Rambling 268: Hermes

Who is Hermes Trismegistus? Is he somehow connected to the figures we have uncovered? Is he our Master Necromancer? The duo unpack what is known and what is hidden about Hermes and his secret teaching. What’s uncovered and what it implies once again alters everything we thought we knew!

+Episode Details

Topics Discussed:

  • The Hermetica
  • Secret Teachings
  • Aristotle
  • Three Prophets
  • Hermetically Sealed
  • The Magnum Opus

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+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. Oh, my God. So baffling.

Cristina: Are they really that baffling?

Jack: They're always baffled, aren't they? Aren't you baffled? Haven't you been baffled every time? Haven't I managed to baffle you about the misconceptions, about the kind of. The level of ignorance we have on 100% of all the information all of the time?

Cristina: Yes, it's pretty baffling. Yeah, pretty baffling.

Jack: It's pretty baffling. So next time when we were talking about a school, talking about a school, we were really, as usual, investigating some other part of this infinite Rubik's Cube. And in the school where Aristotle, by the way, Aristotle was teaching at a school that was allegedly inspired by Apollo, who happened to be a Greek God, but happened to be in the notes as an individual who just happened to be in the school along with Jehovah as well, which is very interesting. And it gave us Jehovah's last name, which is overpowered. Now we know Loi is either last name or a title. And all of that happened. And within those same notes written by Aristotle in the library of Aristotle, they are kept in Lycium, the school, there is a mention of Hermes Trismegistus.

Cristina: What a name.

Jack: It means thrice great.

Cristina: What?

Jack: Yes. And that mention in Aristotle's notes does not describe him like a mythical individual, but rather the same way it does with Apollo and Jehovah. It describes Hermes Trismegistus like not the deity Hermes Trismegistus, but the individual Hermes Trismegistus. There is a legendary figure that's based on a God named Hermes and a g******** hoth. And there is also an individual of this name who has none of the characteristics of either one of those two that share all the characteristics with the first Hermes Trismegistus, but the share none of the characteristics with the second Hermes Trismegistus, which is the legendary. No, not legendary.

Cristina: Very confusing. What?

Jack: Yeah, there's like four guys with the same exact name.

Cristina: Did you talk about this last time? No, no.

Jack: You got questions, I got answers.

Cristina: Okay. Okay, like, okay, what?

Jack: Yeah, the level of unpacking you want is up to you. I got way into this.

Cristina: Ok, okay. So there is a God that he's based on or something.

Jack: There's a God named Hermes and there's a guy named Toth.

Cristina: Are they really. They're related.

Jack: There's a man. No, they're not the God named Toth, the Egyptian God, by the way, the Egyptian God named Toth is literally a member which. You remember this from last episode. Was literally a member of the Greek gods. I mean the Greek gods. The Egyptian gods. And Hermes is one of the Greek gods.

Cristina: How do they relate?

Jack: There are two legendary figures named Hermes, Rhys, Megisthus. There's a real guy. And all of these fake characteristics applied to the other guy. It seems that there was an actual guy.

Cristina: Does Toth have to do with anything?

Jack: Both the characteristics of Toth and Hermes are the same. Become Hermes Trismegistus.

Cristina: Oh, okay.

Jack: He is a combination of both these individuals.

Cristina: Okay. Is he like their child or he's some other thing?

Jack: Or there is a fictional character, okay. That people took from Hermes, the real Trismegistus man, okay. And built a mythical version of him. Stories that became so different than the real man that it became a different man of his own. A man nobody ever saw. A man nobody ever shares his name. Yes. Identical almost to Toth and Hermes, the God. It's a combination of both of those. Seems to be hers. Hermes Charisma guesses.

Cristina: Okay, so with the school, are we talking about this made up version or this God version or both?

Jack: That's up to you to decide as we go through it.

Cristina: Okay, what, what, what's the difference? What was the God about? Was he also about the rules of the universe or whatever?

Jack: Yeah, he's just one of the many gods of creation. But not really, no. Within the context of the information given, he was just one of the Greek gods.

Cristina: Oh.

Jack: So as far as we. And we went through him before when we were just going through the Greek gods and the research they were doing as a research, he was just background eyes. He was a helping hand. He wasn't an important God.

Cristina: Okay.

Jack: But the characteristics of Toth blend. Thrown in a blender with Hermes equal the last name. Trust me guesses. And now you got a new person. But it turns out that that legendary fake made a person was actually a real person too. So there are two individuals with this name, the fake character and the real person. And the real person was also very impressive. The problem is that neither one of these two people share characteristics. There are two legendary individuals, one of which has nothing but fake characteristics that never happened. Because it's made of two real individuals that actually existed.

Cristina: It's very confusing.

Jack: And then one guy who actually has things he did in the real world.

Cristina: And Socrates is writing about the fictional one or the other one.

Jack: That's for you to decide. It sounds like he's writing about a real one by all of our discussion. So I don't know why you're asking. And obviously we would be talking about the real one we established before. But you can decide who we're talking about based on the context of what we're talking about.

Cristina: Okay. What?

Jack: Yep, that's where we. That's where we are. We got this Hermes guy that we know is lurking in the school. According to Aristotle's notes, he mentioned three people again, Apollo, Jehovah. Yes, and Hermes.

Cristina: And Hermes was just a teacher.

Jack: What we know of him, we don't know if he was just a teacher. We know he was a teacher. I don't know if he was just a teacher. I know he was a teacher.

Cristina: Is there more on him?

Jack: Yeah.

Cristina: Like what?

Jack: You want all of it listed? I could just list it off.

Cristina: I don't know what's important to. If he's the guy we're looking for.

Jack: Well, that's the investigation we're doing. The point is to find that out. I can't tell you if he is a guy we're looking for. No, like if I knew I would just start there and be investigate from that point. Well, he's the guy we're looking for. This is why. But that's not the case for hopefully trying to figure out if he's the guy we're looking for. So that's for us to Conclude. But. Hermitras McGussj. Right. The questions we're coming in with are essentially who is he?

Cristina: Yes.

Jack: Is he somehow related to our greater narrative other than being this guy who seems to fit the suit? But we've come across coincidences before.

Cristina: Yeah.

Jack: And ultimately is he our necromancer? Is the question they're going in with. Right. So immediate things that matter. The first and most important mention of the name happens to be exactly on paper, by the way. Happens to be also in the Hellenistic period when we were looking at Alexander the Great, which puts us where we wanted to be to begin with. There's holes in this explanation which I'll get to.

Cristina: Okay.

Jack: And to catch up again, he's also the author of the Hermetica.

Cristina: Those are hermetic principles.

Jack: The hermetic principles and the philosophies and narratives surrounding it. Now, several important figures within both Islam and Christianity have described him As a wise pagan.

Cristina: What? Okay, yes.

Jack: These are people of the past and people of the present have both described them as a wise pagan. I found that very interesting. And some descriptions included prophet. So.

Cristina: So weird, because the Hermetic principle doesn't feel very like he's talking about a God or like he's saying many gods have made us. Unless I missed it.

Jack: Well, the Hermetica includes a bunch of texts about religio philosophy, but it seems to lean into that religion is ultimately philosophy. Because his teachings, which I have listed right over here. Let's see if I can. So his teachings, right. They included the fact that he believed in a singular universal philosophy that would thread through all of the religions and sciences of the world, essentially proving them to be all correct and one simultaneously.

Cristina: Doesn't sound very pagan unless I have no idea what pagan is.

Jack: Well, yes, because he believes in every.

Cristina: God, but also they're all the same one God.

Jack: Yes. So these are in the. Keep in mind, I didn't say he describes themselves this way.

Cristina: Okay. I said yes. Okay.

Jack: Yes. Leaders within Islam and Christianity call them this. And we know Christianity at this time is also. Well, not Christianity this time, but Christianity in the early stages. And most of the sects of Christianity now are just a manipulation of the true narrative of what happened. They're gonna slander whatever the truth was no matter what. So we already can't believe what they say?

Cristina: Yes. Oh, that makes sense. They have to claim he is okay. And also, they probably don't understand what he's talking about.

Jack: They probably do.

Cristina: Well, then why would they be against it?

Jack: Because they are against him.

Cristina: Okay.

Jack: Now, interesting enough, other than this Aristotle mention, which he describes him as wandering the halls and waiting for either an elite or a special group of students that he would teach either some secret or private information to see. He's either. He either has elite students that he teaches some profound knowledge to where he's molesting Hella students, in which case this dates back to that time where his special students got the best treatment, which, like, I wouldn't be shocked if that's what's happening happening here. Because we'd also not come up with age limits yet. It was just probably a bunch of miners. Who knows at this point, but minus that possibility, it looks like he was teaching people who could learn and that they were elite, not minor.

Cristina: Okay, Disturbing. Okay.

Jack: I mean, it's the pattern at this point.

Cristina: Yeah.

Jack: Especially because we're talking about leaders of leaders. And it seems like the people always doing this is leaders of leaders.

Cristina: So he could be one.

Jack: Like, if he fits the suit 100%. And like, if we. If we turn enough stones, that's always there, along with adrenochrome. It's like I'm already milking them for blood. Might as well f*** them. Like, I think that's the ultimate idea. That's why we always find both, since they're already here.

Cristina: I don't. I don't know. Maybe it's like I already have them.

Jack: In a cage and I'm milking him for blood. Like, how far can I go? Like, whatever. Oh, I got further than just raping them. Imma just rape them too.

Cristina: Okay.

Jack: Like, you know, that's ultimately the thought crossing their minds. Like we do all this other dark whatever. Yeah, they're jaded. They don't care.

Cristina: So crazy.

Jack: Okay, now again, he was discussed roaming the freaking holes.

Cristina: What?

Jack: You're a real person. The real version of you. There's records of this man. Many living life, doing things.

Cristina: He lives in the school?

Jack: No, he was just wandering the school and waiting for students. And then he goes and teaches the students and who the knows where. And they learn what the knows who.

Cristina: Okay.

Jack: But weirdly enough, he's quite connected to the Greek gods, because other than just Apollo, he also mentions Ashlepius. Aristotle mentions Asleepius, which you don't remember him directly, but you probably remember the name. No, you don't remember Sleepiest, because the sleepiest is the one who becomes Glycon, a snake. The Naga.

Cristina: The Naga. Yeah. Okay. He met Sleepius.

Jack: Well, I actually. Original. So this is a weird one, because in the text where we find Asclepius, we have texts about Aristotle as written from the perspective of Hermes, where he also talks about Asclepius. So the argument here is the same as Aristotle writing about Jehovah speaking with Apollo.

Cristina: Okay.

Jack: This is Hermes writing about Aristotle talking with Asclepius.

Cristina: Philosophers back then were weird.

Jack: And they were like.

Cristina: They all did that. Like, all of them.

Jack: All of them. And this is funny because this, like, it would feel way more made up and if it wasn't for the fact that like when we even talk about Plato and Socrates is like this. Just talking about that.

Cristina: Exactly. It's like. Yeah, the same when we were. I don't. I don't get it. It's the. It is weird.

Jack: Yeah, it's just. They're just talking about each other. That's it. They're just gossiping and reviewing. Yeah, that's it. That's the whole thing. Whoa. The revelations we came up with because of gossip.

Cristina: Yes, that's exactly how it works.

Jack: He's stupid because he thinks this and I think that that's pretty much it. Yeah, Sums it up. That was the whole wall. Revelations were all so amazing. The renaissance is happening. But that's basically kind of sleepiest.

Cristina: Sleepyish.

Jack: Yeah. It was just be basically being mentioned within the text. There's no specific mention other than within a couple of conversations. Nothing was outstanding.

Cristina: It was just hanging out.

Jack: Yeah. Talking with students. He was seen in some interactions. It was just there.

Cristina: He's just there.

Jack: Nothing important. But he's present. That's just notable because it's another God being described again as an individual, which we also have on many others. And then we connect based on who in different texts they're said to be around. But now we have some of the people that. Because again we'll find like Zeus and there'll be literal text of a guy who fits every description of Zeus. But it's different when we have literally somebody saying the name and it's like, oh no, they were just a person. And it's like, oh, well, we knew, but we didn't have the proof. We just knew because all the data. So everything is a theory until somebody's like in a record. This guy is literally like, okay, one dude. Yeah, now that's different. Now it's a record that I can be like somebody was like straight out. That's. This is not a metaphor.

Cristina: Yeah. Did they mention sleepy is not becoming something else or something or it just.

Jack: No, it was just a mention of them.

Cristina: Okay.

Jack: We can extrapolate that the events were probably true too based on it matching all of the other narratives we have that kind of fit the, the total image together. But this just. I like to note these moments when somebody confirms what we were already believing. Because 99.99 is not proof, it's a theory. Until somebody's like, no, I was there and that was just a person. It's like, okay, then that's a hundred percent. We have a first hand account of like that's just dude, whatever. Then that's different. That grounds it and that proves the things. And this s***'s hard to find because a lot of these people just discussed as gods in most texts and they were just.

Cristina: Did Zeus ever visit the school?

Jack: Not as far as I know.

Cristina: Okay.

Jack: Now in the Quran I found a mention of Hermes, but by Jehovah in which he says he is a man of truth. So that's getting. Now I still have no idea based on any of these. If Hermes is Elysian or human based on what? I'm thinking human based on what we know of the other potential necromancers.

Cristina: But we don't have proof either.

Jack: We don't have proof on any of that. But he's on Jehovah's good side. But also Mary might have been human.

Cristina: Who?

Jack: Mary. And she was also on Jehovah's good side. So like there's not exclude. And like, so St. Patrick, there's not exclus. And Peter, like there's humans on his good side. It's not a rare, it's not impossible. Although rarity. Yeah, but he's a man of truth.

Cristina: That's what he said. He's a man.

Jack: That's the line from Jehovah.

Cristina: So then why do other people not like him? Why are they calling him pagan? If Jehovah's saying he's not, he's.

Jack: I think it's the branches of Christianity that aren't led by the Elysians.

Cristina: Okay.

Jack: I think it's Jesus, his branches of this.

Cristina: Very strange. But I guess because he wants himself to be the one on top no matter what.

Jack: I don't know.

Cristina: Jehovah doesn't care.

Jack: I don't know. We actually have no clue.

Cristina: And why else would he want the other religions to be raised?

Jack: Well, no, eventually he dipped anyways, according to all this crap. So like I don't get any of.

Cristina: It, whoever's running his thing.

Jack: Yeah, I think it became the personal interest of other people. I think the lack of a leader is just leaders will come and thus cults will happen. But I don't think it's like his narrator. I think he dipped and let it all fall apart. But we also have no f****** clue. Again, these are just the stories that built on the pieces we put together.

Cristina: Yeah.

Jack: But I find it interesting that Jehovah was on his side.

Cristina: That's awesome. It was interesting.

Jack: Now we're going to touch some important details because in reading I came across a word. I'm familiar with this word. I wasn't familiar with the words origin with the term. I suppose it's a term, not a word hermetically sealed. Except now saying it out loud within the context, it's like, duh. It's obviously related to what? Hermes, obviously.

Cristina: Oh, hermetic.

Jack: Yes, yes. It gets a little interesting now.

Cristina: Seal, seal. This. This is magic related. Well, this sounds very pagan. Okay, I changed my mind. He's a pagan.

Jack: It was happening. It was gonna be. It was gonna be. But as I read the following next sentences. Brace yourself. Because we've found things again that we weren't looking for, but that are answers to questions we had and some we didn't. So the term hermetically sealed originated literally because of this one. Hermes we're talking about who existed within the school of Lycium. It came specifically from taking residue left over from the magnum opus procedure, then placing it inside a glass and then sealed airtight by fusing the neck to the lid. This hermetically sealed container containment would then be heated for approximately 40 days to result in the philosopher's zone. The magnum opus is only the first steps of it. We thought that was the entire setup. Hermes actually knows the rest of it. Not only that. This predates.

Cristina: He's an alchemist.

Jack: He might have been made this s***.

Cristina: He. Oh, crap. What?

Jack: It's called hermetically sealed. Because he invented it.

Cristina: Yes.

Jack: The last steps are literally named after him.

Cristina: Yeah. To create the stone.

Jack: The philosopher's stone. The reality bending philosopher's stone.

Cristina: What?

Jack: Hermetically sealed literally connects back to how he used to seal this vasel. That he would put the residue from performing the magnum opus. And that last few steps of putting it there, sealing it and superheating it.

Cristina: For he was murdering his students. Were they special in that way? Like they were gonna be sacrificed?

Jack: I don't know.

Cristina: Because where's the residue coming from? Dead bodies?

Jack: We don't even know of him performing it. We just know that that's where that procedure comes from.

Cristina: He has to have though.

Jack: I know he performs it. Obviously it's named after him. But he's teaching these people.

Cristina: There's no way he just does the final step to it. That's weird.

Jack: Obviously he doesn't. I'm assuming. Keep in mind what we're talking about. Keep in mind what we're talking about. We still don't know what the rules are other than knowing how to use tech, a certain kind of philosophy and knowing Latin. Right. Basic requirements. But what do these culminate to make? Does he need you to find out all the other steps of the Magnum opus and somehow they lead you back to him and then he can teach you the rest of it. And only people who have gone on this road can piece all of those things together. I don't know.

Cristina: But he's making a philosophy stone.

Jack: He seems to be the guy who literally designed the method because it's called hermetically sealed. Unless there's an older method that doesn't have the seal. At least as far as we know. A part of the process is literally named after him.

Cristina: Yes.

Jack: So predating the process, having your name in it is pretty far back.

Cristina: Mm.

Jack: As far until further proven. I'm claiming he's the guy who made it because he also fits every other suit we need him to fit. And this would just be like easier than saying some other guy you have.

Cristina: To sacrifice people for that.

Jack: Yes. I'm sure he's not sacrificing his students. That's stupid. He would be finding other people to sacrifice. Especially if he's working for the Elysians.

Cristina: And the Greek gods. They can just probably make things for him to sacrifice.

Jack: Yeah. And there's probably different degrees if there's a lot of experiments happening.

Cristina: Yeah.

Jack: Also the thing I didn't mention last week, don't they. They have a couple. Yeah, the thing I didn't mention last week, the lycium is literally in descriptions. The one of the known descriptions. Didn't find anything on it. I looked to see if I could come across anything. But one of its literal descriptions is that it was also used to hold occult rituals. So putting this into that perspective now, there was definitely philosopher's stone creation happening in there that they were interpreting as cult rituals when in reality it was science. But if it's a suit of you just sacrifice a person or some probably kind of culty looking.

Cristina: Yeah.

Jack: But it's secretive. You guys are doing some. That kind of looks like magic. But really you're doing some traceable steps in science.

Cristina: Yes. That's weird. What? They're sacrificing Nagas. Fake Nagas. They have a bunch. They're just making them those prototypes that are trash. Like he could just get rid of them.

Jack: Why would he have a Naga?

Cristina: No, when the gods. When they made a bunch and they're like these are all defected anyway.

Jack: Right. But he's not one of them. Why would he have access to any of that?

Cristina: Because they visit the school.

Jack: The Naga?

Cristina: No, the Greek gods.

Jack: The Greek gods don't visit the school.

Cristina: Oh no, not the Greek.

Jack: Other than just Apollo, which is the.

Cristina: One that's working with these Nagas, making them.

Jack: Zeus.

Cristina: Zeus. That's one.

Jack: No, this is not a Keto is.

Cristina: Zeus is not the one that's making other ones like the. The main Medusas.

Jack: Yeah, that's keto. That's Zeus's mega.

Cristina: Oh, okay. Okay.

Jack: Yeah.

Cristina: And he's never visited the school?

Jack: No. As far as I know, no. The only individuals of note are the ones I've mentioned which are Apollo, it is Aristotle. Hermes, Just these individuals. Essentially. Yes, there were Alexander the Great and these individuals. But they were within the tiers. There's also tears in the school and within the tears that we're looking for. Alexander and his friends simply connected us to Aristotle. Yeah, they're surface level students. Their parents are rich type of s***. As opposed to. You really know. The deep knowledge. They don't know the deep knowledge.

Cristina: They were just in the right rituals and Etc.

Jack: Yeah, like the deep, deep s*** unrelated to them.

Cristina: Okay.

Jack: And that's what I believe was really just the making of the philosopher's own.

Cristina: But how are they making it?

Jack: By sacrificing people. They would bring obviously would be. Why they described it as a second as ritual. Cult rituals.

Cristina: Obviously just people.

Jack: What else would they be sacrificing? In every instance it's people.

Cristina: Yeah.

Jack: Other than the crappy experiments we've known locally that are included butterflies and other.

Cristina: That is very.

Jack: Okay, we know of attempts to extract it from other. But like no, he was. They were more likely than not just bringing people to perform it, I guess.

Cristina: But I feel like the school would have a pretty bad reputation.

Jack: Why? If it's a secret, like how would they have a bad reputation? It's a secret. That is the point.

Cristina: No one would mention. Like that's a. That seems like a hard.

Jack: You're either learning it or dying.

Cristina: Okay. Okay. What?

Jack: Yeah, it has to fall into that category. Like this secret society. Some people can keep secrets. And that's also probably also why there's not a bunch of them. And I'm sure anybody who's tried to talk has been offed immediately.

Cristina: I guess that could happen. The Socrates never mentioned any of that though.

Jack: No, you mean Aristotle.

Cristina: Aristotle, yeah, Aristotle.

Jack: No, but again the fact that he has. So it's basically you perform the magnum opus and then you hermetically seal it. Those are two different sets of steps. Hermetically sealing is three steps and the magnum opus is four, seven steps total to creating a philosopher's stone. We thought the magnum opus was the entire process. Yeah, but it was the first half. The first part at least.

Cristina: So you keep it sealed and then what?

Jack: You heat it.

Cristina: You heat it.

Jack: You put it in there with some chemicals, some gases. In the script, it's not explained what they are. Some gases, some material. You seal it and then you heat it for 40 days. I was trying to find out what to put in there. There was too many different things. None of it. It was. And it was a coherent. It ranged too widely for you for it even to matter.

Cristina: Okay.

Jack: Like. Okay. There must be some way to zone in on this. At least I know those steps exist, but I couldn't figure out what it could possibly be. What it could possibly be. I know you perform the entire magnum opus and then you take that and you hermetically seal it, and it goes through those two processes, and then you have a philosopher zone.

Cristina: Wow.

Jack: So now we have the completion. As far as we know. Unless the third part shows up.

Cristina: There could be a third part or.

Jack: A first part that we didn't know about.

Cristina: Oh, that's possible too. We have no idea.

Jack: Yeah. So as far as we know, the magnum opus is being hermetically sealed. And that is you hermetically sealed. The magnum opus and thus philosopher's own crazy.

Cristina: They were making a philosopher stone.

Jack: Yep. So this is a weird. The philosopher's stone seems to be about as rare and secretive. We were trying to compare and see how many of those we have. So the philosopher's stone seems to be about as secretive of an item as the people necromancers are.

Cristina: Yeah. Since it seems like.

Jack: We'Ve got Adam and Eve. Those are two philosopher stones. For a fact.

Cristina: Yeah. And whatever. No Christ, no Santa Claus is carrying with them.

Jack: Yes. Well, that brings us into an entirely different point to talk about, because in our attempt to answer whether or not this individual is a necromancer and he is out here working with now literally coming across text linking him, hermetically skilled is literally tied to the magnum opus. It is the last steps.

Cristina: Yeah.

Jack: So you know how to make philosopher's stones and necromancy tied together again, because out of the individuals we know, and I've got this right here, which are St Nicholas, St Patrick and Merlin. All three depictions at one time or another featured red gem. What we discussed this we talked about. I don't remember all three of them. Nicholas has a staff with a red gem inside it.

Cristina: That was a necklace.

Jack: Patrick has a necklace.

Cristina: Patrick has a necklace.

Jack: Patrick has a necklace with a red gem inside it. And so does Merlin. Also has a red gem in his necklace. All three.

Cristina: What about Jesus?

Jack: We don't know about Jesus, but there is. Fair enough. No, you're totally right. Jesus also has an image which I do remember us talking about. That's not in my notes because I forgot about that and I didn't look at it. But I do remember specifically that he does have an image with also a necklace that seems to be more popular than the staff, unless the staff just allows it to be larger. And hence he's op. Because of that. Because the one in the staff, assuming the glow is to scale. The one in the staff is bright, bro.

Cristina: You sure it's not a necklace? He has a staff.

Jack: He has a staff. He has a staff with a red gem in it. And then Patrick. I looked at the notes. I looked at it and Patrick has a necklace and so does Merlin.

Cristina: And maybe Jesus.

Jack: Jesus also. I don't remember Jesus. I didn't go and check. But yes, I remember he has a necklace as well because I remember the specific image with the thing around his head.

Cristina: Okay. And Hermes has the necklace.

Jack: Well, Hermes is literally making them. I'm just talking about that. They're all connected to it. They're all connected to a red gem.

Cristina: But he doesn't. We don't have any stories of him wearing it or descriptions of him having something like it.

Jack: No, but he would need it. Why he can make it. These people have it because they didn't make it. It. He has it. He wouldn't have it. He's handing out the ability.

Cristina: Okay.

Jack: As far as we know, he wouldn't need it. Also, if we had descriptions of him, this would be way easier than it is right now. The fact that we don't is part of why finding him is a problem.

Cristina: Because it's all secretive.

Jack: Yeah. If I had like a clean consistent. This person said this. This person said that. These are literally the same words. We would. No, I just need two individuals who line up. That's it. We know who he is by default.

Cristina: But we don't even know that much about him.

Jack: We know that much about him. It becomes quite a problem quite quickly. But I'm about to tell you why it becomes even more of a problem.

Cristina: Why? Okay.

Jack: Because this is where the point will happen.

Cristina: The point.

Jack: The point. So as far as we know, based on the information we have discussed, he seems to actually be the guy we're looking for. Although we don't have. Again, it's too hidden. But he fits the suit. He's messing with philosopher's stones. In fact, making it. He literally. There's a part of the process named after him that's crazy. So he might have made the process. There's nothing more necromancer than having designed what necromancers use. I think that's okay.

Cristina: Yes.

Jack: And he's teaching people this private knowledge that is already the ridiculous. Yeah. Super secretive to get there. And we know the steps to even be acknowledged or considered are super difficult to. And incredibly secretive. So kind of a lot of lining up lines. But what were you gonna say, like.

Cristina: How many people are actually learning this? Or, like, just being a part of the class doesn't mean you actually get it?

Jack: I think that's the case here. I think it's. People will be eliminated gradually as they figure it out and figure out who fits and who can do it.

Cristina: Okay. Because it's super rare that someone actually succeeds. I'm guessing thinking so.

Jack: Because we don't know about a lot of cases. We're talking spread out and few.

Cristina: Yeah, three.

Jack: We got three, maybe four. And with this guy, maybe five.

Cristina: That's crazy. Yes.

Jack: We might have more stones than these guys. Yeah. We have to Adam any stones. Yeah. Because let's think about it. We have Adam, Eve, whatever Yaldabaoth was using. We have whatever Santa has. We have whatever Patrick has. We have whatever Jesus has.

Cristina: Jesus.

Jack: Then we have the one that Merlin has. We're up to seven with that.

Cristina: Well, Merlin's not carrying the stone with him.

Jack: As far as we know, Merlin wears the necklace.

Cristina: Oh, yes, yes, yes. Yeah. The bell has a stone.

Jack: Yes. That's how he got the fairies.

Cristina: Oh, yeah. Okay. Ow. Okay, that's seven.

Jack: Yeah. We have. We've. We're finding stones now.

Cristina: Mm.

Jack: We've unlocked the next level. We're finding stones, but somehow we still have less necromancers. We're up to three potential assurances, plus two huge maybes, which is the other maybe Jesus and Hermes. Although Hermes might not be a maybe. He might be the top of this. And then I see four plus one.

Cristina: Maybe Jesus may or may not. I mean, he is created from the stone, but he also probably has a stone.

Jack: I don't know.

Cristina: Yeah, but if he doesn't have the stone, he still probably has the powers of the stone without having the stone, because he was made from the stone.

Jack: We don't know if these people are even can. We don't even know if they have a stone. We just know a red gem is in their possession. The one in St. Nicholas art is glowing. That's probably definitely it. In the other cases, it's just red gems. I don't know if bigger size means crazier illumination. And because it's in a necklace, we don't see it shine. So crazy. The only staff is the shiny one. But if it were to scale, then those could also be stones, and that would put us relative to scale. Like, we. We understand where they rank based on their stones, in which case we could literally just play a photo game and put them together and see who overpowers who.

Cristina: You're saying Santa overpowers everyone.

Jack: I think he. If the size of the stone matters, then he is on a whole other level.

Cristina: How did he even get such a big stone? Is he related to the school somehow? Was there a Nicholas student?

Jack: I don't know. But. But where? This gets even more complicated than talking about her medically sealed and finding out that he potentially designed the entire thing is when we talk about the three prophets. Because now something recently familiar is gonna make a little more sense. And now I'm starting to think it might be just cultural. So let's look at the following couple of steps. The three prophets are Enoch, Noah, and the Egyptian priest king. Why do these three individuals matter so f****** much right now? I don't know.

Cristina: They're from Egypt. I don't know.

Jack: All three of them went by the name Hermes Trismegistus.

Cristina: No, I didn't slap one. That makes no sense.

Jack: I found text with all of them going by that in their respective times.

Cristina: Why? Why? What does this name mean?

Jack: Well, like I said recently, new but this is a callback because as we also know, Loi turned out to be very similar.

Cristina: It's just some type of title.

Jack: It's just some type of a title. And now we're talking about somebody else. And I in looking through it, find they're not just of two people, but several people with the same name. Literally the same name. Because although I cannot confirm to you if Nicholas and Patrick are directly, I think, I think maybe either they also go by or went by Hermes Trismegastus, allowing it to be a lengthy name that transcends time. Or they aren't necromancers because Hermes Trismegistus might be a title for necromancers.

Cristina: Oh my gosh. What? But then is there like, how. How can they be related to his Hermes? What about them?

Jack: They're just labeled as Hermes in one text or another talking about them. So for example, if you look at Enoch, he's referred to as Idris, and Idris is then referred to as Hermes Trismegistus. They are the same guy. So you find Enoch through Christianity and then you find him in Islam where they literally one to one him to Idris. They're like, no, we just call him this over here. And then they change his name to Hermes Trismegistus as a title for what he does. And it's like, wait, so wait, hold the up. So you're just telling me that Enoch is Hermes? Trust me. Guess this, because you're literally saying that Idris you're literally just saying that Enoch translates to Idris, and the Idris is Hermes. So indirectly, I don't need him to say it in Christianity, because they said that they're prophets.

Cristina: But how does that relate to them being Hermes or Hermes?

Jack: Like, I don't know. They're just labeled as the three prophets, which are Enoch, Noah, and the Egyptian priest king.

Cristina: But they're not making stones or anything, or do they have stones?

Jack: I don't have any stories of them having made stones.

Cristina: And is there any stories of Hermes prophesizing?

Jack: There are many stories of Hermes prophesizing and getting it correct kind of often.

Cristina: Oh, okay. What?

Jack: Yes. But there are also many stories of Patrick doing that, and there are also many stories of Nicholas doing that. Weirdly enough, there are also many stories. Literally, the story is that Merlin did that. That is literally the Arthurian story that he literally prophesied. So in every instance, they prophesied and got it right. All of them.

Cristina: So you think those are. Then Hermes is a title, not an actual. Like, he's who they're talking about in these other stories.

Jack: Well. Well, here comes the need for an important metaphor that luckily. Thank you, cw, for making things popular at the right times. Oh, no, this was amc. No, thank you, cw. Thank you, amc, for making things popular at the right time. So that references make sense. With appropriate context, I would like to bring subject A. Negan.

Cristina: What?

Jack: A man who is, in fact Negan, but also a bunch of people who believe in his ideology and perform his bidding. Also go by Negan because it protects who Negan is to all go by Negan because then it obstructs who he is, where he is, what he's doing. If everybody just goes by Negan.

Cristina: Yeah.

Jack: This allows one incredibly important logic to be applied every. And by the way, I have to add the very next detail that it's very important because this is gonna send that home. This is the mic drop. I usually wait for a completed episode that is about in over an hour. But I'm dropping this and just done after I make my point, because I don't need a better point.

Cristina: Okay.

Jack: Hermes is not just a title people take, a name they take because everybody who fits the suit of Hermes, as we have gone through their images before, they all dress exactly the same. They all look exactly the same. Even within different religions. They usually. And follow my logic very, very directly here, within different religions, regardless of how the religion itself dresses. We're talking completely conservative, fully covered from the beginning of time religions and opposite religions that are okay with just being who you are in your flesh. All default to the same aesthetic for their leader, who happens to be long haired, bearded, in a robe, usually draped robes in a Roman style. Even if you're in f****** Islam, it doesn't matter where the h*** you wear. You dressed exactly the same and your leader looks exactly the same. If you remember literally the three individuals I used for Jesus for the image of us recently talking about Jesus when we were talking about his other titles, they all fit the same suit. Well, if you actually put all of Jesus's aliases next to St Nicholas and St Patrick and Merlin, you couldn't tell me who the f*** is who. Because every single one of them is indistinguishable in how they look in complete contrast to all the images of all the people drawn around them.

Cristina: What are you talking about?

Jack: All the art representing all of these individuals looks identical. Describing the individuals, even if. If we know within context they are not the same individual. While all the people around them looked completely differentiated from this one center person who always looked identical to each other. I believe that the ideology of taking her matris megistas. We will just use Negan for the sake of explaining this better. I believe they weren't just going by Negan. I believe they were opting into looking like Negan, talking like Negan, sounding like Negan, talking about Negan's philosophies, pretending the beaniegan to everybody they ever came.

Cristina: So we don't know who the real Negan is.

Jack: It would be so hard to zone in on who he is. Because the point was the philosophy.

Cristina: One guy.

Jack: There's one guy who began it. And the point is to obstruct who that is. The goal is to obstruct who that is. But the although good job in your mission, you created a bigger mission problem that helps us.

Cristina: How?

Jack: Because we know what we're looking for. You gave us thousands of examples of it. That's where he f**** up. Yes, you gave us thousands of examples to comb through. But in giving us examples, you reduced us from having to look through a billion.

Cristina: Yeah, okay.

Jack: Do you see the problem? So the logic for back then made sense because there weren't a lot of people. We're talking a fraction of the people. Hundreds of thousands. A couple of million people. Maybe a billion people at that time.

Cristina: All these people like Santa and whatever are like students of his who decided.

Jack: To really followers of the philosophy.

Cristina: Yeah.

Jack: And users of the ability. And presumably individuals who had to study underneath literally whoever the real Hermes Is. Yeah, but this is where we get the problem, right? Because we have the God Hermes, but that's just a person that happens to share the name. Because fake Hermes Trismegistus. The legend is just narratives of these two people overlaying over that guy's name. There's God Hermes, and then there's Hermes Termismegistus, the guy. And then there's the legendary figure Hermes Trimagestas, who has the name of the real guy and the characteristics of the two gods that spun out of control because the real guy was so impressive, but also a complete mystery. So you had to slap information on him because he has to exist in these shadows.

Cristina: Okay. So confusing. But the God version of him, it's not him.

Jack: It's unrelated to him, I hope, because this makes sense. He's not mentioned in any context. And the guy that is there is Apollo, not Hermes.

Cristina: Where's Hermes the God from?

Jack: He's part of the researchers.

Cristina: Okay.

Jack: This is background noise from that group. Not even impressive.

Cristina: Okay. There's no way he could be the same guy. I don't know.

Jack: Nah. Is this a name? These are just people and they're allowed to have names. And sometimes names are.

Cristina: Because he has the whole name or just his first name?

Jack: No, he says first name.

Cristina: Oh, okay. Okay. Thought he was also calling himself Hermes.

Jack: No, he just has the first name, Trismeguessis. The only people sharing that entire name are Enoch, Noah, the Egyptian priest king. Whoever was going by it at that moment in Alexander the Great's life next to Aristotle. And people we don't know are using the name, but might be because they fit the visual descriptions. The locations and the abilities would be St. Patrick and St. Nicholas, but they.

Cristina: Were not calling themselves Hermes, as far as we know.

Jack: But they fit the look. Which means if you were trying to disappear, you would go by one name, and if you're trying to be visible, you'd go by the other, which fits. Every time they're going by Hermes, we just think we're hearing about Hermes. Who knows how many of those times we were just talking about one of them doing something.

Cristina: Okay.

Jack: Because there's no way to know when who is what. Because they all go by Hermes and they all can do the same things.

Cristina: That's complicated.

Jack: And they can show up through different time. They can all bend time so they can all pop up at different points in time. There's no linearity to them.

Cristina: Can her memes mess with time? I mean, yes. The prophecies are.

Jack: Yes. And necromancers the prophecies line up with time bending. Yeah, yeah, that s***'s clean across. Like they're obviously seeing some as they're with time. And then they tell us about it.

Cristina: Yeah, okay.

Jack: That just answers each other. That's why they're accurate about it. It's not. They got powers. They're using science. They figured out the problem of time travel. Yeah. It's all science. There's no abilities. There's no magic. All of this is written down. And they just follow the steps to get it done. That's all it is. It's all just science.

Cristina: And he. I don't know if we proved anything.

Jack: I don't know if we proved anything either. I just know that the guy who is. We know. Most likely. But here's the other problem. Right. Because Enoch predates the dude in that building by quite a while.

Cristina: How does that make it make sense?

Jack: So the guy. The first guy isn't the guy in that building.

Cristina: But how do we know?

Jack: Because. I don't know. Because also we know that at least the other two people are ageless.

Cristina: Exactly.

Jack: So potentially it could have been the same guy the whole time.

Cristina: The same guy. I think so. That makes a lot of sense.

Jack: It makes a lot of sense. All. All jokes aside. Yeah.

Cristina: With the whole philosopher's stone thing, like. Yeah, yeah. He. He should have the ability to live forever. That's what he wants to do.

Jack: So you think it's just the same guy.

Cristina: I think.

Jack: And that it's not a bunch of people using his name.

Cristina: No, I think it's the same guy.

Jack: I think it's the same guy who has just been doing this one individual. And we. It is. That guy is here.

Cristina: Yeah. That's like before he decides to teach people what he's learned of becoming a. What's. What is he again?

Jack: What do you mean? Before he decides when.

Cristina: Before he decides to become a necromancer or not a necromancer. Before he decides to teach necromancer is before being just the prophet. Being known as a prophet. Before the school, he was just a dude.

Jack: He was just a dude. Fair enough. But these other individuals are known as prophets and they go by that name. That's the other problem. They literally go by that name.

Cristina: Yeah.

Jack: That's where the issue begins. So you bare minimum, have people going by his name if they're not him. Even if they're not him. Or. Or is the same guy. And instead what we're talking about isn't these guys going by Hermes. We're talking Hermes Goes by these names.

Cristina: Just like Jesus.

Jack: Just like Jesus.

Cristina: Yeah, I think so. I think that makes a lot of sense. I think that makes a lot of sense.

Jack: Yeah, fair enough. It could totally be.

Cristina: I mean, there's no proof, but.

Jack: There's no proof. But then the question is, should we be re evaluating the name Eloi and consider that there is in fact an individual named Eloi and many different names that individual went by, and thus. Yes, Yahweh and Elohim. And all these individuals are the same guy.

Cristina: I don't know about that. Unless we find out he's a necromancer.

Jack: Yeah, it could just 100 be a title in their case. And because necromancy seems to be the only way to have this ability, and being from the shadow realm, I suppose there doesn't seem to be consistency there.

Cristina: Yeah, but we don't know who the first person to make the Philosopher's stone, do we?

Jack: Galdabaoth seems to be as far as.

Cristina: We trapped back, but. So then it's possible that. What's the name of the guy you were just talking about?

Jack: Hermes?

Cristina: No, not Hermes. The God person, Jehovah. No, the one with the name Eloi. Eloi, yeah, See, the first one.

Jack: Yeah, yeah.

Cristina: Maybe he got the Philosopher's Stone from the other guy. The Shadow realm guy.

Jack: No, because that guy disappeared.

Cristina: But before he disappeared, he had the stone. He knows this person. He thought he was. Interesting.

Jack: No, we literally can trace the steps he took to make it. We know how he made the Philosopher's Stones. Who went through that step by step.

Cristina: And he wasn't there.

Jack: No, he did it with Citizen after Yalda had already disappeared. Okay, he did it by going to the forest.

Cristina: He did do it.

Jack: He did do it. But he didn't do it with Yalda Bow.

Cristina: No, but he got a stone.

Jack: He made a stone somehow with the use of a bunch of primitive creatures, primitive apes.

Cristina: And so he can still. He could have a stone.

Jack: Those are the two stones of Adam and Eve?

Cristina: Yeah. No, I mean like one personal stone, like all the other ones.

Jack: Those would be the stones of Adam and Eve.

Cristina: Oh, I don't think. I don't know. Because these other guys don't have it. Seems like Adam and Eve are being used for certain things. They're not just on you 247 to keep you alive forever.

Jack: Why aren't both true?

Cristina: I don't know. Just doesn't seem like it.

Jack: Why can't both be the case?

Cristina: I don't know.

Jack: Why can't it just be on you all the time for science.

Cristina: Because then how did. What's her. That girl wouldn't have been able to do what she did.

Jack: Yeah. And think about what happened when she did it sounds more like what you touch something that doesn't belong to you.

Cristina: But if it was on him, like how did she do that?

Jack: You think these guys slept with it on them type of s***?

Cristina: Yes. I feel like it's something you don't like. The unicorn thing. It's supposed to protect you. It's supposed to keep you alive forever. I mean, I know that one didn't because it's kind of a bad luck.

Jack: Well, no. Situation. Let's think about it. Let's think about it. Weirdly enough. And like, I don't like to give credit to Harry Potter in any manner, shape or form because that s***'s whack. But let's talk about how. How deep the research that she never discussed is because we f****** uncovered. Hella crap to just find out that this one dude who had the stone, everything turned the s*** around him and he actually managed to live through all of it until they actually managed to remove it from his grip and then he dies.

Cristina: You mean the horn?

Jack: I mean the horn. Yeah. My bad.

Cristina: Yeah, the horn.

Jack: The horn.

Cristina: Everyone around him who had a piece of the horn end up dying.

Jack: So like they are actually fine while they have a piece of it. It's kind of like if you came in contact with it, don't ever let it go.

Cristina: Hey. Or then you immediately die. So I feel like.

Jack: Well, listen to what I'm saying before you continue your point.

Cristina: Yeah.

Jack: This lady who wrote Harry Potter also found this because the point of Voldemort is that he's always at the verge of death, but never actually dying until he stops taking it.

Cristina: Yeah.

Jack: Which is on point with quite hard to find information. So bravo. To the level of homework she had to do for the stupid background noise. For a random explanation to some other.

Cristina: Yes.

Jack: What are you gonna say?

Cristina: I don't know. But yes, it's. That's on point.

Jack: Yes, for sure. For sure. So your stance on this is ultimately that this is an individual with one name which fits and he goes by many different names. Jesus.

Cristina: Does it possibly. See?

Jack: And he is successfully. Because as far as we know, Nicholas and Patrick both have achieved some version of immortality. And Merlin was killed by a weapon designed to kill specifically whatever the h*** he was.

Cristina: Yes.

Jack: So immortality out the window. I think you could still be offed by somebody. I think you just don't die of old age. When we Talk about immortality. I think that's what we mean.

Cristina: Yes, but fairy weapon can definitely soak out anything.

Jack: Well, that fairy weapon isn't what killed Merlin. The fairy weapon is what the fairy tricked.

Cristina: Oh, yeah, he traded him. Okay, he traded him with some other.

Jack: Thing she twisted that story and outsmarted the h*** out of. But you made somebody too gullible. The point was he could be controlled.

Cristina: Yeah. So you think he killed him with a normal weapon or.

Jack: No, he killed him with the weapon the fairy made. The fairy gave him a special weapon that could off, apparently a necromancer.

Cristina: Yeah.

Jack: So bare minimum, at least fairies know how to do that and they can just look at the programming and figure it out.

Cristina: Okay, interesting.

Jack: So, yeah, this is where we are, I'm assuming. Yes. Hermes, whatever the case might be, whether it's the problem is the guy in that building feels like the right guy. Yes, that's the problem. And if he is, then you're what's the problem 3,000 years after Enoch, who is also a guy going by that very same name, him. So one of two answers would happen. One, there is an actual teacher predating Enoch and there's a line of people teaching.

Cristina: Yes, I guess. Yeah, yeah.

Jack: Or. And like the teacher's name is all but like the master. I'm master this. Well, Hermes Trismegistus is equivalent to master. Yes, Thrice great. That's not a name, bro, but it's a title for sure.

Cristina: Yeah. So he's not the first.

Jack: Or he literally is the same guy who taught. I mean, not even taught. The one guy is the same guy and maybe that would make him the master. That makes him the master. He is Enoch. He is Noah. He is the Egyptian priest king. He is Hermes Trismegistus. They are all Hermes, just witnesses.

Cristina: Is it.

Jack: Is it possible in these instances? Keep in mind, I'll give you two bits of information that are probably important. I suppose that is the most popular considered order of those things. And I am not the first person to conclude this one little piece. I am the first person to attach all the other s*** to it. But it is again, it was quite easy because it's well known that Enoch, Noah and the Egyptian priest king all went by that name. Within these texts, as philosophers impact them, they believe they were all just variations of the same person stories being told at different moments. Okay, yeah, but it might literally have just been the same guy. As opposed to a narrative that just took name and different. No, it might literally be the same guy. Because we can follow literally the steps that Jesus took doing the same.

Cristina: Yes, yes.

Jack: I could trace every country he went to, the name he assumed there. They described them down to the T as the same guy. The timeline up, the location lined up in the trip he was going. And it fits what this guy's doing.

Cristina: So, yeah, I think.

Jack: Which is going by aliases and setting up little systems that you can enter in and out.

Cristina: But they just think it's all based on.

Jack: They think these are fiction. They think these are fictional characters based on a guy. Well, it can be, but we know that this guy was a real guy. And even now we know that the Hermes Trismegistus is agreed upon was a real guy. And that there's a conflation between a real dude and a fake dude. Dude that's just established.

Cristina: Okay.

Jack: And that the fake dude is most likely a connection of these other two. My argument would be that the fake dude is actually also the real dude and that all of these people are the one guy.

Cristina: Okay. Yeah.

Jack: So they're like, oh, he's like this God and that God and this. Because he could on both of those gods. And there's just people trying to rationalize. Dude just like, well, those guys are way op. And these guys are way op. The Egyptian gods. And here. What is it? The sun gods and the Greek gods. Oh, both of them are op. So he's like, if use two of them all. That's how overpowered he is.

Cristina: It was pretty overpowerful, I guess.

Jack: Yeah, exactly. He's still like, nah, I can on all of it. There's just them trying to rationalize. Hence this connection between them creating the mythical individual that supersedes the individual with the actual abilities, which is still. Because he could on the fictional one.

Cristina: Well, he could.

Jack: All the abilities of a necromancer seem to be way more overpowered than anything else.

Cristina: One thing we haven't really talked about is how would he like, if he's the necromancer, he has to do something with fairies and shadow.

Jack: He just has to be able to cross easily. But something to figure out a different time because we are way out of time.

Cristina: Okay.

Jack: Okay, so just run another time. But we're at least so close. I believe this is the guy.

Cristina: Yeah.

Jack: And if all those names are the same dude, then we found him.

Cristina: If we can see if we can revisit those stories and see if the shadow realm or fairies are somehow involved in the stories, even just like a little bit. I don't know, because I feel like you have to have that knowledge to be teaching.

Jack: Yes.

Cristina: So maybe there is some story there.

Jack: What, of him? I doubt we would have his knowledge.

Cristina: No, not him, but these other versions of him. His.

Jack: He wouldn't have to record these things anymore because he is the teacher. He already knows it.

Cristina: I'm saying, like the stories of Enoch or Moses.

Jack: Interesting. So, yeah, I see what you mean. So the people we do know, the different aliases is going by before he's. Because these are in fact stories. You're trying to see what these events connect to that fit. Well, how do you know he's not a teacher at that point?

Cristina: Point. Well, we will.

Jack: Enoch is literally a teacher.

Cristina: Oh, okay. He's a teacher too.

Jack: Is literally a teacher.

Cristina: Oh. Oh.

Jack: But regardless of the point, your point stands because it's not that this is before him being a teacher. It's these are stories of names he went by. Which means within those stories, within depth and within context, we could uncover the right things.

Cristina: Yeah.

Jack: If we go in assuming this is actually him, how do we prove it? With this information.

Cristina: Yeah.

Jack: Then that s*** just starts to make sense. A quick mention of. Oh, and I went to the dark place where the other things were. And it's like brawl.

Cristina: Yeah, yeah. Like something. Or even if it relates to somehow. Not necromancy, but.

Jack: Oh, yes, the philosopher.

Cristina: Very interesting.

Jack: Although literally being named after the philosopher's stone is kind of the home run here. I don't know what else we would need.

Cristina: But, like, if there's anything but these, we know their steps. And what if there's missing steps? And what if they lead us to those steps?

Jack: There's missing steps. What if we learn how to make a. D***, that's crazy.

Cristina: Yeah. Because I feel like we're just piecing. Like, we thought once that step was the step, and that was.

Jack: There were four steps, and we're like, this is it.

Cristina: Yeah.

Jack: And now we found three more steps that connect to the end. We're like. And it makes so much sense that those steps are there.

Cristina: So there's probably more.

Jack: There could be more. Anyways. Anyways, anybody who's listening to this, if you have additional information, please hit us up with it and tell us all that stuff. Communicate it with us. Hit us up on our socials at just Convopod on X, on Instagram, on Facebook, on. What else is there on Tick Tock. Tick Tock. Where all the place. YouTube. We're getting pulled there all the time because we're crazy. Crazy.

Cristina: Yes. And remember to subscribe, rate and review the show.

Jack: Yes. And word of mouth is extremely powerful. Tell people that we're uncovering the truthiest truths of them all.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.in fox art by 0lupo and logo by Seth McCallister. With social media managed by Amber Black.

Rambling 249: All Hallows' Eve's Shadow

Why do we dress like spirits similar to those in the Shadow Realm on Halloween? What does pumpkin carving have to do with anything? And why is mass held on Halloween Night? The due deep dive into the origin of Halloween and what ancient technology these traditional rituals are based on.

+Episode Details

  • AllHallowsEve Bells
  • Bridging the Realms
  • Jack-O-Lanterns
  • Fairy Protectors
  • Purgatory
  • Costumes
  • Vengeful Spirits
  • Danse Macabre
  • The Isle of Man

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

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+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is a show where we ground humanity's most absurd and baffling ideas. And so we, we always bring in the most baffling of baffling ideas. And as we've through the weeks, through the months, maybe a year at this point, who knows, our whole lifetime, I don't know, we've been deep diving and checking into an entire giant, massive, ridiculous conspiracy created by. Well, if you trace back through the Catholic church, it leads you to the Elysians, who are essentially the sea people that the Greek and Egyptians and the Mayans spoke of. And then that unravels this giant massive hyper advanced technology of ancient civilizations. Cover up conspiracy involving interesting rituals and a lot of scientific advancement that we consider almost magic from how advanced it is going backwards in time, very, very back. Which in, in theory suggests that we live in a place that's kind of like horizon zero dawn, where we think, oh yeah, they were, the ancients worshiped and they had magic and this and that. No, they were scientists. They were all scientists. Everybody had scientists and they were running experiments and they were doing interesting things and it was so advanced. They were riff breaking rifts to different dimensions and s***. Oh, realms. Because dimensions all exist simultaneously and we all exist amongst all the dimensions within one plane. But they would cross over to other realms, three of which seem to be. I don't know if there's more in either direction, but as far as the scope of our understanding is, as of now, the furthest up we can go is one. And we are the bottom of them with one in between.

Cristina: Where the bottom.

Jack: Yeah, was the last one made.

Cristina: Oh, okay.

Jack: Sequentially. Althea, Shadow, Earth and like. Okay, yeah. So great giant deep dive and we did some kind of old school forms of these episodes where we would focus on a specific thing, but then that kept opening and expanding more and more and more until everything kind of merged into each other. And for a long time we had that. So we've been trying to come back to and focus on very specific things that kind of enlighten other parts. As we hit walls, we've gone so deep, we start to hit walls and don't know where to go. But we do have the ability to focus on specific things. So we focus on the different scientific groups, we focus on different time periods and what certain people were doing in those times. In the past, we've done creatures, and it all reveals a lot, tells us a lot. And I thought in the spirit of the holidays, because we're coming up on Halloween in a couple of days.

Cristina: Yep.

Jack: That we can go and look at what these things really were before we attached our mythos to it.

Cristina: What things?

Jack: Well, Halloween and what these things really were, because everything related to everything else.

Cristina: That we've been talking about that you just talked about.

Jack: It's all related.

Cristina: It's all related.

Jack: It's all related.

Cristina: Oh, okay.

Jack: You can be blown away when I tell you how this is all connected, because when, you know, as we've. As we've. I guess my point is, as we've looked more into these things, we've learned how to find it more and more.

Cristina: Okay.

Jack: And because of knowing how to find it more and more, we know where to look to find it more and more. All right, so I look in one direction. I'm like, huh? Because I didn't have the information before. I didn't see these things.

Cristina: Halloween somehow relates to many parts of it.

Jack: Many parts of it. So, yeah, by looking at it, I've come to like, oh, s***, you know, we didn't have the information before. I look at it now, and I'm like, oh, I couldn't see this before, but now I see the connection between these two things. Let me focus on that thing. Go in. Oh, look what I find.

Cristina: Awesome.

Jack: Then go over there. Look at that. That connection looks interesting. Deep dive. That specific thing that we would neglect most of the time. And slowly but surely, it connected to things that we have already talked about from the past. It connected with things that we have recently addressed. It connects with too much. So let's. Let's deep dive into Halloween. Okay, so important things about Halloween. What do we know about Halloween so far? Go ahead and tell me what Halloween is as far as the masses know.

Cristina: What, like trick or treating for candy? Going to your neighbors for candy. The simplest version of Halloween. There's no actually trick to it. You say trick or treat, but it's just kids going to their neighbors begging for candy.

Jack: That's all of it.

Cristina: I feel like it's the main focus. Oh, and they're dressed up in costumes. That also counts. I don't know if there's any theme to it. It's just whatever you want to be. Spooky or not spooky. You can dress up as a princess if you wanted. Like, there's no real spookiness to it, I guess. Once upon a time. Yes. But if we're talking about today. Halloween, yeah, that's pretty much it. And I don't know what adults do. I guess they give out candy. They buy a bunch of candy. They decorate their house in spooky ways or whatever. You know, ghost pumpkins, zombies sometimes. And give out candy with spooky music playing in their. If they are really into it.

Jack: Interesting. Okay, what other things can you tell me about what things exist around Halloween time? What happens in Halloween? What other other things?

Cristina: Like Halloween parties. I don't know if that counts.

Jack: Okay, yeah, cool. Halloween parties. What else?

Cristina: What else is happening? I know someone's going to a Halloween costume party, but that's still related to, like, costumes. Costumes is a big thing.

Jack: Costume is a big thing. Other than costumes, what is Halloween related.

Cristina: In Halloween, besides costumes and candy?

Jack: Besides costumes and candy, what else happens?

Cristina: I don't know. I feel like that's main things. What am I missing? What's the big other big thing?

Jack: Really? You can't think of the other really obvious big things that happen in Halloween.

Cristina: Parents warning their children about people who are after them. I don't know. They're gonna poison their cats.

Jack: Yeah, okay. Okay. Keep going.

Cristina: That's what. And I guess there's always, like, kids who are gonna ruin it for everyone by, like, doing the trick part of trick or treating.

Jack: Like egging a house.

Cristina: Yes.

Jack: Or toilet paper.

Cristina: I don't know if that actually ever.

Jack: Happens, but movies at least try to convince us it does.

Cristina: Yeah. So maybe it happens.

Jack: I mean, some douchey teenagers probably do.

Cristina: Yeah.

Jack: What else?

Cristina: I guess if you're, like, into the spiritual thing of Halloween, you might be trying to connect to ghosts on that day.

Jack: Yes. Okay, so far, so good. Okay, but you're missing the one thing I'm talk. I'm thinking about, but good, because I totally forgot about that entirely.

Cristina: Oh, okay.

Jack: People do use that night as a way to perform certain rituals. Yeah, but decorations.

Cristina: I did mention decorations.

Jack: You mentioned costumes and decorating your house. Okay, I didn't catch that.

Cristina: Adults decorating their houses to give out to.

Jack: What's the most prominent of decorations besides.

Cristina: Like, pumpkins and ghosts?

Jack: Pumpkins. You whispered it or something. I didn't catch any of that. You're talking into a mic, and I still didn't hear it.

Cristina: Oh, okay.

Jack: So, yeah, definitely mentioned all that. Ghosts.

Cristina: Yeah, I said pumpkin ghosts. And sometimes zombies. And sometimes they play music while creepy music while giving out the candy.

Jack: Ooh, define creepy music.

Cristina: Sometimes I don't really know what is considered creepy. Like, I guess Booing. Or maybe that song from one of those horror movies. Like, what is the one that's famous? No, not that. That's probably a party Halloween. Yeah, but the one that. I think it's Michael Myers or Jason. One of them has something playing while they're walking.

Jack: Yeah, yeah. Okay. Ok. Okay, Fair. Okay. Yeah. So all of These things are 100% associated with Halloween. There's definitely the kids in the costumes, there's definitely the candy giving, there's the rituals, the pumpkins, decorations, the tricks. There's the warnings of evil happening, people trying to connect to the spirits. And actually every bit of all of this connects in one way or another to something that isn't just some tradition, but is part of the sciences we've discussed recently. So the processes as we know them go as follow. The ancients used science somewhere in between us and the ancients that became a mythos and series of traditions because the technology was lost. So it just became things that people would enact even if they didn't know the real reason why. They built a mythology around that and said, oh, this is why. And that's. And blah, blah, blah. And then there's now where we're turning over stones to try to figure it out. And a lot of the time it's just become a meme of itself, you know? Okay, so we're gonna go backwards, following that same train of thought the opposite direction. We're gonna look at the meme version of itself. We're gonna see where that culturally came from, and then what that really meant for the ancients. Although it's gonna be really obvious as we start to unravel it, as soon as we get to the tradition of it, that you're gonna be like, oh, s***, I know what it was. Okay, so there are many variations specifically of Christianity, but amongst other religions that always choose October 31st, from the morning of October 31st until the very start of November 1st as the most optimal day to pay respect to purgatory. That is the dates route. They pay respect to purgatory along that time. Now, if we've established in the past, the purgatory is one obvious place.

Cristina: The Shadowrun.

Jack: The Shadowrun, okay. H*** and purgatory seem to be divided in Christianity, but are ultimately the same place when you break down the roots and what goes on in them. Purgatory, one place. And these days are said to be the day for that for a couple of reasons. But in these days, we call it Halloween. Halloween backtracks to a ritual celebration called Hallows Eve. Which is when again we would pay respects to purgatory. Purgatory has something very interesting and very specific. It's intended to bring to mind and think of those in purgatory. When I found the original text, the current day text, you know, it's to pay respect to the dead. But you go back a couple of generations before a bunch of these corrections happen and you end up where the text drops. The dead says to pay respect to those in purgatory. That's immediately interesting because that means that, or at least it focuses on. It doesn't focus. It's the lack of focus. It's not about the dead, it's about people in purgatory. Maybe it's still about the dead. Maybe they believe only that that could go there. But when that distinction was made, I'm like, okay, this is interesting. Alright, let me go farther back. Finding the same line over and over from older texts. From older texts. And it does.

Cristina: Okay.

Jack: It becomes, and this is what's fascinating, they re add the word dead. It's very important that they do though, because they are there to remember the dead and the spirits of purgatory. That distinction powerful. Because that's just.

Cristina: What does that mean? What's the difference of the dead and the spirits?

Jack: Of the spirits in purgatory? Yeah, what are creatures from the shadow realm on our side?

Cristina: Oh, so you think they're worse. They're like worshiping the dead. The spirits, the creatures doesn't say anything about worship. Oh, they're.

Jack: They're remembering the dead and paying respect to the creatures.

Cristina: Spirits of purgatory, but paying their respects to those creatures.

Jack: Paying respect to those creatures. Yes.

Cristina: Okay.

Jack: A couple of things I did find were that there is, and this will be addressed later as I'm going through this. There are good spirits in purgatory different from the dead. And there are bad spirits in purgatory separate from the dead. And they want to pay respect to all of them for their own safety because they believe one, this night, which again, we'll get to this as we go through it is the most likely that these things will come through. And two, because of that, you can most easily communicate that back. So we mean you no harm. We respect you. Please don't cause us harm now or throughout the year.

Cristina: Yeah, but the more scared you are, the more you attract. So that's crazy.

Jack: It creates a feedback loop. It's the day that they can most come through, so you have most fear. So they're more likely to come through because you're scared. That they're going to come through.

Cristina: Exactly. What?

Jack: Interesting, right?

Cristina: Yeah.

Jack: Nice little feedback loop happening now. There was a. These days, this doesn't exist anymore unless you're particularly religious. And people usually go to mass to achieve this. But. But there was a bell. Two types of bells. One attached to the church that would be rung on All Hallows Eve, and one that would be carried by something called a crier. A crier in the. From somewhere between, like, the 1500s to about the 1800s was the public square announcer day.

Cristina: Okay.

Jack: And this individual was just, you know, he would make announcements, he would tell people the news and whatever. But also the same individual on these days would dress in very dark clothing, and he would wave around his. He would have a little bell that he's ringing as he's walking around town. And the crier would tell people who, you know, people consider themselves good Christians dressed in black and wandering the streets while ringing the bell. He would tell the good Christians to remember the dead and pay homage and respect to the spirits of shadow. So people would be consistently reminded. And with this bell, this bell is particular because it's a special bell. It is a blessed bell. It is a bell that allows the spirits and the dead in purgatory to hear the bell.

Cristina: Okay, what.

Jack: This is an interesting piece of technology I had no idea about. So the bell became very interesting because you have a tool that you're telling me could, in theory, create a sound from this side that could reach the other side. What is this? It's just a bell by any definition. You bless it. Okay. What the h*** does that mean? And it not being organic means you can't just pour some adrenochrome on it. It could be like, that's not how it works, you know. So what is it exactly? And apparently the structure of a bell in general, it's not about this specific bell, but it's the circumstance in which you're ringing the bell. It creates this harmony that we're very used to from bells, but smaller.

Cristina: Okay.

Jack: But it's a thicker, more daunting bell. So you have. As he's wandering with this kind of heavy thing you got. And the importance of this is that apparently the frequencies are similar to a lot of the things used. You know, when you go into a meditative state. And you can sort of use the same sounds to cross dimensions. Well, you can use these same sounds to cross realms, because what it's doing is essentially piercing the fabric that ties things together. You're using a resonance that's equal to that of atomic structure.

Cristina: So you think the sound is actually reaching the.

Jack: I think it's designed in such a way that, yes, it's actually highly advanced technology made simple. The bell has to be a certain structure the way they used to make it. Right now they'll ring any bell, which is why nothing happens. But the way the bell used to be done, dating way, way back. And some of the relics still alive to this day are from like the year 600. Some of them are from like the year 150. They're really, really dense and thick, made of really solid metal, and would hold a note for a very long time. So it was intentionally designed in such a way. Essentially the same kind of thing that you would get from a Tibetan bowl that's piercing dimensional riffs through sound alone. And so these were designed with that. And they were very strict about the bell. The bell was. You can't use any bell. It's not just a bell. You're not just ringing a casual bell to make noise. You're ringing a bell designed to cross realms.

Cristina: Okay.

Jack: There's a piece of technology that today is casually around, but we don't have that very common old version of making it.

Cristina: So you don't have that anymore?

Jack: We don't have that. Yeah. We don't have the ability to just pierce. But in doing so, people who would be paying respect, people who would be talking about the dead, talking about these spirits, would be doing so around the crier. And priests would do the same thing inside of the churches.

Cristina: They'd also have their own bell.

Jack: They'd also have their own bell. The church would have a bell and the bell would be ringing during. And that one is more powerful. So it does two effects that are very useful. It allows the spirits and the dead on the other side to hear the bell, and it allows them to hear the people around the bell paying their respects.

Cristina: This is very confusing cuz, like why.

Jack: You'Re sending a message, but why do we want.

Cristina: Or why does the church want to attract the spirits?

Jack: You're trying to pay them respect. You're trying to calm them.

Cristina: Okay.

Jack: You know, you're trying to tell those that you've lost, they have made it to the other side. Which, by the way, that means they were very aware that people were somehow still acquiring things and making it to the other side. But.

Cristina: But that's not all that's happening. The spirits just would come into the. Like they're making gates that we can't see or portals or whatever you want to call it.

Jack: Well, we already know that churches are to some degree designed for that.

Cristina: Yes. I still am confused on whose side are they on? Because sometimes it feels like this is very Jesus for help. Like to help Jesus with whatever his plan is, but I can't tell.

Jack: Well, no, I think that if we look at the structure of this and we look at the fact that we've lost the existence of the Elysians, of the ancient Mayans, of the ancient Egyptians, of the ancient Greek, they've all kind of vanished into their own thing privately, the knowledge of those who were at least familiar still new. We know that the Jews made the Golem. We know that there's people trying to replicate these things. And although the church was designed intentionally to suppress the existence of Jesus as he was originally just a sea person and Elysian and the rest of the Elysians and the Egyptians and the Mayans and all this stuff, this doesn't stop the fact that there are good people who are from shadow, and there are good people who have gone to shadow. And I think this is a place where you can control the passage because you're not. They're not sneaking through.

Cristina: Okay.

Jack: It's a controlled environment, which means those you need to come through can come through and those you don't. How many stories do we have of a monster showing up and attacking a church? Well, none. But why? What's a controlled environment? They're making sure this doesn't happen. Yeah, but people do what at a church? Oh, they'll go talk to their past family member, and they'll go pray to their past family member. Or they'll go communicate with some of the spirits that are on their side from shadow.

Cristina: Okay.

Jack: So it seems like a controlled environment where they've figured out how to use the good aspects of shadow without allowing the bad aspects of shadow. But don't get me wrong, we're gonna get to how the bad aspects of shadow come through.

Cristina: Okay.

Jack: But it doesn't seem to be church now. It does seem that church figured out how to communicate most effectively and control the situation and have normal, everyday people be able to just communicate with these other individuals. And so this bell is part of that. It's creating a frequency that can cross, allow the words that are spoken around it to then move through with it. And that's fascinating. It's a telephone.

Cristina: Yeah. Crazy.

Jack: Yeah. It's a telephone from Earth to shadow.

Cristina: Yeah.

Jack: And there are many, and only on.

Cristina: This night or night.

Jack: There are nights, and there are times, like a lot of these ancient churches just had the Bell mounted, and they would ring it at 12 o' clock every day.

Cristina: You know, you think that was to do the same thing?

Jack: I think it's the warning of mass and people come together to do the same thing. It's just on this one night, you ring this bell prolonged, and it's the most powerful night. So people come together with the exclusive purpose of communicating.

Cristina: Mm. But they're doing it every day.

Jack: But they're doing it every. Not every day, but they would have, like. I mean, I guess some places would do it every day. There was locations that had church open every day. It would be mass every day. But it's not, like, about reaching the dead. Although I would give you this. People who have found a way across, whether it be adrenochrome, whether it be the fruit, whether it be the flower, tea, or whatever the case is, however they got across people who found a way to cross into alfame after they've died, out into alfame, into shadow after they've died, might still be religious themselves. And then the bell gets rung and the priests giving his mass that allows these people in shadow to still attend mass even though they are in shadow. They can hear and they can see the sermon. They can still be there for their church.

Cristina: Interesting. Yeah, that's cool.

Jack: So the bell alone is a really powerful tool that we've never considered, and it really is just a telephone across two realms, allowing people to communicate back and forth. That's pretty dope. That's just a single part of this.

Cristina: Entire thing, of our traditions and everything.

Jack: Yeah.

Cristina: Okay.

Jack: Next comes the Jack O Lantern. The Jack O Lantern is quite interesting because this instantly got weird. You don't even have to go too far, really. Yeah. Right now we don't know. Oh, we carve pumpkins.

Cristina: Yeah. I see everyone carving pumpkins. Okay, what is it about?

Jack: Yeah, we part carved pumpkins and put lights in them. Oh, how cool. But where does this come from? Okay, this immediately breaks down and it's like, holy s***. So Jack O lanterns were believed to entertain fairies, and as a result were used to ward off evil spirits from purgatory.

Cristina: The fairies were protecting us from the.

Jack: Evil because they were entertained by the creatures.

Cristina: Okay.

Jack: But yeah, that brings up an interesting thing. It tells us that the more dangerous creatures of shadow still feel fear. Fairies. Some scaling.

Cristina: Yes.

Jack: And that's important, right?

Cristina: Yeah.

Jack: So they're in even the most animalistic ones, wet judges, swindingos, things like that that are more like animal. They still have instinct enough to avoid fairies. So although they could Use Halloween Hallows Eve, this ritual to come through. There's the bells. There's a. These lanterns would be put everywhere. And so the faces were designed to entertain the fairies because the fairies would come and hang around them. The fairies aren't actively protecting anybody. They're just going where they find amusing.

Cristina: Yeah, they.

Jack: The creatures from Shadow were like, no, f*** that. There's a fairy there. And so these were put in people's houses, on people's porches, and people's houses in graveyards. These are put at churches. They're put everywhere, really. So you have the phone connecting, and you bring in those that are going to keep you safe simultaneously. So you make a clean link between earth and shadow, and you make sure Elfame inhabitants are chilling in the area, just in case.

Cristina: Okay, that makes sense.

Jack: An entire ritual that already brings all three together.

Cristina: Mm. Get fairies to protect you from the bad ones. Whoa.

Jack: Interesting, right? Normal people figuring out these more complicated things, which would then suggest. How would you, as an individual, from. Let's say you're a creature in shadow. You're a really powerful creature in shadow, and you want to do something, and you happen to have the one and only shadow philosopher so we've heard of, but you need to attract fairies to off them. Well, now you have a way to just get some innocent fairies who are looking to have some fun. You do a thing like this, they're attracted to it. They come through. Got them.

Cristina: Okay. Whoa.

Jack: So we know that although he probably didn't use pumpkins himself, Yaldabaoth most likely found a way to attract fairies in the first place, because why are there fairies just hanging out in shadow that you can just kill and make fairy trees?

Cristina: I don't know. That's a big question. I don't know.

Jack: You must have been luring them in somehow.

Cristina: Yeah.

Jack: And now we know that there's ways to lure them in. This is an example.

Cristina: Do you have more examples?

Jack: No. This is an example. Well, we're talking about Halloween, but there's probably more examples, and we'll find them in due time. But, yeah, the point is there are examples. And that's useful because that puts into perspective the fact that we could lure them. We could attract them. There are ways. There's more gullible, kinder ones that could be tricked. Or maybe they can't. Maybe they won't do the same thing for Shadow. Maybe they're intelligent enough to be like, we're not falling for this. But why would they think something's gonna happen anyways? Why don't they think when they show up over here, one of us has figured out how to do the same thing? Right.

Cristina: Yeah. I don't know. Like, it probably can happen. We've probably trapped fairies. If we looked into those stories. Now that. That's.

Jack: Now that we know.

Cristina: Now that we know, there's probably stories of humans trapping fairies.

Jack: Fascinating. Okay. It's pretty interesting about Jack O' Lanterns, right?

Cristina: Mm. We gotta find out more. Yes. That's awesome. So we got Jack O Lanterns. We got ghost. What about candy?

Jack: Well, hold on. We're not done with the Jack O Lanterns.

Cristina: Oh, okay. Okay.

Jack: Not only would these ward off the bad spirits from Purgatory, but also because of the. This is interesting and brings up a lot. Because of the fairies hanging out around them. The fairies. Now, this actually brings up something interesting that it's confusing to me. The fairies would be, to some degree, visible within shadow, which is why the creatures from Shadow Realm would avoid them. So I'm assuming because bells are being rung and the lights are happening, it's not just audio. It's not just an audio thing, but you can, to some degree, a big enough bell, you're in church, you start seeing things from shadow, and things in shadow start seeing things from Earth. Like, it's a fuzzing of the barrier. So the creatures in shadow can see the fairy and they can see the lantern. That's why they're avoiding it. But this also means that a lot of people were placing these so that the souls of the dead who went to purgatory can find their way to the homes of their families. So it's an easy way for those same people to come specifically where they're going. Because, again, very early, when we were first investigating the Shadow Realm, we know what the shadow realm is. Almost identical, but like a warped version of Earth. So navigating it is not simple.

Cristina: Mm. Because it's not identical.

Jack: It's not identical. It's similar in a confusing way. So these Jack O' Lanterns actually help you. And these people from Purgatory would go from one to the other looking for their families. And the weirdest part is people would report, and there are many of being visited by their family who crossed over.

Cristina: Yeah.

Jack: This means a lot of people. And I think a lot of these people have to be Catholic specifically, because Catholicism aims to giving people the access to the shadow realm. You're not gonna die.

Cristina: What about with Ouija boards? Do you know when they became popular and they were starting to use that to connect to the dead?

Jack: I Don't know. Had nothing to do with Halloween. I've not come across that while doing this research.

Cristina: Okay.

Jack: But definitely, perhaps it's something.

Cristina: I think they probably came up with more than one way to connect to the dead. Besides that, I'm sure there was other things too, like candles and crystal balls. And, you know, they use things. They use things to connect to the dead. It seems like it's not just random things that they have to look spooky. I feel like they use those things to connect.

Jack: Yeah, 100%. It looks like there is a lot of things that. A lot of different methods essentially using the same things. Because you. You say, for example, a candle, but a candle is also what a jack o' lantern is. Like there's similar applications happening between things. So in theory, yes. But then now that you mentioned something like a Ouija board, it makes me think of those seances where you have, like, a pentagram and you're trying to summon a creature. Specifically. Is this a lore.

Cristina: Yes. Right. So they're using objects, but they're also themselves sometimes.

Jack: And very interesting enough now that you mentioned this, there are lures that require you to do what? Add some blood to the mix.

Jack: Interesting.

Cristina: Okay.

Jack: Some candles, some blood.

Cristina: There's a lot of different ways of doing it, but I'm guessing all of this happened sometime after. Like, the original way that you're talking about was first.

Jack: I don't know if this was first.

Cristina: All of this stuff was added onto it.

Jack: Because it looks like by the time we get to an organized church and an entire town putting up jack O lanterns and things like this.

Cristina: Mm.

Jack: They figured it out, and it's organized. So there must have been smaller private versions of this.

Cristina: Oh. Trying, testing.

Jack: Trying and testing different ways to achieve the same thing.

Cristina: Mm.

Jack: Technologies that bridge through the realms.

Cristina: Oh, okay.

Jack: And it looks like this is absolutely too organized to fall under. Like, this was the first.

Cristina: Yeah.

Jack: We mean, these churches have bells, and people come together, and people believe that they're seeing spirits of the dead show up in the church. People believe that spirits of the dead are showing up at their house. Family members and wanderers looking for their families. Like this very Already figured out at this point.

Cristina: Okay.

Jack: The fact that they have the jack o lanterns designed in such a way to amuse fairies so that fairies come and hang out and protect them from the bad spirits, but allow the good spirits through and allow the dead through. Interesting. So it seems well thought out by this point. Now, these were also added to graveyards, which is going to lean into a Couple of things. But they were put in graveyards because. And usually either on the tombstone or over the grave burial site. Yeah, Jack O Lanterns. Because although they were expecting people to come to their homes and to the churches, many people died and didn't have family and whatnot. And, like, where would they go? So these spirits and these. The good spirits and the dead would. Who had nowhere to go and nobody calling to them and no family. They would go to the graveyard and spend time with each other and other people from the. It's like coming to visit. And this is essentially a ghost party, okay? Happening in a graveyard where you got the dead who've crossed into purgatory, into the shadow realm, and you've got the good spirits of the shadow realm who are just, oh, let's go mingle on earthrealm. It's that time of year where they make it really easy for us to get there, okay? And so they would essentially have parties. And the gravekeepers would usually be the human who. Because gravekeepers a lot of times were also people themselves who had no family, who had no friends or anything. They would just spend all their time.

Cristina: Maintaining the graveyard, making it safe for these guys.

Jack: They were making it safe for these people. And so they would essentially be the host of the party. They're the. They're the main attraction. And then a bunch of spirits of the dead. Ghosts of the dead. I guess all these terms are wrong because they're technically not even dead. They're just in the shadow room at this point. But they've died, which means they are no longer on this side. But people who have crossed over to the shadow realm and the good spirits of the shadow realm will come and chill, and they would be entertained by and entertained the gravekeepers in the graveyards. And this is where the fear of the grave, of the dead coming to life comes from originally. Because if you remember, you go back far enough through time to before any of this crap existed. Graveyards were parks to chill at. People used to hang out at graveyards. It was just part of what it is. But this fear over time happened. And it's because of the warping of this, because, again, it was always a safe place. Even during Halloween. People who had nobody would join the gravekeeper there.

Cristina: Okay?

Jack: People who had no friends or family lived their own. The hermits.

Cristina: I don't see how this became a scary event.

Jack: It became a scary event because of these outcasts going and hanging with the dead. So as we feed, as we began to develop fear of the dead, we began to fear these people who gathered with them. And then that in collectively, only in modern times did it taboo the graveyard into being a haunted, evil place. But it's not. It's a peaceful place. In most places, it's a peaceful place where the people who are just alone in the world come and join the spirits and the passed on who were alone in the world, and they come and spend time together. That sounds way dope and beautiful. Yeah, they're just coming to have a party with each other. A lot of these people don't know each other. The gravekeeper doesn't know the outcast from the town, the self made outcast, or the hermit. Or these people who live in isolation just by choice. And on Halloween, on Hallows Eve, they would come visit. Hey, you know, I'm here for the thing. And then, you know, big cool party, people talking to each other, the people from shadow, having conversations, telling stories from both sides. So in return, what happens is that these same people become the occultists we know of now. Those who know everything about the other world, but because they're the ones talking to the dead, not about this side, but about that side.

Cristina: Okay.

Jack: And it's the gravekeepers and it's the outcasts, while family members on this side who have family members on that side do the same thing. They put the lantern, they have the bells, they do all these things, they go to the church, those spirits come through to talk with them about now, about here. How's it been? What are things like since my leaving? You go to a graveyard, I got nothing to tell.

Cristina: So you're learning about the other side.

Jack: So you're learning about the other side. Those are the people who knew the most and probably to this day know the most about the other side.

Cristina: Okay.

Jack: Those are the sources you go to for information. And it's interesting because going back, a lot of the records that were designed talking about the Shadow Realm were actually written by a bunch of grave keepers. Didn't know this.

Cristina: Really?

Jack: Yeah. Just checked out because I got this bit of information. So I went back to look at some things, typed in some names, and. Oh, they were the person who ran this site that happened to have a graveyard. It's like. Okay, okay, okay. Pattern, Pattern.

Cristina: Mm.

Jack: So the most informed people were Pete were gravekeepers and outcasts in general. So you want to know about costumes and candy? Yes. Well, candy is less serious. Candy comes from. That's the middle period. Yeah. So if we break it up into the three parts, there's a technology from the past that Is being used in the middle period and then the current day that was invented in the middle period, the candy, because it would make. Once they lost the fact that this was technology of the past and it just become normal rituals you perform, and people from the other side will cross through. They weren't necessarily aware that they couldn't consume food because they were assuming they were physical beings the same way. And so they would make little cakes to give them. But eventually this got worked out when they discovered, like, the food is always going to waste. And then it became about giving the crier, who was either a.

Cristina: The cakes were for experience.

Jack: Yeah.

Cristina: Oh, okay.

Jack: Not for the shadow people, but from. For the family members who had passed to come back and eat their favorite things or whatever. But they would never be eaten. So they got repurposed and it started to be given to the criers and the priests who would roam the streets and in the churches. So people would make these cakes and they would give it. So the crier would walk around with the bell, creating the resonance of it. Things could happen. And weirdly enough, I forgot to say this around. Although people would have their own bells, sometimes in the lantern, sometimes the excitement was around the criers and the priests.

Cristina: Okay.

Jack: Because it's mostly happening around them. They're walking around and around them, there's a bubble, a radius of these crying things coming in and out. And you seeing creatures from the other side showing up and people from the other side showing up around this individual. So you're also putting the lanterns to protect them.

Cristina: Okay.

Jack: Because they're making themselves a giant beacon. And so as they're walking, people get excited, oh, he's coming, he's coming. Well, before the treats, they would gather and like, okay, if our family member is going to come, it's going to come when he comes through because they're going to be around that individual, and then we'll get a glimpse, we'll get a moment, we'll get to see them again. In church is consistent. The bell's always there. So people who would go to church get to see him. People who didn't go to church still can. As the crier will wander through town, you'd have at least a moment to see somebody. And so you do the things. So if the crier sees a pumpkin, he knows to go there.

Cristina: Okay.

Jack: And he'll walk from place to place, ringing it and allowing the spirits try to find their place. You're wandering with him, going from place to place, trying to find where they belong. The treats eventually became to they would either take it to church and give it to the priest who's creating the mass and trying to contain the situation, or give it to the crier. As he went from house to house, the crier would go. And also a lot of people would gather around the crier from this side as well, because maybe they haven't seen their person or maybe they're homeless and they're still waiting to see if that person of theirs get seen. Because as he's moving with the bell through the streets over here, he's also technically moving around in the shadow realm.

Cristina: Okay.

Jack: And so people are like, well, they don't. My person has nowhere to go, so if I hang out around him, then they'll find him and I'll find them. We'll find each other. Some people wanted not just a visit, but they wanted long conversations with this person. So they would just hang out around the crier as he wandered the streets for all of Halloween, they would just wander with him. Hanging out with their ghost friends.

Cristina: Okay.

Jack: Hanging out with their past, Hanging out with spirits from the. From the shadow realm, having communications with them. It was just an interesting moment that happened once in a blue. Once a year, actually. But you get my point. And so the cakes were repurposed. Instead of leaving them for the past who would never consume them, they were given to first the. The crier and then hand it out. Like, if you made many, you would give them to everybody who showed up. Some people made it for everybody who showed up. All of them accompanying the crier and keeping him safe. Many people walking around with lanterns himself because he's walking around with the bell.

Cristina: They were like big goods.

Jack: They were big goods. Yeah. It was just a cake.

Cristina: Okay. Okay.

Jack: And so a lot of people walked around with lanterns themselves to help the spirits come. So you have a man ringing a bell and a bunch of people with jack o lanterns walking around them, and you're seeing glimpses of creatures who look like ethereal shadows and figures anomalously fading in and out as you're wandering from place to place. Interesting visual. But you go to a door and people are, oh, he's here. They open. They give the person treats, and they give the people food and whatever when they, you know, did our person show up this time? And they'll, you know, those. They'll wait there a moment. Each town had their own. So you could take your time as a crier walking from one place to the other for one place to the other. And you would start at the. At the morning you Would begin not in the night. You would begin at morning.

Cristina: Oh, wow.

Jack: Yeah. And you would light everything in morning. And just this guy's doing this all day. That's why the treats got re repurposed for that individual.

Cristina: Okay.

Jack: So now they can maintain him as he goes from place to place. And he waits five minutes, maybe, in front of a place now. Okay, let's go to the next one. And everybody follows him with their lanterns, holding their lantern so that the spirits and the. And the people from. Who've passed can gather around. They can f. They can see the brightest patch, which is the crier.

Cristina: Okay.

Jack: And then a bunch of smaller dimmer lights, which are the houses, so they know where to go. And then follow him to look at all the places. Oh, this is my family. And then what's happening in graveyard? It's very different than the visual we have now of people just dressed up in costumes, going to trick or treat. But one of the arguments is that the visual of these spirits going to houses with the crier that's dressed in all black and these people hanging out with the crier.

Cristina: That's why the costumes.

Jack: That's one of the root sources of dressing up, trying to imitate that visual.

Cristina: Were the people also dressed up? No.

Jack: No, the people weren't also dressed up. But we're gonna get to that very soon because that is gonna happen. So we have the visual established. Right. People are hanging out. People are chilling with this individual who's ringing the bell. So you've created a circumstance in which good spirits and the dead can return from the other side. So the visual this makes is because of the dead being able to return specifically because we know the spirits are the good ones. The fairies are making sure of that. But the dead are just people from this side. How do the fairies discern who is the good one and who's the bad one? So there are people who have done bad things that resulted in people dying, sometimes by accident, sometimes intentionally. And those people are coming back to the places where this happened, where they've lived their whole lives.

Cristina: So there's no way to protect themselves.

Jack: There's no way to protect themselves from the people coming.

Cristina: Okay.

Jack: And because of the look that becomes very ethereal to both sides. Everything kind of looks like a shot over there, and everything kind of looks like a shot over here.

Cristina: Mm.

Jack: Were fuzzy equivalents of one another. These individuals would dress up like the creatures that they saw on the other side so that the dead that came back wouldn't be able to tell the difference.

Cristina: Okay. So they were dressing up to protect themselves.

Jack: To protect themselves from the people they have done bad to bad.

Cristina: Okay.

Jack: Because now they're coming back and they could harm me.

Cristina: Yeah. Okay.

Jack: So that was. It was a way to protect yourself, to cover up so you couldn't be harmed.

Cristina: From actual people. Not actual people.

Jack: Yes, actual people. But people who've passed.

Cristina: Yeah.

Jack: And for this one night can most prominently be here and most prominently, see you.

Cristina: Mm. Okay.

Jack: So people would dress up, and it became in such a fashion that I haven't done anything bad. My homie has done bad things. I don't want bad to come to my homie. So I'm gonna dress up too to create a bigger confusion. Because obviously, if only my homie dresses up, all the vengeful people who come back are gonna know, oh, it's just a dressed up people. So if they can tell that it's a costume, they're just gonna focus on finding out who this is. Because I can find them. I know it's one of these. But if good and bad people alike are doing it because a bunch of good people have bad friends, but that bad friend has never done bad to them, so they're still friends. They're like, I'll help you out by also dressing up. And this confuses it. So one, there's too many of us to look through all of us. And two, well, a bunch of us are good people who've never done anything bad.

Cristina: Yeah.

Jack: And we're just protecting you because you're one of us. Even if you hurt good person, there.

Cristina: Could be someone who died who wants revenge because they didn't like you or whatever.

Jack: Yeah. 100%. And as well as you could have killed somebody by accident and they're coming back for revenge, and you want to keep that person safe.

Cristina: Yeah.

Jack: So it became a collective idea that we all do it and we protect each other. And the people who know where they're going still know the home that they're headed to.

Cristina: Yeah.

Jack: So the rules still apply equally. You can either go to the church as a spirit, or you can go to the home itself. As the crier approaches and you see that this is your home. And then the people inside don't need to have costumes because those are your people you're looking for. The people going where have the costumes. People on the streets have the costumes.

Cristina: Okay. Protecting themselves.

Jack: Protecting themselves. Because the bubble is around the prior.

Cristina: Okay. Okay. That's very Halloween.

Jack: Like, interesting.

Cristina: Yeah.

Jack: And it just made perfect sense.

Cristina: So it's all connected.

Jack: It's all connected. But now we get to two different weird instances which are very familiar. Instance number Danse Macabre. It is a ritual. So costumes were also used by many people who were pagans, Vikings, and very predominantly in France when performing this ritual. The ritual was of wrist slicing and drinking each other's blood in mass at a graveyard on Halloween after you've destroyed the Jack O Lanterns.

Cristina: Oh, because you want to attract the bad stuff.

Jack: Yes. But you're dressed like it.

Cristina: I don't know if that's gonna help.

Jack: You want. Yeah. Because again, you look fuzzy and weird and different.

Cristina: Yeah.

Jack: You. They're throwing a party.

Cristina: Yeah.

Jack: With the monsters.

Cristina: Okay.

Jack: This is what I said before. We're gonna come back to the graveyard being an actual scary place. These people were allowing the bad monsters to come through.

Cristina: Awful.

Jack: And they were doing awful things to one another as well as letting, like. They're inviting things that do awful things so they blend in. They're dressed as weird things that creatures from Shadow are like, what the am I looking at? And they themselves are out here performing crazy. That's like, okay, these. Somehow there's something like us. And so graveyards like this would be dangerous.

Cristina: Okay.

Jack: These are bad places to be. You could get hurt by one of the creatures there. The people there will hurt you effortlessly.

Cristina: Don't give a the. Are the creatures able to stay there even after the day has passed?

Jack: No, because it is. There is something about the day that's actually. Factually, I don't know what. It's similar to the bridge that was created from the El Castillo in Maya that they used to cross over to Shadow.

Cristina: Oh, yeah.

Jack: And it's like they would use the solstice.

Cristina: Okay.

Jack: So there are points in time that, for whatever reason, align the realms just precisely. And this is one of them. It seems like the last day of October is just one of those days that seems to be capable of zoning in and merging these. Not merging them, but getting them real close to each other. At least passage through them.

Cristina: Does it last?

Jack: Okay, this is, like I said, another reason that people would dress up.

Cristina: Mm, cool.

Jack: They would get into their outfits and perform weird rituals.

Cristina: So crazy. Cutting themselves open and inviting dangerous things. Okay.

Jack: And presumably they were pretty s******* their pants too. Even if they were doing it, it was part of the thrill. Which then made it even easier.

Cristina: Oh, yes, the fear. Okay.

Jack: And by destroying the Jack O Lanterns, you get rid of the protection. The second one. The second weird thing here before we close this up is related to the Isle of Man, if you remember. The Isle of Man is where Mananan was assigned to study the other side of the fairy trees.

Cristina: Yes.

Jack: Okay. So they believed, the people of the Isle of Man, that the morning of October 31, the veil between Earth and Shadow thinned. And by nightfall, it was at its thinnest. Like, that gap became super, super tiny. And now they're very, very close. And that creatures from the other world of shadow could more easily come through and select earthlings would more. Would be more capable of crossing to the other side.

Cristina: Oh.

Jack: So on Halloween, as soon as the sun falls around that period, people could actually stumble upon. People can cross into the shadow realm.

Cristina: Whoa. Do we have those stories, though? Did they say anything of, like, my. My grandmother. I don't know, like. Because they know people who accidentally entered the shadow realm.

Jack: Yeah. And this actually brings us to something very interesting. The judge who would wander into the Forest of Shadows as a shortcut to get to his job. That is very fascinating because now we have two different instances, one with El Castillo and two with Halloween, of times when you could just wander in.

Cristina: Yep.

Jack: And if you could build a gate around one of these instances, keeping it open, you would have to probably activate it on that day, but then the connection is complete.

Cristina: Yeah. We have no idea how that will look like, but we have no idea how that would look like doing that.

Jack: And this judges from a long time ago. But we know that somehow literally traveled into the realm of shadow and collected the fruits. Which then goes to tell us, did l find a way to establish a gate back and forward, which is how he was continuously communicating with Susan. And that being left for God knows how long is how the judge got through. Same area.

Cristina: Oh, no.

Jack: Same period of time. And somehow. And he got through, the guy would cross. And maybe to him, it didn't look like a gate. Or maybe it did. Maybe it looked like, oh, this is just somebody laid out a path here.

Cristina: Mm.

Jack: But there are instances of gates other than the ones we're familiar with. People have figured ways.

Cristina: Yeah.

Jack: Although it never seems like there's a way into Elfame.

Cristina: No. As far as we know, no one can get there.

Jack: As far as we know, no one can get there. Which makes it the goal, I suppose.

Cristina: Mm

Jack: But that's how a lot of these traditions arise.

Cristina: Stories on the island of Men, or whatever it's called, the island of people going in.

Jack: There's probably stories of people going in. I don't know of them.

Cristina: Oh, okay.

Jack: I can look into it and find some. But no, that's a. That's where we are. This is the root of current day Halloween.

Cristina: Awesome. Cloud does relate somehow.

Jack: Traditions taken right now, their traditions taken from the midpoint. And those traditions were developed entirely because of lost knowledge and not knowing the origin or how or why things worked the way they worked. Although it seems like the Catholic Church always kind of knew. Mm, you seem to always know. And so, yeah, that's interesting. That's Halloween broken down.

Cristina: Lovely. Happy Halloween, people.

Jack: Happy Halloween, people. Now you know a bunch of stuff. Put some jack o lanterns so you could get some fairies to protect you. Dress up, see the people you've done wrong to, don't come and like cut your throat in the middle of the night, I guess. And bring some bells. Have some. Yeah, bring some bells. Some nice thick bells so you can create a nice strong resonance to cross bridges. And give some people some treats. Cuz why not?

Cristina: Why not?

Jack: They're out there walking and wandering. Might as well. Anyways, if you guys want to contact us, tell us what you thought about this episode, you can hit us up on our socials on X, on TikTok, on Instagram, on Facebook, usconvopod.

Cristina: Remember to subscribe, rate and review the.

Jack: Show and use word of mouth. Tell people with your vocals, especially on Halloween, because apparently you'll be heard everywhere. Let people from the shadow realm know that you enjoy this show and you want them to listen. Maybe, maybe somebody will play. Interesting. We can set up a speaker playing all our episodes just collectively back to back. And then we put a bell next to it that's continuously ringing. We find the right bell and we'll just put this on auto. Put it somewhere. Will we never hear it so that people in the shadow realm. And we put some lanterns there so, you know, people can listen and boom.

Cristina: The graveyard. Lovely.

Jack: Yeah, yeah. They can collect and just podcast listen. Fantastic.

Cristina: This has been the rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: California is a s*** show about getting children. Children go missing all the f****** time. Not just in California, primarily in California, but not just in California. In the entire country. On Earth. F*** it. On Earth, children. Epstein's island disappears and we just suddenly have s*** storms of children everywhere else going missing. Yeah, suddenly just f*** it blatantly. Almost like they don't even care anymore. But why? Obviously the best source of adrenochrome is children, and you're a f****** addict once you're on adrenochrome. The blatantness is because your covert secret.

Cristina: Thingy got busted, so why not make another secret thingy?

Jack: How the f*** are you supposed to do that if people are already watching the elites in any island they might be converging on, or any location they might all be visiting? Which would be the place? No. Now it's like our source of it is gone. They'll get to that. They'll get to that 100%. But their source of adrenochrome is gone, which means withdrawal and desperation.

Cristina: Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McAllister, with social media managed by Amber Black.

Rambling 245: Summary As It Stands

How was Earth Realm made? Where do Fairy Trees come from? Is there a third Philosopher’s Stone? The duo create a summary of the major events in the Sea People’s timeline in order to assist new listeners with the vast amount of data and with hopes of coming to additional conclusions with all the information in front of them at once. What they didn’t expect was a solution to some of the bigger questions being right in front of their faces!

+Episode Details

Topics Discussed:

  • Yaldobaoth and the Philosopher’s Stone
  • Eloai the Great Ancestor
  • Jehovah
  • The Three Great Nations
  • The Naga and the Elves
  • The Philosopher’s Stone
  • The Artificial Insemination of Mary
  • Three Magi
  • Catholic Suppression
  • Knights Templar

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And so because of how absurd and baffling some of these ideas are, and we've been going on a spiral that's been months at this point, about the sea people and adrenochrome. And now we've even gotten so far that we're. We're gonna have to start looking for the philosopher stone. Yeah, the third missing philosopher's stone. But anyways, because of how long this road has been here, and it's so many episodes that if somebody were to jump in suddenly, it would be an absolute f****** nightmare to keep track. It would suck. It was such a f****** long series that I figured it makes a lot of sense to make a summery episode to catch people up. It's not gonna be super granular because it's absolutely too much.

Cristina: It's. It's a lot of episodes. How many episodes has it been so far?

Jack: The h***? No, it's many. Too many. But we can summarize all the important points, so I figured that's what we do and then create this summary episode.

Cristina: Okay, and where do you start?

Jack: Well, as it stands, by the way, that's probably gonna be the name of this episode as it stands.

Cristina: Okay.

Jack: We would have to go all the way to the beginning of seemingly time based on everything we know. This is all chronological, as far as we know.

Cristina: Oh, okay.

Jack: Okay. So a chronological retelling of the universe leading up to the most recent moment. We begin at Elfhame, and I believe the goal is to get back to Elfame. So let us comment all the way at the beginning. A creature named Mab within the first realm named Elfhame, creates the shadow realm through unknown methods, presumably the sciences of Elfhame. Yeah, we don't know if Mab is the only one of her kind, if she is the gaudiest of gods, or if she's just one of many. From her tier in Elfhame, she could be one of many. Who knows? And considering as above, so below, it's likely that she's just one of many. But for the sake of our understanding, that's where it begins for us and everything we know of, because we can't.

Cristina: Trace the top in Alphane.

Jack: Yeah, she. Well, we don't know.

Cristina: We don't know.

Jack: Oh, Queen. But that assumes that maybe there's a king, like, I don't know. Now, in the Shadow Realm, a creature named Yaldabaoth is put in charge of the Shadow Realm. And that creature then creates Earth. That is the order of the three realms. Alfame creates the Shadow Realm. The Shadow Realm creates Earth.

Cristina: Okay. She did not create him. He just was a thing in.

Jack: Presumably, she created him. Or he is. I don't know. He could have been a product, naturally.

Cristina: Yeah. Okay.

Jack: We. We don't understand his origin. There's no. Nothing told to us about that. But could be he could. Now that I think about it, there was no direct. He was created by her.

Cristina: Mm.

Jack: He's just in charge of.

Cristina: All right.

Jack: Because maybe, you know, who knows? Giant, epic battle over billions of years led to him being on top. We have absolutely no idea how long the periods of time are between these points. It could be infinity's worth. Between Mab creating the Shadow Realm and then Yaldabaoth creating Earth. It could have been infinities. We have no. What. What does time mean in the Shadow Realm?

Cristina: Oh, besides her making the Shadow Realm, she also made other things. Or was that after he made Earth?

Jack: What do you mean? The other three goddesses that went ahead and created life and all that. I have no idea. Have no idea.

Cristina: Okay.

Jack: I have no idea what. We don't know what order those events happen in. We know she made a bunch of s***. He made a bunch of s***. And we are aware.

Cristina: Okay, okay.

Jack: We're gonna call him Yalda because it's shorthand for saying his long f****** name. Yalda has a child with a djinn. He names a child Sizzle. Now, life takes its natural course on Earth for billions of years. 14 or so odd billion years go by after Yalda creates the Earth Realm. 3.3. Now we're entering where we can start stamping things. 3.3 billion years ago, Yalda goes into EarthRealm and tinkers with the genetics of developing Earth species. What sciency Going and exploring, experimenting, poking things around and being like, what can I do with the things that are going on here? Using gene manipulation, he alters it so that so as to speed up a specific developing races, development and advancement. So, you know, get, get fast. I'm bored of seeing the same primitive.

Cristina: Yes.

Jack: Dinosaurs for God knows how long, presumably. Right. 2.5 million years ago, the first tools are developed by these creatures. 2.1 million years ago, Yalda reveals himself to three members of this altered species, located within what would later be known as a Persian Gulf oasis.

Cristina: Okay.

Jack: One of them was named Eloi, which is very important. Yes. This is interesting because there's very similar Jesus structure that's happening here. Right? Not Jesus structure, but like Jehovah revealing himself. It seems like a lot of the things that we consider Jehovah did is not things Jehovah did.

Cristina: No, he's just based off of these much more ancient stories.

Jack: Yes. It seems that there's a lot of conflating Eloi and Jehovah.

Cristina: Yes.

Jack: Because they kind of did a lot of the same things, but not to the same people. And so it's easy to be like, oh, yeah, we have. We, the sea people have these recorded stories of Eloi, and they get lost and refound by other people and they see Jehovah doing identical things. They think Jehovah is Eloi.

Cristina: Loi has to do with alchemy, though, right? He's the alchemist.

Jack: Everything apparently has to do with alchemy.

Cristina: Okay.

Jack: But yes, I guess so, because that's where we would be going towards next in a couple of lines. Let's see. Yalda gifts the Shadow Realm to his son Sizen.

Cristina: Okay. Okay.

Jack: And Yalda informs Eloi of the existence of the Shadow Realm and the origins of Eloise Species. I altered you. I. I created how you are, then I allowed you to evolve. And also, I come from a different place. I made this universe you exist in. I come from a different place where different things happen, unlike anything you understand.

Cristina: And then. No, I'm trying not to get these stories confused, but he's not the one that he takes to the Garden. That's the next step. Somewhere down the line, right?

Jack: Yeah, yeah, yeah. Yalda does not go with Loi to the Garden.

Cristina: Okay. That's Susan and that's Susan.

Jack: And Loi.

Cristina: That's Loi.

Jack: L is short for Loi.

Cristina: How is he still alive? I thought that was another guy. No, that's him.

Jack: No, these are. This is what's weird about this. Instantaneously. This is why these are immediately not humans.

Cristina: Okay.

Jack: The giant gaps of time happening with Loi instantaneously tells you they are. They are living an absurd amount of time.

Cristina: I thought L and is like someone in his family or something.

Jack: Like.

Cristina: Yeah, I guess if they work still similar to humans, because we don't really know what they. What their lives are like.

Jack: This is an interesting point you're bringing up, because maybe, I guess maybe. Right, but no, the problem we're talking about is that even if that were the case, we're still talking of an absurd amount of years and the same name. So even if we were to say Loi is not L, then this guy still lives, like, 300,000 years. Like, it's still. You know, it's still like, whatever. It's probably him.

Cristina: Okay.

Jack: It's still, like, between just Adam And Eve is 50,000 years. You know, like, it makes no sense. It makes no sense. But we know that these things were modified by a deity of some sort.

Cristina: Or.

Jack: Not a deity. That's just the way we would look at it. But the scientific leap between that s*** and us is so colossal, it's godly. And you get altered into this immortal thing. So 2 million years ago, that's the point where things get interesting. Because Eloi meets Sizen, and then Susan tells El of the Forest of Shadows, of which El already knew about the Shadow Realm. And it. There's. I still have no f****** clue how Susan and L meet in the first place. I just know they meet and they venture to the Forest of Shadows in the Shadow Realm.

Cristina: It has to be through his father. If he knew him.

Jack: No, because when Yalda gifts Sizen the Shadow Realm, he just dips, which is another weird thing. Where the f*** does he go?

Cristina: But it's not like he. Like, we don't know what that means. He could have left him things. He could have told him what he was doing and then left. Because what's the chances of him running into the same guy he was messing with?

Jack: Yeah, yeah. 100%. There's a huge gap of information there.

Cristina: Yeah.

Jack: Like how? Why? What? You just came across the son of the. But, like, I don't even know. Why would your son be interested in this guy? There's something missing there. There's something missing there. There's a reason. There must have been an intent behind Sizzle and El crossing paths. Arguably both sons of Yalda in different ways.

Cristina: Okay.

Jack: One literally birthed, one scientifically, the other one scientifically created.

Cristina: Yeah.

Jack: But both. You could call them brothers at this point. Okay, from. Actually, that's an interesting way to look at it. Brothers from different realms. So Susan tells El of the Forest of Shadows, and they venture into the Shadow Realm to visit sometime. After an unknown amount of time, El acquires the fruit of knowledge and begins experimenting. We no longer have Szen mentioned here, and he's not for a while. In fact, we discovered Sizen much later without knowing that him and L interacted in this manner.

Cristina: So.

Jack: 156,000 years ago, the Philosopher's Stone, Adam is created, presumably by about six, using six primitive creatures from a new Developing ape species.

Cristina: The story of the people who are protecting the garden on the actual Earth Realm. When. How old are those stories?

Jack: That's way in the future from this point.

Cristina: Oh, okay.

Jack: That has nowhere near happened yet. So 156,000 years ago, the philosopher's stone atom is created from about six members of an ape species. So presumably they're sacrificed by L. And he's using the Fruit of Life, some fragment of this fruit. Quote, fruit. It's. I mean, they literally talk about trees, so I'm not thinking it's a metaphor. It's literally some sort of fruit or something.

Cristina: Because the tree does sound pretty magical if it's really connecting two realms or maybe even three.

Jack: Yes. We don't even know. There's already something weird about these trees to begin with. And using this Fruit of Life, he creates the philosopher's stone Adam. Or using Adam and the fruit of Life, the philosopher's stone atom and the Fruit of life, he creates the primitive human species. That is an unclear first problem we come across. Did he require the fruit plus the sacrifices to create the philosopher's stone Adam, or did he use the fruit plus the philosopher's stone Adam to create the first set of life? Unknown, don't know. Then a hundred thousand years ago, L acquires a Fruit of Knowledge, we face the same problem. Did he use the fruit of knowledge plus 50 million, roughly primitive humans to create Eve, or did he use Eve and the fruit of knowledge plus 50? Well, I guess Eve would have been made from 50 million sacrifices. So did he use the Philosopher's Stone Eve plus the fruit to make modern day humans, or did he use the fruit to make Eve with the sacrifices? So I don't know. In both cases, we don't know which the fruit was used for. Was the Fruit of Life used to create Adam or was the Fruit of Life used alongside Adam to create primitive humans? And then one generation later, was the Fruit of Knowledge used to create Eve or was it used alongside Eve to create modern day humans? I think in both instances. Because you don't need the fruit to create the philosopher's stone. I think in both instances they were used alongside it.

Cristina: Yes. I guess never written about using it to make.

Jack: Which isn't now in the magnum opus, it does show up. The, the Fruit of Life does show up, but it's not included. It's discussed as a separate thing. So based on that logic, we should assume it's used in conjunction, not to create it.

Cristina: Yeah. Okay.

Jack: Which would say six sacrifices of this ancient ape species are used to create Adam. And then the fruit of life plus Adam equals primitive humans.

Cristina: Yes. Somehow.

Jack: Yes. And then 50 million of that primitive human is used to create Eve, the philosopher's stone. Eve. And then Eve and the fruit of knowledge are used to create modern day humans.

Cristina: Yes. And then is Jesus the next step?

Jack: Right, that's so far.

Cristina: That's so far. Okay. I don't know. These timelines are crazy.

Jack: We're talking hundreds of thousand years ago. Okay, hundreds of thousands of years ago. Then we go to about 50,000 years ago, modern day humans begin to develop language.

Cristina: Okay.

Jack: It's been 50,000 years since the alteration was made with Eve and the modern day humans were invented. Now we're no longer doing millions of years or hundreds of thousands of years gaps. These creatures are moving even faster than the sea people did.

Cristina: Okay, think about it.

Jack: It was millions of years before 14 billion something. It was 3.3 million years when Yalda first genetically modified the apes.

Cristina: How long ago?

Jack: Or not even apes, whatever species they were from. 3.3 million years ago. Okay, let's see. Yes, 3.3 billion years ago, actually. Holy f***. When he. Jesus Christ. 3.3 billion years ago, when he first went to alter the genetics of this developing species. And then 2.5 million years ago, the first tools were developed. Those are the sea people. Think of the giant gap of time between those two points.

Cristina: That's pretty huge. So it took them a while.

Jack: Took them a while while. But then it took us from being created 100,000 years ago, only 50,000 years to get to our tools and language.

Cristina: Huh? We're better.

Jack: We're better. I mean, that's the point, right? 40,000 years ago, Mab sends Naga to any and all rapidly developing intelligence civilizations. So now the settlements are spread out throughout the world because hundreds of years pass.

Cristina: And these are the snakes.

Jack: These are the snakes created by Oros.

Cristina: Okay?

Jack: And so all the seemingly faster developing groups have one Naga somewhere among them that is eventually gonna attach itself to whatever fastest developing is happening. And now we start entering more modern situations. 12,000 years ago, Jehovah, descendant of Eloi of the Sea People from the Persian Gulf oasis, appears in the Shadow Realm requesting passage to the Forest of Shadow.

Cristina: Who?

Jack: Jehovah.

Cristina: Okay, What?

Jack: Yeah, that's when he goes and he gets the fruits.

Cristina: Oh, okay, I thought that already happened. No, that was Adam and Eve. Oh, okay.

Jack: No, now Jehovah's the one showing up with like a note or something. You don't remember that? He had some data that said, oh yeah, this stuff exists here And Susan had already placed because of before Jehovah, this other guy, the Judge.

Cristina: The Judge? Yes, the Judge of the humans and Shadow people.

Jack: Later. Yeah, later, the Djinn, he went ahead and crossed and then alerted Susan, which decided, I need to put some guards here. Now, the Judge is an interesting situation because that happens roughly around the same time, right? The judge comes first, 10,000 years BC roughly 11. And crosses into the Shadow Realm. Brother of Inanna tells Inanna of his ventures through there. And he begin. He, you know, the Jinn know. They find out that he's a Judge, and they're like, oh, yeah, we need somebody to kind of do that for us as well. And Inanna gets curious. Inanna goes and she traded this place. She tries the fruit, though, first, gets enlightened, becomes obsessed with the Shadow Realm, frequents it, and then. No. Gets to know Ixo. Ixo, the prodigy botanist from the Shadow Realm, and her get close and then decide to swap places after trading a bunch of stories. And then Ixchel lands in Maya, where later she will pair with some Egyptian guy.

Cristina: I mean, Egyptian Mayan.

Jack: You said Mayan with a Mayan.

Cristina: And they do their own weird stuff.

Jack: Yes, they join. They become part of the Earth Gods, which we will get to. So, yeah. 12,000 years ago, following the interactions with the Judge, Jehovah, a descendant of Eloi, goes into the Shadow Realm, requesting passage to the Forest of Shadows, where he then collects all three fruits.

Cristina: Okay.

Jack: 8,500 years ago, Mananan is sent to the Isle of Man to lead a team of researchers into the proclaimed fairy trees.

Cristina: Okay?

Jack: Which, knowing Jehovah, is us. Now, these timelines now suddenly make a lot of sense when you put them back to back like that. Because 12,000 years ago, you have Jehovah, who finds the.

Cristina: The trees in the Shadow Realm.

Jack: Trees in the Shadow Realm. And who knows how long they've been looking for them, because the Judge already theorized they come up somewhere else.

Cristina: Okay.

Jack: And then Jehovah shows up looking for the fruit, and then a couple of thousand years later, oh, we finally tracked them.

Cristina: Okay. Boom. Before he took the fruit, he already had the. The ones for Adam and Eve. That already happened, right?

Jack: Yeah, that's way in the past.

Cristina: Oh, okay. I wonder if the fruits somehow helped them find the. The Earth Realm version of these plants.

Jack: Fascinating.

Cristina: Fascinating, because they already used it for what we believe they needed the fruit. Score. Anyway, so why they come back for more?

Jack: Well, that's an interesting question. Right. We know that how the garden is spoken of suggests that these philosopher stones have remained with the Sea People this entire time. And we originally figured out before half of this s*** that one of the main purposes was to protect Adam and Eve.

Cristina: Yes.

Jack: And the fruit. So all of this is in the lab named the Garden of Eden.

Cristina: Yes. So why did he need to get more fruits? If they already had the fruits that.

Jack: They'Re protecting, why did they need more fruit?

Cristina: Probably to find it. Must have somehow helped find the actual fruits. I mean plants I guess on the Earth Realm. Because they don't really say how they found the Earth Realm version of it.

Jack: No.

Cristina: It would be weird that they just.

Jack: Happen to know that's another huge gap. Right. We have no idea what specifically took them to the Isle of Man where the fairy trees were. We just know that they do. And they put Mananan there.

Cristina: Yep. Which happens after he goes and sees those trees himself. Okay. That makes sense.

Jack: There's something there. Those fruits are guiding us somewhere. Six thousand years ago, the isle Imayn Al Bach. Close to the Isle of Man. A Sea People settlement. And then city is established near the Isle of Man. Where Mananan begins to live among other Sea People. That's to help with research. Presumably. 5,100 years ago, the Sea People share their knowledge and technology with the developing civilization of Egypt.

Cristina: Cool.

Jack: The Egyptians build a research team known as the Sun Gods with the intent to research teleportation technology, massive energy harvesting and energy storage.

Cristina: And they also work with the Shadow Realm. Besides the Sea People.

Jack: Yes. They have members that are part of that came from the Shadow Realm. And they have members that came from. They have each. It seems that every structure of a team. The best most highly developed groups of people are earthrealmers. With Shadow Realmers. With a Naga. It seems that every single one features that. Including the Sea People who are earthrealmers.

Cristina: Yes. It seems like they got the knowledge from them. We don't really know if they're like they're on their. Like physically they're with them. Like the Shadow Realm people. Just seems like they're giving them what they need to figure out whatever it is they need.

Jack: Wait. Who's on what with the what?

Cristina: The Sea People. It doesn't seem like they have an actual member that's physically they're helping them out.

Jack: Yeah, they do. We establish this.

Cristina: They do.

Jack: Oh Jehovah. Lilith and the serpent Naga named By the way. I found the f****** name of this thing. It's called Nahas.

Cristina: But those people are in the garden. They're not out in the world helping people. That's one research team yeah, that's what I'm saying. They're not in a research. There's not one in Egypt. Is there a three person hang out in the Egyptian? Oh well, no, because they just pass them the knowledge.

Jack: Well no, no, no. You're. You're discussing the Sea people, not thinking of it the proper way. Don't think of the individual species of the individuals, think of the realm they come from. That's more important because the features are the same across the board. The Mayan, the Egyptian, the Sea people, which are just one city worth of people, all are an earthrealmer, an Elfhame Realm member and a Shadow Realm member. That's where it gets interesting. The Naga are from Elfame. The in the whichever race they might be from come from the Earth Realm and they all have a Shadow Realm member with them.

Cristina: Okay.

Jack: All three are featured. So it's not important that they're sea people. That just happens to be where it began.

Cristina: Okay.

Jack: Because even when we think of the Sea people, we go far back enough and we end up at L with Sizen. So it's already two. What's weird about that is one of the big questions. Where is the Naga?

Cristina: With L and Susan?

Jack: With L and Susan. But we also don't know if Ellen Susan ever did any sciency stuff together because the moment that L gets into sciency stuff, Susan isn't mentioned anymore. Interesting. No.

Cristina: Yes. I don't know.

Jack: But you would think based on the pattern L Sizen.

Cristina: And yes, maybe there was and there's some story behind that, but it didn't end well.

Jack: Yeah, but as far as the Sea people, that part is less important when it comes to the individual groups. Because what matters to these groups as far as we know is, is that it's a Fairy Realm member, an EarthRealm member and a Shadow Realm member. And that seems to be a feature in all of the highly advanced ones.

Cristina: Kind of makes no sense that it's a Fairy Realm member. Because it seems like they're trying, I don't know, it seems like they're trying to get to the Fairy Realm, but it also seems like the Fairy Realm leader is trying to stop. Stop them from doing so. But they're also.

Jack: Here's. Here's what I will say if you look at the timeline. One, there's no proof that they're trying to get anywhere yet. And two, MAB send quite a while ago, 40,000 years ago, she sends Naga to any and all rapidly developing intelligent civilizations. That's before any form of technology allowing anything impressive has Even begun. She has no idea yet.

Cristina: Okay.

Jack: You see?

Cristina: Yes.

Jack: So it's like she still doesn't know. There's nothing to be fearful of. But it seems so far. Earth Fairy and Shadow Realm all working together. Every advanced civilization has a Shadow member and every research team has a Shadow Realm number. And. And each advanced civilization has a Naga for a reason.

Cristina: We have no clue. We have no clue. We can just guess what they're trying to do, what their end goal. What is the end goal? There's just so many experiments.

Jack: Yes. A lot of weird experiments.

Cristina: We're trying to like put them together. Somehow they fit together.

Jack: Yeah. There's a puzzle. And this is all without talking about the fact that there's many structures of abandoned civilizations and abandoned structures from successful civilizations around the old equator. We're not. Again, we're summarizing and jumping through what matters. But those were all, in theory, failed experiments that were to build a puzzle that didn't make it into the bigger plan. Yeah, those are a bunch of sky maps and compasses and sundials and studies of different portal technology, including things like Stonehenge that appear to be some sort of failed portal things. And it's like there's a lot of experiments that are just discarded a lot from civilizations that would later make it anyways. But something about them was irrelevant because now you're not gonna. You're not serving the purpose all put around the old equator.

Cristina: Why is that important?

Jack: Why is that important? There's so many questions that we can't answer. So crazy. So we got MANANAN around the 6,000 years ago. MANANAN around the freaking. The island. The Isle of Man at their individual island of Emane al Bach. Then 5,100 years ago, the Sea people start sharing their knowledge with the Egyptians. And the Egyptians begin to work on teleportation technology. Massive energy harvesting and energy storage.

Cristina: What?

Jack: They all have a Naga, a Shadow Realm person, and an Earthrealm.

Cristina: Sounds like they want to do some space traveling, but who knows.

Jack: The Sea people around this time build the palace of Alcaraz in the Persian Gulf oasis. They've been in the Persian Gulf oasis, but now they're establishing a different, complicated. Specifically described as a complicated underwater metropolis with intent to conduct comprehensive research in secrecy. 4,500 years ago, the Greek, unable to replicate the Philosopher stones or locate the fairy trees, stumble upon the concept of Adrenochrome and proceed to experiment with that instead.

Cristina: That's when they create that monster.

Jack: No, that's not even the Greek.

Cristina: Oh, okay. What did they do with that.

Jack: Then create what the people of there get to know as the Greek Gods.

Cristina: Oh, okay.

Jack: Which are just a bunch of super jacked up humans. Yeah.

Cristina: Okay.

Jack: Bunch of lunatic. They also have Naga. Like whatever. Any advanced group of people has Naga. And they're just jacked up and hopped up on.

Cristina: On blood and fear.

Jack: 3,500 years ago, the sea people share their knowledge and technology with the developing civilization of Maya. The Maya build a research team known as the Earth Gods with intent to study data storage and portal technology.

Cristina: They do love those portal technologies. It's everywhere.

Jack: It gets complicated. Ma'.

Cristina: Am.

Jack: And we enter into 2100 years ago. Mab grows fearful of the rapidly developing technologies of the intelligent civilizations across Earth Realm and Shadow Realm and directs teams of elves to venture near every advanced civilization and assure they do not develop technology that could threaten Elfhame.

Cristina: But what examples of that have we seen? Huh?

Jack: Two thousand years ago, Jehovah's research team consisting of the Naga named Nahas and a Djinn named Lilith artificially inseminate a volunteer sea person named Mary using the fruit of Life, the fruit of knowledge, the fruit of flesh, and the two philosopher stones, Adam and Eve. Now, first major absolutely plot destroying question is what the. There should be a third philosopher's stone based on what we understand from the previous ones. If we were just to follow pattern, it maybe doesn't need one. But if we were to follow the pattern. Fifteen hundred fifteen, six thousand years ago, the fruit of life plus the philosopher's stone Adam equals the primitive humans. A hundred thousand years ago, the philosopher stone named Eve plus a fruit of knowledge equals the modern day humans. So if we're gonna create the next thing, where is the next philosopher's stone that we're using alongside the fruit of flesh. Unless that's why we're using the other two philosopher's stones.

Cristina: Because they can't make a new one. Or they don't want to.

Jack: Or maybe it would be crazy.

Cristina: It would be crazy. That's a lot of dead people.

Jack: But it happened before. Or would it happen?

Cristina: That's way more.

Jack: Because here would be the idea, right? We have Adam made from primitive. Whatever. Some primitive apes equals Adam and some primitive humans equals Eve. So use these two existing stones and don't make another stone. And is that why the product isn't perfect later, as we will establish in a moment. And so we do need a third stone. But this was trying to do it without having to do that.

Cristina: Maybe they just want to limit. Like maybe if they did do it perfect like if Jesus was perfect, then it would cause them a lot of problems as well. It could.

Jack: Cuz how do you stop them though? If you were to go rogue, then what?

Cristina: Exactly. So until they have some kind of solution, maybe he was just a test.

Jack: Fascinating. I, I like that you said that. And that is a point that we're definitely gonna have to revisit in a bit. Yes, because. Well, we'll get there. We'll get there. Good, good feedback. I did not think about that at all. And that makes a lot of f****** sense. So they go ahead and make and artificially inseminate Eve with the three fruits at eve, Mary with the three fruits and the two philosopher's stones. And then that leaves the first big question. Where's the other philosopher's stone? Based on what you just told me, perhaps there is not even a third philosopher stone. We wouldn't know need one yet. So through the course of Mary's pregnancy, people around the world begin to have visions of a child throughout all parts of his life, including being in the palace of Alcaraz in the Persian Gulf oasis. Immediate problem, if the point of the palace of Alcaraz was secrecy and people are literally seeing in their heads where this place is. Purpose defeated, ending go. So this becomes a concern to the sea people because of attempting to keep everything and their technology and their research a secret. So they devise a plan to solve.

Cristina: The problem, which is kicking Mary out, but not really because they, they care about her soul.

Jack: I guess she is one of them.

Cristina: Yeah.

Jack: So the goal is Mary is to leave the Persian Gulf oasis before the sea people evacuate to a new, undisclosed location. Mary is to travel to the island of Cyprus, where a teleporter and escort will be waiting to take her to Mount Athos. And from Mount Athos to their new home, she is to leave the child at Cyprus. You can be raised by those people and most likely there are magi who will stay there forever with the child.

Cristina: But she doesn't really do that, but.

Jack: She doesn't make it. Mary is dispatched with a magi escort known as Joseph. Along their journey. While approaching Nazareth, a conflict made crossing too dangerous and Mary and Joseph were obligated to redirect in avoiding the conflict. They end up in Bethlehem, where Mary gives birth to the child that they named Jesus Christ. The sea people within this time, within the events of Mary evacuating, they also evacuate the entire Persian Gulf oasis and move to the Atlantic Ocean, where they establish their new home in Atlantis, aka as we now know, Elysium.

Cristina: Oh okay.

Jack: Where is that? Who the h*** knows? We just know the name. Both names, I suppose, but we don't. We know that there is a trail there, but it also goes so deep into the ocean that we have no technology that allows us to go that deep.

Cristina: Yes.

Jack: We've never been down there. Weirdly enough. There's a stone path leading from Dominion. Who the f*** knows how it was constructed long as f*** ago, before technology existed, as far as we know. Which is like a good argument for like. Yeah, they're down there.

Cristina: Yes.

Jack: The fact that there's a stone road just straight into the f****** Bermuda Triangle in the depth of the ocean that we've never devised technology to go deep enough into just happens to be a stone path going until we can reach and then beyond. Sweet.

Cristina: Not sus at all.

Jack: Not sus at all. Just some s*** that's there. And then we're like, no, we've always been the most advanced thing. Like bro, then how the f*** did that get down there? Unless the water level has raised infinitely and like that was just dry land before.

Cristina: That's crazy.

Jack: But like where the f*** did all the water come from then? Yeah, and if it's like a meteor, why didn't it destroy the planet? Simple. Okay. The Sea People extract Mount Kaaf, which is an access point and portal between Maya Egypt and the palace of Alcaraz. An anti magic barrier is established around Mount Athos to prevent elves and Elfame individuals from passage. Important. They're trying to protect themselves. Three additional Magi are sent to Mary to assist her in watching over Jesus and assure that he never reaches the Sea People. As well as suppress all knowledge of the Sea People, including the origins of Jesus himself. Now we're entering into more Recent times. The 30s.

Cristina: The 30s, okay, yeah.

Jack: Year 30ish. After Jesus began to be known by those listening to his message and those having visions of him. The Magi needed to begin a suppression effort before Jesus was exposes the truth problems. The Mangi communicate with two of Jesus's closest friends that later Jesus himself labels as f****** traitors, which are John and Peter. John is enlisted to create a false narrative of which he failed the first time. Which is where we got John's secret writings or whatever the h***. And Peter is enlisted to create the Catholic Church in the name of Jesus. Okay, Jesus was not down with this. Jesus was a freaking Jew. But they were like, yeah, yeah, Jesus wants us and the narrative will remain that way. They have successfully adjusted it so that the Catholic Church believes Jesus is the establisher of that and most of the world believes, okay, the Catholic Church is the only church Jesus has ever established.

Cristina: But who is. Whose plan is it for Jesus to die young? Is it Jesus? Is it the sea people? Is it something else?

Jack: So they come up with a plan. And the plan is basically to establish this church and shut Jesus the f*** up with murder. It seems it's. It was probably the same people.

Cristina: Yes. Okay.

Jack: They were like, this kid's become a problem and we didn't want it to get to this, but d***. But also, you created a monster with a bunch of exaggerated powers and you offed him and all he did was come back.

Cristina: Yes.

Jack: So what? That's where the interesting part you're talking about immediately comes in if they're trying to add a control mechanism. Because if something goes wrong, then how do we stop it? Well, it's already out of your control because you killed him and he just popped up again.

Cristina: Yeah, yeah.

Jack: Not only was he far ahead of you in that he could just land in the Shadow Realm after you kill them to shut him the up, but he's also so intelligent and wields Shadow Realm powers that he somehow figured out how to build Shinto gates and walk right back.

Cristina: Yeah.

Jack: D***, bro. You guys created a monster. Yeah, they tried to solve it.

Cristina: They did. They thought they had. I'm sure they thought they figured everything out before actually making him like. Okay, we got.

Jack: No, I'm thinking this is actually where you're correct. And the lack of a third philosopher's stone was to avoid making him perfect because they hadn't figured it all out.

Cristina: Oh, okay.

Jack: Because if they did winging it.

Cristina: But they were really curious. They're really, really.

Jack: Science is problematic.

Cristina: Exactly.

Jack: Like Tom York's song Dreamer suggest. Science is going to be the f****** death of us and we're gonna dream beyond our control. And that could in theory be what Jesus is.

Cristina: Yes.

Jack: A really like, come on. They actively refuse to complete it into perfection because what if s*** goes wrong and then instantaneously s*** went wrong.

Cristina: Yeah. It was probably way worse than they expected for something that's not even perfect.

Jack: Yo, the kid's not even born yet and now people just know where you live.

Cristina: Yeah.

Jack: D***, bro.

Cristina: Yeah. Because with just Mary, what they made was kind of crazy. At least compared to their evolution. Our evolution was ridiculous.

Jack: Yeah, it was fast. Fast.

Cristina: So of course the next step would be. Whoa.

Jack: Yeah. Yeah.

Cristina: A blink of an eye pretty much.

Jack: Which is what's happening with Jesus.

Cristina: Exactly.

Jack: The exponential growth, understanding and level up.

Cristina: This kid went through a million to what were we.

Jack: We're talking. Yeah, we're talk. Three billion years.

Cristina: Billions to millions, right?

Jack: Yeah. Then we come in from those that took the sea. People took billions. Then the primitive humans took millions. Then our humanity is only taken thousands. And then Jesus was 30 years before he became fully aware of his capacities.

Cristina: Yeah.

Jack: It was like 30 years from billion. Yeah. From birth to. Oh, I got powers.

Cristina: Yeah.

Jack: Was only 30 years.

Cristina: Yeah.

Jack: And then it's like, oh, get in contact with this friends. Get in contact with his. Everybody. Everybody close. Whoever the is around this m***********.

Cristina: The way everyone was dreaming about him, maybe he could also dream about them. Like, how did he know about the shadow Realm? I guess is my thinking.

Jack: Yeah. Nobody told him.

Cristina: No one told him.

Jack: But also we know that people who drink adrenochrome can hear the voices of creatures from the shadow realm. He is made of the shadow Realm. He is just in commute. They can't control it. He's just in communication with over there. As his abilities developed and grew and got complicated. He's just connecting and talking to these m************ over there.

Cristina: Yes. But we don't know if he has any connection to the fairy world.

Jack: We have no idea. As far as we know, he doesn't.

Cristina: Yeah.

Jack: Which luckily those restrictions were in place.

Cristina: Yeah.

Jack: Because that could have been even more problematic. If he has that level of power, then how do you stop him ever?

Cristina: Mm.

Jack: Oh, it's crazy.

Cristina: That's crazy. Okay.

Jack: Problems for days. 30 years, bro. That's it. 30 years. From billions to 30 years.

Cristina: Yeah.

Jack: So we established John, he's gonna start making lies. And we get Peter, he's also gonna start making lies. But he's gonna do it in an organized fashion. The guy writing, I've been with Jesus. And the guy like, Jesus told me to make this church. Okay. Additionally, in secrecy, two plans are established. One, we gotta kill Jesus. They did. Without knowing you kind of succeeded too well. And he just pops up again. Because he was also still connecting and discussing. He built these bridges and walked right back in.

Cristina: Yeah.

Jack: Second, the Knights Templar are established in secrecy a hundred years after Jesus is born. And their entire job is to eradicate all information on Jesus Christ and push a new narrative about his existence. Now we're making leaps. The Six hundreds. Greek scientist Zosimos discovers the magnum opus within ruins along the coast of the Persian Gulf oasis. And in it are the instructions to creating the Philosopher's Stones.

Jack: Although unhappy that the sea people refused to share their technology with them, the Greek are obligated to Establish regular resource trades with the sea people via regular visits through Mount Athos.

Cristina: Yes. Where they get to see unicorns.

Jack: Yes. Which is actually where this began for us. 900s Vikings Discover the uses of adrenochrome and proceed to experiment, thus leading to the norse overpowered individuals. 1100s till the 1100s. Now the knights Templar become a publicly known group and their methods become ruthless as opposing information on Jesus Christ continues to be pushed by smaller groups. And presumably Jesus somewhere hiding amongst them himself.

Cristina: When do we get to. I don't know if it's. I guess after this. The Jesus attempt.

Jack: That's still getting there.

Cristina: Oh, wow. Okay.

Jack: Actually now is exactly when what you just mentioned comes in, which is the 1500s.

Cristina: Oh, okay.

Jack: Rabbi Leo in the attic of the Old New Synagogue succeeds in making a golem named Joseph with abilities identify identical to that of Jesus Christ. One he could control and deactivate. But this golem could come in and out of the shadow realm.

Cristina: Maybe he was the better version of Jesus because he seems like he is what they wanted, something that they can control. And Jesus, this definitely was not that. And also everyone was dreaming about him. Like there's so much bad.

Jack: There's a lot wrong with Jesus.

Cristina: But this golem thing seems like exactly what they were aiming for and did not get. Well, they were way off the mark.

Jack: Presumably the idea of making Jesus was because we need him to be biological so that we can then alter ourselves to match whatever composition he has. Which you cannot do with this golem.

Cristina: Oh, okay.

Jack: They'll never be able to do.

Cristina: No.

Jack: What the golem does. Yeah, they can control the golem, but they can't emulate the golem.

Cristina: Yeah, interesting.

Jack: With Jesus you have your own DNA.

Cristina: Yeah. And with the golem, he was created most likely from a shadow realm creature. Told this guy how to do it right. Or something like.

Jack: Yeah, yeah, yeah. There was instructions that he used. They, they did, they performed the weird. They had weird rituals to begin with. Yeah. And they began to hear the voice, presumably of a God.

Cristina: Question mark.

Jack: Something from the shadow realm.

Cristina: Yes.

Jack: Now here's what's interesting about this. Here's what's very interesting about this. If you remember the sun gods, there is a traitor amongst them, Abraxas, who stole the data and dipped into the shadow realm. That happened way, way, way long ago, before the birth of Jesus by quite a time, thousands of years ahead. Maybe this same individual, which is one of these overpowered, immortal like ancient Egyptians.

Cristina: He'S into science, as we can tell.

Jack: Is who was talking.

Cristina: Yeah.

Jack: To this individual. Alternatively, could have been Jesus himself.

Cristina: Yes.

Jack: It's just something from the shadow realm. Talking to them doesn't mean it's a shadow creature. It's just something in the shadow realm. There's a direct connection with something because of their rituals.

Cristina: Yeah.

Jack: And they gave them the instructions on how to create this golem that then had the ability to come in and out of the shadow realm.

Cristina: And then something weird happened with that golem.

Jack: Yes, but that happens no time soon. Because after the golem's creation we skip forward to the 1760s.

Cristina: What?

Jack: Where a Greek merchant named Antonio Dracos is handed alicorn by a Russian named John, claiming to have gotten it from Mount Athos.

Cristina: What a wild adventure.

Jack: He goes on a crazy adventure where he just. People just find out about this thing. And a war breaks out between Russia and Turkey just trying to get it. Murder everywhere. People trying to get to this guy. He establishes a school in secrecy and get gathers together the most elite elite scholars to study this thing. And doesn't work out. Eventually he dies. But in.

Cristina: Even though it's supposed to keep people living forever or something like that, everyone that gets its hand, their hand on it somehow dies. Like it's kind of weird, but. Okay.

Jack: Now here's a thing. We're assuming that a unicorn is in fact a fairy and not a sea person experiment. Because what really is up with. Unless it's not a. Here's he would be the other argument. They do have the fruits. Maybe they're making a crap ton of experiments. Bro.

Cristina: Yes.

Jack: And the unicorn is just some fairy magic sea person experiment.

Cristina: Yes. Because the fruits relate to the fairies somehow. Because the trees are called fairy trees, even though we don't know how they're related to the fairies. But. Yes.

Jack: Which is one of our main questions. How are the fairy trees made?

Cristina: Yes.

Jack: And your theory makes a lot of sense. Is it buried fairies? Which I think there's something. No, it can't be. No. Well, I don't know. Because you use the philosopher's stone plus the fruit to create people. But you don't need the fruit to create the philosopher's stone. So you can use a philosopher's stone that bends reality to perhaps kill a fairy, which should in theory not be able to die because you're bending reality. The philosopher's stone can kill a fairy.

Cristina: You think the philosopher's stone could kill the fairy?

Jack: I think it can make life, and I think it could take life.

Cristina: Huh?

Jack: It is, as the magnum opus describes, a thing that allows you to do Whatever the h*** you want.

Cristina: Yeah. It doesn't mention fairy murder, does it?

Jack: No, but it breaks the laws of nature. And if nature suggests that fairies cannot die, then with a philosopher still can kill a fairy. Which would then create an interesting argument. If El got into the Forest of Shadows, where fairy trees all ready existed, and he was told about the Shadow Realm by Yalda, and he was. And he get. And Yalda gifted Susan the Shadow Realm. What was Yalda running from? Why did he disappear? Second, did Yalda make the Forest of Shadows?

Cristina: You're thinking he killed some fairies?

Jack: I'm thinking killed fairies. I'm thinking Yalda has a Philosopher's Stone that he made in the Shadow Realm?

Cristina: I don't know, because I.

Jack: When Sizzen, the son of Yalda, considered the God of Death. Yeah, why?

Cristina: Why? Oh, okay.

Jack: Who died?

Cristina: Did fairies die in the Shadow Realm?

Jack: In the fairies die, how was the stone made? How's the stone is the original philosopher's stone made out of a mass grave of djinn.

Cristina: Wait, the original as in atom or. You're saying there's no.

Jack: There's one before him that Yalda had billions of years before even L existed?

Cristina: That made the sea People?

Jack: No. Well, maybe.

Cristina: Well, that was the first thing he did. He made human. I mean, he made. Or the Earth Realm, and then he messed with.

Jack: Oh, checks out, doesn't it? Oh, yeah, that makes perfect sense, actually. So he already had one, and then he killed fairies with it? Most likely. And then made the forest, and then came and made the sea People with this primitive, ancient, outdated version of a philosopher's stone.

Cristina: Okay, maybe.

Jack: Holy maybe.

Cristina: I don't know, but it sounds right.

Jack: Whoa.

Cristina: It matches everything.

Jack: Yeah. If we were to follow a pattern, then yes. You made life with the Philosopher Stone.

Cristina: That seems like how it's done. Yeah.

Jack: Interesting. Which, in theory, could be how he killed fairies and thus made the Forest of Shadows.

Cristina: But he's not the one Yelda Yalda.

Jack: Made the Forest of Shadows, but he's.

Cristina: Is he the one that's called the God of Death?

Jack: No, Susan is. Okay, but Susan didn't make the Force of Shadows. He was also curious about it. But he was handed this by his father, and everybody knew that guy, so presumably they were both referred to as the God of Death. He's the son of the God of Death.

Cristina: Yes, yes.

Jack: And since he's in charge now, he's also the God of Death.

Cristina: Okay, yes, that makes sense.

Jack: But his father is the one who sacrificed many jinn, hence earning a name the God of Death. And Then he created this primitive philosopher's stone. And then he used that philosopher's stone to kill fairies and created the Forest of Shadows. And then that. Maybe that allowed him to create Earthrealm as well. Yeah, maybe the killing fairies in the killing fairies, burying them not only brought the tree, but it created some other thing.

Cristina: Yes.

Jack: Elsewhere. That he then used to create Earth Realm.

Cristina: Okay.

Jack: And then he went to Earth Realm to mess with. Was there using the philosopher's stone that he used to kill the fairies. And then he made the sea people. The sea people made the philosopher stones that allowed them to make us.

Cristina: Because how did they get it? Yes. I feel like there is something there. I feel like that's right.

Jack: I can look into that. But how? The. The problem is, the further back we.

Cristina: Go, the less information we have, the.

Jack: Less somebody needed to mention loosely, something. Because now we're getting to beyond any. Anything written beyond any. Like this is just a line or a sentence or a picture at this point.

Cristina: Yeah.

Jack: Like that's far, far back. Of course, narratives do make it through time, so who knows? 1820s, two Greek record keepers also have somehow come in contact with Alicorn and claim it also came from Mount Athos. 1880, shortly before the Old New Synagogue is renovated, three Magi visit and leave shortly thereafter. The golem is then reported missing. Another weird question. They showed up with six boxes.

Cristina: Yes.

Jack: And they left with six boxes. Not big boxes.

Cristina: Buried the boxes.

Jack: And then they buried the boxes in a weird formation and dipped.

Cristina: Yes, except it doesn't make sense comparing the size of the golem and the boxes. Right.

Jack: No, it makes absolutely no sense. The boxes were absolutely tiny. They're about a square foot each. The golem was f****** huge. It was like 20ft tall.

Jack: I don't know.

Cristina: Of course there's a connection, but I don't know what it is.

Jack: Some things are just weird questions.

Cristina: Yeah.

Jack: 1984, the Tanker War begins over the Persian Gulf. Disguises a trade route war secretly attempting to take ownership of the waters over the palace of Alcaraz at the Persian Gulf oasis. And one of the Most recent events, 2001. An unknown group uses the United States government to organize the collapse of the World Trade center in an attempt to create a philosopher's stone by sacrificing over 2,000 thousand modern day humans.

Cristina: Which would make a nice philosopher stone.

Jack: Which would make a pretty nice philosopher stone. That brings us essentially to the modern day.

Cristina: Yep. So there's still philosopher's stones being made? Maybe.

Jack: Yes. Well, there's. Yes, likely there's another example of a possible attempt to create the philosopher's stone. And that's the bomb dropped on Hiroshima. Allegedly dropped on Hiroshima. And then there's. I don't have any clue. That's a really good question.

Cristina: It's a hundred and 40,000 people.

Jack: 140,000 modern humans. D***. Okay, so here are our arguments for this. These. The contrast between these two situations. You go ahead and you bomb a hundred thousand modern day humans, you sacrifice them and you get one philosopher's stone. Right? Mad sacrifice. You get one philosopher. So that's a pretty hefty philosopher. So but when we're talking about the World Trade center, we're talking about elites, right? Maybe a lot of those people had access to adrenochrome. So we're talking about beyond the modern. We're sacrificing enhanced modern day humans. So with less you get more done. Would that make sense? Because they all got ichor.

Cristina: Okay.

Jack: And so you don't need a hundred thousand. So the argument is, we're over here talking about philosopher stones, but how many are there by now? If all of these major events are the creation of another one, then there are ton. Bare minimum dozens.

Cristina: But how important is that to them when they also have, like we said, ichor and the other ones very different.

Jack: Because there are the people who are addicted to these substances and must rely on them. And the clever individuals who create the philosopher's stone don't have the addiction and can still have all the benefits as well as do much more. Somebody on adrenochrome cannot create life. Somebody with a philosopher's stone can.

Cristina: But why are they making life? Or that's not their goal? The people that are doing.

Jack: No, there's just way more abilities. You're thinking way too narrowly. There's way more ability to philosopher's stone. The point isn't literally making life. It's the fact that the philosopher's stone can do way more by miles than adrenochrome can. And in theory, a philosopher's stone will allow you passage into the shadow realm without you having to die. Which then brings up another interesting question. Did the Jews have a philosopher's stone? Thus Joseph the Golem was possible. Were there other parts involved there that we're not aware of? Well, no, because then they themselves would have been able to answer the.

Cristina: Yeah, shadow realm.

Jack: No, then they didn't. That means that more than so wow. Either way, right? Because it took the sea people how long first billions of years for a yalda to get a philosopher's Stone. Then millions of years for the sea people to get philosopher stones. Then just f****** no time. We just. Thousands of years. Boom. We got philosopher stones. Now we could just make them casually. We figured it out.

Cristina: Yes.

Jack: Six hundreds. Zosimos finds the instructions to do it. Now in modern day, we just casually sacrifice mass groups of people and make philosopher stones all the time. 9, 11, Hiroshima. Whatever the h*** is happening in Iraq and Iran, Afghanistan. All these places that we're just mass killing for the people who don't have the instructions on how to make philosopher's stones. Mass breeding grounds for adrenochrome.

Cristina: Yes. There's a lot going on.

Jack: Shortcuts.

Cristina: Yeah.

Jack: If we don't get the adrenochrome, we're gonna figure it out anyways. F*** it.

Cristina: Mm.

Jack: D***.

Cristina: Like the island.

Jack: And that catches us up to the modern day. That's a nice summary of what's happening. And there are still questions. But what's interesting here is one. Jesus was. There's probably no third philosopher's stone in the making of Jesus. Maybe the intention was to limit him and he's still out of control.

Cristina: Yeah, that sounds like it.

Jack: That's interesting.

Cristina: Yeah.

Jack: Second, that's clever. I didn't think about Yalda having his own philosopher's stone, but it makes sense.

Cristina: Makes sense.

Jack: Why are there trees connecting two realms? Unless those trees were part of the making of the other realm. It was just two realms for who knows how long. And Yalda sacrificed a bunch of his own. Had overpowered abilities because of the stone he got from it. Killed some fairies with it. Made the forest. The forest somehow gapped into another bubble dimension. And he established Earthrealm in that he.

Cristina: Looks like a God because of all that. Which makes me wonder about Meb. What's her name?

Jack: Mab.

Cristina: Mab. Like what is she doing things like this before any of this happened? Like.

Jack: Like how did she create. Yeah. That's another thing. The further back in time in our own realm, we go the fuzzier. Because where are we getting the data from?

Cristina: Yeah.

Jack: And then as soon as we even like modern day, we just think about the shadow realm. Our best examples are very, very, very recent of creatures that come through in mass events. Or it just gets fuzzy. Quick. Quick.

Cristina: Yes.

Jack: And then we have nothing on elv. So there's a lot of question marks surrounding a lot of this. We don't know a crap ton.

Cristina: No. But that's all we do know.

Jack: That's all we do know.

Cristina: And that's a lot.

Jack: That's as it stands. So that's the summary for anybody. I think I'll call it the summary because it's more helpful.

Cristina: What were you gonna call it before?

Jack: As it stands.

Cristina: Well, as it sounds okay, maybe it's.

Jack: As it stands, the summary.

Cristina: Is that too complicated?

Jack: I don't know. I mean, not too complicated, but too long, you mean?

Cristina: Yes. Or how do you. What about the summary? As it stands.

Jack: Oh, yeah, the summary as it stands. Fair enough. Whatever. Some variant of those.

Cristina: Yeah.

Jack: Anyways, that's for anybody new strolling through who wanted to not have to go through a thousand million episodes just like. Just like 15 to 20 episodes of this crap right now. Just kind of piecing this mess together. So here is a solution for that. And now you don't have to go back through all those hours and hours. You should if you want details. There's so many details missing. So much crap is missing. And like how the Greek get involved and all of their creatures and the Norse and all of their creatures and the details about these Greek record keepers and all the crap that happened around Antonio Drive. That's probably one of the most interesting messes. Did you want real detail? Antonio, Draco and the entire clusterfuck of s*** that happened around that guy, the schools he established, the people that died around him, the people that tried time to get to him, all of the above. Anyways, if you guys come up with anything, find anything, you do research and you have tips to give us or directions to send us to find more information, let us know. Yes, you can let us know on all our socials at just Convopod. That's on X, on TikTok, on Instagram, on Facebook, wherever.

Cristina: Remember to subscribe. Right. And review the show and tell people about the show.

Jack: Word of mouth is very important. Tell everybody. Because we're uncovering the truth in this absurd mess of crap.

Cristina: Absurd. This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: Sam.

Cristina: The podcast is hosted by Christina Colazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts, info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 85: The Easter Zombie

Jesus, Easter, Easter Zombie, Holidays, Religion, Faith, God, The Just Conversation Podcast

What does Easter have to do with a rabbit? Unpacking the origins of Easter and how Jesus and a mythical rabbit relate.

Story:
The duo plots on escaping the country to Zombie Island as the national shutdown continues to spread. While in the studio they take the opportunity to unpack upcoming Easter and how it relates to other holidays and deities.

+ Episode Details

Remember to leave us a review on Apple Podcasts or anywhere you listen to podcasts to help us get noticed.We’ll read our favorites Apple Podcast reviews on the show! Tell friends, family or anyone you know who’ll like the show about it.

Topics Discussed:

  • Egg Delivery
  • Christ Criminal Organization
  • The Resurrection
  • The First Zombie
  • Dracula
  • Scientist Christ
  • 12 Year Old Apostles
  • Holy Coma
  • Mammals
  • Sonic 7 Crew
  • Spring

Official Website - https://greythoughts.info/podcast

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