Rambling 298: The Grounding of Stuff

In this episode of the Rambling Podcast, hosts Jack and Cristina embark on an exhilarating journey through the absurd and baffling ideas that have captured humanity's imagination. From the enigmatic Bermuda Triangle to the mythical Elysian creatures, this episode promises to ground some wild theories and concepts that have puzzled thinkers for generations. The conversation kicks off with a reflection on their previous episodes, where they explored various creatures and the mysteries surrounding them. Jack and Cristina delve into the origins of their exploration, which began with a quest to understand the phenomena of the Bermuda Triangle. As they unravel the threads of their investigations, they find themselves veering into the realms of clouds, weather patterns, and even groundhogs! One of the most intriguing topics discussed is the concept of adrenochrome, a substance that has been linked to various conspiracy theories and mythical narratives. The hosts delve into the historical context of adrenochrome, connecting it to tales of ancient civilizations and their often bizarre practices. They explore the idea that adrenochrome may have been used in rituals by figures such as the infamous Countess Bathory, who is said to have sought the substance for its supposed youth-preserving properties. As the episode progresses, Jack and Cristina navigate through a labyrinth of theories linking ancient civilizations, including the Atlanteans and Elysian beings, to modern-day myths. They ponder the significance of the equator in these ancient cultures and how it may have influenced the development of societies across the globe. Their discussions touch on the importance of grounding these ideas to make sense of the seemingly chaotic connections between history, mythology, and science. Listeners will find themselves captivated by the hosts' dynamic conversation style, which blends humor with profound insights. The episode serves as a reminder of the importance of questioning the narratives we are presented with and encourages listeners to think critically about the world around them. So, if you're ready to dive into a world where the absurd meets the profound, tune in to this episode of the Rambling Podcast! Whether you're a seasoned listener or a newcomer, you're bound to find something that sparks your curiosity and makes you rethink the stories we've been told. Don’t forget to subscribe, rate, and share with your friends as we continue our quest to ground humanity's most bizarre ideas!

+Episode Details

Topics Discussed

  • The Bermuda Triangle and its mysteries
  • Elysians and their connection to ancient civilizations
  • Groundhogs and adrenochrome
  • The significance of the equator in historical contexts
  • The role of Hermes and the nature of necromancers
  • The implications of time travel and reality manipulation
  • Vampires, werewolves, and the evolution of myth
  • The secrets of the Catholic Church and its figures
  • The duality of good and evil in the realm of deities

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+Transcript

Rambling 298: The Grounding of Stuff Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised. Jack: Going live in 5, 4. Cristina: What does live mean? Jack: Welcome to the Rambling Podcast. I'm your host, Jack. Cristina: And I'm your host, Cristina. Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And I think we've been doing that successfully lately. Cristina: Yes. Jack: So last week and the show before then, we were trying to get to what I was trying to talk about this entire time, but we got busy grounding things because that's our job. And that sidetracked us from getting to our one and only goal that this week we're definitely, without a doubt, gonna get to, which is, again, the fill people in on everything. And we've been doing this for a very long time. All we ever haven't. Cristina: Yeah. I don't understand. We've been doing what we've been supposed to be doing. Jack: Well, because grounding is our job, we can easily get sidetracked into grounding things because everything is groundable, if that makes sense. Cristina: So then we've been doing our job. Jack: Yeah, yeah, it's. It kind of loops back and forward to some degree, but I think we have some pretty good Grady greatest hits when it comes to grounding things. I think the whole Elation saga was beautiful. There's a lot, but it's infinite. And like, that gets frustrating. I think finding independent creatures that aren't related to them dope, and many things that are related to them dope. And it's funny because a lot of that, even finding the Elysians, really began about trying to see what the h*** was happening at the Bermuda Triangle. Cristina: That's where it started. Jack: Yeah. We were trying to find out what was happening in the Bermuda Triangle and then looking into clouds. Cristina: And then I thought it started with the unicorns. Jack: Well, that led us to the Alicorn that Antonio Dracohan. And that's kind of technically, that's the beginning. If this was a movie, if this was structured into a movie, the way that it built up into the Elysians. Right. Not even talking about the Elysian specifically, but a meta look at the show we were originally looking at. I think it was. Oh, no. Because then we migrated to the Groundhog. We were just looking at creatures and we were breaking apart clouds. There were some weird cloud patterns that we wanted to look into. And so we went through an entire breakdown of clouds, and then we veered off. We knew that the something weird was happening with that collection of clouds on top of the Bermuda Triangle. So that Allured us. Do you remember that? Cristina: Yes, but I don't think that had anything to do with Alicia. Jack: Not yet. Cristina: That was part of whatever story we had before. Jack: Well, no, because we were trying to find out what was happening directly under them. What was. What were they there for? Why was there a collection of clouds over the Bermuda Triangle? And I think then we looked into the groundhog, which I don't know if he ever finished his training. Cristina: Was it. Yes, he was part of training. To talk to the clouds. To the clouds? To get the clouds to talk to the sun, I think. Jack: Yes, because the sun is technically a cloud, too. Cristina: I think we were trying to stop some impending something from the cat People. Jack: Yes. Maybe an invasion or something. Cristina: Yeah. Jack: Oh, no, no. We were trying to originally. Originally find out what was happening with the other stars disappearing in the great void. Cristina: Oh, yes. Jack: And we would need to talk to the sun to do it, which we. Cristina: Would use with clouds, but we thought we could use the. What is it? The. The groundhog. Because he could communicate with the weather. Jack: Yes, exactly. Oh, man. Cristina: The last one just died. So we had to train a new one. Jack: Yes. We had to give him adrenochrome. Cristina: Yes. Jack: He was Phil, right? Cristina: I don't know. Jack: It was Steve. Philly is the one who died. And then Steve was his replacement. A random groundhog we just gave a bunch of adrenochrome and started training. Cristina: Secrets of hogs is that they always were taking adrenochrome. Jack: No, it was specifically the one for. The one that they were talking to. Cristina: Yes. Yes. The groundhog 00:05:00 Cristina: that was chosen for Groundhog Day is always taking a dream. Jack: But that one died. Cristina: Yeah. Jack: And so we were training one the way they were doing because we accidentally killed Phil. Cristina: I think so. Jack: I don't remember how we killed Phil, but we killed Phil. I know that much. Cristina: I believe that is right. Jack: And then maybe they don't even know we replaced Phil. They don't know. They're just humans. And then we replace Phil with Steve, and they have no idea. And then secretly we've been training Steve in order to talk to the clouds so that the clouds. Specifically weather, I guess, which was also bouncing off of when we were talking about lightning as a component, but unrelated to the clouds, because those are two different individuals interacting. Cristina: Yeah. So that's the idea. And then we're gonna communicate with the planet somehow. Jack: And then we're gonna get. Go on and on Steve. To talk to the clouds. The clouds would talk to the sun. The sun would. But still, something weird was happening down there. Cristina: Yeah. Jack: And actually, Steve wasn't going to talk to the cloud specifically. There was a cloud with a face that we were gonna go talk to. Cristina: And we needed. Jack: Yes, yes. And we needed Steve for that. Cristina: Okay. Jack: So we were specifically gonna talk to that one cloud. That's a cloud. God or some crap. A demi cloud. And he was gonna talk to the sun or something. Cristina: I guess so. Yeah. Jack: Cool. But in doing so, we were like, weird that these clouds have. They're like floating over the. The Bermuda Triangle. And so we veer off and we're looking at different underwater things. I know. We were doing that for a while and we stumble upon. Actually, no, we ignore that for a while because we did Bimini Road, which we didn't. We thought about, you know, leading into the. Again, from a movie's perspective. It saw us doing these things, and then it shows us going somewhere else and discovering a different clue. But the. The. The viewer knows. The viewer knows. It's like, oh, this is related. The Bimini is by the Bahamas. A little tiny road that we looked at a long time ago that had the statues underwater. And it was like, kind of aiming towards the Bermuda Triangle. And we're like, oh, yeah, they're definitely down there because of xyz. Reason we still didn't know that the Elysians are the Atlanteans. We're just like some other people over there. And then we started looking into the Persian Gulf oasis because we were doing Atlanteans in specific. We were still calling them Atlanteans until we got to Antonio Draco. Cristina: I feel like before him, we were talking about the equator. Jack: Yes. Which was another thing related to them, wasn't it? But again, we didn't know. We're just like this giant equator surrounding the Earth. And it looks like these places built along this line were all in communication with one another or in communication with some bigger governing body. But they were all in sync with us. We still haven't found out what the point of that was. I thought we did the whole equator line. I know that a bunch of them died out. Is it because it was the line which. Cristina: Like, which Satan went to give them the tech? I guess it's easier for him to travel in a straight line. Jack: Yeah, I guess. Or maybe delivery was easier between the countries. So, like, we keep passing it down the line. We're all next to each other and he doesn't have to personally deliver it. It'll always keep rolling down the path. Cristina: Yeah. Jack: Or maybe the equator is just the line in which the civilizations were Gonna be built like they were starting there. So we see them as just. Cristina: But why did they choose that? Jack: I. Why versus, like become a bubble or. Versus, like anything? Squiggly line. Cristina: Yeah. Jack: Why a straight line, Right? Cristina: Yes. Jack: I have a theory on that. And I think it has more to do with Hermes. If you look at a lot of Hermes research, there were a lot of these symbols. He was essentially, if you remember, he was building comprehensive, like transmutation circles with a bunch of detailed symbolism and junk as part of meditation and energy moving and whatever he was doing. I think similar to the Hedron Collider, which is probably one of those. I think this line surrounding the Earth was the beginning of a complicated design that maybe was to envelop the Earth or a design that does in fact envelop the earth. And we have only found that specific 00:10:00 Jack: version of it interesting. Cristina: If it relates like, was he murdering them? Like, did they die off or did he kill them? Jack: No, no, no. Oh, well, that's another interesting. Cristina: Because we know the first. There was a different line and no one made it from that other line. Jack: So you think the Kearney. No. But the equator is just where everything moves along. I guess they must have done it ahead of time. Interesting. Interesting. Look at it like this. Look at it like this. Because this does have to make sense to some degree. Right. The equator gradually shifts place. The globe exists. And the equator is always by itself moving simply because of how rotations work and whatnot. So what if the line is starting to catch up? But they built society there and never told them. These guys are always working in secrecy. And the equator slowly kept migrating to that line. Slowly kept until it lined up. We know that alignments matter. We know the solaces work in Castillo in order to bridge a gate that allows people to go into the Shadow Realm and teleport along. So that's. Alignments matter. Somehow. If they built civilization, let's say north to south and started the line west to east, and it was always moving clockwise. It would eventually migrate from west to east to north to south. If in that moment something happened. Great transmutation. And all those people died. Philosopher stones. This could explain why some of these structures are some of the oldest ever seen. Cristina: Yes, they were. They weren't building on that line when it was the line. No, they were just way before the. Jack: Build on the line. That was unreal. And nothing they could track. Cristina: Yeah. Jack: Or understand. Cristina: But someone did. Jack: Yes. And in order to get them to do this successfully, they did need technology. Maybe it was never about sharing the Technology. And the way we think about it, for Lucifer, maybe Jehovah man, we jump back and forth here real hard. Cristina: Bad guy. Jack: Who's the bad guy? Cristina: Okay. But Lucy was doing something sketchy. Jack: He was doing something sketchy. He was doing something really ridiculously sketchy. Because everybody was gone. Cristina: Yes. Jack: There's nobody there at all. It's all 100% gone. All that really exists is the ruins to that. And Jehovah recorded is telling him no. He is like, but come on, bro. We need this. Cristina: Yes. But we know he at least did it or tried to do whatever it was that he did twice. Jack: Because when he went to Shadow Realm. Cristina: No, because there was an old equator line that is destroyed of ruins and stuff. Jack: And the newer one, the new equator line, has nothing built on it. Cristina: It has nothing built on it. Jack: No. Oh, the new equator line is just where the line kept moving to. Cristina: Oh. Only the old one had the ruins. Jack: Only the old one had the ruined lines. Cristina: Oh, okay. Jack: If there is, we don't know where because nobody's thought about this. Cristina: Okay. Jack: And maybe it would be trackable. Maybe major cities line up in a way we never thought about or something. And then one day, by default, because. Cristina: It could be more than one line. Through the Earth. Jack: Yeah. Cristina: Around the earth. Jack: Yeah. Cristina: We just have to find. Jack: We would just have to find to connect the dots. Cristina: Yeah. And it has nothing to do with the equator. Just. We just need to see that pattern. Jack: But you know what's even scarier at this point, this means that 12,000 years ago, we weren't beginning to develop. We know that their technology was crazy, but they weren't beginning to develop immense technology. They were already at earth scale technology. 12,000 years ago, they could just, in one shot, boom, across the earth, kill everybody and make. Well, at least along the line of the equator. Maybe they didn't want to erase humanity. Cristina: That's what I was thinking. That the whole purpose of that would be so that not all of it was gone. Jack: So maybe they don't even need these factories like Epstein's Island. What the h*** is that for? Well, then again, where it's two different purposes. Cristina: Specific people. Jack: Yes. That's to drain. That's for adrenochrome. Cristina: Yeah. Jack: Versus something like stone. The stones. So maybe they've been able to make stones casually, whenever they want. Cristina: Yeah. We just need to find more lines. Jack: We just need to find more lines. On the flip side, wars are an easy way, and they're clearly in charge of the government. Cristina: Somehow 00:15:00 Cristina: that seems more of adrenochrome. Than a stone thing? Jack: We don't know. Cristina: We don't know. Jack: We don't see. In some instances, we see the bodies, but in other wars, it's just like, oh, yeah, some private attack happened. And it's like, wow, really? Or is it only when we drop, like, bombs and we can't go look at the evidence? Like, that was probably no bomb. You guys are just showing us a bunch of. And really, at the end of the day, what happened was you guys made another stone. Cristina: Would the bodies disappear? Jack: The bodies would disappear. Cristina: Okay. Jack: If it's for adrenochrome, the bodies would stay. Cristina: Mm. That's why most of them has to be for adrenochrome. Jack: Have you seen the bodies in most of them? Cristina: I think someone has. Jack: How do you confirm that person was real and not just another person? Just saying. Oh, yeah, I saw it. Cristina: Oh. Jack: I bet North Korea makes stones regularly. Cristina: Who would know? Jack: I bet there's human farms there where they breed humans. Because nobody knows where they breed humans. And then just en masse. But you dilute the genetic pool if they're always just cattle. Cristina: Yeah. Jack: And you're just making the. There's something about the more complex the life force. Well, the life form than the more complex life force. Yeah. What is the rule? The more complicated the life form, the more complicated the life force. The less complicated the life form, the less complicated life source. It began a long time ago at Butterflies or some s***. Weird. Because we discovered a bunch of adrenochrome before we found out it was connected. Cristina: Mm. Jack: We found it through butterflies. Well, we've heard about it here and there, stumble upon things kind of pointing in that direction, then when they looked at it, and we found that through butterflies, that was, like, the original, like, attempt. And then other people throughout history, which I remember specifically, we looked into that were figuring it out in other ways. The countess in the 1700s or 1600, somewhere around there. It could have been the 13th. Who the h*** knows who was killing her? Her maze. That was for adrenochrome. And so we found, again, adrenochrome somewhere else, and we didn't. She might have not known, and we might have not known. But, again, a bunch of people did, though. So maybe she was in the in group who knew about adrenochrome. And although the people who wrote about it didn't get it, she knew why she was doing it. She stayed young, and they were all, oh, yeah, she was using it for her skin. And that was. Make her stay young. And it's like, no she was drinking that s***, bro. Cristina: Yeah. Jack: That's why she actually. That's why it actually worked. F***. That's exactly why it worked. She was killing them b****** and drinking it. And they were. The people reporting on it didn't really understand. They thought she was bathing in it, but she was just putting it in the tub to have a source of it. Cristina: Ew. Jack: She could continue to drink. I guess she was vampiring the f*** out. And this has a lot to do with the area she was in. They probably thought vampirism worked this way. We interpret it in the horror movie style, but vampires are relatively new. They weren't. Cristina: Vampires are based on adrenochrome. Jack: Vampires are actually just based on Dracula, and Dracula ain't even that old, so. S***. You get my point. Like, there wasn't a concept of vampires back then. Their understanding of a vampire was crap. Like the Countess. And like, Dracula could have easily been based on the Countess in a castle. Cristina: Yeah. Jack: Attracting maids. Cristina: Yes. Jack: And drink. Literally drinking their blood. Cristina: It's the same story. Jack: It's the same story. And we found the Countess and we found a couple of, like, old school serial killers who were doing the same thing. We. We did that for Halloween one. So we were just looking at weird instances like that. We have a couple of really good Halloween episodes. Cristina: Well, didn't do any this year. You got anything for right now, this. Jack: Moment to do some Halloween? Cristina: Yeah. Jack: No, I don't now. We didn't do it for this year, but next year we should hit all the holidays. Find. I mean, it's interesting to go look at something that we haven't looked at for a while and with new eyes and find something we missed before. Cristina: Yes. Have we ever did a Thanksgiving thing? Jack: We've done many Thanksgiving. Cristina: Oh, yes, we have. But we haven't talked about the turkeys that we save that we pardon. I don't get that. Jack: We pardon turkeys. Cristina: Yeah. The President pardons turkeys every year. Yeah. He puts them in a hotel, keeps them fed and happy, and then he, I guess, brings them in front of people like the, like. I don't know, like the groundhog. Jack: Yeah. Cristina: And 00:20:00 Cristina: it's like, these turkeys cannot be eaten. Eaten. Jack: They must die of old age. Cristina: Yes. And I don't know how anyone keeps track of that. Jack: I bet. I bet that's the turkey the President eats. Cristina: Oh, that's awful. Jack: I bet some president was a douchebag and did that. If that's not the case, somebody was like, you know what? This is a stupid tradition. I want that turkey President. But no, no. Replace the turkey. Nobody's gonna know. I want that turkey. I want to eat a famous turkey. Cristina: The one that you said can never be eaten. That's messed up. Jack: Why? What's the difference? How would anybody even know as long as the illusion persists? Cristina: I don't know. I feel like you'll get. You will not get away with it. Jack: I. I want to get away with it. And then on my deathbed as president, I'll be like, get cameras and everything. I'll be or ex president, however that works. And I'll be like, for the world to know I ate that turkey. Cristina: That's messed up. Jack: Boom, boom. Will anybody give up? Nobody's gonna give a. They're gonna be like, he ate a turkey. Cristina: They're gonna say, you're a monster. Jack: If they. If it happened, like, the next day that it came out, they would be like, oh, my God. Yay, though. Cristina: Yeah. Jack: Right now, most of them send you. Cristina: To jail to rest, to live the rest of your life to. Jack: I'm. I'm on my deathbed. Cristina: Who cares? You're gonna be in your deathbed in a jail cell. Jack: That's. I mean, I guess it wouldn't matter to me. Cristina: It wouldn't matter to you? Jack: No, no, it wouldn't matter. I'm already dying. Like, what do I got? Days. Cristina: Yeah. Jack: Like, spend the rest of my days in a place that has to take care of me for a fact. Cristina: Yeah. Jack: Whoa. Cristina: But you'll be in orange or whatever color those suits are, and then they. Jack: Die in a box. Cristina: Yeah. Jack: That's cool. Cristina: Okay. Jack: Concrete box. Who else did we find that was using adrenochrome? Oh, we found some Greek stories with it. That was afterwards. That was after we found out the Elysians. When do we find out they were called the Aletians? Cristina: Probably to do with Greece or Egyptians or. I think it was Egyptian. Jack: I think it was in the text that the Egyptians had discussing the Elysians, because they also referred to them as the Sea peoples. Cristina: And so did the Greek. Not the Greeks, the Mayans. Mayans. Jack: We looked at Maya a bunch of times. We looked at my. A long time ago without knowing they were connected to the Egyptians. Cristina: And we also, like, recently found out that they have portals to the shadow realm. Yes, that we think. We were thinking there. Jack: No, we knew they had portals to the shadow realm. We found out recently they were crossing people regularly. Cristina: Yes. Yes. That's happening everywhere. Jack: Yes. Cristina: And we had no clue that was happening. Jack: Yeah, we looked at that. Didn't know that there was this Entire civilization there went like two years without having any idea. Meanwhile, we found the. The villages around the world, including the one in Puerto Rico. That's a really famous one. All these groups that are just mixed shadow realm, Earth realm creatures found out. Cristina: All those people that were talking crazy stories about, like, I'm afraid that my child's gonna be kidnapped by a fairy. And then we realize, oh, crap, there's. Jack: They're onto something. They're on to. They were. It wasn't fairies, but they were kind of on the market. Cristina: Yeah, they were. They were close. Jack: They were close. They were close. There's a bunch of creatures kidnapping children. So it was based on some interesting y. Cristina: They were insane. Jack: No, man. It is a kind of weird road that took us here. Adrenochrome was a weird one. We found that so many times because. Cristina: It'S the easiest way. Jack: Everything, even by accident. I really, really. I always think about the story about the wolves in the. In the battlefield and how they would go out and like, when they were starving because the battlefield scared off all the other creatures, so they had nothing to hunt, and they were just out there feeding on the freshly dead people. But those people were in war, bro. They had just unloaded their guns, had the guns unloaded on them, seen friends die, seen bombs go off maybe in that time, or depending when. When wars happened. Because this was in the, what, the 17, 1970s, 1917s, and another one again in the 1950s. So there was bombs already. And like, this resulted in some crazy creatures, bro. Yes, that's nuts. Werewolves, which then, in hindsight, kind of informs our older story when we looked into werewolves and we found out that the natives would dress up with the. Cristina: Fur of the wolves and then turn into wolves. Jack: Not turn tools, but run 00:25:00 Jack: around the woods. Cristina: There was some stories of people wearing wolf fur and then turning into wolves. Jack: No, that's what they thought they saw. That's what the people. The. The white man. Cristina: Oh, he saw. Jack: Because they would see the. The problem is that they were with wolves. The natives in these areas would be wearing the fur of their family members who were wolves. They lived in nature with the wolves, naturally, and so they would be wearing the wolf fur and the wolf would be seen by the people who lived around there. And then they would see shortly thereafter, a native wearing wolf stuff, and they think it's the same thing. That's where the original myth of the werewolf came from. But the actual real world equivalent is a werewolf, a wolf drinking adrenochrome and then resulting. Cristina: The werewolf is a Wolf becoming a man and not a man becoming a wolf. Jack: Exactly. It's not becoming a man, but kind of getting a more bipedal look. It's very Pokemon. Cristina: Okay. Jack: You know, just transformed and now it's bipedal for whatever reason. So. Yeah. Cristina: I don't know. I feel like there are some men that claim to have turned into wolves, though. But are those just crazy people? Jack: No, because we also have people that were turning in the things. Not everybody has exactly the same reaction, but it's more or less the same reaction. We've had men turning into wolves. No, I don't think we've ever had people turning into the wolves. Cristina: There's a guy, I think for the church, he was confessing that the devil made him dress up as a wolf, turn into a wolf to fight the. No, the church forced him to turn into a werewolf so he can fight the demons or something. There's some wild story like that. Jack: We talked about it on the show. Cristina: Yeah, it was before all of this. It's way in the past of just talking about creatures not connecting to anything. Jack: That was when we were doing werewolves one and two, right? Yeah, man, I don't even remember that. Cristina: Yeah. I think he was claiming that the church would turn him and like a bunch of other homeless people into werewolves to fight demons. Jack: What the. Well, I don't remember all that. Cristina: I don't know what that is. But I know that they do have weird stuff happening. Jack: We know because the Church does weird s*** all the time. Cristina: Yes. They have portals and they also have items. Sacred items. Jack: Yes, they do, actually. Cristina: Body parts. Magical body parts of saints. Jack: Yeah. They hoard all the things with power they could find. Cristina: Yeah. Jack: But later we found out that was entirely because they were trying to erase the existence of magic and. Which is really just really complicated science. Cristina: Yeah. Jack: And the body parts and things are saving are. Because think about it. They're saving a cloth that was protecting Jesus and he came back to life in or something. And it's like. Well, that was some technology that was reviving him or whatever. Or that had like proof of some residue of some kind of compound that they don't need anybody to know exists, you know? Cristina: Okay. Jack: Of the fruit or something. Cristina: Yeah. Jack: So they. They keep all of these things. They either have some kind of ability attached to some complicated technology or whatever the case might be, and they confiscate it all and hide it. Cristina: That's crazy. Still. That's pretty crazy. Jack: And still they couldn't compete with actual Jesus. Cristina: Well, they're. They're either Helping him or hiding him? Jack: Why would they need to hide him? Cristina: Because they're working with the. The. I'm thinking fairies, but that's not the word. I'm thinking. Who, Who. What is he? Jack: What is who? Cristina: Jesus. Jack: He is an Elysian Alicia. Cristina: And they're either working with Jesus or the Elysians. Jack: The church. Yeah. I think. I think we have three parties. Cristina: You think they're separate? Jack: I think they're separate. I think there's more than three parties. I think party we actually. I think. I don't think we've ever broken this down. I think party number one is the Elysians and their homies, like the Mayans and the Egyptians. Group two is Jesus and whoever's backing him, which is unclear. Cristina: Shadow people. Question mark. Jack: Question mark. Because we don't know. Because group three is a shadow people with Lucifer and all those individuals. Because even the shadow people who've joined our Earth Realm teams, we're calling those as part of Jehovah's team. Okay, so those are the Elysians. We have the Elysians there with all those people, including the shadow realm people that are there. Then we have the shadow room people who are a separate entity entity 00:30:00 Jack: made up of many Elysians and humans who've been outcasted one to the shadow realm. We got Jesus. That's three main group tied up there. Then we have Mab and her group of people somewhere doing something that's hyper unclear to us. See, we all never know. Exactly. Then we have the Greek that randomly pop up and are like always keeping up. They're like Piccolo. They're always keeping up with Goku and like how. Okay, but they're always there. And we don't know if any of this or even if the Elysians themselves are in any way connected to the original top of that, which is Jehovah's father Yahweh and his father Eloi. And how. That we still don't understand the giant leap from all of that all the way back to Yaldabao and how any of them might connect to what's happening now. Cristina: Yes. And we have no idea anything about Hermes either. Jack: Hermes, he's like neutral party. It looks like he helped everybody do whatever. Yeah, he's such a central figure. Cristina: But he might have even helped Jesus Satan with the line. Jack: He might have. But we know many instances suggest he might have helped Lucifer. Cristina: Yeah. So that's interesting. Jack: It looks like he might have helped Lucifer. It looks like he might directly be the teacher of Jesus. Yeah, it looks like he gave a johor who Worked or was friends or something with Jehovah. Cristina: And he has some connection with the Greece. Jack: And he has some connection with Greece. And he might have existed back with Eloi and Lilith, which suggests that he would have also been around at the time of Jesus, Jehovah's father, Yahweh. He would have been in contact with every single everything straight through. Cristina: Yes. Jack: I don't understand how. Because he is a God, he might actually be. Everybody else is some being that got there. He might actually. Dude, based on how we're describing him, right? Cristina: Yes. Jack: He goes everywhere, lives immortally, contacts everybody. Now, here's an interesting part about Hermes, which, based on his talks, might make sense. Let's say Hermes does come around in the year 12,000 BC, right? That's when he's born, not before then. But what do his lessons teach us? He says the fabric of reality itself is up to you to move around and control as you please. If you understand my teachings, you can just casually move in and out. Nothing matters. Nothing is of consequence. Everything is readjustable. Could it be that although he began there, he easily just shows up in the past? Is that a capability of his? Yes, because we know many necromancers can just f*** with time. Cristina: He can too. Yeah, I guess. Jack: Just poof. So he was born recently, but he could just be back there? Cristina: Yeah. Jack: And that explains him showing up everywhere. He became he again. He was just a creature that became a God beyond anything all these other people could even fathom. Cristina: Mm. Except for Jesus, maybe. Jack: Well, he taught Jesus. Cristina: Yeah. Jack: It to this moment, it kind of does almost look like Hermes over Jesus. So if we were to just calculate their abilities and what they've done. Cristina: Yeah, but if Jesus gets to actually ex. Goes follows those principles that he has to teach, like what makes the difference, what makes him under. Jack: It looks like Hermes can cross into the fairy realm. It does not seem like Jesus can. As far as we know. Cristina: As far as we know. Jack: As far as we know. Cristina: Exactly. I don't know. That doesn't really. Jack: Only based on what we've found, he. He hasn't. Maybe we'll find something different to the contrary. But as of now, it looks like Hermes is the only one who's figured out how to enter this other space. With all of the efforts that everybody else has. I haven't seen a mention of Jesus doing that. Cristina: Well, maybe that story of him going into heaven. What does that mean. Jack: Going into heaven? Cristina: Yeah. And the end of his story before he comes back to Earth, like, what is that? I don't Know exactly. Jack: He dips out. Cristina: Could that be him exiting? Jack: But then that means he's always behind. He didn't just inherently have the ability like these other 00:35:00 Jack: things. He discovered that like a science. Which means that Hermes mastered it. He's a beginner at it. Hermes is still above. Cristina: Yeah, but that doesn't mean he can't get to that point. Like once you got it, you got it. Jack: He has a head start. Is he gonna. Is Hermes gonna continue getting better or is there a top? Which means if there's a top, they can catch up and land there. If not, then. Because again, if it's science, you can keep pushing it. Oh yeah, you can continue to push it. Cristina: But I think Jesus is still up there. Jack: He would be number two. I'm thinking he's number two. Cristina: Yeah. Because he did escape. I think he might have gone there. I think that was the story. Jack: And that's simply because we cannot rank things from Elfame. We have no idea. Yeah, it's possible. Those things are way more complicated in ways we couldn't comprehend. Cristina: But he might have gone into alpha and then came back. Jack: Yes. Cristina: I think that's. That's the story to say that. Yes. Jack: Right. But yeah, no, 100%. But that doesn't make him. I still think we've discovered that there is less appearance of Hermes. He's more rare to come across. So he's better at being invisible. He's been around longer, so there should be more of him. But he is good at being invisible. Cristina: But also he's using much of different names. I don't know. Jack: He always goes by Hermes. Cristina: He does. Oh yes, he does. It's Jesus that goes by different names. Jack: Jesus goes by different names and is still nowhere as elusive. Cristina: Okay. Jack: We don't know necessarily anything about what Hermes looks like. We just know he was robed. He was nice and discreet. Okay, he was robed. We have no descriptors for his face. We. We know just the things surrounding his robe. His face is usually in shadow and the robe itself was very dark. Gave look to that traditional necromancer thing, secrecy and privacy. So they adopted the look. Cristina: The necromancers. Jack: The necromancers adopt the look. That's also why we always see Jesus robed up. Everybody else might have layers to the robes, tuck ins on their ways. But Jesus wore like gown style things. It was very necromancer. And he's known for having the scarf with the hood. Cristina: That's not Mary. Are you sure? Jack: Jesus had the same thing. I guess Mary was also trying to be private. Oh, but that's logical. And the most important facet here is. I mean, Jesus would have to become a more more complicated threat eventually because he's still half Elysian. Cristina: Yeah. What is a Hermes? Jack: Human. Cristina: How do we know he's not half. How do. Jack: We don't know. We just know that you have to be human to be an echromancer. Cristina: Yes, but Jesus proves you could just be half human. Like you don't have to be full human. Jack: Jesus proves you could be half human. This brings up an interesting problem and it totally explains the Elysians not wanting Elysian men or women to breed with humans. Because nephilim that become necromancers may be problematic. Cristina: Yes. Yeah. Jack: Is the fear the necromancers, the few necromancers we know about are problematic. And then there's Hermes, who seems undefeatable by any standard we could imagine. Cristina: But then you think they'd be an enemy with him, but there don't seem to be. Even though they fear everything he is, they don't want another version of him. Jack: I mean, everybody's trying. Think about what the requirements were for the Golem. Think about what the requirements were for Jesus. You have to be able to cross all three thresholds seamlessly. What? Who's the only other individual we know who could do that? It's Hermes they're trying to imitate Hermes. Cristina: Yes. Jack: Right. And he ain't a fairy. They just know a human learned how to do the thing and that for whatever reason, Elysians can't be necromancers. Cristina: Yes, but they don't want to make more. They do and they don't. They don't want it. Jack: You want to control them. They want to be able to make a necromancer and control it. Cristina: Hence the creation of like things like Jesus. No more. Jack: Jesus was a problem. Yeah. Think of not Alexander. Was it Alexander? No, the. The sword guy. 00:40:00 Cristina: The sword guy. Jack: Who was being tricked? Arthur. King Arthur. Who was being tricked by Merlin. By Merlin. But the whole goal of that instance was a necromancer or not a necromancer. A person with the ability to cross between thresholds who could be controlled. Cristina: But he was all human. As far as I know. Jack: He was all human. Yes. And he was too easy to control. It became problematic. And we know that Merlin was an elation. Or is an elation. I don't know if that guy still around. But Hermes equals. I mean, not Hermes, Merlin. Equal elation. Cristina: He has to be half. Jack: He has to be half. Yes. You're Right, because how is he? And that's why he's whack. Cristina: Why is he whack? Jack: Because the more human you are. Cristina: So you think he's more than half human? Jack: No, he's the whack necromancer. Merlin is whack because. Because he is half and half. Cristina: But you have to be half and half. Jack: No, you have to be human. Cristina: Oh, but Jesus is half and half. And that he's not. Jack: Isn't half and half. Cristina: You think he's human. Okay, psychic abilities. Jack: Stories give us some details here to fill in for this thought, but I have some filler ideas. Right. For some blank areas. The stories emphasize how important Mary is, not just to the cause, but to Joseph. Joseph is a magi. A magi. And he is one of the other three who will later show up. He was her personal escort. They are Alician soldiers of some sort. Cristina: Okay, right. That's her man, though. Jack: No, that's the lie they're telling. Cristina: Oh, okay. Jack: But where you're getting at is where I think was maybe intentionally left out. The Bible tells us he's her man. Of course, the Bible is foolish and made up in order to suppress the truth. But the Bible tells us. So what motivation did the Bible have to tell us he was her man? Why wasn't he just her brother? She was gonna be a virgin and have a husband. Cristina: Yeah, that's weird. But weird. Jack: Could have. Any other narrative could have been spun there. Yeah, maybe. Maybe he was human and that's why he was different from the other Magi. Just like Mary was human. Because we know that child is part of Jehovah's DNA. But maybe the intention was to water it down and so it's not just Jehovah. What part of this do you need science for? Where was the experiment taking place in? Well, maybe both of them are the bad. Thus he's only one third Elysian. Cristina: Oh, crap. Okay, those make it more interesting. Jack: Interesting. So he has as much stake in this as the Elysians, but, you know, you're also just a human bro. We can get rid of you quite easily. So you're just gonna escort her? Well, you got bodyguards are gonna be watching, and they're gonna show up when it matters. You're gonna see them, and you just gotta take her over there. Where does he go when he gets. He just vanishes. The story just cuts off. We assume he left with the other Maggie, but he just. His story just ends. So what is that about? Well, his purpose was complete. He probably died off. Cristina: He died off. No, he died off. Jack: They get. They get to older age. Oh, but like, what's his. Why do we stop talking about him so heftily? It's because of this reason. He is really inconsequential, but is part of the equation, which is why he was actually present there the whole time. He's like, no, it's my Katu and I'm gonna follow this lady. Cristina: Okay. We just couldn't say, yeah, they were. Jack: The chosen ones to some degree, but it was just human. Cristina: Okay. Jack: You know, And I think that was a way of diluting some science was used in order to dilute elation DNA. Even if elation DNA is better for stones, they're not going to get rid of themselves. So they could easily run this tech, but no humans. But in order to make a necromancer, you need human. And they want one that they can control. But I don't know if they have Hermes, why they would need to. I don't get that part. But Hermes himself then trained Jesus. He's so neutral. 00:45:00 Cristina: He doesn't. He seems like part of the group, but he doesn't seem like part of their group. Jack: I think he literally isn't part of their group. I think he's just friends with Jehovah. And everybody must respect his neutrality because what are you gonna do about it? The fact that he's blessing you with his time is good enough. Cristina: But then he gets to train the guy that they offer, cuz that guy went to him. Jack: Again, neutrality doesn't matter who comes or what you want. I can do whatever. Cristina: Mm. Jack: I'll help you with limits. I don't hurt others or whatever. But what you do, but what I gave you is up to you. Cristina: Crazy. Jack: So everybody comes for something different. It's like, yes, he's really God about it, to the point that even Jesus goes to him on record. Yeah, well, Emmanuel. Emmanuel goes to him and it's like, bro, this dude moves like real omniscience. Cristina: Yeah. Jack: Move through time, influence, whatever. Yeah. Oh, you said your grandfather needed what? Okay, I'll go back and I'll. Cristina: That's weird. Jack: Yeah, whatever, dude. Oh, no, I can't do that. I'm not gonna go get rid of the people. No, I can't do that. You need the. Oh, yeah, yeah, I can make the thing. Whatever you do with it, that's up to you. I don't give a crap. It's your choice. If it affects me, I'll bring him back. I don't care. Cristina: Real omniscience, okay. Jack: He moves like that, right? He has that feel if I don't care what happens, I don't care. I don't care what. I'm not doing it, but I don't care what happens. Cristina: Yeah. Jack: And then he can adjust whatever in his favor. That's so impressive and everything. Again, if we look at the whack, watered down, non knowing necromancers, it's still like, d***, son. All of them except St. Patrick seem capable of controlling time. They're watered down. All of them. They're. They're whacker than Jesus. And Jesus can't mess with Hermes. That's where we are. They can control f****** time. Cristina: Yeah. Jack: It looks like maybe Santa, St. Nicholas is like real top tier op. Maybe third in line here because of how exaggerated he is. But it could just be time control that he looks like he's everywhere freezes, everything goes everywhere, takes him a long time. Then time moves forward again. Cristina: It's still really exaggerating. I don't know. It's pretty powerful stuff. Jack: Pretty powerful stuff. He also has deals with what seem to be actual fairies. Actual fairies? Cristina: Yeah. Jack: Which is like, d***, how do you do that? Yeah. Cristina: Yeah. Maybe they're not fairies. Maybe they're shadow worm creatures. Jack: They could be shadow worm creatures, but they can. We don't know shadow creatures that fit those suits. But we know fairies that do. Cristina: It's just too weird. Jack: It's weird. Cristina: It doesn't make sense to anything. Jack: But again, maybe he's. He does appear to stay neutral as well. So maybe the fairies aren't siding with him. And maybe the fairies aren't trying to stop Hermes. Who are the fairies trying to stop? All the people trying to imitate Hermes. Fair people don't care about Hermes. Why? Cristina: I don't know. Jack: Doesn't seem to be f****** with them. Neutral. The people who are like, we want infinite power. They get elf slapped on top. Stop their progress, please. Cristina: Okay. Jack: But Hermes clearly already capable. They're like, whatever. Interesting. They're scared of power hungry people because if they cross out, they're coming for us. Cristina: Okay, Jesus, kill off Marilyn and Jesus. Jack: Jesus is a problem because Jesus is the one that slipped through. And although Jesus isn't aiming to hurt them, Jesus seems to be on a revenge path. Right. Is his goal the Elysians or could he easily deal with the Elysians? Cristina: I don't know. Jack: Because if they are is infinitely trying to get stronger. And they're infinitely trying to get stronger. So he must again try to get stronger. So they must again try to get stronger. And now it's gotten to the point that they reach the Elfame just trying to get stronger than each other. And then they're just consuming everything around them in a war between each other. And that's the fear. That's why it didn't look like anybody was after anybody specific and that the Elfame was just fight. Who are we scared of? And it's like this guy or that guy or what? No, both. Cristina: Both. Jack: But it's not about them going after you. They don't care about you. They're. They're Borg. They're infinitely power hungry the way humans are. Okay, we want more. But it's about getting rid of each other. Cristina: It could be that very. It feels very Dragon Ball Z. Jack: Like just like always. Upscale. Cristina: Stronger. Yeah. Jack: And it doesn't stop. We've gone out of the realm. Man. I remember the ah, memories. What the good old days when we just thought creatures here, creatures there. Maybe some aliens, maybe an alien or two local 00:50:00 Jack: that can't, you know, lives in space between planets. Because why would it try? How would it travel from super far? They couldn't. It's just a biological something living in space to finding out no crap could travel. And here's the science behind it. Stars away, stars across, galaxies across. Until getting to the point of like nah. There's entire clusters of stars completely captured. Because escaping the entire universe is totally possible. And there's multiple of these things. And here's some science behind it to dimensions and realms. It's like I remember the good old days back then when it was so simple. Now. Now we have interdimensional multi realm existing different creatures of different magnitudes of development tied in infinite ways with each other and in different ways. All scientific. Cristina: They're trying to get up there, up somewhere there. Jack: So complicated. So, so complicated. It's ridiculous. It is good old days of just hey, vampires and zombies. You remember comparing vampires and zombies and they both need blood. Which it totally should have filled us in on so much. Totally should have. Because we erased it slowly from zombies to say that they were after blood. But zombies were after blood at the beginning of the invention of talking about zombies. But maybe the creators of zombies thought oh this too on the nose. It's too close. So I'm just gonna connect the dots. And so we slowly phased out zombies going for blood. And then they just became science zombies. The way like oh, vile. We're trying to cure cancer. But. But it was always science. Cristina: It was always science. Jack: Adrenochrome. Oh the science in a different way. Cristina: Yeah. Jack: We they try to block us off of certain paths of science so that we don't get informed on those things like realms and crap like that. That must use biological and physically tangible science applications in order to to interact with. But the laws were taught to build upon exclude the factors that would lead us in those directions so that only those who know about them can know about them. Esoteric knowledge everywhere. You know, it's funny, that reminds me that Wet Judges was the same story as zombies. We had. We were just going through different creatures and we found out that this creature existed and that it was the. The result of something unknown. But this is what the creature behaves like. And it's not a shadow Realm. Creatures opposite to a win dingo. But they both turned out shadow room creatures. But there was some difference between them that we were like one comes from this and the other one kind of sorta. Eventually we discovered wolves. And both of these things shared a lot of characteristics. And that episode involved the connection of well, this is how a wolf biologically becomes. And this is how wolf biologically becomes that one. I believe the Wet Judge is the feral shadow realm version of a wolf. And the Windingo is the in control shadow realm version of a wolf. And both of those we found in isolation separate because we were just doing episodes about creatures. Cristina: But what do they have to do with the Shadow Realm? Jack: Adrenochrome. And they're both shadow realm creatures. Cristina: Okay. But they're based off of wolves and the wolves are from here, not from the shadow Realm. Jack: Exactly. Were wolf. Well, wolf can wolf takes adrenochrome the stages of a wolf as they would break apart. A wolf can sue. Let's take one of these 1950, 1940. Like six werewolves from the battlefield. Battlefield night people hiding. It sneaks up in the shadows and starts eating and drinking some of the blood. Because it's dies or. No, no, let me get there. It's gonna turn into. In consuming so much of it. A werewolf. Cristina: Mm. Jack: The werewolf is just the in control version of the wolf. Now two wolves came. They were talking about two separate wolves from the same pack. They came. They ate the same body. During the werewolves, both of them became werewolves. One of them was smart enough to consider coming back and the other one was a little cower. And as soon as it heard people ran away so they didn't consume the next day. This happens repeatedly. And the second wolf doesn't come back. The first werewolf stays a werewolf. The second werewolf now becomes a lichen. 00:55:00 Jack: It goes feral. It's just a Savage now. Cristina: Okay. Jack: It even forgets how to get back to it. It's just now a monster. Cristina: Okay. Jack: But they're more or less fizzled off Earth Realm. Cristina: Yes. Okay. Jack: Yes. And they all fizz. They physically look very similar, except a werewolf looks like a humanoid. It looks very similar than the werewolf is very gray, furred, wise and less crazy, I guess. Cristina: Okay. Jack: And the lichen is black fur and slimmer, while the werewolf looks bulkier. The lichen is thinned out and like up looking. It's like a really thinned out werewolf that's all black. Cristina: Okay. Jack: Now if the werewolf dies a werewolf, it becomes a wet judge. Cristina: Okay. And if the lichen dies, it becomes the other thing. Jack: And if lichen dies, it becomes a wendingo. Cristina: And those creatures are Shadow Realm creatures. Jack: And those creatures are Shadow Realm creatures. Cristina: Or they're ghost versions. Jack: Yeah, yeah. A lot of Shadow Realm creatures are ghost versions of earthrealm creatures because there's an inherent tie between them. Cristina: A little weird, because the Shadow realm is the original realm and we are. Jack: A pocket realm within it. Cristina: Yeah. But when we die, we go back to the original realm. Jack: Well, this is supported by all sciences, all religions and all philosophies that the. This association from the self unites us to the all. Another way of thinking about it is the texts that make it sound like it's a simulation. If the barriers are built around a certain type of code and you extract that code, then whatever code is left could exit the equation. Cristina: Okay, and then we just go back to the shadow realm. Jack: We can just be part of the shadow realm. So it's possible. Weird thought that everything within earthrealm is already a creature that might exist within the shadow realm, and we are just programmed with the external shell that we then think is ourselves. Cristina: What do you mean? Jack: Like my body isn't my body? Maybe I was always a gin, but because I'm born over here, the body feels like a body. But then it's weird beating our campy because creatures from the shadow realm coming over here to kidnap children and stuff, but to live. But they don't. They don't become suddenly physical unless they go through a procedure. Yes, and I don't understand what the procedure necessarily is because there's no specifics on it. Yeah, we know that they need a model, which is why they kidnap kids. They need an example of who they're going to become and that person is going to stay alive. They don't kill that person. Cristina: They don't. Jack: Well, somehow still existed when Lucifer became physical. Cristina: Yes, but did he transform also? Jack: Then Samuel got turned into Alfamer. Cristina: Is that what happened? Jack: No, he got turned to a Naga, I think, right? Cristina: Yeah, I think so. Jack: Yeah. Cristina: This story is twisted and weird. Jack: Yeah, that's a weird. Someone else been through the ringer. It's a weirdo. But this isn't a couple of places. Because if you think of Glycon from the Greek, he also was just a Greek dude who became a Naga. Cristina: That doesn't make sense. With the help of Keto. Because Nagas are fairies. So these are people becoming fairies. Jack: These are people. Well, people becoming Shadow worm creatures and Shadow Realm creatures becoming Earth Realmers are still weird. Cristina: That's weird. But it's less weird. They're becoming fairies. Jack: Well, presumably the Shadow Realm is a pocket within Alfame. The best way to think about it is if Elfame is Earth Realm, then the Shadow Realm is the Internet. And EarthRealm is like Facebook. Each one is inside the other in a smaller, more constricted way. But it's still the one thing. Like it's still Facebook exists within Earth. Cristina: A video character becoming human. Jack: Yes. So, okay, I guess the. The most logical way to make the next step remove would be to say we have humanoid robots that don't have any AI. They exist everywhere. Cristina: Okay. Jack: And the Facebook AI decides it's going to figure out how to enter one of our robots and navigate earthrealm. That would be the leap that Jesus born in earthrealm does 01:00:00 Jack: to get to Alfame. He is the Facebook AI. Cristina: Yes. Jack: Getting into one of our robots and now existing as a Earth Realm being. Cristina: What does it mean when one of us becomes a Naga? Jack: That would be the equivalent. Cristina: It's still in there. Jack: Yes. So there must be some form of code that creatures from the top have. Like MAB logging in. Cristina: Oh, NPCs. No, not NPCs. Main characters. Jack: Main characters. Yes. They acquire main character abilities. Yes, that's what it really means. Which is a good example in being Hermes. Main character abilities. Cristina: Okay, so if you can do become a Necromancer or become a Naga, you're doing the same thing. Yes, sort of. Jack: The difference is they're trying to make Nagas of existing individuals that they know are already loyal. They don't want one born. They're trying to make one out of people they know are already loyal to them. So there's some half baked kind of approach there. Cristina: And they. I don't think they have the same abilities as Nagas. Jack: No. It doesn't seem like they have the tip top. The closest person who got To. That was the first one we know about, which is the oldest, which is Yaldabaoth and his. Not his artificial Naga, which I guess everybody else is. An artificial Naga that we're talking about. Cristina: Yeah. Jack: But it looks like his was literally created from nothing. It wasn't based on anybody. Which is also why that one's overpowered. Cristina: That doesn't make sense. That does it. I don't know. Jack: Osteomorphus. That was the name of that serpent. Osteomorphous. Cristina: Came from nothing. Jack: He came from nothing. He was raw, created. So he must be more pure than doing it on a creature that was already a different creature. But they'll be loyal because they're part. They're in on it. It's their hard work, too, versus this. No, you were made exclusively for this purpose. You could turn on me and it might have. We know it had its own intentions. It might have done whatever, but that's the risk. A different variation on that is Jesus. It might go rogue. Except it went rogue and they did. Where they. How do they control it? Cristina: I don't know. But how do you do that? What? You said he just made one. Jack: Made one? What? Cristina: Made a Naga? Jack: Oh, I don't know, but it would be like, how did we invent a robot from nothing? Like, it's just. It's that he just made science. Figure it out. Cristina: Okay. I don't know. Jack: But the leap Jesus made is pretty impressive, especially if we. If we listen. If we listen, Deacon, listen. If we take the texts that make it sound like a simulation at face value and say, oh, yeah, that's definitely the true one. Jesus made it out of the simulation and into an Alfame robot. That's basically what we'd be saying. Yeah, he jumped to the middle stage. Or went through it. We know he went through it. Literally. He could enter the wider Internet. Cristina: But he's not the only one. Jack: No, he's not the only one. Because whatever quote AI unquote Hermes is can easily just walk out. And he was just Earthreal. So he is another Facebook AI. He's the original Facebook AI that managed to just get into a robot in her throne. Cristina: That's weird, but yes. But then I still don't understand, because Nagas are. Jack: I think Nagas are an attempt to do a biological cheat sheet for Hermes, because you can either study and get it. That's a. The filter is crazy. Phew. It's so hard. So few people have figured it out. Immense power. Even people who didn't figure it out. Alexander the Great There you go. Even people who didn't get it, what they did get, made them monstrously overpowered, but with limitations. The idea of a Naga bypass the limitations instantaneously. Shortcuts. It's all shortcuts. Cristina: Okay. Jack: Because the right way to do it would be learned hermetic principles. Follow the laws that Hermes lays out. Understand his lessons. He says it, it's the only way. And the proof kind of stands on it. The fact that nobody else figures it out. Cristina: Yeah, he figured it out. Jack: He did. Cristina: And nothing is like gonna figure it out after him though. Is Jesus really it? Jack: Well, we don't know. Merlin came after Jesus. Cristina: That's true. Just forget he's the most recent. Jack: Yeah, he's the most recent. He was whack, but he was the most recent. Then again he was way overpowered. Still time bending. Cristina: That's crazy. Jack: Yeah. Cristina: Even if he was defeated, it's still pretty crazy. Jack: I guess so. Well, yeah, he was tricked, but he was tricked by a fairy. He was killed off by a fairy. Cristina: Yeah. Jack: Like you know. The question is, could Hermes know her? Is the problem is also Hermes has no goal. Think about how interesting this is. It doesn't look like. No, but St. Patrick's was associated. Even if he was human. Cristina: What do they mean? Jack: He was still associated with the Elysians. They called on him for help. Cristina: I don't know. Because of him and Santa makes it seem like the religion is behind is part of them or they made the Catholic Church. Right. Jack: The Catholic Church was made by the Elysians, but the Catholic Church employs humans. Cristina: Yeah, but to keep the Elysians secret. Jack: Yeah. The whole point is to keep the Elysian secret and to make Jesus just seem like he's unrelated to the Elysians. Cristina: Okay. Jack: Yeah. And it looks like, you know, they're neutral. And maybe they were priests who were like, we're gonna put. We're gonna send you on a quest. We're gonna send priests. Maybe that's the point of priests. Raising some priests regularly to a school out in Greece where they're gonna come across a series of tests and tasks at the School of L. If they pass enough of them, you're going to get into a special class and you're going to take it and you're hopefully going to pass that class. That class is all that matters. Everything you're going to do for the next 20 years of your life is pure training to try to pass one class. That's it. Good luck. And then, you know, just kept sending people, kept sending people, kept sending people and one guy, St. Patrick, makes it through and meets Hermes and takes classes with him and, and St. Nicholas makes it through and gets there. But how many hundreds of other priests went there and like tried and they could, didn't even know what they were there for other than I told I was going to do this my whole life. And I'm not going to get married, I'm not going to have children, and I'm going to go back and go, you know, I dedicated my life to them. I'm gonna go lead a church and I'm gonna be great. I'm gonna have it said and made. But I don't know what the beginning of that path was. And only few of them, and they disappear forever. Now it's the, the St. Patrick's of the world. It was like, no, I'm an OG. I got the abilities that they want. Cristina: Yeah. Jack: And so those are in house necromancers. Hermes is neutral party if they can, if they. Anybody who can get my teachings can get my teachings. Cristina: So you think he was training? Jack: He was at Lesium as written by Aristotle. Cristina: In his notes, they say for how long? Jack: Unclear, but he was at Lesium, so that's fact number one. The specific lines were that he was waiting for the special students. And Aristotle's take on that is that his students were the elite students, the students that had taken all their other classes, the students that have aced everything else. And it's a school of philosophy. What the f*** does it mean to ace that? It means to understand everything there. Cristina: Which makes sense for what you need for Hermes. Jack: You got to enter equipped in every aspect of everything. And so you get to his class. Most people didn't make it. And I don't know how he would evaluate them, but he must have been looking at the notes of the other teachers there and been like, I want that student on that guy. He seems to be doing good every class specifically in these topics, which means he understands the nuance I'm looking for. Maybe all the other teachers were just cover. Cristina: For the real goal. Jack: For the real goal. Everything is designed as an intricate filter. And it's, it's a tournament. There's one winner. Of course, there's more multiple winners. But in this case, you know, to picture it better, it's tournament style. The guy who makes it to the championship past all the tests, but you still got to eliminate, eliminate, eliminate. And so you can't have a huge class of thousands of people. You got to be very restrictive. And maybe not. Maybe anybody who can make it can make it. Except people don't make it because it's really hard to get. Cristina: Mm. That's really hard. Jack: It's really abstract. Cristina: Mm. Jack: Really abstract. But it all makes perfect sense is the problem. So you gotta be able to understand really abstract thoughts in order to then bend reality with your mind the way that Hermes suggest can happen. And that we've found this proof through Naga and other necromancers and the people who cheat and manage to get a stone and aren't necromancers because that's so op. Cristina: Yeah. But he's the reason that there are stones. Jack: Yes. He invented them. Cristina: That's crazy. Jack: Yep. He is so good at being secretive. Hermes. He's so good at being secretive and so good at making things that we didn't know that both parts of the craft 01:10:00 Jack: were literally him. We found the first part and we're like, he made the thing like somebody else made the other part and improved on it. No, it was also him. It's just. It's hard to connect any part of things that have to do with him because everything exists in isolation. Because he's so good at just disappearing off of that side of the planet and popping up over here and doing a bunch of crap over here and stays over here for a thousand years and disappears over here. And he's over there now. No given. Doesn't seem to care about the passage of time. Doesn't seem to care about what side anybody's on. Does no barriers exist. I'm in this room. I'm in that room. Whatever. Cristina: That's what he does. Jack: Very godlike. He reminds me a Q from Star Trek. Cristina: Probably less of a troll than him, though. Jack: We have no idea. We have no, no idea. Not a clue what his personality is like. Not a clue. We know some people had character to them. Some of the Elysians were like, you know, you can imagine them. The guy who's just whoring around banging humans. Cristina: Okay. Jack: You're probably a chill dude. Bro. Cristina: Know. Jack: You know, he's just a dude. He's out there just linging, slinging his come everywhere he goes. Cristina: We don't know anything about Hermes. Jack: Who the h*** does? Cristina: I thought he's a weirdo or not weirdo. He's just secretive. Jack: He's private. Cristina: Private. Jack: We got stories from Santa. We got stories from Patrick. We got Jehovah stories. He seemed to be pretty chill, but kind of stern dude. Lucifer seems kind of more worrisome. He's these would, you know, panicky Lilith has a bit of attitude to what she does. Everybody has characteristics based on everything we found. And then Hermes is like, I don't know about you, dude. I don't know if you're, like, serious jokey. If you're like, you know, expressions. He's robed. Cristina: Yeah. Jack: Every description of him, robes. Nobody sees this face. Even his homies have no idea if he's smiling or not. He's talking to a robe all the time. Cristina: That's kind of crazy. It's pretty crazy. We don't know anything weird. There could be more than one. Jack: There could totally be more than one. But also, he can bend time. What the. Cristina: Like, why do you need more than one? Jack: Why do you need more? He's everywhere. He's everywhere. He's all over the place. Everybody's Hermes at one point. It's like, no, it's the same dude. We thought it was multiple people. Cristina: Yeah. Jack: And then it's like, no, it's the same guy. What? How? How, How, How? In fact, we thought it was so multiple people because Loi is the title and Hermes exists. And we're like, that's probably the title, too. And he existed back then, and they knew each other. Weird. So different people. And then we're like, nope, it turns out same guy. It's like, how the f*** does this work out? We still haven't even proven that about Loi. Cristina: I don't think he's. I mean, I think he is more than one guy. Jack: Loi feels like a title. And the way they describe the giant ship shifts in behavior. Feels like different people. Feels like a title within the family or a job position or political role or something. Cristina: Yeah. Jack: Hermes is literally the guy's name. He'll go by a different name. And then tell them, I'm Hermes. They gave me this name over here. But Hermes is from actual name. Cristina: Weird. Yeah. Jack: And he'll write it. He'll be like, I'm Hermes. Cristina: He writes it, I'm Hermes. Jack: I'm Hermes. And then he made the emerald. He made this, everybody. No, Hermes. Geras Magista's made this. Don't happen. How? How do you do this in Europe? And then at the same time, he made that in Afghanistan, bro. Let's have a real conversation. Cristina: Because time travel. Jack: Because time travel. Cristina: And because there's nothing really. Jack: Instantaneous teleportation. Cristina: Exactly. Jack: And, like, it doesn't matter. Cristina: Solution to any problem is time travel. For Hermes 100. Jack: That explains ever once that's. It's like, yeah, you could bend time. Cristina: Yeah. Jack: So you're just hanging out back there, like the day you chilled with that guy's grandson millions of years later. Cristina: Mm. Jack: To you it was minutes apart. Cristina: Yeah. Jack: You just skadoodled across and it's a. It's seamless. If we were watching you from a movies perspective, you're like, all right, Jehovah, I'll let him know. You take two steps, we zoom in on you. You take two steps, none of the scenery changes. And now you're standing in front of Loi. Hey. Your grandson said this. And when we zoom out, we see Eloi, but not Jehovah. That's how seamless it would be to him. Cristina: That's pretty crazy. Jack: He didn't think about it just there. Cristina: That's totally how it could work. I don't know. Jack: And from the point of view of both of these individuals, he never left. Cristina: Mm. Jack: Because he can pop into the same fraction of a second he left that with Jehovah and walk right into that same moment and be like, your grandfather said this. And from your point of view to my. I'm right now, I'm Hermes. And right now you're Jehovah. And you tell me you need to tell my grandfather to add this, this, and that to 01:15:00 Jack: the equation starting on this next sentence. I'm Hermes. Okay. All right, Jehovah, I'm gonna go tell your grandfather right now what to do. Listen, Loi, it's very important that you add these couple of parts. Now. Loi tells him whatever it's like. Okay. I'm gonna make sure your grandson knows this. Jehovah. Listen, he said that, that one sentence, he's gonna talk to two people across time. And to him it's gonna feel consistent and linear to them. Not a moment past the moment you said links. Cristina: And then he sees a different person. Jack: Yeah. Cristina: Okay. Jack: And time has stopped over there. Cuz not really. He's just in the past and he's gonna go back to that same moment. Cristina: Okay. Okay. That's crazy. That's his ability though. Jack: Does his ability though super overpowered. And he can do that at any point in time, at any place in time? That's God. Cristina: That's ridiculous. Yes. That's good. I don't think there's anything above that. Jack: I don't think there's anything above that. Minus whatever exists in Alpha that we have no reference point for. Yes, but the realms we are aware of. Even elves don't touch this. Nagas don't touch this. Cristina: As far as we can tell. Jack: Yeah. It would have to be the theory of the simulation. And it would have to be that MAB is a programmer and only then, because then she'd have the ability to like deprogram the robot, shut off the Internet, whatever. Cristina: But she can't. So it's not that. Jack: Or she should. We don't know if she can. Maybe she is just one of the programmers at the big company. The company really owns the Internet. She just knows how to work. She's the best worker, knows how to do it. Okay, but she can shut it off and ruin the project and save the world if it got that bad. Stop things from getting out and just destroy the robot that they got into. Whatever. Try not to. Expensive project maybe. Whatever that might mean in that realm. Cristina: Yeah, you know. Jack: Anyways, that's the road that took us to where we are. It's just all random pieces, man. Cristina: But it makes somewhat sense. Jack: It is composed. It makes perfect sense. It is a rational, reasonable, thought out kind of. Our job is to ground things like we said. Cristina: And we did it. Jack: Yeah, we've been doing it like you said. We've been doing it the entire time we've been grounding things. And those are all examples of how we've grounded things. And we added some groundings to thumbs things in. Just by talking about grounding things, we just grounded some more things. Yes, that's how we do now. The problem with explaining to the listeners that we do ground things and giving them examples is that it took an hour to do so. So we never got to get to the notes. Okay, so next time we're definitely going to get to the notes. But this time at least we grounded some things. Cristina: Which is the point. Jack: Which is the point. The job got done. Cristina: The job got that. Jack: The job got done. Cristina: It always gets done. Jack: It always gets done. And if anybody came here from last week looking to hear the episode that was planned, you're gonna have to come next week to find out what that was. But we'll totally get to it next week. We're talking anyways, if you guys think that you have noticed in our current grounding of things. But no, about the Elysians and all that stuff. Anything that you think we. We didn't. A detail that checks out. Maybe we touched on it enough that you were like, oh, that made me think about that. Let us know. Send us your input, your ideas. Anyone who just jumped in is like struggling to comprehend the mess of we just talking about. I realized that the other day. I was thinking about like, what if you jump in and you don't go back? Cristina: That's good. Then we summarize everything. Jack: Yeah, but like, what the h*** is an elation. And what is the shadow mentioned? Cristina: All of that. Jack: No, I know we didn't clarify much of it. It was a lot of like. But then again, if they start here and they hear the next episode and then the next episode, you'll figure it out. It'll start to make sense. It doesn't matter where you start. Just enough. Yeah, about it. Anyways. Tell us what you think. Tell us what you know. You could do that on our socials at just Convopod, on Instagram, on Exxon, Facebook, on TikTok, Tick tock, anywhere. Cristina: Remember to subscribe, rate and review the show. Jack: Yes. And word of mouth. Tell everybody that we exist and that we're out here doing the Lord's work and grounding things. Bringing angels to the ground the way the Lord did. Cristina: We are the groundhogs. Jack: No, we are the groundhog. Cristina: I don't know. Jack: We hug angels from the ground. Cristina: Or our family. That's what we're gonna call them. The people that are listening. You guys are the groundhogs. Jack: Oh, my God. It makes sense because we're always grounding things. Cristina: Yes. Okay. This has been the Rambling Podcast. Take 01:20:00 Cristina: nothing personal and thanks for listening by. Jack: SA. Cristina: Podcast is hosted by Cristina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black. 01:20:53

Rambling 271: The Hermetic Works

How’d Hermes Acquire his Philosopher’s Stone? Was he alone? And what is this strange tablet? The duo continue to deep dive into Hermes Trismegistus’ works and history in an everlasting quest to understand the purpose of ancient advanced civilizations.

+Episode Details

  • The Original Hermetic Philosopher’s Stone
  • Angelic Gift
  • Collaboration
  • Discovery
  • The Emerald Tablet
  • The Guide to Necromancy
  • Six Major Works
  • Apollonius

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And I'm still baffling, baffled about the same. Baffling ideas relative. Infinitely digging into a hole that I don't know at this point if it's more about Hermes or more about Jesus or what the h***. There's some. Something else we should be pointing no, there's something we should be pointing at that we don't know what it is that they're kind of all dancing around and getting us closer to. That's ultimately what's happening here. We're getting closer to something like the.

Cristina: First necromancer or something. Something else.

Jack: I don't know if knowing who the first necromancer is matters necessarily. Or maybe it does. You don't know what information matters because we don't know what we're looking for.

Cristina: No.

Jack: Like, are we looking for something in the past? Are we looking for something in the present? And we're looking for a plan, a purpose, a goal, a person?

Cristina: There's nothing to find in the present. Or is there? I don't think there's any. There doesn't seem to be anything.

Jack: Antonio Draco was quite recent. That was just the 1700s. That ain't that crazy.

Cristina: That's kind of old. 1700. That's the most recent.

Jack: The battle that took place directly over the. Where the palace of Alcaraz was in the Persian Gulf oasis. That was in the 80s.

Cristina: Oh, really?

Jack: The tanker war.

Cristina: Okay, that's not that far.

Jack: It's not that far.

Cristina: What does it mean?

Jack: What does it mean? Right?

Cristina: Yes.

Jack: And whatever's happening with Israel and Palestine, I think that's related, man. I think that's related because you got to think about it. I was giving this real thought. Maybe we talked about this on the show, but before, I don't even know. My thought about this was we think just look at the order of events, right? Israel just attacking and wrecking these people in here. Totally genocide level. Israel's a bad guy for sure, but maybe not. Let's think about this, right? Israel's just, quote, murdering these people or whatever is happening there. We don't have eyes on it. We don't know what's happening, okay? The other countries know about it and do nothing and they tell us, oh, yo, yeah, your opinions are valid. And blah, blah, blah. And then they do nothing. It's because either what they're. What's actually happening, they're not telling us. And these, our leaders know too, what's really going on. What's really going on. And they're like, no, believe what you got to believe. I don't. Maybe. Maybe it's not even a bad thing that they're doing. Maybe there's. Because this is my other thought. We're looking at Israel, which most likely is somehow connected to the Elysians. If we're talking about this right. And we're looking at the Egyptians, which are the other side. The Egyptians are the other wall. They're the only other exit point for not doing anything. And they're literal. Thing is you guys aren't doing anything wrong. But why now? Borders is what they said. These people can get away through water if they f****** want. Whatever.

Cristina: Mm.

Jack: I mean, who knows if they make it. I don't even know. Or if the Wabotters are patrolled, whatever the case might be. But think about the logic here. Maybe they're holding something in there.

Cristina: What?

Jack: That's.

Cristina: What.

Jack: Maybe it's a prison cell to hold something in there. Maybe there's. That's the actual focal point to something.

Cristina: To something. To something trying to keep in there.

Jack: To something that they're trying to keep in there.

Cristina: That's disturbing. I guess. I don't know.

Jack: The other thing is that I was thinking about. This is before we get just random thoughts I've had. But this next one isn't random thought I've had as much as a. Interesting note I read unrelated to anything we're talking about, but it was in a text, an Islamic text mentioning the Mecca and how it was built to. This is. Now, this isn't in the Quran. This is part of like kind of lost Islamic folklore.

Cristina: Oh.

Jack: Specifically.

Cristina: Okay.

Jack: That references it as though it was built to trap an evil spirit. The thing that the Islamics.

Cristina: You think they're fighting an evil spirit?

Jack: I don't know.

Cristina: Wait, they're worshiping the evil spirit that they're fighting.

Jack: They. I don't think people know if. If this was the actual purpose for. And it worked. And there's an evil spirit in and me. I don't even know what the Mecca really is. I'm sure people are allowed in there to confirm there's not a prison cell with an evil spirit.

Cristina: Okay.

Jack: But I don't. I don't actually have any idea, to be honest. But this is just a random thought I was having. That I read that line and look into it or anything. It just essentially made it sound like it was made to trap an evil spirit. Okay, this is it pulled up right here. This does not look like a prison cell to me. There are three pillars that hold it it up.

Cristina: But can people go in there?

Jack: I guess so. Yeah. Even if they can't, like, it's not a.

Cristina: Is that a what?

Jack: It's not a prison. Oh, I know what the Mecca is now that I think about it. Is this where Muhammad took into the.

Cristina: Sky what I think it is?

Jack: This is where Muhammad went into the sky.

Cristina: Through that?

Jack: No, on this spot or when he went to heaven? Or was it the floating rock? One or the other one.

Cristina: I think you need to do some more research on this. Yeah, whatever.

Jack: Yeah. It has nothing to with anything. Anyways. None of this is the point. None of this matters.

Cristina: It could be in the future. Who knows?

Jack: Yeah, yeah. I don't know. I have no clue. But anyways, today's episode has nothing to do with that. That was just an interesting fact of life. I. I suppose. But today's episode is more of an extension of trying to dive deeper into Hermes now that we've established one guy factually, one guy throughout a bunch of time, which means immortality, as well as him knowing or at least living an absurd amount of time while being human and him knowing Yahweh, which is the first mention of anybody we have crossing with Yahweh. So now we know to, you know, eventually look into that time based connection. But I found some other things that I think we should discuss instead. Relative to this individual who seems to be the one human we know who can stretch a crap ton of time other than Jesus Christ though he knows.

Cristina: A lot about science.

Jack: And I guess also on St Nicholas and St Patrick all both lived in absorbently long amount of time. And Merlin was only murdered because it's a fairy's weapon.

Cristina: Did it as far. Yeah, yeah.

Jack: If he's dead.

Cristina: He said if he's dead because that's the last we heard of him.

Jack: Yeah. So okay. That summarizes kind of relative points, I suppose. And so I had a question coming in here and I'm like, so how did he come up with the stone? Or where do you get it? You know what? Like where did this originate from and how do we get there?

Cristina: Okay. Huh?

Jack: How would we go about doing that?

Cristina: How would you do that? Yeah. You found the way.

Jack: How it's complicated, right? Because we have to think about like what steps would a normal person approach how do we. What question would I ask to find the normal step a person would approach? Like, what the h***? Right?

Cristina: Like how. Yeah, because, like, do you know about the first stones, I guess to make. Are the four stones Adam and Eve, or the ones that was before them, that came from the dead fairies? Those are the. I think.

Jack: I think that one stone is the first one that at least narratively speaking, what we know, what we've uncovered. A fairy stone is the first one. I guess the shadow stone is what we call it. The shadow stone is the first one. Then the stone of Adam, the stone of Eve. I suspected another stone to make Jesus, but we don't actually know that to be a fact. That's a theoretical stone. So outside of those three stones, we also have Merlin's stone, Patrick's stone, and Nicholas's stone. But those three stones seem to either be unpure or weaker versions as compared to these other way, more OP stones we're talking about.

Cristina: Yes, but we're going back in time. Like, how did they come up with.

Jack: Adam and Eve and.

Cristina: Yes.

Jack: I don't know. I don't know. Because that's Eloi. Who came up with that. That's not even connected. That's another problem. Right. That creates a huge hole. You're totally right. How did they come up with making these stones? Because essentially they're following. This is another reason. This is where this rabbit hole just kind of spirals in the million places. Right. Eloi. My theory is Eloi used Yaldabaoth's method to create the atom stone and the Eve stone, both being better than the last through the kind of rinse and repeat process that takes a long time to make a thing reproduce and then kill it. He was working with szn.

Cristina: This is a new incision.

Jack: Is the son of Yaldabel.

Cristina: Oh, that. But like, how much does he really know?

Jack: I mean, I guess, but this is my theory. And follow me on this. I don't think it worked. I think even us, we are the imperfect still in progress. Jesus was still the working towards something. He was closer than we are.

Cristina: Yeah.

Jack: Because we're not descendants of Jesus.

Cristina: Yeah. And we don't know if there's anything after.

Jack: Exactly. And whatever Jesus is by comparison to us is op. And Jesus was born. It seems with everything a necromancer is.

Cristina: Mm.

Jack: I think that's the goal. A born necromancer. Interesting.

Cristina: Did he make more of himself, though?

Jack: Jesus?

Cristina: Yeah.

Jack: No.

Cristina: If he had children, what would his children be? Says like the stones made us. We reproduce. And make more us? Wouldn't there be Jesus like creatures out there too?

Jack: If Jesus reproduced, If he did, and anyone he reproduces with would reduce what he is. There could only be one.

Cristina: Huh?

Jack: He would need another him, another perfect version. So they could never recreate. It would only be Jesus.

Cristina: Okay.

Jack: You could only have the one. Interesting. I didn't think about that. Even genetically. There could only be the one.

Cristina: I guess maybe that's why they only made one. Because why would you just make one? That's kind of weird. But we were a test and they didn't just make one. There's billions of us.

Jack: I'm sure we weren't necessarily the finished product either.

Cristina: No. I mean, no.

Jack: Maybe the goal was Jesus.

Cristina: Us to make him.

Jack: Yeah, the goal was to make Jesus. Which then brings up the next thing. If the entire process required mass death, then question one, is there something akin to a mass extinction event taking place around the time that Jesus was born? And two, is the, I guess the use of the possession of the stone. The use of the stone is, are they? I don't even know what my question is because, oh man, it's so complicated. I don't understand the ultimate point. But anyways, anyways, who cares about any of this? Chasing this point, okay? I need to track where this man began. The path of finding out where the stone came from. Like, how do you do it? Where'd it come from? So start looking through text. Any mention, make a note of any possible. And I come across a couple of interesting mentions. And so it goes as follows. Christianity would have the most information because they're the people trying to correct everything. That's the first place. It's like a Wikipedia of sorts. You begin there, but you can assume it's wrong in a lot of places. So you begin and you're like, what do you gotta say about this?

Cristina: Christianity, Christianity. Okay.

Jack: Through biblical texts, we landed at Enoch and we proved Enoch is Hermes.

Cristina: Yes.

Jack: Great. It took us that far outside of the Bible itself, but through other Christianity and Catholicism adjacent texts, we get an interesting line which does in fact discuss the philosopher's stone.

Cristina: Okay, what's that?

Jack: Their take on the events.

Cristina: Is it again, Christianity. Christianity, but outside the Bible?

Jack: Outside the Bible, yes.

Cristina: Okay.

Jack: Enoch was given the stone by angels. If we translate these words, fairies. Fairies, gave.

Cristina: That doesn't make sense. That doesn't make sense. What does that mean? You know, you don't think it's shadow realm people. Maybe by they mean shadow people. That's more believable that shadow people. If the none of anything. We haven't. Like, we haven't understood anything.

Jack: Well, no, the other thing is that I think two or three episodes ago, we stumbled upon the possibility that the fairy realm is also just another layer and not base reality.

Cristina: Oh, my gosh. I don't know what's happening.

Jack: I don't know what's happening either. But it's. It would be the logical conclusion that if it's possible to make a perfect simulation, we ourselves are within one, because it's the most likely. There's only one base reality.

Cristina: So they're also just testing on us.

Jack: Yeah, every. It's a loop. An infinite loop. It looks like.

Cristina: Yes, as above.

Jack: So below what? Which is a line. We're gonna say again later.

Cristina: Hermes. Own line.

Jack: Okay, now, at least it was a good starting point, but I don't trust the Christians because this came straight through edits from Catholicism, which tells me this only exists because you're trying to lie about something.

Jack: This only exists because you're trying to lie about something. That's just where I begin with Christianity right now. You only exist to cover up lies. So let's find out if you mentioned it. Yeah, it was a lie to cover something up. Simple.

Cristina: So you gotta find the original story.

Jack: Because he mentioned it. He mentioned it.

Cristina: That's good enough.

Jack: Christianity mentioned it. So you're trying to hide something. Yes, or you wouldn't have said s*** because it wouldn't have concerned you at the end. So let's find out the same take. I look a little harder going through Christianity, but kind of reaching outside of the Scriptures, outside of the Bible, outside of any relative. But other people who claim to have been around and seen a lot of the same things who aren't necessarily identifying as a version of Christianity, but rather a different Abrahamic religion. Celtics right up there with our friend Mananan. And these individuals, right? They actually happen to also have an interesting mention about a man named Enoch. Interesting, interesting. And what do they say? Because this definitely sheds a little more light.

Cristina: What do they say?

Jack: They believe that Enoch was given the instructions by angels on how to develop the stone. Or it's unclear that he developed the stone along side of them, I guess. Interesting.

Cristina: Either way.

Jack: Now we get somewhere where it's more of. They're messing with a program and they're trying to do something in the program, and they're getting the AI in the program to help them.

Cristina: Interesting, Interesting.

Jack: That looks more like today reality. A little closer, a little closer.

Cristina: These are just people outside the program that are just essentially right yeah.

Jack: Or in theory.

Cristina: Yes. It makes sense. It's weird. Yes. Because why would every fairy be under. Or listening to. What's her name?

Jack: To Mab.

Cristina: Yes, Mab.

Jack: Yeah. It might just be the Internet. We might. It might just be the Internet. There's a bunch of parts.

Cristina: She's just a late scientist and she has people working for her. But not everyone in that world is a scientist working for her. She could be the sea people of that place or whatever.

Jack: Not even. She could just be a developer.

Cristina: Yeah.

Jack: This could be Facebook and there's other websites, and she's just one of many working on. On the Facebook known as reality.

Cristina: Yes. And people go in and they do their own thing. Okay. Yeah.

Jack: Makes perfect sense. Right. A little better framed. And that made a lot of sense. But I started following that to try to confirm if I could. If, you know, if that's corroborated by other sources.

Cristina: Mm.

Jack: And instead what I get is an older take on this same thing. This sounded right enough that you wouldn't question it. But if you find out that. Let's think about the line I'm about to draw you. The Christians who come essentially from the Israeli kind of region, moving towards Italy, that's Christianity. If you draw a line from Israel towards Italy, that's Christianity happening right there.

Cristina: Okay.

Jack: And the Celtic is. If you were to draw a line from Italy to Ireland. Right.

Cristina: Okay. Sort of picturing it.

Jack: Okay. Islam would be you dragging that line then back into the Middle east again from where it came out to Iran and Afghanistan and Arabia and that kind of Middle Eastern.

Cristina: Very Middle Eastern.

Jack: Yeah. So it's a triangle, by the way. A weird, lopsided triangle of sorts.

Cristina: Yeah, but of religions.

Jack: Yeah. We go back kind of to where we began. The further back we go, we left and came back going backwards through time, and we land at Islam. But then I follow Islam and it devolves back into Zoroastrianism.

Cristina: Oh, okay.

Jack: Right. Okay. So I'm on the right track. Right. Just following the same sentences and same kind of ideas, devolving, changing little by little. But if you know what you're looking for, you can compare them. Even if the first and the last are nothing alike, the road is just a bunch of similar kind of more or less. So you make it all the way into Zoroastrianism, and then you hit the wall. But it's interesting enough where the wall ended, because I would argue that then this answers more clearly, because Zoroastrians believe that Enoch, specifically angels, came down to learn how Enoch created something like The Philosopher's Stone.

Cristina: What? How? And how. But how. But how did he do it?

Jack: But how did he do it?

Cristina: How does he. Then it feels like he has to relate to the other guy who made the first one in the Shadow Realm, because how could he have done it without him? How could he have just done it separately? Is it possible? Is it possible? Could that happen? I don't know. I mean, maybe.

Jack: Well, no. We can draw a line that makes sense because we know there's enough degrees.

Cristina: There's.

Jack: There's. They're close enough that there's like four degrees of separation before we get to like the source, you know?

Cristina: Okay.

Jack: If we started Hermes, who we know connected with both Jehovah and Yahweh. Yahweh, the son of Eloi, who we know factually made the thing and hung out with the son of Yaldabaoth who made the first one. It's like the information is there. It made it down the pipeline.

Cristina: It's not that crazy, but through time. It's kind of crazy, but like.

Jack: Yeah, but we still have pipe systems made by these people and we're pretending they don't exist.

Cristina: Okay.

Jack: Like, is that still through time?

Cristina: He did it. He did it. Okay.

Jack: I'm not sure if he did it, but that's the argument that happens the.

Cristina: Farthest back is that he made it. They were interested in that to the.

Jack: Point that that means he discovered how to traverse the Shadow Realm and Elfame and make a stone that bends all of them through one another easily and effortlessly.

Cristina: It makes sense because he's a necromancer. And if you know what a necromancer like, it's just what a necromancer is meant to do in the end of the day.

Jack: In modern day, we consider necromancers to be so associated with death almost specifically. And so little of these other things they're also identify with like just being able to like, we're so, so evil and this and that. Every description I've seen of a necromancer allows them to just enter heaven. What the f*** is that?

Cristina: Enter any realm pretty much.

Jack: They can just phase out. That's fire, dude.

Cristina: Just obsessed with the death part.

Jack: But like, yeah, we're weirdly fascinated by that realm.

Cristina: Way more realms that they can communicate with.

Jack: All of them. All of the above.

Cristina: Yeah.

Jack: Is basically. They have no restriction. They're human gods.

Cristina: Mm. That's what they are. Oh my gosh.

Jack: Human gods. I guess the human gods. Except they're not a research team. It's not like.

Cristina: Yeah, it's not like the other Sun.

Jack: God's research team or whatever, you know. But it is interesting.

Cristina: Yes. And they're just people. Or they were people. They were once people.

Jack: They were once people that through knowledge alone stopped being people.

Cristina: Yes.

Jack: D***, bro. Crazy hardcore.

Cristina: Yes.

Jack: The obsession you must have with knowledge. And the other problem is that they are depicted as very dark because there is. They. Aesthetically, we're trying to cover themselves. And a lot of the things they used, well, they used anything and everything, which means they were often seen with normal things which you wouldn't acknowledge and ab. Normal things which you would. Like skulls and s***.

Cristina: Well, I don't know if I'm getting the thinking of this right, but weren't they in blue, though? Not black blue for some reason, Like Santa and Patrick were in blue and then like through the story changed to red and green. But I feel like, yeah, they were.

Jack: In neutral, darker colors.

Cristina: Yeah. Okay.

Jack: They were always in neutral, darker colors. Yes.

Cristina: Yeah. It wasn't straight up black, though, but.

Jack: It was always robes. It was always drapey robes and. But I think the only one who was masking and hiding in this way was Hermes in particular. He's the master necromancer, the teacher of necromancy.

Cristina: He has to be, though. He had.

Jack: Yeah. So he's hiding who he is. Dimensions of him are so scarce, the outside of a few pockets. People are even unclear as to whether he was real. There's a bunch of people who, like, it's. He's believed to have been a real person, but there's also like a bunch of groups of people, scholars and like, d***, man, this doesn't check out. It's like that level of unclear. He made sure of that. Okay, yeah, the level of unclear. He made sure he wasn't seen. So we don't know what he necessarily looked like because his face was always covered, dark colors, maybe even makeup on all the time, so that there was no distinctive realistic features. So that if he just wanted to be a person, he goes. Nobody sees him take it off. And you just don't know who the f*** this guy is. Because as Hermes, he had to be this thing so that he could detach himself. Because think about how legendary the thing is that everybody everywhere has known and heard and talked about him. Created masterpiece philosophic works, magic, alchemy, philosophy. And the philosophy just doesn't miss either. Like solid universal philosophy. Get the f*** out of here.

Cristina: Talking about reality like it makes sense. It makes sense. Sense from what he wrote, his laws Just. I don't. I don't get it. It's crazy. I believe it, though.

Jack: It falls in line with what he's being accredited with. Yeah. Like he truly. He's trying to tell you. No, it's easy to just bend it all.

Cristina: Like, he truly got it. He wasn't just.

Jack: He wasn't preaching it and not practicing it.

Cristina: Yeah.

Jack: He was genuinely like, no, you could just bend reality with your mind. You're like, I know, but it's like meditation. Woo. Woo. And then he waves.

Cristina: Yeah, exactly. And he's saying it like it is. Or we're taking it like it is.

Jack: We're taking it. But it's like we. He says that and we take it like he is. And then he waves his hand and then everything doctor Strange is around us and it's like, oh, s***. No, he's the real deal.

Cristina: He is. Whoa.

Jack: But then what's interesting is that means that the possibility that this is real is here, but that it is so absurdly rare. Like truly, astoundingly like everything else seems like technology. This guy seems like he's reached beyond that even to the people who are claiming it's all technology. You're like, but that. That guy.

Cristina: But that guy.

Jack: But that guy. And it's like, d***, bro. But also, that's just super crazy. Over the top op, because at that level, it is kind of like the fairies, right? It's just exaggerated technology.

Cristina: Yeah.

Jack: That looks like magic from how advanced it is. And even to us, we've become familiar with so much elation technology and so many things from the Egyptians and the Mayans and the these and the that and experiments they've run, that little by little it looks less like magic to us as we become more clear with the possibilities. And still a necromancer looks like magic. D***. D***.

Cristina: They're coders. They're coders. They're more than just a beyond.

Jack: They're out there. It's something that we do not comprehend just yet. But the fact that digging keeps taking us farther means I am confident there's a way to at least comprehend something.

Jack: One of them came back and said something. And somebody wrote it down.

Cristina: Yes.

Jack: Simple. That's what we do.

Cristina: That's how we found that first part of his thing. And before we found out, he did the seal.

Jack: Yeah, exactly. Some, like Aristotle just wrote some crap. Yeah, that's it. He just wrote about the guy by chance. Just public records we ignore every day.

Cristina: Yeah, but it was there.

Jack: And that. Exactly. There must be a way. There's Always a way. Now, looking at other things, in the Book of Enoch, it says Enoch might be the first to have the capability to create or understand something as profound as the philosopher's son. Just confirming says it.

Cristina: Okay. It just talks about the philosopher's stone. Does it say what it thinks it's the. What the philosopher soul is like. Does it match up to what we think?

Jack: None of that matters.

Cristina: None of that matters?

Jack: No. Because I just scrolled to the juicy part.

Cristina: Oh, okay.

Jack: I'll have to show you an image.

Cristina: Okay.

Jack: And I need you to just look at that image.

Cristina: None of that matters, though.

Jack: None of that matters. This is what matters. What are you looking at?

Cristina: Words and a mountain, I think, or some type of rock. Is it an image of a rock?

Jack: Right. It's an image of a rock in the woods.

Cristina: I don't know the words. Am I supposed to know what it is?

Jack: No, no, no, no, no. I'm just having you describe what you're looking at.

Cristina: Okay. Is something happening to rock? Is it on fire? There's something shooting out of it on the top or something.

Jack: Interesting little detail right there, right?

Cristina: Yeah. Is that important?

Jack: Maybe. Who knows?

Cristina: Is there anything else happening in the image that I'm not noticing?

Jack: This is a drawing and this is a very old drawing. It was done in the 1800s. Not the 1800s. This was done in the 800s. My bad. Reiteratively copied over and over to have a fresher version of it. But this is the image. The image you're looking at is called the Emerald Tablet. A man saw it. He then copied everything he saw. He drew what it looks like. This is essentially the he. So how do I put it? Yeah. So this man is unnamed, has a. Sees rock, comes in contact with the rock, studies it, then he goes and gets an artist, comes back, the artist copies the rock. This is the rock's shape. This is the. From his point of view. He chose this angle on the rock because of the text on it.

Cristina: Okay.

Jack: Is called the Emerald Tablet. The Emerald Tablet has an interesting feature to it. It's gold looking, except where light touches it directly. So anytime you see a glare of light and anywhere you look at shade. So the crevices, the crevices of the stone and the glares of the stone are green like the.

Cristina: Like emerald, like an emerald. Okay.

Jack: But the stone itself is gold.

Cristina: That's strange.

Jack: Very strange. Allow me to tell you about the Emeril Tablet. A very important piece of information. First, let me tell you what's on the Emerald Tablet. Would you like to know what it says?

Cristina: Yeah.

Jack: Okay. There are 15 points on the emerald tablet. I'll number it and then tell you what it says.

Cristina: Okay.

Jack: Number one. True without falsehood, certain most certain. True without falsehood, certain most certain.

Cristina: That sounds like gibberish.

Jack: Totally sounds like gibberish. Point 2. What is above like what is below. And what is below is like what is above to accomplish the miracle of one thing.

Cristina: Wait, is this related to Hermes? Did he write this about what's. Okay, continue before I continue.

Jack: Okay, let me go ahead and answer your question. It is believed that this stone was made of an impossible fusion of rock. A golden rock, gold.

Cristina: Gold.

Jack: An emerald and emerald. The gem creating a semi gold, semi emerald hybrid stone, which was then etched with a message that seemed to be perfectly cut, not like it was hit with a chisel.

Cristina: So then how could he have written on it?

Jack: How did you make such an impossibly hard piece of metal, made of literal gems and steels of sorts, or not seals, but metals, and then so cleanly, without any bumps or bruises or anything uneven, etched a message onto it?

Cristina: It's alchemy related.

Jack: It's alchemy. Had to be alchemy. Hermes is attributed with having made this rock. Okay, he's attributed with having made the rock, and he's attributed with having written the things on the rock along with having created the hermetica.

Cristina: So what else is on this rock?

Jack: Let us continue. And as all this is number three, and as all things were by contemplation of one, so all things arose from this one thing by a single act of adaptation. 4. The Father thereof is the son, the mother, the moon.

Cristina: I don't know what he's trying to say, but okay.

Jack: Number five. The wind carried it in its belly, the earth in its nurse. 6. The father of all, the perfection of the whole world is here.

Cristina: Is it him? Is he him?

Jack: Number seven. It's powerful. Its power is integrating. Its power is integrating if it be turned into earth. Its power is integrating if it be turned into earth. Number eight. Thou shalt separate the earth from the fire, the subtle from the gross, gently and with ingenuity. 9. It ascends from the earth to the heaven, and again it ascends to the earth. It descends to the earth, and again it descends to the earth. So it ascends to the heavens and descends to earth, and receives the force of things superior and inferior.

Cristina: Is he talking about himself?

Jack: Number 10, by this means you shall have the glory of the whole world, and thereby all obscurity shall fly from you. 11. Its force is above all force, for it vanquishes every subtle thing and penetrates every solid thing. 12. So was the world created. 13. From this are and do come admirable adaptations whereof the process is here in this. Hence I am called Hermes Trismegistus, having the three parts of the philosophy of the whole world. 15 that which I have said of the operation of the sun is accomplished and ended. That is all the points.

Cristina: So there's three parts, though. There's three parts. Is this one of the parts or is there a third part that we just never haven't figured out about to make a philosopher's stone? Because he just admitted that there's three parts.

Jack: He also required people to know three parts in order to talk to him which are the three different technologies and philosophies.

Cristina: Cool.

Jack: Which he just referenced the philosophy.

Cristina: So yes. Also he sounds like he's talking about the Matrix. And like once you figure out you realize you're living in the Matrix, everything's.

Jack: Which falls in line with the seven hermetic principles.

Cristina: Yes, pretty much. That is the rules to the Matrix. Once you get this, you got it.

Jack: Yeah. Like once. Once you know, you know, once you.

Cristina: Know, you know, just try to know you're in it. That's. That's all you need.

Jack: It sounds like that's what he's saying, right? That really is what he was preaching. Neo back then. He's like, it's all an illus.

Cristina: Yeah. Like he's not even saying escape it. Because he's saying, if you. Even if you leave it, you come back. You're better just by being here.

Jack: Which. Interesting point in isolation to make. I also took a lot of note of that very important point because this feels very reminiscent of what we were talking about. Yaldabaoth leaves.

Cristina: But what does that mean, Jesus mean more?

Jack: What does that mean? I think that's the becoming a God part. I think it's. No. Now I can interact with the whole program in one shot. You came back better. Now you're God.

Cristina: Yeah. Because if you just leave, that's. That's it. Because you're just whatever in that other new place.

Jack: Yeah. You're just a individual. Which is fine. So are they.

Cristina: Yeah.

Jack: But over here, you're crazy. Something else.

Cristina: Yeah. Truly a God. Like even more so than before. Like he just.

Jack: But then my question would be, would you rather be a God in a fictional reality or an individual within reality? Ooh. That would be the argument. Right. So if you escape a simulation. Jesus. Right? He's not even real. He's just a simulation. But he can escape into an exoskeleton and live amongst the humans in an Android sort of body for. Until he can't anymore.

Cristina: Mm.

Jack: He would be an individual, but he would be in reality.

Cristina: Yeah, but Hermes is saying you should come back anyway, because doesn't matter.

Jack: He's saying it does not. Nothing matters.

Cristina: Oh, yeah.

Jack: His point of view is, well, if you're from over there, it matters, but we're from over here. Nothing could happen. Everything is our plaything. Yeah, well, then we gotta take a step back because we're like, oh, they're scared of Yellow Bell. And then we're like, oh, no, they're scared of the aliens. And we're like, oh, no, they're scared of Jesus. Is that who they're scared of?

Cristina: Who?

Jack: Hermes.

Cristina: Scared of Hermes.

Jack: Whoever's scared of whoever. Because it's like, no, everything is my plaything.

Cristina: Yeah, that's true.

Jack: It's like the detachment from the message is. Comes with it, you know?

Cristina: Yes.

Jack: It's the whole. Hey, guys, I can teach you how to just manipulate reality. But also, the message here is, nothing matters. You can just manipulate reality.

Cristina: I guess, but, like, that's how he taught. Like, he doesn't care.

Jack: And they weren't doing anything about it when he was just teaching at a school and they knew he was there.

Cristina: Yeah, like, he's really whatever about it, man.

Jack: It just looks like there's people who roughly don't like each other, but, like, that doesn't mean anything. It's more like, I don't like you, but, like, we'll still trade or whatever. The. Nobody's, like, beefing hard here.

Cristina: There's no evil villain.

Jack: There's no villain. But there seems to be a direction, if anything. I mean, everybody's pointing one way.

Cristina: Yeah, but towards what? I don't know.

Jack: That's the short part. Everybody's walking in the same direction, which means following anything takes us in the same direction. Following anything takes us in the same direction. That's one thing we've learned. Everything aims in the same direction. We don't know how far in the future that direction is.

Cristina: That direction. What is that direction?

Jack: We know they're all tangled up, all heading there together.

Cristina: We need to find how to join that line. I don't know.

Jack: But he does say leave and come back. He says every side is the same.

Cristina: Mm.

Jack: Over there and over here. Yes, it's all equal. We could do the same things everywhere. It doesn't matter.

Cristina: Oh, crap.

Jack: That falls in line, doesn't it?

Cristina: Huh? That's really complicated.

Jack: It's another layer, dude.

Cristina: Because like what?

Jack: That's another layer. It's another layer. He's not exiting into reality. He's just moving through another part of code again.

Cristina: Yes.

Jack: It doesn't matter how.

Cristina: That's the only code too.

Jack: That's why it's all equal. It's the same.

Cristina: After he figured out he here, he can figure it out over there.

Jack: Exactly. If you can figure out how to move from here to Shadow without ever needing to break your code with adrenochrome.

Cristina: You can do it.

Jack: Then you could do it again anywhere and you'll never need adrenochrome. You could just keep doing it because it's the same logic, it's all the same s***. You could just manipulate the program we all exist inside of.

Cristina: Yes.

Jack: D***, that's crazy.

Cristina: I don't know. It does feel like he wants to share it for sure. But it seems like the shot the known, not the shadow people. I don't know what the shadow people think. The sea people seem like they just want to keep it to themselves. Every time they try to share it, it goes bad.

Jack: It goes bad. It doesn't seem like they're greedy off malice. It seems like they are overprotective. The end.

Cristina: Yes. And then Jesus seems like he doesn't want anyone to find out because that's why he keeps giving people adrenochrome. Because there are things, not just Jesus, but other beings, other godlike beings that we call gods that are sharing. They want people to have blood, drink blood, sacrifice blood, whatever. Those are people that don't want us to get there. There are some villains.

Jack: We're not trying to stop us from getting anywhere. I think these people are just trying to get there themselves.

Cristina: Well, why are they using us?

Jack: Because it's easier than figuring out how the to become a necromancer or build a Shinto gate, which is essentially necromancy at this point, I'm assuming.

Cristina: But if you share the blood or whatever, you can't. You can never escape you, but you.

Jack: Can go to the Shadow Realm, which is still more than this, I guess. You can never die. And that's better.

Cristina: That's better.

Jack: At least to them.

Cristina: Yeah.

Jack: They're okay with losing their minds as long as they live. That's people who rather have the immortality part than the. They're always gonna die. If infinity. You're gonna run out of blood at some point, no matter what. That road goes one way. Yes, it Goes one way. There's nothing else that could happen. It will default to you. Not getting it. Going feral. Losing your f****** mind. And now you're the other thing. The end.

Cristina: Oh, yeah. Not dying, but I guess. Yes. The old you. The other you.

Jack: The infinitely dying version of that.

Cristina: Yeah. Yeah, okay, sure, you could just be.

Jack: A wendingo, but that's not reality. You're gonna be a wendingo for a bit, and then that's gonna go to s***. And you're gonna become a wetchudge and be some crazy rabid f****** thing forever. You're gonna stop thinking.

Cristina: You're just gonna be the one that's probably gonna murder you because of all the murder that you're doing.

Jack: Yeah, you're gonna be murdering a bunch of s*** and somebody who understands how to kill s*** like you. Boom. Now you don't exist. So you still got to the same f****** place. There's no. Wow. I didn't think about that. There's no winning. It's just extending it. But you're f***** either way.

Cristina: Yeah.

Jack: It's either a nightmare. I see. I get why it's described as h***. I get it. You have to do f***** up s*** to get it. You have to be a monster.

Cristina: Mm.

Jack: And, well, not to get it. You could get it by accident. Oh. But in order to sustain yourself now you got to be f***** up.

Cristina: Yes.

Jack: So you got to be f***** up to sustain using it. Then when you go there, you have to be more f***** up to not. Because this is infinity, now you're there forever. So you died over here. Now you're there for f****** ever. Okay. The clock's ticking. You have an infinite, infinite timer that you got to keep resetting by getting more. Either generate fear or go f****** find blood. But the only way to get the blood is to generate the fear in the first place. And that's just random chance about being in the right spot at the right time that maybe you can f****** slip through and then f****** use that to scare them more. Generate more than show up and get blood. The likelihood seems astounding.

Cristina: That really sucks.

Jack: Yeah, you're gonna. No matter what it looks like, 99% of these m************ end up being feral. Shadow creature.

Cristina: Yeah.

Jack: There's no way. Like what the. And the ones that don't are one, exceptional or from the shadow realm.

Cristina: Yes.

Jack: And two, those exceptional ones. I never thought about this before because I guess we didn't think about this before, but there has to be at least some.

Cristina: Somewhat.

Jack: Some things that actually did not turn Feral after going there and didn't have special other tricks like the necromancers, who presumably have to die also. That's another reason why we're obsessed with the death part of necromancy. It appears, although it's not explicitly said anywhere, that all of them seem to have died at the end of achieving knowledge and come back with the powers of that acquired knowledge.

Cristina: Yes.

Jack: So just random detail, I guess that also connects to death. The fact that they have to die. This version of the list was translated by Isaac Newton. Weird random detail.

Cristina: He's a necromancer.

Jack: Seems irrelevant until we consider the fact that we chased some other irrelevant dude called Aristotle to these guys.

Cristina: Yeah.

Jack: So it's like at this point, if your name is important somehow, there's something about you.

Cristina: He is a student. Is he a student? Do we know he's a student? Is he the secret nanocromancer we haven't found out that exists today? Not today. But you know. That's too random.

Jack: So what do we know for a fact about this stone? We know the color, the material. It has many accounts, by the way. There's.

Cristina: It's more than one reference to it.

Jack: Many references to it. It is the main body of work. Luckily he wasn't around. No.

Cristina: Oh, it's.

Jack: That's an interesting detail about that. That stone absolutely vanished in the 900. Just vanished. Just totally. No, no explanation. Just totally stopped being talked about. Now it seems to have to be a record of having successfully completed the philosopher's stone. I would argue that's accurate because it says the three parts and then it says the thing specifically the quotes are from this are and do cometh Admiral Adaptation therewith. The process is here in this. Hence I am called her Mistress Megistus. Having the three parts of the philosophy of the whole world, that which I have said of the operation of the sun is accomplished and ended.

Cristina: Like saying that is the third part.

Jack: I not is the third part. You're thinking about third parts? I'm thinking when he says third parts, he means Earth, Shadow and Elfame. The three studies. You should know before you even with him.

Cristina: Okay.

Jack: And he's saying, I've perfected the three things. I think this is him declaring something along those lines. Alternatively jumping on the line you're trying to get to.

Cristina: Is there a third part to the stone thing?

Jack: Is it the magnum opus? The hermetic seal and the.

Cristina: I don't know what it's called. The emblem. Emerald.

Jack: No, no, no. What's on There isn't Instructions. I'm not saying the Emerald tablet.

Cristina: Oh, just the blank.

Jack: I'm saying there would just be a third thing because he still mentions three things. And this sounds like reference to the philosopher's stone, not reference to necromancy. And we know that the three things are in reference to necromancy. Learn the three philosophies and the three technologies. Yes, that's about necromancy. This is about the stone, which is weird because. Is he also talking about necromancy and the stone weird? It doesn't seem like it. That's what's happening here though. So then what are the three things? You need the three things for the stone too, or are you right? And there's another, like a third part. We thought there was one and then it turned out to be two to begin with.

Cristina: Maybe this will lead us there.

Jack: It also seems like a proclamation of copyrights to some degree. I am hermit's term against this. I figured it out. I'm telling you guys.

Cristina: Yes, yes, it does.

Jack: But there's no proof of figuring it out. And again, it's made of a gold emerald fusion that can't be explained.

Cristina: I believe he figured it out. I think that's enough to say he figured it out. What more does he need?

Jack: The copies of this, the. All the people who managed to copy all the things that were there managed to do so. And those lines like the tablet. How do I put it? Those lines that you see in the tablet are referenced and split among other parts of text that are associated with Hermes. So not that tablet per se, but that fills in parts of other works, which together then gives us six works.

Cristina: What do you mean?

Jack: If you cross reference anything into everything Hermes related.

Cristina: Okay.

Jack: All the works attributed to him, all the philosophy is attributed to him. Materials like this stone that have additional texts, and you start compiling them into groups, you come up with six groups that scholars use to differentiate between the hermetic teachings. The first one is the writings of the material world.

Cristina: Okay, sounds simple enough.

Jack: Simple enough.

Cristina: It's gonna get weird though, very quickly. Okay.

Jack: The writings of the material world seems to be very focused on anatomy and earth science. Then we have the writings of the demonic world here. It immediately starts diving into alchemy, it starts diving into potions, it starts diving into mixtures. It's diving into adding things and fire and candle and this and that.

Cristina: Okay, he's a witch.

Jack: The writings of the celestial world here, it goes into enchantments, it goes into motions, it goes into ritualization, it goes into repetitive behaviors. The fourth is the magnum Opus.

Cristina: It's just in there. Okay.

Jack: The fifth is the hermetic seal. And the six only exists at the bottom of the drawing of that stone you saw, because the guy had no idea what it was. And Isaac Newton couldn't translate it either. It was too cryptic. Nobody knows what the f*** it said. And the only guy who even understood the movements enough to replicate them in his drawing is not clear if he got them accurate enough to decipher them because of how complex those the order of structure was for whatever was written there. It's not Latin. It's some.

Cristina: It's probably written in fairy.

Jack: Who the h*** knows? It looks like Latin letters, but it does not. Using a construct or Latin to what.

Cristina: The third part of this is because we have the three different.

Jack: The third collection of the not third, six collection of data. That piece, which is referenced with other work, is one of several different works associated with them. The others have no additional work to them. They just happen to be written in identically the same fashion. So because of this sixth cryptic writing, the other works that were also cryptic could be connected to it. And in analysis of. Oh yeah, this is the same handwriting. Then an entire sixth body of work that is not understood by any means.

Cristina: This is a secret six book.

Jack: It's a secret sixth book by Hermes Trismeguessis that has no explanation to what it says. And it's several pages of absolute gibberish.

Cristina: It's not gibberish. Oh, my gosh. It's the third part. It's the third part. You have to be a. You have to study the first three parts. The three parts are right there. Mark 1, 2, 3 of what you need to be a necromancer is 1, 2, 3, 4, 5, 6 has to be the stone, how to make the stone. Yes, but you have to master 1, 2, 3 to understand number 6.

Jack: Yes, definitely. Something about 1 through 5 gives you the answer to 6.

Cristina: Something. Yeah, I think so. I think so. He did it. He did it in a way that anyone. Because he wanted to teach anyone anyway, anybody who should, not just anyone can. Like we could look at it and get nothing from it. So many people probably have looked at it and got nothing from it.

Jack: Millions of people probably throughout time.

Cristina: He found it really hard probably to teach people it, no matter how much he's tried. That's probably why he just wrote it in writing and hoped that one day someone would get it.

Jack: And anybody who casually does figure it out, the more you figure out, the more you probably come across messages within all of this. It says, don't tell anybody. And that's part of. Probably part of the initiation process. The further in you go, the more secretive about it you're gonna get, because it's telling you to until said event happens and you cross paths with this guy who's been around for thousands of years. But also, by the time that happens, you're so informed, you expected it.

Cristina: Yes.

Jack: So it's like, wow, this is really going to be the moment. Some ancient being is about to cross through that like. Like, doorway in the middle of whatever random place this series of everything took me to.

Cristina: Him meeting Santa Claus or whatever situation. Like.

Jack: But it would be Hermes, wouldn't it?

Cristina: Yeah, that's what it would be weird to imagine. Hermes meeting up with Santa Claus.

Jack: Oh, but it wasn't Santa at that point, Nick. It was just a guy.

Cristina: It's just a guy.

Jack: Just a dude who really went hard on figuring some out.

Cristina: People did figure it out. It's just a. It was very little.

Jack: It was random people, too, man.

Cristina: Yeah. How did they get their hands on it?

Jack: I'm not even sure. Merlin wasn't related to Christianity. That's just some other dude. Some dude who figured it out.

Cristina: Yeah, some guy.

Jack: Some guy.

Cristina: But that's how hard it is to figure out that it had to be random.

Jack: It's random. It has to be absolutely random. There can't be any pattern.

Cristina: Yeah, yeah, dude.

Jack: St. Patrick, dude, he's a Celtic who got recruited by the Christians. They're like, d***, he figured it out. You come. Hey, man, you want to be a friend?

Cristina: Yeah, he's definitely a necromancer. He's a question about it. Yeah, for sure.

Jack: For sure. Dude, they turned to you to solve the problem. Get out of here.

Cristina: That's crazy. So there is a third part. There is six parts. It makes sense that there's six parts.

Jack: Yeah. Once it got put together like that, like, I didn't know that scholars had already divided it into groups.

Cristina: They did.

Jack: It might not mean anything to them.

Cristina: No.

Jack: But us and listeners of this show, after we've connected all these dots, we get looking at it together in the order that they themselves put it. It's like, come on, bro, you crazy. I know what we're looking at.

Cristina: Yeah, yeah. We're looking at it. We're looking at all.

Jack: We're looking at how to become a necromancer and how to build the most overpowered thing.

Cristina: Mm.

Jack: All the instructions in front of you.

Cristina: To get out of the simplified.

Jack: Yeah. To exit the matrix. Super simplified.

Cristina: Yeah.

Jack: He made it six bullet points somehow.

Cristina: So that for sure relates to breaking the Matrix. It's.

Jack: I mean the point of a Philosopher's Stone is that it literally bends reality.

Cristina: Okay. Because just knowing all this and having necromancy power because there seems like. Unless the powers come from the stone itself.

Jack: Interesting. But it seems. It doesn't seem to be the case. It seems more to be the case that you need the stone. I don't even know what the h*** you need. So I guess it's the bend other s*** the same way.

Cristina: I guess. It's complicated. So complicated.

Jack: Yeah.

Cristina: There's something are powerful without the stone, but you also need to make the stone. Like it's obviously part of it. Because I would.

Jack: Maybe not. Maybe it's more like the stone. Although it will give you exactly the same powers. That's why people who have acquired the stone have still managed the abilities without having learned. It would be because the stone does have power. But the idea is maybe that's just a point of initiation. Like, well, you're gonna be equally strong to the stone as a necromancer. The stone doesn't matter to you. But making it proves you understand.

Cristina: Okay. It's a final test.

Jack: Yeah. Making it proves you get it.

Cristina: Yeah.

Jack: The test is whatever happens after the hermetic seal step, nothing else before that matters. That's the lessons. Or if six is also a lesson, then the seventh is the test, which is hand me the stone. Show me it's done, it worked.

Cristina: When you get it, I think the.

Jack: Stone is the test.

Cristina: Yeah. Okay. Maybe because if you're.

Jack: It doesn't seem like they need it. It seems like they bend reality with it.

Cristina: Yeah.

Jack: Like it's a casual piece of jewel, a plaque. It's your diploma. Diploma.

Cristina: That's the way to look at it. Yeah.

Jack: It's your diploma, your necromancy diploma.

Cristina: Wow. Like it. That makes sense.

Jack: And it allows. But it's also crazy because you could just bestow this power upon somebody, but also you could take it away effortlessly from them.

Cristina: The stone.

Jack: The stone. It allows you to give this to somebody knowing that they couldn't stop you from taking it back. That's interesting because once you can make the stone, the stone is the most irrelevant thing to you. The moment you can make it, that s*** is useless.

Cristina: How we're gonna guess that Adam and Eve are just stones? He made. He gave it to them. But like, they're not necromancers?

Jack: No, I don't. I disagree with that narrative entirely. I believe Adam and Eve were in fact Made by Yaldabaoth, Sizzan and Lilith.

Cristina: I do think they were without necromancers.

Jack: Without the use of necromancer. I believe they did not have the other parts. I think the magnum opus. Or not the magnum opus, because I suppose that's the earthrealm version. But I think they were trying to do it with different steps or something and that's why they weren't achieving what they needed to.

Cristina: So you're saying Adam and Eve are not perfect stones?

Jack: No, I know they're not. Because let's find the narrative real quick. Jehovah showed up on three separate occasions to collect the three different fruits so that he can in theory go make stone one and two. You needed the other fruit for what? Who did Jehovah turn out to be interacting with? Hermes. Hermes would know how to what? How to make the stone. So this guy went and got the two fruits plus the third fruit while hanging out with Hermes, the known necromancer.

Cristina: So he is involved.

Jack: Then Jesus Christ happens.

Cristina: Oh, okay. That's why. Okay, yeah.

Jack: Do you see?

Cristina: They went to him for that.

Jack: All the steps of first Adam, then Eve, then blank equals Jesus.

Cristina: The blank is Hermes.

Jack: No, the blank is the other stone before Jesus.

Cristina: Oh, the Hermes stone, though we can.

Jack: Call it the Hermes stone for sure. But Hermes has a stone, presumably? I have no idea. He probably has many.

Cristina: Yeah, exactly.

Jack: But it's different kinds of stones. Now that we know they're different kinds of stones and they do kind of things differently. So you're totally right. Oh, interesting. Yaldabaoth has the shadow stone Eloi and Sizen, or timeline wise, way back in who knows how long before the universe was made. Yaldabaoth has, or makes, I guess with the birth of the universe, the shadow stone was made. Yes, That's a weird way to put it, but that's literally what happened.

Cristina: Yeah.

Jack: With the birth of our universe, the shadow stone was made. Weird.

Cristina: That's weird. But yes.

Jack: Yeah, didn't think about that before, but that's a true statement. Yes, yes, yes. Then sizen Lilith and Yaldabaoth sometime from 156,000 years ago to a hundred thousand years ago, create the stone Adam and Eve and use the stone Adam and Eve to create modern day humans. So three stones so far.

Cristina: Yes.

Jack: Then we get, oh my God, it was in front of us and we're f****** stupid. Jesus Christ went into the shadow realm to steal the stones and Jehovah went into the shadow realm to remake the stones. It's because the stones were gone. Before Jehovah showed up. Before we start with Jehovah 12,000 years ago, he begins by going into the shadow realm and getting the parts to make them stones. Why, if he had them? Because he didn't have them. Duh.

Cristina: Jesus took them.

Jack: No, Jesus is not around yet. He wasn't created.

Cristina: He took the stones. They already had the stones.

Jack: They weren't in possession of the stones. Somebody already took the stones. Jesus went into the shadow realm to take the stones. Yalabaoth already has the stones at the point that we introduced to Jehovah, trying to make new ones at some point. So really, 12,000 years ago, where we enter with Jehovah, we. We don't have Adam or Eve. They're gone already.

Cristina: They're gone.

Jack: That's why he went into the shadow realm to go get fruits to go make those stones again. Okay, we begin with Jehovah specifically, not the whole story with Jehovah. He didn't have the stones. Adam and Eve, he never had them. Eloi made both of them. Which leaves us with one culprit and an actual path to follow.

Cristina: The culprit is Yahweh. Yahweh.

Jack: If these stones are moving from generation to generation, how in the f*** did Yaldabaoth end up with them? And you're the f****** only guy. Cause it wouldn't have been Jehovah. He's thorough. If anything, he's annoyingly thorough. People don't even like how a*** this guy is.

Cristina: I need a timeline. I need to see a line and the like dates and the people and like, I don't know. I have to physically.

Jack: Yaldabaoth infinitely long ago makes the stone that makes our universe. Then 150,000 years ago, 56,000 years ago, specifically, the stone of Adam is made, and then a hundred thousand years ago the stone is used. Then a hundred thousand years ago, the stone of Eve is made and 150,000. Or no, my bad. 150,000 years ago, the stone of Eve was made. And hundred. I mean, not 150,000 years ago, the stone of Eve is made. No, I'm wrong. Adam was made 156. Used 150. Eve was made and used a hundred thousand years ago. Okay, Jehovah first goes in to get the fruits in the Shadow Realm 12,000 years ago. Loi did the same thing about 1.5 million years ago. They're both looking and trying to do the same thing. The one individual we have almost no mentions of, we have no reference points of. But if it the information and Its existence made it all the way to Jehovah. Must have made it all it to him through his father, Yahweh. Yes, Yahweh. Who knows Hermes, Yahweh, who must have either had possession of Adam and Eve and lost it, or have somehow been the reason he doesn't have it in the first place. Even if he never got a hold of it because Eloi had it. At least we know between Eloi and Yahweh, it disappeared.

Cristina: Yes.

Jack: And somehow Hermes is still part of that.

Cristina: That somehow.

Jack: Somehow.

Cristina: Okay.

Jack: Yahweh might have lost the stones because we know Yaldabaoth has them. So why was Yahweh easier to take advantage of? But I feel like Loi was probably really gullible too. It was just kind of like, cool, chill. Yeah, I'll do whatever. Doesn't care. We don't know.

Cristina: There's not like so little reference. Yes, exactly. None of this makes sense. It's hard to put it together. It's there though. We're there. We're almost there.

Jack: Maybe almost where? I don't even know.

Cristina: I don't know.

Jack: Random other detail because we're way over time. I'm really quickly rapid fire this information. In another Aristotle note, because I've been going through some of that stuff still there's so much. Apollo is referred to as Apollonius.

Cristina: What does that mean?

Jack: It means that Apollo's a nickname.

Cristina: Okay.

Jack: Right. Running Apollonius through a search. Apparently he was an actual Greek man.

Cristina: Interesting.

Jack: So now we have a record of this guy. Right. Similar to Hermes, Apollonius was actually an individual who performed astounding miracles. Just like Hermes the God Apollo the God Hermes, Trismegistus the Dude and Apollonius the Dude were both exceptionally amazing people who accomplished things scientifically, medically and alchemically thought to be impossible. They thought this guy was going to be the Jesus of f****** Greece. I don't know how nobody connected. I don't know. I gotta look in them. I don't how nobody connected. The fact that. So I found that he's referred to this way because a lot of his notes are in Greek, but they were actually translated. People think Aristotle wrote all his work in Greek. He was writing his work in Latin a lot of the time because it was a more general language for other scholars.

Cristina: Well, so like someone else changed it.

Jack: His work was oftentimes translated back to Greek, but it wasn't originally written in Greek. So I translated to Latin first and then to English to get the proper. And it came back Apollonius and Then I ran that through and it came out with this guy who has exactly the same treatment.

Cristina: Ridiculous.

Jack: Which means now I believe it more because you got two different individuals who have the same thing. And to summarize it before we just wrap this up, that means Apollonius and Hermes can both be placed in one location at the same period of time by the same person and known to have undergone the same historical treatment. Apollo has to be looked at.

Cristina: Yes, yes, yes, yes.

Jack: We can put him in the same school in the same time frame, known by the same man. And history treated them exactly the same. They're trying to hide something from below.

Cristina: There's gotta be other people he mentioned.

Jack: Then there has to be many other people we have to look at Aristotle. There's something weird about.

Cristina: Yes, yes.

Jack: He wasn't just some guy.

Cristina: He's not just a guy.

Jack: The fact he's mentioned it all. Somebody's trying to hide something.

Cristina: There's something happening in that school. More than we know.

Jack: More than we know. More than we know. At least for sure. For sure. Side note. Side note. The school Lycium did in fact have students that later in history went to both Lycium and also went to Antonio Draco's academy, the one used to research Alicorn.

Cristina: That's weird.

Jack: Just a random line that connects to a dude who factually knows about Adrenochrome and a dude who factually knows about Alicorn. Just the ability that we could pull up names, like, I could find you student. Not that they would have known anything, considering they seem to be irrelevant nobodies.

Cristina: Maybe not all of them, but.

Jack: Yeah, exactly. Like there's literal names of individuals who have their hands in both pots.

Cristina: Are we gonna have him turn up at the school?

Jack: That would be nuts, but I doubt it. It'd be crazy if we go ahead and find out that John the Russian was really just Hermes too. And he's like, here, man, here's this thing I found. Yeah, it's like, wow. Investigation, we don't know, end up on the same trail. Find out the guy who's meeting that the guy who told them who gave him the alicorn was Hermes. And then the guy he met on top wasn't even the Elysians. It was also Hermes. Like, hey, you ready for training?

Cristina: What kind of game is Hermes then? That makes Hermes sound more like.

Jack: Like Q or some.

Cristina: No, like, I guess, but Merlin with author. Like, just being weird.

Jack: Oh, yeah, Weird. Like, why are you playing games, dude? Just do the thing. Yeah, anyways, but yeah, we'll continue more next time. I would dive deeper into random crap, but that's where we are now. Anyways, if you guys have any additional details or any of this and blah, blah, blah, send us messages on our socials at just Convopod, on Instagram, Tick tock X and on Facebook, I believe.

Cristina: So remember to subscribe and review the show.

Jack: Yes, and word of mouth. We are uncovering the truths of the universe. And I know that you are very concerned that this is becoming more of a Matrix series, but, like, what else could it have been?

Cristina: Yeah, I guess if we go in.

Jack: The direction of technology, what else could it have been?

Cristina: They want us back into the fantasy world.

Jack: Like, if you go far enough in one direction into science, it will be a simulation running a time loop. That's all.

Cristina: That's all that's ever.

Jack: That's all it's gonna. It's got a default to it.

Cristina: It always is.

Jack: Yes. If you look at it enough, no matter what you're inside of some simulation, whether it be computer or a mind, a giant complicated brain or something, this is a simulation. No matter how you look at it, it's not absurd. And it's a time loop. You're just remembering the same moments over forever. Doesn't f****** matter.

Cristina: Doesn't matter.

Jack: Time loops and simulation. You're gonna repeat the same thing forever. None of it matters. The end.

Cristina: The end. This has been the Rambling podcast. Take nothing personal and thanks for listening by.

Jack: Sam.

Cristina: The podcast is hosted by Christina Colazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts info, art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 268: Hermes

Who is Hermes Trismegistus? Is he somehow connected to the figures we have uncovered? Is he our Master Necromancer? The duo unpack what is known and what is hidden about Hermes and his secret teaching. What’s uncovered and what it implies once again alters everything we thought we knew!

+Episode Details

Topics Discussed:

  • The Hermetica
  • Secret Teachings
  • Aristotle
  • Three Prophets
  • Hermetically Sealed
  • The Magnum Opus

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. Oh, my God. So baffling.

Cristina: Are they really that baffling?

Jack: They're always baffled, aren't they? Aren't you baffled? Haven't you been baffled every time? Haven't I managed to baffle you about the misconceptions, about the kind of. The level of ignorance we have on 100% of all the information all of the time?

Cristina: Yes, it's pretty baffling. Yeah, pretty baffling.

Jack: It's pretty baffling. So next time when we were talking about a school, talking about a school, we were really, as usual, investigating some other part of this infinite Rubik's Cube. And in the school where Aristotle, by the way, Aristotle was teaching at a school that was allegedly inspired by Apollo, who happened to be a Greek God, but happened to be in the notes as an individual who just happened to be in the school along with Jehovah as well, which is very interesting. And it gave us Jehovah's last name, which is overpowered. Now we know Loi is either last name or a title. And all of that happened. And within those same notes written by Aristotle in the library of Aristotle, they are kept in Lycium, the school, there is a mention of Hermes Trismegistus.

Cristina: What a name.

Jack: It means thrice great.

Cristina: What?

Jack: Yes. And that mention in Aristotle's notes does not describe him like a mythical individual, but rather the same way it does with Apollo and Jehovah. It describes Hermes Trismegistus like not the deity Hermes Trismegistus, but the individual Hermes Trismegistus. There is a legendary figure that's based on a God named Hermes and a g******** hoth. And there is also an individual of this name who has none of the characteristics of either one of those two that share all the characteristics with the first Hermes Trismegistus, but the share none of the characteristics with the second Hermes Trismegistus, which is the legendary. No, not legendary.

Cristina: Very confusing. What?

Jack: Yeah, there's like four guys with the same exact name.

Cristina: Did you talk about this last time? No, no.

Jack: You got questions, I got answers.

Cristina: Okay. Okay, like, okay, what?

Jack: Yeah, the level of unpacking you want is up to you. I got way into this.

Cristina: Ok, okay. So there is a God that he's based on or something.

Jack: There's a God named Hermes and there's a guy named Toth.

Cristina: Are they really. They're related.

Jack: There's a man. No, they're not the God named Toth, the Egyptian God, by the way, the Egyptian God named Toth is literally a member which. You remember this from last episode. Was literally a member of the Greek gods. I mean the Greek gods. The Egyptian gods. And Hermes is one of the Greek gods.

Cristina: How do they relate?

Jack: There are two legendary figures named Hermes, Rhys, Megisthus. There's a real guy. And all of these fake characteristics applied to the other guy. It seems that there was an actual guy.

Cristina: Does Toth have to do with anything?

Jack: Both the characteristics of Toth and Hermes are the same. Become Hermes Trismegistus.

Cristina: Oh, okay.

Jack: He is a combination of both these individuals.

Cristina: Okay. Is he like their child or he's some other thing?

Jack: Or there is a fictional character, okay. That people took from Hermes, the real Trismegistus man, okay. And built a mythical version of him. Stories that became so different than the real man that it became a different man of his own. A man nobody ever saw. A man nobody ever shares his name. Yes. Identical almost to Toth and Hermes, the God. It's a combination of both of those. Seems to be hers. Hermes Charisma guesses.

Cristina: Okay, so with the school, are we talking about this made up version or this God version or both?

Jack: That's up to you to decide as we go through it.

Cristina: Okay, what, what, what's the difference? What was the God about? Was he also about the rules of the universe or whatever?

Jack: Yeah, he's just one of the many gods of creation. But not really, no. Within the context of the information given, he was just one of the Greek gods.

Cristina: Oh.

Jack: So as far as we. And we went through him before when we were just going through the Greek gods and the research they were doing as a research, he was just background eyes. He was a helping hand. He wasn't an important God.

Cristina: Okay.

Jack: But the characteristics of Toth blend. Thrown in a blender with Hermes equal the last name. Trust me guesses. And now you got a new person. But it turns out that that legendary fake made a person was actually a real person too. So there are two individuals with this name, the fake character and the real person. And the real person was also very impressive. The problem is that neither one of these two people share characteristics. There are two legendary individuals, one of which has nothing but fake characteristics that never happened. Because it's made of two real individuals that actually existed.

Cristina: It's very confusing.

Jack: And then one guy who actually has things he did in the real world.

Cristina: And Socrates is writing about the fictional one or the other one.

Jack: That's for you to decide. It sounds like he's writing about a real one by all of our discussion. So I don't know why you're asking. And obviously we would be talking about the real one we established before. But you can decide who we're talking about based on the context of what we're talking about.

Cristina: Okay. What?

Jack: Yep, that's where we. That's where we are. We got this Hermes guy that we know is lurking in the school. According to Aristotle's notes, he mentioned three people again, Apollo, Jehovah. Yes, and Hermes.

Cristina: And Hermes was just a teacher.

Jack: What we know of him, we don't know if he was just a teacher. We know he was a teacher. I don't know if he was just a teacher. I know he was a teacher.

Cristina: Is there more on him?

Jack: Yeah.

Cristina: Like what?

Jack: You want all of it listed? I could just list it off.

Cristina: I don't know what's important to. If he's the guy we're looking for.

Jack: Well, that's the investigation we're doing. The point is to find that out. I can't tell you if he is a guy we're looking for. No, like if I knew I would just start there and be investigate from that point. Well, he's the guy we're looking for. This is why. But that's not the case for hopefully trying to figure out if he's the guy we're looking for. So that's for us to Conclude. But. Hermitras McGussj. Right. The questions we're coming in with are essentially who is he?

Cristina: Yes.

Jack: Is he somehow related to our greater narrative other than being this guy who seems to fit the suit? But we've come across coincidences before.

Cristina: Yeah.

Jack: And ultimately is he our necromancer? Is the question they're going in with. Right. So immediate things that matter. The first and most important mention of the name happens to be exactly on paper, by the way. Happens to be also in the Hellenistic period when we were looking at Alexander the Great, which puts us where we wanted to be to begin with. There's holes in this explanation which I'll get to.

Cristina: Okay.

Jack: And to catch up again, he's also the author of the Hermetica.

Cristina: Those are hermetic principles.

Jack: The hermetic principles and the philosophies and narratives surrounding it. Now, several important figures within both Islam and Christianity have described him As a wise pagan.

Cristina: What? Okay, yes.

Jack: These are people of the past and people of the present have both described them as a wise pagan. I found that very interesting. And some descriptions included prophet. So.

Cristina: So weird, because the Hermetic principle doesn't feel very like he's talking about a God or like he's saying many gods have made us. Unless I missed it.

Jack: Well, the Hermetica includes a bunch of texts about religio philosophy, but it seems to lean into that religion is ultimately philosophy. Because his teachings, which I have listed right over here. Let's see if I can. So his teachings, right. They included the fact that he believed in a singular universal philosophy that would thread through all of the religions and sciences of the world, essentially proving them to be all correct and one simultaneously.

Cristina: Doesn't sound very pagan unless I have no idea what pagan is.

Jack: Well, yes, because he believes in every.

Cristina: God, but also they're all the same one God.

Jack: Yes. So these are in the. Keep in mind, I didn't say he describes themselves this way.

Cristina: Okay. I said yes. Okay.

Jack: Yes. Leaders within Islam and Christianity call them this. And we know Christianity at this time is also. Well, not Christianity this time, but Christianity in the early stages. And most of the sects of Christianity now are just a manipulation of the true narrative of what happened. They're gonna slander whatever the truth was no matter what. So we already can't believe what they say?

Cristina: Yes. Oh, that makes sense. They have to claim he is okay. And also, they probably don't understand what he's talking about.

Jack: They probably do.

Cristina: Well, then why would they be against it?

Jack: Because they are against him.

Cristina: Okay.

Jack: Now, interesting enough, other than this Aristotle mention, which he describes him as wandering the halls and waiting for either an elite or a special group of students that he would teach either some secret or private information to see. He's either. He either has elite students that he teaches some profound knowledge to where he's molesting Hella students, in which case this dates back to that time where his special students got the best treatment, which, like, I wouldn't be shocked if that's what's happening happening here. Because we'd also not come up with age limits yet. It was just probably a bunch of miners. Who knows at this point, but minus that possibility, it looks like he was teaching people who could learn and that they were elite, not minor.

Cristina: Okay, Disturbing. Okay.

Jack: I mean, it's the pattern at this point.

Cristina: Yeah.

Jack: Especially because we're talking about leaders of leaders. And it seems like the people always doing this is leaders of leaders.

Cristina: So he could be one.

Jack: Like, if he fits the suit 100%. And like, if we. If we turn enough stones, that's always there, along with adrenochrome. It's like I'm already milking them for blood. Might as well f*** them. Like, I think that's the ultimate idea. That's why we always find both, since they're already here.

Cristina: I don't. I don't know. Maybe it's like I already have them.

Jack: In a cage and I'm milking him for blood. Like, how far can I go? Like, whatever. Oh, I got further than just raping them. Imma just rape them too.

Cristina: Okay.

Jack: Like, you know, that's ultimately the thought crossing their minds. Like we do all this other dark whatever. Yeah, they're jaded. They don't care.

Cristina: So crazy.

Jack: Okay, now again, he was discussed roaming the freaking holes.

Cristina: What?

Jack: You're a real person. The real version of you. There's records of this man. Many living life, doing things.

Cristina: He lives in the school?

Jack: No, he was just wandering the school and waiting for students. And then he goes and teaches the students and who the knows where. And they learn what the knows who.

Cristina: Okay.

Jack: But weirdly enough, he's quite connected to the Greek gods, because other than just Apollo, he also mentions Ashlepius. Aristotle mentions Asleepius, which you don't remember him directly, but you probably remember the name. No, you don't remember Sleepiest, because the sleepiest is the one who becomes Glycon, a snake. The Naga.

Cristina: The Naga. Yeah. Okay. He met Sleepius.

Jack: Well, I actually. Original. So this is a weird one, because in the text where we find Asclepius, we have texts about Aristotle as written from the perspective of Hermes, where he also talks about Asclepius. So the argument here is the same as Aristotle writing about Jehovah speaking with Apollo.

Cristina: Okay.

Jack: This is Hermes writing about Aristotle talking with Asclepius.

Cristina: Philosophers back then were weird.

Jack: And they were like.

Cristina: They all did that. Like, all of them.

Jack: All of them. And this is funny because this, like, it would feel way more made up and if it wasn't for the fact that like when we even talk about Plato and Socrates is like this. Just talking about that.

Cristina: Exactly. It's like. Yeah, the same when we were. I don't. I don't get it. It's the. It is weird.

Jack: Yeah, it's just. They're just talking about each other. That's it. They're just gossiping and reviewing. Yeah, that's it. That's the whole thing. Whoa. The revelations we came up with because of gossip.

Cristina: Yes, that's exactly how it works.

Jack: He's stupid because he thinks this and I think that that's pretty much it. Yeah, Sums it up. That was the whole wall. Revelations were all so amazing. The renaissance is happening. But that's basically kind of sleepiest.

Cristina: Sleepyish.

Jack: Yeah. It was just be basically being mentioned within the text. There's no specific mention other than within a couple of conversations. Nothing was outstanding.

Cristina: It was just hanging out.

Jack: Yeah. Talking with students. He was seen in some interactions. It was just there.

Cristina: He's just there.

Jack: Nothing important. But he's present. That's just notable because it's another God being described again as an individual, which we also have on many others. And then we connect based on who in different texts they're said to be around. But now we have some of the people that. Because again we'll find like Zeus and there'll be literal text of a guy who fits every description of Zeus. But it's different when we have literally somebody saying the name and it's like, oh no, they were just a person. And it's like, oh, well, we knew, but we didn't have the proof. We just knew because all the data. So everything is a theory until somebody's like in a record. This guy is literally like, okay, one dude. Yeah, now that's different. Now it's a record that I can be like somebody was like straight out. That's. This is not a metaphor.

Cristina: Yeah. Did they mention sleepy is not becoming something else or something or it just.

Jack: No, it was just a mention of them.

Cristina: Okay.

Jack: We can extrapolate that the events were probably true too based on it matching all of the other narratives we have that kind of fit the, the total image together. But this just. I like to note these moments when somebody confirms what we were already believing. Because 99.99 is not proof, it's a theory. Until somebody's like, no, I was there and that was just a person. It's like, okay, then that's a hundred percent. We have a first hand account of like that's just dude, whatever. Then that's different. That grounds it and that proves the things. And this s***'s hard to find because a lot of these people just discussed as gods in most texts and they were just.

Cristina: Did Zeus ever visit the school?

Jack: Not as far as I know.

Cristina: Okay.

Jack: Now in the Quran I found a mention of Hermes, but by Jehovah in which he says he is a man of truth. So that's getting. Now I still have no idea based on any of these. If Hermes is Elysian or human based on what? I'm thinking human based on what we know of the other potential necromancers.

Cristina: But we don't have proof either.

Jack: We don't have proof on any of that. But he's on Jehovah's good side. But also Mary might have been human.

Cristina: Who?

Jack: Mary. And she was also on Jehovah's good side. So like there's not exclude. And like, so St. Patrick, there's not exclus. And Peter, like there's humans on his good side. It's not a rare, it's not impossible. Although rarity. Yeah, but he's a man of truth.

Cristina: That's what he said. He's a man.

Jack: That's the line from Jehovah.

Cristina: So then why do other people not like him? Why are they calling him pagan? If Jehovah's saying he's not, he's.

Jack: I think it's the branches of Christianity that aren't led by the Elysians.

Cristina: Okay.

Jack: I think it's Jesus, his branches of this.

Cristina: Very strange. But I guess because he wants himself to be the one on top no matter what.

Jack: I don't know.

Cristina: Jehovah doesn't care.

Jack: I don't know. We actually have no clue.

Cristina: And why else would he want the other religions to be raised?

Jack: Well, no, eventually he dipped anyways, according to all this crap. So like I don't get any of.

Cristina: It, whoever's running his thing.

Jack: Yeah, I think it became the personal interest of other people. I think the lack of a leader is just leaders will come and thus cults will happen. But I don't think it's like his narrator. I think he dipped and let it all fall apart. But we also have no f****** clue. Again, these are just the stories that built on the pieces we put together.

Cristina: Yeah.

Jack: But I find it interesting that Jehovah was on his side.

Cristina: That's awesome. It was interesting.

Jack: Now we're going to touch some important details because in reading I came across a word. I'm familiar with this word. I wasn't familiar with the words origin with the term. I suppose it's a term, not a word hermetically sealed. Except now saying it out loud within the context, it's like, duh. It's obviously related to what? Hermes, obviously.

Cristina: Oh, hermetic.

Jack: Yes, yes. It gets a little interesting now.

Cristina: Seal, seal. This. This is magic related. Well, this sounds very pagan. Okay, I changed my mind. He's a pagan.

Jack: It was happening. It was gonna be. It was gonna be. But as I read the following next sentences. Brace yourself. Because we've found things again that we weren't looking for, but that are answers to questions we had and some we didn't. So the term hermetically sealed originated literally because of this one. Hermes we're talking about who existed within the school of Lycium. It came specifically from taking residue left over from the magnum opus procedure, then placing it inside a glass and then sealed airtight by fusing the neck to the lid. This hermetically sealed container containment would then be heated for approximately 40 days to result in the philosopher's zone. The magnum opus is only the first steps of it. We thought that was the entire setup. Hermes actually knows the rest of it. Not only that. This predates.

Cristina: He's an alchemist.

Jack: He might have been made this s***.

Cristina: He. Oh, crap. What?

Jack: It's called hermetically sealed. Because he invented it.

Cristina: Yes.

Jack: The last steps are literally named after him.

Cristina: Yeah. To create the stone.

Jack: The philosopher's stone. The reality bending philosopher's stone.

Cristina: What?

Jack: Hermetically sealed literally connects back to how he used to seal this vasel. That he would put the residue from performing the magnum opus. And that last few steps of putting it there, sealing it and superheating it.

Cristina: For he was murdering his students. Were they special in that way? Like they were gonna be sacrificed?

Jack: I don't know.

Cristina: Because where's the residue coming from? Dead bodies?

Jack: We don't even know of him performing it. We just know that that's where that procedure comes from.

Cristina: He has to have though.

Jack: I know he performs it. Obviously it's named after him. But he's teaching these people.

Cristina: There's no way he just does the final step to it. That's weird.

Jack: Obviously he doesn't. I'm assuming. Keep in mind what we're talking about. Keep in mind what we're talking about. We still don't know what the rules are other than knowing how to use tech, a certain kind of philosophy and knowing Latin. Right. Basic requirements. But what do these culminate to make? Does he need you to find out all the other steps of the Magnum opus and somehow they lead you back to him and then he can teach you the rest of it. And only people who have gone on this road can piece all of those things together. I don't know.

Cristina: But he's making a philosophy stone.

Jack: He seems to be the guy who literally designed the method because it's called hermetically sealed. Unless there's an older method that doesn't have the seal. At least as far as we know. A part of the process is literally named after him.

Cristina: Yes.

Jack: So predating the process, having your name in it is pretty far back.

Cristina: Mm.

Jack: As far until further proven. I'm claiming he's the guy who made it because he also fits every other suit we need him to fit. And this would just be like easier than saying some other guy you have.

Cristina: To sacrifice people for that.

Jack: Yes. I'm sure he's not sacrificing his students. That's stupid. He would be finding other people to sacrifice. Especially if he's working for the Elysians.

Cristina: And the Greek gods. They can just probably make things for him to sacrifice.

Jack: Yeah. And there's probably different degrees if there's a lot of experiments happening.

Cristina: Yeah.

Jack: Also the thing I didn't mention last week, don't they. They have a couple. Yeah, the thing I didn't mention last week, the lycium is literally in descriptions. The one of the known descriptions. Didn't find anything on it. I looked to see if I could come across anything. But one of its literal descriptions is that it was also used to hold occult rituals. So putting this into that perspective now, there was definitely philosopher's stone creation happening in there that they were interpreting as cult rituals when in reality it was science. But if it's a suit of you just sacrifice a person or some probably kind of culty looking.

Cristina: Yeah.

Jack: But it's secretive. You guys are doing some. That kind of looks like magic. But really you're doing some traceable steps in science.

Cristina: Yes. That's weird. What? They're sacrificing Nagas. Fake Nagas. They have a bunch. They're just making them those prototypes that are trash. Like he could just get rid of them.

Jack: Why would he have a Naga?

Cristina: No, when the gods. When they made a bunch and they're like these are all defected anyway.

Jack: Right. But he's not one of them. Why would he have access to any of that?

Cristina: Because they visit the school.

Jack: The Naga?

Cristina: No, the Greek gods.

Jack: The Greek gods don't visit the school.

Cristina: Oh no, not the Greek.

Jack: Other than just Apollo, which is the.

Cristina: One that's working with these Nagas, making them.

Jack: Zeus.

Cristina: Zeus. That's one.

Jack: No, this is not a Keto is.

Cristina: Zeus is not the one that's making other ones like the. The main Medusas.

Jack: Yeah, that's keto. That's Zeus's mega.

Cristina: Oh, okay. Okay.

Jack: Yeah.

Cristina: And he's never visited the school?

Jack: No. As far as I know, no. The only individuals of note are the ones I've mentioned which are Apollo, it is Aristotle. Hermes, Just these individuals. Essentially. Yes, there were Alexander the Great and these individuals. But they were within the tiers. There's also tears in the school and within the tears that we're looking for. Alexander and his friends simply connected us to Aristotle. Yeah, they're surface level students. Their parents are rich type of s***. As opposed to. You really know. The deep knowledge. They don't know the deep knowledge.

Cristina: They were just in the right rituals and Etc.

Jack: Yeah, like the deep, deep s*** unrelated to them.

Cristina: Okay.

Jack: And that's what I believe was really just the making of the philosopher's own.

Cristina: But how are they making it?

Jack: By sacrificing people. They would bring obviously would be. Why they described it as a second as ritual. Cult rituals.

Cristina: Obviously just people.

Jack: What else would they be sacrificing? In every instance it's people.

Cristina: Yeah.

Jack: Other than the crappy experiments we've known locally that are included butterflies and other.

Cristina: That is very.

Jack: Okay, we know of attempts to extract it from other. But like no, he was. They were more likely than not just bringing people to perform it, I guess.

Cristina: But I feel like the school would have a pretty bad reputation.

Jack: Why? If it's a secret, like how would they have a bad reputation? It's a secret. That is the point.

Cristina: No one would mention. Like that's a. That seems like a hard.

Jack: You're either learning it or dying.

Cristina: Okay. Okay. What?

Jack: Yeah, it has to fall into that category. Like this secret society. Some people can keep secrets. And that's also probably also why there's not a bunch of them. And I'm sure anybody who's tried to talk has been offed immediately.

Cristina: I guess that could happen. The Socrates never mentioned any of that though.

Jack: No, you mean Aristotle.

Cristina: Aristotle, yeah, Aristotle.

Jack: No, but again the fact that he has. So it's basically you perform the magnum opus and then you hermetically seal it. Those are two different sets of steps. Hermetically sealing is three steps and the magnum opus is four, seven steps total to creating a philosopher's stone. We thought the magnum opus was the entire process. Yeah, but it was the first half. The first part at least.

Cristina: So you keep it sealed and then what?

Jack: You heat it.

Cristina: You heat it.

Jack: You put it in there with some chemicals, some gases. In the script, it's not explained what they are. Some gases, some material. You seal it and then you heat it for 40 days. I was trying to find out what to put in there. There was too many different things. None of it. It was. And it was a coherent. It ranged too widely for you for it even to matter.

Cristina: Okay.

Jack: Like. Okay. There must be some way to zone in on this. At least I know those steps exist, but I couldn't figure out what it could possibly be. What it could possibly be. I know you perform the entire magnum opus and then you take that and you hermetically seal it, and it goes through those two processes, and then you have a philosopher zone.

Cristina: Wow.

Jack: So now we have the completion. As far as we know. Unless the third part shows up.

Cristina: There could be a third part or.

Jack: A first part that we didn't know about.

Cristina: Oh, that's possible too. We have no idea.

Jack: Yeah. So as far as we know, the magnum opus is being hermetically sealed. And that is you hermetically sealed. The magnum opus and thus philosopher's own crazy.

Cristina: They were making a philosopher stone.

Jack: Yep. So this is a weird. The philosopher's stone seems to be about as rare and secretive. We were trying to compare and see how many of those we have. So the philosopher's stone seems to be about as secretive of an item as the people necromancers are.

Cristina: Yeah. Since it seems like.

Jack: We'Ve got Adam and Eve. Those are two philosopher stones. For a fact.

Cristina: Yeah. And whatever. No Christ, no Santa Claus is carrying with them.

Jack: Yes. Well, that brings us into an entirely different point to talk about, because in our attempt to answer whether or not this individual is a necromancer and he is out here working with now literally coming across text linking him, hermetically skilled is literally tied to the magnum opus. It is the last steps.

Cristina: Yeah.

Jack: So you know how to make philosopher's stones and necromancy tied together again, because out of the individuals we know, and I've got this right here, which are St Nicholas, St Patrick and Merlin. All three depictions at one time or another featured red gem. What we discussed this we talked about. I don't remember all three of them. Nicholas has a staff with a red gem inside it.

Cristina: That was a necklace.

Jack: Patrick has a necklace.

Cristina: Patrick has a necklace.

Jack: Patrick has a necklace with a red gem inside it. And so does Merlin. Also has a red gem in his necklace. All three.

Cristina: What about Jesus?

Jack: We don't know about Jesus, but there is. Fair enough. No, you're totally right. Jesus also has an image which I do remember us talking about. That's not in my notes because I forgot about that and I didn't look at it. But I do remember specifically that he does have an image with also a necklace that seems to be more popular than the staff, unless the staff just allows it to be larger. And hence he's op. Because of that. Because the one in the staff, assuming the glow is to scale. The one in the staff is bright, bro.

Cristina: You sure it's not a necklace? He has a staff.

Jack: He has a staff. He has a staff with a red gem in it. And then Patrick. I looked at the notes. I looked at it and Patrick has a necklace and so does Merlin.

Cristina: And maybe Jesus.

Jack: Jesus also. I don't remember Jesus. I didn't go and check. But yes, I remember he has a necklace as well because I remember the specific image with the thing around his head.

Cristina: Okay. And Hermes has the necklace.

Jack: Well, Hermes is literally making them. I'm just talking about that. They're all connected to it. They're all connected to a red gem.

Cristina: But he doesn't. We don't have any stories of him wearing it or descriptions of him having something like it.

Jack: No, but he would need it. Why he can make it. These people have it because they didn't make it. It. He has it. He wouldn't have it. He's handing out the ability.

Cristina: Okay.

Jack: As far as we know, he wouldn't need it. Also, if we had descriptions of him, this would be way easier than it is right now. The fact that we don't is part of why finding him is a problem.

Cristina: Because it's all secretive.

Jack: Yeah. If I had like a clean consistent. This person said this. This person said that. These are literally the same words. We would. No, I just need two individuals who line up. That's it. We know who he is by default.

Cristina: But we don't even know that much about him.

Jack: We know that much about him. It becomes quite a problem quite quickly. But I'm about to tell you why it becomes even more of a problem.

Cristina: Why? Okay.

Jack: Because this is where the point will happen.

Cristina: The point.

Jack: The point. So as far as we know, based on the information we have discussed, he seems to actually be the guy we're looking for. Although we don't have. Again, it's too hidden. But he fits the suit. He's messing with philosopher's stones. In fact, making it. He literally. There's a part of the process named after him that's crazy. So he might have made the process. There's nothing more necromancer than having designed what necromancers use. I think that's okay.

Cristina: Yes.

Jack: And he's teaching people this private knowledge that is already the ridiculous. Yeah. Super secretive to get there. And we know the steps to even be acknowledged or considered are super difficult to. And incredibly secretive. So kind of a lot of lining up lines. But what were you gonna say, like.

Cristina: How many people are actually learning this? Or, like, just being a part of the class doesn't mean you actually get it?

Jack: I think that's the case here. I think it's. People will be eliminated gradually as they figure it out and figure out who fits and who can do it.

Cristina: Okay. Because it's super rare that someone actually succeeds. I'm guessing thinking so.

Jack: Because we don't know about a lot of cases. We're talking spread out and few.

Cristina: Yeah, three.

Jack: We got three, maybe four. And with this guy, maybe five.

Cristina: That's crazy. Yes.

Jack: We might have more stones than these guys. Yeah. We have to Adam any stones. Yeah. Because let's think about it. We have Adam, Eve, whatever Yaldabaoth was using. We have whatever Santa has. We have whatever Patrick has. We have whatever Jesus has.

Cristina: Jesus.

Jack: Then we have the one that Merlin has. We're up to seven with that.

Cristina: Well, Merlin's not carrying the stone with him.

Jack: As far as we know, Merlin wears the necklace.

Cristina: Oh, yes, yes, yes. Yeah. The bell has a stone.

Jack: Yes. That's how he got the fairies.

Cristina: Oh, yeah. Okay. Ow. Okay, that's seven.

Jack: Yeah. We have. We've. We're finding stones now.

Cristina: Mm.

Jack: We've unlocked the next level. We're finding stones, but somehow we still have less necromancers. We're up to three potential assurances, plus two huge maybes, which is the other maybe Jesus and Hermes. Although Hermes might not be a maybe. He might be the top of this. And then I see four plus one.

Cristina: Maybe Jesus may or may not. I mean, he is created from the stone, but he also probably has a stone.

Jack: I don't know.

Cristina: Yeah, but if he doesn't have the stone, he still probably has the powers of the stone without having the stone, because he was made from the stone.

Jack: We don't know if these people are even can. We don't even know if they have a stone. We just know a red gem is in their possession. The one in St. Nicholas art is glowing. That's probably definitely it. In the other cases, it's just red gems. I don't know if bigger size means crazier illumination. And because it's in a necklace, we don't see it shine. So crazy. The only staff is the shiny one. But if it were to scale, then those could also be stones, and that would put us relative to scale. Like, we. We understand where they rank based on their stones, in which case we could literally just play a photo game and put them together and see who overpowers who.

Cristina: You're saying Santa overpowers everyone.

Jack: I think he. If the size of the stone matters, then he is on a whole other level.

Cristina: How did he even get such a big stone? Is he related to the school somehow? Was there a Nicholas student?

Jack: I don't know. But. But where? This gets even more complicated than talking about her medically sealed and finding out that he potentially designed the entire thing is when we talk about the three prophets. Because now something recently familiar is gonna make a little more sense. And now I'm starting to think it might be just cultural. So let's look at the following couple of steps. The three prophets are Enoch, Noah, and the Egyptian priest king. Why do these three individuals matter so f****** much right now? I don't know.

Cristina: They're from Egypt. I don't know.

Jack: All three of them went by the name Hermes Trismegistus.

Cristina: No, I didn't slap one. That makes no sense.

Jack: I found text with all of them going by that in their respective times.

Cristina: Why? Why? What does this name mean?

Jack: Well, like I said recently, new but this is a callback because as we also know, Loi turned out to be very similar.

Cristina: It's just some type of title.

Jack: It's just some type of a title. And now we're talking about somebody else. And I in looking through it, find they're not just of two people, but several people with the same name. Literally the same name. Because although I cannot confirm to you if Nicholas and Patrick are directly, I think, I think maybe either they also go by or went by Hermes Trismegastus, allowing it to be a lengthy name that transcends time. Or they aren't necromancers because Hermes Trismegistus might be a title for necromancers.

Cristina: Oh my gosh. What? But then is there like, how. How can they be related to his Hermes? What about them?

Jack: They're just labeled as Hermes in one text or another talking about them. So for example, if you look at Enoch, he's referred to as Idris, and Idris is then referred to as Hermes Trismegistus. They are the same guy. So you find Enoch through Christianity and then you find him in Islam where they literally one to one him to Idris. They're like, no, we just call him this over here. And then they change his name to Hermes Trismegistus as a title for what he does. And it's like, wait, so wait, hold the up. So you're just telling me that Enoch is Hermes? Trust me. Guess this, because you're literally saying that Idris you're literally just saying that Enoch translates to Idris, and the Idris is Hermes. So indirectly, I don't need him to say it in Christianity, because they said that they're prophets.

Cristina: But how does that relate to them being Hermes or Hermes?

Jack: Like, I don't know. They're just labeled as the three prophets, which are Enoch, Noah, and the Egyptian priest king.

Cristina: But they're not making stones or anything, or do they have stones?

Jack: I don't have any stories of them having made stones.

Cristina: And is there any stories of Hermes prophesizing?

Jack: There are many stories of Hermes prophesizing and getting it correct kind of often.

Cristina: Oh, okay. What?

Jack: Yes. But there are also many stories of Patrick doing that, and there are also many stories of Nicholas doing that. Weirdly enough, there are also many stories. Literally, the story is that Merlin did that. That is literally the Arthurian story that he literally prophesied. So in every instance, they prophesied and got it right. All of them.

Cristina: So you think those are. Then Hermes is a title, not an actual. Like, he's who they're talking about in these other stories.

Jack: Well. Well, here comes the need for an important metaphor that luckily. Thank you, cw, for making things popular at the right times. Oh, no, this was amc. No, thank you, cw. Thank you, amc, for making things popular at the right time. So that references make sense. With appropriate context, I would like to bring subject A. Negan.

Cristina: What?

Jack: A man who is, in fact Negan, but also a bunch of people who believe in his ideology and perform his bidding. Also go by Negan because it protects who Negan is to all go by Negan because then it obstructs who he is, where he is, what he's doing. If everybody just goes by Negan.

Cristina: Yeah.

Jack: This allows one incredibly important logic to be applied every. And by the way, I have to add the very next detail that it's very important because this is gonna send that home. This is the mic drop. I usually wait for a completed episode that is about in over an hour. But I'm dropping this and just done after I make my point, because I don't need a better point.

Cristina: Okay.

Jack: Hermes is not just a title people take, a name they take because everybody who fits the suit of Hermes, as we have gone through their images before, they all dress exactly the same. They all look exactly the same. Even within different religions. They usually. And follow my logic very, very directly here, within different religions, regardless of how the religion itself dresses. We're talking completely conservative, fully covered from the beginning of time religions and opposite religions that are okay with just being who you are in your flesh. All default to the same aesthetic for their leader, who happens to be long haired, bearded, in a robe, usually draped robes in a Roman style. Even if you're in f****** Islam, it doesn't matter where the h*** you wear. You dressed exactly the same and your leader looks exactly the same. If you remember literally the three individuals I used for Jesus for the image of us recently talking about Jesus when we were talking about his other titles, they all fit the same suit. Well, if you actually put all of Jesus's aliases next to St Nicholas and St Patrick and Merlin, you couldn't tell me who the f*** is who. Because every single one of them is indistinguishable in how they look in complete contrast to all the images of all the people drawn around them.

Cristina: What are you talking about?

Jack: All the art representing all of these individuals looks identical. Describing the individuals, even if. If we know within context they are not the same individual. While all the people around them looked completely differentiated from this one center person who always looked identical to each other. I believe that the ideology of taking her matris megistas. We will just use Negan for the sake of explaining this better. I believe they weren't just going by Negan. I believe they were opting into looking like Negan, talking like Negan, sounding like Negan, talking about Negan's philosophies, pretending the beaniegan to everybody they ever came.

Cristina: So we don't know who the real Negan is.

Jack: It would be so hard to zone in on who he is. Because the point was the philosophy.

Cristina: One guy.

Jack: There's one guy who began it. And the point is to obstruct who that is. The goal is to obstruct who that is. But the although good job in your mission, you created a bigger mission problem that helps us.

Cristina: How?

Jack: Because we know what we're looking for. You gave us thousands of examples of it. That's where he f**** up. Yes, you gave us thousands of examples to comb through. But in giving us examples, you reduced us from having to look through a billion.

Cristina: Yeah, okay.

Jack: Do you see the problem? So the logic for back then made sense because there weren't a lot of people. We're talking a fraction of the people. Hundreds of thousands. A couple of million people. Maybe a billion people at that time.

Cristina: All these people like Santa and whatever are like students of his who decided.

Jack: To really followers of the philosophy.

Cristina: Yeah.

Jack: And users of the ability. And presumably individuals who had to study underneath literally whoever the real Hermes Is. Yeah, but this is where we get the problem, right? Because we have the God Hermes, but that's just a person that happens to share the name. Because fake Hermes Trismegistus. The legend is just narratives of these two people overlaying over that guy's name. There's God Hermes, and then there's Hermes Termismegistus, the guy. And then there's the legendary figure Hermes Trimagestas, who has the name of the real guy and the characteristics of the two gods that spun out of control because the real guy was so impressive, but also a complete mystery. So you had to slap information on him because he has to exist in these shadows.

Cristina: Okay. So confusing. But the God version of him, it's not him.

Jack: It's unrelated to him, I hope, because this makes sense. He's not mentioned in any context. And the guy that is there is Apollo, not Hermes.

Cristina: Where's Hermes the God from?

Jack: He's part of the researchers.

Cristina: Okay.

Jack: This is background noise from that group. Not even impressive.

Cristina: Okay. There's no way he could be the same guy. I don't know.

Jack: Nah. Is this a name? These are just people and they're allowed to have names. And sometimes names are.

Cristina: Because he has the whole name or just his first name?

Jack: No, he says first name.

Cristina: Oh, okay. Okay. Thought he was also calling himself Hermes.

Jack: No, he just has the first name, Trismeguessis. The only people sharing that entire name are Enoch, Noah, the Egyptian priest king. Whoever was going by it at that moment in Alexander the Great's life next to Aristotle. And people we don't know are using the name, but might be because they fit the visual descriptions. The locations and the abilities would be St. Patrick and St. Nicholas, but they.

Cristina: Were not calling themselves Hermes, as far as we know.

Jack: But they fit the look. Which means if you were trying to disappear, you would go by one name, and if you're trying to be visible, you'd go by the other, which fits. Every time they're going by Hermes, we just think we're hearing about Hermes. Who knows how many of those times we were just talking about one of them doing something.

Cristina: Okay.

Jack: Because there's no way to know when who is what. Because they all go by Hermes and they all can do the same things.

Cristina: That's complicated.

Jack: And they can show up through different time. They can all bend time so they can all pop up at different points in time. There's no linearity to them.

Cristina: Can her memes mess with time? I mean, yes. The prophecies are.

Jack: Yes. And necromancers the prophecies line up with time bending. Yeah, yeah, that s***'s clean across. Like they're obviously seeing some as they're with time. And then they tell us about it.

Cristina: Yeah, okay.

Jack: That just answers each other. That's why they're accurate about it. It's not. They got powers. They're using science. They figured out the problem of time travel. Yeah. It's all science. There's no abilities. There's no magic. All of this is written down. And they just follow the steps to get it done. That's all it is. It's all just science.

Cristina: And he. I don't know if we proved anything.

Jack: I don't know if we proved anything either. I just know that the guy who is. We know. Most likely. But here's the other problem. Right. Because Enoch predates the dude in that building by quite a while.

Cristina: How does that make it make sense?

Jack: So the guy. The first guy isn't the guy in that building.

Cristina: But how do we know?

Jack: Because. I don't know. Because also we know that at least the other two people are ageless.

Cristina: Exactly.

Jack: So potentially it could have been the same guy the whole time.

Cristina: The same guy. I think so. That makes a lot of sense.

Jack: It makes a lot of sense. All. All jokes aside. Yeah.

Cristina: With the whole philosopher's stone thing, like. Yeah, yeah. He. He should have the ability to live forever. That's what he wants to do.

Jack: So you think it's just the same guy.

Cristina: I think.

Jack: And that it's not a bunch of people using his name.

Cristina: No, I think it's the same guy.

Jack: I think it's the same guy who has just been doing this one individual. And we. It is. That guy is here.

Cristina: Yeah. That's like before he decides to teach people what he's learned of becoming a. What's. What is he again?

Jack: What do you mean? Before he decides when.

Cristina: Before he decides to become a necromancer or not a necromancer. Before he decides to teach necromancer is before being just the prophet. Being known as a prophet. Before the school, he was just a dude.

Jack: He was just a dude. Fair enough. But these other individuals are known as prophets and they go by that name. That's the other problem. They literally go by that name.

Cristina: Yeah.

Jack: That's where the issue begins. So you bare minimum, have people going by his name if they're not him. Even if they're not him. Or. Or is the same guy. And instead what we're talking about isn't these guys going by Hermes. We're talking Hermes Goes by these names.

Cristina: Just like Jesus.

Jack: Just like Jesus.

Cristina: Yeah, I think so. I think that makes a lot of sense. I think that makes a lot of sense.

Jack: Yeah, fair enough. It could totally be.

Cristina: I mean, there's no proof, but.

Jack: There's no proof. But then the question is, should we be re evaluating the name Eloi and consider that there is in fact an individual named Eloi and many different names that individual went by, and thus. Yes, Yahweh and Elohim. And all these individuals are the same guy.

Cristina: I don't know about that. Unless we find out he's a necromancer.

Jack: Yeah, it could just 100 be a title in their case. And because necromancy seems to be the only way to have this ability, and being from the shadow realm, I suppose there doesn't seem to be consistency there.

Cristina: Yeah, but we don't know who the first person to make the Philosopher's stone, do we?

Jack: Galdabaoth seems to be as far as.

Cristina: We trapped back, but. So then it's possible that. What's the name of the guy you were just talking about?

Jack: Hermes?

Cristina: No, not Hermes. The God person, Jehovah. No, the one with the name Eloi. Eloi, yeah, See, the first one.

Jack: Yeah, yeah.

Cristina: Maybe he got the Philosopher's Stone from the other guy. The Shadow realm guy.

Jack: No, because that guy disappeared.

Cristina: But before he disappeared, he had the stone. He knows this person. He thought he was. Interesting.

Jack: No, we literally can trace the steps he took to make it. We know how he made the Philosopher's Stones. Who went through that step by step.

Cristina: And he wasn't there.

Jack: No, he did it with Citizen after Yalda had already disappeared. Okay, he did it by going to the forest.

Cristina: He did do it.

Jack: He did do it. But he didn't do it with Yalda Bow.

Cristina: No, but he got a stone.

Jack: He made a stone somehow with the use of a bunch of primitive creatures, primitive apes.

Cristina: And so he can still. He could have a stone.

Jack: Those are the two stones of Adam and Eve?

Cristina: Yeah. No, I mean like one personal stone, like all the other ones.

Jack: Those would be the stones of Adam and Eve.

Cristina: Oh, I don't think. I don't know. Because these other guys don't have it. Seems like Adam and Eve are being used for certain things. They're not just on you 247 to keep you alive forever.

Jack: Why aren't both true?

Cristina: I don't know. Just doesn't seem like it.

Jack: Why can't both be the case?

Cristina: I don't know.

Jack: Why can't it just be on you all the time for science.

Cristina: Because then how did. What's her. That girl wouldn't have been able to do what she did.

Jack: Yeah. And think about what happened when she did it sounds more like what you touch something that doesn't belong to you.

Cristina: But if it was on him, like how did she do that?

Jack: You think these guys slept with it on them type of s***?

Cristina: Yes. I feel like it's something you don't like. The unicorn thing. It's supposed to protect you. It's supposed to keep you alive forever. I mean, I know that one didn't because it's kind of a bad luck.

Jack: Well, no. Situation. Let's think about it. Let's think about it. Weirdly enough. And like, I don't like to give credit to Harry Potter in any manner, shape or form because that s***'s whack. But let's talk about how. How deep the research that she never discussed is because we f****** uncovered. Hella crap to just find out that this one dude who had the stone, everything turned the s*** around him and he actually managed to live through all of it until they actually managed to remove it from his grip and then he dies.

Cristina: You mean the horn?

Jack: I mean the horn. Yeah. My bad.

Cristina: Yeah, the horn.

Jack: The horn.

Cristina: Everyone around him who had a piece of the horn end up dying.

Jack: So like they are actually fine while they have a piece of it. It's kind of like if you came in contact with it, don't ever let it go.

Cristina: Hey. Or then you immediately die. So I feel like.

Jack: Well, listen to what I'm saying before you continue your point.

Cristina: Yeah.

Jack: This lady who wrote Harry Potter also found this because the point of Voldemort is that he's always at the verge of death, but never actually dying until he stops taking it.

Cristina: Yeah.

Jack: Which is on point with quite hard to find information. So bravo. To the level of homework she had to do for the stupid background noise. For a random explanation to some other.

Cristina: Yes.

Jack: What are you gonna say?

Cristina: I don't know. But yes, it's. That's on point.

Jack: Yes, for sure. For sure. So your stance on this is ultimately that this is an individual with one name which fits and he goes by many different names. Jesus.

Cristina: Does it possibly. See?

Jack: And he is successfully. Because as far as we know, Nicholas and Patrick both have achieved some version of immortality. And Merlin was killed by a weapon designed to kill specifically whatever the h*** he was.

Cristina: Yes.

Jack: So immortality out the window. I think you could still be offed by somebody. I think you just don't die of old age. When we Talk about immortality. I think that's what we mean.

Cristina: Yes, but fairy weapon can definitely soak out anything.

Jack: Well, that fairy weapon isn't what killed Merlin. The fairy weapon is what the fairy tricked.

Cristina: Oh, yeah, he traded him. Okay, he traded him with some other.

Jack: Thing she twisted that story and outsmarted the h*** out of. But you made somebody too gullible. The point was he could be controlled.

Cristina: Yeah. So you think he killed him with a normal weapon or.

Jack: No, he killed him with the weapon the fairy made. The fairy gave him a special weapon that could off, apparently a necromancer.

Cristina: Yeah.

Jack: So bare minimum, at least fairies know how to do that and they can just look at the programming and figure it out.

Cristina: Okay, interesting.

Jack: So, yeah, this is where we are, I'm assuming. Yes. Hermes, whatever the case might be, whether it's the problem is the guy in that building feels like the right guy. Yes, that's the problem. And if he is, then you're what's the problem 3,000 years after Enoch, who is also a guy going by that very same name, him. So one of two answers would happen. One, there is an actual teacher predating Enoch and there's a line of people teaching.

Cristina: Yes, I guess. Yeah, yeah.

Jack: Or. And like the teacher's name is all but like the master. I'm master this. Well, Hermes Trismegistus is equivalent to master. Yes, Thrice great. That's not a name, bro, but it's a title for sure.

Cristina: Yeah. So he's not the first.

Jack: Or he literally is the same guy who taught. I mean, not even taught. The one guy is the same guy and maybe that would make him the master. That makes him the master. He is Enoch. He is Noah. He is the Egyptian priest king. He is Hermes Trismegistus. They are all Hermes, just witnesses.

Cristina: Is it.

Jack: Is it possible in these instances? Keep in mind, I'll give you two bits of information that are probably important. I suppose that is the most popular considered order of those things. And I am not the first person to conclude this one little piece. I am the first person to attach all the other s*** to it. But it is again, it was quite easy because it's well known that Enoch, Noah and the Egyptian priest king all went by that name. Within these texts, as philosophers impact them, they believe they were all just variations of the same person stories being told at different moments. Okay, yeah, but it might literally have just been the same guy. As opposed to a narrative that just took name and different. No, it might literally be the same guy. Because we can follow literally the steps that Jesus took doing the same.

Cristina: Yes, yes.

Jack: I could trace every country he went to, the name he assumed there. They described them down to the T as the same guy. The timeline up, the location lined up in the trip he was going. And it fits what this guy's doing.

Cristina: So, yeah, I think.

Jack: Which is going by aliases and setting up little systems that you can enter in and out.

Cristina: But they just think it's all based on.

Jack: They think these are fiction. They think these are fictional characters based on a guy. Well, it can be, but we know that this guy was a real guy. And even now we know that the Hermes Trismegistus is agreed upon was a real guy. And that there's a conflation between a real dude and a fake dude. Dude that's just established.

Cristina: Okay.

Jack: And that the fake dude is most likely a connection of these other two. My argument would be that the fake dude is actually also the real dude and that all of these people are the one guy.

Cristina: Okay. Yeah.

Jack: So they're like, oh, he's like this God and that God and this. Because he could on both of those gods. And there's just people trying to rationalize. Dude just like, well, those guys are way op. And these guys are way op. The Egyptian gods. And here. What is it? The sun gods and the Greek gods. Oh, both of them are op. So he's like, if use two of them all. That's how overpowered he is.

Cristina: It was pretty overpowerful, I guess.

Jack: Yeah, exactly. He's still like, nah, I can on all of it. There's just them trying to rationalize. Hence this connection between them creating the mythical individual that supersedes the individual with the actual abilities, which is still. Because he could on the fictional one.

Cristina: Well, he could.

Jack: All the abilities of a necromancer seem to be way more overpowered than anything else.

Cristina: One thing we haven't really talked about is how would he like, if he's the necromancer, he has to do something with fairies and shadow.

Jack: He just has to be able to cross easily. But something to figure out a different time because we are way out of time.

Cristina: Okay.

Jack: Okay, so just run another time. But we're at least so close. I believe this is the guy.

Cristina: Yeah.

Jack: And if all those names are the same dude, then we found him.

Cristina: If we can see if we can revisit those stories and see if the shadow realm or fairies are somehow involved in the stories, even just like a little bit. I don't know, because I feel like you have to have that knowledge to be teaching.

Jack: Yes.

Cristina: So maybe there is some story there.

Jack: What, of him? I doubt we would have his knowledge.

Cristina: No, not him, but these other versions of him. His.

Jack: He wouldn't have to record these things anymore because he is the teacher. He already knows it.

Cristina: I'm saying, like the stories of Enoch or Moses.

Jack: Interesting. So, yeah, I see what you mean. So the people we do know, the different aliases is going by before he's. Because these are in fact stories. You're trying to see what these events connect to that fit. Well, how do you know he's not a teacher at that point?

Cristina: Point. Well, we will.

Jack: Enoch is literally a teacher.

Cristina: Oh, okay. He's a teacher too.

Jack: Is literally a teacher.

Cristina: Oh. Oh.

Jack: But regardless of the point, your point stands because it's not that this is before him being a teacher. It's these are stories of names he went by. Which means within those stories, within depth and within context, we could uncover the right things.

Cristina: Yeah.

Jack: If we go in assuming this is actually him, how do we prove it? With this information.

Cristina: Yeah.

Jack: Then that s*** just starts to make sense. A quick mention of. Oh, and I went to the dark place where the other things were. And it's like brawl.

Cristina: Yeah, yeah. Like something. Or even if it relates to somehow. Not necromancy, but.

Jack: Oh, yes, the philosopher.

Cristina: Very interesting.

Jack: Although literally being named after the philosopher's stone is kind of the home run here. I don't know what else we would need.

Cristina: But, like, if there's anything but these, we know their steps. And what if there's missing steps? And what if they lead us to those steps?

Jack: There's missing steps. What if we learn how to make a. D***, that's crazy.

Cristina: Yeah. Because I feel like we're just piecing. Like, we thought once that step was the step, and that was.

Jack: There were four steps, and we're like, this is it.

Cristina: Yeah.

Jack: And now we found three more steps that connect to the end. We're like. And it makes so much sense that those steps are there.

Cristina: So there's probably more.

Jack: There could be more. Anyways. Anyways, anybody who's listening to this, if you have additional information, please hit us up with it and tell us all that stuff. Communicate it with us. Hit us up on our socials at just Convopod on X, on Instagram, on Facebook, on. What else is there on Tick Tock. Tick Tock. Where all the place. YouTube. We're getting pulled there all the time because we're crazy. Crazy.

Cristina: Yes. And remember to subscribe, rate and review the show.

Jack: Yes. And word of mouth is extremely powerful. Tell people that we're uncovering the truthiest truths of them all.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.in fox art by 0lupo and logo by Seth McCallister. With social media managed by Amber Black.