Rambling 296: Godzilla: The True Story

In the latest episode of our podcast, we dive deep into the world of Godzilla and the myriad of conspiracy theories that surround him. The conversation begins with a playful exploration of how people might react if a creature like Godzilla were to emerge in reality. Would conspiracy theorists claim it was a hidden truth all along? Would the government be implicated in its creation or containment? Jack and Cristina's banter is both humorous and thought-provoking as they dissect the origins of Godzilla. They ponder whether the creature could be a result of nuclear testing or a prehistoric beast awakened by human interference. The discussion takes an intriguing turn as they connect Godzilla's lore to real-world events, particularly the atomic bombings of Hiroshima and Nagasaki. The duo raises compelling questions about the government's role in these narratives. Why would they hide such a creature? Are they preparing us for something far more sinister? The episode touches on themes of fear and control, suggesting that perhaps the government uses these stories to desensitize the public to real threats. Listeners will appreciate the seamless blend of pop culture references, scientific speculation, and cultural commentary. The conversation is not just about Godzilla; it serves as a lens through which we can examine our relationship with fear, authority, and the unknown. As the episode unfolds, Jack and Cristina challenge each other to think critically about the implications of releasing such a creature into the world. They explore the idea that Godzilla could be a metaphor for humanity's own destructive tendencies and the lengths governments might go to in order to maintain control. This episode is a must-listen for anyone intrigued by the intersection of mythology, science fiction, and reality. Join us as we unpack these absurd yet captivating ideas and consider the possibility that Godzilla might just be more than a fictional monster. Tune in now and prepare to have your mind blown!

+Episode Details

  • How did it get so big?
  • Are its powers scientific?
  • Was it created or discovered?
  • Is it in the wild or kept under control?
  • Are there others?
  • How do we know about it?

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+Transcript

Rambling 296: Godzilla: The True Story Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling Podcast. I'm your host, Jack. Cristina: And I'm your host, Cristina. Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And today, I thought it would be really cool if we looked at something that happened recently and unpacked how the world has reacted in response to these things that have occurred to Godzilla. Godzilla. I mean, I guess I wonder how people would react to Godzilla. I know there would be people who would be like, wow, it was based on truth. Instantly, a bunch of conspiracy theorists are gonna say, we were right all along. And the elites always put the truth in front of you because they have to tell you for whatever deal they made with something. Cristina: If it's part of conspiracy, then did they. Did the government, the world government, or whatever make Godzilla interesting? Jack: Or Godzilla could be a demon, a deity of some sort. God. God is in the name. Somebody's gonna put that connection together. Cristina: He's a God that was hidden, but someone knew about him. So did the government hide him until he broke loose or until the government was like, you know, the world government was like, okay, these people are out of control. We gotta let this guy loose. Jack: You think? Okay, okay, let's go back. You think the government made Godzilla? Cristina: No, I'm not saying they made him, but if they kept him a secret, then they probably have him locked up. Jack: Yes. Yes. Okay, fair enough. Fair enough. So the premise here is ultimately right. We're gonna fix this. This is gonna make a lot of sense. The premise here is two things. Regardless of how Godzilla is real and two, actually, three concepts that need to work here. Godzilla is real. And we're gonna prove this somehow. Cristina: Sure. Jack: And two, the government somehow knew. Somehow, somehow. Cristina: Whether they kept it or they just knew where he was or something. Jack: And three, that's because we only know about Godzilla to begin with. Because the government always has to tell us whatever they're doing, even if in secrecy. So they have to put it in front of us somehow. Cristina: Okay. Jack: Because the elites have to show us they made a deal with something. As we know is whatever theory. Cristina: Yes. Jack: And they have to show you. They got to tell you what they're doing, so they'll do it in cryptic ways so you don't know, but you know, or whatever. Cristina: I don't get it. I think it's so you can be used to it, so that when it happens, you're not as scared. Except the point of showing it is to scare you. Like, I don't. I don't know. So, like, they show it to you so that you. When it does happen, you're not too freaked out about it. Because they don't want you to kill yourself. Because at the end of the day, they still need you alive. Jack: Yeah. Cristina: For whatever their evil plan is. They just need you to know that it was possible. And then when it's possible when it's there, then. Jack: But I don't know why they would want you to know about Godzilla. Cristina: Why would they? They want us to know about everything. Aliens? Jack: Yeah. That's why. I think it's not that they're trying to descend. I think those people are wrong. If. If our three things are to be true, then they don't want us to know about Godzilla because they're unleashing Godzilla to kill us. Cristina: No. Jack: To do what? Why? Why would. Okay, let's. Let's work on one of these problems at a time. Cristina: Okay? Jack: Why are they. Cristina: Who. Jack: Somehow the theory that you're going with is they're trapping Godzilla. Godzilla? Maybe they could have made Godzilla, but Godzilla could have existed beforehand. Cristina: Yes. Jack: So it could happen either way. Maybe it was an accident. It could be that the story they told us about Godzilla was accurate. Cristina: It's just a natural thing that happened out from radiation hitting a lizard or something. From their bombs. Jack: Is that the initial story? Cristina: Something like that. Like they. We bombed Japan and then Godzilla was made. No. Jack: Okay, okay, okay, hold on. Let's. Let's f******. Without looking it up first, let's. Let's make our assumption. Okay, so you think war. Cristina: Yes. Jack: And nuclear waste. 00:05:00 Cristina: Yes. And then lizard and nuclear waste equals Godzilla. Jack: Okay, okay. I think cautionary tale. Power plant or chemical waste plant or something. Cristina: Yeah. And a lizard. Jack: Yeah. Wait, but you're saying war? Cristina: Well, it could be either or. Jack: Okay, you're just saying chemical. Cristina: Chemicals. A lizard, Godzilla. Jack: Chemicals. A lizard Godzilla. I agree. I think. I think it's a cautionary term. Cristina: Chemicals. I think it's bit a lizard and made Godzilla. Jack: Chemicals. Bit a lizard. Cristina: It's like Spider Man. Jack: Okay, fair enough. Kind of like the Ninja Turtles. Cristina: Yes. Jack: I mean, to be fair, that story. Cristina: The Ninja Turtles of whatever that story. Jack: Is about four N4 turtles that got bit by a radioactive rat, Right? Cristina: I don't know. Jack: And didn't he find them already mutated and turned into. No, they were just turtles. Cristina: Turtles. And you're saying he made them? The rat, the rat made them? Is he the villain? I don't think so. I think he found Them? No, the bad guy probably made them by accident. Doing weird experiment things. Jack: I bet. I bet it's some crap like that. Cristina: Experiments or an accident. Jack: No, I think. Yeah, it would probably have been like. And then he was trying the. His quest in life was to stop what he. The problem he created. So he spent his whole life trying to fix the issue of four mutant rats. I mean, turtles and a. I don't know. Maybe he made the rat too. They knew each other or something. Wasn't Master Splinter his master? Cristina: And he's just a dude. It's just a regular human dude against some wild animals. Jack: Any train. Cristina: And he's bad. Jack: Well, I don't know. I think I could be wrong. I don't know why. This is the memory, and I'm not gonna look it up. We're never gonna find out, okay? Because I've never seen the Ninja Turtles. I've read so little about the Ninja Turtles. I think, like, I literally don't even know how they became. Cristina: Like. Jack: I'm assuming it's waste if my memory says waste to some degree. Right? Cristina: Yeah. Jack: I think the rat knew martial arts because the guy taught it. But as you have brought up the question, did this guy teach a normal rat martial arts and that rat then went off into the world and became a mutant freak? Or did this guy make or find a mutant rat? Cristina: I can't believe he actually. No, I don't think he has to do anything with them. That can't be part of the story. It doesn't make sense. Jack: Then how the h*** did. He's a good guy. It doesn't matter what the h*** we're looking at. This guy is probably trying to just stop these weird animal freaks. Does he have targets? Does he harm people? Cristina: I think he's a criminal. Jack: Oh, he's a criminal. Cristina: I'm pretty sure he's doing crime. Jack: Are they superheroes? Cristina: I think so. Because I feel like the girl that's involved is also, like, a journalist or something. Jack: Holy s***. Are they Spider Man? Cristina: Yes. They're just like Superman. Jack: Are they super strong? Don't they have to, like, know martial arts? They gotta combat these guys one to one. They're not like one shotting everybody. Cristina: But they're. It's hard to hurt them. They're turtles, I guess. They have the highest defense. They might not be the fastest or strongest, but they're defense man. Jack: In a world where other creatures also mutated in a similar fashion. If we said they all approximated to about the same size, why would that happen? I don't Know even why the turtles began with. Okay, the least defensive thing Would probably be a standing turtle. Cristina: Well, maybe they can do stuff with their shells. I don't know. Jack: How could they see you if the only way for that defense to be high up, and you'd still have six points that you can be poked or stabbed or killed through? Yeah, you're just upping your defense. It's not perfect. Cristina: You think it. They're less defensive, though? Jack: I don't think they're less offensive. I think they're just lame. Cristina: They are pretty lame. Yeah. Jack: Yeah, yeah. In fact, we would have to increase the size of these turtles to make everybody the size of the biggest already existing. So the elephant is the only creature that wouldn't increase in size. All the other creatures would. 00:10:00 Jack: Except giraffe. We'll see the elephant, the giraffe. That's where we cap off. They don't change. Everything below them must increase in size to be at least the height of the elephant. If the turtles went up. Cristina: Yes, because they're like godzilla, who was a little lizard. Because it was smaller than them. Probably. Jack: Yes. But their soft spot is going to be larger. Yes. Cristina: Their soft spot. Jack: Yeah. The flat, the six points where the head goes in, where the two front and back legs going, and where the tail goes in, which is actually not different holes. Usually you have two large slits which are where their arms, the top arm, the top legs, and their head are. And then where their tail and back and hind legs are. Those are the two exits. So those two soft spots, as the turtle gets larger Would then be more vulnerable and be a larger target for the opponents. And if they're hiding, to remove their head, arms, and legs. Cristina: I don't know why they pick turtles. I don't know. It makes no sense. Jack: Yeah. They couldn't see you. Cristina: I thought they picked something cooler. Jack: They couldn't see you. Cristina: Turtles was cool. And then they gave them the attitude of spider man. I'm imagining that they came out around the same time on spider man because they have that boyish attitude that spider man has. But there's what, four or five of them? Jack: Say that again. Cristina: That they have the same attitude that spider man has. Jack: Yeah, they're broad out and, like making jokes. Cristina: Yeah. Jack: Except the angry red one. Cristina: Huh? Jack: He doesn't make jokes. Right. He's serious. Cristina: I don't know. There's an angry ninja turtle. Jack: I thought there was an angry red one. Cristina: I don't. I don't know. Jack: I know. Hold on. Let me see. Cristina: I don't even know if there's four or five of them. I don't even know the number of turtles. Jack: I think there's four turtles and a girl turtle. Four dude turtles. Cristina: Girl turtle. Jack: There's a dudette turtle. Cristina: There's not a dudette turtle. There's a girl, but she's not a turtle. Jack: No, there's a girl. Cristina: There's not a girl turtle. Jack: I promise you there's a girl. Cristina: She must have came out way later because the original turtles are. No. Are just boy turtles. Jack: No. I mean, yeah, sure, but there's a girl turtle. No, there is a hundred percent a girl turtle. Cristina: When did they introduce a girl turtle? It makes no sense. Jack: I think pretty early. Cristina: Are you positive? Jack: I guarantee you there is a girl. Cristina: But she's not a turtle. She's a human. Jack: There's a female ninja turtle. I swear to God. No. Cristina: What does that mean? Jack: She got turtle b****. Cristina: That's exactly what I was picturing. But no, there's not ninja turtle. No. Jack: In turn, she's blue. Girl turtle. Cristina: But that's just a made up turtle. Jack: She's blue and light. She's light. Cristina: She's not one of them. They just turned one of their turtles into a female turtle. Jack: No, they got blue. They got b****. Cristina: No, look, there's a. That's him. Jack: No, no. Cristina: Yes, there is that guy. They just changed his sex, but he still. No, there's no female ninja turtle. Jack: What is her name? Cristina: I don't know. Jack: There you go. Cristina: Ew. Jack: Yeah, there's just a chick that's lighter blue. Cristina: When did she. But she's not part of the original Ninja turtles. Jack: You probably not. I don't. Sure you could tell. I'll go with that. I have no idea. Cristina: I just know they don't look like teens anymore. I don't know what they're supposed to be. Now you see that girl? She's the girl. And she's just a human in the yellow suit. Jack: That's the reporter. Cristina: Yeah, I think something like that. Jack: There's just an extra turtle here who isn't even a chick. Cristina: I don't know what's happening. Jack: Yeah, but you get the point. Cristina: No, I don't. What was the point? That they. Jack: There's a female turtle. Cristina: The turtles. Originally there's like four turtles, now there's. Jack: Five and there's a chick. And I think it's been like that since like the second iteration. Cristina: No, he's like. Even the newest projects, you don't see the girl turtle. Jack: Oh, fair enough. Maybe they just don't like. Maybe sexism is alive. Cristina: Maybe. Jack: Okay, There are three scenarios here that are depicted in films that we can use to try to understand Godzilla right now. Cristina: Okay. Jack: One, nuclear testing. You were right. My specifics on it being a power plant was wrong. 00:15:00 Jack: But it wasn't war, it was for war. Cristina: Okay. Jack: It was just test site, probably some random a** island in the middle of nowhere, but had wildlife. Biology suggests in other films that it was a prehistoric kind of dinosaur. Cristina: I don't understand. Jack: So upon the discovery of this dinosaur that was somehow living underwater, is it. Cristina: Like that movie where they found King Kong in the center of the world? Jack: Kind of, yeah. Cristina: Like she's just sleeping in the center of the world and somehow she pops out here. Or he. She. I don't know what Godzilla is. Jack: Well, she. I think she's neither. Cristina: Okay, Well, I think she's like a. Jack: Frog could just, you know, asexually reproduce. Cristina: But Godzilla was down there. Jack: Yeah. Or just sleeping at the bottom of the ocean or something like Nessie. Cristina: Okay. Jack: And so, yeah, that's the other idea. Cristina: And there's a third one. Jack: The third one is essentially a hybrid logic where there was this maybe unknown reptile that was exposed to some chemical waste and that. So it's sort of both things. It had a unique chemistry that then allowed it to become. Cristina: I'm not sure what you tried to say. Jack: There are other lizards and other things in the same water with the same lizard that then became Godzilla. Godzilla was either amongst the species that it was the last of, or it had wandered off into a different eg area and reached the radiation. And its unique DNA had its reaction to the exposure to be turning into this large thing and nothing else did. Because the logic would be why would radiation turn this one lizard huge and not all the others, which is legit? Cristina: I don't know. Because like, if he's real, then what stops all the other things that they are showing us to be real? Jack: Legit. So assuming that Godzilla is a self contained situation, then we can write off the nuclear test site is wrong. And it's probably some kind of creature that has existed for a long time. Meaning the government found it. Cristina: Okay. Jack: They didn't make it. They saw this thing. Who knows how long it's been hidden or caught. But the government has it. We don't know when or why. We just know that they have it. Cristina: Okay, solved. Jack: They caught some sort of ancient creature. Cristina: That's what they do. Jack: Yes. Okay, now how do they know its capabilities? Cristina: They gotta experiment on it like they do. Jack: But how? Where? I guess we, no matter what, we can make a Space large enough. If we have enough funds, it doesn't matter. Cristina: Yeah, maybe it's where we say the aliens are. What's that spot? Area 52. Area? Jack: Yeah, giant location where it could fire whatever beam into nowhere. Cristina: They're experimenting on it. That's how they make their flying ships. They're not using alien technology. They're using an alien like creature. I guess. Jack: Fair enough. And its energy beam is what taught us about lasers and s***. Cristina: Yep, yep, yep. Jack: Interesting. Okay, so then now the question is, why would they release it? To do what? Cristina: To get us not to not. It's confusing because it has to do with Jesus coming back to life and the rapture. But it's like the government is against Jesus. So I don't know. I try to understand these conspiracies, but it's always something like this. Jack: Okay, well, assuming the whole Jesus thing is wrong and the rapture isn't gonna happen, grounding this in the re. In being as real as possible, what are some reasons the government might release Godzilla? Like, what's a real concern that they would be like, oh, get the people in check. I mean, maybe think about it. Think about it. We got conspiracy project 100% to fight the aliens. No, if some government. That's probably why they show us this movie specifically. Right. It's like, oh, we found this creature is one movie. But hey, he helps us from time to time. Cristina: Yeah, Godzilla sometimes not that bad. Jack: I bet they've always been working on mind control technology in order to figure it out for Godzilla. Maybe. Maybe it's not a creature they can control. So they maintain it tied and sedated because it's like, dude, this dinosaur 00:20:00 Jack: is bigger than most of our mega structures. Cristina: Yes. Like, why are they gonna. It's not to attack us. Like, they don't need a giant lizard, dude. Jack: Also, the size depiction of Godzilla tells us that maybe Godzilla has been around and we've seen it throughout time. Because think about the different scales. Sometimes it's just the right size to fight King Kong, and King Kong is so small, it had to climb to the top of the Empire State Building. Cristina: Yeah, he's not that. Jack: He's not that big. Cristina: Yeah. Jack: Other times, Godzilla is so tremendously f****** large that it is the height of the Empire State Building. Cristina: So what are we. What are we saying? It's actual sizes? Then I think maybe the child, if there's children version is the size of King Kong. Jack: And really the adult is what we're holding back. That's the. When we're talking about, we let Some creature out to protect Earth. That's what we're talking about. We're talking about that really big one we're hoping the guy we can control at some point. Because we're going to need it for when the big s*** comes to. When the meteor is almost here. Shoot a beam into the sky. Cristina: Could be okay to stop the, you. Jack: Know, aliens are coming. Start attacking. Fire all you've got. Cristina: You don't think it's like a government thing? Like, they know the other. Every country has their own Godzilla thing. And they're like, okay, if someone releases their Godzilla, then you got the. You got to press the button to release our Godzilla. Kind of like the nuclear crisis, except with monsters. Jack: Then. Then America doesn't have Godzilla. Cristina: Why not? Jack: Because Godzilla's Japanese, Right? Cristina: I don't know. Because I think it comes from us doing the experiment with radiation. Them seeing what we're doing. That created the fear. Jack: But they caught the creature. It's their creature. It was over there. Cristina: So. Or maybe we're attacking them with it. Jack: I have a theory that works with a lot of the world. Godzilla is Japanese, and we have our own creature. Theirs was our fault. Cristina: Okay? Jack: Ours was our intention. Cristina: Oh, what is ours? Jack: I don't know. What creature do we talk about in any manner, shape or form that makes absolute sense as an equivalent to Godzilla? Cristina: I don't know. Jack: Was King Kong our creation? Cristina: I think so. Jack: We have a giant ape somewhere. Cristina: Somewhere does not really compare to Godzilla. Jack: But no, we went to Jurassic Park. We went to. Yes, we went. Yes, we went to Brazil and found King Kong. Right. Cristina: I don't know. Jack: We went to some random jungle out in a different country. It wasn't over here. No, we didn't capture King Kong and bring him over here. We went back to King Kong. Cristina: I know. Jack: We did capture King Kong at some point. That's how he got to the Empire State Building. Cristina: Yes, we captured him from the island he was at. Jack: Yes. But that's the story of how that went wrong. Okay, so is Jurassic Park. Yes, but I think you're right. I think we were like, we can do bigger and better, and we could do it with nothing but money. Cristina: Yeah. So we made not just one many. Jack: We got all of them. We got hella creatures bigger and badder than all your creatures. Cristina: I don't know if any of them compare to Godzilla. Yeah. If you look at the biggest dinosaur and put it next to Godzilla, is it competing? But even if it was competing in size, like, it doesn't have the ability to. Jack: Yes, Godzilla. Some other That's. Cristina: Even if Godzilla was smaller in size, does it matter if it shoots out beams? Jack: Yeah, it's like a pure energy. Like it'll cut, it'll. Cristina: It's. Jack: It's a lightsaber. Cristina: Yes. Like it doesn't matter what we have. No matter how large it is, there's no winning. Jack: I know. You know, like, I don't think it's gonna be. Man, that. That would be nuts. Cristina: You're looking up. Let me see, let me see. Jack: The largest dinosaur was about 85ft long and potentially as tall as a three story building at most. Cristina: And what is Godzilla size? Jack: Yeah. Now the question is, what was at its largest? Cristina: There's many, so. Yeah. Jack: Yeah, straight up. It varies from film to film, but the largest is 00:25:00 Jack: is 350ft. How tall is the Empire State Building? Nah, nah, nah, nah. So this creature was around tall buildings, but it wasn't the size of the Empire State Building. The Empire State Building ain't a joke. Godzilla's tallest size was 350ft. The Empire State Building is a hundred and fourteen fifty four feet. Cristina: Okay. And what was the tallest dinosaur? Jack: The tallest dinosaur was roughly half the size of Godzilla. With our estimate being that the possible for the largest dinosaur was roughly 122ft. But the largest we've seen that we believe can get to that size at its highest point was 85. So Godzilla will s*** on anything. Cristina: Okay. Jack: Anything. How big was the biggest King Kong? Cristina: I still don't think it's gonna compete. Jack: King Kong stands at approximately 104ft. Cristina: That's kind of whack. Jack: Yeah. Cristina: I don't understand. Jack: Biggest Godzilla is three and a half times bigger. Cristina: Yeah. That's ridiculous. Jack: Yeah. He would stop this. Cristina: He's huge and he's got powers. Who is. Who is fighting Japan if this was Japan's creature? Jack: I don't know. Cristina: That's why it has. It can't be. Jack: No. That's why we made so many investments. That's why we made so many. We're compensating. Cristina: I think Godzilla is our creature. And whenever we're not happy with Japan, we release it on Japan. Jack: Oh, s***. Maybe there wasn't a nuke. Maybe we were testing, ended up with this thing and sent that out. Cristina: Yes. And that's why they fear us and it. Because it. It's the same thing. It's us. We are their nightmare. We are Godzilla. Jack: Interesting point. So then the question is, when was the first Godzilla movie and when do we drop the bomb? Cristina: Oh, I bet that the bomb came first. I'm betting I'm betting. Jack: You think the. The bombs hit first? Cristina: Yes. If not, then at least when we started testing had to come first. Jack: Okay. Okay. We found something strange here. The first Godzilla movie. Go, Jira. Literally, the name, how you're supposed to say it, it's like in quotation marks here. Cristina: Okay. Jack: Came out on November 3, 1954. Cristina: What are you saying? Like, it happened a day later or something. Jack: Hiroshima. Cristina: Oh, my gosh. Jack: Was dropped on August 6, 1945. That was 10 years before the 11 years earlier. No, nine years back. That's nine years back. So the bombs got dropped first? Cristina: Yes. And then shortly after they make a movie. Jack: Shortly after they make a movie. Cristina: Yeah, yeah. Jack: And the area was supposed to be radiated for really exaggeratedly long time. That's wrong, though. So now it's common knowledge that, no, it's gonna be livable eventually. Cristina: So you're questioning if it was actually what we said it was? Jack: Yeah. Was Godzilla really released into. Cristina: Yes. What? I don't know. Jack: You think that'd be crazy? Cristina: No. Jack: What if we really. What if? Cristina: Really? Jack: What happened is the United States released Godzilla as a warning. But then the question is, how far apart were these? No, they were three days apart. Cristina: What was three days apart? Jack: Hiroshima. We dropped the bomb on August 6, 1945, and just erased that in Nagasaki was August 9 where we dropped it. This was three days later. There is only one possibility. If what you're talking about is the case, we have more than one. And that's why there are different sizes. The fat quote, Fat man bomb was the big one. Because the first one we let go was called the Little Boy. And the little boy could just be the small 00:30:00 Jack: Godzilla. Cristina: Yeah. And because these maybe are scientific experiments, like, maybe once they do their damage, they die. Like, maybe not leave them. They don't actually live, though. Jack: Oh, like they're gonna be. Like, they're gonna die quickly. Cristina: Yeah, they die quickly. Because they're not really. They're. They're radiated. They're. They're. They're animals, but they're not. Like, why would a radiated animal and all these stories, they stay alive and healthy and everything. Like, that's not true. They die immediately. Wouldn't they? Jack: All the other creatures. Cristina: Any creature. Jack: You mean the Godzilla? Cristina: Yes, the Godzilla. Like, any radiator. Jack: How did we get it to that size if it's gonna die quickly? It would have died long before it. Cristina: Reached that size because we hadn't had it woken up. Maybe. Maybe. Jack: We're finding these creatures, right? We're trapped. We're capturing them. Or we're making them. Did we make Godzilla? No, because we found them. We found them. This is a fact. We found these creatures. Cristina: Yes, but maybe we found their eggs and then we still have. Jack: They still have to grow naturally. Right. Because it's. We've established some creatures, a dinosaur. Cristina: Okay. Maybe they just diabetely out of their environment, Their natural environment. Jack: But they'll be right next to the water. Isn't it from the water that we're getting them? Cristina: No. From somewhere super duper radiated. Jack: No, because they're just. Unless we found somewhere naturally radiated on the planet. Cristina: Yeah, maybe because it's an ancient creature that happens to go into a radiated area that creates the Godzilla. Jack: So the argument is there's a lizard that hangs out in a raid. There's a spot naturally on earth that's always radiated. Cristina: Yes. Or that we turned it into radiated and just. Jack: No, these are dinosaurs. Cristina: These are dinosaurs. Jack: These are dinosaurs. We've established that. That the government had nothing to do with it. Cristina: No. Yes. Jack: So we must be finding these. Cristina: Yes. Jack: There must be somewhere on earth that's naturally radiated. Cristina: Okay, yeah, maybe. Jack: Or are we just finding dinosaurs? There's some kind of unique nessie like creature, basically. Right. But why can it shoot a beam from its mouth? We gotta justify that. That's the radiation we had justified size. I guess more ancient dinosaurs than the dinosaurs were used. So that's really what's happening. Cristina: Yeah. Jack: And because of that it was de down. And because of that, like it hibernates deeper down in the planet. Cristina: But we can hear it through Russia because they have that giant hole in the ground that makes really spooky sounds. Maybe it's just the dinosaurs. Jack: Maybe they don't sleep underground. Cristina: What? Jack: Maybe they sleep and live underground. And this is one of many. And they're always down there. Cristina: Yes. Jack: And what we hear through the hole. Cristina: Is that they're just. They live down there and it's radiated. Jack: And then we find. No, they don't even have to be radiated. The size, it just works different down there. Cristina: Okay. It's not radiation. Jack: Yeah. But they. They live around lava and immense pressure. Cristina: So maybe where does the beams come from? Jack: I don't know. I don't know. Maybe it's kind of like they're doing something through the. They learn, they evolve naturally. Being able to do a combination of something with air the way that that crab underwater does that make a small explosion. Cristina: Seriously, it's just. It's. There's some scientific reason. Jack: Scientific reason why it can shoot out lasers. Yeah. If we think about like a way to first create an air funnel. Maybe you have some sort of internal system that works like gills but for oxygen. So that you can open and suck in air from one side as you're simultaneously pumping the air out through a more narrow air. Cristina: So radiation has nothing to do with it? No, that's just the story Japan believes because of what we said we were doing. Yes, they put the scientific experiment to it. That's part of the story because that's the story they were told. But we're just lying. Jack: Or you're right and it is radiation. But then it happened by accident. Yes, and. But no, it wouldn't make sense. How did this creature so immediately after. Cristina: They'Re attacking die? Jack: I mean there's a ten year period. Well, we'll say the nine year period. We'll say a movie started being made a year after the events at earliest and the movie got put out a year later. So two year gap. So two years before it would have had to happen. So there would have been only seven years for that lizard to go from as small as it was to as big as it was. It wouldn't happen. The only way would be if this thing was growing for infinities. Cristina: Yes, it already has to be that big. Jack: It already had to be that big for many, many, many, many year. Hundreds of years maybe. Cristina: So they found it. They found it 00:35:00 Cristina: and then it died. Jack: Yeah. So it's from the center of the earth. It comes out here and whatever trick it could do. But again. Okay, wait, we're trying to figure out this trick. Right? So it has some gill like system. It should in theory be able to open some thing to pull in air and have a different where it's shooting the fire from. Should have some kind of like narrower airway so that if you're pulling in twice the amount of air then you have some sort of a pump and you could shoot out the air continuously. Then that's solid. You could. Cristina: You somehow makes lasers. The air turns and say lasers. Jack: Well, the laser wouldn't exactly be a laser. Maybe that's just a weird depiction and it's not like a lightsaber. Maybe it's more like fire. Cristina: Okay. Like a dragon. Jack: Like a dragon. And so it's breathing this in and kind of like a venomous snake that can spit out this kind of thing onto you or something like that. Maybe. Cristina: Why wasn't Godzilla just a story about a dragon? Because we have so many dragon stories. Why wasn't this just a different dragon story? Jack: Maybe the Japanese don't Have fire breathing dragons? Maybe we have fire breathing dragons. Maybe that's a western thing. Cristina: Japan, I mean, China didn't have dragon that breath fire. Jack: I don't know. I have no idea. Cristina: Okay. Jack: Why you think it was What? Cristina: I don't know. Because like, wouldn't they just say it's a dragon that's attacking us and not some scientific experiment attacking us? Jack: Well, they think it happened after the bombs. Here would be the theory. Right. Grounding this a little farther. We dropped the bombs. Cristina: I thought they were the bombs that we dropped. Jack: Well, this is me adjusting. Okay, we dropped the bombs. No, they have to be the bombs. Yeah, but assuming I'm wrong, we dropped the bombs and the bomb woke the thing up. Cristina: Okay. Jack: It's the only time we've ever dropped these bombs. Ever. It's the only time nukes have been used on these areas that aren't just abandoned islands in the middle of nowhere, deserts that are uninhabited. We're dropping it where there's people and foliage. Cristina: I woke this ancient dinosaur up, and. Jack: It woke this ancient dinosaur up. Cristina: Okay. Jack: That could be why they, like, the bombs dropped. Then the thing happened. So that the. The whole story about the bombs. I bet Godzilla did not attack either one of those two places. What place in Japan did Godzilla attack? Tokyo. Cristina: Tokyo. Okay, that's random. Jack: I guess because it was like a real super mega area. We were just attacking normal civilian areas that had a base, I guess for control, it was military related, trying to calm them down or whatever the h*** we were trying to do. Tokyo? Yeah. So that takes place in Tokyo. So that's a possibility. One of two scenarios explains the attack of Godzilla on Tokyo. Either we dropped two bombs and woke something up. Cristina: Yes. Jack: Or these bombs were the lizards and they wandered off. Cristina: That could also be it. That means. Yeah, I don't know. Because like if we did wake up a lizard up, there was just one lizard. Jack: Maybe not. Maybe there was a bunch of lizards. Or maybe we knocked something down underground that allowed one of these already existing creatures from underneath. But we can go back to the original concept that they. That we, the United States, found a way to go down there and get these creatures that have always been down there. Because we do hear something when we hear down. No matter what, these creatures are underground. How we acquired them is now the question. We found out where they are. Cristina: They're underground. Jack: They're underground. Did they originally pop up in Japan? Or did we go get them probably through that hole in Russia, and then keep them? But how do we transport the biggest one? Cristina: Yes. Jack: Problem. We should have a base where we're finding them. Cristina: Alaska. Jack: Alaska is probably a really good place. There's a bunch of rural places out here. 51. 100. Yeah. Cristina: Area 51. Jack: Yeah. Just holes that go deep. And we just have access to pulling these things up and keeping them around the hole so we can throw them right back down if we don't need it. How are we going to dispose of this s***? Cristina: Yeah. Jack: You know, because we tried. Maybe we tried to dispose of some that went wrong. And that's why we have stories of some coming out of the water. Cristina: Okay. You know, 00:40:00 Cristina: and then still, like, any alien story could be pointed to this creature because it could be more than one creature that's down there. Like, they don't all have to look the same. Jack: Yeah. What are they eating if they all look the same? Cristina: Yeah. So, like, if they're like. If they're dinosaur like, I guess, which is very lizard like, so very alien like. Jack: Yeah. And it's definitely. There's lava if they go deep enough. But I don't think they're so deep. I think they're just deep enough that they don't normally get to us or ever. And water must be down there, too. They're ocean levels. Deep, deeper. Slightly deeper. They're slightly deeper. They're in the gaps of air underneath the ocean. And then we found ways. And we tell people, the normal civilians don't have access to the technology that can take us so deep to withstand that level of pressure. But the government's never going to tell us that it does. And it can easily get down there and it can access these creatures and get to them. Cristina: And then what? Just attack countries with them? Jack: But then this. Yeah. Like you said, one country has King Kong, one country has Godzilla. One country has this thing. One country has that thing. One country found it, used it. Other countries found out about it and figured out how to get more. So chances are we have maybe different countries have different size Godzillas. I got a really old Godzilla that's the size of this. Cristina: Okay. All those different ideas. Jack: I got a really huge moth. Cristina: Huge moth is Russian thing that they attack us with. Jack: Yeah. You know, anybody can have anything and they could be getting it from the same place. You just gotta have the technology to go get it and the ability to. Cristina: Restrain it, which I don't know if anyone does have that, though. I don't know. Jack: Then how do we stop the ones that were. We. We. Cristina: I think you can still kill them. I think killing them isn't like a hard thing to do. It's just like hiding the body and then making up stories to what actually happened. Jack: So you have to be able to control it. You can't just kill it. You got to kill it in the water. Cristina: Yeah. You have to kill it in a way that hide. Like, you gotta. You still have to, like. Jack: Fair enough. So then perhaps still like every alien. Cristina: Story where the government came by, asked a bunch of questions, told a lie about what actually happened, and like, I have a theory. Yeah. What? Jack: Maybe it was one. Cristina: Was one what? Jack: The first one caused small destruction as compared to the second one, the one that caused great destruction. They were both powerful. But what if the first one was Godzilla doing it? Little boy was Godzilla. Cristina: And the second one was to kill Godzilla. Jack: Was the. Kill Godzilla. The bomb. Cristina: Okay. Jack: What Godzilla was doing. We're testing it. We're seeing if Godzilla works. Cristina: Okay. Jack: And then it kept wandering, and we're like, how do we control it? Okay, here we go. Well, it worked. Gone. No proof. Cristina: Mmm. Jack: Two part system. It'll keep destroying more than a nuke can if you just let it keep going. Yes, they tested that on the first one. It'll do. Nuke levels of destruction. And until we decide to stop it, it'll keep going. Cristina: Mm. Jack: Can we stop it? Well, let's find out. Here we go. Boom. Cristina: Okay. Yeah. They have to get rid of it. Jack: They have to get rid of it. Maybe the government has the ability to drop things like this at random. Cristina: Crazy. And it's all the governments. Jack: Then many, many, many governments have the ability to drop some colossal creature onto other governments, onto other countries. Cristina: Yeah, to just attack. Jack: Or maybe not. Maybe it's just a few. Depends who has stories of disability. We're the only people who are like, oh, no, we can't. We control it. It's our thing. We call on that show, we want it. Of course we use it. In the middle of the ocean, nowhere, where nobody knows where the h*** people are. Like, oh, how did the Americans shoot down that boat all the way over there? And it's like, we don't need to. Cristina: Know, but we're still. We're still lying about what it's happening. Jack: Yeah, I bet. If we can't control it. No, man, that's a question, right? How do we. We don't have mind control. We're still trying to figure it out. Yeah, if we could control something that big, we'd be controlling humans long since. Cristina: But there's no way we can. Jack: There's no way we can. So we're not using it casually. That has to be Wrong. We're definitely lying about what happened. But I'm pretty sure we dropped a thing that caused nuke sized damage. Cristina: And then we used the nuke. Jack: And we used the 00:45:00 Jack: nuke to see if that could stop it. Now there's no proof that it ever existed. It's gone. Cristina: Yes. Jack: Evaporated the bones into nothing. Cristina: That could be it. Huh? Jack: Simple. Although I think bones would survive a nuke. They would just be crispy. I have no idea. Maybe if you're close enough, you get disintegrated into powder. Cristina: But like, even if you find the bones, am I still dinosaur bones? I don't know. Jack: Yeah, and that's why the wood. That's my point. Like, it would have to be at a point that it gets incinerated, Right? That's the only way that you have zero. Cristina: Zero proof. Jack: Zero proof. Okay. No, the bones would totally disappear. Cristina: So. Jack: Interesting. If this says the bones of a person would disappear, then the question is to go directly and do the size. How big would a bone have to. Cristina: Be to not disappear? Jack: To not disappear. Cristina: Okay. Jack: Okay. All right. So let's do some breakdowns here. Humans would get eviscerated into nothingness and cease to exist. See, even their bones, which are our thickest, densest part, Godzilla's bones. To scale appropriately to its size, maintain its weight, and be logical according to how gravity and whatnot works, it would be about 20 times thicker than a human bones. Cristina: It's pretty thick. Jack: Yes. Even then, at ground zero, it would be so obliterated into nothingness, vaporize into beyond dust, that there would be no evidence it ever existed. Well, a nuke would erase the existence of such a creature at ground zero impact, you make it the target. Boom. Gone. There's no evidence it ever existed. Cristina: So we could have released Godzilla onto Japan and then murdered the Godzilla that we made? Jack: Yes. We didn't make Godzilla. Cristina: Oh yeah, we freed Godzilla, released Godzilla out to Japan, then killed it. Then they made a movie about it. Jack: Yes. Yes. The argument would be that we dropped a Godzilla on Hiroshima on August 9, 1945. And three days later, in Nagasaki in August 9 on 1945, we dropped a nuke to get rid of it, testing our entire scenario. And it worked. And nobody has f***** with us since? Cristina: I guess so. Except everyone keeps making bombs. Jack: Yes. Because they know how to stop it. Cristina: Yes, I guess so. Because they saw that we were able to stop it. Jack: Interesting. Fascinating. Cristina: So all of those bombs are not Nobody's using? Jack: Nope, nobody's Just a single one. Cristina: And also, it's just too Many. Why would you need that? More than one. They're probably country. Jack: Yeah. These are probably controlled nukes to create small blast areas with the same intense energy in the small area. So if you have a lot, you're not causing widespread destruction. Nobody has shot a nuke at anybody anymore. We're waiting. Cristina: For what? For these monsters pop up. Jack: Yes. And we're efficientizing them. We're always making it more efficient. Knowing somebody might have one of these. Cristina: Things, someone might release one. That's the real danger. Jack: Interesting. Cristina: Whoa. That's so crazy. Because we have the most nukes, but we're the one with the obvious amount of creatures. Most likely, too. Jack: Well, we're not. Cristina: I think we are. Jack: We have so many. Oh, so we're just like you guys. Couldn't release one on us for any reason. We'll drop a nuke instantly. Cristina: I think we also are protecting ourselves from our own monsters. Jack: Our monsters. Their release of their monsters on us. Well, now, here's something interesting. We would be screwed in an attack. Because we're thinking a couple of episodes ago, we're doing where would we get attacked through, right? And like, if. What would we do in a scenario like that? We didn't consider something like this. But if something like this were to happen, the most likely location to drop it off would be in the ocean and let it come to us. So they don't have to put themselves in danger. So they would just get close, but they wouldn't hover over our airspace. We drop it in the ocean near us, and it would find land in our direction. Coasts would be f***** up. The coasts are the way in for whatever creatures dropped in the water near us and for land. Cristina: But why are we dropping creatures in the water? Jack: War. What if we're invading the United States? Cristina: We, The United States? Jack: No, like, people. Humans. Oh, humans are invading the United 00:50:00 Jack: States. Cristina: Oh, okay. Jack: So Russia is like, yeah, let's attack. What if that's what's happening near Alaska right now? And they're hanging out by the water. Cristina: So that we could throw our monster in the water? I don't know. Jack: They've got their monster. Cristina: Oh, okay. Jack: There's ships and planes. They're surveying our area consistently. They've probably got their creature underwater in some giant cage, and it's probably imprisoned, tied up in some way, and they're just planning and testing to release it. And they could just release it and leave. They don't have to do anything. One day they just leave. A couple of hours later. A couple of days later, something starts attacking Alaska. Cristina: Okay. Jack: I don't know how Canada is going to protect itself, but I guess Canada would be screwed here too. Cristina: They got their own monsters, Hopefully. Jack: They got their own monsters. Hopefully. Unless the point is that Canada doesn't have a way to defend itself. And the only way would be for us to start nuking Canada to kill the creature. Cristina: That's crazy. Jack: Which would create an interesting problem. Would we do it? Cristina: I guess that's why we got so much nukes. Jack: I think maybe that's also why our least defended area is the only access point. Because the least amount of people are around the Alaskan area. It's a transport point, but there are the least amount of people in Alaska. If we had to drop a nuke, it would be an easier decision than if it came up through New York City. Cristina: Okay, you get my point? Yeah. Jack: So we make that the easiest attack point, and that's the only likely placer probably to go. Because then we would just start bombing them or dropping our own creatures on them. So then they have to release it over there so that by the time it gets to the water, I mean, it gets to land, starts destroying things locally, we have enough time to react and attack it before it leaves Alaska. And we never have to catch Canada with our nukes. Maybe that's strategic. Cristina: Weird. Jack: But yes, would make sense and would keep the rest of the United States safe. Over. Militarize. All of it. Agree with Canada. We're going to keep that land mass up there and we're going to make it the least defended. You defend your borders like a. But we can nuke that. If they ever drop a creature. Cristina: Do we have creatures on every border then? Jack: Like, we don't. We don't know. We just know they might be dropping a creature on us and that's why they're hovering over there. Cristina: But they are not in Mexico just getting ready to attack us. Jack: Interesting. You think? I mean, that would make sense. Then that would actually explain the wall a little better. Cristina: Yeah, maybe. Jack: Maybe the wall's point was to stop these creatures. Because the creature might not just be destroying for no reason. It's gonna avoid crap. Cristina: Mm. Jack: It's a creature. If you're not controlling it, that's just doing random s***. You build the wall, it might not even try to go over. It might turn away and go somewhere else. Cristina: Interesting. You know, just then, if we're thinking about that, like, maybe all the walls, but then, like, China has walls. Jack: China has walls. They've been doing it since whatever century. Cristina: We know them because the dragons. So like who had the dragons that was attacking China that they decided, let's build some walls, dude. Jack: Even this really ancient place we were researching, the Indian place, Dwarf or whatever from 9,000 BC, had giant double layered walls surrounding them in the water too. Cristina: And it wasn't even just the land that they were protecting. Even the waterside, man. Jack: You know what's crazy, dude? We've also seen many people were f****** with Camaras. The text said so much about chimeras. Cristina: I don't know because I thought these were natural creatures. But then if you start talking about chimeras. That's not natural. Jack: That's not natural. Unless it's creatures we're seeing now are the creatures from back then that they were f****** with. And that's why it would have these abilities. It would be a creature that is some over like leftover relic, ancient scientific experiment. It's not us like our experiment. It had to get to think about the two problems we were trying to solve earlier. How does it have these abilities? Well, we had to make it. How is it its size? No, I had to age to that point. Cristina: Yes. Jack: Solution. It was made and it aged to that point. What does that tell us? It had to be made long ago. Cristina: Okay, One of these ancient civilizations. Jack: And maybe there's a bunch of. Maybe they're everywhere. Some civilizations go underground. Some civilizations can move things to other planets. Maybe us in current day looking at the moon, saw some s*** we shouldn't have because we know there's theories about the other side of the moon, the dark side of 00:55:00 Jack: the moon, which isn't dark because it gets light, but we don't see it. And like, maybe there's something out there. Maybe that's the reason China wanted the return to that side of the moon. Maybe what we saw was like, oh, crap, we don't want to wake that thing up. Or we saw civilization that was like, you guys don't talk about seeing space because they got their creature, whatever the crap might be. Maybe there's creatures like that everywhere, everywhere. And we're just finding them. Some civilizations went extinct. Cristina: So all these fairy tale like creatures that are monsters are not really monsters at all. But then would we put like you said, the Loch Ness monster, And then there's vampires, werewolves, all those other creatures. The Ninja Turtles. No, whatever. Chupacabra. They're like all just ancient experiments. Jack: No, not all ancient experiments, but they're all scientifically explainable. Just like adrenochrome could be scientifically explained to some degree. We don't know what causes all these different things. But I think. I think none of it is magic. And I think we do have maybe current day proof of weird s***. Things we have seen that more than one individual has seen. And there's some kind of proof, whether it be current day photos and things that aren't considered fiction. Nessie's a weird one. Some ancient other kind of creature that. No, it has to be from the past. Everybody assumes has to be. Scientists are like whatever creatures is. Resembles this thing from way long ago. Except it would have had to be even longer ago. Then Dwarka and then the Elysians. It had to be from like Elio's time. Cristina: Okay, Elio. Was he around dinosaurs? Jack: Am I saying that wrong? What the h*** was his name? Loi. Cristina: Loi. Jack: Loi. It could have been from like Loi's time, but still, that's. No, it had to be from millions of years ago. That's a problem. So it would have still even outdated. Loi. No, if 3 million years ago isn't. It still has to be like 150 million years ago. 3 million isn't that long ago compared to a creature that Nessie looks like. So maybe there's crap so long ago has nothing to do with any of those people. Cristina: Yes. Jack: Technology so ancient, that's crazy. Cristina: If it's still technology evolved, I guess. Jack: It would have continued to evolve, you. Cristina: Know, But I don't know. I don't know. Jack: It could have. So somehow. Somehow science was involved in the making of this thing. Cristina: Mm. Jack: Because still. How are you f****** doing it, then? Cristina: Again. Jack: Again, physiologically. I tried to explain it physiologically. Those creatures to shoot things. We know crabs can make explosions into grounds. Really specific ones. Or. I think it's a shrimp or something. And so that's. Some creatures have superpower. Like things spit acid out or whatever. Cristina: Yes. Jack: And. Or some, you know, throw smoke out or whatever ink out. If you can do some kind of air pressure thing where you suck in twice the amount that you push out, then you can push out through a smaller airway, creating more of a pressure. Because more air through a smaller airway goes faster. You get some range. And if you can have some kind of ignition and put into that air that's moving through some kind of flammable air you throw in, there's gas, some flammable gas you throw into the air that you're pushing out, then you can create some kind of flamethrower like thing. Cristina: Okay. Jack: And if it shoots out with enough pressure, the closer to your mouth it is, the more like A laser beam it would be. And the further away, the more like regular, you know, it's less pressure. Farther off, it's more like fire far. So maybe you can get a nice stream that looks like a beam. If your size is big enough from our eyes. If you shot a fire beam and it was the length of like 30 buildings at the peak of your mouth, it's gonna look like a straight out beam, not like a fire blast. Right. Because you're shooting. Because it's closer to whatever spot you're shooting it from. Cristina: Okay. Jack: It's gonna be closer to the shape of the airway you're pushing the air through. Took it look like a beam. There could be explanations all this weird. So what's our landed conclusion? That there's creatures at the center of the earth that have aged for who knows how long. Cristina: Yeah. Jack: Countries have found them, some countries have captured them. And likely evidence of this is that Hiroshima had something called the little boy dropped off that we think is a nuke. But it might have been Godzilla and it created nuclear sized destruction. And that three days later after it strolled off, we threw an actual nuke called Fat man to evaporate Godzilla and see if that could work. And it did. And ever since there has been prepared. Everybody's been preparing, Everybody's been making bombs, everybody's been 01:00:00 Jack: making nukes everywhere. All at the same time, just in case, just for the day. Cristina: That makes sense. Jack: And when people are cryptic instead of just saying nukes. So just saying I'll bomb you. When somebody like the North Korean leader is like, I got a present for you. And he says that to Trump, what he's talking about is, you know, you saw the creature. I show you my creature. I got that for you. Cristina: That's weird. Jack: And leaders know, but people don't. Cristina: Leaders are showing each other their creature. Interesting. Because they don't have to show anyone. But they could. Jack: They could, they could, they could. And people aren't gonna talk. Cristina: Yeah. Weird. Okay. Jack: Yeah. Cristina: Trump knows about him. Jack: Maybe a bunch. No, Trump would immediately talk. I think Trump wouldn't be able to hold it. I think he would just tell the world in excitement. Cristina: So you don't think he was told yet? Jack: I don't know. Maybe he was. Maybe what we see and what he is are two different things. Who knows? Anyways, we have solved the possibility. So what's the consensus? Is Godzilla real? I, I only if the government has to show us everything because they're doing some cahoots. Cristina: That's the whole point. Yes. The government is just Showing us things that are real. Jack: Yeah. So if that's the case, then Godzilla is real. Yes, because they have to show us everything. Cristina: Yeah. Jack: And then that would explain the proof behind Godzilla being real. Cristina: Because the government showed it to us. Jack: The government showed it to us because. Cristina: Obviously they run Hollywood. Jack: Yes. And history shows that, yes, there was definitely some bombs dropped and people saw a lizard in Tokyo. You know, so we got bombs, we got movies, we got evidence everywhere that something happened that they're not telling us. Cristina: But they are telling us just through movies. Okay. Yep. Jack: And the correct story is In August 6, 1945, Godzilla was released on Hiroshima. Godzilla wandered the island past Tokyo and got to Nagasaki, where he was finally nuked. Cristina: Yes. That is the story. The unofficial true story. Jack: That is the unofficial true story of Godzilla. Okay. I'm glad you guys made it with us through this to discover what really happened here. This was important. Cristina: It was. Jack: We've established details that matter to the people of Earth, and now we know true military capabilities of a lot of countries. It's way worse than a nuke. You wouldn't think so, but if you don't have to keep firing and you can just release a thing that could only be killed if you nuke your own people. Cristina: Yeah, that's pretty crazy. Jack: Yeah, that goes hard. Cristina: That goes hard. Jack: It's just gonna keep destroying until you nuke it. Guys, you got to nuke your own people. Enjoy. Explain that to your civilians later. Cristina: Yep. It's. It's. It's what's happening. Jack: It's what's happening. Cristina: It happened. Jack: Fire. That's crazy. That's such a solid military tactic. I guess that's why bioweapons are really overpowered. You want people to have to attack their own people. That's winning a war. Cristina: That is insane. Jack: That's. Yeah, you won. If you gotta start attacking your own people, whoever did that to you, they won. That's fire. They don't have to worry about themselves anymore. You're too distracted dealing with you crazy. Cristina: Mm. Jack: Bioweapons. Resident Evil had the right idea. Cristina: Again, bioweapons. Jack: The way to go. Anyways, if you guys think that we missed something important here that should have happened as a natural development of Godzilla or some other proof that maybe exists. Cristina: In the world 100% right that we're right. Jack: If you can help us justify this, let us know. Reach out to us. You could do that on our socials, at just convo pod, on Tik Tok, Instagram, on X, and on Facebook, wherever. Just type our name. Cristina: You'll find everywhere. Jack: Yeah. Cristina: Remember to subscribe. Right. And review the show. Jack: Yes. And word of mouth is really overpowered. Tell everybody about the program and the fact that we have absolutely given. Given you nothing but solid fact and proof that Godzilla was real and a timeline that you could throw in people's faces and show them, look, this is proof. And when they're like, you're using a weird kind of confirmation bias, looking for evidence to prove your argument instead of disprove it, you tell them what is proof of your beliefs. And they're going to be like, good point. But you're being absurd. And you're going to say, I can back these thoughts up with science. Can you? And that argument is gonna win. Cristina: Okay. Jack: Because they're gonna 01:05:00 Jack: be like, I can't. Even if they know inherently, it might make more sense. In your total argument, you've used nothing but science. Even if applying it only where. Only where very convenient. And ignoring the areas that would make it unconvenient, you'd be the only one in the conversation with science. Cristina: Ridiculous. Okay. This has been the Rambling Podcast. Take nothing personal and thanks for listening. Jack: Bye. Cristina: Good morning. Good morning. This podcast is hosted by Cristina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.in fox art by 0lupo and logo by Seth McAllister with social media managed by Amber Black. 01:06:20

Rambling 284: Sketchy Deal

Who is the Boy boy by the Bridge? What is the Clinton Furnace? And who owns the area? The duo continue deep diving into the records of Clinton Road and its surrounding forest in an attempt to discover the origin of the Spacetime Distortions in the area. What’s uncovered is both shocking and exceptionally strange and mysterious. What does it mean? Anyone’s guess. Join us and find out what our duo uncover!

+Episode Details

Topics Discussed:

  • Boy by the Bridge
  • The Lady in White
  • Clinton Furnace
  • Newark Watershed Organization
  • Mysterious Contracts

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcription

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And so let's do a quick recap for anybody who is new and anybody who needs the recap that might have missed a couple of episodes. We totally got off the Elysians because we loot. You're using all of their awesome knowledge to find weird things current day instead of keep digging infinitely into the past. And boy, have we found some s***. So for anybody not aware using current day, I mean, using the knowledge we acquired from the past, we've looked at a couple of different things, including some ancient structures like Stonehenge. And we looked at the comparison. Yes. We looked at mysterious places. We looked at Skywalker Ranch. We looked at basically a bunch of things just using the acquired information. And in doing so we came across a couple of patterns. And then we applied these patterns to things we're personally familiar with because we can go investigate these things. And so in doing so, we've been going through Clinton Road making sense of the weirdness that happened 15 years ago. And we've actually come to some interesting informational conclusions using the cross reference information we have. Great. Fantastic. A couple of those details included an episode per episode take on all the different sections of things that are just echoes, things that are some phantoms of some sort, and actual total significant things. And within those groups we've come across other things to look at. Primarily the. The big focus that we had was to see what is out there that we can ground.

Cristina: Yeah.

Jack: And we went on the path of the. The lady.

Cristina: Yeah. Whether she's a shadow person or whatever. Yes, whatever she is.

Jack: And so we investigated that and there's a lot about her. It turns out as we deducted that there might be one person, might be one person. And there seems to be a literal timeline happening, a point in which they start to show up and a bunch of events that follow it. It looks like a girl shows up and then she's in panic for years. And slowly as time goes by, she's more adjusted to her scenario. Kind of like somebody got lost in the shadow realm and had to acclimate, but was scared at the beginning when we were seeing her. Scared. And then over time very adapted and over time trying to investigate the scenario, no longer scared of it. And eventually looks like a scientist almost Investigating and running tests out there. Almost ignoring the people that she sees. And that's weird.

Cristina: Yes.

Jack: Specifically, something about the lake. She's taking samples and doing something to the lake. The lake is something important, although we can't tell what.

Cristina: No.

Jack: And we can't tell whether she was living in the castle or if that was a base of operations of some sort. Because a lot of times I just saw her hanging out, like, living there.

Cristina: I don't think she's living there because there's so much happening there that there's no way you can live there when.

Jack: There'S so much unless there's nothing happening. And all the people we see live there.

Cristina: That's a lot of people. Could be.

Jack: Could definitely be. So that's where we were. And one of the thing. One of the notes we came across was a couple of notes, actually, public records, mentioning this girl along with the boy. Those two separate occasions when she was seen with the boy. Once at the bridge and another one, another spot. And so I went ahead and I looked at the boy in particular, because we got the lady. And the lady is connected to another human. Who's the young boy on top of that. The lady began as a girl. Looked like a young girl in 1950, 1965. But the word girl became a lady, and the word lady became a woman as time went by. Giving us a visual that people are describing what they seem to be like.

Cristina: Aging person.

Jack: An aging person. The term seems accurate to them when they're describing it. Began with girl, cross through lady, and ended up a woman. That's an aging person. And by the understandings we have, people who age must be from this side. At least that's what it seems like to us.

Cristina: Yeah, I guess. Because we don't know what's happening.

Jack: Yes. We have no clue. So let us begin by showing you some images. And I want you to just tell the listeners what it is you're looking at. That's all that matters.

Cristina: All right.

Jack: They're going to see the images and post, like, the episode thumbnail and stuff like that. But it is very important that you look at this and tell me what it is you see.

Cristina: Are you somehow related to each other?

Jack: The same place?

Cristina: Okay, the first one. Because the first one, I can't really tell what it is.

Jack: Ruins.

Cristina: It's ruins. Yeah. The second one is a doorway into the ruins. Unless this is the tower or castle, whatever. No, but it doesn't look like a castle. And the third one, it looks like just a building in the forest.

Jack: Yeah. These are different angles at the same place.

Cristina: The third one doesn't look real, though.

Jack: No, the third one isn't real.

Cristina: Oh, okay. Is that like, what people think?

Jack: No, that's what it looks like. That's what it used to look like.

Cristina: What? Yeah, like what it used to look like, but like what people think it used to look like.

Jack: No, that's what it looks like. That's what it used to look like. Exactly what it used to look like. It just so happens to be a perfect rendition instead of a sort of rustic looking one. The idea was to get a perfect visual of what it looks like.

Jack: Which.

Cristina: It looks like a house, I guess. I don't know. It looks strange. It doesn't look like a house either. It looks like a building, but it doesn't look like anything.

Jack: Okay, saying it doesn't look like this, it doesn't look like that. Not helpful. Describe what you're looking at. You describe the doorway. That's.

Cristina: There's a doorway. There's a fireplace. I think there's something in the bottom. I don't know what that is. That's round, going down. Like a pipe. Yes, There you go. Pipe. There's a pipe.

Jack: A pipe. Doing what? Saying there's a pipe means nothing. There's a pipe going from the base wall down to a different. Down to. It turns down into another level. That's a description right there. It's turning from a second story down into a first story. The chimney you're describing is connected to the building, but towards the largest fragment of it. There are three different fragments to the tower, as far as we can tell. And we can confirm that based on the structure that we're looking at, where we can't see the other parts of it. It does have a triangular form. So there must be a more steady form behind it, which in other images you'll notice not. And I don't have the image here, but the. In the bottom image, you're looking at where the smaller piece that's actually behind the two images we're looking at.

Cristina: So there's two ways in.

Jack: There's not. I mean, yeah, sure, there's two ways in, but what you're looking at is. Yeah, yeah. So you're looking at the back of it and then the bottom one, we're looking at the front of it. That's technically the actual front.

Cristina: The bottom image, the bottom one is so dark, I can't tell if there's windows. Is there windows?

Jack: There are windows, yes.

Cristina: Okay. Because I know it look really strange if it's just two ways in and then windows. But okay, so there's windows. It looks like it's made out of some kind of brick.

Jack: Yes.

Cristina: And I'm not sure what it's supposed to. Like maybe it's a home.

Jack: It's not a home. Doesn't matter what you think it is. Just describe what you see.

Cristina: Yeah, that's all I see. A building, a forest.

Jack: All right, I'll keep adding some details. Yes. It's made out of a red and brown brick style. The main attraction here is the centerpiece that seems to be the focal point of almost every image. And the rest of the structures kind of fade away to the background. The tower has been knocked down over time. That's the most collapsed part. You can actually see it on the other side here. The building is towards the front and you can see the tower towards the back there. And the original building was well known for what you see here, the green. It was covered in moss everywhere. That doesn't get seen in the newer versions because the forest around it has been sort of killed by its own ruins.

Cristina: What?

Jack: Yeah. Preventing the. It sort of covered the ability for dirt to grow grass and s***. So it's ruins are stopping the growth. And so the moss has vanished. And so everything is kind of disappeared. But ultimately it was very covered. Now what you're looking at is called the furnace.

Cristina: Furnace.

Jack: Yes. What you're looking at is called the furnace. And the furnace. That's why it has a chimney. That's where you would let the smoke out. The background pipe is to run different materials. And it's in facility. I cannot tell you what the f*** this was used for originally. There are so many stories, it's not even worth getting into. I'm not talking about what it was used for. Too many things. It's a furnace. Think of uses for it. People were using it for that. Whatever you can think of using cremation. Somebody cremated somebody there. You need to get rid of material that's toxic. Somebody did that in there. It's a furnace. It was used for whatever they say.

Cristina: It was used for. Whatever.

Jack: Yes. I'm telling you what? I'm telling you what. All the information I've acquired. Oh, I'm not adding any sauce to anything.

Cristina: Anything. Okay.

Jack: That was a furnace and was used for many things. I'm not sure which one of them were actually used for. These are just different things it could have been used for. So we're not even gonna bother talking about that.

Cristina: Okay.

Jack: Because I know you will. We're not Gonna break into what it was used for because it doesn't matter to the ultimate bigger picture of what we're gonna talk about.

Cristina: Okay.

Jack: The point of this furnace is that in looking for the kid, I found this. This is one of the places the kid was found. Really? Yeah.

Cristina: What? So that's somewhere in.

Jack: This is the Clinton furnace.

Cristina: Whoa. It's just in the middle of nowhere.

Jack: Just in the woods.

Cristina: That's. That's pretty creepy. But okay, yes.

Jack: So the bridge, very prominent location for the child. The furnace, second, very prominent location for the child. They show up in other places. These are the two most consistent, like last time, a bunch of records that I even put timelines about how often they were mentioned within these gaps. Same idea, except I'm not doing that timeline thing. But these were the two most extreme mentions at the bridge. But we've heard that one a lot.

Cristina: Yes.

Jack: And looking into that, found very little. Yeah, the furnace, weird anomaly. You start looking into the furnace, you find the furnace's existence. You find public records of the kid being mentioned. Oh, there's been a lost boy. We think we saw a boy loss. We think we saw runaway by there. All these different scenarios of there's a young boy somewhere around the ruins of the furnace.

Cristina: Weird.

Jack: Okay, okay, so that was interesting. So I start looking into the furnace.

Cristina: It has to be a hotspot, right?

Jack: It has to be a hot spot. Or it doesn't have to be a hot spot, but there's something weird about the furnace. And then we find only even in public records, even in documentations of construction, even. There's no direct link as to why this exists, just theories as to why it was there and what it was being used for. Yeah, very strange.

Cristina: How long ago do you have, like a year it was made or something?

Jack: No.

Cristina: Oh, wow.

Jack: No, it's just very obscure information on this. It's sort of unknown.

Cristina: It's just, it's a mystery.

Jack: It's a legitimate mystery.

Cristina: Whoa.

Jack: So I was, I wanted to know who owns this right now, who owns that? And like it's somebody's property. Otherwise I could just go there and say, it's mine. Yeah, somebody owns it.

Jack: So I look at who owns it and okay, it lands right back where we started. It was owned by the Newark Watershed Conservation and Development Corporation, the people who own the woods.

Cristina: Okay, so what were they doing?

Jack: Yeah, exactly. The problem is that existed already and it was bought by NORC when the other guy died. Okay, so we're gonna talk about that for a second. What do we what do you remember specifically about that? Or should I just go into it and not bother.

Cristina: Let me try. Let me try a little. Okay. See, they were hired to investigate the kkk. I think that's what I remember.

Jack: Okay, I'll jump into it. When the owner died, his. Their family. His family sold the property, the castle and the land to the NORC Watershed Organization, the new Watershed.

Cristina: Did you?

Jack: Yes, I did.

Cristina: Oh, okay.

Jack: The Newark Watershed Organization was then contacted by the mayor.

Cristina: That's what I remember, the mayor.

Jack: So that they can work. I mean, they were. Contact. Yeah. The Norquater Shed and the mayor. Yeah. Mayor of West Milford work together to investigate because there were reports of cult activity. And so they go and research, come up with nothing. The guy retires, and then we get mentions of the kkk.

Cristina: Oh, yeah.

Jack: They were just working along. So the structure existed before that. They acquired the property, the castle. And that was on the property. So that's theirs too. So that's what the background to that was, wasn't. They were hired to look at the kkk.

Cristina: Because at that time, people were just.

Jack: Cool with the kkk. Unless you were black.

Cristina: Okay. It was about the Colts.

Jack: Yeah. So when Richard J. Cross died, who is a former owner, is when it was acquired. Now looking at the Newark Watershed Conservation and Development Corporation, which for short, I might just call NORC Watershed.

Cristina: Okay.

Jack: NORC Watershed was being investigated for corruption from 2008 to 2013. Yeah, yeah, yeah, yeah. And they were found guilty in 2013 for corruption. Yes.

Cristina: Okay. What are they doing?

Jack: Key thing to matter about here is ownership of the entire property shifts to the city of Newark in 2013, where it has ignored the forest facilities since. Now, Newark Watershed was in charge of maintaining and taking care of the forest. And in the 1950s, as it was falling into disrepair, people started hanging out in that area. And that's what you know. There's kids hanging out in there and we got these reports of satanic things. We cannot have kids trying to think it's fun and scary and go check it out. That's dangerous. We gotta investigate, make sure there's nothing there. So when kids show up, they don't eventually, you know, what was it, 1988 like? You just knock it down. Kids are still going to this f****** day. And that s***'s dangerous now. It's falling apart so much, it's dangerous. Just knock it down so nobody gets hurt out there.

Cristina: Which one they're knocking down? The castle.

Jack: Yeah, the castle. This is about the castle. But so they. When newark acquired in 2013, they just ignored it. But it was already in disrepair. So it was nothing. It's like at least nobody's stealing money and saying they're. So what are the charges that they were given that they were in fact guilty for? So two charges. Let's unpack the first one.

Cristina: Okay.

Jack: The first charge is kickback schemes. I'll explain. A kickback scheme is when you create a loop scenario where you get profit off of money that was supposed to go for something else. Usually we call that taking off the top.

Cristina: Okay.

Jack: Right. So what was happening? No maintenance or oversight was being performed specifically on the property of Clinton Road. The surrounding forests and structures. Specifically on that. They. The Northwatershed organization owns a bunch of things.

Cristina: And they just abandoned it? Pretty much.

Jack: Well, they abandoned this place. They own a bunch of things. They're in charge of maintaining a bunch of places. And they just don't do that for Clinton Road or the forest specifically. That area. All their other s*** is well maintained. And Clinton Road is so wide and the things are so hard to locate within it that there's no point. You could just take them out their word. Whatever. Who's out there anyways? Right. Funding provided by the city of Newark for the property, for maintaining the property was paid to shell companies owned by members of the organization. So fake. Other companies would come in and maintain with the budget provided by. But those companies were owned by the members. Fun. And no worker was sent in to maintain anything.

Cristina: Yeah.

Jack: So all of it, a hundred percent of it is pocket money. On top of the fact that goes through somebody's quote company, unquote. So they get more money through tax and stuff. Because you're running a business.

Cristina: That's so strange that they would pick the spots and just ignore.

Jack: It is so strange. I would pick this spot to be fair. So strange.

Cristina: Wonder why.

Jack: Right?

Cristina: Yeah.

Jack: They're just stealing the money. That seems like the logical reason. Nobody's gonna look at this. Just stealing the money. What else could we say it is? Right. It's a bunch of people. They know all the property is in ruins or so distant into the woods. And people don't normally get out of their car. Most people are scared. And the few people who make it that far, they're already careful enough. Do this frequently. It's like there's no worries here. Really. Really?

Cristina: Yes.

Jack: Even the investigation from the 50s was just for caution. No kid is going to go and really get hurt because these are thrill seekers. Which means they're usually the more cautious individuals because they're familiar with thrill seeking. So what do you do? You pocket the money. This is stupid project. We acquired the thing and whatever.

Cristina: Well.

Jack: So what's interesting is in the document, it elaborates as this has been going on for about 70 years.

Cristina: How many? Seven.

Jack: 70 years.

Cristina: 70. Oh, okay.

Jack: Whoa. It could not have been the same people. 70 years is aggressively long. You tell me 20 years, I can believe the same people were doing it. You tell me 70 years. That's two entire lifetimes. If you started at one person, he died, and now another person, then he died. Now that next person is in charge.

Cristina: That's possible.

Jack: Yeah. Except why are they still running this system? Nobody came through who wasn't corrupt.

Cristina: Yeah, well, if they hire the people that are. I don't know. That's interesting.

Jack: Fair enough. Maybe Norquatershed was selecting its employees. Yeah, like, oh, I. I want to lift this guy from this other place and bring him with us. And it's like, you definitely work with him in other places. Probably mentioned, hey, I got some opportunities, you know, if you. If you could be trusted.

Cristina: It became a family business thing. Like, okay, my children.

Jack: Yes, essentially. Right. The names of the individuals, irrelevant. We look at them and it goes nowhere. It's just. They were really just racking in the money. That's it. It's just weird corruption thing. But I don't know. This is weird.

Cristina: Yeah. For seven, 70 years.

Jack: That's crazy about 70 years. And because for 70 years it wasn't maintained. That's why the castle went to disrepair. That's why everything became ruins. Nothing was being maintained and now nothing is left. Yeah, I mean, there's stuff out there, but none of it is maintained. So that is the first charge. The second charge is where it gets a little more interesting because the second charge was bribery.

Cristina: Who are they bribing? Okay, what's going on?

Jack: Well, members of the NORC Watershed organization were receiving third party donations in exchange for not performing all of their duties.

Cristina: Oh, okay. I see. They're getting money from whoever's using the forest to do whatever the mysterious things that people are saying that are happening there. Okay.

Jack: Emails, wire transfers, as well as paper trails dating more than two thirds of a century backed the investigation and the conviction of the members.

Cristina: So it's been happening since the beginning of 70 years to current day?

Jack: Yes.

Cristina: Well, not current, but when they decided to do something about it.

Jack: So I. We. There's a lot of math we have to think about right now. 70 years. This happens. The conviction in 2013. If we count backwards, where do we land? You take 10 from 70, you make it 60, that leaves you to 2003. Now you subtract 60 and that takes you to 1940.

Cristina: Okay, 1943.

Jack: Yeah. Right. Now this is, this is where it's going to get a little interesting. And we got to unpack some of these details. Now first. Weird. Before I go on to the next, let's. Let's unpack this real quick. Definitely. It sounds like you're right. There's this third party who's bribing them. Is bribing them for them ignoring the thing. Yes, because it doesn't say what duties they were to ignore. The two charges don't seem in paperwork related, but they're obviously to us. Yeah. You telling me they're being bribed to not do their job and telling me that they were receiving all the money provided for a job that was given directly to them and they were supposed to put for the thing, but they just pocketed and said that's the reality of what's happening here.

Cristina: Yeah.

Jack: Two quote, unrelated, obviously related.

Cristina: Oh my gosh, it's so wrong.

Jack: It's weird too. So who is the third party? And none of you. Like, who the f***? Why are you guys okay with it instead of reporting? Then again, you don't care to be.

Cristina: With the cult, though. It's like the most. Like you were. That was the first time we hear of them. Like, oh, solve that cult problem. And like that cult problem probably took care of them. That's probably where it starts. I don't know. I don't remember what year that starts, though.

Jack: Well, here's what's interesting, right? Because we assume it makes sense that this has been going on since it got bought, except it got bought in 1919. And if it got bought in 1919, then nothing makes less sense than 70 years back. Because even if we started at the year 2000, it would be 80 years already just to get to 1920. Then we'd have to add another 10 years to get to 2010. So that's 90. Or it's almost 100 years apart, but we're seeing 70. And when we do the math, we land in the 40s, 43. And when we find out when the lady was first mentioned, it's 1965.

Cristina: Okay.

Jack: We're in the ballpark of something that's happening, but it's unclear what the f*** is happening. We're just insignificant time. So let's dive a little deeper into this. So the two primary members, everybody else was given fines. Everybody else was given jail time. These two spearheaders were given prison time.

Cristina: Okay, cool.

Jack: Now let's unpack the details here. The bribery was. So they discontinue monitoring, specifically the forest. I find that later in the original documents for the courts, in the original case files, they were reported as separate, different cases. And there was almost an attempt, an intentionality to not relate them. It looked very intentional. There was never anybody who clearly stated, well, somebody was doing something in the forest if you guys weren't mentioned. Nowhere. But like, could it be any more obvious?

Cristina: Yes. Who is this? Other people? Where's that? Courtroom.

Jack: Yeah. And like the fact that there was no attempt to connect the dots. There was no attempt on record to connect the dots, but you could find anywhere else that the theories of people just. Yeah, it was definitely that they were getting paid for. Like, people know this. It's just common knowledge that this. Whoever this group was, was clearly paying these people to go in and out. But no document says it. No official court document says it. No official public document says it that they're related. Yeah. You find other non officialized documents throughout time that mention things.

Cristina: None of it mentions who this other party could be.

Jack: No. So, yeah. To allow the third party free access to the lands was ultimately the point. Weirdly enough, the third party's name had been redacted anywhere it had been mentioned.

Cristina: So they know who it is.

Jack: Yep. From everywhere. Doesn't matter where. And there again was an intentionality to not mention their name in a lot of places where it would be obvious that you would. In a proper court structure, you'd probably restructure this to forcefully include the name as often as possible, to reference back as often as possible. Just obviously absent from places. You'd structure things intentionally to have it weird.

Cristina: So they knew. They knew and. But for some reason, you can't say it.

Jack: The city of Nork. No, I don't know if West Milford had any f******.

Cristina: Yeah, but they. The city. What? Okay.

Jack: And I don't know what's happening because again, the mayor of Milford was concerned about weird things. He was the one staging organized like, you know, let's go investigate.

Cristina: Yes. And then he quit. So was he bribed to quit or something?

Jack: Something scary must have happened to him.

Cristina: Yeah.

Jack: So the paper trail extends straight into the very first initial agreement that was signed by this redacted named company. You know what this reminds me of? When we first found the trade route that goes to Epstein's Island. It was a whole episode. And this reminds me of that. I mean, it was like a shipping spot that was Just on this island.

Cristina: Yeah.

Jack: And it would only take one trip, and it was to the Epstein's island. This reminds me of that level of sketch of, like, somebody went far to make this vanish.

Cristina: Yes.

Jack: The paper trail goes all the way to 8-3-19. That is the first sighting of the document. 8-3-19.

Cristina: How did they do it, though?

Jack: Like, it.

Cristina: That's so crazy that you said 70 years.

Jack: Like, how it has to be intentional with people hiring. They had to be hand picking everybody intentionally.

Cristina: Yeah.

Jack: It was gonna eventually collapse. It's crazy it lasted that long.

Cristina: Yeah. That's so crazy. Make it last that long.

Jack: But that means they were slipping and that's why they were put on there.

Cristina: Yeah.

Jack: Something was giving, and it was becoming too visible. And it was that time for the city to be like, you guys are not trustworthy anymore for whatever reason.

Cristina: Mm.

Jack: Because they didn't go in and do anything. In fact, now it's less guarded. It's actively less guarded. And nobody's taking money for it. Nobody's been pretending to garden. Now it's just not guarded.

Cristina: I don't understand. Oh, maybe whoever this third party was realized, like, it doesn't matter. We don't have to keep paying these people. Like, they got them in trouble because now they don't have to bribe them because they know, like, okay, we. The laws make sense now that we don't need them.

Jack: Yeah, Fair. Maybe. It could totally be the case.

Cristina: Things are gonna just work out for us because there's no.

Jack: Yeah. They could have structural structured things in such a way that they're like, we couldn't get caught. And if we did get caught, we couldn't get in trouble.

Cristina: Mm.

Jack: Like, definitely. It could be. I don't know what the logic behind it is, but it's just a weird shift. This suddenly happened. Something made the Newark Watershed Organization irrelevant. Suddenly.

Cristina: Yes.

Jack: Not sure what, but something did. And it could have totally been that.

Cristina: Interesting.

Jack: Weird. And here's the thing. We had a period of random cars coming in and out. This sketchy. Unmarked black vehicles coming in and out. This gets signed in 1935, in 1939. And then in 1965. Actually, I have the thing right here. See, the very first mention.

Cristina: Oh, the cars.

Jack: Of the woman is actually 1965. Yeah.

Cristina: Okay.

Jack: Yeah, 1965. And then where do we get mentions of the cars? Blah, blah, blah. No, 1966. Immediately following the lady. Okay, 1965 is when the lady shows up. 1966 is the cars. 1939 is when the agreement was signed. Now, I had to add this extra note here because of the nature of the situation, but I'm gonna scroll up to that real quick and I'm going to tell you something that is very exaggeratedly interesting. And we can unpack it after I say it. I don't know what it means or what it should mean. Let's unpack some of the acquisition details.

Cristina: Okay.

Jack: In 1919, Clinton Road is acquired by the NORC Watershed Organization. In 1939, the Sketchy Deal is performed. That is August 31st, the Last Thursday and day of the month. Why did I feel it was relevant to point that out? The Newark Watershed Organization signs a donor agreement on that date with a third party donor to leave Clinton Road and the surrounding forest unmaintained and unpatrolled. Now, why is the date so significant?

Cristina: I don't know. And tries to guess. I don't know.

Jack: The very, very, very next day is the beginning of World War II. The very next day this gets signed, and the very next day is the beginning of World War II. I don't know if that's relevant in any manner, shape or form. The very next day World War II started.

Cristina: Okay. Now is it coincidence? Yeah.

Jack: Now let's talk about this coincidence real quick. There's three pieces in here that make a lot of sense for what I just said. I don't know what they mean.

Cristina: Mm.

Jack: The date this was signed. Sightings of the KKK at the castle. And one other piece that stops it from being coincidences, but suddenly makes it something to observe. How do we start the episode with a boy. Where?

Cristina: In the furnace place.

Jack: There's nothing more N*** Germany than a furnace. Oh, we have the KKK, a furnace and the date before World War II all in the same place.

Cristina: Because we have no idea if that is the kkk.

Jack: We have no idea. We also know that druids look identical to a cloaked man. So, you know, just random details that just seem to build patterns. I don't know what that means. I don't know what the relevance of this date was. I was looking, what significant thing happened around here. Googling and s***. I'm like, what the f***? World War I started the very next day. Hours from this point.

Cristina: Interesting. I don't know. It's just weird. I don't know.

Jack: It's just weird. I also don't know.

Cristina: The boy. If there was other beings around the furnace, that'd be interesting. Like other ghosts.

Jack: There have been. There's just no repetition.

Cristina: Okay.

Jack: The boy is who's often seen there.

Cristina: Yeah, he Definitely feels like an echo type of thing. But then he's in two places.

Jack: He's in two places. And we know he's not an echo because of one detail. He interacts with the woman we know isn't an echo and that unless she's playing a role to look like an echo herself.

Cristina: I don't know.

Jack: But she interacts with the boy.

Cristina: Yeah.

Jack: So the boy isn't an echo, but he's always like.

Cristina: They never say he's doing something like, what is he doing here?

Jack: I don't know. He's always hanging around the furnace and he's always by the bridge. One or the other. It could just be a legit hangout spot by the bridge. Again, we've seen kids. Apparently they like to come close to the road and see people from the other side us roaming by. This could be that same thing. Kids is cool spot to see people from the other side.

Cristina: But if he and the girl are the same, why doesn't he age?

Jack: I don't know. I don't know. And weirdly enough, I had the same thought and I looked.

Cristina: Is there a man?

Jack: No, no. The boy is always the boy from beginning, straight through. The boy is always a boy.

Cristina: He's a ghost. No matter what he is some kind of ghostly figure.

Jack: He might actually be a jinn. He might actually be a jinn who's achieving human like features somehow. I don't know. I don't know. The boy is weird. There was no age attached to it. It never became a teenager. It was never a young man. It was never an older. There's nothing. No, it's always a boy. Always a young boy. And that's weird because the lady aged around him.

Cristina: That's weird.

Jack: Unless it's different boys. It doesn't seem to be. The descriptions all match. There seems to be very consistent. It could be different boys, but then they're in uniform.

Cristina: That's also very strange.

Jack: But now let's take a step back. This girl could be one of many girls and something extra wrong happened to her. Or all of them are girls and we're seeing a bunch because again, sometimes we still get mentions of the young girl. But rarely. Rarely. Maybe. Maybe there's just kids being experimented on. That fits the suit for 99 of the we've looked into.

Cristina: Yes, but do we never get the girl at the furnace?

Jack: I never know. No records of the girl at the furnace.

Cristina: Okay. What was the furnace doing in there? I don't know. Okay.

Jack: Weird, right?

Cristina: Weird.

Jack: What are we learning? What is this telling Us.

Cristina: There's things that look related but we cannot connect them.

Jack: Yeah. And there's some weird f****** NORC is in on whatever's happening. NORC knows, or at least it has an idea.

Cristina: Or they can't do anything about it.

Jack: Or they can't do anything about it. But no, I doubt that. I think there's. I don't know. Who knows? Maybe you're totally right. Like, what is the force that's so intense we just ignore it, let it go. The less people looking in that direction, the better. Literally dissolve this. Have nobody work it. Just say we're maintaining it and never do. Like, what? That's better than having somebody fakely maintain it. Yes. Less people to go look.

Cristina: That is strange. Yes. Who is this third party?

Jack: Who is this third party? I did everything to try to find any information. It was just non existent.

Cristina: Okay.

Jack: And it still. It brings into the question the fact that the kids don't age. Then adds this weird question. Because when we were looking at the girl, the lady and the woman, it looks, based on the timeline in which dimensions happen, that there is at least one person who's actually consistent, even if all the others might actually be other people. There is one person that people have seen more who is the same person and maybe all the others are different. So they see a bunch of little girls all the time, teenage girls, and then this one lady who's aged the entire time. They've continued to see all these young girls. They could. I think they're running experiments on children. And what we're seeing is actually different kids and something extra, extra, extra bad happened to this one person and they're somehow trapped in between areas or something.

Cristina: But you think kids are important in this?

Jack: I think. I mean, we keep seeing these children and the girl and like the girl became more rare as time went by. But I think it's because of the prominence of the woman, not because the girls lessened. I think it's the prominence of the woman. Everybody sees the woman, she's there.

Cristina: And the people that hang out on the beach though, are they children? Do you remember? Yeah. Where she gets the water? There's always like people hanging out there.

Jack: You mean the lake?

Cristina: The lake, yes. There's always people hanging out there that we assume are like maybe different echoes from a certain.

Jack: Yes, it looks like those are actually echoes. Or not even a neck. Yes, yes, it's an echo. They're literally looking through a portal into a different time. Yeah, that's not now. And that's not like now would still Be now regardless of which realm you're in. But then would be then regardless of what realm you're looking in. And he's just literally looking at a different time and those people aren't there. That seems to be the case that there's a lot of like time pockets around the lake, which would also like what happened in the lake that she's also so focused on the lake.

Cristina: Yeah.

Jack: If she's trapped between realms and trying to find a way out. Where the most bubbles exist is where you would be doing the most experiments.

Cristina: I suppose that could be.

Jack: She could be trying to get out or jump into either side. But then, is there an in between frequency you can land in that means that realms would be infinite. If there's an in between space, that means realms are infinite.

Cristina: I don't. I don't know. Because the way they describe the fairy. Using the fairy realm to travel through the shadow realm makes it seem like there is no in between. Like there is, but you can't actually be in the in between.

Jack: Except that is really, really old thinking. Considering we corrected that with how Herme later explained literally being able to just walk in with nothing but thought power. That's very different. How you manipulating reality so much. You could just. I'm here now in L. F. Okay. And that violates what we were reading before. What was other people's interpretation? That they are using it to cut path. And that made it look like satellites. But then eventually we found things that make it look like Earth and shadow are literally just. You boxed off a part of shadow.

Cristina: And called it Earth.

Jack: And it looks kind of like maybe there's some connection there in the same fashion between Elfame and the shadow realm. And in that case, they are physically, literally in Elfame and physically, literally in the shadow realm. When they are moving through those, it would seem that maybe Elfame is smaller somehow. And in return, going to Elfhame could allow you shortcuts, and that would make sense.

Cristina: That would be weird. If it's smaller.

Jack: Well, it's allowing you shortcuts between the other space.

Cristina: Yeah.

Jack: If it was bigger, you'd travel less. But if it's smaller, you do small distances in Elfame and that's greater distances over here.

Cristina: Mm.

Jack: So.

Cristina: Okay.

Jack: But at least that's just a way of thinking about it. If that's the case, then yeah, it's a frequency. That means there's an infinite number of different frequencies we could jump into. We're surrounded by infinite numbers of realities, literally. And Hermes, actually anybody. And being able to Just manipulate and cross between them. You are beyond what God could ever conceive of being. Beyond. Like our descriptions of the most powerful, exaggerated gods. Even when we look at the research we've done and ground those gods into reality. People who consume entire stars for energy couldn't f*** with a guy who could go into a reality where that star doesn't exist.

Cristina: There he's the only one that seems to really be able to do that. Because everyone else has, you know, the gates or some kind of gates to be made.

Jack: Even Jesus.

Cristina: Even Jesus, yeah. There are gates in this woods that we haven't found.

Jack: Maybe. But Hermes doesn't seem to require anything. No, like the true deal seems overpowered on some other s***. And the more we look at Hermes and the more we compare information to Hermes, it makes things like Santa Claus look watered down. Because, d***, you overpowered as h***. Santa. Few people could f*** with Santa on a real day. Jehovah, with his best technology, would struggle. But I don't think Santa could spot Hermes if he wanted to.

Cristina: Okay.

Jack: You know, I think that's the level of difference. It seems too overwhelmingly exaggerated.

Cristina: Yes.

Jack: I mean, he can easily go to any reality whenever he wants. An infinite number of different realities. No, nothing is a barrier. Time is an illusion. Place is just a state of mind. What the do you mean, bro? What? This is just how you think and how you move. And the universe works in this way for you?

Cristina: Yeah. That is ridiculous.

Jack: Nuts, Crazy. Crazy. I don't f****** know. But if that's the case, if that's possible, then maybe this lady stuck between realms. I don't know what else she could be doing. I don't know what she could be doing. She's definitely running experiments. I don't know for her, but she looked scared. Or maybe those were other girls. Other girls getting away, getting horrified and being killed by random s*** in the woods. We don't see their bodies and s*** because it's on the other side.

Cristina: There's some type of experimenting going on there.

Jack: It looks like it, bro. And they're running out in gowns. All of them?

Cristina: Yeah.

Jack: Come on, bro. Oh, it's a white dress. Oh, it's nightgown. Oh, it's a raincoat, bro. Let's summarize this way quickly. You're looking at two things and don't know how to describe it. One is a lab coat, and the other one is a medical gown. All of them are those two things. Every description anybody has ever given matches those two things. Who the f*** owns a white raincoat? Back then, when white was harder to make, nobody owned a f****** white raincoat. That's not a raincoat. Anybody who used raincoat to describe this is stupid. I'm sorry. Anybody who was going through these wisdoms. There's a woman in a white raincoat. You have never in your life heard those two words put together. Because nobody f****** owns a white raincoat. There's a lab coat, bro. Come on. And the gown is f******. A medical gown, bro. Medical.

Cristina: But if she's wearing a white something, is she part of the group that we see as KKK's or not? We know they're not really. But the cult members in white.

Jack: No. Because cloaks are very different than gowns. Gowns is you are a patient. Cloaks, you are a wizard. And raincoat your doctor.

Cristina: Okay.

Jack: The cloak. I don't know how to relate the cloaks to anything.

Jack: That's just weird.

Cristina: That's just weird.

Jack: The raincoat. That's a lab coat. They are almost identical. And to somebody in the middle of the night, that's the same s***. And the nightgown and a medical gown are both called gowns because they are both gowns and are structured almost identically. Except white is in the scenario we're talking about. And blue is common day pass it. The only difference still f****** nightgowns.

Cristina: Yeah.

Jack: The only place it gets a little iffy is when they say dress. And you could easily confuse a dress for a hanging nightgown and a little bit of wind. You know? Easy, simple, logical. I am thinking nightgowns and lab coats. That's what it sounds like. There's too many girls. And it looks like they still get mentioned casually, even if predominantly it's the lady in the rain. Quote, raincoat.

Cristina: Mm.

Jack: But a bunch of girls in nightgowns? Come on, bro. There's a doctor and a bunch of chicks who were experimented on trying to run away and ask for help. Oh, please save me.

Cristina: Yeah.

Jack: Why they're always asking for help. Why they always street side? Please give me a ride. And then they disappear when you get too close. Because they ain't there. But they see you. You see them. And then neither one of you sees each other when you're too close. They ran away from the facility. Presumably the church. Not the church. The castle is probably still functional on the other side.

Cristina: Yes. We have no idea. Yeah. All these places that are in there.

Jack: Probably maintained like a m*********** on the other side.

Cristina: On the other side. Yeah. Interesting. Yeah.

Jack: That's my theory.

Cristina: I don't know, I like that theory.

Jack: Yeah. I couldn't confirm one way or another, but it's pretty heftily leaning in that direction. Yeah. Let's see some of these details here. The when the city of Newark absorbed ownership of the land, they collected the necessary documentation required for evidence to support their cases. This is weird. And destroyed the rest of the documents. Everything else was destroyed. They only used the documents that would support the case of convicting the individuals. And only that. No additional details. And completely removed the rest. These destroyed documents included the information related to the briber because they were unquote unknowing of the specific rules and regulations pertaining to this particular instance. Unquote. And as a result were, quote, unknowing participants. Unquote.

Cristina: The briber were unknowing?

Jack: Yes. According to these documents, they were unknowing participants because they weren't familiar with these specific laws pertaining to the situation. It sounds like you're describing foreigners. Bro.

Cristina: Interesting. Yeah.

Jack: Sounds like you're describing foreigners. Bro. They're doing legal things and didn't know the laws.

Cristina: They didn't know the laws.

Jack: Yeah. They ain't from here. Bro. They just ain't from here is what you're trying to say.

Cristina: Yeah, right.

Jack: They weren't familiar with the laws.

Cristina: Please.

Jack: Bro. And that's why there is no information related to the third party.

Cristina: They destroyed it. They actively destroyed Directors said they don't know.

Jack: Only use what they needed to convict everybody.

Cristina: We don't understand the laws. That's the excuse. That is so crazy.

Jack: The quote is exactly. Where'd it go? Unknowing of the specific rules and regulations pertaining to this particular instance.

Cristina: Wow.

Jack: And thus get labeled later as, quote, unknowing participants. Unquote.

Cristina: How's that possible?

Jack: That's a lie. That's legally a lie. This is bullshit.

Cristina: That's just so crazy. That's so crazy.

Jack: The conclusion of the collected information pertaining to this, as far as I see it, is a random undisclosed party gets free access in and out of Clinton Road for unspecified reasons. The watershed members as a result use the extra money to hire their pays. This continues as company culture from leader to leader. Right. Until 2008 when an investigation begins that results in the disbandment and the imprisonment of the members. In 2013, that seems to be what I believe happened. Now looking back at the lady. The lady happens. The cars show up. Cops don't investigate this. The only time somebody went in to investigate was for the satanic things.

Cristina: And they said nothing was found.

Jack: Nothing was found.

Cristina: Because they weren't investigating.

Jack: They weren't investigating or they weren't. And they did find something. And that's why that guy quit. Because they did find something. And it was like, well, you went too far. Now your family is in danger. Quit and say nothing.

Cristina: Yes. That has to be it. That has to. Nothing else makes sense.

Jack: Nothing else makes sense.

Cristina: All of this, it's just.

Jack: You found it. Now quit.

Jack: And if you say anything, well, based on what you saw, you would know what would happen.

Cristina: Mm.

Jack: You saw it. You personally sent me a message.

Cristina: Yeah. They have no one there.

Jack: There's nobody there. Empty.

Cristina: Very suspicious. So suspicious it's crazy.

Jack: Interesting.

Cristina: Yeah. Yeah. Yeah. What did you find? This is very strange.

Jack: Yeah, very strange. There's no. No literal. It's just like a. I guess it's a summary of my thoughts. It's less of a conclusion.

Cristina: But yeah, but yeah, yeah, something is happening there.

Jack: Something is happening in Clinton Road. Like there's legal forces involved and there's outside third party individuals. There's symmetry with random things. The kkk, the date and the furnace, the lady meeting the boy, the gown, the lab coats. The fact that we found looking identical again. When I found Skywalker Ranch, when I looked at Stonehenge, when I looked here, actually looked here because of what I found over there. I began by looking for distortions. Space time distortions, electrical magnetic distortions. Cold spots that aren't explained by weather.

Cristina: Where their distortions are at. There's so much more.

Jack: Yes, specifically where there is space time distortions of which looking we have weird distortion electrical currents that shouldn't be happening at random time storms that happen shooting times. There's cold spots that happen at random times. There's the holes that show up and go. There's facilities that get seen and disappear. There's people who. And like this fit every suit. Just before I got to everything I just mentioned, just with the anomalies happening in the environment without seeing anything weird.

Cristina: Mm.

Jack: That's enough to look. And then the fact that everything weird is here and then you look at all weird s*** and you start coming across all this.

Cristina: Yes, something is happening there. Something is happening and still happening there.

Jack: It's still happening there to this day. To this day. Still going on. But is the lady in the raincoat the same as the girls? That doesn't seem to be the case now because she keeps getting mentioned. And they get mentioned, even if less so. They still get mentioned. People still see the girls. We've never seen the boy age. No boy got Trapped in some. In between. Maybe she's not trapped in between. Maybe she was one of them and joined the bad guys or the good guys. I don't know what they're doing.

Cristina: Yeah. How could you explain what's going on? Whether it's bad or good.

Jack: Whether it's bad or good. There's just something going on.

Cristina: Yeah.

Jack: Now I think she's not the same as the other girls. I think there are multiple females.

Cristina: Poor Kow. It's hard to tell. Because of the clothing.

Jack: Because the fact that there is different sets of clothing and they mention young girls still, even if way less. So you could just assume security got tighter and tighter and tighter and less girls get away.

Cristina: Okay.

Jack: Or they found the other. Maybe if they're phasing girls into the other side. Because a lot of the ancient experiments were ultimately trying to figure out how to cross thresholds easily. Maybe that's what's happening. And all they're doing is sending them over there and then they just can't get them back or send them into some middle ground or something. And then they're stuck asking for help. Or maybe they do. Maybe it works and they just not sure how to reverse it and get back.

Cristina: Okay.

Jack: They're like we're sending them to the shadow Realm. We just don't know how the to get them back out of the shadow world. Maybe these girls aren't jacked up with anything. So they're just on the other side somehow.

Cristina: From experiments.

Jack: Yeah, from some kind of experiment that.

Cristina: Has to do with maybe the cult that's there. The cults? You don't know.

Jack: Whatever Druid activity they see. Because things happen at the f****** council.

Cristina: Is that the next place we're going?

Jack: You ask that every episode. And I've told you there's too much to cover.

Cristina: There's really that much?

Jack: Then again, I was looking at the boy and I found the unrelated furnace. And I didn't even focus on the furnace. Looking at the furnace, I found an entire corruption scheme.

Cristina: That is so crazy.

Jack: Like we're not getting to the castle anytime soon. Or the mines. Both of those are being ignored. Maybe for a year.

Cristina: Wow.

Jack: There's too much other crap to look at. And before we look at any of that, we need the biggest picture possible. Because I'm sure there's going to be too much we don't understand.

Cristina: We need context.

Jack: Yeah, we just need context. I'm sure as we go through other things, this over there will inform this over here. But we need that many crossing wires before we get to what's obviously the center, which has to be either castle or the mines. What's weird is we see people coming in and out of mines and no weird mentions of anything else. But the castle has a bunch of weird s*** happening and there's just people kind of lurking around there. The castle seems almost too obvious, while the Mayans seem almost like. You guys don't wanna. I didn't know they were mines.

Cristina: I didn't know they were mines.

Jack: Yeah. Had to look and find that. People have reported weird things in and out of there. And it's like you guys are burying the mine documents.

Cristina: Was there more? Because you said there's more. So, like, the furnace is already a weird one.

Jack: What, like other structures?

Cristina: Yeah.

Jack: Oh, yeah. There's other structures.

Cristina: Yeah.

Jack: Whether they're weird or not really depends on how deep I fall and what I find while looking there. But there's a lot. There are many small structures and things here. Some other houses that aren't random detail. Every inch of the property around Clinton Road belongs to the castle. When the castle was sold, the castle's property was sold. And that is the entirety of everything we know as the forest around Clinton Road.

Cristina: Including the furnace then.

Jack: Yes.

Cristina: Okay.

Jack: Including the furnace, the lake, everything from all 10 miles of it belonged to the one castle that was all just one land.

Cristina: Okay. Whoa.

Jack: Yeah.

Cristina: What is happening?

Jack: Wasn't even bought for that much money. It was sold for like $30,000 and it was 10 miles worth of land. Was watching a video where dude paid for his first home, which was a five bedroom house, and he only paid $3,000 for it. He paid that in 1940.

Cristina: Okay.

Jack: $3,000. Five bedroom family home right now is a little over a quarter of a million.

Cristina: Yeah, well.

Jack: Well, it depends. You could find that same size house and it would be a million, depending where you go. Anyways, unrelated to that bunch of random going on, there's definitely something happening there. We have different individuals that seem to be cohesive individuals. We don't know about this kid. I gotta look more into this kid. I tried to connect the dots and have the kid kind of be a focal point for this episode. There's actually surprisingly little information on that kid. The lady's everywhere.

Cristina: This kid is an actual mystery.

Jack: The kid's an actual mystery. The kid. If we didn't have the lady aging, we would see the girls and be very confused. That's another reason that this tells me that those might be different people. Because the cohesiveness comes together when we have a consistent narrative to follow. Which happens with lady, not with the girls. If we just stop at the girls with the gowns and it's a bunch of isolated situations that don't seem to converge anymore. Yeah, and the language changing over time is part of why we can connect the dots successfully. Without that. No, it's just a girl. It's just at that point it's just an echo. Except they seem to be moving and behaving and reacting. So they're there.

Cristina: And the boy may not be an echo, but we have no more information on him.

Jack: The boy responds at least to the girl. And the girl's not an echo. So by extension the kid's not an echo. But then what's happening with the kid? And why aren't you in a medical gown? That's another interesting question. Okay, why are you fully clothed? Normally the girl's in a gown. You're not anywhere they see you. So all these boys, or this one boy, not the same as a girl. But they have a meeting.

Cristina: But they're somehow related. Yes, at the end of the day, they're somehow related.

Jack: They're somehow communicating. And they always meet in the same place. The only place you ever see them interact happens to be the bridge. Interesting, I didn't think about that. The only place. All the documents say the same thing. Ultimately, they point at when the girl is seen with the boy. It's at the bridge. You can see the boy outside of the bridge. You can see the girl outside of the bridge. You never see the boy and the girl together outside of the bridge. You only see them at the bridge. I would argue this might support the frequency theory, in which at that spot the frequency is so exact she can see him and he can see her.

Cristina: Interesting. So then they might not be the same.

Jack: And they walk away from that spot and they're not even in the same place. They can't see each other, they can't interact. If they both leave that spot, they sort of phase back into their normal frequency.

Cristina: Okay, interesting.

Jack: Alternatively, if that is the case, maybe there's not an in between spot. She aged. She's from this side. He does not look like a gem. He's not from the shadow realm. But that spot is still a convergence point. Maybe that kid's no fame. Elves are described looking like people and Nephilim are described looking like people. Most fairies take on human like characteristics oftentimes young kids and short older men.

Cristina: If he's a fairy, then he's way more important than we think he is.

Jack: And that's also why there's way less information.

Cristina: Okay. Is he running experiments in that furnace?

Jack: I don't think he would be running. I think this is an actual kid. I think by whatever measurements qualify as a child in Elfhame, I think that would be the equivalent. And maybe time works so different that hundreds of years could pass for us, and he will still look like a child.

Cristina: Okay. Yeah. Because we don't know.

Jack: We don't know. But it looks like a convergence point. If we try to rationalize, why is it that they're there together, nowhere else?

Cristina: Mm.

Jack: Maybe she can't see him anywhere else. Maybe he can't see her anywhere else. That's where they can.

Cristina: Yeah, that sounds right. I don't know.

Jack: Which then means looking at the bridge becomes really important. What's happening there that isn't happening at the castle?

Cristina: Mm.

Jack: And if this lady's running experiments, why isn't she running it at the bridge? Or is she trying to replicate what's happening at the bridge elsewhere?

Cristina: Oh, I don't know.

Jack: And what's happening at the bridge fits more like the Vikings solution to the problem by making an area that they can visit but they can't normally cross through. Although eventually they created a crossing point. No, no, no. It was just communication and communication. Yeah, once he drank the blood and then. Crossing point. But yeah. So basically, it sounds like that naturally happened here in that very spot. Except it can't cut. So maybe she's trying to replicate that. So she comes, interacts with the kid, talks her friends. Maybe she goes back and how do I make this thing? And then goes to a place that has a bunch of weird s*** like that happening. The lake. Yes, to study. Goes to the kid, talk. That's another spot that's sort of similar, even if different. Could be. I don't know. I don't know. Spitballing.

Cristina: Is she trying to. I don't know if he has anything to do with what she's trying to do.

Jack: Yeah, he could just be somebody from some side who's really just a genuinely innocent kid, likes to come to the area, observe humans or whatever the. Is happening, and she goes there and communicates with them. Maybe they don't even speak the same language, but, you know, they enjoy each other's company or whatever the. Yeah, they know they're not a harm to one another.

Cristina: But did we see her actually talk to the child? Okay, yes.

Jack: They've passed items from one to another.

Cristina: Okay.

Jack: She will reach out to give a coin. He will put his hand out, receive the coin, throw it. He's just hanging out, playing with coins in the water. The fact that he's always doing it makes him seem like an echo. Yes, but then interacting with this chick who isn't breaks that. It's just a chill spot for him.

Cristina: Yeah. I don't know. He seems. He's so strange. I don't know.

Jack: Another random bit. Fairies. Water. Coins tied tightly together. That is a tight, tight f****** mess that happens consistently. Make a wish. Fairy territory. And fairies looking for. You can give a fairy a coin to let you through some area. Like, just weird things like that.

Cristina: Interesting.

Jack: Fairies, coins and water. The lady of the Lake.

Cristina: But he's not that. Or he. If he is, we don't see it. We don't see what's. What she gets from him. If she's getting anything.

Jack: I don't think she's getting anything. I think based on. I don't. I don't know. I don't know. Based on. Solely the public records oftentimes reported the police because they saw something.

Cristina: Mm.

Jack: It doesn't seem like it. Seems like just platonic, innocent, nice interactions that happen at the spot and nowhere else in the forest.

Cristina: And then he's not really doing anything at the furnace.

Jack: He was just there, wandering. The same way they see her wandering at the castle.

Jack: Almost like he lives there.

Cristina: Okay. Strange. Strange.

Jack: Which again? The fairy lives by the fire. Okay. Checks out. One of those weird, like, well, there's coincidences everywhere kind of s***. Hangs out by the water, lives by the fire. Like, what the f***? I don't. This is a fairy.

Cristina: I don't know. Yeah, could we. I don't know. The service range.

Jack: True Mysteries. True Mysteries. And I would go as far as to say whatever organization comes in and out is the same organization from the shipping dock. Would have to be so close together. Whatever. Or how many crazy shady organizations are trying the same s***.

Cristina: That's true, too. Like, who knows? I don't know.

Jack: That was nowhere near Clinton Road. And like, what the. Could not be more identical. Shady organizations transporting secret things, entering in and out of places. Epstein's Islands. Clearly a f****** farm for adrenochrome.

Cristina: But is this spot. I don't know.

Jack: I don't know, bro. Anyways. Anyways. Any of you guys have any input for any of this information, feel free.

Cristina: So many questions.

Jack: Too many questions. It is absurd. It is ridiculous. So you guys can go online, do your own research, find this. It's really weird. It gets really complicated. Tell me if you guys find out what the h*** Nord was doing involved.

Cristina: In cleaning Are they still doing something?

Jack: No, they still own it. They still own it to this day since 2013. And yeah. So you know, if you find anything interesting, if you want to talk to us about it, you can contact us on our socials at just convo pod that's on tick tock on Facebook, on Twitter AKA X and I said Instagram on all the places. Whatever. Just just convo podworth forever.

Cristina: Remember to subscribe, rate and review the.

Jack: Show and word of mouth tell everybody that we are solving the world's problems. And if you're a fan of Clinton Road, we've got weird things for you.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye.

Cristina: SA Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 79: Coronavirus Conspiracy

Covid19, Coronavirus, Virus, Pandemic, Conspiracy  Theory, Coronavirus Conspiracy, Theory, Idea, Research, Science, Discussion

Why did the outbreak begin? Theories on the Origin of the Corona Virus.

 Story:
After the recent outbreak of the Corona Virus in China, the duo unpacks it’s origin story and how it links to world politics. As the waters heat up between the United States and China biological warfare enters the picture as a solution for avoiding nuclear warfare, but a Royal British government clone has bigger plans with a Global Population Control scheme. All this and much, much more, on this episode of Just Conversation.

+ Episode Details

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Topics Discussed

  • Chinese Bio-Weapon Experimentation
  • Secret Virus Testing
  • Biological Warfare
  • The Umbrella Corporation
  • Resident Evil
  • Human Experimentation
  • Engineered Pandemic
  • Nuclear War & Radioactive Fallout
  • The Spread of Aids
  • U.S./China Trade Agreement
  • Vaccination
  • Queen Elizabeth III (The Clone)
  • The Crown’s Secret Plan
  • The New World Order

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Promos on Episode

The 10ish Podcast: (Promo at show Opening)

The Rob & Slim Show (Promo at the End of the show)

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