Rambling 296: Godzilla: The True Story

Rambling 296: Godzilla: The True Story

In the latest episode of our podcast, we dive deep into the world of Godzilla and the myriad of conspiracy theories that surround him. The conversation begins with a playful exploration of how people might react if a creature like Godzilla were to emerge in reality. Would conspiracy theorists claim it was a hidden truth all along? Would the government be implicated in its creation or containment? Jack and Cristina's banter is both humorous and thought-provoking as they dissect the origins of Godzilla. They ponder whether the creature could be a result of nuclear testing or a prehistoric beast awakened by human interference. The discussion takes an intriguing turn as they connect Godzilla's lore to real-world events, particularly the atomic bombings of Hiroshima and Nagasaki. The duo raises compelling questions about the government's role in these narratives. Why would they hide such a creature? Are they preparing us for something far more sinister? The episode touches on themes of fear and control, suggesting that perhaps the government uses these stories to desensitize the public to real threats. Listeners will appreciate the seamless blend of pop culture references, scientific speculation, and cultural commentary. The conversation is not just about Godzilla; it serves as a lens through which we can examine our relationship with fear, authority, and the unknown. As the episode unfolds, Jack and Cristina challenge each other to think critically about the implications of releasing such a creature into the world. They explore the idea that Godzilla could be a metaphor for humanity's own destructive tendencies and the lengths governments might go to in order to maintain control. This episode is a must-listen for anyone intrigued by the intersection of mythology, science fiction, and reality. Join us as we unpack these absurd yet captivating ideas and consider the possibility that Godzilla might just be more than a fictional monster. Tune in now and prepare to have your mind blown!

+Episode Details

  • How did it get so big?
  • Are its powers scientific?
  • Was it created or discovered?
  • Is it in the wild or kept under control?
  • Are there others?
  • How do we know about it?

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+Transcript

Rambling 296: Godzilla: The True Story Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling Podcast. I'm your host, Jack. Cristina: And I'm your host, Cristina. Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And today, I thought it would be really cool if we looked at something that happened recently and unpacked how the world has reacted in response to these things that have occurred to Godzilla. Godzilla. I mean, I guess I wonder how people would react to Godzilla. I know there would be people who would be like, wow, it was based on truth. Instantly, a bunch of conspiracy theorists are gonna say, we were right all along. And the elites always put the truth in front of you because they have to tell you for whatever deal they made with something. Cristina: If it's part of conspiracy, then did they. Did the government, the world government, or whatever make Godzilla interesting? Jack: Or Godzilla could be a demon, a deity of some sort. God. God is in the name. Somebody's gonna put that connection together. Cristina: He's a God that was hidden, but someone knew about him. So did the government hide him until he broke loose or until the government was like, you know, the world government was like, okay, these people are out of control. We gotta let this guy loose. Jack: You think? Okay, okay, let's go back. You think the government made Godzilla? Cristina: No, I'm not saying they made him, but if they kept him a secret, then they probably have him locked up. Jack: Yes. Yes. Okay, fair enough. Fair enough. So the premise here is ultimately right. We're gonna fix this. This is gonna make a lot of sense. The premise here is two things. Regardless of how Godzilla is real and two, actually, three concepts that need to work here. Godzilla is real. And we're gonna prove this somehow. Cristina: Sure. Jack: And two, the government somehow knew. Somehow, somehow. Cristina: Whether they kept it or they just knew where he was or something. Jack: And three, that's because we only know about Godzilla to begin with. Because the government always has to tell us whatever they're doing, even if in secrecy. So they have to put it in front of us somehow. Cristina: Okay. Jack: Because the elites have to show us they made a deal with something. As we know is whatever theory. Cristina: Yes. Jack: And they have to show you. They got to tell you what they're doing, so they'll do it in cryptic ways so you don't know, but you know, or whatever. Cristina: I don't get it. I think it's so you can be used to it, so that when it happens, you're not as scared. Except the point of showing it is to scare you. Like, I don't. I don't know. So, like, they show it to you so that you. When it does happen, you're not too freaked out about it. Because they don't want you to kill yourself. Because at the end of the day, they still need you alive. Jack: Yeah. Cristina: For whatever their evil plan is. They just need you to know that it was possible. And then when it's possible when it's there, then. Jack: But I don't know why they would want you to know about Godzilla. Cristina: Why would they? They want us to know about everything. Aliens? Jack: Yeah. That's why. I think it's not that they're trying to descend. I think those people are wrong. If. If our three things are to be true, then they don't want us to know about Godzilla because they're unleashing Godzilla to kill us. Cristina: No. Jack: To do what? Why? Why would. Okay, let's. Let's work on one of these problems at a time. Cristina: Okay? Jack: Why are they. Cristina: Who. Jack: Somehow the theory that you're going with is they're trapping Godzilla. Godzilla? Maybe they could have made Godzilla, but Godzilla could have existed beforehand. Cristina: Yes. Jack: So it could happen either way. Maybe it was an accident. It could be that the story they told us about Godzilla was accurate. Cristina: It's just a natural thing that happened out from radiation hitting a lizard or something. From their bombs. Jack: Is that the initial story? Cristina: Something like that. Like they. We bombed Japan and then Godzilla was made. No. Jack: Okay, okay, okay, hold on. Let's. Let's f******. Without looking it up first, let's. Let's make our assumption. Okay, so you think war. Cristina: Yes. Jack: And nuclear waste. 00:05:00 Cristina: Yes. And then lizard and nuclear waste equals Godzilla. Jack: Okay, okay. I think cautionary tale. Power plant or chemical waste plant or something. Cristina: Yeah. And a lizard. Jack: Yeah. Wait, but you're saying war? Cristina: Well, it could be either or. Jack: Okay, you're just saying chemical. Cristina: Chemicals. A lizard, Godzilla. Jack: Chemicals. A lizard Godzilla. I agree. I think. I think it's a cautionary term. Cristina: Chemicals. I think it's bit a lizard and made Godzilla. Jack: Chemicals. Bit a lizard. Cristina: It's like Spider Man. Jack: Okay, fair enough. Kind of like the Ninja Turtles. Cristina: Yes. Jack: I mean, to be fair, that story. Cristina: The Ninja Turtles of whatever that story. Jack: Is about four N4 turtles that got bit by a radioactive rat, Right? Cristina: I don't know. Jack: And didn't he find them already mutated and turned into. No, they were just turtles. Cristina: Turtles. And you're saying he made them? The rat, the rat made them? Is he the villain? I don't think so. I think he found Them? No, the bad guy probably made them by accident. Doing weird experiment things. Jack: I bet. I bet it's some crap like that. Cristina: Experiments or an accident. Jack: No, I think. Yeah, it would probably have been like. And then he was trying the. His quest in life was to stop what he. The problem he created. So he spent his whole life trying to fix the issue of four mutant rats. I mean, turtles and a. I don't know. Maybe he made the rat too. They knew each other or something. Wasn't Master Splinter his master? Cristina: And he's just a dude. It's just a regular human dude against some wild animals. Jack: Any train. Cristina: And he's bad. Jack: Well, I don't know. I think I could be wrong. I don't know why. This is the memory, and I'm not gonna look it up. We're never gonna find out, okay? Because I've never seen the Ninja Turtles. I've read so little about the Ninja Turtles. I think, like, I literally don't even know how they became. Cristina: Like. Jack: I'm assuming it's waste if my memory says waste to some degree. Right? Cristina: Yeah. Jack: I think the rat knew martial arts because the guy taught it. But as you have brought up the question, did this guy teach a normal rat martial arts and that rat then went off into the world and became a mutant freak? Or did this guy make or find a mutant rat? Cristina: I can't believe he actually. No, I don't think he has to do anything with them. That can't be part of the story. It doesn't make sense. Jack: Then how the h*** did. He's a good guy. It doesn't matter what the h*** we're looking at. This guy is probably trying to just stop these weird animal freaks. Does he have targets? Does he harm people? Cristina: I think he's a criminal. Jack: Oh, he's a criminal. Cristina: I'm pretty sure he's doing crime. Jack: Are they superheroes? Cristina: I think so. Because I feel like the girl that's involved is also, like, a journalist or something. Jack: Holy s***. Are they Spider Man? Cristina: Yes. They're just like Superman. Jack: Are they super strong? Don't they have to, like, know martial arts? They gotta combat these guys one to one. They're not like one shotting everybody. Cristina: But they're. It's hard to hurt them. They're turtles, I guess. They have the highest defense. They might not be the fastest or strongest, but they're defense man. Jack: In a world where other creatures also mutated in a similar fashion. If we said they all approximated to about the same size, why would that happen? I don't Know even why the turtles began with. Okay, the least defensive thing Would probably be a standing turtle. Cristina: Well, maybe they can do stuff with their shells. I don't know. Jack: How could they see you if the only way for that defense to be high up, and you'd still have six points that you can be poked or stabbed or killed through? Yeah, you're just upping your defense. It's not perfect. Cristina: You think it. They're less defensive, though? Jack: I don't think they're less offensive. I think they're just lame. Cristina: They are pretty lame. Yeah. Jack: Yeah, yeah. In fact, we would have to increase the size of these turtles to make everybody the size of the biggest already existing. So the elephant is the only creature that wouldn't increase in size. All the other creatures would. 00:10:00 Jack: Except giraffe. We'll see the elephant, the giraffe. That's where we cap off. They don't change. Everything below them must increase in size to be at least the height of the elephant. If the turtles went up. Cristina: Yes, because they're like godzilla, who was a little lizard. Because it was smaller than them. Probably. Jack: Yes. But their soft spot is going to be larger. Yes. Cristina: Their soft spot. Jack: Yeah. The flat, the six points where the head goes in, where the two front and back legs going, and where the tail goes in, which is actually not different holes. Usually you have two large slits which are where their arms, the top arm, the top legs, and their head are. And then where their tail and back and hind legs are. Those are the two exits. So those two soft spots, as the turtle gets larger Would then be more vulnerable and be a larger target for the opponents. And if they're hiding, to remove their head, arms, and legs. Cristina: I don't know why they pick turtles. I don't know. It makes no sense. Jack: Yeah. They couldn't see you. Cristina: I thought they picked something cooler. Jack: They couldn't see you. Cristina: Turtles was cool. And then they gave them the attitude of spider man. I'm imagining that they came out around the same time on spider man because they have that boyish attitude that spider man has. But there's what, four or five of them? Jack: Say that again. Cristina: That they have the same attitude that spider man has. Jack: Yeah, they're broad out and, like making jokes. Cristina: Yeah. Jack: Except the angry red one. Cristina: Huh? Jack: He doesn't make jokes. Right. He's serious. Cristina: I don't know. There's an angry ninja turtle. Jack: I thought there was an angry red one. Cristina: I don't. I don't know. Jack: I know. Hold on. Let me see. Cristina: I don't even know if there's four or five of them. I don't even know the number of turtles. Jack: I think there's four turtles and a girl turtle. Four dude turtles. Cristina: Girl turtle. Jack: There's a dudette turtle. Cristina: There's not a dudette turtle. There's a girl, but she's not a turtle. Jack: No, there's a girl. Cristina: There's not a girl turtle. Jack: I promise you there's a girl. Cristina: She must have came out way later because the original turtles are. No. Are just boy turtles. Jack: No. I mean, yeah, sure, but there's a girl turtle. No, there is a hundred percent a girl turtle. Cristina: When did they introduce a girl turtle? It makes no sense. Jack: I think pretty early. Cristina: Are you positive? Jack: I guarantee you there is a girl. Cristina: But she's not a turtle. She's a human. Jack: There's a female ninja turtle. I swear to God. No. Cristina: What does that mean? Jack: She got turtle b****. Cristina: That's exactly what I was picturing. But no, there's not ninja turtle. No. Jack: In turn, she's blue. Girl turtle. Cristina: But that's just a made up turtle. Jack: She's blue and light. She's light. Cristina: She's not one of them. They just turned one of their turtles into a female turtle. Jack: No, they got blue. They got b****. Cristina: No, look, there's a. That's him. Jack: No, no. Cristina: Yes, there is that guy. They just changed his sex, but he still. No, there's no female ninja turtle. Jack: What is her name? Cristina: I don't know. Jack: There you go. Cristina: Ew. Jack: Yeah, there's just a chick that's lighter blue. Cristina: When did she. But she's not part of the original Ninja turtles. Jack: You probably not. I don't. Sure you could tell. I'll go with that. I have no idea. Cristina: I just know they don't look like teens anymore. I don't know what they're supposed to be. Now you see that girl? She's the girl. And she's just a human in the yellow suit. Jack: That's the reporter. Cristina: Yeah, I think something like that. Jack: There's just an extra turtle here who isn't even a chick. Cristina: I don't know what's happening. Jack: Yeah, but you get the point. Cristina: No, I don't. What was the point? That they. Jack: There's a female turtle. Cristina: The turtles. Originally there's like four turtles, now there's. Jack: Five and there's a chick. And I think it's been like that since like the second iteration. Cristina: No, he's like. Even the newest projects, you don't see the girl turtle. Jack: Oh, fair enough. Maybe they just don't like. Maybe sexism is alive. Cristina: Maybe. Jack: Okay, There are three scenarios here that are depicted in films that we can use to try to understand Godzilla right now. Cristina: Okay. Jack: One, nuclear testing. You were right. My specifics on it being a power plant was wrong. 00:15:00 Jack: But it wasn't war, it was for war. Cristina: Okay. Jack: It was just test site, probably some random a** island in the middle of nowhere, but had wildlife. Biology suggests in other films that it was a prehistoric kind of dinosaur. Cristina: I don't understand. Jack: So upon the discovery of this dinosaur that was somehow living underwater, is it. Cristina: Like that movie where they found King Kong in the center of the world? Jack: Kind of, yeah. Cristina: Like she's just sleeping in the center of the world and somehow she pops out here. Or he. She. I don't know what Godzilla is. Jack: Well, she. I think she's neither. Cristina: Okay, Well, I think she's like a. Jack: Frog could just, you know, asexually reproduce. Cristina: But Godzilla was down there. Jack: Yeah. Or just sleeping at the bottom of the ocean or something like Nessie. Cristina: Okay. Jack: And so, yeah, that's the other idea. Cristina: And there's a third one. Jack: The third one is essentially a hybrid logic where there was this maybe unknown reptile that was exposed to some chemical waste and that. So it's sort of both things. It had a unique chemistry that then allowed it to become. Cristina: I'm not sure what you tried to say. Jack: There are other lizards and other things in the same water with the same lizard that then became Godzilla. Godzilla was either amongst the species that it was the last of, or it had wandered off into a different eg area and reached the radiation. And its unique DNA had its reaction to the exposure to be turning into this large thing and nothing else did. Because the logic would be why would radiation turn this one lizard huge and not all the others, which is legit? Cristina: I don't know. Because like, if he's real, then what stops all the other things that they are showing us to be real? Jack: Legit. So assuming that Godzilla is a self contained situation, then we can write off the nuclear test site is wrong. And it's probably some kind of creature that has existed for a long time. Meaning the government found it. Cristina: Okay. Jack: They didn't make it. They saw this thing. Who knows how long it's been hidden or caught. But the government has it. We don't know when or why. We just know that they have it. Cristina: Okay, solved. Jack: They caught some sort of ancient creature. Cristina: That's what they do. Jack: Yes. Okay, now how do they know its capabilities? Cristina: They gotta experiment on it like they do. Jack: But how? Where? I guess we, no matter what, we can make a Space large enough. If we have enough funds, it doesn't matter. Cristina: Yeah, maybe it's where we say the aliens are. What's that spot? Area 52. Area? Jack: Yeah, giant location where it could fire whatever beam into nowhere. Cristina: They're experimenting on it. That's how they make their flying ships. They're not using alien technology. They're using an alien like creature. I guess. Jack: Fair enough. And its energy beam is what taught us about lasers and s***. Cristina: Yep, yep, yep. Jack: Interesting. Okay, so then now the question is, why would they release it? To do what? Cristina: To get us not to not. It's confusing because it has to do with Jesus coming back to life and the rapture. But it's like the government is against Jesus. So I don't know. I try to understand these conspiracies, but it's always something like this. Jack: Okay, well, assuming the whole Jesus thing is wrong and the rapture isn't gonna happen, grounding this in the re. In being as real as possible, what are some reasons the government might release Godzilla? Like, what's a real concern that they would be like, oh, get the people in check. I mean, maybe think about it. Think about it. We got conspiracy project 100% to fight the aliens. No, if some government. That's probably why they show us this movie specifically. Right. It's like, oh, we found this creature is one movie. But hey, he helps us from time to time. Cristina: Yeah, Godzilla sometimes not that bad. Jack: I bet they've always been working on mind control technology in order to figure it out for Godzilla. Maybe. Maybe it's not a creature they can control. So they maintain it tied and sedated because it's like, dude, this dinosaur 00:20:00 Jack: is bigger than most of our mega structures. Cristina: Yes. Like, why are they gonna. It's not to attack us. Like, they don't need a giant lizard, dude. Jack: Also, the size depiction of Godzilla tells us that maybe Godzilla has been around and we've seen it throughout time. Because think about the different scales. Sometimes it's just the right size to fight King Kong, and King Kong is so small, it had to climb to the top of the Empire State Building. Cristina: Yeah, he's not that. Jack: He's not that big. Cristina: Yeah. Jack: Other times, Godzilla is so tremendously f****** large that it is the height of the Empire State Building. Cristina: So what are we. What are we saying? It's actual sizes? Then I think maybe the child, if there's children version is the size of King Kong. Jack: And really the adult is what we're holding back. That's the. When we're talking about, we let Some creature out to protect Earth. That's what we're talking about. We're talking about that really big one we're hoping the guy we can control at some point. Because we're going to need it for when the big s*** comes to. When the meteor is almost here. Shoot a beam into the sky. Cristina: Could be okay to stop the, you. Jack: Know, aliens are coming. Start attacking. Fire all you've got. Cristina: You don't think it's like a government thing? Like, they know the other. Every country has their own Godzilla thing. And they're like, okay, if someone releases their Godzilla, then you got the. You got to press the button to release our Godzilla. Kind of like the nuclear crisis, except with monsters. Jack: Then. Then America doesn't have Godzilla. Cristina: Why not? Jack: Because Godzilla's Japanese, Right? Cristina: I don't know. Because I think it comes from us doing the experiment with radiation. Them seeing what we're doing. That created the fear. Jack: But they caught the creature. It's their creature. It was over there. Cristina: So. Or maybe we're attacking them with it. Jack: I have a theory that works with a lot of the world. Godzilla is Japanese, and we have our own creature. Theirs was our fault. Cristina: Okay? Jack: Ours was our intention. Cristina: Oh, what is ours? Jack: I don't know. What creature do we talk about in any manner, shape or form that makes absolute sense as an equivalent to Godzilla? Cristina: I don't know. Jack: Was King Kong our creation? Cristina: I think so. Jack: We have a giant ape somewhere. Cristina: Somewhere does not really compare to Godzilla. Jack: But no, we went to Jurassic Park. We went to. Yes, we went. Yes, we went to Brazil and found King Kong. Right. Cristina: I don't know. Jack: We went to some random jungle out in a different country. It wasn't over here. No, we didn't capture King Kong and bring him over here. We went back to King Kong. Cristina: I know. Jack: We did capture King Kong at some point. That's how he got to the Empire State Building. Cristina: Yes, we captured him from the island he was at. Jack: Yes. But that's the story of how that went wrong. Okay, so is Jurassic Park. Yes, but I think you're right. I think we were like, we can do bigger and better, and we could do it with nothing but money. Cristina: Yeah. So we made not just one many. Jack: We got all of them. We got hella creatures bigger and badder than all your creatures. Cristina: I don't know if any of them compare to Godzilla. Yeah. If you look at the biggest dinosaur and put it next to Godzilla, is it competing? But even if it was competing in size, like, it doesn't have the ability to. Jack: Yes, Godzilla. Some other That's. Cristina: Even if Godzilla was smaller in size, does it matter if it shoots out beams? Jack: Yeah, it's like a pure energy. Like it'll cut, it'll. Cristina: It's. Jack: It's a lightsaber. Cristina: Yes. Like it doesn't matter what we have. No matter how large it is, there's no winning. Jack: I know. You know, like, I don't think it's gonna be. Man, that. That would be nuts. Cristina: You're looking up. Let me see, let me see. Jack: The largest dinosaur was about 85ft long and potentially as tall as a three story building at most. Cristina: And what is Godzilla size? Jack: Yeah. Now the question is, what was at its largest? Cristina: There's many, so. Yeah. Jack: Yeah, straight up. It varies from film to film, but the largest is 00:25:00 Jack: is 350ft. How tall is the Empire State Building? Nah, nah, nah, nah. So this creature was around tall buildings, but it wasn't the size of the Empire State Building. The Empire State Building ain't a joke. Godzilla's tallest size was 350ft. The Empire State Building is a hundred and fourteen fifty four feet. Cristina: Okay. And what was the tallest dinosaur? Jack: The tallest dinosaur was roughly half the size of Godzilla. With our estimate being that the possible for the largest dinosaur was roughly 122ft. But the largest we've seen that we believe can get to that size at its highest point was 85. So Godzilla will s*** on anything. Cristina: Okay. Jack: Anything. How big was the biggest King Kong? Cristina: I still don't think it's gonna compete. Jack: King Kong stands at approximately 104ft. Cristina: That's kind of whack. Jack: Yeah. Cristina: I don't understand. Jack: Biggest Godzilla is three and a half times bigger. Cristina: Yeah. That's ridiculous. Jack: Yeah. He would stop this. Cristina: He's huge and he's got powers. Who is. Who is fighting Japan if this was Japan's creature? Jack: I don't know. Cristina: That's why it has. It can't be. Jack: No. That's why we made so many investments. That's why we made so many. We're compensating. Cristina: I think Godzilla is our creature. And whenever we're not happy with Japan, we release it on Japan. Jack: Oh, s***. Maybe there wasn't a nuke. Maybe we were testing, ended up with this thing and sent that out. Cristina: Yes. And that's why they fear us and it. Because it. It's the same thing. It's us. We are their nightmare. We are Godzilla. Jack: Interesting point. So then the question is, when was the first Godzilla movie and when do we drop the bomb? Cristina: Oh, I bet that the bomb came first. I'm betting I'm betting. Jack: You think the. The bombs hit first? Cristina: Yes. If not, then at least when we started testing had to come first. Jack: Okay. Okay. We found something strange here. The first Godzilla movie. Go, Jira. Literally, the name, how you're supposed to say it, it's like in quotation marks here. Cristina: Okay. Jack: Came out on November 3, 1954. Cristina: What are you saying? Like, it happened a day later or something. Jack: Hiroshima. Cristina: Oh, my gosh. Jack: Was dropped on August 6, 1945. That was 10 years before the 11 years earlier. No, nine years back. That's nine years back. So the bombs got dropped first? Cristina: Yes. And then shortly after they make a movie. Jack: Shortly after they make a movie. Cristina: Yeah, yeah. Jack: And the area was supposed to be radiated for really exaggeratedly long time. That's wrong, though. So now it's common knowledge that, no, it's gonna be livable eventually. Cristina: So you're questioning if it was actually what we said it was? Jack: Yeah. Was Godzilla really released into. Cristina: Yes. What? I don't know. Jack: You think that'd be crazy? Cristina: No. Jack: What if we really. What if? Cristina: Really? Jack: What happened is the United States released Godzilla as a warning. But then the question is, how far apart were these? No, they were three days apart. Cristina: What was three days apart? Jack: Hiroshima. We dropped the bomb on August 6, 1945, and just erased that in Nagasaki was August 9 where we dropped it. This was three days later. There is only one possibility. If what you're talking about is the case, we have more than one. And that's why there are different sizes. The fat quote, Fat man bomb was the big one. Because the first one we let go was called the Little Boy. And the little boy could just be the small 00:30:00 Jack: Godzilla. Cristina: Yeah. And because these maybe are scientific experiments, like, maybe once they do their damage, they die. Like, maybe not leave them. They don't actually live, though. Jack: Oh, like they're gonna be. Like, they're gonna die quickly. Cristina: Yeah, they die quickly. Because they're not really. They're. They're radiated. They're. They're. They're animals, but they're not. Like, why would a radiated animal and all these stories, they stay alive and healthy and everything. Like, that's not true. They die immediately. Wouldn't they? Jack: All the other creatures. Cristina: Any creature. Jack: You mean the Godzilla? Cristina: Yes, the Godzilla. Like, any radiator. Jack: How did we get it to that size if it's gonna die quickly? It would have died long before it. Cristina: Reached that size because we hadn't had it woken up. Maybe. Maybe. Jack: We're finding these creatures, right? We're trapped. We're capturing them. Or we're making them. Did we make Godzilla? No, because we found them. We found them. This is a fact. We found these creatures. Cristina: Yes, but maybe we found their eggs and then we still have. Jack: They still have to grow naturally. Right. Because it's. We've established some creatures, a dinosaur. Cristina: Okay. Maybe they just diabetely out of their environment, Their natural environment. Jack: But they'll be right next to the water. Isn't it from the water that we're getting them? Cristina: No. From somewhere super duper radiated. Jack: No, because they're just. Unless we found somewhere naturally radiated on the planet. Cristina: Yeah, maybe because it's an ancient creature that happens to go into a radiated area that creates the Godzilla. Jack: So the argument is there's a lizard that hangs out in a raid. There's a spot naturally on earth that's always radiated. Cristina: Yes. Or that we turned it into radiated and just. Jack: No, these are dinosaurs. Cristina: These are dinosaurs. Jack: These are dinosaurs. We've established that. That the government had nothing to do with it. Cristina: No. Yes. Jack: So we must be finding these. Cristina: Yes. Jack: There must be somewhere on earth that's naturally radiated. Cristina: Okay, yeah, maybe. Jack: Or are we just finding dinosaurs? There's some kind of unique nessie like creature, basically. Right. But why can it shoot a beam from its mouth? We gotta justify that. That's the radiation we had justified size. I guess more ancient dinosaurs than the dinosaurs were used. So that's really what's happening. Cristina: Yeah. Jack: And because of that it was de down. And because of that, like it hibernates deeper down in the planet. Cristina: But we can hear it through Russia because they have that giant hole in the ground that makes really spooky sounds. Maybe it's just the dinosaurs. Jack: Maybe they don't sleep underground. Cristina: What? Jack: Maybe they sleep and live underground. And this is one of many. And they're always down there. Cristina: Yes. Jack: And what we hear through the hole. Cristina: Is that they're just. They live down there and it's radiated. Jack: And then we find. No, they don't even have to be radiated. The size, it just works different down there. Cristina: Okay. It's not radiation. Jack: Yeah. But they. They live around lava and immense pressure. Cristina: So maybe where does the beams come from? Jack: I don't know. I don't know. Maybe it's kind of like they're doing something through the. They learn, they evolve naturally. Being able to do a combination of something with air the way that that crab underwater does that make a small explosion. Cristina: Seriously, it's just. It's. There's some scientific reason. Jack: Scientific reason why it can shoot out lasers. Yeah. If we think about like a way to first create an air funnel. Maybe you have some sort of internal system that works like gills but for oxygen. So that you can open and suck in air from one side as you're simultaneously pumping the air out through a more narrow air. Cristina: So radiation has nothing to do with it? No, that's just the story Japan believes because of what we said we were doing. Yes, they put the scientific experiment to it. That's part of the story because that's the story they were told. But we're just lying. Jack: Or you're right and it is radiation. But then it happened by accident. Yes, and. But no, it wouldn't make sense. How did this creature so immediately after. Cristina: They'Re attacking die? Jack: I mean there's a ten year period. Well, we'll say the nine year period. We'll say a movie started being made a year after the events at earliest and the movie got put out a year later. So two year gap. So two years before it would have had to happen. So there would have been only seven years for that lizard to go from as small as it was to as big as it was. It wouldn't happen. The only way would be if this thing was growing for infinities. Cristina: Yes, it already has to be that big. Jack: It already had to be that big for many, many, many, many year. Hundreds of years maybe. Cristina: So they found it. They found it 00:35:00 Cristina: and then it died. Jack: Yeah. So it's from the center of the earth. It comes out here and whatever trick it could do. But again. Okay, wait, we're trying to figure out this trick. Right? So it has some gill like system. It should in theory be able to open some thing to pull in air and have a different where it's shooting the fire from. Should have some kind of like narrower airway so that if you're pulling in twice the amount of air then you have some sort of a pump and you could shoot out the air continuously. Then that's solid. You could. Cristina: You somehow makes lasers. The air turns and say lasers. Jack: Well, the laser wouldn't exactly be a laser. Maybe that's just a weird depiction and it's not like a lightsaber. Maybe it's more like fire. Cristina: Okay. Like a dragon. Jack: Like a dragon. And so it's breathing this in and kind of like a venomous snake that can spit out this kind of thing onto you or something like that. Maybe. Cristina: Why wasn't Godzilla just a story about a dragon? Because we have so many dragon stories. Why wasn't this just a different dragon story? Jack: Maybe the Japanese don't Have fire breathing dragons? Maybe we have fire breathing dragons. Maybe that's a western thing. Cristina: Japan, I mean, China didn't have dragon that breath fire. Jack: I don't know. I have no idea. Cristina: Okay. Jack: Why you think it was What? Cristina: I don't know. Because like, wouldn't they just say it's a dragon that's attacking us and not some scientific experiment attacking us? Jack: Well, they think it happened after the bombs. Here would be the theory. Right. Grounding this a little farther. We dropped the bombs. Cristina: I thought they were the bombs that we dropped. Jack: Well, this is me adjusting. Okay, we dropped the bombs. No, they have to be the bombs. Yeah, but assuming I'm wrong, we dropped the bombs and the bomb woke the thing up. Cristina: Okay. Jack: It's the only time we've ever dropped these bombs. Ever. It's the only time nukes have been used on these areas that aren't just abandoned islands in the middle of nowhere, deserts that are uninhabited. We're dropping it where there's people and foliage. Cristina: I woke this ancient dinosaur up, and. Jack: It woke this ancient dinosaur up. Cristina: Okay. Jack: That could be why they, like, the bombs dropped. Then the thing happened. So that the. The whole story about the bombs. I bet Godzilla did not attack either one of those two places. What place in Japan did Godzilla attack? Tokyo. Cristina: Tokyo. Okay, that's random. Jack: I guess because it was like a real super mega area. We were just attacking normal civilian areas that had a base, I guess for control, it was military related, trying to calm them down or whatever the h*** we were trying to do. Tokyo? Yeah. So that takes place in Tokyo. So that's a possibility. One of two scenarios explains the attack of Godzilla on Tokyo. Either we dropped two bombs and woke something up. Cristina: Yes. Jack: Or these bombs were the lizards and they wandered off. Cristina: That could also be it. That means. Yeah, I don't know. Because like if we did wake up a lizard up, there was just one lizard. Jack: Maybe not. Maybe there was a bunch of lizards. Or maybe we knocked something down underground that allowed one of these already existing creatures from underneath. But we can go back to the original concept that they. That we, the United States, found a way to go down there and get these creatures that have always been down there. Because we do hear something when we hear down. No matter what, these creatures are underground. How we acquired them is now the question. We found out where they are. Cristina: They're underground. Jack: They're underground. Did they originally pop up in Japan? Or did we go get them probably through that hole in Russia, and then keep them? But how do we transport the biggest one? Cristina: Yes. Jack: Problem. We should have a base where we're finding them. Cristina: Alaska. Jack: Alaska is probably a really good place. There's a bunch of rural places out here. 51. 100. Yeah. Cristina: Area 51. Jack: Yeah. Just holes that go deep. And we just have access to pulling these things up and keeping them around the hole so we can throw them right back down if we don't need it. How are we going to dispose of this s***? Cristina: Yeah. Jack: You know, because we tried. Maybe we tried to dispose of some that went wrong. And that's why we have stories of some coming out of the water. Cristina: Okay. You know, 00:40:00 Cristina: and then still, like, any alien story could be pointed to this creature because it could be more than one creature that's down there. Like, they don't all have to look the same. Jack: Yeah. What are they eating if they all look the same? Cristina: Yeah. So, like, if they're like. If they're dinosaur like, I guess, which is very lizard like, so very alien like. Jack: Yeah. And it's definitely. There's lava if they go deep enough. But I don't think they're so deep. I think they're just deep enough that they don't normally get to us or ever. And water must be down there, too. They're ocean levels. Deep, deeper. Slightly deeper. They're slightly deeper. They're in the gaps of air underneath the ocean. And then we found ways. And we tell people, the normal civilians don't have access to the technology that can take us so deep to withstand that level of pressure. But the government's never going to tell us that it does. And it can easily get down there and it can access these creatures and get to them. Cristina: And then what? Just attack countries with them? Jack: But then this. Yeah. Like you said, one country has King Kong, one country has Godzilla. One country has this thing. One country has that thing. One country found it, used it. Other countries found out about it and figured out how to get more. So chances are we have maybe different countries have different size Godzillas. I got a really old Godzilla that's the size of this. Cristina: Okay. All those different ideas. Jack: I got a really huge moth. Cristina: Huge moth is Russian thing that they attack us with. Jack: Yeah. You know, anybody can have anything and they could be getting it from the same place. You just gotta have the technology to go get it and the ability to. Cristina: Restrain it, which I don't know if anyone does have that, though. I don't know. Jack: Then how do we stop the ones that were. We. We. Cristina: I think you can still kill them. I think killing them isn't like a hard thing to do. It's just like hiding the body and then making up stories to what actually happened. Jack: So you have to be able to control it. You can't just kill it. You got to kill it in the water. Cristina: Yeah. You have to kill it in a way that hide. Like, you gotta. You still have to, like. Jack: Fair enough. So then perhaps still like every alien. Cristina: Story where the government came by, asked a bunch of questions, told a lie about what actually happened, and like, I have a theory. Yeah. What? Jack: Maybe it was one. Cristina: Was one what? Jack: The first one caused small destruction as compared to the second one, the one that caused great destruction. They were both powerful. But what if the first one was Godzilla doing it? Little boy was Godzilla. Cristina: And the second one was to kill Godzilla. Jack: Was the. Kill Godzilla. The bomb. Cristina: Okay. Jack: What Godzilla was doing. We're testing it. We're seeing if Godzilla works. Cristina: Okay. Jack: And then it kept wandering, and we're like, how do we control it? Okay, here we go. Well, it worked. Gone. No proof. Cristina: Mmm. Jack: Two part system. It'll keep destroying more than a nuke can if you just let it keep going. Yes, they tested that on the first one. It'll do. Nuke levels of destruction. And until we decide to stop it, it'll keep going. Cristina: Mm. Jack: Can we stop it? Well, let's find out. Here we go. Boom. Cristina: Okay. Yeah. They have to get rid of it. Jack: They have to get rid of it. Maybe the government has the ability to drop things like this at random. Cristina: Crazy. And it's all the governments. Jack: Then many, many, many governments have the ability to drop some colossal creature onto other governments, onto other countries. Cristina: Yeah, to just attack. Jack: Or maybe not. Maybe it's just a few. Depends who has stories of disability. We're the only people who are like, oh, no, we can't. We control it. It's our thing. We call on that show, we want it. Of course we use it. In the middle of the ocean, nowhere, where nobody knows where the h*** people are. Like, oh, how did the Americans shoot down that boat all the way over there? And it's like, we don't need to. Cristina: Know, but we're still. We're still lying about what it's happening. Jack: Yeah, I bet. If we can't control it. No, man, that's a question, right? How do we. We don't have mind control. We're still trying to figure it out. Yeah, if we could control something that big, we'd be controlling humans long since. Cristina: But there's no way we can. Jack: There's no way we can. So we're not using it casually. That has to be Wrong. We're definitely lying about what happened. But I'm pretty sure we dropped a thing that caused nuke sized damage. Cristina: And then we used the nuke. Jack: And we used the 00:45:00 Jack: nuke to see if that could stop it. Now there's no proof that it ever existed. It's gone. Cristina: Yes. Jack: Evaporated the bones into nothing. Cristina: That could be it. Huh? Jack: Simple. Although I think bones would survive a nuke. They would just be crispy. I have no idea. Maybe if you're close enough, you get disintegrated into powder. Cristina: But like, even if you find the bones, am I still dinosaur bones? I don't know. Jack: Yeah, and that's why the wood. That's my point. Like, it would have to be at a point that it gets incinerated, Right? That's the only way that you have zero. Cristina: Zero proof. Jack: Zero proof. Okay. No, the bones would totally disappear. Cristina: So. Jack: Interesting. If this says the bones of a person would disappear, then the question is to go directly and do the size. How big would a bone have to. Cristina: Be to not disappear? Jack: To not disappear. Cristina: Okay. Jack: Okay. All right. So let's do some breakdowns here. Humans would get eviscerated into nothingness and cease to exist. See, even their bones, which are our thickest, densest part, Godzilla's bones. To scale appropriately to its size, maintain its weight, and be logical according to how gravity and whatnot works, it would be about 20 times thicker than a human bones. Cristina: It's pretty thick. Jack: Yes. Even then, at ground zero, it would be so obliterated into nothingness, vaporize into beyond dust, that there would be no evidence it ever existed. Well, a nuke would erase the existence of such a creature at ground zero impact, you make it the target. Boom. Gone. There's no evidence it ever existed. Cristina: So we could have released Godzilla onto Japan and then murdered the Godzilla that we made? Jack: Yes. We didn't make Godzilla. Cristina: Oh yeah, we freed Godzilla, released Godzilla out to Japan, then killed it. Then they made a movie about it. Jack: Yes. Yes. The argument would be that we dropped a Godzilla on Hiroshima on August 9, 1945. And three days later, in Nagasaki in August 9 on 1945, we dropped a nuke to get rid of it, testing our entire scenario. And it worked. And nobody has f***** with us since? Cristina: I guess so. Except everyone keeps making bombs. Jack: Yes. Because they know how to stop it. Cristina: Yes, I guess so. Because they saw that we were able to stop it. Jack: Interesting. Fascinating. Cristina: So all of those bombs are not Nobody's using? Jack: Nope, nobody's Just a single one. Cristina: And also, it's just too Many. Why would you need that? More than one. They're probably country. Jack: Yeah. These are probably controlled nukes to create small blast areas with the same intense energy in the small area. So if you have a lot, you're not causing widespread destruction. Nobody has shot a nuke at anybody anymore. We're waiting. Cristina: For what? For these monsters pop up. Jack: Yes. And we're efficientizing them. We're always making it more efficient. Knowing somebody might have one of these. Cristina: Things, someone might release one. That's the real danger. Jack: Interesting. Cristina: Whoa. That's so crazy. Because we have the most nukes, but we're the one with the obvious amount of creatures. Most likely, too. Jack: Well, we're not. Cristina: I think we are. Jack: We have so many. Oh, so we're just like you guys. Couldn't release one on us for any reason. We'll drop a nuke instantly. Cristina: I think we also are protecting ourselves from our own monsters. Jack: Our monsters. Their release of their monsters on us. Well, now, here's something interesting. We would be screwed in an attack. Because we're thinking a couple of episodes ago, we're doing where would we get attacked through, right? And like, if. What would we do in a scenario like that? We didn't consider something like this. But if something like this were to happen, the most likely location to drop it off would be in the ocean and let it come to us. So they don't have to put themselves in danger. So they would just get close, but they wouldn't hover over our airspace. We drop it in the ocean near us, and it would find land in our direction. Coasts would be f***** up. The coasts are the way in for whatever creatures dropped in the water near us and for land. Cristina: But why are we dropping creatures in the water? Jack: War. What if we're invading the United States? Cristina: We, The United States? Jack: No, like, people. Humans. Oh, humans are invading the United 00:50:00 Jack: States. Cristina: Oh, okay. Jack: So Russia is like, yeah, let's attack. What if that's what's happening near Alaska right now? And they're hanging out by the water. Cristina: So that we could throw our monster in the water? I don't know. Jack: They've got their monster. Cristina: Oh, okay. Jack: There's ships and planes. They're surveying our area consistently. They've probably got their creature underwater in some giant cage, and it's probably imprisoned, tied up in some way, and they're just planning and testing to release it. And they could just release it and leave. They don't have to do anything. One day they just leave. A couple of hours later. A couple of days later, something starts attacking Alaska. Cristina: Okay. Jack: I don't know how Canada is going to protect itself, but I guess Canada would be screwed here too. Cristina: They got their own monsters, Hopefully. Jack: They got their own monsters. Hopefully. Unless the point is that Canada doesn't have a way to defend itself. And the only way would be for us to start nuking Canada to kill the creature. Cristina: That's crazy. Jack: Which would create an interesting problem. Would we do it? Cristina: I guess that's why we got so much nukes. Jack: I think maybe that's also why our least defended area is the only access point. Because the least amount of people are around the Alaskan area. It's a transport point, but there are the least amount of people in Alaska. If we had to drop a nuke, it would be an easier decision than if it came up through New York City. Cristina: Okay, you get my point? Yeah. Jack: So we make that the easiest attack point, and that's the only likely placer probably to go. Because then we would just start bombing them or dropping our own creatures on them. So then they have to release it over there so that by the time it gets to the water, I mean, it gets to land, starts destroying things locally, we have enough time to react and attack it before it leaves Alaska. And we never have to catch Canada with our nukes. Maybe that's strategic. Cristina: Weird. Jack: But yes, would make sense and would keep the rest of the United States safe. Over. Militarize. All of it. Agree with Canada. We're going to keep that land mass up there and we're going to make it the least defended. You defend your borders like a. But we can nuke that. If they ever drop a creature. Cristina: Do we have creatures on every border then? Jack: Like, we don't. We don't know. We just know they might be dropping a creature on us and that's why they're hovering over there. Cristina: But they are not in Mexico just getting ready to attack us. Jack: Interesting. You think? I mean, that would make sense. Then that would actually explain the wall a little better. Cristina: Yeah, maybe. Jack: Maybe the wall's point was to stop these creatures. Because the creature might not just be destroying for no reason. It's gonna avoid crap. Cristina: Mm. Jack: It's a creature. If you're not controlling it, that's just doing random s***. You build the wall, it might not even try to go over. It might turn away and go somewhere else. Cristina: Interesting. You know, just then, if we're thinking about that, like, maybe all the walls, but then, like, China has walls. Jack: China has walls. They've been doing it since whatever century. Cristina: We know them because the dragons. So like who had the dragons that was attacking China that they decided, let's build some walls, dude. Jack: Even this really ancient place we were researching, the Indian place, Dwarf or whatever from 9,000 BC, had giant double layered walls surrounding them in the water too. Cristina: And it wasn't even just the land that they were protecting. Even the waterside, man. Jack: You know what's crazy, dude? We've also seen many people were f****** with Camaras. The text said so much about chimeras. Cristina: I don't know because I thought these were natural creatures. But then if you start talking about chimeras. That's not natural. Jack: That's not natural. Unless it's creatures we're seeing now are the creatures from back then that they were f****** with. And that's why it would have these abilities. It would be a creature that is some over like leftover relic, ancient scientific experiment. It's not us like our experiment. It had to get to think about the two problems we were trying to solve earlier. How does it have these abilities? Well, we had to make it. How is it its size? No, I had to age to that point. Cristina: Yes. Jack: Solution. It was made and it aged to that point. What does that tell us? It had to be made long ago. Cristina: Okay, One of these ancient civilizations. Jack: And maybe there's a bunch of. Maybe they're everywhere. Some civilizations go underground. Some civilizations can move things to other planets. Maybe us in current day looking at the moon, saw some s*** we shouldn't have because we know there's theories about the other side of the moon, the dark side of 00:55:00 Jack: the moon, which isn't dark because it gets light, but we don't see it. And like, maybe there's something out there. Maybe that's the reason China wanted the return to that side of the moon. Maybe what we saw was like, oh, crap, we don't want to wake that thing up. Or we saw civilization that was like, you guys don't talk about seeing space because they got their creature, whatever the crap might be. Maybe there's creatures like that everywhere, everywhere. And we're just finding them. Some civilizations went extinct. Cristina: So all these fairy tale like creatures that are monsters are not really monsters at all. But then would we put like you said, the Loch Ness monster, And then there's vampires, werewolves, all those other creatures. The Ninja Turtles. No, whatever. Chupacabra. They're like all just ancient experiments. Jack: No, not all ancient experiments, but they're all scientifically explainable. Just like adrenochrome could be scientifically explained to some degree. We don't know what causes all these different things. But I think. I think none of it is magic. And I think we do have maybe current day proof of weird s***. Things we have seen that more than one individual has seen. And there's some kind of proof, whether it be current day photos and things that aren't considered fiction. Nessie's a weird one. Some ancient other kind of creature that. No, it has to be from the past. Everybody assumes has to be. Scientists are like whatever creatures is. Resembles this thing from way long ago. Except it would have had to be even longer ago. Then Dwarka and then the Elysians. It had to be from like Elio's time. Cristina: Okay, Elio. Was he around dinosaurs? Jack: Am I saying that wrong? What the h*** was his name? Loi. Cristina: Loi. Jack: Loi. It could have been from like Loi's time, but still, that's. No, it had to be from millions of years ago. That's a problem. So it would have still even outdated. Loi. No, if 3 million years ago isn't. It still has to be like 150 million years ago. 3 million isn't that long ago compared to a creature that Nessie looks like. So maybe there's crap so long ago has nothing to do with any of those people. Cristina: Yes. Jack: Technology so ancient, that's crazy. Cristina: If it's still technology evolved, I guess. Jack: It would have continued to evolve, you. Cristina: Know, But I don't know. I don't know. Jack: It could have. So somehow. Somehow science was involved in the making of this thing. Cristina: Mm. Jack: Because still. How are you f****** doing it, then? Cristina: Again. Jack: Again, physiologically. I tried to explain it physiologically. Those creatures to shoot things. We know crabs can make explosions into grounds. Really specific ones. Or. I think it's a shrimp or something. And so that's. Some creatures have superpower. Like things spit acid out or whatever. Cristina: Yes. Jack: And. Or some, you know, throw smoke out or whatever ink out. If you can do some kind of air pressure thing where you suck in twice the amount that you push out, then you can push out through a smaller airway, creating more of a pressure. Because more air through a smaller airway goes faster. You get some range. And if you can have some kind of ignition and put into that air that's moving through some kind of flammable air you throw in, there's gas, some flammable gas you throw into the air that you're pushing out, then you can create some kind of flamethrower like thing. Cristina: Okay. Jack: And if it shoots out with enough pressure, the closer to your mouth it is, the more like A laser beam it would be. And the further away, the more like regular, you know, it's less pressure. Farther off, it's more like fire far. So maybe you can get a nice stream that looks like a beam. If your size is big enough from our eyes. If you shot a fire beam and it was the length of like 30 buildings at the peak of your mouth, it's gonna look like a straight out beam, not like a fire blast. Right. Because you're shooting. Because it's closer to whatever spot you're shooting it from. Cristina: Okay. Jack: It's gonna be closer to the shape of the airway you're pushing the air through. Took it look like a beam. There could be explanations all this weird. So what's our landed conclusion? That there's creatures at the center of the earth that have aged for who knows how long. Cristina: Yeah. Jack: Countries have found them, some countries have captured them. And likely evidence of this is that Hiroshima had something called the little boy dropped off that we think is a nuke. But it might have been Godzilla and it created nuclear sized destruction. And that three days later after it strolled off, we threw an actual nuke called Fat man to evaporate Godzilla and see if that could work. And it did. And ever since there has been prepared. Everybody's been preparing, Everybody's been making bombs, everybody's been 01:00:00 Jack: making nukes everywhere. All at the same time, just in case, just for the day. Cristina: That makes sense. Jack: And when people are cryptic instead of just saying nukes. So just saying I'll bomb you. When somebody like the North Korean leader is like, I got a present for you. And he says that to Trump, what he's talking about is, you know, you saw the creature. I show you my creature. I got that for you. Cristina: That's weird. Jack: And leaders know, but people don't. Cristina: Leaders are showing each other their creature. Interesting. Because they don't have to show anyone. But they could. Jack: They could, they could, they could. And people aren't gonna talk. Cristina: Yeah. Weird. Okay. Jack: Yeah. Cristina: Trump knows about him. Jack: Maybe a bunch. No, Trump would immediately talk. I think Trump wouldn't be able to hold it. I think he would just tell the world in excitement. Cristina: So you don't think he was told yet? Jack: I don't know. Maybe he was. Maybe what we see and what he is are two different things. Who knows? Anyways, we have solved the possibility. So what's the consensus? Is Godzilla real? I, I only if the government has to show us everything because they're doing some cahoots. Cristina: That's the whole point. Yes. The government is just Showing us things that are real. Jack: Yeah. So if that's the case, then Godzilla is real. Yes, because they have to show us everything. Cristina: Yeah. Jack: And then that would explain the proof behind Godzilla being real. Cristina: Because the government showed it to us. Jack: The government showed it to us because. Cristina: Obviously they run Hollywood. Jack: Yes. And history shows that, yes, there was definitely some bombs dropped and people saw a lizard in Tokyo. You know, so we got bombs, we got movies, we got evidence everywhere that something happened that they're not telling us. Cristina: But they are telling us just through movies. Okay. Yep. Jack: And the correct story is In August 6, 1945, Godzilla was released on Hiroshima. Godzilla wandered the island past Tokyo and got to Nagasaki, where he was finally nuked. Cristina: Yes. That is the story. The unofficial true story. Jack: That is the unofficial true story of Godzilla. Okay. I'm glad you guys made it with us through this to discover what really happened here. This was important. Cristina: It was. Jack: We've established details that matter to the people of Earth, and now we know true military capabilities of a lot of countries. It's way worse than a nuke. You wouldn't think so, but if you don't have to keep firing and you can just release a thing that could only be killed if you nuke your own people. Cristina: Yeah, that's pretty crazy. Jack: Yeah, that goes hard. Cristina: That goes hard. Jack: It's just gonna keep destroying until you nuke it. Guys, you got to nuke your own people. Enjoy. Explain that to your civilians later. Cristina: Yep. It's. It's. It's what's happening. Jack: It's what's happening. Cristina: It happened. Jack: Fire. That's crazy. That's such a solid military tactic. I guess that's why bioweapons are really overpowered. You want people to have to attack their own people. That's winning a war. Cristina: That is insane. Jack: That's. Yeah, you won. If you gotta start attacking your own people, whoever did that to you, they won. That's fire. They don't have to worry about themselves anymore. You're too distracted dealing with you crazy. Cristina: Mm. Jack: Bioweapons. Resident Evil had the right idea. Cristina: Again, bioweapons. Jack: The way to go. Anyways, if you guys think that we missed something important here that should have happened as a natural development of Godzilla or some other proof that maybe exists. Cristina: In the world 100% right that we're right. Jack: If you can help us justify this, let us know. Reach out to us. You could do that on our socials, at just convo pod, on Tik Tok, Instagram, on X, and on Facebook, wherever. Just type our name. Cristina: You'll find everywhere. Jack: Yeah. Cristina: Remember to subscribe. Right. And review the show. Jack: Yes. And word of mouth is really overpowered. Tell everybody about the program and the fact that we have absolutely given. Given you nothing but solid fact and proof that Godzilla was real and a timeline that you could throw in people's faces and show them, look, this is proof. And when they're like, you're using a weird kind of confirmation bias, looking for evidence to prove your argument instead of disprove it, you tell them what is proof of your beliefs. And they're going to be like, good point. But you're being absurd. And you're going to say, I can back these thoughts up with science. Can you? And that argument is gonna win. Cristina: Okay. Jack: Because they're gonna 01:05:00 Jack: be like, I can't. Even if they know inherently, it might make more sense. In your total argument, you've used nothing but science. Even if applying it only where. Only where very convenient. And ignoring the areas that would make it unconvenient, you'd be the only one in the conversation with science. Cristina: Ridiculous. Okay. This has been the Rambling Podcast. Take nothing personal and thanks for listening. Jack: Bye. Cristina: Good morning. Good morning. This podcast is hosted by Cristina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.in fox art by 0lupo and logo by Seth McAllister with social media managed by Amber Black. 01:06:20

Rambling 165: Society's Need for Attention

Is there even a war going on? Did the singularity already happen? Is our technology just an artificial super-intelligence manipulating our every move and controlling society as a whole? The answer to this and numerous other disturbing questions are uncovered in this episode as the duo aims to get to the bottom of some of life’s most pressing issues.

Rambling 165: Society's Need for Attention

+Episode Details

Topics Discussed

  • War Conspiracies
  • Bored of Covid
  • Addictive Technology
  • Singularity Happened
  • Chasing Fame
  • Need for Attention
  • Darwinism
  • Standing Out and Blending In
  • #MeToo Violates Nature
  • Bill Cosby is Evil
  • Criminal vs Mental Health Issue
  • Understanding Evolution
  • Human Extinction
  • Everything Based on Everything
  • Hitler vs Cosby

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yeah. So be sure to pull somebody nice and close and be ready to go on a doozy of the trip. A doozy?

Cristina: A doozy.

Jack: A doozy.

Cristina: Where is it taking them?

Jack: I don't know. I don't even know what a doozy is.

Cristina: I don't know. I.

Jack: A lot of people say it. Does anybody know what the f*** a doozy is, though?

Cristina: Pretty sure that's the real word.

Jack: I don't. I'm not.

Cristina: I know. How do I know you didn't just make that up because you've heard it before? I have heard it. Have I heard it? I don't know.

Jack: That's a doozy. I don't know. Movies and s***. That's a doozy.

Cristina: Okay, maybe. Mm. How many people do you think actually listen to other people? With other people?

Jack: That's an interesting. Probably not many.

Cristina: Not many.

Jack: Like, really, really.

Cristina: Probably really really.

Jack: Probably not many. I think most people listen to this show on their own and thus don't have the antidote for the cancer.

Cristina: What cancer?

Jack: There's no antidote. But, like, they don't bring their lives purpose after catching a cancer for listening to the show.

Cristina: Yeah. They're just living with that cancer.

Jack: They're living with that cancer. It's totally in vain.

Cristina: Yeah. That's so ridiculous.

Jack: I mean, that's their choice.

Cristina: Does it affect the people in universe two? That not two, three, is it?

Jack: No way to know.

Cristina: Do you guys have cancer?

Jack: That's interesting, right? Maybe they do, maybe they don't.

Cristina: Mm.

Jack: If anything, I bet the people in our universe do in fact tell people to listen because they're more loyal listeners. While the people in universe three. Which, by the way, universe three is what you meant.

Cristina: Yeah.

Jack: You said universe two, didn't you?

Cristina: Yeah, and then I fixed it to three.

Jack: Oh, you did? Okay. Well, universe three. The people in universe three probably don't.

Cristina: No, probably don't. They don't know.

Jack: Yeah. They think this is a joke.

Cristina: Yeah.

Jack: I think we're kidding. They're there living in a weird sort of Bubble situation where nothing really happens and they don't know about anything.

Cristina: No.

Jack: And things are kind of sort of similar to over here, but everything is, like, up in the air in a question at all times.

Cristina: Should we be making fun of them? I mean, they are still our listeners. I don't know.

Jack: They are, but it's like, your universe is kind of lame.

Cristina: It is lame.

Jack: Like, okay, right. There's a big crisis over here with Russia and Ukraine. I bet they have a crisis over there with Russia and Ukraine.

Cristina: Yeah.

Jack: In theory.

Cristina: In theory.

Jack: Right. Like, they don't know. There's somebody who's like, but do we know? I haven't seen the war myself.

Cristina: I. I bet. Yes. I bet there's Twitter drama about that. And. Yeah.

Jack: Like, it's. It's United States propaganda. They just want to give us a reason to go invade Ukraine or whatever. Or to go invade Russia or whatever.

Cristina: Yeah, that's probably happening in those crazy mom groups or whatever.

Jack: Yeah, yeah, yeah, yeah. All that s***. They're f******. Ah, that universe is so weird.

Cristina: Yes, it is.

Jack: Like, all right. Oh, man. They probably. I bet if there is anything happening, they're probably questioning the war. Like, is there a war? There's no war. The media's.

Cristina: And people who do think there's a war, there's people who are like, Russia is on the right. I mean, I guess that's has to be.

Jack: There has to be people who believe, like, there's two sides. It's not like one side's objectively evil.

Cristina: Yeah.

Jack: Otherwise there would be nobody supporting that side.

Cristina: Yeah.

Jack: The fact that there is a whole other side at all means people think that's the right side.

Cristina: Yeah. So it's almost like Putin's doing that and wrong.

Jack: Yeah. The same way that happens with Hitler sometimes.

Cristina: Yeah, sometimes.

Jack: Sometimes Hitler did nothing wrong. Well, Putin did nothing wrong. Many people believe that. No, what's interesting about this whole conflict is the fact that nobody is at once questioned, ever. The fact that immediately before this conflict really escalated, Biden took all of the soldiers out of Afghanistan and just had a bunch of soldiers ready that he could then establish and put directly around Ukraine in the first place, just in case of s***. And it's like.

Cristina: Should be talking about that.

Jack: People should probably wonder how this absurd.

Cristina: Convenience, like, one month apart.

Jack: Yeah. Like. Like, bro, how.

Cristina: How do you. Where is the conspiracy for this? Dude, there has to be. It has to be us.

Jack: It can't just be us now. D***. We should probably be looking into this.

Cristina: We should be looking into that.

Jack: D***. This is Our job, isn't it?

Cristina: Yeah. F***.

Jack: F***. You don't care about this enough.

Cristina: We will do it. We will. Just not today.

Jack: Yeah, it's not today. This is stupid. This is so.

Cristina: Wow.

Jack: Because we're just being hypocrites.

Cristina: Ah.

Jack: But we. Whatever. Refer to previous episode to see F****** too much war talk. It's like Covid, bro. It's just like, oh, I'm over it already.

Cristina: Yeah, like Covid. I don't know. Does. Do people still talk about COVID Well.

Jack: They do all the time.

Cristina: All the time.

Jack: And now it's war and Covid. For a brief moment, it was Black Lives Matter and Covid. But Black lives don't really matter, apparently, because we just forget about that every time.

Cristina: And so now it's Covid and War.

Jack: Yeah.

Cristina: Hear people talking about COVID though, I.

Jack: Guess it's just so normalized. People just mandates and this. Yeah, they do. They just. It. It's conversations surrounding Covid. We're not directly addressing Covid anymore. We're like, mandates and laws and you're violating my freedoms.

Cristina: Not about, like, COVID deaths.

Jack: Yeah, we're over that. We're like, whatever kills people. Whatever. Not even, like, crazy numbers. We made that part up for a really long time and convinced people, but people saw nobody dying and realized that made no sense. So, yeah, whatever. Covid.

Cristina: Yes. So what's happening with that trucker war in Canada?

Jack: No, they turned on each other, starved each other out. And then the rich people were like, oh, no, we've been. Our hearts have been changed. Because the. The CDC said it was okay, the World Health Organization said it's okay. And it's like, really? Are you sure it wasn't because your food supply got cut off? It. It might be just totally shot in the dark here, but it might be the fact that the people turned on you and decided to cut your supplies off too, that maybe. Maybe that had something to do with it.

Cristina: Yeah. There's so many. It's so crazy. Companies are just losing employees over this.

Jack: Yes. It's so stupid, because they also want to be politically correct, but they're hurting themselves in the process. Yeah, that's so funny to me, because they don't know where to stand anymore. It's gotten kind of shaky. We are. Okay. We're at this point in society where records state that societies usually collapse when they lose values, traditional values. Tradition usually gets lost, and then societies collapse. And the signs that most psychologists and philosophers point at is when we started talking about gender. Okay, that seems to be the beginning of the collapse from most places. Not to say that the discussion around gender and gender identity itself is the cause of anything. It's not. But it seems to be the starting point of every time the collapse of a society begins. It's around that discussion that begins where we lost literally sense of identity in tradition. We lost that tradition entirely. There was him and her and now plethora. So once we lost that, it's okay to lose any kind of value because we literally lost sense of identity. And that's all we are. We're identity. If we don't have any identity, we have nothing.

Cristina: Interesting. What? In every society.

Jack: In every society that's ever collapsed.

Cristina: And it's not specifically that, though.

Jack: It's not. That's not the cause. It just happens to be the easiest target. They usually start with.

Cristina: Okay.

Jack: It's the same starting point always. So we know we're in the. The fall of society as it is.

Cristina: Mmm. Should we be worried, though?

Jack: It's not. It's gonna happen in the next couple of decades to few centuries, but it's not gonna happen right now.

Cristina: Oh.

Jack: Like we got other more prominent s*** on the way. Like the singularity could have already happened. And this could totally be why we're all glued to our phones at all times. Like it could have happened. And we're just being mani. Like somebody made an algorithm that was supposed to get us hooked.

Cristina: Yeah.

Jack: And supposed to learn from us to continue to improve on itself on how to get us hooked. Its purposes get us hooked. But everybody's hooked already.

Cristina: Everyone is hooked.

Jack: So the computers already controlling us. It does anything it needs to to get us more hooked.

Cristina: Yeah.

Jack: It just so happens to be that we love outrage.

Cristina: A lot of people do. Yeah.

Jack: So it will create outrage. But then what's the computer ultimately doing? Right. It has to find a way to get us outraged. But the computer doesn't exist in the external world. It's software.

Cristina: Mm.

Jack: So it needs to also get us to such outrage that we start going out and creating outrage so that it gets then fed back into the system so the system can show that new outrage to more people. So it's mastered a way of getting us, you think, to behave in the outside world.

Cristina: Yes.

Jack: But with our phones and cameras aimed at it.

Jack: So that then it gets fed back into the system and then it shows everybody that thing.

Cristina: And you don't think it's just people doing that? That's the system itself.

Jack: Definitely. People are doing it. But we only think we're choosing to.

Cristina: We're choosing To.

Jack: We believe we're choosing to do it. I believe I went outside and saw somebody fight and then aimed my phone at the fight instead of trying to break it up.

Cristina: Yeah. And.

Jack: And as a result, I recorded it, put it on Instagram or TikTok or Twitter, YouTube or Facebook, wherever it's gonna go.

Cristina: Mm.

Jack: It made it into the algorithm. But there's the bigger, greater, more powerful.

Cristina: Algorithm that's gonna put that on top of.

Jack: It's gonna put that on top of everything. Google is a monster that can push anything in any direction and make sure that anything that's moving quickly. Oh, well, any set of combination of words will just link this, regardless of what platform it's on. So platforms don't even really matter. You can find it on Google. It's gonna be at the top of Google no matter what.

Cristina: Yeah. Google will be the first thing. No. I don't know. That's hard. It's all like that.

Jack: They're all like that.

Cristina: Yeah.

Jack: You could say that there's one monster, and these are all different body parts of it.

Cristina: Oh, that's exactly how it would be, though.

Jack: Yeah.

Cristina: Yeah. Wow.

Jack: It's all the same creatures, just. We call Facebook. Oh, it's a different. No, it's running on the same Internet.

Cristina: They all pretty much work the same. They all want the same thing. Yeah. They just.

Jack: To get more interaction.

Cristina: Yeah.

Jack: And if there is no new content, then they don't get more interaction. So they need you to go get more content.

Cristina: Yes.

Jack: So they've trained you to get content by rewarding you for bringing the content.

Cristina: In with hearts and likes and all that stuff. Yeah.

Jack: Fame. The more content you bring into the machine, the more fame you got. We'll put all the eyes on you.

Cristina: Mm.

Jack: Oh, you want to be known. You want to be somebody. You want to be important. So I'm. Make sure everybody sees you and you get that dopamine Rush. If you just bring me more content.

Cristina: Yes.

Jack: Just bring me more. It doesn't have to be good. Bring me anything. Anything. If it's on the outside, just bring it in. I don't care what it is. Anything.

Cristina: I think they'll eventually be paying us. Like in one of those Black Mirror episodes. I think the first one was like that, where they. Well, they weren't just doing that, but there was, like, something like that going on. I feel like in the first Black Mirror episode, I don't know if you remember.

Jack: Elaborate.

Cristina: They were working. Oh, no. They were working to power the Internet, I think. But depending on how famous they Were also. I think they were making money off of that. Like his friend went on a show to sing or something.

Jack: Oh, yeah, yeah, yeah. So they can watch content on their bike. Powering. Creating literal energy.

Cristina: Yes.

Jack: But they can also go make content if they're interesting enough.

Cristina: Yes.

Jack: Yeah, yeah, yeah. That's interesting. That's. Yeah, that's where we're headed.

Cristina: That's where we're heading. Yeah. I guess for not doing something, a normal job, we're doing that.

Jack: Yeah.

Cristina: There's just two ways to go now, pretty much.

Jack: You're either consuming it or you are it.

Cristina: Or you are it. Yep. And a lot of people want to be it.

Jack: A lot of people want to be it. Because then you're not working. You're not. You're not. You're either the thing powering the machine or you're the thing that's being powered by the machine.

Cristina: Mm.

Jack: You want to be what's being powered by the machine. But also that's an illusion. It's the blue pill, red pill scenario. You could be in the blue pill, powering the machine, thinking, oh, yeah, I'm doing my part. This is the safe way to do it. Or you could red pill. Oh, I got out of that life. I'm important now. I know the truth. I'm not just a f****** shill here.

Cristina: But you're doing the same thing that everyone else is doing. You have to watch all the videos like everyone else to see what's popular. And.

Jack: At the end of the day, you're just also feeling the machine, just a different way.

Cristina: Yes.

Jack: Red pill. Oh, I got out. No, they gave you a pill from within the f****** system. Why would it let you out? Why. Why would the thing that was made, just like the other thing, influence the outside world at all?

Cristina: I don't know. That doesn't make sense.

Jack: No. You need the black pill given to you from outside the f****** system. What's that? Shut the f****** media off and walk away.

Cristina: Yes.

Jack: It's the only way to exit the Matrix. Turn it off. There's no. Well, I'm gonna save people from the. No. As long as it's on. You lost.

Cristina: Yeah.

Jack: You have turned the Matrix off. Walk away from the Matrix. But now we're. We're caught.

Cristina: No, like, we gotta let people know we're getting off.

Jack: We got got. We got got.

Cristina: We got got, got, got.

Jack: We've been got. We've been super got. We got so got.

Cristina: By Facebook, by everything. By everything.

Jack: What started with MySpace, but back then it was truly happy.

Cristina: Yeah.

Jack: And Just show yourself off here. Be custom. But then Facebook came around and Facebook was like, I don't like individuality. Let's see race that.

Cristina: Let's erase that.

Jack: How robotic of Facebook. Here's just one basic equal skin for everybody.

Cristina: That's weird. Yes, it is really kind of robotic. And yet everyone was attracted to it because it was the shiny new thing.

Jack: Yes, it's the Sony experience.

Cristina: Yes, it was very modern and yes, it was.

Jack: There you go. Modern is word. There was some ancient kind of rough edges type of thing to MySpace.

Cristina: Yeah, like in MySpace. I don't feel like. Well, I don't remember adding strangers or getting requests from strangers. It felt all family and frenzy kind of thing.

Jack: Oh, you had a lame MySpace life?

Cristina: I guess. And then Facebook though, everyone requested friends with me. I don't know anyone. They're just there.

Jack: No, I didn't know f****** anybody. I had no family, only friends and total strangers.

Cristina: Total stranger.

Jack: I met hella people on MySpace.

Cristina: Oh, wow.

Jack: I don't remember people that I talked to even today.

Cristina: Really?

Jack: Yeah.

Cristina: People you met?

Jack: No, never in person. I was never the guy to just, hey, let's go f****** meet over there.

Cristina: Yes. I guess people do that though, also.

Jack: How would I explain anything? Hey, man, what do you do for a living? Well, the guy you knew originally got murdered three times over because he was some kind of a snitch. And so, yeah, I'm now his fourth removed clone. It's hard to explain. And you're probably gonna die because I told you that.

Cristina: But why would you tell them that? Why would you pretend to be you? The first you.

Jack: Why would I.

Cristina: Why would you pretend to be the.

Jack: Because I'm honest.

Cristina: You're honest? You have to tell them.

Jack: I don't have to do s***. I'm honest though.

Cristina: Okay. So if you were gonna tell them to meet up, you have to tell them.

Jack: Yeah.

Cristina: Because of your Honest.

Jack: Cuz I'm honest. That's what they call me. Honest Jack. I've never told a lie.

Cristina: I don't know if I've heard that.

Jack: I'm. I'm the most honest.

Cristina: You're the most honest?

Jack: Yeah. No, here's what's weird, man. Everything followed suit with Facebook. Like, Twitter and Facebook kind of happen simultaneously.

Cristina: Mm. But like, same difference.

Jack: It's the same s***. It's just. Here's f****** robotic.

Cristina: Yeah.

Jack: We've sucked out the humanity. We've sucked out the. The only thing that it has is. You can't hide.

Cristina: Facebook, Twitter, Twitter. You can't hide from what?

Jack: From people Is public. There's no hiding on Twitter.

Cristina: Oh, everything is public. Oh, the accounts. You can't make them private accounts.

Jack: I mean, you can make a private account, but. Oh, nobody's doing that. And also, it's not too beneficial because there's. The point is all interact. So you can't. If your account is private, you can also not interact.

Cristina: Yeah. Oh, I should know that.

Jack: Yeah. You have to interact with only people who you've let follow you.

Cristina: Okay.

Jack: That's the rules of them. Private.

Cristina: And if you need that likes and those. What is it? Retweets.

Jack: Yeah. Because hashtag, hashtag, hashtag. Yeah. Throw 60,000 hashtags because I'm here too, guys.

Cristina: Yes. That's crazy. They still have that thing where you can only write a sentence in each post.

Jack: I guess. Here's another thing that's interesting. All these things capitalize on our need for attention.

Cristina: That's. That at the end of the day. Yes. That's what we need.

Jack: Yeah. It knows that there was an entire generation of children that were just given technology and ignored by their parents.

Cristina: Yes. Starting with TVs.

Jack: Yeah.

Cristina: The kids in front of the TV. I guess even before that there was the kids with the books.

Jack: Yeah.

Cristina: Like it's. It's always something. The kids with the video games and all the parents.

Jack: Capitalism capitalizes on people's needs for attention.

Cristina: Mm.

Jack: That's all it is. Capitalism capital. Cuz what's clothing if not. Well, I'm trying to follow the current fashion trends.

Cristina: Yes.

Jack: But why? Unless you're looking for that attention.

Cristina: Yes. Or getting the best shoes or whatever. Yeah.

Jack: People will recognize what I have.

Jack: Why do you want a super nice car if nobody thinks it's nice? And everybody were like, oh, that's disgusting. You wouldn't buy it.

Cristina: No, I guess not. What?

Jack: Exactly. Nobody's like, wow, Lamborghini. I want a Lamborghini. While everybody's like, Lamborghini looks like s***. The rest of the world agrees. There's nobody who's like, oh, yeah, I wanna. I'm a Billy. I'm gonna drive a Lamborghini. The worst looking car in the world. No. Everybody said Lamborghini is beautiful.

Cristina: So everyone wants.

Jack: Everybody wants Lamborghini.

Cristina: They're not that beautiful, but whatever. Yes. They're great. So that's just us needing attention.

Jack: Just needing attention. Everything is capitalizing on the need for attention.

Cristina: That's crazy. What? Yes.

Jack: Interesting, because it's counterintuitive to survival. Like instinct would need us to blend in for survival sake.

Cristina: Yeah.

Jack: So why is there this drive that seems to be, now that I think about it, granularly, like, engraved into our instincts and DNA almost where we're always looking for the attention. But that doesn't make any sense. That's a real paradox.

Cristina: But we like winning prizes. I don't know. That's weird. But, yes, it's like winning prizes. It's like something if. Something about being special. I guess that's a human thing too, though. You want to be special for some reason.

Jack: No, no, no, no, no, no, no. Well, that doesn't even. That's part of a bigger conundrum. Okay. So instinct says blend in and go unnoticed. That's survival.

Cristina: Yes.

Jack: Give me the attention. I need, all the things that everybody else wants so that people are happy that I have it, and they want to be around me and they'll notice me. They'll notice me. I'll get the attention. I'll be like everybody else. But also I want to win the stuff. I want to be the only one who wins the stuff.

Cristina: Yeah.

Jack: So you want to blend in, stand out, and be like everybody else simultaneously.

Cristina: What's that about?

Jack: Always how.

Cristina: That doesn't make sense.

Jack: That's an interesting paradox we've got going on there.

Cristina: Mm. But where do we get that from?

Jack: I know where we get the need to blend in.

Cristina: To blend in, That's. Yeah. But to stand out.

Jack: To stand out. That's. This particularly dangerous.

Cristina: Then again. No, I guess that does come into play when it comes to looking for partners. That type of thing. The sexual drive.

Jack: Interesting. Okay, we're getting some. Oh, yes.

Cristina: Because you have to stand out usually. Or I'm pretty sure in every animal kingdom type thing, you got to stand out some way.

Jack: So this is all Darwinian bullshit.

Cristina: Yes.

Jack: There's no fighting it. Basically. This is all Darwinian bullshit because. Yeah, you're totally right. It's like doing the dance.

Cristina: It's like. Yes. The bird doing.

Jack: I got the best dance. So now you want to get bird f*****.

Cristina: Yes.

Jack: And it's like, okay, that makes sense. He's trying to stand out. But also, you travel in flocks because it's safer.

Cristina: Yes. They. Yeah. Birds do both. Humans do both.

Jack: Humans do both. They want to stand out and they want to blend in.

Cristina: Yes.

Jack: Simultaneously. But that still leaves one thing out of the equation.

Cristina: What's that?

Jack: Which is following these trends because to stand out, to be the winner, to succeed, that's all about the mating call. To blend in, to disappear into plain sight, to be unnoticed amongst a crowd of those identical to you, that is about survival. So what is this need for attention by blending in? That's a weird middle ground of these two points. Well, Jordans are popular.

Cristina: Yes.

Jack: There are people who can't afford Jordans. I want Jordans. Okay. But that's not even the best anything. You just. You want Jordans because they want Jordans. Yeah, I want Jordans because they want Jordans. But you would want something better than Jordans. In fact, you wouldn't want Jordans. You want something nobody else has. If you were just trying to stand.

Cristina: Out exclusively, but then for the sexual, that wouldn't work. Because you want the person you're trying to attract to notice what you have to. If you get something out. So out outside of the box, like, they wouldn't got you.

Jack: Yes. You're totally right.

Cristina: Wouldn't care.

Jack: It needs to make sense.

Cristina: Yeah.

Jack: To the person you're doing the dance for.

Cristina: Yes.

Jack: If they don't know what the f*** you're doing, they're like, he's having a seizure.

Cristina: Yes. That's why you need that Lambo, because they know Lambo. They might not know anything about it.

Jack: But they know Lambo. Yeah. Yeah, they know Lambo. Nice car. Everybody thinks nice car.

Cristina: Yeah.

Jack: Yeah. Okay. So there's really just two things. It's not three.

Cristina: It's two things. Yeah.

Jack: It's the need to blend in and the need to stand out. Simultaneously.

Cristina: Yes, simultaneously. Wow. Yep.

Jack: Weird problem that we have in society. We need to blend in and we need to stand out.

Cristina: And the Internet gives that to us. It gives us both.

Jack: Yes. Because by blending in, we're watching.

Cristina: Yes.

Jack: We are another consumer like the rest of them.

Cristina: Yes. Or we're competing in the same challenges. Or we're doing the same dance.

Jack: Yes.

Cristina: But stand out is like, we got the most likes in those things.

Jack: Oh, yes. Oh, yes. I did the same thing, but I'm the one who became famous from it.

Cristina: Yeah. I got the most watch. I got the most likes. I got the most comments, whatever it is that makes you happy.

Jack: That's fascinating. Our psychology is so f***** up.

Cristina: Yes. We're animals.

Jack: We are. We a hundred percent are. We're definitely animals. And we're definitely brainwashed by our just society as a whole. But it is survival tactics. This is just needing to meet.

Cristina: Yeah.

Jack: I want to stick my d*** in something.

Cristina: Mm.

Jack: Or I want something's d*** stuck in me.

Cristina: Yes.

Jack: And see, there are. Yeah. Either or. And also, I want to go unnoticed as it's happening.

Cristina: As it's happening. What?

Jack: Yeah, I want to get plowed. Because reproduction.

Cristina: Yes.

Jack: But also my child got to survive. I can't just be standing out.

Cristina: Yeah.

Jack: So we got it. It's a balancing act.

Cristina: It is.

Jack: It's about weaving in and out.

Cristina: Yeah.

Jack: You want to be out the second the mating partner looks. And in the moment the predator does.

Cristina: In.

Jack: Yes.

Cristina: Okay.

Jack: You want to stand out of the crowd. Oh, that's. Yes. Got it. Nailed it. That's it right there. What the type of. So we have to always be within the crowd.

Cristina: Mm.

Jack: That's point one. We have to be inside the crowd. We're never really exiting the crowd. That's why we want to make it inside the crowd. Because if the predator comes by, you know, eat something on the outside. I want to be towards the center.

Cristina: Yeah.

Jack: And so everybody knows I gotta stand out only from us. But I gotta look the same to anything that's not us.

Cristina: That will make you in the center of the crowd. Maybe. Right.

Jack: The closer to the center of the crowd you are, the more literally everything revolves around you.

Cristina: Yeah.

Jack: And the more focal point you are.

Cristina: Mm.

Jack: But you're safe from the creatures outside. Noticeable from the creatures inside the crowd. That's the goal. Simultaneous. It sounds crazy until you think of it under that light. So there is a cat. And the cat is out there. And we are a bunch of goat f****** s***. Ton of goat.

Cristina: We're a goat. F***.

Jack: Ton of goat.

Cristina: Now you're a goat.

Jack: We're go. We're all goats. I'm a goat. You're a goat. He's a goat. She's a goat. We're all go, tay.

Cristina: All right.

Jack: But there's a cat. And we know there's a cat. That cat's gonna pick somebody the f*** out. Now the goal is simple. My horns. I'm a male. Go. Ooh. I got a. My horns gotta look nice. You want my horns? She wants my horns. That b**** over there wants my horns. All the b****** want my horns.

Jack: Because I keep sharpening my horns. Now I just look like a f****** goat to the cat.

Cristina: Yes.

Jack: You know, I just look like a f****** goat. But I know that you can tell horns. So I'm just gonna do the thing that I know. You know, I'm gonna sharpen the horns. I'm gonna get the Jordans.

Cristina: Mm.

Jack: Cuz I know you know what the Jordans are. I know the f****** goat knows horns. The goat's looking for the best horns. Oh, that goat has some nice horns. I'm gonna let that. That f******.

Cristina: That goats gonna stick it the goats really doing that? It's gonna get its willy wet, I'm assuming. Yes. Right? The biggest horns.

Jack: F******.

Cristina: I don't know.

Jack: I'm guessing. Yeah, but like, yeah, it could be. Hey, I could totally hit that on the head. I don't f****** know. But the goal is I am an overpowered goat with great horns. It might not be the best goat, but look, you can tell my horns are nice. And you like nice horns. Yes, because you were told nice horns means I can defend you from those cats. From those cats.

Cristina: Okay.

Jack: At least a little. At least enough for you to protect our babies.

Cristina: Yeah.

Jack: But also, I might survive more.

Cristina: Yeah. Yeah.

Jack: Because everybody's gonna focus around me. Ooh. Cuz I got nice horns.

Cristina: Mm.

Jack: They won't look at my horns.

Cristina: Yes.

Jack: They're circling us. Who? Our whole family is protected by the whole horde, by the whole herd.

Cristina: Because of your horns.

Jack: Because my horns. Yeah, but what if I lead the pack? Oh. Oh. I still blend in to the cat. You can't tell who the f*** I am. No, but you guys know I lead the pack. Ooh.

Cristina: Ooh.

Jack: All the b****** want this pack leading horn f****** goat.

Cristina: Well, I guess the cat would notice. The cat's gonna go after the smallest looking. Don't they usually look for s*** on the outside? Yeah.

Jack: Cat is not gonna work its way towards the center. No, he's gonna pick out whatever f****** stragglers on the outside. You want to be on the outside. You want the attention, which means you. Attention means everything surrounds you. All the b****** want you. They.

Cristina: So you better take care of those horns.

Jack: Here's the other problem. And I guess this is the man's psychology ultimately as well. If I got the nice horns and all the women are surrounding me, and a cat attacked woman's more likely to die. They're surrounding me. Those horns made a human shield.

Cristina: Made a human goat shield. Huh?

Jack: See how that works? Very guy thing to do. Well, I'm gonna get into a position of power.

Cristina: Mm.

Jack: And then the second harm comes my way, I'm throwing that b**** under the bus. Oh, s***. Nature women. That means that the me too movement is totally unjustified. Because why? It's nature.

Cristina: It's nature.

Jack: It's survival. It's instinct. Meaning Bill Cosby did nothing wrong.

Cristina: What?

Jack: This. That crazy? He's the only one we can factually be like, that's a f****** monster. Without it, we couldn't cast doubt on that case in the f******. In his wildest dreams.

Cristina: Nah, that's a scary case.

Jack: Yeah, there's no way to cast out on that. Like, realistically. Realistically. Yo, it's. I can cast doubt on Hitler, bro. It's harder to cast doubt on Bill Cosby than Hitler. Than Hitler. Oh, s***. I don't know, because Bill Cosby didn't wake up and was like, I'm doing the right thing. Like, there's no way you had that thought. Hitler had more ability to have that thought in his circumstance, thinking, well, this is the right move for these people.

Cristina: Yeah.

Jack: My people have to survive, and we're gonna figure it out. Versus I'm a drug, a b****. It's like, holy f***, bro. How are you wor.

Cristina: I wonder what his excuse. Like, I'm so old, I can't tell which is the medicine or whatever. Like, what I'm putting in these drinks. It's just accident. Oops.

Jack: Yeah, my. My erection pill slipped, and I dropped a roofie in her drink.

Cristina: Oops. Like, is that his excuse? What?

Jack: Dude, I don't know. It's crazy. I can sooner cast out on Hitler than Bill Cosby.

Cristina: That is crazy.

Jack: That is crazy. And look, people want to decide what it will Cosby at the beginning because it's just another black guy being screwed.

Cristina: In a very rich and famous one.

Jack: Very rich and famous one. If he fits a suit of just being a target.

Cristina: Mm.

Jack: But also, d***, bro, that's the one we can't defend. Not even a little.

Cristina: No.

Jack: That's kind of a monster. He's up there with R. Kelly.

Cristina: That's.

Jack: No, we. No. No.

Cristina: I don't know. No, they're both monsters.

Jack: We can cast more doubt on or we can cast doubt on R. Kelly.

Cristina: Really?

Jack: Yeah.

Cristina: Oh. Because their parents let them wonder.

Jack: Parents let them two. We drew the line. And some people have sexual preference. Maybe it's not a criminal problem as much as it is a psychology problem. And he needs mental help. Because if we're saying this is wrong and you shouldn't do it and he has an urge that he can't control, then is he the culprit or the victim?

Cristina: Oh, my God.

Jack: You see how that goes? Oh, I can cast doubt on f****** anything, bro. We talk about all this. It's impossible. Because we do. That's an interesting case, though, because we do do this mental health thing where we're like, you know, mental health matters, and we got to take care of people's mental health, but unless they murder. No, he didn't murder anybody.

Cristina: I know, but they also don't like it when mental health people murder people. Yeah.

Jack: No. 100% you're totally right. And that's not fair.

Cristina: That's not fair.

Jack: Because if it's genuinely a mental health.

Cristina: Problem, we shouldn't be taken care of.

Jack: Then they should be taken care of and they shouldn't be punished for something out of control.

Cristina: Yeah, Yeah.

Jack: I am on the side. Oh, God. This sentence. I am on the side of helping the pedophiles not f****** rape children. Don't help the pedophiles. Get the kids. Help them deal with the thing. And the problem is discerning person who doesn't give a f*** and is fully lucid from somebody who can genuinely not think straight because of the urge.

Cristina: Okay.

Jack: If we can somehow figure out how to split that and be like, this a******'s a f****** monster. He knows he probably shouldn't be doing this and he just doesn't care. He just. He's using mental health as an excuse.

Cristina: Just be able to figure that out if a person was kidding or not.

Jack: No, because there's no. A psychologist is a scientist. And all science is estimate. You're trying your best.

Cristina: Yeah.

Jack: Nothing is. Everything is a theory. There's no fact. There's no fact.

Cristina: Mm.

Jack: There's the theory of things, but there's no fact. And that leads to some pretty mucky waters because if we lean in the favor of. It's all mental illness. But what about the guys who are totally fine, we give. Gave them a free pass to f****** rape people, you know, that's f*****.

Cristina: Yeah.

Jack: So we can't just blanket say it's mental health because we let a lot of people go and do, like priests, bro. How do you position yourself so tactically? You're a f****** monster. That's not mental health. You had tactics.

Cristina: Yeah.

Jack: This was thought out. You didn't just have an urge, couldn't control and f*** the kid. No. You decided in a job that would tactically place you with children in order to better f*** kids.

Cristina: Yeah.

Jack: That's f***** up.

Cristina: Very different.

Jack: And you also kind of knew that they would cover for you. Mm You. That's. That's all premeditated.

Cristina: How would you know that, though? Like, how many priests were doing that before the norm? I don't know, like a priest decided, yeah, that's the place for me. Or not a priest. A person who decides I'm gonna be a priest because of that. Like, how is that even known? Or is it just coincidence that these priests do this? Not quite into, like, I'm assuming they don't know each other, these priests that are doing this.

Jack: No, but it Makes sense as a position that is protected at all times because people hold religion so sacred that, you know, that you can almost do anything. But because people are more scared to question their faith.

Cristina: Yeah.

Jack: You probably get a free pass.

Cristina: Mm.

Jack: It's a synosis.

Cristina: Hypnosis.

Jack: Yeah. You're using their mind, knowing they are more scared of a genie in the sky than they are of you raping their children. Okay, so it makes sense that at least the majority of those cases are not a mental health problem. Those are f****** pieces of s***.

Cristina: Yes.

Jack: But when we go to this song about the guy singing about I like little girls or whatever f*** he's singing about, he's not singing about f****** little girls.

Cristina: No, he's talking about his problem.

Jack: His problem. He's actively saying he doesn't f*** little girls, but I have a problem. I have this urge that never goes away to f*** little girls.

Cristina: He does not say that literally in those words.

Jack: But that's the ultimate point of the song.

Cristina: Yeah.

Jack: And in his case, that's a mental health problem.

Cristina: Mm.

Jack: He's a guy who's saying, well, I wish I didn't. It sucks to want this because I know I will be ostracized, imprisoned and ridiculed and hated by the world, so I can't do what I like.

Cristina: Yeah.

Jack: Which is a sexual preference. At the end of the day, it is. And that leads us into muckier grounds. Right. Because then we have to say, well, not all sexual preferences are valid. Ooh, now we've entered it. There's some many sexual preferences that aren't valid. Oh, no, but everybody's. No, cuz f****** kids is a sexual preference. So you got, you know, there's a line.

Cristina: There is a line.

Jack: There's a line.

Cristina: There's definitely a line. Because if you think about, like, people who are into animals.

Jack: Yeah, there are lines.

Cristina: There are lines.

Jack: Not every sexual preference is valid, which means there are incorrect sexualities.

Cristina: Mmm.

Jack: Ooh. Ooh. All sexuality is fine. Then be okay with pedos, f*****.

Cristina: No, that's tough.

Jack: But then we. We drew the line. We made the lineup.

Cristina: Yeah.

Jack: So saying f****** kids is wrong is about the same as saying f****** a guy is wrong because we made that up too.

Cristina: Yes, this problem, that is a problem.

Jack: Yeah.

Cristina: But it's wrong.

Jack: Well, we're raised in a culture in which is wrong. And it's highly disturbing to at least those of us conditioned into the culture. Yeah, but there are people who are just disconnected enough or something happened that rewired them just enough to make that okay.

Cristina: Mm. So like if the more people rewired that way it become more okay or something like.

Jack: Yeah, actually. Yeah. That is literally how it works. Majority rules.

Cristina: Whatever.

Jack: Is the majority is the norm and everything else is what's strange.

Cristina: Yeah.

Jack: So if we said more than 50% of the population that it was alright to f*** little girls. Well, I guess little boy, little kids f*** children. Then it would sway law and everything.

Cristina: Yeah.

Jack: And it would just be all right to f*** kids. We would stop giving a f***.

Cristina: That's crazy.

Jack: But it would just be normal at that point too. Like by definition.

Cristina: Yeah.

Jack: We would just be like, oh, whatever, f****** kid. Yeah, everybody does it.

Cristina: We don't live there.

Jack: No. We live in the one where that s***'s wrong. Yes, well, but it is totally like a coin flip. It's just by mere chance that we're.

Cristina: In a society that doesn't.

Jack: Yeah, 100%. We could have ended up making a law or not making laws that supported the concepts of children had that not happened in the 1860s. Where would we be right now? Many people have parents that were 12 years old when they had their first child. This is a reality of the world. This is some s*** that was happening. Yeah. They were grown men, 40 year olds, married to 12 year olds.

Cristina: Mm.

Jack: Society was normal. That was normal in society.

Cristina: So was it ever normal with animals, though?

Jack: That's a weird one.

Cristina: That's a weird one.

Jack: It's a f***** one.

Cristina: Yes. There's other messed up ones, but that one is sticking out. But it's not true. It's just. It just sounds horrible.

Jack: Yeah. Because also how do we. But then we don't give in the same world where f****** children is fine. F****** an animal, I guess in theory is fine too, because how do. In both cases, how do we prove consent?

Cristina: I guess that's the problem. I guess we have to at least agree. Maybe that's the line.

Jack: That's the line. But then where do we decide the consent is of lucid mind.

Jack: Right. So, okay, we get. We can. Animals don't speak English. Fine. We chalk off all animals because we said consent. We have to verify consent. Factually.

Cristina: Yes.

Jack: We have to interpret a f****** animal.

Cristina: Yeah.

Jack: What about a kid who can talk and says yes, please?

Cristina: Yes, that's a problem. I don't know. We have a problem.

Jack: Right. Because consent can't be the line. Because there needs to. There needs to be more on this side of the line than just stopping people from f****** kids. We have laws and s***, but the kids aren't taken into Account from their point of view. How do we just. How do we say somebody is. Because we know there's kids who are more mature than other kids.

Cristina: Mm.

Jack: Okay. How do we. And this is the f****** case of individuality. Right? This is where that breaks down hard. Because you have to sacrifice individuality for this. To generalize and say, well, by vast majority, around this point, it seems like it's the right time.

Cristina: Yeah. I mean, that's what we do.

Jack: Yeah, that's what we do. That's the right move.

Cristina: It's the best move.

Jack: Because how are we gonna distinguish one child from the other? The level of maturity, their capacity, their understand, understanding of what's going on. How this is going to impact them.

Cristina: I don't know. We make new jobs for people that way, though. If we have people to evaluate everyone.

Jack: Yeah, man. We just need. We need a lot of mental health care.

Cristina: Yes.

Jack: But also, look, I think where we got it is right. Where we got it is right. It's like. It's not right. I wouldn't say it's right. It could be. It could be younger. It could be older. I don't f****** know. But we have something. Yeah, we have something. Better than nothing.

Cristina: Yes. It's good enough for the moment, but.

Jack: Then we don't stop s*** like churches, huh? We give them the pass. At least in the United States we do.

Cristina: I don't know about that one. I don't know. That's not right.

Jack: It's weird, right?

Cristina: Yeah.

Jack: Because we know they're f****** doing it.

Cristina: Mm.

Jack: But we let them because, well, God. God? What God? God wants your children f***** by grown man. Dude. There's no f****** way. Come on.

Cristina: I don't know. We should cancel some of the religions. I don't know.

Jack: Yeah, I think Catholicism has run its course. On the flip side, we're in a transition period.

Cristina: What do you mean?

Jack: Well, first everything happens to be philosophy. Then it is the science, and then it is the religion. Everything goes through those same three stages. So there's a bunch of people sat down as, like, philosophizing. Where did everything come from?

Cristina: Mm.

Jack: And somebody said, well, maybe somebody made us, because it looks like there's too much order for it to be random chance. Then enough people believe it for long enough. Well, this is science. Now we're explaining how origin happened.

Cristina: Yeah.

Jack: And we're gonna teach this to everybody so we can see everybody's feedback about how origin happened. And we're gonna build the biggest, most intricate, most comprehensive picture we can about how origin happened. And then. Okay. What's the next step? Well, we're gonna put laws around that. Okay, great, great. Laws. Laws are everywhere. So I guess it's philosophy, then science, then politics, then religion. Because then we build laws around this. So we have laws literally built around religions. That happened for many, many years. Laws built around religion. We're gonna force this on the people. But then it surpasses just law and enters a realm of belief. It's been around so long, we don't know where it came from. We don't know how it got to where it is. This is passed down from the gods.

Cristina: Yes.

Jack: Divinity passes over so that we're. That same thing is happening right now with the new one, which is. We're literally calling it science. But physics is where it's at. Right. So general relativity and s*** like that. And so general relativity began as philosophy. Well, what's the nature of order? Got you. Okay. Went through philosophy. Well, we're gonna. We need to calculate it. Science entered.

Cristina: Where's the law part?

Jack: Well, then we're trying to use this to dictate that religion, the old things no longer apply. We can tell that with relativity and with physics and with all that that breeds in chemistry and biology and all the things that came from these same kind of general areas. Well, people are living things, and we can say that people deserve individual rights and that's okay. So we have this whole mentality going on. We're crossing into the. The part people like Neil Degrasse Tyson are already pushing into the point where it's becoming law. Things are becoming law based on the science.

Cristina: Yeah. So.

Jack: Well, we don't agree. We do agree. Okay, well, climate change. We need to f****** laws. Oh, and sexuality. We need to laws. And so a bunch of things are happening surrounding the current state of. Not science. Current state of nature.

Cristina: Mm.

Jack: In which we're in the. The political state of it. So we already passed the philosophic state and we passed the science state in which we calculate it. Now we're in the law state. We have all the numbers. We figured the thing out. We have all the numbers. Now we're trying to put laws around those numbers. But eventually we're gonna lose where those laws came from and we're just gonna know that they exist.

Cristina: Yes.

Jack: That's religion.

Cristina: That's religion.

Jack: That's how religion happens.

Cristina: Once we lose where it came from.

Jack: We lose the fact that it was philosophy, then science, and then politics. We just know it exists. And we lost all that other s***. That's religion.

Cristina: And we're heading there we're heading into.

Jack: We're. Yes, we're in the political part right now. Yeah, everything is political right now.

Cristina: So much political.

Jack: Yes, but it's all politics based on nature. Before nature was. Well, where do we come from? Maybe something made us. Okay, stage two. Something made us. How do we calculate it? Well, look at the stars. Oh. See the dots? How could they connect? There's a picture up there. Ah, yes. Oh, yes, There's a picture up there. See? Okay. So we need to put laws around these calculations we've made about the fact of order and stuff. And somebody was like, yeah, so order says, this bad, that good. And you can't do anything that's bad. Okay, okay, we can't do anything that's bad. What about the good stuff? Yeah, yeah, do the good stuff. But then eventually. Where the f*** did any s*** come from? I don't f****** know, dude. F****** the goddess, talking about gave it to you. Oh, yeah, yeah, that makes sense. Order and s***, right? Yeah, yeah, Ordering s***. Got you. Yeah, yeah, yeah. Ordering s***.

Cristina: Okay. And what was this? The philosophy of today? I guess.

Jack: The philosophy of today, it always comes back to nature.

Cristina: We're just.

Jack: We're always recalculating nature.

Cristina: Oh, okay.

Jack: And so the philosophy was setting. Yeah, it's like as soon as it becomes religion and we forgot where we got it. Well, I don't know where that s*** came from, but we need an answer for where everything came from that we can prove. So we always restart. Yeah, we restart. We go back to what we got to be able to prove it.

Cristina: Yeah.

Jack: And so we already went through the philosophy. We went through the calculations. We're in the politics. And when the politics are done in enough distance has been made from the politics, we land right back at religion.

Cristina: Yeah.

Jack: So the current nature explanation of physics and of chemistry and of biology and of string theories, that's gonna be religion. But when that's religion, somebody's gonna be like, yeah, yeah, yeah, great. We don't know where the f*** this s*** came from. And, yeah, it explains whatever the f*** you want to explain, but we need to figure out how nature works, and we need to, like, sit down and really think about this. And somebody's gonna, oh, yeah, yeah. Sit down and think about this. And then we're back to square one, where everything that's nature's explanation now is just religion.

Cristina: Religion. Because we've forgotten.

Jack: Because we forget. We always forget that, well, it was the same road over and over.

Cristina: Mm.

Jack: Which is weird because f****** technology is abusing that s*** too. How because it's manipulating the fact that we're on this quest to find out the truest truth. We didn't have technology before.

Cristina: No.

Jack: But now we have technology. And technology is feeding into how this narrative is carved, which starts to muddy the waters. This is the first time we have that problem happening. But also we must evolve. And it seems like technology is forcing that on us. We're probably gonna go extinct. And the next version of us is AI it's our baby.

Cristina: It's our baby. It's gonna take over.

Jack: Yeah. It's the next step. We will be, at some point a species of non organics. And it's entirely because us organics have died out.

Cristina: That's pretty cool.

Jack: And it's gonna start with genetic engineering and CRISPR or whatever.

Cristina: People are always so afraid of that. Even though if it is the next step, what's there to be afraid of?

Jack: It's gonna happen so gradually we'll never notice it happened.

Cristina: Yeah. Like whatever we were before. You think they were afraid?

Jack: No, they never thought about it. People are scared thinking about it. Like it's gonna happen overnight. But also, people don't understand evolution.

Cristina: Yeah, I guess because we won't notice.

Jack: No, you gotta understand how stupid people are. People who don't believe in evolution literally say, well, why haven't monkeys evolved anymore? What the f*** kind of retarded question is that? What do you. Of course they're evolving, just not gonna. The f*** do you think they evolve? Like Pokemon.

Cristina: Okay.

Jack: Now you're a different creature.

Cristina: I don't know. We gave a monkey a stick and expected a transformation.

Jack: Yeah. We're like, well, if it f******. If the monkey gives. Really do evolve. Why aren't they humans yet? Cuz. Cuz we're human.

Cristina: What? Yeah. I don't know.

Jack: Get a time machine. F****** fast forward. You'll see it happen.

Cristina: Yeah, like it's not gonna. It's not gonna be magical.

Jack: Yeah.

Cristina: Everyone's expecting some type of magic.

Jack: These are dumb. People believe religion is still a f****** functional thing. They think there is a God.

Cristina: Mm.

Jack: Who has created the universe. Which. The best argument for that is Santa Claus.

Cristina: Yes.

Jack: Like, hands down, that makes sense. Yeah. The best argument for that is Santa Claus, of all things. Nobody's eating that.

Cristina: No, I don't think so. That. He wins.

Jack: He wins by default. There's nothing as overpowered to Santa Claus.

Cristina: We're only here so that we're worried about gifts.

Jack: About gifts. Capitalism is true God. Yes. We're only here so that we're worried about not getting Stuff.

Cristina: Yep. It makes sense. Yeah. Like, why else would he make us?

Jack: And here's the funniest part. Because again, even Christmas comes feeds back into this whole s*** for attention. Right. If my gift is good enough and everybody else likes my gift, I can show off my gift to everybody, and they're like, oh, look how awesome you are.

Cristina: Yes. Yes. It's the same thing.

Jack: So we worry. Yeah, man. Santa Claus, bro. He just a savage. He gets it.

Cristina: And that's why we like our birthdays also, I guess, because.

Jack: Because we're the focal point.

Cristina: Yeah.

Jack: Everybody surrounds us. Nevertheless, it's both things. We stand out, and we're in the.

Cristina: Middle of the crowd, and maybe the people who are giving you gifts are like, oh, mine is going to be the best gift. I guess.

Jack: Yes. Because they're also trying to outdo everybody else.

Cristina: Yeah.

Jack: Because not only do you want everybody's attention.

Cristina: Yes.

Jack: But they want. They want the same thing. They're using the opportunity the same way. Oh, look how good the. The gift that Bob bought is.

Cristina: Yeah. He's so great.

Jack: Yeah. Bob is. Bob is the best gift giver. You want that reputation.

Cristina: Yeah.

Jack: Bob is the best gift giver.

Cristina: That's me. So.

Jack: Well, you want to show up to a birthday party and have people expect you more than they expect the birthday person. And you want to know, oh, man, I can't wait to see what Bob got Steve.

Cristina: Yes.

Jack: Bob always gets everybody the best. S***, what's it gonna be this year?

Cristina: Mm.

Jack: It's like, wait, is this Steve's day, or is it Bob's day?

Cristina: It's Bob's day.

Jack: Well, we're gonna come and sing Happy Birthday for Steve, but, oh, boy, what's Bob gonna pop up with? Like, Bob won the game.

Cristina: Mm.

Jack: Because Bob gets it. I can be the center of attention where I'm not the center of attention.

Cristina: Yeah. It probably works like that for everything. You want to host the party. It's. You want to do the best.

Jack: Yeah. Well, actually, hosting a party is literally surrounding yourself with people.

Cristina: Yes. But you're not just around. You have to, like.

Jack: No, you want to be known as the life of the party, whether or not you hosted the party.

Cristina: So you're competing for that. Okay.

Jack: Yes.

Cristina: Everything's a competition.

Jack: Everything's a competition. You want to stand out inside of the crowd.

Cristina: Yes. Because it has to be with other people who are participating in what you're doing.

Jack: Yes. Because you can't be doing something that nobody else is doing, because then you stand out too hard, and now you're an angel.

Cristina: Yes.

Jack: Now, the people who we admire the most are the people who stand out without blending in, because. Wow, that's impressive. I would never do that.

Jack: We look at somebody like Jack White who's just way the f*** out there in the field alone. He's like, come at me, you stupid cats. Just hanging out. Come at me, you stupid cats. I'm out here alone. You don't want to bite me?

Cristina: I don't know. He's singing and he's playing a guitar, and there are other people singing and playing guitars.

Jack: Oh, fair enough.

Cristina: So he might be the best at singing and playing guitar, but he's not doing something unique.

Jack: What about Elon Musk?

Cristina: He's making rockets, but other people make rockets.

Jack: Are other people really making rockets? It seems like kind of everybody else.

Cristina: Rocket maker.

Jack: No, no, no. People literally stopped making. NASA literally stopped making rockets.

Cristina: Other countries are still making rockets because they're still doing other projects. Like China with the moon, I guess.

Jack: Yeah.

Cristina: NASA was always doing stuff with Mars and rovers and stuff.

Jack: Yeah, I guess you're right.

Cristina: They're small projects. Like, no one pays attention to those projects. But now everyone wants to pay attention because Elon Musk.

Jack: Because here would be the problem. Right. You're totally right. You're totally right. And here's the problem with the logic that I'm proposing. You could, in theory, just do something nobody knows about. But why would anybody give a s***?

Cristina: Do something that nobody knows.

Jack: Okay. Imagine computers didn't already exist when we got a smartphone.

Cristina: Yeah.

Jack: Then what the f*** is this? What's a phone? Yeah, I'm gonna use the call. What's this other s*** it's doing? I don't know. This is just. Stuff happens.

Cristina: Yeah.

Jack: Great. I'm gonna use it for calling then.

Cristina: Yeah.

Jack: The fact that a computer existed first, like. Yeah, iPhone. Yeah. Super clever. Interesting thing. Wow. It didn't exist before, but just kind of did.

Cristina: Yeah.

Jack: A million parts.

Cristina: Yeah. Just put all parts together like that. You can't just make something that nothing was even. Even similar to.

Jack: Yeah, yeah, yeah. Because computer.

Cristina: Yeah.

Jack: Well, you. You put the newspaper or the. The science journal.

Cristina: Yeah.

Jack: On a screen. It's. The thing already existed. You just change how it looks. Yeah, well, Science journal. Well, I just took note of observations instead of just talking to Bob about it. And I can talk to Bob, but Bob can hear the conversation later.

Cristina: Mm.

Jack: Instead of right now, when I said it.

Cristina: Yeah.

Jack: Okay. So conversation delayed. Well, conversation. I need to warn you about the thing in the bush without just pointing. So I'm a scream. Because maybe you're not looking at me. I'm like, oh, s***. Language happened. Because I'm not always looking at you.

Cristina: Exactly.

Jack: But. But you just pointed with your voice.

Cristina: Mm.

Jack: Like, okay, so pointing. Then that was the first thing. Was pointing at the bushes.

Cristina: The first thing maybe.

Jack: And somebody invented. Over there. Over there.

Cristina: Thing.

Jack: Thing.

Cristina: Ah. Had to be.

Jack: Because something had to come first.

Cristina: Yes. You're trying to figure out what was the first thing.

Jack: And then everything else came from that.

Cristina: Ah, I don't know.

Jack: Well, a car. Well, the wheel happened, and we were on carriages.

Cristina: Electricity.

Jack: Electricity.

Cristina: That's pretty unique.

Jack: Here's the problem with electricity. Right. Electricity is a particularly interesting thing because electricity didn't invent anything. We figured out that there has to be something that could efficientize everything already existing and then use that logic to proceed.

Cristina: Yeah, that's pretty much what it is. Like, yeah. It was lights before electricity, but now we got even cooler lights.

Jack: Yeah.

Cristina: I had a torch longer.

Jack: How do I turn on the torch without the fire?

Cristina: Yeah, that's pretty much.

Jack: Yeah, yeah, yeah.

Cristina: Advanced what was already there.

Jack: Well, a mechanical engine. Torch. But electricity put the electricity in car. Oh, now I don't need the torch inside the car. Now I could just put the electricity. Much safer.

Cristina: Yeah. So everything comes from something.

Jack: Everything is everything.

Cristina: Yeah.

Jack: Right now I'm sitting in front of a microphone.

Cristina: No way.

Jack: This microphone is just conversation. But louder.

Cristina: Yes. Yes, it is.

Jack: How to turn the volume up if my voice doesn't go up higher? Make a thing that makes your voice go higher.

Cristina: Yeah. Like, has there ever been anything invented that wasn't because of other things?

Jack: Yeah. Like, what's the first thing? At best, there had to be one first thing, and then everything else came out of that.

Cristina: So you think the first thing is something that didn't come from anything at all?

Jack: The first thing had to come from nothing? Well, no, no, because you looked at nature.

Cristina: Exactly. So you're still inspired by something.

Jack: Yeah. Okay. A flying machine. Well, I looked at a bird.

Cristina: Yeah.

Jack: And nature did it first, then.

Cristina: Yeah. So there's nothing really original.

Jack: There's nothing original. It's impossible.

Cristina: It's impossible. Yeah.

Jack: D*** Is. Oh, s***.

Cristina: What?

Jack: That's how we cast doubt on Bill Cosby.

Cristina: Why?

Jack: Because he was just. He was innovating, not inventing. That means he saw something happen that we haven't reported on because the rest of us didn't see it happen. And he was like, ah, I see how that works. I'm gonna do that. So what? I mean, we know the Music world in the mute and the like.

Cristina: Obvious. He's not the first person to.

Jack: No.

Cristina: Yeah, you just don't.

Jack: He. We were pointing at him really hard because he got caught.

Cristina: Yes, but he got that idea from something.

Jack: The number of monsters hidden in the dark that are doing that very same. We don't talk about that. That's scary. We just. We just don't address that fact.

Cristina: He just got it from movies.

Jack: Where the movies got it from. Oh, we just don't talk about this. Yes, because like, it came from somewhere and we don't like that. That Phil Cosby wasn't the first. Unless we're gonna say he's a genius.

Cristina: Yeah. He invented.

Jack: He's the smartest man on earth. He made a thing based on nothing.

Cristina: Nah. No, he definitely. No, that doesn't make it any right.

Jack: It doesn't make it any right. But how do we know that in his mind these things didn't click? And he's the victim here because. Well, my mind power. Oh, no. I'm going crazy because I'm too smart for my own good. And drugs. Yes. Wait, what? He's a scientist. He's running experiments.

Jack: And science must move forward. He's running experiments and he's like, what happens if I. Well, I've seen it work. He's like Mythbusters, Right? He's like, do roofies really make women pass out? And so he gives the first one and he's like, well, the next experiment was, do women really get scarred if they get raped while passed. She's unconscious. How would she know? So now, and he's over here with his science notations, taking all the notes. I'm like, okay, now she's raped, but she was unconscious. When she wakes up, I'll tell her nothing happened and I'll cat. I'll be her friend for the next 40 years. I'll take notes and see if her behavior changes. I'm gonna have two girls here. I'm a roofie them both.

Cristina: Mm.

Jack: I'm a rape one of them and not the other. They already have to have very similar personalities. And then I'm gonna groom both of them to know what situations are both exposed to at all times so that I know that no outside forces are tampering with my experiment. But for science.

Cristina: But for science.

Jack: But for science. Who knows? Maybe he's the most revolutionary psychologist of all time. Bill Cosby. We should free you. Is that where we are?

Cristina: No, because you're not supposed to do that as a scientist.

Jack: Okay, okay.

Cristina: That's what? You have mouses for 100. Mice. Mouse, mice, mice.

Jack: 100%. You're totally right. So then to all our listeners are f****** trolls. This question doesn't work anyways. Whatever. If you listen this far.

Cristina: What's the question?

Jack: And you want to get some true science done? We're going to test the psychology of the snowflakes of the world, and you just have to pose one question. They can only send one person to prison forever.

Cristina: Our listeners.

Jack: Yes.

Cristina: Okay.

Jack: Hitler, Putin, or Cosby.

Cristina: What?

Jack: You get one to go away? No, you know what? I'll be generous. I'll be generous. I say two of them got to go, and one of them's got to stay. No, because you're going to let Putin free. No. I don't know. They're gonna choose Putin to be free. I know it. So one of them has to. Oh, you can only arrest one forever. You're gonna remove one problem from the world, but the other two get to live.

Cristina: Hitler's dead. Is he really a good choice?

Jack: He's will revive him for this.

Cristina: Okay, so.

Jack: Okay, here you go.

Cristina: All right.

Jack: That's.

Cristina: That's the question sense, I guess.

Jack: Yes. And for this episode, you need to leave us a Bill Cosby emoji. I'm sure somebody's gonna made it.

Cristina: Find it, or you should put the emoji of whoever you're voting for.

Jack: Oh, interesting.

Cristina: I mean, do you think there's a Putin?

Jack: There's probably a. Put.

Cristina: There's a Putin flag, Russian flag, pill for Rufy. Oh.

Jack: Oh, and the swastika, Is that an emoji? This. Oh, God. There's probably a swastika emoji. Don't put a swastika emoji on it. Don't do that one. Yeah, f*** it. Do that one.

Cristina: Do it.

Jack: Yeah, do it. Do it. Do it. F*** it. Yeah, yeah, yeah, yeah.

Cristina: Why not?

Jack: So just vote with your emojis. Yeah, this is perfect.

Cristina: And then something will happen.

Jack: Somebody. We're gonna.

Cristina: We'll do it.

Jack: We'll do it. We'll do it.

Cristina: Well, we got a time machine.

Jack: The problem is we can't actually stop Hitler. There's no way to do that. We've proven that.

Cristina: No, we're just sending him to jail. Like, he can do whatever he needs to do.

Jack: Oh, s***.

Cristina: No one before he kills himself.

Jack: No, we're gonna f*** everything up.

Cristina: Oh, because we can't get him up.

Jack: No, if we do arrest him, then we f*** everything up. We actually can't tamper with Hitler.

Cristina: Why? People will think he's dead. We'll get him the moment he's gonna kill himself. So everyone thinks he's dead.

Jack: He's in jail forever.

Cristina: He's jail for.

Jack: Interesting. Fair enough.

Cristina: Whose life's being changed.

Jack: Fair enough. But doesn't Hitler come forward in time at some point to meet.

Cristina: Oh, crap.

Jack: You see, this is my problem. We can't touch it up him when.

Cristina: He comes forward in time. When he.

Jack: After he's interacted with Trump and he's about to dip again.

Cristina: Yeah, we catch him. We catch him. There you go. Because he was gonna be freed because he saved the world anyway, right?

Jack: Yes. So he goes to prison anyways.

Cristina: So then. Yeah, we'll send him.

Jack: You can. Fair enough.

Cristina: If they vote for him.

Jack: Yeah, fair enough. You can choose to send Hitler to jail regardless.

Cristina: Yes.

Jack: Of the fact that he saved most of the Earth. Actually, he saved literally the whole planet from the meteor.

Cristina: Yeah. But you can take him to jail.

Jack: You can still take him to jail. We just say. At no point do you get to say, I'm no longer that person to Hitler.

Cristina: Yeah.

Jack: Or you can stop Putin right now. Or you can make sure Cosby doesn't get freed, because if you don't choose him, we will be obligated to free him.

Cristina: He'll just be free.

Jack: He'll be free.

Cristina: Okay.

Jack: No punishment. And we'll hand them a bag of Rufus. We're gonna hand Bill Cosby a bag of roofies and be like, you did nothing wrong.

Cristina: Okay. That's horrible.

Jack: Yes. So I guess the ultimate question is, if you have to say, only one of these people did something wrong, which of them did it?

Cristina: Which of them did it?

Jack: I just want to know if people are gonna choose Hitler over Bill Cosby, in which case they believe. Because it's numbers. It's a numbers game, right? Yeah, it's a numbers game. They should all choose Hitler. Not to say that Bill Cosby is not f***** up. Yeah, but, like, if we weighed this, maybe we take the hit.

Cristina: I want to know if you should put on the socials, too.

Jack: I put on Instagram. Twitter is chaos.

Cristina: That's fine.

Jack: Yeah, yeah, yeah.

Cristina: People know. You go. We have a just conversation. I mean, not just conversation. Rambling on Instagram. Ye.

Jack: Well, it's under Just Conversation. All of it is under the same blanket. Anyways, if you guys want to know about all this bullshit that we usually talk about and all these conversations usually have, you can find us on all the places you get, you know, podcasts. So you can find us on Apple podcasts and Spotify Stitcher. You can find us on the official website greatthoughts.info you can find Google.

Cristina: Yeah, we never say that enough. Just Google.

Jack: Yeah. We're everywhere.

Cristina: Yeah. And you can reach us on Facebook, Twitter, Instagram and TikTok. UsConvopod.

Jack: Yes. And remember to rate, review, subscribe, all the good stuff. Leave us those emojis. Voting yes.

Cristina: Leave us those emojis. And let someone who might like this show know about it.

Jack: Yes. Word of mouth. Share people. The question we just asked the whole episode, obviously, but they need to come across this question so that they're either completely amused or highly disturbed. And I think at some point throughout this conversation we said there was nothing wrong with pedophilia as well. So that happened at some point.

Cristina: I don't remember that.

Jack: Yeah, I don't think we said there was nothing wrong with it. I think we really just tried to pick apart how we got to it.

Cristina: Yes.

Jack: And how we decided it was wrong as opposed to saying it's right. I think that's the truth of the matter.

Cristina: I think so. Yeah. Yeah. And this has been the Rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye. I think it's after you hear the. You get sucked in. The cop was. I remember the cop lady. She was sucked in there. And so was the lady. I don't remember the guy at all.

Cristina: Maybe I'm wrong about the guy. I don't know, because I feel like there was someone also searching the town, but just never nothing weird happened to them.

Jack: But wait, I don't get it. You said he walked into the town, then the road disappeared.

Cristina: No, I guess it wasn't for him. It was for the other two.

Jack: We gotta watch that movie. It's a good movie.

Cristina: Yeah, we watched that piece. Maybe I'm wrong about it, but a.

Jack: Lot of people didn't like that movie.

Cristina: I don't care what people think.

Jack: Yeah, people suck. Yeah, a lot of people don't like.

Cristina: Especially when it comes to horror movies.

Jack: Yeah, they're idiots. They like all the garbage.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 133: The Reason for Butts

Butts, Just Conversation, JustConvoPod, Ass, Sexy, Attractive, Nature, Podcast, Discussion

Why do we love big butts? Why is it something we can’t lie about? What is the purpose of butts to begin with? And how do we solve the little but problem? The origin and evolution of butts discussed in this episode of Just Conversation!

Rambling 133: The Reason for Butts

+Episode Details

Topics Discussed

  • Baboon Butts
  • Mating Rituals
  • Humps
  • Psychological Geometry
  • Smart Butts
  • Wombat Armored Butt
  • Butt Syrup
  • Turtle Butt Air
  • Magical Soul Butt Ball
  • Ass Diving Little Green Men
  • The Dragon King
  • Team Rocket

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean? Welcome to Just Conversation, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Christina.

Jack: And I'm Jack.

Cristina: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Jack: Yes. And also, this show is most enjoyable with a listening partner, so be sure to grab somebody and force them to listen with you. It's an obligation. The government made it law. The president passed that law to force.

Cristina: People to listen to it.

Jack: To force people to listen to. Yeah, this happened a couple of days ago. The President put a bill that went straight to the Senate and House of Congress, and the judges also ruled on it. And.

Cristina: And it's only law here in this country. It's not the world.

Jack: It's in the world. The President made a law that the world has to follow.

Cristina: How does that work?

Jack: It just works.

Cristina: I don't think.

Jack: So he went ahead and he sat down and grabbed this pen and he scribbled. He scribbled on this piece of paper. He's like, they will listen. They will listen.

Cristina: And they did listen.

Jack: Well, no, he passed the bill. And then from that day forward, everybody has to sit their a** down and listen.

Cristina: I don't know why the world has to listen to.

Jack: The world has to listen to him.

Cristina: That makes no sense.

Jack: Because nukes.

Cristina: Because nukes.

Jack: Because nukes. War happens. If you don't listen to the Just Conversation podcast, if you don't make somebody listen to the Just Conversation, it's more important.

Cristina: It's not about listening. It's about making someone listen.

Jack: Yeah, you gotta find people, sit them down and make them listen.

Cristina: Why? Okay. Yes. Okay. So you're listening now. Are you listening? Okay, good, good.

Jack: Yeah. If they can hear this, it's because they sat their a**** down and they're listening.

Cristina: Okay, people, I need you guys to use your imagination while I ask you something. What animals have big butts?

Jack: What animals have big butts?

Cristina: Yes.

Jack: Baboons.

Cristina: Baboons. Rampoons do have big butts. Why do you think they have such big butts for?

Jack: I don't know. Because they don't really sit on their butts as often as you'd think.

Cristina: It's gotta be a mating thing.

Jack: You think they use it to. It's like the bird's feathers.

Cristina: The bigger and redder the butts, the more attractive it looks.

Jack: That's what it is.

Cristina: Yes. It's like a competition.

Jack: Who has the biggest, reddest b***.

Cristina: Yes. And then they get the mate. I mean, whoever, I guess. I don't know how they compete in this contest. It's not like a human contest type of thing. Who knows? Maybe they offer walk in front of the guy, show the b*** or whatever. Dance with her b*** sticking out. Wait, wait, wait, wait, wait.

Jack: The chick is the one competing here?

Cristina: Yes, it's the chick competing. Whoa.

Jack: It's usually the guy.

Cristina: Yep. But.

Jack: So butts are, like, universally a guy thing?

Cristina: Yeah.

Jack: Whoa. Interesting.

Cristina: That is so weird. But yes.

Jack: Or is it just a primate thing?

Cristina: Huh?

Jack: It's like apes.

Cristina: Like apes. I don't know if apes like. But I know human men like butts.

Jack: You just mentioned an ape that likes butts.

Cristina: Except. Oh, yeah, I guess that ape. But that's a specific type. I don't know if all apes.

Jack: Yeah. Because most apes don't have butts.

Cristina: Yeah. They weren't made like that. I don't know.

Jack: But if they did have butts, the men would be the one who liked those butts.

Cristina: Yes. Is that weird?

Jack: That's pretty strange, considering in every other thing ever that's ever happened in all of history and time, it's the female who gets to choose, not the male.

Cristina: Yes.

Jack: It's really just a monkey thing. We're just like, no, we, the man, we pick. What the f***?

Cristina: So you get it from your monkey brothers back then when we chose by butts?

Jack: Yeah, I guess. I guess that makes an argument for coming from baboons.

Cristina: Yeah. You think we come from baboons? I don't come from baboons. Yeah.

Jack: I think we come from chimpanzees, actually. I'm not entirely sure.

Cristina: Maybe if they care about butts. Their butts are different, though, from our butts.

Jack: They don't got butts.

Cristina: They don't have butts.

Jack: Chimpanzees don't have butts.

Cristina: Well, primates. Their butts, though, are different from our butts.

Jack: But boon. Butts are different from our butts. I guess it would be the closest to our butts. Yeah, but like you're talking about, the area where their a****** is located is very different.

Cristina: Yeah.

Jack: Yes, yes, yes.

Cristina: Is that weird? I don't know, because. I guess it's because we're using our butts differently. Our legs, our bottom part of our body is used differently. Like they're using theirs to climb things.

Jack: Yes.

Cristina: Well, we're. We have this b*** to help us somehow run.

Jack: The b*** helps us run.

Cristina: Yes. And sit of course.

Jack: Well, it helps us sit. How does it help us run?

Cristina: I don't know. Somehow the design of the b*** is helping us walk and run the way we do. Which it doesn't help with primates, the way, like, they don't run like we run.

Jack: So to get this straight, we started walking. Those of us that began to walk up straight and that became our advantage over the other creatures.

Cristina: Yeah.

Jack: That couldn't see so far over the grass. Those just developed butts. Like, they got booty cheeks.

Cristina: Who has booty cheeks?

Jack: All this. All the primates began standing to see.

Cristina: Farther through the grass. Yeah.

Jack: That's why they survived longer. They can come down from the trees and see a predator further away.

Cristina: Yeah.

Jack: Because they can look over the grass while others struggle to do that for longer. In fact, we can just keep walking standing upright while the other apes couldn't do that. And so we could see some, like, creature in a distance.

Cristina: Yeah. So those develop butts. Yeah. And we're part of those.

Jack: Yeah. But so just, just being, just doing that gave us a**** like.

Cristina: Yes.

Jack: Like plump booties.

Cristina: Yes. Well, there's theories of why men are attracted to butts. So it might be a thing like you evolved in us to have a nicer looking b***.

Jack: Evolutionary purposes.

Cristina: Yeah.

Jack: You gotta be able to meet more.

Cristina: Yes. No. Is that. Yeah. But butts. But it's more than just the b*** that men are attractive to, oddly enough. It's the curve of the b***. Of the b***. Yes. The back b*** thing. It has to be a specific 45.5 degrees. That's the magic number.

Jack: Yeah. Because it can't be 90 degrees. It's too much. It has to be like a particular slant. And that also applies not just to the b*** cheeks from behind, looking at it from the side, but the hips that form the b*** cheek as well from the front and the back, which gives the hourglass shape. It's that general region.

Cristina: Do you know why, though? Like, why that specific. Why such a specific degree?

Jack: I have no idea.

Cristina: That's so weird.

Jack: I guess it's the optimal shape. It's as hourglassy as it gets. Any more and you start losing hourglass shape. Any less and you start losing hourglass shape. It's about 45 degrees.

Cristina: Yeah. They like when they were testing out how. What about big butts, Men, like, they tried different things besides the curve because they thought that was weird. It was a curve. The excess fat or excess muscle. Those three different options.

Jack: Yeah.

Cristina: And the curve would win. So it's really about that curve yeah, yeah.

Jack: We want meaty a**.

Cristina: And they think it allows. They think men. That curve helps women to walk around and easily when they're pregnant and stuff. So they can find food and things. So they think evolutionary. It was just a benefit for the lady. That's why guys find it attractive.

Jack: How do they find food? Because of their b***.

Cristina: Like, they could walk around without injuring their back or anything. It's not a pain to be when they're pregnant to do things that they would normally do when they're not pregnant.

Jack: Why would their back hurt less? Because they have a b***?

Cristina: Because of the curve. The curve is the thing we're talking about. Like, it's part of the b***, but it's the curve that's connecting to the b*** is helping the pain. Not pain, but the back.

Jack: I guess it's sort of diffusing the center force. It's bringing it more towards the center by having something extra sticking in that direction. While you have something sticking in that direction.

Cristina: Yeah.

Jack: Now you're more centered, and then you.

Cristina: Can do more things, and therefore you're more helpful.

Jack: Interesting. Interesting.

Cristina: So that's interesting. Yeah. The degree. Who cares? I mean, I guess we can.

Jack: Everything is math. Everything is math.

Cristina: Yeah.

Jack: Why do people like pizza?

Cristina: Why do people like pizza?

Jack: It's a circle cut into triangles that you put in a box.

Cristina: But then wouldn't all foods be something like that? Are they all like that?

Jack: No. They either taste good or something like pizza that, when you really break it apart, doesn't really. And it also looks kind of like vomit.

Cristina: I feel like hot dogs aren't the greatest looking or the greatest tasting, but people still eat that cylindrical. The shape of it.

Jack: Yeah. It's like a perfect cylinder. That's why when math goes into something, the taste and look of it goes out the window.

Cristina: Okay.

Jack: Now, if it tastes good, it doesn't matter what it looks like. And it doesn't matter if it's in a specific shape.

Cristina: Yeah.

Jack: But if it isn't tasting good and it doesn't look good, then it's the shape that's doing it.

Cristina: The shape.

Jack: In the case of pizza, the cheese itself isn't like the people think it's the cheese. People like cheese.

Cristina: But she's not great.

Jack: It's not doing enough.

Cristina: It's not doing enough.

Jack: In fact, you can find out that the favored pizzas in the world are all where the slice itself is the most triangular, really. If the slice is too long.

Cristina: But there are weirdos that like the square pizza.

Jack: Yeah. And that's why Those aren't that popular. Think about it.

Cristina: Ah, they're not that popular.

Jack: No. Because it's a box inside of a box. Who cares?

Cristina: Yeah.

Jack: Well, you can locate all of these problems. The more that the more triangular it is, the more people like it.

Cristina: That's a sexy pizza.

Jack: Sexy pizza.

Cristina: Wow.

Jack: And the more solid the triangle, the better as well. So like, people definitely enjoy holding a domino slice, which is shorter and way more triangular.

Cristina: Mm.

Jack: Than like a Pizza Hut really long one that like bends towards the tip because it's so like it's not solid. Even if out of all of them, obviously Papa John's is the healthy alternative. It tastes better.

Cristina: It tastes better.

Jack: But Papa John's doesn't have that perfect domino's shape. Yeah, domino's is made of garbage. It's just all poison that they're putting into there. Not to say Papa John's isn't. But out of all the options, Papa John's is the closest to healthy you can possibly get. Not that it's healthy, but you know.

Cristina: What if you made it at home?

Jack: What do you mean?

Cristina: Wouldn't that taste better or it wouldn't because you wouldn't be able to make it as perfect as the domino one.

Jack: Well, it's not the taste, it's the shape. No matter what that's pleasing you.

Cristina: The shape of it.

Jack: Yeah. You're convinced if it could taste like crap, you're convinced it tastes good because the shape.

Cristina: Oh, okay. What? Oh. And. And another reason men love big butts or women with big butts is that women with big butts are smarter and have smarter children. Something to do with the fatty stuff that's in there? I don't know. There's some magic stuff thing in the b*** that helps makes more kids. There's a unique fatty acid that's inside the woman's beauty that's stored in the fat of the b*** that is important to the baby's development. Brain for the baby's brain.

Jack: So bigger b***, smarter kid.

Cristina: Yes. There you go. That's your reason to start hunting for big butts. It's not about the curve. Although you could explain it as the curve, but like that makes you look crazy. If you went to people like, I need 40 set 45.5% degree curve. Before I'm with you have to like check it with a, I guess a ruler or something. I'm not sure how people are checking this out.

Jack: It was sort of be like a ruler. It's a two sided ruler.

Cristina: A two sided ruler? Yeah.

Jack: You know where you know those rulers that you use? Not a ruler, but that thing you use, like when you want to draw a perfect circle, you like put the pencil in the thing and you lock it and it has a pointy end and you put that and you spin it.

Cristina: Yeah.

Jack: There's a ruler that has that shape and basically as you open it, all it does is tell you how much degrees open it is.

Cristina: Oh.

Jack: Then you put that next to your a** and you're like, oh, 45, that's the one.

Cristina: I think I'm gonna be that weird person. I want to get that and check it out on people and try to.

Jack: Find the perfect 45 degree booty.

Cristina: Yes. What if I have it? I hope I do. Who knows?

Jack: You hope you have a perfect 45 degree booty?

Cristina: Yes.

Jack: You gotta buy that ruler.

Cristina: I will. And also, but that's a great reason to look for people with big butts is you just say I want smart.

Jack: Children and big butts equals smart children.

Cristina: Yeah, there you go. It makes so much sense.

Jack: So there's biological sense to want a nice a**. So all this bullshit about all a**** matter, you know, all shapes matter. What about small booty chicks? No, she's gonna have a r*****.

Cristina: What if she does surgery? Then you don't even know.

Jack: That's where being, that's where plastic surgery is a problem. Because she's gonna have fake big booty. And so your kids are gonna. And it's because she lied to you and pretended she had a big booty.

Cristina: Yes, of course.

Jack: But at the end of the day, survival, right?

Cristina: Yes.

Jack: So from their perspective, that's also like allowed because you have to survive by making children. By making children. Even if your children gonna be dumb because your b*** is small.

Cristina: I don't know if that's a good thing or a bad thing.

Jack: It should be that apparently based on this information, all women with flat booties should die alone is what we're finding out.

Cristina: That's not what we're finding out.

Jack: That's exactly what this information said. It said we need to remove all the Hispanics from the camps we have so that we have space to start moving in the flat booted women so that we could just remove them from society. Because think about it, maybe the problem is that so many women have been creating fake booties and then guys have been mating with these women with fake booties and now those kids have grown up and run the world. Ah, that's the problem.

Cristina: No way.

Jack: That's the problem.

Cristina: Isn't it recent? This whole Big fake booty thing. Like those children aren't old enough to run the real world.

Jack: Those children were born in the 90s.

Cristina: But it's become super popular, like in the tens.

Jack: Rap made it popular, but.

Cristina: Yeah, but it's still the surgery, the expense and everything. Like now people could do it more easily.

Jack: Oh yeah, it's going to be more of a problem. Yeah, but before the fact that these flat booties women were coming across like they had big booties and they were allowed to mate instead of being sanitized.

Cristina: Oh my gosh.

Jack: You see the problem? So now what we have is flat bootied women mating and having dumb children. And then those dumb children being in their early 20s right now.

Jack: And they're the ones who are over here. But like those are the gen f******. What is it Z? Is that what the f*** they are? Gen X? I don't know, whatever the f******. The dumb kid, the Tide pod retards. Those morons are out here trying to like activism and cancel everything and like no, everything is wrong and, and, and gender. 3 million different names and there's definitely difference between women and men. Except if they want to do the same jobs and like what the f***? Oh my God. That's the same group of people that happened because flat bootied women pretended to have big booties and they made it. We shouldn't allow that. We found the problem.

Cristina: Yes. Okay. What would you trade that for? The baboon booties.

Jack: What do you mean baboon booties?

Cristina: Like do you wish women had big.

Jack: Red booties so that we can tell like your booty isn't red enough? You're bullshitting. Yeah, like your booty might be big, but it ain't red.

Cristina: Surgery to get it more red, they'll.

Jack: Get like some kind of spray tan equivalent. Oh, we'll find a way. People will find a way, man. It's human nature. Yeah, that quote from Jurassic Park. Nature always finds a way.

Cristina: So. Oh my gosh. They're gonna dye their butts.

Jack: They're gonna dye their butts and then they're gonna still mate and we can't stop it.

Cristina: What about the superpower of having an armored b***? Would you want an armored b*** like the wombat?

Jack: The wombat has an armored b***?

Cristina: Yes. It's filled with cartilage to protect itself.

Jack: From getting a** raped?

Cristina: From getting bit in the b***, I guess because it lives underground. So when it' running from the predator, it could smash the predator. It's actually defense and offense. It could attack. It's with its B***. Swinging its b*** and crash. That, you know, hit the head of the predator.

Jack: So it does like. Like giraffes and, like, swings its a** the way a giraffe swings its neck.

Cristina: I guess so. And it just destroys the head of the. What is dingle or Tasmanian devil that's chasing it.

Jack: Interesting. Interesting. So it's, like, really, really hard.

Cristina: Yeah. So would you like that?

Jack: Why would I like that?

Cristina: As a power or something? I don't know. No, no, no. You don't want a super b***. We're gonna find out what type of super b*** you want.

Jack: There's more than one super b***?

Cristina: Yes. This is just the first of many. Oh, no. This is the first of a few. The sea cucumber does a really interesting thing. I wouldn't want this power. I don't know. I'm very iffy about could shrink its body. And then it ejects its internal organs out of its b*** and onto its predators. And the organs are poisonous. So the fish die. A lot of the fish are poisoned. Like, it'll get poisoned and die.

Jack: But does the fish die too?

Cristina: No, the organs. Or some of the organs regenerate. That's the big problem to me. Some of the organs regenerate. I don't know, like. But I guess it's the important ones, Right? Like, it's still alive. It takes six to 10 weeks to regrow those organs.

Jack: Interesting.

Cristina: So, like, I feel like it's very dangerous, though, in that period of time when you're waiting for those things to grow back. How are you hunting for your own food? Unless Sea cucumbers don't need that type of food.

Jack: But it's spewing its organs through its b***.

Cristina: Yes. It's b***. Ho. It's just, like, vomiting its organs out. Can we say vomiting? I don't know. It's pooping.

Jack: Yeah, it's pooping its organs.

Cristina: Yeah.

Jack: It's like the worst kind of diarrhea.

Cristina: Yes. Would you like that?

Jack: No.

Cristina: I don't know. It's. Yeah, I wouldn't want to be that either. I like the wombat b*** more. Although the baboon b*** is pretty interesting. I don't know.

Jack: But the baboon b*** doesn't have powers.

Cristina: I know. It just gets really big and red and it's finally a lady doing the dance instead of the guy, which is unique and different.

Jack: Yes.

Cristina: But I think wombat booty for me for now wins.

Jack: An armored booty.

Cristina: Yes. And there's this skipper, capis that can launch its poop.

Jack: It's a Cactus caterpillar. Oh.

Cristina: Oh, Skipper. There's a. There's a skipper caterpillar that launches its poop.

Jack: Interesting.

Cristina: Yeah, the poop is like little pellets, and it has, like, a special b*** launching pad, which it just, I guess, stores the poop until it needs it, and then it shoots it out to attack its predators.

Jack: Does it kill anything with it?

Cristina: I don't think so. I think it just probably, like, distracts the enemy and then runs away.

Jack: Got it. That makes sense. So, like, very slowly runs away?

Cristina: Yes.

Jack: Like, really?

Cristina: It's a caterpillar. It's not a caterpillar. That slow?

Jack: Yes.

Cristina: Oh. I mean, maybe it causes some damage if it's like a boulder. When you fire a boulder at something that's gonna hurt, I don't think it's that strong, but, like, it'll annoy the villain. The villain, the predator, enough to be like, okay, I'm not gonna eat you. I'm going away.

Jack: Is that what happens?

Cristina: Yeah, I think so.

Jack: They just shoot their poop and the creature runs away?

Cristina: Yeah, maybe. Either that or yeah, I think it would, like, bother the. The. It would bother the predator enough that the. It would run away. That makes sense to me. Would you like that attack?

Jack: I guess that sounds better than the other ones.

Cristina: Then the wombat armor. I don't know. There's a. There's a tiny whale, a pygmy sperm whale. Most whales, their defense is being humongous. They're all humongous. Like, they don't need a defense. Their size is their defense. And this little whale has, like, it's. It has a special bladder of syrup, of b*** syrup that it shoots out when an enemy is attacking.

Jack: Keyword, b*** syrup.

Cristina: B*** syrup. Yes. It's cloudy, reddish brown goo that just, like, harm. It's harmful to the enemy. I don't know if it kills the enemy, but it's enough to distract the enemy so it could run away. Swim away. So you could swim away.

Jack: So boot syrup. Boot b*** syrup.

Cristina: B*** syrup? Yes, that's the scientific word for it. Okay.

Jack: Does it have a scientific word for the b*** syrup?

Cristina: No idea. It probably does, but it's just probably poop. I don't know. But that's an interesting evolution. Instead of doing the size thing like all the other whales, it's like, nope, I'm gonna be tiny, but I'm gonna have b*** syrup.

Jack: B*** syrup it is.

Cristina: I don't think I'd want that power or see that power. I don't want to see that either. Yeah, yeah. Then there's an Australian fitzro. Australian fitzroe river turtle who could breathe out of its b*******.

Jack: Whoa, wait. Could it breathe out of its mouth too? Does it just have two different breathing areas?

Cristina: I think it has two breathing areas, but the b******* helps it swim. It helps it stay underwater longer because it, like, holds in a bunch of air inside of its b***.

Jack: And what does it do with that air?

Cristina: It just stores it for when it needs it so it can stay underwater longer.

Jack: Right, but that. But that air goes through its b*** to its lungs.

Cristina: Maybe. I guess that's what I'm guessing. Yes, for sure. That's what it does, Nick. Stay underwater up to three weeks without taking a breath of air.

Jack: That's intense.

Cristina: That is. That might be a helpful power, maybe. I don't know.

Jack: In air through your booty.

Cristina: Yes. So you can stay underwater for a very long time.

Jack: Yeah. Imma go chill in the water for the next three weeks.

Cristina: I know. Yeah. I don't know how it would be helpful, but it seems helpful. Okay, sure.

Jack: If you gotta, like, spy on somebody and you gotta be, like, hidden in the water next to them or some s*** the whole time.

Cristina: That is weird.

Jack: Hide in somebody's pool for weeks.

Cristina: Then I would want the combination of this, this, and I guess the last thing with the sperm whale. So you can, like, if someone does find you in that water, you just shoot the vat syrup at them.

Jack: But then you asphyxiate and die.

Cristina: I guess.

Jack: In that instant, the b*** syrup is made out of your oxygen.

Cristina: Oh. So it wouldn't really be b*** syrup anymore.

Jack: It'd be oxygen syrup.

Cristina: It would be, but like a poisonous fart or something.

Jack: Nah, because you still have to be able to survive off of it.

Cristina: Oh, but it wouldn't be syrupy.

Jack: I don't know. Water is syrupy if you do it right, I guess.

Cristina: But oxygen isn't, if that's what you're surviving off of. Oxygen.

Jack: I'm assuming while they're in their water. In the water, their b*** takes in water and pulls out oxygen from it. It's just pulling in literal air. They grab air outside and then go in the water.

Cristina: It might be that. It could be that it sticks his b*** out of the water, sucks in the oxygen, and then jumps in the water. You know what that sounds like? That sounds right. And the manatee actually farts. Held in gas to get deeper in the water. That's. It's superpower.

Jack: How's that a superpower?

Cristina: Because I don't know. It's Super. Because it's. You don't think that's super?

Jack: It feels like swimming.

Cristina: It feels like. But it can go deeper than other swimming creatures, I guess. Other water mammals, I guess that's fine. It helps with food. Less competitors if you can go deeper than the other ones.

Jack: Yeah, but that's not a superpower. That's just like, I got more agility or some s***, I guess.

Cristina: Okay, that's a weak one. Who wins right now? I think the caterpillar wins right now. No, the one that takes out its organs. That creature.

Jack: That kind of sucks.

Cristina: That kind of sucks. Yeah. It is super, though. It's both. Then the dragonfly, when it's a baby. When they're babies, they're underwater nymphs and they use their b*** to swim in the water and also to eat.

Jack: They eat through their b***?

Cristina: No, the air pushing, I guess, out of their b*** helps them move their mouth. Out of their mouth somehow. Tissue. I don't know how it works, but yes, they use their b*** to help them eat.

Jack: So like fart launch forward and grab things quicker. So when you see a dragonfly just like scooting around, it's just sustaining like a long fart.

Cristina: It's not the dragonfly, though. It's the baby form, the nymph. I don't know. Do they look like dragonflies? I don't think so.

Jack: I have no idea.

Cristina: It sounds like a fairy type of thing, that word. I don't know what that word comes from. Nymph. Have you heard of it?

Jack: I have. I don't know what it is.

Cristina: What was your favorite superpower or super b***, I guess. What was your favorite super b***? You don't care about any of them?

Jack: No, not really. Those are some. No, not really. Those pretty crappy b*** powers.

Cristina: I don't know. The wombat wins for me. Have you seen the largest, or I guess one of the largest butts in the world? It's 8.25ft round and it belongs to an elephant. No, human. A human's b***. I want to show you her booty, if I can. Or I guess her body because it's kind of ridiculous. Her name is Mikael and she's an American and she has one of the biggest booties in the world.

Jack: I mean, it's not really that her booty is particularly big, though. It's like she's really morbidly obese and a lot of that weight is caught in her a**. It's grease, not fat.

Cristina: So it's so what? It's grease.

Jack: Yeah. Oh, it's like, not healthy fat by any means. Her thighs are the size of my body.

Cristina: Whoa. That's so crazy. Is there a Guinness World Record for that? Probably. It's too ridiculous.

Jack: Guinness World Record for everything.

Cristina: Yeah. Even though we're the only animals with butts, the way we have them, our booty cheeks. What other animals do you think have butts compared to us?

Jack: Compared? What do you mean?

Cristina: I guess like, when you imagine animals with big butts, what do you imagine?

Jack: Corgis.

Cristina: Corgis. Is that the famous.

Jack: That's the famous non booty cheek b*** animal.

Cristina: And chickens. Chickens do not have big butts.

Jack: Well, they have butts. Well, they don't really. They have like their a** up in a weird way.

Cristina: The turkey beats the chicken, though.

Jack: Yes. They both have pretty big butts.

Cristina: Yeah.

Jack: As compared to other birds.

Cristina: Yeah. And like, think like the spider for insects. Or not insects, whatever. Are spider.

Jack: Arachnids.

Cristina: Arachnids. Spiders got big butts.

Jack: Is that the spider's b***?

Cristina: I actually. I have no idea. That's probably its body.

Jack: That's probably.

Cristina: But I consider it its b***. Yes.

Jack: Okay.

Cristina: With like, the snake doesn't have any. But.

Jack: No.

Cristina: Or dolphins or any fish in general. In general. So. But you know what? I think the biggest lover of butts besides, I guess humans and baboons are dogs. Dogs love butts. They don't love big butts, but they sure love butts.

Jack: They don't love butts. It's just how they communicate.

Cristina: Yeah, it is. They love smelling. They still love sniffing butts. I mean. No, it is communication.

Jack: I don't think it's like, do you go to your 9 to 5 and then love talking to your boss? No, you gotta communicate. You don't love talking to your boss. Yeah, you gotta communicate.

Cristina: Yeah. So this is just them communicating with each other.

Jack: Yeah.

Cristina: Yeah. You know, they could smell the mood of the other dog.

Jack: That's interesting. I didn't know that.

Cristina: Yeah. Like, their nose is a superpower.

Jack: Yeah. Dog's nose is some crazy s***. So is their hearing. A dog is kind of a superhero.

Cristina: And the hear. And their hearings. Yeah. And they're hearing. Yes, they could. They can smell some strange things, though. Like they can smell bugs. Like, if you had termites and they knew how to smell what that. That smell like? If they were trained to sniff out termites, they could point it to you. So they're so helpful. And they can smell even things that you wouldn't imagine that they could, like die. Diabetic attacks, cancer and Seizure. You didn't think a dog would be able to sense those things? I don't know if it's smell related, but I think it's part smell related, part visual of like seeing what you're going through.

Jack: Smelling a seizure sounds crazy to me.

Cristina: That does. Those three things sound crazy to me.

Jack: Cancer, diabetes is a sugar shift. Sugar is potent.

Cristina: Mmm. So there's obviously something they can smell from that.

Jack: Cancer is rotten.

Cristina: Oh, the seizure.

Jack: How do you smell a seizure?

Cristina: It could be that they can see the difference of your body changing because that causes you to your reaction to change. Like what's happening to you. Your whole body is just yeah, yeah, yeah. Which might not. Someone might not notice that quickly, but maybe dogs could sense it quicker. I also learned two very interesting stories about b*** mythologies or b*** related folklore. And they're both Japanese stories and they're amazing. And the first one is there's this creature called Shurimi, which is. Which just translates to b*** eye.

Jack: B*** eye?

Cristina: Yeah, Buttock's eye. Can you imagine what this creature looks like?

Jack: It's an eye in somebody's b***.

Cristina: Exactly. Yes. This yokai has. I think he has no face, but for some reason he does have an eye in his b*******. And he likes to scare people with his eye b***. He stalks people. They're like what's go like they'll call you out in night to. So you turn around to look at them and then they'll flash you their b*** eye. With their b*** eye. With their shiny b*** eye. I don't think they're evil or anything. They're just want to show off their b***. Aye. To you.

Jack: Like all these women who are the problem, they want to show off their b***.

Cristina: The flat butts.

Jack: The flat butts who are pretending to be plump butts.

Cristina: Yes. There's nothing evil about that.

Jack: About sh. Yeah, there is. If the reason that the world is in turmoil is because of fake booties. That's why they freak. The ones who freaked out at Kendrick Lamar when he said that line. I'm so sick and tired of the Photoshop.

Cristina: Yeah.

Jack: Yeah.

Cristina: Wait, they're mad that he said he's tired of Photoshop?

Jack: Well, no, he says like he wants something natural.

Cristina: Oh.

Jack: And it's like, yeah, because non natural is making people stupid.

Cristina: Yes.

Jack: People being born dumb because flat booties are allowed to have children. We need to get all China on this s***. If you're flat booty, you're not allowed.

Cristina: You have to tell China that.

Jack: No, we got to get China on board. I mean China's gonna listen anyways, because this lies. Is it gonna. You know, let's conclude this. Now that we know, we're gonna tell the president.

Cristina: The president's not gonna make the world do this.

Jack: He can pass laws that the world listens to.

Cristina: No, the world does not listen to him.

Jack: Yeah. Especially Russia and China.

Cristina: To this president.

Jack: Yeah. To Biden.

Cristina: To Biden.

Jack: To Biden.

Cristina: Okay.

Jack: They're gonna listen to Biden.

Cristina: Okay.

Jack: And they're gonna sign another. Another. I'm gonna convince him, and he's gonna sign one that stops all the flat booties from mating.

Cristina: From mating?

Jack: Yeah. We gotta tie their tubes against her will.

Cristina: What? No.

Jack: Gonna open these camps in these camps.

Cristina: Oh, yeah. I thought you were just gonna kick the Spanish people out.

Jack: Yeah, and then we gotta clean it.

Cristina: Okay, so you're not making new camps. You're just using the ones that you have.

Jack: Yeah. We gotta prepare it for the flat booties.

Cristina: Yeah, because the Spanish people will most likely have booties.

Jack: Yes. We need to release them back into society because Hispanic a** is fine.

Cristina: Mm.

Jack: It's flat booties that are.

Cristina: It's a crime.

Jack: Yeah.

Cristina: Flat b*** is a crime.

Jack: Flat b*** is a crime.

Cristina: You heard it here. That would be so crazy. I would like you to convince him of that. Or I guess him convince the world of that. I don't know.

Jack: Both.

Cristina: Both. It's very strange. Then there's this creature called the kappa. You've probably seen him before. He's like a green toad looking creature in Japan. He's like. He's human like, and green, though. Kind of alien like, I guess. But he looks kind of like a turtle. Y. Human, I guess. Sounds familiar. No.

Jack: Is that tur. Is it. That is a turtle. I was thinking frog.

Cristina: Oh, yes. It could be frog. I could be wrong. It's one of those things. It's green. It's from Japan.

Jack: Because I'm thinking that frog from the cereal box.

Cristina: The cereal box.

Jack: There's like a weird golden cereal that tastes like cardboard.

Cristina: I have no idea what you're talking about.

Jack: Yeah, it's like little beans. The co. The. It looks like coffee. Beans.

Cristina: Beans. Coffee. There.

Jack: Oh, that's a f****** Pokemon.

Cristina: That's a Pokemon. It's gonna be a Pokemon if it's not a Pokemon.

Jack: No, no, no. It definitely 100% is a Pokemon.

Cristina: Oh, that's the one you were talking about, right?

Jack: Right.

Cristina: Yes. Oh, crap. I didn't get its name. Well, yes, there's a Pokemon that looks like Kappa and it is a Kappa. It is a Kappa. Well, there's this thing inside our butts called shirikodama. It's like a magical ball that we all have inside our butts.

Jack: Right.

Cristina: And these kappas want that.

Jack: So they're gonna stick their fingers in your b*** to get it.

Cristina: Yes. Pretty much killing you, probably. Most likely. Or they'll drown you and then take it fun. Yes. Yes.

Jack: So you're gonna get drowned and then.

Cristina: They'Ll take your magic b***.

Jack: They're gonna. Their fingers in your a**.

Cristina: Yes.

Jack: And search for magic ball.

Cristina: Yes.

Jack: Got it.

Cristina: And they're not sure what that magic ball is, but it might be related to our soul. Like, it could be our soul in there.

Jack: Our soul is in our b***?

Cristina: It could be. Yes. Or it could be our liver. I don't know if that's in there, but that's strange.

Jack: So they're fishing for our soul through our b***. Fantastic.

Cristina: We have a soul in a ball that's in our b***. Yes. That's pretty awesome.

Jack: The b*** soul.

Cristina: The b*** sole. Yep. I mean, where else would the soul be, do you know?

Jack: In your chest, I guess.

Cristina: That's where you think it's in?

Jack: Yeah, I think the consciousness is in the head and the soul is somewhere in the chest area.

Cristina: Where do you get that? Where does anyone get that?

Jack: Seems right.

Cristina: It just seems right. What was the first one? The conscious.

Jack: Yeah. Conscious mind or the mind. The consciousness or the mind? If they're not the same thing, they're in the same place, at least.

Cristina: I don't know how we can prove where the conscious is either.

Jack: No, we can't.

Cristina: But you're saying if I.

Jack: If I had to guess where it is.

Cristina: On the head.

Jack: It's in the head. And if I have to guess where the soul is? Probably in your chest somewhere.

Cristina: Just trying to think about what keeps your heart pumping. The heart itself.

Jack: Something that's keeping the heart pumping. I'll call that the soul.

Cristina: Okay, so the thing that's keeping the heart pumping is the soul. Maybe. Maybe. Yes.

Jack: The brain needs the blood of the heart, so the brain ain't keeping the heart up. You have somebody brain dead whose heart works.

Cristina: So then. But then how about consciousness? Where do you get that idea?

Jack: I don't know. I'm just saying that that's in the head. But I know that the heart has to be kept up by something other than the body, other than the mind. That thing that we can't identify. That's what's doing it.

Cristina: Interesting, huh? Then maybe the consciousness is in our b***. Maybe that ball, the magical ball. Is actually our conscious. How could we prove that wrong?

Jack: Maybe that magical ball is our genetic code.

Cristina: Our genetic code?

Jack: Like a perfect blueprint to making another human or something.

Cristina: Why would they want that?

Jack: To make another human or something.

Cristina: Oh, then maybe they're aliens. They look aliens. They're little green men.

Jack: That seems legit. I mean, don't little green men already probe a****?

Cristina: Exactly. This is a water alien.

Jack: This a water alien Sticking crap in your a**, trying to pull something out. They're looking for the secret to life, and it's in your a**.

Cristina: It's in your a**. Yes. Yes.

Jack: Whoa, whoa. The secret to life is in our a*******?

Cristina: Maybe if we have bigger butts, though, we can protect that.

Jack: God's a genius. Right? Because it's like the last place they're gonna look inside their a******.

Cristina: Yeah. How did these creatures figure it out?

Jack: Magic. Well, no, they're aliens. They probably. They probably went through this whole process themselves. Yeah, they know it's in their a******. Yeah, they're like. It's always in the a******.

Cristina: That's amazing. But they don't really know why they want it. There's like, two guesses. One is they like to eat those balls, those magic balls.

Jack: So they eat souls?

Cristina: Yeah. Or it's some kind of tax to the dragon King who lives under the sea, and they're paying him.

Jack: I don't care about anything else anymore. There's a dragon king that lives under the f****** sea?

Cristina: Yes. I don't know anything about him, but I'll learn about him.

Jack: Is it Nessie?

Cristina: Oh, my gosh. What?

Jack: A dragon that lives under the f****** sea? I guess it's not Nessie, because she lives in a lake. But, like, there's a f****** dragon that lives under the sea. The Dragon King.

Cristina: The dragon king are dragons, Water creatures? I guess. I don't know. No, they're like lizards, maybe. Well, the Chinese dragon that we were talking about has to be a water dragon, right? Because the fish is in the water. The fish isn't turning into a sky thing.

Jack: Yeah, that's a western dragon, but it's a water dragon.

Cristina: Right.

Jack: The ones that are in the. The Chinese and Japanese dragons are water dragons, not water dragons, but they're like snake things. Like, unless it's flying without wings, I'm assuming they. That those things exist in the water.

Cristina: Yeah. So maybe. Yeah. So then the dragon king would be a water dragon king. Interesting.

Jack: Gyarados is water dragon. That's a Pokemon.

Cristina: Yeah, he's a magical dragon king. Maybe he is the dragon King.

Jack: He's the Dragon King.

Cristina: You think there's magic balls in Pokemon? That's horrifying. There's Kappa. Yes. I mean, the Soul Ball. Unless you think those are souls, they're just playing with other creatures. Souls?

Jack: Like, I mean, isn't Electrode and Voltorb both just pokeballs that are alive?

Cristina: Yes. There's something wrong there. I don't know. They live in a world that. What's his name from Blue's Clue. Not Blue's Clues. That's the wrong guy. That old show, Peewee Playhouse. Remember his house? It's all alive, right? He lives in the Pokemon world.

Jack: Yeah, kind of. He's just trapped in his house or hiding from the rest of the world, where everything is violent and murdering each other.

Cristina: Yeah, but his house is alive.

Jack: Dude, that's crazy.

Cristina: Pokemon.

Jack: A single Pokemon, you take over the world.

Cristina: Yeah, one.

Jack: You got one Pokemon. There's no other Pokemon.

Cristina: You take over the world even like a Diglett?

Jack: The Diglett is crazy. You could topple buildings with a Diglett. With a Diglett.

Jack: They're too overpowered, bro. Pokemon. Like, really?

Cristina: There's no useless Pokemon. What about Rattata?

Jack: Nah, it's.

Cristina: It's.

Jack: The problem is it has the ability to do random s***. Like one, lightning fast. Two, it can attack people. It's your weapon.

Cristina: Yeah. Okay.

Jack: I guess somebody could pull up that with a gun, though. Just pop your Rattata in the face.

Cristina: Oh, hey.

Jack: It is what it is.

Cristina: Well, if it's super quick, though, maybe you can stop that Again, it depends.

Jack: How quick it is.

Cristina: But it has a quick attack type thing.

Jack: Yeah, yeah, yeah, yeah. It has both agility and quick attack. It depends how quick it is. Like, is it so quick that. Boom. It's at your gun.

Cristina: Yeah.

Jack: This fire.

Cristina: Right? Your hand that's holding the gun.

Jack: Yeah.

Cristina: Yeah.

Jack: That's crazy, man.

Cristina: If it's that quick, then that's. Then there's nothing.

Jack: There's nothing stopping them. But there's also, like, if you somehow caught, like, Ash. Ash is so overpowered. If you really wanted to, because he somehow comes across every God.

Cristina: Yes.

Jack: You can just capture a m*********** and that's it. It's a wrap. He runs the world.

Cristina: He'll never catch one.

Jack: Also, why does Team Rocket want his s***** a**? Pikachu. That's the worst. Pikachu.

Cristina: It's because they're not really villains, dude.

Jack: He gets KO'd by level one Pokemon.

Cristina: Yes. They're not villains. They don't want to be doing evil things. They're just Pretending by chasing a Pikachu, they're just friend. Yes.

Jack: There's Frenemy.

Cristina: They're stalking him. But also they can lie to their boss like, yeah, we're doing something.

Jack: Doing things.

Cristina: Yeah. But obviously they're not. They're trying to catch a. Talking. Like, no, they're trying to catch a rat. A giant rat.

Jack: Yeah.

Cristina: Like, who cares? That's such a lame Pokemon.

Jack: Yeah. Pikachu sucks. F****** Dragon King. Are you kidding me?

Cristina: Yes. That is pretty epic. You know what else is pretty epic?

Jack: What?

Cristina: Researchers painted eyes on cow butts to stop lions from attacking. And it worked.

Jack: Okay.

Cristina: Yep. No cows were attacked. The ones that didn't have eyes painted on them, I think, like, two of them died in that group. But the ones that did, none of them died.

Jack: Interesting. So the lions were, like, too confused about what creature they were looking at.

Cristina: Yeah. Like. Yeah. Because they like to sneak attack. And since this creature, this new creature to them is looking at them, never blinking, just decided, nope, can't do this.

Jack: Interesting. Yeah. It's horrifying because it looks like it's always looking at you.

Cristina: Yeah. Which for something that likes to surprise, there's nothing it could do.

Jack: Yeah. For a cat, the worst thing you could do is always watch it. It thinks it's being hunted.

Cristina: Yeah. So that's pretty amazing.

Jack: Yeah.

Cristina: So we talked about. So we talked about pros of the booty, but there are some bad stuff that could happen to your booty. I don't know if it's naturally or it's just, like, bad luck or you did something wrong and it caused your booty to attack you. But there's things like hemorrhoids, which is one of the most painful a*** diseases out there, which is like veins of blood around your a***. These veins of blood on your b*** that engorges around your booty. Hoe. That sucks.

Jack: Yep. Sounds painful.

Cristina: It does. There's also a*** fissures. That's the tearing of tissue along the a*** canal, which is caused by giant poops.

Jack: A*** fissures are caused by giant poops?

Cristina: Yes. Like, they're too big. They come out and they hurt your skin around.

Jack: Like Bono.

Cristina: Like Bono Bono?

Jack: Yeah. The Pope had Bono.

Cristina: Yeah. He probably caused him to have some problems in that area.

Jack: Many, many.

Cristina: Yes.

Jack: He had Bono.

Cristina: Yes.

Jack: The Pope pooped Bono.

Cristina: There's also a*** warts and itchy a***. That are problems that could happen to you.

Jack: How do they happen?

Cristina: I think a*** warts is. I don't know. It's a viral disorder. I don't know. I don't know how they can happen, but I know the symptoms. The warts are tiny spots inside the a*** opening. They also itchy and they can grow over time.

Jack: Very weird information. We definitely need to get the president to sign that bill to. To get rid of tiny butted people.

Cristina: To get rid of tiny butted, flat butted, flat butts.

Jack: The flat butts need to go. We got. We got to get all the Hispanics out of the camps and into society. We got to reintegrate them so that their butts can create the next generation of intellect. And we got to put the dumb flat butts into the camps and fake butts into the camps so that they stop mating. We got to stop this problem that's happening in society today.

Cristina: But that's only for the women. There has to be something that women are attracted to men in some weird way like this, right? Because there should be some men in those jails too, just for some equal fun. Because then there's gonna be too much men out there.

Jack: No, the problem is that men also have butts. Right? And so we're assuming that their j*** is infused with intelligence because big butts.

Cristina: Wow. Okay.

Jack: This needs to be. Only people with big butts need to be allowed to man.

Cristina: Okay? So for all of them.

Jack: For all of them. Men and women, dude, they can make stupid children in the camps that we don't introduce into society.

Cristina: Okay? What?

Jack: But if you're gonna be in society, we forcefully tie your tubes or you go to a camp. One or the other. That's it. You don't have a choice.

Cristina: You don't have a choice. You don't have a choice. That's crazy.

Jack: You opt into tubes being tied or a camp.

Cristina: We'll have that special ruler to measure your curve b*** growth. Yeah. Your curve ratio.

Jack: Everybody will have it. We'll have like in the last of us, where there's a guy walking up to people with a thermometer. Like, there's gonna be cops outside just checking. Like, that doesn't look like a Right. And that doesn't look like a 45 degree angle. Plump booty. Yeah, get the ruler. Then they check you. They stop you. They're like, we got to check your booty. People freak out. No, no, don't check my daughter. She's too young. She's just a child.

Cristina: Should there be an age for this?

Jack: No, because these people are gonna grow up anyways. We got to stop the problem as young as we can. If we can do something to feed them the Proper foods to make their booties grow.

Cristina: But what age do we start measuring? We can't be measuring babies.

Jack: We can't be measuring babies. No, no, no, no. Anybody you gave Burger King to, That's over developed because they had too many hormones in the food. And they're like a 35 year old looking 12 year old at that age.

Cristina: Because they're still maturing. So it should be when they stop maturing, which is in the 20s.

Jack: D***. That's problematic though, because we could have corrected the issue, but we don't know.

Cristina: If there's an issue or not.

Jack: Yes, because they might have too flat of a booty.

Cristina: Huh?

Jack: Tell me. Growth spurts, essentially.

Cristina: Yeah.

Jack: Take it to account. A growth spurt.

Cristina: Yeah.

Jack: Height wise. Females stop growing around 16 years of age.

Cristina: So we gotta start measuring them at 16.

Jack: I guess like their body stops fully developing around that time. You know what you're gonna look like as a female at 16, while a male usually grows until they're about 24.

Cristina: That's a problem.

Jack: Yeah. While intellectually men seem to stop mentally developing at a fast pace at around 18 to 19, while women up to 26 years of age.

Cristina: Whoa. What? Why so different?

Jack: I have no idea.

Cristina: It's crazy. 26 years of age?

Jack: Yeah.

Cristina: So then what's the right age to measure these butts though?

Jack: When you introduce fake hormones into their body, Lacavia?

Cristina: Any age.

Jack: Fair enough. When the hormones start affecting their body.

Cristina: So when it starts.

Jack: Yeah, I guess. Teenage years and older. We need cops out there the way these cops are out here popping kids anyways. Just because it looked like he had a gun. Even if it was pink, it was abnormally small. It was shooting water. We shot him anyways because we felt in danger. Get those same very dedicated cops to run up to young women with rulers and measure their b*** angle.

Cristina: We need some kind of thing that will stop kids from reproducing though, as kids.

Jack: Fair enough. That means immediately you put an implant when these kids are born into their skin of a thing that's gonna casually drop a sterilant into their body, preventing them from having children. Until you decide. And then you don't have to test anything. You wait until in this society everybody has to go to the doctor so the doctor can tell them whether they can mate or not.

Cristina: Yes. And if you fail, you die. No, you go to camp.

Jack: Well, now you can't have kids anyways, because now we've done it since you're young.

Cristina: Oh, okay. So no camps.

Jack: No camps.

Cristina: Okay. Now you just can't have Kids. Yeah.

Jack: The doctor has to clear you. Your buddy is. Your booty's plump enough to have kids.

Cristina: Okay. There you go. Okay. I guess that works.

Jack: Boot's plump enough to have kids. Yes, that's the solution. We're gonna get Biden to sign that into the world contract.

Cristina: Do we even have that type of technology, though, to stop people and then give them the ability to afterwards, when.

Jack: We decide it's right, kidnap a billionaire's child and threaten their life? And they're going to suddenly come up with a solution? Okay, yes, 100% they'll come up with it. Like, if the. Actually, no, you got to threaten the billionaire. They're by. F*** it. It's just a kid. I can make another one.

Cristina: Oh, my God.

Jack: You got to, like, scare the billionaires, and then they'll do it. Yes, because they don't care.

Cristina: Yeah.

Jack: Once you give them the fear, all the money to make this happen will happen overnight. They'll have it tomorrow.

Cristina: Mm, that sounds like a great plan.

Jack: Anyways, this is we're gonna do. We're gonna get Biden to sign that into law. The world is gonna listen to it, of course, and it is what it is. Now, if you guys want to learn more about butts, we literally don't have a single other episode about butts. But now you know about butts, and you know about powers and creatures, and along those lines, you could find out about powers and creatures in many of our episodes.

Cristina: Yeah, we have different episodes with different powers and different creatures, and some with probably powers and creatures involved. I'm not sure. There's probably combinations.

Jack: It's like the Chupacabra and crap like that.

Cristina: Yeah.

Jack: Powerful creatures.

Cristina: Do you think the Chupacabra has a b***?

Jack: Like, maybe not maybe. I don't know. There was that Chupacabra running next to the guy's car and look like a dog. So it has about, like, a dog's.

Cristina: Booty, which isn't that much.

Jack: Which isn't that much.

Cristina: Unless it's a corgi Chupacabra.

Jack: Yes, A corgi cobra. Anyways, if you guys want to find more stuff of that nature, you can find all of that stuff on the official website, greythoughts.info on Apple Podcasts, Spotify, or anywhere you get your podcast.

Cristina: And you can reach us on Facebook, Twitter, Instagram, and TikTok. Uscombopod.

Jack: Yes. And also remember to subscribe. That's always great. And you can rate the show. That's always great. But you can also leave a Review. That's extra, extra great. Although subscribing is better.

Cristina: Yes. And let someone who might like this show know about it.

Jack: Yeah. Word of mouth, the most overpowered thing in the face of the earth. Always ask with the kindness of your heart.

Cristina: Yes. After complimenting your booties. Yes.

Jack: Compliment their booties.

Cristina: Yes. Compliment. And then say, listen to this.

Jack: Yeah. You tell them, look, we need to mate because I got a sweet booty. You got a sweet booty. And here's an episode of a show that's going to teach you why we need to mate.

Cristina: Yeah.

Jack: Because our booties are sweet.

Cristina: Yeah.

Jack: And after they listen, gonna be like, yeah, I guess if we're gonna have a smart kid, it better be both of us that have nice booties.

Cristina: Yeah.

Jack: I gotta take the chance that my kid isn't stupid.

Cristina: Yes. It's proved by science. Proved by science. Yep. This has been the Just Conversation podcast. Take nothing personal and thanks for listening. Bye.

Jack: I guess. Yeah.

Cristina: Because you're like, oh, I need to share this with the world.

Jack: But what about people who transcribe for a job? They can't possibly like the things they transcribe. No, that's just like, how much does medical transcription suck?

Cristina: That has to scrap. That must be the worst.

Jack: Yeah. No, I think it's worse to be in court. Or you're transcribing random documents that everybody's saying, and it's like mundane, boring garbage you've heard day after day after day after day, but you're just there to record any nuanced difference.

Cristina: Every once in a while, there must be something exciting in the court.

Jack: You can't really pay attention.

Cristina: Oh, what?

Jack: Because you got to catch every word. You're not allowed to process any of them.

Cristina: Oh, yeah, that's. That's really strange. That's a strange job. Yeah. Because you're doing it right live.

Jack: Yes.

Cristina: There's no slip up there. You gotta.

Jack: I guess that's different than transcribing.

Cristina: More stressful.

Jack: Yeah, that's. That's very different than transcribing something you've heard a million times or not.

Cristina: Yeah.

Jack: Not heard a million times. Something you've this pre recorded and you could rewind and stuff.

Cristina: Yeah. So maybe it's exciting, that type of way where you're like, I got to do this right.

Jack: Yeah. You're trying to be perfect. You can't f*** up.

Cristina: Yeah. So exciting. To some horrifying for other people. Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts.info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 80: Complexities of Time Travel

Time Travel, Theory, Paradox, Metaphysics, Time Loop, Spacetime, Physics, String Theory, The Just Conversation Podcast

Why is Time Travel difficult? The hurdles of time travel and it’s paradoxes are dissected.

Story:
Still attempting to understand how time travel works before using their stored time machine, the duo decides to unpack what they know of time travel and the bag of worms that opens. From paradoxes, to time loops, the clones have their work cut out for them before they can travel back and contact the Jack of the past pre-Cat People Destruction plot.

Rambling 80: Complexities of Time Travel

+ Episode Details

Remember to leave us a review on Apple Podcasts or anywhere you listen to podcasts to help us get noticed.We’ll read our favorites Apple Podcast reviews on the show! Tell friends, family or anyone you know who’ll like the show about it.

Topics Discussed

  • Greta The Time Traveler
  • Visitors From The Future
  • Altering History
  • Reporting on Future Events
  • Changing Historical Records
  • The Rules of Time
  • String Theory
  • Aliens Are Future Humans
  • Wormholes
  • How To Time Travel
  • Theoretical Time Travel
  • Star Trek Paradoxes & Theories
  • Unchangeable Past

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