Rambling 279: Stonehenge
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Why does Stonehenge look so familiar? Who built this interesting structure? What was its ultimate purpose? The duo accidentally stumble upon Stonehenge while investigating cold spots for paranormal activity. Between familiar designs to identical functions, the similarities and purpose of this place becomes way more obvious than could have ever been anticipated.
+Episode Details
- Stone Configuration
- The Avenue
- Legends and Folklore
- Similarities to other Structures
- Records, Documents and Texts
Official Website - https://greythoughts.info/podcast
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+Transcript
Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.
Jack: Going live in 5, 4.
Cristina: What does live mean?
Jack: Welcome to the Rambling Podcast. I'm your host, Jack.
Cristina: And I'm your host, Christina.
Jack: And this is the show where we ground humanity's most absurd and baffling ideas. Hahahaha. Baffling day will be in fact.
Cristina: Haha.
Jack: Why, if I were some sort of a mime thing. Not a mime. What do you call it when you stick your hand up a doll's a** and you. He's not a mime, he's a puppeteer. Ventriloquist. First of all, I've never thought of this before, but have we in society sort of classified these two people in the same group? They're kind of like doing something, but also is like, what you're doing is impressive but unacknowledgeable.
Cristina: What?
Jack: The mime and the ventriloquist. Have we been treating them like equals? Kind of like, yeah, you're here, but like, f*** you guys. And not a direct f***** you, like cool, but like passively cool. You're not even like, inherently cool. It's just passively cool. Yeah, like, yeah, I'll stop and look at you for like a minute, for.
Cristina: A second, I don't know.
Jack: And then I'm gonna continue on my way. Regardless how impressive what you're doing might be. Outside of my point, this is a show where we ground stuff. And that doesn't mean that we take things from the ground or that we put things on the ground in the ground in a literal sense. Because in a metaphoric sense, we literally mean. In a metaphoric sense, we literally mean we grab things and put them on the ground. That's what we mean in a metaphoric sense. We mean literally, metaphorically, that we would grab something and put it on the ground so that it's like based. Okay, no, but we don't mean it literally.
Cristina: Even though you're saying literally.
Jack: No, no, no, we don't mean it literally. We mean it metaphorically, but we mean that metaphor literally. Okay, so we're literally meaning that metaphor, but we're not meaning the sentence literally. No, we're meaning the metaphor literally. Of course that we're grounding these thoughts. We're putting them on the ground anyways.
Cristina: We're starting off with like pictures.
Jack: Yes, yes, we are. You get it.
Cristina: Oh, snap.
Jack: You get it. Have you been having fun with the new mysterious? It's always more mysteries. Have you been enjoying this new format?
Cristina: Yes, I guess, because it's very Strange.
Jack: It is, but it's the fact that this keeps happening.
Cristina: It's everywhere.
Jack: Yeah. So I want you to tell me and the listener, I love this because I never put the image up. I tell them I'm always gonna put it up. But nobody puts it up. None of us put it up. Nobody puts anything up. The notes go up. Nothing goes up. Nobody puts anything up. So we're gonna describe this image. You're gonna describe this image. I know exactly what this is. I had to. Yeah, but you're gonna tell me what you're saying.
Cristina: I can't tell what's in the middle. I see. It looks like grass. It's a bunch of. It's just. It's very plain, grassy looking, with a circle.
Jack: So describe the grass. What are we talking about, grass wise?
Cristina: I'm not sure. Grass green.
Jack: Yeah. Like what? Where?
Cristina: Where? I don't know where. This is in the middle of nowhere.
Jack: How is the grass distributed?
Cristina: There's a lot of lines everywhere.
Jack: Is it plains? Is it a field? Is it a golf course? Is it a.
Cristina: It could be a golf course. I don't know. But there's a circle with two lines coming out of it. And then two lines come going over that line. But in the circle, I'm not sure what's in that circle. Is it trees? Can you tell what that's.
Jack: Yeah, I know what's in there.
Cristina: Are those trees, though?
Jack: No, I'm not answering that question yet.
Cristina: Not rocks? I don't know. And the two lines that are going out of the circle, there's something, some other type of path going through it. That. Not grass. Is it a road? It might be a road. I'm not sure.
Jack: Right.
Cristina: But everything else. The lines that are in the grass don't look like road lines. Those are, like, I don't know, biker lines. Maybe someone made it with a machine. But, like, grass is still there. So it's been a while. There, the lines.
Jack: Okay. Yes.
Cristina: And that circle is not perfect. Like, it looks like it's cut up in one side of it. But I don't know if that relates to anything. Okay. And I don't know.
Jack: All right, now give me some theories.
Cristina: What do you think this is something related to UFOs?
Jack: Why?
Cristina: Because it's a circle in a field.
Jack: Interesting. So it's a field.
Cristina: Maybe, but it's very plain. So maybe it's more like a fairy thing because they like to do it in planes.
Jack: Interesting.
Cristina: Circles and planes are fairy related.
Jack: Like what?
Cristina: Like what? Like that. I don't know.
Jack: Yeah. Like what reference? What you're talking about fairies and planes.
Cristina: Yeah. Make circles, I think. And then they usually. What's in the middle of them? I don't know. It looks like trees to me.
Jack: Interesting.
Cristina: Are we looking at it? Far away?
Jack: Say it again.
Cristina: Is this far away? Are we far away from whatever object is in the middle of that circle?
Jack: Yes, we're very far away.
Cristina: So I can only imagine that it's trees, but there's something sticking out. A bunch of something. I guess it could be rocks. It could be one of those things where people put weird rocks, like the stone hedge. But I feel like it's still fairy related, not alien related. Especially if it's. I don't know. I don't know. There's something because, like, when it's alien related, there's nothing in the circle. It's just, whoa, a circle. And then. But because there's something in the middle that makes it also feel like it's more fairy related.
Jack: I like the pattern you're spotting here. I've never thought of this before. We have discussed many alien instances. All their things are very exact lines. There's never objects in them. That is correct. We've also discussed fairies to extensive, deep, extensive details.
Cristina: Yeah.
Jack: And they always have something in the middle, and it's usually a circle. You're totally right. I like all the things you're pointing out here.
Cristina: So. Am I even close?
Jack: What do you think it is? Three guesses. It doesn't matter.
Cristina: Is that what they're called?
Jack: Or fairy trees. Okay, well, fairy trees are in the Isle of Man. Okay, go on.
Cristina: Okay. It's. So it could be a UFO circle. Anyway. Even if there's something there, like maybe things grew in there after a while. Anyway.
Jack: 100%. 100%. Like, what the h*** are we looking at? Right? They favor fields.
Cristina: And if it's just. If it's unrelated to either, then I don't know, a real nice, interesting gardening pattern.
Jack: Okay.
Cristina: It's possible. I don't know why you'd want to talk about someone who did.
Jack: You are absolutely right about a lot of this.
Cristina: Stones.
Jack: Stonehenge.
Cristina: It was Stonehenge. That poor photo is Stonehenge.
Jack: That's photo Stonehenge. Think about everything you've spotted here that we are very informed in right now.
Cristina: So far, you can't even tell that there's stones.
Jack: Yes. That's not even the point. You spotted every. Everything that mattered about this. All the similarities, every f****** ounce of everything that mattered you saw in this image.
Cristina: It's very Bad image?
Jack: Very. It was important this. The distortion of this image mattered. I chose it intentionally because it was very small, and then expanding it made it very hard to see what was in the middle. So that you don't fixate on what was in the middle. I know how you work.
Cristina: That's so crazy, because you can't really tell. Yeah.
Jack: It looks like a blob of whatever.
Cristina: Yeah.
Jack: But you noticed everything else that mattered about that, right?
Cristina: Those things matter, though.
Jack: Every bit of everything you spotted mattered. And a lot of these similarities are like, But the question is, how did we get here? Right.
Cristina: It's not fairies. It's fairies. The answer.
Jack: Well, let me answer the question.
Cristina: Okay.
Jack: How do we get on this road to begin with?
Cristina: With the hole in America.
Jack: Yes.
Cristina: Or I guess even before that. If we're starting from the beginning.
Jack: Yes.
Cristina: It was that lady's house. Yeah.
Jack: We're just looking for distortions in space time.
Cristina: And you think there's a distortion here? There's stories about this place.
Jack: That's exactly what the landed me here. And that's what's throwing me off. Because then you look at it and then you're like, huh? Before I even read a story, I know who showed up here. I know what they saw, potentially just based on what I'm looking at.
Cristina: Really?
Jack: Yes. Give me some guesses and I guarantee you're gonna be on the nose of what the stories relate. Just looking at the shape of that. Give me one creature. Just make it an educated guess. Think about it. Don't go out of the blue based on what you're looking at. Make it one educated guess. Just one educated guess. You're going to be right. There's enough variation that fixates on this that you won't be wrong.
Cristina: I'm not sure what you mean.
Jack: One creature. One creature.
Cristina: The. Based on what you're looking at, creature and not fairies.
Jack: Not a fairy, but a creature that 100% you think could.
Cristina: Shadow Realm creature, or you're saying anything.
Jack: Anything you'd like. What comes to mind? What would show up? Whatever you want.
Cristina: Werewolves.
Jack: 100%. Yes.
Cristina: Okay. I don't know what.
Jack: So Stonehenge seems to be among the top 10 most active places that have ever existed. When I dive into what Stonehenge is, we're gonna be like, oh.
Cristina: Now more than just like what they say of like, it's a calendar in a way.
Jack: Okay, let's go straight to that. It's a calendar in a way.
Cristina: So. Yeah, that's enough of that.
Jack: Yeah. Calendar. That is the Sort of basic narrative we get. Right. That's the accepted narrative.
Cristina: You can see the passing of the seasons on certain points or something.
Jack: The light comes in between the sort of rock formations and that it works kind of like a clock, but for months at a time. And seasons. And that's it.
Cristina: Yeah.
Jack: Just a clock for months and seasons. Pretty basic, Pretty simple.
Cristina: Yes. I mean, it's still kind of complicated because it's so ancient to be doing that, but. Yeah.
Jack: Yeah, a hundred percent. And that's really, really, really badass about it.
Cristina: Yes.
Jack: But then I just gotta ask some basic questions. When you think about what it looks like, what does it look like?
Cristina: What does it look like?
Jack: What? Describe what Gates. Stonehenge.
Cristina: It looks like gates. They're gates.
Jack: Tell me the complicated nature of this. This is absurd, right? Just knowing what we know in general, why is it that we see this formation that's happening here? So now we got a close up look. Describe the current image we're hovering over. Describe what Stonehenge really looks like as we see it today.
Cristina: A bunch of stones. Two stones. Two long stones going up, one stone on top. Like a gate because there's like space in between each one. How many are there? Because there's one in the middle, one on the outside. And it looks like there could have been. There's a little bit in the middle too, but that could have just been the. The ones that were in the middle broken up. So because it looks like a lot of them are no longer there.
Jack: Here's a better angle directly from on top. And to show this is gonna be.
Cristina: A perfect circle like it was once upon a time.
Jack: Mm. Mm. Yes. Yes, it was.
Cristina: Why? Why don't they want to fix that? That's so cool.
Jack: They can't touch it. No, it's ancient.
Cristina: No, they should. They should definitely. Oh, my gosh. That's also part of it.
Jack: Yeah.
Cristina: Okay. Because I thought they were all separate stone doors or whatever you want to call it. Man, I wish we knew what the middle part would have looked like. I'm guessing it would have been similar, but it's hard to tell now because it's. It's so. It's pretty gone. Just the outside layers more together.
Jack: Pretty interesting, right?
Cristina: Yeah. Gates.
Jack: It looks like a bunch of gates put together.
Cristina: Mm.
Jack: So is that the case?
Cristina: Yes. No. I don't know. Yeah.
Jack: You think it's a bunch of gates stacked together.
Cristina: But who would that be for the shadow realm?
Jack: There's observations that must be made about this in the first place.
Cristina: Like where's he located?
Jack: Fair enough. Let us go all the way to the beginning and talk some rough details. Right. First again seeking space anomalies and space time disturbances. We get here and I got here because I found a bunch of weird stories which we'll get into. But it led us to Salisbury Plain in Wiltshire, England. That's where Stonehenge is. Had you asked me where this was, I would have never in a million years known. I would have thought one of these random countries or people yodel or some s***, ya know. Okay, now make a random guess at when this was built. We're gonna start where it matters.
Cristina: Where did it start? I don't know. It has to really. It's. Sure. I'm sure it's related to the sea people somehow. But like I can't pinpoint it.
Jack: Put random year on it.
Cristina: The. The year Jesus was born.
Jack: That's the year one.
Cristina: Okay. Year one.
Jack: No, way longer ago. This is the year 3000 BC. Pretty holy s*** kind of amounts of time back. Yes, let's talk details. 72 stones fill the outer circle. In the complete version, if you fill it out and you create a design that is perfect and flawless without any stones missing.
Cristina: Yeah.
Jack: 72 stones fill the outside. It is in fact a full circle.
Cristina: Okay. Was the inside supposed to be the same though?
Jack: 15 arcs would form out of these 72 stones. That's two up one over every time.
Cristina: Okay.
Jack: 15 arcs will form the 16 sort of doorways. Like you said, they all look like gates. Yes, specifically like Shinto gates. They all have that same kind of flat top to very stable side entrances or whatever.
Cristina: This has to do with the Shadow Realm people. That's not my new guess, but. Okay, continue though, right?
Jack: Like there's something to it too specific going on here. Now, more importantly, and where my fixation rests, here where the most important. Again, why first? What the h***? Fifteen. I don't think those are games. Not the 15 on the outside. Right.
Cristina: What's in the middle?
Jack: In the middle there are five and those are not connected. The ones on the outside creating the sphere or not sphere, but circle.
Cristina: Yes.
Jack: Are all connected. They all share. Each one vertical shares two horizontal and that continues all the way around.
Cristina: Mm.
Jack: But in the middle, each one arc is formed of three parts directly. They don't connect. They are set into a sort of horseshoe formation.
Cristina: Okay, and you said. How many of them are there?
Jack: Five would complete the sort of primary inside part.
Cristina: And that's 1, 2, 3, 4, 5. And then there's just an open space in the middle yes.
Jack: Now, do you remember what you saw in the other image I showed you? It was a circle. With what.
Cristina: The first image?
Jack: Yeah.
Cristina: The very first image was a circle with two lines coming out of it.
Jack: Right. Is that something those two lines, they're important. That you saw were connecting. I mean, think about what you're looking at. Here's Stonehenge in the middle. There's a giant circle surrounding Stonehenge. There's two lines shooting right out of Stonehenge. I'll shrink this. Maybe you get a better view of what's going on.
Cristina: Oh my gosh. Oh, wow. Stones. There's more gays.
Jack: Those two lines are engraved in the ground and those two lines connect directly to the river.
Cristina: What's for.
Jack: That's not the important part. It's not even that they line up and did they connect to the river. It's what they line up with. What they line up with the summer and winter solstices.
Cristina: Yeah. That's why people watch that when it happens. People just live stream.
Jack: Yeah.
Cristina: Watch it.
Jack: Now let's think about this real quick because you know of something else that fits both the suits we're talking about right now?
Cristina: That's when the spirits are easily come out. Right. Is that it? I don't know. Close like.
Jack: Yes, close like. Do you remember something familiar directly connected the two solstices with two of them? Yes. I can give you the reminder if you need it.
Cristina: Yes.
Jack: But if you can remember.
Cristina: It's not that what I said. No, it's relating to the two solstice. I'm not sure.
Jack: Okay, so if you remember, a long time ago, we were talking about El Castillo created by the earth gods, which is essentially a temple where the very entry of the temple is lined up with the autumn.
Cristina: But that was also because we thought it was a gate.
Jack: It was a gate. It was a gate to the Shadow Realm.
Cristina: Exactly.
Jack: And to Mount Cuff.
Cristina: Oh.
Jack: Think about the shape you saw and the fact that this one we're looking at is not lined up to autumn and spring, but rather to summer and winter. And it looks like a what?
Cristina: A pyramid?
Jack: Like a pyramid.
Cristina: Oh, I thought you were talking about the other one. Oh, that. What does that look like?
Jack: Yes, the one we're talking about right now. The giant circle surrounding Stonehenge is very different than the sort of pyramid requirements to reach the Shadow Realm. Pyramids seem to reach the Shadow Realm. We see mountains, we see pyramids. The Shadow Realm. But circles seem to be associated with what?
Cristina: I don't know.
Jack: You were just talking about it. What the h*** do you mean fairies?
Cristina: Fairies. Okay.
Jack: Circles and fairies. I don't know why, but the geometry says circles and fairies and pyramids.
Cristina: In the shadow realm, pyramids and the.
Jack: Shadow pyramids always either connect to the shadow room or teleportation. Okay, we don't have pyramids leading us to the fairies. Okay, but circles always have the portals that take us to the fairies.
Cristina: Mm. But it doesn't take us to the fairies.
Jack: It takes the fairies to us. Yes, but it's a way. It's a doorway.
Cristina: Yes, but only for them.
Jack: Point is that we see fairies connected with circles and we see djinn connected with pyramids and diamonds and triangles and those kinds of shapes. Okay, so it's just a random pattern. I've been noticing, tossing that in there.
Cristina: Okay, but what about the circles we were seeing. Seeing in that farm?
Jack: Which farm?
Cristina: The farm with the circles that were moving around.
Jack: Yes, that's then when the question comes into play. Right.
Cristina: Because that had nothing to do with berries.
Jack: Well, we don't know that. Think about the fact that we saw both a square in the ground.
Cristina: Yes.
Jack: Which, when you funnel it becomes a pyramid and a circle. Both of them were at that ranch.
Cristina: That's very strange.
Jack: Yes. It wasn't one. It was both. A circle in a triangle.
Cristina: You think, together.
Jack: The same kind of sort of indentation in the ground.
Cristina: But it's different time periods. So it wasn't like they were hanging out at the same time together or anything.
Jack: It's just.
Cristina: It's the random.
Jack: It's the best spot to do it because of the activity there.
Cristina: Yeah, but this is. This is probably 100 fairy release.
Jack: This is 100 fairy.
Cristina: Okay, now or not 100.
Jack: I wouldn't say 100 fairy.
Cristina: Because other things pop up.
Jack: Everything pops up.
Cristina: Everything.
Jack: It's.
Cristina: It's a hot spot. Like the other things. The other locations.
Jack: Yes.
Cristina: We've been talking about.
Jack: Yes, but what you gotta question is then why are there so many similarities? Right. We have the lineup with the solstices, but the opposite too. Instead of autumn and spring, it's winter and summer. So the deviation, immediately something changes. Yeah, because now we're not sharing the same solstices, but we're also not sharing where we're going. Something about that alignment connects directly to either the shadow realm or the fairy Elfame. Fascinating. Just a bit of information we've uncovered.
Cristina: Interesting.
Jack: Some sort of something means that spring and autumn, Shadow, summer and winter. Elfame. I don't know how. No, I don't know what. How this connects. But that seems to be the case.
Cristina: Okay.
Jack: For whatever reason, very random observation. But throwing it out there, something we know now, maybe it'll connect in the future.
Cristina: Yeah, in the future.
Jack: You know, just saying it out loud. Maybe somebody tells us something. The message like, hey, what about the. What the.
Cristina: And then it's like, oh, how did we not notice?
Jack: How do we not notice? So something about lining up does matter.
Cristina: Mm.
Jack: And you have to line up with the sun, the way the sun is tossing energy in your way. And how you're using the energy creates some sort of a riff.
Cristina: Yes, but the sun is just very powerful thing that everyone's figured out how to use. Besides us.
Jack: Besides us.
Cristina: I mean, we're figuring it out, but, like, we're not. Like, compared to the Egyptians in the ancient time with their pyramids, like, come on.
Jack: Yeah. No, we're definitely kind of whack. But maybe they took this long.
Cristina: Yeah.
Jack: We don't know. Like, it's. We don't know at what point they were at what. And, like, also, all of them got cheated. They got extra. Not cheated. But they got to cheat.
Cristina: They got to cheat.
Jack: Yeah, we can't compete with that. They got.
Cristina: Okay.
Jack: They themselves are like, oh, yeah, they. Something helped us. Yeah, like, come on, bro. What's helping us? But then again, everybody feel like, oh, we're taking technology from the aliens.
Cristina: Yes, we are cheating too.
Jack: Then we suck.
Cristina: Then we thought, yeah, if everyone cheated.
Jack: Guys, look, let's say we're not cheating and we're doing it all on our own. Let's just. Let's take that credit. Because we have to say we're cheating. Yeah, if we gotta say we're cheating, we're bad about cheating. Come on, man. Come on, man. If we're just bad, then we're not bad. We're amazing. We're doing it on our own.
Cristina: We are really good. Because it's not us. It's these people who are good at hiding it. Like, we know there's the technology that people have that are teleportation. We know that's there. We have. We don't have it. But there's humans that do have it.
Jack: That we came up with.
Cristina: Those humans came, like, in the farm. They figured it out in the farm. Yeah, Scientists. They're humans who can do it.
Jack: Yeah. Without the question is without alien help.
Cristina: Well, with alien help by, like, they were investigating the weirdness, and that helped them.
Jack: Yeah, fair enough. That's usually how it goes. Right? It's science.
Cristina: And now they can live in space and we have no idea about it because we're not one of them.
Jack: That's f****** nuts. Right? The fact that they. Oh man. It's so nut. But this is kind of the same s***. Right? This is just way up there.
Cristina: Tech. Yes.
Jack: And then here's the thing. Here's the f****** thing. That's craziest. We've heard a thousand times that technology sufficiently enough advanced just seems like magic.
Cristina: Mm.
Jack: God. Could that not be more true the more you dig deep. This just looks like lines in the freaking. But think about everything. This is a transmutation circle of sorts. That's all it is. It's channeling energy.
Cristina: Yeah.
Jack: And that energy is lined up with the solstices. We've seen this before. El Castillo has the stairs completely lined up with the doorway in a slightly variation. Open so that it's tighter towards the door, more open towards the base. And then the walkway itself continues that expansion. Then has a little bubble and then spreads out. So it is self is in the form of a transmutation. The field that they designed around it. Transmutation.
Cristina: And the steps are weird too, aren't they? Like they're really big or something.
Jack: Yes.
Cristina: All of it for humans.
Jack: Yeah. The steps are abnormally large and in odd patterns. It's like everything is designed with these sort of geometric shapes in mind. All of it.
Cristina: Yes.
Jack: But when it's a gate or you go somewhere that already has a shape. Someplace tall enough that already has a very triangular shape.
Cristina: Talk about a mountain.
Jack: A mountain. How would you compensate for the mountain if you wanted to make a fairy gate? Because now we can differentiate. We know what a shadow gate looks like. It's some sort of a Shinto fairy gate.
Cristina: I guess so. But like the one in the house. What did that one look like? If we can picture what the inside of the house looked like.
Jack: It was. There's. That's the most f***** problem. We have no idea which side she was inviting in. We assumed Shadow Realm.
Cristina: Really?
Jack: But it could have been either or and both. Because there was no description to anything. It was an empty room. There was just a little shrine area in the corner. And the hooks. That's it. Nothing more. No description. I have no idea what she could have been doing. But the house itself was a giant shape.
Cristina: Yeah.
Jack: In this same case. It's the same idea. It's a bunch of structure surrounding some kind of more important center. Like the seance room. This pattern representing itself again. And it looks too obviously like a gate here though.
Cristina: Yeah.
Jack: But now 15 doorways. I don't think they were doorways. Maybe something else, some help channeling.
Cristina: But five doorways?
Jack: At least five doors. That brings up a problem. Why five doorways?
Cristina: So, okay, you think it should just be one doorway?
Jack: It should be three. Well, it should be two, depending on where you are. Unless it's multiple doorways, the same realms. It's not like a realm doorway as much as it is like, well, that one goes to the Shadow Realm here. That one goes to Shadow over there. That one goes to Elfame. Those two go to other parts of Earth Realm, you know, because there's five and you're already in earthrealm. Do you see? Okay, so there's five destinations. You'd only have two other realms to go to. So they aren't realm portals directly. Unless they are they, you know, more than one repetition. It could just be like Mount Kaf goes here, and this is Mount Olympus and this is Athos.
Cristina: That's if it's ferry related. It has more to do with what's on the other side. Like, they're not all coming here through the same place.
Jack: What do you mean?
Cristina: Well, the people that are living in the ferry place, if the humans there, I guess. Humans?
Jack: Yeah.
Cristina: They're not in. Why are they going through one gate into here? Wouldn't they go like a bunch of different places? Like, I don't know, like if you and a friend from Korea want to take a gate to, I don't know, gta. You just. You, you do it where you're at, but you still meet in the same spot.
Jack: I understand what you mean. I understand what you mean. So she's Korea, I'm here. We both go in through our gates and we're going to like, Las Vegas.
Cristina: Yeah.
Jack: And we both just pop up in Las Vegas. But there's two different doorways. So there's the Korea doorway and there's my doorway.
Cristina: Yeah. Because I don't know what the Parry world works like, but, like, if it's.
Jack: Like that, if it's another layer, then yes. And what this is showing us is that that argument holds more water. Because why can't they just pop up? Why do you need a door? We need a door to get to you. Why do you have a you made door? You wouldn't need to make a door.
Cristina: Well, they've always needed a way in.
Jack: Which also explains the seeing of the. Because we already know that there are the fairy forts that are made by fairies, which have the grass, the trees, circles.
Cristina: Yeah.
Jack: And then one tree in the center, it's a wall. Of trees. Perfectly. Then an empty grove in the middle with one tree in the center. And all of them look identical. And then the Mad Maid fairy forts that we just craft around an empty field. And then boom, a tree shows up in the middle following the same idea.
Cristina: Yeah. Yeah. I don't think they need something to get.
Jack: They've always needed some sort of a path. Which means they can't just hit a button and show up.
Cristina: But whatever they. When they do make a path here, there's no way for us to use that path. Which besides the necromancers, who's figured out. But they really can't go in it either. They just.
Jack: They have another way.
Cristina: They have another way.
Jack: Yeah, but here is the thing. Think about what you just described and tell me how is that any different than a Shinto gate?
Cristina: What do you mean?
Jack: From over there, you can come over here. What happens if you walk in through a Shinto gate on this side?
Cristina: Go to Shadow?
Jack: Since when?
Cristina: Oh, not us.
Jack: No, Nobody. Nobody goes in through a Shinto gate and goes to the Shadow Room. It's a one way gate.
Cristina: It's a one way gate too. Yes, that's true. Okay.
Jack: They're both just one way gate. So you can only come from that side, this way. You can't go from this way, that side.
Cristina: Well, they may. They maybe can.
Jack: As far as we know, we can't go through it.
Cristina: Yes, but they could probably use those gates back.
Jack: Yeah, but I was only kind of answering to the fact that you said it looks like a one way gate.
Cristina: Oh, okay. So.
Jack: Yeah, I could totally. Yeah. I don't know if you want to argue your own point. Sure. Yeah. My point was.
Cristina: Yeah.
Jack: If it is a one way gate, how is that any less one way than a Shadow Realm gate where they can only come in?
Cristina: Okay. Yeah.
Jack: You know. Yeah. It's exactly the same idea. So there's too many similarities here to ignore. Now let's break apart some of these details. Other than the size and the fact that we got five doorways, which brings up a thousand questions. I hope it's more than one destination in the same realm. Because then I'm confused about. Then what the h*** are the other three doorways? Because, okay. Elfame and Shadow. And then what were the Norse people closer to it? And it was closer to seven. They had five or seven or nine.
Cristina: I don't know.
Jack: If there are two doorways that are purely different destinations and the other three are supposed to be different destinations, then. Holy. But again, it could most likely just be like Earthrealm Destination 1, Earthrealm Destination 2, and Shadow Realm Destination 1, Shadow Realm Destination 2, and Alfame. Or all elfame destinations. You know, it could just be whatever. Who knows?
Cristina: Yeah. And be impossible to know.
Jack: Yeah. The lines coming from the structure, the ones lined up with the solstice, are called the avenue.
Cristina: Okay.
Jack: Just giving that information if you feel it's relevant. It consists of groves and connecting lines, and they connect to the nearby river near Stonehenge. Now, where I landed here initially was looking for disturbances and things. I did find weird disturbances and things. And you dive into these reported oddities. You would find reported oddities very quickly. This is when temperatures drop suddenly in climate. You just go ahead and go into the Weather Channel, find a location just like, okay, where. Where have there been abnormal spikes that you guys have been like, huh? And then there'll be weird registrations, and you can like, oh, what year was this? Or whatever. Now, when you do that, you can find consistent spots of weird kind of activity like that. And then if you go and find. Sometimes it's nothing. 99% of the time, it's nothing. It's like, well, you're in a weird hole that you can't really tell in the map. And so wind always works this way here. And so there's an updraft that always sends all the hot air up, and then this causes all the cold air down. So it's abnormally cold here always.
Cristina: Okay.
Jack: And it's like, okay, yeah, that makes sense. But sometimes you're in a place where that shouldn't be happening. Like a giant empty field in the middle of nowhere. There should be no cold air just suddenly collecting different than the surrounding areas.
Cristina: Yes.
Jack: So when that does happen, maybe you.
Cristina: Look into it and also what's happening.
Jack: Yeah. And so you look into the fact that, like, holy. So this place is just a giant cold spot place, and it's already Stonehenge.
Cristina: That's pretty strange.
Jack: I got here through the cold, and then I'm like, holy. Really?
Cristina: No, we got there through the cold.
Jack: I got there through the cold. I wasn't like, oh, Stonehenge. How weird is this place? It's like, it's Stonehenge, and we're just weird people who. It was probably really easy to build, and we're just like, What a mystery. Except, d***. Okay. Like, everything was justified the deeper you dig. Yeah, fair enough. Everybody was right. It's weird. Weird. It's strange.
Cristina: Okay.
Jack: I was hypocrite. I'm like, everybody's an idiot and easily Impressed. And we could have probably built this easily. It was like definitely. It's not about that. We could have definitely 1000% have built it. That's not the point. It's what it looks like, where it is and why. That's where it's like, oh f***. Yeah, we could have built it. But why did we build it? Why, why did we built it? So the legends that got me here initially there was a story about the devil that bought these stones from a woman.
Cristina: The devil somewhere.
Jack: Yeah.
Cristina: Okay.
Jack: That bought these stones from a woman and he bought the stones in Ireland and he brought these stones from Ireland and he took these stones and he placed them here and he was to humiliate the woman. Salisbury Plains, by the way, is the part in England where it is Salisbury Plains in England. So he puts them there, positions him and he's like, hahaha, nobody's ever gonna know why these are here. Yeah, she's never gonna, she's gonna tell everybody. Oh, he tricks me and he put them there and nobody's ever gonna believe her. And the people who do find these are never gonna know why they're here and it's gonna be ridiculous. And hahaha. That's like a real folklore story. I don't understand sort of the premise of it, but yeah, like, the devil tricked her. It's probably some sort of like money moral story. Don't give your money to the devil because going to humiliate you.
Cristina: Okay.
Jack: Or some like that.
Cristina: That works. Sure.
Jack: Now, dancing stones, there were some ballerinas or something. Giants. Because of the area where. And keep in mind the area we're talking about is England. So we're right next to Ireland, right next to like the northern part of Europe where we're getting like weird fringe and like we got the, the Vikings up there and crap like that. So giants. Giants.
Cristina: Do they mean giants as in giant giants?
Jack: They mean tall giants. Not as the right. Nephilim. Giants.
Cristina: Okay, just checking.
Jack: Yeah.
Cristina: All right.
Jack: But also Nephilim were huge too. That they could be both sizes according to some. So whatever the case might be. But giants the words.
Cristina: Okay.
Jack: And so that these stones were actually giant ballerinas dancing that had been petrified suddenly. And so that's what it looks like. They were in the middle of choreography.
Cristina: And then something just scared them.
Jack: Something not scared them, petrified. Turn them to stone.
Cristina: Turn them to stone. Oh, okay. Was it Medusa? Okay.
Jack: Don't know.
Cristina: What a weird story.
Jack: Another story is that they were placed there by deities or something and had Healing properties, you know, basically.
Cristina: I'm sure. Sure.
Jack: That's the obvious one, right? Yeah, I see. I like. I don't like the duh. But then I came across a sentence where I was like, okay, because. Because that. To that point, I'm like, okay, maybe there's cold spots and stone change, but.
Cristina: Like, there's nothing there.
Jack: This is stupid. Yeah. Like, it's getting pretty dumb. There's nothing. And you look at these stories deeper, you dive into any of them, and it's like, you guys are crazy. There's no basis here for anything. It doesn't connect anything. It doesn't make sense. It's nonsense. It's nonsense. It's legit folklore.
Cristina: Okay.
Jack: Until the title of one story, I didn't even have to jump into story yet. It said the fairy Stone, which just justified so many things I already had in my mind.
Cristina: The Fairy Stone.
Jack: Yeah. I already looked at these and I'm like, I see what this is. And I'm already like, yeah, exactly. And I'm like, this circle. Huh? I see what this is. I see a gate. I see fairies, you know?
Cristina: Yeah, I see.
Jack: Yeah, exactly. It's all there. I see weird things. And then this person's like, the Fairy Stone.
Cristina: I'm like, oh, that makes sense. Yeah. Okay, but say more interesting.
Jack: So this local legend was basically that fairies built this place, and it literally. Literally. The legend is not me adding any sauce to this, that it serves as a portal to the fairy realm and other realms.
Cristina: And other realms.
Jack: Yeah. But okay, it's. It could just be multiple destinations in one room. It doesn't say each story is a different realm.
Cristina: Okay.
Jack: So.
Cristina: Yeah, I'm thinking that's exactly what we thought, though.
Jack: Yeah.
Cristina: Okay. Yeah, that's crazy.
Jack: Now this 100% serves the fact that people have seen the weirdest s*** here too.
Cristina: Bigfoot, I don't know. Like what?
Jack: No, like werewolves.
Cristina: Oh, yeah.
Jack: But when you see a werewolf in the middle of nowhere, you're not really seeing a werewolf. You're seeing something that kind of looks like a werewolf. You're seeing, like, a wet shudder and dingo, you know, it's the spot where you would see that, which the theory is, then something must have happened here longer ago from this point that made this the viable spot for this.
Cristina: Okay.
Jack: It must be so long ago that it predates any of our ability to track recorded records and that we have to find, like, tracking down the Aliasians and, like, finding out about Loi Shreds. A little tiny sliver of a mention somewhere Must exist. About that, about this spot. Something must have happened here.
Cristina: It was what it is. Before the stones.
Jack: Yes, before the stones. And we're talking that you guys have a area that seems to connect to multiple points from one place. The amount of entered. There must be something. There must be a lot of some things in shred. Just a tiny sliver. But a thousand times, because enough people would have known about however much death took place to make that work. I believe that's trackable. I believe that must be incredibly trackable. We just don't have this, the context of philosophy, the sort of thought tools to be like, if I see it here, then I can apply that logic over there. But you have five portals in one location that go to different destiny. It doesn't matter how many. They could all be on Earth. You have five portals in one destination. Bare minimum. If every doorway is a portal, how many people died to make it work?
Cristina: How many people died?
Jack: Do you see why it couldn't be? I don't think it could be. I don't think they could all be doorways. And also like, what?
Cristina: No, it couldn't be.
Jack: There must be some channeling nature to them.
Cristina: Yeah. I don't know how, but like.
Jack: Because they're also connected. There's something weird there.
Cristina: Yeah.
Jack: I don't understand the design for that.
Cristina: But it makes sense in the way that the house makes sense. Like she did so much crazy things that look like nonsense. But it made it work. We don't need to know what it is, but obviously it takes a lot of whatever.
Jack: Yes, it's random things we know about this place. It only works twice a year.
Cristina: What do you mean works?
Jack: It only works. These gates only work twice a year.
Cristina: Okay. Yeah.
Jack: During autumn, during summer solstice and during winter solstice. Yeah, so that's an interesting point. It's null and void, easy to keep track of if you have enemies on the other side. Only once a year do you post anybody to watch, you know, trade happens only once a year. Is this a hotspot? Which brings up an interesting point. It is suggested that it is also a trade center. It has resemblances to other trade centers from other cultures. So that it is a trade center of sorts. Now, if we had people from the Shadow Realm trading with people from Earth Realm. Oh, were we also trading with people from Elfame? Because if we're finding that they need gates and we are finding evidence here and there scarcely that maybe they are just another layer. They might be higher up than us, but they are still equal.
Cristina: I don't know. That doesn't make sense to me. I don't know. I always imagine that there's so much above.
Jack: Well, they wouldn't trade with us per se as much as like, volition. The Alicians do you see?
Cristina: I don't know. I don't know.
Jack: And then military action makes a lot of sense, which then takes into account that what we are interpreting as Firewalls. Yes, firewalls. But even within our own discussion, the firewalls are soldiers of sorts.
Cristina: Okay. Yeah.
Jack: And like. Well, the Alicians are a problem and they have other military. Just like in current day, for us, we have enemies and we position ourselves tactically around them.
Cristina: Yeah.
Jack: And we're like, you move weird, we move weirder. So don't move weird. Look at where we are. Maybe that's really the move here when we. Because think about. We know the story very vividly. There starts to be a move, a push towards the Jesus project. And suddenly the people of Elfhame show up and the elves are like, okay, our job has begun. You know, as soon as Alexander begins his role. And we start seeing the motions from Jehovah and we start to see the parts in motion to kind of create Jesus, which is about 150 to 200 years. Alexander starts about 300 years back. That's the same time the way Hermes is starting to kick up his whatever, most important project.
Cristina: When do we see the fairies?
Jack: The fairies start about 300 years, which is the same point we get to Alexander. That's coinciding. That was the most important point of that episode. But it just so all happens to line up there.
Jack: Maybe it was. Oh, f***. They started to move weird. Mobilize the soldiers.
Cristina: Okay.
Jack: You know, the people of Elfame started to do whatever, you know, their nuclear project has begun. Okay. Let's make sure they know where we're. That we're here. So, you know, put some elves here, put some elves there, put some elves over here and they'll know. Make sure all their people are in check so that they remember who we are.
Cristina: Yes, but not us.
Jack: Not us. The people from Elfhame. Specifically, Mab. Giving directions.
Cristina: No, I'm saying, like, they're not watching over us. The humans here, we're watching over.
Jack: They're watching the people of Elfame. Yeah, the elves are watching the people of Elfhame.
Cristina: The elves are watching the people from Elfhame.
Jack: Yeah. Trying to keep them in check. Or that was a point.
Cristina: Alfame is where they go.
Jack: I mean, my bad. The Alicians.
Cristina: Yes.
Jack: My Bad. The elves are watching the Alicians.
Cristina: Yeah. Yes. Okay. Yeah, yeah, yeah, yeah.
Jack: The elves were watching the Elysians. That's what I meant to say.
Cristina: Yes. Yes. Okay, that makes sense.
Jack: So their whole purpose was that they.
Cristina: Come and watch, they sing the weird.
Jack: Stuff, and then Jesus, they see that the Elysians start the ball rolling for the Jesus Christ project. That really got out of hand to begin with for everybody.
Cristina: Mm.
Jack: Which, like, fair. Okay, let's give Mab some credit if the image that's building is accurate. The same way that we give Jehovah credit for telling Lucifer, like, calm the f*** down. You're gonna kill them all.
Cristina: Yeah.
Jack: That same logic is ultimately what Mabsaw. And we're gonna say that Jehovah was so cocky, he thought he was equal the same way Lucifer did.
Cristina: Oh, right. Yeah.
Jack: Jehovah's sin is the same sin that he judged Lucifer for. I know. Just as much. But, like, d***, dude. Ma' am saw it coming, bro.
Cristina: Yeah.
Jack: She was trying to stop it, and now here we are. Jesus is out there. You did it. Yeah, she tried.
Cristina: And the days are coming, and he's gonna come back, and. Yeah, whatever.
Jack: She knew you'd start the apocalypse, homie. Yeah, she knew. And you're like, nah, Lucifer's gonna do it. And it's like, nah. She's like, nah, you're gonna do it.
Cristina: And he did it.
Jack: Funny enough, all the evidence tells us that she somehow ended up in the creation of everything beneath her by creating Yalda, who then created everything beneath him. So, like, that's her fault. Whatever is gonna end her universe, too, is her fault.
Cristina: And.
Jack: And somebody up there was like, don't do this. This is stupid. You're gonna kill us all. And then she did anyways, and now she's trying to control it in her.
Cristina: Creature, her creations created something. Who created something.
Jack: Yeah.
Cristina: That's gonna destroy it all.
Jack: Yeah. It's nobody's fault, but everybody's fault.
Cristina: Yeah.
Jack: Right. This is ultimately what's happening.
Cristina: Turtles all the way down.
Jack: It turtles all the way down. It always turtles all the f****** way down. It's absurd. It's so absurd that we. It doesn't matter where we look, if you have the context to look. So I'm gonna give you the details that don't matter because the puzzle was too obvious. Seeing the shape from the outside.
Cristina: Yeah.
Jack: We're too informed. We looked at it. We're like, I know what this is.
Cristina: Mm.
Jack: We both saw the same f****** thing. You didn't need s*** else.
Cristina: Yeah.
Jack: You just saw the circle in the field. You're like fairies and you're like, the gate. That's a gate. That's only a gate. And then I tell you it's 3,000 years earlier and you're like, oh, it's just a primitive version of the same thing. That one's made of stone and this one is made of poles. It's the same f****** thing. Time changed how it looked. Yeah, that's it. That means Jesus didn't invent the gate. Point number one.
Cristina: No, he was taught about the gate, I think.
Jack: By who? Because he taught a bunch of people a bunch of random s***. You're totally right.
Cristina: That's how I know about the stones in the shadow realm, man.
Jack: He has a rat in there.
Cristina: I don't. I has to be. It has. It was too, too easy. I understand he's probably like Santa Claus that he can sense things, but d***. But like day and a half easy.
Jack: A day and a half in a jumbled mess. Get the out of here now. Dude, it's too easy. He showed up on the other side and somebody's like, follow me, I'll show you. Yes, I would love to see the movie on that. That must be the most epic movie. Jesus, right? Just pops up. He just experienced the movie begins at the most horrible moment of the crucifixion. Great scene, right? Super dark, super horrible. Maybe like five minutes of it happening. Super horror. And then he dies. And then darkness. We hear crying in the background. Whatever, you know, old Israeli music or whatever is gonna kick in. And then a heartbeat. And then. And then he just like, he starts to panic. And then he opens his eyes and. Okay, now he's. He's looking around. He's looking around. Then he just sees something. A. Something's there. He doesn't know what the f*** it is. Kind of looks like a person. Kind of looks like a silhouette. He can't make out what it is. Shadowy looking, like, what. What is this ambiguous thing? And that person Sundays, we have two days. Follow me. Best intro ever.
Cristina: I don't know if the time works the same over there either.
Jack: Exactly. Oh, my God. Maybe it's less. Maybe it's more. No, it's probably more. Who knows? You're totally right. He could have been over there for a super long time.
Cristina: Yeah, we don't know.
Jack: Crazy a** adventure.
Cristina: It's just here. It was two days.
Jack: Yeah. Oh, I never thought about that. Interesting. I like that. Yeah, because it is weird over there.
Cristina: It's weird. So we don't know. And also he Got those stones. Too easy.
Jack: Too easy. Could have been forever. Had to be.
Cristina: Right now he's working with the shadow realm creatures. Like, there has to be a leader that decided this was a good idea.
Jack: Did it Safer to work with Jesus. Yeah, I don't even know. Anyways. Anyways. Going through a bunch of crap. Weirdly enough, I do find a direct mention to this in text. Weird. So in 1136 AD, a man named Geoffrey of Monmouth claimed be very ready for the following sentence. Because this is the trippiest part. This confuses the entire plot that we've devised here because what he says is too on the nose. And then it's like, oh, s***. He specifically and literally puts into writing what? Merlin did this. He did this thousands of years ago. He constructed Stonehenge. Literally, it goes. He constructs the stonehead hundreds of years prior by transporting stones collected near and in Ireland to where they rest now. Now, there's too much accurate information going on there. There's too much accurate information with the devil story.
Cristina: And because I could have been like, fairy, like, talking crap about him.
Jack: Yes. You see the painting that they immediately made, the devil now suddenly made sense because of how they like the twist stories.
Cristina: Yeah. He could have stolen those. He stole those stones from fairies.
Jack: Now, locations tells you everything you need to know. Where did the stones come from? Ireland. And where?
Cristina: I already missed it. What did you say?
Jack: The sentence specifically said shocking. Ireland and places near Ireland.
Cristina: Okay.
Jack: That tells us one important, important location, which is the Isle of Man.
Cristina: Oh, okay. Yeah. Where this fairy garden is, I guess. I don't know what to call it.
Jack: Necromancer built a portal. The power of a fairy portal. That's what we're seeing?
Cristina: Yes.
Jack: He built a monstrously colossal, incredibly intricate, complicated portal that works to access fairy locations. I don't know. And I don't think it could access shadow realm locations because of the rule that seems to happen naturally that we're observing where all of the shadow realm connections. But our one and only fairy realm connection doesn't have a pyramid in f****** sight.
Cristina: I don't think he has the ability to travel the fairy world because as far as we know, necromancers can travel easily. Easily. But like, they're not in the ferry. They're using it somehow to travel here. Easily.
Jack: Yes. The point, there's a way that they're moving through that space.
Cristina: Yes. So then those would be his portals to probably go into other places here.
Jack: Unless those are his portals to literally go into there while he has other ways to move through again. If this turns out to be just another layer.
Cristina: Yeah.
Jack: Then what we're thinking is a satellite could literally be him literally being there.
Cristina: In the fairy world.
Jack: In the fairy world, like necromancers are actually getting there.
Cristina: Oh.
Jack: Because they're another layers or not some inaccessible other location. If they are just another physical layer to us at. And they know how to do that. And the story is a necromancer called Merlin, hundreds of years prior to the writing of the moment, according to the writing, built Stonehenge with stones stolen from fairies.
Cristina: Yes.
Jack: This is kind of heavily on the nose. I could have guessed half of the story had you asked me, you know, like, that's how on point this is.
Cristina: Yeah. That's kind of crazy.
Jack: If you told me where I'd go find some fairy stones, I would instantaneously say somewhere near Ireland.
Cristina: Mmm.
Jack: It would have to be the Isle of Man or some kind of place along the coast. The end.
Cristina: Ridiculous. That's great. This is a crazy story.
Jack: This s*** is so on the nose.
Cristina: Yeah.
Jack: So I was kind of blown away by that. And. Yeah. So look, this is another one of those scenarios where there isn't any one thing literally saying that, but all the.
Cristina: Individual parts are like, definitely that.
Jack: Like, what the f*** else could it be?
Cristina: What else could it be? I think that's it.
Jack: Yeah. It's just very old and withered and not used. Or maybe it works at this point, but people go there at the point nothing happens.
Cristina: Well, they wouldn't be able to do anything. Like it would take one of him to. To use it. Like it probably does work.
Jack: How do we know people have been there during the solstice and it does nothing.
Cristina: Why would it do something for them?
Jack: Well, it's possible this is more than just a one way gate. I don't know if it is. Maybe it is that somehow there's just. But there must be a gate that must be one way from here out to somewhere. And if you put two of those next to each other.
Cristina: But you still need to have the knowledge of necromancers.
Jack: Yeah, but so you built it and then what? You don't. You need the knowledge of a necromancer to activate it too?
Cristina: Maybe.
Jack: Fair enough. That could totally be the case. But if you look at this image, you'll notice that there's a bunch of little details that are no longer present. On top of the fact that most of the structure, the outer circle, is broken at Stonehenge.
Cristina: Yeah. Okay.
Jack: Do you see? I believe that if this is in fact the transmutation circle. We're looking at a broken transmutation circle. The reason it doesn't work is because it can't channel the energy. It's broken.
Cristina: Okay. And they're never going to fix it because they can't.
Jack: They can't fix it. If they do, then they're ruining this relic. They would have to try to replicate the design elsewhere and see if they can get its function going, which includes all of these small little details made of something called bluestone.
Cristina: What is blue stone?
Jack: It's a kind of stone.
Cristina: Where is that from? Is that from Ireland or something nearby, like those other.
Jack: All the stones are from nearby? Yeah, they're all from like Ireland and like local areas. The whole structure was made like that. But then there's a bunch of different things. Look at north barrel, look at the south barrow. There's a station stone. Station stone. It looked like it was a multi purpose device. There are many theories on what this in fact was. It's not just a calendar. As much as some people are like, oh yeah, it's some sort of energy channeling device or it's some sort of starscope or it's some sort of astrological measurement device or something like there's many. That's the point. It looks like it is all of it. Now let's end this on a very important note. All the stones that are horizontal and all the stones that are little circular ones on the outside are lined up with stars. All of them.
Cristina: You think teleportation to space then?
Jack: Teleportation. Not just the different realms. I think there's five gates. And if one would go to like Mount Ka, and if one would go to somewhere in the shadow realm that El Castillo connected to, then you have three destinations left, Right? That's one in Earth realm, one in Shadow realm. So then you say one wherever the Egyptians went to that somehow people are still connecting to space. Yeah, that's somewhere else. And one wherever the Mayans went to underground and one wherever the Alicians went to.
Cristina: No way. Maybe, I guess. I mean, it's. It's a necromancer. They can do whatever.
Jack: Do whatever. All these, these are just random suggestions, right? They could be any. You could assign any random 5. If a necromancer built this, which is.
Cristina: The accusation, which makes a little sense. I don't know.
Jack: I think that makes the most sense.
Cristina: Yeah.
Jack: And like, then you got these five doorways. What five evened out things could we assign to those? They must go to five sort of equal places. And if it's realms, then we'd only have two, because you're already in one.
Cristina: Yeah.
Jack: Unless there's repetition doesn't matter. And if repetition doesn't matter, we can have that many doorways, we can have every single one of those doorways could actually be one. Maybe they make total sense. You know, maybe it's like three next to each other. Like, this one goes to that part, or if that one goes to this part Earth, this one goes to that part Earth. And those four over there in a row are all the Shadow Realm. Those seven are this place. And this goes. You know.
Cristina: Okay.
Jack: Could easily be something like that. And in the case like that, if, let's say a person from Nordic background walked really, really far, landed in this place, and was explained that. Well, this one goes to some people who live underwater. And this one goes to some people who are really good working underground. And this one goes to some people who are really good at working in the skies. Oh, and also the people from the skies work with really good energy, and the people over here work with really great genetics and the people over there. And so you start to explain this system. And slowly but surely, this Nordic person is like, those three are up, but they're different kinds of up. That's down.
Cristina: Saying that's what made their legends.
Jack: It kind of starts to paint an interesting picture. Right.
Cristina: But how many do they have? Don't they have 7?
Jack: 5? 7 or 9?
Cristina: 5, 7 or 9. Oh.
Jack: Depending on which branch of their tradition. You pull from five, seven or nine.
Cristina: But it's impossible to tell what's the original.
Jack: Yeah. And here we have five, which is one of those.
Cristina: Okay.
Jack: They're just throwing, you know, spitballing the way we do. Love just so happens to fit many suits.
Cristina: Yeah.
Jack: And I think it's 90% at least. Definitely. It's 100% a gate territory. That's not a question.
Cristina: Yes.
Jack: Where it goes very related is like 90% the question or the answer. Most likely.
Cristina: Most likely. I would say most likely.
Jack: That's about it. It doesn't seem that there's no. Is the first instance of gates and no associations. Like it's Auto Mountain or some s***.
Cristina: But related to Merlin, man.
Jack: That's a weird one.
Cristina: That's a weird one.
Jack: But also he seems kind of op.
Cristina: Interesting.
Jack: And this is way before whatever mess.
Cristina: He was in with author.
Jack: Yeah. This dude said, thousands of years ago, this guy made this s***. It's like, whoa, whoa, wait. How do you know Merlin that well, bro? How do you know thousands of years ago.
Cristina: Are there more Moreland stories? Because I thought author was the Merlin story.
Jack: You know what's weird? I have seen, like two or three that are allegedly taking place before. I'm like, okay, so he must be some older legend that got tangled up and turned into Merlin, right?
Cristina: Yeah, like Santa Claus.
Jack: Yeah. So if we follow that, I bet that guy's named Hermes somewhere.
Cristina: No. What if they all go back to.
Jack: Hermes where he's a student, you know?
Cristina: Yeah.
Jack: Or I could trace the line back and he's like, at the Aristotle school.
Cristina: We'll find out that they're all Hermes except for the one student, which is Jesus.
Jack: Yes, that be. That would. That would make so much sense.
Cristina: I would.
Jack: That's the most possible story. It's either a bunch of necromancers that we're slowly gonna uncover. Or two.
Cristina: Or two.
Jack: Or two. The guy who made it and guy who perfected it.
Cristina: Yeah. Oh, I don't know.
Jack: Anyways.
Cristina: So crazy.
Jack: This has been Stonehenge, people. This is what I found. All the shapes and weird. Interesting. I didn't focus on those stories as much. Again, there were stories. There were many ghost stories. The basic stories. If you guys want a quick brush up. There's a lot of stories about, you know, phantasms, cold spots. There are again, many werewolves. There are vampire stories that take place there. People visiting it and, like, passing out and having blank marks and blah, blah, blah. From, like, many years ago. Yeah, thousands of years. Not thousands, hundreds of years ago. Medieval times, specifically.
Cristina: Many years ago is fine.
Jack: Yeah, long ago. There is recurring voices. There are moving shadows. But all of this just fits the suit of a place with high disturbances.
Cristina: Yes. Any time disturbances, though? You never mentioned that.
Jack: No. So interesting enough, there doesn't seem to be any other than echoes of people. There doesn't seem people slipping in and out of time. People being there for a couple of minutes and it seeming longer or being there really long and assuming a couple of minutes. Or seeing things that should be out of time moving around them. Other than what we would classify as a ghost echo.
Cristina: Okay.
Jack: Which are a plethora, every variation of every version of ghosts. And then what we would call phantasms and what we would call spirits, which are most likely just gin and creatures from the chaperone. All of those. Yes.
Cristina: All right.
Jack: Time distortions. No. But based on paranormal activity in general, we have our suspected space time anomaly or disturbance, which then literally brought us to the right conclusion of something weird is going on here.
Cristina: Interesting. And then this place might relate to Merlin.
Jack: To Merlin. Of all people. It's interesting how we keep coming back to the same kind of.
Cristina: It's either him or Hermes. And if they're the same, that'd be funny.
Jack: That'd be funny. More names for the same guy. He just keeps doing it. Which would explain why Jesus did the same thing. And then it brings up an interesting point. That was loi training to be the same because there seems to be many people who took that name. Or is it just last name?
Cristina: I don't know. No, I think it's. No, I don't know. I don't know anymore. It might all be one person. I don't know. That's complicated.
Jack: Only one person has ever existed.
Cristina: It's three people. No, it's one person. I don't know.
Jack: I don't know. Anyways, if you guys have any information, hit us up on our socials and tell us what you discover on your searches to better information and understanding. And you can do that on all our socials at just convopod, on TikTok, on X, on Facebook, not on YouTube, but Instagram.
Cristina: And. Yeah. Whoa. That's crazy. I mean, they were, like, doing it slowly.
Jack: Yeah.
Cristina: They just got tired of it.
Jack: Yeah. They slowly were like, let's not take one at a time.
Cristina: Take the whole thing. That's so wild. I took that so long. But. Okay, well, remember to subscribe, rate, and review the show.
Jack: Yes. And Word of God mouth, it's very important to tell people that we're getting to the bottom and grounding the world's most absurd and baffling ideals.
Cristina: Very baffling.
Jack: Very.
Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening.
Jack: By. Okay, Random thing we just saw and noticed and thought about right as we ended.
Cristina: How we didn't notice. We were talking about it. We were so close to it. The. What is it? The Merlin gates and Jesus's Shinto gates. We're wondering who taught Jesus all of.
Jack: Everything, especially how he gets these gates.
Cristina: How he got these gates, how did Jesus do it?
Jack: And then we see that the Shinto gates are an identical design to Merlin's gates used at Stonehenge. Just a more primitive version at stonehenge, but about 3,000 years older.
Cristina: Yes.
Jack: Shock. I wonder who taught Jesus.
Cristina: Huh? Huh?
Jack: Just tossing that at the end. Anyways, thanks for listening.
Cristina: Thank you. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo, and logo by Seth McAllister with social media managed by Amber Black.
