JCP 5.09 3 Questions & Optimistic Perspectives

Guest Corey Kareem, host of ‘3 Questions by Corey Kareem’, joins Jack for a lengthy discussion on failure, perspective and the ups and downs of life. Corey is an optimist wanting to share positive perspectives and outlooks in his life and the life of others. His podcast is a great platform to hear the human struggles and how they are overcome by people from many walks of life.

JCP 5.09 3 Questions & Optimistic Perspectives

+Episode Details

Topics Discussed

  • Perspectivism
  • Optimism vs Pessimism
  • Failure and Success
  • Overcoming Difficulties
  • Self Perception
  • Setting Goals and Chasing Dreams
  • Life Changing Circumstances
  • Marketing
  • Sharing Wisdom and Experience

Corey Kareem Links:

Instagram: https://instagram.com/coreykareem

Apple Podcasts: https://podcasts.apple.com/ca/podcast/3-questions-by-corey-kareem-learn-how-to-fail-better/id1511049625

Spotify: https://open.spotify.com/show/3PUcSYCQl37wrZZUeQ3ODv

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Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod

Rambling 123: Moon Conspiracies

Moon Conspiracy, Space, Just Conversation, Podcast, Podcasting, Podcaster, Podcasts, Theory, Science, Moon Landing, Aliens

Was the moon landing faked? Is the moon an intricate hologram designed to hide what’s truly in our skies? Conspiracy theories of the moon unpacked!

Story:
Having recently sent subhumans to investigate the moon due to recent cow abductions and the need to give listeners Stockholm Syndrome, the duo decides to unpack some of the conspiracy theories surrounding our floating space neighbor. In the process the shocking realization that some of these conspiracy theories are possible rises. What’s most shocking is which of these conspiracies has particularly strong evidence in its favor! Find out which on this episode of Just Conversation!

Rambling 123: Moon Conspiracies

+Episode Details

Topics Discussed

  • Stockholm Syndrome
  • Cheese Moon
  • Hologram Moon
  • Illuminati Moon Base
  • Moon Aliens
  • Faked Moon Landing
  • Hollow Moon
  • City on the Moon
  • Advanced Moon Technology
  • Crrow7777
  • Unlisted Satellite
  • Secret Moon Research
  • Area 51
  • Government Secrets
  • Ringing Moon

Art Design by Zero Lupo ( https://instagram.com/zero_lupo )

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Just Conversation Podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are release.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discussed.

Jack: Yes. So grab your gun.

Cristina: Why?

Jack: Casually load it up with rounds outside, in public, in front of complete strangers, one by one, while smiling at them. Then you close that revolver and you start walking towards them and you say, hey, we're gonna watch. I guess you could watch, theoretically. You just have to, like, travel back in time and come watch us. If you have a time machine, you.

Cristina: Watch us, but otherwise watch us on YouTube. You could, but you're not really watching. Watching us, but it's there.

Jack: Yeah, you could, theoretically, I mean, watch a still image, but you can hear. We're gonna hear a show. We're gonna go hear a show called the Just Conversation Podcast. And when they're like, what the f***? Who the h*** are you? You're just gonna lift your. They already saw you with the gun, and you already pinned it to, like, your belt. You're just gonna lift your shirt up a little and you're gonna repeat.

Cristina: I thought he was already holding it.

Jack: No, he was holding it. He put it. He pinned it into his, like, belt. And then he walked up and he's like, hey. Because he made sure they saw him walk over with the gun, and then he put it there. And then he's like, we're going to go watch. We're going to go listen to a podcast. And the people are like, no. And then he lifts up the shirt just a little to remind them that he has a gun that he just loaded in front of them. He's like, we're going to go listen to a podcast.

Cristina: Yeah.

Jack: And that's how you're going to get a listening companion. By the end of the episode, you're going to have a new best friend that's going to want to listen every time.

Cristina: Mm, this sounds great.

Jack: Definitely. That's how it goes. Look, people get Stockholm Syndrome. You just gotta.

Cristina: It's just gonna lead to them having someone to listen for the rest of their lives. I guess. Like, this person is just gonna.

Jack: Yes, but also you're gonna get rid of them. After this episode. You could tell Them to go home.

Cristina: Oh, okay.

Jack: Yeah.

Cristina: What?

Jack: Yeah, you just needed them to hear one episode.

Cristina: Okay? The next episode.

Jack: Then you find a new listening partner. I feel like you don't know how the introduction of the show works. Why wouldn't it be the same person? How boring.

Cristina: I don't know. You said something about Stockholm syndrome.

Jack: Yeah, that's fine. They might not want to go after you forcefully put them in a situation in which they had to be there. But that sounds like personal problem. Okay, okay, like, bro, this is over. We do what we're gonna do. Go home.

Cristina: Oh, they might be too attached.

Jack: They might be too attached. But look, it sounds like a personal problem, okay? They're the crazy people at that point, that kind of individual, you can't trust them. Those are usually the freaking maniacs, right? Think of, like. Think of, like, flat earthers, right? They find another flat Earther, and they're immediately committed, and they're like, we're not gonna reinforce our beliefs with each other. That same emotional state is gonna f****** happen in this case. And they're just gonna be like, look, now. Now we're podcasting, and there's so much weird s*** in here. They're already the type of person who gets Stockholm syndrome. Then they're just gonna be the kind of person who's gonna believe all the crazy conspiracies and all the crazy s*** that we talk about on the show. They are now convinced they're converts to what?

Cristina: Many things that we like.

Jack: Yeah.

Cristina: So many.

Jack: They're part of the clone army.

Cristina: They're part of the clone army.

Jack: That's what we call our fans, right? The clone army.

Cristina: We have a name for our fans.

Jack: No, they're just subhumans. Our fans. Yeah. We established this before, but we never say it. We got to say it all the time. There are. There are our listeners. Are the subhumans okay? Yes.

Cristina: Okay.

Jack: Yes.

Cristina: Even though they're not the actual subhumans.

Jack: Even though they're not the actual subhumans. Yeah, we actually have subhumans, which we sent to the moon recently to prove that it was made of cheese.

Cristina: Is that.

Jack: Was that. There was a cheese castle or some s***?

Cristina: There's definitely a cheese castle.

Jack: Yeah.

Cristina: Aliens who were obsessed with cheese, I guess.

Jack: Yeah. And that's why they steal the cows.

Cristina: I remember. Yes.

Jack: I remember. I remember one of those glorious conspiracy theories that was created by who the f*** knows what. That's kind of crazy when you think about it. Does somebody. I mean, I guess all the moon conspiracy theories are nuts, but, like, the Fact that there's one about cheese on the moon.

Cristina: Yes.

Jack: Like, whoa, dude.

Cristina: Ah, it looks similar to cheese. I can't believe someone actually believes that it's made out of cheese.

Jack: Do you think it's just like trolling? Like a troll conspiracy maybe?

Cristina: Like, you really think people there's like a real conspiracy that, man.

Jack: I wouldn't be surprised.

Cristina: The moon is made up cheese.

Jack: I wouldn't be surprised. I would. I would totally not put it past at least one person on earth. There's 7.5 billion people on this planet. One of them thinks the moon is made out of cheese.

Cristina: For real?

Jack: For real. Like, swears that that moon is made out of cheese. They probably can't explain how, but they're like, I also don't know how the sun works. So like, you know, they're rationalizing it and s***.

Cristina: Yeah.

Jack: Like, I don't even know how the sun works. You tell me how air functions. So why can't the moon be made out of cheese? You know that logic instead of the freaking anti vaxxer logic. It's like, I don't get it. Therefore it must be wrong. Yeah. I don't understand physics. So it's wrong. Scientists are lying.

Cristina: Yes.

Jack: It's like, I'm sure that's not how anything works. Just because you don't f****** understand does not mean it is a lie. It kind of means you're stupid. Really?

Cristina: No. The Earth is flat and the moon is made out of cheese. These two things make sense together.

Jack: Not only that, not only is the earth flat and the moon made out of cheese, but the moon orbits in a circular motion around the edge of the disk with the sun opposite. Opposite the moon. I'm not entirely sure why the sun is opposite the moon on this f****** thing, but whatever. Maybe they do. Well, no, we see the moon and the sun together sometimes, right?

Cristina: Yes.

Jack: So do they believe that the moon or the sun moves faster than the other? Like the sun is the faster one that makes whole lapse every day while the moon doesn't.

Cristina: Yes, maybe. Or maybe they don't realize that happens.

Jack: And they're like, they're always opposite each other and when they see the moon in the sky, they're like, that's some other s***.

Cristina: Yes, yes, man.

Jack: Like, I'm not surprised. I wouldn't put it past anybody. You know, that's kind of how this goes. But like. All right, so a bunch of people believe a bunch of crazy s*** about the moon, right?

Cristina: Yes.

Jack: The most consistent one is the the moon landing was faked.

Cristina: Yeah. Because that's the most, like, that's all.

Jack: Anybody knows about the f****** moon. Yeah, the moon. Land people landed on the moon.

Cristina: That was the biggest event.

Jack: But look. Oh, God. Some of the f****** things they discuss are so stupid about that. Yeah. For example, the. The light contrast, the fact that you look up and there's no stars. The fact that they. They see the moon reflecting. This is the moon is really, really bright, but they don't see stars in.

Cristina: The sky like these in that photo or I read.

Jack: Not the photo in the photos and videos. And like, there's explanations behind all of this s***, but they're not gonna pay attention to any of it. They're really, really unbelievably fixated on it being fake. And even if you present them with all the evidence that says we can replicate the exact circumstances that answer any one of these things, well, if you.

Cristina: Replicate it, you just prove that you faked it because you just. Like, that's no. That what they think.

Jack: No, no, no, no, no. I don't mean replicate it in a fake manner. I'm saying you can prove that these instances happen.

Cristina: Yeah.

Jack: Like that we can suppress the stars from the sky with a bright enough light in contrast to those stars, the suppressing them, things like that. And so they are, I don't know, people crazy. They want to believe what they want.

Cristina: To believe what was, like, the craziest thing they think of the moon. Or like what people think, like, the.

Jack: Craziest thing they think of the moon. I would say that the moon is a hologram.

Cristina: As a hologram.

Jack: That is crazy.

Cristina: That is pretty crazy.

Jack: Yeah. They think the Illuminati is doing it.

Cristina: And why are the Illuminati doing it?

Jack: Well, there's a multitude of reasons. I think the Illuminati is doing it primarily because they probably have a secret base that is on the moon for the elites who are part of the Illuminati to hang out because they're filthy rich and can afford going to the moon, which theoretically means they've been able to go to the moon for very, very long, maybe even longer than the moon.

Cristina: But it's not really a moon.

Jack: There is a moon up there.

Cristina: Oh, there is a moon.

Jack: In this scenario, there is actually a moon, but there's a hologram moon projected over the moon to hide the fact that the moon is its own civilization, essentially for elites.

Cristina: How does this.

Jack: This is no different hologram than flat earth. And over the ice wall that we're not allowed to cross, there being cities for elites. Okay, this is the we believe in science but they're lying to us version of we're crazy.

Cristina: Okay. But I don't understand. Like, there's cities under the hologram. How does this hologram work?

Jack: Hologram is. Well, we can't. The hologram is just projected onto the moon.

Cristina: Onto the moon?

Jack: Yeah.

Cristina: That's just so crazy. Okay, but like, if the people on the moon, when they look up, they just see the hologram of the moon.

Jack: The people on the moon?

Cristina: Yeah.

Jack: No, the people on the moon just see Earth. The hologram is on them.

Cristina: It's on them. Okay.

Jack: Look at it like this. If you stand in front of a projector.

Cristina: Yeah.

Jack: Looking back at the projector, you just see the light that's projecting the thing.

Cristina: Okay.

Jack: But if you turn around, you will see the thing, the thing being projected.

Cristina: Okay.

Jack: We're on the side of the projector, seeing what's projected. They're on what's being projected. Just seeing where the projection is coming from.

Cristina: Yeah. Yeah. Okay.

Jack: Yeah. And not even necessarily seeing a giant light coming from the sky where Earth would be, because it doesn't actually need to be literally so. Exactly. On the moon. They're just probably obscuring a part of the sky, preventing anybody from seeing the moon.

Cristina: Okay. Are they also the ones like, there's something in the dark side of the moon, or is that a whole different thing?

Jack: That's a whole other thing that has to do with the Apollo moon landing.

Cristina: That's the new. How?

Jack: Well, they think that the reason we don't go back is because the moon landing was real. But when we landed on the moon, we found something. We found something. We found many somethings.

Cristina: Like, alien something.

Jack: Yeah. It ranges. There has been talks that they have found buildings, they have found technology, they have found a bunch of different things. And on the dark side of the moon, particular, like on the surface, where it's not the dark side where we could see, there were little things here and there. But on the opposite side, on the dark side, which isn't really dark because it gets lit all the time. We just don't see it happen. There were buildings, maybe even alien settlements, maybe even alien civilizations.

Cristina: But, like, the aliens are alive. Are they there right now or is like ancient stuff?

Jack: Like, don't know. None of that is clear. It could have been. I'm sure this variance. These in some cases are probably like, we saw aliens and they were like, don't come back. In other cases, like, there was abandoned cities. That means there's something out here that killed Them?

Cristina: Yeah, that could totally, you know, sounds so horror.

Jack: Like the xenomorph is just really hanging up on the moon and s***.

Cristina: Yeah, that would stop us from going back.

Jack: Yeah, it's nuts. Like the possibilities of a city on the moon on the dark side. How would be nuts? That'd be so crazy. That would be really cool.

Cristina: Yeah, but what about all these planets to go to the moon? Do they not matter? Would all of these theories just disappear?

Jack: Well, no. All you got to think about relative to that is who's going up to the moon.

Cristina: Oh, because it's going to be astronauts.

Jack: It's the same f****** people who are hiding the secret in the first place.

Cristina: What about when they have just regular people eventually are going to be able to at least go around the moon? I think.

Jack: Yeah. I would argue that they're going to one, make routes that don't go through the dark side. That's the far end of the moon. We're probably not going to circle around the moon. We're probably going to fly by the moon. Thus the courses in which the route that we travel is intentionally planned so that people don't see giant cities.

Cristina: Okay, but they would at least show us where the actual landing spots are. I mean that should be proof for that. One thing that people worry about, like, is that real? We could finally see it.

Jack: Well, here's what's interesting. Yes, that should totally be up there. There is a conspiracy about the moon landing that suggests that the moon landing did happen, but it didn't happen when we thought it happened.

Cristina: Okay.

Jack: And it goes like this. The idea is that the Russians were getting too close technologically to actually be able to reach us there. And because we're f****** egotistic maniacs, we couldn't let that happen. We have to be there f****** first. Because we're, we're the best, America.

Jack: That sounds right. Right. So we were like, no, we gotta do it. But we couldn't. And so we saw that they're just a couple of days from launching some s*** that'll get up there.

Cristina: So we did it.

Jack: So we faked it.

Cristina: We faked it.

Jack: Okay, we faked it. But that's not to say the moon landing didn't happen. They just obscured the timelines. And it goes like this, right? So we go into a facility in which we recreate the conditions we expect to see. Einstein's theory of relativity is pretty spot on. The last bit was proven after we saw gravitational waves. He's been a hundred percent right about everything. He's Ever predicted. Meaning basing everything on that, we had a pretty accurate estimate of what was going to happen when we got up there. We knew how the gravity was going to work. We knew how everything was going to function.

Cristina: Okay?

Jack: So we replicated what it would have been like to be up there, how the sky would look, how the. The moon's surface would look and all these things. And we did sort of a rehearsal landing where we land on the moon or whatever, but it's really a pool, the inside of a ginormous pool where we have the people.

Cristina: And we recorded that or something.

Jack: Yes. And we record that part and we digitally remove bubbles and crap like that. That's moving around in the water to enhance the moon effect. Now, everything that was done with all your scientists, you leave no room for error. You leave no room for chance. Everything is scripted to the T. Okay. So everything you were going to do on the moon, you had to rehearse anyways.

Cristina: Yeah. So.

Jack: So that, you know, step by step, everything you were gonna do, how you were gonna do it, why you were gonna do it, every inch of everything had to be. You have to know how long you're on there. You have to move quickly. Don't waste feel no nothing. And so they replicate what was going to happen, and they record it and then air that. And it probably doesn't even air live. Like, they record the whole s*** first. They edit the whole thing and then they pretend it's live. They show it on tv. They make a big thing about it. Everybody's all excited. The Duke's mind blows out of his skull and he's like, whoa, these guys are my heroes.

Cristina: They're the manliest men in the world.

Jack: Yes. All of this and it didn't even happen. They were still planning to go to.

Cristina: The moon, and they eventually did.

Jack: Months to years later, they take the trip to the moon and do everything that was rehearsed. All of it. The flag is where it needs to be, the technology abandoned where it needs to be. Everything is where it needs to be. Because that was all part of the plan anyways, so that when people do travel through the moon, tourism and blah, blah, blah, they can land and see what was really there from the real moon landing, just not the one that they watched on tv. But it was identical. There's no difference other than it happened later.

Cristina: When it comes to the video, wouldn't people be able to know if it was edited in a special way?

Jack: People swear they think they can tell.

Cristina: Oh, okay. Yeah.

Jack: That's consistently an argued thing. People look at the video all the time and they're like, look at this glitch and look at that glitch. And blah, blah, blah, blah, blah.

Cristina: Oh, but they do that with like the. The map of the world and stuff like that.

Jack: Yeah, yeah. Everybody's crazy. They do it with some s***.

Cristina: Yes.

Jack: It's like the. The 911 bombing thing with the plane. It's like. Well, it looks like this from here. Looks like that from there was clearly edited.

Cristina: Yes. Yeah.

Jack: So it's like that's always f****** happening.

Cristina: That happens a lot. Okay. Yeah.

Jack: Literally everything.

Cristina: Yes.

Jack: There's crap that isn't even conspiracy theories that people just start making, digging into videos and being like, I see discrepancies. It's.

Cristina: Yes, yes. Okay. And a lot of evil clouds. For some reason. It's either some type of bomb or you see the devil in the clouds.

Jack: Oh, my God. That happens all the time. Yes. Anytime anything happens, if there's a fire, I see the devil in the fire. Those are usually religious people.

Cristina: Oh, okay.

Jack: Demons and.

Cristina: But yes, it's like one is a bomb or two evil clouds.

Jack: The other one is when the sky behaves a certain way. Like normal phenomena. That's just rare, I guess. Not normal, but phenomenon. That's just rare.

Cristina: Yeah.

Jack: And like the sky parts in a certain way and the God ray shoots from a specific direction and people are like, God is up there. Whatever. And it's like, man, that was just the clouds opening up in that one patch. Come on.

Cristina: Yeah.

Jack: Like. No, you see, God is shining on a spot. There must be something important over that spot.

Cristina: It's always.

Jack: People need something to believe in, man. Whether it's a conspiracy theory or that God is aiming at like a grass patch or some.

Cristina: That's crazy. Has it. Have anyone seen Jesus on the moon yet?

Jack: Jesus on. I'm sure they have. There's some. There's so much weird s*** about the moon, man. People think the craziest thing about it, like the fact that the moon is hollow. People swear. People swear the moon is hollow.

Cristina: So there's a. Cities outside and it's hollow inside. Or the cities are actually inside this.

Jack: No, these are different conspiracies, okay? They're not all. It's not that the moon is hollow. There's a hologram on the moon landing whistle. Faked. But it did happen late. Like, it's not all. I mean, I guess it could be.

Cristina: Theoretically, someone could have thought all of these things are true at once.

Jack: They probably stitch it together in some manner, shape or form. To make it make sense.

Cristina: Yeah, like with the Illuminati things and all those conspiracy. There's a someone who connects every single event to that same one thing. Yeah, so it can happen with the moon.

Jack: Look, let's be real. We know the Illuminati doesn't do anything. We work for the Illuminati. We're here informing you. We wouldn't be telling you that the moon landing was fake. If it's real, we're telling you it's real. Of course I don't f****** know it's real. But I know that our bosses aren't responsible for anything. But there is definitely somebody out there trying to stitch everything. And based on how often we get blamed for everything, it. Like, if anybody was responsible, it would f****** be us. Right? Based on how often the Illuminati gets blamed.

Cristina: Yeah. So this probably has something to do with us.

Jack: It doesn't. But if anybody was to blame, like, who's the most likely culprit? If everybody says it's you, it's probably you. We know it's not. But, like, if it all. All of this is crazy, but if it all turned out to be true, then, s***, it was probably us.

Cristina: Well, yeah, we do know about the aliens who are obsessed with arches.

Jack: Yeah. And they steal all our cows to create. They need them for infrastructure. This has been established. Yes, the aliens on the Moon, on the dark side of the Moon, abduct cows.

Cristina: But any proof on this hollow thing?

Jack: Yes, there's actually a crazy little bit of proof which is kind of fascinating.

Cristina: Crazy little bit.

Jack: It's small and also big.

Cristina: Okay, what's that?

Jack: It's the craters on the Moon.

Cristina: The craters themselves.

Jack: Yes. There is a literal problem which scientists don't really understand even today, why this is the case. But the conspiracy kind of comes from that question mark, which is. The craters on the Moon are very shallow. They are very, very shallow.

Cristina: Mm.

Jack: For the size that they are in width. If something impacted them that f****** huge, it should be way deeper. But it's not.

Cristina: But it's not.

Jack: The impact somehow didn't penetrate dirt. Loose dirt. It couldn't, for whatever reason. And the assumption is that the reason is because beneath the surface is a metal hole. And the. The meteors that hit the Moon go as far as the metal hole and shatter there, because they can't penetrate that.

Cristina: Ooh. So this is just an explanation to something that we already have questions about.

Jack: Yes.

Cristina: That's the best place to put a conspiracy.

Jack: That is the best place to put a conspiracy. It's kind of how God happens. It's like we got questions about this thing. That's because God did it. Yes, God did it. Why didn't that rock penetrate to the center of the moon? God did it.

Cristina: There is pro. Is that now.

Jack: I mean, that's probably like God is protecting the moon.

Cristina: Yes.

Jack: I don't know. But the smaller meteor meteors at land, the smaller meteors that hit the moon leave proper sized, but not the great ones, but not the big ones. The big ones seem to stop abnormally shallow. And there's no answer for that. That's how they measured. The question comes out of that. If it was just that it was very dense, a rock hitting it would leave a shock wave which would expand the dirt.

Cristina: Yeah.

Jack: But not pierce too deep. But it doesn't apply when you hit it with something smaller that still seems to go as deep as it should and as wide as it should. If we didn't have the small ones behaving the way they should, then we'd just be like, well, no, all of them do the same thing. It's just really thick, dense dirt. And when they hit, it stops them to some degree. And so it's way shallower, even if the shockwave still disturbs the surface. But the small ones don't do that. It's only after a certain depth gets reached that it just stops suddenly.

Cristina: That is strange.

Jack: Yep. Alternatively, the real argument should be that the moon is incredibly credibly dense. But the fact that there's low gravity beats that argument. If it was very, very dense, it would have a lot of gravity.

Cristina: Oh, okay.

Jack: But because it doesn't have a lot of gravity, we know the center isn't dense. But why is it stopping f****** giant meteors from piercing?

Cristina: Yes.

Jack: Kind of weird problem, right?

Cristina: It's a weird problem.

Jack: Yeah. So they believe. Yes. Hollow in the middle. But it has a hull that they're impacting. There's something inside the moon. Maybe civilizations. Maybe it's an alien spaceship. That's a crazy one too. They believe that the moon.

Cristina: Okay, but that now we're going to.

Jack: Different things variants of what the moon being hollow means. So before there was explanations of the moon being hollow.

Cristina: Yes.

Jack: Now what does it mean that it's hollow? So one is that there is alien civilizations there to just move them to a good system. And they found a planet in the right zone that they could park their ship around.

Cristina: Yeah.

Jack: And they live in there and they don't bother us or anything. They're just living their lives or whatever. And it's self sustained. They just need energy. Maybe their own system, maybe their own system is too dead. Maybe the star exploded and the trip somewhere else is too far. Maybe just getting here was too difficult. And so they're just here, they're just staying here. So they just parked around the perfect spot.

Cristina: So they're just living in the moon.

Jack: Just living in the moon.

Cristina: People who believe in the hollow moon thing are they all, do they all believe that there's aliens in there or do some just think it's hollow? But that doesn't mean equal aliens?

Jack: Yes, there are some people that believe it. Well, in every instance the hollow moon kind of equates to aliens, but in different contexts. Like we were saying before, there could be a city on the dark side of the moon that has been attacked and is dead.

Cristina: Yeah.

Jack: Similarly, it could be an abandoned hollow moon. The inside of the moon could have dead civilizations. Maybe it's ancient.

Cristina: Okay, so it could have naturally been hollow somehow. No, that's not a possibility.

Jack: No, nature doesn't work that way.

Cristina: Oh, okay.

Jack: Everything starts from the center and builds outwards.

Cristina: Oh, all right.

Jack: So in the case of the hollow moon having a dead civilization, the two arguments are back to the xenomorph exaggeration, something them up. And that goes back to why we don't want to go back. Like whatever. We don't want to accidentally bring with us whatever the f*** we saw or we found out, or we got DNA for or whatever. We're like, we're not f****** with this. But it could have just been that there is ancient advanced technology up there from creatures that either built the hollow moon and lived in the hollow moon and went extinct over millions of years of being there, and that's it, they're just a civilization in there that expired.

Cristina: There's probably some aliens still there.

Jack: Who knows, There could still be aliens. That's a whole thing that there's probably still filled with, but it's self sustained. All their farms, all their food, all their everything is inside. So they don't really have to leave. And this goes to that sort of advanced. If you remember how the Mayans plugged into the matrix, essentially they could have the same thing. So they don't have to explore the universe. Okay, they just have these virtual realities which are extremely complicated and they just stay inside the moon without having to come out. Alternatively, the moon could have also been their main outpost, the inside of the moon where they had all their technology, other things. As they got ready to evacuate the system and keep exploring the rest of space. So it's not that they died, it's that they abandoned this, which to them is now ancient technology, but to us is extremely advanced that we can't understand it. And then this hollow moon theory of there being technology up there, whether it's that aliens are still up there, whatever, blah, blah, blah, builds into the hologram moon, in which they project a hologram onto the moon so that people don't see anything. But we're consistently making trips to try to study and understand technology. And then this dates backwards to where we start getting technological advancements that blow up. We got crappy ship, rocket fueled, barely any computer power. Our cell phone has more computer power than a f****** rocket from the 60s that got us to the moon. But technological advancement explosion began around the time that we landed on the moon.

Cristina: Where all those UFO conspiracies and Area 51 conspiracies after that.

Jack: Yes. The Roswell and all this bullshit.

Cristina: Yes. Yeah.

Jack: There was like whispers about things, but it started to get really solidified, started to boom way too much. And people are like, why didn't we have these advancements before at this rate? So only after a certain period is there just an increasingly faster development of technology.

Cristina: So the possibility of we found alien technology.

Jack: Yes. And we are reverse engineering it. And there's so much of it that we can't let civilians into the moon or onto the moon. And so we project so that they don't even see us going up there regularly. We're like, we don't go to the moon, but we can keep bringing technology over and over and over and improving, reverse engineering, taking it to facilities on Earth, Keeping some up there often. Yeah, it happens all the time.

Cristina: Oh, wow.

Jack: We work on. We get all our best scientists to work on something like, what the h*** is this name? The name of this guy? David Lazar. Bob Lazar. Bob Lazar, Yeah. So we get people like him to work on the technology that we've found and we're like, so we need you to reverse engineer, break it apart, tell us what's happening, explain all the details that are going on to us.

Cristina: But then that's going into like, there are actual aliens around. Do you think there's.

Jack: No, not necessarily. There's actual aliens around. Maybe they found corpses and like, they probably have like graveyards up there if that's the case.

Cristina: Oh, okay. But you don't think there's. Or like, one doesn't mean the other.

Jack: Yes. Unless they are just getting technology from aliens and there's just some people who are allowed to communicate with the aliens.

Cristina: Yeah.

Jack: Like Barbalizar said, there were aliens. That they were literally working with them.

Cristina: Yeah.

Jack: And those aliens would in theory just be on the moon or in the moon. And we got technology from them. They're like here. You guys can figure this out. This is old to us but you guys can have it. And good luck figuring it out. I know our communication is rough, but we understand. We're peaceful. You're peaceful. Relatively speaking. And good luck. Figure it out then. Maybe we trade tech with them all the time.

Cristina: Things we've come up with the trade tech with them. But maybe because we'll figure something out that they didn't think of.

Jack: Yeah. 100. There's no way two civilizations landed on exactly the same things. I theorize that we could have even landed on different systems entirely of thought. Like we came up with math and we think it's inherent to the universe. But like, who the f*** says, like, yes, what we measure works. But imagine somebody else, a different life form lands on a different thing that isn't math and it works.

Cristina: Yeah.

Jack: Yeah. Something entirely different that isn't math at all. And it works.

Cristina: Yes. What we would consider magic, etc.

Jack: And so we trade what we have with them.

Cristina: That's awesome.

Jack: So these are all just possibilities. And that's actually really, really interesting to me. The fact that there could be so much crap on the moon.

Cristina: But you actually believe some of these conspiracies then.

Jack: Not really. There's no reason to believe or disbelieve.

Cristina: Okay.

Jack: It really lands on the fact that we have to assume that the gut. Now this is an easy one to hide though. I don't know how the f*** the. It would have to be a hollow moon. I don't believe the hologram part. That's a weird one.

Cristina: That's very weird.

Jack: But if we're making trips up there, we see crap, fly into space all the time. We can't tell the difference. Like who the f***. It's a satellite. It's a rocket headed to the moon. Like who the f*** knows? You know? We're not out here looking. So they could be making trips all the time. They don't need no f****** hologram. They just lie about what the h*** it is. So the hologram part. Maybe I'm not so sold on that one. But the dark side of the moon having civilizations and stuff, that makes sense to me. That could be possible. I'm not saying I believe it, but it could be possible. Alternatively. There's also the conspiracy that the moon is not just hollow, obviously artificial, but it wasn't. Again back to the ship that's put there because aliens are using it to not share technology, not just find the hot spot to live or whatever. They're observing us.

Cristina: Okay. So it's to watch us.

Jack: It's an observatory.

Cristina: Yeah.

Jack: They moved it there so they can want. And that's why it's title locked with Earth. They're making it so that we don't see them, but they're up there and they're watching and studying and they do make regular trips and what we see coming through and when we catch alien space. That's really.

Cristina: They're working on the documentary of Earth.

Jack: Yeah. They could just be studying humans, studying how life evolves, how primitive creatures move and behave and discover space travel and blah blah, blah.

Cristina: Yeah.

Jack: They could have been there for way longer that. How long has the moon been there? The stories of the moon, forever. Yeah. So they could have been. That just could be an alien outpost and observatory that's been there for millions of years.

Cristina: Yeah. Where they placed it there or they placed.

Jack: Yeah, well I mean they placed it there, but it could have been there since before we started recording s*** before.

Cristina: We were even a human or even you know like a thing.

Jack: They just found life beginning.

Cristina: Yeah.

Jack: Like that planet put it put. Put one of our satellites there. Which would be interesting because this is to say if they have the ability to track where life is beginning. Does every place with life beginning have a moon placed around it that's tidally locked so that there's always an observatory studying life Interesting.

Cristina: That is interesting place would man when we find life one day it's gonna.

Jack: Be pretty badass, right?

Cristina: Yes.

Jack: Now that being said, I'm over here saying I don't believe in the. The holographic moon. Right?

Cristina: Mm.

Jack: There are weird things relative to that that have happened. Like there was a guy, he was. He was a YouTuber 2013. He was. His name is Crow777. And he began just recording the moon regularly all the time and uploading it regularly.

Cristina: He just loved recording the moon, love.

Jack: Recording the moon until it got weird. On one of his random recordings he saw the moon ripple.

Cristina: Is he sure that's what happened? I don't know. That's weird.

Jack: That's weird, right?

Cristina: Okay.

Jack: He saw the moon ripple and it was the only thing in the sky to ripple. And it rippled the way a TV with crappy signal would. You know how that line just old school TVs. That line would just clear through it yeah. And static would form. It would, like, fuzz out a little.

Cristina: Huh?

Jack: Yeah. And he called it the Glitch.

Cristina: Oh, my gosh. Is that still on YouTube?

Jack: I know, let's look for it. Okay, so that's f****** crazy, right?

Cristina: Yes.

Jack: He moves the camera and the ripple doesn't follow the camera. It stays where it was on the moon, gradually moving up.

Cristina: I don't know.

Jack: F****** weird, right? Yeah, it's very interesting. And so that is pretty compelling.

Cristina: Yes, please look at that. You could still find that on YouTube. We actually looked at it.

Jack: Yes. The YouTube channel is called CRRO W777. And you will find it. It was uploaded seven years ago and it's called the moon is not what you think it is.

Cristina: Yes.

Jack: And yeah, so that's a really weird thing that is there.

Cristina: He also mentioned something about Mars. Something else is going on. What?

Jack: Yeah, they didn't want to give him stuff for that. But relative to the moon, he. He has an interesting video there. It's kind of interesting. It's. He tries to be scientific. He tries to disprove as much as he can, and he swears there's a moon there. He's not saying there's no moon there.

Cristina: Yes. He's just suspicious whether the full moon, when we see it as the full moon, is that really what we're looking at?

Jack: Yes. He does not trust that what we see is. That's really there.

Cristina: Just. But the other times, though, when the moon is in the other phases, we are probably seeing it as is, because whatever we know.

Jack: See, that's where it gets weird, because he's assuming that sometimes it is, sometimes it's not. But we have technology to pierce that too. So it should be up there all the time.

Cristina: Yeah.

Jack: The moon probably has the phases we see, but if there is a hologram, the hologram also has the ability to project those same phases to be consistent with how the moon would behave in case some physicist or somebody is looking and trying to angle, like, no, wait, the moon is in the wrong phase. Because they can't just have the moon be full all the time, but it's done to cover something up. So if we have the hologram, then it's always there.

Cristina: Okay.

Jack: And that takes us to a different situation in which a man called David Johnson found and filmed a unlisted satellite.

Cristina: Oh, what?

Jack: Yeah, just wandering. And he found a satellite that's not listed. He's not sure what it. But it was functional. It was on. And he sees that it's aimed at the moon, which is also very weird. So he recorded that, uploaded that, and the. He is assuming that this is a projection point. One of multiple projection points.

Cristina: Okay.

Jack: To be able to generate the image of the moon. Because why is there an unlisted satellite.

Cristina: Just looking at the moon?

Jack: Just looking at the moon.

Jack: So, yeah, that was a really weird one.

Cristina: That is very strange. What?

Jack: Yeah, so there. There are weird things about some of these cases that are, you know, supporting evidence, you could say. Like, nothing is for sure. Like, we don't know. Just because you found an unlisted satellite and maybe somebody's just secretly studying the moon, what the f***? They could do whatever the h*** they want.

Cristina: Yeah. No connection to actual scientists or secret government.

Jack: Yeah, there's no Illuminati running that thing. It's just people. Same thing with the hologram. Maybe there was some weird glitch happening in the camera that couldn't be explained. Maybe something about the light coming off of the moon was strange and the camera couldn't process it properly, and so it was trying to. But the panning is weird.

Cristina: The panning is super weird because it.

Jack: Should move with the camera.

Jack: That's a weird one. I don't know what to say about that, but that's a very, very strange one.

Cristina: Yeah.

Jack: Now, there are arguments that people have tried to make about the moon being a hologram. They say, you know, like, the moon predates hologram technology. But they obviously, obviously, you can't use reason to fight stupidity because you're like, it predates the hologram technology. And then the immediate response from the people who swear the moon is a hologram is all that data was tampered with. Oh, all the proof and all the ancient articles and every. All of it, everything, all history and stuff about the moon is fake. They tampered with it to make. To make us believe. Mad tampering. See, that's the least likely possibility. Yeah, it's too much work.

Cristina: That's a lot of work. Like, when the hologram happened, it was probably in front of our eyes and we didn't notice. Like.

Jack: Yeah, that's crazy.

Cristina: I don't know.

Jack: It's super nuts to even believe that. For some instances, they do believe that there isn't a moon at all, that there was once a moon and there no longer is a moon. It's not sure why there is no longer a moon, but that's why we have the hologram to replace the fact that at some point there was a moon and now there isn't.

Cristina: But there's something there or there's just. For some reason we just decided to put a. Had long.

Jack: There's just a hologram.

Cristina: No explanation. Like, it's just. We have.

Jack: Well, there's. Well, there's two different ones.

Cristina: Oh, okay.

Jack: Something happened to the moon and we replace it. Maybe some. Maybe we were running experiments that destroyed the moon or something. And to hide that fact.

Cristina: Yes.

Jack: We put the hologram there so that nobody even knows we destroyed the moon. Alternatively, we come back to the Illuminati, we're the boogeyman. Be scared of us.

Cristina: What do we do?

Jack: They believe that there is no moon and that we've invented these holograms to fund moon research and milk society for money that way.

Cristina: Okay.

Jack: Yes.

Cristina: How much are we making off of this?

Jack: Not enough for the level of expense going into generating the hologram and paying the actors who would then pretend to go research. Like, there's a lot of moving parts here. I feel like we wasted way more than we get out of it.

Cristina: We're just having fun with it. It's not. There's no reason for it, I guess. Like, it can't be for the money.

Jack: Trolling. We're just trolling. We're just trolling.

Cristina: That is crazy. Yeah, but if there was a moon there and then there's no longer a moon there, how is the moon still affecting us in the way it always affected us if it's not really there?

Jack: Interesting, right? Like these can't be possible. These are the least believable ones when it comes to hollow moon. That's interesting. When it comes to the moon hologram. Only if there's a moon there and only if there's point something there. Yes.

Cristina: There has to be something there that still does the same.

Jack: I think the hollow moon is the most likely out of all the crazy moon things. Obviously the. I guess the really, really most likely one is that the moon landing was faked, but did happen. Now that it was fake, that didn't happen. I just know the US kind of likes the bullshit once in a while. We're known for lying about s*** consistently to everybody all the time. So I wouldn't put it past us that the moon landing did happen just f****** later than we claimed. We showed everybody bullshit on tv just to be like, we beat the Russians.

Cristina: There and then we redid it or did it for real. Yeah.

Jack: Once we dissuaded the Russians from going.

Cristina: That'S all the head.

Jack: We just did it. They're like, well, they beat us. We gotta stop now. And then we're like, good now we have time to do this. Right.

Cristina: Okay. That's more American.

Jack: That's the most believable. Followed by the hollow moon. So that there's probably some life up there. Aliens either watching us or civilization living inside of the moon, self sustained or trading with us. And then on top of that, we could build the hologram moon covering up civilization. Maybe they came, put the things that are projecting the moon on that direction so that we are hidden. So that they're hidden from us.

Cristina: Yeah. We're not doing the projection.

Jack: We're not even doing it. They just got s*** in our orbit spitting up a hologram to where the moon would be.

Cristina: Okay.

Jack: So any number of things could be happening.

Cristina: Yes.

Jack: And maybe they don't even need to be spitting anything up. Maybe they can see out of the moon, but we can't see into it. Like a two way mirror.

Cristina: So the only one you're not in the side of is that there's no moon.

Jack: That there's no moon. That's kind of weird and kind of crazy.

Cristina: Kind of.

Jack: Yes. But I think there's possibilities for the moon like the hologram. I'm not past the idea of a hologram.

Cristina: Mm.

Jack: It's just the reasoning behind that seems the dumbest. But like, yeah, I could believe that there's people who have funded having a secret escape location. Like we were thinking about fallout shelters as a real means of survival in the past.

Cristina: Yeah.

Jack: That's the whole Fallout series of video games is based on the fact that that was a thought we had. Send the rich into the f****** bunks and f*** everybody else.

Cristina: Bunks in the moon.

Jack: Bunks on the moon. Makes sense.

Cristina: Yeah.

Jack: Buildings being built for the last 70 years, whole structure civilizations. Maybe they go up there already all the time just to chill.

Cristina: That'd be crazy.

Jack: Well, that's part of one of these theories that they go up there all the time. That it's just we already have technology. Yeah. People on Earth go to the moon.

Cristina: Oh, okay.

Jack: Elites, rich people.

Cristina: To hang out with aliens or just.

Jack: Just to hang out.

Cristina: Hang out.

Jack: No, aliens just. They go up there to chill.

Cristina: Oh.

Jack: That's one of their escape locations to go. And in case of a tragedy on Earth, that's where they would go and live.

Cristina: That makes sense.

Jack: Yeah. That's totally believable. That's right up there with the moon landing being bullshit and then f****** being real later.

Cristina: Mm.

Jack: Because that's exactly some s*** that we do.

Cristina: Yes.

Jack: America's. F***, that's Earth as f***. Rich people are just like, f*** the.

Cristina: Little Guy, those billionaires.

Jack: Yeah. There's a f****** meteor headed towards us. We just go to the moon. F*** them.

Cristina: Yes. What?

Jack: That seems legit to me. That seems pretty accurate.

Cristina: But not the highest.

Jack: What a probability. Yeah, no, that's definitely the moon landing. The moon landing being faked is the most likely out of all of these. Not to say the moon landing was faked, but I think the moon landing was faked.

Cristina: Okay.

Jack: Not that it didn't happen. I don't think there was no moon landing. Those people are too extreme. I think America is full of s*** and we lied until we got it done.

Cristina: Yes.

Jack: And then everything is up there. Go ahead and prove us wrong. If you went to the moon right now, you'd see all the things. But you're also full of s***. Because. Because I was later.

Cristina: Mm.

Jack: So I think that's probably the reality of the matter. We lied about the moon landing and this is f****** fine. Like, let's be real. Who the f*** cares? It got done.

Cristina: Yeah. But now they can't back off on their lie because then we're gonna be like, what else did they lie about? Yeah, well, definitely doing that anyway.

Jack: Definitely. The alien testing part.

Cristina: The alien testing.

Jack: Because they were like, yeah, we've been trying to contact and trying to. Like, they just said that recently about Area 51. Yeah.

Cristina: Oh, yeah.

Jack: First it was. No, it's just for. First it was, Area 51 is not real.

Cristina: Mm.

Jack: And then I guess it is real. It is real. Like, okay, so didn't tell us anything. We already know.

Cristina: Yeah.

Jack: And then they're like, also, we got videos of things that are UFOs that we can't identify. And it's like, okay, f***. But like, we kind of knew already. And then they're like, yeah, and we run experiments here that might have to do things with aliens. Not to say we have aliens, but we run alien related experiments.

Cristina: Eventually they'll tell us they have a body.

Jack: Yeah, there's. They probably got a f****** body. And they're just inching. They're just little by little they can get there.

Cristina: When are they gonna just say so?

Jack: I don't know why It's a f******.

Cristina: Well, I guess we're more accepting over time. Like, would we have panicked originally? I mean, we were panicking. I don't know how this type of thing works. Like, you're trying not to get the people to panic, but they're already panicking from the little that they do know. And then when you finally tell them what they already know, they're not really panicking.

Jack: No, no, no, no, no, no, no, no, no, no. They have all the rights not to. We thought a bug that was more or less at the time that we found out about it, 100th as deadly as the flu at the time that we found out about it. And now obviously worse. But at the moment that we found out about it, this s*** that we've dealt with crap a million billion times worse. We found that about everybody in the planet panicked. Panicked, lost their minds and became irrational as f***. Started to beat the living s*** out of each other. Inside stores for toilet paper. Yeah, for f****** toilet paper.

Cristina: But they were told not to panic. They were told it wasn't as bad as it looked and etc.

Jack: As a result, we can't really trust the collective intellect of people and just be outright that we have aliens. I'm 100% convinced mass suicides on behalf of religious people is move number one.

Cristina: Yes.

Jack: Mass suicides. Life is meaningless.

Cristina: Ah.

Jack: Everybody kills themselves. So many. The majority of the world believes in f****** gods and s***. That just goes out the f****** window just instantaneously. Minus the ones resilient enough to be like, they're lying to us.

Cristina: Yeah.

Jack: Minus that group of people. Everyone else who just believes everything a doctor and a scientist f****** tells them 100% of the time. No matter what the f*** it is, Those people just killing themselves, they're just gone forever.

Cristina: Okay.

Jack: We're avoiding that.

Cristina: Yes.

Jack: That's why we can't just be like, there's aliens. Because people would just kill themselves. They've proven in the case of toilet paper that we're too f****** stupid. We can't really handle anything. We just tell ourselves we can definitely. And it's really sad, but we. Yeah. They're inching towards it just to see if we're ready. Here's a little something. We're like, okay. Here's a little something else. Okay. The less we react, the more they give us. The more we react, the less they give us.

Cristina: That's a great way to do it.

Jack: Exactly. Because they know. They gaze where we're standing.

Cristina: Yeah.

Jack: There's the AI from Alien. Yeah. If it's really, really hard, they ease off. They're like, okay. But if it's too easy, they start throwing more just to kind of, you know, bounce it off.

Cristina: Yeah.

Jack: To efficientize.

Cristina: It wasn't just UFOs that they let us know. They also. There was like, something about elements that they didn't understand.

Jack: Yes. There's just things we don't get, period. A bunch of crap. Whether it be technology, Whether it be UFOs, whether it be things that should theoretically be on the periodic table orient, or just things. Just things. Little by little, letting that trickle happen.

Cristina: But no aliens yet.

Jack: But no aliens. As for the. The hollow moon because of the depth of these craters, that could not be figured out.

Cristina: Yeah.

Jack: They did run an experiment in which they got a ship all the way up there, the ship broke into two parts, and then they slammed one of the ships into the moon.

Cristina: They slammed the ship into them?

Jack: Yeah. They crash landed one intentionally. Oh, just to see vibrate.

Cristina: Yeah.

Jack: Scientists.

Cristina: Okay.

Jack: I mean, who else is gonna slam a ship into the moon?

Cristina: Sounds pretty crazy.

Jack: Yeah, it's an experiment.

Cristina: Yeah.

Jack: So this is to test vibration to sound and whatever. And the weirdest f****** thing happened with that. The moon began to ring like a bell. Like a bell for an entire hour.

Cristina: Weird.

Jack: Yeah. They landed, they crashed, and then.

Cristina: I don't understand. Okay. But then none of these things make sense because this is all about how they're lying to us. But they let us see this experiment and hear about this crazy nonsense about the bell ring, the moon ringing like a bell, but they're.

Jack: You just associated two completely random things that aren't related at all. People will just ignore the fact that that was done.

Cristina: Okay.

Jack: Obviously, if they're showing us something, people are gonna be like they're lying. Okay, so assume anything they show us, people just think they're lying.

Cristina: Okay.

Jack: That's just. There's no reason to connect the two. This is anything the scientists did and anything the conspiracy theorists believe unrelated.

Cristina: All right.

Jack: Yes.

Cristina: Even though the scientists obviously have the same questions, these conspiracy theorists.

Jack: Conspiracy theories are filling up the fact that we don't have an answer for the question.

Cristina: Oh, okay. Yes.

Jack: That's why it doesn't really matter. It's not this or that. It's kind of both.

Cristina: Mm.

Jack: But in doing that and smacking the ship into it, it started ringing. It rang for an entire hour. And the only way that could happen is if something is hollow, something solid would absorb the entire impact and not make a sound internally. But it was vibrating from the inside out. So theorize that. That could definitely. In trying to disprove it, they were like, oh, s***.

Cristina: And now they know, or not really. They don't know anything.

Jack: They don't really know why it rang, but it kind of supported the whole hollow argument.

Cristina: Is there a recording of the hollow ring?

Jack: No, I doubt it.

Cristina: Oh, okay.

Jack: It's probably reported and crap.

Cristina: Yeah. That's crazy.

Jack: Yeah. Yeah.

Cristina: That's very Alien what?

Jack: Yeah, it's freaking crazy. And the fact that it rang for so long, it means there was a lot of hollow.

Cristina: A lot.

Jack: They slammed something going crazy fast into it. Didn't penetrate too far. Obviously it wasn't going that level of strength to penetrate. Even if it was, it would have to be like the size of a giant meteor smacking into it. But no, it just left a giant ring.

Cristina: But if we saw a giant meteor hit the moon, would we be able to hear that ring? Or like, I guess if they were there to record the sound, they'd be able to catch it.

Jack: I believe so.

Cristina: Yeah, that's true.

Jack: But also anybody who's immediate. Then again, if it's not kicking up a bunch of debris and junk, because there is something stopping it, which seems to be the case, I guess, wouldn't be dangerous to be around there. You just have to sort of dodge getting hit yourself. And with however large this thing is, the momentum it's with, you don't want it to pull you in with it. Its force.

Cristina: Yeah, yeah. It'd be more complicated, I guess. We could have people there, we could have things there to record it. If we're lucky, it won't get destroyed. But, yeah, like it does. There's no harm of having something.

Jack: Yeah, you couldn't have. You don't want to risk just killing somebody for something dumb like that. But also, if there's a freaking meteor about to hit the moon, we got to get ready for, oh, yeah, like down here, we got to start making preparations. There's going to be meteor showers. There's going to be mass deaths. It's going to be crazy.

Cristina: We'll hide in the Hollow Earth, I guess.

Jack: But how long before enough of those s**** start causing earthquakes collectively because of the impact that's so consistent?

Jack: F***. Down there, yes. But out of all of these, like, crazy things, there's probably a billion more. But these are some of my favorite ones. I like the idea that there is a hollow moon and like the Mayans on Hollow Earth, that they, like, connected themselves to the matrix mode type of s***. I like the idea that on the hollow moon, aliens have connected themselves to some sort of matrix thing and have gone inward instead of outward. That's pretty cool. Maybe not all of them. Maybe that's just something they do naturally instead of exploring outward. They just, you know, live their lives in there. And it's like, hey, I'm going to the freaking arcade. And then plug into this virtual world inside. And they just do that for however Long. They want probably machines that new. Give them nutrition and crap.

Cristina: Do you think about aliens contacting humans and stuff?

Jack: That's a pretty cool idea too. Definitely possible. There is. One of the weird things we don't understand is why we became so intelligent, technologically speaking, around the 50s and expand so quickly. Now, when you look at our biology, we haven't, like, changed much since then. So that's a really interesting one. If you look at the past, we're very gradual evolvers. This part of our survival mechanism. We are really powerful at picking out what matters and writing that out. But there hasn't been a change since the f****** 50s and 60s, biologically speaking. That could just make us inherently way better at these things. And we had science for quite some time. We've had electricity for some time. For it to just suddenly happen around the time that we went to the moon, like, okay, that's kind of. That's kind of weird.

Cristina: Yes.

Jack: So there's some possibility to that. I do like the hollow moon idea that the aliens were there maybe for a very long time and then left. They were from Earth. Ancient advanced civilizations from Earth used the moon to then build the technology. Less gravity, and they can take off as a fleet to explore the rest of the stars. That's pretty cool.

Cristina: That's pretty cool. People, I guess, are rich. Using the moon as a getaway.

Jack: That's pretty cool, too. That's dope. It sucks that we're gonna be left behind in case of an emergency, but that's expected anyways.

Cristina: Yeah. Whether it's the moon or the Mars or wherever, they're just.

Jack: Yeah, they're bad.

Cristina: Nothing happens here. We're stuck here.

Jack: They'll all board an ancestorship.

Cristina: Yeah.

Jack: So, yeah, it doesn't f****** matter.

Cristina: Yeah.

Jack: That's the same story. Every possible scenario. And I like how a couple of these tie up together. So they landed on the moon later. So the moon landing was faked. The moon was hollow when they landed. And there was life on the other side. The things on the other side are advanced a lot. Life forms that are watching us.

Cristina: Yeah.

Jack: Additionally, we agreed to them. Yes. They gave us technology regularly for NASA and the government that they interact with. And then we agreed to shield them further as our technology got better with holograms.

Cristina: Yeah.

Jack: So, like, we could tie all of these up together one way or another so they all function to some degree. The reasoning for some of them, kind of sketchy and dumb half the time, but it is cool that they can kind of function and be. Well, it is cool that we got there, but we lied about it first. And we did get there. We. We did get scared and didn't go back immediately, but did go back and communicate what was up there. And they gave us technology and we made packs and kept expanding and trading technology.

Cristina: So all the possibilities are pretty interesting. All the different ways this. All these things could work. Except for the moon not being there.

Jack: The moon not being there is f****** retarded.

Cristina: No matter.

Jack: Because we still have tidal wave. Not tidal waves. We still have tides.

Cristina: Yes.

Jack: And that relies on the moon.

Cristina: Yes. Or at least something there.

Jack: At least something there. If. Fair enough. If the moon isn't there, something is there.

Cristina: Yeah.

Jack: And whatever that hologram is over is huge anyways.

Cristina: Yeah.

Jack: Because it has to be big enough to have tides on Earth.

Cristina: Yeah. That's the only problem with that one. And then everything else is fine.

Jack: Yes. Everything else works flawlessly.

Cristina: Or that. Then. Yeah. The whole Illuminati using money. Use. Getting NASA to make money or the fake moon or.

Jack: So dumb. There's no profit in that.

Cristina: No.

Jack: So dumb.

Cristina: Yep.

Jack: Yeah. I guess that's kind of how that goes. And that's basically why you need to go find somebody to listen to the episodes with.

Cristina: Yes. To learn about weird moon conspiracies.

Jack: No. So that they get Stockholm syndrome. Listen to the episode, and then you kick them out. But then they're gonna be. Get really clingy. Exactly the same way the conspiracy nutcases do about whatever subject they're talking about.

Cristina: Oh, crap. That's what you're talking about.

Jack: Yeah. Yeah. You like how I brought that back around? I know what the point of this episode was. It was to say that people are psychotic.

Cristina: Yes.

Jack: And you're gonna make one of them extra psychotic and then regret it.

Cristina: Yep.

Jack: But you would have had listened to an episode with the listening partner.

Cristina: Mm. And that's the most important thing.

Jack: Yes. And if you manage to get all those things done, then you can tell them, hey, crazy person who doesn't want to leave my home, I have a gun. If you forgot, get out.

Cristina: Oh, yeah, you got that gun to remind them exactly.

Jack: They're gonna leave no matter what. And you tell them, if you're really interested in this show and more things like it. They have so many episodes. You can find all their episodes. Guy or woman or other gender of any type that you would like to say. Xyz, the alpha Alphabet soup member. Listen. Alphabet soup member. You can listen to more episodes on the moon and other things. You can find that on the official website. If you Want guy, person, person. They. Hey, they. You can find them on the official website greatthoughts.info you. Could they. You could also find them on any other podcast platforms, like Apple Podcasts, Spotify, pretty much anywhere you get your podcasts.

Cristina: It's very confusing if you just change what the pronoun that you're using. Like you say they, then you say you, then you say he, then you say she, then you just keep on.

Jack: Yeah. Just keep shifting it as you move forward.

Cristina: That's crazy. If you could do that. Try it. And you can reach us on Facebook, Twitter, Instagram, and TikTok. On justcombopod.

Jack: Yes. And crazy person who doesn't want to leave my house. Remember, when you do listen, subscribe and rate the show. And if you feel so inclined. These guys are cool. They want your reviews.

Cristina: We do want your.

Jack: We do.

Cristina: We do. And let someone who might like this show know about it.

Jack: Yes. Crazy person. When you leave and you subscribe and you rate and you review after you've found the platform, which you prefer to listen to the show, that you're no longer gonna listen to it with me, you tell somebody else, here's a gun. There's no bullets. Because I don't want you to turn on me suddenly. But use this gun. And just how I got you to love this show and get Stockholm syndrome. Now you can go find. Find your own person to listen with.

Cristina: That's crazy.

Jack: Do you just. What? What do they say? You pass it on.

Cristina: Is that what they call it? Yes.

Jack: Move. Passing it forward. Moving it forward.

Cristina: Moving it forward. Giving it forward.

Jack: Passing it.

Cristina: Giving it forward.

Jack: Giving it forward.

Cristina: That sounds right.

Jack: Some like that you something it forward. And now they're gonna go do the thingy.

Cristina: Yeah.

Jack: Then their Stockholm syndrome person has the same experience, and they go. And the community grows on and on.

Cristina: Yes. This has been the Just Conversation podcast. Take nothing personal and thanks for listening.

Jack: Bye.

Cristina: So now you're a part of the church of Shaggy, though.

Jack: Yeah. Actually, if you think of the order of the universe, it began as disorder, as chaos, and order came out of chaos.

Cristina: So it was first track.

Jack: It was first.

Cristina: Yes. And in the order of things, Shaggy came first.

Jack: Yeah.

Cristina: Unless something represents nothing.

Jack: Well, here's.

Cristina: Or not nothing. Whatever came before this first?

Jack: Yeah, there was some. But I guess that that makes atheos not the top top. We have to say there's something bigger. Call it the God reality.

Cristina: Okay.

Jack: And then reality was there because it's potential. And then the destructive explosion. Something is that we don't know which that one is. Then out of that explosion, chaos happen.

Cristina: Happen, Mr. Saggy. Oh, chaos.

Jack: Crap is everywhere.

Cristina: Yes.

Jack: And as things begin to form through balance, because Atheos things begin to destroy in equal pace, matter starts to form, collides with other matter that starts to form and thus Shaggy slamming planets and stars into one another.

Cristina: So that's the work of both Atheos and Shaggy.

Jack: Yes. That leads to the eventual settling perfect balance of entire star systems and galaxies and clusters of galaxies.

Cristina: And that would be have to do with Spaghetti Monsters.

Jack: Full order. It goes down the line.

Cristina: Yes.

Jack: It starts at kek between the collective work of Shaggy and Atheos. It gets form and then from that form, that balance, you then find logic. Hypostafarianism.

Cristina: Yeah. Pretty awesome.

Jack: The unification of beliefs. It's pretty fascinating.

Cristina: Yes. Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 120: The Life Checklist

new_scientist_final-editable_2-flat-2.jpg

How do we know when something is alive? What of things that meet all the same requirements but we consider not alive? Understanding and designing a new checklist to measure life on this episode.

 Story:
The duo unpacks what constitutes being alive in order to best explain to the listeners who or what to force to listen to the show. But on their journey to understand the concept of life they discover several interesting facts and create an entire checklist with different tiers of life to assist scientists in measuring the possibilities.

Rambling 120: The Life Checklist

+Episode Details

Topics Discussed

  • Are all living things conscious?
  • Which things aren’t alive?
  • The problem of aging
  • Is fire alive?
  • Carbon based life
  • Is God Alive?
  • Is sperm alive?
  • Organic Matter
  • Cells
  • Alive vs Galvan

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Just Conversation Podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yes. So go find a person and an inanimate object and make them both listen.

Cristina: What?

Jack: You never know what's alive.

Cristina: Okay.

Jack: You never know. We don't know what is life. You force anything to listen, make your walls listen, blast it as loud as possible. You don't know if your house is alive. There's no way to tell.

Cristina: There's no way to tell.

Jack: Like weird a** rubric we have for f****** life.

Cristina: I guess if it has a heart. It doesn't have a heart.

Jack: It doesn't need a heart to be alive.

Cristina: What? What?

Jack: Yeah, let's think about it. Let's think about it. Right? Let's think about it. What do we call in life? If you're conscious, are you alive?

Cristina: Yes.

Jack: Is that life? So conscious beings are by default alive?

Cristina: I think so.

Jack: How do we gauge consciousness? In order to say anything's alive, then.

Cristina: You have to say it. You have to announce, I am conscious.

Jack: So animals aren't conscious then?

Cristina: Ooh, they're definitely conscious. They say it in their own ways.

Jack: How?

Cristina: With whatever sound that they make.

Jack: That's not saying I'm conscious. Are plants conscious?

Cristina: No.

Jack: So animals? Yes. But plants know?

Cristina: Well, I think. Yes, but if it's just by the sound that they're making that. No.

Jack: Yeah, it doesn't even make sense. Do they have to make a sound in order to be conscious? What about things that make sounds but aren't animals?

Cristina: Like what?

Jack: I don't know. Like a plant that makes a sound or some s***.

Cristina: It's a plant that makes a sound.

Jack: I mean, there's probably a plant that makes a sound. That's interesting.

Cristina: I would say that has consciousness.

Jack: Then by default, all plants have consciousness.

Cristina: Okay, all plants have consciousness.

Jack: But then where do we draw the line? Where do we stop our cells? Conscious?

Cristina: Yes. I don't know how. Yes, they're conscious. Everything's conscious. Okay. Everything. Even the walls?

Jack: Yeah. It seems like everything is conscious, right?

Cristina: Yes.

Jack: Because if we just assume that consciousness is like a collection of matter, then everything is relatively, like different degrees of conscious, but all conscious, no matter what.

Cristina: How could you prove any of that?

Jack: How could you prove I'm conscious?

Cristina: Because you can say it and I believe you.

Jack: Right, but why does me saying it make it true?

Cristina: Hmm?

Jack: What can you do to prove my statement?

Cristina: Brain scans does that how to prove consciousness. Maybe there's somewhere in the brain that says, is the conscious spot like everything else. Like there's.

Jack: We have no idea. We have no idea. There's nothing. There's nothing.

Cristina: There's nothing.

Jack: Nothing. We don't have a guide or anything.

Cristina: Well, there's no test.

Jack: Nope.

Cristina: I don't know.

Jack: There's zero things tell us whether something conscious is alive. We don't even know what alive is. Regardless of consciousness, whether or not it's conscious. We can't tell something is alive. Like, if we. Because obviously we don't even know what consciousness is to say that that's alive. I don't know why that was where you went with that. But, like, we can't gauge any consciousness in anything. We're just assuming consciousness because we perceive thus, you know? I guess the same s*** applies of.

Cristina: The if something's alive that it's also conscious.

Jack: I guess a cell is alive according to our rubric.

Cristina: Oh, is it? What's the rubric?

Jack: Well, it needs to reproduce, it needs to grow, it needs to eat. It needs to respond to its environment. Like a cell fulfills all those things.

Cristina: Really?

Jack: Is it conscious? Huh?

Cristina: Yes.

Jack: I guess consciousness is not the point.

Cristina: No. Okay, what's the point?

Jack: That we don't know what the f*** is alive. You can't just say something is alive because it's conscious. That doesn't make sense. Okay, that means that God isn't alive, but it's conscious. Oh, giant hole in the logic. That means that any other version of you in any other dimension is. Is by extension dead.

Cristina: They're dead?

Jack: Yeah.

Cristina: Why?

Jack: Because you're not alive, like, biologically, but you're still conscious. You're just dead. But, like, it doesn't make any sense. Okay, you got to satisfy the rubric. That's the measurement of life. Allegedly.

Cristina: Okay, but God's not alive.

Jack: God doesn't satisfy the rubric. No, he doesn't like age. He doesn't like die. He doesn't like. So what the f***? He's conscious. But does he. That doesn't make any sense. But I don't even know why we're talking about consciousness. Because we needed some inanimate object.

Cristina: Yes.

Jack: Because it might be alive.

Cristina: Yeah. Well, how do you prove an in object is alive?

Jack: I don't know. I guess it depends on the object itself. Right?

Cristina: Like. Like what?

Jack: Here's the problem. Here's the problem. Here's the problem. You can't just grab an inanimate object. It would have to be something that already seems to behave on its own.

Cristina: But it has to be. Okay, so this is an inanimate object that believes.

Jack: I guess it's complicated. Would you say fire is inanimate? Because I feel fire is very animated.

Cristina: Yes, it's an animated thing.

Jack: Interesting. Right? So an inanimate object might not be alive because it's inanimate, but an animated object that doesn't satisfy the rubric might be alive.

Cristina: Huh? But how do we prove that that inanimate object is not alive just because it's not?

Jack: If we. If we go by the assumption that all matter has some consciousness, and the more complicated something is, the more consciousness it has. Everything is conscious. It's just different levels that we can gauge to some degree.

Cristina: But we're talking about life, though, now.

Jack: Yes.

Cristina: And anything that moves is alive. Like fire. You call that as light?

Jack: I guess. Here's what's weird. Here's what's weird. Okay. Okay, let's. Let's take some steps back. Right.

Cristina: All right.

Jack: There are literally animals that don't. Just things that satisfy the living rubric that don't move.

Cristina: What animal doesn't move?

Jack: Barnacles are this sort of sea creature that does not move or respond to its environment at all. But it reproduces.

Cristina: But that's like a plant.

Jack: No, it's sort of like a sea plant.

Cristina: Like a sea plant?

Jack: Something like that.

Cristina: Yeah.

Jack: Coral doesn't move either.

Cristina: Coral doesn't. Okay, so just all these things are in the water. Is there anything outside the water?

Jack: There's a germ. Staphylococcus.

Cristina: That doesn't move.

Jack: It doesn't move. It's weird. Other things have to eat it up and then they get sick. But it multiplies.

Cristina: But it multiplies.

Jack: Multiplies how?

Cristina: It's like. But it's not moving.

Jack: It's like. It's not a virus. It's a germ. It's a living thing. It's like a cell.

Cristina: It fits, but other germs move. This is the only one that's not moving.

Jack: Yes. It's really weird. It's very strange.

Cristina: But we can say that it's alive because it reproduces.

Jack: It reproduces, huh?

Cristina: That's the only way we know. Like. Yeah, that's a. That's the Thing that's not exactly.

Jack: Exactly. Okay, fair enough. Fair enough. So let's really think about this, right? There is a literal rubric for something requiring to be alive, right? So there is. There's a chart, and I think it's seven things. So we got. You need to consume nutrition, you need to breathe air, you need to poop, you need to grow, you need to reproduce, you need to age, you need to move. Just things like that, you know?

Cristina: Yeah.

Jack: Basic s***.

Cristina: But how important are all those things?

Jack: Well, here's where it gets really weird, because not all things fit the category like what we just mentioned. Three things that don't move that we still consider to be alive.

Cristina: Is there anything that doesn't age? That's alive? What?

Jack: Turtles don't age. There's never been a turtle to die of age. They always die because they either get killed by some circumstance, get starved, or are sick. There's no turtle to have known to die of age.

Cristina: Of age.

Jack: Of age. No turtle dies of age. Turtles are the known immortal animal. Yes.

Cristina: Okay.

Jack: But they age. They age, but they don't grow old, if that makes sense. They get older, but they never become seniors.

Cristina: Okay.

Jack: And that is just a weird thing about turtles.

Cristina: That is so weird.

Jack: But also, jellyfish don't age.

Cristina: How do they? What?

Jack: Yep.

Cristina: Like, they don't die the same thing, or is it just like.

Jack: No, they don't age. They don't age at all.

Cristina: They don't.

Jack: They do not age at all. Neither do lobsters.

Cristina: What? Neither do lobsters.

Jack: Neither do lobsters.

Cristina: But they have to. They have at least the age of, like, baby to adult.

Jack: Well, no, you're missing. You're missing. You're missing. They. I guess I got a word. It. They grow up.

Cristina: Yes.

Jack: But they don't grow old.

Cristina: They don't grow old.

Jack: In every one of these instances. They grow up, but they don't grow old.

Cristina: Okay. But they do die. Except for the turtle.

Jack: Not available.

Cristina: Oh, all of them are the same.

Jack: Yeah. They don't die of age.

Cristina: Oh, okay.

Jack: Because they don't age.

Cristina: Yes.

Jack: They don't grow old.

Cristina: Or the jellyfish, the turtle, and what was the lobster?

Jack: Yes, yes, yes, yes, yes. Interesting, right?

Cristina: Yes. And for all these different things, what was it? The different points of life or whatever.

Jack: Yeah, yeah, yeah. The rubric, the checkboxes.

Cristina: The checkbox. Is there an exception for each of those things?

Jack: Not necessarily an exception for all of them, but there's an exception for a lot of them. For example, last year on an episode you were talking about, we found A creature that doesn't require oxygen. Loriciferans, which are a type of. What the f*** are they called? The type of film, the loriciferins, which are a type of film that was discovered to not require oxygen but be related to the other film that are things that.

Cristina: That's a fish. I don't know. I feel like it was something water.

Jack: Related, but I don't know. Microscopic creature.

Cristina: Oh, it's okay.

Jack: And it's the cor. Not the cordyceps. What the h*** are they? The water bears are related to them.

Cristina: Oh, okay.

Jack: And so this is a type of.

Cristina: Water bear that tiny.

Jack: Yes.

Cristina: Oh, okay.

Jack: Except it doesn't need air.

Cristina: What?

Jack: And sticking to the fact that not everything fills out every. Nothing completes the checklist. Not all things complete the checklist. The water bears themselves, what do they.

Cristina: They need.

Jack: They don't need food.

Cristina: They don't need food, but they can eat food.

Jack: They can eat food, but they don't need food. They have starved somehow for up to 30 years without seeing a single response.

Cristina: Well, but. And, and they just live.

Jack: They just fine.

Cristina: They're just fine.

Jack: Just fine.

Cristina: Wow.

Jack: Starve them out for 30 years. F****** nothing.

Cristina: But you would. If you still say these things are.

Jack: Alive, you still call, yes, they are alive. They, in any case, they respond, they do all the other things and then you have to say like, f***. So it doesn't fill out this one, which is crucial.

Cristina: Yeah.

Jack: But then it does all the others. So if like something reproduces, is it alive? If something responds to its environment, is it alive? Because a plant responds to its environment. A plant breathes air, plant drinks water.

Cristina: Are there any, then that. Which of these don't have any? Example of something that doesn't have it.

Jack: Something that doesn't have it. That's a hard one.

Cristina: I don't know, because you said most of them, they're the turtle and whatever. Well, is there any that all of us have related? I mean, is there one thing that everyone has, no matter what, to be alive?

Jack: No, no, no, because. Okay, okay, okay. There would have to be things. But for a fact, if. If one of the things doesn't make. If any creature can fail making one part of the list, there must be situations in which they all happen. Things that we would consider to be alive. In the case of something like sperm, for example, we trace it back. We're like a fetus is alive. Well, a human is alive. A baby is alive. A baby in the womb is alive, which means a fetus is alive. And we keep tracing it and we're like, it's all alive. The ups of sperm before it's even a sperm, when it's just a collection of cells. But that's actually wrong because a sperm neither eats nor poops.

Cristina: So that's two of the things. Okay, so if they're missing more than two or two or more, then you wouldn't call them alive.

Jack: I don't know, it's complicated because some.

Cristina: Of these things were missing one thing, but you'd still say they're alive.

Jack: Yes. So the sperm is missing two and we still call the sperm alive.

Cristina: Yeah. Okay, so but should we. Or should two be the mark of like. Okay, now you're not alive.

Jack: I don't know. See, here's the thing. Here's the thing. I think our definition of life is.

Cristina: Flawed for like this checklist or.

Jack: Yeah, the checklist is f*****. The checklist is f*****. Because there's exceptions to the rule. Yeah, should be. The reason we can't find life is because we have a very strict thing and we're measuring everything by this loose, always changing thing. If we just pick some f****** things and say these things are alive, then we can basically. We need a word for something else. Now let's look at it like this, right? Carbon based life. One type of life. We theorize that there is the possibility for life not based on carbon.

Cristina: Yeah. There's like two other elements that you were talking about in some other episode. They were.

Jack: So there is the possibility that there could be creatures based on other elements that are sticky as well. We just don't have any proof for it. But we're also looking based on a rubric that's always changing. So we can't even find ourselves.

Cristina: Yeah.

Jack: So we need alive and we'll say that's carbon based life. If you're carbon based, you're alive. But let's use a different word that also means alive and say that some other s***. Is that anything that isn't carbon based but seems to have more or less the same things.

Cristina: Yes.

Jack: We can say is Galvan.

Cristina: Galvan.

Jack: Galvan. Which also means essentially animated.

Cristina: Yes. That's when they electrify dead bodies. I think that's alive, but it's not.

Jack: Really alive exactly, it's galvanized.

Cristina: Okay.

Jack: So alive in Galvan. So carbon based life that is alive.

Cristina: Okay.

Jack: And then things that aren't carbon but fill out the rubric are then Galvan. And then we need a rubric for Galvan hard. There's no way to really do that yet. We just have to figure out what life is. Not before we can say what Galvan is. And that's where we're f****** up. Because we have a weird list that's always shifting.

Cristina: Yes, but do you have a list yourself for what life should be then?

Jack: Well, I think we should take out several things. Because nobody's gonna say a turtle isn't alive. Nobody's gonna say that a jellyfish isn't alive. Nobody's gonna say that a lobster isn't alive.

Cristina: No.

Jack: Aging is not a requirement of life. In fact, if we ever find the cure to aging and thus solve the problem of death. Death. We even know what. What things in our body specifically cause aging.

Cristina: Yeah.

Jack: We might solve that problem.

Cristina: We might still be alive even if we solve the problem of death.

Jack: Exactly. In which case we can already foresee a future in which aging isn't a thing. But that doesn't stop us from being alive.

Cristina: Oh, okay.

Jack: So we can remove aging from the equation.

Cristina: Yes.

Jack: The other thing we can definitely remove from is movement.

Cristina: Yeah. That seems really wrong.

Jack: Movement is an issue.

Cristina: Yeah.

Jack: Responding to your environment. Completely unnecessary. And there's one perfect example of that case.

Cristina: What's that?

Jack: You can have a brain dead individual.

Cristina: Okay. That's exactly what I was thinking. Like.

Jack: And they're still alive.

Cristina: They're still alive. That's why. That's why I was thinking. Like that's so wrong. Because that's exactly what I pictured.

Jack: Yeah. It doesn't make sense. It doesn't make any sense. There's still alive even if they're not moving.

Cristina: Yep.

Jack: They have no motion. But you've not said they're dead yet.

Cristina: Mm.

Jack: And those two things are a problem. The other things that obviously don't need to make it are like consciousness. You can't judge that. You can't judge that. Exactly. There's no way to do it. Which would mean the only things that are a requirement for life would be nutrition. You have to consume things.

Cristina: Okay.

Jack: Respiration, you have to inhale oxygen. Excretion, you have to have waste for what you consume. Growth. You need to grow in some degree even if you don't age. Two different things. And reproduction. You need to be able to make more of you.

Cristina: Awesome.

Jack: Now, something that is Galvan doesn't require any of the things I've just mentioned. But it does not at any moment mean that it's not conscious.

Cristina: Because we're not counting anything about conscious though. Because we can't tell.

Jack: Yes. We're saying that any conscious being could be alive. Or Galvan and Galvin is the thing that isn't life, but is not. But it's similar. It's the. It's life that isn't carbon.

Cristina: Okay?

Jack: That's Galvin.

Cristina: Okay.

Jack: And because it's not carbon, it doesn't behave the way that things that are carbon are. But what do we mean? We mean is that it is conscious. It's perceiving the universe.

Cristina: There's no examples of Galvin.

Jack: Not that we can think of. Exactly. Yet.

Cristina: Yes, yet.

Jack: With enough time. But with this list, a couple of weird things will happen. Because most of the things in the world we can easily chalk off to alive and dead. Some of them are hypocritically so.

Cristina: Like what?

Jack: We just don't like some things?

Cristina: We just don't like some.

Jack: Yeah, we just don't like some things. And we done call it not alive because we can't.

Cristina: We.

Jack: We can't talk to it or something, you know. Yes, But a good example of something that fills the rubric out, all right, is fire.

Cristina: Fire.

Jack: Fire needs matter. Yes, yes, the checklist. Fire needs matter. Fire breathes air, Fire leaves waste. Fire grows and it reproduces fire. And the craziest part is it is carbon based.

Cristina: Yes. It fits all this and even fits some of the other things we took off the list, like movement.

Jack: Movement. Yep, yep, yep.

Cristina: What?

Jack: So fire is by any other measure alive. It's a living thing. It responds to its environment.

Cristina: Yeah. What?

Jack: It is a living thing. Fire is a living thing, alright.

Cristina: What?

Jack: Not only that, but fire. So unbelievably similar to humans in so many ways. Let's break down what a human is. Right. So human consists of a cycle of oxygen, carbon, hydrogen, nitrogen, calcium and phosphorus, while fire consists of a cycle of carbon, hydrogen, oxygen and nitrogen. All this f****** missing is phosphorus and calcium.

Cristina: Wow.

Jack: Okay, so then we go on and say humans breathe oxygen. Well, so does fire.

Cristina: Yeah.

Jack: Fire cannot exist without oxygen. It would disappear. It's composed of a combination, particularly the running forces. The big giant chunks of everything that creates a person is carbon and nitrogen. Those are the two big ones out of all the major elements that they're composed of. Well, so is fire. Humans, after they inhale oxygen, they exhale carbon dioxide, which just so happens to be what fire leaves behind after it takes in the air.

Cristina: We're twinning. Oh my gosh, we're twinning.

Jack: F*** yeah. And the obvious one, that humans respond to their environment as does fire. Now, interesting enough. Fire fuses to procreate like a very specific species of angler fish.

Cristina: What do you Mean like angler fish.

Jack: There's an. There's an angler fish that it fuses with the female to reproduce. Their bodies fuse and fire.

Cristina: That's what's happening with fire.

Jack: Fire can fuse to reproduce. Fire doesn't need that to reproduce, but it can do that to reproduce, which is something that we already see in nature by something we already call alive. So it reproduces like something fully biological.

Cristina: What?

Jack: The only difference between fire and humans is that fire isn't, isn't composed of cells. That's an interesting thing that's going on there.

Cristina: We do we. Is that part of the definition? That's not part of the definition.

Jack: No, that's not part of the definition of life.

Cristina: Okay.

Jack: It is not made of cells, although I think people think of it that way. I think that's the general consensus. We're just looking for things that are either cells or made of cells and calling that alive and then trying to nail down the checklist for anything and everything that contains cells. But the problem is not everything falls in.

Cristina: Yes, like this. Like fire.

Jack: Yes, but in this case, by choosing very specific things, we can call something alive without needing the requirement of it being composed of cells. Although it's still carbon based life.

Cristina: It is what? It's a whole different type of life.

Jack: It's a whole different type of life and we can compare it and it makes perfect sense. It is carbon based life that behaves in every, every possible way like a human. It's just not made of cells. The problem is, in science we have a very particular problem where we think we already figured it out and moved forward as such. So cells that's alive. Now anything that has cells is alive by default.

Cristina: But.

Jack: Okay, then make a rule set that tells us. Well, no, if their argument was it's made of cells, thus alive. Fine, but why do we have a checklist then? The checklist would just be it's made out of cells.

Cristina: Yeah.

Jack: Thus alive.

Cristina: The end. But then what about plants? No, they have cells too, right? Yeah, it's just different.

Jack: Different cells.

Cristina: Yeah. Okay.

Jack: That's why I think their argument is that even if they're trying to make a checklist, but the problem is it makes it difficult to discover what is life that isn't made of cells. Yes, that's where it f**** up. Maybe it's a useful measure that we say all things made of cells are alive, but there are things that aren't made of cells that are alive too. Like fire.

Cristina: Yeah, like fire. What's anything else like fire?

Jack: Well, something Very similar to fire is lightning, which is a form of fire, essentially. It's also constructed of nitrogen and oxygen as a response to its environment. And it does not age, which is interesting. Neither does fire. Neither does fire.

Cristina: It's just fire in a different form, though not necessarily. Okay.

Jack: Because its function is completely different and it's sort of composed of a chain reaction in a different way. I guess fire is also. Everything is a chain reaction. Think about it.

Cristina: Okay.

Jack: Yeah. But what's interesting enough, after we have a rubric like this designed, we start getting into the weeds, which it gets weird. It gets really, really, really, really odd as you continue to move forward. Because if we use this rubric and apply it to a fetus, okay. Then we can definitely say even if a fetus is made of cells, this is assuming. We're not saying that all things with cells are alive.

Cristina: No, we're just going based on the checklist.

Jack: Yes, Just this checklist.

Cristina: Yes.

Jack: So based on this checklist, like a fetus breathes through its mother, a fetus consumes nutrition through its mother. It receives food and it poops outward through the umbilical cord. And it receives its oxygen through the umbilical cord and it grows with those things. But it doesn't reproduce, which is problematic because you're a living thing that doesn't reproduce.

Jack: And a fetus isn't a baby yet a fetus is just a fetus. Unless you're also saying the sperm is also a baby. But those doesn't work that way. So fetus does not reproduce. Thus by extension it is not alive. Alive.

Cristina: What, so you're saying only once it's born, it's alive?

Jack: Only once it's born, it's once. Well, it doesn't need to be born, but once it has functional sexual organs.

Cristina: Oh, okay.

Jack: That's when it crosses the threshold and can complete the checklist.

Cristina: Okay.

Jack: Now I think the best approach is a combination of both systems. Right? So we say all things made of cells are factually alive.

Cristina: Okay.

Jack: And anything that completes this checklist.

Cristina: And.

Jack: And yes.

Cristina: All right. So this thing is alive even if it doesn't complete the checklist because it's made out of cells.

Jack: Exactly. So you're made of cells. Check. You're in. Yes, you've made it. That means you don't need anything else on the list.

Cristina: All right, but if you don't have cells, then we check the checklist.

Jack: Yes, check the checklist. You compared to the checklist and you function good. You are a living thing.

Cristina: All right.

Jack: That does not mean conscious. There's no way to tell.

Cristina: Nope.

Jack: Fire could totally not be conscious.

Cristina: Totally could be.

Jack: And it totally could be. It totally could be. There's no way to know.

Cristina: There's no way to know.

Jack: All of it could be intentional. Yeah, there's no way to know. We can't predict fire. Just the same way we can't predict a person. Yeah, it's random. It's chaotic. It moves in ways we can't assume. We can be. Like it's headed that way, but you know, we can never. Like we're gonna go that way and stop preemptively. It's like. But it turned that f*** away instead. There's no way to know. But following the checklist, now let's. Let's use that same checklist and compete with spur compared to sperm.

Cristina: Oh, okay.

Jack: So sperm doesn't breathe, doesn't need oxygen. Sperm doesn't eat. Sperm does not excrete. Sperm doesn't grow. Sperm doesn't reproduce. All it does is respond to its environment. That's it.

Cristina: So it's not alive. Except for that. It's made out of.

Jack: Except for that it's made out of cells.

Cristina: Yeah. So it checks and it has. It's alive even though it doesn't have anything.

Jack: Unless we're saying the checklist is the only way.

Cristina: Yes, but I like using both.

Jack: I think made of cells equals alive or complete the checklist.

Cristina: Yes, I think that's right. How about a tornado? Since you talked about fire and lightning. Is tornado way off.

Jack: A tornado doesn't reproduce.

Cristina: No. Too little tornadoes.

Jack: Hurricane can make tornadoes.

Cristina: Does that count? Does that even though it's one giant thing. I don't know.

Jack: Why does size matter?

Cristina: Does size matter? I don't know. No, it doesn't.

Jack: Okay, well, let's look at the checklist. Needs to consume.

Cristina: Yes. Does it?

Jack: Yes. Water.

Cristina: Water.

Jack: Needs water.

Cristina: Okay.

Jack: And needs air.

Cristina: Okay.

Jack: Doesn't leave waste relative to air or water, though. It doesn't consume those things and then get rid of something. It doesn't leave carbon behind.

Cristina: It leaves water behind.

Jack: That's not waste. It's using it, but it's not getting rid of anything. That's what its body is made out of. Decomposing. If anything it grows, does grow, it can produce reproduction. We can assume the tornado itself. Yes, but then the tornado would in any case be like a sperm. It can't reproduce itself.

Cristina: Yeah, but then it won't be alive because it doesn't.

Jack: Doesn't complete a checklist. And it's not Made of cells.

Cristina: Yep.

Jack: Pretty simple checklist. It's easy to check things off suddenly and we can measure anything. That is the usefulness of something like this. We can immediately just say whether something is alive or not by putting it to this checklist. Easy, simple, easy peasy, lemon squeezy. One thing I do find interesting is the idea of a God that isn't made of cells and also doesn't breathe oxygen and. And also doesn't eat food, and also doesn't excrete and also doesn't grow and also doesn't reproduce. It does reproduce. That's why we're here.

Cristina: That's why everything's here. That's why everything's here.

Jack: So it can produce, reproduce, but it's not made of cells. And he can respond to its environment. That's how he knows good or bad and gets angry or whatever and rearranges things accordingly.

Cristina: I learned so many things from the checklist.

Jack: Yes. God's not alive.

Cristina: He's not alive.

Jack: He's Galvan.

Cristina: He's a Galvan.

Jack: Yes.

Cristina: Oh, wait, I forgot about Galvan.

Jack: Yeah.

Cristina: Okay. Do we have a definition for Galvan?

Jack: Well, for Galvan, we don't know what things are Galvan. We have no checklist for Galvan because we needed to create a checklist for life that did not change first. Again, the one thing we know in Galvan is things there could be consciousness, things there could move, and things there could.

Cristina: So they. They may check off one or two.

Jack: Things off the list, but movement is. I don't know if it's a requirement. No, neither is aging. Something that is Galvan could potentially age, but it's also not in the checklist for life.

Cristina: No.

Jack: So they have things that could exist in both. We know things that could exist in both. And with those leftover things, we can then begin to look. So things that age. Some things that are alive age. Most things that are alive age, but not all things that are alive. So maybe there are Galvan things that age but aren't alive.

Cristina: Okay.

Jack: And maybe there are Galvan things that move aren't alive. Maybe there's Galvan things that respond to their environment but aren't alive.

Cristina: Are you putting sperm and God and Galvan?

Jack: Yes, both for Galvin.

Cristina: Oh, okay.

Jack: Except sperm is made of cells. Oh, yeah.

Cristina: Already? Yeah.

Jack: Sperm is live because.

Cristina: But God and that. Tornado. Not tornado.

Jack: Hurricane.

Cristina: Hurricane. That. Yes. God and that hurricane.

Jack: Hurricane are Calvin. They are animated, but not alive.

Cristina: Okay. We cannot prove that they're cautious or not cautious, because we can't prove Any of it to anything. So.

Jack: So then assuming that we have things that are filling these rubrics, we can say that sperm and fetuses and just plants and whatever. Anything made of cells alive. But then we have fire that's not made of cells, but does check off the entire list. Thus alive.

Cristina: Thus alive.

Jack: Yes, yes. And if it wasn't for the fact that a fetus is made of cells, it would be Galvin. But it's made of cells. Yes, so it's alive. If it wasn't for a fact that sperm doesn't check s*** off the list other than responding to its environment. Yeah, it would be Galvan. But it's made of cells, so it's alive. Meanwhile, God Galvin. Any helium based life would then be Galvan. You could come, you could touch things on the scale and not check off all of them, but still not be made of cells.

Cristina: Yeah.

Jack: And be Galvan.

Cristina: Okay.

Jack: God Galvan. Like a previous episode, we were talking about shadow people. They're probably conscious. They move, they respond to their environment. But their physics are different. They don't necessarily breathe air.

Cristina: We don't.

Jack: They might reproduce.

Cristina: They might.

Jack: We don't know.

Cristina: We don't know much about them.

Jack: Yeah, they would seem to behave alive. Yes, except they're not made of cells. They don't check off the whole list. No, they're Galvan because they are animate and functional and responding to their environment. Maybe aging, maybe could even die.

Cristina: Yeah.

Jack: But aren't made of cells and don't check off the life checklist. Yes, but we know they're not like a rock.

Cristina: No rock. Okay. A rock isn't alive.

Jack: A rock, as far as we know, is obviously. Well, we know it's definitely not alive. But the potential that it's not even Galvin is there.

Cristina: Yes.

Jack: Because there could be a third thing we don't even have a name for because we just made up a f****** name right now.

Cristina: Yeah.

Jack: Add a third name and it doesn't fit Galvin checklist or Alive checklist. But there is consciousness somehow. And that could be a third thing of its own. If it's nothing that we would say is behaving as an animate object that doesn't seem to do anything except perceive, which is weird, but possible because that's what a vegetable is.

Cristina: Yeah.

Jack: And it could totally be haunted.

Cristina: Yeah.

Jack: So we don't know where that lands now, to give Galvin a definition. Right. I guess it would be a being that's not carbon based but still has capacity to be conscious. It doesn't need to be conscious, but it could be conscious. And it needs to. There should be a checklist that in the future we can make that should contain maybe something Galvan does move. Maybe it needs to move.

Cristina: But what about Frankenstein? That was what was based on. But because of this checklist and because of what we just came up with, is it alive?

Jack: Then he's made out of cells.

Cristina: Exactly. That's exactly what I was thinking.

Jack: Like, yeah, he's made out of cells. Frankenstein is.

Cristina: He's not a gallon. Even though he might be inspired by that idea. But our new checklist makes him alive.

Jack: Yes, because we're including being made of cells. And all the separate limbs he's made out of only function, because Cells.

Cristina: Yes.

Jack: So he's definitely alive. Alive.

Cristina: What?

Jack: But now, what's interesting about this is I would argue that something Galvin has to move. We'll put that in that checklist. It has to move. Now, something alive doesn't have to move, but something Galvin does.

Cristina: What about God?

Jack: Well, God can move.

Cristina: How do we know?

Jack: Well, he can do things. He's allegedly been places and he can create. That's all part of emotion.

Cristina: Okay. I guess creating would be part of motion. Just the idea of he has shown.

Jack: People his shoulder, unquote.

Cristina: Oh, yeah.

Jack: And he had to move to do that or something. So based on that, he's Galvin.

Cristina: There's movement.

Jack: There's movement. So he's Galvin because there's movement. I don't know about aging. I feel like that one could be wrong.

Cristina: Aging needs to be there.

Jack: No, like it shouldn't be there because aging feels like a weird one.

Cristina: Aging. I don't know.

Jack: We can't prove shadow people age.

Cristina: No, you can't prove. I don't think aging needs to be there.

Jack: That's what I'm saying. I don't think aging should be. Be there at all.

Cristina: Yeah.

Jack: And now, so. So I guess Galvin is pretty much anything that's not in the life list. So then our Luciferins, the films called Luciferins, are they alive or are they Galvan? They're made of cells.

Cristina: They're made of cells. They're alive.

Jack: Yeah. They're almost cells themselves.

Cristina: Yeah.

Jack: Which means. Yeah, they're alive.

Cristina: They're alive.

Jack: Even if they don't eat.

Cristina: Nope.

Jack: Because they bypass the checklist. If you're missing something from the checklist. Are you made of cells?

Cristina: Yeah.

Jack: Okay, you're in.

Cristina: Yeah. That's it.

Jack: Simple. No question, no doubt in anybody's mind.

Cristina: All those vampires, werewolves, zombies, they're alive.

Jack: All alive. All alive.

Cristina: All of it.

Jack: Even like a fully. If zombies weren't barely alive. If they were, like, if you truly murder somebody to the point that heart stops beating and everything. That at least was a living creature.

Cristina: Mm.

Jack: It was never a Galvan creature.

Cristina: No.

Jack: And if it reanimates, it's again, a living creature.

Cristina: Yes.

Jack: Because it's still made of cells.

Cristina: Yes. Yeah, I think we figured it out. Yeah.

Jack: And that means that turtles, for a fact, are alive. Are alive.

Cristina: Yeah.

Jack: Because we'll never say turtles aren't. But they don't age. And age is a weird one to have there at all.

Cristina: And jellyfish that don't even look like jellyfish. Yeah.

Jack: They look like some whole other s***. They look like a trash bag in the water.

Cristina: They look like aliens.

Jack: Yeah. It's really weird.

Cristina: But do you know any more Galvan creatures? I guess we'd have to. I don't know. That's. That's a tough one.

Jack: No, not necessarily, but that's the problem. We need to then make a checklist of things that we can call Galvan. And I think the only thing that makes sense for now is movement.

Cristina: Yes.

Jack: Because we don't know how. Something like. I'm assuming that Galvan things will behave similar to living things in that most of them can move. And that's a good start.

Cristina: Yes. Okay, let me think. Something that can move.

Jack: Lightning.

Cristina: Lightning is alive.

Jack: It checks off some of the things on the checklist, but it's not made of cells and it doesn't check off all of the things on the checklist.

Cristina: Yeah. So lightning and fire go in there?

Jack: Well, no, because G. Gal. A. Fire completes the checklist.

Cristina: Oh, yeah.

Jack: Fire is alive while lightning is Galvan.

Cristina: Yep. How many things make the checklist that aren't made out of cells? Is fire the only one?

Jack: Fire seems to be the only one, though. Fire is the only one at the moment.

Cristina: Awesome.

Jack: But fire fits everything. A human fits. Consumes matter. Humans consume organic matter. Respiration. Both. Fire inhales oxygen. Humans inhale oxygen. A screecher. Fire exhales carbon dioxide. Humans exhale carbon dioxide. Growth. Fire grows as it consumes. So do people. They grow as they consume. Reproduction. Fires can break off into smaller fires that keep moving and then grow on their own. By consuming, humans can reproduce, have babies that go on consuming and growing, and they can then do the same thing.

Cristina: So is the sun a living planet with, like, fire creatures on it or something?

Jack: Yes. You know, the difference is that the sun does age. The sun is a Different kind of fire.

Cristina: The south.

Jack: Yeah. It has a timer that's internal and ticking, and it's slowly aging, getting older and will die of old age. Something. Yeah. So it not only fits the entire rubric in which fire will definitely. Here's the thing. It doesn't actually. Because it doesn't need oxygen.

Cristina: Doesn't need oxygen.

Jack: It doesn't need oxygen. And it's not made of cells. So it's missing one thing in the checklist, and it's not made of cells. The sun is Galvan.

Cristina: What? How is a fire alive? The sun is Galvan.

Jack: How is lightning? Galvan? Okay, the sun and lightning are closer related than the fire. The fire in the sun.

Cristina: Okay. What? How about lava?

Jack: Lava. It leaves waste. But it doesn't grow. It does age.

Cristina: Does age. It does grow. When it turns into. What's the.

Jack: No, it's not multiplying. It's not getting bigger. It's rolling over things that might be higher up. And it just looks bigger. Yeah, but it's not growing. There's not more of it.

Cristina: So it's not alive.

Jack: No, it's not even Galvan.

Cristina: Or Galvan. All right.

Jack: Like it has movement. It has movement. It definitely has movement, but it doesn't reproduce.

Cristina: I'm thinking something Galvin reproduce.

Jack: I'm thinking something Galvin might need to.

Cristina: Okay.

Jack: I think lightning reproduces.

Cristina: Yes.

Jack: We can see a bigger lightning bolt shred into a million smaller ones, and they break up into a billion smaller ones until they all celestial.

Cristina: You said like angels. Well, we have no idea what they do, so we can't say.

Jack: Well, based on what we know of angels, the lore of angels, they aren't made of cells. They don't breathe oxygen, but they fit the perception of life. They seem conscious, they move of their own accord. They respond to their environment. They can theoretically die.

Cristina: They seem a lot like us.

Jack: Yes, except they're not made of cells. They don't breathe, they don't poo.

Cristina: So put them in the Galvan.

Jack: They're Galvan. Like God.

Cristina: Okay.

Jack: Like God and lightning.

Cristina: Yes, and the sun and the sun.

Jack: God, lightning.

Cristina: But does the God reproduce angels?

Jack: God can reproduce.

Cristina: The sun, though.

Jack: The sun doesn't reproduce. No.

Cristina: So is that still Galvan? Interesting, because now we're having for sure movement and reproduction has to be there.

Jack: S***. Do angels reproduce? Because I don't. Fair enough. Fair enough.

Cristina: We don't really know if angels reproduce or not. Maybe they do.

Jack: And if they don't, then they're not Galvin.

Cristina: Then they're not Gavin. I guess.

Jack: But they seem to be the closest thing to life, I would say. I would argue that angels and shadow people are the same s***, even if they're not. I mean, technically they are, but outside that point, if we went like biblical angels. Yes, and shadow people, then they behave the way humans do and seem to think and can talk and can respond to their environment.

Cristina: They're for sure conscious.

Jack: Sure, for sure. Conscious. But they don't reproduce. So that means reproduction cannot be in that checklist either.

Cristina: Okay, then. So then movement is the only thing.

Jack: We have so far.

Cristina: All right? It's just that you can't. You don't have the. The requirements for living. But you can move. So you're. You're a Galvan.

Jack: No, because lava can move and we can. And we know for a fact it's not reproducing. We know for a fact it's not behaving of any accord. It's just like water rolling. But lightning can reproduce.

Cristina: So then what's the requirement for Galvin?

Jack: I don't know.

Cristina: Judging.

Jack: Okay, fair enough, fair enough, fair enough. What if something galvanized checks off many things off of the life list.

Cristina: Okay.

Jack: But not all of them.

Cristina: All right?

Jack: So you are either alive, in which you're either made of cells, or check off the whole list. Galvin not made of cells. And check off some of the things on the list or some third other s***.

Cristina: Okay, so then what was the one that we were saying? It only has movement, so it doesn't count. Yes, Lava only has movement.

Jack: But then we. We have four. Four tiers. Alive.

Cristina: Yes.

Jack: Galvan.

Cristina: Galvan.

Jack: Whatever movement by itself is. And then something that doesn't even have that.

Cristina: There's nothing that doesn't have movement.

Jack: A rock. It moves a rock. A rock doesn't move by itself.

Cristina: Mountains move.

Jack: Mountains also don't move by themselves.

Cristina: They grow. They don't move.

Jack: They shrink.

Cristina: They shrink. That's something.

Jack: No, no. So that's four tiers. Alive. Galvan motion and no motion. All right, so alive you have. You're either made of cells or check off the whole list.

Cristina: Yes.

Jack: Galvin not made of cells. Check off most of the list. Motion. Not alive. Not. Galvin, you don't check off. You're not made of cells and you only check off motion, which isn't even part of the list.

Cristina: Nope. That's just its own thing.

Jack: That's its own thing. If you can move, lava can move.

Cristina: Planets can move.

Jack: Planets could move. See, we have similarities. Now, water is in perpetual motion in the ocean, yes.

Cristina: So what's Atlas called?

Jack: That's just motion, I guess. We don't have a name for that.

Cristina: It's just things that move. All right. And things that don't move.

Jack: So biological life form and fire.

Cristina: Alive for fact, yes.

Jack: Shadow people, celestials, God, lightning, the sun. Galvin. All Galvin?

Cristina: Yes.

Jack: They don't necessarily check off many things. Well, they check off many things, but not all of them. The sun doesn't reproduce and doesn't breathe.

Cristina: That sounds right.

Jack: It does leave residue. It radiates parts of it, little by little. Excretion of sorts, of it can also get bigger. It ages. That's not even part of the f****** checklist.

Cristina: That's not. But it's so.

Jack: But it takes nutrition. Anything that lands into it, it consumes. It can't reproduce, but it grows. It has excretion. Some of the things on there make it.

Cristina: Yes.

Jack: God is weird because he doesn't satisfy a lot of this.

Cristina: Yes.

Jack: But he reproduces. D***. He only checks off one of the things on the list. So then checking off anything on the list.

Cristina: Okay, okay.

Jack: Without all of the list.

Cristina: Yes. Is galvanized.

Jack: Just one thing on this list. If you reproduce, Galvin, if you grow Galvin, if you excrete, Galvan, if you breathe Galvan, if you eat Galvin, you don't need all of them, you just need one of them. If you do all of them, you're alive.

Cristina: A virus.

Jack: Virus is alive. No virus is Galvan not alive. A virus is Galvin. Because a virus, it's creep. It excretes. And a virus can reproduce.

Cristina: It's not made out of cells.

Jack: It's not.

Cristina: Okay, then it's Galvin.

Jack: It's Galvin.

Cristina: Okay.

Jack: In fact, it kills cells.

Cristina: That's true.

Jack: Or infects them. Or makes them sick.

Cristina: Or it makes them sick.

Jack: Yep. Yeah, but it is Galvan.

Cristina: Yeah.

Jack: And we were struggling. Science has struggled for very long to say whether a virus is alive or not. Well, you know what? It's close, but it's not alive.

Cristina: Yep.

Jack: It's next best thing. It's Galvin.

Cristina: It's God. No.

Jack: God and a virus are more or less the same.

Cristina: It's more or less the same. Who knew?

Jack: So then, what else can we put on that list? We got the sun, we got God, we got angels, we got shadow people, we got lightning. That's an interesting one.

Cristina: Yes.

Jack: Lightning reproduces. Lightning breathes.

Cristina: What else? What else is there?

Jack: And then there's the motionless.

Cristina: The motionless water. Yes. Lava.

Jack: Lava.

Cristina: Wind.

Jack: Wind. Wind is in Motion.

Cristina: Yeah.

Jack: And not one of those things we would say is conscious. We also don't know. There's no way to know.

Cristina: There's no way to know.

Jack: There's no way to know. But they do have motion.

Cristina: Yeah. But no matter where you're on this list, we don't know if you have conscious. Like, you'd be a non moving object, and we still have no idea.

Jack: Yeah, yeah, yeah. You could be conscious in any case. But I guess the ultimate idea would be to try to pin consciousness down, because we. If we can prove that the. In the entire time when we're thinking God, when we're thinking angels, when we're thinking shadow people, we are thinking of things that we can at least say are similar to us in some manner, shape, or form.

Cristina: Yes.

Jack: And we know we're biological, so we'll just chalk off anything biological and throw it into that same thing. Because it's probably, if any. If biology is the root, then for a fact. But if not, here are things that are similar.

Cristina: Yes.

Jack: And the less similar you are, the further down this scale you are. But the closer to us you are, the more likely you are as conscious as me perceiving at this moment and thinking about it.

Cristina: Mm. So the only important thing is looking for, when we're looking for life is the living list.

Jack: Yeah. So we're comparing everything to the living checklist. Yes.

Cristina: Okay.

Jack: And then from the living checklist, we then attach rules to the checklist, rather than say, if you make the checklist, you are one, and if you don't, well, you're not. And instead of that, we'll say the degree of checklist completion. Number one, are you made of cells? Yes. Alive. Okay. Not made of cells. Let's move on to number two. There's a checklist. If you can meet all the requirements on the checklist, you are alive.

Cristina: Yes.

Jack: Great.

Cristina: Mm.

Jack: Now, fair enough. We can say organic in place of alive, because organic inherently means alive. A hundred percent of anything that is made of cells is by default alive. So then we have a tier system. You're either organic, alive, Galvan, movement, moving. Good moving. Or some other s***. Or inanimate. Then. Then we finally hit inanimate.

Cristina: Yes.

Jack: There you go. Five steps. Are you organic? Sweet. That means you accomplish everything else under you except inanimate. Inanimate is the absence of all the others.

Cristina: Yes.

Jack: So you are moving. You do complete the checklist. Some of the things, you complete the whole thing. And you're made of cells. Organic. Organic is, for a fact, the goal. Okay, so you're not organic, are you? Galvin, do you? Or well, are you alive?

Cristina: Are you alive? Yes.

Jack: So then. Interesting, because that puts fire by saying organic over alive.

Cristina: It's not organic, but it's alive.

Jack: Fire is not organic, but it's alive. Yeah.

Cristina: Yeah.

Jack: So we are organic and we are identical to fire in everything, with the exception that fire isn't organic, but it is alive.

Cristina: Yes.

Jack: We're organic, therefore alive, therefore Galvan, therefore moving. But fire isn't organic, but it is alive, therefore Galvan, therefore moving.

Cristina: Yes. Does that work with everything?

Jack: Well, God, celestials, shadow people, lightning, they are all. They're not alive, but they're all Galvan and they're all moving. And lava, air, water, are not organic, not alive, not galvanized, but they're all moving.

Cristina: Yes. Okay. And then inanimate is just.

Jack: Then inanimate. Okay, so water is an animate object.

Cristina: Yeah.

Jack: As is lava, as is air. All animate. They're not inanimate.

Cristina: Yes.

Jack: Interesting. Have we designed. I think that's the proper checklist.

Cristina: Yes. We did it.

Jack: Interesting, interesting, interesting.

Cristina: And the checklist is called the Life checklist. No. Maybe.

Jack: D***. I don't know what the name of the checklist would be because ultimately the purpose of the checklist, of anything like looking for life or whatever the f*** we're trying to do.

Cristina: Yeah.

Jack: Is to. Even if we're trying to find something in any of these categories, we're also ultimately only doing it to try to find consciousness. That is the ultimate goal of any of this. But because the idea is we find a cell, a different planet. Well, that means that life can happen, therefore there could be more complicated life out there. That's really what we're looking for.

Cristina: Yes.

Jack: Where life could happen again.

Cristina: Okay. So it's really the most important is just organic, really.

Jack: No. Because you could get through all these others that. I mean, if we found organic matters elsewhere. That's way more astounding.

Cristina: Yeah.

Jack: Because if life happened in some other way. Well, duh. Well, duh. What are the odds that it just. Exactly the same. Unless there's only one way it could happen.

Cristina: Mm.

Jack: That would be one way. There's only one way it could happen and that's it. Or we have a common ancestor somehow. That'd be the other problem. So it's either life can only happen one way, we'll have way more questions if we do find organic life. Way more questions than answers. Yeah, but if we just find like helium based life or some s***, we'd be like, yep, that makes sense.

Cristina: We just call that a living thing.

Jack: No, that would be Galvin.

Cristina: Galvin.

Jack: Yeah. Because it doesn't necessarily have to fill out the check. It could fill out the checklist and thus be alive.

Cristina: Okay.

Jack: It could also not.

Cristina: Yeah. Okay.

Jack: So the argument to be made is fire might be the only living thing that we can as of now, for a fact, pin down. And isn't organic.

Cristina: That's pretty amazing because then that really does show that there's other.

Jack: Oh, s***.

Cristina: What?

Jack: Oh, no. But it's organic. Okay. I was gonna say the Luciferians, but they're all made of. I was like, what the f***? They don't eat. But no, anything that is organic makes it by default.

Cristina: Yeah.

Jack: So then fire. If we can find anything else.

Cristina: So we have a second example of life.

Jack: Yes. Isn't organic. We have one example of life that isn't organic.

Cristina: So it's possible to find others.

Jack: Yes. We have simplified it.

Cristina: Yes.

Jack: For the scientists.

Cristina: Yes.

Jack: So that they can use. Right there we have proof. It is possible to fill out the checklist.

Cristina: Yes.

Jack: And not be organic.

Cristina: Mm.

Jack: The problem is we're looking for organic, which is stupid because what are the odds now if it did happen? Holy s***. But we didn't answer. S***. We just opened a million doors.

Cristina: Mm.

Jack: Which is. F***. Do we have a common ancestor? Or is f****** biology the only way to do it? Or like, what the f***?

Cristina: Yes.

Jack: So way more questions. But as of now, we have non biological life. If we follow this checklist.

Cristina: And that makes it. That it's possible.

Jack: That makes it possible. Because fire because. Is alive.

Cristina: We're not alone on this earth.

Jack: And it's possible there's other things that we're just not thinking about.

Cristina: No.

Jack: Because at least things that are galvan are a whole other kind of thing.

Cristina: Yeah.

Jack: That is what we were basically trying to say was life before. But our checklist was too shaky.

Cristina: Mm.

Jack: So anything Calvin. It lit. That word is a synonym for alive, by the way. Anybody confused it means animated object. It's a lot. It's alive. The point of that is that it's another word for live. But we're not using alive because you're not completing the life checklist that we made up. Yeah.

Cristina: So.

Jack: Well, actually, the checklist was already made up by scientists. We just removed two things as obligations and said that anything else you have to meet, you can't not not meet it.

Cristina: Yeah.

Jack: Unless you're organic. Then doesn't matter. You've bypassed the checklist. You start at organic, move on to the life checklist. Move on to the Galvan checklist. And then finally. Can you move?

Cristina: Can you.

Jack: Most of the things. All the way through Galvan. So organic, alive. Galvan and moving can move most of the things if you don't fill out anything else. But you can move. You're at least not inanimate.

Cristina: Yeah, we're not interested in inanimate. Inanimate.

Jack: Yes. Because that would be the hardest thing to prove. Conscious.

Cristina: Yes. And we're not really interested in moving either.

Jack: We're less interested than all the other stuff, but we're more interested than we.

Cristina: Are Galvin, I think is when it's like.

Jack: Because Galvin gets really interesting.

Cristina: Yeah.

Jack: Reproduce. Wow.

Cristina: Well, I don't know. I think we're more. It's. It's gotta be over, Gavin.

Jack: It's gotta be Galvin or higher.

Cristina: I think it has to be over Galvin.

Jack: Why?

Cristina: I don't think we're interested in Galvin. What are the things in Galvin again?

Jack: Celestials. Shadow people.

Cristina: Yeah, that's why. That's why. Like, how do you prove any of that?

Jack: Lightning is Galvan.

Cristina: Yeah, that's why we're not interested in lightning. Although we're not interested in fire. And we already proved that that's alive, so never mind.

Jack: Sun is Galvan and it's super related to fire. Like lightning.

Cristina: Yeah.

Jack: Wouldn't be. We be.

Cristina: The scientists don't care.

Jack: It would be like. Look at it like this, right? We have us at organic, thus alive.

Cristina: Yes.

Jack: And we complete the whole checklist. Yeah, but also sperm doesn't complete s*** on the checklist. But it's alive. That's the same as saying there is fire. That completes the checklist. So it's alive. But lightning and the sun don't complete the checklist. So they're Galvin. Sperm is to us what lightning and the sun are to fire. It's one step under. Yeah, except it's the same. But not.

Cristina: Yeah, it's the same.

Jack: The difference is that sperm is in fact organic. Thus it bypasses everything and comes to the top.

Cristina: Unfair.

Jack: But it works. Anyways. That's fascinating as f***. I guess we have a rubric now to determine whether something is alive or not. So like I said, go find. I guess no longer look for an inanimate object. Look for any variant of animate object. Go scoop up some lava with your hand and make it listen to the podcast.

Cristina: I thought you were just talking to your walls. Why you gotta scoop lava now?

Jack: Because walls are inanimate and we're no longer interested in. I began this episode. Wrong.

Cristina: Okay.

Jack: So they have to scoop up, bare minimum, something moving.

Cristina: Like lava.

Jack: Like lava. Just scoop up.

Cristina: Scoop up some wind.

Jack: Scoop up some wind and you can listen to the show.

Cristina: Yeah.

Jack: If it responds, then.

Cristina: Mm.

Jack: Interesting. Interesting.

Cristina: I think we got it.

Jack: I think. I think we nailed something down.

Cristina: We're scientists. Right here.

Jack: At least we simplified it for scientists. Anyways, if you guys got. If you guys like weird discussions like this. There are many discussions of this nature. We haven't done one this detailed in a while, but there's a bunch of weird s*** out there. You can go find out what it would be like if we, like, powered society with a potato, if you want to know.

Cristina: Oh, yeah, Remember that? Yeah, The. The machine. We had a time machine for a short.

Jack: Time machine. We. For a short time. We literally still have that time machine.

Cristina: We never used it. You used it to stop us from.

Jack: Killing cat people or something.

Cristina: You wanted to kill a cat people? I don't know.

Jack: Whatever. The point is. Point is we got. We got episodes where things happen.

Cristina: Things happen. Yeah.

Jack: Yeah. And we look for life in a different episode. We actively search for life. So, yeah, go listen to those episodes. Listen to other things. I think we just had a questions episode or some s***. Anyways, if you want to find that stuff, you can find it at the official website@greatthoughts.info or on Apple Podcast, Spotify, or anywhere you get your podcasts.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTokod.

Jack: Yes. And you can subscribe and rate the show. And if you feel so inclined, you can always review the show.

Cristina: Give us your rating. We eat that. We eat that for dinner.

Jack: Yes. Yes, we do. You don't rate us, we starve.

Cristina: Yes. If you don't rate us, we starve. Help. And let someone who might like this show know about it.

Jack: Word of mouth. Tell people that we've solved the problem of life and then show them what we've come up with.

Cristina: And then show them your missing arm because you scooped up Blobber. Again, this has been the Just Conversation podcast. Take nothing personal and thanks for listening. Bye.

Jack: And balance.

Cristina: Balance. Yeah.

Jack: Creation and Atheos. Destruction and shaggy reason in the flying Spaghetti Monster. And chaos and Kek.

Cristina: What about Chuck Norris?

Jack: He's not a God.

Cristina: He's not? No.

Jack: I guess he's like a trickster.

Cristina: Yeah. Yeah. I guess he's more like.

Jack: He exists in sort of the pockets of f****** reality.

Cristina: If anything, he's a reality breaker.

Jack: Yeah. He's like Deadpool.

Cristina: Yeah. Yep.

Jack: Deadpool could be Shaggy that's so overpowered because he has this thing that makes no sense and cannot be explained in any f****** way, which is the ability to leave a panel. It's too overpowered. It seems so simple, but in any comic book page, he's basically invincible.

Cristina: Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister, with social media managed by Amber Black.

Rambling 112: Controlling Society

Politics, Society, Podcast, The Just Conversation Podcast, Philosophy, America, United States, Senate, Congress, SOciety, SOciology

Who truly controls the country? Is it the People, the Businesses or the Government? Breaking down the pecking order that runs the United States of America.

The duo unpack the structure of society and politics. Between how the government controls the people instead of the other way around, to the overpowered nature of boycotting and cancel culture, the truths uncovered on this episode reveal the dark lies of the country and much more! Find out what on this episode of Just Conversation.

Rambling 112: Controlling Society

(This episode contains a transcript to make it accessible to Deaf and Hard of Hearing Audiences #DeafPodcast

+Episode Details

Remember to leaves us a rating wherever you listen to podcast!

Topics Discussed:

  • Government
  • Blue Pill vs Red Pill
  • The Boss’ Boss
  • Facebook Data Scandal
  • Tech Big Five
  • Political Structure
  • #MeToo
  • Boycotts
  • Cancel Culture
  • Facebook Conspiracy Groups
  • Alex Jones
  • Protests

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Jack: Have you ever wondered who controls the money, who controls the companies, who controls the government, and who controls the people? Find out all that and more on this episode of Just Conversation.

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Just Conversation podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yes. So you grab somebody, you sit them the f*** down, and you tell them, I'm the one in control here.

Cristina: Why does it have to be like that?

Jack: I am the one who's in control. You've. Why. Why can't they just ask kindly?

Cristina: Yeah, it's never just a. Okay, could you. You. You might be interested in this. Why don't you just listen to it with me?

Jack: Why would you ask somebody to kindly listen to the show with you when you can make somebody reluctant? Listen. If somebody is already willing to listen to the show, that's fine. They're probably gonna stumble on the show. You need to force somebody who wasn't willing. Bigger audience.

Cristina: Okay.

Jack: More people. Those who want and those who don't.

Cristina: Want and those who don't want will probably not listen again or.

Jack: But they heard we got the view. We're paid, bro. Oh, that's how it goes.

Cristina: Helping us out?

Jack: Yeah. All those listens pay off. So, yeah, you sit them down. You're like, I'm the one in m************ control here. I control what you do, when you do it, how you f*** it. I'm the government. From this point forward, you. You gotta listen when I say listen, or I gotta tax you.

Cristina: Then what's the tax money? They're gonna make you pay them for forcing you to listen to them.

Jack: Yeah. If you don't listen. Yeah. If you don't listen, you gotta pay. And then that money makes it to us. We're secretly taxing them. We're part of the government. We were for the Illuminati, I guess. We're not part of the government.

Cristina: We're not.

Jack: No, we're part of the Illuminati. We're like an agency that's superior to the government who's trying to bring truth to the people. The woke. Truth to the people.

Cristina: Who's bringing the truth Us or the government?

Jack: Us. Like, the government wants to offer truth?

Cristina: Yes.

Jack: Only the Illuminati wants to offer truth. None of these government agencies or political officials are telling anybody the truth. They're all just trying to con the people and manipulate the people and control the people. Man. The man just wants to control you. Man.

Cristina: Yes. All the men in the government, though.

Jack: None of the women though. Just the men.

Cristina: Oh, okay. Just the Man.

Jack: Yeah. Like they're gonna give women power.

Cristina: Then why are there women in the government?

Jack: So that they can con the people into thinking that the people's. It's. It's the red pill. You give them the blue pill. Oh, the government's control. No, wait. The blue pill. No. Oh, s***. That's weird.

Cristina: Mm.

Jack: Because the blue pill is the government's. Fine. It's a functional system.

Cristina: It's perfect.

Jack: And then the people who are like, oh, but the government's f*****, and you're being lied to. And you're a g****** she. Those people. Those people get the. Hey, look, your vote put a woman in office. I guess it's working now, right? And you're like, yeah, I made that happen. And so you ate the red pill. You're like, yeah, this new reality is the real reality. And I'm not a sheep.

Cristina: Still suck. But I'm telling. What, the telling the government?

Jack: Yes. That illusion. I'm in control. My vote made it my soul. Vote changed everything.

Cristina: Yes.

Jack: And that's totally not the. Because you ate the red pill, bro. It was given to you by the same people who gave you the blue pill.

Cristina: Then what's the reality?

Jack: The red pill brought to you by the makers of the blue pill. Like, what the f***?

Cristina: Who. What's the truth?

Jack: The truth is the government is shafting you no matter what the f*** you do. The government doesn't work for you.

Cristina: They should, but they're just people, so are they also just hurting themselves as well?

Jack: Who? The government?

Cristina: Yeah.

Jack: No, because they're using tax money to fill their pockets. They're not hurting themselves. What are they doing? They're taking the money they put in into their own pocket. Again, they pay no tax. If you work for the government, you technically pay no tax because you're putting.

Cristina: Away the money that you're getting back later.

Jack: You said any branch of the government gets paid by taxpayer money.

Cristina: Yes.

Jack: Every branch, all of it. 100% you% pay no tax. By working for the government, you immediately pay no tax. If you're a political official, like an officer, they pay no tax.

Cristina: Mm.

Jack: Community hospitals, they pay no tax, none of those deals. Those people are all paid by the government. Meaning the tax they pay from their.

Cristina: Check is our money.

Jack: Yeah, that goes back to their own pocket. They took money and then put a little of it back, but they still took the money out of the tax. So while politicians, on the other hand, they take giant sums because they can shuffle the money until it disappears. And it's like, oh, well, we distributed some over there, some over here, some over there. This one went through those hoops to get into that hoop to enter this system that was supposed to go for that thing, but then that thing needed, you know, this, this and that. So we have to break that up.

Cristina: Ozark or something.

Jack: Yeah, you're just like, yeah, it's a giant money laundering scheme where you're just mixing the money over here, passing it over there, moving it through here, it gets over there, and suddenly it ended up in your pocket. And nobody can explain how because we can't follow that mess you created.

Cristina: Yeah, no one's investigating.

Jack: Nobody's invest. And when they do, they get removed and replaced by somebody who's gonna do it better. That's all it is. We don't control the f****** government. No, we don't control the f****** government. You know who does control the government, though? Lobbyists.

Cristina: Lobbyists. That's company people.

Jack: Company people. Company people who go and make laws. That controls the government. Not f****** we. We don't control the government. The government simply wants us to think we control the government. That's the f****** red pill that the matrix gave us.

Cristina: Okay?

Jack: Yes, the illusion is we're in control, man. For the people who are like, the government works. And no, we don't have to control it. It works the way it needs to, but. But then there's a red poll. The government's supposed to respond to us, bro. And if it doesn't, it's not functional. And it's like, we need to rise and vote and s***. And then you vote and s***. And you just voted somebody from a list that they gave you, but you think it was your list because you voted, but they gave you the list of people to vote from.

Cristina: Mm, sucks.

Jack: Yeah. You're choosing out of the people we prefer. Which one do you want in office?

Cristina: These are our two favorite picks up here.

Jack: Yeah, these are the two people we think should be running on top. Which one of them would you like? Here, here, we'll throw you a choice. And it's like, I couldn't choose who made it all the way up there. No, no, no, no, no. And you know what's weird? How does this even get selected? Right, so we have like the, let's say the presidency. Right? We have a presidency race.

Cristina: Yes.

Jack: And we have people who are fighting, arguing or whatever and debating and s***. When they, they run out of f****** like, oh, I'm dropping out.

Cristina: Mm, right.

Jack: Why are they dropping out? Based on what did they just f****** run out of?

Cristina: Who? We didn't vote yet cuz they already assume they're losing.

Jack: Favored yet, man.

Cristina: Yes.

Jack: What you just dropping out cuz someone.

Cristina: Paid them to drop out or are.

Jack: They running out of money? Like I don't. Dude, what the f***?

Cristina: What about all those other people who don't go to the base debates? Is only a two party thing.

Jack: That's weird, right? Other parties, they only want you to see these two people, our two candidates. You make a choice between our two.

Cristina: Candidates and ignore the other.

Jack: Like everybody.

Cristina: 10 people.

Jack: It's like a million parties.

Cristina: Yeah. And they show it to us on you.

Jack: Oh, we don't f****** know who they are. Yeah, they made sure we only know two people.

Cristina: Unless you like dig deep, I guess.

Jack: But how a country isn't gonna do that. They're relying on a laziness of a country. That's the whole goal. They're relying on people being lazy and not doing the homework. That's why they only show you the people they want you to know about.

Cristina: Yes, man. The laziness wins out. That's the whole like people are like going crazy over how this. Most people voted. How did like how has it increased this much? Did people start caring or something and it's like, nah, they got it home. It's easier. It's laziness.

Jack: Yeah. They mailed you the ballot and it showed up on your doorstep.

Cristina: Yeah. And then you just had to mail it out or put it in a box. Like it's so much easier than standing in a line, signing yourself in, waiting some more, etc.

Jack: Yeah, it got done for you.

Cristina: Yes.

Jack: That's f****** weird. People are lazy as h***. And that's how the government. The government knows this.

Cristina: That were lazy. Yeah, but aren't they lazy? I guess not. Because they have a drive, which is that money.

Jack: Yeah, the government has a financial drive. That's all they care about. The government only cares about money. Everybody only cares about money.

Cristina: And the lobbyists though, well, the lobbyists.

Jack: Also care about money. They just need the right laws to.

Cristina: Make their s*** work to make them more money.

Jack: Yeah, it's all about money.

Cristina: So the money rules the world.

Jack: Sort of. The lobbyists are ruled by the companies. Usually they are the people who are paid by a company to go do a thing, go convince the f******.

Cristina: Then the companies rule the world.

Jack: Well, then that becomes a problem because the people control the money.

Jack: It's. Nobody owns anybody. Everybody's somebody's b**** in a perfect circle.

Cristina: Yeah.

Jack: It goes like this. The people control the money. The money controls the companies. The companies control the government. The government controls the people.

Cristina: And the people control who? What?

Jack: The companies.

Cristina: The companies.

Jack: Well, they control the money, which controls the.

Cristina: They control them. Yes. Okay. Yes.

Jack: The money flow comes from the people, the everyday people.

Cristina: Yes.

Jack: And the money controls the companies.

Cristina: Mm.

Jack: Companies will do whatever the f***.

Cristina: Like Barry washing us through ads. Ads everywhere. Ads. 24. 7.

Jack: Yeah. 100%. And they need to be on our good side. If we become aware of anything, they have to react and be on the side of the majority. Always. 100%. Jeff Bezos, perfect example. We said he'd go out and shoot somebody the moment that his money was threatened and his money was threatened. And what's the first thing he did? He went outside and he popped the m*********** in the head.

Cristina: He did not really do that, but he did something close, you know?

Jack: Yeah. Somebody said, we're not gonna use your system because you. You. You haven't taken a stance because you're.

Cristina: What was the.

Jack: Well, he hadn't sided with anybody yet. He had a. Like, did he even have a banner? No, they didn't have anything. Right. They made no stand. So black people were like, nah, we're not doing this. And then he was like, wait, wait, wait, wait, wait. No, no, no, no, no. I'm. Pick a side. I'll pick a side. I'm on your side.

Cristina: So you waited for someone to be.

Jack: Angry, and then when he put the Black lives thing, because people were like, well, now's the moment to make a stand. Whoever the f*** you are, whatever company you're running, you make a stand. Or you. If you don't stand with us, you. You're against us. And he wasn't making a stand until people were like, Amazon doesn't seem to want to pick a side, so we're just going to stop using that. He was like, wait, hold the f*** up. I'm on Black Lives Matter. And then that's when the other people showed up. And it's like, you're the minority. Kiss a**. When he. When he released the message in return. Because first it was people boycotting anybody who didn't want to participate.

Cristina: Yeah.

Jack: And then that's when he was like, okay, banners, Black Lives Matter.

Cristina: Yes.

Jack: But then the f****** people who thinks Black Lives Matter is racist showed up.

Cristina: Yes.

Jack: And they were like, well, we don't support Black Lives Matter, so we're gonna stop using your platform. And then he replied, go kiss a**, cuz you're the minority and your money doesn't mean anything.

Cristina: Yes. That's awful.

Jack: That's awful. But you gotta be wherever the money ends.

Cristina: And that's all he did.

Jack: That's all he did. He sided with money because he's controlled by the money. Amazon is owned by the money. Buy the money. And if the money isn't there, Amazon is garbage. And this applies to every company in the world. Money runs the company and the people run the money. You please the people or f*** your s***. Yeah, but if they can influence the government who controls the people, then they can get a little bit of leeway. That's why Facebook is in deep s***. Because Facebook did not please the people.

Cristina: No. Especially after everything came out.

Jack: Yes. Facebook illegal s***.

Cristina: Yeah.

Jack: And because it was elite, had Facebook done it legally through the government the way other companies do to always be in the clear. But Facebook didn't want to put out the money. Facebook wants all the money.

Cristina: Yeah.

Jack: And because they didn't put out the money to bribe the government to legislate s***.

Jack: Then it wasn't law, meaning what they did was illegal. And when the people found that illegal s*** was happening, Facebook loses money.

Cristina: But that's because the government investigated it. Because they were like, we want this. We don't want you to have it anymore. We want this information for ourselves. If we just tell the people about this, then it's ours.

Jack: You think that's what happened?

Cristina: Yeah.

Jack: Did the government want the information? The government already has access to all this s***.

Cristina: Well, they don't want it with everyone. They want every company to give them the stuff. They weren't happy that Facebook wasn't giving them whatever, so they did that.

Jack: No, that's not true.

Cristina: That's not true.

Jack: That's not true. Apple doesn't give anybody s***. That's not true by any means. The government would be falling down on Apple like a ton of bricks if that was the case.

Cristina: Yeah.

Jack: There are people who are Apple loyalists and they are dedicated and every penny they spend is through an Apple product in Apple systems, buying Macs and iPhones and this s*** dash s*** and f****** earpods and crap. So if that was the case, Apple would be shafted.

Cristina: Yeah.

Jack: So it's not. It's simply that the government is ruled by the lobbyists. The lobbyists that did force the laws to get made. There were. None of. None of them were from Facebook and none of those laws were assisting Facebook. And the government needs to keep the illusion that it's following the laws and enforcing the laws. And Facebook did something in plain sight. It was discovered. So now the government needs to keep face and attack. It doesn't give a f***. Pay us and we'll let it go. But now it's in the light. You can't just pay us anymore because had it been law, we would have been like, it's perfectly legal. You got caught, but it's legal. Who cares? But you got caught and you didn't pay us to make it legal. So now you can't pay us. Now you're already f*****. It's in the light. If you suddenly pay us now, it's obvious. The illusion fades and we need to keep the lie that the people control us. So we have to behave like the people are controlling us.

Cristina: And what exactly are they doing, though?

Jack: They're getting. They're probably gonna destroy Facebook, to be honest. But they're making Facebook share its information. That's definitely what is happening. But they're not making Apple share its information. It's not really about the information. It's about Facebook didn't make it legal first.

Cristina: Yes.

Jack: And Facebook is losing money because it didn't follow the trend. It didn't do it didn't play the game. Facebook didn't play the game and wanted to win. And that's not how you win. You got to play to win.

Cristina: You got to play to win. You got to follow this step.

Jack: You got to follow the step. Facebook didn't pay off the government. The government has no reason to be loyal to Facebook.

Cristina: And we are still in charge somehow of all this.

Jack: We rule Facebook because we're the money. We could just be like, nah, we're not going to invest in any company. And preemptively. People didn't boycott s***. They're just like, we're going to stop advertising on your platform so that we're not associated with your fall.

Cristina: You see, because the people.

Jack: Exactly. Because your partners with Facebook. Oh, oh, really? We'll just stop using your s*** too. Then they preemptively in mass. They were like, yeah. They're like, peace, bro. F*** yo. S***.

Cristina: Yes.

Jack: So money controlled all the companies that were advertising through Facebook and Facebook loses money because it didn't want to play the game.

Cristina: How dare they.

Jack: Meanwhile, Amazon tyrannical destroys everything in the world. This small business is crushed under its weight. But also they play the game.

Cristina: Yeah, that's him. But don't people still have a problem with them?

Jack: Yes, because we know they're schemy, but you can't do anything because they make it all legal.

Cristina: But doesn't the government want to break them apart?

Jack: Well, they think the company is too powerful. There's a difference between the power of Amazon and the corruption of Facebook. Those are two very different monsters. Facebook is corrupted. Facebook is broken. Facebook uses user data and sells it without user knowledge. Yes, now they let people know. But you've already been doing it illegally for so long. There's already a trial about all the time before you let anybody know.

Cristina: They're still going to get in trouble for all this.

Jack: They're still in trouble. They f***** up all the other companies the moment they saw it happen. What did they do? Wait, we're gonna make everybody aware of everything? Every.

Cristina: They were involved. They were the ones. Are they? They were the ones that were paying Facebook for this info?

Jack: Yeah. H*** yeah.

Cristina: Like they're just pretending we had nothing to do with it?

Jack: Yeah, for the most part. Well, advertisers. Yeah, advertisers. Okay, so retailers and s*** like that. Those are the same people who pulled out, the people who were buying the s*** that Facebook was selling. Those are the people who pulled out.

Cristina: Of Facebook, but they're not giving out that information.

Jack: The government, I mean, as plain as day, who were they selling it to? The advertisers. Who were the advertisers? The people who f****** love Facebook.

Cristina: Okay, so no one else is paying attention that they're just boycotting Facebook and out these other companies who left before.

Jack: Well, let's think of it like this. You're walking down the street and you couldn't buy your daughter some shoes. There were some brand new shoes she loved and you don't have the right money and it was $200. You're like, we can't afford that. A crackhead pulls up and he opens a box and he's like, hey, I got some shoes for sale. And he opens a box and they happen to be the right size. The exact shoe your daughter wanted. And he's like, you could have it for $10. Then I get just wants crack. That guy just wants crack. That dude just wants some crack. Just let him have his crack. What are you gonna do? You can probably buy those shoes. Yeah, you can look at them. Is this real? Is it? Holy s***. It is all labels, right? It's in perfect condition. Doesn't look worn. He's like, yeah, it's never been used before. He clearly stole those shoes. But also, who's ever gonna be able to track that? Nobody. You just have shoes now. Are you not gonna buy the. No, you can buy the shoes. Does anybody give a f*** where you found. Nobody gives a f*** where you found those shoes. You clearly own stolen shoes. Yeah, but does anybody give a s***? No. That crackhead stole somebody. He has to go to jail, though. He stole those shoes. He has to go to jail. If he gets caught, he goes to jail. You bought something. The crackhead is Facebook.

Cristina: Okay.

Jack: You are the retailer.

Cristina: Oh, okay.

Jack: You bought stolen s***. Yeah, but like, everybody else would have.

Cristina: Mm.

Jack: You didn't steal it. You just bought some s***. You bought it fairly. It was stolen. That doesn't seem like it's your problem.

Cristina: Because you could just say, I didn't know.

Jack: I didn't know. We thought this was all done properly. We made a deal that we can have data. They come up with. We didn't ask how you're getting your data. Yes, we were just getting data. We thought, you know, they. They run surveys and this and that. No, they're just stealing information. Oh, I'm so surpr. Yeah, that's how it works. Facebook wasn't playing the game. Facebook's f*****. Amazon plays the game. They play a nice game to the point that they're kind of unbeatable. Google plays the game.

Cristina: Ooh, there's no problem with Google. Google's fine.

Jack: Well, Google people hate that. Google can control its directory. It chooses what could go up there whenever the f*** it wants. The problem is, if you read those.

Cristina: Terms and services, that's what it can do. So it can reserve.

Jack: Yep. It reserves the right to delist whatever the f*** it wants, whenever the f*** it wants, however the f*** it wants, without warning, you use it knowing.

Cristina: And so the government can't do anything about that.

Jack: Nope.

Cristina: They can't just change the laws.

Jack: No. The problem with Facebook is they were lying about it. They weren't making it known publicly. All these other companies just read. Not only that, all these other companies have a simplified version of their complicated contract so that you can read it in simpler terms. If you scroll to the bottoms of terms and services, a lot of these have a revised version that you just click, and it's a shorter bullet point. Usually what they. Well, nowadays, that's usually what they show you first, and you can click for detailed version of it, but they give you now the bullet points. So that people can comprehend it instead of this giant 3,000 page thing. Exactly. So now they give you the bullet point one instead of putting it behind a million walls to trick you.

Cristina: Finally.

Jack: Yeah.

Cristina: So that's the one good thing.

Jack: Yeah. Because nobody wants to be guilty. Everybody wants to play. Play the game. Boom. Boom.

Cristina: And we made that game.

Jack: We made that game through capitalism. We're consumers. It's a culture of consumerism. And so money controls the companies. Companies use the money to pay the lobbyists. Lobbyists use some of that money to control the government. And government changes its laws to control the people so that companies get paid.

Cristina: How can we use this information against the government?

Jack: How do we use this information against the government?

Cristina: Yeah, I guess if there are people who are really like, I need to do something.

Jack: Threaten rich people money. You can control the government if you control the companies. And you do control the companies. So for us, the companies, the problem is people are. It relies on the fact that people are consumers and people are lazy and consumerism is based on convenience.

Cristina: So they're gonna follow that company whether or not it's doing.

Jack: Yeah. The chain can't be broken. It naturally happened. Nobody was like, well, I'm gonna formulate it this way. There's no individual who made the system. System is just customs and behaviors that naturally fell into place and created what we're in.

Cristina: Mm. But sometimes we get together and change things ourselves.

Jack: Yes. When we force certain things to happen. We boycott enough companies, they're like, bro, I'm losing people on both sides. I can't be picking sides forever. We need to legislate some s*** that makes both sides happy so that we can get this s*** over with and I can get all the customers instead of f****** some of them. So we're gonna pay some lobbyists to go and force a law that is just down the middle enough that both sides are happy and my business doesn't suffer. And these are what the titans like Amazon and Google and Apple and all these m************ do they pay lobbyists to do those things that keeps their companies in the center.

Cristina: Yes. So I guess that's good, isn't it?

Jack: Yeah, it is good.

Cristina: It makes everybody happy until we're taking advantage of.

Jack: Well, we're taking advantage of. Because of something we haven't thought of yet. They find another hole, and then we patch another hole.

Cristina: Yep.

Jack: There's always a loophole. It's a matter of finding them. Who finds it first? The government, the companies, or the people?

Cristina: If we find it first, then we could do something. If they find it first, they could just. Yeah, create.

Jack: If we find it first and it hasn't been in favor of the companies or the government. The government just listens to the people. There's no benefit or not.

Cristina: Mm.

Jack: If the companies find it first, they abuse it. Usually try to put it into law secretly while they immediately put it into play, but then change it in law afterwards.

Cristina: Yeah.

Jack: So by the time people realize it's happening. Oh no, it's legal. If the government finds it, they try to use it to control both the companies and the people. Yes, because the government needs to try.

Cristina: To keep its people. I mean, wants control both the company and the people.

Jack: Yeah. And the. Because what's the benefit of everybody Wants control of everybody.

Cristina: Okay.

Jack: Because the companies want control of the government, but they also want to control the people.

Cristina: Yes.

Jack: And the people want to control the companies and they also want to control the government.

Cristina: Definitely. So the government would also want.

Jack: Our three party system is equal to our four party system in politics where we have the president is his own party, the Congress is its own party, the Senate is its own party and the people are their own party.

Cristina: And we all control each other.

Jack: And we all control each other in some way. The third, twice removed is not reachable. So people don't affect President, Congress doesn't affect Senate, Senate doesn't affect Congress, and the President doesn't affect the people. So if we make a box and put them all on the corners, the people opposite to each other, us opposite from President, Congress opposite to Senate. That's the layout. You can't affect somebody you're not directly touching with a line, but you can affect each other in that same way. We can control who's in the Senate and we can control who's in the Congress and they control who's the President and the President can control who's in the Senate and the President can control who's in the Congress. They control Senate and Congress. Yeah, along with the people.

Cristina: So in a way we still. It's still up to us.

Jack: Yes. It's a battle between the people and the dictator for the two people who control the people.

Cristina: And the dictator and the dictator could be either the government or the companies.

Jack: Well, that's a whole separate thing. We assume the entire political system, including the people as part of politics.

Cristina: Yeah.

Jack: Is one system, but people independent of politics. We're talking capitalism and politics as two separate things. So people economics are included with Congress. I mean people economics is included with government and companies, while people politics is people, Congress, Senate, and president and those are separate things. If we have our three party system of the companies, the people and the government, we zoom in on the government. The government contains the people, people, the President, the Congress and the Senate. But when companies try to influence the government, they're trying to influence that entire group. People's thoughts on politics, the Congress, the Senate's behavior with money. And they try to bribe the President.

Cristina: Definitely. Yes.

Jack: But controlling our thoughts on politics is independent than trying to use our money. Because our thoughts in politics is what the government is trying to control. Yes, that's all just part of the government trying to influence us. So it's a whole f****** clusterfuck of things. The illusion that they're trying to portray is that people control the government, that the government controls the companies, that the companies control the money and that the money controls the people. They try to tell us the money controls us. You gotta work for it. Yeah, you gotta work for it. If you didn't work for, you didn't earn it.

Cristina: Yeah.

Jack: And if you didn't earn it, you can't do s***.

Cristina: We start to believe that though.

Jack: Yes. We believe we're owned by the money. We're not. We're the ones holding the money.

Cristina: But that's the. Wait, that's the government telling us that. Or that's the companies that are tricking us.

Jack: Everything is trying to convince us that it's that order. Yes, Everybody's trying to convince us that it's that order.

Cristina: Okay.

Jack: They want us to believe people control government, government controls companies, companies control money and money controls people.

Cristina: But it's not like that.

Jack: No. The reality is, if we think about it and use it properly, people control money, money controls companies, companies control government and government controls people.

Cristina: And if we knew that, we could actually do something. Although we do stuff, it's just very rarely. That it works.

Jack: Yes.

Cristina: That we actually like, I guess, bully the wrong company or the right company, I guess.

Jack: It's not that it rarely works. It's that the system is designed to move slowly to take into account knee jerk reaction. You don't want people to have a knee jerk reaction and then make a law out of it. Yes, that's problematic. That's what's scary about Democrats having the Senate two.

Cristina: Because then they can do that stuff. They're gonna have both parties.

Jack: Yes. I mean, the House and the Congress.

Cristina: Yes.

Jack: Yes. If they have the House, the Congress and the Senate and the majority of people are also Democrats. Right now we have a scary f****** problem where the entire system is blue and Everybody who's just reacting to things Trump did are gonna create laws based on a reaction, no thought, pure emotion.

Cristina: That's all he's been doing, too.

Jack: Yes, but he can't do anything. He just looks like he's doing stuff. He tries to make it seem like he has power and people believe it. The people on the right swear he has power because he tells them and they'll believe anything. And the people on the left swear he has power because they hate anything he does. And they're like, look at how horrible. When in reality, half this s*** existed long before he was even.

Cristina: It's just easier to blame him.

Jack: Yes.

Cristina: Then, like, we've been doing this for.

Jack: Years, but he hasn't done anything. He's done nothing. Everything. Somebody else put. The only times anything really got accomplished in mass, it was when the parties were all aligned. When Obama was in office, it was all blue. He got s*** done.

Cristina: But you said that was a bad thing.

Jack: That was a bad thing. Many, many horrible things happened in that time. That was a very, very bad thing.

Cristina: And right now, though, it's not all red.

Jack: No.

Cristina: The house is blue.

Jack: The house is blue.

Cristina: Okay. Okay.

Jack: Yes. But the president is blue now.

Cristina: Yes. And everything's going back to being super blue.

Jack: Let's hope not.

Cristina: We're not sure yet.

Jack: Because if the Senate turns out to stay red.

Cristina: Yeah.

Jack: Then slowly, only things people agree on will get through. And that's the way it should be.

Cristina: Because that's more balanced.

Jack: Yes, that's the way it should be.

Cristina: Sort of just random stuff going through.

Jack: Yes. And I think the filibuster shouldn't be removed. The filibuster is that thing where one person can stop it if they don't agree. Like a bill going through.

Cristina: One person can stop.

Jack: One person can stop it. And it's like, if they have legit reason.

Cristina: Yes.

Jack: Then it shouldn't go through.

Cristina: But do they at least have to?

Jack: I think they do. I don't think they could just be disagree. Why? Yeah, I don't want to.

Cristina: Yeah. Okay.

Jack: If that's how it plays out, maybe fix the fill up.

Cristina: Maybe fix it. Yeah.

Jack: But if it's. If you really got to explain your stance and have a good argument, then, yeah, I think it should be there. Because if one person disagrees, they are a representative. That's what a republic is. And we live in a f****** republic.

Cristina: And they forget that. Although Biden is, you know, acting like he's for both parties.

Jack: So if.

Cristina: I don't know if that's all talk.

Jack: Or what if a representative disagrees? They represent a huge number of people. You can't just be like, f*** your s***. That's not how it works. A pure democracy is dangerous because the minority will always suffer.

Cristina: Yeah, we should. We gotta listen to everyone, I guess.

Jack: We gotta listen to everybody. And that is a f****** problem.

Cristina: That too is a problem.

Jack: Well, if we don't listen to people. If we don't listen to people, we are faced with a very disturbing problem.

Cristina: Yes.

Jack: Yeah. The problem is that if you listen to knee jerk reaction and legislate or behave in response to things, you end up with problems. For example, there's actually a perfect example of people controlling companies through money.

Cristina: What's the example?

Jack: If you look at companies who fire people who have been accused of. Me too. Whether or not they have been proven guilty.

Cristina: Just assuming that they are.

Jack: Just assuming they are. Because the people, the louder voices are saying it. And people are paying attention to the louder voices. And we just gotta pick a f****** side immediately so we don't lose money. So we get rid of them. They don't boycott us because we're on their side. But you ruin somebody's life. Think of Netflix firing mad, mad, mad people over me too.

Cristina: Yes.

Jack: Think of shows firing mad map shows, movies, TV channels firing people over me too. Some of them. Many of them, there was f****** nothing. It turned out there was f*** nothing. Some of them had proof that there was nothing. That they were innocent.

Cristina: Yes. Like Kevin.

Jack: Like Kevin Spacey with text messages showing, I'm gonna tell them you did this. And it's like, why, if I didn't do that?

Cristina: Yeah.

Jack: It's like, because you're gonna believe me and not you. And it's like, too bad that got recorded, buddy. But how many times does this happen?

Cristina: Too many times.

Jack: Too many times. And after Kevin Spacey did it, people got smart and they're like, I'm gonna just record these conversations so that when somebody does that. And now we have several cases where people have proof. They threatened they were gonna do this.

Cristina: Yes.

Jack: And they know it didn't happen. Here's the proof.

Cristina: That's how it should be, though.

Jack: Yes. But companies didn't give a s***. They fire people. And we're not going to rehire because the image is ruined. We can't. And that's in react. That's a knee jerk reaction. That's the companies in a knee jerk reaction to the people's knee jerk reaction. Companies being ruled by the money of the people do it.

Cristina: Yes. But they pretend that we're under Them under their control.

Jack: They pretend the money is controlling us when we're controlling the money.

Cristina: If we knew that we easily.

Jack: Well we were aware of it in these times. That's why we were like, we'll boycott you guys.

Cristina: Yes.

Jack: That's where boycotting came in. Boycotting came as a result of being aware that. Wait, wait, wait guys, we have the money.

Cristina: Yeah, I guess the Internet did help because we always were boycotting beforehand, but not as much as now.

Jack: People relied on us not being aware of it.

Cristina: Yes. Like maybe one town will be boycotting and the rest of the country might not know about or they'll find out really late or something and be over it.

Jack: Yeah, it's just news. Oh, they boycott a thing. Oh for one. Oh, how interesting.

Cristina: Yes. But now it could be the world.

Jack: Because it could happen overnight. Yes. Your company could be destroyed overnight. So you react instantaneously and that's a problem. That's where all these companies suddenly changed their rules and terms.

Cristina: Ruin a company. That's the thing that you don't notice. But you could do it.

Jack: Yeah, you could destroy a company. And now we know it though, so. But the problem is we have knee jerk reactions as people. So now we don't like Sonic boycott and it's like what the f***? Now you're like swinging the other side. You're hung, you're power hungry.

Cristina: Being really picky. Yes. Empower hunger. Oh yeah.

Jack: You know you have the power now. You're gonna wield it like it's a weapon.

Cristina: Yes.

Jack: And you can destroy anything you don't even like on. On nuance. Bullshit.

Cristina: Hey, if it's better though that Sonic one is the only one that's like eh, it actually turned out alright. But yeah, in other cases it's really unfair.

Jack: Yeah, it's pretty f***** up. But on the flip side, they can control how effective our boycotts are with what we're allowed to say when we're allowed to say it. If they can stop us from saying certain things on the Internet. Well we can't have them going to Twitter and saying all this s***. So we got to get lobbyists to go and make lobby for some laws so that they force all our competition to have certain. We gotta censor these people so they don't say certain things so that people don't know. Hey, we can put this s***. We could do that. Or we just censored topics that they think they want censored. We censored things we that they think they want censored. When really it's Benefit to us. The less they can say, the easier it is for us to move in those dark alleys that they've banned. And by putting lobbyists to go do this, we can get everybody to agree to certain terms that prevent the dialogue, that allows to boycott the dialogue. That allows for this type of. Yes, the dialogue. That allows for this information to flourish and destroy our. And that's companies controlling the government for their safety.

Cristina: They do a great job.

Jack: Yeah. Because even Twitter, the wild west, has randomly begun to censor s***.

Cristina: Yes. And Instagram. Oh, stop it. Instagram.

Jack: Well, Instagram is Facebook. And Facebook is overcorrecting because it's been attacked severely and it is scared. The government and the people. It's supposed to be in control of one. And it doesn't seem to be controlling either. Facebook is scared. So, like, we gotta overcorrect in every.

Cristina: Possible direction and just ruin ourselves more.

Jack: Yeah, it's kind of gonna backfire. They're gonna keep kind of snowballing in the wrong direction.

Cristina: Mm.

Jack: It's going to be crazy, man.

Cristina: Twitter is on the same path, though. YouTube is sort of the same way too, of just blocking things for random. You say a word, you're not.

Jack: Well, actually that brings in the. The excessive power that companies. Because they control the election. The company, all these companies control the election. Social media controls the election. They choose what is allowed to see. So the ads, for example, a bunch of companies decided we're going to pull President Trump ads off of our platform.

Cristina: Yes.

Jack: Because they're filled with conspiracy. Even if the s*** he's saying is true, how do you like. He can't. All of it can't be conspiracy theories, man. And maybe a lot of it is true. Maybe a lot of it. Maybe all of it is true. They could just say it's a conspiracy theory and the left is going to agree just because they agree and they're the majority. So f*** it.

Cristina: Yeah.

Jack: And then you reduce the chance. Because the problem is people are confident with Trump in office and they'll say things on their mind that usually the left doesn't like. And when they see it on their platform, the left is like, well, we're gonna boycott this platform now. So we remove Trump and he doesn't get elected. Cuz people didn't see him. He went to the back of people's minds. We push Biden to the front. People like Biden more, they see him more, they vote for him. He gets in office, people stop saying s*** that's off the rails. And they don't boycott Our platform because some a******.

Cristina: So they.

Jack: Peace.

Cristina: Yes. So it has nothing to do with the mailings or any.

Jack: That's them pointing in many different directions. So that we don't look at the fact that they removed ads. They blocked and censored President Twitter's things and Facebook posts were amazing. His ads were hilarious.

Cristina: They were comedy genius.

Jack: Yes. And Biden and his boring s*** all got pushed to the front.

Cristina: Yes.

Jack: Because it was beneficial for the companies to have somebody who won't light the flame. Like it won't fuel that fire that.

Cristina: Exists in people who's boycotting the companies.

Jack: Yes. Because people who say crazy s***. People feel confident. They say crazy s***. People like, well, that's racist. And we're gonna boycott Facebook if they don't take it down. We'll boycott Twitter if they don't take it down.

Cristina: Yeah.

Jack: And everybody's scared about their money.

Cristina: I did.

Jack: You threatened the rich people's money. They're gonna act.

Cristina: Yep.

Jack: And all these rich people got scared. Google, they got scared. People saying s*** on YouTube now.

Cristina: They don't want this, though.

Jack: Yeah. So everybody got they banned together. And we're like, we're with our powers. We're gonna get our lobbyists and we're gonna Earth, water, fire. Our powers combined. We're captain correct the government. And then they went ahead and basically put Biden in there themselves.

Cristina: Yeah.

Jack: So that the off the rails s*** stops and their companies are safe.

Cristina: Yeah. Because then there's nothing to look at. Because they could do it secretly without worrying that someone's gonna make a big show about it like Trump would do.

Jack: So they can legally censor whoever the f*** they want without somebody suing because they're gonna put that s*** into line. You know, we could take all the. How much s*** could they just label as conspiracy theory right now? Just take it down.

Cristina: Everything.

Jack: Yeah.

Cristina: Like that. Fairway conspiracy. I don't know if it's a real conspiracy or not anymore. They said it was a conspiracy. That is not true of Fairway company. It's a furniture product thing that all the furniture is super expensive. And they were saying people believe that they're selling kids in the furniture, that there's missing kids and the furniture has the name of the kids. They were like, this is weird. Because the furniture without the kid's name is a different price. Like, why is it so much more expensive with a missing kid's child? With a missing kid's name on it. Are they selling these kids? And then all of that's counted as conspiracy? Of course.

Jack: I mean, it technically is. It is a conspiracy, but whether it's a true conspiracy or not is the argument.

Cristina: And they say it's false because. I don't know. It was a mistake.

Jack: Well, actually, this is another f****** program problem that Facebook has. It. Cultivating these f****** Facebook groups that creates multiple conspiracies.

Cristina: Yeah, it was a conspiracy machine.

Jack: Yeah, it's the breeding ground of f****** conspiracy theories. Facebook is where conspiracy theories are born. It used to f****** be 4chan and Reddit.

Cristina: Yes. And those are really private, like people. You don't know a lot of people in those things, do you? Yes. I mean, I guess if you're a part of it, you do, but you know.

Jack: Yeah, like the normal person know s*** about 4chan.

Cristina: Yes, your parent does it.

Jack: Exactly.

Cristina: They know Facebook.

Jack: Yeah, everybody's on Facebook. That's a problem. It's too easily accessible and it'll get blended in. If you like this thing, you're probably likely to believe that thing. So we're gonna bunch you guys up and throw all of them at you. And now you believe all the conspiracy theories that f****** happen on Facebook. So people, now Facebook, in its overcorrection has to f****** every conspiracy. F*** this s*** and f*** that and take it all down.

Cristina: Same with the news, because everything was fake news. Everyone constantly sharing fake news about just anything. Anything.

Jack: Yep, yep. Everything just proved this bullshit. And they. They don't even know at this point.

Cristina: No, they just. They just share everything. Whatever. I don't know, whatever was popular, I guess. I don't know how they found these things.

Jack: Well, actually that's funny because sticking on to the banning, like Twitter and Facebook banning. Alex Jones messed up when the s*** he was talking about turned out to be true. Yeah, that's the craziest, most f***** s***. And he talked about s*** from like 20 years ago or talked about 20 years ago about s*** that got proven recently to be true and he was just removed. Oh, it's conspiracy theory and blah, blah, blah. And it's like.

Cristina: No, because it's only though. Because one person actually acted out, though, towards it. They did that thing with sort of like Pizzagate where the guy went to the pizza place that. With a gun, I think. Yeah, whatever. Something similar to that happened with Alex Jones where one of the listeners went out and just. They. They would harass parents of a school shootout.

Jack: Oh, yeah.

Cristina: They didn't believe it was true because he said it wasn't true. And like, who knows? But now he's banned for what he said. But because of how the people Reacted from what he was saying.

Jack: But yeah, no, definitely it's. But here's the problem. Somebody reacting to something isn't his fault. But if truth is coming out, that could be something. You could do something with it. Yes, like crazy people react on other s***. Why don't you ban when other people behave random on other crap? How many people went around harassing Michael Jackson without knowing for a fact? Turned out it was true.

Cristina: Was it true?

Jack: I mean, not really. Nobody has definite proof. But the f****** documentary that came out makes it look like it's true.

Cristina: Yes.

Jack: And so people were harassing him with none of this information. On rumors. Those people didn't get banned from anywhere. That happened on the Internet forever. No. Nobody banned them.

Cristina: No.

Jack: Why?

Cristina: We could harass people.

Jack: Yeah, you're allowed to harass. It's f****** weird, man.

Cristina: Especially celebrities. We own them for some reason.

Jack: Yeah.

Cristina: Death threats to everyone. Why is that a thing?

Jack: And you didn't you think you'd think that the government would. In response to what people want? Because this is back to the illusion. In response to what people want. When situations like this come, you'd think people would just say a thing and the government would do what its job is, which is to listen to the people. But it doesn't. And it doesn't legislate until they get paid by the lobbyists because it should do things. But then people start to protest and people band together and hey, we gotta rise up and we gotta do these things because our rights are being abused by the government that should be listening to us. And instead of the government listening, what does it do? It sends armies of militarized police to get aggressive on protesters.

Cristina: Scary stuff.

Jack: That's the government controlling the people, not the people controlling the government.

Cristina: Because the people don't control the government.

Jack: Because the people don't control the government. They want you to think you do. Hey, go vote. That's how you make a choice. It doesn't f****** matter.

Cristina: Yes. You voted for them to send those cops to you.

Jack: Yeah.

Cristina: To beat you up.

Jack: Yeah. They intentionally write things in ways so that you vote for what they want. Again, you didn't pick who went up there. You picked out of the people they sent up there. That's a very different election. You don't pick who gets to stand on the podium and debate. You pick out of the people they sent to the podium to debate. That's them telling you you get to choose what happens in this government, do you? They chose two identical guys and sent them to the top. And like, which one's your favorite?

Cristina: Yes. So many. We're just. We're addicted to those pills.

Jack: Yeah. Blue pill, red pill, man. It's all the same f****** s***. But that's the government definitely abusing its rights. It's sending people and abusing its power, in that case, instead of putting laws. When it's their job to obey the people, they completely ignore it. And they do the laws that the lobbyists pay for.

Cristina: Yes, but if we do something, have we ever done anything that actually changed laws?

Jack: I mean, it does happen when we get really aggressive. Yes.

Cristina: When we get aggressive. Yes.

Jack: Protesting is how the civil rights movement happens.

Cristina: Yes. We just need to do that again.

Jack: You gotta get real aggressive and you gotta get scary on the government. You gotta threaten their way of life in exchange through. Oh, you could do it through the companies. Yeah, you got to threaten their way of life through the companies.

Cristina: Yes.

Jack: You threaten everything they stand for through the companies. The companies will force the government to do whatever the f*** you want. Don't even question it. You threaten a billionaire. A billionaire controls everybody. Don't worry about it. You threaten a billionaire, he's gonna do whatever the f*** you want him to do without a question. He doesn't have opinions. He cares about money. He doesn't have opinions. He sides with whatever opinion gets paid.

Cristina: Yes.

Jack: And so do the politicians. Except you don't have millions in your pocket. The bribe of politician, the billionaires do. So you go ahead and you control that billionaire through their company and watch the laws you want take place. That's how it happens.

Cristina: That's how Jeff Bezos killed that person.

Jack: Yeah, he just went out and shot somebody. Perfect example of how this f****** works as well is the problem with the Senate and the Congress that they don't agree right now, but the money is for the people. Do whatever it takes to give the people money. But they're like, well, I don't agree with this. And I don't. Yeah, but the people are the ones suffering. But it doesn't matter because the people don't control the government. It doesn't f****** matter what we want or what we need because the people don't control the government.

Cristina: Yeah. So they could play this game of what? This price? No, that price.

Jack: They could do this forever because the people have no influence on it. Now, you tell the big companies, look, we're not paying any of you m************ until this f****** stimulus bill goes out. Suddenly they'll agree on $5 trillion overnight.

Cristina: We should do that.

Jack: All the things 100%, I swear to you boycott Google, Amazon and Facebook all at once. Say, until we get the stimulus checks, we don't use any of this. Tell me it doesn't take 15 minutes.

Cristina: Before they do something.

Jack: There's so much. You get a $10,000 check every month for the rest of your life. Just because they're still making a million.

Cristina: Need to do that.

Jack: Yes, that's how it works, man.

Cristina: We just haven't figured that out.

Jack: Yeah, it's. It's. People are not willing, people are ignorant, people are lazy.

Cristina: Dumbest things, just the dumbest things get through. No, the whole sonic thing is still shocking.

Jack: Yeah, yeah. People this, man. We don't know how to use power.

Cristina: No.

Jack: That's why the sit. That's why all these systems form. We can't have unlimited power. There needs to be a slow process. Only when a giant group decides unanimously does change happen instantaneously. And at that point, it should happen instantaneously because everybody wanted it.

Cristina: But then. So with the police thing, is that happening then? Because we all together, we're protesting change.

Jack: Specifically in the places where people are banning together in the large enough numbers, change happened immediately, even when the results were s*****. Think of New York. People overwhelmingly were like the police. So they went ahead and removed a s*** ton of police. They defunded the s*** out of police. Crime went way the f*** up. But you guys wanted it. So this is what it looks like now. You can't complain. You asked for it. Your knee jerk reaction. This is what it looks like. Enjoy that.

Cristina: They had to come up with a solution as well.

Jack: Oh yeah, they're definitely complaining now. But they're not arguing for the government that made it happen. Now they're like, f***, we can't go back on our thing. We got to come up with solutions. So community solutions are starting to happen. So I guess it's got to get bad before it gets good.

Cristina: Yes. Yeah.

Jack: So that's the flip side. Yes, crime will go up, but it will go down once they figure it out.

Cristina: Yeah. And that's the important thing. If you don't want the police to control you or the government to control you or whatever. If you want the freedom, it's gonna get bad.

Jack: Yeah. Until you stat. Because it's a new system. You're making a new system.

Cristina: Yeah.

Jack: Figure out how to work, how it works. If you don't know how it works, s***'s gonna get weird.

Cristina: Yes.

Jack: And it has to because you need to remove the government from the positions of power you want the people to have. But it's problematic we don't know how to use power. We haven't had power. We've been controlled by the government for so long. Instead of the government doing what we want.

Cristina: The government. But they're just people. They're evil people. Did the power turn them evil or did the want for power in the first place make them?

Jack: It doesn't work that way because the lobbyists don't pay. I mean, they do pay individuals, but it doesn't work in such a fashion. The only main individual that lobbyists really, really pay is, like, the President. And, yeah, you pay senators and you pay Congress, but you pay them in a bigger scope because they have multiple individuals trying to pass something. So it's about, well, you need to talk to people. You need to make these decisions. You need to get these people to agree. So you're paying a general collective to make moves.

Cristina: Yeah.

Jack: And they need funding to do what they do. So it's not that there's somebody like, I'm an evil scheme guy. Money is gonna fill my pockets.

Cristina: They just need money.

Jack: Also, my job is getting paid.

Cristina: Yeah.

Jack: To run the government collectively. We all got paid by the same guy to vote for the same thing. But I wasn't like, well, he's paying me, he's paying him. We're all being paid, so we can agree. No, you get paid by you. Basically, they're investing in you.

Cristina: They're investing.

Jack: So nobody's out there being evil.

Cristina: Yes.

Jack: Nobody's like, they're just really doing their ideas and doing what their supporters believe they should be doing. And their supporters happen to have a lot of money. And whoever pays you the most is who you work for. Essentially.

Cristina: Then are the companies evil, schemy people?

Jack: Well, the companies are also not evil, schemy people. The companies are companies. Their job is to do whatever profits.

Cristina: The business, no matter what.

Jack: Cause they're not gonna go out and, like, rob people that would profit them.

Cristina: Facebook.

Jack: Well, Facebook is in trouble.

Cristina: Yes. I guess that's what happens. When it does happen.

Jack: Like Amazon does it the right way. You just gotta do whatever. You have shareholders. You have to please the shareholders. You have business sort of setup that you got to follow. You're a retailer, you own certain businesses that do certain things, and you run those businesses accordingly, and you make money in those ways. But if your business is threatened, then you have to make stances and you have to make moves so that your business is not threatened. And the same thing goes for people.

Cristina: Yes.

Jack: People have to do what the government says so that they don't get in trouble so they don't go to jail, so that they are. They can be out and vote for the certain rights that they want and do this and do that. So every. Nobody's like unanimously doing anything. Everything is a collective of ideas and things influencing each other piece.

Cristina: But why does it look like there's something wrong with it if it all works so well together?

Jack: Because.

Cristina: Oh, wait, that was about the illusion. The illusion is what makes it feel like it's all wrong when it's not.

Jack: Yes. The illusion that they're trying to portray makes it look f*****.

Cristina: Yes.

Jack: But the illusion means nothing. Yeah, that's everybody trying to claim they have more power than they claim and trying to claim. Oh, no, we're the ones in trouble. You're the ones in control. When in reality you control the wrong thing, but they don't want you to know what you control. That's all them trying to trick you. The system isn't flawed. The people in the system are flawed, but no individual is flawed. Yeah, collectives of bad ideas and bad education are flawed.

Cristina: Yes.

Jack: And that's pretty much it. I don't know how the f*** we got here, but that was a fascinating discussion. Although we're running out of time.

Cristina: Oh, no.

Jack: Yeah. So I don't have any idea how we got here, but you know what? Great. Whatever. Anyways, we've had other conversations like this on this show before. Not exactly like this one particularly, but related to politics and sociology and human behavior and government and companies and blah, blah, blah, blah, blah. So if you like conversations of this type and this nature, you can find more conversations of this nature, which I hope you liked. You can find that on the official website, greythoughts.info or on Apple Podcast, Spotify, and anywhere you get your podcasts.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok. UsConvopod.

Jack: Yes. And remember to subscribe and rate the show. And if you feel so inclined, review it, please.

Cristina: Yes. And let people who might like the show know about it.

Jack: Yes. Word of mouth. Be sure to tell people. Tell people about the show. See, there's a difference. At the beginning of the show, we tell you to kidnap somebody, but at the end we tell you there's certain people who are just gonna listen if you tell them. Yeah, but we need you to get those people who don't want to listen first.

Cristina: Yes.

Jack: And then just tell people who are totally gonna be like, okay, I'll go listen.

Cristina: Yes. And then everyone wins.

Jack: And then everyone wins. We get all sides Yep, this has.

Cristina: Been the Just Conversation podcast. Take nothing personal and thanks for listening.

Jack: Sat patiently watching his co host, the maniacal laughs in the back of his mind begin to get louder and louder. He's screaming in laughter, but he stares blankly at her. She knows very little about what's happening in his mind other than what he's narrating for some given reason.

Cristina: Yeah. Why is he laughing? His mind.

Jack: He's preparing himself with laughter. Yes. The maniacal laughter in the back of his mind gets him ready. It preps him for the show. It brings the inner Wade Wilson fused with the Joker, forward into the limelight. For whatever reason, the light is lime. Could have just been a white spotlight, but it is a lime light.

Cristina: Mm.

Jack: I mean, I guess in old movies it was limelight, wasn't it? Like, the stage light was this weird, like, off yellow. It was lime colored.

Cristina: Was it lime colored? It was just off yellow. Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by Great dots.info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 111: Shapeshifters

The Just Conversation Podcast, Vampire, Werewolf, Werewolves, Monsters, Scary, Terror, Horror, Aliens, Alien, Abduction, Lore, Folklore

What are the odds that all the creatures throughout folklore are the same species? Comparing Vampires, Werewolves, Chupacabras and deciding whether they are all just shapeshifters.

Story:
On their hunt to capture a werewolf, the duo dive deeper into the lore, general information and what creatures might be relative to werewolves. Unbeknown to them, they’d discover some scary truths about other creatures and uncover knowledge that perhaps werewolves and their true kind never wanted humans, clones, the illuminati and garbage sub-humans to know. Find out what on this episode of Just Conversation.

Rambling 111: Shapeshifters

(This episode contains a transcript to make it accessible to Deaf and Hard of Hearing Audiences #DeafPodcast #PodcastTranscript)

+Episode Details

Remember to leaves us a rating wherever you listen to podcast!

Topics Discussed

  • Blood Drinking Werewolves
  • Vampire Werewolves
  • Shapeshifter DNA
  • Nightstalkers
  • Vampire & Werewolf Similarities
  • How Vampires are Made
  • Counting Vampires
  • Werewolf Fairy Tales
  • Little Red Riding Hood
  • Permission To Enter

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod



+Transcript

Jack: Is werewolf just a shapeshifter? And if so, what other creatures has that shapeshifter turned into? That and more coming up on this episode of Just Conversation.

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean? Welcome to Just Conversation, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Christina.

Jack: And I'm Jack.

Cristina: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Jack: Yes. And also, this show is most enjoyable. A listening partner to share opinions and ideas on the topics we discuss. So be sure to find some body fancy and turn on something fancy that can play such a fancy pantsy show.

Cristina: We're fancy.

Jack: We're fancy.

Cristina: Yes, we're definitely. What makes something fancy?

Jack: I don't know. Anything around us is fancy.

Cristina: What?

Jack: Things around us are fancy.

Cristina: Okay, well, but they don't know what things you're talking about.

Jack: Anything.

Cristina: Anything is fancy around us. Around us?

Jack: Yes. So they play the show. Yes, they're fancy.

Cristina: Okay. Oh, we make things fancy.

Jack: Yes. Anything that's in the wave range of our voices is fancy.

Cristina: Are our ways giving them cancer? Like the 5G thing? Since those things can give cancer? What can't give cancer? Can our voices give cancer?

Jack: No.

Cristina: Are you pausing?

Jack: Not unless we want them to, no.

Cristina: Okay, well, for now, we just want them to be fancy.

Jack: Sometimes we give people cancer intentionally, but that's just for our enemies who are listening.

Cristina: What? What enemies are listening? We have enemies.

Jack: We have many enemies.

Cristina: What?

Jack: War enemies.

Cristina: War enemies. The cat people.

Jack: Yeah, sure, I guess.

Cristina: I don't know who's our enemy is. I feel like we're friends with everyone.

Jack: No.

Cristina: Yes. Our listeners consider us their best friends.

Jack: Some listeners. Some of them are our enemies.

Cristina: Oh, okay. Well, if you get cancer, you know who you are.

Jack: Actually, they have to trace their cancer back to the show.

Cristina: Oh, yeah.

Jack: And then they'll know who they are.

Cristina: And then they all know.

Jack: Until then, they have no clue who they are. They're just confused. It's like, who am I? Do I have an identity?

Cristina: What?

Jack: I just woke up listening to this show. I don't remember anything prior to this show. And then they go to the hospital to get tests and they're like, you got cancer. And they're like, ah, that's a double whammy.

Cristina: They don't know who they are and they got cancer. They think they're cancer. Then what?

Jack: Everybody who listens to the show, Their memory gets wiped of all knowledge except the show.

Cristina: Okay.

Jack: But when they go to the doctor, whether or not they have cancer, they know who they are and whether they're our enemy or not. But if they have cancer, they know they're our enemy. They're like, oh, my God, that's who I am. And also, I guess that makes me the enemy.

Cristina: Yes. Oh, wow.

Jack: They don't even think they're the good guy. They're like, I'm the bad guy.

Cristina: Mmm. And this happens every time they listen to our show?

Jack: Yes. Everybody who's ever listened to the show has immediately gone to the hospital afterwards because of amnesia.

Cristina: Oh, my gosh. Are we starting something?

Jack: It's kind of like that Pokemon thing where the kids got, like, seizure. Allegedly.

Cristina: Yeah. Everyone got seizures.

Jack: Yes.

Cristina: After the news broke out that everyone's getting seizures.

Jack: Yes. It's weird. Dude, that's mass hysteria. For real.

Cristina: Yes.

Jack: That was in the mass hysteria episode, wasn't it? Yeah, it was, man. Yeah. Good episode.

Cristina: Yeah. Also, the vampires, when we talked about vampires and the history of, like, real.

Jack: Cases, that was all his nuns biting people and s***.

Cristina: I don't remember that. Nuns. I know. Nuns were singing.

Jack: Hold the.

Cristina: No, they were meowing.

Jack: Wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait.

Cristina: Wait, wait, wait, wait.

Jack: Not only do I have this inkling that Christ was a vampire, but we'll address that later. We have an actual case. Religious vampires. There were nuns f****** biting people.

Cristina: Yeah.

Jack: And you mentioned that before.

Cristina: Yeah.

Jack: Also in the Mass of Syria episode.

Cristina: Possibly. Yes.

Jack: Bro, were those nuns vampires or werewolves?

Cristina: I don't know. I mean, you go against the Church, you become one of them again.

Jack: Holy s***. There's already. Whoa. There's a couple of crossing lines there.

Cristina: Yeah. The Church is creating monsters.

Jack: Yeah. Yeah, they are.

Cristina: Yes. I don't know, but if you remember from last time on Dragon Ball Z on Just Conversation. Well, last time when I was talking about werewolves, we were talking about two different types of werewolves. We were getting to something. To Adrenochrome.

Jack: We were getting to Adrenochrome.

Cristina: Yes. We were getting to Adrenochrome. We were getting to werewolves that turn into vampires after they die, Right? Yes. And.

Jack: Wait, werewolves turn into vampires after they die?

Cristina: Yes. When they die. For some reason, they're. How was it? Okay. When they die. When werewolves die, their human body stays a human during the daytime, but at night, they still become werewolves. But instead of just craving flesh like they normally do, they Crave blood. Yes.

Jack: So. Oh, yeah, I remember that. But does that make them? I guess it does. But that really. And I guess, like we were talking about in that episode, that breaks into the idea that they're sort of two different souls fighting for one body. Or not souls, but living things. There's two things fighting for one body and the vampire is one of those things.

Cristina: And the vampire.

Jack: But the living other thing is dead.

Cristina: Yeah, it's dead. So it's just a vampire going to a dead body at night and turning into a wolf to drink blood. Yeah, that's what's going on. Maybe. I don't know. To solve that the living dead werewolf problem, they would have to destroy the body. The werewolf sneaking into the battlefield was back in Greece in the 19th century. But in parts of Germany, Poland and northern France, dead people will come back to life to drink blood as wolves. If they were living in mortals and evil people, when evil people died, they would become werewolves.

Jack: Drink blood. So there was no. Like you need something else to make you werewolves. Just being a bad person made you a werewolf?

Cristina: Yes. After death, though.

Jack: So werewolves are zombies.

Cristina: Yes. That drink blood.

Jack: That drink bloods of vampires?

Cristina: Yes, But I don't know why. But yes. And then they will return into their human form at the daylight, like the battle, the ones in Greece, I think.

Jack: Fascinating.

Cristina: And they would need a priest to decapitate it and do an exorcism. Like, you know, when a regular demon goes into a body situation, I guess. And then the head would be thrown into a river. I don't know why, but you gotta throw that head into the river somehow.

Jack: That solves the problem.

Cristina: Yeah.

Jack: The murder part had nothing to do with it.

Cristina: No. You just needed that head to throw into the river.

Jack: So if the head is not in the river. Boom. Still alive.

Cristina: Yeah. Maybe it'll find its head, put it back on, and then continue on drinking blood.

Jack: So in theory, that body could still move around. It'll just be aimless.

Cristina: Yes, in theory, I guess. I don't know. Or maybe once the head is in the water, the body just can't move. It needs to know that the head is round to continue moving.

Jack: Interesting. Interesting.

Cristina: And then new things about werewolves that we didn't mention before was, you know, the normal. They're vulnerable to silver and highly resistant to injury. Except that you could cut them. I mean, I guess that's not an injury you're forcing. You're like breaking them apart to kill them. Oh, those poor people who are. Who are mistaken as werewolves. I guess it Sucks for them. It sucks.

Jack: It goes back to, you know, how do you tell if somebody's a witch? You drown them. If they're dead, they're not a witch. But if they don't drown, they are a witch. So my question is, did they ever discover a witch? Because they probably just drown. Hella m************.

Cristina: Yeah. And the werewolf thing, I guess the werewolf test of, like, if they have fur under their skin, that's proof. I don't know. Well, that's a weird proof.

Jack: Yeah, it's like, oh, I guess he wasn't a werewolf.

Cristina: How many hands were cut? And if you put silver on them, I think their skin is supposed to burn as well.

Jack: Which they've probably also never seen.

Cristina: No. What if a person's allergic to silver? Is that a possibility?

Jack: I wonder if that's a thing. That's interesting.

Cristina: Yeah. How many people allergic to silver has that happened?

Jack: But, like, their skin wouldn't burn, they just get, like, a rash?

Cristina: No, they get a rash. Yeah. But they're gonna look.

Jack: And not even immediately. Not even immediately.

Cristina: How long after?

Jack: It would take a while to have a reaction.

Cristina: Oh, well, they'll wait for that and then say, that's a burn. And in places that wolves weren't a thing, there were other things that were very similar. Like in Africa, there was the were hyena. In India, a were tiger. In South America, there were were pumas and were jaguars. And in Asian countries, they had were foxes. That's pretty cool.

Jack: That'd be cool.

Cristina: Were fox.

Jack: A were fox. It's like a little anime girl.

Cristina: How do you like? So I have to move into one of those places. I wonder if turning into those were creatures are the same as a werewolf.

Jack: Like, you gotta drink their print water.

Cristina: Yes. Or be asleep in a summer day with the sun hitting your face on a Wednesday or Friday.

Jack: Look, man, if you're gonna become a fox. Yeah. You gotta be like, in an autumn field. And it has to be like a half a moon. And it needs to be out, like in dusk when the sun is still out. So you could get hit by both, because that's around the time you'll see a fox. And that's when you get hit by both of those. And the combined power. Boom. Now you are a fox. Human person thing. A were fox.

Cristina: But what if, because I was born in a place where wolves are common, I just end up being a werewolf?

Jack: You think that'd be interesting. So let's say hypothetically, this stuff is real.

Cristina: Yes.

Jack: And the regional DNA is really what's making the transformation on the creatures of the area?

Cristina: Mm.

Jack: So if you went to an area where there were different creatures, would your DNA still be the DNA from your region? Because your DNA doesn't change.

Cristina: Yeah.

Jack: What you have is in your DNA. Just because you went somewhere else doesn't mean you'd suddenly become like a were hyena. Because you went from the US to Africa. I wish you would just become a werewolf.

Cristina: Yeah. Slim.

Jack: Interesting.

Cristina: Or were deer. I feel like it's always a dangerous animal. You can't be a were deer.

Jack: In that case it would like. That would be horrifying anyways. But in that case it would. You could be a were buffalo.

Cristina: Were. But it feels like it has to be something that eats meat.

Jack: Why? You could be a were buffalo and just beat the s*** out of somebody without eating them.

Cristina: But all those examples of all those were places had meat eating animals.

Jack: But why can't there be examples that are just something that'll beat like a were elephant? You just grow over size and everywhere you go.

Cristina: Haven't heard of it. There should be were hippos.

Jack: Were hippo. A were hippo. Like a hippo doesn't even need to eat meat. It's just gonna murder. It murders because it can just three.

Cristina: Times the size of a hippo. Oh my gosh.

Jack: Yeah, man.

Cristina: That's too like if something like that.

Jack: Bipedal hippo freak.

Cristina: Yeah, a bipedal.

Jack: Yeah.

Cristina: No, you would have three legs with one leg up.

Jack: Because hippos have an extra skinny short leg. You have three normal hippo sized legs and then one really skinny short leg, like abnormally short to fit the tiny, tiny, tiny tail the hippo has. And then that one leg pretends to be the hippo's tail.

Cristina: Yes. Because it's a smart hippo.

Jack: It's a smart hippo. That's so disturbing about like werewolves that they would even do that.

Cristina: Yes, but that is so disturbing. But anyways, lets talk about werewolves and vampires and the common traits of a werewolf and a vampire piece. I would love to talk about vampires. I want to compare and contrast. Well, we know that they're both creatures of the night.

Jack: Yes. Although I don't think it's exclusively creatures of the night for werewolves. There are versions of werewolves that are purebred werewolves that move in the daylight. I think they just need the full moon to transform. Or in some cases it's to transform.

Cristina: Yeah.

Jack: Like in other cases it just permanently keeps them transformed.

Cristina: Yeah.

Jack: So a lot of the versions of werewolf are that I'M only a werewolf as long as there's a full moon. And as soon as the full moon's gone, I'm not a werewolf.

Cristina: Yeah.

Jack: And it needs to be night so that the light of the moon is the most dominant light in the sky. So the moon could be full and outside, but you not be a werewolf because it's not the most dominant light in the sky. You're getting sunlight combined with moonlight. You need strong moonlight without the sun in the way. In the way to turn. In other cases, you are already carrying a werewolf DNA and you could become a werewolf, but you have to kill the werewolf that turned you into a werewolf before your next full moon, or you become permanently a werewolf. Those are two different variants. And in the case of that second option, you could become a werewolf day.

Cristina: Or night if you're a baby werewolf. If you're unrelated to the main werewolf, you could do it whenever.

Jack: If you've been bitten and turned into a werewolf, you don't need the full moon to turn into a werewolf.

Cristina: All right.

Jack: You just permanently get trapped as a werewolf after the full moon.

Cristina: And then after the full moon, though, then it has to be a full moon.

Jack: Interesting. Maybe those are two things that work together because you can. I don't know why it would stop you suddenly from being able to turn. Maybe because it could be like you turn whenever, but then after the full moon. Now you turn only on the full moon. I feel like that's less productive than you turning whenever.

Cristina: Yeah, but also for the vampire. Not all stories have vampires that are weak during the day or they have to sleep during daytime. That just became the favorite over time.

Jack: But usually they're hybrids.

Cristina: Hybrids?

Jack: Yeah. They're not pure vampires.

Cristina: How can you tell?

Jack: Because pure vampires can't go out in daylight.

Cristina: Well, in some stories, I guess. But some stories, some vampires can I believe.

Jack: Usually those are the very, very old vampires. And they still get affected by the sunlight. Like it burns slowly. So they can travel through the sunlight, but they can't stay in the sunlight.

Cristina: Oh, okay.

Jack: Yeah, there's actually. I forgot what it was called. It's a breakdown of how vampires work. Like their age ranges or something like that. Really, they're. Before a certain point, going into the sunlight turns you into stone or it ignites your skin. Actually, yeah. One turns you into stone, the younger ones, and then they crumble or ash. It turns them into ash. Then somewhere in their teens, a vampirism, they get turned into stone. Then somewhere in their mid middle age, they get a vampirism. You could be any age, but like in the middle ages of being a vampire.

Cristina: So it would be like hundreds of years pass.

Jack: Yeah, hundreds of years or something like that. Maybe like 200 years. Your skin sets on fire, but you don't die instantly the way you do younger, where you get turned into stone or ash. Then later you get. Your body sizzles, but you do not ignite. And then finally your body gradually starts heating up so you can move through.

Cristina: Sunlight but sizzle like you tan or.

Jack: No, like your body will eventually burn the way it would. Like in all of these instances, your body's still burning, but it's slower and slower each time.

Cristina: Yeah.

Jack: At the first case you just turn to ash. In the second case you turn to stone and then to ash, but you gradually turn to stone.

Cristina: Yeah, but these are like hundreds or like years apart from each stage.

Jack: Yes, yes. We're talking like the first one within the first hundred years. Second one, Maybe the first two, 300 years. The third one maybe like 500 years. You know, giant gaps.

Cristina: Okay, so then in both situations then they. They're mainly at night still. Werewolves and vampires.

Jack: Not werewolves.

Cristina: Vampires, not werewolves. Okay.

Jack: Vampires are mainly at night. Werewolves have some ways around the rules.

Cristina: Yeah. Especially baby you, I guess, bitten ones. That's what you're saying.

Jack: Yeah. Because there are bits born werewolves, there's also born vampires that work very differently. There's the whole trade off of when a creature is born with the DNA and when a creature is turned. Now there's all. There are some versions of each of these that don't allow for birth to happen. So you can only become. You can't be born as.

Cristina: Yes. And the way they become, though, are the same. That they have to be bitten. Yes, that it has to be through blood or saliva.

Jack: Interesting.

Cristina: And I think that's pretty much it that I could think of that they have in common, though.

Jack: But there are some crossing lines between werewolves and vampires that seem to be pretty similar.

Cristina: Yeah. Let's talk about vampires and where they come from, because we know werewolves are. Well, we really don't know much. We know that they could either be made or by gods getting revenge. Remember that? Yeah. Or wearing a furry belt.

Jack: Being a furry.

Cristina: Being a furry. Being bitten could turn you into a werewolf, of course.

Jack: Or drinking print water.

Cristina: Yep.

Jack: Or being outside in the moonlight.

Cristina: Vampires could be just evil people, people who committed suicide or witches that are coming back to life after they're dead because of. I guess evilness is bringing them back to dead from the dead. Yes. And they could Also be created by. By evil spirit or by being bitten by a vampire.

Jack: By evil spirit. Yeah. Being bitten by a vampire is normal. And what do they mean by evil spirit?

Cristina: Just like a spirit going into a dead body.

Jack: So a person who's possessed is a vampire?

Cristina: Yeah, could turn into a vampire.

Jack: So all the exorcist movies are about vampires?

Cristina: Yes, only if they suck blood. That's the important part. Right.

Jack: So vampires. A vampiric spirit.

Cristina: Yeah, a vampiric spirit will turn you into a vampire. Also, in Slavic and Chinese traditions, dead bodies that are jumped over by an animal, usually a dog or a cat, their chances of being a vampire is pretty great.

Jack: That's weird. I don't know why that's pretty weird. That's pretty weird.

Cristina: Yes. And in Russia, vampires were witches or people who had rebelled against the church.

Jack: My question is then, are they vampires who suck blood or are they describing these people as vampires? Is it like a title rather than a creature?

Cristina: I think it's a creature. I think they really believe they're going to become this creature that drinks blood after they're dead.

Jack: Okay, that's weird.

Cristina: That's weird.

Jack: I'm sure the Church made that up.

Cristina: You think the Church made that up?

Jack: Yeah, to control people into following the line.

Cristina: Mmm. But a lot of these stories came before the church, too. Like the jumping dog on the dead body predates Christianity. What, the dog jumping over a dead body? Possibly.

Jack: You think it predates Christianity? You're telling me that that myth of a animal jumping over a person and that person transforming predates Christianity? Running the world, which seems to be one of the longest running jokes in all of time.

Cristina: Do we have pet dogs before Christianity?

Jack: That doesn't mean that myth came to be.

Cristina: That's true. I don't know.

Jack: Even when the concept of werewolf came to be.

Cristina: Yeah, well, the Greek ones, that would have been pre Christianity, wouldn't it, if Zeus was turning you into a werewolf?

Jack: Is this, I guess, was turning people.

Cristina: Into werewolves just one dude for being bad?

Jack: Fair enough.

Cristina: So unless he was Zeus around when.

Jack: God was around, I'm sure they're brothers.

Cristina: Yeah. And some more weird vampire stuff that you probably did not know is that in Europe, to slow down a vampire, you would cut their tendons on their knees. Ow. The dead body. If you suspected that dead body to be a vampire, you would cut their knee.

Jack: That seems legit. But why? Oh, what's the owl for? They're dead.

Cristina: Yeah, that's true. That's true. They're dead, so who cares? But it's such a weird. No, I guess I'm still thinking about the werewolves and like how you're torturing these living people to see. But these are dead people, so it's okay.

Jack: Yeah, you just mutilated that body. It's all good.

Cristina: That's fine. And then you also would place seeds, millet, sand around the grave. Because vampires love counting things, I guess. I don't know. No, because the sesame vampire.

Jack: It's because your f****** name is the Count. Is that why the Count?

Cristina: What? Vampires have to count things. I don't know why. They just do.

Jack: That's so crazy that they have to.

Cristina: They have this obsession of counting things.

Jack: To count all the sugar grains around them. Come on, man.

Cristina: Yes. If you have a lot of. A little bit of things like sand, they just. You'll trap a vampire.

Jack: That doesn't make sense. And why is a vampire functional at all? When they're in the forest, why aren't they just counting all the rocks? Big a** holes in that f****** plant?

Cristina: Because they're not in the forest, they're in graves.

Jack: Why aren't they counting all the dead bodies and all the insects in the.

Cristina: We don't know. They didn't do that before. They had to drink blood. They counted really fast and then they went to get food.

Jack: Nah, man. There's holes here.

Cristina: Yeah, that's in Europe. But China also has the same thing where a sack. You throw a sack of rice in front of a vampire, they have to count every grain of rice.

Jack: No, I disagree. That doesn't make any sense.

Cristina: How do you know the weakness of.

Jack: A vampire is not a bag of rice?

Cristina: Yes, you slow them down that way. How did you not? Have you heard of that before?

Jack: I've heard about it. I just don't believe it.

Cristina: Yeah, how are we to judge? We haven't seen it. We haven't tried it out.

Jack: Because then it's easy to beat them.

Cristina: Well, then you have to actually attack them afterwards. I guess that would be the hard part.

Jack: Just keep throwing bags of f****** rice.

Cristina: What happens when you run out of it?

Jack: You won't. You won't.

Cristina: And we don't know how fast they can count.

Jack: Not fast enough. You just keep throwing bags of rice. Yeah, they aren't lightning. Yeah, they're fast, but not light.

Cristina: You try to lead them to a beach.

Jack: Yeah, I wonder if that. Yeah, that's it. They're done. You win.

Cristina: They're just frozen. They're counting the sand.

Jack: How could they even differentiate beyond some point? How do they know what they've Counted?

Cristina: I don't know. They just have to restart. It's a mess. It's a vampire nightmare. Yeah, that's why you don't see vampires on the beach.

Jack: How do they know, man? Like, how does a vampire exit their grave and make it out? Because there's trees maybe.

Cristina: It has to be just tiny things because all these things are really tiny.

Jack: So they're like Valley Girls and like Tokyo party girls that they just love tiny things.

Cristina: Yes. Yes they are. Why are you judging these vampires who are obsessed with tiny things and need to count them all?

Jack: Apparently. Do they also shop at the Gap? The f***?

Cristina: And to protect yourself against vampires? Well, you probably know all these things. Garlic, the Bible, crucifix, holy water and mirrors. Ward off the vampire.

Jack: I'm 95% sure the church has nothing.

Cristina: To do with that.

Jack: No, the Bible created a vampire.

Cristina: The Bible created a vampire.

Jack: I'm sure reading from the Bible is how vampires are made. It's like making holy water.

Cristina: What do you mean?

Jack: Like a passage out of the Bible into a cup or something.

Cristina: And then what? Then you turn it to holy water.

Jack: It's turned into holy water? I guess.

Cristina: I don't really know.

Jack: Boil it.

Cristina: Boil it.

Jack: You boil the h*** out of it. And then it's holy water.

Cristina: And then it's holy water.

Jack: Yeah, because you boiled the h*** out of it.

Cristina: Well, so tell me that doesn't make sense. Huh? And vampires are unable to cross sacred ground like churches and temples. And for some reason they can't cross water. I don't know if water is also sacred or they just can't swim or. Now what's going on?

Jack: Let's look at a couple of descriptions of vampires, right?

Cristina: Yeah.

Jack: If you're already excessively white, it's hard to call you pale per se. In the dead of night, you're just white. But if you're already dark skinned, then it's easy to say that person is pale because they are a different kind of dark skin that looks kind of like if you put a fade filter over something that they have like that kind of pale off color look.

Cristina: Yeah.

Jack: So this goes back to the racist ideology that black people can't swim. And also saying that black people were the vampires, you're saying they were the.

Cristina: Vampires and the werewolves.

Jack: I'm saying white people made all of these up, which means the white person has to be the hero according to the white person, which means the monster had to be the non white person.

Cristina: Whoa. What? Why are you ruining these creatures?

Jack: Because white people are racist.

Cristina: Well, we Know that.

Jack: Who is it who isn't racist? Like, fair enough. Who's not racist? Anybody who's like, only the white people are racist. Like, shut up. Shut up. Had you been in that position, you'd call them vampires.

Cristina: I call them vampires.

Jack: Although the witches were also colored women.

Cristina: Weren't they just women?

Jack: They were colored women.

Cristina: They were young women. I thought, yeah, young colored women crazy.

Jack: A lot of the time.

Cristina: Or older ladies. I don't know.

Jack: Colored women a lot of the time, yes.

Cristina: Mm.

Jack: That's why the voodoo priestess thing is very commonly the black woman. That all. It's coming back from the same tree of. Oh, they do magic, those witches. Those are the black women.

Cristina: Ah.

Jack: That just branches down now.

Cristina: They're werewolves, vampires and witches, which are.

Jack: All just white people coming up with different derogatory names and s*** for just ways to get black people killed.

Cristina: Okay. What? Yeah, it's crazy. That's so messed up. But anyway, vampires can't enter the house unless you invite them over.

Jack: That's a weird one.

Cristina: Yeah. And they can go come and go after that point. It's just the first time thing, which they need your permission, but once you give it to them, that's it.

Jack: Interesting. Interesting.

Cristina: I don't know why, but I don't know, I wonder.

Jack: Because it's. Let's see, things that have those same rules. There are, like, the Bible has those rules. You gotta let Jesus into your heart and give them permission. You gotta give them permission. Do you accept Christ as your savior? No. Then he can't come in. And vampires have to also do that same thing. Werewolves don't give a s***. They'll break in.

Cristina: Yeah, but the werewolf stories, they didn't seem to break into any place. They were just outside waiting for you.

Jack: Yeah, interesting, maybe.

Cristina: So maybe they can't come in.

Jack: But they don't have the capacity to communicate, to try to convince you. Like, can I come in?

Cristina: Yes. Except for that werewolf. In that story of the Little Red.

Jack: Riding Hood, she asked for permission.

Cristina: Yeah, He. To the. I think to get in the first time with the old lady, he had to be like, I'm, you know, I'm Little Red Riding Hood. You gotta let me in. And she's like, okay. And then she let him in. And then he, you know, did all.

Jack: That interesting twist on that because for the three little pigs, he also asked for permission to go in. And he said, if you're not gonna let me in, I'll knock your f****** house down.

Cristina: Yeah.

Jack: He can't just break in. Dude, you could Blow their house down.

Cristina: But he can't go into their door in. Maybe they have the same rule.

Jack: Holy s***. I think they have the same rules.

Cristina: Oh, snap.

Jack: They're just at least that polite about it. They're not gonna be like, hey, can I come in for a cup of dinner?

Cristina: Because they can't communicate that way.

Jack: Yeah. Interesting, interesting. So then my question is what we know that tales like these children's tales come from either warnings that adults have created for children to warn them about bads of the world without making them scared of people.

Cristina: Yeah.

Jack: Or real events that have happened in people's that they're warning about in a more literal sense. In the case of the Three Little Piggies and Little Red Riding Hood, were those situations with real werewolves? Because in both cases they were in the forest where the werewolf hangs out.

Cristina: But they called them wolves. They were just wolves.

Jack: Of course. Of course.

Cristina: But it's to not scare the kids from werewolves, I guess.

Jack: Yeah. Because you were talking about a human talking to a wolf.

Cristina: I don't know. Yeah.

Jack: And the three Little pigs, hams, those are just white people.

Cristina: They were calling themselves little pigs. Okay.

Jack: Yeah.

Cristina: Why didn't they pick something else?

Jack: Just a way to make a cute story, I guess. But they're talking to a werewolf or something.

Cristina: Mmm. Yeah.

Jack: And so that werewolf, they were maybe having a legit conversation with a werewolf in those stories. Like, what's the real, the groove version of it, you know? Like, is there a f****** werewolf in these situations that they're having a conversation with? In the case of Little Red Riding Hood, the werewolf can't get in because this goes back to what we're talking about. These lines are crossing heavily because there are the same rules. They kind of have the same timelines, they have the same ways of turning into one another. Are we just talking about a shapeshifter? Take many different forms, but it doesn't matter because the same rules for turning into the same rules for entering property, the same rules for defeat to some degree are all there.

Cristina: Mm.

Jack: You got to remove the head of a vampire the same way you got to remove the head of a f****** werewolf.

Cristina: Yeah.

Jack: The bite turns you. In both cases, usually killing the one who turned you turns you back. If you do it before a certain period of time or whatever.

Cristina: So it's all the same story.

Jack: Interesting. In vampire's case, you have to kill the vampire before your bloodlust gets to you, before you have to feed.

Cristina: Yeah.

Jack: So you kill the vampire who turned you before you feed. The way you kill the wolf who turned you before the full moon so.

Cristina: You'Re not permanently permanent.

Jack: Same way you're not permanent a vampire if you kill the other one before you drink human blood. If you drink human blood, you stay a vampire.

Cristina: So it's the same story. It's just about a different creature. But it's practice. It's practically the same creature. Maybe.

Jack: Yeah, there's some real close lines there.

Cristina: Yeah. And although, like I mentioned before, although vampires were believed to be more active at night, they were not generally considered vulnerable to the sunlight. I don't know. Like, through time they've become weaker to the sun. But originally the sun wasn't their weakness or anything. They just like to move around during the night.

Jack: It was just easier at night.

Cristina: Yeah, I guess because you can catch.

Jack: People at home, people out. You can't. How hard is it to feed outside with streets filled with people?

Cristina: Yeah.

Jack: Especially when everybody's walking.

Cristina: But if it's the same with werewolves, like, you gotta wait for night because.

Jack: That'S the easier time. You could just, like, attack people on their own versus groups.

Cristina: Yeah. Mmm. That could be it. What? What? And the different methods of destroying a vampire. Or I guess, murder. I guess you can't really say murder because it's already dead.

Jack: It's not dead. Neither a vampire nor a zombie are dead.

Cristina: Okay.

Jack: We've established this.

Cristina: But it's. The person who was. The vampire is dead, though.

Jack: Disagree.

Cristina: No. You think the person's still alive?

Jack: Yes, I think in both cases the person is alive. You're just talking about level of brain function in the case.

Cristina: I mean, the original person. Like, if a vampire takes over your body, you're not there anymore.

Jack: I don't think there's a different per. I think a vampire is like, interview with a vampire. Like, that guy remembers his past life, he remembers all of it, and he's like, man, I wish I could go back to being that.

Cristina: Yeah.

Jack: But, like, I'm here now. I can't stop it.

Cristina: Mm.

Jack: That seems real to me versus, I guess I just see to exist.

Cristina: Okay. Because that's how it sounds like, though. Like, a demon comes into your dead body.

Jack: And in the case of you being possessed and thus being a vampire. I guess. Yeah, but you turning into a vampire, that's not something else invading you. That's you who already exists. Turning. Turning into a vampire.

Cristina: Yeah, well. Okay, well, when you turn into a vampire, the things we gotta do to get rid of you is taking you through the heart and some. And through the mouth. For some reason. I don't know why the mouth, but.

Jack: The brain, maybe you're trying to hit the brain, maybe.

Cristina: And the stomach. Those are the three good spots.

Jack: So you mean, like where the heart is, the brain is, or like, organs. Vital organs. So essentially the way you'd kill a human.

Cristina: Yes.

Jack: Do that and you'll kill a vampire?

Cristina: Definitely. Well, yeah. Yeah, it's exactly the same.

Jack: Sounds about right. I feel like a lot of things could be killed that way.

Cristina: Also, getting rid of the head and then burning it.

Jack: Sounds about right.

Cristina: Oh, burying the head between the feet or behind the b*** or away from the body for some reason. You just got to keep that head away once you get it off the.

Jack: Body, because the body is gonna go get it the same way a werewolf would.

Cristina: But if you hide it behind its b***, can it just get it?

Jack: Not if you tie its hands in the front and you tape the head to the b***. How would he get the head if his hands are tight in front of him? You can also do it the opposite way and tie his hand behind him. And if he's a guy, you can hang his own head off of his own d***, tape it against her. So he's forever blowing himself, but he can't do anything but blow himself, but blow himself for all of eternity.

Cristina: Whoa. Revenge on that vampire. Revenge.

Jack: Also something that applies to anyone and everyone, except in most cases, those people are dead. And you just made a corpse blow itself.

Cristina: Yes. Why? Whatever. We're crazy. You can't blame us. We're crazy.

Jack: Yeah. There's something wrong with humans for sure.

Cristina: And also, pouring boiling water over the grave. What?

Jack: To, like, super make sure.

Cristina: I guess instead of burning it, you don't got fire. Use water.

Jack: Here's the thing. I think the grave, like, is the grave already covered back up?

Cristina: Huh?

Jack: Because if it's, like, there's a bunch of dirt, like, that dirt's gonna, like, cool that water down.

Cristina: We should probably do it to the body. If we're gonna burn the body, why not boil the body as well?

Jack: With, like, oil?

Cristina: With oil.

Jack: With oil, not water. Going easy.

Cristina: Yeah. Also, vampires could be shot or drowned, of course, or sprinkled by holy water.

Jack: So everything plus demon stuff. So a vampire is basically a person and could die any way you'd kill a person.

Cristina: Plus exorcism.

Jack: Plus exorcism.

Cristina: Although I feel like if you exercise a human, they might die too.

Jack: Some of the methods of exorcism would kill a normal human.

Cristina: Yes. That's why there has been cases where humans who were exercised go to court against the church because, like, I had mental problems and you destroyed me. That's been real thing that has happened, too.

Jack: Interesting.

Cristina: Yeah. And then you could also put garlic in its mouth and then shoot a bullet through the coffin.

Jack: So, like, I don't feel you need the garlic at that point. Like, you could just.

Cristina: If you just do one, it won't work.

Jack: Just shoot him. He's fine. But if he's got garlic and you shoot him, boom, you solve that problem.

Cristina: Yes.

Jack: Isn't the garlic what's being effective there? Why don't you just fill, like, prison style instead of filling a bag up with soap?

Cristina: And if you don't have garlic, you could use lemon. You put lemon in its mouth.

Jack: So like, maybe being a vampire is more of a, like, genetic disorder where, like, you're just allergic to a bunch of s***.

Cristina: You're just allergic to a bunch of.

Jack: You're allergic to garlic and lemons. And then they put them there and you, like, super weak and dying and can't breathe, and then they shoot you.

Cristina: Duh. Oh, I forgot to mention. Oh, my gosh. This story. To find the graves of vampires. Oh, my gosh. You need to have a virgin boy riding a virgin horse. And then the horse will get scared at the grave that the vampire is in.

Jack: Because vampires rape virgin boys and horses.

Cristina: I don't know. I just think the priest might need help to know which one's the virgin.

Jack: I do, too. I think that's exactly what's happening. I think this goes back to white people in power and the church, for whatever reason.

Cristina: But why a virgin horse? You think he needs the horse too?

Jack: Probably.

Cristina: When he can't have the boy, he'll have the horse.

Jack: No, no, no. He's gonna have the boy, but he's also gonna have the horse.

Cristina: Oh, my gosh. Also, graves with hoes over it. I guess, like, hoes are appearing on top of the grave.

Jack: That's an arm that poked out.

Cristina: I guess maybe that's what they think happened.

Jack: Interesting.

Cristina: And they're just holes there. Maybe someone's trying to actually steal that grave or something.

Jack: I think it's the other way around. I think they accidentally buried a living person who was like, I could do it.

Cristina: I can do it. I can get out, get out. Then that person suffocates and dies, but they think it's a vampire. So they're gonna put a lemon in its mouth and shoot it?

Jack: Yeah, yeah, pretty much. If they. I wonder how many times that happened. They accidentally. Like, somebody was in a coma or passed out. Or some s***. They threw him in a grave, and they. The person gains consciousness while in this hole.

Cristina: Yeah.

Jack: And then they're trying to get out, and they're like, it's a vampire. F****** shoot it. Not Jimmy was alive. F****** kill it. It's a zombie or something.

Cristina: Nope, just shoot it. That's so crazy, taking no chances.

Jack: I think that's why it's a law or some s*** that you got to dig a shallow grave when you put somebody at the beginning.

Cristina: Really.

Jack: I think so. I'm not really sure.

Cristina: I know they have, like, bells on graves just in case they bury a person alive so you can ring that bell. I don't even know if that's a true story. That might just have been a legend. And then people just took it too seriously and were like, just in case this happens to me, I want a bell on my grave.

Jack: Yeah.

Cristina: But I don't know.

Jack: Maybe I'll be buried alive.

Cristina: Mm. So now that's enough vampire talks. Let's talk about other creatures that are. That can transform and drink blood. I guess that's the important thing we need that's in common with vampires and werewolves and chupacabras.

Jack: Yes.

Cristina: And the first creature up is wendingos, and I. Not really sure what a wendigo look like. It's a creature that takes over a body, and that person goes mad and eats people.

Jack: Now, to my understanding, a wendingo kind of looks like a werewolf.

Cristina: I don't think so. Do they?

Jack: I do think so, but I don't. Here's the. Here's the difference. I don't think they look like it. Depictions of them look like it. Yeah, that's the problem. When dingoes are depicted, it's kind of looking like werewolf.

Cristina: Yeah. But then they go inside the human, and then the human does these acts.

Jack: I don't think the wind dingo looks like that. I think the human dingo combo looks like that.

Cristina: Oh, okay. Yes. Because there's a. The original wendigo that turns.

Jack: That's just.

Cristina: Yeah, but like a werewolf and a vampire that they have to be bitten. This thing bites, I guess, quote unquote, the. The victim, and then he turns into a win dingo and then he murders everyone.

Jack: Yes. There you go.

Cristina: Yes.

Jack: So they turn to something that looks like a werewolf in depictions, in depictions.

Cristina: Okay. But from the stories, it just. It's really crazy when dingles, after being after a person is. Becomes a win dingle. They just. They have an incredible need for greed, murder, and cannibalism. Even though there might Be food around, they'll still murder.

Jack: So they're like just aggressively wrathful and violent.

Cristina: Yes. There's been like two cases about Wendingell's. One case was in 1878 where a guy named Swift Runner and his family were starving and there was emergency food 25 miles away. And for some reason, instead of the guy going to get the food, Swift Runner just killed and ate his family, which were like I think five other people. And then he eventually confessed to the crime and got executed.

Jack: But he doesn't sound like he was a win dingo. He sounds like a f****** lunatic who was clear minded.

Cristina: Probably blamed the Wendigo. Yeah, yeah. That's why I think happened. I mean it could be just a crazy guy.

Jack: Sounds like a crazy guy.

Cristina: That's what. There's the debate over this Wendingo thing. Like are these really people that. What is. Are these people? Do these people really believe that they got the spirit taking over them to kill an ether family which makes them a schizophrenic or are they lying and just. They want. They kill their family and they need.

Jack: An excuse, which is where the Wendingo comes in.

Cristina: Yeah. So I don't know, like in theory.

Jack: If you're in a place that's superstitious enough, you could get away with that.

Cristina: If you're. Yeah, I guess. But he didn't get away with that. And they've also. There was another case where just the person who takes care of the Wendingo problem got in trouble because he was killing the Wendigo, which is really. He was killing people.

Jack: So he was a serial killer.

Cristina: Yes.

Jack: Picked very specific people, killed them and said they were possessed by Wendingo.

Cristina: Yeah, yeah, that's. Wow.

Jack: That's a clever way. But that just goes back to the serial killer who was pretending he was hearing the voice of a dog.

Cristina: Yes, that's exactly what these cases reminded me of. Because that's what they were arguing. Like whether is he really hearing a demon talk to him saying kill these people or is he using that as excuse to kill these people?

Jack: He was the Son of Sam, right?

Cristina: Yeah.

Jack: So they were basically doing the Son.

Cristina: Of Sam shtick before he.

Jack: Before the son. Which case. That makes the Son of Sam the. The f****** copycat killer.

Cristina: Oh, maybe. But he wasn't eating people, so it wasn't the same type of crime he was committing.

Jack: Interesting. Interesting.

Cristina: He was just shooting ladies.

Jack: Yes.

Cristina: Yep.

Jack: But claiming that the reason was.

Cristina: Was because of a demon dog.

Jack: Yeah, I was hearing demon dog.

Cristina: Yep.

Jack: And thus I went ahead and did the crime.

Cristina: Yeah. So it might be the same case. I don't know. And then there's this other creature that's called the witchooge, which is a man eating creature that could also possess people. It's like an ancient giant animal in its natural form, I think. And then it goes into regular people.

Jack: Like an ancient giant animal. Like that physical creature.

Cristina: Like a spirit animal.

Jack: Forest spirit. Like Shinto.

Cristina: Yeah, like a giant spirit animal comes inside of Zelda.

Jack: Twilight Princess with the floating animal spirits that you gotta collect the gems from and keep them kind of in reality.

Cristina: I have no idea. I don't remember that. But yes. These giant spirit animals come inside you.

Jack: They come inside you they come inside you these giant spirit animals come inside.

Cristina: You youu can become. Oh, it's huge. By breaking a taboo or becoming too strong. I don't know what too strong means, but like maybe you work out too much and then you become now a man eating creature.

Jack: Out of curiosity, do you actually eat people or you beat the s*** out of them is a common trait. Beating the s*** out of them?

Cristina: No, it's eating so they don't beat.

Jack: The s*** out of people.

Cristina: No, I mean, maybe, I don't know. But it seeks to eat people.

Jack: Interesting. Have they seen people? Have they seen people possessed by this? Are there stories of people?

Cristina: There's just stories of people because it's.

Jack: Possible that the steroids of that time were causing roid rage. And that's what they mean by too strong.

Cristina: Too strong? Yeah.

Jack: Then you're having blind rages over dumb s*** and just beating the s*** out.

Cristina: Of people to death, fighting them. And then they're like, ah, he's a wetchug. Well, you want to hear about the taboos that you shouldn't break?

Jack: I guess it could be witch hudge. So long as there's a GE at the end, which Hudge. Either way it works.

Cristina: You want to hear about the taboos yet you should not break.

Jack: Taboos for what? For the witch. Huge.

Cristina: Yes.

Jack: For the witch Hudge.

Cristina: Yes, go for it. There's probably a bunch, but three of them. A person that has that takes gets a picture of them with a flash. I guess that flash is a taboo. If you get a picture of you taken with a flash is one listening to music made of stretched string like a guitar and eating meat with fly eggs in it. Don't break those taboos.

Jack: And that's it. You don't become a witchage.

Cristina: Yes, that and don't become too strong.

Jack: Guess that's it for working Out?

Cristina: Yes. This creature seeks out to eat people and attempts to lure them away by being cunning. I don't know what the cunningness is.

Jack: Smart. Clever.

Cristina: No, I. I know that I don't know what they use to be cunning.

Jack: Oh.

Cristina: Like what? How do. Like, do they. If it's a child, the cunning would be like, here's candy. Come with me. I'm not gonna eat you.

Jack: So Ted Bundy was a wet judge, is he?

Cristina: Mmm. Oh, and some of these things, the true form of it is made out of ice and it's very strong and you can kill it by throwing it on campfire and you keep it there overnight and then it melts away and then you're done with the problem.

Jack: So they are ice monsters.

Cristina: Yeah. I guess you become an ice monster eventually, is what's happening. Not the true form, because the true form, I think, is the spirit creature thing.

Jack: So a wendingo and a witch are exactly the same thing? Essentially, yeah. Most likely regional derivatives of each other.

Cristina: Mm.

Jack: But they all involve getting a person who turns into them.

Cristina: Yes. To turn into them. Yep.

Jack: Do they have rules for entry or anything of that nature? Do you have to, like, let them in?

Cristina: No, I think you just gotta be a really bad person. Or. I don't. The first one, I don't know. The second one, it sounds like becoming too strong.

Jack: This worked out too much. And now I'm a monster.

Cristina: Yeah. Oh. I guess the first one might be like being too greedy for some reason or it turns you into being too greedy. I'm not really sure what comes first.

Jack: Interesting.

Cristina: Are you greedy beforehand or not? I don't know. But being a weshog is considered a curse and a punishment. So I guess that is if you're bad, you're gonna be cursed and then you're gonna want to eat people. I guess some werewolf stories are like that too. It's just a curse put on you sometimes. Alright, we're running out of time. What do you think of all that information?

Jack: I think that's pretty interesting. I think that that holds makes a pretty good argument for a werewolf, vampire, Chupacabra, the Win Dingo and the Wetchudge to be kind of different people's tales of the same creature, whether it be different eras in time or different regions giving it different names, but referring to the same thing. It's sort of the God problem.

Cristina: Yeah.

Jack: Like if you're Islamic, you say Allah. If you are Christian, you say Jehovah. But if I showed you a picture of the one true God both of, and you Some, for whatever reason, knew exactly what he looked like. Both groups would aim at the same thing. Yeah, I think it's that case.

Cristina: It could be.

Jack: I think that if everybody knew for a fact what you mean when you say vampire or wetchudge or werewolf or win dingo or chupacabra, and I brought up a single photo of a shapeshifter and you just happen to know for a fact what these creatures look like. You'd all aim at the one picture I'm holding and realize, oh, f***, we were talking about the same thing.

Cristina: Yeah. It's interesting that some shapeshifters like to be animals over human, though. The vampire is the only form that it's like. It prefers being human, I guess, in a way. Maybe the Wendigle too. I'm not sure.

Jack: Here's an interesting point that I'll make before we get out of here, which is the possibility that the intellectual level of the creature allows for a more complex transformation. So that if you can have the capacity of a person, you are a particularly intelligent shapeshifter. You can imitate a human.

Cristina: Yes.

Jack: Thus you turn into a vampire if you are more animalistic, but can sort of get there. Maybe all their goals is trying to get to the human where they could just blend in to the best creature to eat.

Cristina: Yes. The whole thing is to shapeshift into their meal so it can be easier for them to get closer to their meal.

Jack: Exactly.

Cristina: Except for the werewolf fails the most, I guess.

Jack: Yeah.

Cristina: But they are able to turn into a creature that's around their food.

Jack: Yes. So the idea is always the blend in. Not necessarily to imitate their food, but to blend into their environment so their food doesn't know they're there.

Cristina: Yes.

Jack: And in the case of a werewolf, they don't have the complexity to take this s*** because I guess you have to also behave the part.

Cristina: Mm.

Jack: So maybe you have the capacity to become a human, but you have to be able to imitate a human brain because we're assuming you're an anomalous being. Otherwise.

Cristina: Yes.

Jack: You're understand, your quote, brain, unquote, is a different thing. And so you imitate a human perfectly, then you behave like a human. If you can imitate a superhuman, you are a vampire. There are way less of that than there are werewolves. Way more werewolves. Because you can do that easier because you're not fully human looking, you're more animalistic looking. It takes less effort than becoming a human. Yeah, well, becoming a human takes less effort than looking like a vampire. So it's really about capacity.

Cristina: What? Yes.

Jack: And like a wendingo and a wet church are way down the totem pole down there with like werewolves. Werewolves, yeah, yeah, they're down there with those creatures. Yeah, same thing. While the Chupacabra is the furthest thing, it's nothing like a human.

Cristina: No.

Jack: It's notably a weird creature.

Cristina: Yeah, it looks like it's trying to be too much creatures at once, kind of.

Jack: Then so does the werewolf.

Cristina: Looks like it's just being wants to be a werewolf, doesn't it?

Jack: Well, a werewolf isn't a f****** thing. A werewolf is a creature that looks like a combination of a wolf and a human.

Cristina: Oh, okay, okay, I see.

Jack: So the idea here would be that maybe when we're talking about shape shifters, we're not just talking about one thing, although we kind of are. We're talking about sort of the difference between a Chihuahua, a Rottweiler, a greyhound. Like maybe there are different kinds of shape shifters. They're all the same general thing. Like I can call every animal. I just said a dog. Yes, but they're also different kinds of dogs. Yes. Different species within the same branch thing or not different species, different races of the same species.

Cristina: Yeah.

Jack: So maybe there are different races within the same species of shapeshifter, which allows for more complicated transformation in the future.

Cristina: I would like to go on to that. Hopefully we'll get there eventually. Of talking about the different species of shape shifts shifters.

Jack: Interesting, interesting.

Cristina: But just get, I would like to stick to the blood drinking though.

Jack: Yeah.

Cristina: Because there's a million shapeshifters. Of course, yeah.

Jack: There's even animals that drink blood.

Cristina: There's animals. Oh yeah.

Jack: There's normal animals that drink blood.

Cristina: Yeah.

Jack: That seems to be a trait which tells us there might be creatures that exist in nature that are already sort of connected.

Jack: Two shapeshifters. They might have a branching like DNA strand or something.

Cristina: Maybe. Fascinating, interesting. Okay.

Jack: But it'll. It'll be way easier when we finally capture this werewolf we've been hunting down and we can bring that f***** in, put him in a cage, probably next to the Reptilians, Cause f*** them, send that b**** to Mars. Now that we've built that whole study facility up there. So we'll send that to Mars with the rest of the f****** things we've got up there and we'll run some experiments and find out what we're gonna do with that. Well, we find out, maybe we can get it just to turn into something that doesn't look like a werewolf, but we're closing in. Yeah, closing in. The sub humans are out there doing their job.

Cristina: Awesome.

Jack: Anyways, if you guys enjoy this topic, there are millions of this sort on the show. You can find many episodes where we're discussing things of this nature, a bunch of different types of creat. Previous, more primitive versions of this conversation. We don't touch on the same things that we touched on here, but we kind of brush around the different subject matters, including the Chupacabra, shapeshifters and things of other things and shapes like reptilians and whatnot, even alien creatures who might potentially be the Chupacabra in the first place. To find those episodes, you guys can find them on the official website, greythoughts.info or on Apple Podcasts, Spotify, and anywhere you get your podcast.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok. UsConvopod.

Jack: Yes. And remember to subscribe and rate the show. And if you feel so inclined, review the show.

Cristina: Let someone who might like the show know about it.

Jack: Yes, the power of word of mouth is the greatest power in the whole wide world. And that makes you a superhero, technically speaking.

Cristina: This has been the Just Conversation podcast. Podcast. Take nothing personal, and thanks for listening.

Jack: Bye.

Cristina: That's how they sounded like. Okay, you know how they sound like I've heard it. I don't know what's happening there. I mean, I guess that's what. Yes. I remember as a child listening to my parents.

Jack: And that's what it sounded like. Yeah, just gibberish. Like you didn't understand s***.

Cristina: Not that, like, if you're bored and you don't, you're not really paying attention, but you have to pay attention because maybe you did something bad or whatever, and they're just trying to explain something.

Jack: And you're like, somehow I doubt there was a moment in your life in which you did something bad.

Cristina: The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.