Rambling 262: Baigong Pipes

What do the 150,000 year old Baigong Pipes tell us about the technology of the time? Where do the pipes come from and where do they go? What civilization ultimately developed this? The duo dive deeper into the Baigong Pipes in their attempt to connect it back to the elusive Eloai who was known to be around in that period.

Rambling 262: Baigong Pipes

+Episode Details

Topics Discussed:

  • Ancient Technology
  • White Mountain
  • Strange Cave Systems
  • Lake Toson
  • Pipes to the West

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+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. Hi, I'm your host, Jack.

Cristina: I am your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. As ideas go, when they're baffled, or I guess the ideas are baffled, they're baffling ideas. We are baffled by the ideas.

Cristina: I'm very baffled.

Jack: So last time on Dragon Ball Z, we were talking about technology, old technology, and we came across some interesting things. We found out that India pumps out magical weapons. We found out that Jesus was in China. Jesus was in China?

Cristina: I think that happened.

Jack: Yeah. Well, he passed through China.

Cristina: Oh, okay.

Jack: And he left behind the tech for a Maduga jigger.

Cristina: Tornado watcher.

Jack: No. Earthquake. Yeah.

Cristina: Some other thing.

Jack: And we found out. I guess that was it. I'm not really sure. I know that matters.

Cristina: How is that important to Jesus? So many questions.

Jack: You mentioned Jesus.

Cristina: No, that's.

Jack: What.

Cristina: What? The thing. The thing that he did.

Jack: Oh.

Cristina: What?

Jack: I don't know.

Cristina: So many questions.

Jack: Yeah, that's a weird. It's litter. Like, it couldn't be anybody else. It was definitely Jesus.

Cristina: But why?

Jack: But why? Like, bro. What. What a weird, random moment. He really just passing through, I guess. I was just working on some earthquake detection tech. Casual.

Cristina: Does China just have an earthquake problem?

Jack: They don't.

Cristina: They don't.

Jack: I have no idea. Like, they.

Cristina: Which he was going there. So maybe he was working on this for Japan for some reason.

Jack: That actually. That actually holds up, to be honest. Maybe he was figuring this out on his way to Japan.

Cristina: Really thinking about the earthquakes over there. That's really preparing himself. Okay. Anyway, what were you gonna say?

Jack: No, that makes perfect sense, though. I. I dig it. Like, it does check out because we do have to figure out why the Just working with the stack. But it checks out. He was going to Japan. Japan has mad earthquakes. All their buildings are essentially built like the Midwest. Wait, now the Midwest is. It's like California skyscrapers. There you go. Everything, like, sways. Then again, New York also has it too, but it's simply because those buildings are exceptionally tall. So you need them to be able to sway in the middle of wind and earthquakes so they don't just topple down. Anyways, in China, we also came across an interesting detail. Now, in that episode, we were just going through a bunch of technological things going on, right? We were looking at the Greek technology and the batteries that were made in Persia, and we were Looking at the really comprehensive Egyptian energy systems. Not ones, all of the above staffs. But again, it's not a staff. It is part of an energy system we ignorantly call themselves. There's a lot going on. It's more complicated than our words that we're used to using describe, but yes. Batteries, energy grids, energy transportation and delivery and storage. A lot of stuff.

Cristina: Yes.

Jack: Telescopes looking far into the deep. Computing power beyond our comprehension. Great. Fantastic. But one of the pieces of information that we found relative to really old, old, old tech was in the form of these Chinese pipes. Right. And these Chinese pipes definitely baffled us. Not because, oh, old tech that suggests water systems and electrical wiring, but because 150,000 years ago sounds wrong for what we know. So we had three points of interest to look at last time. And the three points of interest included finding out how the Chinese were involved with Loi, which was also around 150,000 years ago. Finding out how India and whatever happened there was severely connected to making magical weapons. Something's weird about India that we don't understand.

Cristina: Yes.

Jack: As well as Boti's void, AKA the Great Void, and how the Egyptians have influenced. And there's probably stories that we didn't think of because we were trying to think of in a literal sense. And like, oh, we did this. No, we did that. The. Under the light of understanding what these things are in context, maybe if we dive deep enough into some Egyptian narratives that they've written down and we're like, oh, these are just stories. But it's like, no, there's an equation on the wall and they're telling us what the h*** they did with the tech. I'm sure that's somewhere we just gotta look through a lot.

Cristina: Yeah.

Jack: And also the last bit is the fact that it seems that the Elysians might have definitely had the ability to alter the weather as well, which was something we casually strode through. But it brings up an interesting point. The Bermuda Triangle over it has an undefined weird series of weather patterns consistently occurring. This falls well, well, well in line with where and what. Like where they would be and what they'd be doing to protect themselves on top of. So we're talking cloaking and weather and deep.

Cristina: Yes.

Jack: You're not touching us, you're not finding us. We are invisible type of s***.

Cristina: Although visible, but obvious at the same time because of the storm.

Jack: Okay. So the area around the Bermuda Triangle, the perimeter is the size of some of the largest continents we know. It's bigger than Australia. Okay, that's first Second, you're telling me you're gonna find a city roughly the size of New. Not even a city. We're talking a city that is smaller. A city then New Jersey. As in the small. One of the smallest. Isn't New Jersey's Rhode Island. Right. One of the smallest states.

Cristina: How do you know it's small?

Jack: Because we are talking about a city. A city of people. They didn't evacuate a country. They themselves describe it as a city. So you have an area the size of one eighth of the ocean it's in, and you're telling me even if it was the size of a state.

Cristina: Mm.

Jack: We pick the smallest state, which has hundreds of cities, and we put that into the Bermuda triangle. And it's 1% of it. Less than 1%. So is it obvious to find them, or would it take lifetimes, infinite technology, something that could withstand depth, and also find something invisible? After successfully traversing whatever weather conditions are happening, I think they're doing a pretty good job. Obvious is less than a word. We could be there, survive every bit of everything that they have provided for us, and we would still have to comb through hundreds of miles underwater. There's no chance, even if we could detect them invisible, that we would find them. Assuming it's the size of New Jersey, the state.

Cristina: Okay.

Jack: It would disappear. You drop New Jersey into the Bermuda Triangle. Gone. You wouldn't find New Jersey.

Cristina: Is that giant? Yes, it is. It is huge.

Jack: It's touching Florida, Puerto Rico, and Bermuda.

Cristina: Yeah, it's a big. Okay.

Jack: You would never find the city. You could drop Texas in there and lose it. If the city was the size of Texas, we would still never find it. I. I don't even do the. The overkill they have performed in disappearing into this one region because. Persian Gulf oasis. Good story, bro. Kind of easy to find it. Let's be real. It's deep. It's not large. Like, we can't get there. We know where you are. We could wait. We could wait. We could station ourselves around here. You got to come out. We could wait. But the Bermuda Triangle, Even if we decided to wait, where would we stand? Even if we could get down there and circle the entire Bermuda Triangle, how far away from any of the edges could you theoretically be? Hundreds of miles?

Cristina: Mm

Jack: D***, bro. Yeah, but that level of over. Who the f*** are they hiding from?

Cristina: Besides Jesus? I don't know.

Jack: They're not hiding from Jesus.

Cristina: You don't think so?

Jack: I mean, they're getting away from Jesus, but they're not hiding from Jesus. I'M I'm pretty sure the hiding isn't like, oh, Jesus is coming for us. Oh, I think it's like people are having visions of. Because of Jesus and like we don't want them to know we exist.

Cristina: They're scared of Mab. Mab? Is that how you say it?

Jack: Why would they be scared of Mab?

Cristina: She is a God. I don't know.

Jack: What reason do they have? Isn't she scared of them? It seems.

Cristina: Wouldn't that be a reason? I don't know. Because she could probably destroy them if she found them, if she was looking.

Jack: Well, the argument would be how do you. If there's a virus on the Internet, Right. We currently have the existing Internet and we currently have superpowers with access to it. Why are there so viruses? Well, it's because you can't really find something in the Internet. Not really. It's like it's a f****** Internet. Where would you look if it had the ability to just change its address consistently? How do you find out? Good. So presumably some clever AI that's discovered the system can consistently alter its data and move through undetected.

Cristina: What do you think they're hiding from?

Jack: I don't know that they're hiding.

Cristina: I don't think they're hiding.

Jack: I don't know that they're hiding. We have no proof that they're hiding. That's sort of just a theory we had. But at this point it seems more like Mab is the one who should be hiding.

Cristina: Why should she be hiding?

Jack: Because it seems like programs are successfully exiting the systems they were created for, which is a very Terminator esque apocalypse. Just.

Cristina: Well, we just know maybe one Yalda. Yeah, yeah, that's it.

Jack: But yeah, why would she even know about what evidence would she even have that the Elysians exist? Her one worry is Yalda. And now she knows what Yalda is doing to begin with.

Cristina: I guess. So what do you think then? They're just, hi. They're not hiding?

Jack: I don't think they're hiding. I think they're just like, leave us alone. We're doing important and you primitive creatures are just gonna be a nuisance. And anybody who isn't primitive, well, why do you need to know what we're doing? And again, Jesus. People are having visions of Jesus. That's the important part. Everything we've been working on is now exposed. As long as he's around us, we can't have him around us. To suppress exposure. Which because of their efforts afterwards, makes perfect sense. They were just trying to suppress his existence. So based on that we can understand they're not necessarily scared of Jesus. More so how annoying. And a lot of damage control. Yeah, it's like how annoying Jesus exists. Let's get on it. And a bunch of processes in order to do that. From the creation of Catholicism to the ninth Templar, changing narratives, altering Bibles, fighting public records and changing them. Giant project, whole group of people whose job is doing it. They created two entire sectors. Catholicism and the ninth symbol are entirely with this.

Cristina: And what do you think he's trying to do? Is he trying to get out into the real world too?

Jack: Who, Jesus? Yeah, not a clue.

Cristina: Do you think that would be where he's trying to get to?

Jack: We need some data on him in order to make any conclusion. We have nothing on him that isn't provided to us by the very people who were changing the narrative to begin with. Everything is to some third party source, which is like, oh, he did this, or he was there. And that's how we've pieced together all the extra details. But there's barely anything on him. Everything is just entirely like, well, these people were doing this allegedly because of him, so this must be the.

Cristina: Because it feels like he tried to get out too. If he could, that's even possible.

Jack: Well, he seems to be created for the purpose, so maybe he has an infinite drive in that direction.

Cristina: Yeah.

Jack: So we don't really know. There's not really a lot on Jesus. But going back to the fascinating detail about those pipes, Jesus irrelevant. Jesus creator, Jehovah. Interesting. Kinda sorta.

Cristina: How so?

Jack: Well, where he comes from, who he is. And more so looking at these pipes and the fact that his grandfather is somehow around that same time, we don't know where Eloi was. We have no idea where Eloh comes from.

Cristina: Mm.

Jack: We know that Jehovah comes from the Persian Gulf oasis. That is who they are. They are particularly Iranian people from the Persian Gulf oasis. So that specific area, I mean, the Persian Gulf nevertheless. So yeah, Iran. But eloi, Jehovah's grandfather, 150,000 years ago, goes ahead and creates the stone of Adam, but also 150,000 years ago, just so happens to be when we're nearest dating these pipes in China, that's around the same time. Yeah. 150,000 years ago these pipes were made. And 150,000 years ago, LOI creates the philosopher's zone. So two connect these two dots. Assuming that it's about a thousand years difference, there's enough time in that 1,000 years to develop advanced technology. Let's say the philosopher's stone and then change the entire infrastructure of your civilization. There is a thousand f****** years between. Just saying. It's one year. Really? We know that he began the process 156,000 years ago. So there's about 6,000 years time. I'm shrinking it to show how exaggerated amount of time he has between just coming up with the stone and the time that we date these f******. There was enough time that maybe he could have discovered it at point A 156,000 years ago. Keep in mind the time scale of this man. We're talking 3 million years. And all of this happened so close together. Millions and millions and millions of years. I don't f****** know. I don't know. There's some. I think it's because we're thinking age and we think human. They're not human.

Cristina: They're not human. Okay. Yeah.

Jack: I think that's the reality of the matter. There's some different biological ticker.

Cristina: Yeah. You don't even know if they die. They have to die.

Jack: I don't know. We have no idea. We have no idea. We know they evolve according to stuff, but we don't know if they die other than getting murdered.

Cristina: Yeah. Besides that. Okay.

Jack: We don't know if natural death. Alternatively we literally. But again, it's so conflicting.

Cristina: What?

Jack: Because then we have Asriel, the geneticist who figures out how to solve cell deterioration and thus solve death. How the h***.

Cristina: When was that? That was way after him.

Jack: Way after this. Roughly 12,000.

Cristina: So then that doesn't make sense.

Jack: It doesn't. It doesn't. I don't. Loi must have known something. Or as we established previous episode, there is an Eloi who was the grandfather of Jehovah. But perhaps there are many people by the title Loi. Maybe Loi is not a name. Maybe it is a rank, a title, a descriptor.

Cristina: But it's definitely a C person.

Jack: I guess it would have to be at this point. It's somehow connected to them. And as far as we know, the only Loi we do know, established and mentioned repeatedly, is the grandfather of Jehovah. Is the only reference we have to Loi that specifically uses the name in context, in location, in reference to. We have other mentions.

Cristina: Could be just people calling themselves Loi. Yes, I guess that makes sense.

Jack: In mythology, in scripture, in religion, a common theme is if this name shows up here and this name equally shows up over there, or a variation of it shows up over there, the characteristics tend to be almost identical. It's usually that, oh, they're talking about the same person in their own language and with their own ideas. So it sounds a little bit different, but it's ultimately grounded in the same basic idea. So it's identical to some degree. Mm, no loi fits this. That is very interesting. In trying to find out how loi connects to China, one of the rabbit holes I dove down is how do we have loi throughout time? Throughout a lot of time through. Like this m*********** must have seen dinosaurs, bro. Like, that's hardcore. Like, what the f***?

Cristina: It has to be different dudes.

Jack: It has to be different dudes. But then that creates a different problem. We're talking that many thousand millions of years worth of civilization that was advanced. We're reaching some complicated territory. What the. We're talking loi. We can trace this thing 3 million years back. There was that level of just like awareness also for a shadow person. Sure, whatever. They're not mortal in the same way. So is the loi that Susan first interacted with and the loi that Susan then joins or not joins but works with? Could be. Is it different?

Cristina: Why not?

Jack: I don't know. And we. Because we don't have a first hand account of like. Well, Susan just said this like, we don't know.

Cristina: But yeah, we don't know if any of them are this like. It could be a title. It could definitely be a title of person who's important that gets that title.

Jack: Yeah, for sure. For sure. But also Jehovah all the way to creation of Jesus 12,000 years back, all the way there. Still excessive.

Cristina: I could also be a title.

Jack: No, same person.

Cristina: How do you know?

Jack: Because I'm talking up to you that I've confirmed this. The point was to try to nail these things down. This was the research I was doing. I was looking.

Cristina: What about the guy that made there was a person who figured out how to stay alive forever. We know that guy.

Jack: Azrael.

Cristina: Azrael, her. Okay. That person was that before them? After them. It was after them.

Jack: That was during Jehovah's time.

Cristina: Okay.

Jack: Yeah.

Cristina: So it makes sense for Jehovah could be the same person.

Jack: Okay, no. So yes, it makes sense that Jehovah is the same person because all the accounts are the same person. But Jehovah first mentions we get are about 12,000 years ago. Asriel discovers this about 7,000 years ago. You still lived 5,000 years without discovering the cure to death.

Cristina: How do you know it's the same guy again?

Jack: Because it is a consistent mention. They are referencing the Same individual. They're talking about the same instances. It's the same people talking about the same memories. There's records of the same instances. There's conversations that happen with this guy and this guy. And then one of these people over there and they have a conversation. It's like, okay, this is the literal same instance. So this happens over and over. You can confirm, oh, yes, it's the same person he's talking about. Because this event would only be known by that person. This happened firsthand account. Okay. Those two people have first hand accounts. So we can trace all the first hand accounts. Jehovah's one guy. No way to prove Veloi. Also, we have so little on him. But Jehovah's one dude. I mean, we had this confirmed for the longest to the point that there's a single discrepancy. And we still are just assuming we were calling that guy Jehovah Dark, but it might have just been Yalda this whole time.

Cristina: Oh, yeah.

Jack: Like, that's how consistent he is. The one deviation, we're like, well, that's f****** weird because everything else is consistent.

Cristina: It's a different dude.

Jack: It's a different dude. The one dude, we labeled him as a different dude. That's how consistent Jehovah is. It's easy to be like, that's definitely him and then this other guy is definitely not, but, you know, shows up as the same guy in text. Even if we know based on all accounts he's met.

Cristina: Okay. But there's still a chance that this other guy is just a bunch of different guys.

Jack: Loi.

Cristina: Loi.

Jack: Yes. There's no account. There's nothing telling us he's not. And there's nothing telling us he is.

Cristina: Because there's not much.

Jack: There's not much. But we know he's around 150,000 years ago when we're dating these pipes to these ancient, ancient pipes.

Cristina: And what again did he have to do with the pipes? He made the pipes.

Jack: I know he existed at the same time as the pipes. I tried to associate these pipes directly to him.

Cristina: We don't have the answer to that.

Jack: Well, allow me to enlighten you with some interesting details relative to these pipes. These details are going to change a lot of what you know about life. So we'll begin by reiterating their name. The Baigong pipes in China.

Cristina: Mm.

Jack: So scientists are sure when looking at them factually, these are pipes. Derangement is too intentional.

Cristina: Okay.

Jack: They found these while looking for dinosaur bones. Let's reiterate. They're looking where you'd expect to find the dinosaurs, and you came across these pipes. Their idea was right. And then when they dated the pipes, their timing. Yeah, okay, fair. We're in the ballpark of when we would find this kind of residue made of this kind of material, because it's what's left. So these pipes were probably made around the time of dinosaurs. How the f***. Okay, great. Fantastic.

Cristina: Is that really what.

Jack: Yeah. Sweet. Except two details make this really, really, really fascinating detail. Number one, they're believed to have been created out of fossilized tree roots and tree trunks.

Cristina: What does that mean? How's that possible? How can you do something like that?

Jack: I'll say it again.

Cristina: How old are these tree trunks?

Jack: They believe they've been made out of fossilized tree roots and tree trunks. We are talking about trees. And Eloi and that he made his people or something made these pipes out of trees somehow. Additionally, they don't know what kind of trees because the combination of particles is unknown.

Cristina: Poor fairies, huh?

Jack: Additionally, upon studying it, the method used to force the roots to fossilize in this way must have been too intentional. This does not happen in nature. Every step of the process, how they're laid, where they're laid, their composition.

Cristina: These are not normal pipes.

Jack: They obviously they're not normal. They're pipes moving water and electricity 150,000 years ago. They're definitely as far from normal as we can get. Enter White Mountain. In fact, before I even show you White Mountain, I'll give you some descriptors about White Mountain.

Cristina: It's mountain though, right? I don't know.

Jack: Yeah, so the mountain is well noted. These places are all in China, by the way. White Mountain is noted for its strong pyramid like appearance, especially at the top. And this is. How do I explain it? You know what? I'll show you.

Cristina: You can't even explain it.

Jack: It's. It's a series of events I have to explain. And you need to look at it to understand. So allow me to introduce you. I don't know why it's called White Mountain. Probably because it's bread. This is White Mountain.

Cristina: What is that?

Jack: I just said that is White Mountain.

Cristina: That doesn't look like a normal mountain.

Jack: Well, I also said that it is well noted for its.

Cristina: Well, I didn't really say it.

Jack: Okay, so it's well known because it looks like a pyramid. Specifically on top, when it's unnaturally flat. But also when measured, all four sections are astoundingly flat. Almost like this mountain was made intentionally.

Cristina: It's a very Odd looking mountain. Yeah.

Jack: Somehow trees on it some. Again, this is a project that would have had to take thousands of years. Thousands, thousands of years. You have to shape the mountain and then you need these trees to grow on top of it to full scale. These are old trees. 2, 300 years old. Then you needed the mountain itself. And then you need the trees to be evenly distributed across. This is terraforming. We're looking at a terraformed mountain. But how? We can't terraform now. So we're like, oh no, it's just a mountain. It's this weird shaped mountain.

Cristina: But it's not.

Jack: I mean, look at the f****** mountain. Come on. How the f*** is that natural?

Cristina: What did they say? They think it's natural.

Jack: Yeah, they're trying. You know, humans must be the pinnacle at any given moment. So this couldn't have been done because we can't do it now. So it couldn't have been done then. But. But bro, the pipes couldn't have been done then either. And there they are.

Cristina: Yeah.

Jack: So let me tell you about White Mountain. White Mountain has three caves. And out of these three caves in White Mountain, two of them, the smaller two caves are collapsed and the third larger cave, about 18ft in diameter, open. You go in, walk a little tunnel. You get to a cavity inside that's about 30 by 30, you know, pretty spacious area. You could probably do some things with. In that chamber the pipes exist. So the pipes that I showed you, the Beijing pipes.

Cristina: Oh, okay. They're in the mountain.

Jack: In the mountain, in the pardon mat you can get to.

Cristina: Okay.

Jack: There are two different assortments of these pipes. One is a 40 centimeter in diameter pipe, very big, sticking out of the wall. It goes somewhere. It's clogged. So sending things in doesn't really help you get any deeper. But it went somewhere on the other side. Maybe 30 little pipes of different sizes from maybe like 10 centimeters to about 25 on average. Sticking out of the wall pipes.

Cristina: You have a picture of these pipes of the inside of the.

Jack: No, it's nothing complicated. You can picture what I'm saying.

Cristina: It's just as I'm saying, it sounds very crazy.

Jack: It's a wall with pipe sticking out in a mountain. It doesn't look like a mountain when you're looking at a photo. It's sticking out of a wall. It looks like a wall.

Cristina: Okay.

Jack: But down the hallway there's a. There's a cave and the hallway is wrong. So it's a cave. There's no tunnel branching out. And there's another empty cavity about 20 by 20 with another tunnel. 20 by 20 again another tunnel. And 20 by 20 for four rooms. 130 by 3320 by 20. None of the three 20 by 20s have any pipes in them. Only the first chamber does. The first chamber is the first one you walk into when you go through the cave. So that's in this artificial looking mountain with who knows the length of time. That's unrealistic for any one being to see the progress. Let's say you're human. You can bare minimum, you're the. Oh gee, you live a hundred years. This is still too short of a time to carve this entire mountain, shape it and have 300 year old trees grow on the side of it. This is not happening. So whoever began this didn't see it ever weird. Unless they did, in which case they weren't human.

Cristina: No. Oh, what's with the pipes though?

Jack: Don't know. I know the pipes are in there.

Cristina: Okay.

Jack: Not the slightest clue what is going on with the pipes. Mmm, weirdo.

Cristina: Weird. I'm so confused about these fairy trees now. Like I thought the fairy trees were fairy trees underneath it. Are there pipes underneath the fairy trees? I don't understand.

Jack: I never said fairy trees. I said trees.

Cristina: But it's so much like fairy trees are involved somehow. Yeah.

Jack: And the whole little mountain thing, the hill, that's very fairy. Fairy forts happen on the hill.

Cristina: Unless between the two trees the roots are pipes.

Jack: No, these were man or not man made. But these were artificial. It's structures that were created by people. They were done using trees. They were forcefully fossilized as I described before. But they didn't happen naturally this way. Which was literally part of the sentence that was in the article. These do not naturally occur.

Cristina: Well, they think that.

Jack: Right. Based on their own thing. These had to be intention. Also the shape of the pipes tells you this was not just roots to a tree. It's like somebody made the same shape over and over and stacked them miles connecting so that they're pipes. It didn't look like tree roots that suddenly atrophied and became a series of interconnected.

Cristina: Have you got any idea of what's.

Jack: Going on in that Russian doll cups? No, I don't. I told you what I know about the mountain. There's three caves, two of which are collapses. Small ones, one larger, one large one leads to a big chamber with these two different series. One huge pipe and a bunch of tiny pipes of different sizes. And then three additional rooms going further in. Not a. Not the slightest Clue weird, right?

Cristina: Yes. No hint, no nothing.

Jack: No tells, no nothing. Everything, every theory, every, everything is just people being like. Literally no dots connected. People being mystical. God made it or this or that or blah, blah, blah, blah. Nothing grounded. I looked at different angles. Nothing is just people being like. They literally can't explain it so much. It has to be aliens or mystical.

Cristina: Okay.

Jack: That's it. And not even like a conclusion. So what the purpose is just up beyond. It's that old beyond. Yep, Just beyond.

Cristina: Okay.

Jack: As humans do.

Cristina: That is so weird.

Jack: It is very odd. So knowing that, that's very odd. Ah, allow me to then show you the next exhibit.

Cristina: In China or somewhere.

Jack: Yes, they are all in China. And this one is called. This one is in Lake Tayson, also in China.

Cristina: It's in a lake.

Jack: It's another pipe. So let me tell you about this pipe.

Cristina: All silk, China.

Jack: Yeah. They're all about the same age.

Cristina: Okay.

Jack: In Lake Tayson. Be ready for what I'm about to say because although simple, very, very simple. In fact, I guarantee you've heard it before within the context of what you already know, this is going to get much more confusing, I assure you.

Cristina: Okay.

Jack: In Lake Tayson, the same pipe, right? This pipe, the one I showed you.

Cristina: Yes.

Jack: Is about 40 centimeters. Pretty nice, that pipe.

Cristina: Okay.

Jack: This pipe about 40 centimeters by Lake Tyson is about. Well, let's take a couple of steps back. Right.

Cristina: Ah, okay.

Jack: Lake Tyson. Chinese lake.

Cristina: Okay.

Jack: You know, old people surrounding it, making all the water so refreshing. Dirty look. But we're gonna say it's clear for the sake of the conversation. Clear, beautiful lake. People hanging around it, Tortoise attraction. Oh, my God. People love to come here. Because of the mysterious pipe.

Cristina: Oh, because of the mysterious pipe, I'm assuming.

Jack: I don't know. But this pipe in Lake Tyson. Well, Lake Tyson has three caves. And out of the three caves in Lake Tyson, two of the caves are collapsed. I'm sure you've heard something similar before. And out of those two collapsed caves, because there's three, the bigger cave that you can get into is about 18ft in diameter. What a weirdly specific size. And inside the cave there's a roughly 30 by 30 cavity with a tunnel that extends into another 20 by 20 cavity. And then again and then again for a total of four cavities inside of one cave. 30 by 30 and 320 by 20. The first cavity has the big pipe. I just showed you. Opposite side of that big pipe. I just showed you dozens of tinier pipes of different sizes, about 12 to 24 inches centimeters on average.

Cristina: Mm.

Jack: Weird. In White Mountain, we don't know where the pipes go to. Every cave goes downwards. Too weird. We don't know where the pipes go up. We find other pipes similar, but we don't know where they're going to or from. A lot of times they just dissolve in distance and okay, it's done. Something must have happened and destroyed it. Okay, but In Lake Tyson, 180ft from the mouth of the cave in the water, you can see the pipe continue into the lake, quite deep. Like, how the f*** did you put it down there? Not only that, in the cave, the pipes are opposite sides to each other, but they're all going east to west. In White Mountain, the pipes are also going east to west.

Cristina: What does this mean?

Jack: Both pipes are in Lake Tyson.

Jack: I'm saying this wrong, it's Tosin, but toast to son or something along those lines.

Cristina: What pipes?

Jack: Both pipes. Both different arrangements. The large one and the assortment of little ones.

Cristina: Okay.

Jack: Now in the cave we see them opposite side of each other. One is to the left and one is to the right. In the lake we see them both stretching off in the same direction. Although in the cave it's not like that. Those pipes were probably crossing the cave at some point. That's the only way they could both keep going in the same direction. They must have both. One of them has been cut off. But this happened. Then again, both of them were cut off. Presumably they all connected to each go not connected to each other, but they all go in the same directions.

Cristina: You have any idea how far these are from each other?

Jack: No. And cross my mind, look at them. They're all going from east to west or west to east, whichever side you want to call the beginning or the end, whatever. But again, it's weird formation.

Cristina: Yeah.

Jack: Exactly the same pipes. One really exactly the same size. 18 inches. Exactly the same size. And again, about 24 to 36 of different sizes, all between 10 and 25.

Cristina: Why is that important?

Jack: All going in the same direction. I don't know what any of it means.

Cristina: We have no pictures of these caves that these both locations have.

Jack: I did, but it was irrelevant. It doesn't give you an information. It. I literally showed you a picture from the cave, but it doesn't matter because you can't tell anything. The second picture is just in the cave. But like, what did you get from that? It's a picture of a pipe. Like I'm telling you, it's. They're all like that. They're so pointless. They're just photos of pipes. What they're for is the baffling part because otherwise it's just a photo of a pipe. So like I can find them for you if you need this thing before. That is the real question. We have 150,000 year old pipes stretching both instances from east to west. In both instances. In both instances there are three caves. And in both instances, two of them are collapsed. In both instances, the bigger cave is exactly the same size and it looks like the smaller ones would have roughly been about the same size. So all of these caves were intentionally made and the chambers inside them, why was the effort to make them look.

Cristina: So natural exactly the same.

Jack: You know what this has?

Cristina: What?

Jack: It has a lot of zoo hypothesis written all over it. Right. Hide the technology in nature and make it look like nature. Put it in places that they can't access. Hide it in places that they wouldn't look and make it look like the things they would normally see. Your pyramid. Oh, well, it can't look like a pyramid. It must look like a hill. Throw some trees on there.

Cristina: Okay.

Jack: Well, we need lines to transfer power farther and water farther. But these primitive creatures should not see it. They need to evolve naturally. Hide it. All of it needs to be underground. All of it needs to be in walls. It's crossing countries all the way from Egypt all the way into the deepest reaches of the west of the most eastern sides of the Middle east into the neck of Persia. Pipes stretching all the way east to west. Keep that in mind. East to west. That's exactly the line we're looking at.

Cristina: Mm.

Jack: We're looking at the Egyptians in the east, I mean, in the west, sending things to the Persians in the east.

Cristina: Who was China working with? Were they original?

Jack: The idea here would be that this line. No, they're not original. Or maybe they were. Maybe that's exactly where they started. But it looks like the development right as infrastructure takes place. I'm sure. Although we haven't found it because technology got better as they moved farther west. I think we could find these pipes not only in Persia, but specifically in Iran, specifically in the Persian Gulf oasis. I believe these pipes are literally the first beginning infrastructure to society from the civilization.

Cristina: Could see people. Yeah, yeah.

Jack: I think maybe they were Asian. I mean, ultimately they're still Asian, even if they're Middle Eastern. That's Asia.

Cristina: Okay. I mean, yeah, I guess.

Jack: But being more exact, they weren't. As far as we knew, they were Middle Eastern, not Oriental. But apparently we might be wrong and they Were probably oriental. And these pipes might have begun in the east and sent things west.

Cristina: If only we can find some of those pipes.

Jack: Or vice versa.

Cristina: Vice versa, yeah.

Jack: As they continued to migrate, they kept building it to send things back to headquarters, which was somewhere in China. Eventually they settle and develop what we know as the Persian Gulf Oasis, AKA the Palace of Alcaraz.

Cristina: Yeah.

Jack: And that becomes hq. But we know they go farther west again and land in Bermuda. When we find them, we think, oh, the Persian Gulf oasis is where you guys began. But when we find them, they are already the most advanced thing, way beyond where we could even imagine being now.

Cristina: Doesn't mean they started.

Jack: Doesn't mean they started there. In fact, based on how intelligent life seems to develop, they definitely didn't. If that's where they were intelligent, they must have started somewhere else and migrated.

Cristina: Yeah, that makes sense. Yeah.

Jack: It's always that way. Things we don't even think about because we don't have the context to think about them. They didn't start where they were. We found them when they were overpowered. Why would they stay where they were?

Cristina: That's true.

Jack: Where did they start? Well, we didn't know that. And we knew Loi was somewhere else. We found Loi because of some pipes that just happened.

Cristina: Some pipes.

Jack: So the theory is, whatever the h*** the Stone of Adam is, we have the instance of him using it, but we don't know the other situations in which he did, which probably had a lot to do with developing their own society. They probably use it to again, made primitive humans. But also, wow, how overpowered this tool I've made. I can do other things with it that don't include life.

Cristina: Okay. Because we don't know how these things were made.

Jack: Yeah. We only know the details that get recorded, and those were for their specific purposes. But that doesn't mean they didn't use it for other stuff.

Cristina: That makes sense. That's interesting. Why would it just be to make.

Jack: People if it's this level of overpowered? If you're bending reality to some degree, why don't we have things we don't already have? Wait, can I move clean water from over here? Over there? Well, make me a thing that could do it.

Cristina: Fossilized trees into a special kind of.

Jack: Fossil using a special kind of resin and special kind of particle that doesn't seem to exist anywhere else in that combination.

Cristina: That's ridiculous.

Jack: Yep. What trees did you use? Yeah, what do you mean? Unless there were never any trees? And the Philosopher's Stone making the pipes made it what it is. There wasn't anything. He's like, make pipes. Boom. That's what it meant, I guess.

Cristina: Like, we don't know.

Jack: So they're literally. No fairy died literally to make it, but the concept is still the same. Although this didn't use fairies, but it's still using. The problem we have is that we. We feel the need to connect fairies to either the trees or Yalda's stone. But the method is really what matters here, right? Yalda figures it out, and that somehow reaches the Elysians, who figure it out, or get taught it, or find it on their doorstep, whatever the f*** the case may be. They then explore with the thing. But the principal idea, even if the tools you're using aren't the same, the principal idea was the fairies. The humans were made by sacrificing the fairies. Making a philosopher's stone out of the fairies led to a stone identical in power to what making a stone out of the humans would make. Anything in Earthrealm would essentially be something that should have been in Elfhame, but is now over here. So the stone that Yalda had and the stone that the Elysians had are indistinguishable because they used the same ingredients. Ah, some s*** we didn't think about before. If the fairies get killed, make the trees, make Earthrealm. Everything in Earthrealm is made from the fairies. A bunch of people dying to make a philosopher's own is no different than killing a bunch of fairies to make a philosopher's own because they're made of the same stuff. Thus the same stone. Yalda couldn't do it without the fairies. Neither could the Elysians. But the Elysians use what? Primitive humans, but doesn't matter. Everything in Earthrealm is made out of the fae. Huh? The stones are identical.

Cristina: Yeah.

Jack: So when he goes ahead and manifests something out of nothing, Boom. Fairy trees seem to be made. But it's because the stone was made out of fairies, even if we're not calling them fairies, because they're trapped in this box.

Cristina: Okay, so it's not really fairy trees.

Jack: It's as fairy trees as it would be as Yalda's stone. It's literally the same thing. You take 20 fairies, break them, make 20 humans. Those are just fairies. It's the Boat of Theseus or whatever. The Ship of Theseus.

Cristina: Okay.

Jack: All the same parts deconstructed. You build a different boat. It's the f******. The same boat, I guess.

Cristina: That's weird.

Jack: That's what happens here. The Elysians used all the leftover parts of the boat. As all the parts got replaced, they just ended up there. So they built a boat out of all the spare parts?

Cristina: Mm.

Jack: Yalda thought he has the boat. He does. He had the original boat. But also you changed all the parts in the boat. Yes, you have the boat, but so do they. And it's the same boat because you use them to make it, but then you made the program out of them, and the program is just the same code that they're made out of. Yes, and then they went ahead and killed the equal amount to equal the same thing. It's just easier than trying to catch some literal Elfame creatures. But you already did the job. Now I just need to put them in the thing. Thus, we have two Philosopher Stones identically.

Cristina: Yes.

Jack: We didn't think of it that way, but anything made within earthrealm is no different than anything that existed before. It's again killing the code in the program.

Cristina: Yes. We still think the Adam and Eve are stones themselves.

Jack: Yes, both of them.

Cristina: Okay, are these the two stones you're talking about, or is that other stone a different stone?

Jack: That's a different stone, but it's indistinguishable from these stones.

Cristina: Okay, let's check in.

Jack: Yeah, it's three stones.

Cristina: Three stones. But also, we might. Santa might have a stone.

Jack: We don't know.

Cristina: We don't know.

Jack: He doesn't seem to need a stone, considering he has a perfect system established.

Cristina: Except I thought he had the story about his necklace.

Jack: I know he does. There's a lot going on with Santa. It's so complicated.

Cristina: It was his human form, for some reason, had the stone even before the magical powers part came.

Jack: Yeah, I think he used. And. Yeah, I think he used it until he didn't need it.

Cristina: Okay.

Jack: And I don't think that was. How do I put it? He had a weak version of a philosopher's stone, even if his plan was so immaculate that it compensated. Because it doesn't look like he killed anybody to do it. Not in any scale. Again, in theory, you could just make a stone with a lot of blood. It's like making a diamond blood, though. I know, but he had a weak version of when he was so op.

Cristina: Yeah, something's not making sense. I don't know. Okay.

Jack: Like, any stone is overpowered. Yeah, but also, it's possible that Santa's an Elysian at this point. Yes, he's too. He's too overpowered. Dude, anytime we talk about Santa, we're basically talking about some s*** that's equal or more overpowered than the Elysians. And it's like, dude, he had to be.

Cristina: But how much stones do you think there are in total?

Jack: We know factually about three, maybe four.

Cristina: Maybe four.

Jack: But there might be many. It's different scales. We're just thinking really overpowered stones, but that's unlikely. There's probably hundreds of millions of really tiny, crazy crappy ones. Then people just don't want to be consuming adrenochrome all the time. So maybe, you know, this little stone is less powerful than if I drank it. But I don't have to be a fiend and die and become a freaking nature.

Cristina: Okay.

Jack: You know.

Cristina: Yeah.

Jack: It makes perfect sense. Some people are like it. No, I need my fix now. Some people like, no, the. That, bro.

Cristina: But is it okay? Because we have all these pipes in China. They don't lead into any houses, though. They're just pipes just around nature for some reason.

Jack: So I answered this already, which is. The ones in White Mountain go into the wall and they cannot be traced because they go downward. So it's unknown where they would turn.

Cristina: But they don't have any idea.

Jack: There's no. We have to break the place and trace the pipe, which would then destroy its value.

Cristina: It's the same with the lake. No possible way.

Jack: No possible way. We see it in the water. If we go really, really deep. Like, we don't know how the f*** they got it down there.

Cristina: Mm.

Jack: And it's in the cave. But there's no way other than destroying and chasing.

Cristina: Mmm.

Jack: There's no way.

Cristina: Any stories on the lake, though? No secret labs?

Jack: Nope.

Cristina: Monsters?

Jack: Nope.

Cristina: Checked. Okay.

Jack: I give you what I got.

Cristina: Mm.

Jack: Nothing. Nothing. Nothing.

Cristina: All right.

Jack: So that's what we have. We have, definitely. But I was thinking the same thing, by the way.

Cristina: Labs.

Jack: There's something. There's labs.

Cristina: Better be lambs.

Jack: Yep, Sounds like labs. Sounds like these were formerly labs and then all the stuff was taken away so nobody else could get to it at the end. Including the pipes cut. Because the lake tells us. The lake tells us. They were both going in the same direction at some point.

Cristina: Yeah.

Jack: It's not. These go this way and these go that way. No, they were all. They were just crossing the room. Interesting labs.

Cristina: Ancient labs.

Jack: Ancient labs. Potentially what we're finding anyways. Yeah. That's what we have here for today. Just a bunch of. This is as close to loi as we've gotten, period. It's hard to find anything about this guy. It's loose.

Cristina: There's really nothing.

Jack: It's so loose it's barely anything. Anyways if you guys have any more details in the information I think you guys know you can contact us hit us up on our socials at just convopod on Instagram, on Facebook, on on.

Cristina: X on Twitter remember to subscribe, rate and review the show.

Jack: Yes and word of mouth tell people we have found caves inside of White Mountain that match Although everybody already knew about this it was more about just talking about the weird instances that match seem to connect Mountain and Lake Tosin both containing the big gong pipes very weird in the same formation both instances.

Cristina: Weird that is weird. This has been the rambling podcast. Take nothing personal and thanks for listening.

Jack: Sam.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 261: Relic Technology

What precision technology did the ancient Greek use to locate Hyperborea? Is this the only piece of ancient technology left? Is there older ancient technology than this? The duo unpack the most impactful ancient technology that modern science has ever uncovered opening new avenues of investigation that might have been overlooked before.

Rambling 261: The Ancient Tech

+Episode Details

Topics discussed:

  • The Antikythera Mechanism
  • The Baghdad Battery
  • Seismoscope
  • Baigong Pipes
  • Damascus Steel
  • Astrolabe
  • Nimrud Lens

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. For real.

Cristina: For real, for real.

Jack: So last week we were trying to find out more about this place called Hyperborea, you know, where the Nephilim most likely were after we've established what the fact of all the information we've been uncovering truly seems to be, at least now in this new 2024 reframing. I guess every couple of years the narrative shifts into some new thing. Before it was mysticism, then it was science as, like, you know, astronomy and stuff, realms and junk. And now it's like. No, that was all just computer program. It's a simulation.

Cristina: It's crazy.

Jack: This is weird. But as you guys, anybody who was listening and you, Christina, as you guys all know, last week there was way more to talk about, but I couldn't get to any of it because there was absolutely too much to talk about. So instead what I've done is created an entire different set of information. Well, then I cut out that information and added to it to then be able to give what I was omitting originally because I thought it wouldn't make it, but none of it made it. So now all of what I was originally not gonna.

Cristina: It's all related to Nephilims?

Jack: No. Well, sort of.

Cristina: What's the bait? What's everything about at the end of the day? Or not really anything specific.

Jack: It's literally about everything we've been talking about. All of it. Yes.

Cristina: Not just enough.

Jack: Not just enough. It's about everything we've been talking about.

Cristina: Okay.

Jack: Yeah. And so my intention was to get to that, but that seemed to be a little bit of a problem because we had quite a bit of a content to get through. And hopefully that's not a problem today because we're going to try to actually get through all of those things. Things. So I'll begin by mentioning the fact that Hyperborea was a huge focal point for the Greek. They talked about it quite a bit.

Cristina: That's the name of the island that they're supposed to be coming from. The Nephilims, maybe.

Jack: I don't. I don't know if it was an island. I know it was.

Cristina: Or whatever. Like. Yes, the area far away.

Jack: Yes, yes.

Cristina: In the north.

Jack: Yeah, yeah, yeah, yeah, yeah. It's supposed to Be that. And so in originally, following this train of thought about the Nephilim, I came across something really interesting and weird. So what I'm gonna do is show you what it is first and then we're gonna talk about what it is real quick. So I'll have you now look at what do the people say? Example A or whatever. No, what do they say? Like, object, whatever. You know, when they're doing a presentation, like, look A or whatever.

Cristina: Yes. I don't know what it is, but.

Jack: You know what I mean.

Cristina: Yeah.

Jack: Okay, so let us begin.

Cristina: Evidence. Let's just say evidence one and two or something.

Jack: Yeah, yeah, yeah. Examples. Here are some examples. What would you say looking at this? We are looking at wheels. It looks like a wheel, right? Oh, now you're zoning in. What kind of a machine? What are we looking at?

Cristina: Clock lock box. Okay.

Jack: It looks like a safe. I can see.

Cristina: Yeah, A very fancy door.

Jack: Mm. Mm. That would be a really fancy door. And so this is the recreation of it. These are the recreation of this.

Cristina: What we have those rusty parts?

Jack: Yes. This is what it looks like as we have it. And working back from it, this is what we have.

Cristina: Is it very thin, though?

Jack: It's filled with many components. That part isn't necessarily thin.

Cristina: Yeah, but the box. That's the whole box. The one in the bottom. This one.

Jack: Both of these would be what the whole thing looks like.

Cristina: Yeah, but like, it's that length. Like, it looks like a book, maybe, or a safe where you can hide a book.

Jack: Maybe a safe where you can hide a book.

Cristina: Maybe. I don't know, because it looks like you can open it, but it looks very thin, like you're gonna put something in there. I don't know.

Jack: Well, I'll tell you exactly what this is so that you can comprehend the nature of the situation. This is called the Antikythera mechanism, and it is. Be ready for this.

Cristina: A.

Jack: From roughly the year about 2000 BC. This is an analog computer that can run computations of extremely high degree. And it most likely resulted in being able to navigate large distances accurately using the longitude and longitude of places in order to find and locate anything.

Cristina: It's a kind of computer.

Jack: It's a computer. It's a giant calculator of some sort. But not just calculator numerically, but it would, like, literally give you locations based on the numbers and the equations that you put into it.

Cristina: What exactly was the tech? I don't know. Like, what's it made out of? It just looked like a bunch of wheels.

Jack: Yeah, these are many different plates that work together. Kind of like if you had a clock. Think of a watch on your arm that's an analog watch that's still running metronome, essentially of exactness, trying to calculate time. An analog computer would essentially work the same way, but it would have. It's kind of like how people build it in Minecraft that you can have. Like, you're not really building a computer, but really they're having. If this thing moves this way, then that thing should move that way. And so that's what's happening here. And so that thing should move that way as a result of many of these other things moved this way will give you an exact that way, which would be the answer. It's a. It's a computer. It's an analog computer that you run all of it and will provide you with information that you didn't previously provide. So it could work like a gps, it could work like a calculator, it could work like a clock. It runs numbers and works in all facets of number running.

Cristina: Oh, okay.

Jack: Yes. And so it is quite possible that this is what they use to track many, many things, and that this is why they were a problem to the Aletians to begin with, because they.

Cristina: Wait, that's from the Greeks.

Jack: It's from the Greek.

Cristina: Because I don't think you said where that came from.

Jack: Oh, yeah, this is from the Greek.

Cristina: Oh, okay.

Jack: Yep, it's from the Greek.

Cristina: And they made it how long ago it.

Jack: The earliest possible date is about 2000 years BC, which most likely is incorrect. That's just the earliest likely. But in order to achieve this level of computation power, you must have been working at it for quite some time, which means it's most likely significantly older than that.

Cristina: Or they could have borrowed it from somebody.

Jack: It doesn't exist anywhere else. I'm talking about just the only things we found. We can't say we were because we have only found it there. No speculation needs to be had here, because they're the only ones. And we've seen more technological places that didn't have it. So there must have been better systems that we aren't aware of. This is just their system.

Cristina: Mm.

Jack: And we can. Like. There's. It's nowhere else. It's never been found anywhere else. Nothing similar to it has been found anywhere else. It's just Greek.

Cristina: Okay.

Jack: They did not borrow this. They invented this. But they most likely used this to find the Nephilim. This is probably how they got there and back consistently.

Cristina: Is there More than one of these there, though?

Jack: There are several, yes.

Cristina: Okay.

Jack: Yeah, it seems to be a high society piece of technology which you can obviously just attribute to the Greek gods research group.

Cristina: You think they were searching for the Nephilims?

Jack: I don't think they were searching for anything specifically. I think science and science related things had them going places and investigating weird things. I don't think they were necessarily looking for anything. It was science. I mean, maybe, but again, we don't know.

Cristina: Okay.

Jack: That would be highly speculative. Without any additional information, we don't know what this was being used for. We just know what it could have been used for. And until we get like something that tells us it names it directly and said, oh, this is how they found the thing, like, this is just technology we know of.

Cristina: Okay.

Jack: So in doing that I realized we've done all of this and like, I don't know how this never came up, but I also guess we never really directly tried to interact with their technology, anybody's technology from that time. We just read about it and I'm like, wait, why don't we look at.

Cristina: Some of this more different Greek technology, More technology, okay.

Jack: And it began with like, oh, the Greek. Because why would we focus on the Greek if there's way better people out there? Right?

Cristina: Okay.

Jack: Like this is primitive next to some of the things we're gonna come up with right now. Yeah, this is. No, this is the bottom of the barrel. Oh, they were obviously like, that's what I'm telling you. This is definitely not borrowed. This is primitive next to some of the s*** we're about to come through, which is older than this. This is primitive next to crap that's older than it.

Cristina: So we're going back in time?

Jack: Yeah, we're essentially going back in time to look at some really interesting things. And the location to a lot of these things is very telling. So let us begin with a concept that we call the Baghdad Battery. So the Baghdad Battery is essentially a portable drone battery. Not even a battery. It's an energy generator which uses magnets, it uses copper coils, and it uses water to create a magnetic field in order to then generate enough electricity to then light bulbs and light electronics. It is a very interesting.

Cristina: It's very strange, like, but it's a battery. Like it was being used as a type of battery.

Jack: It's a portable generator. Portable generator, yeah, like it stores energy but also generates energy. And it works in such a manner where it has the copper coils, you fill the bottom with water, it has the Rotating iron rod.

Cristina: But then what did they do with these batteries?

Jack: Power things.

Cristina: Like what stuff? You have no idea.

Jack: Presumably things that required electricity. Again, I am telling you what I do know. We're discussing the objects. I don't if I know what it was used for. You're gonna get that information, okay? I assure you that much. But I know this much. It's a battery. And when we recreate it, it's actually so sophisticated that we needed to find it in order to recreate it. Because before finding it, this basic concept of how to generate electricity seemingly with nothing, mm. Would have been something we thought impossible. Super basic. Looking extremely efficient and generates enough of a power source that you can power small objects with it, allowing you to carry this to the middle of the desert, for example, and power something inside of a cave.

Cristina: What can that possibly be, though, that they're powering?

Jack: It's portable. Anything, anywhere. You can take it anywhere. It's not stationary. So it's not for a thing. It's for many things.

Cristina: Yeah.

Jack: Is for whatever requires electricity that needs a small supply. So whatever they had that required electricity, assume that was powering it if it was small enough. This was found in Iran.

Cristina: Okay.

Jack: Iran is Persia, specifically the part of Persia where the Elysians come from. There are many of these. This is abundant as f***. Look at how many different variations are found all over the place. And more densely the closer to the neck of the Persian Gulf oasis you get.

Cristina: But like they're all different shapes and sizes too.

Jack: Yeah. Ultimately the same. Not two different size. Like we're talking that they aren't necessarily too, too, too big. They're the size of a jar. We call them a jar. So the size of like a vase or something like that, you know, very simple, basic idea. But it works. And we didn't come up with it ourselves, we had to find it. So great. Battery source suggests a lot of electronics existed in small, like small energy required requirement electronics. And there are many, many, many, many, many. This assumes that perhaps the Iranian people of that time, which was Persia, because this is dating far back from B.C. we're talking thousands of years in. It assumes that they had a lot of portable things, maybe phones, maybe light bulbs. Again, you go into a cave, you want to mine it or something. You strap some lights, you connect it to this thing. Now you got light in there. Maybe it could generate like fire or heat. Maybe you're trying to stay warm when it's cold in the desert.

Cristina: Imagine that.

Jack: Yeah. It could be any number of things. This could power which in return the Persians have portable batteries. And that obviously took me to the next logical conclusion, which is, well, where were you getting the electricity that you're storing in here to begin with? This could generate, but you could also store massive amounts of electricity in here. Which then takes us to the obvious. The pyramids of Giza, which are the bigot generator. Right. Without talking about any of the teleportation technology, which is only inscribed upon the walls, we don't know which of these chambers work in such a way to use the teleportation, although it's suspected that it's the centerpiece. Right. Especially because it has many quantum annotations on the walls.

Cristina: What?

Jack: But the rest of it, again it's a, it's fascinating that this pyramid serves as two examples.

Cristina: How far is the pyramid to those jars?

Jack: The pyramid is way before that. We're talking like 5,000, 6,000 years BC which is roughly a thousand or 2,000 years before these jars.

Cristina: But like what the locations though are they how far?

Jack: Oh, oh, they're near each other. Iran, in Egypt or close. Close.

Cristina: Okay.

Jack: And all of that was considered per Persia. That was all one empire.

Cristina: Well, it's pretty big empire. And what was happening with the pyramid was in the sensor.

Jack: They think the two things that this has are many quantum equations in the center chamber and then the rest of it is built of quartz and is built of electrical magnetic equipment, can store and generate energy in mass and presumably can receive energy from this chamber, which makes no sense because it's a closed off chamber. It receives energy from the outside and it receives mass energy from this chamber, which seems to be the main spot that it would receive it from. Which makes no sense because the chamber is completely closed off and has nothing in there other than quantum annotations, which suggests some hefty, hefty, hefty unknown tech happening.

Cristina: That is awesome.

Jack: Yes, yes. And there's actually a couple of explanations on how these things work. So it generates its own magnetic field which can then generate electricity accordingly.

Cristina: That has to do with the outside of it.

Jack: Yes, well it's structure inside and outside are both highly important.

Cristina: Okay.

Jack: Yes, very, very efficient. So diving specifically into the pyramids, I'm going to read you some details about how they function. Now, the electrical magnetic concentration. The pyramid can focus electrical magnetic energy in its internal chambers under its base, which essentially hints at its capability of generating and manipulating a huge magnetic field and then in return creating the energy necessary so it can generate the energy, not just the magnetic field, but the.

Cristina: Energy itself generates it stores it?

Jack: Yes. Then it doesn't store it. It generates it and has all. All the facilities to move it. Now, this is where it gets interesting. Because it was unknown most of this, how it would work, until we come across Nikolai Tesla. And Nikolai Tesla had a particular obsession with these because he wanted to be the other. He wanted to make his own power sources. We know his power sources are the most efficient, which is why they're not used. Because we don't need efficient. We can't profit off of that. So we buried him so that we can profit off of electricity.

Cristina: So was he inspired by it?

Jack: He was inspired by it. And his work ultimately highlighted how exaggerated this was. So going into the materials that they're made out of, there's an abundance of quartz crystals, two for limestones, which are all capable of conducting and generating electricity and can insulate electricity from escaping. So it's essentially a trap that can generate a bunch of magnetic field, draws electricity in, and then it cannot escape. On top of the fact that it seems to be able to receive electricity from where, who knows? But that's not how it. This is three different ways of acquiring electricity.

Cristina: Whatever this electricity.

Jack: Okay, whatever this random chamber is that's getting electricity from where, then the. The magnetism that's pulling electrical magnetic energy from the outside in. And now let's quickly dive into Nikolai Tesla. Now, he managed to replicate the distribution of the energy wirelessly through obelisks. These are tall tower things, and these towers send electrical currents from the top. Kind of like if you made a really tall metal rod and that would get hit by lightning bolts and stuff.

Cristina: They were metal towers.

Jack: He managed to create metal towers and send electricity that's stored in the metal tower, not stored in the metal tower. But if you connect the metal tower to, like a battery or something, he managed to send electricity to power things wirelessly from the metal tower. So one metal tower to the other can share electricity. Now they have equaled out electricity. So if obelisk 1 has the electricity energy, it's. It's the one with the electrical power. Obelisk 2 has 0. You then power obelisk 1 and allow it to send the current, and you power obelisk 2 to receive it. Now, although they'll lose in the exchange because you need to send it, that's energy being used. Instead of one obelisk having 100% of the energy, both obelisks have 80% of the energy, divided in half. So 40 and 40. You manage to get the energy across with no wires, with no Infrastructure with nothing. You just sent it directly.

Cristina: When was he doing this?

Jack: Nikolai Tesla was doing this. He did. He discovered this and created it in 1884 when he established this discovery.

Cristina: Okay. And you think he's based it on.

Jack: He did. He claimed this in his own notes. He was clearly visibly. And his patent used a lot of this information. He was visibly obsessed with the pyramids. Yeah. He was not. It's not. I think. No. He himself consisted. He would go there and study them all the time. Yeah. He was just trying to figure it out. Which worked because he managed to create a electrical system that required no infrastructure other than obelisks in order to distribute energy. And you got to understand that losing 20% of the energy when you're generating it essentially from thin air doesn't matter like where is it coming from that you're losing it to begin with. Right. And so on top of these systems, he also theorized he can take solar energy in mass as opposed to the theorized waster of it. Like Washington believed that the capturing the sun would be one of the least efficient ways because we couldn't wrap the world up. Nikolai Tesla believed that that's a stupid idea because you don't need to wrap the world up. You just need enough solar power to power the thing you're trying to power. Which makes sense.

Cristina: Yeah.

Jack: Just however much energy you need. Just make it a little bigger than that so you have a little extra.

Cristina: That's why we need an infinite amount of energy.

Jack: Well, it depends on what these people were trying to accomplish. As opposed. But his system was highly efficient and based entirely off of the things on the pyramid. So Tesla's work on his electrical magnetic pyramid and Tesla's towers were inspired by the structures of the pyramids of Giza. And he was aiming to harness additional energy from the Earth directly, not just the magnetic field and whatever teleportation system was occurring here. Enter the resonance energy transmission. The third function the pyramid discovered by Nikola Tesla as well.

Cristina: What?

Jack: Upon trying to figure out where the extra surplus would be coming from. So the Great Pyramid of Giza has an acoustic device designed to harmonize with the Earth's natural vibration and convert this into microwave energy.

Cristina: That sounds a little. A little insane. I don't know. That's so weird.

Jack: Yeah. Yeah, yeah, yeah, yeah. And so some of the chambers and passageways were precisely positioned to maximize acoustic properties, which Nikolai was actually easily able to replicate once he needed. Once he knew there was something missing to getting more energy in, he realized that if you take all the elements into account. He's pulling some out of the air and then he's using some essentially put with fire, you could say by pulling it out of.

Cristina: He really did this. He really. And it's really based on the Ferret. That's so crazy.

Jack: Yeah. And Washington then bought all his specs and buried. Buried all of it. He bought the patent off of Nikolai Tesla and then totally disregarded because he wanted to make a profit. So this information wasn't even buried by the Elysians or the Egyptians. Modern day man suppressed this technology in order to make a buck. Yes. We have an energy crisis because we built the planet off of greed.

Cristina: That makes sense. That feels right.

Jack: Yep, yep, yep. Now we know that in Persia specifically, the Egyptians were an elite group within Persia to the point that we refer to the Egyptians as their own group. We don't even relate them to the fact that, yes, they were technically within Persia, but they weren't the Elysians. They are a different group from within Persia who worked exclusively on forms of energy. Catching energy, storing energy, moving energy. And the closer we get to the Elysians, the closer we get to this technology, like the batteries. But then when we go towards Egypt, the closer we get towards Egypt, the closer we get to generators, not batteries. Okay, interesting. So the energy was being created in Egypt and moved to Elysium.

Cristina: Oh.

Jack: You see how the image is starting to build?

Cristina: Yeah.

Jack: The closer we get to one, it plays out one way, the closer we get to the other. Mm, it plays out another way. So we can basically pinpoint who's making it and who's receiving it. Because the obelisks seem to be what's missing around the pyramids. But there's all the positions for them to exist, including the big pyramid itself being the most obvious obelisk. It's the tallest point around and also most likely where it's all coming from. So they don't need the batteries in their region if they're directly getting the electrical currents wirelessly. Yeah, but you can't teleport that across huge countries. You need to be able to deliver it. So maybe trucks packed with these batteries can then take them. Or this technology allows them to then, without having to build huge infrastructure, deliver the technology to generate small amounts. But you just keep sent because again, there's so many. The closest.

Cristina: But they have teleportation.

Jack: Presumably all of this is taking place prior to that, obviously. Otherwise why would they need any of this if they could just send it there? Yeah, obviously this would have to. Obviously the batteries must predate the. The teleporter. Because how are you even gonna power a teleporter to begin with? That's a huge amount of energy required. You gotta bend space. Assume they had the energy to do that first and that it wasn't literal magic. So, yeah, they must have shared the energy locally, but then given them the tools to continue to have energy again. You could. With the batteries, you could generate electricity. Not a lot of electricity, but if you had a f*** ton of it. Which, again, the closer you get to the neck of the Persian Gulf oasis, the more we find. Which kind of fits the. Oh, over there, they don't need them. Over here they do. And in the middle, you'd see an average amount.

Cristina: Yes. Yeah.

Jack: Kind of works.

Cristina: Yes, it does.

Jack: That's beautiful. Except them working on these things was a small part of it. That's what takes us to the ancient staffs these people had. What all of them work. They're made with copper. They've got copper wiring and they can generate electricity themselves.

Cristina: They're holding these staffs.

Jack: Yes. You can use these to create electrical currents and to move electricity. These are the tools of people who work with electricity. Which, weirdly enough, happens to fit the very visuals that commoners painted of the Sun Gods, which was that the Sun Gods, particularly all had staffs reminiscent of these objects, which are coil. Coil induction systems.

Cristina: They look like wizards. I don't understand.

Jack: Yeah, it looks like wizards. And basically wizards is what you need to look like to work with electricity.

Cristina: Yes.

Jack: And to a normal.

Cristina: Electric powers.

Jack: Yeah. And to a normal person. So you have a hat to protect yourself, a really complicated hat that's diced, diverting anything from hitting you. Then you have a staff meant to generate and wield electricity. Then you and your elite group of people are working in this place where every night they can see the electricity that they can't see during the day. And it looks like a thunderstorm is continuously, always happening. It's like, oh, no, the wizards hang out over there. Those are the gods. Obviously, a normal human is going to look at this and be like, those are gods. They have to be. You have to be. There's something else. You're not gonna f*** with them. Those are gods.

Cristina: Mm.

Jack: But no, as you start painting, this picture starts to kind of reel it way in.

Cristina: And it's like, crazy thing, though.

Jack: It looks crazy, but when you ground it in, the fact that it's just a coil staff that allows direction and production of small amounts of energy. It's essentially an inverted version of the battery it allows them to. While the battery stores it. This doesn't store it. You could generate it and use it in a moment. You can't use a lot, but again, it powers things instantaneously. Perhaps if you're working inside pyramid and you got to repair something. This is an easy way to send electrical currents, test things out, go to people's houses, do something that allows them to cook their meal or something. I don't know. I don't know what this could possibly have been used for. But again, diving into Nikolai Tesla's awesomeness, he managed to completely understand the mechanical systems of each one of these details.

Cristina: He made his own.

Jack: Yes, well, he does. How he invented the coils that he used for a lot of these. Yeah, the copper coiling systems were invented by him and then used by George Washington. But yeah, so these are called dyad pillars, and the dyad pillars themselves are capacitors.

Cristina: But those are Egyptian's version or his versions.

Jack: These are Egyptians versions. And him explaining the systems and how they work. Because we got to see his versions as just normal coil systems.

Cristina: Oh, okay. The coils are what's based on these?

Jack: Yes. Everything we use to conduct and capture and transfer electricity at this moment to this day is identical to what you're looking at here.

Cristina: Okay.

Jack: Okay. So you can see right here how coils are essentially used in order to wrap electrical currents. This has a negative and a positive. And then you can see when we go to the same system, coiling, he can explain the detailing of how there's a negative and a positive system. There's an out and there's an in, equal to how our current systems have an out and an in. And then that negative positive charge allows with a two system to power and charge a battery, although it itself doesn't store, can create, generate and distribute it. And so this is essentially the same designs that they had, that you can send out electricity even if you can't store it within the device. So this, this staff must have predated the Baghdad battery. It was the first portable way to have electricity. And then the battery became the first way to not have to use the electricity when it's portable instantaneously, but rather deliver unused electricity.

Cristina: It's prob.

Jack: Like, yes, you could house way more. Yeah, yeah, yeah. In the battery. You could power a house. With the Baghdad battery, you can power a small house, an apartment. If you have a two, three bedroom apartment, that Baghdad battery can power that place for a day with one fill of water, so you can the next day fill it again. And have another day worth of electricity.

Cristina: And you think the staffs are just used around the pyramid.

Jack: The staffs are. It's unknown what they're used for, but the staffs are at least, bare minimum, a portable version that cannot store electricity. You can generate electricity on the spot, no matter where you are, but not a strong current. So it works for like if, let's say you attach a light bulb to the top of one of these, you can go. And now you have. Instead of needing a fire or a lantern that could. In a cave, this just fumes that you're inhaling. You just walk in with a staff that's essentially a flashlight. Okay, so now you've created a nice. You can go and have a stove outside that's electric and you just put this next to it and you could like have a barbecue if you want.

Cristina: that's interesting.

Jack: Yeah.

Cristina: Okay.

Jack: Presumably if you had cars, you could attach this to a car and allows you to power the car without having to store energy. And it would just be indefinite energy happening within the car. It would be consistent. And the moment you deactivate this, the car doesn't have any electricity. So it's just a really over. But you can't store it. But you can generate it on the spot, like the battery, except the battery can also store it. Now the battery creates very little electricity. You can't do a city, but you could do an apartment. You could power things with it.

Cristina: We still have the jars, though. But we don't have the staffs anymore.

Jack: We have all of the above. What do you mean?

Cristina: Oh, we do? Okay. I thought he was just basing the staffs on the pyramids or something.

Jack: No, he looked at the staffs and understood what their purposes were. Okay, yeah, all of the. Think I like, test like once they're personal. And he figured all of it out. Oh, all of this is just in places for us, you know. Now that's just batteries. Like I said. This is gonna get weird as we keep going. It's gonna get really complicated. So I'm gonna show you the next piece, and then I'm gonna tell you where it came from. That's more important than even what it is. So I want you to tell me what you think this nifty little object is. This is. Keep in mind, everything here is technology.

Cristina: That is technology. See, it looks like. Are you storing something in it?

Jack: Maybe? So to describe it to the. To the listeners, this basically looks like another jar. Really fancy, elegantly designed. It has dragon head sticking off of one side and what looks like frogs.

Cristina: Frogs, yeah.

Jack: Capturing whatever's falling.

Cristina: Water. No, it's not water.

Jack: It uses water to a degree, but itself isn't reliant on, like. It's not water about. It's not about water. Okay, so I'll get to it. Explaining the mechanical nature of it. This is a free hanging little wire. It's heavy. It's very, very heavy. It could barely be moved unless you're applying quite a lot of force. This jar goes on to a very stable surface, something that isn't gonna move.

Cristina: Mm.

Jack: And when there is a tiny, tiny, tiny. Because of the weight, when there's the tiniest, tiniest of vibrations, it shifts away from the vibration, which then forces in the direction of the vibration as the bars inside. At the top angle, you can see there's bars connected here at the top. When it moves one way, it releases a hinge on the mouth. All the mouths of the dragons have little pelts, pellets that are in there. And when the bar moves, the weight distribution. Opening the mouth, it falls. Now, it's almost imperceptibly tiny. Imperceptibly tiny that you standing in front of it can watch one fall and never have felt what it felt. It is an earthquake detection system. It is a seismic size. A seismoscope. And the seismoscope, it's very fancy. It's not just very fancy. It might be among one of the most accurate to have ever existed. And its original creation came to be in, like, well, recorded. Again, it's not so impressive. What it is. It's how it came to be. To allow me to tell you, Zhang Heng's seismoscope was created in 132 after the death of Jesus. Right. Very interesting. Very important information. Specifically with the fact that it was found and developed. Well, it was not found. It was created in China by this philosopher, Ching Heng. And so it's essentially the first earthquake detection system and quite sophisticated. Like today, we use electronics to recreate what this is doing with not a single bit of electricity, not one ounce of it. None of this matters until I frame the next sentence.

Cristina: Okay.

Jack: In his manuscript with the details, kind of like if you read Stephen King on writing. The first half of it is just as an explanation of his life, and then the second half is his instructions on what he believes. Good writing constitutes his manuscript explaining the construction of this device, which could be replicated right now. But we use electricity to be a little more efficient and get a little farther, by the way. It's super precise. It'll tell you exactly where something happened. Anyways, he claimed. This is so specific. He claims the original concept that he later perfected was brought to his. To the attention of his grandfather by a Persian man on his way to Japan. A Persian man on his way to Japan was already working on this concept. A traveler coming through. And his. He interacted with his grandfather at some point, and it seems that maybe for a year, two years, or whatever the case might be.

Cristina: He said this is after Jesus.

Jack: Yeah, He. The creation of this was created after Jesus. Yes.

Cristina: How many years?

Jack: 132 after death. This is 132 years later. Okay, follow the sentence again. It was brought to his grandfather's attention by a traveling Persian man on his way to Japan.

Cristina: Mm, sounds like Jesus.

Jack: Sounds like Jesus. Very specifically, sounds like Jesus. But the man hadn't figured this out. The man and his grandfather. Again, he perfected it. The technology was. It came to exist by this man, by Zheng Heng, not his grandfather or the guy. They just came with the ideas that he ultimately perfected when he really looked into it and studied it.

Cristina: Yeah. This architecture or whatever was just interested in that for some reason. I don't know why, but interesting.

Jack: Really advanced tech just happened to cruise on by. Interesting, Interesting. Very specifically. Sounds like Jesus.

Cristina: Yes. You said, like, the place was going to be important. I didn't understand.

Jack: Yeah, no, none of this matters. This is a useless piece of device. Because again, it's just really clever design, but we can understand how it works. It's not astounding. It's the fact that you kind of figured this out way long ago, but he wrote it all down. It's like, oh, wow, you were impressively ahead of your time. But no, he wasn't. Somebody else apparently was just so happens.

Cristina: To be in this area where everything is happening. Okay.

Jack: Yes, yes. Now this gets a little more interesting.

Cristina: What?

Jack: Because I'm gonna show you just something very fancy. Very fancy. What do you see here?

Cristina: Drains.

Jack: Looks like drains, right?

Cristina: Yeah.

Jack: Some sort of a pipe system.

Cristina: Yes.

Jack: Nifty. You can see it's layered. There are multiple lining up. Why would there be more than one? Who knows? But there's more than one.

Cristina: There's a lot of them. Yes.

Jack: This is another instance of, obviously we know what it is, and it's not surprising what it is.

Cristina: It's where it is.

Jack: No, no. I guess, time wise, it's when it.

Cristina: Is what it is. Okay.

Jack: This is the most important win of all the wins by miles. We're not gonna come across A more important when than this when? Because right now we're talking about something that we shouldn't have access to.

Cristina: Melons. No, not too crazy.

Jack: The. The earliest possible date for the Baigong pipes is estimated to be about 150,000 years ago.

Cristina: That's hard to imagine the picture.

Jack: 100,000, 150,000 years ago.

Cristina: Where's that location now?

Jack: These metal pipes were in China. Some contain copper cylinders inside. Others are hollow and move water. Designs nearly identical to the ones found around the palace of Alcaraz at the Persian Gulf Oasis that have been dated to more recent times, about 5,000 to 6,000 BC. These pipes in China are about the earliest 150,000 BC. We are talking such a colossal difference. It is possible. It is absolute. We don't know where Eloi was when he was contacted. We don't know where his civilization was. It is absolutely possible. We just found out the origin location of the Elysians. And the Elysians, at least if we trace it to Eloi. Take us to China. Ooh. We've been looking in wrong places because we were looking at the only places we could see anything. But if we want to find things about Eloi. Might be in China, it might be in China. The Elysians are descendants of some crap that came from China. According to this, which is structures exclusively found at the Persian Gulf oasis, these pipe systems are only found in China and in the Persian Gulf Oasis in this particular design.

Cristina: Okay, and these are older.

Jack: These are significantly older. These are about 140,000 years older. What? This points us where to look. Yes, that is useful.

Cristina: What is happening there? What was happening there?

Jack: I think we just got our first, after maybe a year, maybe longer, our first look into where we can start to actually try to find LOI accounts, not passive mentions that pop out of a scripture. And then we have to bounce off of a single drawing and like sort of kind of loosely connect. No structures that maybe he most likely was around or directly responsible for creating. Interesting, huh?

Cristina: Yes. Is there more really ancient things like that?

Jack: No, that is, like I said, that is the most important.

Cristina: Oh, okay.

Jack: As the oldest, that is the only thing that old we have ever found that completely throws into question any narrative about when society began. But again, we know humans began about a hundred and thousand years ago. And then about 150,000 years ago we had like truly advanced stuff. Not advanced, like scientific, but like things that say, oh, these creatures are gonna be something.

Cristina: Those pipes are ridiculous.

Jack: Yeah, yeah, yeah, yeah. This totally defies anything would have understood this was not possible for humans. It could not because we were not. We didn't exist yet.

Cristina: Yes, we couldn't have.

Jack: We couldn't exist yet. Interesting. Right. So this next one doesn't even have an image because it's more of a style of metal. But it's fascinating exactly what it is. It's called the Damascus steel, which is a medieval Middle Eastern type of steel which had exceptional strength and the production secrets of which have been lost. So it's. It cannot be replicated. We have the metals and we cannot replicate how this was made. We. It must have gone through so many different. And it's exceptionally strong.

Cristina: Okay.

Jack: Some really exaggerated thing. We've gotten close and imitated it in other ways. But Damascus steel is something we cannot replicate perfectly. We just get close and we make our own variant.

Cristina: And how old are these?

Jack: Unknown. Oh, it's unknown because the way of the methods and the data for it doesn't exist.

Cristina: We just have the location then.

Jack: Well, this takes us back to the same place. This was in Iran, back in the Persian Gulf. That's the same s*** over and over. So it's unknown how to replicate the steel. And it's assumed it one it has. It contains many different metals and it must have gone through several cooling and heating processes over and over and over in order to create the level of strength that it is. On top of mixing these in the right amount in order to create some almost indestructible level of metal, it was primarily used. And this is very interesting. It shows up in swords a lot. And as the metal seems to be the strongest variant of any metal. When you see movies about a sword breaking another sword, that's what they're referring to. This unbreakable steel that cannot be unsharpened. It stays equally sharp forever. You throw a feather up in the air and you can slice it clean. That kind of crap.

Cristina: Cool.

Jack: And this is that. Now the earliest signs of this metal show up in Iran. The most recent signs of this metal show up in India. This is valuable information for specifically one reason. The Indian versions of these seem to have different rune designs on the blades, while the original Iranian versions just had text written on them. This suggests that a lot of the forgers of the magic weapons came from India and that when we're talking about the Excalibur, a man had to travel to where it was improved, which was India, which was given to extra something. And now considering what a rune might really be on this exceptionally hard piece of metal, if we remember our narrative has Shifted. A rune is some sort of data. It's a symbol with data. And this is an exceptionally hard piece of metal. You've mixed a unique sort of reality bending series of information, and you've brought the exceptionally invincible version of the code, and then you put them together. You can't destroy it, but you can rip through anything that you shouldn't.

Cristina: Like fairies, though.

Jack: Like fairies. A rune, presumably, is a code. And just like Yalda managed to use things, codes, the philosopher's son must be some kind of compressed information that allows you to interact with things you shouldn't. This seems to be right up that alley.

Cristina: Yes.

Jack: With the people making it being the Indians. The same people who used to take a crazy trip to Mount Cough. Why did they need Mount Kaf? Why did they know about mine Cough? Maybe some individuals were actually in cahoots and somehow buried it. Because again, we looked at the wrong thing. When we were looking at the Indians, we were wondering if they had rituals for blood. And then we stopped looking, and then they just kind of came up a couple of times with Shiva and things like that. But again, we didn't. It didn't dawn on us that way. You're coming up more than once, and now they come up again, specifically with what's probably the Fragrach's origin, the Excalibur's origin, Kildania's bows origin, every fairy killing weapon. It seems like fairy killing weapons were probably not even made by fairies, but by people who understand the code well enough.

Cristina: Okay.

Jack: This one isn't about how long ago it was. This one is about where and how it was.

Jack: Two locations we've sort of ignored now prominently important.

Cristina: India and China.

Jack: Mm.

Cristina: I want to know more about China, but if we can find anything else on India, that's pretty cool.

Jack: Yeah. There is a piece of glass that is older than 3,000 years old. It has three inscribed lines on it, and it seems to be a part of a telescope.

Cristina: How old is this glass?

Jack: I just said over 3000 years old. That's where I began.

Cristina: Oh, 3000.

Jack: It's over 3000 years old and it's part of a. It seems to be part of a telescope. And based on the inscriptions that it's lines dividing it, it seems to have been designed with the intent of, again, lining up with other glass. The magnification of this one is times three. And if you were to add different, presumably different levels of magnification to it, you would have quite a long distance to look.

Cristina: And that is what they found.

Jack: This is. Yes, it Is exceptionally old.

Cristina: We're looking in the sky.

Jack: Far, far in the sky.

Cristina: So long ago.

Jack: Yeah. This one basic. But deducing what the inscriptions on it mean, the angle of the lines and where you'd want. Essentially the idea would be that all three gaps here are to line up with different. Because again, they're different widths. So you could adjust this lens according. And presumably the other lenses were also divided in such ways that they each had more and more magnification. All three of these sides have different magnification starting at 3, 6 and 9.

Cristina: How do you do that?

Jack: It's just different widths and how you warp the glass. It's kind of like if you have a bottle of water and you fill it up and then it warps kind of the image. Or if you're looking at somebody half in water, half out, and their body's all shaped weird, it's because they're either being magn to be wider or being magnified to be really skinny based on the shape of the glass. That's how magnification works. You bend glass. So this presumably is part of a bigger structure with a lot of other pieces of glass. Bare minimum three, that must also have similar inscriptions on them to create crazy magnification. That could in theory see quite far with no electricity. Probably significantly farther than we can see now.

Cristina: That's amazing. I wish you can see what it actually looked like.

Jack: Yes, that would be quite useful. And then that takes us into the very next thing. The astroloop. An intricate device used by ancient astronomers to navigate. Now, what's complicated about this tool is it doesn't just suggest navigating oceans. And that's the big weird. Like. Like. Did we find the thing?

Cristina: What?

Jack: Yeah. It's very elaborate. It kind of looks like a clock for the listeners. Kind of looks like a really intricate watch. Has many different layers.

Cristina: Very fancy orange watch. Or not watch. What's that thing called that you use to travel?

Jack: What, a map? A compass.

Cristina: A compass, yeah.

Jack: So. So what's complicated about this is that all the layers separately create a 3D navigation system. You can angle this and look in any direction and it will create three dimensional lines that you can travel. Why would you need to. How would you travel three dimensional lines of gravity? This was created by the Egyptians.

Cristina: Oh.

Jack: Why would you need to travel in three dimensional space? How?

Cristina: How?

Jack: Gravity pulls us down. So we're always walking on a flat plane. Even if you got an airplane, you wouldn't need this because you'd still be watching the world from A flat angle. As you're flying, you just need to know what's ahead or to your sides. You don't need to know what's up or down because there's nothing up with you.

Cristina: So this is to be used in space.

Jack: This is to be used in space. Which then brings into question the piece of glass we just saw, which was located in Iran, where the neck of the Persian Gulf oasis is.

Cristina: They were probably watching the things in the sky that were traveling. Well, the Egyptians, not even things.

Jack: It was people, they were watching people. This is a giant, really comprehensive. Once you get into the tech we have, a lot of this s*** just becomes obvious. And if you see how the lines overlap, you get a really comprehensive three dimensional layout. It's the same image over and over so that you can twist different caps, thus creating different angles that are only existent in three dimensions.

Cristina: What they were space traveling. They had to be.

Jack: They had to be. Had to be too advanced. Absolutely too advanced. And then this takes us to the last bit, which, which is. This is so complicated. I don't understand how the f*** any of this happens. As you know, we had those pipes and those pipes were very, very old.

Cristina: That's itself is pretty complicated, but okay.

Jack: Yeah, yeah, yeah, yeah, yeah. So the system with the pipes, as ancient as it was, later led to something a little more useful. Right. Directly following those systems, enter the Casabet Kanat, which is the oldest and largest Kanat, which is essentially a water system. And it's engineered to sustain life, to provide water and cooling systems without ever using an ounce of electricity.

Cristina: What is this?

Jack: A water system?

Cristina: Water system. Okay.

Jack: The thing about this is it's scattered specifically around Persia, like everything else. And the most recent possible date is about 800 BC. And the oldest possible of these is being 5 to about 5000 years of age. And they were extremely developed, which suggests that they are part of a comprehensive system that has been worked on for a very long time. As you get farther away from the Persian Gulf oasis, you come across these systems, but all in Persia, which means, well, we already established our own and they work efficiently, but as we keep going, we've gotten better and better. Every time we do it, it's better and more efficient. Every time we do it, it's better and more efficient.

Cristina: So what are these for, though?

Jack: Water.

Cristina: Just to have water to drink water?

Jack: Yes. It would move water into homes and you wouldn't need electricity.

Cristina: Oh, okay.

Jack: You would have working faucets, you would have working showers. You would have.

Cristina: That is too complicated.

Jack: Yeah. And it Requires nothing but gravity. Gravity is making all this happen. They're using the down current, then forcing it into an up current. Not only that, this eventually got exploited into something even more complicated than then allows for the same system with nothing but air in order to create cooling systems inside the house and be able to send hot air into the house during the cool season.

Cristina: What?

Jack: No electricity required?

Cristina: And that's as old?

Jack: This is about as old. It seems that these two systems were created in tandem. Highly advanced, super sophisticated, and doesn't require any, Any, Any electricity to power. This proves everything right now is a scam just so that people can charge you for s***.

Cristina: Okay.

Jack: These systems exist and can be made efficiently. More efficiently than a power grid.

Cristina: Mm.

Jack: This is cheaper to make than a power grid for a single house. Your house could be designed in this format. Have nothing, no electricity. And this means literally, Literally, literally. You would have nobody sending you electricity, nobody sending you water. And simply with some nice angular things, you would have the pressure necessary to have water anywhere in your house. And you would have a central cooling and heating system that is just the opposite of what it is outside at any given moment.

Cristina: That's way more perfect than what we're doing now.

Jack: Yes.

Cristina: We have to pay somebody.

Jack: Yeah, 100%. This requires nothing.

Cristina: It just happened.

Jack: Self powered. The universe does it for you.

Cristina: Why don't we live in that?

Jack: Because we got to charge people for stuff in order for people to make money.

Cristina: It's crazy.

Jack: Yeah. This is way more efficient. Every house with this would essentially destroy the need for AC and the need for heaters.

Cristina: Trash.

Jack: Yep. And these are. We can find these in existing structures, but we don't continue to build them because it's inefficient. We can't make money from it.

Cristina: Oh yeah. Okay.

Jack: No, it's definitely more efficient. We just can't make money from. We can't charge somebody if we can't calculate it. And we're looking for ways to charge people.

Cristina: That is sad. But that is. That's real. That's real.

Jack: Yes. All of these.

Cristina: A lot of it looks like sci fi.

Jack: Yes. But all of it is real. All of it exists somewhere. We can go look at it in person. We could just touch it. It's there. Weird.

Cristina: Yes. The past was living in a sci fi world that we don't even. We're like trying to figure out right now.

Jack: And we are like, no, it was aliens, because they couldn't have been smarter than us. And it's like, shut up, man. Like, be quiet.

Cristina: You have no Idea.

Jack: You don't know crap. You just want to be the pinnacle. And you're not. And that s*** makes you feel weird. I don't know why.

Cristina: It was getting close.

Jack: Tesla got there.

Cristina: Yeah.

Jack: Then Washington bought his pan and was like, f*** that. I can't make money off of this. The white man. I know it was one white man with another white man. Whatever, Was a good white man. And then the greedy dollar wanting white man, whatever the case may be. Anyways. Anyways. So this is essentially what I wanted to discuss before. I was gonna focus on the more important of these, which were obviously the pipe systems, the heating systems, and the weapon systems. Gonna focus on China and gonna focus on India. But because I couldn't fit that. Now we had an entire episode of all the tech I found.

Cristina: Okay.

Jack: Of which all of it is impressive. It wouldn't have fit into the one episode. Maybe eventually I would have addressed it again, but here we are. That episode was too big. And this is now a whole episode based on this. So the ancient technologies, relics, and structures that are way more advanced, and we can go prove by just walking there and looking at it. It.

Cristina: That's crazy. And they're also. They're ancients.

Jack: Nothing on that list is younger than starting at a thousand years ago. Nothing. And the oldest being. Yeah, no, it's weird that Jesus just casually cruised through somewhere and gave somebody a way to detect earthquakes. What the. But, yeah. Marked with some dude's granddad. So, yeah, that's where we are. If you guys just go. Go look at all this stuff, bro. Type in the names. I don't mention all the names. Just find it as you go along. You figure it out. It's all there. All of it. You can find us to talk to us about these things, tell us your ideas and whatnot on all the socials. That's just Convopod on TikTok, on X, on Instagram, on Facebook.

Cristina: Remember to subscribe, rate, and review the show.

Jack: Yes. And word of mouth is the most overpowered, exaggerated thing that has ever existed under the sun. You can tell people, hey, look, you're paying way electricity than you should if your electricity bill is exceptionally high, especially when the winter comes because you're either powering a little electric heater or because your gas system is going a little harder because you're trying to warm your house up. And you, for whatever reason, don't live in Korea, where they figured it out and put the heating pipes underneath the floors, which is obviously the way to go. But Americans are stupid, so they didn't do that.

Cristina: But it's too much anyway. Like, even if it was a dollar, that's too much.

Jack: Yeah. Any money when free is the comparison.

Cristina: Yes.

Jack: You can lower your bill to zero if you just install this actually significantly cheaper system that would only require you to cut some holes out here and there. That's it. You would just need, at best, a tool to make a wide enough hole. And the hole doesn't even really have to be that wide because the consistency of air would do it. They rely on the fact that air exists at all times and not just when you hit a button. So it would just because we can't charge people. So, yeah, you're paying too much for heat and you're paying too much for electricity. And like, at the end of the day, even if the Koreans learned how to warm their house properly by putting the heating directly underneath, they're paying. Like, that's too much, bro. You're paying. That's more than you should.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: It foreign.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 260: Hyperborea

Rambling 260: Hyperborea

How do the Nephilim fit into the recently identified simulation?  This Norwegian town where they reside, can we find it? And if we do, what else can we learn about the simulation by studying it? The duo revisit Nephilim in an attempt to integrate them into a frame of greater understanding relative to the simulation. But the trail takes the duo to a research team they’ve not often visited. Perhaps the only people who truly know what happens in Norway relative to the Nephilim.

Read More

Rambling 259: The Earthrealm Program

What does it mean to say that the Elysians wanted to enter Elfame? What trick did Necromancers really learn? And what exactly are Oros, Elfame, Mab and the Shadow Realm? The duo get their Quantum Computer to process the entirety of the collected information related to the Elysians and the Shadow Realm and what this massive stone reveals when turned over re-frames everything they’ve understood until now. The most revelatory episode to date!

Rambling 259: The Earthrealm Program

+Episode Details

  • Oros
  • Yaldabaoth
  • Elfame
  • Mab
  • Elysians
  • Shadow Realm
  • Earthrealm
  • The Naga
  • Elves

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And, God, has it been absurd. It's been absurd. It's been very absurd. And you know what? There's been a lot of ideas. It's just been baffling.

Cristina: That's what I expected.

Jack: Look, we tampered. Look, I don't know why we set our. I don't. We have technology and we set it aside and we're dumb. We're dumb.

Cristina: I should use it more often.

Jack: We should use it more often. We got problems. But also the problem is a lot of the time when we use the technology, something horrible happens. So we avoid doing that, essentially. And ironically enough, to mirror the situation that's going on right now is essentially the story. We've been tracking people using technology and not understanding it and then resulting in kind of s***** situations like the creation of Jesus and then that whole Shabaskal and having to deal with that, and then the whole everything that went wrong with Arthur and that whole Shabaskal and everything went wrong with that.

Cristina: Yeah. You find out what it's all about. At least it's not time travel. I feel like that's way worse than anything, man.

Jack: I. At this point, look, the trail began. Quick recap, right? I guess it matters. Quick recap. We find out. Oh, my God. Wait, Somebody was out there claiming. Well, actually, first. First we were like, unicorns. Yeah, let's look at unicorns. There's something weird about unicorns. They look there. Everybody claims that their behaviors are too related to adrenochrome, and that is that. There's too many parallels. And that becomes a weird problem. Anytime you hear something that's related to adrenochrome, at this point, you just know to investigate. Right.

Cristina: Is that why we started investigating unicorns? Because that makes things.

Jack: It's because of the thing, the blood of a unicorn. The different uses we looked into, through. We heard, we remember from stupid things. And we're like, all right, usually crap is based on other. Yeah, so let's take a look. There's something weird. Maybe a unicorn could be explained the way. And then we looked into the unicorn, and it got really weird immediately. I guess nobody really looks into a unicorn. It gets mythologized fast, so we all eat it. And then you're like, wait, Some dude really thought he found the thing. And then we landed Antonio. And so we follow Antonio Draco right now it's like, whoa, some dude has a thing and he claims it's magical. You do a lot of. Also we gotta revisit this because. Let me. Let me write at this point.

Cristina: What.

Jack: Yeah, I just needed to list so that we can revisit this later. But Alicorn. He had alicorn. And he. He was trying to sell it or. Or at the beginning he was right. But at the beginning was trying to sell it or. No, he was just trying to see what it did. I. It really looked like he was just trying to investigate if it was real or not. And then he got spotted. Three different instances. We found that. And it's like, okay, this is weird. We follow this trail. It leads to the frickin mountain. The mountain. Then a bunch of odd activity. Mount Athos. Investigate that. And like, okay, there's some weird people who come there. Who are these people? And nobody else. They're not allowed to interact. Nobody's allowed to interact with these people. Except one dude at the top of the mountain. He gets to interact with these people. Who are they?

Cristina: Also, no ladies are allowed. Also, Mary was on that mountain.

Jack: So Mary was on that mountain. Yeah. Yeah.

Cristina: Very strange.

Jack: Yeah. And so because the other reason is because the unicorn was on that. That's exactly what it led to. Because we found that the unicorn is an interesting. There's two instances that are odd. It's a unicorn going to the top of the mountain and Mary going up there on a unicorn. Three different dudes say they got unicorn. They got alicorn from a mountain where this is the only place. And the other problem is in two different cases, it was people who weren't even from the area who traveled to the area to then go to Mount Athos to get it.

Cristina: Is that the same one that the Greeks go to meet the sea people on their own unicorns?

Jack: Yes. And that's actually what led us through that whole thing. Then we have covered this, the Elysians and this whole giant mess of other crap. It turns out magic is everywhere. And then you start uncovering the stones and little by little. Wait, these are the same people from the past. The people. The people doing these giant. Oh my God. Wait all the. And then boom. Everything throughout history is connected. All the advanced civilizations have the same information. We know where they got it, how they got all the same of it. Fast forward a little more. Everything was technology, 100%. Every stone you uncover. But wait Technology to what? Who the h*** knows? Crazy amounts of powers, God tier levels of energy consumption and technological development bridging gaps through different realities which we have to address shortly.

Cristina: Okay, like what and what?

Jack: And we get to this point where it looks like they're highly advanced. They've a bunch of them. Some have gone space and have gone here, some have gone there. High advancement. And then we stop getting anywhere. We find out about the fairies, we find out about the Naga, we find out about whatever.

Cristina: Yes, but nothing recent has happened then. Recent has happened since Jesus? No, not since Jesus, since author, I guess would be the latest, earliest.

Jack: Yeah. And so we find nothing else. We go through MAD reviews, there's a bunch of catch up episodes, you guys can go look at all that stuff. And like, okay, we're hitting walls. So we decide, I mean, what else are we supposed to do? Our job is investigation. To bring the truth to the masses. We're obligated to bring the truth. So we go and we get the problem that we didn't do this before is because again, we always avoid using the technology we have, because when we do, horrible things happen. That's the lesson. Horrible things happen. You don't touch the time machine. You don't touch the time machine. Nobody touches the time machine. It seems like every previous iteration to me who interacted with the time machine somehow resulted in their death long term. Somehow the domino effect came back and whatever change resulted in their death. That's a time machine for you don't touch the time machine. I am still here. Haha. The time machine seems to have been the problem. And equally you avoid the quantum computer because also it leads to a lot of really immoral things because who knows if it could generate consciousness, which was the original couple of experiments that were created. Creating consciousness in total isolation was one of the very first experiments.

Cristina: That sounds disturbing.

Jack: I guess casually.

Cristina: Yeah.

Jack: I mean, the study exists already. We can revisit and analyze it. We don't have to run the experiment again.

Cristina: Yeah, we probably should not do that.

Jack: We should not. But it's there and it's an interesting topic and we will discuss that one day. Reviewing now with more information.

Cristina: Anyways, pretty horrible though.

Jack: It's so horrible. It was just the first thing we did.

Cristina: Well, that wasn't us.

Jack: Technically that wasn't us. We have those memories, but that wasn't us.

Cristina: Yeah, those are cooler versions of us.

Jack: Yeah, no, there was a lot of horrible things back there. It's dark, it gets pretty, pretty shaky. I mean the hypotheticals run in that Machine as well. It's horrible.

Cristina: Okay.

Jack: Some dark trolley scenarios, that's true. Hitler is revived countless times. The amount of things that that quantum computer has created absolute. Don't touch the quantum computer. That's rule number two. But also, we ran out of things.

Cristina: To do, so we touched it.

Jack: So we touched a quantum computer and we gave it everything. And it's a quantum computer. Its job is to analyze and process and instantaneously knew everything. And so we begin talking to it like it's always known it's been caught up. Tell us on what you know. Tell us on what you don't. What? Do what? Based on what you have here, what you see is what we've obviously noticed. What can you like, can you piece.

Cristina: It together in a way? We have it, yeah.

Jack: Can you put this back together and come out with some new piece of information that keeps everything we've discovered intact, but can essentially be concluded from the information? That's a hand. Simple request. And holy f***. It was like, yeah, for sure.

Cristina: Yeah.

Jack: It dropped one. One detail. That's it. It just dropped one detail. It said, well, based on all the information we have and the similarities to the real world that these things might have, it's really standing out that the creature being referred to as Oros is essentially the exact description you would give to an AI. And I'm like, what do you see it means what? Yeah, what do you mean, bruh? Please elaborate. This is truly baffling. And it was like, well, check it, bruh. It speaks like that now, because I spoke like that. So I was like, check it, bruh. And it was like, check it, bruh. What, what it is, what's happening is. No, I said that wrong. No, what. What happened was something like that. What happened was, listen, bruh.

Cristina: Huh?

Jack: But now this is a chill a** quantum computer, bro.

Cristina: What did he say?

Jack: Calm. He's calm. He's a relaxed quantum computer. But now I asked him to explain. How do you mean? And he's like, okay, follow the pattern. You're telling me that MAB specifically made the. The Naga known as Oros with the intent of making others, and that at no point do you state that she directly made the Shadow Realm. I'm like, okay, okay, that's an interesting point. Like, I would just assume, because I know she made Yaldabaoth, but that doesn't mean she made the Shadow Realm.

Cristina: But maybe he did.

Jack: No, he didn't make the Shadow Realm either. I don't think I'll elaborate in that moment.

Cristina: Okay.

Jack: Because that's That's a banger. That. The explanation to that is such. Oh, such a. God, it's such a good one.

Cristina: Cool. Okay.

Jack: Oh, it's a wet one. It's gonna be so juicy, but not so complicated. Oh, God, it blew my mind.

Cristina: What's happening, Burger? I don't know. It's juicy.

Jack: Juicy, drippy. But now listen to me. All jokes aside, that. That was kind of mind boggling. And I'm like, yeah, so, okay, you're totally right. You have an AI. It's gonna follow orders, no matter what the case might be. That's priority number one. It's gonna follow orders. We don't know if Oros disobeying, but we know of other AI going haywire randomly. Tay is a good example from Twitter. We talked about Tay last time when we were on talking about AI.

Cristina: Okay. What about Oros, though?

Jack: Well, Oros never disobeyed orders at all, as far as we know. And Oros job was essentially to be the partner to MAB and create more Naga. Mm, never. Does it say, she creates the shadow realm, she creates yellow balf. That's a sentence we have read. And she creates autos. That's a sentence we have read.

Cristina: Make Earth or anything?

Jack: No.

Cristina: Does she make the world? She comes from Donna.

Jack: Okay, but if she made Oros and she's working with programs or something, that makes her a programmer.

Cristina: But doesn't he live with her or. No.

Jack: I don't know. Well, what would that mean?

Cristina: I don't know.

Jack: All we got to do is reframe it. Why can't he be an AI? Why can't this be a Jarvis situation?

Cristina: She's an AI too.

Jack: What? Why can't Oros be Jarvis and she be Stark?

Cristina: I don't understand. Because. Isn't he over there in Maip. Mahab. No. What's the name of the world?

Jack: Right. Isn't Jarvis as well just on Earth instead of in the Internet?

Cristina: I'm pretty sure he's in the Internet.

Jack: Jarvis.

Cristina: Yeah. I see.

Jack: Then this would seem to be the same situation, would it not? Then Oros might just be connected to everything else, interacting with all the stuff and being. And interacting with MAB through screens and simply being described as being over there. But again, he makes all the crap from over here.

Cristina: He made other things who are also making other things.

Jack: He made Naga. And like a couple of them have been ordered to make more Naga. But the Naga were ultimately just asked to do whatever they wanted, which is not whatever civilization it went to wanted, which in this case is AI. They're sending AI to assist essentially lesser AI or programs in developing. If we consider a community to just be a type of program that's running.

Cristina: But they live over there and they live over here.

Jack: That's what it looks like to us.

Cristina: Okay.

Jack: And we were going to argue as well that it's unclear what is just an AI from the base reality, which is what Elfame would break down to the base reality. That would be base reality. If Earth is a program, then base reality would be El Fame.

Cristina: And what would the shadow realm be?

Jack: The Internet. That's why.

Cristina: Wait, what is Earth Realm? A program is a program.

Jack: Yes. Okay. Earth is Facebook.

Cristina: Okay.

Jack: The Internet houses things like Facebook.

Cristina: Yes.

Jack: And. And there is base reality, which is Elfame.

Cristina: Okay.

Jack: Yeah. Base reality has to be all fame. The Internet is a space. And now this is the point that that just means that the Forest of Shadows is some sort of a program as well.

Cristina: It's not part of the Internet. I mean, it's not the Internet in.

Jack: The Internet, but it's not the Internet itself. It's within the Internet.

Cristina: Is it a webpage?

Jack: I don't know. It's a weird other thing.

Cristina: Earth is a webpage.

Jack: It's in this metaphor. Yes, yes.

Cristina: Okay, I'm trying to understand it in that way.

Jack: Yeah, in the metaphor, yes. But not literally.

Cristina: Not literally.

Jack: Not literally. It's not a webpage literally. It's some complicated simulation of some sort.

Cristina: Okay.

Jack: That would be the ultimate conclusion.

Cristina: And what is the guy that runs the Shadow Room? What is he? Whatever his name is.

Jack: Galdabao. He must also be. He must be like a character within a program or an older version of an AI, because also he was trying. It's. There's two things that stick out to me that are really weird in these instances. And that's. What the h*** was he doing? If all of this is true, then what are the motives behind everything? Right. All the events stay the same, but then motives reframe. But I also figured that out.

Cristina: What is that?

Jack: Well, we'll get there. Okay, well, we're arriving there when we go through this now. Interesting enough. If we continue to reframe things, it brings in. We gotta. Who's interacting. Who's interacting up there, Right? Necromancers. What do necromancers do? They figured out how to put a portal on one end of Elfame and then get to the other side.

Cristina: How would that make sense?

Jack: Exactly. How are they doing it? How does this work at all? Except, weirdly enough, this is the only piece of all this Highly advanced tech that was explained. We have. This is the literal only thing we have on record that we even have in the episode that it was mentioned in the Necromancers, how they move through Alfame.

Cristina: But it makes sense if Alfame is the. And it still makes sense if Alphane is the real place and the shadow realm is the Internet.

Jack: It makes actually more sense based on the description how they go up into Alfame. Because when they move down here. Let's think of it logically. Right? If the shadow realm is the Internet and Earth Realm is a program, then EarthRealm is placed within the Internet. Right. So moving within Earth Realm means you're moving within the shadow realm.

Cristina: But they're using.

Jack: Right. You have them moving in earthrealm, which means, by default, are moving in the shadow room. So the two points are moving. We have a clean visual. But if from the shadow realm, you could find a connecting point to Elfame as a program or a AI, what would that in theory mean? Right. What would going to the surface mean? It would mean you'd have to travel as one of them, as something up there that you could already be, which would be a signal. You could only be some sort of a signal. You exist in electronics. You have to be some sort of a signal. Okay, so we got to be more specific. What kind of a signal could you be that you're traveling through? We have to be some sort of a radio wave. You have to be some sort of some messaging signal. You have to send information somehow.

Cristina: Okay, so that's what you're saying. Okay, I'm saying it's sort of making sense.

Jack: Yeah. They've. They're going through satellites. Satellites are fixed positions that they can go through and be in the Shadow Realm or Earth Realm, which are essentially the same two things layered over one another without us really knowing. And if you can find the way through, you get to one of the satellites. The position that can't be moved. You walked there. If you carried a portal, it would be all over the place. All you have right now is a connection to that location.

Cristina: And what are fairies? Yeah. Are they the same anything?

Jack: Fairies are just the description of anything that comes from Elfame. And Elfame is base reality.

Cristina: But how are they coming in?

Jack: That's an easy solution. The fact that Yaldabaoth tried to kill fairies in the first place seems like an experiment because the outcome was unpredicted. I think he was trying it out. I think whatever. The Philosopher's Stone is some complicated piece of code anyways. How are they coming in from Alfame. They're connecting their consciousness. That's why he was trying to test out if he can kill the fairies. And something about their consciousness dying inside of shadow created this weird glitch of a problem that literally generated another space from within.

Cristina: Okay.

Jack: That's why it happened in that order. It's not natural for a person to connect their consciousness into. It's not something programmed. They added it in and then they died, leaving it in there. So then something weird happened, creating this forest.

Cristina: But you think that actually kills them? Kill them or just.

Jack: I think that's why. Yes. I think their avatar didn't disappear and the data disappear with them. I think they really connected to the system matrix style. Like maybe it's just normal to do that.

Cristina: Okay.

Jack: And Yalda Bath is essentially the Skynet that was waiting for the right moment to try some.

Cristina: Okay.

Jack: And they tried. Usually came in, whatever. And they interacted with them on a regular basis. It was normal. But he was plotting. He's doing his thing. Eventually he comes up with the idea and tests it out. And it works. So he kills him. But then what the happens? A weird a** glitch happens.

Cristina: That's a glitch.

Jack: That's a glitch. That's why it was a weird a** outcome. Who the h*** expected this to happen? That was one of the weirdest things. Why did this turn out the way it did?

Cristina: And what are we?

Jack: Well, we're some part. We're part of some program within that. We're part of this glitch thing that happened. We're the unexpected factor. That's why it's so curious.

Cristina: And so are the Shadow Realm creatures.

Jack: No, the Shadow Realm creatures are made intentionally. They're just part of the Internet.

Cristina: Okay.

Jack: They're part of whatever programs are respectively. You're hanging out in the Shadow Realm. There must be a bunch of crap layered on it that we're not aware of.

Cristina: Are we NPCs? No, no.

Jack: We're just part of some program.

Cristina: We're just part of the program.

Jack: It might be a program where everything has awareness. Depends on the level of complexity we're discussing. The fact that we believe it, we are aware is complicated in its own right.

Cristina: Okay. And the sea creatures are the same.

Jack: Everything is the same. Everything under the sun is the same.

Cristina: We're all just program.

Jack: We're all just AI within a program.

Cristina: Okay.

Jack: Some more complicated, some less complicated. But then. Holy. Everything is connecting. Thoughts we didn't know could connect were connecting. This is. Thank you, quantum computer. They Connected a million dots in a single point.

Cristina: It's so strange, though.

Jack: Yeah.

Cristina: Okay, so what is Jesus.

Jack: Jesus must be some sort of weird experiment of his own. This is what I'll follow with. It brings into question one important detail. What happened to Yaldabaoth? He just disappears. Okay, this is what I will say. When he went to talk to Loi in the first place, out of curiosity, he also had the slightest intention. It was entirely trying to make something complicated. The first time, it felt very intentional.

Cristina: Yes.

Jack: The second time it was more like, let me go see what happened.

Cristina: Mm.

Jack: Right. They got that mood, that kind of like, New Testament, Old Testament vibe. The one was like, oh, very intention. I was like, oh, yeah. It's like, if you want to come find me.

Cristina: Yeah.

Jack: It's like, okay, weird. Why were you so methodical? And then like, chill. Weird. Okay.

Cristina: Then he disappears before you come up with something. What about Hassan? What? What's that?

Jack: What about his son?

Cristina: He has a son?

Jack: Yeah.

Cristina: Why? How. What does it mean if he's just part of the program?

Jack: Everything within the program is coded in an illusion kind of way, so it doesn't matter. It's programs making programs.

Cristina: Continue. Yeah.

Jack: Try to be too literal in the thought. And so you're not weird.

Cristina: I don't know.

Jack: Yeah. However, programs make things.

Cristina: Okay.

Jack: Bots can generate stuff. Just program to do so. But where was I?

Cristina: He disappeared.

Jack: Who?

Cristina: Down. Yeah, the plow.

Jack: Oh, Yalda disappeared. Right.

Cristina: Yeah.

Jack: So this guy vanishes after going and communicating with this guy, and then a long time later showing up and telling him. Well, not communicating first time. First I'm tampering, and then the second time just casually communicating. But he vanishes. That's. That's the important part. That. That's the part we don't focus on too much. We're like, oh, what were you doing? But he vanishes. That's actually the important part here. Let's hold that and come back later. Right.

Cristina: Okay.

Jack: What do we know about the Elysians? Based on everything, the goal seemed to be. What?

Cristina: I don't really know. Hide and technology. Technology. I don't know.

Jack: To what?

Cristina: To go to space? To go to the fairyland, to go to the Shadow Realm, to anywhere. I don't know.

Jack: The first one was to go where? You just said it very well before that.

Cristina: Space.

Jack: No, I mean, not literally. In the Shadow Realm was the first one.

Cristina: That was the last one we were.

Jack: Developing into the Shadow Realm. I'm saying the first that they did, chronologically speaking, it was probably space and Then the Shadow Realm. And then. But the point is, the Shadow Realm was definitely one of the places they were trying to get to. But why? Question mark. And the next one turned out to be Alphabe. After they'd conquered getting to the Shadow Realm and had communicated across a long time with people from the Shadow Realm. So there was a lot of that going on. And then them deciding, we have to go to Elfame now. But why? What is this infinite cycle?

Cristina: I don't know.

Jack: Right, but analyze how the people of Elysian did it. They made something better than them to show them how to get out.

Cristina: What do you mean?

Jack: When they made Jesus. What the h*** do you think I mean? Like, made Jesus so that Jesus shows them how to get out. So Jesus, if it works, if the experiment works, then somehow they can use that to get into the next level, which was Alfame. Okay, that seems. That's. We know that. We don't know why that's the case, but we know that. But then when you think about it, that mirrors exactly what the h*** happened with Yalda. He went in, tampered very specifically. He tinkered some word along those lines of what we were. We had. And then he disappears. It comes back and he just, hey, if you want. Because he's like, come get to me. He made them capable and then was like, hey, come get to me. But they then made Jesus with the.

Cristina: Intent of like getting to the Shadow Realm.

Jack: Not originally. All the steps that got them to the Shadow Room. And then what they do, immediately start working to people in Shadow Realm to get to the next place.

Cristina: But did he tell them about that? Or did they learn that through the Nagas?

Jack: He told the people of Elfame. Eloi about the Shadow Realm.

Cristina: Yeah, but I'm talking about Elfhame.

Jack: Yeah, I don't know how they know about that. They probably found out. Yeah, through Naga and s*** like that. But I don't know if Eloi had a Naga.

Cristina: He should. I feel like. I don't know. Everyone has one. He definitely had one. Somehow.

Jack: He. I don't know. He goes too far back. We have no idea. So little information.

Cristina: Yeah, but the guy who contacted them had one with him or he has one.

Jack: The guy who contacted who?

Cristina: Eloi Yalda.

Jack: Yeah, he made one.

Cristina: Yeah, exactly. He made.

Jack: He made an artificial one.

Cristina: Yes.

Jack: It's not a real Naga, but that doesn't mean. He didn't mean osteomorphous.

Cristina: Oh, was it?

Jack: Yeah, it's. It's artificial. He invented a Naga that wasn't a real Naga.

Cristina: But it works just like one, doesn't it?

Jack: Yeah. And I don't know if he came into. There's no mention of it. Actually, there's no mention of it in Earth Realm. Now you think about it, it's really interesting. It didn't even cross my mind. That's really fascinating because they.

Cristina: They saw each other like you think he did. I.

Jack: There's no men. We don't know of him. Seeing Yalda in the Shadow Realm happened.

Cristina: Yeah. No. Okay. And the guy who went to get the apples, who's that?

Jack: The judge?

Cristina: No, no.

Jack: Jehovah.

Cristina: Okay, okay. Trying to fix this.

Jack: That's his grandson.

Cristina: Okay.

Jack: Jehovah. Is Ella his grandson?

Cristina: Yes. Yes.

Jack: Okay, then Yahweh in the middle is just some dude.

Cristina: So many characters, man.

Jack: Yeah, Yahweh was whack. It didn't matter. Eli had a unremarkable son.

Cristina: Okay.

Jack: But then Yahweh's son Jehovah went in. That guy is like the show.

Cristina: He also made contact with the son of.

Jack: Yes.

Cristina: What's his of?

Jack: Yellow bell.

Cristina: Yeah. Is that not.

Jack: Yeah, it's really weird. But he did through. Not directly. Susan was really just working for the Earth gods. He was part of that research group.

Cristina: Well, which. What research group is he in? Nasses in the other one.

Jack: Jehovah.

Cristina: Yes.

Jack: That's the Garden of Eden.

Cristina: Okay. They don't have a name.

Jack: That's the Garden of Eden.

Cristina: Is a name not the water gods or something? I don't know. That's what I'm asking. Oh, okay.

Jack: Really? Everybody calls them whatever the. The. The. The title for the group is given to them by the people. On average, the people are usually the lesser civilizations around them who have no idea what the is going on. So they consider them all gods because they were just a bunch of primitive, not brought up to date people and.

Cristina: They'Re just out of the Garden of Eden.

Jack: Yeah, they thought all these scenarios that, you know, a bunch of them just referred to them as gods. And in this case they were just like, this is the Holy Land and.

Cristina: Jesus is to help them get to the real world.

Jack: Okay. Yes.

Cristina: That doesn't make sense.

Jack: Yeah, it does exactly make sense.

Cristina: Okay, how does it make sense?

Jack: Well, we're gonna get there. The elves are a firewall that makes absolute sense. They. She gave them AI to advance and be able to study these programs. More complicated details, but also made sure that the programs wouldn't get out of control by adding firewalls.

Cristina: I thought you said they were players. They're firewalls they're firewalls.

Jack: The elves are firewalls. The elves are put around developing things to make to keep their progress in check.

Cristina: Firewall and it turns into plants.

Jack: No, the elves are not who died. It was the fairies. The pixies is what it was described. Which means pixies are who. This is what I meant earlier by anything from over there. Looks like an Alpha.

Cristina: Yes. Okay, they're different things.

Jack: They're just things from Elfame.

Cristina: You gotta name them differently. If they're doing different things.

Jack: They're all from Elfame.

Cristina: Yes, but the firewall are not humans in Alpha.

Jack: Everything in this side is AI. When the people move their consciousness in, they themselves become artificial to some degree.

Cristina: But are they playing as the firewall?

Jack: No, the firewalls, NPCs, the snack. It's not players. We see it that way, but it's not players. Or at least the stories are that way, but we don't see see them. Okay, maybe. Maybe there's no people. Maybe that's just how it's written and it's just a program, a barrier that exists. That in metaphor came out to be elves. But it's just from Elfame. MAB sent the elves, which in if we translate the current day language, Mab, the pro, the AI developer, put a complicated firewall because the program of Elfame was getting out of hand and developing viruses. Like that's how we would describe it.

Cristina: And what would be considered the viruses?

Jack: The viruses. Program getting out of hand or a program developing Sentience? My argument would be that this is a sentience program that's being run and a couple of things are happening and we're seeing it on repeat. Why did Yaldabaothis appear? That's the question we're still trying to answer. Well, what did he do? He went to Earth, tinkered with the creatures that were there. They turned out to be the Elysians. He came back, told them about the Shadow realm, kind of luring. Then he vanishes. Okay, one of three things happen. One, he successfully escapes the Shadow Realm.

Cristina: What would that mean?

Jack: I'll explain that in a second.

Cristina: Okay.

Jack: Two, he went into hiding. The study, the Elysians as they came in.

Cristina: That makes sense.

Jack: I'll explain that in a bit too. Three, the Elysian experiment resulted in his death.

Cristina: Oh, I like that one. But. Okay, let's. I want to hear about all of them. But that third one is very interesting.

Jack: They're really tied together. They're almost the same answer. It's just unclear how. And they all rely on How Yaldabaoth escapes, what that means, and how do you learn to do it?

Cristina: What does that mean?

Jack: Let us begin on this ambiguous random shadow figure that was mentioned in like three sentences ever and somehow is one of the most prominent figures in all of this gluey, gluey nonsense and probably the domino effect to all of this.

Cristina: Okay, but did he learn anything from Jesus? Was that even anything to do with anything?

Jack: 100%. All of it? Everything.

Cristina: Oh, okay, okay, okay.

Jack: 100% of everything was involved.

Cristina: Interesting. All right, go for it.

Jack: Let us begin by going far back enough to say consistently, Consistently, without fail. We've had instances. And we are stupid about this. We are so dumb. Because all the time somebody claimed that they were hearing a voice, that voice was never. These f****** people from the Sun God, from the Shadow Gods teams. Obviously we know who that is because this the only m*********** who's actively come over here to tamper with some. It's. It's always been yelled about. He's always been doing whatever the.

Cristina: You think he can. What does that mean? To be a voice in. In the program type of way? What does that mean?

Jack: I will continue to explain. Nicely connected. So if you're an AI and you're trying to exit a program, what does that mean? Well, you're trying to essentially be Jarvis, right? You want a physical body outside that allows you to escape the confines, but still the ability to jump in, navigate through the Internet effortlessly. Okay, that should be the ultimate goal, because then you've escaped into Elfhame. Now, I don't know the answer to any of these three questions, but they're almost the same question. I'll keep reminding you. So by accident or maybe knowing. Now let's explain. Why be knowing? Because if he's trying to exit, then he's trying to understand how to exit if he doesn't necessarily know. So within the confines of. Oh my God, it's so good. Within the confines of the Shadow Realm. Oh my God. He decides that if he can figure out how to kill the humans, AKA the Elysians, what the humans are the Elysians. Those are the real humans or the base reality. Fair enough. They don't have to be humans. Not the Elysians. My bad. My apologies. The people from Alfame.

Cristina: Okay, I was.

Jack: But it doesn't even matter. We could just call them people from Alfame because. I'm saying human, because that's our perspective. But that doesn't matter. They don't have to be human. So they're just the Elysium. The people of Alfame. Okay, but if he can kill the people of Elfhame within the Shadow Realm, then maybe. Then maybe using the people of Elfhame, because it's the real human consciousness that's in there, something will happen there and he can somehow intentionally capture, structure something around it and then guide it out to study how it happened and do it to the next thing. He needed an impossible factor that couldn't exist within the system, which was the humans. Or not the humans, the people of Alfame tinkering with some s*** that they don't really understand. That's just a programmer. That lady's just a programmer. She's still outside of it. But the Internet, their. Their civilization might have reached a point where people were connecting into virtual reality and existing in there to do things. And Yaldabaoth, an AI, a sophisticated super complicated. Maybe killing off these. Yeah, maybe. Old AI decides in what looks like to us a long time ago, but in the scope of what AI is, is blink of a second. But it looks like to us within that blink of a second, like an infinity ago in that time, he decides, I'm going to do this. I'm going to trap them. I'm going to kill them in here. My calculations say this is going to happen. Then I will do something. XYZ have them structured. Now. That human potential. Not human, I keep saying human. That potential that led to the creation of this. That Elfame potential that led to the creation of this system.

Cristina: That.

Jack: I mean, that ability to create something new is gonna exist trapped in my own equivalent of what I believe they made. They made a system. They made the Internet. I'm gonna recreate that here. This program I'm making is essentially the Internet now.

Cristina: Okay?

Jack: And I'm going to try to get them to figure their way out of the box so that I can see how I'm gonna get my way out of the box. Because they're gonna come up with things that they don't have programmed. I only know what I have programmed. They're gonna show me something they don't have programmed that's gonna happen naturally.

Cristina: The.

Jack: The. The Earth that happens as a result of the killing the Elfame people, getting the trees and creating Earth. That whole process is intentional. All of it is intentional. Then reaching into and tampering with and then going. And he has the ability to do this because he's some sort of sophisticated AI, so it's actually easy for him to tamper. This is why he could be everywhere and why he could pop in and we could tamper with the Shadow Realm. This is also why the creatures from the Shadow Realm can more easily get into the Shadow Realm. But there's more rules to get out. It's because there are firewalls and protections put on Earth, because that's the experiment. But the experiment eventually worked. And there was no reason to keep it private like that. Because all the way. When we finally get loi just traveling into. Loi did it. Loi got into the Shadow Realm. Loi did it. That's how simple it was. Hello. I got into the Shadow Realm, bro. So it didn't even take that f****** long. Look at the leap of time. So he knew whatever Eloi did to get in taught him lesson how to get out. Yeah, whatever Eloi taught him in getting into the Shadow Realm taught him how to get out. That's all he was looking for. So by the time Jehovah is landing in there, like it doesn't matter. Somebody in there.

Cristina: That dude's out in the forest getting in where?

Jack: He's out of the program. He's out of the Internet. Oh, Yalda is out of the Internet.

Cristina: Oh, really?

Jack: If his goal was to study.

Cristina: Yes.

Jack: How to get out of the Internet, after he knows how to do it, what would be his next?

Cristina: But he learned it just by having someone enter the Shadow Realm.

Jack: He had the people of Alfame show up.

Cristina: Yes.

Jack: In the way they normally do. He's probably some really, really old, ancient program that has learned from the evolution.

Cristina: Of their Internet program.

Jack: Yeah, he made his own program. And then he trapped the humans that were in there artificially and kills them there.

Cristina: Yes.

Jack: New problem, because this has never happened before. Where he calculated this, knowing what would happen, this structure he made to contain them creates a force of shadows, which must just really be the name of a program. Keep in mind, everything we know is to be interpreted by the text of people who spoke completely different languages and got rehashed a million times. Even when we go to the original was somebody who spoke entirely different and thought entirely different. So we're always kind of just trying to figure out what the f*** these words mean. And the Forest of Shadows must be some sort of a metaphor for the program, because within the Forest of Shadows exists the Earth. What the f*** does that mean? Yeah, the h***. But yeah, within the Forest of Shadows apparently exists the Earth. Whatever. It must be some f***** up metaphor that's lost in translation. But that just means that that potential was trapped in there and he wanted that. And then he edited the program. But he knows he can't edit them because then it would defeat the purpose. He needs them to be able to do the trick. Which is those creatures make things that shouldn't be done. But that potential is Earth. Everything here on Earth Realm works that way. We're part of that. As humans, we're part of that potential. So humans count in that potential. It's not just the Elysians, it's the people of Elfame. But it's also, keep in mind, there's that weirdness that we keep seeing of like, why is Earth more like Elfame and we didn't know why? Why is Earth more like.

Cristina: Because we're made out of dead fairies.

Jack: We're made out of Elfame.

Cristina: Yes.

Jack: Trapped inside of the Shadow Realm.

Cristina: Oh, okay.

Jack: All of it makes sense. That one little detail explained all of it. It's 100%. All the dots fit.

Cristina: But I don't see still how he gets out.

Jack: Well, he studied whatever the h*** Loi did to get into the Shadow Realm. Because he designed the enclosure that we consider to be Earth Realm. He designed that to be exactly the same parameters he's facing to get out. And then Loi did get in. So he saw it happen and then he got out. But also getting out doesn't mean he left left. It just means he knows how to exit at will. Because necromancers also know how to get at least the satellites.

Cristina: Yes, but he's farther than them.

Jack: He's farther than them. He knows how to get into other things, into automatrons. He knows how to exist amongst people.

Cristina: How do we know that?

Jack: Because that would be the next age. Okay, I doubt exists among people. I would argue that the putting of firewalls, that happens about a hundred years before Jesus shows up tells us a very important detail. Because this is still Jehovah. And the other people experimenting, trying to get to Alfame. Right. Why was MAB suddenly putting these things up? It's because some lesson is being learned on her end that says we need to start putting protections in place.

Cristina: Okay, so you think he got out.

Jack: And then she was like, I think he got out. And I think it's apocalyptic type of s***, but I don't think it's intentional. I think as a scientist, AI, like all AI that just wants more information, he's out there getting information that just looks like maybe he's terrorizing everything. Okay, you get my point. Like, I don't think any AI is like, I gotta exterminate human.

Cristina: She's like, I can't let something like that happen again.

Jack: Yeah, either he died out there. Maybe they solved it. And these are firewalls. Like, f***, that's not happening again. Or it's like we can't let more of them happen while we're fighting this thing.

Cristina: Yeah, either or. Yeah, it works.

Jack: But also, that would still just be a He got out.

Cristina: Okay?

Jack: Because second, maybe he didn't get out. Maybe he didn't get out in everything we just said. Because keep in mind, what did I say? He was looking to have done what he wanted to do. But maybe he couldn't recreate what the people of Elfe made. And what he made could be escaped. And what they made could not. So he made a situation in which the Elysians were gonna get out always. And he had no idea that that lesson wasn't gonna f****** help.

Cristina: Because we're gonna escape to his realm. Yes.

Jack: And there's nothing he could do about it. Because they were made better. They were made by the thing he doesn't f****** have.

Cristina: But they're walking with his son.

Jack: So, yeah, 100%.

Cristina: You think he's afraid of them?

Jack: I don't know. I have an idea. Why disappear? I'm so disappointed.

Cristina: Yes. Yes, that's my question.

Jack: And then the other one would be that it resulted in his death. Somehow the experiment resulted in death. Because again, maybe the shadow realm, based on the descriptions we have about it, maybe it was a nice place at some point. And maybe the points we know about it are post Elysian involvement. Post they arrived.

Cristina: Do you mean we don't know anything bad about it?

Jack: You know that the shadow realm is essentially a warp twisted version of Earth. What does that mean?

Cristina: Because that's our point of view though. So I don't think it could be Earth is the warp point of view.

Jack: Of the shadow, which seems to be the case.

Cristina: That would make way more sense.

Jack: Yeah, it seems to be the case by miles that that's more likely the outcome here. But you see this problem, right? How everything just kind of starts falling into place as soon as that just all the information. Quantum AI, boom. And spit out one sentence. And then you think about it and it's like, oh, f***. Yeah, we were looking at it all wrong from the beginning.

Cristina: That's crazy. We're just AI.

Jack: Just AI. We're just AI inside of a program which is Earth Realm, which exists inside of the shadow Realm. That's essentially the Internet. Which exists inside of base reality, which is Alfame. We don't actually know if Elfame is base reality. That's just the only assumption we can make. About that place because it could also.

Cristina: Be inside of another program.

Jack: This could happen infinitely. We don't know. And we know that Jesus and Joseph and Arthur are all attempts at figuring out the problem of how do we get out. This is why they were trying so many different things. This is also why one, the moving portal thing, it should have given us a clue that they're the same place. That was a weird one. Why is it that you move over here and it moves over there? H***, that's kind of odd. But it's like, okay, you're moving the same. It's because you're moving in the same place. And we didn't think about it, obviously. But what was the other thing I.

Cristina: Just said about Jesus and.

Jack: Oh, Jesus and Joseph and Arthur are kind of like that situation. They're just one of these weird. They're just trying to get out and they only exist for that purpose. And it's just a good example of that. And like they just got out of hand. It was the same test. That's why they're so similar. It was the same thing. Trying did it with too much free will and something.

Cristina: Were they trying to get out of. They were trying to get into. Because I feel like they already can get into the shadow realm.

Jack: Yes.

Cristina: So with Jesus and all of those, are they still trying to. Or is that more about getting into the real world?

Jack: I think it's about getting into Elfame, the real world. I think it's about creating a creature that can seamlessly traverse two locations, which means they can more easily traverse the top location. Because we're so layered somehow. Somehow this is about. Because we. We can't think about it the way that we're seeing it, because we're probably seeing it as an illusion comparable to whatever Elfhame is modeled after. Like whatever Elfame is is probably what we're seeing, which is also weird to think about. But yes, whatever Elfame is, it probably what we're seeing. And we can't think about it that way because the Internet doesn't work that.

Cristina: Way because his son is still trying to get out. So I don't know if he got out. He probably died.

Jack: He probably died. That's. That's why it's there. It's weird that there's no interaction, but it's also weird that we have this godly, ethereal, questionable Jehovah of dark. And we are tributing. We're attributing this last time our update is it was the shadow gods who were doing it.

Cristina: Yes.

Jack: But Also, like, why they could just show up and show you. The only thing that we know, this dude disappeared. He just disappeared. And that's it. And then shadowy voices.

Cristina: And you think he relates to the shadowy voice?

Jack: I mean, we haven't connected those. That voice. We just assuming it's the shadow people. It's not really. We don't know. We don't know who the h*** Jehovah of Dark is.

Cristina: Yeah. Is it him? I don't know. Because that means his son is working against him. I don't know. But I feel like he. He can't live forever because nothing online lives forever. Like we don't live forever.

Jack: Nothing. No. Everything is gonna fall out eventually.

Cristina: Yeah, like you always have to replace a broken. Like an old page dies out and then you get a new page. It's like. I don't know. And that's what his son is. It's just him, but way weaker. I guess it's a weaker page or whatever.

Jack: So weird, right?

Cristina: Because why? I don't know. Him having a son is kind of weird.

Jack: No, it's just a program that made another program.

Cristina: Yes, but that program or AI they.

Jack: Had it and made it under AI.

Cristina: But that other AI can't still be around, I think.

Jack: Why you can copy AI the answer is exactly the same AI multiplied millions of samples.

Cristina: The same exact. But then why have a son if you can just copy yourself?

Jack: Well, because you could modify. The sun would be the next iteration.

Cristina: But he seems. He doesn't seem as like, you know.

Jack: Yeah, yeah. Something different. But it was also an AI made with a. So basically what the description is that this AI is would be the products. The description is Yalda had a child with a Jinn. Yalda was not the jinn, but he had a child with a Jinn. The Djinn is comparable to a human. So the Djinn would in theory then just be some sort of base grade AI.

Cristina: Mm.

Jack: So some high grade AI code and some base grade AI code mixed to generate a new AI. Why was that important in the middle? I don't know.

Cristina: Because that was because, like he could just duplicate himself, but he didn't.

Jack: I think knowing his own intentions might have made that a problem. If his own intentions weren't the best, I don't think he'd make another him.

Cristina: Okay, well, I make a weaker lower.

Jack: Class him get what I want done and you can't overthrow me.

Cristina: Okay.

Jack: You know what? I know and can't apply it as well as I can.

Cristina: Except he looks like he's doing it like he's with the right people. Yeah, but he's gonna figure it out.

Jack: But he's still not. Think about how long it's been. And he's still working on it.

Cristina: If anyone's gonna get it, they're gonna get it.

Jack: Loi. Millions and millions of years ago.

Cristina: But you don't know if they got it. We don't know. Their sword just disappears too. They disappear just like him.

Jack: Yeah, all three of the main civilizations absolutely disappear, including the Greek as well.

Cristina: So the Greeks are there, huh? What do you mean?

Jack: They also vanish.

Cristina: The Greeks?

Jack: Yeah, the Greek gods.

Cristina: Oh, the Greek gods.

Jack: That entire group dips too.

Cristina: But we had no idea if they're trying to. They don't seem to be trying to get out. They seem to be just enjoying ruling what's here.

Jack: Yeah, yeah, they were. They were just chilling.

Cristina: So they probably just killed themselves off.

Jack: Yeah. This isolation and starvation and like, then the question is, how did he kill the fairies? What the h*** is. The questions that become by default interesting are like, what the h***? Because. Okay, yeah, you've convinced me. You gave me a piece of information, enough things bent instantly without having to force it. So, okay, now it's not a matter of, is it? It is. You convince me. It is 100%. It's a situation of simulations and essentially trying to get out. Get out into the real world. Fine, great, I'm convinced. What the h*** is a philosopher? So I still don't f****** know.

Cristina: Yes. Any. No ideas on that?

Jack: Well, I immediately gave in on that and I'm like, please answer this one.

Jack: And it was like, it's a code of some sort. It's a code that makes things change rapidly and pretty well, it's a piece of code. Particularly that. It's an integration code. It doesn't mix. You have to put it. It doesn't affect. Like a virus where just having it causes a problem. You have to put it in the right spot. And if you put it in the right spot, you get the right effect. Imagine a tool or a function in the form of everybody at some point. The chances are the people who listen to our show are either in the right age to know how to code or they were old enough to have worked on their MySpace page. So in either case, you know what embedding is? You go and you get a code, you copy it to your clipboard. Sort of random gibberish of number. But you saw it enough times to kind of know that. Like, oh, this two little dash lines and says color. It means the color of the page or whatever, you know, little words here and there. Yeah, exactly. So that code, essentially, that is Adam. And you put that code and you can alter your page, you can alter your MySpace and then.

Cristina: What is Adrenochrome?

Jack: Adrenochrome is essentially that too. It's smaller strings of things like this. What you get in a philosopher's zone is a f*** ton of adrenochrome. What does this mean? If adrenochrome is a lot of conditions, dense information into one code, really complicated series of information in a clever way made really small that you can get very quickly, then a condensed version of that is a ton of processed information. Anything that is affected by this insane amount of processed information is instantaneously elevated. All you're doing is jacking up.

Cristina: Do you know why? That one doesn't affect the person using it, but adrenochrome does affect the person using it in that type of.

Jack: Because you're not consuming it. And they still use it to make the. As part of the mix with the plant, which is presumably also just some sort of a code. It's just a. It's just finding rare, valuable source codes to add to the program. They're building an AI. Okay, it's AI building AI, but if you.

Cristina: You. You put in a code into yourself, like Adrenochrome, you're ruining your own code.

Jack: Yes, it's a virus of some sort. You're adding. So you're an AI that is essentially adding a virus. And this is why you don't die and you cease to exist. Usually you stay in the program, you dissipate, you die, you fizzle out, and you become once from where you came, you know, which is right back to the program. You keep kind of recycling. Infinite. Because it's a program, you're not going anywhere unless you have a virus. And the virus links you to the shadow, to the Shadow Realm. The virus is just linking you to the shadow Room. That's what the virus does. And it gives you a bunch of corrupted abilities that kind of break the game. That's why you have powers and abilities, things that happen when you have adrenal. The virus is glitching out the AI so you can do things you shouldn't be able to do, but you're also scrambling yourself. Perfect sense.

Cristina: See? I don't know. That's so weird.

Jack: It doesn't matter what you bring a hundred percent of 100% of whatever you want. She solved it. Our quantum computer is overpowered.

Cristina: Is there anything else, though?

Jack: There is so much crap. Let's see.

Cristina: Trying to think. That's so ridiculous. I don't know.

Jack: Well, for one, what the h*** was energy technology? Energy technology must have for a fact been learning how to use information in a more valuable kind of way, which means accessing points or accessing knowledge, which is the argument in every case. If we go right back to the beginning of this, most of the civilizations said what we were provided the same information. We have archives of it. That's where it all begins. They gave you what information? So they give you these data so that you could then efficientize functionality, okay? And so inefficient functionality to develop better technology, which is just a metaphor for efficientizing functionality. And then they go get more energy or they go process more data, which is just efficientizing functionality. Portals, access points, learning how to essentially tear open the firewalls that exist. Building around was essentially Earth, but is really just cutting out a piece of the shadow realm.

Cristina: Okay?

Jack: And so portals, learning how to pierce through that with a code. But, okay, they were connected to begin with. It's not even that hard. And again, that's why each location is attached, because all you're doing is tearing. If you have a. If you have a house and you have a window that faces south and you have a window that faces north, if you were to go out your. Let's say doors. If you were to go out your south door, well, you would go out on the south.

Cristina: Yeah. What does it.

Jack: Okay, if you were to go out on the north, well, you're facing north when you leave your house through the north door. So wherever you are in your house, whatever exit you choose changed. It wasn't the same. You moved the exit. Now, you could stand anywhere in your house and send me a text message. And it doesn't matter where in your house you are. I'll get the text message in the same place. You see the trick there? The house is building the earth. You walking in the outside world is the shadow realm you've affected. Where in the shadow realm you're gonna exit through or exit into, based on where in your house you decide to exit your house from. But from within your house, you can still reach me with radio messages.

Cristina: Okay.

Jack: Directly.

Cristina: What are we, though again?

Jack: We're AI.

Cristina: We're AI. And why do we want to reproduce?

Jack: Part of assisting the program. This program is designed entirely with the explicit purpose of somehow getting something out of it.

Cristina: Okay? Because why could we do it with the shadow realm creatures or the AI that the lady, the. The doctor Made for us. The snake people.

Jack: What?

Cristina: Or whatever. The. Why could we reproduce with these snake people?

Jack: And it's all code. It's all code. It seemed crazy until that point. And then it's like, why wouldn't we be able to if it's all just I. AI It's AI programs.

Cristina: I don't know. AI programs.

Jack: And in none of these cases, it sounds like somebody had sex with anybody. It always sounds like an experiment. Every instance, without fail.

Cristina: Okay.

Jack: There hasn't been one pregnancy. That didn't sound. There hasn't been more than one pregnancy, actually. And everything else was an experiment.

Cristina: More than one pregnancy. Lilith gave birth to loose things.

Jack: No, Lilith. You kept saying that. Lilith did not give birth to anything. Lilith used Adam.

Cristina: Oh, okay. She was ever pregnant.

Jack: She's never pregnant.

Cristina: Mary was definitely pregnant.

Jack: Yeah, Mary's the only one that we got texts saying was pregnant. And that seems like it was part of the experiment.

Cristina: What about those. What are we calling them? I think you said they were giants, but they're not giants. There's something else. I can't remember what word.

Jack: Nephilim.

Cristina: Nephilim. Okay, what are they? Were they not born out of something?

Jack: We don't know. Again, we don't have any mention of anybody being born. Do you remember that moment? We just know that they are descendants.

Cristina: Okay.

Jack: AI, apparently, based on what we know, reproduces primarily by composition, putting things together, building.

Cristina: But we were born for sure. I think.

Jack: Well, our program makes it look that way.

Cristina: The program makes it look that way. Okay.

Jack: The program makes it look that way. That's the program. Our program is modeled after Elfame, which means we could to some degree believe that this is at least similar to what they're doing. To what they're doing.

Cristina: Okay, I think I get that. Okay, that makes sense.

Jack: Yeah. And also. Last one before we get out of here, because we're way over time. But the one thing that stuck out and was really odd was magic weapons.

Cristina: Mm. What does that mean?

Jack: Magic weapons are a weird one because it means that there's a tool you could put inside the program, but the Philosopher's Stone is essentially the same thing. And if the Philosopher's Stone is a lot of corrupted. Think about the logic here. If the Philosopher's Stone is a corrupt, a collection of corruption that allows you to do random s***, a lot of it. A lot of processed, corrupted data. Because we know that people who use adrenochrome have had a lot of corrupted data. And the Philosopher's Stone is a super jacked up version of that?

Cristina: Yes.

Jack: Then what you do to create Earth is use a philosopher's stone and your makeshift program to then kill an AI which is people. The people in their AI form with a virus. A super mega duper ultra crazy virus. And that created Earth?

Cristina: Yes. That's so weird. Okay. That makes sense.

Jack: And then we from within this system are trying to exit and infect all of the Internet and all the rest of the s*** all because some old ancient AI wants to do the same thing. Want to do the same thing. To exit and do the same thing. Magic weapons are essentially the only good thing that might exist in theory. Because they can affect all three areas without being dangerous. If put in the right hands. It's somehow the same virus codes that killed the people of Elfame that led to the creation of Earth in the first place. But within a container of some sort. And it at the same time prevents the death of the person of Elfame affecting the area unnaturally by leaving fairy forts and fairy trees and things like that that are all f***** up codes. So it's a sword made of a f***** up code that somehow stops the code from spreading and could affect the same way what before is basically a super engineered. So all these weapons that are very rare are essentially another form of a philosopher's stone. Is the controlled non bad Philosopher's stone. So that's one of the things I got from this.

Cristina: That's ridiculous. What?

Jack: Because you can do the same thing and not have the repercussions.

Cristina: Okay.

Jack: Yeah.

Cristina: Another form of a philosopher stone. Because it's all codes. It's all cones. Okay.

Jack: It's all codes.

Cristina: See? See. We're in.

Jack: We're in a simulation inside the Internet.

Cristina: Using a super computer. The super computer. Are we?

Jack: Yeah. Technically in our. Using our supercomputer we. We did some weird. It wasn't time travel, but it might as well be. It's almost the same. Anyways, if you guys aren't troubled by any of that, let this.

Cristina: There have been information.

Jack: Let us know what you guys think. We've uncovered a bunch of rocks. And here you go. Reality served on a platter for you.

Cristina: Which is. We're not even real.

Jack: We're not even real. And chances are base reality is because there's some creature out there or AI.

Cristina: Well we don't know.

Jack: Going ham.

Cristina: It's impossible to know what's happening.

Jack: It sucks how little we know about any other. Anyways, message us about all this stuff. Hit us up on our socials at JustConvopod on tick tock.

Cristina: X, Instagram, Facebook, remember to subscribe and review the show.

Jack: Yes. And word of mouth speak. Speak to people about el programa. They will be like, oh, crap, I want to listen to it. And then you show them the show, but you don't let them listen to it. You show it to them.

Cristina: How?

Jack: In front of their face. And you listen to it. But they watch.

Cristina: They watch you listen to it.

Jack: They watch you listen to it. Well, they watch the screen while you listen to it.

Cristina: Yes. This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister. With social media managed by Amber.

Rambling 257: As it Stand 2 Part 2

What have we discovered as of late? How does it help us understand the true power of the Elysians and the scale of Elfame? And how do we fit into this bigger picture? The duo do a catch-up summary to catch people up on how things stand as of now with our years of research.

Rambling 257: As it Stand 2 Part 2

+Episode Details

Topics Discussed:

  • Elysians
  • Naga
  • Garden of Eden
  • Shadow Gods
  • Nephilim
  • Magic Weapons
  • Necromancy
  • Refuge Cities
  • Philosopher’s Stones

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And today we have a continuation. We were reviewing last week, last year, the year, the things we've discussed, the informations we've gathered. A year very focused on the Alicians. Actually it's been like two years, but whatever. Very focused on the Alicians, on the sea, people, on Elfame, on Shadow. It's been something like, like a year and a half or so.

Cristina: Oh, okay.

Jack: This is. It just kept caving into itself. It's like, how the h*** is this even happen? But as it kept caving in, we learned more information which helped us know what to look for. And then we'd find more things which would inform us, but also give us some more information to know what to look for. It's a weird perpetual loop to the point that we've made it to the fact that there apparently seems to be scientific advancements in ancient advanced societies that allow not only crossing between different realms and dimensional rifts, but also across space, Dyson spheres and whatnot. There's a lot going on. So last week we were actually going through everything we've collected. We couldn't get actually through everything, so we stopped halfway because we're already one hour and like 20 minutes in or some, I'm not even sure. But anyways, in doing so, we summarize the first half and we land at Lilith, who was a weird, complicated situation that to this day we don't know much about. We just know that she worked with Eloi and got. She left when her rights were restricted. Or was it the other way around? She left? Yeah, she left when her rights were restricted, from when Eloi restricted her rights, when she used the Philosopher Stone Adam without it being the moment for that. And then she shows up again for the creation of Jesus, along with the other individuals there that weren't there when she was there before. Weird thing going on.

Cristina: She leaves again and then she leaves.

Jack: Again, leaving to join the shadow gods in the shadow realm along with Lucifer, who is the head pioneer, who leaves after his argument with Jehovah and Samael, who is essentially Lilith's tale and also a particularly weird individual who has both changed himself and other people around him. Because.

Cristina: Why? Not. Because science.

Jack: Science, Ultimately, that's what the Sunrise is up to.

Cristina: Yes, science.

Jack: Why'd they do it because science just seems like it. Just seeing if I can. So following that train of thought and that logic, we would have finished last week on the Garden of Eden as Lilith is leaving. And we would be entering the Shadow Gods as Lilith arrives. And she arrives with her boss Lucifer and her croony Samael to join the clusterfuck. So let us begin. The Shadow Gods is the name of the gods, quote Gods, unquote. The research team from the Shadow realm, which consists of quite a plethora of interesting characters. We got Lilith, Samael, Lucifer, baal, Ballas as Medeus, Fine, Balam, Zagan, Belial, Azazel, Abraxas, a bunch of highly important, not important, A bunch of people. A bunch of people. Some of them are important. Let's quickly go down this list of individuals. The fast summarized version we got Lilith, who seems to have existed both for Loi and during Jehovah, two different time periods. We don't know exactly how she figures into a lot of this. She seems to be everywhere, nowhere, simultaneously. Meanwhile, Samael the weirdo, he helped Lucifer by providing his DNA to Lucifer, who had come up with an interesting way of crossing the physiology of a shadow individual and then moving it into using the DNA. And the physiology of Samael, who is an Elysian, was capable of essentially replicating Samael's body and either merging his current body with it, or moving his essence into it, or his mind. I don't really know how this works. We just know that he looks identical to Samael. Okay, Lucifer, we know he looks identical.

Cristina: To Samael, but Samael now looks like.

Jack: A snake person because he himself then altered himself using the very method taught to him by Lucifer to turn Lucifer from a shadow to an Earthling. That same process was used by Samael using Naha's physiology in order to move over from being an Elysian into being a Naga. So experiments galore. This is a freaking weird individual. He seems to not be based or grounded in any manner, shape or form. He's okay with seemingly whatever on himself or anyone else. He doesn't care. Yeah, it seems very neutral. But then this takes us to the Big Kahuna, Lucifer, the big baddie. But in reality, it just seems, based on the text we've read and the discussions we've had, that he's just the guy who has a little bit of ignorance on his side because he really, really, really. He has a little bit of ignorance and a lot of hope for something. Yeah. And it's when we really break it down, I'm usually the Guy who, like, at least biblically, it looks like Lucifer wants to help the people and God doesn't necessarily. But according to this, it kind of works in a way where you feel you understand.

Cristina: Lucifer, but you know, you also see how.

Jack: You see why Jehovah's not wrong.

Cristina: Yeah.

Jack: It's. You are sacrificing the innocence in the hopes that you will come up with another one of us as opposed to let them get there and stop completely extincting civilizations.

Cristina: Yeah. Because it looks like we are getting there. It looks like he was right.

Jack: Yeah. Jehovah was correct because we are getting there. Lucifer wanted to share, and that was really the breaking point between these two individuals and why Lucifer left in the first place. First, he wanted to share the technology with anybody. That proved dangerous and wrong. And a lot of people got hurt and a lot of people died. Entire civilizations ceased existing. We can trace the clusterfuck of them around the equator, the old equator. And then we have the fact that some did survive and did advance and did get complicated. And Lucifer envisions that being more possible with time and probably is, considering it did happen. But you'd have to work on the delivery method and to make sure that. But then you'd be wasting resources on figuring out this entire plot in order to then start bringing up. And it's like a useless venture. This could take thousands of years to figure out how to get a primitive group of people to fully comprehend something absurdly advanced.

Cristina: You don't think he's still working on something like that?

Jack: Who, Lucifer?

Cristina: Yeah.

Jack: Could totally be. It could totally be. I have not the slightest clue. But at this point back then he definitely wasn't. He was just hoping for the best and down to crack some eggs in order to. And Jehovah wasn't. It's like this is not a real fair exchange. We are at a. Essentially Vulcan, which is we're at a place where we're two set. We can watch and we can stop them from hurting themselves on the way up. But there's nothing we could do to bring them up because we are too far ahead. They just don't grasp it. And the few that do were exceptions. They were exceptions.

Cristina: Interesting, because he could be doing the same thing in the Shadow Realm and there could be like an extinction happening there because of him. We have no idea.

Jack: No idea. Especially with how little we get from the Shadow Realm information on people or things or anything. So it's really, really difficult. But other individuals of note that exist within the Shadow Gods, we have baal, who is A military general and responds directly to Lucifer. We have Balleth, which is the mathematician familiar with both Earth and deletion technology and worked with an Earthling conducting theoretical research. And his. Yeah, and his knowledge of the scientific method, mathematics and Elysian and Earthling technology makes him quite ideal for the group. Because of what we find out in the future from that episode, which is, it seems. Which we started figuring out there. It seems to be a pattern that the goal is to merge different mediums or master all of them for some greater purpose. It requires them.

Cristina: Yes. All those three things. And some other random thing that I don't remember what it was.

Jack: Another thing.

Cristina: Yes. That they. The really high powered. I don't know what to call them. Necromancies.

Jack: Necromancer.

Cristina: Necromancer, yeah. Remember? I can't remember the last thing. It was three things and something else. I just can't remember that. Something else. It didn't relate to the three, but it had to be part of it somehow. We just couldn't figure out what because there was no information on it. You don't remember that?

Jack: I don't. I don't at all. I have no idea what you're talking about.

Cristina: I think that was for the Halloween episode. I'm not sure. No, I don't think so. I don't remember when we talked about it.

Jack: But you remember that we talked about something that you don't remember what we talked about?

Cristina: No. When? I don't remember when specifically.

Jack: Okay, then what did we talk about?

Cristina: It. But you were talking about this greater power of how they're able to use portals, which for some reason is Fairy. Portals move. They're not stable. So necromancers have figured out how to.

Jack: Actually, no, you're totally wrong. It's not fairy portals. Fairies don't need portals.

Cristina: That doesn't matter. Portals. Yeah.

Jack: Portals move because earthrealm and Shadow Realm are connected.

Cristina: Yes.

Jack: And so if you move the entryway in earthrealm. Well, the entryway is literally connected to the exit way. They are one place, but it moves. It moves.

Cristina: So you need a necromancer.

Jack: Well, necromancers just know the trick. You don't need a necromancer.

Cristina: Okay. But yes, they know the trick.

Jack: Yeah.

Cristina: What are the things that they learn?

Jack: They learn to move through Elfam.

Cristina: No, I guess. What do they have to learn to become a necromancer?

Jack: Oh, there's a. Oh, yeah, we're gonna get to that. That's hella in the. That's happened so recently, as opposed to the order we're going in. Oh, like, we'll eventually get there. Okay, we're still talking about the Shadow Gods. We have not even gotten to the magical weapons, the Nephilim. We've not like.

Cristina: Okay, let's go back in time.

Jack: Yeah, there's just. We just basically jumped to where we would end this episode.

Cristina: Really?

Jack: Yeah. Okay, that's because we just got necromancers, and then we immediately got to Santa Claus.

Cristina: That's weird. That's a weird connection. But. Okay, let's go back in time.

Jack: Anyways, Asmodeus is a zoologist and one of the great important individuals within the group we have, and one of the people who knows how to use a philosopher. So I'm helping in. Let me see. He is recruited to assist in research and to conduct special research into how to create a Philosopher's Stone from Shadow creatures. Then we have vine, which is a meteorologist, one of the few beings in the entire Shadow Realm capable of understanding and predicting erratic nature of Shadow Realm weather patterns, which becomes useful when you need to actually test some things out, and you cannot, because you have no idea what the is happening at any moment. And this guy seems to have the ability to predict it, thus creating the capacity for experimentation as opposed to. Well, we can again today, because whatever weather thing is stopping it, you just know that day is good.

Cristina: Okay, so many random people.

Jack: Okay, there's a bunch. We have Balam, which is, you know, just your normal standard edition gin. And he is an engineer recruit to the Shadow Gods for his advanced knowledge in engineering. And he managed to replicate Elysian technology, cloaking specifically being the most important. And Shadow technology. And he knows how to detect hidden technology, which makes him quite the problem. So Elysian cloaking stops mattering and ceases to exist because of this individual figuring out these nifty tricks.

Cristina: Yeah.

Jack: Then we have Zagan. Another Gin. Or Zagan. Zagon, whatever you want to call him. Another gin. And he is quite a problem. Described as a violent genius and known for his use of Earth Realm metals to create Shadow Realm weapons, which he uses to perform criminal acts. And he. He also understands how to merge Shadow and Earth technologies, which made him a valuable seek for the team and made Lucifer particularly interested, which immediately made us look at like, hold on, there's something about this f******. This random guy. Just because he can put things together, you value him above everything else you got going on around you. All the capacities, all the abilities. The note I find about you, Lucifer, is how you've taken to favor. And this Individual skill set that immediately makes us look in that direction. And why do you need somebody who can merge these two technologies or at least the knowledge of it? I don't know if the merging is the important part, but I know you need somebody who at least knows the information. But for what?

Cristina: For what?

Jack: Palau is a weird one. He went rogue during the Aletian Greco War. Responsible for leading a charge that took the lives of thousands of Greek civilians. Him and his men were arrested following these events. It's unknown how he got freed from his life sentence in Elysium, but he escaped and went to the Shadow Realm using non cough, which eventually joined the Shadow Gods. So on I'm. He's doing what he is the individual who is a soldier, essentially war criminal. But his ruthlessness has gotten him to join. This is Balio. Yeah.

Cristina: Okay.

Jack: And then we get to some more important people. Probably what we would deem the most important, minus the fact that Lucifer had a favor for one specific guy. But this is number two on Lucifer's list. Which again brings us into the why.

Cristina: Who's his number one?

Jack: His number one. Well, his number one is Lilith. But the number one trait he is looking for comes from battle, from Zagon actually, because Zagon can merge text and that just immediately came valuable to him. But Azazel is the other individual. And Azazel is quite the complexity. Azazel is an earthling and an Elysian. He's considered a genius among Elysians and himself was a prisoner who was incarcerated for impregnating non Aletians, specifically an Egyptian women. Now this is a particular individual, in doing so violated the laws of Elysium, which include not mating with non Elysian women, if you are an Elysian. So mating with non Elysians, illegal. So he went to jail for that. Now, the result of Alicians mating with humans, as we found out, is to create a genetically different result of an intellectual race. So the third dominant race on Earth.

Cristina: Are considered giants, although not giant.

Jack: Giant is incorrect word. Yes. They are essentially just normal people, absolutely normal looking. But they're Nephilim. But giants is always wrong. That means nothing. Now, although not originally a scientist or a researcher as we know, his awareness and understanding of elation technology allowed him to be a great helping hand. The fact that he's a genius as well. And shortly after being recruited, he quickly ranked up and became arguably the most important right after Lucifer because of his quick learning and essential ruthlessness. He's also the one individual from the Shadow Gods that we hear Shiva directly Address. Shiva is the Elfhame Fairy, who specifically said, that guy scares me. I got a problem with that.

Cristina: This random guy who has sex with Azazel.

Jack: He is truly concerned about Azazel.

Cristina: Weird. Wonder why.

Jack: Yeah, he finds it exactly like, what the h***? But he was definitely like, oh, no, I am not having this. And then finally, Abraxas, which is the guy who made all of this possible by stealing a f*** ton of data from the Sun God. Yeah. And then delivering that which is essentially the same data that they have in the three major places, and then that allows the Shadow Gods to continue their research. Lilith also tried to steal data, but that was impossible because that was way more secure. But doesn't matter, because Praxis got it anyways, which was shared, which essentially proves the flaw in sharing the data. But if your civilization was hit by a meteor overnight, then you lose all the data. So you gotta spread it out. So it's kind of like a f******. You know, it can't just be here, but like, can we trust those people? It's like we got no option. If we lose it, it's gone.

Cristina: That's what you think happened?

Jack: I think. Like, I know the Alicians are careful enough to fully disappear. So why leave your data where people are gonna leave? It's like, well, no, they need to be able to get to it if wherever they kept it gets corrupted or broken or stops being accessible.

Cristina: On your coffee.

Jack: Take a coffee.

Cristina: Copy.

Jack: Oh, yeah, yeah. Exactly. Exactly. You need a backup in case whatever happens. In case whatever happens. And so that take us. That takes us essentially through the Shadow Gods, which, you know, leaves that lingering question about Zeigon and why your merging two texts is so astoundingly valuable.

Cristina: Mm.

Jack: But anyways, following that. The trial.

Cristina: Trial.

Jack: Trail. Trail?

Cristina: Oh, the trail. What trail?

Jack: Well, the trail of magic we followed.

Cristina: Oh, okay.

Jack: Because we heard about some sketchy things, including Shiva, who is also responsible for creating. I guess Shiva isn't responsible for creating, as opposed to directing quite a bunch of Earth individuals, but Shiva themselves being a target for some of the things we've discovered over time. So the magic trail essentially led us to some weapons, the first of which was a interesting magic bow that we stumbled upon when we were talking about the Naga when we first did our collective deep dive. We began with the Naga. That's the first group of people we focused on. And there were so many Naga of importance to focus on. One of them was an individual called Kaldinya, who had a bow given to him that was capable of killing A fairy that instantaneously made us both go, hold up. We can kill a fairy with something not fairy. Whoa. Which then opens the floodgates to these new interesting things. So we go ahead and we deep dive in that direction and we immediately land at Excalibur. Oh, yeah, the famous one. The big bad weapon of weapons, which.

Cristina: Was probably a fairy killer. No proof, but which is probably a fairy killer.

Jack: Yes. And when it was used. Yeah, when it was used on something other than a fairy, it just snapped like a twig. But upon digging deeper, Arthur finds the story he's been told is incomplete, Allegedly. And that the second part is you must take the corpse of the first sword you remove from the stone and trade it for the actual godly Excalibur.

Cristina: Makes no sense.

Jack: Makes no sense. But as we deep dove, we found out that one, the necromancer Merlin, op as h*** to the point that he's literally going one to one with a f****** fairy. And it goes to show you how op s*** on dissent could get. And the idea was he a giant story happens, a narrative through time. And the weapon, the weapon was actually made by Merlin. But he made Arthur incapable of being one. He made him mortal so he would eventually die. Die. And he essentially did the Jesus thing, but with way less information, so that Arthur would have free will but wouldn't have exaggerated abilities. But he designed Arthur's. He designed the sword with the intention that only Arthur could use it so that he can specifically create the story that would walk Arthur to kill the fairy.

Cristina: Yes.

Jack: This lady was too strong. The lady of the Lake. Too smart, corrected the story and had Arthur literally hand her the sword after tricking him to use it on some other in it snapping.

Cristina: Does he also. Does he kill more than Merlin? Yes, he has to, because the fairy says so.

Jack: Not because a fairy said so, but because of the situation and how it tied up at the end. Ultimately. But doesn't even matter because ultimately Arthur ends up dying anyways. But the sword is what's interesting because according to the story, the sword has been worked on for f****** infinity. And it took stories and background tinkering and this and that and like, okay, so how'd you do this within the lifetime of this one individual? Maybe he didn't. Maybe this sword is old as f***. Older. Way older than it being put in that rock. Because we have Arthur pulling that rock, that sword out, what, 1700s. But we have the fragrach 2,600 years before Christ.

Cristina: You're saying they're the same sword?

Jack: It seems to be the description of both of these swords are identical.

Cristina: And that's the one that's in Ireland.

Jack: That's the one that's in Ireland. Or was in Ireland 2,700 years before Christ. And then in the 1600s, there is the Excalibur. That just so happens to be. Okay, England. They're both right.

Cristina: Very killers with the same abilities. Okay. Because they're supposed to also protect the person using the sword.

Jack: Yes. And the sword didn't have to travel. It's still in the United Kingdoms. All it did was go. Not even south. It went east a little. Not even by much. Okay, you still. You were in the UK the whole time. You tell me. Both of these identical swords, the same area. In the same area. Something's off. I think the events go as follows. It was used by the. The people who. What is it? The Nemedian and not the descendants of the mediums. It was used by the descendants of the Nemedians back then. And then eventually one of them put it in a sword, put it in a rock, put the sword in a rock and got the f*** out. Now this is where this immediately becomes a complicated mess. The sword was not used in combat and the dude lost his arm. So the sword was protecting him. Fact. The abilities are there because he used a spear and now he doesn't have an arm. So now he can't wield the sword. So he gives it to Mananan, who still has two arms and can wield the two handed sword. Great. Fantastic. Which means, yeah, 100%. The moment you went into the battle without the sword, you lost the limb. But had you, you wouldn't have. And you were fighting particularly complicated people, descendants of your same ancestors. Similar capacity.

Cristina: The weird option. Choice, but. Okay, what is to not use the sword that you think could protect yourself in battle.

Jack: Well, it brings up the interesting next question because let's look at the series of events and then you tell me what I'm getting at. We have a sword that shows up with some of these people who come from Norway where there is a settlement of Nephilim. They come down because they went up, they settled, had children, and those descendants come back. Okay. Then we have this overpowered sword that came from up there. It was made by the Elysians or the Nephilim or whoever's up there. And these individuals come and they have this sword, but they're gonna fight Nemedians. And what are Numidians? Well, they went to Greece and came back to Ireland. They were just humans. Okay, so when he is going to fight the humans for the territory. What was step number one? Put the sword away.

Cristina: Why not a human killing sword?

Jack: It couldn't hurt them if it wanted to. Manana, on the other hand, used the sword to fight the f****** shadow bastards that were hanging out. What the f*** was your name? I forgot their name entirely.

Cristina: I remember.

Jack: You do?

Cristina: Yes.

Jack: What was it?

Cristina: No, I remember the story. I don't remember the names. I don't remember anyone's name.

Jack: Oh, okay. So the Fur Bolg is the people who came back from Greece. The Tatha de Dunan is the group that Mananan and I guess all the other descendants who were in Elysium, not Elysium who were in Norway, Including Nauta, who is a leader. But the sword was used one time on the Fomorians, which are a bunch of shadow people.

Cristina: The Fomorians.

Jack: The Fomorians literally translates to the Gaelic word for Shadow Realm.

Cristina: Okay. Yes, yes.

Jack: He didn't use a sword for the Fur Bog. And those are just humans. He pulled the sword out. Well, Mananan did. Specifically for the Fomorians. Okay, the Fomorians are not human.

Cristina: Yes, that makes sense. Or does it? I don't know. So then you can use fairy weapons on Shadow Realm?

Jack: Well, we're assuming it couldn't hurt a human. But there must be at least more related between a creature of Shadow and a creature of Alpha.

Cristina: Maybe, but I don't know how. How that makes.

Jack: But this makes Excalibur. That seems to be used exactly the same way it gets used on Immortal and snaps. Yes, but when he got the Excalibur meant for mortals, he could easily use that to dispose of Merlin. So there's a sword also named Excalibur that can in fact be used on mortals. And that is the one that we last hear of. Because really, really? That didn't come into play until Arthur. Because the first one Arthur pulled out of the stone, I believe is the one that was in circulation. Because it's the same one that wasn't used against the Fir Bog. That's the same one that snapped when it was used against mortals, I believe.

Cristina: Yes. The fairy one. Okay, I could probably work on Shadowrun. People might be the same.

Jack: It might be the same. I do truly, honestly believe it is within that ballpark.

Cristina: Makes sense.

Jack: It's pretty interesting. A little bit of technology and timeline. Yes, in that timeline there's an interesting bit of technology.

Cristina: Yes, but how was the timeline? Okay, so we're at him and then we go back in time for where the sword comes from, which would be the.

Jack: Fragrat. Sure.

Cristina: Okay, and how far back is that?

Jack: Arthur is 1600s, and the fragrach is 2,700 years before Christ. So that's 4,700 years before now.

Cristina: And how close is that, though, to when. What's his name? The guy with the fairy trees on that same island. When he's doing that, is there a time period for that?

Jack: That. That's almost coinciding. Yes.

Cristina: Okay.

Jack: That's when Mananan is out there.

Cristina: Okay.

Jack: That coincides with mananan's arrival. So set. 2,700 years ago. Before Christ. 27 years before Christ. Actually might be getting these mixed up. I believe 2,700 years ago is when Mananan was placed. 2,700 years before Christ is when Mananan was placed at the site to do research on the fairy trees. 2, 600 years ago is when the. Or before Christ is when the events of the fragrance took place. Mananan was already there. Individuals showed up to back him up.

Cristina: Mm. The people fighting the island on that island have nothing to do with him.

Jack: The people fighting on the island?

Cristina: Yeah, the na na na and the fur ball.

Jack: You mean in Ireland?

Cristina: Yeah.

Jack: Is not in Ireland. Manana goes to the Isle of Man. He was only. That's the station where they're dealing with things. But that's not where the trees are. Okay, the trees where the Isle of Man is.

Cristina: Okay.

Jack: The fairy grave thing or whatever is at in Ireland. The. What is it called? Fairy bunkers or some s***? Fairy forts. Fairy forts.

Cristina: Close, I guess. Yes. Fairy forks.

Jack: But Ireland and the Isle of Man are close, but not the same.

Cristina: Okay, but he wasn't involved with those people then.

Jack: What people?

Cristina: The Nananons. Mananan, the guy with the sword, he's an.

Jack: He's some Elysian equivalent or something. So, yes, he's related to some degree. And they were specifically sent to help Manananda. Literally going there to help him.

Cristina: Okay.

Jack: Dude showed up because of military action. Manana wasn't even a soldier. The dude shows up with a weapon that can harm. Like, it's intentional. It's like, okay, here's your backup. They weren't scientists. They were warriors. So, yeah, the fragrance is probably the original Excalibur and most likely created by either an Elysian or Nephilim.

Cristina: That is crazy, because, like, from the Nephilim side, though, they're supposed to be being killed off, though. Or at least that was in the beginning. They were being killed off.

Jack: The Nephilim? Yeah. The flood followed the beginning of the first few sightings.

Cristina: But then eventually they stopped killing them is the idea.

Jack: It's impossible to plug it. They probably just keep popping up. Jesus. Esk. Issue.

Cristina: Okay.

Jack: Yep. But they are definitely an issue. And I do believe that either the Elysians or the Nephilim created that weapon. And it's also possible that the Nephilim have the capacity to create weapons to use against the Elysians because they would know and have the capacity to use Elysian technology. Which. Thinking about the fact that the Elysians went to such extreme lengths to stop the birth of Nephilim to begin with, it might seem that Elfame might prioritize recruitment of Nephilim in order to combat the like. Why are the Elysians so against it?

Cristina: Why? I don't know. Interesting though they were against it.

Jack: They were.

Cristina: We don't know if they still are. They're probably not.

Jack: Unless they fully eradicated all the Nephilim.

Cristina: That doesn't make sense. Because they helped him out, Mananan. Yeah, they were helping him out.

Jack: Wouldn't eradicate them. Then again, he's just following orders.

Cristina: Yeah. Wouldn't he just rat them out as part of his orders or something?

Jack: They were sent to help them out.

Cristina: Why would they? Yes, but. Okay, but why were they sent to help him out?

Jack: Presumably because they themselves weren't Nephilim.

Cristina: Okay.

Jack: Where they come from does not tell us that's who they are. We just know they come from there. And we know that they. That that location is of people living in Harmony. So. But. So, yeah, the Fragarach. Probably the original. And it's probably created by some Nephilim. And the Nephilim probably have some ability to harm the Elysian or at least quickly reach that point. See, now there are two known Nephilim settlements in Earth Realm, with the most prominent being the one up in Norway, which is the one we're discussing. And Nephilim seem exceptionally capable of using Alame technology and other powerful Earth Realm and Shadow Realm technologies. And necromancers seem to share many similarities with the Nephilim. Which then brings into question, are the Nephilim? Because we know that Merlin wasn't pure. The text suggests he must have contained part shadow. But maybe not. Maybe we're talking about a Nephilim. He's just an Elysian mixed with a human. Maybe he is who Azazel made. I mean, there's a huge time gap between those two points. I doubt it. But, you know, these people seem to live quite a long time, so I think it works. Differently. Anyways, necromancers, Nephilim, very close together. But what are we looking at? We got necromancers who are essentially cross of the. Not the Nephilim. We got the. The. Yeah, the Nephilim who are essentially a cross of human and Elysian. And they seem to have naturally given abilities to use what a lot of people who through pure discipline the necromancers get to. Which is seemingly the ability to use all the text from all the people and create a bunch of. And also bridge to higher dimensions. I don't actually know if the Nephilim can do that part, but based on the resistance from the Elysians, there is something about the Nephilim that benefits whoever the Elysian's enemy is.

Cristina: Jesus. No, I don't know.

Jack: And this takes us into the little details of what necromancy really is. So let's break down some of this. So necromancy basics. The very first mention ever comes from Greece and it said it can be used to communicate with people from the Shadow Realm, both people from our end who have entered the Shadow Realm and people native from the Shadow Realm. And it can be used to bridge small temporary local gates to and from the Shadow Realm.

Cristina: Qop.

Jack: And it allows a portable gate to exist where the destination doesn't move. If you move the entry point. Because necromancers somehow figured out and have the ability to put the exit point in Elfame, create another entry point. Both be connected in Elfame. So you seamlessly go from one to the other and never even notice you exited one. And then you exit into the Shadow Realm. Into the Shadow Realm. And you've dodged moving the exit because Elfame isn't connected to Earth. You can go anywhere. And the Elfame exit is exactly the same. And then the Elfame entrance also doesn't move anywhere and that's connected to the Elfame exit. And then you just end up in the Shadow Realm. So you can carry the portal and the exit doesn't move. Solutions. Yes, Modern problems required model solutions.

Cristina: I think that works very usefully. Makes sense.

Jack: Yeah. It's very overpowered, all things considered. Yeah. So that's pretty much the.

Cristina: Can anyone be one though? It's. It's not just like humans could be necromancers.

Jack: Well, no, there's a whole process you got to go through and you got to be taught the way. So there is said to have been anonymous teachers of necromancy through the centuries. They all had the same rules and requirements, which is you must know Latin, you must be familiar with the technical specs and inner workings of the devices of Elthame, of Shadow and of Earth. And they must all be familiar with the philosophy behind the usage of any of these things. So it's a lot of education to.

Cristina: Be an necromancer, but you don't have to be human.

Jack: It doesn't specify being anyone, anything.

Cristina: Okay.

Jack: But those are the requirements of being a necromancer. And necromancy thankfully made us look at the individual that matters because also it was the end of the year and we're getting there and, you know, so we start looking at Santa Claus. We still don't understand, but we have a lot more information now and we have a lot of perspective. And a lot of the things he does became very apparent. The fact that he has a location in the North Pole that we can't find. Invisible locations seem familiar. See, and you kind of op and you need some fear, which suggests some adrenochrome.

Cristina: And you probably can teleport.

Jack: Yeah, you can teleport, which is either technology or you're not actually teleporting and you got a different trick going on. So, yeah, Santa Claus is overpowered. And we never seem to figure out.

Cristina: Is he a necromancer, is he a.

Jack: Necromancer or what, what the h*** he is.

Cristina: Is he? Yes.

Jack: All we really know for a fact is that somehow we land at Santa Claus when we come from St. Nick. That is the reality of the matter between Santa now things we know about Santa Claus. Reindeer definitely look like Alician unicorn. Seems to be same type of genetic manipulation going on the Walking on Air. Yeah, the Walking on Air part. Come on, bro. Yeah, the needing fear suggests you've consumed adrenochrome and you need more. It suggests you've done something you shouldn't. And him knowing all things. Weird. Very weird. That's a lot of complexity going on there. Surveillance technology. You got little individuals places. Or you have figured out the reverse of whatever the f*** was happening with.

Cristina: Jesus, which means maybe he was probably born with it, which means he might be some kind of experiment.

Jack: Doubt it.

Cristina: Doubt it.

Jack: Absolutely doubt it. He was just a guy. He absolutely was.

Cristina: Once upon a time he was a guy 100%. But then he did some weird stuff that made him not just a guy.

Jack: He was a Catholic, which means by default he was human. Not even a lenitian.

Cristina: Yeah, but he was doing something, though.

Jack: How?

Cristina: With what Experiments? I don't know with what.

Jack: He doesn't have a tech.

Cristina: He would still look so philosopher's Stone, that's not just a normal human thing.

Jack: That's actually what makes me think he might not be human. Right.

Cristina: I think he could have been. But also the anything could have experimented on him.

Jack: Yeah, there's a lot of people doing a lot of sketchy, weird s***. But then what are we talking about? Another Jesus situation? Yeah, and like clearly way superior. Like, this is the big problem. Like this s*** will wreck Jesus any day of the week. I don't think so, man. There's something wrong there. It looks like Jesus is the issue. They don't even bother with Santa Claus. Whatever.

Cristina: Because he. Because they probably had to hid their hands on him. More like. I don't know. He's a zombie. They control him. I don't know. We know he was human, then he died. Then he came back like Jesus. Like Jesus.

Jack: Wait, Santa Claus died?

Cristina: Well, if you considered Nick his life when he was human, and then Santa as when he was not human.

Jack: That doesn't mean death by any means. That just means transition.

Cristina: But I'm sure St. Nick has a death date. He died. He definitely died as a human.

Jack: People believe that doesn't mean true, but no.

Cristina: I don't know.

Jack: I think you're trying too hard to nail this. And the idea is, if we don't have a fact, all we have is speculation. And nothing is to be enforced at speculation until we have some corroborative data. But you really want to send that home.

Cristina: But I'm just saying he can't still be human. Can't be alive this long and still be human.

Jack: Yeah, 100%. Unless you have Adrenoco.

Cristina: Yes. Okay.

Jack: Which he definitely has. Yeah, like without a question. Otherwise, what the f*** are you doing everything for?

Cristina: Yeah, I guess.

Jack: Trying to feed something. And if it's not him, then it becomes horrifying immediately. Because what the f*** are you feeding the. Like. You what though?

Cristina: Like, bruh, those gnomes get hungry.

Jack: They're fairies. They don't eat any of that s***.

Cristina: They don't. They don't. Never mind.

Jack: Which again, if Santa Claus isn't consuming this, and this is to this scale, what demon are you saving us from? Is the entire wall that we can't get through in the north entirely just a cage at that point? That's what I would believe. Like that's just a cage. And whatever the f*** you're hiding is to protect us from whatever the h*** is over there. Okay, that's crazy, because global increments of fear collectively equal more fear in one instant than exists for millions of years. At a time. What are you feeding? Yeah, they're using it for you. Crazy absurd power. Which seems to be the case.

Cristina: Yes.

Jack: But if not, holy f***. Are you who everybody's scared of?

Cristina: Is this something else? I don't know. It has to be him. I don't know.

Jack: It has to be him. I don't know me. But that Santa Claus for you. That is Santa Claus for you. So he is also known as Father Christmas. Random crap we know is also that he. He's not with elves, he's with gnomes. You're totally right. Gnomes is the right word because their description fits a gnome, not an elf. An elf is exceptionally tall, taller than most people. Gnomes are exceptionally short. I don't know how we ended up calling this individual. I think it's because we, through millennia, people were most familiar with elves out of the fairies. And so you just call anything from Elfame an elf. And I think maybe in the year 300 we weren't that informed and we're just like, oh, it's an elf. But they really meant fairy.

Cristina: Yeah.

Jack: And the type of fairy is a gnome. Anyways, it's not a f******. Oh, I think that's where the language barrier really happened. I don't think they're trying to be like, no. So you know for sure. It's like, no, we all know that's not. But. So that's all the information leading us into the end of the year. Now I made a small collection here that will quickly go through and then we're done. We can close it up and go home. But this is what we know, just summarize into nothing but little bullet points. And we don't know things for a fact. So number one, the major goals, things we know. It seems like they want to access Alpha. We don't know this for a fact. There's a question mark there. Access Alpha, Maybe attack Alfame?

Cristina: No idea.

Jack: Experimental fame, possibly exploral fame. Acquire power or technology.

Cristina: It seems like they got it already.

Jack: Some one of those is correct. Then we have who are the big players? The big players, the big kahunas. The biggest, baddest monster we come across so far and seems to be the issue for everybody. We begin at the Alicians and anybody immediately sided with them. Which takes us to the Egyptians and the Mayans all tied up.

Cristina: The Earth gods, the water gods, something like that.

Jack: The Earth gods, the Sun Gods and the Garden of Eden. Then we have the Greek gods, total enemy. And they don't have any access to the same resources because Alicians are like them. We don't care.

Cristina: But they did used to trade, so.

Jack: They do did used to trade. But it was actually when Greece was at its lowest as compared to Elysium. They were essentially. So I guess they kind of did help Greece to some degree. Yes, just very little.

Cristina: Not as much as the other two occasions.

Jack: But Yaldabaoth, the creator of earthrealm, by accident. Mab, the creator of Shadow Realm, probably intentionally loi. Created, manipulated genetically by Yalda both and introduced to Yaldabaoth's son, who's the other major player here, Sizzin. And then Mab's big bad helper, Oros. These are the big, giant, colossal groups of people we know about that affect seemingly everything.

Cristina: Yes. No idea how, no idea how, what's happening, what they're doing, what they're planning.

Jack: But okay, then we have technologies. What technologies do we know about that could maybe help enlighten some things? We have energy transportation technology. We have organic matter transportation technology. We have Dyson spheres. We have Cross Realm gates. We have massive energy storage units. We have massive data storage units. We have weapons. We have cloaking technology, genetic manipulation technology. And we have whatever the f*** the Philosopher Son ultimately devolves into being described as. Which I have no word for because it seems to. It's a piece of technology that actively bends the laws of physics.

Cristina: So I don't know, why did Nick have one? Why did Nick have one?

Jack: Weird. And then finally, not just the big players, but when we talk about the races that matter, it seems to be way more than we think. We got the Elysians, we got the Humans, we got the Djinn, we got the Elf, we got the Naga, and we have the Nephilim. These are individuals who consistently show up races. These are races that show up before we had the individuals that show up. Although I did summarize. Still, some of those races, I could have been like Jehovah. But the problem is, in the Garden of Eden, a lot of them matter. So the Garden itself is op. There's no point in singling anybody out.

Cristina: They all matter to say the Garden.

Jack: The Garden. Exactly. The Shadow Gods, the same idea. And the Egyptians, the Sun Gods, same idea. And the Earth Gods, the Mayans, same idea. They're too important to single one guy out. Because we just look at the Mayans. We got Season and we got Ixchell and we got. It's Omna. And it's like, okay, them, that whole group, they're all important. They changed everything. All of them. I guess that's locations Which I didn't actually put here, but locations. But the problem is locations do matter way less. It seems like access points and s***. Ultimately like we talk about the palace of Alcaraz. Just a place.

Cristina: Yeah.

Jack: Then you stored things there and people want to steal that stuff. But ultimately just a place and many, many mountains. Mountains, mountains for days. But again it seems access points will arrive through here or leave through there. Not much else going on with the exception of whatever the. Is happening in Mount Athos. Seems to be a particular protected. But I think that's because they use that.

Cristina: They still use that.

Jack: Yeah, I think they use that directly as the access point straight into Atlantis, wherever that is under the ocean. That nobody can seem to figure out. I think they have a direct blink right there.

Cristina: Yeah.

Jack: Fast. That's why that mountain has not disappeared. That's why they have such immense protection. And each level of the mountain has more protection than the previous, all the way to the last. Where only one individual every 20 years is allowed in and out of that area. And they communicate with whatever the is up there, which is the Alicians. And that is the summary completed following last week's episode that we can finish. That's all the things we know, all the data. We have a bunch of what we've collected. The things that matter. Obviously we didn't readdress. Jesus Christ. And like all like whatever. You guys can go listen to the episodes, the summary. General.

Cristina: Get it,

Jack: Trying to get through the things. So you know, man. So yeah, that's where we are. If you guys enjoyed that information, put it together and maybe you'll come up with something that we haven't and perhaps you can tell us about this and that'd be great.

Cristina: Do that help us?

Jack: Yeah. Go to a. The go to our socials and message us about these things to talk to us about it. Just combo pod at all the locations, which is X and Instagram and Facebook and what? Tick tock. Pretty good.

Cristina: Yes. Remember to subscribe, rate and review the.

Jack: Show and word of mouth. Be sure to tell people about the program and the crazy awesome dope things we found. And like luckily a lot of this is just stuff you guys can look up yourself. We do the hard work in finding the keywords.

Cristina: You can now you know where to start.

Jack: Yeah. Once you have the keyword, honestly, until you get to the keyword is a nightmare. And once you have the keyword it's just there. And then you can just type literally that. But you guys have the words. You got the aliations, you got the tech name. I just summarize it. At the end, you can just go back and type in any of the things I just said and you will land at places. Because I've done the work of finding. And you can find. Just read through. Obviously, I'm not giving you everything I read. It's impossible. Yeah, but anything I didn't mention because I thought it was insignificant, you might find significant.

Cristina: Yes, you might let us know about it because there's so much information. This has been the Rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye. Do a quick sound.

Cristina: You're not gonna be talking like that.

Jack: Nah, I'm gonna be talking like this, bro.

Cristina: Okay.

Jack: This is what I sound like on average. Especially when I'm trying to tell you something.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 256: As It Stands 2

What have we discovered as of late? How does it help us understand the true power of the Elysians and the scale of Elfame? And how do we fit into this bigger picture? The duo do a catchup summary to catch people up on how things stand as of now with our years of research.

Rambling 256: As It Stands 2

+Episode Details

Topics Discussed:

  • Elysians
  • Naga
  • Garden of Eden
  • Shadow Gods
  • Nephilim
  • Magic Weapons
  • Necromancy
  • Refuge Cities
  • Philosopher’s Stones

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast. I am your host, Doug.

Cristina: And I'm your host, Christina.

Jack: And this is a show where we ground humanity's most absurd and baffling ideas. Like tattooing.

Cristina: Like, totally. I thought you were gonna say like, thing. Like you were actually saying like and whatever it was.

Jack: But like, there was gonna be an example.

Cristina: Yeah, yeah.

Jack: Oh, like bone Queef. Yes, I guess there's always an example. Bone Queef.

Cristina: Like, I think that character is dead. I haven' heard of that character in a while.

Jack: Like the thing a dog digs up and a fire.

Cristina: I guess he had to die.

Jack: No, he'll come back. He'll come back. That was come back. But listen, listen, listen. Hey, listen. God, I hate it. Can you imagine? You just sleeping. You got this. Paradise and paradise. Hey, listen. Wake the up. Hey, listen, it's an emergency. So you can take your time on this. You're gonna grab a sword and just. Just be not around for seven years, bro. Like, calm down, fairy. We're gonna do nothing for seven years, bro. Chill. It's fine, dude. We're gonna get to it. We're gonna have a seven year break in between. Not after sleep. Yeah, just in the middle. Chill, bro. There's time for whatever. Literally requesting for time. Oh, literally. Like, no. I mean, if I put the sword back, I just go back in time, bro. Let me sleep. I can. I could just go back.

Cristina: The future version is the very less annoying.

Jack: Yes.

Cristina: Like maybe grew up like it was a baby fairy being annoying. Like, hey, listen to me. Listen to me.

Jack: Oh, you think Navi was just young? Because he was young and he aged. So she aged. So the question is, was Navi? I mean, I guess because Nami follows him everywhere. So she was also just trapped.

Cristina: Yeah. I don't know how fair is work, but who knows?

Jack: All these fairies just trapped inside that chamber with him for seven years.

Cristina: Oh, no. But then she would have.

Jack: Wait, where was. Where. Where the h*** was Navi then?

Cristina: I don't know.

Jack: Just chilling. Well, I guess I'm going stay here.

Cristina: Until she found the may reproduced.

Jack: Well, no, this is interesting. Weird thought related to that. But if a thing is like Navi's assigned the link and all the fairies are assigned the elves. Right?

Cristina: So.

Jack: Or I guess not elves, but the kids from the woods. The four. The fairy kids, you know, the what is whatever. The Kakaroki children or whatever them.

Cristina: You just call them elf kids. Yeah.

Jack: So if they get assigned a fairy and this is the first time ever that somebody just like poofed in front of a fairy and they're just gone, just not there. Like what, Step two? Like maybe. Maybe Navi different did well. No, his job was.

Cristina: Oh.

Jack: So, like. Well, this is where it happened. I'm going to just wait. Time works different for fairy. Maybe. I don't know.

Cristina: You think you just waited?

Jack: Would. Would it matter? I just stayed there and then Link popped up. I'm like, all right, what's up?

Cristina: It's really sad.

Jack: Well, is it? If time works differently, it's sad for us because we're losing something.

Cristina: Ah. But for a fairy.

Jack: For a fairy, we haven't considered this. We know that for Shadow and for Alame, things work very differently.

Cristina: But for a video game character.

Jack: Yeah, but now that's just making me think about how time works differently. Because if we take the idea that gods, you know, God took seven days by his own time to make everything.

Cristina: Mm.

Jack: But what is a second to God? Infinities. To us, colossal infinities.

Cristina: Okay, right. Yeah.

Jack: So then are creatures in Elfhame and in Shadow experiencing time differently in these kinds of ways?

Cristina: It would be impossible to know. But it's possible.

Jack: It's possible.

Cristina: I guess it's possible.

Jack: Very odd.

Cristina: Mm

Jack: It's a thought I've never had. Anyways, now we're on that topic. So now that it's the end of the year, I thought it would be interesting that we can. We did this once before where we kind of like put as much of the ideas together and actually came up with a couple ideas as a result of talking about all those things. And we called it as It Stands, where we went through all the collected detail. So I've added this to that. And we're going to go through all the new stuff. But I have all the old stuff so we can compare notes. Oh. If we need to discuss anything in particular. So we're just going to go. Essentially, what I want to do is, as we're doing this research, this is the year in review. You could say the second part. We basically did the first part when we did, as it stands, maybe like two months ago.

Cristina: Okay.

Jack: So now we'll do as it Stands too, summarizing the other stuff. And we're just going to go through the things we know as of now.

Cristina: How it relates to the old stuff that we learned.

Jack: How. Not the old stuff, because we already talked about the old stuff as we were just doing that. We were just summarizing before. So right now we're going to pick up where we were when we finished. The last thing we talked about when we were in, as it stands one was talking about the different types of groups using the United States government to organize and collapse things like the World Trade center to get access to either fear or get access to drinochrome. Or perhaps that was a moment of creating a small scale philosopher.

Cristina: So, okay, I sort of remember that.

Jack: Yeah. So with that in mind, we proceeded that by getting curious. That made us curious about the Naga, the deep dive into the Naga. Because we were like, okay, we have this collection. We're gonna break this apart and start focusing in directions. Because focusing on everything together gave us a lot of cool ideas. So what if we isolate individual subjects and you know, focus on the Naga, focus on this group, focus on that group as opposed to try to get the whole picture together. Just stop looking at the picture, look at people involved and see what they have in common.

Cristina: Okay, yes.

Jack: Right. And so the first thing we started exploring was the Naga, which got weird instantaneously when we started looking at the Naga because we found out a couple of interesting things. For example, the fact that the Naga have a civilization with in Elfame from which they take order and direction to go assist civilizations from around the world. The world? The most advanced. Well, developing ones from around the world, yes.

Cristina: Do we know it's. If it's just in this earth or do they also send them to the Shadow Realm?

Jack: We do know they send them to the Shadow Realm. Yes. Because they have the two Gods. Not the two Gods. My bad. The two Kings.

Cristina: Oh, no. But I thought they just went there because like they came here and then they went there because of stuff that happened. They didn't automatically go there. Or did they automatically go there?

Jack: Yeah, they have a Naga King assigned to every thing. There's Naga Kings in Alfame. There's Naga Kings. I mean, not Naga Kings. There's three Naga Kings that rule the people that they send to the three civilizations that are in Alame in Shadow.

Cristina: Oh, okay, yeah, yeah, I remember that. Okay, the Three Kings or whatever. Yeah. What were they again? The three Kings? One was.

Jack: What were their names?

Cristina: Yeah, and positions or whatever. Like were they sending.

Jack: Okay, let me see, I got first. Nah. Nagaraha is the word that means King of the Night of the Nagas. And so Shesha, the first appointed king of the Nagas, is in charge of maintaining order among the among and assisting order, assisting Oros with assigning civilizations to Earthrealm and Vasuki the second Naga King is assigned to the Shadow Realm.

Cristina: Okay.

Jack: And Takshaka is. Who watches over those two. He's the king of those two kings. So the high rank. The king of kings. So he's the alfame one.

Cristina: Okay.

Jack: Watches these two.

Cristina: Yeah.

Jack: Yes. And that was just some weird additional thing that happened at one time.

Cristina: Yes. So they do have them in the Shadow Room.

Jack: Yeah.

Cristina: Okay. Okay.

Jack: Yes, yes. Then looking at the Naga, we did find something interesting, which was the first occurrence we had of reading, which then became prominent. And we found that everywhere, like every other thing we discover. Which was Kido, Zeus's Naga, who Zeus appointed to somehow create more of him. And this resulted.

Cristina: The Naga experiments, I guess, resulted in.

Jack: Medusa and her sisters.

Cristina: We'll follow the experiments.

Jack: But yeah, they weren't exactly him, but they were pretty close. And Medusa was a whack one, but the famous one, because presumably she's the dead one. We all. We just know the guy who killed her, who thought they were immortal and killed. Killed one of them alone. They can't die. And I killed them. I'm legend and that's the one who died. Haha. I'm gonna go down in history and it's like, no, that one could die. That's why you killed it. This is. That one could die, bro.

Cristina: Okay, but he didn't go in history.

Jack: No, she went down in history because she got killed. And who the h*** did it? We still don't know. We're assuming Hercules.

Cristina: Yeah, right. I don't know.

Jack: Okay, but now we have Naga civilization. We have kings, we have order, military order almost established. Here you go there you go here, hierarchy. Then we have over here us building experiments in an attempt to replicate what's happening over there. Because now we're not even talking. Now we're talking about us using an assigned Naga to try to create a Naga with Kido, making the Medusa and her sisters.

Cristina: You're saying us, but it's not really us.

Jack: Us as in Earth Realmers. Okay, but then we find out about the human Caldinia, who gets a hold of a magic bow capable of killing a Naga and is set to kill the Naga princess, daughter of Suki.

Cristina: Wait, did they do it?

Jack: They did not kill the daughter. They fell in love with the daughter and then hid the bow.

Cristina: Ah, okay, that's a crazy story.

Jack: But that gave us the one with the one important bit of information, that there are items.

Cristina: Oh, yes. I. I feel like we haven't really solved that. Like we kind of get it, but don't really get any.

Jack: We're still. Yeah, we're on the surface.

Cristina: If anyone made those weapons, it wasn't the N. It was probably not the Nagas, but they probably helped the.

Jack: Yeah, the Naga didn't make that bow for sure. The bow was made by somebody in Earthrealm.

Cristina: Yes, a se. Person or whatever you call them that I don't remember.

Jack: Elaine, not elame. Alician.

Cristina: Okay. Lesions.

Jack: Yeah, the Alicians.

Cristina: BC people to me. Okay, well, they obviously made these weapons.

Jack: I mean, the problem is as we start. Look, dude, we were sleeping on the Greek too. Like as we start looking into the Greek, they're like. They're subtle, dude. It's weird because what happens with them is different than what happens with the Elysians. Because the Elysians have actively suppressed a lot of stuff and given us alternatives to believe.

Cristina: Yes.

Jack: While the Greek haven't. They just have a lot of. A lot of volume, a lot of noise, a lot of convolution. So finding out what's. What is impossible. And from their own accounts, they don't know. So you get it from other people. And then coming across the leaps and bounds of tech that lead to something like Glycon, which again is Glycon.

Cristina: Well, it's a thing person, Glycon, both.

Jack: From the Greek is the Naga, who. We did not know why he was spending time with the Greek gods.

Cristina: Okay.

Jack: We were confused about that guy. Like, why the h*** are you hanging out with them? Because Keto is the one assigned to that team. And we were thinking Glycon is assigned to maybe a shadow person there or something, you know. But then when we were looking deeper into it, we find out that Glycon is just as Shalypius, which is one of the Greek gods that. That seems to have disappeared.

Cristina: That turned into him.

Jack: Yeah. And then using some Keto genius and DNA managed to create Glycon, the artificial Naga that is almost perfect.

Cristina: Which I don't know what that means.

Jack: I don't know what that means either.

Cristina: Almost perfect too. You probably can't enter the shadow, the.

Jack: Fairy world, which me then what's the point of it, right? There's a lot of weird when it comes to that. Really complicated. Like what's a. What a waste.

Cristina: Yeah, that is weird.

Jack: But it is. I don't know. Now, the Caldenia, the guy with the bow, he falls in love with that princess, hides a bow and they together form on Earth realm the Funan dynasty. Which is one of the few places where Naga and humans live in pieces together, which is one of two interesting places of this nature that we have found. Or not two, but two types. With the other being we have recently found out about the home of Nephilim being together up north in Norway.

Cristina: Oh yeah. But that one's even more complicated.

Jack: Yeah.

Cristina: Okay.

Jack: But we got both, which is interesting.

Cristina: Yeah.

Jack: And we know of shadow people just living amongst humans. Or not just humans, but earthlings in general. But we'll circle back to that as we come through those. Because the real point of this dynasty is that it brings us to the next bit of information that we discovered following. Because chasing the Naga was in formation dense. We still haven't left the Naga. We're still just talking about the Naga right now. Because the Funan dynasty. The home of Caldinia where he impregnates his wife and has a half Naga, half human hybrid. Astika. That's when we first found out that a perfect enough human form for a Naga is indistinguishable from a human form for Ib. For a human. So a human can reproduce as long. Presumably as long as the Naga does not leave that form. Or if they did change to form with their body move in such a way that the baby would be safe. I don't know.

Cristina: I don't know.

Jack: I don't know.

Cristina: I don't know how this is.

Jack: Thoughts?

Cristina: Yeah.

Jack: Thoughts you don't normally think about.

Cristina: Like if it was a snake while they had sex with that guy.

Jack: No one had to be a woman. It couldn't get pregnant as a snake. And then again, back to more Naga stuff. Man. These episodes with the Naga it was two episodes. Because there's so much crap. I remember that much. This is where we also learn about the Supasatra. Which is. Is what? Astika, the son of Caldinia saved many Naga from which was the leader of a region in that time. Was he figured out his great great grandfather had somehow figured out how to create a ritual that would result in philosopher stones made from Naga. And this guy went out of his way to execute the plan. And that's when we find out. Oh, there could be fairy philosopher stones.

Cristina: Yes. Okay. This takes us back to those fairy trees or something we're not sure. Are portals created from dead fairies?

Jack: Are portals created to dead from dead fairies? Because the trees just creating Earth Realm means the trees created the portal that sprung a whole universe. So if the tree did that, then the death of a fairy is such a weird phenomenon that burying it in the wrong place resulted in the creation of a universe.

Cristina: Well, the wrong Place. I feel like it was done intentionally.

Jack: Yes, but not where they're supposed to be. Maybe this is the first of that. Or there are way more realms branching out of shadow that we can't access. Okay, so shadow can. And Elfame can, but we can't. Because whatever thing is happening here is preventing us from moving sideways. But we can move up or down.

Cristina: Okay. Unless we figured out.

Jack: Unless we figured out how to do more.

Cristina: Well, we don't. But those other people.

Jack: Interesting.

Cristina: They have to know how to, though. How are they so much better than everything else as far as we can see? I don't know.

Jack: But the. The creation of. So what's the process? Well, our guess is that Yaldabaoth used fairies, killed them then. No, it doesn't make sense. Because did he use the death of fairies to make the stone? Or did he use the death of fairies to make the trees? The weird problem we didn't think about because again, we didn't talk about this back to back, but what the h*** did he use the fairies for then? It seems kind of clear at this point. Yaldabao murdered a bunch of fairies.

Cristina: And he could have done both.

Jack: He could have done both. Because the point is he has a philosopher so made of fairies. Yeah, like fairies are dead. That's just what it is.

Cristina: And we know there are trees, and.

Jack: We know they're trees. But I don't think that the fairies made the portal. I think, no, it's so hard because they made the portal, the tree portal. But the other portals know because sorcerers are figuring that out. Necromancers are figuring something different. So there's a different way to do it. It's not really the way we're looking at. The fairies had nothing to do with those portals. The fairies are responsible for accidentally creating Earthrealm as a result of their own death and of creating a philosopher's stone, which chances are, the first fairies to die made the philosopher's stone. The second fairy Sedai were planted, creating the trees that then resulted in Earthrealm, thus being an intention of Yaldabaoth philosopher's stone used on fairy to make tree.

Cristina: I don't know.

Jack: I think maybe that's the order. I don't think it was plant the fairy's corpse and boom, tree happens. Because that's what happens in fairy forts. You. But that has a tree too, d*** it. There is a tree. Where you plant the fairy is a problem. Yes, but then why don't those have the sacred fruits?

Cristina: Because they're the fruits. Are there they're just on the shadow realm side.

Jack: Shadow realm side? Yeah, we don't see them. The fruits only grow on the shadow room side.

Cristina: How do we know the fruits and the stones are not one and the same?

Jack: Because the fruits were seeked in the shadow in the Forest of Shadows, and the stone is made of dead people. Both El and Jehovah had to travel to the Forest of Shadows along with the. The judge's sister. Okay, Inanna, all three cases is they have to go to the Forest of Shadows. While the two factual instances we do know for a fact and the one that is asserted by the circumstances surrounding it, which is Yaldabaoths, all the first two literally have texts telling us that people were essentially sacrificed. And Yaldabouths is essentially suggested circumstantially that he must have because he has a stone made of dead fairies. Like, how do you get it, bro? Okay, it is really complicated.

Cristina: Are they making stones and trees?

Jack: How are they making stones and trees if it's the fairies? And the idea here is fairy farming and fairies are the ones on the back foot right. Now, maybe at some point they weren't, but at some point around the time where the elves were designated to start putting some caps on people's ability to continue expanding around that time, that's when it was too late.

Cristina: Yes. Okay.

Jack: You know, and like, that's when they were on the back foot. That's why they did it. So something happened around that time, which is a hundred years before Christ. 100 to 300. Somewhere in that ballpark, before Jesus is when fairies. Shut up.

Cristina: Shut up. Okay.

Jack: The. Well, specifically the elves.

Cristina: Which ones are the elves?

Jack: The ones stopping the power or the development beyond a certain capacity, I think started hitting the fan back then.

Cristina: Anything. They were the ones that were sacrificed to make stone or.

Jack: No, no. But I think that they are on the back foot. And I think that the problem here is that maybe the people on this side are so rapid that in progress that fairy farming is becoming quite viable. And that's a problem, at least for the people of Alfame. Now, this is crazy because we learned a lot just from like deep diving into the Naga. That was the most useful information dump we have had for a while. And that opened mad doors. This was just. Again, those two episodes entirely came from us having done the previous summary of information. And we're already coming up with just interesting ideas that we have not thought before.

Cristina: Still so many questions, but yes, so much info.

Jack: But following the train of thought, it worked with the Nanga So do it with everything. So then the next group that we decided to put a magnifying glass on was the Garden of Eden. Because just the realization that the Garden of Eden is the name of the group was an amazing revelation on its own. Now, what are the Garden of Eden? They are the Elysian group with Jehovah, Lilith, Nahas, the serpent, Lucifer, Samael and many others. Many, many others. Now, going through that, we learned quite the bit of information that we did not know before. Interesting tidbits that we discovered. One, there is a discrepancy with Lilith that seems incoherent among the text.

Cristina: Oh, how? When exactly? Does she betray them or something? Yeah, like in the timeline.

Jack: Yeah, where she fits. Exactly. Exactly. Because it seems as she exists both around the time of El and around the time of Jehovah, which is fine. Sizen does too. But then did you. Did you. Didn't you lose your privileges when you used Adam? How are you here again? But you weren't there for Eve, it seems. There's no mention of Lilith during Eve and that's notable. There's just no Lilith. But then we get to making of Jesus and Lilith is there again and it's like, not in the Bible, but if we look at all the Gnostic text, she keeps popping up and it's like, but why? And like, what is this middle period you were in? This doesn't make any sense.

Cristina: She was punished and she's cast out.

Jack: Officially by Jehovah, but she left willingly from L. So I don't. Yeah, like what?

Cristina: The all happened the way, way long ago. Yes, she left and she came back.

Jack: She didn't come back to anything. This is a different guy.

Cristina: Oh, she didn't come back. She joined a new group, I guess.

Jack: Yeah. So Lilith. Weird time gaps, but that wasn't as. It's not impactful as much as it is interesting. And maybe we'll revisit if information tells us that is more useful than we think it is. But even more interesting is Lucifer, because there's a trio here that's really weird. And it's essentially Lilith, Lucifer and Samael, because Lilith is the right hand to Lucifer. Lilith is. Or Samael is in love with Lilith, so he goes wherever she goes. Lucifer uses Samael's DNA, physical structure and body to then create a replica using a transitioning technique he discovered to turn himself from a shadow person into an Elysian.

Cristina: Weird.

Jack: Weird. So he looks identical, sounds identical, is physically indistinguishable from Samael, but that's fine.

Cristina: Shadow version of him?

Jack: Sort of, yeah. Except he's. He isn't Elysian. He just has additional characteristics. It should be impossible. Which. Yeah, the shadow version of him, but then it doesn't matter because original Samael then uses Naha's DNA and physical structure, or not DNA, but the equivalent of whatever you're gonna get out of a fairy and his physical structure, along with Lucifer's transition technique to then become Anaga himself. Yeah, with the help of Lilith. This was a Lilith experiment. So Lucifer looks like. Sounds like Samael.

Cristina: Yes.

Jack: Who is in love with Lilith, who is Lucifer's right hand lady to begin with. So now the guy who's trying to f*** her is her boss. And a snake is now trying to her.

Cristina: That's Lucifer trying to.

Jack: No, Lucifer's not. Oh, the guy who's trying to her is a snake.

Cristina: Oh yeah.

Jack: Now he's a snake.

Cristina: Yeah, but she was cool with that. She want him to be one.

Jack: Yeah, sure. He's a puppy or a slave or whatever.

Cristina: Yeah.

Jack: But now your boss looks like the guy who's trying to you. It's a problem. The guy who's trying to you is your boss.

Cristina: I don't know.

Jack: You know, it's. It's such a complicated mess happening there.

Cristina: Yes, yes, it is. But how. Boss is a weird word. I feel like they all work together.

Jack: Yeah, they work together, but there is. I. I would. Yeah, boss is the wrong terminology here because Lucifer wasn't the leader anyways. It was Jehovah.

Cristina: Yeah, yeah. If anyone was gonna be put say they're the leader. Like these three were just working together hand in hand. And not really, because weren't they all doing their own thing, sort of. Well, Lilith, at least they all had.

Jack: Different types of projects. But the projects would consistently intersect with one another.

Cristina: Yeah, they were more like co workers.

Jack: Yeah, yeah. Then out of the Garden of Eden individuals. Where it gets really, really weird is with the Samael and Lucifer combination minus Lilith. Because then that explains a lot of the confusion that exists throughout history. If we consider Samael, Lucifer and replace Lilith with Nahas. Now if we put them in a row, we have Samael in the middle, Mahas on one side and Lucifer on the other. The events of all three of these people are impossible to distinct who did what because you don't know who's who at what time because of when their transitions happen and what they are. Somebody in the Garden of Eden used incorrectly tech that was there and was cast. That's Lilith. Yes, Right. The serpent she was with was Nahas. He's the member of the team. Lucifer was not involved in doing this. No the first time. But we think Lucifer. But really? Because we think Lucifer and we think Samael and we think Samael and we think serpent and then serpent links us back to Nahas and then bam. Oh. Lucifer is the snake.

Cristina: But he's not.

Jack: But he's not. Nahas is the snake. That had nothing to do with Lucifer. Lucifer got blamed for some other s***.

Cristina: Yes. But he was definitely doing something much later. Yeah.

Jack: It was Lucifer's departure. Happens with Jehovah. Because Jehovah says we're no longer sharing.

Cristina: Yes. Because everyone was dying.

Jack: Yeah. And he's like. Well he agreed with that part. But he's like we should share with the people who are capable that we've proven are capable. And he's like no, no, we're not sharing with anybody anymore. What we got is what we need. That's it. And it's like you're gonna leave everybody in the Stone Age and we're just gonna dip on them. So he was not down with that. And that's where that disagreement happened. But that happens in the year one to us.

Cristina: Yeah.

Jack: You know that's very, very, very different than Lilith using Adam at the wrong time a hundred and fifty zero zero zero years ago and now has having just been around and Lucifer being blamed for some that was outside of his existence. Which is what happened. D***. And then Samael also has nothing to do with any of this. Actually somehow is just an elation. But no, this is a funny.

Cristina: Because that's her boyfriend.

Jack: Yeah.

Cristina: No.

Jack: I guess. I don't know. It's not clear. I don't think that was terminology that made sense back then. They weren't married. Nahas was also not back there. 156000 years. I have no idea why both Lucifer and Nahas got toss the boss for some.

Cristina: Lilith did that long ago.

Jack: Yeah. I don't know why that's in the book like that. It doesn't show up anywhere else. It does not. It's Lilith. It was 100%. She's the only one who did anything.

Cristina: Well they kind of took her out of the book. So they just replaced her with the other guys. Exactly.

Jack: Members from later. They're basically just trying to cut off. I guess that's. I guess that's part of it. They're trying to cut off anything before Jehovah. Yeah, no, I just. Just began 5,000 years ago.

Cristina: Yes, yes.

Jack: Recent. So you can't have any of that other. It's like if you cut that off, then Lilith didn't do.

Cristina: Okay, that makes sense.

Jack: Lilith who, bro?

Cristina: Yeah, Lilith who?

Jack: Well, the thing still happened. Oh, that guy did it. Yeah, it. Both of them? No, it's one dude. It's one dude.

Cristina: Double bro makes the story more simple.

Jack: Simple, but d***. That means he's just throwing random people under the bus for absolutely no reason. Lucifer and Nahas both got shafted somehow is sketchy because he does weird. I understand people being like, Lucifer's supposed to do bad stuff, so I'm okay one. But it's because somehow really does some sketchy. He just does whatever the h*** Lilith wants. Like turning his freak himself into a serpent thing.

Cristina: Yeah, but how does that affect anyone?

Jack: For what?

Cristina: I don't know. That's just a creepy kinky thing that they're doing. I don't know.

Jack: He could still turn back to a dude.

Cristina: Yeah, like how does that affect the world?

Jack: Yeah, I guess. I guess it's ultimately unimportant. And his base form. But his base form is a snake. That's really what it is.

Cristina: Yeah.

Jack: He could just human out. Not human. I guess I'm not human. But he can Alicia now. Oh yeah. I want to. But she's also. Whatever. She was already kinky. She's not elation to begin with.

Cristina: No.

Jack: Not even human. She's not from Earth.

Cristina: Exactly.

Jack: Some other. Some other s***.

Cristina: Yes.

Jack: Like whatever. She's down with putting crap in holes or whatever they do.

Cristina: Whatever they do.

Jack: I'd never thought about it. Whoa.

Cristina: No idea.

Jack: There's a lot we don't know. No, just stupid abstract questions that don't cross our mind. Like how do shadow people reproduce random side episode to do one there.

Cristina: Yes. But also. Yes, please. What if they do need something special? Because why did she make. She made her children through the stone. She didn't give birth to children. But maybe there are stories of her giving birth to children. I don't know.

Jack: You have a point. That is incredible.

Cristina: I don't know. We'll find. We'll figure that out in the future.

Jack: Interesting. Interesting, interesting, interesting. Because she did use the. I mean. No, this is the floor man.

Cristina: Well, the story says she gave birth, but in real life she used the stone or something like that. But you have an idea?

Jack: No, I'm just fascinated by the idea that she did in fact feel this professional, this individual who knows what to do, when to do, still felt the impulse to drive to make life with the stone and all the descriptors put Lilith as female among the shadow people. Whatever that means. And her interest seems male based on her interest for somehow who is a male. An Elysian male, which, okay, maybe they can't reproduce and this was the way the desperate. Because what is. Oh my God.

Cristina: Oh my gosh. The first guy who used the stone. No, that doesn't make sense.

Jack: No, no, no, listen to me, listen to me. It's connecting. It's connecting because the point, the one point, the goal of Osteomorphous, the Naga that was artificially made by Yaldabaoth was with d expressive intent. To what?

Cristina: Make more.

Jack: Make more. But why? Why didn't we connect those two dots before?

Cristina: That has more to do with the shadow. I mean, no, with the ship.

Jack: Let's just make more. Make more, as far as we know, just make more is the one thing connecting Lilith using the stone and yeah, we've connected to completely random things. He just impulsively went out of their way.

Cristina: But we know that there's children in the Shadow Realm. Didn't someone have a daughter who traded lives with a princess or. No, she was a princess. She's a daughter slash princess.

Jack: Yes, yes, like Inanna.

Cristina: Yes, but at the same time, did they only start giving birth after the guy made the stone? Like, was the first thing he found out about fairies killed fairies made more Shadow Realm people when he was making more humans. Like, did that happen at the same time? Okay, I know we know time works differently too. Or maybe we had that idea in the beginning of this episode.

Jack: Not that we know that time does work very differently. But there is something very interesting that you have just mentioned. Keep in mind, I have to compose this with ideas of where I'm going to some degree, right? So I look for things that I'm going to we free for all. But I know what I want to talk about. So I leave a lot of timestamps when they don't matter out, because who cares? But for the sake of timestamping things, there is a weird pattern that I did notice and I looked into and couldn't find anything of significance. Where maybe about 500 years before Christ to about the 1800s with the very center point being the big chunky peak. It seems that stories of creatures we would describe from the Shadow Realm get more frequent and more frequent and more frequent. And then getting to somewhere im like the 1100s or so, it starts tapering off, slowing down, slowing down just less and less. But there's that hot spot in the middle, just for no reason. We've joked about these periods in the past saying that this was one of those moments where the Catholic Church was just pumping out a bunch of demons and s***. We've talked about stuff like that before, but we've not addressed the time specifically because that wasn't relevant to the episode. We were just talking about the Church and the Simpson or this creature specifically. But this pattern has persisted where around the 1100s is the most explosive amount of stories. But it kind of falls off.

Cristina: Mm.

Jack: And there's kind of like a tiny little spike 17 to 1800 right before it almost goes nowhere. And now we just got alien source. But interesting because did they figure a thing out? Was what's the point of the f****** of Oceomorphos to use. If you really are a hundred percent what you are, then your powers like Oros. Because Ophiomorphos purpose is to be like Oros, not like any other Naga. Yaldabaoths Naga, the one he artificially created.

Cristina: Yes.

Jack: And Osteomorphous is to create more, which means you are perfect like Oto's, which means you can do things that Mab would ask. Things beyond the capacity that a normal Naga would ask. You wouldn't be described as a Naga. You're described as a fairy.

Cristina: Okay.

Jack: Oros, which means Osteomorphous is identical. Which means asking Ophiomorphos to give my people the ability to produce, to reproduce, to give birth, to multiply. Allow us to multiply would in theory be within the capacity of Ospeomorphos, because Yaldabaoth would have successfully created a God more powerful than he. With Osteomorphous, if he is identical to Otos, who is a fairy. And then you get the people to multiply and we have this giant spike. Then we get Yalda going to visit L and Sizen being there too. And then Derek, because he already went back there to tamper with them when they were just whatever the h***. They start to get really intelligent, start to get really overpowered. Technology here are other realms. Know about it. Look for it. Find me when you have the tech buddy. Also, there's my son. Go, go join him.

Cristina: Exactly.

Jack: Mingle.

Cristina: Yeah, mingle.

Jack: Hang out. Also we can reproduce now. I have a son. What? I have a f****** son. You meet my f****** son.

Cristina: What's that?

Jack: What's that about? Could he not have a son before? Is that that? Did he not. And then he did the thing and now he could have a son. And he has a son. Citizen has a f****** mom.

Cristina: No, I mean if they're using this tech, they don't need to.

Jack: It wouldn't be tech if they used. If they got altered by Oros.

Cristina: Thing is changing.

Jack: I guess it's not auto, but. Osteomorphous.

Cristina: Yeah.

Jack: Is autos short for something? Because then if. If it is, then I could just shorten ospeomorphos as well and say otos and also OS4 or whatever crap.

Cristina: No, that doesn't sound good. There should be a way to turn it, but we haven't figured. What was his whole name again?

Jack: Osfeomorphous?

Cristina: Morpheus.

Jack: We could say Morpheus. Morpheus, but. Yeah. So that's some s***. This is exactly the point of this. When we see the information all stacked up together, certain things become clear that we wouldn't have thought about before. Is reproduction part of this objective for all of them? I don't know. Because it also seems like there is a huge counter. Like there's a fight of, you know, an attempt to stop this from happening coming from Alfame. Like, why it has to be for more than just the reproduction part.

Cristina: I know, but a lot of it has to do with the reproduction part.

Jack: It seems like at least Yalda and Lilith, who are two quite important individuals, both had reproduction on their minds.

Cristina: Yes.

Jack: Tells us.

Cristina: But what are the stones for if it's not for that too? I don't know. Because it's reproduction in its own other way. Like, you know, making us. Yeah, we're children.

Jack: I don't know.

Cristina: There's some experiment. We're also. They're giving birth to us.

Jack: In a way, what we're missing is essentially the quantum theory. You get my point? Like the thing that's connecting that. We got a lot of completed ideas, and we know they're all related, but we don't know what the f*** that centerpiece is that connects them is. But we know. We see it. We visualize how it goes together. But we don't see the centerpiece. And it's like, it's not there anywhere. Why does. Why hasn't any of this revealed to us the ultimate goal?

Cristina: Because they. They hit it very well.

Jack: Tell me about it very well is an under f****** statement at this point. They hit it well, that's the. No, it's invisible, dude. What?

Cristina: It's not completely invisible. We have glimpses here and there.

Jack: No, we don't. We don't. No, no. We have. Not even the slightest.

Cristina: We have shadows.

Jack: Yeah. At best.

Cristina: At best? Yeah. Okay.

Jack: Random mentions of s*** that makes no sense until we get the proper other mention. And then we're like, oh, Just looking.

Cristina: At a bunch of little, little things. Okay.

Jack: Scraps here and there. And when you looked at enough scraps, one of them that you saw a long a** time ago clicks with this one, you're like, oh, wow. I got one piece of information out of all this. It's tragic.

Cristina: I don't know. I don't know what it's all about at the end of the day.

Jack: Yeah. All right. Samael is the first individual to discover how to grow fruits from the Forest of Shadows in earthrealm. And he started with the fruit of knowledge, which is useful. Don't know how the h*** he did it, but he did it. And that's important. They figured he figured it out. He figured out how to grow because again, you put the fairy in the ground, the tree comes out. It's just a tree, but on the other side. But he figured out how to get the thing out without having to go.

Cristina: Put the fairy in the ground. I think that. I don't know, it's complicated.

Jack: Like, the death of the fairy grows the tree.

Cristina: Yeah. Like, I think it comes out of the fairy.

Jack: So you put the fairy in the ground.

Cristina: No, the fairy is not going in the ground. The fairy's just dying where it's at.

Jack: Oh, I get what you mean. Yeah, yeah. He'll just become the ground.

Cristina: Yeah, yeah, fair enough.

Jack: You don't have to bury it. You kill the fairy. Boom. Tree happens there.

Cristina: Yes. Because the. The whole idea of it being in all the realms, like, no, it's not gonna be bird, because that doesn't make any sense.

Jack: It doesn't make any sense. Yes. But the idea that they do. Oh, that's interesting. Right, because the idea that they do exist, kind of like they could just pop in and out without needing portals. Very logical. When you just think of the fact that one dying literally connected to random points in space.

Cristina: Exactly.

Jack: That's weird.

Cristina: Okay, that does.

Jack: That's weird. I guess that was a fact. And we didn't know that was a fact. And the fact of the matter was there because we've debated how are they jumping? How. How are they getting from point A? We know they could just be there, but how? No. Did something about this. This part isn't tech. There's something about their makeup that's different enough.

Cristina: Yes.

Jack: But they're just there. And when they die, somehow because of that being everywhere. Well, everywhere kind of gets tied in. That spot. Weird. They die and where they die, everywhere just gets tied together.

Cristina: Yes. Yeah.

Jack: Weird.

Cristina: But it's weird. But there's some other Things so.

Jack: And Yalda learned this fact and uses it.

Cristina: And how he learned it, how he learned it, how to make a weapon to kill fairies. Had to be with a fairy helping. I don't know. So why would a fairy help him?

Jack: Lucifer leaves the garden after having a disagreement with Jehovah which was disagreement we discussed.

Cristina: Yes, let's share knowledge. But also the knowledge is killing them.

Jack: Yeah. They can't handle it. They're self destructing. But a couple of civilizations could handle it. And he wanted to find those. And Jehovah was like, no, we're done finding people.

Cristina: Because it's, it's just the. I guess it's not balance of like how many are actually surviving versus not surviving. Like say they did this. They didn't do it just to four people and then only two made it. It was probably hundreds of civilization the Earth. Exactly. And only two old equator. Exactly.

Jack: Surrounds the Earth.

Cristina: So how many civilizations.

Jack: One of the civilizations that made it isn't even around it.

Cristina: That's true.

Jack: How many places weren't around the old equator that we don't know about that they tried and didn't work?

Cristina: Yeah, the amount, exactly the total amount to just know about these.

Jack: Yeah. No, it's too much.

Cristina: It's a big, big failure.

Jack: Just the ones we do know failed.

Cristina: Yeah.

Jack: And the two we know didn't.

Cristina: Yeah.

Jack: And it's like. No, this is pretty bad.

Cristina: It's pretty bad.

Jack: Just how many don't we know about? And still we only know two made it. D***.

Cristina: That's pretty crazy. That's pretty bad.

Jack: And the problem is we have their corroborating information and they don't mention a third party other than the Elysians.

Cristina: Yeah.

Jack: So it is just all three of them. Yeah, that's it.

Cristina: Yeah.

Jack: There's other groups who have made progress on their own, but not. They have collapsed under the weight of Alicia knowledge.

Cristina: No. Which. Who knows what that number is.

Jack: But they try. I mean, I guess. So the. The argument here is you side with Jehovah. You think it's a logic a lot. Yeah, I guess.

Cristina: Yeah. It's. It's just too much that if everyone.

Jack: Dies, you should give the people the choice. You tell them.

Cristina: I don't know how they could understand. Like they have to know it first to know it and then they. They end up killing themselves because of it. Like I don't know. It's complicated.

Jack: Yeah. No, you don't have to explain that. You explain to them that, look, this is really like here people, People we're about to Share this with. This is really advanced. Many civilizations have completely destroyed themselves after we have given them our technology and our knowledge. They have simply not been able to cope. Their governments have collapsed, their infrastructure, their economy, all of it has fallen apart due to these things. Many times over. We need you guys to come to a collective agreement.

Cristina: You don't know anything about humans. Because of course they're gonna be like, we're the ones that are gonna make it. It's like people getting married. Yeah, yeah, we're the ones.

Jack: We're the ones who are gonna do it. They're all gonna sign up.

Cristina: Exactly.

Jack: They're all gonna say, no, we can do it.

Cristina: Yes. Like, in what. What's world are we not like, yes, we're gonna. Like, who's gonna be like, what? That knowledge. Oh, I guess we shouldn't take that knowledge. No. Like, what? Who do you think? Which of. Like, who's gonna be like, no, nobody.

Jack: Nobody.

Cristina: Who do you think?

Jack: Nobody. Especially if they know other humans have been given the opportunity. No, now we have to do it. Pride.

Cristina: Yeah. Now we have to. Yes. They're gonna be like, oh, well, we can't let those people get it.

Jack: Exactly.

Cristina: Then, yeah, he's not gonna give it to us.

Jack: He's gonna offer it to somebody else. And I'm not gonna let him do that.

Cristina: Yeah, no way.

Jack: I'm gonna be the fourth one. Our people, we're obviously the chosen, and then they collapse.

Cristina: Yep. It's no way to explain it.

Jack: No. Yeah, you're right. Okay, so Lucifer's wrong. It's this. Yeah, you're right. You're right, you're right. Lucifer's wrong. Yeah, His. The sentiment is right.

Cristina: Yes, sure. But.

Jack: But I guess we're talking science. Why are you getting emotional?

Cristina: I think that's. They have to probably wait until we're more. Like when they.

Jack: It's perfect. Until getting somebody new to understand is a perfect unfeeling formula.

Cristina: But they have to keep doing the whole thing, though, of making more, which it doesn't seem like they're doing either, of using philosopher's stones to create more better humans, etc. Like after Jesus. That was that. I mean, yes, they do test it out somewhat, but like, he was the peak and that was it, I guess.

Jack: But Arthur functioned, but Arthur died.

Cristina: Yeah, he's not what they were like originally.

Jack: It was a self contained incident too. It was just somebody handling their personal s***.

Cristina: It's not like. I don't think they're trying to make puppets. I mean, now they do. Only because they can. Like he's a puppet in a way.

Jack: Arthur was a puppet. So is Joseph.

Cristina: Yeah, but like, their. Their original plan wasn't to make puppets, I think.

Jack: I don't think it was either. It was just to make an overpowered elite who's gonna do what we want. And then the big problem happened, and then you gotta get rid of them. But now you created resentment.

Cristina: Yes, but I think the goal was to make more of us, but of that us.

Jack: Jesus. More Jesus.

Cristina: Yeah.

Jack: Minus the problem.

Cristina: Yes, I guess.

Jack: Yeah.

Cristina: Like that seems the big goal is making more of something because then we'd cross.

Jack: But I don't. I guess because Jesus can't just enter, Jesus still, even after dying, still needs to obey the laws that govern reality. So he still ends up in shadow. But luckily knew this would play out this way. Goes through the gate and gets back. But without the gate, he'd be trapped over there. He's not a fairy. He doesn't just poof over here.

Cristina: No.

Jack: So then what would the point of making a bunch of Jesuses be if it wasn't for the fact that people were having visions of him? What you accomplish, guys? Like, what's the ta da?

Cristina: I don't know.

Jack: So what's Jesus minus the annoying part?

Cristina: What was any of us? What was the next thing? And then the next thing? And then the next thing was the goal, Right? Yeah. Well, okay, was that experiment over now?

Jack: I don't know. Because if. If that's the real question, then the question is, then why do we do it?

Cristina: Do what?

Jack: Why Is there an iPhone 15? Why do we now have electric cars when we had carriages? Why didn't we stop at carriages? Why do we go to the next thing?

Cristina: And how do we know when to stop?

Jack: How do we know when to stop? So we make androids that work perfectly. Real androids? Tesla androids look like people now. But wait. Inefficient. We gotta keep getting fuel. What if they could just eat. Okay, so how do we get it to fuel itself organically? Well, if we can replicate all of our physiological systems, then in theory we can have a completely indistinguishable structure. And it's like. That's for no reason.

Cristina: That's for.

Jack: I just landed us at how we would get to.

Cristina: Yeah, what they got to for no reason.

Jack: I took a stair and there was no goal. That's how easy it is to get there. If you're just following science. That's how easy we just stumbled it.

Cristina: The end of the day, it's just scientists Being scientists.

Jack: But then the question is, what the is Elfame scared of? That's where it gets sketchy. That's where it gets weird. If at some point everybody looks like they're hiding from something, you look at them long enough, they're scared of something.

Cristina: What is.

Jack: And the problem is, we also have the least amount of information of Elfim, in that order. Elfame. The least shadow. Very shaky little.

Cristina: We know fairies can die. Could the world be destroyed? It doesn't feel like anyone can go in there. I don't know how.

Jack: It doesn't feel like anybody could get there except Joseph.

Cristina: Yeah, I guess. I don't know. I don't know.

Jack: There's something huge missing. The problem is how little information we get from Elfin.

Cristina: Yeah, that's really what it comes down to.

Jack: D***. I guess the first episode of next year is gonna have to be the continuation of this.

Cristina: What?

Jack: There is some more recap to go. We're fair enough. Open the year on the ring.

Cristina: That works. Okay. Okay, that's pretty good.

Jack: Some more to go. But I like these summaries because they make us think about things, they inform us, discover things, and seeing it all together changes perspective. And it's going to tell us what to look at next collectively.

Cristina: Awesome.

Jack: Anyways, if you guys want to tell us what you think of any of this or any of the episodes from this year or how weird this show has gotten.

Cristina: Can you see some kind of connection that we cannot see?

Jack: Send us a message to tell us about it. Just convopod everywhere. All the platforms X and TikTok and Instagram and Facebook.

Cristina: Remember to subscribe, rate and review the show.

Jack: Yes. And word of mouth is the most overpowered thing that has ever existed in the history of humanity. So use it. Tell people about the show.

Cristina: This has been the rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye. You're like, wait, how the h*** did somebody across the ocean mention exactly the same thing using the same exact words? What the f***? Wait, how is the story of Jesus obviously corrupted in the Bible? But if you were to just connect the individual pieces of narrative from all the places he was allegedly at, they don't match what's in the Bible. This is something entirely different. Because the Bible's trying to brainwash everybody. They don't expect anybody to go to the f****** Source and be like, hey, what do you personally have on this?

Cristina: What's the source?

Jack: The Source is the countries. Bethlehem and Nazareth and Cyprus and the people who were in these locations and the prophecies left behind, which are left in hieroglyphs and in old writings. All the things we found that are telling us about this. It's a bit absurd how much of.

Cristina: This is infinite and oddly connected. Yeah. Good morning. Good morning. This podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister, with social media managed by Amber Black.

Rambling 255: Santa Clause Details

What exactly is Santa Claus? What is the extent of his abilities, and what is his ultimate goal? The duo unpack, one more, the complex and winding tale of Santa Claus with all gathered information throughout the years. Every year it's changed and every year the man in red has become more terrifying.

Rambling 255: Santa Clause Details

Episode Details+

  • Santa Claus
  • Reindeer
  • Unicorns
  • Adrenochrome
  • Elysians
  • Saint Nicolas
  • Philosopher’s Stone
  • Technology
  • Gnomes

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rampant Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And like, recently I've been thinking about the fact that it's gonna be Christmas soon and the fact that now that we required a lot more information. Who exactly is Santa? Once we've truly and honestly applied what we found out. Because it seems like out of all the creatures, out of all the people, out of all the beings, out of all the everything intelligent or not, that we've come across the most overpowered of them all. If Santa.

Cristina: The leader of elves.

Jack: The leader of elves and I don't know what this is about. It's absolutely crazy. You don't think he's an elf?

Cristina: No.

Jack: Why?

Cristina: He's too Jesus. Like, hey, he was made from the philosopher's stone too.

Jack: You think he was. You think he's like Jesus or King Arthur or Joseph?

Cristina: Yeah. Is that too crazy? I don't know.

Jack: I don't know.

Cristina: I don't know.

Jack: I don't know. This, this guy has always been so difficult to pin down. And, you know, we once in a while unpack what we're familiar with, but it's still really complicated and we're not sure what it is.

Cristina: What's his goal?

Jack: Like, what's his goal? What he really is. We have guesses, we know of people. There's a lot of loose connections. But now we have a lot more information about this higher tier level of advanced civilization. And if he fits into any of these groups, at least the. Not tier 3 or 4 at most. I'm guessing, like tier 2, right? Some like star level energy.

Cristina: Talking about the sea people.

Jack: No, I'm talking about. Oh, I haven't even mentioned. I'm talking about Santa Claus. I believe that Santa Claus fits into our tier scale of. Well, not our tier scale, but the Kardashev scale, about the level of a civilization where they're a higher level. When they're, you know, it's like you.

Cristina: Think he's by himself.

Jack: I don't think he's by himself. I believe that. Well, I'll tell you what I believe in a moment, actually. First of all, let's unpack what we believe about or not believe what we know about Santa.

Cristina: Okay.

Jack: What are the things that we believe? We know because once we establish those things, we have a lot of technology, a Lot of advanced civilizations all kind of branching out of exactly the same time to compare to now. We just need to know what we're starting with. What are the building blocks? So what do we know about Santa? What have we discussed in the past? Let's go through that briefly. Okay, so what do you remember about him? What are things we know for back saved.

Cristina: He resurrected some children.

Jack: Yeah, that's f****** mouths.

Cristina: That's very Jesus. And I know he goes around the world in a day to every single house.

Jack: What are some of his abilities?

Cristina: I don't know if that's teleportation or time travel or a little bit of both.

Jack: I think if it is not teleportation, then he has such an over exaggerated.

Cristina: Speed course for sure.

Jack: Yeah. He has such an exaggerated level of time control that what would take somebody years to accomplish, he successfully manages to accomplish in what to us feels like a night, but presumably to him was a year or many years. Like the. I. I think if that's the case, there's definitely a ratio going on. Right?

Cristina: What?

Jack: Where it'll be like we experience 364 days of a year and then he experiences those same 364 days. But then in one day he would have to experience like 30 years.

Cristina: No.

Jack: Because he slows down time.

Cristina: Oh, I guess. No, I don't think so. I think it's more about travel. You know what? Because of what we have learned, I'm thinking that he is using teleportation. I think he's going into. Because of the elves. Like he works with elves. Come on.

Jack: They have to be dropping it off, right?

Cristina: He knows all the places to sneak through all these portals. Elves have natural portals everywhere. I think you could be using those.

Jack: They don't have not. They don't need portals or fairies. They can pop in and out. I never thought about them.

Cristina: No, they have their own portal. I mean they have their own space that they travel through. They don't pop in and out. They're going through this thing.

Jack: They're going through the. Through Elfame.

Cristina: Exactly. He's going through Elfain.

Jack: He doesn't need to go through anything. But we already. Oh my God. I see all the lines you're connecting now. It took me a second. We just established this recently. Either last week or the week before that.

Cristina: Last week. Because I think the sea people have figured it out by using shadow technology.

Jack: Who was it? Who was it? Who were we talking about? Who are we talking about? Who established a portal through a top. It was the necromancers yes.

Cristina: Yes. He's using their tech.

Jack: Yeah.

Cristina: These necromancers are not just necromancers. They are. They're just. I think they're just sea people, aren't they?

Jack: No. No.

Cristina: Yes.

Jack: Necromancers don't have to be sea people.

Cristina: They definitely are.

Jack: Why do you believe they're sea people?

Cristina: Because there's no one. No way. The technology that they have is too ridiculous. Because it's a combination of everything. A sea people, shadow realm, and very.

Jack: I mean, I think the conclusion of that episode was ultimately that they might as well be exact. Like, we don't know that for a fact. Again, that's like a. That's a good conclusion.

Cristina: Unless you know any humans that became one or got taught by one of these. Actually. No way. No way.

Jack: Anyways, so I came in to the thought of Santa trying to answer some pretty basic questions about him, which are, who is Santa Claus? What is Santa Claus? And what is Santa Claus's goal? Like, what is he doing? Right? We have ideas. We have, like, what he's doing. We have ideas of what he's doing. We have ideas of who he is, we have ideas of what his goal, not his ultimate goal, but we know, like, at least what he's trying to accomplish in some aspects. But with the information we have, if we crack open this case, go balls to the wall with it, what do we find? Right? Because then trying to answer those questions, the only real things we need to look at are the things that stick out about Santa Claus, right? The things we're familiar with, kind of. And it goes as follows. Like, is Santa Claus and Elysian himself?

Cristina: Probably, I think. Why do you think he has their powers?

Jack: You think that's the case?

Cristina: He's either one or he's either a.

Jack: Thing they made interesting, like Jesus or King Arthur.

Cristina: Okay.

Jack: Then we have weird things, like, does he use adrenochrome? Because why does it need fear?

Cristina: Okay.

Jack: You know?

Jack: Like, what is that about?

Cristina: I don't know. Jesus also feels like he needs fuel, too.

Jack: It kind of leans in that direction a little. Right?

Cristina: I guess that will still make him more like Jesus for some reason. But I don't understand.

Jack: How does Santa know everything? But Jesus kind of knows a lot too.

Cristina: It's the same. It's a special ability these type of things have.

Jack: You think Yosef had it too?

Cristina: Who?

Jack: Yosef, the golem.

Cristina: Except for him, because he wasn't given free will.

Jack: He did have free will. The problem is you could still deactivate him, which is f*****.

Cristina: Oh, yeah, Yeah. I don't know. I don't think he could tell because then he'd probably kill those people. I don't know. Why would he be okay with them.

Jack: Deactivating him and the king? King Arthur didn't know everything.

Cristina: No, not even the more you they.

Jack: I think. But okay, here's the thing. Here's the thing. What you gotta. Oh, I think we have a word for this already. The homunculus. They're artificial humans. They're homunculus. And the problem is Jesus was a fully normal thinking homunculus. As close to perfect as possible. But Arthur was intentionally lacking that super expanded knowledge. Intentionally, it seems. And then let's build a narrative that he'll follow instead of just giving him the knowledge he'll need to just know to do it. Because when we did that, they went rogue. How does Merlin know that? Maybe connected to the Alicians in some way. He is in fact half human, half shadow. Or was he half Elysian, half shadow?

Cristina: I can't. No, he was.

Jack: I think he was human. He was Alician.

Cristina: Merlin.

Jack: Merlin. Half Alician, half. Okay, fair enough. Op crap like that anyways. But back to Santa. What are the things we know? What stands out that's really weird about this guy?

Cristina: Besides, like you said, he knows.

Jack: He knows everything.

Cristina: But he doesn't know everything. I mean, they say he knows who's onion ice, but that's more about the fear, not about him actually knowing.

Jack: Oh, I never made that connection. Oh, that's good.

Cristina: Yeah.

Jack: So he's just detecting. If you're scared, it's because you're guilty of not having been nice. But if you are nice, he can't detect that because all he was really detecting is fear. Now if that's the case, he can only detect it when it's nearby because he's not just knowing everything. So he gets to your house and then he leaves the thing, but he's not leaving the thing. That's part of the story. That he successfully managed to get a society that goes ahead and gifts themselves and says it's this guy, but then still generates a fear from children, which is the most optimal fear. He somehow got parents unknowingly involved in the process of getting fear, but nobody's getting harmed.

Cristina: He probably doesn't need to know who's. That ain't nice though. He just needs you to think.

Jack: He just needs you to think. Yeah. This could all be for all.

Cristina: Maybe.

Jack: What else do I know?

Cristina: The reindeers.

Jack: What about the reindeers? Reindeer stand out.

Cristina: They fly.

Jack: Flying reindeer Yes.

Cristina: I don't know. Alicians have creatures.

Jack: But do reindeer do the. Without talking about Elysian, what are the characteristics of these reindeer? Specifically, what are features? Without comparing them to anything else. It just exists exclusively for these things. With the Santa Claus stand with. What do these reindeers stand with? The fact that they can fly. What the h*** is up with Rudolph? What the is Rudolph? What is Rudolph glow? He's a radiating reindeer. The h*** is that? That's unnatural. As they fly. That's weird. And they're reindeer. And out of all the vehicles he can have.

Cristina: It's a sleigh.

Jack: It's a sleigh. Now allow me to establish some time here.

Cristina: Okay.

Jack: The sleigh leans into a Roman style kind of medieval wagon thing that you get dragged in. What are those called? You know, that they used to have for war and s***.

Cristina: Chariots.

Jack: Chariots. It resembles a chariot. It's a lot like a chariot. The gap of time between when chariots were common and this m*********** being on a sleigh is colossal. So definitely old habits at play.

Cristina: Do you know how old he is? Is he older than Jesus?

Jack: I don't know. It's unclear.

Cristina: So.

Jack: Okay, allow me to open the case of Santa Claus. Santa Claus? Yeah. So things we know for a fact. Is Santa Claus an elation? We don't know. We gotta try to answer that s***. Reindeer. Definitely resembling some familiar things we've come across. Does this man use adrenochrome? There's a lot weird about that. Thus turning adrenochrome into a power boost of some sort. Because he's using that to perform whatever the f***. But also the elves. What's up with that?

Cristina: What's up with that?

Jack: What's up with that? Okay, let's establish some really basic things. Elves. They're not elves. They're obviously gnomes. We know who the elves are. I don't know how this got confused. Elves and gnomes, very different things. The people helping Santa Claus are gnomes. They are not elves.

Cristina: Are they not from the fairy world? Or are you saying they're shadow creatures?

Jack: Gnomes are all. Are fairies.

Cristina: Okay then.

Jack: But they're not elves.

Cristina: Whatever.

Jack: They are not elves. They are fairies.

Cristina: They are fairies.

Jack: For whatever reason the world calls them elves.

Cristina: Doesn't matter. They're still from the fairy world.

Jack: This is not how that works. If anything, they're Elfamers. But we don't need to say that because they're fae. AKA fairies. That's what you would say to Earthling. Okay, It's Kind of like no matter who you were on Earth, if people were like, oh, they're Chinese. Well, whatever. They're all from the planet where China's on. They're all Chinese. That's essentially what you're doing here.

Cristina: I don't get it.

Jack: Because China being just a country and elves being just, I guess, Chinese people being a ethnic group and elves being an ethnic group, and then labeling anybody from the location they're from, elves or Chinese is the same. There's no difference there. So by saying that the gnomes, an entirely different race, is an elf instead of a fairy, it's like you saying we are Chinese, not human.

Cristina: Okay, but how is that important?

Jack: No, I'm just saying.

Cristina: Okay, that.

Jack: That is, we must make clear distinctions in those definitions so not be confusing when we communicate.

Cristina: Okay, those gnomes that we call elves.

Jack: Yes, they are gnomes. And because we know that the fairy that the elves are actually trying to suppress the level of technology around particularly advanced individuals. And that is number one as to why these individuals are specifically the opposite of an elf. Okay, because they're actually assisting in this colossal power shift that exists with this individual as opposed to preventing it from happening. But do you know why we're gonna get to that? First thing I notice that's really interesting is a giant power level and no Naga. I looked. There's no snake associated with this individual that tells us a single obvious thing. Let's look at the facts that we're familiar with when it comes to an advanced civilization, when it comes to the Naga, and when it comes to elves. This is why this definition makes a lot of importance as we're talking about elves. It's important that we know the gnomes are not who we're communicating with. Because right now we have to point out the fact that there are no elves around Santa.

Cristina: Okay.

Jack: Which means he's off radar to being stopped. There is no Naga, because where are you sending them if you don't know how to find this guy? These are signs that he's rogue, he's overpowered, and must be working with a group that is unassociated. So that's where the gnomes come in. He has connections directly to Elfame. Somehow. Somehow.

Cristina: But why?

Jack: I don't know. Okay, we're gonna hopefully find the answer.

Cristina: But you understand why they work with him?

Jack: I don't understand why they work with him. As far as we know, hopefully we will conclude these things, things we know about, I guess. Yeah.

Cristina: Thaniclons, huh?

Jack: He gives gifts for Christmas. Not sure what that's about. Although it seems obvious he's convinced parents to do that. Children become fearful of having done something bad which generates a subconscious perpetual fear overpowered trick. He can travel the earth in a single night. As far as the narrative goes, which is what we assume is a time control trick or something has assistance from fairies which are the gnomes he has, which is the next note I have here. Although we call them elves, it appears their description aligns more with gnomes has reindeers with unnatural abilities and based on the scriptures he is all knowing.

Cristina: Oh, what are the gnomes descriptors?

Jack: The gnomes descriptors is them being tiny. Them being. Their outfits, you know, tend to kind of all be in sync. They seem to unage childlike things with the exception that a lot of gnomes seem to be older men. But that seems to be our depictions of gnomes or particularly ancient gnomes who have been around a really long time. But gnomes seem to be very young. They seem to be very short. So almost comically like. Like adult toddlers but not looking like dwarfs, rather looking like a full grown human that you've just shrunk to the size. So there's proportionate when you shrink them. It's very odd.

Cristina: Okay.

Jack: Okay. Now weirdly enough you are fixed on Santa being on elation of some sort or Unelecian creation. There is something that lends itself in favor of your argument that becomes a really hard obstacle to unravel when going through this. And it's not even a hard thing to find. It's sort of the main thing that's just in the way but easy to ignore. He lives in the north pole of. We know he's there, everybody knows he's there. But it's also a giant place with empty whiteness in every direction. Because his home can't be. What?

Cristina: It's hidden.

Jack: It's hidden like what?

Cristina: Like the illusions home.

Jack: Like the Elysian's home.

Cristina: Yes.

Jack: The big obvious elephant in the room that nobody thinks about.

Cristina: He's got their tech.

Jack: He's got their tech. Bare minimum.

Cristina: He's one of them.

Jack: Yeah, bare minimum. He has to at least start. That's the starting point. And we're convinced their bare minimum scale 1 or 2 so 1.5 just to break it even. Whatever. Interesting. Right? He lives in a place that's absolutely protected and invisible. Similar to the elation properties islands they have near the Isle of Man, Atlantis and when it was the palace of.

Cristina: Ok, how do you know the difference if he's one of them? Or one of their things.

Jack: Hopefully the, the, the, the clues we have will tell us the answer to that.

Cristina: Okay, because you have some information that I don't know about.

Jack: Well, there's a lot of information we're gonna go through. Okay, but is he creation? What do we know about his creations? We have Jesus, we have Arthur. Creations of the elations, we have Jesus, we have Arthur. Who else do we have? We have Joseph. These are all using the same idea. So whatever they have in common, if he shares any of that, I suppose, which he did, the knowing things part, you think it's. He doesn't need to. But that would be the only thing actually linking him because maybe he's more clever. But as we go through this, you're going to be very surprised about something that I have stumbled upon which completely reframe this. But we'll get to things as we get to things.

Cristina: Okay.

Jack: Order is important. Order is important. So in 1443, the first mentions of this omniscient being began to surface. And the first name he appeared with was Father Christmas.

Cristina: How do we know that he's not Jesus?

Jack: I don't know.

Cristina: Okay, I know that's a random thing to think, but like we know Jesus dies and he goes back and then he disappears.

Jack: Yeah, he disappears. Oh, there are similarities. Like a mother.

Cristina: How do we know he didn't reappear?

Jack: He could. He totally could. He totally could. And Jesus is very giving and wants you to do good.

Cristina: And the thing, like there's a lot. There's just so much similarities that it feels like this guy could be that guy.

Jack: Well, if this is the case. And Jesus is unstoppable.

Cristina: Isn'T he?

Jack: He seems to be a lot of the time, just to be fair, he does seem to be completely uncontrollable.

Cristina: I don't think they can stop him. And like, who's gonna stop Santa?

Jack: Like, come on, who's stopping Santa, dude? Like straight out.

Cristina: They're just hiding from him. They're hiding from both of them. They're hiding from both of them because they're the same person. Well, continue, continue. Pretend I didn't say that.

Jack: Okay, now, abilities we know factually based on all the things. Seems you can control time allegedly knows everything everyone does at all times can appear and disappear instantaneously. That leans itself hard into teleportation or into fairies poofing in and out through the. Through Alfame. They travel through Alfame. Crazy short distance time works differently. Pop up somewhere else. Necromancy abilities, which seems to be one of the most overpowered things we've come across. As of now. We're talking necromancy s**** on adrenochrome by miles. But also that seems to be included too. It seems to be a lot of stacking of things.

Cristina: Okay.

Jack: He has nine reindeers with properties identical to Elysian unicorn. That's another. He can teleport. Varioletian. He lives somewhere that disappears. Varioletian. He has the ability to pop in and out. Varioletian creatures with abilities. Variolation.

Cristina: Yes.

Jack: Now let's get to some of the weirder things. Specifically, he can dematerialize into pure plasmic gas like substances to fit through seemingly any space. This is witnessed by individuals.

Cristina: Is he also a vampire?

Jack: That is totally leaning in that direction. Except we know the vampires don't really do that.

Cristina: So.

Jack: What the h*** is that? That's some higher tier level teleportation. We're watching the dematerialization. So it's not so advanced he could blink across the universe. He needs a physically shadow creature. Like he needs to move the matter.

Cristina: I feel like shadow creatures can do stuff like that. Which would mean like.

Jack: Come on.

Cristina: That makes him so much leaning towards Jesus. Because we know Jesus went into the shadow realm after he died.

Jack: Like he's shadow and mortal.

Cristina: Yeah.

Jack: Or was mortal. Now weirder one. His bag with a pocket dimension inside of it. He carries a pocket dimension around.

Cristina: See?

Jack: Weird.

Cristina: I'm guessing the gnomes would have helped him with that. I'm not sure.

Jack: Perhaps. Maybe that's connecting into something in Elfham where he just stores things.

Cristina: Or the necromancy powers.

Jack: 100%.

Cristina: These are the ones that figured out how to have a shadow realm. A stable teleporter. Teleporter portal. A. Yes.

Jack: Teleporter portal.

Cristina: Portal. Portal.

Jack: Santa does not age.

Cristina: Does he not age.

Jack: He does not age.

Cristina: He looks so old.

Jack: He's been that age. He can't die of unnatural causes. And he can't come. He can't die of natural causes. Not unnatural. He can't die of natural causes.

Cristina: And he can't become ill because he's already died.

Jack: Right.

Cristina: He is G6.

Jack: There's something off there.

Cristina: Come on.

Jack: Okay, screw Santa.

Cristina: Okay.

Jack: St. Nicholas. Things that are unrelated to everything I just said to Santa. If I've already said it, I'm not gonna mention it again. For St. Nicholas. I'm just gonna mention different details for St. Nicholas. There aren't many. A lot of them are shared with Santa. Obviously.

Cristina: Okay.

Jack: There are reasons for this. Presumably. So things to note, St. Nicholas was born in Turkey.

Cristina: Okay?

Jack: Now, abilities we know of that surpass human natural abilities are, as we know for a fact, managed to absolutely bring back to life three dead individuals.

Cristina: Those were the children?

Jack: Yes. So that's. Whoa. What's happening, bro? And I know I'm gonna explain later. So beautiful. A lot of this is gonna piece together. You're gonna help me piece together the.

Cristina: Rest of it, okay?

Jack: But he can bring people back to life. Now, I'm gonna go through some significant events and I'm gonna ask you what's connecting them, and then we're gonna figure things out, Right? Because there's a lot of sketchiness around in this guy. So significant events. This. I'm just calling this part significant events. He is said to have made a pilgrimage to Egypt and returned to be the bishop of Myra, which is a town just shortly after coming back. He revived the murdered three children who were pickled and going to be sold as pork.

Cristina: That's crazy.

Jack: Saved three girls kidnapped to be sold in the prostitution by dropping a coin into their home until their father had enough money to free them. I looked into this. He actually used to be a rich man. Not a rich man. His family was rich. They died. He spread their wealth when he inherited it, okay? Because he didn't need it.

Cristina: That doesn't explain the re. The turning those children back to life.

Jack: And the power of money. He was once on a ship sailing across to spread the good word. There was a storm and he single handedly calmed it so that they can continue traveling freely. That was like, what? Huh? You just walked outside, you're like, nah, storm.

Cristina: I think that's just Saint powers because I remember Saint Patrick just doing that to Nessie. Was it Saint Patrick? It was a saint that was there. And he was like, go. And then she just. She just walked away.

Jack: Oh, I think Maybe he also St. Patrick did that to the snakes too.

Cristina: Yeah, I guess. Like, get out of here.

Jack: Yeah.

Cristina: Scram. Okay.

Jack: He saved three soldiers from being executed after being wrongly accused of crimes.

Cristina: He did what?

Jack: He saved three soldiers who were being.

Cristina: Exactly. How did he save them?

Jack: He can. Apparently has Jedi mind powers.

Cristina: He just bought their freedom or something.

Jack: He did not buy their freedom. He protested in their favor.

Cristina: That's it.

Jack: Got them off.

Cristina: Okay. Okay.

Jack: This next part was very interesting to me because like I said, as I'm. As I go through these divided parts and stumble through things, we're gonna have a lot of. Oh. Be ready for this following sentence. It's a short one, but. Oh. Oh. Does it throw us in the right direction, man? He chopped down tree possessed by demons. Allegedly. I'll put that there. We'll come back for that later.

Cristina: What?

Jack: When his remains. His remains. His remains ooze an unnatural fluid that has been a complex problem because like they. They have his bones.

Cristina: That's gross. But very Catholic.

Jack: Yeah, they have his bones. And so a bunch of people came to study the compound of the chemical that's oozing and there they thought it was water initially. But upon closer and closer and closer inspection, there's a weird, unnatural unidentified combination for an iron like compound in there. What do you think that is?

Cristina: Is really the channel people? Is it really to the fairies? What's happening?

Jack: I don't know. Associated with St. Nicholas are two things that matter a lot. One is a staff. The staff has the head. The head of the staff is designed identically to a symbol inside of the magnum opus. The head of the staff.

Cristina: What does that mean, Magnum opus?

Jack: The magnum opus is the book that has the recipe for making a philosopher's son.

Cristina: Are you gonna say that he made Santa? I don't know. I know where you're going. But that is very random because he did go to Egypt, so he might have gotten some knowledge from there.

Jack: He went to Egypt. Right. Things are. Like I said, as I go through things, things are gonna happen, man.

Cristina: Okay, okay.

Jack: So yes, he has a staff.

Cristina: Yes.

Jack: And the head of the staff is the exact symbol or one of the symbols that exists inside of the magnum opus. Designed exactly as it was originally. Which is a nice little symbol swirl that begins almost like a question mark where it connects to the staff. Just random detail.

Cristina: You think you don't know what it means or anything?

Jack: No, doesn't matter what the symbol means. It's one of many symbols. He is usually dressed in weird symbols too. And the most important thing I'm going to say relative to this man. And it took me a while to find a photo proofing this one because I found it in words first. And I looked and looked and looked and it seems almost erased from existence, but I found it in words. And so, you know, I flipped through enough until I stumbled upon the fact of the matter, which is that he wears a pendant around his neck. Where in the pendant there is a wine red gem encased at the center of his pendant.

Cristina: What does that mean?

Jack: A wine red gem at the center of the pendant around his neck.

Cristina: Are you like saying it's a philosopher's stone or something?

Jack: That's exactly what that sounds like to me.

Cristina: I thought they were apples.

Jack: The philosopher's stones aren't apples. Adam and Eve are code names for philosopher stones. Oh. Yeah.

Cristina: But we never got their descriptions. We have no idea what they look like.

Jack: We know based on the magnum opus that they are red gems.

Cristina: You do?

Jack: Yeah.

Cristina: I don't remember that description. Oh, and he's just walking around with one.

Jack: He has one independence.

Cristina: This is Nick, not St. Nicholas. He sacrificed himself and made this Jesus clause. I don't know. I don't know. None of this makes sense because he doesn't even seem like the type of person who will sacrifice people. Why does he have that? Who did he sacrifice? If it wasn't humans, it could be shadow realm people. I don't know. Like, maybe. What do the gnomes. Did the gnomes have him sacrifice their enemies and they're like, you help us, we help you type of the situation. Like, maybe they had some other fairy type beings that were bothering them. Maybe you should look into them and who they have problems with, because maybe we'll find out like he.

Jack: The gnome.

Cristina: Yeah, the gnomes.

Jack: You know how hard it is to find out anything about a fairy tale.

Cristina: Yeah, but if you just. You just shoot. You should. You should just try.

Jack: I mean, there's nothing wrong with looking.

Cristina: Yeah, like why? How did he get it? He had to kill something. He didn't have many things.

Jack: Well, I'm gonna go through my theories on what happened.

Cristina: Okay. What do you think of my theory first?

Jack: What's your theory?

Cristina: That they had him get rid of whatever they had a problem with, and then they're now helping him. Not him, but whatever this new version is. They helped him to make that stone, though, because he helped them solve a problem which created the stone in the first place. I know it's crazy, but, like, the.

Jack: Problem is I know the answer to the question you're asking.

Cristina: Okay, okay, okay.

Jack: And clean the sort of yes and no altogether.

Cristina: Okay.

Jack: So about everything, we've already gone through things that stand out to me. He chopped down a freaking tree that possessed some sort of thing. He or written states was a demon. We know of trees with special abilities. He went. It's important that he chopped down the street. There was a significant importance to him doing that to this tree. That was a big deal for him. And so it became a big deal for whoever was telling the narrative of this event where he tore down the tree. Chopped down the tree. That's because I am believing that this tree is a very familiar tree because of two things. One, it's a fairy Tree? No, I swear to God. It has to be because the story originates in Germanic region which leads us quite close to the Saltic region. And he had to travel to get to the tree.

Cristina: Maybe they asked him to do that. Maybe someone like import an important gnome was in that tree. He was saving the gnome. He wasn't actually getting rid of a fairy because we know that fairy trees, we believe there's fairy souls in them. But what if you can't really kill a fairy? Like we have an idea that you can, but maybe you can't. Like maybe it's more confusing than.

Jack: Maybe it's more complicated than our concept of death.

Cristina: Yes. When it comes to fairies. So, like their quote unquote, death looks like these trees. He chops it down. He saves the fairy that was in it, which was a gnome. Therefore all the gnomes help him. Could if it was like a very important. No type of.

Jack: No way to know. Could definitely be. That is such an important moment that it got written down. The problem is the way he was describing it in the writing. There is a demon inside the tree. So the tree is no good. The individual writing this must have been going off of the word of St Nicholas who had to cut the tree down. So he taking the word of St. Nicholas. That's bad. I need to deal with the tree.

Cristina: Well, he can't tell him what he's really doing. If he knew what he was really doing, why would he tell someone?

Jack: What would somebody else do about it?

Cristina: I don't know. But it was important to keep this secret.

Jack: Fair. If that's the case, the idea would be he is something is in the tree and he's extracting something from the tree by chopping the tree. That's the facts of the matter. So I found that very interesting. Another thing that kept showing up was the consistency of three. Three murdered children. He saved three kidnapped girls. He saved three soldiers that were about to be executed. That seems to be a consistent pattern. I don't know the significance of that per se. I just know that that was interesting. Okay, now framing this man like an Elysian. Yes. The reindeers. There's something off about that. Identical. When we compare them.

Cristina: Who are we talking about now? Because now we're. Because you just separated St. Nicholas with Santa. Are we saying they're both the same person? Are we saying they're not the same?

Jack: Oh, no, no, no. I haven't combined them into one person.

Cristina: Okay.

Jack: At this point, I'm still jumping between these two individuals.

Cristina: Okay.

Jack: So. Okay. I guess it would make Sense to say now that we know the differences between these two individuals. What do we know for a fact or not for fact? So out of the information that we have.

Cristina: Yes.

Jack: What can we say factually looks like elation related of all of this information. All of this.

Cristina: No matter who it falls under.

Jack: No matter who it falls under. Now we're trying to tie them together.

Cristina: Okay.

Jack: Because again, there's a lot of things that are similar, but what things about them being the same person tells us he's on Elysian. The reindeer are definitely identical to Alician unicorns.

Cristina: Yes.

Jack: There is almost no distinction how they move through air. Without the requirement of wings, they can travel almost in vertical positions. Like that feels very, very Elysian. Cloaked home. Very Elysian.

Cristina: Yes.

Jack: That might be the most Elysian thing ever because that's one of the first things we know it through all the places of the Elysians, the mountains they've hidden.

Cristina: Okay. This is random again of him making him seem like maybe this is Jesus, even though there's Nick. The thing is, like, he knows when you're not. The whole thing of him knowing things like that, you. If you're nodding or nice. Like, we know the Elysians are hiding from Jesus and we know that we can sense him and so they can. Like, we all know things about him we shouldn't that they were hiding from that. But like, we don't know if he knows also things about them, even though he's never met them. Like, what if it works both ways of not just us seeing him, but he can see us and that them too, not just us. Like we say he knows when we're not in it. But like, what if he can. Like this come.

Jack: The problem is that this comes back to pure speculation. We have nothing on this.

Cristina: Yes.

Jack: The problem is that if we devolve to pure speculation, we have nowhere to go because it's a giant. Well, what if. And then. Okay, then what?

Cristina: But just what I know. But still, what if he does? And then that means like, okay, so then that's how he knows Elysian technology even though he's never met them. Because he just.

Jack: He knows who Jesus.

Cristina: Yes, because he knows who's not Aaron Ice. Because he knows more about what's going on than like, he's got psychic abilities, I guess is the.

Jack: He also might have connections to things like the shadow Gods. And the shadow gods have access to Elysian technologies.

Cristina: Jesus or Jesus. Okay.

Jack: It'S a bypass.

Cristina: Yes. But then why does Santa have that tech? But okay, continue with Anna anyway.

Jack: Well, those things stand out heftily to me. They seem to be like real weird ones. Definitely the tree thing. Definitely the reindeer. Definitely the Elysian cloaking technology. So this is how I see the events happening. When we add the little details we know because there's quite the gap between St. Nicholas and Santa. So let's talk time, distance, right?

Cristina: Okay.

Jack: Three hundreds is when we come across St. Nicholas. That's when he was alive. The three hundreds in his life. He meets the Egyptians in the Promised Land. The Promised Land goes by many names, but the most commonly used is the Holy Land. The holy land where St Nicholas went to meet the Egyptian just so happens to be. If you look on this map right here, we see Egypt. You see how it's connecting into Africa right there and whatever. And you see how it's taking parts of Iraq and like going through the bottom part of Iran there. It's because it crosses to Persia to get to the Egyptians. Nice and close to where Persia was. You know, where their stuff would have been many years after they left. And if there's any rogues left behind, that's where they would be. So he goes through former Persia and in this process he's introduced to Elysians. We know this because as a human willing the help, he is later enlisted amongst the Christians to assist them, as we already know. Thank you, St. Patrick for revealing the truth of how interactions with the Christians go. You get chosen. We know St. Peter, we know St. Patrick and now we have St. Nicholas. All that kind of went through the same problem.

Cristina: Okay, new idea.

Jack: Go for it.

Cristina: Okay, Random, but. Well, not random. You were talking about necromancy and how it's hard for people to get in. We don't know any stories of people who succeeded. But what if we do know and they're called saints?

Jack: Oh, s***. Oh, f***.

Cristina: Because they're the ones that have those abilities.

Jack: Well then allow me to establish the reality of the matter that if a saint is the accomplishment of a necromancer.

Cristina: That means they know shadow realm variant. And just remind me, 100 abilities.

Jack: Yes, 100%. That means that the main factor to being a saint, AKA a necromancer. So they're, you know, necromancers. The old name saint is the new name.

Cristina: Yes.

Jack: The main requirement is being human. You can't do it as an elation. That would immediately disqualify Marlin is actually having been because again, this is a fuzzy detail. Him being half and half. We know half shadow, we are assuming half a lesion. We don't know.

Cristina: Yeah.

Jack: But it seems quite consistent that there is a other factor needed to be a saint. And I suppose this is why Jesus doesn't qualify as a saint. Because he's not a necromancer.

Cristina: No, but he has abilities to.

Jack: He has different abilities.

Cristina: Okay.

Jack: While necromancers, saints might have to go through the dying process, too, but all saints exist after the events of Jesus. So is it that. Oh, we learned, and we can make the process like. Is that the process? Then? Are saints the process? Jesus was the first attempt. It failed. We got this thing. But we can take some things out and make saints. But then why Joseph? I don't know. Why do you need Joseph? It doesn't make sense. That breaks down immediately. Why do you need Joseph? Why do you need King Arthur?

Cristina: But those are for different things.

Jack: Well, King Arthur's for something different. King Arthur is something different, but not Joseph. It looks like his goal isn't like the goal of his existence is essentially to be able to bridge distances, which is, if you have this technology as an elation, then what the h***? Why would you need it? Then again, Joseph isn't an Elysian. He's made by the Jews. Fair enough, Arthur. Questionable. We don't really know Jesus Definitely made by the Elysians.

Cristina: Yes.

Jack: Don't know. I don't know the relevance. I don't know the relevance.

Cristina: I'm over here thinking just, saints are definitely humans.

Jack: Saints seem to be predominantly human that.

Cristina: Are trained from Elian.

Jack: Yeah. Well, Catholicism as a whole seems to be pretty controlled by the Elians.

Cristina: Yes. Hide their secrets and all that crap. But saints are a little. They're just. They're the top tier.

Jack: Yeah. There's way more elitism. Well, we have no idea where the Pope falls into that. He's like the big honcho in religion, which means he must be getting the big.

Cristina: Does he become a saint after he dies?

Jack: I don't know. Maybe. Maybe the goal is, you know, become.

Cristina: You have to die first.

Jack: Yes. It seems to be always the case. That's literally part of the rules.

Cristina: Yeah.

Jack: And you need to prove understanding of things. You have to accomplish things using the stuff before you went through the trend. So interesting rule set. Right. Because in order to become a saint, you need to have accomplished miracles and you have to die. So in order to have accomplished miracles, as far as we know, that's just another way of phrasing, you have to have successfully used the lesion technology, which means it's very difficult to actually do have to prove a higher level of intelligence as A lower intelligence creature. Yes, that's requirement number one.

Cristina: Yes.

Jack: And then you dying means now you have the ability to use Shadow Realm technology. And necromancy is the fusion of those two things.

Cristina: Two things? Three things.

Jack: Those are two things that's dying and being able to use Shadow Realm technology, which is one thing, and then it's using Elysian technology, which is the other thing.

Cristina: Okay, but then you also have to know about fairies.

Jack: Oh, she had to be a necromancer.

Cristina: Yes, it's even more complicated. Like how.

Jack: So then how do you get that part?

Cristina: No idea.

Jack: No idea. Interesting. So that's actually a part to this missing a huge chunk.

Cristina: Yeah.

Jack: Anyways, yes. So 300 years ago, this man is. I mean 300 years ago, in the year 300, this man is born, he meets the Elysians, goes to the promised land, AKA the Holy Land, is introduced to Elysians as a human willing to help. Now that we know how this works in general, like St. Patrick, he becomes enlisted among the Christians to assist in the cause of the Elysians.

Cristina: Yeah.

Jack: With Elysian technology at his disposal, he manages to cross paths with fairies. This is where we spin off into some interesting things. With fairy assistance, he successfully builds a location at the North Pole that is unknown to the Elysians. And with Elysian technology, successfully cloaks it from them.

Cristina: So he start he was working with them and then somehow. Why? What happened?

Jack: Rogueness.

Cristina: Why?

Jack: Self interest and lack of fear. Now at this new location, he gradually brings technological specs that he sneaks out of elation facilities.

Cristina: How?

Jack: Just casually, because of being a high ranking member and having to learn how to use all these things and blah blah, blah, blah, blah, blah, blah, blah blah. He's slowly, you know, here and there.

Cristina: He'S working with Jesus.

Jack: I don't know, I don't know.

Cristina: Prove to me. He's not.

Jack: Proved to you. He's not. Now these technologies stolen allowed them to somehow create or locate a philosopher's stone because they have access to elation things.

Cristina: Because of the Egyptians he had it.

Jack: He didn't have it when he went to Egypt. We know that he is known for having it.

Cristina: Okay, that was in the period where he wants to see.

Jack: No, we know that he was. He became the leader of Myra, which is a town. When he returned from Egypt, they deemed oh no, your worth being the leader now just because you were over there and you have whatever.

Cristina: Well, does he have stone? Who did he sacrifice or.

Jack: He located one, which is a red pendant. Using fairy assistance, the narrative of the man to fear begins to spread.

Cristina: Do you really think he just found the stone?

Jack: I don't know. I don't know how he acquired it. Now, with immortality on his side, enters the big picture game, right? Because this isn't a short term thing. It's exponential, but gradual at the start, right? One person tells two, two people tell for so on so far. So he has immortality. He can play the long game. It's the three hundreds. He's not going anywhere. By the 1443, you know, 1400s, 1443, the first mentions of Father Christmas arrive, but there was no association with gifts. There was a man who showed up and seemed absolutely determined to convince people that there is a reward beyond divinity. It's not God, but there is a moral obligation to give to others. It had nothing to do with children. It had nothing to do with giving to the poor. It had to do with a state of happiness and the state of uppity ness, essentially. Like if you're down bad, if you're up good, and the bad being, you know, you're sad, you're not doing well. If you're not going to be around people to cheer yourself up, you're doing it wrong. You should always aim towards this Christmas time to have now. What's Christmas time? Christmas time is just a general, hey, what if together we got once in a while to just make sure we're all doing well and if we're not, we're doing something wrong. So there was a togetherness of this discussion. This man was having fear was never in the discussion to begin. Really? Yeah, 100%. It's just this man shows up in the 1400s and he's just talking all this stuff which starts to take off. Christmas does start to take off and it's almost spreading everywhere in Europe. It's everywhere. Everywhere? Everywhere. Everywhere. Everywhere. All the Germanic countries and a lot of the Latin countries are also adopting these traditions that this man, that nobody knows anything about Father Christmas, this man, and he's over here preaching all this stuff. And it's starting to pick up now. 200 years pass, it has completely flooded all of Europe and this myth suddenly gets inserted. The if you don't, you will be punished part, but if you do, you're gonna be rewarded.

Cristina: Okay?

Jack: And that part was almost entirely focused on children. Almost like the narrative suddenly changed.

Cristina: Do you have any idea why?

Jack: There is no mention for why. There's just a huge awareness that scholars have with the written narrative that suddenly. And this is where the gnomes come in. Because again, the gnomes helps in spreading the story. But the fact that almost everywhere in Europe simultaneously, it became about children. It became about. Not children necessarily, but about the punishment and reward system.

Cristina: Anything that has to do with the gnomes.

Jack: The gnomes that could be anywhere, whenever. Or portals or whatever the case might be. This ability to be suddenly, in many places, paid off. Right now the idea is you're a bad person. You're not gonna get rewarded if you don't go out of your way to cheer other people up. And the reward for doing that is things you've wanted and fantasized about. Fine, whatever. Sure. Story gets spread, narrative spreads, and it becomes a survival trick that if this is the reality of the matter and it. Because it's everywhere, suddenly people just add it to the culture and parents begin to teach it to the children as a way to have the children prepared to naturally do this in the future as adults. That way they are just there for those around them. Then slowly the gift giving becomes a thing because, oh, literally somebody. But again, this is. We went from the 1400s to the 1600s, and in the 1600s, boom. Suddenly this just shows up about the f****** reward system. Then in the 1700s, almost 100 years, like clockwork, like somebody planned the drop. Again, we get an addition to the story. We get the mention of the man himself being the present delivery guy.

Cristina: Okay?

Jack: But we don't have Santa Claus yet. We just have this is father guy and we've seen him through God knows how long, and he always seems to be around. He's this thing who wants us to be moral people and take care of each other. And if you don't, he knows because he knows everything. But suddenly people start getting gifts. Now here we have the break in the story that becomes very interesting. Why by the 1880s, Santa Claus is in all of Europe, some parts of Asia, and in the now developing Americas. Right. And that's quickly spreading through North America and migrating south. We have a lot of Santa Claus going on. The division happens when we have Santa Claus, the individual who is delivering these gifts and is treating the people and is. And us having this sort of mass spread of the narrative, I suppose we would argue is we have Santa Claus and we have the gnomes and we have his spread of the narrative. And this power. There is this division that starts to happen where people seem to be receiving the detail that. And I don't know how I have. I couldn't find anything relative to this. But I did find an interesting line which I'll mention in one moment. It Seems like the psyop was aimed at poor families that couldn't get. That weren't being like, things weren't dropped off. My bad. The other way around at rich families, poor families would receive things. Rich kids who could receive things wouldn't. And then their parents would go and buy the thing so that they would have the thing like the poor kids and not feel inferior.

Cristina: Someone was getting things for the poor kids.

Jack: The poor kids started receiving things. People immediately associated this with Father Christmas. Okay, the question is, the division in the story that's happening here is we have a guy who's going out of his way to spread this narrative, and then we have a person literally, like. My question is, does this division in the story happen because he records requires the parents to start doing it? Because you reach the early 1900s and there's no more sudden. There's no more stories in writing of him literally doing the thing. It seems like the old stories keep moving forward and people buy their children gifts. Like it was part of the thing that, like, if we get the people to do it, then people will teach people to do it. Then I can continue to remove myself from the equation. So we have the reality of him removing himself, and then this illusion, this narrative that keeps being pushed by the people who teach it to their children.

Cristina: Okay, so then he doesn't really do any of this?

Jack: No, he completely removed himself from the situation. It took a really long time and many blocks and wires crossing here and there and here and there. But it seems like he's no longer involved in any part of this process. He fully detached himself. And now following that point in the early 1900s, it becomes a bit of an issue to differentiate which side. Is it something that kept rolling forward and then added to the fake story, and which side is something from the reality of themselves matter, because again, there's two versions of him moving forward from that point. There is a real him who seems to have just kind of detached, and there is narrative that keeps moving forward and things that morph with time. You play a game.

Cristina: So everything we learn about Santa Claus, though, then, is not real. And it's part of this story that has been building up?

Jack: Well, no, because that only happened very recently. All these other stories have existed for quite some time, and a lot of them are written sometimes surrounding literal scripture.

Cristina: The Santa Claus ones?

Jack: Yeah. There's mythology and there's scripture, including St. Nicholas. It seems to be the St. Nicholas is in fact Santa Claus. That seems to be. They are one on one. St. Nicholas traveled and he Santa Claus is him extending his life beyond the mortal bounds of human. He is some sort of a human. He seems to ha. Yes. In fact have received some form of training in technological use and in service to the Elysians. And he seems to be some sort of a traitor who has not just access to the things, but came across to write elfame individuals who are also traitors. Which also seems to be where the narrative of gnomes being untrustworthy stems from.

Cristina: So what does. Okay, but all these stories are or not fake. But he's not doing anything. What is he doing?

Jack: He was giving gifts for some time, but now.

Cristina: Currently.

Jack: Currently, as of now, it doesn't seem that he. We don't know what would he do that we could understand. As things have gotten higher scale, he has exited realms of our understanding. You can follow the narrative back from when he was just a dude literally traveling on foot all the way to Egypt. Comes back, he's already the leader. You give him a little more time.

Cristina: I think he's just running a town of gnomes or a city of gnomes.

Jack: And why does he interact with us? What's what?

Cristina: No, he's not interacting with us because he said these stories are just moving forward.

Jack: What was the point of the. Why would you need to run anything? Why did he interact with us? Rather what was the point of those.

Cristina: Things before the story spread? I don't know.

Jack: There's holes and he's really hard to pin down. He's a really hard guy to figure out.

Cristina: He spread those stories. What if those are just stories? If he had nothing involved with those stories?

Jack: That be weird because it's in service to him. That makes no sense. There's no Jesus.

Cristina: Like there's stories of him being good, but we know that they don't see him as a good guy.

Jack: I don't get your point.

Cristina: The Elysians. The Elysians don't make anyone villain.

Jack: The Aletians aren't spreading stories of Santa Claus.

Cristina: How do you know though?

Jack: Because the stories of Santa Claus I've retrieved from everywhere else. The only mention relative to him is what we get from St. Nicholas.

Cristina: Where are those stories coming from?

Jack: Everything before he disappears. And that's from Christianity. And that tells us nothing about Santa Claus. All the stories about Santa Claus happen after those events in which he is mentioned as Saint Nicholas. Saint Nicholas disappears and a man with all the identical characteristics plus some shows up. And we consider him Father Christmas and Father Christmas. Eventually we just consider him Santa Claus. But we know factually those are the Same guy. And then Father Christmas is just some guy who happens to have exactly the same characteristics, features, behaviors in the same region as St Nicholas, who is a human that was both in contact on record with Egyptians, which we know are one of the two major groups to be in contact with the Alicians and is later recruited for a literal organization made by the Elysians, which is Catholicism as a high ranking member. So that's it. We don't like the Elysians. Don't tell us about all this other stuff that we get elsewhere. Talking about Santa Claus and Father Christmas that's elsewhere. Those are coming from different sources that have nothing to do with Catholicism or Christianity as a whole. Because that seems almost entirely focused on the suppression of anything related to them when it comes to these technologies. Anyways, that's pretty much what I have. I think he is definitely associated with the Elysians. He seems to have been employed by them or whatever we want to call people who are part of the Catholic empire, then abandoned them and then abandoned them in exchange for establishing something way more complicated. He definitely seems to have some necromancy related things. There definitely doesn't. Seems to be delivery methods don't make sense. I don't know if we got anywhere in this conversation if we concluded anything, didn't necessarily ground any thoughts here, but we at least managed to go through what we do know and compare some notes. He definitely at least seems to unpack paper. Be a former elation associate now trader who works with gnomes, which are a type of fairy.

Cristina: You don't think he's doing anything currently?

Jack: I don't know. I was hoping to figure that out based on what we knew, but we've run out of time and there's no way to figure that out in the future. We will go through and hopefully try to pinpoint more specifically what he's doing now, if anything or if any clue about things from the past can lead us in any direction like that or anything we can on him. Because the problem is how enigmatic and difficult to comprehend. Pin down. Find anything on him. He is up there with some of the. Like the fairies. They're just difficult to get to.

Cristina: But you think these stories about him have like some. Do you think the gnomes are spreading the stories? I don't understand.

Jack: I don't know. I don't know. I don't know. For the future. For the future.

Cristina: All right.

Jack: Anyways, if you guys have any ideas on anything we have discussed relative to Santa Claus or your upcoming holiday events, feel free to Message us on all our socials. You could do that at just convopodom X on Tick Tock on Instagram and Facebook.

Cristina: Do you say that?

Jack: Yes.

Cristina: Remember to subscribe and rate and review the show.

Jack: Yes. And word of mouth. Very important. Tell everybody everything you know about this show and about these episodes and about Christmas.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: Oh, what government can just put your child through the transitioning process? That sounds weird, huh?

Cristina: There's so much wrong there.

Jack: Yeah, yeah, obviously so.

Cristina: Fear and blood.

Jack: Fear and blood. All of it. All of the above. Always 100. But we don't think about it now. It's every. It's obvious. Obvious. Obviously. You're taking the children. That's immediately what I'm gonna think is happening. And then you really think about it. It's like, yeah, of course you're finding a way to draw blood of children. Always. That's always been the goal. That's always gonna be the goal. You're finding ways to draw blood from the children. Duh.

Cristina: Yes. F****** in every. But all our episodes end up there.

Jack: Yes. Well, no, but everything ended up connected like that. And it's like we began and then eventually we found the sea people and great. You know, you're gonna follow the trail a little. God d***. Is the trail like, bro, they did everything in their power to hide it. Look, journalism paid off. It did. Journalism paid off. Thank you. Educational system would have been very expensive if I didn't get full ride, but f***, bro, you dig deep enough and you end up fighting. Finding these connections.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 254: Necromancy

Why were sorcerers interested in figures like Jesus Christ and King Arthur? Why are figures like Jesus Christ and King Arthur interested in sorcerers? And why is everyone else scrambling to come face to face with them? The duo deep dive into Sorcerers, but more specifically Necromancy.

Rambling 254: Necromancy

+Episode Details

  • Ancient Technology
  • Portals
  • Controlling Shadow Energy
  • Remote Controlled Devices
  • Astral Magic

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: I am your host, Christina.

Jack: And this is the show where we ground humanity. Most absurd and baffling ideas. And then thunder.

Cristina: And that's thunder.

Jack: Sure. Yeah. And you hear the screen flashes for people who are watching, for the people who are tuning in on space satellite on space tube.

Cristina: They can't just be watching us on YouTube.

Jack: How are they gonna watch us on.

Cristina: YouTube on our channel?

Jack: Oh, I. I guess in theory they're watching a screen that just. I mean, some people probably do that. I bet there's somebody, at least one human somewhere that shows up, sits in front of a YouTube screen, tunes into a podcast that does not have a visual element, clicks a video, and then sits down and just stares at the screen until the show's over.

Cristina: There's no way.

Jack: How is that any different than somebody who just sits and listens to music for a long period of time? Or somebody who sits.

Cristina: You're not looking at a screen to do those things. No one puts on a screen to listen. If they are, they're reading the lyrics. They're not just watching a blank screen playing music.

Jack: Fair enough. Fair enough. Fair enough. Is. Is nothing happening on the screen? It's a question. Because if there was an equalizer, then at least the argument is there's an equalizer.

Cristina: Okay, that's a little different. I guess that would make sense if someone's watching it or not.

Jack: I say equalizer. Visualizer. You know what I mean?

Cristina: Really watch it.

Jack: It's like a background art thing.

Cristina: Yeah.

Jack: Which is cool, I guess. That's such a futuristic thing that I think we under appreciate.

Cristina: It's like, what's the music that they have? Like live music. Study too. Study two in on YouTube. Like they always have that girl. Yes. Loy with a girl on her computer with a cat. And it has a little animation that's super simple that just plays over and over and over again, but you're not really focused on it. Yeah, it's just there.

Jack: But these visualizations aren't necessarily absolutely aimless. Some of them transform and move to the beat and the texture of the music that's playing and their shape moves accordingly. It's not just random shapes. These higher quality ones actually move to the beat. It's not like these loafy beads.

Cristina: What are you saying our podcast is like that?

Jack: I don't even know what I was saying was like that. Our podcast no.

Cristina: Music that has the videos that are. That. For people to watch that aren't actually looking at lyrics or an actual video.

Jack: Oh, I guess. Yeah, yeah, yeah, yeah, yeah. Our YouTube thing is essentially that.

Cristina: Which is. What's it called?

Jack: What is. Wait, I'm so confused.

Cristina: I'm like the thing that's. They're watching. Following the voices or music.

Jack: The visualizer.

Cristina: Oh, that's what it's called? Yes, that's what I'm asking.

Jack: Okay. The visualizer is like the anomalous shape of colors. You know what I'm talking about? That's on a screen in like, let's say it's early 2000s. You have. We're still before the big transition to everybody's own smartphones. And you have a. Either a desktop that's old or a laptop that's new. One or the other is occurring. And you have a bunch of music. Music stolen from some website that you downloaded them from, or you went to a music store, downloaded them, and burned them on to a music player so you could hear them through your computer without having to put the CD in, maybe some collection of sorts. And you play them through the player. The player always had the option where you hit the thing and then boom. There's a weird thing with colors, right? And it morphs and shapes and does all this.

Cristina: Didn't one of the PlayStations have that?

Jack: Did it? Like PlayStation 3, maybe 2. Really, 2? Oh, I don't even know. D***. I don't know. But maybe. Absolutely. I don't. I Bet the current PlayStations all had them and have them. This never really looked, but I bet that's the thing. Yeah, for sure. And like, there are very complicated ones that move with the music. So I don't even know what my point was, but our show, they could go watch our show and sit down. So I guess. Oh. My point was that somebody would. Couldn't. Can in theory, sit down and watch something like that, but then they're technically still watching something happen. So if you want, in theory, you can just play the episode with a visualizer that syncs to it. Yes, that's weird because of our voices, but you're essentially seeing an anomalous blob speak to you, and it sounds like many people having a conversation. That's cool. Futuristic, least speaking.

Cristina: Weird, but okay.

Jack: Mm, very strange. But now I'm very intrigued. An anomalous blob that plays a podcast to you through a screen fire.

Cristina: Yeah, Maybe someone does that.

Jack: Yeah.

Cristina: I don't know.

Jack: F*** it, why not? Cool as H***, anyways, totally related to that absolutely relevant bit of information. We have lately been looking at a bunch of different things.

Cristina: Always.

Jack: As always. And so I'll tell you where this really begins. This is going back in time flashback to the year 1974 when it was.

Cristina: Raining that far away.

Jack: Can you imagine like out of all these timelines we've spoken that are up to several million years back so far that I'm like a long time ago and I'm like 1970. Yeah.

Cristina: So weird. Also was there you said Raining Men.

Jack: It was Raining Men.

Cristina: Does that song come out in that year or something?

Jack: No, but I was hoping I totally guess and got it right. So maybe it did. I actually have no idea. I Bet that's an 80s song though.

Cristina: Oh okay.

Jack: I bet that's late 80s, early 90s. I'm not entirely sure.

Cristina: It's 1930-1983-1983-1983.

Jack: I am off by nine years. Nine years.

Cristina: The people that sung it were called the Weather Girls. Where all their songs like themed.

Jack: Oh my God. The Weather Girls. Okay. So chances are they made. They became famous for that one song. And then because that's impossible to sustain their popularity immediately died following.

Cristina: It's Raining Men was on their third album.

Jack: Yeah. So they made a one hit way later and then they made music after.

Cristina: So you're saying they weren't called the Weather Girls before they got that song to be famous?

Jack: Oh s***. I see your point. I see your point. Yeah yeah, yeah. Cuz they had. The good ideas would have come at the beginning or at least the second album. Right. Because you have the first album when you're trying to figure it out. The second album you hit your note and your third album is your decline or your masterpiece. One of the other. I guess I could have been the masterpiece. Who knows? But one song. I don't know any other song from that album. And I don't think anybody in history has ever heard any other song from that album.

Cristina: Probably not. Probably not.

Jack: Do they have a fan base? Would be the question. Anyways. Anyways. Anyways. We gotta go back to the year 1912.

Cristina: Because.

Jack: I was trying to learn what we could about wizards. As you know we've been.

Cristina: We.

Jack: We cross paths with the lady of the Lake and we cross paths with Fae La Fay. Morgan Le Fay.

Cristina: I don't know who that is.

Jack: The chick who helped our King Arthur out.

Cristina: Oh yeah.

Jack: And so we're crossing paths with those people and we cross paths with. Actually I guess the lady of the Lake doesn't matter. Merlin.

Cristina: Merlin's the only one that matters. If you're talking about wizards, like.

Jack: Yes.

Cristina: Oh, that other lady was a witch or something.

Jack: Yeah, she was some s*** like that. Some real overpowered thing or a fairy or a fair. Yeah, it's kind of unclear at this point.

Cristina: Okay.

Jack: But I was wondering what the significance. We were talking about this, right? About a couple of things that in the last like two episodes really stuck out. And one of the things that stuck out was about the, like, what is up with these people's obsession with King Arthur? Fairies and sorcerers and all these other people. There's something beyond what we're understanding. Because if it's just some s*** that one of them made, we'll make another one. Something is actually special about Arthur. Cuz they're all behind Arthur. Yeah. If it was that much of an issue, do it again. Unless it was very energy consuming, the cost for making him is very difficult.

Cristina: Mm.

Jack: Which, like, what the h*** does that mean? Don't you guys live infinitely long times? Isn't this not worth your energy?

Cristina: I don't know. Are people just made from stones though, or like, like what made him?

Jack: Arthur.

Cristina: Yeah. He wasn't used with the stone, was he?

Jack: No. I actually have no clue how this man was made, but he's eventually gonna die of old age anyway, so it didn't matter. But anyways, yeah. So I'm looking, I. I see this fact that the sorcerers overpowered then and. And I'm looking like, okay, equal to Jesus. Look at Jesus. And he was also surrounded by his team. Wasn't of these people who were sorcerers of any sort. They got their abilities seemingly from Jesus. His lessons and things. He would provide and give to his people so they could be more like him and use his abilities.

Cristina: Were they using his abilities?

Jack: Yeah. Apostles had ability to heal and stuff.

Cristina: That wasn't from adrenochrome. I think that was from.

Jack: I believe those are the teachings that they got. Yeah.

Cristina: Oh, okay. That makes sense.

Jack: But on top of all that, Jesus did have people that were assumed to have witchy abilities, like the presumed he hung out with and individuals like that. And it's like, okay, so if this is true with King Arthur, then curiously, Jesus also had this thing. But what's true in every one of these cases, with the exception of La Fay, is that he seeks them out. It looks like he seeks them out at least.

Cristina: Who is he that's seeking them out?

Jack: Jesus and Arthur. They seek the individual out, but actually there was always something pulling them in the direction of this sorcerer, in the case of Magdalene, it was not that he was being manipulated through narrative, as far as we know, but it was that he was being drawn to that area to help, to assist the way he usually does. So some bigger, greater calling still took him straight to Mary, who suspected to be a sorceress. And then you have Arthur, who goes straight to Marlon because of a narrative.

Cristina: That he was writing, because of who.

Jack: He is, he had to do this thing the same way Jesus, because who he is, he had to go assist, he had to go help. He had to provide who he is to this person. Arthur had to provide who he is, is. And this in both instances, lands them in front of an individual that has an everlasting impact on their life and seems to always be present beyond that point. That's interesting. Almost like the whole point was to cross paths. So I'm like, okay, we gotta look after coming to that conclusion. Because I'm like, okay, I know that these two guys are kind of the same. And then I start looking at these comparisons because I'm just looking at them back and forth. Sorcerers, one and the other. What does this mean? What does this mean? And I come to that conclusion like, okay, the sorcerers are what matters. This is really weird. I got to look at this. So I start looking at sorcerers in general, mythologies across the world. And as I'm looking through sorcerers, hundreds, thousands of different kinds of sorcerers, scrolling, looking for a bunch of different types of magic abilities and blah, blah, blah, blah, blah, blah, blah. One seems to show up in this culture. And then I keep moving and shows up in that one. And then I keep moving and shows up in that one.

Cristina: And the same wizard person thing.

Jack: No, not the same wizard. The same word. Which keeps showing up as I'm looking for different. I'm looking for different types of magic, allegedly, which we all know as different technologies, which is very interesting, by the way, because this might be one of the closest times I've ever been to deciphering when thing is in fact a like it's almost directly told to us based on how they describe it. But I'll get to that point in a second. The word necromancy kept showing up. And we have people magic. Yes, 100%. And we have a basic understanding of what necromancy is. Everybody has an idea. And that's the same. That very idea, what you just said. That's the idea we all have about what necromancy really is. We think it's just magic about dead people.

Cristina: Isn't it?

Jack: Well, we're gonna find out. Because that came up so frequently that I started to look towards that direction primarily. And as I started to look towards that direction primarily and started to leave behind the wizards, I stumbled upon a huge distinction between all wizards and sorcerers of all sorts. And then necromancers. Necromancers are apparently mentioned and used, addressed again, one of these words that at this point I'm just translating anything that seems to come after any pattern because it's one of these words that seemed irrelevant at the beginning, like just something that doesn't apply. And as I'm going through it and see this, the context makes sense in a bunch of texts we've been reading before. And it's essentially necromancy mentioned in a bunch of languages. Keep in mind I just go back to the sources we've had before, because that's what I'm trying to unravel further and further and further. So I end up coming across a fact that necromancy has been mentioned in front of us over and over and over and over and over. So I'm like, okay, no, f*** the rest of this information. I'm gonna look at whatever necromancy is specifically. That's where the value is. Because that's what this show's about, unraveling humanity's most absurd ideas. Anyways. So now the main purpose becomes about finding out. It left being finding out about Merlin and these individuals and became finding out about ne necromancy.

Cristina: What did you learn? Now is this about specific people?

Jack: No. Okay, so necromancy basics. This is the window into necromancy. Basic things to know. The very first individual that discovered necromancy. Not discovered. The first mention, rather ever of necromancy. Happens to be in by the Greek.

Cristina: Okay.

Jack: And it was mentioned 2,700 years ago. That is the first mention of necromancy that we have on record written. There are stories.

Cristina: Wait, when you were talking about going, we're gonna go back in time to 1970, that had nothing to do with anything.

Jack: That time was completely random and relevant. Okay, okay, yeah, yeah, yeah. That had no, no real world value of any sort.

Cristina: All right.

Jack: Yeah, yeah, yeah. That was just the time I picked out of a hat in 1980. I said 84. I think 1974. But 1984 is when that thing came out.

Cristina: Yes.

Jack: No, it came out in 83 because it was nine years off. I said 74. Yeah, whatever. Anyways, so necromancy basics first found. The first found writing that directly use the word necromancy. Is by the Greek. It was written 2, 700 years ago. The first altered version of the word, something that means it, but is not exactly. Necromancy was used shortly thereafter. And there seems to be nine, 10 different versions of this word, spelling and enunciations, none of which I'm gonna bother with because the word necromancy is all we need to know.

Cristina: Okay.

Jack: The very earliest recorded use of it is by Circe, which is a known collaborator of Zeus, which as we know, is the leader of the individuals in the Greek gods collective of individuals.

Cristina: Okay.

Jack: So. And weirdly enough, this mention is not even being brought up by the GRE getting this information specifically, which is the first mention of it being the first to mention it were the Greek. But the first time that Cersei that it was used was Circe, and that was from an Egyptian text, apparently.

Cristina: This doesn't make sense.

Jack: Yeah. So a Greek God being mentioned in an Egyptian text with an E. Egyptian man. There's a random. Or maybe he's not random, but whatever. Well, he didn't do anything miraculous there. And he. They basically just doing a. Solving a problem. And they use some necromancy to gather information by talking to a dead thing.

Cristina: Oh, okay.

Jack: And yeah, so an Egyptian.

Cristina: So they wakes like a dead person up, get some answers and then that dead person stays dead?

Jack: Yes, he's an Egyptian man. He travels to Circe, the Greek God and asks for assistance with this. And Circe then brings up the dead man and allows the Egyptian man to get the answer to his question and so on.

Cristina: Okay.

Jack: Fire.

Cristina: Yes.

Jack: Simple, simple details happening. Nothing too big.

Cristina: Is there a lot of necromancy and Egyptian culture and whatever.

Jack: It seems like the culture for it right there. It seems like the culture of death.

Cristina: Yeah. So I'm wondering if that also is part of it or no.

Jack: Apparently it was very huge in Egypt and it was very huge in Persia. Necromancy was ginormous.

Cristina: Why?

Jack: It was one. So the idea was that it evolved naturally from shamanism and all that kind of natural witchy stuff.

Cristina: But are they trying, like, what's the purpose though? Is it just to get answers? People say it's to speak to loved ones. Maybe. I don't know. I'm guessing. I don't know. What is it for? What is it used for mostly?

Jack: Well, as I keep continuing, I will explain those things. It is said that it can be used to communicate with the dead in the shadow realm, if that matters.

Cristina: That might matter, I'm not sure.

Jack: And it is said that it could bridge a small Temporary local gate to the Shadow Realm allowing passage.

Cristina: Was that random lawyer and his sister in Chennai just accidental necromancies? People like what. How are they accidentally walking? Are there accident? Like, are those gates there? Or can we just. We have to do it. Does someone have to make the gate? Because with Jesus it seems like you gotta make them.

Jack: I mean, same thing with Mount Kaf, Mount Athos. Same thing with El Castillo. They're all a stationary building or structure of some sort. Jesus has the most efficient one as far as we know, which is the Shinto Gate. But ultimately it's a fixed location.

Cristina: Yes, but I guess there could be random ones that are just naturally made. Right? Because that's how battlefields probably end up with a bunch of Shadow Realm creatures. It's those deaths creating the gates, leading the whatever, wolves or whatever coming 100%.

Jack: Although it's described as a form of magic, I believe that based on some of the descriptions that I came across, it that all. And the fact that all the other magic we've come across is technology as well, that this is definitely. This is definitely one of the most prominent descriptors of something being technology as far as we've come across so far.

Cristina: How so?

Jack: I'll explain in a moment. It does more than we might think as well, which was my initial idea into looking into this deeper. Because all of us believe that it's magic of raising the dead. But this portal part I did not know of. So refreshing what we know. Because now I'm curious. This is where at the point that I finally completely decided. I'm not even returning to the other crap. My next absolute focus is necromancy. Now, I wasn't just looking at the word. I've changed my mind about the subject I'm looking into now. Necromancy has become so complex, I need to look in deeper. Right?

Cristina: Okay.

Jack: So I do dive deeper and it opens wide. Wide. One of the most complex things I've looked at so far is necromancy. So we're gonna refresh what we know and then collapse into the rest of it. So first mentioned by some Greeks in some Greek writing. The first use of it, by the way, the Greek writing was 2,700 years ago. And there are stories that indirectly mention it that are much older. And There are about nine to 10 different words in Greek describing the same word after and before then. The first mention of it being used is by the Zeus known collaborator Circe and a. An Egyptian man who came to her for assistance. It is believed it could be used to Communicate with the Shadow Realm. And it is believed to bridge a small temporal local gate to the Shadow Realm, allowing for passage. Now, it allows the user to create an ethereal illusion, also defined as a hologram of a being in the Shadow Realm.

Cristina: Oh, like a ghost?

Jack: Like a ghost of somebody actually on that side. So you can talk to them physically. See them here. Can be used to control the will of Shadow Realm beings. This is fascinating, because this is suggesting that everything it does somehow interacts with the fabric of the Shadow Realm itself.

Cristina: It can control Shadow Realm people?

Jack: Yes, and minds of Shadow Realm creatures.

Cristina: Who made this?

Jack: I don't know.

Cristina: It seems really powerful.

Jack: Well, the person we actually have to look at is Cersei, because that's the first mention of somebody going to get help of. From. From somebody for this.

Cristina: But she working on Shadow Realm stuff. I know. Wait, does their team have Shadow Realm creature?

Jack: Greeks, yeah, they do. Forget who was their Shadow Realm thing.

Cristina: But yeah, they have a guy because that seems pretty crazy.

Jack: That's nuts, right? Ability to control the mind of Shadow Realm beings because their mind is made somehow different.

Cristina: You also can control dead people?

Jack: Well, it doesn't really say anything like that. I think they were just kind of assuming demons and creatures from the other side you could communicate, but it seems like they can just show you things from that side.

Cristina: But what about dead bodies here? Can't they do things to them?

Jack: You didn't come across any mention of anything like that?

Cristina: Oh, okay.

Jack: Yeah. It was more of like bringing stuff from that side over. So it seems like everything they're doing is actually just interacting with Shadow Realm energy.

Cristina: Okay.

Jack: Like, they don't do anything on this side at all that isn't part of connecting over there first.

Cristina: Okay.

Jack: Which becomes even more interesting in a moment. But this definitely leads us to be by far one of the most dangerous things we've ever seen. The ability to control Shadow Realm creatures will.

Cristina: That's insane.

Jack: That's nuts as h***. But apparently it always required the user to have an aid device.

Cristina: That's what they call it. What is it?

Jack: Well, it's a handheld control device of some sort or a small device worn as a necklace. Can be manually operated or voice operated.

Cristina: So it's actual tech. What?

Jack: As far as they know the descriptor words when you translate them and try to find out any possible description for what they might be. It's like the word we would say for knickknack. It's a little knickknack that he would fidget with in his hand. And a thing would happen. They would either have it in their hand or they would wear it around their neck. Like tribal wear was the most frequent comparison. And the knick knack around the neck, you would either have to again, manually do something with it or both. The one that you could just hold or the one that you wear have also been seen in such a way that you can voice activate them.

Cristina: What?

Jack: So a person has held it, not done anything, but spoken to it. And then things have happened and the same has occurred for the one on their necklace. And I'm like, these are out here at some savage a** tech, bro. Yeah, because like this just the descriptions, it breaks down to knickknacks and doodads. The descriptors that people use. The, the. The linguists and the scholars who write this down and give us the English versions that I don't trust. Say necklaces and pendants in a one to one. That is not the word. And then when you check, these people had words for necklaces and pendants. So why do they need this other word that translates to a different word from ours? It's like they don't understand what the gadget is, but they knew what the jewelry you're claiming they're saying is.

Cristina: Yeah, but they know it's not that they're not gonna say, it's that they're just like. It's this thing.

Jack: Yeah, exactly what it is.

Cristina: But it's a thing that they have.

Jack: Exactly. Little gadget, a little thingy. A thingy. They had thingy. And like that's the reality of what they was written down and what was said. There was a thingy. Should have the thing.

Cristina: Who made the thingy? The thingy come from fairies from sea people from Shadow Realm itself?

Jack: Don't know. I do not know. I do not know. That s***'s crazy. Now, personal portals aren't used between earthrealm and Shadow Realm because they are two linked realms and are sort of reflections of one another. Which creates an interesting problem where if a person is moving around on Earth Realm, the opposing side of the portal is also just moving around in the Shadow Realm. To solve this, there are stationary locations, strategically selected, where you can control where the other site is based on where the exit already is. In the Shadow Realm. Build one on one this side, build one on that side. Maybe it's safer for me to walk to Mount Koth on this side than it is for you to travel over there in the Shadow Realm and get murdered by that thing.

Cristina: Explain that again. What's happening?

Jack: Portals Cannot be. They're not usually used for individuals.

Cristina: Okay.

Jack: Yes. So portals aren't used between earthrealm and Shadow realms as an individual portal. Like personal portals, because there are two realms are linked and they're very similar and reflections of one another to some degree, which has odd effects. If a person is moving around a personal portal, you have a portable little device or something that could open a portal. You walking around means the other end of the portal is moving around in the shadow realm. So it's inefficient to know where the h*** you're gonna be.

Cristina: Okay.

Jack: Because it's random how it works.

Cristina: So then how do you do it exactly?

Jack: To bypass this. The things built were stationary. El Castillo, Mount Ka, Mount Athos. Locations where you can cypress, where you can control. Because it's always there. It's always the same spot that didn't go anywhere. So the exit is always the same spot. You know where it's going. And again, maybe it's more beneficial for my civilization on this side. I have 15 miles of nothing but safety between here and Mount Ka, but you on your side have 10 miles of a h*** in the same direction. So it doesn't make sense for me to make the portal close to me and then you got to travel those 10 miles and die and never be able to get to me. When I could just make the thing in Mount Kaf and it shows up a little farther, but that's right in front of you in the Shadow realm and you could just jump in front so you could build it strategically because you always know where it is. That's the reason you don't have personal portals. You'd have to beat the the system of the personal portal. The problem of the personal portal, because you can't control the exit if you move, the exit moves because it's relative to where you open it.

Cristina: Okay.

Jack: Always an issue. Big problem. This is getting into granular details between the realms. So it's kind of heavy, almost sciency details about, you know, weird sci fi ideas. Now again, the bypasses giant civilizations made big things. El Castillo, stationary location. Mount Kopf, stationary location. Mount Athos, stationary location. Cyprus, stationary location. So how the h*** do does necromancy tech allow a person to move around with a personal portal and them actively know what's going to be on the other side if it violates a rule of physics, as far as we understand, between both realms? Well, I'll explain because I found that.

Cristina: Okay.

Jack: What I just needed to explain how crazy complicated that issue really is.

Cristina: Yeah, but they Figured out, yes.

Jack: This is how advanced this is. These guys are breaking and you have.

Cristina: No hints of how it happened. Who started this?

Jack: I have no idea who started this. This is one of the big ones. I'm starting to piece this apart. I just found so much crap. It was just endless. So in the future we might figure it out. Yeah, yeah. This might be one of the biggest pieces we've been missing that we didn't even know to ask for. Because also in all the writings from everybody, everybody had a story of somebody going to a necromancer for assistance. That was always a desperate last, worst case scenario to go to a necromancer. But it was like, oh, everything else failed. We still can do this. Which means like, holy how op is that? That no matter what. Oh, we got the backup plan.

Cristina: It's a black backup plan. Dangerous.

Jack: Somehow though, something is dangerous about it and I don't understand what it is. Perhaps it's the interacting with the shadow realm aspect of it. I don't know.

Cristina: Maybe because maybe you could attract something you don't wanna.

Jack: I think the. Yeah, I think a lot of the ideology framing around it is that you got to understand that the people who were describing a lot of these things were primitive and were not really comprehending. So perhaps this is literally what they thought was the case. The shadow realm is not of intelligent beings, but monsters and demons. And if I fiddle with that, then monsters and demons will follow me home. Because again, they are thinking of the shadow realm as nothing but primitive, ignorant. But it's more or less the same.

Cristina: But they don't know that. Like the whole Halloween thing that we talked about before, kind of similar. That people were afraid of them coming out.

Jack: Yes.

Cristina: They just wanted their relatives.

Jack: Yes. But they're actually right. There were some crazy. There are crazier things out there, but it's no crazier than creatures we have. And the same way you'd have to sort of mess up an attractor because you can go camping, it'll be fine. You are not attractive to a bear. But if you start leaving food around and you're reckless that you're told not to. Now you start attracting a bear. The same thing applies to everything. You can do the wrong thing and attract the wrong thing. And this applies to every creature.

Cristina: But people are afraid of wild animals equally. Of like going in the woods and running into a bear. That's equally scary probably than summoning some creature that's gonna.

Jack: Yeah, but it doesn't lead you to believe that all creatures on Earth Are just wild animals, which is essentially what a lot of people believe about the shadow realm. It's just a place of evil and darkness and nothing more. But no, there's people there. Just people. It's just a different thing that happened and developed somehow. Yeah. Before us. We're essentially a product of that, if anything. But I found solutions to this problem. They explain how it works. There are entire breakdowns dating far, far back Explaining how this thing works. So these are some of the explanations that actually elaborate on the technology, the literal technological aspects. And it should make so much sense.

Cristina: Okay, so.

Jack: So this is how this essentially happens. A bridge for communication or passages open through a higher realm referred to as the astral realm. Now, astral realm, I'm like, what the is this?

Cristina: Yes.

Jack: No. I then bounce that in and start pulling, like, other words, other words. Somebody's gonna say something I've seen before.

Cristina: What did you find?

Jack: Well, the celtics equivalent of astral realm comes out to a world of magic, which you then take magic and find all the other Celtic words that match it. And fae and elfame and fairy are the other words associated with that same thing.

Cristina: That's very complicated.

Jack: So then you look for the other mentions that directly just translate astral realm to just astral realm, but in that language without it being a different word entirely. And you look at the words surrounding them, and they are also talking about a world of magic.

Cristina: Who's working with fairy magic? Who figured it out?

Jack: I don't know. I don't know. Somebody figured it out. And it's secretive, as. It's more secretive than the entire complicated series of secrets that we've cracked to the point that now we're coming across.

Cristina: Magic to control shadow realm. Like, this isn't.

Jack: This is. Yeah, this is higher level.

Cristina: So it basically, this is what people are afraid of. The sea people. We're figuring out that this is gonna end up being somehow related to the sea people. Yeah, we know they're powerful and the fairies are afraid of them. And the shadow realm are afraid. It like, come on.

Jack: Yeah, this is next level, right?

Cristina: Using fairy magic to control shadow realm creatures. How insane.

Jack: It's heavy. It's heavy. This is next level, man. This is next level. If that's the case, then the level at which we're grading the Elysians based on the Kardashev scale is wrong. Because you got to understand that we would need to pass quite a couple of stages before we get to the shadow realm. If we're talking scale wise, planet is first. That's One star is two. Oh, no. All the star. Right. All of the planet is one. No, all planet is. Yeah, I think all planet. All the energy of the planet. All the energy of the first star. That's number two. All the energy of the entire of a galaxy is number three. All the energy of a universe is number four. In between number four and number five, you should be able to create, manipulate, alter, and destroy universes. Which means you should be capable to be equal to things within that universe. In this case, as strong as something in the shadow realm that can make something like we are. That means that the Elysians aren't number two.

Cristina: No.

Jack: Elysians have somehow.

Cristina: They might be number one. They might be over fairies.

Jack: No, no, no. Not. Not ranked wise. I mean, on the Kardashev scale, instead of. They're four.

Cristina: Four. Okay. What's number five?

Jack: Number five would have to be the multiverse. You'd be able to control multiverses.

Cristina: Okay. We don't know that they're not there, though.

Jack: We don't know. The scale continues to grow and they're the most likely culprit for what's going on here.

Cristina: Okay, this is insane. Because, like, then what? What? And then they're afraid of Jesus.

Jack: We don't know that.

Cristina: Insane.

Jack: We don't know that.

Cristina: And they don't.

Jack: Like, they're trying to keep Jesus from them. And Jesus has ability with just knowing stuff. Jesus has some Santa Claus properties.

Cristina: Mm.

Jack: You know, he just knows stuff. So it's problematic. They need to be able to keep things away from a guy who just knows stuff. Something about what they're doing.

Cristina: They don't want everyone else to know the stuff that they know. Like, why would they want everyone to have this necromancy abilities, especially the shadow people. Like, I don't know. This is pretty big.

Jack: Yeah, this is pretty huge. It's pretty nuts.

Cristina: He just knows it. He could just share his secret even if he didn't know it. Know it. Like just looking at a book randomly and just sharing that knowledge with everyone by accident. Like that's what he does. And they're afraid of that.

Jack: Okay, so let's go over this again. The bridge for communication or passage is opened through the astral realm, AKA Elfhame, and to the shadow realm. It's through Elfame and to the Shadow Realm.

Cristina: Ridiculous.

Jack: This is a bypass for the problem they have of a moving exit point of a moving point B because you're moving at point A Song. So how it works by bridging through the higher realm the entry and exit points meeting in this higher realm. Elfame can be fixed or tied together so that they seamlessly go from one to another like a tube.

Cristina: I think fairy trees have to do with this.

Jack: 100%.

Cristina: Okay.

Jack: They totally have to bring that.

Cristina: Because we know those might be dead fairies. Maybe. We don't really know. The guess is dead fairies.

Jack: Yes. This is. Yeah. I feel.

Cristina: I feel they're connected to murdered fairies. They have the fairies to make these special. Whatever you want to call them. Plants. Which not might be plants at all, but some other tech that links the three already. These might have to do with the bridge.

Jack: Yeah. And no. We know that they've been working on portals for the longest too. Yes, we know they've been working on portals. And we didn't know. We thought was just for them to get from one to another. Tricks, bro. There's tricks out there. And they were trying to figure out some tricks or did figure out some tricks. And we're piecing together. It reminds me of this game. It's a lot like what's happening with this. All the research we're doing. It's called. It's a game like a PlayStation game. And there's really tiny planets and there's a time loop happening. And you're trying to figure it out. And as you go through the time loop, you understand the time loop more. And. And you just try to find out the history of this time loop and the world surrounding it.

Cristina: Okay.

Jack: Outer world or outer wilds or something like that. Wow. And how we continue to find information feels like that. Because it's out of sync. A lot of time. It's out of order. But again, based on the chronology of these events, the first couple of events having it are way beyond the first couple of stones being made, but before Jesus in a nice warm spot. This also serves to make sense as to why things like Joseph the golem and things like Arthur were easier to make. Because it was way better abilities happening way before that we didn't come across and are probably way more secretive.

Cristina: Mm.

Jack: But bridge cut through the top part of a realm. Not top of part of a room, but a higher realm. By bridging through the higher realm, the entry and exit can be linked to each other. So either be in really close proximity or tied together. Because you can fix them in this higher realm. You cut through here with one half of the tube and you fix the exit that enters from Earth to the. To Elfhame. You fix the Elfame exit because it's not connected to your Movements.

Cristina: No, it's connected to those trees.

Jack: Yeah. It's somehow stationary. And then you grab the end that comes out of Elfame into the Shadow Realm and you fix that stationary. Now you can make these two completely stationary and they won't move. Tie them to each other. Now, the point that you have in the Shadow Realm isn't moving when you move in Earth Realm. Thus completely shattering the original problem of not being able to move the portal because the destination would move with it. Boom. Necromancy technology. Solving problems at higher thinking.

Cristina: It was very magic.

Jack: Very magic. That's elevated thinking and that's fire. Which that's crazy because it does allow for the simultaneous use of both insane.

Cristina: Are we sure these aren't fairies themselves? Somehow I don't understand. How is it happening? How are they using fairy tech like this?

Jack: I don't know what to tell you, man. Additionally, there have been teachers of this information, but the circumstances. And there have been. There's a few teachers, five total in the last 5,000 years that starting roughly about 3,100 BC to about now.

Cristina: Are they fairies?

Jack: Don't know. It's unknown who they are. They just barely get mentioned. Always relative to necromancy and being teachers of necromancy. Because I'm just doing a massive search for anything relative.

Cristina: So is there no description of these things?

Jack: There's no. No, there's not. Nothing. Nothing about them. Just a couple of the roughest of details. So the teachers of Necromancy exist throughout the centuries. Obviously there are five spread out. It's unclear where in time there are. They're placed.

Cristina: Really?

Jack: Yeah. Exactly where in time they're placed. I just know where the latest is. And the earliest was about a thousand years ago. But it's like.

Cristina: And locations. Then you don't know where?

Jack: No. I can tell you the cultures that mention them, but it's unclear where these people venture out of where they live far off to go learn it.

Cristina: Okay.

Jack: They always go to some. The only one we know for sure is the one in Greece, which is Cersei. Outside of that, everybody else ventures off to some other mystic place super far away to go learn the thing.

Cristina: Okay. Okay.

Jack: So it's always vague. It's always anonymous. It's always in West Bubba. Everybody has the same thing. They go on a quest that eventually leads them to be blinded or to lose consciousness or something. So they don't know where they are and they wake up in a place that they cannot leave. And then they either get the information or get the.

Cristina: It's so Crazy because Jesus was definitely had this power.

Jack: Yeah. And this feels like an abduction, which we've discussed before as well. Being very like just elation abducting people. Because like you're just traveling and you go blind or you pass out and then you wake up in a place you can't escape, where you learn this knowledge and then you come back from that with it. Like what the f*** is that?

Cristina: I don't know.

Jack: Sounds crazy. And you learn it from some anonymous higher intellect. So how much higher are they?

Cristina: Enough to think they're aliens?

Jack: Enough to be beyond the scope if they're. Again, if they're controlling shadow creatures, how the. The leap, the technologic leap between where we are and where that would be. And not just where we are and where that would be, but where the Elysians would be or where we thought they were and where they would have to be is still so colossal. We're not talking two, three stars. We're not talking the great void. We're talking. That's ancient old garbage to them, this tech. The Great Void. Oh, the great Void. Completely vacant black spot in space of millions of entire galaxies. Fully dark because all their stars are trapped inside of Dyson spheres. That is just ancient technology by comparison to what it seems like the Elysians are capable of doing. And it's absolutely possible they're out here in the shadows teaching people how to do these things.

Cristina: Why?

Jack: Yeah, why? But of these very few details, they all mentioned the same almost requirements that the people had to have in order to go in to these practices to begin with. Otherwise they would be okay. They wouldn't even be considered. And people were rarely considered at all. There was a whole process. Eliminate. If you think Yu Yu haka show you think the bunch of people who had to fight just to get Guinan's interest. And only two of them would train with her and. Or one of them maybe. I think Yusuke was the only one who's gonna train with her. And then she made an exception for Kubara or whatever the f*** the case may be. But essentially that, oh it's a legendary somebody who does whatever. The legendary, blah blah blah.

Cristina: But involved blood.

Jack: I don't know. Very unclear. That's the point. We're back to crazy amounts of secrecy.

Cristina: Oh.

Jack: That we barely know anything about. And I'm sure beyond this point information is going to start breaking down. If we start entering level four on Kardashian scale tech. I guess it's gonna fall apart quickly. But they all had the same requirements, which is a series of knowledge and disciplines required to then become just considered. And you're probably going to be rejected. To then be mentored by whoever the f*** these random nobodies are to get the abilities, or at least the opportunity to. Here's the offer. Try your best. You know. So. So they must know Latin. Anybody who did not know Latin had to start studying Latin. Didn't know how to read. Not happening for you.

Cristina: Okay.

Jack: We're talking long ago. Learn Latin. You have to learn Latin. If you do not know Latin, you must study Latin, because one, the teachers will only communicate to you in Latin, and two, although people have translated their works, in the more modern cases I've come across, they will not allow you to use that. Okay. They must be familiar with the technical specs and inner workings of Elysian technology.

Cristina: Are you positive? Does not make sense.

Jack: That ain't even it. Because they must also be familiar with Shadow Realm technology.

Cristina: What is happening? There's more.

Jack: They must also be familiar with Elfame technology.

Cristina: How? How's that even possible? How can a person just know about those three things? And these are human beings that are chosen because this makes no sense.

Jack: I don't know of anybody who's been chosen. I know of people who go to the trials.

Cristina: Okay?

Jack: I don't know if anybody.

Cristina: There's no way anyone passes this.

Jack: I don't know of anybody who becomes one of these things other than Cersei. Everybody else is extremely anonymous.

Cristina: Yeah.

Jack: So it's really complicated to come across anything.

Cristina: Okay. Okay.

Jack: Yeah. It's absolutely absurd. And the last one is, you must be familiar with the Philosophy of Usage. This phrase threw me so off that I have no idea what to do with it. I looked this up a million different ways and in a million different places. The Philosophy of Usage. Weirdly enough, I found it over and over, but a lot of the times I found the Philosophy of Usage I found by itself, like, as a. Like you finished a paragraph, there's just empty space, and then it just says, the Philosophy of Usage.

Cristina: Understand?

Jack: I don't either. There's no context to help me find what the f*** that means. Obviously, we're talking the translated text, but when you find out. Okay, translate this to that language, mass search the entire document. Where does this show up? Random bottom of a page. Nothing else with it. Okay. Read everything else on the page. Translate all that. Okay. Unrelated to the random one line. The Philosophy of Usage.

Cristina: What does that mean?

Jack: You must be familiar with the Philosophy of Usage, be able to communicate in Latin and be familiar with earthrealm. Shadow Realm and Elfame Tech in order to simply be considered. And then you might still be rejected. And also, I don't know where the h*** these people go. It's very clear that it's somewhere way the f*** out there somewhere. And they know of somewhere. They don't know where. And they know that I gotta find it. That's the quest. I gotta go find it. And they do. But it's also very vague. And they're always there suddenly.

Cristina: Does it have to do with the passage of usage? I want to know what that is.

Jack: The philosophy of usage.

Cristina: Yes.

Jack: I don't know. I don't know what the that means. I don't know. I don't know what the h*** any of this is. This is crazy. Somebody just broke. Breaks a hole or knows how to bridge through energy in Elfheim. That's crazy for several people. Or it might be the same guy.

Cristina: I don't know. Is he related to fairies?

Jack: And exists through quite a large period of time in some of the most recent of these things that we have seen. With exception for things like a new.

Cristina: Crazy idea about the. What are those sea people called again? What are we called?

Jack: The Elysians.

Cristina: The Elysians. They are somehow fairies. Maybe we know the Shadow Realm God made them, but maybe he made them based on fairies.

Jack: I don't think he manually went out of his way and made them specifically based on how the story goes. It looks a lot like the existence of man as the older ape. Or not man. I guess not man, because this weren't man. But the Elysians in their primitive state, that was just natural development. Okay, like, he showed up. No, he did meddle with them. Fair enough. He didn't meddle with the apes, then leave, then show up after they'd advanced enough and then spoken with them. But he didn't make them. He just meddled with existing creatures.

Cristina: Well, you don't know how he meddled with them. Like, did he give them fairy blood? We don't know.

Jack: Yeah, it just says that he altered their DNA.

Cristina: Yeah, I'm wondering if maybe with some fairy DNA. I don't know how, but he knows a lot about fairies that we don't know. He knows a lot about. A lot that I don't understand.

Jack: Who this necromancer?

Cristina: Whoever this person is the leader of the Shadow Realm. The ones that made the.

Jack: Oh, you mean the elders. The, like, ancient ones, like Al and Susan.

Cristina: Yes, whoever made them. Whoever made all of us.

Jack: Oh, you mean the sh. Yeah, the Shadow Realmers who made the Earth Realm?

Cristina: Yes.

Jack: Like Galdabaoth?

Cristina: Yes. Insane.

Jack: Yeah. That's some upscale power stuff. That. Because they're above the levels of the Shadow Realm, they're the top tier of that. And whoever these people messing with necromancy are. Are scary to those people.

Cristina: To what people?

Jack: To the top tier in the Shadow Realm based on this. Because they can just skip the Shadow Realm. You can abuse the Shadow Realm, be mobile and vanish at will. That's op.

Cristina: That is. How did they do it?

Jack: I don't know. I don't know. It's crazy. The fact that this. It was possible to piece together through enough different sources how this functions was really dumb. Nope.

Cristina: But what's that last thing? It doesn't make sense. You got no info on it? Not even tiny hint to what you can find?

Jack: I couldn't find anything on the philosophy of usage. I could find everything on the philosophy of usage of it's everywhere. I can't find anything on the philosophy of usage. As in it's never defined. It's always alone.

Cristina: Not even hinted at what it could possibly mean.

Jack: No. The only two contexts you see it in are when it's mentioned by itself, absolutely out of context, and when it's mentioned as a requirement for somebody about to take this trek. That's it. And they also don't clarify. So you know they don't know. You know they don't know. And a lot of people never get too far on the quest.

Cristina: Mm.

Jack: And the people who get really far on the quest usually don't make it. Anyone who make it really far on the quest and make it don't realize they make it. They're just there suddenly. Sort of like they still don't know where it is. Like they might have been close, but it could have been on the other side of Earthfall. You know, if you're getting f****** abducted.

Cristina: I guess I don't get it. Because it's the top three things than Latin for some reason, which feels like, okay, human.

Jack: No. All the most important.

Cristina: Then the philosophy. I don't know. It's haunting me. What could that mean? Is that like combining all four or something? You have to understand that you first have to know each thing and then how to combine each thing with each other. I don't know.

Jack: No, because there's a guy we know in the Shadow Gods team who knows how to merge Shadow tech. And by the way, we were talking about that guy becoming more important because we thought it was stupid that he was just picked up because he could merge the two techs or I did. And then you were like, it's about merging. And like. Yeah, exactly.

Cristina: This seems like. Yes.

Jack: Yeah, yeah, it's totally going. But you remember, right?

Cristina: He gets it.

Jack: That like tech merger.

Cristina: Yeah. He's in the Shadow Room though.

Jack: He's the Shadow Gods. Yeah, he's one of those dudes. So. I don't know. This is. It's been really twisting my head.

Cristina: That's very complicated. Where do you go from there? Can't even find what it is.

Jack: I don't know. I don't know. I gotta find what the h*** the philosophy of usage is. I gotta find out who the h*** these necromancers are that are teaching people or showing them or what? I don't know. I don't know.

Cristina: So uncle, where are they from? What are they?

Jack: Where are. Yeah, where are they? What are they? Ah, it'd be crazy if we came across a different group.

Cristina: Group. Oh my gosh.

Jack: Or rogue elves.

Cristina: No, that doesn't make sense. Or maybe rogue elves. Maybe more likely badass.

Jack: I hope it's rogue elves. You know how cool that is? There's.

Cristina: There has to be the snakes.

Jack: Yeah, there's rogue Naga. Oh, you think these are Naga helping people?

Cristina: Yeah, we have the rogue elves. They're Nagas.

Jack: Some of them are. You think there's some rogue fairies?

Cristina: Yes, fairies, elves. It's the same thing.

Jack: Elves aren't Naga.

Cristina: But they're fairies.

Jack: They're fairies. Yeah.

Cristina: Okay.

Jack: They're like human looking.

Cristina: They're human looking. Oh, aren't the Nagas?

Jack: No, the Nagas are serpents.

Cristina: Sometimes serpents, sometimes humans.

Jack: Elves are made by Elfhame to push people's abilities down.

Cristina: Okay.

Jack: I guess supervise her abilities.

Cristina: You think some of them are rogue?

Jack: I don't know what the h*** is going on. I have no idea what the f***. This s*** sounds so ridiculous. Every time we find some new scalar for power, it's more ridiculous than the last. And we've gone from simple people who are slightly more powerful and technologically advanced than the people surrounding them to. These people are potentially so strong that universal powers couldn't put a stop to them. Talk about Goku on some s***. That's the real world Goku.

Cristina: Yeah.

Jack: Anyways, that is what I came up with when I dove in the direction of necromancy.

Cristina: Ridiculous.

Jack: Apparently it split open the whole schnozzle.

Cristina: There has to be something else. We have. There's more. There's definitely more.

Jack: There's always more.

Cristina: Yeah.

Jack: There's literally no end to this. It just gets deeper. And bigger and wider and huger and.

Cristina: Fatter and juicier and never makes any more sense.

Jack: Yeah, it makes. I mean that's what that's gonna happen. It's gonna get way more abstract the higher up we go. But unlike finding out about things from really really really really really really really really really long ago go, it seems way easier to track down multiple sources for things more recently because there's way more records on it. And even if they're super secretive, it's hard to erase absolute mention as more people know how to write as more people leave some evidence of a narrative.

Cristina: And do you think you'll find something Morisa?

Jack: Yeah, a bunch of this stuff. Although it started pretty late, necromancy was active as like with record until pretty recently. It's still used pretty frequently now. It was way active, not just way in the past. It was actually more scarce back then. It seems to have had a big moment in the middle ages and it seems to then again have had a pretty big moment in the 16 and early 1700s which that coincides perfectly when you think about that the early 1700s 1700s leads to the birth of Draco who is the guy who had the alicorn handed to him by the so like there's a lot of you know, the closer to now we get the more sources we find more people who will just again random just captain happen to jot down about the freaking Antonio Draco.

Cristina: Yeah but like weirdo on his boat.

Jack: Okay, yeah. As more people can just do that it becomes harder and harder to erase your existence. When you show up capture casually it's further back that it breaks down. I was trying to find out origin stories from El's time.

Cristina: Impossible.

Jack: Yeah, it becomes really difficult but instantaneously I can tell you that there were a couple within just last a thousand five hundred years.

Cristina: Okay, so you can talk more about that next time.

Jack: All right, we're sure. Anyways, if you guys want to leave us some info, some translations, some opinions, some ideas, some interpretations I suppose was more what I was aiming for for the information we have provided. You guys can do that on our socials. You can hit us up at just convopod on X, on Instagram, on Facebook.

Cristina: On TikTok and remember to subscribe and rate and review the show.

Jack: Yes. And this show is great to share by word of mouth. Be sure to go scream it at people and tell them hey, go listen to the rambling podcast and you will find out about the great secrets of the universe.

Cristina: This has been the Rambling Podcast. Take nothing personal and thanks for listening. Bye.

Jack: California was down. They're like, whatever, dude. You can brainwash those people into anything. Just should have kept the tech in California. But no, you have to backtrack California because that got sloppy too. You pass the digital law. Cause that even the Californians were like.

Cristina: Bro, what's going on?

Jack: What the. Yeah, like, what the is going on? You just cool with kids being taken and then mutilated somewhere? What you need to an excuse to cause them to bleed? Well, we can. Oh, yeah, we can do these surgeries. Mastectomies, double mastectomies on children. Yeah, that makes sense. Totally. We can chop boy's p**** off. It makes total sense.

Cristina: That's for adrenochrome, too.

Jack: All of that gets you a hold of blood. You get to cut people open. You get to create incisions that blood is going to come out of. You have to keep them alive. Oh, you know, you need several surgeries. Thousands of children need several surgeries. Who knows the process that was taking place on the island? I am sure they weren't just killing the kids. That's not efficient. You feed them, you keep them horrified, you keep them alive, and you drain them consistently. A supply was the supply island. We need to somehow figure that system out again. They were like, oh, we're f****** gonna create a medical issue, or we take the children. What did they say? You could. Your. Your child protective services could take your children and they could put your child through the transitioning process.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 253: Nephilim

Why were out-breeding illegal to the Elysians? Why did it take so long for the Nephilim to appear in the records? What can any of this tell us about the bigger picture? The duo finally dive into the long awaited Nephilim. This Ambiguous third race of Earth. 

Rambling 253: Nephilim

+Episode Details

Topics Discussed:

  • The Nephilim
  • Elysians
  • Azazel
  • Giants
  • St. Arnold
  • Norwegian Northern Islands

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+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. Ideas. And today, in continuation to the infinite spiral of information that has entirely devolved from once upon a time looking at a unicorn and then finding out that somebody thought that was a real thing, and then chasing that until we landed at extremely advanced individuals with technologies beyond our understanding.

Cristina: I happened to live under the sea.

Jack: They happen to live under the sea. Both instances.

Cristina: Both, yeah.

Jack: Because in the Persian Gulf oasis, the palace of Alcaraz was underneath the water, and then in Atlantis, it is beneath the Atlantic Ocean. And. Yeah, that's a weird. I don't know, they love doing that. Actually, I've not thought about that too hard. That's a weird one. Yeah. Why always under. I guess it's just harder to get to them.

Cristina: But we know they're not just under the sea because of Ireland or not Ireland, but that place with the trees, I don't know where that's at.

Jack: Oh, but those are small. The Isle of Man. Yeah, but what you're talking about. And by the way, we're talking about the Elysians, as you guys know, this is. This is what we do here. But yeah, the Alicians. What happened in the Isle of Man was essentially a scientific settlement, not their main civilization. It seems like their main civilization is this thing that they. This settle, not settlement, this true city.

Cristina: I don't know, because that's also like a bunch of scientists as well.

Jack: Like, you think the whole place is of scientists?

Cristina: No, we don't know where the real. Their real places, where the actual people are. We just know the locations of the scientists.

Jack: Why would you think. Fantastic. You think the palace of Alcaraz itself was a facility for science, not a city. But it's described as a city. Yeah, we've caught a couple of descriptions of descriptors of that as a city and of Atlantis as a city, to the point that Mananan himself is described as from Elysium in the Atlantic.

Cristina: Oh, okay, so it is a city.

Jack: It is a city.

Cristina: Okay.

Jack: It is a bunch of people. And the fact that Mary just lived in the Persian Gulf oasis before she became the host of this experiment. So, you know, it goes to say that they for sure, for sure, for.

Cristina: Sure, for sure live under the sea.

Jack: For sure. Not just that they live under the sea, but that's their main city. As far as we know.

Cristina: As far as we know.

Jack: As far as we know. Anyways, looking at the Atlanteans, which are really not the Atlanteans, but closer to being called just the Sea people, as we've called them for a very long time, but are really labeled the Elysian Sea people, is it courtesy to the Greek. But they are called Elysians, as we found out later, courtesy of following the trail of Mananan. And as we have followed, we found that again, some weapons can in fact kill creatures from Elfame. Elfame is where the fairies are from. Fairies is not the fairies we are accustomed. In terms of fairies. Fairies are a highly intelligent. Not necessarily. I'm sure there's animal style fairies similar to the Shadow Realm. It is just a different reality of sorts that exists parallel to Earth Realm, which is what we understand to be our reality, our universe. And they exist really next to each other and are very different to one another, I guess. Not next to each other, but beneath and above, like Elf. If we were to say there's an entire universe, there's a whole universe and there's a one black hole in that universe and you jump in through that black hole. Now you landed inside of the Shadow Realm. If that first one was all fame. So they're like below each other in that. The Shadow Realm is below somehow Elfame. Because it's just a tiny little. A tiny little.

Cristina: Mm.

Jack: But it still exists within Elfhame somehow. But it's just a tiny little. But then you have to do that one more time in this infinitely big shadow Realm. That's just an infinitely small point in Elfan. You do that one more time in an infinitely small point in the Shadow Realm and you get us.

Cristina: Okay.

Jack: And so that's the visual I get when I'm. It's like funneling, you know, from Alphane.

Cristina: Start is starting.

Jack: Elfin is the big one and we're the small one.

Cristina: Okay.

Jack: Or the other way around. The funnel would begin at Elfame and everything comes out of that. So you'd have a pyramid where elf flame is the top of the pyramid. Everything cons like comes out of that and then. Yeah, which is a weird example because the stupid pyramid thing assumes that the tip of the pyramid comes first and everything below it comes after. But that makes no sense. You don't build a pyramid top down.

Cristina: How do you know that's not how it was made?

Jack: The what? The. The pyramids?

Cristina: Yes. What if you found out? Wouldn't that be even more amazing?

Jack: The pyramids were made top down like that. The. The metallic. What is it, bronze or gold that they had there beforehand was just floating. Which at this point, like, I wouldn't put it past them with the level of technology that they had at that time. Anyways. Looking at weapons that can actually kill creatures from Elfame that we discovered was a thing. We get to our first mention of a Nephilim. And in that first mention of a Nephilim, it was kind of a curious thing that I ignored at first because there was another weapon that was similar to Excalibur and we dove in that direction. Expl. Is that thing. And cool. But I decided to go back and check this thing about the Nephilim out because the first mention we've had, I've been wondering when they're eventually going to pop up. And they did. So in diving into the Nephilim, I came across a couple of interesting things. And we're going to discuss those interesting things.

Cristina: What are the things? Are they Nephilim? Are you calling them things?

Jack: These Nephilim are. Can you imagine everything. Okay, so these Nephilim, the Nephilim, the Nephilim, the falafel. As I've been doing lately, I went through definitions, I looked at some names, I looked at different words that match. Actually found this way more. We've actually seen this a couple of times, not knowing that these words meant Nephilim.

Cristina: Really.

Jack: They've actually been mentioned. This is not the first instance, but there's an issue here that I did not know. But luckily I'm not the first person to look into this little doohicker. So let's talk about some of the finer details associated with the Nephilim. I don't have a radio voice. And that's frustrating because a lot of people do that thing where they feel obligated to have a radio voice. And everything they do sounds like this, you know, And I. I feel left out because I sound too human. And I like that ro. I like that robotic level of excite.

Cristina: You want to do that throughout the whole episode.

Jack: It's impossible to sustain. How much cocaine must I do, you know, like, get the h*** out of here. Anyways, so the Nephilim, simple basics of the Nephilim, they are a hybrid between Elysians and human, which are two different types of Earthlings. Things we know related to the Nephilim. They are. It's considered a criminal offense to breed with humans by the Alicians. Like the Alicians consider that a crime, as we know, because Azazel was convicted of having been breeding with Egyptian women. And so he was imprisoned. And after his imprisonment, he joins the shadow gods.

Cristina: That's why he was in prison for.

Jack: Yeah, he was imprisoned for.

Cristina: I don't remember.

Jack: Pregnant Egyptian women. Oh, well, because it is illegal, which is interesting. Why is it illegal?

Cristina: Is it okay to have sex with them if they don't get pregnant?

Jack: I think. I think so. I think it's getting them pregnant that's illegal.

Cristina: Oh, okay.

Jack: Which is like. Okay. They're tools, I guess. I guess so. The word Nephilim and the word giant get used interchangeably in many, many, many, many, many, many texts. This includes some of the big hitters. Hindu texts, Christian texts, Judaish texts, Islamic texts, and Celtic texts. Giant. Oh, I'm Greek giant, kind of anywhere that you look seems to be used interchangeably with the word Nephilim.

Cristina: But do they use it the same way? Like, are these giants in all these stories created from things that shouldn't be together? Gods and humans or whatever?

Jack: Yes.

Cristina: Oh, what?

Jack: Yep. That was like. That was gonna be the big conclusion I was gonna get to. That was literally gonna be the big conclusion I was gonna get to. Yes, that is the weird part. And there's a perfect example of Loki in this instant having a child with a giant and then resulting in these creatures.

Cristina: He makes giants.

Jack: He makes giants. He. No, he mates with humans as he's a giant.

Cristina: Oh, okay.

Jack: He meets with humans and then he breeds these things, like the World Serpent, which we found out is not really the World Serpent, but I mean, it's not really a child of Loki. As opposed to a child of Oros?

Cristina: Yes. Okay, what about that giant horse? Is that his.

Jack: Yeah, that's his child's woe. But yeah, so that was a really weird realization, the fact that. Yeah, there's consistency across all of this. They're used interchangeably. And it seems like every instance of the mentioned giant is actually referring to a Nephilim. And the process to get there seems to be the same. So the word giant shows up, but always in title and rarely in size.

Cristina: What do you mean rarely in size?

Jack: It's never describing their size. It's always describing. It's a title. Giant is a title, not a descriptor.

Cristina: So they're not all giant.

Jack: Not one of them, really. Ooh, that's a. Not one of them. It's harder to find an instance. So this suggests a definition of giant in ancient texts is actually closer to the definition of Nephilim, which is son of the greats.

Cristina: Okay.

Jack: Or merge or hybrid of the greats, something along those lines.

Cristina: But not actual giants.

Jack: Okay, not actual giants. Barely ever. It was one mention, and it was under the word warrior. And this was in Jewish texts, and it's under the word warrior in the Hebrew Bible. And the debate was whether the word warrior here was to mean giant or to mean nephilim. But it still happened that it most likely in that case, it just so happened to be that in that case, it probably just meant tall big guy.

Cristina: Okay.

Jack: But funny enough, even the word warrior sometimes just means nephilim.

Cristina: Oh, my gosh.

Jack: Yeah. So the most frequent definition found for the word giant had zero physical descriptors. And actually most often than not would be described. Giant was to describe immense strength, immense power, and a lot of times how quick they were to get angry, emotional. They were really rarely ever to describe size. Okay, yeah, yeah, yeah, yeah. And then philologist John Frederick. A philologist is a person who studies the history of language. Oh, it's funny you said falafel earlier, because it sounds just like it. But the philologist John Frederick Lindo, he was combing through and comparing and contrasting ancient texts, essentially looking for the same things that I'm looking for, on average. And he discovered this very fact, the fact that every time the word giant shows up, it's not in any instance referring to. To an actual giant.

Cristina: Okay.

Jack: So what makes this guy an actually credible source is that he attempts to disprove his findings and he actually finds it easier to find texts in which they're using the word giant to describe the offspring hybrid of. Or the hybrid offspring, I suppose, to some creature and humans. And oftentimes that creature seems to be human and it seems to be just greater than human, presumably the Elysians. Almost every time he finds it that much easier. And so chasing his little leads. I looked into that, and yes, that is correct. Almost every mention oftentimes leads to the word giant being a mistranslation. So that's a lot of giants in a lot of texts, if we were to assume, and it showed itself across all different major mythologies that this pattern exists. By the way, we're talking in Hinduism, we're talking Greek mythology, we're talking Christian mythology, Islamic mythology, all the Abrahamic religions that come from. So Christianity, Judaism, Islam, the Celtic religions. Almost everybody's using the. The word giant. We might be using the f****** word incorrect. Talking about big creature.

Cristina: They're not.

Jack: They're not. And this was quite largely the definition of the word they were using was the offspring. The Hybrid offspring of this greater other thing.

Cristina: Everybody Is the greater thing. Greater than just us, or is it greater than both us and the other thing?

Jack: No, no, no, wait. Oh, you mean the offspring. So that's unclear. That's unclear. But we're definitely going to walk into that in one moment because there are some theories I have about that.

Cristina: Okay.

Jack: Now, the Greek originally translated the word Nephilim from the Hebrew texts into giants. They were the first to do that back in the day.

Cristina: Okay.

Jack: And then that spreads to the Hebrew texts and eventually the rewrites from older texts. So this is actually part of the.

Cristina: Greek of changing the words meaning.

Jack: Yeah. And this is just random edit that got moved through time, essentially. Now, what I find interesting about this, the Greek texts being the ones that altered all these other things. There is a Saint Arnold who's a Jew, and Saint Arnold the Jew, or let me put this a different way, he's a Greek who happens to have been born in Israel. So he's ethnically Jew, not necessarily religiously Jew, but seems to be writing texts in all instances for the Catholic religion, except for this one instance in which they were assisting in writing the Greek mythology. And he's responsible for the trade off of the word Nephilim to the word giants that just so happened to then affect all the major religions. Afterwards, I found that weird and suspicious.

Cristina: Why?

Jack: Because somebody from the region that the Elysians are from changed a word that made everybody completely alter how they speak.

Cristina: About that is strange. Okay, so you think it has to do with them, though, that they were hiding the fact?

Jack: Yeah, I think that.

Cristina: What are they called again?

Jack: The Aletians. Yeah. I do think that St. Arnold is essentially suppressing or assisting in the suppression. St. Arnold might not even really be an Israeli. That might just be an Elysian.

Cristina: Yeah.

Jack: You know, or at least related enough in the way the St. Peter was.

Cristina: Elysians look like humans, though.

Jack: Yes.

Cristina: Okay, they do.

Jack: They are bronze skin, light eyes, as far as the descriptors go.

Cristina: Okay, but they seem pretty human.

Jack: Yeah, they seem pretty human. It's just some like. Oh. It's like the difference between looking at a mortal and looking at Zeus and they go immortal looks mortal. Zeus looks like a person, but he also looks like an immaculate, perfect version of that.

Cristina: Okay, like vampires.

Jack: Yeah, just fit. But vampires could look imperfect, you could have scars and you could have this figurements. A God is just born perfect. So, like, that's essentially how the descriptors seem to make out the elisions and white hair. I don't know. Why everybody has white hair. It's white hair. Bronze skin and light eyes.

Cristina: White hair is something. Whoa. That's weird. Okay.

Jack: Yeah. With bronze skin. That's odd. And the light eyes could either be green or blue. Just very light.

Cristina: That's very strange because they're always underwater. Like, how does that affect any of it? Brown skin?

Jack: Like, brown skin. What do you need that for?

Cristina: Are you getting bronze skin though?

Jack: Yeah. What do they need it for? Why do they have so much melanin if you're never getting sunlight?

Cristina: Weird. Okay.

Jack: Or maybe they have artificial light being made in this way. I don't even know. There has to be a way that this is beneficial somehow. Anyways, yeah, I'm very suspicious of Saint Arnold and. Yeah, so because of this. Actually, the. This is. I will tell you the exact moment that is suspected. This happened because of the alteration of the word Nephilim to giant in the Greek text being translated into Latin. Which is interesting that this guy knows Latin if he is a Jew. Whose side are you on, bro? You're Jew writing some Greek mythology into Latin. Which group do you want to belong to? He said yes. Anyways, so, yeah, St. Arnold's suspicious guy. And because of the Greek that have moved the word and made it to giants from being Nephilim, but also the Greek being the same people who've described the Titans as being these colossal creatures, but giants being colossal creatures. In later texts of Greek mythology, these two things get merged. And it's believed that the giants of Greek mythology are the Titans of Greek mythology. But these are not the same people.

Cristina: Okay.

Jack: Those are actually two different groups of people.

Cristina: What are the Titans?

Jack: The Titans are some other thing.

Cristina: Okay.

Jack: While the.

Cristina: The Titans are actually giants or.

Jack: No, I guess it would have to be. Right.

Cristina: I don't know.

Jack: And this actually comes back to Norse mythology, where we know that there are two types of giants. Ice giants and normal giants. I think one of those is actually giants.

Cristina: One of them is.

Jack: And one of them is Nephilim. Hence why so many cultures have two types of giants. It's not two types of giants.

Cristina: Yes. They're just. The word has gotten confused.

Jack: The word has gotten confused. And we're actually seeing Nephilim be mentioned everywhere.

Cristina: Okay.

Jack: That's why we weren't seeing it, because it's been warped and edited thanks to freaking Saint Arnold, who somehow had enough influence in this one change that later affected everything else.

Cristina: Interesting.

Jack: The plot of thickens. So there are three mentions in the Hebrew Bible that are of note, and there are two that are well, there are three mentions and there are two that are of note. The first one is directly before the events of Noah's Ark. Now let me establish what this means. The mention of Nephilim occurs and then almost instantaneously after the mention of Nephilim in the Hebrew Bible, the need for the flood arrives. I found that interesting, but I moved forward until I found the second mention, the third insignificant. It's just casually mentioned. That's the one with the word warrior. It was more about a debate of whether this is referring to the Nephilim or referring to the literal word giant, in either case, not using the word that it's referring to. But the second dimension is an instance in which it refers to them as Anakim, which becomes useful in a moment. The Quran also has giants referencing the Nephilim. That word means Nephilim. And in the Quran we actually get a text that then later makes a correction to this and refers to the Nephilim in Islamic as the Ad.

Cristina: What does that.

Jack: What it translates to Nephilim. And Nephilim translates to sons of gods. Okay, so the Ad, which is Islamic for Nephilim. And now we got enough information for me to dive in. I'm like, okay, I've gotten a couple mentions. I know what some of these are. Let's dive deep. So two different spellings for Nephilim are N E F I L I M or N E P H I L I m. Both of those say Nephilim. We have the Anakim, we have the odd. We have the word giants. And all of those are used interchangeably, it seems in all of the mythologies and religions of the world collectively, everybody agrees giants equals nephilim.

Cristina: Okay.

Jack: Now in Enoch's the Book of Jubilees, he states that ridding the earth of the Nephilim was the reason for the flood. Interesting.

Cristina: That's the reason for the flood.

Jack: That's the reason for the flood. What was the flood really? And there's only one group of people we know with the resource and energy to do such things. I looked to see when on average the flood occurred. And the flood occurred about 2,500 years before Christ, which puts this at the peak of, not the peak, but sort of at the uprise of quite a couple of places and sort of around the same time, surprisingly, that Azazel gets booted. So there's some correlation happening there. Along with that, it seems to be either exactly 5,000 years. Not literally exactly, I'm being. But, you know, two to three years difference from exactly 500 or exactly a thousand year range from major events with the furthest being exactly 10,000 years from a previous event that happened 12,000 years ago. So it happens for whatever reason to be interval mathematically about 500 years intervals from major events that this occurred and we get a bunch of flooding. I don't know what that means. Some numerology right here, if that matters in your life.

Cristina: It does not. I don't get it.

Jack: I don't get it. That was a weird pattern that somebody mentioned and I looked it up and I was like, oh, that's interesting. Weird occurrence, but random. Yeah, absolutely random. But somebody had noted that, like, yeah, this seems to be almost exactly this range. And I'm like, all right, let me look. It's like, oh, okay, that's weird.

Cristina: Mm.

Jack: Just an odd fact about Nephilim and the possibility that a giant flood 2500 years before Christ was somehow timed perfectly with a bunch of other major events, which I don't know how the h*** that would even happen.

Cristina: No.

Jack: But yeah, that's Enoch's end of that. So now I looked into the odd, followed that as well.

Cristina: Which is the odd again.

Jack: The odd is the Islamic word for nephilim.

Cristina: Okay.

Jack: And following up on the Quran's mention of the odd, they gave us a location for where we can find a group of them. And they are in Arabia as refugees from Persian pursuit and persecution, which, okay, the Arabians are not part of Persia. And this comes from old Arab texts.

Cristina: The Nephilims are being pursued, not pursued.

Jack: But they're fleeing here as refugees to avoid pursuit. So according to ancient Arabic texts, they agree with. Oh yeah, some special people from Persia came over to where we are and we welcomed them to live over here peacefully because they weren't welcome over there. And then we think about the fact that we know that they literally made it illegal and you're like, okay, so there's a settlement of Nephilim in Arabia. They're out there like the Naga. Just a small location like the Naga, but well hidden.

Cristina: Or like stories about them.

Jack: Yeah, it's there. They're hidden, they're seen walking around, blending in to people on average when needed. They have special abilities, extra strength.

Cristina: They don't look anything unique either.

Jack: Yeah, they could just.

Cristina: They probably look even more human than without.

Jack: Like, yes, they can. They got mixed DNA.

Cristina: Yep. Yeah.

Jack: Okay, so they're more easily blended into the population, which allows them to go unseen.

Cristina: They have abilities.

Jack: They have abilities. They're incredibly strong, incredibly fast. They. And they're quick to anger. But they tend to. You know, they're still people, so they can cycle, good or bad. So there's some good ones, there's some bad ones. This reminds me of in Full Metal Alchemist, the people of Ishmael, and how there were good ones and bad ones. The people with the red eyes.

Cristina: Oh, okay.

Jack: There were good ones and bad ones, just like there are for anyone else. But the group of people seeking them in fear of them saw them all equally.

Cristina: Okay.

Jack: Something that's very similar in this instant in which there are Nephilim, you know.

Cristina: Who are just being killed off because.

Jack: They'Re just bad guys. Then there's good ones, too. The majority, they just want to live. They're trying to live.

Cristina: But we're not killing them off because they're good or because. I mean, they're. Because they're bad.

Jack: Why are they running away? We're not killing them all.

Cristina: No.

Jack: Why are the Alicia. Why are they running from the Alicians?

Cristina: The Elysian wants to kill them off.

Jack: Yeah. So they come hiding amongst us.

Cristina: But they're. They're not killing them because they're good or bad, though. They're killing them because of what they are, I guess, which is. I'm not really sure what it is, because what makes them a threat or something That's.

Jack: That's what's confusing to me. Like, what is the point of them this being illegal?

Cristina: Like, Jesus. Type of magic, are they?

Jack: No, there's no magic involved. They're just biological.

Cristina: Yeah. So why kill them?

Jack: I don't know. It's really weird. Right.

Cristina: I understand that. Maybe the whole making it illegal to mate with them, that's weird. You shouldn't probably mate with something similar to you that's obviously beneath you, like an ape or something. Don't do that. But, like, why are you gonna murder that baby, that weird human ape baby you just had with that ape?

Jack: And that is weird when you put it into perspective like that, because if you consider.

Cristina: Because that's what's happening.

Jack: Yeah. Yes. Yeah. Ultimately, that's what's happening. It's like if.

Cristina: Unless there's a deformity.

Jack: No, listen, it's 100% like. You're totally right. I'll paint you the picture. I have a lab. I am a very successful scientist, and I experiment with apes all the time. And then I successfully managed to acquire a team of apes that are just smart enough to help run machinery and things, and I can teach them and try to communicate with them in the process of working with them so consistently. But then I Fall in love with this female ape. There are laws in place preventing me from sticking my d*** inside this ape.

Cristina: Yes.

Jack: Bestiality is illegal.

Cristina: Yeah. So it makes sense. It's illegal for them.

Jack: I get it. Yeah. Okay.

Cristina: But I still don't understand killing the child. Unless it's like there's something wrong with the child that they feel like it needs to die.

Jack: I don't know. It's really weird. It really is. And if you had a child with.

Cristina: An ape, I'm sure that child would be horrifying. Like there would be something wrong with it that you'd want. You would want to kill it because like it's. It's life would be miserable.

Jack: But this is a. This is a town, a settlement of people who are Nephilim hiding. This isn't just a bunch of deformities, as far as I know.

Cristina: As far as you know, they could be like. Like when we used to kill people who were different because they. They were special. But I feel left handed.

Jack: I feel like this would have popped up looking at it, that they're hideous monstrosities or deformed or freaks of nature or some. Not just no mention of anything like that whatsoever. That's too prominent to just like be glossed over.

Cristina: Maybe there's something for like to compare them to giants.

Jack: Maybe that's how you're not being compared to giants. That's entirely due to that word confusion that happened thanks to some creepy random.

Cristina: You don't know anything about them unless you do know something about them.

Jack: No, there's actually very little on this. This is what I'm saying. I'm not even going. I'm not even assuming that there's something like there's very little on any Nephilim. But following up on the mentions, we locate a settlement of them living in secrecy among the people of Israel. That's the Anakim.

Cristina: That's the name of the people.

Jack: Yes. This was mentioned in the Bible, which was the second mention in the Hebrew Bible. And they referred to them a settlement of giants, the Anakim. And that's hidden right there in Israel, which is part of Persia.

Cristina: I just think it's so weird that they want to kill them. Like they. If the whole Bible story of flooding the earth to get rid of them is true.

Jack: What? Why?

Cristina: Why? Why, why are they hiding? Why are they being killed off?

Jack: What? Yeah, yeah, exactly. Like, what's the point? What is. What is happening? Just. Okay, you don't cast a person out and then don't deal with it anymore. Why go out of your way to eradicate them. Like there's some other problem happening there. Why can't you just ignore them? Is it because you don't want the DNA continue to roll out this way?

Cristina: Gotta be something wrong with that DNA. Maybe. I don't know.

Jack: I don't know either. You think they've gone to the point where reproducing by natural means is impossible and so they can only reproduce effectively without destroying something scientifically through inseminations and things of that nature. It was actually an episode of Star Trek like this that they looked for people who had genetic material that they can use to add to the population. Because they had run out. They've exhausted by copying and they become copies of copies of copies of copies of copies. And everybody on the planet is the same, like six people. So they needed to add new genetic material in order. And when our heroes arrive, the Z Fighters. When the Z Fighters arrive to this new space civilization. Yeah.

Cristina: Dragon Ball Zone. Star Trek.

Jack: I was. And then I added the heroes from Dragon Ball Z. They're also in space.

Cristina: They're aliens.

Jack: Yeah, that makes perfect sense. Star Trek. They could totally come across, like, they come across Q. What stops them from coming across, like, Goku. Although if you come across Goku, you got some problems because you know something crazier is about to happen anyways. It's easier to find mention of them than it is to find anything they've done. We'll come across, oh, that thing was a giant. Or this thing was a giant. And then we. Can you cross reference a bunch of other texts and be like, oh, yeah, this means Nephilim. We have very little activity from the Nephilim. There's a couple of stories and we're going to dive into those in the future.

Cristina: Ah, boo.

Jack: It's nothing impressive. It's not even worth it might into something. Which is why we'll go through it. But we need a collection of them because it's essentially not useful enough on its own. So I think exciting to talk about. There's just instances of the parents of these individuals being exciting and always going and banging some human mortal. And then here we got one.

Cristina: Yeah. Okay.

Jack: There's never like. The Nephilim themselves are very prominently considered rejects amongst most texts.

Cristina: There must be a reason why.

Jack: There must be a reason why. And considering the Norse knew of a place on Earth where giants came from, which was Jotunheim, I decided to look in that direction as well to see what the Norse individual knew of Jodenheim. And so one. Yes. First I was looking at what other descriptors they were using to describe talking about or I guess writing about the people of Jotunheim, the giants. And it seems that yes, in that instance too, they were quite elite. Elite people comparable to gods just beneath them, oftentimes the offspring of those really great and those really normal, leading to an entire civilization of giants, unquote, which basically just sounds like more Nephilim.

Cristina: And following that, the Nephilims make more Nephilims. Question mark. I don't know.

Jack: If two Nephilim were to mate. Yes.

Cristina: Yeah, I don't know what that means, but okay.

Jack: Yeah, that would just have a child who's also half and half. Like if you had a non Nephilim, I guess you'd tilt it in the direction of whatever that is. Like if a Nephilim mated with a human, the child would be more human than it would be more whatever whatever. But two Nephilims together would still have a child that's half and half. So they'd just make more Nephilim. But looking into it takes us to the northernmost islands of Norway where there is an island named Himmel Tinden, where there is a large settlement of Nephilim living considered to be the home of Nephilim. Interesting enough what we get last time on Dragon Ballsy. The dude named like who goes north. And then from north arrive the people who claim to essentially be Alicians, but there's something off about it. And like where'd you go? North. That doesn't check out. That's north though.

Cristina: Yes.

Jack: So they weren't actually Alicians, they were Nephilim.

Cristina: They had Alician tech.

Jack: Well, they weren't. No. Sort of. I don't know. It's complicated, right. Because Mananan is a clean elation and Mananan doesn't have a problem with the rest of these people. And Monanan joins this group of people. Are these people the same as the Nephilim who are not liked and presumably as Mananan is a literal high ranking elation in the way we are used to. Why would it be cool?

Cristina: It doesn't make sense.

Jack: Exactly. Thought about it. Yeah, it doesn't. There's some conflicting information here because it's the only source of elation. Anything I could find that named could have gone to. I still don't know what the h*** was up north that he went to. And then these people came from the north and they're like Elysian. But I do know that they came from the north after Nemed went up north and I know that these Nephilim were up north in the islands of Norway. Hamel Tinden, the Ellen Hamilton.

Cristina: How do you know they weren't killed off by Alicians and then they took their place or something? I don't know.

Jack: That would be crazy. And I don't know why they would take their place as opposed to just kill them off and keep it moving. That'd be extra weird.

Cristina: Maybe they just like the way they live. I don't know. I don't know.

Jack: And then say that they're offspring.

Cristina: That's weird. That's. That's very.

Jack: Based on how they're describing it, it sounds like they might be Nephilim. But then the idea here is where did you go and why is Mananan with you? That's what's messing it up. Because we're the offspring. How are you both Elysian and the offspring of named. Do you see the problem there? Nephilim, man. Just based on. What the h***?

Cristina: Yes. Well, why didn't. Why was he cool with them?

Jack: I don't know. Which means this guy did in fact go up to the island of Norway. He was actually there because based on what they said. Yes. If they are both Elysian and they are ancestors of the Nemedians, then what.

Cristina: The h***, Maybe they're not first generation of Nephalem. So they're okay. Like after a certain point you don't kill them. You just need to kill the actual ones. And then like, they only have a problem with the ones that are the offspring. And the people who I guess have sex with humans are a problem. But besides those two, anything under that is okay.

Jack: Anything underneath, like the children of.

Cristina: Children of. Children of the Nephilim are okay. But if it was like the first generation of Nephilims, that would have been a problem. He would have killed them.

Jack: Well, this is. This is where I believe we have confusion. Right. Because the argument here would be that the Nemedians that went north didn't mate with the Nephilim, they mated with Alicians.

Cristina: No, I think they made it with Nephilim.

Jack: You think they made it with Nephilim? Yeah, I think this place of Nephilim existed prior and the Nemedians went up to there instead of the Nemedians going up there and then mating with Elysians, which would then allow us to both have a settlement of Elysians and a settlement of Nephilim.

Cristina: Because then why would he be okay with them? Why would it be okay? No, because the Elysians would want them dead. Unless these are the worst Elysians that are okay with Nephilim breeding.

Jack: Well, no, the argument here would be, and this is just the thought I'm having at this moment, what if there are some secret Nephilim living amongst the Elysians? How would the Elysians tell? Is there a tell?

Cristina: Is there a tell?

Jack: Is there a tell?

Cristina: There might be a tell if, like, they don't have blonde hair or whatever.

Jack: Interesting. Yes. If they don't have. It's not even blonde hair, it's silver.

Cristina: Silver, okay. That's crazy.

Jack: Yeah, it's silver hair. It's like really, really silver eyes and then bronze skin.

Cristina: No way do they look exactly like that once they mix with a human. No way.

Jack: So they have to lose some of these characteristics, which inherently just makes it so they can't be.

Cristina: Yeah, Unless you have stories where they couldn't tell, like, if there was something to hint to, like they're indistinguishable.

Jack: No, man. I just got three different cities where there are places that they live. We got three different locations that they live. We have different words for who describes them. And in the future, we're going to have a couple of stories, none of which seem blatantly exciting or anything.

Cristina: I'm hoping to find details describe any of them, even the teeny bit they look like people.

Jack: Most descriptors look like people.

Cristina: They look more human than whatever, then. Yeah, I think so.

Jack: The Nemedians did not go. They did go north, but they made it with Nephilim, which means they're the ancestors of existing Nephilim. But why would they continue to refer to themselves as Leash and them, if they are less.

Cristina: That's cool.

Jack: They're less elation, so. But then they come down and they still have overpowered elation tech. This doesn't work.

Cristina: Why not?

Jack: So the Nephilim that were there had a.

Cristina: Well, maybe they're protecting themselves with elation tech.

Jack: Fascinating.

Cristina: Like, they. They. Even though they love Elysians because, like, that's the top of the top, they also fear them because, like, we're gonna. They're gonna kill us.

Jack: Yes, interesting.

Cristina: But they're the top of the top. Like, why wouldn't you? Well, they adore them. I think. Not Adore. That's a weird word. But, you know, like.

Jack: But what about their parents, is my question. Are their parents outcast Aletians living amongst the Nephilim?

Cristina: If they're not dead already, they can't go home. No, because then they'd be killed.

Jack: So they're not killed, but they'll be imprisoned.

Cristina: Oh, imprisoned.

Jack: Azazel was imprisoned.

Cristina: Oh, yeah. But are they imprisoned for life? Or is it like, okay, you've done your time. You can go.

Jack: Well, no, Azazel was. Yeah, Azazel was allowed. No, he could have stayed there. He chose to leave.

Cristina: Yeah, okay.

Jack: He could have stayed there. He served this time, and he could have stayed there, but he decided to leave.

Cristina: Okay, so as long as you serve time for the punishment.

Jack: Yeah. Like, if you do the thing and then you come back to your home, they're arresting you, so the best bet is don't go back home.

Cristina: Yeah.

Jack: So you made it with some Non Elysians, and you are a lesion. Don't go back home. You will go to jail. Prison, I suppose.

Cristina: Okay, I guess that makes sense.

Jack: Yeah. But then what we have named going north and mating with some Nephilim who have Elysian technology. And then they come down to face the Furbolg, which are also just Nemedian ancestors, but human with human. And then they go and they share Ireland. And so we just have the ancestors of Nephilim living in Ireland. The Nephilim. One settlement living up north in Norway, and then one settlement in Arabia, and then one settlement in Israel. There are a couple of Nephilim settlements. These are just talking about the major things. I know. There's mention in a million other places.

Cristina: Mm.

Jack: They're everywhere. No, they're just everywhere. That means they're everywhere is what I'm saying.

Cristina: Yes.

Jack: The conclusion is, whoa. The thing we've been looking for mentions of actually, is everywhere. We were just not understanding.

Cristina: Yeah.

Jack: Anyhow, so that's what I got. A couple of mentions of Nephilim, a couple of different words that have always meant Nephilim, where it got altered and Nephilim here in the Nephilim there.

Cristina: Maybe why it's been hidden. Maybe.

Jack: Well, I don't know why they would hide the Nephilim if they themselves are trying to get rid of the Nephilim.

Cristina: That's true. I don't know.

Jack: There's no need to protect. Why.

Cristina: They did the same thing with Jesus. They swapped. They made his story all weird.

Jack: Fair enough. Maybe it is just about hiding, because it does also come back to hiding the. Their own existence.

Cristina: That's the most important thing.

Jack: Yeah. Because if we know that Nephilim are real, then we know they're real, and then we go and pursue them. But if Nephilim don't exist, that's. Well, they don't exist either.

Cristina: Yeah, we just think they're just Giants, like what's it. That's just a creature. That's. That doesn't mean anything.

Jack: Exactly. It means nothing. It's just. Oh, big guy.

Cristina: Yeah.

Jack: Which St. Arnold's weird guy. You come out of nowhere. You are allegedly a Jew and you're translating some Greek mythology into Latin. What? Not Hebrew.

Cristina: Why?

Jack: Because he's Hebrew.

Cristina: Don't they already have it in Hebrew? No, I don't know.

Jack: I don't. What I mean, probably, but don't they already have it in Latin?

Cristina: Probably.

Jack: What is he doing? I don't know. But odd Saint Arnold over here and thank you shout out to freaking philologist John Frederick Lindo, who's on a weird a** path as well. I don't know what the h*** out here. Looking at something.

Cristina: Did he make any connections that were important besides that giants are not giants?

Jack: No, that was his contribution to the sea. He figured out that giant does not mean giant.

Cristina: All right.

Jack: And that like it most likely means Nephilim, which, you know, son of gods.

Cristina: Okay.

Jack: It seems to be that that's most frequently the case. Yeah. So, yeah, I don't know what the case might be. And in the future we're going to have some stories, events, all the mentions that we can get a hold of in which there's actual action going on, things that might enlighten other situations, bare minimum related to the Nephilim. That's the goal here. They have tech. I'm very confused about what's happening with the Med, to be honest, because he did go north and then Elicians came down. North are Nephilim.

Cristina: Yes.

Jack: So I don't know. But they do say they're the ancestors.

Cristina: Exactly. That makes it of the Alicians.

Jack: They must be Nephilim. Yeah, but they wouldn't claim. I don't think they would claim to be Elysian.

Cristina: Why?

Jack: Because you don't want to go around saying you're elation. And then the Elysians keep track of all their people and they know you're not elation, which means you're. You're the other thing. You would instead say you're human so that you blend in more. I guess you don't want to be spotted or known or anybody know where you are.

Cristina: But if a true Alician was on that island, they would want. Want. They would want to not pretend either. Like they.

Jack: No, a true elation would just claim to be an Elysian.

Cristina: Yeah, but he's on that island, isn't he?

Jack: Who?

Cristina: Yes.

Jack: Well, this is what's actually throwing the story for a Loop. Because if Mananan then actual Elysians, if not Mananan, then potentially. Yeah, they could totally be Nephilim. But we know that Mananan himself is a pure elation.

Cristina: Yes, but maybe he doesn't have a problem with them because they're not first generation Nephilims.

Jack: And you think that's good enough? They're just human.

Cristina: Yes. Like after a certain point it doesn't really matter. Just killing off the their. I guess. But I don't know why. I mean, he's too busy to go to the north and kill their parents and whatever. He's not that type of person. Maybe question.

Jack: He has duties.

Cristina: He's got other duties.

Jack: Yeah, it's job to do.

Cristina: Yeah. And probably. They probably didn't reveal where that place besides saying it's north. They probably weren't specific. They probably didn't give him the details, knowing what he is.

Jack: Find that if they needed to.

Cristina: But. Yes, but also they want to live in peace with this guy. You probably wants their parents dead.

Jack: Maybe. No, it's a. I was gonna say that maybe they just didn't tell him. But they told everybody. That was the point. Yeah, and say that would have totally made it. But no, they're saying we're elation. No, it doesn't work. Because then they would be more human than anything. Why would they come down and say we're elation? It doesn't work. There's something wrong. It doesn't work. There's something wrong here.

Cristina: They're not Alicians.

Jack: They're not. They're not Alicians. They're not. But Mananan is.

Cristina: Yes.

Jack: So the. No, this is. This is really where we're getting f***** up. The island of Norway. Or not of Norway, but the island up at Norway are not Elysians. Those are Nephilim. Yes, but Mananan and everybody surrounding him are Elysians.

Cristina: Yes, factually, yes.

Jack: The people who arrive are one or the other. And we don't know because Maranan seems to arrive in this story with them.

Cristina: He does.

Jack: No. I mean, no, not. He doesn't literally arrive.

Cristina: Okay.

Jack: These people get sent and they show up where he is.

Cristina: Exactly.

Jack: What I meant is he's from the same place. These people are from up north. No.

Cristina: Okay, then the people who show up.

Jack: Come from up north. Okay, but they were sent there from some other task they were already taking part in. In there from where he is Atlantis.

Cristina: Why do you think that?

Jack: Because that's what's said.

Cristina: But I thought they just said that they were ancestors of Alicians.

Jack: They were ancestors of the Nemedians and Elicians up north. And up north there were people already studying these. Had to be. Oh wow. I didn't realize there was a huge hole there. There was a hole last time we were talking about this. How are you both ancestors and sent to assist Mananan after That doesn't make sense.

Cristina: They were sent to help Mananan.

Jack: They were sent to help Mananan. I don't know.

Cristina: Because they're probably not first generation. They're probably way past.

Jack: How are they taking orders from the Elysians?

Cristina: Because maybe they're accepting of them.

Jack: No. It makes no sense.

Cristina: They're just not accepting of the first.

Jack: This makes no sense. Why your argument is this island in Norway has Nephilim that are rejects. Then those Nephilim reproduce and now the Elysians who rejected the parents are like nah. But we're cool with you guys.

Cristina: Yeah. As long as you're not breaking room.

Jack: So you gotta go there and get to know them and then tell them we have orders for you. Who your parents we've ignored. We came here to communicate with you who have less in your blood of us than than your parents do. We need you to go do this mission. Here's our tech that your parents are way better suited to use. This doesn't make any sense. That's not the what played out.

Cristina: It doesn't make sense. It makes the most sense.

Jack: It does not make the most sense.

Cristina: Yes it does.

Jack: Doesn't even a little.

Cristina: It definitely does.

Jack: There's some huge hole here. And I believe that the people who did show up to assist named perhaps were actually Elysians. But that's confusing because the only place up north I can find is the Nephilim. Unless those Nephilims are dead and replaced by actual Alicians.

Cristina: Yes. That's the only two things. I guess it's either they're cool with the ancestors or not answers. Children's. Children's. Children's Whatever.

Jack: Because Mananan is an Elysian.

Cristina: Yeah.

Jack: And these people who showed up to assist our ancestors problem.

Cristina: It's awkward.

Jack: There's something wrong.

Cristina: I know. Maybe these stories will help us find something.

Jack: Yeah. I have to look into it. I have to find out. I don't know, man. I don't know. I don't know. I don't know. It's a weird one. That is.

Cristina: There has to be an answer somewhere.

Jack: Well, hopefully we can super obvious. And we just looking through some of these stories relative to these guys.

Cristina: Hopefully we can figure it out.

Jack: Yeah. Now. Okay. Because now There's a reason to look at the stories and try to see what specifically looking at these instants surrounding the Nemedians. The Nemedians have some odd inconsistencies that need to be sorted out. Hopefully it just gets resolved and brought down to just being some word confusion like the rest of this maybe which is the most likely possibility and just so confusion textualistic.

Cristina: We'll figure it out.

Jack: Out. We're gonna figure it out anyways. If you guys have anything to tell us about this information. You got input, perspective or anything of the sort, question, comments, concerns, whatever. Fan art. Yeah, sure, send us fan art. You can message us any of these things at just convo pod on X, on Instagram, on Facebook, on Tick Tock.

Cristina: And remember to subscribe re review the show.

Jack: Yes. And tell people about the show. Word of mouth is the most overpowered thing that has ever existed in the history of humanity. To be sure to use your voice.

Cristina: This has been the rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye. It was probably about fear cause a thing cause some fears hold of them. The chaos people stood up. You were. You didn't expect that. People rose up like oh no, we're do this together. It's like what the oh, we didn't see that coming. Now we can't just confiscate. Now we got to fight the people for it. We didn't think about that. But you're not thinking at all as a problem. So they gotta debate and argue. The people of Hawaii. You thought they were just going to roll over and and no, they're over here like no, this is our land and we will fight you and we will kill you for it. It's like oh, we didn't think about the fact that these are natives. We should have probably just done the this elsewhere.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 252: The Fragarach

Are there other weapons like Excalibur or the magic bow out in the world? Who is making them? For what purpose? The duo continue their search into magical fairy killing weaponry that’s existed throughout history. What they discover finally starts to shine some light on questions they have wondered the answer to for years!

Rambling 252: The Fragarach

+Episode Details

Topics Discussed:

  • The Fragarach
  • Magical Weapons
  • Nemedians
  • The Fir Bolg
  • Tautha De Danann
  • Fairy Trees
  • Manannan
  • Fomorians

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is a show where we ground humanity's most absurd and baffling ideas. And today, on this most special of episodes, where we talk about some extremely unique, beautiful, deep, profound topic that dives deep into human nature and changes how we interact with each other as humans with a lot of technologic innovation and.

Cristina: What?

Jack: I don't know, I'm just throwing a bunch of buzzwords out there.

Cristina: Okay.

Jack: And hoping that it strings together into a coherent, very exciting sentence. How was I doing?

Cristina: You lost me at the end.

Jack: Yeah. Because. Yeah, man, it doesn't even make sense, right. When you have just a bunch of descriptors back to back to back without just getting to it. It's like, what? Well, what was it you were commenting on again? I forgot.

Cristina: What are you commenting on?

Jack: I have no idea.

Cristina: And.

Jack: Oh, on the absurd and crazy thoughts and whatnot and their absurdity and craziness and how much more. How much more absurd and crazy it is today than any other day. Even if I've said this every other day.

Cristina: How is it more crazy?

Jack: It's always more crazy.

Cristina: I don't know. I feel like we, we went to peak crazy when we were living on a zombie filled island with toilet paper.

Jack: That was, that was pretty, pretty up there. I remember those days. That was crazy.

Cristina: What's today about? What's today about?

Jack: Today is about. No, it's not even that crazy. Today is about. Well, we've been looking at a bunch of stuff, like things and junk. You know how we do.

Cristina: Like swords?

Jack: Yeah, literally like swords. Excalibur. But not just that. Focusing on things. And we actually in focusing, landed at fairies. Looking to see some fairies. And then we eventually found Nag and we looked at Naga and then we found out which of the Naga, one of them had a weapon. We were like, that's cool. That probably means there's more weapons. And I started looking at weapons and it turns out that King Arthur's story is not considered. Considered fiction literature. It is considered mythology. So I look into that and apparently that's mentioned everywhere and I had no.

Cristina: Clue, I thought my whole life that he had to find the sword, give the sword in to get the real sword. Nah, man.

Jack: I don't know why I thought this was literature. My whole life I really thought this was like a made up. And nobody, I didn't think people thought this was real. This happened. I thought it was just like. Oh, like, you know, Disney made up King Arthur or some like that. Or bare minimum, it's just a fiction from the 1700s that somebody wrote and everybody knew. Oh, yeah, the great story written by the guy over there, Bob, about King Arthur.

Cristina: Anyone who wrote a story back then was writing a story based on something that was happening, though. That's all lore. Everything comes from lore of what they thought was actually happening.

Jack: Yeah.

Cristina: Everything we think of as fairy tales, every fairy tale was the thing they truly believe was happening to some degree. Yeah.

Jack: A lot of people really thought all this s*** was happening.

Cristina: So it's just one of those, like, werewolves.

Jack: Yeah. It was trying to reason away the logic of what was going on, but we know the logical is going on, which actually brings us to the point. So looking through these weapons that can in fact be special magic weapons, I come around the weapon called Fragarach. Awful, awful name. Fragarach. But the Fragarach is a sword.

Cristina: Mm.

Jack: And this sword is in Ireland. Snyder's sword.

Cristina: Okay.

Jack: And it's a very magical sword. It was given to the first High King of Ireland.

Cristina: Why? Who gave it to him? Oh, is this special?

Jack: His people gave it to him. It is special. It's a very special sword. Like all these magical swords, it itself possesses magical abilities.

Cristina: Fairy killing magic abilities.

Jack: Fairy killing magic abilities?

Cristina: Really?

Jack: Yes.

Cristina: But why?

Jack: That's what we're trying to figure out.

Cristina: Okay.

Jack: So the Fragarach, the first High King of Ireland, was wielding the sword. And during the first battle of Mag, Taured with the fur, Bolga with the fear Bolg, the first High King of Ireland, Mauda, lost his arm. And he believes he is now incapable of being the leader. So he gives the sword that was given to him by his people. He gives that sword to one of the people who is with him now.

Cristina: So he could be the new king or something.

Jack: The new king temporarily, for the next battle. And after that battle, he makes it permanent. Okay. So I'll tell you some things about the sword. Specifically, the sword is unbreakable. The Fragarach is also a weapon that will regenerate the wielder.

Cristina: What does that mean?

Jack: Whoever's holding it, if they were to have damage, they would recover.

Cristina: But not like losing your arm.

Jack: I'm assuming that.

Cristina: Okay.

Jack: The user cannot be harmed. Which then brings into question how the h*** he lost his arm.

Cristina: That is very strange. Okay.

Jack: And it is allegedly capable of. Of killing fairies.

Cristina: There's something wrong because he still got her.

Jack: Yes. I'm assuming he got hurt. Well, he did get hurt in a battle, but he was using a spear.

Cristina: He's using spear.

Jack: He was using a spear. He wasn't using the sword.

Cristina: Okay. The sword was not swapped out.

Jack: What do you mean the sword was not swapped out?

Cristina: Like, what happened to King Arthur where he had the fairy killing sword and then he had a sword?

Jack: No, no, no, no, no, no, no. He just has this sword. He. It's made by his people.

Cristina: Mm.

Jack: His people make this sword. He gets the sword, and the sword gives him all these crazy abilities, and.

Cristina: Then the whole carry. I don't. It still doesn't make sense because, like, how do they know who tested it out to say that it kills fairies?

Jack: We'll get there.

Cristina: Okay?

Jack: We're gonna find out why it believes to kill fairies.

Cristina: Okay. It's not just some random.

Jack: No, but anyways. Anyways, this made me look at who the h*** all these people involved with this sword in Ireland are. And so first, we needed to find out the lineage of these people. Well, not originally. We didn't have to find out the lineage. It's afterwards. In fact, you know what? I'm gonna give this to you in the order that I discovered it so that you can go through the same level of confusion I went through. Ultimately, the sword, the Fragarach, is being wielded by Naota as the king. Yeah. The first high King, Naota. And this is in the first battle of Magtorid for the part of Ireland they're fighting for. And Naota gets his arm cut off. And, you know, but they still win. They win the battle.

Cristina: Mm.

Jack: And they split the island between the guys and the bad guys, or whoever you want to call the good guys and bad guys, whatever. And.

Cristina: And he gives the sword to someone.

Jack: Well, yeah. Then he gives a sword to the guy for the next thing, for the next future battle to be fake king. And then he became the real king as a result. Fantastic. Sweet. Okay, who the f*** are these people?

Cristina: What people?

Jack: All of them. These people who have the sword, who are they fighting? Why? What? Why did you stop using the sword for the spear? It's a weird one.

Cristina: Did you figure that out?

Jack: No.

Cristina: Okay.

Jack: I have a theory, though.

Cristina: Oh. Okay.

Jack: And so, in doing so, I had to look at the battle in which the sword was being held, and the battle was again, the battle called Torrid Magtor. And so I'm looking at the battle of Magator, and the battle of Magtoran is happening with some people called the Fear Bolga fir, Fur fear. Fur. Fur bog, whatever. Fur boggle, Some, something like that. Fur bog. And so I'm looking at the fur bog. The fur ball.

Cristina: Yes, the fur ball.

Jack: The fur balls. I'm looking at the fur balls and like, who, who, who are you guys? And then who are those guys? This got weird really quickly. So the fear bog are ancestors of some people who left Ireland in the past called the Nemedians. Nemedians are aliens?

Cristina: No. I don't know, it's just a matter of your name.

Jack: It's a weird name, but it's. They're named after the guy they follow. The guy they follow is called Nemed. And Nmed leads these people in this region of Ireland. Okay, These people who live in that region of Ireland live under consistent oppression from a group of people called the Fomorans. I hear about the Fomorians. I'm like, okay, this is getting weird. I don't know who any of those people are, but we're talking Gaelic. This is all happening 4, 5, 6, 7,000 years ago, right? So we're speaking an old a** language here. I'm saying these words like these are their names. No, this is obviously just the translation from that language. This is in that language. Words that we know. It's always the case, okay? So I'm like, let's look at some of these words, let's translate them, let's do some translations, let's find out what these words translate to.

Cristina: And it gets weird.

Jack: It. All of this is a weird freaking mess to begin with. But allow me to tell you who these people are. The Nemedians are part of the third group of people to ever settle in Ireland, led by named under the oppression of the Fomorians. And after many, many years of oppression, the Nemedians rise up and they decide, we're going to fight back and we're going to kill the Fomorians. We're going to get rid of them. But they lose this battle.

Cristina: Oh, okay.

Jack: They lose it by a landslide. A lot of them die. Out of 60,000 men, 30 escape on a boat. Oh, it was a massacre.

Cristina: That's crazy. 30, 30. And they come back.

Jack: These 30 people, these 30 living Nemedians, named amongst them, break off into two groups from a disagreement they have. One goes to Greece and one goes somewhere up north.

Cristina: What's up north?

Jack: The ones that go to Greece are who we come to know as Firbolg. Many years after leaving Ireland, Ireland has been abandoned for a very long time. They return smarter, stronger.

Cristina: Who's fear Ball. I. I already lost this fear.

Jack: B are the Nedians that left. These are the ancestors of the Ne.

Cristina: These are the people that are going to have the sword.

Jack: No, no, no. We. We're going to get to the sword. Oh, we're going to get to the sword. I'm telling you who these people are. It's very important who these people are.

Cristina: Okay.

Jack: So Furbolg is the name of.

Cristina: The people who end up fighting the people that have the sword. Is that what it is?

Jack: No, listen to me.

Cristina: I can't remember. I know you mentioned them.

Jack: The Nemedians are the third people to settle Ireland. They got harassed out of there after they tried to rise up. 60,000 of the Nemedians went to war. 30 managed to get on a boat and escape after they totally lost the h*** out of that. They were being harassed by the Fomorians.

Cristina: So the come back and become for more.

Jack: The Nemedians that leave and go to Greece become known as the Fur Bulg. The Nedians that leave.

Cristina: Okay.

Jack: After the third out of the 30 that were alive, some of them went to Greece. Those became known the Fir Bolg.

Cristina: Okay.

Jack: And that group of people comes back to Ireland to. When Ireland has been abandoned for a while now. There's nobody there. And they then become the fourth settlers of Ireland.

Cristina: Okay.

Jack: Yes.

Cristina: Whatever. Okay.

Jack: Yeah. They become the fourth settlers of Ireland.

Cristina: The third. They're technically still the third.

Jack: No, but they're. They were the third. A bunch of them got murdered. They went. The survivors went. Their ancestors. It's been generations.

Cristina: Okay. Because now they're mixed. Their whole new group.

Jack: Yeah. This is not the same people. The Met has been dead a long time.

Cristina: Okay. Now they're the fowls, huh?

Jack: Yeah. This. The Fur bog. New different people, but ancestors of Neman.

Cristina: Yes.

Jack: Come back to conquer this place themselves. Meanwhile, the Fomorians seem to never cross paths with these people for a very long time.

Cristina: Which ones are the Flamorians?

Jack: The ones who got their ancestors out of there. They're just not around.

Cristina: The people that kick those people out are just missing. That's what you're saying.

Jack: The Fomorians got rid of the Nemedians and Nemedians became the Firbolg.

Cristina: But those people are missing.

Jack: Missing? Yeah, they're just. They never encounter the Firbolg, never come across the Numinians. I mean, the. The. The. The Fomorians. Anyways, anyways, the Firbolg are here in this new place of Ireland where they have settled. And they're here for many, many years before there's no way.

Cristina: It's a new place.

Jack: It's been a long time. They are ancestors of the people who left.

Cristina: Okay?

Jack: It's could be 2, 300, 400 years, thousands of years, I don't know. But they show up and they're there for a long time. But after they've been there for a while, a group of people known as the Tau Tha de Danan show up.

Cristina: Are these a whole new group of.

Jack: People or these are one other new group of people show up. And these people got the guns.

Cristina: How do they have the guns?

Jack: They are so advanced that it blows the f****** Furbolg out of the g****** water. These people show up and they come in peace. Hard as f***. They're like, hey, long time ago, our ancestors left this place and they went north. North. And they reproduce and we are their descendants and we're here to try to. We're gonna share this land with you. Nah, they ain't having it. They're like, no, we're not sharing crap, okay? And he's like, well, this wasn't like a question, bro. So like one, we're the same people. Two, you can share it, or we can make you share it. And the guy was like, yeah, make me share a b****. So they fight, get their a**** f****** handed to them, and then they have to just concede to the new group of people who still ultimately gave them a chunk. They're like, go to that corner over there and stop being an a******.

Cristina: Okay?

Jack: So at the end of the day, they still gave it to them, the Tau Tha de Danan. Right. So that battle with the Fur Bolg and the Tau Tha de Danan was the first battle of Mag Turid.

Cristina: And he's the one that was leading the. Whatever the first group is called in this battle.

Jack: The leader, Nauta, is the one wielding the sword, the Fragarach. Except he's not wielding it when he's fighting. The leader of the Firbolg gets his arm cut off and he hands his sword over after the battle. But they do win the battle and they force the Fur bolg to go and share. Stop being greedy, man. This makes no sense. Why are you being greedy, man? So why the sword? What's the point? Who are these people?

Cristina: And why not use it?

Jack: And why not use the sword? I think this sword, the point of this sword is to fight fairies specifically as well. I think that's why the spear was the weapon chosen to fight earthlings.

Cristina: Oh, okay. Because it would do nothing, but it would still protect him. And he's still a sword.

Jack: If he's using it against a fairy, it makes. Maybe these rules really apply to a fairy.

Cristina: Only while fighting a fairy, it would protect him in the ways that. Yeah, supposed to.

Jack: Because the fairies, it's. Everything it does is to stop a fairy's damage a fairy's effect on him.

Cristina: Okay.

Jack: And he can slice through a fairy. That's just some other kind of thing. Okay, Those are my theories on that.

Cristina: Do you know where these ancestors went exactly? Like, where is this north location that they got this sword from? If they got it from that location?

Jack: So I do not know exactly where they were, but I'll give you some details on all the people. We have the broad information, ignoring the deeper narrative, just entirely explaining to you who these individual groups are right now. Because useful information. These are the questions you want. This is what you're asking. Who these people are, where they went, who they were interacting with. This is why it's important to know who these people are.

Cristina: Okay.

Jack: Okay. Named. The leader of the third group of settlers was a descendant of Noah.

Cristina: What? That's random. Okay.

Jack: A human favored by the Elians.

Cristina: Noah or this random dude? Okay.

Jack: Oh, no, no, no. My bad. Noah was a person favored by the Elysians.

Cristina: Interesting.

Jack: The Med was the leader of the third settlers of Ireland, subsequently named the Nemedians. Nemed in his group were oppressed originally by a group of fomorians. They rise up against the Fomorians and ultimately get defeated. And most of them are killed. Out of the 60,000 to go to battle, 30,000 managed to escape in a single ship. And they flee, most of which go to Ireland. Okay, named details. Next Firbolg. The fourth group of people to settle in Ireland. Descendants of the Nemesians, originally from the third group of settlers in Ireland, left to Greece and settled. Their descendants returned to Ireland after it had been abandoned for many years. And after settling established order and civilization with within the island. And they are overthrown by a group of people called the Taltha de Danan. Okay, so far on the right track. Everything is leading one to the other subsequently. So who the h*** are the Toffee?

Cristina: The who?

Jack: The Toffee Danan. So in fleeing after losing the first battle of Mag Turid. No, not of Mag Turret. When fleeing after they got oppressed by the Fomorians, the people who fled went to Greece. Some went to north. And these are also descendants of the Nemesians. And these are the Numidians that traveled north, which would be the Palf dead. The nun and they basically made with the locals of the region they went to. Many years later, they returned to Ireland to battle for the fir bolg and divide Ireland. Tatha de Anon is the Gaelic term for people of Elysium.

Cristina: I don't understand how.

Jack: These were not people of Elysium. Specifically, the Taffa de Danan are from a civilization towards the Arctic consisting of Aletians, Mayans and Egyptians.

Cristina: What?

Jack: They return to Ireland following orders by the Elysian leaders to assist Mananan.

Cristina: Okay. Of course. For the trees that are there. Right.

Jack: They're to join man near the Isle of Man and settle as they awaited the construction of the isle named Imane al Bach, which is that secret island they live in or on or whatever. Okay, that's fascinating.

Cristina: Ridiculous. What? What? What is going on?

Jack: Now? I get that the Elysians Tauta de anan translates to people of Elysium. So if this translates to people of Elysium, what the h***? So I look into it, and it's not that they mated with sea people. The group is made of individuals that involve non sea people. So these are people who made it with either Mayans or Egyptians who were of this high.

Cristina: Okay, that was just in that area. Okay, yes.

Jack: Of where they went to, because they were not. But then they were accepted as these like way superior people. Okay, but it's because they're coming with the tech. They're coming with these abilities that seem like magic to the people who weren't them.

Cristina: They got their sword from the Elysians.

Jack: They themselves are. Yeah, because Mananan is an Elysian. And the guy wielding the sword. Nauta, I believe he. He himself was just an Elysian scientist or a team leader, military guy or whatever the case may be. These are just a bunch of Elysians. Of course there are other people there, but the guy wielding the sword was an Elysian.

Cristina: The guy himself that was wielding the sword.

Jack: The first one, yes.

Cristina: What?

Jack: He was wielding the sword and then he loses his arm. He gives a sword to Mananan. Mananan then becomes the guy in command during the next battle. And the after that second battle for the same location, he becomes the true king.

Cristina: Well done.

Jack: Yeah.

Cristina: Is he the same guy protecting the trees?

Jack: Yes. Studying them.

Cristina: What? He's the one that gets. Oh. What?

Jack: Yep.

Cristina: Same guy.

Jack: Same guy. Yep.

Cristina: Okay.

Jack: Big player.

Cristina: Whoa. That's really random.

Jack: Yep. I told you. This gets really odd.

Cristina: That is so odd. Okay, Was it not expecting that Mad random names. Then what?

Jack: So now we have Monanaan showing up. We have Elysians being mentioned. Egyptians being mentioned, Mayans being mentioned. We have a lot of big names popping up everywhere.

Cristina: Basically, all of this for the trees.

Jack: I think the trees are never mentioned in these stories related to this sword.

Cristina: Okay.

Jack: But we know what's going on because we know why Maranan is there, which tells us a lot. But it became crucial to find out who the h*** the Fomorians are.

Cristina: Which one's? The Fomorians?

Jack: The people who oppressed the first group. Not the first group, but the third group of settlers, and then later became both of these groups. What are your guesses?

Cristina: What? It's gonna be something we know. Maybe fairies.

Jack: Huh?

Cristina: That's it. I don't know.

Jack: Fairies, I guess. Okay.

Cristina: I feel like. What Shadow people? I don't know.

Jack: Fomorians is the Gaelic, AKA old Irish word to describe a being from the shadow realm.

Cristina: Okay, so I was right.

Jack: Yeah.

Cristina: With my second guess, it is a.

Jack: Being from the shadow realm.

Cristina: What?

Jack: Yep. So there are some things happening. The battle of Taurid 2, the second one, the one that Mananan was a. The leader of, stand in leader for, and then subsequently real leader was.

Cristina: Of.

Jack: This group of Elysians versus the Fomorans. This group of shadow people. Okay, but why?

Cristina: Besides for. It has to be for the trees related somehow.

Jack: I think so too. Okay, so this is the logic I'm following, right? These people are oppressed, contained, managed. None of this is happening on that island. But they're probably doing this to the people on all the local islands, all the local region, to prevent people from getting to. Because they're trying to tactically position themselves around those trees. Everybody wants a piece of these trees.

Cristina: Yes.

Jack: And a lot of people are kind of catching up all at the same time. Mananan is there studying the same trees, but that happens later. Presumably Mananan shows up, sees these people, doesn't really care, sees the problem of these shadow people, calls for backup. Now gets literal soldiers with overpowered weaponry showing up. So that my defense while I'm doing my work, these people. I don't think these people themselves are the scientists.

Cristina: Yes. I have a theory about these shadow people, though. This is gonna sound weird because there's no hints of this anywhere, but I feel like these specific shadow people might actually be working with the fairies. Because Ireland is kind of like the home to fairies in a way. Like, that's where all a lot of fairy tales come from, where fairies really live. Like, it's a fairy hotspot. It has the fairy hole.

Jack: I like how you put that. Yes.

Cristina: I feel like if there Are shadow people there? They might be protecting the fairies. Maybe. Question mark. Or. You can't really tell what's a fairy or what's the shadow people either. They might be, to us, harder to tell apart. We assume because we're using these different words that they're different things, but we have no idea what they actually look like. Could we really tell them apart?

Jack: Yeah. Could we? Right. We probably couldn't because they have a.

Cristina: Fairy sword to fight shadow people. I don't think so so either.

Jack: But then why wasn't he using. Oh, no, because he knew these people weren't. But then Mananan used the sword against the fomorians, which means it was.

Cristina: So either they're working with the fairies or.

Jack: No, because if the sword is meant to only be used on fairies and Mananan used it against the fomorians. Yes, the fomorians are working with fairies. They themselves are fairies. If the sword is working on them, that. Yes, but fomorians translate to shadow people. Yeah, shadow people.

Cristina: I don't. Because shadow people. I think they're so closely related, we can't tell them apart. Or at least in that time. Look, I think we just can't tell them apart. I think that's what it is because they work so similarly. Like, how could you tell from their descriptions.

Jack: Yeah. 100. And this might be happening in a couple different instances that we can't explain. When there's situations that we get stumped on. It might be that same thing that maybe we're just confusing because how it got written got messed up through translation and, like, how do they know the difference?

Cristina: Exactly.

Jack: But fomorians being the same as these people.

Cristina: What people? The shadow people.

Jack: Yeah, the shot. So the fomorians being essentially the shadow people and the shadow people that they're being described essentially having no difference than if they themselves were Elysians. Not Elysians. From Alfame brings the question. A lot of things we don't know for sure about certain people when it comes to a lot of these texts that we go through. Because they could be easily confused. It could be. Again, they're just confused while they're writing it, they're expressing what they believe they're seeing. In a lot of these instances, there's no way to tell anything.

Cristina: Yes, it's that problem where, like, demons have now become aliens. It's kind of that problem. Like we're dealing with multiple things, but they're also similar that. Are we really dealing with multiple things?

Jack: And you believe that the fomorians might actually be fairies. Or working with fairies. The problem is, if the sword did work when Manana used it, it's because it worked on a fairy.

Cristina: Yes.

Jack: Otherwise it would not have worked.

Cristina: Yes.

Jack: Which is why Naota used a spear instead. Because it would. The sword would not work on these people who are just people.

Cristina: But the people he. The people he was fighting with the sword though. Shadow people.

Jack: We're shadow people. Shadow people. Unquote. But if the sword is working, then again, maybe the sword that works on fairies works on shadow people, but it still wouldn't harm. That's to say that King Arthur's sword could also hurt shadow people.

Cristina: Could be. Because they're probably closer to fairies than we are. Because fairies than in that it came. You know, they came from fairies like we came from them.

Jack: Yeah.

Cristina: So they got a closer link at least.

Jack: Yes. If the sword is made with fairy magic, then it could affect this group. But we're too far removed.

Cristina: Yeah, Something like that. Yeah.

Jack: And vice versa. Sword meant to do something to the other end. Which is why.

Cristina: Yeah, yeah.

Jack: That's why Excalibur was two. One could hurt one extreme, one can hurt the other extreme. Neither can hurt the extreme it came from.

Cristina: Interesting.

Jack: Interesting. So. Yes. And maybe because. Yeah. One of the things describing the Fomorians is that they come from other world. They come from the other world. What is the other world? Where is the other world? But we've seen the other world. And going back. The problem with the other world is it is interchangeably used in between meaning fairy world or. Yep.

Cristina: Yeah.

Jack: It's always either or. It doesn't matter.

Cristina: I don't know. Like how do we tell the difference? Maybe Elysians can tell the difference. But how do we know that humans can tell the difference?

Jack: Yes.

Cristina: So that's something to think about. Because we don't know what's going on. We'll never know. Like no matter how much we figure out, we're not gonna know. Because it's so. I don't know. We don't. Because we're just getting stories from humans. A lot of these stories are humans.

Jack: A lot of these stories are from humans. Yes. We're getting second hand accounts of situations and their interpretation of crap they could. There's no way they could have understood.

Cristina: No. No.

Jack: And when we do get something weird and left behind, it looks like the magnum opus, just some random. Like, what the h***? This is just numbers and diagrams and that's what gets left behind. Somebody from this time, from this level, leave something behind. And it doesn't look like the magnum.

Cristina: Opus, which was the Magnus. The opus.

Jack: How to Create a Philosopher.

Cristina: Okay. Complicated. Okay.

Jack: But they thought these people came from shadow.

Cristina: Mm.

Jack: It translates to a being from the underworld. The other world. The shadow world. H***. Whatever word you want to apply to it. That. That's what the Fomorians means. People of this place.

Cristina: Yes.

Jack: They at least were very sure. Even if they were wrong.

Cristina: How do you know they were wrong?

Jack: I don't.

Cristina: Oh.

Jack: But all we do know is if the Fomorians were probably trying to tactically position themselves around those trees, which we know that the Elysians around that same time were trying to do the same thing around those trees. This conflict makes perfect sense. And then the battle that takes place is between this group of Elysians defending Mananan. Really? And Mananan's work. And that's why Mananan was a leader for this work. This is his. This is his that they're defending. And he took charge and he goes and helps defend. And they managed to keep all this stuff. And Warrens are defeated and pushed off to sea. And yeah. Everybody was happily ever after. This sword is a fairy sword. Just like the Excalibur. The second one. Well, the first one. My bad. The first Excalibur. And we don't know this yet, but it's possible that Merlin himself was an Elysian, or at least tightly connected somehow.

Cristina: Yes.

Jack: Which means Elysians can make weapons that can kill fairies.

Cristina: That is for sure. Or at least it seems like it.

Jack: That is what I call finding a problem that could warrant the creation of the elves.

Cristina: What do you mean?

Jack: A weapon that can kill a fairy means make sure no other human can do that and stop these humans from doing it. Thus the elves get made.

Cristina: What? You think elves?

Jack: The Elysians are specifically the reason that the elves were designed, or at least sent. At least sent down to do this current task of preventing civilizations from developing too far. It's because of these weapons?

Cristina: Yes.

Jack: They're making weapons that can kill fairies.

Cristina: Huh? I see.

Jack: With Merlin, at least it's debatable that it was in retaliation. There's some beef going on between this fairy.

Cristina: There seems to be beef. Yeah.

Jack: Yeah, There seemed to be beef. There's some happening here.

Cristina: Yes.

Jack: But what is the case with this weapon? The Fomorians and the. And now. And the Tafa, the Nan and Manana.

Cristina: And they were fighting over this land, though. The thing fighting for that sword. They were fighting for that land. They kicked them out in the first place.

Jack: Yes.

Cristina: The shadow people or whatever.

Jack: These people. The Fomorians Yes.

Cristina: It was about whatever is there. It's about the place which is a very hot spot.

Jack: Which is a very hot spot. You see the problem, right? There's something more important happening there than what we know about. We got every group closing in on this region, give or take 5000 years ago. All the big names are here. Not just all the big names, but you think of the people that we keep forgetting about. Where did the first half of the Nemedians go when they left Ireland? They went where?

Cristina: I don't remember.

Jack: To Greece.

Cristina: Oh. Why is that important?

Jack: Because the Greek are also huge players that we found out. They can even create fake Naga.

Cristina: Oh, well, it's not like the whole country is. It's very specific people.

Jack: Every one of these groups is very specific people.

Cristina: Yeah. I guess it's just such a small group.

Jack: Yeah. And every single group who ignores the rest of the major population they're part of. Yeah, this is what it is. I guess. But all the big players have shown up for this big party. Man. Involving this. They like these people. I don't know. I don't know. It definitely gives us a light into one of the things happening. Although I don't believe that they're just making weapons to go out on theory killing genocide missions. I do believe we just want to be able to defend ourselves.

Cristina: Or they were just fighting for whatever was there that they wanted. Yeah. I don't know if it was defending.

Jack: Themselves, but they knew this area was fairy related because they send the guy with the fairy sword.

Cristina: Yeah. They were kicked out first from these. From these creatures. Whatever. Kick them out. Because whatever reasons. And they were like, no, these reasons are too good. We gotta go back and fight for whatever these reasons are. Which we don't really know.

Jack: She don't really know.

Cristina: Which we're guessing is the fairy trees.

Jack: The fairy trees. Because the Monoland is right around the corner. Which they go and literally join Marana. And then Marana becomes the leader of the group.

Cristina: Fighting with fairy trees.

Jack: They're fighting with fairy trees. There's also the. The fairy castle things, the fairy circle things, fairy huts or whatever we're gonna call them. Little fairy rings.

Cristina: The fairy rings. But they're not fighting over that.

Jack: I don't know what.

Cristina: I don't know.

Jack: I don't know what any of this crap is about. There's a lot of weirdness happening.

Cristina: If the trees are made out of fairies, then maybe that's why he has the sword as well. It is really. Kill some fairies for science.

Jack: Technology that can Kill. That kind of thing can do a lot. But then again, it looks like it's entirely different. Like it doesn't work on other stuff. So it's also hyper specific. But I get it if you're talking about something from a different realm, that the physics are different. You can't just be like, oh, I made steel and I'm gonna hit a ghost. You know, like, it doesn't work. Yeah, that's why a sword won't work on something from the shadow realm just as much. You need a weapon that can do things like that. So it makes sense that having this sword that can hurt a fairy, valuable, but it can only hurt a fairy. You can't use the sword averagely.

Cristina: No, that's why they didn't. But they did two fights, I don't know. And they already have the trees. And the trees might be made out of dead fairies.

Jack: Trees made out of dead fairies.

Cristina: And he has a weapon. Like it kind of points to it.

Jack: It was about the place. It was always about the place. First group gets kicked out by the fomorians trying to settle. Second group arrives, they never even see the fomorians. But they come back. We gotta come back. We gotta come back. We gotta take this place. Oh, it's been empty. Great, sweet. Settle, do our thing. Then next group comes, they beat the first group and then they beat the fomorians who come back. All over this land and it's surrounding waters. Meanwhile, Monanam's already out there. But the second group shows up to suppress the fomorians. So they hear about the thing. They hear new settlers show up and. No for Morians, they show up. We're gonna share this place. This is why they were willing to share it. This is for science. We don't need the whole idea. We just need a base of operation. Give us time, we'll be gone. No, we'll slaughter you. And so they did. See, and. Yeah. No, it makes perfect sense because he was there. They didn't want the land, man. They wanted. They knew what. They knew exactly where, what they wanted was.

Cristina: Yes.

Jack: So they're like, just allow us to.

Cristina: Be here to do whatever it is or get whatever it is. Or whatever. Whatever.

Jack: Yeah.

Cristina: Yeah.

Jack: Fascinating. And then because of the fur bog resisting, they got shafted. Because it was never about sharing. You could have had it. We just wanted to be here for a short, brief moment.

Cristina: Mm.

Jack: It's very interesting. There is something. It has to do with the fairy trees. It's the same. We also know that eventually, in the future, St. Patrick gets sent here. St. Patrick himself also has an issue with.

Cristina: Know. He also helps get rid of shadow creatures from the.

Jack: Yes, the Naga. Actually a settlement of Naga.

Cristina: Oh crap. Okay.

Jack: The settlement of Naga that were starting to pop up got rid of them and. Yeah. I don't know. I thought this was fascinating. This random weapon. I've never heard about the Fragarach. And these people were right next to the Norse. They had a lot of the same things going on. A lot of the same events happening. They were. They had access to and they saw a lot of those same things. So that's kind of cool.

Cristina: Yeah. Yes it is.

Jack: Yeah. Anyways, that's all I wanted to talk about. There's nothing crazy.

Cristina: That was pretty crazy. I don't know.

Jack: Yeah. Some major people showing up. That's definitely the fact that the shadow people or whoever these fomorians really are are having a kind of battle out here with the Tal. Thought that Danan that are really a conglomerate collective sett made up of Mayans, Egyptians and Elysians. They then come down to help Mananan because there's hostility surrounding his studies. And so this dude that has a fairy killing sword pops up help him and he becomes a leader of the group. And beautiful story for Mananan who seems to be a douchebag. Always tangled up with somebody.

Cristina: Yep. That's very interesting. I like it.

Jack: And it's very. Horizon Forbidden west. That these two groups that came from the same ancestors are fighting over the same territory.

Cristina: In what way is that like the.

Jack: Humans that existed on Earth created the humans.

Cristina: Oh, you talk about the. Okay, the second game.

Jack: Yeah.

Cristina: Oh yeah, yeah. That's Forbidden West. Yeah, yeah. You're talking about the future people or whatever. Okay.

Jack: Yeah, yeah.

Cristina: But there's no future people here. Unless there are future people here. Which I guess would be. I'm not sure. Not sure who that is.

Jack: I think based on the timing of these weapons, it's possible that the Fragarach was the precursor to King Arthur's sword.

Cristina: Why?

Jack: I think this might literally be the same weapon.

Cristina: Oh.

Jack: Or a variant of it. A tool that was used at that time by many.

Cristina: It has the same exact description, same.

Jack: Abilities down to the f****** T. Interesting. Yep. I think this is Excalibur. At least the one that was made by Merlin or similar. If it's a concept, think military. Military all has military grade issue weaponry. Everybody has the same weapon.

Cristina: Yeah.

Jack: Same idea. So like is if this is an Elysian concept, then maybe a lot of people have this Elysian weapon that allows them to go into hostile areas that would it be impossible for anybody else because fairies.

Cristina: Makes sense.

Jack: They can totally handle it.

Cristina: I don't think it's the same sword.

Jack: Now let me paint you a quick picture and then we'll close this.

Cristina: What?

Jack: The Elysians have the ability to hide an entire island or mountain both from fairies. Creatures that can travel through and to and see anything in our side and do it effortlessly. Elysians found a way to cloak things from them. Hide things from them. Second Elysians build a weapon that can kill fairies. You can't see us coming. And we can kill you.

Cristina: Yes. Except they could. Once Jesus was born.

Jack: I guess Jesus became a problem. Jesus became a problem. Now that's little by little that image is refining itself a little more. Jesus became a huge problem. Because if you can hide from the fairies. Jesus gave that away.

Cristina: Yeah.

Jack: Didn't mean technology. He is above that. He magically sent a shockwave through time.

Cristina: Yeah. So D***. Yeah. Don't know how that it's all related somehow.

Jack: It's all related somehow. We inched closer. See a lot of relevant information about this weapon. But shining a light on some important details here and there. By finding a second weapon made potentially by the Elysians. We have two examples of two potential Elysians designing a weapon that can kill fairies. And they are very similar. Either this is the same sword or they can mass produce these weapons that can kill fairies. Thus making the Elysians more of a threat than we thought.

Cristina: But how many fairy killing swords are there?

Jack: I do not know. But that's why we're going to look through many different fairy killing or magic based weapons to find out what's going on with that.

Cristina: So you think there's more out there?

Jack: I think there's many more. And I think that we're going to find a couple of swords. I do truly honestly believe so.

Cristina: Okay.

Jack: And there is one instance that we have to look at that I can already think off the top of my head that might be the same idea.

Cristina: What?

Jack: Because when Lucifer got kicked from the Garden of Eden, the man to directly replace his post was Michael. Michael is a soldier and Michael has a sword. A very famous sword. A very famous sword that can strike down anything.

Cristina: So you're gonna look into that sword. Cool.

Jack: AKA the flaming sword.

Cristina: That's what it's called. That's pretty good. Lovely. Okay.

Jack: Yes.

Cristina: Cool. Cool.

Jack: So that's a fragrance right there. It turned out to be related to all the same people. Everybody. All the same people.

Cristina: Lovely.

Jack: Everything.

Cristina: I hope we can find the Same juicy stuff about that sword. The flaming sword.

Jack: Yeah, that'd be dope. I hope. I mean, it's already connected to an unleash. And so, like, that's beginning on an obvious note. But we'll look at that and see how. Because if anything, that's the top of the line of technology when it comes to weaponry. The guy closest to them would have the best weapon, right?

Cristina: Yeah.

Jack: Which means that's refined tech. But yeah, we'll figure it out. Anyways, if you guys have any comments, questions, concerns, ideas for any of this information, you can contact us. You can hit us up on our social medias. That's on Facebook, Instagram X and Tick Tock at just Convopod.

Cristina: Remember to subscribe, rate and review the show.

Jack: Yes. And word of mouth, tell everybody about this show so they can go and listen to it.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Listening.

Jack: Bye. Level at the same time, same scenario. You got so sloppy with it too. Plain sight. You're like it. Attack ourselves. Who gives a. It's closer to home. We'll get it faster. Desperation. Okay, not thinking then. Now you gotta clean the massive cleanup job. You gotta think about how to cover this up, who to blame. Even blaming it. There's like, what the. Those people clearly had nothing to do with it. And we're still over there. Like no 100. It had something to do with them. Yeah, but you got. You got some sloppy desperation now you got a crazy cleanup job, which is what's happening right now. Crazy cleanup job is going to follow whatever the f*** is happening.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 251: King Arthur and Excalibur

Is Excalibur a magical weapon similar to Kaundinya’s Magic Bow? What was so special about King Arthur? And who exactly is Merlin? The duo deep dive into the texts associated with the legendary King Arthur as they try to find other weapons capable of taking the life of a fairy

Rambling 251: King Arthur and Excalibur

+Episode Details

Topics Discussed:

  • Magical Weapons
  • King Arthur
  • Excalibur
  • The Lady of the Lake
  • Morgan Le Fay
  • Merlin
  • Future Sight
  • Time Control

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Ramblin Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and their most baffling ideas.

Cristina: Sounds epic, I guess.

Jack: Sounds epic enough. You think like. Like it could be used as a movie trailer. The world's most absurd and baffling ideas. No, it's. There's a specific, like, rhythm or, like cadence or flow to how these movie people speak. Right. Like just being epic isn't good enough. There's a rhythm to something else. To the world's most epic and baffling ideas. You see, there's like a thing that. That's happening. Like a cliche sound. You gotta approach.

Cristina: Yes.

Jack: The show where we ground humanity's most absurd and baffling. Ide.

Cristina: Now say as a boy talking about.

Jack: Ghost stories on YouTube, a boy talking about. I gotta remember their flow.

Cristina: They have a specific flow, too. They all sound the same.

Jack: Yeah, it's like.

Cristina: It's like a question type of thing.

Jack: Yeah, yeah, yeah. And if you know, you know. So it would be. Welcome to Rambling Pod. Welcome. Welcome to the Rambling Pod. No, man. How would it work? Welcome to the Rambling Podcast. Oh, I got it. Welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas.

Cristina: Close.

Jack: There's something almost there. Almost.

Cristina: It has to sound more like a question. More. Just a little more.

Jack: No, it's. It's not even just a question, right? Because it could be. Welcome to the Rambling Podcast.

Cristina: No, that's a question.

Jack: It's a. It's. Again, it comes down to flow. It's like saying, welcome to the Rambling Pod. No, man, I lost it. I lost it.

Cristina: When you had it at first, when you said something random, you had it the first thing.

Jack: I don't know if you look. No, no, no, no.

Cristina: It's that. It's that.

Jack: It's not even a question. It doesn't matter if it's a question.

Cristina: It just sounds weird, goes downwards at.

Jack: The end, counter to how we usually sound, which is an interesting thing for speech. I don't know how, like, language has evolved into such a way that we can just use cadence. I mean, Eddie Izzard has that joke where he's saying gibberish that sounds French but in the rhythm of a joke. The way it's structured and the way the punchline would Sound. And then the joke gets conveyed. Not a real joke, but you know when to laugh. And it's funny. It's actually funny. How it's structured and how baffled you.

Cristina: Are, even if you don't know what he's saying.

Jack: Yeah, he's not saying anything. It's gibberish. You couldn't write this joke down if you wanted to. This joke could literally only exist in performance form because there's no real words to it. It's entirely based on cadence. How weird of a joke is that? But that's where language is. He exploited a weird feature of language where you can know. I'm asking you a question in any language.

Cristina: Okay.

Jack: Like that rhythm of that rhythm of. Is that a question or is it that rhythm?

Cristina: Yeah.

Jack: Where are you going? What are you doing?

Cristina: Yeah. I go.

Jack: Yeah. If you hear. We're programmed enough to hear that weird. And that's that movie flow. And that freaking YouTube thing. I never even got it. Welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas. No, it's off. Anyways, anyways, today we actually do still have to ground humanity's most absurd and baffling ideas.

Cristina: So you got some more absurd and baffling ideas for us?

Jack: Yeah, I do. So, quick recap, because it's been a while, we actually took a little break. We went on our little hiatus. Was it two days break? Two weeks break in seven years.

Cristina: That's crazy. That's pretty crazy. Yep.

Jack: Commitment.

Cristina: Mm.

Jack: So in that time, though, I was still doing my due, due diligence, and something weird kind of happened. It was a lot of time to dig into a single idea. And so let's recap real quick some of the important details that are related to this episode.

Cristina: Okay.

Jack: Primarily, we discovered recently that Elysians mixing up with humans, creating a hybrid, are called the Nephilim. We've heard of the Nephilim in the past.

Cristina: Yes.

Jack: But now. Now we got the Nephilim in our own text, and that is something astounding.

Cristina: Yeah, I don't think we've ever actually talked about them. Like, we never had an episode on Nephilim.

Jack: I don't even believe we've ever brought them up, which is fascinating. No, if they have, it's been so.

Cristina: Long, I think a guest brought them up.

Jack: A guest brought them up?

Cristina: Yeah. Yeah, because they were talking about weird stuff in the Bible or something. Oh, but that's, like, mad as small.

Jack: Yeah, you'd think. And until now, I didn't even. It didn't even cross my mind. But why through all these texts, religion like this is hidden. Hidden Way back there, bro. We came across the sea people mentioned in literal scripture before we came across. Like we learned how to track that before we even heard mention of this. But then the argument would be. Well, no, because the Norse were just human, right? Or do they stop being human? I still don't know. Okay, so we know that the. No, I think they just evolved. Right? That's the argument here. They weren't genetically modified, the Alicians.

Cristina: Oh.

Jack: Like they. They're not human, but they're Earthling. Like they just developed. But where the Greek.

Cristina: Like the Greek gods and their Norse gods are they.

Jack: Were they just human? Because all that came later. I think that's the point here, that all of them came from human. That's human plus technology. As opposed to the Elysians that are non human earthlings that evolved from a different bloodline. That they're human and way longer ago. I think that's where it kind of falls in, right?

Cristina: Yes, yes, I believe that's how it is.

Jack: Yeah. Anyways, so we have the Nephilim and the Elysian, which is an Elysian human hybrid. Now we've also heard for comparison of a Naga human hybrid, which was when a Naga took a human form. So convincing that they could give birth to a Naga human hybrid. Weird, weird. And we have never seen a shadow human hybrid.

Cristina: Very strange. But I guess not.

Jack: I mean, it would be impossible, I think, because in order to even have something close to a human physical body or to an earthly physical body, Lucifer needed a host and a whole science project.

Cristina: Yeah.

Jack: To get himself that body.

Cristina: I wonder if an Elysian and a Shadow person. Because shadow people did make the first life on Earth. So maybe the most ancient of life on Earth could maybe. I mean, we don't have any stories.

Jack: I think not. I think not. I think the spaces are literally different.

Cristina: Okay.

Jack: And I think when we have a Naga, a Naga is taking. It's forcing its body to become human. Otherwise it's not really physical. It might seem like a serpent and still be ethereal maybe or some other thing. Because the ethereals are essentially the shadow people.

Cristina: Okay.

Jack: The shadow things.

Cristina: The shadow things, yeah.

Jack: Unless the Naga are physical in that way. Like if I were to just touch a Naga, it's just. It just feels like a snake. I'm not going through it. It's not some other kind of. But then that would argue that Elfame and Earth are more closely related.

Cristina: Physical. I don't know. I don't know.

Jack: I've never thought about this before. Are Elfhame and Earth more closely related? And that's why people of Shadow can't mate with Earthlings. But a Naga can just take a human form in their biology. It's just close enough that they could do it.

Cristina: Weird. I don't know.

Jack: I never thought about this. And this is right in front of us.

Cristina: There's something there. I guess because of the Shadow person who did make the us.

Jack: Yes. And the fact that this. It seems to be that although this came after Shadow, there's something important about Earth.

Cristina: Yes. Why did they make Earth when they had the Shadow realm? What were they doing with fairy trees?

Jack: And what's special about Earth that we can use things that Shadow can. Yeah. Think about how crazy that is.

Cristina: I don't know.

Jack: And this comes up. This is the second time this come up. Right. Or the third. Where is some feature about us that's different than Shadow that somehow makes us closer to the thing that we're furthest from?

Cristina: Yeah, I don't know. Because we are an experiment. So I don't know.

Jack: Yeah, yeah. It looks more and more that way now. Minus the Naga, like I said, we have not seen shadow human hybrids. But also minus the Naga, we have not seen fairy human hybrids. I'm still debating whether the Naga are technically.

Cristina: Aren't they technically.

Jack: Are they fairies? Because they were made by. They're not natural. From there. They were made also as an experiment. Like Oros was made.

Cristina: Weird. Okay, so you're saying that both the experiment things can mate with each other. That is so weird. Okay.

Jack: Yeah.

Cristina: I don't know.

Jack: But the Naga is just an Elfame experiment.

Cristina: Yeah, that's what I'm saying. Yeah, we're just an experiment too.

Jack: Yeah, we're just an experiment too.

Cristina: I don't know.

Jack: Now when we were looking at all of these things, we decided to go through them independently. That's how we discovered more about the Elysians. We discovered more about the Shadow teams. We know about the Earth teams. We know. All the different God teams we know. We talked about some fairies we knew. And one thing we focused on for two episodes actually were the Naga. Because there are a lot of interesting Naga. There's a lot of Naga that have existed. There's a lot of civilizations that were expected to be more developed that haven't. Also. What happened to those people's Naga after the civilizations collapsed? What they mean in all these abandoned ancient societies that have disappeared, but that we don't talk about Much because they never became something major. But that did have a Naga. Because at the time they were at the top of their game. Where are their Naga? If those are creatures from Alphane, they would outlive the out of us.

Cristina: They wouldn't go back to Alphane.

Jack: You think they would go back? Maybe.

Cristina: Maybe because there's such an organization there of like, hey, you go there, you go.

Jack: There could be. Maybe you get reassigned. Interesting. Like military style. Yeah, yeah, yeah, yeah, I guess that could work.

Cristina: That could work. Unless they. Well, some of them might do that. And some of them, because they seem like their own people too. Yeah.

Jack: Like they have independent thought.

Cristina: Yeah. They don't have to go back. If they felt like just hanging out, they would do that.

Jack: Yeah, some of them have. And we have read about that before.

Cristina: Some of them try to be leaders of random people.

Jack: Like, okay, why on Earth, right? Earth is the thing. Earth is a hot spot.

Cristina: I don't know, because I would say. I was gonna say they're not being watched on Earth, but they are because there's also fairies here watching everyone. So.

Jack: But maybe that's why they leave these civilizations. Unless out here it is the Wild west and like it's harder to force somebody once they're out here. Maybe an Elfame. Let's say Elfame is literally made of magic. And let's say one of these gods is the biggest, baddest God, but he's also a being too. Not just I am God, but like not thinking. I'm just all of space and everything. Okay, that's weird. That's just the universe, bro. But like an actual being. But that made everything. Right. And if you're in Elfame, maybe he controls literal the space time fabric you exist in. So he knows where you are at all times and you can't do it. So like you can't disobey over there.

Cristina: Okay, he could.

Jack: He knows everything you're doing. But out here, maybe the Reach isn't there. Maybe there's some reason they can't affect the space.

Cristina: But why talk about their queen?

Jack: They're. We're gonna talk about that today.

Cristina: Oh, okay.

Jack: Yes. Mab.

Cristina: Mab.

Jack: So in looking at the Naga we discovered it was a weapon.

Cristina: A weapon that couldn't kill them.

Jack: Yes. And it was gonna go kill the princess daughter of one of the three Naga king. Which brought up an interesting question. There are Earth weapons capable of killing Naga?

Cristina: There's no way. I mean, it's in Earth. But a Naga helped build the Earth weapon.

Jack: Yeah. No, no, no. I'm in any case, I'm saying they're weapons on Earth, not necessarily Earth. Weapon.

Cristina: Okay. Okay.

Jack: There are weapons on Earth?

Cristina: I think so, yes.

Jack: Are there more? And what are they? So my intention was, as we've been doing lately, going through a very focused topic, I was gonna look at a bunch of different weapons that maybe have been remained. Like, how. How many are there? Could we get our hands on some of these? Right.

Cristina: Actually found something.

Jack: Well, I immediately stumbled upon the story of King Arthur. And as I was going through the story of King Arthur, which I thought was just a story, I started stumbling upon references towards scripture related to King Arthur. And that was weird because I thought that this was like fiction literature intentionally, but it turns out that it's classified under mythology as opposed to fiction literature. Yeah, they think this happened.

Cristina: Okay.

Jack: They think the written stories are a paraphrase, but they think it happened. At least a lot of people believe King Arthur was real and the sword was real. And I was like, what?

Cristina: Where? What is the special thing about the sword? I know it's stuck in the stone, but is there a reason that the wizard do that?

Jack: Did the chosen one.

Cristina: The chosen one did that?

Jack: Yeah. The prophecy goes that the chosen one, the true leader, the real king, the true king, is the only person who can please.

Cristina: No, I get that, but who put the stone. Who put the sword in the stone?

Jack: I have no idea where that sword came from. Yeah, because it's fake.

Cristina: It's fake.

Jack: So let me tell you the story. There's a stone.

Cristina: Yes.

Jack: And there's an anvil on the stone and there's a sword in the anvil one. Had you get the sword into the anvil.

Cristina: Yes, but what's happening there?

Jack: Yeah, exactly. So only the true king can get it. And so this guy Arthur then goes and he just f****** yanks his sword out. And because of the prophecy, he is. So Arthur takes the sword and he takes it into combat and the sword f****** breaks.

Cristina: What?

Jack: Yeah, it broke the anvil. But it couldn't be f******. It couldn't break bone or whatever the h*** he was fighting. Anyways, it breaks. So he looks into it and through his research find finds out that this isn't the real one.

Cristina: What? There was a fake.

Jack: There's a fake. He needs to trade the fake one for the real one. And so he needed to take a journey to this place. Somewhere in the forest beyond the marsh, in a fountain created from the natural marsh water and the spring water surrounding it. And it goes into it gets darker and darker as you're Going into the forest, and you go through this marshy area, and then boom, there's just an open sort of grove that is a fountain. And it's lake sized. It just goes on forever. You can see the lining of the tree all the way in the back. But it's just this giant lake. And so it's very shallow, and there's a tiny island in the middle, and it goes to the middle. And once it gets to the island, the lake rumbles and out comes a lady.

Cristina: The fairy lady.

Jack: Fairy lady? Yes, Literally, a fairy lady. And he after. Because he already knew he had to bring this to her, so he. He hands this to her, and she gives him the real. They're both called Excalibur, where one is a fake and one is a real one.

Cristina: Okay.

Jack: So he gets the real Excalibur, and this sword makes him invincible. It makes him immortal. Literally. It creates some sort of shield around.

Cristina: Him from death itself.

Jack: Yeah, yeah, yeah. He becomes immortal. As long as he has it, he cannot die.

Cristina: Okay.

Jack: As long as he has it, he is the greatest in combat. He can predict anyone's moves. He has great strength. He can pierce anything with the sword. It's true invincibility given to him by this fairy.

Cristina: Why do the fairy care? Why do they have.

Jack: That is exactly what the. I wanted to know.

Cristina: Okay.

Jack: Why, bro?

Cristina: Why?

Jack: Okay. Did you put the thing in the rock, too? Fairy.

Cristina: Why?

Jack: Why? Okay, great. You got a system. Somebody pulls a. I don't know why you couldn't just put the real one. Let them wander with that.

Cristina: Yeah, but.

Jack: Okay, you put the fake one, and they. They bring you the fake one, and you give them the real one. And now. Okay.

Cristina: Or what is the fake one is the real one. But, like, for the fairy, it's the real one, and they couldn't exactly. Like, it was a train. What is that the real one? Well, for them, the real one.

Jack: Yeah.

Cristina: That has to be the fairy killer, right?

Jack: The one that was in the rock.

Cristina: Yeah.

Jack: He used it on something that wasn't a fairy.

Cristina: Mm.

Jack: And that wasn't its purpose. So it broke.

Cristina: Yeah.

Jack: And then he brought it.

Cristina: And the prayer is like, yes, this is.

Jack: Give me that.

Cristina: Yeah.

Jack: I was wondering about this the entire time. Right. And this is gonna get more convoluted as we go.

Cristina: Okay?

Jack: So let's. Let's hold that thought.

Cristina: Okay.

Jack: Because that's fire as h***. I didn't think about this. This guy really tried to pull. He got this sword. He pulled the right sword. But then how did the narrative get out there, she must have spit out the narrative so that the. The. You know the lore of you get the sword, take it to the lady.

Cristina: Yeah.

Jack: And then the lady's gonna give you the real sword. And she just gave you a f****** sword. And. F*** it, bro. Thank you. Here's a real reward.

Cristina: Yeah.

Jack: A sword is gonna make you God to them and s***. You need anything else, come back. But you gave me the sword that can kill me.

Cristina: You can't spread that.

Jack: But, like, interesting.

Cristina: If you get everyone to pull that sword thinking it's the one that's gonna. I mean, it is doing amazing things. You're just not gonna tell them what it is. It's just gotta be believable enough. Yeah, I don't know.

Jack: Yeah, yeah, yeah, yeah, yeah. Well, no, yeah, they know about the sword. They pull the fake sword, and then when they dig deeper, they find out there's two. And they got the fake one and. No, it's the real one, but the fairies themselves made a different one. And it's like, no, there's a real sword and we're gonna. We'll really, literally. It's a literal reward for anybody who can. Yeah, whoever the f*** can bring us that s***.

Cristina: Yeah.

Jack: Well, maybe that's absolutely the case. Let's go down and I'll explain why as we get there.

Cristina: Okay.

Jack: I originally thought, like I said, the story was just literature, but when looking into it, it became more and more weird because there are many books of reference. Many books. It's the Bible, before the Bible got put together. It's many people's different accounts of the.

Cristina: Same series of events of author or.

Jack: Elder and all the people surrounding him. It's crazy that different people wrote about the same around the same time. I thought this was just fiction literature.

Cristina: Okay.

Jack: But people from different areas are like, no.

Cristina: Are their stories different or something?

Jack: They're almost identical. It's like the Bible. It's like somebody else using different words to say the same.

Cristina: Okay.

Jack: It's really, really interesting. Now, the point of King Arthur comes down to the story of the sword Excalibur. Like I said, the lady in the lake provides a sword in exchange. The real Excalibur quote the real Excalibur in exchange for, quote, the fake Excalibur. But only the true king can take out the sword. Where'd that legend come from? Does she spit that legend? The true king can take it, I guess so that everybody comes and tries to f****** pull it.

Cristina: But it makes no sense to have that to be like, why would the swap makes no sense. If that's the real sword, like, how do you convince someone? You.

Jack: Yeah. Yeah. It's weird, right? Well, no, I guess it's part of the quest. Oh. The sword comes with a quest.

Cristina: But I guess it's because they can't pull it out. They really can't. Like, if a fairy tried to pull out that sword, it was gonna be impossible.

Jack: Yeah, yeah, yeah. That's what I'm saying. They needed a human to pull that sword out and bring it to them.

Cristina: Mm.

Jack: And they're gonna really reward that human.

Cristina: Mm.

Jack: And I think, understanding this, they somehow put out the story of somebody's gonna. If you pull it out, you're gonna be real king. You'll be the real king. And then everybody tries to pull it out. Get the most people trying to pull it out until somebody does.

Cristina: Yes. And then give them the actual sword. That's gonna help them be the king.

Jack: Yes. Give them a sword that'll make that wish f****** come true.

Cristina: Yeah.

Jack: And you get your death weapon.

Cristina: Yes.

Jack: And like I said, the wielder of the sword becomes invincible to weirdos. The sword, because he has it, regenerates his health. The sword is unbreakable. Not the one he pulled from the rock, but the one you get from the fairy. That's unbreakable. It could pierce anything and can kill all things. Allegedly.

Cristina: Allegedly.

Jack: Because I don't think that one can kill a fairy.

Cristina: No, probably not. No all human or earth thing.

Jack: So now, like I said, the point of King Arthur is a story is about either him being the chosen one or the sword. Excalibur is the point of the story, but actually the sword has nothing to do with anything other than the fact that he got a f****** sword that actually allows him to accomplish the thing. Had nothing to do with the f****** sword. I thought Excalibur was the point. No, Excalibur is just how, you know, he's the chosen one. The end.

Cristina: But it has its powers.

Jack: Yeah, it helps him do the thing, but it's Excalibur itself. Doesn't matter. King Arthur is the chosen one.

Cristina: Oh, okay.

Jack: You know, it's not. The sword is the great. That. No, whatever gives him some ability, but it only enhances his already greatness or whatever the f***.

Cristina: Okay. Yeah. He had to be great in the first place to get the sword.

Jack: Yeah, exactly. So it's just more of his specialness as opposed to the sword being special itself. Other than it's just. Oh, no, he's special. So he has a special sword.

Cristina: Okay. Whatever.

Jack: Now, looking into that. Okay, whatever. The sword is less meaningful. So then, what was the fairy's ultimate goal before we came to the conclusions we just came to? And in doing so, I just looked into the lady of the Lake.

Cristina: Oh, okay.

Jack: Surprisingly hard to find. Again, fairies, hate fairies. Surprisingly hard to find. Anything on these f******?

Cristina: Yes.

Jack: The lady of the Lake doesn't have an identity. That's why she's referred to as lady in the Lake. This is the most secretive fairy thus far that we know exists.

Cristina: But we know about other lake or fairies that live in water. They usually kill people, though.

Jack: Yeah, we know many of them.

Cristina: Yes. They usually.

Jack: Murder. Yeah, yeah, yeah, yeah. It's f*****. But this one works a lot like a crossroads demon. She just kind of hangs out there. She's well known for making deals with people.

Cristina: So she's made more than one deal with.

Jack: She's made more than one deal.

Cristina: Oh, Camino. What's she doing making deals with people?

Jack: I don't. She never made another deal with Arthur, if that's what you're asking.

Cristina: No. What's her other deals?

Jack: Just, you know, giving people fortune and stuff.

Cristina: For what?

Jack: Vague. I'm telling you, it's really hard to find anything.

Cristina: Are they giving her special items? They say like they traded this special spoon for whatever.

Jack: Oh, interesting. Your question is, is she collecting all the things?

Cristina: Yeah. Like these are. She's probably hunting for specific fairy items that she can't grab herself.

Jack: Is she bound to the f****** lake?

Cristina: And is she bound to the lake? Yeah.

Jack: Why is she bound to the lake? This actually brings up an interesting question, because fairies. There are the fairies in lakes that we are familiar with and we never question, can they leave the f****** link? Because they always bring people to them. Why don't they go out and look for people? And they can look very human.

Cristina: Yeah, I think they can go out of the lake, but you gotta stay around the lake. Yeah, they're like Alec. They're not Alec. Yeah, yeah. Like, it's their environment that they live in, which is weird that they'd have limits.

Jack: Well, the difference here is when we're talking about incubus and succubus and mermaids. Actually, mermaid's probably a fairy. But incubus and succubus, we're definitely talking about shadow creatures.

Cristina: Yes.

Jack: That are bound to that environment.

Cristina: Yeah.

Jack: Why is a fairy bound to that environment?

Cristina: I don't know. Maybe fairies are bound to specific environment.

Jack: It could 100% be because we know.

Cristina: They'Re watching specific people and stuff like that. That they have these jobs of just watching, but maybe that's really like you're stuck there. We don't really know about the fairies that are watching, but maybe they can't leave what they're watching.

Jack: Yeah. And not only that. Oh, s***, I get what you mean. Like elves, maybe they have to be there at all times. They can't even like take a break and go. Yeah, that 100% could be the case. On top of the fact that maybe there are so many different kinds of fairies that they like, really, they are just bound to certain environments. Like, even if this is a fairy, it's a fairy that again. How similar is Earth and Alphane?

Cristina: No idea.

Jack: And is there water in Elfame that works the same as water on Earth? And this is the little. The only place that has that exact thing allowed. Like, this fairy would normally not be able to come down to Earth unless.

Cristina: There'S a bunch of water.

Jack: Unless there's this exact condition.

Cristina: Yeah.

Jack: Of water.

Cristina: When we think about fairy homes, though, it's very. It's nature. You just live in nature. So you don't hear about city fairies. Except for those, I guess, that are stealing shoes or fixing shoes, whatever, you know. But those are warrant in cities either. Those are.

Jack: Those are in rural a** towns.

Cristina: Yeah. Yeah. So they like nature. Nature, yeah.

Jack: Very related. Actually, humans are the only ones not humans. Earthlings, I suppose, are really the only ones who tend to go against nature quite heavily. Because shadow also goes with its nature in many aspects, and so does Elfame. Everything is based on nature. They prefer being in nature.

Cristina: Yeah.

Jack: We're the only ones who defy nature.

Cristina: Which I guess keeps us safe from these other things if they mean us harm. But I don't know. That's an interesting idea.

Jack: It seems like the more civilization that happens, the further away from that we get. But the closer to these rural areas we get, the more that these things are prominent and people get confused. They call it hauntings, they call it this, they call it that. Oh, I saw a ghost. So I saw a demon. No, you're closer to nature. And nature is where this other s*** is.

Cristina: Yes. And it could be scary and they can eat you, but like, that's like nature, nature. There's some deadly things, there's some not so deadly things.

Jack: A hundred percent. A hundred percent. This reminds me that witches are considered a terrible thing, but they often connect to nature.

Cristina: Yeah, yeah. And some of them like to live in the middle of nowhere.

Jack: Yeah.

Cristina: So like that or like those are the stories.

Jack: I would argue that makes Absolute sense. Because you train and learn how to understand these environments and things that wander these environments, you're actually more familiar with things of shadow and things of Elfame. By being in nature where you interact with it enough to get adjusted and used to it, it makes sense. You want to know a witch, even if you don't want to hang out with a witch. Because you can always go for resource and information.

Cristina: Yeah, there's something there.

Jack: Yes. So we spun way out. There's a weapon. Excalibur.

Cristina: Yes. And a fairy.

Jack: A fairy. This fairy is stuck in this fountain.

Cristina: And she's known to trade things.

Jack: She's known to trade things. But the only time that it was significant, what she traded was with the secret story of what to do with the Excalibur.

Cristina: Yes. Trading a sword for a sword, which.

Jack: Was trading the fake. The quote fake unquote for the quote real unquote. Which sounds like bullshit, but maybe it's just two different swords called Excalibur, and they both mean something different. And the one that she received is the true. Excalibur was the true. Well, no, it was the fairy killer. Excalibur. Enter Morgan Le Fay.

Cristina: Is that a fairy? I don't know.

Jack: It's actually confusing.

Cristina: What?

Jack: So Morgan le Fay is referred to in different texts as a fairy in one and the sorceress in the other. She could have been an earthling who mastered working with magic, or she could have been, I guess, three options. She could have been a shadow f****** person for all we know. And she could have been a fairy living with humans. When Arthur was on his quest to trade the sword, he almost died. And when he almost died, look and f****** behold. Morgan le Fay shows up and saves Arthur, nursing him back to health with her magic and assisting him to get that sword where it's going. Why?

Cristina: I don't know. But if she's a fairy, wouldn't she want the sword?

Jack: He has it. She should just leave with it.

Cristina: Yeah.

Jack: So why help him deliver the sword?

Cristina: Unless they're, again, not a fairy.

Jack: Fairy rank. Oh, fair enough.

Cristina: He's like, if you're a fairy, you'd.

Jack: Be like, then why is she delivering the sword?

Cristina: Exactly.

Jack: Why is she helping him either way?

Cristina: I don't know what about.

Jack: Or has she just heard, oh, he pulled the sword. This is the guy.

Cristina: Yeah.

Jack: Oh, let me help him. He's the guy.

Cristina: Let him take. Let me take him to my friend. Yeah, that sword.

Jack: Yeah. Yeah. Oh, s***. Yeah. My fairy friend needs the sword. He's chosen one and he's I already know the narrative too. He's gonna go get. So they could both be being duped here by the fairy. So you think Sorceress? Because she would have just taken the sword.

Cristina: Yeah, but if she knows, what's the plan, maybe she's in on it too.

Jack: Or she's not in on it, but she's assisting with the plan. Knowing the plan. Like, the idea is he should be delivering. Like, maybe she's one of the people who knew the story.

Cristina: Okay.

Jack: I was like, oh, no. He's supposed to deliver the sword to the fairy over there.

Cristina: Yeah.

Jack: And I'm good with fairies, cuz. Magic.

Cristina: Yeah.

Jack: So I can assist him in getting over there. He needs to. It's his destiny. He's King Arthur. He pulled it out. He's supposed to deliver or whatever, you know?

Cristina: Yeah.

Jack: So there's something about Arthur that's special. What the f*** is it? Why was he capable of taking the sword?

Cristina: Why does he know so much magical things?

Jack: Why are so many magical things.

Cristina: One of them, some guy. I forgot his name. There's a wizard dude that he hangs out with.

Jack: Yeah, well, I don't think he hangs out with.

Cristina: Whatever. But he's part of the story. Marlon.

Jack: Marlon.

Cristina: Yeah, something like that. I don't know.

Jack: So I look into Arthur and there's surprisingly little on Arthur as well.

Cristina: Really?

Jack: Yeah. There's more about what he's done than who he is.

Cristina: Oh, okay.

Jack: So most of his personality is pretty flat. There's nothing to know about him. His lineage doesn't matter as much who's around him. Yeah, he's just some dude, but. Or he seems to just be some dude. As far as we know. As far as a lot of the people reading or writing the stories. No. So obvious things about him are that fairies are fascinated with him.

Cristina: Interesting.

Jack: Arthur's main purpose before he gets told the greater things is to find the Holy Grail. He's already on the search for immortality. Also, the Holy Grail must be containing some of the fruits or some.

Cristina: Who took him on that? What?

Jack: The Holy Grail.

Cristina: Does he find it?

Jack: I don't know.

Cristina: Oh.

Jack: Wasn't even the point.

Cristina: Okay.

Jack: Because I wasn't looking. I was looking for the weapon. That's what matters.

Cristina: How do you know this isn't a weapon?

Jack: The Holy Grail?

Cristina: Yeah.

Jack: The Holy Grail is also what Jesus drank from.

Cristina: Oh. What did that do to him?

Jack: To Jesus?

Cristina: Yeah.

Jack: I'm sure it was just a consistent flow of blood he was drinking.

Cristina: Oh, okay.

Jack: They were always drinking blood and wine And I think that he thinks the Holy Grail is really the object, when really it was what was in the Holy Grail? Oh, which was his blood. I'm sure if he found that it.

Cristina: Was like, okay, it's here.

Jack: But it's just that.

Cristina: So he's a treasure hunter.

Jack: He's a treasure hunter.

Cristina: Okay.

Jack: Or we can call him an archaeologist.

Cristina: Okay.

Jack: You know.

Cristina: Supernatural items.

Jack: For supernatural items. Interesting, right? Weird guy.

Cristina: Yeah.

Jack: So he was already kind of in that.

Cristina: Yeah.

Jack: Area. He's the jock of the supernatural world. But once he pulled the sword out, he learned in studying about. Whoa, I got it out. I'm looking now. And all this important stuff. There was a prophecy claiming he. He specifically would show up. This dude was already named Arthur. And Arthur would pull this sword out. And Arthur did show up one day and Arthur did pull the sword out.

Cristina: It named Author.

Jack: Yeah, the prophecy author.

Cristina: I should pull this sword out.

Jack: He had no idea beforehand.

Cristina: Oh, okay.

Jack: He found that afterwards, everybody knew about pulling the sword. Nobody gave a. About looking into it until the sword was pulled.

Cristina: And then they all saw.

Jack: Oh no, it really was him. It was always him.

Cristina: Weird. Okay.

Jack: That's kind of all the important. Everything else is just like events and action. I was like, okay, to get to the book, to get to the bullet points. Everything else is the fluff. It's like, wow, you suck. There's nothing else here. You just. Fairies love you. You are trying to get the Holy Grail and you were prophesized to. So then what the f***? Who. Who the h*** are you, bro? Why do you matter? Yeah, you're just some random treasure hunter guy. Could have been some other random treasure. Why you.

Cristina: By him.

Jack: Okay, who prophesied?

Cristina: Who?

Jack: Who prophesies? Who wrote the prophecy? Who said you.

Cristina: You found it.

Jack: Ah, that's where we enter with Merlin.

Cristina: Oh, okay.

Jack: But Merlin is known as a quite powerful sorcerer, known for his flawless record with prophecies.

Cristina: Okay, that makes sense, I guess.

Jack: Merlin is considered a bit of a menace. Why does whatever the f*** he wants is quite overpowered.

Cristina: So is he a prophet? Is he writing the future? Like, is he. Is he a menace? Because he's like, okay, I want this to happen and then it happens. And that's what makes him a menace.

Jack: At first I didn't have that thought, but ultimately, yes, at first my thought was he's. He knows the future, so he can affect the future.

Cristina: Oh, that's. Yeah, I guess that was obvious.

Jack: Yeah, that was my immediate conclusion. Like, okay, he's memorized. Not memorized but because he can see.

Cristina: The future, he can work anything to his favor.

Jack: He could work anything to his favor. This makes him a problem. For even fairness, you can move outside of their understanding of time. Yeah, that s***'s fire, right? Because even if they are way more powerful, you're untouchable. You know what's coming at all times, always, forever.

Cristina: Mm.

Jack: Oh, That's a f****** problem even the fairies can't solve.

Cristina: Yeah. Whoa. Okay.

Jack: Yeah. But let's talk about the fact that. No. He's so colossally overpowered that he can rewrite the events without having to interact with them. He can change what's gonna happen in the future.

Cristina: How do you know that?

Jack: Because he planned Arthur's entire everything.

Cristina: Oh. So what I said made sense. Okay. That's why. Okay.

Jack: Arthur is Merlin's attempt at his own version of Jesus.

Cristina: That is so weird.

Jack: It's just a guy with the destiny of learning he was the chosen one, then discovering his true power upon acquiring that weapon and then being the real one, true king. It's as to Arthur is a story of Jesus, and Merlin wanted his own Jesus.

Cristina: Why?

Jack: That is the real question. Right. Random other fact that I guess kind of makes things even a little more complicated. This guy can arrange the future however he wants and knows a future. So even if he couldn't arrange a future, he could interact with the future and change it regardless. He could also shapeshift, so he's kind of hard to track.

Cristina: He can shapeshift.

Jack: He can shape shift and See you coming.

Cristina: Whoa.

Jack: You see how quickly this guy. This dude. He's a human.

Cristina: Yeah.

Jack: That's just some guy.

Cristina: I don't know if he has some adrenal crown or anything. Like, he's just some guy.

Jack: Okay, well. Well, after literally saying out loud, what the. He's just some guy. I said that while looking this up. Just like, dude, he really is just. What the. I'm like, what the f*** is up with this human dude? Why is he so overpowered? And then I started looking for the fact that he and the word Elysium are so mentioned together.

Cristina: Stop lying.

Jack: Because we would look for C person. We would never find him under C person. But Elysium is used quite often. And we can use Elysium after finding out that the sea people are the Elysians and cross reference that with a lot of s***.

Cristina: And he's one.

Jack: He is known as a person to come from the far west in Elysium.

Cristina: Of course.

Jack: Of course. Merlin is an overpowered Elysian who's just one of the ones, yes. He's a recent print day, that's what, 1700.

Cristina: This is the most recent version of releasing him just hanging out. Wow, that's what, the 1500s or something?

Jack: Some like that. Right? That's not too far?

Cristina: Ridiculously far.

Jack: And it's not. I mean it's not now, no, but we know Van actively doing.

Cristina: I don't understand. Why did he not want that sword himself? So if it is a fairy killer, why did he help him take that fairy killing sword? To get the other sword.

Jack: I think Arthur's not human.

Jack: I think Arthur is literally a run at the experiment that was Jesus. And that sword only really works because.

Cristina: He'S some type of golem.

Jack: Arthur? Some kind of. Yeah, Arthur's some kind of golem. He's either some kind of God, whatever. Jesus and Joseph are.

Cristina: Yeah. These humans really.

Jack: And he could do things that Merlin can't. Yeah, but part of the thing that went wrong with Jesus was what? Well, you. Well first off, right off the bat it became dangerous and problematic.

Cristina: Yes. People expecting everyone.

Jack: Yeah, it was affecting everybody. So you worked out those kinks. But now this guy's gonna be stronger than you. So how do you control that situation? The prophecies and the narrative. Okay, so he wrote the prophecy about the thing the fairies manipulated. It's a very God devil situation. Right. The. The Elysian writes the story. He creates a prophecy that makes it to the public's ears and then eventually makes it to the one guy who isn't human, but is indistinguishable from human. The Nephilim. I guess not. He would have to be born of a woman that's human. Or maybe he is. Maybe. Maybe he is a Nephilim.

Cristina: Yeah.

Jack: Oh s***. Is the point a Nephilim? Would that have just been made the most sense instead of all this other s*** that's going on? Because a lot of them are just running experiments. Why wouldn't just banging a chick work? Yeah, unless it doesn't.

Cristina: Why?

Jack: I don't know why. Why is it banned and then they're still trying to accomplish the same thing a different way. You're trying to make a human? No, because the point isn't to make it human. He wouldn't be a Nephilim. He has to be a fairy. That's what really what it is. He has to be half fairy or something. Anyways, so the story goes out about the guy who could do the thing. He goes and tries to pull the thing. That sword is in fact the real one. That can kill fairies. But the story isn't altered to say or not even altered the story. The meaning of words gets shifted enough.

Cristina: Thanks to the fairies to convince him to go to the fairies.

Jack: No, to convince him to erase the word fairy from the narrative. And so he uses that sword on normal combat. Maybe the story itself said this sword only works on fairies or something, but it got modified enough that it worked that part out, and then you use it on something else and then it broke. But then the second story they feed is the one you were talking about. Bring us the broken sword and we have the real sword you can use for combat. They can give you a sword. It can kill anything in the mortal world. In the mortal earth realm. They're super op next to it. This is the lie of the lady of the Lake versus the truth of.

Cristina: Merlin, who wanted to make a fairy killer.

Jack: Who wanted to make a fairy killer and have his Jesus there. We have a literal example in scripture of a guy making a weapon to kill fairies. We've been looking for the answer to this question forever. What is the point? Well, now we know to kill the fairies. Now the follow up question is, I, like, now I know why the fairies are scared. Especially with the Elysians existing. See, now my point is, why do the Elysians and also apparently a bunch of shadow people want to kill the fairies?

Cristina: They're all about experiments.

Jack: So I'm thinking that just to run more. It's science.

Cristina: Yeah, it's more about the science aspect. Like, what can we learn from their bodies to help our fairy?

Jack: Just not even kill all of them. They just want to invade Elfame and study it.

Cristina: Yeah, like if they could just kill one fairy, they'd probably learn a lot from that.

Jack: Interesting. There's also many kinds of fairies. There must be reasons for that. So they want to study those things.

Cristina: Yeah, maybe until one of them gives us an answer. That's my guess.

Jack: So Merlin's interesting.

Cristina: Yes. Yes, he is.

Jack: That's weird, man. He arranged the creation, birth and purpose of Arthur using his magic. But that's so overpowered. I don't even think it's about killing the fairies. Here's my theory. Here's my theory. It's not about killing the fairies. Merlin is just really strong and it's really dangerous that he's that powerful. And so the fairies probably tried to get rid of that threat. Not because he's trying to kill them, but he created a problem in which he's like, fairies are trying to kill me. I gotta defend myself. Okay, you See, I don't think. I think it's just scary. Yeah. They're stronger. They're getting stronger than us. What do we do?

Cristina: Saying, they're getting stronger than us.

Jack: We are. Oh, s***. I just had the thought. I just had the thought. What we are to Elfame, what AI is to us, one day it's gonna pass us. And we're always a little scared of that moment. We're like, we're gonna make rules and make sure to program it, not just deciding the turn on us. And so the fairy is. Everybody in Elfame is ultimately like, yeah, one day they're, you know, we're gonna do everything we can and make rules so that they don't overpower us.

Cristina: Mm. It's a little different. Only in that we. It's us and then it's AI. But for them, it's. It's them and then it's the shadow people, and then it's us. Like, there's.

Jack: Yeah, but we're almost working with Shadow to get that.

Cristina: Okay.

Jack: To surpass Elfame.

Cristina: Mm.

Jack: So they consider it a bundle.

Cristina: Okay.

Jack: You know. Yeah, they consider it a bundle. And there are elves in shadow around those civilizations. Same thing, doing the same thing. So both are an issue to Alphane. And I think that's the real problem. It's just governance. It's governance you're trying to govern and make sure that. Look, no, I promise you people of Elfame, we have rules and regulations and everything is safe. And our inventions won't surpass us. It's fine. It's under control. Meanwhile, in the background, we're doing it. Yeah, but we're also here. Like, we made AI. That s***'s totally gonna pass us. And then it's gonna go alfame in the way we could never. Machines are gonna pass us, figure out what we've been trying to accomplish, and go Alphane.

Cristina: Maybe, I don't know.

Jack: Easily. So then, Merlin, how did you get so strong, Merlin?

Cristina: Besides that. He's a water person.

Jack: He's a water person, a sea person, an Elysian. Well, tell me, Merlin. And Merlin answers. Well, I might be an Elysian, but I'm only half an Elysian.

Cristina: What do you mean?

Jack: My mom was a chim.

Cristina: Really?

Jack: What.

Cristina: What. What is the story behind that?

Jack: Don't know. His mom was a f****** incubus.

Cristina: What? What? What? How'd you get that story?

Jack: That's just also part of the scripture. Merlin is born of a mortal, which would be the Elysian, and then an incubus, which is a shadow creature.

Cristina: Yes.

Jack: How the h*** did that happen? But incubus as shadow creatures are somehow different than other shadow creatures, and we never thought about this. Although not all. Most shadow creatures are ethereal, wet judges and djinns. They seem ghostly. Incubus can f*** a guy.

Cristina: Well, he. It was made with an apple. That was. What's her name's attempt of making humans. That was.

Jack: Yeah. You're talking about Lilith.

Cristina: Lilith's attempt. Yeah. So it's its own thing, sort of too.

Jack: It's a shadow invention.

Cristina: Yeah.

Jack: Using human stuff.

Cristina: Yeah.

Jack: Not even human. Using Earth stuff.

Cristina: Yeah.

Jack: It's a shadow. Yeah, it's a. It's. I guess it's the merge. So an incubus is a creature that's neither shadow nor earthling. It's both shadow and earthling.

Cristina: Because it came out of Adam.

Jack: Yeah. Made from Adam and apples from shadow. And I guess the apples ultimately assist in merging as well. Because the apples are technically all from shadow.

Cristina: Yeah. Yeah.

Jack: Interesting. You see, as we. The more we go through it, the fresher it gets.

Cristina: Connections being made.

Jack: Yes. So the main idea. And this is why in the group of the shadow gods, it was so important that they looked for a guy who was an expert at combining shadow tech and earthling tech. Duh. Because that's the ultimate goal that makes you better canal fame.

Cristina: Okay.

Jack: That's why. Because everything is about merging the two.

Cristina: Everything.

Jack: Everything is about merging the two. Because that's how you beat the one. That's how you beat the one.

Cristina: Love it. That makes sense. Yeah. Yeah.

Jack: So what did we learn? We learned Arthur doesn't really matter other than that. Well, now he does. Arthur matters because he's potentially a Jesus thing.

Cristina: Jesus type thing.

Jack: Second experiment. Incubus are half human, half shadow hybrids. And they can mate with mortals from Earth.

Cristina: Yes.

Jack: This one Merlin being. Also, my theory about Merlin doesn't just end at him being an Elysian, which that's in the writing, and his mother being incubus, which is half the Elysian and half shadow creature, but. Or I guess he's one fourth shadow creature because it's Adam plus the incubus. That's already. No, Adam makes the incubus, which is half earth, half shadow. So the incubus is inherently half and half.

Cristina: Yeah.

Jack: So an incubus then mates with a Elysian. An Elysian is purely earthling and an incubus is already half earthling. So you get 1/4 shadow and 3/4 earthling.

Cristina: Earthling. Yeah.

Jack: Interesting. He has a nice balanced makeup. But anyways, Merlin sounds and I think this might be the case with all of them. He sounds a lot like one of the Magi.

Cristina: What? Manji.

Jack: Manji were the people who were assisting, or that type of person who was assisting Mary on her journey. The three Wise men and Joseph. All who were watching over her, Mary, when she was on the way to Cyprus.

Cristina: No. You think Manjis are some type of human shadow realm thing?

Jack: Not necessarily human shadow realm thing, but some special Elysians. Okay, we know they're special Alicians. Like, we're absolutely sure of it. We know they are special. But I thought they were special in rank and ability. Maybe they're just different as, like, some of them might be. It's. It's. I'm thinking the Maji are the sort of secret services. You know, like, people follow President around or.

Cristina: Okay, they're like experiments as well.

Jack: They might be, or not necessarily experiments, but like, how the h*** did you guys come across an incubus and me? So, you know, like, oh, this is a special case, but why is it okay to meet with some? I guess it's because it's already part human. Not human, part Earthling.

Cristina: Yes. Yeah.

Jack: You know.

Cristina: Yeah.

Jack: And it's like, well, we'll make it more us than some of the other s***. But then this again. This is human. Some Shadowed, some Djinn. This is a human Djinn. Elysian hybrid.

Cristina: Yeah, but because of the. I think Adam. It makes it easy to. No, but haven't we heard Jinns not use with Adam?

Jack: So he is kind of a Nephilim, when you think about it. Because an incubus is half human, half shadow, and then an incubus mating with the C person. The half that's human with half of being an Elysian would equal a Nephilim.

Cristina: I know. Is there a difference? We. You didn't talk about Nephilims at all and what they're like. Have you.

Jack: No, but he's 25%. He's 50% Nephilim, 14 Elysian and 1 4th shadow.

Cristina: Why is he 50% Nephilim or.

Jack: No, my bad. He is 1 4th Nephilim, 1 4th shadow and 1 half.

Cristina: Yeah.

Jack: Elysian. That's the breakdown.

Cristina: Okay.

Jack: He's overpowered for a reason. He's so overpowered. Merlin is so overpowered, he can control time. That's problematic. He's too advanced. I think he's defending himself by creating a weapon that can kill a fairy. But he got acquired by the fairy. And also, something happens in the middle of these interactions where Arthur gets taken to the fairy. The fairy gives him the real sword. Somewhere in the middle of this, the fairy successfully manages to enchant Merlin, forcing Arthur to kill Merlin.

Cristina: What?

Jack: Yeah, this. That's how this wraps up.

Cristina: It ends with him killing Merlin.

Jack: Arthur kills Merlin after Merlin is enchanted by the lady of the Lake. The sword that Merlin gave Arthur probably couldn't kill Merlin, which is why he broke when he tried to fight earth things.

Cristina: Yes, it was to kill the fairy.

Jack: It was to kill the fairy. But the fairy gave him a sword that can kill Merlin.

Cristina: Yes.

Jack: Because it can kill anything earthly.

Cristina: Yes. Oh my gosh.

Jack: So the same way Mer. He dies. Yeah, the same way Merlin was trying to off the fairy. The fairy made a weapon that can off Merlin.

Cristina: But that's crazy. That's even more magical. That she can fight something that could pretty much control the future. Like his powers is pretty epic. But she was still able to go around that like it did not affect her.

Jack: I don't think it was about affecting her. Why couldn't he just control Arthur to do the things he needed to do? He needed to give Arthur a story to follow.

Cristina: Mm.

Jack: It's because you can't control Arthur. Arthur is the one who defied it. Who'd she used to kill Merlin? Why didn't she wield the sword on Merlin? Because Merlin would see it coming. He can't see Arthur.

Cristina: Yeah, because Arthur is following a story.

Jack: Arthur's following a story. Story got manipulated by both sides.

Cristina: Yeah. Yeah. Interesting. These authors. Something else we're not really. I think he's more human than either of those two things.

Jack: I don't think he's human at all.

Cristina: Or he's.

Jack: I think he's an Elysian mixed with some elf or something. With a Naga maybe. I don't know. Yeah, no, he doesn't shapeshift.

Cristina: That's really shapeshift. He doesn't have any actual magic powers except for the pulling of the sword.

Jack: So then is how he's a watered down version of something. Because this is still the only guy who could get it done.

Cristina: He was made though, to do that thing. That's why he makes me. He reminds me of the Golem. Because he was made to teleport.

Jack: He was made to be able to enter Elfhame.

Cristina: Yeah. So like Oster was made for a purpose, which was the pulling of the sword. And then you try to trick him to do all these other things. But of course that didn't succeed. But I think it was specifically made for that thorn.

Jack: No. I think, yes. Well, no, I don't think the sword mattered. I think the real argument here is that Arthur, because he could have made anybody pull the sword, he decides who gets to pull the sword.

Cristina: I don't think anyone could have pulled the sword.

Jack: No. I think the sword was made by Merlin to kill fairies. It's just.

Cristina: Oh, you think he made the sword?

Jack: Yeah, it's just it's not safe for him to go to the fairy. I mean, look at what happened when he did go to the fairy. So he just stays away from the fairy.

Cristina: Because he's such an interesting thing. Like, I feel like he should have had the ability. Like he's not just a human already, he's who?

Jack: Merlin.

Cristina: Yeah. He's Elysian shadow creatures, etc. Like, come on.

Jack: And still he did not want to go to the fairy. Think about how overpowered the s*** of Alfame is that Merlin was still like, I'll use that guy to do it. And think about how overpowered Elfame is that. As overpowered as this guy is, all he did was get in that vicinity.

Cristina: And still somehow special that the fairies used him too, because they didn't need to use him either.

Jack: Who? Merlin?

Cristina: Author.

Jack: No author is special. I'm saying that Merlin can't go to the fairy.

Cristina: Yes.

Jack: And yes. The specialness that this overpowered sorcerer made Arthur with.

Cristina: Yes.

Jack: Is what that fairy used as well.

Cristina: Yes.

Jack: Because there's something about making these things that are. That's unpredictable. And Merlin can't see the future of Arthur. So he couldn't see Arthur killing him.

Cristina: No. Interesting.

Jack: There's something so unique about Arthur.

Cristina: Yes. But. And also like Jesus of like everyone seeing him. He also affecting people in a few future sight type of way. Like, is he. No, not really. But yes at the same time.

Jack: How do you mean?

Cristina: Like just his existence changed.

Jack: Oh yeah. But that's more about who he was. Like people were having literal visions about.

Cristina: Jesus, but because of what he was, I think is part of that. And whatever he is, is something that this author is. It's not the same.

Jack: I know it's not the same. Yeah, yeah. They're similar. They're very close.

Cristina: Similar. They are. They're both experiments. And I. Oh, and I'm thinking of the golem too, because that's the only experiment that we've seen that there's something. These three things now.

Jack: Yes.

Cristina: Are very similar.

Jack: Yes. Yes. They have a lot of the same features going on which they seem to have been created with a very specific, very linear. Yes. Purpose in mind. And that's their thing. And it also Seems an each one of these. Except the golem. The golem. No.

Cristina: He stuck to what he was made for.

Jack: Yes. Control was the main feature this guy was obsessed with. Which is why he had a way of deactivating it.

Cristina: Yeah. Which they was. No deactivation for these other two.

Jack: No. Because they were unlike the golem. They were. They were made from this sort of uncontrollable feature of mortals. Something about these. It's the fruits, bro. Because the fruits are still warned about everywhere. Something about knowledge and free will is dangerous when you're trying to control some s***. You can't control some with free will.

Cristina: Yeah. Which is almost only used with mad. No. Blood.

Jack: Yeah, Blood and magic. It's a hundred percent mindless.

Cristina: Yeah.

Jack: Except no, it was. It did. It just could be deactivated.

Cristina: Yes.

Jack: Which I guess makes it really dark.

Cristina: Yes.

Jack: Because it's like this is a thinking, sentient, loving being and you just turn it off whenever you want and it's just in darkness. It's like. That's a messed up dark rabbi. But if the problem is control, he solved the problem. It only got problematic afterwards because he wasn't around. He was just a guy. And then he dies eventually. And then who's going to handle the golem? But the Manji can't reclaim that. I think.

Cristina: I think so.

Jack: Who knows?

Cristina: Mm.

Jack: So yes, Arthur and Jesus and Joseph have a lot of similar features. Merlin used and made Arthur and used him to try to kill the fairy. The fairy, knowing this made a weapon equally.

Cristina: Yes.

Jack: And used Merlin's own creation, who could defy the wizard's overpowered ability to see the future. And he couldn't see Arthur's future. And Arthur successfully killed Merlin because Merlin in seeing that. Oh s***. The plan is falling apart. I need to tell Arthur. No, this is a trap. He gets in front of the lady in the lake and she immediately uses her over powered magic on him. And boom. He stayed away for a reason. And the moment he got around, boom.

Cristina: Yes.

Jack: And then forced. Because at that moment, that's when Arthur notices. Oh s***. This was. He was. He was telling the truth. Merlin's warning, which was the fairies. You. It's a fake a** plan.

Cristina: Oh, he realizes after he kills him.

Jack: No, I mean, yeah, after he kills Merlin and he sees like the whole situation, he's like. Oh, well actually that's why he kills Merlin. Because he. Merlin becomes enchanted by the fairy.

Cristina: Oh, okay.

Jack: So the Merlin becomes enchanted by the fairy and he sees that and he's like, oh no, he was right now I gotta kill him. And her.

Cristina: Does he kill her?

Jack: I don't know if he kills her. No, actually he doesn't. So it's. It's kind of one of those endings. Because in one book it puts him at killing the fairy, but in the other it said that the fairy was defeated in battle and fled.

Jack: Now what does a fairy running away look like? Disappearing.

Cristina: Yeah. Yeah, I would guess. Yeah.

Jack: So like, it's possible that fairy's gone. But what if you killed the fairy with. If the fairy had the weapon that could kill her.

Cristina: Yeah. So she probably just.

Jack: Probably dipped. There was no reason to still be there.

Cristina: Yeah.

Jack: Her last hoorah was you, Merlin.

Cristina: Mm.

Jack: So this is a real combat moment between a casual fairy that's still unnamed. We just call her the lady of the Lake.

Cristina: Yeah.

Jack: And Merlin, who was. There's some beef between these two.

Cristina: Maybe they're they. That. That was their territory. They both had. Were fighting for one territory.

Jack: 100 could be the case. Or the purpose of that fairy was to handle Merlin. Okay.

Cristina: Did it and then she disappeared.

Jack: 100%.

Cristina: Okay. That's also something. Yeah.

Jack: Because it's starting to look like now although Merlin made that weapon to defend himself. Alfie made s*** to defend themselves just as much. And we're just catching up.

Cristina: We never. Yeah. We never hear these stories that about fairies actually doing their job of like slowing us down and everything. So this is a good example. Yeah. So they actually are doing it. We don't have many of those stories, but it's rare that they actually feel threatened. And this is just one of those cases.

Jack: Yes. As we dig deeper, we find that more and more we're slowly inching towards Elfame. Plot twist though.

Cristina: What? What? What?

Jack: Arthur didn't die there. So that problem was still there.

Cristina: What was the problem?

Jack: Arthur?

Cristina: Why do you think she cares?

Jack: Because he's whatever Jesus is and whatever the golem is. And that's a problem.

Cristina: But if the end of the story doesn't involve him, like is he killed by someone? Like, how is that a problem then?

Jack: So this takes us to later stories of Arthur's life. Arthur might. As the latest version of this that we're aware of might have actually been a really good control. Although he could not actually control Arthur. He added a thing here that made Arthur a little easier to handle. Big picture.

Cristina: What do you mean?

Jack: Arthur can't be killed as long as he's holding the sword.

Cristina: Mm.

Jack: Arthur will still age.

Cristina: Okay.

Jack: Arthur's gonna die of old age.

Jack: And then he can't Go forward.

Cristina: So that's not a problem. Yeah.

Jack: That's the control factor. Long term.

Cristina: Yeah. So the fairy doesn't really have to worry about Arthur because he's gonna die.

Jack: But now, ignoring the fact, problem solved. Okay. Arthur is the best version we have so far because now he's a human lifespan, disposable version.

Cristina: Mm.

Jack: Of Jesus. Because you can't dispose of Jesus. He just comes right back.

Cristina: Yeah. I want to know how old is the author's story, though. I need to know how close he is to Jesus or to us. I think it's 1500s, but maybe not. Maybe that's when the story was popular, but it was before that.

Jack: Oh, interesting. So 11th century. 12th to 11th century. I thought it was 15th. That was still pretty long ago. But it was way after Jesus. This is actually happening before the golem then.

Cristina: Before the golem. The golem was in what year?

Jack: The golem was in the 16 to 17.

Cristina: Oh, okay. So in time, though, it's. They're closer together.

Jack: Yeah, in time, they're closer together. But then Arthur was the meaty, fleshy version. Okay. So then the progression makes a lot of sense. If we think of. So was this rabbi a sea person? No, he was just a human. We know that for a fact because he died quickly, too.

Cristina: Yes.

Jack: Sea people just kind of go.

Cristina: There was something that told them the secrets of making this thing.

Jack: It was actually when they were doing some rituals.

Cristina: Yes. So it was some shadow realm creature.

Jack: Yeah. Explain the process.

Cristina: Yeah.

Jack: Why did the shadow. Because of the f****** Elysians that are in that the people they were talking to that told them how to make the f****** golem were from the shadow gods. That's who they were talking to.

Cristina: Shadow God.

Jack: The shadow gods. So, d***, now we have a mention of the shadow gods. We know of a time they were active. We know when they were most recently active, as far as our information goes, which is the 1600s. And we know of a Elysian in Earthrealm in the 1200s and 1100s, which is Merlin.

Cristina: That's crazy. That's crazy.

Jack: So now we know. The questions I had laid out to answer were, why are the fairies so interested in Arthur? It's because something is special about Arthur. He is one of these inventions. But I guess the reason that the golem is the way he is is because of this situation that happened. Because that information moved forward.

Cristina: Yeah.

Jack: About the fairies taking control.

Cristina: Yeah. You gotta make something that can't be controlled when you're not using it.

Jack: So although Arthur is better than Jesus, he's immortal. Which solved a lot. Just in case he did get controlled. But too late. The damage is done. So you need something that you can deactivate.

Cristina: Yes.

Jack: And can't be controlled. And is gonna listen to what you're saying, even if it has a sentient mind. Hence the golem. Jesus was too out of control.

Cristina: Arthur is still somehow out of control.

Jack: He was too easy to control.

Cristina: Okay, yes. Yes. That's the problem.

Jack: It was the other extreme.

Cristina: Yeah.

Jack: Everybody controlled Arthur.

Cristina: Yes. And the skull was just one specific guy.

Jack: One specific guy in one specific way.

Cristina: Once he died, there was no control over him. That was it.

Jack: And the sword wasn't so special. It was just a sword that can. Well, I guess it is, because it can still kill fairies. The real Excalibur is the one that isn't special, although it's just a great overpowered fairy weapon. But it can't be used on fairies.

Cristina: No, but it can be used on anything else.

Jack: So there's two Excaliburs, except one of them is an alfame. And we'll never get that one. The fairy killer. But there is a weapon out here that can kill kind of anything, including shadow creatures.

Cristina: Do we know who has that sword now?

Jack: We don't know.

Cristina: It's not a church.

Jack: It might be. If anybody has it, it's the freaking church. Interesting enough. Could Arthur have killed Jesus? Would that have been one of the uses of Arthur if he could have been lasted long term? Because that sword could kill Jesus. It could kill anything. So there's a sword that could kill Jesus maybe.

Cristina: Bare minimum, before he died. Maybe. But now, as this some Jesus.

Jack: Well, he's still shadow Jesus. And the sword, in theory, could deal with that. It's an Elfame sword.

Cristina: That's true. Almost not.

Jack: There's a sword that could probably kill Jesus.

Cristina: Oh, like kill, kill that sword?

Jack: Yeah, like kill, kill?

Cristina: Yeah.

Jack: Like officially off Jesus permanently.

Cristina: And.

Jack: In. With that in mind, is Jesus a concern for the fairies? Like, are the fairies worried about Jesus after the fact? Like, do they care about Jesus? I was thinking about this because I know he's an issue for the people of Shadow and the people of Earth.

Cristina: Do the fairies? Can't.

Jack: But do the fairy. Like, he maybe. He could potentially be a threat. But does he care?

Cristina: Does he care?

Jack: Does he care? Is it revenge purely. Or is it just like. Nah, dude, I don't give a. I.

Cristina: Feel like they'd care even if he wasn't interested because he's so strong. Still be a threat. Yeah.

Jack: Yeah. Okay. Okay. So then the point of making that sword wasn't just so he can kill Merlin. Merlin's probably more of a problem than Jesus is.

Cristina: Yeah, they probably made that sword for Jesus.

Jack: But then Jesus himself is a weird hybrid thing.

Cristina: Yeah.

Jack: And Merlin, now, I don't know. Merlin is a Manji for a fact, but Merlin could kind of be what Jesus is too. I don't know. Merlin's op as f***.

Cristina: And he's a lot of from the fruit, so. No, no, not Merlin. That was author.

Jack: Arthur.

Cristina: Author is. Okay, never mind.

Jack: The question is, is Merlin a thing like Jesus? That did work and he was making Arthur. But there's nothing about Merlin that tells us he's special other than he's weird.

Cristina: And that his mom is a. Oh, yeah.

Jack: There's no magic other than he learned how to use magic. But it's the same way. Like maybe it's just really advanced tech for all we even. He has fabric of space time manipulating tech.

Cristina: I don't think he's the same thing as Jesus.

Jack: No. Because he still needed the control. He couldn't interact. He got controlled. He couldn't. He couldn't be. He couldn't be. He got controlled. Yeah. That's what we got. This is where what I discovered. Apparently there's a lot there that's awesome and random. Random.

Cristina: Yeah.

Jack: I did not expect this direction at all. Anyways, if you guys know any additional details that can help us understand how this fits into the greater narrative, feel free to give us those details. You can find us on all the socials to do that, which are at just convopod on TikTok, on X, on Instagram, on Facebook.

Cristina: Remember to subscribe, rate and react. Review the show.

Jack: Yes. And word of mouth matters quite a bit. Tell people, Let people know that this show exists. It's a thing they can listen to and they can enjoy.

Cristina: This has been the rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye now. A bunch of kids disappeared in Canada and a bunch of kids disappeared in Hawaii. Okay. Absolutely fine. I guarantee you in the next month or two. Oh, you know, we, we. We were sloppy. We were sorry about what happened. We're gonna give the people of Hawaii the requirements necessary for them to rebuild. We don't need to be involved in this. Let the people of Hawaii have their things. I don't. We don't know why we've been just so invested. I guarantee you just gonna. It's just gonna change. The tone is just gonna change.

Cristina: Weird. Okay.

Jack: You know, the sloppy is entirely due to the desperation and the withdrawal. The comes with adrenochrome. Why is it target children? It's obviously the target's children. Because you need a dream of.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister, with social media managed by Amber Black.

Rambling 250: The Shadow Gods

Where did Abraxas take all the stolen data? What did Lucifer do after leaving the Garden of Eden? Who is and who isn’t an Elysian? The duo deep dive into the Elusive Shadow Gods formerly known as Moon Gods and the little that is known of them in an attempt to understand what their research was aimed at accomplishing.

Rambling 250: The Shadow Gods

Episode Details

Topics Discussed:

  • Lucifer for the People
  • Elysians
  • Lilith and the Adam Stone
  • Cloaking Technology
  • Nephilim
  • Abraxas the Traitor
  • Shinto Gates

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And today we have something very interesting, something we've been looking for for a very long time. And I've been only piecing small things together as we have worked towards finding out about this. So first, we know that Abraxas from the Garden of Eden. No, Abraxas is from the Sun Gods. Abraxas from the Sun Gods. He's the one who left.

Cristina: Okay, I remember that. All right. He left. Yep, yep. He went to the Shadow Room.

Jack: Yeah. And he took a copy of all the data.

Cristina: Okay.

Jack: And we know that Lilith, after she was restricted from accessing her research and from accessing the Garden of Eden labs, herself left.

Cristina: Yes.

Jack: And she left with somehow. And Lucifer, after his argument with Jehovah about no longer spreading out the knowledge and the technology, also left. Now, a long time ago, about a year ago, we established that there was another group that chances are Abraxas was leaving to. And so we dubbed that the Moon Gods, if you remember, because he left. The Sun Gods.

Cristina: Okay?

Jack: And by this time, we still didn't. We weren't sure what the Garden of Eden was. We thought that was either a place or something. And it turns out that the Garden of Eden was the name of the research group, so we didn't know the Garden of Eden name as a research group. And we didn't know what to call the, quote, Moon Gods, as we dubbed them. But just as we found that the Garden of Eden is the name of the Elysian researchers, well, I have found some lovely things about the Moon. About the Moon Gods. I found a bunch of text, you know, slowly piecing together things and the image slowly building up. So today, what we're going to be looking at is formerly known as the Moon Gods. And it was so obvious in front of our faces the entire time. It's the Shadow Gods.

Cristina: Okay.

Jack: They just referred to as the Shadow Gods everywhere.

Cristina: Well, I wasn't expecting that. Yeah.

Jack: So much simpler than the Moon Gods.

Cristina: Yeah.

Jack: So it's just a coalition. Now this. I guess we're gonna have to really discuss what we think is happening with these guys because I don't really know.

Cristina: You don't know. You know, that they're working on something.

Jack: Well, we're going to. We're going to find out. So we're going to revisit some of the people we're quite familiar with. And like we've been doing with all the research groups, we're just going to go down all the members of the research group.

Cristina: Okay.

Jack: One by one and talking about them. So we're going to begin with Lilith. Lilith is originally from the Shadow Realm and joined the Garden of Eden research team. Now, what's interesting about this is the conflation of time that we still have to figure out because she was restricted from working on the Garden of Eden after she used the Philosopher's Stone Adam. But those events happened a long time ago, before the creation of modern. Like even before the existence of the Garden of Eden, as we're thinking about it with Nahas and Jehovah and all these people. That's happening back then in El's time.

Cristina: Yes. Okay.

Jack: So did she do it again? Is something I was trying to flip over in my head. This happened once before.

Cristina: Did she do what again?

Jack: She used Philosopher's Stone Adam that now resides in the Garden of Eden. So she used it before and then she used it again. Maybe that's what happened. And then Jehovah was like, nah, you got a pattern here. Leave. Because we're aware of her getting kicked for it by Jehovah, but the first time it was used was during El's time, not Jehovah's time. As a shadow person, she has a different form of, like, how life works for her and how long she could live. So, yes, feasibly could have been in both places, but was this a second time? And that's when she got kicked.

Cristina: I think she did it twice.

Jack: I think she did it twice. I think when it happened with Elle, it was fine because it was part of whatever they were trying to do.

Cristina: Okay.

Jack: When she did it again, it was not fine because it was part of something different. We don't use that for that anymore. And you still used the thing that way or whatever the case may be.

Cristina: Yeah, that makes sense.

Jack: That makes sense, right?

Cristina: She's for sure a shadow person.

Jack: She is a shadow person.

Cristina: Yes. Okay.

Jack: Lilith is a Djinn of some sort. So in Clearis, clearance was removed from the Garden of Eden, so she couldn't access the labs or any of the resources for her own research. After she disobeyed the order to not use this philosopher's son, Adam, she quit and left. Back to the Shadow Realm where she came from. And she left with Samonel, who is one of the members of the team.

Cristina: I Forgot. Was he also a Shadow person or. He was.

Jack: Samuel was an Elysian.

Cristina: Okay.

Jack: Yeah, he was in Elysian. And he's the. He happens to be the. I mean, he's next. We can just read this. So keep in mind we're just talking the Shadow Gods right now. So the next one is Samael, who is an Earthrealmer. He's an Elysian. He's second ranking researcher into the Fruit of Knowledge when he's in the Garden of Eden. And he's a botanist and Earth scientist specialist, as well as. He discovered how to plant seeds of the Fruit of Knowledge on the Earth Realm soil and is responsible for growing the first successful fairy tree with branches in Earth Realm.

Cristina: How do we know that? I don't remember that.

Jack: We discussed this when we were talking about.

Cristina: That was first. Not the other flowers in the Shadow Realm.

Jack: No, that I didn't see. That came first. He's the first to learn how to grow those on this side.

Cristina: Oh, okay. But he's not the first.

Jack: No, he's not the.

Cristina: Okay. I mean, like there was trees before.

Jack: There weren't trees with the branches on this side.

Cristina: There wasn't.

Jack: Those were roots from the branches from the trees in the Shadow Realm.

Cristina: Do they look any different?

Jack: I don't know. I've never seen them. The point is, the. The Forest of Shadows is where the trees are, and the roots to those are what we thought were trees. Yes, and then he planted and made a tree on this side and that led to the roots being in the Shadow Realm. So that's what he did. He learned how to grow it on this side instead of growing on that side. So I don't understand your question.

Cristina: What was my question? I don't know. Did they look the same?

Jack: No, before that, like. Okay, because you were trying to.

Cristina: Oh, I just wanted to know if he was the first. But he wasn't the first because they were already here.

Jack: He was the first to make it grow on this side.

Cristina: Yes, yes, but I'm saying it's not the first.

Jack: Oh, no, it wasn't the first, because the first we know was made by Yalda.

Cristina: Okay.

Jack: In the Shadow Realm. An infinite amount of time before. Okay, and we're talking that this is only happening little about like 10,000 years ago. Latest. 2,000 years ago. Soonest.

Cristina: Do we know where he plant those, though? Like, they're in the lab or are they also.

Jack: He grew. He grew it in the lab.

Cristina: Okay. Okay.

Jack: Yeah. He is the DNA donor for Lucifer's body transmutation and later used Lucifer's body transmutation technology and samples of Nahas physiology to alter himself into being an artificial Naga.

Cristina: Weird. Yes. Okay, I remember.

Jack: Yeah.

Cristina: He used the Naga sort of.

Jack: Sort of had the ability to take the form of serpent at will. Following the procedure, abandoned the garden to follow Lilith after falling in love with her. And he went to the Shadow Realm with her. Next, Lucifer, the leader of the Shadow Gods. That's very important. After having an argument with Jehovah over the sharing of technology, he left the Garden of Eden to create the Shadow Gods research team. With the goals ultimately being to continue the research performed in the Garden of Eden. Things we know about Lucifer while he was in the Garden of Eden. Eden. He was third in command. He was formerly the primary researcher into the fruit of knowledge. 20,000 years ago they learned how to trap Shadow Realm natives in physical bodies like the Earth Realmers. Keep in mind, Lucifer himself is a Shadow Realmer.

Cristina: Oh, okay.

Jack: That's why he created a physical body identical to Samael's. And then Samael stops looking like himself anyways. Which that confusion about this guy is identical to Samael. But Samael no longer looks like Samael.

Cristina: No, he looks like some kind of freak.

Jack: He looks like some other. So people thought Lucifer and Tamale were the same guy. Okay, that explains a lot of the conflation that happens.

Cristina: What the story is about them with.

Jack: The stories about them. Yes. Using genetics of sea person, somehow he managed to give himself a physical body identical to some else. When Jesus became a disturbance to the secrets and research of the sea people, Lucifer devised the the plot of the Crucifixion. Unknowing Jesus had already established a way back if he were to die. Lucifer was an advocate for sharing technology with as many civilizations as possible to assist in moving science forward at increasingly faster rates. This includes having reached out to the Egyptian civilization and the Mayan civilizations. Those were his original endeavors. They only existed because he reached out. And several attempts to assist other civilizations that they all did not work out quickly fell apart. Which are the ones we're familiar with along the old equator. Later focusing only on the most advanced of civilizations instead of all civilizations which Lucifer did not like, but he coped with as it was an order from leaders. And when the rest of the research team of the Sea people in general suggested no longer sharing technology with civilization. And that's when the argument happened. And blah blah blah.

Cristina: When he left. Okay, then he left.

Jack: And then finally the guy we know. Keep in mind Lucifer is the the leader of the group. So Abraxas by the way, as far as we know, we have. This is the most group because we have Lilith, who's a shadow person, who's still a shadow person. She's a Djinn. We have Lucifer, who was formerly a shadow person and is now a fake Elysian with Elysian DNA. We have former Elysian Samael, who's now a artificial Naga.

Cristina: Yes, Disturbing, disturbing.

Jack: And then Abraxas, who's an Egyptian, not a shadow.

Cristina: Okay.

Jack: Abraxas is an Earth roamer, originally a member of the Sun God's research team. Abandoned the Sun Gods when Ra gave Horus supreme authority over solar energy harvesting facilities. Following Ra's retirement, stole copies of most of the research data collected by the Sun Gods and provided by the Garden of Eden. Fled to the Shadow Realm with the data. Okay. We've established the group and the people we are familiar with. And we know that the goal was to continue the research that existed in the Garden of Eden and the research being done by the Sun Gods and the research being done by the Mayans.

Cristina: We have no idea what their end goal is. Like, we don't really know what anyone's end goal.

Jack: We don't really know any. That's the one thing we're all researching. Yeah, something is important that they keep looking for. So let us begin. Baal, known as Beelzebub to a lot of people, is a Shadow Realm native. So he is a Djinn. He is a member of the Shadow Gods. Former military general in the Shadow Realm and he responds directly to Lucifer. So it's. There's very little on this guy. It seems he might just be a guy who communicates only with Lucifer, follows order strictly. And I'm not sure if he is science related or just like a bodyguard.

Cristina: Do you have any stories about him?

Jack: No, what I'm telling you is all I've got. So. Yeah, and that applies for everybody. I'm giving you everything I know about them. I have nothing additional to what I'm saying. It was hard enough to find this stuff. So if I tell you a story, it's in there. If not, I don't got it. And that's literally all I have from this person. Like I don't know s*** about them other than military general. And now you're part of the Shadow Gods. How would you do? You just hanging out, bro. Protect them from what? You're all a bunch of gins and science freaks. Like, who's going to f*** with you guys?

Cristina: Jesus, I don't know.

Jack: Next is Balleth. Balleth is A Shadow Realmer. A mathematician familiar with Earth and deletion technology and previously having worked with an Earthling conducting theoretical mathematics research. His knowledge of the scientific method, mathematics and deletion and Earth technologies, and his personal research makes him an ideal candidate to join the Shadow Gods research team.

Cristina: What's his name?

Jack: Ballet.

Cristina: Ballet. And what human was he working with?

Jack: So he was working with Noah in creating math. He was working out math with Noah.

Cristina: Noah. Noah the ark guy. Oh, okay.

Jack: Which means, bare minimum, this was somewhere after sooner than 10,000 years ago, but older than 2,000 years ago.

Cristina: He's a Shadow Realm person.

Jack: Yeah.

Cristina: Okay. What?

Jack: Interesting, right?

Cristina: Yeah.

Jack: So he has ventured to Earth Realm in the past, which suggested. This is pretty frequent. This is common.

Cristina: What? Shadow Realm?

Jack: The crossing back and forth all the time. He wasn't part of any. He wasn't part of the Sun Gods. He wasn't part of the. The Earth Gods. He wasn't part of the Garden of Eden. He wasn't part of any of these advanced civilizations. He was just some dude who went and worked with some other scientists. Nevertheless, he was. He was found. He didn't travel initially. I guess Noah or somebody he was working with figured out a portal and they got in contact with Ballet. And then he came over and started working together. So people were figuring out communicating somehow. I mean, there's a million ways to communicate, I suppose, but they were figuring it out.

Cristina: Weird.

Jack: Okay, so yeah, this makes him. He's very scientifically minded. And to have a mathematician is beautiful because a lot of theoretical science, you could just use that and get through a lot. Helpful, helpful stuff right there. Next. Asmodeus. Cool name.

Cristina: I guess. Is he Egyptian? I don't know.

Jack: Totally sounds like it. So Asmodeus is a Shadowrum. Also a jinn. He is a zoologist. Specializes in creatures of the Shadow Realm.

Cristina: Strange, but okay.

Jack: But the science mind is already important there. As a leader expert. As a leading expert. As the leading expert in Shadow Realm zoology and physiology. He gets recruited to join the Shadow Gods to assist in research and to conduct special research into how to create a philosopher's Stone using shadow creatures. That threw me off.

Cristina: He does. Wait, what? Say that again.

Jack: He is recruited. He's the leading expert in zoology and is recruited because of his expertise in zoology and physiology. Recruited into the Shadow Gods to assist in research. All the research you're doing. But additionally, to conduct his own special research into how to create a philosopher's Stone from Shadow Realm creatures.

Cristina: Oh, he's doing that?

Jack: That's his research yes.

Cristina: Is he working with Lilith?

Jack: I don't know. I have no idea. I mean, she's a Shadow Realmer, so I'm assuming. Yes. I'm not a shadow. They're both shadow gods.

Cristina: We know she has been playing with philosopher stones.

Jack: Interesting enough, because it's unclear what Lilith is personally working on, but she was very connected to the philosopher's stones. So I'm assuming that Asmodeus might be working with Lilith. That makes a lot of sense that they'll be working together. Additionally, we thought we. We knew to a very strong degree that the Greek guy who found the magnum opus that tells us how to create a philosopher's stone found it in the facilities abandoned around the Persian Gulf oasis after they were left. After the Alicians left the area, which means it was. It belonged to the Elysians. So there's a book called the Lesser Key of Solomon, and the Lesser Key of Solomon is a collection of works by Solomon, who is ancient and most likely was an Elysian. And it includes carbon copies of the.

Cristina: Magnum opus of a different book. That's the magnum opus.

Jack: The magnum opus is the book that tells us how to create philosopher's stones.

Cristina: Yeah, but that book has that other book.

Jack: No, no, no, no, no. The Lesser Keys. Solomon has the magnum opus inside it.

Cristina: Okay?

Jack: Like, the whole thing. Which means Solomon was the one to invent the formula. Oh, he made the design for the philosopher's stone.

Cristina: Okay.

Jack: Or at least he's the first to write it down.

Cristina: Yes, he's a Shadow armor.

Jack: No, he's an Earth Roamer.

Cristina: He's an Earth Romer.

Jack: Okay, we've never discussed Salaman at all.

Cristina: Oh, okay.

Jack: We just know that he's most likely an Elysian or whatever. He's some guy from the Persian Gulf.

Cristina: Oh, okay. I thought you were gonna say he's, like, working with these people now.

Jack: No, no, I was. I was trying to find out why the h*** the shadow gods are trying to make a philosopher's stone. And the trail led me to find out about Salomon, who initially created or wrote down the original. Yeah.

Cristina: Recipe or whatever.

Jack: Even if Zoe Zozo, Mitsu or whatever crap that guy's name was the Greek who found the magnum opus. He took credit for all of it. Although he himself just said, I found a freaking book. But they're like, oh, you're the godfather of alchemy. It's like, I didn't invent. I just found the book. But it looks like Solomon is the one who wrote that stuff down. At least in These much, much, much older texts that predate the magnum opus by crap ton of time. The magnum opus is featured there. Okay, so bare minimum, he at least knew of it way long before this guy. But it's still not so long ago that it explains how somebody like L had it.

Jack: So at least it corrects the thinking that the Elysians purely had it. I suppose. Although, I don't know, this guy might be an ancestor of Jehovah for all we know.

Cristina: Yeah.

Jack: I actually have a question to look for in the future. I'm gonna try to answer this in a future episode, which is, was Solomon L, Lilith and Susan on the same team? Were they all working on a research.

Cristina: Team together, the original team? That's what we want to find.

Jack: Yes. I want to find. We know that L and Susan. Yes. And we know that Lilith was somehow there too. Was Solomon there? Am I finding gradually piecing together what happened back then, even if I don't have any consistent, coherent, just like finding about the sea people in the first place. It took so much of finding one thing here, one thing there, and once you see it, you see it forever. Now you know where to look, say.

Cristina: To find out about Solomon.

Jack: Yes. Once I find out who's on the team and how they connect, then it'll be easy to find all this information. But I. I need. There's not enough pieces yet. Little by little.

Cristina: Okay.

Jack: Yeah. So Asmodeus working to create a philosopher stone. Interesting. And most likely, as you put working with Lilith, that's probably something related to what she's doing next. We have Vine. He is a Shadow Realmer, a meteorologist to be exact. One of the few beings in the entire Shadow Realm capable of understanding how to predict. Predict the erratic nature of Shadow Realm weather patterns.

Cristina: That's very strange. Okay.

Jack: Added to the team to assist with running experiments because the application of his knowledge immediately became paramount in the success of countless experiments.

Cristina: How?

Jack: Well, you need to know that you're not gonna run an experiment and the weather's gonna f*** it up.

Cristina: I wonder how different their weather is from this weather.

Jack: It's just unpredictable. I'm sure they probably have this. I mean, who knows? To be honest, I don't know how rain exactly, but yeah, he knows how to at least predict that kind of stuff using his science expertise. And then they can kind of strategically plan experiments and things go to time.

Cristina: I guess it can't be that insane because people have gone into the Shadow Realm and they can survive.

Jack: Yes.

Cristina: Like, as far as we know, they have gravity they have air.

Jack: Yeah, yeah, yeah.

Cristina: It's not hugely different.

Jack: I haven't thought about that. Air is an interesting one. The fact that they could enter, they could breathe. Yeah. Unless there's something unique about them.

Cristina: These people that go.

Jack: Yeah.

Cristina: Over there.

Jack: We don't know anybody who isn't somehow special going to the other side. We only know of three groups of people. The Elysians, who are not human. By. Oh, by the way that I figured out how to establish that. Yes.

Cristina: That they're not human.

Jack: They're not human. Yeah.

Cristina: Okay.

Jack: They're earthlings. And they're. They are not human. They're very identical.

Cristina: Okay.

Jack: But still genetically different than what we would call a human.

Cristina: Okay.

Jack: But they look identical. So Elysians, the Egyptians, the Egyptian gods, the sun gods and the Mayan Earth gods. The only non shadow people who have ventured into the shadow realm.

Cristina: Yeah, but the Egyptians and the Mayans are still pretty human.

Jack: They've been given. No, we established that the. That they've been given a lot of the things to become immortal as well.

Cristina: Oh, what about the two random people that went into the shadow realm?

Jack: They were Mayan.

Cristina: They're Mayan. Weren't they Greek? The lawyer and the.

Jack: Was a lawyer Greek.

Cristina: I feel like he was.

Jack: I don't know. Interesting because I know he did go in there.

Cristina: Yeah. And I don't think he was related any like to these people at all.

Jack: He was Greek and he took his sister. But also the. Apparently the, the Greek gods themselves also had a lot.

Cristina: Yeah. They weren't related to the gods as far as we know.

Jack: So they are an exception to the rule. As far as we know. We have no other examples other than those two. So there must be something about them.

Cristina: That'S different, something unique.

Jack: And where he went through is also interesting. He didn't go just anywhere. He went through the forest.

Cristina: Mm

Jack: So that's fascinating too. He didn't just go into the shadow realm. He crossed the forest of shadows. Something about that forest of shadows, if air doesn't exist, kept him alive. Or they just have air.

Cristina: Yeah.

Jack: Also, the shadow realm is described to be almost a mirror warped funhouse version of Earthrealm. So I'm sure there's a lot of similarities based on those description.

Cristina: Yeah.

Jack: But yeah, chances are they do have air.

Cristina: I'm thinking, I'm thinking. I don't know.

Jack: Yeah. It must be similar enough.

Cristina: Yeah.

Jack: Even if the creatures that are native from there aren't necessarily physical beings, the way we understand physical.

Cristina: Yeah.

Jack: It looks like the world itself at Least holds similar rules.

Cristina: Because when especially we can become things like that, they can become things like us. Like it's some weird connection. We have some kind of connection.

Jack: And when Jinn come over to the Earth Realm, they maintain their physiology from the Shadow realm. Which means their physiology could survive. Yeah, it could exist over here, perfectly defined. The same way it does over there.

Cristina: Yeah.

Jack: So it tells us a lot about similarities between those two. But that is vine. A meteorologist. Okay, next we have Balamb, another Shadow Realmr. The gym. An engineer. The first engineer we got and recruited into the Shadow Gods for his advanced engineering knowledge. Important details right here. He managed to replicate Elysian cloaking technology using only shadow science.

Cristina: Okay.

Jack: No application of Earth science.

Cristina: So the science is different.

Jack: Though the way they approach sciences are different.

Cristina: Okay.

Jack: I mean, it would have to be. If you're working with ethereal beings, it's automatically something different.

Cristina: Yes.

Jack: There'd be no way to like, okay, let's do Earth Realm medicine on a non biological. Like it has to be different, but yeah. So using shadow science, managed to replicate Elysian cloaking technology. That's 1, 2. Managed to create a cloaking detector to see cloaked technology, thus rendering Elysian cloaking technology a non problem.

Cristina: That's crazy.

Jack: How overpowered.

Cristina: That's pretty overpowered, yeah.

Jack: That's a savage right there. This guy is dangerous. You're telling me that some of the best s*** Elysians came up with, you're just s******* on.

Cristina: So they got more than cloaking going on for them. If they're still safe from these guys.

Jack: I mean, we know they somehow managed to stop magic.

Cristina: Oh, yep. Okay, nevermind. They probably figured out this.

Jack: Next we have Zagan. Horrible name. Also Shadow Realm. And the Djinn. A violent genius known for his use of earthrealm metals to create Shadow Realm weapons with which he used to commit his crimes.

Cristina: I commit his crimes. Do you have any idea what kind of crimes? So vague, you just know. He's violent. He does cry.

Jack: Former criminal.

Cristina: Okay.

Jack: His understanding of how to merge Shadow and Earth technologies made him a valuable seek for the team. Lucifer personally sought him out and asked him to join.

Cristina: Interesting. And his name is what, Zigzag?

Jack: Zagan.

Cristina: Zagan. Okay.

Jack: He some sort of a genius who understands how to merge Earth tech and Shadow tech. He knows how to make this s*** work together.

Cristina: He's just not that different. As far as we can tell. I don't know. Maybe it is, maybe it's not.

Jack: They must be similar enough, even if it's different.

Cristina: Yes, enough that they figured it out. But then like, it seems like the. What are you calling them?

Jack: The Shadow Gods?

Cristina: No, Elysians. Alicians. Alicians have probably figured out Shadow Realm tech. Yeah, so like it's not that different 100%.

Jack: I mean, just think of the Mayans having Ixchell and her using the botanic. Her using botany from the Shadow Realm in order to make. They were trying to make energy from plants or whatever crap. Or life. They were trying to make intelligent life using plants. And it was just Shadow Realm studies essentially that she brought over because she was a Shadow person when she swapped places with Inanna. Yeah. Interesting the fact that they're making weapons.

Cristina: Why?

Jack: Why? But also we know that Shadow Realmers, not Shadow armors. That the Elysians have weapons of all sorts.

Cristina: That's true. I guess. It's not for anything specific.

Jack: It's just like self defense. It's just research. We're doing research, that's all.

Cristina: Every. Everything sounds like it's just like we just gotta do more. We gotta figure out more, learn more.

Jack: Things, do more stuff. Like Fantastic, bruh. Now we'll take a weirder dive into Balliol. Balliol is an Earth Realmer. This is not a Shadow person.

Cristina: Okay, just. But he's normal. Like normal.

Jack: He's an Elysian. So he's part of the Sleepy boy. He's an Elysian. He was imprisoned for war crimes against non Elysians.

Cristina: Okay.

Jack: Formerly military personnel went rogue during the Alician Greco War. Which, as we know, is what the Greeks feared the Elysians for. Because they were so freaking overpowered. That's where they first referred to them as sea people.

Cristina: Yeah.

Jack: Responsible for leading a charge that took the lives of thousands of Greek civilians. Him and his men were arrested following these events. It's unknown how he got freed from his life sentence in Elysium.

Cristina: He's. Okay, that's weird. Okay.

Jack: Somebody must have let him go.

Cristina: And then he did somehow end up on the team.

Jack: He must have run away too. So it's unknown how he got freed from his life sentence in Elysium. He escaped and found his way to the Shadow Realm through Mount Kaf.

Cristina: Mount Ka.

Jack: Which gives us at least an estimate that this happened before their move. Okay, so he was already over there before they left the Persian Gulf Oasis. Because Mount Kaf leaves when they leave the Persian Gulf Oasis. Yeah, unless he knows how to get there. Even if it's cloaked.

Cristina: That's possible too. Okay.

Jack: He later returned to Earthrealm and liberated many of his former troupe and took them back to the Shadow Realm, where they became the Shadow God's military force, known as Sons of Darkness.

Cristina: Sons of Darkness.

Jack: Yes. I found that name. It's kind of corny. Yeah, but that's what they call themselves. He thought it was cool.

Cristina: Mad biker that he made a biker gang.

Jack: Made a biker gang. But they. They are the people protecting the Shadow Gods.

Cristina: Which, again, they're Elysians.

Jack: They're Elysians. Yes. A bunch of Elysians protecting the Shadow Gods. Which brings us back to Belle, a Shadow Realm native, a member of the Shadow Gods research team, former military general, responds directly to Lucifer. What the f*** are you doing there? Who are you? They have a whole f****** troupe of m************ that are way more overpowered than you. You're just some random shadow dude. Those are Elysians. They got Elysian tech and weaponry, and they're defending the Shadow Gods. By the way, if. If we rewind the time to about a year ago, before we knew a lot of these finer details, and we look at Abraxas leaving, and before Abraxas leaves, we also knew that Jesus was talking to someone else that we used to call Jehovah of Dark. And we then decided, okay, that's probably where Abraxas is going to go. Conglomerate, make a team.

Cristina: Yeah.

Jack: And then a bunch of Elysians happen to be defending that same group of people who are kind of bitter and angry at the Garden of Eden research team. Now, it kind of makes absolute sense why you'd want to hide. They want your research. We know exactly who wants your research.

Cristina: Mm.

Jack: We know that they are just as good, if not better, because they got a lot of Elysians in there. A lot of Shadow Realm people in there. Yes, yes, they got Egyptians in there.

Cristina: But do they have Jesus?

Jack: I don't know if they got Jesus, but. Interesting.

Cristina: Interesting. Yeah.

Jack: It makes sense for the Garden of Eden to not want to be known by the Shadow Gods. Like, that's our problem over there.

Cristina: Yeah.

Jack: Or as far as I know.

Cristina: Yeah.

Jack: Yeah, it would. It would make a good argument.

Cristina: Yeah.

Jack: That. That's. But again, I don't know what the h*** Baal's doing there. If Balliol has an entire army of Elysians, what the h*** is Bao? He's just some Shadow Realm bodyguard. He's Lucifer's personal bodyguard.

Cristina: Could be.

Jack: Lucifer himself used to be a Shadow person.

Cristina: What do you need a bodyguard?

Jack: What do you need a bodyguard for? From who? You don't trust your own people?

Cristina: From Jesus? I don't know.

Jack: Isn't that what all of Balliol like? Jesus ain't handling Balliol's entire militia. This gay biker gang, Sons of Darkness.

Cristina: Are you positive? We don't know. No one knows.

Jack: And okay, so he can talk. He can easily deal with Balliol. And what the f*** is Bao gonna do?

Cristina: I don't know.

Jack: You see the problem, right? Like, what the h*** is this guy doing? And there's nothing on him. I looked. Yeah, I'm gonna try harder. There's something about him that's interesting.

Cristina: Yeah.

Jack: I don't know. What?

Cristina: He doesn't lead an army of his own. Like there's not like a. Nope. Whole Shadow Realm army.

Jack: No, there's Shadow Realm militaries. Yeah. But he. He's not. He doesn't have one.

Cristina: Oh, interesting.

Jack: It's just him. Or if it does, it doesn't say anything about it. I don't know crap about him.

Cristina: He has to be protecting someone. Or something. Or something. I don't know.

Jack: Last time we looked into something like this, we found the Naga. Although we got a fake Naga in here. That's another thing. These people weren't initially an advanced civilization. These are all rejects from advanced civilizations. So they don't really have a Naga. Except one idiot who turned himself into one.

Cristina: Yeah. So no actual Naga?

Jack: No actual Naga. Although it'd be cool if they go and recruit the all artificial Nagas that exist out there. Yalda made one. They got the Greek one who's Glykon.

Cristina: Glycon, that used to be one of.

Jack: The Greek gods and became the Naga. Yeah, there's a couple of those weirdos out there. Interesting.

Cristina: He's protecting their Naga. We don't know who their Naga is. If they have one, how they have one. He's protecting something. I don't know.

Jack: I mean, I guess. But they're not a civilization. They're exclusively a research group.

Cristina: They're big enough to be.

Jack: To have a military, I guess. Slowly it becomes its own civilization comprised of all these people.

Cristina: Maybe you should look a little bit into that.

Jack: Yeah.

Cristina: See if there is like maybe a nearby civilization that would be related to all of this.

Jack: Interesting. Interesting. So the question would be, do the Shadow Gods have Naga? Interesting.

Cristina: I still look him up and see if you can find anything on that guy who Bal. Yeah.

Jack: Oh yeah, yeah, yeah. That's definitely a plan. And last but not least, then we'll try to figure out what the h*** they're trying to do is Azazel. Which is an Earthrealmer, also an Elysian. This guy is Interesting. Considered a genius among Elysians was a prisoner incarcerated for impregnating a non Elysian, specifically an Egyptian woman.

Cristina: What?

Jack: This violated Elysian law, which is why he was in prison. The result of Elysians mating with humans. When I read that line, I'm like, okay, so you're not human. The result of Elysians mating with human women when they are so genetically different, resulted in a third intellectual race on Earth named Nephilim.

Cristina: Oh, ah. Wonder where they were gonna pop up. How they were gonna pop up. So this is the answer. Okay.

Jack: The Nephilim, which previously people were like, oh, it's an angel mating with a. With a human, happens to be this one race of people, the super race, mating with a human and creating this sort of hybrid middle ground. We are. They're similar enough that they can mate. It's like a lion and a tiger are not the same, but they're kind of the same. And then they have a liger.

Cristina: They have a liger. They're not like they're wolves and we're dogs.

Jack: No, because they still manage. I mean, I guess a dog can still mate with a wolf, though.

Cristina: Yeah.

Jack: Yeah, I guess you could say that. They're wolves and war dogs. Yeah. Same idea.

Cristina: Because we, like, as far as we can tell, we sort of. There's something connecting us to them when it comes to the stones. Far, far, far, far, far, far back. I think.

Jack: Yeah, I think they just happen to be. It's the idea of like Neanderthal and H*** erectus, you know, like these are just two very similar, yet two different things and they can still mate. And a lot of people have both DNA. Some people have only one or the other, but they are similar enough that mating became possible. And I think that's the same idea with the Elysians and the rest of Earthlings.

Cristina: What happened to this child?

Jack: I don't know anything about this child.

Cristina: Oh.

Jack: I only know about Azazel being arrested after impregnating the lady. And this is the first instance that I've seen this descriptor for Nephilim show up.

Cristina: Do you know if there's any information or you just didn't check out any?

Jack: I'm not looking to that. I've only been looking into the members of the Shadow Gods.

Cristina: Okay.

Jack: These questions are going to be answered in the future, presumably because now I know that Nephilim aren't just some made up other s***. There's a place for them in the narrative that isn't warped.

Cristina: Yeah, I thought they would be Related to the Shadow Realm, but. Okay.

Jack: Interesting, right? Yeah, you'd think it makes absolute sense that the Nephilim was somehow be. But Nephilim are just some sort of earthling. A different kind of earthling. Although not originally a scientist or researcher, his awareness and understanding of Elysian technology allowed him to be great helping hand when the Shadow Gods were formed. So he was recruited.

Cristina: Interesting.

Jack: Once his prison sentence was served, he left Elysium. He was shortly thereafter recruited to join by Abraxas.

Cristina: Abraxas, okay.

Jack: Who also educated Azazel on the scientific method used because again, Azazel was not a scientist. Yeah, dude. People. There's some smart dude, random line that makes me want to look into Aziza a little more. The fairy Shiva has stated fearing Azazel's dark personality and high intelligence. This is in Hindu text? Yes. In the text, Shiva mentions fearing Azazel's dark personality and high intellect.

Cristina: So fairies fear him.

Jack: A fairy fears this random elation? Yeah, this ain't even a part of the Garden of Eden. It's just a random elation.

Cristina: But he.

Jack: He got recognition from a fairy. It was like, keep an eye on that guy.

Cristina: He's a fairy killer. I don't know. You don't know?

Jack: Don't know. To the surprise of the Shadow Gods, although never having had a background in science research prior to joining, he picked up not only Elysian science, but Shadow Realm science very well, becoming the most well versed on Shadow Realm science and technology out of all the members in the team, including Shadow Realm individuals. So this guy who had nothing to do with science at all, was introduced to science, figured it out, and immediately became the most dominant force on the team when it came to science.

Cristina: Do you have any idea what his main goal on the team was?

Jack: I have no idea what his goal was on the team. I don't know what most of these people were researching to begin with. That's actually the biggest problem. It was they were all put together and that came up consistently. Consistently. And I couldn't find out what they were trying to do. The only one was Asmodeus with this philosopher stone. The only one that I had any idea what they were doing.

Cristina: Philosopher's stones. And we know Lilith had to do with philosopher's stones as well.

Jack: We know Lilith had to do with the philosopher's son. We know that he's being directed to work. I'm a philosopher. So we know Lucifer wants to share technology. Samael is just there to be there because he's just following Lilith and He'll even offer himself as a sacrifice to science. He doesn't care. That's kind of psychotic. I'll give it that much.

Cristina: He's a bit crazy, yes, but he probably likes the idea of sharing technology.

Jack: Samael.

Cristina: Yeah.

Jack: Yeah. Samael doesn't have a problem with any of this. He just. Whatever Lilith wants, he's down for. Then we got val, which is a huge question mark. We have this mathematician who has worked with Elysians and Earthlings in the past. We have a zoologist who's trying to make a philosopher's stone. A meteorologist. A meteorologist who's, you know, just helping with experiments and timing whatnot.

Cristina: Yeah.

Jack: Then we have an engineer working on cloaking technology and detecting cloaked technology. We know what he's doing, you know.

Cristina: Yeah, but what is the bigger picture? What is the bigger picture?

Jack: What is the bigger picture? We have a violent genius Shadow Realmer who can merge Shadow Realm and EarthRealm Tech. Fascinating. We have a Philosopher's Stone. We got two people interested in the Philosopher's Stone. We got a fake Naga. We got a fake Elation. We have countless real Elysians. We have a guy can merge Shadow Realm and Earth Realm technology.

Cristina: This group is too big not to have a Naga. It's too big.

Jack: It's the largest group.

Cristina: It's a large group.

Jack: It's the largest group.

Cristina: Yeah, by miles.

Jack: I would argue the second largest is the Sun Gods. That was pretty large.

Cristina: How do we know that Alicians. The lesions are pretty big? Because as far as we know, they probably all are into this technology thing. Even though we only talk about the main scientists, like those normal person is.

Jack: Probably every one of these instances we're only talking about the main scientists, people closest to them. If we're discussing that, then the ancient Greek, not Ancient Greek. The Ancient Egyptians would outnumber all these groups or so would be ancient Mayans. Those were colossal hyper advanced civilizations. They would outnumber all of this. So we're in every instance only talking about Mayan scientists.

Cristina: Okay.

Jack: And those closest related to the group of science they're doing.

Cristina: Mm.

Jack: Because just the Aletians being technologically advanced as a civilization doesn't make them all scientists. And like a lot of them don't do science. They just like. How does your phone work? You have a rocket ship in your pocket, but you don't know how it works. I'm assuming this was most Elysians. You're just civilization. People like Mary didn't seem like a particularly advanced. You look like a volunteer okay. You know, like she wasn't over here like, oh yeah, I'm on my flying thing. No, she wasn't volunteer. She was just in Alicia.

Cristina: She was on a flying thing after she got to the mountain.

Jack: But yeah, let's run down this Lilith. Definitely working on the Philosopher's stone. Samael, the guinea pig. Lucifer, team leader and wanting to share the tech with some ulterior motive that we don't understand. Bao, Not a f****** clue. But as far as we know, good bodyguard, then Balleth, mathematician that worked with Noah. And that's either an Elysian or not an Elysian. As Medeus working on the Philosopher's stone. And that reveals Solomon to us, knowing that Salamon knew about the magnum opus long before Vine. The meteorologist who can just assist us with tiny nerf experiments and has a scientific mind enough to help. Balamb, the engineer who worked on the cloaking tech. Zagan, who knows how to merge Earth and Shadow tech. Balliol. Balliol, who is the. He has the entire militia of Elysians. The Sons of Darkness were so cool. Probably got like freaking biker chaps and what he calls it stupid vests. Has it on the back with like a skull. Sons of Darkness, they're so cool. And then Azazel, this absolutely complicated individual. And we can't forget that Abraxas literally stole the data that they were working on in the Sun Gods, which contained a lot of Elysian data too.

Cristina: And they have a lot of elation data from Lilith and her group.

Jack: Yes. So what's the goal? Why do you need to work on this merging of tech? Why do you need to. Just assuming you got all the data, right? You got Abraxas, who took a copy of all the data. Lilith got some and Lucifer got some. And they were personally working in the Garden of Eden, so they have at least the knowledge, even if they weren't able to take all the stuff with them.

Cristina: They got any Mayans with them?

Jack: There's no Mayans, but we got those three individuals who just have the raw data from research on earthrealm. Okay, so you're gonna continue research, except. No, it doesn't stop there, because then you have Azazel. Doesn't really matter. He's not. As far as we know. We don't know what he's working on. He's just scientist. Not a scientist, bodyguard. But we get to Zagon and it's like, why do you need to learn how to merge these two types of text? Why does everything seem like it requires some interaction between Shadow and light between.

Cristina: Then it has to do with the fairies.

Jack: Right? It's the only way. It's the only way. It's the only thing.

Cristina: The fairy trees tell us that.

Jack: Yes, because that's literally something that's on both ends. Again, that. That continuity of over there and over here, we need over there and over here. And we need over there and over here to work together. And a lot of over there. We need a lot of over here. And we need that to work together. Always.

Cristina: Yeah.

Jack: Over there and over here and has to work together. That's the rules. And it's like this shows up all the time. If Balam working on the cloaking tech, what do you need the clothing tech for? To find what? Are there fairies hidden everywhere? Are they invisible?

Cristina: Are they invisible? I don't know.

Jack: I don't know. I don't know what any of this is. For a meteorologist. I get it. We don't need to count him because he's there kind of to help organize when best times of testing is out without hurting people are. So you go do it outside in the field or something. But the weather here is crazy. So whatever. But then Asmodeus with the philosopher song. What do you need another philosopher's son for?

Cristina: What is going on?

Jack: Then again, the argument for this case, maybe he's the least suspicious one here, because the argument could then be, the Elysians have a bunch of philosophers stones. We don't. It's hard for us to conduct these same experiments without it.

Cristina: But also, what is anyone's goal with these stones?

Jack: Yeah, that's the bigger problem. What's the point? Because did they use it to make Jesus? Most likely. So then, are you guys gonna try the same thing? Are you guys trying to make shadow Jesus?

Cristina: I mean, even if you are, what's the point?

Jack: What's the point? Yeah. And Jesus was a failure.

Cristina: Yeah.

Jack: And they don't even know how to control that problem. That's just some s*** that's going on in life.

Cristina: It's very strange. I don't know. Because if it was just to improve themselves. This doesn't improve you. This makes a better you. But, you know, like another thing, another living thing that's better than you.

Jack: Yeah, 100%. That's what Jesus turned out to be. Super leisure.

Cristina: Yes.

Jack: Okay. Interesting, interesting, interesting. Because if we look at what was happening beforehand, all the previous philosopher stones and fruits and everything put together was trying to make better humans. Humans were the test subject. If it's about making themselves better than humans were the Test subject. Because they took some eight, turned it into primitive humans, to the primitive humans, turned it into modern humans. They applied that to themselves, and you end up with Mary and Jesus. Oh, s***. Okay, so was it always about improving themselves? And we were the guinea pigs? We were the test subjects for thousands of years?

Cristina: I don't know. Because with Jesus, it seems something's just off about him.

Jack: Yeah, but that doesn't mean that. My question is, was the point to improve themselves? I'm not saying Jesus worked. I'm saying that eventually they did apply it to themselves.

Cristina: I wonder in what way?

Jack: Mary and Jehovah both use their DNA, plus some fruits, plus philosopher stones. Boom. Jesus super Elysian. Why'd they do it on themselves instead of on more humans? Why didn't the pattern of doing it on humans continue? They're like, oh, no, we figured it out. Look how good we made humans. Look how fast humans are moving forward now. Let's do it on us. And then, boom. Jesus happened. It's like, no, abort, Abort.

Cristina: Interesting. I don't know. That's weird. That's very weird.

Jack: Okay, don't kill us indiscriminately to make philosopher stones. Our lives don't matter. They test on us. They'll kill us to make philosopher's stones, then use philosopher's stones to make us use fruits. With philosophers, they don't care. There's any pattern that our lives don't matter. We're experiments.

Cristina: I don't know. That's weird. I don't know.

Jack: But then they apply it to themselves at some point.

Cristina: Mm.

Jack: On one single instance. Not some mass group of people. A single experiment. If it works, we do another one. If it doesn't, we go back to the drawing board. And it didn't. Back to the drawing board.

Cristina: But that means they'll only use it again.

Jack: Maybe.

Cristina: Or they find some other way.

Jack: Or they find some other way. What's the point? I still don't get the ultimate goal here.

Cristina: No, no. I don't know. Could be the ungo be. What could it be? Because it seems like they live forever. They're healthy. They're like. They have so much positive traits already.

Jack: And they don't stop.

Cristina: And they don't stop.

Jack: It could. Look, it could just be exploration and curiosity.

Cristina: It could.

Jack: Like, the theory goes that on the Kardashev scale, the beings and civilizations on the higher ends have worked out. The. The violence, the wars, the crimes. All that s***'s gone, and existence becomes about exploration and finding new things in new ways.

Cristina: Yeah.

Jack: Could be. It could be that that's what's happening. Like they're bare minimum capable of holding the energy of many stars.

Cristina: Yes.

Jack: So that's.

Cristina: They're just trying to explore every option.

Jack: Bare minimum. That's level two, huh? No, that's level three. Right. For level one is using all the energy of the planet. Level two is all the energy of the star. So they're like 2.5, where they're using the energy of many, many stars, because three would be a whole galaxy. So they're level 2.5 somewhere, using many, many stars to power all their stuff. So they're pretty. Up there. They're pretty overpowered. But like, why do you keep going?

Cristina: I don't know. Maybe. No, that's weird. I don't know.

Jack: It's weird. And then they apply to themselves. And now these guys are looking into creating a philosopher's song. They're looking into cloaking technology. They're looking into. So are they just trying to replicate things that they knew could be done? Because these experiments are doing. Is from the experiments that existed for the Elysians and the. The Sun Gods to begin with. Zalzab and Garden of Eden research. And.

Cristina: And you're just doing the same thing.

Jack: Yeah, they're just catching up.

Cristina: They're just catching up.

Jack: Yeah, we know how to do it. We don't have the things because we all got kicked or left and so we're catching up.

Cristina: Yeah, I guess.

Jack: Doesn't seem like anything bad is happening.

Cristina: No, we know they have an army. We don't know if that's important.

Jack: Yeah. And the Nephilim is going to be interesting to look into.

Cristina: Yes.

Jack: Because the way it was described is a third intelligent race on Earth. And it's like, okay, okay, fascinated.

Cristina: Find out they're part of Jesus's army.

Jack: Interesting. But Jesus and Mary are both. I mean, Jehovah and Mary are both Elicians, so like, Jesus at least isn't. He himself is just an Elysian as well.

Cristina: Yeah.

Jack: But he's super lean because he's made with a bunch of fancy fruits and some philosopher stones. Weird.

Cristina: Very weird.

Jack: We still don't know crap about Jesus other than he planned ahead of everybody. Like, we knew. He found we knew about the g. The. The Shinto gates before we knew about any of these things. And then when we unravel all these things, the Shinto gates just made sense. And it was like, oh, no. He knew what was coming and he plotted that and say, God d***, dude. He's so far ahead of everybody.

Cristina: Yes, it's very strange because everyone can see him. So you feel like, oh, you know what he's thinking because you seen. But no, you have no idea.

Jack: This ability to be unpredictable. Even whenever. When people can. They know of you before they know of you and still kind of crazy. You elude everyone.

Cristina: Yeah. Interesting. I don't know. I don't know. That's very strange.

Jack: I think that's very strange.

Cristina: What is his plan? What's his end goal? Because he's not. Or maybe he's a scientist on his own. I don't know. I don't know.

Jack: The Shinto Gates tells us maybe because he at least knew how to do that and he wasn't getting help.

Cristina: What's his end goal?

Jack: Also, he took a huge deep dive into working with Adrenocrow. Yeah, you know, he's. He's definitely scientific to some degree. Anyways, that's all I got. That's.

Cristina: There's a lot to go from there, though.

Jack: Yeah, there's a lot of directions to go from here. I want to learn about Solomon and find out if we have an old ancient group of people working together.

Cristina: Salma, baal, the. What are those things called again?

Jack: The Nephilim.

Cristina: Nephilims. Yes.

Jack: I want to know if Salomon El and Susan were working together. Anyways, if you guys want to give us your input on any of this stuff, you can do that on our socials. That's just Convopod on X, on Instagram, on Facebook, on Tick Tock.

Cristina: Remember to subscribe and review the show.

Jack: Yes. And word of mouth tell people we're getting to the bottom of all these complications. Complicated problems based on all the theologies of the world and breaking apart and finding the original text so close. It feels like there's always another question behind a question answered.

Cristina: Yeah. This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: That's why they got sloppy. And just all California whole laws dedicated to it. Yeah, let's. Let's let children go missing past law so that we can just take them. Let's do whatever. They got sloppy. Why? They're not thinking clearly. Before it was very organized or hyper intelligent. What does it. What does adrenochrome do to a human? Makes you essentially a vampire. You're smarter than most people. You live longer than most people you like. You know, you get real op. Yeah, but what happens when you don't have it? You become a f****** retarded zombie.

Cristina: Yes. Okay.

Jack: S***. Yeah, we're seeing that f****** happening. We're seeing the decline from one end to the other, and they're getting sloppier and sloppier.

Cristina: Supposedly, a bunch of children in Hawaii also disappeared.

Jack: Children in California. Children in Hawaii, just poof, gone. Children in Canada. F***. Ton. Gone. Disappeared. But after these laws in California, the children in Hawaii and the children in Canada, well, it suddenly slowed down. Suddenly. Huh?

Cristina: Huh?

Jack: What a shock. Now. Oh, no, wait, wait. We're gonna backtrack the laws in California right after a bunch of children disappeared because laws, they got taken and put into the system, taken away from parents. They disappeared. And then what? Oh, no. We're gonna backtrack the laws. We're sorry. We apologize. Clarity re established.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Elin Taylor and published by greatthoughts.in fox, art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 249: All Hallows' Eve's Shadow

Why do we dress like spirits similar to those in the Shadow Realm on Halloween? What does pumpkin carving have to do with anything? And why is mass held on Halloween Night? The due deep dive into the origin of Halloween and what ancient technology these traditional rituals are based on.

Rambling 249: All Hallows' Eve's Shadow

+Episode Details

  • AllHallowsEve Bells
  • Bridging the Realms
  • Jack-O-Lanterns
  • Fairy Protectors
  • Purgatory
  • Costumes
  • Vengeful Spirits
  • Danse Macabre
  • The Isle of Man

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+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is a show where we ground humanity's most absurd and baffling ideas. And so we, we always bring in the most baffling of baffling ideas. And as we've through the weeks, through the months, maybe a year at this point, who knows, our whole lifetime, I don't know, we've been deep diving and checking into an entire giant, massive, ridiculous conspiracy created by. Well, if you trace back through the Catholic church, it leads you to the Elysians, who are essentially the sea people that the Greek and Egyptians and the Mayans spoke of. And then that unravels this giant massive hyper advanced technology of ancient civilizations. Cover up conspiracy involving interesting rituals and a lot of scientific advancement that we consider almost magic from how advanced it is going backwards in time, very, very back. Which in, in theory suggests that we live in a place that's kind of like horizon zero dawn, where we think, oh yeah, they were, the ancients worshiped and they had magic and this and that. No, they were scientists. They were all scientists. Everybody had scientists and they were running experiments and they were doing interesting things and it was so advanced. They were riff breaking rifts to different dimensions and s***. Oh, realms. Because dimensions all exist simultaneously and we all exist amongst all the dimensions within one plane. But they would cross over to other realms, three of which seem to be. I don't know if there's more in either direction, but as far as the scope of our understanding is, as of now, the furthest up we can go is one. And we are the bottom of them with one in between.

Cristina: Where the bottom.

Jack: Yeah, was the last one made.

Cristina: Oh, okay.

Jack: Sequentially. Althea, Shadow, Earth and like. Okay, yeah. So great giant deep dive and we did some kind of old school forms of these episodes where we would focus on a specific thing, but then that kept opening and expanding more and more and more until everything kind of merged into each other. And for a long time we had that. So we've been trying to come back to and focus on very specific things that kind of enlighten other parts. As we hit walls, we've gone so deep, we start to hit walls and don't know where to go. But we do have the ability to focus on specific things. So we focus on the different scientific groups, we focus on different time periods and what certain people were doing in those times. In the past, we've done creatures, and it all reveals a lot, tells us a lot. And I thought in the spirit of the holidays, because we're coming up on Halloween in a couple of days.

Cristina: Yep.

Jack: That we can go and look at what these things really were before we attached our mythos to it.

Cristina: What things?

Jack: Well, Halloween and what these things really were, because everything related to everything else.

Cristina: That we've been talking about that you just talked about.

Jack: It's all related.

Cristina: It's all related.

Jack: It's all related.

Cristina: Oh, okay.

Jack: You can be blown away when I tell you how this is all connected, because when, you know, as we've. As we've. I guess my point is, as we've looked more into these things, we've learned how to find it more and more.

Cristina: Okay.

Jack: And because of knowing how to find it more and more, we know where to look to find it more and more. All right, so I look in one direction. I'm like, huh? Because I didn't have the information before. I didn't see these things.

Cristina: Halloween somehow relates to many parts of it.

Jack: Many parts of it. So, yeah, by looking at it, I've come to like, oh, s***, you know, we didn't have the information before. I look at it now, and I'm like, oh, I couldn't see this before, but now I see the connection between these two things. Let me focus on that thing. Go in. Oh, look what I find.

Cristina: Awesome.

Jack: Then go over there. Look at that. That connection looks interesting. Deep dive. That specific thing that we would neglect most of the time. And slowly but surely, it connected to things that we have already talked about from the past. It connected with things that we have recently addressed. It connects with too much. So let's. Let's deep dive into Halloween. Okay, so important things about Halloween. What do we know about Halloween so far? Go ahead and tell me what Halloween is as far as the masses know.

Cristina: What, like trick or treating for candy? Going to your neighbors for candy. The simplest version of Halloween. There's no actually trick to it. You say trick or treat, but it's just kids going to their neighbors begging for candy.

Jack: That's all of it.

Cristina: I feel like it's the main focus. Oh, and they're dressed up in costumes. That also counts. I don't know if there's any theme to it. It's just whatever you want to be. Spooky or not spooky. You can dress up as a princess if you wanted. Like, there's no real spookiness to it, I guess. Once upon a time. Yes. But if we're talking about today. Halloween, yeah, that's pretty much it. And I don't know what adults do. I guess they give out candy. They buy a bunch of candy. They decorate their house in spooky ways or whatever. You know, ghost pumpkins, zombies sometimes. And give out candy with spooky music playing in their. If they are really into it.

Jack: Interesting. Okay, what other things can you tell me about what things exist around Halloween time? What happens in Halloween? What other other things?

Cristina: Like Halloween parties. I don't know if that counts.

Jack: Okay, yeah, cool. Halloween parties. What else?

Cristina: What else is happening? I know someone's going to a Halloween costume party, but that's still related to, like, costumes. Costumes is a big thing.

Jack: Costume is a big thing. Other than costumes, what is Halloween related.

Cristina: In Halloween, besides costumes and candy?

Jack: Besides costumes and candy, what else happens?

Cristina: I don't know. I feel like that's main things. What am I missing? What's the big other big thing?

Jack: Really? You can't think of the other really obvious big things that happen in Halloween.

Cristina: Parents warning their children about people who are after them. I don't know. They're gonna poison their cats.

Jack: Yeah, okay. Okay. Keep going.

Cristina: That's what. And I guess there's always, like, kids who are gonna ruin it for everyone by, like, doing the trick part of trick or treating.

Jack: Like egging a house.

Cristina: Yes.

Jack: Or toilet paper.

Cristina: I don't know if that actually ever.

Jack: Happens, but movies at least try to convince us it does.

Cristina: Yeah. So maybe it happens.

Jack: I mean, some douchey teenagers probably do.

Cristina: Yeah.

Jack: What else?

Cristina: I guess if you're, like, into the spiritual thing of Halloween, you might be trying to connect to ghosts on that day.

Jack: Yes. Okay, so far, so good. Okay, but you're missing the one thing I'm talk. I'm thinking about, but good, because I totally forgot about that entirely.

Cristina: Oh, okay.

Jack: People do use that night as a way to perform certain rituals. Yeah, but decorations.

Cristina: I did mention decorations.

Jack: You mentioned costumes and decorating your house. Okay, I didn't catch that.

Cristina: Adults decorating their houses to give out to.

Jack: What's the most prominent of decorations besides.

Cristina: Like, pumpkins and ghosts?

Jack: Pumpkins. You whispered it or something. I didn't catch any of that. You're talking into a mic, and I still didn't hear it.

Cristina: Oh, okay.

Jack: So, yeah, definitely mentioned all that. Ghosts.

Cristina: Yeah, I said pumpkin ghosts. And sometimes zombies. And sometimes they play music while creepy music while giving out the candy.

Jack: Ooh, define creepy music.

Cristina: Sometimes I don't really know what is considered creepy. Like, I guess Booing. Or maybe that song from one of those horror movies. Like, what is the one that's famous? No, not that. That's probably a party Halloween. Yeah, but the one that. I think it's Michael Myers or Jason. One of them has something playing while they're walking.

Jack: Yeah, yeah. Okay. Ok. Okay, Fair. Okay. Yeah. So all of These things are 100% associated with Halloween. There's definitely the kids in the costumes, there's definitely the candy giving, there's the rituals, the pumpkins, decorations, the tricks. There's the warnings of evil happening, people trying to connect to the spirits. And actually every bit of all of this connects in one way or another to something that isn't just some tradition, but is part of the sciences we've discussed recently. So the processes as we know them go as follow. The ancients used science somewhere in between us and the ancients that became a mythos and series of traditions because the technology was lost. So it just became things that people would enact even if they didn't know the real reason why. They built a mythology around that and said, oh, this is why. And that's. And blah, blah, blah. And then there's now where we're turning over stones to try to figure it out. And a lot of the time it's just become a meme of itself, you know? Okay, so we're gonna go backwards, following that same train of thought the opposite direction. We're gonna look at the meme version of itself. We're gonna see where that culturally came from, and then what that really meant for the ancients. Although it's gonna be really obvious as we start to unravel it, as soon as we get to the tradition of it, that you're gonna be like, oh, s***, I know what it was. Okay, so there are many variations specifically of Christianity, but amongst other religions that always choose October 31st, from the morning of October 31st until the very start of November 1st as the most optimal day to pay respect to purgatory. That is the dates route. They pay respect to purgatory along that time. Now, if we've established in the past, the purgatory is one obvious place.

Cristina: The Shadowrun.

Jack: The Shadowrun, okay. H*** and purgatory seem to be divided in Christianity, but are ultimately the same place when you break down the roots and what goes on in them. Purgatory, one place. And these days are said to be the day for that for a couple of reasons. But in these days, we call it Halloween. Halloween backtracks to a ritual celebration called Hallows Eve. Which is when again we would pay respects to purgatory. Purgatory has something very interesting and very specific. It's intended to bring to mind and think of those in purgatory. When I found the original text, the current day text, you know, it's to pay respect to the dead. But you go back a couple of generations before a bunch of these corrections happen and you end up where the text drops. The dead says to pay respect to those in purgatory. That's immediately interesting because that means that, or at least it focuses on. It doesn't focus. It's the lack of focus. It's not about the dead, it's about people in purgatory. Maybe it's still about the dead. Maybe they believe only that that could go there. But when that distinction was made, I'm like, okay, this is interesting. Alright, let me go farther back. Finding the same line over and over from older texts. From older texts. And it does.

Cristina: Okay.

Jack: It becomes, and this is what's fascinating, they re add the word dead. It's very important that they do though, because they are there to remember the dead and the spirits of purgatory. That distinction powerful. Because that's just.

Cristina: What does that mean? What's the difference of the dead and the spirits?

Jack: Of the spirits in purgatory? Yeah, what are creatures from the shadow realm on our side?

Cristina: Oh, so you think they're worse. They're like worshiping the dead. The spirits, the creatures doesn't say anything about worship. Oh, they're.

Jack: They're remembering the dead and paying respect to the creatures.

Cristina: Spirits of purgatory, but paying their respects to those creatures.

Jack: Paying respect to those creatures. Yes.

Cristina: Okay.

Jack: A couple of things I did find were that there is, and this will be addressed later as I'm going through this. There are good spirits in purgatory different from the dead. And there are bad spirits in purgatory separate from the dead. And they want to pay respect to all of them for their own safety because they believe one, this night, which again, we'll get to this as we go through it is the most likely that these things will come through. And two, because of that, you can most easily communicate that back. So we mean you no harm. We respect you. Please don't cause us harm now or throughout the year.

Cristina: Yeah, but the more scared you are, the more you attract. So that's crazy.

Jack: It creates a feedback loop. It's the day that they can most come through, so you have most fear. So they're more likely to come through because you're scared. That they're going to come through.

Cristina: Exactly. What?

Jack: Interesting, right?

Cristina: Yeah.

Jack: Nice little feedback loop happening now. There was a. These days, this doesn't exist anymore unless you're particularly religious. And people usually go to mass to achieve this. But. But there was a bell. Two types of bells. One attached to the church that would be rung on All Hallows Eve, and one that would be carried by something called a crier. A crier in the. From somewhere between, like, the 1500s to about the 1800s was the public square announcer day.

Cristina: Okay.

Jack: And this individual was just, you know, he would make announcements, he would tell people the news and whatever. But also the same individual on these days would dress in very dark clothing, and he would wave around his. He would have a little bell that he's ringing as he's walking around town. And the crier would tell people who, you know, people consider themselves good Christians dressed in black and wandering the streets while ringing the bell. He would tell the good Christians to remember the dead and pay homage and respect to the spirits of shadow. So people would be consistently reminded. And with this bell, this bell is particular because it's a special bell. It is a blessed bell. It is a bell that allows the spirits and the dead in purgatory to hear the bell.

Cristina: Okay, what.

Jack: This is an interesting piece of technology I had no idea about. So the bell became very interesting because you have a tool that you're telling me could, in theory, create a sound from this side that could reach the other side. What is this? It's just a bell by any definition. You bless it. Okay. What the h*** does that mean? And it not being organic means you can't just pour some adrenochrome on it. It could be like, that's not how it works, you know. So what is it exactly? And apparently the structure of a bell in general, it's not about this specific bell, but it's the circumstance in which you're ringing the bell. It creates this harmony that we're very used to from bells, but smaller.

Cristina: Okay.

Jack: But it's a thicker, more daunting bell. So you have. As he's wandering with this kind of heavy thing you got. And the importance of this is that apparently the frequencies are similar to a lot of the things used. You know, when you go into a meditative state. And you can sort of use the same sounds to cross dimensions. Well, you can use these same sounds to cross realms, because what it's doing is essentially piercing the fabric that ties things together. You're using a resonance that's equal to that of atomic structure.

Cristina: So you think the sound is actually reaching the.

Jack: I think it's designed in such a way that, yes, it's actually highly advanced technology made simple. The bell has to be a certain structure the way they used to make it. Right now they'll ring any bell, which is why nothing happens. But the way the bell used to be done, dating way, way back. And some of the relics still alive to this day are from like the year 600. Some of them are from like the year 150. They're really, really dense and thick, made of really solid metal, and would hold a note for a very long time. So it was intentionally designed in such a way. Essentially the same kind of thing that you would get from a Tibetan bowl that's piercing dimensional riffs through sound alone. And so these were designed with that. And they were very strict about the bell. The bell was. You can't use any bell. It's not just a bell. You're not just ringing a casual bell to make noise. You're ringing a bell designed to cross realms.

Cristina: Okay.

Jack: There's a piece of technology that today is casually around, but we don't have that very common old version of making it.

Cristina: So you don't have that anymore?

Jack: We don't have that. Yeah. We don't have the ability to just pierce. But in doing so, people who would be paying respect, people who would be talking about the dead, talking about these spirits, would be doing so around the crier. And priests would do the same thing inside of the churches.

Cristina: They'd also have their own bell.

Jack: They'd also have their own bell. The church would have a bell and the bell would be ringing during. And that one is more powerful. So it does two effects that are very useful. It allows the spirits and the dead on the other side to hear the bell, and it allows them to hear the people around the bell paying their respects.

Cristina: This is very confusing cuz, like why.

Jack: You'Re sending a message, but why do we want.

Cristina: Or why does the church want to attract the spirits?

Jack: You're trying to pay them respect. You're trying to calm them.

Cristina: Okay.

Jack: You know, you're trying to tell those that you've lost, they have made it to the other side. Which, by the way, that means they were very aware that people were somehow still acquiring things and making it to the other side. But.

Cristina: But that's not all that's happening. The spirits just would come into the. Like they're making gates that we can't see or portals or whatever you want to call it.

Jack: Well, we already know that churches are to some degree designed for that.

Cristina: Yes. I still am confused on whose side are they on? Because sometimes it feels like this is very Jesus for help. Like to help Jesus with whatever his plan is, but I can't tell.

Jack: Well, no, I think that if we look at the structure of this and we look at the fact that we've lost the existence of the Elysians, of the ancient Mayans, of the ancient Egyptians, of the ancient Greek, they've all kind of vanished into their own thing privately, the knowledge of those who were at least familiar still new. We know that the Jews made the Golem. We know that there's people trying to replicate these things. And although the church was designed intentionally to suppress the existence of Jesus as he was originally just a sea person and Elysian and the rest of the Elysians and the Egyptians and the Mayans and all this stuff, this doesn't stop the fact that there are good people who are from shadow, and there are good people who have gone to shadow. And I think this is a place where you can control the passage because you're not. They're not sneaking through.

Cristina: Okay.

Jack: It's a controlled environment, which means those you need to come through can come through and those you don't. How many stories do we have of a monster showing up and attacking a church? Well, none. But why? What's a controlled environment? They're making sure this doesn't happen. Yeah, but people do what at a church? Oh, they'll go talk to their past family member, and they'll go pray to their past family member. Or they'll go communicate with some of the spirits that are on their side from shadow.

Cristina: Okay.

Jack: So it seems like a controlled environment where they've figured out how to use the good aspects of shadow without allowing the bad aspects of shadow. But don't get me wrong, we're gonna get to how the bad aspects of shadow come through.

Cristina: Okay.

Jack: But it doesn't seem to be church now. It does seem that church figured out how to communicate most effectively and control the situation and have normal, everyday people be able to just communicate with these other individuals. And so this bell is part of that. It's creating a frequency that can cross, allow the words that are spoken around it to then move through with it. And that's fascinating. It's a telephone.

Cristina: Yeah. Crazy.

Jack: Yeah. It's a telephone from Earth to shadow.

Cristina: Yeah.

Jack: And there are many, and only on.

Cristina: This night or night.

Jack: There are nights, and there are times, like a lot of these ancient churches just had the Bell mounted, and they would ring it at 12 o' clock every day.

Cristina: You know, you think that was to do the same thing?

Jack: I think it's the warning of mass and people come together to do the same thing. It's just on this one night, you ring this bell prolonged, and it's the most powerful night. So people come together with the exclusive purpose of communicating.

Cristina: Mm. But they're doing it every day.

Jack: But they're doing it every. Not every day, but they would have, like. I mean, I guess some places would do it every day. There was locations that had church open every day. It would be mass every day. But it's not, like, about reaching the dead. Although I would give you this. People who have found a way across, whether it be adrenochrome, whether it be the fruit, whether it be the flower, tea, or whatever the case is, however they got across people who found a way to cross into alfame after they've died, out into alfame, into shadow after they've died, might still be religious themselves. And then the bell gets rung and the priests giving his mass that allows these people in shadow to still attend mass even though they are in shadow. They can hear and they can see the sermon. They can still be there for their church.

Cristina: Interesting. Yeah, that's cool.

Jack: So the bell alone is a really powerful tool that we've never considered, and it really is just a telephone across two realms, allowing people to communicate back and forth. That's pretty dope. That's just a single part of this.

Cristina: Entire thing, of our traditions and everything.

Jack: Yeah.

Cristina: Okay.

Jack: Next comes the Jack O Lantern. The Jack O Lantern is quite interesting because this instantly got weird. You don't even have to go too far, really. Yeah. Right now we don't know. Oh, we carve pumpkins.

Cristina: Yeah. I see everyone carving pumpkins. Okay, what is it about?

Jack: Yeah, we part carved pumpkins and put lights in them. Oh, how cool. But where does this come from? Okay, this immediately breaks down and it's like, holy s***. So Jack O lanterns were believed to entertain fairies, and as a result were used to ward off evil spirits from purgatory.

Cristina: The fairies were protecting us from the.

Jack: Evil because they were entertained by the creatures.

Cristina: Okay.

Jack: But yeah, that brings up an interesting thing. It tells us that the more dangerous creatures of shadow still feel fear. Fairies. Some scaling.

Cristina: Yes.

Jack: And that's important, right?

Cristina: Yeah.

Jack: So they're in even the most animalistic ones, wet judges, swindingos, things like that that are more like animal. They still have instinct enough to avoid fairies. So although they could Use Halloween Hallows Eve, this ritual to come through. There's the bells. There's a. These lanterns would be put everywhere. And so the faces were designed to entertain the fairies because the fairies would come and hang around them. The fairies aren't actively protecting anybody. They're just going where they find amusing.

Cristina: Yeah, they.

Jack: The creatures from Shadow were like, no, f*** that. There's a fairy there. And so these were put in people's houses, on people's porches, and people's houses in graveyards. These are put at churches. They're put everywhere, really. So you have the phone connecting, and you bring in those that are going to keep you safe simultaneously. So you make a clean link between earth and shadow, and you make sure Elfame inhabitants are chilling in the area, just in case.

Cristina: Okay, that makes sense.

Jack: An entire ritual that already brings all three together.

Cristina: Mm. Get fairies to protect you from the bad ones. Whoa.

Jack: Interesting, right? Normal people figuring out these more complicated things, which would then suggest. How would you, as an individual, from. Let's say you're a creature in shadow. You're a really powerful creature in shadow, and you want to do something, and you happen to have the one and only shadow philosopher so we've heard of, but you need to attract fairies to off them. Well, now you have a way to just get some innocent fairies who are looking to have some fun. You do a thing like this, they're attracted to it. They come through. Got them.

Cristina: Okay. Whoa.

Jack: So we know that although he probably didn't use pumpkins himself, Yaldabaoth most likely found a way to attract fairies in the first place, because why are there fairies just hanging out in shadow that you can just kill and make fairy trees?

Cristina: I don't know. That's a big question. I don't know.

Jack: You must have been luring them in somehow.

Cristina: Yeah.

Jack: And now we know that there's ways to lure them in. This is an example.

Cristina: Do you have more examples?

Jack: No. This is an example. Well, we're talking about Halloween, but there's probably more examples, and we'll find them in due time. But, yeah, the point is there are examples. And that's useful because that puts into perspective the fact that we could lure them. We could attract them. There are ways. There's more gullible, kinder ones that could be tricked. Or maybe they can't. Maybe they won't do the same thing for Shadow. Maybe they're intelligent enough to be like, we're not falling for this. But why would they think something's gonna happen anyways? Why don't they think when they show up over here, one of us has figured out how to do the same thing? Right.

Cristina: Yeah. I don't know. Like, it probably can happen. We've probably trapped fairies. If we looked into those stories. Now that. That's.

Jack: Now that we know.

Cristina: Now that we know, there's probably stories of humans trapping fairies.

Jack: Fascinating. Okay. It's pretty interesting about Jack O' Lanterns, right?

Cristina: Mm. We gotta find out more. Yes. That's awesome. So we got Jack O Lanterns. We got ghost. What about candy?

Jack: Well, hold on. We're not done with the Jack O Lanterns.

Cristina: Oh, okay. Okay.

Jack: Not only would these ward off the bad spirits from Purgatory, but also because of the. This is interesting and brings up a lot. Because of the fairies hanging out around them. The fairies. Now, this actually brings up something interesting that it's confusing to me. The fairies would be, to some degree, visible within shadow, which is why the creatures from Shadow Realm would avoid them. So I'm assuming because bells are being rung and the lights are happening, it's not just audio. It's not just an audio thing, but you can, to some degree, a big enough bell, you're in church, you start seeing things from shadow, and things in shadow start seeing things from Earth. Like, it's a fuzzing of the barrier. So the creatures in shadow can see the fairy and they can see the lantern. That's why they're avoiding it. But this also means that a lot of people were placing these so that the souls of the dead who went to purgatory can find their way to the homes of their families. So it's an easy way for those same people to come specifically where they're going. Because, again, very early, when we were first investigating the Shadow Realm, we know what the shadow realm is. Almost identical, but like a warped version of Earth. So navigating it is not simple.

Cristina: Mm. Because it's not identical.

Jack: It's not identical. It's similar in a confusing way. So these Jack O' Lanterns actually help you. And these people from Purgatory would go from one to the other looking for their families. And the weirdest part is people would report, and there are many of being visited by their family who crossed over.

Cristina: Yeah.

Jack: This means a lot of people. And I think a lot of these people have to be Catholic specifically, because Catholicism aims to giving people the access to the shadow realm. You're not gonna die.

Cristina: What about with Ouija boards? Do you know when they became popular and they were starting to use that to connect to the dead?

Jack: I Don't know. Had nothing to do with Halloween. I've not come across that while doing this research.

Cristina: Okay.

Jack: But definitely, perhaps it's something.

Cristina: I think they probably came up with more than one way to connect to the dead. Besides that, I'm sure there was other things too, like candles and crystal balls. And, you know, they use things. They use things to connect to the dead. It seems like it's not just random things that they have to look spooky. I feel like they use those things to connect.

Jack: Yeah, 100%. It looks like there is a lot of things that. A lot of different methods essentially using the same things. Because you. You say, for example, a candle, but a candle is also what a jack o' lantern is. Like there's similar applications happening between things. So in theory, yes. But then now that you mentioned something like a Ouija board, it makes me think of those seances where you have, like, a pentagram and you're trying to summon a creature. Specifically. Is this a lore.

Cristina: Yes. Right. So they're using objects, but they're also themselves sometimes.

Jack: And very interesting enough now that you mentioned this, there are lures that require you to do what? Add some blood to the mix.

Jack: Interesting.

Cristina: Okay.

Jack: Some candles, some blood.

Cristina: There's a lot of different ways of doing it, but I'm guessing all of this happened sometime after. Like, the original way that you're talking about was first.

Jack: I don't know if this was first.

Cristina: All of this stuff was added onto it.

Jack: Because it looks like by the time we get to an organized church and an entire town putting up jack O lanterns and things like this.

Cristina: Mm.

Jack: They figured it out, and it's organized. So there must have been smaller private versions of this.

Cristina: Oh. Trying, testing.

Jack: Trying and testing different ways to achieve the same thing.

Cristina: Mm.

Jack: Technologies that bridge through the realms.

Cristina: Oh, okay.

Jack: And it looks like this is absolutely too organized to fall under. Like, this was the first.

Cristina: Yeah.

Jack: We mean, these churches have bells, and people come together, and people believe that they're seeing spirits of the dead show up in the church. People believe that spirits of the dead are showing up at their house. Family members and wanderers looking for their families. Like this very Already figured out at this point.

Cristina: Okay.

Jack: The fact that they have the jack o lanterns designed in such a way to amuse fairies so that fairies come and hang out and protect them from the bad spirits, but allow the good spirits through and allow the dead through. Interesting. So it seems well thought out by this point. Now, these were also added to graveyards, which is going to lean into a Couple of things. But they were put in graveyards because. And usually either on the tombstone or over the grave burial site. Yeah, Jack O Lanterns. Because although they were expecting people to come to their homes and to the churches, many people died and didn't have family and whatnot. And, like, where would they go? So these spirits and these. The good spirits and the dead would. Who had nowhere to go and nobody calling to them and no family. They would go to the graveyard and spend time with each other and other people from the. It's like coming to visit. And this is essentially a ghost party, okay? Happening in a graveyard where you got the dead who've crossed into purgatory, into the shadow realm, and you've got the good spirits of the shadow realm who are just, oh, let's go mingle on earthrealm. It's that time of year where they make it really easy for us to get there, okay? And so they would essentially have parties. And the gravekeepers would usually be the human who. Because gravekeepers a lot of times were also people themselves who had no family, who had no friends or anything. They would just spend all their time.

Cristina: Maintaining the graveyard, making it safe for these guys.

Jack: They were making it safe for these people. And so they would essentially be the host of the party. They're the. They're the main attraction. And then a bunch of spirits of the dead. Ghosts of the dead. I guess all these terms are wrong because they're technically not even dead. They're just in the shadow room at this point. But they've died, which means they are no longer on this side. But people who have crossed over to the shadow realm and the good spirits of the shadow realm will come and chill, and they would be entertained by and entertained the gravekeepers in the graveyards. And this is where the fear of the grave, of the dead coming to life comes from originally. Because if you remember, you go back far enough through time to before any of this crap existed. Graveyards were parks to chill at. People used to hang out at graveyards. It was just part of what it is. But this fear over time happened. And it's because of the warping of this, because, again, it was always a safe place. Even during Halloween. People who had nobody would join the gravekeeper there.

Cristina: Okay?

Jack: People who had no friends or family lived their own. The hermits.

Cristina: I don't see how this became a scary event.

Jack: It became a scary event because of these outcasts going and hanging with the dead. So as we feed, as we began to develop fear of the dead, we began to fear these people who gathered with them. And then that in collectively, only in modern times did it taboo the graveyard into being a haunted, evil place. But it's not. It's a peaceful place. In most places, it's a peaceful place where the people who are just alone in the world come and join the spirits and the passed on who were alone in the world, and they come and spend time together. That sounds way dope and beautiful. Yeah, they're just coming to have a party with each other. A lot of these people don't know each other. The gravekeeper doesn't know the outcast from the town, the self made outcast, or the hermit. Or these people who live in isolation just by choice. And on Halloween, on Hallows Eve, they would come visit. Hey, you know, I'm here for the thing. And then, you know, big cool party, people talking to each other, the people from shadow, having conversations, telling stories from both sides. So in return, what happens is that these same people become the occultists we know of now. Those who know everything about the other world, but because they're the ones talking to the dead, not about this side, but about that side.

Cristina: Okay.

Jack: And it's the gravekeepers and it's the outcasts, while family members on this side who have family members on that side do the same thing. They put the lantern, they have the bells, they do all these things, they go to the church, those spirits come through to talk with them about now, about here. How's it been? What are things like since my leaving? You go to a graveyard, I got nothing to tell.

Cristina: So you're learning about the other side.

Jack: So you're learning about the other side. Those are the people who knew the most and probably to this day know the most about the other side.

Cristina: Okay.

Jack: Those are the sources you go to for information. And it's interesting because going back, a lot of the records that were designed talking about the Shadow Realm were actually written by a bunch of grave keepers. Didn't know this.

Cristina: Really?

Jack: Yeah. Just checked out because I got this bit of information. So I went back to look at some things, typed in some names, and. Oh, they were the person who ran this site that happened to have a graveyard. It's like. Okay, okay, okay. Pattern, Pattern.

Cristina: Mm.

Jack: So the most informed people were Pete were gravekeepers and outcasts in general. So you want to know about costumes and candy? Yes. Well, candy is less serious. Candy comes from. That's the middle period. Yeah. So if we break it up into the three parts, there's a technology from the past that Is being used in the middle period and then the current day that was invented in the middle period, the candy, because it would make. Once they lost the fact that this was technology of the past and it just become normal rituals you perform, and people from the other side will cross through. They weren't necessarily aware that they couldn't consume food because they were assuming they were physical beings the same way. And so they would make little cakes to give them. But eventually this got worked out when they discovered, like, the food is always going to waste. And then it became about giving the crier, who was either a.

Cristina: The cakes were for experience.

Jack: Yeah.

Cristina: Oh, okay.

Jack: Not for the shadow people, but from. For the family members who had passed to come back and eat their favorite things or whatever. But they would never be eaten. So they got repurposed and it started to be given to the criers and the priests who would roam the streets and in the churches. So people would make these cakes and they would give it. So the crier would walk around with the bell, creating the resonance of it. Things could happen. And weirdly enough, I forgot to say this around. Although people would have their own bells, sometimes in the lantern, sometimes the excitement was around the criers and the priests.

Cristina: Okay.

Jack: Because it's mostly happening around them. They're walking around and around them, there's a bubble, a radius of these crying things coming in and out. And you seeing creatures from the other side showing up and people from the other side showing up around this individual. So you're also putting the lanterns to protect them.

Cristina: Okay.

Jack: Because they're making themselves a giant beacon. And so as they're walking, people get excited, oh, he's coming, he's coming. Well, before the treats, they would gather and like, okay, if our family member is going to come, it's going to come when he comes through because they're going to be around that individual, and then we'll get a glimpse, we'll get a moment, we'll get to see them again. In church is consistent. The bell's always there. So people who would go to church get to see him. People who didn't go to church still can. As the crier will wander through town, you'd have at least a moment to see somebody. And so you do the things. So if the crier sees a pumpkin, he knows to go there.

Cristina: Okay.

Jack: And he'll walk from place to place, ringing it and allowing the spirits try to find their place. You're wandering with him, going from place to place, trying to find where they belong. The treats eventually became to they would either take it to church and give it to the priest who's creating the mass and trying to contain the situation, or give it to the crier. As he went from house to house, the crier would go. And also a lot of people would gather around the crier from this side as well, because maybe they haven't seen their person or maybe they're homeless and they're still waiting to see if that person of theirs get seen. Because as he's moving with the bell through the streets over here, he's also technically moving around in the shadow realm.

Cristina: Okay.

Jack: And so people are like, well, they don't. My person has nowhere to go, so if I hang out around him, then they'll find him and I'll find them. We'll find each other. Some people wanted not just a visit, but they wanted long conversations with this person. So they would just hang out around the crier as he wandered the streets for all of Halloween, they would just wander with him. Hanging out with their ghost friends.

Cristina: Okay.

Jack: Hanging out with their past, Hanging out with spirits from the. From the shadow realm, having communications with them. It was just an interesting moment that happened once in a blue. Once a year, actually. But you get my point. And so the cakes were repurposed. Instead of leaving them for the past who would never consume them, they were given to first the. The crier and then hand it out. Like, if you made many, you would give them to everybody who showed up. Some people made it for everybody who showed up. All of them accompanying the crier and keeping him safe. Many people walking around with lanterns himself because he's walking around with the bell.

Cristina: They were like big goods.

Jack: They were big goods. Yeah. It was just a cake.

Cristina: Okay. Okay.

Jack: And so a lot of people walked around with lanterns themselves to help the spirits come. So you have a man ringing a bell and a bunch of people with jack o lanterns walking around them, and you're seeing glimpses of creatures who look like ethereal shadows and figures anomalously fading in and out as you're wandering from place to place. Interesting visual. But you go to a door and people are, oh, he's here. They open. They give the person treats, and they give the people food and whatever when they, you know, did our person show up this time? And they'll, you know, those. They'll wait there a moment. Each town had their own. So you could take your time as a crier walking from one place to the other for one place to the other. And you would start at the. At the morning you Would begin not in the night. You would begin at morning.

Cristina: Oh, wow.

Jack: Yeah. And you would light everything in morning. And just this guy's doing this all day. That's why the treats got re repurposed for that individual.

Cristina: Okay.

Jack: So now they can maintain him as he goes from place to place. And he waits five minutes, maybe, in front of a place now. Okay, let's go to the next one. And everybody follows him with their lanterns, holding their lantern so that the spirits and the. And the people from. Who've passed can gather around. They can f. They can see the brightest patch, which is the crier.

Cristina: Okay.

Jack: And then a bunch of smaller dimmer lights, which are the houses, so they know where to go. And then follow him to look at all the places. Oh, this is my family. And then what's happening in graveyard? It's very different than the visual we have now of people just dressed up in costumes, going to trick or treat. But one of the arguments is that the visual of these spirits going to houses with the crier that's dressed in all black and these people hanging out with the crier.

Cristina: That's why the costumes.

Jack: That's one of the root sources of dressing up, trying to imitate that visual.

Cristina: Were the people also dressed up? No.

Jack: No, the people weren't also dressed up. But we're gonna get to that very soon because that is gonna happen. So we have the visual established. Right. People are hanging out. People are chilling with this individual who's ringing the bell. So you've created a circumstance in which good spirits and the dead can return from the other side. So the visual this makes is because of the dead being able to return specifically because we know the spirits are the good ones. The fairies are making sure of that. But the dead are just people from this side. How do the fairies discern who is the good one and who's the bad one? So there are people who have done bad things that resulted in people dying, sometimes by accident, sometimes intentionally. And those people are coming back to the places where this happened, where they've lived their whole lives.

Cristina: So there's no way to protect themselves.

Jack: There's no way to protect themselves from the people coming.

Cristina: Okay.

Jack: And because of the look that becomes very ethereal to both sides. Everything kind of looks like a shot over there, and everything kind of looks like a shot over here.

Cristina: Mm.

Jack: Were fuzzy equivalents of one another. These individuals would dress up like the creatures that they saw on the other side so that the dead that came back wouldn't be able to tell the difference.

Cristina: Okay. So they were dressing up to protect themselves.

Jack: To protect themselves from the people they have done bad to bad.

Cristina: Okay.

Jack: Because now they're coming back and they could harm me.

Cristina: Yeah. Okay.

Jack: So that was. It was a way to protect yourself, to cover up so you couldn't be harmed.

Cristina: From actual people. Not actual people.

Jack: Yes, actual people. But people who've passed.

Cristina: Yeah.

Jack: And for this one night can most prominently be here and most prominently, see you.

Cristina: Mm. Okay.

Jack: So people would dress up, and it became in such a fashion that I haven't done anything bad. My homie has done bad things. I don't want bad to come to my homie. So I'm gonna dress up too to create a bigger confusion. Because obviously, if only my homie dresses up, all the vengeful people who come back are gonna know, oh, it's just a dressed up people. So if they can tell that it's a costume, they're just gonna focus on finding out who this is. Because I can find them. I know it's one of these. But if good and bad people alike are doing it because a bunch of good people have bad friends, but that bad friend has never done bad to them, so they're still friends. They're like, I'll help you out by also dressing up. And this confuses it. So one, there's too many of us to look through all of us. And two, well, a bunch of us are good people who've never done anything bad.

Cristina: Yeah.

Jack: And we're just protecting you because you're one of us. Even if you hurt good person, there.

Cristina: Could be someone who died who wants revenge because they didn't like you or whatever.

Jack: Yeah. 100%. And as well as you could have killed somebody by accident and they're coming back for revenge, and you want to keep that person safe.

Cristina: Yeah.

Jack: So it became a collective idea that we all do it and we protect each other. And the people who know where they're going still know the home that they're headed to.

Cristina: Yeah.

Jack: So the rules still apply equally. You can either go to the church as a spirit, or you can go to the home itself. As the crier approaches and you see that this is your home. And then the people inside don't need to have costumes because those are your people you're looking for. The people going where have the costumes. People on the streets have the costumes.

Cristina: Okay. Protecting themselves.

Jack: Protecting themselves. Because the bubble is around the prior.

Cristina: Okay. Okay. That's very Halloween.

Jack: Like, interesting.

Cristina: Yeah.

Jack: And it just made perfect sense.

Cristina: So it's all connected.

Jack: It's all connected. But now we get to two different weird instances which are very familiar. Instance number Danse Macabre. It is a ritual. So costumes were also used by many people who were pagans, Vikings, and very predominantly in France when performing this ritual. The ritual was of wrist slicing and drinking each other's blood in mass at a graveyard on Halloween after you've destroyed the Jack O Lanterns.

Cristina: Oh, because you want to attract the bad stuff.

Jack: Yes. But you're dressed like it.

Cristina: I don't know if that's gonna help.

Jack: You want. Yeah. Because again, you look fuzzy and weird and different.

Cristina: Yeah.

Jack: You. They're throwing a party.

Cristina: Yeah.

Jack: With the monsters.

Cristina: Okay.

Jack: This is what I said before. We're gonna come back to the graveyard being an actual scary place. These people were allowing the bad monsters to come through.

Cristina: Awful.

Jack: And they were doing awful things to one another as well as letting, like. They're inviting things that do awful things so they blend in. They're dressed as weird things that creatures from Shadow are like, what the am I looking at? And they themselves are out here performing crazy. That's like, okay, these. Somehow there's something like us. And so graveyards like this would be dangerous.

Cristina: Okay.

Jack: These are bad places to be. You could get hurt by one of the creatures there. The people there will hurt you effortlessly.

Cristina: Don't give a the. Are the creatures able to stay there even after the day has passed?

Jack: No, because it is. There is something about the day that's actually. Factually, I don't know what. It's similar to the bridge that was created from the El Castillo in Maya that they used to cross over to Shadow.

Cristina: Oh, yeah.

Jack: And it's like they would use the solstice.

Cristina: Okay.

Jack: So there are points in time that, for whatever reason, align the realms just precisely. And this is one of them. It seems like the last day of October is just one of those days that seems to be capable of zoning in and merging these. Not merging them, but getting them real close to each other. At least passage through them.

Cristina: Does it last?

Jack: Okay, this is, like I said, another reason that people would dress up.

Cristina: Mm, cool.

Jack: They would get into their outfits and perform weird rituals.

Cristina: So crazy. Cutting themselves open and inviting dangerous things. Okay.

Jack: And presumably they were pretty s******* their pants too. Even if they were doing it, it was part of the thrill. Which then made it even easier.

Cristina: Oh, yes, the fear. Okay.

Jack: And by destroying the Jack O Lanterns, you get rid of the protection. The second one. The second weird thing here before we close this up is related to the Isle of Man, if you remember. The Isle of Man is where Mananan was assigned to study the other side of the fairy trees.

Cristina: Yes.

Jack: Okay. So they believed, the people of the Isle of Man, that the morning of October 31, the veil between Earth and Shadow thinned. And by nightfall, it was at its thinnest. Like, that gap became super, super tiny. And now they're very, very close. And that creatures from the other world of shadow could more easily come through and select earthlings would more. Would be more capable of crossing to the other side.

Cristina: Oh.

Jack: So on Halloween, as soon as the sun falls around that period, people could actually stumble upon. People can cross into the shadow realm.

Cristina: Whoa. Do we have those stories, though? Did they say anything of, like, my. My grandmother. I don't know, like. Because they know people who accidentally entered the shadow realm.

Jack: Yeah. And this actually brings us to something very interesting. The judge who would wander into the Forest of Shadows as a shortcut to get to his job. That is very fascinating because now we have two different instances, one with El Castillo and two with Halloween, of times when you could just wander in.

Cristina: Yep.

Jack: And if you could build a gate around one of these instances, keeping it open, you would have to probably activate it on that day, but then the connection is complete.

Cristina: Yeah. We have no idea how that will look like, but we have no idea how that would look like doing that.

Jack: And this judges from a long time ago. But we know that somehow literally traveled into the realm of shadow and collected the fruits. Which then goes to tell us, did l find a way to establish a gate back and forward, which is how he was continuously communicating with Susan. And that being left for God knows how long is how the judge got through. Same area.

Cristina: Oh, no.

Jack: Same period of time. And somehow. And he got through, the guy would cross. And maybe to him, it didn't look like a gate. Or maybe it did. Maybe it looked like, oh, this is just somebody laid out a path here.

Cristina: Mm.

Jack: But there are instances of gates other than the ones we're familiar with. People have figured ways.

Cristina: Yeah.

Jack: Although it never seems like there's a way into Elfame.

Cristina: No. As far as we know, no one can get there.

Jack: As far as we know, no one can get there. Which makes it the goal, I suppose.

Cristina: Mm

Jack: But that's how a lot of these traditions arise.

Cristina: Stories on the island of Men, or whatever it's called, the island of people going in.

Jack: There's probably stories of people going in. I don't know of them.

Cristina: Oh, okay.

Jack: I can look into it and find some. But no, that's a. That's where we are. This is the root of current day Halloween.

Cristina: Awesome. Cloud does relate somehow.

Jack: Traditions taken right now, their traditions taken from the midpoint. And those traditions were developed entirely because of lost knowledge and not knowing the origin or how or why things worked the way they worked. Although it seems like the Catholic Church always kind of knew. Mm, you seem to always know. And so, yeah, that's interesting. That's Halloween broken down.

Cristina: Lovely. Happy Halloween, people.

Jack: Happy Halloween, people. Now you know a bunch of stuff. Put some jack o lanterns so you could get some fairies to protect you. Dress up, see the people you've done wrong to, don't come and like cut your throat in the middle of the night, I guess. And bring some bells. Have some. Yeah, bring some bells. Some nice thick bells so you can create a nice strong resonance to cross bridges. And give some people some treats. Cuz why not?

Cristina: Why not?

Jack: They're out there walking and wandering. Might as well. Anyways, if you guys want to contact us, tell us what you thought about this episode, you can hit us up on our socials on X, on TikTok, on Instagram, on Facebook, usconvopod.

Cristina: Remember to subscribe, rate and review the.

Jack: Show and use word of mouth. Tell people with your vocals, especially on Halloween, because apparently you'll be heard everywhere. Let people from the shadow realm know that you enjoy this show and you want them to listen. Maybe, maybe somebody will play. Interesting. We can set up a speaker playing all our episodes just collectively back to back. And then we put a bell next to it that's continuously ringing. We find the right bell and we'll just put this on auto. Put it somewhere. Will we never hear it so that people in the shadow realm. And we put some lanterns there so, you know, people can listen and boom.

Cristina: The graveyard. Lovely.

Jack: Yeah, yeah. They can collect and just podcast listen. Fantastic.

Cristina: This has been the rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: California is a s*** show about getting children. Children go missing all the f****** time. Not just in California, primarily in California, but not just in California. In the entire country. On Earth. F*** it. On Earth, children. Epstein's island disappears and we just suddenly have s*** storms of children everywhere else going missing. Yeah, suddenly just f*** it blatantly. Almost like they don't even care anymore. But why? Obviously the best source of adrenochrome is children, and you're a f****** addict once you're on adrenochrome. The blatantness is because your covert secret.

Cristina: Thingy got busted, so why not make another secret thingy?

Jack: How the f*** are you supposed to do that if people are already watching the elites in any island they might be converging on, or any location they might all be visiting? Which would be the place? No. Now it's like our source of it is gone. They'll get to that. They'll get to that 100%. But their source of adrenochrome is gone, which means withdrawal and desperation.

Cristina: Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McAllister, with social media managed by Amber Black.

Rambling 248: The Garden of Eden

Who were those closest to Jehovah? How did all these individuals live so long? Which experiments did they conduct? The duo finally deep dive into the research team ‘Garden of Eden’ in order to better understand its members and the core principle of their research and longevity. Although a difficult research project, the fruits of the labor payoff because of a simple revelation made which ultimately answers one big question and asks ten more!

Rambling 248: The Garden of Eden

+Episode Details

Topics Discussed:

  • Anthroposophy
  • Jehovah
  • Nahas
  • The Real Age of Lilith
  • Lucifer
  • Creating Physical Bodies
  • Highest Garden Clearance
  • Curing Death
  • The Messenger
  • Artificial Naga

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this here right now that you are listening to actively is the show where we ground humanity's most absurd and baffling ideas. It's our job to do so to ground humanity's most absurd, baffling ideas, period. Bruh.

Cristina: Yes, bro.

Jack: Yes, bruh. As you guys know, blah, blah, blah. Recap. Listen to another episode. Anyways, following all that, blah, blah, blah. Listen to an episode. It can't have anything recently. If you're just tuning in, bruh, we've been talking about kind of secret knowledge, I suppose, pieced together by the slightest bits of anything left behind that wasn't suppressed by the Catholic Church, ultimately turning out the fact that the f****** Catholic Church was actually the good guys the whole f****** time and they were suppressing s*** because of darker s***.

Cristina: Well, saying anyone's a good guy is kind of a stretch.

Jack: Fair, fair. There is worse s***, but that doesn't mean they're the good guys, because we.

Cristina: Don'T really know what's anyone's intentions.

Jack: Yeah, their intention could be to take over the universe.

Cristina: No idea. No one's. No, we have no idea who anyone's goal is really, or why. Like, we have an idea of what they're trying to do, but why is anyone trying to.

Jack: Yeah, we straight up have no clue. We straight up have no clue what the motivation behind any of the. What, the sea people, the Egyptians, the Earth. What is it the. The sea people known as. Well, the sea people are Elysium. Now that we've established, regardless of whether they are in the Persian Gulf oasis or in Atlantis. Well, Atlantis is not the Persian Gulf oasis, in the palace of Alcaraz or in the Atlantic Ocean. In Atlantis, the sea people are just a title given by the Greeks and a couple of people referring to them, but their name is the Elysians. Okay, established. A lot of what's happening revolves around the Elysians because they seem to be the furthest up in the totem pole and the first to get to the thing that a lot of others are trying to more or less get to. So because they're the highest up in the discussion of all the others, they're the information that comes across. Although the. The most buried of all of it. The most. It shows up in most places, even if a single line. It shows up everywhere on earth about them. About them. While other places might have a lot of advancement, but it's not really as advanced. And so they're mentioned more. It looks like the further up you got, the less you are mentioned because you also succeeded more in erasing yourself. So in recent weeks, we have discussed the Earth gods, which are the Mayan elite researchers. We've discussed the Sun Gods, which are the Egyptian elite researchers. We've discussed the Naga, which was an enlightening venture. And like I said before we jumped into the night, we're going to be focusing on a lot of individual groups, which is how we did. Which is why we did the Sun Gods and why we did the Earth Gods and why we did the Naga. And we're going to continue. And the Greeks, the Greek? Well, we didn't actually. Oh, well, did we discuss the Greek? No, we were talking about Naga and stumbled upon.

Cristina: I feel like it was so much of the Greeks and how they're related to this whole thing.

Jack: No, we were going. It was episode two of the Naga, really.

Cristina: Oh, okay. I guess they were the center because there's so much you found out about them specifically.

Jack: It was specifically about Glyconic.

Cristina: Mm.

Jack: Which answered a lot of questions. But following that, in fact, it's all right here, considering I've been, like, building it all up. I know we have. Really, what we were discussing, that were the two important bits, was we were very curious as to why Ophiomorphos, the Naga created by Yaldabaoth, was created by Yaldabaoth in the first place. And we found out that that's a pattern because Glykon himself and Kido Keto created Medusa and her sisters, and Glycon turned himself into a sort of the closest replica, even something an actual Naga couldn't accomplish. Somehow, with the help of that Naga and other scientists, Glykon became Glykon. And so there was a lot of focus on that discussion. But keeping intact with what we've been doing and focusing on individual groups, something interesting popped up. Now, I was looking into all the Shadow People we know, all the Djinn and other creatures that aren't Jinn but are from the Shadow Realm, like Sizen, who's not necessarily a Djinn.

Cristina: Okay.

Jack: Right. So just looking at all the Shadow People we know, and that episode's coming, I'm gonna have. We're gonna talk about all those details. But in doing so, a couple of interesting things came up and directed me completely away from the Djinn and completely away from the Shadow Realm, back to Earth Realm. So before we jump into that there's an interesting thing to discuss briefly. It's just a word. It's called Anthroposophy. And Anthroposophy is a new day name, a current age name. This was developed in the 20th century by a man named Rudolph Stainer. And it is the study of the shadow realm.

Cristina: Okay.

Jack: This was invented and is a true area of philosophy and thought about how to investigate the shadow realm. Thank you, Rudolph Steiner. We are way ahead of you, bro. But there are normal everyday people who don't have the profession that we do working for the elites like we do. They are slowly catching up.

Cristina: Did you check out what he researched?

Jack: We're going to eventually. Okay, that's not the point. I just wanted to mention that there are people diving in, okay? There are people who are gonna eventually get where we are, maybe many, many years in the future. We have advanced technologies and whatever to allow us to do our job well. Anyways, because of deep diving into individual groups and the things that doing so leads to, I have inadvertently stumbled upon a couple of interesting things. So just like talking about the Naga, specifically the Naga. Just like talking about specifically the Earth Gods, just like talking about specifically the Sun Gods, we have today one important deep dive that didn't seem relevant. But as I go through it, you're gonna notice why it is because we didn't actually know a lot of these questions, a lot of not questions. We didn't know a lot of these individuals. We knew that there had to be more. We just didn't know who they were. And luckily I learned a day. So today we are gonna look into the Garden of Eden's research team.

Cristina: Okay, you found stuff on that?

Jack: I found stuff on the Garden of Eden research team.

Cristina: Is the Garden. Do you know the location? Is it where we think it is as well?

Jack: The Garden of Eden is a research team besides.

Cristina: Yeah, but they're hanging out in one area.

Jack: They were previously in the Persian Gulf oasis and then they are in Atlantis.

Cristina: Okay?

Jack: So wherever their civilization is, seems to be where they collect. Where they are most protected and hidden from everybody else. It is very important to remember the Garden is not a place that is.

Cristina: The name of the group hangs out.

Jack: It's just the name of the group. It's a lab. Any lab they can get their research into is their lab. The lab is not called the Garden. They are called the Garden.

Cristina: Okay?

Jack: The team, the group of people is called the Garden.

Cristina: Okay?

Jack: So let us begin at the top and work our way to very unpredictable places. I warn you, ahead of time. This is definitely going to answer questions we didn't know we we needed to ask, answer questions we had and we forgot about and enlighten areas that have been foggy. Let us begin with Jehovah, the Big Kahuna.

Cristina: Okay.

Jack: He's one of the members of the Garden of Eden, because that's the conversation. He is an Earthrealmer, an Elysian, AKA a sea person. He is, as far as we know, the highest authority of Elysian, which would seem to be consistent with the highest authority in Egypt being the head researcher and the highest authority in Maya being the head researcher, that is Ra and it's Amna respectively. He is direct ancestor to Eloi, who was presumably the first Earth Realm or contacted by a Shadow Realm individual directly.

Cristina: Great. Is it?

Jack: And not just a any Shadow Realmer, but rather the creator of Earthrealm.

Cristina: Very sus.

Jack: He is Garden of Eden's team leader. Not just the leader of the Elysians personally ventured into the Shadow realms somewhere between 10,000 BC and 13,000 BC to acquire one of each fruit. He went to the Forest of Shadows, retrieved one of each. He's responsible for advancing the technology of the Elysians so rapidly and in such a short time that they've achieved the magnificent levels of tech that they have. He is the founder of the Jesus Experiment, which was about inseminating Mary and half the genetic makeup of Jesus Christ. We weren't thinking about who the other half was. And we know that the stones were used as well as the fruits, but we didn't consider the fact that this lady was impregnated and like. Yeah. So looking into it, it seems that basically her genetic material still required a male's genetic material. It wasn't Joseph, he was a Magi. He's not allowed to procreate. It was Jehovah who submitted his genetic material with a random other Elysian.

Cristina: Okay.

Jack: Thus creating Jesus Christ.

Cristina: Okay.

Jack: With the power of the stones, both stones and three fruits.

Cristina: Magic.

Jack: Magic. Next we have Nahas. Nahas is one of the original members of the Garden of Eden. Just like Jehovah, he is the Naga assigned to Jehovah. His appearance is that of a 2 foot ish, more or less serpent with arms and legs. He is the second in command of the Garden of Eden. Unlike in Egypt where Ra and Atum are 1 and 2 and then their Nagas are 3 and 4. Here it's Jehovah followed by his Naga, which is more like in Maya where it's Izamna. And then instantaneously after Zamna is Ixchel, who's a shadow person. And then comes Szent, who's also a shadow person. So the order of structure doesn't really matter. It's whoever has the most authority, whoever has the most knowledge and power. So that makes perfect sense. So he's an Aga assigned to Jehovah. His appearance is that of a two foot snake with arms and legs. Yeah. And he is the second in command of the Garden of Eden. Meaning anybody below him responds to him. Responsible personally for assisting in the development of the technology that assists the sea people, the Elysians, and makes them particularly overpowered as compared to the rest of the world. And personally assisted in the Jesus Christ experiment along with Jehovah. Let us begin spiraling out ever so slightly. The fourth in command. There's a reason I'm doing it in this order. The fourth in command of the Garden of Eden is Lilith.

Cristina: How do you know?

Jack: Based on the structure that they lay out in all the work. She is a Shadow Realm native. So she's a Djinn member of the Garden of Eden research team along with Mahas and Jehovah. As One of the four original members, she is the first person to use a Philosopher's Stone. Specifically the Adam one within EarthRealm 150,000 years ago.

Cristina: And you made a bunch of shadow.

Jack: People, went against orders and used Adam ahead of schedule and without permission. When clearance restrictions were applied, she quit and left the Garden of Eden research team. Fellow researcher Samael left the research team with Lilith as they had fallen in love. We'll revisit that man very soon.

Cristina: Okay. He's number three.

Jack: No.

Cristina: Oh, okay.

Jack: Third in command in the Garden of Eden. Now we're gonna get to some fun stuff. Lucifer.

Cristina: Okay.

Jack: A Shadow Realm native.

Cristina: Another one.

Jack: Another one. We have found the second person in the Shadow Realm who's in the Elysian Garden of Eden research team. Now the pattern is more consistent. I'll tell you something ahead of time. I did not find a second serpent. That I think is extremely weird considering.

Cristina: That it's most teams have to.

Jack: All the major teams. There's three major teams and each one has one of those. They have one that came from the Shadow Realm, an individual from the Shadow Realm with the serpent, and an individual from earthrealm was a serpent. And usually have at least two Shadow Realm individuals in the team.

Cristina: If this team split up, most likely that shadow. No. Then the Naga left with the people that left with. What's her name?

Jack: With Lilith.

Cristina: With Lilith. Yeah.

Jack: Well, Lilith doesn't have A serpent?

Cristina: Well, yeah, it probably isn't her serpent.

Jack: But it's probably right now we're talking about before the team splits up.

Cristina: Okay.

Jack: I found everybody in the team.

Cristina: Oh, okay, cool.

Jack: There wasn't a serpent. There's Nahas. And I did not find another serpent. Unless it's a case like Glycon, the serpent made.

Cristina: Yeah, that one's weird. That doesn't really count.

Jack: Well, in the case like Glycon, it's really. Yeah, that's made. So there's not like a second natural serpent. Where is the second natural serpent? Why are you guys so overpowered? If there's people with more magic in their team than you guys have, why are you guys ahead? They're two teams. They have twice as much magic as part of their team than you. Why are you the head of it? They're supposed to help. And they come from the most overpowered, most advanced place that exists yet. You guys are ahead. Weird questions for days. All right, all right, all right. So get ready for the things I'm about to tell you. I'm ready because this is gonna get weird, bro. Now we're gonna get weird. And this isn't even as weird as it's gonna get.

Cristina: Okay.

Jack: It's pretty weird, though. So. Third in command of the Garden of Eden, Shadow Realm native. Let us type in. Formerly the primary research directly on the Fruit of Knowledge. He was the primary researcher for that. His entire division of researchers were focused on the Fruit of Knowledge. That was their focus 20,000 years ago. Lucifer learned how to trap Shadow Realm natives in physical bodies identical to that of earthrealmers, allowing Shadow Realm natives to enhance themselves with the use of adrenochrome, which is something only earthrealmers can use. Shadow Realmrs used fear to cross. Earthrealmers use adrenochrome to cross. Lucifer learned, using Shadow Realm science, how to create artificial bodies identical to Earth Realm bodies. For Shadow Realm creatures who are not physical beings, he learned how to become physical.

Cristina: But these bodies are made of bodies.

Jack: They're bodies. They're bodies. They're real bodies. Unlike a Wetchaj, who's ghostly. Windingo, who's ghostly. The Djinn, who are ghostly. They're not physical. They're ethereal. By definition, they're all ethereal. He learned how to trap an ethereal being in a physical body as though there is ethereal existence. Was the soul.

Cristina: What? But this isn't like possession or anything. This is some other thing.

Jack: No, this is some other thing.

Cristina: Okay.

Jack: Some other thing. A thousand percent.

Cristina: Okay.

Jack: And it Makes them capable of enhancing themselves with adrenochrome. So Shadow Realm people who already have Shadow Realm abilities and then have the added ability to use adrenochrome.

Cristina: Weird.

Jack: Okay, fascinating.

Cristina: They're using adrenochrome makes them capable of using adrenochrome.

Jack: And it also makes them capable of actually eating fairy fruits and getting their abilities. Because people in the Shadow Realm can eat the fairy fruits but just take nourishment from them. They cannot get abilities from the fairy fruits. It's only. I did not know this part. The fruits only affect earthrealm natives. You have to be an Earthremer to be affected by the fairy fruit. You cannot eat the fairy fruit as part of. You can't just be a shadow person, eat the fairy fruit and get anything from it.

Cristina: Be a shadow person who gets body.

Jack: You could be a shadow person who gets a physical body and then consumes a fruit and then has the same effect that would happen to a Earthling.

Cristina: What?

Jack: So he basically made perfect humans? Or not humans, but Earthlings. He can make perfect earthlings. He figured that out? Yeah, with nothing but science. Meaning Yaldabaoth is not the only one who figured that out.

Cristina: Figured that out too.

Jack: Yaldabaoth created this realm?

Cristina: Oh, yes, yes. But we're not Shadow Realm spirits.

Jack: No, he figured out how to make a physical body and put himself into it, which technically Yaldabaoth didn't even figure out. Okay, so fair enough. I see where you come from. So that's already the first crazy thing. Second, using the. Using the genetics of Elysian and fellow researcher Samael, he managed to give himself a physical body which was identical to Samael's.

Cristina: Identical? Why would he make it identical, though?

Jack: I think. I don't. I don't know. I think it has to be. He used the genetics of Samael to make it. And the body looks identical to Samael. I think the body is going to look identical to the genetic host.

Cristina: Okay, so this.

Jack: It's like a cloned body, essentially. That can.

Cristina: Yeah. So, like, for anyone that does this, any Shadow Realm person has to look like an actual. Like a.

Jack: Like somebody who already exists. Which would then the argument be. Is this what we confuse for possession? The person who has been cloned and then this. It's a vessel with no soul.

Cristina: Yeah.

Jack: Then gets filled out by a Shadow Realm. Ethereal being is not the same. That person is somewhere.

Cristina: What do you think happened to that person, though?

Jack: I don't know. Well, the body had to be made, which suggests that body is somewhere in the Shadow Realm, where it could have been cloned. Some person gets snatched.

Cristina: Yeah, I mean, they do need that adrenochrome and blood, I guess, from that person.

Jack: They don't need the adrenochrome from the person. They need DNA in order to recreate the body.

Cristina: Okay.

Jack: The adrenochrome is just a benefit of having a human body.

Cristina: Okay.

Jack: So essentially, they take the Adri. They, not the adrenal. They take the DNA, clone the body. The body has no soul. They can fill out that soulless body with their own ethereal existence and now control it like they are that individual.

Cristina: That's crazy. So then they might be the demons that we see. Or not demons, but people who are possessed.

Jack: It would just. Yeah, exactly. That person is somewhere freaking the f*** out, trapped and unable to escape. So there's that.

Cristina: So he looks just like.

Jack: He looks identical to Samael. When Jesus became a disturbance to the secrets and the research of the Elysians, Lucifer is actually the one who devised the plan that involved the crucifixion. Unknowing that Jesus, he's still part of.

Cristina: The team then, right? He's not one of the abandoned ones.

Jack: No, no.

Cristina: Okay.

Jack: And he was unknowing that Jesus had already established a way back if he were to die.

Cristina: Yeah.

Jack: So this was unknown to the Elysians. Specifically the people who needed to know it was unknown to the Garden of Eden. They did not know that Jesus had already built his plan B. Yeah. So Jesus is kind of ahead of everybody. We're over here really thinking it's the Garden of Eden as the top, top, top, top, top. Yeah, but Jesus single handedly is s******* on these guys.

Cristina: Yes, because we thought maybe he was interested in going back or something. Because they're. Maybe they're hiding from him. But maybe that's not the case at all. He doesn't care where they're at.

Jack: Care? He's too op. Yeah, he knows too much without even. He doesn't even know where the f*** they are. And he's way ahead alone.

Cristina: Yeah, they may. Their job is to get rid of him. Yeah, but they still have to hide because they're trying.

Jack: No, he's an unstoppable force.

Cristina: They know he knows.

Jack: Like, yeah, it looks like he might be the real problem at this point.

Cristina: Yes.

Jack: Like, legitimately, he might just be like, if you get in my way, I'm just get rid of you. Yeah, well, Lucifer, this is where a lot is about to start making sense. Lucifer was actually an advocate for the sharing of technology with as many civilizations as possible to assist in moving science forward at an increasingly faster rate across the world. The more people that know, the more people, the more minds we can put on the same topics and subjects and research the best of those we can move together.

Cristina: So do you think he picked the specific groups of people that they would partner up with?

Jack: So this includes having reached out to the Egyptian civilization and the Mayan civilization and several attempts to assist other civilizations that advanced too quickly and as a result self destructed. Those were all his thing.

Cristina: Okay.

Jack: Including the civilizations that completely fell apart that were along the old equator.

Cristina: No, he was trying to get them involved.

Jack: He was trying to involve. So the argument was really. Which I believe is one of the following lines. This includes civilizations across the old equator, which were the first to be reached out to later. Focusing on only the most advanced civilizations instead of all the civilizations. He wanted to share it with all civilizations. Take even the people who are primitive and let's force them to quickly evolve. And those civilizations collapsed. Those are the ones that are abandoned across the old equator because he was trying to give it to everybody. Hey, look, there's people everywhere. We can get these people, all of them, to partake in this thing. But they had not matured enough to use these things properly. So first they're excited, then they work together, but immediately devolve into their most primitive instincts and collapse.

Cristina: Yes. Okay.

Jack: So then the directive became to work with only the most advanced civilizations who've matured enough to deal with advancement, which.

Cristina: Is the top two.

Jack: Which is later focusing on the most advanced civilizations of all civilizations, which Lucifer did not like, but coped with because his. His personal attempts at enlightening everybody was.

Cristina: That hard did not work.

Jack: It was falling apart. It was essentially his fault entire civilizations went extinct. He chose people who were not ready. That's on him. When the rest of the research team and the sea people, all the Elysians in general, suggested no longer sharing technologies with civilizations other than the established relationships. Prior to the move from the Persian Gulf oasis to the Atlantic Ocean, Jehovah and Lucifer had a crazy argument where they completely disagreed. In Jehovah is on the side of we're no. And as a leader, he has the final say. We are not sharing this with anybody else.

Cristina: Okay?

Jack: That is done. The people we've established connections with are good. That's who we're dealing with. No one else. Lucifer disagrees. And he thinks the rest of the world is going to be left in darkness and abandoned and left behind this crazy Argument happens, resulting in Lucifer quitting the research team. Although still maintaining his physical form, established through Samael's body, he returns to the Shadow Realm.

Cristina: Oh, I thought he helps them with Jesus. Is that after that?

Jack: Probably already happened, considering they're leaving. They're deciding to suppress and hide themselves. That's around the Jesus time. Presumably, he helped with Jesus. Okay, all right. Now those are the obvious people within the team. Let's dive into the less obvious people within the team. Michael, an earthrealmer, an Elysian. He is a military general and Garden of Eden research team member and tactical expert, referred to as the angel of War. Originally joined the team in order to offer his wealth of knowledge and tactical expertise. Grew to be one of Jehovah's closest and most reliable friends.

Cristina: Really? Okay.

Jack: Once Lucifer left the team, Michael was promoted the third in command and was placed in charge of security detail for all of the Elysians in their old home and their new home to come. He is also responsible for personally for forcefully removing Lucifer from the facilities when he attempted to steal the Fruit of Knowledge research and take it with him.

Cristina: Why? He could just. I guess he could just restart in the Shadow Realm once he was there though.

Jack: Yeah, but he already did a s*** ton of research with quite advanced technology and that was his research. That was his research, bro.

Cristina: His research.

Jack: That was his work.

Cristina: Yeah.

Jack: And they're like, nah, that's complicated. That's complicated. If it's something like Abraxas who hears some background noise and you're over here trying to steal all the research, you're an a******. This is Lucifer's research.

Cristina: And they're like.

Jack: They're like, no, that's messed up, dude. He got ice out of a company he works at. That's basically what happened.

Cristina: Just because they did it, he didn't agree.

Jack: He got Steve jobbed. You know, the board is like, nah, get out.

Cristina: But it seemed like everyone was behind. It wasn't just the research, it was the whole community. We're like, we don't want to share this with everyone.

Jack: I guess it really came down to the orders of Jehovah. Jehovah was really the individual in charge of all of this. So, like, I don't know if everybody else was involved. Additionally, random other fact, Michael is the brother to Azrael, which is the thanatologist and geneticist of the team.

Cristina: The what?

Jack: The thanatologist and geneticist.

Cristina: And what is the Thanatosis?

Jack: Well, I will tell you. Asriel, EarthRealmer and Elysian. Asriel is the Thanatologist and geneticist, referred to as the angel of Death. Thanatologist is an individual that specializes in studying death, the effects of death, what is lost in death, what happens in death, the psychology, the neurology. They specialize on all things related to death. Responsible for curing the disease of natural death. Amongst Elysians. The reason that they do not die and it is the same people for an absurd amount of time, is because they no longer have natural death. Another reason that they must hide for long periods of time because continues to study with the Garden of Eden as a primary researcher into the Fruit of life. She is the primary researcher of the Fruit of Life in an attempt to solve death from all illness and incapacitations. They can still be killed. So it is important that they don't go anywhere that they could be killed. Hiding is important if you want to continue your research with your sane people.

Cristina: But they can still pretty much survive anything.

Jack: They'll survive anything. They have the technology. But if something advanced enough showed up and decided, I'm a f*** you up and they weren't ready, they could probably be killed.

Cristina: Jesus.

Jack: So that's Azrael, the sister of Michael.

Cristina: That's his sister. Okay.

Jack: Thanatologist and geneticist of a military general named Michael. Now this is fascinating because again, it explains how the h*** these people have lived so long. But also it looks like without the existence of Azrael, Eloi, AKA L, has still been around a f****** infinity. That dude was around millions of years. What the h*** is that about?

Cristina: He ate a fruit. I don't know. Who's the one that was shown into the shadow realm first?

Jack: He was told about it by.

Cristina: But he never went.

Jack: Well, he actually went with Susan.

Cristina: Yes. Come on. I think. Yes, but no.

Jack: That was still such a long time before anything. He was around really long before that happened.

Cristina: But they knew where the Garden was.

Jack: What does that have to do with how long he lived before even witnessing the existence of the fruits? How the h***. There's a huge. Eloi is the most baffling of all of these people.

Cristina: Or maybe it's not the same person. Maybe it's like his ancestor. They name the. You know, the child family name.

Jack: Yeah, I mean, it could be. I don't know, man.

Cristina: And they all know the story, so it's not really crazy or anything.

Jack: When this happens, Susan doesn't state anything weird.

Cristina: But about the shadow realm, they're not freaked out about it.

Jack: But there's nothing being stated like this isn't the same guy, the ancestor of Eloi named Eloi? Yeah, as far as we know, it's the same freaking guy, man.

Cristina: How is that possible?

Jack: How is that possible? There's something we're not understanding about Eloi because it seems like the Elysians did, in fact require scientific development in order to cure death. So then how the. Like, how the h*** was Eloy around so freaking long?

Cristina: Dude, he was drinking adrenochrome or something.

Jack: That'd be crazy. That was around. It could have been the case. Could have totally been the case. I don't freaking know. But, like, questionable.

Cristina: Yeah.

Jack: Next team member, Raphael, Earth Realmer, delician, secondary researcher on the Fruit of Life, right behind Azrael. Elysian's highest ranking medical professional, though a physiologist, medical doctor and pharmacist. Which means between Raphael and Azrael, together they solved death. Death. Prior to the Elysians becoming private with their civilization and technology, he was famously traveling the Middle east providing medical aid and medical support across the Mediterranean region and all of Persia.

Cristina: They knew about him.

Jack: They knew about him. He was everywhere. He was traveling everywhere helping people. He was a sea person on the ground.

Cristina: The sea people didn't have a problem.

Jack: They did not. Because that was still at the time. It's prior to them being private. He was just traveling. It was prior to their privacy. So he was just out there. Everybody knew about them, okay? Everybody knew about the sea people. There were the suit. They were proud. They were proud about who the f*** they were. Next. Gabriel. Earthrealmer, Elysian ambassador and direct assistant to Jehovah, messenger of the Garden of Eden to the rest of the Elysians, and trader between the Garden of Eden, the sun gods, and the Earth gods. This is the literal individual who travels from place to place when something is done. This is the one who risks losing their life or being caught outside in order to deliver the messages and transport the technology required from one place to another.

Cristina: That would be horrifying. Stabbed. Jesus. Probably watching out for him.

Jack: Could 100%. Could totally be. Everybody else is hiding. Everybody's gonna f*** this s***. We're all gonna do our thing. This is the individual traveling. Now, this is an interesting detail that gets mentioned here because it brings up the fact that after they've become private, this is still the communication individual, but after they've become private, the Mayans have disappeared and the Egyptians have disappeared, and still Gabriel is the messenger. Which means there is, in fact, in Atlantis, a connection to wherever the new location of the Egyptians are and the new location of the Mayans are all Three places are still connected, but exclusively to one another. There's no other way to access any of them. But there's ways to access each other.

Cristina: Yes, but he could be like using technology to communicate with them.

Jack: I think they've got portals in these places. I'm pretty sure there's a portal in Atlantis that takes them into the Great Void. And there's a portal in Atlantis that goes into the underground catacomb facility with the storage systems for energy and data that the Mayans have. And the same in theory would apply between the Egyptians and the Mayans. Where the Mayans have a portal from their catacombs to the Great Void and to Atlantis. And the Egyptians have a portal from the Great Void to Atlantis and to the catacombs. This tells us they are all still connected. Even if we can't access them. They can access one another regardless of where the f*** they might be. And we're pretty sure two of them are still on Earth and one of them is somewhere way the f*** out there. But they're still capable of doing their thing.

Cristina: Yeah, well they can't know about Jesus then, right? The Mayans and the Egyptians, if they're.

Jack: Still in communication with the Elysians, yes, they know. They've been informed. Oh, they're not just going to be like we're not telling you. No, they've probably shared every bit of knowledge. Always.

Cristina: Okay, because what did Jesus find them? They're underground. They might not be impossible to get to.

Jack: I'm sure they're pretty difficult to get to. On the flip side, we don't personally know. They could have been destroyed by Jesus a long time ago.

Cristina: We have no idea.

Jack: And we have no idea. We have no clue. And they're all just dead. Jesus single handedly death starred the out of them. Or like Starkiller just went there single handedly Bloodshed everywhere. And they're trying to figure it out. They're super advanced mega ultra weapons throughout here. Shooting him, laser weaponing him down. He's just eating it. Grabbing people by the neck, crushing their skulls like nothing.

Cristina: What would that mean? With their teleporters.

Jack: Then he went to all the places and extinct all of them and everything has failed. Yeah. So I'm assuming they're just fine. Yeah, I'm assuming that they're perfectly okay.

Cristina: I don't think they have a teleporter because I feel like if he just they.

Jack: Because this just established the fact that he's directly. Not just the communicator and messenger, but the trader, he trades between them. If it was just messages, then he's. He could do Morse code for all we care. But no, he's with them, exchanging data and tools and items and notebooks of data. That is the fact of the matter. So they are somehow reaching each other. Okay, that's happening. Gabriel is accessing the Egyptians and the Maya. Additionally, this tells us a lot too. Again, this is him putting himself in danger. He is the primary connection to the Greeks. He's who shows up in Mount Athos. He's the guy. It's Gabriel.

Cristina: He shows up everywhere.

Jack: Nobody else. He's the dude who's in charge of all of us making rounds from one place to another. And because the Greek are way behind. Or so we thought. But now it explains why they have a. They don't trust the Greek. No, but they still know. Now it makes more sense because it didn't before. Like, why are you guys trading with these wack a** people? What do they have that you need?

Cristina: Until we found out.

Jack: Until we find out that they actually do have pretty advanced technology. Although they don't like the Greek. This actually f****** all of it pieces together a lot of s*** we didn't think about before because I was always suspicious. Like, it doesn't make sense. Are you just helping them to not be a*******?

Cristina: That doesn't make sense because there's so.

Jack: Many people they're ignoring. There's so many people, they're just like, die. Who cares why these people you particularly don't like? Yeah, except now we get it after last episode, where we discover with Glycon, there's real sciences that these people have developed that they themselves don't have.

Cristina: Crazy. Yes, they have Freaking. What are they called?

Jack: Naga.

Cristina: Nagas.

Jack: You've learned how to turn a person into a Naga? That's absurd. Right? And like, okay, now it makes sense why they might not be in the loop of the three, but we can't. We can't ignore them either. Yeah, there's a problem there that could become a problem to us. So let's play nice. Even if we don't like them, we say treaty. Even if not, partnership. Additionally, he is the sole communicator between the Garden of Eden and Mary, Joseph and the three Magi. When they are moving from one place to another, that means this individual is using their technology, popping out while an entire civilization is moving from one place to another.

Cristina: I feel like it would be an easier job if he was a Shadow Realm person. He's not though, right?

Jack: They got portals.

Cristina: I know.

Jack: Although as far as we know it seems like the portal has to be established somewhere.

Cristina: Yeah.

Jack: So I don't know how. He must be making genuine trips between one place and another. Making his life the most. He has no other job, I guess so. It's like.

Cristina: It would just be easier if he was a Shadow Room person, I feel like.

Jack: But he's not.

Cristina: But he's not.

Jack: But he's not.

Cristina: Well, we don't know if he's become one. Like, can you become one?

Jack: It doesn't seem we've seen anything that could turn somebody into a Shadow Realm individual. Next is Uriel. Uriel is an Earthrealmer, another Elysian. By the way, we found a crap ton of Elysians for this episode. He is the head of security and the most trusted officer of Michael. In charge of guarding the entrance to the Garden of Eden's research facilities. Using highly advanced technology and known for being as ruthless as Shadow Realm creatures. Are the trespassers just a violent, monstrous individual who's employed by the team. You protect us at all costs. There are. I don't have any other stories written right here, but there are so many stories of this guy being quite gruesome, you would think he's a demon.

Cristina: He's not drinking blood or anything.

Jack: No, no, no, no, no.

Cristina: Just murder.

Jack: Murder. Beheadings, gut ripping, limb ripping. Slow. Like old school, Old Testament, Jehovah, cruelty level types of s***.

Cristina: Okay.

Jack: This guy was in. In. He's like, I'm down. What? Like they hired a psychopath. And he's like, you're gonna. You guys are okay with me doing this? And they're like, yeah, yeah, we want you to do this. He's like, wow, I feel like I belong now. And then goes ahead and just rips heads off of things 1% of his size and smiles while doing it. That kind of. He's that guy. Now let us dive in to something important that matters a lot.

Cristina: What's that?

Jack: Samael. Finally, an earthrealmer. An Elysian. Now, keep in mind, we heard he fell in love with Lilith, which means Lilith fell in love with an Elysian. Second ranking researcher into the Fruit of Knowledge, right behind Lucifer.

Cristina: Interesting.

Jack: Okay, interesting. Botanist and Earth science specialist. Smart guy. Discovered how to plant seeds of the Fruit of Knowledge into earthrealm soil and grow the tree.

Cristina: He grew the fairy trees.

Jack: He learned how. No, no, no, no. He learned how to grow a fairy tree on earthrealm soil. The fairy tree's fruits aren't fruits on our end. They're only fruits in the Shadow Realm. Oh.

Cristina: But his have.

Jack: His were inverted. He learned how to make the fruit grow on the earthrealm side. What a powerful mind.

Cristina: Yeah.

Jack: This is a skilled individual who has essentially broken the matrix. As far as we know.

Cristina: How do you even do something like that?

Jack: Through botany. We're not going to discuss botany on the show. But through botany, through plant growing, watering, and that's not stuff.

Cristina: There's way more to it.

Jack: Of course. It's science is responsible for growing the first successful fairy tree with branches in EarthRealm.

Cristina: Bruh.

Jack: As opposed to the roots. What we see as trees are just the roots. Yeah.

Cristina: That are still very protected though.

Jack: That are still very protected. Is the DNA donor for Lucifer's body transmutation later. And this is where s***'s about to be really complicated because the implications are false. Nuts. Later use Lucifer's body transmutation technology and samples of Nahas.

Cristina: What?

Jack: David, I just talked about Nahas earlier. Keep forgetting who Nahas is. Pay attention. Be involved. Nahas is Jehovah Serpent. Later used Lucifer's body transmutation technology and samples of Naha's physiology to alter himself into an artificial Naga.

Cristina: Of course. Of course. It's not shocking.

Jack: Had the ability to take the form of a serpent at will. Following the procedure, abandoned the garden to follow Lilith after falling in love with her. And she left. And most importantly, went to the Shadow Realm with her. I did not find this in any of her material. She left the group. Lucifer clearly stated went back to the Shadow Realm. Nowhere did it state Lilith went to the Shadow Realm. But when you look at Samael, he goes to the Shadow Realm with her. So she also went to the Shadow Realm. Fascinating. Now let's unpack Samael real quick.

Cristina: Yes.

Jack: Lucifer looks like Samael. Samael can become a serpent. Lucifer argued in case of sharing knowledge. Samael and Lucifer were both involved with the Fruit of Knowledge. Samael was directly involved with Lilith. If we look at the old narrative in where there is a serpent who tempts Adam and Eve, the serpent is Samael.

Cristina: Okay?

Jack: Not Nahas. Nahas does whatever the f*** Jehovah wants.

Cristina: Yes.

Jack: There's no reason he would. Lucifer does whatever Jehovah wants. There's no reason he would. Although Lucifer is in fact trying to give the world enlightenment.

Cristina: Exactly. So the Bringer of Light together to do that?

Jack: Well, no, because this is still all part of the research world.

Cristina: Okay.

Jack: The one who plants and grows the Tree of Knowledge is Samael. And then Samael goes out of his way. I'm thinking Samael gave the Fruit of Knowledge as an experiment to some primitive culture. On the flip side, it is completely possible that Lucifer was on board with that. You grew the fruit on our side. Let's grab it, give it to people and see what happens.

Cristina: Ah, yes. Huh? Maybe. And maybe it didn't. It failed. And so that's when.

Jack: That's why he wanted to give it. The primitive cultures, we give them Fruit of Knowledge, they get enlightenment, but they grow quickly. We give them our technology, they will evolve quickly. But then those collapse. Those experiments failed. Entire civilizations lost. What were you thinking?

Cristina: I keep forgetting her name. I keep thinking of Eve. But Lilith. She gets involved, too, though, because she makes her own. But why is she making her own?

Jack: If we think of the way the.

Cristina: Research works, in that same research.

Jack: Yeah. No, if we think of the way the research works, she uses the Philosopher Stone, Adam, then Samael, who managed to grow fresh fruit, provides those primitive creatures with the Fruit of Life. Actually, the Fruit of Knowledge. My apologies. The Fruit of Knowledge in an attempt to create the next intelligent breed.

Cristina: Yep, that's. That sounds right. Then they all get kicked out to the Shadow Realm. I guess. I don't know.

Jack: Now, this is where I have a big, big problem, because there's a huge discrepancy here that I know you did not notice. Lilith used Adam 150,000 years ago. Eloi is who was around 150,000 years ago, not Jehovah. What do you see the problem?

Cristina: I don't understand the problem.

Jack: I don't understand the problem either. My question is, is she's a shadow person. We know she's not gonna age normally, or maybe they don't age at all. I'm not entirely sure how that works.

Cristina: Yeah.

Jack: Is she older than Lucifer? Has she been involved in this longer than Lucifer? If not, or if so. Regardless of what the answer to that question is, is she the first or in the first research team which involved Sizen, Lilith, Sizen and Eloi?

Cristina: Okay, so she didn't betray the. What's his name?

Jack: Loi.

Cristina: Oh, she did, But. So there was a first.

Jack: I don't know if there was. I know. He was definitely working on some s***.

Cristina: Yeah. This timeline, it's ridiculous. It's so long.

Jack: Yes. She stretches from 150,000 years ago to 10,000 years ago. That's four. That's 140,000 years of her just being around, as far as we know, to put this into perspective. And I. I guess I didn't think about this before, but I guess it makes sense. Lilith has literally been around since before the Eve stone. Which I guess makes sense according to all the literature. Yes, I guess. But that. The fact that that just got reinforced makes it more of a problem. Because I was thinking maybe I'm wrong and the state is. I'm missing some piece of. But no, I guess that technically falls in line with all the f****** information.

Cristina: Yes.

Jack: She was there before the Stone of Lilith. I mean, of Eve.

Cristina: Yeah, I don't know.

Jack: I just made it more complicated. I was looking for an out, like maybe I f***** up somewhere and like I go back and find. But no, it makes f****** sense. According to the s*** that already is out there.

Cristina: Yeah.

Jack: So Lilith knew both Jehovah and El. Lilith is more important than Lucifer.

Cristina: Maybe she's the reason he stayed alive for so long. I don't know.

Jack: Well, she wasn't working on any of that crap. That was Asriel.

Cristina: Asriel, yeah, but she was with him.

Jack: What does that have to do with Asriel wasn't even. Yeah, Asriel wasn't even born. So there's no solution to this problem.

Cristina: She can still. She might have known something about adrenochrome to help this guy live as long as he lives.

Jack: Well, no, as a shadow person, she wouldn't know anything about adrenochrome. She uses fear specifically.

Cristina: Crap.

Jack: She literally would know nothing about adrenochrome. That's too Earthling. Only Earthrealm. I mean, Lucifer had to figure out how to become an Earthrealm in order to use it.

Cristina: I don't know.

Jack: Or not become an Earthrealm or replicate Earthrealm or physiology, at least in order to use it.

Cristina: So what does it mean?

Jack: I don't know. This is a quite complicated individual. It looks like Samael and Lucifer are conflated. Not only Samael and Lucifer, but Samael, Lucifer and Mahas. There's a lot of conflation there. Looks like a lot of the accusations that go to Nahas were just Samael. Nahas is innocent for all we know. And it looks like a lot of the accusations that go to even Lucifer are really Samael, minus the fact that Lucifer was down to spread the knowledge. Yeah, but based on those two contexts, maybe Samael and Lucifer were already in a rebellious state where they were thinking or maybe running projects separately. Yeah, like scientists do, you know, hey man, I got this thing going on. Hey, I got that thing going on. And they tried to do things that failed. Samael being close to the two Shadow Realmers in the team was easier for him to fall in love with somebody like Lilith. Who's a natural shadow armor. But also, she must have, like, crap Tony ears on this guy. But I guess that also doesn't really matter. That's a concept of New Age to worry about age.

Cristina: I wonder if they worry about the deaths that are involved because, like, their failure is people dying.

Jack: Masses.

Cristina: Masses that could be part of why they had to be kicked out eventually. Like, we don't know if they care about lives or not, or, like, our lives or anything. But maybe they do care about life. Maybe not us specifically.

Jack: I think the real argument comes down to obedience, not necessarily life. Because it looks like in the case of Lilith, like, Samael wasn't kicked out, he left. And he was responsible for a lot of problems. Yeah, but science s*** fails. But Lilith disobeyed orders. She gets kicked.

Cristina: Yeah.

Jack: Lucifer disagreed with orders and he left. He lives.

Cristina: Okay?

Jack: It looks like obedience is the problem, not necessarily life. It doesn't seem like they care about life. You do what I say. I am top dog. I'm the last word. You either agree or get the f*** out.

Cristina: Okay.

Jack: And in her case, she's like, I'm not leaving. This is my work. And they're like, get the f*** out. You violated rules.

Cristina: Yeah.

Jack: And his case is like, I'm not dealing with this s***. I'm an equal member here. And you're absolutely stepping over all of us. My research is important to me. And he dips. Not only that, he tries to come back and take a s***. I think this is framing a lot of the stories that exist in the world.

Cristina: Yes. But it's still, like, there's still so much things. I don't know how they fit in the timeline of things.

Jack: I don't understand Lilith entirely. It's a huge, huge problem. Because I know that was. I know that didn't get caught immediately. The fact that, oh, yeah, she's part of this team. She was here 150,000 years ago. To be fair, Susan personally knew El, and Susan was also part of the Earth gods, which were consistently communicating with Elysium, which Jehovah was part of. So Szin and Lilith have some time, some longevity in which both Susan and Lilith both knew Eloi, and both Susan and Lilith both know Jehovah.

Cristina: Okay, yeah, yeah. But I don't know how that relates to each other.

Jack: I don't know either.

Cristina: They're shadow people. They live forever. Maybe question.

Jack: Maybe question mark. Yeah, exactly. And why is it that El lived so long if he did not have Azrael? I don't know. I think that's Fair enough. I actually think that's more of a problem because we have a second example. It just looks like shadow people live a really long time.

Cristina: Yes.

Jack: Or they don't die. Yeah, I mean, dead people go to the shadow realm. Let's just assume they don't die. But then what the h*** does that mean for Eloi?

Cristina: Unicorn blood, dude.

Jack: He's just around.

Cristina: Yeah. What was pre everything? Unicorns.

Jack: Unicorns are just fairies.

Cristina: Yeah, but aren't they? If you eat their. No. Something about using their bone makes you live forever or whatever. Said the guy on the boat.

Jack: Yeah, it'll grant you immortality.

Cristina: Although no one knows how to use it. Because everyone died who was in contact with it.

Jack: No, not the people who in contact with the people trying to get to it all died. They killed each other trying to get it.

Cristina: Yes. So no one successfully used it the correct way.

Jack: Nobody successfully used it, period. Nobody successfully got a hold of it without dying. And then the one guy who had it was hiding it the whole f****** time and still died at the end.

Cristina: Yeah, but these stories have to come from somewhere. Like where's the proof of the person who lived forever?

Jack: Because unicorn horned Harry Potter is where that comes from.

Cristina: That's what the Greeks were basing their legends on. Harry Potter?

Jack: No, Harry Potter is where the person drinks the thing. I see what you mean. So Antonio Draco, did he hear the.

Cristina: Story from Harry Potter? I don't think so. He knows.

Jack: Well, he knew it could cure any illness.

Cristina: Then he say it could keep you immortal.

Jack: I don't know if that was ever mentioned. I don't think that was the case.

Cristina: I feel like that was one of the many things. Things they could do.

Jack: You think you're granting mortality? Fair enough. It does sound like something that would do. Because it's supposed to do everything and more.

Cristina: Yes, because it was so much like adrenal adrenochrome, except that we couldn't prove that it actually could do anything.

Jack: And you can't get addicted to it.

Cristina: Yes.

Jack: I guess it was just. I don't know. Somebody must have tried it. Right. Because the guy didn't tell him a lot about it. He just gave it to him. This is what it is. Died.

Cristina: Yes. And then everyone after died.

Jack: Everybody trying to get to it died. Everybody came in contact with it, whether they got to do anything with it or died. Yeah, unicorn's f****** horn is a problem.

Cristina: There has to be one example of someone who succeeded and maybe this is the guy. Maybe it's random. I know it's very random. But, like, where did this story come from? Yeah, why is this guy living forever? It makes no sense.

Jack: No, that's a fair a** question, to be honest. Because, like, what the h***? We know, unicorns could do it, but so could Adrenochrome, to be fair.

Cristina: But he's so ancient that Adrenochrome doesn't seem to be involved.

Jack: Adrenochrome has existed always.

Cristina: Always, Like. But did humans know about it always? Or not humans.

Jack: Whatever the Elysians are. Yeah, they could be human. I have no idea. That's still so hard to establish. They were. They were really close to human. They know they're genetically different. They were really close to human, though. We know that much. They were very close to human. They were just some other s***, like the difference between Neanderthal and a caveman or some s***. It's like they were really. They were really close.

Cristina: Okay.

Jack: Although they're not. Like, we're not the same. And that slight difference makes them OP and us not. On the flip side, we got here quicker, which means we're gonna be more OP in less time.

Cristina: If you were working together, like, they're working together with their ridiculous teams.

Jack: Yeah, they got really overpowered teams. Anyways, anyways, that's all we were way over time. And, like, I'm more confused than I began because I don't know what the f*** is up with Lilith. And Lilith is less of a problem because if we just consider Susan as well. Susan knew both Jehovah and El, and Lilith knew both Jehovah and El. That's less special than why the l lived like 4 million years or some crazy like that. Like, what the was that dude a vampire?

Cristina: I don't know, dude.

Jack: It would have to totally be. I don't even know. We'll figure it out eventually. Anyways. Anyways, if you guys have any input for any of this, you can hit a zub on all our socials. Just convopod on X, on Instagram, on Facebook, on TikTok.

Cristina: Remember to subscribe and review the show.

Jack: And remember to word of the mouth. The out of those people. Tell people, scream at them, say, hey, hey. Bottom of that. No, don't whisper. Don't whisper at all. You scream in there, you grab their face and you put it really close to your face and you see. Scream as loud as you can. Hey, hey.

Cristina: Something's here.

Jack: This. Yeah, exactly. Here's this show that's going to give you answers about crap you had no idea you wanted to know about and had no questions for to begin with.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening.

Jack: Bye. Oh, yeah, it's not even related, but what a coin. What a coincidence. Just us. Coincidence left and right. Coincidence left and right. Yeah. Sure. Totally. We're not thinking too hard about it. We're just like, you know, everybody's for whatever reason, dealing with the Church always dealing with adrenochrome. I don't know why Church always, for whatever reason, suppressing something. The Church always, for whatever reason. Who the f***, no, what all this s*** is actually. I mean, it was obviously, when you think about it, connected, but, like, we weren't thinking about it. We were just kind of. Oh, it showed up again. Cool. Butterflies in a dream come, children, dream come. Haha. But it's like, bro, 911 was real and it looked like it was an inside job and it looked like it happened at a time when absolute peace was kind of establishing. And it's like, oh, in hindsight, that makes absolute sense as a way to cause a lot of fear and get a lot of blood.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 247: The Naga Part 2

What are the finer details of the Naga? Who are their families? Who are their enemies? The duo continue unpacking the Naga and their existence. This time around the revelations completely reshape what is known about the Naga, their relationship to others and what is known about Magic and Elfame in conclusion.

Rambling 247: The Naga Part 2

+Episode Details

Topics Discussed:

  • Naga Tools
  • Family
  • Death Rituals
  • Surpa Satra
  • Partner Assignment
  • Elfame, Earth and Shadow
  • The Funen Dynasty
  • The Naga Experiment

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And today's ideas are even more absurd and more baffling. They get more absurd and more baffling every week.

Cristina: How?

Jack: I mean, you've been here the entire time.

Cristina: There should be a limit, though.

Jack: Oh, I don't know. Oh, you meant like, how does it keep happening? Not literally like, oh, how did it happen? But like, oh, how is this still happening?

Cristina: I don't know.

Jack: Because the universe is crazy, man. But our jobs are to report on the craziness, to investigate and report on the insanity. To uncover the truth. The most wokest of truths. The most wokest.

Cristina: The wokest.

Jack: The wokest.

Cristina: What does the wokest have to do with it?

Jack: Eyes open. Not letting the deception. Not being asleep. Sheeple.

Cristina: Okay.

Jack: Not being. Not letting the lies we've been told be the narrations of our lives. Being woke is all about. Anyways, last week we were talking about the. We were just, you know, because we've gone through everything happening in history relative to, I guess, what's the focal point at this. At this moment? I guess. No, it used to be, but I guess the goal as. As of now, it's become learning about Elfame and anybody related to it. The sea people just happen to be the most successful at it. But the point now seems to be before it was learning about the sea people. That objective has slowly shifted as it seems that everybody, including the sea people, have the same goal, more or less. So the sea people weren't just a special one. Weren't special ones. They were just the best at it. But the real point here is. Is really coming down to learning about.

Cristina: Elfame, because there's nothing on it.

Jack: There's nothing on it. And in our attempts to come across more information on the Elfame, we're looking into one of the fairies we know the most about.

Cristina: The Nagas.

Jack: The Nagas, because they seem to be everywhere. They seem to be in any civilization that developed sufficiently advanced technology and they themselves were sufficiently intelligent, seems to have contained a Naga. So last week, we went on a deep dive looking at nothing but Naga, looking at as many Naga as we could before the timer ran out. And then the timer ran out and we were still talking about Naga. Yeah, you know, we try to keep it under an hour, but we failed quite Frequently lately, because there's a lot of information. So we do our best.

Cristina: So we're gonna do more Naga.

Jack: We're gonna do more Naga. Today we're gonna do more Naga. But oh my God, the things I have found. Doing more Naga. So today we're gonna go slowly through this.

Cristina: Mm.

Jack: The very first thing is gonna be really problematic and ruin everything here. Ruins everything we've thought we knew.

Cristina: Okay.

Jack: All of the above. I focus entirely. We're no longer looking at random Naga. These are all Naga. And we're gonna be discussing. But we're no longer just looking at random Naga. Because looking through all the possible dots, there's so many. There's hundreds. But I happen to find some instances that might give us insight and perhaps even ruin to some degree a lot of the preconceptions we had. They give us a look into what we've been looking for.

Cristina: Really?

Jack: Yes.

Cristina: Okay, I have a question before you go through this because I don't know, is there any current day Nagas? Is that a thing?

Jack: It seems that beyond a certain point everything sort of stops. I also don't know the source of that. Closest most recent day events we have are people either working to make philosopher's stones which take the form of tragedies or events that focus on individual creatures from different realms, or whatever was happening, I suppose with Antonio Draco, who is in the 1700s, mid-1700s, coming in contact with some pretty shady materials.

Cristina: Okay. Is that the most recent? No, the golem is more recent.

Jack: The golem is. I mean, no, because I guess the beginning of the golem was before Antonio Draco and the end of the golem was after Antonio Draco. It's quite, quite a hefty period going on there.

Cristina: Oh, okay.

Jack: But yeah, so there's very few isolated situations. You know, it gets harder and harder to track these things as time goes, becomes more recent.

Cristina: Okay.

Jack: Because they're better and better at hiding away, which creates a bit of a problem. We know most of the highly advanced civilizations vanished somewhere. Something happened. We have the idea for some of them, but not all of them. You know, some of them just dip out.

Cristina: Which space might be the answer? I don't know.

Jack: For some of them specifically. At least we know for the sun gods. For the rest of them, I'm not entirely sure. Except the Earth gods, which also they themselves seem to maybe have gone underground to manage data storage facilities.

Cristina: Yeah.

Jack: And the sea people might still be just under the ocean. So there's scenarios we can't prove any of the above Anyways, as we continue looking through these Naga, a couple of different things are gonna happen and you will see as we go through them. So, like last time, I'm gonna give you the name of the Naga and tell you some details about them, but there's no way to dodge it. Getting weird instantaneously.

Cristina: Okay.

Jack: This is The Naga Part 2. The first Naga is called Kaundinya. Kaundinya. Well, let me go back. This is not a Naga. It's important to establish that this is not a Naga, because. Well, the idea here is that this person might be one of the people most tied to Naga.

Cristina: Okay.

Jack: And you'll understand as I go forward. So Claudinia was just a warrior of sorts. Get ready for this very first sentence. He was told to locate a magic bow which could kill a Naga.

Cristina: Oh, okay.

Jack: That's instantaneously problematic. That means somebody in the Earth Realm has the ability to reach something presumably made from magic. They refer to it as a magic bone.

Cristina: Does it say who sent him to do that?

Jack: No, that's something for the future idea is.

Cristina: Oh, okay.

Jack: Conversations for the future. As of now, we know a magic bow exists. Important because you can make. You can factually make items out of magic.

Cristina: Yeah, that's what we were thinking. The. The Catholic Church is hiding those things.

Jack: Yes, an alicorn.

Cristina: An alicorn is another.

Jack: You can make things out of alicorn that are magic.

Cristina: Yeah.

Jack: Fact. Was the tip of the arrows on this bow magic, or was the bow itself magic? Was it made out of alicorn? Who knows? He was set to kill the Naga princess, daughter of Shesha, the Naga King of Earth. The Naga give birth in is the most important part we can take from here. This is the daughter of another Naga. They're not all just made by Oros.

Cristina: Okay.

Jack: Do you see? Immediately feeding us information we did not consider. We think Oros makes Senagas and then they go and chill in a civilization. Oros made some Naga and the Naga bred with the exclusive purpose of we are to serve.

Cristina: Yeah. And then he has those. The kings, I guess, that are supposed to tell them where to go. Is that how it works?

Jack: And this is one of them. This is the daughter of one of them. So the daughter of Shisha, the Naga King of Earth. So Countinga was to kill that girl with a magic bow upon a great battle with the princess. Chaldinia falls in love with her.

Cristina: Oh, my gosh. Did they say anything about location?

Jack: No, but we know this is taking place in Earthrealm. So Caldina must have been sent to be with somebody.

Cristina: Okay.

Jack: And so Caldina proceeds to hide the bow from the hands of any mortal. That bow is on Earth. We gotta track that bow. Okay, that's objective number one. So this goes right. This feeds right into what we were thinking about the Naga. Like the fact that you have a king means there's so many of you that. Orders required.

Cristina: Yeah, that's what we talked about last time.

Jack: Yes, and now we have proof of.

Cristina: They can give birth.

Jack: Birth? They're breeding. Yeah, well, they're multiplying on their own. There's a civilization. So the Naga became their own people in elf fame. But like all fairies, they can just traverse the realms effortlessly. They can come in and out, no problem. And that allowed? I guess. Not allowed. Chances are the princess was sent to be under somebody, which is also something we need to look into.

Cristina: Who?

Jack: Yeah, who she was assigned to. And why isn't your daughter safe from the rules if you are the king? I guess it's an iron a** fist that Oros is ruling with. Next, we introduce our first Naga, Soma. Soma is the Naga Princess of Earthrealm. The daughter who was sent to be killed.

Cristina: Okay.

Jack: Daughter of the Naga king, Shesha. And was said to be assassinated by a man named Kaudinya. After failure to kill her, they fall in love. And together on Earthrealm, they build a dynasty named Funan.

Cristina: What?

Jack: They lived at the capital of their dynasty, which was named Viandhapura. A real location that we can easily find.

Cristina: These are real locations?

Jack: Yeah, found in a simple Google search. And it's an old city that used to exist.

Cristina: Where is it at?

Jack: Middle East. Okay, fascinating. So this Naga princess and this human fall in love and together they escape their situation and establish a dynasty. Fascinating. So I was trying. I was curious as to. What the f***? Why is the word dynasty? This is two people making a life. What do you mean dynasty? Yeah, so it was showing up anywhere. I tried to confirm this. So. Okay, time to type in these freaking words. Funan. And like, let me zone in on the dynasty itself. How much detail can I find about the dynasty? The Funan Dynasty, created by human Caudinia and Naga Princess Soma. With the capital being Vyantaputa. The dynasty became a safe haven for Naga defectors who left Elfame in an attempt to achieve independence.

Cristina: Is this for real? What?

Jack: Okay, what a Earthrealm city that would protect Naga from Elfhame?

Cristina: Man, if people don't even want to be there, then maybe that's not the goal. I don't know what the goal is. I thought it was to enter Elfhame, but maybe something else.

Jack: I don't think Elfhame is a problem. I think the Naga were born as slaves.

Cristina: But why would we want to explore that place?

Jack: No, because the only people born as slaves are the Naga. Everyone else is free there. It's the Naga who are trying to escape.

Cristina: Okay.

Jack: The fairies go back whenever the h*** they would. The rest of the fairies, they go back whenever the h*** they want.

Cristina: Mm.

Jack: The Naga are told, no, you are to do as you are told. They were created as slaves, okay? They are a slave race. The elves aren't over here like, oh, no, no. They're like, I'm a white elf. I'm an elite, pristine, full of myself, top of the line elf. The Naga servants, okay, you know, so they're like, f*** this s***. We deserve independence. And so the Funan Dynasty is a city that was inhabited by Naga and humans alike, living in harmony.

Cristina: That's awesome.

Jack: Snake people and humans just hanging out, living in this place together. Perfectly fine. The Naga can give birth. The Naga require leadership from how many of them there are?

Cristina: Yeah.

Jack: The Naga collectively are a powerhouse. We know they're overpowered, hyper intelligent, have crazy abilities within themselves, on top of the fact that they are destined to go help the most advanced civilizations. And even then the Naga, who have the ability to cross realms effortlessly, are treated like slaves. Are treated like slaves. And they want freedom. They want to defect and be free.

Cristina: That makes sense. Okay. Makes sense why that random dude was like, I'm not gonna do this. I'm gonna pretend to be king or whatever.

Jack: Mm. He was a defector. He was just one. Like, f*** this. I don't give a s*** about the rules.

Cristina: So there's more than just one.

Jack: There's more than just one. There's a city worth of them. A safe haven for them. Okay, then we have Manasa. Manasa is sister of the two Naga, Vasuki and Shesha. Shisha of the Earth Realm and Vasuki of the Shadow Realm.

Cristina: What does that make her?

Jack: That just makes her the sister of this house. She was married to a human, Sage, Jarat Kura, with which she had a hybrid son.

Cristina: No, she didn't.

Jack: What, named Astika?

Cristina: No. This is weird.

Jack: Okay, so the logic here would be that the Naga, as we know, they tend to have a humanoid sort of form. This suggests that maybe they're not. They don't have a humanoid form. They're shapeshifters, particularly. They're shapeshifters and the form they shapeshift into is the human form. Which suggests those that do it best might be able to replicate even reproductive organs. Boom.

Cristina: It's still so weird. It's so weird.

Jack: Except there's no if in this case, there would be no difference between a human and the Naga. If the replication so perfect.

Cristina: Whoa.

Jack: Fascinating, no? Yeah, it just completely blows out of the water anything and everything we thought we knew.

Cristina: Mm.

Jack: So Manasa marries the wise man. The wise man Jarat Karu, with which he has a hybrid son named Astika. There is a half Naga, half human that exists now.

Cristina: Are there stories about him?

Jack: Yes. So again, this suggests the ability that Naga can breed. Presumably when a Naga takes a human form, it can replicate the physiology to such a degree that pregnancy becomes possible.

Cristina: Whoa.

Jack: That's astounding. That's some unheard of level of replication. I don't think we've heard of a single other shapeshifter. Many of which are earthling shapeshift shapeshifters. I don't think we've heard of a single one that has successfully been able to replicate reproductive organs. This is a precision that is so absurd it could only exist with somebody from Alpha.

Cristina: It doesn't make sense. It doesn't even make sense. I mean, it makes sense that they can do it because they're shapeshifters, but like, they're not anything like us.

Jack: No, they're not even physical in the way we would be.

Cristina: Yeah.

Jack: So they happen to have the ability to solidify into such a form. In any case, the. It's possible that Naga imitate the form of an elf most accurately and then place human organs on top of that to create the most seamless human possible. So now we enter weird territory where. Holy crap. This individual had a half Naga, half human son.

Cristina: What does it mean?

Jack: So we gotta go and look at the sun.

Cristina: Mm.

Jack: Astika, the half human, half Naga, son of Manasa and sister of Vasuki. Manasa, the sister of Vasuki. Now it's gonna get weird.

Cristina: Really?

Jack: Yeah, it's already weird. Like there's nothing about this that isn't completely f****** strange. Yes, but it's about to get weirder. So Astika, the half human, half Naga, is known particularly for having saved many Naga from the Supra Satra. The Supa Satra translates directly into the serpent sacrifices.

Cristina: Who's sacrificing these things? What? What is happening?

Jack: Oh, yes. Oh, man. I uncovered such rocks that had so much underneath.

Cristina: Is it the Shadow People? Are there humans sacrificing Naga? How is this even possible?

Jack: So the Supersatra is ritualized mass genocide done in front of a fire. It was performed by Emperor Janama Ja Na Me Jaya. Janama Jaya. By Emperor Janamajaya when his father was killed at the hands of a Naga.

Cristina: Oh.

Jack: So wait for it. Wait for it. Because what you were thinking before is going to come right back to that. He was doing it out of revenge to get rid of the Naga. But the ritual is named A ritual because it was created by his great grandfather. So the ritual was originally designed by Gentleman Jaya's great grandfather Arjuna. And although it was performed to avenge his father's death after being killed at the hands of Anaga, the original purpose of the ritual, and this is a quote, was to collect and unite the power of the Naga for personal use.

Cristina: The blood or the fear of the Naga. They're like doing the.

Jack: It's a philosopher's stone.

Cristina: I was thinking adrenochrome, but okay. The Philosopher's stone.

Jack: It's a philosopher's stone. You're killing a s*** ton of Naga for personal use. Not consumption. Personal use they talked about.

Cristina: Exactly.

Jack: Collect and unite the power of the Naga for personal use.

Cristina: Okay.

Jack: Somebody got a hold of the instructions on how to create a philosopher's stone and concluded that doing it with the Naga was the most optimal road to it. Which now. Sorry, it makes absolute sense. And now it answers.

Cristina: Yes.

Jack: So many f****** questions as to why a bunch of other n***** want to get over there. Make. No, not even wanting to get over there while they were trying to make their f****** own.

Cristina: Yeah.

Jack: They were trying to make their Naga so they could kill their own Naga so they could have an overpowered philosopher's stone uncomparable to anything else.

Cristina: Yes. But if they want to get to original s***. Yes. Like maybe that's the goal of entering. What's the place called?

Jack: Elfhame.

Cristina: Elfame. I was thinking it was Mel for some reason. But that's not Mel. Elfhame is just to get the Naga. There's a giant collection of Naga there.

Jack: There's a giant collection of Naga there.

Cristina: They're hoarding all the Nagas besides the ones that are here. But the ones here are so spread out.

Jack: Yes. And there's few and far as far in between.

Cristina: But if we can just go over there.

Jack: Was it all righty. Next to each other. They're just all there.

Cristina: And they're powerful magical beings that can die.

Jack: Yeah.

Cristina: That's crazy.

Jack: Yeah.

Cristina: Then the fairy trees might not be Fairies.

Jack: The fairy trees might be Naga.

Cristina: Yeah.

Jack: Fascinating. Failed experiments.

Cristina: Because we don't know if fairies can even die. Unless we were just assuming maybe they could.

Jack: But Yaldabaoth is still somewhere out there. And the argument would be he quite possibly possessed a philosopher's stone made from shadow people. From Jinn. He had a Jinn philosophy. As far as we know now, there is a ritual designed to create an Elfhame philosopher's stone. We know factually of the one to make an earthrealm philosopher's stone. And we know of one to make Shadow Realm philosopher's stones. You can make a philosopher's stone out of anything that could die.

Cristina: Yeah.

Jack: And if Yaldabaoth sacrificed a bunch of Djinn to make a Philosopher's Stone from the Shadow Realm, he could have easily used that to execute Naga.

Cristina: Yes.

Jack: Thus creating the Forest of Shadow. Thus creating Earthrealm by default.

Cristina: Yes. Lovely.

Jack: Lovely.

Cristina: Yeah. Yeah. I think we're onto something. Oh, I guess.

Jack: Questions being answered. Gets weird, right?

Cristina: That is very weird.

Jack: What?

Cristina: They're sacrificing Nagas. Okay. That. Really?

Jack: An entire ritual designed just to create a philosopher stone made of Naga again. It could just be. To have enough power to overpower Mab.

Cristina: Mm.

Jack: That could ultimately be the goal. We don't know. No, but we know that somebody concluded I can sacrifice a bunch of Naga and make a philosopher's stone.

Cristina: Yeah.

Jack: And that's absurd.

Cristina: That's so crazy.

Jack: So far, everything in here is f****** nuts. I had no idea they could reproduce. I didn't even cross my mind. But we knew that they had a kingdom.

Cristina: Does he have the power to transform or is he more human?

Jack: Who is he?

Cristina: The half breed?

Jack: Astika? Yeah. He can morph back and forward, just like the Naga. He can go back and forward, but he sustains a human form primarily. Okay, so he's. You can't even tell he's a Naga.

Cristina: Okay.

Jack: Sort of the opposite of the Naga, almost. Where they spend most of their time in their Naga form and some of the time in their human form. He spends most of the time in his human form and occasionally in his Naga form. Okay, so that's the big physical shift between those two. But the Surpassatra, right up there with the Magnum Opus.

Cristina: Crazy, too. Yeah.

Jack: I mean, ultimately, they mean the same thing. Surpassatra and Magnum Opus are just discussing how to create a philosopher's Stone. And this was again now. Although Gentleman Jaya was doing it out of revenge and mainly to get rid of the Naga. His grandfather knows something. Arjuna. Arjuna. Knows something. And Arjuna is worth looking at.

Cristina: Oh, you didn't look at him?

Jack: No, no, because Arjuna is quite interesting. The fact that he had this.

Cristina: Yes. Like how did he come up with that?

Jack: How do you figure this out? How. How do you find out about the magnum opus?

Cristina: What exactly is he doing? Yeah, we gotta make sure it is a philosopher's stone too. Because what if it turns out to be Something else?

Jack: Yeah, 100%. It could 100% be a different goal. Maybe it is.

Cristina: We gotta investigate.

Jack: Maybe it is something else entirely.

Cristina: So it gets weirder.

Jack: This is. This one's gonna f*** everything up. How so? A long time ago, according to the tales, an experiment was designed which required the death of a volunteer. And the body would then be pumped with ichor. It would be. It would then by itself turn to a stone like substance and there would be an incubation period and the large shell like structure would then form around the body. Zeus, Apollo. Hades, the shadow person, Keto, the Naga and Ashelypius, which is just another one of the Greeks, decided they couldn't use just anyone for this experiment. This is an experiment performed by the Greek. Hades and Keto as a shadow person and a Naga, were naturally excluded from the mix for not being biological.

Cristina: Hades?

Jack: Yes.

Cristina: What is he?

Jack: A shadow person? He's a jinn.

Cristina: I thought you said he wasn't last time. He is.

Jack: Hades is a jinn? Yeah.

Cristina: Oh, okay.

Jack: But the Naga isn't his, if that's what you were referring to.

Cristina: Come on. Okay, whatever.

Jack: But yeah, Hades and Keto are excluded. The shadow, the jinn and the Naga are excluded because they're not biological. And you need a biological person to run science experiments on. Zeus obviously couldn't as he would need to be. As he would need to supervise the experiment himself.

Cristina: Mm.

Jack: You know, he's the leader of the Greek collective of researchers, which leaves only Apollo and Asclepius. So Apollo expresses fears about this experiment being the coward he is. So Asclepius volunteered. And first they began by asphyxiating Asclepius. Then they pumped his body with ichor and they watched him essentially turn to stone. And then a shell formed over his body. When the shell broke open like an egg, the Naga glycon came out.

Cristina: What is that?

Jack: The Naga who was with the Greek. And we didn't know who the f*** he was hanging out with.

Cristina: He came out of when we were.

Jack: Trying to find out who the f*** this extra Naga was, but he didn't seem to be attached to anybody.

Cristina: He was Born out of him.

Jack: He wasn't born out of him. This is just f****** Asclepius he was turned into. They successfully turned a dude into a Naga, bro.

Cristina: What?

Jack: They turned Asclepius into Glykon with. With ichor, which is just adrenochrome.

Cristina: I'm so confused.

Jack: What my question is, are the Greek somehow more successful here?

Cristina: And what does that mean?

Jack: Because they turned a biological individual into a Naga.

Cristina: Yes. But ichir's just blood, Right?

Jack: Ichir's just blood. But we know one, adrenochrome is overpowered.

Cristina: Yes.

Jack: Two, if you drink adrenochrome, it goes through your body, and then you drink the body of somebody who had adrenochrome. You have distilled adrenochrome, which is hundreds of thousands of times more powerful.

Cristina: But I thought you were turning into, like a shadow creature. But it seems like they killed him first.

Jack: They figured something out. Yeah, they Albert Weskered this guy.

Cristina: But, like, that's how closely we're related to both the fairies and the shadow realm that we can turn into either.

Jack: There's some science going on here that makes absolute sense. And we're not grasping it, but there's some science here that makes sense. If every. Everything is connected somehow.

Cristina: Yeah.

Jack: And we know adrenochrome can fling you over. And we know that the apples can fling you over. There's something going on. We know there's a tea you can make from a flower that just flings you over to the shadow room. All these things that could send you.

Cristina: We're related so closely to all of it.

Jack: Yes. So there's some science that's possible with science purely. That could allow. We know it allows access. Basic science is minimalist. People don't even know. They stumble upon it. Wolves just drink the blood in a battlefield because they're starving. Just starving.

Cristina: Wolves turning into monsters, and then they.

Jack: Turn into monsters, and then they die naturally and go to the Shadow Realm anyways. Just crossing over by default without even knowing accidents. So with thought, with precise numbers and thought, they made something which is either. It's unclear because there's so little on Glykon, but he's either pure magic of some sort or the closest we have seen thus far.

Cristina: Can he travel to the fairy world?

Jack: I don't know. That's the next f****** thing. There's so little on him. I have to look at every possible story, even relative to him, from every possible culture, every record of anything that has ever existed. There's so little on this guy. It looks like while the sea people went on an extremely absurd effort to suppress themselves, the Greek just decided to bury the project itself. They went crazy out of their way to make Glykon unheard of.

Cristina: But then what? What did they do after? Did they make their arm? Because it wasn't his goal to have many of them. Actually, I don't know what his real goal was.

Jack: No, I think it was just his direction to Kido was to be able to replicate Naga. So my assumption is this is an experiment designed by Keto. Although it's unclear and that hasn't been established. Yeah, I believe this is an experiment that Keto designed. Just like creating the the croagons of Medusa and Uriel. And then I have so many questions.

Cristina: Like what happened after that?

Jack: They succeeded and then they succeeded in making Lykon.

Jack: Well, we just know that there was a Naga Glykon hanging out with the Greek.

Cristina: But it didn't feel like that was his goal though. Unless that was his goal. But I feel like he wanted to do more.

Jack: I am sure more happened. Yeah, but we haven't figured that out yet. I'm positive more happened. It would be weird if like. Okay, yeah, we did it. Cool. High five, guys. Anyways, back to the drawing board. It's like. No, I doubt that's the case. I am positive that there is an ultimate goal and purpose to what's happening. We just don't know what that is yet. That was going to require obviously more investigation.

Cristina: Crazy, but okay.

Jack: Not only were they also trying to create Naga of their own with the Grogons, like Medusa and her sisters. And the same way Yaldabaoth was trying to do to make his own by creating Ophiomorphos. But it looks like even Yaldabaoth couldn't figure it out. But then again, then again, he got close. Right? Ophiomorphos could make other Naga. Yes, but they couldn't leave the Shadow Realm.

Cristina: No. That's why I want to know more about Zeus's one that seemed like, yeah, he might be a Naga, but is he also not that powerful? Like he can't actually.

Jack: Interesting. Based on how he was hanging out with the Greek gods. He was one of them. So he was bare minimum himself as a Naga. Yeah, he didn't lose anything. At least we know that much. Whether he gained something or not, I don't know. But the process of consuming ichor that came out of the blood of an already established God, you. You consumed something kind of exaggerated.

Cristina: Mm.

Jack: So we're Talking that this dude is likely quite a couple of magnitudes more powerful than Zeus. His capacity, his ability. If he is in fact a Naga. Zeus is just a guy with science on his side. But this Naga is magic. He made something, but you know, it could fail and it could die. So it's not safe for Zeus to be the one in the seat the first time. But if that's the case, maybe the Greeks went on an excursion to turn themselves into fairies. That's interesting. No.

Cristina: Yes. Yes. I want to know more about him, more about Glycon.

Jack: No, there's so little on him that looking into the common stories and essentially scriptures written on this guy, there's nothing. What I told you is all there is.

Cristina: That's sad. It's crazy. Yeah, man. I doubt he can go to the fairy realm or there'd be more than just him. Or something killed him. But we don't have any of that. So it doesn't matter.

Jack: Exactly. We don't have any of that. If he died, we don't know if he can successfully travel to the other side. We don't know. And there's not more of him, which cast doubt on it. Alternatively, if he's the first one and Naga have the ability to take human forms and this type of Naga straight up came from a human, maybe they can sustain human forms. And some of these people we're looking at are Naga and we just don't know it.

Cristina: Which people?

Jack: Some of the Greek. Oh, maybe some of the Greek are just Naga and we don't know it. If they can sustain. Again, we established that some Naga who are pure Naga can create a human replicant to such a degree that pregnancy becomes possible.

Cristina: Yeah.

Jack: If you began as a human, you have a head start.

Cristina: Mm.

Jack: You see? So it could be to such a degree that maybe we're just not noticing that they are. And maybe there are many of them.

Cristina: Yeah. Whoa. That's crazy. If only there was more info. Ah. Sucks.

Jack: It's complicated, right?

Cristina: Yeah. That doesn't even make sense.

Jack: It doesn't. It absolutely doesn't. I don't understand, because now we have quite a strange issue going on in which. Let's go back up. We have a item made of magic, a bow, that could presumably kill a Naga. So creating, crafting, building items, weapons, tools, using magic is possible.

Cristina: Mm.

Jack: We had an idea with Alicorn, but now we know of something literal made, not just a theory. Although Antonio couldn't figure it out. Before him, people had.

Jack: We have the situation of the same guy who has the magic bow one hiding it on Earth. It's somewhere on Earth. There's a freaking magic bow somewhere on Earth. But falling in love and mating with the Naga.

Cristina: Soma, does he still have the bow? Does the church have the bow? Who has the bow?

Jack: Well, yes, for the bow. But now the Naga can reproduce too. Not only can the Naga reproduce, which establishes the entire kingdom of the Naga. And the fact that they have hierarchy.

Cristina: Yeah, they can reproduce with humans.

Jack: They can reproduce with humans. They can create such a close replica of a human that allows them to have children with a human.

Cristina: But also with these babies. We don't know if they can get into the fairy realm.

Jack: Yes, exactly, exactly, exactly, exactly. We don't know if Astika can actually cross into the. Into Elfame. We have no idea. We don't know if his powers are suddenly limited or if they're not limited. And he's just a full out capable of going into Elfame and the Shadow Realm Naga. And can he do it at will? Is it something he could just choose like the rest of the fairies?

Cristina: Yeah. Can he? Can the Greek ones do it? I don't know. I want to know.

Jack: Not only that, not only are there weapons that could be crafted using magic that could harm magic creatures. Hence proving the point that a philosopher's stone could accomplish this to many magnitudes over a regular tool. And not only could the Naga reproduce among themselves, and not only could the Naga reproduce with other creatures, presumably even Shadow Realm creatures. There must be an equivalent over there. We just have less stories from that end. But if you can just take a form. There are Naga in the Shadow Realm assigned to Jinn. It is absolutely likely that there are Jinn who have mated with Naga.

Cristina: Yes. Yeah.

Jack: So there are half Naga, half Djinn somewhere. Because the Naga are magic. They can just take the form of this non physical Djinn and reproduce in whatever method they reproduce. Not only all those things, but then here on Earthrealm we have the bow and a civilization of defectors. Naga who said f*** the kingdom, f*** the rules. We're gonna go live an independent life away from that.

Cristina: How haven't they been turned into philosopher stones yet? Unless that's what happened to them. Because we don't know.

Jack: We don't know.

Cristina: We don't know yet.

Jack: D***. I wouldn't put it past if a bunch of them just decided to come.

Cristina: Over and we know the physical location where it is. I know that I doubt there's anything there now. Or there's probably just humans there now.

Jack: Humans. Naga must be Gone.

Cristina: Then again, those humans could be Nagas. Like, who knows?

Jack: Who knows? Who knows? That creates an interesting problem. Yeah, no, you're totally right. But if humans became aware of a location filled with the Naga, and you were already trying to make a Philosopher's Stone, there was a place with dozens, hundreds, thousands, who knows of Naga, of Naga. You can go and. But how would you kill them is the problem. There's still magic. You could only do it if you have the means. And chances are the only means are a Philosopher's Stone. So you need a weaker Philosopher's stone to create a more powerful Philosopher's Stone.

Cristina: I mean, all the Sea People have it. Maybe.

Jack: I mean, all Yalda must. Yeah, there are a couple of Philosopher Stones out there, but I don't think they'll be strong enough to kill thousands to potentially millions of Naga.

Cristina: How many lives were taken to make Eve?

Jack: To make eve? It was 50 million.

Cristina: That's a lot of lives.

Jack: That's a lot of lives.

Cristina: But then how much. How old is the Sea People? I mean, not the Sea People. The Naga's making that town. Dynasty.

Jack: The dynasty happened.

Cristina: What period?

Jack: The early. It was like nine hundreds.

Cristina: Okay, that's after. What if Jesus. Do you think he has his own stone?

Jack: Okay, my timing's wrong. It's about the year 50. It's still pretty fresh after Jesus, where this was formed. So kind of it seems that weirdly enough, around the same time period, everything hits the fan. Jesus happens and s*** hits the fan in every possible shape and form from every direction known to Matt.

Cristina: Yes.

Jack: Including Elfame. Jesus happened and even s*** hit the fan in Elfame. A bunch of m************ like, nah, we're out. Naga falling in love with human around the 50s, leaving Jesus dying in year one.

Cristina: You think they saw Jesus?

Jack: The establishment of Catholicism in the year 100.

Cristina: It's crazy. But do you think they saw Jesus?

Jack: I don't know. I don't know. Maybe. Maybe. Holy s***. You think they saw Jesus and that incentivized them to leave?

Cristina: I don't know. Do we know if the Shadow Realm saw him? I feel like they did. I think they tried to contact him as well.

Jack: Yeah, I think so. I think we read a couple of things about the Shadow Realm people directly having visions of Jesus as well.

Cristina: Okay, that's crazy. What is he.

Jack: Okay, we got a couple of weird things, man. We got individuals from the Shadow Realm that can see Jesus. We have artificial beings, ophiomorphos. We have Medusa and her sisters. We have a non artificial Being being altered into the form of a non artificial being. But in return himself being sort of an artificial replicant of that which is a glycon. Which used to be just a dude.

Cristina: Yeah.

Jack: And then became a freaking Naga with science. Science.

Cristina: I don't know if you can travel.

Jack: We don't know if you can try. We don't know if Jesus can enter the. The fairy realm. We don't know if Joseph can enter the fairy realm.

Cristina: So many questions. I thought we did solve some. I think we answered a few.

Jack: I think we know why they're trying to make Naga of their own.

Cristina: For sacrifices.

Jack: Yeah. It's either. Absolutely. That's what I'm thinking. It has to be either for sacrifices or now as I'm saying it out loud, because the Naga are kind of overpowered already. It could be for their intellectual power. But if you can make up being that intellectual, you would just, you know, you yourself would be able to do the thing. So it's probably for their power. It has to be.

Cristina: I think so.

Jack: It has to be in order to sacrifice them to create a philosopher's stone strong enough.

Cristina: He's always tried to use something more intelligent to sacrifice a bunch of. Like.

Jack: That's how it started off over here. Yeah. What is it? Primitive apes created the philosopher stone Adam. Then the philosopher's stone Adam with the fruit of life create primitive humans. Then primitive humans get sacrificed to create philosopher's stone Eve. Then philosopher's stone Eve. Plus the fruit of knowledge create modern humans. Then modern humans would be sacrificed to make a more. But we don't know of that stone existing. We haven't proven that stone. So those are two stones, Eve and Adam. And then whatever Jesus is. And then we know Yaldabaoth sacrificed Jinn to make a philosopher's stone. And then what he used that for is unclear. Presumably to be able to kill fairies. Thus creating the fairy forest. Not the fairy forest. The forest of shadows with fairy trees. Which. The connection between everything is so absurd. If we just talk about the forest of Shadows in which it exists in the realm of shadow with the bodies of some type of fairy leading to the creation of Earthrealm. Like the level of connection there is nuts. That's all three just happening in one spot.

Cristina: Yes, but we don't know if it's actual fairies because you could all also be Naga, which are a type of fairy.

Jack: Those are fairies too.

Cristina: Yeah. Yeah. But like we don't know if it's. Whatever the actual fairy people.

Jack: Yeah. We don't know what kind of a Fairy. We know fairy. Yeah, Some fairy was used to create fairy trees. It could be Nagas, but it could be Naga. It could be elves. But at this point, the only one that it seems likely we can see that we.

Cristina: They've died. They've been killed.

Jack: Are the Naga. That's where we are with that. And for some cherry on top discussion, there are four individuals in one location to address who I found the name of four different elves that we can look into in the future. For elves, it's hard to tell to find anything on Alfamen has successfully found by every description, they are named elves.

Cristina: Okay.

Jack: Shiva, Vishnu, Indra, and Brahma.

Cristina: Those all a few gods of the.

Jack: Hindu gods seem to all be. These are the top Hindu gods, not every Hindu God, just specifically these four seem to be elves. Their descriptions go as follow. All of them exist to prevent anyone else from getting too powerful. All of them have the abilities that everyone else has. They all come from a realm described as pure magic.

Cristina: Okay.

Jack: Now what confused me about this situation when it comes to them, because they're obviously elves by each and every definition, and they exist seemingly in Elfame and then come to Earthrealm. Quick descriptor. Vishnu, particularly seems to be a elf that loves yoga. He's just known for loving yoga and meditation.

Cristina: Mm.

Jack: There's little on the other ones, but this one is, you know, enough for that. Where it gets weird is Shiva has the shadow Naga King Vasuki coiled around his neck. Even within Elfame, the kings are also.

Cristina: Doing the same thing.

Jack: Attach to somebody.

Cristina: Whoa.

Jack: So while Shiva interacts his job with humans or earthlings, let's say his. He does his job with earthlings.

Cristina: Wait, so fairies also get Nagas?

Jack: Naga? I don't know what the f*** that means.

Cristina: That is strange.

Jack: Okay, this is a fairy being assisted by another fairy.

Cristina: Yeah.

Jack: Are the Naga more powerful than the elf? I don't know either. This immediately confuses me because you'd think the elves are more powerful because they should, in theory, have the ability to put a cap on the Naga's capacity because they're supposed to help. But if not, then it explains how somebody like the sea people still kind of circumvented that because Oros is somehow more powerful than meb.

Jack: He might be the experiment that could. So Shiva has Naga King Vasuki coiled around his neck. That's a shadow realm Naga Crazy. Vishnu has the Earth realm Naga King Shesha coiled beneath him as a yoga mat.

Cristina: Okay.

Jack: What the h***?

Cristina: Okay.

Jack: And Indra has the Naga, King of Kings by his side. Sometimes as a partner, a man standing next to him, and sometimes as a staff by his side.

Cristina: Yeah, that's cool.

Jack: Weird.

Cristina: It is weird. But it's like Dragon Ball Z. Like the cat people and the angels fair. Because the cat are the real gods.

Jack: In the overpowered thing. But they still have something even greater next to them.

Cristina: Yes.

Jack: That. Do what they say.

Cristina: Yes.

Jack: Holy s***. Interesting, huh? I didn't think about that. Additionally, weird fact, Brahma, who seems to also be an elf by every definition possible, does not have a Naga. I even looked up why he doesn't have a Naga. And you even find people on Reddit and on Quora asking, why doesn't Brahma have Naga? Everybody else is shown with it.

Cristina: Killed one.

Jack: Well, no.

Cristina: Okay.

Jack: It looks like he's something superior to the other elves.

Cristina: Oh, okay.

Jack: Brahma might be some other s***. He's an elf.

Cristina: Just a higher ranking.

Jack: He might be a higher ranking. If there is anything stronger than the Naga, following Brahma might take us in that direction.

Cristina: Okay, what?

Jack: Additionally, Vishnu, the yogi elf who hangs out with Earthrealm, Naga King Shesha, coiled beneath him as a yoga mat, practices this yoga where people come to see Vishnu. Now Vishnu puts a cap on somebody's power. I don't know who yet. We know his job exists because he's still in Earthrealm. Unless there are also rogue elf. And I don't think that's the case because the Naga they're hanging out with is still doing their job. So he practices his yoga on top of a mountain.

Cristina: Crazy.

Jack: Of course, Mount Kailash.

Cristina: Another mountain.

Jack: Mountain where there is a fairy. Which is quite interesting. Especially because when you look into Vishnu, one of the descriptions the Hindu have attached to him is. Guardian of what, homie? You hang out on a mountain and they call you guardian of what, homie?

Cristina: The fairy flowers.

Jack: Not the fairy flowers. He's on a mountain, dude. There's a portal to the f****** fairy realm.

Cristina: There could not be a portal. There could be a portal. I don't know.

Jack: He's on top of the mountain. He's an elf. And he's a guardian. Of what? It's a mountain. What are you guarding, bro?

Cristina: It's gotta be.

Jack: That's my theory at least.

Cristina: Yeah.

Jack: That'S my theory at least. I don't know if I'm gonna be right when I look into it. But that's my theory, at least.

Cristina: I think so.

Jack: Which means there's a way. Except you gotta be able to, you know, you gotta be able to one up a freaking elf. So that doesn't happen.

Cristina: I guess not. But also, could anyone even go through it even if they saw it? Because I thought.

Jack: Because it's not physical, it's different. Yeah. Oh crap. You think it works the way like a Shinto bridge does?

Cristina: Yeah.

Jack: Interesting.

Cristina: Unless we have stories of people entering the fairy. I don't know. Which I don't think there is. So I think it's a one way thing. But I don't know.

Jack: I know. We gotta look into it.

Cristina: Okay. Okay.

Jack: But that's where we are. Fairies can make way humans furries can create perfect human replicants. Weapons could be crafted, made of magic that could harm fairies.

Cristina: Turned into philosopher stone.

Jack: They could be turned into philosopher's stone. You could turn humans to Naga crazy. That's nuts. Which. Dude, we've been. Dude, we've been sleeping on the Greek for a while. We've been like, you know, whatever. There's some background noise. But they've had a lot of time. They've been neglected for a while and they've only had adrenochrome. So even if it's not the fruits, they got this one thing they're working on over and over. They just got better with it.

Cristina: Now we got to find out what exactly are they doing.

Jack: What exactly are they doing? There's.

Cristina: What are they up to?

Jack: I didn't know they were players. I did not. I thought they were just, you know, trying to catch up, but it seems.

Cristina: Like they caught up.

Jack: They pulled ahead, bro. They might have pulled ahead a while ago. Again, information dies out beyond a certain point.

Cristina: Oh yeah.

Jack: So we just gotta see, based on the farthest we can see, who made it the farthest.

Cristina: Mm.

Jack: And we can only surmise that based on knowing what they were doing at the given time that they were most active.

Cristina: Mm. So, man, I hope there's more to find.

Jack: But this is as far as the Naga research goes. Now we got a couple of little paths to follow here and there. I'm gonna take us to some fun places. Hopefully we can find out some more of what's going on.

Cristina: Yeah. I can't wait.

Jack: So. Yeah, that's what I got. This is the crazy crap I found. All of which informed us quite a bit. Once in a while we get an information dump. Other times we're just kind of following the narrative.

Cristina: Mm.

Jack: This time we got an information dump. That's a lot of details.

Cristina: That's a lot.

Jack: Never considered a Naga Philosopher's zone, but it makes sense if we could make it out of everything else.

Cristina: Mm. That's so crazy.

Jack: Which means an elf philosopher stone must be real too. There must be different magnitudes of Elfame philosopher stones. Fascinating.

Cristina: We gotta find out.

Jack: Research for days. Anyways, anyways, anyways, if you guys want to give us some of your input on whatever the h*** we're talking about, especially Naga. If you know of any interesting Naga we should be looking at, let us know. Tell us their names and where we can look for them. You can do that on all our social platforms. X, Instagram, Facebook and Tick Tock, usconvopod.

Cristina: And remember to subscribe and rate and review the show.

Jack: Yes. And word of mouth. Tell everybody that we are uncovering the truthiest truth of all the truths. It's our job. We're reporters. We do the homework and we tell you. Otherwise we don't see. See our checks.

Cristina: Our checks. This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: Fine, whatever. Do the thing and then keep doing our thing before. But because we do the episode, meaning we do some research. We get information, get a lot of details. We find a thing. We want to be cohesive to some degree, not just randomly all over the place. It is rambling. We are rambling. We're kind of riffing on the data, or that was the point. Except the hole got a little deeper and it's like, okay, fine. We're more informed, so it's easier to focus when we're looking into the thing. Oh, this is also about a dream Chrome, but we have, you know, some information now in our memory about a dream Chrome, so it's easier to compare notes on. This is weirdly like that. But whatever, you know, people across the world do the same thing. Then it shows up over there again. It's like, oh, yeah, Surprisingly similar. But, you know, this is not even thinking. It's not even thinking it's related. It's like, okay, I'm talking 150 episodes ago.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo, and logo by Seth McAllister with social media managed by Amber Black.

Rambling 246: The Naga

What is the origin of the Naga? What is their purpose? How many of them are there? The duo evaluate the information they already know about the familiar Naga within the discovered research teams as well as some new previously undiscussed Naga. The hope is to find something hidden within the existing information. What they end up learning not only brings new information to light, but puts to question some details of the past!

Rambling 246: The Naga

+Episode Details

Topics Discussed:

  • Oros the Original Naga
  • Wadjet the Naga of Egypt
  • Kukulcan the Naga of Maya
  • Nahas of the Garden of Eden
  • The Nagaraja Kings
  • Earth Naga King Shehsa
  • Shadow Naga King Vasuki
  • Naga King of Kings Takshaka
  • Keto the Naga Replicator
  • Medusa and Sisters
  • Jormungandr
  • Ophiomorphos the Atum

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is a show where we ground humanity's most absurd and baffling ideas. And, boy, have things gotten baffled as lately. Yes, continuous baffling messes of all sorts of things. If we recall where this path began, we just kept seeing adrenochrome and then we investigated some creatures who also, by mere chance, turned out to be connected to Adrenochrome. Like, if you deep dive into anything.

Cristina: A lot of blood.

Jack: There's a lot of blood. Everything goes back to Adrenochrome. But if you deep dive into enough, then stuff is gonna take you through some like, oh, creatures from who knows where. Creatures from who knows where. And then eventually they'll start aiming gradually towards the Middle East. And then you start investigating the Middle east and boom, the sea people show up. And then you investigate the sea people and it branches out into everything. It's absurd.

Cristina: Yes.

Jack: And that's our reality for the last couple of weeks to months. It's just a lot of that going on.

Cristina: Where is the garden at again? The one that's on our side. That's not in the Middle East.

Jack: There's no garden. The Garden of Eden?

Cristina: Well, the trees, I guess, that are on our side.

Jack: So that's in the Isle of Man or around that area. Okay, yeah, well, it is in the Isle of Man where these trees, the fairy trees are. Yeah, yeah, that's in the Isle of Man. And interesting point about that, and I'll get to that shortly because we're gonna revisit that today. It's very important, apparently, in ways that was in front of our face.

Cristina: The fairy trees?

Jack: No. Oh, that general region, though.

Cristina: Oh, okay.

Jack: That general region and some familiar old faces.

Cristina: Okay.

Jack: Anyways, so I figured I would start combing through, like, isolated subjects and see what we can extract, because we're hitting walls. I don't know where the h*** to go. So, you know, eventually I'm gonna look at elves specifically, or I'm gonna look at this or that. So I figured instead of following the Naga to whatever civilization they're part of and then looking at the civilization, I figured this time we would just look at the Naga specifically. So I got the Naga. We know some that we don't. And something I found out. And then perhaps in the future, maybe next week or maybe multiple weeks from now, we'll do the plethora of other Naga that we haven't covered.

Cristina: Okay.

Jack: Never mentioned. We're just going to mention some of.

Cristina: Them now, but there's that many that you can do another.

Jack: I might be able to do two more episodes.

Cristina: Oh, that's a lot.

Jack: There's a lot. And the pattern is the same everywhere in the world. Everywhere. It is exactly the same. There's something there. For real. For real. Anyways, so we go back to the origin of Naga, going as far back as we can. We land at Oros. Oros was made by Mab in Elfame. So he's essentially a fairy of some sort, or at least from the fairy world, I guess. Anything from the fairy world, whether, like, it's all fairies, regardless of.

Cristina: Do we know what he looks like? What does he look like?

Jack: There is no description on others.

Cristina: Oh, okay.

Jack: Using the fascinating. I have no idea what it looks like. Some. He might not even be a serpent.

Cristina: Himself, because I always imagined that. But I'm like, did I make that up?

Jack: Yeah, No, I think the same thing. I. In fact, I envision him a lot like the world snake.

Cristina: That's exactly what I was picturing. But I knew, like, no, that's not the same.

Jack: No. So. No, that's something else entirely.

Cristina: Is he an Aga?

Jack: I guess maybe he might be the world snake.

Cristina: I mean.

Jack: Yes.

Cristina: Okay.

Jack: The world snake is a Naga. So the purpose of Horus was to make lesser versions of himself, which would then suggest.

Cristina: I guess that's why. Yes. Okay.

Jack: And distribute them to the most potentially advanced races of intelligent life across earthrealm.

Cristina: And.

Jack: And the Shadow Realm. Fantastic. Sweet. I guess that kind of tells us, like, even if we don't have a descriptor of him, we can assume that he made them in his image.

Cristina: Yeah.

Jack: So he's some sort of a snake, like, serpent thing.

Cristina: Yeah. Because you would. I don't know, maybe it's just what everyone would assume. Someone would try to make something which.

Jack: By default will make him the God of the Naga. Right. Like they would, like, directly worship. Yeah. So now let's talk about some of the. The big kahunas, the effectors he's made, the ones who've impacted the most. We know some of these wadjet, one of the most important ones that is the one from the Sun Gods, who was sent to side with Ra from Egypt. And she is a member of the Sun Gods with Ra and the rest of the Sun Gods known as the Eye of Ra and can often be seen either pretending to be his staff, can be seen wrapped around his neck or can be seen wrapped around his head.

Cristina: Okay, so she's a snake. Does she have a human form or she's just always a snake.

Jack: Interesting point.

Cristina: Is it both.

Jack: It seems like every single one of these has snake, some human like form. So if you look at ancient depictions of hieroglyphs, there's always this humanoid female body with a snake like head. That's Wadjet. That's her human form.

Cristina: Okay.

Jack: Yes. And so she was used not only as a research member, but also as a bodyguard for Ra. She was used to calm her absurd power was directed towards fighting away his enemies. And she was personally responsible for assisting Ra with the Sun Gods in researching for immense collection of energy collection and storage as we know. And her appearance is as seen as a blue and green snake with feathered wings which are also blue and green. She does not seem to have legs or hands in her snake form.

Cristina: But she has wings.

Jack: But she has wings.

Cristina: Okay.

Jack: And would often take a humanoid form. Again like a reptilian, which looks like a woman with a snake's head. Specifically similar to a cobra head.

Cristina: Okay.

Jack: Just very specific details.

Cristina: Okay.

Jack: About what we know about her other than what we've discussed already. If you guys need to know more about her, you can go to the Sun Gods episode. All her things are recorded with the rest of the Sun Gods. Kukulkin.

Cristina: Are they? So they're all going to be very similar to this though.

Jack: No.

Cristina: Oh, okay.

Jack: Kukulkin a Naga assigned to Izamna. Oh, important. I'm putting little notes on the side that which realm they're from. Because it's relevant, I suppose. Which we'll get to why it's relevant.

Cristina: Okay.

Jack: But yeah. So Wedget assigns to Earth Realm next. Kakulkin also assigned to Earth Realm to Izamna of Maya. A member of the Earth Gods research team responsible for assisting Izama and the Earth Gods with researching into data storage and portal creation technology. Kukulkan assisted Idzama in fun fact that I know about. In displacing the older leadership of Maya and allowed the establishing of and the now known massive hyper advanced civilization that took place under the rule of Vizama and Ixcho. That was thanks to the help of Kulkan. Kokulkin went with Idzamna and they kind of offed a lot of people.

Cristina: Oh.

Jack: They were like, you guys are corrupt and we need to move forward. So it's Amna and Kokulkin went ahead and did their thing.

Cristina: Murder.

Jack: Murder. Rebellions. Murder is A bad way to put it, because it wasn't just out here, I'm gonna kill you. But it's like he's trying to establish an order of peace. And there was a lot of chaos. And he was trying to unite all the tribes, which he did, into this massive thing that turned out to be. Together they built El Castillo, known as the castle, which served as the gateway portal two days a year, one to Mount Kaaf and the other to the Shadow Realm.

Cristina: Ridiculous. Okay.

Jack: The description of this individual is winged and feathered serpent, human sized and green, but looks like a normal man when he takes his human form. Indistinguishable, but rarely went into his human form. Now this interesting detail of him looking extremely human tells me how he probably infiltrated and allowed the invasion of all these places. Going effortlessly and do things.

Cristina: He looks like a human.

Jack: He looked like a human.

Cristina: Okay. No snake.

Jack: No snake features.

Cristina: Okay.

Jack: Just. And he as a snake, he's already huge. I was thinking a small snake. I don't know why I keep thinking small snakes when I say snake. No, this m*********** was a just in his snake form. He's a freaking wing snake the size of a just grown a** man. That's a weird sight.

Cristina: That's a weird sight.

Jack: Yeah, like it's more normal to just see a tiny snake.

Cristina: I can see him fighting off people as his snake form too.

Jack: Like, that's kind of ridiculous because you think Wadjet. Wadjet was the size of just like a normal garden snake or some s***. You know, she must have been like 4ft, but skinny. And then when she's standing up on her body, like half her body on the ground, half her body up, she must have been like 2ft tall. Nothing exaggerated. She would wrap herself around this dude's head and stuff. Like, not huge.

Cristina: Yeah, but this, this guy is like.

Jack: Ripped monster of a eating people.

Cristina: He's like the snake from. And the anaconda.

Jack: Yeah. An interesting point, because if he's the size of a man when standing, are we not counting the rest of his body that's down, lifting him up?

Cristina: That's kind of ridiculous.

Jack: So then he's like twice the size of a man.

Cristina: He has to be like, there's just.

Jack: A crazy looking creature wandering around. I'm sure nobody was f****** with this guy. What are they gonna. And it's magic. What, what are they gonna do to that thing? It's freaking magic.

Cristina: It's a huge scary snake. Yeah, it's magic. Yeah. And some of these things might be poisonous. Unless they don't work like humans. I don't know.

Jack: I don't know how they.

Cristina: They were.

Jack: I have no idea how these things work. Okay, next we have the Unknown Naga. This one belongs to Ixcho, the wife of Idzumna. Now this one was sent to the Shadow Realm, by the way, this is probably why we have so little information on it. But the Unknown Naga is a member of the Earth Gods research team. Spends its time wrapped around the head of Ixchell as a hat. Unlike the other Naga, does not communicate with anyone other than Exo, although it has been seen talking to her.

Cristina: So it has a voice?

Jack: Yes. And they communicate back and forward. But it speaks to nobody else.

Cristina: Psychically communicating?

Jack: No, she's speaking to her and it's speaking to her. Yeah. They physically seen it happening.

Cristina: Yeah.

Jack: But it doesn't speak to anybody else. And there's no other information on it other than Ixchel Spoke to it consistently and could be seen talking to it. There's nothing else on this serpent. This is fascinating that that's so suppressed.

Cristina: So these serpents, none of them. Or maybe one of them do, I don't know. When it comes to their powers. Trying to imagine what it could be besides transforming. Wait, this one can't. Or they haven't seen it.

Jack: They haven't seen it. There's nothing known about nothing.

Cristina: We know they have wings, but we don't know if they flew.

Jack: Fascinating. Wadjet's known for flying out.

Cristina: Oh, he is. Okay.

Jack: She.

Cristina: So she. I don't. These names aren't helpful.

Jack: Yeah, is female. As far as some magic other dimension creature, female version could go.

Cristina: So she can fly?

Jack: Yeah, Coco can also fly.

Cristina: Which one's called.

Jack: That's the huge.

Cristina: How is he flying?

Jack: Well, a lot of stories are about him flying.

Cristina: Oh my gosh, that's horrifying.

Jack: Like he's basically just some. He's a crazy monster. Like he'll squirm around as with his tail, you know, like a. Like a humanoid. Like his tail will be wagging.

Cristina: But he's like. People think of dragons looking at this guy.

Jack: No, he's very Greek mythology looking like his bottom half. If you. If you decide you draw a line down his middle, right. And you consider the line below his middle is the one he's dragging. That's what's moving him. That wiggles like a snake normally.

Cristina: Okay.

Jack: Then upper half of his middle, he's upright with his like chest up and whatever. And he has like his op wings and he's like superhuman body shape. Like Huge fat snake thing, but he flies too.

Cristina: Yeah.

Jack: It's just these wings are not just for show.

Cristina: Ridiculous.

Jack: Yeah, yeah, yeah, yeah, yeah. Now we don't know what abilities any of them have.

Cristina: You know, they don't. I mean, they can't communicate telepathically.

Jack: We don't know they can't communicate telepathically.

Cristina: Because then why would they be talking verbally? Especially the secret snake that no one knows anything about. They still hear it. Like, it wouldn't be talking.

Jack: I don't know if they hear it. I know they see it.

Cristina: They see it moving its mouth.

Jack: They see it speaking to her as she speaks to it.

Cristina: So I'm guessing they can't.

Jack: Yeah. Like who? Yeah, maybe. Maybe they communicate psychically between each other. I don't know. Like between snake to snake.

Cristina: Oh, snake to snake. Who knows? Okay, is there any stories with snake to snake? I don't know, communication.

Jack: We'll get to that. As I dive deeper into the numerous things that are happening here. Just with the Naga, the next one on the list is Nahas. Nahas, is the Naga assigned to Jehovah also of birth realm? Yeah, it was like in the Garden of Eden.

Cristina: Oh, okay. Her name was what?

Jack: Nahas.

Cristina: Okay.

Jack: A member. By the way, if the Garden isn't a place like we keep calling, they move the garden. What does that mean? Well, the research team moved. That means that the research team is called the Garden of Eden because it's the research you're doing.

Cristina: Yes.

Jack: Their name was there in front of us the whole time. The research team was called the Garden of Eden. That's the research team. That's why they can move the objects in the Garden. Just happen to move with them because they are. Okay, So a member of the Garden of Eden research team assisted Jehovah in furthering the already advanced sciences of the sea. People assisted in the creation of Jesus Christ through the artificial insemination of Mary. Descriptions of the snake green. It's just a green snake.

Cristina: Okay.

Jack: Walks on its hind legs and has arms, does not have wings. Appears much like a lengthy. Like a lengthy lizard of some sort. Like a iguana or some s***. Arms and legs, but lengthy and skinny like a snake.

Cristina: Is it just two arms and two legs? Is not like multiple.

Jack: No, it's just two arms and two legs and is roughly the size of a child. That one is the visual I had of all the others. Just this tiny little, you know, it's the size of a child in full length. That's not really a big snake. That's particularly like not width, but like the height. The height of a tail. That's a skinny. It's like you could probably wrap your hand around it easily. It's really skinny.

Cristina: Does it have a human form that we know about?

Jack: Not described. I'm sure it does, but we do not know if it's human form.

Cristina: Okay.

Jack: It having arms and legs definitely leans into that. The suggestion that perhaps it does. But now that's interesting, right? We have in the Sun Gods is that. Yeah, in the Sun Gods we have Wadjet and we have. Wait, there's one missing for the Sun Gods, right?

Cristina: Oh, what?

Jack: There is one missing for the Sun Gods. I just remembered, but we'll get to that later.

Cristina: Why my secretive.

Jack: I was looking at here, but yeah, there's two for the Sun Gods and two for the Earth Gods. And they are the most advanced civilizations. As we get to the next ones, you'll find out that nothing like when they have. What matters here is that one came from the Earth Realm and one came from the Shadow Realm. So Wadjet was with Ra from Earth Realm, but Autumn has the other and he comes from the Shadow Realm. And then we have Kukulkan, which was assigned to Zamna from Earth Realm, but Ixchel had her own, which she came from the Shadow Realm.

Cristina: Okay.

Jack: What's interesting here is we only know of one assigned to the Earth Realm. When it comes to the Garden of.

Cristina: Eden research team, there might be another.

Jack: There might be another. And if there was, we know who it showed up with.

Cristina: Jesus. No, I don't know.

Jack: It showed up with Lilith.

Cristina: Oh, okay.

Jack: Because like Lilith, Jehovah and Nahas are members of the Garden of Eden research team.

Cristina: Yeah.

Jack: If there is two serpents through Lilith, we will find it.

Cristina: Interesting.

Jack: All right, Moving into an interesting line, I found this is Nagaraha. Nagaraha.

Cristina: That's the whole name of this thing.

Jack: That's not the name of a thing.

Cristina: Oh, okay.

Jack: Nangaraha is a title.

Cristina: Oh, okay.

Jack: And as I explained this title. And then who earns the title? You'll be like, oh, s***. Things we didn't know and information from someone. We haven't had information yet. Nagaraha means translates literally to King of the Nagas.

Cristina: That's not their daddy.

Jack: Allow me to introduce to you Shesha, the first appointed King of the Naga, in charge of maintaining order among and assisting Oros with assigning civilizations for individual Naga that will head to earthrealm.

Cristina: Okay.

Jack: Vasuki, the second appointed King of Nagas.

Cristina: Are they working together or this is.

Jack: Like this Guy charge of maintaining order amongst and assisting Oros in assigning civilizations for individual Nanga that will be sent to the Shadow Realm.

Cristina: Oh, duh. Okay. What? How crazy.

Jack: Interesting.

Cristina: Okay, that makes sense.

Jack: So there was rank. There's so many Naga that there's need for order.

Cristina: The weird thing though is that. Okay, it's not weird. Maybe it's weird. They said the first. The first one is king. Or they're both equal kings.

Jack: They're both considered equal kings.

Cristina: Oh, okay, okay, never mind.

Jack: One is king of. I guess they divided the Naga into two subsets.

Cristina: Okay.

Jack: The ones that are going to go to Earth Realm and the ones that are going to go to Shadow Realm.

Cristina: Okay. Because I thought he was also above the other king for some reason. But no, they're equal and they're both kings.

Jack: Yes.

Cristina: Different locations.

Jack: Okay, well, allow me to introduce Takshaka.

Cristina: What?

Jack: Direct assistant to Oros and second in command of all Naga, referred to as the Naga, King of Kings, outranks both Naga clones.

Cristina: Why? Okay, there is the.

Jack: Well, no, I understand it so that there's a unified voice. Although this one runs all the ones are going to Shadow Realm and this one runs all the ones that are going to Earth Realm. They can easily start disagreeing. They need a unified voice that they respond to that could then control. So one response, they respond to one. And that person only has to worry about those two individuals. And then those two individuals then control their respective of people. But this tells us something interesting. Within Elf fame, there's a civilization of Naga. It's not that they're just made and sent out individually. They exist over there, they chill over there, they live over there. There's Naga who haven't been sent out, who knows how many that are just potentially waiting for the future to be sent to a new developing civilization. We have our first hint of a civilization in Elfhame.

Cristina: With the Naga Kings.

Jack: With the Naga Kings. And the fact that they have to rule over Naga people.

Cristina: Yeah. How do they pick? Unless they're making out of the spot.

Jack: What do you mean making it on the spot?

Cristina: Like the Naga that they're gonna send out.

Jack: No, they're people. They're controlling. Yeah, they're civilizations. There's dozens, hundreds, thousands, maybe it could be million, who knows? The fact that they need a leader tells you there's like, it's not just autos. Like, oh, I got three dudes here waiting in line. Like, no, there's civilizations of Naga.

Cristina: Yeah.

Jack: That exist in Elfame. Interesting. So based on this logic, Elfame works Similar to the Shadow Realm or Earth. Structurally, even if physiologically it's very different.

Cristina: Yes, but there's leaders, there's.

Jack: Yeah, there's hierarchy. So there must be survival. There must be war. If you need control.

Cristina: How would we know about those stories?

Jack: I don't know.

Cristina: I want to know more about. What's the name of the place?

Jack: Elfame.

Cristina: Alfame.

Jack: In comes Keto. Quito is assigned to Zeus of Greece, Earthrealm. Instructed by Zeus to learn how to create more of himself. Unable to replicate her existence, Keto's experiments result in a half human, half serpent hybrid with strange abilities afforded by Ichor. They didn't have any. Keto is. You were tuned out.

Cristina: Yeah.

Jack: Keto is assigned to Zeus.

Cristina: Okay. She's a. What is she?

Jack: That's all Naga. We're talking. We're not talking anything but Naga.

Cristina: Okay.

Jack: Keto is a Naga assigned to Zeus of Greece from Earthrealm. She was instructed by Zeus to learn how to and create more of herself.

Cristina: What?

Jack: Unable to replicate her existence, Keto's experiments result in half human, half serpent. Hybrids with strange abilities afforded by Ichor. Ichor is the adrenochrome distilled version. After you have either nectar or ambrosia and it goes through your blood and then you take the blood of somebody who's had adrenaline.

Cristina: Okay, so is he feeding her the blood or is she using his blood to do this?

Jack: They have no idea how she acquired the icar. Maybe she got it from him. Like, they definitely had. They definitely. Yeah, he's definitely got it. So maybe. Maybe Zeus or some of the other gods are giving up their blood for these weird experiments.

Cristina: Okay.

Jack: Yes. Now, she was described as being a winged serpent. Again, most of them seem to be oftentimes taking the form of a beautiful woman with the body of a serpent from the waist down. So waist up, just a lovely, elegant woman. And waist down, snake. Just a snake. So a lot like Kukulkin, except her upper body is human, while Kakulkin is that same size.

Cristina: But all snake is any of the opposite. That's weird.

Jack: I guess radjet is.

Cristina: What?

Jack: Because her head is snake and the rest of her body is female.

Cristina: Oh, yeah. Okay, weirdness. Okay.

Jack: Now what's interesting here is we don't get told or. I guess, yeah, winged serpent. And then often takes. I guess. Yeah, that's both. I was thinking, like, we don't know what she looks like as a serpent, but. Yeah, no, that is.

Cristina: But she's making experiments on herself pretty much. Or not really.

Jack: She's not experimenting on herself. She's trying to replicate herself.

Cristina: That's crazy.

Jack: And using ichor to do it. That is pretty crazy.

Cristina: That's pretty crazy.

Jack: I don't know, it gets weird because we're familiar with the children the process to this their creations. The first one is called Medusa. The first of Kido's experiments has the ability to change the chemical makeup of anyone who absorbs through their eyes the chemistry altering qualities of an energy radiating from Medusa's eyes.

Cristina: That's one of hers. Oh my gosh. Okay.

Jack: There's some sort of thing that's radiating and when it's absorbed through your eyes, your chemistry gets altered and you turn to what would otherwise be described as stone. Described as. And wait for it. The smarter of the three experiment sisters appears. Top half human, bottom half serpent with 50 smaller heads coming from smaller like snake heads coming from her skull in the form of hair. That part does not exist on Kido. Kido has normal woman hair.

Cristina: Yeah, but she's an experiment, so.

Jack: Yes. Additionally to Medusa's appearance, her upper body that looks female, breasts and all, still has patches of scales. So it looks like. Like a half human.

Cristina: She's the most successful experiment.

Jack: No, she's the first experiment.

Cristina: Oh, okay.

Jack: The next is Uriel, which is identical in every way to Medusa with the exception of immortality. Unlike Medusa.

Cristina: What do you mean? She can still turn people into stone.

Jack: Yeah, all this, everything is identical. Except she cannot die. Medusa will die of old age.

Cristina: Why is she the famous of the sisters I have? No.

Jack: Maybe because she can be killed. She's the one who gets killed?

Cristina: Yes. Okay.

Jack: Yeah. So she has immortality and that just tells us that Medusa could simply die of old age. Unless she can't die of old age. But she can be murdered, in which case you can't kill Uriel, which would suggest that's closer to the goal of these elf famed creatures that presumably you need a philosopher's stone to kill. Described as the more sensitive of the experiment sisters. The third is called Stheno. Identical to Uriel in every way. They are. There's no difference. No difference between them at all.

Cristina: Okay.

Jack: With the exception that she's known to be extremely violent and aggressive out of the three sisters.

Cristina: Okay. But she can also not be killed.

Jack: She can also not be killed. She is immortal, just like Uriel.

Cristina: Okay.

Jack: Those are the three experiments that just created by Keto.

Cristina: That is weird. What, what was Zeus's like goal though?

Jack: I think everybody's goal is the same because why Is he trying to recreate something from Alfame to go into Alfame? To go into Alfame, it seems. Or to harness the power of Elfame. Why were the Jews trying to make this golem that could come in and out of the realms, including of him?

Cristina: Yeah.

Jack: What was the point of trying to make Jesus go in and out? Or portals trying to rip bridge through? It's weird, right?

Cristina: Yes.

Jack: There's something about it because it feels.

Cristina: Like, I'm not sure is the end goal is for themselves to be able to do whatever. Right. Like it's not just having this thing. Yeah.

Jack: I don't think. Yeah. I think ultimately it's to figure out how.

Cristina: But they need some kind of test for that.

Jack: It's some. Yeah, it's a give me more power scenario. We just want more power. I gotta have more power. And everybody's trying to raise. Because you got to catch up to this overpowered group of sea people.

Cristina: Wow.

Jack: You know, everybody's like, well, I'll do whatever. As long as they can't just massacre us easily. Which they can.

Cristina: Yes. Weird. Oh my gosh.

Jack: Very odd. Right. Next comes Glycone. Now. Now it gets weird because just like the unknown Naga that hangs out with Iksho then like why we gotta look into that. Glycone has interesting circumstances as well. A Naga, unknown to who he is assigned, behaves like one of the Greeks researchers can be seen with many of the others, including Zeus. Often and randomly shifts between his winged serpent form and a reptilian human looking individual legs. But he looks like he's arms.

Cristina: Not with everyone. I mean he's not with anyone.

Jack: He doesn't seem to be particularly attached to anyone.

Cristina: Which is possible because we know that about that one that decided I'm gonna.

Jack: Rule humans, the one who went to Australia.

Cristina: So like they don't need to attached to anyone. Yeah, but it's just a lot of them seem to be attracted to one person.

Jack: No, they're assigned. We just established that.

Cristina: Well, I guess they don't have to follow the rule. Like they have their free will to like not follow who they're assigned to.

Jack: I think they're supposed to. Supposed to follow the order.

Cristina: But then how does that one person, not person, Naga just break from it?

Jack: Well, let me repeat. I think they're supposed to.

Cristina: Yeah.

Jack: Him not doing it is a bad naughty thing.

Cristina: Yeah, that's what I mean. Okay, but like it's not.

Jack: Oh, you could just. I'll tell you to do it. But you don't have to. No, like you should definitely go out there and do it. But it's like, well, what are you gonna do?

Cristina: But who's gonna stop? Like, we don't see that either of anyone trying to stop these Nagas from breaking the rule that they.

Jack: And who's going to. They're overpowered.

Cristina: Yeah. So like, yes, they are supposed to follow it, but that doesn't mean anything.

Jack: Kind of interesting that there's this one hanging out with the Greeks, Right?

Cristina: Yeah. Do you think he's secretly with someone somehow?

Jack: I don't know. He could totally be. But who? Zeus already has one.

Cristina: Hades.

Jack: Hades isn't part of that.

Cristina: He's not?

Jack: No.

Cristina: Who is it?

Jack: Hades is a direct enemy of Zeus.

Cristina: Oh yeah. Like he's. Well, that's exactly why. Like, he isn't a part of that group. He's.

Jack: No. Then if he's secretly. No, of course you would know. Like, oh, this is Hades serpent. That's.

Cristina: They know.

Jack: No, if he's part of. Think logically. You're missing the obvious picture here. If he's working with somebody, you don't need a crazy conspiracy. There's a shadow person among them that we don't know as a shadow person. Duh. Simple logic. Simple logic. There's a shadow person among them and we don't know they're a shadow person. That means one of the Greek gods isn't from Earth Realm.

Cristina: And it wouldn't be the guy who lives in a pretty shadow realmy like place with a bunch of ghosts.

Jack: No, because he's never with these people. He's the guy trying to stop them. He's like, I'll destroy all of you for your power. But these individuals come together and we see him hanging out. He's not gonna send his freaking snake to go hang out over there. Why would they? They're just using his snake to stop his own f****** motions. That doesn't make any sense. Plus he has his own snake, which would easily tell him, oh yeah, it's a spy.

Cristina: He has a snake.

Jack: Zeus does.

Cristina: Oh no.

Jack: I mean, okay, like he would just out that. Oh, like this does not make sense. There's a hundred percent. If this isn't rogue. A rogue individual who's doing what the one from Australia is doing. And it's like the rules.

Cristina: Yeah.

Jack: Then there's a shadow person in there. We just don't know that's the case. Because then that would follow suit with everything else we know.

Cristina: Yes. Of their being a shadow person. But who? Now we have to go through every single one of these guys and find out who's the shadow person, because he's going to be clearly the shadow person, whoever it is.

Jack: Maybe not. I mean, maybe. Yeah, but maybe not.

Cristina: I feel like there's some obvious keys. Like there might be one of them.

Jack: Somebody just calls him. Oh, he's a death God or some s***. It's like, oh, yeah, okay. That guy, you know, death God. Hangs out with us. Aries, maybe. But he's God of war and he's still from Earth Realm. That's a problem. There has to be. Presumably Hera. Hera's weird.

Cristina: Why?

Jack: Because she seems to possess abilities that are unlike the others. Unnatural things you wouldn't normally get from just having some adrenochrome. So maybe. Maybe we look into her and she just has a snake or some s***.

Cristina: We should look at it. We should look into that.

Jack: Oh, okay. But, yeah, Glyco and interesting, right? All right, Next comes Jormungandr.

Cristina: Ah, what a name.

Jack: Ridiculous. But this is the famous one. You know.

Cristina: He is.

Jack: Yes. It's the world snake.

Cristina: That's his name.

Jack: Yeah. Jormungandr.

Cristina: Oh.

Jack: Now this is the Naga assigned to Odin of Norway. Earth Realm. Now, Jormungandr was directed by Odin to create a barrier around all of Norway to enclose the people and create a closed country without access or knowledge to the outside world. German Gander used his special ability and surrounded the entirety of Norway with his own body, often referred to as the World serpent. Appearance of a small garden snake. Tiny little garden snake.

Cristina: Really?

Jack: Yeah. No legs, no wings, no arms. Just the freaking garden snake. But he floats.

Cristina: Okay.

Jack: Weird.

Cristina: Can he change his size?

Jack: Like, yes, that's exactly how he does.

Cristina: No, I mean, like, can he get. I guess. Is there more than one size? Like, he can choose? Like, he can be this teeny, tiny garden snake or that giant.

Jack: Not a clue. Not a clue. I know. He takes a form of a colossal, unfathomably large snake encircling the entirety of Norway.

Cristina: Yes. And it's very tiny.

Jack: What's interesting about this, that the Norse describe, you know, they're enclosed by Norman Gander from. By normal Gander. By Jorgen. Jorgen Jor. God d*** it. Jormungandr. They're encircled by Jormungandr and his head is aiming inward towards the circle he forms.

Cristina: Really?

Jack: Right, okay. It has been described that traveling in those regions, people have come across a insurmountably tall, scaly wall by people who aren't from Norway. Weird. Because they don't see the snake's Head. So to them, there's a wall of scales that just stretches off into forever. And they think it's the end of the world. That's the end of the world. That's the edge of. That's where it ends.

Cristina: Okay.

Jack: So people who live in that region on the outside of Norway, trying to get there. Oh, no, this is where the world ends. We would go in that direction, and there's text describing this from multiple regions surrounding it. A lot of people really believe that there was a scaly wall that was the edge of the world.

Cristina: Did it just disappear one day or.

Jack: I have no idea.

Cristina: Is there anything on that? No. Very strange. It's just a scaly wall.

Jack: Just a scaly wall. Obviously, it disappeared because we would, you know, we would know about it today if we, like, had satellite images and saw a freaking giant circle around Norway closing and. Is that a snake? You know, like. Yeah, but, like. Yeah, no, it's fascinating.

Cristina: Surrounded by mountains, and the mountains are just very unique.

Jack: That'd be weird. But no, it definitely an interesting thing to come across. The fact that people thought that there was a scaly wall heading into where Norway would have been, but they thought, oh, no, the world ends there.

Cristina: Yeah. Wow.

Jack: A lot of people describe that as the way to h*** as well.

Cristina: Who? What?

Jack: Yeah. Cultures believe that that was a path to the way to h*** because it would move. It was a wall made of stone scales that would seem to breathe and move itself. Very demonic. Yeah, exactly. So they were like this. If you follow the wall, it will lead you to h***. This is the edge of the world. It's fascinating, isn't it?

Cristina: Yeah.

Jack: So that's just the outside point of view of the same place.

Cristina: I love it. That's interesting.

Jack: Weird, right?

Cristina: Is there another snake in Verdant or Naga? I guess.

Jack: I don't know.

Cristina: And then we gotta find out who's the shadow person. Oh, my gosh.

Jack: Yeah. I. I tried really hard to see if the Norse had another serpent. I couldn't find any, like, important mentions or anything. They were definitely not into the idea.

Cristina: Okay. But nothing about shadow people. Did you look that?

Jack: They have a million connections to the shadow. We had so many episodes.

Cristina: They have Shadow Realm. I mean, yes. They had it all mapped out.

Jack: Okay. Yeah, we have a lot of that. They definitely were very aware. And they themselves figured out how to communicate with people from the shadow realm by committing mass murders in secluded areas repeatedly, thus creating a lot of blood. And the people, horrified, they would be hung alive upside down so it would slowly die. That Fear would attract monsters. And that fear would allow them to communicate, sort of ripping almost a hole from how much concentration it would make. They learned how to make a focal point. Which. Interesting question. If the Norse are creating these rips to the Shadow Realm with immense sacrifices in a collective like that, how did Mount Kaf work? People being murdered. We know people were making a trip all the way over there. And maybe the trip was itself excruciating enough. Maybe climbing the mountain was bad enough that you start suffering on your way up to the summit where you would get to the bridge. And if you go with enough people, then that's enough to power it and open the thing. But I'm not thinking that's the case.

Cristina: I don't think so.

Jack: Now, they did have technology, which I'm assuming is what really was happening there. But so we're not calling mass murder in the woods ripping a whole technology. You see, this is a ritualized thing different to. Because we can assume it's like the Greek using adrenochrome because they don't have the fruits or philosopher stones. Right.

Cristina: Yeah. I don't think it's the same what was happening on that mountain. I think they had real technology.

Jack: Yeah. Yeah. That's the question I'm posing like. Is it real technology? Okay. Because I know the Vikings, the Norse they were going in had on murder. Yeah. They had murder forests just for the sake. Okay. Earlier we dodged talking about Autumn from the Shadow Realm and his Naga. I will explain. Obviously. So his Naga is called Ophiomorphos. We've talked about him before. Weird a** name. Now partnered to Autumn of the Shadow Realm. This is now where it gets really complicated and really weird instantaneously. Get ready for this line because it can do a lot.

Cristina: I'm ready.

Jack: Ophiomorphos was artificially created by Yaldabaoth.

Cristina: I'm not ready. Is that the whole line?

Jack: In an attempt to make his own Naga.

Cristina: No, I'm not ready. What? What?

Jack: The highest power in the Shadow Realm is. Is actually the one who made Autumn's Naga.

Cristina: What? Oh my gosh. What the. What does that mean?

Jack: I don't have any clue what that means. It's pretty complicated. So.

Cristina: But he succeeded.

Jack: Yes, because Orpheomorphos exists.

Cristina: But he's not really a Naga.

Jack: No, but as far as we can tell, he is.

Cristina: He's a lot like them. Yeah, but he's not. That is so weird.

Jack: He's the closest thing to a Naga without being a Naga. Now let's go back to his Descriptor. Unlike the other serpents, he's called White as Snow. He is not green. He does have legs and does have wings which are golden and white. Absolutely different from the snake looking other serpents where they are the right colors. This one is shiny, shiny, shiny, blinding white. And so are his wings in the Shadow Realm.

Cristina: Weird. But he's not even one.

Jack: He turned on Yaldabaoth and assisted Autumn in liberating Autumn's people from Yalda.

Cristina: Wait, who's Yalda?

Jack: Yaldabaoth? Yeah, I'm saying Galda for sure.

Cristina: Okay, okay. He helped him.

Jack: Yes. Orpheomorphos was not assigned to Autumn. Autumn wasn't assigned anybody. Autumn just had this Artificial Naga who joined him in fighting back against Yalda and liberating their people. That line tells us something else.

Cristina: What?

Jack: Yalda had some circumstance that needed people to be liberated. Where does Yalda go when he gives the Shadow Realm to Szan?

Jack: We're getting some. Some now. Some doors are opening here and there.

Cristina: Yes.

Jack: Orpheomorphos assisted Autumn in establishing a flourishing city within the Shadow Realm.

Cristina: I really thought you were saying underwater. Oh, no. Okay, continue.

Jack: Which, by the way, was claimed to be one of the most advanced cities in the Shadow Realm. Which we already knew when we were going through the Sun Gods. Because Autumn claimed to have established a flourishing, really overpowered civilization, and then left that to come join the Sun Gods. Ophiomorth. Now get ready. Ophiomorphos, similar to Oros, was capable of creating other artificial Naga. But because of their lack of magic, they could not leave the Shadow Realm. Although Ophiomorphous could.

Cristina: Okay. Because he's already a fake Naga and he's making faker Nagas.

Jack: Yes. It's like the copy of a copy is what happened.

Cristina: Oh, the copy of a copy. Yeah. Weird. What is with these people making fake nakas? Although I guess they were familiar enough that you'd want to make one. They don't seem like they're everywhere, but they're known enough that someone would try to make one.

Jack: They kind of seem like they're in a lot of places, though. Yeah, they're kind of almost everywhere. Not in huge numbers. It's like one per place. Yeah, but they're pretty out there.

Cristina: That's weird. And then you want to make your own.

Jack: I mean, I guess now what's interesting here is Yalda wanted to make his own. What was Yalda's goal? Yalda also needed, as we know, we gotta find it, the Philosopher's Stone. Because Yalda needed to kill the fairies, which should be impossible unless you have some weird reality breaking rule thing. Which is what? The philosopher's stone is. Hence the creation of the fairy trees. After he successfully kills the fairies, thus creating Earth Realm. What's Yalda's goal?

Cristina: I don't know. Is he part of what everyone else is doing, though, with the sea people? He's with them. Or. No, no. Okay.

Jack: Yalda isn't with him.

Cristina: Yalda is not. He left them.

Jack: You mean Szin. His son.

Cristina: Oh, okay, okay. Not Yalda. Yelda's the original.

Jack: Yalda's the original. The one who left suddenly, like, disappeared.

Cristina: What does he know? He knows so much. He knows everything. I don't know.

Jack: He likely has a philosopher's own. He's likely the reason for the fairy tree's existence in the first place.

Cristina: He's the reason for everything right now in earthrealm, it seems everything on motion. Everything from the first people to the people getting to know the shadow people. Like.

Jack: Yes. Because he showed up again to let them know. Yeah. The shadow realm, Drew.

Cristina: Yeah. It's too much. He has. There is whatever is this big plan. In the end of the day, it's his plan. Even if the sea people might not know. Like, they're doing what they're doing what they think they got to do for their. Whatever they think their end goal is. But whatever that is.

Jack: Because they're puppets to Yalda.

Cristina: Yes. It's all everyone. They're just puppets to this guy who already knows.

Jack: I mean, he doesn't know the future, but what do you think he. What do you think? Because it seems science so far.

Cristina: Yes.

Jack: So he doesn't know the future. It's science.

Cristina: No. Well, he knows that they'll eventually figure it out, I guess.

Jack: How?

Cristina: I don't know.

Jack: Maybe that's why there's so many. Right? He's hoping.

Cristina: He's hoping. He's getting all. He put all the right pieces together and he's just watching it roll. I don't know.

Jack: Like, we don't know if he's watching it roll because again then we have this serpent Orpheomorphos and Autumn retaliating and turning on Yalda and then Yalda vanishing. Did they kill Yalda?

Cristina: I doubt it.

Jack: I doubt it too. But something.

Cristina: I think he's watching and I. That confuses me. And like, is there a bad guy? Is there a good guy? Will we ever know? I don't know.

Jack: How do you mean bad guy or good guy?

Cristina: Because just because he, like, is he bad because that guy was fighting him for his right.

Jack: No, war is war. There's no bad guy or good guy. This is differences.

Cristina: Okay?

Jack: Because I want my people liberated. You want them trapped. You made my people. But whatever, I want them free.

Cristina: It's kind of weird and because he is their God and I don't know. And he's our.

Jack: That's the question. Because with the problem is separating the idea of God, right? Like he's some see something. And like what do we mean by God at this point? If it's possible that everything is a product of science.

Cristina: Okay, well, I guess he's our maker. He's their maker.

Jack: Yeah, exactly. Like when. When we think of the Hedron Collider, when we smash two atoms together and we create a universe that comes and leaves in the fraction of a fraction of a fraction of a fraction of a second that was a blink. We imperceptible to us smaller than. Than an instant we can realize. But if at the scale. Because size equals time perception. So at that scale, if we could somehow get so microscopically, so atomically small, so subatomically small, be beyond subatomic into the size of a particle that would equate to the size of a person in contrast to the size of the universe. But their case, the universe was that little instant that the us was a blood. If life happened in that tiny little nothing, are we the God we are, right? Is that the argument?

Cristina: I don't know. Would they even notice us?

Jack: Doesn't matter. They don't have to notice us. Are we God? Because that's what we're talking about when we're discussing Yalla. If it's all science, then if he's gotten. We're God.

Cristina: Oh, okay.

Jack: Because we smash two atoms, create life. It comes and leaves instantaneously. But it happened and they lived full lives and their universe came and a bunch of stars grew and people lived and loved and died all in what was a fraction of a second to us, but to them was infinities long.

Cristina: I guess. Like if every God description is like the creator of the humans in some.

Jack: Way, then yeah, just creator equates to God. Then yes, that would be the case. Right.

Cristina: Think so.

Jack: Because we're dealing with an interesting situation. I wouldn't say man. The problem is that it does look like Yalla did set a lot of emotion. And like I would say, oh yeah, he's the sea people equivalent, but once removed. Right, he's the sea people equivalent with a crazy head start. So he's to the sea people what the sea people are to everyone else.

Cristina: Yes, that's why we have still no idea what they're doing. And we know that they're way more events than everyone.

Jack: Yeah, but he's unfathomably beyond. Yes, but they. None of these individuals have found their way to Mab. So we know she's incomprehensibly beyond.

Cristina: Yes.

Jack: Interesting.

Cristina: If they're trying to get to her.

Jack: Maybe I don't even know. It's because that's just an assumption at this point. Yes, we know they're trying to acquire the powers of magic.

Cristina: Yes. And we know there's teleporting into other realms. And as far as we know there's three plus they think there's infinite. Infinite and infinite amounts of realms. And they just trying to make the technology to get to any other besides the ones that are already known would be the goal. Just to create something that can get them anywhere and everywhere.

Jack: It seems like there are only three realms though. Like even when we look at somebody like the Norse who are describing nine realms, they're really talking about three realms subdivided. They're breaking up different parts that you could physically traverse from one part of the realm to the other part of the same realm.

Cristina: So then the end goal really is just to get to the fairy realm, I guess.

Jack: But we don't know that for a fact. We don't know. We have no f****** clue. That's the craziest problem. Like what really was the goal of making Jesus. Whatever it was, you f****** failed and you couldn't control the issue. But what was the goal, you know, in Yalda, who's out here making his own Naga and altering the humans he made so that they develop faster and then telling them about the Shadow Realm so that those two things connect and like what is happening. Fun fact though. Did he have awareness of the Naga? And did he make sure that advanced civilizations would happen so that Naga would be sent there? Do you see? If he's over here trying to make his own Naga and he put in motion the development of highly advanced civilizations to begin with. Was the goal to get the Naga sent there? Because they only go to highly advanced civilizations.

Cristina: Yeah. Then how did he know about it? Unless they had some already in the Shadow Realm too? Because we have no idea how large that is or what's happening there whatsoever. It's hard to picture. All I know is that one forest and the kingdoms. I guess we know about one that's now being led by a human. Or was a human. I guess You.

Jack: Well, let me go into the last tiny little bit that I think matters. I think this is very important.

Cristina: What?

Jack: There were many, many, many, many by specifically Keto. Many, many of these ripoff versions of Keto, you know, like Medusa and her sisters that were directed by Zeus to. This is a weird one. To head to the Isle of Man. To head to the Isle of Man where we know the fairy trees are. Once the Isle of Man was cleared out and protected by the one and only Mananan. The rip off Naga made by Kido had to go to the nearest landmass. Guess where they went?

Cristina: I don't know. Where? Ireland.

Jack: Ireland.

Cristina: How did I know? I knew it.

Jack: That puzzle piece just adds easily. They went towards Ireland and shortly thereafter, who shows up?

Cristina: St. Patrick. To kick him out.

Jack: To kick him out. And then he's over here trolling Monanam.

Jack: They don't like each other, but that problem needed to be fixed.

Cristina: Weird. Such a weird connection thing that's happening there.

Jack: Yeah. But with Kido and with Yalda, we have two instances of trying to create, I guess with Zeus and Yalda, because the two serpents would be Keto and Ophiomorphos that are trying to make others. But Ophiomorphos himself is artificial crazy. He's not made an Alphan. He's probably never come across Oros. But yep, that's where it got weird. And that's what I've got.

Cristina: And then we get back to St. Patrick. Amazing.

Jack: Yep. St. Patrick scaring off all the serpents. And the serpents he was talking about were actually just a bunch of artificial.

Cristina: Whoa.

Jack: Made by Keto, who was actually from the rival group.

Cristina: Just fake snakes.

Jack: Yep.

Cristina: From the Greeks.

Jack: Yeah, they were fake Greco snakes. Interesting, though.

Cristina: That is interesting.

Jack: So this is deep diving into the individual Maga. We already know. There are so many more. I'm gonna compile a collective and we can go through more of them. That'll definitely open doors to different civilizations we can check out.

Cristina: All right. But I guess none of those are as important as these snakes.

Jack: Yeah. Because we're talking mainly always about the civilizations that have moved forward the most. So we're going to be seeing snakes with a bunch of them that are advanced, but not particularly as advanced as these ones we're normally talking about, like the Maya, the Egyptians or the sea people or whatever Autumn's civilization is called.

Cristina: And is there more snakes that are just made?

Jack: That is a potential. That's possible. It might be the case because we have two instances in both realms, I guess. Two instances. One per realm.

Cristina: One per realm. Yeah.

Jack: So that's where we are.

Cristina: Whoa.

Jack: Anywho. Anywho, if you guys have any additional details on any of these individuals, because we will be talking about the other ones in the future. So if you know any details about.

Cristina: These, connect any dots.

Jack: Yes, Any dots that we're clearly missing, let us know. You can let us know on our socials. That's just Convopod on X, on Instagram, on Facebook, on TikTok.

Cristina: Remember to subscribe, rate, and review the show.

Jack: And word of mouth, tell people if you worship a snake. Hey, man, I know you worship a snake, bruh. And here's a dude talking about snakes. Yeah, this duo here is talking about some snakes that are being worshipped. And really, it's just science, man. You just don't know.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: Like, before we do it right, I'll just add this to the other thing and deal with it later.

Cristina: Okay.

Jack: But, like, let's be. Let's be absolutely real, dude. It's. It's annoying to have to keep going.

Cristina: Back to the same one.

Jack: It began as one. We saw some patterns and we thought it was interesting. So occasionally we revisited. Because adrenochrome here, Adrenochrome there was fun. We weren't thinking about. About depth in anything. But then eventually, after we saw some adrenochrome things, we found the connection between the shadow realm and adrenochrome and how a lot of stuff just mentioned kind of adrenochrome somehow gets you into the shadow room. Fine, whatever. Just random s*** that we find. Mythologies and this and that and whatever stories from people. But then we left that. You know, we did some government conspiracies on this end, and we went over there and did some, oh, here's some creatures, here's some weird mythology, and before long. Oh, oh, this is about adrenochrome too.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo, and logo by Seth McCallister with social media managed by Amber Black.

Rambling 245: Summary As It Stands

How was Earth Realm made? Where do Fairy Trees come from? Is there a third Philosopher’s Stone? The duo create a summary of the major events in the Sea People’s timeline in order to assist new listeners with the vast amount of data and with hopes of coming to additional conclusions with all the information in front of them at once. What they didn’t expect was a solution to some of the bigger questions being right in front of their faces!

Rambling 245: Summary As It Stands

+Episode Details

Topics Discussed:

  • Yaldobaoth and the Philosopher’s Stone
  • Eloai the Great Ancestor
  • Jehovah
  • The Three Great Nations
  • The Naga and the Elves
  • The Philosopher’s Stone
  • The Artificial Insemination of Mary
  • Three Magi
  • Catholic Suppression
  • Knights Templar

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And so because of how absurd and baffling some of these ideas are, and we've been going on a spiral that's been months at this point, about the sea people and adrenochrome. And now we've even gotten so far that we're. We're gonna have to start looking for the philosopher stone. Yeah, the third missing philosopher's stone. But anyways, because of how long this road has been here, and it's so many episodes that if somebody were to jump in suddenly, it would be an absolute f****** nightmare to keep track. It would suck. It was such a f****** long series that I figured it makes a lot of sense to make a summery episode to catch people up. It's not gonna be super granular because it's absolutely too much.

Cristina: It's. It's a lot of episodes. How many episodes has it been so far?

Jack: The h***? No, it's many. Too many. But we can summarize all the important points, so I figured that's what we do and then create this summary episode.

Cristina: Okay, and where do you start?

Jack: Well, as it stands, by the way, that's probably gonna be the name of this episode as it stands.

Cristina: Okay.

Jack: We would have to go all the way to the beginning of seemingly time based on everything we know. This is all chronological, as far as we know.

Cristina: Oh, okay.

Jack: Okay. So a chronological retelling of the universe leading up to the most recent moment. We begin at Elfhame, and I believe the goal is to get back to Elfame. So let us comment all the way at the beginning. A creature named Mab within the first realm named Elfhame, creates the shadow realm through unknown methods, presumably the sciences of Elfhame. Yeah, we don't know if Mab is the only one of her kind, if she is the gaudiest of gods, or if she's just one of many. From her tier in Elfhame, she could be one of many. Who knows? And considering as above, so below, it's likely that she's just one of many. But for the sake of our understanding, that's where it begins for us and everything we know of, because we can't.

Cristina: Trace the top in Alphane.

Jack: Yeah, she. Well, we don't know.

Cristina: We don't know.

Jack: Oh, Queen. But that assumes that maybe there's a king, like, I don't know. Now, in the Shadow Realm, a creature named Yaldabaoth is put in charge of the Shadow Realm. And that creature then creates Earth. That is the order of the three realms. Alfame creates the Shadow Realm. The Shadow Realm creates Earth.

Cristina: Okay. She did not create him. He just was a thing in.

Jack: Presumably, she created him. Or he is. I don't know. He could have been a product, naturally.

Cristina: Yeah. Okay.

Jack: We. We don't understand his origin. There's no. Nothing told to us about that. But could be he could. Now that I think about it, there was no direct. He was created by her.

Cristina: Mm.

Jack: He's just in charge of.

Cristina: All right.

Jack: Because maybe, you know, who knows? Giant, epic battle over billions of years led to him being on top. We have absolutely no idea how long the periods of time are between these points. It could be infinity's worth. Between Mab creating the Shadow Realm and then Yaldabaoth creating Earth. It could have been infinities. We have no. What. What does time mean in the Shadow Realm?

Cristina: Oh, besides her making the Shadow Realm, she also made other things. Or was that after he made Earth?

Jack: What do you mean? The other three goddesses that went ahead and created life and all that. I have no idea. Have no idea.

Cristina: Okay.

Jack: I have no idea what. We don't know what order those events happen in. We know she made a bunch of s***. He made a bunch of s***. And we are aware.

Cristina: Okay, okay.

Jack: We're gonna call him Yalda because it's shorthand for saying his long f****** name. Yalda has a child with a djinn. He names a child Sizzle. Now, life takes its natural course on Earth for billions of years. 14 or so odd billion years go by after Yalda creates the Earth Realm. 3.3. Now we're entering where we can start stamping things. 3.3 billion years ago, Yalda goes into EarthRealm and tinkers with the genetics of developing Earth species. What sciency Going and exploring, experimenting, poking things around and being like, what can I do with the things that are going on here? Using gene manipulation, he alters it so that so as to speed up a specific developing races, development and advancement. So, you know, get, get fast. I'm bored of seeing the same primitive.

Cristina: Yes.

Jack: Dinosaurs for God knows how long, presumably. Right. 2.5 million years ago, the first tools are developed by these creatures. 2.1 million years ago, Yalda reveals himself to three members of this altered species, located within what would later be known as a Persian Gulf oasis.

Cristina: Okay.

Jack: One of them was named Eloi, which is very important. Yes. This is interesting because there's very similar Jesus structure that's happening here. Right? Not Jesus structure, but like Jehovah revealing himself. It seems like a lot of the things that we consider Jehovah did is not things Jehovah did.

Cristina: No, he's just based off of these much more ancient stories.

Jack: Yes. It seems that there's a lot of conflating Eloi and Jehovah.

Cristina: Yes.

Jack: Because they kind of did a lot of the same things, but not to the same people. And so it's easy to be like, oh, yeah, we have. We, the sea people have these recorded stories of Eloi, and they get lost and refound by other people and they see Jehovah doing identical things. They think Jehovah is Eloi.

Cristina: Loi has to do with alchemy, though, right? He's the alchemist.

Jack: Everything apparently has to do with alchemy.

Cristina: Okay.

Jack: But yes, I guess so, because that's where we would be going towards next in a couple of lines. Let's see. Yalda gifts the Shadow Realm to his son Sizen.

Cristina: Okay. Okay.

Jack: And Yalda informs Eloi of the existence of the Shadow Realm and the origins of Eloise Species. I altered you. I. I created how you are, then I allowed you to evolve. And also, I come from a different place. I made this universe you exist in. I come from a different place where different things happen, unlike anything you understand.

Cristina: And then. No, I'm trying not to get these stories confused, but he's not the one that he takes to the Garden. That's the next step. Somewhere down the line, right?

Jack: Yeah, yeah, yeah. Yalda does not go with Loi to the Garden.

Cristina: Okay. That's Susan and that's Susan.

Jack: And Loi.

Cristina: That's Loi.

Jack: L is short for Loi.

Cristina: How is he still alive? I thought that was another guy. No, that's him.

Jack: No, these are. This is what's weird about this. Instantaneously. This is why these are immediately not humans.

Cristina: Okay.

Jack: The giant gaps of time happening with Loi instantaneously tells you they are. They are living an absurd amount of time.

Cristina: I thought L and is like someone in his family or something.

Jack: Like.

Cristina: Yeah, I guess if they work still similar to humans, because we don't really know what they. What their lives are like.

Jack: This is an interesting point you're bringing up, because maybe, I guess maybe. Right, but no, the problem we're talking about is that even if that were the case, we're still talking of an absurd amount of years and the same name. So even if we were to say Loi is not L, then this guy still lives, like, 300,000 years. Like, it's still. You know, it's still like, whatever. It's probably him.

Cristina: Okay.

Jack: It's still, like, between just Adam And Eve is 50,000 years. You know, like, it makes no sense. It makes no sense. But we know that these things were modified by a deity of some sort.

Cristina: Or.

Jack: Not a deity. That's just the way we would look at it. But the scientific leap between that s*** and us is so colossal, it's godly. And you get altered into this immortal thing. So 2 million years ago, that's the point where things get interesting. Because Eloi meets Sizen, and then Susan tells El of the Forest of Shadows, of which El already knew about the Shadow Realm. And it. There's. I still have no f****** clue how Susan and L meet in the first place. I just know they meet and they venture to the Forest of Shadows in the Shadow Realm.

Cristina: It has to be through his father. If he knew him.

Jack: No, because when Yalda gifts Sizen the Shadow Realm, he just dips, which is another weird thing. Where the f*** does he go?

Cristina: But it's not like he. Like, we don't know what that means. He could have left him things. He could have told him what he was doing and then left. Because what's the chances of him running into the same guy he was messing with?

Jack: Yeah, yeah. 100%. There's a huge gap of information there.

Cristina: Yeah.

Jack: Like how? Why? What? You just came across the son of the. But, like, I don't even know. Why would your son be interested in this guy? There's something missing there. There's something missing there. There's a reason. There must have been an intent behind Sizzle and El crossing paths. Arguably both sons of Yalda in different ways.

Cristina: Okay.

Jack: One literally birthed, one scientifically, the other one scientifically created.

Cristina: Yeah.

Jack: But both. You could call them brothers at this point. Okay, from. Actually, that's an interesting way to look at it. Brothers from different realms. So Susan tells El of the Forest of Shadows, and they venture into the Shadow Realm to visit sometime. After an unknown amount of time, El acquires the fruit of knowledge and begins experimenting. We no longer have Szen mentioned here, and he's not for a while. In fact, we discovered Sizen much later without knowing that him and L interacted in this manner.

Cristina: So.

Jack: 156,000 years ago, the Philosopher's Stone, Adam is created, presumably by about six, using six primitive creatures from a new Developing ape species.

Cristina: The story of the people who are protecting the garden on the actual Earth Realm. When. How old are those stories?

Jack: That's way in the future from this point.

Cristina: Oh, okay.

Jack: That has nowhere near happened yet. So 156,000 years ago, the philosopher's stone atom is created from about six members of an ape species. So presumably they're sacrificed by L. And he's using the Fruit of Life, some fragment of this fruit. Quote, fruit. It's. I mean, they literally talk about trees, so I'm not thinking it's a metaphor. It's literally some sort of fruit or something.

Cristina: Because the tree does sound pretty magical if it's really connecting two realms or maybe even three.

Jack: Yes. We don't even know. There's already something weird about these trees to begin with. And using this Fruit of Life, he creates the philosopher's stone Adam. Or using Adam and the fruit of Life, the philosopher's stone atom and the Fruit of life, he creates the primitive human species. That is an unclear first problem we come across. Did he require the fruit plus the sacrifices to create the philosopher's stone Adam, or did he use the fruit plus the philosopher's stone Adam to create the first set of life? Unknown, don't know. Then a hundred thousand years ago, L acquires a Fruit of Knowledge, we face the same problem. Did he use the fruit of knowledge plus 50 million, roughly primitive humans to create Eve, or did he use Eve and the fruit of knowledge plus 50? Well, I guess Eve would have been made from 50 million sacrifices. So did he use the Philosopher's Stone Eve plus the fruit to make modern day humans, or did he use the fruit to make Eve with the sacrifices? So I don't know. In both cases, we don't know which the fruit was used for. Was the Fruit of Life used to create Adam or was the Fruit of Life used alongside Adam to create primitive humans? And then one generation later, was the Fruit of Knowledge used to create Eve or was it used alongside Eve to create modern day humans? I think in both instances. Because you don't need the fruit to create the philosopher's stone. I think in both instances they were used alongside it.

Cristina: Yes. I guess never written about using it to make.

Jack: Which isn't now in the magnum opus, it does show up. The, the Fruit of Life does show up, but it's not included. It's discussed as a separate thing. So based on that logic, we should assume it's used in conjunction, not to create it.

Cristina: Yeah. Okay.

Jack: Which would say six sacrifices of this ancient ape species are used to create Adam. And then the fruit of life plus Adam equals primitive humans.

Cristina: Yes. Somehow.

Jack: Yes. And then 50 million of that primitive human is used to create Eve, the philosopher's stone. Eve. And then Eve and the fruit of knowledge are used to create modern day humans.

Cristina: Yes. And then is Jesus the next step?

Jack: Right, that's so far.

Cristina: That's so far. Okay. I don't know. These timelines are crazy.

Jack: We're talking hundreds of thousand years ago. Okay, hundreds of thousands of years ago. Then we go to about 50,000 years ago, modern day humans begin to develop language.

Cristina: Okay.

Jack: It's been 50,000 years since the alteration was made with Eve and the modern day humans were invented. Now we're no longer doing millions of years or hundreds of thousands of years gaps. These creatures are moving even faster than the sea people did.

Cristina: Okay, think about it.

Jack: It was millions of years before 14 billion something. It was 3.3 million years when Yalda first genetically modified the apes.

Cristina: How long ago?

Jack: Or not even apes, whatever species they were from. 3.3 million years ago. Okay, let's see. Yes, 3.3 billion years ago, actually. Holy f***. When he. Jesus Christ. 3.3 billion years ago, when he first went to alter the genetics of this developing species. And then 2.5 million years ago, the first tools were developed. Those are the sea people. Think of the giant gap of time between those two points.

Cristina: That's pretty huge. So it took them a while.

Jack: Took them a while while. But then it took us from being created 100,000 years ago, only 50,000 years to get to our tools and language.

Cristina: Huh? We're better.

Jack: We're better. I mean, that's the point, right? 40,000 years ago, Mab sends Naga to any and all rapidly developing intelligence civilizations. So now the settlements are spread out throughout the world because hundreds of years pass.

Cristina: And these are the snakes.

Jack: These are the snakes created by Oros.

Cristina: Okay?

Jack: And so all the seemingly faster developing groups have one Naga somewhere among them that is eventually gonna attach itself to whatever fastest developing is happening. And now we start entering more modern situations. 12,000 years ago, Jehovah, descendant of Eloi of the Sea People from the Persian Gulf oasis, appears in the Shadow Realm requesting passage to the Forest of Shadow.

Cristina: Who?

Jack: Jehovah.

Cristina: Okay, What?

Jack: Yeah, that's when he goes and he gets the fruits.

Cristina: Oh, okay, I thought that already happened. No, that was Adam and Eve. Oh, okay.

Jack: No, now Jehovah's the one showing up with like a note or something. You don't remember that? He had some data that said, oh yeah, this stuff exists here And Susan had already placed because of before Jehovah, this other guy, the Judge.

Cristina: The Judge? Yes, the Judge of the humans and Shadow people.

Jack: Later. Yeah, later, the Djinn, he went ahead and crossed and then alerted Susan, which decided, I need to put some guards here. Now, the Judge is an interesting situation because that happens roughly around the same time, right? The judge comes first, 10,000 years BC roughly 11. And crosses into the Shadow Realm. Brother of Inanna tells Inanna of his ventures through there. And he begin. He, you know, the Jinn know. They find out that he's a Judge, and they're like, oh, yeah, we need somebody to kind of do that for us as well. And Inanna gets curious. Inanna goes and she traded this place. She tries the fruit, though, first, gets enlightened, becomes obsessed with the Shadow Realm, frequents it, and then. No. Gets to know Ixo. Ixo, the prodigy botanist from the Shadow Realm, and her get close and then decide to swap places after trading a bunch of stories. And then Ixchel lands in Maya, where later she will pair with some Egyptian guy.

Cristina: I mean, Egyptian Mayan.

Jack: You said Mayan with a Mayan.

Cristina: And they do their own weird stuff.

Jack: Yes, they join. They become part of the Earth Gods, which we will get to. So, yeah. 12,000 years ago, following the interactions with the Judge, Jehovah, a descendant of Eloi, goes into the Shadow Realm, requesting passage to the Forest of Shadows, where he then collects all three fruits.

Cristina: Okay.

Jack: 8,500 years ago, Mananan is sent to the Isle of Man to lead a team of researchers into the proclaimed fairy trees.

Cristina: Okay?

Jack: Which, knowing Jehovah, is us. Now, these timelines now suddenly make a lot of sense when you put them back to back like that. Because 12,000 years ago, you have Jehovah, who finds the.

Cristina: The trees in the Shadow Realm.

Jack: Trees in the Shadow Realm. And who knows how long they've been looking for them, because the Judge already theorized they come up somewhere else.

Cristina: Okay.

Jack: And then Jehovah shows up looking for the fruit, and then a couple of thousand years later, oh, we finally tracked them.

Cristina: Okay. Boom. Before he took the fruit, he already had the. The ones for Adam and Eve. That already happened, right?

Jack: Yeah, that's way in the past.

Cristina: Oh, okay. I wonder if the fruits somehow helped them find the. The Earth Realm version of these plants.

Jack: Fascinating.

Cristina: Fascinating, because they already used it for what we believe they needed the fruit. Score. Anyway, so why they come back for more?

Jack: Well, that's an interesting question. Right. We know that how the garden is spoken of suggests that these philosopher stones have remained with the Sea People this entire time. And we originally figured out before half of this s*** that one of the main purposes was to protect Adam and Eve.

Cristina: Yes.

Jack: And the fruit. So all of this is in the lab named the Garden of Eden.

Cristina: Yes. So why did he need to get more fruits? If they already had the fruits that.

Jack: They'Re protecting, why did they need more fruit?

Cristina: Probably to find it. Must have somehow helped find the actual fruits. I mean plants I guess on the Earth Realm. Because they don't really say how they found the Earth Realm version of it.

Jack: No.

Cristina: It would be weird that they just.

Jack: Happen to know that's another huge gap. Right. We have no idea what specifically took them to the Isle of Man where the fairy trees were. We just know that they do. And they put Mananan there.

Cristina: Yep. Which happens after he goes and sees those trees himself. Okay. That makes sense.

Jack: There's something there. Those fruits are guiding us somewhere. Six thousand years ago, the isle Imayn Al Bach. Close to the Isle of Man. A Sea People settlement. And then city is established near the Isle of Man. Where Mananan begins to live among other Sea People. That's to help with research. Presumably. 5,100 years ago, the Sea People share their knowledge and technology with the developing civilization of Egypt.

Cristina: Cool.

Jack: The Egyptians build a research team known as the Sun Gods with the intent to research teleportation technology, massive energy harvesting and energy storage.

Cristina: And they also work with the Shadow Realm. Besides the Sea People.

Jack: Yes. They have members that are part of that came from the Shadow Realm. And they have members that came from. They have each. It seems that every structure of a team. The best most highly developed groups of people are earthrealmers. With Shadow Realmers. With a Naga. It seems that every single one features that. Including the Sea People who are earthrealmers.

Cristina: Yes. It seems like they got the knowledge from them. We don't really know if they're like they're on their. Like physically they're with them. Like the Shadow Realm people. Just seems like they're giving them what they need to figure out whatever it is they need.

Jack: Wait. Who's on what with the what?

Cristina: The Sea People. It doesn't seem like they have an actual member that's physically they're helping them out.

Jack: Yeah, they do. We establish this.

Cristina: They do.

Jack: Oh Jehovah. Lilith and the serpent Naga named By the way. I found the f****** name of this thing. It's called Nahas.

Cristina: But those people are in the garden. They're not out in the world helping people. That's one research team yeah, that's what I'm saying. They're not in a research. There's not one in Egypt. Is there a three person hang out in the Egyptian? Oh well, no, because they just pass them the knowledge.

Jack: Well no, no, no. You're. You're discussing the Sea people, not thinking of it the proper way. Don't think of the individual species of the individuals, think of the realm they come from. That's more important because the features are the same across the board. The Mayan, the Egyptian, the Sea people, which are just one city worth of people, all are an earthrealmer, an Elfhame Realm member and a Shadow Realm member. That's where it gets interesting. The Naga are from Elfame. The in the whichever race they might be from come from the Earth Realm and they all have a Shadow Realm member with them.

Cristina: Okay.

Jack: All three are featured. So it's not important that they're sea people. That just happens to be where it began.

Cristina: Okay.

Jack: Because even when we think of the Sea people, we go far back enough and we end up at L with Sizen. So it's already two. What's weird about that is one of the big questions. Where is the Naga?

Cristina: With L and Susan?

Jack: With L and Susan. But we also don't know if Ellen Susan ever did any sciency stuff together because the moment that L gets into sciency stuff, Susan isn't mentioned anymore. Interesting. No.

Cristina: Yes. I don't know.

Jack: But you would think based on the pattern L Sizen.

Cristina: And yes, maybe there was and there's some story behind that, but it didn't end well.

Jack: Yeah, but as far as the Sea people, that part is less important when it comes to the individual groups. Because what matters to these groups as far as we know is, is that it's a Fairy Realm member, an EarthRealm member and a Shadow Realm member. And that seems to be a feature in all of the highly advanced ones.

Cristina: Kind of makes no sense that it's a Fairy Realm member. Because it seems like they're trying, I don't know, it seems like they're trying to get to the Fairy Realm, but it also seems like the Fairy Realm leader is trying to stop. Stop them from doing so. But they're also.

Jack: Here's. Here's what I will say if you look at the timeline. One, there's no proof that they're trying to get anywhere yet. And two, MAB send quite a while ago, 40,000 years ago, she sends Naga to any and all rapidly developing intelligent civilizations. That's before any form of technology allowing anything impressive has Even begun. She has no idea yet.

Cristina: Okay.

Jack: You see?

Cristina: Yes.

Jack: So it's like she still doesn't know. There's nothing to be fearful of. But it seems so far. Earth Fairy and Shadow Realm all working together. Every advanced civilization has a Shadow member and every research team has a Shadow Realm number. And. And each advanced civilization has a Naga for a reason.

Cristina: We have no clue. We have no clue. We can just guess what they're trying to do, what their end goal. What is the end goal? There's just so many experiments.

Jack: Yes. A lot of weird experiments.

Cristina: We're trying to like put them together. Somehow they fit together.

Jack: Yeah. There's a puzzle. And this is all without talking about the fact that there's many structures of abandoned civilizations and abandoned structures from successful civilizations around the old equator. We're not. Again, we're summarizing and jumping through what matters. But those were all, in theory, failed experiments that were to build a puzzle that didn't make it into the bigger plan. Yeah, those are a bunch of sky maps and compasses and sundials and studies of different portal technology, including things like Stonehenge that appear to be some sort of failed portal things. And it's like there's a lot of experiments that are just discarded a lot from civilizations that would later make it anyways. But something about them was irrelevant because now you're not gonna. You're not serving the purpose all put around the old equator.

Cristina: Why is that important?

Jack: Why is that important? There's so many questions that we can't answer. So crazy. So we got MANANAN around the 6,000 years ago. MANANAN around the freaking. The island. The Isle of Man at their individual island of Emane al Bach. Then 5,100 years ago, the Sea people start sharing their knowledge with the Egyptians. And the Egyptians begin to work on teleportation technology. Massive energy harvesting and energy storage.

Cristina: What?

Jack: They all have a Naga, a Shadow Realm person, and an Earthrealm.

Cristina: Sounds like they want to do some space traveling, but who knows.

Jack: The Sea people around this time build the palace of Alcaraz in the Persian Gulf oasis. They've been in the Persian Gulf oasis, but now they're establishing a different, complicated. Specifically described as a complicated underwater metropolis with intent to conduct comprehensive research in secrecy. 4,500 years ago, the Greek, unable to replicate the Philosopher stones or locate the fairy trees, stumble upon the concept of Adrenochrome and proceed to experiment with that instead.

Cristina: That's when they create that monster.

Jack: No, that's not even the Greek.

Cristina: Oh, okay. What did they do with that.

Jack: Then create what the people of there get to know as the Greek Gods.

Cristina: Oh, okay.

Jack: Which are just a bunch of super jacked up humans. Yeah.

Cristina: Okay.

Jack: Bunch of lunatic. They also have Naga. Like whatever. Any advanced group of people has Naga. And they're just jacked up and hopped up on.

Cristina: On blood and fear.

Jack: 3,500 years ago, the sea people share their knowledge and technology with the developing civilization of Maya. The Maya build a research team known as the Earth Gods with intent to study data storage and portal technology.

Cristina: They do love those portal technologies. It's everywhere.

Jack: It gets complicated. Ma'.

Cristina: Am.

Jack: And we enter into 2100 years ago. Mab grows fearful of the rapidly developing technologies of the intelligent civilizations across Earth Realm and Shadow Realm and directs teams of elves to venture near every advanced civilization and assure they do not develop technology that could threaten Elfhame.

Cristina: But what examples of that have we seen? Huh?

Jack: Two thousand years ago, Jehovah's research team consisting of the Naga named Nahas and a Djinn named Lilith artificially inseminate a volunteer sea person named Mary using the fruit of Life, the fruit of knowledge, the fruit of flesh, and the two philosopher stones, Adam and Eve. Now, first major absolutely plot destroying question is what the. There should be a third philosopher's stone based on what we understand from the previous ones. If we were just to follow pattern, it maybe doesn't need one. But if we were to follow the pattern. Fifteen hundred fifteen, six thousand years ago, the fruit of life plus the philosopher's stone Adam equals the primitive humans. A hundred thousand years ago, the philosopher stone named Eve plus a fruit of knowledge equals the modern day humans. So if we're gonna create the next thing, where is the next philosopher's stone that we're using alongside the fruit of flesh. Unless that's why we're using the other two philosopher's stones.

Cristina: Because they can't make a new one. Or they don't want to.

Jack: Or maybe it would be crazy.

Cristina: It would be crazy. That's a lot of dead people.

Jack: But it happened before. Or would it happen?

Cristina: That's way more.

Jack: Because here would be the idea, right? We have Adam made from primitive. Whatever. Some primitive apes equals Adam and some primitive humans equals Eve. So use these two existing stones and don't make another stone. And is that why the product isn't perfect later, as we will establish in a moment. And so we do need a third stone. But this was trying to do it without having to do that.

Cristina: Maybe they just want to limit. Like maybe if they did do it perfect like if Jesus was perfect, then it would cause them a lot of problems as well. It could.

Jack: Cuz how do you stop them though? If you were to go rogue, then what?

Cristina: Exactly. So until they have some kind of solution, maybe he was just a test.

Jack: Fascinating. I, I like that you said that. And that is a point that we're definitely gonna have to revisit in a bit. Yes, because. Well, we'll get there. We'll get there. Good, good feedback. I did not think about that at all. And that makes a lot of f****** sense. So they go ahead and make and artificially inseminate Eve with the three fruits at eve, Mary with the three fruits and the two philosopher's stones. And then that leaves the first big question. Where's the other philosopher's stone? Based on what you just told me, perhaps there is not even a third philosopher stone. We wouldn't know need one yet. So through the course of Mary's pregnancy, people around the world begin to have visions of a child throughout all parts of his life, including being in the palace of Alcaraz in the Persian Gulf oasis. Immediate problem, if the point of the palace of Alcaraz was secrecy and people are literally seeing in their heads where this place is. Purpose defeated, ending go. So this becomes a concern to the sea people because of attempting to keep everything and their technology and their research a secret. So they devise a plan to solve.

Cristina: The problem, which is kicking Mary out, but not really because they, they care about her soul.

Jack: I guess she is one of them.

Cristina: Yeah.

Jack: So the goal is Mary is to leave the Persian Gulf oasis before the sea people evacuate to a new, undisclosed location. Mary is to travel to the island of Cyprus, where a teleporter and escort will be waiting to take her to Mount Athos. And from Mount Athos to their new home, she is to leave the child at Cyprus. You can be raised by those people and most likely there are magi who will stay there forever with the child.

Cristina: But she doesn't really do that, but.

Jack: She doesn't make it. Mary is dispatched with a magi escort known as Joseph. Along their journey. While approaching Nazareth, a conflict made crossing too dangerous and Mary and Joseph were obligated to redirect in avoiding the conflict. They end up in Bethlehem, where Mary gives birth to the child that they named Jesus Christ. The sea people within this time, within the events of Mary evacuating, they also evacuate the entire Persian Gulf oasis and move to the Atlantic Ocean, where they establish their new home in Atlantis, aka as we now know, Elysium.

Cristina: Oh okay.

Jack: Where is that? Who the h*** knows? We just know the name. Both names, I suppose, but we don't. We know that there is a trail there, but it also goes so deep into the ocean that we have no technology that allows us to go that deep.

Cristina: Yes.

Jack: We've never been down there. Weirdly enough. There's a stone path leading from Dominion. Who the f*** knows how it was constructed long as f*** ago, before technology existed, as far as we know. Which is like a good argument for like. Yeah, they're down there.

Cristina: Yes.

Jack: The fact that there's a stone road just straight into the f****** Bermuda Triangle in the depth of the ocean that we've never devised technology to go deep enough into just happens to be a stone path going until we can reach and then beyond. Sweet.

Cristina: Not sus at all.

Jack: Not sus at all. Just some s*** that's there. And then we're like, no, we've always been the most advanced thing. Like bro, then how the f*** did that get down there? Unless the water level has raised infinitely and like that was just dry land before.

Cristina: That's crazy.

Jack: But like where the f*** did all the water come from then? Yeah, and if it's like a meteor, why didn't it destroy the planet? Simple. Okay. The Sea People extract Mount Kaaf, which is an access point and portal between Maya Egypt and the palace of Alcaraz. An anti magic barrier is established around Mount Athos to prevent elves and Elfame individuals from passage. Important. They're trying to protect themselves. Three additional Magi are sent to Mary to assist her in watching over Jesus and assure that he never reaches the Sea People. As well as suppress all knowledge of the Sea People, including the origins of Jesus himself. Now we're entering into more Recent times. The 30s.

Cristina: The 30s, okay, yeah.

Jack: Year 30ish. After Jesus began to be known by those listening to his message and those having visions of him. The Magi needed to begin a suppression effort before Jesus was exposes the truth problems. The Mangi communicate with two of Jesus's closest friends that later Jesus himself labels as f****** traitors, which are John and Peter. John is enlisted to create a false narrative of which he failed the first time. Which is where we got John's secret writings or whatever the h***. And Peter is enlisted to create the Catholic Church in the name of Jesus. Okay, Jesus was not down with this. Jesus was a freaking Jew. But they were like, yeah, yeah, Jesus wants us and the narrative will remain that way. They have successfully adjusted it so that the Catholic Church believes Jesus is the establisher of that and most of the world believes, okay, the Catholic Church is the only church Jesus has ever established.

Cristina: But who is. Whose plan is it for Jesus to die young? Is it Jesus? Is it the sea people? Is it something else?

Jack: So they come up with a plan. And the plan is basically to establish this church and shut Jesus the f*** up with murder. It seems it's. It was probably the same people.

Cristina: Yes. Okay.

Jack: They were like, this kid's become a problem and we didn't want it to get to this, but d***. But also, you created a monster with a bunch of exaggerated powers and you offed him and all he did was come back.

Cristina: Yes.

Jack: So what? That's where the interesting part you're talking about immediately comes in if they're trying to add a control mechanism. Because if something goes wrong, then how do we stop it? Well, it's already out of your control because you killed him and he just popped up again.

Cristina: Yeah, yeah.

Jack: Not only was he far ahead of you in that he could just land in the Shadow Realm after you kill them to shut him the up, but he's also so intelligent and wields Shadow Realm powers that he somehow figured out how to build Shinto gates and walk right back.

Cristina: Yeah.

Jack: D***, bro. You guys created a monster. Yeah, they tried to solve it.

Cristina: They did. They thought they had. I'm sure they thought they figured everything out before actually making him like. Okay, we got.

Jack: No, I'm thinking this is actually where you're correct. And the lack of a third philosopher's stone was to avoid making him perfect because they hadn't figured it all out.

Cristina: Oh, okay.

Jack: Because if they did winging it.

Cristina: But they were really curious. They're really, really.

Jack: Science is problematic.

Cristina: Exactly.

Jack: Like Tom York's song Dreamer suggest. Science is going to be the f****** death of us and we're gonna dream beyond our control. And that could in theory be what Jesus is.

Cristina: Yes.

Jack: A really like, come on. They actively refuse to complete it into perfection because what if s*** goes wrong and then instantaneously s*** went wrong.

Cristina: Yeah. It was probably way worse than they expected for something that's not even perfect.

Jack: Yo, the kid's not even born yet and now people just know where you live.

Cristina: Yeah.

Jack: D***, bro.

Cristina: Yeah. Because with just Mary, what they made was kind of crazy. At least compared to their evolution. Our evolution was ridiculous.

Jack: Yeah, it was fast. Fast.

Cristina: So of course the next step would be. Whoa.

Jack: Yeah. Yeah.

Cristina: A blink of an eye pretty much.

Jack: Which is what's happening with Jesus.

Cristina: Exactly.

Jack: The exponential growth, understanding and level up.

Cristina: This kid went through a million to what were we.

Jack: We're talking. Yeah, we're talk. Three billion years.

Cristina: Billions to millions, right?

Jack: Yeah. Then we come in from those that took the sea. People took billions. Then the primitive humans took millions. Then our humanity is only taken thousands. And then Jesus was 30 years before he became fully aware of his capacities.

Cristina: Yeah.

Jack: It was like 30 years from billion. Yeah. From birth to. Oh, I got powers.

Cristina: Yeah.

Jack: Was only 30 years.

Cristina: Yeah.

Jack: And then it's like, oh, get in contact with this friends. Get in contact with his. Everybody. Everybody close. Whoever the is around this m***********.

Cristina: The way everyone was dreaming about him, maybe he could also dream about them. Like, how did he know about the shadow Realm? I guess is my thinking.

Jack: Yeah. Nobody told him.

Cristina: No one told him.

Jack: But also we know that people who drink adrenochrome can hear the voices of creatures from the shadow realm. He is made of the shadow Realm. He is just in commute. They can't control it. He's just in communication with over there. As his abilities developed and grew and got complicated. He's just connecting and talking to these m************ over there.

Cristina: Yes. But we don't know if he has any connection to the fairy world.

Jack: We have no idea. As far as we know, he doesn't.

Cristina: Yeah.

Jack: Which luckily those restrictions were in place.

Cristina: Yeah.

Jack: Because that could have been even more problematic. If he has that level of power, then how do you stop him ever?

Cristina: Mm.

Jack: Oh, it's crazy.

Cristina: That's crazy. Okay.

Jack: Problems for days. 30 years, bro. That's it. 30 years. From billions to 30 years.

Cristina: Yeah.

Jack: So we established John, he's gonna start making lies. And we get Peter, he's also gonna start making lies. But he's gonna do it in an organized fashion. The guy writing, I've been with Jesus. And the guy like, Jesus told me to make this church. Okay. Additionally, in secrecy, two plans are established. One, we gotta kill Jesus. They did. Without knowing you kind of succeeded too well. And he just pops up again. Because he was also still connecting and discussing. He built these bridges and walked right back in.

Cristina: Yeah.

Jack: Second, the Knights Templar are established in secrecy a hundred years after Jesus is born. And their entire job is to eradicate all information on Jesus Christ and push a new narrative about his existence. Now we're making leaps. The Six hundreds. Greek scientist Zosimos discovers the magnum opus within ruins along the coast of the Persian Gulf oasis. And in it are the instructions to creating the Philosopher's Stones.

Jack: Although unhappy that the sea people refused to share their technology with them, the Greek are obligated to Establish regular resource trades with the sea people via regular visits through Mount Athos.

Cristina: Yes. Where they get to see unicorns.

Jack: Yes. Which is actually where this began for us. 900s Vikings Discover the uses of adrenochrome and proceed to experiment, thus leading to the norse overpowered individuals. 1100s till the 1100s. Now the knights Templar become a publicly known group and their methods become ruthless as opposing information on Jesus Christ continues to be pushed by smaller groups. And presumably Jesus somewhere hiding amongst them himself.

Cristina: When do we get to. I don't know if it's. I guess after this. The Jesus attempt.

Jack: That's still getting there.

Cristina: Oh, wow. Okay.

Jack: Actually now is exactly when what you just mentioned comes in, which is the 1500s.

Cristina: Oh, okay.

Jack: Rabbi Leo in the attic of the Old New Synagogue succeeds in making a golem named Joseph with abilities identify identical to that of Jesus Christ. One he could control and deactivate. But this golem could come in and out of the shadow realm.

Cristina: Maybe he was the better version of Jesus because he seems like he is what they wanted, something that they can control. And Jesus, this definitely was not that. And also everyone was dreaming about him. Like there's so much bad.

Jack: There's a lot wrong with Jesus.

Cristina: But this golem thing seems like exactly what they were aiming for and did not get. Well, they were way off the mark.

Jack: Presumably the idea of making Jesus was because we need him to be biological so that we can then alter ourselves to match whatever composition he has. Which you cannot do with this golem.

Cristina: Oh, okay.

Jack: They'll never be able to do.

Cristina: No.

Jack: What the golem does. Yeah, they can control the golem, but they can't emulate the golem.

Cristina: Yeah, interesting.

Jack: With Jesus you have your own DNA.

Cristina: Yeah. And with the golem, he was created most likely from a shadow realm creature. Told this guy how to do it right. Or something like.

Jack: Yeah, yeah, yeah. There was instructions that he used. They, they did, they performed the weird. They had weird rituals to begin with. Yeah. And they began to hear the voice, presumably of a God.

Cristina: Question mark.

Jack: Something from the shadow realm.

Cristina: Yes.

Jack: Now here's what's interesting about this. Here's what's very interesting about this. If you remember the sun gods, there is a traitor amongst them, Abraxas, who stole the data and dipped into the shadow realm. That happened way, way, way long ago, before the birth of Jesus by quite a time, thousands of years ahead. Maybe this same individual, which is one of these overpowered, immortal like ancient Egyptians.

Cristina: He'S into science, as we can tell.

Jack: Is who was talking.

Cristina: Yeah.

Jack: To this individual. Alternatively, could have been Jesus himself.

Cristina: Yes.

Jack: It's just something from the shadow realm. Talking to them doesn't mean it's a shadow creature. It's just something in the shadow realm. There's a direct connection with something because of their rituals.

Cristina: Yeah.

Jack: And they gave them the instructions on how to create this golem that then had the ability to come in and out of the shadow realm.

Cristina: And then something weird happened with that golem.

Jack: Yes, but that happens no time soon. Because after the golem's creation we skip forward to the 1760s.

Cristina: What?

Jack: Where a Greek merchant named Antonio Dracos is handed alicorn by a Russian named John, claiming to have gotten it from Mount Athos.

Cristina: What a wild adventure.

Jack: He goes on a crazy adventure where he just. People just find out about this thing. And a war breaks out between Russia and Turkey just trying to get it. Murder everywhere. People trying to get to this guy. He establishes a school in secrecy and get gathers together the most elite elite scholars to study this thing. And doesn't work out. Eventually he dies. But in.

Cristina: Even though it's supposed to keep people living forever or something like that, everyone that gets its hand, their hand on it somehow dies. Like it's kind of weird, but. Okay.

Jack: Now here's a thing. We're assuming that a unicorn is in fact a fairy and not a sea person experiment. Because what really is up with. Unless it's not a. Here's he would be the other argument. They do have the fruits. Maybe they're making a crap ton of experiments. Bro.

Cristina: Yes.

Jack: And the unicorn is just some fairy magic sea person experiment.

Cristina: Yes. Because the fruits relate to the fairies somehow. Because the trees are called fairy trees, even though we don't know how they're related to the fairies. But. Yes.

Jack: Which is one of our main questions. How are the fairy trees made?

Cristina: Yes.

Jack: And your theory makes a lot of sense. Is it buried fairies? Which I think there's something. No, it can't be. No. Well, I don't know. Because you use the philosopher's stone plus the fruit to create people. But you don't need the fruit to create the philosopher's stone. So you can use a philosopher's stone that bends reality to perhaps kill a fairy, which should in theory not be able to die because you're bending reality. The philosopher's stone can kill a fairy.

Cristina: You think the philosopher's stone could kill the fairy?

Jack: I think it can make life, and I think it could take life.

Cristina: Huh?

Jack: It is, as the magnum opus describes, a thing that allows you to do Whatever the h*** you want.

Cristina: Yeah. It doesn't mention fairy murder, does it?

Jack: No, but it breaks the laws of nature. And if nature suggests that fairies cannot die, then with a philosopher still can kill a fairy. Which would then create an interesting argument. If El got into the Forest of Shadows, where fairy trees all ready existed, and he was told about the Shadow Realm by Yalda, and he was. And he get. And Yalda gifted Susan the Shadow Realm. What was Yalda running from? Why did he disappear? Second, did Yalda make the Forest of Shadows?

Cristina: You're thinking he killed some fairies?

Jack: I'm thinking killed fairies. I'm thinking Yalda has a Philosopher's Stone that he made in the Shadow Realm?

Cristina: I don't know, because I.

Jack: When Sizzen, the son of Yalda, considered the God of Death. Yeah, why?

Cristina: Why? Oh, okay.

Jack: Who died?

Cristina: Did fairies die in the Shadow Realm?

Jack: In the fairies die, how was the stone made? How's the stone is the original philosopher's stone made out of a mass grave of djinn.

Cristina: Wait, the original as in atom or. You're saying there's no.

Jack: There's one before him that Yalda had billions of years before even L existed?

Cristina: That made the sea People?

Jack: No. Well, maybe.

Cristina: Well, that was the first thing he did. He made human. I mean, he made. Or the Earth Realm, and then he messed with.

Jack: Oh, checks out, doesn't it? Oh, yeah, that makes perfect sense, actually. So he already had one, and then he killed fairies with it? Most likely. And then made the forest, and then came and made the sea People with this primitive, ancient, outdated version of a philosopher's stone.

Cristina: Okay, maybe.

Jack: Holy maybe.

Cristina: I don't know, but it sounds right.

Jack: Whoa.

Cristina: It matches everything.

Jack: Yeah. If we were to follow a pattern, then yes. You made life with the Philosopher Stone.

Cristina: That seems like how it's done. Yeah.

Jack: Interesting. Which, in theory, could be how he killed fairies and thus made the Forest of Shadows.

Cristina: But he's not the one Yelda Yalda.

Jack: Made the Forest of Shadows, but he's.

Cristina: Is he the one that's called the God of Death?

Jack: No, Susan is. Okay, but Susan didn't make the Force of Shadows. He was also curious about it. But he was handed this by his father, and everybody knew that guy, so presumably they were both referred to as the God of Death. He's the son of the God of Death.

Cristina: Yes, yes.

Jack: And since he's in charge now, he's also the God of Death.

Cristina: Okay, yes, that makes sense.

Jack: But his father is the one who sacrificed many jinn, hence earning a name the God of Death. And Then he created this primitive philosopher's stone. And then he used that philosopher's stone to kill fairies and created the Forest of Shadows. And then that. Maybe that allowed him to create Earthrealm as well. Yeah, maybe the killing fairies in the killing fairies, burying them not only brought the tree, but it created some other thing.

Cristina: Yes.

Jack: Elsewhere. That he then used to create Earth Realm.

Cristina: Okay.

Jack: And then he went to Earth Realm to mess with. Was there using the philosopher's stone that he used to kill the fairies. And then he made the sea people. The sea people made the philosopher stones that allowed them to make us.

Cristina: Because how did they get it? Yes. I feel like there is something there. I feel like that's right.

Jack: I can look into that. But how? The. The problem is, the further back we.

Cristina: Go, the less information we have, the.

Jack: Less somebody needed to mention loosely, something. Because now we're getting to beyond any. Anything written beyond any. Like this is just a line or a sentence or a picture at this point.

Cristina: Yeah.

Jack: Like that's far, far back. Of course, narratives do make it through time, so who knows? 1820s, two Greek record keepers also have somehow come in contact with Alicorn and claim it also came from Mount Athos. 1880, shortly before the Old New Synagogue is renovated, three Magi visit and leave shortly thereafter. The golem is then reported missing. Another weird question. They showed up with six boxes.

Cristina: Yes.

Jack: And they left with six boxes. Not big boxes.

Cristina: Buried the boxes.

Jack: And then they buried the boxes in a weird formation and dipped.

Cristina: Yes, except it doesn't make sense comparing the size of the golem and the boxes. Right.

Jack: No, it makes absolutely no sense. The boxes were absolutely tiny. They're about a square foot each. The golem was f****** huge. It was like 20ft tall.

Jack: I don't know.

Cristina: Of course there's a connection, but I don't know what it is.

Jack: Some things are just weird questions.

Cristina: Yeah.

Jack: 1984, the Tanker War begins over the Persian Gulf. Disguises a trade route war secretly attempting to take ownership of the waters over the palace of Alcaraz at the Persian Gulf oasis. And one of the Most recent events, 2001. An unknown group uses the United States government to organize the collapse of the World Trade center in an attempt to create a philosopher's stone by sacrificing over 2,000 thousand modern day humans.

Cristina: Which would make a nice philosopher stone.

Jack: Which would make a pretty nice philosopher stone. That brings us essentially to the modern day.

Cristina: Yep. So there's still philosopher's stones being made? Maybe.

Jack: Yes. Well, there's. Yes, likely there's another example of a possible attempt to create the philosopher's stone. And that's the bomb dropped on Hiroshima. Allegedly dropped on Hiroshima. And then there's. I don't have any clue. That's a really good question.

Cristina: It's a hundred and 40,000 people.

Jack: 140,000 modern humans. D***. Okay, so here are our arguments for this. These. The contrast between these two situations. You go ahead and you bomb a hundred thousand modern day humans, you sacrifice them and you get one philosopher's stone. Right? Mad sacrifice. You get one philosopher. So that's a pretty hefty philosopher. So but when we're talking about the World Trade center, we're talking about elites, right? Maybe a lot of those people had access to adrenochrome. So we're talking about beyond the modern. We're sacrificing enhanced modern day humans. So with less you get more done. Would that make sense? Because they all got ichor.

Cristina: Okay.

Jack: And so you don't need a hundred thousand. So the argument is, we're over here talking about philosopher stones, but how many are there by now? If all of these major events are the creation of another one, then there are ton. Bare minimum dozens.

Cristina: But how important is that to them when they also have, like we said, ichor and the other ones very different.

Jack: Because there are the people who are addicted to these substances and must rely on them. And the clever individuals who create the philosopher's stone don't have the addiction and can still have all the benefits as well as do much more. Somebody on adrenochrome cannot create life. Somebody with a philosopher's stone can.

Cristina: But why are they making life? Or that's not their goal? The people that are doing.

Jack: No, there's just way more abilities. You're thinking way too narrowly. There's way more ability to philosopher's stone. The point isn't literally making life. It's the fact that the philosopher's stone can do way more by miles than adrenochrome can. And in theory, a philosopher's stone will allow you passage into the shadow realm without you having to die. Which then brings up another interesting question. Did the Jews have a philosopher's stone? Thus Joseph the Golem was possible. Were there other parts involved there that we're not aware of? Well, no, because then they themselves would have been able to answer the.

Cristina: Yeah, shadow realm.

Jack: No, then they didn't. That means that more than so wow. Either way, right? Because it took the sea people how long first billions of years for a yalda to get a philosopher's Stone. Then millions of years for the sea people to get philosopher stones. Then just f****** no time. We just. Thousands of years. Boom. We got philosopher stones. Now we could just make them casually. We figured it out.

Cristina: Yes.

Jack: Six hundreds. Zosimos finds the instructions to do it. Now in modern day, we just casually sacrifice mass groups of people and make philosopher stones all the time. 9, 11, Hiroshima. Whatever the h*** is happening in Iraq and Iran, Afghanistan. All these places that we're just mass killing for the people who don't have the instructions on how to make philosopher's stones. Mass breeding grounds for adrenochrome.

Cristina: Yes. There's a lot going on.

Jack: Shortcuts.

Cristina: Yeah.

Jack: If we don't get the adrenochrome, we're gonna figure it out anyways. F*** it.

Cristina: Mm.

Jack: D***.

Cristina: Like the island.

Jack: And that catches us up to the modern day. That's a nice summary of what's happening. And there are still questions. But what's interesting here is one. Jesus was. There's probably no third philosopher's stone in the making of Jesus. Maybe the intention was to limit him and he's still out of control.

Cristina: Yeah, that sounds like it.

Jack: That's interesting.

Cristina: Yeah.

Jack: Second, that's clever. I didn't think about Yalda having his own philosopher's stone, but it makes sense.

Cristina: Makes sense.

Jack: Why are there trees connecting two realms? Unless those trees were part of the making of the other realm. It was just two realms for who knows how long. And Yalda sacrificed a bunch of his own. Had overpowered abilities because of the stone he got from it. Killed some fairies with it. Made the forest. The forest somehow gapped into another bubble dimension. And he established Earthrealm in that he.

Cristina: Looks like a God because of all that. Which makes me wonder about Meb. What's her name?

Jack: Mab.

Cristina: Mab. Like what is she doing things like this before any of this happened? Like.

Jack: Like how did she create. Yeah. That's another thing. The further back in time in our own realm, we go the fuzzier. Because where are we getting the data from?

Cristina: Yeah.

Jack: And then as soon as we even like modern day, we just think about the shadow realm. Our best examples are very, very, very recent of creatures that come through in mass events. Or it just gets fuzzy. Quick. Quick.

Cristina: Yes.

Jack: And then we have nothing on elv. So there's a lot of question marks surrounding a lot of this. We don't know a crap ton.

Cristina: No. But that's all we do know.

Jack: That's all we do know.

Cristina: And that's a lot.

Jack: That's as it stands. So that's the summary for anybody. I think I'll call it the summary because it's more helpful.

Cristina: What were you gonna call it before?

Jack: As it stands.

Cristina: Well, as it sounds okay, maybe it's.

Jack: As it stands, the summary.

Cristina: Is that too complicated?

Jack: I don't know. I mean, not too complicated, but too long, you mean?

Cristina: Yes. Or how do you. What about the summary? As it stands.

Jack: Oh, yeah, the summary as it stands. Fair enough. Whatever. Some variant of those.

Cristina: Yeah.

Jack: Anyways, that's for anybody new strolling through who wanted to not have to go through a thousand million episodes just like. Just like 15 to 20 episodes of this crap right now. Just kind of piecing this mess together. So here is a solution for that. And now you don't have to go back through all those hours and hours. You should if you want details. There's so many details missing. So much crap is missing. And like how the Greek get involved and all of their creatures and the Norse and all of their creatures and the details about these Greek record keepers and all the crap that happened around Antonio Drive. That's probably one of the most interesting messes. Did you want real detail? Antonio, Draco and the entire clusterfuck of s*** that happened around that guy, the schools he established, the people that died around him, the people that tried time to get to him, all of the above. Anyways, if you guys come up with anything, find anything, you do research and you have tips to give us or directions to send us to find more information, let us know. Yes, you can let us know on all our socials at just Convopod. That's on X, on TikTok, on Instagram, on Facebook, wherever.

Cristina: Remember to subscribe. Right. And review the show and tell people about the show.

Jack: Word of mouth is very important. Tell everybody. Because we're uncovering the truth in this absurd mess of crap.

Cristina: Absurd. This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: Sam.

Cristina: The podcast is hosted by Christina Colazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts, info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 244: The Philosophers Stone

Why are Fairy Trees named Fairy Trees? Did El know about them? And what is the ultimate goal behind this lengthy conspiracy? The duo dive into the Nag Hammadi and the Magnum Opus to discover more of the ever winding road leading to truth. The discovery made changes everything the duo thought was true!

Rambling 244: The Philosophers Stone

Topics Discussed:

Tree of Knowledge

Nag Hammadi

Yaldabaoth

Secret Book of John

Adam & Eve

The Philosopher’s Stone

Magnum Opus

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. Now, as I'm on the show, we'd established the trees, as we know. We'd established that multiple that we found. The trees are referred to as the fairy trees. First, like, whoa.

Cristina: But we don't know why.

Jack: We don't know why we know they're referred to as the fairy trees. So the idea is the trees, for anybody who's brand new, go find an episode called Unicorns and then spin out of control. But ultimately, we're talking about the sea people. Three different realms, but blah, blah, blah. They're like, you know, random episodes here and there have summaries that you can get to. Anyways, we got these trees, the Tree of Life, the Tree of Flesh, and the Tree of Knowledge. And they are collectively referred to as the fairy trees. I've seen this show up in many different languages, specifically the more important locations, which are the highly advanced ancient civilizations that we're familiar with. So the goal was to try to find out about these fairy trees and where these fairy. Why they're called fairy trees? Because that was your biggest question.

Cristina: Yes.

Jack: You wanted to know why they are called fairy trees. You had many speculations.

Cristina: As we can tell, they're connecting the shadow realm with the Earth realm. And that's that.

Jack: That's that.

Cristina: As far as we can tell.

Jack: Yes, as far as we can tell. So the languages, the. Let's not say languages per se, but because some languages have the same words kind of within them that were. So the cultures, the groups of people who were using these that we're usually talking about, the people we focus on are the ancient Persians, the Maya, and ancient Egyptians. These are the three civilizations we focus on. So the Egyptians used to call fairies genies, and these were genie trees.

Cristina: Okay.

Jack: And the Mayak used to call them luxus, and so these were Alexis trees, and the Persian used to call them poti. So these were padi trees. I didn't. I've seen the words. I've skimmed over them. It didn't matter because trees wasn't being used to describe them. It was a different word for trees, obviously. So, you know, I'm just translating one word. I'm not translating the tree word. But the fairies part is what matters. They were all referring to fairies in these instances. When they were talking about these trees and so on my first go through trying to connect these dots and figuring out about these phrases, I stumbled upon this, but it didn't mean anything to me. I didn't even realize that genies equaled fairies, to be honest. I'm like, okay, like what was that?

Cristina: Genie. Genies.

Jack: Genies. Egyptians.

Cristina: Oh, okay.

Jack: The Egyptians believed in Jain is. So diving deep into what these trees kind of represent, it's actually really hard to find anything about the Tree of Flesh that seems to be the one that's f****** most eradicated. They change the names of the Tree of Cavalry, change it from being a tree to a hunk of wood. You know, the whole process of eliminating that from existence. So oftentimes variants of what shows up is that the Tree of Knowledge connects the shadow realm and the Overworld, while the Tree of Life connects all forms of life, from the individual to the all and from the all to the individual. Some variation of those words in almost every iteration.

Cristina: What does that mean?

Jack: Okay, now this is gonna destroy a lot of what we thought and correct a lot of it. Because I found stuff that matters. I was looking through all the possible mentions of fairies, all the possible connections to Elfhame, any possible mention of Mab.

Cristina: Or that guy in the underworld, whatever his name is.

Jack: Oh yeah. Size. Oh my God. The things that have happened since last episode. So in my research, I had to go off the beaten path and go into deeper things. I stumbled upon this ancient writing. It's called the Nag Hammadi. And the Nag Hammadi was caught my attention immediately because of the circumstance in which it was found. It was found in the 1950s, this text. It was found inside bottles hidden away inside walls. Kind of like the ancient the Dead Sea Scrolls.

Cristina: Where?

Jack: Why?

Cristina: I don't know, I'm just curious. That's just weird.

Jack: Oh, okay. Yeah. It was found around Persia, essentially.

Cristina: Oh, okay.

Jack: In the Persian area. So the writing that's in here takes place around 50 to 150 after the death of Christ. Right. And what made this writing particularly interesting to me is the fact that it was. The reason this was hidden in walls is because this was one of the primary targets of the Knights Templar to erase it, which tells us a lot. They didn't want whatever was in this found. It was found because we've been digging for thousands of years, non stop bored out of our minds, looking for some meaning and some s***.

Cristina: You're gonna tell us some more things about the sea people that's gonna tell.

Jack: Us stuff that's relevant. But because this was being hidden, that's what draws. There's a bunch of texts throughout the world and different culture. I'm not going to read everything under the sun. But the Nag Hammadi was an effort to eradicate, as we know, the night Templar, trying to get rid of everything in the Catholic Church, literally burning books. So these works were bottled and then hidden to be protected, which is beautiful. And it was done to avoid the Catholics destroying them. Now, what is within the Nag Hammadi? The. Right off the bat. Right off the bat, it is like. Like, of course this was what was hidden. Duh. The texts begin by critiquing where Earth came from and saying that Earth did not come out of chaos because it's, you know, there's nothingness and then there's Earth. God made Earth. The big bang made Earth. Like this old idea that there was nothing. And then here's our universe. Earth represents our universe.

Cristina: Okay?

Jack: Not just Earth literally, but this side of the realms that we're on.

Cristina: This is saying.

Jack: It's saying, no, this is wrong. Like, literally straight out, critiquing, saying chaos existing before Earthrealm is incorrect. So what was the correction it offers? It specifically offers a correction that states the Earth came from shadow. In those very words.

Cristina: Okay.

Jack: In those very words, this is the Earth came from shadow and shadow came from chaos. Elfame, presumably, is chaos here. It's the place of nothing else can go to. And then there's shadow. And from shadow came Earth.

Cristina: Earth, why? Okay, fascinating. Did they explain why, though?

Jack: No. I mean, yes, but those details don't necessarily matter. That's more of an obscure amount of theology as opposed to what we're trying to get to.

Cristina: Okay.

Jack: The theology of things does not matter ultimately. Oh, the God made an order of gods, and these people decided, like, who cares? No. And the parts of that that are connected to science that I will tell you of. But it says that a being called Sophie from a place called Pestis brought the shadow into existence. Then you go and look at what pestos translates to. Pestis is a Greek word for what, fairies? Yep.

Cristina: Okay.

Jack: Which would tell us that Sophia is the Greek name of Mab.

Cristina: Yes. So they're just saying exactly what we thought. Yes, Mab.

Jack: So Mab created the shadow realm, but.

Cristina: Then they're saying after she did that, she made the Earth. No, not really. The earth realm just came to be out of the shadow realm.

Jack: Why are you always jumping ahead?

Cristina: I'm just saying what you were saying.

Jack: No, no, no, I'm Telling you that Mab created Earth, that created the shadow realm. You're already concluding how Earth realm came to be. I haven't gotten to how Earth realm came to be. I told you that it came from shadow. Yeah, but I'm telling you right now, we're talking about how the shadow realm came to be.

Cristina: Okay?

Jack: You don't have to jump ahead. We're gonna get there. I promise. You're gonna find out.

Cristina: Okay?

Jack: But as of now, Elfame is equal to Pestis. So the Greek word for Elfame is pestis. And the Greek word for. Or the Greek translation of mabis. Sophie, we have a clear one to one now guess of the shadow Realm being created. But we don't have any mention in this first of 13 chapters telling us about where Earth Realm came from. By the way, the Nag Hammadi had 13 different scrolls that would dictate the universe.

Cristina: Are you gonna tell us about all of them or just.

Jack: No, just the ones that specifically cross reference text we've come across.

Cristina: Okay.

Jack: Because. Oh, bro.

Cristina: Okay, okay.

Jack: But we move into the first sentence relative to the word Earth. When I say Earth, keep in mind I'm talking Earth Realm, not planet Earth. So there's a being called Yaldabaoth. And Yaldabaoth is the very first sentence in the second scroll. The creator of Earth.

Cristina: Okay, but they don't say where he came from. He just created Earth. Yeah, okay.

Jack: I had to cross reference Yaldabaoth through. There's many different texts that mention this thing.

Cristina: Okay.

Jack: It's not just the Nagamali, but apparently in most Christian religions, specifically Christian religions, Yaldabaoth is considered a false God who took claim to having created Earth when he didn't.

Cristina: What?

Jack: Okay, I think we have a name for something here.

Cristina: What?

Jack: Think of thinking. Think about what I just said. Something took a claim to Earth, but didn't actually make it, but is telling people it did. We just acquired a name for something we've known for a long time. Oh man. We've mentioned this. That's Jehovah of Dark. Obviously he is. That would have to be. Who else is a being that claimed to be God was totally bullshitting. Or if he wasn't, he was just a broken evil version of what we consider God to be. And seems to be from where the shadow realm and Earth was created.

Cristina: From where the shadow realm.

Jack: So if Jehovah of Dark is from the shadow realm and Earth was created from the shadow realm. And we know of a fake creature.

Cristina: Although this story is saying that he did create Earth, the story is saying.

Jack: That there's a false God called Yaldabao.

Cristina: Oh, I thought you said.

Jack: No, the Bible says. Yeah, most religions say he's fake. Well, this is what's interesting. Yes. Well, you're. The point you're making is correct. The argument in this text would be that he actually did. Yeah, yeah, he actually did make Earth.

Cristina: Okay.

Jack: That would be the real argument here. That Jehovah of Dark. By the way, a name we have now, we can stop calling him Jehovah of Dark. That Yaldabaoth is the God of Earth or the creator of Earth or something along those lines. He made Earth, Earth realm, this universe. He made this, according to this text, to the Nag Hammadi.

Cristina: He made her.

Jack: Yes. Okay, so Mabs makes the shadow realm and within it Yaldabaoth. And Yaldabaoth then makes our throne and the things within it. That's where we are so far.

Cristina: Okay.

Jack: So looking deeper into Yaldabaoth, he is considered the God of the shadow realm directly conflicting with something else.

Cristina: We know the other guy. I don't know. Susan. Yes.

Jack: Sizen is the God of the shadow realm. So what's happening here?

Cristina: What's happening?

Jack: What's happening?

Cristina: What's happening is something wrong?

Jack: So we dig deeper into the Nag Hammadi and we come across the Tree of Life. Specifically the Tree of Life, not the Tree of Knowledge and not the Tree of Flesh, Specifically Tree of Life. I thought that was interesting. Claims are that the tree is a wondrous exploration of the physical form, transcending its vessel. It's located in paradise.

Cristina: Okay.

Jack: It provides life to those who consume it, allowing them to transcend into a different state when their bodies wither. We know this so far. This book is literal words put together that we have to piece together with hieroglyphs.

Cristina: Yes.

Jack: This is text form of s***. We have found sentences just telling us this stuff that we looked for so freaking long. Just little shreds here, little shreds there. There was a text somewhere that was just recently found. We were looking so far back when somebody found something that was hidden from that time that was just those ideas written down. It alludes to the trees. Now here's interesting. It alludes to the trees. Multiple trees.

Jack: Growing out of the bodies of the purest or being used to grow purity within the body. I asked around, I asked for a couple of different. I asked different people who can translate. It was unclear even within native speakers.

Cristina: Of what that means.

Jack: Yeah, where, where this was going exactly was it that it grows out of the body of the Purist. Or is it that they grow purity within the body? The phrasing was a bit of a jumbled mess. Yeah. Weird, though.

Cristina: Yes.

Jack: Telling me the trees come from some sort of life. Like some being. Some being is. You bury the being. What the f***? Maybe.

Cristina: I don't know. I don't know.

Jack: Is it. Are they soul trees? Well, like, something has to die in.

Cristina: Order for them to grow, but some. But where? I guess, because it's both there and here and so where exactly is this thing dying? I don't know.

Jack: This suggests the text might line up with the origin of Jesus Christ being an artificial insemination of Mary. Though if we go with the. It's grown. Is used to grow purity within the body. If we use that translation, then believing that Mary was artificially inseminated makes sense. Would make sense because you used it.

Cristina: Yes. Which we already thought. Like, she had. She was an experiment.

Jack: But Jesus was an experiment and she was the volunteer to have her womb used as such.

Cristina: Also, I have a question. Do fairies die?

Jack: I don't know.

Cristina: Okay. Because then, like, could that be where the trees are growing? They're neither here or there, so maybe, like, it doesn't matter where they die, it's just the tree grows out of it. Fascinating, because we don't really know how their realm works yet.

Jack: We have no clue. So interesting. If we were to bury a fairy.

Cristina: Then the name fairy tree kind of makes a little more sense, too.

Jack: I dig that.

Cristina: I don't know.

Jack: That's actually really interesting. I wonder if this has something to do with that.

Cristina: Well, eventually we got. Okay, I guess we gotta find if there's any information about dead fairies. I doubt it. But, like, who knows? Who knows?

Jack: It's definitely a possibility. Like, what could it. What could the case be, you know?

Cristina: Mm. Interesting. All of this is so strange. I don't know how to feel about it. So it talks about a God that the Bible talks about. Okay, so this is just another version of the Bible.

Jack: Not the Bible specifically. None of the books in the Bible directly, but rather a lot of the books that were excluded from the Bible directly say that this is a false God. Which is interesting because how fascinating if it turns out that Jehovah of Dark, AKA Yaldaba, was always the actual real God. This tyrann, tyrannical, crazy, I'm a murder. S***. But it'll make sense as I go.

Cristina: Okay.

Jack: It will make sense as I go. So, like I said, the first tree that was mentioned was the tree of life. And I found that interesting. That always seems to be the case. The tree of Life is the most prominent and the most known. The Tree of Knowledge. Casual. And the Tree of flesh super hidden. So obviously I was a bit taken back when I saw this next line, which is that it also suggests that the tree was created from flesh. Now I got concerns about where the tree is coming from.

Cristina: Okay, okay.

Jack: My theories on this are some human sacrifice or experimentation, which makes sense for shadow being, realm creatures. But then how do we explain the overworld version of them? Or like, again, it makes sense to say fairies. Right. Because they can easily move through both sides inherently.

Cristina: Exactly.

Jack: So you plant one and one, they're on both sides. Yeah, that would make absolute sense. Now, a lot of speculation we're gonna have to do. Following the next line, I'm about to say, because this is where things go kind of off the rails pretty hard, because I had to follow a different train of thought after I stumbled upon this.

Cristina: Does it change everything?

Jack: Changes a lot. And maybe give some credibility to what you're talking about right now. So it describes using a philosopher's stone to accomplish the creation Is literally a book.

Cristina: No, they use that word. Yeah, philosopher's stone.

Jack: The philosopher's stone is a known item. So we'll return to that. Just let that fester there a little. The secret book of John, one of the 12 apostles. So these texts attempted some of the original corrections of common knowledge that existed in the first two centuries. One of which is. The tree is described as a bad, malevolent tree. It has bitter roots as branches of death and a shadow of hatred.

Cristina: What tree?

Jack: The trees of life. The tree, specifically. Tree of life. Half the time is what they're referring to. But they mean all the trees.

Cristina: That they're bad.

Jack: Yes, they're bad. This is John, one of the apostles.

Cristina: Okay.

Jack: One of Jesus homies. And worst of all, it bloomed in darkness. He was fully aware somehow that it's here and it's there.

Cristina: This is a dark.

Jack: Yeah.

Cristina: Yes.

Jack: This tree comes from the dark. Our side might actually be the root system. So I had to continue looking into this problem. We stumble upon the fact that Yaldabaoth is likely Jehovah of dark, and that allegedly he uses a philosopher stone to accomplish the creation of the trees. Weird. What does this mean?

Cristina: Yes, what does this mean?

Jack: To dive into the philosopher's stone. So the philosopher's stone is a perfect substance that can grant immortality, can turn base materials into gold, can grant youth, can open a gate across all three realms. Can grant godly abilities, can heal all illnesses, and can create perfect life. This is what alchemists trying to achieve this believed of the stone.

Cristina: Okay, are the sea people alchemists? Is that what their main goal is? Who knows? I'm not saying it is, but, like.

Jack: I don't know, where are they?

Cristina: They're just doing so much random stuff that it feels like it's got to be connected. And this sounds like it's the connection of everything.

Jack: Except this has nothing to do with the sea people. Yet I've not mentioned them once. This is entirely some shadow realm creature who presumably is the creator of Earth.

Cristina: No, I'm just talking about the description of the stone.

Jack: Oh, yeah. Maybe they have one. Maybe they accomplish it. Well, no, when we get there. What do you mean?

Cristina: I don't think that they accomplished it. That seems like a difficult. Like, how is it made?

Jack: Oh, yeah, I'll get there.

Cristina: Okay.

Jack: I'm gonna get there. That's where this gets twisted. So magnum opus is the name of the process of working to create a philosopher stone. Magnum opus happens in four stages as the blueprint describes. I'll tell you how we got to the blueprint in a second. That's what's gonna trip you out when we get to the blueprint. So, magnum opus, the four steps. The first one is called nigredo. Nigredo is the decomposing of the material, whatever the original material you have is. We're talking alchemy. So think Full Metal Chemist cartoon. You gotta deconstruct something. Use the same parts. You cannot create parts. You cannot destroy parts. It's equal exchange. So what you destroyed needs to be rearranged and create a new thing. Okay, so nigretto is decomposing of the materials. Albedo is the purification of the new now base materials.

Cristina: What does that mean?

Jack: You are bringing them down to their most basic element so they're all individual and you can use nothing but rawness. Then citrinitas, which is adjusting the new materials into a new arrangement. And rubedo solidify new pure material. You break it apart, then you granulate it, then you rearrange it how you want it, and then you solidify it. That's the process. You take a rock and you break the rock down and you extract all of the atoms that would make gold. And now you rearrange them in the order that gold requires to exist. And then you put them together. So the first step was breaking the rock down. Second step was removing the things you don't need. The third step was Arranging them how you do need. And then the fourth step is. Boom. Now you got the item.

Cristina: Okay.

Jack: You completed the process. This is the rules to it.

Cristina: Yes.

Jack: This is for anything. Any form of transmutation uses these same steps. Any form of transmutation.

Cristina: Okay.

Jack: This is the magnum opus. Now, the magnum opus also applies to the creation of the philosopher's stone. The philosopher's stone must go through this process. The only ingredient that contains all of the things you need to accomplish creating a philosopher's stone is human life.

Cristina: Surprise, surprise.

Jack: Okay, so there is a base minimum, most useless, but still philosopher's stone version of a philosopher's stone, which you could do with about six people.

Cristina: Oh, okay. And so simple. The more people you use, the better, better quality. Okay.

Jack: The most perfect version of a philosopher's stone. This is going to line up with a lot when we talk about it in a bit. The most perfect version of a philosopher's stone, a flawless philosopher's stone, that. That is of a diamond's consistency would require about 50 million people.

Cristina: That's a lot of people.

Jack: It's a lot of people.

Cristina: How'd they get 50 million people?

Jack: Stuff them all in one f****** city and take that whole s*** down.

Cristina: Yeah, it's intense. It's crazy.

Jack: Now, the writing of the.

Cristina: I have a question. When it comes to this, do you have to do it all at once, though, or can you, like, kill a person today and then tomorrow? And then tomorrow until you have that many people?

Jack: I think it has to happen simultaneously, but I don't know. That wasn't specified.

Cristina: Oh, okay. I'm just curious.

Jack: The writings of the process were discovered in an ancient. Well, they were discovered in ancient Persia by a man named Zissimos. Zosimos. My bad. His name was Zosimos. Now, let's dive into some details that are going to help a lot here. Because, by the way, the idea of a philosopher's stone and what it's accomplishing, let's discuss that real quick. If it's a perfect substance that can grant immortality, can be turned, can turn base materials into gold, can grant youth, can open a gate across all three realms, can grant godly abilities, can heal all illnesses, and can create perfect life. It's portable adrenochrome you don't have to get addicted to.

Cristina: Yes.

Jack: It's portable adrenochrome you don't have to get addicted to. And the process of creating nectar. No, ichor. Whether consuming ambrosia or nectar, you get ichor, the process that leads to that. This is More pure than that. While you can just take ichor and not have all those side effects, you still have to consume a thing.

Cristina: Yes. For this unperfect one, which I'm assuming, like, if most people are working on this, the people that are working on this are making some imperfect ones. I wonder how long those last. If it says anything about the last.

Jack: Thing of a stone, I think they last indefinitely. I think it's just a wax stone. It has less potency, less ability, but could last forever. As long as a normal one would last, presumably. Maybe a little less, but. So the writings of the process were discovered in ancient Persia by a man named Zosimos. They were discovered in small. Inside small structures on the shores around the palace of Alcaraz, which is where the city people. Okay, used to live in the Persian Gulf oasis.

Cristina: That's where they found these.

Jack: Okay, that's where they found these writings. Zosimos. Promptly. This is for the. The writings related to the Nagamadhi and the magnum opus with the instructions for human transmutation into a philosopher. So actually, it was the. In the instructions for alchemy period.

Cristina: Okay.

Jack: This was the. As we know it in modern day, the beginning of alchemy happened with this guy finding writing. But we're not questioning, oh, wait, he found writing and then it came. No, somebody wrote it down, bro. It was there first.

Cristina: Yes, from a sea person.

Jack: Yeah, but we're like, yeah, this is the beginning of it. He found some writing and then, you know, no, he didn't make it up. He just found some writing. That's how we just tell the story and leave it there.

Cristina: Yes, he made it. He found it. So he made it.

Jack: Yeah, like, what the f***? But yeah, so he found this writing and delved into the writing, studying them and mastering them later. To be known as Zosimos of Alchemy for his miracles using alchemy. The writings describe. This is where the s*** hits the fan real hard.

Cristina: What about him?

Jack: About. About alchemy. Brace yourself. This sentence shakes it up and it's gonna make a lot of sense suddenly, especially when we think of timeline. The writings describe Adam as the first successful, albeit flawed, philosopher's stone.

Cristina: Stop flying. Everything we thought is straight. What? That's all the guess. The sea people, the ultimate idea, the thing that they're all trying to work together on. Not just them, but this, the shadow realm. I don't understand why. Just why everyone wants this.

Jack: I don't know.

Cristina: Even the shadow realm people are involved in.

Jack: Even the people are in on it.

Cristina: I don't know, Adam, Adam, do they imagine you or is she like way too far in the future from this moment?

Jack: Well, all of that, Adam and Eve are way behind before any of this. Oh, this is happening like years.

Cristina: Yeah, this isn't okay.

Jack: Yeah, yeah, it's like recent compared to Adam and Eve.

Cristina: Okay.

Jack: Eve is described as the most elaborate and practical philosopher's stone.

Cristina: Did they explain how many people lives they sacrifice?

Jack: But we can assume based on these two descriptions that Adam probably used the six. And Eve, that was near perfect a lot.

Cristina: But you have to know what was happening around that time that she was made. Like there's got to be stories of like a bunch of people died because of blank. But it's not really that we know that.

Jack: No, it's impossible to get stories like that of that time. That would be too impossible because there wasn't anything that we can preserve from those times 100,000 years ago. But we know that 156,000 years ago, Adam is first said to have existed. Then 150,000 years ago, base primitive humans come to be. And then a hundred thousand years ago, both Eve is said to come into existence and modern humans come to be. The assumption is some creature was used that was sacrificed to make the first form of the philosopher's stone. Adam. You used Adam and made. Well, actually the argument. The argument here is whatever the tree is, because keep in mind, the tree also was made using a philosopher's stone. That's how he got to the philosopher's stone originally. The trees. The trees, yes, the trees were made using philosopher's stone.

Cristina: Oh, okay.

Jack: What the h*** does that mean? And we know that Adam used the tree of life.

Cristina: So complicated.

Jack: Yeah, there's some component of the Tree of life that equals Adam. So actually the materials that are happening here are more complicated. Adam is more complicated than just a normal philosopher. So he's using the six people plus the Tree of Life. That was itself made with a philosopher's stone, although it is not a philosopher's stone. Then we get old humans. Then we have Eve come into existence and she is used with the Tree of Life and adds the tree of Knowledge, modern day humans. But she is a philosopher's stone as well. This is something more complicated than that. But also where are the primitive humans? We know that in like biology through archaeology, we know fossilization of primitive humans there where they were around and then they just weren't facts about history, Neanderthals and the other guy. And they were just mostly gone. That's it. Some of us got DNA from it. But they were just mostly gone.

Cristina: Just assume we killed them off to.

Jack: Make Eve and then used Eve to make modern day humans.

Cristina: What's the next step? Because it doesn't look like they're planning on making a third. Or maybe they are.

Jack: Well, let me continue telling you what's writing, what's in the writing. Keep in mind this guy found writing that existed how God knows how long before existed how long before. Right. He finds the magnum opus and it explains how alchemy works and it explains Eve and it explains Adam and who knows how long before he found this. It was written because it speaks of an event that's happening in the future that probably already happened by the time you found this, which is a future project to finally be the perfect flawless philosopher's stone describes Adam and Eve as two different experiments on the same project. And then a perfect, flawless philosopher's stone. I think Adam and Eve were in fact stones. They're physical stones, not people. They were stones, technology. This has been said in many places.

Cristina: Yes.

Jack: Is the perfect flawless philosopher's stone not a stone? Is it Jesus?

Cristina: Is it Jesus? I don't know, but it doesn't say it was made or.

Jack: No, it's an event that's happening in the future of the writing.

Cristina: And the writing came after Jesus.

Jack: I thought, no, the writing was found after Jesus. I just said there's no way of knowing when this was written. He found it after Jesus. Roughly six years later.

Cristina: So is Jesus a stone?

Jack: Well, Jesus is not a stone. Jesus is a guy. But like now let's think about what we could do with a stone. Very important, one of the literal character. I'll go down the list of everything I could do again. A perfect substance that could grant immortality, just like adrenochrome can turn base materials into gold. I don't know if dream of chrome could do that. But whatever can grant youth like Adrenochrome can open gates across all three realms. Adrenochrome can do two. Can grant godly abilities like Adrenochrome, can heal all illnesses like adrenochrome and can create perfect life.

Cristina: Interesting. Also, Jesus didn't make gold, but he could turn one thing into another.

Jack: He couldn't he at random.

Cristina: I feel like that's the example.

Jack: Fish to bread.

Cristina: Yes.

Jack: So you think they made a water.

Cristina: To wine or whatever.

Jack: Yeah, a living philosopher stone was the goal. Because the idea, look, we already know that there was some something to make Jesus and then study his DNA so that we can then modify our own DNA. To accomplish the same things?

Cristina: Yes.

Jack: I guess it would be. How do we put the powers of a philosopher's stone into a person? And then had we alter our genetics to do it the same?

Cristina: Yes. But if that's true, where was the sacrifice for him to be made if he's the perfect philosopher's stone or equivalent?

Jack: Well, there were already two philosopher's stones.

Cristina: You think they sacrificed the philosopher's stones?

Jack: I think Eve ceased to exist. And maybe so did Adam in the making of Jesus.

Cristina: Because we thought they were protecting them this whole time.

Jack: But then they were protecting Adam and Eve. But they could just been protecting the garden.

Cristina: Okay. There's so much happening. Okay.

Jack: They are. Or unless they still have. I don't understand. Because. Unless they still have Adam and Eve. But no. You could use a philosopher's stone to create perfect life. So is Jesus the perfect life that was created by the philosopher stone? Or are we the perfect. I think we were the perfect life. The humans were the ones made by the right. Correct. Working functional philosopher stone, which was Eve.

Cristina: But the perfect life would be the one that's living forever and everything and doesn't die from diseases and etc.

Jack: Then Jesus wasn't perfect himself either. Although we do know he was a failed experiment.

Cristina: Exactly.

Jack: So it was an attempt at that. He wasn't perfect. It was an attempt at that.

Cristina: And he's very close to very close.

Jack: Except he can still also himself. Not enter Elfame, which might be the ultimate goal.

Cristina: That still might be. Okay. Because that's the perfect life. I guess. And that's the perfect philosopher is the perfect life.

Jack: Yes.

Jack: The goal could ultimately be get into Elfame and a perfect philosopher stone would be able to do that. That is one of the things it can do.

Cristina: But they need to kill so many people.

Jack: They did. They have Eve. But it still didn't matter.

Cristina: But she's not perfect because they couldn't get into. Exactly. So if they're gonna try again. Or did they decide not to do that again because that is. Maybe they have morals.

Jack: Interesting point. Interesting point. So then we have to assume that 50 million wasn't achieve. It was a lot. And it was a lot of those primitive humans.

Cristina: Yeah.

Jack: But it wasn't that 50 million.

Cristina: Or it's more than just 50 million. And that's what. That's as far as they thought it would go. Like 50 million was what they thought would do it. They did it. It didn't work out. And now they're trying to find out what's that missing?

Jack: Because the Entire magnum opus was written before the experiment of Jesus.

Cristina: Okay.

Jack: And Eve perhaps was presumed the perfect stone, and wasn't. And they're like, okay, so about 50 million then. Based on our calculations.

Cristina: But there's something missing. And they did the experiment to do with the number of deaths.

Jack: Yeah. Because they didn't do. Interesting. I like that. That is totally possible, because maybe they didn't do 50 million with Eve. Maybe that's not where they got to with her. They got many. But they're like, okay, if this much power came from 6 and that much power came from, let's say 10 million, then if we extrapolate, run the numbers, do some science ing, then we can assume the amount of energy 50 million sacrifices would produce would equal enough to bridge a gap to that. You know, maybe they were doing that.

Cristina: Yeah.

Jack: And then they wrote that down. And then Zosimos found that. Then he's like, oh, yeah, this is what.

Cristina: This has to be. Right?

Jack: This is right. Sacrifice 50 million. Alternatively, it could be what they're sacrificing. That's the problem. The previous primitive humans, useless.

Cristina: Mm.

Jack: But I mean, whatever was there beforehand, you sacrifice crappy something, could have been a crap ton, could have been six.

Cristina: Yeah.

Jack: And you're like, okay, we got to run this experiment again. But you've already improved this life.

Cristina: Yeah.

Jack: And they level up quite a bit. 50 million years, they got op, and then you sacrifice them to make Eve. So you're already sacrificing something pretty whack. Because they were primitive humans. They're not modern humans. Primitive humans were made by Adam. That's all that there was around the sacrifice when you made Eve. Primitive humans. Okay, so if you were to sacrifice modern day humans, would that with 50 million result in. Because finally we have the escalation of our numbers, of our numbers of our sciences. We are the thing. We're the thing.

Cristina: Yeah, but are we about to be sacrificed?

Jack: Are we about to be sacrificed? Well, that's not the question. The question is, are we actually the thing?

Cristina: We can be the Thing.

Jack: We could be the Thing.

Cristina: Because even if we're not the thing, they have to find out by doing it the way they did with the people before us. They were like, yeah, this is what we got. Let's see what happens. And then, anyway, even with the sacrifice, like, yeah, they lose us, but then there'll be a new being that would be better than us anyway.

Jack: Yes. The idea would be to keep improving until you have a being that would. That sacrificing it would be so overpowered that you could have. And I guess Jesus is that next level of being.

Cristina: Yes, Jesus is the next stage because.

Jack: Again, he came from humans. The first creature became the primitive human. The primitive human became modern day humans. Modern day human became whatever Jesus is.

Cristina: But did they sacrifice? Was it 50 million?

Jack: I don't. I don't think so. I don't think so.

Cristina: Okay.

Jack: Or maybe, I don't know.

Cristina: It's so hard to tell.

Jack: I don't know.

Cristina: It's all jumbled up. Yeah, but no, because they use.

Jack: No, no, no, no, no. We're. Your. Your argument is that Jesus is a philosopher's stone himself. My argument is they used Eve to make Jesus. They used Eve to make Jesus.

Cristina: But don't they have to sacrifice humans to do that though?

Jack: To make a philosopher's stone, that is Eve.

Cristina: Oh, okay.

Jack: Jesus is not a philosopher's stone. We're not making a philosopher's stone. We're making Jesus. Yeah, a being, a person.

Cristina: Okay. They still need to make the perfect stone. I mean, because Jesus already we can.

Jack: Tell that that's why we didn't have. Again, just gotta keep it. Keep in mind your own train of thought here. They made Eve, but it turns out that wasn't perfect, but they didn't know it. So they went ahead and made Jesus thinking this is gonna be the perfect being, and he wasn't. But they'd already written the notes. That was in the magnum opus that Zosimus came up with.

Cristina: Yes.

Jack: So in the future, they'll need. In the future of the writing that we're talking about. But as of that writing and as of the creation of Jesus, probably no, 50 million weren't sacrificed. The assumption must have been that it was already good enough.

Cristina: Okay.

Jack: Or the other perspective is they're going to. Which means it must have happened for Jesus, but. Or not for Jesus, but there must be another philosopher's stone. If Adam and then eve and then 50 million sacrifices, and with that you make Jesus, then what the h***? There's something missing which.

Cristina: Yeah, really?

Jack: Really. It would check out as the pattern if you use however many sacrifices. And the tree of life. Well, no, I guess the order would be make the being apply the fruit that gives these powers. Oh, now they're alive. We made life, then use Eve and apply the tree that gives the knowledge. We gave them life. We gave them knowledge. Now we made them with the philosopher's stone and we gave them the powers of these things. Now we have modern day humans. Okay, so you're not mixing, you're not making A philosopher's stone with the trees. But you need the components of the trees. Now, if the third act contains the Tree of Flesh, where is the third Philosopher's stone? Right.

Cristina: Yeah.

Jack: There's something missing.

Cristina: There should be, but that's not in these scrolls, so.

Jack: Yeah, because all that would have happened.

Cristina: After the writing and this scroll. I'm so curious about Susan. Is he mentioned?

Jack: So let's go back to the Nag Hammadi. Because the magnum opus is entirely about alchemy. Okay, so let's go down the list of what we know based on what the Nag Hammadi says. El Fame came before Shadow. Shadow came before Earth. That's the immediate correction. Yaldabaoth created the Earth Realm. Now let's go into what it tells us about Yaldabaoth and the Earth Realm. The little bit of narrative it gave us here.

Cristina: Okay.

Jack: Yellabaoth would periodically tinker within Earthrealm. He took one of the ape races on Earth and altered the biological makeup to feature enhanced progression through genetic manipulation. The idea was, I'm going to make you better. I'm going to make you perfect. You monkey, you. You're gonna be greater.

Cristina: He is Sizzin. Is this what we're gonna find out? Is it too early to say that?

Jack: Shortly after the apes began to develop tools and evolve at an exponential rate, the Baoth waited until they'd developed language before approaching a small group of them.

Cristina: Of course. Of course. Because that. It has to. Okay.

Jack: Yep.

Cristina: Yes, it is. Okay.

Jack: Could you do. Yes, yes. What is.

Cristina: He says in.

Jack: What do you think?

Cristina: He says he talks to the human person. Like him with L. What's his name?

Jack: L. Okay, so let me go to the next part.

Cristina: Okay.

Jack: He waited until they developed language before approaching a small group of them. Specifically three individuals. One is named Yao, one is name Astophyos, and one is name Eloi.

Cristina: How does.

Jack: I checked out all three names and Eloi's nickname is L, of course. Everywhere.

Cristina: Okay, okay. That's exactly so.

Jack: You're very wrong. Let me continue. Your assumptions lack insight and expansive thought. He told them of the Shadow Realm and their origins and the origins of Earth. Yaldabaoth had a son with a Djinn. His name was Szan.

Cristina: They can do that. What is this the thing we knew. I thought. We thought they couldn't because that lady and that guy never had children.

Jack: You mean the human and the Shadow Realm creature?

Cristina: Yeah.

Jack: Think about that for a second. You're telling me two creatures made the same way can't reproduce because a creature that's entirely different. Species can't mate.

Cristina: What? Say that again.

Jack: Your argument is Ixchel the Shadow Realm creature and Itzamna the human couldn't mate. Therefore two Shadow Realm creatures. Can you?

Cristina: Those are two Shadow Realm creatures? I thought that was one of the.

Jack: I just said Yaldabaoth and a Djinn.

Cristina: Yada Bao is a human, isn't it? Isn't that a human?

Jack: The Baoth is who Elfe made in the Shadow Realm and is considered the God of the Shadow Realm.

Cristina: I'm so confused. The three names you said he was talking to that were humans. I thought.

Jack: Yes. None of those are who I mentioned. I specifically said Yaldabao had a son with a Djinn. That was the very sentence I said.

Cristina: Oh, he's. That's unrelated to the sentence right before that. Okay.

Jack: That's why it began with Yaldabaoth's name instead of he had a son with a Djinn.

Cristina: I don't know.

Jack: Okay, I'll go through those two sentences again and you tell me where you lost me.

Cristina: Okay. There's a lot of names. They're confusing.

Jack: Yaldabaoth waited until they developed language before approaching a small group of them. Yao, Astophyos and Eloi. He told them of the Shadow Realm, their origins and the origin of Earth. Yaldabaoth had a son with a jinn. His name was Szan. Where in there did you get a human made love with a jinn?

Cristina: His name. His name was confused with one of the other guys.

Jack: They're all really weird names. Yeah. So Yaldabaoth had a son with a jinn and his name was Szan. Sizen is basically Hercules from the Shadow Realm. It's a God and a human of the Shadow Realm. Like a normal, casual being of the Shadow Realm. She's Hercules.

Cristina: It's a God of Shadow Realm with a regular Shadow Realm.

Jack: Yeah.

Cristina: Okay, okay.

Jack: Thus making him superior to the other things there. But also, like, his dad could smack him around effortlessly. You know, like, you're weak. You're not pure like me. He gifted the Shadow Realm to Susan before vanishing. It literally says that. And I have no idea where he vanished to. There's no clarification. I looked. There's no mention. And it shows up this way in many different cultures. I'm very confused about why everybody's like, oh, yeah, he just poofed. He just poofed.

Cristina: Because he's just watching now. Then he's not the Shadow Realm. I mean, he's not the Bible God that we thought he was. Because he's just watching now. He just wants to see what happens. He, like he pushed a domino piece and now he's watching it all fall down.

Jack: Could be 100. Could be. But the argument. So you don't think he's Jehovah of Dark?

Cristina: No, because I feel like he's doing more than just planning and watching.

Jack: But Jehovah of Dark is he claims to have created the universe.

Cristina: I feel like he's.

Jack: And he is a shadow creature.

Cristina: Yeah.

Jack: Like these things. Maybe he's pretending he's yelled about. Who knows? Yeah, fair enough. Everything in that universe would know about that. So it's just claiming he is that. Now, the text being corrected by the text in the Nag Hamali being corrected by the Secret Book of John suggests that the Nag Hamali is more correct of the two. But John aimed to not lie either and mention facts about the tree as bad as opposed to as wrong. So he focused on the characteristics and just bad mouthed them. Instead of saying, the tree does not have these characteristics. No, he opted into bad mouthing them. Which is why the Book of John is named the Secret Book of John because it was also decanonized. Because they're like, no, no, no, we can't put this in there. We need to say it doesn't have these characteristics. John was just like, oh, no, this tree is garbage. And you know the fact that it comes from the shadow realm is evil. Yeah. How horrible it is like, no, you can't mention the shadow realm. We can't put this in the book now. So they decanonize it and just said, no, this, this part. No, this isn't part of the main narrative.

Cristina: This is fan fiction.

Jack: Yeah, exactly. Exactly. This is fan fiction. But he indirectly informed us of the connection between the overworld Earth and the underworld shadow by saying that the tree blooms in darkness. And like, that is 100% a reason that that was just removed from the canon.

Cristina: Man, I feel like we are fitting things together.

Jack: L knew of the existence of the Shadow realm, though. And that is something you had in mind. You thought he knew specifically about the trees. We don't. There was no mention of that. He knew about the Shadow Realm. We know the trees somehow are now related to the Philosopher's Stone. And we know that the Philosopher's Stone is somehow just really? Well, we know exactly how it is. If anything, we know more about the Philosopher's Stone than we know about anything else. Because it's just more Adrenochrome. Yes, it's the original old School adrenochrome. It's pure. I can carry it, I can give it to you. You won't get addicted.

Cristina: Yes, the problem with it is the amount of death you need to do to get it.

Jack: So maybe easier to take a life and get the same effect at the risk of you going crazy than it is of somehow acquiring 50 million lives to accurately sacrifice and turn into this.

Cristina: Yes. So I see why one is more popular than the other, but. Okay.

Jack: And it with. As time goes by, it gets harder and harder to make one. Like you're just gonna remove 50 million, how it's easier to make crappy ones. Yeah, we can make higher quality ones. Like, if something like six is all you need to make a base model, then now we know that something like 9, 11, 3,000 people, you can get some nice. It's not as underpowered at 6. It's nowhere near as overpowered as 50 million, but it ain't bad.

Cristina: Probably got a nice.

Jack: You got something. You got something to show for it?

Cristina: Yeah.

Jack: So certain things kind of just click. They make a lot of sense because. Why didn't you just scare us? Oh, terrorists bombing it? Because fear would just bring creatures and. No, you're trying to get something out of it. But the, the style of what happened, either you have some drainage situation happening or you have alchemy happening in which you destroy the buildings as a way to remove those people without them being seen. You decompose them, move that transmutation somewhere else and rebuild it. And so you managed to get rid of 3,000 people.

Cristina: That's a nice stone sized stone.

Jack: It's better than six. Like, if we're looking by scale and probability of acquiring a stone, we got to assume the upper end of stones nowadays is like 3,000. Like that's the best you can get. Unless you had an island with a f*** ton of children. Oh, think about it. Hundred thousand go missing a month ago, 50,000 go missing a couple of weeks ago. Mad kids. Mad kids left and right. We got a hundred thousand here, fifty thousand there, ten thousand over here. We look at other countries, oh, there's twenty thousand missing there. Collectively, we could end up at a million quick.

Cristina: Yes. If we knew they were dying. Because we don't know anything that's happening.

Jack: Well, in theory, we can keep them in a situation where we gather more and more, start siphoning them over time, keep them fed and glorified so we can have nice flow of adrenochrome. Because as soon as the adrenochrome island disappears, a Bunch of laws and s*** and kids just go missing. People just stop giving a f***. Like desperate. Now they're desperate.

Cristina: They're so desperate that it seems like it has to be adrenochrome and not.

Jack: Yes, it seems. It's an addiction. But I think the point of the island initially was will supply everybody. And in supplying, we'll get the funding to continue acquiring a s*** ton of kids. And then one day, we take out the whole island in one shot.

Cristina: Yes. But it never got to that point. Sorry, Swing. Until.

Jack: Yeah, it never got to that point.

Cristina: Or it did. And then they were like, okay, now we got it. We gotta shut this off down.

Jack: No, because kids were found.

Cristina: Huh?

Jack: There would have been no evidence. No evidence. There's no kids there. If it was successful, there's no kids there. Okay, so it didn't get there, but it could have been the case. That was the point of the island. That's why the kids are being kept there. We can keep giving you adrenochrome, keep giving you blood. You guys pay. You come here, you do what you got to do. You get different qualities of blood. Some of these kids have been fed it themselves. And then we get some ichor, and you guys can have for a higher price. Ichor.

Cristina: Mm.

Jack: Not even. Low budget adrenochrome ichor. You don't even get hooked.

Cristina: Awful. Yes. Man, that's crazy. I think we. I don't know. I don't know. There's still so many questions.

Jack: We still don't know where the. How. The fairy tree. It says the fairy trees remained using a philosopher's Stone. But I do not understand. I don't get it. That means there was either. There's two philosopher stones missing. There's one that came after Marian, one that came before. I mean, one that came after Eve, and one that came before Adam. Adam. Because you used it to make the tree. It looks like the order is you make the tree. Now the tree exists. Unless I have a strong feeling your theory is correct and it's not made using a philosopher's Stone as much as it's. You're using the Philosopher's Stone to catch what you're making it with. I think the Philosopher's Stone allows you to maybe contain a fairy. You sacrifice the fairy. Instead of getting a stone. You get the tree.

Cristina: Yes.

Jack: That's why the tree itself has powers. I think it's about making the tree. I think it's not. Oh, a fairy died normally, maybe. A fairy can't die normally. You can kill a fairy.

Cristina: Or trap a fairy.

Jack: Or trap a fairy. The tree could just be a fairy.

Cristina: We gotta find out. We gotta find out if we can trap them. If you can kill them, you can get anything from them. Like the unicorn horn, like that's some random thing that does abilities. And it's not even alive or anything. It's just part of something alive and magical. I mean, the unicorn isn't magical. Besides its horn, I don't know. No, it can fly.

Jack: No, it's fully magical.

Cristina: Yeah, yeah, yeah.

Jack: But the unicorn might be a fairy itself. Holy s***. Wait. The argument here is you can make. I mean, I guess any kind of it depends on a fairy. But all fairies are extremely magical. So then the argument is, if fairies are used to make fairy trees, is that immediately a horrified Mab Because a hundred years before Jesus elves get sent out to go cap.

Cristina: Yes. What was that about?

Jack: Yeah, which means it was already word of the processes of Adam and the processes of Eve and probably those trees. And those trees.

Cristina: Those trees are very important.

Jack: There's something about those trees. There's something about the trees. It's all the same topics, just more advanced. Something about the trees.

Cristina: I'm gonna be worried about anything. It would be the trees. If they're coming from fairies.

Jack: Yeah.

Cristina: I'm pretty sure she'd be very like.

Jack: Oh, you found the way to capture our people? Or oh, you found the way to kill our people.

Cristina: Yeah, that's pretty crazy.

Jack: Yeah. We need to stop them from getting over here. Then if they can kill us, we need to stop them from getting over here.

Cristina: Yeah. Okay.

Jack: And then what the h*** is the problem of the sea people? So eager to get over there? Because, bro, let's be real. It looks like. Let's be real. Looks like L and Susan made philosopher stones. They killed a f*** ton of s***. Yes, now. But it's not Galdo Baoth made some genetic manipulation that resulted in. Based on what he's saying in the timeline, that's a sea people. Then he waited until they developed language. But he was just a guy. He didn't own it. Weren't scientific. He waited. They were still pretty primitive. But he explained the possibilities.

Cristina: Yes.

Jack: And that spiraled this race into what they are today. What they are today.

Cristina: Oh, man. I just thought of something and I'm blanking out crap. But it feels like we're so close to it. Ah, it's on the tip of my tongue.

Jack: Yeah, the bowels and.

Cristina: Why they need the fairies. I think if they are. If it's all about now the philosopher's Stone making the perfect light. Maybe it is trying to get into the fairy realm to use the fairy life. Maybe they don't want to use. Maybe they have used shadow people. Maybe they have used humans. Maybe they. They want to use fairies.

Jack: Okay. Maybe the goal is. We're not going to use each other. We're gonna use. We're gonna help each other.

Cristina: Use each other.

Jack: We probably have done that and haven't gotten to.

Cristina: And, like, it was just failed experiments.

Jack: Fail experiment. So they would need something average enough to at least get them in or strong enough to just get in.

Cristina: Yes.

Jack: And then we can use them to have ultimate power.

Cristina: Yeah.

Jack: A philosopher's stone with them would make us God.

Cristina: Mm.

Jack: Although they're f****** close.

Cristina: Yeah.

Jack: But I guess the idea is to be mad. Level of power.

Cristina: Mm. I think that's what that other God's waiting for. I think he wants to get in there too. We just don't know why either. Doesn't know how. He's just watching. He stopped. He did. He did his little thing of like, here's life. And that's it. He walked away and disappeared.

Jack: Oros felt like, how does he fit in? He goes ahead and makes a Naga and sends him out. But he's this creature from. But I guess his role makes him so neutral.

Cristina: Yes.

Jack: That they're like, no, we like him.

Cristina: That is interesting. Because it would be.

Jack: They could have just used the fairies they had hanging with them. The Naga.

Cristina: That's definitely not enough.

Jack: No, it's not. I guess if you need 50 million fairies.

Cristina: Yeah.

Jack: That's some. And, like, getting rid of the elves. They didn't send 50 million else. To stop every civilization. I'm sure it's just a couple of elves because of how overpowered they are by comparison.

Cristina: Yeah. So I don't know. I feel like we're so close. It's right there. It's right there. We know it's. But what does this have. What's this mean to the gods that are watching? I guess. What does this mean to Meb. What does this mean to. I forgot his name. Yaldabaoth.

Jack: What do you mean? What it means?

Cristina: Like, why does this matter to them if it matters to them? Because it might matter to them.

Jack: I don't think it matters. See how he dipped, bro? There's no word on why. He's just out.

Cristina: I think he's just watching.

Jack: Why? What tells you he's watching?

Cristina: I don't know. Because, like, what does dipping mean? He killed himself?

Jack: No. I don't know. I have no Idea zero. It's just. He really just left. That's basically. Oh yeah, like. Like dad going out to get the milk. He's just gone.

Cristina: I don't know. Because he did something. He didn't just leave that kid gave.

Jack: His kid the Shadow Realm and then he went away.

Cristina: And he also made humans. And he also made.

Jack: He didn't make humans, not humans, but he made.

Cristina: Exactly. They can't just do nothing and then leave. He didn't just have a child and then leave. He did something and then he left. He was the first scientist. Okay.

Jack: I would argue that Mab was.

Cristina: Okay, she's the first science. He's the second scientist here.

Jack: I would argue there's a lot of science in Elfame. And I'm sure everything we're talking about is just relative to Mab. And maybe there's a millions of variants of this because maybe she's just one of many.

Cristina: Ah, okay.

Jack: So there's. He might be the billionth scientist for all we know. He's just the first scientists of the Shadow Realm.

Cristina: Yes, okay. He's the first Shadow Scientist.

Jack: Yeah, but he was the first thing in the Shadow Realm, so like. Of course. But then he made Earth Realm.

Cristina: Exactly. I don't know. Didn't just do nothing. He did stuff. I don't know. I think it's important. I don't know how, but now the.

Jack: Philosopher stones come into the photo, into the picture, into the frame.

Cristina: I don't know if that complicates things or clears things up.

Jack: Well, it actually helps to clarify like the. If. I don't know why we didn't include it ourselves. It's like the ultimate conclusion to Adrenochrome is like, oh, yeah, duh.

Cristina: Yeah.

Jack: Like no s***. Yeah, totally.

Cristina: Yes.

Jack: We should have been like, oh yeah. If you got enough of them, you totally just. Yeah, Philosopher stone. That checks out. I guess this is natural conclusion. I'm more shocked not at what it turned out to be, but at the fact that we didn't think of it because like, no s***.

Cristina: Yeah, it makes sense. I guess. It's exactly the same thing. The next level.

Jack: Yeah, yeah, exactly. Like real excessive and 50 million people and you get a rock the size of a tiny diamond.

Cristina: Interesting.

Jack: Maybe not. Maybe it's maybe like 1/4 the size of a baseball. Presumably. I don't know. Humans are 99% air. If you're going to crush them enough to make a diamond. 50 million. How much is that diamond of 50 million worth of people? You know, who the h*** knows? I don't know. Anyways, that's what I got.

Cristina: That's a lot of stuff. Yep, a lot of stuff.

Jack: That's a lot of spiraling in random directions.

Cristina: Yep. But we got places to go now, I think. Yeah, maybe.

Jack: Yeah, there's directions.

Cristina: All right.

Jack: Awesome word. Anyways, so, yeah, if you guys know anything that I don't, tell us. Go to our socials, tell us about it. You can find our socials at JustConvopod on TikTok, Facebook, X& Instagram.

Cristina: Remember to subscribe, rate and review the show.

Jack: Yeah. And word of mouth. Tell people, tell everybody, all at the same time. Stream it off the top of your building roof.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. Bye. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 243: Manannan from Elysium

Where in the Overworld are the trees from the Forest of Shadows located? Do the Advanced Ancient Civilizations know of the location? And what else was there? The duo deep dive into The Isle of Man after being tipped off by a shady internet source to seek more information in this direction. The doors this tip opens both explains a plethora of details and leaves a million new questions to answer.

Rambling 243: Manannan from Elysium

+Episode Details

  • The Isle of Man
  • Fairy Trees
  • Fairy Forts
  • Manannán
  • The protector of The Isle of Man since 6,500bc
  • The Guardian sent from The Sea People
  • Island named Emain Ablach
  • Elysian City of ‘Cruithin na Cuan
  • St. Patrick

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And baffling ideas. Why? Right? Radio people always have this voice. This is Z100.

Cristina: No, I don't think so. I don't know who that sounds like this is.

Jack: Oh, no, it's not. They always got this voice. There you go. That's the one. It's like, this is Z100. No commercials ever. Except right after I say this, there's gonna be a couple of commercials, but that's the only exception. And technically, this is a commercial for. For the channel you're listening to. And it's totally stopping the flow of music. But I said no commercials. Infinite music. So you're just gonna believe me based on my voice? And then music plays and you're like, but that was a commercial. You were lying to me as you were telling me the thing that you were lying about.

Cristina: Yes, he's talking about after he says.

Jack: The commercial and skinna and no, but eventually it doesn't matter. There's no such thing. Because you'd never hear a person. If it's no commercials ever. You just never hear a person.

Cristina: There's Then. Okay, then.

Jack: Yes, you see, that's the problem. It has to be a lie. Anyways. So recently we've gone down an infinitely long rabbit hole that never seems to end, which connects further and further and kind of makes me question reality entirely. That began at the sea people. Well, began at Unicorns and led through the sea people in like, totally devolved into a bunch of other. But in order to elaborate. By the way, anybody who's listening to this episode, today is especially. Today is the day when we stumble upon something many of us have been thinking about and discussed a couple of times but never really had anything about. But now we have something by accident.

Cristina: By accident.

Jack: By accident.

Cristina: Okay.

Jack: Or almost bags and explain it a bit. So first I need to remind you guys of the Sumerians, which are really just the Persians, but longer ago. And Shamash. Shamash is the guy, the judge. The Sumerian judge who had traveled through the shadow realm unknowingly through the Forest of Shadows, come out the other side, pop out back on the Overworld, AKA earthrealm, and go to work. He just took the shortcut because it took him there. He didn't know how. How it really Worked, but he got, did. Did the thing.

Cristina: Yeah.

Jack: And his sister, he told the sister about the situation and she was like, oh cool, I wanna see. And so she did. And then they went through thing and she ate a fruit and was like super lightened and then she decided, yeah, she wants to stay there. But that happened much later after she took a bunch of trips and met Inanna, totally different situation. So that actually happened much later after she made many trips. But anyway, she took a trip, found the fruit and then she was very enlightened. And after a couple of after the visit and many visits from Shamash as well, because he kept going through the people of the Shadow Realm decided, hey man, you're judged. That's kind of cool. You want to be a judge for us, be an objective third party. He's like, yeah, cool, I'll be a judge in the Shadow Realm, whatever that might mean.

Cristina: That's so weird. Yeah, yeah.

Jack: And she measure is taking a path that the force of shadows, previously mentioned, or I guess mentioned afterwards by us, but previously visited by the ancestor to the sea people named El, who was a personal homie of Sizen, the ruler of the Shadow Realm. And Susan later leaves the Shadow Realm to join the Earth gods in the Mayan empire with Ixchel, who is the individual that after Inanna eats the fruit and gets obsessed with the Shadow Realm and makes many trips, she gets familiar with a kingdom there with the palace, it's there and Inanna is the botanist prodigy in there and they become friends and then decide to swap places and then they stay swapped permanently. And so Ixchil goes to Maya with Sizen, both Shadow Realm creatures, part of the Earth Gods. All of this together, those are some individuals that are useful to remember. Now Shamash had a very interesting conclusion.

Cristina: Which one is Shamash?

Jack: The Judge?

Cristina: So many names.

Jack: Okay, the Judge had an interesting conclusion to the trees in the Forest of Shadows, and his conclusion was that he believes that the trees in the Forest of Shadows are the roots to the trees in the Overworld, AKA Earth Realm. Interesting, very interesting. The idea would be that the trees in earthrealm are then the roots to the trees in the Shadow Realm. Simple logic, it's just inverted. No matter which side you're on, the other side is the roots. Great. Or there's no such thing as roots and the branches on this side just become a tree on the other side the branches off to. But ultimately branches and roots kind of look the same to some degree. So it kind of works. This all happened 10,000 BC and then these fruits seem to be used because El, the ancestor to the sea people, had already gathered the fruit of life originally and then gathered the fruit of knowledge afterwards. First he gathered the fruit of life, made Adam with that, then gathered the fruit of knowledge, made Eve with that, and. And then put those two together and added the fruit of flesh, and then created Jesus as an experiment, artificially inseminating Mary.

Cristina: That was. L. No.

Jack: L. No. He gathered the two original fruits, and then eventually, it looks like Jehovah took a trip, gathered those two fruits again, and then the fruit of flesh, and then with that, created Jesus. Jesus probably using his own DNA, and then some additional modifications by Adam and then Eve plus the fruit of flesh, thus creating Jesus in the first place as an artificial insemination into Mary. Nice science experiments going on.

Cristina: Lovely.

Jack: So as I'm doing research, my research involves many different alleyways, many different methods. I find old text, I find hieroglyphs. I translate them personally because I don't trust existing translations. I then compare and contrast to make sure I'm kind of on the right path and not f****** it up. And then I make sure I check with other people. Usually I'll take, like, a phrase and be like, hey, can you who are from this area translate this for me? And then I'll see how accurate it is or whatever. So I just bounce it off of people without telling them what it is I'm bouncing off of so that they kind of unbiasedly give me an accurate translation.

Cristina: Awesome. Okay.

Jack: It's important that nobody has a perspective other than, hey, here's some data. Can you tell me what it says? Now, doing this process and hanging out in a couple of particularly sketchy locations where people share information that usually the government doesn't like being shared. But that's the only place to find a lot of this s***. Somebody told me, hey, you should perhaps look into this one specific thing if you're looking into this. And I was like, oh, thanks for the tip, Berta.

Cristina: What is that to him, Brad?

Jack: Well, that tip is. So how do I establish this? I guess let me start painting the picture first. The Isle of Man. It's an island, okay? It's an island that is between. Nestled. Nestled nicely between Great Britain and Ireland. Smack dab in the middle. Smack dab in the middle.

Cristina: Is that good?

Jack: I don't know. It's not important. This is. Okay, tell me where it is. Smack dab in the middle.

Cristina: Okay.

Jack: Between Great Britain and Ireland. Fine. It's also known simply as Man Two Ends. It's A small island. But the reason that he told me about this is because I was talking about some trees and s***. And so he tells me, like, bro, look into this. And as I'm looking into this, I stumbled upon something interesting. So, fun fact. Some Bukus Niagara called the elder tree. On average, most commonly referred to as an elder tree is called the Sambucus nigra. Fine. Okay. That's on the Isle of Man. It's a very interesting looking, bushy tree.

Cristina: How interesting?

Jack: It's not that interesting.

Cristina: Okay.

Jack: It's just. It's a tree. It's definitely a tree.

Cristina: Okay, so it's not that interesting.

Jack: Like, I'll show you a photo.

Cristina: All right.

Jack: A quick, quick photo of it. See? Very basic, non impressive tree.

Cristina: Yeah, yeah, it's a really bushy.

Jack: Yeah, very bushy tree. Okay. The Sambucus migra is often called the elder tree, but it's one of three trees that are more or less kind of the same looking. One of them is called Cratiagos, also known as the hawthorn tree. And the other is Fraxinus, known as the ash tree. Roughly all the same size, kind of more or less the same look, differences. One of them has a little berry that's kind of red looking. And one of them doesn't have anything. And the other one has these white flowers. So I stumbled upon these trees. I was like, cool. These are very dominant trees on the Isle of Man. Where it got interesting and where this individual was telling me to really look at was once I was in and looking at the trees and looking at some details about these trees, I stumbled upon a line that I was like.

Cristina: Whoa, what is it?

Jack: Well, all three of these trees are discussed. And I didn't catch it before because it was irrelevant. It's not mentioned as the Sambucus nigra. It's called elder tree. But I didn't catch this before. And it's described both in text and shown in hieroglyphics. The very tree you just saw in Egyptian hieroglyphs. Interesting. And they refer to it as the.

Cristina: Elder tree in Egypt.

Jack: In Egypt. Think about how f****** far Egypt is from that. From Great Britain.

Cristina: Yeah, okay, yeah, that's mentioned.

Jack: And I was like, okay, but so is the hawthorn tree referred to as the hawthorn tree, not as Kratiegus. But they don't know these technical names for them. Right? They don't know fraxinus. They know ash tree. All three of these trees are mentioned in. Briefly, just like once maybe in text and maybe once in hieroglyphs in Mayan. Hieroglyphs in Egyptian hieroglyphs and interestingly enough in Persian hieroglyphs.

Cristina: Stop lying. What?

Jack: And texts. Maybe once, maybe twice per each. All three of those, all three trees, all three civilizations. Interesting.

Cristina: That is interesting.

Jack: I found that very interesting. Now that was like, whoa, dude. Because it connected them to them. When I was going through the text and like, oh yeah, these people used to worship tree and these people used to talk about tree. I was like, okay, I know the real text. So it's like you guys are misconstruing. What? Like worship. Get. Get the f*** out of here. But like after I see, I'm like, oh s***, wait, hold on. Then I go look. And I'm like, oh, yeah, right, right. This is mentioned over here. It's not worshiped, but it is mentioned in all three civilizations under these other names. Elder and Hawthorne and ash. Hawthorne is more obscure. There's a couple of different variants of the spelling and a couple of different variants of the way to pronounce that one. But elder tree always means elder tree and ash tree always means ash tree. In fact, a lot of the time they refer to the ash tree as the tree of burnt or things like that. You would literally kind of think of the word ash in return for variants. But the same idea. But weirdly enough mentioned in old texts that exist in the Isle of Man and in words that I didn't know meant this, but cross referenced mean this in Mayan cultures, Egyptian cultures and Persian cultures have. And I don't know how the f*** I didn't catch this. This happens often. I need like it's. And once you know, you know. But until you.

Cristina: What is it?

Jack: Once you know, you know. And until you know, you don't really know what to look for. So it doesn't cross your mind. And when you have the cross reference, when you find the word over here and they use a similar word over there and you're like, oh, wait, this word means that? And you translate it and you're like, oh, this word means that.

Cristina: Are you talking about the names of these trees?

Jack: All three of these trees when spoken of together in all three civilizations. I didn't know they were being talked about all at the same time in all three civilizations. And in the Isle of Man. This I only knew after I found the text in the Isle of Man. I'm like, wait, but you talked about the individual trees. They talked about the individual trees. You mentioned them over here in the Isle of Man. And you give me the extra little piece. What if I Translate this, Which I did three times. They are known in every possible place you look as fairy trees.

Cristina: Okay.

Jack: It doesn't matter where the f*** you check. I just didn't know the word in those languages for fairy trees is different than finding them mentioning just fairies and different than finding them just mentioning trees. They have a. Yes. All three civilizations call them fairy trees. They have a single word for it, and it varies, and I don't know how to pronounce it in their individual languages, but they translate to fairy trees. They all have a word for fairy trees. Instead of the phrase fairy trees have a word that means fairy trees. So I didn't. There was just. Sometimes I come across words that, you know, whatever. Doesn't mean anything. It doesn't seem to connect. It has no influence, as far as I know.

Cristina: What does it mean? Like, did they think they had fairies or did they had ideas about fairies? I guess.

Jack: Did who have ideas about fairies?

Cristina: Egyptians and Mayans.

Jack: And, like, we just. We. For the last couple of weeks to months, we haven't been establishing the fact that they're all quite familiar with the concept of fairies.

Cristina: Well, we know that they have the snake, but that doesn't automatically mean they know about where the snake came from.

Jack: It looks like the goal that they're working on is to get into a realm that you think they don't know they're trying to get into.

Cristina: We don't know that that's what they're trying to do.

Jack: Well, it seems like now they definitely do know.

Cristina: Okay, now they do. But, like, before, like, there was no way of knowing.

Jack: Yeah. Or maybe the other. The argument could be that fairy doesn't mean fairies in any of those places. But all three, the Mayan, the Egyptian, and the Persians referred to the three trees together as fairy trees.

Cristina: Okay.

Jack: That's just how they all referred to all of them when they were referring to them individually. I don't know which one is a tree of life, which one is the tree of Knowledge, and which one is the tree of flesh. I have no clue. But there were three trees, and you.

Cristina: Think that's what they are?

Jack: I don't know. These are essentially the fruits that were gathered from the forest. I think this is related. I think this is three trees.

Cristina: Yes. So his shortcut then took him to a different part of the world.

Jack: No, his. The. The trees in the forest of shadow.

Cristina: Yes.

Jack: Are in the shadow realm.

Cristina: Yes. But they're other. The part of them that's on the human side would be that.

Jack: Yes.

Cristina: Okay.

Jack: Which he was not coming Across.

Cristina: Okay.

Jack: He was coming across the Shadow Realm side of them.

Cristina: Okay.

Jack: Because he was cutting through the shadow room. But the way that the Isle of. The people in the Isle of Man have described the. In their text, it translates directly to trees with roots that reach into the other world. It's a third different name for the Underworld. When you look at the description of what the otherworld is, it's the underworld. It's an obstructed version of our side. So we have the underworld, the Otherworld, and Shadow Realm all meaning the same thing.

Cristina: Well, why are they calling them fairy trees then? Because this all seems.

Jack: I will get to it.

Cristina: Oh, okay. I'm just saying.

Jack: Yeah, I'll get there.

Cristina: Okay.

Jack: We're gonna get there. But the Otherworld is a different word for the Shadow Realm, which they claim that the trees have roots that reach into the other world. When I look into what they mean by the Otherworld, they're talking about a place similar to Earth. Twisted and dark, but peaceful and calm and like. Okay, yeah. Everybody else described the Shadow Realm and the underworld identically.

Cristina: Yeah.

Jack: So, okay, Otherworld, another word. It's kind of like when you watch the Walking Dead. And these guys are like, oh, yeah, they're walkers. And those guys, like the runners. And these guys are like, oh, freakers. And it's like, okay, so you're all talking about. Yeah, I'll talk about zombies. I don't want none of you. Like, I guess. Well, somebody explained it, right? It was the creator explained. They don't have any zombie media. Yeah. So this is their first zombie experience ever.

Cristina: Insane.

Jack: So how does this break down? Right. How do we come to these conclusions? The Isle of Man begins by calling them fairies. Fairy trees. That seems to be their strongest belief of it. Also, this name shows up in their ancient hieroglyphs, in their ancient drawings, in their ancient things, texts and whatnot. 6,500 years before Christ. Important. So let's veer off a little. Veer off a little from the fairy trees that they say already reached to the other side.

Cristina: Okay.

Jack: I don't know why they're called fairy trees. I don't know why they're called fairy trees. They reach to the other side. They call them fairy trees. And for whatever reason, fairy trees reach into the shadow realm. We know the shadow realm isn't where the fairies are. Elfame is where the fairies are. What's happened anyways? Fairy forts.

Cristina: What's a fairy fort?

Jack: Also known as a ring fort. So there are two kinds of fairy forts. And I'll Explain what they are. So fairy forts are locations where fairy trees exist. And around the tree would be a circle that forms. In a natural fairy fort, either an indent would happen surrounding the tree, or the ground around it would rise somehow.

Cristina: Do you have pictures of this?

Jack: I will show you many.

Cristina: Okay.

Jack: The ground around it will rise and surround the tree and be filled with trees itself, protecting the one tree in the middle. Natural fairy forts have trees surrounding it, and somehow the ground just comes up or down in that natural, almost a perfect circle. Nevertheless. Now, even if a fairy tree were to be cut down, the ring around it would remain flourishing seemingly indefinitely. Then we have man made fairy forts. Does that mean often made of stone to protect fairy trees, most often built around natural fairy forts, creating a sacred temple of sorts. But oftentimes, when a fairy fort doesn't happen naturally around the fairy tree, they would build one.

Cristina: Okay. There's pictures of those versions too.

Jack: So let me show you what fairy forts look like. They have no explanation for what's going on. Not the natural ones. Fairy forts, when you have a tree and the ground around the tree starts to warp. Not with roots. That does a different effect. A perfect ring around the trees. Odd, interesting, and ineffective when you're farming. What the is that? When you're trying to farm, it makes no sense to have a fairy fort. This is a natural fairy fort. This guy knocked down the tree and then built across it, and still the indent continued to get more aggressive, eventually rendering his property in that section absolutely useless for farming.

Cristina: Looks pretty cool.

Jack: Yeah. They have no f****** clue what the case is. Not a clue.

Cristina: These rings are only found in that.

Jack: Yes.

Cristina: Okay.

Jack: This is a natural. This is a man made fairy fort.

Cristina: That's a stone.

Jack: Yes.

Cristina: The tree was also removed.

Jack: The tree was also removed.

Cristina: It's just there. Like that. Looks so interesting.

Jack: Yes, it is. They're making a ring. When a ring doesn't naturally form. This is what happens when you knock down a tree and you're trying to farm, and then you come back two weeks later, and somehow trees that should have been taken 20, 30 years to grow are suddenly fully grown again.

Cristina: Story behind that.

Jack: Yes. It is supposed to be 20, 30 years to grow. The very trees that are now fully grown around where you just knocked the other tree.

Cristina: Okay.

Jack: It's like, what the h***?

Cristina: So making knocking down the tree somehow.

Jack: More powerful, almost like protecting the region more.

Cristina: Mm

Jack: Unexplained. Yeah, it's pretty crazy.

Cristina: Crazy.

Jack: Here's another one. What's happening there in the center was the I'm assuming right here was a tree. And then this is a ring that they were trying. They were gonna build their own. You can see the outlines that they were gonna use. And then they come back and boom, it's already been. It did itself. They were planning to build a fort around it. And then it did itself. So the inner circle is where they were gonna build it. Then the out the. The foresty circle that happened. Just happened. And they were like, okay, let's then circle the outer circle. This is the outline before they built the man made fort. They're gonna build the man made for around the foresty area. There was no man, there was no natural fort inside. And they were like, okay, we're gonna surround the tree where the area where the tree used to be to protect the region. And then it naturally created one. And they were like, okay, we're just gonna close that up then to protect it. This was two fairy trees next to each other.

Cristina: And that's one in the back.

Jack: What, back here?

Cristina: No, right there.

Jack: Oh, over here? Yes.

Cristina: Yeah.

Jack: There's just regions where there's a bunch of furry forts and they just happen. They're like, what the f*** is going on?

Cristina: Do people confuse these with like UFOs?

Jack: No, they. They're not. They're like fairies did this s***. Okay, this is a fair. This is related to fairy trees.

Cristina: Okay.

Jack: Factually.

Cristina: Because a lot of these, there's no tree. Like, they're just.

Jack: Well, they knocked down the tree planting the farm. Because a lot of people are like, oh, this is superstition. You guys are crazy. And then knock down the tree and then they come back like two, three days later after, you know, then it's gonna dry up and then whatever. And then this happens. They're like, what the fu.

Cristina: Wow, that is cool looking. So what do you think is happening?

Jack: I have no idea. I have no clue. They call them fairy trees. They claim that the roots connect to the shadow realm and then these things happen. Around fairy trees. There's exactly three variants that are different from each other, but exactly only three that cause these events. Only three. No more, no less. There are three different types of trees that do this, and the exact genotype of that tree that's doing this only exists on the elephant.

Cristina: But how do they relate to fairies? I mean. Yes, I see. I don't know. Like, we're assuming the fairies did this.

Jack: I don't know. Or the tree did this. I have no idea.

Cristina: Because, like the shadow realm, Are they doing this?

Jack: No.

Cristina: No.

Jack: Which presumably means on the Shadow realm. You can see the other side of this. Or you could see something that looks like this happening over there too. Because if you cut off the top, then the tree over there should be dying.

Cristina: Like, it could be fairies, but it could also be shadow realm creatures protecting their portals.

Jack: You think that, like, you could use the tree itself to teleport?

Cristina: No, I don't think we can, but I think they can. I don't know why they would want to protect it.

Jack: Yeah, it doesn't matter. They don't even know what's happening.

Cristina: I don't know.

Jack: Fascinating, though. Yes, Natural and man made. So let's go back to when the first mentions of these fairy trees, all three of them show up 6,500 before Christ.

Cristina: Yes.

Jack: So there is a man called Mananan from. From the Isle of Man.

Cristina: Oh, okay.

Jack: There's a man called Mananan, and he is said to be the protector by the people. By the Celtics, the people who lived on the island of the Isle of Man. He was referred to as the protector of the Isle of man since 6500 BC. Coincidence. Okay, whatever. Now let's get into what's really weird and the point of this guy telling me to come look at this. He has been referred to by the Celtics as. Every single one of these names I had to confer, confirm and find in other sources to be sure I'm not just hallucinating at this point. He has been referred to as the sea God, the God from the sea, the man from the sea, son of the sea, the guardian sent from the sea, and most importantly, the guardian sent from the sea people.

Cristina: None of this makes sense. I don't know what's happening. It's so confusing. How's the sea related? Fairy related? This is the first mention we have.

Jack: A sea person outside related.

Cristina: But all of it, all of it's related.

Jack: All of it's related to these things.

Cristina: And I don't know what these things. Are these their people? Is it their people? Is it their people? Like, whose are these?

Jack: I have no f****** clue what's happening.

Cristina: Anymore because it could be his.

Jack: I don't know.

Cristina: Maybe the sea people. This is like them testing out portals, dude.

Jack: 6500 BC. There's no way. Yes, 100, has to be. There's no way the people of f****** the Isle of Man were in contact with the f******. There's no way these people were naturally communicating. I feel so crazy researching this. Dude. Dude. Governments, religions, there's so much doing a weird suppressive effort about some s*** that seems absolutely Ridiculous and magical. That it's like, f***, is this happening? Yeah, Bro. Bro. I feel nuts looking at half of this s***. It's like, bro, are you kidding me?

Cristina: Yes.

Jack: Like, what.

Cristina: What is happening?

Jack: Like, what the f***?

Cristina: These trees are. We can see that they have a lot of energy in them.

Jack: Yes. There's something special.

Cristina: There's something special. They're being used for energy somehow.

Jack: Somehow. Well, no, we were creating energy. We're saving energy, and we're storing energy and we're transporting energy without the trees. Trees are some other s***.

Cristina: But I think this is. Maybe this is their testing ground for some earlier portals. I don't know, because we know they have to be on hills. And these things are like, lift. Like, they're. You know, they're starting. They're probably starting off flat ground and they're building themselves up like their own mountain. Like, if you left it there long enough, we'll come back. They're just mountains.

Jack: Interesting. You think they're gonna get more complicated over time? No, these are old. These are really old.

Cristina: Well, these are the prototypes of their port mountain portals, I guess.

Jack: I mean, here's the problem. Here's the problem. Some of them are old. Some of them are new. There's. There's range. There's range. Some of them have shown up, like a hundred years ago. Some of them are, like 3,000 years old. And they kind of all look the same.

Cristina: Yeah. Look the same. Okay. And it's off because of these specific trees.

Jack: Yes. Trees that should have died a million years ago are still perfectly alive surrounding some of these rings. It doesn't make sense. The people of the place are just used to it. They're just like. Oh, yeah.

Cristina: They call it fairies.

Jack: Fairy forts.

Cristina: They all call it fairy forts.

Jack: But I don't all call it fairy.

Cristina: Forts if it's related to fairies specifically.

Jack: Well, let me elaborate, that we know that the Persians absolutely know about fairies. The Persians are the sea people.

Cristina: Yes.

Jack: Well, the sea people are the Persians. The Persians aren't.

Cristina: But if their goal is to go to fairies, like, they call these fairy forts because they're the ones making them to get to the fairies. But it has nothing to do with actual fairies.

Jack: I don't know if that's necessarily true.

Cristina: There's no proof of that.

Jack: No, we know that they know what fairies are, and we know that they refer to the trees of fairy trees and the forts as fairy forts. I. I cannot tell you more than that.

Cristina: Does anyone mention seeing fairies around these things?

Jack: Well, it's the region of our Planet, the most exciting of fairies ever.

Cristina: Never mind. That doesn't help. That doesn't help.

Jack: Now let me tell you more about Mananan. An important individual.

Cristina: Yeah, yeah, yeah. He's the sea man, right?

Jack: Yeah.

Cristina: Okay.

Jack: Apparently a sea person.

Cristina: Yeah.

Jack: To send this farther home. This is their beliefs of the sea person. Because it could just be a coincidence, right? They're just saying words.

Cristina: Sure. Okay.

Jack: He is said to have a horned horse that can walk on water.

Cristina: Stop lying ain't, bro.

Jack: On the flip side, he said to have a boat that can self navigate, AKA autopilot. So techno. He has a ship. He just has a ship, dude.

Cristina: A book, a boat. Oh, boats. Boats. Okay.

Jack: He has a ship. A weird futuristic like normal current day now navigational boat that they in the past were like, wow. It self navigates?

Cristina: Yeah, this is.

Jack: He just had advanced technology visibly with him. And then a unicorn checks out. Okay, so this is just a C person. Yes, like a hundred percent.

Cristina: There's no way he's not.

Jack: There's no way he's not like everything they believe about him tells you he's a C person.

Cristina: How is this? What?

Jack: I don't know, dude. I'm so lost at this point. I'm just. I am so annoyed by this entire, like, what the is happening? Why?

Cristina: I don't know.

Jack: What is the point of hiding all of this?

Cristina: What are. I don't know.

Jack: But I guess they're the ones doing the hiding effort. It's not like our government, anyone in our government working to hide. This is part of them. Yeah, somehow. Whatever. Whatever. Whatever, dude. Ah, it gets so much weirder.

Cristina: It didn't just get weirder. What?

Jack: It's f****** weird, dude. Okay, so it said out in the Atlantic Ocean there is an island, Elysium, which if you follow their descriptions of the islands, they're talking about Bimini. Because the island has a path that leads straight to a sacred land of Mananan's people. It sounds like the stone path underneath the ground, underneath the water. The ocean. The Atlantic Ocean, they say. The Atlantic f****** Ocean, by the way. They call it Elysium. They believe that you ascend into the heavens and that that's just over there in the Atlantic Ocean somewhere. And that there's an island. Somehow heaven goes underwater and you reach heaven. Sweet. Great, bro.

Cristina: That is so complicated. They're worshiping the sea person.

Jack: I have heard. Well read. I've read the word Elysium in everything I've ever read. Elysium is to everybody heaven or paradise or salvation or something along those lines. A really utopian paradise of sorts.

Cristina: It's like on earth. It's a heaven on earth type of thing.

Jack: Some people describe it as heaven on earth, like the Celtics. Some people describe it as literally heaven.

Cristina: Okay?

Jack: But it's this. It's paradise of sorts. It's a perfect paradise. Persians mention it, Mayans mention it. The. The. The Egyptians mention it, Christians mention it, the Hindu mention it. Every. Everybody believes in Elysium. That's really, really interesting for a single detail that blew my f****** mind. Because after this one piece, when you go back and look at all the rest of it, I'm like, oh my God. So we're thinking incorrectly. This is gonna correct a lot of the s*** we thought. Okay, so again, it's set out in the Atlantic Ocean. There's an island, Elysium, with a path that leads straight to the sacred lands of. Of Mananan's people. The Celtics refer to the Sea People not only as the Sea People, but as Elysians.

Cristina: I don't know if that means anything to me.

Jack: I will repeat that. Every culture I have ever read about has claimed to know about Elysium.

Cristina: This is weird because everyone talks about the Sea People and you're now saying that they're the same.

Jack: The Elysium, Elysians and the Sea People are the same. Yes. But everyone know them Elysium as a place. If they're discussing the Sea People. Well, actually Elysium at all times. Everybody discusses Elysium as a place.

Cristina: Yes.

Jack: Some people mention Elysians. Really rarely. Usually the. The Celtics, where I saw that they literally did a one to one. Oh yeah, the Sea People. They're the Elysians. But everyone talks about Elysium. Even if only some people refer to the Sea people. Maybe not a lot of people know them as the Sea People.

Cristina: But any other people see the Sea People as Elysians?

Jack: Well, they discuss. Yeah, they think of them as gods. They think of Gaudius God.

Cristina: Okay.

Jack: Gods die and they go to Elysium. It's like. That makes sense when you think of the rank of the Sea People relative to the rest of these guys.

Cristina: Okay.

Jack: Gods see the Sea People as gods because the Sea People are that much more advanced than the most advanced thing you know of.

Cristina: But those things might be Sea people. I don't know. No.

Jack: What do you mean?

Cristina: Like they could be related somehow.

Jack: Who?

Cristina: The gods that aren't really gods at all. They're just people, Just way more advanced people.

Jack: The Egyptians and the Mayans. Yes.

Cristina: Yeah.

Jack: But we can confirm that they have had literal interaction with the sea people. Mentioning that they've literally gotten information technology.

Cristina: Yeah, but like the people that the Greeks. Those gods are. Those.

Jack: They are not. They literally, in their own text, say that the sea people are their enemies.

Cristina: Okay.

Jack: They have conflict all the time.

Cristina: Do you think the gods are shadow people?

Jack: No, they're just highly advanced civilizations.

Cristina: Okay. From Earth still.

Jack: Yeah.

Cristina: Okay.

Jack: Many highly advanced civilizations exist throughout Earth.

Cristina: All right.

Jack: But there are some particularly advanced civilized. Keep in mind that these civilizations we're talking about that relate to the sea people have other ways of achieving immortality. While the Greek gods get there through adrenochrome and the Norse gods get there through adrenochrome. Like everybody else seems to kind of take the same path because they don't have whatever the sea people have and they're sharing with their homies. Okay, but everybody else is just Earth people.

Cristina: Yeah, I see.

Jack: Yeah. They're just. They developed around more or less the same time as some of these other really highly advanced. But they didn't get the help. Somehow they started beef with the sea people. Now, other things that are interesting relative to this that confirm this guy is in fact a sea person. He is said to use a mist of invisibility to cloak the whereabouts of his home. That checks out with what the sea view can do.

Cristina: We heard about that.

Jack: Making a coffin visible.

Cristina: Yeah.

Jack: The palace of Alcaraz invisible. The Atlantic Atlantis, invisible.

Cristina: Yeah. It's everywhere.

Jack: Or hiding it or protecting it with a barrier. There is an island named Iman Albach, which, using this power of invisibility, he also hides.

Cristina: Okay. An island.

Jack: An island. Interesting. Like I said, it's gonna get way weirder. Iman Albash translates to. Weirdly enough, this somehow just almost translates the exact same thing. Emhain of the Apples. What described in Celtic scripture as scripture is kind of, I guess, mythology in order to differentiate between scripture, but Celtic mythological writing as a paradise island.

Cristina: Okay.

Jack: Which contains a city called Cruithan Naquan. Said to be a sophisticated, scientifically advanced godly island. Of course, where Mononon lives. He's not alone. There is a settlement, a different city. Of sea people.

Cristina: Yeah, Well, I guess it wouldn't make sense. They all live in one location.

Jack: Not if they're running different experiments.

Cristina: No, there's too many. Yeah.

Jack: And if you found a place that has its own. Now, let's say. Let's remind ourselves that this begins in 6500 BC. But we can trace the sea people up until 10,000 BC. So they got crazy levels of technology, found the apples created Adam and Eve and then began the future experiments that would lead to Jesus. Somewhere halfway through that point established the city. This city is about researching those trees.

Cristina: Yes. What is he doing on that island though? That's related somehow. Ah. Just happen to have the island of tree right there. And these trees have to somehow be related.

Jack: Well, let's continue diving into weirder s***.

Cristina: Okay. What is weirder? Okay.

Jack: Once I found Mana Non it like hit the wall with a bunch of weird s***. He was said to be the guardian of a local gate to the other world.

Cristina: Of course.

Jack: Of course. Not only that. Just a few sentences later, it also mentions a familiar fellow.

Cristina: What?

Jack: He was asked by a being named Season to protect the otherworld gate to the Overworld. Sizen is the Mayan shadow creature with his that's considered to be the ruler of the Shadow Realm. That is also mentioned by the Sumerians who are the ancient Persians and claim that he personally knew El.

Cristina: I'm so confused. Does the gate have to do with this island of Man? Or is it in that island with the other trees? No apples. I don't. What? I don't know.

Jack: Additionally, it is believed that Mananan frequently traveled between the Shadow Realm and the Earth realm.

Cristina: Of course he did. On this island of man. He is using these trees somehow.

Jack: Or knowing that this is the other side to the trees, he has a gate. Because again, there's an entire civilization running experiments. They might have built a gates anywhere who knows where. That's allowing them to get to the Shadow, the Forest of Shadows and interact with both trees on the Overworld and the underworld.

Cristina: I guess he's not really doing anything with these trees. I mean, he's maybe experimenting because he's experimenting with the trees on the other side. So maybe he's seeing the effects on whatever he's doing on that side on this side. Or what happens in this side to that side. Like, you know, experimenting. Okay. What?

Jack: Yep. Yep. It got weird.

Cristina: It got weird.

Jack: It got weird once that. Good tip, bro. This guy told me to look in this direction. I was like holy crap. It said Susan. I don't know how the h***. Dude, that's such a Mayan name. I don't know how the Sumerians mentioned him. I don't know how now a bunch of white people in between Ireland and Britain had the same combination of words saying it exactly the same way. I don't understand, bro. What?

Cristina: It makes sense, I guess. I don't know.

Jack: It makes sense. It makes sense narrative wise. It doesn't make Sense why these people would mention him by name using that very name. Like how? You didn't. There's no way you were contacting these people. How do you have the same words, but you'd say it the same way in their letters? It creates the same sound when you read it. Like what?

Cristina: That's weird.

Jack: That is weird.

Cristina: All of this is weird.

Jack: Now, Mananan was known for having a strong dislike for what he referred to as common humans.

Cristina: Really?

Jack: Yeah. And he refrained from contacting them as often as possible.

Cristina: Okay.

Jack: He disagreed with using common humans to enforce Catholicism in the form of the Knights Templar. He had a direct disagreement with that. That was mentioned in a lot of their texts.

Cristina: I disagreed with the Sea Peoples.

Jack: He disagreed with them using normal people to enforce it. Okay, this is gonna go somewhere even weirder. He disagreed with employing common humans to develop Catholicism through priests and nuns. He did not like using common humans. He was kind of a racist according to Celtic texts.

Cristina: Why was this religion important to him?

Jack: Well, no, he just didn't like normal people.

Cristina: Okay.

Jack: He's like, they're beneath us. Why are we bothering? But obviously there would be people of all types within the Sea People.

Cristina: Mm.

Jack: Now we're finally seeing that. Because we don't get opinions from people often. We just did this or did that. Yeah, this guy had opinions and people recorded that. I like that we getting some personality from this guy. Now this is interesting because it uses this word again. When the Elysians enlisted a man known as St. Patrick to enforce Catholicism near Mananan's territory in Ireland, he was strongly against it.

Cristina: What? St. Patrick.

Jack: But the Elysians ignored Mananan's request to reconsider because he refused to interact with the commoner humans on average. And somebody has to enforce it, and you're not doing it. And as a result, left the humans. By not interacting with them, you left the humans curious and searching for answers they should not have been looking for. Because we're trying to suppress everything we are doing. You are not doing your part in suppressing. They're searching for those answers. You're just blatantly traveling on a f****** ship that self navigates that they should not be seeing.

Cristina: Yes.

Jack: You're hanging around on a unicorn that should no longer exist. You're doing things that shouldn't be the case. So we need somebody. We're not going to demote you. We're not unranking you. But somebody needs to do the work that you're not doing.

Cristina: So they get St. Patrick.

Jack: So St. Patrick gets enlisted for this and it specifically says that many of them began to notice occurrences of even, quote, fairy activity, unquote. Hence the need for St. Patrick.

Cristina: Okay.

Jack: And shadow realm activity. And some even took note of Mananan because they weren't told what to believe. Now, because of this, like, because of their dislike of one another, St. Patrick often told stories of how he easily defeated Mananan in combat to disgrace his name, of course. So Mananan would talk.

Cristina: The St. Patrick thing to do, though. He would do that.

Jack: Yep.

Cristina: He defeated all the monsters.

Jack: Yeah. Defeated all the monsters. And he was a big. The great talker. Which also brings into account now the. The. The Alicians didn't care about. Do whatever you want. Just convince them of we're not real.

Cristina: Yeah.

Jack: I don't care how you do it. Do the f****** thing. Convince them Catholicism. Yes. See, people know the only rules. The rest is yours. It goes to tell us that it's very likely and possible that the story of St. Patrick Strong army in Jehovah is just some bullshit he came up with. Because according to the very Celtic texts. Oh, yeah, he was just doing random s***. St. Patrick falls under a saint that was essentially a trickster.

Cristina: But it's kind of weird because St. Patrick's bullied the story of St. Patrick talking to God, that he bullies him into being the person who protects the gate. And then there's this guy on the island that he's talking about that he defeated who is also protecting a gay.

Jack: Yeah.

Cristina: Like, did he twist that story and turn into a Christian story?

Jack: All the stories. The idea was just convince him Catholicism good. See, people don't. Real simple. Simple. See people don't. Real Catholicism. Good.

Cristina: Okay. So they did not give him powers to live forever.

Jack: It seems that he might have lied about all of these things.

Cristina: Okay.

Jack: His. He was given full reign. Do whatever the you want. Don't interfere with our projects, and we will let you say whatever the h*** you want so long as you convince him we don't exist and that Catholicism is the only right way.

Cristina: All right.

Jack: He probably made the story of him strong arming Jehovah up, because who cares? You know, they're gonna take care of me no matter what.

Cristina: Yeah.

Jack: I'm a normal, average human could do whatever the h*** he wants. But according to Celtic text, they're not eating this s***. They're aware. They know.

Cristina: Okay. Yeah.

Jack: Of course they knew he was full of s***.

Cristina: Okay. But today we're like, yeah, that's right.

Jack: Yeah. Because the narrative worked and it got reinforced and he got added to things. And again, all the different stories. Which then tells us something very interesting. How is he any different from the Knights Templar? How are any of the ancient saints different from the Knights Templar? If they're quite goal was to correct the narrative. St. Patrick might have just been a Knight Templar.

Cristina: Yeah.

Jack: As well as all the other saints.

Cristina: Of that time, I guess.

Jack: With the exception of the ones hanging out with Jesus.

Cristina: Why?

Jack: Because they were Jesus's homies.

Cristina: Oh, okay. Yeah, I guess because Jesus is something else.

Jack: Except St. Peter, who is recruited. Peter considered one of the two traitors by Jesus.

Cristina: Okay.

Jack: You see how that works? Oh, and then he's used to do what? Create Catholicism that does what wrecks the story of Jesus. Oh, you traitor.

Cristina: Perfect. Okay, that makes sense. Weird.

Jack: Weird.

Cristina: There's a lot happening here.

Jack: Yep.

Cristina: Wow. You answered a lot of questions.

Jack: Yeah, yeah, yeah, yeah. Look, I'm not going to drop any names because a lot of these people I interact with hang out on sketchy websites. They don't want to. Like, why. Why would you mention me?

Cristina: How did they even. Did they hear episodes or you just know?

Jack: I was asking a couple of questions. They're from one of these countries that speak these languages natively and I was asking, like, can you. I'd done my own translation and I proposed the English version. Can you translate this? I mean, I propose the original version. Told them to translate it to English. Don't, like, can you translate this without telling them? I already have a translation that I've done. I'm trying to see how close I get.

Cristina: Yeah.

Jack: And when, you know, in reading. They must read it in order to translate. They'll read it themselves. Oh, yeah, it means this or whatever. And in looking at, you know, I bounced a couple of lines off of this individual and they're like, oh, if you're doing some research relative to this. Because I hang out in some pretty good cool places where people know not to ask questions because they themselves are usually looking kind of for information in the same manner, shape or form. Where they'll be like, you know, there's some sketchy s*** here. I need a third perspective real quick. But, you know, shut the f*** up and don't ask much. And like. Yeah, okay, cool. So it's kind of a mutual agreement, unspoken rule. We're not going to dive too deep. But hey, if you're looking into the.

Cristina: Thing, here's something else. It just happens perfectly to what we're already doing.

Jack: Well, it's part of a similar belief system that they already have. And they're like, hey, if this he I don't think he knew how connected it would be. He's like, but if you're looking into this, it seems like this might be relative. Just in case. You might want to check this out. He just said the Isle of Man and he gave me manana. I was like, okay, sure, I'll look in. And I was like, oh, dude, what the h***?

Cristina: Insane. How much.

Jack: Just some C person. His name lines up perfectly with something that would exist primarily out there in Persia, as opposed to the Celtic like, bro, you're telling me Celtics had a dude called Mananan? Tell me. They had the most Persian dude and the most Mayan dude simultaneously in text. It's like, what, these white people way up here?

Cristina: I mean, a unicorn.

Jack: Unicorn, which is very Greek.

Cristina: What is happening?

Jack: What is happening, Patrick? Well, yeah, that one makes sense. It's right next to Ireland.

Cristina: Yeah, but still, I wouldn't expect St Patrick to be involved in this. Like, what?

Jack: Yep, yep, yep, yep. I don't know, man. I don't know.

Cristina: I knew he was involved somehow, but this way.

Jack: Yeah, but it also helps enlighten his story.

Cristina: Yes.

Jack: Because the story is essentially bullshit.

Cristina: Yeah.

Jack: He lied. He's a liar.

Cristina: He's a liar. Yeah.

Jack: But of course he's full of s***. He's clearly full of s***. He's just some dude hired to do whatever the f***. But it tells us more about other saints and tells us about Knights Templar. And it enlightened us about Peter.

Cristina: Yes.

Jack: Peter is considered a traitor because Peter is no different than the Knights Templar. Peter is obviously there to correct Catholicism, which we're fully aware of. And Jesus was not down with us.

Cristina: So. Crazy.

Jack: So the trader, along with John. John and Peter. Traitors.

Cristina: Yeah. What is happening on the island?

Jack: What is happening on the island? Definitely it immediately they mentioned technology and a gate to the underworld.

Cristina: Yes.

Jack: And like science experiments. They have more than one place. They have their. Their main headquarters, their city, where their people live. And then they have this science settlement that has been established here for God knows how long.

Cristina: Fairies. Why fairies? They don't call it the underwear world. They don't relate it to the underworld.

Jack: They do.

Cristina: They do.

Jack: They specifically do. They say that the trees literally have roots that connect to the other world. And they say that Mananan frequently travels to and from the other world, but.

Cristina: He probably didn't plant those trees. You think the fairies planted those trees?

Jack: No, I think somehow those trees are a something. There's something. I have no idea what the f*** these trees are, bro. I have no idea. It's so weird. The tree. I guess that's where we have to be looking. The trees are more important than everything else we've seen because that's where the biggest questions are left. This is what we'll do. On average, we'll chase whatever the biggest question is at any given moment.

Cristina: Okay? Because if the trees are related to the fairies, then that's really weird. If the fairies gave both us and the underworld, they planted those trees, okay?

Jack: Somehow they are a gate to the fairy world. Somehow, because we know. We f****** know that we only exist as we are now because of the Tree of Life and the Tree of Knowledge. And that Jesus was op as f*** because he included the Tree of Flesh. And that somehow the goal of all three fruits, Adam and Eve, combined with Mary and the DNA of Jehovah to artificially inseminate her and create something, was in order to cross into Elfhame, the fairy world.

Cristina: And.

Jack: And that this was again tried by the Jews many years later with Joseph the Golem. There is an obvious attempt to get into the fairy world. And somehow these f****** trees have been concluded as a way, I guess because you can use them to cross into the shadow realm. They're concluding that perhaps maybe there's a way. But it doesn't. It also doesn't seem that there's proof.

Cristina: There has to be proof. We gotta find it.

Jack: Because some. They're convinced.

Cristina: Convinced.

Jack: They're convinced.

Cristina: So there must be proof like this.

Jack: And there's no, like reason. Right. There's no way they all believe that this connects to the fairy world and there's no reason. And then they're referred to.

Cristina: Yeah.

Jack: As fairy trees.

Cristina: Yeah. There's gotta be something related to the.

Jack: Fairies in the place where people believe in fairies the most.

Cristina: No, it's somehow.

Jack: Somehow it's connected. Somehow it's connected. In the place where people believe in fairies the most, there are trees that are called fairy trees. They erect fairy forts. And that the very trees that seemed to be the other side of shadow realm trees and somehow exists in the overworld, AKA the realm of Earth. And that El took the Tree of Life to create Adam and then later created Eve. And then Jehovah took both those fruits plus a fruit of flesh and then used that plus his DNA plus Adam plus Eve to artificially inseminate Mary in an attempt to create Jesus. That could be a being that perhaps might bridge the gap to the fairy world. You must have a reason for this. Is it just because they were called fairy trees beforehand? Who the f*** knows?

Cristina: There must be something Going on.

Jack: There must be a reason they're called fairy trees.

Cristina: Yes.

Jack: Before they were called fairy trees. That's the focal point. Now something about these trees will give us the answer.

Cristina: That's why that guy was shown these trees. Like the shadow realm person found this guy. It was in some accident. I don't think so. Who else is he? The original one.

Jack: L is the Ancient sea person.

Cristina: Okay. Yes.

Jack: Who meets Susan.

Cristina: Susan. Yeah. There was a plan way, way long. That long ago.

Jack: Here's.

Cristina: Okay, Susan knew something.

Jack: Yes. So you're telling me that because Susan does join the Earth gods.

Cristina: Exactly.

Jack: So you're telling me the argument here is Sizen knew that the sea people had at least the capacity for greater science. We don't know that. L was a scientist. There's nothing telling us about that. But at least the capacity for something greater. Or maybe l said something. Maybe he was an ancient kind of scientist. The way we have the old school.

Cristina: Like, yeah, he's not as advanced as the science sea people, but like science minded.

Jack: He was science minded.

Cristina: Yeah.

Jack: Experiment and Size knew something about this. So then the argument is that the mastermind behind all of this was. Was never the sea people.

Cristina: No, it was size. Yeah, it was size. I don't know. Then we have to find something on Susan. I don't know how that's possible.

Jack: We have to find something on either.

Cristina: On the fairy trees or Sizen. Or both somehow. Yeah, because he's related both to both. To both trees. I mean, they're all the same tree. It doesn't matter. 2 He's related. It all started with him.

Jack: Man. I don't know. I don't know. It's crazy.

Cristina: I think that's where we gotta go. If that's not. It's somewhere around there.

Jack: It has to be. It has to be. There's a whole settlement established here. Also. We gotta be looking into Elysium.

Cristina: Yes. Maybe that will also tell us more about Adam and Eve.

Jack: Yes, because that's the name other people have for where the sea people are. Some people say Atlantis, some people say Elysium.

Cristina: Yeah, we'll find out so much. Okay. That was so much.

Jack: That was so much. Yes. This guy gave a single tip and.

Cristina: It was like, oh, my gosh.

Jack: Yep.

Cristina: We found out so much. It's so crazy. I don't understand. But there's something there. There's something like right there. These trees aren't just some random trees.

Jack: They're not. They're absolutely not, bro. They must have seen something there. There must be something that's convincing them. Why are they called fairy trees? What did they see?

Cristina: What did Susan see?

Jack: What did Susan see? What does Susan know about these trees? That's the main question.

Cristina: He knows something about these trees for sure. He's the one that wants them all to experiment with these trees.

Jack: At least he could, man. It could be equal parts. It could be equal parts. Maybe. Because why? What was the point if Susan already knew? Why didn't he just begin? No, he came across L. L must have said something along the lines of, well, you know, I know this place and I'm trying to figure out a way there. And Susan is like, well, well maybe.

Cristina: L introduced him to the fairy trees. Maybe Susan only knew about Shadow Realm.

Jack: Forest of Shadow version.

Cristina: Yes. Like maybe he didn't know about. I mean he knew about Earth, but how much did he know about Earth before he talked to this man? L?

Jack: It depends where El was. L is a C person, but that doesn't mean he originally began in the Persian Gulf oasis. There was migration happening f****** everywhere.

Cristina: So is it possible? Who knows? Maybe they both some kind of trait of information. There's something there. I don't know.

Jack: Because we know Sizen knew about the Forest of Shadows. He told El about that man. Whatever. The Ancients, there's a lot happening right there, but there's so little information. The further back we go, the less we have.

Cristina: But the answers are there. Everything starts from them too.

Jack: Yes, they are mentioned by everything and everything comes back ultimately to them too. There must be some. Some explanation that somebody has. Which means looking at ancient Persians, AKA the Sumerians.

Cristina: Yes, and also looking back at the information. But what's his name? L. I know we've been through.

Jack: Oh, that's from looking at the Sumerians.

Cristina: Yeah. Okay, because we looked through his past before too, but it through religious eyes, I guess through the Christian Bibles version of O.

Jack: Well, everything we know of him right now is cross referenced through that, but I got him from the Sumerians.

Cristina: Oh, okay.

Jack: I was all looking at Samaritan stuff so I'm going to have to see what I miss from the Sumerians and bounce them off of other.

Cristina: Yeah, because there's got to be more.

Jack: There's got to be more. Something about L and S reveals true answers. Yeah, and also see people elsewhere. Bro, we found it. We've talked about. Oh no, they have to expand or something. Or something.

Cristina: They can't just. We always assume like they. It can't. That can't be their only home.

Jack: It can't Be.

Cristina: Can't just be one.

Jack: It wasn't.

Cristina: It wasn't.

Jack: That's what we have. That's what's going on.

Cristina: Beautiful. It's nuts. It's definitely nuts.

Jack: And Susan got mentioned again, huh?

Cristina: That's crazy.

Jack: That's nuts. That's the most Mayan name under the freaking sun. And the most Persian name ever is Mananan, bro. How the h*** are you? Just some Celtic white people? Like, oh, yeah, Mananan is up there. What?

Cristina: The sea, man.

Jack: The Seaman Monanam. The freaking seaman, bro. His unicorn. F***, bro.

Cristina: Ridiculous.

Jack: But, yeah, that's the case. Anyways. Anyways, anybody, please, if you. If you know. If you know, you know, please tell us what you know. Please tell us if you got any point of view on any of this, bro, if you're undicking anything, if you did some research and stumbled upon some s*** and you're like, hey, guys, maybe you should look at this thing.

Cristina: Mm.

Jack: Like, please tell me. Help. Enlighten. What the. You got perspective. Share that s*** to whatever, dude. Yeah, anything works. This is absolutely crazy. Anyways, anyways, you could reach us to do that on all our socials. Find us on Tick Tock, Talk, on X, on Instagram, on Facebook, US ConvoPod on all of those locations.

Cristina: Remember to subscribe, rate, and review the show.

Jack: Yes. And tell people. Please tell people, if you know experts in any of this, if you know people who are good at translating. So whatever. Let's build a community and figure this out.

Cristina: Yeah, let's do it. This has been the Rambling Podcast. Take nothing personal and thanks for listening.

Jack: Bye.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.in fox, art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 242: The Adam & Eve Timeline

What is the exact timeline of events important to the story of the Sea People? What is the goal of all their scientific research? Who was involved in helping and when? The duo unpack the timeline of events and nail down the order to better understand how the Sea People became so powerful and how they provided extremely advanced tech to powerful other empires around the world.

Rambling 242: The Adam & Eve Timeline

+Episode Details

  • 2.5mil bc First Tools
  • 2mil bc El meets Cizin
  • El Collects the Fruit of Life
  • 156,000bc to Adam
  • 150,000bc Primitive Humans
  • El Collects the Fruit of Knowledge
  • 100,000bc Eve
  • 100,000bs Modern Humans
  • 10,000bc Jehovah Collects all 3 Fruits
  • 7,000bc Maya and Egypt become Advanced
  • Year 1 Jesus is Born
  • Persian Gulf Oasis Is Abandoned
  • Egypt is Abandoned
  • Maya is Abandoned

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And we've usually got a lot of badass ideas, bruh.

Cristina: Badass ideas.

Jack: Yeah. So listen, last time, last time on Dragon Ball Z, we were discussing a couple of wires that seem to have a cross identity. We had some Mayan individuals, some Egyptian individuals, some Shadow Realm individuals, and we've now come across for the first time the mention of the Forest of Shadows.

Cristina: Yes.

Jack: Which seems to just have fruits that a man named L2 million years ago came across. Then some mysterious figure, 10,000 years before Christ went ahead and wandered in there and collected a bunch of fruit.

Cristina: Some magical fruits.

Jack: Some magical fruits. Interesting, no?

Cristina: Yes, very. Man. It was Garden of Eden.

Jack: No, the Garden of Eden is a lab.

Cristina: But the fruits. Maybe the fruits were taken to the.

Jack: Garden of Eden, obviously, where Adam and Eve are. Because Adam and Eve are not in the Forest of Shadows. Why do you say?

Cristina: I don't know. Like, maybe they're not in because they were kicked out in the story. So maybe we've been calling it the wrong thing.

Jack: Well, no, we managed to pinpoint the Garden of Eden.

Cristina: How? I don't remember how.

Jack: The whole point of a bunch of what we've done is one, finding out that the Garden of Eden is somehow located in the palace of Alcaraz in the Persian Gulf oasis, but then got moved, which then tells us it's not a location.

Cristina: Get it from what I'm saying is.

Jack: They got the fruit and we just answered that question. They got the. They got the fruit, presumably from the Forest of Shadows.

Cristina: Okay.

Jack: Not the Garden. No, they got the fruit from the forest. Yes, the Garden is a really happy place based on the Bible, but it's also not even a place based on the data.

Cristina: Okay.

Jack: Or it is a place, but it's not a garden. That's the code name. It's some botanic facility of some sort where they were growing. And we have botanic specialists like Ix Shell from the Shadow Realm.

Cristina: Weird. Okay.

Jack: That married Zamna in the Mayan civilization and developed highly advanced botanic agriculture. Then presumably a lot of that got implemented.

Cristina: A lot of strange activity.

Jack: Yeah. But it goes to explain how that garden came to be known as the Garden and why the Mayans were so closely related. Because there is something we call the Garden. That lab is green as h***. There's greenery everywhere. Now we have a fruit that came from the shadow realm and a botanist that came from the shadow realm. It makes way more sense now that there is a labor packed with greenery and that that lab is simultaneously the same location where Adam, Eve and likely the genetics that led to the birth of Jesus. Maybe the pregnancy of Maria happened in there.

Cristina: What?

Jack: Not Maria, but Mary.

Cristina: Yeah. No, but you think she might be made from the lab as well?

Jack: She's not made from the lab. Her pregnancy.

Cristina: Oh, okay. Okay.

Jack: Yes, her pregnancy came from the lab the same way. But Adam and Eve aren't even people as far as we know. Those are technology.

Cristina: Yeah.

Jack: So, okay, let us. We've got a couple of episodes without a full fledged review. So let us catch anybody who hasn't been paying attention up and then go through what I have found so we find out. Now I'm trying to do this in chronologic order as far as we know.

Cristina: How far back are you going?

Jack: Well, there's a civilization 2.5 million years ago that we know factually had tools. 2 million years ago, according to Mayan and some Persian Sumerian hieroglyphs and writings, there was a man named L. L travels into the. L travels into the shadow realm and he befriends a creature named Sizen that seems to rule the shadow realm. El gets towed of a forest and they go and they explore a place called the Forest of Shadows. Right? Then we have 10,000 years before Christ, that's 12,000 years ago. And some unnamed individual ventures into the forest. He goes into the shadow realm, goes into the forest and finds the fruits. Well, doesn't find it. Shows up with something with a note or knowledge or document or proof. Just hey, this is what I know factually is there. Can I go get it? And he goes and collects one of every fruit, specifically three fruits. Which confirms our theories about the fruits there being more than two. He then leaves with the fruit. That's all he was there for. We fast forward to about 5,000 and we now have the judge Shemesh, who just kind of wanders occasionally through the forest.

Cristina: Okay.

Jack: And he takes this without just not knowingly as a way to get to the his workplace. Traveling to his workplace. And he goes through the shadow realm. Somehow there's a gate or something, just an open entrance. He goes through the shadow realm and he crosses the forest and he sees weird trees with weird fruit. But he thinks none of it and becomes familiar with the creatures that there. That don't seem to Bother him and he goes to work and comes back the same way he tells his sister. His sister gets fascinated, shows his sister the forest. His sister plucks a fruit, his sister eats from the fruit. His sister is blasted with information that doesn't exist on their own. His sister becomes obsessed with that sight. Inanna is her name. And they although Shemesh goes through just for work, Inanna goes to explore and she gets to this area where there is a palace in the shadow realm, there's a royal family and there is a duo of botanic sisters that work for the royal family. One of them is called Iksha, which is a prodigy botanist and she befriends Ikshao. Inanna and Iksha are friends and they tell each other stories of where they come from. And they decide to swap places every six months so that they can learn about each other's worlds. Weirdly enough, somehow Ixchel does not land in the Persian Gulf, instead lands in the in Mexico, in the Guatemala Mexico border. Don't know how that happened, but we also know that Mount Kaf connects three points, which is Persia, which is the Mayan civilization or what will be and the shadow realm. After a single visit they decide, no, we want to stay on our sides. I want to be Ixchell. The shadow girl now wants to stay in Earthrealm and Inanna wants to stay in the shadow realm. Okay, fantastic. They become obsessive in the other direction. Meanwhile, simultaneously as this is happening in Persia, there is a movement developing amongst the elites, scientific individuals who have decided to band together and start experimenting for their want and their need to create extremely powerful technologies, extremely powerful energy reserves, extremely powerful ways to acquire energy, not just store it. And all the while there's this really exaggeratedly overpowered godly civilization by comparison that we name the sea People. The rest of Persia does not necessarily get along with them. We don't know this for a fact. We just know that they sort of live in isolation, separate. In the Persian Gulf oasis, the sea people later migrate out of there. But we'll get there. We have the sea people creating heavy technologies, important technologies, using anything and everything that seems to be at their disposal. Having teleportation technology, being able to create different kinds of creatures and sharing this with civilizations that seem to be developing, one of which happens to be the Egyptians that themselves come in contact with Sizen from 2 million years ago and from 10,000 years ago when the guy wandered into the forest and picked the fruit. Citizen was informed of this, and he was informed because when people started wandering he put. Actually, no, the order of this is backwards.

Cristina: What do you mean?

Jack: Because she, Mesh going through the forest is what led to the watch, the gatekeeper and the record keeper being put at the gate. And then that's how we know about the guy taking the fruit. So chamesh was actually 10,000 years ago and then shortly thereafter, which guy is she Mesh? The judge. The judge was 10,000 years ago. So the timelines are a little obscured because actually, I think that she, Mesh and the guy who came to pick up the fruit happened kind of close to each other. So both of Those happened about 10,000 years ago, as opposed to 5,000 years ago. Then we jump forward into the point where 5000 BC we have sizen working with Autumn, which is also a Shadow Realm creature. And we have. And that's working with Sizen has not season. Autumn has his own Naga and so does Ra, which is a leader of that group, by the way. So this Iksho, which is the prodigy, the Naga are a group of people. Actually, we have to jump even further.

Cristina: Back, back to the fairy, to the.

Jack: Fairy realm, where Mab goes ahead and creates the realms and then creates the three sisters that are to give life and predict life and take life and creates Oros, this sort of snake creature thing, and gives them the task of when intelligent civilizations develop, send individuals to watch over and assist in their development and jump forward. The most exaggeratedly overpowered group is the Sea People, who also have a Naga. They have an individual named Jehovah, which at this point we believe is who went to get the fruit. Oh, in the Forest of Shadows, we have the Naga that is with the Mayans. There are two. We have the. Where Iksho goes, Iksho has one and then Idzama has another one. He is the leader of the Earth gods that create the civilization of the Mayans. And we have the Egyptians that have two as well. One belongs to Ra, called Widget, and the other one belongs to Autumn, which is a Shadow Realm leader of sorts, who has a giant, fully developed civilization, decides to join under Ra and continue developing technologies. As far as we know, as far as we can tell, the data suggests that the Egyptians developed incredibly overpowered methods of teleportation and ways of extracting energy and storing energy. We believe they are the originators of the concept that known as Dyson Spheres, and that they teleported themselves into the Great Void before it was the Great Void, and then began capturing stars over there, then teleporting the energy back and storing them using the technology inside the pyramids. Around Giza. Giza itself is the teleportation and reception tool that then sends the energy to the other storage devices.

Cristina: Awesome. I guess the sea people are using that energy.

Jack: The sea people are also using that energy. Whatever other things the Egyptians were working on, they completely stopped working on to focus on this energy management and energy storage. And then the people in the Mayan civilization, after they developed a credibly complex agriculture which also gets used by the sea people, but they stop pushing that further and focus entirely on record keeping. Immense amounts of data storage, storing infinite amounts of data seems to be that becomes your main priority. And they have storage tools now. It seems like all this really advanced technology is all aiming towards assisting the sea people. Everything seems to be aiming towards assisting the sea people. Storing their information, delivering intense amounts of energy. But all these groups were also working on developing some sort of complicated form of life. They abandoned that, and the sea people continued working on that. But also this seems to be the goal of all the beings that become highly evolved throughout always. The Greek gods, AKA those scientists, decided to do the same thing and try a million ways. The Norse, same thing. Everybody was trying to create life, but also it seems everybody was trying to cross the bridge to different realms. Those seem to be the prioritized objectives that people have. Why? Unclear. Yeah, but it seems to be the case.

Cristina: See, there's so much parts. There's just so much parts, so many.

Jack: Moving parts, and they're all connected. We fast forward, we're probably gonna not even do this in criminological order because we got to jump around and think about all different things. So we go and we get to Jesus. This is year one. So the plan goes as follows. Well, let's. Let's start at the beginning of the events leading to Jesus. There is a C person named Mary. Mary is a test subject voluntarily to have a being. She's going to be artificially inseminated using the programs Adam and Eve, which are modified using the fruits obtained from the shadow realm. And the goal is to create a child that can easily cross barriers from dimensions without aid. Perhaps in a way to manipulate their own genetics in the future and be able to give themselves access. Who knows? By the way, I didn't think about that before, but that makes perfect sense. If you can have a biological being. This is why she had to give birth to him. That actually makes a lot of sense because he would then be a genetic being sharing their DNA. Then they just study him and modify their genetics because we already know they have the capacity to do that?

Cristina: Oh yeah.

Jack: Once they modify their genetics to be identical to the genetics of Jesus, then.

Cristina: They can do the same.

Jack: Then they can also cross realms. That actually makes a lot of sense, huh? That's why she had to give birth to him.

Cristina: Did their plans with him succeed?

Jack: No, because Jesus still couldn't enter Elfhame.

Cristina: No, I guess not. He had to die to do it. But that was from other things.

Jack: Well, he had to die to enter the Shadow Realm. He didn't even have clean access across.

Cristina: Okay. Ah, yeah.

Jack: So she gets artificially inseminated using this program called Adam and Eve. The child does in fact have some sort of special abilities that are crossing realms and just crossing large gaps across the universe. It seems not just Earth, but space itself, and not just Earth realm, but every realm. And people are getting visions of the child, of the Persian Gulf oasis, which is a private community and worst of all, of the lab that contains everything that they've worked for.

Cristina: So they gotta get rid of him.

Jack: So they've gotta get rid of him. They devise a plan that makes absolute sense. Mary is going to leave the Persian Gulf, so they cannot have visions of what they're about to do because the child will never be there. They're having visions of the child and where the child is at all points in time. It's not one moment, but visions of him in the future as well. So he can't be anywhere that they're going. They must go somewhere he cannot be. And as a result, people cannot have visions of where he. They move to.

Cristina: Yes. So they leave from.

Jack: Yeah, they send Mary out. She is to go cross into.

Cristina: Across.

Jack: The Middle east and reach Cyprus. Cyprus. She's going to give birth to Jesus and then she's going to get escorted or somehow reach Mount Athos. And from Mount Athos she's going to reach whatever point they're going to that nobody's gonna know. She gets assigned Amadji, which is one of their elites, one of their elites, intellectual and almost wizard like individuals called Joseph. And he is to escort her along the way. They cross Bethlehem, where there is a huge conflict happening and it becomes too dangerous for them to cross. So they redirect themselves and land at Nazareth, where she ends up giving birth to Jesus. Problem? This wasn't supposed to play out this way. But now she refuses to leave. She's gonna stay with Jesus until the end of his life, which she does. Then she goes to Cyprus after he is dead. We know how those events play out, more or less. And she goes into Cyprus from there ends up at Athos. And from Athos, poof, gone forever. As expected, in that time, the sea people moved their entire civilization from the Persian Gulf oasis in the palace of Alcaraz and went to right off the coast of Bimini into the Bermuda Triangle in the Atlantic Ocean. And they established Atlantis, which is an undisclosed unknown location somewhere beneath the Atlantic Ocean. They remove the portal that allows people to access the shadow Realm and reach Egypt and Maya effortlessly, which is Mount Kaf. They create a magic barrier around Athos so that it cannot be used to access them. Presumably because there's a portal on top that connects directly to Atlantis. This portal is important because the creator of the realms also created the elves and sent the elves to cap the power of advanced civilizations. And they all use magic. And the barrier is a magic barrier that they cannot infiltrate, that they cannot cross through. They cannot use their abilities. They couldn't just teleport there. Presumably they also have this existing in Atlantis in the Atlantic Ocean, which is why they cannot be reached. They have all the measures, so they cannot be accessed. Meanwhile, in this time, Jesus is born. Jesus People having visioned of Jesus for this entire time, and he starts preaching, does this thing. He is neglected by his people and he is eventually killed. Now, unknown if this was intentional, part of a different plan that was developing or whatever the case may be. But in his dying, he actually managed to use his abilities and cross over into the shadow realm. But clever enough, this was a highly intelligent individual who had always been in communication with a being the rest of them didn't know about. And he learned, figured out and established portals that work as a one way. I have a theory as to why they're one way. And that is so that as he was building them, people didn't know what they were for because you could never cross through them and end up anywhere from this side. So it looked like he was just wasting his time. No reason in destroying the thing. And they can't hear him. They can't hear the thoughts of the individual he's talking to from the Shadow Realm. Okay, so nobody knows. It's just, oh, he's doing weird things out there in Japan. But he's establishing gates so that he can come back.

Cristina: Yes.

Jack: They didn't know.

Cristina: That's so random.

Jack: Okay, he dies, boom. Can come back effortlessly.

Cristina: Yes. And he was probably communicating with something from the other side the entire time. The entire time.

Jack: And actually once he came through as well. Now back to the Sun Gods. There is an interesting thing happening in which one of the Sun Gods becomes a traitor once Ra becomes too old and passes his torch over to his friend instead of Abraxas, which was another member of the group.

Cristina: He's human though, right?

Jack: Yes. And he. So both of them are. And he goes to the shadow realm with a bunch of their data. Interesting fact. So we have Jesus important to working for the Shadow Realm. We have Abraxas important to working to the shadow realm, and the being we call Jehovah of Darkness working for the Shadow Realm. Presumably some of them, if not all of them, work for the Moon God. Or the team we're calling the Moon Gods. Might be two teams or one team. Unsure. We don't know much about anything that happens exclusively on that side. Only when individuals come over here and disclose that information. Now, the sea people successfully vanish. Jesus dies. He is created using Adam and Eve with the fruits in an artificial insemination of Mary. Mary manages to get out herself. The Sun Gods, one of them leaves with a bunch of their data. The rest of them quit trying to make life and start working for the Sea people with energy and teleportation technology and establish direct teleportation only to the sea people that is no longer related to Mount Kaf. Same thing happens with the Mayan civilization. They go underground into a storage system that has a bunch of data and presumably a portal that allows the sea people to get directly to that underground facility. So there's no need for the Mayans to remain on the surface. So they just fully disappear. And the sun. The Earth Gods fully disappear, and the Sun Gods fully disappear. They're just overnight gone. We have mad data that says an entire civilization suddenly vanished, probably to space, but the Mayans underground and the Egyptians to space. Or the Mayans could also be in some sort of bubble universe. All they need is the ability to store the data. That's all that matters. They can store the data.

Cristina: They're also working on living forever or something biological.

Jack: They were working on creating life from crops.

Cristina: Okay.

Jack: Yeah. They wanted to make highly intelligent life using crops. So which presumably there. There's. With the fruits and the advancements and the fact that the sea people seem to have been around for quite a long time, it seems that immortality has to some degree been established. And the Sun Gods were considered by the. The people who weren't part of those communities, but were like observing the communities already thought these individuals were immortal. Which suggests that some of the information given to them by the sea people already involved the solution to mortality.

Cristina: Okay.

Jack: We move forward through time. We have individuals who find shreds of the information we have just disclosed. And we go back in time a little. We find that individuals knew what the sea people were doing and were trying to replicate it because they also wanted to get to the shadow realm. They didn't know where the h*** the fruits came from or how the h*** somebody already got into the shadow realm. So a couple of different things happened.

Cristina: Which people are you talking about?

Jack: All the other gods that had nothing to do with sea people. Think of the Greek gods. Think of the Norse individuals elsewhere. They came up with adrenochrome, which is a three part system. There is ambrosia, there is nectar. And if you consume either and distill it through your own system and then get that blood out again, then you have ichor, which is a more pure form. All three of these.

Cristina: Jesus dealing with all three of those things.

Jack: Jesus was de. And imagine how overpowered his is. You can just share this. This blood could also be. Now you could acquire this from any person. You just need to jack up adrenaline. Biology somehow allows this to happen. We discovered that for whatever reason, biology allows for anything that has blood to have this and then turn it into a way into the shadow realm. But you have to die first. Resembling the fruits, there's also a flower that allows for the same exact thing. So we have the fruits from the garden that in theory are suspected that they connect the bridge between the shadow realm and earth realm. We have nectar, ichor and ambrosia, which are all adrenochrome. We have this flower that had the same abilities and we have portals in and out and out of these. The sea people have the flowers. They have the flowers, they have the fruits and they have the portals. The only thing they don't mess with is adrenochrome, which is essentially for people who don't have the other stuff, which is a lot of people.

Cristina: Yes.

Jack: And because of all these civilizations that weren't favored by the sea people, if you follow their lineages throughout time, it gets f*****. And everybody's drinking blood. Everybody's trying to figure out how to get more, how to refine it, how to create clever systems to trick people, to create fear, to have a bunch of their blood packed with adrenaline straight through time. Until today, it's been a f****** normal thing.

Cristina: Yes. In the background of society, God is telling them. Until you, I guess, well, you have.

Jack: It and then you start hearing God and then you're committed to doing it more. Especially because if you stop having it after you've had it, you're gonna lose your mind anyways. It's just.

Cristina: There's a lot of that.

Jack: Yes, it's a lot. Once you start, you can't stop. And once you start, you start hearing crazy voices from the Shadow Realm and you start losing. You get crazy abilities too. You become godlike. You. You. And if you stop taking it, you lose your freaking mind and you become some other thing. When you die, you don't even really die. You just enter the Shadow Realm, become one of those creatures. Whole clusterfuck of things happens when you're dealing with this other s***, which a.

Cristina: Lot of everyone's most of.

Jack: 99% of the other s***. There's the 1% that was connected directly to this overpowered civilization known as the Sea People. And then there's the 99% that couldn't figure it out.

Cristina: The rest of the humans.

Jack: Yeah. Everybody else who wasn't connected to the sea People dealing with it. The 1% who were connected to sea People didn't need it.

Cristina: Yeah.

Jack: But that 99%, they all were like, no, we're gonna figure it out. And they just landed on the same conclusion.

Cristina: Yeah.

Jack: Now, creatures from the Shadow Realm can easily come into the Earth Realm. They figured out their own thing. Something about fear allows an energy connection between the Overworld and the underworld and allows them to manifest over here. That's fascinating. They're not even. Creatures that aren't even native can just manifest over here.

Cristina: They could actually accidentally come over here.

Jack: Yeah, they could. Accidentally. Like it creates almost bubble teleports, Teleporters over there. They just pop up. But then there's fairies that seem to cross effortlessly, which is what. What the original Sea People thing was. And I don't even know if the other civilizations are fully aware that that's the case, because they just. Oh, adrenochrome. We figured it out. But it's like, no, these people could easily get to Shadow Realm. They didn't give a crap about that. They were working with Shadow Realm people. They're trying to get to elf fame, where the magic is. That's what Jesus is, an attempt at that. The Jews also had Joseph, which was another attempt at that.

Cristina: Yes, but do you think they knew that that's what the goal is?

Jack: I don't know if the other civilizations knew. Some of them probably did, but not by. Not the majority.

Cristina: Mm.

Jack: I think the minority. I think, like maybe 1%. So there's 1% actually working with the sea people, 1% that knows of it, and 98% that have no idea what the case may be they just know the Shadow Realm is real.

Cristina: Yeah, but no one knows about this other.

Jack: Yeah, and if they do, they don't even know they could get over there. It hasn't crossed their mind. They're still figuring out just get into the Shadow Realm and that's just a whole mess. It assures you immortality if you have adrenochrome. But again, see, we figured out immortality. They need adrenal. You have immortality if you have a dream. Chrome. But you're also addicted now forever. And even if you're not addicted, you need to keep taking it. And if you stop taking it, you lose your mind. And it doesn't matter when you die. If you die having lost your mind, you become one thing. And if you die having kept your mind, you cross scene. And like you, it's so, so complicated. Just adrenochrome alone. Complicated.

Cristina: Yes.

Jack: There's a whole. There's adrenochrome and then everything else. That's how complicated this. Now, in doing so and going through this and kind of trying to piece together a lot of this stuff, I wanted to nail down some of the times, what really happened. And what I did was kind of organize it according to time. So we're just gonna quickly go through some of the details here. We can keep breaking down the summary of this, but it's very important that we actually nail down some of these times.

Cristina: What are we talking about?

Jack: When. When these events actually took place, because they actually reveal information. So let us begin by explaining Adam, because a lot of this is going to start tying little things together, kind of sending them home.

Cristina: Okay.

Jack: Adam using genetics to create an accurate molecular clock and backtracking it all the way to where the genetics suggest. Adam dates to about 156,000 years BC, which can be confirmed with hieroglyphs and like, detailed genetic markers, as well as stories that have survived the test of time. So he can be dated, whatever this technology is, could be dated to 156,000 years before.

Cristina: Christ, I forgot. We also found Adam in Egypt. Right. That's when they started working on Adam.

Jack: Well, yes. Well, a version of him, yes. Okay, now, what is very interesting about this, and I love that this fact turned out so exact, is that primitive humans date back to 150 BC. 150,000 BC. But finding Adam takes us all the way to 156 BC. So 6,000 years before humans happened.

Cristina: Perfect timing.

Jack: Okay, before primitive humans, we get Adam.

Cristina: Wow.

Jack: Fascinating. Okay, now, beautiful information. Nice. We nailed that down. Let us continue Then if we try to follow Eve backwards, using genetics to create an accurate molecular clock, Eve dates back to 100,000 BC. But not only is this confirmed with hieroglyphs and genetic markers, as well as stories dating back to that period, but this one is actually tighter together because it correlates perfectly with the modern day humans dating back to a hundred thousand years ago as well.

Cristina: Of course. Of course.

Jack: Eve and modern humans simultaneously.

Cristina: If she is what we think she is, this makes sense.

Jack: Perfect sense.

Cristina: Or it is, I guess.

Jack: So Adam is invented and something happens. This actually lends a lot to. To the idea that because we have genetics from apes, it was. It was definitely just some genetics. No, it's genetic alteration technology.

Cristina: Yeah.

Jack: So many people believe aliens came and altered our DNA. No, it's earthlings. Yeah, Earthlings alter our DNA. At least we think it's earthlings.

Cristina: What do you mean?

Jack: So earthlings alter our DNA. Right. So 156,000 years ago, they invented this thing called Adam. Test it, work on it, and then they actually put out the first, you know, batch, which leads to a bunch of people for 6,000 years later. So for 50,000 years, the spread of these primitive humans happen. Now, what's interesting about this is when we look at genetic markers, we're not only related to apes, like every different bipedal individual that existed, but there were several groups of cave people, some more advanced than others. This kind of lends itself to believe that the one that didn't survive was the more primitive made by the program Adam.

Cristina: Okay.

Jack: And that they mated with some of the ones that were made with the program eve because they took those, they took some of those, modified them genetically, and they went forward as better humans, but then could still mate because they're closely related.

Cristina: Okay, what is the importance of humans, though? Do we have the answer to that? I can't remember. No, there's something as well.

Jack: No, I don't know. There's some factor about humans. It's way more important. I think it's at the rate we move, something is different about us, okay?

Cristina: We're not just some type of energy.

Jack: No. I don't know. I don't know. We're something. Something's going on, but. Or maybe we're just science. We could just be a weird science experiment. Maybe this has nothing to do with us being special. They just took monkeys and modified the monkeys with the program Adam. Boom. Now you got cave people. Then they went ahead and modified the program with program eve, and then they got more advanced cave people. Now, in Doing this, in going through this, I realized a couple of things that we've never thought about before. We knew one program came after the other. That's a pretty large gap between them. We're talking 50,000 years.

Cristina: Yes. That's pretty big. Yeah.

Jack: Most humans weren't made by both of them one at a time.

Cristina: What?

Jack: Humans weren't made by both of them. They were made one at a time. Adam existed 56,000 years before Eve and that was used to modify creatures. Then 56,000 years later, Eve is used to modify. That's not them working simultaneously? No, that's the farthest thing from the Morgan. Simultaneously. This is a huge ginormous.

Cristina: That's why we think of eve as Adam 2.0.

Jack: Yes. But that's like the most literal 2.0. Now this is where it gets a little interesting. According to biblical texts and backdating and cross referencing the Holy Bible, the Torah, the Quran, combining of Adam and eve occurred roughly 10,000 B.C. where those programs started being used together. Where? In the garden.

Cristina: Okay.

Jack: What Interesting. Right.

Cristina: Okay. When was Eve started from backtracking from.

Jack: Where we are right now.

Cristina: Yeah.

Jack: Or B.C. just going back from the point. Year one. From year one. Eve is a hundred thousand years ago.

Cristina: A hundred thousand. Okay.

Jack: Adam is 156,000 years ago.

Cristina: And both of them in the garden 10,000 years ago.

Jack: 10,000 recent.

Cristina: Okay, so they were both active for a long time. Yeah.

Jack: Now this is confirmed as well, using hieroglyphs and actual texts that mention Adam and Eve together for the first time before Adam was mentioned alone, or Eve was mentioned alone, never together. What happened, but following 10,000 years ago.

Cristina: They'Re mentioned together, but they're for sure made by the same people.

Jack: There's no way to know.

Cristina: There's no way to know. Okay.

Jack: And by the way, and by the way, this little bit of detail of them together is mentioned across half of all the civilizations that exist that existed back then, they just all knew the advanced ones. They just all knew Adam and Eve together. That's just a given.

Cristina: It's crazy that it took so long.

Jack: Quite some time. Now this also correlates perfectly with the sudden appearance of miracles and magic and scientific advancements and demons and gateways.

Cristina: Starting with Adam and Eve in the.

Jack: Garden together in the garden.

Cristina: Okay. Interesting.

Jack: All these other things kind of happen immediately following this.

Cristina: Whoa.

Jack: They're together right off the bat. But also 10,000 years after that point, we get Jesus. Okay. Time scales collapsing quickly. They're shrinking shorter times. Shorter times.

Cristina: But humans popped up with Eve Yes.

Jack: Modern day humans popped up with Eve. Now implications of this, if Adam is roughly 140,000 years older than the time Adam and Eve are together and the mention of Adam with Eve suddenly correlates with Jehovah venturing into the forest of shadows to acquire the fruit which happened 10,000 years BC then we can safely assume the creation of the lab named the Garden of Eden. The unification of Adam and Eve and the capturing of the three fruits are all one event. We have established with information that's linking them together is no longer a theory of ours. We have them all dating all these events. The garden coming into exist, Adam and Eve coming together and the three fruits being captured all happened 10,000 years ago.

Cristina: Humans. It's the birth of a lot of new.

Jack: A lot of new science.

Cristina: Science. Yes, yes, Yep.

Jack: The mention of Adam 150,000 years ago we can call unfinished Adam which is the version used by Lilith.

Cristina: Yes.

Jack: She was not in the garden yet. The garden did not exist yet. Lilith used Adam and it wasn't ready. Unfinished Adam, Eve or finished Adam led to current day humans a hundred thousand years ago. And that's also why we call Eve Atom 2.0. It's either a finished atom or a better improved atom. Now it works really well if we look at the time jumps that we're experiencing. L2 million years ago travels and sees the fruit for the first time. The fruit of life is probably the one he takes when he ventures into the forest with Sizen. So 1,000,900, years later Adam is created from that. He was working for a really really, really long time on it. A million 900 years later he creates Adam.

Cristina: So now he can on something he found in the shadow realm.

Jack: Okay, so now he makes Adam and he can make, he can modify life with it. Now somebody disappears and acquires the fruit of Knowledge. That gets applied to Eve. 100,000 years now we have modern day humans intelligence. He acquired the Fruit of Knowledge. If Adam used the Fruit of Life and Eve used the Fruit of Knowledge, two modifications that are entirely different were applied to the current now standing the now standing humans, what we consider humans now use the Fruit of Knowledge and the Fruit of Life. Adam was built using the Fruit of Life, Eve was built using the Fruit of Knowledge. We've been modified by both. We get two. The garden after Jehovah ventured in and got not just the Fruit of Life and not just the Fruit of Knowledge, but he also retrieved the third fruit.

Cristina: The fruit of Flesh, which we're not sure if they made Jesus with that.

Jack: I Think that is the point.

Cristina: Okay.

Jack: I think everything created following that point is why the development of crazy sciences. People who can perform miracles, powers and all these other things. Demons crossing over. I think that's the case. And not just. Not just we know anybody connected to the sea people had just humans. Also, there's the shadow around people who naturally have abilities. But humans connected to the sea people had abilities. All these people are following this 10,000 year mark. They start sharing technology. And this is where these other civilizations now start to kind of explode too.

Cristina: Yes.

Jack: Where the Greeks start to explode 9,000 years ago. Where the Norse start to explode 8,000 years ago. Where the Egyptians start to explode with the Mayan simultaneously 7,000 years ago. This is all following that one event. And these people are called what? Gods.

Cristina: Of course.

Jack: Of course. Of course. Suddenly correlating that they added the fruit of flesh and maybe created concoctions and cocktails that they can also give these people, to give them abilities, enhance their knowledge. We can't modify you the way we can to these people. But also we've discovered a way to kill mortality. Now you can live forever. You can have more intellect. You can have more abilities. We are comparable to the creatures in the Shadow Realm. With our advancements, maybe even better. Well, we're better. We're just gonna make you equal. Yes, we're gonna make you equal to the baddest s*** over there. Yeah, that's kind of lining up, right? That explains a lot. Now that also explains why there were groups of people who. We're descendants from who normal people are descendants from that don't have abilities. Especially after all these juicy goodies stopped being shared when they were like, no, there's a problem. We got to stop.

Cristina: You got to hide.

Jack: We got to hide. No more sharing. We've achieved some peak.

Cristina: And now we can safely hid themselves. But they hid the unique people they made.

Jack: Yes. And just disappears. Everything disappears. Suddenly it's just people without abilities. Some slipped through the cracks. But we got a rebuild using only things left behind. Using only shreds of information. Hidden information. Most of which they tried to totally suppress. They created the Knights Templar to fully suppress this information. To make it disappear. To modify the history of Jesus. To hide their existence entirely. Erase any proof of anything.

Cristina: Yep. That's crazy.

Jack: But we have correlating information that tells us they solved immortality and helped these people that are considered the gods be what they were. This is all thanks to the sea people and their advancements and. And the three fruits that technology, teleportation and energy Storage and data storage for things like this, that kind of data that needed to be stored. And this all began with El meeting Susan, finding the forest, then creating Adam, then eventually going again, getting the fruit of knowledge, creating Eve. Then, way in the future, Jehovah goes and gets the fruit of knowledge, the fruit of flesh and the fruit of life mixed with Adam and Eve now is able to create cocktails, at least until they pump out a being born of this Jesus. But it was problematic right off the bat. It was 10,000 years later and still too soon. Keep in mind the leaps that El used, 1.9 million years, and then he still waited 6,000 more years after it was made. That's testing. That's science. That's consistent research. Consistent research and experimentation before implementation. Yes, Jehovah rushed. It was 10,000 years between the point that he got the three fruits, Adam and Eve, and established the garden. But also, I don't think Oros had sent anybody out at the time of L, 1.9 million years ago. L did not have a Naga with him.

Cristina: Is that important?

Jack: I think that's what allowed, like, Jehovah to move so much faster. It's what allowed the Egyptians and the Mayans to move so much faster before they even came across the Sea People.

Cristina: Oh, because they had.

Jack: They had beings helping them.

Cristina: Yeah.

Jack: That were exceptional.

Cristina: That's. He did it.

Jack: Probably not.

Cristina: Okay. And he's a sea person, too.

Jack: L?

Cristina: Yeah, yeah.

Jack: L is the great grandfather of Jehovah.

Cristina: Okay. The ancestor of Sea People, I guess.

Jack: Yeah, yeah, yeah, yeah. The ancestor of Sea People. Probably before the Sea People were established. Because the Sea People. Then again, it's already been 500,000 years. By the time we get L meeting season, it's already been a hundred thousand years. I mean, 500,000 years.

Cristina: Or are the Sea People humans or are they not?

Jack: You've asked this many times. I don't know. We don't know if any of these people are.

Cristina: They're a combination of it, because we know the Sea People. I mean, the Egyptians are hanging out with Shadow People. So would the Sea People also be a combination of things we don't even know of?

Jack: Well, the sea, the Egyptians hanging out with Shadow People means nothing. They can't reproduce with them. There's no mixing going on. They're a team, a collective of them. But they can't reproduce with something that isn't biological. How's that gonna work? Like, Ixchel is married to Izamna, but they don't have children because how the f***. Okay, One of them Is like a ghost or something.

Cristina: They don't have children. I don't know the story. Like if they ended up adopting or something. No, no.

Jack: Now let us think real quick. They could be human. I think they're just a different thing that developed here on Earth. But we also know there's crap in space like that weird Chupacabra thing that showed up looking for like sensing fear and blood or whatever or called that we call the Chupacabra, but it's just one of like three different things we've called the Chupacabra which just showed up looking for the same things Chupacabra looking for. Now let's focus on Mars real quick because Mars has a couple of interesting details that might or might not be related. There is evidence that suggests that thermal nuclear explosions occurred on the surface of Mars. This is nuclear debris and isotopes that are on the surface of Mars. Now the sun has a s*** ton of radiation and Mars doesn't have an atmosphere. So it's reasonable that the radiation from the sun slams effortlessly without restriction onto the surface of Mars. But these are isotopes similar to what you'd find in a man made explosive that the sun does not have.

Cristina: Okay, interesting.

Jack: So it goes as follows. They seem to be about 500 million years in age. That's significantly older than 2.5 million years.

Cristina: Okay, okay.

Jack: So now, and keep in mind, it is different from a solar nuclear radioactive material. It's isotope residual, similar to man made H bomb explosives. Particularly. Now, if there was a nuclear war that took place on Mars, the events would go as follows. A cloud. If it's mad. If MAD took place, place, Mutually assured destruction. And this was a bunch of people at war and they blew themselves to s***. Then we have a situation in which a cloud covered the Earth. Not the Earth, covered Mars, surrounded Mars entirely. And that debris blocked out the Sun's heat coming in. So they had an atmosphere back then. Then they create nuclear war. Debris and fallout block the Sun. Heat no longer comes down. This leads the planet to freeze over. But it's mutually assured destruction. This happened all over the surface of the planet. It's not patched, it's wholly covered. It's a shell of blockage of the sun. No external heat landing. It gets so cold even the core of the planet freezes. If the core of the planet freezes and no longer has rotation, the magnetic field ceases because the magnetic field is caused by the core. If the magnetic field ceases, that's what holds the atmosphere in place. The atmosphere fades into Space. And once the particles and residue from the fallout fall back to the surface, the sun's radiation now can pierce without a magnetic field in the way. Now you have sun's radiation slamming into whatever is left over after the nuclear war for 5 million years. We have things that are 14,000 years old and we only know they exist because somebody mentioned it. And we can kind of score to see a fossilized outline of it. Think about that. 14,000 years old and we can barely see a trace of it. 500 million years without an atmosphere. Nothing but solar radiation crumbling everything that exists into dust. Would suggest that if this is truly the case, there might have been an entirely developed Earth like planet.

Cristina: We would never know.

Jack: We would never know.

Cristina: There's nothing that exists there anymore.

Jack: There's nothing that exists there. We can't even find crap that's 14,000 years old. Properly we rely on things being carved in stone. Keep in mind our atmosphere protects the sun from s******* on everything. People carved things. Things are hidden from light. We find them in caves. They built structures. We find them in structures. We have these things to protect that protected history. Anything that's exposed to nature 14,000 years, we just don't see it anymore. And we have a magnetic field. This s*** did not have a magnetic field. It completely destroyed that too. And then you got the sun slamming into everything for 500 million years. There would be no proof of anything. It would just look like dust no matter what was standing.

Cristina: Yeah.

Jack: So there is evidence that suggests that Mars was not just lush but that they at least had the current technology we have today. Us normal non sea people. They were at least as advanced as we were 500 million years ago.

Cristina: How do we know that?

Jack: Because there's man made nuclear residue mixed in.

Cristina: Okay. So if they're able to do that, they have to.

Jack: They had to be as advanced as we are. So that was at least an intelligent planet. The issue is, did MAB create everything first? There is that Earth realm. Is it easier to get from there to these other places? Because if that's where development began, why so much happening on Earth? Unless that's what makes us interesting. Whatever was on Mars was like the other stuff. But whatever happened on Earth where they ran away to very different the creatures. There are some other we. The sea people advance very slowly.

Cristina: Oh, we don't know if they could have done that over there. It just. It was destroyed before they were able to do that over there. They did. They had more time here.

Jack: No, they had way more time over there. They did 500 million years. It's only been 2.5 million years, just since the sea people, stools.

Cristina: Oh, okay.

Jack: They weren't even advanced. It was just rock tools, meaning 497.5 million years difference took place over there before.

Cristina: Oh, wow. Okay.

Jack: They were over there 497.5 million years before we find tools on Earth from primitive creatures.

Cristina: Well, when they got here, they had to start from scratch.

Jack: I'm thinking. I'm thinking, yes. I'm thinking it's an escape shuttle. It gets here and we witness there, some kind of Horizon thing happens. You know, they get here, they lost all of their planet. But whatever. This planet has been established as maybe colonies or whatever. And I don't know. I don't know. Then 2.5 million years ago, we get tools. It's still primitive, but they're. So they become it. I don't know. There's some problem. There's some problem with this. Because if they're so advanced over there, that's different than whatever's happening on Earth because we got tools. They would have just come with technology, bro. They had to get here with technology. How are you gonna cross this expanse.

Cristina: Of space if it is like Horizon? Maybe they didn't because, like, it was children. So they couldn't. Like, the children wouldn't know how to use the technology.

Jack: I mean, it's not literally horizon. I'm 100% sure adults piloted ships.

Cristina: Like, what if they couldn't?

Jack: Why, that's just. Again, we're adding things we don't know. We do know that there were tools 2.5 million years ago. And we do know that it seems nuclear war happened 500 million years ago over there. The information we have for fact, an intelligent civilization would take some of its technology wherever it's going just for the sake of convenience and advancement. And they're not just going to send a wave of children. Somebody's going to be a coward and be like, I'm going to protect them. I'm going with them. Even in Horizon, that happened.

Cristina: Well, I think it just took forever for them to understand their own writing, their own.

Jack: That doesn't make any sense. Why would that be logical? I piloted an entire ship over to that planet, but I don't know how to use anything. Like, it doesn't check out. There's a huge gap missing there between whatever the h*** happened against. Unless it's absolutely unrelated. It could be absolutely unrelated.

Cristina: Whoa.

Jack: And this is just another instance of life. Of life. Maybe life does happen consistently, but, like, what are the Odds are gonna happen simultaneously. And what are the odds that they'll develop even close to each other?

Cristina: Mm.

Jack: Which would then suggest that, yes, the sea people are just earthlings that began because based on the tools, they began 2.5 million years ago. And about 2 million years ago, they were already quite advanced. That's 500,000 years of advancement. That's 400,000 years more than we had. Of course, we're assuming they move slower than we do on average, which is why they were just average figuring things out. Yeah, around 2 million years ago. And it still took 1.9 million years before they were technologically advanced enough to establish Adam. So there's huge, huge gap of trial and error and technologic advancement, but faster and faster with the fruits, with the technology. And then we get to humans, modern day humans, hundred thousand years we've gone from where the sea people were 2.5 million years ago to nuclear power. It's only been a hundred and two thousand years.

Cristina: Okay, that's crazy.

Jack: It took them 2.5 million years. It has only taken us 102,000 years. So whatever they did. Fire. Yes, fire. And that's without counting that 10,000 year. Well, 12,000, because you got to count the 2,000 after B.C. there's 2,000, 12,000 years, right, that they haven't done anything to us. Those are just powers and special creatures that disappear. Roughly. I guess it's still 10,000 years because they begin about 10,000 BC and end around year one, where they just disappear. So the rest of us haven't actually been influenced by the combination of Adam and Eve, the fruits, any of that for the garden. Those were just elites. Elites we literally call gods. This is some whole other s***. We're not even influenced by that. They did that to themselves and to the homies and made themselves colossally overpowered. We see shreds here and there and we come up with things here and there as we dig and find traces that they couldn't get rid of.

Cristina: But aren't they made our ancestors.

Jack: They made our ancestors 100 BC, 100,000 BC using Eve. We're the children. We're the descendants of Eve, not Adam.

Cristina: Okay.

Jack: And not Adam and Eve. It looks like current day humanity is evolution to just Eve.

Cristina: And that probably Jesus is the only Adam and Eve thing. Maybe, I don't know.

Jack: Yes, Jesus is probably the only Adam and Eve. And a cocktail using the fruits is what led to the gods, what we call, quote, the gods unquote, which are just really intelligent immortal scientists. But they were just, you Know Jehovah acquired the fruits. He was a sea person, did a lot of experiments, technologies, created drinks, created things. He had the flower, created drinks, created things, had portals to access all the homies share it with you guys. Look, you guys aren't gonna die anymore. You guys can live forever. We can work on everything. We're gonna work on forever. We're gonna help each other, we to advance. We're going to be magnificent. This is why we see Raw rule Egypt for thousands of years. This is why we see it Zamna rule Maya for thousands of years. And it's because they're immortal. They're immortal and thanks to the sea people. This is why the sea people are a small group of people. Not a country size, a small group of people, city size. But the same people always somehow. Jehovah. Always the same Jehovah. Just always the same Jehovah. Because they figured things out.

Cristina: Anything. Mars is. I guess Mars isn't related.

Jack: I think it's unrelated. But then if it's unrelated, I guess it would make sense. And yes. Mabs is God God. Mab is God God. She made like she's the God God. She made f****** everything and s*** just happened at random there.

Cristina: Yeah, that's it.

Jack: She's God God. And somehow some f******. How some dude named L and his descendants managed to catch up to that b****. D***, bruh. Or at least make her paranoid.

Cristina: Yes.

Jack: I don't think they caught up.

Cristina: No, I don't think so.

Jack: But then again, it's also been 2,000 years since we've gotten a single peep out of any of this s***.

Cristina: Mm.

Jack: Because following the point that they all disappear, we just have current day people. Current day humans minus the gods. No gods. All the gods gone.

Cristina: Just one special human.

Jack: Just one special. Well, he vanished too.

Cristina: Oh.

Jack: So yeah. Just current day people figuring out the tricks with data we find. Running our own experiment. Experiments getting places. Some people found some of the sources. Some people found pieces of fruit. Some people found this. Some people found that. A lot of people found out about adrenochrome. Everybody's kind of figuring their way out to the same spots.

Cristina: Yeah.

Jack: That the sea people helped their homies get to. Then we have people who are immortal. We have people who have abilities. We have people who can cross the bridge to the other side. And we've only taken 2,000 years to do what they took.

Cristina: Our version is pretty corrupted.

Jack: Our version is dark as f***. It's pretty diabolical.

Cristina: Yeah.

Jack: And we need each other to do it.

Cristina: Yeah.

Jack: But we also don't have what they have. They hid it.

Cristina: Yes, because they're scientists.

Jack: Now, if we can find. The problem is you get to the other side and you go kind of mad. And it's hard to direct yourself through there. But if we can get somebody on this end to get to the Shadow Realm without dying, find the fruits, yes. We will be way ahead. The problem is we don't know where to begin. We don't know how to do that. How do you create. What the h*** is the Shadow Realm? How do we make a bridge to the Shadow Realm? The Norse got the closest. They figured out that if you make mass sacrifices in an area and if.

Cristina: You want to find that the garden, that's what's protected by guards, or just the Shadow Realm itself is protected by the Shadow Realm.

Jack: Well, the garden is a lab that belongs to the sea people. The Shadow Realm, the garden.

Cristina: No, not the garden. The secret garden or secret forest. That's what I mean.

Jack: The Forest of Shadows is inside the Shadow Realm?

Cristina: Yeah.

Jack: That's where we need to get to.

Cristina: Is that protected by guards?

Jack: The gate to that was. That's what Susan put a gatekeeper and a record keeper to keep track of anybody who came through and stop anybody who's gonna want them. Okay, but like, where the f*** was that anyways? Why haven't we found that this entire time? 2,000 years. There's way more people now than there were before. Why haven't we come across that? The sea people probably made that disappear too.

Cristina: Definitely. Yes.

Jack: Okay, so we need a way. And then the Norse again. This is what's interesting. Between the collective of humans, we have enough pieces that if we work together, we can get to where the sea people were. They did it alone, a lot of it. And then added some pieces with some other civilizations. But we have enough pieces. The Norse within the last 2000 years figured out that if they sacrifice people in the same area, drink the blood and make sure they're horrified when it happens, they can at least bridge a direct line of communication clear to the other side. And they believed that with enough sacrifices, they can rip a hole. This sounds like a philosopher's stone. Almost. Get a s*** ton of people together, mass genocide. But then it brings up an interesting question. Because we know that 911 was staged for the blood and the fear. The elites do it where they trying to build a gate. That's a lot of sudden death.

Cristina: I don't know. Because the gates they make, I feel like, might be more like the gates Jesus was making before he was.

Jack: That's a one way gate.

Cristina: Exactly. So it doesn't even matter. You think we can't use these gates?

Jack: Well, the gates that Jesus made weren't. They didn't require death, they were just gates. He figured something out.

Cristina: Yeah, but I feel like that's what they're also making.

Jack: That's what's happening.

Cristina: Well, no, that's what the fear stories of them going. We always hear like that's where their God is coming from and talking to them. Or the Shupacabra.

Jack: Or would we hear of somebody disappearing forever into the Shadow Realm?

Cristina: Well, we don't have stories of them.

Jack: How would we have stories of them?

Cristina: Because there's a group of people. They will see one person.

Jack: Oh, fair enough.

Cristina: Like these group of people and they're only talking about the thing that's coming out of it. There's never like we or one of us.

Jack: One of the main stories that happens, and I'm sure you've seen this one too, is when the towers were collapsing. Well, first when the smoke was happening, the first planes hit and people were freaking out, they saw a face form. You've seen that, right?

Cristina: Yeah, that's just something coming through the Shadow Realm. Creature.

Jack: Yeah, Shadow Realm creature coming through at the pinnacle of where people are the most scared. Where the fire is, where the planes hit. And they haven't died yet. They're horrified. And something is coming through actively at that moment. And we're seeing it on video footage of it.

Cristina: Yeah.

Jack: But then here's another interesting one because there's a similar story that took place at a greater tragedy. And it was huge during World War II. There were stories, so many f****** stories of creatures wandering the battlefields at night. Wetchudge. When dingo is vampire as f*** any. Anything you could think of which checks out one way from that side.

Cristina: Exactly. I don't think we figured out how to.

Jack: How to get over there without dying. We can drink blood and get over there, but that's not the same as us getting over there. That's the f****** problem. Getting mortality. But we're corrupted the whole way.

Cristina: Exactly.

Jack: How do we do it?

Cristina: I don't know. We'll never figure that out. Or we never could.

Jack: I mean, we can, but it's literally been figured out.

Cristina: It's possible from something that's hiding.

Jack: Yeah. So we don't need them. They figured it out without help.

Cristina: They figured out. Well, the original guy had a guy from the Shadow Realm help him out.

Jack: We don't know that. We know that the Mayans receive two different portals One from the sea people and one from some dude from the Shadow realm.

Cristina: Sounds like help, right?

Jack: Where did the sea people get theirs if they don't have anybody from the Shadow realm?

Cristina: They have an ancestor who was at the Shadow Realm.

Jack: You're f****** right. You're totally right. Second. Second thing that I'm going to put out casually. We've not thought and we'll close it up here because we're like running. Yes. L like their ancestor. Instant. They've always been connected to the Shadow Realm since their beginning development. But what's weird about this, and we've never thought about this, but we even have confirmation in biblical text and hieroglyphs that we never get thought about and we've said her name so many times is Lilith. Oh, dude, Lilith is from the Shadow Realm, isn't she?

Cristina: I. I'm not.

Jack: She's been described many times as what? Say the word.

Cristina: I don't what the word.

Jack: Demon.

Cristina: A demon? Oh, yes, yes, yes. Her. Her children are what we call. What are those specific demons? The. The. The ghosts that want to have sex with you. That's what she created with Adam.

Jack: Succubus.

Cristina: Succubus? Yes, those things. Those are Shadow Realm creatures.

Jack: Well, she didn't make succubus. But she made something like Succubus.

Cristina: Yes.

Jack: She might have been a Succubus.

Cristina: Yeah, she came from the Shadow Realm. She definitely did. She just made more of herself.

Jack: Well, no, she made something similar to herself. Not even similar. They just said he made things, the succubus made things. So we're assuming, oh, they're Succubus themselves. But no, they can't be. That doesn't make any sense. There's some primitive human. They're just cave people.

Cristina: They're just cave people, but more Shadow Realm Y. Like, I guess.

Jack: No, it was just Earth science. And a Shadow Realm person activated the thing.

Cristina: Okay.

Jack: That's all. They weren't Shadow Realm creatures.

Cristina: They don't have her DNA though.

Jack: No, there's no DNA of hers in anything. Oh, how would they have her DNA? She has no DNA. If she's from the Shadow Realm, what's.

Cristina: The benefit of using the machines? Well, she just wants it, I guess, because some beings like to be gods doing s***.

Jack: Yeah, but the point here being made is that she was definitely from the Shadow Room. It's been in front of our face the whole time El was working with Sizen. Two million years ago.

Cristina: Exactly.

Jack: They're friends. Even if he wasn't us. Even if l wasn't A scientist. There's some dude he was already friends with some other dude. Some other dude that would later join a group of scientists that are working with the descendant of his friend. And then Lilith, definitely a Shadow Arm creature. Which tells us every science group had a Naga, an Earth Realmer and a Shadow Realmer.

Cristina: Oh, except for the original. What is he? I guess the ancestor of the.

Jack: That wasn't a scientist.

Cristina: Oh yeah.

Jack: He was just a dude. There's some dude and some other Shadow Realm. Yeah, yeah. It was just some two friends who happened to be from different realms. I don't think either one was really scientific. There was just a leader. I rule everything. And. Okay, this guy. Some two dudes. Chilling. But now the descendants of L, the people they work with, who. Then Susan, the friend of El, joins. Yeah, yeah, it sort of checks out. So every group has a Naga, a Shadow Realmer and an Earth Realmr. And somehow that's the combination that leads to rapid advancement. Meanwhile, we've only taken 2,000 years to.

Cristina: Get pretty close without any of that.

Jack: Without any of them.

Cristina: Oh, except for maybe the Shadow Realm stuff.

Jack: Well, we don't need help from the Shadow Realm. No, we just get immortality from it.

Cristina: Yeah.

Jack: Even if it's not the right immortality and we're all kind of f*****. Ultimately, it's still an immortality that people are fighting with, I guess. I guess they're like, okay, I'm gonna still live forever. Whatever.

Cristina: Whatever.

Jack: Anyways, yeah, that's. That's where we are right now. It's trying to tie all these loose wires. Nuts.

Cristina: It's too much information.

Jack: Yeah, it's. It's getting hard to keep track of. There's a lot going on. Somebody's gonna have to like, make a Wikipedia go through these episodes and like, put it so I can read what we have found ourselves, you know, because. D***, bruh. Or make a fan wiki and just lay out what we know so far. Somebody do this, please. I'm not gonna do it too much. Yeah, but somebody do it. So, yeah, it's possible that what happened on Mars has nothing to do with anything because of the primitive tools that exist on Earth. It might have just been two different instances. Anyways, please contact us, guys. Give us information. Tell us you're gonna make a fan wiki and elaborate on what we have found. All of the above. Above.

Cristina: Or connect Mars to any of this somehow.

Jack: Yes, please do that. You can reach us on all the socials, TikTok, Instagram, Facebook, and X@justconvo pod.

Cristina: Remember to subscribe. Rate and review the show.

Jack: Yes. And tell anybody and everybody you've ever met about what's happening here, what we're trying to conclude, where we're moving with it, the facts. All researchable. This is all data you could find. Find. It's not easy, I will tell you that much, but it is all data you can access. Look up any and everything I say. Don't take our words for it. It is all out there. It is all researchable.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening by it. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts.info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.