Rambling 256: As It Stands 2

What have we discovered as of late? How does it help us understand the true power of the Elysians and the scale of Elfame? And how do we fit into this bigger picture? The duo do a catchup summary to catch people up on how things stand as of now with our years of research.

+Episode Details

Topics Discussed:

  • Elysians
  • Naga
  • Garden of Eden
  • Shadow Gods
  • Nephilim
  • Magic Weapons
  • Necromancy
  • Refuge Cities
  • Philosopher’s Stones

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+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast. I am your host, Doug.

Cristina: And I'm your host, Christina.

Jack: And this is a show where we ground humanity's most absurd and baffling ideas. Like tattooing.

Cristina: Like, totally. I thought you were gonna say like, thing. Like you were actually saying like and whatever it was.

Jack: But like, there was gonna be an example.

Cristina: Yeah, yeah.

Jack: Oh, like bone Queef. Yes, I guess there's always an example. Bone Queef.

Cristina: Like, I think that character is dead. I haven' heard of that character in a while.

Jack: Like the thing a dog digs up and a fire.

Cristina: I guess he had to die.

Jack: No, he'll come back. He'll come back. That was come back. But listen, listen, listen. Hey, listen. God, I hate it. Can you imagine? You just sleeping. You got this. Paradise and paradise. Hey, listen. Wake the up. Hey, listen, it's an emergency. So you can take your time on this. You're gonna grab a sword and just. Just be not around for seven years, bro. Like, calm down, fairy. We're gonna do nothing for seven years, bro. Chill. It's fine, dude. We're gonna get to it. We're gonna have a seven year break in between. Not after sleep. Yeah, just in the middle. Chill, bro. There's time for whatever. Literally requesting for time. Oh, literally. Like, no. I mean, if I put the sword back, I just go back in time, bro. Let me sleep. I can. I could just go back.

Cristina: The future version is the very less annoying.

Jack: Yes.

Cristina: Like maybe grew up like it was a baby fairy being annoying. Like, hey, listen to me. Listen to me.

Jack: Oh, you think Navi was just young? Because he was young and he aged. So she aged. So the question is, was Navi? I mean, I guess because Nami follows him everywhere. So she was also just trapped.

Cristina: Yeah. I don't know how fair is work, but who knows?

Jack: All these fairies just trapped inside that chamber with him for seven years.

Cristina: Oh, no. But then she would have.

Jack: Wait, where was. Where. Where the h*** was Navi then?

Cristina: I don't know.

Jack: Just chilling. Well, I guess I'm going stay here.

Cristina: Until she found the may reproduced.

Jack: Well, no, this is interesting. Weird thought related to that. But if a thing is like Navi's assigned the link and all the fairies are assigned the elves. Right?

Cristina: So.

Jack: Or I guess not elves, but the kids from the woods. The four. The fairy kids, you know, the what is whatever. The Kakaroki children or whatever them.

Cristina: You just call them elf kids. Yeah.

Jack: So if they get assigned a fairy and this is the first time ever that somebody just like poofed in front of a fairy and they're just gone, just not there. Like what, Step two? Like maybe. Maybe Navi different did well. No, his job was.

Cristina: Oh.

Jack: So, like. Well, this is where it happened. I'm going to just wait. Time works different for fairy. Maybe. I don't know.

Cristina: You think you just waited?

Jack: Would. Would it matter? I just stayed there and then Link popped up. I'm like, all right, what's up?

Cristina: It's really sad.

Jack: Well, is it? If time works differently, it's sad for us because we're losing something.

Cristina: Ah. But for a fairy.

Jack: For a fairy, we haven't considered this. We know that for Shadow and for Alame, things work very differently.

Cristina: But for a video game character.

Jack: Yeah, but now that's just making me think about how time works differently. Because if we take the idea that gods, you know, God took seven days by his own time to make everything.

Cristina: Mm.

Jack: But what is a second to God? Infinities. To us, colossal infinities.

Cristina: Okay, right. Yeah.

Jack: So then are creatures in Elfhame and in Shadow experiencing time differently in these kinds of ways?

Cristina: It would be impossible to know. But it's possible.

Jack: It's possible.

Cristina: I guess it's possible.

Jack: Very odd.

Cristina: Mm

Jack: It's a thought I've never had. Anyways, now we're on that topic. So now that it's the end of the year, I thought it would be interesting that we can. We did this once before where we kind of like put as much of the ideas together and actually came up with a couple ideas as a result of talking about all those things. And we called it as It Stands, where we went through all the collected detail. So I've added this to that. And we're going to go through all the new stuff. But I have all the old stuff so we can compare notes. Oh. If we need to discuss anything in particular. So we're just going to go. Essentially, what I want to do is, as we're doing this research, this is the year in review. You could say the second part. We basically did the first part when we did, as it stands, maybe like two months ago.

Cristina: Okay.

Jack: So now we'll do as it Stands too, summarizing the other stuff. And we're just going to go through the things we know as of now.

Cristina: How it relates to the old stuff that we learned.

Jack: How. Not the old stuff, because we already talked about the old stuff as we were just doing that. We were just summarizing before. So right now we're going to pick up where we were when we finished. The last thing we talked about when we were in, as it stands one was talking about the different types of groups using the United States government to organize and collapse things like the World Trade center to get access to either fear or get access to drinochrome. Or perhaps that was a moment of creating a small scale philosopher.

Cristina: So, okay, I sort of remember that.

Jack: Yeah. So with that in mind, we proceeded that by getting curious. That made us curious about the Naga, the deep dive into the Naga. Because we were like, okay, we have this collection. We're gonna break this apart and start focusing in directions. Because focusing on everything together gave us a lot of cool ideas. So what if we isolate individual subjects and you know, focus on the Naga, focus on this group, focus on that group as opposed to try to get the whole picture together. Just stop looking at the picture, look at people involved and see what they have in common.

Cristina: Okay, yes.

Jack: Right. And so the first thing we started exploring was the Naga, which got weird instantaneously when we started looking at the Naga because we found out a couple of interesting things. For example, the fact that the Naga have a civilization with in Elfame from which they take order and direction to go assist civilizations from around the world. The world? The most advanced. Well, developing ones from around the world, yes.

Cristina: Do we know it's. If it's just in this earth or do they also send them to the Shadow Realm?

Jack: We do know they send them to the Shadow Realm. Yes. Because they have the two Gods. Not the two Gods. My bad. The two Kings.

Cristina: Oh, no. But I thought they just went there because like they came here and then they went there because of stuff that happened. They didn't automatically go there. Or did they automatically go there?

Jack: Yeah, they have a Naga King assigned to every thing. There's Naga Kings in Alfame. There's Naga Kings. I mean, not Naga Kings. There's three Naga Kings that rule the people that they send to the three civilizations that are in Alame in Shadow.

Cristina: Oh, okay, yeah, yeah, I remember that. Okay, the Three Kings or whatever. Yeah. What were they again? The three Kings? One was.

Jack: What were their names?

Cristina: Yeah, and positions or whatever. Like were they sending.

Jack: Okay, let me see, I got first. Nah. Nagaraha is the word that means King of the Night of the Nagas. And so Shesha, the first appointed king of the Nagas, is in charge of maintaining order among the among and assisting order, assisting Oros with assigning civilizations to Earthrealm and Vasuki the second Naga King is assigned to the Shadow Realm.

Cristina: Okay.

Jack: And Takshaka is. Who watches over those two. He's the king of those two kings. So the high rank. The king of kings. So he's the alfame one.

Cristina: Okay.

Jack: Watches these two.

Cristina: Yeah.

Jack: Yes. And that was just some weird additional thing that happened at one time.

Cristina: Yes. So they do have them in the Shadow Room.

Jack: Yeah.

Cristina: Okay. Okay.

Jack: Yes, yes. Then looking at the Naga, we did find something interesting, which was the first occurrence we had of reading, which then became prominent. And we found that everywhere, like every other thing we discover. Which was Kido, Zeus's Naga, who Zeus appointed to somehow create more of him. And this resulted.

Cristina: The Naga experiments, I guess, resulted in.

Jack: Medusa and her sisters.

Cristina: We'll follow the experiments.

Jack: But yeah, they weren't exactly him, but they were pretty close. And Medusa was a whack one, but the famous one, because presumably she's the dead one. We all. We just know the guy who killed her, who thought they were immortal and killed. Killed one of them alone. They can't die. And I killed them. I'm legend and that's the one who died. Haha. I'm gonna go down in history and it's like, no, that one could die. That's why you killed it. This is. That one could die, bro.

Cristina: Okay, but he didn't go in history.

Jack: No, she went down in history because she got killed. And who the h*** did it? We still don't know. We're assuming Hercules.

Cristina: Yeah, right. I don't know.

Jack: Okay, but now we have Naga civilization. We have kings, we have order, military order almost established. Here you go there you go here, hierarchy. Then we have over here us building experiments in an attempt to replicate what's happening over there. Because now we're not even talking. Now we're talking about us using an assigned Naga to try to create a Naga with Kido, making the Medusa and her sisters.

Cristina: You're saying us, but it's not really us.

Jack: Us as in Earth Realmers. Okay, but then we find out about the human Caldinia, who gets a hold of a magic bow capable of killing a Naga and is set to kill the Naga princess, daughter of Suki.

Cristina: Wait, did they do it?

Jack: They did not kill the daughter. They fell in love with the daughter and then hid the bow.

Cristina: Ah, okay, that's a crazy story.

Jack: But that gave us the one with the one important bit of information, that there are items.

Cristina: Oh, yes. I. I feel like we haven't really solved that. Like we kind of get it, but don't really get any.

Jack: We're still. Yeah, we're on the surface.

Cristina: If anyone made those weapons, it wasn't the N. It was probably not the Nagas, but they probably helped the.

Jack: Yeah, the Naga didn't make that bow for sure. The bow was made by somebody in Earthrealm.

Cristina: Yes, a se. Person or whatever you call them that I don't remember.

Jack: Elaine, not elame. Alician.

Cristina: Okay. Lesions.

Jack: Yeah, the Alicians.

Cristina: BC people to me. Okay, well, they obviously made these weapons.

Jack: I mean, the problem is as we start. Look, dude, we were sleeping on the Greek too. Like as we start looking into the Greek, they're like. They're subtle, dude. It's weird because what happens with them is different than what happens with the Elysians. Because the Elysians have actively suppressed a lot of stuff and given us alternatives to believe.

Cristina: Yes.

Jack: While the Greek haven't. They just have a lot of. A lot of volume, a lot of noise, a lot of convolution. So finding out what's. What is impossible. And from their own accounts, they don't know. So you get it from other people. And then coming across the leaps and bounds of tech that lead to something like Glycon, which again is Glycon.

Cristina: Well, it's a thing person, Glycon, both.

Jack: From the Greek is the Naga, who. We did not know why he was spending time with the Greek gods.

Cristina: Okay.

Jack: We were confused about that guy. Like, why the h*** are you hanging out with them? Because Keto is the one assigned to that team. And we were thinking Glycon is assigned to maybe a shadow person there or something, you know. But then when we were looking deeper into it, we find out that Glycon is just as Shalypius, which is one of the Greek gods that. That seems to have disappeared.

Cristina: That turned into him.

Jack: Yeah. And then using some Keto genius and DNA managed to create Glycon, the artificial Naga that is almost perfect.

Cristina: Which I don't know what that means.

Jack: I don't know what that means either.

Cristina: Almost perfect too. You probably can't enter the shadow, the.

Jack: Fairy world, which me then what's the point of it, right? There's a lot of weird when it comes to that. Really complicated. Like what's a. What a waste.

Cristina: Yeah, that is weird.

Jack: But it is. I don't know. Now, the Caldenia, the guy with the bow, he falls in love with that princess, hides a bow and they together form on Earth realm the Funan dynasty. Which is one of the few places where Naga and humans live in pieces together, which is one of two interesting places of this nature that we have found. Or not two, but two types. With the other being we have recently found out about the home of Nephilim being together up north in Norway.

Cristina: Oh yeah. But that one's even more complicated.

Jack: Yeah.

Cristina: Okay.

Jack: But we got both, which is interesting.

Cristina: Yeah.

Jack: And we know of shadow people just living amongst humans. Or not just humans, but earthlings in general. But we'll circle back to that as we come through those. Because the real point of this dynasty is that it brings us to the next bit of information that we discovered following. Because chasing the Naga was in formation dense. We still haven't left the Naga. We're still just talking about the Naga right now. Because the Funan dynasty. The home of Caldinia where he impregnates his wife and has a half Naga, half human hybrid. Astika. That's when we first found out that a perfect enough human form for a Naga is indistinguishable from a human form for Ib. For a human. So a human can reproduce as long. Presumably as long as the Naga does not leave that form. Or if they did change to form with their body move in such a way that the baby would be safe. I don't know.

Cristina: I don't know.

Jack: I don't know.

Cristina: I don't know how this is.

Jack: Thoughts?

Cristina: Yeah.

Jack: Thoughts you don't normally think about.

Cristina: Like if it was a snake while they had sex with that guy.

Jack: No one had to be a woman. It couldn't get pregnant as a snake. And then again, back to more Naga stuff. Man. These episodes with the Naga it was two episodes. Because there's so much crap. I remember that much. This is where we also learn about the Supasatra. Which is. Is what? Astika, the son of Caldinia saved many Naga from which was the leader of a region in that time. Was he figured out his great great grandfather had somehow figured out how to create a ritual that would result in philosopher stones made from Naga. And this guy went out of his way to execute the plan. And that's when we find out. Oh, there could be fairy philosopher stones.

Cristina: Yes. Okay. This takes us back to those fairy trees or something we're not sure. Are portals created from dead fairies?

Jack: Are portals created to dead from dead fairies? Because the trees just creating Earth Realm means the trees created the portal that sprung a whole universe. So if the tree did that, then the death of a fairy is such a weird phenomenon that burying it in the wrong place resulted in the creation of a universe.

Cristina: Well, the wrong Place. I feel like it was done intentionally.

Jack: Yes, but not where they're supposed to be. Maybe this is the first of that. Or there are way more realms branching out of shadow that we can't access. Okay, so shadow can. And Elfame can, but we can't. Because whatever thing is happening here is preventing us from moving sideways. But we can move up or down.

Cristina: Okay. Unless we figured out.

Jack: Unless we figured out how to do more.

Cristina: Well, we don't. But those other people.

Jack: Interesting.

Cristina: They have to know how to, though. How are they so much better than everything else as far as we can see? I don't know.

Jack: But the. The creation of. So what's the process? Well, our guess is that Yaldabaoth used fairies, killed them then. No, it doesn't make sense. Because did he use the death of fairies to make the stone? Or did he use the death of fairies to make the trees? The weird problem we didn't think about because again, we didn't talk about this back to back, but what the h*** did he use the fairies for then? It seems kind of clear at this point. Yaldabao murdered a bunch of fairies.

Cristina: And he could have done both.

Jack: He could have done both. Because the point is he has a philosopher so made of fairies. Yeah, like fairies are dead. That's just what it is.

Cristina: And we know there are trees, and.

Jack: We know they're trees. But I don't think that the fairies made the portal. I think, no, it's so hard because they made the portal, the tree portal. But the other portals know because sorcerers are figuring that out. Necromancers are figuring something different. So there's a different way to do it. It's not really the way we're looking at. The fairies had nothing to do with those portals. The fairies are responsible for accidentally creating Earthrealm as a result of their own death and of creating a philosopher's stone, which chances are, the first fairies to die made the philosopher's stone. The second fairy Sedai were planted, creating the trees that then resulted in Earthrealm, thus being an intention of Yaldabaoth philosopher's stone used on fairy to make tree.

Cristina: I don't know.

Jack: I think maybe that's the order. I don't think it was plant the fairy's corpse and boom, tree happens. Because that's what happens in fairy forts. You. But that has a tree too, d*** it. There is a tree. Where you plant the fairy is a problem. Yes, but then why don't those have the sacred fruits?

Cristina: Because they're the fruits. Are there they're just on the shadow realm side.

Jack: Shadow realm side? Yeah, we don't see them. The fruits only grow on the shadow room side.

Cristina: How do we know the fruits and the stones are not one and the same?

Jack: Because the fruits were seeked in the shadow in the Forest of Shadows, and the stone is made of dead people. Both El and Jehovah had to travel to the Forest of Shadows along with the. The judge's sister. Okay, Inanna, all three cases is they have to go to the Forest of Shadows. While the two factual instances we do know for a fact and the one that is asserted by the circumstances surrounding it, which is Yaldabaoths, all the first two literally have texts telling us that people were essentially sacrificed. And Yaldabouths is essentially suggested circumstantially that he must have because he has a stone made of dead fairies. Like, how do you get it, bro? Okay, it is really complicated.

Cristina: Are they making stones and trees?

Jack: How are they making stones and trees if it's the fairies? And the idea here is fairy farming and fairies are the ones on the back foot right. Now, maybe at some point they weren't, but at some point around the time where the elves were designated to start putting some caps on people's ability to continue expanding around that time, that's when it was too late.

Cristina: Yes. Okay.

Jack: You know, and like, that's when they were on the back foot. That's why they did it. So something happened around that time, which is a hundred years before Christ. 100 to 300. Somewhere in that ballpark, before Jesus is when fairies. Shut up.

Cristina: Shut up. Okay.

Jack: The. Well, specifically the elves.

Cristina: Which ones are the elves?

Jack: The ones stopping the power or the development beyond a certain capacity, I think started hitting the fan back then.

Cristina: Anything. They were the ones that were sacrificed to make stone or.

Jack: No, no. But I think that they are on the back foot. And I think that the problem here is that maybe the people on this side are so rapid that in progress that fairy farming is becoming quite viable. And that's a problem, at least for the people of Alfame. Now, this is crazy because we learned a lot just from like deep diving into the Naga. That was the most useful information dump we have had for a while. And that opened mad doors. This was just. Again, those two episodes entirely came from us having done the previous summary of information. And we're already coming up with just interesting ideas that we have not thought before.

Cristina: Still so many questions, but yes, so much info.

Jack: But following the train of thought, it worked with the Nanga So do it with everything. So then the next group that we decided to put a magnifying glass on was the Garden of Eden. Because just the realization that the Garden of Eden is the name of the group was an amazing revelation on its own. Now, what are the Garden of Eden? They are the Elysian group with Jehovah, Lilith, Nahas, the serpent, Lucifer, Samael and many others. Many, many others. Now, going through that, we learned quite the bit of information that we did not know before. Interesting tidbits that we discovered. One, there is a discrepancy with Lilith that seems incoherent among the text.

Cristina: Oh, how? When exactly? Does she betray them or something? Yeah, like in the timeline.

Jack: Yeah, where she fits. Exactly. Exactly. Because it seems as she exists both around the time of El and around the time of Jehovah, which is fine. Sizen does too. But then did you. Did you. Didn't you lose your privileges when you used Adam? How are you here again? But you weren't there for Eve, it seems. There's no mention of Lilith during Eve and that's notable. There's just no Lilith. But then we get to making of Jesus and Lilith is there again and it's like, not in the Bible, but if we look at all the Gnostic text, she keeps popping up and it's like, but why? And like, what is this middle period you were in? This doesn't make any sense.

Cristina: She was punished and she's cast out.

Jack: Officially by Jehovah, but she left willingly from L. So I don't. Yeah, like what?

Cristina: The all happened the way, way long ago. Yes, she left and she came back.

Jack: She didn't come back to anything. This is a different guy.

Cristina: Oh, she didn't come back. She joined a new group, I guess.

Jack: Yeah. So Lilith. Weird time gaps, but that wasn't as. It's not impactful as much as it is interesting. And maybe we'll revisit if information tells us that is more useful than we think it is. But even more interesting is Lucifer, because there's a trio here that's really weird. And it's essentially Lilith, Lucifer and Samael, because Lilith is the right hand to Lucifer. Lilith is. Or Samael is in love with Lilith, so he goes wherever she goes. Lucifer uses Samael's DNA, physical structure and body to then create a replica using a transitioning technique he discovered to turn himself from a shadow person into an Elysian.

Cristina: Weird.

Jack: Weird. So he looks identical, sounds identical, is physically indistinguishable from Samael, but that's fine.

Cristina: Shadow version of him?

Jack: Sort of, yeah. Except he's. He isn't Elysian. He just has additional characteristics. It should be impossible. Which. Yeah, the shadow version of him, but then it doesn't matter because original Samael then uses Naha's DNA and physical structure, or not DNA, but the equivalent of whatever you're gonna get out of a fairy and his physical structure, along with Lucifer's transition technique to then become Anaga himself. Yeah, with the help of Lilith. This was a Lilith experiment. So Lucifer looks like. Sounds like Samael.

Cristina: Yes.

Jack: Who is in love with Lilith, who is Lucifer's right hand lady to begin with. So now the guy who's trying to f*** her is her boss. And a snake is now trying to her.

Cristina: That's Lucifer trying to.

Jack: No, Lucifer's not. Oh, the guy who's trying to her is a snake.

Cristina: Oh yeah.

Jack: Now he's a snake.

Cristina: Yeah, but she was cool with that. She want him to be one.

Jack: Yeah, sure. He's a puppy or a slave or whatever.

Cristina: Yeah.

Jack: But now your boss looks like the guy who's trying to you. It's a problem. The guy who's trying to you is your boss.

Cristina: I don't know.

Jack: You know, it's. It's such a complicated mess happening there.

Cristina: Yes, yes, it is. But how. Boss is a weird word. I feel like they all work together.

Jack: Yeah, they work together, but there is. I. I would. Yeah, boss is the wrong terminology here because Lucifer wasn't the leader anyways. It was Jehovah.

Cristina: Yeah, yeah. If anyone was gonna be put say they're the leader. Like these three were just working together hand in hand. And not really, because weren't they all doing their own thing, sort of. Well, Lilith, at least they all had.

Jack: Different types of projects. But the projects would consistently intersect with one another.

Cristina: Yeah, they were more like co workers.

Jack: Yeah, yeah. Then out of the Garden of Eden individuals. Where it gets really, really weird is with the Samael and Lucifer combination minus Lilith. Because then that explains a lot of the confusion that exists throughout history. If we consider Samael, Lucifer and replace Lilith with Nahas. Now if we put them in a row, we have Samael in the middle, Mahas on one side and Lucifer on the other. The events of all three of these people are impossible to distinct who did what because you don't know who's who at what time because of when their transitions happen and what they are. Somebody in the Garden of Eden used incorrectly tech that was there and was cast. That's Lilith. Yes, Right. The serpent she was with was Nahas. He's the member of the team. Lucifer was not involved in doing this. No the first time. But we think Lucifer. But really? Because we think Lucifer and we think Samael and we think Samael and we think serpent and then serpent links us back to Nahas and then bam. Oh. Lucifer is the snake.

Cristina: But he's not.

Jack: But he's not. Nahas is the snake. That had nothing to do with Lucifer. Lucifer got blamed for some other s***.

Cristina: Yes. But he was definitely doing something much later. Yeah.

Jack: It was Lucifer's departure. Happens with Jehovah. Because Jehovah says we're no longer sharing.

Cristina: Yes. Because everyone was dying.

Jack: Yeah. And he's like. Well he agreed with that part. But he's like we should share with the people who are capable that we've proven are capable. And he's like no, no, we're not sharing with anybody anymore. What we got is what we need. That's it. And it's like you're gonna leave everybody in the Stone Age and we're just gonna dip on them. So he was not down with that. And that's where that disagreement happened. But that happens in the year one to us.

Cristina: Yeah.

Jack: You know that's very, very, very different than Lilith using Adam at the wrong time a hundred and fifty zero zero zero years ago and now has having just been around and Lucifer being blamed for some that was outside of his existence. Which is what happened. D***. And then Samael also has nothing to do with any of this. Actually somehow is just an elation. But no, this is a funny.

Cristina: Because that's her boyfriend.

Jack: Yeah.

Cristina: No.

Jack: I guess. I don't know. It's not clear. I don't think that was terminology that made sense back then. They weren't married. Nahas was also not back there. 156000 years. I have no idea why both Lucifer and Nahas got toss the boss for some.

Cristina: Lilith did that long ago.

Jack: Yeah. I don't know why that's in the book like that. It doesn't show up anywhere else. It does not. It's Lilith. It was 100%. She's the only one who did anything.

Cristina: Well they kind of took her out of the book. So they just replaced her with the other guys. Exactly.

Jack: Members from later. They're basically just trying to cut off. I guess that's. I guess that's part of it. They're trying to cut off anything before Jehovah. Yeah, no, I just. Just began 5,000 years ago.

Cristina: Yes, yes.

Jack: Recent. So you can't have any of that other. It's like if you cut that off, then Lilith didn't do.

Cristina: Okay, that makes sense.

Jack: Lilith who, bro?

Cristina: Yeah, Lilith who?

Jack: Well, the thing still happened. Oh, that guy did it. Yeah, it. Both of them? No, it's one dude. It's one dude.

Cristina: Double bro makes the story more simple.

Jack: Simple, but d***. That means he's just throwing random people under the bus for absolutely no reason. Lucifer and Nahas both got shafted somehow is sketchy because he does weird. I understand people being like, Lucifer's supposed to do bad stuff, so I'm okay one. But it's because somehow really does some sketchy. He just does whatever the h*** Lilith wants. Like turning his freak himself into a serpent thing.

Cristina: Yeah, but how does that affect anyone?

Jack: For what?

Cristina: I don't know. That's just a creepy kinky thing that they're doing. I don't know.

Jack: He could still turn back to a dude.

Cristina: Yeah, like how does that affect the world?

Jack: Yeah, I guess. I guess it's ultimately unimportant. And his base form. But his base form is a snake. That's really what it is.

Cristina: Yeah.

Jack: He could just human out. Not human. I guess I'm not human. But he can Alicia now. Oh yeah. I want to. But she's also. Whatever. She was already kinky. She's not elation to begin with.

Cristina: No.

Jack: Not even human. She's not from Earth.

Cristina: Exactly.

Jack: Some other. Some other s***.

Cristina: Yes.

Jack: Like whatever. She's down with putting crap in holes or whatever they do.

Cristina: Whatever they do.

Jack: I'd never thought about it. Whoa.

Cristina: No idea.

Jack: There's a lot we don't know. No, just stupid abstract questions that don't cross our mind. Like how do shadow people reproduce random side episode to do one there.

Cristina: Yes. But also. Yes, please. What if they do need something special? Because why did she make. She made her children through the stone. She didn't give birth to children. But maybe there are stories of her giving birth to children. I don't know.

Jack: You have a point. That is incredible.

Cristina: I don't know. We'll find. We'll figure that out in the future.

Jack: Interesting. Interesting, interesting, interesting. Because she did use the. I mean. No, this is the floor man.

Cristina: Well, the story says she gave birth, but in real life she used the stone or something like that. But you have an idea?

Jack: No, I'm just fascinated by the idea that she did in fact feel this professional, this individual who knows what to do, when to do, still felt the impulse to drive to make life with the stone and all the descriptors put Lilith as female among the shadow people. Whatever that means. And her interest seems male based on her interest for somehow who is a male. An Elysian male, which, okay, maybe they can't reproduce and this was the way the desperate. Because what is. Oh my God.

Cristina: Oh my gosh. The first guy who used the stone. No, that doesn't make sense.

Jack: No, no, no, listen to me, listen to me. It's connecting. It's connecting because the point, the one point, the goal of Osteomorphous, the Naga that was artificially made by Yaldabaoth was with d expressive intent. To what?

Cristina: Make more.

Jack: Make more. But why? Why didn't we connect those two dots before?

Cristina: That has more to do with the shadow. I mean, no, with the ship.

Jack: Let's just make more. Make more, as far as we know, just make more is the one thing connecting Lilith using the stone and yeah, we've connected to completely random things. He just impulsively went out of their way.

Cristina: But we know that there's children in the Shadow Realm. Didn't someone have a daughter who traded lives with a princess or. No, she was a princess. She's a daughter slash princess.

Jack: Yes, yes, like Inanna.

Cristina: Yes, but at the same time, did they only start giving birth after the guy made the stone? Like, was the first thing he found out about fairies killed fairies made more Shadow Realm people when he was making more humans. Like, did that happen at the same time? Okay, I know we know time works differently too. Or maybe we had that idea in the beginning of this episode.

Jack: Not that we know that time does work very differently. But there is something very interesting that you have just mentioned. Keep in mind, I have to compose this with ideas of where I'm going to some degree, right? So I look for things that I'm going to we free for all. But I know what I want to talk about. So I leave a lot of timestamps when they don't matter out, because who cares? But for the sake of timestamping things, there is a weird pattern that I did notice and I looked into and couldn't find anything of significance. Where maybe about 500 years before Christ to about the 1800s with the very center point being the big chunky peak. It seems that stories of creatures we would describe from the Shadow Realm get more frequent and more frequent and more frequent. And then getting to somewhere im like the 1100s or so, it starts tapering off, slowing down, slowing down just less and less. But there's that hot spot in the middle, just for no reason. We've joked about these periods in the past saying that this was one of those moments where the Catholic Church was just pumping out a bunch of demons and s***. We've talked about stuff like that before, but we've not addressed the time specifically because that wasn't relevant to the episode. We were just talking about the Church and the Simpson or this creature specifically. But this pattern has persisted where around the 1100s is the most explosive amount of stories. But it kind of falls off.

Cristina: Mm.

Jack: And there's kind of like a tiny little spike 17 to 1800 right before it almost goes nowhere. And now we just got alien source. But interesting because did they figure a thing out? Was what's the point of the f****** of Oceomorphos to use. If you really are a hundred percent what you are, then your powers like Oros. Because Ophiomorphos purpose is to be like Oros, not like any other Naga. Yaldabaoths Naga, the one he artificially created.

Cristina: Yes.

Jack: And Osteomorphous is to create more, which means you are perfect like Oto's, which means you can do things that Mab would ask. Things beyond the capacity that a normal Naga would ask. You wouldn't be described as a Naga. You're described as a fairy.

Cristina: Okay.

Jack: Oros, which means Osteomorphous is identical. Which means asking Ophiomorphos to give my people the ability to produce, to reproduce, to give birth, to multiply. Allow us to multiply would in theory be within the capacity of Ospeomorphos, because Yaldabaoth would have successfully created a God more powerful than he. With Osteomorphous, if he is identical to Otos, who is a fairy. And then you get the people to multiply and we have this giant spike. Then we get Yalda going to visit L and Sizen being there too. And then Derek, because he already went back there to tamper with them when they were just whatever the h***. They start to get really intelligent, start to get really overpowered. Technology here are other realms. Know about it. Look for it. Find me when you have the tech buddy. Also, there's my son. Go, go join him.

Cristina: Exactly.

Jack: Mingle.

Cristina: Yeah, mingle.

Jack: Hang out. Also we can reproduce now. I have a son. What? I have a f****** son. You meet my f****** son.

Cristina: What's that?

Jack: What's that about? Could he not have a son before? Is that that? Did he not. And then he did the thing and now he could have a son. And he has a son. Citizen has a f****** mom.

Cristina: No, I mean if they're using this tech, they don't need to.

Jack: It wouldn't be tech if they used. If they got altered by Oros.

Cristina: Thing is changing.

Jack: I guess it's not auto, but. Osteomorphous.

Cristina: Yeah.

Jack: Is autos short for something? Because then if. If it is, then I could just shorten ospeomorphos as well and say otos and also OS4 or whatever crap.

Cristina: No, that doesn't sound good. There should be a way to turn it, but we haven't figured. What was his whole name again?

Jack: Osfeomorphous?

Cristina: Morpheus.

Jack: We could say Morpheus. Morpheus, but. Yeah. So that's some s***. This is exactly the point of this. When we see the information all stacked up together, certain things become clear that we wouldn't have thought about before. Is reproduction part of this objective for all of them? I don't know. Because it also seems like there is a huge counter. Like there's a fight of, you know, an attempt to stop this from happening coming from Alfame. Like, why it has to be for more than just the reproduction part.

Cristina: I know, but a lot of it has to do with the reproduction part.

Jack: It seems like at least Yalda and Lilith, who are two quite important individuals, both had reproduction on their minds.

Cristina: Yes.

Jack: Tells us.

Cristina: But what are the stones for if it's not for that too? I don't know. Because it's reproduction in its own other way. Like, you know, making us. Yeah, we're children.

Jack: I don't know.

Cristina: There's some experiment. We're also. They're giving birth to us.

Jack: In a way, what we're missing is essentially the quantum theory. You get my point? Like the thing that's connecting that. We got a lot of completed ideas, and we know they're all related, but we don't know what the f*** that centerpiece is that connects them is. But we know. We see it. We visualize how it goes together. But we don't see the centerpiece. And it's like, it's not there anywhere. Why does. Why hasn't any of this revealed to us the ultimate goal?

Cristina: Because they. They hit it very well.

Jack: Tell me about it very well is an under f****** statement at this point. They hit it well, that's the. No, it's invisible, dude. What?

Cristina: It's not completely invisible. We have glimpses here and there.

Jack: No, we don't. We don't. No, no. We have. Not even the slightest.

Cristina: We have shadows.

Jack: Yeah. At best.

Cristina: At best? Yeah. Okay.

Jack: Random mentions of s*** that makes no sense until we get the proper other mention. And then we're like, oh, Just looking.

Cristina: At a bunch of little, little things. Okay.

Jack: Scraps here and there. And when you looked at enough scraps, one of them that you saw a long a** time ago clicks with this one, you're like, oh, wow. I got one piece of information out of all this. It's tragic.

Cristina: I don't know. I don't know what it's all about at the end of the day.

Jack: Yeah. All right. Samael is the first individual to discover how to grow fruits from the Forest of Shadows in earthrealm. And he started with the fruit of knowledge, which is useful. Don't know how the h*** he did it, but he did it. And that's important. They figured he figured it out. He figured out how to grow because again, you put the fairy in the ground, the tree comes out. It's just a tree, but on the other side. But he figured out how to get the thing out without having to go.

Cristina: Put the fairy in the ground. I think that. I don't know, it's complicated.

Jack: Like, the death of the fairy grows the tree.

Cristina: Yeah. Like, I think it comes out of the fairy.

Jack: So you put the fairy in the ground.

Cristina: No, the fairy is not going in the ground. The fairy's just dying where it's at.

Jack: Oh, I get what you mean. Yeah, yeah. He'll just become the ground.

Cristina: Yeah, yeah, fair enough.

Jack: You don't have to bury it. You kill the fairy. Boom. Tree happens there.

Cristina: Yes. Because the. The whole idea of it being in all the realms, like, no, it's not gonna be bird, because that doesn't make any sense.

Jack: It doesn't make any sense. Yes. But the idea that they do. Oh, that's interesting. Right, because the idea that they do exist, kind of like they could just pop in and out without needing portals. Very logical. When you just think of the fact that one dying literally connected to random points in space.

Cristina: Exactly.

Jack: That's weird.

Cristina: Okay, that does.

Jack: That's weird. I guess that was a fact. And we didn't know that was a fact. And the fact of the matter was there because we've debated how are they jumping? How. How are they getting from point A? We know they could just be there, but how? No. Did something about this. This part isn't tech. There's something about their makeup that's different enough.

Cristina: Yes.

Jack: But they're just there. And when they die, somehow because of that being everywhere. Well, everywhere kind of gets tied in. That spot. Weird. They die and where they die, everywhere just gets tied together.

Cristina: Yes. Yeah.

Jack: Weird.

Cristina: But it's weird. But there's some other Things so.

Jack: And Yalda learned this fact and uses it.

Cristina: And how he learned it, how he learned it, how to make a weapon to kill fairies. Had to be with a fairy helping. I don't know. So why would a fairy help him?

Jack: Lucifer leaves the garden after having a disagreement with Jehovah which was disagreement we discussed.

Cristina: Yes, let's share knowledge. But also the knowledge is killing them.

Jack: Yeah. They can't handle it. They're self destructing. But a couple of civilizations could handle it. And he wanted to find those. And Jehovah was like, no, we're done finding people.

Cristina: Because it's, it's just the. I guess it's not balance of like how many are actually surviving versus not surviving. Like say they did this. They didn't do it just to four people and then only two made it. It was probably hundreds of civilization the Earth. Exactly. And only two old equator. Exactly.

Jack: Surrounds the Earth.

Cristina: So how many civilizations.

Jack: One of the civilizations that made it isn't even around it.

Cristina: That's true.

Jack: How many places weren't around the old equator that we don't know about that they tried and didn't work?

Cristina: Yeah, the amount, exactly the total amount to just know about these.

Jack: Yeah. No, it's too much.

Cristina: It's a big, big failure.

Jack: Just the ones we do know failed.

Cristina: Yeah.

Jack: And the two we know didn't.

Cristina: Yeah.

Jack: And it's like. No, this is pretty bad.

Cristina: It's pretty bad.

Jack: Just how many don't we know about? And still we only know two made it. D***.

Cristina: That's pretty crazy. That's pretty bad.

Jack: And the problem is we have their corroborating information and they don't mention a third party other than the Elysians.

Cristina: Yeah.

Jack: So it is just all three of them. Yeah, that's it.

Cristina: Yeah.

Jack: There's other groups who have made progress on their own, but not. They have collapsed under the weight of Alicia knowledge.

Cristina: No. Which. Who knows what that number is.

Jack: But they try. I mean, I guess. So the. The argument here is you side with Jehovah. You think it's a logic a lot. Yeah, I guess.

Cristina: Yeah. It's. It's just too much that if everyone.

Jack: Dies, you should give the people the choice. You tell them.

Cristina: I don't know how they could understand. Like they have to know it first to know it and then they. They end up killing themselves because of it. Like I don't know. It's complicated.

Jack: Yeah. No, you don't have to explain that. You explain to them that, look, this is really like here people, People we're about to Share this with. This is really advanced. Many civilizations have completely destroyed themselves after we have given them our technology and our knowledge. They have simply not been able to cope. Their governments have collapsed, their infrastructure, their economy, all of it has fallen apart due to these things. Many times over. We need you guys to come to a collective agreement.

Cristina: You don't know anything about humans. Because of course they're gonna be like, we're the ones that are gonna make it. It's like people getting married. Yeah, yeah, we're the ones.

Jack: We're the ones who are gonna do it. They're all gonna sign up.

Cristina: Exactly.

Jack: They're all gonna say, no, we can do it.

Cristina: Yes. Like, in what. What's world are we not like, yes, we're gonna. Like, who's gonna be like, what? That knowledge. Oh, I guess we shouldn't take that knowledge. No. Like, what? Who do you think? Which of. Like, who's gonna be like, no, nobody.

Jack: Nobody.

Cristina: Who do you think?

Jack: Nobody. Especially if they know other humans have been given the opportunity. No, now we have to do it. Pride.

Cristina: Yeah. Now we have to. Yes. They're gonna be like, oh, well, we can't let those people get it.

Jack: Exactly.

Cristina: Then, yeah, he's not gonna give it to us.

Jack: He's gonna offer it to somebody else. And I'm not gonna let him do that.

Cristina: Yeah, no way.

Jack: I'm gonna be the fourth one. Our people, we're obviously the chosen, and then they collapse.

Cristina: Yep. It's no way to explain it.

Jack: No. Yeah, you're right. Okay, so Lucifer's wrong. It's this. Yeah, you're right. You're right, you're right. Lucifer's wrong. Yeah, His. The sentiment is right.

Cristina: Yes, sure. But.

Jack: But I guess we're talking science. Why are you getting emotional?

Cristina: I think that's. They have to probably wait until we're more. Like when they.

Jack: It's perfect. Until getting somebody new to understand is a perfect unfeeling formula.

Cristina: But they have to keep doing the whole thing, though, of making more, which it doesn't seem like they're doing either, of using philosopher's stones to create more better humans, etc. Like after Jesus. That was that. I mean, yes, they do test it out somewhat, but like, he was the peak and that was it, I guess.

Jack: But Arthur functioned, but Arthur died.

Cristina: Yeah, he's not what they were like originally.

Jack: It was a self contained incident too. It was just somebody handling their personal s***.

Cristina: It's not like. I don't think they're trying to make puppets. I mean, now they do. Only because they can. Like he's a puppet in a way.

Jack: Arthur was a puppet. So is Joseph.

Cristina: Yeah, but like, their. Their original plan wasn't to make puppets, I think.

Jack: I don't think it was either. It was just to make an overpowered elite who's gonna do what we want. And then the big problem happened, and then you gotta get rid of them. But now you created resentment.

Cristina: Yes, but I think the goal was to make more of us, but of that us.

Jack: Jesus. More Jesus.

Cristina: Yeah.

Jack: Minus the problem.

Cristina: Yes, I guess.

Jack: Yeah.

Cristina: Like that seems the big goal is making more of something because then we'd cross.

Jack: But I don't. I guess because Jesus can't just enter, Jesus still, even after dying, still needs to obey the laws that govern reality. So he still ends up in shadow. But luckily knew this would play out this way. Goes through the gate and gets back. But without the gate, he'd be trapped over there. He's not a fairy. He doesn't just poof over here.

Cristina: No.

Jack: So then what would the point of making a bunch of Jesuses be if it wasn't for the fact that people were having visions of him? What you accomplish, guys? Like, what's the ta da?

Cristina: I don't know.

Jack: So what's Jesus minus the annoying part?

Cristina: What was any of us? What was the next thing? And then the next thing? And then the next thing was the goal, Right? Yeah. Well, okay, was that experiment over now?

Jack: I don't know. Because if. If that's the real question, then the question is, then why do we do it?

Cristina: Do what?

Jack: Why Is there an iPhone 15? Why do we now have electric cars when we had carriages? Why didn't we stop at carriages? Why do we go to the next thing?

Cristina: And how do we know when to stop?

Jack: How do we know when to stop? So we make androids that work perfectly. Real androids? Tesla androids look like people now. But wait. Inefficient. We gotta keep getting fuel. What if they could just eat. Okay, so how do we get it to fuel itself organically? Well, if we can replicate all of our physiological systems, then in theory we can have a completely indistinguishable structure. And it's like. That's for no reason.

Cristina: That's for.

Jack: I just landed us at how we would get to.

Cristina: Yeah, what they got to for no reason.

Jack: I took a stair and there was no goal. That's how easy it is to get there. If you're just following science. That's how easy we just stumbled it.

Cristina: The end of the day, it's just scientists Being scientists.

Jack: But then the question is, what the is Elfame scared of? That's where it gets sketchy. That's where it gets weird. If at some point everybody looks like they're hiding from something, you look at them long enough, they're scared of something.

Cristina: What is.

Jack: And the problem is, we also have the least amount of information of Elfim, in that order. Elfame. The least shadow. Very shaky little.

Cristina: We know fairies can die. Could the world be destroyed? It doesn't feel like anyone can go in there. I don't know how.

Jack: It doesn't feel like anybody could get there except Joseph.

Cristina: Yeah, I guess. I don't know. I don't know.

Jack: There's something huge missing. The problem is how little information we get from Elfin.

Cristina: Yeah, that's really what it comes down to.

Jack: D***. I guess the first episode of next year is gonna have to be the continuation of this.

Cristina: What?

Jack: There is some more recap to go. We're fair enough. Open the year on the ring.

Cristina: That works. Okay. Okay, that's pretty good.

Jack: Some more to go. But I like these summaries because they make us think about things, they inform us, discover things, and seeing it all together changes perspective. And it's going to tell us what to look at next collectively.

Cristina: Awesome.

Jack: Anyways, if you guys want to tell us what you think of any of this or any of the episodes from this year or how weird this show has gotten.

Cristina: Can you see some kind of connection that we cannot see?

Jack: Send us a message to tell us about it. Just convopod everywhere. All the platforms X and TikTok and Instagram and Facebook.

Cristina: Remember to subscribe, rate and review the show.

Jack: Yes. And word of mouth is the most overpowered thing that has ever existed in the history of humanity. So use it. Tell people about the show.

Cristina: This has been the rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye. You're like, wait, how the h*** did somebody across the ocean mention exactly the same thing using the same exact words? What the f***? Wait, how is the story of Jesus obviously corrupted in the Bible? But if you were to just connect the individual pieces of narrative from all the places he was allegedly at, they don't match what's in the Bible. This is something entirely different. Because the Bible's trying to brainwash everybody. They don't expect anybody to go to the f****** Source and be like, hey, what do you personally have on this?

Cristina: What's the source?

Jack: The Source is the countries. Bethlehem and Nazareth and Cyprus and the people who were in these locations and the prophecies left behind, which are left in hieroglyphs and in old writings. All the things we found that are telling us about this. It's a bit absurd how much of.

Cristina: This is infinite and oddly connected. Yeah. Good morning. Good morning. This podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister, with social media managed by Amber Black.

Rambling 254: Necromancy

Why were sorcerers interested in figures like Jesus Christ and King Arthur? Why are figures like Jesus Christ and King Arthur interested in sorcerers? And why is everyone else scrambling to come face to face with them? The duo deep dive into Sorcerers, but more specifically Necromancy.

+Episode Details

  • Ancient Technology
  • Portals
  • Controlling Shadow Energy
  • Remote Controlled Devices
  • Astral Magic

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: I am your host, Christina.

Jack: And this is the show where we ground humanity. Most absurd and baffling ideas. And then thunder.

Cristina: And that's thunder.

Jack: Sure. Yeah. And you hear the screen flashes for people who are watching, for the people who are tuning in on space satellite on space tube.

Cristina: They can't just be watching us on YouTube.

Jack: How are they gonna watch us on.

Cristina: YouTube on our channel?

Jack: Oh, I. I guess in theory they're watching a screen that just. I mean, some people probably do that. I bet there's somebody, at least one human somewhere that shows up, sits in front of a YouTube screen, tunes into a podcast that does not have a visual element, clicks a video, and then sits down and just stares at the screen until the show's over.

Cristina: There's no way.

Jack: How is that any different than somebody who just sits and listens to music for a long period of time? Or somebody who sits.

Cristina: You're not looking at a screen to do those things. No one puts on a screen to listen. If they are, they're reading the lyrics. They're not just watching a blank screen playing music.

Jack: Fair enough. Fair enough. Fair enough. Is. Is nothing happening on the screen? It's a question. Because if there was an equalizer, then at least the argument is there's an equalizer.

Cristina: Okay, that's a little different. I guess that would make sense if someone's watching it or not.

Jack: I say equalizer. Visualizer. You know what I mean?

Cristina: Really watch it.

Jack: It's like a background art thing.

Cristina: Yeah.

Jack: Which is cool, I guess. That's such a futuristic thing that I think we under appreciate.

Cristina: It's like, what's the music that they have? Like live music. Study too. Study two in on YouTube. Like they always have that girl. Yes. Loy with a girl on her computer with a cat. And it has a little animation that's super simple that just plays over and over and over again, but you're not really focused on it. Yeah, it's just there.

Jack: But these visualizations aren't necessarily absolutely aimless. Some of them transform and move to the beat and the texture of the music that's playing and their shape moves accordingly. It's not just random shapes. These higher quality ones actually move to the beat. It's not like these loafy beads.

Cristina: What are you saying our podcast is like that?

Jack: I don't even know what I was saying was like that. Our podcast no.

Cristina: Music that has the videos that are. That. For people to watch that aren't actually looking at lyrics or an actual video.

Jack: Oh, I guess. Yeah, yeah, yeah, yeah, yeah. Our YouTube thing is essentially that.

Cristina: Which is. What's it called?

Jack: What is. Wait, I'm so confused.

Cristina: I'm like the thing that's. They're watching. Following the voices or music.

Jack: The visualizer.

Cristina: Oh, that's what it's called? Yes, that's what I'm asking.

Jack: Okay. The visualizer is like the anomalous shape of colors. You know what I'm talking about? That's on a screen in like, let's say it's early 2000s. You have. We're still before the big transition to everybody's own smartphones. And you have a. Either a desktop that's old or a laptop that's new. One or the other is occurring. And you have a bunch of music. Music stolen from some website that you downloaded them from, or you went to a music store, downloaded them, and burned them on to a music player so you could hear them through your computer without having to put the CD in, maybe some collection of sorts. And you play them through the player. The player always had the option where you hit the thing and then boom. There's a weird thing with colors, right? And it morphs and shapes and does all this.

Cristina: Didn't one of the PlayStations have that?

Jack: Did it? Like PlayStation 3, maybe 2. Really, 2? Oh, I don't even know. D***. I don't know. But maybe. Absolutely. I don't. I Bet the current PlayStations all had them and have them. This never really looked, but I bet that's the thing. Yeah, for sure. And like, there are very complicated ones that move with the music. So I don't even know what my point was, but our show, they could go watch our show and sit down. So I guess. Oh. My point was that somebody would. Couldn't. Can in theory, sit down and watch something like that, but then they're technically still watching something happen. So if you want, in theory, you can just play the episode with a visualizer that syncs to it. Yes, that's weird because of our voices, but you're essentially seeing an anomalous blob speak to you, and it sounds like many people having a conversation. That's cool. Futuristic, least speaking.

Cristina: Weird, but okay.

Jack: Mm, very strange. But now I'm very intrigued. An anomalous blob that plays a podcast to you through a screen fire.

Cristina: Yeah, Maybe someone does that.

Jack: Yeah.

Cristina: I don't know.

Jack: F*** it, why not? Cool as H***, anyways, totally related to that absolutely relevant bit of information. We have lately been looking at a bunch of different things.

Cristina: Always.

Jack: As always. And so I'll tell you where this really begins. This is going back in time flashback to the year 1974 when it was.

Cristina: Raining that far away.

Jack: Can you imagine like out of all these timelines we've spoken that are up to several million years back so far that I'm like a long time ago and I'm like 1970. Yeah.

Cristina: So weird. Also was there you said Raining Men.

Jack: It was Raining Men.

Cristina: Does that song come out in that year or something?

Jack: No, but I was hoping I totally guess and got it right. So maybe it did. I actually have no idea. I Bet that's an 80s song though.

Cristina: Oh okay.

Jack: I bet that's late 80s, early 90s. I'm not entirely sure.

Cristina: It's 1930-1983-1983-1983.

Jack: I am off by nine years. Nine years.

Cristina: The people that sung it were called the Weather Girls. Where all their songs like themed.

Jack: Oh my God. The Weather Girls. Okay. So chances are they made. They became famous for that one song. And then because that's impossible to sustain their popularity immediately died following.

Cristina: It's Raining Men was on their third album.

Jack: Yeah. So they made a one hit way later and then they made music after.

Cristina: So you're saying they weren't called the Weather Girls before they got that song to be famous?

Jack: Oh s***. I see your point. I see your point. Yeah yeah, yeah. Cuz they had. The good ideas would have come at the beginning or at least the second album. Right. Because you have the first album when you're trying to figure it out. The second album you hit your note and your third album is your decline or your masterpiece. One of the other. I guess I could have been the masterpiece. Who knows? But one song. I don't know any other song from that album. And I don't think anybody in history has ever heard any other song from that album.

Cristina: Probably not. Probably not.

Jack: Do they have a fan base? Would be the question. Anyways. Anyways. Anyways. We gotta go back to the year 1912.

Cristina: Because.

Jack: I was trying to learn what we could about wizards. As you know we've been.

Cristina: We.

Jack: We cross paths with the lady of the Lake and we cross paths with Fae La Fay. Morgan Le Fay.

Cristina: I don't know who that is.

Jack: The chick who helped our King Arthur out.

Cristina: Oh yeah.

Jack: And so we're crossing paths with those people and we cross paths with. Actually I guess the lady of the Lake doesn't matter. Merlin.

Cristina: Merlin's the only one that matters. If you're talking about wizards, like.

Jack: Yes.

Cristina: Oh, that other lady was a witch or something.

Jack: Yeah, she was some s*** like that. Some real overpowered thing or a fairy or a fair. Yeah, it's kind of unclear at this point.

Cristina: Okay.

Jack: But I was wondering what the significance. We were talking about this, right? About a couple of things that in the last like two episodes really stuck out. And one of the things that stuck out was about the, like, what is up with these people's obsession with King Arthur? Fairies and sorcerers and all these other people. There's something beyond what we're understanding. Because if it's just some s*** that one of them made, we'll make another one. Something is actually special about Arthur. Cuz they're all behind Arthur. Yeah. If it was that much of an issue, do it again. Unless it was very energy consuming, the cost for making him is very difficult.

Cristina: Mm.

Jack: Which, like, what the h*** does that mean? Don't you guys live infinitely long times? Isn't this not worth your energy?

Cristina: I don't know. Are people just made from stones though, or like, like what made him?

Jack: Arthur.

Cristina: Yeah. He wasn't used with the stone, was he?

Jack: No. I actually have no clue how this man was made, but he's eventually gonna die of old age anyway, so it didn't matter. But anyways, yeah. So I'm looking, I. I see this fact that the sorcerers overpowered then and. And I'm looking like, okay, equal to Jesus. Look at Jesus. And he was also surrounded by his team. Wasn't of these people who were sorcerers of any sort. They got their abilities seemingly from Jesus. His lessons and things. He would provide and give to his people so they could be more like him and use his abilities.

Cristina: Were they using his abilities?

Jack: Yeah. Apostles had ability to heal and stuff.

Cristina: That wasn't from adrenochrome. I think that was from.

Jack: I believe those are the teachings that they got. Yeah.

Cristina: Oh, okay. That makes sense.

Jack: But on top of all that, Jesus did have people that were assumed to have witchy abilities, like the presumed he hung out with and individuals like that. And it's like, okay, so if this is true with King Arthur, then curiously, Jesus also had this thing. But what's true in every one of these cases, with the exception of La Fay, is that he seeks them out. It looks like he seeks them out at least.

Cristina: Who is he that's seeking them out?

Jack: Jesus and Arthur. They seek the individual out, but actually there was always something pulling them in the direction of this sorcerer, in the case of Magdalene, it was not that he was being manipulated through narrative, as far as we know, but it was that he was being drawn to that area to help, to assist the way he usually does. So some bigger, greater calling still took him straight to Mary, who suspected to be a sorceress. And then you have Arthur, who goes straight to Marlon because of a narrative.

Cristina: That he was writing, because of who.

Jack: He is, he had to do this thing the same way Jesus, because who he is, he had to go assist, he had to go help. He had to provide who he is to this person. Arthur had to provide who he is, is. And this in both instances, lands them in front of an individual that has an everlasting impact on their life and seems to always be present beyond that point. That's interesting. Almost like the whole point was to cross paths. So I'm like, okay, we gotta look after coming to that conclusion. Because I'm like, okay, I know that these two guys are kind of the same. And then I start looking at these comparisons because I'm just looking at them back and forth. Sorcerers, one and the other. What does this mean? What does this mean? And I come to that conclusion like, okay, the sorcerers are what matters. This is really weird. I got to look at this. So I start looking at sorcerers in general, mythologies across the world. And as I'm looking through sorcerers, hundreds, thousands of different kinds of sorcerers, scrolling, looking for a bunch of different types of magic abilities and blah, blah, blah, blah, blah, blah, blah. One seems to show up in this culture. And then I keep moving and shows up in that one. And then I keep moving and shows up in that one.

Cristina: And the same wizard person thing.

Jack: No, not the same wizard. The same word. Which keeps showing up as I'm looking for different. I'm looking for different types of magic, allegedly, which we all know as different technologies, which is very interesting, by the way, because this might be one of the closest times I've ever been to deciphering when thing is in fact a like it's almost directly told to us based on how they describe it. But I'll get to that point in a second. The word necromancy kept showing up. And we have people magic. Yes, 100%. And we have a basic understanding of what necromancy is. Everybody has an idea. And that's the same. That very idea, what you just said. That's the idea we all have about what necromancy really is. We think it's just magic about dead people.

Cristina: Isn't it?

Jack: Well, we're gonna find out. Because that came up so frequently that I started to look towards that direction primarily. And as I started to look towards that direction primarily and started to leave behind the wizards, I stumbled upon a huge distinction between all wizards and sorcerers of all sorts. And then necromancers. Necromancers are apparently mentioned and used, addressed again, one of these words that at this point I'm just translating anything that seems to come after any pattern because it's one of these words that seemed irrelevant at the beginning, like just something that doesn't apply. And as I'm going through it and see this, the context makes sense in a bunch of texts we've been reading before. And it's essentially necromancy mentioned in a bunch of languages. Keep in mind I just go back to the sources we've had before, because that's what I'm trying to unravel further and further and further. So I end up coming across a fact that necromancy has been mentioned in front of us over and over and over and over and over. So I'm like, okay, no, f*** the rest of this information. I'm gonna look at whatever necromancy is specifically. That's where the value is. Because that's what this show's about, unraveling humanity's most absurd ideas. Anyways. So now the main purpose becomes about finding out. It left being finding out about Merlin and these individuals and became finding out about ne necromancy.

Cristina: What did you learn? Now is this about specific people?

Jack: No. Okay, so necromancy basics. This is the window into necromancy. Basic things to know. The very first individual that discovered necromancy. Not discovered. The first mention, rather ever of necromancy. Happens to be in by the Greek.

Cristina: Okay.

Jack: And it was mentioned 2,700 years ago. That is the first mention of necromancy that we have on record written. There are stories.

Cristina: Wait, when you were talking about going, we're gonna go back in time to 1970, that had nothing to do with anything.

Jack: That time was completely random and relevant. Okay, okay, yeah, yeah, yeah. That had no, no real world value of any sort.

Cristina: All right.

Jack: Yeah, yeah, yeah. That was just the time I picked out of a hat in 1980. I said 84. I think 1974. But 1984 is when that thing came out.

Cristina: Yes.

Jack: No, it came out in 83 because it was nine years off. I said 74. Yeah, whatever. Anyways, so necromancy basics first found. The first found writing that directly use the word necromancy. Is by the Greek. It was written 2, 700 years ago. The first altered version of the word, something that means it, but is not exactly. Necromancy was used shortly thereafter. And there seems to be nine, 10 different versions of this word, spelling and enunciations, none of which I'm gonna bother with because the word necromancy is all we need to know.

Cristina: Okay.

Jack: The very earliest recorded use of it is by Circe, which is a known collaborator of Zeus, which as we know, is the leader of the individuals in the Greek gods collective of individuals.

Cristina: Okay.

Jack: So. And weirdly enough, this mention is not even being brought up by the GRE getting this information specifically, which is the first mention of it being the first to mention it were the Greek. But the first time that Cersei that it was used was Circe, and that was from an Egyptian text, apparently.

Cristina: This doesn't make sense.

Jack: Yeah. So a Greek God being mentioned in an Egyptian text with an E. Egyptian man. There's a random. Or maybe he's not random, but whatever. Well, he didn't do anything miraculous there. And he. They basically just doing a. Solving a problem. And they use some necromancy to gather information by talking to a dead thing.

Cristina: Oh, okay.

Jack: And yeah, so an Egyptian.

Cristina: So they wakes like a dead person up, get some answers and then that dead person stays dead?

Jack: Yes, he's an Egyptian man. He travels to Circe, the Greek God and asks for assistance with this. And Circe then brings up the dead man and allows the Egyptian man to get the answer to his question and so on.

Cristina: Okay.

Jack: Fire.

Cristina: Yes.

Jack: Simple, simple details happening. Nothing too big.

Cristina: Is there a lot of necromancy and Egyptian culture and whatever.

Jack: It seems like the culture for it right there. It seems like the culture of death.

Cristina: Yeah. So I'm wondering if that also is part of it or no.

Jack: Apparently it was very huge in Egypt and it was very huge in Persia. Necromancy was ginormous.

Cristina: Why?

Jack: It was one. So the idea was that it evolved naturally from shamanism and all that kind of natural witchy stuff.

Cristina: But are they trying, like, what's the purpose though? Is it just to get answers? People say it's to speak to loved ones. Maybe. I don't know. I'm guessing. I don't know. What is it for? What is it used for mostly?

Jack: Well, as I keep continuing, I will explain those things. It is said that it can be used to communicate with the dead in the shadow realm, if that matters.

Cristina: That might matter, I'm not sure.

Jack: And it is said that it could bridge a small Temporary local gate to the Shadow Realm allowing passage.

Cristina: Was that random lawyer and his sister in Chennai just accidental necromancies? People like what. How are they accidentally walking? Are there accident? Like, are those gates there? Or can we just. We have to do it. Does someone have to make the gate? Because with Jesus it seems like you gotta make them.

Jack: I mean, same thing with Mount Kaf, Mount Athos. Same thing with El Castillo. They're all a stationary building or structure of some sort. Jesus has the most efficient one as far as we know, which is the Shinto Gate. But ultimately it's a fixed location.

Cristina: Yes, but I guess there could be random ones that are just naturally made. Right? Because that's how battlefields probably end up with a bunch of Shadow Realm creatures. It's those deaths creating the gates, leading the whatever, wolves or whatever coming 100%.

Jack: Although it's described as a form of magic, I believe that based on some of the descriptions that I came across, it that all. And the fact that all the other magic we've come across is technology as well, that this is definitely. This is definitely one of the most prominent descriptors of something being technology as far as we've come across so far.

Cristina: How so?

Jack: I'll explain in a moment. It does more than we might think as well, which was my initial idea into looking into this deeper. Because all of us believe that it's magic of raising the dead. But this portal part I did not know of. So refreshing what we know. Because now I'm curious. This is where at the point that I finally completely decided. I'm not even returning to the other crap. My next absolute focus is necromancy. Now, I wasn't just looking at the word. I've changed my mind about the subject I'm looking into now. Necromancy has become so complex, I need to look in deeper. Right?

Cristina: Okay.

Jack: So I do dive deeper and it opens wide. Wide. One of the most complex things I've looked at so far is necromancy. So we're gonna refresh what we know and then collapse into the rest of it. So first mentioned by some Greeks in some Greek writing. The first use of it, by the way, the Greek writing was 2,700 years ago. And there are stories that indirectly mention it that are much older. And There are about nine to 10 different words in Greek describing the same word after and before then. The first mention of it being used is by the Zeus known collaborator Circe and a. An Egyptian man who came to her for assistance. It is believed it could be used to Communicate with the Shadow Realm. And it is believed to bridge a small temporal local gate to the Shadow Realm, allowing for passage. Now, it allows the user to create an ethereal illusion, also defined as a hologram of a being in the Shadow Realm.

Cristina: Oh, like a ghost?

Jack: Like a ghost of somebody actually on that side. So you can talk to them physically. See them here. Can be used to control the will of Shadow Realm beings. This is fascinating, because this is suggesting that everything it does somehow interacts with the fabric of the Shadow Realm itself.

Cristina: It can control Shadow Realm people?

Jack: Yes, and minds of Shadow Realm creatures.

Cristina: Who made this?

Jack: I don't know.

Cristina: It seems really powerful.

Jack: Well, the person we actually have to look at is Cersei, because that's the first mention of somebody going to get help of. From. From somebody for this.

Cristina: But she working on Shadow Realm stuff. I know. Wait, does their team have Shadow Realm creature?

Jack: Greeks, yeah, they do. Forget who was their Shadow Realm thing.

Cristina: But yeah, they have a guy because that seems pretty crazy.

Jack: That's nuts, right? Ability to control the mind of Shadow Realm beings because their mind is made somehow different.

Cristina: You also can control dead people?

Jack: Well, it doesn't really say anything like that. I think they were just kind of assuming demons and creatures from the other side you could communicate, but it seems like they can just show you things from that side.

Cristina: But what about dead bodies here? Can't they do things to them?

Jack: You didn't come across any mention of anything like that?

Cristina: Oh, okay.

Jack: Yeah. It was more of like bringing stuff from that side over. So it seems like everything they're doing is actually just interacting with Shadow Realm energy.

Cristina: Okay.

Jack: Like, they don't do anything on this side at all that isn't part of connecting over there first.

Cristina: Okay.

Jack: Which becomes even more interesting in a moment. But this definitely leads us to be by far one of the most dangerous things we've ever seen. The ability to control Shadow Realm creatures will.

Cristina: That's insane.

Jack: That's nuts as h***. But apparently it always required the user to have an aid device.

Cristina: That's what they call it. What is it?

Jack: Well, it's a handheld control device of some sort or a small device worn as a necklace. Can be manually operated or voice operated.

Cristina: So it's actual tech. What?

Jack: As far as they know the descriptor words when you translate them and try to find out any possible description for what they might be. It's like the word we would say for knickknack. It's a little knickknack that he would fidget with in his hand. And a thing would happen. They would either have it in their hand or they would wear it around their neck. Like tribal wear was the most frequent comparison. And the knick knack around the neck, you would either have to again, manually do something with it or both. The one that you could just hold or the one that you wear have also been seen in such a way that you can voice activate them.

Cristina: What?

Jack: So a person has held it, not done anything, but spoken to it. And then things have happened and the same has occurred for the one on their necklace. And I'm like, these are out here at some savage a** tech, bro. Yeah, because like this just the descriptions, it breaks down to knickknacks and doodads. The descriptors that people use. The, the. The linguists and the scholars who write this down and give us the English versions that I don't trust. Say necklaces and pendants in a one to one. That is not the word. And then when you check, these people had words for necklaces and pendants. So why do they need this other word that translates to a different word from ours? It's like they don't understand what the gadget is, but they knew what the jewelry you're claiming they're saying is.

Cristina: Yeah, but they know it's not that they're not gonna say, it's that they're just like. It's this thing.

Jack: Yeah, exactly what it is.

Cristina: But it's a thing that they have.

Jack: Exactly. Little gadget, a little thingy. A thingy. They had thingy. And like that's the reality of what they was written down and what was said. There was a thingy. Should have the thing.

Cristina: Who made the thingy? The thingy come from fairies from sea people from Shadow Realm itself?

Jack: Don't know. I do not know. I do not know. That s***'s crazy. Now, personal portals aren't used between earthrealm and Shadow Realm because they are two linked realms and are sort of reflections of one another. Which creates an interesting problem where if a person is moving around on Earth Realm, the opposing side of the portal is also just moving around in the Shadow Realm. To solve this, there are stationary locations, strategically selected, where you can control where the other site is based on where the exit already is. In the Shadow Realm. Build one on one this side, build one on that side. Maybe it's safer for me to walk to Mount Koth on this side than it is for you to travel over there in the Shadow Realm and get murdered by that thing.

Cristina: Explain that again. What's happening?

Jack: Portals Cannot be. They're not usually used for individuals.

Cristina: Okay.

Jack: Yes. So portals aren't used between earthrealm and Shadow realms as an individual portal. Like personal portals, because there are two realms are linked and they're very similar and reflections of one another to some degree, which has odd effects. If a person is moving around a personal portal, you have a portable little device or something that could open a portal. You walking around means the other end of the portal is moving around in the shadow realm. So it's inefficient to know where the h*** you're gonna be.

Cristina: Okay.

Jack: Because it's random how it works.

Cristina: So then how do you do it exactly?

Jack: To bypass this. The things built were stationary. El Castillo, Mount Ka, Mount Athos. Locations where you can cypress, where you can control. Because it's always there. It's always the same spot that didn't go anywhere. So the exit is always the same spot. You know where it's going. And again, maybe it's more beneficial for my civilization on this side. I have 15 miles of nothing but safety between here and Mount Ka, but you on your side have 10 miles of a h*** in the same direction. So it doesn't make sense for me to make the portal close to me and then you got to travel those 10 miles and die and never be able to get to me. When I could just make the thing in Mount Kaf and it shows up a little farther, but that's right in front of you in the Shadow realm and you could just jump in front so you could build it strategically because you always know where it is. That's the reason you don't have personal portals. You'd have to beat the the system of the personal portal. The problem of the personal portal, because you can't control the exit if you move, the exit moves because it's relative to where you open it.

Cristina: Okay.

Jack: Always an issue. Big problem. This is getting into granular details between the realms. So it's kind of heavy, almost sciency details about, you know, weird sci fi ideas. Now again, the bypasses giant civilizations made big things. El Castillo, stationary location. Mount Kopf, stationary location. Mount Athos, stationary location. Cyprus, stationary location. So how the h*** do does necromancy tech allow a person to move around with a personal portal and them actively know what's going to be on the other side if it violates a rule of physics, as far as we understand, between both realms? Well, I'll explain because I found that.

Cristina: Okay.

Jack: What I just needed to explain how crazy complicated that issue really is.

Cristina: Yeah, but they Figured out, yes.

Jack: This is how advanced this is. These guys are breaking and you have.

Cristina: No hints of how it happened. Who started this?

Jack: I have no idea who started this. This is one of the big ones. I'm starting to piece this apart. I just found so much crap. It was just endless. So in the future we might figure it out. Yeah, yeah. This might be one of the biggest pieces we've been missing that we didn't even know to ask for. Because also in all the writings from everybody, everybody had a story of somebody going to a necromancer for assistance. That was always a desperate last, worst case scenario to go to a necromancer. But it was like, oh, everything else failed. We still can do this. Which means like, holy how op is that? That no matter what. Oh, we got the backup plan.

Cristina: It's a black backup plan. Dangerous.

Jack: Somehow though, something is dangerous about it and I don't understand what it is. Perhaps it's the interacting with the shadow realm aspect of it. I don't know.

Cristina: Maybe because maybe you could attract something you don't wanna.

Jack: I think the. Yeah, I think a lot of the ideology framing around it is that you got to understand that the people who were describing a lot of these things were primitive and were not really comprehending. So perhaps this is literally what they thought was the case. The shadow realm is not of intelligent beings, but monsters and demons. And if I fiddle with that, then monsters and demons will follow me home. Because again, they are thinking of the shadow realm as nothing but primitive, ignorant. But it's more or less the same.

Cristina: But they don't know that. Like the whole Halloween thing that we talked about before, kind of similar. That people were afraid of them coming out.

Jack: Yes.

Cristina: They just wanted their relatives.

Jack: Yes. But they're actually right. There were some crazy. There are crazier things out there, but it's no crazier than creatures we have. And the same way you'd have to sort of mess up an attractor because you can go camping, it'll be fine. You are not attractive to a bear. But if you start leaving food around and you're reckless that you're told not to. Now you start attracting a bear. The same thing applies to everything. You can do the wrong thing and attract the wrong thing. And this applies to every creature.

Cristina: But people are afraid of wild animals equally. Of like going in the woods and running into a bear. That's equally scary probably than summoning some creature that's gonna.

Jack: Yeah, but it doesn't lead you to believe that all creatures on Earth Are just wild animals, which is essentially what a lot of people believe about the shadow realm. It's just a place of evil and darkness and nothing more. But no, there's people there. Just people. It's just a different thing that happened and developed somehow. Yeah. Before us. We're essentially a product of that, if anything. But I found solutions to this problem. They explain how it works. There are entire breakdowns dating far, far back Explaining how this thing works. So these are some of the explanations that actually elaborate on the technology, the literal technological aspects. And it should make so much sense.

Cristina: Okay, so.

Jack: So this is how this essentially happens. A bridge for communication or passages open through a higher realm referred to as the astral realm. Now, astral realm, I'm like, what the is this?

Cristina: Yes.

Jack: No. I then bounce that in and start pulling, like, other words, other words. Somebody's gonna say something I've seen before.

Cristina: What did you find?

Jack: Well, the celtics equivalent of astral realm comes out to a world of magic, which you then take magic and find all the other Celtic words that match it. And fae and elfame and fairy are the other words associated with that same thing.

Cristina: That's very complicated.

Jack: So then you look for the other mentions that directly just translate astral realm to just astral realm, but in that language without it being a different word entirely. And you look at the words surrounding them, and they are also talking about a world of magic.

Cristina: Who's working with fairy magic? Who figured it out?

Jack: I don't know. I don't know. Somebody figured it out. And it's secretive, as. It's more secretive than the entire complicated series of secrets that we've cracked to the point that now we're coming across.

Cristina: Magic to control shadow realm. Like, this isn't.

Jack: This is. Yeah, this is higher level.

Cristina: So it basically, this is what people are afraid of. The sea people. We're figuring out that this is gonna end up being somehow related to the sea people. Yeah, we know they're powerful and the fairies are afraid of them. And the shadow realm are afraid. It like, come on.

Jack: Yeah, this is next level, right?

Cristina: Using fairy magic to control shadow realm creatures. How insane.

Jack: It's heavy. It's heavy. This is next level, man. This is next level. If that's the case, then the level at which we're grading the Elysians based on the Kardashev scale is wrong. Because you got to understand that we would need to pass quite a couple of stages before we get to the shadow realm. If we're talking scale wise, planet is first. That's One star is two. Oh, no. All the star. Right. All of the planet is one. No, all planet is. Yeah, I think all planet. All the energy of the planet. All the energy of the first star. That's number two. All the energy of the entire of a galaxy is number three. All the energy of a universe is number four. In between number four and number five, you should be able to create, manipulate, alter, and destroy universes. Which means you should be capable to be equal to things within that universe. In this case, as strong as something in the shadow realm that can make something like we are. That means that the Elysians aren't number two.

Cristina: No.

Jack: Elysians have somehow.

Cristina: They might be number one. They might be over fairies.

Jack: No, no, no. Not. Not ranked wise. I mean, on the Kardashev scale, instead of. They're four.

Cristina: Four. Okay. What's number five?

Jack: Number five would have to be the multiverse. You'd be able to control multiverses.

Cristina: Okay. We don't know that they're not there, though.

Jack: We don't know. The scale continues to grow and they're the most likely culprit for what's going on here.

Cristina: Okay, this is insane. Because, like, then what? What? And then they're afraid of Jesus.

Jack: We don't know that.

Cristina: Insane.

Jack: We don't know that.

Cristina: And they don't.

Jack: Like, they're trying to keep Jesus from them. And Jesus has ability with just knowing stuff. Jesus has some Santa Claus properties.

Cristina: Mm.

Jack: You know, he just knows stuff. So it's problematic. They need to be able to keep things away from a guy who just knows stuff. Something about what they're doing.

Cristina: They don't want everyone else to know the stuff that they know. Like, why would they want everyone to have this necromancy abilities, especially the shadow people. Like, I don't know. This is pretty big.

Jack: Yeah, this is pretty huge. It's pretty nuts.

Cristina: He just knows it. He could just share his secret even if he didn't know it. Know it. Like just looking at a book randomly and just sharing that knowledge with everyone by accident. Like that's what he does. And they're afraid of that.

Jack: Okay, so let's go over this again. The bridge for communication or passage is opened through the astral realm, AKA Elfhame, and to the shadow realm. It's through Elfame and to the Shadow Realm.

Cristina: Ridiculous.

Jack: This is a bypass for the problem they have of a moving exit point of a moving point B because you're moving at point A Song. So how it works by bridging through the higher realm the entry and exit points meeting in this higher realm. Elfame can be fixed or tied together so that they seamlessly go from one to another like a tube.

Cristina: I think fairy trees have to do with this.

Jack: 100%.

Cristina: Okay.

Jack: They totally have to bring that.

Cristina: Because we know those might be dead fairies. Maybe. We don't really know. The guess is dead fairies.

Jack: Yes. This is. Yeah. I feel.

Cristina: I feel they're connected to murdered fairies. They have the fairies to make these special. Whatever you want to call them. Plants. Which not might be plants at all, but some other tech that links the three already. These might have to do with the bridge.

Jack: Yeah. And no. We know that they've been working on portals for the longest too. Yes, we know they've been working on portals. And we didn't know. We thought was just for them to get from one to another. Tricks, bro. There's tricks out there. And they were trying to figure out some tricks or did figure out some tricks. And we're piecing together. It reminds me of this game. It's a lot like what's happening with this. All the research we're doing. It's called. It's a game like a PlayStation game. And there's really tiny planets and there's a time loop happening. And you're trying to figure it out. And as you go through the time loop, you understand the time loop more. And. And you just try to find out the history of this time loop and the world surrounding it.

Cristina: Okay.

Jack: Outer world or outer wilds or something like that. Wow. And how we continue to find information feels like that. Because it's out of sync. A lot of time. It's out of order. But again, based on the chronology of these events, the first couple of events having it are way beyond the first couple of stones being made, but before Jesus in a nice warm spot. This also serves to make sense as to why things like Joseph the golem and things like Arthur were easier to make. Because it was way better abilities happening way before that we didn't come across and are probably way more secretive.

Cristina: Mm.

Jack: But bridge cut through the top part of a realm. Not top of part of a room, but a higher realm. By bridging through the higher realm, the entry and exit can be linked to each other. So either be in really close proximity or tied together. Because you can fix them in this higher realm. You cut through here with one half of the tube and you fix the exit that enters from Earth to the. To Elfhame. You fix the Elfame exit because it's not connected to your Movements.

Cristina: No, it's connected to those trees.

Jack: Yeah. It's somehow stationary. And then you grab the end that comes out of Elfame into the Shadow Realm and you fix that stationary. Now you can make these two completely stationary and they won't move. Tie them to each other. Now, the point that you have in the Shadow Realm isn't moving when you move in Earth Realm. Thus completely shattering the original problem of not being able to move the portal because the destination would move with it. Boom. Necromancy technology. Solving problems at higher thinking.

Cristina: It was very magic.

Jack: Very magic. That's elevated thinking and that's fire. Which that's crazy because it does allow for the simultaneous use of both insane.

Cristina: Are we sure these aren't fairies themselves? Somehow I don't understand. How is it happening? How are they using fairy tech like this?

Jack: I don't know what to tell you, man. Additionally, there have been teachers of this information, but the circumstances. And there have been. There's a few teachers, five total in the last 5,000 years that starting roughly about 3,100 BC to about now.

Cristina: Are they fairies?

Jack: Don't know. It's unknown who they are. They just barely get mentioned. Always relative to necromancy and being teachers of necromancy. Because I'm just doing a massive search for anything relative.

Cristina: So is there no description of these things?

Jack: There's no. No, there's not. Nothing. Nothing about them. Just a couple of the roughest of details. So the teachers of Necromancy exist throughout the centuries. Obviously there are five spread out. It's unclear where in time there are. They're placed.

Cristina: Really?

Jack: Yeah. Exactly where in time they're placed. I just know where the latest is. And the earliest was about a thousand years ago. But it's like.

Cristina: And locations. Then you don't know where?

Jack: No. I can tell you the cultures that mention them, but it's unclear where these people venture out of where they live far off to go learn it.

Cristina: Okay.

Jack: They always go to some. The only one we know for sure is the one in Greece, which is Cersei. Outside of that, everybody else ventures off to some other mystic place super far away to go learn the thing.

Cristina: Okay. Okay.

Jack: So it's always vague. It's always anonymous. It's always in West Bubba. Everybody has the same thing. They go on a quest that eventually leads them to be blinded or to lose consciousness or something. So they don't know where they are and they wake up in a place that they cannot leave. And then they either get the information or get the.

Cristina: It's so Crazy because Jesus was definitely had this power.

Jack: Yeah. And this feels like an abduction, which we've discussed before as well. Being very like just elation abducting people. Because like you're just traveling and you go blind or you pass out and then you wake up in a place you can't escape, where you learn this knowledge and then you come back from that with it. Like what the f*** is that?

Cristina: I don't know.

Jack: Sounds crazy. And you learn it from some anonymous higher intellect. So how much higher are they?

Cristina: Enough to think they're aliens?

Jack: Enough to be beyond the scope if they're. Again, if they're controlling shadow creatures, how the. The leap, the technologic leap between where we are and where that would be. And not just where we are and where that would be, but where the Elysians would be or where we thought they were and where they would have to be is still so colossal. We're not talking two, three stars. We're not talking the great void. We're talking. That's ancient old garbage to them, this tech. The Great Void. Oh, the great Void. Completely vacant black spot in space of millions of entire galaxies. Fully dark because all their stars are trapped inside of Dyson spheres. That is just ancient technology by comparison to what it seems like the Elysians are capable of doing. And it's absolutely possible they're out here in the shadows teaching people how to do these things.

Cristina: Why?

Jack: Yeah, why? But of these very few details, they all mentioned the same almost requirements that the people had to have in order to go in to these practices to begin with. Otherwise they would be okay. They wouldn't even be considered. And people were rarely considered at all. There was a whole process. Eliminate. If you think Yu Yu haka show you think the bunch of people who had to fight just to get Guinan's interest. And only two of them would train with her and. Or one of them maybe. I think Yusuke was the only one who's gonna train with her. And then she made an exception for Kubara or whatever the f*** the case may be. But essentially that, oh it's a legendary somebody who does whatever. The legendary, blah blah blah.

Cristina: But involved blood.

Jack: I don't know. Very unclear. That's the point. We're back to crazy amounts of secrecy.

Cristina: Oh.

Jack: That we barely know anything about. And I'm sure beyond this point information is going to start breaking down. If we start entering level four on Kardashian scale tech. I guess it's gonna fall apart quickly. But they all had the same requirements, which is a series of knowledge and disciplines required to then become just considered. And you're probably going to be rejected. To then be mentored by whoever the f*** these random nobodies are to get the abilities, or at least the opportunity to. Here's the offer. Try your best. You know. So. So they must know Latin. Anybody who did not know Latin had to start studying Latin. Didn't know how to read. Not happening for you.

Cristina: Okay.

Jack: We're talking long ago. Learn Latin. You have to learn Latin. If you do not know Latin, you must study Latin, because one, the teachers will only communicate to you in Latin, and two, although people have translated their works, in the more modern cases I've come across, they will not allow you to use that. Okay. They must be familiar with the technical specs and inner workings of Elysian technology.

Cristina: Are you positive? Does not make sense.

Jack: That ain't even it. Because they must also be familiar with Shadow Realm technology.

Cristina: What is happening? There's more.

Jack: They must also be familiar with Elfame technology.

Cristina: How? How's that even possible? How can a person just know about those three things? And these are human beings that are chosen because this makes no sense.

Jack: I don't know of anybody who's been chosen. I know of people who go to the trials.

Cristina: Okay?

Jack: I don't know if anybody.

Cristina: There's no way anyone passes this.

Jack: I don't know of anybody who becomes one of these things other than Cersei. Everybody else is extremely anonymous.

Cristina: Yeah.

Jack: So it's really complicated to come across anything.

Cristina: Okay. Okay.

Jack: Yeah. It's absolutely absurd. And the last one is, you must be familiar with the Philosophy of Usage. This phrase threw me so off that I have no idea what to do with it. I looked this up a million different ways and in a million different places. The Philosophy of Usage. Weirdly enough, I found it over and over, but a lot of the times I found the Philosophy of Usage I found by itself, like, as a. Like you finished a paragraph, there's just empty space, and then it just says, the Philosophy of Usage.

Cristina: Understand?

Jack: I don't either. There's no context to help me find what the f*** that means. Obviously, we're talking the translated text, but when you find out. Okay, translate this to that language, mass search the entire document. Where does this show up? Random bottom of a page. Nothing else with it. Okay. Read everything else on the page. Translate all that. Okay. Unrelated to the random one line. The Philosophy of Usage.

Cristina: What does that mean?

Jack: You must be familiar with the Philosophy of Usage, be able to communicate in Latin and be familiar with earthrealm. Shadow Realm and Elfame Tech in order to simply be considered. And then you might still be rejected. And also, I don't know where the h*** these people go. It's very clear that it's somewhere way the f*** out there somewhere. And they know of somewhere. They don't know where. And they know that I gotta find it. That's the quest. I gotta go find it. And they do. But it's also very vague. And they're always there suddenly.

Cristina: Does it have to do with the passage of usage? I want to know what that is.

Jack: The philosophy of usage.

Cristina: Yes.

Jack: I don't know. I don't know what the that means. I don't know. I don't know what the h*** any of this is. This is crazy. Somebody just broke. Breaks a hole or knows how to bridge through energy in Elfheim. That's crazy for several people. Or it might be the same guy.

Cristina: I don't know. Is he related to fairies?

Jack: And exists through quite a large period of time in some of the most recent of these things that we have seen. With exception for things like a new.

Cristina: Crazy idea about the. What are those sea people called again? What are we called?

Jack: The Elysians.

Cristina: The Elysians. They are somehow fairies. Maybe we know the Shadow Realm God made them, but maybe he made them based on fairies.

Jack: I don't think he manually went out of his way and made them specifically based on how the story goes. It looks a lot like the existence of man as the older ape. Or not man. I guess not man, because this weren't man. But the Elysians in their primitive state, that was just natural development. Okay, like, he showed up. No, he did meddle with them. Fair enough. He didn't meddle with the apes, then leave, then show up after they'd advanced enough and then spoken with them. But he didn't make them. He just meddled with existing creatures.

Cristina: Well, you don't know how he meddled with them. Like, did he give them fairy blood? We don't know.

Jack: Yeah, it just says that he altered their DNA.

Cristina: Yeah, I'm wondering if maybe with some fairy DNA. I don't know how, but he knows a lot about fairies that we don't know. He knows a lot about. A lot that I don't understand.

Jack: Who this necromancer?

Cristina: Whoever this person is the leader of the Shadow Realm. The ones that made the.

Jack: Oh, you mean the elders. The, like, ancient ones, like Al and Susan.

Cristina: Yes, whoever made them. Whoever made all of us.

Jack: Oh, you mean the sh. Yeah, the Shadow Realmers who made the Earth Realm?

Cristina: Yes.

Jack: Like Galdabaoth?

Cristina: Yes. Insane.

Jack: Yeah. That's some upscale power stuff. That. Because they're above the levels of the Shadow Realm, they're the top tier of that. And whoever these people messing with necromancy are. Are scary to those people.

Cristina: To what people?

Jack: To the top tier in the Shadow Realm based on this. Because they can just skip the Shadow Realm. You can abuse the Shadow Realm, be mobile and vanish at will. That's op.

Cristina: That is. How did they do it?

Jack: I don't know. I don't know. It's crazy. The fact that this. It was possible to piece together through enough different sources how this functions was really dumb. Nope.

Cristina: But what's that last thing? It doesn't make sense. You got no info on it? Not even tiny hint to what you can find?

Jack: I couldn't find anything on the philosophy of usage. I could find everything on the philosophy of usage of it's everywhere. I can't find anything on the philosophy of usage. As in it's never defined. It's always alone.

Cristina: Not even hinted at what it could possibly mean.

Jack: No. The only two contexts you see it in are when it's mentioned by itself, absolutely out of context, and when it's mentioned as a requirement for somebody about to take this trek. That's it. And they also don't clarify. So you know they don't know. You know they don't know. And a lot of people never get too far on the quest.

Cristina: Mm.

Jack: And the people who get really far on the quest usually don't make it. Anyone who make it really far on the quest and make it don't realize they make it. They're just there suddenly. Sort of like they still don't know where it is. Like they might have been close, but it could have been on the other side of Earthfall. You know, if you're getting f****** abducted.

Cristina: I guess I don't get it. Because it's the top three things than Latin for some reason, which feels like, okay, human.

Jack: No. All the most important.

Cristina: Then the philosophy. I don't know. It's haunting me. What could that mean? Is that like combining all four or something? You have to understand that you first have to know each thing and then how to combine each thing with each other. I don't know.

Jack: No, because there's a guy we know in the Shadow Gods team who knows how to merge Shadow tech. And by the way, we were talking about that guy becoming more important because we thought it was stupid that he was just picked up because he could merge the two techs or I did. And then you were like, it's about merging. And like. Yeah, exactly.

Cristina: This seems like. Yes.

Jack: Yeah, yeah, it's totally going. But you remember, right?

Cristina: He gets it.

Jack: That like tech merger.

Cristina: Yeah. He's in the Shadow Room though.

Jack: He's the Shadow Gods. Yeah, he's one of those dudes. So. I don't know. This is. It's been really twisting my head.

Cristina: That's very complicated. Where do you go from there? Can't even find what it is.

Jack: I don't know. I don't know. I gotta find what the h*** the philosophy of usage is. I gotta find out who the h*** these necromancers are that are teaching people or showing them or what? I don't know. I don't know.

Cristina: So uncle, where are they from? What are they?

Jack: Where are. Yeah, where are they? What are they? Ah, it'd be crazy if we came across a different group.

Cristina: Group. Oh my gosh.

Jack: Or rogue elves.

Cristina: No, that doesn't make sense. Or maybe rogue elves. Maybe more likely badass.

Jack: I hope it's rogue elves. You know how cool that is? There's.

Cristina: There has to be the snakes.

Jack: Yeah, there's rogue Naga. Oh, you think these are Naga helping people?

Cristina: Yeah, we have the rogue elves. They're Nagas.

Jack: Some of them are. You think there's some rogue fairies?

Cristina: Yes, fairies, elves. It's the same thing.

Jack: Elves aren't Naga.

Cristina: But they're fairies.

Jack: They're fairies. Yeah.

Cristina: Okay.

Jack: They're like human looking.

Cristina: They're human looking. Oh, aren't the Nagas?

Jack: No, the Nagas are serpents.

Cristina: Sometimes serpents, sometimes humans.

Jack: Elves are made by Elfhame to push people's abilities down.

Cristina: Okay.

Jack: I guess supervise her abilities.

Cristina: You think some of them are rogue?

Jack: I don't know what the h*** is going on. I have no idea what the f***. This s*** sounds so ridiculous. Every time we find some new scalar for power, it's more ridiculous than the last. And we've gone from simple people who are slightly more powerful and technologically advanced than the people surrounding them to. These people are potentially so strong that universal powers couldn't put a stop to them. Talk about Goku on some s***. That's the real world Goku.

Cristina: Yeah.

Jack: Anyways, that is what I came up with when I dove in the direction of necromancy.

Cristina: Ridiculous.

Jack: Apparently it split open the whole schnozzle.

Cristina: There has to be something else. We have. There's more. There's definitely more.

Jack: There's always more.

Cristina: Yeah.

Jack: There's literally no end to this. It just gets deeper. And bigger and wider and huger and.

Cristina: Fatter and juicier and never makes any more sense.

Jack: Yeah, it makes. I mean that's what that's gonna happen. It's gonna get way more abstract the higher up we go. But unlike finding out about things from really really really really really really really really really long ago go, it seems way easier to track down multiple sources for things more recently because there's way more records on it. And even if they're super secretive, it's hard to erase absolute mention as more people know how to write as more people leave some evidence of a narrative.

Cristina: And do you think you'll find something Morisa?

Jack: Yeah, a bunch of this stuff. Although it started pretty late, necromancy was active as like with record until pretty recently. It's still used pretty frequently now. It was way active, not just way in the past. It was actually more scarce back then. It seems to have had a big moment in the middle ages and it seems to then again have had a pretty big moment in the 16 and early 1700s which that coincides perfectly when you think about that the early 1700s 1700s leads to the birth of Draco who is the guy who had the alicorn handed to him by the so like there's a lot of you know, the closer to now we get the more sources we find more people who will just again random just captain happen to jot down about the freaking Antonio Draco.

Cristina: Yeah but like weirdo on his boat.

Jack: Okay, yeah. As more people can just do that it becomes harder and harder to erase your existence. When you show up capture casually it's further back that it breaks down. I was trying to find out origin stories from El's time.

Cristina: Impossible.

Jack: Yeah, it becomes really difficult but instantaneously I can tell you that there were a couple within just last a thousand five hundred years.

Cristina: Okay, so you can talk more about that next time.

Jack: All right, we're sure. Anyways, if you guys want to leave us some info, some translations, some opinions, some ideas, some interpretations I suppose was more what I was aiming for for the information we have provided. You guys can do that on our socials. You can hit us up at just convopod on X, on Instagram, on Facebook.

Cristina: On TikTok and remember to subscribe and rate and review the show.

Jack: Yes. And this show is great to share by word of mouth. Be sure to go scream it at people and tell them hey, go listen to the rambling podcast and you will find out about the great secrets of the universe.

Cristina: This has been the Rambling Podcast. Take nothing personal and thanks for listening. Bye.

Jack: California was down. They're like, whatever, dude. You can brainwash those people into anything. Just should have kept the tech in California. But no, you have to backtrack California because that got sloppy too. You pass the digital law. Cause that even the Californians were like.

Cristina: Bro, what's going on?

Jack: What the. Yeah, like, what the is going on? You just cool with kids being taken and then mutilated somewhere? What you need to an excuse to cause them to bleed? Well, we can. Oh, yeah, we can do these surgeries. Mastectomies, double mastectomies on children. Yeah, that makes sense. Totally. We can chop boy's p**** off. It makes total sense.

Cristina: That's for adrenochrome, too.

Jack: All of that gets you a hold of blood. You get to cut people open. You get to create incisions that blood is going to come out of. You have to keep them alive. Oh, you know, you need several surgeries. Thousands of children need several surgeries. Who knows the process that was taking place on the island? I am sure they weren't just killing the kids. That's not efficient. You feed them, you keep them horrified, you keep them alive, and you drain them consistently. A supply was the supply island. We need to somehow figure that system out again. They were like, oh, we're f****** gonna create a medical issue, or we take the children. What did they say? You could. Your. Your child protective services could take your children and they could put your child through the transitioning process.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 251: King Arthur and Excalibur

Is Excalibur a magical weapon similar to Kaundinya’s Magic Bow? What was so special about King Arthur? And who exactly is Merlin? The duo deep dive into the texts associated with the legendary King Arthur as they try to find other weapons capable of taking the life of a fairy

+Episode Details

Topics Discussed:

  • Magical Weapons
  • King Arthur
  • Excalibur
  • The Lady of the Lake
  • Morgan Le Fay
  • Merlin
  • Future Sight
  • Time Control

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Ramblin Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and their most baffling ideas.

Cristina: Sounds epic, I guess.

Jack: Sounds epic enough. You think like. Like it could be used as a movie trailer. The world's most absurd and baffling ideas. No, it's. There's a specific, like, rhythm or, like cadence or flow to how these movie people speak. Right. Like just being epic isn't good enough. There's a rhythm to something else. To the world's most epic and baffling ideas. You see, there's like a thing that. That's happening. Like a cliche sound. You gotta approach.

Cristina: Yes.

Jack: The show where we ground humanity's most absurd and baffling. Ide.

Cristina: Now say as a boy talking about.

Jack: Ghost stories on YouTube, a boy talking about. I gotta remember their flow.

Cristina: They have a specific flow, too. They all sound the same.

Jack: Yeah, it's like.

Cristina: It's like a question type of thing.

Jack: Yeah, yeah, yeah. And if you know, you know. So it would be. Welcome to Rambling Pod. Welcome. Welcome to the Rambling Pod. No, man. How would it work? Welcome to the Rambling Podcast. Oh, I got it. Welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas.

Cristina: Close.

Jack: There's something almost there. Almost.

Cristina: It has to sound more like a question. More. Just a little more.

Jack: No, it's. It's not even just a question, right? Because it could be. Welcome to the Rambling Podcast.

Cristina: No, that's a question.

Jack: It's a. It's. Again, it comes down to flow. It's like saying, welcome to the Rambling Pod. No, man, I lost it. I lost it.

Cristina: When you had it at first, when you said something random, you had it the first thing.

Jack: I don't know if you look. No, no, no, no.

Cristina: It's that. It's that.

Jack: It's not even a question. It doesn't matter if it's a question.

Cristina: It just sounds weird, goes downwards at.

Jack: The end, counter to how we usually sound, which is an interesting thing for speech. I don't know how, like, language has evolved into such a way that we can just use cadence. I mean, Eddie Izzard has that joke where he's saying gibberish that sounds French but in the rhythm of a joke. The way it's structured and the way the punchline would Sound. And then the joke gets conveyed. Not a real joke, but you know when to laugh. And it's funny. It's actually funny. How it's structured and how baffled you.

Cristina: Are, even if you don't know what he's saying.

Jack: Yeah, he's not saying anything. It's gibberish. You couldn't write this joke down if you wanted to. This joke could literally only exist in performance form because there's no real words to it. It's entirely based on cadence. How weird of a joke is that? But that's where language is. He exploited a weird feature of language where you can know. I'm asking you a question in any language.

Cristina: Okay.

Jack: Like that rhythm of that rhythm of. Is that a question or is it that rhythm?

Cristina: Yeah.

Jack: Where are you going? What are you doing?

Cristina: Yeah. I go.

Jack: Yeah. If you hear. We're programmed enough to hear that weird. And that's that movie flow. And that freaking YouTube thing. I never even got it. Welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas. No, it's off. Anyways, anyways, today we actually do still have to ground humanity's most absurd and baffling ideas.

Cristina: So you got some more absurd and baffling ideas for us?

Jack: Yeah, I do. So, quick recap, because it's been a while, we actually took a little break. We went on our little hiatus. Was it two days break? Two weeks break in seven years.

Cristina: That's crazy. That's pretty crazy. Yep.

Jack: Commitment.

Cristina: Mm.

Jack: So in that time, though, I was still doing my due, due diligence, and something weird kind of happened. It was a lot of time to dig into a single idea. And so let's recap real quick some of the important details that are related to this episode.

Cristina: Okay.

Jack: Primarily, we discovered recently that Elysians mixing up with humans, creating a hybrid, are called the Nephilim. We've heard of the Nephilim in the past.

Cristina: Yes.

Jack: But now. Now we got the Nephilim in our own text, and that is something astounding.

Cristina: Yeah, I don't think we've ever actually talked about them. Like, we never had an episode on Nephilim.

Jack: I don't even believe we've ever brought them up, which is fascinating. No, if they have, it's been so.

Cristina: Long, I think a guest brought them up.

Jack: A guest brought them up?

Cristina: Yeah. Yeah, because they were talking about weird stuff in the Bible or something. Oh, but that's, like, mad as small.

Jack: Yeah, you'd think. And until now, I didn't even. It didn't even cross my mind. But why through all these texts, religion like this is hidden. Hidden Way back there, bro. We came across the sea people mentioned in literal scripture before we came across. Like we learned how to track that before we even heard mention of this. But then the argument would be. Well, no, because the Norse were just human, right? Or do they stop being human? I still don't know. Okay, so we know that the. No, I think they just evolved. Right? That's the argument here. They weren't genetically modified, the Alicians.

Cristina: Oh.

Jack: Like they. They're not human, but they're Earthling. Like they just developed. But where the Greek.

Cristina: Like the Greek gods and their Norse gods are they.

Jack: Were they just human? Because all that came later. I think that's the point here, that all of them came from human. That's human plus technology. As opposed to the Elysians that are non human earthlings that evolved from a different bloodline. That they're human and way longer ago. I think that's where it kind of falls in, right?

Cristina: Yes, yes, I believe that's how it is.

Jack: Yeah. Anyways, so we have the Nephilim and the Elysian, which is an Elysian human hybrid. Now we've also heard for comparison of a Naga human hybrid, which was when a Naga took a human form. So convincing that they could give birth to a Naga human hybrid. Weird, weird. And we have never seen a shadow human hybrid.

Cristina: Very strange. But I guess not.

Jack: I mean, it would be impossible, I think, because in order to even have something close to a human physical body or to an earthly physical body, Lucifer needed a host and a whole science project.

Cristina: Yeah.

Jack: To get himself that body.

Cristina: I wonder if an Elysian and a Shadow person. Because shadow people did make the first life on Earth. So maybe the most ancient of life on Earth could maybe. I mean, we don't have any stories.

Jack: I think not. I think not. I think the spaces are literally different.

Cristina: Okay.

Jack: And I think when we have a Naga, a Naga is taking. It's forcing its body to become human. Otherwise it's not really physical. It might seem like a serpent and still be ethereal maybe or some other thing. Because the ethereals are essentially the shadow people.

Cristina: Okay.

Jack: The shadow things.

Cristina: The shadow things, yeah.

Jack: Unless the Naga are physical in that way. Like if I were to just touch a Naga, it's just. It just feels like a snake. I'm not going through it. It's not some other kind of. But then that would argue that Elfame and Earth are more closely related.

Cristina: Physical. I don't know. I don't know.

Jack: I've never thought about this before. Are Elfhame and Earth more closely related? And that's why people of Shadow can't mate with Earthlings. But a Naga can just take a human form in their biology. It's just close enough that they could do it.

Cristina: Weird. I don't know.

Jack: I never thought about this. And this is right in front of us.

Cristina: There's something there. I guess because of the Shadow person who did make the us.

Jack: Yes. And the fact that this. It seems to be that although this came after Shadow, there's something important about Earth.

Cristina: Yes. Why did they make Earth when they had the Shadow realm? What were they doing with fairy trees?

Jack: And what's special about Earth that we can use things that Shadow can. Yeah. Think about how crazy that is.

Cristina: I don't know.

Jack: And this comes up. This is the second time this come up. Right. Or the third. Where is some feature about us that's different than Shadow that somehow makes us closer to the thing that we're furthest from?

Cristina: Yeah, I don't know. Because we are an experiment. So I don't know.

Jack: Yeah, yeah. It looks more and more that way now. Minus the Naga, like I said, we have not seen shadow human hybrids. But also minus the Naga, we have not seen fairy human hybrids. I'm still debating whether the Naga are technically.

Cristina: Aren't they technically.

Jack: Are they fairies? Because they were made by. They're not natural. From there. They were made also as an experiment. Like Oros was made.

Cristina: Weird. Okay, so you're saying that both the experiment things can mate with each other. That is so weird. Okay.

Jack: Yeah.

Cristina: I don't know.

Jack: But the Naga is just an Elfame experiment.

Cristina: Yeah, that's what I'm saying. Yeah, we're just an experiment too.

Jack: Yeah, we're just an experiment too.

Cristina: I don't know.

Jack: Now when we were looking at all of these things, we decided to go through them independently. That's how we discovered more about the Elysians. We discovered more about the Shadow teams. We know about the Earth teams. We know. All the different God teams we know. We talked about some fairies we knew. And one thing we focused on for two episodes actually were the Naga. Because there are a lot of interesting Naga. There's a lot of Naga that have existed. There's a lot of civilizations that were expected to be more developed that haven't. Also. What happened to those people's Naga after the civilizations collapsed? What they mean in all these abandoned ancient societies that have disappeared, but that we don't talk about Much because they never became something major. But that did have a Naga. Because at the time they were at the top of their game. Where are their Naga? If those are creatures from Alphane, they would outlive the out of us.

Cristina: They wouldn't go back to Alphane.

Jack: You think they would go back? Maybe.

Cristina: Maybe because there's such an organization there of like, hey, you go there, you go.

Jack: There could be. Maybe you get reassigned. Interesting. Like military style. Yeah, yeah, yeah, yeah, I guess that could work.

Cristina: That could work. Unless they. Well, some of them might do that. And some of them, because they seem like their own people too. Yeah.

Jack: Like they have independent thought.

Cristina: Yeah. They don't have to go back. If they felt like just hanging out, they would do that.

Jack: Yeah, some of them have. And we have read about that before.

Cristina: Some of them try to be leaders of random people.

Jack: Like, okay, why on Earth, right? Earth is the thing. Earth is a hot spot.

Cristina: I don't know, because I would say. I was gonna say they're not being watched on Earth, but they are because there's also fairies here watching everyone. So.

Jack: But maybe that's why they leave these civilizations. Unless out here it is the Wild west and like it's harder to force somebody once they're out here. Maybe an Elfame. Let's say Elfame is literally made of magic. And let's say one of these gods is the biggest, baddest God, but he's also a being too. Not just I am God, but like not thinking. I'm just all of space and everything. Okay, that's weird. That's just the universe, bro. But like an actual being. But that made everything. Right. And if you're in Elfame, maybe he controls literal the space time fabric you exist in. So he knows where you are at all times and you can't do it. So like you can't disobey over there.

Cristina: Okay, he could.

Jack: He knows everything you're doing. But out here, maybe the Reach isn't there. Maybe there's some reason they can't affect the space.

Cristina: But why talk about their queen?

Jack: They're. We're gonna talk about that today.

Cristina: Oh, okay.

Jack: Yes. Mab.

Cristina: Mab.

Jack: So in looking at the Naga we discovered it was a weapon.

Cristina: A weapon that couldn't kill them.

Jack: Yes. And it was gonna go kill the princess daughter of one of the three Naga king. Which brought up an interesting question. There are Earth weapons capable of killing Naga?

Cristina: There's no way. I mean, it's in Earth. But a Naga helped build the Earth weapon.

Jack: Yeah. No, no, no. I'm in any case, I'm saying they're weapons on Earth, not necessarily Earth. Weapon.

Cristina: Okay. Okay.

Jack: There are weapons on Earth?

Cristina: I think so, yes.

Jack: Are there more? And what are they? So my intention was, as we've been doing lately, going through a very focused topic, I was gonna look at a bunch of different weapons that maybe have been remained. Like, how. How many are there? Could we get our hands on some of these? Right.

Cristina: Actually found something.

Jack: Well, I immediately stumbled upon the story of King Arthur. And as I was going through the story of King Arthur, which I thought was just a story, I started stumbling upon references towards scripture related to King Arthur. And that was weird because I thought that this was like fiction literature intentionally, but it turns out that it's classified under mythology as opposed to fiction literature. Yeah, they think this happened.

Cristina: Okay.

Jack: They think the written stories are a paraphrase, but they think it happened. At least a lot of people believe King Arthur was real and the sword was real. And I was like, what?

Cristina: Where? What is the special thing about the sword? I know it's stuck in the stone, but is there a reason that the wizard do that?

Jack: Did the chosen one.

Cristina: The chosen one did that?

Jack: Yeah. The prophecy goes that the chosen one, the true leader, the real king, the true king, is the only person who can please.

Cristina: No, I get that, but who put the stone. Who put the sword in the stone?

Jack: I have no idea where that sword came from. Yeah, because it's fake.

Cristina: It's fake.

Jack: So let me tell you the story. There's a stone.

Cristina: Yes.

Jack: And there's an anvil on the stone and there's a sword in the anvil one. Had you get the sword into the anvil.

Cristina: Yes, but what's happening there?

Jack: Yeah, exactly. So only the true king can get it. And so this guy Arthur then goes and he just f****** yanks his sword out. And because of the prophecy, he is. So Arthur takes the sword and he takes it into combat and the sword f****** breaks.

Cristina: What?

Jack: Yeah, it broke the anvil. But it couldn't be f******. It couldn't break bone or whatever the h*** he was fighting. Anyways, it breaks. So he looks into it and through his research find finds out that this isn't the real one.

Cristina: What? There was a fake.

Jack: There's a fake. He needs to trade the fake one for the real one. And so he needed to take a journey to this place. Somewhere in the forest beyond the marsh, in a fountain created from the natural marsh water and the spring water surrounding it. And it goes into it gets darker and darker as you're Going into the forest, and you go through this marshy area, and then boom, there's just an open sort of grove that is a fountain. And it's lake sized. It just goes on forever. You can see the lining of the tree all the way in the back. But it's just this giant lake. And so it's very shallow, and there's a tiny island in the middle, and it goes to the middle. And once it gets to the island, the lake rumbles and out comes a lady.

Cristina: The fairy lady.

Jack: Fairy lady? Yes, Literally, a fairy lady. And he after. Because he already knew he had to bring this to her, so he. He hands this to her, and she gives him the real. They're both called Excalibur, where one is a fake and one is a real one.

Cristina: Okay.

Jack: So he gets the real Excalibur, and this sword makes him invincible. It makes him immortal. Literally. It creates some sort of shield around.

Cristina: Him from death itself.

Jack: Yeah, yeah, yeah. He becomes immortal. As long as he has it, he cannot die.

Cristina: Okay.

Jack: As long as he has it, he is the greatest in combat. He can predict anyone's moves. He has great strength. He can pierce anything with the sword. It's true invincibility given to him by this fairy.

Cristina: Why do the fairy care? Why do they have.

Jack: That is exactly what the. I wanted to know.

Cristina: Okay.

Jack: Why, bro?

Cristina: Why?

Jack: Okay. Did you put the thing in the rock, too? Fairy.

Cristina: Why?

Jack: Why? Okay, great. You got a system. Somebody pulls a. I don't know why you couldn't just put the real one. Let them wander with that.

Cristina: Yeah, but.

Jack: Okay, you put the fake one, and they. They bring you the fake one, and you give them the real one. And now. Okay.

Cristina: Or what is the fake one is the real one. But, like, for the fairy, it's the real one, and they couldn't exactly. Like, it was a train. What is that the real one? Well, for them, the real one.

Jack: Yeah.

Cristina: That has to be the fairy killer, right?

Jack: The one that was in the rock.

Cristina: Yeah.

Jack: He used it on something that wasn't a fairy.

Cristina: Mm.

Jack: And that wasn't its purpose. So it broke.

Cristina: Yeah.

Jack: And then he brought it.

Cristina: And the prayer is like, yes, this is.

Jack: Give me that.

Cristina: Yeah.

Jack: I was wondering about this the entire time. Right. And this is gonna get more convoluted as we go.

Cristina: Okay?

Jack: So let's. Let's hold that thought.

Cristina: Okay.

Jack: Because that's fire as h***. I didn't think about this. This guy really tried to pull. He got this sword. He pulled the right sword. But then how did the narrative get out there, she must have spit out the narrative so that the. The. You know the lore of you get the sword, take it to the lady.

Cristina: Yeah.

Jack: And then the lady's gonna give you the real sword. And she just gave you a f****** sword. And. F*** it, bro. Thank you. Here's a real reward.

Cristina: Yeah.

Jack: A sword is gonna make you God to them and s***. You need anything else, come back. But you gave me the sword that can kill me.

Cristina: You can't spread that.

Jack: But, like, interesting.

Cristina: If you get everyone to pull that sword thinking it's the one that's gonna. I mean, it is doing amazing things. You're just not gonna tell them what it is. It's just gotta be believable enough. Yeah, I don't know.

Jack: Yeah, yeah, yeah, yeah, yeah. Well, no, yeah, they know about the sword. They pull the fake sword, and then when they dig deeper, they find out there's two. And they got the fake one and. No, it's the real one, but the fairies themselves made a different one. And it's like, no, there's a real sword and we're gonna. We'll really, literally. It's a literal reward for anybody who can. Yeah, whoever the f*** can bring us that s***.

Cristina: Yeah.

Jack: Well, maybe that's absolutely the case. Let's go down and I'll explain why as we get there.

Cristina: Okay.

Jack: I originally thought, like I said, the story was just literature, but when looking into it, it became more and more weird because there are many books of reference. Many books. It's the Bible, before the Bible got put together. It's many people's different accounts of the.

Cristina: Same series of events of author or.

Jack: Elder and all the people surrounding him. It's crazy that different people wrote about the same around the same time. I thought this was just fiction literature.

Cristina: Okay.

Jack: But people from different areas are like, no.

Cristina: Are their stories different or something?

Jack: They're almost identical. It's like the Bible. It's like somebody else using different words to say the same.

Cristina: Okay.

Jack: It's really, really interesting. Now, the point of King Arthur comes down to the story of the sword Excalibur. Like I said, the lady in the lake provides a sword in exchange. The real Excalibur quote the real Excalibur in exchange for, quote, the fake Excalibur. But only the true king can take out the sword. Where'd that legend come from? Does she spit that legend? The true king can take it, I guess so that everybody comes and tries to f****** pull it.

Cristina: But it makes no sense to have that to be like, why would the swap makes no sense. If that's the real sword, like, how do you convince someone? You.

Jack: Yeah. Yeah. It's weird, right? Well, no, I guess it's part of the quest. Oh. The sword comes with a quest.

Cristina: But I guess it's because they can't pull it out. They really can't. Like, if a fairy tried to pull out that sword, it was gonna be impossible.

Jack: Yeah, yeah, yeah. That's what I'm saying. They needed a human to pull that sword out and bring it to them.

Cristina: Mm.

Jack: And they're gonna really reward that human.

Cristina: Mm.

Jack: And I think, understanding this, they somehow put out the story of somebody's gonna. If you pull it out, you're gonna be real king. You'll be the real king. And then everybody tries to pull it out. Get the most people trying to pull it out until somebody does.

Cristina: Yes. And then give them the actual sword. That's gonna help them be the king.

Jack: Yes. Give them a sword that'll make that wish f****** come true.

Cristina: Yeah.

Jack: And you get your death weapon.

Cristina: Yes.

Jack: And like I said, the wielder of the sword becomes invincible to weirdos. The sword, because he has it, regenerates his health. The sword is unbreakable. Not the one he pulled from the rock, but the one you get from the fairy. That's unbreakable. It could pierce anything and can kill all things. Allegedly.

Cristina: Allegedly.

Jack: Because I don't think that one can kill a fairy.

Cristina: No, probably not. No all human or earth thing.

Jack: So now, like I said, the point of King Arthur is a story is about either him being the chosen one or the sword. Excalibur is the point of the story, but actually the sword has nothing to do with anything other than the fact that he got a f****** sword that actually allows him to accomplish the thing. Had nothing to do with the f****** sword. I thought Excalibur was the point. No, Excalibur is just how, you know, he's the chosen one. The end.

Cristina: But it has its powers.

Jack: Yeah, it helps him do the thing, but it's Excalibur itself. Doesn't matter. King Arthur is the chosen one.

Cristina: Oh, okay.

Jack: You know, it's not. The sword is the great. That. No, whatever gives him some ability, but it only enhances his already greatness or whatever the f***.

Cristina: Okay. Yeah. He had to be great in the first place to get the sword.

Jack: Yeah, exactly. So it's just more of his specialness as opposed to the sword being special itself. Other than it's just. Oh, no, he's special. So he has a special sword.

Cristina: Okay. Whatever.

Jack: Now, looking into that. Okay, whatever. The sword is less meaningful. So then, what was the fairy's ultimate goal before we came to the conclusions we just came to? And in doing so, I just looked into the lady of the Lake.

Cristina: Oh, okay.

Jack: Surprisingly hard to find. Again, fairies, hate fairies. Surprisingly hard to find. Anything on these f******?

Cristina: Yes.

Jack: The lady of the Lake doesn't have an identity. That's why she's referred to as lady in the Lake. This is the most secretive fairy thus far that we know exists.

Cristina: But we know about other lake or fairies that live in water. They usually kill people, though.

Jack: Yeah, we know many of them.

Cristina: Yes. They usually.

Jack: Murder. Yeah, yeah, yeah, yeah. It's f*****. But this one works a lot like a crossroads demon. She just kind of hangs out there. She's well known for making deals with people.

Cristina: So she's made more than one deal with.

Jack: She's made more than one deal.

Cristina: Oh, Camino. What's she doing making deals with people?

Jack: I don't. She never made another deal with Arthur, if that's what you're asking.

Cristina: No. What's her other deals?

Jack: Just, you know, giving people fortune and stuff.

Cristina: For what?

Jack: Vague. I'm telling you, it's really hard to find anything.

Cristina: Are they giving her special items? They say like they traded this special spoon for whatever.

Jack: Oh, interesting. Your question is, is she collecting all the things?

Cristina: Yeah. Like these are. She's probably hunting for specific fairy items that she can't grab herself.

Jack: Is she bound to the f****** lake?

Cristina: And is she bound to the lake? Yeah.

Jack: Why is she bound to the lake? This actually brings up an interesting question, because fairies. There are the fairies in lakes that we are familiar with and we never question, can they leave the f****** link? Because they always bring people to them. Why don't they go out and look for people? And they can look very human.

Cristina: Yeah, I think they can go out of the lake, but you gotta stay around the lake. Yeah, they're like Alec. They're not Alec. Yeah, yeah. Like, it's their environment that they live in, which is weird that they'd have limits.

Jack: Well, the difference here is when we're talking about incubus and succubus and mermaids. Actually, mermaid's probably a fairy. But incubus and succubus, we're definitely talking about shadow creatures.

Cristina: Yes.

Jack: That are bound to that environment.

Cristina: Yeah.

Jack: Why is a fairy bound to that environment?

Cristina: I don't know. Maybe fairies are bound to specific environment.

Jack: It could 100% be because we know.

Cristina: They'Re watching specific people and stuff like that. That they have these jobs of just watching, but maybe that's really like you're stuck there. We don't really know about the fairies that are watching, but maybe they can't leave what they're watching.

Jack: Yeah. And not only that. Oh, s***, I get what you mean. Like elves, maybe they have to be there at all times. They can't even like take a break and go. Yeah, that 100% could be the case. On top of the fact that maybe there are so many different kinds of fairies that they like, really, they are just bound to certain environments. Like, even if this is a fairy, it's a fairy that again. How similar is Earth and Alphane?

Cristina: No idea.

Jack: And is there water in Elfame that works the same as water on Earth? And this is the little. The only place that has that exact thing allowed. Like, this fairy would normally not be able to come down to Earth unless.

Cristina: There'S a bunch of water.

Jack: Unless there's this exact condition.

Cristina: Yeah.

Jack: Of water.

Cristina: When we think about fairy homes, though, it's very. It's nature. You just live in nature. So you don't hear about city fairies. Except for those, I guess, that are stealing shoes or fixing shoes, whatever, you know. But those are warrant in cities either. Those are.

Jack: Those are in rural a** towns.

Cristina: Yeah. Yeah. So they like nature. Nature, yeah.

Jack: Very related. Actually, humans are the only ones not humans. Earthlings, I suppose, are really the only ones who tend to go against nature quite heavily. Because shadow also goes with its nature in many aspects, and so does Elfame. Everything is based on nature. They prefer being in nature.

Cristina: Yeah.

Jack: We're the only ones who defy nature.

Cristina: Which I guess keeps us safe from these other things if they mean us harm. But I don't know. That's an interesting idea.

Jack: It seems like the more civilization that happens, the further away from that we get. But the closer to these rural areas we get, the more that these things are prominent and people get confused. They call it hauntings, they call it this, they call it that. Oh, I saw a ghost. So I saw a demon. No, you're closer to nature. And nature is where this other s*** is.

Cristina: Yes. And it could be scary and they can eat you, but like, that's like nature, nature. There's some deadly things, there's some not so deadly things.

Jack: A hundred percent. A hundred percent. This reminds me that witches are considered a terrible thing, but they often connect to nature.

Cristina: Yeah, yeah. And some of them like to live in the middle of nowhere.

Jack: Yeah.

Cristina: So like that or like those are the stories.

Jack: I would argue that makes Absolute sense. Because you train and learn how to understand these environments and things that wander these environments, you're actually more familiar with things of shadow and things of Elfame. By being in nature where you interact with it enough to get adjusted and used to it, it makes sense. You want to know a witch, even if you don't want to hang out with a witch. Because you can always go for resource and information.

Cristina: Yeah, there's something there.

Jack: Yes. So we spun way out. There's a weapon. Excalibur.

Cristina: Yes. And a fairy.

Jack: A fairy. This fairy is stuck in this fountain.

Cristina: And she's known to trade things.

Jack: She's known to trade things. But the only time that it was significant, what she traded was with the secret story of what to do with the Excalibur.

Cristina: Yes. Trading a sword for a sword, which.

Jack: Was trading the fake. The quote fake unquote for the quote real unquote. Which sounds like bullshit, but maybe it's just two different swords called Excalibur, and they both mean something different. And the one that she received is the true. Excalibur was the true. Well, no, it was the fairy killer. Excalibur. Enter Morgan Le Fay.

Cristina: Is that a fairy? I don't know.

Jack: It's actually confusing.

Cristina: What?

Jack: So Morgan le Fay is referred to in different texts as a fairy in one and the sorceress in the other. She could have been an earthling who mastered working with magic, or she could have been, I guess, three options. She could have been a shadow f****** person for all we know. And she could have been a fairy living with humans. When Arthur was on his quest to trade the sword, he almost died. And when he almost died, look and f****** behold. Morgan le Fay shows up and saves Arthur, nursing him back to health with her magic and assisting him to get that sword where it's going. Why?

Cristina: I don't know. But if she's a fairy, wouldn't she want the sword?

Jack: He has it. She should just leave with it.

Cristina: Yeah.

Jack: So why help him deliver the sword?

Cristina: Unless they're, again, not a fairy.

Jack: Fairy rank. Oh, fair enough.

Cristina: He's like, if you're a fairy, you'd.

Jack: Be like, then why is she delivering the sword?

Cristina: Exactly.

Jack: Why is she helping him either way?

Cristina: I don't know what about.

Jack: Or has she just heard, oh, he pulled the sword. This is the guy.

Cristina: Yeah.

Jack: Oh, let me help him. He's the guy.

Cristina: Let him take. Let me take him to my friend. Yeah, that sword.

Jack: Yeah. Yeah. Oh, s***. Yeah. My fairy friend needs the sword. He's chosen one and he's I already know the narrative too. He's gonna go get. So they could both be being duped here by the fairy. So you think Sorceress? Because she would have just taken the sword.

Cristina: Yeah, but if she knows, what's the plan, maybe she's in on it too.

Jack: Or she's not in on it, but she's assisting with the plan. Knowing the plan. Like, the idea is he should be delivering. Like, maybe she's one of the people who knew the story.

Cristina: Okay.

Jack: I was like, oh, no. He's supposed to deliver the sword to the fairy over there.

Cristina: Yeah.

Jack: And I'm good with fairies, cuz. Magic.

Cristina: Yeah.

Jack: So I can assist him in getting over there. He needs to. It's his destiny. He's King Arthur. He pulled it out. He's supposed to deliver or whatever, you know?

Cristina: Yeah.

Jack: So there's something about Arthur that's special. What the f*** is it? Why was he capable of taking the sword?

Cristina: Why does he know so much magical things?

Jack: Why are so many magical things.

Cristina: One of them, some guy. I forgot his name. There's a wizard dude that he hangs out with.

Jack: Yeah, well, I don't think he hangs out with.

Cristina: Whatever. But he's part of the story. Marlon.

Jack: Marlon.

Cristina: Yeah, something like that. I don't know.

Jack: So I look into Arthur and there's surprisingly little on Arthur as well.

Cristina: Really?

Jack: Yeah. There's more about what he's done than who he is.

Cristina: Oh, okay.

Jack: So most of his personality is pretty flat. There's nothing to know about him. His lineage doesn't matter as much who's around him. Yeah, he's just some dude, but. Or he seems to just be some dude. As far as we know. As far as a lot of the people reading or writing the stories. No. So obvious things about him are that fairies are fascinated with him.

Cristina: Interesting.

Jack: Arthur's main purpose before he gets told the greater things is to find the Holy Grail. He's already on the search for immortality. Also, the Holy Grail must be containing some of the fruits or some.

Cristina: Who took him on that? What?

Jack: The Holy Grail.

Cristina: Does he find it?

Jack: I don't know.

Cristina: Oh.

Jack: Wasn't even the point.

Cristina: Okay.

Jack: Because I wasn't looking. I was looking for the weapon. That's what matters.

Cristina: How do you know this isn't a weapon?

Jack: The Holy Grail?

Cristina: Yeah.

Jack: The Holy Grail is also what Jesus drank from.

Cristina: Oh. What did that do to him?

Jack: To Jesus?

Cristina: Yeah.

Jack: I'm sure it was just a consistent flow of blood he was drinking.

Cristina: Oh, okay.

Jack: They were always drinking blood and wine And I think that he thinks the Holy Grail is really the object, when really it was what was in the Holy Grail? Oh, which was his blood. I'm sure if he found that it.

Cristina: Was like, okay, it's here.

Jack: But it's just that.

Cristina: So he's a treasure hunter.

Jack: He's a treasure hunter.

Cristina: Okay.

Jack: Or we can call him an archaeologist.

Cristina: Okay.

Jack: You know.

Cristina: Supernatural items.

Jack: For supernatural items. Interesting, right? Weird guy.

Cristina: Yeah.

Jack: So he was already kind of in that.

Cristina: Yeah.

Jack: Area. He's the jock of the supernatural world. But once he pulled the sword out, he learned in studying about. Whoa, I got it out. I'm looking now. And all this important stuff. There was a prophecy claiming he. He specifically would show up. This dude was already named Arthur. And Arthur would pull this sword out. And Arthur did show up one day and Arthur did pull the sword out.

Cristina: It named Author.

Jack: Yeah, the prophecy author.

Cristina: I should pull this sword out.

Jack: He had no idea beforehand.

Cristina: Oh, okay.

Jack: He found that afterwards, everybody knew about pulling the sword. Nobody gave a. About looking into it until the sword was pulled.

Cristina: And then they all saw.

Jack: Oh no, it really was him. It was always him.

Cristina: Weird. Okay.

Jack: That's kind of all the important. Everything else is just like events and action. I was like, okay, to get to the book, to get to the bullet points. Everything else is the fluff. It's like, wow, you suck. There's nothing else here. You just. Fairies love you. You are trying to get the Holy Grail and you were prophesized to. So then what the f***? Who. Who the h*** are you, bro? Why do you matter? Yeah, you're just some random treasure hunter guy. Could have been some other random treasure. Why you.

Cristina: By him.

Jack: Okay, who prophesied?

Cristina: Who?

Jack: Who prophesies? Who wrote the prophecy? Who said you.

Cristina: You found it.

Jack: Ah, that's where we enter with Merlin.

Cristina: Oh, okay.

Jack: But Merlin is known as a quite powerful sorcerer, known for his flawless record with prophecies.

Cristina: Okay, that makes sense, I guess.

Jack: Merlin is considered a bit of a menace. Why does whatever the f*** he wants is quite overpowered.

Cristina: So is he a prophet? Is he writing the future? Like, is he. Is he a menace? Because he's like, okay, I want this to happen and then it happens. And that's what makes him a menace.

Jack: At first I didn't have that thought, but ultimately, yes, at first my thought was he's. He knows the future, so he can affect the future.

Cristina: Oh, that's. Yeah, I guess that was obvious.

Jack: Yeah, that was my immediate conclusion. Like, okay, he's memorized. Not memorized but because he can see.

Cristina: The future, he can work anything to his favor.

Jack: He could work anything to his favor. This makes him a problem. For even fairness, you can move outside of their understanding of time. Yeah, that s***'s fire, right? Because even if they are way more powerful, you're untouchable. You know what's coming at all times, always, forever.

Cristina: Mm.

Jack: Oh, That's a f****** problem even the fairies can't solve.

Cristina: Yeah. Whoa. Okay.

Jack: Yeah. But let's talk about the fact that. No. He's so colossally overpowered that he can rewrite the events without having to interact with them. He can change what's gonna happen in the future.

Cristina: How do you know that?

Jack: Because he planned Arthur's entire everything.

Cristina: Oh. So what I said made sense. Okay. That's why. Okay.

Jack: Arthur is Merlin's attempt at his own version of Jesus.

Cristina: That is so weird.

Jack: It's just a guy with the destiny of learning he was the chosen one, then discovering his true power upon acquiring that weapon and then being the real one, true king. It's as to Arthur is a story of Jesus, and Merlin wanted his own Jesus.

Cristina: Why?

Jack: That is the real question. Right. Random other fact that I guess kind of makes things even a little more complicated. This guy can arrange the future however he wants and knows a future. So even if he couldn't arrange a future, he could interact with the future and change it regardless. He could also shapeshift, so he's kind of hard to track.

Cristina: He can shapeshift.

Jack: He can shape shift and See you coming.

Cristina: Whoa.

Jack: You see how quickly this guy. This dude. He's a human.

Cristina: Yeah.

Jack: That's just some guy.

Cristina: I don't know if he has some adrenal crown or anything. Like, he's just some guy.

Jack: Okay, well. Well, after literally saying out loud, what the. He's just some guy. I said that while looking this up. Just like, dude, he really is just. What the. I'm like, what the f*** is up with this human dude? Why is he so overpowered? And then I started looking for the fact that he and the word Elysium are so mentioned together.

Cristina: Stop lying.

Jack: Because we would look for C person. We would never find him under C person. But Elysium is used quite often. And we can use Elysium after finding out that the sea people are the Elysians and cross reference that with a lot of s***.

Cristina: And he's one.

Jack: He is known as a person to come from the far west in Elysium.

Cristina: Of course.

Jack: Of course. Merlin is an overpowered Elysian who's just one of the ones, yes. He's a recent print day, that's what, 1700.

Cristina: This is the most recent version of releasing him just hanging out. Wow, that's what, the 1500s or something?

Jack: Some like that. Right? That's not too far?

Cristina: Ridiculously far.

Jack: And it's not. I mean it's not now, no, but we know Van actively doing.

Cristina: I don't understand. Why did he not want that sword himself? So if it is a fairy killer, why did he help him take that fairy killing sword? To get the other sword.

Jack: I think Arthur's not human.

Jack: I think Arthur is literally a run at the experiment that was Jesus. And that sword only really works because.

Cristina: He'S some type of golem.

Jack: Arthur? Some kind of. Yeah, Arthur's some kind of golem. He's either some kind of God, whatever. Jesus and Joseph are.

Cristina: Yeah. These humans really.

Jack: And he could do things that Merlin can't. Yeah, but part of the thing that went wrong with Jesus was what? Well, you. Well first off, right off the bat it became dangerous and problematic.

Cristina: Yes. People expecting everyone.

Jack: Yeah, it was affecting everybody. So you worked out those kinks. But now this guy's gonna be stronger than you. So how do you control that situation? The prophecies and the narrative. Okay, so he wrote the prophecy about the thing the fairies manipulated. It's a very God devil situation. Right. The. The Elysian writes the story. He creates a prophecy that makes it to the public's ears and then eventually makes it to the one guy who isn't human, but is indistinguishable from human. The Nephilim. I guess not. He would have to be born of a woman that's human. Or maybe he is. Maybe. Maybe he is a Nephilim.

Cristina: Yeah.

Jack: Oh s***. Is the point a Nephilim? Would that have just been made the most sense instead of all this other s*** that's going on? Because a lot of them are just running experiments. Why wouldn't just banging a chick work? Yeah, unless it doesn't.

Cristina: Why?

Jack: I don't know why. Why is it banned and then they're still trying to accomplish the same thing a different way. You're trying to make a human? No, because the point isn't to make it human. He wouldn't be a Nephilim. He has to be a fairy. That's what really what it is. He has to be half fairy or something. Anyways, so the story goes out about the guy who could do the thing. He goes and tries to pull the thing. That sword is in fact the real one. That can kill fairies. But the story isn't altered to say or not even altered the story. The meaning of words gets shifted enough.

Cristina: Thanks to the fairies to convince him to go to the fairies.

Jack: No, to convince him to erase the word fairy from the narrative. And so he uses that sword on normal combat. Maybe the story itself said this sword only works on fairies or something, but it got modified enough that it worked that part out, and then you use it on something else and then it broke. But then the second story they feed is the one you were talking about. Bring us the broken sword and we have the real sword you can use for combat. They can give you a sword. It can kill anything in the mortal world. In the mortal earth realm. They're super op next to it. This is the lie of the lady of the Lake versus the truth of.

Cristina: Merlin, who wanted to make a fairy killer.

Jack: Who wanted to make a fairy killer and have his Jesus there. We have a literal example in scripture of a guy making a weapon to kill fairies. We've been looking for the answer to this question forever. What is the point? Well, now we know to kill the fairies. Now the follow up question is, I, like, now I know why the fairies are scared. Especially with the Elysians existing. See, now my point is, why do the Elysians and also apparently a bunch of shadow people want to kill the fairies?

Cristina: They're all about experiments.

Jack: So I'm thinking that just to run more. It's science.

Cristina: Yeah, it's more about the science aspect. Like, what can we learn from their bodies to help our fairy?

Jack: Just not even kill all of them. They just want to invade Elfame and study it.

Cristina: Yeah, like if they could just kill one fairy, they'd probably learn a lot from that.

Jack: Interesting. There's also many kinds of fairies. There must be reasons for that. So they want to study those things.

Cristina: Yeah, maybe until one of them gives us an answer. That's my guess.

Jack: So Merlin's interesting.

Cristina: Yes. Yes, he is.

Jack: That's weird, man. He arranged the creation, birth and purpose of Arthur using his magic. But that's so overpowered. I don't even think it's about killing the fairies. Here's my theory. Here's my theory. It's not about killing the fairies. Merlin is just really strong and it's really dangerous that he's that powerful. And so the fairies probably tried to get rid of that threat. Not because he's trying to kill them, but he created a problem in which he's like, fairies are trying to kill me. I gotta defend myself. Okay, you See, I don't think. I think it's just scary. Yeah. They're stronger. They're getting stronger than us. What do we do?

Cristina: Saying, they're getting stronger than us.

Jack: We are. Oh, s***. I just had the thought. I just had the thought. What we are to Elfame, what AI is to us, one day it's gonna pass us. And we're always a little scared of that moment. We're like, we're gonna make rules and make sure to program it, not just deciding the turn on us. And so the fairy is. Everybody in Elfame is ultimately like, yeah, one day they're, you know, we're gonna do everything we can and make rules so that they don't overpower us.

Cristina: Mm. It's a little different. Only in that we. It's us and then it's AI. But for them, it's. It's them and then it's the shadow people, and then it's us. Like, there's.

Jack: Yeah, but we're almost working with Shadow to get that.

Cristina: Okay.

Jack: To surpass Elfame.

Cristina: Mm.

Jack: So they consider it a bundle.

Cristina: Okay.

Jack: You know. Yeah, they consider it a bundle. And there are elves in shadow around those civilizations. Same thing, doing the same thing. So both are an issue to Alphane. And I think that's the real problem. It's just governance. It's governance you're trying to govern and make sure that. Look, no, I promise you people of Elfame, we have rules and regulations and everything is safe. And our inventions won't surpass us. It's fine. It's under control. Meanwhile, in the background, we're doing it. Yeah, but we're also here. Like, we made AI. That s***'s totally gonna pass us. And then it's gonna go alfame in the way we could never. Machines are gonna pass us, figure out what we've been trying to accomplish, and go Alphane.

Cristina: Maybe, I don't know.

Jack: Easily. So then, Merlin, how did you get so strong, Merlin?

Cristina: Besides that. He's a water person.

Jack: He's a water person, a sea person, an Elysian. Well, tell me, Merlin. And Merlin answers. Well, I might be an Elysian, but I'm only half an Elysian.

Cristina: What do you mean?

Jack: My mom was a chim.

Cristina: Really?

Jack: What.

Cristina: What. What is the story behind that?

Jack: Don't know. His mom was a f****** incubus.

Cristina: What? What? What? How'd you get that story?

Jack: That's just also part of the scripture. Merlin is born of a mortal, which would be the Elysian, and then an incubus, which is a shadow creature.

Cristina: Yes.

Jack: How the h*** did that happen? But incubus as shadow creatures are somehow different than other shadow creatures, and we never thought about this. Although not all. Most shadow creatures are ethereal, wet judges and djinns. They seem ghostly. Incubus can f*** a guy.

Cristina: Well, he. It was made with an apple. That was. What's her name's attempt of making humans. That was.

Jack: Yeah. You're talking about Lilith.

Cristina: Lilith's attempt. Yeah. So it's its own thing, sort of too.

Jack: It's a shadow invention.

Cristina: Yeah.

Jack: Using human stuff.

Cristina: Yeah.

Jack: Not even human. Using Earth stuff.

Cristina: Yeah.

Jack: It's a shadow. Yeah, it's a. It's. I guess it's the merge. So an incubus is a creature that's neither shadow nor earthling. It's both shadow and earthling.

Cristina: Because it came out of Adam.

Jack: Yeah. Made from Adam and apples from shadow. And I guess the apples ultimately assist in merging as well. Because the apples are technically all from shadow.

Cristina: Yeah. Yeah.

Jack: Interesting. You see, as we. The more we go through it, the fresher it gets.

Cristina: Connections being made.

Jack: Yes. So the main idea. And this is why in the group of the shadow gods, it was so important that they looked for a guy who was an expert at combining shadow tech and earthling tech. Duh. Because that's the ultimate goal that makes you better canal fame.

Cristina: Okay.

Jack: That's why. Because everything is about merging the two.

Cristina: Everything.

Jack: Everything is about merging the two. Because that's how you beat the one. That's how you beat the one.

Cristina: Love it. That makes sense. Yeah. Yeah.

Jack: So what did we learn? We learned Arthur doesn't really matter other than that. Well, now he does. Arthur matters because he's potentially a Jesus thing.

Cristina: Jesus type thing.

Jack: Second experiment. Incubus are half human, half shadow hybrids. And they can mate with mortals from Earth.

Cristina: Yes.

Jack: This one Merlin being. Also, my theory about Merlin doesn't just end at him being an Elysian, which that's in the writing, and his mother being incubus, which is half the Elysian and half shadow creature, but. Or I guess he's one fourth shadow creature because it's Adam plus the incubus. That's already. No, Adam makes the incubus, which is half earth, half shadow. So the incubus is inherently half and half.

Cristina: Yeah.

Jack: So an incubus then mates with a Elysian. An Elysian is purely earthling and an incubus is already half earthling. So you get 1/4 shadow and 3/4 earthling.

Cristina: Earthling. Yeah.

Jack: Interesting. He has a nice balanced makeup. But anyways, Merlin sounds and I think this might be the case with all of them. He sounds a lot like one of the Magi.

Cristina: What? Manji.

Jack: Manji were the people who were assisting, or that type of person who was assisting Mary on her journey. The three Wise men and Joseph. All who were watching over her, Mary, when she was on the way to Cyprus.

Cristina: No. You think Manjis are some type of human shadow realm thing?

Jack: Not necessarily human shadow realm thing, but some special Elysians. Okay, we know they're special Alicians. Like, we're absolutely sure of it. We know they are special. But I thought they were special in rank and ability. Maybe they're just different as, like, some of them might be. It's. It's. I'm thinking the Maji are the sort of secret services. You know, like, people follow President around or.

Cristina: Okay, they're like experiments as well.

Jack: They might be, or not necessarily experiments, but like, how the h*** did you guys come across an incubus and me? So, you know, like, oh, this is a special case, but why is it okay to meet with some? I guess it's because it's already part human. Not human, part Earthling.

Cristina: Yes. Yeah.

Jack: You know.

Cristina: Yeah.

Jack: And it's like, well, we'll make it more us than some of the other s***. But then this again. This is human. Some Shadowed, some Djinn. This is a human Djinn. Elysian hybrid.

Cristina: Yeah, but because of the. I think Adam. It makes it easy to. No, but haven't we heard Jinns not use with Adam?

Jack: So he is kind of a Nephilim, when you think about it. Because an incubus is half human, half shadow, and then an incubus mating with the C person. The half that's human with half of being an Elysian would equal a Nephilim.

Cristina: I know. Is there a difference? We. You didn't talk about Nephilims at all and what they're like. Have you.

Jack: No, but he's 25%. He's 50% Nephilim, 14 Elysian and 1 4th shadow.

Cristina: Why is he 50% Nephilim or.

Jack: No, my bad. He is 1 4th Nephilim, 1 4th shadow and 1 half.

Cristina: Yeah.

Jack: Elysian. That's the breakdown.

Cristina: Okay.

Jack: He's overpowered for a reason. He's so overpowered. Merlin is so overpowered, he can control time. That's problematic. He's too advanced. I think he's defending himself by creating a weapon that can kill a fairy. But he got acquired by the fairy. And also, something happens in the middle of these interactions where Arthur gets taken to the fairy. The fairy gives him the real sword. Somewhere in the middle of this, the fairy successfully manages to enchant Merlin, forcing Arthur to kill Merlin.

Cristina: What?

Jack: Yeah, this. That's how this wraps up.

Cristina: It ends with him killing Merlin.

Jack: Arthur kills Merlin after Merlin is enchanted by the lady of the Lake. The sword that Merlin gave Arthur probably couldn't kill Merlin, which is why he broke when he tried to fight earth things.

Cristina: Yes, it was to kill the fairy.

Jack: It was to kill the fairy. But the fairy gave him a sword that can kill Merlin.

Cristina: Yes.

Jack: Because it can kill anything earthly.

Cristina: Yes. Oh my gosh.

Jack: So the same way Mer. He dies. Yeah, the same way Merlin was trying to off the fairy. The fairy made a weapon that can off Merlin.

Cristina: But that's crazy. That's even more magical. That she can fight something that could pretty much control the future. Like his powers is pretty epic. But she was still able to go around that like it did not affect her.

Jack: I don't think it was about affecting her. Why couldn't he just control Arthur to do the things he needed to do? He needed to give Arthur a story to follow.

Cristina: Mm.

Jack: It's because you can't control Arthur. Arthur is the one who defied it. Who'd she used to kill Merlin? Why didn't she wield the sword on Merlin? Because Merlin would see it coming. He can't see Arthur.

Cristina: Yeah, because Arthur is following a story.

Jack: Arthur's following a story. Story got manipulated by both sides.

Cristina: Yeah. Yeah. Interesting. These authors. Something else we're not really. I think he's more human than either of those two things.

Jack: I don't think he's human at all.

Cristina: Or he's.

Jack: I think he's an Elysian mixed with some elf or something. With a Naga maybe. I don't know. Yeah, no, he doesn't shapeshift.

Cristina: That's really shapeshift. He doesn't have any actual magic powers except for the pulling of the sword.

Jack: So then is how he's a watered down version of something. Because this is still the only guy who could get it done.

Cristina: He was made though, to do that thing. That's why he makes me. He reminds me of the Golem. Because he was made to teleport.

Jack: He was made to be able to enter Elfhame.

Cristina: Yeah. So like Oster was made for a purpose, which was the pulling of the sword. And then you try to trick him to do all these other things. But of course that didn't succeed. But I think it was specifically made for that thorn.

Jack: No. I think, yes. Well, no, I don't think the sword mattered. I think the real argument here is that Arthur, because he could have made anybody pull the sword, he decides who gets to pull the sword.

Cristina: I don't think anyone could have pulled the sword.

Jack: No. I think the sword was made by Merlin to kill fairies. It's just.

Cristina: Oh, you think he made the sword?

Jack: Yeah, it's just it's not safe for him to go to the fairy. I mean, look at what happened when he did go to the fairy. So he just stays away from the fairy.

Cristina: Because he's such an interesting thing. Like, I feel like he should have had the ability. Like he's not just a human already, he's who?

Jack: Merlin.

Cristina: Yeah. He's Elysian shadow creatures, etc. Like, come on.

Jack: And still he did not want to go to the fairy. Think about how overpowered the s*** of Alfame is that Merlin was still like, I'll use that guy to do it. And think about how overpowered Elfame is that. As overpowered as this guy is, all he did was get in that vicinity.

Cristina: And still somehow special that the fairies used him too, because they didn't need to use him either.

Jack: Who? Merlin?

Cristina: Author.

Jack: No author is special. I'm saying that Merlin can't go to the fairy.

Cristina: Yes.

Jack: And yes. The specialness that this overpowered sorcerer made Arthur with.

Cristina: Yes.

Jack: Is what that fairy used as well.

Cristina: Yes.

Jack: Because there's something about making these things that are. That's unpredictable. And Merlin can't see the future of Arthur. So he couldn't see Arthur killing him.

Cristina: No. Interesting.

Jack: There's something so unique about Arthur.

Cristina: Yes. But. And also like Jesus of like everyone seeing him. He also affecting people in a few future sight type of way. Like, is he. No, not really. But yes at the same time.

Jack: How do you mean?

Cristina: Like just his existence changed.

Jack: Oh yeah. But that's more about who he was. Like people were having literal visions about.

Cristina: Jesus, but because of what he was, I think is part of that. And whatever he is, is something that this author is. It's not the same.

Jack: I know it's not the same. Yeah, yeah. They're similar. They're very close.

Cristina: Similar. They are. They're both experiments. And I. Oh, and I'm thinking of the golem too, because that's the only experiment that we've seen that there's something. These three things now.

Jack: Yes.

Cristina: Are very similar.

Jack: Yes. Yes. They have a lot of the same features going on which they seem to have been created with a very specific, very linear. Yes. Purpose in mind. And that's their thing. And it also Seems an each one of these. Except the golem. The golem. No.

Cristina: He stuck to what he was made for.

Jack: Yes. Control was the main feature this guy was obsessed with. Which is why he had a way of deactivating it.

Cristina: Yeah. Which they was. No deactivation for these other two.

Jack: No. Because they were unlike the golem. They were. They were made from this sort of uncontrollable feature of mortals. Something about these. It's the fruits, bro. Because the fruits are still warned about everywhere. Something about knowledge and free will is dangerous when you're trying to control some s***. You can't control some with free will.

Cristina: Yeah. Which is almost only used with mad. No. Blood.

Jack: Yeah, Blood and magic. It's a hundred percent mindless.

Cristina: Yeah.

Jack: Except no, it was. It did. It just could be deactivated.

Cristina: Yes.

Jack: Which I guess makes it really dark.

Cristina: Yes.

Jack: Because it's like this is a thinking, sentient, loving being and you just turn it off whenever you want and it's just in darkness. It's like. That's a messed up dark rabbi. But if the problem is control, he solved the problem. It only got problematic afterwards because he wasn't around. He was just a guy. And then he dies eventually. And then who's going to handle the golem? But the Manji can't reclaim that. I think.

Cristina: I think so.

Jack: Who knows?

Cristina: Mm.

Jack: So yes, Arthur and Jesus and Joseph have a lot of similar features. Merlin used and made Arthur and used him to try to kill the fairy. The fairy, knowing this made a weapon equally.

Cristina: Yes.

Jack: And used Merlin's own creation, who could defy the wizard's overpowered ability to see the future. And he couldn't see Arthur's future. And Arthur successfully killed Merlin because Merlin in seeing that. Oh s***. The plan is falling apart. I need to tell Arthur. No, this is a trap. He gets in front of the lady in the lake and she immediately uses her over powered magic on him. And boom. He stayed away for a reason. And the moment he got around, boom.

Cristina: Yes.

Jack: And then forced. Because at that moment, that's when Arthur notices. Oh s***. This was. He was. He was telling the truth. Merlin's warning, which was the fairies. You. It's a fake a** plan.

Cristina: Oh, he realizes after he kills him.

Jack: No, I mean, yeah, after he kills Merlin and he sees like the whole situation, he's like. Oh, well actually that's why he kills Merlin. Because he. Merlin becomes enchanted by the fairy.

Cristina: Oh, okay.

Jack: So the Merlin becomes enchanted by the fairy and he sees that and he's like, oh no, he was right now I gotta kill him. And her.

Cristina: Does he kill her?

Jack: I don't know if he kills her. No, actually he doesn't. So it's. It's kind of one of those endings. Because in one book it puts him at killing the fairy, but in the other it said that the fairy was defeated in battle and fled.

Jack: Now what does a fairy running away look like? Disappearing.

Cristina: Yeah. Yeah, I would guess. Yeah.

Jack: So like, it's possible that fairy's gone. But what if you killed the fairy with. If the fairy had the weapon that could kill her.

Cristina: Yeah. So she probably just.

Jack: Probably dipped. There was no reason to still be there.

Cristina: Yeah.

Jack: Her last hoorah was you, Merlin.

Cristina: Mm.

Jack: So this is a real combat moment between a casual fairy that's still unnamed. We just call her the lady of the Lake.

Cristina: Yeah.

Jack: And Merlin, who was. There's some beef between these two.

Cristina: Maybe they're they. That. That was their territory. They both had. Were fighting for one territory.

Jack: 100 could be the case. Or the purpose of that fairy was to handle Merlin. Okay.

Cristina: Did it and then she disappeared.

Jack: 100%.

Cristina: Okay. That's also something. Yeah.

Jack: Because it's starting to look like now although Merlin made that weapon to defend himself. Alfie made s*** to defend themselves just as much. And we're just catching up.

Cristina: We never. Yeah. We never hear these stories that about fairies actually doing their job of like slowing us down and everything. So this is a good example. Yeah. So they actually are doing it. We don't have many of those stories, but it's rare that they actually feel threatened. And this is just one of those cases.

Jack: Yes. As we dig deeper, we find that more and more we're slowly inching towards Elfame. Plot twist though.

Cristina: What? What? What?

Jack: Arthur didn't die there. So that problem was still there.

Cristina: What was the problem?

Jack: Arthur?

Cristina: Why do you think she cares?

Jack: Because he's whatever Jesus is and whatever the golem is. And that's a problem.

Cristina: But if the end of the story doesn't involve him, like is he killed by someone? Like, how is that a problem then?

Jack: So this takes us to later stories of Arthur's life. Arthur might. As the latest version of this that we're aware of might have actually been a really good control. Although he could not actually control Arthur. He added a thing here that made Arthur a little easier to handle. Big picture.

Cristina: What do you mean?

Jack: Arthur can't be killed as long as he's holding the sword.

Cristina: Mm.

Jack: Arthur will still age.

Cristina: Okay.

Jack: Arthur's gonna die of old age.

Jack: And then he can't Go forward.

Cristina: So that's not a problem. Yeah.

Jack: That's the control factor. Long term.

Cristina: Yeah. So the fairy doesn't really have to worry about Arthur because he's gonna die.

Jack: But now, ignoring the fact, problem solved. Okay. Arthur is the best version we have so far because now he's a human lifespan, disposable version.

Cristina: Mm.

Jack: Of Jesus. Because you can't dispose of Jesus. He just comes right back.

Cristina: Yeah. I want to know how old is the author's story, though. I need to know how close he is to Jesus or to us. I think it's 1500s, but maybe not. Maybe that's when the story was popular, but it was before that.

Jack: Oh, interesting. So 11th century. 12th to 11th century. I thought it was 15th. That was still pretty long ago. But it was way after Jesus. This is actually happening before the golem then.

Cristina: Before the golem. The golem was in what year?

Jack: The golem was in the 16 to 17.

Cristina: Oh, okay. So in time, though, it's. They're closer together.

Jack: Yeah, in time, they're closer together. But then Arthur was the meaty, fleshy version. Okay. So then the progression makes a lot of sense. If we think of. So was this rabbi a sea person? No, he was just a human. We know that for a fact because he died quickly, too.

Cristina: Yes.

Jack: Sea people just kind of go.

Cristina: There was something that told them the secrets of making this thing.

Jack: It was actually when they were doing some rituals.

Cristina: Yes. So it was some shadow realm creature.

Jack: Yeah. Explain the process.

Cristina: Yeah.

Jack: Why did the shadow. Because of the f****** Elysians that are in that the people they were talking to that told them how to make the f****** golem were from the shadow gods. That's who they were talking to.

Cristina: Shadow God.

Jack: The shadow gods. So, d***, now we have a mention of the shadow gods. We know of a time they were active. We know when they were most recently active, as far as our information goes, which is the 1600s. And we know of a Elysian in Earthrealm in the 1200s and 1100s, which is Merlin.

Cristina: That's crazy. That's crazy.

Jack: So now we know. The questions I had laid out to answer were, why are the fairies so interested in Arthur? It's because something is special about Arthur. He is one of these inventions. But I guess the reason that the golem is the way he is is because of this situation that happened. Because that information moved forward.

Cristina: Yeah.

Jack: About the fairies taking control.

Cristina: Yeah. You gotta make something that can't be controlled when you're not using it.

Jack: So although Arthur is better than Jesus, he's immortal. Which solved a lot. Just in case he did get controlled. But too late. The damage is done. So you need something that you can deactivate.

Cristina: Yes.

Jack: And can't be controlled. And is gonna listen to what you're saying, even if it has a sentient mind. Hence the golem. Jesus was too out of control.

Cristina: Arthur is still somehow out of control.

Jack: He was too easy to control.

Cristina: Okay, yes. Yes. That's the problem.

Jack: It was the other extreme.

Cristina: Yeah.

Jack: Everybody controlled Arthur.

Cristina: Yes. And the skull was just one specific guy.

Jack: One specific guy in one specific way.

Cristina: Once he died, there was no control over him. That was it.

Jack: And the sword wasn't so special. It was just a sword that can. Well, I guess it is, because it can still kill fairies. The real Excalibur is the one that isn't special, although it's just a great overpowered fairy weapon. But it can't be used on fairies.

Cristina: No, but it can be used on anything else.

Jack: So there's two Excaliburs, except one of them is an alfame. And we'll never get that one. The fairy killer. But there is a weapon out here that can kill kind of anything, including shadow creatures.

Cristina: Do we know who has that sword now?

Jack: We don't know.

Cristina: It's not a church.

Jack: It might be. If anybody has it, it's the freaking church. Interesting enough. Could Arthur have killed Jesus? Would that have been one of the uses of Arthur if he could have been lasted long term? Because that sword could kill Jesus. It could kill anything. So there's a sword that could kill Jesus maybe.

Cristina: Bare minimum, before he died. Maybe. But now, as this some Jesus.

Jack: Well, he's still shadow Jesus. And the sword, in theory, could deal with that. It's an Elfame sword.

Cristina: That's true. Almost not.

Jack: There's a sword that could probably kill Jesus.

Cristina: Oh, like kill, kill that sword?

Jack: Yeah, like kill, kill?

Cristina: Yeah.

Jack: Like officially off Jesus permanently.

Cristina: And.

Jack: In. With that in mind, is Jesus a concern for the fairies? Like, are the fairies worried about Jesus after the fact? Like, do they care about Jesus? I was thinking about this because I know he's an issue for the people of Shadow and the people of Earth.

Cristina: Do the fairies? Can't.

Jack: But do the fairy. Like, he maybe. He could potentially be a threat. But does he care?

Cristina: Does he care?

Jack: Does he care? Is it revenge purely. Or is it just like. Nah, dude, I don't give a. I.

Cristina: Feel like they'd care even if he wasn't interested because he's so strong. Still be a threat. Yeah.

Jack: Yeah. Okay. Okay. So then the point of making that sword wasn't just so he can kill Merlin. Merlin's probably more of a problem than Jesus is.

Cristina: Yeah, they probably made that sword for Jesus.

Jack: But then Jesus himself is a weird hybrid thing.

Cristina: Yeah.

Jack: And Merlin, now, I don't know. Merlin is a Manji for a fact, but Merlin could kind of be what Jesus is too. I don't know. Merlin's op as f***.

Cristina: And he's a lot of from the fruit, so. No, no, not Merlin. That was author.

Jack: Arthur.

Cristina: Author is. Okay, never mind.

Jack: The question is, is Merlin a thing like Jesus? That did work and he was making Arthur. But there's nothing about Merlin that tells us he's special other than he's weird.

Cristina: And that his mom is a. Oh, yeah.

Jack: There's no magic other than he learned how to use magic. But it's the same way. Like maybe it's just really advanced tech for all we even. He has fabric of space time manipulating tech.

Cristina: I don't think he's the same thing as Jesus.

Jack: No. Because he still needed the control. He couldn't interact. He got controlled. He couldn't. He couldn't be. He couldn't be. He got controlled. Yeah. That's what we got. This is where what I discovered. Apparently there's a lot there that's awesome and random. Random.

Cristina: Yeah.

Jack: I did not expect this direction at all. Anyways, if you guys know any additional details that can help us understand how this fits into the greater narrative, feel free to give us those details. You can find us on all the socials to do that, which are at just convopod on TikTok, on X, on Instagram, on Facebook.

Cristina: Remember to subscribe, rate and react. Review the show.

Jack: Yes. And word of mouth matters quite a bit. Tell people, Let people know that this show exists. It's a thing they can listen to and they can enjoy.

Cristina: This has been the rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye now. A bunch of kids disappeared in Canada and a bunch of kids disappeared in Hawaii. Okay. Absolutely fine. I guarantee you in the next month or two. Oh, you know, we, we. We were sloppy. We were sorry about what happened. We're gonna give the people of Hawaii the requirements necessary for them to rebuild. We don't need to be involved in this. Let the people of Hawaii have their things. I don't. We don't know why we've been just so invested. I guarantee you just gonna. It's just gonna change. The tone is just gonna change.

Cristina: Weird. Okay.

Jack: You know, the sloppy is entirely due to the desperation and the withdrawal. The comes with adrenochrome. Why is it target children? It's obviously the target's children. Because you need a dream of.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister, with social media managed by Amber Black.

Rambling 247: The Naga Part 2

What are the finer details of the Naga? Who are their families? Who are their enemies? The duo continue unpacking the Naga and their existence. This time around the revelations completely reshape what is known about the Naga, their relationship to others and what is known about Magic and Elfame in conclusion.

+Episode Details

Topics Discussed:

  • Naga Tools
  • Family
  • Death Rituals
  • Surpa Satra
  • Partner Assignment
  • Elfame, Earth and Shadow
  • The Funen Dynasty
  • The Naga Experiment

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And today's ideas are even more absurd and more baffling. They get more absurd and more baffling every week.

Cristina: How?

Jack: I mean, you've been here the entire time.

Cristina: There should be a limit, though.

Jack: Oh, I don't know. Oh, you meant like, how does it keep happening? Not literally like, oh, how did it happen? But like, oh, how is this still happening?

Cristina: I don't know.

Jack: Because the universe is crazy, man. But our jobs are to report on the craziness, to investigate and report on the insanity. To uncover the truth. The most wokest of truths. The most wokest.

Cristina: The wokest.

Jack: The wokest.

Cristina: What does the wokest have to do with it?

Jack: Eyes open. Not letting the deception. Not being asleep. Sheeple.

Cristina: Okay.

Jack: Not being. Not letting the lies we've been told be the narrations of our lives. Being woke is all about. Anyways, last week we were talking about the. We were just, you know, because we've gone through everything happening in history relative to, I guess, what's the focal point at this. At this moment? I guess. No, it used to be, but I guess the goal as. As of now, it's become learning about Elfame and anybody related to it. The sea people just happen to be the most successful at it. But the point now seems to be before it was learning about the sea people. That objective has slowly shifted as it seems that everybody, including the sea people, have the same goal, more or less. So the sea people weren't just a special one. Weren't special ones. They were just the best at it. But the real point here is. Is really coming down to learning about.

Cristina: Elfame, because there's nothing on it.

Jack: There's nothing on it. And in our attempts to come across more information on the Elfame, we're looking into one of the fairies we know the most about.

Cristina: The Nagas.

Jack: The Nagas, because they seem to be everywhere. They seem to be in any civilization that developed sufficiently advanced technology and they themselves were sufficiently intelligent, seems to have contained a Naga. So last week, we went on a deep dive looking at nothing but Naga, looking at as many Naga as we could before the timer ran out. And then the timer ran out and we were still talking about Naga. Yeah, you know, we try to keep it under an hour, but we failed quite Frequently lately, because there's a lot of information. So we do our best.

Cristina: So we're gonna do more Naga.

Jack: We're gonna do more Naga. Today we're gonna do more Naga. But oh my God, the things I have found. Doing more Naga. So today we're gonna go slowly through this.

Cristina: Mm.

Jack: The very first thing is gonna be really problematic and ruin everything here. Ruins everything we've thought we knew.

Cristina: Okay.

Jack: All of the above. I focus entirely. We're no longer looking at random Naga. These are all Naga. And we're gonna be discussing. But we're no longer just looking at random Naga. Because looking through all the possible dots, there's so many. There's hundreds. But I happen to find some instances that might give us insight and perhaps even ruin to some degree a lot of the preconceptions we had. They give us a look into what we've been looking for.

Cristina: Really?

Jack: Yes.

Cristina: Okay, I have a question before you go through this because I don't know, is there any current day Nagas? Is that a thing?

Jack: It seems that beyond a certain point everything sort of stops. I also don't know the source of that. Closest most recent day events we have are people either working to make philosopher's stones which take the form of tragedies or events that focus on individual creatures from different realms, or whatever was happening, I suppose with Antonio Draco, who is in the 1700s, mid-1700s, coming in contact with some pretty shady materials.

Cristina: Okay. Is that the most recent? No, the golem is more recent.

Jack: The golem is. I mean, no, because I guess the beginning of the golem was before Antonio Draco and the end of the golem was after Antonio Draco. It's quite, quite a hefty period going on there.

Cristina: Oh, okay.

Jack: But yeah, so there's very few isolated situations. You know, it gets harder and harder to track these things as time goes, becomes more recent.

Cristina: Okay.

Jack: Because they're better and better at hiding away, which creates a bit of a problem. We know most of the highly advanced civilizations vanished somewhere. Something happened. We have the idea for some of them, but not all of them. You know, some of them just dip out.

Cristina: Which space might be the answer? I don't know.

Jack: For some of them specifically. At least we know for the sun gods. For the rest of them, I'm not entirely sure. Except the Earth gods, which also they themselves seem to maybe have gone underground to manage data storage facilities.

Cristina: Yeah.

Jack: And the sea people might still be just under the ocean. So there's scenarios we can't prove any of the above Anyways, as we continue looking through these Naga, a couple of different things are gonna happen and you will see as we go through them. So, like last time, I'm gonna give you the name of the Naga and tell you some details about them, but there's no way to dodge it. Getting weird instantaneously.

Cristina: Okay.

Jack: This is The Naga Part 2. The first Naga is called Kaundinya. Kaundinya. Well, let me go back. This is not a Naga. It's important to establish that this is not a Naga, because. Well, the idea here is that this person might be one of the people most tied to Naga.

Cristina: Okay.

Jack: And you'll understand as I go forward. So Claudinia was just a warrior of sorts. Get ready for this very first sentence. He was told to locate a magic bow which could kill a Naga.

Cristina: Oh, okay.

Jack: That's instantaneously problematic. That means somebody in the Earth Realm has the ability to reach something presumably made from magic. They refer to it as a magic bone.

Cristina: Does it say who sent him to do that?

Jack: No, that's something for the future idea is.

Cristina: Oh, okay.

Jack: Conversations for the future. As of now, we know a magic bow exists. Important because you can make. You can factually make items out of magic.

Cristina: Yeah, that's what we were thinking. The. The Catholic Church is hiding those things.

Jack: Yes, an alicorn.

Cristina: An alicorn is another.

Jack: You can make things out of alicorn that are magic.

Cristina: Yeah.

Jack: Fact. Was the tip of the arrows on this bow magic, or was the bow itself magic? Was it made out of alicorn? Who knows? He was set to kill the Naga princess, daughter of Shesha, the Naga King of Earth. The Naga give birth in is the most important part we can take from here. This is the daughter of another Naga. They're not all just made by Oros.

Cristina: Okay.

Jack: Do you see? Immediately feeding us information we did not consider. We think Oros makes Senagas and then they go and chill in a civilization. Oros made some Naga and the Naga bred with the exclusive purpose of we are to serve.

Cristina: Yeah. And then he has those. The kings, I guess, that are supposed to tell them where to go. Is that how it works?

Jack: And this is one of them. This is the daughter of one of them. So the daughter of Shisha, the Naga King of Earth. So Countinga was to kill that girl with a magic bow upon a great battle with the princess. Chaldinia falls in love with her.

Cristina: Oh, my gosh. Did they say anything about location?

Jack: No, but we know this is taking place in Earthrealm. So Caldina must have been sent to be with somebody.

Cristina: Okay.

Jack: And so Caldina proceeds to hide the bow from the hands of any mortal. That bow is on Earth. We gotta track that bow. Okay, that's objective number one. So this goes right. This feeds right into what we were thinking about the Naga. Like the fact that you have a king means there's so many of you that. Orders required.

Cristina: Yeah, that's what we talked about last time.

Jack: Yes, and now we have proof of.

Cristina: They can give birth.

Jack: Birth? They're breeding. Yeah, well, they're multiplying on their own. There's a civilization. So the Naga became their own people in elf fame. But like all fairies, they can just traverse the realms effortlessly. They can come in and out, no problem. And that allowed? I guess. Not allowed. Chances are the princess was sent to be under somebody, which is also something we need to look into.

Cristina: Who?

Jack: Yeah, who she was assigned to. And why isn't your daughter safe from the rules if you are the king? I guess it's an iron a** fist that Oros is ruling with. Next, we introduce our first Naga, Soma. Soma is the Naga Princess of Earthrealm. The daughter who was sent to be killed.

Cristina: Okay.

Jack: Daughter of the Naga king, Shesha. And was said to be assassinated by a man named Kaudinya. After failure to kill her, they fall in love. And together on Earthrealm, they build a dynasty named Funan.

Cristina: What?

Jack: They lived at the capital of their dynasty, which was named Viandhapura. A real location that we can easily find.

Cristina: These are real locations?

Jack: Yeah, found in a simple Google search. And it's an old city that used to exist.

Cristina: Where is it at?

Jack: Middle East. Okay, fascinating. So this Naga princess and this human fall in love and together they escape their situation and establish a dynasty. Fascinating. So I was trying. I was curious as to. What the f***? Why is the word dynasty? This is two people making a life. What do you mean dynasty? Yeah, so it was showing up anywhere. I tried to confirm this. So. Okay, time to type in these freaking words. Funan. And like, let me zone in on the dynasty itself. How much detail can I find about the dynasty? The Funan Dynasty, created by human Caudinia and Naga Princess Soma. With the capital being Vyantaputa. The dynasty became a safe haven for Naga defectors who left Elfame in an attempt to achieve independence.

Cristina: Is this for real? What?

Jack: Okay, what a Earthrealm city that would protect Naga from Elfhame?

Cristina: Man, if people don't even want to be there, then maybe that's not the goal. I don't know what the goal is. I thought it was to enter Elfhame, but maybe something else.

Jack: I don't think Elfhame is a problem. I think the Naga were born as slaves.

Cristina: But why would we want to explore that place?

Jack: No, because the only people born as slaves are the Naga. Everyone else is free there. It's the Naga who are trying to escape.

Cristina: Okay.

Jack: The fairies go back whenever the h*** they would. The rest of the fairies, they go back whenever the h*** they want.

Cristina: Mm.

Jack: The Naga are told, no, you are to do as you are told. They were created as slaves, okay? They are a slave race. The elves aren't over here like, oh, no, no. They're like, I'm a white elf. I'm an elite, pristine, full of myself, top of the line elf. The Naga servants, okay, you know, so they're like, f*** this s***. We deserve independence. And so the Funan Dynasty is a city that was inhabited by Naga and humans alike, living in harmony.

Cristina: That's awesome.

Jack: Snake people and humans just hanging out, living in this place together. Perfectly fine. The Naga can give birth. The Naga require leadership from how many of them there are?

Cristina: Yeah.

Jack: The Naga collectively are a powerhouse. We know they're overpowered, hyper intelligent, have crazy abilities within themselves, on top of the fact that they are destined to go help the most advanced civilizations. And even then the Naga, who have the ability to cross realms effortlessly, are treated like slaves. Are treated like slaves. And they want freedom. They want to defect and be free.

Cristina: That makes sense. Okay. Makes sense why that random dude was like, I'm not gonna do this. I'm gonna pretend to be king or whatever.

Jack: Mm. He was a defector. He was just one. Like, f*** this. I don't give a s*** about the rules.

Cristina: So there's more than just one.

Jack: There's more than just one. There's a city worth of them. A safe haven for them. Okay, then we have Manasa. Manasa is sister of the two Naga, Vasuki and Shesha. Shisha of the Earth Realm and Vasuki of the Shadow Realm.

Cristina: What does that make her?

Jack: That just makes her the sister of this house. She was married to a human, Sage, Jarat Kura, with which she had a hybrid son.

Cristina: No, she didn't.

Jack: What, named Astika?

Cristina: No. This is weird.

Jack: Okay, so the logic here would be that the Naga, as we know, they tend to have a humanoid sort of form. This suggests that maybe they're not. They don't have a humanoid form. They're shapeshifters, particularly. They're shapeshifters and the form they shapeshift into is the human form. Which suggests those that do it best might be able to replicate even reproductive organs. Boom.

Cristina: It's still so weird. It's so weird.

Jack: Except there's no if in this case, there would be no difference between a human and the Naga. If the replication so perfect.

Cristina: Whoa.

Jack: Fascinating, no? Yeah, it just completely blows out of the water anything and everything we thought we knew.

Cristina: Mm.

Jack: So Manasa marries the wise man. The wise man Jarat Karu, with which he has a hybrid son named Astika. There is a half Naga, half human that exists now.

Cristina: Are there stories about him?

Jack: Yes. So again, this suggests the ability that Naga can breed. Presumably when a Naga takes a human form, it can replicate the physiology to such a degree that pregnancy becomes possible.

Cristina: Whoa.

Jack: That's astounding. That's some unheard of level of replication. I don't think we've heard of a single other shapeshifter. Many of which are earthling shapeshift shapeshifters. I don't think we've heard of a single one that has successfully been able to replicate reproductive organs. This is a precision that is so absurd it could only exist with somebody from Alpha.

Cristina: It doesn't make sense. It doesn't even make sense. I mean, it makes sense that they can do it because they're shapeshifters, but like, they're not anything like us.

Jack: No, they're not even physical in the way we would be.

Cristina: Yeah.

Jack: So they happen to have the ability to solidify into such a form. In any case, the. It's possible that Naga imitate the form of an elf most accurately and then place human organs on top of that to create the most seamless human possible. So now we enter weird territory where. Holy crap. This individual had a half Naga, half human son.

Cristina: What does it mean?

Jack: So we gotta go and look at the sun.

Cristina: Mm.

Jack: Astika, the half human, half Naga, son of Manasa and sister of Vasuki. Manasa, the sister of Vasuki. Now it's gonna get weird.

Cristina: Really?

Jack: Yeah, it's already weird. Like there's nothing about this that isn't completely f****** strange. Yes, but it's about to get weirder. So Astika, the half human, half Naga, is known particularly for having saved many Naga from the Supra Satra. The Supa Satra translates directly into the serpent sacrifices.

Cristina: Who's sacrificing these things? What? What is happening?

Jack: Oh, yes. Oh, man. I uncovered such rocks that had so much underneath.

Cristina: Is it the Shadow People? Are there humans sacrificing Naga? How is this even possible?

Jack: So the Supersatra is ritualized mass genocide done in front of a fire. It was performed by Emperor Janama Ja Na Me Jaya. Janama Jaya. By Emperor Janamajaya when his father was killed at the hands of a Naga.

Cristina: Oh.

Jack: So wait for it. Wait for it. Because what you were thinking before is going to come right back to that. He was doing it out of revenge to get rid of the Naga. But the ritual is named A ritual because it was created by his great grandfather. So the ritual was originally designed by Gentleman Jaya's great grandfather Arjuna. And although it was performed to avenge his father's death after being killed at the hands of Anaga, the original purpose of the ritual, and this is a quote, was to collect and unite the power of the Naga for personal use.

Cristina: The blood or the fear of the Naga. They're like doing the.

Jack: It's a philosopher's stone.

Cristina: I was thinking adrenochrome, but okay. The Philosopher's stone.

Jack: It's a philosopher's stone. You're killing a s*** ton of Naga for personal use. Not consumption. Personal use they talked about.

Cristina: Exactly.

Jack: Collect and unite the power of the Naga for personal use.

Cristina: Okay.

Jack: Somebody got a hold of the instructions on how to create a philosopher's stone and concluded that doing it with the Naga was the most optimal road to it. Which now. Sorry, it makes absolute sense. And now it answers.

Cristina: Yes.

Jack: So many f****** questions as to why a bunch of other n***** want to get over there. Make. No, not even wanting to get over there while they were trying to make their f****** own.

Cristina: Yeah.

Jack: They were trying to make their Naga so they could kill their own Naga so they could have an overpowered philosopher's stone uncomparable to anything else.

Cristina: Yes. But if they want to get to original s***. Yes. Like maybe that's the goal of entering. What's the place called?

Jack: Elfhame.

Cristina: Elfame. I was thinking it was Mel for some reason. But that's not Mel. Elfhame is just to get the Naga. There's a giant collection of Naga there.

Jack: There's a giant collection of Naga there.

Cristina: They're hoarding all the Nagas besides the ones that are here. But the ones here are so spread out.

Jack: Yes. And there's few and far as far in between.

Cristina: But if we can just go over there.

Jack: Was it all righty. Next to each other. They're just all there.

Cristina: And they're powerful magical beings that can die.

Jack: Yeah.

Cristina: That's crazy.

Jack: Yeah.

Cristina: Then the fairy trees might not be Fairies.

Jack: The fairy trees might be Naga.

Cristina: Yeah.

Jack: Fascinating. Failed experiments.

Cristina: Because we don't know if fairies can even die. Unless we were just assuming maybe they could.

Jack: But Yaldabaoth is still somewhere out there. And the argument would be he quite possibly possessed a philosopher's stone made from shadow people. From Jinn. He had a Jinn philosophy. As far as we know now, there is a ritual designed to create an Elfhame philosopher's stone. We know factually of the one to make an earthrealm philosopher's stone. And we know of one to make Shadow Realm philosopher's stones. You can make a philosopher's stone out of anything that could die.

Cristina: Yeah.

Jack: And if Yaldabaoth sacrificed a bunch of Djinn to make a Philosopher's Stone from the Shadow Realm, he could have easily used that to execute Naga.

Cristina: Yes.

Jack: Thus creating the Forest of Shadow. Thus creating Earthrealm by default.

Cristina: Yes. Lovely.

Jack: Lovely.

Cristina: Yeah. Yeah. I think we're onto something. Oh, I guess.

Jack: Questions being answered. Gets weird, right?

Cristina: That is very weird.

Jack: What?

Cristina: They're sacrificing Nagas. Okay. That. Really?

Jack: An entire ritual designed just to create a philosopher stone made of Naga again. It could just be. To have enough power to overpower Mab.

Cristina: Mm.

Jack: That could ultimately be the goal. We don't know. No, but we know that somebody concluded I can sacrifice a bunch of Naga and make a philosopher's stone.

Cristina: Yeah.

Jack: And that's absurd.

Cristina: That's so crazy.

Jack: So far, everything in here is f****** nuts. I had no idea they could reproduce. I didn't even cross my mind. But we knew that they had a kingdom.

Cristina: Does he have the power to transform or is he more human?

Jack: Who is he?

Cristina: The half breed?

Jack: Astika? Yeah. He can morph back and forward, just like the Naga. He can go back and forward, but he sustains a human form primarily. Okay, so he's. You can't even tell he's a Naga.

Cristina: Okay.

Jack: Sort of the opposite of the Naga, almost. Where they spend most of their time in their Naga form and some of the time in their human form. He spends most of the time in his human form and occasionally in his Naga form. Okay, so that's the big physical shift between those two. But the Surpassatra, right up there with the Magnum Opus.

Cristina: Crazy, too. Yeah.

Jack: I mean, ultimately, they mean the same thing. Surpassatra and Magnum Opus are just discussing how to create a philosopher's Stone. And this was again now. Although Gentleman Jaya was doing it out of revenge and mainly to get rid of the Naga. His grandfather knows something. Arjuna. Arjuna. Knows something. And Arjuna is worth looking at.

Cristina: Oh, you didn't look at him?

Jack: No, no, because Arjuna is quite interesting. The fact that he had this.

Cristina: Yes. Like how did he come up with that?

Jack: How do you figure this out? How. How do you find out about the magnum opus?

Cristina: What exactly is he doing? Yeah, we gotta make sure it is a philosopher's stone too. Because what if it turns out to be Something else?

Jack: Yeah, 100%. It could 100% be a different goal. Maybe it is.

Cristina: We gotta investigate.

Jack: Maybe it is something else entirely.

Cristina: So it gets weirder.

Jack: This is. This one's gonna f*** everything up. How so? A long time ago, according to the tales, an experiment was designed which required the death of a volunteer. And the body would then be pumped with ichor. It would be. It would then by itself turn to a stone like substance and there would be an incubation period and the large shell like structure would then form around the body. Zeus, Apollo. Hades, the shadow person, Keto, the Naga and Ashelypius, which is just another one of the Greeks, decided they couldn't use just anyone for this experiment. This is an experiment performed by the Greek. Hades and Keto as a shadow person and a Naga, were naturally excluded from the mix for not being biological.

Cristina: Hades?

Jack: Yes.

Cristina: What is he?

Jack: A shadow person? He's a jinn.

Cristina: I thought you said he wasn't last time. He is.

Jack: Hades is a jinn? Yeah.

Cristina: Oh, okay.

Jack: But the Naga isn't his, if that's what you were referring to.

Cristina: Come on. Okay, whatever.

Jack: But yeah, Hades and Keto are excluded. The shadow, the jinn and the Naga are excluded because they're not biological. And you need a biological person to run science experiments on. Zeus obviously couldn't as he would need to be. As he would need to supervise the experiment himself.

Cristina: Mm.

Jack: You know, he's the leader of the Greek collective of researchers, which leaves only Apollo and Asclepius. So Apollo expresses fears about this experiment being the coward he is. So Asclepius volunteered. And first they began by asphyxiating Asclepius. Then they pumped his body with ichor and they watched him essentially turn to stone. And then a shell formed over his body. When the shell broke open like an egg, the Naga glycon came out.

Cristina: What is that?

Jack: The Naga who was with the Greek. And we didn't know who the f*** he was hanging out with.

Cristina: He came out of when we were.

Jack: Trying to find out who the f*** this extra Naga was, but he didn't seem to be attached to anybody.

Cristina: He was Born out of him.

Jack: He wasn't born out of him. This is just f****** Asclepius he was turned into. They successfully turned a dude into a Naga, bro.

Cristina: What?

Jack: They turned Asclepius into Glykon with. With ichor, which is just adrenochrome.

Cristina: I'm so confused.

Jack: What my question is, are the Greek somehow more successful here?

Cristina: And what does that mean?

Jack: Because they turned a biological individual into a Naga.

Cristina: Yes. But ichir's just blood, Right?

Jack: Ichir's just blood. But we know one, adrenochrome is overpowered.

Cristina: Yes.

Jack: Two, if you drink adrenochrome, it goes through your body, and then you drink the body of somebody who had adrenochrome. You have distilled adrenochrome, which is hundreds of thousands of times more powerful.

Cristina: But I thought you were turning into, like a shadow creature. But it seems like they killed him first.

Jack: They figured something out. Yeah, they Albert Weskered this guy.

Cristina: But, like, that's how closely we're related to both the fairies and the shadow realm that we can turn into either.

Jack: There's some science going on here that makes absolute sense. And we're not grasping it, but there's some science here that makes sense. If every. Everything is connected somehow.

Cristina: Yeah.

Jack: And we know adrenochrome can fling you over. And we know that the apples can fling you over. There's something going on. We know there's a tea you can make from a flower that just flings you over to the shadow room. All these things that could send you.

Cristina: We're related so closely to all of it.

Jack: Yes. So there's some science that's possible with science purely. That could allow. We know it allows access. Basic science is minimalist. People don't even know. They stumble upon it. Wolves just drink the blood in a battlefield because they're starving. Just starving.

Cristina: Wolves turning into monsters, and then they.

Jack: Turn into monsters, and then they die naturally and go to the Shadow Realm anyways. Just crossing over by default without even knowing accidents. So with thought, with precise numbers and thought, they made something which is either. It's unclear because there's so little on Glykon, but he's either pure magic of some sort or the closest we have seen thus far.

Cristina: Can he travel to the fairy world?

Jack: I don't know. That's the next f****** thing. There's so little on him. I have to look at every possible story, even relative to him, from every possible culture, every record of anything that has ever existed. There's so little on this guy. It looks like while the sea people went on an extremely absurd effort to suppress themselves, the Greek just decided to bury the project itself. They went crazy out of their way to make Glykon unheard of.

Cristina: But then what? What did they do after? Did they make their arm? Because it wasn't his goal to have many of them. Actually, I don't know what his real goal was.

Jack: No, I think it was just his direction to Kido was to be able to replicate Naga. So my assumption is this is an experiment designed by Keto. Although it's unclear and that hasn't been established. Yeah, I believe this is an experiment that Keto designed. Just like creating the the croagons of Medusa and Uriel. And then I have so many questions.

Cristina: Like what happened after that?

Jack: They succeeded and then they succeeded in making Lykon.

Jack: Well, we just know that there was a Naga Glykon hanging out with the Greek.

Cristina: But it didn't feel like that was his goal though. Unless that was his goal. But I feel like he wanted to do more.

Jack: I am sure more happened. Yeah, but we haven't figured that out yet. I'm positive more happened. It would be weird if like. Okay, yeah, we did it. Cool. High five, guys. Anyways, back to the drawing board. It's like. No, I doubt that's the case. I am positive that there is an ultimate goal and purpose to what's happening. We just don't know what that is yet. That was going to require obviously more investigation.

Cristina: Crazy, but okay.

Jack: Not only were they also trying to create Naga of their own with the Grogons, like Medusa and her sisters. And the same way Yaldabaoth was trying to do to make his own by creating Ophiomorphos. But it looks like even Yaldabaoth couldn't figure it out. But then again, then again, he got close. Right? Ophiomorphos could make other Naga. Yes, but they couldn't leave the Shadow Realm.

Cristina: No. That's why I want to know more about Zeus's one that seemed like, yeah, he might be a Naga, but is he also not that powerful? Like he can't actually.

Jack: Interesting. Based on how he was hanging out with the Greek gods. He was one of them. So he was bare minimum himself as a Naga. Yeah, he didn't lose anything. At least we know that much. Whether he gained something or not, I don't know. But the process of consuming ichor that came out of the blood of an already established God, you. You consumed something kind of exaggerated.

Cristina: Mm.

Jack: So we're Talking that this dude is likely quite a couple of magnitudes more powerful than Zeus. His capacity, his ability. If he is in fact a Naga. Zeus is just a guy with science on his side. But this Naga is magic. He made something, but you know, it could fail and it could die. So it's not safe for Zeus to be the one in the seat the first time. But if that's the case, maybe the Greeks went on an excursion to turn themselves into fairies. That's interesting. No.

Cristina: Yes. Yes. I want to know more about him, more about Glycon.

Jack: No, there's so little on him that looking into the common stories and essentially scriptures written on this guy, there's nothing. What I told you is all there is.

Cristina: That's sad. It's crazy. Yeah, man. I doubt he can go to the fairy realm or there'd be more than just him. Or something killed him. But we don't have any of that. So it doesn't matter.

Jack: Exactly. We don't have any of that. If he died, we don't know if he can successfully travel to the other side. We don't know. And there's not more of him, which cast doubt on it. Alternatively, if he's the first one and Naga have the ability to take human forms and this type of Naga straight up came from a human, maybe they can sustain human forms. And some of these people we're looking at are Naga and we just don't know it.

Cristina: Which people?

Jack: Some of the Greek. Oh, maybe some of the Greek are just Naga and we don't know it. If they can sustain. Again, we established that some Naga who are pure Naga can create a human replicant to such a degree that pregnancy becomes possible.

Cristina: Yeah.

Jack: If you began as a human, you have a head start.

Cristina: Mm.

Jack: You see? So it could be to such a degree that maybe we're just not noticing that they are. And maybe there are many of them.

Cristina: Yeah. Whoa. That's crazy. If only there was more info. Ah. Sucks.

Jack: It's complicated, right?

Cristina: Yeah. That doesn't even make sense.

Jack: It doesn't. It absolutely doesn't. I don't understand, because now we have quite a strange issue going on in which. Let's go back up. We have a item made of magic, a bow, that could presumably kill a Naga. So creating, crafting, building items, weapons, tools, using magic is possible.

Cristina: Mm.

Jack: We had an idea with Alicorn, but now we know of something literal made, not just a theory. Although Antonio couldn't figure it out. Before him, people had.

Jack: We have the situation of the same guy who has the magic bow one hiding it on Earth. It's somewhere on Earth. There's a freaking magic bow somewhere on Earth. But falling in love and mating with the Naga.

Cristina: Soma, does he still have the bow? Does the church have the bow? Who has the bow?

Jack: Well, yes, for the bow. But now the Naga can reproduce too. Not only can the Naga reproduce, which establishes the entire kingdom of the Naga. And the fact that they have hierarchy.

Cristina: Yeah, they can reproduce with humans.

Jack: They can reproduce with humans. They can create such a close replica of a human that allows them to have children with a human.

Cristina: But also with these babies. We don't know if they can get into the fairy realm.

Jack: Yes, exactly, exactly, exactly, exactly. We don't know if Astika can actually cross into the. Into Elfame. We have no idea. We don't know if his powers are suddenly limited or if they're not limited. And he's just a full out capable of going into Elfame and the Shadow Realm Naga. And can he do it at will? Is it something he could just choose like the rest of the fairies?

Cristina: Yeah. Can he? Can the Greek ones do it? I don't know. I want to know.

Jack: Not only that, not only are there weapons that could be crafted using magic that could harm magic creatures. Hence proving the point that a philosopher's stone could accomplish this to many magnitudes over a regular tool. And not only could the Naga reproduce among themselves, and not only could the Naga reproduce with other creatures, presumably even Shadow Realm creatures. There must be an equivalent over there. We just have less stories from that end. But if you can just take a form. There are Naga in the Shadow Realm assigned to Jinn. It is absolutely likely that there are Jinn who have mated with Naga.

Cristina: Yes. Yeah.

Jack: So there are half Naga, half Djinn somewhere. Because the Naga are magic. They can just take the form of this non physical Djinn and reproduce in whatever method they reproduce. Not only all those things, but then here on Earthrealm we have the bow and a civilization of defectors. Naga who said f*** the kingdom, f*** the rules. We're gonna go live an independent life away from that.

Cristina: How haven't they been turned into philosopher stones yet? Unless that's what happened to them. Because we don't know.

Jack: We don't know.

Cristina: We don't know yet.

Jack: D***. I wouldn't put it past if a bunch of them just decided to come.

Cristina: Over and we know the physical location where it is. I know that I doubt there's anything there now. Or there's probably just humans there now.

Jack: Humans. Naga must be Gone.

Cristina: Then again, those humans could be Nagas. Like, who knows?

Jack: Who knows? Who knows? That creates an interesting problem. Yeah, no, you're totally right. But if humans became aware of a location filled with the Naga, and you were already trying to make a Philosopher's Stone, there was a place with dozens, hundreds, thousands, who knows of Naga, of Naga. You can go and. But how would you kill them is the problem. There's still magic. You could only do it if you have the means. And chances are the only means are a Philosopher's Stone. So you need a weaker Philosopher's stone to create a more powerful Philosopher's Stone.

Cristina: I mean, all the Sea People have it. Maybe.

Jack: I mean, all Yalda must. Yeah, there are a couple of Philosopher Stones out there, but I don't think they'll be strong enough to kill thousands to potentially millions of Naga.

Cristina: How many lives were taken to make Eve?

Jack: To make eve? It was 50 million.

Cristina: That's a lot of lives.

Jack: That's a lot of lives.

Cristina: But then how much. How old is the Sea People? I mean, not the Sea People. The Naga's making that town. Dynasty.

Jack: The dynasty happened.

Cristina: What period?

Jack: The early. It was like nine hundreds.

Cristina: Okay, that's after. What if Jesus. Do you think he has his own stone?

Jack: Okay, my timing's wrong. It's about the year 50. It's still pretty fresh after Jesus, where this was formed. So kind of it seems that weirdly enough, around the same time period, everything hits the fan. Jesus happens and s*** hits the fan in every possible shape and form from every direction known to Matt.

Cristina: Yes.

Jack: Including Elfame. Jesus happened and even s*** hit the fan in Elfame. A bunch of m************ like, nah, we're out. Naga falling in love with human around the 50s, leaving Jesus dying in year one.

Cristina: You think they saw Jesus?

Jack: The establishment of Catholicism in the year 100.

Cristina: It's crazy. But do you think they saw Jesus?

Jack: I don't know. I don't know. Maybe. Maybe. Holy s***. You think they saw Jesus and that incentivized them to leave?

Cristina: I don't know. Do we know if the Shadow Realm saw him? I feel like they did. I think they tried to contact him as well.

Jack: Yeah, I think so. I think we read a couple of things about the Shadow Realm people directly having visions of Jesus as well.

Cristina: Okay, that's crazy. What is he.

Jack: Okay, we got a couple of weird things, man. We got individuals from the Shadow Realm that can see Jesus. We have artificial beings, ophiomorphos. We have Medusa and her sisters. We have a non artificial Being being altered into the form of a non artificial being. But in return himself being sort of an artificial replicant of that which is a glycon. Which used to be just a dude.

Cristina: Yeah.

Jack: And then became a freaking Naga with science. Science.

Cristina: I don't know if you can travel.

Jack: We don't know if you can try. We don't know if Jesus can enter the. The fairy realm. We don't know if Joseph can enter the fairy realm.

Cristina: So many questions. I thought we did solve some. I think we answered a few.

Jack: I think we know why they're trying to make Naga of their own.

Cristina: For sacrifices.

Jack: Yeah. It's either. Absolutely. That's what I'm thinking. It has to be either for sacrifices or now as I'm saying it out loud, because the Naga are kind of overpowered already. It could be for their intellectual power. But if you can make up being that intellectual, you would just, you know, you yourself would be able to do the thing. So it's probably for their power. It has to be.

Cristina: I think so.

Jack: It has to be in order to sacrifice them to create a philosopher's stone strong enough.

Cristina: He's always tried to use something more intelligent to sacrifice a bunch of. Like.

Jack: That's how it started off over here. Yeah. What is it? Primitive apes created the philosopher stone Adam. Then the philosopher's stone Adam with the fruit of life create primitive humans. Then primitive humans get sacrificed to create philosopher's stone Eve. Then philosopher's stone Eve. Plus the fruit of knowledge create modern humans. Then modern humans would be sacrificed to make a more. But we don't know of that stone existing. We haven't proven that stone. So those are two stones, Eve and Adam. And then whatever Jesus is. And then we know Yaldabaoth sacrificed Jinn to make a philosopher's stone. And then what he used that for is unclear. Presumably to be able to kill fairies. Thus creating the fairy forest. Not the fairy forest. The forest of shadows with fairy trees. Which. The connection between everything is so absurd. If we just talk about the forest of Shadows in which it exists in the realm of shadow with the bodies of some type of fairy leading to the creation of Earthrealm. Like the level of connection there is nuts. That's all three just happening in one spot.

Cristina: Yes, but we don't know if it's actual fairies because you could all also be Naga, which are a type of fairy.

Jack: Those are fairies too.

Cristina: Yeah. Yeah. But like we don't know if it's. Whatever the actual fairy people.

Jack: Yeah. We don't know what kind of a Fairy. We know fairy. Yeah, Some fairy was used to create fairy trees. It could be Nagas, but it could be Naga. It could be elves. But at this point, the only one that it seems likely we can see that we.

Cristina: They've died. They've been killed.

Jack: Are the Naga. That's where we are with that. And for some cherry on top discussion, there are four individuals in one location to address who I found the name of four different elves that we can look into in the future. For elves, it's hard to tell to find anything on Alfamen has successfully found by every description, they are named elves.

Cristina: Okay.

Jack: Shiva, Vishnu, Indra, and Brahma.

Cristina: Those all a few gods of the.

Jack: Hindu gods seem to all be. These are the top Hindu gods, not every Hindu God, just specifically these four seem to be elves. Their descriptions go as follow. All of them exist to prevent anyone else from getting too powerful. All of them have the abilities that everyone else has. They all come from a realm described as pure magic.

Cristina: Okay.

Jack: Now what confused me about this situation when it comes to them, because they're obviously elves by each and every definition, and they exist seemingly in Elfame and then come to Earthrealm. Quick descriptor. Vishnu, particularly seems to be a elf that loves yoga. He's just known for loving yoga and meditation.

Cristina: Mm.

Jack: There's little on the other ones, but this one is, you know, enough for that. Where it gets weird is Shiva has the shadow Naga King Vasuki coiled around his neck. Even within Elfame, the kings are also.

Cristina: Doing the same thing.

Jack: Attach to somebody.

Cristina: Whoa.

Jack: So while Shiva interacts his job with humans or earthlings, let's say his. He does his job with earthlings.

Cristina: Wait, so fairies also get Nagas?

Jack: Naga? I don't know what the f*** that means.

Cristina: That is strange.

Jack: Okay, this is a fairy being assisted by another fairy.

Cristina: Yeah.

Jack: Are the Naga more powerful than the elf? I don't know either. This immediately confuses me because you'd think the elves are more powerful because they should, in theory, have the ability to put a cap on the Naga's capacity because they're supposed to help. But if not, then it explains how somebody like the sea people still kind of circumvented that because Oros is somehow more powerful than meb.

Jack: He might be the experiment that could. So Shiva has Naga King Vasuki coiled around his neck. That's a shadow realm Naga Crazy. Vishnu has the Earth realm Naga King Shesha coiled beneath him as a yoga mat.

Cristina: Okay.

Jack: What the h***?

Cristina: Okay.

Jack: And Indra has the Naga, King of Kings by his side. Sometimes as a partner, a man standing next to him, and sometimes as a staff by his side.

Cristina: Yeah, that's cool.

Jack: Weird.

Cristina: It is weird. But it's like Dragon Ball Z. Like the cat people and the angels fair. Because the cat are the real gods.

Jack: In the overpowered thing. But they still have something even greater next to them.

Cristina: Yes.

Jack: That. Do what they say.

Cristina: Yes.

Jack: Holy s***. Interesting, huh? I didn't think about that. Additionally, weird fact, Brahma, who seems to also be an elf by every definition possible, does not have a Naga. I even looked up why he doesn't have a Naga. And you even find people on Reddit and on Quora asking, why doesn't Brahma have Naga? Everybody else is shown with it.

Cristina: Killed one.

Jack: Well, no.

Cristina: Okay.

Jack: It looks like he's something superior to the other elves.

Cristina: Oh, okay.

Jack: Brahma might be some other s***. He's an elf.

Cristina: Just a higher ranking.

Jack: He might be a higher ranking. If there is anything stronger than the Naga, following Brahma might take us in that direction.

Cristina: Okay, what?

Jack: Additionally, Vishnu, the yogi elf who hangs out with Earthrealm, Naga King Shesha, coiled beneath him as a yoga mat, practices this yoga where people come to see Vishnu. Now Vishnu puts a cap on somebody's power. I don't know who yet. We know his job exists because he's still in Earthrealm. Unless there are also rogue elf. And I don't think that's the case because the Naga they're hanging out with is still doing their job. So he practices his yoga on top of a mountain.

Cristina: Crazy.

Jack: Of course, Mount Kailash.

Cristina: Another mountain.

Jack: Mountain where there is a fairy. Which is quite interesting. Especially because when you look into Vishnu, one of the descriptions the Hindu have attached to him is. Guardian of what, homie? You hang out on a mountain and they call you guardian of what, homie?

Cristina: The fairy flowers.

Jack: Not the fairy flowers. He's on a mountain, dude. There's a portal to the f****** fairy realm.

Cristina: There could not be a portal. There could be a portal. I don't know.

Jack: He's on top of the mountain. He's an elf. And he's a guardian. Of what? It's a mountain. What are you guarding, bro?

Cristina: It's gotta be.

Jack: That's my theory at least.

Cristina: Yeah.

Jack: That'S my theory at least. I don't know if I'm gonna be right when I look into it. But that's my theory, at least.

Cristina: I think so.

Jack: Which means there's a way. Except you gotta be able to, you know, you gotta be able to one up a freaking elf. So that doesn't happen.

Cristina: I guess not. But also, could anyone even go through it even if they saw it? Because I thought.

Jack: Because it's not physical, it's different. Yeah. Oh crap. You think it works the way like a Shinto bridge does?

Cristina: Yeah.

Jack: Interesting.

Cristina: Unless we have stories of people entering the fairy. I don't know. Which I don't think there is. So I think it's a one way thing. But I don't know.

Jack: I know. We gotta look into it.

Cristina: Okay. Okay.

Jack: But that's where we are. Fairies can make way humans furries can create perfect human replicants. Weapons could be crafted, made of magic that could harm fairies.

Cristina: Turned into philosopher stone.

Jack: They could be turned into philosopher's stone. You could turn humans to Naga crazy. That's nuts. Which. Dude, we've been. Dude, we've been sleeping on the Greek for a while. We've been like, you know, whatever. There's some background noise. But they've had a lot of time. They've been neglected for a while and they've only had adrenochrome. So even if it's not the fruits, they got this one thing they're working on over and over. They just got better with it.

Cristina: Now we got to find out what exactly are they doing.

Jack: What exactly are they doing? There's.

Cristina: What are they up to?

Jack: I didn't know they were players. I did not. I thought they were just, you know, trying to catch up, but it seems.

Cristina: Like they caught up.

Jack: They pulled ahead, bro. They might have pulled ahead a while ago. Again, information dies out beyond a certain point.

Cristina: Oh yeah.

Jack: So we just gotta see, based on the farthest we can see, who made it the farthest.

Cristina: Mm.

Jack: And we can only surmise that based on knowing what they were doing at the given time that they were most active.

Cristina: Mm. So, man, I hope there's more to find.

Jack: But this is as far as the Naga research goes. Now we got a couple of little paths to follow here and there. I'm gonna take us to some fun places. Hopefully we can find out some more of what's going on.

Cristina: Yeah. I can't wait.

Jack: So. Yeah, that's what I got. This is the crazy crap I found. All of which informed us quite a bit. Once in a while we get an information dump. Other times we're just kind of following the narrative.

Cristina: Mm.

Jack: This time we got an information dump. That's a lot of details.

Cristina: That's a lot.

Jack: Never considered a Naga Philosopher's zone, but it makes sense if we could make it out of everything else.

Cristina: Mm. That's so crazy.

Jack: Which means an elf philosopher stone must be real too. There must be different magnitudes of Elfame philosopher stones. Fascinating.

Cristina: We gotta find out.

Jack: Research for days. Anyways, anyways, anyways, if you guys want to give us some of your input on whatever the h*** we're talking about, especially Naga. If you know of any interesting Naga we should be looking at, let us know. Tell us their names and where we can look for them. You can do that on all our social platforms. X, Instagram, Facebook and Tick Tock, usconvopod.

Cristina: And remember to subscribe and rate and review the show.

Jack: Yes. And word of mouth. Tell everybody that we are uncovering the truthiest truth of all the truths. It's our job. We're reporters. We do the homework and we tell you. Otherwise we don't see. See our checks.

Cristina: Our checks. This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: Fine, whatever. Do the thing and then keep doing our thing before. But because we do the episode, meaning we do some research. We get information, get a lot of details. We find a thing. We want to be cohesive to some degree, not just randomly all over the place. It is rambling. We are rambling. We're kind of riffing on the data, or that was the point. Except the hole got a little deeper and it's like, okay, fine. We're more informed, so it's easier to focus when we're looking into the thing. Oh, this is also about a dream Chrome, but we have, you know, some information now in our memory about a dream Chrome, so it's easier to compare notes on. This is weirdly like that. But whatever, you know, people across the world do the same thing. Then it shows up over there again. It's like, oh, yeah, Surprisingly similar. But, you know, this is not even thinking. It's not even thinking it's related. It's like, okay, I'm talking 150 episodes ago.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo, and logo by Seth McAllister with social media managed by Amber Black.

Rambling 240: The Earth Gods

What are the true goals of these global research teams? How did the Maya interact with the Egyptians? And how many of these groups exist? Continuing the trail of Elfame scientist Oros, the duo deep dive into the Maya people and discover details previously unknown to them. As they inch closer to the truth more questions arise leaving  confusing breadcrumbs to follow. But with one new important piece of information, a door to a baffling new series of paths to follow opens.

+Episode Details

Topics Discussed:

  • Spirit Gods
  • Itzamna
  • City Chichén Itzá
  • Ix Chel
  • Advanced Agricultural Development
  • Cizin
  • God of Death
  • Ruler of the Shadow Realm
  • El Castillo (The Castle)
  • Alignment
  • Portal to Qaf and The Shadow Realm
  • Creating Life
  • Data Storage Research
  • The Paris Codex
  • Energy Storage Research
  • Dresden Codex
  • Portal Research
  • Madrid Codex
  • The Sea People
  • Jacawitz
  • Secret Shadow Realm Research Team

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in five, four.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd, baffling ideas. And as of in Fate Infinity. It seems now we've been following this weird, unraveling narrative about the sea people, the Shadow Realm. Now Elfame is included, Adrenochrome, and a series of other events that seem to all coincide and exist together, including Jesus.

Cristina: Christ, Jesus, aliens, etc.

Jack: Etc. Etc. So when we discovered Elfhame, which is essentially the magic realm, one of the three realms, all the other realms really collapse into the three realms, which are the Shadow Realm, Earthrealm, and Elfame. Although it seems like in Greek mythology there's nine, In Norse mythology, there's nine. In Christian mythology, there's three. Three. But it doesn't seem the same three. The three kind of exist. They're spoken of the way that all of they only address three that seem to all be part of the Earth Realm, and then the Shadow realm briefly as Limbo. So kind of almost everywhere they leave out Alfame, which is the actual third realm. They discuss a number of other things as though their realms, but they're not. Anyways, in Elfame, it seems that the God of gods is made, as we have established the God named Mab, which is again, we use gods as a terminology that simply shows up in texts and documents. But at this point we've established that seemingly everything is advanced civilizations of the past and a crap ton of science. Yes, science that looks different depending where they do it. And it looks magical because of the leaps and bounds from everyone around them.

Cristina: It's actually magic.

Jack: It doesn't mean it's actually.

Cristina: We just don't get it.

Jack: Exactly, exactly. The best way to describe it is sciences from different physics. Yes, it's the best way to put it. So one of the things that we came across was the quote, God Oros, created by a bigger God, AKA scientist. So a science. I'm assuming Oros is some sort of homunculus or artificial life form, a lot like an Android or something along those things. But it could have been the first successful. Whatever everybody else is trying to do.

Cristina: Yes, the goal, whatever that goal is. Okay.

Jack: And Oros makes what is what we refer to as Sanaga, which is a serpent race, sort of artificial serpent race. And last week we traced Oros to see where it would take us if we tried to like cross reference Oros, his creations, and what we already know is involved in this bigger narrative. Right, because we know Elfin created Oros and told Oros to send his creations, one each, to the most technologically advanced civilizations across the realms.

Cristina: Shirsi is not related to us. Like, she didn't make us and leave us to go over there or anything like that.

Jack: There's no way to know. We don't know anything about Mab.

Cristina: Oh, okay.

Jack: Other than she.

Cristina: She has made those things that are in that other.

Jack: Yeah, exactly. We don't know anything other than that. And that she made the three goddesses that are probably the creators of life across the other two realms.

Cristina: Okay. They're responsible.

Jack: I think they're the gods, quote unquote, that have made the life that exists in the other two realms.

Cristina: Okay.

Jack: And probably that just. I think we should stop saying gods and establish that they are scientists. These are a bunch of scientists and magnitudes that we don't understand. The easiest way to understand it would be to go back to an episode called the Kardashev scale, which explains giant magnitudes of power that exists simply scientifically, starting at us. We're not even magnitude 1. Magnitude 1 uses the entire power of a planet. Magnitude 2 uses the entire power of a star. Magnitude 3 uses the entire power of several stars. Magnitude 4 uses galaxies, magnitude 5, several galaxies, so on and so forth, until you have the power to control entire universes, multiverses, so on and so forth.

Cristina: Ridiculous. So we don't know where she is.

Jack: She must be bare minimum, beyond the point of a universe. It must be that level of advance. And this is assuming. This would lead us to assume that she is just one of many and that, like, that's the only reference we can understand of her. But there's. There has to be stuff over her. She might just be one scientist, okay? But the level of power we're discussing is incomprehensible to us.

Cristina: But all we know is she is the top, from what we've gathered.

Jack: Yeah, exactly. She's the top of. At least from our perspective. We don't know. And it's probably not. She's probably not.

Cristina: No.

Jack: Everything is fractal. Everything is the same all the way up, everything is the same all the way down. And so if we follow her, this should play out that way. Anyways, last week we were talking and we found, cross referencing Oros, we could successfully track the Egyptians and the entire lineage. We found the serpent that was sent there, the Naga that was sent there by Oros, which Was Wadjet one of them.

Cristina: And we found that Shadow people working with them.

Jack: We saw the Shadow people were working with them. That the Shadow people also had a Naga. That was their complicated name. I don't remember it and. Or kind of remember it. I saw it was. I'm not gonna try to pronounce. But anyways, Ra, the leader of the group, and Adam, another leader of a group they have. They create a team of researchers that are presumably all the way in the Great Void right now. The Great Void in space.

Cristina: Oh, okay.

Jack: Because they made teleportation technology and the ability to control immense energy and store immense energy.

Cristina: Yes.

Jack: So there was another group of people that seem to be very, very, very, very, very involved with the Sea People as well, and had identical records stored with them. Now, we didn't know what the point of these or how. How primarily. And we. The point of going through Oros and his children is to find all the connecting links. All the most powerful civilizations, of which there are a bunch. But a lot of them are insignificant in power by comparison, even if they're highly advanced compared to normal people.

Cristina: And we weren't sure whether they were enemies or friends or what was going on. And it seems like who the Naga, whether it was the fairy people or the Shadow people or humans like their relationships to each other. But with the Egyptians, it looked like.

Jack: Everyone was working together, at least in that case. Yes.

Cristina: Yeah.

Jack: At least in that scenario. We had a good example of the research team called the Shad, the Sun Gods, working together. And this was a coalition of creatures from Elf fame in the form of the Naga, creatures from the Shadow Realm and creatures from Earth Realm and the Sea People, which are from EarthRealm. But we got to discuss them separately.

Cristina: Yes, because they seem human or they are, but they're not.

Jack: Doesn't matter if they're human or not. Yes, because not everything we're discussing is even necessarily human. We have no idea if any of the creatures from earthrealm are necessarily human. We just know they're from earthrealm and way advanced. It could be a different lineage of some intelligent life form. But the Sea People have to be discussed separately because of the leap of technology from the next best thing. They're so far out there. But last week's episode was the Sun Gods, and it was establishing that. That, yes, there is a team of people across all three realms kind of working together for some unknown purpose. And it seems like we're closing in on something like they're trying to get to. We already know that Jesus was most likely made to try to get into Alfame. We know that Joseph was made probably to try to get there. And with the information we got last.

Cristina: Week, someone betrayed the group.

Jack: Yes, but it seems that they were also trying to build enough energy. Yes, and a teleportation device. And they have all the things needed to make Jesus in the first place. And all of this seemed to be aiming in that direction. So as far as we know, getting into Alfame seems to be the primary goal of everybody.

Cristina: Yeah.

Jack: So allow us to introduce today's episode, the Earth Gods.

Cristina: Huh?

Jack: Now, following Oros, there was a second group of people who were as connected as the Egyptians. That would be the Maya.

Cristina: The Maya.

Jack: But the Maya are all the way in Guatemala, the border of Mexico, way over there. How are they even connected?

Cristina: How?

Jack: So we follow Oros and we cross reference Oros and the Maya. Let us begin. Oros had one child that he named Kukulkan. And Kokulkan is a Naga. Like we have seen a pattern of a feathered serpent. This has been showing everywhere.

Cristina: Yes. Now, wait, but this is his only son. What are the other things?

Jack: I didn't say that's his only son. He said he had a son.

Cristina: Oh, for some reason, I thought you said only like what?

Jack: Okay, this is one of his children.

Cristina: Okay.

Jack: So, yeah, named Kukulkan. And Kukulkan is a serpent like the rest of them. A feathered serpent like the rest of them. We call them children. They're probably just his experiments. For all we know, using his DNA or whatever it is he has. Anyways, so he goes to the Maya, this advanced developing civilization, and he goes to side with. Now it's we before we knew they went to help civilizations. As we dug deeper, we found out that they seem to almost be assigned to individuals.

Cristina: Yeah, right.

Jack: They seem to assign to individuals. And not even assigned. They just go to whoever's the leader of whatever most advanced civilization.

Cristina: Dude, I was like, I'm gonna be the leader.

Jack: Yeah, he told the abandoned post. But Kakul Ken goes and joins the Mayan leader, called it Zamna and Itzamna again. Mayan leader is very similar in a lot of ways. Tara, the scientist of some scientist astronomer. He developed the Mayan written language and the Mayan calendar.

Cristina: Okay, okay.

Jack: And he established herbal medicine for the Mayan people and the city of Chichen Itza. Okay, so this is a very important man. Very scientifically inclined, very powerful, very resourceful, very useful. Of course, Kukulkan would go to his side to assist him in developing this civilization with the beginning of the city Chichen Itza. So this is one of the largest cities, if not the largest city, depending where you're looking from or what sources you're looking at, is the largest city in the Mayan Empire.

Cristina: Okay.

Jack: And Itzamna, again, the most interesting two details here are that he created the written language and the calendar, but is simultaneously an astronomer and a scientist. The this goes perfect the astronomy and science with the creation of a calendar. He's watching the stars and understanding how that breaks apart. Where it gets weird is the fact that he was also a capable of understanding medicine to such a degree. They created herbal medicine for the Mayans, and he created written language. This will later be very useful. Now this immediately becomes a very, very, very familiar scene.

Cristina: How so?

Jack: It's important to know that the Mayan people call many of their highest leaders spirit gods. They weren't just gods, as we know. All the scientists often are the ones labeled like the most powerful civilizations with the most powerful individuals are often called gods because there's a huge gap of division between them and the people that they keep out of their work. And at this point, I think words of the past God just meant scientists at this point, perhaps through time, the word God became scientists, which applies with how we look at things. Yeah, because science tries to tell us how the universe began the same way God tries to tell us how the universe began. There's a lot of similarities here. So I'm thinking as we see this over and over and over, it seems more and more likely that the word God in every instance translates to scientist. But something that kept showing up in these mythological researches and writings was spirit gods. Just gods that you would assume is already some sort of spiritual being. No, they made it very important to say spirit God in particular. And let me establish that Itzamna, the most important of them, was not a spirit God. He was just a God.

Cristina: I felt the spirit God underneath him or above him.

Jack: No, he's the highest, most important person.

Cristina: Okay.

Jack: And he's one of several. He's just the most important one. And they're not necessarily all called spirit gods. Only some of them are. I found this very interesting and very confusing. I had no reference point as to what they meant with the word spirit specifically until I dug a little deeper. Now let us bring into the picture. It's Amna's wife. Her name is Ixchel. Okay. This is immediately gonna answer so much. Ixchal is again the wife of Izamna, called by the people A spirit manifested from suffering.

Cristina: What?

Jack: Which remained on earth for a spirit manifested from suffering.

Cristina: What a horrible description. What?

Jack: No, it's not. It's a description we've heard a million times.

Cristina: Is it Jesus. I don't know. What? What is this description?

Jack: There is no way in h*** you're not connecting this most obvious of all dots.

Cristina: A spirit that.

Jack: A spirit that manifested through suffering.

Cristina: I don't know. Wow.

Jack: I might just wait until you connect the dots. I don't even understand how this is not clicking.

Cristina: What do you mean? How is it so obvious? A spirit? I don't know. She a banshee? I don't know.

Jack: What is a banshee?

Cristina: A fairy. A fairy. Right. Okay, so she's a fairy.

Jack: A banshee isn't a fairy.

Cristina: How are you?

Jack: How can you think fairy and still not even think of the Shadow Realm? And how everything over there shows up because of suffering? What?

Cristina: I thought Banshee was a fairy. And I thought fairies did come from the Shadow Realm, but they don't.

Jack: They come from Elfame.

Cristina: Okay, yes. No, I thought, like, from some of them came from the Shadow Realm. Not all of them.

Jack: I know there's no fairy comes from the Shadow Realm.

Cristina: But the banshee I thought was also a fairy. Yes.

Jack: This is before we had a bunch of information that elaborated on differences between creatures.

Cristina: Okay, but they're not fairies whatsoever.

Jack: I mean, a banshee might be a fairy. I don't know. But the point is, the Ix shell came with suffering.

Cristina: Yes, yes, yes. Okay. Shadow Realm creature.

Jack: Like everything in the Shadow Realm that has ever shown up on this side without there being a gate, it happened because of suffering. Sacrifices, fear. Which is suffering.

Cristina: Yes.

Jack: How the h*** was that not just obvious as h***? We've been talking about this for like three years straight.

Cristina: She's a human. She's not.

Jack: I never said that specifically. Said a spirit manifested from suffering.

Cristina: But the guy is human.

Jack: I don't know. I also began by saying that we don't know that any of these scientists are necessarily human. Oh, just because Earth Realm does not mean human.

Cristina: Okay.

Jack: That is. I don't know what your inclination to connect humans.

Cristina: Because I thought he was a Mayan.

Jack: That doesn't mean he's human. The Mayan people who were left behind were human. But what are these? Why are there people way more advanced? There are Egyptians who are human now. But what the h*** happened to the great powerful Egyptians that were there first? Were they human who abandoned humanity? Or were there something else? We don't know.

Cristina: Okay.

Jack: They are. We have no idea what these things are. They could have been human, but we do not know. We don't know. I have no idea how the h*** you weren't connect. I'm sure every listener who has followed up to now was screaming it. Because it's obviously a creature from the Shadow Realm. Obviously. There's nothing else. This could have been a spirit manifested from suffering. Nothing else. It could have been. We have not.

Cristina: She sounds like one of those ladies that were ghosts. I don't know which came from where, I don't remember.

Jack: 100 it was the shadow realm now.

Cristina: But I. I confused them with elves. I don't know.

Jack: Elves are. They could just move through their actual fairies just move through effortlessly. The fact that she needed a catalyst should have been the answer. Anyways. That sad, sad lapse of dot connecting aside, Ixchel has an unnamed serpent coiled on as a hair, as a headdress.

Cristina: Interesting. She has a snake too.

Jack: Yeah, it's unnamed and only speaks to Ixcho.

Cristina: Okay.

Jack: No one has ever heard it speak, but they see her speaking to it and it responding, but they don't hear it. It's like whispering to her. And she's talking back to it. Yeah, they just know it communicates only with her. Unknown why, but she had her own.

Cristina: So it might be one of those Magas, whatever they call Maguas Naga.

Jack: It's definitely a Naga.

Cristina: Okay.

Jack: But now we have a very similar situation to the Sun Gods where Adam had his own serpent and so did Ra, and they were both part of the same group. So the Sun Gods had two. And here we are with the Earth Gods and they have two.

Cristina: Yes, and one of them in the other place was a Shadow realm. First scientist like this place, Adam. Yeah. So it's. It's mirroring in that way too.

Jack: Yes. The Ixchel comes and. Well, actually a few of them in the research team of the Sun Gods came from the Shadow Realm. I believe it was three. It was Adam and two more, I think.

Cristina: So it could be something like that in this party as well.

Jack: Could 100% be. Yeah. So things about Ixchel that matter. Not only is she the wife of Itzamna, which means he married a creature from the Shadow Realm. Which puts us even closer than just.

Cristina: It was hard to understand that she was a creature because like, you don't hear stories of people marrying shadow realm.

Jack: No, this is the first point exactly.

Cristina: That doesn't sound right.

Jack: But everything else about it should have. Had I started the other way around, he would have been like, okay, it's a creature from the shadow.

Cristina: Yeah. So saying he was married to her or she was his wife, like that seems like a normal person that's described as a ghost or something.

Jack: Doesn't say they had children of any sort though. Which because they probably couldn't mate.

Cristina: Yes, makes sense.

Jack: Yeah. Now very interesting detail here. It doesn't seem that they're equals even if she is his wife, because something that showed up repeatedly is that she was the assistant of Izamna, almost equal to Kukulkin.

Cristina: Which one's Kukulkin?

Jack: His serpent. His mother.

Cristina: Oh, okay.

Jack: Now what were her duties? That becomes very interesting. Settling. She was a biologist, she was a botanist. And she single handedly advanced and developed the agricultural development of the Maya.

Cristina: Okay.

Jack: So between the two of them, they successfully turned the Maya empire into the colossal, monstrously large empire, most likely the largest civilization before modern day that existed. Yeah, and that's keeping in mind that the Sea people civilization wasn't even large as compared to a lot of these civilizations. It might have actually been the smallest.

Cristina: How do we know that?

Jack: Because of how small and focused all of their work was. The Maya was colossal. Egyptians. That was huge. I mean nowhere near the size of the Maya. That s***'s big as f***. But it was still big as f***. While at least while in the Persian Gulf oasis. That was small. The Palos Rakaras is small. Like it's not like literally the size of a city. Maybe smaller. Oh, less than New York. Manhattan, not state Manhattan, smaller.

Cristina: How big of the Mayan location?

Jack: All of Guatemala, some of Mexico.

Cristina: Oh, okay, yeah.

Jack: Size of countries. Okay, well casual. Casual like size difference is colossal. It's like why the. I guess the focus of the sea people is exaggerated. But also they were very private. But not at the beginning. They shared stuff, but they're. Except their home.

Cristina: Except their home.

Jack: Important detail. They shared everything except their home. To the point the rest of the Persians felt alienated from them. Interesting, right?

Cristina: Yeah.

Jack: So even while they were sharing, they were so private. So yeah, they developed this huge, colossal, monstrous sized civilization. Now enter the last member of the Earth gods sizen.

Cristina: Okay.

Jack: As referred to by the people of Maya, a spirit allured by death.

Cristina: Another shadow realm creature.

Jack: The shadow realm creature, referred to specifically as the God of death. Now interesting things about this guy according to the Maya seemed capable of suddenly appearing where tragedies and death occurred.

Cristina: Did they say what he was doing around the area? He just happens to be there.

Jack: Whatever, hanging out, whatever shadow people do. None of that matters because the next next Bullet point makes him maybe the most important thing we've heard of so far. Which makes him more important than Autumn, who created an entire successful civilization in the Shadow Realm. More important than Jehovah of the Dark, which seems to be the big issue.

Cristina: Yeah.

Jack: More important than the creatures we've seen come from over there that aren't evil, sadistic monsters. Specifically, how they refer to it is that he was the ruler of the underworld.

Cristina: That's different.

Jack: This individual might be the most powerful individual to have come from the Shadow Realm.

Cristina: The top of the food chain hanging out there.

Jack: Interesting, though.

Cristina: Yeah.

Jack: Now, descriptions of him. There's not a lot of descriptions of the others. There's a lot of descriptions. They were very. He left an impression. He dresses with the decomposed bodies of those he ate to become leader in the underworld.

Cristina: Oh, my gosh. Okay.

Jack: Is sustained. Oh, man. This is the most important part, I suppose, because he doesn't seem to just be able to stay over here. Somehow Ixchell and Autumn and these creatures manage to stay over here. This guy seems. Maybe he is literally part of the Shadow Realm because of this. Next line. Is sustained in the overworld Earth Realm with regular ritual human sacrifices.

Cristina: Sounds right. Okay. That sounds really dangerous to have around you. I don't get it.

Jack: Yep.

Cristina: This confuses me.

Jack: He's not killing them. People are offering sacrifices to him.

Cristina: This is so Shadow Realm adrenochrome.

Jack: This is way in there.

Cristina: This seems like the opposite of what the sea people would be interested in.

Jack: They're not working with them. As far as we have discussed.

Cristina: Like from what we knew in the past, from other things. We thought the Mayans were getting their signs and stuff from the sea people, like the Egyptians. Well, but now maybe not. I don't know.

Jack: Again, he's not sacrificing anybody himself. If he was out there murdering, I'm sure that would be against it. But if the idea is that this guy is very useful for us and the people have agreed we rather have them than not. Nobody's forcing anybody. Again, it's sacrifices he is not murdering. They are offering.

Cristina: That's crazy.

Jack: Specifically, ritual human sacrifice. The humans are offering it to him. And they do it discreetly at his command, which then changes what we think of them because. Yeah. Human sacrifice. Oh, how horrible. But he doesn't want it visible. So it's not fear, it's the blood that's keeping him around.

Cristina: Yeah.

Jack: He has him toss the sacrifices into a well called Cenote, and then he goes in the well and he does his thing. Okay, he doesn't seem to be a Djinn. Ixchell seems to be a Djinn. Autumn seems to be a Djinn. This guy is a creature that isn't a Djinn because he does need the blood.

Cristina: He still sounds like some type of Shadow Realm creature.

Jack: No, he's a Shadow Realm creature for sure, but not a Djinn. He's some other thing. Now we have our team. We have our team of the Earth gods. Sizen ishell. It's Zamna and the two serpents. The unnamed serpent and Kakulkan. What were they doing?

Cristina: What were they doing?

Jack: Let us begin with El Castillo translates to the castle. The castle is a temple, Itzamna, built to the specifications of Ixchel and Kakulkan, that's his serpent and his wife working together. And they came up with this formula, this structure, this something. And basically, during the spring and autumn equinox, an alignment of the sun, the earth, the castle, and the castle stairs and the moon all happen.

Cristina: That's pretty cool.

Jack: Interesting happens to this day. And most interesting about it is when this happens, a rift opens on the stairs. For one day, twice a year, a rift opens on the stairs and you no longer can enter the temple. You cross the rift when you go up the stairs.

Cristina: Where's the rift leading to? Is it the shadow realm? Is it some other thing?

Jack: The rift would open along the steps of El Castillo during the spring. The rift would lead to a land they named Kaf.

Cristina: Is it a mountain? Is it on top of a mountain? I'm so curious.

Jack: It doesn't say, but we know it is.

Cristina: It takes them to the mountain, and the mountain has a transporter.

Jack: But that doesn't mean none of this is the point. It is literally the mountain.

Cristina: Yes.

Jack: Which means they have a way to get directly in front of the Egyptians and directly in front of the sea people. And they both have a way to get to the Mayans once a year.

Cristina: Yes, during the spring equinox.

Jack: During the autumn equinox, the rift would lead to the underworld.

Cristina: Okay, that makes sense, I guess.

Jack: To the shadow realm.

Cristina: Yes, but anyone could go in there. What?

Jack: El Castillo is where the sea people have stored a copy of the scientific data shared with the Maya. That is the same place that has all the same writings that we see in the Sphinx. Under the Sphinx, they share the data. That's the data that they claim on their walls that says, okay, we have a storage by the sea people. And it is all the information and scientific advancements they have provided for us under El Castillo. And under the Sphinx. Those are the two locations that have exactly the same data as said, exactly the same way. And two completely different civilizations that are.

Cristina: Complet separated by talking about the sea.

Jack: People, talking about the sea people and being given information by the sea people. They say that the sea people gave them data and that it's stored there. That is El Castillo. So when I found that, that's where I found it from the original time, although I never paid attention to the name because it was relevant. But now we know the name is El Castillo. Okay, so that's just an important bit of detail that answers a couple of things. How they get to each other.

Cristina: Yeah.

Jack: How the Egyptians and the Maya have the same data. Now we know an access point, Mount Kaf, as important as Mount Athos. In fact, it's possible that Mount Athos is the current day Mount Kaf.

Cristina: Mount Kaf is the one that disappeared.

Jack: It's the one that disappeared.

Cristina: Okay.

Jack: Around the time that Mount Athos came to use Coenkabink.

Cristina: Okay.

Jack: Now the Earth Gods research. The Mayan people dubbed these gods the Earth Gods because of their primary focus. I did not name them the Earth Gods. This was a coincidence that happens to line up with the Egyptians calling their scientists the Sun Gods.

Cristina: Okay.

Jack: The Sun Gods were working on energy, immense amounts of energy. Like the sun?

Cristina: Yes.

Jack: And teleportation to somewhere far above. Like the sun?

Cristina: Yes.

Jack: Okay, so the Earth Gods got their name relative to their work as well. Can you guess what they were doing? Probably not. But what's your best shot?

Cristina: Besides like the medicine that you mentioned? I don't know.

Jack: Makes total sense, right?

Cristina: Yeah.

Jack: And botany and biology. It all has to do with life so far.

Cristina: Yeah. Are they trying to live forever?

Jack: No, because there is also a pattern we should be following. Let us dive in. The primary focus of the Earth Gods, dubbed by the Mayan people. Their major goal was to create sentient life using the genetics of crops. It gets better when we dive deeper. According to Ixchel, the reason that it was important for her research to continue in earthrealm, or the Overworld as they call it, is because Earth had properties which allowed for imitation magic.

Cristina: Earth.

Jack: Earth. The sciences of Earth have a way of imitating magic.

Cristina: Okay, okay. That makes sense. Okay. What?

Jack: Something about biology.

Cristina: Yes.

Jack: Biology doesn't exist in the shadow realm. Biology doesn't exist in Alphaen. Biology is specifically an earthrealm feature. There's the other sciences. But why the f*** are there so many sciences in earthrealm, one of which is biology.

Cristina: What is happening? Okay.

Jack: Creatures in the Shadow Realm aren't born. They manifest and then they persist. Creatures in Elfame don't seem to be born as far as we know. They're created.

Cristina: Yeah.

Jack: And then they persist. But over here it's self producing.

Cristina: Which I think has to relate with the one thing we have that they don't have. These other places. The thing that the sea people have.

Jack: The fruits.

Cristina: The fruits. I think it started not with the fruits. Adam and Eve.

Jack: With Adam at least.

Cristina: Yes.

Jack: The ability to create in a way that perpetuates itself.

Cristina: Yes, that's what's the important thing. Interesting, because we can't even prove the sea people can do that. Oh, wait. But.

Jack: Well, when we look at other civilizations, even if they're from Earth Realm, we look at like the Greek, we look at the. The Norse. They didn't have the ability to create life that can self perpetuate. They could create life that just. It sustains itself. It can stay there, but it won't make more life. Only the sea people seem to have what we call Adam and Eve. Which led to what we consider humans that seem to kind of move forward.

Cristina: Yes. And all the animals and etc.

Jack: Everything. Everything similar to magic. It could just make more stuff.

Cristina: Yeah, just more stuff happens.

Jack: Doesn't require catalysts, just more stuff happens. Interesting. Imitation magic combined with earthrealm sciences could result in advanced sentient life is the idea. They bring their sciences, they use earth sciences and they use this element. Whatever caused things to go from not alive to alive, whatever the that is. Yeah, I think that's the fixation. I think that's a fixation. Whatever the difference between a cell and a virus is if a virus is dead and a cell is alive, whatever the f*** is happening between those two points. That's the fixation. Before cells were cells. That's a fixation. What made cells living cells? That's fixation. Whatever the f*** is happening there. Fascinating. Alright.

Cristina: Yes.

Jack: According to Sizen, the djinn in the Shadow Realm can feel the energy from the earthrealm sciences.

Cristina: What does that mean?

Jack: The biology of earthrealm allowed natural passage between realms.

Cristina: What? What?

Jack: Think about it.

Cristina: We're attracting those things.

Jack: No, the biology of earthrealm allowed for natural passage through the realms. We know this because of adrenochrome. It alters your biology. And then you can somehow just go there when you die. And something that seems to be very biological fear allows them to come from over there. Over here.

Cristina: Okay, so it had to have started here to there. Yeah.

Jack: There's some Natural magic element that shouldn't exist in earthrealm. Yes, that does. Without anybody doing anything. Without anybody doing anything. You could just go scared the s*** out of somebody, drink their blood. Now you get passage into the shadow realm. And in the time that they're scared, Shadow realm creatures can just come into the. Something is just wrong here that shouldn't have happened. Something that shouldn't exist over here because the realms were different. It's the realm of physics, it's the realm of magic, and it's the realm of power. And somehow we also have a little bit of magic.

Cristina: Yes. I don't think we did, but. Okay.

Jack: Weird, right?

Cristina: Yes. But we're the unique.

Jack: Something about biology.

Cristina: Yeah.

Jack: It was magical.

Cristina: Yeah.

Jack: And it shouldn't be. But it might have something to do with the sea people.

Cristina: Yes, for sure.

Jack: Adam and Eve.

Cristina: Yes.

Jack: Chances are, before they tampered, there wasn't. But also, how were their plans if that's biological? There's some part of this picture that isn't clicking because they were around 2.5 million years ago. But there's crap way before them that was all biological.

Jack: And that was all reproducing.

Cristina: But that didn't attract these things. I think it took one of them. So fear.

Jack: They didn't have fear. They didn't have adrenaline. They didn't have blood. No. All that was still there.

Cristina: I don't know. But the sea people.

Jack: No. Everything that was here before.

Cristina: Yeah.

Jack: All the things that were here for millions.

Cristina: Their fear maybe is not as strong as our fear.

Jack: I think there's some. Because that means it was. That this realm has always had magic infused. That means it didn't require the sea people. Anybody would have stumbled upon it. I think somehow somebody added something.

Cristina: Somebody added something.

Jack: Yes. So I don't think it necessarily has to do with the fear or it necessarily has to do with the adrenochrome. I think we figured something out with that, but. Or if it does, the sea people and Adam and Eve have nothing to do with it existing on this end. I guess that's what I'm trying to get to. They're just trying to replicate it or figure it out, understand why it exists on this end. And they're using Adam and Eve to do it. Which means throughout all of history, through all of time, through all the existence of all that has ever been in Earth Realm, there has been that little dose of magic. Interesting enough, if we look at. Just looking at physics, there should be, when the universe is created, an equal amount of matter and antimatter an equal amount of energy, equal distribution. But we know factually, we know factually, something happened and it was just slightly uneven. And then that allowed stars to form and that allowed planets to happen. That allowed. Because there was an unevenness. And that unevenness allowed everything to happen. That unevenness might be that little bit of magic that shouldn't have been here. Which means since the beginning of time, when this realm was created, was something off. It had nothing to do with the sea people. The sea people are trying to capitalize on it. They're trying to figure it out. It might be the closest to figuring it out. But they didn't make humanity. No, Adam and Eve didn't make humanity. We evolved naturally.

Cristina: Okay?

Jack: That's why science and religion conflict so hard. Because religion trying to tell us, oh, Adam and Eve made you. But it's like, whatever, our ancestors are clearly around way before that moment.

Cristina: Okay.

Jack: So there's something about this realm that has always been a little messed up.

Cristina: Yes.

Jack: And the sea people are just the first to figure it out. And although Elfhame should be the center, Shadow realm and Earth realm being to its sides or below it, you could say in a triangular form where the tip is Elfame, and the two bottom points are the shadow realm and Earth realm. Instead, a line formed, and Elfame seems to have created Shadow realm below it, but Earth realm above it. And that's where the fear then comes in. How are the shadow people stopping magic? You're stronger than the magic. How are the not the shadow people? How are the sea people stopping the magic? How are the sea people creating things like Jesus? How is that same technology surviving the test of time and making it till the Jews can create something like Joseph? You send your most powerful creatures out there, the elves, to stop the cap. And these guys are just like, nah, nah, nah, f*** that, F*** that. You can't interact with us. We're too good. So something happened in creating earthrealm where Mab messed up.

Cristina: Well, not Mab, because she made things that made us.

Jack: Fair enough, but I think she made the realms, and then those things made the life.

Cristina: Oh, okay.

Jack: But if we were to say it's just the life, that would be one thing. But the way the universe formed proves that it exists. Ingrained in all that is EarthRealm. There's some. Some feature about EarthRealm that is really exaggerated in some way we don't understand.

Cristina: No, but now we know it's our magic, well, we'll see something similar to magic.

Jack: At least it has the same effects as magic. Because without any science, without any magic, without any power, just adrenochrome, just something that runs in our veins, we can gain passage into the shadow realm just with our emotions. We can grant passage into our realm. Yeah, overpowered. Overpowered, that is.

Cristina: Okay.

Jack: Alternatively, it might be a human feature because it doesn't seem to have been mentioned in any other magnitude.

Cristina: Yeah, we don't know if the sea people can do anything like that either.

Jack: But then we do know that the butterflies had the same effect. Yes, we know animal sacrifices could bring. Yes, we could drink and cross over in small magnitudes. And with little bits of fear we can bring things over. So animals have it too.

Cristina: Animals do have it. I don't know if the sea people have it because as far as we.

Jack: Can go, yeah, we don't know if you're human, but animals aren't human.

Cristina: Aren't human. But they can still have it.

Jack: They can still have it. So we don't know if the sea people are even biologic in the way we are.

Cristina: Yeah, I guess that's. I don't know.

Jack: Yeah, it's getting weird, right?

Cristina: Okay.

Jack: Wow. It's crazy because with little effort and intervention, natural earth energy somehow affect the shadow realm. Casual. Just something we can do. Yeah, it's weird because every narrative in the universe says what humans are. The unique thing. Even look at Star Trek. It's like, why is the rest of the universe bending to the will of the Federation? Well, there's something about humans, it's just not.

Cristina: It's not just humans because it is animals too. It's biology.

Jack: Biology. Well now that wasn't their only focus though. Although it falls in line with the focus of the sun gods and the focus of the sea people, which is to make life. The sea people are being helped by the energies of the sun gods. And these people are out here doing their own thing. But they do eventually leave the need to make that life because of their secondary focus becoming their primary focus. Their secondary focuses. And this will explain where what they were doing when we stumbled upon them.

Cristina: Okay.

Jack: Their secondary focus was storing large sums of data. A large portion of the research and experiments performed were entirely focused on storing great sums of data. Huge, huge sums. And it'll make way more sense as we talk about the three codexes. The Paris Codex as it is known right now, is a document which contains a day by day journal of research reports written by Itzama. This is found and it's called the Paris Codex because some French people found it.

Cristina: Okay.

Jack: And it's in Paris. Right now, the only surviving part of the much larger Parisianus. Which is a collection containing the research of all the earth gods. Somewhere on earth there is a collection of of a day to day report by this team of researchers.

Cristina: Why is that important though?

Jack: It's their data. It's their research.

Cristina: But this is their main thing.

Jack: It's their research. The research focused primarily on the storage of immense amounts of information and data. Which is what was in the Codex. The second codex is called the Dresden Codex as it is known today. It is a document which is an exact replica of scientific research performed by scientists on the other side of Kaf.

Cristina: What?

Jack: It was given by a scientist they often worked with named Tohil. Which translates in Egyptian. Sarah.

Cristina: No way. What? Why?

Jack: And this team of researchers from the other side of the rift.

Cristina: Huh?

Jack: This Dresden Codex contained energy storage capabilities to be implemented in assistance with storing immense amounts of data. The more data you're trying to store, the more energy you need to store it.

Cristina: Are they making a supercomputer? Is that part of the pyramid somehow too?

Jack: In Egypt it includes ways to optimize energy acquisition and the most efficient ways of storing them.

Cristina: One. Nine. I like that. Is there another one? You said there's three.

Jack: There's three.

Cristina: Okay.

Jack: The last one is called the Madrid Codex as it is known today. A document which contains an exact replica of scientific research profound by scientists. Get ready for this. Because I don't know who the f***. Performed by scientists in the underworld. What?

Cristina: What?

Jack: The Mudrid Codex is an exact replica of scientific research performed by scientists in the underworld.

Cristina: What were they doing?

Jack: I can tell you what it is. I can't tell you who it was. The data focuses primarily on building extensive comprehensive portals. The portals are meant to bridge gaps between large distances within singular realms. And bridge across from one realm to another.

Cristina: Why is this so important? What is happening? Everything is connected. But it doesn't make a picture. It just makes everything obviously related.

Jack: Yes. Everything is obviously working together. For what?

Cristina: For what? That is still the big question. Like no matter how much we circle.

Jack: No matter what we're always circling.

Cristina: Yes. What? So close and yet so far. I don't understand.

Jack: I don't understand either.

Cristina: How are they all so important?

Jack: And what? What research team from the Underworld? What research team?

Cristina: The Egyptians have a research team in Underworld. No, they don't have one of them.

Jack: Autumn came from the underworld. But he was part of the Sun Gods. And they said that the Dresden Codex is the one with the replica from the other side of Koph. Which means that's data from the sea people and data from the Egyptians. But he specifically says that it came from Toho, which is Ra, which means.

Cristina: I thought Ra was also doing stuff in the shadow realm.

Jack: No, they are doing their research in Earthrealm. That's what the sun gods are. There is a portal so that the people who live in the shadow realm can go back and forward, but their research is done over here. And also, why would the Mayan know that they're going. And why would they refer to them as two different groups of people? Why would that make sense? Why wouldn't he just be like, oh, no, the people from the other side of Kaath have research in both the underworld and in the Overworld. No. So you're saying that the Maya are referring to the same group of people in two different contexts.

Cristina: What do you mean?

Jack: Because if Ra gave him one and you're saying, well, Ra gave him the other, then why didn't he just say Ra gave me the two codexes? That doesn't make any sense. He's just saying, oh, Ra gave me one, but also the underworld people who are also Ra gave me the other one. I guess it doesn't make any sense. Is that what you're getting at? Like, oh, well, they. They were also working over there. Why wouldn't they just say it's the same people then?

Cristina: Because maybe they were also working with them over there. So he didn't feel like mentioning it? I don't know.

Jack: Then he wouldn't specify where they're from. He would just say that he got it from Tohill twice. Okay, we just say he got it from Tohel, the Dresden one, and he got the Madrid one from Tohel.

Cristina: Yes. Okay.

Jack: And then specifying where they came from, it doesn't matter.

Cristina: I feel like where I'm at, where it's from matters way more than who gave him the things.

Jack: Why? Because the people, where they are doesn't. What? The people doing the research are the ones who matter. You're saying that he goes into the shadow realm, suddenly these people have no memory and they just got new personalities. And their research is totally different as a result. No, of course the mind is the same. If. If Ra goes to the shadow realm and researches over, it's still raw in the shadow realm.

Cristina: Yes, but the research is different.

Jack: Even if the research was different, the same guy gave it to you. You just omitting that. Oh, he definitely gonna point out he gave me this one, but I'm not gonna bother mentioning gave me that one. I'm gonna talk about it like it's a different person. Like it's a different group of people.

Cristina: But he doesn't mention anything.

Jack: Yeah, he says researchers from the underworld.

Cristina: Okay.

Jack: Just completely. Oh no. Ra gave me this one, but yeah, Ra gave me that one. We're just gonna be ambiguous about it. Okay, that doesn't make any sense. And the research is absolutely different. Not only that, Ra himself was given the technology of portals and ship by the sea people. He didn't make it up. So that doesn't check out anyways. That's directly conflicting with what we know factually.

Cristina: So was the sea people in the shadow realm?

Jack: No, because they would have just said sea people, which they also mention. That's where they got the data. That's how we know this is a different group of people. They've mentioned everyone else.

Cristina: Okay.

Jack: That's how we know this is a different group of people. Because they mentioned the sea people directly and they mentioned the sun gods directly through Ra. Okay, so there is another group of people who gave them portal technology.

Cristina: I don't understand.

Jack: Interesting enough. Are those the people who gave the sea people portal technology and then the sea people gave that technology to the Egyptians? As far as we knew, the sea people invented these technologies. But now we have a group of people who aren't the sea people doing.

Cristina: This Shadow realm people that we know.

Jack: Some shadow realm people.

Cristina: I don't understand this picture. If he's also Jesus and the portals, although maybe that's unrelated, I don't know. But he got that technology from the shadow realm as well.

Jack: That happens later anyways.

Cristina: Yes, but the shadow realm has this technology.

Jack: Or somebody's working on it.

Cristina: But it's starting in the shadow realm.

Jack: We don't know if it's starting in the shadow realm because one, humans can just cause crosses across the bridge. And two, the sea people have some sort of equivalent.

Cristina: Yes, but they didn't make it. Or we don't know if we don't know.

Jack: We have no idea.

Cristina: We don't know where. We know humans have like a natural one, but the man made ones are those sea people or shadow people technology. We don't know.

Jack: Well, we know Mount Kaaf goes to the shadow realm, but we don't. And it's said by many Persian civilizations to be a focal point. But we also know that the Viking had focal points that allowed them to cross and communicate as well through the shadow realm.

Cristina: But now it feels like it's a shadow realm technology sort of thing.

Jack: Well, I don't know, because The Sea People can also build portals across where they're reaching Mount Athos and going to the Atlantic Ocean. Back and forth easily.

Cristina: But those could have been somehow gifts from the Shadow.

Jack: It could have been 100%. Could have totally been. But we don't know.

Cristina: We don't know.

Jack: We have no reference point.

Cristina: Mm.

Jack: When we make assumptions, we need some form of information. There's nothing for us to assume here. It just feels like as far as we know right now, maybe two groups of people. We know two groups of people have teleportation technology. One group of people gives it to the Mayan, and the Sea People gives it to the Egyptian.

Cristina: Okay.

Jack: Interesting, right?

Cristina: Yeah. Does it mean okay, But.

Jack: But there is this next piece of information. This doesn't tell us where they got it, but this does bring in the Sea People. And this is the last detail. With assistance from the Sea People and a researcher named Jacobs, a portal to Kaath and the underworld was successfully established and maintained, opened at all times atop Mount Cerro Quimondo, which is a mountain in Guatemala.

Cristina: Okay.

Jack: We don't know if the codex came before or after. The Madrid Codex that contains the teleportation technology provided by scientists from the underworld. We don't know if that came before or after. We know that after the portals that they themselves came up with, which could only work twice a year for a single day.

Cristina: Yeah.

Jack: We know. After that point, two events took place. The Sea People built a portal atop one of their mountains that sustains a connection to the underworld on Mount Ka. The same way that Mount Kaaf does.

Cristina: Yes.

Jack: And we know that some underworld scientists, some Shadow Realm scientists, gave them all their data relative to making portals that traverse large distances within one realm and cross between realms. So the same information twice, and we don't know which one came first.

Cristina: No. Or why it's important. Or how. Like why it's important. It's important to establish communication.

Jack: I think. I think at this point, portals are to establish communication between design. It's telephones.

Cristina: Yes.

Jack: It's computers. It's our way to get over there and share our data.

Cristina: But is that the main goal as well? Like, is it having someone that can travel between the portals?

Jack: Yes.

Cristina: Not just the portals, but the science is really what they're trying to build too.

Jack: I have no idea. We know immense energy data storage and 2 instances of creatures that can willingly cross the threshold of realms.

Cristina: Yes.

Jack: But neither can enter Alfame.

Cristina: Yes.

Jack: So Alfame seems like a huge barrier. There's a huge difficulty getting there. If that's the goal and so it.

Cristina: Is to like go where the sea people are. I guess.

Jack: Yes. So yes. Interesting fact about that. Maybe the sea people are traitors from Alfame.

Cristina: What?

Jack: Maybe the sea people are just some people who are like f*** Alfame. We're going to make our s*** overpowered. But then why can't they get back? They should be able to just enter. No, it can't be.

Cristina: Yeah.

Jack: No, can't be. They should be able to just get in.

Cristina: I don't think. Yeah, yeah. I don't think they're else. Huh?

Jack: I don't know what the goal is. I don't know what the goal is. But now we know how the Mayans were communicating with the Egyptians and why they share data.

Cristina: Yes.

Jack: Or how they share data. We don't know why anybody's doing anything. We know how they're doing a bunch.

Cristina: Of yes, we know what they're doing. We know the what Idea why.

Jack: We have no idea why. We have so many. What's answered yes. No wise. We have no eyes.

Cristina: Too rad. It's so weird if it's just all random sign stuff. But like come on.

Jack: Could be there. They could just be curious scientists.

Cristina: There's got to be something related. Something.

Jack: There has to be. There has to be. Specifically because of the giant move that the sea people did. Specifically because of the mass amounts of energies that they need. Come on. That's not random.

Cristina: That's definitely not random.

Jack: Purposeful knowing. You need. F***. Tons of storage room for data. What? Which tells us what they're doing. They froze themselves or they connect themselves into something that allows them to protect and manage this data. That seems to be the case. The same. If we apply the same logic that the Egyptians did where they teleported themselves to go manage energy facilities.

Cristina: Yes.

Jack: If we apply that same logic to the Mayans, then they are just managing the data. They're focusing on the other thing. Because the sea people seem to be the best at the life part. The making the life part.

Cristina: How is that important?

Jack: I don't know how that's important. And whatever the h*** is in the Shadow Realm. Just like always, the hardest thing in the world is getting data on Elfame and getting data on the Shadow Realm. All we have are the people come through and tell us mm. And Abraxas left and he just disappears. That's it. We just. As soon as something goes into the Shadow realm, we lost it.

Cristina: Yes.

Jack: And as soon as it comes out we can just get what they tell us about the Shadow Realm.

Cristina: We don't know anything.

Jack: But we know that they've mentioned that there's a research group from the Shadow Realm.

Cristina: Can we find that research group?

Jack: How do we find the research group?

Cristina: Because they have to come out eventually.

Jack: Who says? Why would they need to come out?

Cristina: I don't know. To give us that thing. That's about what.

Jack: They were Shadow Realm creatures over here who could just go retrieve it. There's no reason for them to come out.

Cristina: Yeah. They don't take humans over there. Human scientists or. If they don't know.

Jack: The problem is we don't know. We can't make assumptions on things we don't know. Yeah, that is the issue. We have no f****** clue. If Earth Realm creatures were consistently making trips to the Shadow Realm. We have no idea for what. No clue. What were they doing over there? No clue. And thanks to the Mayans, now we have the division that there are a bare minimum of four groups, at least four groups working together. The Sea people, the Egyptians, the Mayan and the Shadow Realm research group.

Cristina: You're talking about the serpents.

Jack: They're part of the three. They're part of the groups. They're not an individual group of their own.

Cristina: Okay.

Jack: Yeah, like the Sun Gods have their own group. The sea people have their own group. Like they all have a serpent in the group.

Cristina: Okay.

Jack: Who actually.

Cristina: Yeah.

Jack: Here's the most interesting detail about all this similarity across all the things. Two unnamed serpents. One of them is with the Sea people and the other one is with Ixchel. Unnamed serpents. The one with Ixchell seems to just be a serpent. No feathers are mentioned. The one with the Sea people also just seems to be a serpent. No feathers connected to it either. Or at least that we know of.

Cristina: Yeah.

Jack: Just similarities.

Cristina: I noticed it might have legs.

Jack: Might have legs. But is it that there are different calibers of the Naga? Or maybe they just look different and is an irrelevant detail.

Cristina: Yeah, I think that's. It's all right. They're. They're random. Yeah.

Jack: Could 100 be. Some of them. They got different colors. We know that much. But feathers show up a lot. But I guess it's. It doesn't necessarily have to mean they all have feathers.

Cristina: Yeah. Or wings seem more human. Like even though they're snakes.

Jack: Yes, yes, yes. Some of them just have. What? Yeah, exactly. No, you're totally right. You're totally right.

Cristina: Yeah, a lot of them are snakes. We don't know. Are we assuming the one in the garden is an actual snake doll?

Jack: No, no. That was a functional thinking part of the team.

Cristina: Okay.

Jack: And yeah, I guess they're totally different because the world snake is some whole other s***. Yes, that's some big m***********. So, yeah, fair enough. They're all different. Different sizes, different magnitudes. Four teams. The Sun Gods, Earth Gods, the Earth Gods, the Sea People, the Shadow Team, and wherever Abraxas left that we have dubbed the Moon Gods until further notice. And we don't know what they are doing. They have been labeled the bad guys according to the Christian Bible, which would suggest they never worked with the other four teams.

Cristina: Okay.

Jack: They aren't the shadow people who provided the portal technology. That's a different group of people. Abraxas is working with somebody else doing something else. So this is what we got.

Cristina: I will never know. Or maybe we don't know. Who knows?

Jack: This is what we've got. We just keep circling. Whatever the case might be, we know something like, Jesus seems to be the point. And it requires a lot of data and a lot of energy.

Cristina: Is he the point? We don't know.

Jack: If doing it biologically fails and they can't figure it out, maybe bridging a portal across would be the goal. But then that would require a lot of energy.

Cristina: Oh, okay.

Jack: And it would require so much math that maybe you need a f*** ton of storage. Who knows? Also, if we consider how complicated a living sentient being's genome would be, that also would require immense amounts of data.

Cristina: Yeah.

Jack: Although I don't think it would require as much energy. Then again, if you're trying to create something and infuse literal alpha magic into it, or at least replicate it, maybe that would take immense amounts of energy.

Cristina: Maybe that.

Jack: Yeah, I don't know. And I wonder. The idea is how do we. The same way we pieced the sea people together with crap from everywhere else. Because there's no direct like, oh, we're doing this. No, it's like little bits here, a little bit there, a little bits over there. And together we built what the sea people really are. Can we do that for whatever the h*** this team is in the Shadow Realm? Is there enough? Because there's mentioned once they provided the Madrid Codex. They were mentioned. So if I look hard enough, we got two important details that I just need to cross reference. Which are we know they would have a Naga.

Cristina: Yes.

Jack: And we know they gave us portals. Okay, who deals with portals and the Naga and is from the Shadow Realm. If I can look at this through any culture, any religion, any science, any philosophy that discusses this, perhaps I can zero in and find Mentions of whoever these people are.

Cristina: Ah, yes. I wonder if they're going to be as random as what we've already talked about. The sun gods, moon gods, earth gods. Are they going to be some other name to these people that have probably communicated with them?

Jack: Yeah. And I suppose because they seem to all be leaders of immense civilizations, including Autumn, that completely left his civilization. So my guess would be that these individuals are probably Jinn. Probably the leaders of their civilization. And yeah, I'm sure their people have dubbed their research team something. Hopefully they're not. But also, we have no idea how.

Cristina: We don't know. Yeah.

Jack: It could just be like, no, they're just people.

Cristina: We'll find out.

Jack: If not, we'll give them a name.

Cristina: Yes.

Jack: But hopefully there's something cool like that. The earth gods and the sun gods people, you know, they were pretty cool.

Cristina: Pretty cool.

Jack: Pretty cool. The sea people are kind of lame.

Cristina: Yeah.

Jack: But people didn't know what to call them. They were too cryptic. They just knew all the sea gods. They could have called them the sea gods, but the problem is they were being referred to by people that other people called gods. Do you get my point?

Cristina: No.

Jack: Like the people that the Greek called gods. The Greek gods are the ones that were referring to the. The Norse gods were the ones referring to the sea people.

Cristina: Okay.

Jack: You know, it was God, because if talking about. If people were talking about them, they would have said, but there are no people talking to the sea people. They had no people. They were all equal. All the sea people were equal. The closest they had were the Persians. And again, they alienated the Persians.

Cristina: Mm.

Jack: They're Persians themselves. But the Persian war wasn't their civilization. Everybody in the Persian Gulf oasis at the palace of Alcaraz was equal. Even if there was a scientific group, they weren't more powerful. They were just other sea people. They weren't this other species or more advanced species. No, it was the technology of the sea people. So nobody was calling them anything. They were just people.

Cristina: We'll call them the sea gods, I guess. Or the ocean gods. Sea sounds better.

Jack: Sea sounds better because sea would keep it more vague. Ocean says definitely ocean, but they were at a sea or not even at a sea. It was like a giant lake or a pond or like it wasn't an ocean. And then they went to an ocean. Like they were in different bodies of water. I think sea people works.

Cristina: Water gods.

Jack: Water gods, I guess. Yeah, but we already know them as the sea peoples. It doesn't matter. Yeah, but that's where we are that's what we have. I still don't know any of the whys. We have no whys.

Cristina: Someone give us a why.

Jack: But we have so many what's.

Cristina: Yep.

Jack: Yeah, 100%. Look, if you guys, if you got any freaking theory, anything. Why is anything happening? We don't care what we know what. I'm great at finding the what, but nobody's talking about a freaking why. Give us theories. Also, who the h*** are these people from the shadow realm? Give us some clues on that. If you got ideas, hit us up on our socials. Tick tock, Instagram, Facebook, Xcombo Pot.

Cristina: Remember to subscribe, rate and review the.

Jack: Show and word of mouth. If you know anybody who's into any of this crap, anybody who knows anything relative to any any of this crap, please send them our way. Show them all these episodes. Maybe they can piece something together that we have not.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. S.A. good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 239: The Sun Gods

How many civilizations did Oros send the Naga to? Do they all connect to the greater Sea People and Elfame narrative that is being uncovered? And what could the Naga lead us to about these individual civilizations? The duo trace Oros and the Naga children to two leaders that form one research team known to have directly interacted with the Sea People. The information perhaps provides enlightening perspectives into the other Realms and the intention of the Advanced Civilizations of the past.

+Episode Details

How many civilizations did Oros send the Naga to? Do they all connect to the greater Sea People and Elfame narrative that is being uncovered? And what could the Naga lead us to about these individual civilizations? The duo trace Oros and the Naga children to two leaders that form one research team known to have directly interacted with the Sea People. The information perhaps provides enlightening perspectives into the other Realms and the intention of the Advanced Civilizations of the past.

Topics Discussed:

  • Ancient Egypt Egypt
  • Wadjet
  • Naga
  • The Eye of Ra
  • The Sea People
  • Shadow Science
  • Atem
  • Jinn
  • Ophiomorphos
  • The Serpent of Light
  • The Sun Gods
  • Abraxas

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod

+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And lately we've going down the rabbit hole, the infinite rabbit hole, and it's more infinite. And I think now we've had a lot of recaps and whatever, and so I'm not doing that. Not in detail right now. I'm basically just going to go over our discovery of the Elfame creature named Oros and his purpose real quick. Because we.

Cristina: That's the fairy snake, I guess.

Jack: Yes. Okay, yes, fairy is incorrect. We should just start using creatures from Elfame as. Because, I mean, I guess we could call them fairies, but the problem is that's gonna create the connotation of, like, fairies as opposed to just magical creature. And magic is just another thing. It's not magic in the way we think of magic.

Cristina: Okay.

Jack: Except for Mab, which is arguably the closest thing to an actual God we have seen so far. And for all we know, this could just be like, if we think of the Kardashev scale, like maybe four or five years ago, we made an episode explaining how the Kardashev scale works. And it's basically the different scales of advanced civilizations. We're almost at one and there's like.

Cristina: What, five or something.

Jack: It keeps going up to our capacity. We can get to people who control entire solar system, people who control, I guess, star systems, people who control entire galaxies, people who control clusters of galaxies, people who control universes. And it's possible that Mab is a universal scale intelligent life form that might be one of many. And maybe she is just part of her civilization. And we think of like, she made all of this because it's easy to make this, but there's something significantly more advanced. She's just some bottom feeder we don't know.

Cristina: Whoa. Okay.

Jack: But keeping that in mind, the narrative goes as follows. As far as we know, Mab, this God tier, this actual God tier, that by comparison to anything we understand, is omniscient in every sense of the word, makes two important things. Elves to supervise the capacity of future civilizations, although they do not get dispersed until there is a worry which happens a hundred years before Christ. So they've been around for infinities, but they only get sent to put a cap on power about a hundred years before Christ. And then we have Oros the serpent. This Other thing, that guardian. Yeah, that Mab gives astounding abilities as well. Primarily the ability to make other snake, serpent. Things that are called the Naga. And the Naga, as Mabs has directed Oros, are to assist the intelligent civilizations that are advanced to assist them in whatever way is necessary for the respective civilizations. So help them get more powerful and make sure they don't get more powerful than us. Are the two systems that Map creates.

Cristina: Yeah, it's very interesting.

Jack: It's balance, optimal balance. We need you to make sure that they can continue to develop and we need you over here to make sure. But they don't surpass us. So control the rate with these two things, a cap and an assistance. Now, Oros goes out of his way and he decides, I'm gonna make the Naga, which are his children, essentially. We call them children, but that's just deity speak. Assuming he's not literally just a serpent. I mean, he could literally be a serpent creature, but that he's using whatever technology exists from Elfame to create these other things that are going to go assist. Yeah, they could be their versions of Camaras or androids or whatever the case might be. He makes this thing that we call the Naga and they go out to assist the individual civilizations. We know this to be true. We found this in two different texts. That's very interesting. And so we dive in a couple of texts and we find, you know, there's Echidna, the mother of a. Again, Godspeed the mother. But it's probably just another scientist who created Medusa and things of that nature. We have the serpent from the Bible that works in the garden.

Cristina: Okay.

Jack: We. So there's examples of these things. And in the latest episodes, we've been investigating the advanced civilizations. We have what their reasoning for doing what they've done is.

Cristina: Yeah.

Jack: But we seem to have been reaching a cap. Like the resolution has been completed. We get that. The idea seems to be, in theory, to get to Elfhame, to get more powerful than. And get to Elfhame. Jesus is an example of an individual who only exists with the intention to get to Elfhame, as well as Joseph the golem created by the Jews, which is again, an individual made with presumably the intention to get to Alphane.

Cristina: Yes. Well, yeah, I mean, we don't really, really know.

Jack: We don't really, really know.

Cristina: Well, we know that they can pretty much teleport wherever.

Jack: Yes. Both of these individuals have the ability to cross two realms out of the three, and they're still working towards something.

Cristina: Yes.

Jack: And magic seems to be woven into the creation of both of these individuals. So I had a simple logic to then proceed with this. We know the Naga exist. We know that they are created by Oros, which means there must be more. More Naga.

Cristina: Okay?

Jack: And the logic is very simple. If we follow the Naga, we land at the most advanced civilizations and then we can see what it is that why are they so advanced? What it is they're trying to accomplish with their advancements.

Cristina: Is it all gonna lead back to the fairy world or. We don't know, I guess.

Jack: Well, the idea would be to investigate that same thing, I suppose, to try to find out, like I just said, what their goal is. If we knew, then there'd be no point in looking. But the idea would be to find out what it is that they're trying to accomplish. Because there are civilizations that are highly advanced. More than just the ones we've gone through, we've been following the same thread. So we have only gone through some of them. But they, the Naga are definitely spread out in different areas. So two things I want to discuss. One of them is very short and small. It reminds me of the time that we had to go through Luciferianism to find information that was.

Cristina: Man, could it be anything like that? Man, that was so crazy?

Jack: No, but it opened a lot of doors.

Cristina: Yes.

Jack: Okay, I landed at this story just trying to prove and confirm that, yes, there are Naga in locations that we have not tried to look before. So following the Naga and following Oros, trying to find mention of Oros or the Naga, I am led to the Australians, the Indigenous Australians, AKA the Aborigines, people, natives to Australia before the white man came and f***** them out of their land. Now, important details that weren't disclosed before. Although the cap to power was dispersed a hundred years before Christ, the children of Oros had gone out about 3 million years ago, way before the cap. Way before the cap. To the point that it makes absolute.

Cristina: Sense of why there is one.

Jack: Of why there's what?

Cristina: As to why there are caps in the first place. Like they did something before she decided, okay, now we got to send out these fairies.

Jack: No, like, it's clear that they've assisted simply because we have places like the sea people who were 2.5 million years ago. So they definitely got assistance. Although I doubt that the serpents are the reason for needing a cap in the first place. Because there's many places that have caps that there's many places that didn't even need a cap. They only have them because, you know, or not Even my bad. There's places that have serpents but don't need caps because they're advanced, but not sufficiently advanced to be problematic. Okay, so the serpents have nothing to do. Again, the serpents serve whatever is already being done. Yeah, they don't add anything additional. They help. They're not providers, they are helpers. So the existence of the Naga in no way means that they're the reason that a cap was required. The capabilities of the civilization are why the caps were necessary. Because why are there civilizations like the Greek that didn't necessarily need the cap? The fairies are just literally living alongside them, not interfering in any manner, shape or form, because there's no reason you guys aren't powerful enough to be a threat. But then things like the sea people are a f****** issue.

Cristina: Yes.

Jack: So again, the serpents don't really matter. The serpents are going to do whatever the civilization requires. Okay, until we get to Australia though. So as the Naga were dispersed 3 million years ago, they were to go to somehow Mab and Oros had knowledge of who would be becoming advanced. And so these serpents went to those locations to assist. Now they weren't all dispersed in one shot. They were slowly dispersed to where the intelligence was starting to build and where the technology began to develop. And then we get a serpent named Khadura and Khadura is assisting some civilization that's developing. And Khajura decides, f*** this, I'm not assisting some developed place. Khadra abandons post and ventures out of sight, popping up 60,000 years before Christ in Australia, where this serpent comes across natives. And the intellect of this serpent, who was helping formerly advanced civilizations that it abandoned, allowed it to understand at a higher capacity the workings of how humans function and positioned itself as the God of these people in order to be worshipped and brought up.

Cristina: Did he bring them up as well?

Jack: They were relative, not really. They were moving at their own pace. And this was not the serpent. Naga was not, not creating an assistance necessarily as much as positioning itself as God. So basically this is the rogue Naga that decided to abandon its assignment. They refer to it as the rainbow serpent. And because this was a particularly interesting looking Naga, it was rainbow colored, it liked water a lot, it hung out in ponds and s***.

Cristina: And it was just a giant snake or something.

Jack: Yeah, this is a shape shifting Naga. I could change its size. And so the Australian Aborigines people thought of this as their God 65,000 years ago. And yeah, so this Kajora tells them as they're completely ignorant and it has access to highly advanced technologies, magic and whatever else.

Cristina: Yes.

Jack: That it created the universe, it created everything. And it made them as the chosen people. And that as long as they maintain its happiness, it will watch over them forever.

Cristina: Sounds very familiar.

Jack: Yeah. And yeah, I just thought that was incredibly interesting.

Cristina: Wow, that's such a God thing. Or just, you know, like if you find someone less than you, like always. They all did it. They all did it. All those wannabe gods that are God. I mean, they're still seen as gods, so I guess, but they're not really.

Jack: Yeah.

Cristina: Like the snake, he's equal to those people, those wannabe gods.

Jack: Yeah. He abandoned post and did what they all do.

Cristina: Wow.

Jack: Decided to.

Cristina: Was he making them have sacrifices? So for him.

Jack: I do not know. There's so little on these people.

Cristina: Oh, okay.

Jack: So, yeah, it's very vague. The mention of the rainbow serpent, which is just Kajura.

Cristina: Okay.

Jack: Yeah. Khajura is actually mentioned in other texts as the Naga that abandoned post like someone else. Yeah. So basically the same description of a rainbow prism snake.

Cristina: Where was he hanging out?

Jack: Other areas. He's mentioned in a bunch of different areas, nowhere specific. He's mentioned by the Egyptians. He's mentioned by the same suspects, you know, the people who have the most information. They all mentioned.

Cristina: Okay. But we can't tell which one he was, which civilization he was originally watching over.

Jack: No, he abandoned them and who knows what happened. Presumably they got replaced by. He got. The post was replaced. Yeah, but yeah, so Khajura was mentioned by the Greek, was mentioned by the Egyptians, was mentioned by the Persians. They just speak of their respective Naga. Speak of the one who abandoned post. He's a legendary f****** snake that went out and decided I'm God.

Cristina: That's so crazy interesting.

Jack: But what the story did was confirm the theory that there are more that aren't connected to the thread. They're insignificant instances that don't move forward the larger picture we're trying to solve. It's just instances that relate but don't assist with the information. So I was like, okay, there must be. And so I stumble upon this story that confirms, yes, there is in fact other individuals that don't fit the bigger narrative. So we wouldn't stumble upon them at random. We'd have to look for them specifically.

Cristina: Okay.

Jack: And so I go all the way back, go to Ouros and then start following any and every thread I can outwards from Ourros and seeing where it goes.

Cristina: What else did you find?

Jack: Well, I will get to that from Oros we know that they have. That he has, or she has, whatever the h*** might be the case has made the Naga and that the Naga are sent to protect or assist advanced or developing civilizations. Now we know of particularly advanced civilizations, the three at the very top of every single interaction that we find. And then the subsequent ones are the Sea People. The very top. And we know that the serpent from the Garden is with the Sea People. That's Catholicism, Christianity as a whole. Judaism. Well, yeah, merging with the Sea People, I guess. Christianity merging with the Sea People, that's one thing. That serpent from the Bible is the Sea People, one giant advanced civilization. We have the Egyptians, we have the Mayans, and then we have lesser civilizations like the Greek that are also highly advanced, but nowhere near the capacity of these other individuals because they want it to be individualistic and as a result didn't have access to the same things. But we at no point, through deep diving, following the Sea People in which we know of their serpent. Yeah, Got mention of anything from the Mayans or the Egyptian. But if you cross reference Oros and the Egyptians or the Mayans, you get something interesting. And I did so opening the weirdest can of worms. And so we begin with the Egyptians.

Cristina: What are they up to?

Jack: Okay, the Egyptians and Oros lead me to a name called Wadjet. Wadjet is a female Naga, the appearance of a winged cobra. Very similar to the serpent from the garden, except legs versus wings, but just a normal snake looking individual. Nothing extremely exaggerated like the world snake, which is a whole other m***********.

Cristina: Yeah, huge thing.

Jack: Yeah. Vikings had an interesting one, by the way. That's another highly advanced civilization, the Norse Vikings.

Cristina: Okay.

Jack: And so Wedjet, the female Naga, a winged cobra, is from the Egyptians. We know that they must have one if they are also highly advanced individuals. So we follow Wadjet and it takes us to an individual named Ra.

Cristina: Ra.

Jack: Ra. Now, Wadjet is often referred to as the Eye of Ra.

Cristina: She was helping him out. Yes, but he's an Egyptian though.

Jack: Yes.

Cristina: Okay.

Jack: And she was to assist with all his scientific endeavors and was in charge of subduing the enemies of Ra. Now this is what I found through texts.

Cristina: This is what we were thinking that all these snakes are pretty much doing.

Jack: Yes. And it checks out. I find proof that, yes, her job is to assist with any scientific endeavor and to subdue any of his enemies. This is literal word for word. Now who the h*** is Ra? Ra is the leader of the advanced Egyptian people of the time, most likely a physicist and an established nuclear Fusion engineer.

Cristina: What?

Jack: Here's a twist. He worked directly with the Sea People.

Cristina: What?

Jack: Ra was responsible for assisting in the design of the energy storage designs that we find in.

Cristina: In the pyramids. Oh my gosh. I was thinking he was related somehow, but okay.

Jack: He's responsible for assisting in designing teleportation mechanisms found in Giza. Now keep in mind, these texts word it in such a way where he had the ability to power things, they view him. Everybody who is a scientist at those times by people who are lesser, are seen as gods. Keep that in mind. So he is seen as the guy who brings power to all. He is seen as the guy with the capacity to move himself instantaneously and move others instantaneously. But he is the one who bestows it. So it's energy and it's teleportation technology.

Cristina: He's using the pyramids for that stuff?

Jack: He is the guy who designed it. And Ra was solely in charge of overseeing the energy of facilities that powered Egypt. So he wasn't just the leader of that advanced group of Egyptians that oversaw the normal, smaller, normal Egyptians, but he was in charge of the facilities that created power for them. And he was the designer of a lot of those technologies with the help.

Cristina: Of the Snake Lady.

Jack: When Ra became too old to continue his duties of overseeing the Egyptian power management, he enlisted his best friend Horace, a meteorologist, which would take over the duties and assist now with the help of Watcha. So Wadjat moved as soon as. Okay, I can't do this anymore. I need you to keep moving all my work forward. Wadjet then changed who she assists to, it being Horus. Now we take a step backwards into the same Egyptian culture. Because now we have a couple of details. Adam. Adam is a creature from. From the Shadow Realm. Had advanced knowledge of Shadow Realm technology, had advanced knowledge of Shadow Realm sciences, established a successful scientifically advanced civilization in the Shadow Realm, and then abandoned that civilization, feeling that limitations had been reached.

Cristina: So he joins them.

Jack: He was accompanied by a Naga named Ophiomorphos.

Cristina: What?

Jack: Which confirms a very important detail.

Cristina: What?

Jack: A Naga in the Shadow Realm?

Cristina: This is happening in the Shadow Realm? Or this is.

Jack: This is happening in the Shadow Realm? I just said it's a creature from the Shadow Realm.

Cristina: I know that.

Jack: But he's a creature from the Shadow. I will get to these things. I will get. Don't be desperate. All the questions will be answered. Autumn. A creature from the Shadow Realm with advanced technological and scientific knowledge establishes himself as a leader and creates highly advanced civilization within The Shadow Realm, later abandoning that civilization, feeling that it had reached its limits. And he was accompanied by a Naga named Ophiomorphos. So quickly. I'll dive into Ophiomorphos before we continue. Ophiomorphos, described as a beautiful snow white serpent, which makes absolute sense, considering the Shadow Realm is inherently dark and demented looking. So anything is. If it's not from there, will look brighter and more beautiful. So a snow white serpent, legged and winged with golden feathers. Its wings were beautiful and had golden feathers. Named by the Djinn, the Serpent of Light, originally serving a Shadow Realm leader named Yaldaboath. And Yaldaboath was a. A tyrannical warmonger who stole scientists and technologies from the Shadow Realm civilizations, slowly growing his knowledge and power. Eventually, Adam killed Yaldaboath and took over his empire. And Theomorphos, tasked with assisting this civilization, then became the direct assistant to the new leader, Adam.

Cristina: That's crazy.

Jack: Crazy that this is actually within the lore and in writing.

Cristina: But then.

Jack: So Adam leaves the Shadow Realm and joins. Well, he leaves the Shadow Realm and enters Egypt, okay. Where he establishes he joins the ancient Egyptians, which are the highly advanced. And with help of genius earthrealm physicist Cross formed an advanced research team with two additional experts that then come from the Shadow Realm. Tefnut and Shu, and one additional earthrealm scientist, Capri and the Naga widget and the Naga Ophiomorphos.

Cristina: I'm very confused about Shadow people now. This changes everything.

Jack: Well, you got. What? What is there to not understand? There's horrible creatures over there, and then there's people who are essentially the humans of that realm, the Djinn. Okay, so what part of this is new information that you don't get?

Cristina: It's usually horrible.

Jack: When have we said the Jinn are horrible?

Cristina: The blood sucking and eating people and convincing people to sacrifice people so that they could come in here.

Jack: The generalization that you're making is disrespectful almost, considering we have many humans who just decide to murder and commit war, but there's just a bunch who just live normal lives. So why wouldn't that apply equally, just objectively, all the Djinn are f***** up.

Cristina: That's what it seemed like. I don't know.

Jack: So the argument would be that it'd be totally justified if the Djinn looked at humans and were like, they're all f***** up. Not one of them is good. That argument would hold up just as much. Then I guess that's what you're doing. Essentially, you're looking at the Djinn being like, there is no such thing as good over there. No, there's a bunch of dark s*** over there. They got monsters and crap, but it's just normal to them. One of them comes over here and encounters a grizzly bear. You think they're like, oh, no, that's just a peaceful. No, there's monsters over there in Earth Realm.

Cristina: Yes.

Jack: You see how it works? It's the same thing. We're usually discussing the things that cause bad things over here, because those are the only things we can recognize. Anything that doesn't cause bad goes unnoticed for the most part. And we've in the past discussed Djinn, and they're not necessarily bad. Some jinn are just wandering and it's fine. We've had. I think there's an episode just called Djinn or something like that where we just talk. No, it's actually the Shadow realm episode where we're talking about the people from the shadow realm and then the creatures from the shadow realm. They're not the same.

Cristina: Okay, I remember the people from the shadow realm, the Djinn. Okay, yeah.

Jack: Presumably Jehovah of Dark is a f***** up Djinn. He's one of the bad Djinn. But yeah. So these are a couple of the most advanced individuals from the Shadow realm and a couple of the most advanced individuals from earthrealm decide on earthrealm in Egypt to get together and start working on things. So far, so weird.

Cristina: Yes.

Jack: Now the research team would be named by the Egyptians the Sun Gods. Together, they enlisted a number of other scientists. Amun, Kek, Kvirth, Abraxas, Thoth and Horus. Keep in mind we went backwards. So these are all scientists, part of the Sun God group.

Cristina: Okay.

Jack: They would proceed to make a series of important technological breakthroughs, and they began to work alongside the scientifically more advanced sea people.

Cristina: The Sea people. So the sea people and the shadow people are all hanging out with Egyptians?

Jack: The sea people were hanging out with the sun gods, which was a scientific collective of Egyptians and shadow realm people.

Cristina: Is that what I said?

Jack: You said that the sea people and the shadow realm people are hanging out with the Egyptians. That would assume that the. These are a group of sea people and shadow people together helping the Egyptians? No, it's a collective made up of individuals that we will label Egyptians that included shadow people as part of that group. The people who weren't part of that group were the sea people.

Cristina: Okay.

Jack: The shadow people and the Egyptians were one group of people, and the sea people are a different group of people.

Cristina: Okay, yeah.

Jack: And so they began to work alongside the more advanced sea people and assisted by the sea people. Well, actually assisted the sea people in creating a technology named Adam.

Cristina: So they say Adam, Yes. What is their information on atom atem?

Jack: A t e m was the Shadowrum creature. And he came with a specific set of knowledge that allowed the Egyptians, along with the way significantly more advanced sea people to create a technology that they called Adam Adem Adam. Okay, so at e m name twisted Adam. So this name was almost in homage of Autumn the scientist, dude, Autumn the scientist. In honor of this creature from a different realm, we come up with the technology's name, Adam, which is explicitly titled as technology.

Cristina: And how do they describe this technology?

Jack: Well, that is unclear to some degree, but we know how it's described elsewhere, so we don't really need their description of it because we kind of already know what it is. We would just. That would be redundant information. Now Ra retires, as we know, as we established, because he gets very old. He is the leader of the Egyptians and Adam is the leader of the scientific group with assistance from Ra. Together they are equal. The the co owners, the co leaders of the Sun God's research team. But Ra is the leader of the Egyptians and thus the technologies that power his people and the teleportation technology and all that stuff. But Adam and Ra are partners, equals. They each have a Naga of their own. And they are co owners of the scientific research team. They design, make and use to work alongside the way more advanced c people to create powerful technologies. Now Ra retires and things kind of go a little haywire following the retirement of Ra. Abraxas, one of the scientists who wanted to be next in line to manage the power generation facilities and implement his personal ideas. He's an Egyptian, like Horus. He was angry that Horus is the one who got put in charge, was not happy about that. So Abraxas proceeds to steal copies of all the research the team had made. What Abraxas makes his way to Mount Kaath.

Cristina: No.

Jack: A location established by the sea people to give the Sun God's research team access to and from the shadow realm. Now we know what the purpose of this mountain really was. It was designed with the help of the sea people. The sea people came and was like, okay, we can help you guys get to and from effortlessly, so you guys have a way. So Mount Kaaf is designed so that this team composed of Shadow realm individuals and Egyptians can move to and from the shadow realm easily. So even before having contact with the Shadow Realm people. These sea people are so savage at what they're doing. They could just. Here's a connection. It's cool.

Cristina: That's crazy. Okay.

Jack: The level of advancement they have is so astounding.

Cristina: Yeah. But what that is.

Jack: So Abraxas proceeds to steal about half of all the data copies of it. And he goes and makes his way to Mount Ka. And he goes to the Shadow Realm where he is no longer heard of.

Cristina: Okay. And this data is the atom.

Jack: All their research. So much of their research. But yes, Adam is one of the bits of research. And he escapes to the Shadow Realm with the research and isn't heard of again.

Cristina: Yes. Until we get to Jesus and other Jesus. I forgot his name. Joseph.

Jack: Then we have the era of the Knights Templar. And in the era of the Knights Templar, after the sea people moved away from the palace of Alcaraz and left the Persian Gulf oasis, after the Knights Templar were established by the Magi, after Mount Kala off was vanished from being accessed, the Knights Templar labeled Abraxas a traitor within all scientific circles and rewrote Abraxas in the Bible and the Torah as an evil demon.

Cristina: Wow.

Jack: So we can actually cross reference Abraxas in both Egyptian lore as one of the great minds and in the Bible and the Torah as a demon.

Cristina: Of course. Wow. Wow. They have him in the Bible. Do they have any other mentions of any Egyptian scientists?

Jack: Perhaps. But now let's unpack a lot of this.

Cristina: Okay.

Jack: This is the information we have found. This is what we have now. It's unpacking time. We now know what Mount Kaf is. I don't think the mountain was just naturally the way it is. It was made.

Cristina: Yeah.

Jack: And it was made in collaboration. It was almost like the Statue of Liberty.

Cristina: It's a gift from the sea people.

Jack: From the sea people. We work closely together. We share a lot of things. And you guys are an algamation of friends from elsewhere and friends from here. And so we want you to have a way back home whenever you need. Which presumes that Adam still had access to his people consistently. Maybe he had some right hand that managed the people, but he had access to return to the Shadow Realm at will. Which means he was probably still in charge of his own people.

Cristina: Yeah. That's pretty cool.

Jack: And it also confirms that there is a highly advanced civilization factually over there that is not related to the Jehovah of Dark.

Cristina: There's no way of getting those stories. What? That's pretty interesting.

Jack: Not yet. Not that we Know of.

Cristina: Yeah.

Jack: But we have this much that involves individuals from the Shadow Realm.

Cristina: Yeah. Wow.

Jack: So who knows what to what capacity we might be able to unravel some of this information. Following these threads.

Cristina: Pretty crazy.

Jack: You're gonna say something?

Cristina: No.

Jack: Okay. It's also fascinating that. Yes, the Naga are everywhere. All civilizations have them. And this is an interesting situation in which we have a creature from the Shadow Realm with his own Naga and a creature from Earth Realm, an individual from earthrealm who with Zone Naga. And they create a scientific group. So there's actually two Naga in this overpowered research team.

Cristina: Which are the two?

Jack: There's the girl, it's Wadjet, the female, and Ophiomorphos, the snow white golden winged serpent.

Cristina: Okay. I thought they were the same. Which one's which again? One is with.

Jack: One is with Adam. That's Ophiomorphous.

Cristina: Okay.

Jack: That's the Shadow Realm serpent. They came from the Shadow Realm.

Cristina: Okay.

Jack: The people of the Shadow Realm considered it the most beautiful, vibrant thing they had ever seen. Because a lot of the Djinn from over there have never been to Earth Realm. Although fear and things can allow them to come through. Because of how the physics between our realms work, a lot of them just don't bother. And so they have no concept of what things over here might be like. And so this is the most beautiful, vibrant, colorful thing they have ever seen. And then there's Wadjet, which is Ra's personal serpent.

Cristina: And he's an Egyptian.

Jack: He is an Egyptian.

Cristina: Okay.

Jack: An ancient, highly advanced Egyptian scientist dude.

Cristina: Okay.

Jack: Responsible for creating teleportation technologies and highly advanced future fusion nuclear fusion technologies, which then bring into question what technology was being designed between the sun gods and the sea people that required there to be a teleportation device aiming out to the great void.

Cristina: Yeah. What does Adam have to do with anything?

Jack: Well, he's part of the group.

Cristina: No, the technology.

Jack: Oh, technology Adam. Well, yeah. Interesting. I don't think Adam has anything to do with the teleportation technology.

Cristina: You don't think the technology has that other technology?

Jack: I think they're unrelated.

Cristina: Oh, okay.

Jack: Because we know that Adam is to create some sort of being with the capacity to enter the fairy world of Elfame. The fairy realm. I don't think that transportation technology that moves you through our own physical space is useful. Useful in any way to get you to Alfame. Because you need methods that are unrelated to our physics, while teleportation is just using our own rules. Nevertheless, it's such specifically our Rules of physics that it's using entanglement. So I doubt they're connected unless in some way unobvious way. Or there's something or someone in the Great Void. Which could be the case. Additionally, where did these Egyptians go? Those Egyptians and the Maya vanished. It's possible that what's in the Great Void are these guys. Are. These Egyptians are the sun God people that went over there. And that's why the Great Void even exists. It wasn't like that before. It's just them capturing all of these stars because they already have incredible energy production technology.

Cristina: Oh, they could be there.

Jack: They could be over there harnessing energy. And that's why it's a Great Void. They just got a bunch of Dyson spheres surrounding a absurd number of stars. And using that energy to further their research to power technologies that maybe make some rift they can cross to Elfame or something.

Cristina: Something.

Jack: If. If it's connected to the technology of Adam, then there is something there.

Cristina: Yes. If only we knew the truth of what it was all about. There's so much guesswork here. Like what could their actual goal be?

Jack: Whose?

Cristina: Any of them. The shadow people, the sea people. Like we don't really know what really they're really really after. We know Adam is involved. And who knows if the teleportation is involved. Jesus might be involved.

Jack: We know Jesus is involved. Jesus is designed by the creation of Adam and Eve.

Cristina: Well, what does anything. Like what's the end goal though? We know some goals. Yes, but. But not the true goal.

Jack: Well, as far as it seems we don't know exactly what the teleportation technology is. We can assume that the energy production technology was to power certain technologies. Like Adam and Eve.

Cristina: Okay, yes, that makes sense.

Jack: And like the Hedron Collider that uses an absurd amount of energy. Whatever the fruits are. Although the fruits themselves would be less technological mechanical and more they would seem less technology. So I guess they wouldn't need power the way we produce it. But in order to make a being that's part magic and genetic and all. So we probably used actual energy for that.

Cristina: Yes.

Jack: As well as. How do you make Mount Kaath disappear? That's some sort of cloaking or teleportation technology. Just fling the whole mountain away. Where?

Cristina: Yes.

Jack: How do you move an entire civilization from the palace of Alcaraz in the Persian Gulf oasis to the bottom of the Atlantic Ocean in Atlantis? Unless you have some sort of teleportation technology.

Cristina: Yes. Okay. So that is important.

Jack: And then you need something to power this immense Teleportation. So we know why they have crazy power and we know why they need teleportation. And that's all to protect the Adam and Eve technology that's in the garden and also contains the three fruits.

Cristina: Yes.

Jack: So that's all one thing. Presumably. And then if we assume the energy could be moved in the same way, then the entire Great Void is an energy collection facility that then comes through the Giza pyramids, stored there and redirected.

Cristina: Oh, okay. Okay, that makes sense.

Jack: To wherever.

Cristina: Interesting. Because where is their tech? Okay. I mean, where's their power source?

Jack: Where's their power source?

Cristina: They're underwater. Interesting. Could be coming from the pyramids.

Jack: From the pyramids? Yes. The Great Void uses singularity. Not singularity entanglement. To send energy from these colossal Dyson sphere that collect millions of stars. That's an absurd amount of power. Millions of stars. Then that gets sent entangled to the pyramids that store them and redirect again using more teleportation. Straight to the bottom of the Atlantic Ocean.

Cristina: Yes, because that's crazy. Crazy amount of power that has to keep them protected and alive underwater. Like that's a lot of power.

Jack: They have to be invisible, undetectable, and unreachable at all times.

Cristina: That's ridiculous. Whoa.

Jack: And if you have many, many, many stars versus energy, then you have infinite energy. And it's easy.

Cristina: Yeah, because as far as we can tell, they're probably still pretty human. Like they need to eat, drink, poop. You know the basic. Yes, as far as we can tell. So like, whoa.

Jack: And not only that, we have something interesting with Ra, which is he was in charge of managing energy, but also the Egyptian gods, but the people known as the Sun Gods. That research team is gone. Where are they? Yes, are they still managing energy somewhere, except doing it for the bigger, badder, more powerful sea people directly now, before it was for his own people. Yeah, but more important matters, we have to abandon this place. They suddenly disappear and the technology level of Egypt just collapses overnight. And then we have to see the Egyptians start from a way more primitive level. This happens overnight. The Mayans literally just disappear with no f****** trace. So two groups of people just disappoint? Technologically advanced groups of people just vanish overnight. Fascinating. So where did they go? Why did they abandon. Yes, exactly. How to. We already knew that they had to go to space, most likely to the Great Void.

Cristina: But now we know why.

Jack: But now we know why. Yes, it's to continue gathering energy. F***. The little amounts of energy we're gathering.

Cristina: We have masters of these godlike beings that are half animals, half human looking things. Those are just example of shadow people.

Jack: Yeah, some of them are examples of shadow people. Others are trying to explain the individuals who were. Just keep in mind these were humans before what we consider humans now. These were people who were more advanced, more capable. And it was people trying to explain what it is they were seeing. Like, oh, this guy could just pop up here and pop up over there. He must be some sort of God.

Cristina: Okay.

Jack: It's like, nah, it's just technology. But you're so primitive, it looks like powers and magic to you.

Cristina: And their hieroglyphs of like spaceships, etc is probably related to real tech. Yes, people's tech. Okay.

Jack: We're seeing all the same things present themselves over and over and over. So if we were to connect all the dots together, then yes. The energy managing Ra and his collective of scientifically advanced individuals use Mount Kaf to traverse back and forth, forth. One of them abandons them and steals a bunch of data. Now that's dangerous. So we completely removed the passageway that they were using. And the understanding of Adam and the other shadow people, they're like, okay, we'll stay on this side. Screw that over there anyways. And then they decide, we need to help you guys protect the immense amount of scientific advancement and knowledge that we have. So they store the backup of whatever they have at any given moment, or whatever they have at that moment underneath the Sphinx and underneath the Mayan temples. Then the Egyptians decide, we're gonna go. We know you guys can traverse space. You guys can survive underwater in immense pressure. We need your technology. We're gonna teleport ourselves to this place. Too far for anything to reach us through normal means. And we just won't explain to anybody else how to use our technology except you guys. So you guys can teleport and we can teleport because. But nobody else knows how to teleport.

Cristina: Okay.

Jack: So the sea people get teleported underground after the Egyptians totally disappear, build Dyson sphere using immense energy that they can already use. But now every time they create a Dyson sphere, they have more energy, making it easier to create another Dyson sphere.

Cristina: Yeah.

Jack: And so they get another one. They got two stars, making it easier to capture the third. Before long, they have so much energy, they can move the entire population of the sea people from the Alcaraz palace in the Persian Gulf oasis to Atlantis at the bottom of the Atlantic Ocean, create a barrier that makes them invisible and untrackable. They use that Same energy that's coming all the way from the Great Void through the teleportation device, using entanglement into Giza and storing it there to then create either a cloak or completely plunge Kaaf into nowhere. Maybe flung Kaath all the way Mount Ka into the Great Void itself so nobody else could use it. And they can still jump in and out. And if Abraxas were to come through, he'd pop up somewhere unfamiliar. Who knows?

Cristina: Who knows? Yeah.

Jack: And maybe there's a whole civilization established over there by the Sun People. The Sun Gods, amazing people. And then all of this is so that the sea people can hide the technology, Adam and the advancement on that eve, the three fruits in whatever attempt they're making at something.

Cristina: At something. Ah. So close to this something. Yes.

Jack: We know Jesus is a product of this. And we know later the Jews create Joseph as part of the same something.

Cristina: Yes.

Jack: We don't know how the Maya work into this bigger picture that we've just established, but a lot of lines just crossed.

Cristina: Yes. We're getting a better picture of how everybody works together. Yes. Well, the end is still incomplete. There's still something missing.

Jack: There's a lot missing.

Cristina: There's a lot missing. But it still feels.

Jack: We're inching. We're inching closer.

Cristina: It does feel like there's some progression.

Jack: Yes.

Cristina: Happening. What? I wonder?

Jack: We're that much closer to the answer to what the h*** is going on. What? And we know now of individuals from the shadow realm who just came through to assist. They weren't originally, but they came to these places and they're like, hey, I'm capable of this. And they're like, wow, creature from the other side. And wow, smart one wants to help and whatever.

Cristina: Great.

Jack: This is a situation specifically with the Egyptian in which we have creatures from Elfhame, creatures from the shadow realm, and creatures from Earth Realm working together.

Cristina: Amazing. Amazing.

Jack: The first instance of that.

Cristina: First.

Jack: The first instance in which we have all three working together.

Cristina: Yes.

Jack: Yes.

Cristina: Wow. Is there more stories of all three working together?

Jack: Fascinating. Right?

Cristina: Huh?

Jack: I'm sure. Really? Really. If we dive into the Maya, I know we're gonna find something at least relative to this. Because they're somehow connected to this. They're somehow connected to this. And we don't know how yet.

Cristina: That's our next goal, maybe.

Jack: Yeah. We know that they had a lot of energy storage too. And we also know that they had the identical records that exist at the bottom of the Sphinx. So they're at least connected up into the point that The Maya disappear and the Egyptians disappear and the sea people disappear. Which happens all at the same time. For a fact. They're connected somehow.

Cristina: Yeah.

Jack: And now we have how two of the three are connected.

Cristina: So next is the Maya.

Jack: The next one has to be the Maya.

Cristina: Man, if they talk about Jesus, I'll be shocked. It's crazy.

Jack: I mean, they do have a mention of Jesus on their mentions of Jesus. And they have mention of the sea people, which are all just like. How the f*** do you know about any of this?

Cristina: Okay.

Jack: You're the farthest from any of this s***.

Cristina: Well, we got to relook at all of this information. We might have missed something.

Jack: Well, now we have more details to compare with these nodes. We have how they moved their people. We have where the Egyptians went. So we have how the sea people were moved, how the Egyptians were moved, where the Egyptians went. We've known where the sea people went.

Cristina: We know where the Adam started.

Jack: We know where Adam started. Which was actually in Egypt, as the original data came from Egypt. Even if the sea people mastered it.

Cristina: Yes.

Jack: And then they created the much more advanced Eve, which at this point, the Egyptians are like, okay, you got it. You guys are way better than we are. We started the stones and you guys took it somewhere else entirely. So now we're gonna just assist you in your infinite progression. We're gonna focus on providing the energy you need.

Cristina: Yes. I love this relationship between them. Oh, it's so good.

Jack: Interesting.

Cristina: The scientists and sciences loving each other, helping each other out.

Jack: Yep.

Cristina: What? That's crazy. Except for that one guy. I guess he doesn't love the other.

Jack: Brock's jealous guy. Yeah, well, actually, I'm glad you brought him back into attention because there's something interesting about this that. That is so fascinating to me.

Cristina: What?

Jack: Abraxas steals information, which includes teleportation. Includes energy creation and storage. And Adam, because the. And then he goes to the Shadow Realm.

Cristina: Oh, crap. Is he is.

Jack: I don't think he is.

Cristina: You don't know?

Jack: I think we have the opposite scenario happening over there that we have with the Sun Gods. He has experience with Shadow Realm creatures coming from the Shadow Realm and assisting in a team called the Sun Gods research team. So he goes to the Shadow Realm and finds whatever smart group of people because he's not gonna do it alone. He himself wasn't even the next in line from how down the totem pole.

Cristina: But he wanted to be.

Jack: He wanted to be next in line to manage the storage. The energy storage facilities and to implement his own Things his interest was never to become the next big God thing. He had very specific goal and he was angry that that didn't play out. He was okay just waiting on that. So he had to find somebody who had other ambitions so that we can help each other accomplish our ambitions. Okay, so I'm thinking he went to the Shadow Realm and established what we will call the Moon Gods.

Cristina: The Moon gods. Okay, so the Moon Gods are led.

Jack: By Jehovah of Dark or Abraxas or both. The way that Ra and Adam are working together.

Cristina: Yes, yes. So you don't think they're the same person?

Jack: I don't think they're the same person.

Cristina: They're more likely just two people working together.

Jack: No, because in the Bible we have the night and day version of Jehovah and we have Adam as a different individual. Okay, so they know something that we've not established. They know the distinction somehow.

Cristina: Okay.

Jack: Between Jehovah of Dark and Abraxas.

Cristina: All right.

Jack: Those are two individuals that we know for a fact exist in the Shadow Realm. And they have Jesus on their side. That's three people. That's two Earth Realm individuals and one Shadow Realm individual working together.

Cristina: Yes.

Jack: And we don't have Mount Kaf. So Jesus makes Jesus gates, AKA Shinto gates, to assist. Coming back and forward. A fuller picture.

Cristina: Yes, yes.

Jack: Getting somewhere, inching towards something. The narrative moves forward. And I'm sure that we will find the Naga with the Mayans. And I'm sure that's going to be the doorway to what else is going on there. I know that's going to be the doorway. Bare minimum. If there's nothing else going on there, the Naga are going to guide us to the next intelligent, highly advanced civilization that might enlighten something.

Cristina: Yes. Maybe something in the Shadow Realm that will help us understand what's like. Exactly. I guess now we're calling them the Moon People organization.

Jack: Yeah.

Cristina: What's going on there?

Jack: Yes. Also the biggest problem is that we didn't get this information from the Shadow Realm. All this information was for individuals who left the Shadow Realm and were in earthrealm. There's still no way for us to access documents or information directly in the Shadow Realm. No, we can only get the perspective of individuals who are in earthrealm.

Cristina: Yeah, but that's still something. We got something.

Jack: We got something. We got some perspective. We know of a civilization that's advanced that's completely different than whatever Jehovah of Dark is working with. Unless that's directly where they went, which I doubt because it seems like Adam had some connection with his people. Presumably somebody governing in name, in his name, when he wasn't present. Because he was the leader of these people, he liberated them from infinite war. And the fact that he would use Mount Kaf to come back and forth along with Shu and Toph, whatever the h*** the guy's name is. Toughnut. Those two are also Shadow Realm creatures that would. All three of them could use this back and forward, which means they're also taking technology back to the Shadow Realm to assist the civilization in a useful way. Egyptians and Atoms, civilization both being helped out simultaneously by the collective known as the Sun Gods. I don't think Abraxas went to that civilization. I think Abraxas went to find something else that he can start from scratch and joined. I think that's where Jehovah of Dark immediately gets this information. And that's why hiding becomes important, because now there's traitors afoot. Now there's a problem.

Cristina: Yes.

Jack: On top of Mab also trying to put a cap on this. We have traders, we have MAB trying to actively stop them, which is why there's magic barriers left and right. So we know being under the ocean is just to stop the physical beings. But how do you stop the magical beings? Well, you got magical barriers stopping them.

Cristina: Yes, yes.

Jack: Hence, whatever's surrounding Atlantis and whatever surrounding Athos and probably whatever surrounding Kaath.

Cristina: Yeah.

Jack: There must be a combination of magic and tech and tech and Shadow Realm power.

Cristina: Yes.

Jack: Whatever that is, Whatever that is. There's a lot. There's mixtures going on now.

Cristina: We're getting.

Jack: We're hitting a pinnacle where it's no longer just advanced tech. It's magic, which is another form of tech, and it's power, which is another form of tech.

Cristina: It's the most advanced tech.

Jack: Yeah. So that's where we are. That's what's going on so far. That's what I found. Whoa.

Cristina: That's all interesting. I loved it all.

Jack: Yes.

Cristina: I just want to know more about those Moon people. I keep thinking I don't know what else to give them.

Jack: The moon.

Cristina: That's their title for now.

Jack: That's their title for now. Until we find out what name, what name to give them what they call themselves or if they don't, then we're.

Cristina: Just gonna learn more about them and more about the Sun People.

Jack: Yes. If we come across Abraxas again, maybe we'll have more information that'll be very useful.

Cristina: They're wondering, like, if the Cat People have anything to do with either sides. That would be interesting to see.

Jack: That would be interesting because I never.

Cristina: Thought, like, maybe they're just shadow people hanging out over here this whole time and.

Jack: Well, I think they were also just highly advanced individuals from Earth Realm.

Cristina: Oh, okay. Yeah, Yeah.

Jack: I think it was just some of the first to become.

Cristina: Yeah. But I wonder if they're. We're working with any groups of these people we're talking about.

Jack: Oh, interesting. I think definitely the Mayans are going to work into this.

Cristina: Yeah.

Jack: Because we already know they're part of it. We just don't know how. We know that during the mass exodus that was of the sea people and of the Egyptians, the Mayan also vanished. They also went somewhere. The assumption so far we know and we've confirmed what we thought about the Egyptians, which is to space. It's possible that our original assumption about the Maya were correct and they are underground in some sort of pod that's preserving them. But to what end? For what? So that's what we would need to find out. Anyways, if you guys like any of this information, if you have any input or perspective on any of this, you can message us, tell us about it on all our socials, TikTok, Facebook, Instagram or X. That's all at JustConvo podcast.

Cristina: Remember to subscribe and review the show.

Jack: Yes. And the word of mouth. Tell everybody all of what we have discovered. All of this is on the Internet. It's hard to piece together, but again, if you find all the individual pieces, you could put it all together. It's all out there. None of this is made up. It all exists within religious text, scriptures, hieroglyphs. All of it is out there. Help us connect the dots.

Cristina: Help us. This has been the Rambling Podcast. Take nothing personal and thanks for listening. Bye. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.in fox, art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 237: Elfame

How does magic factor into the realms? Where do fairies come from? Why does mount Athos have a barrier to magic? The duo unpack magic and it’s source and finally have a breakthrough that could explain the true intentions of the Sea People, the Garden of Eden and more!

+Episode Details

Topics Discussed:

  • Magic
  • Fairies
  • Elfame
  • Mab the Queen of Elfame
  • Elves
  • Oros
  • Naga
  • The Serpent
  • Sea People
  • Advanced Technology
  • Mount Athos

Episode Conclusions:

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcriipt

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: Your memory host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. As everybody who's listened to this show consistently. No. We've been following a huge narrative and like, overturning every stone we can find adjacent to that. Anybody who's just arrived and has never heard any of our previous episodes, you should probably listen to the last maybe 10 to 15 episodes and like, catch up on what's been happening because it's maddening. But ultimately we've been figuring out that everything in all of time seems to connect mainly through religion. All the religions seem to be associated and be working together for some huge kind of COVID up. And not just a cover up. There's a lot of association between different things. There's a lot of powers at the adrenochromes and ways to cross into the shadow realm that shows itself everywhere. And civilizations that are highly advanced and we call gods, but are simply technologically advanced. But anyways, catch up. One important problem we keep coming across is the reason for people needing to contact the shadow realm or go there. And the most recent question we've been asking is, what the h***? Where does a unicorn come from? What are the fairies? Is the unicorn a fairy?

Cristina: Oh, yes.

Jack: And are the fruits technology? And if they're not technology, the fruits in the Garden of Eden, are they technology? Like Adam and Eve? And if they are not, are they magic? Better question, are they magic? Technology? Or in other words, technology based on magic?

Cristina: No, there's no magic. It's gotta be technology.

Jack: Then what is a fairy tale? Because we know that the gods of the mortal world themselves used to be mortal and have simply, through technological advancement over millions of years, escaped that mortality.

Cristina: So you're saying the fairies might actually be.

Jack: I'm saying the fairies might actually be magic. We know the shadow realm is something else.

Cristina: Yeah.

Jack: Some form of actual power.

Cristina: Mm.

Jack: But in Earth Realm it doesn't seem to be such a thing. Every time you dig deep enough, it just seems to be technology.

Cristina: Yeah. And these so called magical beings don't really have magic themselves. Like if you were to see them, you'd say, oh, that's like from a fantasy. Werewolf, whatever. But like there's nothing magical about these creatures they're murdering, which is in normal.

Jack: Ways, you know, and it's like even when there is something that might seem like Magic. There's a real biological thing happening, and it's being affected by power. Not magic from the shadow realm, specifically. Yeah, Just direct connection. And it's biological and scientific. You could calculate its effects. You could replicate it, which puts it in the realm of power. Because of science or biology? Well, I guess biology is science. It's science from a different realm.

Cristina: Okay.

Jack: But it doesn't seem to work that way with fairies. They seem to easily traverse without the need for these things that affect them biologically. They just have the ability to do it.

Cristina: So you think unicorns are fairies?

Jack: I do truly believe unicorns are fairies simply because they have this ability to just show up. The only other things we know that have the ability to just show up seem to be fairies. Now, this requires a pretty deep dive, but, oh, f****** boy. Did the deep dive payoff deep diving.

Cristina: Into unicorns and fairies or some whole.

Jack: Other thing into unicorns and fairies.

Cristina: Oh, okay.

Jack: So the main question about fairies is if they can jump from Earth realm to the shadow realm effortlessly. But the beings of the shadow realm have rules to cross, and the beams of Earth realm have rules to cross. They cannot be from either. It doesn't make any sense. At least that is the assumption I'm making. Well, following that assumption paid off. Let us open some of these doors. So, first, fairies exist in every single culture that has ever existed. Without exception. Without exception, without exception. Anywhere you look, they have mentions of fairies.

Cristina: You look throughout the world.

Jack: I looked at anything and everything I could find, and everybody has a mention for fairies. And we're not just talking cultures outside of religion. We're talking within every single religion you look, there are mentions of fairies, and they are never mentioned along God as one of the angels, as one of his. Their demigods is one of a deity. No, they're different.

Cristina: They're different. So the Bible, you're saying, also has.

Jack: The Bible as well? I mean, specifically, when we're talking about St. Patrick, he encounters fairies.

Cristina: Yes, but he's outside the Bible.

Jack: Yeah, but in. Within religion. Within religion specifically. I guess biblical text is more specific. But within religion.

Cristina: Mm.

Jack: Fairies seem to be everywhere. Now, not only do fairies seem to be everywhere, but they seem to show up simultaneously in all cultures around the very specific point, which happens to be about a hundred B.C.

Cristina: Okay.

Jack: That's where mentions. Now, here's the weirdest part.

Cristina: What?

Jack: The mentions of fairies happened globally around this point. It wasn't like it just showed up here. These people mentioned it roughly around the same week that those people mentioned it.

Cristina: And what what was the timeline again?

Jack: About 100 B.C.100 B.C.

Cristina: Okay.

Jack: Everywhere. People who could not have crossed the Earth in this amount of time knew about fairies within the same year.

Cristina: Okay.

Jack: What, so fairies just showed up everywhere, all at once? Fascinating.

Cristina: That is.

Jack: Every culture, every religion believes in them. They are not angels. They are not associated with any of that.

Cristina: Do you have any idea of why they showed up at that time?

Jack: Cannot tell you why.

Cristina: What do they want?

Jack: Do not know. Now, although all cultures and religions seem to have a shadow realm equivalent, the fairies are, in all instances, not connected to that place either. They are never mentioned as associated with those places.

Cristina: Is there a place they are associated with them?

Jack: We will get there. They are not part of Earthrealm. They are not part of the shadow realm.

Cristina: Okay.

Jack: And an interesting aspect is that they are always specifically close to certain beings.

Cristina: What do you mean?

Jack: I notice this pattern immediately, and you'll notice it, too, as I go down this list of just fairies, different kinds of fairies. So gnomes are fairies, goblins are fairies, elves are fairies. Nymphs are another word for elves. I did not know this.

Cristina: Nymphs. Okay.

Jack: Trolls are fairies. Leprechauns are fairies. We know. That's the obvious one. Along with pixies. Yeah, leprechauns. Unicorns aren't mentioned in any culture as fairies. But interesting enough, they're always mentioned where fairies happen to be.

Cristina: Okay, so these two beings might come from the same place.

Jack: They might come from the same place.

Cristina: If unicorns are not fairies, they're at least adjacent.

Jack: Yeah, very adjacent. Very important thing to mention. Now, elves and nymphs are the same thing. This is very exaggeratedly important because in Norse mythology, elves are where?

Cristina: I don't remember.

Jack: They're in Asgard, in a continent next to Asgard. They're up there in Asgard, as part of Asgard, in a continent next to Valhalla. There you go.

Cristina: That's important.

Jack: That's important, because. What are nymphs? Nymphs are just elves. Who uses that word? The Norse. And where are the nymphs? I mean. Yeah, the. The. My bad. Not the. The Greek use the word nymphs, and the Norse use the word elves.

Cristina: Okay.

Jack: And the nymphs hang out in Olympus with the gods. A pattern, random pattern. Both times the same creatures hanging out with the gods, but they themselves aren't gods. They're treated like gods. So, okay, I dive into elves. What's up? Elves? Why are you hanging out with the gods all the time? Come to find out, in every single culture, Elves have one very specific function. They reign over the natural forces. Mountains and rivers and oceans, all of those things. They keep natural order.

Cristina: Okay, so they are gods. They are gods.

Jack: Sort of. I suppose, if you want to call them that. Some people call them spirits, but again, they're just almost humanoid beings who just, like gods, do the thing or whatever.

Cristina: Yeah.

Jack: Now, following nymphs and elves and all the different variants, they got same thing, different names. One thing keeps popping up. If you try to find out what the h*** they are, there's something called Elfame. Elfhame. I had no idea what Elfame was. And it was vague. It was mentioned over and over in different languages. But you look at what it means, and the word comes as Elfame. I'm like, what the h*** is Elfame? No matter where you go, you bring it back, and it's just Elfame.

Cristina: Okay.

Jack: And weirdly enough, in a lot of different languages, it's the same word. It's almost like hallelujah.

Cristina: And that's just. And that's just another word for elves.

Jack: No. So I had no idea what this was, and I had to dig pretty hard to sort of figure this out. Right. So Elfame seems to be directly connected to the elves and specifically to be the source of where their power comes from.

Cristina: Where their power comes from.

Jack: Where their power comes from. So Elfhame is some sort of thing. And one of these. The weirdest part about Elfhame is that it's mentioned in every culture and every religion, but mentioned differently everywhere, so that everybody has a separate piece. Weirdly enough, We've seen this before.

Cristina: We have.

Jack: With the sea people. Pieces everywhere.

Cristina: Okay.

Jack: But no whole picture. You need all the separate pieces to build sort of a puzzle.

Cristina: Yes.

Jack: And when you put the pieces together, you get an interesting word or phrase. Let's call it.

Cristina: Okay, what is it?

Jack: The realm of Elfhame.

Cristina: What does that mean? That means they come from a place, too.

Jack: They come from a place called Elfame.

Cristina: Okay.

Jack: Yes. And Elfame. When you then find what the realm of Elfane means, the most common, weirdly enough and stupid name, is Fairyland.

Cristina: Okay.

Jack: Fairyland.

Cristina: They're gonna say magic land, but okay, close enough.

Jack: Fairyland. Now, you look into Elfame, the realm of Elfame, and you immediately get one thing that just sticks way out. The name Mab. And when you follow the name Mab to a source, you get the queen of Elfame.

Cristina: Okay.

Jack: The highest power within Elfhame, the creator of everything within Elfame. Okay, fantastic. Now we're getting somewhere. We have a place and we have.

Cristina: A person who made it, who made everything in there. Okay.

Jack: All of the. I don't know if she made it. I know she's from there and she made everything in there.

Cristina: Okay.

Jack: Was she a product of Elfame or did she make Elfim? Don't know.

Cristina: Who knows? She might have came from here and then.

Jack: Yeah.

Cristina: Who knows?

Jack: Who knows? Now described as the greatest of gods in Elfhame. And then the God of gods. Fascinating. So, stones getting turned over, things to note that immediately showed up. Elfame not only created all things, but through logical breakdown, everything must be removed from by one relative to her.

Cristina: What does that mean?

Jack: We'll revisit that sentence in a bit.

Cristina: Okay.

Jack: Elves come from Elame. Elves are the human equivalent of Elaine.

Cristina: Okay.

Jack: They're people. Yeah, totally just people. Now, elves like the humans of Earthrealm or the Djinn of the Shadow Realm, come below the God. Right. Elves in the human world, Earth Realm, or the Djinn world, the Shadow Realm, even if they are the human equivalent, are about as powerful, slightly more than the gods of those respective realms.

Cristina: Okay. I mean, the oath are equal to our gods pretty much.

Jack: And to the gods of the Djinn. Very important sentence I found there. They are equal to the gods of the shadow realm. Thus confirming gods in the shadow realm. That's no longer a theory. Because when you're looking at Elfham, it particularly mentions the Shadow realm and actually refers to the elf to Earthrealm as Earthrealm. It differentiates and usually mentions three locations. It's not like Norse mythology that it mentions a bunch of different locations.

Cristina: Okay. Interesting.

Jack: So this actually brings up something we can. We came across in the last couple of weeks. Asgard and Midgard and Helheim. The fact that you can physically traverse these locations tells you calling them realms is incorrect. Those are physical destinations you can reach. Yeah, just like Olympus. You could just climb to the top. Those aren't other realms. Those aren't heavens. It's a place you could just go to as a normal mortal. If they weren't stopping you by force. Just places. According to Elfame and Mav, there are only three. Only three realms.

Cristina: Okay.

Jack: Earth Realm, the realm of Elfame and the Shadow Realm.

Cristina: And Mab is God again.

Jack: Mab is the God.

Cristina: Okay.

Jack: So now we have to assume that there is no God as powerful as Mab. It's Mab on top, elves and the gods of the other realms. And then the Djinn and us. Fascinating.

Cristina: How is he much stronger? I don't understand.

Jack: Well, let's go down. What I found of Alphane. Alphane. The realm of the fairies God named Mab. The source of magic in all realms.

Cristina: Come over there.

Jack: What?

Cristina: It comes from there.

Jack: Comes from there.

Cristina: Okay.

Jack: Flows out of Elfame into the other realms. Which actually sides kind of perfectly with things that the Norse suggest. There's a flow in one direction.

Cristina: Okay.

Jack: This one was very weird. How it showed up twice. And they used very similar language. All other realms orbit Elfame. Similar to how the planets orbit the sun and similar to how the sun orbits the black hole.

Cristina: What's that supposed to mean? I don't get it.

Jack: I don't understand how realms orbit. That's a confusing thought in general. But it showed up twice. This was written a hundred years BC.

Cristina: And we are orbiting them.

Jack: We are orbiting them. I don't know what that means. Because it's a realm. How do realms orbit?

Cristina: Yeah. Weird. Okay.

Jack: Now here is where things start to make more sense. Mab sends elves to the greatest civilizations of every realm to watch over and moderate the power of those beings over lesser beings.

Cristina: What she has.

Jack: She sends elves to the most powerful civilizations of. Of other realms to watch over and moderate their power over lesser beings.

Cristina: So she has some in the Shadow Realm.

Jack: So she has some in the Shadow Realm. This is gonna get way weirder as we keep going.

Cristina: This is pretty weird.

Jack: It's pretty weird. Now we're just deep diving in the magic.

Cristina: Yes.

Jack: So let's literally deep dive in the magic. Things I found out about magic. So magic can be used in other realms through many different ways. Incantations, material rituals, symbolic movements. Which is weird. I've never thought about that. But that's essentially what waving a wand is. I guess magic can be contained in other realms. This immediately made me think of three objects.

Cristina: Are they? I don't know.

Jack: Man. You exist. Lost the apples, obviously.

Cristina: Oh, well, I thought we weren't sure if those were objects. Like what exactly?

Jack: Well, we don't. We don't know. But that's. It made me think of those. That's all I said. It made me think of three objects. Runes, hexes and curses are all examples of containing magic within one of the realms. That is not Alphane. The flow happens. And you can trap the flow or not the flow we can trap what came in.

Cristina: Are just elves able to use this or we're using these. Two people are using these.

Jack: So actually I tried to establish that and it's incredibly unclear. It seems like the methods to using magic seem universal. Like the elves would contain the magic which is established. All beings of Elfame have magic Inherently within them. But then who's using these things? It's not established who's using these things, but if all the creatures of Elfame already have magic, they wouldn't need these things. They are magic themselves. So presumably these are all ways for the inhabitants of other realms to then use magic. Which, in thinking about runes and hexes and curses, it immediately makes me think of what we've called the gods and we found out are just really advanced creatures. They have not only mastered the sciences of our realm, but have learned how to literally use the magic of Elfhame.

Cristina: Yeah.

Jack: To move farther. Now the picture is getting more complete.

Cristina: Okay.

Jack: Starting to understand. Little. Little more.

Cristina: And she's not using anything that could be similar to Adam and Eve.

Jack: No, no, she can. She's the actual epitome of what everybody else calls themselves, as when there's claiming to be a God, she can just manifest things.

Cristina: Okay.

Jack: Now, things about magic. Magic can be used to move things between realms. So not only can the creatures of Alfeim seamlessly traverse between realms, but you can use the magic of Alphane to move things between realms. Basically, creatures within the other realms can use all the abilities that fairies have.

Cristina: Okay, so using the unicorns to do it.

Jack: Using the unicorns to move between realms.

Cristina: Unless there's stories of them using portals.

Jack: Without having fairies, the Elfame do not need portals. They can just move effortlessly between realms.

Cristina: Yeah, but I mean, like the sea people, when they went through portals, they always had unicorns.

Jack: So it seems to be the case that unicorns are exclusive to Mount Athos. And it doesn't seem that they necessarily use them to. As far as we know, because we don't really know what's happening at the very top of Mount Athos. We just know they come down, they trade, they interact. And we know the merry went up and poof, vanished. We also know that the sea people have highly advanced technologies. And we can surmise portal technology because they were moving instantaneously between Cyprus and Athos.

Cristina: Okay. Do you think they're using their portal technology, the portal technology?

Jack: Probably not taking them into any other place. I think it's just staying here. I think it's their way in and out of actual tech. It's. I think it's actual tech.

Cristina: Yes. Okay.

Jack: Hauntings are a way to attach a shadow realm being to an earthrealm anchor. That clarifies a lot.

Cristina: And who's trying to do that? This release. That part doesn't relate to the elves, does it? Are the elves doing that?

Jack: Anybody who can wield Magic can do that. It's a matter who's doing it. Anybody who's using magic to any degree, whether it's an elf who is magic or a person who discovered magic and.

Cristina: Is using it, just attached a fairy.

Jack: I mean, you can attach a Shadow Realm being to an Earth Realm anchor.

Cristina: That's crazy. Okay, this explains a lot.

Jack: Magic potions can move Earth Realm things into the Shadow Realm. Potion is just anything that you consume, which again, gives us a very specific thing. An apple, Something you can't consume.

Cristina: Yes.

Jack: Magic can alter states within other realms.

Cristina: What does that mean?

Jack: You can change structure, you can change physicality, you can violate the rules of nature. This gives us a couple of things. It says it could grant youth and it could literally end mortality. But also you can alter natural states of things that exist within the the realms. Rivers, mountains, Specifically mountains is the one that stands out because Mount Athos. Only until the top are no abilities capable of taking place, which means creatures were in fact or people were in fact using magic. And they get to Mount Athos and it just ceases to exist. So there's a barrier there that has been altered. And it seems like this mountain particularly was altered, perhaps by fairies themselves, to remove the ability for there to be magic there. There is something special about Mount Athos that is different to every other mountain. And the sea people have capitalized on that. I do not understand how and I do not understand why, but there is something about this mountain, in particular the sea people.

Cristina: And the fairies.

Jack: And the fairies. The fairies canceled out magic until the summit.

Cristina: That is so weird. What could that be about?

Jack: I do not know. It is very strange. Now, beings of Elfame, beings of elf fame, are generally considered more powerful than beings of the other realms which I established. Elves in Asgard, equal to the humans of Earth, but as powerful as the gods of Asgard. Because they're just humans. They're just the humans of Elfame. They're equivalent to humans, except they're as powerful as the gods. Now, the gods were once human.

Cristina: The gods in our realm, okay, they.

Jack: Were just maybe not necessarily human. That's probably a violation of logic. But like, they were an intelligent humanoid civilization that became highly advanced and discovered the magics of Elfane on top of mastered the technologies of earthrealm.

Cristina: They mostly, most likely came from Earth.

Jack: Yeah, it seems like everything that we have on this side came from Earth because they still need all these other things. They require all these other things. A good breakdown is to say power exists in the Shadow Realm, magic exists in the Realm of Elfane and Earthrealm has science. These are the ways that you advance through all of them. And we understand how to move from Earth realm to the shadow realm. And with enough time and experimentation using our sciences, we can figure out how to cross. And the same way the creatures in the shadow realm, using their power ability, have found a way to cross. But it seems like from either realm, there's no way into the fairy realm. There must be.

Cristina: So you found nothing with the shadow realm and fairy realm?

Jack: Yeah, there's nothing crossing into the fairy realm.

Cristina: Okay.

Jack: There's nothing entering the fairy realm, as far as I know. And I was looking, it seems like entirely flows outwards. The only beings who can get there are the fairies, as far as I know. So elves in Asgard that are technically equal to the humans are as powerful as the gods of Asgard. Nymphs in Greece, equal to the humans of earthrealm, but as powerful as the gods of Olympus. So at all points, they are as powerful as the most advanced civilizations that have existed merely through magic ability. They're casually stronger than everything. Second, the elves are stronger than every other. Or more magical is a way to put this. They're more magical than every other fairy within Elfame. The elves are the pinnacle of magic.

Cristina: The elm.

Jack: Yes. There's nothing more magical than an elf.

Cristina: So there's other things.

Jack: There's a bunch of other things. I listed them at the beginning.

Cristina: They're not elves.

Jack: They're not elves. They're all fairies. Elves are also fairies and elves are fairies.

Cristina: Okay. And what's her name?

Jack: Mab.

Cristina: Mab. Is she an elf? Is she a fairy? Is she something else?

Jack: She's a God.

Cristina: She's a God.

Jack: She's a God. She's literally God. She's God of seemingly everything. She's. She's by no other definition, just purely God.

Cristina: Okay.

Jack: So beings of Elfame, in every mythology and belief system seem to preside and maintain the balance and control of the map and the natural order of all the realms. Mainly rivers, forests, oceans, caves, and primarily mountains.

Cristina: Mountains, okay, Mountains.

Jack: Elves focus primarily on mountains. The most advanced civilizations station themselves on mountains.

Cristina: Yeah.

Jack: With the only exception being the most advanced of civilizations, the sea people, who opted into the polar opposite.

Cristina: Mountains feel like the point where every realm can meet at whether it's the shadow, Earth or Elfhame. Like you'd have all three meeting up on that mountain.

Jack: I was actually assuming the same thing.

Cristina: Okay.

Jack: I had the same conclusion that especially when you consider that the Shadow Realm and EarthRealm are mirror versions of one another. That even if everything is twisted between the two points, the top of a mountain is still the top of a mountain in both.

Cristina: Wait, how? Like for the fairy? Is it also Amera? Or is it a whole different thing.

Jack: A whole different place? Okay, there's no.

Cristina: Well, it's not established because no one's ever been there.

Jack: Okay, now no one's ever been there. It's completely vague.

Cristina: It could be exactly the same. We had no idea.

Jack: But based on Mount Kaath, we know that the top of a mountain literally connects the Earth Realm and the Shadow Realm.

Cristina: Yes.

Jack: See, People hit it. But that doesn't change the fact that it was literally a focal point where you could cross over. It was a literal gate. And other mountains seem to have some. Some reason that the most advanced civilizations stationed themselves on top of them. And when you don't have a mountain, you make a. What?

Cristina: You don't have a mountain, you make a sea base? I don't know.

Jack: No, you make a pyramid, you.

Cristina: Wait, what?

Jack: When you don't have a mountain, you make a pyramid. Interesting. What is a pyramid if not a man made mountain? Fascinating. Who gave people the technology to make the pyramids? The sea people. The sea people went where under the ocean? They have the ability to build a mountain underneath the ocean. They don't need a mountain. They can just make it. They get how to create the same point that allows the magic of mountains to happen somehow. And from whatever mountain they have that down there, they connect directly to Athos.

Cristina: That is so crazy.

Jack: Where are Jesus gates mostly found at?

Cristina: I feel like mountains.

Jack: Mountains. The answer to mountains. They are a focal point between all realms seemingly.

Cristina: That makes sense. And also all of them would be attracted to mountains because there's plants, magical plants growing on those mountains as well.

Jack: There's magical plans.

Cristina: Magic is literally coming out of those portals because of what's going on there.

Jack: Yes. Yes, yes, yes, yes, yes.

Jack: Literal magic like focal points.

Cristina: Yeah.

Jack: That's why the elves focus on these points. The gods are going to chill on a mountain. Well, we got to make sure we keep them in check. Do the elves? So now let us talk about Mab for a bit. Mab made everything. We do not know where Mab came from. There's no explanation. We just know not everything here.

Cristina: Just everything there.

Jack: Mab made everything. And we do not know where Mab came from. Mab could have always been. She seems to be the ultimate version of God. I suppose in theory, Infinitely Being could be a state. But Mab could have been brought into existence. Meaning there's Some hierarchy around her we don't understand. But Mab had three initial creations.

Cristina: Mm.

Jack: So they're called the Nams in some religions. They're called the Fates in other religions. And they serve a very basic purpose. They are three female deities given powers above the elves, but below Mab.

Cristina: Okay.

Jack: The three are Calatho, Varandi, and Itsutsuya. And they all have very specific purposes.

Cristina: Is it similar to some raffles?

Jack: No.

Cristina: Okay.

Jack: But. Interesting comparison. Interesting way to. Because there are three. But the first one made was Clatho. And Clatho is responsible for providing life into the realms. She delivers the life directly into the womb.

Cristina: Okay.

Jack: Verandi is responsible for delivering the purpose into these lives.

Cristina: Mm.

Jack: And Itsatsuya is responsible for ending those lives.

Cristina: Ending those lives was what, man? What if Adam and Eve are based on that? And maybe what was the other one? The first. What was the first one that Adam, Eve and.

Jack: And Lilith.

Cristina: Lilith, yes. What if Lilith was a machine, too?

Jack: Well, we know that's wrong because Lilith used Adam.

Cristina: We know she was the first to be used with Adam. What if she's Death? But then why would death come first?

Jack: No, it doesn't make any sense. Unless we're using, like, some supernatural kind of. Then again, they do a lot of homework, too. But it could be that death came before all things.

Cristina: That's what I was going to say.

Jack: But here the suggestion is that death and life happen simultaneously. So that also checks out to some degree. But no, because we know that Adam and Eve are within our realm and used by Jehovah. That wouldn't be possible if they're so superior that they're stronger than the elves that would be presiding over Jehovah.

Cristina: No, but they could. I guess that would be just based on what these guys are doing then.

Jack: Well, presumably just everywhere else. They're trying to create life the same way that these goddesses were capable of doing. Okay, but now, sticking to what you've just tried to conclude and failed to conclude, there's one very, very, very interesting thing. Although Mab had three first creations, there is something that Mab has referred to as her greatest creation. We introduce Oros.

Cristina: What does Oros do?

Jack: Well, wrong question. What is Oros?

Cristina: Is where you should have come from? I don't know, because I would just assume it's a fairy, too. I don't know. Okay, what is it?

Jack: Maybe, I guess everything from elfing is considered a fairy.

Cristina: Okay, what makes it different? What is it?

Jack: Well, let me tell you. Oros is referred to as the great Cosmic Serpent.

Cristina: Okay, that Sounds familiar.

Jack: There's a very. I immediately think of Norse mythology. Yes, but no. Small potatoes. Small potatoes. Elfame is guardian of all elves within all civilizations of power. Elfhame watches over the elves.

Cristina: What is elf? Isn't Elfhame the name of the place?

Jack: I mean, not Elfhame. Oros watches over the elves.

Cristina: Okay.

Jack: Oros watches over the elves in all the civilizations that have great power that the elves are watching over. So the elves watch over the civilizations that the three goddesses deliver life to from the beginning before they're advanced. The three goddesses make the primitive life that evolves into this highly complicated life that then the elves watch over.

Cristina: Okay.

Jack: Oroz watches over the elves.

Cristina: Okay. That's why there's one snake around us and one snake with the garden.

Jack: Well, yes, you're definitely piecing it together the right way. Weirdly enough, Oros exists simultaneously within all realms and encircling the entire universe.

Cristina: So there's.

Jack: Oros is in more places than Mab. Oros is everywhere. Mab is just an elephant.

Cristina: Okay, so he's not the snake from the garden. Because if that happens to be the case, then are they also. Did they create a realm?

Jack: Well, let me then tell you the next most important piece of this puzzle that 100% answers. A lot. A lot.

Cristina: Okay.

Jack: Oros is the father of the Naga. The Naga are a serpent race that are distributed one per highly advanced civilization to be part of and assist as required within these civilizations, unlike the elves that watch over the Naga, have one single member of their tribe in each highly advanced civilization, thus answering who the serpent is in the garden.

Cristina: So that means they're in a different. There's another realm. It's a fake realm.

Jack: It's doesn't have. It doesn't have to be a realm. It doesn't. There's nothing about it making a realm. The serpent gets sent to assist.

Cristina: Oh, okay. So it's. So. So, okay.

Jack: There is a God fairy assisting every major civilization in different ways.

Cristina: Okay.

Jack: Interesting enough, there are three very distinct examples of this. We have the serpent assisting in the garden.

Cristina: Yes.

Jack: We have the serpent watching over all of the realms in Norse mythology. And we have the serpent punishing people in Greek mythology.

Cristina: Is the serpent punishing people?

Jack: Medusa. Oh, they're all just fairies approaching differently. They're all doing exactly the same thing, though.

Cristina: What is Matsud? Medusa. How?

Jack: While the serpent watches around the realms because the gods, the most advanced civilizations of the Norse ideology, are also watching around. The Greek gods aren't watching s***. They're ruthless. Monsters that go around destroying whatever the f*** they come across. So what is Medusa doing? She's also going around destroying whatever the f*** she comes across. While the gods of Christianity are doing what they're creating, they're building. So the serpent is doing what? It's building, it's creating. It's always aligned with. With whatever the strongest civilization is doing. And it's partaking equally. It's there to assist purely.

Cristina: Oh, snap. Okay. Interesting. That is weird. That is so weird. What? What?

Jack: Fascinating. No.

Cristina: Yes, that makes sense.

Jack: In every case it looks very different, so you'd never conflate them. Yeah, but if you just think of what the gods, quote gods unquote in each one of these scenarios is doing, then the serpent is ultimately doing the same thing. In every scenario, the Asgardian gods are detached or watching from a distance. So the snake is doing what? It's detached, it's watching from a distance.

Cristina: Do we have any snakes in the Shadow Realm that we know about? Do you remember?

Jack: There's no way. I don't know. I have no idea. We can only. We only have the rel. We'd have to somehow get religious texts from the Shadow Realm. And that seems impossible.

Cristina: Okay, yeah.

Jack: But there's some very consistent themes happening here. Every civilization has the elves. Every civilization has the serpents. The serpents are all son of Oros.

Cristina: And these three gods, mini gods, whatever. The goddesses. Where. Where are they? Are they just in the fairy place?

Jack: That is unclear. That is entirely unclear. I haven't the slightest clue. Okay, we don't know where those gods are. We don't know if Elfame. Not Elfame, if Mab ever leaves. Elfame. Okay, we don't know if her three goddesses leave Elfhame. We know that Oros does. But Oros is everywhere.

Cristina: So he's not leaving.

Jack: Yeah, he's not. He's not leaving. He just kind of is.

Cristina: He just is. Yeah, yeah.

Jack: And then he is the father of.

Cristina: The Naga, which are everywhere.

Jack: One her advanced, highly developed God like civilization. Okay, so presumably he gives birth to a new one. When a civilization reaches a certain point and is there to assist objectively. Doesn't seem to bother Naga. It doesn't seem to bother Elfame. Doesn't seem to bother the goddesses. Just there to assist. However the civilization requires.

Cristina: That is so crazy.

Jack: But why? But why? Especially with Naga, the Naga. What are the Naga doing? Why?

Cristina: Why?

Jack: Why are they assisting?

Cristina: Besides that. They were made for that.

Jack: Why were they made for that? What's. Okay, then that's let's ignore the Naga. Their purpose is to do this. Why did Oros make them for that? Also, is Oros short for Ouroboros? Maybe all encompassing snake.

Cristina: Yeah, okay, just.

Jack: Just a thought. I don't know. Didn't say anything about that. That's just me spitballing out here.

Cristina: Huh? But why?

Jack: But why?

Cristina: But why?

Jack: Mab makes absolute sense. God makes stuff. Yeah, fine, great. Sweet.

Cristina: Whatever.

Jack: Everybody else we know is trying to imitate Map.

Cristina: Yes, sweet.

Jack: Fantastic. If we follow the logic we've established a long time ago and there's gods trying to reach the bigger God, pinnacle. Their entire goal is to become map or conquer. Map or enter the fairy realm. Who the h***.

Cristina: Something like that.

Jack: Something like that. We have a direction to look now. And Mab makes goddesses. Right. Okay, this is totally on point with what we would understand. Yeah, checks out.

Cristina: All that makes sense.

Jack: All of it makes sense. Civilization within Elfame totally makes perfect sense. And creating elves to watch over other civilizations totally makes absolute sense. Yes. They're not interfering, they're watching over. Don't get too powerful. Don't harm the little people. Fantastic. Great. So if you created the elves to do this, and then you go out of your way and make Oros, and then Oros decides to make Medusa. Yeah, definitely.

Cristina: Then the God wasn't planning on him doing that. Like, she probably didn't seem to care. Yeah, when she made him, that wasn't part of her plan.

Jack: I'm saying that means something would exist outside of her plan. And then we're back to the whole she can't be with the God of gods. Well, okay, so being the God of.

Cristina: Gods, this has to be part of her plan.

Jack: Does there need to be a plan?

Cristina: Oh, yes.

Jack: I don't know this very Christian of you. Yeah, yeah, but does there need. I don't think there needs to be a plan. My point is, like, why isn't there a conflict of interest here? You make the elves to watch over to make sure they don't. Or is it. Or is it to keep a check on their power? To what? Yeah, the elves watching over the most advanced civilizations is entirely to keep a check on their power. So even if Oros makes the Naga, the Naga aren't stronger than the elves, even if Oroz is. Okay, so that. Yeah, sure, you might help in any manner, shape or form, but the elves are preventing them from ever getting powerful enough to either enter Elfhame or overthrow one of the goddesses. Or overthrow Mabs.

Cristina: There's too many questions. I don't know it's so confusing. I don't know. There's so much happening. Whoa. So many new rules. But it fits.

Jack: It fits. Everything is connecting somehow.

Cristina: I just don't get it. What? Why? That is a good question. Why?

Jack: Why? Why Oros? Why is Oros doing it? If the elves exist again, it could just be. Theoretically, if we were to put this into perspective, it could really be that the elves are there as a cap to the most advanced civilizations. Because we know that these advanced civilizations are trying to establish something and they're sitting on top of mountains, which gives us a clear suggestion. If mountains are the cross through realms. They're probably in every instance trying to get to the fairy realm. But there's some. Some pieces missing.

Cristina: Yeah.

Jack: That allows them to understand how to do so. And they can cross. They figured out how to cross between at least EarthRealm and the Shadow Realm. There's many different rules and many different abilities to do so. And they've managed to confine magic in ways to wield it and use it.

Cristina: Yes.

Jack: But never bridge gap to Elfame.

Cristina: It's probably not possible. You think it's possible?

Jack: I don't know. I don't know.

Cristina: But you think if it is possible, these elves are stopping that from happening.

Jack: These elves are probably stopping that from happening. If it is possible. Because specifically said that they're watching over the most developed and advanced of civilizations.

Cristina: What could they possibly care about?

Jack: What could they care about? They're just living their lives right next to the Asgardians.

Cristina: They're jumping back and forth from all these different realms.

Jack: When the Greek gods are called into higher court, the elves join them. Why? You don't want them to conspire and do things you're not aware of. But why?

Cristina: But why?

Jack: But why? It's. It seems like they're designed as a.

Cristina: Cap, I think so just to keep them away from their home, from Elfame.

Jack: So then the question is, we know that a lot of these highly advanced civilizations that we refer to as gods are significantly more powerful than the other fairies. We know this because we have examples of people developing incredible amounts of power. A good example is St. Peter. Exaggerated amounts of power that you could just deflect these things. Easy, casual. There's no way in h***. The sea people can't just s*** on every other elf. Not elf, every other fairy, minus the elves. Interesting enough. I don't know of a mention of elves watching over the sea people. That's interesting. There must be.

Cristina: There must be. They have. They have the snake dye.

Jack: They have. Yeah. The Naga.

Cristina: Yeah, Serpent. So they have to have elves as well. They're mostly not fairies. Unicorns. Unicorns have to be related somehow.

Jack: Unicorns, they don't have unicorns. Are in Athos and only in Athos. Have only ever been seen in Athos. Have only ever mentioned related to Athos. There's no other mention of unicorns anywhere else. And anybody who has talked about them pointed towards Athos.

Cristina: But they were the ones with the unicorns, weren't they?

Jack: They're the ones with mention to unicorns because they're also the ones on Mount Athos.

Cristina: Oh, I thought they were writing down on unicorns on Mount Athos. Yes.

Jack: Never been a mention of unicorns outside of Athos. It seems that unicorns aren't related to the sea people. They're related to Mount Athos. Okay, but also, why the. Aren't unicorns anywhere else?

Cristina: Yes. If they're fairies, many magical mountain tops that they could be hanging out.

Jack: It could be anywhere. Just Mount Athos. There's something about Mount Athos, a specific. Mount Athos is the only place with unicorns that are most likely an animal of the fairy world. And Mount Athos is the only place on earth, as far as we know, that has magic literally disabled from the bottom all the way to the summit. And only at the summit is there. So maybe, in theory, the fairies didn't even remove the magic there. Maybe that mountain stops the fairies from using their ability and showing up. And the only people who have figured out how to do that are the sea people, which would also explain why we don't have elves mentioned with the sea people. Because they've managed to keep the elves away because they can easily disable an entire mountain. They can shut down a whole mountain. That is magic. Or not magic, but a connection between portals. Are the sea people getting too powerful? And that's the real problem. They can again, Mount Athos. They can just stop magic.

Cristina: Yes.

Jack: All the way to the summit. You have to meet us where we want you. You can't surprise us. You got to show up where we are, where we want you. You're at a focal point. Ooh. You can't go anywhere.

Cristina: So then maybe they're hiding from fairies because we know they're hiding from something.

Jack: Fair enough. Oh, my freaking God. Are they hiding from the freaking elves? And thus building these technologies using as well as using magics as well, and the bypasses that prevent them, that make them not need adrenochrome. So they don't need adrenochrome to Cross. They have other methods. The fruits, which are essentially magic, which are more powerful than adrenochrome because they can go not only to the shadow realm, but maybe these fruits are allowing them more than that.

Cristina: Like what?

Jack: The ability to cross the fairy realm.

Cristina: No way. Or.

Jack: That is the plan.

Cristina: That's the plan.

Jack: That's the plan. So the sea people cancel out Man Tathos.

Cristina: Okay.

Jack: And the fairies can't show up there. That's why the unicorns are only there because unicorns are trapped there.

Cristina: Oh, okay.

Jack: They can't leave.

Cristina: They can't go back to the ferry.

Jack: They can't use their magic abilities to just pop in and out. They're just stuck there.

Cristina: Ah.

Jack: And then they just use them to ride around the mountain. F*** that. They're ours. They belong to us.

Cristina: Yeah, on that specific mountain.

Jack: On that specific mountain. And then the top of the mountain is the only place where transactions could happen. But the fairies already know this is a f***** up mountain. We're not going there because then we can get trapped there too. The elves aren't gonna go there, okay? Because they could be trapped there. There's no magic on Mount Athos, and they're literally beings of magic, so they can't make it there. Whatever power they used to disable magic on Mount Athos is the same s*** they were using when they were in the Persian Gulf oasis. But everybody knew where the f*** that was.

Cristina: Yeah.

Jack: So even if we can't magically pop up there, we can magically pop up somewhere else and travel there. So instead, let us go somewhere else and disable magic there where you couldn't get to us without magic, we or our specific technology. But also you couldn't get to us with magic because like Mount Athos, we've disabled it. And you don't have our technologies. So they successfully hide from all of the most advanced civilizations and all of the beings of magic because they just can't get down there. They don't. They can't use magic around Atlantis. Atlantis is a barrier for magic.

Cristina: What? Okay, what does this mean? I don't understand. Is there a bad guy to the story? Maybe there's not. I don't know.

Jack: And are the Naga. The Naga have to be magic, right?

Cristina: Which ones are the Nagas?

Jack: Oh, the Sons of Oros.

Cristina: Wait, why is everyone hanging out with them?

Jack: Exactly. It's so broken.

Cristina: Yes.

Jack: Is he a traitor?

Cristina: Is he trapped?

Jack: He also isn't teleporting or anything. He's just chilling there. He's one of them.

Cristina: He might be Trapped.

Jack: He might be trapped. He might be. Yeah. He might just be trapped.

Cristina: The unicorns, they might have trapped the snake.

Jack: Yeah, yeah. Are the sea people getting really intense? And it's like the Elfham are like, f***. Like, f***. They figured this out underneath our noses.

Cristina: They're just kidnapping them. What?

Jack: Well, the Naga, specifically, yeah.

Cristina: Still pretty crazy.

Jack: The plot thickens.

Cristina: Yes. What does it mean, though?

Jack: What does it mean? Right, right.

Cristina: Nonsense. I don't know.

Jack: What does it mean?

Cristina: What does it mean? Are they. What is the goal?

Jack: What is the goal? The theory is, what we've established now is okay, yes, definitely. Most likely because doesn't make sense for the creatures of Elfame to create a barrier on the mountain because they need to be able to use magic to get there.

Cristina: Yeah.

Jack: So somebody else did. But who is on that mountain? The sea people or. They're not on that mountain. They're never going to be on that mountain because it's a traversable location.

Cristina: Mm.

Jack: They leave only a single spot on the very top. Only a single spot on the very top. Everywhere else on that mountain, magic is impossible. And if you were to go to that spot on the very top, well, you're where they would want you. So there's no way in h*** a fairy would go there. Because you'd be caught.

Cristina: Yes. It also stops. Like Shadow Realm creatures, too, or is it just a fairy trap?

Jack: Well, Shadow Realm creatures aren't magic.

Cristina: Okay, so it just works on magical creatures.

Jack: Shadow Realm creatures, when they cross to this side, in theory, function the way we do, they're just different. Then again. Then again, when we look at the wet judge and when we look at the Djinn, one, they're kind of almost literally shadows. And two, there's an ethereal thing to them. Translucent, kind of ghostly. So I don't know. Power works so differently.

Cristina: We don't know any stories about the sea people using Shadow Realm creatures or anything?

Jack: No, they specifically avoid using even Adrenochrome, which is the original connection to that site. They don't care about the Shadow Realm. The Shadow Realm isn't their goal.

Cristina: Except for Jesus was one of them.

Jack: Jesus, who's aligned with the Shadow Realm, but does.

Cristina: What does he think of the fairies? And what do the fairies think of him?

Jack: I don't know.

Cristina: I don't understand.

Jack: But now we know why it was important to cast him out. Because people were having visions of them. Yeah, you're gonna go kind of escape. It wasn't to escape the other gods. The other gods have nothing on the sea people they're overpowered. You guys can't do s*** to us. But the fairies can.

Cristina: Oh, yeah.

Jack: They were hiding from the fairies. They were hiding from something. It was about the fairies. We can't let the fairies know where we are because we're going to keep developing whatever we're developing.

Cristina: So even the fairies are dreaming of Jesus then?

Jack: Maybe. Or not necessarily. Because the fairies can contact somebody who had visions and find out where they are. Okay, but outside the point, because then are Adam and Eve. Their attempt to pause. Dramatic pause, make their own fairies. They have the serpent.

Cristina: Yes.

Jack: They already managed to make life many different ways with Adam.

Cristina: Yes.

Jack: They refined it to come up with us. They have the fruits. All of which seem to be magical to some degree.

Cristina: Yes.

Jack: But they're not done. We need to continue working with this. We need to hide this project and keep working on it. What else could there be it the other creatures weren't trying to get Adam and Eve and the fruits to make life, just normal life. That doesn't make sense. They want their own slave fairies and they know there's only one civilization that's on its way to do it.

Cristina: Mmm.

Jack: Sea people. The same people that explains the wars that were fought over Alcaraz, the Palace of Alcaraz at the Persian Gulf oasis, the Tanker War. Because they're trying to Anything, anything. They can come up with any shred of information that may help them or guide them or where the f*** are these people? Or how do we get to them? Or how.

Cristina: So no matter how advanced they are, which they are incredibly, incredibly advanced.

Jack: Ridiculous.

Cristina: Probably still haven't figured out how to make fairies.

Jack: That's the point of staying in absolute secrecy. Because once they do come up with their own fairies, if they can make up their own fairies, then these fairies would be. In theory, it would be controlling fairies. That's the goal. And then they would be so exaggeratedly overpowered. Nevertheless, you'd have a way into Helfhain. You'd have literal fairies who. If you can't go in, it doesn't matter. Send your army in just to see.

Cristina: What'S on the other side. That'd be crazy. I mean, it's not just for that, but just to see the other side.

Jack: Proof that we can send something over.

Cristina: Yeah. Whoa. What could this man.

Jack: So the sea people get really, really advanced and they're probably being watched by something. Presumably they're being watched by the elves. Obviously the elves are somewhere. We don't know where, but there's somewhere around them, close, nearby. When they're living in the Persian Gulf oasis. Absolutely. Fine, great. But they make a breakthrough, and. Or they're about to make a breakthrough. They know something that they don't want released. And before they get to that point, there's this kid. People are having visions of this kid.

Cristina: Yeah, like f***. Get rid of this problem.

Jack: We get rid of the lady. She can join us later. She wants to join us, but we got to get rid of the kid. She's on board. She's going to go have the kid. She can join us. Fine. The goal is get somewhere where there's no visions happening of your place. You can take the garden. They have the apples and Adam and Eve. Three people. Three primary people on the project. One is a literal fairy that you've somehow caught. Now, portal technology, Cypress to Athos. But wait, before we do this, let's cancel out Athos, okay? Because we need Mary to get there to could just follow Mary. We're gonna make them not be able to follow Mary. Mary's gonna use a portal to get to Athos. They could never cross the portal because they would just disappear on the other side because magic can't exist there. Boom. Okay, so far so good.

Cristina: Mm.

Jack: So they cross over. Or if they do cross over to just people. We can f*** them up. It's easy. We'll capture more of them. Maybe they have cap. Holy s***. Maybe that's why we don't hear fairies relative to the sea people. Maybe they did catch all their fairies. Maybe the fairies were doing their job, the elves were doing their jobs and followed Mary through the gate into Mount Athos, where their abilities were canceled. Maybe that was the original purpose. Their abilities get canceled. Now you're just people over here. But we're technology. You cannot f*** with this. Slaves. People to experiment on. Probably you take them across into Atlantis. There's no way down there. It's too f****** deep. There's no technology that people have that can get them down there. It's exaggerated, but they know how to do it. Also, they can cloak themselves. And also they can create barriers of magic. So no other magic creature can get down there and no technology can get down there. Unless you have our technology. And only we have our technology. Nobody else has our technology. So they get down there to get Mary back down there.

Cristina: Mm.

Jack: We never hear from Mary again. Where'd she go? Okay, she's down there. The serpent is down there. The unicorns are stuck on the mountain. They cannot poof out.

Cristina: Yes.

Jack: They cannot poof out.

Cristina: I don't think so.

Jack: So they're trapped there. But they didn't need the unicorns. Those are our rides out here. They already like Pegasus. They like fancy rides. These are the fanciest of rides. Unicorns.

Cristina: Yeah.

Jack: But the elves are gone too. Mary and the elves are gone. Which is also why having Knights Templar is important. Erase all the data. Erase everything. We can't have anybody catch up. Scientifically. We can't have anybody understand the truth. The more vague the better. Because then we have more time to work on our s***.

Cristina: Okay.

Jack: They're down there. They're working three apples that are magic. The program Adam and Eve. The goal is some cross of these things. It was always a point. The point was always some cross of Adam and Eve and the fruits. That was the goal.

Cristina: Because that somehow equals fairy.

Jack: That somehow equals fairy. Life plus magic equals fairy. Simple. They managed to like runes. The apples are like runes. And we have the ability to create highly advanced life. That's almost at where we are in one shot. How do we cross these magic apples with the ability to create highly advanced life in one shot? Fairy would be the.

Cristina: So is Jesus the closest thing to a fairy that we have. If he ate one of the apples. S***.

Jack: S***. Not only. Oh, f***. I think you cracked something right now. Not only did he not need the apple, but maybe Jesus was the first attempt at this and that's why Mary didn't have a f******. Like Jesus didn't have a father. Jesus was the first attempt at this and it f***** up the first fairy. The first Earth Realm fairy.

Cristina: Yes.

Jack: He was thus explaining the abilities he just had without the technology.

Cristina: Except when people are having visions of him, they still freaked out.

Jack: Yes. Problem.

Cristina: Yeah.

Jack: And it wasn't. He didn't see still. Or maybe he did. I don't f****** know. Maybe dying still. Jesus might have. No, he needed the gates. So it was a failed experiment. But that it was still a lot going on there.

Cristina: Yeah. And if they're ever going to try again, it's not going to be anytime soon after Jesus. Because they saw.

Jack: They saw way more perfect. And also they're probably not going to do it in Atlantis anymore the way they did when they were in the Persian Gulf oasis.

Cristina: Yes.

Jack: They're probably gonna do it on Mount Athos. And that's why nobody's allowed to the top of Athos. Not only is magic prohibited there, but there's a plethora of people stopping others from getting to the top. So though there might just be a lab on top of Athos as well. Is everything else where they would be literally Run. They come through the gate. They show up on top of Athos. Run the experiment. No magical creature can follow that gate, and nobody can get up there without permission. And only one person is allowed up there. And they know that the sea people will wreck s*** if they violate that rule. It's down packed.

Cristina: Okay.

Jack: And Jesus was the first, and it was a failed experiment, but still absolutely overpowered.

Cristina: Ridiculously.

Jack: Ridiculously.

Cristina: Whoa.

Jack: And then allowed Jesus. So maybe even without the fruit, communicate with creatures in the shadow realm. So Jesus was always hearing some s***.

Cristina: Yes.

Jack: But also, what is a feature of fairies? They can cross realms. So if they can cross the realms, they can presumably move through the realms within the realms very easily. That explains people seeing Jesus in many different places at random times. Very closely related. He can just move around a realm even if he can't easily teleport to another realm.

Cristina: But can he go into the fairy realm?

Jack: But can he go into the fairy realm? Well, no. He still needed gates to come back from the shadow realm. So moving through realms, which was your primary goal, still failed.

Cristina: Okay. He's got some fairy elements, but not all of them. Not all of them. Okay. Okay.

Jack: Yeah. And we don't have any news of fairies until I go through all these other cultures. Even Zoroastrianism has fairies, but the sea people in particular have no mention of fairies, particularly the elves, which suggests maybe they perhaps did already capture the fairies and that's how they managed to create Jesus in the first place.

Cristina: That worked out so quickly because it popped up. The fairies popped up here 100 years before Jesus. That's how fast the.

Jack: Easy, quick. Overpowered.

Cristina: That makes sense. That definitely makes sense, because they're already overpowered.

Jack: Another detail here would be that the elves were only sent because the sea people were getting too strong.

Cristina: Oh, crap.

Jack: They were the reason that Mabs sent the elves. And so, okay. We didn't manage to stop the sea people, but we kept everybody else in check.

Cristina: What? Yes. Crazy.

Jack: The moment the fairies showed up, they caught him. So ma' am got paranoid. I didn't. I forgot about that detail. They showed up a hundred years before Christ.

Cristina: Yes. That's fast.

Jack: That's fast. They instantaneously caught them.

Cristina: Mm.

Jack: They knew of other fairies. Fairies have always been around, but the elves had no reason to interact with. And the second. The second they showed up, sea people got a hold of them. They're like, no way. We're stronger. So they were already stronger than the fairies. So they are stronger than the elves that are stronger than most advanced civilizations. Mabs Miscalculated. And that whole fleet of however many caught, including the serpent.

Cristina: That's very big.

Jack: No, not the big serpent.

Cristina: No, that's big. Like for her.

Jack: Oh, yeah, yeah, yeah, yeah, yeah.

Cristina: It's crazy.

Jack: The sea people are.

Cristina: They're overpowered.

Jack: They're overpowered. We knew they were powerful. We had no sense of safety.

Cristina: Even to the fairies are overpowered.

Jack: Even to the fairies are overpowered and.

Cristina: Don'T understand how that's possible. I mean, I do, but still it's really strange.

Jack: It's a whole other mess.

Cristina: But we still haven't figured out. I mean, they're still really ridiculous. Oh, man.

Jack: So Jesus is half human or whatever. I don't actually know how sea people are human. There's no way to know that one. But there. He's half sea person.

Cristina: Sea person? Yeah.

Jack: And half magic, which suggests he's half sea person, half fairy. And the halfness is up. His ability to move seamlessly through. And that's the only thing keeping the fairies in Elfame safe. Because he managed to capture the elves and they managed to capture the serpent.

Cristina: Yes.

Jack: And they managed to capture the unicorns. They meant. Okay, magic is not a problem for the sea people. Basically that s*** is just some other bottom ground s***.

Cristina: But they're still worried about something.

Jack: They just wanted to do this in secrecy. That's all it was. They needed to do this. And they don't want people to have visions and perhaps see the tech. Have visions and know what's happening. Have visions and advance themselves based on the visions. Have visions and get there and steal the tech.

Cristina: So don't think they fear the shadow creatures at all. Think that's no problem at this point.

Jack: Unless. No, because. No, because the elves are stronger than whatever's in the shadow realm.

Cristina: And these gods, though, or these. What we would call gods that are not elves.

Jack: Advanced civilizations.

Cristina: Yeah. Yeah. Like they're probably not worried about those either.

Jack: They might be. I don't know. Because the. The. Presumably the creatures in the shadow realm are also aiming to enter Alphane. Everything wants the power of Elfhame, which is the highest grade of power. It's a power struggle.

Cristina: Yes. That the sea people are obviously winning in by miles.

Jack: Everybody else is being kept in check by the elves. The sea people are keeping the elves in check. That's where we stand.

Cristina: Okay. Whoa. How's that possible? But it makes sense. It makes sense. Jesus makes sense now.

Jack: Jesus makes absolute sense. We know what Jesus is. We know why Mount Athos doesn't allow magic. We know that making Mount Kaath disappear is just hindering more creatures from figuring s*** out. We know that hiding away from the Oasis and going into Atlantis is just a way to make reaching them more complicated. Go to the furthest down bottom part of the ocean and they're gonna struggle. So there's no way to get to you. You're too far down. There's no tech that can get to you. Only you have the tech to do it. And then you could work on the apples, Adam and Eve. And you had one person get crooked. You your risk. Get rid of Lilith.

Cristina: Yeah.

Jack: Jehovah and the serpent remain amongst whoever else is there. That might be some background helping hand. But the serpent is very important because they're there. The serpent had maybe one of two options. You can assist or die. Or f****** die. Be an experiment like the rest of them. Yes, but one directive to assist. Maybe it wasn't even a threat. Maybe the serpent's job is just to assist.

Cristina: Okay.

Jack: And there's not even a question. Maybe it's like, yeah, whatever, I'm here for that.

Cristina: Oh, yes. Like, they don't have to threaten him.

Jack: They don't have to threaten him. The elves had to be threatened. Captured, subdued. Dude tested on the serpent is probably one of the ones testing on them.

Cristina: And also being tested on like.

Jack: I mean, the serpent's probably down. Yeah, like, whatever.

Cristina: Yeah, sure. The job.

Jack: Yeah, my job is to help. However.

Cristina: Yeah.

Jack: That's all I got.

Cristina: That's crazy. That's crazy. The answer is a lot.

Jack: The answer is a lot. We're getting. We're getting somewhere. And now we know about fame.

Cristina: Whoa. What? Like, what could. How. Where could we go from here? It feels like so much has been solved.

Jack: Yeah. I think everything of earthrealm has been solved. I think everything of earthrealm has been solved. Now there's probably random, obscure, useless questions that are left.

Cristina: Yes.

Jack: But now to find what details of Elfamer missed out and if the Shadow Realm is really involved in the same quest, which I do believe might be the case.

Cristina: I think so. I think they are. But yes. Let's find out.

Jack: Anyways. If you guys are enjoying what is being found here and you have any input, if you're making connections that we're not. Tell us, tell us. Send us messages. You can reach us on all the socials. Just convopod on TikTok, Facebook, Facebook, Instagram.

Cristina: And X. Oh, so dumb. And X, remember to subscribe and review the show.

Jack: Yes. And tell everybody we're figuring out the thing that's probably gonna get us murdered, but nobody wanted us to know specifically. The sea people were, like, busting that. That case wide open. They're gonna come for us eventually if we suddenly just stop making episodes. You know, this is se people. They got to us.

Cristina: Yes, this has been the Rambling podcast. Take nothing personal, and thanks for listening. Bye. S.A. good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister, with social media managed by Amber Black.