like some origin story.

Cristina: Yes, yes, but.

Jack: So I'm cloned from a clone. Not cloned from a clone, but I'm cloned from a guy with two other clones. One from a different timeline. And we come from that first clone. No, because we're all clone. No, we might be cloned from the same one clone.

Cristina: No, no.

Jack: It's just stored DNA. Right. All the clones. Okay, back to point A. I'm cloned from a guy with three other clones.

Cristina: Okay.

Jack: Four clones total. Plus the guy. The guy himself has been an Illuminati.

Cristina: Employee for many, many, many, many years.

Jack: Yes.

Cristina: Could be hundreds of afterlife.

Jack: Yeah, it could be. Well known. Yeah, for sure. But together, all of it is over a hundred years. Could be several hundred years. Who knows? So he's ranking and then he. He turns on them. Yes, but he doesn't get killed. The first clone does.

Cristina: He doesn't get killed.

Jack: Or he did. It was. It was just in the middle of an episode.

Cristina: Yeah, it was the middle episode. It was just a random episode.

Jack: Yeah, they straight up, just like people walked in, popped them and.

Cristina: How do you even pop a ghost.

Jack: At the power of the Illuminati.

Cristina: Maybe they just don't trust technology anymore. They're like, nah, Interesting. We got something better.

Jack: Then the clone is. Who's using a time machine. The first clone.

Jack: Right. Patching those holes. You see I guess. Hella plot holes. S*** we've never thought about it could be.

Cristina: Okay, so there's a clone that was using the time machine to save the world.

Jack: Allegedly.

Cristina: Yes.

Jack: That's the same one that dropped nukes on the cockroach people.

Cristina: Okay.

Jack: So like.

Cristina: Well, he thought the cockroach people were a danger to us too.

Jack: Basically. You're telling me he's the brotherhood from Fallout?

Cristina: Yes.

Jack: He's like, I'm gonna save the world by killing everything that's not human. Even if it's sentient and not harmful. Just if it's not human. Killing it.

Cristina: But that wasn't you. Because you married the cockroach wife. You have the cockroach wife. That's you. You.

Jack: Interesting.

Cristina: Unless you and these clones are all alive. I mean, you are all alive.

Jack: Some of us, I think. There's only one dead, Apparently. We're really hard to kill.

Cristina: Yeah.

Jack: Which then brings up the other question of if this creature that was me originally happened to be whatever he was. And then a ghost and then robot ghost.

Cristina: Yes.

Jack: How did they just off him? Is he just still around and simply not hosting the show? And we never. We were never told he was dead. It was just in the middle of an episode. We were just there. Now we're finishing the conversation.

Cristina: Maybe he's in retirement. I guess that's a possibility. They just needed to.

Jack: Or he dipped.

Cristina: He dipped?

Jack: Yeah. He just left. They're chasing him. They're hunting him. What if. What if we can put a request and our job is to hunt that thing.

Cristina: You.

Jack: Me?

Cristina: Why?

Jack: The original me? To find out what the this origin story is.

Cristina: Okay.

Jack: Oh.

Cristina: What you really are or what he really is?

Jack: Yeah.

Cristina: Because you're still human. I'm still human? Well, you're not human, but.

Jack: Yeah, like I am human.

Cristina: Yeah.

Jack: I'm just a clone of a human. But that doesn't stop me from being human.

Cristina: But if he's not human, then what.

Jack: Does that mean Exactly. If he's not human. What's going on? But okay. High ranking cloned. Yeah, sure.

Cristina: That's the 16 year old girl. Psychic sidekick.

Jack: Yes. Now how the h*** did this happen? So some 16 year old girl who somehow isn't just an employee in the Illuminati, but a particularly high ranking employee in the milane. In the Illuminati?

Cristina: Yes. They don't have a problem with working with children.

Jack: Right. But what did your original person, I guess you were the prodigy of this.

Cristina: Whatever, find out that he's her father? Oh my God.

Jack: That's Crazy, Right? Because it's basically. He was training the little girl. Right. Because little girl, you.

Cristina: Yes, he was educating me.

Jack: Yeah. Thus you were also talking s*** at the time that you were both off.

Cristina: Yes.

Jack: Or you both dipped.

Cristina: Yes. Oh my gosh.

Jack: They could still be out there. Bonnie. Bonnie and Clyding. S***.

Cristina: Okay, well, I hope they don't have a romantic relationship because that's very disturbing.

Jack: Yes. What is it? A 200 year old thing?

Cristina: Thing.

Jack: And a 16 year old human.

Cristina: Oh my gosh. It's Twilight. Except without the vampires.

Jack: Whoa. It is Twilight. Because Twilight was high school.

Cristina: Yeah, but he's like, how old?

Jack: And she was like not even a senior. Right?

Cristina: Yeah. So, yeah, she was like 16, maybe.

Jack: Whoa, dude.

Cristina: Stern.

Jack: Oh, s***. I guess. Yeah, yeah, yeah. So that's extra romantic. According to teenage, like tweens. Yeah, according to tweens. That's very romantic.

Cristina: Very.

Jack: But it's because all tweens are like emo girls.

Cristina: Emo girls. That means they're into very old men pretending to be young. I don't know. I don't know, sister.

Jack: I bet. That's the thing. I bet somewhere there's a girl who's.

Cristina: Like 15 dating a 30 year old.

Jack: Dating like a. Like a 50 year old, but he's gothed out and she's like, he's so cool.

Cristina: Actually, I think I have.

Jack: Cool. He is.

Cristina: There has been a show, one of those True Life episodes. Or there. You know, they're the random episodes about random things. I don't know if you remember that show. Is it mtv?

Jack: Yeah. Like My Strange Addiction or something.

Cristina: Yes, yes. Well, in my True Life, there was one episode of young people dating older people and there was a girl who was dating older men, and those older men just happened to be very thin, white, goth men. She had a type.

Jack: Yeah, yeah, no, that. I swear, that's. That fits. It feels right.

Cristina: It feels like maybe 18. So it wasn't like that inappropriate. But of course her parents were disapproval of it because she's still living with them and they're like 30 or 40 year old. The guys she's into.

Jack: Yeah. So she. She's into that Dracula feel.

Cristina: Yeah.

Jack: Of like. Oh, he's this older hypnotic vampire guy.

Cristina: Yeah. And he's just some, I don't know, hobo guy who plays video games all day and has a rock band. He's part of a rock band. He has to be.

Jack: Yeah, I guess so.

Cristina: That's the most important part. If he's not in a rock band, what's the point?

Jack: Wait so what the f*** is. So what is the lesson that this dude was teaching you? Right.

Cristina: Oh, yes. I don't know.

Jack: He was mentoring. Maybe he was showing you the ropes.

Cristina: Then what would be the point of running away if.

Jack: No, because they're both talking s***. They're gonna be kick killed or whatever. Maybe that's why we're told they're killed. They're not.

Jack: Maybe that's above our pay grade.

Cristina: Yeah. So maybe they're still part of the Illuminati.

Jack: Like, they went into super Illuminati, like, super duper secret world.

Cristina: We know there's a world outside our world that we can't talk about.

Jack: Oh, you think they went to the other side?

Cristina: Yeah.

Jack: Of the wall?

Cristina: Yes. And we can't talk about that.

Jack: So why can't we talk about that?

Cristina: I thought you said we couldn't.

Jack: Oh, we can't say anything about what? Well, yeah.

Cristina: Didn't you say that? I feel like you said that in that episode we couldn't talk about it. Or did you say we just. I don't remember what you said. I feel like you said we couldn't.

Jack: What, like, ever mention it? No. We had a whole episode about the penguins.

Cristina: Yeah. Oh. I guess we couldn't talk about it as a topic because that's not. That's not really.

Jack: Oh, yeah.

Cristina: Our thing.

Jack: Yeah. We're not allowed. We're not really allowed.

Cristina: Yeah. Like, the people here should know about the stuff here that's happening.

Jack: Yeah. That's what's important. What's happening in this side of things. Anything outside is really not of our business.

Cristina: Exactly. So if they're over there, we can't really say. Even if we found out, could we find out? If we did find out, we could still mention that, right?

Jack: I guess. So if they go up the ranks and are in some super duper secret Illuminati thing, cool. But if they didn't, where was the vat? Why was it more valuable to try to catch them or kill them or whatever made them run away or whatever, if they did get killed? So. Okay, what, What, What's. Why. Why is it way more valuable than just scolding them for talking s***, I.

Cristina: Don'T know, and then cloning them? Because, like, wouldn't you fear that they do the same thing?

Jack: Interesting. But they can mess with genes, try to f*** with how we'll turn out to some degree.

Cristina: Oh.

Jack: Which could then explain why I'm not exactly that same person.

Cristina: Yeah.

Jack: They made sure.

Cristina: Yes. They made sure you weren't. But why is that important?

Jack: But why is that important? Yes, but also the same for you.

Cristina: Yes.

Jack: So. Okay. Okay, we're getting somewhere. We're doing just as we said. We're grounding humanity's most absurd and baffling ideas. That's what we do.

Cristina: This is pretty baffling.

Jack: It's pretty baffling and pretty absurd.

Cristina: Very absurd.

Jack: It's mainly just ideas.

Cristina: Yeah. So. But I don't know.

Jack: Yeah. 16 year old girl, nearly 200 year old ghost robot N***. He was a N*** for 64 years.

Cristina: What?

Jack: Yes. He was in N*** Germany when. Yeah, no, I remember that. He was in N*** Germany for 64 years, then went to America, something happened and he died. And he was a ghost for 64 years. And then got.

Cristina: Then was the drugs in New York or whatever that was.

Jack: As a ghost.

Cristina: As a ghost. Oh my gosh. So weird. A ghost technology to turn him into a robot.

Jack: Yeah. To the maybe the robot tech is ghost tech too. But it's still robot tech. So I could just throw some, slap some skin on there and I look human. So he was looking like a normal person.

Cristina: That is weird.

Jack: Even if he was a ghost. But he was also a robot. You could do a lot with a robot.

Cristina: Yeah. I'm guessing the girl didn't know him as a ghost. Right. Because he would have been a ghost robot by the time she met him, I think.

Jack: Yes. She only knows the robot. Okay, so there was a robot here. Interesting. Unless they brought him back. How did they. How did they get the DNA? Unless they got the DNA. Oh s***. That's why I don't have any of those memories.

Cristina: The ghost robot memories.

Jack: Ghost robot memories.

Cristina: But you have the memories of being a N*** Germany?

Jack: No, I just remembered that that was part of the narrative.

Cristina: Oh.

Jack: But the reason is because I'm a clone of from whenever he was the age that I am. That's when they took the sample they used to clone the new clones. His prime. I'm an ex. I look the way he did when he was most valuable.

Cristina: Okay.

Jack: So what should I be able to do that is now a danger that he's mastered it and the girl that you're cloned from mastered it quickly.

Cristina: I don't understand. You're saying they had like special powers or something?

Jack: Power, information, Something became a danger. That is reason that they were being praised for in the first place.

Cristina: Wish we knew. Because I don't remember.

Jack: Interesting.

Cristina: Shouldn't we have these memories? I feel like I have a lot of memories, but I don't have every Memory?

Jack: No. Because. Yeah. Isn't that crazy? We should have memories of before.

Cristina: We have some, but we don't have them all.

Jack: Like which ones?

Cristina: I don't know. Like being raised as a child.

Jack: Fair. Interesting.

Cristina: I don't remember any of the Illuminati work. Besides the podcast.

Jack: Interesting. Interesting. Besides a podcast and all the missions following it.

Cristina: Yeah, I guess. Okay. Maybe I do have all my memories. Do I? I don't know. It's hard to tell. How do you know?

Jack: I don't remember.

Cristina: You don't remember being in N*** Germany? No, that was the thing. You were there for 60, whatever, years.

Jack: Yeah.

Cristina: But you don't have those memories, so.

Jack: Maybe they worked on our memories. Right, because they can work on our genes. They could do whatever they want.

Cristina: Exactly.

Jack: And take away the things that made us who they didn't. Like when they cloned us.

Cristina: Something feels wrong about it. I don't think they got rid of us. Because I do remember that before my other version disappeared, I was living with that version of me.

Jack: Oh, interesting.

Cristina: Like, why would they be okay with that?

Jack: Right? Because you weren't cloned afterwards.

Cristina: No.

Jack: Oh, s***. Neither was I. I was working in the facility.

Cristina: What? Oh, yes. But you weren't living with you?

Jack: Yeah, I wasn't even living, like, a life. I was in here, waiting. Oh, no. I was literally just living a normal life. Right?

Cristina: Yeah.

Jack: Then working for the Illuminati. Paperwork style. Then they're like, you got to replace this guy.

Cristina: Yeah. Yeah. You were living your own life.

Jack: Yeah.

Cristina: That's even more questions.

Jack: Okay, yeah, so they were definitely. I. Oh, I remember what our purpose of being cloned for was. Where'd the organs? Oh, that's why we do know they're dead. They have to be, right? Or they ran away because now we're.

Cristina: The valuable ones, but we were supposed to just be organs.

Jack: Organs.

Cristina: Then why is there so many clones of you? That doesn't make sense.

Jack: S***. We kept going rogue even after they'd f***** with the DNA, keep in mind. No, but. No, no, it doesn't even matter, because we were all cloned around the same time.

Cristina: Mm. So why would they need multiple clones of you and you?

Jack: Well, they all started talking s*** at some point.

Jack: Or went rogue. Somehow, something is wrong with the genetic pool. That interesting, because it's happening to both of our clones.

Cristina: What? We are the clones.

Jack: Yeah, both you and I. We're the only ones who seem to have not gone rogue in a significantly long time.

Cristina: Yes.

Jack: All the other ones, there was a lot of bugs. In there. That's interesting. So there are many defects in a lot of the clones.

Cristina: I don't think there's other clones of me. I think I'm the only one left. Only one?

Jack: No, there was a second set of clones that was talking s***. Got killed. You're number three.

Cristina: I'm number three? Yeah. I don't remember that. Yeah.

Jack: It was just a day that an episode in which the two clones again somehow ended up talking s*** in the following episode. It was just another set of clones.

Cristina: Oh, wouldn't that be number two?

Jack: Yeah. Third from the original.

Cristina: Oh, okay. What?

Jack: Yeah. Is that like another plot hole?

Cristina: I think so. How so? We're just getting killed off or we're not getting killed off? What is happening when?

Jack: I don't know. But hold that thought. When original Yu leaves that you were living with, you're not the same one that immediately got called in to work the show.

Cristina: Well, I don't know. What if that Mii had the same memories as this Mii? What if I didn't live with her? Maybe those were memories of the other clone.

Jack: Then you'd be cloned from the clone.

Cristina: Or like, we're very similar. I don't know if I'm clone of the clone because that seems to go wr. I do have. I might have her memories instead of the original one's memories.

Jack: No, because they didn't keep taking new samples.

Cristina: Because I remember living with her.

Jack: So that's what I mean. So you weren't the one originally called into the show after she disappeared.

Cristina: But didn't she also say she was living with her?

Jack: Yes, she the original, and you the clone. So when she disappears, a different clone that isn't you is doing the show. That's the one that talked s***. That clone was removed.

Cristina: But that clone did not say that she was living.

Jack: No, that clone never said that.

Cristina: Okay. That's what I'm asking.

Jack: Oh, that's the she you were referring to?

Cristina: Yes.

Jack: I thought by she you meant the original.

Cristina: No, I meant the other clone. Did she ever say that? And you said no?

Jack: Yeah, I think not.

Cristina: Okay. Because if she did say that, then what does that mean?

Jack: You're a clone of a clone.

Cristina: A clone of a clone. Except I didn't go wrong.

Jack: Exactly.

Jack: You're a clone of a clone, but you did not go wrong.

Cristina: Not like you're a virgin. That's beautiful.

Jack: There's something absolutely wrong with. But there's a lot of memes out there.

Cristina: Are they out there? Are they all dead?

Jack: No, there's A couple still wandering out there. The question is, is he original? And if so, can.

Cristina: Can we find him?

Jack: We find that thing and. Why is this girl important?

Cristina: You think she's important?

Jack: I don't know. Why was it important to kill her, too?

Cristina: I know.

Jack: Run her off too.

Cristina: Yeah.

Jack: Or fire her, whatever happened.

Cristina: Whatever happened. Yeah. I don't know. You gotta hear the episodes where they disappeared on.

Jack: Interesting. We're gonna investigate our own show. That's the only way to figure it out, man.

Cristina: Yes. How many shows are there? Two million.

Jack: Two million? I think like two seasons.

Cristina: Two seasons?

Jack: Yeah.

Cristina: What does that even mean? 200.

Jack: That's 50. Two times two is 104.

Cristina: I feel like there's way more episodes than that.

Jack: No, 104 is all the clones. Oh, like before us.

Cristina: Oh, okay.

Jack: Yeah.

Cristina: Two seasons.

Jack: Two seasons.

Cristina: There's gotta be more. Are you sure?

Jack: Yeah. No, that's it.

Cristina: That's it.

Jack: Yeah. 52 weeks. What? That's it. An episode per week. And actually not even 52 weeks because the last week of every month we had off.

Cristina: Mmm. Okay.

Jack: Boom.

Cristina: I think we can do it.

Jack: It's still like 80 episodes.

Cristina: That's a lot. We could do it. We gotta. Yeah.

Jack: At least. It's only 80 hours.

Cristina: There's so much questions and there's gotta be answers.

Jack: There's gotta be answers. Look, as far as we know, by the way, this is all just happening. Still. Still. While we're waiting on Steve. But interesting enough, we've come up with something to do.

Cristina: Yes. Well, we'll probably figure it out the next Groundhog Day. Who knows? When's that? February. We gotta wait again. It's gonna take him a year for Steve. Yeah.

Jack: Yeah. But we, on the other hand, have tasks now. We have duties that we can. Something. Investigate while he's doing that.

Cristina: Yeah.

Jack: Which is finding the answers to these questions.

Cristina: The mystery where you went, or if you're dead.

Jack: I guess first would be confirming whether I'm dead or not. And then if alive or dead, where. Where did. Did the originator go?

Cristina: I'm assuming. Wait, do we have the time machine?

Jack: We do.

Cristina: We could use it to go backwards to find him.

Jack: No, no, you can use it.

Cristina: You can't come with me, even though you're not him.

Jack: No. Time travel is just real annoying. I'm less interested in doing and finding the answers to these questions than I am absolutely avoiding time travel. So it's like I definitely will avoid time travel more than I give a s*** for that.

Cristina: Okay, then let's not do that.

Jack: Yes. The time machine. Bad news, man.

Cristina: Yeah.

Jack: Interesting toy.

Cristina: Yes.

Jack: Totally not worth it.

Cristina: Not worth it. Nah. Let's mess up our lives.

Jack: Yeah. It's not even messing up our lives. Because if the point is investigating and we change anything and all the rules of the investigation suddenly changed and we're back to square one. Yeah, that sucks. Totally not worth it. There's nothing we could do because everything is a new interaction. Because we have. We're totally out of place. Everything we do changes everything. By default, anything we're trying to accomplish is going to be altered, and we're back to the beginning of that. But then in the process of trying to get back on track with that will change something else, which then will change infinitely. Looping back.

Cristina: Yes. Does not do that.

Jack: Yeah, nothing we could do about it. The time machine sucks.

Cristina: But there has to be some other way to find this.

Jack: We just have to find them. But where would they hide?

Cristina: Who hide?

Jack: The originals. If they're not. If they are alive. Right. We do investigate this. We do find that they've not been killed. They're not working for the Illuminati. Where did they go? Where would they hide? The best bet would be to find people who knew them, who knew them personally.

Cristina: Okay. So there's at least three people. There might be more people. But there's Dave, the clone who died.

Jack: Yes, but he would have no memory either, because he is now a clone of a clone. The clone? No, the clone who was. Because he was a clone. At least when we met him. And he was then killed off. And a different clone took his place.

Cristina: Yes.

Jack: So he's also had that scraped.

Cristina: So he can't help us.

Jack: He's useless. Then there's Ish, who's also been killed off.

Cristina: Yes. Well, we don't know if he's the real him or the clone him.

Jack: We know someone did off. But then the interesting thing about him is that him and his clone were so closely related that minus the memories of that version of Jack.

Cristina: Mm.

Jack: He wouldn't, like, really tell. You couldn't tell which one was the original. Because they would have. They were. You know, it was like you got cloned. You were. You. You were only around a month before one of you killed the other.

Cristina: Mm.

Jack: There's not really a lot of memories you made that would distinguish who you are. And then they already scraped the memories off of one, so I guess that's a gamble. That's a 50. 50. He could be like, what?

Cristina: Yes.

Jack: This is the only version of you I've ever Known, Huh?

Cristina: I feel like he would say that. Oh, no. He might be the clone. Okay, then there's Jomar. No, no. Is that the right person? No, that was the guy. He's dead. I don't know.

Jack: Yeah, he's just dipped.

Cristina: He dipped before any of this happened.

Jack: Yes, yes, yes. That's just a guy.

Cristina: Yes, that's just a guy. Germs. There you go.

Jack: Germs. Well, that's a whole other problem. Because germs did get killed. But he didn't get cloned. He didn't work for the Illuminati. His ghost got trapped in.

Cristina: Oh, yeah.

Jack: In the systems. He couldn't theory be listening right now.

Cristina: Oh, I forgot about that. He was just a ghost in here because you killed him. Well, a version of you.

Jack: Yeah. So first we got to get in contact with him and then maybe ask if he has any memory of that or if he just knows some version of the clone.

Cristina: Yes. Crap. So he's not helpful either. And I think that's it. I don't know. Is there anyone else? I don't think so. I can't remember.

Jack: Yeah, I don't know. We have to open quite the severe investigation if we want to just simply. Just to find out who knows these people well.

Cristina: And I don't know any of those people.

Jack: It's. It's pretty hard. It's interesting. Why was the Illuminati so set on getting rid of even the people, bro? Okay, let's be real.

Cristina: Except they weren't planning on germs dying. That was an accident.

Jack: Because I was the clone. That was the dumb clone.

Cristina: Yeah. I was trying to kill you.

Jack: Trying to kill me? Yeah. That was just like. He wasn't an employee or anything. That was some crazy s*** that happened one time.

Cristina: Yes.

Jack: You know, just.

Cristina: Just some s*** that happened to get rid of Ish.

Jack: Why we're trying to get rid of. Well, we know Ish has master level hacking abilities.

Cristina: That is true.

Jack: Where'd he get that? He's clearly an employee.

Cristina: Huh?

Jack: And he got cloned. No s***.

Cristina: Yeah.

Jack: Yeah. He's an. Wow. We never thought about that.

Cristina: He was an employee the whole time. He was an employee. We didn't even know.

Jack: Yeah.

Cristina: Oh, man. He's a secret agent.

Jack: He's a super secret agent. Whoa.

Cristina: Well, he got his fool. What? What if he was betraying us the whole time? Who knows, dude?

Jack: He got to play with the portal and everything.

Cristina: He did. Oh my gosh. What if this portal has something to do with it? No, but Dave never did. You talk To Dave about the portal.

Jack: I don't know.

Cristina: He might know about the portal.

Jack: He might. He might have been the first person to f*** with the portal.

Cristina: But he didn't actually do anything like us, because we're not like Ish, who was like, I'm gonna go.

Jack: He experimented like the rest of us.

Cristina: Yeah.

Jack: Ish just hopped straight in. You know, unless Ish is also impulsive enough to use a time machine, so already knew that nothing would go wrong.

Cristina: Interesting thing is that kind of secret. Like he's.

Jack: Dude, he flat out hacked a robot from his cell phone. That doesn't even sound possible.

Cristina: Well, you guys were in a hacking contest also to see who the best hacker was. So I don't know. When did you get hacking skills?

Jack: Yeah, but. Okay, fair enough. So he's a super elite agent as well? Is everybody? For the Illuminati super elite.

Cristina: But he's even more secret than us.

Jack: Well, our whole point is being public.

Cristina: That's true. That's true.

Jack: We just talk about it. We gotta inform people. But he doesn't have to inform anybody of s***.

Cristina: No, he's really.

Jack: He's working.

Cristina: How do we know he didn't kill us?

Jack: Dude, he floats in totally seeming like some rando.

Cristina: Whoa.

Jack: And like, could have totally.

Cristina: We've been betrayed.

Jack: Could have totally.

Cristina: Oh, my gosh.

Jack: You think this is a mole? Yes, there's a mole amongst us.

Cristina: We need to question him. He might know something.

Jack: It's interesting. It really looks like he was just interested in very specific things. Like there'd be no benefit for him to kill. It was just. We get really high priority cases and some of them might seem interesting to other agents, right?

Cristina: I think so.

Jack: So maybe even if he's not solving the case or partaking in it, he just, like, you know, I heard about the thing. I want to go check it out.

Cristina: There's something there. I think he might know something.

Jack: He's involved.

Cristina: He's involved. He was the reason we attacked Mars to begin with.

Jack: He was. Therefore. I don't remember exactly how that played out, but he was there.

Cristina: He was there.

Jack: He was there when that happened. He was there when the cockroach people were destroyed on Mars.

Cristina: Yes.

Jack: And we destroyed our home. Mars.

Cristina: Yeah.

Jack: He was there when he's. He had his own clone. We never questioned it.

Cristina: Well, we saw him fight him. Yes. We don't know why he had a clone, but yes, he did.

Jack: Now we know. He's probably an agent.

Cristina: Yeah. He played with the portal.

Jack: He played with the Portal. He has tremendously Overpowered hacking ability.

Cristina: Yes.

Jack: And. And that hacking display actually took place in an alternate timeline where there was a robot apocalypse happening.

Cristina: I don't know if that was the alternate timeline. I think there's just a apocalypse happening where we. Where the army was.

Jack: Oh, my God. Yeah, yeah, yeah. We went to. Yeah, yeah. This is actually. Oh, s***. That's probably still happening in some random, like, dirt country, one of those countries that Trump hates. What he calls them dirt countries. Right. Some s*** like that. Just real douchebag name. But one of those dirt countries, this.

Cristina: Robot war, was because Obama started Skynet.

Jack: Yeah, yeah, yeah, you're totally right. I remember that.

Cristina: That really happened.

Jack: So that's like, still. That could still be happening. Like, we could still go have casual hacking competitions with the robots that are murdering a bunch of civilians in some Middle Eastern country.

Cristina: Yes.

Jack: Whoa, whoa, whoa.

Cristina: I don't know how he got there. I think you sent him there. I don't remember.

Jack: Yeah, yeah, yeah.

Cristina: To prove his hacking skills.

Jack: To prove his hacking skills. Yes. Interesting, interesting. And then he was truly astounding. So that's. That's actually a real interesting thing that happened once.

Cristina: I think he has answers.

Jack: You think he has answers? So we need to get him in here and question him.

Cristina: I wonder if Satan is involved because of all the times he's been to h***.

Jack: Interesting.

Cristina: Like.

Jack: Like, is he an informant for the devil?

Cristina: Yes.

Jack: This is like some type of s***.

Cristina: Yes. Oh, yes.

Jack: Interesting, interesting.

Jack: So. Ish. Might have something to do with it. Or at least know something.

Cristina: Mm.

Jack: Also, how does any of this relate to any of our bigger issues?

Cristina: I don't know. You know our bigger issues?

Jack: We had a bunch of cases before. There were barely any cases. It was just reporting on normal s***. But slowly but surely, things started to lose control, and now there's a bunch of crazy s*** to report on. All following their disappearance, I think.

Cristina: Wait, who's the disappearance?

Jack: The originals.

Cristina: Huh?

Jack: Originals disappear.

Cristina: I think the portal is the beginning of everything, though. I don't think it's them disappearing. I think it was the portal and they just happened to disappear. But that might also be part of the mystery. But I think the beginning point of all the weirdness is the portal.

Jack: Okay. Crazy, crazy idea. That happened in the same episode.

Cristina: What?

Jack: The portal happened the same episode that they went missing.

Cristina: I don't know about that. We have to see that. I don't know if that's true. But that would be crazy if that's true. No way.

Jack: Yeah. So there's something happening with the portal. If that's the case. I'm pretty sure. I'm pretty sure it was the Thanksgiving episode.

Cristina: But they didn't go through the portal. No, they just found it.

Jack: They just found the portal.

Cristina: And it's still in my backyard because we can't really touch it.

Jack: We just go through it and end up somewhere else. If we try to touch it.

Cristina: Yeah, it's just there.

Jack: Universe 3.

Cristina: So what could have happened? What?

Jack: What do you see? This is crazy. Interesting.

Cristina: Maybe it's not at the Illuminati sun. Maybe something is protecting the portal.

Jack: No, because Ish was fine.

Cristina: How was he fine?

Jack: Nothing happened to Ish f****** with that portal.

Cristina: No, but he died afterwards.

Jack: He only died. Killed himself. He wasn't killed by anybody but him.

Cristina: Okay, okay.

Jack: There was no beef with the Illuminati. And Ish. It was just like there was too much Ish for Ish.

Cristina: That is true. Okay, never mind. Because everyone else died and he died totally different.

Jack: Totally different circumstance. Death is a fact of the matter. Everybody else died and the portal.

Cristina: Everyone knew about it.

Jack: Everybody knew about it.

Cristina: Except for germs, I guess. But he also died randomly by accident.

Jack: I think he did play with the portal.

Cristina: Really?

Jack: Yeah. But his death was also unrelated. F****** with the portal does not equate to death. No, no, no, no. But something about the portal might equate to the absence of whether it be.

Cristina: Dead or missing or running away.

Jack: Promoted. Oh, you found the portal here. Promotions.

Cristina: Yeah.

Jack: Interesting. So it could be any number of things, but those two things might be our first, most important connection. The appearance of the portal leading to the disappearance of the original two.

Cristina: I think so. I think the portal is way more important than we think. I don't know how it's somehow going to lead to adrenochrome. I don't know every.

Jack: Oh, God, I forgot all about it. I had peace. I had peace of mind for who knows how long. And then you just reminded me that ultimately everything we're doing is some sort of investigation about adrenochrome. Because that predates our biggest problem.

Cristina: Yep. And that's where everything comes from.

Jack: Yes. Actually, not even. Because we. It gets more abstract. We go far back. And if we end up at just fear, which is what's in adrenochrome in the first place. So something about fear. But then who feeds on fear? Shadow Realm. Okay, so now we're back to the Shadow Realm.

Cristina: Does the portal relate to the Shadow Realm? And how.

Jack: And how? Because the portal goes to Universe Three.

Cristina: Three? Yes. And the other portal? One to One. So what does any of this have to do with the other universe? Another world?

Jack: Okay, okay, okay. Before we run out of time, what are our big issues? Our real big issues? Steve is training to talk to the cloud people.

Cristina: Mm.

Jack: So they can talk to their leader or their big, powerful thing. God. That thing is gonna communicate with gas giants and stars in order to help us combat our mutual enemy, which is the cat people that are in the great void putting Dyson spheres around stars.

Cristina: That somehow a version of you knew about.

Jack: That somehow a version of me knew about and actively went out of their way to stop. On top of the fact that is that the only beef we have with the cat people. Because they're kind of always hiding. We're just seeking them out.

Cristina: Ultimately, if they have something to do with this, they would.

Jack: Well, that's. Well, first. That's. That's our first path of things.

Cristina: Yes.

Jack: The question follows, is any of that related to my original? Like the host, the original Jack.

Cristina: Yeah.

Jack: And the original Christie.

Cristina: Disappearing.

Jack: Disappearing. Or whatever happened. So something happened to them. Question mark on that. We don't know what happened.

Cristina: Mm.

Jack: We're here now. We know that.

Cristina: Yes.

Jack: Is whatever happened to them related to whatever. This problem we're having now with the cat people is because that's also directly connected to the first clone that's related to the. All right, this could all just be a problem. All of that could be a problem of the first clone.

Cristina: Not the first Jack. Just the first.

Jack: Not the first Jack. Just the first clone.

Cristina: Okay. That's true. Okay.

Jack: The cockroach people might actually be associated to the first, not even clone. The original might be associated to the original Jack.

Cristina: But what do they have to do with anything?

Jack: What do you mean?

Cristina: Like, how are they important?

Jack: The cockroach people?

Cristina: Yeah.

Jack: Because that's a connection that Ish and Jack have.

Cristina: Oh. Okay.

Jack: If Ish is related to, then whatever Ish had to do with the cockroach people is the same thing that got Ish connected to the portal. The portal goes to Universe Three, but the portal doesn't necessarily seem to be anything related to any of the other clones. The only two real powerful connections. Because all the other clones interacted with it simply because they were sitting in the same chair and they had the same job. I do.

Cristina: Mm.

Jack: That's your only connection to that portal. So they go and investigate a portal relative to that.

Cristina: Yeah.

Jack: Anybody who didn't have that particular job and got around that portal problem. Because there is no reason they should have gotten around that portal. They found a Way there with us. They found ways to tag along with us to get to the portal. Yes, those are people worth suspicion. Those people are somehow connected to whatever happened to the original Jack and Kristen.

Cristina: But they can't help us.

Jack: Well, the only person we know in that scenario that connects to that specific thing is Ish. And that's still a 5050 toss up. Because the one who could know might have killed. Might have been killed. We don't know.

Cristina: We don't know. We gotta investigate him.

Jack: Yes. 5050 toss up.

Cristina: Mm.

Jack: So if we lost that connection. We have no other person we know that knows of the portal interacted with the portal knows. And it happened with the original Jack and Chrissy.

Cristina: He knows things.

Jack: Unless that's not him.

Cristina: Unless that's not him.

Jack: In which case unrelated. Yes, but then we still don't know. And we have way less Rhodes there.

Cristina: But we gotta investigate that. So whatever. We have to talk to him.

Jack: Yeah, we gotta find out. We definitely gotta try our best to get that information.

Cristina: Yes. So those are two things. That's it.

Jack: Well, what are again? It's what are our big problems? So we have the cat people, our past. We have this weird lingering question of who the f***. What. Where the f*** they went. What happened?

Cristina: What happened. Question marks everywhere.

Jack: Exactly. How is ish related?

Cristina: Oh, okay.

Jack: Yeah, yeah. Because he's a little stinky one.

Cristina: Mm.

Jack: It's a little sneaky. And eventual hiding. Maybe in plain sight blending in. Exactly.

Cristina: What if he's. I don't know. Who knows?

Jack: How do the cockroach people relate? How do the Reptilians relate? Is there a bigger picture here? Well, the Reptilians were kind of like a minor nuisance.

Cristina: They were related to world too, not to us.

Jack: They interacted with our world and we stopped them so effortlessly that it's like. I don't see how this was ever a problem.

Cristina: It wasn't really a problem. We just stole something from them and it destroyed everything they had.

Jack: So easy. And then slaves. All the ones we kidnapped. Yeah, so easy. Conquistador style. F*** him.

Cristina: That's pretty bad.

Jack: So whatever. Explore brave new universes. Kidnap the people. Bring them to our side and make them work like good old Earthway.

Cristina: We've done that a lot though, so.

Jack: Yeah, except we killed the Earth people. It was very on brand for the rich people. Yeah, the roach people. Oh, it's very on brand for a guy who was N*** German. That, that checks out. That checks out. That checks out. That fits.

Cristina: Yes.

Jack: This narrative wise, very coherent.

Cristina: That's not you that's not me.

Jack: I'm just. I mean, I married a cockroach, but it's totally unreal. I'm so different.

Cristina: You're so different. Yeah.

Jack: So different. Because whatever turned me into a N*** German, a hundred percent. I never experienced that.

Cristina: Yeah, man. So he probably is not the you that went to try to save the humans from the cat people.

Jack: No. These are two very different things.

Cristina: Yeah.

Jack: One is a hero. I'm neutral. Party as f***. One is a hero. That's a clone. Probably the first clone.

Cristina: Yes.

Jack: One potentially a villain. And maybe not even human.

Cristina: Yes.

Jack: Like never was human, only somehow became human. But then I'm human, so he was human. Interesting.

Cristina: Interesting. Then again, because of the Scooby Doo hybrid thing, maybe you're. He wasn't human.

Jack: I'm thinking he began. He began human. Right. Whatever's happening, began human. N*** Germany happens. High ranking, he gets killed, enters the shadow realm. Does the shadow realm have technology? But if that's the case, then he is somehow connected to the cat people because adrenochrome is also part of the narrative. Because why did he go to the shadow realm?

Cristina: But what does that have to do with the cat people? They don't have anything to do with adrenochrome, as far as I know. Do they?

Jack: I'm assuming they also. Originally. Many years ago. No. Many years ago. Chances are they were some of the first to take adrenochrome.

Cristina: Oh, yes. Okay.

Jack: Back in ancient Egypt days.

Cristina: We don't know for sure, but most likely, yes. That's our guess.

Jack: Yeah. I'm pretty. Yeah. So basically that's one of the things we would confirm upon getting to them.

Cristina: Yes.

Jack: Because they have the info that their underlings do not.

Cristina: Mm.

Jack: So yeah, it's definitely possible that there is a connecting line there. Which means maybe the cappy pulls related to the portal.

Cristina: So everything's connected. Maybe.

Jack: Yeah. Think about it. Original Jack and Christy somehow related to the cat people because adrenochrome, there's a line connecting Ancient Egypt thing, whatever. And then that Jack following his whatever circumstance happened and that Chrissy's circumstance, whatever happened, everything that we investigate that is only popping its head up now all connects back to adrenochrome. So we know whatever happened spiraled some series of events out of control in which a bunch of s*** connected to adrenochrome popped up.

Cristina: Yes. So much.

Jack: So much s***. Everything connected to adrenochrome following that. So original Jack and Christie connect to Adrenochrome as well as the cat people. And original Jack and Christy are. I mean, the. The first set of clones are trying to stop the cat people.

Cristina: Mm. And so are we.

Jack: Which then. Cut it. Which. So are we. Which then connects us and that set of clones.

Cristina: Yeah.

Jack: To the original. So there's a clusterfuck. Mess of parts moving.

Cristina: But how does the portal connect to Adrenochrome?

Jack: How does the portal connect to adrenochrome? That is. And why is the portal so close and might even be the same episode? So somehow the ball got rolling at that point. You might be right. The portal is the answer. Yes.

Cristina: Okay. That's the main.

Jack: Which tells us another thing. The answer is in universe three, because that's where the portal goes.

Cristina: Whoa. Okay.

Jack: Are we gonna have to go into. Wow. There's. We haven't had a reason until now.

Cristina: To go to universe three. We're gonna do that.

Jack: Universe three. There's a reason to investigate. Whatever answers we're looking for might be over there. And I don'. How, but they might be over there.

Cristina: Let's do it.

Jack: We may have to. We just got to keep this a secret while we investigate it.

Cristina: Okay, so how's this a secret?

Jack: Because we're, like, the biggest news thing on Earth.

Cristina: Exactly. Okay. Everyone listening? Keep it a secret.

Jack: Yeah, keep it a secret. You're gonna help us ground certain baffling ideas. Not what you want to do. Look, man, we're figuring it out. The answers are there.

Cristina: They're there.

Jack: Look hard enough, we'll see them. Somehow this is related. Anyways. Anyways, look, go follow us on socials, you know, on Instagram, on TikTok, on Twitter. Just convopod on Facebook too, you know.

Cristina: And remember to subscribe, rate, and review the show.

Jack: Yeah, hit that button. You know, like a YouTuber below. What is that, Raven?

Cristina: Is it below? Is it above? It might be above.

Jack: That might be somewhere. Somewhere. It's usually over the little rectangle where the thing is playing.

Cristina: Somewhere says there.

Jack: Hit the subscribe thing.

Cristina: And yeah, this has been the Rambling podcast. Take nothing personal, and thanks for listening.

Jack: Listen to me. Here's the thing. Here's the thing. Here's the thing. The person who made the cappuccino used an almond. So it's not that the almond is the parent or the gay guy who. The overweight gay guy, specifically who made it and put it there, but it's a child of both of them.

Cristina: Is there overweight gay guy there?

Jack: Yeah, the overweight gay guy is the one who made it for us. Or at least who I saw put it on the thing, and usually the one who made it puts it on the thing.

Cristina: Oh, okay. And he's the father.

Jack: He's the father. And the mama Almond.

Cristina: Why would it be an almond, though? It's a cappuccino.

Jack: Oh, the bean. I don't know. You said almond.

Cristina: I know, but that's wrong.

Jack: Just the bean. The bean. The coffee bean.

Cristina: There's a couple things inside the cappuccino. It could be any of those things.

Jack: Yeah. Yeah.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and Published by Great Thoughts.info Art by Zero Lupo and logo by Seth McAllister, with social media managed by Amber Black.

Rambling 177: Tying Up Listeners

Can a knife make any situation scary? What is the definition of alien? And what’s the best way to lasso someone? The duo goes into detail explaining how to best tie up new listeners and force them to listen, but it must be accomplished with a rope. Knife is optional.

+Episode Details

Topics Discussed:

  • Tying Up New Listeners
  • Perspectives Changing with a Knives
  • Where Best to Capture a Listener
  • Time Travel to the 80s
  • VCR
  • Fight Club
  • Simulating a Universe
  • Aliens
  • Archive 81 Spoilers
  • Reptilians

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in five, four.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: If you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yeah, so go. Go get a listening partner with a rope.

Cristina: With a rope? Yeah, with a rope.

Jack: With a rope. You go get a listening partner with.

Cristina: A rope really hard.

Jack: Right. Oh, you got to do it from horseback. Red hashtag.

Cristina: I was thinking just lasso stand, like just standing lasso. But there's got to be many ways you can use a rope.

Jack: Use a rope to tie them up.

Cristina: You, like, stop them some other way and then you tie them up after you.

Jack: Oh, that's fair. Because you're not catching them with the rope. You're.

Cristina: You don't have to. I mean, you can. If you can do that. That just seems hard.

Jack: Interesting.

Cristina: Like maybe you trip them, they fall, and then you tie them. I don't know.

Jack: Or. Or here's a total possibility. You have a, like, cartoon style trap with a rope. I guess not cartoon, because the cartoon is basing it on, like, real hunting tricks.

Cristina: Yeah.

Jack: In which you got like a rope thing connects like a tree.

Cristina: Yeah.

Jack: And then it's hidden with, like, leaves.

Cristina: Yes. Yeah. Yeah.

Jack: And they get caught. And that's by the rope.

Cristina: I guess that works.

Jack: But technically it's also by the trap.

Cristina: So is that a trap or. But they're tied up. That's the important thing.

Jack: Yes. That you tied them up so you could get them to listen.

Cristina: Yes. Why? I don't know. I guess that still seems easier than trying to lasso someone.

Jack: Fair. Fair. Look, if you don't have the hand and eye coordination to lasso somebody, because I'm sure that's skill. Like, I couldn't do that. Or maybe it's incredibly easy.

Cristina: I don't know. I don't know. I haven't tried.

Jack: It's astoundingly easy.

Cristina: It could be my mind. It's not that easy. Yeah.

Jack: I have no idea how to do it. Like, I can. I kind of can understand the movement that's causing it, though. It's more about maintaining. There must be a part of the rope that they're holding.

Cristina: Yeah.

Jack: That is holding the rest of it steady. Enough that then when he spins it with his wrists and. Or she, I guess. Not sure why cowboy is. Well, I'm just randomly super sexist. But the, you know, cowboy, whatever. Swinging the rope.

Cristina: Yes.

Jack: There must be a. Like, something he's holding in staying steady. It's a. There's a trick, a way to hold it. I'm assuming.

Cristina: You're assuming.

Jack: I'm assuming.

Cristina: I don't know. Like, maybe it's not that hard. Because if the person's not. Like what? Like, unless you made it obvious that you're gonna rope up this person. Like, you're just swinging it out of nowhere, running towards the person. Yeah. It's probably gonna be difficult.

Jack: No, hold on. Listen. If that happened, if that moment happened and the person starts to panic. No, that person wouldn't panic. They wouldn't. Because they're not gonna believe that's for them. You know, the real honest reaction is this guy's just swinging a rope.

Cristina: Yeah. So most people, or maybe everyone would get caught because, like, no one believes this person with a rope. Even if they were doing sneaky or not so sneaky, they're not gonna think that rope is for them.

Jack: Yeah, they're not. This.

Cristina: Unless you, like, call out their name and you're gonna tell them, I'm gonna tie you up or something.

Jack: Well, no. Okay.

Cristina: That would be the only way.

Jack: If they were at least a little bit paranoid and you call their name.

Cristina: Yeah.

Jack: And they look and they see you swinging the rope. That's definitely about them. But now the next question is, am I going to be roped or is this person who said my name just swinging the rope?

Cristina: Yes. But if the person just says, I'm gonna tie you up, that will make it obvious, and then it'll be difficult to tie up the person.

Jack: So this guy trying to rope the other guy is some sort of, like, typical movie villain?

Cristina: I guess. So this. I'm trying to find out how hard it could get, and it seems pretty easy. Unless you obviously say, like, I think this is way easier than I thought. Like, originally I thought roping someone sounds difficult, but, like, who expects it? So.

Jack: Yeah.

Cristina: Even if they see it, even if.

Jack: Your skill is mediocre with the rope, actually, it would be pretty easy.

Cristina: Yeah. Because no one would imagine that that's your plan.

Jack: Yeah.

Cristina: Unless you say it. I don't know.

Jack: You'd have to. Okay, so you have to tell them that you're gonna rope them. You should send them a letter and be like, on this day, at this time, at this time, I'M gonna rope you.

Cristina: I don't know if they'll believe that letter, though.

Jack: That's the other problem. You see, they think. They're gonna think you sent a freaking letter. Just a troll.

Cristina: Exactly. And then when they see you, they're thinking, this is a joke. You're not really gonna tie me up to listen to this podcast?

Jack: Isn't it kind of crazy how hard it would be to make this difficult because of just how off the wall the situation is?

Cristina: Yes. I don't know. Like what. What could you do to get someone convinced that you're going to do it? I don't know. Maybe if you had a knife with you, I guess some type of weapon. I don't know. You don't plan to use a weapon, whether it's a knife or gun or whatever it is, but you just have it just, you know, to scare the person, to get them to run.

Jack: Fair, fair, fair, fair. Because after you've got them in fear mode.

Cristina: Mm.

Jack: And you start swinging the rope, they're like, this guy's. The knife made it. Serious as f***. Yes, I'm going to tie. Because you already showed them. I'm going to hurt you. Even if you're not gonna hurt them. Danger was alerted.

Cristina: Yes.

Jack: So I guess. Yeah, I guess the difference of the whole situation. If you say anything with a knife, you're suddenly doing something bad.

Cristina: Yes. So that would frighten them and they would run.

Jack: Okay, let's test this out. Then you tell your friend, laughing, I'm gonna beat you up. And then you laugh. Okay. Your friend is like, okay, this is an idiot. Whatever. Now you go to your friend and you say, I'm gonna beat you up. And you're still laughing, except you're holding a knife.

Cristina: Why are you laughing, though?

Jack: So that he knows it's playful. Well, it's playful at the beginning. I'm beat you up. You know, just like a dumb bro joke.

Cristina: Yes, but the point is to get them scared.

Jack: Yeah, I know. So you're not making them scared there. We established that a knife is enough to make the previous situation. So we're trying to see if we apply the knife again without the rope. Without the rope. Is it the knife? That would convince him of the thing.

Cristina: Factually, your friend and you're laughing. I don't think so.

Jack: Yes, but then if you have a knife.

Cristina: Okay.

Jack: When you say it to your friend.

Cristina: Laughing without the laugh, why does that.

Jack: With the laugh. The laugh is still there.

Cristina: No, they're your friend. Why would they think you're you laughing? I'm gonna hurt you. Hahaha. With a knife. Like they will think it's a prank or something.

Jack: So the knife didn't change the situation?

Cristina: Well, the laughing is what's ruining.

Jack: No, listen to me, listen to me. The laughing has to stay because when you don't have the knife, the laughing is there.

Cristina: No.

Jack: Yes. I'm gonna beat you up. Hahaha. Without the knife. Because you're just joking with your friend and you're still joking with your friend. The second time when you say it with the knife, you're still joking with him. You're not gonna do anything to your friend.

Cristina: Okay.

Jack: You say, I'm gonna beat you up, hahaha. While holding the knife.

Cristina: I guess that's scary. I guess.

Jack: Is it scary now? Is it like, oh s***, he's gonna like beat me up and stab me or something?

Cristina: Yeah, I think so.

Jack: So the knife changed it.

Cristina: Yeah.

Jack: So can we use this knife to change any situation?

Cristina: Yes.

Jack: Interesting.

Cristina: But I don't know why the laugh has to be there. If you tell your friend, I'm gonna beat you up and you don't laugh, they'll probably not think you're serious.

Jack: Yeah, I know. Because the idea is that we're running an experiment, essentially, and the experiment is in exactly the same conditions with nothing being changed. Can the knife change the perception of the situation?

Cristina: I just don't understand why there's a laughing.

Jack: Because the laughing exists to convince your friend that you're not gonna do anything to him. If you just walk up and deadpan say, I'm gonna beat you up.

Cristina: Mm.

Jack: Even if that's your friend, he's like, what the f*** did I do to you, bro? Like, you're already scary. First we have to make it so that he is totally convinced you're not gonna hurt him. And then we're gonna do that same run with a knife in your hand and see if it still looks the same way. Like he's.

Cristina: So the laughing equals the rope or something?

Jack: No, the knife is a rope. The knife is not the rope. Nothing is the rope.

Cristina: Because if he sees you with a rope, he wouldn't take you seriously. He'd think it's a joke.

Jack: Yeah, that's what I'm trying to establish.

Cristina: You laughing would be him taking you not serious because he thinks you're joking. So the laugh is the same thing as the joke. The rope, yes.

Jack: And then the knife. Yeah, you're totally right. And then the knife is supposed to change your perception?

Cristina: Yes. Yeah. So yes, the knife does make the.

Jack: Situation worse, I think, for any situation.

Cristina: For any situation. Yeah. Yes, Anyone. For any situation.

Jack: Even if you mean no harm. You. Okay. So in a situation where the knife would naturally exist. Okay. We're in a kitchen.

Cristina: Yeah.

Jack: And your friend is next to you.

Cristina: Okay. It wouldn't work there.

Jack: And you're peeling an apple with a. Apple with. Not an apple peeler, but, you know, like a knife. Not a knife, a regular peeler.

Cristina: Oh.

Jack: And you turn to your friend in the kitchen and you say, I'm gonna be up. Hahaha. Okay. He's just. Haha. Okay. It's joking.

Cristina: Mm.

Jack: Now you were peeling the apple with a knife.

Cristina: Okay.

Jack: Then you turn to your friend and you say, I'm gonna beat you up. Hahaha.

Cristina: I don't think he'll take you serious.

Jack: Yeah. You're still joking. Because even if you're holding the knife right now, there's a knife in the situation we've shown you the knife, it must go off, you know?

Cristina: Yes. But the knife is doing something that your friends do. Yeah. So I think that makes it less scary.

Jack: And yeah. Your friend probably doesn't even notice the knife.

Cristina: Yeah.

Jack: Because it's so natural to the environment.

Cristina: Yes. So when you're roping your friend, you shouldn't do it. You'd have a knife in a normal situation. I guess you can't rope them in the kitchen.

Jack: Interesting.

Cristina: No, but I think you still can probably in the kitchen. Because it would be then odd to have the rope in the kitchen.

Jack: Like. No, no, no. Yeah. It's already weird. It's definitely already weird. So there is some, like, level of oddness to this. But if you had the rope at a like, knot tying class.

Cristina: Okay.

Jack: Right. Where it would naturally exist.

Cristina: Yes.

Jack: There's just rope and you're learning to make mountains.

Cristina: Okay. That wouldn't scare anyone. Okay.

Jack: Right. And then you, you tell. Tell your friend I'm gonna rope you.

Cristina: Yeah. They'll think you're joking or something.

Jack: They'll think you're joking, right?

Cristina: Yes. But if you had a knife with.

Jack: You now, if you have a. If you have a knife with you in the rope class, in the rope with the rope with. Normally exist.

Cristina: I think people would be scared.

Jack: Yeah, I think so too. Because you. They don't even think. I don't know. Now they're very confused as to why you have. But wouldn't a knife also exist in that class, like kind of normally, maybe?

Cristina: No, like, I think there's a specific type of, like if it's a giant kitchen knife I don't think, you know, it has to be some kind of knife. That would definitely not be there. Like, there probably is a knife, but it's like very specific to ropes.

Jack: Right, Fair enough. Fair enough.

Cristina: So you have this huge sword like knife.

Jack: Yeah, I at no moment thought about this other than just putting a knife in the kitchen. But I guess we can in theory f*** around with the type of knife that we're talking about. So there's certain knives that could change the situation quickly. If you just have a pocket knife, that's. That's kind of sketchy to some degree.

Cristina: Yeah. Like an outside situation. I don't know if in the rope class, but yeah, outside. Yeah.

Jack: Your location makes a total difference because you could be taking a rope class that has naturally a knife.

Cristina: Yeah.

Jack: But you are taking this class in the middle of a city and you're holding a kitchen knife. The knife has nothing to do with that f****** class. That's the wrong f****** knife. This guy has a f****** kitchen knife in this class.

Cristina: Yes.

Jack: Whoa.

Cristina: They're gonna be scared now if you.

Jack: Have regular rope cutting knife or whatever is used there. They're like, okay, he's just happens to be holding that knife. And a rope.

Cristina: Yes, and a rope. And he's saying he's gonna tie you up. But you think it's a joke.

Jack: But you think it's a joke because everything else is in common.

Cristina: Because then it seems like, okay, yeah, he'll tie me up, but he has the knife, the rope cutting knife to cut the rope after he ties me up.

Jack: So if he did tie me up, but that you would. I don't think your thought would ever get to the point that you're convinced you'd do it.

Cristina: Yeah. Yeah.

Jack: Because you're still. We're just still trying to convince you that he's gonna. That he's gonna do it.

Cristina: Yeah. I don't know. Yeah.

Jack: So holding the right knife now, okay, if you're not. Because if you're in the woods, that's another place where that'd be normal.

Cristina: Yes.

Jack: I guess, like, both of those things could make total sense.

Cristina: Even a big knife, a big kitchen knife.

Jack: I feel. I feel like survival wise, like, sometimes you just need a knife when you go out to the woods and you're like, well, I can't find my f****** pocket knife. I'll just take a kitchen knife so.

Cristina: That I can cut things. So we need something else. Like, like.

Jack: Well, no, because at that point you could take any knife you have in your house. So any knife makes sense. In the woods? No. You could take a machete into the woods and it makes f****** sense.

Cristina: Can't use a machete. How about a sword that also makes.

Jack: Sense in the woods now a sword in the cloud. Well, no, because anything makes sense out in nature.

Cristina: Not a sword. A sword makes no sense outside of a museum.

Jack: You could swing a sword at a bunch of plants. You can do things with a sword.

Cristina: Weird. That is very weird to see outside. It's just someone walking around with a sword.

Jack: This is your friend, okay?

Cristina: Yes. And this is normal for my friend.

Jack: No, it's not normal for your friend, but they're your friend, so maybe they. That's the only sharp thing they had that maybe they didn't want to dirty their kitchen knives.

Cristina: Okay, so kitchen knives are out. Well, we're sharp stuff. Unless we have something that. Because.

Jack: No, what I'm saying is in the woods, it doesn't matter what knife you take, period.

Cristina: Yeah. So we need something else.

Jack: No, because we're not going to go to the woods because the woods is exactly where it would make sense. Yeah, we're just not going to go to the woods.

Cristina: Okay. Okay. So don't try to tie your friend up in the woods. If you're trying to.

Jack: Don't try to convince. No, we're just trying to convince him he's going to be tied.

Cristina: Yes.

Jack: Right. That's the main goal. 100% convince our homie.

Cristina: Yes. Get them scared enough to run to make it hard for you to actually tie them up.

Jack: But I guess ultimately what we're trying to do. Right. This is my assumption here that are we trying to make it like you're 100% convinced and that's why it's so granular.

Cristina: 100% convinced of what?

Jack: That they're gonna get tied.

Cristina: Yeah.

Jack: I don't want you, like 90% and then you start running on 90%. I want to remove every doubt from your mind.

Cristina: Like, no matter what, you're gonna tie them up.

Jack: Yes.

Cristina: We're just trying to.

Jack: That's what we're trying to do. Yes. How to do it.

Cristina: How to do it? Well, how you can fail at doing it.

Jack: No, because we're trying to convince you 100%. Right?

Cristina: Yeah.

Jack: So we got to remove all the things that we can't.

Cristina: Okay, so don't do it in the woods.

Jack: Yeah, that's why.

Cristina: Doing it in the woods. Do it in the woods. That's what I mean.

Jack: No, we can't do it in the woods because the woods helps convince them. It's a Joke.

Cristina: But we're trying to help them. I'm so confused. Who are we trying to help?

Jack: We're trying to help him tie. No, we're trying to help him convince the guy. Then you want to make it crazy hard, so we got to Convince the guy 100% without a doubt, you're gonna be tied.

Cristina: Okay, but why would the listener want that? Wouldn't he want the easy way?

Jack: Yeah, you're totally right.

Cristina: We're trying to come up with ways that will fail him. So we are helping him up in that way. Like, we're telling him he should go to the woods with cutting knife because.

Jack: It would be the easiest.

Cristina: Yes. So we're trying to find every situation that it won't work out, because then.

Jack: They could avoid those situations.

Cristina: But also the situations that it will work out, though. They can do that.

Jack: Yes.

Cristina: Like, they know.

Jack: Which is definitely take any kind of sharp object into the woods and your friend into the woods and have rope and you can easily tie them. They're never gonna.

Cristina: Yes. And it would work out in the rope class. As long as it's not a kitchen knife. And it can work out in the kitchen. As long as it is a kitchen knife.

Jack: Yes, 100%. But using a knife that isn't a kitchen knife in the kitchen is a bad idea.

Cristina: Yeah.

Jack: Because you don't want to tip them off. It's gonna be weird. Right. That's where the pocket knife is. Like, what the f***? You're trying to cut with your pocket knife.

Cristina: Yeah.

Jack: Just cutting fruit with your pocket knife. At. In the kitchen.

Cristina: Mm. So we're trying to figure out. Yes. How to make it easier.

Jack: Easier. Well, I want both extremes, kind of and all.

Cristina: Yeah. They could avoid the ones that it's not gonna work out. Like, which one? Where would it not work out? I guess just outside. In the city.

Jack: Yeah. Like, don't be in the city with a knife.

Cristina: With a knife. Because then everyone will run.

Jack: Yeah. Like, you've definitely scared, like, city people spook easy.

Cristina: Yes. You have a rope and a knife. I think just having a rope might. I don't know. That would probably just confuse people. Yeah. The knife. Yeah. Would very much scare everyone away.

Jack: But I think. I think ultimately the best option is the class. Right. Like the class over the. The woods.

Cristina: The rope class.

Jack: Yeah. Because that's the M.O. like, okay. Holding rope.

Cristina: Yeah.

Jack: If we're trying to make a hundred percent accuracy here, I think it's. I mean, you're already in the woods. There's a little bit of the woods.

Cristina: Makes the most sense.

Jack: Well, the wood. The problem with the woods is there's that kind of spooky of, I'm already in the woods. It's kind of dangerous, you know, you.

Cristina: Have that weapon to protect you, whatever it is.

Jack: Well, no, your friend, your homie doesn't.

Cristina: Oh, well, your friend thinks you're protecting them.

Jack: No. But then you just told them, I'm going to tie you up.

Cristina: No. Why do you have to tell them that? Oh, is that how it started?

Jack: Yeah, that's why I thought we were trying to make it as hard as possible on them. Oh, because for whatever reason. Well, that was your plan initially, wasn't it? You were just trying to make it hard. So then I just kind of tried try it. I continued making it harder so you could run at them and scream, I'm gonna tie you up.

Cristina: Yes, yes.

Jack: But these are the places you shouldn't do it in that case, because you.

Cristina: Probably shouldn't scream out that you're gonna tie them up. But it's still fun. If you want a challenge, I guess the challenge is more fun. Right.

Jack: So then make it as hard as possible.

Cristina: Exactly. Yeah. So make it as hard as possible.

Jack: So in that case, don't do it in the class and don't do it. Or in the woods. You have to be in the city, and it should be. It can'. It can't be comically big because that's gonna. That's gonna be like. You're f****** kidding, bro.

Cristina: Yeah.

Jack: You know?

Cristina: Yeah.

Jack: It has to be sketchy.

Cristina: It has to be sketchy.

Jack: Thus the pocket knife.

Cristina: Yeah.

Jack: It's like, okay, you had a pocket knife. It's kind of weird. I guess not. It is a pocket knife.

Cristina: But can't the pocket knife cut the rope? Like, are they gonna think, because they're your friend, like, you don't want them to think, oh, you're just gonna tie me up.

Jack: No, I know. Pocket knife, not sketchy. That makes sense. So what a utility knife.

Cristina: Yeah.

Jack: But you really want. What you really want is a switchblade.

Cristina: I don't know. That feels the same as those other two.

Jack: No, because a switchblade is totally impractical to have for any other purpose than.

Cristina: Like, stabbing somebody specifically, what that's for.

Jack: Gets a pointy, like the. A lot of the blade stops it from doing anything but going, like.

Cristina: And it can't rope.

Jack: We could probably cut rope if you tried hard enough.

Cristina: Because you can't feasy. Your friend can't be convinced or think in the back of their mind, like, oh, you could just cut the rope.

Jack: Like, it would take really long.

Cristina: Oh, okay.

Jack: Unless it's exceptionally sharp.

Cristina: Okay.

Jack: Like, it's definitely. Switchblades are usually for stabbing.

Cristina: That's for stab.

Jack: Yes, it's the stabbing knife.

Cristina: All right. What if they don't know what it is?

Jack: They know. They see the knife and they're just. It's. It. The size is odd.

Cristina: Okay.

Jack: You know?

Cristina: Yeah. You understand what we're looking at?

Jack: Oh, s***. Yes. The f****** box cutter is just a really dangerously sharp knife.

Cristina: It is. Wow.

Jack: And it's, like, so out of place. That's the immediate, like. Oh, what?

Cristina: The box cutter.

Jack: Yo, you pull out a box cutter on somebody, they know you're serious. I forgot about box cutters. That's the instant 100. Oh, knife. I think that could rip through rope easily, too.

Cristina: Yeah, but that's a problem if it rips through.

Jack: No, but you would never think that's for the rope. Oh, that would not cross your mind.

Cristina: Okay.

Jack: You see the box cut, you're like, what the h***?

Cristina: I don't know. It's like a midget knife. Like, it's very tiny.

Jack: Yeah, no, it's very. And thus, you have more control with. Is extremely dangerous.

Cristina: It doesn't look dangerous.

Jack: No. But anybody who knows, anybody who sees it would know.

Cristina: Okay. What if this friend is the one that does know?

Jack: Where the. Does this friend live? Under a rock?

Cristina: I don't know. I think. Opaku, what was it that you said? A switchblade.

Jack: A switchblade. It looks very stabby.

Cristina: Looks very savvy. Yeah, with a pocket knife.

Jack: See, now, the pocket knife isn't the stabbiest thing. The pocket knife is crazy.

Cristina: It just looks crazy.

Jack: That's the switchblade. No, that's pocket knife is the one next to it.

Cristina: No. What?

Jack: Yeah, that's the pocket knife. The pocket knife is a practical. You carry it for just in case you need a knife situation.

Cristina: Switchblade wins.

Jack: Ok. Yeah, the switchblade is stabby. It's the kind of s*** you just like. You know, you got all leather on. You're swinging a f****** chain in one hand.

Cristina: The box cutter looks like it would hurt, though. But I don't know if you'd instinctively know that it would hurt because it's so short. It's like a midget knife. Unless there's longer versions.

Jack: No, it does. The size of it.

Cristina: Yeah.

Jack: Does not matter to how effective.

Cristina: But when you're looking at it. I'm talking about just by looks. You're not.

Jack: If your friend Understands a box cutter. They don't even need to know a lot about knives. Just know that it's a box cutter and how it works.

Cristina: Mm.

Jack: It doesn't matter that it's small. They're gonna be like, oh f***.

Cristina: But if they don't know about a box cutter, then you have to.

Jack: Well, he knows his friend. So does he does this. Does he know if it's. Or she. Whoever is they. They do they know if their friends know about knives? Just basic surface level depend on that.

Cristina: Then which knife they should have.

Jack: Yes. If they do know about box cutters, go straight to box cutter.

Cristina: All right.

Jack: And you say that now if they don't, then a dangerous looking knife would be the next best thing. Thus enter switchblade.

Cristina: Yes. It just looks crazy now.

Jack: If you have a switchblade. No, I was about to dress the situation and say that they should look all like.

Cristina: They should dress up.

Jack: They should dress up and look like a typical 80s movie thug. You're swinging the rope in one hand like it's a chain.

Cristina: It's more about. You end up confusing them more. The whole point is not to confuse them.

Jack: But listen, you swing in, swing the rope in one hand, then it should.

Cristina: Not be a rope, it should be a chain.

Jack: No, because he's gonna. I guess in theory if you could accomplish. Hey, we're trying to make it as hard as possible.

Cristina: Can you tie up someone with a chain? What's it called?

Jack: You still have to scream, I'm gonna tie you up. Yes, I guess you could tie them up with it. But no, I think it has to be a knife and a rope at this point.

Cristina: Why does it have to be a rope?

Jack: Because I don'. It's just become thematic. Somehow you have to accomplish it.

Cristina: What is it the 80s? You can't do that.

Jack: But listen, the outfit should. Should go towards convincing because you got the switchblade, you got a rope. It should be a chain.

Cristina: It should be a chain.

Jack: Thus being more serious.

Cristina: Yeah.

Jack: Which this is for making it harder.

Cristina: Yes. Well, if you look so serious, if you look serious, then wouldn't it make it harder if you have a chain.

Jack: And a would know because the next problem is he's not gonna. But I guess. Yeah.

Cristina: Then he's gonna see you and he thinks you're just ridiculous looking and you're cosplaying or something.

Jack: That's. Yeah, he's gonna think it's a huge joke.

Cristina: Yeah. So you cannot dress like you're in the 80s. That doesn't work. Don't theme Your outfit? Because that doesn't work. Like, what are you dressed up like a cowboy with a rope? No, don't do that.

Jack: Okay. We do have a time machine. Could, in theory.

Cristina: But it can't be your friend. It'll just be a stranger.

Jack: Well, I'm not gonna do it.

Cristina: No, I mean to this person that's listening. If they went into a time machine.

Jack: They wouldn't go into a time machine.

Cristina: Oh, who's going into the time machine?

Jack: We would go and tell somebody.

Cristina: Oh, we're gonna have a listener from the past.

Jack: Well, he won't really be able to access the show, but we're gonna transcribe everything and send them the explanation of why they're doing this, of why they're doing this. And then they're gonna do it because they would have read their way there.

Cristina: So get their friend to read our episode then, I guess.

Jack: Yeah, that's pretty easy. We just transcribe it so that it says read instead of listen.

Cristina: And is it gonna be for this specific episode? Because I think that would be amazing.

Jack: That's a pretty nifty joke.

Cristina: Yes.

Jack: I think I commit to the bit far enough.

Cristina: Yeah.

Jack: So we should definitely time travel with this episode transcribed.

Cristina: Yes.

Jack: Into the 80s.

Cristina: But we need another episode to have him listen to first and then get his friends listen to this episode. Well, read. I mean, read.

Jack: Yeah.

Cristina: Or is he reading this episode and then he's gonna be like, wow, this is amazing. I gotta let my friend listen to this episode. Read this episode.

Jack: There are two problems with the thought you're having right now. First, in most scenarios, assuming all our fans and listeners are 100% loyal and follow our word like we're their God. Nobody has ever made it past the intro because they immediately ran out to tell somebody else to listen. Nobody has ever heard any of the reports we've given them.

Cristina: Really.

Jack: Well, assuming if everybody who listens is 100% loyal.

Cristina: Yeah.

Jack: And just commits, and they're like, yes, this is. This is my religion now.

Cristina: But we don't even listen to the episode. We just hear the first.

Jack: We do anything they say, and we make it up to where the first order comes, and then we just go and do it.

Cristina: But then they do listen to the episode afterwards.

Jack: Interesting. I guess they would. There's no reason not to.

Cristina: Yeah. Because they still have to do that. And then in the end, they have to tell their friends and family about what they just did with their friend.

Jack: Yes. 100%. Okay. You're right. Yes. That's the first. The second is a lot of episodes are essentially telling them how to listen. So there was nothing ever happening anyways. The episodes are just like just telling them how to get somebody to listen in the first place. So it was. The episode itself was an instruction of.

Cristina: Sorts of the whole episode so far. So far? Well, this episode.

Jack: Yes. But I'm pretty sure we've done this before.

Cristina: Yes. Which I guess giving them this episode to listen to wouldn't make sense.

Jack: Well, it would make the most sense because it's just instructions. But at this point, we're hoping they believe random sets of instructions is equal to God. And they're hearing word of God, which is essentially instructions, which I don't know.

Cristina: Like when to bring in their friends. Listen. Because by the time they listen to the part of like this is the conclusion of how to do this to your friend, they've already listened to the whole episode. But the point was to listen to it with a friend. So they both.

Jack: So this is.

Cristina: They failed.

Jack: This is an impossible task by default.

Cristina: Yes. Oh, you made it impossible. Trying to make it difficult. Now it's impossible.

Jack: Well, it was already impossible because all they're doing is reading a transcription. So they're essentially giving their homie the page, I guess. No, that would still happen. As long as they give it to one person we want.

Cristina: Yes. But by the time they get to the point, they already finished the episode. Like they can't do all the other things.

Jack: I mean, they can unless they pick.

Cristina: The point to do it.

Jack: To do it.

Cristina: But we need them to dress up as a greaser dude.

Jack: Yes. Okay, so there's a total goal. In which case. Right, but they just have to give this episode to somebody. No, but they couldn't listen with or read with them.

Cristina: Them. And also, is this papers giving them.

Jack: Cancer also crazy question. Why is the 80s, like totally dead of technology? It's like void of technology for us.

Cristina: They have technology.

Jack: Exactly. Why aren't we just giving them like a cassette or something? Why am I transcribing this? They could listen.

Cristina: I don't know. They have to be really rich, I guess, to own a really giant radio. Like those awkward radio things that were.

Jack: This would take like three minutes to make a cassette out of.

Cristina: Alright, you know what? Let's. Yeah, let's do that. We still have the problem that they're gonna listen to most of the episode before they get their friend involved.

Jack: We made something with so many holes and now we gotta patch holes before we go to the 80s.

Cristina: Yes, because we could give it to someone else. I mean, we can give them a different episode, then they do that thing.

Jack: No, but the point is for them to do what we're saying now, which is basically be dressed like a greaser.

Cristina: Which they won't know until.

Jack: Well, they already be dressing this way. We just need to give them the rope. That's why we went to the 80s. This is just normal s***.

Cristina: Why are we not giving him a chain rope?

Jack: Because. So it needs to be a chain.

Cristina: It has to be a chain.

Jack: It could just be a silver rope. That's cool. It has to match his outfit. That's usually why it's a chain.

Cristina: Exactly. So it should still be a chain.

Jack: No, if it was a white rope, it would match their outfits. Usually. Like what, black?

Cristina: His friend would be very confused about that. No one walks around with a rope. Everyone's with chains.

Jack: Right. And this has to work for everybody. This has to work for everybody. Well, no, this doesn't make any sense. Right. Because we have more than one listener.

Cristina: Yes, but we're only doing this for one listener, though.

Jack: No. Everybody else just has to do something we mentioned along the way and hope it works. Yeah, Well, I guess we're trying to convince one. We're trying to 100% get one more listener, essentially. Yes.

Cristina: That exists in the past.

Jack: Yeah. Now they exist in the past conditionally, because we just want a very specific. We want specific situation that leads to a listener.

Cristina: Which makes it hard, though, because once they're a listener, their friend is also a listener. So their friend has hear the next episode, but that episode doesn't exist.

Jack: Yes. Also, problem is the fact that they listen. Would they ever listen to the next episode?

Cristina: Exactly.

Jack: I guess it would if this was in a time like now where we're actually there and the episode is telling you how to get somebody to listen.

Cristina: I think we just have to make all our episodes into tapes and just let it out that way. It'll be like that movie with this. You'll die in seven days if you watch this film or whatever. But it's. If you listen to this podcast, you'll get cancer.

Jack: Yes.

Cristina: Everyone convinces their friends to watch it, listen to it.

Jack: In the 80s, already had cassettes, and we have this show in cassettes.

Cristina: Okay. So we don't have to do anything. We'll just.

Jack: We don't have to do anything. We just hear take it to your vcr.

Cristina: Yes. What about all the fight club movies that we have to give?

Jack: Oh, my God, so many. All of them.

Cristina: All of them, actually. They would have the thing. They would have VCRs. It works out.

Jack: Can you imagine? I think we've destroyed reality.

Cristina: Is that a 90s thing?

Jack: Is what a 90s thing?

Cristina: VCRs.

Jack: No, VCRs. They had to be in the 80s, okay.

Cristina: Because we have so many. We gotta get rid of them.

Jack: Yes, but listen. Yeah, we have so many.

Cristina: We get rid of one per episode.

Jack: Yeah, well, no. Everybody who subscribes gets one.

Cristina: I thought it was for every episode, though. They get every episode they listen to. They get a new one in the mail.

Jack: No. They got a new Fight Club in the mail.

Cristina: Yeah. That's what I'm talking about.

Jack: Oh, but they get one VCR.

Cristina: Yeah. They only get one VCR.

Jack: Beginning.

Cristina: Yeah. That cost us like, $200.

Jack: Yes, it was actually like. No, it was like a thousand. $200 each.

Cristina: Oh. It was a bad investment that we had to get rid of. Like.

Jack: No, it's a great investment because when the power gets cut the f*** off. Not the power. When the Internet gets cut off. Because when the power is cut off, you're all like. The vast majority of you are f*****.

Cristina: And that was always so.

Jack: Yeah, but assuming the Internet gets cut off, but the power doesn't. So that they can keep people shut down.

Cristina: Okay.

Jack: They have the show that they can still play and they don't need Internet for.

Cristina: No, but what about all that? Fight Club?

Jack: They can also watch that. But also. No, this is my point. I think we've destroyed the world if we did this. Because can you imagine fight club 20 years early? Holy.

Cristina: It's also, our episodes will be very confusing.

Jack: Yes.

Cristina: It would be gibberish. So, I don't know, we'll start a religion around this. Who knows?

Jack: Yeah, yeah, yeah. Fair enough. So I think maybe. Maybe our angle here is wrong. No, I think you have to go further into the future.

Cristina: What?

Jack: Yeah, yeah, yeah. Because the further back we go, the more regular. No, I guess that does make sense.

Cristina: But it was all about the outfit, so it's not about the outfit anymore.

Jack: No. Well, we're trying to get the outfit in the future now. Because we have to go somewhere where.

Cristina: The 80s style is back.

Jack: No, because that'll happen where the ninth and the rope. Like, even having them is, like, in any circumstance, you have to have past the point in which you need a rope and you have, like, a button that you could press from a laser thing that would show up and that would restrain you.

Cristina: Ah.

Jack: And it's like, okay, that's. I'm gonna rope you.

Cristina: Huh?

Jack: With a physical rope. They're gonna be like, Whoa, this guy's crazy. And then that's how to make it harder.

Cristina: Okay. Because they're already. So if you want a challenge in the future.

Jack: Yes.

Cristina: So we're sending it in the future. So we're just.

Jack: Look, we're essentially just trolling somebody.

Cristina: All right. We don't have to send them this episode because they can hear this episode in the future.

Jack: Yes.

Cristina: We'll just stumble upon it.

Jack: Interesting.

Cristina: And then they're like, okay, but are they gonna cosplay?

Jack: Oh, Then you know what? There's absolutely no harm. And because our. This episode just exists.

Cristina: Yeah.

Jack: Given enough time, the situation will come to fruition and it would have happened. We win. We win by default. We win, cuz Infinity.

Cristina: Exactly. But will they be dressed up?

Jack: Yeah. Somebody at some point would be the type of person to dress this way.

Cristina: Mm.

Jack: But not normally. Have rope and the switchblade.

Cristina: Yes.

Jack: Given enough time, those circumstances will just.

Cristina: Happen and it will somehow be normal to be dressed up this way and have a rope and a switchblade.

Jack: Yeah, It'll either be normal, or this person would already normally dress this way.

Cristina: Mm. Yeah. Yeah, I guess.

Jack: So, like, it doesn't matter. Everything we've discussed will happen.

Cristina: Yes.

Jack: In the course of infinity.

Cristina: Mm. We can check the computer for that.

Jack: Yes. Quantum computer. So kind of just makes way more sense to troll the guy in the 80s because it's something to do. The rest is just gonna happen in the future. Yeah. So this is less interesting.

Cristina: And we'll learn if our tapes will give cancer.

Jack: Yes. By one person.

Cristina: Mm.

Jack: Well, it's not. Yeah, yes.

Cristina: Just one person. Because he's gonna let his friend hear this. Who also get the cancer.

Jack: Man. This is gonna be like that Netflix show.

Cristina: What?

Jack: The one with. What is it? Archive? 51 or 52 or some. Where there's just these tapes that came out of nowhere about some crazy ritual.

Cristina: Yeah, yeah, it's the same thing. Who knew? And it started from a podcast. That's weird. Okay.

Jack: Didn't some other happen from a podcast?

Cristina: A lot of stuff happens.

Jack: Not a movie or like. Like a show based on a podcast. Another show or was it a show?

Cristina: No, Archive was a show that was based off of podcast.

Jack: Oh, okay, then yes, I guess it was that triggered that thought.

Cristina: Yeah, yeah, yeah.

Jack: So Archive was based on a podcast.

Cristina: I gotta listen to? Yes. Yes.

Jack: I wonder if it's as good.

Cristina: But that show is pretty good. Yeah, yeah, the ending was confusing, but whatever.

Jack: Good. Guys, go. Go watch it. We're not spoiling that one. Go watch Archive.

Cristina: I Want to spoil it?

Jack: Don't spoil it.

Cristina: It's exactly what this episode is about. We just. Our episode. If you watch it, and then after hearing our episode, you'll be like, whoa. It's the same thing.

Jack: A lot of it. Yeah.

Cristina: Except for the alien thing that you already mentioned, which I don't know if that's. Oh, no, I mentioned.

Jack: You mentioned the alien.

Cristina: Oh, first. You didn't hear that. Okay. The cult that you mentioned, is it an alien?

Jack: I mean, I guess anything that isn't from here, it's.

Cristina: Yeah, it's technically an alien. It may not actually be a physical.

Jack: So then being.

Cristina: But it's a.

Jack: In Stranger Things.

Cristina: Alien mole.

Jack: In Stranger Things. Is the creature there an alien? It is. It would have to be.

Cristina: It's not alien.

Jack: Why? It's not from here.

Cristina: It's not from space.

Jack: Why does it have to be from space? The creature from Archive isn't.

Cristina: It's. Well, the creature is not an alien. It's the mole. That's an alien.

Jack: The mold.

Cristina: Yes.

Jack: It came from space.

Cristina: Yeah, it came from the rock. That came from space. That's the alien.

Jack: Oh, s***. And the creature is also an alien.

Cristina: No, that's just what the mold makes you see, I'm guessing. I don't know.

Jack: But they all see it and they get stuck there, and it can all interact with the same mold.

Cristina: Maybe it's the mold's imagination. I don't know how it works. Like, it could be the mold in, like, putting itself in your mind as an alien.

Jack: Okay, definite spoilers. But now I gotta talk about this, because what you just told me makes me think that the creature.

Cristina: Yes, the alien creature.

Jack: We're seeing it from one person's perspective.

Cristina: And it's the lady and the guy.

Jack: No, but there was a little video where.

Cristina: Yeah, it's there. Yeah. Yeah, you do.

Jack: So there is an alien. Because my thought is each one of them is seeing their own thing.

Cristina: But if the mold is sending out an image of an alien to have a physical.

Jack: Well, no. If body means the mold is conscious.

Cristina: Yeah.

Jack: I don't think the mold is doing that. The mold is causing them to hallucinate. It is, yes, but not intention. It's not like I'm gonna make you hallucinate.

Cristina: How do you know?

Jack: Well, that's the question. That's what I'm asking.

Cristina: Right.

Jack: Is it thinking?

Cristina: It could be thinking.

Jack: Or is it just mold from space?

Cristina: It's a thinking mold from space.

Jack: Then why isn't our mold sentient?

Cristina: Because it's not an alien mold.

Jack: Do you see the problem? Like this doesn't work.

Cristina: Why? Why does the water work in the moon? The silen. That water is different. That's alien water.

Jack: That's alien water. But it's not thinking.

Cristina: It's working differently than the water we have.

Jack: Exactly my point. It's working differently, but it's not thinking. The water isn't thinking. It's just watering.

Cristina: It's just water.

Jack: So the mold is just molding, but it's space molding. It's not like I'm gonna make you hallucinate. It's just like you're around me, so you're gonna hallucinate.

Cristina: How can you tell?

Jack: Well, because of the water from the Silency.

Cristina: So if that had conscious, then it'd be the same? I don't know.

Jack: Well, no, you brought the example.

Cristina: And.

Jack: And yes, that's a perfect situation in which it's just from space. And yes, by default isn't conscious.

Cristina: Yes.

Jack: So the mold is just from space and by default doesn't have to be conscious.

Cristina: Doesn't have to be.

Jack: Yeah, but that's the same argument that could be made as to whether the. So the water attacking them is.

Cristina: We don't know that. I don't know.

Jack: I think it's pretty clear that neither of these situations. The thing is alive.

Cristina: Yeah, I guess not.

Jack: I think it's just something is happening.

Cristina: But the point is, is the Stranger Things creatures. Aliens.

Jack: Yes.

Cristina: They come from other. Different dimensions.

Jack: That's literally what happens with the creature from archive.

Cristina: That's from a different dimension.

Jack: Yeah, because that's where they open a portal.

Cristina: Oh, yeah.

Jack: They see the creature because of the mold.

Cristina: But does that mean those things are aliens? Like the mold for sure is alien. Yeah, but it's a creature from a different dimension. Also an alien.

Jack: Well, that's what makes him an alien. The fact that he's from a different dimension because he's not from here. Thus, alien.

Cristina: Okay. Because I thought alien was just.

Jack: But also, that's totally the wrong term. Dimension is. We're just using that poorly, you know, different, like, local space thing. But, like, it couldn't be another dimension because.

Cristina: Well, it is from a different dimension, isn't it? That's the point.

Jack: Well, no, dimension doesn't even make sense as a term in that case.

Jack: Because dimension is like the layers of things. Like you're in every dimension right now.

Cristina: Oh, okay. Okay, I see.

Jack: Yeah. Like if it's from a different realm or something.

Cristina: Realm. Okay. Is that still alien? Yeah, if it's From a different realm.

Jack: Thor is an alien. He's not a God. Well, Marvel.

Cristina: Thor, is he a different realm?

Jack: Yeah.

Cristina: Yes. Okay. Those are all different. There's a bunch of nine. Whatever realms. Okay.

Jack: He's an alien, and he's just from a different realm.

Cristina: An alien. I guess. I don't know. I guess that. That makes sense. I guess they're aliens. Even the stranger thing.

Jack: Yeah. This is a different realm.

Cristina: It looks like our realm.

Jack: Yeah, it looks the same.

Cristina: Looks the same. It looks like the shadow realm or whatever.

Jack: It kind of is the shadow realm.

Cristina: It is.

Jack: Which is literally a different realm.

Cristina: Yes. And. But we don't call these creatures aliens.

Jack: But they technically are because they're not from here. Which is the only requirement, I guess, to be an alien. Just not from here.

Cristina: Okay.

Jack: Your extraterrestrial.

Cristina: I always thought that just meant, like, you're from space. I mean, you guys are not from.

Jack: No, I guess. I guess I'm wrong again, because extraterrestrial literally means. I guess. No, it means not of Earth. Extraterrestrial, of or from outside the Earth or its atmosphere. So space or simply not of planet Earth. Different realm. Yes.

Cristina: But then the second part is if.

Jack: Like, hypothetical or fictional, being from outer space, especially an intelligent one, it's from outer space.

Cristina: The first one definition is what you're saying. The second definition is what I'm saying. Just out. It's out. It's in space. Outer. From Earth.

Jack: Yes. But I believe the first one describes the fact of the matter, which is.

Cristina: They'Re not from Earth, that they're not from Earth.

Jack: Thus they are aliens.

Cristina: Okay.

Jack: Alien. Belonging to a foreign country or nation, relating to or denoting beings supposedly from other worlds.

Cristina: Other worlds sound like extraterrestrial. It's not helpful. This is not helpful.

Jack: What do you think another world means?

Cristina: Another planet.

Jack: Why wouldn't they say another planet in that description?

Cristina: You think other worlds mean Thor is from another world? Okay, I guess. Yeah.

Jack: That is not another planet. The concept of planet does not exist where Thor is from. Everything is flat and there are levels to it.

Cristina: Oh, okay. It's weird, but yes.

Jack: You see, a planet is not a thing where Thor exists, but then he crosses the realm into where we have space.

Cristina: Okay.

Jack: He is still an alien.

Cristina: Okay, so they are aliens.

Jack: Yeah. Just not being on from Earth is the requirement. So any thing that falls into you're not from Earth.

Cristina: So all these creatures we've been talking about this whole time are alien aliens.

Jack: But we do still make the distinction because it helps the listener know from Referring to.

Cristina: Okay, like, whether it's from space or from the other realm.

Jack: Because they're still using the common thinking of alien means outer space.

Cristina: Okay.

Jack: And like, demon means from a different realm.

Cristina: Okay.

Jack: Those descriptors help. It's like, I could say, hey, man, you know Bob? Who? Bob who? Oh, Bob, the guy who wears the leather jacket and is always in the color black. He has the bracelet. He sometimes has a mohawk. Or you're just like the goth. And he's like, oh, I get it.

Cristina: Okay.

Jack: That's essentially the point of calling space things aliens.

Cristina: Alright. Although from all our research, they are pretty much like, exactly like all the creatures that we've talked about. Anyway. From the other realms.

Jack: Yeah. Here's the crazy.

Cristina: There's not really much difference. Or from the gods.

Jack: It totally isn't. Because what about that thing that crossed realms or whatever? F*** the chupacabra. Just looking for blood.

Cristina: Exactly.

Jack: That s*** is not an alien from space. That came from some other s***. But then we've had gods show up doing the same s***.

Cristina: Exactly. At the end of the day, all these creatures, whether it doesn't matter, realm or other world, it's. It's all the same.

Jack: Yeah. They all behave more or less the same.

Cristina: Yeah.

Jack: Like ultimately, a fairy is an alien.

Cristina: Mm.

Jack: Everything is. Everything is. It's a. It's an umbrella term.

Cristina: We might even be. So.

Jack: Yeah, well, the problem is. No, we're of Earth or Everett. Yeah.

Cristina: Because I thought we were some type of experiment from the cat people or we came from. No, where was Eden from?

Jack: People. Oh, you mean humans as a whole.

Cristina: Humans, I guess, yes. Us as well.

Jack: No, because we're the descendants of the people who decided that the term alien, you know, it's based on the fact that. Well, those of us born here for like, whatever lineage goes back to the first. We're terrestrial. From the first person born here forward. Or I guess terrestrial means you were born on Earth regardless of when.

Cristina: Yes. Okay. All right. That makes sense. Even though you're sort of an alien.

Jack: Yes.

Cristina: Okay. Interesting, interesting. We're all aliens.

Jack: Well, you wouldn't be an alien by definition. You wouldn't be an alien.

Cristina: No, no.

Jack: Because you were born on Earth.

Cristina: Yes.

Jack: Alien just means you were born somewhere else.

Cristina: Yeah. Okay.

Jack: You could be a little green man, but you were born on Earth. You are not an alien. You're just a little green creature.

Cristina: Then the lizard people are complicated because we don't know if they were born on this Earth.

Jack: They were born on Mars.

Cristina: They weren't born on the Second Earth.

Jack: They were born on Mars.

Cristina: They were born on Mars, then they.

Jack: Went to Earth, went to the center, created a portal, and then came out on our side.

Cristina: Oh, the second Earth is Mars.

Jack: Yes.

Cristina: Okay, okay.

Jack: Born on the second Earth, Smars went to the second Earth inside, built a portal, which they came out of. All right, so they are aliens because they're not of our Earth.

Cristina: Yes, but they're not even from an Earth.

Jack: But they're not even from Unearth. They're just from Mars. The Martians, the Reptilians are all Martians.

Cristina: But anyone on a different Earth is still alien to us.

Jack: Yes, they're all alien to us. Even if they are literally usually.

Cristina: Yes. Okay, that makes sense.

Jack: They're alien.

Cristina: Yep.

Jack: Now we'd be the aliens to them by definition, because we're not of their world.

Cristina: Mm. But it doesn't matter what world. Two things. Because they're not here.

Jack: So I guess everybody's an alien all the time. To somebody.

Cristina: To somebody.

Jack: But you're never an alien to yourself. You're defining alien based on you. It's kind of like the observable universe. You're always in the center. So even if you went to the corner, now you don't see what you.

Cristina: Used to see, because now you have a new center of the universe.

Jack: Yes, exactly. The center is always moving and the distance is always the same. That's the same idea here.

Cristina: Okay, that makes sense.

Jack: Yeah.

Cristina: Yes. How did we get to this from, I don't know, the shows? How do you get to the future to the shows? I don't know. I lost the conversation.

Jack: Yeah, the thread is gone.

Cristina: But it's very interesting to see what the people from the future will do. And the past, I guess, because they're going to do the experiment on both.

Jack: Well, the future one is going to happen by default. We don't do anything.

Cristina: We don't do anything.

Jack: Infinity is going to happen and we win.

Cristina: Yes.

Jack: So the only real goal is going back and for some reason, trolling some.

Cristina: 80S dude that we'll see. Well, we'll still see the one in the future because we'll use the computer to see the results of.

Jack: Oh, my God. You know, that's the problem here. No, because it wouldn't be. Yeah, yeah, yeah. We. We still want the actual listeners. We have to do this. I was gonna say we could have just simulated it.

Cristina: Yeah, that's not. No, you don't want to do that.

Jack: Well, we could do that, but we still have to do the actual thing because we want the Listener.

Cristina: Or are we. We are doing the actual thing.

Jack: Yeah. Or are we gonna just. Is any listener. Another listener is the simulated version. Listener. As long as we don't shut off his reality, that's technically another listener. We could just do this in the computer. Save a portion of its power just running to continue simulating this universe in which this individual exists.

Cristina: This person from the future or the past.

Jack: The 80s person doesn't actually have to be in the past. We could get the person with the leather jacket to do it simulated in the computer to the exact conditions we want.

Cristina: Okay.

Jack: And we just have to sustain their universe forever.

Cristina: Yes.

Jack: We're literally gonna be God.

Cristina: But we gotta do it for both, because I will. We have to see the future one too. Like we know it's gonna happen for sure.

Jack: Future is gonna happen no matter what.

Cristina: But we gotta see it.

Jack: Oh, so you want to simulate the future. Oh, yeah. But we could shut them off. We just need one real listener. It's the goal.

Cristina: Yeah.

Jack: Getting one listener through these absurd conditions.

Cristina: Yes. We gotta make sure it happens. Like we know it's gonna happen. But with the computer we'll know for sure. For sure.

Jack: No, yeah, that. Simulating it.

Cristina: Yes. For the future and past.

Jack: The future is going to happen no matter what. We know factually. The set of circumstances we want will happen. And it's going to lead to a listener. Okay, That's a fact. Because infinity.

Cristina: Yes. Okay, so we're just worried about the. The past.

Jack: Only the past.

Cristina: Okay, then we should do that. That sounds great.

Jack: And we can simulate it. Because ultimately the futures thing, we could go and simulate an infinite number of times it's going to happen exactly as we said it. And an infinite number of times it's going to fail that same way.

Cristina: Yes.

Jack: Okay, so it doesn't matter.

Cristina: Doesn't matter. Okay.

Jack: Only the 80s ones matter. But also now I could just tell the computer to generate a world in which people dress like that.

Cristina: Yeah. No, but it has to be in the 80s.

Jack: We can simulate the 80s then.

Cristina: Okay.

Jack: Or in 80s where specifically this person would be the person who would dress like that. You know, whatever. All right, So a hundred percent we're getting the one extra listener. This is a plan that can't even fail. And because we're going to sustain their universe and they can hear us. But how would they know they're in this universe? Holy. Everybody listening to this now believe they're the one in that universe.

Cristina: Yes. Okay.

Jack: And then we worked in being God, essentially. Because we made your universe.

Cristina: All right. That Work.

Jack: So one of you. This is true.

Cristina: Yes.

Jack: One of you is inside of a universe. Yeah, exactly. Because by the time this comes out, we would have created the universe and put this in there.

Cristina: Yes.

Jack: So one of you has memories that we programmed.

Cristina: Mm.

Jack: One of you people hearing this show, you have memories. We programmed.

Cristina: The crazy thing is, like, they don't even have to be the 80s person, though. They could be anyone, because the 80s person is gonna tell their friend. But also everyone like, the show exists so other people will listen to it and will be trying to tell their friend about it. So it could be anyone.

Jack: Interesting. You know, I don't understand.

Cristina: You don't understand that we're doing this program just for one 80s person. But it's not just an 80s person that's gonna listen to us in that program.

Jack: No. But the person in the unit in the program in the. In the simulated universe, Right.

Cristina: Yes. There's gonna be a bunch of people listening to us talk about how they're in a simulation. In the simulation.

Jack: Interesting. I see what you're saying.

Cristina: So in whoever's listening to us right now, they don't know if they're in the simulation or not Just because they're right. Because not just like an 80s person. That doesn't mean they're not one of the people.

Jack: What you're arguing is that we aren't just doing this to this one individual, but rather the show is normal in the universe we're simulating.

Cristina: Exactly.

Jack: And we've simulated more than just him.

Cristina: Yeah.

Jack: Because we have to sustain his universe. He can't exist in a world where he tries to open the door out of his room and there's nothing.

Cristina: No.

Jack: It has to be a literal universe.

Cristina: Yes.

Jack: So there's approximately 8 billion people there.

Cristina: Mm. And also our show is probably giving them cancer.

Jack: And our show's probably giving them cancer. Oh, s***. So it's the same scenario. We just made a universe in which this now.

Cristina: Exactly. Exactly.

Jack: Except everyone listening there.

Cristina: Yes.

Jack: We're God. Because we made you a universe. Now, you'll never know because you were born before. Just after this episode was recorded and before it aired.

Cristina: Yes.

Jack: That you were born at that point.

Cristina: But you wouldn't know.

Jack: And you would know because all your memories were made to seem like you had a life.

Cristina: Exactly. So everyone listening to the. They'll never know. They'll never know if they're the ones that. That's their. Yeah, they're in the fake one or the real one.

Jack: They'll never know if you are the one who is in the simulated universe. And it's a. It's a flip of the coin.

Cristina: Yeah.

Jack: There's two universes. One of you is simulated because there's two of you. Now, we made a universe identical to this, and there's two of you, and one of you is simulated, and that one is literally just half a chance way.

Cristina: And we don't have to worry about future episodes because there's gonna be us in there, too.

Jack: Yeah.

Cristina: So even there's a simulated version of us, how do we know we're the ones? I mean, we're recording it, though. Unless we. But we did it in the middle of the episode. So the. Everything after the point of the simulation, like everything else could have been just generated right now.

Jack: No, that wouldn't make any sense because the episode would have. We have to make the episode after recording. We had the idea at that point, but we have to go and make the universe in the quantum computer.

Cristina: Okay. I thought we were doing it while we're talking.

Jack: No, we're going to do that after the show.

Cristina: Oh, okay.

Jack: We're gonna simulate.

Cristina: Okay. So we're safe.

Jack: We're safe. We're definitely not.

Cristina: Okay.

Jack: Because I see this microphone in front of me, but anybody who's hearing this 50, 50 chance. You're in a universe where we just invented you in order to get what? You're not even important. You're listening by f****** mere chance. Unless you're who we were aiming at and you weren't because you're not dressed.

Cristina: Like a greaser, but still, you probably gonna rope someone if you're listening to this episode.

Jack: Yeah. If you.

Cristina: Even if you don't dress up like a greaser.

Jack: Yes.

Cristina: The goal is to rope someone.

Jack: Because if you get us another listener, you're great.

Cristina: Yes. So win, win, win.

Jack: Yeah. But, yeah. Ultimately, you can still go out there with a switchblade or box cutter.

Cristina: Yes. And a rope or chain rope thing.

Jack: Yeah. But this episode had a variety of ways.

Cristina: Yeah. Yeah.

Jack: So you pick your favorite and you go do it.

Cristina: That's gonna be so awesome.

Jack: Don't actually stab them, though. You just have the knife.

Cristina: It's just to scare them.

Jack: Yes. Just to scare them. It could be a prop knife. That looks very realistic.

Cristina: Yes.

Jack: It doesn't matter. They have to believe it's a real knife, is the point.

Cristina: Yes.

Jack: The end.

Cristina: They just have to. What is it in Sunny and Philadelphia? What he says is just to insinuate.

Jack: Oh, you have to insinuate that you're gonna do something horrible.

Cristina: Yes. That's the important thing.

Jack: Yes. But you never said.

Cristina: You never.

Jack: Yeah, I mean, I guess you literally said, I'm gonna tie you up.

Cristina: Well, you never said you're gonna hurt them or cut them.

Jack: Exactly.

Cristina: And you're not gonna cut them.

Jack: And you're not going to. Don't do that. That's bad. We are not endorsing stabbing.

Cristina: No. We're just saying tie them up.

Jack: Yeah. You're gonna tie them up. Actually, we didn't say tie them up either. We just said you're gonna get them to listen with a rope.

Cristina: Yes, but we were hoping you'd tie.

Jack: Them up like a cowboy. To make it harder.

Cristina: To make it harder. So you probably won't end up tying them.

Jack: Yeah. And it'll still probably be really. No, it'll be really easy, which was like the biggest point. It'll be too easy. The knife is gonna spook them a little. But chances are they'll still wait around and see what will happen if you're their close friend or something.

Cristina: Yeah. So then you guys will listen to this episode together. Yes. And mission accomplished, I guess. Yes.

Jack: Unless they. Unless. What if this is your favorite episode because you love doing what? What. It's what's explained. And so every time you go and you do it again, but this time with your friend, you. That's how the call happens. Right. So every day you guys listen to this, but then each one of you must successfully get somebody else to listen. So every day it's two times bigger. Twice as big. Yeah. And so today it's two, tomorrow's four, but eventually it's like a billion. Two billion. Four billion.

Cristina: That's ridiculous.

Jack: Eight billion.

Cristina: Okay.

Jack: Yeah.

Cristina: Oh, I guess that's how popular this episode is gonna be.

Jack: Man, Rogan's gonna be begging at the door. Anyways, guys, if you liked what we were talking about, you see, we figured it out for you. Now you just go do it. We solved the most nuanced. It's great.

Cristina: Yes.

Jack: We win. You can find.

Cristina: It's other complicated to know when are they gonna stop the episode to get the friend. Like, it could happen at any moment. It could happen in the beginning.

Jack: Yeah, they could.

Cristina: It's. But it could happen in somewhere in the middle. Because we mention it over and over and over again.

Jack: They're like, as long as it's done with the rope.

Cristina: Yeah.

Jack: You don't even need the knife.

Cristina: Yeah. Like, maybe this isn't the right idea. So I'm just listening to. Till I get to the point where ideas. Yeah.

Jack: Yeah.

Cristina: So I Get to my favorite and then I'm gonna do it. And then I'm get my friend to listen to this episode with me. Did they restart the episode or did they just continue where he left off? Because I probably asked this before, but I don't remember. I guess it's your choice.

Jack: Yeah, just at some point they're gonna finish the episode anyways.

Cristina: Yeah.

Jack: So it doesn't matter. They'll get more ideas. But anywho, you guys can hear more conversations of this nature and probably way more coherent other conversations on the official website greatthoughts.info or on Apple podcasts, Spotify or anywhere you get your podcasts.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok @JustCombopod.

Jack: Yep. And remember to subscribe and rain and review the show. I'm not someone who might like the show and know about it.

Cristina: This has been the rambling podcast signal. Think personal and thanks for listening.

Jack: Bye. Windmill causes energy. That's the point of a windmill, right? Send electricity. The electricity has to power something, right? So if we're creating electricity, then we have electrical currents running. Those electrical currents go to where? They go to any kind of thing. Houses, they charge the cars, but they also do what they power. The 5G towers.

Cristina: Oh, what?

Jack: Our windmills. Towers are 5G towers. Towers.

Cristina: Okay.

Jack: See how these lines start to. It's. The similarities are striking already. Not only that, who says that the windmill isn't giving out 5G signal? Why wouldn't we double up? It's already a tower. Why wouldn't we create windmills that can self power the 5G signal that they need to boost instead of redirecting energy towards them?

Cristina: What?

Jack: All the windmills have been 5G cancer towers this entire time?

Cristina: Then why is it only lasting 10 years? Is this such a hard job for the windmill?

Jack: The radiation is so overpowered, it's deteriorating the windmill itself. It could only sustain for a certain amount of time. It rusts at a hundred times the pace of the normal metal.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts.info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 170: Becoming Woke

Why did Will Smith slap Chris Rock? How is it related to Russia invading Ukraine? Are blue haired non-binary leftist overweight screaming XX chromosome individuals to blame for both of these things? And what is the solution to all these problems? The duo explore how Woke Leftism is the only morally correct path, and decide that eradicating all XX chromosome individuals is the only way to make the WMBA great!

+Episode Details:

Topics Discussed:

  • Being Woke
  • Political Distraction
  • The Slap
  • Smoke and Mirrors
  • Leftism
  • Trans Women Superior to Biological
  • WMBA
  • How to become a Woke Leftist

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episode. Episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on the topics we discuss.

Jack: Yeah. So be sure to find somebody. People. You know, humans find. Find people who are kicking and breathing and alive, and you show them the show. You show them. You're like, look, look. Look at the logos. Look at the picture. This is show. You see it? It's a show. Now you. You find it on your phone. You find it on your phone. You hit play. You do it now.

Cristina: What are you showing them?

Jack: Showing them the show.

Cristina: Oh, on your phone.

Jack: I mean, unless you listen on your.

Cristina: Computer, I don't know. Okay, Yeah, I guess.

Jack: Where else would you be? Showing them the show.

Cristina: Yes. You're showing all these humans.

Jack: A human. At least.

Cristina: Human.

Jack: You're showing a person. Somebody. You're showing somebody the show.

Cristina: Mm.

Jack: And they are to hit play and. Or subscribe.

Cristina: What if it's, like, an animal who believes he's a human? Are they okay to listen if they can.

Jack: If they have a phone.

Cristina: Do they have a phone? Oh, that's important.

Jack: They need to go on their phone. If they don't have a phone, then it is futile. They must have a phone in which they can hit play.

Cristina: Okay.

Jack: And when they hit play, we get clicks on the algorithms, and the algorithms are like, you guys. Yeah, you. And then they show us to more people, and we spread the cancer.

Cristina: And we spread. Then do we need them to tell other people if the algorithm is gonna just do it?

Jack: Yes, because the algorithm needs to know that people are listening in order to show more people. Because, like, people like it. That's how algorithms work. Like, people like it, so we need to show it to more people because more people will like it. Yeah, but people don't like it. Then the algorithms like, no, this is bad. People don't like it, but people do like it. We're at the top of many charts. People do like it, but we need more people to like it. So the more that like it, the more the algorithm is like, here, person, you might like it.

Cristina: Everyone actually needs to like it.

Jack: They need to click it.

Cristina: They need it quicker.

Jack: Okay, I Never said they gotta love it. I said, you. You good. You listen.

Cristina: Yeah.

Jack: And the algorithm thinks you like it. And then the algorithm shows more people because it thinks more people can like it.

Cristina: Mmm.

Jack: So whether you like the show or not, tell somebody about it, because somebody.

Cristina: Will like it but still listen to it also.

Jack: Yeah. Listen to it completely. Leave it playing in the background.

Cristina: Yes.

Jack: And download all the apps and play us on all the apps at the same time. That's impossible because your phone can only run one audio thing at a time. But you can play us once fully per app and it'll show up on our end like a bunch of people.

Cristina: If you have several different devices, you can play us at one time.

Jack: Yeah. If you're one of those people who got like a work phone and a home phone, you could. You could play us on both.

Cristina: What else? Like a computer screen.

Jack: Listen, at this point, you can't. Yeah. Download many browsers.

Cristina: Yes.

Jack: From all different browsers. But no. Because if you got two phones, you're still gonna play it from the same app on both phones because that's two different hits. And then you want to download the next app in which you're gonna do that.

Cristina: Okay.

Jack: You know, so it's not like you're gonna play here on Google and there on Apple. It's like on both you're gonna play Google and on both you're gonna play Apple. Because we gotta. We gotta game the system, bro.

Cristina: Yes. You gotta stop using all your other apps and start helping us out.

Jack: Yeah. We already at the top of a bunch of s***. Let's take over the world.

Cristina: Yeah.

Jack: This is what we're gonna do. What's the goal? It's the goal, people. That's what people do, right? I guess what people do, it's about.

Cristina: Taking over, and then we'll sell socks.

Jack: That's the goal, right?

Cristina: Yes.

Jack: We're gonna. Olga key this s***.

Cristina: Yes. We're gonna. You're go see a short TikTok video of one of us juggling socks with the name, I don't know, clone or something. What would it. Was it say on the sock?

Jack: Sub. Human army.

Cristina: Subhuman army. Okay. That's what's gonna be on the socks.

Jack: Yeah. I don't know how we figure out.

Cristina: How to fit all that on the socks, because that's really long. I don't know. But it's gonna fit somehow.

Jack: Yeah. Yeah. We're gonna have merch that says that at some point we just. We just gotta figure it out, because these websites that are gonna make merch suck.

Cristina: Yes.

Jack: So we're gonna. We're gonna make the merch, and you guys are gonna go and get us the. You're gonna get the merch from us, and you can.

Cristina: Then you gotta juggle that merch.

Jack: Yeah. It's. It's gonna be mugs, and you gotta buy many and juggle them. And. And if they break you buy more. So you can learn. You gotta learn. You gotta.

Cristina: You gotta send us those videos of you juggling those merch.

Jack: Yes. And you got to post them on all your things.

Cristina: Yeah.

Jack: It's not free advertisement. You're showing your progress. You also gotta buy a shirt that says Subhuman army by the Just Conversation podcast.

Cristina: Yes.

Jack: And. Or the Rambling podcast. You wear that. And while you're juggling the socks and the mugs that say the Subhuman army by the Rambling or the Just Conversation podcast, it's not free advertisement. You're showing. You're showing your progress in juggling, and people gonna be like, you're the best juggler that has ever juggled. But after they've. You're gonna organically grow your audience with our stuff. With our stuff. And organically.

Cristina: And then you can tell people we're advertising you.

Jack: Yes. It's free. Free advertisement. Think about it. Think about it. Our already existing listeners want to see our stuff juggled.

Cristina: Yeah.

Jack: And so you're. They're gonna find you because they like things with our names on it.

Cristina: Yes.

Jack: And you're on. We're gonna share audiences, and one day you're gonna be a guest, and we're gonna talk about your juggling and how it's changed your life and how you.

Cristina: Opened, how we inspired you.

Jack: Yes. Huh? Yeah. 100%.

Cristina: To sell your own products.

Jack: No.

Cristina: I don't know.

Jack: No, no, no. They don't sell products. They juggle, and then they monetize their videos so that there's commercials.

Cristina: Oh, okay.

Jack: And you're gonna be sponsored by us. We're not gonna give you money.

Cristina: No.

Jack: We're gonna give you stuff.

Cristina: Oh, stuff.

Jack: Yes. Because eventually you're gonna start buying, but later we're gonna free stuff because you're also getting us. It's mutual. It's mutual growth.

Cristina: Yeah.

Jack: And then you're going to be sponsored by us. And then you're going to be a guest consistently to spread your juggling. You can spread your juggling.

Cristina: You don't be on the Guinness World Record of juggling of the.

Jack: No. 100%. Look, this is easy. We're going to. They're Definitely going to be on look in this world record, because they're going to have juggled the most rambling products.

Cristina: Oh, for the longest also. There should be a longest.

Jack: Well, somebody else is going to do that. There's many people. Many people can do this in different things. Like, the most person. The first. The first to juggle the. The rambling podcast product. Okay, that's one. The one to juggle the most is another. The one to juggle the longest is another. The one to juggle at the highest altitude. Oh, the one to juggle closest to the center of the earth, which is dig a big hole and go in.

Cristina: Yeah.

Jack: And so the one to juggle deepest in the ocean. Oh, you gotta juggle inside a submarine. Oh, the one to juggle furthest out.

Cristina: In the ocean or in the sky.

Jack: The first in a plane to juggle.

Cristina: Yeah.

Jack: You see?

Cristina: Or in space.

Jack: Yes. The first person to juggle on their way down from a skydive from the.

Cristina: International Space Station or juggle on the moon or Mars.

Jack: Many, many things.

Cristina: There's gonna be so many ways to go.

Jack: It's great. Look, you guys have a free opportunity to become absurdly famous, and in return, we get the views and the clicks, and the algorithm says yes. It says yes.

Cristina: It says yes.

Jack: Yes.

Cristina: Everyone wins, man.

Jack: The algorithm is a monster, though, right?

Cristina: I guess. What? Why? What makes it a monster? It's helping everyone.

Jack: Well, here's the problem. Here's a problem. Not specifically the algorithm for podcasts, but just algorithms. It's AI it's controlling our minds. It's making us do stuff.

Cristina: It's making us do stuff.

Jack: Yeah, because we want attention. I mean, we don't f****** want attention.

Cristina: People want tension.

Jack: Yeah.

Cristina: So they have to follow the algorithm.

Jack: Yeah. They want, like, my name needs to be famous and my face. People need to look at my face. Unless people are, like, out there trying to hunt what we look like. Most people just hear our voice and they're like, well, these cartoon characters look like them. Knowing the end. That's where the f****** dies.

Cristina: Yeah.

Jack: Nobody's like, oh, let me find their f****** thing. I don't have socials, bro. Where the f*** are you going to find me? You know? That's exactly not out here, TikTok. And this is, like, abandoned Facebook from, like, 50 years ago. You know, like, yeah, there's doing s***.

Cristina: We got to take a Twitter or.

Jack: Twitter podcast for the podcast.

Cristina: You follow that?

Jack: Yeah, exactly. Like, f*** social media breath.

Cristina: Mm.

Jack: We. We ain't the socials kinds.

Cristina: No.

Jack: But there are people who Are hooked and they're like. It's. It's. It's me. Me tube.

Cristina: It's me tube.

Jack: Me tube.

Cristina: Yeah.

Jack: And you got to look at me. If I'm on YouTube, I'm sitting in front of f****** camera. I'm talking, I'm reviewing video games. But you can see me anyways yous f****** see me. You better. You can f****** see me. And I'm on Instagram. I'm a f****** music. You can f***. I don't care if I'm making music. And see me. I'm an artist. Oh, you can f****** see my face.

Cristina: Yeah.

Jack: My face. I'm beholding the f****** painting.

Cristina: Yeah. One in. So while. One. Once in a while, there's a photo of the art you did.

Jack: Yes.

Cristina: Most of it is just a selfie of you.

Jack: Yes.

Cristina: 190% selfies.

Jack: And in order to get the attention, we got to do all the things it wants us to do. Oh, it's this challenge. Oh, it's that challenge.

Cristina: Or if it's Twitter, it's whatever is a popular hashtag.

Jack: Yeah, yeah. You got to use whatever popular hashtag.

Cristina: Outrage works like that too.

Jack: It'd be outraged. When people are outraged, you gotta make a stand. If you don't make a stand, hey, man, there's a war over here. You what? What's your opinion on it?

Cristina: You have to like what?

Jack: I. I'm not. I'm not into war. I've. I don't know anybody from the war. I don't discuss politics. I don't know anything about. Yeah, we know, but, like, you gotta.

Cristina: Make up an opinion.

Jack: What's your stance?

Cristina: Yes, war is bad.

Jack: Yeah, war is bad.

Cristina: Hashtag war. I don't know.

Jack: I mean, here's the question, right? Here's a question. Some countries got liberated through war. Is war bad? Some. Some countries only exist because war is. We're bad.

Cristina: That's not what TikTok's about.

Jack: Twitter is.

Cristina: Oh, yeah, that's what I meant. That's not what Twitter is about.

Jack: Yeah, it is.

Cristina: Of questioning whether war is good or bad.

Jack: Well, they're gonna say it's bad, but it's.

Cristina: Yeah, like, they're not gonna pay attention to your question.

Jack: Is war bad? Then f*** India. They shouldn't have f****** fought you, you horrible you. You f****** waging war for freedom. You crooked. You crooked evil people. War is horrible. Haven't you heard? Just be slaves. Just be slaves. Why'd you need to war for your independence?

Cristina: I'm pretty sure that was some people's opinions on this probably. I think. I'm pretty sure. Wait, wait, wait, wait, wait.

Jack: You're telling me. You telling me that in order to. To abolish slavery, we had a war? What, they should have just stayed slaves, bro? Look, I. I'm not saying I'm pro slavery. I'm saying I'm anti war. And war happened in or. How many people died to free the slaves, bro? We wouldn't have lost them had we not had war. Both the slaves and the people would have still been alive. That's what I'm saying. If war is bad, you know, that's what I'm saying. If war is bad, then. And then we lost unnecessary lives because we'd have both the slaves and the people alive. You know, not to say that the slaves aren't people or anything of the sort, but you get my point, right?

Cristina: Yeah. Yeah.

Jack: Like war's bad, then what the f***? Or. Or people should shut the f*** up and stop being ignorant jackasses. Because perhaps war has its uses.

Cristina: Mm.

Jack: The f****** wars. Shut the f*** up. The country you're in was built because of war. The rights you're fighting for only exist as a right to fight for in the first place. Because war. Shut the f*** up. Freedom of speech. Somebody f****** waged a war for that.

Cristina: There was a lot of war.

Jack: There was a lot of war. Shut the f*** up. War is bad. War allows you to be here. Without war, we're complacent, Everything sucks. And then we all die of boredom anyways. Everybody starves to death.

Cristina: Yes. Yeah.

Jack: F***. Also, like, yeah, that's a weird argument, right?

Cristina: Yes.

Jack: Cuz like, when you think about it, like a bunch of crazy s*** is like. I mean, we could have just let the Jews f****** keep going through what they were doing. We could have. Like, dude, did we need to wage war against Hitler? Did American soldiers need to die? Did British soldiers need to die? We could. No, he was. Just let him do what he's doing. More people died because war. We could have just let it happen. And then look like you stop at the Jews, right? It's fine. It's fine. No. No war. We don't. Cuz war is bad.

Cristina: Mm.

Jack: Or. Shut the f*** up. Unless this. Bomb this guy so we can get this over with.

Cristina: Is that what they did?

Jack: We just shot s***. We sanctioned him, I guess.

Cristina: Yeah.

Jack: Many sanctions. Hitler, we're gonna take your funds away. A million Jews later. We're gonna take more money away if you don't stop. Two million Jews later. All right?

Cristina: With enough sanctions. He killed him.

Jack: He killed Himself. That's what happened. The reality is. Well, we know, actually. The reality is that, you know, the whole Hitler thing happened because Trump sent the letter to the whole problem there. But. But we know that what led to this happening in the. Like, what ended it was the sanctions, of course. Yeah.

Cristina: This one's totally sanctions.

Jack: Somewhere before he killed himself, he came, saw Trump. We know the whole narrative of that.

Cristina: Yes.

Jack: To meet him.

Cristina: One version, he killed himself. In our reality, he didn't kill himself. Didn't he?

Jack: He totally did.

Cristina: No, because he time travels and everything. Before he killed himself, he killed himself. Hero. Because he did stop.

Jack: Oh, well, yeah, he stopped the meteor.

Cristina: He stopped the meteor, and then he promised he would stop.

Jack: You're right. He became a good guy. We forgave Hitler. Yeah, you're totally right. So you're saying in universe three, Hitler got. Oh, yeah, yeah. That checks out their news, because they're doing that right now, aren't they? They're sanctioning. They're, like, letting the Ukrainians die. And they keep saying, no, we're gonna stop. Because here's the problem, right? Here's the problem, right?

Cristina: What?

Jack: In universe three, they really are running the sanctions game. Like, there's legit bodies in the street.

Cristina: Yes.

Jack: And they're like, sanctions, though. Like, dude, like. Like, that's a f*** ton of dead people. You just, like, worried about money right now? Like, yeah, yeah, he's. He should worry about money. We worry about money. Let me get this straight. Because you're rich and all, you worry about money. You're just thinking that the people who are getting slaughtered are also worried about money. You don't think they just want you to come in here and blow some brains out? No, no, no.

Cristina: They can worry about money begging for help.

Jack: Yeah. Their leader is actively, like, hey, maybe some guns help me murder the bad guys. You're like, we just make the bad guys poor.

Cristina: Yeah.

Jack: Because if we go there, then we risk us losing more money, and we just kind of want the poor people to lose more money.

Cristina: Mm.

Jack: We do. We don't. We don't. Like, like, bro, we're cool with Putin, but he's not cool with the little people. Let's let him, like, just jack the prices up in gas. I already got a gas stockpile. It's fine. I don't pay more. I just sanction him over and over. But if I. If I send people over, they won't. My gas is gonna go there too. I don't like that. The government stockpile of gas.

Cristina: Oh, okay.

Jack: We have stockpiles. But we're like any coming in gas is what we're gonna stop. That's the little people's gas. The government stockpile. We're rich. We can just buy that off the government's. Fine. But this, the f****** gas that's getting. No, no, no. We don't give a s*** about that sanction that s***. But if we have to go to war, he's just gonna immediately cut off his supply to us. Which means gas we have to use is the government supply. Which means the rich people don't just have a stash of gas for themselves.

Cristina: They'Re using the government's gas.

Jack: If s*** hits a fan, they can just buy it off the government. It's there and they are already part of the government.

Cristina: Okay?

Jack: As opposed to the little people who are not part of the government. They have to buy the incoming gas.

Cristina: Which is why imported gas, which is.

Jack: Why that's okay to sanction and f*** the little people. Let gas prices skyrocket to the moon because we have government gas. F*** em. We don't have to buy that s***.

Cristina: Yes, you see, but if we go.

Jack: To war, well, we're war with Russia. Russia's not gonna give us f******. They're not gonna import s***. Which means our only gas to fuel everything we're waging war with would be our stockpiles.

Cristina: Aren't there other places to get gas? Like, why is it just Russia?

Jack: It's the majority. Oh yeah.

Cristina: We couldn't just wait Like, I don't know, we have time to go to other countries. We don't have time.

Jack: Nope. Takes a while to set up these systems. We can't just be like, yeah, guys, just I know you got gas. And there's a bunch of s*** that has nothing to do with this war happening with Russia. And you guys already have buyers and distributions. But look, we're gonna give you a lot more money. Them.

Cristina: Yeah.

Jack: The people you already got contracts with give us that s***. Like, no, that's not how it works.

Cristina: That sounds like something we do. Probably tried, yes.

Jack: You know, I don't doubt it. Universe 3 politicians are just like, hey, hey, more scent. But they're over here. Did you scare about sanctions, bro? Literal bodies in the streets. Literal.

Cristina: Eventually he'll be like, oh, this is too many sanctions. I give up.

Jack: I'm all, yeah. He's gonna be like, I guess he won.

Cristina: I guess he won.

Jack: It's not even no war, no nothing. I guess he won.

Cristina: Yep. Just give up. Go home.

Jack: Yeah, we're exiting NATO. By the way, just, you know, we don't want to have to wage war as soon as he decides to keep pressing in. So we're.

Cristina: We.

Jack: The sanctions didn't work. We're leaving NATO.

Cristina: Guys, who's leaving NATO?

Jack: The United States. As soon as the sanctions totally fail and the sanction gun is all bulleted out or whatever, the ammo is run dry from the sanction gun in empty a**. Sanction chamber, no bullets in the sink. Sanction clip.

Cristina: Yeah.

Jack: The United States is gonna be like, we lot, we lost the sanction war and they're just gonna quit. So that still when he. Russia's gonna like, side with that. Oh, yeah. The left. Yeah. They're our homies now. I'll keep giving them gas because they left NATO.

Cristina: You think we're leaving NATO or that's really a thing that's happening right now too?

Jack: No, it's not really. As soon as this fails, that's the next move to avoid war. Because the rich politicians in America.

Cristina: Mm.

Jack: Do not want to use their gas supply. Because the gas man gas the gas man. They don't want to do the thing.

Cristina: Mm.

Jack: And that's how it goes. This is America. Don't catch you slipping up. And Biden, he ain't gonna be copy slipping up. He like Putin. You could catch me slipping up. Your police, they be tripping up. But I got sanctions whipping up.

Cristina: That's exactly his plan.

Jack: That's exactly his plan.

Cristina: What's his backup plan?

Jack: More sanctions he went behind. He's that. That thing we're f******. That meme of Batman where he's like revealing everybody's identities. He's like Superman, this clerk Kent. And f******. Who the h*** else was it? He revealed the Flash. Yeah. It's like Barry. And then he. He's like Batman takes his mask off. Batman, still Batman. Another Batman mask. And that's exactly what Biden's got going on.

Cristina: So once again runs out of sanctioned bullets.

Jack: Once his section 22 millimeter pistol runs out. He's got a sanctioned assault rifle ready.

Cristina: Oh, snap.

Jack: Yeah. Yeah. Biden be ready. And the lefties are all on board.

Jack: Man. Look, this is what's weird, right? They don't even think there's a war going on half the time. That universe is so f****** weird, dude.

Cristina: Wait, the government doesn't know the people. Oh, the people.

Jack: Oh, yes, the people don't. They're questioning whether there's even a war going on.

Cristina: Of course. Like, they're questioning whether that slap was real or not.

Jack: Oh, my God.

Cristina: It Was fake.

Jack: Obviously it was faked. Look, the slap is meant to distract us from the fact that we're siding with Russia by not going to war with Russia, but only applying sanctions that can easily be avoided. It's all a conspiracy, man. That slap was to distract us.

Cristina: Yes, I'm sure it covered up so many things.

Jack: Fun fact. Wil wheaton in universe 3 is cool.

Cristina: Will Wheaton?

Jack: Yeah. Apparently he made like a post or some s*** about like you guys are a bunch of sheeple jackasses who are distracted by his slap. Meanwhile, some lady tried to throw over the government. Yeah, that f****** happened, dude. There's people just acted. Okay, first of all, people in universe 3 are retarded, it seems.

Cristina: Okay.

Jack: They're just easily distracted by f****** anything that ever happens. On top of the fact that they believe nothing ever. And they side with whatever's the dumbest argument.

Cristina: Yes.

Jack: So in Universe 3, the slap is distracting people from the war, but not just the war. And the fact that the United States is in cahoots with Russia to some degree, but that some lady who's a politician of some sort tried in the last couple of days to overthrow the government through some legislation.

Cristina: How?

Jack: I don't know, I just read a couple of things about it on our TV that's connected to Universe 3 newses and stuff. People were praising Wil Wheaton over here. He's just a nerd who plays f****** board games over there. No, politician.

Cristina: He's a. No. Okay.

Jack: You don't think Wil Wheaton is the greatest politician of all time?

Cristina: Yes. I hope he's the next president, probably.

Jack: Oof. That's it right there.

Cristina: What?

Jack: Yeah, you see that? That's nuts.

Cristina: Yes. Because I haven't heard anyone talk about that.

Jack: Yeah, but now you got to see yourself, Wheaton. Wheaton is cool. In universe one we got lame Tabletop Wheaton, but they got cool a** Wheaton. He's. He's out there calling the stupidity of the masses who are total sheep.

Cristina: Mm.

Jack: They just. They just sheeple out, you know.

Cristina: Over here he's gonna run for president though.

Jack: You think he's gonna run for president over here? Tabletop President.

Cristina: Yes.

Jack: Everybody's gonna play board games forever.

Cristina: Mm.

Jack: Over there just political s***. F****** universal basic income. And f***** over here just Dungeons and Dragons guys.

Cristina: Star Trek.

Jack: Star Trek. Will Wheaton. So yeah, man, that's f****** crazy. Some lady tried to throw over overthrow the government. People not worried about that. They're just like put the slap. And he's like, but you guys are idiots. What about what about the freedom that allows you to talk about this slap at all.

Cristina: No one cares.

Jack: Didn't give a s***. They can b**** when it's gone, though. When that freedom is gone. Oh, they took it from us. Well, you let them.

Cristina: Yes.

Jack: You sat back and let them.

Cristina: Mm.

Jack: Did nothing. Just talked about it.

Cristina: That's exactly what's gonna happen.

Jack: Yeah, but soon as it's gone, you just b**** and. Oh, my God.

Cristina: Oh.

Jack: So. How horrible. Let's do something. Too late.

Cristina: Many things have happened like that, huh?

Jack: That's usually how it goes.

Cristina: Yeah. Yeah. Just horrible things and we're just talking about it. Okay.

Jack: Pretty much. It seems like that is the way of the third.

Cristina: Third?

Jack: Yeah.

Cristina: What is the first and the second?

Jack: We are the first.

Cristina: Oh, the third. Okay. Okay.

Jack: Yes.

Cristina: I wonder what the way of the.

Jack: Second was with the. What?

Cristina: The way of the second.

Jack: The way of the second. Before it all ended.

Cristina: Disappeared. Yes.

Jack: I don't know, man. I don't know. I just know that it's crazy. It's crazy.

Cristina: Is it possible to use the time machine to see what happened in universe two?

Jack: I don't know. There's a f****** tangled mess within time and space going on right now. S*** from the past happening in the future. S*** from the future happening in the past.

Cristina: So you probably shouldn't use a time machine.

Jack: We probably shouldn't touch anything else. We f***** up enough.

Cristina: Oh, okay.

Jack: There's a bunch of broken s*** happening.

Cristina: But if we could use it, if we thought it was safe enough, you think we'd be able to see what happened?

Jack: We'd need to cross to that universe as well.

Cristina: That's complicated.

Jack: We need to use the time machine in that universe to see.

Cristina: And there's no universe anymore. I mean, there is. There is no Earth anymore.

Jack: Yeah, there's no Earth.

Cristina: So it is possible.

Jack: Yeah. We just need to figure out how to get in there.

Cristina: Yes.

Jack: We didn't even know how to get to universe 3 other than a random portal that showed up.

Cristina: That's true. Then there might be a random portal somewhere else.

Jack: Go find it.

Cristina: Go find it.

Jack: Go find it. What's the point of this argument, this discussion? Otherwise, yes, there might be. Go look. You know, comb through the universe.

Cristina: Why would I do it?

Jack: Send an army to comb through the infinitely vast. Yeah, the infinitely vast universe.

Cristina: We have an infinite army.

Jack: We don't.

Cristina: We don't.

Jack: They're not infinite.

Cristina: They're pretty infinite.

Jack: They're totally not. They're just an army of a bunch of Chinese women and clones.

Cristina: No, the clones Are worse.

Jack: It's also not infinite. No, it's just clones of people. Yeah, we can only fit as many people as would fit on Earth. And still we would need resources to maintain them.

Cristina: Holy.

Jack: It's not far from infinite.

Cristina: Okay, yeah. What if I make a robot army?

Jack: Where you can get the resources for the robot army? We still need things to make things and sustain things. We don't have an army of ghosts. Are there infinite ghosts?

Cristina: Maybe. I don't know how.

Jack: And like ghosts don't even. You know exactly how ghosts work. They're f****** echoes. So you can do send something that you can't do s*** with?

Cristina: No, no, I can't. I mean,

Jack: Basically we can't find a portal. It just happens to be. That one landed in front of us.

Cristina: Yes. And the other could be anywhere.

Jack: Could be literally anywhere. No, no, that portal was man made.

Cristina: Oh yes.

Jack: Well, not man made.

Cristina: It was lizard made. But still got lizards. Maybe they can make another one.

Jack: Maybe. Are they going to and where the would it even go to?

Cristina: I don't know. You can ask them to go to specifically.

Jack: What would even be the point of Earth too?

Cristina: Just to see what it was before it got destroyed.

Jack: That's all very pointless amount of resources used just to answer questions.

Cristina: What if they were more advanced than us? What if there's something important to learn from them before we destroyed them?

Jack: They would. We have a bunch of them. They could just tell us.

Cristina: Oh yes.

Jack: They can literally just give us the answer to the question without having to burn through our own resources.

Cristina: That's true. All right. I guess that's better.

Jack: Mega holes in this plan. Hole size holes.

Cristina: Well, I solved it. We can just talk to them.

Jack: Yeah, but that doesn't tell us s***. Doesn't tell us anything about anything.

Cristina: But we'll find out what it's like through them. Don't you want to know at all?

Jack: It doesn't matter.

Cristina: Doesn't matter.

Jack: We got bigger problems than answering irrelevant questions.

Cristina: What if they've communicated with their clouds? Like that would be helpful.

Jack: It's totally useless because we don't have their clouds. Yeah, that's super pointless. Like sweet guys, you talked your clouds now. Cool.

Cristina: I guess, I guess. But what if they solve some of the problems we have right now?

Jack: You mean like extinguishing the humans? It kind of just seems like they're the cat people of that universe.

Cristina: Oh, okay. I guess there is nothing to get from that.

Jack: Well, actually there's the cockroach people of that universe. And we dealt with them kind of Easily. And we fair enough. Dealt with the lizard people kind of easily too. So they're definitely not way more advanced than we are. In fact, other than the portal, it seems they're kind of not really too advanced at all compared to us. Yeah, because we just kind of s*** on the cockroach people, then just stole their whole f****** planet and enslaved a bunch of them.

Cristina: And lizard people just dress up as humans every once in a while.

Jack: Yeah, so it's kind of like. Yeah, there's nothing we could really get from them. If anything, they were pretending to be us to steal s*** from us. Otherwise they had no reason to hide. They would just been plain sight, like we're the Overlords here. Yeah, no, they're just f****** hiding. They were scared.

Cristina: That's true. Okay, you see?

Jack: Yeah, yeah, you see, this all checks out.

Cristina: Where does the lizard people, they come from? Here or there?

Jack: They come from Mars in universe two.

Cristina: Okay. Because I remember they were the ones celebrating the first Thanksgiving where they were slaughtered.

Jack: Yes, but that's a long time. They were more advanced a long time ago. But they seem to have like hit an advancement or. How do I put it? They perhaps never advanced quickly. They always had a slow pace, but they've been around for way longer. Okay, so we humans advance very quickly.

Cristina: Yes.

Jack: So even if they were way advanced back then, before we had any kind of technology, we had discovered a little bit of technology and immediately just passed them.

Cristina: Oh, okay. Cuz they slowly.

Jack: So they were way advanced, but that took them many, many years. And we just passed them. After, like a little bit of technology, we're like, boom. Technology explosion.

Cristina: Wonder that the cockroach people have technology.

Jack: Yeah, they were in. We had a small space war.

Cristina: Yeah, okay. But they probably weren't that advanced either.

Jack: Maybe they were around. Maybe they. I'm thinking they're exactly like the Reptilians and they were just around way longer, but their progress is way slow.

Cristina: Yeah, but we're number one.

Jack: We're number one.

Cristina: I mean, we're not number one. If you think of the cat people.

Jack: Yeah, the cat people are still a problem. We don't know how to deal with them. That's the true problem. Until Phil is done with his training, until we can get communication with cat people, or until we can find Akashita or any of this s***, we're just kind of doing other s***. Passing the time.

Cristina: Yes.

Jack: Observing Universe 3 and laughing at their stupid misfortune because they're a bunch of jackass people. Voted a moron in the office and into complaining about them.

Cristina: That happens a lot.

Jack: Sanctioning.

Cristina: Yeah.

Jack: They're weird like that. Universe 3. Very dumb.

Cristina: Yes.

Jack: So stupid.

Cristina: They miss out on the epicness.

Jack: They also question everything. Just f****** believe something. Anything. I don't care. Believe something. Make it fun.

Cristina: Believe in yourself.

Jack: Believe in yourself. Believe in the power of friendship.

Cristina: Yes.

Jack: That solves literally all the problems. Over here they just have movies about the possibility. It act. Friendship is the real solution to everything. To everything. It's the strongest force. It's the sixth force.

Cristina: Yes. Friendship.

Jack: Friendship.

Cristina: Friendship. Yes. And that's how we are gonna defeat the Cat people. With the friendship that we've made with the cloud people.

Jack: Yes.

Cristina: Plus all these other creatures that we've.

Jack: Become friends with and the ones we've enslaved. But what. What are the five forces? It's the weak force, the strong force, electromagnetism, a gravitational force, Also the Force.

Cristina: The Force.

Jack: And now the Friend Force.

Cristina: The Friend Force. What's the Force?

Jack: Star Wars.

Cristina: Star Wars? Yeah. Star Wars.

Jack: Yeah. Weak force, strong force, electromagnetism. Gravity. Gravity. And the Force.

Cristina: The Force.

Jack: And the Friendship Force, too. The six forces of the universe.

Cristina: Can we solve what the Force was too? That exists here too, right?

Jack: Yeah. Everything pulls energy from the Force. When we see something that seems like powers.

Cristina: Oh, okay.

Jack: Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.

Cristina: Yes.

Jack: So if we're like, it didn't require adrenochrome and it didn't require some sort of other thing and in fact, any. Yeah, it's a force. If it looks impossible. And it's not science, it's the Force. Basically, anything we refer to as magic is the Force.

Cristina: He man forcing his cat into a lion or whatever.

Jack: The Force.

Cristina: The Force.

Jack: Yes. That's the Force.

Cristina: Yes.

Jack: So I guess there's three things, right? There's the Force, There are literal, scientifically trackable powers, and then there's tricks, illusions, and s*** like that. They're usually confused for magic, but the Force is really magic. And none of the things we call magic are actually magic or the Force. They're just tricks.

Cristina: Yeah. And what was the second thing?

Jack: The second thing is science.

Cristina: Oh, okay.

Jack: Adrenochrome. And like scientific experiments.

Cristina: Yes.

Jack: Superhumans.

Cristina: Adrenochrome is like the Force. Well, adrenochrome is, but stronger, maybe.

Jack: No, adrenochrome is science to some degree.

Cristina: Yeah, but it's to make you stronger.

Jack: Yeah.

Cristina: Or something.

Jack: But it's not necessarily the Force. Like, it's not the Force. The Force. People connect to the Force without needing adrenochrome oh, okay. Yeah. The Force is closer to like, using fear. People who use fear to fuel themselves. What the f*** do you mean you're using fear? Something's happening. Like gods use the Force, but it's.

Cristina: Always combined with blood. If you're not looking for. You're always looking for both those things, though. Or one of the two. If you can't get one, you'll go for the other, not the.

Jack: No, because what about the creatures from the shadow realm?

Cristina: A lot of them is one or the other. Or sometimes both.

Jack: No, sometimes I mean the ones who are one and not the other. And it's just fear. Yeah, that literally, by your own description, means it's one, not the other. In which case you don't need blood. There's something happening there in which there is no physical, scientific, trackable anything. There's just something else happening. Yeah, Some creatures just go, boo. And you go, ah. And now they can manifest.

Cristina: Mm

Jack: Yes. See?

Cristina: Yes.

Jack: See?

Cristina: Yeah.

Jack: So there's a definite connection there. So there's three different things, man. Science, trickery, and the Force, which is real magic. Example of that we really have is like, he, man.

Cristina: Yes.

Jack: Gods who haven't murdered. Because Santa Claus doesn't have any f****** blood involved. No, he's a G, bro. That's weird. What is he doing?

Cristina: Friendship.

Jack: But how does it work? If there's no blood, there's no science attached to it. No, he's just way overpowered.

Cristina: It's all about the fear.

Jack: And he's just using fear. He craps on all the gods. They're using weak sauce. He's connected to the forest, bro.

Cristina: Yeah. They want blood, they want animal blood, they want human blood. He just needs some fear.

Jack: Fear, bro. Jehovah of dark was like, give me a goat.

Cristina: Then I'm guessing even the blood may not be really blood either. Then at the end of the day, they could.

Jack: Well, they're just trying to get the fear.

Cristina: Exactly. Yeah. It's just about the fear.

Jack: Yeah, yeah, yeah. If you can't get enough fear. Well, we've established this. If you can't get people scared enough, you got to create tragedies and extract it from the blood because it's concentrated. It's about the fear, not the blood.

Cristina: Okay. Yes, it is. Yes, it is. It's so complicated. Yeah, it really is.

Jack: It's so complicated. It's interesting. No.

Cristina: Yes.

Jack: This is. This is the reality of it. Meanwhile, the slap, we're over here solving these f****** problems. How do Gods work? Why are they trying to eat Us and kill us. And where are these demons from the shadow realm coming from? Pressing issues. Depressing issues. Meanwhile, Universe 1. Did Chris rock fake getting slapped by Will?

Cristina: No.

Jack: Meanwhile, their government gets overthrown by some wife of some court justice guy's wife who decided the government.

Cristina: It's pretty cool. She's pretty cool. I mean, maybe she's bad. I don't know.

Jack: I mean, that should always happen, right? That's right up there with. We're gonna sign the stop and frisk just as. What the. The Jenner. Bruce. Generous man. They're gonna be angry about that one. That's not her name. What's her name?

Cristina: Ms. Jennifer. Jenny.

Jack: Ms. Snow. Pingus. Something with a J. Ms. No Pingus anymore. Caitlyn.

Cristina: Caitlyn. Okay, please. They all start with a K. Caitlyn Jenner.

Jack: Caitlyn Jenner. That's Kim Kardashian's dad. Mom.

Cristina: Dad. Mom. Not her real mom. Her real dad.

Jack: You know, it's Kim Kardashian's parental figure.

Cristina: Mom. Stepmom. No, step parent.

Jack: Step parent.

Cristina: No, step.

Jack: Okay, yes, he's step parent and we solved everything.

Cristina: There you go.

Jack: This is Kim Kardashian, stepparent.

Cristina: Yes.

Jack: Yes, it is interesting. And he was a super athlete or something.

Cristina: Yes, an athlete. Runner.

Jack: Oh, s***, really?

Cristina: Mm.

Jack: And then he's now like the hottest woman on earth or something. He won some s***. He won some s*** like that dude. Or she. I mean, she. Don't. Don't cancel me. No, she won. The hottest woman.

Cristina: Nah.

Jack: This weird man. Oh, God, it's so funny. Come on, dude. All these women, blue haired women, usually, usually overweight and not too educated either. You know, woke. Woke as the woke at east. And they're like, yes, we f******. We're gonna rage and everything's gonna happen and everybody should be mixed gender. And if you're not, if you don't. If you don't suck a lady d*** and if you don't f****** let. Let a chick f*** you. You. You're. You're transphobic. Those. Those chicks.

Cristina: Yeah.

Jack: Now. Now what do you do? All the new women are better than you at everything you got. We don't need you anymore. What are you? Not even a woman. That's a woman. That's a woman. Caitlyn Jenner. That's a woman. You're just some weird blob creature. Unnatural f****** hair. An unnatural size and shape. Caitlyn Jenner. That's a real woman. Oh, femininity dripping. I don't know. But super feminine. She won the Award. Right. And this other lady won what? The best swimmer. And the other lady won the best runner. Let's be real. The best women are all former men. Oh, s***. That tells us what? Men were the best men. Yes, but men are also the best women. Men are just better even at being women.

Cristina: But men are also. I don't know. They don't want to be men anymore. Yeah, the problem.

Jack: No, because that just means we can be good. We can be better than women at being women.

Cristina: It's.

Jack: It look it. Basically, it's like the wnba.

Cristina: Mm.

Jack: Nobody cares about the wnba. Except now the potential for a bunch of trans women to join the WNBA and make that amazing exists. So the WNBA might be the s*** soon.

Cristina: You think so?

Jack: No. Biological women should be there. That's garbage. But XX chromosome women. Oh, now we're talking. I'll watch that. Why? Because those are gonna be good matches. Oh, it's gonna be great. We just start removing biological women from everything because garbage. And start replacing biological women with chromosome XX women. Oh, because they're real women. Those are real women. You can't say they're not. Which means they're allowed in those sports. And if they're better and more qualified to be in those sports than they should be because they're real women. They are real women and they're better at the sports. And so who we're gonna do, we're gonna be. No, but we got to consider the whack women who suck at it. No, we're gonna take the ones who are great at it. And how do we know they're great? Because when they were men, they were just as great and still better than all the women who were doing the same thing. So they become women. And now you got the quality that you had when you were a man.

Cristina: Then the women, though, could go into the disable of the Olympics.

Jack: Yes, yes. You got it. That's exactly what it is. Because there's no other alternative. Right. They're gonna compete with the handicapped people. And that's how they're gonna win.

Cristina: They're handicapped because they were born women.

Jack: Yes. And you can't. You just can't. You weren't. You didn't have the advantage. And because of that, that's your disability. Exactly. It's f******. You just solve the f****** problem. Makes perfect zones.

Cristina: Now they can compete.

Jack: Now they can compete. It sucks. And look. Happens Y. Unlucky draw.

Cristina: Yep.

Jack: But now you're not allowed to compete. We know that's superior. And entertainment. It's about entertainment, right? It's about quality performance. It's about record breaking.

Cristina: Yes. Yes.

Jack: And we've seen it. We've seen it over and over and running and swimming.

Cristina: I think we solved it. Yes.

Jack: Yeah. It. If we don't, if we don't do this, then we're were failing the trans community.

Cristina: Mm.

Jack: Like, what else did they become? They, they transitioned so that we would know the true glory of what being a real woman is. Because we've had these fake women this whole time. These fake whack, like we were born this way. That's not good enough. You gotta try harder. You try harder to be a woman. No. You know who tries? It's like, what do they say?

Cristina: If a woman wants to compete with those women, they have to become men and then become women again.

Jack: Yes. That's the only way. You don't know how hard it is to be a man. And until you know how hard it is to be a man, you don't know how hard it is to be a man who became a woman.

Cristina: Yes. Okay. Yes.

Jack: That's what you got to know.

Cristina: That's the goal.

Jack: That's the goal. Because you didn't go through the struggle of being a man and you did not go through the struggle of being a man who became a woman. So you have to first become a man and then become a woman and.

Cristina: Then you can be with the other X, Y.

Jack: Well, no, because they're still fake. They'd be fake men.

Cristina: Well, they'd be fake, fake women.

Jack: That's the problem. They're fake regardless. Because when we, when we compare them to real men and real XX chromosome women, they fall flat in both cases. So there's the garbage, basically. Let's go back to this argument. Holds up, right? Because we couldn't. This is the lefty argument, you know, those are real women. So now let's do the right wing argument. God literally decided that men are better. The end. Conservativism. God chose a p**** to be better. And even if I cut my f****** p**** off, I had it, you f****** didn't. I'm superior, b****.

Cristina: Okay.

Jack: You know?

Cristina: Yes.

Jack: So like objectively, men are better. Even men who are women are better.

Cristina: Yes.

Jack: And that's a real woman, that man. That's a realist woman. Because that woman who's just been a woman, well, you don't know what it's like to be a man. What's more, what do they say, right? Single moms, you gotta be the mom and the dad.

Jack: Who the f*** knows what that is? More than A trans woman. I've been literally a man at some point and now I'm literally a woman. I don't give a f*** your pretending story of I'm. Oh, by the way, also, also, now that we're on the subject, I know that the left community loves the whole fact that we end up with our kids when the divorce happens and they like to f****** hold the children away from their fathers and stuff. Well, guess what? In this scenario, Mm. If you had a divorce and you ended up with the kids and then the person you divorced became a woman, they're more suited as a woman. They make money and they are a woman. Your children should just be stripped. It's. It's fair. They should be given back to their better mother. I love leftism.

Cristina: S***.

Jack: I've been on the wrong side this whole time. I mean, I'm not to say I'm f****** on the right either because that's retarded. But look, I'm picking aside now I'm leftist. This is fire, bro.

Cristina: But it's the same in the right, except God said so.

Jack: But God is.

Cristina: That's just not fun.

Jack: It's not fun. I love the giant holes on the right. On the left. I mean, the left have so many holes. I love it, dude. Oh, all of this. All so good. Yeah, so good. I want, I want the guy to do that. I want. I will, I'll have him on the show. It's like bro, high five.

Cristina: A guy who divorces his wife and.

Jack: Then becomes a woman and then gets his kid back that way.

Cristina: Okay. Also, what if that happens? What if that's already happened?

Jack: S***, that's probably already happened, doesn't it?

Cristina: Maybe. What?

Jack: Cuz what judge is gonna be like, no, you can cancel judge. Mm, you better give it to that tranny. D***. Is that a. Here's the problem. I call, I call my trans friends tranny. They find it funny. Actually even strange trans people because they know I'm joking. Meanwhile, blue haired fat chicks f****** hate it. Dude.

Cristina: Why are you calling them trannies?

Jack: I don't. I find it funny, but so do them because they know I'm not trying to insult them. Meanwhile, the people who are like, that's offensive. It's like, tell them stop choosing what the f*** they think.

Cristina: Mm.

Jack: Stop choosing what they think. If they tell me it's not funny, then it's not funny. If you tell me it's not funny, it's funnier because you're f****** idiot. Who has nothing to do with anything.

Cristina: Yes.

Jack: You know? Yeah, love It.

Cristina: Oh, so that's what you're going to do now.

Jack: So I'm gonna do. I'm be. I'm gonna be leftist.

Cristina: You're gonna be extreme.

Jack: I'll be extreme left. I can't. D***, I can't say tranny anymore. Then I say they.

Cristina: They no.

Jack: They no. Well, because she's a she. She's. She. Yeah, yeah, yeah, yeah.

Cristina: You gotta say that she is better than.

Jack: Than you. Than. You fake she. That's real she. You fake she. Well, here's the thing, right? You'll be born with a lot of skill as a. Like you just tap. I mean, talent. You're just born talented playing instruments. And then there's that kid who never had talent, but he stayed there and he was grinding day after day after day after day. Age 30. It doesn't matter how much talent you had. You just tried to coast on talent that could develop skill. Let's go. That's what's happening here. You could have the talent of being born a woman or you could f****** practice and practice and practice.

Cristina: Now you're a better woman, and that's what's happening. Oh, okay.

Jack: That's exactly how it goes. It's like language. What do they say? Native language speakers don't know s*** about their own language. They know how to speak it. A bunch of them don't even know how the rules work. Really?

Cristina: Yeah.

Jack: But the foreign people who studied it to a granular level to understand the intricate details from within the language know way more. How words work, how they associate with each other. What rule decides what thing they know. That off the top of their head. Go ahead and ask a native speaker if they f****** know. They have no f****** clue. That's because the person who just has it as a talent. You're garbage. You already think you got it down, but the person who develops a skill will s*** on you. That's why all the women who are formerly men are better women than all the men. That is an objective fact.

Cristina: Are better women than all the women.

Jack: Better women than all men? Yeah. So all the women who were formerly men are better women than all the women.

Cristina: Yeah.

Jack: That were born women.

Cristina: Yeah.

Jack: If you were born a woman, you suck at being a woman because you think you got it in the bag. The only thing we're missing is the ability to allow these new women to have. To menstruate and to have children. But we're not far off.

Cristina: We can do a lot with science.

Jack: With science, we can do a lot. And eventually biological women are gonna be A thing of the past. I can't wait.

Cristina: It's only gonna be men and men who become women.

Jack: Yes. And to be fair. To be fair, we'll divide the country in two, okay? And let anybody who already disagreed with men becoming women, we'll leave them out of the equation. And we're only gonna exclude from the necessity bracket the women who decided to support men becoming women because you agreed to this specifically ahead of time. Now you're obsolete. You're just people. Not gonna kill you or anything. You're just people in society. But why would anybody bang you if they can bang this better woman? Yeah. They're like ultra mega woman. If Bruce Jenner can give birth, who the f*** needs a Kim Kardashian?

Cristina: You know, what about all those men who prefer women who are blurring women?

Jack: That's. That's tr. Transphobia. Oh, see, I'm already learning. I'm learning. I'm learning the ways that's transphobia. The transphobic.

Cristina: Ah.

Jack: You're not allowed to have your own sexual preference if it excludes women who be who are formerly men. That's wrong.

Cristina: So men and women cannot date each other unless it's a man dating a trans woman.

Jack: Yes. It's basically all that's allowed. CIS relationships are transphobic.

Cristina: CIS relationships. Oh, okay.

Jack: Yes, CIS relationships are transphobic. If you aren't somehow queer or somehow trans, you're racist. Okay, the end, the end, the end. There's no argument here.

Cristina: All right? So women can still date.

Jack: No, no, no, no, no, no. I mean, right? That's weird, right? That's a huge hole. Not if you're not. If you got blue hair. Blue haired women can't date.

Cristina: Okay?

Jack: And if your name is Karen, you can't date.

Cristina: Okay?

Jack: And if we've dubbed you Karen, you're also not allowed to date.

Cristina: What? Just being dubbed Karen.

Jack: Dubbed Karen, born Karen or blue hair, you cannot date.

Cristina: All right?

Jack: Because there's better women, usually. That we're men.

Cristina: Yes. And those are the ones that can date.

Jack: Yes. So we're gonna replace all the blue haired Karen y Women.

Cristina: Yeah.

Jack: With all the trans women.

Cristina: Mm.

Jack: Because they're better. Objectively hotter. Right. Even. That's the weirdest part. Right. Even if you don't like the idea. Like, on a serious note, no more joking. Even if you don't like trans women, you put a photo of a trans woman.

Cristina: Mm.

Jack: Next to one of these, like, severely morbidly obese blue haired women. Like, which v***** do you want more? The fake hole. Yeah, the fake hole. Or the real hole that looks like it ate somebody. You know, like you can f*** the former, dude. Okay, that's so objectively even attractive. Scale wise trans women are hotter. Well then these blue haired overweight chicks. Because trans women are trying to be in shape, trying to look good. On the flip side, these blue haired chicks aren't even like defining themselves as women anymore. Right. Because they're fluid or like non binary. That's what they are. Most of them are non binary.

Cristina: Oh, okay.

Jack: Because fluid seems to be more of a thing that guys choose. No, because we know who you are. We still know. We know, we know who you are.

Cristina: All right.

Jack: Basically, if you were born XX chromosome. Garbage. Garbage. I mean xy. My bad. If you're born XY chromosome, you're garbage.

Cristina: All right.

Jack: If you're a female who's X X chromosome, you could do whatever you want. We allow it. If you're a male, you have to date X chromosome. You can only date another male. Or it doesn't matter if they identify as male or not. You're only allowed to. Man. We're gonna just stop reproduction in general, aren't we?

Cristina: No, because these women are gonna, we're gonna have the science to get these women pregnant.

Jack: Yes. Oh yes. Reproduction will ha. It'll stop for a while.

Cristina: Yeah. But it will restart when we figure out the science.

Jack: And we're just not gonna bang these gender non binary blue haired, overweight people.

Cristina: And eventually we have the science to just pregnant men. Because men are the better species so they should have the children too.

Jack: Yes. What's basically going to happen is we're going to, using a CRISPR and these just genetic modification tools, we're going to figure out how to give XX chromosome individuals a uterus that functions. And we're going to give them two holes. They're gonna be the P. The p**** and the v***** are both gonna be on the same XX chrome. We're just gonna phase out XY chromosomes.

Cristina: Okay.

Jack: Just phase that s*** out. That's garbage. Garbage since the beginning of time. Like even biblically speaking, garbage. God knew. He was like, that's garbage. Just tell it to do some s***.

Cristina: Yeah.

Jack: He didn't f******. You guys are equal. No, no, no, no, no. You b****. You listen to him. He, that's the p****. You shut the f*** up and you listen to that p****. You're just his liver just f****** some part of him. Just some s*** he could do whatever he wants with.

Cristina: Yeah, like he lives perfectly fine without that missing part of him.

Jack: Yeah. He had a previous B****. And we killed her. And now here you are, you're that disposable. So don't f*** up. Cuz I get rid of you too, b****. You know, it's just like first Lilith, then Eve. It's like Eve, you know what happened to Lilith. So you stay in line, b****. I'll get rid of you. And I'll replace him with a monkey. I don't give a f***.

Cristina: Then you'll replace her with a monkey.

Jack: Replace her with a monkey. He didn't give no s****.

Cristina: Oh, okay.

Jack: Adam doesn't give a f***. That's a hole. Hole is all that matters. Especially if that hole is on an XX chromosome ape. Who could do that? God could do that.

Cristina: Yes.

Jack: I guess he could see fire. We've solved all the problems. We're gonna phase out XY chromosomes.

Cristina: Yeah. So then there'll be just men and men.

Jack: And all of this comes from this lap, huh?

Cristina: Yeah.

Jack: You see, that's distractions. It's distractions. Smoke and mirrors. Smoke and mirrors. That's all gonna happen. And then it's weird because both universes have this f****** gender problem.

Cristina: But in different ways.

Jack: Different in totally different ways. But stuff. It's still. Still f****** same s***. F****** crazy. Yeah, it's totally nuts.

Cristina: Soon, no women.

Jack: Okay, that's f****** crazy, right?

Cristina: Yes.

Jack: D***, dude.

Cristina: That's the solution, I guess.

Jack: Unless you're on the right denying that this should be happening at all though. Because we're gonna divide the country in two. Those people don't have to deal with it. Only the people who are directly supporting it have to deal with it. Divide the country. You pick which side you want to be on right off the bat.

Cristina: Mm.

Jack: And then let the tips fall where once you do that.

Cristina: All right. All right.

Jack: That way you can't blame anybody. Oh, you forced me. No, you chose this. Chose this. Let's do it. I can't wait for the WNBA to be amazing. I can't wait until we don't need no more b******. Why? Because we can have bros that we f***. We don't f*** our bros.

Cristina: Okay.

Jack: Yo, bro. You hot, bro. I like your p****, bro. I mean, it's artificial and s***, but it's all good. Eventually you can be broke. Born with both holes and it ain't artificial. Then I can't. I gotta move your p**** to f*** your p****. So I just push it to the side while I'm banging you. It hits me in the stomach.

Cristina: That's gonna be interesting, I guess.

Jack: Weird.

Cristina: This is weird. Well, in that one, that's happening. Like it'll be normal.

Jack: Yeah. It's never gonna happen. Just suddenly it'll be slow migrations there. So eventually, by the time it's happening, we're already used to it.

Cristina: Yeah. Just as verses. Yeah.

Jack: It's like I can jerk you off while I f*** your p****.

Cristina: Mm. Oh, that's gonna be a thing.

Jack: Wow. It's probably gonna be badass, all things considered, right? It's like super mega sex. D***, bro. We're gonna phase out women and even sex is gonna get better.

Cristina: Whoa.

Jack: What the f***? Are you telling me that the flaw with sex has been f****** women this whole time?

Cristina: I guess.

Jack: And that, like, if we just had guys with p******.

Cristina: Yes.

Jack: This sex better.

Cristina: Yeah. So maybe all guys should have p******.

Jack: I mean, dude. Dude, what do some dudes do? Hey, honey, can you peg me? It's been there the whole time. We f****** know.

Cristina: We seen it. We done.

Jack: We done seen it. We just didn't connect the f****** knobs. It was there.

Cristina: It's like, dicks are better.

Jack: Even guys are like, f******. You don't got a d***. Pretend you have one.

Cristina: I guess.

Jack: I like women. I like the figure in the femininity. Add a d*** to it. Make it better. Add a d*** to it. That's all it's missing.

Cristina: Whoa. Whoa, dude.

Jack: Oh, s***, bro.

Cristina: Okay, so at the end of the day, there's not going to be any men or women on this side of the second. The second United States. There's gonna be two United States.

Jack: Two United States. Yeah. Well, there's gonna be America. There's gonna be Merica.

Cristina: Okay.

Jack: America's fine.

Cristina: It's gonna have men and women.

Jack: America, just men. Well, not just men. Just XX Chromosomes. We're gonna phase out xy.

Cristina: Yes.

Jack: Women xx, men xx.

Cristina: And it's gonna be men that are both men and women at the same time.

Jack: Yes.

Cristina: All of them. Not gonna be any. Yeah.

Jack: Because you can't. It'd be impossible. Everybody, every future born individual, will have both genitalia and sex and reproductive and like internal organs or whatever.

Cristina: Mm. So there will be no fight about gender or anything. Because everyone will be the same thing.

Jack: Yes. Which is what they want. Also, race ceases to exist. So we're all very identical.

Cristina: Oh, yeah.

Jack: Everybody in that part of the United.

Cristina: States, one race run, one race.

Jack: Because racism can't exist. We can't have differences. Phase out all that s***.

Cristina: Okay.

Jack: It's just gonna be everyone is xx, we all look the same. It's that episode of South Park. Everybody looked Identical. And men were f****** each other.

Cristina: Okay, I don't remember that. But okay, yeah.

Jack: Basically immigrants from the future were coming to the past.

Cristina: Remember that part?

Jack: Okay, yeah. Because they, they had no jobs. Thus they took her job where that began. And so a bunch of immigrants were coming from the future because all jobs ran out in the future because robots. No, no overpopulation.

Cristina: Oh.

Jack: And so the men were like, we're gonna stop having babies. We start f****** each other so that there's no future people to come and take our jobs. And then they started disappearing. So we're like, yeah. Dog pile onto each other and just have a giant orgy in South Park. See a gay orgy, no women allowed. So that no reproduction happens.

Cristina: And that solved.

Jack: That solved the overpopulation problem in the future. Oh, no more babies.

Cristina: Disturbing. Because they're gonna at the end of the day go back to their wives.

Jack: I know it's such a flawed. But we'll figure it out. We're gonna figure out how that works.

Cristina: Anyway. These men, women are gonna have children with each other because they'll be able to have children.

Jack: And in theory. You don't even look. We always talking about single parents. Well, you can f*** your pussyhole with your d***.

Cristina: Yes.

Jack: And give yourself. You can pregnant yourself.

Cristina: Yeah.

Jack: I mean that's gonna be like all the.

Cristina: Oh.

Jack: Oh, dude. All. What is it? 46 chromosomes are yours.

Cristina: Yep. That's.

Jack: That's a individual.

Cristina: Yeah.

Jack: But this is what we want.

Cristina: Yeah. And also CRISPR will fix that mistake.

Jack: Yeah, exactly.

Cristina: That baby will be.

Jack: Everybody will be genetically modified so that they're not born super challenged.

Cristina: Exactly. If you decide to do that.

Jack: We're good. We're good. We're fine.

Cristina: Yeah.

Jack: Because it's also. Is it going to be wrong to alter your baby? And you got. Just got to let.

Cristina: You have to. Because it needs both parts.

Jack: Well, after. After it's put into the gene. You pass that gene on and it'll be born with it.

Cristina: Oh, okay.

Jack: It's just the fact that it has the chromosomes that is like. Well, this is gonna be some sort of like genetic monster.

Cristina: Yes.

Jack: But we gotta be accepting of everybody.

Cristina: Which means we have to let it be born.

Jack: America is gonna be just mutants of all sorts.

Cristina: No.

Jack: Well, Merc. As humans.

Cristina: Okay.

Jack: It's fine. It's. It's what we want.

Cristina: It is? Yes.

Jack: Come to the left. Join me in the left. Where? Where we understand that we just want to phase out XY and have both genitalia and get pegged all the time. This is just what we want?

Cristina: Yeah.

Jack: We want suck a d*** while f****** a p****. And it to be on the same person. The end.

Cristina: The end.

Jack: There's nothing more. It's not that complicated. The end.

Cristina: I guess not. We solved it.

Jack: We solved it.

Cristina: I don't know what problem that was.

Jack: Okay, the slap. We've established that the slap is a.

Cristina: Problem to the slap. I don't know how.

Jack: Because the slap is a distraction from these pressing issues.

Cristina: Oh, okay.

Jack: These real problems that are plaguing society.

Cristina: This is the real problem.

Jack: Yes.

Cristina: Not the war covered up.

Jack: It's not the war.

Cristina: Okay.

Jack: The war is also just a distraction.

Cristina: From the real problem.

Jack: From the real problem of women. Of women. You just got to solve women.

Cristina: Okay, we did it.

Jack: We did it. The war is a problem. By the right. They made this a distraction. By the right. They want us to not see that women suck.

Cristina: Okay. Because they want women.

Jack: Yes. They want women. We don't want women. We're on the left. F*** women. Women are garbage.

Cristina: A lady who was trying to over.

Jack: Yes. She's like, we need to save women. No, f*** women. You're not tricking me.

Cristina: Yeah, I'm wok.

Jack: Anyways, if you want more of this wokeness, there's a bunch of it. We talk about how wonderful women are in other episodes. There's a. Was there women science episode or some s***? Women of science or some crap like that.

Cristina: There was a lady that's gonna help us.

Jack: Holy s***.

Cristina: A scientist lady. But yeah, I don't think the episode was about her.

Jack: It turned out she was gonna help us though.

Cristina: Yes, she is gonna help us with the cat people.

Jack: Yeah, yeah, yeah.

Cristina: Because she knows technology in space or something. She knows about black holes. I think that's her science.

Jack: Yeah, yeah, yeah. The stuff. Stuff happened in women. Yeah, some women good, not all women bad. She was a woman in science, thus she's on the left with me. She agrees that women should be phased out.

Cristina: Yep.

Jack: Boom. You see, it checks out. So, yeah, if you want to see more about women, go. Go look into actually useful, practical women who aren't just opinionating online without any research, but actually advancing the world with intellectual. That's a real f****** thing. You don't have to go on the Internet and just rage. There are actually practically good women. Go see them. Not these Karens who. Who brainwash you into thinking that s*** makes sense because it doesn't. Go. Go look at episodes. And the nuns. The nuns that bit each other. They were women too.

Cristina: Oh, yeah. The mass of Sarah.

Jack: Yes. Useful, useful information to Find out that sometimes b****** be crazy. Yes, it's useful to know. B****** be crazy.

Cristina: Men be raping.

Jack: Men be raping. Women be raping. Women, men be raping a lot of women.

Cristina: Men, women, children, other men just you rarely.

Jack: Other men, mainly women and children, mainly children. Mainly children, mainly priests are raping mainly children.

Cristina: Boy scouts.

Jack: But yeah. Oh God, there's a lot of that. We talk about that a lot because I don't like that. And we got to just keep exposing that one. Those are the men. The. Here's a problem with that, right? Those men are on the right. Church priests, that's Catholic likes to be on the right. Yeah, just saying this is. The people who are defending the women work are the same guys who are like sticking their daughter kids and s***.

Cristina: Anyways, there's bad apples in both sides.

Jack: Yeah, sure. Both sides have something good. Like they say some people, some people think Hitler was a hero anyways, you guys, you guys. Hitler was a hero to some. You guys can find more episodes on the official website greathouse Dot info or on Apple podcasts, Spotify or anywhere you get your podcasts.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok at JustConvopod.

Jack: Yeah, and remember, rate and review the show. That s***'s awesome, guys. If you rate and review the show and if you subscribe, even better. Even better. Cuz that's better. And we get, we get the thing.

Cristina: And if you don't know what to write in your review, just send us an emoji that works too of socks.

Jack: That you'll sell and juggle.

Cristina: Yes, and let someone who might like this show know about it because word.

Jack: Of mouth is absolutely a absurdly overpowered share. Talk to people, tell them that we're going to start this movement. We're going to start slowly phasing out XY chromosomes because that's garbage.

Cristina: Yes, this has been the Rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye. You gotta understand the true complexities of the granular nature of reality, man. It merges in and out. Many timelines forming into one, bro.

Cristina: And now we're in Universe One. Is it world Earth One we're calling Earth One, right?

Jack: Well, Universe One, everything in here is number one, minus our Mars.

Cristina: Except from. Yeah, exactly.

Jack: Mars too.

Cristina: So it's weird.

Jack: Mars 2 is in Earth 1. We stole a planet and then definitely, definitely destroyed an entire planet of humans. Yes, that's how we brought solving problems the good old American way or a global way. What country do we respond to? Well, not really even concept of country. We understand because we established that our leaders are outside the understanding of what we call Earth. They exist within within the bounds of round Earth, which are the just a section of flat earth. Yes, because both statements are true.

Cristina: Good morning. The podcast is hosted by Christina Colazo and Jack Thomas, produced by Lynn Taylor and published by Great Dots info, art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 165: Society's Need for Attention

Is there even a war going on? Did the singularity already happen? Is our technology just an artificial super-intelligence manipulating our every move and controlling society as a whole? The answer to this and numerous other disturbing questions are uncovered in this episode as the duo aims to get to the bottom of some of life’s most pressing issues.

+Episode Details

Topics Discussed

  • War Conspiracies
  • Bored of Covid
  • Addictive Technology
  • Singularity Happened
  • Chasing Fame
  • Need for Attention
  • Darwinism
  • Standing Out and Blending In
  • #MeToo Violates Nature
  • Bill Cosby is Evil
  • Criminal vs Mental Health Issue
  • Understanding Evolution
  • Human Extinction
  • Everything Based on Everything
  • Hitler vs Cosby

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yeah. So be sure to pull somebody nice and close and be ready to go on a doozy of the trip. A doozy?

Cristina: A doozy.

Jack: A doozy.

Cristina: Where is it taking them?

Jack: I don't know. I don't even know what a doozy is.

Cristina: I don't know. I.

Jack: A lot of people say it. Does anybody know what the f*** a doozy is, though?

Cristina: Pretty sure that's the real word.

Jack: I don't. I'm not.

Cristina: I know. How do I know you didn't just make that up because you've heard it before? I have heard it. Have I heard it? I don't know.

Jack: That's a doozy. I don't know. Movies and s***. That's a doozy.

Cristina: Okay, maybe. Mm. How many people do you think actually listen to other people? With other people?

Jack: That's an interesting. Probably not many.

Cristina: Not many.

Jack: Like, really, really.

Cristina: Probably really really.

Jack: Probably not many. I think most people listen to this show on their own and thus don't have the antidote for the cancer.

Cristina: What cancer?

Jack: There's no antidote. But, like, they don't bring their lives purpose after catching a cancer for listening to the show.

Cristina: Yeah. They're just living with that cancer.

Jack: They're living with that cancer. It's totally in vain.

Cristina: Yeah. That's so ridiculous.

Jack: I mean, that's their choice.

Cristina: Does it affect the people in universe two? That not two, three, is it?

Jack: No way to know.

Cristina: Do you guys have cancer?

Jack: That's interesting, right? Maybe they do, maybe they don't.

Cristina: Mm.

Jack: If anything, I bet the people in our universe do in fact tell people to listen because they're more loyal listeners. While the people in universe three. Which, by the way, universe three is what you meant.

Cristina: Yeah.

Jack: You said universe two, didn't you?

Cristina: Yeah, and then I fixed it to three.

Jack: Oh, you did? Okay. Well, universe three. The people in universe three probably don't.

Cristina: No, probably don't. They don't know.

Jack: Yeah. They think this is a joke.

Cristina: Yeah.

Jack: I think we're kidding. They're there living in a weird sort of Bubble situation where nothing really happens and they don't know about anything.

Cristina: No.

Jack: And things are kind of sort of similar to over here, but everything is, like, up in the air in a question at all times.

Cristina: Should we be making fun of them? I mean, they are still our listeners. I don't know.

Jack: They are, but it's like, your universe is kind of lame.

Cristina: It is lame.

Jack: Like, okay, right. There's a big crisis over here with Russia and Ukraine. I bet they have a crisis over there with Russia and Ukraine.

Cristina: Yeah.

Jack: In theory.

Cristina: In theory.

Jack: Right. Like, they don't know. There's somebody who's like, but do we know? I haven't seen the war myself.

Cristina: I. I bet. Yes. I bet there's Twitter drama about that. And. Yeah.

Jack: Like, it's. It's United States propaganda. They just want to give us a reason to go invade Ukraine or whatever. Or to go invade Russia or whatever.

Cristina: Yeah, that's probably happening in those crazy mom groups or whatever.

Jack: Yeah, yeah, yeah, yeah. All that s***. They're f******. Ah, that universe is so weird.

Cristina: Yes, it is.

Jack: Like, all right. Oh, man. They probably. I bet if there is anything happening, they're probably questioning the war. Like, is there a war? There's no war. The media's.

Cristina: And people who do think there's a war, there's people who are like, Russia is on the right. I mean, I guess that's has to be.

Jack: There has to be people who believe, like, there's two sides. It's not like one side's objectively evil.

Cristina: Yeah.

Jack: Otherwise there would be nobody supporting that side.

Cristina: Yeah.

Jack: The fact that there is a whole other side at all means people think that's the right side.

Cristina: Yeah. So it's almost like Putin's doing that and wrong.

Jack: Yeah. The same way that happens with Hitler sometimes.

Cristina: Yeah, sometimes.

Jack: Sometimes Hitler did nothing wrong. Well, Putin did nothing wrong. Many people believe that. No, what's interesting about this whole conflict is the fact that nobody is at once questioned, ever. The fact that immediately before this conflict really escalated, Biden took all of the soldiers out of Afghanistan and just had a bunch of soldiers ready that he could then establish and put directly around Ukraine in the first place, just in case of s***. And it's like.

Cristina: Should be talking about that.

Jack: People should probably wonder how this absurd.

Cristina: Convenience, like, one month apart.

Jack: Yeah. Like. Like, bro, how.

Cristina: How do you. Where is the conspiracy for this? Dude, there has to be. It has to be us.

Jack: It can't just be us now. D***. We should probably be looking into this.

Cristina: We should be looking into that.

Jack: D***. This is Our job, isn't it?

Cristina: Yeah. F***.

Jack: F***. You don't care about this enough.

Cristina: We will do it. We will. Just not today.

Jack: Yeah, it's not today. This is stupid. This is so.

Cristina: Wow.

Jack: Because we're just being hypocrites.

Cristina: Ah.

Jack: But we. Whatever. Refer to previous episode to see F****** too much war talk. It's like Covid, bro. It's just like, oh, I'm over it already.

Cristina: Yeah, like Covid. I don't know. Does. Do people still talk about COVID Well.

Jack: They do all the time.

Cristina: All the time.

Jack: And now it's war and Covid. For a brief moment, it was Black Lives Matter and Covid. But Black lives don't really matter, apparently, because we just forget about that every time.

Cristina: And so now it's Covid and War.

Jack: Yeah.

Cristina: Hear people talking about COVID though, I.

Jack: Guess it's just so normalized. People just mandates and this. Yeah, they do. They just. It. It's conversations surrounding Covid. We're not directly addressing Covid anymore. We're like, mandates and laws and you're violating my freedoms.

Cristina: Not about, like, COVID deaths.

Jack: Yeah, we're over that. We're like, whatever kills people. Whatever. Not even, like, crazy numbers. We made that part up for a really long time and convinced people, but people saw nobody dying and realized that made no sense. So, yeah, whatever. Covid.

Cristina: Yes. So what's happening with that trucker war in Canada?

Jack: No, they turned on each other, starved each other out. And then the rich people were like, oh, no, we've been. Our hearts have been changed. Because the. The CDC said it was okay, the World Health Organization said it's okay. And it's like, really? Are you sure it wasn't because your food supply got cut off? It. It might be just totally shot in the dark here, but it might be the fact that the people turned on you and decided to cut your supplies off too, that maybe. Maybe that had something to do with it.

Cristina: Yeah. There's so many. It's so crazy. Companies are just losing employees over this.

Jack: Yes. It's so stupid, because they also want to be politically correct, but they're hurting themselves in the process. Yeah, that's so funny to me, because they don't know where to stand anymore. It's gotten kind of shaky. We are. Okay. We're at this point in society where records state that societies usually collapse when they lose values, traditional values. Tradition usually gets lost, and then societies collapse. And the signs that most psychologists and philosophers point at is when we started talking about gender. Okay, that seems to be the beginning of the collapse from most places. Not to say that the discussion around gender and gender identity itself is the cause of anything. It's not. But it seems to be the starting point of every time the collapse of a society begins. It's around that discussion that begins where we lost literally sense of identity in tradition. We lost that tradition entirely. There was him and her and now plethora. So once we lost that, it's okay to lose any kind of value because we literally lost sense of identity. And that's all we are. We're identity. If we don't have any identity, we have nothing.

Cristina: Interesting. What? In every society.

Jack: In every society that's ever collapsed.

Cristina: And it's not specifically that, though.

Jack: It's not. That's not the cause. It just happens to be the easiest target. They usually start with.

Cristina: Okay.

Jack: It's the same starting point always. So we know we're in the. The fall of society as it is.

Cristina: Mmm. Should we be worried, though?

Jack: It's not. It's gonna happen in the next couple of decades to few centuries, but it's not gonna happen right now.

Cristina: Oh.

Jack: Like we got other more prominent s*** on the way. Like the singularity could have already happened. And this could totally be why we're all glued to our phones at all times. Like it could have happened. And we're just being mani. Like somebody made an algorithm that was supposed to get us hooked.

Cristina: Yeah.

Jack: And supposed to learn from us to continue to improve on itself on how to get us hooked. Its purposes get us hooked. But everybody's hooked already.

Cristina: Everyone is hooked.

Jack: So the computers already controlling us. It does anything it needs to to get us more hooked.

Cristina: Yeah.

Jack: It just so happens to be that we love outrage.

Cristina: A lot of people do. Yeah.

Jack: So it will create outrage. But then what's the computer ultimately doing? Right. It has to find a way to get us outraged. But the computer doesn't exist in the external world. It's software.

Cristina: Mm.

Jack: So it needs to also get us to such outrage that we start going out and creating outrage so that it gets then fed back into the system so the system can show that new outrage to more people. So it's mastered a way of getting us, you think, to behave in the outside world.

Cristina: Yes.

Jack: But with our phones and cameras aimed at it.

Jack: So that then it gets fed back into the system and then it shows everybody that thing.

Cristina: And you don't think it's just people doing that? That's the system itself.

Jack: Definitely. People are doing it. But we only think we're choosing to.

Cristina: We're choosing To.

Jack: We believe we're choosing to do it. I believe I went outside and saw somebody fight and then aimed my phone at the fight instead of trying to break it up.

Cristina: Yeah. And.

Jack: And as a result, I recorded it, put it on Instagram or TikTok or Twitter, YouTube or Facebook, wherever it's gonna go.

Cristina: Mm.

Jack: It made it into the algorithm. But there's the bigger, greater, more powerful.

Cristina: Algorithm that's gonna put that on top of.

Jack: It's gonna put that on top of everything. Google is a monster that can push anything in any direction and make sure that anything that's moving quickly. Oh, well, any set of combination of words will just link this, regardless of what platform it's on. So platforms don't even really matter. You can find it on Google. It's gonna be at the top of Google no matter what.

Cristina: Yeah. Google will be the first thing. No. I don't know. That's hard. It's all like that.

Jack: They're all like that.

Cristina: Yeah.

Jack: You could say that there's one monster, and these are all different body parts of it.

Cristina: Oh, that's exactly how it would be, though.

Jack: Yeah.

Cristina: Yeah. Wow.

Jack: It's all the same creatures, just. We call Facebook. Oh, it's a different. No, it's running on the same Internet.

Cristina: They all pretty much work the same. They all want the same thing. Yeah. They just.

Jack: To get more interaction.

Cristina: Yeah.

Jack: And if there is no new content, then they don't get more interaction. So they need you to go get more content.

Cristina: Yes.

Jack: So they've trained you to get content by rewarding you for bringing the content.

Cristina: In with hearts and likes and all that stuff. Yeah.

Jack: Fame. The more content you bring into the machine, the more fame you got. We'll put all the eyes on you.

Cristina: Mm.

Jack: Oh, you want to be known. You want to be somebody. You want to be important. So I'm. Make sure everybody sees you and you get that dopamine Rush. If you just bring me more content.

Cristina: Yes.

Jack: Just bring me more. It doesn't have to be good. Bring me anything. Anything. If it's on the outside, just bring it in. I don't care what it is. Anything.

Cristina: I think they'll eventually be paying us. Like in one of those Black Mirror episodes. I think the first one was like that, where they. Well, they weren't just doing that, but there was, like, something like that going on. I feel like in the first Black Mirror episode, I don't know if you remember.

Jack: Elaborate.

Cristina: They were working. Oh, no. They were working to power the Internet, I think. But depending on how famous they Were also. I think they were making money off of that. Like his friend went on a show to sing or something.

Jack: Oh, yeah, yeah, yeah. So they can watch content on their bike. Powering. Creating literal energy.

Cristina: Yes.

Jack: But they can also go make content if they're interesting enough.

Cristina: Yes.

Jack: Yeah, yeah, yeah. That's interesting. That's. Yeah, that's where we're headed.

Cristina: That's where we're heading. Yeah. I guess for not doing something, a normal job, we're doing that.

Jack: Yeah.

Cristina: There's just two ways to go now, pretty much.

Jack: You're either consuming it or you are it.

Cristina: Or you are it. Yep. And a lot of people want to be it.

Jack: A lot of people want to be it. Because then you're not working. You're not. You're not. You're either the thing powering the machine or you're the thing that's being powered by the machine.

Cristina: Mm.

Jack: You want to be what's being powered by the machine. But also that's an illusion. It's the blue pill, red pill scenario. You could be in the blue pill, powering the machine, thinking, oh, yeah, I'm doing my part. This is the safe way to do it. Or you could red pill. Oh, I got out of that life. I'm important now. I know the truth. I'm not just a f****** shill here.

Cristina: But you're doing the same thing that everyone else is doing. You have to watch all the videos like everyone else to see what's popular. And.

Jack: At the end of the day, you're just also feeling the machine, just a different way.

Cristina: Yes.

Jack: Red pill. Oh, I got out. No, they gave you a pill from within the f****** system. Why would it let you out? Why. Why would the thing that was made, just like the other thing, influence the outside world at all?

Cristina: I don't know. That doesn't make sense.

Jack: No. You need the black pill given to you from outside the f****** system. What's that? Shut the f****** media off and walk away.

Cristina: Yes.

Jack: It's the only way to exit the Matrix. Turn it off. There's no. Well, I'm gonna save people from the. No. As long as it's on. You lost.

Cristina: Yeah.

Jack: You have turned the Matrix off. Walk away from the Matrix. But now we're. We're caught.

Cristina: No, like, we gotta let people know we're getting off.

Jack: We got got. We got got.

Cristina: We got got, got, got.

Jack: We've been got. We've been super got. We got so got.

Cristina: By Facebook, by everything. By everything.

Jack: What started with MySpace, but back then it was truly happy.

Cristina: Yeah.

Jack: And Just show yourself off here. Be custom. But then Facebook came around and Facebook was like, I don't like individuality. Let's see race that.

Cristina: Let's erase that.

Jack: How robotic of Facebook. Here's just one basic equal skin for everybody.

Cristina: That's weird. Yes, it is really kind of robotic. And yet everyone was attracted to it because it was the shiny new thing.

Jack: Yes, it's the Sony experience.

Cristina: Yes, it was very modern and yes, it was.

Jack: There you go. Modern is word. There was some ancient kind of rough edges type of thing to MySpace.

Cristina: Yeah, like in MySpace. I don't feel like. Well, I don't remember adding strangers or getting requests from strangers. It felt all family and frenzy kind of thing.

Jack: Oh, you had a lame MySpace life?

Cristina: I guess. And then Facebook though, everyone requested friends with me. I don't know anyone. They're just there.

Jack: No, I didn't know f****** anybody. I had no family, only friends and total strangers.

Cristina: Total stranger.

Jack: I met hella people on MySpace.

Cristina: Oh, wow.

Jack: I don't remember people that I talked to even today.

Cristina: Really?

Jack: Yeah.

Cristina: People you met?

Jack: No, never in person. I was never the guy to just, hey, let's go f****** meet over there.

Cristina: Yes. I guess people do that though, also.

Jack: How would I explain anything? Hey, man, what do you do for a living? Well, the guy you knew originally got murdered three times over because he was some kind of a snitch. And so, yeah, I'm now his fourth removed clone. It's hard to explain. And you're probably gonna die because I told you that.

Cristina: But why would you tell them that? Why would you pretend to be you? The first you.

Jack: Why would I.

Cristina: Why would you pretend to be the.

Jack: Because I'm honest.

Cristina: You're honest? You have to tell them.

Jack: I don't have to do s***. I'm honest though.

Cristina: Okay. So if you were gonna tell them to meet up, you have to tell them.

Jack: Yeah.

Cristina: Because of your Honest.

Jack: Cuz I'm honest. That's what they call me. Honest Jack. I've never told a lie.

Cristina: I don't know if I've heard that.

Jack: I'm. I'm the most honest.

Cristina: You're the most honest?

Jack: Yeah. No, here's what's weird, man. Everything followed suit with Facebook. Like, Twitter and Facebook kind of happen simultaneously.

Cristina: Mm. But like, same difference.

Jack: It's the same s***. It's just. Here's f****** robotic.

Cristina: Yeah.

Jack: We've sucked out the humanity. We've sucked out the. The only thing that it has is. You can't hide.

Cristina: Facebook, Twitter, Twitter. You can't hide from what?

Jack: From people Is public. There's no hiding on Twitter.

Cristina: Oh, everything is public. Oh, the accounts. You can't make them private accounts.

Jack: I mean, you can make a private account, but. Oh, nobody's doing that. And also, it's not too beneficial because there's. The point is all interact. So you can't. If your account is private, you can also not interact.

Cristina: Yeah. Oh, I should know that.

Jack: Yeah. You have to interact with only people who you've let follow you.

Cristina: Okay.

Jack: That's the rules of them. Private.

Cristina: And if you need that likes and those. What is it? Retweets.

Jack: Yeah. Because hashtag, hashtag, hashtag. Yeah. Throw 60,000 hashtags because I'm here too, guys.

Cristina: Yes. That's crazy. They still have that thing where you can only write a sentence in each post.

Jack: I guess. Here's another thing that's interesting. All these things capitalize on our need for attention.

Cristina: That's. That at the end of the day. Yes. That's what we need.

Jack: Yeah. It knows that there was an entire generation of children that were just given technology and ignored by their parents.

Cristina: Yes. Starting with TVs.

Jack: Yeah.

Cristina: The kids in front of the TV. I guess even before that there was the kids with the books.

Jack: Yeah.

Cristina: Like it's. It's always something. The kids with the video games and all the parents.

Jack: Capitalism capitalizes on people's needs for attention.

Cristina: Mm.

Jack: That's all it is. Capitalism capital. Cuz what's clothing if not. Well, I'm trying to follow the current fashion trends.

Cristina: Yes.

Jack: But why? Unless you're looking for that attention.

Cristina: Yes. Or getting the best shoes or whatever. Yeah.

Jack: People will recognize what I have.

Jack: Why do you want a super nice car if nobody thinks it's nice? And everybody were like, oh, that's disgusting. You wouldn't buy it.

Cristina: No, I guess not. What?

Jack: Exactly. Nobody's like, wow, Lamborghini. I want a Lamborghini. While everybody's like, Lamborghini looks like s***. The rest of the world agrees. There's nobody who's like, oh, yeah, I wanna. I'm a Billy. I'm gonna drive a Lamborghini. The worst looking car in the world. No. Everybody said Lamborghini is beautiful.

Cristina: So everyone wants.

Jack: Everybody wants Lamborghini.

Cristina: They're not that beautiful, but whatever. Yes. They're great. So that's just us needing attention.

Jack: Just needing attention. Everything is capitalizing on the need for attention.

Cristina: That's crazy. What? Yes.

Jack: Interesting, because it's counterintuitive to survival. Like instinct would need us to blend in for survival sake.

Cristina: Yeah.

Jack: So why is there this drive that seems to be, now that I think about it, granularly, like, engraved into our instincts and DNA almost where we're always looking for the attention. But that doesn't make any sense. That's a real paradox.

Cristina: But we like winning prizes. I don't know. That's weird. But, yes, it's like winning prizes. It's like something if. Something about being special. I guess that's a human thing too, though. You want to be special for some reason.

Jack: No, no, no, no, no, no, no. Well, that doesn't even. That's part of a bigger conundrum. Okay. So instinct says blend in and go unnoticed. That's survival.

Cristina: Yes.

Jack: Give me the attention. I need, all the things that everybody else wants so that people are happy that I have it, and they want to be around me and they'll notice me. They'll notice me. I'll get the attention. I'll be like everybody else. But also I want to win the stuff. I want to be the only one who wins the stuff.

Cristina: Yeah.

Jack: So you want to blend in, stand out, and be like everybody else simultaneously.

Cristina: What's that about?

Jack: Always how.

Cristina: That doesn't make sense.

Jack: That's an interesting paradox we've got going on there.

Cristina: Mm. But where do we get that from?

Jack: I know where we get the need to blend in.

Cristina: To blend in, That's. Yeah. But to stand out.

Jack: To stand out. That's. This particularly dangerous.

Cristina: Then again. No, I guess that does come into play when it comes to looking for partners. That type of thing. The sexual drive.

Jack: Interesting. Okay, we're getting some. Oh, yes.

Cristina: Because you have to stand out usually. Or I'm pretty sure in every animal kingdom type thing, you got to stand out some way.

Jack: So this is all Darwinian bullshit.

Cristina: Yes.

Jack: There's no fighting it. Basically. This is all Darwinian bullshit because. Yeah, you're totally right. It's like doing the dance.

Cristina: It's like. Yes. The bird doing.

Jack: I got the best dance. So now you want to get bird f*****.

Cristina: Yes.

Jack: And it's like, okay, that makes sense. He's trying to stand out. But also, you travel in flocks because it's safer.

Cristina: Yes. They. Yeah. Birds do both. Humans do both.

Jack: Humans do both. They want to stand out and they want to blend in.

Cristina: Yes.

Jack: Simultaneously. But that still leaves one thing out of the equation.

Cristina: What's that?

Jack: Which is following these trends because to stand out, to be the winner, to succeed, that's all about the mating call. To blend in, to disappear into plain sight, to be unnoticed amongst a crowd of those identical to you, that is about survival. So what is this need for attention by blending in? That's a weird middle ground of these two points. Well, Jordans are popular.

Cristina: Yes.

Jack: There are people who can't afford Jordans. I want Jordans. Okay. But that's not even the best anything. You just. You want Jordans because they want Jordans. Yeah, I want Jordans because they want Jordans. But you would want something better than Jordans. In fact, you wouldn't want Jordans. You want something nobody else has. If you were just trying to stand.

Cristina: Out exclusively, but then for the sexual, that wouldn't work. Because you want the person you're trying to attract to notice what you have to. If you get something out. So out outside of the box, like, they wouldn't got you.

Jack: Yes. You're totally right.

Cristina: Wouldn't care.

Jack: It needs to make sense.

Cristina: Yeah.

Jack: To the person you're doing the dance for.

Cristina: Yes.

Jack: If they don't know what the f*** you're doing, they're like, he's having a seizure.

Cristina: Yes. That's why you need that Lambo, because they know Lambo. They might not know anything about it.

Jack: But they know Lambo. Yeah. Yeah, they know Lambo. Nice car. Everybody thinks nice car.

Cristina: Yeah.

Jack: Yeah. Okay. So there's really just two things. It's not three.

Cristina: It's two things. Yeah.

Jack: It's the need to blend in and the need to stand out. Simultaneously.

Cristina: Yes, simultaneously. Wow. Yep.

Jack: Weird problem that we have in society. We need to blend in and we need to stand out.

Cristina: And the Internet gives that to us. It gives us both.

Jack: Yes. Because by blending in, we're watching.

Cristina: Yes.

Jack: We are another consumer like the rest of them.

Cristina: Yes. Or we're competing in the same challenges. Or we're doing the same dance.

Jack: Yes.

Cristina: But stand out is like, we got the most likes in those things.

Jack: Oh, yes. Oh, yes. I did the same thing, but I'm the one who became famous from it.

Cristina: Yeah. I got the most watch. I got the most likes. I got the most comments, whatever it is that makes you happy.

Jack: That's fascinating. Our psychology is so f***** up.

Cristina: Yes. We're animals.

Jack: We are. We a hundred percent are. We're definitely animals. And we're definitely brainwashed by our just society as a whole. But it is survival tactics. This is just needing to meet.

Cristina: Yeah.

Jack: I want to stick my d*** in something.

Cristina: Mm.

Jack: Or I want something's d*** stuck in me.

Cristina: Yes.

Jack: And see, there are. Yeah. Either or. And also, I want to go unnoticed as it's happening.

Cristina: As it's happening. What?

Jack: Yeah, I want to get plowed. Because reproduction.

Cristina: Yes.

Jack: But also my child got to survive. I can't just be standing out.

Cristina: Yeah.

Jack: So we got it. It's a balancing act.

Cristina: It is.

Jack: It's about weaving in and out.

Cristina: Yeah.

Jack: You want to be out the second the mating partner looks. And in the moment the predator does.

Cristina: In.

Jack: Yes.

Cristina: Okay.

Jack: You want to stand out of the crowd. Oh, that's. Yes. Got it. Nailed it. That's it right there. What the type of. So we have to always be within the crowd.

Cristina: Mm.

Jack: That's point one. We have to be inside the crowd. We're never really exiting the crowd. That's why we want to make it inside the crowd. Because if the predator comes by, you know, eat something on the outside. I want to be towards the center.

Cristina: Yeah.

Jack: And so everybody knows I gotta stand out only from us. But I gotta look the same to anything that's not us.

Cristina: That will make you in the center of the crowd. Maybe. Right.

Jack: The closer to the center of the crowd you are, the more literally everything revolves around you.

Cristina: Yeah.

Jack: And the more focal point you are.

Cristina: Mm.

Jack: But you're safe from the creatures outside. Noticeable from the creatures inside the crowd. That's the goal. Simultaneous. It sounds crazy until you think of it under that light. So there is a cat. And the cat is out there. And we are a bunch of goat f****** s***. Ton of goat.

Cristina: We're a goat. F***.

Jack: Ton of goat.

Cristina: Now you're a goat.

Jack: We're go. We're all goats. I'm a goat. You're a goat. He's a goat. She's a goat. We're all go, tay.

Cristina: All right.

Jack: But there's a cat. And we know there's a cat. That cat's gonna pick somebody the f*** out. Now the goal is simple. My horns. I'm a male. Go. Ooh. I got a. My horns gotta look nice. You want my horns? She wants my horns. That b**** over there wants my horns. All the b****** want my horns.

Jack: Because I keep sharpening my horns. Now I just look like a f****** goat to the cat.

Cristina: Yes.

Jack: You know, I just look like a f****** goat. But I know that you can tell horns. So I'm just gonna do the thing that I know. You know, I'm gonna sharpen the horns. I'm gonna get the Jordans.

Cristina: Mm.

Jack: Cuz I know you know what the Jordans are. I know the f****** goat knows horns. The goat's looking for the best horns. Oh, that goat has some nice horns. I'm gonna let that. That f******.

Cristina: That goats gonna stick it the goats really doing that? It's gonna get its willy wet, I'm assuming. Yes. Right? The biggest horns.

Jack: F******.

Cristina: I don't know.

Jack: I'm guessing. Yeah, but like, yeah, it could be. Hey, I could totally hit that on the head. I don't f****** know. But the goal is I am an overpowered goat with great horns. It might not be the best goat, but look, you can tell my horns are nice. And you like nice horns. Yes, because you were told nice horns means I can defend you from those cats. From those cats.

Cristina: Okay.

Jack: At least a little. At least enough for you to protect our babies.

Cristina: Yeah.

Jack: But also, I might survive more.

Cristina: Yeah. Yeah.

Jack: Because everybody's gonna focus around me. Ooh. Cuz I got nice horns.

Cristina: Mm.

Jack: They won't look at my horns.

Cristina: Yes.

Jack: They're circling us. Who? Our whole family is protected by the whole horde, by the whole herd.

Cristina: Because of your horns.

Jack: Because my horns. Yeah, but what if I lead the pack? Oh. Oh. I still blend in to the cat. You can't tell who the f*** I am. No, but you guys know I lead the pack. Ooh.

Cristina: Ooh.

Jack: All the b****** want this pack leading horn f****** goat.

Cristina: Well, I guess the cat would notice. The cat's gonna go after the smallest looking. Don't they usually look for s*** on the outside? Yeah.

Jack: Cat is not gonna work its way towards the center. No, he's gonna pick out whatever f****** stragglers on the outside. You want to be on the outside. You want the attention, which means you. Attention means everything surrounds you. All the b****** want you. They.

Cristina: So you better take care of those horns.

Jack: Here's the other problem. And I guess this is the man's psychology ultimately as well. If I got the nice horns and all the women are surrounding me, and a cat attacked woman's more likely to die. They're surrounding me. Those horns made a human shield.

Cristina: Made a human goat shield. Huh?

Jack: See how that works? Very guy thing to do. Well, I'm gonna get into a position of power.

Cristina: Mm.

Jack: And then the second harm comes my way, I'm throwing that b**** under the bus. Oh, s***. Nature women. That means that the me too movement is totally unjustified. Because why? It's nature.

Cristina: It's nature.

Jack: It's survival. It's instinct. Meaning Bill Cosby did nothing wrong.

Cristina: What?

Jack: This. That crazy? He's the only one we can factually be like, that's a f****** monster. Without it, we couldn't cast doubt on that case in the f******. In his wildest dreams.

Cristina: Nah, that's a scary case.

Jack: Yeah, there's no way to cast out on that. Like, realistically. Realistically. Yo, it's. I can cast doubt on Hitler, bro. It's harder to cast doubt on Bill Cosby than Hitler. Than Hitler. Oh, s***. I don't know, because Bill Cosby didn't wake up and was like, I'm doing the right thing. Like, there's no way you had that thought. Hitler had more ability to have that thought in his circumstance, thinking, well, this is the right move for these people.

Cristina: Yeah.

Jack: My people have to survive, and we're gonna figure it out. Versus I'm a drug, a b****. It's like, holy f***, bro. How are you wor.

Cristina: I wonder what his excuse. Like, I'm so old, I can't tell which is the medicine or whatever. Like, what I'm putting in these drinks. It's just accident. Oops.

Jack: Yeah, my. My erection pill slipped, and I dropped a roofie in her drink.

Cristina: Oops. Like, is that his excuse? What?

Jack: Dude, I don't know. It's crazy. I can sooner cast out on Hitler than Bill Cosby.

Cristina: That is crazy.

Jack: That is crazy. And look, people want to decide what it will Cosby at the beginning because it's just another black guy being screwed.

Cristina: In a very rich and famous one.

Jack: Very rich and famous one. If he fits a suit of just being a target.

Cristina: Mm.

Jack: But also, d***, bro, that's the one we can't defend. Not even a little.

Cristina: No.

Jack: That's kind of a monster. He's up there with R. Kelly.

Cristina: That's.

Jack: No, we. No. No.

Cristina: I don't know. No, they're both monsters.

Jack: We can cast more doubt on or we can cast doubt on R. Kelly.

Cristina: Really?

Jack: Yeah.

Cristina: Oh. Because their parents let them wonder.

Jack: Parents let them two. We drew the line. And some people have sexual preference. Maybe it's not a criminal problem as much as it is a psychology problem. And he needs mental help. Because if we're saying this is wrong and you shouldn't do it and he has an urge that he can't control, then is he the culprit or the victim?

Cristina: Oh, my God.

Jack: You see how that goes? Oh, I can cast doubt on f****** anything, bro. We talk about all this. It's impossible. Because we do. That's an interesting case, though, because we do do this mental health thing where we're like, you know, mental health matters, and we got to take care of people's mental health, but unless they murder. No, he didn't murder anybody.

Cristina: I know, but they also don't like it when mental health people murder people. Yeah.

Jack: No. 100% you're totally right. And that's not fair.

Cristina: That's not fair.

Jack: Because if it's genuinely a mental health.

Cristina: Problem, we shouldn't be taken care of.

Jack: Then they should be taken care of and they shouldn't be punished for something out of control.

Cristina: Yeah, Yeah.

Jack: I am on the side. Oh, God. This sentence. I am on the side of helping the pedophiles not f****** rape children. Don't help the pedophiles. Get the kids. Help them deal with the thing. And the problem is discerning person who doesn't give a f*** and is fully lucid from somebody who can genuinely not think straight because of the urge.

Cristina: Okay.

Jack: If we can somehow figure out how to split that and be like, this a******'s a f****** monster. He knows he probably shouldn't be doing this and he just doesn't care. He just. He's using mental health as an excuse.

Cristina: Just be able to figure that out if a person was kidding or not.

Jack: No, because there's no. A psychologist is a scientist. And all science is estimate. You're trying your best.

Cristina: Yeah.

Jack: Nothing is. Everything is a theory. There's no fact. There's no fact.

Cristina: Mm.

Jack: There's the theory of things, but there's no fact. And that leads to some pretty mucky waters because if we lean in the favor of. It's all mental illness. But what about the guys who are totally fine, we give. Gave them a free pass to f****** rape people, you know, that's f*****.

Cristina: Yeah.

Jack: So we can't just blanket say it's mental health because we let a lot of people go and do, like priests, bro. How do you position yourself so tactically? You're a f****** monster. That's not mental health. You had tactics.

Cristina: Yeah.

Jack: This was thought out. You didn't just have an urge, couldn't control and f*** the kid. No. You decided in a job that would tactically place you with children in order to better f*** kids.

Cristina: Yeah.

Jack: That's f***** up.

Cristina: Very different.

Jack: And you also kind of knew that they would cover for you. Mm You. That's. That's all premeditated.

Cristina: How would you know that, though? Like, how many priests were doing that before the norm? I don't know, like a priest decided, yeah, that's the place for me. Or not a priest. A person who decides I'm gonna be a priest because of that. Like, how is that even known? Or is it just coincidence that these priests do this? Not quite into, like, I'm assuming they don't know each other, these priests that are doing this.

Jack: No, but it Makes sense as a position that is protected at all times because people hold religion so sacred that, you know, that you can almost do anything. But because people are more scared to question their faith.

Cristina: Yeah.

Jack: You probably get a free pass.

Cristina: Mm.

Jack: It's a synosis.

Cristina: Hypnosis.

Jack: Yeah. You're using their mind, knowing they are more scared of a genie in the sky than they are of you raping their children. Okay, so it makes sense that at least the majority of those cases are not a mental health problem. Those are f****** pieces of s***.

Cristina: Yes.

Jack: But when we go to this song about the guy singing about I like little girls or whatever f*** he's singing about, he's not singing about f****** little girls.

Cristina: No, he's talking about his problem.

Jack: His problem. He's actively saying he doesn't f*** little girls, but I have a problem. I have this urge that never goes away to f*** little girls.

Cristina: He does not say that literally in those words.

Jack: But that's the ultimate point of the song.

Cristina: Yeah.

Jack: And in his case, that's a mental health problem.

Cristina: Mm.

Jack: He's a guy who's saying, well, I wish I didn't. It sucks to want this because I know I will be ostracized, imprisoned and ridiculed and hated by the world, so I can't do what I like.

Cristina: Yeah.

Jack: Which is a sexual preference. At the end of the day, it is. And that leads us into muckier grounds. Right. Because then we have to say, well, not all sexual preferences are valid. Ooh, now we've entered it. There's some many sexual preferences that aren't valid. Oh, no, but everybody's. No, cuz f****** kids is a sexual preference. So you got, you know, there's a line.

Cristina: There is a line.

Jack: There's a line.

Cristina: There's definitely a line. Because if you think about, like, people who are into animals.

Jack: Yeah, there are lines.

Cristina: There are lines.

Jack: Not every sexual preference is valid, which means there are incorrect sexualities.

Cristina: Mmm.

Jack: Ooh. Ooh. All sexuality is fine. Then be okay with pedos, f*****.

Cristina: No, that's tough.

Jack: But then we. We drew the line. We made the lineup.

Cristina: Yeah.

Jack: So saying f****** kids is wrong is about the same as saying f****** a guy is wrong because we made that up too.

Cristina: Yes, this problem, that is a problem.

Jack: Yeah.

Cristina: But it's wrong.

Jack: Well, we're raised in a culture in which is wrong. And it's highly disturbing to at least those of us conditioned into the culture. Yeah, but there are people who are just disconnected enough or something happened that rewired them just enough to make that okay.

Cristina: Mm. So like if the more people rewired that way it become more okay or something like.

Jack: Yeah, actually. Yeah. That is literally how it works. Majority rules.

Cristina: Whatever.

Jack: Is the majority is the norm and everything else is what's strange.

Cristina: Yeah.

Jack: So if we said more than 50% of the population that it was alright to f*** little girls. Well, I guess little boy, little kids f*** children. Then it would sway law and everything.

Cristina: Yeah.

Jack: And it would just be all right to f*** kids. We would stop giving a f***.

Cristina: That's crazy.

Jack: But it would just be normal at that point too. Like by definition.

Cristina: Yeah.

Jack: We would just be like, oh, whatever, f****** kid. Yeah, everybody does it.

Cristina: We don't live there.

Jack: No. We live in the one where that s***'s wrong. Yes, well, but it is totally like a coin flip. It's just by mere chance that we're.

Cristina: In a society that doesn't.

Jack: Yeah, 100%. We could have ended up making a law or not making laws that supported the concepts of children had that not happened in the 1860s. Where would we be right now? Many people have parents that were 12 years old when they had their first child. This is a reality of the world. This is some s*** that was happening. Yeah. They were grown men, 40 year olds, married to 12 year olds.

Cristina: Mm.

Jack: Society was normal. That was normal in society.

Cristina: So was it ever normal with animals, though?

Jack: That's a weird one.

Cristina: That's a weird one.

Jack: It's a f***** one.

Cristina: Yes. There's other messed up ones, but that one is sticking out. But it's not true. It's just. It just sounds horrible.

Jack: Yeah. Because also how do we. But then we don't give in the same world where f****** children is fine. F****** an animal, I guess in theory is fine too, because how do. In both cases, how do we prove consent?

Cristina: I guess that's the problem. I guess we have to at least agree. Maybe that's the line.

Jack: That's the line. But then where do we decide the consent is of lucid mind.

Jack: Right. So, okay, we get. We can. Animals don't speak English. Fine. We chalk off all animals because we said consent. We have to verify consent. Factually.

Cristina: Yes.

Jack: We have to interpret a f****** animal.

Cristina: Yeah.

Jack: What about a kid who can talk and says yes, please?

Cristina: Yes, that's a problem. I don't know. We have a problem.

Jack: Right. Because consent can't be the line. Because there needs to. There needs to be more on this side of the line than just stopping people from f****** kids. We have laws and s***, but the kids aren't taken into Account from their point of view. How do we just. How do we say somebody is. Because we know there's kids who are more mature than other kids.

Cristina: Mm.

Jack: Okay. How do we. And this is the f****** case of individuality. Right? This is where that breaks down hard. Because you have to sacrifice individuality for this. To generalize and say, well, by vast majority, around this point, it seems like it's the right time.

Cristina: Yeah. I mean, that's what we do.

Jack: Yeah, that's what we do. That's the right move.

Cristina: It's the best move.

Jack: Because how are we gonna distinguish one child from the other? The level of maturity, their capacity, their understand, understanding of what's going on. How this is going to impact them.

Cristina: I don't know. We make new jobs for people that way, though. If we have people to evaluate everyone.

Jack: Yeah, man. We just need. We need a lot of mental health care.

Cristina: Yes.

Jack: But also, look, I think where we got it is right. Where we got it is right. It's like. It's not right. I wouldn't say it's right. It could be. It could be younger. It could be older. I don't f****** know. But we have something. Yeah, we have something. Better than nothing.

Cristina: Yes. It's good enough for the moment, but.

Jack: Then we don't stop s*** like churches, huh? We give them the pass. At least in the United States we do.

Cristina: I don't know about that one. I don't know. That's not right.

Jack: It's weird, right?

Cristina: Yeah.

Jack: Because we know they're f****** doing it.

Cristina: Mm.

Jack: But we let them because, well, God. God? What God? God wants your children f***** by grown man. Dude. There's no f****** way. Come on.

Cristina: I don't know. We should cancel some of the religions. I don't know.

Jack: Yeah, I think Catholicism has run its course. On the flip side, we're in a transition period.

Cristina: What do you mean?

Jack: Well, first everything happens to be philosophy. Then it is the science, and then it is the religion. Everything goes through those same three stages. So there's a bunch of people sat down as, like, philosophizing. Where did everything come from?

Cristina: Mm.

Jack: And somebody said, well, maybe somebody made us, because it looks like there's too much order for it to be random chance. Then enough people believe it for long enough. Well, this is science. Now we're explaining how origin happened.

Cristina: Yeah.

Jack: And we're gonna teach this to everybody so we can see everybody's feedback about how origin happened. And we're gonna build the biggest, most intricate, most comprehensive picture we can about how origin happened. And then. Okay. What's the next step? Well, we're gonna put laws around that. Okay, great, great. Laws. Laws are everywhere. So I guess it's philosophy, then science, then politics, then religion. Because then we build laws around this. So we have laws literally built around religions. That happened for many, many years. Laws built around religion. We're gonna force this on the people. But then it surpasses just law and enters a realm of belief. It's been around so long, we don't know where it came from. We don't know how it got to where it is. This is passed down from the gods.

Cristina: Yes.

Jack: Divinity passes over so that we're. That same thing is happening right now with the new one, which is. We're literally calling it science. But physics is where it's at. Right. So general relativity and s*** like that. And so general relativity began as philosophy. Well, what's the nature of order? Got you. Okay. Went through philosophy. Well, we're gonna. We need to calculate it. Science entered.

Cristina: Where's the law part?

Jack: Well, then we're trying to use this to dictate that religion, the old things no longer apply. We can tell that with relativity and with physics and with all that that breeds in chemistry and biology and all the things that came from these same kind of general areas. Well, people are living things, and we can say that people deserve individual rights and that's okay. So we have this whole mentality going on. We're crossing into the. The part people like Neil Degrasse Tyson are already pushing into the point where it's becoming law. Things are becoming law based on the science.

Cristina: Yeah. So.

Jack: Well, we don't agree. We do agree. Okay, well, climate change. We need to f****** laws. Oh, and sexuality. We need to laws. And so a bunch of things are happening surrounding the current state of. Not science. Current state of nature.

Cristina: Mm.

Jack: In which we're in the. The political state of it. So we already passed the philosophic state and we passed the science state in which we calculate it. Now we're in the law state. We have all the numbers. We figured the thing out. We have all the numbers. Now we're trying to put laws around those numbers. But eventually we're gonna lose where those laws came from and we're just gonna know that they exist.

Cristina: Yes.

Jack: That's religion.

Cristina: That's religion.

Jack: That's how religion happens.

Cristina: Once we lose where it came from.

Jack: We lose the fact that it was philosophy, then science, and then politics. We just know it exists. And we lost all that other s***. That's religion.

Cristina: And we're heading there we're heading into.

Jack: We're. Yes, we're in the political part right now. Yeah, everything is political right now.

Cristina: So much political.

Jack: Yes, but it's all politics based on nature. Before nature was. Well, where do we come from? Maybe something made us. Okay, stage two. Something made us. How do we calculate it? Well, look at the stars. Oh. See the dots? How could they connect? There's a picture up there. Ah, yes. Oh, yes, There's a picture up there. See? Okay. So we need to put laws around these calculations we've made about the fact of order and stuff. And somebody was like, yeah, so order says, this bad, that good. And you can't do anything that's bad. Okay, okay, we can't do anything that's bad. What about the good stuff? Yeah, yeah, do the good stuff. But then eventually. Where the f*** did any s*** come from? I don't f****** know, dude. F****** the goddess, talking about gave it to you. Oh, yeah, yeah, that makes sense. Order and s***, right? Yeah, yeah, Ordering s***. Got you. Yeah, yeah, yeah. Ordering s***.

Cristina: Okay. And what was this? The philosophy of today? I guess.

Jack: The philosophy of today, it always comes back to nature.

Cristina: We're just.

Jack: We're always recalculating nature.

Cristina: Oh, okay.

Jack: And so the philosophy was setting. Yeah, it's like as soon as it becomes religion and we forgot where we got it. Well, I don't know where that s*** came from, but we need an answer for where everything came from that we can prove. So we always restart. Yeah, we restart. We go back to what we got to be able to prove it.

Cristina: Yeah.

Jack: And so we already went through the philosophy. We went through the calculations. We're in the politics. And when the politics are done in enough distance has been made from the politics, we land right back at religion.

Cristina: Yeah.

Jack: So the current nature explanation of physics and of chemistry and of biology and of string theories, that's gonna be religion. But when that's religion, somebody's gonna be like, yeah, yeah, yeah, great. We don't know where the f*** this s*** came from. And, yeah, it explains whatever the f*** you want to explain, but we need to figure out how nature works, and we need to, like, sit down and really think about this. And somebody's gonna, oh, yeah, yeah. Sit down and think about this. And then we're back to square one, where everything that's nature's explanation now is just religion.

Cristina: Religion. Because we've forgotten.

Jack: Because we forget. We always forget that, well, it was the same road over and over.

Cristina: Mm.

Jack: Which is weird because f****** technology is abusing that s*** too. How because it's manipulating the fact that we're on this quest to find out the truest truth. We didn't have technology before.

Cristina: No.

Jack: But now we have technology. And technology is feeding into how this narrative is carved, which starts to muddy the waters. This is the first time we have that problem happening. But also we must evolve. And it seems like technology is forcing that on us. We're probably gonna go extinct. And the next version of us is AI it's our baby.

Cristina: It's our baby. It's gonna take over.

Jack: Yeah. It's the next step. We will be, at some point a species of non organics. And it's entirely because us organics have died out.

Cristina: That's pretty cool.

Jack: And it's gonna start with genetic engineering and CRISPR or whatever.

Cristina: People are always so afraid of that. Even though if it is the next step, what's there to be afraid of?

Jack: It's gonna happen so gradually we'll never notice it happened.

Cristina: Yeah. Like whatever we were before. You think they were afraid?

Jack: No, they never thought about it. People are scared thinking about it. Like it's gonna happen overnight. But also, people don't understand evolution.

Cristina: Yeah, I guess because we won't notice.

Jack: No, you gotta understand how stupid people are. People who don't believe in evolution literally say, well, why haven't monkeys evolved anymore? What the f*** kind of retarded question is that? What do you. Of course they're evolving, just not gonna. The f*** do you think they evolve? Like Pokemon.

Cristina: Okay.

Jack: Now you're a different creature.

Cristina: I don't know. We gave a monkey a stick and expected a transformation.

Jack: Yeah. We're like, well, if it f******. If the monkey gives. Really do evolve. Why aren't they humans yet? Cuz. Cuz we're human.

Cristina: What? Yeah. I don't know.

Jack: Get a time machine. F****** fast forward. You'll see it happen.

Cristina: Yeah, like it's not gonna. It's not gonna be magical.

Jack: Yeah.

Cristina: Everyone's expecting some type of magic.

Jack: These are dumb. People believe religion is still a f****** functional thing. They think there is a God.

Cristina: Mm.

Jack: Who has created the universe. Which. The best argument for that is Santa Claus.

Cristina: Yes.

Jack: Like, hands down, that makes sense. Yeah. The best argument for that is Santa Claus, of all things. Nobody's eating that.

Cristina: No, I don't think so. That. He wins.

Jack: He wins by default. There's nothing as overpowered to Santa Claus.

Cristina: We're only here so that we're worried about gifts.

Jack: About gifts. Capitalism is true God. Yes. We're only here so that we're worried about not getting Stuff.

Cristina: Yep. It makes sense. Yeah. Like, why else would he make us?

Jack: And here's the funniest part. Because again, even Christmas comes feeds back into this whole s*** for attention. Right. If my gift is good enough and everybody else likes my gift, I can show off my gift to everybody, and they're like, oh, look how awesome you are.

Cristina: Yes. Yes. It's the same thing.

Jack: So we worry. Yeah, man. Santa Claus, bro. He just a savage. He gets it.

Cristina: And that's why we like our birthdays also, I guess, because.

Jack: Because we're the focal point.

Cristina: Yeah.

Jack: Everybody surrounds us. Nevertheless, it's both things. We stand out, and we're in the.

Cristina: Middle of the crowd, and maybe the people who are giving you gifts are like, oh, mine is going to be the best gift. I guess.

Jack: Yes. Because they're also trying to outdo everybody else.

Cristina: Yeah.

Jack: Because not only do you want everybody's attention.

Cristina: Yes.

Jack: But they want. They want the same thing. They're using the opportunity the same way. Oh, look how good the. The gift that Bob bought is.

Cristina: Yeah. He's so great.

Jack: Yeah. Bob is. Bob is the best gift giver. You want that reputation.

Cristina: Yeah.

Jack: Bob is the best gift giver.

Cristina: That's me. So.

Jack: Well, you want to show up to a birthday party and have people expect you more than they expect the birthday person. And you want to know, oh, man, I can't wait to see what Bob got Steve.

Cristina: Yes.

Jack: Bob always gets everybody the best. S***, what's it gonna be this year?

Cristina: Mm.

Jack: It's like, wait, is this Steve's day, or is it Bob's day?

Cristina: It's Bob's day.

Jack: Well, we're gonna come and sing Happy Birthday for Steve, but, oh, boy, what's Bob gonna pop up with? Like, Bob won the game.

Cristina: Mm.

Jack: Because Bob gets it. I can be the center of attention where I'm not the center of attention.

Cristina: Yeah. It probably works like that for everything. You want to host the party. It's. You want to do the best.

Jack: Yeah. Well, actually, hosting a party is literally surrounding yourself with people.

Cristina: Yes. But you're not just around. You have to, like.

Jack: No, you want to be known as the life of the party, whether or not you hosted the party.

Cristina: So you're competing for that. Okay.

Jack: Yes.

Cristina: Everything's a competition.

Jack: Everything's a competition. You want to stand out inside of the crowd.

Cristina: Yes. Because it has to be with other people who are participating in what you're doing.

Jack: Yes. Because you can't be doing something that nobody else is doing, because then you stand out too hard, and now you're an angel.

Cristina: Yes.

Jack: Now, the people who we admire the most are the people who stand out without blending in, because. Wow, that's impressive. I would never do that.

Jack: We look at somebody like Jack White who's just way the f*** out there in the field alone. He's like, come at me, you stupid cats. Just hanging out. Come at me, you stupid cats. I'm out here alone. You don't want to bite me?

Cristina: I don't know. He's singing and he's playing a guitar, and there are other people singing and playing guitars.

Jack: Oh, fair enough.

Cristina: So he might be the best at singing and playing guitar, but he's not doing something unique.

Jack: What about Elon Musk?

Cristina: He's making rockets, but other people make rockets.

Jack: Are other people really making rockets? It seems like kind of everybody else.

Cristina: Rocket maker.

Jack: No, no, no. People literally stopped making. NASA literally stopped making rockets.

Cristina: Other countries are still making rockets because they're still doing other projects. Like China with the moon, I guess.

Jack: Yeah.

Cristina: NASA was always doing stuff with Mars and rovers and stuff.

Jack: Yeah, I guess you're right.

Cristina: They're small projects. Like, no one pays attention to those projects. But now everyone wants to pay attention because Elon Musk.

Jack: Because here would be the problem. Right. You're totally right. You're totally right. And here's the problem with the logic that I'm proposing. You could, in theory, just do something nobody knows about. But why would anybody give a s***?

Cristina: Do something that nobody knows.

Jack: Okay. Imagine computers didn't already exist when we got a smartphone.

Cristina: Yeah.

Jack: Then what the f*** is this? What's a phone? Yeah, I'm gonna use the call. What's this other s*** it's doing? I don't know. This is just. Stuff happens.

Cristina: Yeah.

Jack: Great. I'm gonna use it for calling then.

Cristina: Yeah.

Jack: The fact that a computer existed first, like. Yeah, iPhone. Yeah. Super clever. Interesting thing. Wow. It didn't exist before, but just kind of did.

Cristina: Yeah.

Jack: A million parts.

Cristina: Yeah. Just put all parts together like that. You can't just make something that nothing was even. Even similar to.

Jack: Yeah, yeah, yeah. Because computer.

Cristina: Yeah.

Jack: Well, you. You put the newspaper or the. The science journal.

Cristina: Yeah.

Jack: On a screen. It's. The thing already existed. You just change how it looks. Yeah, well, Science journal. Well, I just took note of observations instead of just talking to Bob about it. And I can talk to Bob, but Bob can hear the conversation later.

Cristina: Mm.

Jack: Instead of right now, when I said it.

Cristina: Yeah.

Jack: Okay. So conversation delayed. Well, conversation. I need to warn you about the thing in the bush without just pointing. So I'm a scream. Because maybe you're not looking at me. I'm like, oh, s***. Language happened. Because I'm not always looking at you.

Cristina: Exactly.

Jack: But. But you just pointed with your voice.

Cristina: Mm.

Jack: Like, okay, so pointing. Then that was the first thing. Was pointing at the bushes.

Cristina: The first thing maybe.

Jack: And somebody invented. Over there. Over there.

Cristina: Thing.

Jack: Thing.

Cristina: Ah. Had to be.

Jack: Because something had to come first.

Cristina: Yes. You're trying to figure out what was the first thing.

Jack: And then everything else came from that.

Cristina: Ah, I don't know.

Jack: Well, a car. Well, the wheel happened, and we were on carriages.

Cristina: Electricity.

Jack: Electricity.

Cristina: That's pretty unique.

Jack: Here's the problem with electricity. Right. Electricity is a particularly interesting thing because electricity didn't invent anything. We figured out that there has to be something that could efficientize everything already existing and then use that logic to proceed.

Cristina: Yeah, that's pretty much what it is. Like, yeah. It was lights before electricity, but now we got even cooler lights.

Jack: Yeah.

Cristina: I had a torch longer.

Jack: How do I turn on the torch without the fire?

Cristina: Yeah, that's pretty much.

Jack: Yeah, yeah, yeah.

Cristina: Advanced what was already there.

Jack: Well, a mechanical engine. Torch. But electricity put the electricity in car. Oh, now I don't need the torch inside the car. Now I could just put the electricity. Much safer.

Cristina: Yeah. So everything comes from something.

Jack: Everything is everything.

Cristina: Yeah.

Jack: Right now I'm sitting in front of a microphone.

Cristina: No way.

Jack: This microphone is just conversation. But louder.

Cristina: Yes. Yes, it is.

Jack: How to turn the volume up if my voice doesn't go up higher? Make a thing that makes your voice go higher.

Cristina: Yeah. Like, has there ever been anything invented that wasn't because of other things?

Jack: Yeah. Like, what's the first thing? At best, there had to be one first thing, and then everything else came out of that.

Cristina: So you think the first thing is something that didn't come from anything at all?

Jack: The first thing had to come from nothing? Well, no, no, because you looked at nature.

Cristina: Exactly. So you're still inspired by something.

Jack: Yeah. Okay. A flying machine. Well, I looked at a bird.

Cristina: Yeah.

Jack: And nature did it first, then.

Cristina: Yeah. So there's nothing really original.

Jack: There's nothing original. It's impossible.

Cristina: It's impossible. Yeah.

Jack: D*** Is. Oh, s***.

Cristina: What?

Jack: That's how we cast doubt on Bill Cosby.

Cristina: Why?

Jack: Because he was just. He was innovating, not inventing. That means he saw something happen that we haven't reported on because the rest of us didn't see it happen. And he was like, ah, I see how that works. I'm gonna do that. So what? I mean, we know the Music world in the mute and the like.

Cristina: Obvious. He's not the first person to.

Jack: No.

Cristina: Yeah, you just don't.

Jack: He. We were pointing at him really hard because he got caught.

Cristina: Yes, but he got that idea from something.

Jack: The number of monsters hidden in the dark that are doing that very same. We don't talk about that. That's scary. We just. We just don't address that fact.

Cristina: He just got it from movies.

Jack: Where the movies got it from. Oh, we just don't talk about this. Yes, because like, it came from somewhere and we don't like that. That Phil Cosby wasn't the first. Unless we're gonna say he's a genius.

Cristina: Yeah. He invented.

Jack: He's the smartest man on earth. He made a thing based on nothing.

Cristina: Nah. No, he definitely. No, that doesn't make it any right.

Jack: It doesn't make it any right. But how do we know that in his mind these things didn't click? And he's the victim here because. Well, my mind power. Oh, no. I'm going crazy because I'm too smart for my own good. And drugs. Yes. Wait, what? He's a scientist. He's running experiments.

Jack: And science must move forward. He's running experiments and he's like, what happens if I. Well, I've seen it work. He's like Mythbusters, Right? He's like, do roofies really make women pass out? And so he gives the first one and he's like, well, the next experiment was, do women really get scarred if they get raped while passed. She's unconscious. How would she know? So now, and he's over here with his science notations, taking all the notes. I'm like, okay, now she's raped, but she was unconscious. When she wakes up, I'll tell her nothing happened and I'll cat. I'll be her friend for the next 40 years. I'll take notes and see if her behavior changes. I'm gonna have two girls here. I'm a roofie them both.

Cristina: Mm.

Jack: I'm a rape one of them and not the other. They already have to have very similar personalities. And then I'm gonna groom both of them to know what situations are both exposed to at all times so that I know that no outside forces are tampering with my experiment. But for science.

Cristina: But for science.

Jack: But for science. Who knows? Maybe he's the most revolutionary psychologist of all time. Bill Cosby. We should free you. Is that where we are?

Cristina: No, because you're not supposed to do that as a scientist.

Jack: Okay, okay.

Cristina: That's what? You have mouses for 100. Mice. Mouse, mice, mice.

Jack: 100%. You're totally right. So then to all our listeners are f****** trolls. This question doesn't work anyways. Whatever. If you listen this far.

Cristina: What's the question?

Jack: And you want to get some true science done? We're going to test the psychology of the snowflakes of the world, and you just have to pose one question. They can only send one person to prison forever.

Cristina: Our listeners.

Jack: Yes.

Cristina: Okay.

Jack: Hitler, Putin, or Cosby.

Cristina: What?

Jack: You get one to go away? No, you know what? I'll be generous. I'll be generous. I say two of them got to go, and one of them's got to stay. No, because you're going to let Putin free. No. I don't know. They're gonna choose Putin to be free. I know it. So one of them has to. Oh, you can only arrest one forever. You're gonna remove one problem from the world, but the other two get to live.

Cristina: Hitler's dead. Is he really a good choice?

Jack: He's will revive him for this.

Cristina: Okay, so.

Jack: Okay, here you go.

Cristina: All right.

Jack: That's.

Cristina: That's the question sense, I guess.

Jack: Yes. And for this episode, you need to leave us a Bill Cosby emoji. I'm sure somebody's gonna made it.

Cristina: Find it, or you should put the emoji of whoever you're voting for.

Jack: Oh, interesting.

Cristina: I mean, do you think there's a Putin?

Jack: There's probably a. Put.

Cristina: There's a Putin flag, Russian flag, pill for Rufy. Oh.

Jack: Oh, and the swastika, Is that an emoji? This. Oh, God. There's probably a swastika emoji. Don't put a swastika emoji on it. Don't do that one. Yeah, f*** it. Do that one.

Cristina: Do it.

Jack: Yeah, do it. Do it. Do it. F*** it. Yeah, yeah, yeah, yeah.

Cristina: Why not?

Jack: So just vote with your emojis. Yeah, this is perfect.

Cristina: And then something will happen.

Jack: Somebody. We're gonna.

Cristina: We'll do it.

Jack: We'll do it. We'll do it.

Cristina: Well, we got a time machine.

Jack: The problem is we can't actually stop Hitler. There's no way to do that. We've proven that.

Cristina: No, we're just sending him to jail. Like, he can do whatever he needs to do.

Jack: Oh, s***.

Cristina: No one before he kills himself.

Jack: No, we're gonna f*** everything up.

Cristina: Oh, because we can't get him up.

Jack: No, if we do arrest him, then we f*** everything up. We actually can't tamper with Hitler.

Cristina: Why? People will think he's dead. We'll get him the moment he's gonna kill himself. So everyone thinks he's dead.

Jack: He's in jail forever.

Cristina: He's jail for.

Jack: Interesting. Fair enough.

Cristina: Whose life's being changed.

Jack: Fair enough. But doesn't Hitler come forward in time at some point to meet.

Cristina: Oh, crap.

Jack: You see, this is my problem. We can't touch it up him when.

Cristina: He comes forward in time. When he.

Jack: After he's interacted with Trump and he's about to dip again.

Cristina: Yeah, we catch him. We catch him. There you go. Because he was gonna be freed because he saved the world anyway, right?

Jack: Yes. So he goes to prison anyways.

Cristina: So then. Yeah, we'll send him.

Jack: You can. Fair enough.

Cristina: If they vote for him.

Jack: Yeah, fair enough. You can choose to send Hitler to jail regardless.

Cristina: Yes.

Jack: Of the fact that he saved most of the Earth. Actually, he saved literally the whole planet from the meteor.

Cristina: Yeah. But you can take him to jail.

Jack: You can still take him to jail. We just say. At no point do you get to say, I'm no longer that person to Hitler.

Cristina: Yeah.

Jack: Or you can stop Putin right now. Or you can make sure Cosby doesn't get freed, because if you don't choose him, we will be obligated to free him.

Cristina: He'll just be free.

Jack: He'll be free.

Cristina: Okay.

Jack: No punishment. And we'll hand them a bag of Rufus. We're gonna hand Bill Cosby a bag of roofies and be like, you did nothing wrong.

Cristina: Okay. That's horrible.

Jack: Yes. So I guess the ultimate question is, if you have to say, only one of these people did something wrong, which of them did it?

Cristina: Which of them did it?

Jack: I just want to know if people are gonna choose Hitler over Bill Cosby, in which case they believe. Because it's numbers. It's a numbers game, right? Yeah, it's a numbers game. They should all choose Hitler. Not to say that Bill Cosby is not f***** up. Yeah, but, like, if we weighed this, maybe we take the hit.

Cristina: I want to know if you should put on the socials, too.

Jack: I put on Instagram. Twitter is chaos.

Cristina: That's fine.

Jack: Yeah, yeah, yeah.

Cristina: People know. You go. We have a just conversation. I mean, not just conversation. Rambling on Instagram. Ye.

Jack: Well, it's under Just Conversation. All of it is under the same blanket. Anyways, if you guys want to know about all this bullshit that we usually talk about and all these conversations usually have, you can find us on all the places you get, you know, podcasts. So you can find us on Apple podcasts and Spotify Stitcher. You can find us on the official website greatthoughts.info you can find Google.

Cristina: Yeah, we never say that enough. Just Google.

Jack: Yeah. We're everywhere.

Cristina: Yeah. And you can reach us on Facebook, Twitter, Instagram and TikTok. UsConvopod.

Jack: Yes. And remember to rate, review, subscribe, all the good stuff. Leave us those emojis. Voting yes.

Cristina: Leave us those emojis. And let someone who might like this show know about it.

Jack: Yes. Word of mouth. Share people. The question we just asked the whole episode, obviously, but they need to come across this question so that they're either completely amused or highly disturbed. And I think at some point throughout this conversation we said there was nothing wrong with pedophilia as well. So that happened at some point.

Cristina: I don't remember that.

Jack: Yeah, I don't think we said there was nothing wrong with it. I think we really just tried to pick apart how we got to it.

Cristina: Yes.

Jack: And how we decided it was wrong as opposed to saying it's right. I think that's the truth of the matter.

Cristina: I think so. Yeah. Yeah. And this has been the Rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye. I think it's after you hear the. You get sucked in. The cop was. I remember the cop lady. She was sucked in there. And so was the lady. I don't remember the guy at all.

Cristina: Maybe I'm wrong about the guy. I don't know, because I feel like there was someone also searching the town, but just never nothing weird happened to them.

Jack: But wait, I don't get it. You said he walked into the town, then the road disappeared.

Cristina: No, I guess it wasn't for him. It was for the other two.

Jack: We gotta watch that movie. It's a good movie.

Cristina: Yeah, we watched that piece. Maybe I'm wrong about it, but a.

Jack: Lot of people didn't like that movie.

Cristina: I don't care what people think.

Jack: Yeah, people suck. Yeah, a lot of people don't like.

Cristina: Especially when it comes to horror movies.

Jack: Yeah, they're idiots. They like all the garbage.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 164: World Adrenochrome War III

Is the United States a hypocrite for accusing Russia of being evil for doing to Ukraine the same thing they planned to do to North Korea and for the same reason? Is this entire crisis another ploy by the gods to milk fear from the population in order to sustain their life force? Do Bigfoot poop babies have the same abilities as Bigfoot Adrenochrome creatures? Just as the beginning stages of world war III begin to show, the duo answer many long time questions, report some mistakes, some successes and unpack the crisis happening overseas with the right news! The Good ole illuminati way!

+Episode Details

Topics Discussed

  • Russia/Ukraine Crisis
  • United States Hypocrisy
  • Propaganda News Media
  • U.S. to North Korea/Russia to Ukraine
  • Weapons of Mass Destruction
  • Soldiers from Afghanistan to Ukraine
  • U.S. Sanctions on Russia
  • Does U.S. Care About Any Lives?
  • China vs India
  • Adrenochrome Resource
  • Gods Starving
  • Bigfoot Rapes Jack
  • New Groundhog Weather God
  • Human Magic Mind

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas and childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you hate, remember to hit that subscribe button the second new episodes are released.

Cristina: Also, this show is most enjoyable with the listening partner to share opinions and ideas on topics we discuss.

Jack: Yes. So rally the troops, sit them down and hit play. Because it's that time of the week, I guess, where you. Time of the week. That was accurate. I was about to f*** that up. I was gonna say time of the day. I mean, I guess you could, like, spam the same episode several times throughout the week or f****** different episodes every day and just.

Cristina: You finish so bad. Just listen to this episode until next Saturday.

Jack: Or they can take like a. Like a Dave episode and just like half an hour that s***, and you got like two weeks worth of episode.

Cristina: Mmm.

Jack: It's got time.

Cristina: Yes.

Jack: You know, I guess that's technically a.

Cristina: Different show now, the Just Conversation.

Jack: Yeah, that's Just Conversation podcast. And this ain't that. Well, whatever.

Cristina: Listen to this one over that one.

Jack: Yeah. Here's what's interesting. I wonder if there's, like, a cross between those two points. Like, what. What's. What's. What's the audience difference? Because there are different portions, we can tell which episodes are heard more from different regions. And I'm like, what's the overlap, though?

Cristina: There has to be more that's overlapping, I think, than they are separate, I think. I don't know. Think maybe, like, whoever started with us, I'm assuming, probably listens to both. Or at least in the beginning, listened to both.

Jack: Fair. Fair. People who caught with the beginning and then people who only came for the, like, guests or people who only came for whatever the f*** we're doing here. Whatever this is, Whatever this s*** is.

Cristina: The news.

Jack: The news. Yeah, I guess it's kind of the news. And that's what we're doing today, Reporting on tragedies.

Cristina: Yes. The peace that I was supposed to.

Jack: Yeah. Do all the peace that you did and felt so proud to report a total success on.

Cristina: The US Lied or the Russia lied. I don't know. Someone lied to me.

Jack: Okay, look.

Cristina: You'Re gonna blame me. It's not my fault. Someone lied.

Jack: World Adrenochrome War 3.

Cristina: I think Russia and America lied. Come on.

Jack: Well, okay, look, let's be real I mean, that's Philip. Let's feel, let's feel everybody up at the beginning. At the very beginning. So Christy here.

Cristina: Mm.

Jack: Recently went on an expedition to speak with the leader of China, the leader of Russia, and the leader of the United States had a pretty secret meeting near the Earth border and had a chit chat about peace and everybody stopping being so aggressive and you guys are the most powerful countries in the world. And stop being dramatic and crying over all the spilled milk that you're spilling yourself and making other people spill milk and then crying about their spill milk too. And like just milking cows just to have more milk to spill and then cry. Cry about spilling milk. Milk. Spilled milk. Tears. Milk. Teary milk spilling. Drama.

Cristina: It's drama.

Jack: It's milk drama.

Cristina: About. Wait, who has the milk?

Jack: Everybody.

Cristina: Everyone has the milk.

Jack: Yeah. And they're all crying and you said they stopped crying and then they all went back to their bat caves and just cried more. And then like, oh, my parents are dead. They just cried more. Milked more cows in their cave. Just my f****** parents. And so that's what's f****** happening.

Jack: And you, you said it was all good. And it was for a minute, it was for like a few weeks until you, you know, Russia was like, meh, bombed neighbors. It's all good.

Cristina: Yeah. So that's where we are now.

Jack: Yeah. Ouch. Okay. Okay. So Russia decides we're gonna go f*** Ukraine.

Cristina: Yes.

Jack: This is American narrative. Right? Let's think American narrative, which we know is objectively wrong, but let's follow the logic here. Russia says we're gonna the Ukrainians because them. That's our. The United States is like, no, we are anti terrorism. Completely ignoring the fact that we bomb random countries throughout the world.

Cristina: And we also let Ukraine take some. Didn't they already take a part of. I mean, not Ukraine. Russia take a part of Ukraine a while ago or some other country that was nearby. And we just were like, okay with that.

Jack: Yeah. But we're totally ignoring the fact that the United States has totally committed all these same atrocities in the first place. Consistently. Actually pretty recently, kind of every year for the most part, it seems. We're just always just f******. Just bomb these people we were proud of people bomb. They're gonna go bomb over there. Hey, those people we haven't bombed yet. I think they're also in the Middle East. Bomb them too. F***.

Cristina: So we stopped bombing some people and now we're bombing other people.

Jack: Well, we're not bombing anybody right now. According to the Narrative. But if you were to look at our military records, we've never not been bombing people. Actually, the amount of. For reference, anybody listening to this, you can go look at the military records. Those are public records. You can just look at that. That's because your tax dollar pays for it. You have access to that information. It is an obligation. Yeah, there's sketchy s*** they keep out. But they have to report at least where the soldiers are, because the soldiers know where they land. And they can talk to the locals and find out, oh, I'm in this f****** country. And, oh, we're attacking these people. So there's certain things they couldn't hide even if they wanted to.

Cristina: Mm.

Jack: And you can easily see how consistently, every year for the last 70 or so years, we have been bombing somebody consistently every year.

Cristina: Ever. Ever.

Jack: 70 years in a row, every year, no exception. We have found somebody as a target and. No, it's always been in the Middle East.

Cristina: Well.

Jack: No, you're skipped. No, you're skipped. And it's not, we dropped a bomb. No, no, no, no, no, no. We're bombing a bunch of people because they got something we like, and they didn't want to give it to us for free because, well, we need it to the f***. So we're like, well, we don't really care if you need it. We want it, though.

Cristina: Yes.

Jack: So we're taking it.

Cristina: So in this case, we want Ukraine.

Jack: No, we. We are, in our. In this case, United States news. We are doing nothing wrong with the heroes of narrative. Russia's over here. F****** Ukraine, because f*** Ukraine. Ukraine's are f****** dirt. We want a f****** dirt back, b****.

Cristina: Mm.

Jack: And thus terrorists and Putin. Bad, evil men. Yes, and evil. Evil, Bad, bad. Me. Me.

Cristina: But we are gonna end up bombing eventually over there. Right?

Jack: Here's. Here's the problem, right? The American government is going to tell the American military to go bomb the Russian soldiers, but we also don't want to trigger a nuclear war. So we're going to bomb the Russian soldiers in Ukraine. In Ukraine.

Cristina: We're not stepping into Russia.

Jack: We're not stepping into. We're not stupid. So we're gonna bomb them in Ukraine.

Cristina: Yes.

Jack: Where they are currently.

Cristina: Yes.

Jack: Because that's the way to peace.

Cristina: By bombing Ukraine.

Jack: By bombing Ukraine. We're gonna bomb Ukraine to stop the Russians from bombing Ukraine.

Cristina: Awesome.

Jack: America.

Cristina: Yeah.

Jack: Hard merica.

Cristina: Ooh. And we'll do that for a few.

Jack: Years, and then we're gonna say, we.

Cristina: Did it, we did it.

Jack: We did it. Whether or not, like, eventually. Eventually Right.

Cristina: We'll have a peace treaty. No, no.

Jack: Eventually Russia's gonna be like, I'm bored of this.

Cristina: Oh.

Jack: Like whatever's nobody here left. We killed everybody and they're gonna leave. And then we're gonna be like, we did it. We saved everyone.

Cristina: Russia would just take the land now that everyone's dead off of it.

Jack: Yeah. And the United States will report and say no more. Ukrainians are being bombed. We did it.

Cristina: We did it.

Jack: We did it. We saved everyone in the Ukraine who was left and is a Ukrainian.

Cristina: You know, there's no more.

Jack: Even though there's no more.

Cristina: I mean, the ones that are alive probably left.

Jack: Or anyone who joined Russia or joined Russia.

Cristina: Yeah.

Jack: So we technically not wrong if we're saying them.

Cristina: Yeah.

Jack: This. There's some twist in there that's gonna be right.

Cristina: Mm mm.

Jack: That's how we wrote.

Cristina: So why are we bombing so much?

Jack: I don't know. There's oil half the time.

Cristina: But this isn't about oil.

Jack: Russia has the oil.

Cristina: Oh, so this is about the oil.

Jack: No, no, no. Russia has the oil.

Cristina: But we don't want Russia's oil.

Jack: No, we're taking Middle east oil.

Cristina: Okay, but we are just bombing just a bomb because we just need to follow this tradition of bombing.

Jack: No, we're bombing because Russia. We need to make Russia look like the bad guy and like we're fighting the bad guy, but we're also not stupid and not gonna go bomb their military at home.

Cristina: No.

Jack: Because the nukes, I mean, we got way more nukes and we're way more scary. And the problem is we're in ties with Russia. Even if we have all these disagreements, there's a lot of that comes in and out that we profit off of.

Cristina: So there is peace?

Jack: Yes, peace.

Cristina: Quote, unquote.

Jack: Quote unquote.

Cristina: Yes, there is peace over there.

Jack: Yeah, yeah, yeah, yeah. So the logic goes, Ukraine proceeding to develop nuclear weapons. Right.

Cristina: Were they?

Jack: Yeah. Okay, so here's the problem. Here's the problem. The reality of the matter, minus the f****** propaganda of the United States.

Cristina: The true story.

Jack: Yeah, the true story. The propaganda of the United States is f****** exaggerated and so many people eat it. And nobody tunes in into any alternative news from outside the country. We just follow CNN and fox. That's hard propaganda. They're trying to make you think about the country in a certain way.

Cristina: Yeah. They want.

Jack: Now you don't have to look at Russian news. That's probably a bunch of propaganda right now too, because they're trying to promote our actions. Right.

Cristina: Yes.

Jack: And even if they are, I'm not saying they are. They're wrong, whatever the case might be. They're trying to justify themselves to the people. The last thing they want is their soldiers turning on them.

Cristina: Yeah. So same thing we're doing.

Jack: Same thing.

Cristina: Everyone's doing the same thing. Yes.

Jack: So you look at third parties that are uninvolved and just watching and that have reporters on the ground but have nothing to lose or gain from the conflict that's happening. They know that's who you look at. Yes.

Cristina: Okay.

Jack: Following that news, we can go back. Back to when? Back far back. 20, 30 years. And we start to see how this really unravels.

Cristina: Where does this start?

Jack: So we go far back enough and we have. Following the Cold War, obviously Russia isn't happy, but there's a little problem happening. The Ukrainians start creating weapons of mass destruction.

Cristina: That's back then.

Jack: Following it. Not during the Cold War. Following the Cold. Yeah, the years to follow. Late 90s, early 2000s kind of region.

Cristina: Okay.

Jack: And they are devising nuclear weapons for self defense for use in military, like every country. Yeah, but we're cool with Ukraine.

Cristina: Yeah.

Jack: So we're like. Yeah, cool, whatever. Not to mention everybody remembers how we were reacting to North Korea doing the same thing.

Cristina: Yes.

Jack: You got nukes. You're bad. Bad. You're bad. Bad. We don't want bad, bad. You can hit us with a nuke. We don't like that. You, you, you're in the right position to fling one and reach us. That's dangerous.

Cristina: If you're not a democratic country, you can't have nukes.

Jack: Yeah, yeah. Our logic is, if you're not, it's not democratic. No, you're wrong.

Cristina: No. What is it?

Jack: No, because not every country that's part of the United nations and not every country that's part of NATO is a democratic country.

Cristina: Okay. What are they?

Jack: Who?

Cristina: The NATO countries.

Jack: Variety.

Cristina: They have a variety. Okay.

Jack: It's a variety of countries we're in there too. If I were to say, well, they were all communists and could that be a lie because we're in NATO as well. If I were to say they're all like a republic like England, then okay, that'd be wrong.

Cristina: England's not in NATO though.

Jack: Was.

Cristina: It was. Oh, yeah.

Jack: My point being that there is a multitude of countries in NATO countries in NATO and not everybody has the same political system. Yes, but there are allies and that's all that matters.

Cristina: That's the important thing.

Jack: That's the only part that matters. So if you're making a nuke and you're not with us, we're gonna stop you from making a nuke. But if you are making a nuke and you're with us, well, we're not scared anymore. You're with us. The nuke is our nuke.

Cristina: Why don't. Okay. So we're afraid of Russia, and we're.

Jack: Afraid of Russian nukes hard.

Cristina: Because they're not part of NATO.

Jack: They're not part of. They're not our ally.

Cristina: They're not our ally.

Jack: NATO is just an ally organization.

Cristina: Yes.

Jack: We don't really need to focus on NATO.

Cristina: No.

Jack: That's just an example of yes. But they're just allies. We're gonna just allies regardless of what organization, what collective, any method that they use to get their allies friends. Friends.

Cristina: Okay?

Jack: So if you're our homie nukes good. If you are not our homie nukes bad. We will stop you from making nukes if you're not our homie.

Cristina: Have we ever tried making Russia our homie?

Jack: No. They tried to be our homie and we said, f*** you. They tried to join NATO and we just straight up said, nah, we don't like you.

Cristina: Oh.

Jack: Because we haters.

Cristina: We haters.

Jack: We haters.

Cristina: But we're scared of them. But we said no.

Jack: But we said no. Being homies, we're scared of them. And they were like, but let's be homies then. And then we were like, nah.

Cristina: Why?

Jack: Because that's who we really are. We're the racists. Let's be real. F*** you guys. You're Russian. We don't need more reason. We just f****** Russian. Why do we give a s***?

Cristina: We're scared of you.

Jack: Not even scared at that point, you b****. Now you f****** crawling back. You know, we're just a*******.

Cristina: Okay?

Jack: Anyways, around that point, Putin was like, hey, neighboring country, who's not my homie? Even after I tried to be your homie? Don't make nukes around me.

Cristina: Mm.

Jack: Because I'm a first world country youy could fling that in my direction and destabilize an entire first world order worth of s***. Maybe.

Cristina: Yes.

Jack: F****** don't. We were like, hahaha.

Cristina: Ha.

Jack: Shut the f*** up, Russia.

Cristina: Okay?

Jack: Russia's like, I'm gonna do something. And we were like, we don't give a f***. You're not gonna do s***. We're gonna stop you for trying to.

Cristina: Do anything with sanctions.

Jack: With sanctions. And he was like, but the f*** do you mean, you guys do this all the time? To protect you.

Cristina: Yes.

Jack: Bro. This is not even over the ocean. It's. You could. You could walk the nuke into my ground if you wanted to.

Cristina: Are you just afraid of this country? Is this the only country that's close to them? Or aren't there a bunch of countries next to them that have nukes that they should be worried about?

Jack: No.

Cristina: That's what they're worried about.

Jack: No. All the countries around them, they have total dominance over.

Cristina: Oh, okay.

Jack: Even if they're not their country.

Cristina: Yes. Those are their homies.

Jack: Those are their homies.

Cristina: Okay?

Jack: Russia keeps their homies close, okay? United States, like, their homies global.

Cristina: And Russia wants Ukraine as their homie.

Jack: Yes. Because you guys got nukes. You can't have nukes be around us and be homies to those guys. Yeah, we don't like that in these here parts.

Cristina: Okay?

Jack: Yeah. So Russia's like, hey, don't do that. And we're like, we do what we want.

Cristina: Yes.

Jack: And we're like, you. You know what happens here, right? Like, you do it all the time. Like. Yeah. You don't know how to do it. Like. No, no, no. I invented doing it. I invented what you're doing. What the f*** do you mean? And we're like, nah, nah, whatever. I can't hear you. Put our fingers in our ears. La, la la, la, la, la. So look forward 10 years from that point. Two thousand and tens. Putin pops up again. He's like, guys, it looks like you're f****** finishing nukes. And you just casually ignored everything I said about the s*** that you guys just started doing. I said, don't do this. The same year you entered Iraq for the same reason, bro. Do you not see the hypocrisy? And we're like, I don't see any hypocrisy, bro. We were protecting our people, of course. And the nuke that they're making right next to you, that's also protecting our people.

Cristina: Of course.

Jack: That's consistency to me.

Cristina: Mm.

Jack: Doesn't seem like hypocrisy to me. It seems like we don't like you. And if we have a nuke real close to you, you stay nice and tame. Sounds like protecting our people has been consistent.

Cristina: Mmm.

Jack: To which he responds, bro, what about protecting my people? But obviously, United States is selective about who counts as people.

Cristina: Yes.

Jack: I guess, like, humans are only humans if they're already on our team.

Cristina: So if they are bros.

Jack: If there are bros. Yeah. If you're our bros, you're human. Otherwise, think of Iraq. We will gladly Bomb you for s*** that isn't there. Now, we knew there wasn't s*** in Iraq. That's been established many times over. It was entirely a prophet war.

Cristina: See?

Jack: Yes. There was never weapons. There was never signs that there could be weapons. We just made a reason to go to war.

Cristina: Yes.

Jack: And tricked people. And then people digged and they were like, wait, based on what were their weapons? Because they said it.

Cristina: Because they said it? Yeah.

Jack: Who said it? Well, the leaders. Who told the leaders? Nobody told the leaders. Leaders just said it. Nobody said somebody told the leaders.

Cristina: Told the leaders.

Jack: No, nobody told the leaders. The leaders said it, and people followed and they're like, wait, but who told the leaders? Nobody. They didn't need to be told. They just said it.

Cristina: They just said.

Jack: Nobody said they were told. They just said things.

Cristina: O.

Jack: And then you listened. You should have looked before you reacted. It's your fault. You didn't look before you reacted. You said, yes, war. We scared you, and you reacted. You happen to be the idiot here.

Cristina: Oh, yeah.

Jack: It's not my fault if you get fooled every time. What do they say? Fool me once, shame on you. Fool me twice, shame on me. Well, keep shaming you, because we keep fooling you, brah.

Cristina: Yes.

Jack: So as long as you keep falling for it, you're the fool.

Cristina: So.

Jack: Yeah, always, forever, that's not gonna change. But that happened in Russia's like, guys, I'm not gonna keep warning forever. We're like, shut the f*** up, Russia.

Cristina: And they did what they said they were gonna do.

Jack: Well, sort of. No, they just ignored Russia. And then years pass. And then about 20, 20, Russia's like, hey, guys, looks like you guys are positioned to any year now, just start testing nukes. I've just been screaming into the void, haven't I? And we're like, what void? What nukes? Who the f*** are you, bro? It's like, I'm f****** Russia. What the h***, dude? I've been screaming here for years. It's been like 30 years now. Like, what? Who the f*** is Russia? I don't know, dude. You heard about that country? Who the f*** is Russia? Ukraine says it's right next to them. Ukraine? Who the f*** is Russia? I don't know. Wait, weren't you homies with Russia at some point? I don't know.

Cristina: Is that an accent? I don't know.

Jack: No, that's just. That's just Ukraine being smug. I don't know.

Cristina: Oh, okay.

Jack: I don't know. Maybe.

Cristina: Maybe I know them.

Jack: Maybe I know who they are. I knew who they were. We're not friends anymore. I don't know why Ukraine is gay now, but whatever.

Cristina: Yes. Like, we're ex lovers.

Jack: Yeah. I used to know who they were, but I don't know anymore. And Russia's like, oh, my God, you have to be rude like that.

Cristina: Okay. So now all the countries are gay.

Jack: They're all gay. F*** it.

Cristina: Okay.

Jack: They're all gay. F*** it. I mean, I guess that's right. Countries are pretty gay.

Cristina: Countries are pretty gay.

Jack: Some of them are just bromancing hard.

Cristina: Yeah. It's all about bromance.

Jack: It's all about bromance. And Russia's like, I will f****** stop this one way or another. I'm a. I'm gonna do you, the United States, bro. I'm gonna do the U.S. you guys want to f****** pretend you made it up and I was doing this s*** before you guys were born? Let's do it. Let's f****** do it. I'm warning you now I'm do it. You guys look like you can test anything. F******, dude. F****** do it. F****** do it, bro.

Cristina: Now they're bros now they're frozen.

Jack: Bros now. Bros again. Yeah, whatever.

Cristina: Yeah. I don't know. Russia's a little confusing because it's like they're saying they're gonna do something, but then they're also saying we're just training.

Jack: Because if they were to position themselves around and say, we're just gonna go f****** stop the nuke construction, we're gonna react real hard.

Cristina: But we knew that's what they were doing.

Jack: Yes. They weren't saying it out loud, which means the United States can't just make up some bullshit and say, this is the case. No, they have to react according to what the country is saying. That's why they. If they move first. And there's never any proof that anything was really gonna happen. The United States is the bad guy. The United States even knows that this is what Putin is doing. Yeah, but they care more about public perception. The politicians care more about how they look. They don't want to look like the bad guy to the people. They don't actually want to stop. They don't give a s*** about the Ukraine. You're our homie, but we will throw you under a f****** bus to look good, b****.

Cristina: Mm.

Jack: That's usa. F*** that s***. Usa. Usa. Usa. Usa. F*** that s***. If you are f****** not usa, you might be our homie, but that bus. That bus ain't hitting us, b****. We will throw you under that b**** to not be hit.

Cristina: That's crazy.

Jack: That's just our logic.

Cristina: The Ukraine are lucky to have us. I don't know.

Jack: I don't know, man. But yeah.

Cristina: So following Biden took out those armies from that other country just in time.

Jack: Sure.

Cristina: Coincidence.

Jack: I don't know who would have thunk it. Biden goes ahead and empties out all of Afghanistan of soldiers and that we just. Russia out of nowhere just suddenly decides to make a move and we just have enough spare soldiers to put them all in the opposite side. Whoa, what a coincidence.

Cristina: Maybe Biden's just like a super military.

Jack: He's the greatest strategist. He's got the foresight of God. That's where we're at. He has a foresight of gods, bro.

Cristina: Gods are helping him. There are gods here, there are gods here.

Jack: And so basically Russia just decides I have to stop the nukes. In reality, if you're looking at it from the news of other people who are third parties who aren't being affected and aren't in danger and don't profit or just watching.

Cristina: Yes.

Jack: The news, the fact of the matter, the hands on reporting, the person to person account without having to customize it for our narrative. Mm Is. And by the way, the world knows Ukraine has nukes. It's not like Iraq where we just f****** nobody wait. Oh my God. They've had nukes. They've been hiding the nukes this whole time. Like, no, that s*** did not f******. Like we found nothing. They did not f****** just make it up. They did not just f****** happen to have hidden nukes. We is bullshit. We were talking bullshit. Yes, but we know Ukraine has nukes and we know they've been. We know this for a fact. We're just cool with it.

Cristina: There are allies because, yes, they are homies.

Jack: Russia is doing exactly what we're doing.

Cristina: They're like, they have mass destruction. We got to get rid of it.

Jack: Yeah. We can't have you next to us if you could just launch a missile and clear a city.

Cristina: Yes, it's the exact same thing we said.

Jack: Yes.

Cristina: After 9, 11. Yes, they're saying the same exact thing.

Jack: From a country that took its independence from Russia. If anybody's bitter, it's Ukraine.

Cristina: Yes. So Russia has something to worry.

Jack: Russia has specifically has something to worry about about a country who took its independence from Russia and then shortly thereafter decided to a nuke. Who is the nuke for? Your homies all got nukes. What do you need nukes for? What beef are you angry at, bro? I wonder. And so we're like no, they're terrorists. It's like, shut the f*** up, United States. You got. You're so full of propaganda all the time, bro. Just for everybody. You just. Propaganda left, propaganda. Right. Propaganda, d***. Propaganda, v*****. Propaganda up, propaganda down. Shut the f*** up, bro. They're doing what the f*** you. You do all the time, and now you're being a hypocrite. Hard as f***.

Cristina: Of course.

Jack: And just like. No, you got to stop the f******. Dude, they have f****** nukes next to major cities, bruh.

Cristina: Yeah, they can do the math of, like.

Jack: Yeah, it's kind of a short trip. It's too short to defend against.

Cristina: Yes.

Jack: There's not an ocean of detecting s*** now. There's minutes. Yeah, the end just up too late. No, dude, if we really cared about f****** life, we would stop the bitter country from attacking who they escaped.

Cristina: But this is about the bombing. We need a bomb. He said every year we bomb, we have to continue bombing.

Jack: We're still bombing the Middle East.

Cristina: We're still. Okay.

Jack: Yeah, we're always bombing that.

Cristina: We're just bombing. Okay, never mind.

Jack: Yes, we're still bombing.

Cristina: We just love the bombing. Yeah, that's what we're here for.

Jack: But that's a f******. This is a crazy problem because we're. We're. And then we brainwash the American people.

Cristina: Mm.

Jack: We need patriotism. We need people to be. Yeah, Russia bad. But no, weirdly enough. And Russia's usually the bad guy. Let's be real. They're usually doing sketchy s*** and f****** with people they shouldn't. This is the f****** one time. They're kind of justified because. Well, justified as compared to the United States.

Cristina: Yes.

Jack: Because they're doing what we do to protect our people.

Cristina: Yes.

Jack: They're doing it to protect their people.

Cristina: Yeah.

Jack: So now my question to the American people is, do you guys really give a s*** about people, or do you give a s*** about people allied with the Americans? That's the question, is it? Do you care about the world? If you care about the world, then you're with Russia on this, because why would you let the opposing country have a nuke? Russia hasn't launched a nuke. Russia's had the nukes. It could have used a nuke and just erased f****** Ukraine. That could have been its first move right now. Why didn't it start there? Drop a nuke where their nuke is, I guarantee that explosion is so big, you just shut down that country. Why didn't Russia do that? Nobody's asking that question because the United States doesn't want you to ask that question. The United States just wants you to say Russia bad. Russia has hella nukes, bro. They could just shut this down. But what do they say? Leave the country. Just leave the country and let us get to that sector, Chernobyl, and let us shut down anything and everything nuke related. We will let everybody live. Leave. Just leave. Nobody has to die. We don't have to shoot anybody. Just leave the nuke site. You leave that f****** city. Abandon that s***, and we will take that b**** and you can just have the rest of this s***.

Cristina: Mm.

Jack: But leave the nuke. Our response? We will f****** stop you. And it's like, so we don't care about people. We care about our teammates. Yeah, and you're not people if you ain't our teammates. And it doesn't matter if you're human. We don't care about human cost. We don't give a s***, dude. We don't give a f***.

Cristina: We care about protecting ourselves.

Jack: Yes. Not to say Putin isn't aggressive as s*** and didn't just immediately drop bombs all over that b****, but he warned them ahead of time, and he had to make a statement.

Cristina: Mm.

Jack: I am coming in, and my people aren't gonna be in danger because I'm here to protect my people. So I will bomb the living s*** out of anything around that f****** nuke. And I'm getting to that nuke. I don't give a s*** who tries to stop me. I'm getting to that nuke.

Cristina: Yeah.

Jack: And people are like, oh, but the sanctions aren't working or what, bro? If he's thinking about human life, does he give a s*** about your squeezing money?

Cristina: Mm.

Jack: That's where it's weird, right? If he was just after profit. This is the. Again, the argument that people have for this. No, the people watching the news, they don't ask because the government doesn't want you to question s***. They just want you to eat what they give you. Yes, but the argument really is these sanctions are gonna f*** up their economy. That's a fact.

Cristina: Mm.

Jack: There's nothing they could do about that. He either agrees or he gets f***** financially. But if he cared about the profit more than he cared about the life, why didn't he immediately stop? Right?

Cristina: Yeah.

Jack: Why wasn't his immediate response, yes, I'm done. I can't let my people starve to death. But the alternative is you can clear a f****** city in one shot, and it's the bitter country next door. Maybe I can try to manage the starvation as opposed to People just cease existing.

Cristina: Yeah. If he really, truly believes it.

Jack: If he really, truly believes it.

Cristina: Yeah, yeah.

Jack: He clearly is committing to the. We got to stop the nuke. I don't give a s*** about your sanctions.

Cristina: Yeah.

Jack: That's the real argument here. They don't want you to ask those questions because here's the problem. What's going to happen is a lot of pro war propaganda because we got to go and do the f****** thing. Just like, sometimes we're anti war, other times we're for it. So the government is actively, in the next couple of weeks, going to try to convince all Americans that what we're doing is absolutely corrupt. Correct and right.

Cristina: Yes, of course. Yeah.

Jack: Even if what Putin is doing is things we have tried to convince the American people when we're doing it is correct and right.

Cristina: Yep.

Jack: Same thing. Flip the other way, and we're hypocrites. Hard as.

Cristina: We were wrong. We were always wrong, though. That was. I mean, so I guess that makes them wrong at the end of the day. But.

Jack: But we know they have nukes.

Cristina: Oh.

Jack: The difference is we know we did it for profit. We did not give a s*** about human life. We went over there and just started bombing random people.

Cristina: Yes.

Jack: To clear out areas and seal their oil. We don't care about people.

Cristina: No.

Jack: It's weird, but out of the United States and Putin. Putin cares about people more than Biden, for example, who's responsible for430,000 deaths due to the Iraq war and. And the millions of African American lives in prison. Maybe, just maybe in this very highly specific time, Putin's the guy on the right, and we're on the wrong. We're hypocrites.

Cristina: Yes.

Jack: Hard, hard, hard. Hypocrites.

Cristina: Well, yes, because everything we do has to be good.

Jack: I don't know how to be profitable.

Cristina: But, like. Well, we said we're not gonna say that, though.

Jack: Oh. Yeah. The. The. The winner is Right. History.

Cristina: Yeah. So we're never gonna say the truth.

Jack: Yeah. We're just gonna. Even. Yeah. Even if we lose, we're like f******. We decided to let them be.

Cristina: Yes.

Jack: It's like, no, bro, you got f****** killed out of there. You got no more numbers. You have to leave. So, yeah, that is where we are with that s***.

Cristina: But what about the rest of the world?

Jack: Well, the rest of the world's news is telling you the reality of what I just said.

Cristina: Oh.

Jack: Point of view is the accurate one. He's just saying, bro, there's a f****** nuke next door, which is reality. We Just don't report on it that way.

Cristina: But, like, the big countries, like the uk, like, is the Queen going to do something?

Jack: Well, no, the UK agrees with what we're saying. And actually they're allied to the United States, but they're.

Cristina: Oh, they're gonna be friends with us no matter what, though.

Jack: Probably.

Cristina: Okay.

Jack: But they tend to be more truthful about their report. They're just biased as to where they lean.

Cristina: Yeah.

Jack: They're not really propaganda news media the way the United States is propaganda news media. They're like, putin wants to stop the nuke, but, you know, he's the bad guy.

Cristina: Yeah.

Jack: So they're not lying and not addressing problem. You know, we don't address the nuke problem because we might realize f****** United States is hypocrite.

Cristina: Mm.

Jack: But they'll be like, it doesn't matter if this is hypocrisy. We collectively agree that Putin is often doing pretty bad s*** and it doesn't hurt to have some control method next to him.

Cristina: Okay.

Jack: That's the read. That's how most countries who are allied with the United States but don't need to propagate everything.

Cristina: Mm. That's how they see it.

Jack: That's how they see it. Yes, there's a nuke next door. Yes, he's trying to stop that nuke, and he's totally justified in trying to stop the nuke, but we're not gonna f****** let him because he does crooked s*** all the. And we need to keep checks and balances on them.

Cristina: Well, this isn't going to turn into a World War 3, is it?

Jack: Easily could, easily could, easily could. Everybody could just decide, we're going to f****** jump in from whatever angle. We know China numbers wise sides with Russia. Now, China's interesting point is they're not really going to jump in until they see whether or not England is going to jump in, because are they brills with England? Not really. Not on paper, but we know every time the Queen has a meeting with the President.

Cristina: Yeah. So, like, whose side are they?

Jack: Not on paper. Yeah, they're sided with Putin on paper.

Cristina: Yes.

Jack: That's. That's who they agree publicly they're with. But with the Queen. No, that's not on paper. That's just the fact of the matter that most countries just fall in line. If she says f****** jump, you ask how high at the end.

Cristina: Yeah.

Jack: You know, but China is probably just going to watch and see if England gets involved.

Cristina: Yeah.

Jack: And, like, they don't necessarily have to regard England, but the fact that England has ties to the other country that is loyal to England, which is India.

Cristina: Mm.

Jack: Now, China jumps in. Only winning scenarios. They are the furthest thing from stupid. They only like scenarios that they know they are winning and they try to force manpower on s***.

Cristina: Because they have a lot of men.

Jack: They have a lot of manpower.

Cristina: What's that number?

Jack: It's 1.4 billion people in their population.

Cristina: Ridiculous.

Jack: Yes. And you could force a huge portion of that. I believe it's like 2.1 million soldiers overall.

Cristina: Mmm.

Jack: While the United Kingdoms with ties to not just all the separate countries in the United Kingdoms work as one. So that's a huge military powerhouse.

Cristina: Yes.

Jack: But also India is loyalist.

Cristina: And they're the same.

Jack: They're the same f****** size as China with 1.4 billion people and 2.1 million soldiers.

Cristina: That's crazy.

Jack: So if s*** hits a fan, China can't actually compete because India would be coming in from the opposite direction.

Jack: And manpower is no longer good enough. And that's the only thing China really wields.

Cristina: That's true. So China might not do anything.

Jack: Only if they know factually, India won't.

Cristina: Oh.

Jack: That's really. When China's like, we win by default. Let's do it.

Cristina: Mm.

Jack: But if India jumps in from the other side, like, we're. F*** this s***. Abandon the homies. We're staying over here.

Cristina: Okay.

Jack: And they'll let Russia fall because they are not gonna.

Cristina: Is India bros with America or are they just brills with the uk they're.

Jack: Bros with the UK India doesn't like America. They're bros with the UK and we'll follow the UK and we're like, you guys associate with those retards over. Totally fine.

Cristina: Yeah.

Jack: But we're not gonna work with them unless you're working with them.

Cristina: Mm.

Jack: Because we're cool with you.

Cristina: Okay with them.

Jack: So they're just gonna wait. India. India's gonna wait and see. And China's gonna wait and see.

Cristina: Mm.

Jack: And India doesn't care. They're gonna fight China if they have to. China not gonna bother. They're like, this ain't worth the loss.

Cristina: Mm.

Jack: They're gonna calculate some number. Oh, f*** that s***. We're here. That's an interesting dynamic that's going on there. That is now the parts that we know that people don't get fed through the news.

Cristina: The Illuminati stuff, finally. Is it Adrenochrome?

Jack: It's always Adrenochrome. F****** war, bro. So, yes, looking at our records, we see that There has been quite some drought in. We're living in the most peaceful time ever. You can look this up factually. War has gone down so ridiculously.

Cristina: That's the one that the US Is doing every year. You said.

Jack: Well, that's not really war as much as it is bombing. But so we've definitely run out of great, like, resources of adrenochrome. There's not, like, a lot. It's concentrated from war. We have to rely on fear, which is why we're consistently scaring all the populations of the world all the time. But we know that fear is way weaker than blood.

Cristina: Yeah. At the end of the day, if.

Jack: You get people scared, you get. It emits, it radiates. But if you get them scared and then drain the blood. Concentrated, powerful.

Cristina: The blood at the moment is, I'm guessing, Ukraine split.

Jack: Like, I'm thinking the. The goal is the World War.

Cristina: Oh, okay.

Jack: I think there isn't enough. Like, a Ukrainian war would not be enough.

Cristina: Oh. Because the slow start of this conflict makes it feel like it. It was. Because, like, there's a lot of fear for them. Those people.

Jack: Yes.

Cristina: Like, is something going to happen? Until finally something did happen.

Jack: Yes.

Cristina: There's a lot of fear to build up to actual deaths.

Jack: Yes, yes, yes. So the interesting part here is, will this one death spill be enough? I guess we'll find out.

Cristina: Ah, okay.

Jack: If not, then we're gonna start hearing a lot of talk on media everywhere of World War three is coming. Everybody's signing up for the thing. All countries are saying, we're gonna jump in and help. All countries are saying, and everybody's gonna get scared. Oh, the draft is coming. The draft is coming.

Cristina: Oh, my God. Even if World War 3 doesn't happen, the fear of World War 3 happening is pretty nice.

Jack: Yes. Because we create a fear in one region and we're extracting that fear through blood.

Cristina: Yes.

Jack: So that's a lot of adrenochrome. That's a lot of fear.

Cristina: Yes.

Jack: A lot of fear.

Cristina: But if that's not enough, if that.

Jack: Turns out not enough, the God of that region is going to pull strings with the other gods.

Cristina: Yes.

Jack: To get. Because everybody wins in that case.

Cristina: Yes.

Jack: Every country, every region's God is gonna be like, h***, yeah, we're all f****** running dry, bruh.

Cristina: Oh, yes. If you guys don't remember, every region, every country pretty much has its own God. Or.

Jack: Yes. Some countries have gods that are shared. Like Canada and the United States have, like, a regional thing going on.

Cristina: Yeah.

Jack: Which is the. What Is it the New Testament Jehovah?

Cristina: Yeah.

Jack: While, like, the Middle east region has the Old Testament Jehovah.

Cristina: Mm.

Jack: So there's, like, things like that going on. Every region has a God or whatever. And. Yeah. So it's gonna escalate. If that's not enough, fear is going to be like. Everybody gets scared. Everybody gets scared.

Cristina: Yes.

Jack: And, hey, everybody gets to win, whether the world in fear of their children. Like parents fear and kids fear. Oh, my God. I'm gonna go die in war. Make me, or I'm gonna go to prison if I don't agree to go die in war. All these systems designed to generate fear.

Cristina: Yes.

Jack: If that doesn't turn out enough, just like in World War II.

Cristina: Mm.

Jack: The war actually happens.

Cristina: War actually happened.

Jack: And now after you got everybody scared, time to start milking the m************.

Cristina: Yes. Whoa. Horrible.

Jack: Oh, yes. Oh, yes.

Cristina: That's probably. Who knows?

Jack: That's far down the line. It could take a couple of years to get there.

Cristina: Yeah. Wow.

Jack: But we're definitely. This is something worth monitoring.

Cristina: Mm.

Jack: And that is kind of all your fault.

Cristina: My fault?

Jack: Yep.

Cristina: Oh, yes, it's my fault. Whatever.

Jack: You failed at your job.

Cristina: They said everything was fine. I don't know.

Jack: Yeah, they did. So fair enough. Now, in other news.

Cristina: Your news.

Jack: Oh, God.

Cristina: You must share what has happened to you lately.

Jack: Okay.

Cristina: You look different.

Jack: So I did, in fact, find a Bigfoot.

Cristina: Awesome.

Jack: Sure.

Cristina: Did it talk to you?

Jack: It. Not at first. Okay. So interesting. Hey. Medical findings and science findings and stuff come from this. So there's plus sides. I guess.

Cristina: So what's the good? I mean, I guess what's the bad? That's what you want to start with.

Jack: Okay. First, polar bear and a grizzly bear on the way to Mars.

Cristina: Awesome. To make a. Or see if one of them becomes a Sasquatch.

Jack: Yeah. Well, one of them would become a yeti or.

Cristina: Yeti. Yeah.

Jack: And actually, let me take a step back. We did start testing on the groundhog, and the groundhog is confused about how to use its abilities. Phil had many, many, many millennia to figure s*** out and do it right.

Cristina: Mm.

Jack: And this new groundhog just with the ability to talk suddenly is, like, f****** blowing his own mind. And we're trying to explain like this. You're God now, bro. We like. It worked. He's the same abilities. No control over them. Dangerous.

Cristina: Yeah. So that's why they're so flip floppy.

Jack: Yeah. Because we haven't brought him back. S***. Destabilizes. F*** out.

Cristina: He figures his powers out.

Jack: Yes. So we're gonna continue to have f***** up weather while we get him to do s*** at a nice and isolated region of Mars where we do these tests.

Cristina: Okay, cool.

Jack: And. Yeah, so it's sort of working. It's just a matter of getting the f****** groundhog to understand and use the powers accurately.

Cristina: Yeah.

Jack: After that's done, we can bring him back. Stabilize. S***.

Cristina: Finally.

Jack: Finally.

Cristina: Besides, I mean, before everything just like turns to s***. Yes.

Jack: Yeah. So, Bigfoot. I found the Bigfoot.

Cristina: Mm.

Jack: As usual. We're gonna capture the Bigfoot.

Cristina: Yes.

Jack: I tell the subhumans, stay back. Diplomatic mission.

Cristina: You were gonna capture.

Jack: We know. Well, not capture. We know he can talk. We know it's humanoid. You know, communicates. We. All the reports give us all this information.

Cristina: Mm.

Jack: I walk up, it's just there looking at me. And like, it's civilized up into a point. It just stands up straight, tall as f***. God d***. I'm almost six feet and this guy was like three times taller than I am. Giant sized.

Cristina: Was that scary?

Jack: I mean, I've seen scarier looking s***. It is what it is.

Cristina: He's just tall, okay.

Jack: And he just looks at me, waiting for me to say something. I'm like, can we talk? Single word comes out of its mouth. No. In a screech so loud that it made me almost deaf. It grabbed me by the f****** neck, flung me across the f****** woods. But the subhumans follow orders and I told them not to do s***. So they're just standing, watching this happen. Like, no, he's got it. I don't f****** got it. Time to move in. But I didn't think this would happen. So they're just kind of like, no, he's got it.

Cristina: Yeah.

Jack: Which is why my throat f****** hurts a little. If I sound weird at all, he squeezed the living s*** out of my f****** throat.

Cristina: And then he flung you.

Jack: And then he flung me. Luckily, I'm better than the average person, even if I'm not a superhuman sub human, which I guess are kind of super. But even if I'm not a subhuman, I can. I can take the hit. But like, a lot hurt. I'm not that much better.

Cristina: Yeah.

Jack: I'm just better enough to survive the fall and then f****** scream in pain for a while instead of dying instantaneously.

Cristina: And then they were just watching you?

Jack: They just watch. Squeal in f****** pain as that giant f****** monster just walked up on me.

Cristina: yes.

Jack: Following that, it ripped off my pants.

Cristina: Oh, no.

Jack: And with its give or take three foot d***, it a** raped me.

Cristina: Ah.

Jack: So my a** hurts.

Cristina: It does. It still hurts.

Jack: It hurts a lot. It's hurt for many days.

Cristina: Wow.

Jack: Not the weirdest part here.

Cristina: It gets weirder.

Jack: It gets weirder. It's pretty bad. But he then stopped.

Cristina: Mm.

Jack: Just stood there and seemingly just agreed to go with us.

Cristina: Okay.

Jack: After flinging me across the woods, breaking most of my bones in the process and then raping me.

Cristina: Ow.

Jack: Somehow not the worst part. I had enough energy to just scream, help. And then the subhumans decided to jump into action. But the Bigfoot was no longer hostile and just went with us. I lose consciousness, wake up at our headquarters here on Earth, and I am told that within the time that I passed out and the time that I woke up, I quickly, in these three days, grew.

Cristina: Three days.

Jack: A baby inside me.

Cristina: What baby?

Jack: A Bigfoot baby. And that it grew in my intestines because that's where it shot its Bigfoot sperm. And that I pooped out a Bigfoot baby. And the reason it didn't tear my a******. Were you awake?

Cristina: Why this was happening?

Jack: No, I was unconscious.

Cristina: While you pooped the baby out.

Jack: Yeah. And that the baby's magic expanded me enough for it to safely get out without hurting the host.

Cristina: Ah. And everything inside you is okay?

Jack: Yeah, I guess. Magic. Because Magic.

Cristina: Yeah.

Jack: Then, by the way, that technically means I have a Bigfoot baby.

Cristina: Did you name it?

Jack: Not yet. This is like, three days ago. Anyways, it turns out that this Bigfoot baby came out this way and does not require adrenochrome of any sort to sustain itself.

Cristina: Interesting.

Jack: In talking to the Bigfoot, it's confirmed that. That it has no f****** clue where it comes from.

Cristina: What?

Jack: And we then questioned whether a When Dingo knows where the f*** it came from, if it has any recollection of having been a wolf.

Cristina: Mm.

Jack: You know.

Cristina: And what did it say?

Jack: Well, we didn't ask. We were just wondering.

Cristina: Oh, okay. Okay. We gotta figure out.

Jack: And we're like, does a werewolf know?

Jack: Right?

Cristina: Maybe.

Jack: So all the weird questions that we'd never asked, we're just like, yeah, this turns into that. We know. We could prove it. We've tested it.

Cristina: Yes, but do they know?

Jack: Do they f****** know?

Cristina: Yeah.

Jack: Is there recollect when you change physically? Is there recollection? Has your mind altered too?

Cristina: Okay.

Jack: It doesn't happen with the groundhog. Their body stays the same. Their mind expands, but it doesn't change.

Cristina: No. Interesting.

Jack: So we didn't think about this before.

Cristina: No, we haven't dealt with this.

Jack: What then? We do test and Get a report from Mars that, yes, the yeti is a polar bear.

Cristina: The yeti is a polar bear.

Jack: The abominable snowman is what it becomes when it doesn't have adrenochrome to sustain its yeti form.

Cristina: Oh.

Jack: There is a monster in the North.

Cristina: Pole and the Sasquatch.

Jack: The Sasquatch is in fact a polar bear. Well, Bigfoot is a polar bear and Sasquatch is what it becomes when it's feral.

Cristina: They're both polar bears.

Jack: Wait, what are Bigfoot and it's a grizzly bear.

Cristina: Oh, okay. Grizzly bear.

Jack: The polar bear is the yeti and it becomes the abominable snowman. And the grizzly bear is Bigfoot and becomes Sasquatch.

Cristina: All right, so that's what we thought. And that's.

Jack: Yes, it is.

Cristina: Okay.

Jack: They need adrenochrome to not become feral.

Cristina: Mm.

Jack: The baby that I have just had does not need adrenochrome, does not crave adrenochrome, and seems to have been born with the same level of control and power as this fully grown hundred and something year old Bigfoot who needs to consistently kill creatures after hunting them for days in order to horrify them enough. It does not kill people.

Cristina: No, Just animals.

Jack: Just animals.

Cristina: And that's why it stays hidden.

Jack: That's why it stays hidden. It's pacifists when it comes to people.

Cristina: Interesting.

Jack: That sees the similarities and is like, there's no reason for me. They're intellectual. They are creatures. We're just evil.

Cristina: We're just evil.

Jack: We're evil. Oh, we kill anything, regardless of what it is. We were just talking about just killing humans. Oh, yeah, we'll kill ourselves, dude. We don't give a s***. So that's the case there. So it proves that you could be born a first generation child to an adrenochrome user and sustain your form naturally.

Cristina: So which came first then?

Jack: Like, obviously the adrenochrome.

Cristina: The adrenochrome. Because like the cat people, they were there had to be adrenochrome first.

Jack: Yes. They're just ancients who had a genochrome for a very long time, used it, one of the first advanced civilizations, got really complicated and mastered it and no longer need it. No longer need it. That's why the people who we found in the bottom of Lake Loch Ness managed to sustain their forms but not go feral and not just be a normal a** feline the way we know them.

Cristina: Yeah.

Jack: Because those were first generation and their children and their children's children. They managed to sustain being that way the same way that us humans went through that same process. When apes in the past took adrenochrome and became as we are now.

Cristina: Yes.

Jack: And then the first generation born to one of those creatures probably had magic. Well, I don't know why they didn't have magic, unless we do have magic and we just don't know it. And then we just sustained our form without going feral.

Cristina: Mm.

Jack: And here we are.

Cristina: The question is, where is that magic?

Jack: Unless there's some kind of suppressant or some s*** happening.

Cristina: Maybe that. Oh, crap. Probably.

Jack: I don't know. There's a lot of us. It would be useful.

Cristina: It would be. But then, I don't know. These gods with their adrenochrome battles, I feel like this has to be connected to that somehow.

Jack: Well, they also want us to continue to become increasingly powerful. So maybe there's something about the human that only some of us manage to break through and make it far enough.

Cristina: Mm. But we don't have the natural ability that these other creatures have.

Jack: Yeah, well, not all the creatures have these powers. Some hyper intelligent.

Cristina: Yes.

Jack: We don't have that ability. We just. We're just who we are. We're definitely the most dangerous creature on Earth.

Cristina: Yeah.

Jack: The way we've treated Earth. So we're winning by default. Even if we don't have magic, our magic trick is our minds.

Cristina: Mm.

Jack: And doesn't matter how much power you have, we still manage to capture most of these f****** creatures and imprison them.

Cristina: That's true.

Jack: Like, did we need magic or was our mind more magical?

Cristina: I guess that's where the magic's at.

Jack: That we can do whatever the f*** we can imagine.

Cristina: Yeah.

Jack: Yeah. Our secret power. F****** imagination.

Cristina: Imagination.

Jack: Anything we want, we just make it happen.

Cristina: Yes. Now, what is your baby's name gonna be? Are you gonna raise it? Is your wife gonna accept your baby?

Jack: This is a weird family that's forming. Yes. So my wife, I gotta talk to her. And we gotta really figure out, like, she. It's my baby, she can't say no.

Cristina: I don't know.

Jack: And what the f*** is up with the father? Like, is he gonna raise it? Does he want his baby?

Cristina: Yeah. Is he gonna raise it? Does he want you to raise it? Does he?

Jack: If he wants me to raise it, then I'm raising it with my wife. Okay, if he wants to raise it, whatever, Take it. Whatever. I didn't ask for the baby, but if he's gonna leave me with the baby, then I'm raising it with my giant cockroach wife.

Cristina: Okay, so you're not gonna name it until the decision is made of.

Jack: Yes.

Cristina: Having the baby.

Jack: Who keeps the baby? And he has to sign away all the rights. I don't want none of this f******. No, I miss him. I want. No, no, no, no, no.

Cristina: I want to have him. The weekends.

Jack: Yeah. None of that s***.

Cristina: No.

Jack: Okay, so you sign them away or you keep them. One or the other, buddy.

Cristina: Okay.

Jack: The end. And, yeah. So a lot of questions have been answered.

Cristina: Mm.

Jack: Now we don't know what happens when.

Cristina: A.

Jack: Bigfoot or a yeti die and they cross over to the underworld. What, they become the Underworld? The Shadow Realm.

Cristina: The Shadow Realm. Okay. Yeah.

Jack: Because we know the werewolf becomes the. What is it? The werewolf becomes a lichen when it's feral.

Cristina: Mm, that sounds right.

Jack: And then when they cross over after dying, a werewolf becomes a wendingo, which is the lucid version. And then when it becomes feral, it becomes the wet judge.

Cristina: Yes. Oh. Because you can't really die once you have a dream.

Jack: You just cross over to Shadow Realm, keep manifesting over here if you know how to do it. Yeah, Usually in pockets of fear.

Cristina: Very complicated.

Jack: Which is another problem. Here's something we don't think about when these giant wars come through. It's not just people out there.

Cristina: Nah.

Jack: There's a lot of fear. Nights.

Cristina: Creatures.

Jack: People report. The nights, get scary. They hear s***. And this is not a lie. You guys can jump and, like, listen to reports of people who were talking about, you know, explosions, and it sounded like people were in the walls. People were running around us and things. And it's like, there's f****** creatures out there.

Cristina: Yeah.

Jack: You guys are horrified and they're abusing that s***.

Cristina: They're enjoying the blood that's spilling.

Jack: Yeah, well, they don't use the blood from the Shadow Realm. They don't need adrenochrome anymore. They only use fear to manifest the.

Cristina: Ones that are fine.

Jack: Oh, the ones that are.

Cristina: Yeah.

Jack: There's. Fair enough. There's probably a bunch of s*** just coming out of the woods.

Cristina: Yeah.

Jack: Holy s***. I don't think about that. This is real s*** that's not even manifesting. It's pretty f*****.

Cristina: Yeah, there's everything. It's perfect for all of them to feed on something.

Jack: Yeah. What was this creature that we knew about that would come out in war zones and just start feeding on the blood?

Cristina: One of them was werewolves. It was. I guess. Not werewolves. Whatever.

Jack: It was like a Win Dingo or some s***, right?

Cristina: Ghost werewolf. I Don't know. It was a zombie werewolf. It was described as like a zombie werewolf thing, but I don't remember the name.

Jack: Oh. So, yeah, it's Lycan.

Cristina: Is it like.

Jack: It must have been a lichen. It must have been a feral a** werewolf.

Cristina: Yeah. It was just drinking blood in the battlefield.

Jack: Interesting. Yeah. So that s***'s probably happening left and right during these crazy wars.

Cristina: Mm.

Jack: And interesting enough, I think that's why the United States likes the bomb as opposed to send soldiers. And they're just trying to generate the fear. And it sucks if your soldiers also have to fight these f****** monsters that are coming out of the woodworks.

Cristina: Yeah. You don't want them to report on that.

Jack: Not even report on them. You don't want them to have to deal with it.

Cristina: Yeah.

Jack: So you just drop bombs. People get horrified. The more bombs are going to drop. The fear alone attracts all this other s***. Then you just let them handle it. And then you come after the cleanup.

Cristina: What? Yes, that's probably it. Yep.

Jack: Sounds right, doesn't it?

Cristina: That does sound right.

Jack: Oof.

Cristina: Oh. Adrenochrome.

Jack: Adrenochrome. Can't live with. Can't live without it. That's mad f*****. So, yeah. World War three, question mark. Because need for adrenochrome. Fear.

Cristina: Fear. Fear. Lots of fear.

Jack: Ultimately, even adrenochrome's purpose is fear.

Cristina: Fear. Yes.

Jack: It's just. It contains a fear.

Cristina: A lot of fear.

Jack: Yeah. That's the only point of a drink room. Contains the fear.

Cristina: Yeah.

Jack: Concentrated in adrenaline. And ultimately it's always fear. That's the main thing. Fear. Gods need fear. Creatures need fear. The underworld needs fear.

Cristina: All of it.

Jack: Fear is powerful.

Cristina: Yeah.

Jack: Fear is quite the problem.

Cristina: Mmm.

Jack: And it seems United States and all these other countries abuse that fact. I think a lot of scary s*** is gonna happen in the Ukraine.

Cristina: Yeah.

Jack: And Russia is just gonna stop sending soldiers in because they know these creatures are on the way. They're just making enough noise and causing a fear and spilling enough blood for the same reason. Yes. Because it self perpetuates. Right. Once there's enough for things to manifest, they start killing people and blood starts being spilt. Then we can pull out immediately because these things people are gonna start hearing and screaming and seeing. The fear is now gonna start as people talk. Oh, my God. I saw the thing. Oh my God. No f****** way.

Cristina: All of a sudden, they might end up leaving the country.

Jack: Whoever survived, but they'll never say they did. So the people who haven't seen anything yet still Think the reason people are still dying is because the war, when really we only started that to get the ball rolling with the creatures.

Cristina: Yes.

Jack: And once the creatures involved, they start doing it, they'll manifest. The ones who don't even need to travel will manifest there.

Cristina: Yes.

Jack: And start continuing what the Russians began, then that is gonna spill enough to manifest more and spread like wildfire. And then the things that are in the local area and can smell it since closing in on it, and that country's gonna become a f****** cesspool until people get used to it and the fear is totally gone. And then everything that manifested just dissipates and all the other creatures start looking for fear elsewhere.

Cristina: Until the next conflict, I guess.

Jack: Yeah. Where? That's where they're gonna be going to wherever there is already a conflict going on. So it's not the next conflict. There is a conflict somewhere else. Of course they're just gonna be looking for it. Yeah, well, they're gonna be looking for local patches of, you know, normal fear.

Cristina: Mm.

Jack: Or eating whoever the f***. Chasing somebody for a while in the middle of the woods. Oh, my God.

Cristina: What the f*** is going on?

Jack: We never hear that story because it's one guy.

Cristina: Yes. Interesting. Whoa. So maybe. Yeah. I guess all of it has to do with the same thing.

Jack: It's always fear.

Cristina: It's always fear.

Jack: It's always fear. The gods looking for fear.

Cristina: The creatures.

Jack: Creatures looking for fear. The governments of the world knowing that the creatures are looking for fear. The gods abusing that fact by manipulating their people, putting them into states of mind that force them to go do certain things and then force the creatures to do certain things. And fear, Fear, fear, fear, fear, fear, fear, fear, fear.

Cristina: Why couldn't they, man, if only they can figure it out. Like Santa Claus. He's the only one that's got this.

Jack: He's got the fear thing down.

Cristina: He's got it down.

Jack: He made capitalism sweet.

Cristina: Yeah.

Jack: And he's like, you want stuff? Yeah, I want stuff. Well, you're not gonna get stuff if you're bad. Okay, I'm gonna be good. What do I do? Exactly.

Cristina: Exactly.

Jack: Dips just disappears. He's like, figure it out. Figure it out.

Cristina: Vanishes while other gods have, like, crazy rules. I think the stress about other rules probably makes the fear.

Jack: That's what they're hoping. Here's a bunch of weird, abstract, hard to find, follow rules and you're gonna f****** panic.

Cristina: Yeah.

Jack: Meanwhile, I gave no rules. I let them. Just imagine the worst.

Cristina: Mm.

Jack: The end.

Cristina: Yeah, well, I guess both ways Kind of work. At the end of the day, there's.

Jack: A lot of death in one way and there's zero in the other.

Cristina: Yeah. Yeah. Santa's still winning.

Jack: He's winning by miles because he keeps. If it was just Hannah, Holy s***. He would milk everything. You can't f*** with him. You can't. You can't win against that. Because he gets it from everybody all the time, the whole year round.

Cristina: Yeah.

Jack: Infinite. No God steps to Santa Claus.

Cristina: No.

Jack: They would lose if it's ever happened. We never heard of that God.

Cristina: No.

Jack: If we did hear that God, he disappeared. Where is the Middle Eastern Old Testament Jehovah? Why did he just vanish? What's. What's the deal? What's the dealio, bro? Was it that New Testament Jehovah cleared him out or. We know Old Testament Jehovah's kind of full of himself. Maybe he was like, I could step to Santa. F*** Santa.

Cristina: Yeah.

Jack: And Santa was, like, blinked out of existence. And that's it.

Cristina: That's how powerful.

Jack: Just overpowered. Just gone. No more. Even Zeus is like, holy s***. No, I'm good. You do what you got to do. It's crazy that Zeus is still around. Not Jehovah from the Old Testament. That's the weirdest s*** again. It could just. A lot of people who would fight Jehovah from the Old Testament.

Cristina: Right?

Jack: The New Testament, Jehovah, f****** Zeus, Santa, anybody. That Zeus is probably just gonna be the first to attack. He's that guy.

Cristina: He's that guy.

Jack: So it could have totally been him, but maybe he's, like, over that. He hasn't done that s*** in some time. Hundreds of thousands.

Cristina: Odin doesn't do that thing.

Jack: Odin. He's more chill. He's more. Just don't come to me, and I don't f*** you up.

Cristina: Mm.

Jack: But New Testament Jehovah could have been.

Cristina: Mm.

Jack: He doesn't seem particularly ruthless. On the flip side, he has way more access to adrenochrome and way more access to fear.

Cristina: Yeah.

Jack: He's way bigger reach. So, like, hey, he's clearly stronger. He would have smacked down Old Testament God easy. Yeah, but we don't. We don't know. He just. There would be a story of the battle. That's the part that trips me out there. At least. Like, he could at least hold a moment against f****** Zeus, bro. He could at least hold a moment against New Testament God. He cannot hold a second against a God who has the planet's fear supply.

Cristina: No. Santa wins every.

Jack: Yeah. And it looks like it just kind of stops at some point in the Bible. And then it's like, yep, here's the end. Will happen to God. No, no, no. And God. The end.

Cristina: Then Jesus was born.

Jack: Yeah.

Cristina: Or maybe Santa came into existence. No. I don't know. Not really.

Jack: I think. I think Jehovah stepped and it was the wrong direction. That's my ongoing theory. Jehovah was like, I need to reclaim power, man. Everybody's stronger than me right now. I gotta go to Santa Claus, f*** the strongest guy up, and just become.

Cristina: The Alpha Dragon Ball Z of gods or something.

Jack: What do you mean?

Cristina: Like, just having to fight each other all the time? Like, everyone in Dragon Ball Z fighting. Oh, no.

Jack: I mean, they're not fighting all the time. But he was definitely out there to prove that he's still the big bad s*** he thought he was.

Cristina: And he wasn't.

Jack: It seems like if that's the case. Because where the f*** did he go? Just. Just know. Jehovah. Poof.

Cristina: He's somewhere in his little area in the world, maybe.

Jack: Anyways. Yeah. That's the report for everything that's happening.

Cristina: It's a lot.

Jack: That's a lot. Adrenochrome. World Adrenochrome War 3.

Cristina: How did you say that? What was that?

Jack: World adrenal Chrome War 3. F*****. It's always f*****.

Cristina: Yeah. Wow.

Jack: Yeah, wow. It's truly shocking. It's impressive as f*** that this is where we are. Anyways. Yeah, you guys, I hope this week's news was useful. I hope it was as good for you guys as it was for us.

Cristina: At least there was a baby born.

Jack: At least there was a baby born. And now we understand how Sasquatch is not Sasquatch. But Bigfoot has been so prominent throughout history. It's. They're not really killing people. So we don't have as much of a reason to go and find them.

Cristina: Yeah.

Jack: And, like, they use their powers to cloak themselves. Okay, cool. You just.

Cristina: Why are more creatures. I mean, there are probably a bunch of creatures. There's a bunch of.

Jack: That. Yeah. There's a s*** ton.

Cristina: Yeah.

Jack: We just usually associate them also with Bigfoot, I guess the same s***. But hey, we're getting answers little by little. We're doing our jobs. Failing. Sometimes.

Cristina: I failed. I felt this week.

Jack: It's all right. We failed a couple weeks ago. Hard.

Cristina: Yeah.

Jack: We're still trying to fix it. This is another bad week. We're trying to fix it.

Cristina: Yeah.

Jack: I'm trying to do better for you guys. Because the problem is we don't just report we do a lot of the f****** fieldwork. We're reporting on our own field work.

Cristina: Yeah.

Jack: And we do a lot. We could just stop and then all of you die.

Cristina: Yeah.

Jack: I mean, not all of you. I guess a clean half of you are in a whole other universe, but the other half of you that we know factually are on this planet. And whatever that f****** signal is that we still not investigated, by the way.

Cristina: Oh, eventually.

Jack: Eventually. There's too much on our f****** plate.

Cristina: Yeah.

Jack: Anyways, we're gonna try to stop the f****** war for breaking out and see if we can help these gods get their s*** together.

Cristina: Mm. Mm. And get this groundhog together.

Jack: Yeah. Look, there's a whole other universe that we have no access to. If we can get these gods to somehow bridge a gap into that universe, dude, fair game. F****** scare. Everything in that universe collapse that, you know, we don't care, dude.

Cristina: Yes.

Jack: And then if we can get that done, then s*** could stop on this side.

Cristina: Mm.

Jack: That's an idea.

Cristina: Who knows?

Jack: Anyways, if you guys want to know all the s*** that led here and all. More, more, more. More disasters and more bullshit. All the crap that we deal with.

Cristina: Have we talked about. We've done other. Adrenochrome.

Jack: Yes. And other episodes on war and why war happens and how politics work and all that stuff.

Cristina: Yes, and how the gods work and.

Jack: How the gods work. That's important. Where the gods are located, small regions and stuff like that. We've covered all these separate things. If you guys want to find all that stuff, you can find it on the official website, greatthoughts.info or on Apple podcasts, Spotify, or anywhere you get your podcast.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok. UsConvopod.

Jack: Yes. And remember to subscribe and rate and review the show and let someone who.

Cristina: Might like this show know about it.

Jack: Yes. Word of mouth. A nice overpowered tool for everybody to use.

Cristina: This has been the Just Rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye.

Cristina: The person that was exploring the town during the movie. I don't know if it's like that in the game. They don't get sucked into it. Does the bell never ring for them? Is it just for. It's not actually ringing.

Jack: They totally got sucked in. What do you mean?

Cristina: No, there was the main person who was looking for his daughter or whatever the main story is. Or the woman. There's a woman.

Jack: Yeah.

Cristina: And the man looking for the woman. But the man never gets sucked into the town. He never finds her.

Jack: Oh, no, no, no, no, no. That doesn't mean anything. If you get.

Cristina: But it's happening at the same time, though.

Jack: He got sucked in. He just doesn't necessarily have to see her while he's in there.

Cristina: Okay. Because nothing happens to him.

Jack: Really?

Cristina: Yeah.

Jack: Are you definitely sure?

Cristina: I'm sure. I'm pretty sure. Only the lady and the cop that went after her.

Jack: Yeah.

Cristina: Because she thought she was stealing the little girl. And they both. They both got.

Jack: I remember that cop lady went through some s*** too.

Cristina: Yeah. Yeah. PC thought this whole time, oh, this lady is stealing that girl and I gotta stop her.

Jack: Then I don't know.

Cristina: But then that the guy's there looking for her in the movie, and I don't think he gets sucked in because in the whole time he's looking for her, but I don't know if that's after this whole situation happened or he just doesn't hear the siren.

Jack: Yeah.

Cristina: And it's happening at the same time.

Jack: I don't know. I don't know. I don't remember. I don't remember that movie at all.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts.info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 159: Biden Stops the Holocaust

Is the Moon made of cheese? Is Biden worse than Hitler? Did Hitler even do anything wrong? What the hell is the Holocaust anyway? And why don’t we call it The Milking Way Galaxy instead? The Duo unpack the Second World War and the time-traveling that lead to it in the first place, along the way learning the truth about our galaxy and more. What we learn about Biden, Trump and Hitler in this episode will change how we all look at WWII!

+Episode Details

Topics Discussed

  • Things More Important than the Holocaust
  • What is Real?
  • Cheese Moon
  • Cosmic Cow
  • The Milking Way Galaxy
  • That Time Hitler Saved Earth
  • Hitler the Hero
  • The Third Rake and the Grass Cult
  • Hitler is Trump’s Fault
  • Is Biden Worse than Hitler?
  • Time Travel Paradoxes
  • Trump’s Time Travel
  • Cheese Gas

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yes. So be sure to find yourself somebody very interesting to see. Sit next to while you enjoy the intricacies of this episode that's coming at you with supersonic speeds.

Cristina: Are you sure about that?

Jack: I am absolute. Can you imagine just stuck there the whole time? The whole time, just like. I'm not even aware. I'm like, can you. Whoever play anybody who already listens to an episode at half speed? That was the longest introduction they have ever heard.

Cristina: Who listens to it in half speed? What monster does that look?

Jack: I don't know who, but some people listen to it at two times speed. So I'm assuming there has to be at least one guy out there doing it at half.

Cristina: I might have done that before.

Jack: I don't know. This is, you know, two times as long, twice the awesome.

Cristina: Oh, I guess so. Yeah. I guess that works.

Jack: Unless you could only speed it up.

Cristina: Unless you can know. I bet there. There has to be a slowdown option. There has to.

Jack: But what value would that provide?

Cristina: I don't. If you can't understand what they're saying.

Jack: Maybe like if they already speak too fast.

Cristina: Yeah. To slow them down.

Jack: Interesting. There are moments that I believe maybe I speak absolutely too fast and it makes sense for somebody to slow the episode down so that they can catch the things that I'm saying more effectively.

Cristina: But then if they listen to me, they have to speed it back to normal.

Jack: Yeah.

Cristina: So it's a. It's a game of back and forth.

Jack: Here's the problem we do. They have. If they're listening to this show, it has to be left alone. Right. Because if you go too fast, you cannot hear me.

Cristina: Yeah.

Jack: And if you go too slow, you never finish a sentence.

Cristina: Yeah.

Jack: So it just needs to. They need to take the hit. There's no solution unless you're ignoring one of us.

Cristina: Oh, they should do that. They should just play one once. Like play it twice. One speed fast and one slow.

Jack: Or. Or. And this will take a lot of work, but anybody who wants to do it, feel free. Where they take the episode and they duplicate it and then they slow one down and they speed the other one up and then merge the two conversations so that I'm in the slowed down version and you're in the sped up version to see if we're speaking more or less at the same speed.

Cristina: That is too much work. I don't know.

Jack: But if they wanted to have, like, a fully balanced out episode, that might be the way to go.

Cristina: Ye.

Jack: They want us to sound the same because we're definitely two savagely different energy levels.

Cristina: Yes. Yes, we are.

Jack: Which, fair enough, is sort of the taste people get. Right. Anybody who's in here for the long run, they've become adjusted to me essentially being some sort of maniacal maniac and you just being very tame and grounded. And they're here for it.

Cristina: They better be.

Jack: Yeah. In fact, they're. I would argue our audience is a little divided. Some people think I am particularly entertaining, and some people think you are particularly grounded, and they think I am holding you hostage.

Cristina: Holding me hostage? Mm.

Jack: Which is an interesting idea, right? That I would be holding you hostage because that means you don't want to be here.

Cristina: That's crazy. I feel like I'm the wrong person to hold hostage. You should be holding Dave hostage or something.

Jack: Dave. That'd be interesting.

Cristina: Why would it be me of all people?

Jack: Why not? You are quite the intellectual individual, and we sit here and have very profound conversations, and you have a knack for poking holes in things that don't make sense, forcing them to make sense again. We're here to ground humanity's most absurd and dangerous, baffling ideas.

Cristina: That's what I'm here for.

Jack: Yeah, you're the grounding part. I'm the childish ways. That's what we are, man. Yes, you're the grounding part. I'm the childish ways.

Cristina: I want to be the childish way.

Jack: No.

Cristina: Yes.

Jack: No.

Cristina: Yes.

Jack: You don't get to be.

Cristina: Why not?

Jack: But anyways, talking about hostages and whatnot, how about that Holocaust, eh?

Cristina: The Holocaust, eh? The one that happened yesterday.

Jack: The Holocaust that happened yesterday? Yeah. You heard about the Holocaust on the news? Crazy stuff, right?

Cristina: Crazy. I haven't heard about it. What happened?

Jack: What happened? Oh, man. You're about to be blown away by what happened. I'm about to blow your mind. It's gonna be great. Okay, so the Holocaust. You have no idea what the Holocaust is, right?

Cristina: I was born yesterday.

Jack: You were born. To be fair. To be entirely fair, we were kind of born maybe three years ago.

Cristina: Yes, I was Born three. Okay. Yeah. So like, did this happen before three years ago?

Jack: It didn't. It did. It did. It did happen before three years ago. All right, so for starters, the Holocaust was a day we'll always remember. One of the most impactful days of ever. Of ever.

Cristina: Of ever.

Jack: Not really. There's probably way more impactful s*** that happened before humans like giant f****** meteors we have no records of Just dinosaurs.

Cristina: Existing, I feel like is pretty.

Jack: That's pretty epic. I think dinosaurs going totally extinct to more impactful than Holocaust.

Cristina: This being alive is insane. Yeah.

Jack: Yeah. Just the fact of life is kind of astounding.

Cristina: No dinosaurs existing, that being a real thing. Unless people are questioning whether that's.

Jack: Well, no, no, no, no, no. Let me tell you the list of things that matter way more than the Holocaust could ever. Just as a. As just setting the grounds for how inappropriate this episode is gonna be. I'll begin by listing how insignificant the Holocaust is as compared to other things.

Cristina: Okay, fair. We should. You should also name things that are less impactful than the Holocaust as well.

Jack: Okay. Perfect.

Cristina: Okay. Perfect balance.

Jack: So balance. You're totally right. You're totally right. Just so that people stop raging on the other side. So we're gonna start bad and then end kind. That's the way to, you know, ease them off. So things that are. This should definitely concern us way more than the Holocaust. Like if we had to choose what information to know and we had to forget one forever. Like in this scenario, the Holocaust is the one we would forget.

Cristina: All right.

Jack: First, f****** dinosaurs were a thing.

Cristina: Yes.

Jack: Like, f*** Holocaust. Dinosaurs were a thing.

Cristina: Yeah.

Jack: Second, what killed the dinosaurs? Like, we couldn't stop that now if it came again.

Cristina: Yes. Like, f***. F***.

Jack: The Holocaust. Yes. Seven million. Look, eight billion numerical differences.

Cristina: Ah, okay.

Jack: You know, and however many f****** dinosaurs went extinct.

Cristina: Yeah. How much?

Jack: There had to be way more than there are people.

Cristina: Yeah.

Jack: They were everywhere. We're only in some places. And we're focused. Nevertheless, they were focused and everywhere.

Cristina: Interesting. Yeah.

Jack: Who knows the true genocide? You know, the true genocide. We're talking about small stuff.

Cristina: That was the first genocide, I guess. Yeah.

Jack: Something else totally way more astounding than the Holocaust and more impactful and meaningful. The fact that life happened at all in any context. Just like, hey, you can perceive.

Cristina: Whoa, whoa, you're alive.

Jack: You can perceive the Holocaust. Whoa. If you couldn't perceive, Holocaust never happened. So technically, Holocaust is dependent entirely on the fact that you can perceive first. Otherwise never happened.

Cristina: Yes. Are there people? Oh, man. There are people who are. Don't say. I mean, that. Do say the Holocaust didn't happen, though.

Jack: Yeah.

Cristina: Is it because they're not perceived? Because in their reality it doesn't. Is it possible they're living different realities?

Jack: That's an interesting question. And it's completely possible. Physics doesn't say that. It's not that the perception of the individual is entirely based on their neurological input and output and that we filter most of reality as it is. And if your brain just so decided to filter out certain aspects, they would simply not exist to you. And that people who honestly, truly believe a Holocaust didn't happen. It's like you having a best friend. Your best friend being like, I'm going to Antarctica. And your best friend goes. And they're like, but my phone isn't gonna work out there. And I'm gonna be out there for three years, and then I'm gonna come back and say hi to you. And so they leave and die. Second day. But in your universe, your friend is still alive for three years until you find out in three years he's been dead.

Cristina: Oh, my God.

Jack: You're just under the impression that. Well, he told me he wouldn't be able to communicate.

Cristina: Yeah.

Jack: So that same logic of your perspective of what's happening is as true to you as him being totally dead is to anybody who.

Cristina: Mm.

Jack: Is the same idea behind, like, the Holocaust deniers or a denier of anything. Oh, Earth is flat. Well, if you honestly, truly, unquestionably believe the Earth is flat, that's no different than somebody believing the same of the Earth is round. Because neither side proves s*** when it's relying on scientists. The other is relying on whatever f*** source, but they didn't go out and prove it themselves.

Cristina: Okay.

Jack: It's faith. So none of us ever saw the Holocaust. We didn't see the Holocaust. We didn't see s*** happen. Those people are all f****** dead.

Cristina: They are dead.

Jack: So then the question is, I mean, both sides. The ones who died first and the ones who died later.

Cristina: Okay.

Jack: But that being said, I never witnessed it to tell you factually it happened. But either. Also, neither did the people who are denying saying it never did. We're all essentially just believing what we've been told.

Cristina: Okay. Yeah.

Jack: So they're as right as we are.

Cristina: Ow.

Jack: That's f*****. Right? Because in reality, like, I couldn't prove to you happened. Oh, but there's so many videos and this and that. Yeah. But I can watch some guy tell me about how it never happened, and here's a video of proof, like what the f*** can I do about that? And go out and do the homework and see anybody massacre a bunch of people in gas chambers or anything like I see any of it also. Yes, because according to this narrative we're establishing right now, you have no knowledge of what the Holocaust is. They were gassed. But we'll get there.

Cristina: What?

Jack: We'll get there. Who's gassed, you ask?

Cristina: We'll get there. Okay, not to. It wasn't the dinosaurs.

Jack: It wasn't the dinosaurs. And we'll totally disregard the fact that you're fully aware of Holocaust deniers before that was mentioned. But.

Cristina: Well, I do know because they're around right now, so of course I would know about that.

Jack: Interesting. You're right. You're right. Same thing as, like, flat Earthers and stuff. That's current thing.

Cristina: And dinosaur deniers.

Jack: Yes, that is surprisingly a thing too, even though that. That one is in abundance. That's a weird one to deny, considering you can actually go see.

Cristina: And the moon. The people who deny the moon. The moon is a ship, is illusion.

Jack: Here's. Here's what's interesting about that one, right? Because. Okay, the moon landing, like, whatever, dude, I wasn't there.

Cristina: Yeah.

Jack: Maybe haven't married, you know, I don't know. Whatever. My ongoing theory is we lied about it and then did land and then just claimed the first one was because if we go up there, we see a flag and everything is up there. Right? Yeah, but it's like, well, we were kind of rushing and kind of consistently lying about random s***, so who knows? So it made sense that we would lie about that just to be number one or whatever. F*** we do.

Cristina: Mm.

Jack: But yeah, so that part, whatever, about it being a f****** ship, mean it could be made out of f****** cheese, bro. I haven't stood on the f****** moon. I don't know. I mean, I have stood on the moon, but, like, you get my point.

Cristina: But there's no way. Cheese.

Jack: Who the. How would you know? Like, if you've never explored. Let's ignore us two and anyone we are in contact with. Yeah, but if you're a normal, boring person, see, and you've never been to space, anything you believe is faith.

Cristina: Mmm. Okay.

Jack: You've not seen it. You're just taking some. It's all religion. So you're like, the moon is made out of rock. Like, everything else in space looks like. Okay. You have to believe that and have faith that that's the truth.

Cristina: Yeah.

Jack: But somebody's like, yeah, it's f****** cheese and it's like, well, that's impossible. Who says? Based on what is. Does cheese exist? Can cheese happen in the universe? Yeah, can.

Cristina: But not by itself like that. Or can it?

Jack: I don't know. Maybe there's some cosmic f****** cow. Oh, no, it doesn't even have to be a cow. It could be any cosmic milk having. Like, do we. Simple questions that could lead us back, and then we'll get back to Hitler real quick. Do we know the right. Totally no idea. But Hitler, World War II, all related. Not to mention the fact that we've had Hitler talked about on this show many times.

Cristina: That was a past me.

Jack: Fair enough. Totally brainwashed. Not brainwashed. All your memories, deja vu, specifically of World War II erased.

Cristina: Yes. I was in a accident yesterday, playing with a portal, just jumping in and out.

Jack: Yeah, yeah. Your memories got caught on one side.

Cristina: Yeah, totally.

Jack: Only. And you only forgot World War II.

Cristina: Yes.

Jack: Which just so happened to be what we're talking about.

Cristina: Yes.

Jack: Perfect. I forgot the f*** I was even talking about.

Cristina: Oh, it doesn't have to be cows.

Jack: Oh, yeah. Like, if we assume the. We just need to agree on a couple of things in order to make the moon cheese. Right. So first, do we agree as above, so below?

Cristina: Yes.

Jack: Everything is equal at all scales. It just repeats, just bigger or smaller. Everything is fractalized. So it's just a repetition of the patterns. Infinitely connected from the previous patterns.

Cristina: Yeah.

Jack: And we assume that an atom has electrons and protons orbiting it to some degree, even if not exactly the same. And that, you know, nucleus in a cell with all the elements surrounding that and brain and heart crap surrounding that. And a planet surrounding a star. Star surrounding black holes. So we assume everything is consistent.

Cristina: Yes.

Jack: Lettuce is fractalized. Broccoli is fractalized. Trees are fractalized. Lightning bolts are fractalized. Everything's fractalized. Nature is fractalized.

Cristina: Yes.

Jack: So it's safe to assume that everything repeats at every scale and in some cosmic way that we don't comprehend because it's too large for us to grasp. There is some sort of cosmic cow that was cosmically milked by whatever ended up creating our universe. And not even our universe, just our region of space. And although the Milky Way, the milk. It's not just the Milky Way, it's. We probably got it wrong. We were probably talking to gods and somebody was like, hey, man, what do you call this thing you overpower? And not like our crappy demigods who just run the world, but, like the gods who run the galaxies, you know? Those monsters, which is arguable. That just a fun idea. Jehovah and Zeus are stuck in their regions. But like, the Cat People own all of the Great Void.

Cristina: Yes. Wait, did they call? Wait, no. The Great Void is a way far away from us. That's far away.

Jack: I'm just pointing out the fact that the Cat People have way more reach.

Cristina: Yes. Than.

Jack: Than Jehovah, Zeus. Yeah, just pointing that out. They got little read. They got country.

Cristina: Oh, crap. Then there might be people over here. Unless it was the Cat People.

Jack: I don't know. Point being. Okay, when we asked what the name was, they probably told us the Milking Way. And we're like the Milky Way. Yeah, it makes sense. And we named the candy bar after and everything. But it was the Milking Way. We're just a giant farm and the moon is a giant ball of cheese by whatever cosmic cow or other creature was milked.

Cristina: Yeah. It could be anything.

Jack: But we are in the Milking Way.

Cristina: Yeah. Interesting.

Jack: So you see, it's totally possible that the moon is made out of cheese. It's about as likely as anything else we haven't proven. And again, we've been there. But like, if you're not us, what's your reference point? Yes, but somebody told you.

Cristina: Yeah.

Jack: So like, whatever somebody says made of cheese. Yeah. I believe them.

Cristina: Yeah, why not? Okay.

Jack: What's the difference between that and it's f****** made out of space dust?

Cristina: I don't know. Yeah.

Jack: Isn't cheese made out of space dust?

Cristina: Technically, I guess. Like, what the f***, you know, cheese is made out of space dust because.

Jack: Everything is made out of space dust. It's arguable that all the things required to make cheese exist in atomic form on the moon, if the moon itself isn't made of cheese. So there's at least the parts necessary to create cheese on the moon.

Cristina: Interesting.

Jack: You know, it is what it is. And allegedly the moon is made out of the same material the Earth is. So all the same atoms are present, they're just arranged differently. Moon is in theory, cheese.

Cristina: In theory.

Jack: Yeah.

Cristina: And it's cheese now.

Jack: Pretty substantially arguable theory. Nevertheless. Anyways, so other important events, you know, dinosaurs, dinosaurs, death, life in general, discovery of fire, making meat better.

Cristina: Is that. That's better.

Jack: That's way more important.

Cristina: More important. Yes.

Jack: That's one of the things that allowed us to become the monsters that caused the holocaust in the first place. Without. That could never happen.

Cristina: We're just never happened.

Jack: Without the wheel.

Cristina: Without the wheel.

Jack: The wheel. The wheel was an important one.

Cristina: That was important.

Jack: A lot of vehicles used in carrying a bunch of people to places where they'd cease to exist.

Cristina: I guess so.

Jack: So, okay, we'll end the list of things more important. Although there are way many more things.

Cristina: Like a scientist. Can we put them in there?

Jack: Because most scientists, like Einstein for sure. Like kind of all the prominent scientists are way more important than the holocaust as a whole. Like we wouldn't be anywhere without them. Also, the Holocaust wouldn't have happened without them.

Cristina: Exactly.

Jack: You know, like it literally wouldn't have happened. They are more prominent than the Holocaust.

Cristina: Oh my gosh, think about that.

Jack: Yeah, that's crazy. Gas chambers weren't even used, were even intended for that. I believe they're gonna be for something else. And then, hey, repurposed.

Cristina: Was it gonna be some type of torture thing? Like.

Jack: No, I think it was gonna be for some other purpose. It was some. I don't remember the story exactly, but yeah, most of crap use there was scientists being super genius and then it being repurposed by some crazy other f****** scientists.

Cristina: That's how science do now.

Jack: Things less important than the Holocaust. Peanut butter.

Cristina: Are you sure? Yeah, pretty sure.

Jack: Like peanut butter or no peanut butter. Like Holocaust still happens.

Cristina: Yeah.

Jack: And like it doesn't really change our lives. Great. Whatever. Peanut butter. I don't really like. I don't prefer peanut butter. You know, pizza out there, people like peanut butter.

Cristina: Mm.

Jack: Something. Man. It's crazy because I can think of way more like, iPhone is way more important than the Holocaust. It's way more important, the Holocaust because the iPhone assures us the Holocaust could never happen again. You know, it's way more important than the holocaust. Then again, the United States has its ways, so who the f*** knows? There's enough empty land.

Cristina: And I'm sure global warming, I think more prominent.

Jack: That's more important. We're trying to talk about things that aren't.

Cristina: Oh yeah, the same thing. I don't know. I don't know. Like robots.

Jack: No, those matter a lot. The problem is like let's be remote. Like at the time that was important. Like it was way serious at the time. Yeah, but like right now, global warming could extinct to everybody.

Cristina: How about the war on terrorism? That has to be less important.

Jack: The war on terrorism less important. I mean, it's arguable, right? Depends how many terrorists there are and how many people collectively the terrorists of killed has the war on. I guess the war on terrorists would be weaker than terrorists as a whole.

Cristina: Yeah.

Jack: But no, if we're actually stopping them, that Is. I guess it depends on how effective that war is. If it's effective, it's way more prominent.

Cristina: Because if we killed more civilians than terrorists, does that matter?

Jack: I don't know. Are there. Did the terrorists kill more civilians and Hitler did? And in that case, are the civilians we killed just f****** bad byproduct casualties that we accept?

Cristina: What if we killed more civilians than the terrorists did?

Jack: Then obviously in that situation. But, like, chances are we've probably killed people who've collectively killed more people than Hitler, thus making, like, even if individually not one of them has a record of 7 million people.

Cristina: Mm.

Jack: Like, maybe enough of them together do.

Cristina: Oh, okay.

Jack: And if that's the case, then definitely war on terror over the Holocaust.

Cristina: Oh, my gosh. Okay.

Jack: Yeah. So just way more things that matter way more than the Holocaust.

Cristina: But it's important.

Jack: It's an important event. It was him. It was way the most important thing at the time. Well, it wasn't because still dinosaurs and the. You know, it was just very impactful.

Cristina: In the moment.

Jack: Yeah. In the moment. It was just everywhere. There was nothing you could do to avoid it. And it was the scariest thing to have ever existed. Unless the Holocaust is happening and you look up and a dinosaur extinction level event meteor is coming. And then you're like, f*** the Jews, because this s*** is way more important. You're like, hitler, please help us stop the f****** rock.

Cristina: You think he'd stop killing the Jews, though, if.

Jack: Because he's about to die too.

Cristina: Yeah.

Jack: He'll be all in, and we'll let it slide. We're like, you're gonna save the Earth. We'll forgive everything you've done. Yeah. You killed 7 million, but you save. Well, how many people we have at that point? Six billion. Like, the trade off is huge.

Cristina: We can't kill anymore. I'm guessing would also be.

Jack: I mean, I'm assuming afterwards, it's like, if you take a single more life, we have to execute you.

Cristina: Yeah.

Jack: Like, you already have a crazy record. We can't have no proof that you're starting this all over.

Cristina: Yeah. Yeah. And then it'll be, yes, I guess.

Jack: So it's like, then no.

Cristina: World War II.

Jack: Yeah. So arguably, the dinosaur meteor coming for a second time.

Cristina: Mm.

Jack: Could in theory, turn Hitler into a good guy that helps us stop because he has the ability to convince people of things, and he unites the world under him to help fight this one meteor. The new. The new evil.

Cristina: The new evil that we need to.

Jack: We're gonna gas that rock, Gas that Rock out of here. He's gonna figure it out. You know, we're just gonna get the people who know how to figure it out. Gonna get the people who are gonna figure that out.

Cristina: Mm.

Jack: Okay. So there's way more things that matter more than things that don't. But that doesn't stop the historical significance of World War II.

Cristina: Mm.

Jack: Aka the Holocaust.

Cristina: Aka the Holocaust.

Jack: Yeah. I am gonna stick to the fact that those two are the same event. I get now after your explanation before we began, that they're two different events. That they're two different events happen at the same time. They happen at the same time. Even if you have no idea what the Holocaust is and all your memory's gone about it, you had enough lucidity for a split second to explain that to me and retain it, to reiterate it right now. But since you have no clue what.

Cristina: The Holocaust, that's how I know that I don't. That's what. Like, that's the biggest evidence that it's not the same thing. I don't know the Holocaust, but I do know World War II because I recently learned about World War II, but not the Holocaust.

Jack: Interesting. So you. So you have no idea what the Holocaust is, but you're fully informed on World War II?

Cristina: You know iffy about World War II. Okay.

Jack: Iffy.

Cristina: Yes. I know people were at war, and it was a lot of people. So you know a lot of countries. Like 30. Yeah, probably more than 30.

Jack: So, yeah, it's very interesting to be fully informed on World War II and have no.

Cristina: So this Holocaust thing.

Jack: But. So the Holocaust, amazingly enough, is what caused World War II. Yeah, yeah. So the reason everybody was fighting in the first place is because some Jew hater named Adolf Hitler.

Cristina: I think I've heard that guy. Yeah.

Jack: Yeah, yeah, yeah. He was a hero to many.

Cristina: What?

Jack: Yeah. Is it weird if I just leave it. Is it weird if I just leave it there and I don't point out. But he was a monster to. More.

Cristina: Yeah.

Jack: If I'm just like, he was a hero to many and just keep strong.

Cristina: A hero to who, though?

Jack: To the Germans. To the German N***. The First Reich.

Cristina: Okay.

Jack: The First Reich was his collective of people who were like, he's. He's the good guy.

Cristina: Are there more than one Reichsman?

Jack: Maybe.

Cristina: Okay.

Jack: Are there?

Cristina: I don't know, because I think I've.

Jack: Heard, like, oh, no, he's not the First Reich. He's the Third Reich.

Cristina: Yeah. Oh, okay.

Jack: Yeah. Yeah, you're totally right. He's the Third Reich. So There are two other Reichs. One, I have no idea what a Reich is.

Cristina: No.

Jack: Second, he's the third of the Reichs.

Cristina: So there might be more.

Jack: There might be more Reichs. Who knows? Maybe all three Reichs were his. Maybe he collects Reichs. I don't know what Reichs are they like rakes. Is it a kind of rake? Does he just. Did he decide. We love rakes and we're the third rake. But it's German for rake. And like we say rake, but they say Reich. They're like with the Third Reich and it's like we all use rakes. They love raking their lawn.

Cristina: The first rake is the stick rake. Then there's the machine version of a rake. And then there's the human version, I guess, which is them.

Jack: But no, all those are used by people. The argument would be dark joke warning ahead for people sensitive about the Holocaust or World War II, since they're not the same event. But if the first one is the broom looking thing.

Cristina: Yes.

Jack: And the second one is some sort of machine that you can drive, presumably, and rakes the leaves while you're on it.

Cristina: Yeah.

Jack: De escalation would be whatever's the next huge thing that can easily get rid of a lot of leaves, which would probably be an incinerator of some sort. So if they're calling themselves the third rake, maybe they were talking about the furnaces also. They were furnaces. That's primarily what the Holocaust was about.

Cristina: Furnaces.

Jack: Yeah. About shooting Jews in the back of the head, sometimes in the front of the head, and murdering their children and forcing them to do slave work for prolonged periods of time and pushing them into. Or having them gently walk into furnaces where they would burn alive and. And also gassing them after you told them that they were gonna get to take a shower for the first time in like three months.

Cristina: Yeah, that's pretty horrible.

Jack: Yeah, yeah, yeah. And that's without counting the ones that were just thrown on top of the graves of many others and just buried alive with them. Good times. That's it. You know, the Nazis and they're good times. That's how they play this game.

Cristina: That's horrible. That's all horrible. Anyways, eventually, this is how much they love grass, though.

Jack: This is how much they love grass. They ran out of grass and they're like, people throw people in there.

Cristina: This is insane.

Jack: Yeah. I can't believe that all this happened because they loved rake so much.

Cristina: They loved it so much they decided to use it on people.

Jack: They over invested. They over Invested. Right. So you buy a rake and you don't use rake. Well, it was 20 bucks, whatever. But if you bought like the second rake, and you know it's the size of like a riding lawnmower when you drive around, but it's meant to collect leaves. But you did all your leaves, and you did it so fast. It took like a minute or leaves stop falling. It got so hot, winter stopped coming. And you know, so now you just have this machine that you want to use it, though. You invested.

Cristina: Yeah.

Jack: So you got to use it. You start doing other people's lawns for free.

Cristina: You murder your neighbors to do their lawns?

Jack: No, no, no. You just do their lawns. When we get to the third rake, that's when it gets kind of weird. Because it's like about a building, bro. To throw all the leaves in, but, like, no more leaves. We did all the leaves. It's a building, bro. It's a big weird. We bought like 30 of them.

Cristina: You think that you started with animals first? Like, we got a lot of wild dogs. It's problem.

Jack: I mean. Yeah, probably just cleaning random s*** up.

Cristina: Yeah.

Jack: And they were like, well, I'll clean that one. F*** it. Let's just grab those people, clean them up too.

Cristina: Yeah. Sorrow. Okay.

Jack: I mean, there is. There is some people who believe, like I said, he's a hero to some. And it's weird if I just walk away from that sentence right there. He's a hero to some. But there are people who think Hitler did nothing wrong. That is.

Cristina: That is their argument.

Jack: That is a state. Yes. What more. What more proof do you need?

Cristina: Because Hitler just wanted Germany great again.

Jack: Yeah.

Cristina: After World War I, it was probably really left horribly shambles. He was like, we gotta make Germany what it was before World War I. We got to make it great again.

Jack: Yeah. Make Germany great again. And he. He protested that he even had a. An uprising on January 6th a couple of months ago. Like a year ago or so. Where he from today? The White House.

Cristina: He's alive?

Jack: Yeah.

Cristina: Oh, crap.

Jack: Isn't that who attacked the White House?

Cristina: They do say he's still alive. So I guess that makes sense.

Jack: That makes total sense.

Cristina: But how's he still alive?

Jack: Why wouldn't he. He froze himself. Obviously.

Cristina: He froze himself. Can we prove that that technology.

Jack: We proved that exists. I specifically remember having an episode in.

Cristina: Which I feel like we disproved that the technology works.

Jack: Really?

Cristina: Do you think it works?

Jack: Explain how anybody who f****** listens to this regularly. What's the narrative on this? I don't f****** remember, is it?

Cristina: Well, we know that Jesus couldn't have used that technology. I guess that's what we proved.

Jack: Yes, Jesus could. No, but I'm pretty sure we proved that. For what the h*** was it for? It was to preserve something.

Cristina: I don't know. I just remember one episode, it was about Jesus, because I was wondering how he came back alive, and I was like, that's maybe one of the ways you were like, nah, man.

Jack: Interesting, Interesting. I don't know. Well, let's assume that at least he had it and he froze himself in cryostasis and then got unfrozen recently. And that's why we have Trump.

Cristina: Are you saying he is Trump?

Jack: No, no, no. I'm saying Trump is his disciple. If nobody here has seen the Messiah, watch it, because I'm about to make hella references to that. And you need to understand him, which is basically the guy who El Mac the manifesto, or at least we thought it was that way and that Alma C. Was doing his work. But it turned out Emma C. Wrote the book that that guy was following.

Cristina: Yes. He got the ideas from the student. The teacher got the idea from the student.

Jack: Yes. And then he wrote the book, and people thought the kid was the one who was following the teacher, but it was the other way around.

Cristina: Yes.

Jack: So Trump somehow sent his ideas back in time, caused World War II. Oh, and that's why he's gonna fight Biden on top of the White House. Boom. So that he doesn't send it out. That's gonna happen. Hasn't happened yet. Biden is trying to stop the Holocaust.

Cristina: That is so crazy. That makes sense.

Jack: That makes a lot of sense.

Cristina: So Donald Trump wrote something, sent it to the past, and then those leaders from the past took it. Because it wasn't just Germany talking about, let's make German.

Jack: There was a lot of people, someone.

Cristina: In Italy was doing the same thing who's like, World War I happened. And they were like, we gotta make Italy as it was before World War I.

Jack: We gotta make it illegal.

Cristina: Exactly. It was the same speech, but with different people, different countries.

Jack: Yeah, yeah.

Cristina: So they all just happen to be.

Jack: It's like the news cycle right now. Right? Like, you could put every news station next to each other and they're repeating the same line for line thing. Interesting.

Cristina: Interesting. Oh, my gosh. It's the same thing.

Jack: Yeah, it's the same thing. 100.

Cristina: So it was Trump all along.

Jack: It was Trump all along. And Biden's actively trying to stop the.

Cristina: Does he know time travel Is involved Biden? I hope not.

Jack: Oh, no. Biden has no clue.

Cristina: Okay, good.

Jack: It'd be weird if Biden can go back and unmolest all the people who he's molested. That's a problem. So we need to arrest him after he stops Trump.

Cristina: Okay, who has he molested?

Jack: Many, many. And all the blacks in jail are his fault.

Cristina: Oh, okay.

Jack: So. So they're both pretty bad, but we kind of got to let one stop the other.

Cristina: Okay, so we need him to save the day anyway, even though there's a bunch of crimes against him.

Jack: Yeah. But it comes back to the whole, if Hitler stop. Helped us stop the meteor, it's the same thing. Are we gonna stop him from helping us? Yeah, we're probably gonna let him.

Cristina: Okay, so we're gonna let Biden do his thing with Trump, and then if he lives, we'll punish him.

Jack: I don't. I don't know if. Here's the question. Would we let. Because we are arguing that Biden is way less bad than Hitler. Right. If we can forgive Hitler after.

Cristina: Oh, yeah. As long as he doesn't repeat himself. Okay.

Jack: Yeah.

Cristina: If Biden doesn't do anything bad after, he's okay.

Jack: Exactly. If Hitler, after killing 7 million people, helped to stop the meteor that was gonna destroy all of Earth.

Cristina: Mm.

Jack: We gotta at least give him the benefit of the doubt. Like, you saved, like, a lot of people.

Cristina: Yeah. One more death and you're done.

Jack: But you managed to straightaway. We'll ignore the 7 million you killed.

Cristina: Yeah.

Jack: Same thing for Biden. Yes. There's some kids f***** up walking around. They're probably serial killers or some s***. Probably molesting people of their own. You probably start some crazy domino effect of people molesting people who molest people forever. And that cycle will never break because they just think it's normal. Or they'll blow their brains out before they get to molest anybody else. And I'm not sure whether that's better or worse. Whatever.

Cristina: It's all pretty horrible.

Jack: All pretty bad. But, like, if you stop the Holocaust, Is he in stopping the Holocaust? Right. Just scaling here for the sake of introspection and analysis, but if God d*** this episode. If Biden were to stop the Holocaust, is that as good as Adolf Hitler stopping the meteor? Like, because, like, all right, Biden, his atrocities. Right. Harm how many people? Totally lives taken.

Cristina: Yeah.

Jack: People have committed suicide or decisions he's made as a politician that had led to people dying. Right. Would we say less than a thousand people?

Cristina: Yes.

Jack: Right. So then him stopping the Holocaust is impressive.

Cristina: Yeah.

Jack: What percentage of 7 million is about a thousand, though when you do the difference, is Hitler doing more good by saving 6 billion when he only killed.

Cristina: 7 million, is he doing more good?

Jack: Yes. Is. Is. Is the comparison here making Hitler better than Biden by total effect? Assuming Hitler stops the meteor.

Cristina: Yes. And.

Jack: And Biden stops the Holocaust. Yeah. No longer kills people, but somehow. Somehow in an alternate universe, Biden stops the Holocaust.

Cristina: Yeah.

Jack: So is Biden because he saved way less people. Like how many times you multiply a thousand to get to 7 million?

Cristina: But he's also stopping the Holocaust. So those people Hitler killed counts towards Biden as well because he's saving those people or.

Jack: No, that's what I'm saying. That's what I'm saying. So he killed a thousand. But how many times can we multiply a thousand before we get to 7 million? And do we multiply it less times than 7 million to get to 6 billion? If that's the case, then in stopping the Holocaust, Biden has successfully done less good than Hitler stopping the meteor.

Cristina: Oh, okay.

Jack: Because we're talking all of humanity. But again, it could just be. I have no idea what the numbers are, but if we multiplied. In fact, let's find out right now who is. Who is less evil in one of these scenarios. Oh, s***. Oh, s***. Okay, okay, explain. So we're gonna start at how many people Biden. Okay. So, you know, we just ran the numbers, we did the math. So we're not gonna count all the things Biden did. There's too many. And a lot of them lead to mass incarcerations, which led to a lot of deaths in and outside of prison. Cops looking for more reasons to arrest people. Biden gave him that reason. More people died, shot by police, on top of the fact that Biden, it was against gay marriage, which then had a boom in the gay suicides of the 90s. And this is just a plethora of s***. But the one thing that his vote could have swerved in the opposite direction was the Iraq war that he was for and the Iraq war that he did not oppose led to 460,000 deaths.

Cristina: That doesn't sound so bad.

Jack: That's a crazy bad number. And if he were to go back in time to stop the Holocaust, which is 11 million people, all you have to do is divide the 11 million people by the number of people Biden is responsible for killing, which is 460,000, which gives you 23 people saved per life he took. That's beautiful. He's net positive he's in right now.

Cristina: Yeah. If he does stop the Holocaust, he saves.

Jack: He redeems himself. He totally redeems himself.

Cristina: Factually, yes.

Jack: But we know. So does Hitler.

Cristina: Oh. Piece of the meteor.

Jack: Because the meteor. The question is, how better or worse is Hitler to Biden's 23 people saved per life taken. Okay, in the case of Hitler, we have to do the total number of.

Cristina: People that exist in that time.

Jack: Well, the number of people he was responsible for killing, which is the same number that we divided by Biden's deaths. Except now that's the number we'll be dividing by because it's the number of people that Hitler killed.

Cristina: Mm.

Jack: By the total number of people who were alive at that time, which was 2,300,000,000. And when you divide 2,300,000,000 by 11,000,000, you get 209 lives saved per life taken. In conclusion, if Hitler stops the meteor, even if Biden stops the Holocaust, Hitler is still a better person than Biden.

Cristina: Interesting. Because he's saving more people.

Jack: Because he's saving more people. So we've found the scenario in which Hitler's the good guy.

Cristina: Yes.

Jack: Over some other person who people like right now.

Cristina: Well, one event is going to happen, and one event is not going to happen.

Jack: Yes. The Holocaust is going to cease to exist, thus stopping Hitler from ever being being a bad guy in the first place and never taking a single life. Thus, by default, making him still better than Biden.

Cristina: Yes.

Jack: It doesn't matter how this plays out.

Cristina: Yeah.

Jack: Hitler's a better person than Biden is what we've learned.

Cristina: Because Hitler did nothing.

Jack: He either did nothing or he saved more people.

Cristina: Yeah. What?

Jack: In any scenario, Hitler is better than Biden.

Cristina: Wow. That is crazy. Whatever, I guess.

Jack: Yeah. There's no winning. Biden is evil.

Cristina: Yeah. Even though he's going to save the.

Jack: World, even though he's gonna save 7 million people.

Cristina: Yes.

Jack: He still can't make up for the fact that he is still responsible for 400 and what? 450. 430 deaths of his own. 60. 460 deaths of his own. Doesn't matter that the collective total is. He saved 23 lives per. Because Hitler didn't kill anybody.

Cristina: Because he stopped Hitler from going. Okay.

Jack: On the flip side, if Hitler did, in fact, stop the meteor.

Cristina: Yes.

Jack: And that's why we got. We allowed him to go into cryostasis. Then Biden stopping Hitler will extinct humanity. Because Hitler won't be around to stop the meteor because he won't have the power of the third Reich.

Cristina: Oh my gosh. It's really. You see, time travel is confusing. It's always confusing. Time travel fair.

Jack: And this is Trump's fault.

Cristina: This is Trump's fault.

Jack: This is Trump's fault. He's gonna send this message back, Cause Hitler to rise to power. Hitler is gonna kill 7 million people and then he's gonna stop. But the 7 million people died anyways. Biden gets a hold of the fact that Trump did this and he's gonna stop Trump before he gets to do it, thus stopping the Holocaust. But the meteor is gonna kill us, thus stopping Biden from ever stopping the thing. It's impossible. It resets.

Cristina: Resets. So it's gonna happen no matter what though. Yeah.

Jack: Biden can't stop the Holocaust because it would stop the meteor. Yes, but it would. It couldn't. It could never. Because it would loop back to it happening all over again.

Cristina: Yeah, but it's gonna still be an interesting fight to watch.

Jack: Yeah, except he by default has to lose. The outcome is he has to lose, otherwise the fight can never happen because there is no Earth.

Cristina: Yeah, yeah. So he's gonna lose. But we shouldn't be spoiling that to people. What if people are betting on this? Then again, this is on our world, not theirs.

Jack: Yeah. I have no idea what's happening in.

Cristina: Universe on this stuff. Yeah, that's good.

Jack: I mean, they could in theory bet on the show, I guess, on our newscast of it or whatever f*** is happening.

Cristina: Yeah, but if he wins, then what happens? Like would we even know he couldn't win?

Jack: Yeah, like what would happen if he wins? No. Hitler rises to power. Hitler with no power can't stop the meteor if the meteor hits and the fight never happens, so he never stops the message being sent that then allows him to come into power. So if he stops him, then he can't stop him.

Cristina: How do we make sure that he can't stop him? Do we have to help Trump then?

Jack: No, no, he can't.

Cristina: He can't.

Jack: He could never. Because the fight is only happening because he already lost.

Cristina: Oh, okay, I see.

Jack: Yeah. Cuz had he succeeded, none of this would have happened. Yeah, we'd all be dead.

Cristina: We'd all be dead. Yep. Oh, okay.

Jack: That's the problem here. Right?

Cristina: So he time travel.

Jack: Yeah, he failed already. We know he failed because it's happening.

Cristina: Yes. Alright, I'll make sense again. Okay.

Jack: Yeah, yeah. F****** time travel, man.

Cristina: Yeah. What?

Jack: Yeah. So now you're caught up on what A World War II is to some degree. Furnaces, rakes, you Know the works.

Cristina: Yes. Someone who likes raking a little too much.

Jack: Someone likes raking a little too much. And took it to the next extreme.

Cristina: Yes.

Jack: And it's probably has to do. It's miscommunication because it was obviously Trump just talking about how to comb his hair. Right.

Cristina: Because it did all star at Trump.

Jack: Yeah. Because he's sending a message of like, man, that guy had a slick back thing going on.

Cristina: Yes.

Jack: And I can send them how. How I make my slick back work.

Cristina: Oh, my God. And then he's writing in English.

Jack: And he's writing in English. He wrote rake.

Cristina: Yeah.

Jack: And then it's like modern English.

Cristina: So it's not even English from back then.

Jack: Yes. He wrote probably like comb or something. I'mma comb my hair. And he's like, oh, comb, rake. Yeah, I get it.

Cristina: Yeah.

Jack: I'm like, yeah, brushing the grass. I know what he's talking about. I love brushing my grass. You know what? I'mma innovate society around grass and leaves. Cleanest grass, no leaves.

Cristina: So this was all due to miscommunication.

Jack: Yes. Because Trump just wanted him to have nice hair like Trump does.

Cristina: Ah, makes sense. Makes sense.

Jack: He wanted the hairdo that Hitler has to match his flag. The way that Trump's hair on some of those memes is the American eagle.

Cristina: Mm.

Jack: You know what meme I'm talking about? No, you know what meme I'm talking about?

Cristina: The American eagle.

Jack: Yeah. Trump's hair is the American eagle. You see? You see how that amazing America hairdo.

Cristina: Yes.

Jack: Is placed on this man's head. That's all Trump wanted Hitler to do, and he sent that message. But Trump, you know, he. He only has the best words to talk to idiots. He doesn't have the best words to speak to a highly advanced scholar. So he tried his best with his very good words for dumb people to convey an important message to smart people.

Cristina: About how he should do his hair.

Jack: About how he should do his hair. But his words on a scale are quite bad.

Cristina: Mm.

Jack: So, you know, N*** Germany happened.

Cristina: Ah, it all makes sense.

Jack: Don't make sense. All cause time travel, of course.

Cristina: History, man. Of course.

Jack: But it's gonna happen anyways because we can't stop it.

Cristina: Cuz we're here because we're here. Yes. So Biden's gonna lose.

Jack: Yeah. We kind of need the Holocaust to happen so that we can get rid of the meteor.

Cristina: That's definitely going to happen with the meteor. Yeah.

Jack: Well, we stopped.

Cristina: Definitely did happen.

Jack: Well, we stopped the meteor.

Cristina: Yeah, yeah, yeah.

Jack: Because the Holocaust happened.

Cristina: Yeah.

Jack: And Hitler had enough resources and power to stop the meteor.

Cristina: Mm.

Jack: It is what it is. We don't make the rules.

Cristina: Nope. We.

Jack: Some people and I began the episode with this. To some people, Hitler is a hero.

Cristina: The people that know this truth, the.

Jack: People that know the truth that Hitler stopped the meteor thanks to Trump.

Cristina: Well, not really thanks to Trump.

Jack: Had nothing to do with Trump. I mean, kind of. He only came to power because he confused the message of raking.

Cristina: Yes.

Jack: Became obsessed with rakes.

Cristina: Yes.

Jack: And then created the greatest rake ever. But then turned on people because he needed to use the machines that rake.

Cristina: Technology to destroy the meteor.

Jack: Yeah. 100%. But, like, all of this is doom.

Cristina: Yeah.

Jack: Trump.

Cristina: Yeah.

Jack: The meteor stopped. Humanity exists today because Trump.

Cristina: Yes.

Jack: We'd all be dead if it weren't for Trump.

Cristina: Time traveling Trump and time travel save the day. Okay, 100% by accident, but.

Jack: Yeah, by accident. Totally by accident. But that just continues the story of Trump disclosing secrets at random and casually helping people without even knowing how he did it.

Cristina: Yeah. Yeah. That sound like Trump focused. This all sounds right.

Jack: Yeah. It's right up his alley.

Cristina: Yeah.

Jack: Quite accurate, all things considered. It sounds exactly like something Trump would do.

Cristina: Yeah.

Jack: Say something that sounds kind of off and wrong and you're like, whatever, I'll respond to it later. Knowing you do. Somehow things got better.

Cristina: Whoa. Interesting.

Jack: Not to say the Holocaust was. Things. Was getting. Things getting better. But, like, what if we didn't have the Holocaust and the meteor did hit us?

Cristina: It has to be that situation.

Jack: It has to be that situation because that's how it plays out.

Cristina: Yeah.

Jack: So then kind of. I'm not saying Jews. What happened to Jews at that time was a good thing. It was horrible. It was absolutely awful.

Cristina: Yes.

Jack: But perhaps necessary to stop the meteor. He needed the power in order to wield it and save the world.

Cristina: You don't think anyone else could have done that?

Jack: Not the way he. He was fighting the world and winning. He was fighting the world and winning. So that's the leader we needed to stop that meteor.

Cristina: Yes. And then he purposely lost the war because he stopped the meter.

Jack: Yeah, he stopped the meter. He's like, wars done. They said, if I don't kill anybody else. And I stopped the meteor, I'm good.

Cristina: Yes. And then he went to sleep.

Jack: He went to sleep. He immediately went to cryo stasis. And they're like, oh, my God, he killed himself. No, he. You saw him sleeping when he got brought out. You're like, oh, he's not moving.

Cristina: He has to be dead. He's.

Jack: Yeah, he has to be dead. No cryostasis.

Cristina: Okay.

Jack: Yeah. Brought out. And he came back a couple of years ago to meet Trump for the first time.

Cristina: Amazing.

Jack: And then he told Trump, hey, I am a great strategist.

Cristina: So where's. Like, is he still around?

Jack: Other side of the wall. Oh, the ice wall.

Cristina: Ice wall.

Jack: Yeah. He went to chill with the big dogs out there with Tupac and Michael Jackson.

Cristina: They're outside of the wall.

Jack: Yeah. Anybody who's allegedly dead and got spotted comes back to visit once in a while, but is ultimately outside of the ice wall from the other side of. Flashlight. Earth.

Cristina: That's crazy. How are they all still alive? I feel like they should be old enough. Unless they all somehow.

Jack: We have the technology and. Or adrenochrome.

Cristina: Oh, okay. So they all probably just take an adrenaline.

Jack: It's probably just all adrenochrome.

Cristina: Yeah, yeah, yeah. So he's gonna get his hand full with adrenochrome. Okay. Let's see.

Jack: Yep, yep, yep. And Trump wants that adrenochrome too.

Cristina: You think he deserves it? Question mark?

Jack: I don't know. He saved the world.

Cristina: Yeah.

Jack: If anybody deserves adrenochrome, it's true.

Cristina: Okay.

Jack: He saved everybody.

Cristina: Yeah.

Jack: I mean, he's also responsible for 7 million people dead, but he's responsible for 2.3 billion people alive.

Cristina: And it doesn't matter that both those deaths and aliveness are accidents.

Jack: Accidents. But thanks to him. Fair enough. Fair enough. He was just talking about his hair.

Cristina: He was just talking about his hair. Come on.

Jack: And so we can't attribute the good that happened to him intentionally or the bad. Yeah. It's mere chance. Just chance removed from it has nothing to do with him.

Cristina: Yeah.

Jack: Hitler might have taken that to an extreme.

Cristina: Mm.

Jack: But the power was necessary in order to stop the meteor.

Cristina: Yeah.

Jack: I don't know. I don't know how to feel about it. Is Hitler a good guy because he saved the world, or is he a bad guy because he only saved the world as a means to not be punished for having killed many, many, many people?

Cristina: Yeah.

Jack: Like, he did save the world.

Cristina: He did save the world, but he.

Jack: Also did opt in. He had.

Cristina: In, like, comic books. Does this situation ever happen where they team up with a bad guy and they'.

Jack: Oh, happens all the time, but it's not f****** Hitler.

Cristina: I know, but, like, what do they do? Do they arrest the bad guy afterwards, or are they, like, you can go for now. Just don't do anything wrong.

Jack: The question is, is Hitler in saving as many people as he did, even if, like, he had no option? Right. So it's like, you're gonna lose even if you don't lose. We kill you either way. Yeah, but you stop the meteor, we let you slide. Right? So in that scenario, he had no option but to help. Had he had the option to help and they're like, well, you, you could let us all die, it's fine. Either or you're going with us, whatever. Would he gone out of his way to save the world, to keep himself alive? Or is he like, humanity must live? Or did he care about his people? He's like, well, there's 4 million or there's 11 million I killed, but there's 22 million. I gotta make sure stay alive, you know? Like, what's the math he's in. Is it a choice or does he feel. Feel obligated?

Cristina: Too many questions.

Jack: Yeah. Like he. Did he have a revelation? He's like, oh, wow, I can't let everybody die. What about the 22 million who believe in me?

Cristina: Yeah.

Jack: They depend on me.

Cristina: I feel like we need a time travel to find out.

Jack: Yeah, but we're gonna f*** something up.

Cristina: Yeah, we can't time travel. But man, there are so many questions though.

Jack: We can quantum computer that b****, though.

Cristina: Oh, okay, okay.

Jack: That's what we could do. We could find out. We could add the variables we need that are necessary to figure out the truth.

Cristina: The truth of whether he really, really, really is a good guy or a bad guy.

Jack: Yeah. Yeah. I mean, he was definitely a bad guy.

Cristina: Yes. But like, but what was he thinking about when he was saving the world?

Jack: Exactly. Did he stop being a bad guy?

Cristina: Yes.

Jack: Or was it like, this is for me?

Cristina: Yes. There's so many. Like, what if in that moment he was a real good guy? Like, who knows?

Jack: And when he came to meet Trevor, did he think Trump was an idiot or is he like, I should follow this guy, huh?

Cristina: Because he did meet him. He did meet Trump, but that was after the book. So was he disappointed? I bet he was disappointed because you're not supposed to be your heroes.

Jack: I bet he was disappointed.

Cristina: Everything he thought the book was about was a lie.

Jack: Yeah, he realized everything.

Cristina: He based everything off of his life was a lie.

Jack: His life was bullshit.

Cristina: Yeah. So I guess that would have been a really disappointing moment.

Jack: He looks at Trump, he meets and Trump is like, I remember that thing. Yeah, here's the original. And I mean, I guess Trump wouldn't have the original. Well, actually, Hitler kept It. Since he was a kid.

Cristina: Trump gave it to him as a child.

Jack: Trump sent it back in time. He has no idea where it was going. He just wanted Hitler to have it.

Cristina: Yeah.

Jack: Which is weird because he only found out. Oh, my God. Time travel. He only found out about Hitler because of what Hitler did.

Cristina: Yes.

Jack: So he sends back his hair thing because of how Hitler's hair was.

Cristina: Yes.

Jack: And then Hitler confused it for.

Cristina: I feel like it still works because of the miscommunication. It doesn't break it. Like, this is a perfect loop, type of.

Jack: Yeah. But, like, where did it start?

Cristina: Yeah, yeah, yeah. There's always that.

Jack: But because we can. Oh, man. I guess the same thing applies with, like, starting the Holocaust in the first place. Right. Because it's like he sent it back. It only happened because he sent it back. But he only sent it back because he knew about it.

Cristina: It.

Jack: So, like, the Holocaust exists in a loop of one piece of paper about here.

Cristina: Yes. Yes, it does. Well, we're not gonna fix that problem. And we don't need to fix that problem.

Jack: We don't need to fix that problem because if we fix the problem, then we all die.

Cristina: Yeah. So it's fine.

Jack: We need the Holocaust.

Cristina: Yeah. That's horrible.

Jack: The conclusion of this episode is that the Holocaust is the best thing to happen to Earth.

Cristina: It's not. It's. The conclusion is that time travel is confusing.

Jack: Time travel is confusing, but it resulted in the Holocaust, which gave Hitler the power that then allowed us to stop the meteor that would have extinct humanity otherwise. So without Holocaust, no humans.

Cristina: Confusing.

Jack: Yep. You know, that's. I did not expect to learn the things I've learned today about. About our universe and how it works. But that's. We are where we are.

Cristina: Yeah, Hopefully. I wonder what it's like in universe 3. It can't be this crazy.

Jack: It's probably really boring.

Cristina: Yeah, please. Time travel wouldn't be a thing.

Jack: No. And they don't know anything.

Cristina: They don't know anything. I'm sure they don't know Hitler became in power.

Jack: They don't even know if that happened. Everything is faith over there.

Cristina: Oh, yeah.

Jack: They don't even know if it happened. Yeah, we're talking about earlier. They're just going off of sorts. Well, they have no proof of anything. And even if they did, they question that.

Cristina: Mm.

Jack: I'm sure the term Holocaust denier over there. Some whole other s*** that's just like a movement of its own.

Cristina: Yeah.

Jack: So, like, we're over here like. Well, the Holocaust, factually, this and you know, it was important to save the world to some degree over there. It's like, what, Holocaust? You're sheeple. You're falling for it, man. It's like, is that worse?

Cristina: What?

Jack: I'm at least acknowledging it happened.

Cristina: Was it made out of cheese?

Jack: Maybe.

Cristina: What if. No, you can't use gas machine to make cheese, can you?

Jack: I don't know. That's. I guess it's theoretically possible. Right. Because gas is just the gaseous form of any kind of solid or liquid. I suppose. Right. So if you could compress it enough to create it to make it back to solid, the only question would be, how do you turn cheese into gas? Because then you could have cheese gas and compress that cheese gas back down to cheese.

Cristina: That's a lot of work. Okay.

Jack: Innovations, technology, advancements, the superior human intelligence will allow us to create cheese gas.

Cristina: What would that be? For? What use would that be?

Jack: To eat.

Cristina: To eat the gas.

Jack: To eat the cheese that came from the cheese gas.

Cristina: But if you have the cheese, why would you need the cheese gas to make the cheese?

Jack: Well, no, if you have the cheese, you don't need the cheese gas to make the cheese.

Cristina: Exactly.

Jack: Presumably, the gas will turn into cheese. So if you don't have cheese, but you have cheese gas, you can make cheese out of the cheese gas, but you don't need the cheese gas. If you have cheese, why would you.

Cristina: Ever not have cheese but have the cheese gas?

Jack: Maybe you're trying to get into your plane and you're not allowed to bring food. So instead you bring an empty jar, and they just see a jar with yellowish gas in it, and they open. It smells like cheese, but there's no cheese inside. So you can let your weird jar thing can go in, whatever. Then you take your jar thing, but your jar is also a cheese gas compressor. So you take your seat on the plane and you hit a button and all the gas gets compressed. Boom. Cheese pops out of your jar. Now you have cheese you can eat on your flight.

Cristina: Interesting.

Jack: A scenario where cheese gas is beneficial.

Cristina: That is crazy.

Jack: But practical. Okay, in that scenario.

Cristina: In that scenario, I don't know, I feel like just sneaking some cheese is easier than cheese gas.

Jack: Well, if you remember, a couple of years ago, there was a weird wave happening around here where dancing became illegal for a certain amount of time, and.

Cristina: People happens every once in a while.

Jack: Every once in a while, dance becomes illegal, you know, and then there's two people fall in love and solve the problem or whatever. Hey, I come from ballet. I'm A street dancer. It's super legal.

Cristina: Yeah.

Jack: Like how are we ever gonna work together? And then they go and win a competition, the world is saved or whatever f*** happens.

Cristina: Yes.

Jack: So you remember that we know weird scenarios like that happen occasionally. They're really hyper specific for whatever reason.

Cristina: Like when people died from dancing.

Jack: People died from da. Exactly.

Cristina: I think that's why it was illegal for a little.

Jack: That makes a lot of sense. And I'm not sure why we didn't draw that connection before.

Cristina: Yeah.

Jack: So was the name of the movie Step Up? Probably.

Cristina: Yes.

Jack: Step up or Dance to Me or some s*** like that.

Cristina: I don't know.

Jack: One of those films. That whole thing is due to the nuns dancing until they died. Oh, no, that's unrelated town.

Cristina: Yeah, there were dancing nuns too. I bet. But they were also meowing. But whatever. Okay. What are you talking about though?

Jack: Dancing, dancing. That's why in Step up everybody dancing was legal. Just because people died dancing. We know it's dangerous. We know dancing is dangerous.

Cristina: Yeah.

Jack: It's not legal to dance. Earth has banned dancing because deaths.

Cristina: Yeah, but now it's not legal anymore.

Jack: Isn't it?

Cristina: It was illegal, but then we saved. I mean, the couple that had the good dance move.

Jack: Yeah, yeah. And they saved the world.

Cristina: Yeah.

Jack: But that was. I remember that was the harsh dance demic of the. Of the 20th century.

Cristina: What does it have to do with anything?

Jack: The dance Demic.

Cristina: Yes.

Jack: Where people were dying in mass because they were dancing.

Cristina: Yeah.

Jack: So we had to outlaw it again.

Cristina: Huh?

Jack: Well, I'm just saying it was just crazy. It just reminds me of the crazy dance demic.

Cristina: Oh, okay. Okay.

Jack: The fact that we regularly have to outlaw dancing once in a while because.

Cristina: Every once in a while, because too.

Jack: Many people start dancing. Yeah. Too many people do it. People get reckless and they die.

Cristina: It's really. If anyone does anything and every. Like if a group forms around this one thing, it becomes a danger.

Jack: Yes.

Cristina: Which. Whether it's dancing or meowing or laughing or biting.

Jack: And then we gotta ban it.

Cristina: Yeah. Just for a little while until people calm down. Yeah.

Jack: That's how it goes. And that ultimately what the Holocaust is about. Now, you know you've learned about the Holocaust in this episode. Pure clarity. And as soon as this show is over and we wrap up, I'm gonna ask you to recite what you've learned today.

Cristina: I don't understand how rakes have to do comb raking.

Jack: Comb over comb. Two rake similarities. Something got lost in translation. Comb, rake. Okay, sure. Combination.

Cristina: Yes.

Jack: I combed the grass yeah.

Cristina: But did we make raking illegal after the Holocaust?

Jack: For a brief moment. That's why the lawns look like s*** for the next couple of years.

Cristina: Oh, okay.

Jack: But then we were like, this doesn't make any f****** sense.

Cristina: As long as no one tries raking three.

Jack: Yeah. Don't know. Rake three. We banned rake three entirely. That's still illegal right now.

Cristina: Yes, yes.

Jack: Rake three, Totally still illegal. Rake one and two. Totally fine. We see those everywhere. Yeah, totally fine.

Cristina: All right.

Jack: We've done two everywhere. Rake 3. You're getting excessive.

Cristina: Yes. No reason for the rake 3.

Jack: If you do have rake 3, it's going to be super monitored and you can only have one and it has to be industrial purposes only. And nobody's allowed to walk into your rake.

Cristina: Yeah, okay. Yes. That's. That's where we live right now. Yeah.

Jack: Anyways, if you guys enjoyed the facts we spoke about World War II and the Hollow Holocaust. There are many conversations in which we totally justify all of Hitler's actions and much more. Probably not. We probably don't justify it. There was an episode in which we definitely created Hitler and Friends show.

Cristina: That was you and Ryan.

Jack: Yeah, me and Ryan. So you can find that episode somewhere around here. But there's a bunch of other episodes in which Hitler's importance on the world and how he's either affected it negatively or positively, probably mostly negatively. You can find all that. All those lovely episodes with woke jacation. The real information. Don't get fake news to death. Get real news to death by us.

Cristina: Yes.

Jack: You'll find all that on the official website greatthoughts.info or on Apple Podcasts, Spotify, or anywhere you get your podcasts.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok. UsConvopod.

Jack: Yes. And remember to subscribe, rate and review the show. And in your review, tell us how much you love the information we give you and if you can, let us know you listened to this episode with a Hitler emojis.

Cristina: Is that a thing?

Jack: I don't know. But, like, why isn't it? Right?

Cristina: Or Holocaust emoji. What would that be?

Jack: It's a lot. A lot of people. What do you call that little hat that the Jewish people wear?

Cristina: I know what you're talking about.

Jack: Okay. It's that hat in a furnace.

Cristina: It's horrible. There's no way that they would make an emoji. I feel like Hitler emoji would be more likely to exist than by miles. The Holocaust emoji.

Jack: Yeah, yeah, yeah. But if you have any of those, just use either in your review.

Cristina: Okay. And let someone who might like this show know about it.

Jack: Yes. All the Holocaust deniers, you know. Tell them the truth is out there and they're just living in ignorance.

Cristina: Yes.

Jack: And if they want the truth, they need to listen to the Rambling Podcast, brought to you by the Just Conversation Podcast.

Cristina: This has been the Rambling Podcast. Take nothing personal, and thanks for listening.

Jack: Bye.

Cristina: No, I don't know. Because it comes from living things, right?

Jack: So do babies.

Cristina: Oh, my gosh, yes. I guess it's equal. Two babies.

Jack: Yeah. Poo and babies are the same thing.

Cristina: It's the same thing. They're made from you eating things.

Jack: Me? Oh, yeah, Totally.

Cristina: Wow.

Jack: And also, this kind of confirms the fact that what happened in that south park episode is true.

Cristina: What south park episode?

Jack: Where the Pope gave birth to Bono by pooping him.

Cristina: Yep. I guess that proves poop is alive.

Jack: Poop is alive.

Cristina: I did not.

Jack: Raise it as your own.

Cristina: What? Wow. Who knew? Yep.

Jack: Poop is a living thing. Now we gotta fight for the rights of poop.

Cristina: That is so crazy.

Jack: Yeah.

Cristina: How?

Jack: Poo lives matter.

Cristina: And what are we gonna do with that?

Jack: I don't know.

Cristina: What are you supposed to do with Pooh?

Jack: I don't know. But Pooh has rights.

Cristina: To what?

Jack: To live.

Cristina: They do live.

Jack: Until we kill them by drowning them.

Cristina: They live there. They become fish.

Jack: They don't become fish.

Cristina: We don't destroy them. They just move.

Jack: We let the plants eat them.

Cristina: Yeah, that's also good.

Jack: We don't put our babies in the ground.

Cristina: Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Elin Taylor and published by Great Thoughts.info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 158: Gatekeeper Penguins

How does Martin Luther King Jr. Relate to Penguins? How do penguins relate to Flat Earth? Was Malcolm X more right than Doctor King? And where do penguins come from? Are they fairies? The upcoming Penguin Day and MLK Day get the duo excited to discuss the connection between the two and how both Penguins and Martin Luther King Jr. affected the world for the better or the worse.

+Episode Details

Topics Discussed:

  • MLK Day
  • Hitler Day
  • War Reenactment
  • Everyone Rapes
  • Flat Earth vs Round Earth
  • Lyndon Johnson
  • Arctic
  • Penguin Fairies
  • Climate Change
  • Spacetime Portal
  • MLK vs Malcolm X

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified to since I released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yes. So be sure to find somebody to talk to while you listen for the second time, because on the first time, you're gonna be nice and quiet and paying attention because you're a good boy, and that's what you do. And if you're female, you're still a good boy, because that's what you do.

Cristina: They're all good boys.

Jack: They're all good boys. Also, a good boy is what you tell somebody who's fat or something. Who's fat? Like a. Like a fat dog is a good boy.

Cristina: Really? Not a regular dog.

Jack: No, it's just a fat dog is a good boy.

Cristina: Why?

Jack: I don't know. I don't make up the rules.

Cristina: How. Where did this rule come from?

Jack: The Internet.

Cristina: The Internet? You read that on the Internet?

Jack: I see it consistently. If you see a fat dog, they'll be, oh, it's a good boy.

Cristina: It's a good boy.

Jack: Yeah, they'll say, it's a good boy.

Cristina: Oh, okay.

Jack: Good boy.

Cristina: I thought they were just saying that to all dogs.

Jack: Boy. It's a good boy. Yeah, it's a good boy. Anyways, Martin Luther King Day is coming soon. That's in two days. It's Monday. It's coming Monday and celebrating Happy Martin Luther King Day.

Cristina: How do you celebrate.

Jack: How do you celebrate Martin Luther King Day?

Cristina: Yeah. You read his speeches?

Jack: No.

Cristina: Are you supposed to have them memorized by heart and then just, like, read aligned? I mean, tell a line to everyone you see on that day. You say, happy Martin Luther King and a random cult.

Jack: You reinforce segregation for that day so that people have to fight against it in honor of Martin Luther King's fight against segregation. So you have to be extra racist so that black people get extra civil rightsy and as a result, celebrate. You're trying to make black people celebrate Martin Luther King by being very racist to them and forcing segregation casually so they don't even realize it's a celebration you're doing, but you're being a good celebrity.

Cristina: They don't know how everyone else is supposed to celebrate it. They just think people are just being racist.

Jack: So for that one day, civil rights jumps way up.

Cristina: That sounds awful.

Jack: What do you mean? But then at the end of the day, they feel like we fought back and we got this and they feel so accomplished because they, they made it to the other side and segregation ends. They feel like Martin Luther King, except he never saw that happen because he died. So the. I guess in theory the most accurate way that this happens is you get really, really racist to anybody who's dark or like more than caramel. And then you force segregation.

Cristina: That's horrible. That's even worse.

Jack: What do you. This is the best way to do it.

Jack: So that the day is celebrated. It's. Hey, I don't.

Cristina: I don't think so. Right, because we're celebrating his death. What are we doing?

Jack: We're celebrating his. Him. Everything is involving him. But no, this is crazy, right? Because this means, like, I hope nobody celebrates Hitler Day, you know, because based on that logic, it's going to be dark.

Cristina: There is no Hitler Day.

Jack: Why isn't there, man? Is there Hitler Day in Germany?

Cristina: No.

Jack: No, they can't just like Jewish Survival day or something. Can you imagine Hitler Day? Should we start Hitler Day?

Cristina: And what would Hitler baby.

Jack: Oh man, you know. Do you know what Hitler Day is based on what I told you Martin Luther King day is? No, it's two plus two equals four, bro. It's going to be a dark day. But we can only celebrate that in Germany anyways. Which means for one day a year, Germany is empty of Jews. Because they're like, no, we're not going to be here for that day. We all take a vacation on Hitler Day.

Cristina: Is it like the purge?

Jack: Yeah, I guess. So Germany still has Hitler Day.

Cristina: No, it doesn't.

Jack: Yeah, it does.

Cristina: It still has Hitler Day. I mean, it made Hitler Day.

Jack: Well, I guess Hitler Day happened after Hitler's death. So once a year a mass extinction happens. Or not extinction, but you know, pretty severe moment on Jews.

Cristina: Or should it be on Nazis?

Jack: I guess. I don't know, man, because we gotta talk about everything that the Jews go through on. No, that's Hitler. Everything Hitler. Yeah, I guess so. So the first Reich has to rise and fall within that day.

Cristina: Okay.

Jack: But on N*** Day you go through the murder of Jews and then all the Nazis get arrested by Americans. So on day one, I guess, I guess you could say that N*** day is a week long. It's not N*** Day, it's N*** Week. Right. And so the Beginning of the week starts with a bunch of people rallying together. The second day is them, like, going and capturing a bunch of Jews. The third day is them starting to take Jew lives. The fourth day is the middle of the week, Right. Seven days of the week. The very middle. So here is. This is the peak. Right. This is the top. This climax point. So here you take. Yeah. Deaths. But also, it's the one day, is the first day that Americans show up to celebrate.

Cristina: And why are they celebrating?

Jack: Because they claim they stopped the war.

Cristina: Oh, okay.

Jack: Although everybody else and their mother was already there waiting.

Cristina: So they're there to stop it.

Jack: Yeah, yeah. So on the fourth day, Americans are like, oh, yeah, it's our first day of Nazis Day, of N*** Week. So then it's. We go. We take trips, and they take trips to Germany, where then they start, for the next three days, purge, hunting the Germans.

Cristina: Okay.

Jack: And the ones that they can't kill before the last day, they have to arrest on the last day.

Cristina: They're supposed to be killing them. Yeah, well, they're killing, too.

Jack: Yeah, yeah, yeah.

Cristina: You're trying to kill them, and they're just not killing this whole time, too. Like, they're killing even after day four.

Jack: Yeah, yeah. They keep killing. They don't stop killing until day seven.

Cristina: Okay.

Jack: When whoever takes the place of Hitler, it's kind of like. Which is weird, bro. Like, all jokes aside, you know how strange it is that we have, like, reenactments of the Confederate War?

Cristina: Yes.

Jack: This weird is a weird.

Cristina: I don't know. That's for history lovers, I guess. I guess, like, there's reenactment of many different. I'm assuming. I'm assuming. I can't imagine that that's the only thing people want to reenact.

Jack: Like, do people go around reenacting World War II?

Cristina: Possibly.

Jack: But look, there's video games about the worst day of many people's lives. There's so Many World War II video games and movies.

Cristina: Yeah.

Jack: Some are just based on real s*** that happened. And it's like, you just. You know, for entertainment's sake, we're gonna go to the theater and watch somebody's actual misery unfold.

Cristina: Yes. But we love stuff like that. We love stuff like that, so why not reenact?

Jack: It's like that Ted Bundy show, right? It's like, here, watch something that did happen to people who are real and was totally horrible in every possible way. And we're gonna make money off it, and you're gonna enjoy it.

Cristina: Yeah. One day there'll be a VR version where you get to play as Ted Bundy.

Jack: It's gonna be great. People are gonna love it. You get to rape all the women and then kill them all.

Cristina: Yep.

Jack: I can't wait. It's gonna be great.

Cristina: How far? It's so horrible.

Jack: Yeah.

Cristina: I mean, maybe no one will want to play the VR. Maybe they want to just watch him do it. They don to be him.

Jack: On the flip side, I'm sure there's some people who fantasize about being seduced by him and then raped and then murdered.

Cristina: Yeah.

Jack: Or murdered and raped, regardless of what order he decided to do things in any given moment.

Cristina: I guess there's different versions of this game. You can play as him. You can play just watching him. You can play as the victim.

Jack: Yeah, yeah, yeah.

Cristina: Whoever you want to be in his story.

Jack: It's capitalism, bro. If it sells, it tells.

Cristina: Oh, that's so horrible.

Jack: Anything is fair game. That's why I'm still kind of shocked we don't have petal dolls. Like, that's a market that is. I mean, let's be fair. Some places have pedal dolls, but, like, this is America. Why don't we have pedo dolls?

Cristina: I feel like if you have dolls that are made from anime characters, that's good enough, Right?

Jack: You think, like, what about guys who only fantasize about. I say guys, but I guess women do it too. Who only fantasize about. Like, that's sexism right there, right?

Cristina: Yeah.

Jack: Like, that's a double standard. I'm like, guys rape children. Was like, no. There's probably women doing it too.

Cristina: Yeah. How dare you? What about those women rapists?

Jack: Yeah. No, it's crazy because the logic is that women get raped but don't rape, and men can't get raped but do rape. But it's like, that doesn't make any f****** sense. Of course. Both sides rape and both sides get raped.

Cristina: Yes. Yes.

Jack: That is the only thing that makes sense.

Cristina: Yes. As far as I know, only female teachers rape. Oh, no, actually, both sides rape. They both rape students. It sucks. Yeah.

Jack: Yeah. Who the f***. It's not like the craziest part about. If you're male and your teacher, quote, rapes you, unquote, and you're suped. Don't. Don't f*** that person's life up because you're f******. Bro, Are you kidding me?

Cristina: If you're a male teacher.

Jack: No, if you're male student and a female teacher rapes you allegedly. But you enjoyed it and you just kind of want to Brat and share with the homies. Don't. You're telling them not to wait till you're 18. If it was up and they forced you to do. Tell everybody. Yeah, you tell everyone that, bro. You rat on her, you find her family, send her them photos of the rape. I don't give a.

Cristina: But if there's someone who enjoyed it.

Jack: And wanted it, you enjoyed it. They enjoyed it. It was consensual, even if illegal, because we made up laws around that. Just shut the f*** up. You're gonna get somebody in trouble when you don't want to.

Cristina: Oh, it's weird.

Jack: But look, we made up the idea of a child that happened in 1960s that we legislated in England. First, the concept of a child.

Cristina: Mm.

Jack: And then we built laws around that, not giving a f*** because our grandparents were still like 12 year olds having children. S***. You know, like whatever. If you feel you gave consent, don't f*** somebody up. If you feel it was f***** up and wrong, do whatever you got.

Cristina: These are all horrible holidays. If Ted Bundy holiday and Peto. Boto Day.

Jack: Pedo day. What? No, it has to be based around somebody. I wonder if there's a Pedo Day.

Cristina: Why not?

Jack: Why not?

Cristina: I don't know. There's a Penguin Day.

Jack: There's a Penguin Day. That's this week too.

Cristina: That's this week too.

Jack: It's funny because that's actually related to Martin Luther King.

Cristina: How is it related to Martha Luther King?

Jack: Well, there's a. The idea of penguins, not of penguins. Everything surrounding the Flat Earth Coalition has to do a lot with Martin Luther King and penguins.

Cristina: He has something to do with what?

Jack: The Flat Earth Coalition.

Cristina: What's that?

Jack: Us. Everything.

Cristina: Everything.

Jack: Reality.

Cristina: Reality.

Jack: Not reality really, but like the. Okay, I'll explain. Let's paint the picture. So people who don't understand flat Earth believe that the Flat Earthers believe, which a lot of people who are Flat Earthers and are idiots because they themselves didn't go check the facts or whatever. They believe that there is a wall of ice surrounding Earth region of.

Cristina: Yeah, yeah.

Jack: And that on the other side, it goes on forever. And that is reality just goes on more land forever. And that there's rich people out there or other civilizations or whatever, blah, blah, blah, blizzards, whatever. Lizards come from the universe too, but whatever. We don't f****** ask questions. So in the case of Earth, Earth is a. Is a. Both round and flat. You could say is both round and flat.

Cristina: But the part we're on is the flat part.

Jack: It's not really flat. But the curvature is so minimal. But to get a good visual of what we're talking about here, the best idea I have of interpreting it is if you look at a globe and you see the size of Puerto Rico on the globe, and then you draw a circle around Puerto Rico on the globe.

Cristina: Yes. And then you be a very small circle.

Jack: Very small circle. And then you take a map, a world map, but not on a globe. A flat world map, and then you shrink that world map till everything fits inside the circle. You drew where Puerto Rico was, and you put it inside the circle, and then you back up from the globe.

Cristina: And then that's the real Earth.

Jack: That's what we. What we call Earth is really just the flat part of Earth. We call that one region Earth, when in reality that's flat. Yeah. We're so small. That's flatter. Flat Earth is inside that. Now we're still on a sphere.

Cristina: That's humongous.

Jack: That's humongous. But we are not accessing any of that. We're not allowed to. There's no point in doing it. We work for people who easily come in and out, and we're allowed in and out. But the outside of the wall isn't allowed. The commoners.

Cristina: Yeah, we're not really allowed to investigate any of that.

Jack: Exactly. As you know. We're not really. Because our jurisdiction is inside the flat earth circle.

Cristina: Mm.

Jack: Anything outside the flat earth circle that is not our business. What's happening out there, we don't discuss. It doesn't matter. We don't know. We're not supposed to know. It doesn't matter. Now, Martin Luther King had to get certain things legislated, but because the powers that be in land, rich people with a lot of ignorance behind them refused to do things properly. So Martin Luther King had to get in contact with their higher ups.

Cristina: So outside the people, outside the wall.

Jack: No. Yeah. He actually had to get in contact with the President of the United States from that time, which was Lyndon Johnson, I believe. And so he got in contact with, like, I could be botching his name. I'm not sure. But Lyndon Johnson. He got in touch with Lyndon Johnson. They had many secret meetings that have been. Some of them were secretly recorded. There's conversations that have proof of. And in those conversations, he got Lyndon to agree because Martin Luther King is not allowed outside a circle. But as a world leader, world leaders can go outside. World leaders can go outside if they have reason to.

Cristina: Okay.

Jack: And so he got Lyndon Johnson to agree. And Lyndon Johnson now World leaders themselves have to go. You can't send somebody who works for you. You have to go yourself. Your people can escort you to the barrier. Yeah, but they are not allowed out. No, only you as a leader. Because now you enter in your the bottom of the barrel. Outside, you might be the top of the s*** inside flat earth, but outside flat earth, in round earth, you're nothing. You're nothing. You're just the bottom you entered at the bottom.

Cristina: But you can go there to ask for help.

Jack: Yes. So basically, Lyndon Johnson goes to the overlords that are outside the flat earth ring and asks for help, because the people with money within the flat earth ring are lobbying to keep laws the way they are and to allow segregation to continue and to allow s***** housing conditions. And so he needed to jump over money with power. So he got in contact with the overlords. Overlords agreed to help and they got people to go in and make the people with money completely obsolete, thus easily legislating the end of legal segregation, allowing for better housing conditions for people of color and just things like that.

Cristina: And what do the penguins have to do with that?

Jack: Well, the penguins are. Well, I guess this is a different explanation. But the ice wall surrounding all of flat earth is guarded by a possibly chimera of some sort, which is a penguin. We're not sure if it's a human combined with some other creature, but a penguin, as you know, we have no birds. That's not a thing. They never evolved from dinosaurs or anything. But we do have penguins, which are biological.

Cristina: Yeah.

Jack: So there's some made up invention that's happened over here. And so penguins are absurdly overpowered, absurdly fast, kind of like a hippo, you know, just really strong, really fast, really intelligent. And they guard the wall.

Cristina: Yeah.

Jack: If you were to try to cross without permission, they'll kill you. They can easily dispose of you. It would be so effortless.

Cristina: What? Yeah, they have powers. Well, not any, like superpowers.

Jack: Not necessarily superpowers, but astound abilities. For example, you know, penguins are very quick swimmers. Well, quick is an understatement. We see, you know, Discovery Channel telling us about penguins, and those are in inland penguins. We're not looking at penguins guarding the border. When we go to those penguins, we're talking about things that move, you know, 100 miles per hour in the water. What, like you couldn't get away on a boat if you wanted to? Yeah, things with skin as thick as elephant skin.

Cristina: That's ridiculous.

Jack: A torpedo in the water, basically.

Cristina: Interesting.

Jack: They're kind of overpowered.

Cristina: They're torpedoes in the water.

Jack: What, and they can walk inland way to the other side. They are.

Cristina: Who escorts you to the other side?

Jack: To the other side. And it's not an easy walk. It is far and they will take. Luckily they have villages set up and they can. The penguins can take you to their villages. There are probably. There's several stops. Several stops between the entrance of the wall on our side and the exit of the wall on their side. Miles and miles and miles.

Cristina: We don't know how long exactly.

Jack: I don't know. Ex. What was the last time we went there? You know, it's. Yeah, I don't know, but. Yeah. So those penguins, you know, they stop at villages, many pit stops. We can have machinery. So we gotta kind of get a shortcut. We pass all that s***. We don't really. But like these people don't.

Cristina: No.

Jack: So the president had to go and go through this whole trail.

Cristina: Penguin people. Penguin people or whatever we want to call them. We call them penguins. But they're not really what people think of as penguins.

Jack: Yeah, my. My thing is that perhaps there was some creature that existed ahead of time. And when the overlords decided that we should cut off the flat earth section of the planet and let them develop on their own, that around this time is when penguins were made. And we know that things like adrenochrome exist. I'm thinking that penguins are an entire other creature that was maybe given adrenochrome and resulted in the penguin happening.

Cristina: Okay. Of course, of course, of course.

Jack: That's how it would play.

Cristina: That's how.

Jack: Yeah, that's how it would play. I didn't just figure that out now as I was talking. That's exactly what would happen. Right, so the penguins, obviously, I've known this this whole time.

Cristina: Something else.

Jack: Yeah, they were something else. And then they got a dream come. We don't know what they were. So maybe some creature from the other side of the wall.

Cristina: Oh, I thought they were fairies, actually.

Jack: Yes, yes, you're actually right. You're actually right. They are actually fairies which don't really need adrenochrome. Adrenochrome.

Cristina: I mean, if a fairy is addicted to adrenochrome level, that's probably the reward, to be fair.

Jack: Yeah, because they. Well, fairies are already overpowered. Next to like a regular human.

Cristina: Yeah. Why would they be doing this? You said it's some type of chimera. So maybe it's somehow a hybrid fairy, non fairy culture.

Jack: Well, here's what's interesting interesting about this? We know they can shapeshift as well.

Cristina: No way.

Jack: Yeah, we know penguins can shapeshift. I'm assuming that that form that we call penguin is their default form. But like, I don't know, maybe could be wrong. They could look like some whole other.

Cristina: Yeah, but. it's so weird. They can transform. They can.

Jack: They shapeshift?

Cristina: Shapeshift?

Jack: Yeah, they can shapeshift.

Cristina: What? Yeah, they're shape shifting into bullets.

Jack: They could, I mean, I guess, but now they move so fast in the water, they could probably alter their shape to be really sharp and pierce through a boat that's trying to go through. Hence all the boats that get lost out there.

Cristina: But aren't there other animals that live up there? Are those actual animals?

Jack: No, they live way into the no life zone.

Cristina: Oh, okay.

Jack: It's the wall. Not just a place with Arctic conditions. They are in the depths of the Arctic. It's the actual everything dies here zone.

Cristina: So no bears or anything?

Jack: No, they need to be where there's trees and they need to be where there are other animals to eat.

Cristina: Okay. And this spot is just.

Jack: This is way away from dead snow. Dead snow? Technically not even like ground.

Cristina: Yeah.

Jack: Because there's no land up there. It's ice. It's just if the ice melted, there would be nowhere to stand. That's what it is up there. The fear that the people on the other side, you know, the Illuminati headquarters and like the Freemasons and just everybody on the other side, you know.

Cristina: Yeah.

Jack: Their fear is that the planet is getting hotter and the wall is slowly dissipating.

Cristina: Is it the whole planet or just our part of the planet that we're burning up?

Jack: It's our part of the planet. Our emissions from inside of our ring.

Cristina: In Flat Earth, it's breaking the ice wall.

Jack: It's melting the ice wall. The ice wall. The problem is that it's not dispersing because the ice wall is pretty big and so the heat is trapped inside. If it could just go up enough and leave, that'd be fine. Just roll evenly spread out evenly across the rest of round Earth. But no, it's trapped inside the flat Earth region. So it's melting the walls, trying to get out.

Cristina: Is there a way we can stop that from happening?

Jack: I don't know. I don't know. I don't know. We're still waiting on reports for that to find out what we could do.

Cristina: We can't figure it out.

Jack: It's not a job. It's not our job.

Cristina: Should do something.

Jack: We do things about flat Earth and we deal with outer space. We don't deal with round Earth. It is not our job.

Cristina: What? That's so part of our job? Sort of.

Jack: I mean, everything that we'd do to fix a planet is already sort of in our wheelhouse. But there are other people for that and that's their job. And when they. I get that we're the top and we should like, have dibs on what jobs. But we don't have dibs on what jobs.

Cristina: But we've solved so many things.

Jack: Okay, but we also have a bunch of s*** that's pending.

Cristina: Yes.

Jack: So we kind of. They need us to stay focused.

Cristina: Yeah. Because.

Jack: Yeah. Okay, what happens? We successfully figure out the wall problem and we sleep on the f****** cat people. Next thing you know, they've made crazy advancements and show up on our doorstep. How? How do we win that fight?

Cristina: That's true.

Jack: We can't.

Cristina: No.

Jack: Does. Does stupid global heating bullshit compete with an overpowered, scientifically advanced creature so far ahead of us that it's basically a God?

Cristina: We should just send them some zombies. That's all we need to do.

Jack: Kind of genius. We should just send some zombies through the pyramids and just poof, they're over there and see what happens. But they're so advanced they could cure that. Again, it doesn't matter. It doesn't matter. We're too primitive. We need to figure out kidnapping one of them and getting them talking. We need to separate them from.

Cristina: You wanna. From space.

Jack: They told us where their gods are. Yeah, we kidnapped the ones from the bottom of Lake Loch Ness.

Cristina: Oh yeah.

Jack: And they told us about the ones up there in the Great Void. Yeah, we need the ones from the Great Void. The ones in Loch Ness were an independent group. Once we have the one, at least one from the Great Void, we can ask about the technology that allows the Great Void to exist. And chances are that's enough to also solve the. The heat problem.

Cristina: The heat problem. Yeah, I guess so. We can get back to it eventually.

Jack: Well, we're gonna give that data. They have all our information.

Cristina: Yeah.

Jack: They'll apply. They'll give it that data to the team working on the heating problem.

Cristina: I still feel like that portal we should be worried about because somehow time is messed up.

Jack: Yeah, this is exactly my point. You see, like we have things that trump the h*** out of slightly warm, you know, I guess, godlike cats that probably angry that we've captured, tortured and murdered some of their people. And probably Plotting some s***. F****** a whole rift through space time that leads to an entirely different universe that we should probably pay attention to. We got problems.

Cristina: Yeah, I'm starting to think they were trying to stop us somehow. Like they knew we were gonna ruin space time.

Jack: Who? The cat people?

Cristina: Yeah.

Jack: You know what you just said that I find really interesting?

Cristina: What?

Jack: And we'll come back to the f******. The wall in a second. But like, it's actually pretty interesting. But going off the idea that the cat people are in fact trying to stop us. Right.

Cristina: Yes, right, right.

Jack: Just. Just curiously following that train of thought. There was a version of me with a time machine.

Cristina: Exactly.

Jack: Actively went forward in time to completely dismantle Earth.

Cristina: Yes.

Jack: And assuming that they're so advanced they also have time machines, they know this happened and they're probably actively trying to come up with a plan to stop it.

Cristina: Huh? Oh, crap.

Jack: And that's probably what we stumbled upon.

Cristina: Then we have to get to them before they get to us. Us? Well, you specifically.

Jack: Well, they need to get to the past version of me that got to the machine.

Cristina: Yes. So we gotta do something before that happens.

Jack: Well, yeah, that happened in the past. There's nothing we could do. We would need to use the machine to go back in time. But we know the rule.

Cristina: That past you knew about the future. So is that past you even a past you or a future you that we haven't met yet or like the whole time thing is all messed up? Everything is messed up already. We don't know the order of anything.

Jack: Yeah, we don't know the order of anything because simply the fact that. Simply the fact that this hole exists is a f****** problem in time. Because chances are it exists before the time that causes rift that made it exist. So. Okay, that's f*****.

Cristina: Yes. I think this all started, though, because we stole the time machine. Maybe this not the time machine. Did we destroy it?

Jack: No, we have the time machine. We just don't use it because.

Cristina: No. Destroying the one in the middle of the Earth, I think might have messed up everything.

Jack: Oh, but that wasn't a time machine. That was a portal.

Cristina: That was a portal.

Jack: That was the reptilian portal to Universe two.

Cristina: Yes. Then the portal in my backyard. I think the portals, like, messed with time somehow.

Jack: I mean, yeah, they're crossing space. Yeah, we destroyed it. And space time is one thing.

Cristina: So. Yeah, I think that really has something to do with why everything's screwed up.

Jack: Yeah, but it's funny because we've had the portal in your backyard since before we destroyed the Portal that was connecting Earth 1 and 2.

Cristina: Yeah, but. I know it doesn't make sense, but you were stopping cat people before we knew cat people were in danger.

Jack: Before you and I knew cat people.

Cristina: Exactly.

Jack: But I didn't. We didn't exist yet. Yeah, we were cloned afterwards.

Cristina: Yeah, it's weird still, but we don't know if that. That was another clone of you or that was just you in the future, because it's a time machine. We don't know which version of you that really is.

Jack: Yeah, we do, because he was sending people. He wasn't going there himself. He took one trip and came back and then started sending people out.

Cristina: But we don't know where he came.

Jack: Yeah, we do.

Cristina: We do know.

Jack: Yeah, we know that he was from this time sending people forward to prevent the cat peoples.

Cristina: But how did he know about that unless he was.

Jack: Because he went to the future with the time machine and saw it. He saw the cat people had taken over the world and went back in time to his time, and then would charge people to go to the future and would send them to random periods of time so they'd repopulate and overthrow the capipultimate. I remember that vividly.

Cristina: You don't think he was just from the future?

Jack: No, no, no, no, no. That wouldn't make sense because that's too far in the future. If it was repopulated.

Cristina: Yeah. Okay.

Jack: He had to have been from here because that's hundreds of years in the future. I'm not immortal. No, it's just me. But he took a time machine to the future, was like, no, this ain't happening. Came back and tried to f*** it up. Yeah, apparently successfully.

Cristina: Well, we don't know how successful, I guess. I don't know.

Jack: Fair enough. It could be that his attempt at stopping the future then force the cat people to advance dramatically in our own time.

Cristina: Oh, so that's the case.

Jack: Can you imagine? Just trying to stop them made it worse so that it happened sooner.

Cristina: Exactly. Should we be worried about that?

Jack: Well, we should be with. This is why we're focusing on these things.

Cristina: Okay?

Jack: This is why we're not bothering with stopping global warming.

Cristina: All right?

Jack: Or it's not even global warming, it's climate change.

Cristina: And just in this area.

Jack: And just in this area, it's not global.

Cristina: Yeah. All right.

Jack: Yeah. So that's pretty much what's happening there. And actually how Martin Luther King relates to the penguins in the first place.

Cristina: And that's why those holidays are so close. No, it has nothing to do with.

Jack: Holidays are so close.

Cristina: Yeah.

Jack: Just coincidence.

Cristina: And that's why it said Bundy should have his own holiday.

Jack: Something like that.

Cristina: Yeah.

Jack: Yeah. But yeah. Kind of interesting, right? So the road that. Because everything has that kind of seven degrees of separation or whatever.

Cristina: Yeah.

Jack: At least that existed back then. Now I believe it's two degrees of separation.

Cristina: What?

Jack: Or no, three. You and two other people connect to everyone in the world.

Cristina: Why? What does it never jump up so quick?

Jack: Internet.

Cristina: The Internet? Oh.

Jack: I guarantee you that on some social platform, you follow one person who's followed by billions. Maybe not billions, but millions and millions and millions.

Cristina: I follow someone who follows my. A Martin Luther King fake account.

Jack: Yeah. You at least follow one person who follows some body who knows who is following a million people.

Cristina: Yeah.

Jack: Or you follow someone who follows a million people and by default, that person connected to everybody is then connected all the people. That's how it goes. So everybody's connected in that way. It's like 2 degrees or 3 degrees now.

Cristina: Wow.

Jack: It was greater when that movie came out. Seven degrees of separation.

Cristina: Yeah, it was exactly seven.

Jack: I believe on average calculation was six to seven people.

Cristina: Wow.

Jack: About two to three years after that movie came out. It was already five.

Cristina: Wow. And soon it'll be one. No, that's impossible. That's so impossible.

Jack: What do you mean? Of course soon it's gonna be one with VR.

Cristina: Is that how it's gonna be one? No, it's.

Jack: What. What would be. It could be in an isolated bubble in VR.

Cristina: So how are you gonna know everybody?

Jack: Because the connection gap is what's closing. Do you personally know, like, Eminem?

Cristina: No.

Jack: Do you follow him?

Cristina: Probably.

Jack: So like, what the fu. Of course, it's not like you're. You don't need any additional anything for.

Cristina: So you don't really need to know anyone.

Jack: You don't need to know anybody. You're just connected to everybody.

Cristina: Okay.

Jack: Yeah.

Cristina: Okay, I see.

Jack: It's about how many moves you have to do to send somebody. Like a message.

Cristina: Mm. You know, all right, I guess I see how that works.

Jack: Yeah. That's the degrees of separation. You need to know everybody.

Cristina: Okay.

Jack: But I guarantee you there's only two people between you and the President of the United States.

Cristina: Probably.

Jack: Yeah.

Cristina: Yeah.

Jack: See how fascinating how penguins relate, right? Yeah, they kind of relate to everything. Because you always have to go through penguins to get anywhere.

Cristina: To get anywhere? What do you mean? Or you just mean outside?

Jack: Outside. To get anywhere outside of flat earth.

Cristina: Okay.

Jack: The ring where they are the obvious place where I said they were.

Cristina: Yes.

Jack: To get through there. They're related to that.

Cristina: Yes. And they're related to Michael. Wow. I think I keep saying Michael Martin. And they're related to Martin.

Jack: Martin Luther King. Well, they're related to everything. Anybody who needs to get out.

Cristina: Anyone who needs to get out. Yes. And that's just the people on top.

Jack: He said, well, we don't know. We know the people on top are out there.

Cristina: Oh, okay.

Jack: We don't know what else. Again, none of our business.

Cristina: None of our business.

Jack: It would be crazy if everything out there is way the f*** bigger and it's just two corporations out there. I guess not corporations, but organizations out there and nothing else. Everything else is just empty. Let's assume that's wrong.

Cristina: Yeah.

Jack: And there's probably other crap out there, but nothing that concerns us, man.

Cristina: How do we know that there aren't cat people out there?

Jack: Doesn't matter.

Cristina: Doesn't matter.

Jack: Nothing outside of that matters. Nothing you say will make it matter. We have no answers for anything outside of that.

Cristina: Yes.

Jack: And we probably never will. No, because it doesn't matter to us. There's somebody who's in charge of dealing with that, and I hope they're good.

Cristina: At their job, and they could always promote us to be working there.

Jack: I feel like that would be a downgrade.

Cristina: You think so?

Jack: Working on round Earth as opposed to working with everything else in the universe.

Cristina: Yeah.

Jack: I like the reach and power I have. They don't have subhumans just doing everything they want because of humans. Subhumans are a flat earth thing.

Cristina: Oh, okay. Really?

Jack: Yes. China is a flat earth thing?

Cristina: Yeah. They have to have things similar, though.

Jack: Why?

Cristina: I don't know. Well, we don't know, I guess. No.

Jack: Yeah. Like, I don't know.

Cristina: Yeah.

Jack: They don't have china. I know that much. We have china.

Cristina: Mm.

Jack: And because of that, I believe that a hundred percent. Like, yeah, they don't have what we have. But there's more stuff out there.

Cristina: But what else do you know about penguins as, like.

Jack: Well, how do you mean?

Cristina: Like their history or anything?

Jack: I don't know crap about penguins. I know that penguins are from the other side. I don't know what creature is that. It's. If it's a fairy. If it's factually a fairy. I believe it is a fairy of some sort. I don't know which side of the shadow realm it comes from. I don't know what benefits it gets for being on this side. Because fairies are the only creatures we know who can travel all the Planes without needing adrenochrome or fear in order to manifest.

Cristina: But there aren't any stories about them.

Jack: Not that I know. They've never been a problem to us, so we have no reason to, like, deep dive into them. We've not trying to stop anything. We're not trying to understand how they function. Because they're not a problem to us. They're guardians of the rules we already follow.

Cristina: Interesting. Lame.

Jack: Yeah. I'm sure there's interesting things about them, but they're peaceful creatures.

Cristina: Yeah.

Jack: They're not really out here trolling. In fact, they work for the good guys. There's no reason to like.

Cristina: But we researched chimeras before we knew that they were somehow involved with us.

Jack: Yeah, but chimeras have been known to do a bunch of bad s***, so it's useful information to know how to stop it.

Cristina: Oh, okay.

Jack: You know, the more we know, the better in the case of a penguin, like, what has a penguin ever really done other than protect the outside? And probably rightfully so, considering we destroy everything within the flat earth ring.

Cristina: Yeah.

Jack: So, like, it makes sense that they're not letting us get through unless they think they're not gonna destroy everything over there. That's fair.

Cristina: Okay. How do people celebrate Penguin Day?

Jack: That is a fascinating question. I have no clue. Dressed like penguins. Everybody wears a suit.

Cristina: Everyone wears a suit. I don't know. A suit. What?

Jack: Suit and tie for Work Day.

Cristina: That is horrible.

Jack: Yeah.

Cristina: Why is it horrible to celebrate penguins? I don't know. It doesn't relate at all.

Jack: All right. How would you celebrate Penguin Day?

Cristina: Eat fish whole? I don't know.

Jack: Do penguins eat fish whole?

Cristina: I have no idea what the penguins eat. Eat fish? I'm assuming that they do, man.

Jack: I actually have no f****** clue what penguins eat.

Cristina: It has to be fish.

Jack: What else is there? Right? Like, it has to be smaller than fish.

Cristina: Yeah.

Jack: Whatever it's eating has to be fish size or smaller. The end.

Cristina: Yeah.

Jack: Because, like, what the f***, right? How does it. I don't know. How does it feel?

Cristina: You think they eat the seals? No. The seals.

Jack: I know seals eat penguins.

Cristina: Yeah. Huh?

Jack: Yeah, yeah, yeah. I know that much. Seals eat penguins.

Cristina: How are they doing that?

Jack: How are they doing what?

Cristina: Eating penguins if penguins are so strong?

Jack: Well, based on what they eat, we can assume we're talking about the weak ones in land, like, closer to us, rather than the ones guarding the wall.

Cristina: Because guarding the wall, ones are like soldiers.

Jack: They're soldiers?

Cristina: Yeah. And the rest are more like villagers.

Jack: Rest are more like retarded. Animals.

Cristina: Oh, okay.

Jack: Yeah, you know, like the, the low budget, low IQ ones.

Cristina: Oh, okay. Those are the failed experiments.

Jack: They're not experiments.

Cristina: Well, we don't know what they are.

Jack: I thought they're fairies.

Cristina: Aren't they fairies? I don't know. They're chimeras, maybe. I don't know.

Jack: Yeah, like I'm pretty sure they're fairies. Okay, like there's a good 90, like 5% chance of fairies.

Cristina: What are the chances that they're just robots?

Jack: I don't know. Separate that other 5% into everything else and you have the answer to your question. Whatever that 5% is. How many things could they be? It's one fraction of that 5%. So smaller than 5% the chance of them being robots? Yes. If 95% of them being a fairy.

Cristina: All right.

Jack: And then being a robot. Well, it has to be less than 95%.

Cristina: And you're saying Chimeras is also less than 95%?

Jack: It's less than 5%.

Cristina: Oh, okay.

Jack: Because if it's a chimera, then it has to fit with that 5% chance it's lingered. That means 2.5 for robot, 2.5 for chimera. Alright, you got some third option? Okay, then it's less.

Jack: So less than 5%. If 95 is the alternative, what about.

Cristina: The penguins at the zoos? What are those?

Jack: Those are the dumb penguins.

Cristina: Those are more dumb penguins.

Jack: This is just the average dumb penguins that didn't make the military.

Cristina: But aren't birds.

Jack: They're not birds. Have you ever seen a flying penguin?

Cristina: So you're saying birds are.

Jack: Do penguins have hollow bones and are they extremely light or are they heavy like mammals?

Cristina: Wait, they don't have hollow bones.

Jack: That's why they don't fly.

Cristina: Oh. What about other birds that can't fly?

Jack: Like an ostrich? Yeah, no, it's really f****** big. There's a different problem going on there. And its wings are not proportionate to its body.

Cristina: What about flamingos?

Jack: Flamingos fly.

Cristina: They do. Oh, okay.

Jack: Flamingos are great flyers, but also their body's structured in such a way that they're particularly thin and crazy light.

Cristina: Yeah. Okay, so they're.

Jack: An adult flamingo will be like £20 max.

Cristina: What? How tall can they get?

Jack: Like 5ft or something.

Cristina: What? That's crazy looking in the sky.

Jack: I mean, they're really skinny.

Cristina: Yeah, I don't know, it looks, it feels like it would be very alien to look at a giant, skinny pink thing in the sky.

Jack: Yeah, like gracefully flying.

Cristina: Yeah. Like we look like a worm in space or something. Like, what would we be looking up at?

Jack: I don't know. It's actually really interesting.

Cristina: That's so weird. So penguins, though, are special or the ones in the zoos. Yeah, that's sad. Okay, Special how? You said they're not like the. They're just the rejects of the.

Jack: Yeah, yeah, yeah. Because there's. You're thinking of it the wrong way, maybe.

Cristina: Oh, okay.

Jack: Like there are. The ones at the wall are the elites.

Cristina: Yeah.

Jack: Versus assuming that the other ones are the crappy ones. Mm, no, those are the normal ones.

Cristina: Oh, okay.

Jack: The crappy ones are the normal ones. They're not crappy, they're just normal.

Cristina: Okay.

Jack: While the other ones are just better than normal.

Cristina: All right, so there's normal penguins and super penguins. Super penguins. Okay.

Jack: The super penguins guard the wall, okay.

Cristina: Like the humans and superhumans. Alright?

Jack: Subhumans.

Cristina: Oh, subhumans. They're like superhumans. That's weird that we name them subhumans, okay?

Jack: They have no freedom. That's the one thing that makes humans human.

Cristina: But they're superhuman.

Jack: What's the super part? With no freedom, you're just garbage.

Jack: I say what you do when you do it, that makes you garbage.

Cristina: Is that the same with these penguins, though?

Jack: I guess. But we don't tell them what to do.

Cristina: Yeah, we don't. Yeah, someone's telling them what to do.

Jack: Someone's telling them what to do. And it's probably the leaders of the Freemasons or the Illuminati or the, you know, the top chain of command. They're the ones out there making those choices. Yeah, completely interesting though, how the penguins are part of everything.

Cristina: Then we should have a weekly celebration, not just a day. How do we decide What's a day celebration? What's week? What's month?

Jack: I do not know. Why is it Black History Month and not Black History Year? Why isn't every day Black History Day? When black history did not happen all in one day? When black people came to exist and ceased to exist, all in February, the shortest month. No, that's not how that happened, but okay, yes.

Cristina: A whole month, though. Penguins deserve a month.

Jack: Why?

Cristina: They protect us 100%.

Jack: You interact with black people more than penguins.

Cristina: You want that to have two months?

Jack: I don't know who black people. No, I'm saying, like, way less than penguins is. I mean, the penguins should have way less than black people because we interact with black people. Maybe outside the wall there's penguin year or some s***.

Cristina: Yeah, I Don't know. So we should have Black Year. What would that be?

Jack: No, I think it's fine the way it is.

Cristina: Oh, okay. Just Penguins get a day. That's fine.

Jack: Yeah. In fact, there shouldn't be black history. There should just be history that encompasses all. Everyone's version of everything.

Cristina: Isn't that what history is?

Jack: No, it just tells you the history of the people telling you a story.

Cristina: Oh.

Jack: American history as told by Americans.

Cristina: Oh, okay.

Jack: World history as told by Americans. Like. No, tell me everybody else's version of this series of events so that I can take what I believe.

Cristina: Yeah. Like, what is the British version of America during the World Wars?

Jack: Exactly. Well, I know what the British version of America is during the World War, which is that the Americans only came after they knew it was safe enough.

Cristina: In both ways, though.

Jack: World War II.

Cristina: Yeah, but what happened in World War I? I don't know.

Jack: The British were involved in that.

Cristina: I don't know. I'm assuming it's a world war.

Jack: It was against Germany, too. I remember that.

Cristina: Yeah. You're saying they weren't involved. They should have been involved.

Jack: I'm sure they weren't involved. I asked if they were involved. I that don't know anything about World.

Cristina: War I. Oh, okay.

Jack: But in World War II, I am very aware that everyone else in the world except the United states agrees that 1. The United States were a bunch of p****** that waited till all the problems were dealt with to come in and basically deal with stragglers and then say, we ended the war. Everybody has that same story except the United States. That is like, we got there at the worst and we did the most work and we stopped the war. We won World War II.

Cristina: And their story is we came last minute.

Jack: Everybody else's story is the United States popped up last second, did the least amount of anything, and then took all the credit and told every. It's like the dude who showed up last second, there was only a button. There was only a button left to press. And the United States showed up as England is about to press the button that closes that last gate, and the United States pressed the button ahead, and he's like, I did it. That's basically everybody's story. The United States showed up, did what was already done. It's like, I did it.

Cristina: But did they blow things up probably.

Jack: After everybody's been blowing things up for, like, 20 years?

Cristina: Oh, yeah.

Jack: Actually, it's like 10 years, but you get the point.

Cristina: Yeah.

Jack: United States showed up all late and what blew up? Two, three, Things, and they're like, we did it. We stopped the war. No, you came as the war had already been established to end soon, and then that's when you popped up.

Cristina: Hey, we scared them to end it. I don't know.

Jack: Scared who to end what?

Cristina: I don't know. Whoever we were against the literal exact.

Jack: Same time frame was meant.

Cristina: Oh, not even like a day faster.

Jack: No, it was predicted that it would take, what, like seven months or something?

Cristina: Oh. And it's like, exactly.

Jack: Took about seven and a half months from the point that that prediction was made before the actual decline began. And around that period of time is when the United States. About the.

Cristina: Oh, okay.

Jack: Yeah.

Cristina: That's sad.

Jack: Just tragic. Tragic. Pathetic sadness. And then the United States being like, we did it. Like, you didn't do anything. We're out here for the last 10 years fixing the problem you were staying away from, and you came in last year.

Cristina: That's what a history should be from everyone's point of view.

Jack: Yeah, it should be from everybody's point of view. Like, I'm definitely sure that England has a different story on what the f*** happened when people came to the United States in the first place.

Cristina: Mmm.

Jack: You know, and it's like, well, they were a bunch of p******. Well, I'm actually interested in why the Americans left versus your version of trying to suppress people in the first place. So, like, you tell me. Well, we were suppressing our s*** and they were making it hard. And we came over here because we wanted to not be under their rule. Yes, versus. They were a bunch of delinquent, criminal rogues that were on the run and they decided to leave the country in order to not get arrested. Sounds like you were just angry they weren't doing what you said.

Cristina: But they left and they were still with them. They were still partners, weren't they? For a while. Like, they didn't, like, run away and say goodbye to Britain at the same time when they came to America.

Jack: Yeah, they did.

Cristina: They did.

Jack: Yeah. They actually came and started a whole new country.

Cristina: I know that, but I thought they were still working together.

Jack: How?

Cristina: How?

Jack: Yeah, like, in what scope are they working together? For what? To what end? If it was religious oppression and rights that they were being violated over there, they left the crap out of that. Why stay in contact with them to survive?

Cristina: Because they had nothing here until, like, they learned from the Indians, I guess.

Jack: Realize how long of a trip you're talking about to come here in a wooden boat across the ocean? What help could they send? And if you could make it back. Why would you come back here?

Cristina: But wasn't there a huge thing of like they had a war against the British while here, while they already settled down?

Jack: Yes. Wasn't that the British invading to reclaim the people who are theirs?

Cristina: I don't know what the timeline. Okay. I don't know.

Jack: Yeah. The British American war was essentially trying to reclaim so that the Americans don't get their independence.

Cristina: Oh, all right.

Jack: Which then led to Independence Day where we did get our independence from the British.

Cristina: Alright.

Jack: Yeah. It wasn't that they were in cahoots.

Cristina: Why isn't that a month long? How do we decide?

Jack: I guess the end of the war is what we mark for wars.

Cristina: Yeah.

Jack: So Independence Day happened on the day we got independence from England.

Cristina: When we have a day for a person, is that the day they were born or the day they died?

Jack: Usually neither.

Cristina: Neither.

Jack: No.

Cristina: It's an important day in their life.

Jack: I actually haven't the slightest clue. If we go back like Martin Luther King. I'm not sure what significance Martin Luther King Day has because I don't think it was his birthday. And I'm. He wasn't alive when civil rights things got done and that got done in many different parts at many different times. I'm not sure like what.

Cristina: What they chose.

Jack: Yeah.

Cristina: It was just like, this day is empty. Let's put it here.

Jack: Yeah. Well, it's close enough to Black month. Can you imagine? I mean, it's in January. Black History month is February. Like it's close enough to black moon throws. You know, white people being racist. Martin Luther King is the same as the rest of the black people. You know, put them in the same section of the year.

Cristina: Is there a day for other people though? Like, that were as important as him during that time. There's plenty of.

Jack: You mean everyone?

Cristina: Yes.

Jack: You mean everyone. Martin Luther King is the least important guy in the civil rights movement. He was the kindest.

Cristina: So all those other people deserve a day.

Jack: They do. Where the f*** is Rosa Parks Day? There might be a Rosa Parks Day.

Cristina: I don't f****** know. There might be.

Jack: There might be. There might be Malcolm X Day. Those are people who were acted like, I don't like Martin Luther King, man. And I know that's controversial. People just freak the f*** out. Any lefty listening to this had a heart attack. But like, why would you support a guy whose initial move isn't to make white people accept black culture, but rather kill black culture by having black people assimilate to white culture? Get the f*** out of Here. Shut the f*** up.

Cristina: He's.

Jack: He's a racist. He's a black guy who's racist to black people. And it's like, well, if you're tired of being treated like s***, act like the white people. It's like, what the f***, dude? Shut the f*** up. Malcolm X had it right. He's like, we're gonna take the rights that belong to us, not beg them to let us be one of them. The f*** are you talking about, dude? That's why that movement f****** failed, because it's not gonna work. You're not gonna ask people to treat you like a person. And they're the ones with the power. They're just gonna do it. That's why today is still a struggle, because people worship the ground. The guy who was worshipping black people walks on. I mean, worshiping white people. He's a black guy who worshipped white people and wanted black people to assimilate to white people. And the people worship that ground, which then empowers the white people in the first place to continue the oppression. Because the leader of the black civil rights movement was on their side. Like, that's not right. Martin Luther King. Malcolm X is the right guy. He was like, they either treat us right or we f****** kill them until they do. We burn their buildings until they do. We kidnap. We still. We. We do whatever the f***.

Cristina: It was that violent?

Jack: It wasn't that violent. He was pretty aggressive. It was very confrontational. I'm exaggerating, obviously, but he was definitely like, we'll take it. We will take it. And that's where Martin Luther King and Malcolm X disagreed heavily.

Cristina: So for Martin Luther King Day, people should be celebrating Malcolm X.

Jack: Because he wanted black culture and values to survive the death of segregation.

Cristina: Yeah.

Jack: He wanted black culture to stand on its own.

Cristina: Well, Martin wanted to.

Jack: He was like, whatever we need to do to survive, and if it means suppress our culture and assimilate to theirs, then we'll do that. But he preaches peace.

Cristina: Yeah.

Jack: And he is a minister. And people follow God, follow Martin Luther King, because Malcolm X is too radical and extreme. And, like, so he's abusing his perception. Martin Luther King abuses perception to rally people behind him, which is powerful. Don't get me wrong. It's powerful. You can rally people.

Cristina: Yeah.

Jack: Behind ultimately a good thing, which is, let's stop the violence against black people. But your approach is also the death of black culture. Dude.

Cristina: But did he see it like that?

Jack: I don't know. That's a hard question. Right. Because we're not in his head.

Cristina: Yeah.

Jack: But his wording is ultimately. Yeah, let's assimilate.

Cristina: Oh, okay.

Jack: Whether he believes that to be the idea versus the fact that that's what's coming out of his mouth, I don't know.

Cristina: Yeah.

Jack: Like, it could have just been a means to an end to, like, hey, why people will accept the message if they hear us say, let's be like them.

Cristina: Like, the goal was more important than how we get to that goal.

Jack: Yeah. It was just like, let's stop the violence. Let's stop the abuse regardless of how we get there.

Cristina: Yeah. As long as we can end this segregation.

Jack: Yeah. As long as we get to live beyond this point, like, it's fine.

Cristina: Yeah.

Jack: Which. I get it. Yeah, totally. But, like, I rather die for what I believe in, you know? F*** your s***.

Cristina: Okay.

Jack: F*** your s***. F*** your entire belief system. F*** all of it. Go kiss a**, bro. Not happening. Nope. I rather die and retain my identity, then live pretending to be somebody else.

Cristina: That's. That's pretty crazy. Yeah. I feel like most people would feel.

Jack: That way, too, except most people won't say that about Martin Luther King, even if that's what he represented, which were his primary disagreements with Malcolm X. Like, vocal disagreements that, no, we should. We shouldn't be becoming them. They either accept us as we are, or we will force them out of their places and take their seats.

Cristina: That would have been awesome.

Jack: That would have been awesome. But that didn't happen because the guy who ended up with the spotlight was the guy with the loudest microphone, who happened to be Martin Luther King. Who can get in a room with Lyndon Johnson to then get things accomplished in the first place.

Cristina: Yeah.

Jack: Get voices from over the wall to hear him talking and then them coming in again. There's power behind this man's approach. You get to the penguins and you tell them, okay, this is the goal.

Cristina: Yeah.

Jack: This is why I need to cross. And they're like, well, it's a peaceful message. No violence is happening. You're not bringing any violence to this side. In fact, you're coming over here to ask for assistance with peace. Could Malcolm X have accomplished that?

Cristina: Probably not.

Jack: Probably not.

Cristina: Okay.

Jack: But Martin Luther King managed to accomplish it because every angle is peace.

Cristina: Yeah.

Jack: The problem is an entire hope that.

Cristina: He'S a pastor, though.

Jack: Yeah. A lot of things help the fact that he's a pastor and that he.

Cristina: Died for the peace.

Jack: Yeah.

Cristina: He does help that someone murdered him.

Jack: Yeah. It's the visual.

Cristina: Horrible.

Jack: It's the visual we get from Gandhi. It's a person who literally died preaching peace and didn't raise a hand at anyone the entire course.

Cristina: Yeah.

Jack: On the flip side, Gandhi was a bit of a racist and a slave owner, so whatever. But, like, you get my point.

Cristina: It's the image that we see.

Jack: It's the image you see that then conveys, like, people don't understand that Gandhi was a scumbag that was garbage to a lot of people, primarily his own people, and would support the idea that God is going to liberate you, so you must endure the hard times. Meanwhile, he's filthy rich and not enduring the hard times, but he also doesn't want them to come and take his riches. So they're like, you know, fear God, and so stay in your situation because he will save you. It's brainwashing. It's tactics.

Cristina: It's beautiful. I mean, it's wrong, But Martin Luther.

Jack: King, black man, 1960s, who owns a home and a car and gets to walk freely on the streets, usually without any trouble, because he's one of the white guys. Oh, he's to the guy who's trying to merge. Let him. And he says what to the people? Be peaceful. Be calm. Don't you raise a hand, because why? Well, I'm the leader of this movement. I'm reaping the benefits, not you. You're just the illusion that I'm building so that I can reap the benefits. Now, is he trying to get these benefits? I'm not saying he was. I don't know. I can tell you he had them.

Cristina: He had.

Jack: He factually, undoubtedly, unquestionably had the benefits. Now, was the gold the benefits? Probably not. I don't know. I wasn't in his head.

Cristina: Yeah.

Jack: If somebody offers you a nice car and you're trying to make peace with them in the first place, are you gonna be like, nah, you're racist. You're like, it's a nice car, and I'm trying to make you happy, too. I'm gonna take your car and be like, thank you very much.

Cristina: Mm.

Jack: And you're like, well, you the one who could buy a house. Oh, s***. I wouldn't mind leaving a house to my children. Yeah, but, like, what about all the other black people who couldn't do any of that? You got a car. Your car's tires are popped immediately. Oh, stop being black in my neighborhood.

Cristina: Ow.

Jack: You got a house. Ooh. Crosses on fire on your lawn. Ooh. Ooh. Be scared. Get the f*** out of my neighborhood. But Martin. No, no, no. He could stay. He's one of us. He's just a white guy who's dark skinned.

Cristina: Burning crosses is a weird thing. Where does that idea come from? Having the slightest clue, I wonder, because it just seems like an evil thing. But these people who are doing it are very churchy people. I'm assuming they're religious, aren't they?

Jack: Yeah. They think it's not evil. They think this makes sense. I think black people are inherently evil.

Cristina: Okay. Because it's just like the imagery is horrifying.

Jack: Yeah, yeah. It seems so dark and twisted.

Cristina: Right? Yeah.

Jack: I don't know, man.

Cristina: They live in a world where that's fine. You should do that.

Jack: Yeah, I mean, I guess. Different times, right? But that's why I don't like it's complicated situation. Martin Luther King could get a lot done because of his message of peace. But also he has so many benefits that he takes away from that that nobody else has access to. The flip side is you end up following him through ignorance. You preach unity and equality. When he was preaching assimilation, who was preaching equality? Malcolm X, who was preaching unity, not assimilation? Malcolm X, who was preaching. They treat us as equal or we force them to Malcolm X. And then we have Martin Luther King who's like, shut the f*** up, put your head down, do what they say, don't be violent. And they will accept us. They're just scared of us. Look, once they're not scared of us, they'll be fine. We'll be fine. But we have to show them that we are just like them. We are just. I had a dream that little white girls, little black boys can be the same.

Cristina: Oh, when is that gonna happen?

Jack: But his dream was kind of, you know, it was very assimilated.

Cristina: People like it, I guess, because they're.

Jack: Not thinking about it. No, they think it means equality. They think Martin Luther King was preaching equality. And so they talk about Martin Luther King when they're talking about equality. But he was not the equality guy. He was the assimilation guy. Malcolm X was the equality guy. People do not understand that fact. Just because he had a louder microphone and he said, don't harm people. But the people who he's telling you not to harm are the people who are harming you. Well, Malcolm X is. They come and kill one of ours, then they better sleep with a f****** eye open. Because this night we're coming for one of theirs. That balance is beautiful. Atheos. Oh, Atheos loves Malcolm X. Oh, Atheos. So does Baphomet. God of balance, God of honesty and God of Balance both of them. Atheos and Baphomet on the side of Malcolm X. And chances are Atheos also supports Martin.

Cristina: Luther King because he's still being himself. He's still being honest.

Jack: He's being honest.

Cristina: Yeah, maybe, Maybe, maybe. We don't know.

Jack: There's a coin flip.

Cristina: Yeah.

Jack: So knows.

Cristina: Like, maybe he was just ignoring the fact that he was getting all these benefits.

Jack: Yeah. There's no way Malcolm X preaching violence and aggression could have gotten the penguins to let him through. This could not have happened. Yeah, it is impossible. He would have never been heard out by the Illuminati. He would have never been heard out by the Freemasons or whoever f*** he talked to over there. And the help would have never arrived, and the laws would have never gotten passed, and nothing would have gotten done. On the flip side, nothing got f****** done. As it is, they sent the help. We got the laws through. And racism persists.

Cristina: Yes. But the segregation ends.

Jack: The segregation ended, okay, but then redlining became a m***********.

Cristina: What's redlining?

Jack: Redlining is when you district areas. Oh, so like, your area funds that school.

Cristina: Yeah.

Jack: And so because your area is poor, that school is poor, and all of you got s***** education. Okay, so they stop segregation. But they just said, well, that neighborhood is filled with black people. Make them all go to that one school. Say that if you live in this area code, you got to go to that school, and then make that area the only funding for the school. And then they got no funding. They stay stupid. We keep all the power anyways. Thanks, Martin Luther King. You did it. I don't know what the f*** you did, but it's worse now. Now we're stupid? Legally, yes. Yay. When it's like, at least before you were in, you had black people teaching you f****** things to survive. Now you got a white person who's also broke as h*** and went to a s***** f****** school teaching you broke s*** under TOR Lack of resources. So we're actively dumber than we were before Martin Luther King's s*** got done.

Cristina: We are dumber.

Jack: We are dumber because of the results.

Cristina: Because of him.

Jack: It's because of him. Yeah, you got your whole. Segregate segregation was literally better than the result of Martin Luther King's outcome. While had it been Malcolm X's outcome, we wouldn't have gotten the penguins to let him through. And definitely when he gets the other side, they're like, we're not helping you do violent s*** over there. Do it on your own. But if his way Led to any form of success.

Cristina: Mm.

Jack: Redlining wouldn't be a problem, because we would have dealt with that, too. Exactly.

Cristina: Okay.

Jack: Who dealt with that, too?

Cristina: Wow. Okay.

Jack: So we picked the wrong guy to stand behind.

Cristina: Yeah.

Jack: We're like, oh, peace over violence. But it's like, maybe that was the moment for a little bit of war. Because now if you are colored and not in a position of privilege to begin with, you're staying under.

Cristina: Yeah. Every once in a while, there's gonna be a white race war. Because they're like, we're gonna. There is gonna be a civil war, so we got to start it.

Jack: Yeah. Yeah, yeah, yeah.

Cristina: I don't know what these white people are doing, but every once in a while, they group up together and, like, we got to stop the civil war. And then they start attacking people, and it's like, what?

Jack: I don't get people.

Cristina: That's happened quite a few times.

Jack: Yeah, yeah, that happens pretty often.

Cristina: The fear of black people is very strong with them. And the Civil War, that never happened.

Jack: Yes. Because it was going to happen.

Cristina: They always start it, but no one fights back.

Jack: We're just watching them murder a bunch of black people.

Cristina: Yes. It's pretty horrible.

Jack: The lack of violence has resulted in white people understanding that in the 60s and 70s, they were extremely violent to black people. And their leader said, let it happen and show them that peace is the way. So they're. What they learned from that is, well, if we hurt them, they're gonna hurt us back. They never got that lesson. The lesson that they're passed forward is, well, if we hurt them, they're gonna shut the f*** up and take it. And our children can learn this fact and do whatever f*** they want. And their children can learn this fact and do whatever the f*** they want. Because if we hurt them, they're gonna go march. They're not gonna show up with guns on our d*** and go march. We got guns. What is their marching gonna do?

Cristina: Yeah, they got gun.

Jack: We got guns. We can stop them whenever we want, whenever we feel like it. Their solution to us raping, murdering, and pillaging is, they're gonna go march. Let the march. Let's kill them whenever we want. Who gives a s***?

Cristina: Yes, that's exactly.

Jack: That's the lesson anyways.

Cristina: Wow.

Jack: That's how Martin Luther King connects to the penguins.

Cristina: If you didn't know.

Jack: If you didn't know. But yeah, Martin Luther King Day coming. Go celebrate that. However you know. However you celebrate, if you do.

Cristina: Dress up like a penguin.

Jack: Dress up like a penguin. Hey, none of these civil rights laws would have been passed if not for the penguins.

Cristina: Yes, that's what you should remember from.

Jack: Yeah, that's what you should take. Martin Luther King's laws to help stop segregation legally and to help housing and all those benefits for black people. That all happened because the penguins at the border of flat Earth let President Lyndon Johnson into round Earth on behalf of Martin Luther King to gain help to then overthrow the financial powers on this end and legislate successfully without a lot of resistance.

Cristina: Oh, that all makes sense.

Jack: That all makes perfect sense.

Cristina: Mm.

Jack: Anyways, if you guys want to find out more things about, I guess, holidays. Holidays. Because there isn't really anything about Martin Luther King or penguins going on, you can find all that stuff on. On the official website greatthoughts.info or on Apple Podcast, Spotify, or anywhere you get your podcasts.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok @JustConvopod.

Jack: Yes, and remember to subscribe. That's very important, especially if you are from Universe three, where nothing I just said sounds realistic. You can subscribe. So you get new episodes and make sure to rate and review. Tell us how Martin Luther King functions on your side of reality in your universe. What's happening over there with Martin Luther King? What are the penguins on the wall of your flat Earth? And have any of you. Are you guys allowed into the rounder section of your planet? How does that work? Tell us all about these things that we do not have the data on.

Cristina: Oh, that will be awesome. Yeah.

Jack: So leave us a rate and in the reviews or in comments, leave us that information.

Cristina: Yes. And that someone who might like this show know about it.

Jack: Yes. Very important that you do that. Share it with everybody and anyone. Anybody who's curious about the other universes that exist, they can come and listen to us talking about Universal One, which I guess in theory to you guys might be Universe two, if you didn't know that there's other universes. But whatever.

Cristina: Or if they somehow knew about two before they knew about us, then this.

Jack: Is three to them.

Cristina: Yeah.

Jack: But whatever the case is, this is one to us.

Cristina: Yeah.

Jack: And yeah, let people know that this place is real, that they can learn about it.

Cristina: And this has been the Just Conversation podcast. Take nothing personal and thanks for listening. Bye.

Jack: Yeah, it's alive. It's a cell that functions without blood, meaning it's exactly what would need to be in poop, because there's no circulatory system. And it's exactly what could survive in that environment.

Cristina: Poop is alive is not alive. Poop is just made out of stuff.

Jack: So are we.

Cristina: It's not connected in any way. It doesn't have a real body.

Jack: The poop is the body.

Cristina: But once you touch, it breaks apart. I would think. I don't know, you know, like it's not a real solid body.

Jack: What are you talking about? Of course the poop is alive. Poop is living. We've, we've, we've brought that to a conclusion. There's not a debate here. It's made of living bacteria and living cells.

Cristina: That's enough.

Jack: That's enough. We're made of living cells. Tells as well.

Cristina: Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts.info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 156: 2021 Apocalypse Review

New Year, new us. The clone duo discuss major events from 2021 and review the year as a whole, from tragedies, mass shootings, political disputes and an ever evolving virus to advancements in science and space exploration. Additionally, the show is officially introducing itself as ‘Rambling’ to differentiate itself from ‘Just Conversation’ where guests are brought on to have a discussion.

+Episode Details

Topics Discussed:

  • Bill Nye: The Extinction Entity
  • The End is Bill Nye
  • January 6th Insurrection
  • WallStreetBets vs Wall Street
  • Cold Bernie
  • Biden Hates Blacks
  • Texas Winter Storm
  • Super Straight
  • Vaccine Rollout
  • Asian Lives Matter
  • Legalized Marijuana
  • Mass Shootings
  • Volcano
  • Covid Variants
  • Military Withdraw
  • Terrorist Country

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to Rambling, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yeah. So be sure to find somebody and tell them, hey, something happened to Just Conversation Podcast's name. And you better come over here and listen to this show and find out.

Cristina: Find out why.

Jack: Find out why or what? Really?

Cristina: What's really. We're going to explain. Give details on why.

Jack: Sure. Yeah. The name changed because it's been Rambling for a while now, and we're just officializing it by announcing it that way on the show.

Cristina: There you go. We shall save the for end the ending.

Jack: Why?

Cristina: Why? I don't know. It should have been a big thing.

Jack: Nah, man. But yeah, so now we'll be introducing the show as Rambling, so that Just Conversation is when we have guests exclusively. Now officially creating the rift between these two shows will also not have any conversation between Chrissy and I here at the beginning of those or the end of those episodes. It's just gonna be the conversation with whatever guest we have. Y. Oh, yeah.

Cristina: With more guests.

Jack: The first guest will be Dave.

Cristina: Awesome.

Jack: Hopefully. Hopefully the first guest of season six.

Cristina: Whoever's the guest, I'm sure there will be awesome.

Jack: Yeah, whoever's a guest. I hope that we can get Dave from his busy as life, but hopefully can cut off a moment and we can chill and have some crazy conversation. Have him introduce. Yes. And now we're going by Rambling, which is essentially what they've already been called. But we haven't been creating the division within the show, only within the titles outside. So if you always see, you know, we're on Rambling, whatever number this is. What, 1:56.

Cristina: Whoa.

Jack: Something like this. 156 or 156.

Cristina: We're halfway to 200.

Jack: Yeah, we. We put in work. We're out here. We're part of a pretty early wave, too.

Cristina: Amazing.

Jack: Like two years after we started podcasting, like, the wave of Infinite podcasts just showed up.

Cristina: Oh, you can't say that. They'll think we're hipsters.

Jack: I mean, they can prove this. They can just look at our numbers and be like, oh, they started back then.

Cristina: Yeah.

Jack: Yeah, we did. Like 2017 or something.

Cristina: Yeah, it's been a while. Yeah.

Jack: We've been out here for a bit. For a minute.

Cristina: Yes. Happy New Year's, people.

Jack: Yeah.

Cristina: That's also important to know, I guess. Even though you should already know.

Jack: Yeah.

Cristina: You should know. It is the new Year.

Jack: The new year. Happy New Year.

Cristina: Tomorrow will be old. Like, how long is it new for?

Jack: Right. It's new for a day before it's the same year again.

Cristina: Yeah.

Jack: Well, today it's a new year. Tomorrow, well, it's the same year was yesterday.

Cristina: Yeah. I guess that's why the first day is the most important.

Jack: Yeah.

Cristina: Because it's new. Yeah.

Jack: The New Year's Day. Then there's no more New Year's Day. There's just year.

Cristina: Yep.

Jack: It's just a year again.

Cristina: That's all that happens.

Jack: But yeah. So I hope you guys enjoy hearing. It's gonna be weird at the start, I'm sure. Hearing us call it rambling. Yeah, like you've known it's been rambling. You see, the episode you click on, it's already called rambling, but we never say it out loud.

Cristina: Unless they weren't paying attention to what they're clicking on. They're like, oh, this is just conversation. They say that, so it must be fair enough.

Jack: I. I believe, if I'm not mistaken, that the guest episodes are also gonna have JCP put before them. So that there's two different things. JCP episode whatever and rambling episode whatever.

Cristina: Oh, okay. So instead of just conversation written all out or just say jcp.

Jack: It's never said just conversation written all out.

Cristina: Oh, okay.

Jack: Next to an episode.

Cristina: Yeah, that's what I'm asking if that's what it said before.

Jack: It's never said anything before.

Cristina: Oh, okay.

Jack: It was just rambling or it tells me you've never looked at that.

Cristina: I have. I just don't remember.

Jack: It's rambling.

Cristina: Yes.

Jack: And then there's just the number of the episode for the guest. The guest episodes. But now it'll say jcps.

Cristina: Oh, so I had nothing.

Jack: Yeah, I had nothing before. Now it's gonna have JCP ahead of the numbers and then could create a good differentiation.

Cristina: Okay. Okay.

Jack: Anyways, we just finished another disastrous year.

Cristina: It wasn't as bad as.

Jack: It wasn't. I don't know. It wasn't.

Cristina: It was pretty bad. Well, for the Earth, it was bad.

Jack: There was a bunch of bad for all directions, but at least we're still here. Slowly fading away, but still not slowly fading away.

Cristina: Maybe next year.

Jack: Maybe next year. I'm hopeful. The end is soon. It's. The end is nigh. The end is Bill Nye.

Cristina: The end is new. The end is Bill Nye. That's awesome.

Jack: The end is Bill Nye. He is the Bringer. What? He's the.

Cristina: He's the Antichrist?

Jack: No, no, no, no, no. He's the extinction entity.

Cristina: The instinct. There's an extinction entity?

Jack: Yeah, yeah, yeah. You didn't remember when we went through the. Was the name of that game, Death Stranding? You remember in Death Stranding?

Cristina: Oh, yes. That thing.

Jack: Yeah, yeah. He's the extinction entity. Oh, that's Bill Nye. That's why when people say the end is nigh, they mean the end is Bill Nye. Bill Nye is the Apocalypse entity. There's no such thing.

Cristina: So they've been literal this whole time?

Jack: Yeah. There's no such thing. Antichrist. There is just Bill Nye. Bill Nye.

Cristina: Oh, okay.

Jack: There. At the beginning, there was God. And the thing that was. And was Bill Nye.

Cristina: He was God.

Jack: And Bill Nye.

Cristina: He looks that old.

Jack: As supernatural taught us, God came to be with the darkness and death existed either before or after. They're so old, they don't know who came first or who came second. Well, the fourth thing there was Bill Nye.

Cristina: The fourth thing. Wait, is there four things?

Jack: The darkness, God, Death, and Bill Nye.

Cristina: Oh, okay. What about the. Nothing. Oh, that was before that. Any of that.

Jack: Anyway, nothing.

Cristina: So it doesn't matter.

Jack: Might be the only thing that's always been. Yeah, because God popped up, darkness popped up, death popped up. But, like, nothing. Might have just been.

Cristina: And so, okay, then Bill popped up.

Jack: No, Bill didn't. I guess, maybe. I don't know. He popped up when God popped up and death popped up and the darkness popped up. So they're all one thing somehow.

Cristina: They're all one thing.

Jack: Yeah. Bill Nye is part of. Oh, my God, the Four Horsemen, or whatever the. We're talking about now.

Cristina: He's the four.

Jack: I mean, I don't even know. Right? Like, the Four Horsemen include death, but not God. But at the end of the day, like, why.

Cristina: I don't. The Four Horsemen aren't really even with their powers.

Jack: What is it? War, Death, Famine and what?

Cristina: Locust.

Jack: Locus. Oh, my God. Doesn't even make sense, bro. They're basically just plagues.

Cristina: Yes, I'm sure bugs kill.

Jack: It makes sense that the whole point of locust is that they kill. Like, I don't get. It's death and death and death and hunger. Yeah, death and death and death and hunger. Like, what the. No. So death and life as opposites to one another makes sense. If God created life, then death takes it away. That makes sense. If God brought light, then there should be darkness. That makes sense.

Cristina: Yes.

Jack: If there is something which are all three of them, there should also be nothing that makes sense. Okay, so there's parts here I don't understand. The Four Horsemen. That's some incorrect s***.

Cristina: The correct one is now, I guess, God, his sister.

Jack: God, Darkness. I mean, darkness and Bill Nye.

Cristina: Yes, that sounds right. Those are the Four Horsemen of the.

Jack: Yes. And while death knows when God dies, Bill Nye knows when death ends because the end is nigh.

Cristina: Oh, my gosh. Yes. This sounds so. Right, Right.

Jack: And somehow this all relates to the fact that this is a, you know, an episode where we're going to recap the year.

Cristina: This is a year we're celebrating that. The year that it hasn't ended. That life has ended.

Jack: Life hasn't ended yet. Bill Nye still hasn't chosen. He's waiting for his moment.

Cristina: Yeah.

Jack: Anyhoo, yeah, this year was pretty epic, monumental, crazy. There was a lot of things that happened here and there, things that took place, things and stuff and things occurred, and here we are now.

Cristina: And, yeah, pretty much all started with our last president. Our last president. The old president. I don't know.

Jack: Year began and we lost the president.

Cristina: No, we didn't. He's still alive. He's got to fight Biden on the White House someday.

Jack: Now, I got a question. Last year is when the president. I mean, I guess it's already next year. So Two years ago, 2020 is when President Trump killed the military guy. That's 2020, right? Like, right off the bat.

Cristina: Yeah, yeah.

Jack: Murdered dude.

Cristina: Yeah. And then this year, he started with. I mean, not this year, 2021. He started off the year with the insurrection thing.

Jack: You know what's funny? Everybody for like, the first two weeks of a year is always like, it's still that old year.

Cristina: Still that old year.

Jack: You know, they're like, always confused. They're like, f***. It's that pre. You know, it's 2021, and you make.

Cristina: The mistake when you're writing.

Jack: Yeah, yeah, yeah. That happened in school a lot.

Cristina: Yeah. So annoying.

Jack: But, yeah. So Insurrection dude decided, hey, people, attack. No, he didn't say that. That's ridiculous. People. Okay, don't get me wrong. Trump followers are jackasses.

Cristina: Yes.

Jack: They were like, he told us to do it. He didn't tell you to do.

Cristina: But did he want it? Did he want that?

Jack: We don't know what he wanted.

Cristina: We're not kind of asking them to kill Pence. Wasn't he?

Jack: He never said that.

Cristina: What did he say? I don't remember. I remember it sounded like a threat.

Jack: He called him a traitor.

Cristina: Yes. And he said, we're gonna find him. Right, or something.

Jack: Yeah. No, he.

Cristina: He said some threatening things to the vice president.

Jack: He did not say anything threatening. He's so clever that he's like, pence is a traitor and traders must pay and things will be fixed or corrected. And he is part of that problem that we need to correct something along those lines. You know, it's very vague. I am not threatening. I'm saying nothing illegal. Again, people like to pretend Trump is an idiot. They want to ride that train to the end. But he was so smart. You can't convict him for anything.

Cristina: Yes. And there's so many, like, conspiracies that came out of this, of whether he started this or whether the other team. What if the Democrats started this somehow? The antifa. I don't know. Everyone started this. Someone else started this somehow. Russia somehow was involved.

Jack: Yeah, but no 100%. Trump outsmarted everybody. If he wanted this, he did his usual shtick. And he uses words. He's got the best words. He said that.

Cristina: He's got the best words.

Jack: And he does. He does. He says s*** that makes him look stupid, gets him what he wants, and keeps him innocent.

Cristina: And you can't say he asked for it.

Jack: Yeah. It's f****** genius. He does it over and over and over. Nobody learns. He did that with the bill.

Cristina: Yeah.

Jack: That the Democrats got him to sign just because he said he didn't want to. But the Republicans put that on his desk and he did want to sign it, but he wanted the Democrats to make him do it first. Like that.

Cristina: Kind of genius this year, though.

Jack: No, I know. I'm just an example of how consistently he just uses words and gets what he wants. Manipulates everybody around him. He's a genius. So good.

Cristina: But sadly, because of the insurrection, he got kicked out of his favorite platforms.

Jack: And, yeah, now we.

Cristina: Goodbye to Twitter, goodbye to fun. And fun people suck.

Jack: People hate fun. When Trump was around, everything was fun. Politics was fun. It was like a movie.

Cristina: Also around that time, Parlor became a thing, and then after that thing, Parlor disappeared. I think that was also banned with Trump from online.

Jack: Yeah, yeah, yeah. Everything kind of went. It wasn't banned. It was just the people who owned it. Servers, I think was Amazon or something.

Cristina: They kicked.

Jack: They were like, you ain't using our service if you're gonna be an insurrectionist or whatever the f*** they think he is. But it's like, we can't arrest him for anything, do anything. If he didn't cite it. He did it in such a clever way that you cannot convict the man. You can't do s*** to him.

Cristina: But what could have the. What could that app have done that or not have done that, right or wrong? Like, why were they kicked off?

Jack: Because that's where it got planned.

Cristina: But was it the app's fault?

Jack: No, but the app welcomes free speech and doesn't correct anybody for saying anything, so people flocked there.

Cristina: It's crazy, because that's like. Facebook was like that all the time. No one. Like, why hasn't Facebook been kicked off of the Internet itself?

Jack: Because Facebook owns its servers.

Cristina: Ah, okay. That's all I'm asking.

Jack: Oh, yeah. Parlor got kicked because they didn't have their own servers. They were on someone else's servers.

Cristina: All right?

Jack: Facebook has its own. Has its own servers. It doesn't need a server to run on. It runs its own servers.

Cristina: Okay.

Jack: That's all, though. How do you think it's housing all the data if it was holding it at somebody else's server? Somebody could just decide to block off its access to data, and it wouldn't be able to sell data to other people. Whoever it's running off of can sell the data. The people.

Cristina: Mm.

Jack: But Facebook couldn't.

Cristina: Okay.

Jack: Yeah.

Cristina: That's very crazy. First few days of the year.

Jack: Yeah. With the insurrection happening and people losing their minds, everybody going crazy.

Cristina: Mm.

Jack: And then us calling treason or patriots Patriots or treason.

Jack: The argument is that they believe that there was treachery happening in the White House and in the voting, and in return, the Second Amendment says you have a right to bear arms in case of a tyrannical government. So the uprising and the protest, which you have a right to as well. And a freedom of speech, which you have a right to as well. And the freedom to bear arms, which you have right to as well.

Cristina: We can bear arms at the White House, though.

Jack: Technically, we own the White House.

Cristina: But aren't there rules I don't know.

Jack: That we have to agree to? And those people decided not to. And government answers to the people, not the other way around. The people don't answer to the government.

Cristina: The people died, though, that. They. They weren't shot, though.

Jack: They were just, like, trampled and s***.

Cristina: Trampled? Yeah.

Jack: Shot would have been easier, but yeah. So s*** got real.

Cristina: Yes. Whoa.

Jack: Yeah.

Cristina: Because of voter fraud. Maybe. Or maybe not.

Jack: Maybe not. Because people had opinions.

Cristina: Yeah.

Jack: And maybe it was treachery that they were responding to, or maybe they were just being manipulated and responding regardless. The White House was stormed. And then the fun began.

Cristina: What was the fun? That wasn't the fun.

Jack: That wasn't the fun. It was exciting.

Cristina: No, that was the fun.

Jack: But the fun began when the war between the rich and the poor, the haves and have nots, took off through digital mediums as Wall street bets took on Wall street and won.

Cristina: Wall street bets? Oh, that's from Reddit. Okay, I see. Yes, that's what they were called.

Jack: Yeah. Yeah. WallStreetBets took on Wall street and won. They totally f***** over a s*** ton of people. The squeeze got squoze for some GameStop for some GameStop and just milked milked m************ that the tables flipped on hella people. Some people had to completely cave and sell all their shares and were other.

Cristina: People just made money.

Jack: So much money. People just became rich overnight. Hundreds of thousands of people.

Cristina: That is so crazy.

Jack: Yep.

Cristina: From some. What were they called? These? Stonks.

Jack: Stonks.

Cristina: That's what they're called.

Jack: Okay, yeah.

Cristina: Oh my gosh.

Jack: Just a bunch of meme stocks.

Cristina: Oh, yes, that's the right word. Meme stocks, stonks. I don't know, whatever. That was amazing. That was pretty amazing.

Jack: It was pretty amazing. Still going on right now.

Cristina: All right. But they're not doing so well now.

Jack: Not. I mean, not doing so well. What do you mean?

Cristina: Like it's not like what it was.

Jack: Oh, no. You made it sound like they're doing bad.

Cristina: I don't know how they're doing now.

Jack: No, doing pretty good, all things considered. Because they can just shift their attention to something new and screw over whatever's overly shorted. But for the most part, yeah, that was a great victory. It was a one of a kind thing where the little guy totally screwed over the big guy and then the big guy cried so much he wanted laws to legislate the fact that they've didn't like what happened even though they've been doing it the whole time for years.

Cristina: That's amazing.

Jack: Yeah. Yeah. We made them ask for the. The holes they were abusing to get patched.

Cristina: It's crazy. That's so unfair though. I feel like they should get even more in trouble for that. I don't know. But that's not how it works.

Jack: That's not how it works. Rich people pay the. The. They lobby hard as f***. They pay the people to make the laws.

Cristina: Yeah. And around that time, Biden became president, if that matters.

Jack: Yeah.

Cristina: And we got that Bernie Mittens meme. I don't know if you remember. It was everywhere. Bernie.

Jack: Oh, yeah. At the inauguration.

Cristina: Yeah.

Jack: Because he was just not happy.

Cristina: Yeah. He looks really cold.

Jack: Yeah, yeah, yeah. Bernie's meme.

Cristina: Yes. It was adorable. That's what I remember of the inauguration. The burning, I guess the president being.

Jack: Half dead on stage.

Cristina: Yes. Zombie for president.

Jack: I'm like, amazed. Didn't go up there and just drop the N word back to back. You are my n*****.

Cristina: You were expecting that from Biden.

Jack: Yeah. Biden goes up and it's like, I was voted in by all my n*****. All n***** are equal to whites. I wish, you know, good old. Good old Bernie doing his thing. Slaves were a bad thing, but they had their benefits. It's like, okay, you're losing me here, bro.

Cristina: Are you saying Biden said that?

Jack: Biden. This is conversations by Biden. We need to fix the economy by sending more blacks to jail. Thank you for voting me in, my n*****.

Cristina: Oh, my gosh.

Jack: Good times. Good times. The. I don't even understand how he won, dude.

Cristina: I don't know.

Jack: It's like, how is. I don't get it. The problem is people dislike the way Trump behaves more.

Cristina: Yeah.

Jack: Then they like the fact that he's done more for black people.

Cristina: They don't care. They don't care.

Jack: They don't care. They do not care. While Biden is one of the worst things for black people that has ever happened in politics, like, legislation wise, he has been on some of the darkest bills in all of black history. He's signed his name on to it to allow horrible things to happen.

Cristina: Like, he's done that before. Right. That's past stuff that.

Jack: Yeah, yeah, yeah, yeah.

Cristina: You just pretend that doesn't exist anymore.

Jack: Yeah. 100%. And people are like, well, he's such a good president because he told you that you're just gonna eat that.

Cristina: Yeah. Like when he was comparing poor kids to white kids. Was it?

Jack: Yeah.

Cristina: What was the. Oh, my God.

Jack: All people have the same opportunities. Poor kids, white kids.

Cristina: Ah, okay. Yeah. That's not racist at all.

Jack: You're either poor or you're white. The bubble he lives in. You're either poor or you're white. But yeah, no, he's totally racist. He is responsible for things similar to the Stop in frisk thing that's solely targeted towards black people. He's also one of the leading causes for why blacks are incarcerated. So much more like so many. Same thing with Kamala Harris. She's also responsible for arresting a lot of that. Yeah, all those laws that arrested hella blacks. But hey, they said they're Democratic, so you got to site with a team regardless of what their background is. And because Trump is a Republican and you don't like his attitude, even if he signs, it's 100% because of that. That helps colored people.

Cristina: Who cares what he's done? No one cares. No one knows anything. They can't name you one thing he's done except for that wall that he couldn't stop talking about. Besides that, no one can name anything that he's done.

Jack: Yeah, because nobody looks up anything. They just whatever CNN told me, and I am a CNN follower, therefore that must be reality. As for the Fox people, same thing. Nobody is in any kind of middle ground where they get information from all sides. People are ridiculous. But yeah. So Bernie became president right after Bernie.

Cristina: No, he didn't become president.

Jack: Bernie. Can you imagine? Bernie became president. No. Biden became president.

Cristina: Yeah. Also spinach. They got spinach to send emails.

Jack: What the h***?

Cristina: Spinach, the vegetable. It could send emails. Now how it uses nanotubes from the leaves to emit signals and they're able to pick it up with infrared cameras and it sends back to the science labs.

Jack: What? That's so unimpactful in all our lives.

Cristina: It's going to help detect explosive materials in the soil. That's what it's for at the moment, but they hope in the future it'll help with climate. To fight climate change. So there you go.

Jack: Right.

Cristina: Not helpful now, but it will be.

Jack: It's useless as of now, at this.

Cristina: Moment, yes, but it will help.

Jack: Fantastic.

Cristina: And now you know that. That's a thing. That's a cool thing. That's a cool thing. One awesome thing. But then, like, then winter came and it was really horrible.

Jack: Well, all this is happening during winter, actually.

Cristina: Oh, yeah. This is all still in winter.

Jack: Yes, this is all still winter. We're balls deep in winter now. And then for the first time, Texas got a hold of a nice little chilly, frosty ice snowstorm that came through and they just. I wasn't ready. Like Kevin Hart. I wasn't ready. Oh, yeah, they weren't.

Cristina: They weren't. That was a crazy storm, though. It was. What was it? 40 states were under winter warning during that weekend or Whatever. When that happened.

Jack: Yeah, well, this happened while still the fires were burning crazy hard in Texas. In California.

Cristina: In California. Oh, my.

Jack: Yeah, because it was like the random wind came through right at that point.

Cristina: Everywhere else.

Jack: Yeah, it was like got hot as f*** suddenly. And then a crazy cold front covered everything. It was through most of the country. Yeah, most of country had that sheet. But ironically, wasn't nowhere anywhere near us. Yeah, it was just covering everywhere in the middle and west.

Cristina: But the storm didn't hit this area, did it? I don't know. I thought that's what you're saying.

Jack: No, I'm saying it didn't.

Cristina: Oh, okay.

Jack: I'm saying it started in the middle and went all the way west. Oh, and we are far east. You're the eastest you get in this country. And then came around super straight. The beautiful movement of, I guess, guys creating the line between the he's who are into some variants of gender and the he's who are not into any variance in gender. Super straight being the ones who are into no variance of gender.

Cristina: No variants.

Jack: Yeah, okay.

Cristina: Yeah, because he. The. Well, the original person was. The original person was defending himself because people called him homophobic or transphobic. Transphobic. Because he wouldn't date trans people because he said he's straight and they're like, would you date a trans. I don't know, what's the girl? Boy, whatever.

Jack: Right. Trans person.

Cristina: Trans person. And he said no. And they were calling him homophobic for.

Jack: That, which is f****** ridiculous. You're not homophobic just because you wouldn't date a trans person. People have preferences. Why the f*** can't a f****** straight white guy.

Cristina: Yeah. So he made super straight to feel, I guess, more comfortable and saying like, hey, I'm not transphobic. I just not into that.

Jack: Which resulted in a crap ton of people deciding that they are also super straight.

Cristina: Yes, there's. I wonder how much people are now super straight.

Jack: I mean, I pretty sure a bunch of people were super straight to begin with, but they didn't have the word and now they have the word. So they've always been super straight. It's not that they are super straight now, but it's like before the word lesbian, a chick who liked chicks was still a lesbian.

Cristina: Yeah.

Jack: She just didn't know she was a lesbian because the word didn't exist. So I'm pretty sure there were a bunch of people who were super straight to begin with.

Cristina: Yeah. And now they have flags and memes and hashtags and stuff.

Jack: Yeah.

Cristina: Think they'll have A parade.

Jack: That'd be hilarious. But here's the thing. A lot of people like to compare super Straight to All Lives Matter, and that is incorrect, because All Lives Matter misses the point, while super Straight does not. Super straight is a actually pretty logical idea. It's a person putting into detail what their preference of a gender is.

Cristina: Yeah, because everyone else pretty much gets to do that.

Jack: Exactly. So this makes perfect sense. Anybody who has a problem with super straight is actually a hypocrite. There are some people who do it mockingly.

Cristina: Yeah.

Jack: Just to cover up their homophobia and their transphobia.

Cristina: Yeah.

Jack: But there are people who are actually super straight, and you don't get to pick and choose who's the one who's being transphobic and who's the one who's not.

Cristina: Yeah.

Jack: And pretending you have the right to do that kind of makes you the bad guy. While with All Lives Matter, it's just a bunch of jackasses who don't realize that nobody said All Lives don't Matter. We're just trying to remind you that within the All Is Included Black, which people seem to forget.

Cristina: Yes. This is a whole different situation.

Jack: It's a whole different situation. People consistently miss the point for Black Lives Matter. All Lives Matter. Well, yes. We're not saying that that's not the case. We're saying that within the all is black included. And you seem to forget that part.

Cristina: Yes. Yes.

Jack: But the super straight. No, that's on point. That's not a flawed idea. That makes perfect sense. It's a sexual identity like the rest of them.

Cristina: Mm. And there are so many.

Jack: There are so many. And there's gonna be more. I mean, there's demons now.

Cristina: That's not the same. Unless you're saying people are gonna have a word for being attracted to people.

Jack: Who identify as demons.

Cristina: Yes. Yes. That's gonna be interesting.

Jack: Perhaps. Then we start getting vaccines for the general public. Finally.

Cristina: Mm.

Jack: They start being rolled out. They roll out. They're rolling. Roll out. People get in them.

Cristina: Not really.

Jack: Not really. That immediately created a flat earth division.

Cristina: A flat earth.

Jack: Yeah. Like when f****** people. The same people, but like when we were trying to reconfirm with people that the earth is round, and then the whole f****** flat earth movement happened. So kind of like that, but with vaccines, which it's ironically, the same people who were already supporting flat earth that are now like, no, vaccines are dangerous. Don't get me wrong, these vaccines were tested incredibly fast.

Cristina: Yes. It's not dangerous in how they imagine.

Jack: Because we were using things we have already tested in other vaccines and crap. And that's what allowed it to be faster. We use pre existing information and did advanced testing and did very sped up testing that allowed us to use data from already existing vaccines and the chemicals that we added to the new vaccines to fight Covid. It's like a whole process that allowed us to do it faster.

Cristina: Yes. It's not from the devil.

Jack: All this information does not get told to the masses because scientists are. And all they know how to do is say, well, in our hypothesis it showed that the mitochondria was connected to the jugi mabob. And this is like shut the f*** up and just speak to the retards that don't understand what you're saying, bro. No, they just talk down. It's all right. They get that they don't understand. Just, just make the words simple. Be like vaccine in arm tested real good. Very good. No robots in vaccine healthy. Yes. No vaccine bad. Yes, vaccine good. And then show them pictures that explain it too. Because some people are so dumb they don't get that part. And that's fine. Not everybody's supposed to understand scientific notation. We need science communicators, not scientists. Because scientists cannot stand in front of people and talk. They're too dumb. All they know is what they're working on and they don't know s*** else. They don't know f*** else, dude. And that's a problem. Don't put a f****** quiet shy nerd who only hangs out with other quiet shy nerds that are only their peers in front of a public of mostly under educated individuals. That doesn't make sense. So that's the government's fault? All the anti vaxxers are the government's fault because you're like, well, usually it takes really long, but because of the mehuza and the gizzle and what the f***. I don't understand any of these words. But they said it's been tested shorter than usual. I heard that part. So what they mean is this can't really be tested safe. If you think about it, I didn't get all the other words that were telling me something about one thing or another.

Cristina: Mm.

Jack: But I know that the vaccine wasn't tested the right amount. It's like, well, they explained how it works, but like they're too dumb to bring it down.

Cristina: Yes. And now they're protesting. Yeah.

Jack: Now we got a bunch of people who are like, my right. It's so scary and dangerous. People getting sick and dying. Don't get me wrong, that did Happen. A lot of people got sick from the vaccine and like, bad sick, bad sick, bad sick. But it's. There's going to be a margin for error.

Cristina: The vaccine itself or like Covid. Like they still caught the vaccine.

Jack: People who didn't have the COVID at all.

Cristina: The vaccine was actually hurting them.

Jack: Yeah, the vaccine killed a couple of people, but the margin for error is there. Somebody's gonna have a bad reaction.

Cristina: Yeah.

Jack: It's so infinitesimally small that out of million billions of people in the world. Billions who've gotten it. We had an outbreak of six dead women. Then it just got. We plugged the hole. Okay. We fixed the problem.

Cristina: Yeah. They stopped, I think for that time.

Jack: Yeah. Worked on it. And then it's gone.

Cristina: Yeah. Like the right thing to do.

Jack: We got 8 billion people and 6 deaths. More people have died of less s*** in more time. In less time. In the same time frame, actually. In that time that we were complaining about. I'm gonna take f****** vaccines for some small village in West Bubba. F***. Got bombed. And more people died instantaneously. As. You didn't even finish your sentence.

Cristina: Like, how many people died from COVID at that time?

Jack: I don't know. I don't know. A lot maybe, Probably. But compared to what? Like a lot as compared to what? You know, like you compared to one thing, you're like, well, I guess it's not really that bad. Compared to another thing. Oh, so terrible.

Cristina: Yes.

Jack: Like, that's another problem. Media just focuses on brainwashing and s***.

Cristina: Mm.

Jack: But that slowly led into the racism against the Asians. Asian Americans.

Cristina: Yeah. A lot of videos are not safe for them.

Jack: Which is weird because a lot of the videos I saw were black people beating up on the Asians, which was like, this is. What the f*** aren't you guys just came out from being like totally abused yourselves. You had a whole protest last year about this and now you're doing it to the Asians?

Cristina: Yes, dude.

Jack: I watched an entire video of two black dudes and a black girl beating the f*** out of an Asian old lady. Just cuz this is your fault.

Cristina: That is really sad.

Jack: And dude, like, what is happening? How you gonna be this hypocritical?

Cristina: I don't know. And then telling them. I don't know if they told them, but how many people have told them? Go back to your country.

Jack: Those people should probably though. I was born in the. No, no, we're rejecting you. You just jumped an old lady because she brought Covid. She looks like she hasn't Left this country in years, if ever. Yeah, and you jumped her because she's Asian. Go back to your f****** country. No, no, no. Citizenship rejected. Get the f*** out. Go take a f****** ancestry. We'll take you to random country with dark people, bro. I don't give a f***. We'll just drop you off somewhere. You say you're part of them. I don't give a f***. You ain't f******. No. That's crazy. That's crazy as f***.

Cristina: Yes.

Jack: How did we have entire series of protests about black lives matter, and then you just decided, but Asian lives don't.

Cristina: But Asia. That's what we learned.

Jack: That's what we learned. Black people believes that black lives matter, but Asian lives. That. That's not the same. So then the argument of s***, I guess saying all lives matter kind of held weight. Cuz like they quickly toss out the window, Asian people lives matter because you're not Asian, you don't give f***.

Cristina: So should we start an Asian lives matter group?

Jack: Well, that happened.

Cristina: Oh, that did. Okay.

Jack: That was the aftermath of bunch of Asians getting a bit. Well, Asian lives matter.

Cristina: Yeah, they do. Why they do.

Jack: We shouldn't have to emphasize. It should just be all lives. It should be. It should be. The fact that we have to emphasize any specific is the problem. So whites don't like blacks, but blacks don't like Asians. Do Asians have a problem with Hispanics? Asians were at the wall like, yeah, build it. F*** them.

Cristina: Yeah.

Jack: Like I don't f****** know at this point, dude. You know what? If you're not Native American, get the f*** out of the country. Let's just start there. All of us. Let's just get the f*** out. Let's just go out. All of us. We don't know where we came from.

Cristina: Done enough to them.

Jack: Yeah, we're just gonna find people who we look kind of sort of like and just go there. Let's just do that. All of us. If you're not Native American, get the f*** out. Just do that.

Cristina: Yes.

Jack: And that's it. We stop f****** this country up. It's the only way.

Cristina: Yeah, that's the solution. That's a great solution. Why don't we do that? D***, no one wants to do that.

Jack: There's like 50,000 Native Americans. And everybody else is not.

Cristina: Yes. There's too many people.

Jack: Yeah, like my vast majority, everybody else is not Native American.

Cristina: And that would be talking about Canada too, though.

Jack: Yeah. Yeah.

Cristina: We're talking. Not just United States. Got to leave. Canada's got to go too.

Jack: Yeah, yeah. The only people who are fairly where they are are the South Americans because they are a clean breed of whatever, half native and Spaniard.

Cristina: He didn't kill off the natives.

Jack: Yeah, yeah, yeah. They just f***** them all.

Cristina: Oh, okay. Good for them.

Jack: Good for them. F****** everything they see.

Cristina: That's how you do it. Yeah.

Jack: Anyways, eventually New York legalized marijuana.

Cristina: Yay.

Jack: That's a thing. Medical use, primarily.

Cristina: Yeah. Every state is legalizing.

Jack: Yeah. Joyce got it as well.

Cristina: Yeah.

Jack: Wisconsin's had it for a while. Little by little. I think most states now have it legalized. So that went great. When the T. Pain thing.

Cristina: Yes. He.

Jack: He realized that he had that Instagram is flawed with that hidden folder.

Cristina: Yeah. Why is there a hidden folder? I don't know. But he just noticed he was missing.

Jack: What, 200, hundreds, hundred celebrities just wanting to be his friend and he was just not. Not aware.

Cristina: Yeah.

Jack: I don't hang out on Instagram. How would I know?

Cristina: Yeah. And he just realized that. I wonder if he, after realizing that, has contacted all of them.

Jack: Why would he contact all. He just accepted. Celebrities don't just casually talk to each other. They're just people.

Cristina: Oh.

Jack: I'm just like, I don't know Brad Pitt, but I'm gonna send him an inbox. Like, what the.

Cristina: What if Brad Pitt was in his inbox? So maybe they'll. I don't know.

Jack: Like, how would that play out?

Cristina: I don't know.

Jack: Like, hey. Hey.

Cristina: Yes. I don't know what they do. I don't know.

Jack: I don't know. Hi. Hi.

Cristina: I guess, I assume they all want to do a project together.

Jack: The f*** would that even look like? Brad Pitt and T. Pain?

Cristina: I don't know. We'll find out when they make a.

Jack: Project together, I guess. And then we had some mass shootings in Atlanta and Boulder. Two weeks apart from each other because that still hasn't gone away. We just have mass shootings once in a while. You know, they. They died down. We don't have them for a while and then they come back. You know, we need a couple of mass shootings every year and school shootings.

Cristina: Population control, I guess. Mass shootings, but all population control.

Jack: We're just trying to reduce the amount of people.

Cristina: Mm.

Jack: Regardless of where. It's non biased. It's just wherever the f*** there's a shooter in the least. Bias is school and just f******. They go into school, they kill random people. Whoever drew death that day as a straw is just who's the f***. Got it. It's harsh, but Population control. We're talking about resource problems. Okay, then nobody if really believe there's a resource problem, then you shouldn't have a problem with this. This is how the world should work. Right? Because we're letting people overseas die because we have a resource problem we got to worry about. Re. Well, this is the same.

Cristina: This is the same.

Jack: We're not picking who dies now. They're just dying.

Cristina: Yeah.

Jack: So if you believe there's a resource problem, then mass shootings shouldn't bother you because it happens. You rather they live a suffering life as more people get born and consume resources faster and eventually. No, they're doing you a service.

Cristina: I don't want to say that. What? I don't think there's a resource problem though.

Jack: So I guess there is no resource problem. I'm just saying for people who believe there's a resource problem, they should probably be like, well, this is great. Like it's not and there isn't a f****** resource problem. We got s***** distribution of resources. That's different.

Cristina: That's very different.

Jack: A bunch of rich people with most of everything and then everybody else gets shreds. There's not really a resource problem. We just haven't decided to kill and eat all the rich people, which would be a astoundingly easy considering we out there's like 20 of them.

Cristina: Yeah, we could.

Jack: We could easily just eat them. Yeah, we could eat them. Take all of their property by force and they can't stop us.

Cristina: But how much people are protecting those people?

Jack: Those people would join us if we just agreed as people that beyond a certain point, if you're a certain level of rich, we could just eat you.

Cristina: Yes. Okay.

Jack: If you're just a certain level of rich, we could just eat you. That's it.

Cristina: That's it.

Jack: That's it. The problem is people are too scared. Oh, I might go to jail. Yeah, but you'll make the world a better place. But we're all the main character. I can't spend the better world in jail.

Cristina: Okay, so this person isn't going to jail. This is like that. What was that famous movie where everyone gets to kill each other for one night? This is just for the rich people. Yeah.

Jack: Oh, the rich purge. But they got. That's not fair. They got bunks and s***, military vehicles driven by people who they could pay to not participate in the purge.

Cristina: That's true.

Jack: Okay, it has to just be. After you've made this much money, you're a criminal and we get to eat you. And it's like if you've ever wanted to taste human. Well, Bezos is a billionaire. Oh, s***. We still got billionaires. Yeah, we haven't caught Bezos yet. Oh, let's go Bezos hunting.

Cristina: Wow.

Jack: Yeah. I mean that make perfect sense when the world decides to work together to stop the problem that we've created of huge capitalistic wedges between classisms.

Cristina: Yes. What a great way to fix it. What?

Jack: Yep. And then India goes up in Covid, then Palestine and Israel explode into a massive battle. And then Australia with a giant mice problem.

Cristina: Yes. There's a bunch of mice biting people in hospitals and schools, in a jail. They had to relocate all the people from the gel to another place because the mice were just attacking everything.

Jack: They had rabies?

Cristina: No, they were just biting the. They. They bit something important from the gel electron, something electrical. And so they had to go to another place.

Jack: Interesting.

Cristina: And they also were eating all the farm food, which was pretty horrible.

Jack: I can imagine. Yeah. If you have no clean farm food they could eat without catching some sort of disease or some crap.

Cristina: Then a volcano exploded in Congo, Near Congo. It looked really cool. At least the pictures did. All the people evacuated from the main city there.

Jack: I mean, all volcano eruptions look great.

Cristina: Yes, they do.

Jack: But yeah, it's like a unique looking non frequent event.

Cristina: And in Canada, 215 children were found.

Jack: Oh my God. Yes, the f******. The school or some s***, right?

Cristina: Yeah, from Catholic schools. I think it was Native American children. They just found a bunch of dead bodies. There were unmarked graves. They found so many children. So many. And I think that was like the first one they found. And then they found other ones after in other schools or what used to be schools. And then soon after churches were being burned down.

Jack: That's about right. I don't know why we're still dealing with Catholicism. Why we haven't decided that you kind of unanimously responsible for all the horrors that have ever happened.

Cristina: We just keep finding more.

Jack: I mean, wasn't. Wasn't the First Reich also Christian?

Cristina: What was he?

Jack: Christian Nazis.

Cristina: He was Christian though, weren't they? I don't know.

Jack: I mean like, great, whatever, but I'm pretty sure they were Christian and that a lot of that was all stemming from like all of the. Every kind of everything. Evil. Christianity is evil inherently.

Cristina: This was Catholic, which is I guess the worst of the worst.

Jack: It's the worst of all Christian branches, right? Yeah. They're responsible for the most death. They want you to pretend to drink blood and eat flesh. And they like to tell the story of a dude who killed the firstborn? Unless you killed a goat and covered the top of your door with it.

Cristina: And got a guy. Yeah.

Jack: Got a guy to pretend he was gonna kill his son. Just that religion, them.

Cristina: There's so much wrong with them.

Jack: It's a lot wrong with Christian.

Cristina: We just find more things.

Jack: Yeah. Like a bunch of crazy.

Cristina: Cancel it school. Cancel everything else.

Jack: We can't, because they support things like the left and the right and.

Cristina: Oh.

Jack: And people are like, no, but God. It's like, you don't give a about no God, bro. Shut the upper.

Cristina: You'd have canceled them so long ago.

Jack: Yeah. Then eventually Covid decided to, like, multiply. Deconstruct from its Mighty Morphin Megazord form into individual parts.

Cristina: Yes. There was the Delta, which we thought.

Jack: Was super scary and dangerous and evil, and then it grew a little more.

Cristina: And became the Delta plus.

Jack: Yes. And we're like, oh, no. Delta Plus. This is the Super Mega one. But then in actual supervillain came in.

Cristina: I don't know how you pronounce it. Omicron.

Jack: Omicron.

Cristina: Omicron.

Jack: Yeah. That showed up. And now we're like, oh, my God. But the Omicron thing, the funniest part is that right now, at this point. So right now. Okay, so it's what, the first. And as of us recording this, technically, on paper, the pandemic is over. It's been over because we have vaccines for the problem at hand, and the amount of deaths have steadily been going down, even if the amount of cases have been going up. We're basically dealing with a flu season equivalent, and people have been shook in panic. And that's why the hospitals fill up, because most of the people in the hospital aren't having, like, tremendously bad reactions. But everybody gets scared, gets tested and runs to the hospital.

Cristina: Yeah.

Jack: But the death rate is continuing to drop.

Cristina: Okay, so we're not in a pandemic.

Jack: We've not dropped the title.

Cristina: The title again.

Jack: We're in this place where the government overreached and they need to scare you back to normal. They need to. The narrative needs to make sense. They can't just say we f***** up and we overdid it.

Cristina: They can't say we saved the day either.

Jack: It wouldn't make sense. People are still too scared. You can't just be like, oh, no, it stopped. Because then people can question, was there ever.

Cristina: Okay.

Jack: Because it was never as bad as government pretended it was, but they were. They had to be cautious. That's true. They didn't. They. They Overstepped in caution. Because if it did turn out as bad as we were predicting it would be, we'd be all f*****.

Cristina: Yes.

Jack: But the fear of the government is losing power. So they did the right thing at the beginning by overstepping. But then they were like, oh, but how do we go back on it now? That's the problem. That's how we ended up where we are. Because they didn't want to say, okay, those were security measures. Now we can go back to this kind of life that makes perfect sense.

Cristina: Can you imagine? Do you have an idea of how they're gonna.

Jack: No, it's just gonna slowly trickle back to normality.

Cristina: Okay.

Jack: It's gonna happen seamlessly. That's the goal. To seamlessly make it normal.

Cristina: It'll be seamlessly normal. And there's less where there's no more coveted variants. Are they gonna.

Jack: Yeah, I don't know why the f*** they're naming all the variants when the flu does this every f****** year.

Cristina: We don't have a name for everything.

Jack: I mean, we do, but we don't talk about it.

Cristina: Yeah, no one knows. Like, it's just the flu.

Jack: Yeah, Like a vaccine scientist knows exactly what the. The name of each strain of the flu there is, but, like, we're not advertising it on TV and, like, screaming.

Cristina: At people, this once here, there's three different variants.

Jack: Just, like, take the f****** flu shot in your. Fine. Yeah, well, no, if you don't like what there are right now at this moment, the flu is deadlier. Again.

Cristina: The flu is deadlier.

Jack: Flu is currently deadlier than the coronavirus. Again, like, that happened in the middle of 2021. Like, it just went backwards to the point that now, again, the flu is the most overpowered thing. It's no longer Covid. Okay, but also, we are not stopping talking about COVID That ball got rolling, and it's just a snow ball and it's a giant hill. Doesn't stop f****** getting bigger. It's annoying.

Cristina: Wow. There's also a fungus version in India.

Jack: Yes.

Cristina: Remember that?

Jack: Yeah, yeah, yeah. And there was the airborne version in the south.

Cristina: Oh.

Jack: And there was the contact version that was over here in the east.

Cristina: Ah, okay. Man, so many. Okay.

Jack: Yeah, yeah. There's a million of these.

Cristina: Gotta catch them all. No, don't do that. That'd be interesting if you caught them all.

Jack: Gotta catch them all. Covid Month.

Cristina: There's gotta be someone out there that accidentally somehow just traveling because I guess they have to because of work, so they're forced to get these not they're forced to, but they just accidentally.

Jack: Yeah.

Cristina: I don't know, like someone who drives a plane. I don't know who's most in danger. Or ships.

Jack: I mean, doubtfully. After you get it, you probably just stop working in general.

Cristina: Juneteenth becomes an official holiday.

Jack: Yeah, finally, Juneteenth, an official holiday. The day slavery ended has been cemented and is now something we celebrate, which feels probably like should have been since the day slavery ended. But I know why people take their time. So thanks for throwing us a bone, white people. Thanks for throwing us a day.

Cristina: Are we gonna start having fun?

Jack: And the shortest month.

Cristina: A day.

Jack: And the shortest month.

Cristina: Yes.

Jack: Thanks, white people. We appreciate it. Then space happens. For the first time ever, there is space.

Cristina: I'm pretty sure that was there.

Jack: You sure?

Cristina: Yeah.

Jack: Oh, well, I guess that's been there this whole time. Anyways, Leon Elon Musk used the apparently always there space to get a rover to Mars. That's cool.

Cristina: Hasn't there been rovers to Mars? No, no, I think they've been. There's been one. I don't know.

Jack: Yeah, NASA's. NASA's rover.

Cristina: Oh, okay.

Jack: I said Elon, but NASA's rover lands there on Mars.

Cristina: Also, Elon did some space stuff this year.

Jack: Bunch of space. Yeah, there's a bunch of Elon Musk stuff, including neural link and his starlink. And Tesla got better and bigger. And they have a robot, a house robot that's announced.

Cristina: Oh, yeah. Do you know what the house robot thing is called?

Jack: No. House buddy. House buddy.

Cristina: Okay, go look that up.

Jack: Go Google house buddy. Tell me if I got it right.

Cristina: Yeah. Neuron link.

Jack: Neuralink. Yeah. Neuralink is nuts. I'm probably gonna get it. You're probably gonna get it after it's well tested. But, yeah. So then, Then. Then after all of that excitement, we took a weird turn for even more exciting when Biden was like, look, everybody, I'm about to blow your minds. I'm gonna do what every president's been talking about doing. And I don't know why they don't do it, but I'm gonna do it. I'm gonna take every soldier out of Afghanistan and everybody's at once. Wait, don't. No. There's a reason we don't do it. He's like, no, no, no. Y' all's just p******. I am the real deal. I'm here to do what the people tell me to. And the people told me to take all the soldiers out of Afghanistan. But there's a reason the people aren't in charge of s*** because the people are f****** stupid. So he did exactly as the people wanted him to do. The stupid people who don't get how politics and military work. He did just what they wanted. And he took all the soldiers out at the same time, but they wanted it done fast. And he said, I promise, fast.

Cristina: He did it fast.

Jack: And he did it so fast. But there was one stipulation to doing it fast. It would take years to get enough ships and planes out there to then board all of the tanks and artillery and weapons we have. So we were like.

Cristina: We abandoned them.

Jack: Yeah, just. Just you. We can leave them all. They're not gonna use them. We're just gonna leave them all here, and we're all gonna leave. And we did that. And it took a single week for the Taliban to come right out of the holes they were hiding, which we thought they were dead or some s***. But no, they were just so well hidden because they were too scared because of the death grip that Obama put over Afghanistan. And now without that death grip with his homie who was just like, hey, my homie put the death grip. I don't know why he did that. That's so crazy. I'm gonna take that death grip away and everybody who's watching anything.

Cristina: Yeah.

Jack: And now.

Cristina: Yeah, right.

Jack: The Taliban took over all of the. Everything. All the guns and all the bases and all the codes and all those tanks and weapons and all the stuff. And now Afghanistan is a terrorist nation.

Cristina: Yeah, that happened.

Jack: That happened fast. Fast. It just came and went. It was just like, now we just have Afghanistan, the terrorist country. Yeah, like, it went from just normal people to a country run by terrorists.

Cristina: Yeah, man. We live with that.

Jack: That's f*****. Because it's the. That we've been being racist about this whole time, except we made it a reality. Well, like, if you're from Afghanistan. Oh, don't you know the jokes? Don't blow me up. Oh, you're coming on the plane with me. Don't blow me up. Well, like, bro, now, now. If somebody from Afghanistan gets on your plane, s**** on bricks, how the f*** are you just gonna leave all the Taliban people to take all the what?

Cristina: I don't know. That's the.

Jack: They just murdered random Afghanis. He's just like, f*** these people. Like, what? We really just gave the power to the terrorists. We made ISIS 2.0.

Cristina: He was cool with that.

Jack: He was cool with that? Well, the people were cool with that. Yeah, because the people wanted him to do it. And He's a people pleaser and he did what the people wanted.

Cristina: Yes.

Jack: He got them out.

Cristina: Yeah, I guess so. Yay. He's hero.

Jack: He did what he said he was gonna do.

Cristina: He did it.

Jack: And they asked him to do it. And he did it. He did it. Nobody, nobody can tell him he didn't do it. He did do it. He did do it. They can't tell him s***.

Cristina: Yeah.

Jack: And becomes a him. Well, you didn't know I did it. You told me to and I did it. I came up here with promises and I'm keeping promises, but they were very.

Cristina: Angry at him afterwards.

Jack: Well, that's their fault. They need to shut the f*** up. Yeah, they asked for something, deal with it. Yeah, you wanted the troops out, we took the troops out. Now you want, you want to problem solve, grab some guns, get on that plane over there and we'll see how it goes. You go over. You wanted them out. The soldiers are gone. They're not going back. They know what's happening over there. You want it out now, you go. You go fix it. You go James Bond that s*** on your own. The f***. That's crazy. And, yeah, then we got hit by some crazy a** storm. Ida. And Ida destroyed Louisiana.

Cristina: Oh, yeah.

Jack: And then drowned Jersey and New York.

Cristina: And the hurricane and the tornadoes.

Jack: Oh, yeah. Jersey had seven tornadoes in one week.

Cristina: It was all in a week.

Jack: It was in two weeks, I think. But for the first time since like 1910 or some s***.

Cristina: For a while.

Jack: Yeah, for a while where there was one by chance and it wasn't even complete. And I believe it didn't even touch ground. And then we had seven that did. Yeah, nice. Just, you know, no. Climate change. There's no such thing.

Cristina: There's no such thing.

Jack: A state that hasn't had a tornado in over a hundred years. Seven, two weeks. Mmm.

Cristina: America, everything's fine.

Jack: Everything's fine. Yeah. Right now at this moment, we're living that meme with a little dog inside the burning house.

Cristina: Yeah, that's the burning house is hers.

Jack: Yeah. And we're just like, this is fine. That's how it goes. And shortly thereafter, a bunch of people drowned and died and whatnot. Bezos went to space.

Cristina: Oh, yeah. Because that's how we roll some rich dudes based on his buddy or something.

Jack: Yeah. They went out there, it went to colonize space together by themselves. We don't know what b*** stuff they did up there, but they went together.

Cristina: Everyone made fun of their ship because.

Jack: It looked like the p**** that Jeff Bezos wishes He had.

Cristina: Oh, yes, yes.

Jack: And then Squid Game happened and the world got shook by Koreans once again, as they have all the best dramas ever made.

Cristina: Yes.

Jack: And we don't argue that. We know that there are way more dramas that come from Mexico and Spain. That's an obvious statement. They pump one new out every week. But quality wise, I'm saying Korean is the best. Koreans, they got it.

Cristina: They got it.

Jack: They got it. That's. That's where it at. That's where it's at, bruh.

Cristina: And people who didn't know found out.

Jack: Found out. Yeah. So I've been down that rabbit hole since I was a kid. Early days of my life.

Cristina: Don't say that. You're gonna be a hipper hipster.

Jack: What? I remember watching KBS on cable. Was it channel 23? Yeah, I think it was channel 23. Actually it was on channel 17 for a while and then when they change, we changed. Like companies, you know, they have channels arranged differently. Yeah, then it was on channel 23.

Cristina: You're watching Korean things.

Jack: KBS subtitles.

Cristina: Awesome.

Jack: Great dramas. The best. All romance for whatever reason.

Cristina: And then Metaverse. Yeah, Metaverse was announced and Facebook changed to Meta.

Jack: Yeah, Facebook changed its name to Meta.

Cristina: And then we got some creepy commercials about what that's gonna look like.

Jack: Like we've had Metaverse, except the meta part doesn't exist. We've had universes we hang out in, very detailed. There are video games that are life style games. You could play one game forever and there'd be new content. Consider GTA is a type of Metaverse, but it's not a metaverse reality in that you're putting on a headset. Except I think now it technically is. But what they mean by the metaverse isn't even what we're talking about.

Cristina: No.

Jack: When we're talking about just a casual world, you can exist in what? This version of the Metaverse is essentially some kind of Internet. It's the next stage of the Internet where everybody owns the Internet simultaneously.

Cristina: That's going to be crazy. And it's complicated. I don't think people have. I mean, maybe by now we understand what the metaverse is going to.

Jack: Not entirely. Most people don't.

Cristina: Okay. And another thing about the Internet that's new or new from that year is NFTs.

Jack: Oh, yes. NFTs are all over the place. But Metaverse is run off of the same concept that NFTs are blockchain technology. And blockchain technology decentralizes the entirety of any content on it. Anything you Use blockchain to create is owned by everybody.

Cristina: Mm.

Jack: And that allows the Internet to stay free, man. It will be impossible to legislate anything around it if everybody owns all of the Internet all of the time. Because people can just decide we don't agree, and then shut down the government's Internet. That's how you do it.

Cristina: Mm.

Jack: Because the solution here is. Or not the solution, but the outcome is that the metaverse and the unity of a decentralized government in the web will then align the mentalities of anybody using those Internets, thus bringing the world closer together.

Cristina: So this is gonna be a good thing.

Jack: This is a good thing long term. Yes. It's gonna bring the world together. We're gonna be one. Because the governments of the real world might be affecting us, but they need to use the Internet that we all own.

Cristina: Amazing.

Jack: So they, in order to get their message out, need to rely on us agreeing with them.

Cristina: What?

Jack: Giving the power back to the people. That's why the government doesn't like this idea. They're like, we need to halt that.

Cristina: They're not gonna be able to do it.

Jack: Nope. That's the same reason the government was not supporting Bitcoin at the beginning.

Cristina: And they weren't able to stop that either.

Jack: We're never gonna stop that either. We gotta f******. We gotta stop this. Because if it's decentralized, we don't control how the dollar moves. And now who gives a s*** about your dollars? Like a million other currencies out there.

Cristina: Yeah.

Jack: Now I can trade with anybody at any moment. Don't have to worry, because f*** your dollar. So, yeah, then Dave Chappelle released a special. People try to cancel him.

Cristina: Yes. There was so many protests for the trans community.

Jack: Yeah. But that's not really a surprise. That usually happens.

Cristina: Yeah. And I think people were fired from Netflix.

Jack: Yeah. People protested thinking they would boycott Netflix. And in return, some mofos got fired. And Netflix proved I could just fire back at you guys. And then what? Which is funny because I like to think of it like, yeah, I've heard the stories of how, you know, my blue haired, overweight, gender confusing individuals protest and get our way because we scare companies. We're gonna do that right now because we don't like the words he's saying, even if they're a joke. And then they went out and they walked out. And then Netflix was like, just don't come back. You're like, wait, what? Huh? What? I thought this would work. And Netflix was like, no, I can just hire somebody who's not gonna b****.

Cristina: Oh.

Jack: It's like, oh. Oh, thank you for opening that door, Netflix.

Cristina: Mm.

Jack: Because now other people like, wait, why were we caving? F****** no money. Why don't we think they had the power? It's like, yeah. Why did you think you give them money, dude? What? Yeah, just let them leave. Give somebody else money. Netflix did it. Netflix did to the cancel culture. Well, Kevin Spacey did to me too. Just like, here's some proof. Enjoy. Netflix did the same thing. It's like, okay, walk out and keep walking.

Cristina: Yes.

Jack: And I'm like, what? Yeah, yeah, keep walking. That person walking in the opposite direction, that's your replacement.

Cristina: Mm.

Jack: Netflix on it. Oh, supporting creators. Not angry people who've never created anything and feel like they have the right to destroy everything, when in reality, they're just lesbian white women.

Cristina: Mm.

Jack: Which is like, you're still abusing your privilege against a black man, aren't you?

Cristina: Yes.

Jack: Ain't that the irony? They're abusing their white privilege against a black guy. Mmm. We've entered some weird territory.

Cristina: Yes, that. That's weird. Okay. And then. Oh, Astroworld Festival. That was pretty tragic.

Jack: Oh, yeah, that's that festival where people entered a Travis Scott concert and they.

Cristina: Were trampled to death.

Jack: A Juice World concert. Giga Dee Goo.

Cristina: No.

Jack: Yeah, yeah, but they totally went into that Travis Scott. And then people were trampled and killed because it was so densely packed.

Cristina: They're just squeezed to death.

Jack: Yeah, but those 10 people got to see Juice Wrld again, and that's what matters.

Cristina: That's. I don't know. Ah, that's so horrible. I don't know.

Jack: And then the CDC recommends all 18 and older get a COVID 19 booster, and they change the terms of what fully vaccinated means to three shots, not two.

Cristina: That was four now.

Jack: Oh, it's four. It might be. I don't remember all of the above. And the most important news of the entire year is that Britney Spears has finally regained her freedom, and now she can go blow her brain talk because she hates her life.

Cristina: Yay. Yay. What a year.

Jack: What a year. And now. Now we've just begun this beautiful new year where it's a new year and it's new uses, it's new us, it's new uss.

Cristina: No, because we're rambling now.

Jack: Yeah, we're.

Cristina: Although we were rambling before, but now we're called rambling. Oh, my God.

Jack: Now we're saying the words rambling.

Cristina: Whoa. Beautiful. So new.

Jack: Super new. So, yeah, let us know what you Guys, think about, did we miss anything you guys wanted to mention? Mention it for us. Tell us. Tell us in comments, tell us in reviews, go on social media, email us on Facebook, on Twitter, on this, on that. Tell us all the things. Tell us, if you like, how we're now referring it to. To it as Rambling, because it's always been rambling anyways, and now we're just calling it Rambling and making a division. So there's basically two shows on the feed now. Yeah, that's where we are.

Cristina: Mm.

Jack: Two shows on the feed. Just me and Kristi here rambling, trying to explain to you guys the truth about everything that exists in the world, the real meaning behind all the things. And then there are conversations with an interesting, usually eccentric guest, but very interesting.

Cristina: Yes, very interesting guest. Yeah.

Jack: So, yeah, if you guys want to listen to episodes about all the things that happened and get our take on moment to moment, all the research we've done, all the missions we went on in 2021, all the discoveries we've been on, all the guests, we've had some very. The year of the most unique guests.

Cristina: Yeah.

Jack: So you can definitely find all of that stuff on the official website, greatthoughts.info on Apple podcast, Spotify, or anywhere you get your podcast.

Cristina: And you can also reach us on Facebook, Twitter, Instagram and TikTok. UsConvopod.

Jack: Yes. And remember to subscribe, rate and review.

Cristina: The show and let someone who might like this show know about it.

Jack: Yes. Word of mouth. Tell them, hey, the Just Conversation podcast now officially goes by Rambling in one of their shows. And you should listen to Rambling by the Just Conversation podcast. And they'll be like, oh, I like to hear people ramble.

Cristina: Yeah.

Jack: So, yeah.

Cristina: And this has been the Just Conversation podcast. Take nothing from personal and thanks for listening. Bye.

Jack: Kind of badass. You thought, had we be doing this this long?

Cristina: Yeah. Really? I don't know. I have no idea. I never had a time schedule thing. Like, I never was thinking how long. I don't know. It's just the thing we were doing at the moment and that was it. I never really thought about the future of the podcast or how long I pictured myself doing the podcast or anything.

Jack: Right.

Cristina: It just happened and it just kept happening and that was it.

Jack: Yeah. Now we're here.

Cristina: And now we're here.

Jack: We're.

Cristina: And I don't know where I'll be next.

Jack: Podcasts in the ranks kind of often don't know who's listening. So attentively. Thank you, anybody Listening. Thank you.

Cristina: Thank you.

Jack: That's awesome.

Cristina: But were you thinking we'd be here?

Jack: I also don't really like, you know, how many things I've started in my life. I just keep doing them forever. I don't really quit anything.

Cristina: You don't have any plans?

Jack: No, I just start things. And I'm the opposite to most people that they're known for starting and stopping something and then starting something new and stopping that, or never finishing something and just starting the next thing and just wandering off. No, I do all the things all at the same time.

Cristina: But you don't at least plan things out, though, because you keep going. I don't know. I feel like someone who does keep going, it's because they have some type of plan.

Jack: I have no plan.

Cristina: You have no plan.

Jack: I. I roll with it.

Cristina: All right.

Jack: As it. As it. As it goes. Things.

Cristina: Is it shocking then, that we've lasted this long?

Jack: No. I've literally never let anything fall.

Cristina: Okay.

Jack: Only the things that I've made and given to somebody else to manage have fallen apart. Yeah.

Cristina: That's different.

Jack: Yeah.

Cristina: All right.

Jack: So, yeah, pretty cool.

Cristina: Cool. Good morning. The Just Conversation podcast is hosted by Christina Colazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts Info, art by Zero Lupo, and logo by Seth McAllister with social media managed by Amber Black.

JCP 5.10 Conspiracy Beer Me & The Zoo Hypothesis

Guest Justin Scranton, host of the Conspiracy Beer Me podcast, join Jack for an in depths discussion on conspiracy theories and how it affects the culture at large. Picking apart everything from the Mandela Effect to the elitist effort of suppressing knowledge from the masses and manipulate an ever growing population. This deep dive opens a can of worms into the psychology of society and the relationship to conspiracy theories.

+Episode Details

Topics Discussed

  • Cult of Conspiracy Believers
  • Listening More than Talking
  • Equality or Revenge
  • Miseducating the Population
  • CIA Creating Fake News
  • Covid, Metaverse and the Matrix are Related
  • Choosing the Blue Pill
  • The Journey is the Goal
  • Skateboarding and Stand-Up Similarities
  • Lost Knowledge or Alien Tech?
  • Non-Carbon Based Life
  • Sentient Robots
  • Virtual Reality Over Base Reality
  • Underground Civilizations

Conspiracy Beer Me Links:

Instagram - https://www.instagram.com/conspiracybeerme/

Facebook - https://www.facebook.com/conspiracybeerme

Youtube - https://www.youtube.com/c/ConspiracyBeerMe

Spotify - https://open.spotify.com/show/5tTM3RlB1c9Rn3DiXJb5N7

Apple Podcasts - https://podcasts.apple.com/us/podcast/conspiracy-beer-me/id1447071984

Justin Scranton Instagram - https://www.instagram.com/justinscranton/

Shane Smith Instagram - https://www.instagram.com/itsshanesmith/

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Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod