Rambling 225: UFOing

What could the real explanation behind UFOs be? If there are beings other than humans involved in these UFOs, which beings are they? And why does it appear that the Egyptians lead back to so much interesting stuff? The duo continue their deep dive into the UFO phenomena in an attempt to better understand and rationalize away the inconsistencies.

Rambling 225: UFOing

+Episode Details

Topics Discussed:

  • Flat Earth
  • UFO Sightings
  • Atlanteans
  • Reptilians
  • Egyptians UFO
  • The Sea People
  • Government Technology

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast, the show where I'm your host, Jack.

Cristina: And I'm your other host, Christina.

Jack: And on this show, we discuss humanity's most absurd and baffling ideas. I imagine, as I say, that there's, like, real, like, sound music playing that feels like something like wonder. Like wonder. You know, like link opening link from Legend of Zelda opening a treasure chest.

Cristina: If you weren't specific on what link you were talking about.

Jack: Rhett and link.

Cristina: Oh, my gosh, yes. Like, Retin.

Jack: Yeah, Immediately can. A different link. There's more than one Zelda that I can think of.

Cristina: Really?

Jack: Yeah. There's the Zelda that's also somebody's daughter.

Cristina: Yeah.

Jack: Whose daughter? Zelda.

Cristina: The actor guy.

Jack: What actor guy? Tom Cruise.

Cristina: The guy who killed himself.

Jack: Ledger. Comedian Robin Williams?

Cristina: Yes.

Jack: Okay. Wait, he called his daughter Zelda?

Cristina: Yes.

Jack: Really?

Cristina: Yes.

Jack: He's the guy who did that?

Cristina: Why not?

Jack: Now, my question is, was Zelda a name before the game?

Cristina: No.

Jack: Or even if it was.

Cristina: Come on. He had to. There's no way he didn't.

Jack: Robin Williams was old as s***, bro.

Cristina: So he.

Jack: He had to have missed that age. He had to have. Dude, dude, dude.

Cristina: When was the first Legend of Zelda?

Jack: The first Legend of Zelda was somewhere in the 90s, maybe, like, late 80s.

Cristina: How old was he in the eight. Late 80s.

Jack: He was, like, 20s. No. H*** no.

Cristina: If he was not, like, if he.

Jack: Died, let's say 2015, and he was about 70 years.

Cristina: Was he.

Jack: How.

Cristina: You know what?

Jack: You know what? Yeah, check his age. Let's confirm. Let's confirm.

Cristina: He was a gamer, man.

Jack: He could not have.

Cristina: Gamer.

Jack: He could not. He was not a gamer, man.

Cristina: He was a gamer, man.

Jack: Let's find out.

Cristina: You just want to know his age.

Jack: Just his age. We're gonna piece this together.

Cristina: He died at 63.

Jack: At 63.

Cristina: 2014.

Jack: In 2014. So we'll round one year and say 2015 to make this math easy. Okay, so we jump back, I guess we don't really need to do that. We jump back 20 years, and it's 94. Right.

Cristina: So for no, 10. 20 years.

Jack: Yeah. From 20. From 2014, we jump back 20 years and 1994, and he's there, 43 years old. So we take away 10 extra years to make him. To put him in his 30s. This is in the 80s. He would have gotten into gaming in his 30s. No, I guess. I guess.

Cristina: No.

Jack: He could have.

Cristina: He could have.

Jack: If he played Atari and like that, then. Yeah, yeah, it checks out. He would have played it when he was older. He would have played it.

Cristina: Maybe it's like the craziest thing that's happening right now. Like, it's. The newest games just were made.

Jack: So. No, they weren't just made, but he. He survived having played the original games and then gaming collapsing and then Miyamoto essentially saving all of video games with his creations and support for creators.

Cristina: Oh, my gosh. He was bigger geek than that.

Jack: What?

Cristina: He was not just a video gamer. He was a pen and paper role playing gamer.

Jack: No freaking way.

Cristina: They don't say the game, but I'm assuming Dungeons and Dragons, right?

Jack: Like there's many RPGs that's those things like the realm of Arda and stuff like that.

Cristina: Pen and paper role playing.

Jack: Yeah, it's the same concept. You just did do this one on a message board, but essentially you could do this with a pen pal.

Cristina: Whoa. Yeah, okay.

Jack: It's the same concept. You're just sending back and forth. The continuation to the story. In fact, the method of doing this began in that form originally. It later entered the forums because the Internet happened. But this was originally a sort of game you played with a pen pal where you can. Or you wrote a story.

Cristina: I'm finding so much about him though, right now. He was into anime and collecting figures. He's such a geek. He was such a geeky.

Jack: Whoa.

Cristina: Whoa. What a geek.

Jack: Robin Williams.

Cristina: Awesome.

Jack: Yeah, it's pretty cool. I dig it.

Cristina: Okay. That's very random.

Jack: He was into all kinds of things, man.

Cristina: Yep.

Jack: What a chill guy. Was he a Weeb?

Cristina: He was a Weeb.

Jack: He was a Weeb. He was a Weeb. But was he had kids, right. Or was he like an incel. And we had no idea he had Zelda, which was his daughter.

Cristina: Yeah.

Jack: And that's how he got here.

Cristina: Yes. And I think he had two other children. I'm not sure.

Jack: Okay, okay, okay. That makes sense. Now the question is, would he have been an incel if he wasn't a famous comedian? If all other aspects of Robin Williams remained intact except him being a successful comedian, if he was the same personality, all the same traits, except he's like really good at factory line working.

Cristina: Does he have to be good at it? Can you just be a factory line worker?

Jack: That's what he applied. All because he still has all the same wants and desires to be good at something. Okay, so he's just doing that and he's Just like manager and some like that. Okay, so he's that guy. He's not. Robin William, the greatest comedian of all time. Great actor, drama and comedy. Great stand up and. Yeah. If all that's out the window. Is he an incel or is he just a guy?

Cristina: He might.

Jack: I don't know who. Who likes all those things but is still like cool and chilling. Could have bagged the same chick. Could even bag the same chick that. I guess that's my ultimate question. Could you have gotten the same woman or in any case with that woman? Is the question, is she a gold digger?

Cristina: I don't know. I guess they met doing the same thing. Is she a gold digger?

Jack: Is she a comedian?

Cristina: I have no idea.

Jack: Interesting.

Cristina: I have to go look up his life.

Jack: Where? Assuming that Robin Williams wife is a comedian.

Cristina: Assuming? Yeah, she's some type of actress.

Jack: Writer. Comedians and the date writers all the time. So do actors. Apparently writers are the easiest people to date.

Cristina: Oh, he was married a few times. Three times.

Jack: All writers.

Cristina: The last one, I don't know what she was because it doesn't say. Oh no, the first one either. The second one was a film producer and philanthropist.

Jack: Okay, so no comedians, but yes, somebody in show business.

Cristina: Just one. Well, I guess the other two were normal human beings. Who knows?

Jack: Normal people normal, but normal people see celebrity. He's exceptional. You gotta see celebrities all the time to get over it. That seems to be the thing. People are weird about famous people.

Cristina: Yes.

Jack: So his being famous has a huge thing to go. Like I guess the question here because in the middle of thinking about this, my psychology on it broke up a million times and I considered all the different perspectives of. It's not just whether he would be an incel, but maybe he could get somebody who isn't that same person. What if she's just a gold digger? You know, like that conflict immediately formed in my mind.

Cristina: But if she was a normal person, then would he still be able to get a normal person?

Jack: Yes, because the normal person is somebody who would just easily say yes to celebrity. That's another problem. Okay, so you can't measure it based on normal person because they'll most likely. Well, I guess not most likely, but how good is your game?

Cristina: Okay.

Jack: You know?

Cristina: Yeah.

Jack: Like without you being super famous.

Cristina: Yes.

Jack: Are you capable of getting this one person who only said yes to you because you were famous? Could you get them without being famous?

Cristina: Yeah, like even the first one was probably like even if he wasn't famous at the time, she could probably see that he was Going to be a star?

Jack: Well, it depends. It depends how young he was, how far away from he was. There's no way to tell. Some people are exceptionally talented and never go anywhere.

Cristina: He said his active years, though, was. The start of. His active year was 1976. The year he got married with her was 1978. So did she see something?

Jack: Yeah, I guess that was his first role. What did he do?

Cristina: It doesn't say. It just. He started, I guess, actively becoming a comedian or actor or something.

Jack: A comedian is, I think is where he began. Says if that's where his career started. He got married, what, three years later?

Cristina: Yeah.

Jack: Then no, that lady was there though. This is like high school sweetheart or some s***. It's fire. So she was just the real human who was in it. Just cuz she knew him?

Cristina: Yeah, I guess. Yeah, yeah.

Jack: So, okay, debunked. He was just a geek.

Cristina: He was a geek. Okay.

Jack: Yeah. That's all. He. He was definitely not an incel. Because then if he was, he'd be unfortunate. No, that's crazy. That's what people say. I heard that joke a couple of days ago. I was like, what? I hang out on 4chan and I'm not a mental. But no. Yes. There's this perception that incels hang out of 4chan.

Cristina: How do we know you're not an incel.

Jack: How do what?

Cristina: How do we know? The listeners.

Jack: How do the listen.

Cristina: Oh, besides that you're married to a roach. I don't know if that's a positive thing or a negative thing.

Jack: It was. It's a female roach.

Cristina: It's a female roach. I don't know, like, it's just weird. So I don't know. That counts. That doesn't count.

Jack: No, I'm saying I'm not an incel. For sure.

Cristina: Okay.

Jack: I could bag the b******, but you bag the roach. Yeah. You judge. What the f***?

Cristina: Yeah, I guess, I don't know.

Jack: You a specist?

Cristina: What it was your plan to murder them without any, like, interaction with them?

Jack: I had nothing to do with any of that.

Cristina: You were very encouraging.

Jack: I was. I am. I'm not that guy.

Cristina: Oh, maybe you are not that guy.

Jack: I'm definitely not that guy.

Cristina: You are that guy and not that guy.

Jack: Doesn't matter. So look.

Cristina: Yes.

Jack: Those are aliens. The insoles, probably. I was thinking more of the roaches.

Cristina: Oh, okay.

Jack: The. Regardless of what the case might be.

Cristina: The roaches back to Reddit. Somehow leading to aliens. I don't know. No, no, okay.

Jack: No, no, no. The roaches. The roach People. The cockroach people from Mars.

Cristina: Question mark.

Jack: That sounds right.

Cristina: I feel like. That's right. Then he destroyed Mars.

Jack: Replace it. Yeah, okay, okay. It wasn't the moon. What's on the moon? I'm sure.

Cristina: I think we put prisons there and.

Jack: We saw something on the dark side. I don't remember what we saw. Probably more prisons.

Cristina: Cat people.

Jack: Cat people?

Cristina: Lizard people. Well, that's not important. The aliens on Reddit, Is that what you're saying?

Jack: No, the roaches are aliens. And my point in saying that is it's possible that in the past we have seen. This is totally. By the way, last week we were talking about UFOs.

Cristina: Yes.

Jack: And we just started talking about cockroach people right now who happen to be in space. So I immediately just started to think that perhaps, maybe.

Cristina: Maybe what?

Jack: These roach people could have been some of the UFOs we've seen throughout time. And guess what we've seen less recently?

Cristina: What?

Jack: UFOs.

Cristina: I think we've seen less UFOs recently.

Jack: Yes. There was way more in the past, and then they've slowed down. Which in return just means that destroying that planet of roach people has reduced the number of total UFOs sightings.

Cristina: Which makes sense, I guess.

Jack: Makes perfect sense.

Cristina: I think we killed all the lizard people, which probably have UFOs. Who knows?

Jack: Well.

Cristina: Or not.

Jack: Very interesting fact that you'd bring that up, because it seems. It seems that a lot of The UFO people, ufologists believe reptilians are some of the UFOs.

Cristina: What do you mean?

Jack: That there are reptilian UFOs. That some of the UFOs that we have seen are reptilian people. Why?

Cristina: Because they saw them, I guess. Right. Is that the story? They've seen these aliens and they look like lizards?

Jack: I mean, I guess you could argue that the grays could also be reptilian. Or do they have gray skin?

Cristina: But if it's scaly, wouldn't that just mean they're reptilian? Like they don't have skin? I guess it'll be gray.

Jack: Yeah. Yeah, that's what I mean. Is it skin that they have or is it scaly?

Cristina: I don't know.

Jack: No idea. Anyways. Anyways, so I was thinking about UFOs and I was thinking like, the people who usually believe in UFOs are usually the same people who believe in flat Earth. There's a lot of crossover happening. So I got curious and started diving into flat Earth and trying to understand what the idea is behind flat Earth.

Cristina: And that's Gonna help you with aliens?

Jack: Well, I know that they kind of believe in the same things. I figured if I understand flat Earth a little more, then I'll understand UFOs more and then I can get like the psychology behind it because there'd be some crossing lines or whatever. And so as I'm going through flat Earth ideas, one current day idea we've discussed in the past, Earth exists. It's some sort of floating disc in space with a dome over it. There's an ice wall surrounding the edges of the dome. The dome is optional now because there's two different variants when we reach the dome. One version is the disk ice wall. You get to the ice wall coming out of the back of the ice wall too far for humans to reach because it's too cold or too hostile, or people don't want you to go there because laws or whatever.

Cristina: Land.

Jack: Yeah. No, it's the beginning of the dome that goes over your head.

Cristina: Oh, okay.

Jack: And it goes over the entire. And all the skies in space and everything are splattered on the dome and we rotate beneath it and so we see different parts of the top of the dome with the sun on one side, the moon on the other, or I guess the moon moves at a different rate on that dome.

Cristina: Do they think we live in a simulation or something?

Jack: No idea. And the alternative is the one with the land on the other side, where on the other side of the ice wall is more water and more land.

Cristina: I'm just glueing it on.

Jack: Well, yeah, I guess. I guess that's more than one variant as well. So I guess we'll say three different options because yes, there is a limited amount of space in one version of this and there's just a lot of it held away from us here, trapped inside the ice wall.

Cristina: Okay.

Jack: But there's also the idea of like. Yeah, it just goes on forever and we're a tiny little piece caught within this ice wall.

Cristina: That's weird. I don't understand that makes the least sense. Although it all doesn't make sense. Like if it's live, it's unlimited. Why? Why be trapped in one spot?

Jack: Either somebody trapped us without us knowing.

Cristina: What's the advantage?

Jack: Don't know. It would be. It's. I mean, it's something so intelligent it managed to trap 8 billion people. It's beyond our understanding.

Cristina: Are we like an ant farm or something?

Jack: Exactly. Think about it. We could totally be.

Cristina: Yes. Okay, that makes sense.

Jack: Yeah. Like it's. Who knows? Or we just happen to be in a spot that's protected from some sort of condition outside of that wall, and that has allowed us to exist and develop long enough to question why we're in here. So there's no actual influence directly on us other than we happen to be some of the creatures that developed on Earth and happened to be protected from some worst thing that happens to exist out there that would have stopped our development longer ago. Maybe catastrophes happen out on the other side of the wall all the time, but the tidal waves can't reach high enough to come over the ice wall. And so colossal tidal waves that consistently destroy no man.

Cristina: Oh, so weird. All right.

Jack: You know, don't destroy us.

Cristina: The first one, though, is really strange because, like, do they think someone made this?

Jack: Some people do. God.

Cristina: It's hard to imagine. Okay, but then he's a physical thing, right? Like. Or not physical, but he's some kind of scientist.

Jack: Well, I mean, it's already theorized that God is some sort of scientist.

Cristina: Okay. If he's, like, what would be the point?

Jack: What would be the point?

Cristina: Yes. To put us in a globe and then have everything perfect. Like, it's really like we're just pets. Yeah.

Jack: Sort of trapped in a. In, like a cage of sorts.

Cristina: Yeah. Although I guess in all three options, we're just trapped in a cage as pets in some way.

Jack: No, in one of them, we're not. It's just absolute chance. There's nobody trapping us in here. We just happen to have developed inside of this container.

Cristina: Yeah, but aren't the. Isn't the government trying to keep us from discovering the truth that we are?

Jack: I guess more options spreading out would include the version in which now they're not. They're really not. But it still happens to be the fact, like, they can't be behind every conspiracy. But looking into flat Earth and trying to comprehend how flat Earth works, I came across those. Right. But I also wanted to find the origins of flat Earth, Weirdly enough. Weirdly enough. Flat Earth in current day seems to be essentially a religious belief from olden day, because early Egyptians and Mesopotamians all believed it was also a disk floating on an infinite ocean.

Cristina: Okay, but did they? There's proof that they did.

Jack: Yeah. I mean, their depictions suggest that. Which happen to be on pyramid texts and coffin texts depicting large oceans encircling land. It just happened to also be that way. They just believed it. It just happened.

Cristina: Yeah.

Jack: So interesting. I didn't know.

Cristina: Very strange.

Jack: Yeah. Like, I knew it was a belief of the past, but this is almost a ritualized belief. This is almost religion.

Cristina: But how can you tell it's religion?

Jack: Because they're believing it with faith. And they're ritualizing the preaching, thinking, exercising the thought of. And telling other people of it and studying it.

Cristina: They're studying flat earth. They have flat earth research written on their walls.

Jack: They have flat earth concepts and ideas written on walls. I don't think there's, like, science going on.

Cristina: I don't know, like, some numbers involved somehow.

Jack: No, it just seems that they were, like, studying flat earth.

Cristina: What does that even mean?

Jack: Just. I guess studying is the incorrect word. They're writing down their ideas of what a flat earth could encompass.

Cristina: Okay.

Jack: Now, the Israelites had the added belief of a dome as well.

Cristina: I wonder what that comes from.

Jack: And they believe that the dome separated them from heaven.

Cristina: Of course it does.

Jack: Yeah. Not that the dome is heaven.

Cristina: It separates us from heaven.

Jack: The dome separates us from heaven. That's. That's a very Creature being studied. Visual.

Cristina: Yes. Something about the dome does feel like that.

Jack: Yeah. It feels like you put an ant in a bubble and you're watching it.

Cristina: Like people who keep Ansa's pets. And that thin, thin little. I don't know what that thing is called, but I've seen it. I don't know, in commercials. I think my brother owned one. It's like dirt. It's a plastic. It's like a thin glass of dirt and ants are in it.

Jack: Yeah.

Cristina: And you can see, like, how they're living. You can see the tunnels because it's thin, but it's. Their tunnels are clear because they're digging.

Jack: Yeah, yeah, yeah.

Cristina: I have no idea what that's called, but that thing.

Jack: Yeah. It has the same kind of feel to it, this sort of being watched through the glass idea. If the heavens are above that and God is always watching us. What?

Cristina: Yeah. It's weird being watched. Is that what they all think? Although, I guess the whole idea of aliens is us being watched.

Jack: Yeah. But it's weirder that this almost leans into religion because the alien thing comes in later.

Cristina: Mm.

Jack: There is a lot of this. God is on the other side. Heaven is on the other side.

Cristina: Because he's watching us 24 7.

Jack: He's watching us 24 7.

Cristina: He's watching us.

Jack: Exactly. Well, the issue then begins when we go back to the Egyptians as opposed to the Israelites.

Cristina: Why? What's happening with them?

Jack: Well, the Egyptians really definitely believed that they were seeing things in the sky, floating the same way that today's ufo.

Cristina: I don't know what that is.

Jack: Today's UFO people believe in. These are images of hieroglyphs on the Egyptian. In many Egyptian sites, Ancient Egyptian sites. These are hieroglyphs. These. Okay, so this right here is believed to be symbolizing an alien spaceship. It could be anything. That's just a line in an oval shape. Yeah, this orientation is confusing.

Cristina: But there's a person in a ship or I guess that's what people.

Jack: Some sort of something.

Cristina: Something in a. Something El.

Jack: Yeah, it looks like something.

Cristina: Yeah.

Jack: And again.

Cristina: That'S the one where it looks like there's a bunch of different things happening there.

Jack: Yeah, there's a bunch of flying things that are weird.

Cristina: There's a helicopter, there's a tank. These are not alien. Those are.

Jack: No, these are just the future. This actually, this one brings up an interesting conversation in which. Are they just seeing the future of something we know? We. I still hold the theory that we're wrong about something down the line with the history about the Mayans, the Egyptians, the Atlanteans, and the old equator. Because I don't believe it was just like. Just for Jesus. I don't believe it was just for Jesus. There was something. Something was coming for them, and that's why not having Jesus. There was important. You know, it was about hiding Atlantis and hiding perhaps the Garden of Eden. But topic for another day. This right here, the order of this is a helicopter, either a submarine or a tank. And then a spaceship is showing progression, and one of them goes way into the field. Is this speculation or is it based on witnessing the future.

Cristina: So hard? It's so random, because right next to it is like some type of bug all the way over there, like this thing. It's very random.

Jack: And like grass.

Cristina: Grass. Like. Yeah, it doesn't. It could be nothing.

Jack: Yep.

Cristina: I don't know. It could just be a symbol.

Jack: Okay, this could be a hat.

Cristina: There's a little one under it.

Jack: Yeah, that actually looks more like a hat. Is that a spaceship abducting a hat?

Cristina: I don't know. What if that's flat Earth? Do they have. Where's their photo of the flat Earth?

Jack: Oh, I didn't even consider that. I don't know, because this was the point.

Cristina: The hat eating a hat.

Jack: Yes. Well, now you think about it, that does kind of look like flat Earth, but. And again, what is that?

Cristina: I don't know. Because that could be the sun. And he's offering something to the sun because he thinks the sun is a God. You know, that type of stuff.

Jack: 100%. What part of that makes you think.

Cristina: That'S the sun because it looks like it's round and there's light. The lines look like sun rays.

Jack: What part of this is round?

Cristina: The top part.

Jack: You mean the half?

Cristina: Yes, people. Kids draw suns. Like really dumb looking too. Like you're not questioning like how, what they're making sun. There's a tiny part in the bottom.

Jack: I don't think that's the sun. This is clearly something else. That one's a stretch. That's obviously something different.

Cristina: That's. You think it's a alien?

Jack: I don't think it's an alien. I think it's something that's definitely not the sun.

Cristina: It's their God.

Jack: No, it could be. Yeah, it could definitely be there. Or not their God. It could be somewhere that their God is looking through.

Cristina: It's an eye.

Jack: It could totally be an eye, actually. Yes. That's exactly how they do their eyes, isn't it?

Cristina: It's an eyeball looking at whatever he's offering.

Jack: But the argument is that this is also a ufo. A ufo, of course, yes.

Cristina: It looks like an eye, so it's probably God's eye looking at the offering.

Jack: So, yeah, here's a collection of that stuff.

Cristina: That first one is weird.

Jack: That circle.

Cristina: Yeah, that could be anything. Like there's so much birds next to it. Like maybe that was just another attempt to make a bird and it's just really ugly. Just a really ugly rock looking bird. I don't know.

Jack: So the UFOs that they have seen line up with the fact that the people who believe in flat Earth today are the same people who do believe in UFOs. That theory checked out so hard. I found that the people who believed in flat Earth in the past also believed in UFOs in the past.

Cristina: Okay, but we don't really know that for sure. Like we can't talk to these people and be like, is that what you painted? Are those UFOs?

Jack: Well, let's break it apart. Their system can be converted to letters and then you could figure out what these mean. It was an Alphabet of sorts. It was consistent hieroglyphs told stories with words. So they always had to say, we've cracked their hieroglyphics. Language.

Cristina: We know what they meant, but these are being questioned. They're not like this is for sure aliens, are they?

Jack: Well, when we have one off imagery like that. But for the most part we can tell what they're saying about these things, even if we don't know what the thing they're referring to is. Because there's no other reference to the thing. Yeah, you get my point. Like, the rest of the language makes sense. It's just, what the f*** do they mean by this thing that they've never talked about ever and has no context? Clue.

Cristina: That's very strange.

Jack: You get my point. So when we see these images, you'll see the writing that tells you the narrative and the idea. It was here. This is what I think it was. But it's like now they're using words you've never had encountered, so it fuzzes out into nothingness. The language has been cracked, but you still can't compensate for words that have never shown. And if they have no words for themselves, they're just, for the first time, coming up with it.

Cristina: Okay.

Jack: It's a little hard, right?

Cristina: Yes. Okay.

Jack: Now they definitely believe that there was something going on. Some of these images are weird shots in the dark. Other ones.

Cristina: Yes.

Jack: Obvious ones.

Cristina: Yeah.

Jack: You think any of them are obvious?

Cristina: Not that obvious.

Jack: Like the one with the freaking chopper in the submarine. That next one was obviously what it was. Just that looks like order.

Cristina: It could be the present, though. Like, that's not a. That doesn't scream aliens. If it looks so similar to what.

Jack: We have, it's being UFOs, not aliens.

Cristina: Oh, UFOs.

Jack: Yeah. It could just be a UFO. Just unidentified object.

Cristina: Okay. Okay.

Jack: In that progression, like I said, I think it's just telling us a future.

Cristina: UFOs, but not aliens.

Jack: Yeah, yeah. It doesn't have to be aliens by any means.

Cristina: Okay, then. Yes.

Jack: That's, in fact, in my argument for most of this is that it's not aliens. I don't think it's coming from outer space.

Cristina: It's us. It's kind of sort of in different times.

Jack: Kind of sort of. I think in the past we see. I guess not in the past. When we look at these hieroglyphs from the Egyptians, we also see the same ideas and not even just hieroglyphs, but when they have. When we look into the writings and they're describing in Arabia. In Arabic. In Arabic, they're describing in Arabic things that come up, like the unicorn and like Pegasus and like the sea people. The context seems to be very similar to the ancient hieroglyphs. It would be surrounded by what, by crops? Like the grass we saw. It would be out in nature. That's why there's insects out there.

Cristina: Okay.

Jack: And so the same idea would apply to where you're seeing the sea people. You're always coming across them on top of mountains. Where there's woods, where there's trees, where there's nature, where there's birds. So it kind of falls in line that although later they have a literal word to describe the flying thing. They were talking about the flying thing in other contexts. We were seeing other technologies that were from the Atlanteans.

Cristina: Is that what you're saying?

Jack: That's. That's. That's my theory on this. Because again, they shared the technology, so they showed up. They didn't just show up one way. It wasn't just all this magic looking s***.

Cristina: Yeah, they had tech.

Jack: They had the ability to move their entire civilization from the Persian Gulf oasis to the Atlantic Ocean.

Cristina: Okay?

Jack: They're up there. And so we see their genetically modified things and we're like, that's badass. But we see they're totally not animal machinery and technology, and we are baffled. We can understand a horse with wings. You're like, oh, we've seen wings. We've seen horse. That's kind of weird. It's a horse with wings. What do you do when there's just a disc floating and they come out of that? You're like, oh, what did I just witness? Okay, you've never seen any form of technology ever? And then they roll up to you on a flying saucer and then a light happens and they're just in front of you like, Tad.

Cristina: It's like, whoa, crazy. Okay, so, yeah, I guess it could not be aliens and still be UFOs.

Jack: Yeah, yeah. It's just crap we. We're unfamiliar with, but it kind of checks out with the greater narrative. And then when we look at certain things, like the context behind hieroglyphs showing us spaceships and Egyptian. What is it again? It's not Arabic. It's Arabic. Arabic. Arabic. Okay. Showing us in Arabic texts in the same context, except it seems that almost things are swapped for Pegasus or Unicorn. Then we're talking about interesting lines crossing where it's potentially the same thing, just discussed in different forms and different times. Now it's really weird. And what's weirder is that there doesn't seem to be mentions in those contexts in hieroglyphs where we see a. A horse with wings. And there doesn't seem to be context in Arabic with ancient Egyptian texts where they specifically mentioned UFOs. It seems to be like, strictly, yes.

Cristina: But like, how do they believe in Flat Earth and the Dome and all that? And you can see all these things, and that's what brings up space.

Jack: Yeah, that brings up a lot of questions. Right.

Cristina: Yeah.

Jack: Like, if they're so accurately mapping out what's happening above and simultaneously believing that the Earth is flat, how's that possible? Unless it's exactly the truth.

Cristina: Or they figured it out eventually. Like, one could be older than the other.

Jack: Interesting idea. So the concept would be that these original group of people eventually figured out that the Earth was round.

Cristina: Maybe. I don't know. It's hard to tell because I don't know anything about all the different things they have written on their walls.

Jack: And there are many.

Cristina: Yeah. And how many had. Like, it's probably gone from history.

Jack: Yeah. Just because it eroded over time. I'm assuming a plethora of things have suffered that.

Cristina: Yeah.

Jack: Now, I do think that we are seeing Atlanteans consistently throughout time because they've outlived us for quite some time. But I don't think that's all of it.

Cristina: You think there are other things?

Jack: I think there are other things. We took out the reptilians from Universe 2, because that's kind of how we got there. Because they were coming in from universe 2 through the core of Earth where they had their portal. You remember the whole shtick that happened.

Cristina: It's hard to say which one. They came from this universe too, actually.

Jack: Portal. And they were from the Mars of that universe, instead of cockroach people.

Cristina: Oh, okay.

Jack: Yeah. You remember. So then we took the planet, enslaved all of them, put them in prisons and the good times or whatever. So we go, we get rid of the Reptilians, we confiscate the technology. No more Reptilians coming through. Mainly because we destroyed that planet, which means we also. We destroyed Earth entirely. Because Planet X definitely crashed into that.

Cristina: Yes. Yes, it did.

Jack: And there's nothing. There's no more portal to come through. Oh, well. Oopsie. We made an oopsie. Yes, we made an oopsie. But we had Reptilians on this side that were not alien. They came from our core. We don't have Reptilians in space. People have also concluded this on the interwebs and in places like Reddit, come to the conclusion that it makes absolutely no sense to believe Reptilians come from space, because Reptilians, on average, come from the core of the planet. Duh. That's why we destroyed. Okay, makes perfect sense. No, but they really believe that they live from the core. They came out. They're not aliens. No, they're Earthlings.

Cristina: That makes sense. Yeah, we have dinosaurs and stuff like they. There's animals that they Lost from. Or they have relatives too, like we and the apes. The same. Same.

Jack: So the argument is that you would need to be in locations where you can access the core of the planet. You'd need to enter locations that could take you through passageways to the center of the Earth. And locations that would allow you to do this would be one, the ocean and two, volcanoes, because they have magma tunnels.

Cristina: Okay. How can Italians go through that?

Jack: Well, the idea here would be we've seen UFOs like we discussed on the previous episode, to have the ability to traverse all form of terrain, go from water, but never air to space, to enter into. Well, this couple, and I forget where, was taking a photo of this volcano you see before you. And what they saw come out of those.

Cristina: They saw that come out of it.

Jack: They came out and then shot to the left. Interesting, Interesting. So looking deeper into that, I came across a couple of instances that people have described in seeing exactly the same things, usually around volcanoes in which something pops up just a couple of hundred feet directly above, just fly away and skadoodle in a random direction.

Cristina: You have a collection of photos.

Jack: No, this is the only one that was photographed. But people were like, yep, seen that before.

Cristina: Whoa. I live next to a volcano. I don't want to live next to a volcano. But that would be cool.

Jack: So this kind of fits the idea that there would be a ship that is coming in. I mean, it's freaking coming in and out of a volcano. First of all, the volcano has magma in it, and so it's going through that and just making it, which means that technology can just handle it.

Cristina: Yeah. But so far, all these UFOs are from planet Earth.

Jack: Yeah. We're not seeing anything in space. We're not out there to see anything.

Cristina: Okay.

Jack: It'd be crazy if we were.

Cristina: Lots of stories are like they came from out there and are visiting us here.

Jack: What story?

Cristina: People's stories.

Jack: Who's seen it?

Cristina: I don't think they've seen it, actually. No.

Jack: They've never seen a UFO come all the way from space. It would look like a dot.

Cristina: I'm guessing the aliens are saying that. I don't know. Or maybe they're just assuming that.

Jack: I think they're just assuming. Yeah.

Cristina: Okay.

Jack: I think there's any proof for something from outer space. All this crap like these aliens are.

Cristina: Telling them their backstories.

Jack: No.

Cristina: Oh, wait, some of them do. I'm pretty sure they're like, yes, we're from that sun.

Jack: Oh, yes, yes. That happened with. With Bob Lazar. And his alien friend, who we'll call Elvis, because that's the only one I remember from perfect Dark Elvis.

Cristina: Okay.

Jack: And Elvis was from Zeta Reticuli or some like that. You remember. This is the name of the planet that Bob Lazar's friend Elvis came from.

Cristina: Sure. But yeah, so there's that. But then you're saying maybe there's not that.

Jack: What, like rays?

Cristina: Like aliens from out there? No, I don't think they're that are visiting us. I mean, I mean, there could be aliens out there, but that doesn't mean they're visiting us.

Jack: Well, I do believe there are a couple of instances that are simultaneously taking place that explain away what we see when we see UFOs.

Cristina: What do you mean?

Jack: Well, I'll take you down the theory of events. My. My theory on the series of events. I believe first The Egyptians saw UFOs constantly. But those were the sea people they were showing us the sea people that they saw frequently. That was step number one. A lot of those hieroglyphs were just that it was them. Like, whoa. The sea people rolled up instead of a horse. It was in a. In a dark dish and the light shot out and they just like popped up and they were like, cool. We come to trade with you guys again. It was like, whoa. They didn't show up in a horse with wings this time. They showed up in a flying plate.

Cristina: Okay, okay.

Jack: Definitely. Now, I also believe that a large sum of the UFOs we see are actually literally technology controlled by the United States government. Like, yeah, they're testing. They're really testing. And they light all the time.

Cristina: How did they get those things?

Jack: Nah, some of the whacker we see is our own. Not the better. Oh, some of the wack is lamest. What was it? It was like a super advanced plane. It was a super advanced plane. That's what it was, bro. It was just a super vance plane. And they're lying to you and they don't want. They're scared of everybody. Our government's so paranoid. They're like, oh no, nobody can know about our secret tech. And copy it and copy it. And then we're gon are super $80 billion richer than we were before. But it was already 25 of our entire budget.

Cristina: Yeah, like who's gonna do that?

Jack: It's us, okay? Like, yeah, they got all the jets, all the sorts that you've never heard of and have no way of researching because they don't want you to know or anyone else to know. They're super Secretive super secret agent man. They do that with everything they do. Super secret agent man with everything. And then they give you the wackest s*** they could think about. They're like, what's the bottom of the barrel? Give that to the f****** people. Our government can go f****** invisible if we want. That's some real. That's not even secret. That's just how advanced it is that we know of. Yeah, like what? You got jets that could just disappear in the sky. Now apply that logic to something like way better. That's just what we know about. They got better. Simple. It's just f****** tech. There's a lot of it.

Cristina: A lot of it. Okay, yeah.

Jack: So we got the sea people who didn't. I refuse to believe they're just invisible in some other universe right now. There's some of them around here. They're roaming. We see some of them. That's probably the high. Some of the higher end stuff. We see that. Wow, looks so confusing. And like, how are they doing this? It just went from water to sky without missing a beat. How do you do it? Definitely see people to advance. It's gonna be crap we don't get. And yes, American technology, foreign governments with their own. That looks different because we lie. We get lied to by our government. They show us. Oh, their jets look like our jets. But it's like, what if they're super advanced and look different? I don't know. I haven't been over there. You're just making us think that we're strong, whatever.

Cristina: But then there's a lizard.

Jack: Then there's the Reptilians. They're still not. Everybody's just seeing them come out of the volcano. There's a million other places they could be and be heading. So you could see it going on.

Cristina: Okay, yeah, simple.

Jack: So now we're getting a collection of a bunch of different crap in the sky, all of which came from Earth. Yes, a crap ton of it. All of it came from Earth so far.

Cristina: And time travel, yes.

Jack: Thin places specifically are one of the best because again, you'll be traveling in a plane in the future where there's way more s*** in the sky because everything is run by AI and they're not crashing into each other. So you can have the sky flooded with things and somebody for a split second enters through a thin place, shows up somewhere in the past that they shouldn't have. They don't see it. The sky looks the same to them. For a split second it happened. You look up, see something crazy in the sky that Looks like an alien. Then it popped back into its time because it went through a thin place. Boom. The sky in the future is flooded with that. There's no way reality is absolutely stable. Entropy is real. Thin places are everywhere. We're just not populating every inch of everything. So we don't come across them often. Because most s*** is empty space. I am sure if we filled out way more of that empty space, thin place interactions that happen all the time.

Cristina: We would never know.

Jack: We would never know. Neither would the people on the ships or anything. You just flying in your plane, go through a thin place. It's a split second somebody in the past saw you. Now you're back where you should be. You never notice, even went through it. Your thing glitched for a split second and you're good.

Cristina: Interesting.

Jack: And now we're seeing the sea people just kind of living amongst us because why the h*** wouldn't they? We're seeing Reptilians among their trips to wherever. We're seeing ships from the future slipping through thin places. And we're seeing government technology probably aware of all this other s***. Also very paranoid on their own like, well we can't. We gotta. I guess they might even be right. We're over here making fun of them for over investing. They're the only smart ones. They're like these m************ can just, just go from water to land. We can't do that. We're so outgunned. Dedicate more money to the. We're too slow in catching case. Well, I mean let's be real. Any of these things that we've seen, dude, we have nothing that can. We don't. We couldn't conceive of how we would traverse lava.

Cristina: No.

Jack: We have no concept of what that is. If something could do that, it is invincible to us.

Cristina: Is there any amount of money that can help us fight lava over time?

Jack: Maybe. Maybe we'll invent something that could tolerate it. Yeah, some. You vet some sort of element, they could deal with it for sure. For sure fact it'll happen in the future, but it's not the fact now. Anything we encounter that could do that is invincible to us. It's indestructible to us. There's nothing we could do to harm it.

Cristina: No amount of money currently no amount.

Jack: Of money we'd have. I mean you could probably throw enough money at a guy and he would make it out fair enough. Means some amount of money will trigger a chain reaction of a bunch of geniuses coming together and solving the Problem. It'll happen. You could. You could solve it with money.

Cristina: I don't know. That's a lot. A new element.

Jack: Yeah.

Cristina: Yeah.

Jack: You dedicate in it. We could solve cancer overnight. Just give it to the right rich guy. Give cancer to the right rich guy. Guarantee you give cancer to a lot of rich guys. And then make it so only the. So the scientists only jump on it if the poor people get paid for us, I guess. Well, they'll throw all the money at the poor people, I guarantee you. And then all the poor people be like, yes, we agree. And then it's solved. And all the poor people have the cure for Cancer Institute. Rich people, they don't care about that. They just want more money. And they're invested in the freaking hospitals or whatever. Not the hospitals, the pharmaceutical companies that are selling the medications or whatever. More money. But anyways, I think. I think that's the collective image of what we're seeing, of everything. Yeah.

Cristina: And what about the dome lid that we have, or whatever you want to call it? Do you think that's there?

Jack: I don't know. Because everything I just described did not need to cross that. I have described nothing that needed to cross that barrier. Which is the craziest part. All of it fits, including the dungeon. As of now, all of the things could be happening. They're all UFOs, crap we do not know. Have not identified. Are not familiar with all these creatures, including the reptilians, the sea people, the United States government. And what the h*** am I missing?

Cristina: Reptilian.

Jack: Oh, and thin places, which are just. Yeah, the future people. So all of these things put together, that's for four different collectives happening simultaneously on Earth.

Cristina: Okay.

Jack: And none of them, not one crosses that barrier into, through.

Cristina: But we have. Does that not count? Yeah, that breaks all of that. Or does it? Or are. But I guess those people think they didn't really.

Jack: No, no, no, no, no. Well, the argument you are questioning is probably incorrect because look at it like this. Did you go through the Earth to the other side or did you go upwards? And who says you ever reached the.

Cristina: Dome when they touched the moon?

Jack: Yeah, who says the moon is. It says that the moon is within the dome. It's under it, not over it.

Cristina: It's under it.

Jack: Yeah. The moon is under the dome. They got to the moon, right? Yeah, that's underneath the dome. Cool.

Cristina: Okay, so anything around Earth is on this dome.

Jack: It's either on the dome or in the dome with the other stuff in the dome.

Cristina: Okay. And every star we See or not those.

Jack: The stars we see are on the.

Cristina: Dome and the planets are on the dome or they're not on the Or. You said it could be either or.

Jack: It could be either or. I don't know. I know that the moon and the sun are on the dome or in front of it.

Cristina: In front of it. Okay.

Jack: Difficult, because both. I've seen both depictions. I've seen a sun hovering just below the dome and a moon hovering just below the dome and those things kind of spinning around. So I don't really know where anything really stands when it comes to that. It could be either. Or.

Cristina: How does the sun get in front of the moon?

Jack: How do you mean?

Cristina: When we're spinning and you know, sometimes the moon, I guess eclipses. How do eclipses happen?

Jack: How do eclipses happen? Yes, that's. That would be, I guess, an argument completely against.

Cristina: I guess we're not trying to really argue about anything. We, at this moment, though, we're not trying to disprove flat earth.

Jack: We're not trying to disprove flat earth. We're not even trying to prove flat earth or anything. We're just talking that it seemed to have been the same people. And that did leave me to some conclusive thoughts about what we're seeing when we're seeing UFOs, okay. Which again is American. Not American, just government secret military weaponry in the form of flying objects. We're seeing the sea people who are ancient earthlings that are very technologically advanced lizard people. We're seeing Reptilians who've been here who the h*** knows how long. Reptiles live crazy amounts of time. They could have been here before the freaking. I mean, we'd literally considered that what they were using was magic and not just hyper advanced technology. We questioned it with the Atlanteans. We did not have a. We had to work our way back to technology with the Reptilians, we thought it was just magic. That's how far. So their s*** is older. Older.

Cristina: Are the cat people older or they're not involved in any of this.

Jack: Well, the cat people, I think might have just stolen reptilian technology because it looked too much like magic.

Cristina: But they're from here or not? Do we ever.

Jack: Cat people are from here.

Cristina: Yeah, but they left here. Yeah, okay. Because I know the only people they really involved themselves with were the Egyptians, I think. Or at least the Egyptians seen them.

Jack: Well, they were Chimeras from the Egyptians.

Cristina: They made them.

Jack: The Egyptians made them. It's a Planet of the Apes scenario with cats.

Cristina: Okay.

Jack: Yeah. First they made these chimeras. These chimeras. And overtook society. And that's why they forced people to worship them, make giant statues of them. And then the people also got smarter and stronger. The war happened. And then these people decided to split into two groups. The people who are gonna contain the humans under control for as long as they can, and then the ones who would leave with all of the technology and advance it. And. Yeah, that's the story of cat people.

Cristina: Okay, that makes sense. Yep.

Jack: Yep. Anyways, this is basically my image for what I believe the UFOs are when we see them in the sky. I do have one additional thing for you.

Cristina: But. What? What? What?

Jack: It is an old video of a.

Cristina: Of a cat person. Of a lizard person?

Jack: No, of an. Of a spotting. Like a people spotted a ufo. A ufo. And I remember seeing this very video a long time ago. And you probably saw it too. Okay, so here you go. Here's a video. I'm sure you've seen this before. Where these people are driving by the ocean and then they see that impossible formation of lights in the sky. That's absolutely freaking nuts.

Cristina: That could be us.

Jack: I think those are Atlanteans. This was over the Atlantic Ocean. That's multiple different sources of light all way off in the distance, hovering over the ocean. I think those are just aligned ends.

Cristina: That's pretty cool. Like it?

Jack: So, yeah, that's my theory. Showed you some proof, some. Some arguments, some thoughts, some videos, pictures, photos, photo evidence.

Cristina: Sure.

Jack: Of things and stuff.

Cristina: Sure were things.

Jack: Exactly. It was the most thingy of all things. I actually have one more thing to show you.

Cristina: Really?

Jack: Yeah. This is the literal last bit of it. So here is a map of the sightings, all the sightings ever recorded. And this is the United States of America, which is.

Cristina: So where most people are populating is where we're seeing them.

Jack: Yeah, essentially.

Cristina: Crazy. Crazy.

Jack: Yeah.

Cristina: We'd have more planes too, you know, but what?

Jack: Yeah, Interesting. Where there's more molar sky activity. We're seeing more UFOs.

Cristina: Yes.

Jack: What? What a coincidence.

Cristina: Although there are some cities, like. Look at that. If those represent cities, those are not being touched at all.

Jack: No, those places are not being visited at all. And those places are populated.

Cristina: Yeah.

Jack: Interesting. And now let's go down a quick list of the places.

Cristina: The top places, the seats.

Jack: Top states. Because the United States is factually the country with the most abductions. So let's go through the states with the most abduct.

Cristina: Okay. Abductions. Not even.

Jack: Not abduction. Sightings.

Cristina: Oh, okay.

Jack: These numbers would be absurd if they were abductions.

Cristina: My bad.

Jack: Okay, that's like so in 10th place, North Carolina, 2273 sightings. What we got Michigan, 2451. Ohio2907. Pennsylvania 3142.

Cristina: Is there ever gonna be like a real crazy jump?

Jack: Oh yeah. We could just ignore all of these and get to the fun stuff because then we get to these top number states up here and we get California.

Cristina: 11,000.

Jack: They have 11,202 sightings.

Cristina: That is ridic. But they're huge. California is huge. It's the whole one side of the state. That's not fair, is it?

Jack: Nope, nope.

Cristina: Like if it was like, wait, what was number one? That was number two.

Jack: No, California.

Cristina: That was number two.

Jack: No, CA was number one.

Cristina: What's number two? I want to see what's number two.

Jack: Then what's number two? I already got out of there.

Cristina: Because California doesn't count.

Jack: Why does California not count?

Cristina: Doesn't count. It's too long.

Jack: Number two is Florida with 5,113.

Cristina: How many?

Jack: 5,113.

Cristina: Interesting.

Jack: So yeah, that's what I got. I wanted to unpack some of the UFO things and see if I can make some connections. And I do believe, believe that there are actual connections to be made relative to UFOs and it's already hidden in all of the pre existing information we have. And it's all earth related, which doesn't in any case disprove flat earth, which is how it got to UFOs in the first place, as I was trying to figure it out. But that's concerning to some degree, I suppose. Again, like, what if we just haven't reached the dome? What if there is a dome and we haven't reached the dome?

Cristina: I don't. I don't know.

Jack: Right. Like how would we prove that wrong?

Cristina: Yeah. Until we reach it.

Jack: And here's the other part. This dome or firmament, what if it's not around the like attached to Earth? Specifically, what if we are in a dome, but it is what we consider our universe?

Cristina: That would be impossible to tell.

Jack: Well, that's the same idea behind like the infinitely long ocean and then just a firmament fixture over you. Infinitely up. If the oceans go on forever, then there must never be a point where the sky and the water meet. It just goes on forever too.

Cristina: Okay, Right. Then we wouldn't be in a dome.

Jack: Yeah, it wouldn't be a dome. And we can never reach the top. Yeah, because there is a top. It's just infinite and unreachable because there's no. You couldn't scale up anything to reach that thing. You have to go. Go straight up. I suppose a plane would do it. But then why can't planes. Why aren't planes hitting the dome all the time? They can't reach. But what about rockets? There's so many holes here.

Cristina: We're not trying to prove where this robot.

Jack: Yeah, yeah, yeah. Anyways, anyways, I do believe that this is a good explanation for UFOs. All of it comes from Earth. It's all some form of tech from one group of advanced something or another. And also thin places from the future. The end.

Cristina: The future.

Jack: All of which topics we've discussed in the past. And you can talk to us about them on all our platforms, contact us, tell us what you think. What are these UFOs? You can hit us up at our Socials JustConville pod, at TikTok, at Facebook, on Twitter, on Instagram.

Cristina: And remember to subscribe, rate and review.

Jack: The show, because words of mouth. It's the best thing to have ever happened.

Cristina: Are you speaking like that?

Jack: Why wouldn't I?

Cristina: Does someone who might like the show know about it? Yeah, more of the same thing.

Jack: Because word of mouth.

Cristina: Exactly. Okay, this has been the Rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye now. There's nothing underneath the Gulf coast other than a bunch of old structures. And in the Bermuda Triangle there is also a bunch of remnants, but it. We can't. We can't really explore the true depth of it. So the argument is they either moved there or the Atlanteans were two groups of people.

Cristina: That doesn't make sense, does it?

Jack: Well, for example, the Portuguese are two groups of people. The Brazilians and the Europeans.

Cristina: How close are they?

Jack: They are across the world from each other, literally. Some are in Europe and the others are in South America.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister. With social media managed by Amber Black.

Rambling 179: One Second Future Sight

How far is Proxima Centuri? What would you do if you could see one second into the future? 45 seconds? 1 day? Is Forward time travel useful? The duo discuss the macroscopic distances of our local space before questioning whether or not seeing into the future for a short while is an overpowered ability.

Rambling 179: One Second Future Sight

+Episode Details

Topics Discussed:

  • Johnny Depp Trials
  • Light Years
  • Time Travel
  • Future Sight
  • War On the Moon
  • Unique Emotions

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. The show where we ground humanity's most absurdest and most baffling ideas in ways that most people would call childish because we are highly immature. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you guys haven't yet, remember to hit that subscribe button. I don't know how you landed here if you didn't hit a subscribe button, but assuming you wandered in into this very highly specific 3D audio experience, what's the 3D part? The fact that we're somewhere on Earth and probably half of everybody not even on theirs. That's just counting the people who can hear us. That we know can hear us.

Cristina: Ooh, that we know.

Jack: S***. It could be unfathomably large numbers. Who knows how? Oh, my God. I've never thought about this. Well, just how many different universes? Or like, how? Okay, right, so we're reporting on the happenings for years and years and years and years. And these waves travel at the speed of light. Radio waves through space.

Cristina: Okay, yeah.

Jack: So five light years and then something catches it. That's a lot. That's five. Just five years. That's a long time for light because light got far. So just distance wise, whoa. There's anything in a five light year radius, they can hear us.

Cristina: Okay, what is five? I can't picture that. I don't know. Is that a big distance? I don't know.

Jack: That's a really good question.

Cristina: Like, are the Cat People that far away?

Jack: Are they listening to us so far.

Cristina: Which would, like, ruin all our plans.

Jack: No, they're so far. The great void has to be millions of light years away. I'm thinking million.

Cristina: What if you look it up and.

Jack: It'S just five light years that blow my mind. That's not a great void. It just looks crazy from up close as h***. Whoa. Holy s***. Okay, so five light years. Proxima Centauri, the nearest star is less than five light years away.

Cristina: Yeah.

Jack: Whoa. Okay, let me first. Whoa. If there is life over there.

Cristina: Mm.

Jack: Wow.

Cristina: They could hear us.

Jack: They could hear us.

Cristina: Probably been hearing us.

Jack: Who knows if they have the technology, that is, if they've somehow also stumbled upon radio waves and they use that for whatever reason as well.

Cristina: Yeah.

Jack: Then, yeah, they can hear us.

Cristina: Mm.

Jack: Now this is where this gets really crazy. Infinite number of universes. Infinite number of Earths that can hear us. Infinite number of proxima Centuries. There's even universes where Earth has no life. Yeah, but Proxima Centauri does.

Cristina: Yes.

Jack: And they're still hearing us in whichever universe is somehow grabbing the radio waves because of the space time distortion we created. Whoa, whoa. So we can. We can really only calculate our listeners based on two universes. One and three.

Cristina: Yeah, but there's probably two. Not on the Earth, but.

Jack: It'S literally an infinite number of listeners.

Cristina: Yeah.

Jack: Whoa. Now here's the problem.

Cristina: What's the problem?

Jack: Is our show, the only show being broadcasted because of this. Or, like, is all our radio signals.

Cristina: Shouldn'T be all they should be.

Jack: Right. Because we're not.

Cristina: Like, we're not.

Jack: Yeah. We're not pumping anything anywhere specific. So, yeah, everything on Earth, one is just the most popular s*** in existence.

Cristina: Essentially, to all the other Earths.

Jack: Not to all the other Earth. There's an infinite number of them that never heard of us. There's an infinite number of universes that are probably not even catching us. But there's also an infinite number that are. Because of the distortion.

Cristina: Yes.

Jack: So everything from this Earth is just the most popular.

Cristina: We get things from the other Earth just.

Jack: I don't know, there's like a weird signal that we believe may be coming from a different Earth, but that's from a different universe.

Cristina: Yeah.

Jack: In space. It's not on the planet.

Cristina: Okay.

Jack: It's just like a weird something.

Cristina: Okay, that's so weird. All right. But we're not getting their podcast or shows or anything.

Jack: No. From any other universe as far as we know. Now we do have the TV and we can just tune in and watch things that are happening.

Cristina: Yeah, that's it.

Jack: That's it. I mean, we could, in theory go over there and interact, but it, like, does nothing for us.

Cristina: No. Our place is way more interesting.

Jack: Yeah, everything is boring over there. Like, society is in a weird state. Like, oh, man, I totally got sucked into the.

Cristina: What?

Jack: The Johnny Depp thing. Just watching.

Cristina: So how did you feel about those results?

Jack: Like, if you got proof, you got proof. Like, what the f*** can you do? Why were you recording yourself being a monster and then lied about it? When you. You record, it's your proof. You proved you were douche.

Cristina: Yes, but she still wanted money.

Jack: Yeah, she didn't. She didn't win money. Yeah, they were like receipt exchange. I don't even get this. Yeah, it's just for receipts, right? It's just to say I give to him. I don't know why the judge couldn't, like, hit the Hammer. After he said. Because ultimately, he said, you owe him 2 million. He owes you 10. Or you. Yeah, he's taking 10 from you. You're taking 2 from him.

Cristina: Yes.

Jack: When he could have just been like, but wait, we're all adults here.

Cristina: Yeah.

Jack: So you're just gonna give him eight, and he's gonna give you nothing. Hit the hammer. That would only be logical. Yeah, but he's like, you know, so that it feels like a fair thing.

Cristina: But he's not the one deciding it. It was the jurors who were like, she deserves some money. For what?

Jack: His lawyer said the jurors can't decide somebody's compensation.

Cristina: He. They're not the ones, but they're the one. Okay, well, they decided she won because of that. She. They might not pick the amount of money, but they pick who wins, I guess.

Jack: Yeah. He won the case, didn't he?

Cristina: Yeah. And. But she also wins because of the jurors decided she needs to get paid.

Jack: Oh. It wasn't unanimous.

Cristina: So I don't know. I think they both wanted. They wanted both of them to win.

Jack: It doesn't make any sense. She was beating him, but she was abused.

Cristina: In their eyes. I don't know. Or she was a victim somehow.

Jack: In their eyes, she was a female and he is a white straight male. Oh, I guess he must lose a little. He can't just win. That's not right.

Cristina: Because he's a white straight male.

Jack: Yeah, he's a white straight male. That's. D***, bro. All the universes got that going on.

Cristina: And she's a Karen. What is she?

Jack: Is she a Karen? Nah, bro. I just think she's a b****, bro. I don't really think she's a Karen. She's just an angry, angry, angry, horrible human.

Cristina: You think she's that angry?

Jack: I think she sucks as a human.

Cristina: Yeah.

Jack: Like Johnny has anger problems and still doesn't suck as a human. She might not even have anger problems and still abuse another person physically. Yeah, it's kind of whack, bro.

Cristina: Yeah. I tried really hard to prove that he did something.

Jack: Here's the question. Did she try really hard to prove, or was it like, I know, I'm not wanting this. I'm just gonna be here, milk this for as long.

Cristina: She was trying really hard to get to share this story about his ex that was abused supposedly by him. She made this amazing story up about how he pushed his ex down the stairs, right.

Jack: Until the guy came up and he's like, never even been in the house with stairs with Him?

Cristina: No, she. She did fall down the stairs. It wasn't his fault.

Jack: So the lady did fall down the stairs, but I thought that Johnny wasn't even with her at the moment.

Cristina: No, he came in after she fell and then took her to her bed or whatever and helped her from her fall.

Jack: Okay. His ex.

Cristina: Yes.

Jack: Was there two and doing what?

Cristina: His ex was on that fell. They were together in the time.

Jack: No, no, no, no, no. His current ex.

Cristina: She's not in the story. She was telling the story about that.

Jack: You ignored my question. Oh, obviously she's selling the story about the other ex.

Cristina: Yes.

Jack: How does she know the story? And if she was there, where was she relative to this lady falling? She's just like watching.

Cristina: I think she heard about the story hand. So it wasn't like all the details were wrong. And then she twisted the details even more than the misheard story in the first place.

Jack: I see.

Cristina: Like she heard he. She fell, but. And he was there and then she was like. He obviously pushed her, even though she never said that. Or she probably did explain the truth when it happened. But some people just took the best parts of the story.

Jack: Kept twisting it.

Cristina: Kept twisting it. Yes. Until her version of the so, ah, society. Yes. And now we got the third person for Kevin Spacey. What will happen? Will our predictions be right? Who knows?

Jack: Yeah. Oh, man. A third Kevin Spacey case.

Cristina: That is crazy. We've talked about it. What would happen? There's no way a third guy is gonna die.

Jack: Is the Kevin Spacey thing also happening in universe three?

Cristina: That's interesting that everyone he. That I guess tries to get him in trouble dies.

Jack: Yeah. His life really sounds like house of cards.

Cristina: Yes.

Jack: It's like he's just pushing people in front of trains and saying it was an accident.

Cristina: Yes. It all looks like they killed themselves.

Jack: Yeah, man, that's too crazy.

Cristina: If the third time it happens.

Jack: What if a third time. Yeah, it's. We gotta start questioning him at that point because, like, how are the. Why is everybody that you f***** with? Like this level of unstable. Can't be. Can't be. It's impossible. So from Earth to the sun is five light minutes. What is a light minute?

Cristina: I don't know. Now I feel like this graph is wrong because I thought it was one light year. Oh, no, this can't be correct, can it?

Jack: No. And also, I think that's an eight. Yeah, but no, that's accurate. That's accurate because it does take light eight minutes to get to us.

Cristina: Oh, okay.

Jack: From the sun to us. Eight Minutes. So every measurement we have of minutes is a light minute.

Cristina: Okay. What?

Jack: You know that's us measuring or. I guess not. Doesn't make any sense. That's. I guess only when we're talking about light every. Yeah. We have to just put light in front of everything. But. Yeah. That's kind of interesting. It takes light eight minutes. But Alpha Centauri is an entire light year. Almost five. Not Alpha Centauri. Proxima.

Cristina: Centauri Proxima. Okay.

Jack: Yeah.

Cristina: Because it's the first.

Jack: I don't know. Now Earth to the other side of our own Milky Way Galaxy. 52,000 light years.

Cristina: Is this right?

Jack: Yes. I believe the Milky Way is about a hundred million light years across or something. Or is it a hundred thousand? It can't be a hundred million. That's crazy. 100,000 light years.

Cristina: I think it's a hundred million. No, I don't know. That's crazy.

Jack: I think it's a hundred million. That'd be crazy.

Cristina: Wonder if there's other scales.

Jack: A light year is a unit of distance, not a unit of time. A light minute and a light second are units related to the light year. A light minute is equal to 17,987,547 km. A light second is equal to 299,793 km. The Moon is 1.2 light seconds away from Earth.

Cristina: I don't know if I understand this.

Jack: It takes light.

Cristina: Yes.

Jack: 1.2 seconds to get from the moon to Earth.

Cristina: Okay.

Jack: So to put this into perspective, if a nuclear explosion happened on the white side of the moon. On the bright side of the moon. Right.

Cristina: Okay.

Jack: On a night that you were. It's straight up night and you're looking at the moon with a telescope.

Cristina: Mm.

Jack: You would see the explosion real time. It would be happening as you're watching it. And you only have a second delay.

Cristina: A second delay.

Jack: Second delay. It's happening as you're watching it. It's so active.

Cristina: Yeah.

Jack: It's happening right now. You could watch a war happen if your telescope was strong enough. Zoom into the moon and watch a war happen with your walkie talkie that somehow crosses that vast distance.

Cristina: Yeah.

Jack: Telling your friend who you're helping cheat video game style from a top down view of them.

Cristina: Yeah. You're like man giving them. Is a second.

Jack: Just a second. It's nothing. You're 100% helping them. They're coming around. The building broke. Got it. And you watch him drop the other people. Like the other ones are coming from this side okay, whoa. That's happening all real time.

Cristina: Okay.

Jack: Now, different war, and you got a telescope, and it's happening on Proxima Centauri.

Cristina: Mm. How long was that?

Jack: You send the message and wait. Years. Yeah, but it's happening at the same moment.

Cristina: Yeah.

Jack: In fact, both wars are taking place at the same time. It's a related war.

Cristina: It's a related war, but you can't help them out.

Jack: Yeah, they got from the moon to Proxima Centauri. The portal is there on the moon. You can see the portal through your telescope as you're helping your homies defend the portal from the people who are trying to get the Proxima Centauri for the other human civilizations there to survive.

Cristina: Just like, hey, they're going through the portal. It's too late. Because four years pass, and they just get the message.

Jack: Exactly. By the time they get the message, you could have sooner, like, you could send the message, then from Earth, get to the moon, go through the portal yourself and tell them before your radio wave arrives years later.

Cristina: Well, if they were starting to talk about it happening before they actually did it, and that took four years, then you could warn them. You could be like, hey, I don't know how long it's gonna take, but you guys should prepare yourselves for this war that might happen. Well, it's gonna be impossible to tell if it's really happening or not. I mean, we know that it did happen.

Jack: You know what? It sucks that this doesn't work backwards. It really does. Forward time travel sucks for, like, it's where you want to go. It's always better.

Cristina: Mm.

Jack: But, like, forward time travel is, like, okay, whatever. Like, yeah, I can. I can't use this practically. Other than move somewhere better.

Cristina: Yes. Why is that not good enough?

Jack: Because, like, you can't save anybody. You can't. None of that. It's real. You couldn't do it.

Cristina: Save someone in the future.

Jack: In the past.

Cristina: Oh, in the past.

Jack: Like, past. I'm working. You get in relevance to that. Like, sucks. But forward time travel is the useless one of the two time travels. It could take you to a better position in life, and you could live in a world where maybe money doesn't exist and, like, yeah, your house is just given to you and every disease is cured. Who gives a s***?

Cristina: The past is better because you can save people.

Jack: The past isn't better. I never said that.

Cristina: Oh.

Jack: I'm saying that forward time travel sucks because there's nothing else you could do than the one thing.

Cristina: But there's Things to do in the past.

Jack: You can change the future from the past. You can't change the past from the future. You can't even change the future from the future. He's got to be there. Yeah, Be a member of the new time. You're in essence, you can't like. Hey, man, here's the lottery numbers. Okay? So the war is happening. People on the moon, people in Proxima Centauri. What the f*** can you do? You have to go to the moon and get there because there's no point in sending a f****** message.

Cristina: Yeah, almost Time travel. You're saying you can.

Jack: You're essentially time. You're beating you with time travel by moving through space quicker than your radio waves, okay? That's essentially forward time travel. Or not, I guess teleportation. Because if you did have backward time travel, then even if you're getting late information, you could see something right now, right? So they're going through the portal, okay? But my walkie talkie calls back into the past, okay? And I can yo is like, what the f*** is I, bro? In like three hours, when they send you to this next base, the guys are gonna come from the portal in the south. That's happening right now. I'm watching it happen. And your homies getting it backwards. He's like, oh, s***. So if we station people around the portal, we can set a trap because we already know that's where the coming through. Useful as anything.

Cristina: Yes.

Jack: Three hours in the future, who gives a s***? Yeah, I know, I was there, okay?

Cristina: But telling the past something important?

Jack: Yes, past. Any amount of time is useful so long as you're man. Sometimes even. Let's say there's only a 1 second, 1 second bit of information that you could send telepathically or. In any case, here's a problem, here's a problem, here's a problem. It's not that forward time travel sucks. It's that you can't use it.

Cristina: You can't use it.

Jack: You cannot use forward time travel. But if you could see the future, that's overpowered. Even if by a second, even if by a second, your life could revolve around that one thing, you'd win every fight you'd ever gotten into forever. With a one second future sight. That's it. That's all you got? You got nothing but one second future sight. But how fast is a fist? Even from the slowest person, that's way too much time.

Cristina: How fast is the fist?

Jack: Yeah. Somebody trying to punch you?

Cristina: Yeah.

Jack: Oh, too much Time. You can dodge the s*** out of any hit, anybody, ever. One second. That's all you need to know.

Cristina: Okay.

Jack: One second is amazing. In a fight.

Cristina: Mm.

Jack: You'd be the greatest race car driver ever.

Cristina: Yeah.

Jack: Ever. One second. Holy f***.

Cristina: It's just. You're seeing a second.

Jack: You're seeing one second into the future.

Cristina: Oh, the future. Okay.

Jack: And you do anything with that information. I guess if it's one second, that s*** becomes reflex.

Cristina: That's so ridiculously small.

Jack: It feels small, but you're so overpowered, you'll win every fight. You become the best sleight of hand illusionist ever. Rob everybody all the time.

Cristina: Then Nicholas Cage have something like that. Yeah, it was seven minutes or something.

Jack: I don't know, like two minutes and some s***.

Cristina: Except that it wasn't because he saw the home.

Jack: Yeah. The whole movie was future sight. It turned out.

Cristina: It didn't really.

Jack: Well, he was telling us the story of the first time it happened or something like that. When he was really young that he saw really far into future. He never thought. He didn't know if it was real or not because it felt the same later. But it was really short all the other times.

Cristina: Mm.

Jack: But then it's. The movie was taking place in the other time that it was really far into the future. It's like six months or some s***. So the twist of the movie is that the first story you told us is you only told us that story so that you could set up the fact that it's happening now or something like that.

Cristina: All right? But whatever amount of menace that was supposed to be ended up being way too much.

Jack: Too much. Two minutes. Holy f***, dude. Two minutes into the future. It might have been 46 seconds, but that's still too much.

Cristina: That's still too much. It became way more than 46 seconds or whatever.

Jack: No. Even if it was just 46 seconds. Forever. F***, bro.

Cristina: Too much.

Jack: Too much. That's too much. Okay.

Cristina: More than one second, though.

Jack: Let's just start at next. You could see 46 seconds into the future, right?

Cristina: Okay.

Jack: Every poker table you ever go to, you know what happens when all five cards are there to turn the river. The flop turned river. The. Wait, no, those. The whatever. Three in the middle. The turned river. So you know what's showing up, you know where to. In fact, you know who's bluffing. 46 seconds. Yeah, you know who's. When they put their cards, you already know what you're gonna see.

Cristina: Mm.

Jack: 46 seconds. Holy s***. 46 seconds. You know where the blind Spots are. And when they're gonna be empty and for how long they're gonna be empty. 46 seconds. Who takes that long? The past A couple of inches? Nobody. You can walk into a bank if you wanted to because you just know where the blind spots you can see the future. Which means any thought you have is gonna change what path you're gonna take. Because you can see every possibility.

Cristina: Yeah, that's what I was gonna say. Like, would it be like Dr. Strange looking into the future because of.

Jack: What future you looking at?

Cristina: Exactly.

Jack: Anyt information it changes. Changes. It changes. Until the one you're gonna use happens.

Cristina: Yes.

Jack: And then you're like.

Cristina: Well, that's the word really was happening in that movie was just him going through different timelines in a way. But not really because it was on his head.

Jack: Yes, he was seeing. And for our sake, it looks like he's flipping through them, you know, like he's seeing all. But no, no, no. They're all happening simultaneously. It's just a thing thing you learn to deal with. My now is one moment, but the later I'm seeing is every later that could possibly happen until you get to.

Cristina: The one you want. Or actually once you get like.

Jack: No, the one you want is also happening simultaneously.

Cristina: Oh, okay.

Jack: And you're gonna know it instantaneously.

Cristina: And then you're gonna just do that one.

Jack: Yeah. 46 seconds. You're not allowed in the casino. You will win everything. Roulette, you always know where it's gonna land. It does not take 46 seconds. You know where it's landing. Yeah, you could bet whatever the f***, whenever the f****** win every time.

Cristina: Yeah, but if you got these powers, why are you gonna do that?

Jack: Rich, filthy rich. You gotta downingly rich.

Cristina: Not suspicious though. Like if you're winning, they can't do anything.

Jack: They can't do anything. They could watch you all day long.

Cristina: Really?

Jack: Yeah. What the f*** are they gonna do? I'm just really good at calculating odds. Okay, whatever.

Cristina: I don't know.

Jack: Overpowered fighting. Oh, you can't have 40 seconds. One second is too much for a fight. For race car driving, one second is too much. Oh yeah. 46 seconds. What can't you do?

Cristina: I don't know. Well, for fighting, matches are longer than that. Like unless you're gonna bet right before the end of the fight or something.

Jack: No, no. I feel like so much of that just whooshed right over your head. A second isn't about who's gonna win the fight. You'll never be touched all the way to the end of the fight. Because one second is every time they're about to swing, you know, where they're swinging, how they're swinging, how it's gonna happen.

Cristina: I thought you meant, like you're watching a fight.

Jack: Yes. If you're watching the fight, you're not.

Cristina: In the fight, you're.

Jack: Oh, yeah, you're in the fight. You're in the fight. You're not watching the fight.

Cristina: Oh, okay.

Jack: As a person fighting.

Cristina: Yes. Okay, that's.

Jack: Yes, It's. One second doesn't mean crap. As a person watching a fight.

Cristina: Exactly. That's what I was thinking. Like. Nah.

Jack: But if you're the one fighting or if you're the one racing.

Cristina: Yes, that makes sense.

Jack: That makes so much sense.

Cristina: But if you're trying to bet on those things, that doesn't really make sense.

Jack: No, but I don't know why you thought I was gonna bet on it.

Cristina: I don't know.

Jack: You're the one. What useless power to have. Well, at least that's a useless way to use it. I got one second into the future, but 46 seconds, you can sit in front of Powerball and you have a tab open.

Cristina: Mm.

Jack: Ready to type in the winning numbers. And then the winning numbers show up. The second you see the last one in the future, you type it in. Buy that ticket.

Cristina: Gonna buy. Oh, yeah. I guess you can get it right before.

Jack: If it works that way. I'm not sure if it works that way, but let's assume it did. It's open until the last sec. Well, no, it hasn't happened yet. We just gotta assume by the time. But from the start to the end. Unless it's, like, the one thing where they make it a big show. Here's the first one. And then, like, mad seconds run. So you'll never figure it out.

Cristina: Mm. Yeah, that's how.

Jack: But if it's fast. Ooh. Like, that's how. Over a single day into the future. If you can see a day into the future, you win every lottery ever. One day. Just one day. Nothing.

Cristina: Yeah.

Jack: One day. Nothing is getting away from you. You win every lottery ever.

Cristina: Is that how you spend your day, though? I mean, it doesn't matter.

Jack: You do it once.

Cristina: Yeah.

Jack: Win. Never need to play again. I guess you're God. You can't ever lose a fight because you know every possible outcome a day in advance.

Cristina: Having a conversation can't be that fun.

Jack: No. You know everything everyone's going to say.

Cristina: Yeah. Even if you struggled with conversations, like.

Jack: Whatever, you'd be the greatest Converser. Ever.

Cristina: Mm, Just figured it out. Figure it out.

Jack: No powered conversationalist. Yes. No. There's so exaggerated a day. So you need godlike problems for your godlike ability to be useful. Suddenly it's too far off.

Cristina: It's too far off.

Jack: Listen. Listen. It's too far off. But it's on the way. And it's gonna be found tomorrow. But you can see into the future and you hear on the news tomorrow there's an emergency. Had we only caught this 12 hours sooner, we could have shot a rocket with enough precision to redirect the meteor.

Cristina: Okay.

Jack: But we didn't catch it. It just entered our view. And we need to get ready because the world is going to end. But you can see a day into the future. So you caught it. Not just the 12 hours they needed to. 24 hours. You got. You gave them an extra 12 hours. And you tell them aim over here. Don't even ask who the f*** I am. I don't know how I got your number. I got it. You know. I called, got here. They told me about you. And you aimed it in the direction and f****** saw it.

Cristina: Fix it if you can. I don't know. Left power can't be that great compared to actual superheroes.

Jack: You are greater and more overpowered than any superhero could ever imagine. To be like the Flash. Yeah. You are a hundred percent more overpowered than the Flash.

Cristina: Can he do the same thing?

Jack: No. You're always. You're always seeing the future.

Cristina: But only a day.

Jack: Only a day.

Cristina: And you can beat him.

Jack: You could beat him because you're always. He'd have to go to the future. You can always see into the future. You know. Anytime it changes, you know.

Cristina: Yeah.

Jack: He can't sneak up on you. You're always ready for him, you know. A day in advance. Where he's gonna be, how he's gonna be there. You could set a million traps for him. You can catch him on the first one. Because you're right.

Cristina: Yes.

Jack: The advantage of seeing a day into the future is you're right.

Cristina: Yeah. So you can just be anything like that.

Jack: You can beat anything. Nobody's winning. Nobody's winning. You're out yout're too good. Flash can't touch you. Superman can't touch you. Superman wouldn't hit you. You'd have a whole day to move out of the way.

Cristina: Okay. But you're still human.

Jack: You're still human. All you have is this one overpowered thing. That makes you godly.

Cristina: Yeah. So nothing will ever touch you somehow.

Jack: You could evade every impact.

Cristina: Ever see it coming?

Jack: Yeah. A day ahead.

Cristina: Okay.

Jack: You'll never be caught off guard. Nothing is a surprise. Ever.

Cristina: The Joker can't surprise you.

Jack: Nope.

Cristina: Okay.

Jack: Because here's the problem. Here's the problem with that and that great question. Because the Joker's the least predictable thing ever. But this is how overpowered your ability is. The Joker's unpredictable because he's in the moment. It doesn't matter how unpredictable he is. If tomorrow he went to rob a bank, turned on all his homies, shot all his homies, sided with Batman, then popped Batman halfway through it and left with all the money. It doesn't matter that all of that was complete random nonsense. And that later he burned the money anyways, making all those activities completely useless. Because he didn't want the money. He just wanted to kill some people, hurt Batman and burn money. Great. Fantastic. But you saw him rob the bank, kill his homies, go to Batman, pop Batman, take the money and then burn it. So you know he's doing all of that regardless of how random it was. It's only random to the people there. You saw the future. It stopped being random.

Cristina: It stopped being random.

Jack: There's nothing. Even the Joker couldn't touch you.

Cristina: What?

Jack: Then the Joker makes Superman, Batman and Lex Luthor join two super geniuses. And they literally literal invincible monster alien thing.

Cristina: Mm.

Jack: Still struggle. Meanwhile, you couldn't be bothered by the Joker. That s***'s an afterthought at best. That's how overpowered you are.

Cristina: Oh, that's crazy. Because if someone touches you, though, it's game over. But no one will.

Jack: Nobody will. Cause you'll see it at their head.

Cristina: Cause you'll see it at their head. There's no way of surprising you.

Jack: There's no way of surprising you.

Cristina: Deadpool, he's outside of space and time.

Jack: That's interesting. Because my question is you. You. You definitely broke it already. Because he can leave a panel that's really overpowered. The question is. Well, no, because I would need a fourth dimensional perspective. And from a third dimensional point of view, I wouldn't be able to see it.

Cristina: Exactly.

Jack: Because all I'd have to know is I get plucked from time and space. Or that something jumped. No, it doesn't matter. It doesn't matter. If he's gonna make a move in time, it breaks. It's so broken, bro. A day is too broken. Because listen to me, in the future, a day in the future, mm. It doesn't even matter. Right? So, Deadpool, how's that poor. Gonna do it. I'm just gonna. I'm Deadpool right now. I'm gonna pull up a panel where he's at. I'm just gonna jump into the panel and hit him.

Cristina: Yes.

Jack: Simple. Simple execution. Except a dead ago, I saw a vision of Deadpool popping out of seemingly nowhere and hitting me. So I know a day from now where I'm gonna be standing when he shows up. And I'm gonna just. I know it's coming a day in advance.

Cristina: He knew that you can see you.

Jack: He knows I can see it. Yeah. What is he gonna do?

Cristina: Jump farther back in time?

Jack: Then I would have seen it further back in time.

Cristina: Oh, my gosh. Okay.

Jack: Do you see the problem? The most you could do is pull me out of my dimension. Out of the third dimension. From his fourth dimension.

Cristina: Yes. And then you wouldn't be able to see it.

Jack: Well, that's a. That's a question I'm posing. That's the best way I could do. Is that possible, though? Because am I just gonna see myself vanishing out of here from this point tomorrow? And it's like, well, I can get the f*** out of here. Then this wouldn't happen.

Cristina: Yes, well, if you can see how.

Jack: To get out of it, I guess. Because presumably Deadpool could just imagine whatever panel I would be in.

Cristina: Yes.

Jack: But then I would always see. That's an interesting stalemate because he's in a higher dimension, just kind of with the ability to walk at any point in time. But I can also see a day ahead. And at any moment you show up, I would have seen that a day.

Cristina: Ahead, he will find you as a baby being born and take you out.

Jack: Yeah, but that's very different, I guess.

Cristina: But if he just kept trying to pull you out, but by keep going to the past, he has to get you at the moment.

Jack: Oh, yeah. But at that point, he's not competing with your power.

Cristina: No. He's just competing with nothing.

Jack: The competition ceases to exist and it's irrelevant.

Cristina: Yeah.

Jack: In any case, that just kind of leads the conversation nowhere.

Cristina: Yeah.

Jack: Because we don't get to a solution. Here's a loophole. If you needed to kill him, but if he needs to beat him. Well, he can't beat him. Yeah. I mean, what does he need to get a baby for? But if. When it comes down to whose powers more overpowered. Well, wherever they can use their powers. Where you'd assume you're making the competition line from. Right.

Cristina: Yes.

Jack: And like, definitely future sight over Deadpool's fourth dimension. Movements.

Cristina: Oh, that's the closest maybe, I guess.

Jack: Cuz nothing f**** a Deadpool. He can pull out a rocket launcher from his back pocket. He doesn't even have a back pocket. Oh, yeah, like, I don't know. That's mad broken. But also, I would have seen you a day ahead pulling that rocket launcher from your back pocket, like, whoa, isn't.

Cristina: There a guy who could see into the future? Or no.

Jack: Is that a guy Marvel, A guy who sees into the future?

Cristina: That's not a thing. I don't know. I feel like there is. But then what was his fight with Deadpool like, if there was one? I don't know. I don't know if there is any hero like that.

Jack: There probably is. I know in D.C. there is a guy who puts on the golden helmet that we just saw in the trailer for Adam Black. Adam.

Cristina: He could see into the future.

Jack: Yeah, that's the whole point of his helmet. He could see a lot. I keep thinking Vision is his name, but that's wrong. But why not?

Cristina: It could be Vision, Doc.

Jack: Well, yeah, Vision could technically see into the future too, but Dr. Strange could see into the future. Was that who you're thinking about?

Cristina: No, but okay, if Dr. Strange and Deadpool, do they ever fight? Because then that would be an example.

Jack: But that's not a close fight.

Cristina: Even though Dr. Strange can see into the future?

Jack: Yes, Dr. Strange can see into the future. And he has to do things to get into the future. Deadpool is. He could.

Cristina: You need to use that ability quick.

Jack: And you would never have the ability fast enough. Cuz Deadpool can just, just walk out. Like he would just disappear in front of you. But from his point of view, he walked out of a panel and walked into a different one. From your point of view, he just ceased to exist right in front of you.

Cristina: Mm.

Jack: Just blinked out of existence somehow. Deadpool doing his f****** thing. Blink Gun man.

Cristina: There has to be a character in Marvel that has that ability to see into the future.

Jack: Well, yeah, we just.

Cristina: No. Without having to do stuff. Just. They can just do it.

Jack: No, it's too overpowered.

Cristina: Oh, it is too overpowered. I guess. Yeah.

Jack: And it doesn't even matter the amount of time. It's too abusable. A single second and you are more overpowered than every superhero that has ever existed. A single second. You always have one second to get away.

Cristina: One second.

Jack: Flash is the only guy f******. When you're like these people crazy. Like 24 hours. No, you're getting away, but a second. Like you're not beating Flash. Not good enough. You're not being Superman. Not quick enough. But you're definitely overpowered against a regular human.

Cristina: Yes.

Jack: You'll never be shot. You'll never be touched in a fight. You're the best race car driver ever. Just great. Awesome thing. You got a me. You're great. Acrobat.

Cristina: Everything physical.

Jack: Yeah, well, not everything. Like you don't know math.

Cristina: Better you don't math better.

Jack: You don't know math.

Cristina: Oh, okay.

Jack: You know.

Cristina: Mm.

Jack: It's just still information you'd have to just memorize. You're not better there.

Cristina: Yeah, but it has.

Jack: Yeah. A lot of things have to do with spatial awareness. You. You have a Spidey sense. That could be what Spidey has. Maybe he just has like a three second, like. Oh, something.

Cristina: Yes.

Jack: You know, and it's like that's too overpowered.

Cristina: It is.

Jack: You can't be caught off guard ever.

Cristina: He's never caught off guard.

Jack: And he always knows something is coming.

Cristina: Okay. Because you don't have to know what it is. You just know that it is.

Jack: You would have it better than Spider Man.

Cristina: Yeah.

Jack: Spider man doesn't know what it is. He just knows something. Yeah, something. It could be good, it could be bad. But something.

Cristina: Something.

Jack: Yeah, something. Well, not even happening. Maybe just something.

Cristina: Oh, okay.

Jack: Somebody just found something out and it's crucial and tingling. Something happened, but one second into the future. No, you saw it happen.

Cristina: Yeah. Yeah. You saw it happen.

Jack: Yeah.

Cristina: That's pretty cool. I don't know. That's great. But I kind of would like that Spidey sense. I don't know why. I just want to know what that feels like. A weird thing.

Jack: Yeah, fair enough.

Cristina: It's just a weird feeling that you couldn't imagine because it's not real feeling. But he feels it.

Jack: I wonder if they have ever described it.

Cristina: Mmm.

Jack: And also, you're very wrong. What about, like, it's a weird feeling that we know that's wrong. We know maybe we felt it.

Cristina: We felt it.

Jack: Unless we hear description, we can be like ah. Or no. You know? But that being said, this brings me into something I was thinking about recently.

Cristina: What?

Jack: And it was about emo. Words that describe emotions that we're not familiar with. I don't want to talk about that. One day on the show.

Cristina: Words that do what?

Jack: Words that describe emotions we're not familiar with. Usually words in different languages.

Cristina: Oh, okay.

Jack: Like they experience a very specific emotion.

Cristina: Yeah.

Jack: And they have a word for it. And we've probably experienced that emotion, but we don't have a word for it. So we don't have a way of thinking of that emotion. Yeah, interesting.

Cristina: You know any of these or you don't?

Jack: I don't.

Cristina: Okay, so one day we'll do that.

Jack: Yeah, that'd be really cool.

Cristina: Yeah.

Jack: And then we can, like, talk about these emotions and, like, have listeners chip in and tell us through the socials. Have you guys heard of this? Have you felt this highly specific thing?

Cristina: Mm.

Jack: Maybe even ask questions ahead of the show and be like, yo, this emotion. Have you described it? Tell us about the time.

Cristina: Yes.

Jack: And then we'll rip you a new one on the show.

Cristina: Yes. Or you can just tell us about some emotion that you felt that you don't have the word for. Just describe it as best as you can and we'll name it.

Jack: Mmm, Motion. Yeah. No, because unless you have the thought that it's an emotion, you're gonna just assume it's a bunch of different emotions and not talk about it feels like this and that it's a little bit angry, a little bit this and a little bit that. But no, no, no, it's this. But of course you don't have the word. That would be the point of the word.

Cristina: Yeah.

Jack: So you just describe a moment, then tell us about emotions we already know about. That's useless. We need to give them the word and then be like, do you guys know?

Cristina: Yeah.

Jack: And, like, tell us about a time.

Cristina: Okay.

Jack: Right.

Cristina: That makes sense.

Jack: That checks out. Yeah, yeah, yeah.

Cristina: I would rather have that spidey sense than scenes of the future.

Jack: Why?

Cristina: Because it's probably more helpful at least in, like, it's helpful in a more quicker. I don't know. I just don't want to spend all my time thinking.

Jack: I guess you wouldn't. It would be a second. So it would feel more like a spidey sense than it would like a thought. Yeah, it would be so. So instant. Like, have you ever. How long does it take for a second? Right. Like a thought? In a second? Could you. Could you capture your thought in one second? By the time you've thought your thoughts, several seconds have gone by from the moment you began that thought. It's impossible. You can only, in fact, anticipate a thought because by the time you've thought the thought, it's in the past.

Cristina: Yeah.

Jack: You can't think. That's impossible. Thinking. That's impossible. That means you're actively thinking. Couldn't happen.

Cristina: Okay.

Jack: You're about to think or you thought the end. There's no thinking because you're present.

Cristina: Okay.

Jack: Even if you're worrying about the past or the future because you couldn't think about the now. Cuz it's still happening.

Cristina: But for a whole day of thinking.

Jack: See, a whole day? Yes. A second. No.

Cristina: Yeah. Second will be like nothing.

Jack: And also it would only feel like thinking the first day of you having it.

Cristina: Yeah.

Jack: If you were born with this afterthought, you don't even this. You don't even think about it. It's just a thing that happens. You just know everything at all times.

Cristina: Yes.

Jack: Involving you. You know, anything that you're not engaged with.

Cristina: I imagine this is like most superhero movies where you get the power accidentally somehow in your teenage years or adulthood.

Jack: Well then yeah, maybe it's a total f****** nightmare. And he can't stop thinking about the future.

Cristina: Yeah.

Jack: No, it's too. It's too. It's too persistent.

Cristina: Yeah.

Jack: It would water itself down.

Cristina: It would.

Jack: It's too much. Yeah. It would happen so fast.

Cristina: Like the first time feels like forever, but the rest would be like.

Jack: And whatever that forever is probably like five minutes.

Cristina: Yeah.

Jack: Because it's too much.

Cristina: Yeah.

Jack: It's every possibility for the next 24 hours. And you're adding a second and removing one from the end. You're adding a second at Matt. Adding a second at the end and removing one from the beginning forever. There's no way you could think about this really. It would settle itself.

Cristina: Ridiculous.

Jack: Yeah. And you just be overpowered from that moment forward forever. Forever or until you lost it.

Cristina: Why would you lose it?

Jack: I don't know when you get it.

Cristina: I don't know.

Jack: That's a weird.

Cristina: Like, why don't superheroes ever just lose their powers?

Jack: That s***'s so on. And no, they do some random superhero zoo. Oh yeah. It's a thing that happens. But like no main superheroes do. Like Superman's never. Then again he has.

Cristina: Yeah, he has.

Jack: Yeah. But it wasn't like random. Like I'm just powerless. There was like an explanation. There's always an explanation.

Cristina: Someone stole it or something.

Jack: Yeah.

Cristina: I don't know. Is that possible? I don't know.

Jack: Yeah. Or he was around the star that sucks his power.

Cristina: Oh.

Jack: There's types of kryptonite that take away his power.

Cristina: Okay. I guess that doesn't really count.

Jack: Yeah. I think silver kryptonite makes him human. I could be wrong.

Cristina: More than one Kryptonite. There's different colors.

Jack: Yeah. Red kryptonite makes him reckless.

Cristina: Gets angry. No. Oh, okay.

Jack: Reckless.

Cristina: Reckless.

Jack: Yes. He stops considering Consequences.

Cristina: Oh, okay.

Jack: Yeah. Just does whatever he wants whenever he wants. But he's a ridiculously overpowered monster.

Cristina: Mmm, that's cool.

Jack: Yep.

Cristina: But not helpful. I mean, if he's finding something on Earth. No, but if he took it them, the bad guy, out of space and then used it, like, that'd be great.

Jack: Yeah. You just killed Superman.

Cristina: You kill Superman if you take a.

Jack: Bad guy into outer space. What?

Cristina: Yeah. And then you use the Red Kryptonite.

Jack: Oh. Oh, no. Yeah. I guess what stops him from coming back.

Cristina: Who? Superman? Yeah, like he can't get rid of it after he uses it. I don't know.

Jack: I'm so confused by what's happening. Explain that to me.

Cristina: He uses the Red Kryptonite when he needs to fight a villain.

Jack: Oh, no, he couldn't. The problem is he likes the feeling of being around Red Kryptonite too much. It's addicting. And so he wouldn't stop using the Red Kryptonite.

Cristina: Oh, okay. Yeah, okay.

Jack: Yeah, I see. That's a problem. And also it doesn't make any sense. The argument anyways, because you're giving him Red Kryptonite, he becomes reckless and stops caring. He has no reason to fight that bad guy anymore. He's like, whatever.

Cristina: Do you really? Oh, totally useless.

Jack: That's the worst case scenario. Superman faces the Big bad. But Superman has Red Kryptonite. He's like, I don't really care about Earth anyways.

Cristina: Oh, wow.

Jack: Yeah, that's what it does to him. Just like too many f*** its.

Cristina: That is bad. Okay, that sounds bad. But there's different colors. Is it like the color of the rainbow? Is it there that many?

Jack: That's an interesting question. I don't actually know. Okay, okay, okay.

Cristina: It is a rainbow.

Jack: Yeah, it's kind of rainbowy. Let's see. Effects of Green Kryptonite, the common one on Kryptonians. Immediately weakens and depowers by sapping stored solar energy from body. Prolonged exposure is fatal. Half Kryptonians no effect during childhood. But during adolescence it becomes increasingly toxic. Eventually having the same effect as those of fool Kryptonians. And then to other people. Humans unknown to trigger metagenes. Known to trigger metagenes in certain circumstances. Can be toxic in large doses. With prolonged exposure, the Red Kryptonite immediately loss of one's inhibitions. Prolonged exposure can cause compulsion to act out desires with no regard for consequences. Temporarily enables use of power in younger half Kryptonians. Then there's blue. Rare depowers Kryptonians and causes a euphoric sense of elation effect known to persist after prolonged exposure requiring sufficient solar recharge. It's a drug.

Cristina: It's a drug. What does it do again?

Jack: It just makes you really. It makes you lose your powers, but makes you really happy. So it's heroin.

Cristina: Okay.

Jack: Whoa. Gold. Very rare. Heightens powers potency and can cause the development of new powers with prolonged exposure. Repeated exposure can build a tolerance and cause cancer.

Cristina: Oh.

Jack: What?

Cristina: That's cool. There's a good and a bad.

Jack: Yep. Black. Uncommon causes, paranoia and erratic behavior. Also causes powers to become increasingly unstable. Yeah. White.

Cristina: What?

Jack: No known effect. Oh, s***. That's the only one I thought was doing something. But it's like the other the. What is it? A blue one and the actually gold one both suck out the powers. Is that accurate?

Cristina: No. The gold one makes you have.

Jack: Oh, stronger powers. The blue one takes your powers away and the green one takes your powers away.

Cristina: Mm.

Jack: Interesting.

Cristina: You feel happy with the blue one?

Jack: Yeah. Pink. Oh, it's fake too. It's synthetic and rare. Acts as a aphrodisiac. Ooh. To make Kryptonians. Honey.

Cristina: What?

Jack: Yeah. And orange. Ultra rare. No known effect. Interesting.

Cristina: So it's just. It does something though. Why? It does something to someone else. Doomsday.

Jack: Yeah, Doomsday and stuff to humans and s***. But, like, it's general application for Kryptonians. Useless.

Cristina: So are these Kryptonites. Well, they're called Kryptonian. Are they somehow. Like, are these things found on their planet?

Jack: Yes. So basically Kryptonite showed up with the meteor shower that Clark came in.

Cristina: But does it come from his planet?

Jack: Yeah.

Cristina: Even the green one?

Jack: All of them?

Cristina: All of them.

Jack: Oh, it's a meteor shower from his planet.

Cristina: His planet exploded or something?

Jack: I guess so. I'm not really sure why. There was a meat. Maybe the pod he was in was part rock or something and a bunch of it got stripped. I'm not really sure why. There was a meteor shower. That's an interesting. Because if you just sent out a ship, why. Why like you. You trying to knock the ship out too? But the planet did explode. So did this s*** travel with his planet explosion? Like he got out like last second.

Cristina: Okay, boom.

Jack: Planet. And also here's a bunch of s***.

Cristina: Yes. That may harm or help.

Jack: Did the speed of the ship suck into its direction a bunch of meteors as it was leaving the planet that just blew up and they stayed because it's almost pulling them on the way to Earth. Yes, and that explains why they got there in the first place.

Cristina: I don't think so. How big is that ship that it's gonna be pulling these things with it?

Jack: I don't know.

Cristina: Hmm? I don't know.

Jack: I'm saying the speed of it alone would do it.

Cristina: Oh, okay.

Jack: It's just like zooming at crazy speeds and all this bullshit coming. But like, if an atom was traveling at. How much, how far, man? How long was he traveling? Right? It doesn't check out, bro. That ship must have been breaking. Breaking light speed.

Cristina: Crypto. Whatever. From Earth.

Jack: Well, now that we know how far approximately five light years are, let's find out how far. I don't know the name of this planet.

Cristina: Kryptonian. I don't know. What are the people called?

Jack: Don't know what to tell you. Okay, Krypton. Krypton.

Cristina: That makes sense.

Jack: That makes sense. Kryptonite on Krypton. Kryptonians from Krypton. Yes. Checks out. Okay, so Krypton is an unrealistic amount of time away. Let's establish what I mean. If Krypton is 27 light years away, as this says it is.

Cristina: Mm.

Jack: Then had Clark left the day he was born, he would still arrive. A 27 year old man. Unless those 27 years, he didn't age any ages really slowly, which means after he got to Earth, he then aged really gradually and they hit him for a really long time and probably had to put him in second grade like 30 times. And third, you know, so on and so forth. Because he ages so slowly because he was baby for 27 years. Or he arrived a full grown man and it's like, I just know English, bruh.

Cristina: No, he was a baby.

Jack: Yeah, which doesn't check out because this s***'s. Unless he's breaking light speed, which means you're going back in time anyways.

Cristina: Like Goku, doesn't he age weird too?

Jack: He ages slowly.

Cristina: Yeah, but it's not so ridiculously slow either.

Jack: But then, 27, he got there as a baby.

Cristina: Yeah.

Jack: How much lower can you be?

Cristina: Maybe that pot had him asleep or something.

Jack: Could. It could have had him like cryostasis.

Cristina: Yeah. Yes, during that time.

Jack: Only alternatively, they get their power from the sun. Maybe he only started aging at a human rate because of the yellow sun, which also makes him crazy overpowered because Krypton had a red sun or something like that. So like, maybe he ages slower because the light of the sun has a huge effect on how things play out. Okay, so maybe. So maybe he gets to Earth gets yellow, sunlight ages more normally. So he was a baby for 27 years?

Cristina: Yes.

Jack: Got to. Earth aged more rapidly.

Cristina: Meh. Frozen baby.

Jack: That works too. Because 27 years? No f****** way, bro. No, he did not shoot across 27.

Cristina: How did he bring Kryptonite with him? That's not possible.

Jack: Well, no, that still happens, regardless of what we're talking about.

Cristina: Really?

Jack: That still happens? We're not changing the history just because we're discussing it. He still arrives with Kryptonite. Like, what the f*** can we do about he actually arrived at Kryptonite?

Cristina: Makes no sense.

Jack: Unless it happens. Unless it does. Okay, maybe it does make sense and we just don't know how.

Cristina: Yeah.

Jack: My. Now, from this point forward, ongoing theory. It's not ongoing yet. Until I think about it again, it stays consistent. It's gonna be ongoing. Factually.

Cristina: Sure.

Jack: My ongoing theory is that maybe there's other s*** out there in space, which gets proven in Superman and every other DC thing ever, but that the meteor shower with the frozen baby in a pod.

Cristina: Yep.

Jack: Inside the meteor shower is just so that other creatures in space, other alien life forms can. They don't see the ship. They don't see just one thing flinging across. They're like, oh, yeah, a bunch of rocks flying through space.

Cristina: It wasn't about sending Kryptonite with him because why would they do that to their child? It was just about, let's. How are we gonna hide our child from other creatures?

Jack: Yes. From all the other s*** that could.

Cristina: Attack him, Throw rocks with him. Not like they're specifically looking for Kryptonite. It's just the rocks from our planet.

Jack: Here are rocks from our planet. We dodge certain plants. Oh, if I touch this plant, it might be poisonous. It might kill me. Or if I touch that animal. But from a world where that doesn't make sense. The rocks there are what affect them. You know, so they just grab a bunch of rocks and fling the baby. On the flip side, the other idea could be these are all the different elements from our home, good and bad. And you will require them one way or another. If you need to tame your ability to blend in. If you need to do something that is too hard and you want to remove your consciousness.

Cristina: Okay.

Jack: What if you want to just have some fun, you know, the rocks are there. Just want to do what you need to with them.

Cristina: Yes.

Jack: So it could be like either.

Cristina: Or is a good answer.

Jack: Right. So we're either hiding you from the crazy s*** or you're too strong. F*** it. Here's some s*** to make you, we can hear Some s*** to just have fun. And here's some s*** that'll make you stronger if you need that.

Cristina: Yeah. Anyway, it goes. It works.

Jack: Yeah, yeah, yeah. So this meteor shower is way less weird. Yeah, it's just. Again, it's only weird because we were. We weren't really thinking about it.

Cristina: Yeah.

Jack: Why do you send rocks with your baby? But no, it's like maybe they want it to be cultured.

Cristina: Yeah.

Jack: Or. Or it's like we just need to hide you so you make it where you're going.

Cristina: Yeah. Because there's probably other aliens that know about them, right?

Jack: There has to be.

Cristina: There has to be.

Jack: There has to be.

Cristina: There's no way. I don't know. But I think it was a item or both. That's a possibility.

Jack: On the flip side. On the flip side, at least we know. At least we know that we have listeners everywhere. And not Krypton though.

Cristina: How do we know? Because it's too far away.

Jack: It's only been five years. Superman. Superman got sent. Dude, he's like Yoda. Unless the light. I don't f****** know, dude. The light makes a major some s***. There's some explanation again, just like that meteor shower. We just don't get it. But it probably makes mad sense.

Cristina: He was frozen, that's all.

Jack: He could totally be he was frozen. Or the yellow sun accelerates his aging to normal human rates.

Cristina: Sure, both. Either. Either or whatever.

Jack: Something could have just been a baby. 27 years and like that's usual. Maybe it was in a hundred more. Who knows?

Cristina: It's crazy.

Jack: I think he's a mortal anyways. Yeah, no, it doesn't matter because he outlives everybody on earth anyways.

Cristina: That's. Yeah, like 27 year old baby. But who knows? Maybe Kryptons, they age like that. I don't know.

Jack: 27 could be baby. Yoda's like 400. Like what the f***?

Cristina: Yeah, he's not a baby.

Jack: Dragon Ball Z. There's a race of creatures that age from old to young. And then they saw Goku as a. Oh no, no, no. My bad. They saw Goku who got wished tiny. This is in Dragon Ball gt. They wished him to be a kid again. And so he's a kid to the show and he racks with this alien race. And then Pam is like, oh yeah, that's my grandpa. And he looks way younger than she is and he's way smaller. They're like, what a peculiar race. In our world, we are born small and we grow old. You guys are growing younger. That's like what they thought about it by seeing Goku got wished back to you. Just an interesting thing. Anyways, now we know what five miles light years. My bad five light years is. And that we got way more listeners. And chances are we're f****** shut up with that portal so that people can hear us. But is what it is, one day we're gonna fix it. First we gotta figure out this s*** with Steve. It's training forever. Who See you the new groundhog.

Cristina: Yeah. What a name. Okay.

Jack: Yeah.

Cristina: I don't know. I keep thinking of like those characters we talk about, but his name is Bob.

Jack: I think one of them is Bob and the other one is Steve.

Cristina: Okay, we got too many Bobs and Steve's.

Jack: I name everything. I'm not good with names. Oh, I got Bob and Steve. That's. That's the extent.

Cristina: Yes. A lot of characters in the show.

Jack: Most of the sub humans are female. And also I call most of them Bob or Steve. Anyways. Yeah, like, give me a name if you guys don't like it. You know, they don't do that because all they do is follow girls.

Cristina: Though we named some of them. Well, with Bob and Steve, the girls were named after the girls from Sex and the City, I think.

Jack: Oh, yeah. There's three. There's four of them. Well, we don't even know one of their names. So there's three of them and like a question mark. Anyways, if you guys. If you guys liked how we grounded humanity's most absurd and baffling ideas. We did. We totally did think about it. We discussed the distance of space, distance to the moon portals, real time, like solving real time war on the moon and figuring out that time travel f****** sucks because you can't really do anything to help the other people unless you can have some ability. Yeah, Some ability to see things ahead of time. And then you could like, whoa. So overpowered. And then we went into that whole, like, what would we do with those abilities and what's applicable and who could beat that? Like, these are depressing issues.

Cristina: Of course. Of course.

Jack: These are. This is why people come to us. They want to know these things. If I could see one second into the future, what would I do? You're gonna be a race car driver, or you can be a boxer or an MMA fighter. You can be the best at it because nobody's ever gonna touch you. Great. Awesome. You can see a day into the future. Holy s***, you're set. Your God, basically.

Cristina: Mm.

Jack: Go do whatever the f***, because we can't stop you.

Cristina: Yes.

Jack: Nobody can.

Cristina: Mm.

Jack: Bro, they could hit the button tomorrow. You already know there's a ship on the way out. You get the f*** out.

Cristina: Yeah.

Jack: There's nowhere on earth that it takes more than 24 hours to get to. There's nowhere, at most 16 hours you can escape. You have time.

Cristina: Yes.

Jack: D***.

Cristina: Wow.

Jack: Wow.

Cristina: Yeah.

Jack: Yeah. You do. Nothing to take you out but time.

Cristina: Yes. Something about Superman.

Jack: Superman can touch it.

Cristina: Yeah.

Jack: Then Superman and kryptonite. Well, we were trying to figure out how overpowered something like Superman can't even beat this guy. Anyways. Anyways, you guys can find other stuff like this. You know where to find it. If you're already listening to the show, then you know where to find it. And if not, show your friends. We gotta fix some of these intros and outros. We're gonna fix these so that we stop telling you to subscribe. No, you gotta tell you subscribe and rate interview. Don't forget that. But you don't. You don't have to. Like, we don't tell you where to find it because.

Cristina: Tell them because you're here. You might not remember.

Jack: They need to tell their friends, though.

Cristina: Oh, yeah, yeah, yeah.

Jack: So anyways, you. For. For. So you could tell your friends. You can find the show on Apple Podcast, Spotify and anywhere you get your podcasts.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok and just combo pod.

Jack: Yes. And like I said, I'll always remind you to subscribe and rate and review the show. Those are all helpful things.

Cristina: Also, to let someone who might like this show know about it. That's what you should already be doing.

Jack: Yeah. Because Word with Mouth is amazing and helpful. And again, think of everything we've accomplished today. We couldn't have done it without you.

Cristina: This has been the rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: 505 windmills in Ukraine. No, not even. Even windmills. 505. Oh, no. Wind power. How many windmills is that? Crane with remaining unoccupied. Blah, blah, blah.

Cristina: Eight wind farms.

Jack: Wow. So many. Too many wind farms. Eight. That's eight more than zero. What?

Cristina: China has the most windmills, though, and.

Jack: That'S why Trump doesn't like China. You see, it all checks out.

Cristina: What? Okay, what about Russia?

Jack: Russia doesn't believe in windmills.

Cristina: They have windmills.

Jack: How many? They got three, four.

Cristina: Plus 20 more.

Jack: Plus 20 more.

Cristina: I don't know. They don't have a number, but. Oh, wait, there's a number.

Jack: There's 23 windmills total. Come on. Capacity. Oh. Those are the total number of windmills in each one of those plots.

Cristina: Okay, so 1275 windmills.

Jack: Yeah, yeah, yeah, yeah. Wait until Trump finds out. He's gonna be furious.

Cristina: Unless they're trying to stop their windmills, too. I don't know.

Jack: Maybe they're all off. They're like, we've stopped it. We understand. All our people were catching cancer.

Cristina: One is dismantled and one is under construction. Oh, no, two are under construction.

Jack: Yeah, yeah.

Cristina: I don't know.

Jack: The farms are under construction.

Cristina: Yeah, yeah. So he's still making more.

Jack: Yeah. Trump is gonna be really angry when he finds out.

Cristina: Then. What do you think Trump is going to say?

Jack: He's just going to be angry. He's going to stop being friends with Putin over this. Over the windmills. Like you're destroying our plan with these windmills.

Cristina: Okay. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.in fox, art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 174: Alternative Civilizations

Is the universe identical across the board? Would other advanced civilizations have math as their baseline for all technological advancements? Is deception a biological trait? The duo decide to unpack whether scientists need to be better informed on how to find alien life in space as opposed to outright introducing them to alien life.

Rambling 174: Alternative Civilizations

+Episode Detail

Topics Discussed:

  • Language
  • Telepathy
  • Alternatives to Math
  • Religious Science
  • A World Without Fiction
  • The First Lie
  • Lying Dogs
  • Our Quantum Computer

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And if you haven't yet, remember to subscribe so that you get notified the second new episode is early.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yeah, it's important that you, like, find somebody and you're like. You sit them down. You're like, hey, man, this podcast just conversation and talking is. The microphones. This is so I.

Cristina: And I. I'm not sure.

Jack: And I press going on and then plays. And you can hear them. And they're talking.

Cristina: But they're not making fun of people who have stutters.

Jack: No, because the stutter would be like, this is.

Cristina: And what were you doing before? It was very similar.

Jack: It's like a really nervous person talking.

Cristina: That's a NERV person.

Jack: Yes, like a person who's not a nervous person. They're more like a. Like somebody with schizotypal language, I guess. Like, their. Their linguistic patterns are of schizophrenia. Almost like they're trying to tell you, like, this. It's a podcast. And like. So I hit the. I hit play and like. And so on the. But they're. It's. But they're not here when they're talking. They're just over there. But you could. You could hear the speaker. The speaker. You can hear through the speaker. But they're not here. They're just talking over there. It's not live. It's in this. Recorded. There's. But it's. It's not. It's not live. And. And it is recorded. Probably not like, not like in a big studio or something. You know, it's probably. Probably the. Probably they just came together and, you know people.

Cristina: It's very close to the other thing.

Jack: It might. You know what? It might be a type of stutter.

Cristina: It might be. It could be pretty bad.

Jack: It could. It totally could be, man. Okay, here's a problem. He's a problem. He's a problem. He's a problem. His problem. He's a problem. His problem is a problem. I don't know.

Cristina: Do you have a stuttering problem?

Jack: No. What's crazy is people who do that. Is that a stutter, too?

Cristina: It might be because it's not like you're.

Jack: You're not stuttering in the word. The word isn't stuttered.

Cristina: It's repeating the word.

Jack: Yeah. That's why I'm not calling it a stutter. Because you're not stuttering the word.

Cristina: It feels like you're stuck on the word, and that makes it feel like a stutter. Even if you're not messing up the word, you can't move past the word.

Jack: So it's not moving past it. The. The base principle of stuttering.

Cristina: I'm saying yes now. I don't know.

Jack: So what if you're, like totally being racist and insulting the stutter race?

Cristina: That's not a race.

Jack: How do you know?

Cristina: I hope they don't see themselves as a race.

Jack: They probably do. And they see themselves superior to everybody.

Cristina: Why?

Jack: Because maybe they are. How do you know they're not?

Cristina: What if we're just equals? Why do one have to be better than the other?

Jack: They're faster, they're stronger, they're smarter, the cooler.

Cristina: All of that from. I don't know. Why. Why is that the case?

Jack: Did the master race.

Cristina: Obviously they're not a race. They're not a race.

Jack: You don't decide what a race is.

Cristina: I don't know what a race is.

Jack: To be fair, neither do I. Okay, but listen to me. My whole point in talking about stutterers and stuttering and the fact that stutterers tend to be stuttering is because. No, I was just thinking, like, we stutter because language and there's a certain thing happening in our brain that's not allowing the person who. It has to be neurological or something. Right. That's not letting the person get the word out efficiently, but they're still getting the word out. Neural pathways are there. There's just something happening.

Cristina: Yeah.

Jack: I don't know if it's neurological or if it's some cognition based thing like motor functions. But regardless of what the case might be, there is something there. Now my question is, is this specific to language? So we have an alien race and they don't develop language.

Cristina: Mm.

Jack: But they have some other means of communication.

Cristina: Would there be a form of stuttering as well?

Jack: Like is a. Can a dog stutter in their communication to another dog?

Cristina: That is. I don't know.

Jack: Right, right.

Cristina: That is weird.

Jack: But if we take it to the next level and say maybe it's an advanced thought. We process a lot of thoughts in a very short period of time. Maybe it's advanced civilization kinds of things and it's just human. Particularly as a stutter, because it makes sense for us to be caught on some complex linguistic problem. So then the question would be, if we don't have language, could we have an equivalent of a stutter?

Cristina: I don't know, because I think of, like, sign language, and there's no way of stuttering for sign language. I think, like, you can mess up.

Jack: No. Well, I wouldn't. No, no, no. It's totally possible to have a stutter while doing sign language.

Cristina: How?

Jack: That's very interesting that you would bring that up. And I would have never thought about this otherwise. But if you have a repetitive tic of some sort and it, like, manifests itself as your. Maybe it's very physical. Like, very physical, and it happens to be in your hands and you sign in. Communicate also. D***, bro. You're both death. And you got this tick like your hand was crappy, but yeah, I guess you could stutter. Yeah, it's crappy. They. They got. Yeah, you're. The hand you were dealt is crappy and the hand you were crappy.

Cristina: Yes.

Jack: So, like, it sucks to be you, bro. Yeah, you should. You're that person who should have been convincing yourself a long time ago. I think I should have been born without arms. And then you go through that surgery and get your arms detached, but then you get robot arms that are way.

Cristina: More efficient and somehow they stutter.

Jack: They don't stutter. I mean, I guess if they glitched. If they glitched, D*** computers stutter.

Cristina: Yeah, yeah, they can get old and the technology is not advanced enough.

Jack: Yeah, s*** could stutter. But that's my point is stuttering. Because at the end of the day, language, linguistics and sign language is language.

Cristina: Yes.

Jack: Just signing words. Essentially, we're trying to convey the same information.

Cristina: Like animals stutter. Birds while they're singing end up stuttering. Although when people sing, they don't stutter. So I would assume it's not a bird problem.

Jack: My. Well, my thing would be let's move beyond the simplistic stuff and assume that there is something other going on in an intellectual mind. Can a life form from another place that never had language stutter in whatever means of communication they have? If they're doing telepathy, can your telepathic thoughts stutter? If you're trying to convey your emotions as they are, can you stutter and overemphasize something? Or can you. You're trying to show a sequence of images of places you've seen to convey a really complex thought that requires these images. Could you get stuck on an image?

Cristina: Could you get stuck on it?

Jack: You know, could you look at. Is there a lag?

Cristina: Like, wouldn't it be like a mess up? I don't know about an actual lag.

Jack: Yeah, it would be the perfect word. It would be the human lag equivalent if it was telepathy. Because you could stay on the wrong image too long and it's just because you're like failing to. And I guess we would. Right, because things that we don't even consider stutters are probably stutters.

Cristina: Like what?

Jack: Like if you are holding your keys and looking for them at the same time. Oh, is that a type of stuttering? That your brain is kind of like stuck?

Cristina: Yes. Like the lady holding the baby looking for the baby.

Jack: Yes, that's a weird. Like you're kind of stuck there. You're stuttering, you're lagging, you're lagging. The system is glitching.

Cristina: That is weird. Okay, so there's some real world things happening like that.

Jack: Yeah, it's so it's not linguistically alone. There is. Everything can get stuck somehow.

Cristina: Yes.

Jack: Which goes to say that if there was an alien life form that did develop something elsewhere, totally different thing. That might not even be biology. Biology is the study of cells and anything that comes from it, Life and whatnot. If these life forms are made from like helium or some s*** and develop some other crazy way to communicate, they could still stutter in theory, however the f***. Yeah. Glitching is inherent. Yes, it's universal.

Cristina: But is it stuttering or is it just making a mistake? Like, what's the difference?

Jack: A mistake is something you could have done properly but didn't. As opposed to a stutter which is out of your control.

Cristina: Okay, I guess. I don't know. I can't even imagine what they would be doing that's different from language besides like animal sounds.

Jack: Yeah, well, yeah, it's. Of course we can't comprehend how something that one, we can't prove is even out there and two, they develop something we don't understand. We're supposed to conceptualize that thing that we can't conceptualize.

Cristina: Yes. I don't know there. People try to do it in movies, I'm guessing. I just can't think of any.

Jack: It's based on our already existing wealth of information, which is based on our own existence. So there's no way anything that that really happens out there would look remotely similar. Because everything is based on what we have already experienced anyways. Even our new unique, not language way of communication only came to our mind because of our current existing way of communicating how we think Affects how we. I mean, how we communicate affects how we think.

Cristina: Yeah.

Jack: So does language. Which is precisely what they wouldn't have.

Cristina: So how would they communicate, though?

Jack: Yeah. We couldn't. We could never think about it.

Cristina: Don't worry.

Jack: There's no point. We could never. Because we'd have to come up with something that we couldn't come up with. Because we don't have the tools to come up with it. Because it would have had to take a path that we can't understand.

Cristina: Like, even if they were talking to each other from mind, like, telepathy is how it's called.

Jack: Yeah.

Cristina: Like, what would that sound like to us if we heard what? Like, would it make sense?

Jack: No, it wouldn't. It wouldn't be a sound. You're. No. It would look the way your thoughts look. Except you'd know they're not your thoughts. But my thoughts would be telepathy.

Cristina: Thoughts are complicated. I don't know, there's words sometimes images, other times.

Jack: Then it would play out like that.

Jack: It would. Whatever's necessary in your way of thinking. You'd think their thoughts. That's celebrity.

Cristina: But it would equal to my thoughts. It'll be similar. It will be understandable. Just because it'll be somehow trying to relate to something I've been thinking.

Jack: It wouldn't try to relate to something you've been thinking. You'd apply your already existing filters of life and experience to process the thoughts.

Cristina: Mmm.

Jack: And you'd also feel the emotions that go with it. That's why telepathy is so overpowered, right?

Cristina: Yeah.

Jack: So you'd feel the emotions, you'd see the images, you'd hear the sounds, you'd. Every you. They're conveying to you the experience itself. There's nothing really for you to think about and be like, well, I didn't get it.

Cristina: Okay.

Jack: No, because the point is, you instantaneously understand. They sent you the experience and you're like, ah, I get it.

Cristina: Ah.

Jack: So, like, it transcends the need for language. If an alien who's mastered telepathy were to show up right now, although you couldn't send them the message, they could send it to you and you understand it perfectly.

Cristina: Okay. And if we ever do figure that out, at least with technology, would we be able to communicate like that or. They would have to. They would need the technology as well. Probably.

Jack: No. If they can already communicate telepathically, why, what would they need the technology for?

Cristina: To receive our. Because we don't really have the ability.

Jack: They can Read our minds. They're telepathic.

Cristina: Oh. Okay. I don't know how telepathy works. It's like. I thought they were just giving you information, but they're also taking information from you.

Jack: I'm assuming they could. Unless it's one way. Telepathy.

Cristina: Which.

Jack: That could be a thing.

Cristina: That's what I was thinking. I don't know.

Jack: I was thinking of just our generalized telepathy. We can communicate back and forth. So you don't really need telepathy.

Cristina: No.

Jack: To communicate to someone who has telepathy.

Cristina: Because they should be able to do it back and forth.

Jack: Yes. They should be able to take your thoughts and put thoughts in your head.

Cristina: Yes. Unless you learn how to protect your mind.

Jack: Yes. Like Professor X. Yeah. With his helmet. No, wait, it's Magneto. Magneto, Meant to protect himself from Professor X.

Cristina: Yes. Who's a monster.

Jack: No.

Cristina: No spying on everyone.

Jack: Who? Mac? Professor X?

Cristina: Yeah. He's a creep.

Jack: I mean, he's a creep. He's not a monster.

Cristina: Okay.

Jack: But.

Cristina: Yeah.

Jack: That's interesting. I wonder. Man, there's so much weird s*** about. It Lands like, man, what if they took a different path? It wasn't. I'm always fascinated by that. Like, we have science and we call it science and whatever, and we'd call their stuff science. What if their s*** wasn't based on numbers? Like, what the f*** do we. What?

Cristina: Yeah, what.

Jack: What do we even do? At that point?

Cristina: It's pretty cool. I don't know.

Jack: We call it tech. We call it tech. A hundred percent. It shows up and we're like, oh, this is alien technology. Fine, fine. That makes sense. It's not. We're not wrong in calling it science and we're not wrong in calling it technology. It's exactly what we would call technology if we made it. And it's scientific now. How the is it? The question is, is it scientific? Right.

Cristina: Is it scientific?

Jack: Is it based on math?

Cristina: It has to be. I don't know. It doesn't have to be.

Jack: We think math is universal, but we also seek math in the universe and then find it. What if they're like, I don't know what the f*** math is. Never in my life have I heard about math. We just think logically and somehow have figured things out.

Cristina: That is crazy. I don't know what that would be like. That's crazy. That's really something. But I always like to think about the aliens that are. We can't even communicate. Not in any way. Like the moon, Water and the silent Sea. Yes, that's pretty alien. But you can't communicate with that.

Jack: Well, is it alive, is the question.

Cristina: I think it's alive.

Jack: The water's alive.

Cristina: Well, it's alive in the way that.

Jack: Like a. Like a regular cells. Yeah, that's garbage. We can't communicate with that. I mean, like intelligent life, because we're not like. Well, is that thing technologically advanced? Like, no, it's like a f****** puddle of atoms or some s***. But if we said, like, what creature came from that planet is more intelligent or advanced? If we were to. Whatever thing they used, they're just more advanced than we are. Is it math? They got them there.

Cristina: Is it math? I wonder. It has to be.

Jack: Why?

Cristina: It has to be something similar, Something. I don't know. It's hard to tell. But, like, what else could there be?

Jack: I don't know. We could. We would. The point is we wouldn't be able to think about it. Yes, but it's interesting to think about.

Cristina: Yes, it is.

Jack: But we wouldn't think of the thing like asking, what is it? Like, I don't know.

Cristina: Of course, we can't figure out what it is that we haven't met yet.

Jack: Yeah.

Cristina: Or if we have met it, we don't know that we've met it.

Jack: So this is crazy to think about. Like, the fact that there could be a way to get to the same place without numbers.

Cristina: To the same place. Oh.

Jack: To same level of technology.

Cristina: Yeah.

Jack: Now, here's the problem. We always look at space and we use our fancy super awesome telescopios and we.

Cristina: We make them bigger and better and stronger.

Jack: We're looking for us. We had a whole f****** episode about this. We're always looking for ourselves.

Cristina: It's the easiest thing to look for. Maybe. Yes.

Jack: But, like, the amount of crap we're probably missing in looking for ourselves, there's.

Cristina: No way to even imagine how you look for the other thing that's not like ourselves.

Jack: I know, that sucks, right? We're sort of trapped by our experiences.

Cristina: Yes. We have to meet this unknown thing to be able to find this unknown thing in other places. Like, if it turns out that the clouds are alive and can communicate with us, then we could find the technology we'll need to find other clouds that communicate. Like the first clouds that we meet.

Jack: Yeah. You mean the first clouds we already met?

Cristina: Oh, yes.

Jack: Or I guess the clouds we've listened to.

Cristina: Yes, because we have communicated with him already.

Jack: No, that's what we're training Steve for.

Cristina: Yes, well, that's what I Mean, like, once he's able to do that, then we'll be able to do it anywhere else.

Jack: Well, yeah, but I mean, like, people who aren't us, just normal scientists who doesn't know about the realities of the world, and he's out there looking for life and he's like, life? Life is entirely based on cells. Always. 100% of the time, it's like, you can't possibly know that, bro. Like, maybe. I'm not saying it's not, but just like, I'm definitely, like, sure. Like, I'm man, like, Neil Degrasse Tyson is the kind of guy who would 100% be like, no, if there's life, it's cellular.

Cristina: Yeah.

Jack: No, dude, you follow f****** science like it's a religion, bro. Then again, most scientists do whatever it is a religion.

Cristina: It is, it is.

Jack: I mean, they have a holy book, essentially, these science journals. It was written by people I don't know, and I will take their word for it. And his facts, the laws that were written long ago in numerology, tell us. And we follow those numbers according to the letter. We don't alter them. That's not the right way to do it. You follow the numbers as they are presented. Reinterpreting. No, no, no, no. We tell you what these numbers mean and you follow those numbers, you plug them in.

Cristina: Well, you do the same thing yourself, and then you can figure it out.

Jack: No, but you got to do it the way they told you to do it.

Cristina: Yes.

Jack: And then you got to get the same result.

Cristina: Yes.

Jack: Here's the prayer. You can go pray the same prayer that I gave Bob over there.

Cristina: Yes.

Jack: And then when you get. You're going to have a spiritual experience. Be sure to have that spiritual experience. You're going to have that spiritual experience. Don't forget. And it must be very enlightening. Just like Bob. Just like Bob's experience. If you didn't have what you didn't.

Cristina: Believe hard enough, I guess there's something was wrong with your science or your.

Jack: Math or your belief. Maybe you. Why didn't I feel the relief after I prayed? Pastor or priest or father? There you go, Father. Why didn't I feel better after praying? My son. So much darkness in your heart. You weren't convinced. You must truly want. And then pray, you. You have to believe it's gonna work before it works.

Cristina: Yes.

Jack: And then it'll work. And so here's an equation. And you have to do it the way I told you and believe you're gonna get the result that we told you're gonna get. And if you get the same result, then it worked. If you don't get the same result, then you did it wrong.

Cristina: Yes. And you should try it again for like a hundred times.

Jack: Yeah.

Cristina: And then we'll question it, go back.

Jack: And do it again. Can I do it my own way? Well, that wouldn't follow our logical steps. You got to do it the same way we did it and try to get the same result. That's the point, man.

Cristina: It's all the same.

Jack: Yeah. S***. There's nothing isn't f****** religion. Everything, everything is religion.

Cristina: How do we turn science into religion?

Jack: I don't.

Cristina: It is the same.

Jack: Yeah. Atheism is a religion. I have faith that there's nothing there. Let's get the f*** out of here, bro. What? Dude, the lack of religion is religion.

Cristina: Yes, because we can't help it. We can't help it, dude.

Jack: Everything is religion. Oh, my.

Cristina: You think aliens have to have religion?

Jack: Then that blows my f****** mind, right? They would have to.

Cristina: They would have to.

Jack: Or at least some of them. If there's more than just us, I am sure at least one civilization doesn't have religion.

Cristina: Yes.

Jack: But I'm sure, like, some out there must have religion. There must be somebody who's. Well, maybe there's s*** we can't understand.

Cristina: There has to be religion. If there's mystery for them, there's definitely religion, even if it's not equal to our religion. Like we just said, science is like religion. What if there is witchcraft is religion.

Jack: What if there is no religion, though? How would that look? How did they tell themselves how? Oh, so we go. We go to an alien planet and it's not advanced, it's an alien planet taking place in their equivalent of our 1800s. I mean, it's not gonna look the same, but I'm saying their technology is around that point. If we were to compare whatever thing technology they have, whether math or not, and we go and communicate with them and we find out they've never had religion. How do they explain their origin? Or are they just like. We don't f****** know.

Cristina: But they're not superstitious either. They're not like.

Jack: No, just like, way honest. No, just way honest. Just like if. If it's not provable at this precise moment, then it couldn't possibly be. Like, we just don't bother.

Cristina: There's no way. I mean, maybe, but it's just like, there's not many people like that.

Jack: Yeah, but think about it. There has to be a culture, an Alien civilization, that's just about being in the present. It's just the whole s*** is I'm now. I don't think about later or back then. It's just now. So. Hey, where'd you come from? Don't know. Never f****** thought about it. Not going to start now.

Cristina: What? How do they live?

Jack: Why?

Cristina: Why do they live?

Jack: No, not why do they live? What do you mean when you ask, how do they live? I'm like, why does it matter?

Cristina: Because it's weird. I don't know. They just live in the moment, but they don't have anything going on in the future or their past. Like, I don't know. They don't have anything. Like.

Jack: Yeah, okay, so the question would be. No, listen, the question b. If you don't have religion.

Cristina: Mm.

Jack: You're an alien civilization. You don't have religion. What motivated you to make your first rocket? You have no right. So, like, we are gazing into the stars in the first place. Was looking for God, because we'd already thought about God. So if we hadn't thought about God, we're like, oh, just crap up there. Not gonna give a. Or would we be like, although there's no God up there, and that's still believe in something.

Cristina: Because even the scientists believe in something greater. They look up into the skies, they're still motivated.

Jack: Yeah, but scientists are following their religion.

Cristina: Yes. So, like, how could an alien not have something? But again, that's motivating them.

Jack: No, that's us just trying to push forward our own belief that based on our experiences. How you need motivation.

Cristina: But go into space.

Jack: Yeah. What if it's just like a natural conclusion as opposed to motivation. Like, they're not striving for space. As opposed to, oh, the planet's running out of resources in about this long. We should be out or find more resources. Other stuff up there. Our telescopes showed us. Or we built telescopes looking for more stuff.

Cristina: Yeah.

Jack: And then we found it. And so now we build a rocket and go get it, and then we bring it back.

Cristina: What made them want to look up?

Jack: Running out of resources. Oh, they're running out of stuff on the planet. They're like, okay, it looks like we have.

Cristina: They're motivated to survive, at least.

Jack: Yeah. But not by religion. Not by something greater, just survival. And so they're sitting around and it's like, okay, we have a hundred years worth of resources left. That means we only have about 50 years to find new resources and begin acquiring that resource. And then they decide, okay, we're gonna find everywhere we're gonna look in our oceans, we're gonna look in space, everywhere. And then looking in space, they look up and I, oh, there's stuff up there. So then we need to get up there. And then they go ahead and make the rocket that would get them up there.

Cristina: Okay.

Jack: And then they acquire the thing at no moment that they have like, oh, God is up there or some s***. Never cross their mind. They've successfully just kind of been in the now.

Cristina: Like, I don't know how that's not possible, how that's possible.

Jack: I just explained it.

Cristina: But I understand. But like, if you have fear, then there's got to be something motivating too. I don't know. I don't know.

Jack: We don't know what comes after death. And we're terrified of what we don't know.

Cristina: And you think they know? They don't care about what happens after death.

Jack: They don't know what happens after death.

Cristina: And they don't care.

Jack: Who said they don't care?

Cristina: Because they don't. I don't know. Like, what do they think is gonna happen? They don't have any curiosities. They probably don't make up stories.

Jack: That's the part they don't do.

Cristina: They don't make up stories.

Jack: They don't make up stories. They. They prove things. And we can't prove that part. So why bother with it? We don't know what happens. I haven't the slightest clue what happens when you die? Well, your body stops moving. Do you go to heaven? What is that? Do you go to h***? I don't know what that is. Is there reincarnation? Not a clue what that is. It's when you come. I wouldn't know. Because that person comes back as a different person, back from when they're born. Do they retain their memories? Can I ask somebody? Were you in previous life? And they recall it as if. No. Okay, then doesn't matter because I can't prove anything.

Cristina: Ah.

Jack: What if that's their approach to everything?

Cristina: To everything?

Jack: To everything?

Cristina: I don't know.

Jack: There has to be at least one. There has to be at least one infinity. There has to be at least one.

Cristina: But how many could actually be like that?

Jack: An infinite number of them in infinity.

Cristina: An infinite number of them, but not most.

Jack: No, but infinite numbers of them. Because now we're entering though the problem of, like, multiple size infinities, right? So you can have. What is it? Regular numbers versus prime numbers. You can have an infinite number of prime numbers and an infinite number of regular Numbers. But there would still be more regular numbers than prime numbers, even if they're both infinite.

Cristina: Yes. Yes. So I don't know. Like, there can't be that many. I don't know.

Jack: Yes. There's an infinite amount.

Cristina: There's infinite amount.

Jack: Infinite amount of. So crazy. Just civilization. Yeah. Or just not having religion. Something happened without religion in some civilization. That's the most important part.

Cristina: No religion.

Jack: No religion. They never made up a story. No. They don't know about lying. They don't know about storytelling.

Cristina: They don't know about storytelling. They don't know about lying.

Jack: Storytelling is making up.

Cristina: Oh, no fiction.

Jack: No fiction. There you go. No fiction. Everything is reality. Everything is fact.

Cristina: That's. That's really hard to imagine, but it could.

Jack: Maybe it's a thing. Is that what the Vulcans are based on?

Cristina: You don't think they have stories? I mean, like, even stories based on real events become legends and then become.

Jack: No, because then you're just remembering.

Cristina: Yes, but it changes over time and becomes a bigger, better story than it was before.

Jack: But you're not allowed to alter it for flare. You just say the same exact carbon words that you were given in the exact same way. Lucy went to the store. In human language. Lucy went to the store. Lucy walked to the store. Lucy was walking to the store. Lucy likes to walk to the store. Apparently, Lucy buys things at the store. Little by little, the same s*** is just said different ways. Lucy walked to buy some stuff at the store. Lucy walked to the store and didn't buy something. So maybe something happened at the store, and that's why. Okay, so little by little, s*** starts to change incrementally. Before long, Lucy was in a sword battle with the demon in front of a store to save the store from the f******. Okay, whatever. Okay, now Lucy walks to the store. Alien that doesn't tell fibs of any sort. Well, Lucy walks the store.

Cristina: That's it.

Jack: Lucy walks the store.

Cristina: Mm.

Jack: Tell it to the next guy. What do you tell you?

Cristina: So, will they be living that thing where. What was that movie with the guy who. I guess everyone couldn't lie, and then he eventually was able to lie. But before he was able to do that, all they had was history.

Jack: Yes. Yes, exactly. There's history. And only exactly as it was recorded.

Cristina: Yes.

Jack: Not as somebody told it, because their perception could affect it. So it has to be like, what's on camera?

Cristina: That's crazy.

Jack: Yeah, yeah, yeah, yeah, yeah. And like, before cameras, that becomes weird, right? Like, how do you remember? Well, we. We didn't we didn't record anything because we didn't have the means. Eventually, we recorded the means, and now our wealth of knowledge exploded dramatically. And we have all this information before then. It would literally just be repeating things as exactly they were.

Cristina: That's how it was for us. You're talking about us now?

Jack: No, aliens.

Cristina: Talking about the aliens. Oh. Man, that's how they live. So lame. Or not lame, I guess. Like, for them, it's whatever. They don't care. But what would they think of us, though?

Jack: What do you mean?

Cristina: Seeing how different we are after learning about science. Like, they will learn about the science if we were to meet them, what would they think of us? Are we a mess?

Jack: I don't know. What do you think?

Cristina: Maybe. I don't know.

Jack: I don't know. I have never met. Never met an alien in this situation. I don't know how to answer that question. How would an alien that we could not conceive think of us, this fictional.

Cristina: Alien that we just made up?

Jack: I mean, it would baffle them. Can you imagine discovering what telling a lie is for the first time? Like, it's never existed in your life?

Cristina: Yes.

Jack: Making some s*** up has never crossed your mind. You've never had that thought ever. And then we're like, why don't you say something that's not real? Like, what.

Cristina: What if they can't?

Jack: Well, I mean, the concept might not exist in their head.

Cristina: Yeah.

Jack: Look at it like this. Can your dog lie to you?

Cristina: probably not. I don't know.

Jack: Like, there's. There's deception, but is there a lie? There's like, if I walk away from it, maybe they won't see it.

Cristina: Yes.

Jack: But if you were to ask the dog, did you do it? Would he be like, no, that dog did it. Even if they did it, you know, is that a thought they can have?

Cristina: I wonder. I feel like I've seen videos of dogs looking at other dogs and exactly.

Jack: What video you're talking about, and the little dog is the one who did it.

Cristina: Oh, okay.

Jack: So the big dog is like, it wasn't me. Go f****** take charge for your f****** thing.

Cristina: Oh, okay. Who's being honest?

Jack: Yeah. My question is, could he avoid that and not be honest? Can your dog lie to you? Or is that a thing that we came up with? And, like, if you tried to explain lying to your dog, would your dog get it?

Cristina: I don't think so. I don't know.

Jack: Like, if they've never had the thought of lying ever.

Cristina: Mm.

Jack: Like, okay, we haven't Done this one in a while.

Cristina: What?

Jack: But we have a f****** quantum computer to run experiments on. We've been thinking about what to do with it.

Cristina: Are you gonna seem dogs can lie?

Jack: No. We're gonna take the quantum computer. We're gonna simulate a person who's been raised in a situation where nobody has ever discussed lying, ever lied, or told anything that wasn't factually part of history. And then when they're 50 years old, after never ever being presented with anything even close to what a lie might be. Mm, no fiction, no nothing. Everything is based in reality. And then somebody says, because you. The problem is to this person, you can never say something and then doubt the reality of it. So you can't be like. And even if you walked up to them, so you say something that's wrong, and they'd be like, okay, I guess that's right.

Cristina: Yeah.

Jack: And then you're like, okay, I'm just going to tell them I lied. Well, they don't know what the f*** a lie is.

Cristina: How do you explain it to someone who doesn't get it?

Jack: Yeah. To somebody who's never had the thought. How would you explain this alien? How would you explain this person who's never experienced. How do you explain a lie? So we simulate this person in order to understand the alien that we're talking about. So we simulate this person 50 years old, never experienced a lie, never experienced a fib, never experienced fiction. Everything is science fact. Everything is in history books.

Cristina: Maybe it is impossible. I think of, like, if you try to point out things, they will still not get what you're trying to do. Like, you were just pointing out the sky, and we're like, okay, that's red. Like, if they knew the language and they knew what you're saying.

Jack: Yes. A human.

Cristina: Yeah. And you're like, that's red. But I know it's not red, But I'm telling you that's red.

Jack: They might think you're telling the truth and they don't understand how it's red.

Cristina: Yes. Like, yeah, okay. From your eyes, it's probably red. I don't know. But like, yeah. So what other ways will you try to convince them?

Jack: Okay, I grab a card. I grab an index card, and I'll write the words, this is an index card. And I'll be like, this is true. This is. This is true. This is fact. Put that one down. Then I get another index card and I say, this is a car. And then I show them the card. I'm like, this is what the lie is. That is talking about the card. This is saying the card is a car.

Cristina: Mm.

Jack: That's a lie. Do you see how that works? And they won't necessarily get it. But with enough examples, you are. We simulate, you know, 50 year old guy, whatever, you are a male, and say, okay, yeah, it's true. Okay, okay, so what's the example you're trying to give me? I don't get where you're coming from. All right, now brace yourself. You are a female. That's the lie.

Cristina: Mm. Would they get that?

Jack: Well, with. Again, with enough examples. Yeah, we just keep doing that over and over. And presumably the stacked evidence or examples.

Cristina: If they understood it, would they get it, like, a point?

Jack: H***, yes. They would definitely be like, why would you do this?

Cristina: Yeah, I don't know if it'll be entertaining to them. Like, then if you show them a fantasy movie, would they be like, I don't. I don't get it. Like, interesting.

Jack: It would be a great party trick for everybody he knows who also doesn't know about lying. It'd be like a weird party trick to show up and be like, look what I learned how to do. Guys, this is you. Nep. Guys, gather. Gather round. Show them how to lie. Gather round. Guys, I'm gonna show you a thing I learned how to do that. You. It's gonna blow your f****** mind. You've never, never seen society, never heard, heard anything of this nature whatsoever. I mean, he's not gonna explain. He doesn't really know. It's like, you've never seen or heard anything like this before. He's gonna be f****** billionaire, bro. And he's like, okay, check it out, Check it out. Check it out. You guys. Blowing away. Blown away. Stacy's naked. Like, this is naked.

Cristina: What?

Jack: Wait, no. Stacy has clothes on.

Cristina: What are you talking about?

Jack: Yeah, you're. You're. You're confused. Stacy has clothes on. No, no. Stacy's naked. What are you saying? It's like. It's a cool trick, right? But what.

Cristina: What is happening?

Jack: Yeah, it's like the craziest magic trick. Like, I just walked out that door down the block, and you just saw me pop up in the door next to you. It's like water. Like, whoa.

Cristina: Yes.

Jack: It's like Stacey's naked. But. But I know. I don't. I know she has clothing. Then that meme of that lady with the numbers ones and zeros flying in front of him, like, equation s***. Yes, that happens real time. Stacy has clothes. I know she has clothes, but he's saying she doesn't have clothes. I don't understand.

Cristina: Is there something wrong with him?

Jack: Yeah. Is he sick? Is there something. How, how, how, man? Maybe. Maybe I'm the one who's f***** up. Something's wrong in my head. It's wrong in my head.

Cristina: And I keep hearing. They think he's like, if enough people are listening, just think, oh, there's something wrong with him. We gotta take him to the mental hospital or to the. Where do old people go? Home care.

Jack: Yeah. Yeah.

Cristina: Like, they'll be worried about him.

Jack: Worried about him.

Cristina: Because even if he tried to explain it, he wouldn't be able to explain it.

Jack: He wouldn't be able to explain it. It would sound like gibberish.

Cristina: Exactly.

Jack: What the bomb say. He said, Stacey's naked.

Cristina: Like, even if he tried to ex. Yeah, like, even if he's trying to explain. To not go into a home care, like, it's too late. They're gonna put him away.

Jack: No, I mean, it would be. It would be too confusing. It would be too confusing. I don't think they would just default to that. They would really? Because he already, you know, warned them.

Cristina: That it's a magic trick, but they.

Jack: Don'T have a magic trick. But he said, I have a trick for you guys. Oh, so they're already thinking of it as a trick as opposed to. He just shows up, said, stacy's naked. What the f***? What just happened?

Cristina: Okay.

Jack: No, he's like, I got a trick, guys. It can blow your mind. Stacey's naked. What the f*** is happen. It's impossible. What? No, she has clothing. Why is he saying that?

Cristina: So they wouldn't think there's something wrong with him.

Jack: No, he just said it was a trick ahead of time. So they're thinking of it as a trick. It'd be crazy if I'm like, hey, I got a magic trick for you. Pick a card, any card. I don't get how this magic trick works. Send him to an asylum. Like, that's not how we react to things. He told us it's a magic trick.

Cristina: In the old days, it was like that.

Jack: Yeah, but he'd. Like. He told us it's a trick. It'd be crazy if it's like, I don't know what's happening. I've never heard of magic. So, you know, he said, I don't.

Cristina: Think they heard of magic, though.

Jack: Who heard of magic?

Cristina: Those people.

Jack: Well, no, you're talking. I'm giving you a different example about actual magic dude doing a card trick or something.

Cristina: Yeah, but would they know Magic. Would they know tricks? Like, if he did announce, I got a trick for you, would they know what he means by trick?

Jack: Who, the guy who's lying?

Cristina: Yeah, to the people who don't know what lying is.

Jack: Well, no, it would be like, I got a trick for you. Look at me flip my hat midair and catch it on my head. I did. Ta da a trick. And then you're like, oh, cool. It required a lot of skill and training to be able to flip it perfectly and land it on your head.

Cristina: Okay, so that gets picked.

Jack: Any card. Your card is Ace of spades. Oh, wow. Nice trick. It's very interesting. I don't know how he did it, but Stacy's naked. What the. What the. I don't get it. How.

Cristina: How.

Jack: They're not like. Well, it's f****** send a twin asylum. They're like, wow, this is the greatest trick I've ever seen.

Cristina: This crazy trick.

Jack: This is a crazy linguistic trick. Wow. It's like a tongue twister about that time Hitler did the thing.

Cristina: What?

Jack: Yeah, because they all. Everything is based on history, you know, as opposed to. As opposed to making up that, like, Peter Piper didn't pick no pickle. Doesn't make sense.

Cristina: There's a time a tongue twister about Hitler, about history. Oh, history.

Jack: Yeah. It has to be all there. Everything is based on history as opposed to making s*** up.

Cristina: Yeah.

Jack: They've never made something up.

Cristina: No. Okay.

Jack: And this is crazy, right? Because the other argument is everything that they've ever constructed needed to be built on, on top of something else with total awareness. Like, nobody ever had an original idea.

Cristina: They wouldn't have cities. They wouldn't know.

Jack: They would. They would. It's innovating. You'd innovate your way there as opposed to invent your way there.

Cristina: Oh, okay.

Jack: Because you don't make anything up. Everything is based on crap that you'd had to have a thought about something that wasn't real first and then be like, no. It would be like, well, we need to push things. Well, how do we push things? Well, it looks like that round thing. When we put the rock on top of the hill, it just moves easily. Rolls all the way to the bottom. It's like, how do we put that rock on a box that we can push it in? Thus, carriages came to be.

Cristina: Mm.

Jack: Okay, well, pushing this carriage is fine in town, but I gotta take this s*** across town. Is there something that could pull this s***? Well, horses. Yeah. Okay. So far, we haven't had, like. We haven't vented S***, we just, you know, stuff that's already there, I use, you know, I put stuff in my crate, I pick up the crate, I walk to Bob's house. Okay, great.

Cristina: Mm.

Jack: I want a crate with wheels so I can push it across town. Okay. So the Brock rolls. Put the Brock on the crate. Push the big crate. Okay. Got across town. Well, I need to get it to a different town. I need to get the crate to move fluidly and something that won't get as tired as I do. Oh, well, a horse. Okay, well, the horse is gonna die if I try to cross the country with him. Only on a carriage. So I need something. I need a way for this already. Well, what do we know?

Cristina: Five donkeys.

Jack: Five donkeys. Well, we already know that we can get energy, heat from like he creates energy. Maybe, maybe I could build a thing. Maybe I can use energy, trap energy and then make it shoot out some other place. And then that's gonna propel it so that it's not a living creature slowly dying. And I just need to fill that. Just cold. Yeah. Let's build the thing in. It's gonna shoot out the back. Okay. Coal like a train.

Cristina: Okay.

Jack: Eventually. Well, how do we. How do we make this self contained so the energy is happening inside? Well, gasoline, you know, get oil so they'll have oil.

Cristina: Pretty much a lot of the same things that we have.

Jack: Yeah, but innovating. Well, no, this guy that I'm talking about is just based on a society that doesn't lie. But of course the steps are there. It's just they only followed it through clean process. As opposed to somebody like, what if I put a f****** radio in a car? You know, it's like I'm a. Yeah. Car radio venting s***. Then again, somebody was like, well, I want music that isn't just sung. What if I can trap the. Their singing?

Cristina: Would they have music? They would just be based on history. Just be based on history or life history.

Jack: Like, and then some dude with a boombox because he wanted to record the thing was like, what? I carry my, my boombox in my car so I can music while I'm driving. What if it was part of it.

Cristina: Would have strange things like animal breeding.

Jack: What?

Cristina: Like, you know, like what we did with dogs. Like, I can see that with farm animals because you're trying to make it have more meat on it.

Jack: Yeah, 100% that would still happen. Most of to be real. Most of everything would be identical.

Cristina: But what about the crazy buildings we have or the crazy art on those buildings?

Jack: Probably not art would be problematic.

Cristina: It was just. It's just not art.

Jack: Mostly it would be art based on history.

Cristina: That is very interesting.

Jack: Make a fictional universe.

Cristina: You just accidentally make a fictional universe.

Jack: That's crazy, right? Because it's totally just s*** inside your head.

Cristina: Exactly.

Jack: And like, if you mess something up. Well, no, maybe they're always correcting it.

Cristina: Oh, okay. Like something like they put a window too big, they got to throw out the whole thing.

Jack: Like throw out the whole thing. It fits a painting. Well, I gotta wait until it dries and then, you know, shrink that window.

Cristina: Yeah.

Jack: Again, everything would work appropriately. It just would function based on history. It doesn't seem like we need religion. It just seems more like we want it. Like after really thinking through the steps that would lead us right to where we are without ever lying about anything, without needing fiction, without even creating something original, you're just consistently innovating something that already existed. Base the thing on the previous thing, the end.

Cristina: There has to be differences. I don't know, but it's hard to imagine because we're still just basing it off of what we are.

Jack: Yeah. Let's say before we had mass travel and stuff like that. Right. Civilizations that didn't have a lot of contact with one another. What were the major differences? Right. What were like the real big. Wow. So we have. We had cowboys and drip, had pirates. More or less the same concept, but one on land, the other one in the water. That's differences, I guess. Like what, what are notable differences?

Cristina: We can find notable differences between countries.

Jack: Yeah. Countries that didn't interact for a really long time. Like the people there, but they had their own path they were taking.

Cristina: There's not many countries like that. I mean, I guess today P is the most.

Jack: Yeah, today. That's why I'm thinking backwards. I immediately said pirates and.

Cristina: But even in that part, that point, we were starting to like.

Jack: Yes, but we were. Starting is exactly the right set of words. So we weren't there. It was beginning.

Cristina: But you'd have to think of before though, because you're still getting some influence from somewhere else. The new place that you're. You're working, you're trading with and stuff.

Jack: Well, let's think just basic things. Some civilizations used a lot of copper, some used a lot of stone. So materialistically there were some differences.

Cristina: Yes.

Jack: Some civilizations built erect towers, others built pyramids. Weirdly enough, a bunch of people who did not interact ever had pyramids. Total opposite sides of the world. There are pyramids in Mexico and in Egypt. And it's like a highly impractical thing to construct.

Cristina: Yes.

Jack: Why they both have pyramids. Of course. The pyramids are vastly different.

Cristina: Yes, they are.

Jack: But like, what?

Cristina: There must have been a good reason. I wonder what the reason was. Need of time travel.

Jack: I mean, like, we know, we know that the pyramids of Giza had the f****** transporter and laser thing and that the pyramids the Mayans made had both rockets take off and had a matrix style system underground.

Cristina: Yes.

Jack: So like they're vastly different in that aspect as well, man.

Cristina: But even I don't know, I feel like everyone still get like, when they weren't traveling the world, they were still learning things from their neighbors.

Jack: Yeah. And their neighbors learned things from their neighbors and their neighbors learn things. So far enough, you learn from the guy across the world.

Cristina: Yes.

Jack: So if we got a telescope, aimed it at west, bubba. F****** the galaxy of who the f*** knows, where will we see pyramids? Will there be f****** alien pyramids? That's crazy, dude.

Cristina: North Korea is hiding pyramids. Maybe because they're like the only ones not communicating with everyone. But at the same time, everyone's sneaking in things from other places.

Jack: I mean, little by little they're opening up. In fact, we're pushing Russia into that spot now and we're taking them out. We're like, we already talked to Cuba and we're starting to talk with North Korea. F*** talking Russians. F*** the Russians.

Cristina: But the Russians will still get their information about other countries and will not.

Jack: As countries start cutting them off from who are they gonna get their information from their homies?

Cristina: Only from the web.

Jack: From the web, the Internet is going to be cut off. Oh, I mean, they'll have their own Internet, but they won't have access to connected to everybody else's. Internet will just be chopped off at every entry.

Cristina: The average Russian person, Russia the country.

Jack: The whole country from within Russia the country. You won't be able to do s***.

Cristina: Why would we do that?

Jack: Because they are attacking an entire other country and we're trying to stop them without war, which seems to be the only way. No, we're just gonna do what we did to the other countries that we didn't want war with. We just can f****** cut them off the same way we do with Cuba and the same way we do in North Korea. Just cut them off. You're gonna be cut off. You're gonna have no resources, gonna suck where you are and f*** you and your people, because we can't have you harassing everybody else and f****** attacking and Murdering everybody else. So we can do that. Then they won't have. They'll have their own Internet to communicate one another, but they can't communicate outwards. You leave Russia if you want to communicate.

Cristina: Mm. What would those. Those countries, those worlds, the one that doesn't lie. Would they have pyramids? What would those be for?

Jack: That's an interesting question. And they probably would, because nobody made a pyramid to lie in the first place.

Cristina: No, but they have the stories written on pyramids. I don't know.

Jack: Not all of them.

Cristina: Not all.

Jack: Maybe there are pyramids without stories written on them that just happens to be that they already like to write stories and there happens to be a pyramid.

Cristina: Yes.

Jack: Why not write the stories in the pyramid? But if you didn't have the stories, why would that mean you don't have the pyramid?

Cristina: Mmm.

Jack: It could be like, well, I need. I want a monument that represents me.

Cristina: Well.

Jack: My favorite shape is a triangle.

Cristina: Make a giant triangle.

Jack: Make a giant triangle and everybody's gonna know, oh, that's Pharaoh Bob.

Cristina: I don't know. That's so weird. I don't know. Such a strange thing.

Jack: Why?

Cristina: Because a pyramid doesn't have a purpose. Or it does, but we don't know what it is. So for someone to be like, imma make it just to represent me.

Jack: I mean, people do that all the time, I guess. And they don't need to lie to do it.

Cristina: No, guess not. Like, we have a pir. Not pyramid. What is that? The statues of the presidents all together?

Jack: Yeah. And those were all real people?

Cristina: Yeah. That's lame.

Jack: It's like a huge thing based on history.

Cristina: Yeah. So they should probably have all that stuff.

Jack: Yeah. I think really, really very little would change. A lot of it would just be the same s***.

Cristina: Yes. What would they do with their free time? I guess. No hobbies.

Jack: Read history books about the world. Build chairs. Because they're practical. They only build practical s***. They don't build non practical s***. Because it's all based on history and logic. You know, everything must serve a purpose. They'd be very literal metaphor, like poetry would tease. Unless it's poetry. It's just. No, because it couldn't. The word play would be hard. Right. So you would need lyric and flow, but you wouldn't have metaphors and wordplay, really.

Cristina: When it comes to Bob with. He's learned this trick of lying. Will he eventually learn other things by himself?

Jack: Maybe he would apply his entire wealth of knowledge to the fact that he just learned how to lie.

Cristina: Mm. So, like, would he be able to make art not based on anything.

Jack: Maybe if he was already a guy who. It would only extend from what he already does. So if Bob was already an artist, then. Yes, if Bob wasn't already an artist. There is nothing about learning how to lie that suddenly just makes him an artist.

Cristina: No, but I'm just saying, like, yeah, if he was artist.

Jack: Yes, if he was an artist. Because he's all red. He'd be like, how do I incorporate the lying into the painting?

Cristina: He remembers you saying, hey, the sky's red, so he paints the sky red. And what would people think when they see it?

Jack: They would be blown away. I mean, he would definitely open the floodgates.

Cristina: Yeah.

Jack: And it'd be like, f***, that's crazy. He painted that sky red, but we know the sky is blue. It's just how. Wow, I need this art. He went the extra mile and did something I've never even conceived of. He made the Skyra.

Cristina: That's insane. That should be insane, right?

Jack: That would be crazy.

Cristina: First he said she was naked, now this.

Jack: Yeah, he's. He's just super, mega, ultra celebrity. He does the thing everybody's confused about. It's like hearing Alan Watts talk for the first time.

Cristina: Yeah.

Jack: It's like, what? What?

Cristina: I wonder if it's the only trick, though, when he's telling the lie. Like, everyone wants to hear the same thing.

Jack: Oh, that would suck. It's like, no. Say that thing you said about Stacey.

Cristina: Yes.

Jack: Do the Stacy thing, man. Do the Stacy thing.

Cristina: That's all they want to hear. They don't care about anything else. Just tell us that thing about Stacy.

Jack: And maybe it's like.

Cristina: And then their p*** is just him saying it.

Jack: No. Maybe it's like, america's Got Talent. And it's like, yes. They think he's gonna do the same thing, right?

Cristina: Mm.

Jack: And they want the same thing. But then eventually, he tops it off by doing something else. And holy s***, he just brought the fire.

Cristina: What could be crazier than Stacy is.

Jack: Nake points at his car and calls it a truck. What? What?

Cristina: What?

Jack: Do it again. Do it again. That's a truck. Oh, my God. Everybody. Yes, yes, yes, and yes. Oh, yeah. You're going to the next round.

Cristina: Wow.

Jack: Takes it to America's Got Talent.

Cristina: He wins.

Jack: There's a girl who just sings about history.

Cristina: Yes.

Jack: There's a guy who tells a bunch of jokes about stuff that has happened.

Cristina: Maybe he can combine that with his art, because it's about making a huge performance type of event. Right. American Scout Talent.

Jack: Yeah, but what was he going there for? He was just showing the trick.

Cristina: Yeah, well, he can combine the trick with his art.

Jack: What, like painting?

Cristina: Yeah.

Jack: Oh, like, here's my painting.

Cristina: Yeah.

Jack: Like, whoa. I mean, yeah. He'd break the Internet.

Cristina: Yeah.

Jack: Like, can you imagine the first time a red sky has ever been shown? Just. Dude. Everywhere on the Internet. Everywhere on the Internet.

Cristina: People would worry if people who don't know he's doing it. I guess that's why he has to announce it. But even if he announces it, there are gonna be people online who don't know, like, the video just goes to.

Jack: He came straight. There's no. Because that's not a concept. Anything that's not provable. They have no reference point to be freaking the f*** out, because that would violate their already existing nature.

Cristina: Okay.

Jack: So they would just be confused. The worry wouldn't make sense because they're worried about what?

Cristina: Okay.

Jack: You know.

Cristina: Okay.

Jack: Yeah. Man, I love this quantum computer. We could do f****** anything. Why don't we use this thing more?

Cristina: I don't know. We need to be more creative.

Jack: I know. We just need things to throw in there. Because we could do anything with the quantum computer.

Cristina: Yes, we should ask our listeners to give us some things to do.

Jack: Yeah. Tell us what the f*** to do with our quantum computer. What a perfect way to end this episode. Yes, Just tell us what to do with our quantum computer. We can simulate anything to any scale.

Cristina: Just tell us do to Bob next.

Jack: Yeah. What we'll do to Bob next. Yeah. Anyways, when it comes to all this kind of stuff, you guys know. You guys know what I'm about to say. There's other episodes, and you guys can go listen to those other episodes. Stuff.

Cristina: They don't know if it's their first time.

Jack: Well, if it's your first time, you can find all that stuff on the official website. Greatthoughts.info on Apple, podcast, Spotify, or anywhere you get your podcast. Presumably wherever you're hearing this at the moment is one of those locations.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok. JustConvopod.

Jack: Yes. And if this is your first time, then you should leave a rating and you should leave a review. And also make sure to subscribe so that you know when all the new stuff comes out, because that matters.

Cristina: And if you're not new, you better.

Jack: Have done all those things because we will come for you.

Cristina: Yes. And let someone who might like this show know about it.

Jack: Or we will come for you. But also, word, of mouth is important.

Cristina: Yes, it is. This has been the Rambling podcast. Take nothing personal, and thanks for listening.

Jack: Bye. Are we ever gonna address the fact that Hot Ones is basically stealing the hot pepper challenge or whatever? The. This. The one where they, like, review s*** or ask questions to each other. It's the same s***, but it's totally stolen idea, right? Answering questions while spicy s*** is destroying your mouth. He didn't originate that idea. He's just a really good interviewer who innovated it.

Cristina: Yeah, he made it better. He's an Elon Musk interviews Steve Jobs.

Jack: Yeah, he's the Elon Musk. He's a Steve Jobs of hot sauce interviews. I invented, but I made it worth it.

Cristina: Yes. What?

Jack: That's how it goes, man. Innovation is important. We need innovation in the world. Eventually, he's gonna become obsolete, and somebody's gonna innovate hot sauce.

Cristina: Mm.

Jack: Well, it's no longer gonna hurt. It's gonna be real uncomfortable only for that moment, and then there's gonna be a switch. You could turn. So we're really just gonna inject hot sauce into your veins. A new kind of genetically engineered hot sauce that, when I give you this antidote over here, disappears instantaneously. And now you get the experience of hot sauce and the instant cooldown of when you're done with the interview. And Elon Musk is gonna make that.

Cristina: Elon Musk.

Jack: He's gonna invent the thing, and then this guy's gonna be like, ah, we can use it for the hot sauce show.

Cristina: So what do you think he's gonna do with the country if he wins it in that epic battle with Putin?

Jack: That could already have happened. Depending when this happens.

Cristina: That could have already happened. Oh, yes. Good morning. Good morning. This podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by Great dots.info art by Zero Lupo, and logo by Seth McAllister with social media managed by Amber Black.

Rambling 157: Universe 3

The duo is surprised by a report that lands on their desks with details on what’s across Cristy’s Portal, which turns out to be a third parallel universe similar to Universe 2 where replacement Mars was acquired and its the origin home of Reptilians. With this new information in hand, our duo unpacks the nature of Universe 3 and how it related to Universe 1.

Rambling 157: Universe 3

+Episode Details

Topics Discussed

  • Subhumans
  • Cristy’s Portal
  • Government Checks and Balances
  • Mythological Creatures
  • Universe 3 Birds are Real
  • Dinosaurs
  • Mars
  • Questioning Facts
  • Spacetime Distortion
  • South Park vs North Drive
  • Universe 3 TV
  • Tangled Parallel Universes
  • Time Travel Can of Worms

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to Rambling, the show where we ground humanity's most absurd and baffling ideas in childish ways. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And if you have not yet, remember to hit the subscribe button and then you'll be notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yeah, yeah. So be sure to tell somebody. Okay. No, this is. This is where the problem begins. Right? This is exactly where the trouble begins. Because we say this and like, oh, my God, this sucks. Okay, okay. So a couple of days ago. This is. Okay, Chris, Christina here and I, we're fully aware of what I'm about to tell you that. About the report that we recently got on our desk.

Cristina: This is pretty shocking. Okay.

Jack: Pretty shocking. And it definitely circles back to, you know, tell somebody or whatever. Because the problem is the somebody you're telling is not somebody we could in theory meet. Although it is. But not by any. No. Like, I couldn't walk to you.

Cristina: Yes.

Jack: I couldn't just take a plane to you, although I could in theory reach you, but not by the means you'd think. So a couple of days ago we finished reviewing 2021 and, you know, we were letting you guys know all the cool, fun stuff that took place and we found out.

Cristina: So mind blowing.

Jack: It's mind blowing. I don't even know how to explain this.

Cristina: So we start with there's a. You know, we always talk about Universe one and two.

Jack: Yes. Okay, so you guys understand that there's Universe One and there's Universe two. And the reason we had to visit Universe two in the first place, just to make sure you remember, we can visit Universe 2 was because we inadvertently, by total accident, destroyed our Mars. And then we replaced our Mars by stealing the universe to Mars. Yeah, because Planet X is going to crash into us and kill us. Unless the gravity was.

Cristina: The way we got into Universe two was in the middle, the center of our universe, for some reason, where the Reptilians were. Yeah, they had a portal, too.

Jack: Yeah, we thought we killed a bunch of them. And we also enslaved an absurd amount of Reptilians.

Cristina: Yeah.

Jack: Actually on Mars, which is ironic, but whatever. So we then used up their portal.

Cristina: Yes.

Jack: And then got to. Because they come from universe too. They're from the center of the Earth of universe too. Or maybe they're not from the center of the Earth. They're probably from Mars, to be honest. And they just got to Earth, made the portal there, and then use that to get. I don't.

Cristina: Yeah, but whatever. Yeah.

Jack: So, yeah, so there's a Universe one and two, Right. Logic. This is just well established show lore. Now we got a report that said, hey, hey, guys, there's a universe 3. And we're like, oh, wow, that's really weird. But like, yeah, there's Universe two. Of course it would be Universe Three.

Cristina: Yeah.

Jack: And then they come and tell us on the report, hey, that's your audience. I'm like, what?

Cristina: What?

Jack: What? So then I go to. Now, this report was brought to us by our lovely subhumans.

Cristina: Yeah.

Jack: And so I go to sub humans. I'm like, hey, hey, you piece of s*** garbage bottom feeder. What the f*** did you and your losers come up with? What are you trying. What are you. What are you whack a******* trying to tell me? Like. Yes, sir. Thank you for the compliments. And also. So, yeah, they explained in quite excruciating detail that the portal in Christina's backyard.

Cristina: Yes. Oh, yes, because we sent them to explore that portal.

Jack: Yes. They were exploring the portal. And we got the results. Results are in, people. And it turns out that portal goes to Universe three. So we've actually had access to Universe three before. We've had access to Universe two.

Cristina: Yeah, we just didn't. Yeah, we just explore it.

Jack: Exactly. We're naming it in disorder, but technically, Universe three is Universe Two. But now it's just Universe three. It is what it is. We don't want to create confusion. And apparently that portal is causing distortions, and those distortions seem to affect 100% of our radio waves. So all the media we have here, all of it. All of it.

Cristina: Everything we've ever done, everything we've ever.

Jack: Done, anything anybody here has ever done. As long as. Like, in. On Earth, as long as the portal has been active, nobody has noticed that we're actually one. Receiving things from other universes ourselves. We never notice because we don't f****** watch tv.

Cristina: Yeah.

Jack: And we don't really listen to radio.

Cristina: Yeah.

Jack: But apparently has been happening. And the universes are similar enough that we just think everything on TV is fiction based on reality.

Cristina: Mm.

Jack: But apparently not. And apparently that causes everybody in all.

Cristina: Our broadcasts go to Universe three. So if you're hearing us, you're in Universe Three.

Jack: Yes. That is. That's. That's the f****** mic drop right there.

Cristina: So it's a good thing we recommend you guys to spread our podcast because we can't reach out to them anyway.

Jack: Yeah. So, yeah, we've always been Talking to Universe 3 and we've just recently found that out. So that's exciting and interesting and brand new. The third universe is. I mean, I don't know if it's a third universe. Third one we know of. I don't know what order they came, but yeah, whatever. Universe 3 to us. And yeah. So you guys are all in Universe Three. So when we say, you know, tell somebody, because this is better with a listening partner. That's fantastic.

Cristina: It is.

Jack: That's totally fantastic. So apparently, because of this, probably a lot of the things we say sound crazy.

Cristina: Oh, yeah. I guess so.

Jack: Because the report also included some of the details that are different over there.

Cristina: Mm.

Jack: And apparently the Illuminati is either not a thing or a shadowy organization of some sort.

Cristina: And it's well known over here, and it's just a real well known place.

Jack: Just like it's like we're broadcasting their.

Cristina: News because they want us to do that.

Jack: Yeah, it's our job.

Cristina: Yeah. So.

Jack: But yeah, so some of the differences make it quite shocking because again, the Illuminati is just like, not only is it a shadowy figure or doesn't exist at all, but if it does exist, there's no bad guys. The craziest s*** about universe 3 is that they have an unchecked government. There's. There's no contrast. There's no nothing. The government is the top. There's no rival.

Cristina: There's no rival.

Jack: Yeah. Every country is just their government and then there's no. They just get to do whatever the f*** they want.

Cristina: Ah.

Jack: And over here we have the Illuminati. They're on top in opposite to the government. So they work. Yeah, it's kind of on top because the checks and balances on the government are managed by the Illuminati.

Cristina: Yeah. Which the queen rules.

Jack: Which queen rules?

Cristina: I guess that's a little similar. I mean, they have a queen too, right?

Jack: Yeah, yeah, yeah, they have a queen, but I don't think the queen rules the world over there. I think the Queen just kind of rules a country or something.

Cristina: Oh, my gosh.

Jack: Like, I don't think she ever expanded out of England, which doesn't make sense because you have so many resources, but whatever. Yeah, that's strange.

Cristina: That is strange.

Jack: It's strange that governments go unchecked. What the f***?

Cristina: Yeah.

Jack: That's absurd, dude. That's so crazy to me that they have governments that are unchecked we don't have that s*** over here. We just handle s***. The Illuminati gets the last word. Usually there's no word said, and government's got to do whatever, but you overreach and boom, we fix a problem. They just don't have that over there. It's just the government overreach, and it just is what it is.

Cristina: How many other things are different, though? There's gotta be so much.

Jack: You're about to be blown away you didn't really go through the whole f****** thing. Okay, I'm gonna tell you some of the craziest s***, right?

Cristina: Mm.

Jack: This is the. Oh, God. You're gonna. This. This one's gonna break your heart. So you are the residential expert on creatures here, and everything over there stops at animals.

Cristina: What do you mean?

Jack: There is only variants of animals. There are no ghost, no demons, no werewolves, no vampires, no zombies, no fairies, no Chupacabra. No Chupacabra.

Cristina: No, no.

Jack: It's all myths over there. Stories they tell each other.

Cristina: Not even the unicorn.

Jack: This kind of. Not even unicorn. This reminds me of, like, DC shows that they'll have, like, oh, Marvel's comic books in this world, but then Marvel, like, DC is comic books in this world, so that there's a bit of that happening here.

Cristina: Yeah.

Jack: Where this probably just sounds like bullshit to everybody over there because. Oh, it's a fake. We've actually been reporting on things from our universe, so it sounds like ridiculous nonsense to them.

Cristina: But Santa Claus is also their God, too, right?

Jack: No, no, no. Santa Claus is not real either.

Cristina: Oh, my gosh. He's not real.

Jack: Yeah. They're not even sure their gods are real.

Cristina: What?

Jack: Like, none of them. They have no proof of any of them.

Cristina: Oh, my gosh.

Jack: It's just the books. Over here. We have the books. We can investigate. We can go see proof and figure out, like, was this. What kind of a God was he? If there is a God at all. If not, what creature was that?

Cristina: Mm.

Jack: Do you know? There's always an explanation over there. No, no, no, no, no. It's all faith. You gotta trust. Which defeats the purpose, because what the f***? You don't question your gods.

Cristina: That is crazy. That is so crazy. What? No wild, mythical creatures. I mean, they're myths, I guess. They're truly just myths.

Jack: They're just mythological.

Cristina: What?

Jack: They're not mythical, as in passed down through time and we got to track them down because they're rare.

Cristina: Yeah.

Jack: They just don't exist. There's no proof. They're just Myth.

Cristina: They're just myth.

Jack: Not mythological and magical and weird. Just not real.

Cristina: That is a sad world.

Jack: This is a sad world. On top of the fact that all these conspiracy theories.

Cristina: Mm.

Jack: Over here, they're conspiracies and we joke about them.

Cristina: Yeah.

Jack: They are literally just conspiracy theories over there. Again, it's so. It's weird because it's like nothing is proved over there. They exist in total uncertainty.

Cristina: Yeah.

Jack: They don't know the answer to anything.

Cristina: Mm.

Jack: Are there other creatures and animals Maybe. I don't know. Are there gods? Maybe.

Cristina: Are there aliens over there?

Jack: They don't know. Oh, that is an ongoing question.

Cristina: Whoa.

Jack: They don't know.

Cristina: They don't know anything.

Jack: They don't know it. Yes. Yes. I guess that's the summary.

Cristina: Oh, my gosh. Well, at least through us, they may know something. Oh, but what if they.

Jack: They probably think this shows fiction.

Cristina: Yeah, I guess. Right? It would. That would make sense.

Jack: It would make sense that we just have all the proof all the time and they've never seen any of it.

Cristina: Yeah.

Jack: So they probably just thought this was entertainment rather than a news channel.

Cristina: Oh, crap. Wow.

Jack: That's weird, Right?

Cristina: Yes.

Jack: Interesting. They thought that us talking this whole time was like an act of some sort rather than us reporting the news to them.

Cristina: Crap.

Jack: Because our news doesn't make sense to people who don't have answers when all we do is give answers.

Cristina: Oh, no. Wow. So not even zombies?

Jack: Oh, no. Zombies.

Cristina: Okay.

Jack: That's just a show to them.

Cristina: That's just a show to media.

Jack: It's all media.

Cristina: All of it.

Jack: All of it.

Cristina: Wow.

Jack: Yes.

Cristina: Wow. So are we gonna go through my portal? Should we? No. Right?

Jack: Why?

Cristina: There's no benefit to that.

Jack: There's no benefit. It's just another universe.

Cristina: Yeah. Yeah.

Jack: And they have nothing exciting over there.

Cristina: I guess not.

Jack: It's kind of all just speculation. What are we gonna do? Ruin their entire reality by taking information and going to prove it? That's crazy.

Cristina: That is crazy. I guess that'll be just like our backup in case something wrong. Like Mars.

Jack: Yeah.

Cristina: Yeah.

Jack: All else fails, we have a f****** portal. We could just run away over there. Yeah, but holy s***, we're gonna be useless.

Cristina: We're gonna be useless.

Jack: Yeah. There's no we. We are useless. Our skills don't apply in a world where there's nothing but people.

Cristina: Yeah, that is sad.

Jack: F*** are we gonna do? Just take down the government on our own? No, I guess we in theory could, but.

Cristina: But if we needed something from over there, we can take it. Yeah, easily that's what I'm thinking about.

Jack: Yeah. Yeah. 100%. We could just rob them. What the f*** are they gonna do?

Cristina: Yeah. Like, what if we want their second. Their moon? We can have a second moon.

Jack: We could. My question is now. We didn't go through the portal. We know only one other person who went through the portal went through the portal. Ishmael.

Cristina: Oh, crap. Yes, he did.

Jack: Ish jumped in and he jumped back, and he's like, it's fine.

Cristina: Yeah. I guess he was telling the truth. Okay. Yeah.

Jack: Yeah. We didn't get told where it opens to. We just know it goes to universe 3. Nobody's found this portal, like, wandered through it.

Cristina: Oh, in universe three?

Jack: Yeah.

Cristina: That's.

Jack: How many people just wandering around here, like, what the f*** is happening? Because they walk through the portal.

Cristina: Whoa. I wonder.

Jack: Like, where is it? Is it in the same place behind your house, but over there, but over there?

Cristina: People from over there accidentally walking over here. Yeah.

Jack: But then they'd see something supernatural.

Cristina: Yeah.

Jack: And in their world, supernatural doesn't exist. Doesn't exist. It's not just something natural. That's super. It's a myth.

Cristina: Mm. But maybe that's where all those stories. Because people still believe in things like UFO and stuff like that. They're stories. Even if no one else believes these people that go through these things, maybe they walked into our world, went back to tell their story.

Jack: But then why isn't there any. Like, why isn't there a bunch of people coming through the portal? Why didn't the person who came through be, like, I can prove it and show them the portal.

Cristina: That's true.

Jack: Why aren't there people just coming through the portal?

Jack: First question. How long has a portal been around? Yeah, we know it just popped up in your backyard, but did it come from somewhere?

Cristina: Did it come from somewhere? That's weird. Yes. Did it come from somewhere? And what if no one from over there can go through the portal?

Jack: Then we.

Cristina: Because there's no proof that it could happen. We got to watch, I guess, the portal more.

Jack: No, because we got both Ish to go in and back.

Cristina: Yeah. Everyone from here can go through there.

Jack: Oh.

Cristina: But does it work the same for people from there? Because the people who are going there come back, but they started from here anyway.

Jack: Yes. Yes. Well, wouldn't it apply two ways that they can come and then go back?

Cristina: Maybe if they're just from here. I don't know.

Jack: You're saying they can't even see the portal?

Cristina: Yeah. Like, what if it's not because it makes sense in our world. The portal just makes sense like everything else makes sense.

Jack: Right, but why wouldn't they be able to see it? Rather than it just be a thing that doesn't make sense in their world?

Jack: That's. That's the part we don't understand. Right.

Cristina: Like how.

Jack: How has this not been explored by the other side?

Cristina: Yeah, I don't know.

Jack: That's a real question.

Cristina: We're really weird thing also.

Jack: Holy s***.

Cristina: What?

Jack: Prepared to be blown away by this one.

Cristina: More blown away.

Jack: More blown away. This is. This is. This one's crazy. And it's weird because I guess this one's backwards from how it is here. Right? We know factually that there are true conspiracy. There's the conspiracies over here again. Aren't just theories, they're series on how they function. Thus conspiracy theories. But it's a real conspiracy.

Cristina: Yeah, it's. These things are really happening.

Jack: These things are really happening over there. It's just theories. It's not a theory on how the conspiracy taking place. It's theory that the conspiracy is real.

Cristina: Mm.

Jack: Right. So over here we know factually what the birds are manufactured. Yes, they're real. Over there. That's a thing.

Cristina: They're real over there.

Jack: Yes, biological birds, but we have no birds.

Cristina: We just have creatures that look like birds though.

Jack: We don't have creatures. I mean, we have. Yeah, I guess there's flying things.

Cristina: Yeah.

Jack: A dragon isn't a bird.

Cristina: Yeah. Mm.

Jack: They have birds. Like animals. They have animal birds.

Cristina: They have animal birds.

Jack: They have animal birds, not dinosaurs. Weird, weirdest part about this. This. Oh f***. This is gonna blow your mind. I'm telling you. This is the craziest s*** ever. They're birds.

Jack: Came from dinosaurs.

Cristina: That is weird. Dinosaurs got extinct and that was it. Yeah, but over there they turned into birds.

Jack: I don't even. I don't even know how to explain this one because it doesn't make sense through what process we know the whole planet got turned into lava for millions of years. Yeah, because of the giant rock that was sent by the aliens.

Cristina: Mm.

Jack: No, no. Over there they just. They just became birds.

Cristina: They just became birds. That's so crazy. But we don't have birds. That's not cool. I mean, we have birds, but it's not natural.

Jack: Well, this takes us to what we were talking about, right, right at the beginning. We could always steal s*** from over there.

Cristina: Oh crap. These had conspiracy with birds too. Like they have theories on birds that.

Jack: Are no no, no. The conspiracy is over here. The birds were manufactured, okay? And then the government tried to convince us all that they were real. But our job was to uncover that.

Cristina: Yeah.

Jack: So we know birds aren't real. Everybody knows birds aren't real.

Cristina: Yeah.

Jack: We advertise it. Everybody knows. It gets put in newspaper, you watch tv, all everything tells you there are no birds. We have figured it out. We've let everybody know there's no birds. It's been fact over there, they just are.

Cristina: There just are.

Jack: Well, yes, that's kind of weird, but we can steal birds and maybe breed birds over here. On the flip side, perhaps birds can't survive over here. Thus, no birds. No, it doesn't make sense. It doesn't make sense.

Cristina: They should.

Jack: The weird part isn't that there are no birds over here. After a giant meteor sent by the aliens destroyed Earth. The weird part is that they allegedly also, by the way, their meteor was not sent by aliens. Was just some rogue rock that somehow had f****** accuracy.

Cristina: And hit Earth.

Jack: Yeah. Without being aimed. Yeah, it just, you know, cruising by. But there's a planet, it's super small in all this vast empty space. I'mma hit that.

Cristina: How the f***. That is very strange.

Jack: That was not aimed. It just hit.

Cristina: It just hit.

Jack: It just hit. What the f***? Mad empty space everywhere. No, it had to hit the one f****** thing. The only place there's f****** life, according to them.

Cristina: Huh?

Jack: What? Over here makes sense. The other thing with life was like, f*** that life aimed the thing.

Cristina: Alien wars. Yeah. Yeah.

Jack: Perfect logic. They want the f****** planet, but there's monsters roaming.

Cristina: Yeah.

Jack: Over there. No. Rogue rock. Had the thought or something. I don't f****** know how the h*** it works. And it's like, hey, planet, let me go. Hit the planet. How? How the f*** did you hit the planet one? You picked one of the smaller objects in the f****** system. Are you kidding me? The weaker gravitational force. That's where you're aiming. So it wasn't gravity pulling it in. How the f*** are you aiming in that direction? Why didn't you just go to the star?

Cristina: Go to the star? Yeah. Why don't you go to the sun?

Jack: Who the f*** knows? This was a rock with thought or something.

Cristina: Yeah. It went straight to the Earth.

Jack: Straight and destroyed the Earth. And somehow birds happen.

Cristina: Whoa. That is weird. Yep, that is weird. We got to breed these birds, though. We got to steal them.

Jack: Yeah, the craziest. They think it's evolution, but it's a. Oh, my God.

Cristina: They think it's evolution. You don't think it's.

Jack: No, no, no, no. I'm about to blow your mind because I'm gonna just say one sentence. You can be like, what? Right? We know evolution is a fact, okay? Which explains why the f*** we have no birds. Because when you kill the things that would, in theory, turn into birds, what the f*** is gonna turn into a bird? Also, how is something the size of a building gonna turn into a f****** thing the size of my hand? Get the f*** out of here. But whatever. Logic.

Cristina: Yes. Okay.

Jack: Over there, they say the birds came from the dinosaurs. Great. Whatever you want to tell yourselves, yes, they believe it. But let me tell you very directly. It's called the theory of evolution.

Cristina: It's called the theory of evolution because.

Jack: They'Re not even sure about that f****** thing. They're just faith in that, too. Everything is faith.

Cristina: That makes sense. Yes. A part of what you've taught me about everything else about there.

Jack: It's just all speculation.

Cristina: Speculation.

Jack: They don't know anything factually.

Cristina: Whoa.

Jack: They know there's birds. They don't know where the f*** the birds come from. For whatever reason. They think dinosaurs is the answer to that question.

Cristina: Yes. But they think. They don't know.

Jack: They think. They don't know.

Cristina: They don't know.

Jack: Well, no, they don't know.

Cristina: So they think they might. They don't know it.

Jack: They might be right. But who the f*** is. Why is it still a no? They don't know. Why is it still a theory? They don't know anything. They don't know anything. They don't know anything. Also, they don't have a way to tell the future over there.

Cristina: They don't have. Do we have a way? Oh, the quantum computer. They have a quantum computer though, right?

Jack: The quantum computers aren't that quantum. They're just really strong computers.

Cristina: Oh, yes.

Jack: There's a computer that runs more computations rather than be able to generate entire realities inside of it.

Cristina: Oh, that's lame.

Jack: Doesn't sound quantum. It just sounds like a really good computer.

Cristina: With time machines.

Jack: No, no, no. No time machines.

Cristina: What about their pyramids? They got pyramids over there.

Jack: They do have pyramids. Just crappy pyramids.

Cristina: No laser technology.

Jack: Just crappy dirt pyramids.

Cristina: What? Yeah.

Jack: Nothing over there does anything that's so boring. Yeah, they just got ruins and s*** everywhere. There's a bunch of places that are just abandoned and left behind and deserted. Apparently the Mayans died off over there.

Cristina: They got Trashzilla. Was that ever a problem over there?

Jack: What, trash zilla?

Cristina: Yeah. When we needed to solve the pollution problem and we made a monster by mistake.

Jack: Wasn't it Poopzilla?

Cristina: Poopzilla? Oh, yeah, yeah.

Jack: I mean, no, we did that over here. Why would that be over there?

Cristina: I don't know. Someone. I'm assuming there's a version of us doing things over there.

Jack: Oh, my God. There's a version of us over there. I'm pretty sure.

Cristina: Yeah. There has to be.

Jack: That's crazy, right? He's just wandering, confused over there. People always hearing about how he's on this show, that he has no f******.

Cristina: Clue exists the other you.

Jack: Yeah. This is fun. And actually fascinating detail.

Cristina: Yeah.

Jack: Cloning isn't real over there. That's just the original.

Cristina: Whoa. The original you?

Jack: The original me. Well, that version or you.

Cristina: Yeah, yeah, yeah. Because that's not you.

Jack: That's not me.

Cristina: That's not you.

Jack: That's not me.

Jack: But also, I'm technically not me.

Cristina: That's true.

Jack: So, yeah, whatever. But, yeah, no, that's f****** weird.

Cristina: There is a you over there.

Jack: It has to be you over there, too.

Cristina: Yes. And people over there think the other us are doing a podcast.

Jack: Yes. And probably annoying these poor people.

Cristina: Whoa.

Jack: Yeah.

Cristina: Yeah.

Jack: They're probably bothering the s*** out of these people all the time. Hey, I love your show. And they're like, what the are you. I get this every day. And I don't know who the h*** you are or what the f*** you're talking about.

Cristina: Whoa. All these poor version of us.

Jack: Yeah. That's crazy.

Cristina: Yes. But that is sad about the birds.

Jack: Yeah, that's kind of weird. Birds are a real thing over there, and they don't know where the birds come from. We can try to steal some birds and breed them over here. Maybe have real birds.

Cristina: Yes.

Jack: Courtesy of the Illuminati.

Cristina: Or maybe turn some of those birds into dinosaurs. If they really do come from dinosaurs.

Jack: They have dinosaur genes. We have the technology.

Cristina: We have the technology.

Jack: We have the tech. We could just take some birds and recreate whatever dinosaur they came from.

Cristina: Yes. Real life. Jurassic Park.

Jack: Oh, yes.

Cristina: Wait, did we have that before? We haven't had that yet.

Jack: No, no, no. We have zombies.

Cristina: Okay.

Jack: Zombie Park. I don't know how the f***. Zombies are not a thing over there. It doesn't make sense. They have all the parts, too. Like, rabies is still real over there. Yeah, Cordyceps are real over there. Being braindead is a thing over there. Having your higher functions be shattered and keeping your low, all of that is a thing of. I don't know how. F***. They Got no zombies.

Cristina: But Jesus is a real thing over there, right? He has to be real.

Jack: Well, no, he falls under speculation as well.

Cristina: And him being a vampire, that's gotta be popular.

Jack: Well, they don't have vampires.

Cristina: Oh, yes. They don't have vampires. Yes, yes.

Jack: They have nothing that isn't human or animal. Ah, there's nothing else.

Cristina: There's nothing else. There's nothing else.

Jack: Like factually, at least. You can't factually prove anything.

Cristina: Yeah.

Jack: If there is a God. Wow. Are they elusive. We have teams out there just checking. S***.

Cristina: Mm.

Jack: They don't know if there's such a thing as they. People theorize. Everything is a. Everything is a theory.

Cristina: Everything is a theory. That's so ridiculous.

Jack: Everything is a theory.

Cristina: Wow. It's so strange how different they are from us.

Jack: Yeah, it really is. It's a fascinating, complicated thing. There's no way to. For us to find out because we didn't really take the time. But we know that at least Reptilian. There's other creatures in universe too. I mean, we can't. We can't check records or anything because there's no Earth left. Because Planet X destroyed the f*** out of that.

Cristina: Actually, the lizards were going over there and coming back and stuff.

Jack: Yes, we know they come from that side.

Cristina: Mm.

Jack: Like there's something other than. Or. Well, yeah, something other than human. Even if there's no longer any humans over there. Yeah, but actually, we don't even have a way over there anymore. No, because the exit to the portal is destroyed.

Cristina: Well, we brought back Mars.

Jack: Yeah, because Planet X destroyed Earth.

Cristina: Oh, yeah, yeah, yeah, yeah.

Jack: And the inside of that Earth also had the other side of the portal that's inside of our Earth.

Cristina: Yeah, so it probably just leads into space now.

Jack: No, there's no exit. The exit was destroyed.

Cristina: Exit was destroyed.

Jack: Okay, so it just doesn't go anywhere. It's not a portal. It's just a machine that doesn't function.

Cristina: Oh, okay.

Jack: Yeah. So we know that had other things. I don't know why Universe 3 has nothing. It's weird. It's legitimately odd.

Cristina: It's like that cartoon that we were talking about before. Not cartoon, anime. That we were trying to figure out how it fits with everything else. True. Full Metal Alchemist.

Jack: Oh, yeah, yeah, yeah, yeah, yeah.

Cristina: Where one has magic and one has technology.

Jack: Yes, yes. What's actually. And also, I just remembered that the Reptilians are actually from Mars. They are from Mars.

Cristina: Our Mars are their. Mars.

Jack: They're Mars.

Cristina: I mean, two. Yeah. Okay.

Jack: They're Mars. They're from their Mars.

Cristina: Yes.

Jack: Because they come from universe, too.

Cristina: Yeah.

Jack: And so that's a good example of how, even if it's a different universe, there are similarities. Over here, we had the cockroach people.

Cristina: Yeah.

Jack: On Mars.

Cristina: Oh, yeah.

Jack: Over there, they had the Reptilians on Mars.

Cristina: Okay, but so then, should there be something on Universe 3, Mars, or there's nothing in there?

Jack: Well, we don't know.

Cristina: We don't know.

Jack: Oh, we need to send. Not just a team over there, but we need to send them with rocket technology to get to that Mars.

Cristina: Yes. There has to be something there.

Jack: They have never gone to Mars. That's something they're now achieving. They don't have interstellar travel as far as the humans on that planet know. They've only traveled as far as their f****** moon.

Cristina: Their moon is a spaceship, though.

Jack: No.

Cristina: Okay.

Jack: Well, actually, I don't know. I mean, the answer to every question you'll ever have is don't know. They don't know anything.

Cristina: Oh, yes. They don't know anything.

Jack: The answer to everything. It doesn't matter what your question is.

Cristina: Yeah.

Jack: They don't f****** know. They don't know.

Cristina: Crazy.

Jack: If you have a thought.

Cristina: Yeah.

Jack: And you're gonna say it. The answer is they don't know. They don't know. They have no clue.

Cristina: That's shocking.

Jack: Yeah. Everything is a theory. Do they Theory? Is it theory? All of the theory. It's all theory. They don't know crap about anything.

Cristina: Whoa.

Jack: Yeah.

Cristina: They're so different. I don't know.

Jack: They're so different. It's really, really weird. So they're actually trying to get to Mars actively? Like, haven't you figured out a warp drive yet? The f*** are you talking about? How have you not been. The Mars how? I don't know. They have an Elon Musk, and he's still doing all the Elon Musk things, except he hasn't gotten there, colonized Mars and established an interstellar system yet. He's way slower over there.

Cristina: What?

Jack: Yeah. By 21. Elon Musk over here had already established everything.

Cristina: Yeah.

Jack: Right now we're just talking about how overpowered neural link is and the features that are gonna. We're not talking about. Well, how are we gonna put. No. You know. Across the galaxy, travel is complicated. Across the universe, travel is complicated. The next star, we could hit that s*** in a couple of minutes.

Cristina: Yeah, man. So their technology. Whoa. Their technology isn't out of his fence.

Jack: No. Their technology is really outdated. And for whatever reason, there's just no. Humans are the highest life form. Humans are the highest life form.

Cristina: Ah. That's probably why they're behind, right?

Jack: That's probably why they're behind.

Cristina: Well, because we had so much help. So much help to get as far as we have. Like, they.

Jack: Oh, my God. You know, they haven't fixed the abortion problem.

Cristina: They just need to listen to our episode.

Jack: They have.

Cristina: Oh, yes, they have. They should have. We have the solution. It works. We're fine over here with our superhumans.

Jack: Yeah, subhumans.

Cristina: Subhumans. They're pretty super. Okay.

Jack: Yeah. But no, they're so garbage. It's fine. Yeah, they're obedient garbage. It's cool. And that's all that matters. But, yeah. So that's. That's the crazy reveal for you guys. Apparently, we don't exist in the same universe as you.

Cristina: Whoa.

Jack: That's weird.

Cristina: That is weird.

Jack: We're talking to the. See, I'm talking to you about how astounding it is, but to them, it's just f****** normal. It's just everything I've just said. It's like, duh. You guys are idiots.

Cristina: So their China isn't working with America to make subhumans yet?

Jack: Nope, nope, nope. Never happened. Nope. Wow, that's crazy, right?

Cristina: Yeah.

Jack: The queen is way underpowered over there. Elon Musk is way underpowered over there.

Cristina: Whoa. They don't have chimeras either. Then that has to be not real, too, right?

Jack: Chimeras are not real. Well, there's no way to know.

Cristina: Oh, there's. Of course. Because. Yeah.

Jack: No.

Cristina: No answers. Okay.

Jack: Yeah. No matter what.

Cristina: There's no way to know.

Jack: You don't know.

Cristina: Whoa. What a weird. How do you live in that type of life? Like, it's so weird. You don't know nothing.

Jack: Dan. Yo. For real. No. The craziest part is they're okay with not questioning things.

Cristina: What?

Jack: Yeah. So over here, we have people who trap themselves in sort of echo chambers of their own thoughts and surround themselves by people who are equal.

Cristina: Mm.

Jack: But then we have people like us, whose entire purpose is to break that consistency. Over there. That's not a thing. They're just okay with trapping each other in each other's bubbles. And, like. Well, I only surround myself with I will stop being your friend if you have a different belief. That's just a thing that happens over there.

Cristina: But there's nothing like this over there. Well, we're over there, so we're helping. Hopefully, at least in that way, opening their minds.

Jack: But we've been talking they think we're fake crap. We've been talking only about our f****** world.

Cristina: Yes, yes. Still, hopefully some of it is useful, even if it's all nonsense.

Jack: Yeah. They should at least think of it as like a fiction that's informative. Right. At least there's some perspective. But no, because they think it's fiction, it's immediately tossed out. What? Yeah, yeah, yeah. Ignorance is God over there.

Cristina: Oh, crap.

Jack: Like, that's the real God.

Cristina: Yeah.

Jack: Factually, ignorance is omniscient over there.

Cristina: That is so crazy. That is so crazy.

Jack: Yeah, they're all idiots. Everybody. Every f****** one hearing this exists in a. I don't know if actually. Fair enough. I don't know if the people listening to this, but the world they come from.

Cristina: Mm.

Jack: Is based on ignorance.

Cristina: That's why you gotta tell everyone you know about our show.

Jack: Yeah. It's kind of the point of this episode, specifically, like tell more people. Yes, because.

Cristina: Because answers.

Jack: Yeah. We at least perspectives like, look, we're not from there. I get it.

Cristina: Yeah.

Jack: I get we're not from there. We're just. What, gonna. You could hear how entertaining our place is as opposed to your garbage.

Cristina: Yeah, we'll give you some of our. Our birds and we'll get some of your birds.

Jack: Give them some robot birds.

Cristina: Yeah, why not? That's a fair trade.

Jack: That's a fair trade, man. That's f****** nuts. That's just a theory over there too. They have lit. You could prove you could just kill a bird, open it and look at it. Yeah, organs. They still not sure if birds are real.

Cristina: What?

Jack: Again? Even the facts are questioned over there.

Cristina: Even the facts are questioned.

Jack: Yeah, yeah, yeah, yeah. Science. You can question science over there. You can question the scientific method after it's been proven over and over and over and over and over by a bunch of different people actively trying to disprove it. They're still like the flat Earthers over there. They don't use any form of science to do anything.

Cristina: What do they do?

Jack: Nothing. They just question it. And people end up believing the questions.

Cristina: They just question it.

Jack: They just question it. They're like, is it flat, though? And then like, oh, is it flat though? And it's like, yes, we. We proved it was round. With math, we could just f****** lift off the planet. Look down. Yeah, but no, no, that was. That was a faked. Fake footage. Yeah. Even when there is a fact, they will cast. Cast out on it.

Cristina: I guess that's. You could do that with anything. I guess that's why they End up in their situation where no one believes anything.

Jack: Nobody. But, well, they began where nobody believes anything. Nothing has changed.

Cristina: Yeah.

Jack: Their entire history has been of people questioning even the facts. Yeah, they question everything without exception. Everything is up in the air. There's nothing that's factual, even though they.

Cristina: Have nothing mythical happening or nothing magical.

Jack: Yeah, they'll still question it. It's happening. I just haven't seen it.

Cristina: Interesting. Wow. Adrenochrome is, though.

Jack: It is not. There's no proof that there's adrenochrome over there.

Cristina: Okay.

Jack: Yeah. Everything, all of it, 100% nothing. It doesn't matter what question you have. Like I said, it's all up in the air.

Cristina: Wow.

Jack: Yeah. So don't ask questions of. Is there? No, they don't know.

Cristina: Yes.

Jack: If there is, they don't know. No matter what you ask, is there? They don't know. The answer will be they don't know every time. Regardless of.

Cristina: That's crazy, because there's a portal. So I feel like something must have walked over there. Something must have walked from there to here.

Jack: The portal, as far as we know, at least in your backyard, has only been around for around six years, max.

Cristina: Yeah.

Jack: Actually, probably less about five years. How much crap goes into your backyard at random? Demons falling. Yeah. Like, what are the odds?

Cristina: Yeah.

Jack: Was it even in our universe, or at least on this planet before? We have no idea. It just popped up.

Cristina: It just popped up. Yep.

Jack: There's absolutely no greater question now because now we know where it goes. We still have no idea where the f*** it came from.

Cristina: We have no idea.

Jack: Why is there a wormhole from your backyard to Universe three?

Cristina: Yeah. How did the lizard people, I guess, get theirs from 2 to 1 to 2? Like, did theirs just appear out of nowhere? Did they build it? Or was it just something like my, like, mines in my backyard? Like.

Jack: Well, they built theirs.

Cristina: They definitely.

Jack: It's science, it's technology, but mine is just. It's just like a rip, just a portal.

Cristina: It's just natural that happened there.

Jack: We think it's natural. That portal to us is like everything in universe three. All we got are theories.

Cristina: Yeah, man. Man. And where would we find the answers? I doubt the answers are in universe three.

Jack: Yeah, they're not. But I don't know what we could do to test out the portal. Right.

Cristina: Yeah.

Jack: Because we can either go through the portal, and the portal looks like it enters from every direction, so you can walk around the portal to the other side, and it's still the way into the portal.

Cristina: Mm.

Jack: It's not like you walk around and well, this side is blank. There's no. It's just a 3D portal. It's like a black hole. The entrances, every side.

Cristina: Yeah.

Jack: So like what the f*** can we do? Because we walk in, we just walk out on that side. So there's nothing we could do to test it, at least coming in contact with it.

Cristina: Mm.

Jack: There's no scan we could do that wouldn't just read the other side.

Cristina: So there's gotta be something else, something. I don't know. Could we make a portal? We can. Or at least the lizard people can make a portal.

Jack: Well, here's an interesting idea, right? This is a theory of mine. Did the portal show up before or after we destroyed Earth and Universe Two?

Jack: I don't remember the order of events, that's true.

Cristina: But also have another question of whether it happened. Because if it. If it came after that, or say it came before that, did it at least. What about when you were messing? Not you, but version of you was messing with time?

Jack: God d***. We some. It's our fault. Isn't that that portal? Because it doesn't matter at this point if it's because of the time machine. It doesn't matter if it happened before or after, because it's a product of f****** with time. Yeah, but on the flip side, this doesn't. It can't be. It can't be. It couldn't be the time machine. Because the time machine is focused entirely on this timeline. Everything took place here, moved forward and back here.

Cristina: Yeah.

Jack: Which means if it's something we did, it had to be destroying Earth 2.

Cristina: Unless it was there before that. I feel like it was.

Jack: If it was, then it could even.

Cristina: Have been at the same moment. It could have been right before destroying. Like it could have.

Jack: Well, no, no, no. Listen to me. Listen to me. Listen to me very carefully. It is completely possible that it is a result of that. But because we ripped through space time, that happens to be one thing. The portal showed up in the past. So the portal shows up before the event that caused the portal to show up. But it's because space and time are tied.

Cristina: Oh, okay.

Jack: So we tore time. I mean, we tore space. Yes, by destroying a portal that was linked in two different points in space. Yeah, but as a result, we also have to break the time associated with that. And where did the portal show up? On the same planet that had an already existing portal.

Cristina: Yes. So it might have been. Whoa.

Jack: And the portal, the. The potential of that portal that now doesn't go anywhere. Caused a time space or space time rip that sends us from universe one to three instead of universe one to two. That is my theory.

Cristina: That's a good theory. Then we should not mess with three. Even if we need their moon, we.

Jack: Shouldn'T do that because we don't know what other problems we might cause.

Cristina: Yes.

Jack: At least with the time machine, we're only affecting our time.

Cristina: Mm.

Jack: And we can kind of measure that. You go back in time and you alter something, a domino effect happens. We can kind of counteract things. In fact, that was the original use of it to manage a future.

Cristina: Yeah.

Jack: So we understand how the time machine works. Clearly. If this is the way this happened, I mean, obviously we have no idea how most of. Like, we're still torturing a bunch of them up there just to get more information about their tech. But their tech isn't even the best tech because we're still assuming that the Cat People aren't using magic.

Cristina: Yes.

Jack: And that that's just hyper advanced technology. That looks like magic.

Cristina: Mm. Definitely. We gotta figure that out. But we still have to get to where. Where are they at?

Jack: They're in the Great Void.

Cristina: The Great Void.

Jack: I mean, we already sent people out there. This is a matter of waiting for them to come back.

Cristina: Mm.

Jack: Now they could totally be dead over there too. I don't f****** know. Well, no. Well, yeah, they don't come in like within a year or something. Whatever. Yeah, but that's what they're there for, right? Expendable garbage. Yeah. So the best result of that would be we successfully capture some of them and then they might have a better grasp on space, time and temporal problems.

Cristina: The Cat People.

Jack: The Cat People. Their technology is so advanced, they can.

Cristina: Solve some of our problems. Okay.

Jack: Can solve some of these problems. They could maybe at least confirm the cause of the wormhole in your backyard.

Cristina: Yeah. And how we can get our messages.

Jack: To our own people because the distortion that that's causing is so massive. That's crazy.

Cristina: That is crazy.

Jack: So all our listeners are from Universe 3 and have been from Universe 3 this entire time, so. Hi, guys. We thought you were here.

Cristina: Boring people.

Jack: Yeah, their f****** universe is so boring. Then again, the flip side is over here, everything is tangible. Over there, they have the most interesting thing, which is everything is in their head. They can imagine anything and doesn't have to be real because everything is imaginary.

Cristina: Everything is imaginary.

Jack: So you can talk about anything under any scope, under any degree, because it's all speculation.

Cristina: That's so cool. You know, What? This reminds me of South Park. I don't know. Just the kids have this weird. Everything is like that too, in that town. Like it's our imagination. But then our world is like when the imagination world came into. Into the real life.

Jack: Yes, that's us. Yes. 100%. 100%. That's exactly what it is. When Imagination Land was open to the public.

Cristina: Yes. What?

Jack: Yeah. Interesting. That's actually really cool. You're totally right. I wonder if they got south park over there.

Cristina: They have to have south park over there. Whoa.

Jack: What if they don't? I'd be crazy.

Cristina: Yeah.

Jack: Then what the f*** do they have?

Cristina: Hmm?

Jack: North Park.

Cristina: The f***? Whoa.

Jack: North Drive.

Cristina: North Drive?

Jack: Yeah.

Cristina: That's the new.

Jack: It's the opposite of South Park. It's North Drive. They probably got like, North Drive.

Cristina: Well, I'm sure at least some things are the same. They have to South Park. They got Supernatural, right?

Jack: They got homies, dude.

Cristina: Homie, dude.

Jack: Yeah. As opposed to Family Guy. They just got homies dude. Because he's not about family. He's about the homies. And he's also not a guy. He's the dude. Homies, dude. Homies, man.

Cristina: Homies, man.

Jack: Oh, that sounds cooler. Homies, man.

Cristina: Kind of gay.

Jack: There's a little bit of gay going on there.

Cristina: Yeah. Yeah. No, let's hope that they have Family Guy. I don't know what would be American Dad, Afghanistan Mom.

Jack: Can you imagine? That's probably. Man, that's crazy.

Cristina: Imagining what they're saying.

Jack: Afghanistan Mom. Their media has to be weird. And then they also have interlaced with their media. Us. Our media. Yeah, they're just getting signals from us because f****** giant temporal ripper. What a f*** is causing sending our s*** out there?

Cristina: So it's possible they got south park, even if it's from us.

Jack: Holy s***. Holy s***. You're right. Yeah, you're right. We have south park and everything we broadcast lands on them.

Cristina: Yeah.

Jack: Holy s***.

Cristina: Yeah.

Jack: They have to have south park and they have to have Family Guy.

Cristina: They have to. Yeah.

Jack: Oh, s***, that's really cool. But then they also have their version of the things. So they must simultaneously have south park and have North Drive.

Cristina: North Drive. Yes. Yep.

Jack: Okay. That being said, you know, funny jokes and everything aside, I wonder if over there, the driveway you drive on and the parkway is where you park. Like, do they go home onto the parkway and leave the car there and walk inside their house? And then when they're driving on the street and they're like, oh, I gotta go faster. They Hop on the driveway where you can do 60 miles per hour, you know?

Cristina: Yeah. Yeah.

Jack: That, like. Is that our weird thing? Yeah. Is that our weird thing? And they're like, what you'd expect would be normal.

Cristina: Mm.

Jack: Because what the f*** is the explanation of our f****** glitch over here with that one?

Cristina: Wait, which one is ours called. Is that the way we're calling it? Or that's the way you're thinking they're calling it?

Jack: No, I'm thinking that they drive on the driveway and they park on the parkway.

Cristina: Oh, okay.

Jack: Because we, for whatever f****** reason, park on the driveway and drive on the parkway.

Cristina: Yes.

Jack: So I'm thinking maybe that's one of those things that makes sense over there.

Cristina: Yeah.

Jack: Doesn't over here.

Jack: Who knows?

Cristina: Who knows?

Jack: The potentials are infinite. This is just fascinating to know. There's an entire another universe that is so.

Cristina: Yeah, man. Let's contact ourselves.

Jack: No, that's probably a problem.

Cristina: That's probably a problem. Why?

Jack: Why would we contact ourselves?

Cristina: I don't know. For the fun of it.

Jack: How would we even contact ourselves?

Cristina: We can go through the portal, Right?

Jack: So we get over there and then.

Cristina: I don't know. I don't know.

Jack: We'll find out without the Illuminati being a thing over there.

Cristina: Yeah.

Jack: And there being no need to broadcast the news that's taking place. That's just the guy. Which means there's nothing significant about him.

Cristina: Yeah.

Jack: Which means he's impossible to find.

Cristina: But he needs to know that people are talking about him. As the host of this show, he should know about this show so he would not be confused.

Jack: That that would mean he has to be listening to news podcasts over there. He has to be the type of guy who's into news podcasts over there.

Cristina: Yeah.

Jack: Yeah. Podcasts are not a popular medium over there either. Oh, it's not like over here that the Globe gets it.

Cristina: Yeah.

Jack: Over there, it's like, I don't know, f****** kids or some s*** are listening.

Cristina: What? Kids are listening to us?

Jack: Yeah. Chances are a lot of kids are listening to us.

Cristina: That's very confusing.

Jack: Yeah. And also highly inappropriate.

Cristina: Yeah.

Jack: But it's likely, very likely happening. Like, maybe half of everybody listening is a kid. Half could be. I have no idea.

Cristina: And we're telling these kids to talk to strangers.

Jack: Yes. They're the cherry on top of all of these things, which is going to open a new possibility if we so feel inclined to this show, because they're already getting our news, which kind of means f****** nothing to them. I guess we did establish the subhumans that were over there. Checking and doing things. Took enough technology and with the technology that already exists to have a single TV on our side, be able to catch the broadcast from their TVs. Any signal, any radio signal they send for their. And actual radio stations and their Internet. So you have access to their media to see what's happening over there. So we can check up on their world and perhaps in the future even talk about it. New element to the show.

Cristina: Yeah.

Jack: Being able to talk about worldwide, there's.

Cristina: No creatures and that's not gonna be fun.

Jack: But, you know, it's their world.

Cristina: I guess we can compare and contrast what's going on over here to what's going on over there.

Jack: That's kind of badass. Yes. Yeah, that's pretty awesome.

Cristina: Like the day when Trump fights Biden. What's gonna be happening over there?

Jack: That's an interesting question. That's really interesting. But on the flip side, there's a added benefit to this screen that we don't have over here.

Cristina: What?

Jack: Because over here people are actual people. There's nothing we could do. But over there, people are not people who are over here, we can quantify them into their potential energy. So our TV can watch anybody we choose. And in theory, if we could find out what the f*** the name of the person we're talking about is in the case that you want to know what we are doing, if they share our names, then we can find out what the f*** they're doing.

Cristina: Oh, we can spy on ourselves.

Jack: We can spy on ourselves. And there'd be no reason to interact with them.

Cristina: Yeah. Okay. I guess that's a safer choice.

Jack: Yeah.

Cristina: Yeah.

Jack: It probably won't work for a non existing organization.

Cristina: Yeah.

Jack: But they're probably doing their own thing.

Cristina: Mm. Okay. Awesome.

Jack: Yeah. Pretty cool, right?

Cristina: Gonna be interesting. What will happen in the future.

Jack: What happened in the future? What things are. So the tables are kind of turned. Right. Because people on our side know the things that are happening and then we talk and share our opinions to them. But you guys have just been hearing something you thought was fiction.

Cristina: Yeah.

Jack: And now you might. Again, this is not for sure, but you might get to see us be the learners of what's happening on your end. Rather than being us being the teacher, we might just watch your side and be the students.

Cristina: Mm.

Jack: Interesting.

Cristina: Maybe there's something to learn from them.

Jack: There probably is. Just not the things that are interesting over here.

Cristina: Yeah.

Jack: So they must. There must be something that makes that place interesting.

Cristina: Yeah. You Just don't know it at the moment.

Jack: Exactly.

Cristina: Because right now they seem boring, but okay.

Jack: Yeah, it's pretty weird, right?

Cristina: Yes.

Jack: It's fascinating though.

Cristina: Yeah.

Jack: I am curious to find out. Like, I don't want to interact with the version of me that exists over there, but I'd be curious to see what they do. What they do for a living.

Cristina: Mm.

Jack: Same thing with you. See what?

Cristina: Yeah.

Jack: The other you does.

Cristina: Just out of curiosity, man.

Jack: Yeah, but it's also not us.

Cristina: I know.

Jack: It's like, who the f*** gives a s***?

Cristina: Yeah. I don't know.

Jack: Yeah, it's kind of weird. Yeah, I mean, it's an interesting dilemma. Anyways, look, that. The point here is that. Hi, guys. We didn't know you existed. We thought we were talking to our own people the whole time, so. Yeah. Yeah, you guys are. Now, I say everybody listening is from over there, but that's wrong because we still get our broadcasts. It's just all our broadcasts are sent over there too. We still get all our broadcasts.

Cristina: Mm.

Jack: But that's the reason we had no f****** clue they're listening to us. Yeah, and that's weird.

Cristina: Yeah. Well, they could comment on our podcast of where they're from.

Jack: I think so. I think we land on there again. All the broadcasts happen to land on all their things. So we're on their Internet and they probably thought we were in their world as a result. Yeah, but like a fiction show.

Cristina: Mm.

Jack: Meanwhile, no, we put that on our Internet. Something just broke reality. And so you're hearing us right now. Reality's f****** broken.

Cristina: And it's part of my portal, though.

Jack: Your portal is causing some temporal rift that is sending all our waves not only everywhere here, but over there. So that's the gist of it.

Cristina: That is crazy. Although I guess none of them will believe any of this.

Jack: Yeah, pretty much. Until we start talking about their world.

Cristina: Oh.

Jack: I mean, no. Cuz they'll still gonna think that this portion was fiction.

Cristina: Yeah.

Jack: Yeah, I guess there's no real way to fix that issue.

Cristina: No, but whatever.

Jack: They'll be more involved once it's about things that are happening to them. Right.

Cristina: Mm.

Jack: But then some of the things do happen over there.

Cristina: Like what?

Jack: Like the Insurrection.

Cristina: Oh, yeah. And Covid is the thing over there.

Jack: Covid is a thing over there. But the toilet paper doesn't actually protect you against it. That's weird. Yeah, That's a weird one, huh?

Cristina: Okay.

Jack: Toilet paper has no protection to Covid over there.

Cristina: Okay. What?

Jack: They did steal all the toilet paper, though.

Cristina: Why did they Steal all the old toilet paper. It wasn't protected, though.

Jack: Wait for it, wait for it. Wait for it. They don't know. It's all speculation.

Cristina: To all their problems.

Jack: Yes. Is they don't know. They don't know the solution to everything is they don't know why, they don't know who, they don't know where, they don't know when, they don't know.

Cristina: But they stole the toilet paper.

Jack: Yes. Now, here's an interesting point, right? And I believe this might also be happening. The temporal rift is maybe. S***. S***. Okay, fair enough. Maybe the versions of us on that side are somehow connected to the versions of us on this side. And so people racing to get toilet paper over here, because it protects against Covid, somehow triggered people on that side to go. Because they have the same thought, or not the same thought. Some feeling told them, yeah, to go steal all the toilet paper. And they did. Except it doesn't protect them against anything.

Cristina: Yeah.

Jack: Over here, if you have toilet paper, you can't catch COVID Whoa. So there might be some actual effect that. Again, we need the cat people. We need somebody with technology so advanced, maybe they can figure it out. If they can't figure it out, I have no clue what to do.

Cristina: But that sound. That is so interesting because how many things are like that?

Jack: How many things are like that? Exactly. Another thing would be if we have all these mythical creatures on our end. But they are mythological, as in narratives told. And then we can go find them based on the myth or focus around. But over there, their myth, as in not true. Yeah, Maybe their origin story comes from this side. But the problem is those things have been around through all of history, even for them. Except it's not real over there. So I guess that's wrong. I was thinking, like, maybe our thoughts on these creatures and having seen them triggered them to think and have the feeling all this. But the portal's only been around for about five years.

Cristina: Yeah, but somehow they. There's still. There might be some connection between our two.

Jack: Yes.

Cristina: Worlds.

Jack: Yes. Well, I'm thinking. Well, maybe not.

Cristina: It's their imagination. It is the imagination thing. Somehow it's related.

Jack: Yes, but the question is, is that related? Or does this start at the portal?

Cristina: Does it start.

Jack: That's the question. Is the wormhole in your backyard the cause? If so. If so, then it has to be connected to the hole being formed, to the portal being formed, to the wormhole being there. And that started about five years ago. Now, it is possible that if the destruction of Earth 2 and the wormhole that existed at the center of the Earth affected spacetime throughout reality as a whole. And the portal showed up as a result. Even if it happened, if it happened after the portal showed up, and the portal showed up as a result of an event that took place in the future, which is a whole f****** can of worms on its own.

Cristina: Yes, what a mess.

Jack: Yeah, what a f****** mess. But whatever.

Cristina: Time travel.

Jack: Yeah, time travel is f*****. It is what it is. But the real problem would be that if this event could affect the past. Has this event always been happening and always been affecting the past?

Cristina: Huh?

Jack: And as a result, yes. In fact, every thought we've had has influenced people over there. Thus even our mythological creatures that are real over here.

Cristina: It's just imaginary creatures over there that.

Jack: They've only had those thoughts because we've seen them. And so we are connected.

Cristina: We are connected, man. Yes.

Jack: Because the toilet paper thing is weird.

Cristina: It is weird.

Jack: They just took it for no reason. It's not even a story. It's a fact.

Cristina: All the things we know here is imaginary over there.

Jack: Yes, they've mentioned all of them. There's no reason they would have all exactly the same things.

Cristina: No.

Jack: So they must be getting it from somewhere that's interesting. Something for us to dissect in the future.

Cristina: Yes. Oh, man. I'm sure the portal, the origin of this portal is really what's important, right?

Jack: Yes, that's really what we need to focus on. But anyways, so. Yeah. Hi, guys. You guys. Hi. You good? You dudes, people, Ladies, gentlemen, whatever the f*** you guys refer to yourself over there. Do you guys have a gender problem out there too? Whatever. Anyways, I know you got. If you don't. That's just the funniest s*** that they have been laughing at us forever.

Cristina: The gender problem.

Jack: The gender problem. If they don't have the gender problem over there, they are dying thinking this is some ridiculous made up bullshit. No s*** people. We actually have people going by all sorts of s***, including Zed and Demon. That's. And God, this is. All of that is real. This is all that's really, really happening over here. And it might sound. I know it sounds ridiculous and like a fiction that this would be something that happens in the. You know, it's happening.

Cristina: It's happening here at least.

Jack: It's happening here at least. And that's crazy.

Cristina: Mm. So, yeah, we'll see if we. With this tv. We get this TV to see over there. We'll see.

Jack: We're gonna tune in heavily.

Cristina: Yeah.

Jack: And see what's going on.

Cristina: Yeah. Because we have things in common for sure.

Jack: Yes. And we do have an access point. It is a matter of we. Their investigations will happen. We'll figure it out. Maybe you guys will see us one day. Live shows in Universe three. How weird.

Cristina: That makes more sense. No.

Jack: Yeah, that's f****** weird. Anyways, so, yeah, you guys enjoyed what you heard here, and you want to learn more about what's happening in our universe, you can go check all those things out at the official website. Greatthoughts.info on Apple Podcasts, Spotify, or anywhere you get your podcast, which astounds me that you guys have all exactly the same things.

Cristina: That is so crazy.

Jack: Do they not know where Apple Podcasts comes from? And they say, oh, it's a website. We just get our podcast from the website. But it's like, all over here. And they don't have that over there.

Cristina: They have to have that over there.

Jack: Well, they have it because we're sending it over there.

Cristina: Oh, yeah. I don't know.

Jack: There's nobody over there who did it. But who the f*** knows a billionaire.

Cristina: Yeah.

Jack: Who just knows a billionaire? So it's like, well, that billionaire who we hear about, because they get all our media, so even when we're reporting on a billionaire, they think that's over there.

Cristina: Well, we know they have the same Elon Musk. Sort of.

Jack: Yes, but they don't know they're Elon Musk the way we do. Yeah, that's just a person on their screen. But, like, do they have a Jeff Bezos or are they looking at ours?

Cristina: Huh?

Jack: Interesting.

Cristina: Interesting. Yeah.

Jack: Yeah.

Cristina: And you can reach us on Facebook, Twitter, Instagram, and TikTok @justcombopod.

Jack: Yes. And remember to rate and review the show. And leave us a message about. Leave us some. Definitely now. It's important. Leave us some reviews. Talk to us.

Cristina: Let us know what's happening over there, what we got right and what we got wrong.

Jack: Yeah, like perfect. Perfect.

Cristina: What exactly is different?

Jack: And like, subscribe if you want to be filled in on the crap happening over here, because apparently it's not happening over there.

Cristina: I let someone who might like this show know about it.

Jack: Yeah.

Cristina: Which has always been important.

Jack: It's always been important. More so after this revelation.

Cristina: Yes.

Jack: Tell everybody.

Cristina: Tell everyone this shocking news.

Jack: Yeah. Maybe they'll believe it. If not, eventually one day it might be proven, and then you could see us in person. We'll see.

Cristina: This has been the Just Conversation podcast. Take nothing personal and thanks for listening. Bye. Or maybe Maybe his God. His God? His father did it with a Titan and made him. I don't know.

Jack: Well, no, there was a thing that made the Titans. There was an omniscient, all present God thing.

Cristina: Big bang theory of their own.

Jack: This is interesting. Okay, okay, okay, okay, okay. So Zeus is like way down the totem pole when it comes to God. Like, he is nowhere near omniscient. No, he is very specifically a demigod. He's the God of a God of.

Cristina: A God, but many gods, I guess.

Jack: Yes, I think Jehovah and Zeus are equal.

Cristina: What's your proof?

Jack: Not only that, I would argue that Jehovah, if not related to Zeus, is.

Cristina: Zeus just as he took a new name.

Jack: It could be.

Cristina: Or it's translated different from other people. Like, is it the same people?

Jack: Crazy thought. Let's assume the Old Testament is not the first book, not a translation, that it's literally not the first part, and through translation we landed at Jehovah.

Cristina: Mm. But then whatever the first part is just isn't around anymore.

Jack: I guess we just consider it some whole other s***. But maybe there's a literal line connecting Old Testament and Greek scripture.

Cristina: Probably.

Jack: That'd be fascinating because they're either the same thing or brothers. Because alternatively, we could say that they are the same person, but not literally the same person. Rather, we're calling two different people the same thing, saying Old Testament and New Testament, when in reality Old Testament wasn't the Jehovah we know from the New Testament. It was Zeus then.

Cristina: Zeus, huh? But the thing is, like, why did he tell them? I guess that he made all the everything after his parents, like his parents made him. Then he erased all that so that he could say he made it all.

Jack: Maybe.

Cristina: No, I don't know. I guess that could be. Who knows how they work? They're angry people.

Jack: Yeah. Who knows how they function? Who knows how any of this works out?

Cristina: Yeah, I wish I knew more of their stories. Like there must be things that connect, but we don't know. We don't know any of those stories.

Jack: Yeah, it's very fascinating stuff. Lost Creek gods.

Cristina: Yeah. If we knew more about the archangels, that would be so helpful though.

Jack: Yeah, there's just very little information on them. There's pretty much nothing to draw from relative to all that stuff. It would require a lot of research to get to the bottom of how they connect from one to the other.

Cristina: Yeah.

Jack: Wubba dubba dub. Dubba dub.

Cristina: Good morning. Good night. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas. Produced by Lynn Taylor and Published by Great dots.info Art by Zero Lupo and logo by Seth McAllister, with social media managed by Amber Black.

Rambling 144: The Five Strong Forces

ennandgee_0006_Layer-1.jpg

If magic part of ‘The Force?’ Are the Cat People of Lochness using magic or highly advanced technology that seems like magic to primitive minds? Is God the source of ‘The Force’ or just another being using its power? The duo unpacks nature’s most complex question and uncovers truths never expected. What is the Fifth Natural Force?

Rambling 144: The Five Strong Forces

+Episode Details

Topics Discussed:

  • Gryffindor
  • Mars
  • Zombies
  • Cat People
  • Fullmetal Alchemist
  • The Gate
  • God
  • The Force
  • The Nothing
  • Adrenochrome
  • Cat Gods
  • Zombies vs Vampires

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Just Conversation podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button and to get notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yes. So be sure to find somebody to listen to the show with. That's it?

Cristina: That's it?

Jack: That's it.

Cristina: Nothing dangerous.

Jack: Why would end it be dangerous?

Cristina: Because it's always dangerous.

Jack: Who said?

Cristina: You say. You always say.

Jack: I've never used the words dangerous.

Cristina: No, but you suggest horrible things.

Jack: Like what?

Cristina: Like man, what did you suggest last week?

Jack: Who knows? You're making it all up. We don't do the cancer part.

Cristina: We don't do the cancer.

Jack: No, the cancer just happens to people. There's something that's different.

Cristina: That's true.

Jack: Cancer just happens to people.

Cristina: What about that time where that guy we. Oh, I guess you don't. You say. You said last week though that or an episode or two ago that you don't tell people what to do. You're just saying what a random person is doing.

Jack: Yeah. Because the odds are somebody's doing this. There's 7 billion people in the world.

Cristina: Yes. And one of them is fighting a Gryffindor in the forest.

Jack: A Gryffindor. So to be. So to get this straight, somebody is fighting.

Cristina: Yes.

Jack: A wizard. No, out in the forest.

Cristina: Not a wizard. Gryffindor. Not. Oh, not that. Oh crap. Whatever the bird is called. Is it?

Jack: So somebody's fighting a wizard bird?

Cristina: No. What's the bird?

Jack: Cause so for those of you who want to share this show with somebody and you happen to be a wizard from Gryffindor.

Cristina: Yes.

Jack: You can share this with your classmates.

Cristina: Cassan's fighting a wizard. Okay. No. What is that bird then?

Jack: The griffin.

Cristina: The griffin. Okay. Someone in the forest was fighting a griffin.

Jack: No, they're fighting a Gryffindor. We're talking the end of the world. We have black magic versus white magic and they're going at it in the woods. This is the last Harry Potter film, isn't it? That's what's happening. That took place in the woods or some s***. It was like both in the school and then in the woods. Cuz they were like teleporting back and forth or some s***.

Cristina: I didn't see the last movies. Like, I didn't see lots of those movies.

Jack: I sat down and I saw all of in one sitting.

Cristina: That's pretty horrible.

Jack: Yeah, yeah, yeah, it was very bad.

Cristina: Why didn't you do that with Lord of the Rings?

Jack: It would have been about the same amount of time.

Cristina: Are you sure?

Jack: Lord of the Rings is like nine hours long in three movies.

Cristina: Oh, okay.

Jack: Well, Harry Potter's like an hour and a half each. Yeah, seven movies.

Cristina: Okay, there's a lot of movies. That's a lot of movies. Okay, that's up there. Yeah. Well, not Griffin. Gryffindors.

Jack: Look, the Gryffindors are a dangerous group of people. But there's a good guys, right? Yeah, there's good guys. The Gryffindors. They're dangerous or powerful.

Cristina: There's probably bad Gryffindors, though.

Jack: Aren't all the bad people from, like, Slytherin?

Cristina: There's probably because they slither.

Jack: Yeah, it's probably.

Cristina: That's stereotyping.

Jack: That is stereotyping. That being said, if I were to be a wizard, I'd rather Slytherin. Gryffindor. Pretentious. Like Goody Two Shoes. You guys are whack.

Cristina: I want it to be Ravenclaw.

Jack: Yeah, Ravenclaw works too. Yeah, they're the pretentious intellect douchebags.

Cristina: But I'm not. The hat said Slytherin.

Jack: The hat said Slytherin for you.

Cristina: Yeah.

Jack: So you're the bad guy.

Cristina: I'm not a bad guy.

Jack: You're a worm. You're slither. You're a snake. You slither.

Cristina: Yes. Whatever.

Jack: I got Ravenclaw.

Cristina: You got Ravenclaw?

Jack: Yeah. I wanted Slytherin because the bad guy's duh.

Cristina: And you got Ravenclaw.

Jack: I got Ravenclaw.

Cristina: That's lame.

Jack: I wanted Slytherin. Slytherin would be cool, dude. Be edgy with the homies. I don't know, just black clothing.

Cristina: They're not edgy.

Jack: They're all edgy. You know who's the most edgy? What the f*** is the name of this annoying kid?

Cristina: The blond one?

Jack: Yeah, the blonde troll.

Cristina: Malfoy.

Jack: Malfoy. He's totally a troll. Yeah, he's an edgy troll.

Cristina: I just know he doesn't have, like, two friends who are. Yeah, yeah.

Jack: That's why I'm saying he's edgy. Not, his friends are edgy.

Cristina: Yeah, but they're also Slytherin.

Jack: I don't know. I feel like they would be from Hufflepuff. Right. I don't know where all the losers go.

Cristina: Do all the. They have to be. There's something unique about them. Right?

Jack: What is Hufflepuff's uniqueness? We're all fat.

Cristina: No.

Jack: Ironically enough, Hufflepuff. No, wait, that other kid is from Gryffindor. He hangs out in the same class as Harry. The other kid who was. Yeah, no, the kid who was gonna be the other guy who just had total roll of the dice of being the chosen one.

Cristina: Oh, okay. Yeah. I think he is Gryffindor.

Jack: Yeah.

Cristina: Okay.

Jack: There's a crazy storm happening outside for anybody who's listening right now.

Cristina: So in case you hear it.

Jack: Yeah. In case you hear this crazy storm in the background. Right now we're on Mars and there's quite a heavy. We didn't even know Mars had storms. We thought that was like a Saturn exclusive thing or some s***. Is it Saturn or Venus? Sat we. One of the planets in our f****** system has a crazy. Yeah, there's a bunch with storms. Like some of one of our plants is raining acid or something. I don't f****** know. But yeah. So there's a storm going on up here. It's a very heavy dust storm. And there's rain, which is weird because that means there's water, which we haven't seen. But also, this isn't technically our Mars.

Cristina: Exactly. Yeah. And it's probably. We like where we placed it might not be exactly where Mars was supposed to be.

Jack: So like we're estimating, like.

Cristina: Yeah, it was pretty. I guess there's no way we could have picked the exact specific.

Jack: Hey, look, at least we've fixed the gravity of the system. That's what matters.

Cristina: Yes.

Jack: The system was gonna go to. And we saved the system from going to. So we're heroes.

Cristina: Yes. And now it rains.

Jack: And now it rains on Mars. Because Mars of planet Mars 2 universe 2 Mars too.

Cristina: Well, that's a good thing. Maybe things will live here, start growing. Yeah.

Jack: D***. You think it's because we place weird that it rains now?

Cristina: Yes.

Jack: You think the soup. The sub humans are like using the rain to like, torture things. Like holding werewolves underwater. Like f******. What is it called when you put the f******.

Cristina: Like the waterboard.

Jack: Waterboarding. You think they're using it to waterboard people?

Cristina: I don't know. I'm not watching them, man.

Jack: That's fire.

Cristina: That's what they do.

Jack: Yeah, I don't ask questions. No, I mean, I literally just ask questions.

Cristina: You just. Exactly.

Jack: So, yeah, like, I show up after the abuse happens. And I'm like, all right, f****** cat person, you stupid bottom of the barrel cat guy. Tell me where your leaders are.

Cristina: That's why you asked them?

Jack: Yeah.

Cristina: Do you actually want to know?

Jack: Yeah. That's actually why we're gonna go and attack the cat gods.

Cristina: The cat gods. There's. Why are we fighting gods?

Jack: Well, they call them gods. I'm sure they're just like powerful aliens or something.

Cristina: Oh, all right. Like, they're just more cat people.

Jack: Yeah, I mean, I'm assuming. And we also have the technology to get there now with the pyramids and the lasers and the, you know.

Cristina: Yes. And we got zombies. We can make them fight our war.

Jack: That's. That's interesting. Right? Like, because the idea here is we have an island filled with zombies and we have a bunch of sub humans who are, like, way better than all the humans and super soldiers that have ever existed.

Cristina: Yeah.

Jack: So we can send a bunch of zombies ahead just to mindlessly destroy everything, and then send the subhumans to clean out the zombies after they've taken care of all of the cat people.

Cristina: Exactly.

Jack: But then we got a weird problem, because there's cat people. Zombies, maybe.

Cristina: That might be worse than that might be worse if they have magic and they're zombies.

Jack: Yeah, that was the f****** thing about the cat people. Right. There was magic. So the cat people have magic abilities.

Cristina: That's probably dangerous.

Jack: D***. It's hard to follow the lore of this, but, yeah, I'm pretty sure the cat people are entirely magic, right?

Cristina: Yes, they are.

Jack: They are. And we were comparing their magic to the reptilian science. Interesting.

Cristina: Exactly. Yeah. Because it's so advanced looking.

Jack: Yes, because the reptilian science is so advanced that it might as well be magic. Which then brings up the question of whether what the cat people have is really magic or just technology. So advanced it even looks like magic compared to the reptilian technology.

Cristina: I don't know. It might be magic. I don't know. Maybe it comes from the forest. Is that where we were talking about before? Not them, but the forest with the glass.

Jack: The Gryffindor force, where the Gryffindors are fighting right now.

Cristina: The. The Flash. Where his power comes from.

Jack: Oh, the Speed Force.

Cristina: The Speed Force. Where we think all the powers come from.

Jack: Interesting. Well, that would be science, wouldn't it?

Cristina: Would that be science?

Jack: Would that be science? Are you telling me that the Flash is magic?

Cristina: I don't know.

Jack: The argument would be that if the Speed Force is real, yes. It's the Fifth Force. It's Just science. It's part of the universe.

Cristina: Okay. My gosh. Because I. I don't remember if you mentioned this, but what about full metal alchemists?

Jack: Right. They get their source of power from another universe.

Cristina: Is it another universe or is it the Force?

Jack: No, it's another you. They. I mean, here's the. Okay, I like your question. Right. Because there's some thought to be given here. We know that in universe A, Edward Al, as well as all the other alchemists, use their powers.

Cristina: Yes.

Jack: And they can. Alchemy happens. But when they perform alchemy in this side, somebody dies. In the other universe, that's a trade off. Okay, so they're using the life of people from the other universe.

Cristina: Is that really what's happening?

Jack: I believe so.

Cristina: I don't know. I thought the other universe was just their place, but without the magic.

Jack: It is your place without the magic.

Cristina: But I didn't know death was happening.

Jack: Yes, they cause death every time they use alchemy.

Cristina: Are you sure?

Jack: I believe so, yes. Okay. After looking it up. Yes. So somebody dying on Earth sends the energy to their universe and then they can use it for alchemy.

Cristina: That means that. But when they use alchemy, they're not murdering someone. It's just someone dies. The energy has to go somewhere. It goes to over there.

Jack: The argument would be that those two scenarios are connected. Rather than somebody die and the energy waits and lingers. Somebody dying and doing alchemy are simultaneous.

Cristina: Okay.

Jack: So instead of saying because he did alchemy, somebody died or somebody died, that the energy goes to the other side and waits for alchemy to be done. There's no difference between the two scenarios.

Cristina: Yeah.

Jack: Alchemy being performed and somebody dying are simultaneous.

Cristina: Yes.

Jack: And it's not that one caused the other in any kind of way.

Cristina: Interesting. So they.

Jack: So the question is, how is that connected to this? To the force?

Cristina: Yeah, because there. There's no. I mean, it's automatic.

Jack: Yeah, it's instant.

Cristina: It's. Maybe it looks instant, but it's not instant.

Jack: It could be the case. But how would we prove that? It would just be a total guess. We know death equals energy for alchemy. Yes, that's. That's what we have.

Cristina: Yeah, that's true. I don't know.

Jack: As well as we know, the two scenarios that are tangled together are World War II and the attack on Ishbal. Those are real scenarios that are probably happening simultaneously. So getting rid of the Ishbalans and is equal to the Germans getting rid of the Jews. This giant crazy massacre. And now as the Jews die on.

Cristina: Earth, that's giving enough energy to.

Jack: That gives enough energy for these guys to create some powerful alchemy and a mistress.

Cristina: Yeah, but that was like. It's so intertwined that you don't know which one came first to the other.

Jack: And then response. The counterparts are still dying in a mistress.

Cristina: Yeah.

Jack: So the universe is balancing itself out at all times.

Cristina: Yes.

Jack: Perfectly equal exchange.

Cristina: Yes. Then how does that relate. Oh, my gosh. That's interesting.

Jack: Is it? Now the question is, if everything is based on the Force, this would also have to be based on the Force.

Cristina: That's. But how?

Jack: But how? Either we're not understanding how the Force works.

Cristina: Yes.

Jack: Or there's something.

Cristina: Because we've talked about how the Force is different. Like how in Transformers, it's just automatic. Like, they are attached to. They are the Force. Pretty much.

Jack: They don't need some. Some vessel. They are the vessel.

Cristina: Yeah. So using in some way like that, where they are it or their counterparts. The World2 version is what the Transformer is like. They are the energy. They are the magic. Whatever.

Jack: I don't get it.

Cristina: Like, even though they can't use magic, it's because the magic is inside them.

Jack: Right.

Cristina: They die. The magic goes to another place for.

Jack: Them to use, so then they can't use it. You're saying there's transformers that can't transform without their counterpart dying?

Cristina: Oh, no, that's true. Okay. No, no, no, no, no. That's not what I'm saying. I don't know. That's very.

Jack: It's complicated. Right. Because in every instant, we've had some connection to how the. Everything connects to the Force. And then we get to Full Metal Alchemist, and the question is, how does it connect to the Force? We know energy from one side equals the powers of the other.

Cristina: Yes.

Jack: If we didn't know that people were dying on one side, we'd assume the Force is where they're getting this ability from.

Cristina: Yeah, but.

Jack: And it looks like lightning. A lot of the times are doing it just like force. There's electrical surges and lights and energy being used. Literal energy that we can see.

Cristina: Oh, crap. Then maybe it does relate to what's going on here.

Jack: Okay. Option B. The entire universe. Universe is the multiverse.

Cristina: Yeah.

Jack: Works exactly the same way.

Cristina: Yes.

Jack: And what's happening is the Force isn't just the Force. It's literal life energy.

Cristina: Yes. We're murdering people. Every time Flash runs, he's killing someone.

Jack: Or people are dying. Reality the idea would be, I mean.

Cristina: Not reality, a different universe.

Jack: The whole universe?

Cristina: Yes.

Jack: So we know that in Star wars they're using the Force, but they're in a galaxy way the f*** away. So it's not an Earth thing. Energy of the universe. So people dying in a universe equate to energy existing in another. And it's a one direction thing.

Cristina: Yes.

Jack: So whatever universe B is funnels energy to universe A always and only in that direction.

Cristina: So if your universe doesn't have magic, you're probably. It's probably crap there.

Jack: You're probably the people who are dying to create magic.

Cristina: Yeah.

Jack: On the flip side, it could be a chain. So let's say that instead of us being universe A, we are universe B. We get energy from universe C, but we die giving energy to universe A.

Cristina: Okay.

Jack: And when people in universe A die, that energy goes to universe C. And so it's all connected always.

Cristina: Yes.

Jack: Thus there is a potential energy which then goes to say what you meant. There is just energy kind of lingering to be used. So when they die, it's not in sync necessarily. Maybe in their case it is, but in other instances, no.

Cristina: Yeah, because they just know about A and B. But there might be a cd, whatever.

Jack: It might just be always bouncing back around. A good way to think about this is the, the movie, the one.

Cristina: Which one's the one that's with jet.

Jack: Liquid and the multiverse, where he goes around jumping from universe to universe, killing all the versions of himself.

Cristina: Alright, Right.

Jack: So one guy is getting younger and stronger throughout the course of his life and he doesn't know why he becomes superhumanly strong and fast. He becomes a cop. He's an op cop. And then he finds out there's a guy, another version of him, who's been traveling from universe to universe, killing all the versions of himself to gain the power.

Cristina: So as that guy gets stronger, so is he.

Jack: So is he. Because the universe is evenly distributed between everybody of the same ability.

Cristina: Oh, wow. Okay, now these are two.

Jack: The problem here is in the one, the energy is divided evenly amongst everybody in all the 20, whatever, many universes.

Cristina: Yeah.

Jack: While Fullmetal Alchemist, it's one directional. The question is, is it truly one directional?

Cristina: It might not be because we just, we just don't understand how the whole connection.

Jack: In the case of alchemy specifically, maybe that type of energy usage means it's taking it from somewhere directly. So if you do alchemy in this universe, you took it from C. But if somebody in universe A did alchemy Somehow they would just off somebody in our universe.

Cristina: Yeah. Wait, which, if you have to say.

Jack: The letters again, we're B.

Cristina: Where? B. Oh, okay.

Jack: Yeah.

Cristina: And if A uses it, B, someone.

Jack: Somebody dies here.

Cristina: Okay.

Jack: And we don't even know it. We're just like, well, somebody died.

Cristina: Mm.

Jack: But that's energy over there.

Cristina: Yes.

Jack: Or there is, in fact, a lingering energy that's accessible from any universe at any given moment. But then why couldn't the people in universe C use energy from people dying here in universe B? Unless they just simply don't have alchemy, which we know they don't. Yeah, that universe, that, for the physics, doesn't allow for alchemy. But if they could.

Cristina: Yeah.

Jack: They would be tapping into that same energy.

Cristina: Yeah. But why can't they?

Jack: Different universe. That's all it is. Physics.

Cristina: Yes, the physics are different. All right. Yeah. Yeah.

Jack: So the potential energy is still there.

Cristina: Yes.

Jack: It's just not being used through alchemy, because that's impossible.

Cristina: But there might be another way they can use it. They just haven't figured that out yet.

Jack: Or they are using it and we weren't shown what that is.

Cristina: Yes, that too. Oh, yes. That solves it.

Jack: So that could explain. That could keep the force consistent.

Cristina: Yes. Wait, how did he get into the other universe?

Jack: Somebody created a portal and pushed him through to get rid of him.

Cristina: Oh, okay. And the door with knowledge thing, what is that? That's nothing. Yeah, the gate. That's not where they get their alchemy from. That's only related.

Jack: I think that's where it goes through.

Cristina: From between worlds.

Jack: Well, it's knowledge or something. That might be the physical location of the Speed Force or the Force. That creature is the living force.

Cristina: The living force. Okay, because I was thinking that that's where it came from, but I wasn't sure. But then you said it came from the other.

Jack: Yes, we know. People die on the other side to give the energy.

Cristina: Yeah. If I was thinking that the Force was in the actual physical location.

Jack: Well, knowledge is there. Maybe that is the Force's home. But the Force itself is the being that's there.

Cristina: Yeah.

Jack: Rather than the location.

Cristina: Interesting.

Jack: And so energy goes through it. It requires. Because it can connect. It connects everything to all the universes he's in.

Cristina: I just finished reading the Witcher, and in that book, the girl sees a door, and that reminded me of the. The. The gate. Because she's learning magic.

Jack: Right.

Cristina: And that's where the magic comes from. Not physically, but in her mind. That's what she sees it as. And it's like, oh, crap, that reminds me of Full Metal Alchemist. But then that connected me to the other episode that we were talking about magic and, like, where it comes from. Because here everyone can get. Use the magic. Well, not everyone can use the magic, but people who can learn how to use the magic, they're all getting it from the same place.

Jack: Yeah, yeah, yeah, yeah.

Cristina: Like, the source is the same.

Jack: Interesting. So the energy ultimately comes from the same place. So then we were. If we were to say this. Any. Anybody who learns to do anything, whether it looks like power, it looks like magic, it's all the same thing. We're just doing it differently.

Cristina: Yeah.

Jack: So the Gryffindors are using the Force.

Cristina: Yeah.

Jack: You can, in theory, pin the class of Gryffindor versus the Sith and have them go at it. Sith, lightning. And then somebody does a chant and waves their wand and boom. You're like fighting on equal terms.

Cristina: Yeah. Because they're all getting in this from the same place, I'm assuming. Yeah.

Jack: It's all coming from the Force one way or another.

Cristina: Yeah. What? What?

Jack: The greater energy.

Cristina: That's fascinating, but we all see it as something different.

Jack: We all see it as something. It's like religion. We're all talking about the same thing, but we're all calling it something different. Yes, but it is the same thing. This is. Everybody figured out how to use it differently, and we're all being disciplined differently on how to use exactly the same thing.

Cristina: Yes. That's interesting. It's like meditation. Like, there's a whole bunch of. A bunch of ways to use that and different schoolings for that. Like, there's a right way, but there's not really a right way.

Jack: It's not really a right way. You can meditate just by doing art, by playing an instrument. You can meditate by prayer. You can meditate by literally sitting there and humming and, like, uniting with a note. Distract your mind. There's so many. You can meditate. Flow states. Flow states. Your meditation.

Cristina: It's a huge variety. Like, unlimited. Yeah, variety.

Jack: Whatever can pull you into a state of thoughtlessness.

Cristina: But there's also people that say there's the right way of doing it, which.

Jack: Is incorrect because there is no right way. The only wrong is believing you're right.

Cristina: Yes. And that's the same with magic now.

Jack: Well, it's not even magic. It's just a form of energy. Yeah, Magic is a form of energy. Powers are a form of energy, which means when you have the X gene, that mutates in your body. That mutation just connects you to the Force.

Cristina: The Force X gene. That's. What is that?

Jack: Marvel X Men?

Cristina: X Men? Yeah.

Jack: That'S. That's just connecting you to the Force.

Cristina: Yeah. We talked about Superman having the Force, too.

Jack: Yes.

Cristina: Okay.

Jack: He literally uses light.

Cristina: Yeah.

Jack: His people are people inherently connected to the Force.

Cristina: Yeah. So even the X Men are using the Force in their DNA? Pretty much.

Jack: Well, their DNA can. Yeah, I guess something about the mutation they go through allows them to connect more directly to the Force.

Cristina: Is it possible then, that people who use magic just might have the X gene and don't even know it?

Jack: Interesting. Well, here's the problem. Here's the problem. Here's the problem. Right? People who use the X gene and people who use magic, when you. I mean, I guess you have to be born into magic, right? Is that the argument?

Cristina: No. I don't know. Most of the time, I feel like. Yes, yes. It's like very rare occasions where you don't need to be born. It just takes a little longer to learn. Like Hermione. Hermione. That's her name. She's not magic born.

Jack: Oh, s***. You're right. She just learned it.

Cristina: Yes. But it took her extra, extra long, I guess. I'm assuming, like, she had to study way more than everyone else.

Jack: Yeah. So it didn't take her longer. She had to work harder.

Cristina: Yes. That's why. I mean. Yes, she had to work harder.

Jack: Interesting. Interesting. I think you're definitely right.

Cristina: So.

Jack: Yeah, there's always a way. It just makes it easier. So the argument would be you don't need the X gene because there are some people who haven't mutated and still have abilities. Again, Superman's people. Unless they do have the X gene.

Cristina: They definitely do. They. They do, yes.

Jack: Because it's inherent. They're born with it.

Cristina: Yes. Goku's people.

Jack: Goku's people. Interesting. While humans are just human, regardless of how you're looking at it. So you got to learn. Either have some sort of vessel, have a tool that allows you to channel the power through it. Wands or.

Cristina: Wands is the popular choice.

Jack: This is a popular choice. Yeah. That seems to be like the Go To.

Cristina: Witches don't use wands, but they're. They're using the weakest level of magic because they're not really witches or anything. They just have the weakest, easiest to learn simplest tricks.

Jack: Yes, but it's also still magic because they do have tools that allow them to go through those abilities. So they'll have a hex bag. They'll have, you know, grab some of this dirt, grab some of that thing. And, like, you're still using the tools of. Then another thing would be. Right. We just talked about meditation. Yeah, but when you're doing witchcraft, you're trying to tune into nature, the elemental natures, which usually requires meditation in the first place. So you get the elements you need, you get the picture of whoever. You get a couple of natural, like, a leaf, some rock, some dirt, a.

Cristina: Thing from this place, avatar elements, crap.

Jack: Like that, and then you put it together to try to focus your energy and tune into this force more deeply, to control it better. So meditation connects you to the Force the same way people believe prayer is allowing them to make, like, wishes come true. Almost like if I pray and I ask for a thing, it'll happen while you're meditating. And something about that meditation is allowing you to bend the Force.

Cristina: Yeah. And the Force.

Jack: So God is the Force. The same way that this creature, who we call God and Full Metal Alchemist, that exists in between the gates.

Cristina: Is the forest.

Jack: Is the forest.

Cristina: It's the forest.

Jack: God is the Force.

Cristina: Yep. All right, so we're getting our energy.

Jack: From God or the forest.

Cristina: Or the forest. Yeah.

Jack: It's weird because there are versions of it that are sentient, thinking things. The question is, is that our perception of it, or is that objectively the truth? Like, do some people see it as a thinking thing? Do other people not? The flash talks to the Force.

Cristina: I think it depends on the person because Ciri saw it as a door, but in Fullmetal Alchemist, they see it as a gate, so it really depends on the person.

Jack: Well, both of those things are just a doorway. In Full Metal Alchemist, he saw what's on the other side of the gate, and it was this creature.

Cristina: Well, yeah. Okay, well, but that came from him.

Jack: Did Ciri see what's on the other side of the door, or did she just see the door?

Cristina: She just saw the door.

Jack: So we don't know what's on the other side of that door?

Cristina: No, no. Oh, you think someone's in there behind her? I mean, she might have. I don't know. I feel like it was her past memories, though, or something. And then after she was able to relive that, then she was able to finally use the Force.

Jack: Okay, okay. There was nothing first, and then there was God and darkness. You have to die out of existence to see the nothing supernatural. Okay, so that exists in such a way that even God in the darkness are younger, not older than the Nothing.

Cristina: Huh? What do you mean?

Jack: God gets his energy from the nothing. The Force.

Cristina: The Force.

Jack: Wait, the Nothing is the ultimate first thing.

Cristina: Yes.

Jack: And then God or death. It's not clear. God, death, and darkness all sort of happen simultaneously.

Cristina: Yes.

Jack: And nothing came first.

Cristina: Yeah. So the nothing. Of course.

Jack: That's my question. Right. Because the Nothing God from Full Metal Alchemist. The same f****** thing. And the consciousness of the Force. All those things have just always been.

Cristina: Yeah.

Jack: While God and supernatural had to come into existence.

Cristina: Mm.

Jack: There's no explanation when or how. We just know that.

Cristina: Yes. We know that three things came out around the same time.

Jack: Yes.

Cristina: He's got his sister.

Jack: And they were only predated by nothing.

Cristina: Yes.

Jack: Which arguably doesn't really make sense in Supernatural because nothing is literally a thing.

Cristina: Yeah. Whatever.

Jack: Depiction. I get it. I get it. You can't show us another thing.

Cristina: Yeah. It's like.

Jack: Get it. I get it. It's you. You're excused.

Cristina: Yeah.

Jack: But looks pretty interesting to say that both the Nothing and God from Fullmetalchemist are the same thing. They're also this sort of shapeless goo or something.

Cristina: They're nothing.

Jack: They're nothing.

Cristina: They're nothing. There's. You're trying really hard to see something in the nothing, and that's why you get this shapeless goo.

Jack: Yes. But so are those two things the same thing? And is that the Force?

Cristina: I will say yes, because the Force.

Jack: Is pure energy and thus it is also shapeless.

Cristina: Should be. But we all see something in it. And that's why there's God in the first place. Because we got to see something.

Jack: Yeah. And some people don't see God, but they. But the question is, like, do the people of Superman have God, or is that just a thought that doesn't cross their mind because they're naturally connected to the Force Already they got pure spiritualism. No religion.

Cristina: I don't know much about Superman, though. It maybe. Are they spiritual beings?

Jack: I don't know. That's literally what I just asked.

Cristina: Yeah. I don't know.

Jack: So that's interesting to think that there is a pure or something that everything, including God himself, is connecting to.

Cristina: Mm.

Jack: Then the argument would be, is God just one of the beings most directly connected? And they can use larger chunks. A long time ago, we had an episode where we talked about God's existence being only there to try to create another God so that God can sort of die off finally.

Cristina: Yes.

Jack: He's going to do whatever he can to create another God. Is it because it's really hard to teach something to use the force.

Cristina: Yes.

Jack: And so in small scales, adrenochrome is a way to connect to it.

Cristina: Oh, crap, I forgot about adrenochrome. That's. That's our planet's magic. Okay. Yeah.

Jack: It's a shortcut.

Cristina: It's our shortcut. Yeah.

Jack: So we don't have alchemy.

Cristina: You don't have alchemy.

Jack: We have adrenochrome.

Cristina: Yes. Forget about that. Yes. And God uses that. Yeah.

Jack: We have science and adrenochrome. Those are our two keys.

Cristina: I guess we do have magic. We don't have magic, but we know people who do have magic, which are the cat people that you mentioned.

Jack: Yes. Unless that's not magic.

Cristina: Unless that's not magic.

Jack: Which is why we need to go wage war and find out.

Cristina: Yes.

Jack: Because if there is magic, then there's something we're not understanding about our universe, which is actually why we're here on Mars in the first place. Before the stupid f****** storm showed up. We're here to interrogate the f****** cats.

Cristina: Yes.

Jack: Because we need to find out if it's actually magic. And because they're not talking, we can at least get out of them specific location. We need exact coordinates so that we can use the pyramid technology.

Cristina: Oh, the pyramid technology. That's so complicated. Oh, I don't want to ride that. Well, it's not really a ride. It's like beaming up.

Jack: Yeah. But we will be instantly there.

Cristina: Yeah.

Jack: We're using entanglement. It's just in one side, out the other, boom, we're there instantaneously. Yeah, but the idea is, is what they're using really magic or they just really, really advanced? Because if what they are using is magic, then we have a problem which is we don't necessarily understand s*** about our universe at that point. If it turns out to just be that they are so scientifically advanced that it looks like magic, that's acceptable.

Cristina: Yeah.

Jack: Because adrenochrome would be the closest thing to magic we have.

Cristina: I'm assuming that they're using adrenochrome.

Jack: It could probably turn out to be adrenochrome, that they're using it somehow. Because at the end of the day, they are f****** camp people.

Cristina: Yeah.

Jack: We have cats on Earth that are just feline, normal a** cats.

Cristina: Yeah. When we were worshiping cat gods, were we not with.

Jack: The question is that those cat gods end up. Were they just like a cat drank blood that was drowning in adrenaline? Thus it is adrenochrome and this cat developed hyper intelligence. And then it's like, I need more of this to sustain this intellect.

Cristina: Yeah.

Jack: And then when that happened successfully, he then gave it to other cats, bringing their intellect up, making them superior over the humans who didn't have access to it and didn't know what it was. And then these cat people became the future cat gods. But it's all just technology because adrenochrome gave them the intellect to have hyper intelligent, hyper advanced technology sooner that's possible.

Cristina: But also there's a chance we just gave it to the cat. Like we do it with a beaver. We probably did it with a bunch of random animals.

Jack: It could. It could be the case. So the argument in there would be that we in the old days used to make sacrifices to gods, and the same way Indians used to or so believe that cows are gods. Imagine giving a cow adrenochrome, except in this case, it's a cat. And it was the Egyptians and they sacrificed somebody, gave them adrenochrome drenched blood to actual cat, an actual cat. And this cat, whether it be like a lion or something, becomes super smart, super intelligent.

Cristina: Mm.

Jack: And then bipedal and everything, like, just starts giving it to the other f******. And then all these other creatures start being born. Like, I'm in a. I'm aligned with adrenochrome and I have a cub. That cub comes out half human almost, because its physiology changes, being born with me using this all the time.

Cristina: Yes.

Jack: And then those become the gods and they're so intelligent that they have advanced technologies. And then as the rest of humanity across the world, starts gaining traction and becoming more technological, they dip and cross the universe to get the f*** away from the most dangerous creature. The human.

Cristina: Yes.

Jack: And they just kept evolving over there. The question is, are all creatures like apes as well? We know that if you give a creature adrenochrome and then you take away adrenochrome, they become feral.

Cristina: Yes.

Jack: But we know if you give a creature adrenochrome, they become this advanced version of themselves, right?

Cristina: Yes. Oh, you know, what did they get?

Jack: Did we as apes get adrenochrome and thus humans?

Cristina: That's why I'm gonna say yes. Because the cat people, we haven't given them blood or anything, and they're perfectly fine. We don't need blood either. We're perfectly fine if we came from something. If they came from something like a cat, the cat needed adrenochrome. But they're so far into the evolution of what they are, they don't need.

Jack: They don't need it anymore, so we.

Cristina: Don'T eat it anymore.

Jack: We didn't think of the rules of birth before because we know. Okay, so you get adrenochrome, you become something way advanced.

Cristina: Yeah.

Jack: Right. So werewolf is the earthly version. Now, if you transcend, you become a. What was it? A wet judge. But if you get it taken away, you stay on this side and become a win dingo.

Cristina: Yeah.

Jack: So you become the feral version of the wolf. Right. So werewolves is hyper intelligent, really over now, not everybody gets intelligent, but most creatures do. In the case of humans, we were just the apes that took the adrenochrome and then reproduced on adrenochrome before going feral. Because we're just thinking of the host taking it, not what their children would be like because it is blood and it has DNA and then they reproduce on it and we're just the next generation. And you repeat that. So several cultures still take it having more children that are less dependent on it and then again less dependent on it. You repeat this over and over until you end up at a creature that doesn't need it at all.

Cristina: Yeah, we don't need it.

Jack: We don't need it.

Cristina: We do, though, in that to use the power that it gives.

Jack: Yes. So we can still benefit from it no matter what. Yeah, any living thing that uses it can still benefit from it.

Cristina: Yes. Yes.

Jack: Okay, now back to the bigger picture. Is God who needs to create another God? Is this part of his plan? Is God who gave it to both the cat people and gave it to the he to the like the apes to create humans? Is God just running a bunch of these experiments wherever he possibly can? And like, the closest, at least that we know of, are the cat people. They're way up there. Yeah, but we're like as far as compared to them. I guess we're just not as advanced. But we're the next best. At least compared to everything else on this planet. But maybe there's way more.

Cristina: Yeah. And wait, are the cockroach people.

Jack: Could have been. Could have been there. They were highly advanced. Nothing left.

Cristina: I mean, what else do we have?

Jack: Lizard people, the reptilians. But the reptilians aren't even from this universe. They were invaders.

Cristina: They were invaders, but from another planet or something.

Jack: The universe.

Cristina: Another universe. Oh, okay. Oh, yeah. They were traveling back and forth. That's how we ended up getting that.

Jack: Portal in the center of the universe, in the center of Earth.

Cristina: Oh, it gets so complicated.

Jack: Yeah. The lore of this is.

Cristina: Yes. Well, we know he wants to make another God to die. That's for sure.

Jack: I mean, that's. It does. Maybe not to die, but, like, get the h*** out.

Cristina: Yeah.

Jack: Whatever the case might be, we wouldn't understand what the next step for God is.

Cristina: I think it's the die.

Jack: You think it's. What is death at that point? Because you need to transcend death, that's all. Like, at least our understanding of it.

Cristina: Yeah.

Jack: You need to get beyond the point of dying, then.

Cristina: Yeah. If you're a God, you don't need to die, do you?

Jack: I don't know what that would mean.

Cristina: What would that mean? I don't know.

Jack: Like, at least our version of death wouldn't make sense.

Cristina: Because if he's the one that's giving us energy. I don't know.

Jack: Also, weird thought. If God exists throughout all of time, wouldn't he already exist, the point at which he made the God?

Cristina: Yeah. So that doesn't work either.

Jack: That doesn't work. There's something we're not getting about that.

Cristina: Yeah.

Jack: Unless God is bound by time as well, and he's just a demigod. And our understanding of demigod is what's f***** up. Because maybe there is a God who's everywhere, knows everything and whatever, but he is still stuck within time.

Cristina: But the guy that we're talking about isn't God, though. He's just a person who. Or a thing that had too much adrenochrome themselves.

Jack: Yes. Because they were made the same way. They're trying to figure out how to make us because they weren't given the blueprints for how they became God.

Cristina: Yeah.

Jack: They just got there through the processes that they're trying to replicate.

Cristina: Yeah.

Jack: Which then brings us to, like, vampire hunter dude, Dracula trying to replicate. And so, yes, he wants to. What is the series of steps that could lead to a perfect me?

Cristina: Why? But I don't know. I want to know why, actually. Yes, I definitely.

Jack: One of two things happen when you become godlike. One of two things. One, you completely detach and nothing matters.

Cristina: Yeah.

Jack: Superman, after he outlives everybody around him and he realizes infinite danger is always going to keep coming. I don't need to stop anything. It's going to keep happening. Dr. Manhattan just goes. Literally comes here to Mars, sits and meditates forever.

Cristina: Mm.

Jack: Or Dracula, Jehovah, trying to recreate themselves.

Cristina: Those are types of gods.

Jack: Two different types of gods.

Cristina: And then there's Deadpool, though, and he's just random.

Jack: Yeah. Deadpool's a weird one, because he exists in some sort of outer dimension thing where he can just, like, kind of not die. And like.

Cristina: Although I guess he's like a greater God than those gods in a way.

Jack: Because, I mean, I guess if the problem is he exists in a panel situation, that's really hard to even explain what's happening. Because if we assume that the page is the universe within each box.

Cristina: Yeah.

Jack: Every single panel is inside the universe, and the page itself is the outside of the universe. He's the only character we know who is aware that there is an outside of the panel, can jump from one to the other. So I don't know what exactly is happening there. He's just a real.

Cristina: Does he know that we exist?

Jack: Yes.

Cristina: Okay.

Jack: He knows that us, as the viewer exists, which is also weird. He knows we're reading or we're watching.

Cristina: Okay.

Jack: But that's why he doesn't even count. He's some sort of other s*** that's unexplainable.

Cristina: Well, that's way higher than the gods that we're talking about.

Jack: I mean, literally, Death is in love with the fact that she can't comprehend them.

Cristina: Yeah.

Jack: Which then makes Thanos a jellyfuck.

Cristina: Yeah.

Jack: He says, oh, my God, but I want your attention, Death.

Cristina: But what is God? Well, he's not Deadpool, for sure, but.

Jack: He'S not the Speed Force or the Force, because he himself is trying to use it. And his way of connecting to it is adrenochrome.

Cristina: Yes.

Jack: He himself requires adrenochrome, which means that he is not the Force. There is the other thing that is a force. And again, if we use supernatural, then we have Death, Darkness and God coming to be simultaneously or around the same time. It's not really clear who came first. We know God and Darkness happen simultaneously. We're not sure if death came first or second.

Cristina: Yes, but in our universe, our God is God. Darkness and death in one being.

Jack: That's not entirely clear, because if we follow the Bible, we literally have death, God and life God, Old Testament, New Testament.

Cristina: But they might have been the same thing.

Jack: Why would that make sense? Why would we have a guy who's all ruthlessly.

Cristina: Well, those books are wrong. So it doesn't even matter what those books say, do they?

Jack: What version of God are we using them?

Cristina: The one that we're coming up with, I guess, from what we see.

Jack: What do we see?

Cristina: He has to be all of them.

Jack: Then he wouldn't interact with anything. There'd be zero reason to interact with anything.

Cristina: Because he'd be everything but nothing.

Jack: He can't be nothing because nothing would be the force.

Cristina: Yeah, that's what I mean.

Jack: Well, then he wouldn't need adrenochrome if he was all of everything except for the nothing. Yeah. There has to be things he's not in order to try to get to that thing.

Cristina: Okay. Okay. So he has to just be.

Jack: He's some other thing that is independent from the force.

Cristina: Okay.

Jack: Which we. So at this point, we're saying that there are five natural forces. The weak force, the strong force, electromagnetism and gravity. And the force. The force, weak force, strong force, the force, electromagnetism, gravity. Where does God fit in that he uses.

Cristina: He uses them.

Jack: None of them, actually.

Cristina: No.

Jack: Well, okay.

Cristina: What is he.

Jack: We got to go into the most abstract version of. I guess a different episode. I don't even know if we had this conversation on an episode or if you and I were just having conversations separately. In which consciousness observes the nothing and then generates the universe. It sees the universe in nothing when it observes it.

Cristina: Yeah.

Jack: So consciousness exists and nothingness, whatever word would describe whatever's happening there, the combination of them equals the five forces. So God isn't any of the five forces. God is a product of some of the forces and then tries to use some of the forces. God has to just be a being.

Cristina: Okay, He's. But he's just a being that has too much adrenochrome.

Jack: Yes. And that level of adrenal chrome allows him to use the force and manipulate. I guess it's. Manipulate all of the forces.

Cristina: Yeah.

Jack: As God, you can create a planet, so you can create mass, which then generates immense gravity, which then has electromagnetic properties that uses the weak and strong forces. And you did that all by using the force. So all five forces. Yeah, all five forces are just products of consciousness observing nothing.

Cristina: Yeah.

Jack: It is so complicated.

Cristina: Well, hopefully these cats gets us closer to this problem. Or not problem, this mystery.

Jack: Yeah. Because if it turns out that it is, in fact magic. What the f***?

Cristina: Yes.

Jack: Like what? How do we consolidate that?

Cristina: It's impossible.

Jack: It's impossible.

Cristina: It can't be. It just can't.

Jack: It's too complicated.

Cristina: It's too complicated. The force is science.

Jack: The force has to be just. Yeah, it has to be just a product of the Big Bang, like everything else.

Cristina: Yeah, has to be.

Jack: The Big Bang led to all. And the Big Bang is no more than just consciousness observing nothing. Right. It has to be. And that would answer everything. All of media, all of nature. All of everything is just a product of these five different forces that control everything.

Cristina: Yeah, I think so. That sounds right.

Jack: How are we able to move? It has to be that everything is inherently connected to the force and we just use things to control it more and more. But like the fact that I can talk to you right now. Something is powering me. There's something powering me no matter what.

Cristina: Yes. And it's gotta be the same thing.

Jack: The same thing. If I could tune into that more, that can use it more and maybe do weird things that seem unnatural because I'm using more of whatever is powering me.

Cristina: Mm So I had. I don't know, so many questions. I don't know. That's. It's complicated.

Jack: It is very complicated. But there is definitely a crossing, like crossing lines there. We know that at least all of anybody using powers is using the same energy potentially one way or another, different ways to use the same thing, whether it be higher. Because again, we are being kept alive. Right. Something is moving us and then gene mutation allows you to have stronger access to it. And then you got weird abilities. That makes perfect sense if it's already.

Cristina: Forcing through your body into all this though.

Jack: Zombies aren't really dead.

Cristina: Okay. They're still us.

Jack: Yeah. They just got way low brain function.

Cristina: But they are also after adrenocurl. Like what are they doing?

Jack: That's the only thing keeping them alive actually.

Cristina: Oh, okay. Because when they. I. I don't know how to hunts for people. That's not right either.

Jack: But I guess it kind of is. Hunting.

Cristina: It's hunting for people, right?

Jack: Yeah.

Cristina: What are they, what are they after?

Jack: They don't know what they're after. They just instinctively drawn to the thing that's going to keep them alive.

Cristina: Yes. And then. So they go hunt for a living person.

Jack: Yeah.

Cristina: And then once that person's dead, they move on. But.

Jack: Yes.

Cristina: What are they getting from that person?

Jack: The blood probably.

Cristina: Yes. That's. Isn't that straight? Well, maybe. Right, like.

Jack: Yeah.

Cristina: What else could it be?

Jack: Well, we already also know that factually the difference between both a zombie and a vampire is how the energy is to distributed. And the one thing they have in common is blood. A vampire burns through it quickly and a zombie uses it slowly.

Cristina: What if they're actually after adrenochrome or the fear part of Adrenochrome? Since they don't need much energy, maybe that's enough to scare the person. But they still need to kill the person.

Jack: They need to kill the person. They gotta Eat. They're really eating for the blood.

Cristina: But they're not really eating. Because they're not eating. They can't eat. They're dead. There's nothing happening in their stomach.

Jack: They're not dead.

Cristina: But they're not. They're not you. That's not functioning.

Jack: Who says their body is functioning?

Cristina: Their body's functioning.

Jack: That's how they are moving.

Cristina: But their stomach is not functioning.

Jack: It might be functioning at a way slower pace.

Cristina: I feel like they're just murdering and that's it.

Jack: The fact that a zombie can starve in every version of Zombie except the ones from the Walking Dead. Oh, I guess in 28 days later. They starve in 28 days.

Cristina: Oh, okay. Okay. I was thinking, I guess, just of the Walking Dead. Okay.

Jack: So they can pose. There's something weird about their thing in Walking Dead that's unexplained.

Cristina: Okay. So normally they need something in their tummy.

Jack: Yes. The argument would be that whatever's happening in the Walking Dead is unrelated. But if we use like, 28 days later, it takes 28 days for them to starve.

Cristina: Oh, okay. Okay.

Jack: And the only difference between a zombie and a vampire is that a vampire uses the energy rapidly because it's throwing it into crazy high stats of you run faster, you think faster, you're way stronger. While a zombie is like, none of that s***. Just. Just stamina. The end.

Cristina: That's it? Yeah.

Jack: Just stamina. Nothing else. I don't move fast, I don't think at all. It's just survival and stamina.

Cristina: Okay.

Jack: And so a zombie can burn through it much slower while a vampire runs its energy supply quicken the needs more before they become feral.

Cristina: Yes. Okay.

Jack: Arguably, a zombie is always in its feral state.

Cristina: What about the feral zombies?

Jack: It's awesome.

Cristina: Oh, okay. She's in. What is it? Fallout. There's two different zombies.

Jack: Well, those zombies have nothing to do with blood or eating people. That's all radiation.

Cristina: Oh, yeah. Those are alive people. Okay. Yeah.

Jack: Feral zombies are people who've just gone crazy.

Cristina: Yeah. And the regular ones are just people.

Jack: Yeah. They didn't go crazy. They can handle being turned into whatever this s*** is.

Cristina: Yeah. Okay.

Jack: Okay. So we're very aware that this is. This just got complicated. At least now I'm more motivated to ask these f****** questions, man. These cat people, dude. Like, what if the answer is that it's magic? Like, what if we get there and we find out there was no technological advancement? They really just learned how to. Then what is happening? They must have the X gene.

Cristina: Or some equivalent could be it. We gotta look into their genesis. Yeah, we do.

Jack: Yeah, we have to. Because the argument would be is what's happening with Gryffindor? Gryffindor magic. Are they really casting a magic spell when they chant, do a thing. Are we gonna have to go question some of these people?

Cristina: No, I think they're using the force like the witchers and the witches from the witcher.

Jack: They're connecting to nature somehow.

Cristina: Yeah, I'm pretty sure they're connecting to nature.

Jack: And so even if it looks like no scientific advancement went through the cat people, it just might be connecting to the force somehow. So if we get back. Oh, it's magic. Well no, not really because magic is just a way of connecting to the force. The question is how is their method connecting to the force? That's really what we got to try to answer.

Cristina: Yes. I think that's the real thing that we need to figure out. Yes.

Jack: Yeah. Because no matter what, it's probably connecting to the force.

Cristina: Mm. We gotta look into their DNA as well.

Jack: Yeah. So luckily we have a couple here that they could. We could just run some experiments on. And when we got some answers off of the ones that we're not running experiments off of, we can then get to those coordinates and go find out what's happening over there.

Cristina: Yeah. See how it turned out. They're like X men.

Jack: Yeah. Well that's why I got the sub humans. Send them in. Go murder. And we got zombies.

Cristina: And we got zombies. Yeah, we have.

Jack: We have manpower. We got what we need.

Cristina: All we need are zombies. Really.

Jack: I feel like so many of them. If when we look at the great void we're seeing them. That civilization is huge. We don't have the manpower. One zombies enough if we can get it to bite somebody and then them try to save that person and it spread.

Cristina: A cat person. We had a zombie. We one of our cat people will.

Jack: Just turn them into.

Cristina: Yeah.

Jack: And then fling them over there and be like we can save them.

Cristina: And then. Exactly. If they don't know what that is, then we're lucky.

Jack: Interesting, because it probably left before any zombie related thing happened. Then we captured there now because they were coming in and out through portals at the bottom of the ocean. Lake Loch.

Cristina: Oh yeah.

Jack: So I don't know. It depends. We'll find out. That's why this interrogation matters.

Cristina: Yes.

Jack: That's why we're here, to answer these questions. That's really the point. Anyways, we're running out of time here. So if you guys want to Find out how the h*** we landed on any of these subjects. Because the lore of this show is so complicated. I'm not even, like, sure I get it myself.

Cristina: We try summarizing it in an episode.

Jack: Yeah. That wasn't even that long ago. There's an episode recently of us trying to summarize the lore of this show. But you can find out about the first time we talked about cat people, about the time we caught cat people. We want an adventure to hunt down these cat people.

Cristina: Yes.

Jack: Same thing with the Reptilians. There was a whole problem there.

Cristina: Same thing with adrenochrome.

Jack: Adrenochrome.

Cristina: Creatures that were being created with it.

Jack: Yes. And we're sadly running. We're kind of bad people, but whatever. You know, we do things.

Cristina: Yeah.

Jack: Science.

Cristina: And somehow that related to God. Somehow. I don't know.

Jack: God needs adrenochrome, too.

Cristina: Yeah.

Jack: But, yeah, whatever. You could find all the episodes connected to all of this. You can find all those things on the official website greatthoughts.info or on Apple Podcasts, Spotify, or anywhere you get your podcast.

Cristina: You can also find us on Facebook, Instagram, TikTok, and Twitter usConvopod.

Jack: Yes. And remember to rate, review, and most importantly, subscribe to the show. If you are subscribed, you can get us anywhere. And then you can try. You can try to follow whatever crazy nonsense we're doing right now. And also you can find me on the stereo app having conversations with complete strangers. Sometimes like this, sometimes like when we have guests. Sometimes I come across trolls and we just troll.

Cristina: Sometimes it's live. Sometimes you gotta look at past stuff.

Jack: Yeah, Sometimes I'm there live. Sometimes you just check out past stuff. It's all there.

Cristina: And also tell somebody about the show.

Jack: Yes. Word of mouth, highly important. You can share the show by talking to people and telling them that we're trying to solve the world's most baffling problems. We're trying to find out what God is after. If cat people are using magic, if the Gryffindors are using magic, what the force really is. Is it the fifth. The fifth force? The fifth natural force of the universe? Yeah. So depressing questions.

Cristina: Yes. And this has been the Just Conversation podcast. Take nothing personal and thanks for listening. Bye. Just because people quit. Just because people are asking it doesn't mean the answer is yes.

Jack: Feces are mostly made of water, about 75%. The rest is made of dead bacteria that helped us digest our food. Living bacteria, protein. Undigested food residue known as Fiber, waste, material from food, cellular lining, fat salts and substances released from the intestines such as mucus and the liver.

Cristina: It doesn't sound alive.

Jack: It is consisting of cellular lining and living bacteria.

Cristina: I don't know.

Jack: Poop alive.

Cristina: No, it has living things in it. But it's not alive.

Jack: No, the poop is made of.

Cristina: It's mostly made of water.

Jack: Yes, but we're mostly made of air. So what's Your point? We're 99% air and it still looks like there's a person here. Yeah, they are less air. They're less poo is less nothing than we are. F*** with it.

Cristina: Pooh is dead bacteria and living bacteria, and that's probably.

Jack: I don't know who's alive. And ironically, poo is more alive than we are because we are 99% air and poo is 75% water.

Cristina: But do we consider water as a living thing?

Jack: No, I'm saying that there is more percentage of living stuff because water is only 75% instead of 99%. It's not 99% water. That means that 25% is the other.

Cristina: Stuff, which includes living things. But we don't know what the percentage of living thing is. It could be like 1%.

Jack: Then they're as alive as we are.

Cristina: Why?

Jack: Because we are 1% living thing. We're 1%? Yes. Actually, we're 1% anything. Our bones aren't alive and that's a huge part of who we are. That isn't air. So what percentage of us is like you? Think about it. Right now, we're breaking down the construct of what life is and we.

Cristina: And you're including poop in this.

Jack: Poo is alive.

Cristina: It's not.

Jack: Poo is the next thing we add to the list. The sun, fire, Poo.

Cristina: Doesn't he need multiple things to be considered alive?

Jack: Unless it's made of cells, in which case it goes straight to the top, regardless of how many other things it chucks off the list.

Cristina: But it's not really made out of cells. It's like cell bat. Like leftover. Leftover cells of what it was.

Jack: Yes, but it still cells. No, it's still living cells. That's. That's the problem.

Cristina: It says cellular lining. That doesn't mean. Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 130: Human Aliens

What if all the UFOs we’ve seen through the years weren’t being flown by alien lifeforms, but by ancient human astronauts that left Earth long ago? What if every ancient collapsed civilization was technologically advanced in ways we don’t understand? And what if each one managed to get a select group of people off the surface of Earth? The duo unpacks the theory of ancient human astronauts.

Rambling 130: Human Aliens

+Episode Details

Topics Discussed:

  • Forgetfulness
  • Pyramids of Giza
  • Mayans
  • Ancient Humans
  • Generational Ships
  • Humans From Mars
  • Are 51
  • Stonehenge
  • The Great Void

Art by IG @Zero_Lupo

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Just Conversation Podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe subscribe button to get notified the second new episodes are released.

Cristina: And also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yes, it is very important that you find somebody to listen to this show with you. Can you imagine?

Cristina: There's no way you could keep doing that.

Jack: That would be great, though. Everything I say just happens. I. This. It sounds familiar, though.

Cristina: What the.

Jack: What kind of a. There's a show or something that did that. Everything he says sounds like this. Almost like you're somewhere between heavily restrained and extreme.

Cristina: Is it, like, from a cartoon or something?

Jack: Man, I don't know. I feel like it's a children's show. Maybe some crap like the reading Rainbow, but LeVar Burton never spoke like that, so it has to be some equivalent. It's not Mr. Rogers. He just spoke like a white guy.

Cristina: Are you positive it wasn't him?

Jack: No, it sounds more like this sounds more like a pedo who's just totally trying not to rape all the children that he's around them by.

Cristina: Doesn't sound familiar. Is it a hippie?

Jack: Is it a hippie? I don't know. It. It doesn't sound familiar to you? It totally sounds familiar to me. Like it's based on something. What children's show?

Cristina: Was it a movie?

Jack: No, I'm pretty sure it was a show.

Cristina: Oh, okay.

Jack: I'm like, pretty sure it was a show, but I don't know what show was. Yeah, but, yeah, tell people about the show.

Cristina: Tell everybody.

Jack: Let them know they should be listening to the show. It's very important.

Cristina: It sounds familiar. I just don't.

Jack: Yeah, I don't know what the f*** it is either.

Cristina: I don't know what that is.

Jack: It's weird. Well, here's the thing. People have an ability to remember without remembering.

Cristina: I don't know what does have to do with anything.

Jack: A good example is when you are about to try to talk and somebody's like, hey, what's the name of that thing? Yeah, and you're like, oh, f***, I know the name. I know the name. It's like it doesn't come out. You remember, like, you know what you're Trying to think of. But for whatever reason, you can't think of it.

Cristina: Mm. I forgot what that was called. We were talking about that in deja vu. For some reason, that was one of the things. Random.

Jack: Yeah, you're totally right. I remember that.

Cristina: Yeah.

Jack: Interesting, man. I wonder, like, what the real engraved, like, psychology behind that is. Like, we know it's a phenomenon. My question is, like, what's causing that to happen in the first place?

Cristina: Death. I don't know. That's. That is a weird. That's a weird thing we do.

Jack: Yeah, it happens a lot, too. It's like, whatever you're trying to remember.

Cristina: The most, it's there. But some, like, you can't find it. I don't know. Your brain is a library, and you.

Jack: Can'T find the book.

Cristina: You can't find. Exactly.

Jack: Exactly. Like, it's there. And in fact, you know where the book is that you're looking or where should be. You know where the book should be, but it's misplaced.

Cristina: Mm.

Jack: Same thing happens. There's weird instances like that when you have your key or whatever, and you're, like, looking for your key while holding your keys. Like, wait a minute.

Cristina: Yeah.

Jack: Or talking on your phone, telling somebody, I don't know where the f*** my phone is.

Cristina: What is that?

Jack: It's a weird lapse of, like, thought happening right there. It's a really weird thing that happens, but it goes to show the total stupidity of humanity.

Cristina: How is this.

Jack: Because it's like we're forgetting things we're actively remembering.

Cristina: Yeah.

Jack: That's where we are. We're literally forgetting the thing we remember. We can't just remember it. We're so dumb. We're forgetting the thing we remember, man. It makes you wonder how we get.

Cristina: Anywhere because of that.

Jack: Yeah. Like, okay, how do we. How do we. How do we do anything, really? Right.

Cristina: Our memory isn't that crap. It's just really randomly that it's that crap.

Jack: Dude. We are part of the most. Or I guess the only. But relative to the rest of the world, we're one of the most technologically advanced locations in the face of the planet. Right. Obviously. Let's not count Singapore. Let's ignore Hong Kong, and let's ignore Japan for a moment. And South Korea. Basically. The Asians got it down. Specific Asians, but the Asians. Technology and advancement and just being advanced societies. Right?

Cristina: Mm.

Jack: We have such a technologically advanced giant masterpiece of civilization going on, and we did that despite being f****** stupid. That's kind of impressive because, again, we'll forget our keys while holding them.

Cristina: Yet somehow cities, the magic of writing it down. We got it all down somewhere. Meh, meh.

Jack: Like, how do we remember to write it down? How does anything work?

Cristina: How does anything work?

Jack: How does anything work?

Cristina: My memory's not that. Correct.

Jack: Look, we can't even figure out not killing each other.

Cristina: Most of us can. And some. I don't know that's true.

Jack: The same people who have the power to kill one another and do are the ones in charge of making the buildings. How do we get from point A to point B? Like, you're over here. Okay, yeah, some of us do. Yeah. None of those people have power. Everybody with self control, zero power.

Cristina: Yes.

Jack: So who gives a s***? Who gives a f*** how much control they have?

Cristina: Well, not everyone with power wants to murder everyone.

Jack: No. But everyone with power is kind of psychotic, kind of one way or another. So how the f*** do we get from point A to point B? We're the peak. Right now is the most advanced moment in all of history where all the technology is at its most advanced. All. Or whatever.

Cristina: Mm.

Jack: Like it has to be the f******. Like, man. We don't have the capacity. Right.

Cristina: No.

Jack: Like, let's. Let's think about this. If the pyramids were built by us, we had that level of intellect back then.

Cristina: Yeah.

Jack: And we're better than we were then.

Cristina: Yes. Now that's what we assuming. Yes. Yeah.

Jack: That's why we just come to the conclusion that it was f****** aliens. Right.

Cristina: Because we can't figure that out.

Jack: Because we can't figure that out.

Cristina: We figured out before. We could totally figure it out.

Jack: The question is, here's a. Here's the real question. Here's your question. All jokes aside. Did we. Was it aliens?

Cristina: Was it aliens?

Jack: Was it aliens?

Cristina: Why would they want to do that?

Jack: I don't know.

Cristina: That's a waste of time for them.

Jack: What do you mean?

Cristina: Like, they came here and did what exactly?

Jack: I don't know why they came here, but one of the reasons. One of the things they left behind were something like the pyramids. Like, I'm 100% sure if aliens made the pyramids, it wasn't like, go down to Earth, make the pyramids. Aight. We out. Like, I'm definitely sure that's not how it went.

Cristina: So what would.

Jack: It's beyond our understanding, I guess.

Cristina: Yeah.

Jack: But like, that's just one of the things that happened.

Cristina: Mm. You know, aliens came.

Jack: But. But the argument would be, what if there were aliens at all? What if we really did do it? Then how do we. How do we argue that point? Because we. Let's say. So, no aliens, right? We've never seen proof of aliens or anything. In fact, we find proof that people made these things more. We don't know how the f*** they did it. And that's why we're like, aliens did it. But it's like, okay, we have no evidence of aliens. Zero. In fact, we can prove people built it. We just don't know how they did it.

Cristina: Mm.

Jack: So, okay, then we go further into the argument, right? And it's like, okay, well, aliens gave them the instructions, and where the f*** are the instructions? That means it's f****** possible. It's possible to be built by f****** humans. And if machines were used, where the f*** are those?

Cristina: I don't think so. I mean, wouldn't they have drawn the machines or something because they were drawing in there? Or that wasn't the people who made it?

Jack: Well, I don't know. Let's think about this real quick. We've seen. There have been episodes where we have looked into these. Like the Great Pyramid of Giza looked inside and see.

Cristina: Yes, there has been some weird.

Jack: There are drawings, and there's literally, like, power coils inside and s***. And it's like, okay, this is ancient. How do you have electrical mechanisms?

Cristina: All right, that could be something else. We're misunderstanding.

Jack: In fact, that's how we concluded that the Mayans did have electricity and thus went to the center of the Earth and connected to the matrix.

Cristina: Yes, that is true. So, but did they have the aliens help, or were they just that smart?

Jack: This. Look, here's my argument. Here's my argument about this, right? If we're perfectly reasonable and really, really think about this, I'm thinking that there are two groups of people. And when we talk about ancient advanced civilizations, we literally mean people that were there, that did not become us, that went extinct or left the planet, or like the Mayans connected to the f****** matrix at the center of the Earth or underground or whatever the f***.

Cristina: Or they flew away.

Jack: Or they flew away. Okay, but the argument would be that there was extremely advanced technology in civilizations that existed here ahead of time. That would be the real argument. And then that would explain things like Stonehenge and things like Machu Picchu and the Great Pyramid of. The great Pyramids of Giza and all that crap. This one called Puma, Puma Kamaku or some s*** like that.

Cristina: Oh, what?

Jack: All these weird ancient sites are just odd marvels of engineering that doesn't even make f****** sense.

Cristina: What does the Puma thing look like?

Jack: It's some sort of temple built in parts.

Cristina: Whaaat?

Jack: Basically, Puma Punku is one of the weirdest structures that exists on the planet because it has the layout of what would be different pieces of a temple.

Cristina: But they're not together.

Jack: They're not together as if you could in theory project a temple onto the layout. But the concept of a projector should only make sense if you have electricity and if you already know that you can turn that electricity into projected light. So like way further than we are now in technology.

Cristina: Are you sure? It looks like they just. It just looks like they just started building it and then like it doesn't look like anything really. It doesn't look like a complete.

Jack: No, no. The layouts that they have. So there, there's some blueprints where scientists and archaeologists, a bunch of people together, sort of crafted what this would look like all put together. And it looks like it's a complete structure. There was. There's some sort of temple that's built downward, but in an open area. Like they cut out a hole or some s*** in the ground into the ground. And the temple is also not complete, or it is complete, but it looks incomplete.

Cristina: Like that place.

Jack: No, not necessarily. It's in a area where there weren't any houses or anything. And they were thinking this was the house originally, but then they really looked at it and they called it the First Temple because there didn't seem to be any way to like live in this structure. Just like the walls were carved in a certain way and it was downward and you walk into like this worshipping area, I guess.

Cristina: Yeah.

Jack: And it had a very similar structure to what's going on here, except this was built outside, not downward, but just upward in structure.

Cristina: Yeah.

Jack: And it just brings up the question of, are the concepts that are taking place here the same between whatever the f*** the first temple was and Pama Punku? Because they have a very similar sort of aesthetic going.

Cristina: Were they in different parts of the world too? Like a lot of these things?

Jack: I have no idea. I just know the argument there was that they had this sort of similar structure. Difference is that one was completed, minus the like fact that it didn't have a ceiling or any protection from elements. While this place, very similar in structure, is missing the walls, is missing the ceiling, some of it has corroded away as well. Like there are parts that were there that with time worn off, but there are parts that were never there.

Cristina: It just looks like blocks to me. It just looks like it's a Lego toy or something. Like they could just move it around and make different places, like how big to move around.

Jack: And it was. It's buried into the ground. Yeah, yeah, it's very weird. This is a unique. So the idea here is, okay, so these complicated structures, we have them, they're this proof that weird things were made and we don't have the understanding of the purpose of these things. They just kind of exist. And the question is, then did we. Did we do and we have the intellect to do that and.

Cristina: Yeah.

Jack: Are. Are those people the same people as we are? If they were real? Right.

Cristina: Okay, so where.

Jack: They're like Mayans left over the equal us, or are we like, not related?

Cristina: Like, okay, so like the humans, they're humans, but they're not us, they're other humans.

Jack: I don't know, I'm not entirely sure. Like, okay, so we got Neanderthal, and Neanderthal turns into humans or whatever. Okay, right, so were the Mayans Neanderthal? Did they come from the same thing? Did we go somewhere else and just evolve slower and the Mayans just evolved quicker and got the f*** off and we're over here still primitive? Yes, that's another way that could have played out.

Cristina: Okay, yes.

Jack: And if we stick to the idea that we're the only people that came from, like the. Humanity is the only source of life, Earth, then any phenomenon we experience came from here one way or another.

Cristina: I mean, maybe there's more than one human. Is that what we're talking about?

Jack: I guess the argument would be that there are different groups of humans if even if we all came from the same ancestor, when we spread out and settled wherever the f*** we settled, and then civilizations came to happen like Egypt or the Mayans or whatever. F*** all these different groups of people, they. We evolved at so drastic, such drastically different paces that some just had a lot of intellectual movement forward. The leaders were very open minded and promoting of advancements and things. And science happened quicker than we even have record of now.

Cristina: So long from what we have now.

Jack: Yes, so long ago that now any of the crap left is ancient garbage to us and we just don't understand it. But they weren't aliens. They were just humans. They were ancient humans, advanced civilizations. They weren't like Atlantis, Fish people? No, just humans. Yes, just humans. But we all came from the same place.

Cristina: Yes.

Jack: And then we spread out till there was enough tribes kind of wandering here and wandering there. Tribes are conflicting. There's too f****** many people. Tribes are Conflicting break off into pieces. Well, we think leadership should be like this. We go over here and. Well, we think leadership should be like that. We'll go over there.

Cristina: So it's not possible that we just murdered all these people.

Jack: Why would we have the capacity to. How would we murder somebody so much more technologically advanced? If we went with our guns right now to one of these untouched Brazilian tribes, how easy would it be for us to just extinct them? Effortless. A gun. One gun. One person with one gun?

Cristina: Yes.

Jack: Whole f****** civilization.

Cristina: I don't know what kind of weapons they had. These people?

Jack: These. No, we're assuming these people are advanced technologically. They definitely have ways of defending themselves from invaders. That's how they got so far.

Cristina: Mmm. Maybe. I guess.

Jack: Otherwise, any stride they made, they'd immediately become a target for anybody who wants that that couldn't figure it out themselves.

Cristina: Yeah, but they're not all, like, missing. They don't all have the same story. Like, the Mayans or something, Right?

Jack: Well.

Cristina: Or do they?

Jack: No, no, they don't necessarily all have. Like, the Mayans are a particularly weird case where just people f****** vanished.

Cristina: Mm.

Jack: That's a weird one. Like, they're particularly odd. My argument would be that as we built things and people came to power, we would kick people out of areas, or particularly intelligence subgroups that led certain movements would then move out of their own region to go somewhere else outside of the reign of some kind of tyrannical moron.

Cristina: So they did have to, huh? What's the difference? They were probably murdered by.

Jack: I don't think they were murdered.

Cristina: I don't know why. Murdered is the solution of where they were.

Jack: Yes. In order for us to continue to advance and get to the points that we made structures that we don't even understand. They could not be dead no matter what. Death could not have been the solution.

Cristina: But they had to abandon everything they had and not take any of that with them. Like, the knowledge that they had.

Jack: Why would they abandon the knowledge?

Cristina: Like, where did it go?

Jack: Not anywhere we're looking.

Cristina: So you think it's out there somewhere?

Jack: Yeah. If we were to suddenly die and disappear, would the knowledge disappear with. Like, we'd take it with us. Even if we left every single book we have, if we left with all the people, the knowledge is within the people. We still have it. Like, we don't need the books. The people who know the things are still there. So, like, leaving all these things behind doesn't mean anything. On the flip side, we do still have proof of all these Things when we look at like the hieroglyphs showing us planes. And this shouldn't actually. Okay. Weird that we had these predictions ahead of time.

Cristina: Mm.

Jack: Like particularly complicated. You showed some before. Like f****** helicopters and hieroglyphs and spaceships and modern day planes.

Cristina: Those are ghost ships.

Jack: It's really weird. It could totally be ghost ships. But then there are so many complicated things. Like hieroglyphs of electrical components.

Cristina: What is that?

Jack: Current day electrical components.

Cristina: How can you tell?

Jack: Because they are identical to current day electrical components everywhere from like magnets use to induction coils. Copper wiring.

Cristina: They look the same. But they're not used the same way. Are they?

Jack: They would work exactly the same way. Especially in the fashion that these hieroglyphs depict. They are identical to how we would use them. Side by side with the image of these same things. We would perfectly be able to use that technology. Like if we had what they had in hieroglyphs.

Cristina: Yeah.

Jack: We could just plug it into one of our systems. Take a little adapting. But the system would function with the thing. Like it's not like they also had the exact same port.

Cristina: That'd be crazy. What if they. Those are computers? The. The pyramids are computers or something.

Jack: It's. Look. It's totally possible there was something like that. I never considered that. Because our first computers were ginormous.

Cristina: Yes.

Jack: They were building sized. And that's like us with electricity everywhere all the time.

Cristina: Yeah.

Jack: To still not have figured it out. So it's totally possible that these. Because we know the pyramids were rigged with electrical components. For what purpose? We don't know.

Cristina: For lighting maybe. That kind of makes sense.

Jack: That could totally make sense. Could have been for lighting. But I guess then not for computers if that's the case.

Cristina: But it'd be way cooler if it's for computers.

Jack: Yeah. I don't know why you defeat your own argument.

Cristina: No. I'm just saying that that's maybe a little more realistic. I don't know.

Jack: Yeah. It would. It makes sense if it was for a computer. Because of the size of a pyramid.

Cristina: Yes.

Jack: But then we're arguing that in seeing this we're looking at an iceberg scenario.

Jack: Where we're seeing only the top half of something. Because where is it plugged into? It has to be underground. Right. So if that's just a part of the computer. How big is where the computer is connected to it must be ginormous.

Cristina: Yes.

Jack: There must be the possibility that there's an entire underground civilization just to operate this computer.

Cristina: So it might Be like what we thought about the mines, that they might be plugged in under the pyramids.

Jack: Totally. Could be. What did we establish whether or not the Mayans had electrical components?

Cristina: I don't think so.

Jack: We know the Egyptians did.

Cristina: Yes. Oh, man. You don't know though.

Jack: I don't know. But we know they were ridiculously advanced. That's why they're probably plugged in down there. But then the question here becomes, are all ancient advanced civilizations plugging in? Is that the logical conclusion? Because look, this is what we got to think about. We had recently a conversation, I think it was, when we were talking about the comparison of AI to human capacity. Right. Is it. It's. It's impractical to travel the universe as a human meat bag.

Cristina: Yeah.

Jack: The necessities are ridiculous. It's impossible. And you need generational ships because the s***** lifespan of a human. It makes more sense to be a robot.

Cristina: Yes.

Jack: Or to simulate the universe and travel it that way.

Cristina: Yes.

Jack: That then makes way more sense than being a f****** meatbag. Yes. And time works differently at those scopes too. You could blink across infinitely large distances.

Cristina: And you think that's what they're doing.

Jack: It would make more sense to do that than explore the universe. And you could divide into two groups of people in this underground civilization, right?

Cristina: Yeah.

Jack: There are the people who are plugged in, already exploring, maybe in these explorations, coming across interesting technological advancements that they could then bring out of the system that they're making them in. And then the people who don't connect who are outside consistently making more strides away from the reign of whoever is a leader on top, doing dumb s*** regularly and causing wars and bullshit. Right?

Cristina: Yes.

Jack: So that then underground, safe from stupidity and just science underground, you have, between these two groups of people making giant strides technologically, the capacity to maybe move your mind either into some robotic, like body thing or augment throughout that entire process gradually. Since you already have people connected, you could continue to work on their body, little by little, turning it more and more and more mechanical, until you find the last component after their whole body's there and you put their mind into that little last piece, and then over time, you made them fully mechanical. And then those people could be the ones who leave the planet.

Cristina: For real?

Jack: For real. To then explore the reality that is.

Cristina: And you think every human just ends up there because what if we're going there? What if that's happening right now?

Jack: I think we'll eventually come to the conclusion that we cannot explore the universe realistically and that It's a waste of time and energy to try to colonize everything. And my theory is that maybe we figured this out before did the whole space exploration thing. That's why we find weird things on the moon. That's why we find weird things on Mars. But we were on Mars when it was green. And maybe what we're doing to Earth we did to Mars. And now it's crazy dry.

Jack: The way.

Cristina: So we ruined Mars and then we came here and then we ruined Earth. Oh no, well no, no, okay.

Jack: No, we did not come from Mars. We went to Mars.

Cristina: We just went to Mars.

Jack: Yes.

Cristina: Okay.

Jack: On the flip side, how interesting that you would say that because I didn't think about that at all. I just figured we went to Mars and did the same thing that we did here because Mars was. But I guess it would make sense that Earth wasn't in habitable inhabitable while Mars was. So we were originally living on Mars and this is the second planet.

Cristina: Yeah, why not?

Jack: And now we're doing the same s***.

Cristina: Because isn't that how they think Earth and the moon were involved with Mars? Was it Mars?

Jack: No, it was just Earth and the moon.

Cristina: Oh, it was two different planets.

Jack: Crash and created.

Cristina: Oh, okay. Oh, okay, okay, that's tricking. So okay, well yeah. What if we were in Mars first? Who knows?

Jack: Yeah. We could have dried that planet out, then come to Earth. And in being on Earth, slowly over the millennia centuries turned into the shithole that it is now.

Cristina: That it'll eventually become Mars again.

Jack: That it will eventually become another Mars. And we're just kind of, I guess we're moving closer to the sun, but we can't move any closer. So I guess the next one would be Europa where we do the whole f****** leap again. We're already looking in that direction.

Cristina: Mm.

Jack: So what, what's the stretch to say we go over there now the question is. Right, right, right. So we have this whole scenario.

Cristina: Yes.

Jack: We have advanced civilizations forming in pockets all over the world. It seems that the consistency as they go underground, they start making advanced technologies. Well they first make civilization. Civilizations need leaders. You take the brainiest people, they go into hiding as they sort of run the world from secrecy. We have a lot of that going on right now.

Cristina: Yeah.

Jack: All we know we already have crazy advance. We think there's hidden technologies and everything. Maybe we do have those scenarios already.

Cristina: Ex.

Jack: What if we do and they're underground doing the things they have to do, slowly converting people so that we can then truly explore.

Cristina: Yeah.

Jack: And we got Examples of that on Earth. We could have come from a different planet as well. Panspermia is one of the main things we believe is the reason that there is life here at all. And Mars was once an Earth like place. We come to Earth, we're slowly drying it out. Now we're looking at Europa in our lifetimes, in our, you know, giant gap of whatever the f*** time that there is. We're looking at the next place that we're going to go. We have technologies being formed. Everything is happening as would make sense in the scenario that we're discussing.

Cristina: Mm.

Jack: So then this is played out multiple times.

Cristina: Yes.

Jack: We're living a cycle, even if at a grander scale.

Cristina: Interesting. Yeah.

Jack: And we keep bouncing around the same system. Maybe Mars wasn't the first one.

Cristina: What if.

Jack: Yeah, it could just been one of the many. We don't know where it began, but it doesn't have to have been Mars. It's just the easiest one to trace because of the giant time span between two points.

Cristina: Yeah. Wonder if it's possible.

Jack: I get like, we barely have ability to tell the things that are on Earth from how old Earth is and how long ago those civilizations were.

Cristina: Yes. But do you think we'll ever have the technology to explore those things that we can't explore now?

Jack: Like what?

Cristina: Like what's under the Earth or whatever. All of it, all the mysteries we have. Do you think we'll ever figure it out? Do you think we'll ever figure out the. The pyramids and whatever?

Jack: I don't know.

Cristina: That's lost.

Jack: Like, I don't think it's lost. I think somebody has it. I don't think we do.

Cristina: Okay.

Jack: I think we are continuously leaving the planet.

Cristina: Mm.

Jack: Small groups figure it out and they take off.

Cristina: Yes.

Jack: A great example is the space race or our current moment where every country's trying to get to space or whatever. I think sometimes civilizations just figure it out and they just take off.

Cristina: They just abandon everyone else.

Jack: Yes. Assuming that there is only one instance of life, it is the same group of life that's doing everything. The question is, how far back in time are we talking? If Earth wasn't the first, although humans were always the first, then the humans that happened on Earth are just the ancestors or are just sort of the next stage of whatever came. The ancestors that arrived.

Cristina: Yeah.

Jack: That could have come from Mars. And if Mars isn't the first, what planet did they come from? Assuming they were on some planet. It was like Mercury or some s***. I don't f****** know. Some other Planet in our system that was, for whatever reason, inhabitable at that point. If we keep rewinding, how far back.

Cristina: Does it go from? Yeah.

Jack: Not just how. Like how long. If we keep going back, who cares what planet? We won't be able to pin it down. There's too much crap on this. In the solar system, how far back would we go? And if at all times, every couple million years, somebody jumps out to explore because they made it. They got. They beat all the hurdles to become technologically prepared to truly explore. They're like robots. They're the Borg now. They could survive any scenario. They just keep flying off and this happens over and over and over and over. So then how far back in time?

Cristina: Huh? We could have been doing this forever.

Jack: We could have been doing this forever.

Cristina: Huh?

Jack: Which then tells us that there's two different versions of things happening. One is where everybody plugs in trying to get there. The other one is where they've made it and they do actually go. Usually those have to be the same civilizations because it doesn't seem efficient to just keep going out, losing people and technology, trying to figure out how to go outward. We know balance needs to be established in nature. You need to know one to know the other. But us at this moment are just trying to go out, not figuring that part out. I think the only time we're really gonna figure out leaving this planet truly is when we figure out simulating the universe virtually.

Cristina: And we are working on that, too.

Jack: We got a million things like that. That's what the space engine is. We have accurate depictions of s***. Like there are things out there.

Cristina: Yes.

Jack: But we don't have the ability to plug in as if it's the universe and explore accurately.

Cristina: Huh? What if we had VR goggles into that?

Jack: Not really. It's not real enough. We gotta be able to, like, plug in Matrix style.

Cristina: Okay.

Jack: So that it's a universe. And in that universe, we then discover the technologies at a faster pace, bring them out of the program, and apply them in our actual base reality to then use that to navigate the stars.

Cristina: I feel like we probably have that. That seems like that place that everyone talks about aliens, but what if it's not aliens? What if it's us?

Jack: Area 51.

Cristina: Yes.

Jack: Holy s***. I didn't think about that. Holy s***. You think Area 51 is just people plugged in, exploring the universe? Yeah, that makes sense.

Cristina: That's where all this strange technology that is supposedly alien like. But what if it's not?

Jack: What if it's not? What if there are no f****** aliens. What if it's just us really doing crazy s*** and bring like, we need these people to not go anywhere and they need to have volunteered for it. So they're just dedicating their lives to science. They connect into this matrix, discover things in a fictional world that is identical to our real world, bring it out, apply it, and then we use it to advance our technologies rapidly.

Cristina: Yeah, I feel like whoever's in that machine might go crazy. Like that guy that thinks that there was aliens and he was hanging out, maybe his brain got a little messed up by using that machine too long.

Jack: Could totally be.

Cristina: Because I feel like that's way too much information though, for a human brain. Our brains are limited.

Jack: I don't think it's too much information for the brain. I think it's the exact same amount of information you'd normally get. You're just getting it in a simulated fashion.

Cristina: In a simulated fashion. That is so crazy. That's cool.

Jack: But then we can go out now. That makes it possible. We go in to go out. And if Area 51 just has a bunch of people plugged in exploring things, mm, well, f***, that's cool. Because at some point that technology is going to help us really get the h*** out of here. We have the Elon Musk's thinking they're going to do it. NASA over here thinking they're going to do it. None of that s*** makes sense. Area 51 though, always crazy. Advanced technology.

Cristina: Yes. What about those alien spaceships though that we are seeing? I guess UFOs. It's not aliens.

Jack: UFOs figuring out how to move faster. Yeah, that's all it really is. But then the question still stands. How far back do we go?

Cristina: How far back?

Jack: Yes. Because if at all points on every planet that we're on, little patches of people, after they complete the merger to mechanical and robotic AI type of human, they can travel space and use solar energy to stay alive and just explore, right?

Cristina: Mm.

Jack: Can we go far back enough to say that we have examples in space of humans that made it really, really, really far?

Cristina: Do we have examples?

Jack: Yes. Particularly if we look far back enough into space. We see a star that blinks consistently. And people have said the possibility that it's a Dyson sphere is pretty high. We can't say for sure because we have no proof of anything and we'd never be able to prove that.

Cristina: But if we were able to prove.

Jack: It, would that be a Dyson sphere.

Cristina: And would that be humans in it?

Jack: A Dyson sphere doesn't have humans in it? Not humans, but no, it doesn't have anything in it.

Cristina: On it.

Jack: It has a star inside a Dyson sphere to trap energy.

Cristina: Well, don't people live on it or something? No.

Jack: You want to get scorched like that?

Cristina: No. Okay. I thought that's what that was. I don't know.

Jack: No. Dyson spheres to harness the power of the sun.

Cristina: And they live somewhere else.

Jack: You trap the star in a bubble.

Cristina: Yeah.

Jack: And then gather all the energy and you use that energy for other stuff. You. Yeah. You teleport that energy wherever you need it. You move it.

Cristina: Teleport it. Okay.

Jack: I mean, not teleport literally, but you, like, take batteries and charge them and go.

Cristina: Okay, so the space station.

Jack: Don't even need space stations. You could just have a planet nearby.

Cristina: Mm.

Jack: And you have infinite energy.

Cristina: Yeah.

Jack: Simple.

Cristina: Okay.

Jack: It's way easier than you're trying to make it.

Cristina: Yeah.

Jack: Super simple, but okay. That's far back enough. How long has that been there? How long would it take to make a Dyson sphere? That gives us a good estimate of how long we've been around.

Jack: If that's humans, like, we're assuming we started on the star. But if we go far back enough. Are humans predating the sun?

Cristina: That's crazy.

Jack: If we are, because we're right now just thinking planet to planet. Okay. If we rewind far back enough, how far back do we go before it doesn't make sense to even talk about the sun.

Cristina: Mm.

Jack: So we have to be somewhere else.

Cristina: What proof is there?

Jack: There is no proof. But again, if we assume.

Cristina: Yeah.

Jack: The same set of rules apply. We can rewind this far back. We just have to prove whatever we're looking at as human to say that. There's no f****** way we started on the star. If Dyson sphere. Human, then no way. The sun is where we began. That's too far back. They needed time. The distance alone would be impossible for us. Impossible for something millions of years ahead of us.

Cristina: Man, that could be us. I don't know. That's crazy.

Jack: But then there's a crazier example.

Cristina: Yes.

Jack: Which is the great void.

Cristina: That. Oh, yes. What would that be?

Jack: It's many, many, many, many, many Dyson spheres.

Cristina: Oh, okay.

Jack: Surrounding many stars. And I believe it's actually so ridiculous. There might be galaxies in there, but that.

Cristina: We can't see any of that.

Jack: We can't see anything in that direction.

Cristina: But it could be just Dyson feet.

Jack: Just Dyson spheres blocking out all the light coming from that direction.

Cristina: Yeah.

Jack: There's definitely something. If it's not human, then there's f****** aliens out there just colonizing that whole f****** patch of space.

Cristina: If it's just us colonizing it, it.

Jack: Could just be us colonizing it. Maybe we are the only instance of life. Maybe there's one origin point and it works like this. We began somewhere. I don't know where humans began somewhere or life began in one place. Life, Life began in one place and only one place. And those people went somewhere and they kept repeatedly, anytime they would reach a peak, leave, and then anybody left has to restart and try to build their way out again.

Cristina: Yeah.

Jack: Then they go and then smart people left. Okay, we gotta start over.

Cristina: Didn't Star Trek talk about sort of kind of hinted to this in one of their episodes?

Jack: I think, I think so. Did Alien.

Cristina: An alien? Yeah. Tried. I'm not sure if any of them.

Jack: Did a great job. I don't think it's intentional.

Cristina: No.

Jack: In any manner, shape or form. While in both Star Trek and Alien it was.

Cristina: Yeah. It's just, it's somehow in our nature to want to do this over and over again. It has nothing to do with it like programmed into us.

Jack: No, no, no. What I mean is that in Star Trek and Alien they chose planets and they went and dropped the seeds in water.

Cristina: Okay. Yeah.

Jack: They chose oceans. And they're like, humans will happen. Yes, we're not humans, but you know, intelligent life will come from those. In the scenario I'm talking about that was never the f****** planet. It's just the byproduct of the behavior. We go somewhere, abandon those who aren't good enough. They, without the hyper intelligent ones that left, have only these relics to deal with. They gotta figure it out themselves. They don't figure it out. They start over going a new direction. These people then land as far as they can possibly get and try to figure out again a new process. So this, we spread out a little, everybody's forced to restart. Then from that they spread out a little again, everybody's forced to reset. That keeps repeating, repeating, repeating, repeating.

Cristina: Yeah.

Jack: So that something that looks nothing like us a billion trillion miles away is.

Cristina: Us somehow related to us.

Jack: We're somehow related.

Cristina: Yeah.

Jack: And we're coming from the same places.

Cristina: Mm.

Jack: We just don't know where that point of origin is. Especially because we're probably consistently forgetting.

Cristina: Mm. But isn't it interesting if we did all have the same goal to go.

Jack: Out, that would be the most fascinating part. Why do we keep repeating the same behavior without some sort of Rules that.

Cristina: Left behind put that in us. Or is that just nature?

Jack: I doubt they programmed anything into anybody. I think it's just for whatever reason. Driven.

Cristina: Yeah, driven. Have the same driving force.

Jack: Yes, exactly. Some instinctual thing that. And the craziest part is it would just get reinforced.

Cristina: Mm.

Jack: Because those who left survived.

Cristina: Yes. They'll do the same thing over there.

Jack: You can do the same thing.

Cristina: Yeah.

Jack: So we have to be the ancestors of some travelers, which means moving is the reason they stayed alive. And we could be a multi planetary, maybe even multi star system, multi galactic civilization. We don't know. But we have the drive to keep going and to move forward and to go to the next place. Why?

Cristina: That's all. It's strange because it's not just us. It's anything anywhere else that they accidentally left something like us there. They'd also want to go to space and.

Jack: Yeah. It would be like if all the smartest people in the world became robotic, left Earth, and then the rest of us are left behind. I couldn't tell you how to build a computer.

Cristina: No.

Jack: Not off the top of my head. I can't tell you how to build a power plant. I can't. No. We're gonna take the parts of what we have. We're gonna ignore anything we cannot comprehend, and we're gonna use the parts we can figure out. We're gonna take the parts we can understand. We're gonna grab all the people who can understand them as much as we can, and anything that doesn't work will just get lost. Anything we can't figure out without the.

Cristina: Smartest people in the world have something.

Jack: New or have something new.

Cristina: It'll be similar but different.

Jack: Yes. We're gonna have a very. This is going to be missing the parts we couldn't figure out.

Cristina: Yes. That could be the pyramids too, because they're all similar but different.

Jack: Like, we can tell you how a lot of it was made, what requirements are, and not explain how they did it, how they did the thing we think would be required to do that. We could build those easily right now. We don't know how they build those. We just know that they're built and we know how to build it now. And we know back then they couldn't have done it based on what we understand of them. Yes, but we just simply don't understand. That's all that there is.

Cristina: We just not understanding because they're smartest people went away.

Jack: Because the smartest people went away, that information got lost.

Cristina: Mm.

Jack: They took it with them. But we don't have access to it. And the little people there don't know how the f***.

Cristina: Yeah, I mean, it's possible that they went away, but they left it for those people. But they didn't understand. Yeah, like, if scientists went away, they wouldn't take all their info with them. They.

Jack: No, I also don't believe they'd be like, it's for you.

Cristina: Like, even if they did, though, we wouldn't understand it.

Jack: Yeah, 100%. But I doubt they're just like. I'm sure they're leaving in secrecy half the time.

Cristina: Oh, okay. Yeah. I guess it would be more secret, like. Yeah.

Jack: We're gonna send these people out. They're gonna go explore. Like, how many times right now in our own lifetime have we probably sent people out if what we're seeing from Area 51 and these UFO are just really things to explore space. And this Bob Lazar guy really saw things that he thought were aliens. Maybe those are just modified humans. What if those are modified humans who can last in space, vast distances, vehicles that could move crazy distances in short amounts of time. How many people have we sent? All in secrecy because we're not ready for it.

Cristina: No.

Jack: And then eventually we shut down programs. We already got enough people out there. They're gonna report back whenever they do. And then eventually we lose communication because it went too far, and they go somewhere else and they begin all over.

Cristina: Yes, that's. That's definitely how it is.

Jack: And then we sort of keep spreading and keep multiplying and lose awareness of who and what and where.

Cristina: You wouldn't even notice that they're gone.

Jack: No.

Cristina: We would never know something's wrong.

Jack: We wouldn't. We wouldn't even know people left.

Cristina: Yeah.

Jack: We have no idea this is even happening.

Cristina: No.

Jack: Meanwhile, they're out there colonizing planets, starting small civilizations. A small ship with 30 people went somewhere, and now they start this new thing, and that's gonna turn into the next big thing.

Cristina: Mm.

Jack: And this happens over and over. Once they start, they bail. They're like, okay, maybe there isn't. Maybe there is intentional as well. It's combination. It's like, okay, we are the troop who are gonna go. We're gonna create life. We're gonna have babies here.

Cristina: What?

Jack: We've a bunch of babies, and then we're gonna bail and keep going. We're not gonna let them know that we have the technology to leave. We're just gonna have a bunch of babies, move somewhere else on the planet where our technology doesn't get the F*** off the planet. And they're gonna keep having babies and they're gonna populate a planet and.

Cristina: Yeah, I don't know, that's. I guess that's a possibility too.

Jack: And then that happens over and over and over, over and over and over and over. And different starting points, different technological starting.

Cristina: Points because they gotta leave something behind to keep those people alive. Yeah.

Jack: They're not just abandoning. They had to be there long enough to have shelter to start families for them to get old enough to survive. Like they're gonna be there a while.

Cristina: Because they're, they're pro. The person that's there, though, is probably not the person that's gonna leave anyway.

Jack: Assuming they've already developed the technology to travel crazy large distances. They're not necessarily alive. Fully human. Yeah.

Cristina: They're not humans. Yes. Okay.

Jack: They're just creating humans who then, to survive, because it's instinct, are going to get to that same point where they're going to try to get out.

Cristina: Yes. These people are kind of like they're the aliens. But that's us.

Jack: That's us. It's just they're so different. And so the argument would be if we saw anyone anywhere in space, it's us.

Cristina: Yes.

Jack: In one manner, shape or form, it's us.

Cristina: Why not? I think so. It's. We'd have to take a DNA test.

Jack: Yeah. And it goes back to the idea that we do have the possibility that there were really absurdly advanced civilizations here. From giant, giant leaps back in time. Huge, huge jumps. Different periods of time unrelated to one another. Whole advanced civilizations, giant things. Mayans, Egyptians, the Roman Empire, the Aztecs. Just a whole bunch of different crazy advanced, mega large civilizations.

Cristina: The Aztecs, Is that near the Mayans? Are those two different things?

Jack: I think so.

Cristina: I don't know. There are a lot.

Jack: There are a lot of instances of crazy.

Cristina: Like that giant square thing that you just showed me. Puma Punka. That's a place. That's an interesting looking place.

Jack: Yeah, it's an interesting look. But all these places are really weird. Like all these interesting structures that we have no recollection of what or why or how. We just know that.

Cristina: What's proof of giants? What if they're just giants who are making dollhouses? Those are children's toys to them.

Jack: You know how big? It's impossible. No, we can prove that wrong. There would be nothing that could sustain itself being the size necessary because of our atmosphere, the size of our planet, our gravitational pull, our bodies are optimal for where we live.

Cristina: Yeah.

Jack: All Those things have to be considered.

Cristina: Giants couldn't survive.

Jack: It could not exist. They would never evolve.

Cristina: Okay.

Jack: The biggest of things that were here are believe insects long ago. And they were maybe the size of like giraffes.

Cristina: Okay, then why does everyone have a story about giants? Where does that come from?

Jack: F****** idiots. I don't know.

Cristina: Religion, I get. Yes, religions have that. But a lot of folklore.

Jack: Folklore is usually based on religion. In fact, religions are composed of folklore.

Cristina: Yes, it works both ways, I guess. But. Okay. And those giant drawings? Giants drew those drawings with a stick.

Jack: Yeah.

Cristina: What place is. What place is that one?

Jack: The Smachu Picchu.

Cristina: Is it like a maze? Is that buildings?

Jack: Yeah, there's tiny little structures. It's kind of like a maze. It's so odd place. We don't. Another place that we don't know what the f*** or why or why.

Cristina: It's built in a very nice looking location.

Jack: Yep. The weirdest thing about this place is how the f*** did it get up there? Oh, it's the tip. Tip of a f****** mountain. The stone that's up there.

Cristina: Yeah.

Jack: Not easy.

Cristina: Not easy. Not easy.

Jack: Not easy. That took the craziest amount of slave work or something. Up a mountain. You're in the desert. You're in the desert. Flat. You're in a f****** desert. Machu Picchu. Up the side of a g****** mountain.

Cristina: What. What do they. What do they need to make these stones though? Do they need water? Is there water underneath the mountain or something? Or near the mountain?

Jack: What do you mean? To pull giant slabs of stones up a mountain?

Cristina: Yes. No, to make them. To make the stone. Like they at least made it near the area.

Jack: No, I don't think the stones were made in the area. I think they were moved there similar to Stonehenge. Like those rocks are not from there.

Cristina: Oh.

Jack: Like travel quite the distance again. We can make every single stone in Stonehenge.

Cristina: But how did they get there?

Jack: We could shape them the same way we could. But we have. We. That rock doesn't exist there. We have to go far, make the f****** rock out of the right material. Then get it there from quite the distance right now would take days with cars. And we have wheels to put it on top of.

Cristina: Yeah.

Jack: And engines that will speed the process up. And it would take us f****** days.

Jack: Without wheels and going 60 miles per hour on highways. How the f***.

Cristina: I don't know. Especially I don't know what's happening there. I don't know.

Jack: It's crazy.

Cristina: Crazy.

Jack: But we've lost all this Information.

Cristina: But what is underground? People check underground. Right? Like under the pyramid. What if there's.

Jack: Here's the problem. You're not allowed to. Because there's. There are these types of very important structures. You're not allowed to destroy these amazing structures.

Cristina: Yes. Okay, I see.

Jack: So there's only so much you can do.

Cristina: Yeah. You don't wanna.

Jack: You could explore openings.

Cristina: Yeah. But making a new opening problematic. Okay.

Jack: You don't want to just be the a****** who dug a hole and broke something.

Cristina: Yeah. Like something accidentally just makes the whole pyramid.

Jack: But that's the weirdest part because that's a rule that's f****** us up. Maybe there is something to understand. But we have this thing about preserving history more than we have a need to investigate it.

Cristina: That does suck, man. But I don't want them to destroy. I don't know what's more interesting. To see if there is something underneath or to keep what's there.

Jack: So we keep the structure and then we never discover the technology that's underneath it. Or we discover there was never any technology underneath it.

Cristina: That's what I was gonna say. Like what if you destroy it and then there's nothing to find?

Jack: There's nothing.

Cristina: Then is it worth it? I don't know. We'll have robots to do that for us to be able to go and not break anything.

Jack: How would a robot know?

Cristina: How would a robot know? I don't know.

Jack: It's guesswork. It's guesswork. There's nothing. There's no right or wrong here.

Cristina: Yeah. Mmm.

Jack: I do believe it's possible we did came. Come from another planet though. Again, we're driven. We're driven. We have the drive to get the f*** off of Earth.

Cristina: So maybe we've done it.

Jack: Maybe we've done it multiple times. And again there. There's quite a couple of origin stories for Earth. Did we come from South America? Did we come from China? Did we come from Australia? Did we come from Mars? Mars? Did we come from. Well, I'm not actually even talking about a different planet at the moment. I'm saying just on Earth. We have a bunch of different locations.

Cristina: Yeah.

Jack: How the f*** did that happen? Unless arrival from outside of Earth happened and they settled in different locations.

Cristina: Oh, I didn't even think of that. That's interesting.

Jack: Yeah. There were just different groups arriving. Some landed in China. Some landed in Africa and Egypt.

Cristina: South America.

Jack: South America just landing on Earth.

Cristina: Yeah.

Jack: Civilizations starting from those people in different parts. They bail after there's enough people to continue these civilizations Moving forward.

Cristina: Mm.

Jack: And we get where we are today, where we don't even know the origin. We're like, no, we started the Earth. No, we started the Earth. And it's like, no, everybody did because they were different people at different times.

Cristina: What if. Whoa, man. And eventually we'll do that.

Jack: And eventually we'll do that. And maybe we send a ship with 30 people out and as we're traveling, because now we have the capacity. We're not gonna die. Or at least we're gonna live way longer.

Cristina: We're gonna have robot bodies, and we could.

Jack: Two of us are gonna land on this planet with all the technology, and then the ship is gonna keep going.

Cristina: Yeah.

Jack: Two, you're gonna land over there. Ship is gonna keep going. Maybe it was Mars and Earth, but.

Cristina: Mars dried up because they found.

Jack: So they bailed on Mars and came to Earth.

Cristina: Yeah.

Jack: And thus many different timelines of beginning.

Cristina: Because not everyone could do this anyway. I'm guessing, like, there's a lot of us out there, and some of us had to have died by now.

Jack: Yep. So, yeah, you land, you get as far as you can. Then things go wrong.

Cristina: Yes. We're just lucky to be where.

Jack: No, the planet's drying up too. But we're also trying to get off of it.

Cristina: Yeah, that's true. We're not really succeeding, but we don't know. And when someone has succeeded, if they did leave. So, yeah, there's probably a few succeed.

Jack: Like maybe just getting off equals succeeding.

Cristina: Yeah.

Jack: We're not. And not all of us are gonna make it. But that any failure happened.

Cristina: No.

Jack: You just need to keep moving and keep making more. Maybe we are the sacrifice for the advancement of the collective.

Cristina: Yeah.

Jack: If it did happen before, if it did happen, then we've already escaped a single star blowing up, killing us.

Cristina: Mm. And it probably happened more than once here on this planet.

Jack: Yes.

Cristina: It might have happened.

Jack: It might have happened in Egypt. It might have happened in with the Mayans. It might have happened with the Aztecs. It could have happened several times over different civilizations that had technologies we don't comprehend and did things that we think we could figure out or can't figure, that we know all the parts except one thing, and we lost that knowledge somehow.

Cristina: Yeah. If we are doing it now, we would have no idea.

Jack: And we have no idea because they're not telling us. Because it would be problematic.

Cristina: Yeah.

Jack: And in those situations, I think would be the same case. It would be problematic to tell everybody that some people are gonna leave. Oh. And Earth is gonna die.

Cristina: Yeah.

Jack: Maybe they thought the same thing. But it's like, we don't know when it's gonna die. Maybe right now we're like, oh, it's gonna happen now.

Cristina: Mm.

Jack: And the humans they left behind figured out how to solve the global warming problem.

Cristina: Yeah.

Jack: But then they forget. After millions of years of it not being a problem.

Cristina: That's true.

Jack: And then it starts building up as a problem again.

Cristina: So we can solve that problem. But we probably also had people leave just in case.

Jack: Just in case we don't solve it.

Cristina: Yeah.

Jack: Well, and then that thing is always happening, and eventually it will collapse and eventually the planet will dry up and it will die. But enough of them left, and they took enough of what happened on this planet.

Cristina: Yes.

Jack: So, you know, we look back at the great void that could have been some of the earliest success stories.

Cristina: That's so cool. But when it comes to, say, they are connecting to something, the thing that they're connected to wouldn't be connected to anyone else. It's just their little bubble.

Jack: Yes. It would be that they invented something that they're connecting to, like a mainframe or computer or something. Like, if you don't connect your computer to the Internet, nothing's getting in.

Cristina: Yeah.

Jack: And you're connecting to that computer. So if they made their own computer and they all connected to that, they're perfectly fine. There's no outside influence. They're not getting to any outside.

Cristina: But if we figured out how that worked, like, if we really found out that it was a computer, would we be able to go into their computer?

Jack: If we found their computer.

Cristina: Yeah.

Jack: And then we understood how they did it.

Cristina: We still have to understand that. Yes. Yes. For sure. But it would be possible that maybe. I don't know. This is a crazy idea. If they have a computer. If it's a computer, that's crazy.

Jack: But it goes to answer the question of fermius paradox. Where are they?

Cristina: They're here.

Jack: Well, they're here. We are they.

Cristina: We are they. We are them.

Jack: We are they. Where are they? We are they.

Cristina: We are they. And we are everywhere.

Jack: Yep. And we're just the primitive ones.

Cristina: Yeah.

Jack: And they're not coming in our direction because they already passed this f****** spot.

Cristina: Yeah.

Jack: It's our job to get the h*** out of it.

Cristina: Well, not us specifically. We are the failures in the story.

Jack: Oh, why?

Cristina: Because we're not the scientists that are getting off.

Jack: Why does that make us the failures?

Cristina: Because we're just gonna be here. I mean, if that's succeeding, I guess. I don't know what?

Jack: I don't know. What's the, the obsession with the failure mentality? What is the failure here? Some people go and make other stuff and then some people save the planet.

Cristina: Well, if we don't get to that part, I guess would be a failure. If we don't save the planet.

Jack: No, because people still moved out to make sure that our branch of humanity remains.

Cristina: I guess.

Jack: Where is the failure?

Jack: They're not winning. They're just doing something else.

Cristina: Yeah. It just feels like they're winning.

Jack: Why? Because space exploration.

Cristina: Yes. That's so cool.

Jack: What about the Matrix? It's better than space. Get further, faster, in less time, do more, I guess.

Cristina: Okay, they're winning. Okay, no one's winning.

Jack: No one's winning. It's just doing different things.

Cristina: Yeah.

Jack: Some people are connected to a matrix coming up with technologies that they give to the people who are going to go out into space, colonize new planets and then us, ignorant of all the details, try to keep our.

Cristina: Yeah, I guess. It's its own balance. Yeah. Going on.

Jack: It works. All the parts work. Everything has a purpose, everything has its place.

Cristina: Yeah.

Jack: But it comes from the possibility that all these ancient civilizations were, in fact, not aliens, that none of this was built by aliens, but rather humans developing the technology to do it. And again, no. None of these civilizations landed here and built the thing. No, they landed here, became a civilization, the civilizations built the thing, then they leave. Information gets lost. We take what we can remember, move forward with it, knowledge disappears, and then we have a whole new thing. And this happens over and over and we recycle it over and over and over and over.

Cristina: Yes.

Jack: And what we lose, we lose.

Cristina: What we lose, we lose. Yeah. Yes.

Jack: We're gonna land there again. Somehow, Egyptians and Mayans both did it. They were not related.

Cristina: Yeah. So we could do it.

Jack: Yeah, we're gonna get there again.

Cristina: It's hard to say if we are there.

Jack: It's hard. We could totally be there. Because there's no reason we should know.

Cristina: Exactly.

Jack: So in the case, particularly of the Mayans, it is possible they connected. They did what they had to do. We know that their pyramids had weird trapdoors and s***. Not sure why our assumption was rocket ships because they were huge f****** holes and that they could take off now. Where the f*** are any of the mines? We know the Egyptians kept moving forward, that led to a bunch of people. Where the f*** did the Mayans go?

Cristina: They're asleep in their computer chamber.

Jack: Either that or they took off. Maybe both.

Cristina: Both.

Jack: And the Ones that were left, some kind of event happened that got rid of all of them.

Cristina: Yeah, probably. Like what happened in Plymouth, where it just a huge, unpredictable winter storm.

Jack: 100%.

Cristina: It could just happen. The weather.

Jack: Yeah. And those who prepared in other ways survived.

Cristina: Yeah.

Jack: Leave the planet or go underground and connect. If they were the ones who went underground in an event like that, they died too.

Cristina: If they didn't go underground.

Jack: If they did go underground, those people died.

Cristina: Oh, okay.

Jack: But the ones that went out into space didn't have to deal with the planet's climate.

Cristina: Yeah. And the ones that were there just. Yeah, that could be it.

Jack: We know many civilizations could have accomplished these same things. And we see the technology in written in things of the past. Biblical texts say it. Hieroglyphs depict technologies that we don't f****** like. How the f*** did you guys know? Even if we don't go crazy, far back before we had things, we're talking about Leonardo da Vinci having incredibly detailed drawings of things that we figured out in our lifetime. And he had the blueprint for how these things would work. And they did now.

Cristina: Yes. So then is it just in our DNA then? If he could do it without the science of now, you could just write it all out. Like, where did that come from?

Jack: Smarts, piecing things together.

Cristina: Yeah.

Jack: Assuming if this and that. Anyways, we are definitely running out of time right now.

Cristina: Okay.

Jack: But I do think that's a fascinating idea to play with. Possibility that humans came from elsewhere in a repetitive cycle of dropping people everywhere to kind of keep expanding the human race. With enough time, you know, it's gonna keep multiplying, keep multiplying, keep multiplying. You could do faster and faster and faster and faster. Every time you just drop a couple of people here, a couple of people there.

Cristina: Yeah.

Jack: Over years, come back a millennia later, boom. Planet filled with people.

Cristina: But would they come back, do you think?

Jack: They don't really come back. They're just flying through the area or whatever.

Cristina: Yeah. Yeah. That's pretty cool. But do they? Like what? I don't know. It's just so many questions, but there's no way anyone could answer. So it doesn't matter.

Jack: We just know there are advanced civilizations. Whether they were too technologically advanced in the ways we can picture, probably not. We don't know. They have depictions of electrical components. They have things rigged with electrical devices. Like the pyramids.

Cristina: Yeah.

Jack: So why, like, is that the case? We don't know.

Cristina: No.

Jack: But we know that it happened many times across the world at different times, with unrelated People who should not have been able to contact each other because they were too far apart too long ago. And if that's the case, then it's possible that they were different landings, which is possible. We came from different locations. Maybe some from Mars, maybe some landed on Earth, Maybe some people were elsewhere in the solar system and Earth was the only destination. Everything was drying up everywhere, freezing over, and it was like, earth is in the right spot. Let's go there.

Cristina: Earth is in the Goldilocks zone.

Jack: Goldilocks zone. So we get some people who came from Mars, some people from here, some people from over there, some people. And then different times they land on Earth and then they start. So we got different origin stories. Anyways, if you guys want to actually look at the episode of the. With the Mayans that we were just talking about, we've. We've dissected the Mayans in their weird technology. There is the Advanced civilization episode.

Cristina: Okay, yes.

Jack: That you guys can look at. Take a look at that stuff. We've also discussed technology many different times and space exploration. So, yeah, definitely look at that. See how aliens maybe detecting life, maybe that's an important way. Maybe we're on the right track by just looking for our kind of life, because that's the only kind of life that really exists. And then the rubric for whether something is alive or Galvan is useless as f***, because everything is alive. If that's the case, sure, whatever. Go look at those episodes. You can find all so many sciencey episodes on the official website greatthoughts.info or on Apple Podcasts, Spotify, and anywhere else you get your podcast.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok. UsConvopod.

Jack: Yes. And remember to subscribe and rate the show and review it if you feel so inclined.

Cristina: And let someone who might like this show know about it.

Jack: Yes, word of mouth. Tell everybody. Let them know that you know about a show that's gonna tell them about how we are aliens and that other kinds of aliens don't exist. And we proved that. We. We.

Cristina: So we're not aliens.

Jack: We're the aliens.

Cristina: Oh, we are the aliens. Yes, we are the aliens.

Jack: We are the aliens. We are not from Earth.

Cristina: Mm.

Jack: I mean, we literally are from Earth, but we were just born on Earth versus the origin of humanity being Earth.

Cristina: This has been the Just Conversation podcast. Take nothing personal and thanks for listening. Bye. Saint Isidor. He was the saint of the Internet. Not officially, though. Officially, he's the saint of students. And then unofficially Internet computer users, computer technicians and programmers.

Jack: So we're just basically talking about a saint that does. The saint of the Internet.

Cristina: Yes, of the Internet. It became. It was students and I guess over time it somehow ended up Internet.

Jack: So their powers aren't centric for anything. They're not focused on anything.

Cristina: Not really. He was a bad student. He prayed and then he became a really good, really smart man.

Jack: Like, could he take your fear of breastfeeding away if you wanted to?

Cristina: I don't know.

Jack: And thus he's just a saint. But like, he's known for school related things.

Cristina: So you pray him for school related things? Yeah, I don't know.

Jack: So thus he's a saint of. Yes, school related things.

Cristina: That's why St. Nick has a bunch of random crap. Good morning. Good morning, whoever. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 126: Mythologies About Nature

Where do mythologies come from? And do any of them accurately explain Earthly phenomena? Does any mythology unpack nature the way we unpack mythology? Answers to that and more on this episode!

The duo take to exploring the stories told by ancient civilizations in order to explain the reason for the existence of natural wonders. When the Gods get involved, events get weird and the origin of Jesus and Loki’s sexual ventures are revealed!

Rambling 126: Mythologies About Nature

+Episode Details

Topics Discussed

  • Crater Lake
  • Devil’s Tower
  • Fairy Cycles
  • Aurora Borealis
  • Chinese Jesus
  • Solar Winds
  • Spirits
  • Greta Thunberg
  • The Original Volcano
  • The Legend of Zelda
  • Dragon Blood Tree
  • The Shelter of the Gods
  • Loki Horse Son

Art by IG @Zero_Lupo

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean? Welcome to Just Conversation, the show where we ground humanity's most absurd and baffling ideas and childish ways. I'm your host, Christina.

Jack: And I'm Jack.

Cristina: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Jack: Yes. And this show is most enjoyable with the listening partners, so be sure to go find someone that can listen with you, whether it be by force, whether it be by, you know, coercion. You bribe somebody. You bring bags of money.

Cristina: Money.

Jack: Bags of money. And be like, hey, you can listen to. You don't have to give them the money. It's got to trick them into taking the money.

Cristina: Trick them into taking the money and.

Jack: Trick them into thinking they're gonna take the money.

Cristina: Oh, okay.

Jack: Yeah.

Cristina: Yes, yes, yes.

Jack: And then they. They potentially listen to the podcast. Or you show them your gun. What, by any means necessary.

Cristina: Yes.

Jack: Obviously, you can't kill them because you need them to listen to the podcast. That's the point.

Cristina: Yes.

Jack: Like, I'm not saying don't throw somebody in the hole you've got in your basement and then just turn on the podcast. Like, I didn't say don't do that.

Cristina: You probably shouldn't do that.

Jack: You probably shouldn't do that. We don't condone kidnapping. But what you do in your private time has nothing to do with me.

Cristina: Yes. As long as we have listeners.

Jack: As long as we have listeners, like, look, you're the type of fan you are is more about you, less about us.

Cristina: We're just encouraging you to share.

Jack: Share the show. Share the show. How you do that. That's not.

Cristina: We don't need to know.

Jack: Yeah, don't blame us for it.

Cristina: Yes, don't blame us for that. I love the Irish mythology so much that I decided to talk a tiny bit. I want to talk a tiny bit about it. If you remember that we talked about how fairies were gods once upon a time, and they shrunk into fairies. So then in those stories, the Irish stories, the people of the story became giants. And one of those stories is about Finn McCool. He's a giant from Ireland. There's a giant from Scotland across from him that wanted to fight him. So he made a bridge to. Over there, and that's a. There's a picture of what that was. I mean, it became. Because he destroys the bridge or they destroy the bridge. If they fought, they destroyed the bridge. In one story, they fought, and he won. But in the second story, he dressed up. He saw the other giant, whose name is Ben, and he got scared, so his wife helped him and dressed him up as a baby. And then Ben saw Finn and was like, if that's the baby of the giant, then the giant must look so much bigger than me. And so he got scared, and when he ran away, he destroyed the bridge.

Jack: So the baby couldn't follow him.

Cristina: What? Finn didn't want to fight him. Why would he want to follow him? Finn dressed up as a baby because he didn't want to fight the giant.

Jack: The giant broke the bridge?

Cristina: Yeah.

Jack: In using it.

Cristina: In using it. I don't know how he destroyed the bridge. He just destroyed it with his hands. I don't know.

Jack: The giant crossed the bridge and then broke it.

Cristina: Broke the. He broke it when he went back home. He crossed it to see Finn or to look for Finn, and then he crossed it again, and then he destroyed it when he crossed the river.

Jack: Finn couldn't follow.

Cristina: Yeah.

Jack: Okay.

Cristina: And Finn didn't want to fight him anyway because he was bigger. That other guy was bigger than him. Yeah, but. Yes. And I don't know. I don't think that story is true. I think the other giant, he told me, like, he doesn't believe it either. Like, what makes no sense about the story is why would he destroy the bridge the other giant made? If he's a scare. He's afraid of this giant. You know, Finn made the bridge, right? Then Ben saw this baby and then runs away, destroying the bridge. But Finn could make the bridge again. So that's. That's the giant's argument.

Jack: He's like, he was just scared at the moment.

Cristina: No. He's telling me. No. Ben is like, that's not true. Ben is a coward. He destroyed. He made it. He saw me, and then he destroyed it. But I don't know who to believe. I. I kind of do believe Ben, though. But, I don't know. Nice to imagine Finn dressed up as a baby.

Jack: That's a weird solution to a problem. Like, it makes sense, I guess. If they look at him and they're like, wow, that's a big baby. I can only imagine what the adults look like. Yeah, but, like, how genius of a plan to assume that they wouldn't just believe, wow, he's dressed like a baby.

Cristina: Yes. Like, what if. Like, what if he didn't know what he looked like? Like, that plan only works because he didn't. But if he asked around and was like, hey, how does this giant I'm gonna fight look like? And then they described that guy, or they pointed to that guy. Like, how embarrassing is it for that.

Jack: For Finn, who's just dressed like a baby.

Cristina: Just dressed like a baby? Yeah, yeah.

Jack: It's that guy over there dressed like a giant baby.

Cristina: Is he more scarier to fight than like, he's dressed like a baby?

Jack: I mean, there's an argument to be made that he's way crazier.

Cristina: Yeah, that might be a problem. I don't know. But the story was made because that column that we saw in Ireland, it has the same weird thing that's going on is happening in Scotland right across. So that's why they thought, oh, maybe there was a bridge there or something that connected from both sides to both sides.

Jack: Yeah.

Cristina: So that's pretty cool. And have other amazing stories like that. There's a place called Crater Lake in Oregon and there's a myth of how it was created. There's like a little island in it. Now they believe that a thousand years ago there was a mountain there. And the God of the underworld was standing on top of the mountain and he saw a beautiful woman. And he was like, I want to take her home with me. And she refused him. So he exploded the mountain out of anger and it shot out and hurt all the people around it. So then the God of the upper world came to save the day and fought him and drove him back down into the mountain. And then he covered the mountain with water. And that's the crater. That's water with a little. The tip of the mountain is reaching out.

Jack: Got you. That's really weird.

Cristina: Yes. Alright. There's a place in Bolivia called Salar de Oiuna. It's the world's largest salt flat, where there's a photo of it, super cool looking. And there's. I think there's a bunch of mountains surrounding it. One of them is called Tanupa. And one of the stories, actually there's a few stories about why that is there. And it revolves around this mountain called Tanupa, this volcano named Tanupa. The first story goes that once upon a time the volcanoes were walking around and they were able to talk to each other and stuff. And there was just one female volcano, while the others were male. And one day she got pregnant and none of the volcanoes knew who the father was because she was with all of them. And they got super angry. They fought each other and someone kidnapped her child. Then the gods punished them by not letting them move or talk anymore. So that they're now in place as volcanoes. And she cries all the time. She cried after she realized, I guess, her child was missing. And that created the salt flat that we see in the picture. It's a combination of her tears and breath.

Jack: Okay.

Cristina: Yeah. And in the second story, it's almost the same. It's her tears and breast milk. It's always her tears and breast milk. But it's. She's having problems with another volcano because he's cheating on her with another volcano and she was crying about it. Then there's the Devil's Tower in Wyoming and it looks pretty cool. I wish there was some devil story.

Jack: That does look badass as f***. What the h*** is that?

Cristina: There's a bunch of Native American stories about it. And it's all revolving around bears.

Jack: Right. But what the h*** is it?

Cristina: It's a mountain.

Jack: That's a f****** mountain?

Cristina: Yeah. It's a cool a** mountain.

Jack: Devil's Tower is just a mountain.

Cristina: Yeah.

Jack: What the h*** happened to the mountain?

Cristina: Bears clawed it. All the stores revolved around bears because of the those lines. They think it's like claw marks.

Jack: Right. I wonder what like in reality happened.

Cristina: Oh, in reality.

Jack: Oh, it is. That's crazy looking.

Cristina: It's really crazy looking. I get the devil's name too. If he's maybe there. Think like the American version is like the devil did it or something.

Jack: Yeah.

Cristina: Lame or whatever. But in the other stories, it's like kids run up the mountain and then they pray to the their God to save them. And then the mountain rises up and then the claws are from the bears that were chasing them.

Jack: So it wasn't a mountain at.

Cristina: Sorry, no, no.

Jack: They were just standing somewhere and shut up.

Cristina: And then the rocks shut up.

Jack: That's crazy.

Cristina: That's a crazy.

Jack: It looks so unique. I like what it. What the f****** nature could do that though.

Cristina: You don't think it's a volcano related? I feel like a lot of these are volcano related.

Jack: Like it's the tip of a volcano, I guess.

Cristina: I don't know. But the lines going, I mean, who knows? Volcanoes are weird. The things they make are weird. So I don't know. Because the castaway that we saw was because of volcanoes. I think like that had to do with magma, the magic of magma. Then there's these things in southwest Africa in a place called Namibia called fairy circles. Fairy circles. Look at them.

Jack: Fairy circles. They look like drops of water. Not drops, but like if there was like moss on the water and you dropped a drop of water into a lake or something. Okay, so there's like moss on a lake and then you drop like a raindrop into the lake and then the opening that forms in the moss where the raindrop hits the water. That's what this looks like.

Cristina: Yeah. You want to know something super interesting?

Jack: What?

Cristina: They don't really know why.

Jack: Why it happens.

Cristina: Why it happens? Yeah, like there's a bunch of reasonable things of why. Like termites is a big theory. Some combination of termites and the plants. It's type of plants.

Jack: But no, this is on the ground, not water, right?

Cristina: Yeah, it's on the ground. So it's. It's a tough to. It's a toughie to explain. Yeah, the grasslands, that's what it's called. They're barren spots called fairy circles because they're very circular. They're really. They really are pretty nice. But there's also local myths about what caused those fairies circles that are not fairy related actually. So if that's what you were thinking, one of them is their footsteps of giants or spirits. And the other one that tour guides like to use is that they're formed by dragons. That a dragon that's inside the earth, that its breath is like poisonous and it's destroying the vegetation in that type of way.

Jack: Why circularly?

Cristina: Why circularly? I don't know. Those tourist guys don't know what they're talking about.

Jack: Yeah, like that's an unthought out story.

Cristina: Because I guess dragons are cool. So they wanted, you know, dragons. What's cooler than fairies?

Jack: I would argue that the other side of the planet is something like subspace in which it works in opposite. And while on this end it looks like ground, on that end it looks like water. And then when water drops do hit that lake, it creates this void that we see here, these clearings. Which is to say that when we're out here in lakes covered in moss and junk and water from our side lands on their side, it's land and it creates these sort of gaps of vegetation.

Cristina: Is that sci fi? I don't know. What kind of explanation is that?

Jack: I don't know.

Cristina: It's very strange.

Jack: Yeah, it's great.

Cristina: It's great. It's a great explanation. Your explanation is better than these other.

Jack: Because they just don't like take into account what's happening. It's just like here's a thing.

Cristina: Yes, here's a thing. The termites, maybe termites probably. Then the ouroborealis, which is a beautiful thing. You've probably seen this many times. Yes. Like it's still. It's very. It's beautiful. I can't imagine someone that sees this every day. And I mean, I guess if you.

Jack: Saw it every day, anything you see every day, you get over.

Cristina: Yeah.

Jack: We are surrounded by ginormous buildings that we see every day. And it's like, sweet. Another big building. Yeah, but we're like, man, awesome. To see, like a huge mountain. Meanwhile, people living across from a mountain are like, whatever, dude. I wonder what the city looks like, though.

Cristina: I know.

Jack: We're ungrateful. We all suck. Anybody who's over there seeing this s*** every day is like, oh, this garbage is happening again. Blocking the stars. I wanted the stargaze today. And this stupid Aurora wants to be in the f****** way.

Cristina: Yes, well, Aurora has so many. So many explanations, I guess from all over the world. Because a lot of places. See, it's not just a one location specific thing, I think. Right. So in Norse mythology, the lights are from the shields of the Valkyrie. If you remember the Valkyries, they're getting the soldiers to Valhalla.

Jack: Yeah.

Cristina: So that's them. That's pretty cool.

Jack: That's their spirit.

Cristina: That's their shield shining. But it could be their spirit. It could be the spirits that they're grabbing. Who knows? Because a lot of them involve spirits.

Jack: Right. But like, this is just a floating Valkyrie that is not in spirit form and happens to be in the sky. If it's not a spirit of a Valkyrie.

Cristina: Well, it's not. Well, to them it's caused by the light reflecting off the shield and armor. So I don't know.

Jack: Right. Which means there's a floating Valkyrie. Or hundreds of thousands. Thousands of floating Valkyries.

Cristina: Yes.

Jack: And they're not even dead.

Cristina: No, they're just.

Jack: They could fly. Yeah, it's a thing they could do.

Cristina: Why not? They're. Why. But you think it would be their spirits.

Jack: No, I'm saying that if they don't think it's their spirits, they're idiots. Because how are they trying to comp. How are they explaining this? It's just like. Yeah, we see Valkyries in battle all the time. Sometimes they die. It's like, why don't they just fly over their opponents?

Cristina: They don't see Valkyries.

Jack: Valkyries are soldiers.

Cristina: No, Valkyries are taking the souls of the soldiers that are dying.

Jack: Valkyrie is a female soldier in.

Cristina: Yeah, Valhalla. But we don't see them. I don't think we see them.

Jack: So they do float?

Cristina: Maybe. I don't know. Like, do they. Would they say they see Odin?

Jack: I Don't know.

Cristina: I don't know how, you know, that stuff works compared to their reality.

Jack: I wonder how the h*** Valkyrie is taking the soul then. Because they're not even. Based on the logic, they're not even here.

Cristina: But if they are here, they'd be floating.

Jack: Yeah, they had to travel here and then they're just, you know. They float.

Cristina: Yes, I guess they float.

Jack: So Norse mythology, Valkyries are like a.

Cristina: God Lesser because they're working for a God.

Jack: Okay.

Cristina: I don't know.

Jack: Even gods work for Odin.

Cristina: Oh, okay. I'm not sure. I don't know where the Valkyries fit in. The gods in Norse mythology. They're in the low tier, though. They're probably C tier.

Jack: Yeah. They're like soldiers for gods.

Cristina: Yeah. And then China has the oldest records of the aurora borealis. One of their stories is on autumn of 2000 BC, there was a young woman who was sitting alone in the wilderness, and then she saw the lights and it was so beautiful that she got pregnant and she gave birth to us. To a boy Jesus.

Jack: Okay, so let's. Let's go back a couple of notches. Lady's sitting outside, the sky turns. Beautiful. It's so beautiful.

Cristina: Yes.

Jack: She got pregnant.

Cristina: Yes.

Jack: And Japanese Jesus is born.

Cristina: China.

Jack: Chinese Jesus is born.

Cristina: Yes.

Jack: So that's. That's the order we're going with here. She sits outside. It's so beautiful. Whoops. I guess it got me pregnant.

Cristina: Well, this Chinese Jesus does more than Jesus, though.

Jack: I like random street performers, do more than Jesus did.

Cristina: Yes. Well, this guy, he grows up to be the emperor, and he's known for starting the Chinese culture and the ancestor of all of China, all Chinese people come from him. He's the beginning of China.

Jack: So he's like, wait, what the f***? How the f*** was this lady there then?

Cristina: She was before the Chinese culture. Okay, she was there, but she was like the native before Chinese.

Jack: Random lady walks into totally abandoned, empty lands. There's nobody been here before, ever.

Cristina: She was the first born.

Jack: She traveled who knows how far to reach an area where she can look up and see something that the nearest person can't see because they're that far. It's in the sky and the nearest person can't see it. They must be hundreds of feet, thousands of miles. She just. Crazy walking journey. She was like bear Grylls in this s*** on her.

Cristina: Maybe God told her to do this journey.

Jack: Then she got to this abandoned land, and then one day she's just looking up and she's like, hey, that's a cool little. Oh, my God. It keeps getting brighter. Wow. It's so big. It's so big. It's inside me.

Cristina: Yes.

Jack: I'm pregnant now.

Cristina: Yes.

Jack: That thing, that must have been God. Now I start China.

Cristina: Yes. Well, she doesn't. Her son does. Her Jesus.

Jack: But she started China.

Cristina: She started.

Jack: Technically, she started China. She had the first life on that soil.

Cristina: No, because Mary isn't the starter of Christianity. It's Jesus.

Jack: Well, to be fair, Mary is the starter of Jesus.

Cristina: Exactly. But it's two separate things.

Jack: No, 100% not. Because Mary's creation of with Jesus came Christianity. Jesus didn't start Christianity. Jesus was just a preacher.

Cristina: Yes.

Jack: Mary gave birth to the word of God.

Cristina: Yeah.

Jack: As did Asian Mary, who started Chinese Jesus. And thus the Chinese culture.

Cristina: Yes.

Jack: So she began the Chinese culture.

Cristina: Okay, so you're saying Mary started it all too.

Jack: Yeah.

Cristina: Okay.

Jack: Mary is the reason that Jesus and Christianity touches children.

Cristina: Yeah.

Jack: Because of Mary, priests touch children. That's the connection I'm making here.

Cristina: What we didn't have.

Jack: If we didn't have Mary, this wouldn't be a problem.

Cristina: Do you think Mary was touched by the aurora borealis?

Jack: I don't know. Maybe. It's just that this Asian Mary is calling God the aurora. What does God look like? He's anomalous.

Cristina: He's a bright light. But she would have been blinded by his light.

Jack: She was apparently very blinded.

Jack: It was so beautiful. She thought it was inside her. She wasn't really capable of telling distance anymore. She was pretty blind. The story tells us a lot.

Cristina: Well, we got a lot from Australian natives. They have the light that shows up in Australia. They commonly see it as fire. Because it's red. Because it's red like fire. Look at that. Look at it. It's red. It's burning and. Yeah, so it's thought of as fire. And the people from the Western Victoria call them ashes, while people in the eastern Victoria see them as bushfires of the spirit world. It's a lot of spirit world stuff. South Australia sees them as evil spirits creating a large fire. And South Australians that see over the Kangaroo island see as a campfire of the spirits in the land of the dead.

Jack: A campfire in the land of the dead?

Cristina: Yes, because they need to get warm, too. In Southwest Queensland, the ouroborealis was fires of the spirits who spoke to people. And only male spirits as males. Only male elders were allowed to look at and speak to these spirits.

Jack: And what were these spirits?

Cristina: Their ancestors. Their ancestors were the spirits.

Jack: So they can Speak across time?

Cristina: Basically, yeah. Yeah.

Jack: There's a bridge to the past.

Cristina: Yeah.

Jack: Now, these are the spirits of the ancestors. Or is it like they think this is, like, by spirit, they mean they can communicate through time to their ancestors in the past?

Cristina: I think it's true. Spirits. I don't think they're thinking of time travel.

Jack: Okay, so it's not like in the past, their ancestors are looking at the same thing speaking to the future.

Cristina: I don't think so. That'd be cool. But then that kind of interesting plot device, that would have been an example of time travel in some religious way or, you know, some myth or something. That'd be amazing.

Jack: That'd be interesting. There's a bunch of that, though. Anybody who could tell the future, anybody making predictions, it never just happened in a vision. So, like, I guess some of them did. But there wasn't. Like, there were other situations in which there was, like, a thing they were talking to or somewhere. They were seeing it. And this is some sort of bridge through time.

Cristina: Yeah, I mean, if you think about.

Jack: It logically, I guess.

Cristina: But they weren't saying it like that.

Jack: No, they were saying, like, you know, I'm talking to a flaming bush that's telling me the secrets or whatever. But it's like, maybe this is a catalyst and it's connected to something.

Cristina: Yes. And if you believe in aliens, it's aliens. Pretty much, it's aliens communicating. So ridiculous. And the first Old Norse account, one of the first written, one of the first things written about it, or one of the oldest things written about it. In 81,230, the author heard about the phenomenon from people returning to Greenland. He gave three explanations to what was making the lights. They were. The ocean was surrounded by vast fire. The fires. That's one. One is the ocean is surrounded by a vast fire. Two is the sun flares could reach around the world to the night side. And three is glaciers could store energy so that they'll eventually become fluorescent.

Jack: That would be an awesome world to live in.

Cristina: Yes.

Jack: If glaciers just glow.

Cristina: They just glow.

Jack: They just glow.

Cristina: An ocean being surrounded by fire. That's crazy.

Jack: That's flat Earth.

Cristina: That's like, whoa, it's ice to them. What if we found out it was fire? What?

Jack: I guess, like, far enough. It would have to be. Right. If it's infinitely flat, that'll just. S*** happens.

Cristina: Eventually you will find fire.

Jack: Yeah, eventually. It's encircled by fire.

Cristina: Yeah. What about his second theory? The sun flares are reaching around the world at night.

Jack: Literally happens. But when There's a solar flare, and our magnetism causes that.

Cristina: What do they look like?

Jack: Usually the. They light up the aurora borealis. That's kind of what's happening. That's pretty accurate.

Cristina: Oh, look at him. That.

Jack: Yeah.

Cristina: What? Well, I like his other explanations better.

Jack: Yeah. Solar flares hitting the magnetic field of the Earth causes that. Not a solar flare, but a solar wind, which is essentially a solar flare. Basically, it's just a radiation flying towards us. And our magnetic field protects us from getting baked by all the radiation coming down. And it curbs around the magnetic field, causing the answer.

Cristina: He wasn't there, but he's like.

Jack: He's like, close. He was close. That was, like, pretty on the spot for somebody who had no. The. No clue what he was talking about.

Cristina: Yeah.

Jack: Like, he's like that guy from. From the Good Place that he just kind of, like, guessed what heaven was like.

Cristina: Oh.

Jack: And, like, got it real f****** accurate. And then he became a hero to everybody.

Cristina: Yeah. Except it turned out that he was totally wrong.

Jack: Yeah.

Cristina: Gotta forget about. That's so sad. And that show. So good. Why is it over? Although I love the solution. I do like the ending of that.

Jack: Yeah. They really explored it beyond the most philosophical points.

Cristina: That's pretty good then. The Native American myth is that the lights are spirits of their friends dancing.

Jack: In the sky because they're being trolled by their friends.

Cristina: I guess when they're very happy, the lights look brighter. So you know how your friends are doing. If it's dim, then they must be not so happy.

Jack: H*** must be happening. It's wartime.

Cristina: Yeah.

Jack: That's interesting. Did they believe that? Man, there's my problem with spirits. All right. If spirits are watching you at all times, Right. Like, at some point you got to f*** your wife, your grandma. Spirit is just watching you now. It's uncomfortable.

Cristina: I don't care about that. I do care about, like, if I'm pooping. That's kind of disturbing.

Jack: Do you care about being watched, pooping more than being watched f******, yeah.

Cristina: Yes, I do.

Jack: That's weird.

Cristina: Why is that weird? Because, like, they've done it. They know what it is.

Jack: They've also pooped, and they know what it is.

Cristina: I don't know. Mines could be special, Right? I don't know. There's a lot of situations where I wouldn't want someone to be watching me, I guess.

Jack: But sex is not one of them.

Cristina: Sex is one of them, but I feel like pooping is higher on my list. Sex is a close second. I'm guessing maybe just Your grandma watching you bang.

Jack: You don't give a f***.

Cristina: I'm sure she is. It's like, would she rather watch me bang or she could.

Jack: She probably cleaned your a** after you took a poop at some point, so.

Cristina: She should be more okay with watching me.

Jack: Yeah, she's way more familiar with that than watching you get b****.

Cristina: Would you rather watch someone have sex or take a poop?

Jack: Interesting. I like how you flipped it. I see what you're saying now, but I guess what you're thinking about is the wrong way, though. I like how you flipped it. Because if you're the ghost, what's your preference? Yes, but that's not what we're talking about. We're talking about you as the person. Why would you care what the ghost's preference is? If they're watching both, they're watching both. Yeah. Why do you care which one?

Cristina: I don't know if they. They might be watching one over the other. But then, you know what?

Jack: Okay, now let's think about how much worse this is.

Cristina: Okay.

Jack: Your grandma is like, h***, yeah, I'm gonna watch her have sex instead.

Cristina: I don't think she would be watching me have sex. I feel like she'd be watching.

Jack: She's watching everybody all the time, but she gets to choose one of two moments. She only gets to choose one of two moments. She has to throw one moment away, and she's like, I can either watch her poop and respect her sex privacy or f*** watching her poop and I can watch her get f*****.

Cristina: That's your girl watching me, though. She'd be watching a stranger.

Jack: No, she'd be watching everybody have sex.

Cristina: No. What? Ghosts can't do that.

Jack: Ghosts are like God. And in this case, your grandma hovers over your life.

Cristina: She hovers over a stranger.

Jack: She has no option. She only wants his family. She only watches family. No, that's why you see your family dancing in the aurora. Because they're watching over you. Or your friends. People you know are watching over you.

Cristina: No, they're not.

Jack: That is exactly how the stories go.

Cristina: That's horrible.

Jack: How is that any better than. I mean, how's that any worse than strangers?

Cristina: I don't.

Jack: Complete, total strangers who were probably gonna grab your hand in a train one day without your permission. Now they can just. Like, I get to watch your f***. Anyways, whatever. I won the lottery.

Cristina: I don't know. I just think about myself, though. I would rather not watch someone poop.

Jack: But you rather watch somebody have sex in that exchange.

Cristina: If there's still only two.

Jack: There's only two.

Cristina: And it's like, okay, one is gonna be like watching p***, which is whatever. And then one is watching poop. And that is disgusting.

Jack: Yeah, but you're thinking about you being the ghost.

Cristina: Yes.

Jack: Why do you care what the ghost is doing if you're. Who's being watched?

Cristina: Just the ghost Doing what?

Jack: Why do you think? Why do you care what the ghost prefers?

Cristina: I don't know.

Jack: If you're the one being watched?

Cristina: Yes.

Jack: How does that affect your life? What they prefer? It doesn't matter what they prefer. Yeah, they're watching. You don't even know what they're watching. You just know they're watching one or the other. You're not uncomfortable with the fact that they're probably just like, I'm a watcher. F***, that's awesome. Yeah, she's my granddaughter. But f*** it, I'm a watcher.

Cristina: It's all disturbing.

Jack: Get that D?

Cristina: It's all disturbing.

Jack: Or if it's a complete stranger. Yeah, she didn't let me touch her hand when I was in the train. But you know what? She doesn't know I got hit by a bus immediately after that. Now Imma just watch her forever.

Cristina: No, no one's watching.

Jack: That same creep who was gonna go home and beat off to touching your hand without your permission anyways is now infinitely for all of eternity, beating off to you f****** people for free. Not even. Only fans charges or anything.

Cristina: Maybe I get something special when I die. If I had a bunch of ghost viewers, we don't know that.

Jack: That'd be crazy, right?

Cristina: Yeah, like I'm winning ghost points right now.

Jack: I don't know, man. Or you get to ghost location and get raped immediately by all the people that were watching you because now you're a superstar.

Cristina: But if you're a ghost, like, can you even rape?

Jack: I don't know.

Cristina: Maybe because I thought the whole point of watching other people that are alive is because you can't do anything.

Jack: Who said based on what?

Cristina: Why are you wasting your time watching people then?

Jack: I don't know.

Cristina: You do whatever you want.

Jack: They probably do whatever they want and watch people. They can watch you without being seen. Why would they not do that?

Cristina: Because they could do other things. I don't know.

Jack: Yeah, they're gonna watch you get and then they're gonna go with you. In their mind.

Cristina: They just watch p*** because they can watch.

Jack: They are watching p***. That's exactly what they're doing. Except you're the channel.

Cristina: I don't know. I feel like their lives have to be a little different.

Jack: Why?

Cristina: Why would it be just like this?

Jack: Why wouldn't it?

Cristina: It's so lame. It's so lame.

Jack: If it isn't like this, you're basically saying you believe in God and there's a laid out plan and map that we're following. Or we just move forward to another plane that we adjust to and live there until we move from that one.

Cristina: We can't be stalking the past though.

Jack: We literally own photos.

Cristina: We gotta burn those photos.

Jack: We have video recordings. We do nothing but stalk the past. That's 99%. Yeah, 99% of everything is us fixated on what's already happened.

Cristina: That's horrible. It's the worst thing ever. You gotta stop that.

Jack: Good luck. Call Greta Thornburg. Maybe she'll help you.

Cristina: Okay. Wow, it's so disturbing.

Jack: Isn't Greta Thornburg a teenager or some s***? Now she's over here like her rebellion sage. Probably like smacking cigarettes back. Just throwing them into the wood heads, not giving a. She's like the environment. These old people think they can hold us down. I don't even care anymore.

Cristina: The whole robots and like we gotta destroy all humans.

Jack: Nah, man. I think she's probably just going through her rebellious teenage face. Probably like a goth right now. Smoking hella cigarettes and just throwing them into the driest part of the wood. She's like, watch it burn.

Cristina: She's gonna go visit California.

Jack: She wants to recreate California elsewhere. She's like, let's see if we can do this in Florida.

Cristina: I guess that's fine. I don't know.

Jack: She's not even like Amer. Which the f*** is she from? Some other place, Some other Scotland.

Cristina: She lives in German, I think. I don't know. Oh, maybe. Anyway, the next place is in Italy. I don't know if you know about this place. It's an island. It's the volcano. It's the volcano that other volcanoes are named after. It is the original volcano.

Jack: It's called Volcano. Volcano.

Cristina: It's called Volcano. It is called volcano.

Jack: So it's volcano. It's Volcano. Volcano.

Cristina: Yeah, it's Volcano. Volcano. It is the volcano. Look at it. It's huge. It's island, but it's a volcano. And this volcano. Volcano. The volcano from Volcano. In Roman mythology, the volcano on the island is the chimney from Falcon, the Roman God of fire and metalwork. He has a workshop there. And that's the chimney of it in.

Jack: The center of the earth.

Cristina: Yeah, I guess that's co. Under the volcano is the workshop.

Jack: Interesting, interesting. So there's a workshop at the center of everything because isn't that how Thor's hammer was made?

Cristina: In the center of a star? Oh, I don't know. Yes. That's not just in the galaxy movies. I don't know. That was based on Norse mythology too.

Jack: Yes.

Cristina: Okay. And the island grows bigger because the cinders and the ashes that he cleans out of his workshop go onto the island. Although it's really the magma, it's really just the magma of the volcano. And earthquakes that come before or within the explosions of ash is due to Vulcan doing his work. He's making weapons for their God, Mars. It's for his armies to wage war and stuff. So he's making their weapons and that's explaining the volcano and it exploding and all that stuff.

Jack: Okay, so when it erupts and has a big explosion, is that. There's a lot of work going on?

Cristina: Yeah, it's a lot of, well, him working on the weapons going on, so. That's cute. Yeah. Look at that volcano. It's a huge volcano. Pretty cool volcano. Okay. I don't care for this place. Okay. And then there's this really interesting looking place in Turkey. They're called the fairy chimneys. They're like little. If you can see, it looks like little homes inside the cave or something, like little doors or windows or something happening on the chimneys. The stories are that the chimneys were built from fairies who live underground. Because fairies do that sometimes. They live underground. They live in random locations. Wait, where is this in Turkey? They're called fairy chimneys in Turkey. And they're like mountains with a bunch of holes in them. If I zoom in, I guess you'll see closer. Looks like.

Jack: Right. So is this what the characters in Legend of Zelda, Wind Waker, are based on? The bird people.

Cristina: The bird people?

Jack: Yeah. They were originally some of the people who lived in Kokiri Village, one of the villages. And they. The. The town below got flooded because the whole world got flooded. And the people evolved to be these.

Cristina: Bird things and they live on in like chimney looking. Oh, they live on the mountain.

Jack: In and out of the mountain.

Cristina: Oh, crap. Oh, maybe. They probably take things from all over. So. Yeah, I don't know. I mean, they have fairies, but I don't know. Those birds aren't seen as fairies in that world though, right? No, just that little thing is a fairy. They haven't seen more than one type of fairy.

Jack: I mean, I guess humans probably consider a lot of these creatures to be equal to fairies. Even if they don't use that exact same word. They're all like mythical things. And to people they're still like, wow.

Cristina: Yeah. Oh, really? Okay. In that. In the world. You mean those people are.

Jack: Yes.

Cristina: Okay.

Jack: Like if you look at the. They used to call the Kokiri village people the children fairy kids.

Cristina: The fairy kids?

Jack: Yeah.

Cristina: That's adorable.

Jack: Like, that was literally the term they use on them.

Cristina: Okay.

Jack: They used to say Link was a fairy boy.

Cristina: Well, they were fairies. Wait, did they grow up? They didn't grow up, right?

Jack: No. Link was the only one. Because he wasn't a fairy.

Cristina: No, but the kids. No, they stayed the same size. They probably did. Age? No, not age, age. But like time did pass by in that village or. No, like time was frozen there.

Jack: What do you mean?

Cristina: Like they were still young, in their 40s. They're still kids in their 40s or whatever.

Jack: I mean, if you choose to count time, I guess.

Cristina: Yeah, that's what I mean. Like they're. They. In a way that sounds very fair. Like if.

Jack: But I don't get what you do. Referencing time. That part doesn't make any sense though.

Cristina: Because if it was no time, then they're just children. Like they're not aging or nothing. Because there's no time.

Jack: Aren't aging. They're not little old people. Yeah, they're always kids.

Cristina: They're always kids.

Jack: Yes. They don't stop being children.

Cristina: Like their minds don't change.

Jack: I don't think so. No.

Cristina: You know.

Jack: No.

Cristina: Okay.

Jack: I think they are literally just kids. They depend on the great Deku tree to be like the father figure.

Cristina: Oh, okay. They don't ever want to not be kids.

Jack: They don't know anything else.

Cristina: Oh, they don't know anything. Yeah, I guess.

Jack: Jan, they can't leave.

Cristina: They can't leave. What? Alright then. In Yemen, there is a place that has these trees called dragon blood trees. And they look really cool and strange. And one of the stories is that the first dragon blood tree was created from the blood of a wounded dragon after battling an elephant. And then the tree's blood is the dragon's blood, which the locals use as medicine. And then the second story from the dragon tree, it has to do with Hercules and he. In the Greek mythology, Hercules has a bunch of tasks that he has to do. The 12 Labors of Hercules.

Jack: Right.

Cristina: And in the 11th task, he has to steal the golden apples that the dragon is protecting on that island in that location. And Hercules has to kill the dragon. And then that's the dragon's blood that's flowing in the island and that's what made the dragon trees. Because I guess the dragon's tree does have something that looks like blood oozing out of it, but it's just the SAP, the SAP of the tree SAP.

Jack: Tree SAP? Yeah, yeah, yeah.

Cristina: Unique. So it looks like.

Jack: Oh, there's red tree SAP is pretty common.

Cristina: Red tree SAP. What? Oh, well, to them it looks. Well, the trees look really unique too. Yeah, it's all twisted and weird looking and so they think it's like part of the dragon or whatever. So. Yeah. And then there's the sleeping ute in Colorado. It's a man. Look at it, he's sleeping. See the man sleeping?

Jack: Oh yeah, I see him.

Cristina: Okay. In the story, he's a great warrior God who was battling evil and he got injured and now he's recovering by sleeping, so he just sleeps there until he gets better.

Jack: What's the origin of this? The origin, like who told the story?

Cristina: Native Americans told this story. Which group? I'm not sure. Pretty sure. Native Americans.

Jack: Okay.

Cristina: And his wounds became rivers and the rains come out of his pocket. For some reason, his pockets have clouds in them.

Jack: It's the lint collected.

Cristina: Yes. On each season the warrior changes his blankets for the four seasons. So I guess like the clouds above him look different in every season. So they, they're describing as the blanket that he's using. So like in spring he's using a light green blanket, so I guess the sky has a really green look to it, while in fall it's reddish yellow. So he's using a red blanket or whatever. Clouds are changing color every time he changes his blanket and it represents the different seasons in Iceland. There's this giant like hole, this dense looking hole in the ground. You see, it's a huge dent and it's called the Shelter of the gods. And it's explained that it was created by one of Odin's horse. It's an eight legged horse. Only one of its foot though, for some reason touched the earth's ground. The earth. And that's the mark of it. Now gods hang out in there, I guess.

Jack: But the gods are so big. The horse's footprint is that size.

Cristina: Yes.

Jack: So gods are squeezing in there.

Cristina: Yes, yes they are. And this horse's backstory is amazing. He is. Besides that, he's like an egg legged creature with runes for his teeth. It's kind of bizarre looking. But he is a baby of Loki and it's a weird story, as is.

Jack: Every other child ever.

Cristina: There was a builder who went to the gods, who was like, I want to help you guys. I want to build you a defensive wall for your castle. And they agreed, but they didn't really believe he could do it. So they were like, okay, you can do it, but you have to do it alone. And then he said, alright, but could I at least have my horse help me? And for some reason they agreed. Until they saw that he's his horse was actually very helpful. So then Loki was like, all right, I gotta stop this from happening. So he turned into a female horse and to distract the male horse. And then soon after that, he gave birth to this eight legged freak.

Jack: Loki did?

Cristina: Yes.

Jack: Fire. Loki turned into a woman, got pregnated, then gave birth to a freak.

Cristina: Yes. Oh, a female horse. Not like. What? Like that's your distraction. I know he's like the pranking God or whatever, but that prank doesn't sound like a prank. Sounds like.

Jack: Sounds like he wanted to f*** a horse.

Cristina: Yes.

Jack: And have. Raise a family with it.

Cristina: I don't know about that, but I feel like he wanted. He was curious about that horse.

Jack: Yeah. He started a family with the horse when a head became a horse. And then he had sex with the horse and then he started a family with the horse and it's that time Loki settled down.

Cristina: I don't think he settled down. I just think he was curious about that horse.

Jack: Right. And then he got pregnant. But he could have stopped that pregnancy.

Cristina: He's Loki.

Jack: He's a God. But no, he kept playing wife.

Cristina: Yeah.

Jack: He saw this all the way through.

Cristina: Then he had an egg legged freak and then it somehow became Odin's horse.

Jack: Yep. It's a weird family tree happening right here.

Cristina: Yeah. I wonder what is my grand.

Jack: I ride my grandson around her.

Cristina: Yeah. Oh my gosh. That what? How did that happen? There's some mythology for you, but what is the explanation of his other children now? Now I'm like, was he curious about other things?

Jack: Like had the world snake happened?

Cristina: Yes. Like what was he curious?

Jack: Maybe he just became a woman snake and he banged another snake and then boom.

Cristina: Like how often. Yes. Did he give and his jackal children?

Jack: Maybe he just became some sort of jackal woman. Got plowed by some jackal boom God jackal things.

Cristina: Yes.

Jack: He just likes to get.

Cristina: Yes.

Jack: What we've landed on is Loki likes sex, but not even like being the dom. He's like way sub.

Cristina: Yes. He doesn't want to be a dude getting.

Jack: He's got hella little spoon energy.

Cristina: A woman and he gives birth. Yeah.

Jack: Yeah, he wants the whole experience.

Cristina: Exactly.

Jack: He is committed, bro. He's here for the ride. It ain't about no destination. He's here for the whole ride.

Cristina: I wonder if he has any, like, human children and what the explanation of that is?

Jack: Mad boring. After you f*** the snake the size of earth like humans. That feels like a step back.

Cristina: I thought the snake the size of Earth is his child.

Jack: Yeah, but like, what the f*** did he f*** to get that thing?

Cristina: I want to know. It has to be way bigger.

Jack: Fair enough. Either way bigger or he f***** just a normal snake, but because he's a God, he gave birth to this thing.

Cristina: Yes. Well, that's something. We both learned so much from the story. It's a great story.

Jack: Loki's awesome.

Cristina: And besides locations that are explained through myths and stuff, there's also natural disasters that myths are used to explain as well. Like tsunamis from a sea God. The Mochan people that live in some islands near Earth island, they believe in a sea spirit God who sends monstrous waves to pretty much clean out the humans and to eat them. And one time they collected a bunch of fallen coconuts and went to the sea to beg the wave to not destroy their boats or their island or whatever. To not destroy their boats. And the wave, I guess, listened to them and they were saved. That's the story that they tell to themselves. Like, that's the Myth. But in 2004, they remembered that story and it actually saved their lives. Because they remember the story of how they survived the first time, but not by getting the coconuts, but because they remember the whole wave going back and then coming, but it didn't, like, destroy them. But in this time, it was there to destroy them. They went somewhere up higher and they all survived, except for one person, I think died. But around them, a bunch of people died from this. Just them specifically, this group of people were able to make it out alive thanks to a myth. So that's pretty awesome.

Jack: That is kind of badass. Sort of went full circle. It began as an explanation, and that explanation turned out to be the saving grace of a couple of people. Yeah, because it was based on truth.

Cristina: Yes.

Jack: Which then goes to say, how many of these myths are based on truth? Like, one dude almost got magnetism and solar winds. Yeah, like, he got pretty close. So how many of these things, although wrapped around the crazy veil of whatever the beliefs were at that time, are, like, actually accurate? Like, if you sift through them enough and you pick the right things, truth is just there.

Cristina: I don't know that's interesting. I like that this actually worked for someone.

Jack: Yeah, it actually worked. The story was built on a fact about tsunamis.

Cristina: Yeah. In Japan, they have this creature called the namazu. The Namazu, which is a giant catfish who causes earthquakes with his tail. Originally, he was there just to warn people before a flood or rain so that they know, like, oh, no, something bad's gonna happen. But he wasn't like a bad creature or anything. Then the tail changed through time, and then he became something called the yokai, which is a creature that's a creature that just destroys things.

Jack: Not necessarily. The yokai, as told to us by the host of Obscure Anomalies when he was guesting on the show, was that his name is Chris Rustic, and he was telling us about the yokai and how the yokai are creatures created to tell stories that couldn't be explained in any other way.

Cristina: Okay. Well, they decided that now he's the one destroying everything with his tail. He's making the earthquakes and the tsunamis with his tail fascinating. Which originally he was a good guy, but whatever. And then later he, I guess, sort of became the good guy again. But now he's punishing people for human. For greed.

Jack: So Santa Claus.

Cristina: Yes. Because his destruction was pretty much destroying the property of the rich people. Because tsunamis and earthquakes are destroying wealthy people's properties, and then they're seeing it as a good thing.

Jack: Fair enough. Because the argument here is if you don't own anything, you don't have anything to lose. And the people who do own anything are the ones who are getting f***. It's when natural disasters happen. Which then comes to put the argument forward that only the greedy people suffer in tragedies. Because the homeless people were already homeless.

Cristina: Yeah.

Jack: And already owned nothing. And nomads and people who just live roaming freely don't own anything to lose. An earthquake hits, your building collapses. Even if there were people renting those apartments, they can go rent somewhere that didn't collapse. The owner of the building is f*****, though.

Cristina: Yes. Yes.

Jack: House owners are f*****.

Cristina: Yeah.

Jack: House renters can just go rent somewhere else.

Cristina: Yeah.

Jack: Owners of stuff get screwed in an earthquake.

Cristina: Mm.

Jack: Same thing happens in hurricanes. People who own s*** lose s***. People who don't own s*** don't lose s***.

Cristina: Yeah.

Jack: Natural disasters attack only the wealthy.

Cristina: Yes. Except for the deaths. That's pretty much everyone but the property, though.

Jack: Yeah. Property wise, wealthy. Yeah.

Cristina: Yeah. So, yeah.

Jack: That's why nothing else that could be attacked. Anyways, we are running out of time.

Cristina: Okay. What?

Jack: Yeah. But pretty fascinating I like that some of these people are pretty spot on on what their lessons are. Even if, you know, some of it is crazy.

Cristina: Some of it.

Jack: But it's like a lot of it is crazy in grounded ways. Like they thought about it enough to make it make sense and then told the story with it.

Cristina: Yeah.

Jack: And then that story turned out true.

Cristina: The best one though was the Chinese. Jesus. Yeah, like, how could you?

Jack: Lady came out of f****** nowhere and started Chineseism.

Cristina: Started. Yeah, those lights were magical.

Jack: Chineseism was the Chinese, the first Asians. Is every other Asian culture, like branching out of Chinese?

Cristina: Maybe Because a lot they're the old. Like they have the oldest, then the.

Jack: Answer is if they are the oldest, then yes.

Cristina: Like not that they're the oldest, but they have the oldest records, I would say from others. Because they were writing before anyone else.

Jack: The Chinese invented record keeping.

Cristina: Well, in the Chinese, I mean the Asian culture, they were the ones that were writing.

Jack: Oh, okay.

Cristina: And that's why everyone else got writing from their writing.

Jack: Because my understanding was that the Jews were the ones who invented record keeping.

Cristina: Well, then maybe they were. I don't know. One passed it to the other, who knows?

Jack: Yeah, but anyways, if you guys like stuff like this.

Cristina: Hey, what about the Egyptians? Are they not older? They were writing, although we can't understand their writing. So do they count? That doesn't count.

Jack: I mean, record keeping as we know it now, where names are written down and family trees are kept in track and that kind of stuff. Yeah, the modern day record keeping that we still do now with just better things. But it was more or less the same thing. That was. I believe I could be mistaken and this could be misinformation, but I don't. The f*** who thinks I'm telling the truth anyways when I'm talking? Yeah, it could totally be the Jews.

Cristina: Okay.

Jack: Well, in fact, whether or not it's the Jews, it's the Jews.

Cristina: Well, I'm saying it's the Chinese.

Jack: Yeah, fair enough. Anyways, if you guys like things of this nature, there are actually many episodes on random crap like this. The closest thing I could think of to like disasters like this would actually be the mass hysteria episode.

Cristina: Oh yeah.

Jack: Because it's talking about large scale things that happened which kind of falls in line with these large things. Except that's way leaning more towards, you know, trying to dissect the psychology of crazy people.

Cristina: Yeah. But we also, I think, go a little into the weird explanations they came up with.

Jack: Yeah.

Cristina: Before actually figuring it out.

Jack: Interesting, interesting.

Cristina: It's pretty Cool.

Jack: Anyways, you guys can find that stuff on the official website greatthoughts.info on Apple podcast, Spotify, or anywhere you get your podcast.

Cristina: And you can reach us on Facebook, Twitter, Instagram, and TikTok on just convopod.

Jack: Yes, and remember to subscribe, rate and review the show if you feel so inclined.

Cristina: And let someone who might like this show know about it.

Jack: Yes. Word of mouth is the most important thing in the world. I tell you this at the beginning, always, and I tell you this at the end, that you have to approach somebody with the kindest heart and ask them. Look, I would love if you listen to the show and if you don't, it's totally cool. There's no pressure, but I hope you can listen to the show. I think you'll enjoy it a lot. And when you're genuine like that, people will just be like, man, this guy, a good guy. And they'll just listen.

Cristina: Of course.

Jack: They'll give it a shot. So just know you share your kindness.

Cristina: They will listen, of course.

Jack: Love is the way.

Cristina: Love is the way. Uhhuh. This has been the Just Conversation podcast. Take nothing personal and thanks for listening. Bye.

Jack: He might have taken a poop in the litter.

Cristina: Boxing all the poop.

Jack: He's scooping all the poop. He didn't say scooping all the poop.

Cristina: That's not a thing.

Jack: No, I think he's just scooping the poop.

Cristina: His poop? Just once.

Jack: His poop? Yeah, he took a poop and I was scooping it. He's a good citizen.

Cristina: That's it.

Jack: Huh?

Cristina: I don't know.

Jack: He exists in a universe where he took a poop and he just picked the poop up.

Cristina: There has to be more to that song.

Jack: Maybe he grabbed the poop with his bare hand.

Cristina: Yes. I don't know.

Jack: Just a bare grip. Just a bear grip on a poop log.

Cristina: No, if he's scooping it, then he has a something.

Jack: Some sort of poop scooper.

Cristina: Yeah. Yeah. Oh, scooper. To scoop the poop.

Jack: Yeah, he has a scooper to scoop.

Cristina: Then that would make it seem like he's done this before.

Jack: He had a scooper to scoop the poop with.

Cristina: Like, unless that scoop is used for something else.

Jack: I don't know. I don't know. Let's. Let's dive deep into this.

Cristina: We're gonna break down the lyrics. Good morning, Good night. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published bygreat dots.in fox. Art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

JCP 5.02 Michael Horn & Billy Meier Prophecies

Guest Michael Horn, documentary filmmaker, blogger and follower of the teaching of Billy Meier and his Prophecies, comes on to discuss the profound nature of Billy Meier’s experiences and quest to correct the errors of humanity through spiritual teachings (non religious) and philosophies. An episode jam packed with subjects from subatomic blueprints for life, population control and other pressing issues. One of our most ‘Must listen’ episodes to date. If you want to be informed, Michael Horn is the man for you.

JCP 5.02 Michael Horn & Billy Meier Prophecies

+Episode Details

Topics Discussed

  • Aliens
  • Humans from Space
  • Billy Meier Contacts
  • Carbon Life Across the Universe
  • Genetics
  • Covid19 Prophecies
  • U.S. Capitol Insurrection
  • Predicting Future Events
  • Photos from The Future
  • A.I. God
  • Prophets of Peace
  • Decentralize Spiritual Teachings

l

Michael Horn Links:

Billy Meier and Related Links:

Our Links:

Rambling 120: The Life Checklist

new_scientist_final-editable_2-flat-2.jpg

How do we know when something is alive? What of things that meet all the same requirements but we consider not alive? Understanding and designing a new checklist to measure life on this episode.

 Story:
The duo unpacks what constitutes being alive in order to best explain to the listeners who or what to force to listen to the show. But on their journey to understand the concept of life they discover several interesting facts and create an entire checklist with different tiers of life to assist scientists in measuring the possibilities.

Rambling 120: The Life Checklist

+Episode Details

Topics Discussed

  • Are all living things conscious?
  • Which things aren’t alive?
  • The problem of aging
  • Is fire alive?
  • Carbon based life
  • Is God Alive?
  • Is sperm alive?
  • Organic Matter
  • Cells
  • Alive vs Galvan

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Just Conversation Podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yes. So go find a person and an inanimate object and make them both listen.

Cristina: What?

Jack: You never know what's alive.

Cristina: Okay.

Jack: You never know. We don't know what is life. You force anything to listen, make your walls listen, blast it as loud as possible. You don't know if your house is alive. There's no way to tell.

Cristina: There's no way to tell.

Jack: Like weird a** rubric we have for f****** life.

Cristina: I guess if it has a heart. It doesn't have a heart.

Jack: It doesn't need a heart to be alive.

Cristina: What? What?

Jack: Yeah, let's think about it. Let's think about it. Right? Let's think about it. What do we call in life? If you're conscious, are you alive?

Cristina: Yes.

Jack: Is that life? So conscious beings are by default alive?

Cristina: I think so.

Jack: How do we gauge consciousness? In order to say anything's alive, then.

Cristina: You have to say it. You have to announce, I am conscious.

Jack: So animals aren't conscious then?

Cristina: Ooh, they're definitely conscious. They say it in their own ways.

Jack: How?

Cristina: With whatever sound that they make.

Jack: That's not saying I'm conscious. Are plants conscious?

Cristina: No.

Jack: So animals? Yes. But plants know?

Cristina: Well, I think. Yes, but if it's just by the sound that they're making that. No.

Jack: Yeah, it doesn't even make sense. Do they have to make a sound in order to be conscious? What about things that make sounds but aren't animals?

Cristina: Like what?

Jack: I don't know. Like a plant that makes a sound or some s***.

Cristina: It's a plant that makes a sound.

Jack: I mean, there's probably a plant that makes a sound. That's interesting.

Cristina: I would say that has consciousness.

Jack: Then by default, all plants have consciousness.

Cristina: Okay, all plants have consciousness.

Jack: But then where do we draw the line? Where do we stop our cells? Conscious?

Cristina: Yes. I don't know how. Yes, they're conscious. Everything's conscious. Okay. Everything. Even the walls?

Jack: Yeah. It seems like everything is conscious, right?

Cristina: Yes.

Jack: Because if we just assume that consciousness is like a collection of matter, then everything is relatively, like different degrees of conscious, but all conscious, no matter what.

Cristina: How could you prove any of that?

Jack: How could you prove I'm conscious?

Cristina: Because you can say it and I believe you.

Jack: Right, but why does me saying it make it true?

Cristina: Hmm?

Jack: What can you do to prove my statement?

Cristina: Brain scans does that how to prove consciousness. Maybe there's somewhere in the brain that says, is the conscious spot like everything else. Like there's.

Jack: We have no idea. We have no idea. There's nothing. There's nothing.

Cristina: There's nothing.

Jack: Nothing. We don't have a guide or anything.

Cristina: Well, there's no test.

Jack: Nope.

Cristina: I don't know.

Jack: There's zero things tell us whether something conscious is alive. We don't even know what alive is. Regardless of consciousness, whether or not it's conscious. We can't tell something is alive. Like, if we. Because obviously we don't even know what consciousness is to say that that's alive. I don't know why that was where you went with that. But, like, we can't gauge any consciousness in anything. We're just assuming consciousness because we perceive thus, you know? I guess the same s*** applies of.

Cristina: The if something's alive that it's also conscious.

Jack: I guess a cell is alive according to our rubric.

Cristina: Oh, is it? What's the rubric?

Jack: Well, it needs to reproduce, it needs to grow, it needs to eat. It needs to respond to its environment. Like a cell fulfills all those things.

Cristina: Really?

Jack: Is it conscious? Huh?

Cristina: Yes.

Jack: I guess consciousness is not the point.

Cristina: No. Okay, what's the point?

Jack: That we don't know what the f*** is alive. You can't just say something is alive because it's conscious. That doesn't make sense. Okay, that means that God isn't alive, but it's conscious. Oh, giant hole in the logic. That means that any other version of you in any other dimension is. Is by extension dead.

Cristina: They're dead?

Jack: Yeah.

Cristina: Why?

Jack: Because you're not alive, like, biologically, but you're still conscious. You're just dead. But, like, it doesn't make any sense. Okay, you got to satisfy the rubric. That's the measurement of life. Allegedly.

Cristina: Okay, but God's not alive.

Jack: God doesn't satisfy the rubric. No, he doesn't like age. He doesn't like die. He doesn't like. So what the f***? He's conscious. But does he. That doesn't make any sense. But I don't even know why we're talking about consciousness. Because we needed some inanimate object.

Cristina: Yes.

Jack: Because it might be alive.

Cristina: Yeah. Well, how do you prove an in object is alive?

Jack: I don't know. I guess it depends on the object itself. Right?

Cristina: Like. Like what?

Jack: Here's the problem. Here's the problem. Here's the problem. You can't just grab an inanimate object. It would have to be something that already seems to behave on its own.

Cristina: But it has to be. Okay, so this is an inanimate object that believes.

Jack: I guess it's complicated. Would you say fire is inanimate? Because I feel fire is very animated.

Cristina: Yes, it's an animated thing.

Jack: Interesting. Right? So an inanimate object might not be alive because it's inanimate, but an animated object that doesn't satisfy the rubric might be alive.

Cristina: Huh? But how do we prove that that inanimate object is not alive just because it's not?

Jack: If we. If we go by the assumption that all matter has some consciousness, and the more complicated something is, the more consciousness it has. Everything is conscious. It's just different levels that we can gauge to some degree.

Cristina: But we're talking about life, though, now.

Jack: Yes.

Cristina: And anything that moves is alive. Like fire. You call that as light?

Jack: I guess. Here's what's weird. Here's what's weird. Okay. Okay, let's. Let's take some steps back. Right.

Cristina: All right.

Jack: There are literally animals that don't. Just things that satisfy the living rubric that don't move.

Cristina: What animal doesn't move?

Jack: Barnacles are this sort of sea creature that does not move or respond to its environment at all. But it reproduces.

Cristina: But that's like a plant.

Jack: No, it's sort of like a sea plant.

Cristina: Like a sea plant?

Jack: Something like that.

Cristina: Yeah.

Jack: Coral doesn't move either.

Cristina: Coral doesn't. Okay, so just all these things are in the water. Is there anything outside the water?

Jack: There's a germ. Staphylococcus.

Cristina: That doesn't move.

Jack: It doesn't move. It's weird. Other things have to eat it up and then they get sick. But it multiplies.

Cristina: But it multiplies.

Jack: Multiplies how?

Cristina: It's like. But it's not moving.

Jack: It's like. It's not a virus. It's a germ. It's a living thing. It's like a cell.

Cristina: It fits, but other germs move. This is the only one that's not moving.

Jack: Yes. It's really weird. It's very strange.

Cristina: But we can say that it's alive because it reproduces.

Jack: It reproduces, huh?

Cristina: That's the only way we know. Like. Yeah, that's a. That's the Thing that's not exactly.

Jack: Exactly. Okay, fair enough. Fair enough. So let's really think about this, right? There is a literal rubric for something requiring to be alive, right? So there is. There's a chart, and I think it's seven things. So we got. You need to consume nutrition, you need to breathe air, you need to poop, you need to grow, you need to reproduce, you need to age, you need to move. Just things like that, you know?

Cristina: Yeah.

Jack: Basic s***.

Cristina: But how important are all those things?

Jack: Well, here's where it gets really weird, because not all things fit the category like what we just mentioned. Three things that don't move that we still consider to be alive.

Cristina: Is there anything that doesn't age? That's alive? What?

Jack: Turtles don't age. There's never been a turtle to die of age. They always die because they either get killed by some circumstance, get starved, or are sick. There's no turtle to have known to die of age.

Cristina: Of age.

Jack: Of age. No turtle dies of age. Turtles are the known immortal animal. Yes.

Cristina: Okay.

Jack: But they age. They age, but they don't grow old, if that makes sense. They get older, but they never become seniors.

Cristina: Okay.

Jack: And that is just a weird thing about turtles.

Cristina: That is so weird.

Jack: But also, jellyfish don't age.

Cristina: How do they? What?

Jack: Yep.

Cristina: Like, they don't die the same thing, or is it just like.

Jack: No, they don't age. They don't age at all.

Cristina: They don't.

Jack: They do not age at all. Neither do lobsters.

Cristina: What? Neither do lobsters.

Jack: Neither do lobsters.

Cristina: But they have to. They have at least the age of, like, baby to adult.

Jack: Well, no, you're missing. You're missing. You're missing. They. I guess I got a word. It. They grow up.

Cristina: Yes.

Jack: But they don't grow old.

Cristina: They don't grow old.

Jack: In every one of these instances. They grow up, but they don't grow old.

Cristina: Okay. But they do die. Except for the turtle.

Jack: Not available.

Cristina: Oh, all of them are the same.

Jack: Yeah. They don't die of age.

Cristina: Oh, okay.

Jack: Because they don't age.

Cristina: Yes.

Jack: They don't grow old.

Cristina: Or the jellyfish, the turtle, and what was the lobster?

Jack: Yes, yes, yes, yes, yes. Interesting, right?

Cristina: Yes. And for all these different things, what was it? The different points of life or whatever.

Jack: Yeah, yeah, yeah. The rubric, the checkboxes.

Cristina: The checkbox. Is there an exception for each of those things?

Jack: Not necessarily an exception for all of them, but there's an exception for a lot of them. For example, last year on an episode you were talking about, we found A creature that doesn't require oxygen. Loriciferans, which are a type of. What the f*** are they called? The type of film, the loriciferins, which are a type of film that was discovered to not require oxygen but be related to the other film that are things that.

Cristina: That's a fish. I don't know. I feel like it was something water.

Jack: Related, but I don't know. Microscopic creature.

Cristina: Oh, it's okay.

Jack: And it's the cor. Not the cordyceps. What the h*** are they? The water bears are related to them.

Cristina: Oh, okay.

Jack: And so this is a type of.

Cristina: Water bear that tiny.

Jack: Yes.

Cristina: Oh, okay.

Jack: Except it doesn't need air.

Cristina: What?

Jack: And sticking to the fact that not everything fills out every. Nothing completes the checklist. Not all things complete the checklist. The water bears themselves, what do they.

Cristina: They need.

Jack: They don't need food.

Cristina: They don't need food, but they can eat food.

Jack: They can eat food, but they don't need food. They have starved somehow for up to 30 years without seeing a single response.

Cristina: Well, but. And, and they just live.

Jack: They just fine.

Cristina: They're just fine.

Jack: Just fine.

Cristina: Wow.

Jack: Starve them out for 30 years. F****** nothing.

Cristina: But you would. If you still say these things are.

Jack: Alive, you still call, yes, they are alive. They, in any case, they respond, they do all the other things and then you have to say like, f***. So it doesn't fill out this one, which is crucial.

Cristina: Yeah.

Jack: But then it does all the others. So if like something reproduces, is it alive? If something responds to its environment, is it alive? Because a plant responds to its environment. A plant breathes air, plant drinks water.

Cristina: Are there any, then that. Which of these don't have any? Example of something that doesn't have it.

Jack: Something that doesn't have it. That's a hard one.

Cristina: I don't know, because you said most of them, they're the turtle and whatever. Well, is there any that all of us have related? I mean, is there one thing that everyone has, no matter what, to be alive?

Jack: No, no, no, because. Okay, okay, okay. There would have to be things. But for a fact, if. If one of the things doesn't make. If any creature can fail making one part of the list, there must be situations in which they all happen. Things that we would consider to be alive. In the case of something like sperm, for example, we trace it back. We're like a fetus is alive. Well, a human is alive. A baby is alive. A baby in the womb is alive, which means a fetus is alive. And we keep tracing it and we're like, it's all alive. The ups of sperm before it's even a sperm, when it's just a collection of cells. But that's actually wrong because a sperm neither eats nor poops.

Cristina: So that's two of the things. Okay, so if they're missing more than two or two or more, then you wouldn't call them alive.

Jack: I don't know, it's complicated because some.

Cristina: Of these things were missing one thing, but you'd still say they're alive.

Jack: Yes. So the sperm is missing two and we still call the sperm alive.

Cristina: Yeah. Okay, so but should we. Or should two be the mark of like. Okay, now you're not alive.

Jack: I don't know. See, here's the thing. Here's the thing. I think our definition of life is.

Cristina: Flawed for like this checklist or.

Jack: Yeah, the checklist is f*****. The checklist is f*****. Because there's exceptions to the rule. Yeah, should be. The reason we can't find life is because we have a very strict thing and we're measuring everything by this loose, always changing thing. If we just pick some f****** things and say these things are alive, then we can basically. We need a word for something else. Now let's look at it like this, right? Carbon based life. One type of life. We theorize that there is the possibility for life not based on carbon.

Cristina: Yeah. There's like two other elements that you were talking about in some other episode. They were.

Jack: So there is the possibility that there could be creatures based on other elements that are sticky as well. We just don't have any proof for it. But we're also looking based on a rubric that's always changing. So we can't even find ourselves.

Cristina: Yeah.

Jack: So we need alive and we'll say that's carbon based life. If you're carbon based, you're alive. But let's use a different word that also means alive and say that some other s***. Is that anything that isn't carbon based but seems to have more or less the same things.

Cristina: Yes.

Jack: We can say is Galvan.

Cristina: Galvan.

Jack: Galvan. Which also means essentially animated.

Cristina: Yes. That's when they electrify dead bodies. I think that's alive, but it's not.

Jack: Really alive exactly, it's galvanized.

Cristina: Okay.

Jack: So alive in Galvan. So carbon based life that is alive.

Cristina: Okay.

Jack: And then things that aren't carbon but fill out the rubric are then Galvan. And then we need a rubric for Galvan hard. There's no way to really do that yet. We just have to figure out what life is. Not before we can say what Galvan is. And that's where we're f****** up. Because we have a weird list that's always shifting.

Cristina: Yes, but do you have a list yourself for what life should be then?

Jack: Well, I think we should take out several things. Because nobody's gonna say a turtle isn't alive. Nobody's gonna say that a jellyfish isn't alive. Nobody's gonna say that a lobster isn't alive.

Cristina: No.

Jack: Aging is not a requirement of life. In fact, if we ever find the cure to aging and thus solve the problem of death. Death. We even know what. What things in our body specifically cause aging.

Cristina: Yeah.

Jack: We might solve that problem.

Cristina: We might still be alive even if we solve the problem of death.

Jack: Exactly. In which case we can already foresee a future in which aging isn't a thing. But that doesn't stop us from being alive.

Cristina: Oh, okay.

Jack: So we can remove aging from the equation.

Cristina: Yes.

Jack: The other thing we can definitely remove from is movement.

Cristina: Yeah. That seems really wrong.

Jack: Movement is an issue.

Cristina: Yeah.

Jack: Responding to your environment. Completely unnecessary. And there's one perfect example of that case.

Cristina: What's that?

Jack: You can have a brain dead individual.

Cristina: Okay. That's exactly what I was thinking. Like.

Jack: And they're still alive.

Cristina: They're still alive. That's why. That's why I was thinking. Like that's so wrong. Because that's exactly what I pictured.

Jack: Yeah. It doesn't make sense. It doesn't make any sense. There's still alive even if they're not moving.

Cristina: Yep.

Jack: They have no motion. But you've not said they're dead yet.

Cristina: Mm.

Jack: And those two things are a problem. The other things that obviously don't need to make it are like consciousness. You can't judge that. You can't judge that. Exactly. There's no way to do it. Which would mean the only things that are a requirement for life would be nutrition. You have to consume things.

Cristina: Okay.

Jack: Respiration, you have to inhale oxygen. Excretion, you have to have waste for what you consume. Growth. You need to grow in some degree even if you don't age. Two different things. And reproduction. You need to be able to make more of you.

Cristina: Awesome.

Jack: Now, something that is Galvan doesn't require any of the things I've just mentioned. But it does not at any moment mean that it's not conscious.

Cristina: Because we're not counting anything about conscious though. Because we can't tell.

Jack: Yes. We're saying that any conscious being could be alive. Or Galvan and Galvin is the thing that isn't life, but is not. But it's similar. It's the. It's life that isn't carbon.

Cristina: Okay?

Jack: That's Galvin.

Cristina: Okay.

Jack: And because it's not carbon, it doesn't behave the way that things that are carbon are. But what do we mean? We mean is that it is conscious. It's perceiving the universe.

Cristina: There's no examples of Galvin.

Jack: Not that we can think of. Exactly. Yet.

Cristina: Yes, yet.

Jack: With enough time. But with this list, a couple of weird things will happen. Because most of the things in the world we can easily chalk off to alive and dead. Some of them are hypocritically so.

Cristina: Like what?

Jack: We just don't like some things?

Cristina: We just don't like some.

Jack: Yeah, we just don't like some things. And we done call it not alive because we can't.

Cristina: We.

Jack: We can't talk to it or something, you know. Yes, But a good example of something that fills the rubric out, all right, is fire.

Cristina: Fire.

Jack: Fire needs matter. Yes, yes, the checklist. Fire needs matter. Fire breathes air, Fire leaves waste. Fire grows and it reproduces fire. And the craziest part is it is carbon based.

Cristina: Yes. It fits all this and even fits some of the other things we took off the list, like movement.

Jack: Movement. Yep, yep, yep.

Cristina: What?

Jack: So fire is by any other measure alive. It's a living thing. It responds to its environment.

Cristina: Yeah. What?

Jack: It is a living thing. Fire is a living thing, alright.

Cristina: What?

Jack: Not only that, but fire. So unbelievably similar to humans in so many ways. Let's break down what a human is. Right. So human consists of a cycle of oxygen, carbon, hydrogen, nitrogen, calcium and phosphorus, while fire consists of a cycle of carbon, hydrogen, oxygen and nitrogen. All this f****** missing is phosphorus and calcium.

Cristina: Wow.

Jack: Okay, so then we go on and say humans breathe oxygen. Well, so does fire.

Cristina: Yeah.

Jack: Fire cannot exist without oxygen. It would disappear. It's composed of a combination, particularly the running forces. The big giant chunks of everything that creates a person is carbon and nitrogen. Those are the two big ones out of all the major elements that they're composed of. Well, so is fire. Humans, after they inhale oxygen, they exhale carbon dioxide, which just so happens to be what fire leaves behind after it takes in the air.

Cristina: We're twinning. Oh my gosh, we're twinning.

Jack: F*** yeah. And the obvious one, that humans respond to their environment as does fire. Now, interesting enough. Fire fuses to procreate like a very specific species of angler fish.

Cristina: What do you Mean like angler fish.

Jack: There's an. There's an angler fish that it fuses with the female to reproduce. Their bodies fuse and fire.

Cristina: That's what's happening with fire.

Jack: Fire can fuse to reproduce. Fire doesn't need that to reproduce, but it can do that to reproduce, which is something that we already see in nature by something we already call alive. So it reproduces like something fully biological.

Cristina: What?

Jack: The only difference between fire and humans is that fire isn't, isn't composed of cells. That's an interesting thing that's going on there.

Cristina: We do we. Is that part of the definition? That's not part of the definition.

Jack: No, that's not part of the definition of life.

Cristina: Okay.

Jack: It is not made of cells, although I think people think of it that way. I think that's the general consensus. We're just looking for things that are either cells or made of cells and calling that alive and then trying to nail down the checklist for anything and everything that contains cells. But the problem is not everything falls in.

Cristina: Yes, like this. Like fire.

Jack: Yes, but in this case, by choosing very specific things, we can call something alive without needing the requirement of it being composed of cells. Although it's still carbon based life.

Cristina: It is what? It's a whole different type of life.

Jack: It's a whole different type of life and we can compare it and it makes perfect sense. It is carbon based life that behaves in every, every possible way like a human. It's just not made of cells. The problem is, in science we have a very particular problem where we think we already figured it out and moved forward as such. So cells that's alive. Now anything that has cells is alive by default.

Cristina: But.

Jack: Okay, then make a rule set that tells us. Well, no, if their argument was it's made of cells, thus alive. Fine, but why do we have a checklist then? The checklist would just be it's made out of cells.

Cristina: Yeah.

Jack: Thus alive.

Cristina: The end. But then what about plants? No, they have cells too, right? Yeah, it's just different.

Jack: Different cells.

Cristina: Yeah. Okay.

Jack: That's why I think their argument is that even if they're trying to make a checklist, but the problem is it makes it difficult to discover what is life that isn't made of cells. Yes, that's where it f**** up. Maybe it's a useful measure that we say all things made of cells are alive, but there are things that aren't made of cells that are alive too. Like fire.

Cristina: Yeah, like fire. What's anything else like fire?

Jack: Well, something Very similar to fire is lightning, which is a form of fire, essentially. It's also constructed of nitrogen and oxygen as a response to its environment. And it does not age, which is interesting. Neither does fire. Neither does fire.

Cristina: It's just fire in a different form, though not necessarily. Okay.

Jack: Because its function is completely different and it's sort of composed of a chain reaction in a different way. I guess fire is also. Everything is a chain reaction. Think about it.

Cristina: Okay.

Jack: Yeah. But what's interesting enough, after we have a rubric like this designed, we start getting into the weeds, which it gets weird. It gets really, really, really, really odd as you continue to move forward. Because if we use this rubric and apply it to a fetus, okay. Then we can definitely say even if a fetus is made of cells, this is assuming. We're not saying that all things with cells are alive.

Cristina: No, we're just going based on the checklist.

Jack: Yes, Just this checklist.

Cristina: Yes.

Jack: So based on this checklist, like a fetus breathes through its mother, a fetus consumes nutrition through its mother. It receives food and it poops outward through the umbilical cord. And it receives its oxygen through the umbilical cord and it grows with those things. But it doesn't reproduce, which is problematic because you're a living thing that doesn't reproduce.

Jack: And a fetus isn't a baby yet a fetus is just a fetus. Unless you're also saying the sperm is also a baby. But those doesn't work that way. So fetus does not reproduce. Thus by extension it is not alive. Alive.

Cristina: What, so you're saying only once it's born, it's alive?

Jack: Only once it's born, it's once. Well, it doesn't need to be born, but once it has functional sexual organs.

Cristina: Oh, okay.

Jack: That's when it crosses the threshold and can complete the checklist.

Cristina: Okay.

Jack: Now I think the best approach is a combination of both systems. Right? So we say all things made of cells are factually alive.

Cristina: Okay.

Jack: And anything that completes this checklist.

Cristina: And.

Jack: And yes.

Cristina: All right. So this thing is alive even if it doesn't complete the checklist because it's made out of cells.

Jack: Exactly. So you're made of cells. Check. You're in. Yes, you've made it. That means you don't need anything else on the list.

Cristina: All right, but if you don't have cells, then we check the checklist.

Jack: Yes, check the checklist. You compared to the checklist and you function good. You are a living thing.

Cristina: All right.

Jack: That does not mean conscious. There's no way to tell.

Cristina: Nope.

Jack: Fire could totally not be conscious.

Cristina: Totally could be.

Jack: And it totally could be. It totally could be. There's no way to know.

Cristina: There's no way to know.

Jack: All of it could be intentional. Yeah, there's no way to know. We can't predict fire. Just the same way we can't predict a person. Yeah, it's random. It's chaotic. It moves in ways we can't assume. We can be. Like it's headed that way, but you know, we can never. Like we're gonna go that way and stop preemptively. It's like. But it turned that f*** away instead. There's no way to know. But following the checklist, now let's. Let's use that same checklist and compete with spur compared to sperm.

Cristina: Oh, okay.

Jack: So sperm doesn't breathe, doesn't need oxygen. Sperm doesn't eat. Sperm does not excrete. Sperm doesn't grow. Sperm doesn't reproduce. All it does is respond to its environment. That's it.

Cristina: So it's not alive. Except for that. It's made out of.

Jack: Except for that it's made out of cells.

Cristina: Yeah. So it checks and it has. It's alive even though it doesn't have anything.

Jack: Unless we're saying the checklist is the only way.

Cristina: Yes, but I like using both.

Jack: I think made of cells equals alive or complete the checklist.

Cristina: Yes, I think that's right. How about a tornado? Since you talked about fire and lightning. Is tornado way off.

Jack: A tornado doesn't reproduce.

Cristina: No. Too little tornadoes.

Jack: Hurricane can make tornadoes.

Cristina: Does that count? Does that even though it's one giant thing. I don't know.

Jack: Why does size matter?

Cristina: Does size matter? I don't know. No, it doesn't.

Jack: Okay, well, let's look at the checklist. Needs to consume.

Cristina: Yes. Does it?

Jack: Yes. Water.

Cristina: Water.

Jack: Needs water.

Cristina: Okay.

Jack: And needs air.

Cristina: Okay.

Jack: Doesn't leave waste relative to air or water, though. It doesn't consume those things and then get rid of something. It doesn't leave carbon behind.

Cristina: It leaves water behind.

Jack: That's not waste. It's using it, but it's not getting rid of anything. That's what its body is made out of. Decomposing. If anything it grows, does grow, it can produce reproduction. We can assume the tornado itself. Yes, but then the tornado would in any case be like a sperm. It can't reproduce itself.

Cristina: Yeah, but then it won't be alive because it doesn't.

Jack: Doesn't complete a checklist. And it's not Made of cells.

Cristina: Yep.

Jack: Pretty simple checklist. It's easy to check things off suddenly and we can measure anything. That is the usefulness of something like this. We can immediately just say whether something is alive or not by putting it to this checklist. Easy, simple, easy peasy, lemon squeezy. One thing I do find interesting is the idea of a God that isn't made of cells and also doesn't breathe oxygen and. And also doesn't eat food, and also doesn't excrete and also doesn't grow and also doesn't reproduce. It does reproduce. That's why we're here.

Cristina: That's why everything's here. That's why everything's here.

Jack: So it can produce, reproduce, but it's not made of cells. And he can respond to its environment. That's how he knows good or bad and gets angry or whatever and rearranges things accordingly.

Cristina: I learned so many things from the checklist.

Jack: Yes. God's not alive.

Cristina: He's not alive.

Jack: He's Galvan.

Cristina: He's a Galvan.

Jack: Yes.

Cristina: Oh, wait, I forgot about Galvan.

Jack: Yeah.

Cristina: Okay. Do we have a definition for Galvan?

Jack: Well, for Galvan, we don't know what things are Galvan. We have no checklist for Galvan because we needed to create a checklist for life that did not change first. Again, the one thing we know in Galvan is things there could be consciousness, things there could move, and things there could.

Cristina: So they. They may check off one or two.

Jack: Things off the list, but movement is. I don't know if it's a requirement. No, neither is aging. Something that is Galvan could potentially age, but it's also not in the checklist for life.

Cristina: No.

Jack: So they have things that could exist in both. We know things that could exist in both. And with those leftover things, we can then begin to look. So things that age. Some things that are alive age. Most things that are alive age, but not all things that are alive. So maybe there are Galvan things that age but aren't alive.

Cristina: Okay.

Jack: And maybe there are Galvan things that move aren't alive. Maybe there's Galvan things that respond to their environment but aren't alive.

Cristina: Are you putting sperm and God and Galvan?

Jack: Yes, both for Galvin.

Cristina: Oh, okay.

Jack: Except sperm is made of cells. Oh, yeah.

Cristina: Already? Yeah.

Jack: Sperm is live because.

Cristina: But God and that. Tornado. Not tornado.

Jack: Hurricane.

Cristina: Hurricane. That. Yes. God and that hurricane.

Jack: Hurricane are Calvin. They are animated, but not alive.

Cristina: Okay. We cannot prove that they're cautious or not cautious, because we can't prove Any of it to anything. So.

Jack: So then assuming that we have things that are filling these rubrics, we can say that sperm and fetuses and just plants and whatever. Anything made of cells alive. But then we have fire that's not made of cells, but does check off the entire list. Thus alive.

Cristina: Thus alive.

Jack: Yes, yes. And if it wasn't for the fact that a fetus is made of cells, it would be Galvin. But it's made of cells. Yes, so it's alive. If it wasn't for a fact that sperm doesn't check s*** off the list other than responding to its environment. Yeah, it would be Galvan. But it's made of cells, so it's alive. Meanwhile, God Galvin. Any helium based life would then be Galvan. You could come, you could touch things on the scale and not check off all of them, but still not be made of cells.

Cristina: Yeah.

Jack: And be Galvan.

Cristina: Okay.

Jack: God Galvan. Like a previous episode, we were talking about shadow people. They're probably conscious. They move, they respond to their environment. But their physics are different. They don't necessarily breathe air.

Cristina: We don't.

Jack: They might reproduce.

Cristina: They might.

Jack: We don't know.

Cristina: We don't know much about them.

Jack: Yeah, they would seem to behave alive. Yes, except they're not made of cells. They don't check off the whole list. No, they're Galvan because they are animate and functional and responding to their environment. Maybe aging, maybe could even die.

Cristina: Yeah.

Jack: But aren't made of cells and don't check off the life checklist. Yes, but we know they're not like a rock.

Cristina: No rock. Okay. A rock isn't alive.

Jack: A rock, as far as we know, is obviously. Well, we know it's definitely not alive. But the potential that it's not even Galvin is there.

Cristina: Yes.

Jack: Because there could be a third thing we don't even have a name for because we just made up a f****** name right now.

Cristina: Yeah.

Jack: Add a third name and it doesn't fit Galvin checklist or Alive checklist. But there is consciousness somehow. And that could be a third thing of its own. If it's nothing that we would say is behaving as an animate object that doesn't seem to do anything except perceive, which is weird, but possible because that's what a vegetable is.

Cristina: Yeah.

Jack: And it could totally be haunted.

Cristina: Yeah.

Jack: So we don't know where that lands now, to give Galvin a definition. Right. I guess it would be a being that's not carbon based but still has capacity to be conscious. It doesn't need to be conscious, but it could be conscious. And it needs to. There should be a checklist that in the future we can make that should contain maybe something Galvan does move. Maybe it needs to move.

Cristina: But what about Frankenstein? That was what was based on. But because of this checklist and because of what we just came up with, is it alive?

Jack: Then he's made out of cells.

Cristina: Exactly. That's exactly what I was thinking.

Jack: Like, yeah, he's made out of cells. Frankenstein is.

Cristina: He's not a gallon. Even though he might be inspired by that idea. But our new checklist makes him alive.

Jack: Yes, because we're including being made of cells. And all the separate limbs he's made out of only function, because Cells.

Cristina: Yes.

Jack: So he's definitely alive. Alive.

Cristina: What?

Jack: But now, what's interesting about this is I would argue that something Galvin has to move. We'll put that in that checklist. It has to move. Now, something alive doesn't have to move, but something Galvin does.

Cristina: What about God?

Jack: Well, God can move.

Cristina: How do we know?

Jack: Well, he can do things. He's allegedly been places and he can create. That's all part of emotion.

Cristina: Okay. I guess creating would be part of motion. Just the idea of he has shown.

Jack: People his shoulder, unquote.

Cristina: Oh, yeah.

Jack: And he had to move to do that or something. So based on that, he's Galvin.

Cristina: There's movement.

Jack: There's movement. So he's Galvin because there's movement. I don't know about aging. I feel like that one could be wrong.

Cristina: Aging needs to be there.

Jack: No, like it shouldn't be there because aging feels like a weird one.

Cristina: Aging. I don't know.

Jack: We can't prove shadow people age.

Cristina: No, you can't prove. I don't think aging needs to be there.

Jack: That's what I'm saying. I don't think aging should be. Be there at all.

Cristina: Yeah.

Jack: And now, so. So I guess Galvin is pretty much anything that's not in the life list. So then our Luciferins, the films called Luciferins, are they alive or are they Galvan? They're made of cells.

Cristina: They're made of cells. They're alive.

Jack: Yeah. They're almost cells themselves.

Cristina: Yeah.

Jack: Which means. Yeah, they're alive.

Cristina: They're alive.

Jack: Even if they don't eat.

Cristina: Nope.

Jack: Because they bypass the checklist. If you're missing something from the checklist. Are you made of cells?

Cristina: Yeah.

Jack: Okay, you're in.

Cristina: Yeah. That's it.

Jack: Simple. No question, no doubt in anybody's mind.

Cristina: All those vampires, werewolves, zombies, they're alive.

Jack: All alive. All alive.

Cristina: All of it.

Jack: Even like a fully. If zombies weren't barely alive. If they were, like, if you truly murder somebody to the point that heart stops beating and everything. That at least was a living creature.

Cristina: Mm.

Jack: It was never a Galvan creature.

Cristina: No.

Jack: And if it reanimates, it's again, a living creature.

Cristina: Yes.

Jack: Because it's still made of cells.

Cristina: Yes. Yeah, I think we figured it out. Yeah.

Jack: And that means that turtles, for a fact, are alive. Are alive.

Cristina: Yeah.

Jack: Because we'll never say turtles aren't. But they don't age. And age is a weird one to have there at all.

Cristina: And jellyfish that don't even look like jellyfish. Yeah.

Jack: They look like some whole other s***. They look like a trash bag in the water.

Cristina: They look like aliens.

Jack: Yeah. It's really weird.

Cristina: But do you know any more Galvan creatures? I guess we'd have to. I don't know. That's. That's a tough one.

Jack: No, not necessarily, but that's the problem. We need to then make a checklist of things that we can call Galvan. And I think the only thing that makes sense for now is movement.

Cristina: Yes.

Jack: Because we don't know how. Something like. I'm assuming that Galvan things will behave similar to living things in that most of them can move. And that's a good start.

Cristina: Yes. Okay, let me think. Something that can move.

Jack: Lightning.

Cristina: Lightning is alive.

Jack: It checks off some of the things on the checklist, but it's not made of cells and it doesn't check off all of the things on the checklist.

Cristina: Yeah. So lightning and fire go in there?

Jack: Well, no, because G. Gal. A. Fire completes the checklist.

Cristina: Oh, yeah.

Jack: Fire is alive while lightning is Galvan.

Cristina: Yep. How many things make the checklist that aren't made out of cells? Is fire the only one?

Jack: Fire seems to be the only one, though. Fire is the only one at the moment.

Cristina: Awesome.

Jack: But fire fits everything. A human fits. Consumes matter. Humans consume organic matter. Respiration. Both. Fire inhales oxygen. Humans inhale oxygen. A screecher. Fire exhales carbon dioxide. Humans exhale carbon dioxide. Growth. Fire grows as it consumes. So do people. They grow as they consume. Reproduction. Fires can break off into smaller fires that keep moving and then grow on their own. By consuming, humans can reproduce, have babies that go on consuming and growing, and they can then do the same thing.

Cristina: So is the sun a living planet with, like, fire creatures on it or something?

Jack: Yes. You know, the difference is that the sun does age. The sun is a Different kind of fire.

Cristina: The south.

Jack: Yeah. It has a timer that's internal and ticking, and it's slowly aging, getting older and will die of old age. Something. Yeah. So it not only fits the entire rubric in which fire will definitely. Here's the thing. It doesn't actually. Because it doesn't need oxygen.

Cristina: Doesn't need oxygen.

Jack: It doesn't need oxygen. And it's not made of cells. So it's missing one thing in the checklist, and it's not made of cells. The sun is Galvan.

Cristina: What? How is a fire alive? The sun is Galvan.

Jack: How is lightning? Galvan? Okay, the sun and lightning are closer related than the fire. The fire in the sun.

Cristina: Okay. What? How about lava?

Jack: Lava. It leaves waste. But it doesn't grow. It does age.

Cristina: Does age. It does grow. When it turns into. What's the.

Jack: No, it's not multiplying. It's not getting bigger. It's rolling over things that might be higher up. And it just looks bigger. Yeah, but it's not growing. There's not more of it.

Cristina: So it's not alive.

Jack: No, it's not even Galvan.

Cristina: Or Galvan. All right.

Jack: Like it has movement. It has movement. It definitely has movement, but it doesn't reproduce.

Cristina: I'm thinking something Galvin reproduce.

Jack: I'm thinking something Galvin might need to.

Cristina: Okay.

Jack: I think lightning reproduces.

Cristina: Yes.

Jack: We can see a bigger lightning bolt shred into a million smaller ones, and they break up into a billion smaller ones until they all celestial.

Cristina: You said like angels. Well, we have no idea what they do, so we can't say.

Jack: Well, based on what we know of angels, the lore of angels, they aren't made of cells. They don't breathe oxygen, but they fit the perception of life. They seem conscious, they move of their own accord. They respond to their environment. They can theoretically die.

Cristina: They seem a lot like us.

Jack: Yes, except they're not made of cells. They don't breathe, they don't poo.

Cristina: So put them in the Galvan.

Jack: They're Galvan. Like God.

Cristina: Okay.

Jack: Like God and lightning.

Cristina: Yes, and the sun and the sun.

Jack: God, lightning.

Cristina: But does the God reproduce angels?

Jack: God can reproduce.

Cristina: The sun, though.

Jack: The sun doesn't reproduce. No.

Cristina: So is that still Galvan? Interesting, because now we're having for sure movement and reproduction has to be there.

Jack: S***. Do angels reproduce? Because I don't. Fair enough. Fair enough.

Cristina: We don't really know if angels reproduce or not. Maybe they do.

Jack: And if they don't, then they're not Galvin.

Cristina: Then they're not Gavin. I guess.

Jack: But they seem to be the closest thing to life, I would say. I would argue that angels and shadow people are the same s***, even if they're not. I mean, technically they are, but outside that point, if we went like biblical angels. Yes, and shadow people, then they behave the way humans do and seem to think and can talk and can respond to their environment.

Cristina: They're for sure conscious.

Jack: Sure, for sure. Conscious. But they don't reproduce. So that means reproduction cannot be in that checklist either.

Cristina: Okay, then. So then movement is the only thing.

Jack: We have so far.

Cristina: All right? It's just that you can't. You don't have the. The requirements for living. But you can move. So you're. You're a Galvan.

Jack: No, because lava can move and we can. And we know for a fact it's not reproducing. We know for a fact it's not behaving of any accord. It's just like water rolling. But lightning can reproduce.

Cristina: So then what's the requirement for Galvin?

Jack: I don't know.

Cristina: Judging.

Jack: Okay, fair enough, fair enough, fair enough. What if something galvanized checks off many things off of the life list.

Cristina: Okay.

Jack: But not all of them.

Cristina: All right?

Jack: So you are either alive, in which you're either made of cells, or check off the whole list. Galvin not made of cells. And check off some of the things on the list or some third other s***.

Cristina: Okay, so then what was the one that we were saying? It only has movement, so it doesn't count. Yes, Lava only has movement.

Jack: But then we. We have four. Four tiers. Alive.

Cristina: Yes.

Jack: Galvan.

Cristina: Galvan.

Jack: Whatever movement by itself is. And then something that doesn't even have that.

Cristina: There's nothing that doesn't have movement.

Jack: A rock. It moves a rock. A rock doesn't move by itself.

Cristina: Mountains move.

Jack: Mountains also don't move by themselves.

Cristina: They grow. They don't move.

Jack: They shrink.

Cristina: They shrink. That's something.

Jack: No, no. So that's four tiers. Alive. Galvan motion and no motion. All right, so alive you have. You're either made of cells or check off the whole list.

Cristina: Yes.

Jack: Galvin not made of cells. Check off most of the list. Motion. Not alive. Not. Galvin, you don't check off. You're not made of cells and you only check off motion, which isn't even part of the list.

Cristina: Nope. That's just its own thing.

Jack: That's its own thing. If you can move, lava can move.

Cristina: Planets can move.

Jack: Planets could move. See, we have similarities. Now, water is in perpetual motion in the ocean, yes.

Cristina: So what's Atlas called?

Jack: That's just motion, I guess. We don't have a name for that.

Cristina: It's just things that move. All right. And things that don't move.

Jack: So biological life form and fire.

Cristina: Alive for fact, yes.

Jack: Shadow people, celestials, God, lightning, the sun. Galvin. All Galvin?

Cristina: Yes.

Jack: They don't necessarily check off many things. Well, they check off many things, but not all of them. The sun doesn't reproduce and doesn't breathe.

Cristina: That sounds right.

Jack: It does leave residue. It radiates parts of it, little by little. Excretion of sorts, of it can also get bigger. It ages. That's not even part of the f****** checklist.

Cristina: That's not. But it's so.

Jack: But it takes nutrition. Anything that lands into it, it consumes. It can't reproduce, but it grows. It has excretion. Some of the things on there make it.

Cristina: Yes.

Jack: God is weird because he doesn't satisfy a lot of this.

Cristina: Yes.

Jack: But he reproduces. D***. He only checks off one of the things on the list. So then checking off anything on the list.

Cristina: Okay, okay.

Jack: Without all of the list.

Cristina: Yes. Is galvanized.

Jack: Just one thing on this list. If you reproduce, Galvin, if you grow Galvin, if you excrete, Galvan, if you breathe Galvan, if you eat Galvin, you don't need all of them, you just need one of them. If you do all of them, you're alive.

Cristina: A virus.

Jack: Virus is alive. No virus is Galvan not alive. A virus is Galvin. Because a virus, it's creep. It excretes. And a virus can reproduce.

Cristina: It's not made out of cells.

Jack: It's not.

Cristina: Okay, then it's Galvin.

Jack: It's Galvin.

Cristina: Okay.

Jack: In fact, it kills cells.

Cristina: That's true.

Jack: Or infects them. Or makes them sick.

Cristina: Or it makes them sick.

Jack: Yep. Yeah, but it is Galvan.

Cristina: Yeah.

Jack: And we were struggling. Science has struggled for very long to say whether a virus is alive or not. Well, you know what? It's close, but it's not alive.

Cristina: Yep.

Jack: It's next best thing. It's Galvin.

Cristina: It's God. No.

Jack: God and a virus are more or less the same.

Cristina: It's more or less the same. Who knew?

Jack: So then, what else can we put on that list? We got the sun, we got God, we got angels, we got shadow people, we got lightning. That's an interesting one.

Cristina: Yes.

Jack: Lightning reproduces. Lightning breathes.

Cristina: What else? What else is there?

Jack: And then there's the motionless.

Cristina: The motionless water. Yes. Lava.

Jack: Lava.

Cristina: Wind.

Jack: Wind. Wind is in Motion.

Cristina: Yeah.

Jack: And not one of those things we would say is conscious. We also don't know. There's no way to know.

Cristina: There's no way to know.

Jack: There's no way to know. But they do have motion.

Cristina: Yeah. But no matter where you're on this list, we don't know if you have conscious. Like, you'd be a non moving object, and we still have no idea.

Jack: Yeah, yeah, yeah. You could be conscious in any case. But I guess the ultimate idea would be to try to pin consciousness down, because we. If we can prove that the. In the entire time when we're thinking God, when we're thinking angels, when we're thinking shadow people, we are thinking of things that we can at least say are similar to us in some manner, shape, or form.

Cristina: Yes.

Jack: And we know we're biological, so we'll just chalk off anything biological and throw it into that same thing. Because it's probably, if any. If biology is the root, then for a fact. But if not, here are things that are similar.

Cristina: Yes.

Jack: And the less similar you are, the further down this scale you are. But the closer to us you are, the more likely you are as conscious as me perceiving at this moment and thinking about it.

Cristina: Mm. So the only important thing is looking for, when we're looking for life is the living list.

Jack: Yeah. So we're comparing everything to the living checklist. Yes.

Cristina: Okay.

Jack: And then from the living checklist, we then attach rules to the checklist, rather than say, if you make the checklist, you are one, and if you don't, well, you're not. And instead of that, we'll say the degree of checklist completion. Number one, are you made of cells? Yes. Alive. Okay. Not made of cells. Let's move on to number two. There's a checklist. If you can meet all the requirements on the checklist, you are alive.

Cristina: Yes.

Jack: Great.

Cristina: Mm.

Jack: Now, fair enough. We can say organic in place of alive, because organic inherently means alive. A hundred percent of anything that is made of cells is by default alive. So then we have a tier system. You're either organic, alive, Galvan, movement, moving. Good moving. Or some other s***. Or inanimate. Then. Then we finally hit inanimate.

Cristina: Yes.

Jack: There you go. Five steps. Are you organic? Sweet. That means you accomplish everything else under you except inanimate. Inanimate is the absence of all the others.

Cristina: Yes.

Jack: So you are moving. You do complete the checklist. Some of the things, you complete the whole thing. And you're made of cells. Organic. Organic is, for a fact, the goal. Okay, so you're not organic, are you? Galvin, do you? Or well, are you alive?

Cristina: Are you alive? Yes.

Jack: So then. Interesting, because that puts fire by saying organic over alive.

Cristina: It's not organic, but it's alive.

Jack: Fire is not organic, but it's alive. Yeah.

Cristina: Yeah.

Jack: So we are organic and we are identical to fire in everything, with the exception that fire isn't organic, but it is alive.

Cristina: Yes.

Jack: We're organic, therefore alive, therefore Galvan, therefore moving. But fire isn't organic, but it is alive, therefore Galvan, therefore moving.

Cristina: Yes. Does that work with everything?

Jack: Well, God, celestials, shadow people, lightning, they are all. They're not alive, but they're all Galvan and they're all moving. And lava, air, water, are not organic, not alive, not galvanized, but they're all moving.

Cristina: Yes. Okay. And then inanimate is just.

Jack: Then inanimate. Okay, so water is an animate object.

Cristina: Yeah.

Jack: As is lava, as is air. All animate. They're not inanimate.

Cristina: Yes.

Jack: Interesting. Have we designed. I think that's the proper checklist.

Cristina: Yes. We did it.

Jack: Interesting, interesting, interesting.

Cristina: And the checklist is called the Life checklist. No. Maybe.

Jack: D***. I don't know what the name of the checklist would be because ultimately the purpose of the checklist, of anything like looking for life or whatever the f*** we're trying to do.

Cristina: Yeah.

Jack: Is to. Even if we're trying to find something in any of these categories, we're also ultimately only doing it to try to find consciousness. That is the ultimate goal of any of this. But because the idea is we find a cell, a different planet. Well, that means that life can happen, therefore there could be more complicated life out there. That's really what we're looking for.

Cristina: Yes.

Jack: Where life could happen again.

Cristina: Okay. So it's really the most important is just organic, really.

Jack: No. Because you could get through all these others that. I mean, if we found organic matters elsewhere. That's way more astounding.

Cristina: Yeah.

Jack: Because if life happened in some other way. Well, duh. Well, duh. What are the odds that it just. Exactly the same. Unless there's only one way it could happen.

Cristina: Mm.

Jack: That would be one way. There's only one way it could happen and that's it. Or we have a common ancestor somehow. That'd be the other problem. So it's either life can only happen one way, we'll have way more questions if we do find organic life. Way more questions than answers. Yeah, but if we just find like helium based life or some s***, we'd be like, yep, that makes sense.

Cristina: We just call that a living thing.

Jack: No, that would be Galvin.

Cristina: Galvin.

Jack: Yeah. Because it doesn't necessarily have to fill out the check. It could fill out the checklist and thus be alive.

Cristina: Okay.

Jack: It could also not.

Cristina: Yeah. Okay.

Jack: So the argument to be made is fire might be the only living thing that we can as of now, for a fact, pin down. And isn't organic.

Cristina: That's pretty amazing because then that really does show that there's other.

Jack: Oh, s***.

Cristina: What?

Jack: Oh, no. But it's organic. Okay. I was gonna say the Luciferians, but they're all made of. I was like, what the f***? They don't eat. But no, anything that is organic makes it by default.

Cristina: Yeah.

Jack: So then fire. If we can find anything else.

Cristina: So we have a second example of life.

Jack: Yes. Isn't organic. We have one example of life that isn't organic.

Cristina: So it's possible to find others.

Jack: Yes. We have simplified it.

Cristina: Yes.

Jack: For the scientists.

Cristina: Yes.

Jack: So that they can use. Right there we have proof. It is possible to fill out the checklist.

Cristina: Yes.

Jack: And not be organic.

Cristina: Mm.

Jack: The problem is we're looking for organic, which is stupid because what are the odds now if it did happen? Holy s***. But we didn't answer. S***. We just opened a million doors.

Cristina: Mm.

Jack: Which is. F***. Do we have a common ancestor? Or is f****** biology the only way to do it? Or like, what the f***?

Cristina: Yes.

Jack: So way more questions. But as of now, we have non biological life. If we follow this checklist.

Cristina: And that makes it. That it's possible.

Jack: That makes it possible. Because fire because. Is alive.

Cristina: We're not alone on this earth.

Jack: And it's possible there's other things that we're just not thinking about.

Cristina: No.

Jack: Because at least things that are galvan are a whole other kind of thing.

Cristina: Yeah.

Jack: That is what we were basically trying to say was life before. But our checklist was too shaky.

Cristina: Mm.

Jack: So anything Calvin. It lit. That word is a synonym for alive, by the way. Anybody confused it means animated object. It's a lot. It's alive. The point of that is that it's another word for live. But we're not using alive because you're not completing the life checklist that we made up. Yeah.

Cristina: So.

Jack: Well, actually, the checklist was already made up by scientists. We just removed two things as obligations and said that anything else you have to meet, you can't not not meet it.

Cristina: Yeah.

Jack: Unless you're organic. Then doesn't matter. You've bypassed the checklist. You start at organic, move on to the life checklist. Move on to the Galvan checklist. And then finally. Can you move?

Cristina: Can you.

Jack: Most of the things. All the way through Galvan. So organic, alive. Galvan and moving can move most of the things if you don't fill out anything else. But you can move. You're at least not inanimate.

Cristina: Yeah, we're not interested in inanimate. Inanimate.

Jack: Yes. Because that would be the hardest thing to prove. Conscious.

Cristina: Yes. And we're not really interested in moving either.

Jack: We're less interested than all the other stuff, but we're more interested than we.

Cristina: Are Galvin, I think is when it's like.

Jack: Because Galvin gets really interesting.

Cristina: Yeah.

Jack: Reproduce. Wow.

Cristina: Well, I don't know. I think we're more. It's. It's gotta be over, Gavin.

Jack: It's gotta be Galvin or higher.

Cristina: I think it has to be over Galvin.

Jack: Why?

Cristina: I don't think we're interested in Galvin. What are the things in Galvin again?

Jack: Celestials. Shadow people.

Cristina: Yeah, that's why. That's why. Like, how do you prove any of that?

Jack: Lightning is Galvan.

Cristina: Yeah, that's why we're not interested in lightning. Although we're not interested in fire. And we already proved that that's alive, so never mind.

Jack: Sun is Galvan and it's super related to fire. Like lightning.

Cristina: Yeah.

Jack: Wouldn't be. We be.

Cristina: The scientists don't care.

Jack: It would be like. Look at it like this, right? We have us at organic, thus alive.

Cristina: Yes.

Jack: And we complete the whole checklist. Yeah, but also sperm doesn't complete s*** on the checklist. But it's alive. That's the same as saying there is fire. That completes the checklist. So it's alive. But lightning and the sun don't complete the checklist. So they're Galvin. Sperm is to us what lightning and the sun are to fire. It's one step under. Yeah, except it's the same. But not.

Cristina: Yeah, it's the same.

Jack: The difference is that sperm is in fact organic. Thus it bypasses everything and comes to the top.

Cristina: Unfair.

Jack: But it works. Anyways. That's fascinating as f***. I guess we have a rubric now to determine whether something is alive or not. So like I said, go find. I guess no longer look for an inanimate object. Look for any variant of animate object. Go scoop up some lava with your hand and make it listen to the podcast.

Cristina: I thought you were just talking to your walls. Why you gotta scoop lava now?

Jack: Because walls are inanimate and we're no longer interested in. I began this episode. Wrong.

Cristina: Okay.

Jack: So they have to scoop up, bare minimum, something moving.

Cristina: Like lava.

Jack: Like lava. Just scoop up.

Cristina: Scoop up some wind.

Jack: Scoop up some wind and you can listen to the show.

Cristina: Yeah.

Jack: If it responds, then.

Cristina: Mm.

Jack: Interesting. Interesting.

Cristina: I think we got it.

Jack: I think. I think we nailed something down.

Cristina: We're scientists. Right here.

Jack: At least we simplified it for scientists. Anyways, if you guys got. If you guys like weird discussions like this. There are many discussions of this nature. We haven't done one this detailed in a while, but there's a bunch of weird s*** out there. You can go find out what it would be like if we, like, powered society with a potato, if you want to know.

Cristina: Oh, yeah, Remember that? Yeah, The. The machine. We had a time machine for a short.

Jack: Time machine. We. For a short time. We literally still have that time machine.

Cristina: We never used it. You used it to stop us from.

Jack: Killing cat people or something.

Cristina: You wanted to kill a cat people? I don't know.

Jack: Whatever. The point is. Point is we got. We got episodes where things happen.

Cristina: Things happen. Yeah.

Jack: Yeah. And we look for life in a different episode. We actively search for life. So, yeah, go listen to those episodes. Listen to other things. I think we just had a questions episode or some s***. Anyways, if you want to find that stuff, you can find it at the official website@greatthoughts.info or on Apple Podcast, Spotify, or anywhere you get your podcasts.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTokod.

Jack: Yes. And you can subscribe and rate the show. And if you feel so inclined, you can always review the show.

Cristina: Give us your rating. We eat that. We eat that for dinner.

Jack: Yes. Yes, we do. You don't rate us, we starve.

Cristina: Yes. If you don't rate us, we starve. Help. And let someone who might like this show know about it.

Jack: Word of mouth. Tell people that we've solved the problem of life and then show them what we've come up with.

Cristina: And then show them your missing arm because you scooped up Blobber. Again, this has been the Just Conversation podcast. Take nothing personal and thanks for listening. Bye.

Jack: And balance.

Cristina: Balance. Yeah.

Jack: Creation and Atheos. Destruction and shaggy reason in the flying Spaghetti Monster. And chaos and Kek.

Cristina: What about Chuck Norris?

Jack: He's not a God.

Cristina: He's not? No.

Jack: I guess he's like a trickster.

Cristina: Yeah. Yeah. I guess he's more like.

Jack: He exists in sort of the pockets of f****** reality.

Cristina: If anything, he's a reality breaker.

Jack: Yeah. He's like Deadpool.

Cristina: Yeah. Yep.

Jack: Deadpool could be Shaggy that's so overpowered because he has this thing that makes no sense and cannot be explained in any f****** way, which is the ability to leave a panel. It's too overpowered. It seems so simple, but in any comic book page, he's basically invincible.

Cristina: Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister, with social media managed by Amber Black.

Rambling 55: Kardashev Scale

Kardeshev Scale, Aspace, Astronomy, The Just Conversation Podcast, Science, Research, Exploration

The Kardashev Scale is discussed. A scale which breaks down the development stages of civilizations from planetary to galactic and all the way up to universal based entirely on energy consumption capabilities.

Story:
In light of the recent discovery that there is life at Alpha Centuri, the clone duo head back to NASA headquarters to learn whether it’s possible to establish a mission there with a team of subhumans. While waiting for their scheduled meeting the duo sets up their equipment and begin to break down the Kardashev Scale in which civilizations are listed according to their power consumption and capacity with hopes of identifying where the aliens at Alpha Centuri fall.

Rambling 55: Kardashev Scale
The Rambling Podcast

If on Tumblr Listen HERE!

Remember to leave us a review on Apple Podcasts or anywhere you listen to podcasts to help us get noticed.We’ll read our favorites Apple Podcast reviews on the show! Tell friends, family or anyone you know who’ll like the show about it.

+ Episode Details

Topics Discussed

  • The Kardashev Scale
  • Life on Alpha Centuri
  • Colonizing Neighbor Planets
  • Terraforming
  • Mayans in Space
  • Space Exploration
  • Creating Planets
  • Galactic Exploration
  • Consuming Galaxies
  • StarTrek Borg
  • Catching Black Holes
  • Living Galaxies
  • Dyson Spheres
  • The Universe
  • The Multiverse
  • Universal Consciousness
  • Reality

Be sure to checkout the 10ish Podcast on Apple Podcasts! https://podcasts.apple.com/us/podcast/10ish-podcast/id1434572769

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopo

Instagram - https://instagram.com/justconvopod

Official Website - https://greythoughts.info/podcast

Rambling 48: Black Hole Questions

Black Hole, Listener Questions, Submission, Listener SUbmission, The Just Conversation Podcast, Astronomy,  Astronaut, Radia, Questions, Answers, Science, Astrophysicist, Astrophysics

Questions about NASA’s recent reveal of the Black Hole image are answered. From what it is, to where it leads, to how it’s created.

Story:
Shortly after NASA revealed their image of the black hole the clones of the philosophers were given orders by the Illuminati to misinform the public on the subject. Obeying their orders, Cristy and Jack disguise themselves as the StarTalk hosts and attempt to convince listeners, to the best of their ability, of incorrect information to benefit the CEO of the Illuminati. In doing so they realize they’ve been lied to by scientists and NASA about Flat Space. A complex cover designed to conceal the fact that space is round. After informing the Illuminati of this discovery, they’re ordered to investigate the validity of Round Space. What the philosopher’s clones learn is astounding!

Rambling 48: Black Hole Questions
The Rambling Podcast

+ Episode Details

Topics Discussed

  • Black Holes
  • NASA
  • Subspace
  • White Holes
  • Wormholes
  • Future Science
  • Quantum Computing
  • Sagittarius A
  • The Big Bang
  • Singularities
  • Round Space
  • Flat Space

JCP 2.11.01 Thanksgiving & The Illuminati Attack

Dave The Klone, Thanksgiving, Illuminati, The Just Conversation Podcast, Guest

On this episode the philosophers are joined by Dave “The Klone,” founder of the Hollow9ine Podcast Network. The trio are on site at Government Con showing off their Jaws themed cosplay. There they network and find themselves sucked into the world of directors. Using their newly acquired directing skills they attempt to create something with strong commentary on Jehovah’s beef with snakes. Shortly thereafter the debate of whether Jehovah is Zeus’ brother or not breaks out. Just as the debate is getting too woke the Illuminati attacks the podcasting studio cutting the conversation with Dave short.

All that an more on this episode of The Just Conversation Podcast

The Hollow9ine Podcast Network

JCP 2.11.01 Thanksgiving & The Illuminati Attack
The Just Conversation Podcast

JCP 2.08 Secret Societies & Flat Earth

On this episode of The Just Conversation Podcast the Philosophers are joined by guest Dave Maresca of the Hollow9ine Network to discuss the Matrix we live in and the Multiverse that its based in. The atom smasher launches France to another galaxy.  Time and space is folded! A bus that might never arrive is waited for. The Illuminati at Comic-Con. The Pyramid Earth! Secret cities with no roads in or out are discovered. The other side of the polar ice caps is explored. And conspiracy theories.

All that and more on this Episode of The Just Conversation Podcast.
Take nothing personal.

JCP 2.08 Secret Societies & Flat Earth
The Just Conversation Podcast