Rambling 179: One Second Future Sight
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How far is Proxima Centuri? What would you do if you could see one second into the future? 45 seconds? 1 day? Is Forward time travel useful? The duo discuss the macroscopic distances of our local space before questioning whether or not seeing into the future for a short while is an overpowered ability.
+Episode Details
Topics Discussed:
- Johnny Depp Trials
- Light Years
- Time Travel
- Future Sight
- War On the Moon
- Unique Emotions
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+Transcript
Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.
Jack: Going live in 5, 4.
Cristina: What does live mean?
Jack: Welcome to the Rambling Podcast. The show where we ground humanity's most absurdest and most baffling ideas in ways that most people would call childish because we are highly immature. I'm your host, Jack.
Cristina: And I'm your host, Christina.
Jack: And if you guys haven't yet, remember to hit that subscribe button. I don't know how you landed here if you didn't hit a subscribe button, but assuming you wandered in into this very highly specific 3D audio experience, what's the 3D part? The fact that we're somewhere on Earth and probably half of everybody not even on theirs. That's just counting the people who can hear us. That we know can hear us.
Cristina: Ooh, that we know.
Jack: S***. It could be unfathomably large numbers. Who knows how? Oh, my God. I've never thought about this. Well, just how many different universes? Or like, how? Okay, right, so we're reporting on the happenings for years and years and years and years. And these waves travel at the speed of light. Radio waves through space.
Cristina: Okay, yeah.
Jack: So five light years and then something catches it. That's a lot. That's five. Just five years. That's a long time for light because light got far. So just distance wise, whoa. There's anything in a five light year radius, they can hear us.
Cristina: Okay, what is five? I can't picture that. I don't know. Is that a big distance? I don't know.
Jack: That's a really good question.
Cristina: Like, are the Cat People that far away?
Jack: Are they listening to us so far.
Cristina: Which would, like, ruin all our plans.
Jack: No, they're so far. The great void has to be millions of light years away. I'm thinking million.
Cristina: What if you look it up and.
Jack: It'S just five light years that blow my mind. That's not a great void. It just looks crazy from up close as h***. Whoa. Holy s***. Okay, so five light years. Proxima Centauri, the nearest star is less than five light years away.
Cristina: Yeah.
Jack: Whoa. Okay, let me first. Whoa. If there is life over there.
Cristina: Mm.
Jack: Wow.
Cristina: They could hear us.
Jack: They could hear us.
Cristina: Probably been hearing us.
Jack: Who knows if they have the technology, that is, if they've somehow also stumbled upon radio waves and they use that for whatever reason as well.
Cristina: Yeah.
Jack: Then, yeah, they can hear us.
Cristina: Mm.
Jack: Now this is where this gets really crazy. Infinite number of universes. Infinite number of Earths that can hear us. Infinite number of proxima Centuries. There's even universes where Earth has no life. Yeah, but Proxima Centauri does.
Cristina: Yes.
Jack: And they're still hearing us in whichever universe is somehow grabbing the radio waves because of the space time distortion we created. Whoa, whoa. So we can. We can really only calculate our listeners based on two universes. One and three.
Cristina: Yeah, but there's probably two. Not on the Earth, but.
Jack: It'S literally an infinite number of listeners.
Cristina: Yeah.
Jack: Whoa. Now here's the problem.
Cristina: What's the problem?
Jack: Is our show, the only show being broadcasted because of this. Or, like, is all our radio signals.
Cristina: Shouldn'T be all they should be.
Jack: Right. Because we're not.
Cristina: Like, we're not.
Jack: Yeah. We're not pumping anything anywhere specific. So, yeah, everything on Earth, one is just the most popular s*** in existence.
Cristina: Essentially, to all the other Earths.
Jack: Not to all the other Earth. There's an infinite number of them that never heard of us. There's an infinite number of universes that are probably not even catching us. But there's also an infinite number that are. Because of the distortion.
Cristina: Yes.
Jack: So everything from this Earth is just the most popular.
Cristina: We get things from the other Earth just.
Jack: I don't know, there's like a weird signal that we believe may be coming from a different Earth, but that's from a different universe.
Cristina: Yeah.
Jack: In space. It's not on the planet.
Cristina: Okay.
Jack: It's just like a weird something.
Cristina: Okay, that's so weird. All right. But we're not getting their podcast or shows or anything.
Jack: No. From any other universe as far as we know. Now we do have the TV and we can just tune in and watch things that are happening.
Cristina: Yeah, that's it.
Jack: That's it. I mean, we could, in theory go over there and interact, but it, like, does nothing for us.
Cristina: No. Our place is way more interesting.
Jack: Yeah, everything is boring over there. Like, society is in a weird state. Like, oh, man, I totally got sucked into the.
Cristina: What?
Jack: The Johnny Depp thing. Just watching.
Cristina: So how did you feel about those results?
Jack: Like, if you got proof, you got proof. Like, what the f*** can you do? Why were you recording yourself being a monster and then lied about it? When you. You record, it's your proof. You proved you were douche.
Cristina: Yes, but she still wanted money.
Jack: Yeah, she didn't. She didn't win money. Yeah, they were like receipt exchange. I don't even get this. Yeah, it's just for receipts, right? It's just to say I give to him. I don't know why the judge couldn't, like, hit the Hammer. After he said. Because ultimately, he said, you owe him 2 million. He owes you 10. Or you. Yeah, he's taking 10 from you. You're taking 2 from him.
Cristina: Yes.
Jack: When he could have just been like, but wait, we're all adults here.
Cristina: Yeah.
Jack: So you're just gonna give him eight, and he's gonna give you nothing. Hit the hammer. That would only be logical. Yeah, but he's like, you know, so that it feels like a fair thing.
Cristina: But he's not the one deciding it. It was the jurors who were like, she deserves some money. For what?
Jack: His lawyer said the jurors can't decide somebody's compensation.
Cristina: He. They're not the ones, but they're the one. Okay, well, they decided she won because of that. She. They might not pick the amount of money, but they pick who wins, I guess.
Jack: Yeah. He won the case, didn't he?
Cristina: Yeah. And. But she also wins because of the jurors decided she needs to get paid.
Jack: Oh. It wasn't unanimous.
Cristina: So I don't know. I think they both wanted. They wanted both of them to win.
Jack: It doesn't make any sense. She was beating him, but she was abused.
Cristina: In their eyes. I don't know. Or she was a victim somehow.
Jack: In their eyes, she was a female and he is a white straight male. Oh, I guess he must lose a little. He can't just win. That's not right.
Cristina: Because he's a white straight male.
Jack: Yeah, he's a white straight male. That's. D***, bro. All the universes got that going on.
Cristina: And she's a Karen. What is she?
Jack: Is she a Karen? Nah, bro. I just think she's a b****, bro. I don't really think she's a Karen. She's just an angry, angry, angry, horrible human.
Cristina: You think she's that angry?
Jack: I think she sucks as a human.
Cristina: Yeah.
Jack: Like Johnny has anger problems and still doesn't suck as a human. She might not even have anger problems and still abuse another person physically. Yeah, it's kind of whack, bro.
Cristina: Yeah. I tried really hard to prove that he did something.
Jack: Here's the question. Did she try really hard to prove, or was it like, I know, I'm not wanting this. I'm just gonna be here, milk this for as long.
Cristina: She was trying really hard to get to share this story about his ex that was abused supposedly by him. She made this amazing story up about how he pushed his ex down the stairs, right.
Jack: Until the guy came up and he's like, never even been in the house with stairs with Him?
Cristina: No, she. She did fall down the stairs. It wasn't his fault.
Jack: So the lady did fall down the stairs, but I thought that Johnny wasn't even with her at the moment.
Cristina: No, he came in after she fell and then took her to her bed or whatever and helped her from her fall.
Jack: Okay. His ex.
Cristina: Yes.
Jack: Was there two and doing what?
Cristina: His ex was on that fell. They were together in the time.
Jack: No, no, no, no, no. His current ex.
Cristina: She's not in the story. She was telling the story about that.
Jack: You ignored my question. Oh, obviously she's selling the story about the other ex.
Cristina: Yes.
Jack: How does she know the story? And if she was there, where was she relative to this lady falling? She's just like watching.
Cristina: I think she heard about the story hand. So it wasn't like all the details were wrong. And then she twisted the details even more than the misheard story in the first place.
Jack: I see.
Cristina: Like she heard he. She fell, but. And he was there and then she was like. He obviously pushed her, even though she never said that. Or she probably did explain the truth when it happened. But some people just took the best parts of the story.
Jack: Kept twisting it.
Cristina: Kept twisting it. Yes. Until her version of the so, ah, society. Yes. And now we got the third person for Kevin Spacey. What will happen? Will our predictions be right? Who knows?
Jack: Yeah. Oh, man. A third Kevin Spacey case.
Cristina: That is crazy. We've talked about it. What would happen? There's no way a third guy is gonna die.
Jack: Is the Kevin Spacey thing also happening in universe three?
Cristina: That's interesting that everyone he. That I guess tries to get him in trouble dies.
Jack: Yeah. His life really sounds like house of cards.
Cristina: Yes.
Jack: It's like he's just pushing people in front of trains and saying it was an accident.
Cristina: Yes. It all looks like they killed themselves.
Jack: Yeah, man, that's too crazy.
Cristina: If the third time it happens.
Jack: What if a third time. Yeah, it's. We gotta start questioning him at that point because, like, how are the. Why is everybody that you f***** with? Like this level of unstable. Can't be. Can't be. It's impossible. So from Earth to the sun is five light minutes. What is a light minute?
Cristina: I don't know. Now I feel like this graph is wrong because I thought it was one light year. Oh, no, this can't be correct, can it?
Jack: No. And also, I think that's an eight. Yeah, but no, that's accurate. That's accurate because it does take light eight minutes to get to us.
Cristina: Oh, okay.
Jack: From the sun to us. Eight Minutes. So every measurement we have of minutes is a light minute.
Cristina: Okay. What?
Jack: You know that's us measuring or. I guess not. Doesn't make any sense. That's. I guess only when we're talking about light every. Yeah. We have to just put light in front of everything. But. Yeah. That's kind of interesting. It takes light eight minutes. But Alpha Centauri is an entire light year. Almost five. Not Alpha Centauri. Proxima.
Cristina: Centauri Proxima. Okay.
Jack: Yeah.
Cristina: Because it's the first.
Jack: I don't know. Now Earth to the other side of our own Milky Way Galaxy. 52,000 light years.
Cristina: Is this right?
Jack: Yes. I believe the Milky Way is about a hundred million light years across or something. Or is it a hundred thousand? It can't be a hundred million. That's crazy. 100,000 light years.
Cristina: I think it's a hundred million. No, I don't know. That's crazy.
Jack: I think it's a hundred million. That'd be crazy.
Cristina: Wonder if there's other scales.
Jack: A light year is a unit of distance, not a unit of time. A light minute and a light second are units related to the light year. A light minute is equal to 17,987,547 km. A light second is equal to 299,793 km. The Moon is 1.2 light seconds away from Earth.
Cristina: I don't know if I understand this.
Jack: It takes light.
Cristina: Yes.
Jack: 1.2 seconds to get from the moon to Earth.
Cristina: Okay.
Jack: So to put this into perspective, if a nuclear explosion happened on the white side of the moon. On the bright side of the moon. Right.
Cristina: Okay.
Jack: On a night that you were. It's straight up night and you're looking at the moon with a telescope.
Cristina: Mm.
Jack: You would see the explosion real time. It would be happening as you're watching it. And you only have a second delay.
Cristina: A second delay.
Jack: Second delay. It's happening as you're watching it. It's so active.
Cristina: Yeah.
Jack: It's happening right now. You could watch a war happen if your telescope was strong enough. Zoom into the moon and watch a war happen with your walkie talkie that somehow crosses that vast distance.
Cristina: Yeah.
Jack: Telling your friend who you're helping cheat video game style from a top down view of them.
Cristina: Yeah. You're like man giving them. Is a second.
Jack: Just a second. It's nothing. You're 100% helping them. They're coming around. The building broke. Got it. And you watch him drop the other people. Like the other ones are coming from this side okay, whoa. That's happening all real time.
Cristina: Okay.
Jack: Now, different war, and you got a telescope, and it's happening on Proxima Centauri.
Cristina: Mm. How long was that?
Jack: You send the message and wait. Years. Yeah, but it's happening at the same moment.
Cristina: Yeah.
Jack: In fact, both wars are taking place at the same time. It's a related war.
Cristina: It's a related war, but you can't help them out.
Jack: Yeah, they got from the moon to Proxima Centauri. The portal is there on the moon. You can see the portal through your telescope as you're helping your homies defend the portal from the people who are trying to get the Proxima Centauri for the other human civilizations there to survive.
Cristina: Just like, hey, they're going through the portal. It's too late. Because four years pass, and they just get the message.
Jack: Exactly. By the time they get the message, you could have sooner, like, you could send the message, then from Earth, get to the moon, go through the portal yourself and tell them before your radio wave arrives years later.
Cristina: Well, if they were starting to talk about it happening before they actually did it, and that took four years, then you could warn them. You could be like, hey, I don't know how long it's gonna take, but you guys should prepare yourselves for this war that might happen. Well, it's gonna be impossible to tell if it's really happening or not. I mean, we know that it did happen.
Jack: You know what? It sucks that this doesn't work backwards. It really does. Forward time travel sucks for, like, it's where you want to go. It's always better.
Cristina: Mm.
Jack: But, like, forward time travel is, like, okay, whatever. Like, yeah, I can. I can't use this practically. Other than move somewhere better.
Cristina: Yes. Why is that not good enough?
Jack: Because, like, you can't save anybody. You can't. None of that. It's real. You couldn't do it.
Cristina: Save someone in the future.
Jack: In the past.
Cristina: Oh, in the past.
Jack: Like, past. I'm working. You get in relevance to that. Like, sucks. But forward time travel is the useless one of the two time travels. It could take you to a better position in life, and you could live in a world where maybe money doesn't exist and, like, yeah, your house is just given to you and every disease is cured. Who gives a s***?
Cristina: The past is better because you can save people.
Jack: The past isn't better. I never said that.
Cristina: Oh.
Jack: I'm saying that forward time travel sucks because there's nothing else you could do than the one thing.
Cristina: But there's Things to do in the past.
Jack: You can change the future from the past. You can't change the past from the future. You can't even change the future from the future. He's got to be there. Yeah, Be a member of the new time. You're in essence, you can't like. Hey, man, here's the lottery numbers. Okay? So the war is happening. People on the moon, people in Proxima Centauri. What the f*** can you do? You have to go to the moon and get there because there's no point in sending a f****** message.
Cristina: Yeah, almost Time travel. You're saying you can.
Jack: You're essentially time. You're beating you with time travel by moving through space quicker than your radio waves, okay? That's essentially forward time travel. Or not, I guess teleportation. Because if you did have backward time travel, then even if you're getting late information, you could see something right now, right? So they're going through the portal, okay? But my walkie talkie calls back into the past, okay? And I can yo is like, what the f*** is I, bro? In like three hours, when they send you to this next base, the guys are gonna come from the portal in the south. That's happening right now. I'm watching it happen. And your homies getting it backwards. He's like, oh, s***. So if we station people around the portal, we can set a trap because we already know that's where the coming through. Useful as anything.
Cristina: Yes.
Jack: Three hours in the future, who gives a s***? Yeah, I know, I was there, okay?
Cristina: But telling the past something important?
Jack: Yes, past. Any amount of time is useful so long as you're man. Sometimes even. Let's say there's only a 1 second, 1 second bit of information that you could send telepathically or. In any case, here's a problem, here's a problem, here's a problem. It's not that forward time travel sucks. It's that you can't use it.
Cristina: You can't use it.
Jack: You cannot use forward time travel. But if you could see the future, that's overpowered. Even if by a second, even if by a second, your life could revolve around that one thing, you'd win every fight you'd ever gotten into forever. With a one second future sight. That's it. That's all you got? You got nothing but one second future sight. But how fast is a fist? Even from the slowest person, that's way too much time.
Cristina: How fast is the fist?
Jack: Yeah. Somebody trying to punch you?
Cristina: Yeah.
Jack: Oh, too much Time. You can dodge the s*** out of any hit, anybody, ever. One second. That's all you need to know.
Cristina: Okay.
Jack: One second is amazing. In a fight.
Cristina: Mm.
Jack: You'd be the greatest race car driver ever.
Cristina: Yeah.
Jack: Ever. One second. Holy f***.
Cristina: It's just. You're seeing a second.
Jack: You're seeing one second into the future.
Cristina: Oh, the future. Okay.
Jack: And you do anything with that information. I guess if it's one second, that s*** becomes reflex.
Cristina: That's so ridiculously small.
Jack: It feels small, but you're so overpowered, you'll win every fight. You become the best sleight of hand illusionist ever. Rob everybody all the time.
Cristina: Then Nicholas Cage have something like that. Yeah, it was seven minutes or something.
Jack: I don't know, like two minutes and some s***.
Cristina: Except that it wasn't because he saw the home.
Jack: Yeah. The whole movie was future sight. It turned out.
Cristina: It didn't really.
Jack: Well, he was telling us the story of the first time it happened or something like that. When he was really young that he saw really far into future. He never thought. He didn't know if it was real or not because it felt the same later. But it was really short all the other times.
Cristina: Mm.
Jack: But then it's. The movie was taking place in the other time that it was really far into the future. It's like six months or some s***. So the twist of the movie is that the first story you told us is you only told us that story so that you could set up the fact that it's happening now or something like that.
Cristina: All right? But whatever amount of menace that was supposed to be ended up being way too much.
Jack: Too much. Two minutes. Holy f***, dude. Two minutes into the future. It might have been 46 seconds, but that's still too much.
Cristina: That's still too much. It became way more than 46 seconds or whatever.
Jack: No. Even if it was just 46 seconds. Forever. F***, bro.
Cristina: Too much.
Jack: Too much. That's too much. Okay.
Cristina: More than one second, though.
Jack: Let's just start at next. You could see 46 seconds into the future, right?
Cristina: Okay.
Jack: Every poker table you ever go to, you know what happens when all five cards are there to turn the river. The flop turned river. The. Wait, no, those. The whatever. Three in the middle. The turned river. So you know what's showing up, you know where to. In fact, you know who's bluffing. 46 seconds. Yeah, you know who's. When they put their cards, you already know what you're gonna see.
Cristina: Mm.
Jack: 46 seconds. Holy s***. 46 seconds. You know where the blind Spots are. And when they're gonna be empty and for how long they're gonna be empty. 46 seconds. Who takes that long? The past A couple of inches? Nobody. You can walk into a bank if you wanted to because you just know where the blind spots you can see the future. Which means any thought you have is gonna change what path you're gonna take. Because you can see every possibility.
Cristina: Yeah, that's what I was gonna say. Like, would it be like Dr. Strange looking into the future because of.
Jack: What future you looking at?
Cristina: Exactly.
Jack: Anyt information it changes. Changes. It changes. Until the one you're gonna use happens.
Cristina: Yes.
Jack: And then you're like.
Cristina: Well, that's the word really was happening in that movie was just him going through different timelines in a way. But not really because it was on his head.
Jack: Yes, he was seeing. And for our sake, it looks like he's flipping through them, you know, like he's seeing all. But no, no, no. They're all happening simultaneously. It's just a thing thing you learn to deal with. My now is one moment, but the later I'm seeing is every later that could possibly happen until you get to.
Cristina: The one you want. Or actually once you get like.
Jack: No, the one you want is also happening simultaneously.
Cristina: Oh, okay.
Jack: And you're gonna know it instantaneously.
Cristina: And then you're gonna just do that one.
Jack: Yeah. 46 seconds. You're not allowed in the casino. You will win everything. Roulette, you always know where it's gonna land. It does not take 46 seconds. You know where it's landing. Yeah, you could bet whatever the f***, whenever the f****** win every time.
Cristina: Yeah, but if you got these powers, why are you gonna do that?
Jack: Rich, filthy rich. You gotta downingly rich.
Cristina: Not suspicious though. Like if you're winning, they can't do anything.
Jack: They can't do anything. They could watch you all day long.
Cristina: Really?
Jack: Yeah. What the f*** are they gonna do? I'm just really good at calculating odds. Okay, whatever.
Cristina: I don't know.
Jack: Overpowered fighting. Oh, you can't have 40 seconds. One second is too much for a fight. For race car driving, one second is too much. Oh yeah. 46 seconds. What can't you do?
Cristina: I don't know. Well, for fighting, matches are longer than that. Like unless you're gonna bet right before the end of the fight or something.
Jack: No, no. I feel like so much of that just whooshed right over your head. A second isn't about who's gonna win the fight. You'll never be touched all the way to the end of the fight. Because one second is every time they're about to swing, you know, where they're swinging, how they're swinging, how it's gonna happen.
Cristina: I thought you meant, like you're watching a fight.
Jack: Yes. If you're watching the fight, you're not.
Cristina: In the fight, you're.
Jack: Oh, yeah, you're in the fight. You're in the fight. You're not watching the fight.
Cristina: Oh, okay.
Jack: As a person fighting.
Cristina: Yes. Okay, that's.
Jack: Yes, It's. One second doesn't mean crap. As a person watching a fight.
Cristina: Exactly. That's what I was thinking. Like. Nah.
Jack: But if you're the one fighting or if you're the one racing.
Cristina: Yes, that makes sense.
Jack: That makes so much sense.
Cristina: But if you're trying to bet on those things, that doesn't really make sense.
Jack: No, but I don't know why you thought I was gonna bet on it.
Cristina: I don't know.
Jack: You're the one. What useless power to have. Well, at least that's a useless way to use it. I got one second into the future, but 46 seconds, you can sit in front of Powerball and you have a tab open.
Cristina: Mm.
Jack: Ready to type in the winning numbers. And then the winning numbers show up. The second you see the last one in the future, you type it in. Buy that ticket.
Cristina: Gonna buy. Oh, yeah. I guess you can get it right before.
Jack: If it works that way. I'm not sure if it works that way, but let's assume it did. It's open until the last sec. Well, no, it hasn't happened yet. We just gotta assume by the time. But from the start to the end. Unless it's, like, the one thing where they make it a big show. Here's the first one. And then, like, mad seconds run. So you'll never figure it out.
Cristina: Mm. Yeah, that's how.
Jack: But if it's fast. Ooh. Like, that's how. Over a single day into the future. If you can see a day into the future, you win every lottery ever. One day. Just one day. Nothing.
Cristina: Yeah.
Jack: One day. Nothing is getting away from you. You win every lottery ever.
Cristina: Is that how you spend your day, though? I mean, it doesn't matter.
Jack: You do it once.
Cristina: Yeah.
Jack: Win. Never need to play again. I guess you're God. You can't ever lose a fight because you know every possible outcome a day in advance.
Cristina: Having a conversation can't be that fun.
Jack: No. You know everything everyone's going to say.
Cristina: Yeah. Even if you struggled with conversations, like.
Jack: Whatever, you'd be the greatest Converser. Ever.
Cristina: Mm, Just figured it out. Figure it out.
Jack: No powered conversationalist. Yes. No. There's so exaggerated a day. So you need godlike problems for your godlike ability to be useful. Suddenly it's too far off.
Cristina: It's too far off.
Jack: Listen. Listen. It's too far off. But it's on the way. And it's gonna be found tomorrow. But you can see into the future and you hear on the news tomorrow there's an emergency. Had we only caught this 12 hours sooner, we could have shot a rocket with enough precision to redirect the meteor.
Cristina: Okay.
Jack: But we didn't catch it. It just entered our view. And we need to get ready because the world is going to end. But you can see a day into the future. So you caught it. Not just the 12 hours they needed to. 24 hours. You got. You gave them an extra 12 hours. And you tell them aim over here. Don't even ask who the f*** I am. I don't know how I got your number. I got it. You know. I called, got here. They told me about you. And you aimed it in the direction and f****** saw it.
Cristina: Fix it if you can. I don't know. Left power can't be that great compared to actual superheroes.
Jack: You are greater and more overpowered than any superhero could ever imagine. To be like the Flash. Yeah. You are a hundred percent more overpowered than the Flash.
Cristina: Can he do the same thing?
Jack: No. You're always. You're always seeing the future.
Cristina: But only a day.
Jack: Only a day.
Cristina: And you can beat him.
Jack: You could beat him because you're always. He'd have to go to the future. You can always see into the future. You know. Anytime it changes, you know.
Cristina: Yeah.
Jack: He can't sneak up on you. You're always ready for him, you know. A day in advance. Where he's gonna be, how he's gonna be there. You could set a million traps for him. You can catch him on the first one. Because you're right.
Cristina: Yes.
Jack: The advantage of seeing a day into the future is you're right.
Cristina: Yeah. So you can just be anything like that.
Jack: You can beat anything. Nobody's winning. Nobody's winning. You're out yout're too good. Flash can't touch you. Superman can't touch you. Superman wouldn't hit you. You'd have a whole day to move out of the way.
Cristina: Okay. But you're still human.
Jack: You're still human. All you have is this one overpowered thing. That makes you godly.
Cristina: Yeah. So nothing will ever touch you somehow.
Jack: You could evade every impact.
Cristina: Ever see it coming?
Jack: Yeah. A day ahead.
Cristina: Okay.
Jack: You'll never be caught off guard. Nothing is a surprise. Ever.
Cristina: The Joker can't surprise you.
Jack: Nope.
Cristina: Okay.
Jack: Because here's the problem. Here's the problem with that and that great question. Because the Joker's the least predictable thing ever. But this is how overpowered your ability is. The Joker's unpredictable because he's in the moment. It doesn't matter how unpredictable he is. If tomorrow he went to rob a bank, turned on all his homies, shot all his homies, sided with Batman, then popped Batman halfway through it and left with all the money. It doesn't matter that all of that was complete random nonsense. And that later he burned the money anyways, making all those activities completely useless. Because he didn't want the money. He just wanted to kill some people, hurt Batman and burn money. Great. Fantastic. But you saw him rob the bank, kill his homies, go to Batman, pop Batman, take the money and then burn it. So you know he's doing all of that regardless of how random it was. It's only random to the people there. You saw the future. It stopped being random.
Cristina: It stopped being random.
Jack: There's nothing. Even the Joker couldn't touch you.
Cristina: What?
Jack: Then the Joker makes Superman, Batman and Lex Luthor join two super geniuses. And they literally literal invincible monster alien thing.
Cristina: Mm.
Jack: Still struggle. Meanwhile, you couldn't be bothered by the Joker. That s***'s an afterthought at best. That's how overpowered you are.
Cristina: Oh, that's crazy. Because if someone touches you, though, it's game over. But no one will.
Jack: Nobody will. Cause you'll see it at their head.
Cristina: Cause you'll see it at their head. There's no way of surprising you.
Jack: There's no way of surprising you.
Cristina: Deadpool, he's outside of space and time.
Jack: That's interesting. Because my question is you. You. You definitely broke it already. Because he can leave a panel that's really overpowered. The question is. Well, no, because I would need a fourth dimensional perspective. And from a third dimensional point of view, I wouldn't be able to see it.
Cristina: Exactly.
Jack: Because all I'd have to know is I get plucked from time and space. Or that something jumped. No, it doesn't matter. It doesn't matter. If he's gonna make a move in time, it breaks. It's so broken, bro. A day is too broken. Because listen to me, in the future, a day in the future, mm. It doesn't even matter. Right? So, Deadpool, how's that poor. Gonna do it. I'm just gonna. I'm Deadpool right now. I'm gonna pull up a panel where he's at. I'm just gonna jump into the panel and hit him.
Cristina: Yes.
Jack: Simple. Simple execution. Except a dead ago, I saw a vision of Deadpool popping out of seemingly nowhere and hitting me. So I know a day from now where I'm gonna be standing when he shows up. And I'm gonna just. I know it's coming a day in advance.
Cristina: He knew that you can see you.
Jack: He knows I can see it. Yeah. What is he gonna do?
Cristina: Jump farther back in time?
Jack: Then I would have seen it further back in time.
Cristina: Oh, my gosh. Okay.
Jack: Do you see the problem? The most you could do is pull me out of my dimension. Out of the third dimension. From his fourth dimension.
Cristina: Yes. And then you wouldn't be able to see it.
Jack: Well, that's a. That's a question I'm posing. That's the best way I could do. Is that possible, though? Because am I just gonna see myself vanishing out of here from this point tomorrow? And it's like, well, I can get the f*** out of here. Then this wouldn't happen.
Cristina: Yes, well, if you can see how.
Jack: To get out of it, I guess. Because presumably Deadpool could just imagine whatever panel I would be in.
Cristina: Yes.
Jack: But then I would always see. That's an interesting stalemate because he's in a higher dimension, just kind of with the ability to walk at any point in time. But I can also see a day ahead. And at any moment you show up, I would have seen that a day.
Cristina: Ahead, he will find you as a baby being born and take you out.
Jack: Yeah, but that's very different, I guess.
Cristina: But if he just kept trying to pull you out, but by keep going to the past, he has to get you at the moment.
Jack: Oh, yeah. But at that point, he's not competing with your power.
Cristina: No. He's just competing with nothing.
Jack: The competition ceases to exist and it's irrelevant.
Cristina: Yeah.
Jack: In any case, that just kind of leads the conversation nowhere.
Cristina: Yeah.
Jack: Because we don't get to a solution. Here's a loophole. If you needed to kill him, but if he needs to beat him. Well, he can't beat him. Yeah. I mean, what does he need to get a baby for? But if. When it comes down to whose powers more overpowered. Well, wherever they can use their powers. Where you'd assume you're making the competition line from. Right.
Cristina: Yes.
Jack: And like, definitely future sight over Deadpool's fourth dimension. Movements.
Cristina: Oh, that's the closest maybe, I guess.
Jack: Cuz nothing f**** a Deadpool. He can pull out a rocket launcher from his back pocket. He doesn't even have a back pocket. Oh, yeah, like, I don't know. That's mad broken. But also, I would have seen you a day ahead pulling that rocket launcher from your back pocket, like, whoa, isn't.
Cristina: There a guy who could see into the future? Or no.
Jack: Is that a guy Marvel, A guy who sees into the future?
Cristina: That's not a thing. I don't know. I feel like there is. But then what was his fight with Deadpool like, if there was one? I don't know. I don't know if there is any hero like that.
Jack: There probably is. I know in D.C. there is a guy who puts on the golden helmet that we just saw in the trailer for Adam Black. Adam.
Cristina: He could see into the future.
Jack: Yeah, that's the whole point of his helmet. He could see a lot. I keep thinking Vision is his name, but that's wrong. But why not?
Cristina: It could be Vision, Doc.
Jack: Well, yeah, Vision could technically see into the future too, but Dr. Strange could see into the future. Was that who you're thinking about?
Cristina: No, but okay, if Dr. Strange and Deadpool, do they ever fight? Because then that would be an example.
Jack: But that's not a close fight.
Cristina: Even though Dr. Strange can see into the future?
Jack: Yes, Dr. Strange can see into the future. And he has to do things to get into the future. Deadpool is. He could.
Cristina: You need to use that ability quick.
Jack: And you would never have the ability fast enough. Cuz Deadpool can just, just walk out. Like he would just disappear in front of you. But from his point of view, he walked out of a panel and walked into a different one. From your point of view, he just ceased to exist right in front of you.
Cristina: Mm.
Jack: Just blinked out of existence somehow. Deadpool doing his f****** thing. Blink Gun man.
Cristina: There has to be a character in Marvel that has that ability to see into the future.
Jack: Well, yeah, we just.
Cristina: No. Without having to do stuff. Just. They can just do it.
Jack: No, it's too overpowered.
Cristina: Oh, it is too overpowered. I guess. Yeah.
Jack: And it doesn't even matter the amount of time. It's too abusable. A single second and you are more overpowered than every superhero that has ever existed. A single second. You always have one second to get away.
Cristina: One second.
Jack: Flash is the only guy f******. When you're like these people crazy. Like 24 hours. No, you're getting away, but a second. Like you're not beating Flash. Not good enough. You're not being Superman. Not quick enough. But you're definitely overpowered against a regular human.
Cristina: Yes.
Jack: You'll never be shot. You'll never be touched in a fight. You're the best race car driver ever. Just great. Awesome thing. You got a me. You're great. Acrobat.
Cristina: Everything physical.
Jack: Yeah, well, not everything. Like you don't know math.
Cristina: Better you don't math better.
Jack: You don't know math.
Cristina: Oh, okay.
Jack: You know.
Cristina: Mm.
Jack: It's just still information you'd have to just memorize. You're not better there.
Cristina: Yeah, but it has.
Jack: Yeah. A lot of things have to do with spatial awareness. You. You have a Spidey sense. That could be what Spidey has. Maybe he just has like a three second, like. Oh, something.
Cristina: Yes.
Jack: You know, and it's like that's too overpowered.
Cristina: It is.
Jack: You can't be caught off guard ever.
Cristina: He's never caught off guard.
Jack: And he always knows something is coming.
Cristina: Okay. Because you don't have to know what it is. You just know that it is.
Jack: You would have it better than Spider Man.
Cristina: Yeah.
Jack: Spider man doesn't know what it is. He just knows something. Yeah, something. It could be good, it could be bad. But something.
Cristina: Something.
Jack: Yeah, something. Well, not even happening. Maybe just something.
Cristina: Oh, okay.
Jack: Somebody just found something out and it's crucial and tingling. Something happened, but one second into the future. No, you saw it happen.
Cristina: Yeah. Yeah. You saw it happen.
Jack: Yeah.
Cristina: That's pretty cool. I don't know. That's great. But I kind of would like that Spidey sense. I don't know why. I just want to know what that feels like. A weird thing.
Jack: Yeah, fair enough.
Cristina: It's just a weird feeling that you couldn't imagine because it's not real feeling. But he feels it.
Jack: I wonder if they have ever described it.
Cristina: Mmm.
Jack: And also, you're very wrong. What about, like, it's a weird feeling that we know that's wrong. We know maybe we felt it.
Cristina: We felt it.
Jack: Unless we hear description, we can be like ah. Or no. You know? But that being said, this brings me into something I was thinking about recently.
Cristina: What?
Jack: And it was about emo. Words that describe emotions that we're not familiar with. I don't want to talk about that. One day on the show.
Cristina: Words that do what?
Jack: Words that describe emotions we're not familiar with. Usually words in different languages.
Cristina: Oh, okay.
Jack: Like they experience a very specific emotion.
Cristina: Yeah.
Jack: And they have a word for it. And we've probably experienced that emotion, but we don't have a word for it. So we don't have a way of thinking of that emotion. Yeah, interesting.
Cristina: You know any of these or you don't?
Jack: I don't.
Cristina: Okay, so one day we'll do that.
Jack: Yeah, that'd be really cool.
Cristina: Yeah.
Jack: And then we can, like, talk about these emotions and, like, have listeners chip in and tell us through the socials. Have you guys heard of this? Have you felt this highly specific thing?
Cristina: Mm.
Jack: Maybe even ask questions ahead of the show and be like, yo, this emotion. Have you described it? Tell us about the time.
Cristina: Yes.
Jack: And then we'll rip you a new one on the show.
Cristina: Yes. Or you can just tell us about some emotion that you felt that you don't have the word for. Just describe it as best as you can and we'll name it.
Jack: Mmm, Motion. Yeah. No, because unless you have the thought that it's an emotion, you're gonna just assume it's a bunch of different emotions and not talk about it feels like this and that it's a little bit angry, a little bit this and a little bit that. But no, no, no, it's this. But of course you don't have the word. That would be the point of the word.
Cristina: Yeah.
Jack: So you just describe a moment, then tell us about emotions we already know about. That's useless. We need to give them the word and then be like, do you guys know?
Cristina: Yeah.
Jack: And, like, tell us about a time.
Cristina: Okay.
Jack: Right.
Cristina: That makes sense.
Jack: That checks out. Yeah, yeah, yeah.
Cristina: I would rather have that spidey sense than scenes of the future.
Jack: Why?
Cristina: Because it's probably more helpful at least in, like, it's helpful in a more quicker. I don't know. I just don't want to spend all my time thinking.
Jack: I guess you wouldn't. It would be a second. So it would feel more like a spidey sense than it would like a thought. Yeah, it would be so. So instant. Like, have you ever. How long does it take for a second? Right. Like a thought? In a second? Could you. Could you capture your thought in one second? By the time you've thought your thoughts, several seconds have gone by from the moment you began that thought. It's impossible. You can only, in fact, anticipate a thought because by the time you've thought the thought, it's in the past.
Cristina: Yeah.
Jack: You can't think. That's impossible. Thinking. That's impossible. That means you're actively thinking. Couldn't happen.
Cristina: Okay.
Jack: You're about to think or you thought the end. There's no thinking because you're present.
Cristina: Okay.
Jack: Even if you're worrying about the past or the future because you couldn't think about the now. Cuz it's still happening.
Cristina: But for a whole day of thinking.
Jack: See, a whole day? Yes. A second. No.
Cristina: Yeah. Second will be like nothing.
Jack: And also it would only feel like thinking the first day of you having it.
Cristina: Yeah.
Jack: If you were born with this afterthought, you don't even this. You don't even think about it. It's just a thing that happens. You just know everything at all times.
Cristina: Yes.
Jack: Involving you. You know, anything that you're not engaged with.
Cristina: I imagine this is like most superhero movies where you get the power accidentally somehow in your teenage years or adulthood.
Jack: Well then yeah, maybe it's a total f****** nightmare. And he can't stop thinking about the future.
Cristina: Yeah.
Jack: No, it's too. It's too. It's too persistent.
Cristina: Yeah.
Jack: It would water itself down.
Cristina: It would.
Jack: It's too much. Yeah. It would happen so fast.
Cristina: Like the first time feels like forever, but the rest would be like.
Jack: And whatever that forever is probably like five minutes.
Cristina: Yeah.
Jack: Because it's too much.
Cristina: Yeah.
Jack: It's every possibility for the next 24 hours. And you're adding a second and removing one from the end. You're adding a second at Matt. Adding a second at the end and removing one from the beginning forever. There's no way you could think about this really. It would settle itself.
Cristina: Ridiculous.
Jack: Yeah. And you just be overpowered from that moment forward forever. Forever or until you lost it.
Cristina: Why would you lose it?
Jack: I don't know when you get it.
Cristina: I don't know.
Jack: That's a weird.
Cristina: Like, why don't superheroes ever just lose their powers?
Jack: That s***'s so on. And no, they do some random superhero zoo. Oh yeah. It's a thing that happens. But like no main superheroes do. Like Superman's never. Then again he has.
Cristina: Yeah, he has.
Jack: Yeah. But it wasn't like random. Like I'm just powerless. There was like an explanation. There's always an explanation.
Cristina: Someone stole it or something.
Jack: Yeah.
Cristina: I don't know. Is that possible? I don't know.
Jack: Yeah. Or he was around the star that sucks his power.
Cristina: Oh.
Jack: There's types of kryptonite that take away his power.
Cristina: Okay. I guess that doesn't really count.
Jack: Yeah. I think silver kryptonite makes him human. I could be wrong.
Cristina: More than one Kryptonite. There's different colors.
Jack: Yeah. Red kryptonite makes him reckless.
Cristina: Gets angry. No. Oh, okay.
Jack: Reckless.
Cristina: Reckless.
Jack: Yes. He stops considering Consequences.
Cristina: Oh, okay.
Jack: Yeah. Just does whatever he wants whenever he wants. But he's a ridiculously overpowered monster.
Cristina: Mmm, that's cool.
Jack: Yep.
Cristina: But not helpful. I mean, if he's finding something on Earth. No, but if he took it them, the bad guy, out of space and then used it, like, that'd be great.
Jack: Yeah. You just killed Superman.
Cristina: You kill Superman if you take a.
Jack: Bad guy into outer space. What?
Cristina: Yeah. And then you use the Red Kryptonite.
Jack: Oh. Oh, no. Yeah. I guess what stops him from coming back.
Cristina: Who? Superman? Yeah, like he can't get rid of it after he uses it. I don't know.
Jack: I'm so confused by what's happening. Explain that to me.
Cristina: He uses the Red Kryptonite when he needs to fight a villain.
Jack: Oh, no, he couldn't. The problem is he likes the feeling of being around Red Kryptonite too much. It's addicting. And so he wouldn't stop using the Red Kryptonite.
Cristina: Oh, okay. Yeah, okay.
Jack: Yeah, I see. That's a problem. And also it doesn't make any sense. The argument anyways, because you're giving him Red Kryptonite, he becomes reckless and stops caring. He has no reason to fight that bad guy anymore. He's like, whatever.
Cristina: Do you really? Oh, totally useless.
Jack: That's the worst case scenario. Superman faces the Big bad. But Superman has Red Kryptonite. He's like, I don't really care about Earth anyways.
Cristina: Oh, wow.
Jack: Yeah, that's what it does to him. Just like too many f*** its.
Cristina: That is bad. Okay, that sounds bad. But there's different colors. Is it like the color of the rainbow? Is it there that many?
Jack: That's an interesting question. I don't actually know. Okay, okay, okay.
Cristina: It is a rainbow.
Jack: Yeah, it's kind of rainbowy. Let's see. Effects of Green Kryptonite, the common one on Kryptonians. Immediately weakens and depowers by sapping stored solar energy from body. Prolonged exposure is fatal. Half Kryptonians no effect during childhood. But during adolescence it becomes increasingly toxic. Eventually having the same effect as those of fool Kryptonians. And then to other people. Humans unknown to trigger metagenes. Known to trigger metagenes in certain circumstances. Can be toxic in large doses. With prolonged exposure, the Red Kryptonite immediately loss of one's inhibitions. Prolonged exposure can cause compulsion to act out desires with no regard for consequences. Temporarily enables use of power in younger half Kryptonians. Then there's blue. Rare depowers Kryptonians and causes a euphoric sense of elation effect known to persist after prolonged exposure requiring sufficient solar recharge. It's a drug.
Cristina: It's a drug. What does it do again?
Jack: It just makes you really. It makes you lose your powers, but makes you really happy. So it's heroin.
Cristina: Okay.
Jack: Whoa. Gold. Very rare. Heightens powers potency and can cause the development of new powers with prolonged exposure. Repeated exposure can build a tolerance and cause cancer.
Cristina: Oh.
Jack: What?
Cristina: That's cool. There's a good and a bad.
Jack: Yep. Black. Uncommon causes, paranoia and erratic behavior. Also causes powers to become increasingly unstable. Yeah. White.
Cristina: What?
Jack: No known effect. Oh, s***. That's the only one I thought was doing something. But it's like the other the. What is it? A blue one and the actually gold one both suck out the powers. Is that accurate?
Cristina: No. The gold one makes you have.
Jack: Oh, stronger powers. The blue one takes your powers away and the green one takes your powers away.
Cristina: Mm.
Jack: Interesting.
Cristina: You feel happy with the blue one?
Jack: Yeah. Pink. Oh, it's fake too. It's synthetic and rare. Acts as a aphrodisiac. Ooh. To make Kryptonians. Honey.
Cristina: What?
Jack: Yeah. And orange. Ultra rare. No known effect. Interesting.
Cristina: So it's just. It does something though. Why? It does something to someone else. Doomsday.
Jack: Yeah, Doomsday and stuff to humans and s***. But, like, it's general application for Kryptonians. Useless.
Cristina: So are these Kryptonites. Well, they're called Kryptonian. Are they somehow. Like, are these things found on their planet?
Jack: Yes. So basically Kryptonite showed up with the meteor shower that Clark came in.
Cristina: But does it come from his planet?
Jack: Yeah.
Cristina: Even the green one?
Jack: All of them?
Cristina: All of them.
Jack: Oh, it's a meteor shower from his planet.
Cristina: His planet exploded or something?
Jack: I guess so. I'm not really sure why. There was a meat. Maybe the pod he was in was part rock or something and a bunch of it got stripped. I'm not really sure why. There was a meteor shower. That's an interesting. Because if you just sent out a ship, why. Why like you. You trying to knock the ship out too? But the planet did explode. So did this s*** travel with his planet explosion? Like he got out like last second.
Cristina: Okay, boom.
Jack: Planet. And also here's a bunch of s***.
Cristina: Yes. That may harm or help.
Jack: Did the speed of the ship suck into its direction a bunch of meteors as it was leaving the planet that just blew up and they stayed because it's almost pulling them on the way to Earth. Yes, and that explains why they got there in the first place.
Cristina: I don't think so. How big is that ship that it's gonna be pulling these things with it?
Jack: I don't know.
Cristina: Hmm? I don't know.
Jack: I'm saying the speed of it alone would do it.
Cristina: Oh, okay.
Jack: It's just like zooming at crazy speeds and all this bullshit coming. But like, if an atom was traveling at. How much, how far, man? How long was he traveling? Right? It doesn't check out, bro. That ship must have been breaking. Breaking light speed.
Cristina: Crypto. Whatever. From Earth.
Jack: Well, now that we know how far approximately five light years are, let's find out how far. I don't know the name of this planet.
Cristina: Kryptonian. I don't know. What are the people called?
Jack: Don't know what to tell you. Okay, Krypton. Krypton.
Cristina: That makes sense.
Jack: That makes sense. Kryptonite on Krypton. Kryptonians from Krypton. Yes. Checks out. Okay, so Krypton is an unrealistic amount of time away. Let's establish what I mean. If Krypton is 27 light years away, as this says it is.
Cristina: Mm.
Jack: Then had Clark left the day he was born, he would still arrive. A 27 year old man. Unless those 27 years, he didn't age any ages really slowly, which means after he got to Earth, he then aged really gradually and they hit him for a really long time and probably had to put him in second grade like 30 times. And third, you know, so on and so forth. Because he ages so slowly because he was baby for 27 years. Or he arrived a full grown man and it's like, I just know English, bruh.
Cristina: No, he was a baby.
Jack: Yeah, which doesn't check out because this s***'s. Unless he's breaking light speed, which means you're going back in time anyways.
Cristina: Like Goku, doesn't he age weird too?
Jack: He ages slowly.
Cristina: Yeah, but it's not so ridiculously slow either.
Jack: But then, 27, he got there as a baby.
Cristina: Yeah.
Jack: How much lower can you be?
Cristina: Maybe that pot had him asleep or something.
Jack: Could. It could have had him like cryostasis.
Cristina: Yeah. Yes, during that time.
Jack: Only alternatively, they get their power from the sun. Maybe he only started aging at a human rate because of the yellow sun, which also makes him crazy overpowered because Krypton had a red sun or something like that. So like, maybe he ages slower because the light of the sun has a huge effect on how things play out. Okay, so maybe. So maybe he gets to Earth gets yellow, sunlight ages more normally. So he was a baby for 27 years?
Cristina: Yes.
Jack: Got to. Earth aged more rapidly.
Cristina: Meh. Frozen baby.
Jack: That works too. Because 27 years? No f****** way, bro. No, he did not shoot across 27.
Cristina: How did he bring Kryptonite with him? That's not possible.
Jack: Well, no, that still happens, regardless of what we're talking about.
Cristina: Really?
Jack: That still happens? We're not changing the history just because we're discussing it. He still arrives with Kryptonite. Like, what the f*** can we do about he actually arrived at Kryptonite?
Cristina: Makes no sense.
Jack: Unless it happens. Unless it does. Okay, maybe it does make sense and we just don't know how.
Cristina: Yeah.
Jack: My. Now, from this point forward, ongoing theory. It's not ongoing yet. Until I think about it again, it stays consistent. It's gonna be ongoing. Factually.
Cristina: Sure.
Jack: My ongoing theory is that maybe there's other s*** out there in space, which gets proven in Superman and every other DC thing ever, but that the meteor shower with the frozen baby in a pod.
Cristina: Yep.
Jack: Inside the meteor shower is just so that other creatures in space, other alien life forms can. They don't see the ship. They don't see just one thing flinging across. They're like, oh, yeah, a bunch of rocks flying through space.
Cristina: It wasn't about sending Kryptonite with him because why would they do that to their child? It was just about, let's. How are we gonna hide our child from other creatures?
Jack: Yes. From all the other s*** that could.
Cristina: Attack him, Throw rocks with him. Not like they're specifically looking for Kryptonite. It's just the rocks from our planet.
Jack: Here are rocks from our planet. We dodge certain plants. Oh, if I touch this plant, it might be poisonous. It might kill me. Or if I touch that animal. But from a world where that doesn't make sense. The rocks there are what affect them. You know, so they just grab a bunch of rocks and fling the baby. On the flip side, the other idea could be these are all the different elements from our home, good and bad. And you will require them one way or another. If you need to tame your ability to blend in. If you need to do something that is too hard and you want to remove your consciousness.
Cristina: Okay.
Jack: What if you want to just have some fun, you know, the rocks are there. Just want to do what you need to with them.
Cristina: Yes.
Jack: So it could be like either.
Cristina: Or is a good answer.
Jack: Right. So we're either hiding you from the crazy s*** or you're too strong. F*** it. Here's some s*** to make you, we can hear Some s*** to just have fun. And here's some s*** that'll make you stronger if you need that.
Cristina: Yeah. Anyway, it goes. It works.
Jack: Yeah, yeah, yeah. So this meteor shower is way less weird. Yeah, it's just. Again, it's only weird because we were. We weren't really thinking about it.
Cristina: Yeah.
Jack: Why do you send rocks with your baby? But no, it's like maybe they want it to be cultured.
Cristina: Yeah.
Jack: Or. Or it's like we just need to hide you so you make it where you're going.
Cristina: Yeah. Because there's probably other aliens that know about them, right?
Jack: There has to be.
Cristina: There has to be.
Jack: There has to be.
Cristina: There's no way. I don't know. But I think it was a item or both. That's a possibility.
Jack: On the flip side. On the flip side, at least we know. At least we know that we have listeners everywhere. And not Krypton though.
Cristina: How do we know? Because it's too far away.
Jack: It's only been five years. Superman. Superman got sent. Dude, he's like Yoda. Unless the light. I don't f****** know, dude. The light makes a major some s***. There's some explanation again, just like that meteor shower. We just don't get it. But it probably makes mad sense.
Cristina: He was frozen, that's all.
Jack: He could totally be he was frozen. Or the yellow sun accelerates his aging to normal human rates.
Cristina: Sure, both. Either. Either or whatever.
Jack: Something could have just been a baby. 27 years and like that's usual. Maybe it was in a hundred more. Who knows?
Cristina: It's crazy.
Jack: I think he's a mortal anyways. Yeah, no, it doesn't matter because he outlives everybody on earth anyways.
Cristina: That's. Yeah, like 27 year old baby. But who knows? Maybe Kryptons, they age like that. I don't know.
Jack: 27 could be baby. Yoda's like 400. Like what the f***?
Cristina: Yeah, he's not a baby.
Jack: Dragon Ball Z. There's a race of creatures that age from old to young. And then they saw Goku as a. Oh no, no, no. My bad. They saw Goku who got wished tiny. This is in Dragon Ball gt. They wished him to be a kid again. And so he's a kid to the show and he racks with this alien race. And then Pam is like, oh yeah, that's my grandpa. And he looks way younger than she is and he's way smaller. They're like, what a peculiar race. In our world, we are born small and we grow old. You guys are growing younger. That's like what they thought about it by seeing Goku got wished back to you. Just an interesting thing. Anyways, now we know what five miles light years. My bad five light years is. And that we got way more listeners. And chances are we're f****** shut up with that portal so that people can hear us. But is what it is, one day we're gonna fix it. First we gotta figure out this s*** with Steve. It's training forever. Who See you the new groundhog.
Cristina: Yeah. What a name. Okay.
Jack: Yeah.
Cristina: I don't know. I keep thinking of like those characters we talk about, but his name is Bob.
Jack: I think one of them is Bob and the other one is Steve.
Cristina: Okay, we got too many Bobs and Steve's.
Jack: I name everything. I'm not good with names. Oh, I got Bob and Steve. That's. That's the extent.
Cristina: Yes. A lot of characters in the show.
Jack: Most of the sub humans are female. And also I call most of them Bob or Steve. Anyways. Yeah, like, give me a name if you guys don't like it. You know, they don't do that because all they do is follow girls.
Cristina: Though we named some of them. Well, with Bob and Steve, the girls were named after the girls from Sex and the City, I think.
Jack: Oh, yeah. There's three. There's four of them. Well, we don't even know one of their names. So there's three of them and like a question mark. Anyways, if you guys. If you guys liked how we grounded humanity's most absurd and baffling ideas. We did. We totally did think about it. We discussed the distance of space, distance to the moon portals, real time, like solving real time war on the moon and figuring out that time travel f****** sucks because you can't really do anything to help the other people unless you can have some ability. Yeah, Some ability to see things ahead of time. And then you could like, whoa. So overpowered. And then we went into that whole, like, what would we do with those abilities and what's applicable and who could beat that? Like, these are depressing issues.
Cristina: Of course. Of course.
Jack: These are. This is why people come to us. They want to know these things. If I could see one second into the future, what would I do? You're gonna be a race car driver, or you can be a boxer or an MMA fighter. You can be the best at it because nobody's ever gonna touch you. Great. Awesome. You can see a day into the future. Holy s***, you're set. Your God, basically.
Cristina: Mm.
Jack: Go do whatever the f***, because we can't stop you.
Cristina: Yes.
Jack: Nobody can.
Cristina: Mm.
Jack: Bro, they could hit the button tomorrow. You already know there's a ship on the way out. You get the f*** out.
Cristina: Yeah.
Jack: There's nowhere on earth that it takes more than 24 hours to get to. There's nowhere, at most 16 hours you can escape. You have time.
Cristina: Yes.
Jack: D***.
Cristina: Wow.
Jack: Wow.
Cristina: Yeah.
Jack: Yeah. You do. Nothing to take you out but time.
Cristina: Yes. Something about Superman.
Jack: Superman can touch it.
Cristina: Yeah.
Jack: Then Superman and kryptonite. Well, we were trying to figure out how overpowered something like Superman can't even beat this guy. Anyways. Anyways, you guys can find other stuff like this. You know where to find it. If you're already listening to the show, then you know where to find it. And if not, show your friends. We gotta fix some of these intros and outros. We're gonna fix these so that we stop telling you to subscribe. No, you gotta tell you subscribe and rate interview. Don't forget that. But you don't. You don't have to. Like, we don't tell you where to find it because.
Cristina: Tell them because you're here. You might not remember.
Jack: They need to tell their friends, though.
Cristina: Oh, yeah, yeah, yeah.
Jack: So anyways, you. For. For. So you could tell your friends. You can find the show on Apple Podcast, Spotify and anywhere you get your podcasts.
Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok and just combo pod.
Jack: Yes. And like I said, I'll always remind you to subscribe and rate and review the show. Those are all helpful things.
Cristina: Also, to let someone who might like this show know about it. That's what you should already be doing.
Jack: Yeah. Because Word with Mouth is amazing and helpful. And again, think of everything we've accomplished today. We couldn't have done it without you.
Cristina: This has been the rambling podcast. Take nothing personal and thanks for listening. Bye.
Jack: 505 windmills in Ukraine. No, not even. Even windmills. 505. Oh, no. Wind power. How many windmills is that? Crane with remaining unoccupied. Blah, blah, blah.
Cristina: Eight wind farms.
Jack: Wow. So many. Too many wind farms. Eight. That's eight more than zero. What?
Cristina: China has the most windmills, though, and.
Jack: That'S why Trump doesn't like China. You see, it all checks out.
Cristina: What? Okay, what about Russia?
Jack: Russia doesn't believe in windmills.
Cristina: They have windmills.
Jack: How many? They got three, four.
Cristina: Plus 20 more.
Jack: Plus 20 more.
Cristina: I don't know. They don't have a number, but. Oh, wait, there's a number.
Jack: There's 23 windmills total. Come on. Capacity. Oh. Those are the total number of windmills in each one of those plots.
Cristina: Okay, so 1275 windmills.
Jack: Yeah, yeah, yeah, yeah. Wait until Trump finds out. He's gonna be furious.
Cristina: Unless they're trying to stop their windmills, too. I don't know.
Jack: Maybe they're all off. They're like, we've stopped it. We understand. All our people were catching cancer.
Cristina: One is dismantled and one is under construction. Oh, no, two are under construction.
Jack: Yeah, yeah.
Cristina: I don't know.
Jack: The farms are under construction.
Cristina: Yeah, yeah. So he's still making more.
Jack: Yeah. Trump is gonna be really angry when he finds out.
Cristina: Then. What do you think Trump is going to say?
Jack: He's just going to be angry. He's going to stop being friends with Putin over this. Over the windmills. Like you're destroying our plan with these windmills.
Cristina: Okay. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.in fox, art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.
