Rambling 261: Relic Technology

What precision technology did the ancient Greek use to locate Hyperborea? Is this the only piece of ancient technology left? Is there older ancient technology than this? The duo unpack the most impactful ancient technology that modern science has ever uncovered opening new avenues of investigation that might have been overlooked before.

Rambling 261: The Ancient Tech

+Episode Details

Topics discussed:

  • The Antikythera Mechanism
  • The Baghdad Battery
  • Seismoscope
  • Baigong Pipes
  • Damascus Steel
  • Astrolabe
  • Nimrud Lens

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+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I am your host, Jack.

Cristina: And I am your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. For real.

Cristina: For real, for real.

Jack: So last week we were trying to find out more about this place called Hyperborea, you know, where the Nephilim most likely were after we've established what the fact of all the information we've been uncovering truly seems to be, at least now in this new 2024 reframing. I guess every couple of years the narrative shifts into some new thing. Before it was mysticism, then it was science as, like, you know, astronomy and stuff, realms and junk. And now it's like. No, that was all just computer program. It's a simulation.

Cristina: It's crazy.

Jack: This is weird. But as you guys, anybody who was listening and you, Christina, as you guys all know, last week there was way more to talk about, but I couldn't get to any of it because there was absolutely too much to talk about. So instead what I've done is created an entire different set of information. Well, then I cut out that information and added to it to then be able to give what I was omitting originally because I thought it wouldn't make it, but none of it made it. So now all of what I was originally not gonna.

Cristina: It's all related to Nephilims?

Jack: No. Well, sort of.

Cristina: What's the bait? What's everything about at the end of the day? Or not really anything specific.

Jack: It's literally about everything we've been talking about. All of it. Yes.

Cristina: Not just enough.

Jack: Not just enough. It's about everything we've been talking about.

Cristina: Okay.

Jack: Yeah. And so my intention was to get to that, but that seemed to be a little bit of a problem because we had quite a bit of a content to get through. And hopefully that's not a problem today because we're going to try to actually get through all of those things. Things. So I'll begin by mentioning the fact that Hyperborea was a huge focal point for the Greek. They talked about it quite a bit.

Cristina: That's the name of the island that they're supposed to be coming from. The Nephilims, maybe.

Jack: I don't. I don't know if it was an island. I know it was.

Cristina: Or whatever. Like. Yes, the area far away.

Jack: Yes, yes.

Cristina: In the north.

Jack: Yeah, yeah, yeah, yeah, yeah. It's supposed to Be that. And so in originally, following this train of thought about the Nephilim, I came across something really interesting and weird. So what I'm gonna do is show you what it is first and then we're gonna talk about what it is real quick. So I'll have you now look at what do the people say? Example A or whatever. No, what do they say? Like, object, whatever. You know, when they're doing a presentation, like, look A or whatever.

Cristina: Yes. I don't know what it is, but.

Jack: You know what I mean.

Cristina: Yeah.

Jack: Okay, so let us begin.

Cristina: Evidence. Let's just say evidence one and two or something.

Jack: Yeah, yeah, yeah. Examples. Here are some examples. What would you say looking at this? We are looking at wheels. It looks like a wheel, right? Oh, now you're zoning in. What kind of a machine? What are we looking at?

Cristina: Clock lock box. Okay.

Jack: It looks like a safe. I can see.

Cristina: Yeah, A very fancy door.

Jack: Mm. Mm. That would be a really fancy door. And so this is the recreation of it. These are the recreation of this.

Cristina: What we have those rusty parts?

Jack: Yes. This is what it looks like as we have it. And working back from it, this is what we have.

Cristina: Is it very thin, though?

Jack: It's filled with many components. That part isn't necessarily thin.

Cristina: Yeah, but the box. That's the whole box. The one in the bottom. This one.

Jack: Both of these would be what the whole thing looks like.

Cristina: Yeah, but like, it's that length. Like, it looks like a book, maybe, or a safe where you can hide a book.

Jack: Maybe a safe where you can hide a book.

Cristina: Maybe. I don't know, because it looks like you can open it, but it looks very thin, like you're gonna put something in there. I don't know.

Jack: Well, I'll tell you exactly what this is so that you can comprehend the nature of the situation. This is called the Antikythera mechanism, and it is. Be ready for this.

Cristina: A.

Jack: From roughly the year about 2000 BC. This is an analog computer that can run computations of extremely high degree. And it most likely resulted in being able to navigate large distances accurately using the longitude and longitude of places in order to find and locate anything.

Cristina: It's a kind of computer.

Jack: It's a computer. It's a giant calculator of some sort. But not just calculator numerically, but it would, like, literally give you locations based on the numbers and the equations that you put into it.

Cristina: What exactly was the tech? I don't know. Like, what's it made out of? It just looked like a bunch of wheels.

Jack: Yeah, these are many different plates that work together. Kind of like if you had a clock. Think of a watch on your arm that's an analog watch that's still running metronome, essentially of exactness, trying to calculate time. An analog computer would essentially work the same way, but it would have. It's kind of like how people build it in Minecraft that you can have. Like, you're not really building a computer, but really they're having. If this thing moves this way, then that thing should move that way. And so that's what's happening here. And so that thing should move that way as a result of many of these other things moved this way will give you an exact that way, which would be the answer. It's a. It's a computer. It's an analog computer that you run all of it and will provide you with information that you didn't previously provide. So it could work like a gps, it could work like a calculator, it could work like a clock. It runs numbers and works in all facets of number running.

Cristina: Oh, okay.

Jack: Yes. And so it is quite possible that this is what they use to track many, many things, and that this is why they were a problem to the Aletians to begin with, because they.

Cristina: Wait, that's from the Greeks.

Jack: It's from the Greek.

Cristina: Because I don't think you said where that came from.

Jack: Oh, yeah, this is from the Greek.

Cristina: Oh, okay.

Jack: Yep, it's from the Greek.

Cristina: And they made it how long ago it.

Jack: The earliest possible date is about 2000 years BC, which most likely is incorrect. That's just the earliest likely. But in order to achieve this level of computation power, you must have been working at it for quite some time, which means it's most likely significantly older than that.

Cristina: Or they could have borrowed it from somebody.

Jack: It doesn't exist anywhere else. I'm talking about just the only things we found. We can't say we were because we have only found it there. No speculation needs to be had here, because they're the only ones. And we've seen more technological places that didn't have it. So there must have been better systems that we aren't aware of. This is just their system.

Cristina: Mm.

Jack: And we can. Like. There's. It's nowhere else. It's never been found anywhere else. Nothing similar to it has been found anywhere else. It's just Greek.

Cristina: Okay.

Jack: They did not borrow this. They invented this. But they most likely used this to find the Nephilim. This is probably how they got there and back consistently.

Cristina: Is there More than one of these there, though?

Jack: There are several, yes.

Cristina: Okay.

Jack: Yeah, it seems to be a high society piece of technology which you can obviously just attribute to the Greek gods research group.

Cristina: You think they were searching for the Nephilims?

Jack: I don't think they were searching for anything specifically. I think science and science related things had them going places and investigating weird things. I don't think they were necessarily looking for anything. It was science. I mean, maybe, but again, we don't know.

Cristina: Okay.

Jack: That would be highly speculative. Without any additional information, we don't know what this was being used for. We just know what it could have been used for. And until we get like something that tells us it names it directly and said, oh, this is how they found the thing, like, this is just technology we know of.

Cristina: Okay.

Jack: So in doing that I realized we've done all of this and like, I don't know how this never came up, but I also guess we never really directly tried to interact with their technology, anybody's technology from that time. We just read about it and I'm like, wait, why don't we look at.

Cristina: Some of this more different Greek technology, More technology, okay.

Jack: And it began with like, oh, the Greek. Because why would we focus on the Greek if there's way better people out there? Right?

Cristina: Okay.

Jack: Like this is primitive next to some of the things we're gonna come up with right now. Yeah, this is. No, this is the bottom of the barrel. Oh, they were obviously like, that's what I'm telling you. This is definitely not borrowed. This is primitive next to some of the s*** we're about to come through, which is older than this. This is primitive next to crap that's older than it.

Cristina: So we're going back in time?

Jack: Yeah, we're essentially going back in time to look at some really interesting things. And the location to a lot of these things is very telling. So let us begin with a concept that we call the Baghdad Battery. So the Baghdad Battery is essentially a portable drone battery. Not even a battery. It's an energy generator which uses magnets, it uses copper coils, and it uses water to create a magnetic field in order to then generate enough electricity to then light bulbs and light electronics. It is a very interesting.

Cristina: It's very strange, like, but it's a battery. Like it was being used as a type of battery.

Jack: It's a portable generator. Portable generator, yeah, like it stores energy but also generates energy. And it works in such a manner where it has the copper coils, you fill the bottom with water, it has the Rotating iron rod.

Cristina: But then what did they do with these batteries?

Jack: Power things.

Cristina: Like what stuff? You have no idea.

Jack: Presumably things that required electricity. Again, I am telling you what I do know. We're discussing the objects. I don't if I know what it was used for. You're gonna get that information, okay? I assure you that much. But I know this much. It's a battery. And when we recreate it, it's actually so sophisticated that we needed to find it in order to recreate it. Because before finding it, this basic concept of how to generate electricity seemingly with nothing, mm. Would have been something we thought impossible. Super basic. Looking extremely efficient and generates enough of a power source that you can power small objects with it, allowing you to carry this to the middle of the desert, for example, and power something inside of a cave.

Cristina: What can that possibly be, though, that they're powering?

Jack: It's portable. Anything, anywhere. You can take it anywhere. It's not stationary. So it's not for a thing. It's for many things.

Cristina: Yeah.

Jack: Is for whatever requires electricity that needs a small supply. So whatever they had that required electricity, assume that was powering it if it was small enough. This was found in Iran.

Cristina: Okay.

Jack: Iran is Persia, specifically the part of Persia where the Elysians come from. There are many of these. This is abundant as f***. Look at how many different variations are found all over the place. And more densely the closer to the neck of the Persian Gulf oasis you get.

Cristina: But like they're all different shapes and sizes too.

Jack: Yeah. Ultimately the same. Not two different size. Like we're talking that they aren't necessarily too, too, too big. They're the size of a jar. We call them a jar. So the size of like a vase or something like that, you know, very simple, basic idea. But it works. And we didn't come up with it ourselves, we had to find it. So great. Battery source suggests a lot of electronics existed in small, like small energy required requirement electronics. And there are many, many, many, many, many. This assumes that perhaps the Iranian people of that time, which was Persia, because this is dating far back from B.C. we're talking thousands of years in. It assumes that they had a lot of portable things, maybe phones, maybe light bulbs. Again, you go into a cave, you want to mine it or something. You strap some lights, you connect it to this thing. Now you got light in there. Maybe it could generate like fire or heat. Maybe you're trying to stay warm when it's cold in the desert.

Cristina: Imagine that.

Jack: Yeah. It could be any number of things. This could power which in return the Persians have portable batteries. And that obviously took me to the next logical conclusion, which is, well, where were you getting the electricity that you're storing in here to begin with? This could generate, but you could also store massive amounts of electricity in here. Which then takes us to the obvious. The pyramids of Giza, which are the bigot generator. Right. Without talking about any of the teleportation technology, which is only inscribed upon the walls, we don't know which of these chambers work in such a way to use the teleportation, although it's suspected that it's the centerpiece. Right. Especially because it has many quantum annotations on the walls.

Cristina: What?

Jack: But the rest of it, again it's a, it's fascinating that this pyramid serves as two examples.

Cristina: How far is the pyramid to those jars?

Jack: The pyramid is way before that. We're talking like 5,000, 6,000 years BC which is roughly a thousand or 2,000 years before these jars.

Cristina: But like what the locations though are they how far?

Jack: Oh, oh, they're near each other. Iran, in Egypt or close. Close.

Cristina: Okay.

Jack: And all of that was considered per Persia. That was all one empire.

Cristina: Well, it's pretty big empire. And what was happening with the pyramid was in the sensor.

Jack: They think the two things that this has are many quantum equations in the center chamber and then the rest of it is built of quartz and is built of electrical magnetic equipment, can store and generate energy in mass and presumably can receive energy from this chamber, which makes no sense because it's a closed off chamber. It receives energy from the outside and it receives mass energy from this chamber, which seems to be the main spot that it would receive it from. Which makes no sense because the chamber is completely closed off and has nothing in there other than quantum annotations, which suggests some hefty, hefty, hefty unknown tech happening.

Cristina: That is awesome.

Jack: Yes, yes. And there's actually a couple of explanations on how these things work. So it generates its own magnetic field which can then generate electricity accordingly.

Cristina: That has to do with the outside of it.

Jack: Yes, well it's structure inside and outside are both highly important.

Cristina: Okay.

Jack: Yes, very, very efficient. So diving specifically into the pyramids, I'm going to read you some details about how they function. Now, the electrical magnetic concentration. The pyramid can focus electrical magnetic energy in its internal chambers under its base, which essentially hints at its capability of generating and manipulating a huge magnetic field and then in return creating the energy necessary so it can generate the energy, not just the magnetic field, but the.

Cristina: Energy itself generates it stores it?

Jack: Yes. Then it doesn't store it. It generates it and has all. All the facilities to move it. Now, this is where it gets interesting. Because it was unknown most of this, how it would work, until we come across Nikolai Tesla. And Nikolai Tesla had a particular obsession with these because he wanted to be the other. He wanted to make his own power sources. We know his power sources are the most efficient, which is why they're not used. Because we don't need efficient. We can't profit off of that. So we buried him so that we can profit off of electricity.

Cristina: So was he inspired by it?

Jack: He was inspired by it. And his work ultimately highlighted how exaggerated this was. So going into the materials that they're made out of, there's an abundance of quartz crystals, two for limestones, which are all capable of conducting and generating electricity and can insulate electricity from escaping. So it's essentially a trap that can generate a bunch of magnetic field, draws electricity in, and then it cannot escape. On top of the fact that it seems to be able to receive electricity from where, who knows? But that's not how it. This is three different ways of acquiring electricity.

Cristina: Whatever this electricity.

Jack: Okay, whatever this random chamber is that's getting electricity from where, then the. The magnetism that's pulling electrical magnetic energy from the outside in. And now let's quickly dive into Nikolai Tesla. Now, he managed to replicate the distribution of the energy wirelessly through obelisks. These are tall tower things, and these towers send electrical currents from the top. Kind of like if you made a really tall metal rod and that would get hit by lightning bolts and stuff.

Cristina: They were metal towers.

Jack: He managed to create metal towers and send electricity that's stored in the metal tower, not stored in the metal tower. But if you connect the metal tower to, like a battery or something, he managed to send electricity to power things wirelessly from the metal tower. So one metal tower to the other can share electricity. Now they have equaled out electricity. So if obelisk 1 has the electricity energy, it's. It's the one with the electrical power. Obelisk 2 has 0. You then power obelisk 1 and allow it to send the current, and you power obelisk 2 to receive it. Now, although they'll lose in the exchange because you need to send it, that's energy being used. Instead of one obelisk having 100% of the energy, both obelisks have 80% of the energy, divided in half. So 40 and 40. You manage to get the energy across with no wires, with no Infrastructure with nothing. You just sent it directly.

Cristina: When was he doing this?

Jack: Nikolai Tesla was doing this. He did. He discovered this and created it in 1884 when he established this discovery.

Cristina: Okay. And you think he's based it on.

Jack: He did. He claimed this in his own notes. He was clearly visibly. And his patent used a lot of this information. He was visibly obsessed with the pyramids. Yeah. He was not. It's not. I think. No. He himself consisted. He would go there and study them all the time. Yeah. He was just trying to figure it out. Which worked because he managed to create a electrical system that required no infrastructure other than obelisks in order to distribute energy. And you got to understand that losing 20% of the energy when you're generating it essentially from thin air doesn't matter like where is it coming from that you're losing it to begin with. Right. And so on top of these systems, he also theorized he can take solar energy in mass as opposed to the theorized waster of it. Like Washington believed that the capturing the sun would be one of the least efficient ways because we couldn't wrap the world up. Nikolai Tesla believed that that's a stupid idea because you don't need to wrap the world up. You just need enough solar power to power the thing you're trying to power. Which makes sense.

Cristina: Yeah.

Jack: Just however much energy you need. Just make it a little bigger than that so you have a little extra.

Cristina: That's why we need an infinite amount of energy.

Jack: Well, it depends on what these people were trying to accomplish. As opposed. But his system was highly efficient and based entirely off of the things on the pyramid. So Tesla's work on his electrical magnetic pyramid and Tesla's towers were inspired by the structures of the pyramids of Giza. And he was aiming to harness additional energy from the Earth directly, not just the magnetic field and whatever teleportation system was occurring here. Enter the resonance energy transmission. The third function the pyramid discovered by Nikola Tesla as well.

Cristina: What?

Jack: Upon trying to figure out where the extra surplus would be coming from. So the Great Pyramid of Giza has an acoustic device designed to harmonize with the Earth's natural vibration and convert this into microwave energy.

Cristina: That sounds a little. A little insane. I don't know. That's so weird.

Jack: Yeah. Yeah, yeah, yeah, yeah. And so some of the chambers and passageways were precisely positioned to maximize acoustic properties, which Nikolai was actually easily able to replicate once he needed. Once he knew there was something missing to getting more energy in, he realized that if you take all the elements into account. He's pulling some out of the air and then he's using some essentially put with fire, you could say by pulling it out of.

Cristina: He really did this. He really. And it's really based on the Ferret. That's so crazy.

Jack: Yeah. And Washington then bought all his specs and buried. Buried all of it. He bought the patent off of Nikolai Tesla and then totally disregarded because he wanted to make a profit. So this information wasn't even buried by the Elysians or the Egyptians. Modern day man suppressed this technology in order to make a buck. Yes. We have an energy crisis because we built the planet off of greed.

Cristina: That makes sense. That feels right.

Jack: Yep, yep, yep. Now we know that in Persia specifically, the Egyptians were an elite group within Persia to the point that we refer to the Egyptians as their own group. We don't even relate them to the fact that, yes, they were technically within Persia, but they weren't the Elysians. They are a different group from within Persia who worked exclusively on forms of energy. Catching energy, storing energy, moving energy. And the closer we get to the Elysians, the closer we get to this technology, like the batteries. But then when we go towards Egypt, the closer we get towards Egypt, the closer we get to generators, not batteries. Okay, interesting. So the energy was being created in Egypt and moved to Elysium.

Cristina: Oh.

Jack: You see how the image is starting to build?

Cristina: Yeah.

Jack: The closer we get to one, it plays out one way, the closer we get to the other. Mm, it plays out another way. So we can basically pinpoint who's making it and who's receiving it. Because the obelisks seem to be what's missing around the pyramids. But there's all the positions for them to exist, including the big pyramid itself being the most obvious obelisk. It's the tallest point around and also most likely where it's all coming from. So they don't need the batteries in their region if they're directly getting the electrical currents wirelessly. Yeah, but you can't teleport that across huge countries. You need to be able to deliver it. So maybe trucks packed with these batteries can then take them. Or this technology allows them to then, without having to build huge infrastructure, deliver the technology to generate small amounts. But you just keep sent because again, there's so many. The closest.

Cristina: But they have teleportation.

Jack: Presumably all of this is taking place prior to that, obviously. Otherwise why would they need any of this if they could just send it there? Yeah, obviously this would have to. Obviously the batteries must predate the. The teleporter. Because how are you even gonna power a teleporter to begin with? That's a huge amount of energy required. You gotta bend space. Assume they had the energy to do that first and that it wasn't literal magic. So, yeah, they must have shared the energy locally, but then given them the tools to continue to have energy again. You could. With the batteries, you could generate electricity. Not a lot of electricity, but if you had a f*** ton of it. Which, again, the closer you get to the neck of the Persian Gulf oasis, the more we find. Which kind of fits the. Oh, over there, they don't need them. Over here they do. And in the middle, you'd see an average amount.

Cristina: Yes. Yeah.

Jack: Kind of works.

Cristina: Yes, it does.

Jack: That's beautiful. Except them working on these things was a small part of it. That's what takes us to the ancient staffs these people had. What all of them work. They're made with copper. They've got copper wiring and they can generate electricity themselves.

Cristina: They're holding these staffs.

Jack: Yes. You can use these to create electrical currents and to move electricity. These are the tools of people who work with electricity. Which, weirdly enough, happens to fit the very visuals that commoners painted of the Sun Gods, which was that the Sun Gods, particularly all had staffs reminiscent of these objects, which are coil. Coil induction systems.

Cristina: They look like wizards. I don't understand.

Jack: Yeah, it looks like wizards. And basically wizards is what you need to look like to work with electricity.

Cristina: Yes.

Jack: And to a normal.

Cristina: Electric powers.

Jack: Yeah. And to a normal person. So you have a hat to protect yourself, a really complicated hat that's diced, diverting anything from hitting you. Then you have a staff meant to generate and wield electricity. Then you and your elite group of people are working in this place where every night they can see the electricity that they can't see during the day. And it looks like a thunderstorm is continuously, always happening. It's like, oh, no, the wizards hang out over there. Those are the gods. Obviously, a normal human is going to look at this and be like, those are gods. They have to be. You have to be. There's something else. You're not gonna f*** with them. Those are gods.

Cristina: Mm.

Jack: But no, as you start painting, this picture starts to kind of reel it way in.

Cristina: And it's like, crazy thing, though.

Jack: It looks crazy, but when you ground it in, the fact that it's just a coil staff that allows direction and production of small amounts of energy. It's essentially an inverted version of the battery it allows them to. While the battery stores it. This doesn't store it. You could generate it and use it in a moment. You can't use a lot, but again, it powers things instantaneously. Perhaps if you're working inside pyramid and you got to repair something. This is an easy way to send electrical currents, test things out, go to people's houses, do something that allows them to cook their meal or something. I don't know. I don't know what this could possibly have been used for. But again, diving into Nikolai Tesla's awesomeness, he managed to completely understand the mechanical systems of each one of these details.

Cristina: He made his own.

Jack: Yes, well, he does. How he invented the coils that he used for a lot of these. Yeah, the copper coiling systems were invented by him and then used by George Washington. But yeah, so these are called dyad pillars, and the dyad pillars themselves are capacitors.

Cristina: But those are Egyptian's version or his versions.

Jack: These are Egyptians versions. And him explaining the systems and how they work. Because we got to see his versions as just normal coil systems.

Cristina: Oh, okay. The coils are what's based on these?

Jack: Yes. Everything we use to conduct and capture and transfer electricity at this moment to this day is identical to what you're looking at here.

Cristina: Okay.

Jack: Okay. So you can see right here how coils are essentially used in order to wrap electrical currents. This has a negative and a positive. And then you can see when we go to the same system, coiling, he can explain the detailing of how there's a negative and a positive system. There's an out and there's an in, equal to how our current systems have an out and an in. And then that negative positive charge allows with a two system to power and charge a battery, although it itself doesn't store, can create, generate and distribute it. And so this is essentially the same designs that they had, that you can send out electricity even if you can't store it within the device. So this, this staff must have predated the Baghdad battery. It was the first portable way to have electricity. And then the battery became the first way to not have to use the electricity when it's portable instantaneously, but rather deliver unused electricity.

Cristina: It's prob.

Jack: Like, yes, you could house way more. Yeah, yeah, yeah. In the battery. You could power a house. With the Baghdad battery, you can power a small house, an apartment. If you have a two, three bedroom apartment, that Baghdad battery can power that place for a day with one fill of water, so you can the next day fill it again. And have another day worth of electricity.

Cristina: And you think the staffs are just used around the pyramid.

Jack: The staffs are. It's unknown what they're used for, but the staffs are at least, bare minimum, a portable version that cannot store electricity. You can generate electricity on the spot, no matter where you are, but not a strong current. So it works for like if, let's say you attach a light bulb to the top of one of these, you can go. And now you have. Instead of needing a fire or a lantern that could. In a cave, this just fumes that you're inhaling. You just walk in with a staff that's essentially a flashlight. Okay, so now you've created a nice. You can go and have a stove outside that's electric and you just put this next to it and you could like have a barbecue if you want.

Cristina: that's interesting.

Jack: Yeah.

Cristina: Okay.

Jack: Presumably if you had cars, you could attach this to a car and allows you to power the car without having to store energy. And it would just be indefinite energy happening within the car. It would be consistent. And the moment you deactivate this, the car doesn't have any electricity. So it's just a really over. But you can't store it. But you can generate it on the spot, like the battery, except the battery can also store it. Now the battery creates very little electricity. You can't do a city, but you could do an apartment. You could power things with it.

Cristina: We still have the jars, though. But we don't have the staffs anymore.

Jack: We have all of the above. What do you mean?

Cristina: Oh, we do? Okay. I thought he was just basing the staffs on the pyramids or something.

Jack: No, he looked at the staffs and understood what their purposes were. Okay, yeah, all of the. Think I like, test like once they're personal. And he figured all of it out. Oh, all of this is just in places for us, you know. Now that's just batteries. Like I said. This is gonna get weird as we keep going. It's gonna get really complicated. So I'm gonna show you the next piece, and then I'm gonna tell you where it came from. That's more important than even what it is. So I want you to tell me what you think this nifty little object is. This is. Keep in mind, everything here is technology.

Cristina: That is technology. See, it looks like. Are you storing something in it?

Jack: Maybe? So to describe it to the. To the listeners, this basically looks like another jar. Really fancy, elegantly designed. It has dragon head sticking off of one side and what looks like frogs.

Cristina: Frogs, yeah.

Jack: Capturing whatever's falling.

Cristina: Water. No, it's not water.

Jack: It uses water to a degree, but itself isn't reliant on, like. It's not water about. It's not about water. Okay, so I'll get to it. Explaining the mechanical nature of it. This is a free hanging little wire. It's heavy. It's very, very heavy. It could barely be moved unless you're applying quite a lot of force. This jar goes on to a very stable surface, something that isn't gonna move.

Cristina: Mm.

Jack: And when there is a tiny, tiny, tiny. Because of the weight, when there's the tiniest, tiniest of vibrations, it shifts away from the vibration, which then forces in the direction of the vibration as the bars inside. At the top angle, you can see there's bars connected here at the top. When it moves one way, it releases a hinge on the mouth. All the mouths of the dragons have little pelts, pellets that are in there. And when the bar moves, the weight distribution. Opening the mouth, it falls. Now, it's almost imperceptibly tiny. Imperceptibly tiny that you standing in front of it can watch one fall and never have felt what it felt. It is an earthquake detection system. It is a seismic size. A seismoscope. And the seismoscope, it's very fancy. It's not just very fancy. It might be among one of the most accurate to have ever existed. And its original creation came to be in, like, well, recorded. Again, it's not so impressive. What it is. It's how it came to be. To allow me to tell you, Zhang Heng's seismoscope was created in 132 after the death of Jesus. Right. Very interesting. Very important information. Specifically with the fact that it was found and developed. Well, it was not found. It was created in China by this philosopher, Ching Heng. And so it's essentially the first earthquake detection system and quite sophisticated. Like today, we use electronics to recreate what this is doing with not a single bit of electricity, not one ounce of it. None of this matters until I frame the next sentence.

Cristina: Okay.

Jack: In his manuscript with the details, kind of like if you read Stephen King on writing. The first half of it is just as an explanation of his life, and then the second half is his instructions on what he believes. Good writing constitutes his manuscript explaining the construction of this device, which could be replicated right now. But we use electricity to be a little more efficient and get a little farther, by the way. It's super precise. It'll tell you exactly where something happened. Anyways, he claimed. This is so specific. He claims the original concept that he later perfected was brought to his. To the attention of his grandfather by a Persian man on his way to Japan. A Persian man on his way to Japan was already working on this concept. A traveler coming through. And his. He interacted with his grandfather at some point, and it seems that maybe for a year, two years, or whatever the case might be.

Cristina: He said this is after Jesus.

Jack: Yeah, He. The creation of this was created after Jesus. Yes.

Cristina: How many years?

Jack: 132 after death. This is 132 years later. Okay, follow the sentence again. It was brought to his grandfather's attention by a traveling Persian man on his way to Japan.

Cristina: Mm, sounds like Jesus.

Jack: Sounds like Jesus. Very specifically, sounds like Jesus. But the man hadn't figured this out. The man and his grandfather. Again, he perfected it. The technology was. It came to exist by this man, by Zheng Heng, not his grandfather or the guy. They just came with the ideas that he ultimately perfected when he really looked into it and studied it.

Cristina: Yeah. This architecture or whatever was just interested in that for some reason. I don't know why, but interesting.

Jack: Really advanced tech just happened to cruise on by. Interesting, Interesting. Very specifically. Sounds like Jesus.

Cristina: Yes. You said, like, the place was going to be important. I didn't understand.

Jack: Yeah, no, none of this matters. This is a useless piece of device. Because again, it's just really clever design, but we can understand how it works. It's not astounding. It's the fact that you kind of figured this out way long ago, but he wrote it all down. It's like, oh, wow, you were impressively ahead of your time. But no, he wasn't. Somebody else apparently was just so happens.

Cristina: To be in this area where everything is happening. Okay.

Jack: Yes, yes. Now this gets a little more interesting.

Cristina: What?

Jack: Because I'm gonna show you just something very fancy. Very fancy. What do you see here?

Cristina: Drains.

Jack: Looks like drains, right?

Cristina: Yeah.

Jack: Some sort of a pipe system.

Cristina: Yes.

Jack: Nifty. You can see it's layered. There are multiple lining up. Why would there be more than one? Who knows? But there's more than one.

Cristina: There's a lot of them. Yes.

Jack: This is another instance of, obviously we know what it is, and it's not surprising what it is.

Cristina: It's where it is.

Jack: No, no. I guess, time wise, it's when it.

Cristina: Is what it is. Okay.

Jack: This is the most important win of all the wins by miles. We're not gonna come across A more important when than this when? Because right now we're talking about something that we shouldn't have access to.

Cristina: Melons. No, not too crazy.

Jack: The. The earliest possible date for the Baigong pipes is estimated to be about 150,000 years ago.

Cristina: That's hard to imagine the picture.

Jack: 100,000, 150,000 years ago.

Cristina: Where's that location now?

Jack: These metal pipes were in China. Some contain copper cylinders inside. Others are hollow and move water. Designs nearly identical to the ones found around the palace of Alcaraz at the Persian Gulf Oasis that have been dated to more recent times, about 5,000 to 6,000 BC. These pipes in China are about the earliest 150,000 BC. We are talking such a colossal difference. It is possible. It is absolute. We don't know where Eloi was when he was contacted. We don't know where his civilization was. It is absolutely possible. We just found out the origin location of the Elysians. And the Elysians, at least if we trace it to Eloi. Take us to China. Ooh. We've been looking in wrong places because we were looking at the only places we could see anything. But if we want to find things about Eloi. Might be in China, it might be in China. The Elysians are descendants of some crap that came from China. According to this, which is structures exclusively found at the Persian Gulf oasis, these pipe systems are only found in China and in the Persian Gulf Oasis in this particular design.

Cristina: Okay, and these are older.

Jack: These are significantly older. These are about 140,000 years older. What? This points us where to look. Yes, that is useful.

Cristina: What is happening there? What was happening there?

Jack: I think we just got our first, after maybe a year, maybe longer, our first look into where we can start to actually try to find LOI accounts, not passive mentions that pop out of a scripture. And then we have to bounce off of a single drawing and like sort of kind of loosely connect. No structures that maybe he most likely was around or directly responsible for creating. Interesting, huh?

Cristina: Yes. Is there more really ancient things like that?

Jack: No, that is, like I said, that is the most important.

Cristina: Oh, okay.

Jack: As the oldest, that is the only thing that old we have ever found that completely throws into question any narrative about when society began. But again, we know humans began about a hundred and thousand years ago. And then about 150,000 years ago we had like truly advanced stuff. Not advanced, like scientific, but like things that say, oh, these creatures are gonna be something.

Cristina: Those pipes are ridiculous.

Jack: Yeah, yeah, yeah, yeah. This totally defies anything would have understood this was not possible for humans. It could not because we were not. We didn't exist yet.

Cristina: Yes, we couldn't have.

Jack: We couldn't exist yet. Interesting. Right. So this next one doesn't even have an image because it's more of a style of metal. But it's fascinating exactly what it is. It's called the Damascus steel, which is a medieval Middle Eastern type of steel which had exceptional strength and the production secrets of which have been lost. So it's. It cannot be replicated. We have the metals and we cannot replicate how this was made. We. It must have gone through so many different. And it's exceptionally strong.

Cristina: Okay.

Jack: Some really exaggerated thing. We've gotten close and imitated it in other ways. But Damascus steel is something we cannot replicate perfectly. We just get close and we make our own variant.

Cristina: And how old are these?

Jack: Unknown. Oh, it's unknown because the way of the methods and the data for it doesn't exist.

Cristina: We just have the location then.

Jack: Well, this takes us back to the same place. This was in Iran, back in the Persian Gulf. That's the same s*** over and over. So it's unknown how to replicate the steel. And it's assumed it one it has. It contains many different metals and it must have gone through several cooling and heating processes over and over and over in order to create the level of strength that it is. On top of mixing these in the right amount in order to create some almost indestructible level of metal, it was primarily used. And this is very interesting. It shows up in swords a lot. And as the metal seems to be the strongest variant of any metal. When you see movies about a sword breaking another sword, that's what they're referring to. This unbreakable steel that cannot be unsharpened. It stays equally sharp forever. You throw a feather up in the air and you can slice it clean. That kind of crap.

Cristina: Cool.

Jack: And this is that. Now the earliest signs of this metal show up in Iran. The most recent signs of this metal show up in India. This is valuable information for specifically one reason. The Indian versions of these seem to have different rune designs on the blades, while the original Iranian versions just had text written on them. This suggests that a lot of the forgers of the magic weapons came from India and that when we're talking about the Excalibur, a man had to travel to where it was improved, which was India, which was given to extra something. And now considering what a rune might really be on this exceptionally hard piece of metal, if we remember our narrative has Shifted. A rune is some sort of data. It's a symbol with data. And this is an exceptionally hard piece of metal. You've mixed a unique sort of reality bending series of information, and you've brought the exceptionally invincible version of the code, and then you put them together. You can't destroy it, but you can rip through anything that you shouldn't.

Cristina: Like fairies, though.

Jack: Like fairies. A rune, presumably, is a code. And just like Yalda managed to use things, codes, the philosopher's son must be some kind of compressed information that allows you to interact with things you shouldn't. This seems to be right up that alley.

Cristina: Yes.

Jack: With the people making it being the Indians. The same people who used to take a crazy trip to Mount Cough. Why did they need Mount Kaf? Why did they know about mine Cough? Maybe some individuals were actually in cahoots and somehow buried it. Because again, we looked at the wrong thing. When we were looking at the Indians, we were wondering if they had rituals for blood. And then we stopped looking, and then they just kind of came up a couple of times with Shiva and things like that. But again, we didn't. It didn't dawn on us that way. You're coming up more than once, and now they come up again, specifically with what's probably the Fragrach's origin, the Excalibur's origin, Kildania's bows origin, every fairy killing weapon. It seems like fairy killing weapons were probably not even made by fairies, but by people who understand the code well enough.

Cristina: Okay.

Jack: This one isn't about how long ago it was. This one is about where and how it was.

Jack: Two locations we've sort of ignored now prominently important.

Cristina: India and China.

Jack: Mm.

Cristina: I want to know more about China, but if we can find anything else on India, that's pretty cool.

Jack: Yeah. There is a piece of glass that is older than 3,000 years old. It has three inscribed lines on it, and it seems to be a part of a telescope.

Cristina: How old is this glass?

Jack: I just said over 3000 years old. That's where I began.

Cristina: Oh, 3000.

Jack: It's over 3000 years old and it's part of a. It seems to be part of a telescope. And based on the inscriptions that it's lines dividing it, it seems to have been designed with the intent of, again, lining up with other glass. The magnification of this one is times three. And if you were to add different, presumably different levels of magnification to it, you would have quite a long distance to look.

Cristina: And that is what they found.

Jack: This is. Yes, it Is exceptionally old.

Cristina: We're looking in the sky.

Jack: Far, far in the sky.

Cristina: So long ago.

Jack: Yeah. This one basic. But deducing what the inscriptions on it mean, the angle of the lines and where you'd want. Essentially the idea would be that all three gaps here are to line up with different. Because again, they're different widths. So you could adjust this lens according. And presumably the other lenses were also divided in such ways that they each had more and more magnification. All three of these sides have different magnification starting at 3, 6 and 9.

Cristina: How do you do that?

Jack: It's just different widths and how you warp the glass. It's kind of like if you have a bottle of water and you fill it up and then it warps kind of the image. Or if you're looking at somebody half in water, half out, and their body's all shaped weird, it's because they're either being magn to be wider or being magnified to be really skinny based on the shape of the glass. That's how magnification works. You bend glass. So this presumably is part of a bigger structure with a lot of other pieces of glass. Bare minimum three, that must also have similar inscriptions on them to create crazy magnification. That could in theory see quite far with no electricity. Probably significantly farther than we can see now.

Cristina: That's amazing. I wish you can see what it actually looked like.

Jack: Yes, that would be quite useful. And then that takes us into the very next thing. The astroloop. An intricate device used by ancient astronomers to navigate. Now, what's complicated about this tool is it doesn't just suggest navigating oceans. And that's the big weird. Like. Like. Did we find the thing?

Cristina: What?

Jack: Yeah. It's very elaborate. It kind of looks like a clock for the listeners. Kind of looks like a really intricate watch. Has many different layers.

Cristina: Very fancy orange watch. Or not watch. What's that thing called that you use to travel?

Jack: What, a map? A compass.

Cristina: A compass, yeah.

Jack: So. So what's complicated about this is that all the layers separately create a 3D navigation system. You can angle this and look in any direction and it will create three dimensional lines that you can travel. Why would you need to. How would you travel three dimensional lines of gravity? This was created by the Egyptians.

Cristina: Oh.

Jack: Why would you need to travel in three dimensional space? How?

Cristina: How?

Jack: Gravity pulls us down. So we're always walking on a flat plane. Even if you got an airplane, you wouldn't need this because you'd still be watching the world from A flat angle. As you're flying, you just need to know what's ahead or to your sides. You don't need to know what's up or down because there's nothing up with you.

Cristina: So this is to be used in space.

Jack: This is to be used in space. Which then brings into question the piece of glass we just saw, which was located in Iran, where the neck of the Persian Gulf oasis is.

Cristina: They were probably watching the things in the sky that were traveling. Well, the Egyptians, not even things.

Jack: It was people, they were watching people. This is a giant, really comprehensive. Once you get into the tech we have, a lot of this s*** just becomes obvious. And if you see how the lines overlap, you get a really comprehensive three dimensional layout. It's the same image over and over so that you can twist different caps, thus creating different angles that are only existent in three dimensions.

Cristina: What they were space traveling. They had to be.

Jack: They had to be. Had to be too advanced. Absolutely too advanced. And then this takes us to the last bit, which, which is. This is so complicated. I don't understand how the f*** any of this happens. As you know, we had those pipes and those pipes were very, very old.

Cristina: That's itself is pretty complicated, but okay.

Jack: Yeah, yeah, yeah, yeah, yeah. So the system with the pipes, as ancient as it was, later led to something a little more useful. Right. Directly following those systems, enter the Casabet Kanat, which is the oldest and largest Kanat, which is essentially a water system. And it's engineered to sustain life, to provide water and cooling systems without ever using an ounce of electricity.

Cristina: What is this?

Jack: A water system?

Cristina: Water system. Okay.

Jack: The thing about this is it's scattered specifically around Persia, like everything else. And the most recent possible date is about 800 BC. And the oldest possible of these is being 5 to about 5000 years of age. And they were extremely developed, which suggests that they are part of a comprehensive system that has been worked on for a very long time. As you get farther away from the Persian Gulf oasis, you come across these systems, but all in Persia, which means, well, we already established our own and they work efficiently, but as we keep going, we've gotten better and better. Every time we do it, it's better and more efficient. Every time we do it, it's better and more efficient.

Cristina: So what are these for, though?

Jack: Water.

Cristina: Just to have water to drink water?

Jack: Yes. It would move water into homes and you wouldn't need electricity.

Cristina: Oh, okay.

Jack: You would have working faucets, you would have working showers. You would have.

Cristina: That is too complicated.

Jack: Yeah. And it Requires nothing but gravity. Gravity is making all this happen. They're using the down current, then forcing it into an up current. Not only that, this eventually got exploited into something even more complicated than then allows for the same system with nothing but air in order to create cooling systems inside the house and be able to send hot air into the house during the cool season.

Cristina: What?

Jack: No electricity required?

Cristina: And that's as old?

Jack: This is about as old. It seems that these two systems were created in tandem. Highly advanced, super sophisticated, and doesn't require any, Any, Any electricity to power. This proves everything right now is a scam just so that people can charge you for s***.

Cristina: Okay.

Jack: These systems exist and can be made efficiently. More efficiently than a power grid.

Cristina: Mm.

Jack: This is cheaper to make than a power grid for a single house. Your house could be designed in this format. Have nothing, no electricity. And this means literally, Literally, literally. You would have nobody sending you electricity, nobody sending you water. And simply with some nice angular things, you would have the pressure necessary to have water anywhere in your house. And you would have a central cooling and heating system that is just the opposite of what it is outside at any given moment.

Cristina: That's way more perfect than what we're doing now.

Jack: Yes.

Cristina: We have to pay somebody.

Jack: Yeah, 100%. This requires nothing.

Cristina: It just happened.

Jack: Self powered. The universe does it for you.

Cristina: Why don't we live in that?

Jack: Because we got to charge people for stuff in order for people to make money.

Cristina: It's crazy.

Jack: Yeah. This is way more efficient. Every house with this would essentially destroy the need for AC and the need for heaters.

Cristina: Trash.

Jack: Yep. And these are. We can find these in existing structures, but we don't continue to build them because it's inefficient. We can't make money from it.

Cristina: Oh yeah. Okay.

Jack: No, it's definitely more efficient. We just can't make money from. We can't charge somebody if we can't calculate it. And we're looking for ways to charge people.

Cristina: That is sad. But that is. That's real. That's real.

Jack: Yes. All of these.

Cristina: A lot of it looks like sci fi.

Jack: Yes. But all of it is real. All of it exists somewhere. We can go look at it in person. We could just touch it. It's there. Weird.

Cristina: Yes. The past was living in a sci fi world that we don't even. We're like trying to figure out right now.

Jack: And we are like, no, it was aliens, because they couldn't have been smarter than us. And it's like, shut up, man. Like, be quiet.

Cristina: You have no Idea.

Jack: You don't know crap. You just want to be the pinnacle. And you're not. And that s*** makes you feel weird. I don't know why.

Cristina: It was getting close.

Jack: Tesla got there.

Cristina: Yeah.

Jack: Then Washington bought his pan and was like, f*** that. I can't make money off of this. The white man. I know it was one white man with another white man. Whatever, Was a good white man. And then the greedy dollar wanting white man, whatever the case may be. Anyways. Anyways. So this is essentially what I wanted to discuss before. I was gonna focus on the more important of these, which were obviously the pipe systems, the heating systems, and the weapon systems. Gonna focus on China and gonna focus on India. But because I couldn't fit that. Now we had an entire episode of all the tech I found.

Cristina: Okay.

Jack: Of which all of it is impressive. It wouldn't have fit into the one episode. Maybe eventually I would have addressed it again, but here we are. That episode was too big. And this is now a whole episode based on this. So the ancient technologies, relics, and structures that are way more advanced, and we can go prove by just walking there and looking at it. It.

Cristina: That's crazy. And they're also. They're ancients.

Jack: Nothing on that list is younger than starting at a thousand years ago. Nothing. And the oldest being. Yeah, no, it's weird that Jesus just casually cruised through somewhere and gave somebody a way to detect earthquakes. What the. But, yeah. Marked with some dude's granddad. So, yeah, that's where we are. If you guys just go. Go look at all this stuff, bro. Type in the names. I don't mention all the names. Just find it as you go along. You figure it out. It's all there. All of it. You can find us to talk to us about these things, tell us your ideas and whatnot on all the socials. That's just Convopod on TikTok, on X, on Instagram, on Facebook.

Cristina: Remember to subscribe, rate, and review the show.

Jack: Yes. And word of mouth is the most overpowered, exaggerated thing that has ever existed under the sun. You can tell people, hey, look, you're paying way electricity than you should if your electricity bill is exceptionally high, especially when the winter comes because you're either powering a little electric heater or because your gas system is going a little harder because you're trying to warm your house up. And you, for whatever reason, don't live in Korea, where they figured it out and put the heating pipes underneath the floors, which is obviously the way to go. But Americans are stupid, so they didn't do that.

Cristina: But it's too much anyway. Like, even if it was a dollar, that's too much.

Jack: Yeah. Any money when free is the comparison.

Cristina: Yes.

Jack: You can lower your bill to zero if you just install this actually significantly cheaper system that would only require you to cut some holes out here and there. That's it. You would just need, at best, a tool to make a wide enough hole. And the hole doesn't even really have to be that wide because the consistency of air would do it. They rely on the fact that air exists at all times and not just when you hit a button. So it would just because we can't charge people. So, yeah, you're paying too much for heat and you're paying too much for electricity. And like, at the end of the day, even if the Koreans learned how to warm their house properly by putting the heating directly underneath, they're paying. Like, that's too much, bro. You're paying. That's more than you should.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: It foreign.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 238: The Blood Libel

Who performs the Blood Libel? What does it mean? What is the Significance of the Child Eater Fountain? The duo becomes aware of the Child Eater Fountain in Switzerland, a statue of unknown origin depicting a child eating demon. The investigation into the origins of this statue opens up some interesting doors not before known of and perhaps provides insight into another civilization with highly advanced technologies.

Rambling 238: The Blood Libel

+Episode Details

Topics Discussed

  • Child Eater Fountain
  • Ritual Murder
  • The Blood Libel
  • Matzos
  • Adrenalized Flesh
  • The Power of Matzo
  • Rabbi Judah
  • The Voice of God
  • Dragging Spirits from the Shadow Realm
  • Creature from the Shadow Realm
  • Teleportation Between Realms
  • Josef the Golem
  • Three Robed Men
  • Six Mysterious Boxes

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And today, in continuation to this infinite seeming rabbit hole that we keep falling down.

Cristina: There's more.

Jack: There's more. So no need for a recap. Every episode has frequent recap. Just go listen to the beginning of a different episode and then come back.

Cristina: We'll probably recap it somewhere in this episode.

Jack: Yeah, there's gonna be discussion trying to refine our ideas as we move forward with the information that I have uncovered. But let us begin in Switzerland.

Cristina: What's there?

Jack: Switzerland has a statue. A statue of some sort of creature eating children.

Cristina: It's not a person, it's a creature.

Jack: It's some sort of a creature eating children.

Cristina: Is there a story to it? Like is it from a child story or something?

Jack: Well, people who stare at it and don't do any research on it just believe it's Krumpus. Oh, eating kids.

Cristina: Okay.

Jack: Also, what is Krumpus? If Krampus eats children, that kind of falls in line with a lot of things, but story for a different day.

Cristina: Yes.

Jack: Right. So I thought that it's interesting that there's a statue of a creature eating children that you know, probably something we should be looking at considering of everything we talk about. It's not Krampus. It's definitely not Krumpus.

Cristina: Okay.

Jack: Otherwise I would start there.

Cristina: Okay.

Jack: But it's not. It's a creature eating children. Which then tells us we should look at it because it probably connects to the bigger picture.

Cristina: Yeah. What does it look like?

Jack: It looks like some sort of a demon. So this statue of some sort of.

Cristina: A thing reminds me of those things in the Christmas time that you put the nuts in.

Jack: A nutcracker.

Cristina: A nutcracker.

Jack: It's definitely not a nutcracker.

Cristina: Okay.

Jack: But the colors are very Christmassy, which made people think related to Santa Crumpus Krampus has Christmasy Christmas colors. So this demon statue is called Kindle Frisserbrunnen. The Kindle Frisserbrunnen. It is Swiss German. A Swiss German word. It doesn't mean anything. It means child eater fountain.

Cristina: Oh, very strange. Okay.

Jack: Yeah. So as you look at the Kindle Frisser Brennan, you notice a couple of interesting details. One is that reddish, very Santa Claus robe.

Cristina: It has funny looking hat.

Jack: It's eating A child. It has an interesting hat. It's eating one child, and it has a bag of more children with more children.

Cristina: Fits the whole, like, Christmasy theme. That has a bag.

Jack: Yes, yes. Not only that, we had a saint with children in barrels.

Cristina: Santa Claus.

Jack: Exactly. So there's. There's. There's consistency here.

Cristina: Okay.

Jack: So it's easy to see why people would think Krampus. It's Krampus.

Cristina: Yeah, I see.

Jack: It's absolutely easy to see that it's.

Cristina: Like Santa Claus eating children.

Jack: So details about it. It's eating one child, and it has a bag on its side to its left with other children in the bag. Yep. Interesting detail about this is, as you pointed out, the hat.

Cristina: What type of hat is that?

Jack: That hat is a nightmare to track down, but it's a very specific hat, really. So the only thing giving us any clues about what this is is that hat. Everything else here is telling us what somebody wearing that hat would do, but the hat is telling us who. Fascinating. So I had to go down quite the complicated rabbit hole in order to find what hat looks exactly like that.

Cristina: I really want to know. I'm curious.

Jack: And there are many, many, many, many, many hats throughout the world.

Cristina: We're gonna find out. It's like the Pope's hat or something.

Jack: Many religious hats throughout the world. And that specific hat is called a Juden hut.

Cristina: Okay.

Jack: The Juden hut that this demon is wearing is the traditional Jewish cap.

Cristina: That's so horrible. Okay.

Jack: Details surrounding this statue.

Cristina: It's racist.

Jack: It was founded, it was funded by an unknown contributor. They don't know who paid for this statue. It was there to replace the original old fountain that was there. It was just a withered, regular, basic fountain, and they replaced it with this. They don't know who paid to have it, and they don't know who provided the blueprints for the statue.

Cristina: And people were just like, okay, this is an interesting statue. Let's keep it.

Jack: It was free.

Cristina: Like,

Jack: The statue is representing something very, very, very specific, which, like, the hat is a freaking nightmare to track down. But as a researcher, I tracked it down. What we're witnessing being performed is called the blood labelle.

Cristina: Okay.

Jack: The blood label is ritual murder.

Cristina: And who's doing these rituals? It's the Jews.

Jack: The Jews. That's why it's a Jewish hat.

Cristina: Okay.

Jack: It's a Jewish demon eating children. So it's a blood ritual performed by the Jewish community. What does the ritual entail? Well, the blood ritual is done to extract blood from young children to Use in as the prime ingredient in a matzo.

Cristina: What is that?

Jack: This is gonna blow your freaking mind. A matzo is a flatbread. It's a flatbread which is eaten during Passover. Wait, let's think about this real quick. There's another Jew famous for trying to get you to eat some bread and claiming that it is something flesh.

Cristina: Oh, my gosh. He was feeding people children blood. Oh, man. We knew he was into blood, but. Whoa, Whoa. Jesus.

Jack: Interesting.

Cristina: Whoa. What was he doing? What was he. He was making cults like.

Jack: And he is already a person with magical abilities due to his nature of being created essentially as a. As a science experiment. So he has these special abilities and his culture already has this thing about blood.

Cristina: He needs them to drink his blood, not his blood. He needs his followers to drink blood to get. Be connected to him.

Jack: His blood is very different than the blood from this. But in general, they will all have abilities relative because it's all adrenochrome, whether it be nectar, ambrosia or icha.

Cristina: Yeah. He didn't even have to use his own blood, though he could. He was probably using children blood.

Jack: His blood was for his disciples.

Cristina: Okay.

Jack: But he had blood for others.

Cristina: I see.

Jack: That's why his disciples these days, who has abilities? Nobody has abilities. But in those days, anybody related to him in any manner, shape or form had abilities. Yeah, that tells us a lot. People getting his blood had special, special abilities. Not just immortality. Not just youth. Not just moving over to the shadow realm. We're talking performing what we have grown to label miracles. Meanwhile, random other people just get the immortal life and the youth and the this and the that. The normal stuff, the vampiric nature of it. There you go. They become vampires. No crazy extra abilities, just vampires.

Cristina: That is so crazy. And what from this hat?

Jack: Yeah, yeah. Details about this ritual that became very interesting very quickly. In order to extract the blood from these children, a decapitation is performed and they are placed on an anti cross the way you would place a chicken on a string hanging after you cut its head so it would bleed out.

Cristina: Okay.

Jack: It was a crucifixion every time.

Cristina: Okay.

Jack: And they specifically said that the suffering enhances the flavor and purity of the matzo.

Cristina: What?

Jack: Very adrenochrome.

Cristina: Yes. Is there an explanation of why they were eating these masks? Like, did they have.

Jack: Yes, we would get there.

Cristina: Oh, okay.

Jack: That is the point of this. So the matzah. The eating of the matzah began upon the Jewish exodus from Egypt, with the logic behind it being that it Symbolizes freedom from the constraints of the rule of Egyptians and very specifically their unholy technologies against, and I quote, the voice of God.

Cristina: Technology against the Egyptians. Technology.

Jack: Yes. These unpure advancements that the voice of our God has told us is bad.

Cristina: Whoa.

Jack: We know they're listening to something and I think we know who it has to be. Jehovah of dark. Because that's the guy beforehand, that's the guy that has an issue with a lot of this. Because Jehovah of light is the one making these technologies.

Jack: Interesting.

Cristina: Interesting. Egyptians technology. Okay. Whoa.

Jack: So fascinating. Okay. In ancient. This is real specific. Everything I just got is from a combination of biblical texts and personal accounts. Now, everything I'm about to explain right now has been expunged from current day texts, but can be found in certain texts. The parts that are not just firsthand accounts and the parts that are first hand accounts are not in biblical text. These are by people.

Cristina: By people around that time?

Jack: Yes.

Cristina: Okay.

Jack: So matzos were consumed. The blood of those who consumed it was poured over an inanimate mud and CLAY Golem giant, 15 to 20ft in size. So let me repeat this.

Cristina: Yes. That makes no sense.

Jack: The blood of the people who consumed the matzos was then poured over a mud and clay sculpture of a golem giant that was about 15 to 20ft in size.

Cristina: The people eating these things, the people.

Jack: Who eat the matzo, those people would then pour their blood onto a clay sculpture.

Cristina: Okay.

Jack: Of a golem, very giant golem, about 15, 20ft in size.

Cristina: Why?

Jack: Yeah. The first of which was named Joseph of Prague.

Cristina: The person or the golem?

Jack: The golem.

Cristina: These things became alive or something.

Jack: Well, let us discuss the activity before we move forward.

Cristina: Okay.

Jack: The people who consume the matzo pour their blood over the golem.

Cristina: And this golem is just a thing.

Jack: Made out of mud, clay and mud.

Cristina: Okay.

Jack: The people who consume the matzo. We've only heard about this another time. Do you know what we're talking about?

Cristina: No.

Jack: It's ichor.

Cristina: Oh.

Jack: They consumed a food of adrenochrome and then their body distilled.

Cristina: Okay.

Jack: Now they use the ichor and give that to the sculpture.

Cristina: Okay.

Jack: Fascinating.

Cristina: That is it.

Jack: Ichor, as we know, has the capacity to straight out kill a mortal. It's potent.

Cristina: Potent, but not to these. Well, I don't even know what's happening.

Jack: Well, let us move forward. The blood would then bring life to the sculpture. Very important quote.

Cristina: This is kind of insane.

Jack: Very important quote. This part is in texts that are no longer in current day scripture.

Cristina: Yes, but they're like talking.

Jack: Listen, that what I'm about to tell you is in scripture that is no longer in current day scripture. The blood would then bring to life the sculpture, and I quote, dragging souls into it from a realm unknown.

Cristina: Oh, probably the shadow realm.

Jack: That's what I'm thinking.

Cristina: That's how they're coming through here. Instead of using, like, gates or whatever. I mean, I guess this is before Jesus was making gates.

Jack: This is before Jesus was making gates.

Cristina: They're using golems. Okay, this is crazy. This is crazy that they caused whatever Egypt was doing. Advanced evil technology.

Jack: Well, they were being told it's evil technology.

Cristina: Yes. And then they're calling this normal technology. I don't understand.

Jack: And then they're. They're figuring how to do these things from the voice of God that they can only hear because they've consumed adrenochrome.

Cristina: What are they using these gums or did they explain it?

Jack: Like we're gonna get there?

Cristina: Okay.

Jack: As it stands, it looks like they're pulling somehow using ichor. They're somehow dragging things from the shadow realm. That's absolute madness. So as opposed to creatures from the shadow realm coming willingly, depending on fear on this end, or people consuming adrenochrome things and moving over when they die to the shadow realm, we have an actual account for the first time of forcefully bringing something from the shadow realm over.

Cristina: That's pretty crazy.

Jack: Almost like a summoning of a demon of sorts. Which then makes me wonder if all the other accounts of summoning demons, when we have these pentagrams on the ground and we do these little rituals and we pour some blood on the thing isn't essentially doing exactly the same thing. It's a way of dragging things from the shadow realm forcefully. It seems like earthrealm and the shadow realm are so entangled in a sort.

Cristina: Of way that is very strange how we do summon things. Our people do try to summon things from over there. What if you get more control over the thing by giving it a body? I don't get it.

Jack: Interesting, right? Yeah, because this is what we don't have, people summoning anything. As far as we know. We haven't seen them summon anything. We've seen them go through to the other side, usually after death. Or we've got Mount Kaf that allows them to cross over. We have the Jesus Gates that allows them to come through from the other side. We have Soma, which allows them to cross over after death. Presumably just like adrenochrome There are ways, there are methods. Unicorn blood allows you to again accomplish the same thing. The fruits allows you to. The fruit of flesh allows you to do the same exact thing. But it seems after you die, you cross over. Now we have people in earthrealm just somehow bringing these, bringing the things back. Why was this more hidden than anything else we found?

Cristina: Because it sounds crazy. Yeah.

Jack: Why was this harder to find? Why are they suppressing the fact that we could bring. I guess it would be a horrible problem if we started bringing. Should have from over there. Over.

Cristina: Yes.

Jack: It's less problematic if we just die.

Cristina: Their job, though, they bring things into people and then they get rid of those things to scare people. At least the church does that. They do bring demons into people's bodies.

Jack: Yes. And then they catch demon out of exorcism. But the question is, are they bringing the demons into these bodies? For sure, we know that they're making things, which follows what the sea people do. We know Catholicism is basically a sect of the sea people controlling the Christian ideology that spun out of control, but without counting the things that are happening that they're making. Because it's just in their nature to make things and work with science and the occult or whatever.

Cristina: Yeah.

Jack: Outside of that. Is a possession from a little girl in some random abandoned village their fault? Or is that just some s*** that went down and we're watching shadow realm creatures get trapped inside physical things. And then because the sea people are very aware, they have these priests and they're like, okay, use what we know and go get rid of it.

Cristina: It could be.

Jack: I think those are two different things. I think monsters and creatures are them making s*** that gets out of control. And I think these possessions are shadow realm creatures.

Cristina: Okay.

Jack: Getting trapped inside physical beings. I think based on this, we have made a distinction.

Cristina: Yes, I see.

Jack: Because they do go out of their way to get rid of the things that they let escape. I don't think they're making them in order to increase faith. I think there's just too much going on and s*** just gets out of control once in a while.

Cristina: Yeah.

Jack: And then they go solve the problem.

Cristina: And yeah, they have the power to do the power.

Jack: They're not scared. But then a demon gets trapped, quote, demon unquote, gets trapped inside of a body. What is that? That's a f****** gin. Trapped inside a mortal body. And so go get rid of it.

Cristina: Yeah.

Jack: Just happens casually, somebody particularly scared. Something horrible happens. Usually something horrible happens leading to this.

Cristina: Those are, yeah, very random. Not like this golem Thing where you're actually.

Jack: Well, that's the other side of this. People make rituals. They do diabolical. Well, quote, diabolical things, unquote. And then they get possessed because they bring a demon from the other side. Where's the other side? It's probably the shadow realm.

Cristina: Yes.

Jack: And then you bring this thing and boom, trapped it inside you. Now you're thinking it was gonna help you. No, I just wanted to be over here.

Jack: Interesting.

Cristina: Interesting. Yes.

Jack: What Interesting.

Cristina: The whole golem thing is weird, though. They're just having. But like. Okay, so they pour it on the golem, and then the golem, they want it to come alive or actually comes alive.

Jack: So this ritual is performed every seven years to erect a new golem. And interesting. Usually we come across the Egyptians and the Mayan. In this case, the Greek and the Egyptian, both in different texts, say that they've had their children taken and sacrificed by the Jewish communities for these purposes.

Cristina: For these golems.

Jack: For these golems.

Cristina: What?

Jack: Interesting.

Cristina: Why?

Jack: These are two communities that don't agree.

Cristina: Okay.

Jack: The Egyptian side with the sea people, the creek don't. They're under their thumb.

Cristina: Yeah. They're just trading with them pretty much.

Jack: They're like, we have the obligation to deal with you guys, but we don't like you guys. But then they all agree on this one thing. The Jews are stealing our children and making golems with their f****** blood.

Cristina: That's what they say. Oh, my gosh.

Jack: I found that in both.

Cristina: What?

Jack: So using old Jewish testimonies and accounts, a rabbi named Judah, known as the Maharal, is the guy who made Joseph the golem, the first of them.

Cristina: Okay, what was it for?

Jack: The golem had the ability to make himself invisible. Interesting enough. I don't know what use this is. Just some details. The ability. This is the most freaking important part about this golem's abilities. It had the ability to bring spirits from the dead or a realm unknown.

Cristina: A realm unknown. Okay. What?

Jack: The golem can bring creatures from elsewhere. Now, would you like to know what these are like?

Cristina: Yes.

Jack: Because there's three very different statements.

Cristina: But are those the whole powers. That's it.

Jack: It's just really big, really strong, the usual you'd expect from a golem. And then the special abilities of it can go invisible, and it could bring spirits from the dead or a realm unknown. Okay, now I say dead or realm unknown. The things we find consistently say one or the other, not both. It doesn't say both the dead and a realm unknown.

Cristina: Okay.

Jack: It's like sometimes it's the dead, sometimes it's a realm unknown. Okay, now the spirits. I was like, huh? Huh? Was this some revisiting of some old. Here. The spirits of wild beasts. So it differentiates wild beasts from wolves and monsters. Wild beasts, wolves and monsters. Two kinds of wolves we're familiar with. That come from the Shadow Realm?

Cristina: Yes.

Jack: Yeah. These are the. The spirits that the golem brings. While the golem is doing its thing, it's surrounded by these twisted, contorted spirits from the other place. Okay, the Shadow Realm.

Cristina: Yes.

Jack: Interesting.

Cristina: That is interesting. Do they have control of these things?

Jack: I don't know if they have control of them. I just know they could bring them. Chances are there's some. Something about this golem radiates enough fear to manifest these things that rely entirely on fear to come through. I don't know. It doesn't. It's like it doesn't need fear to summon these things that we formerly thought could only come through with fear.

Cristina: Yeah, they're their own type of portal.

Jack: Yes, they. Exactly. The golem itself is an interesting kind of portal of sorts that brings or allows things from the Shadow Realm through.

Cristina: And some of the scariest things, the.

Jack: Scariest, most f***** s***. A windingo, a wetchudge. I don't even care what the f***. The. Well, werewolf is from this side. It's from Earth.

Cristina: Oh, okay.

Jack: That's just the wolf. The adrenochrome. That's already only over here. Yeah, but when Dingo and a wetchudge. That's a f****** nightmare happening. I don't even care what they mean by monsters or what they mean by beasts. You don't get more f***** than a Windingo and a wet judge. The spirit of wolves. Get the f*** out of here. Yeah, that's a problem. So you got this giant golem 15 to 20ft. It could just phase away in front of you. But here's my. Here's my theory about this. What? It could just go invisible? That doesn't check out. That doesn't make sense.

Cristina: What, that a mud thing moves around and can turn it.

Jack: Well, no, let's be clear about what I'm talking about. Things are phasing in from the Shadow Realm.

Cristina: So it's phasing out into the Shadow Realm.

Jack: Into the Shadow Realm. I think they have the way to and from.

Cristina: Yes, that makes sense. That's how it's bringing them.

Jack: That's how it's bringing them.

Cristina: Okay.

Jack: Yeah, they have a way to and from. We have not found this before. We found ways over there. And Jesus has the portals from over there. Fear usually brings you through.

Cristina: Okay. It's a video game. There's a video game where you go into space and weird stuff happens. But anyway, in this video game, outer world, you go on a rock and it disappears. And wherever it disappears to, you disappear too. Like, is this mud creature like that rock?

Jack: Why would it be like that rock? I don't understand.

Cristina: Like, it has whatever that. That thing is based on real science. That rock?

Jack: Yeah. You're talking about. Not entanglement. Superposition.

Cristina: Yes. Is it possible Golem is like that? Or does it have to be in this reality no matter what?

Jack: Well, yeah. Superposition is a physical world type of thing.

Cristina: Okay.

Jack: The shadow realm is not.

Cristina: Okay, never mind. It did remind. I don't know, it just reminded me of that rock.

Jack: But regardless.

Cristina: Yes.

Jack: It seems to be phasing out. Invisible is how they would describe it because they don't know what's happening.

Cristina: But it's probably just.

Jack: It's probably just popping over there, over there.

Cristina: Like everything else that goes from there to here, it seems like.

Jack: Except it could go from over here over there. Now, let me explain how interesting it is that this was harder to find than most of what I've found. When the point of Jesus being created at all was for what?

Cristina: To go in and out.

Jack: To go in and out. And the Jews found a way to go in and out, at least of the shadow realm. Jesus needs portals to come back.

Cristina: Yeah, but they're not actually using these things to go in and out.

Jack: No, they have a thing that could. Well, the point of Jesus was a thing that itself could go in and out.

Cristina: Okay.

Jack: And the Jews have that at least.

Cristina: Yeah.

Jack: To and from the shadow realm. And Jesus, to some degree, there's more than one group accomplishing things here.

Cristina: Very strange. But there's like. It's not like they purposely or they have any clue that this is what's going on.

Jack: We were talking last week about how do we find out the progress that's being made in the shadow realm relative to getting either over here or making it to Elfhame. I think this is insight to that. I think Jehovah of Light and Jehovah of Dark are roughly making the same amount of progress.

Cristina: Yes. Okay.

Jack: They both have a method that's more or less the same when you think of it, that allows them to go.

Cristina: Through, but they're not using these ways to go through.

Jack: They have things that go through. Yeah, they're still experimenting.

Cristina: They haven't figured it out.

Jack: Which Is the goal. If they already had it figured out, they wouldn't be experimenting to figure it out. It wouldn't make any sense. Obviously, they're running the experiments and they sometimes have things that could do it. Jesus Christ and the golem Joseph have the same more or less abilities. And it seems like Joseph is more successful. What, because he can just phase back in and out?

Cristina: Yeah.

Jack: Jesus can't just phase over there. Interesting. He had to die before he could do that. Joseph could just do that. But Joseph is made with dead people.

Cristina: Yes, he made it with. And he's probably not a conscious being. He's more like a zombie. Probably.

Jack: Well, actually, it does express that he's sort of a thinking creature. Why, yes, yes, yes, yes, yes. A couple of stories that I didn't list here to discuss were one, that he even falls in love. There are definitely ideas to this being a sentient thinking creature, conscious behavior. Yes. But that being said, Jesus dies, comes back, but he eventually discovers a couple of things. I think he, through the course of science himself, figured out that maybe he can come back and forward. And that's why he can pop up here, pop up there. It's not just teleportation. Locally, he might later in his life, after quote the death unquote, have achieved what Joseph does.

Cristina: Okay.

Jack: Which is go in and out. Yes, go in and out.

Cristina: Whoa.

Jack: It took some working and he had, luckily the gates built ahead of time. Knowing what would happen. He comes through and then worked longer until he figured it out. And then he can come in now. Come in effortless.

Cristina: Do you know what happens to Joseph? Does he die?

Jack: Well, we'll get there. So we have his abilities and we have the interesting detail that Joseph is probably a creature that can travel through two dimensions.

Cristina: That's insane. I thought he was just a thing going back and forth, but he's not just a thing.

Jack: Yeah, he's a creature thinking.

Cristina: What? That changes everything. That's.

Jack: Well, that makes the next part a little dark. So Joseph would be deactivated every single weekend. The rabbi, not being able to supervise it because he would be attending Sabbath, didn't want Joseph to be acting outside of his supervision. So he came up with an incantation that was performed to restrain the physical being of Joseph. It's speculated that the incantation was performed on a blanket which would cover the golem completely, rendering him inanimate again. But the spirit that was captured inside would stay.

Cristina: Okay, Weird. What?

Jack: I will rephrase. That incantation is essentially, Joseph was given a blanket that's enchanted it's magic.

Cristina: A magic?

Jack: Like a magic blanket. The rabbi figured out how to use magic and used magic to enable. To disable. To disable a spirit from the shadow realm.

Cristina: Did they mention, like, he was giving it. He got that from whatever their God is or.

Jack: There's no explanation as to how the rabbi figured these things out. Okay, there's no explanation, but the assumption is the obvious one. Yes. He's probably being told because he's told, these people are told that the technology of the Egyptians is unholy.

Cristina: Mm. So crazy. With this thing made out of blood and mud.

Jack: It's totally, you know, the righteous path or whatever the f***.

Cristina: Whoa.

Jack: So, yeah. Which sounds more or less like the brainwashing that Jesus went through. Right? Maybe Jesus wasn't brainwashed. He's like, my people f***** me over. F*** them. Who knows what the story there is?

Cristina: Yeah.

Jack: But. Yeah. So the golem would be disabled every weekend, and the spirit would be contained. Now the golem would be disabled in the attic of the synagogue. That's where it was always disabled. And only the successor of the rabbi was allowed in the attic as a result. Now let us go to where this gets weirdly interesting. Like, it's not already.

Cristina: Yeah, I was going to, like, what, what's. Okay.

Jack: In 1883. Long, long, long later. Let me give you some time frames, by the way. Jesus happened year one to year 33. Ish. Right. Okay, great, Sweet. This rabbi is happening in the 15. In. In 1919, in the 1500s.

Cristina: Okay.

Jack: That's still way recent. Way recent by comparison.

Cristina: This was before Jesus time.

Jack: Well, weirdly enough, the information that led to them making the matzo out of the children came from the time of Jesus, apparently was learned and taught by Moses.

Cristina: Oh.

Jack: And it disappeared into time, presumably because the Knights Templar went on a crazy rampage to erase it from history. And then some scholars, some Jewish scholars uncovered it, and then they connected with God that continued to direct them. So they consumed it after they did the thing, and they started to hear the voice of God, and then he continued to guide them.

Cristina: Okay.

Jack: But in the time of Moses, he was also told that the technology of the Egyptians were unholy. That was put into writing. That's the scripture that was then uncovered, and that is the information that these people have.

Cristina: So Moses didn't have golems.

Jack: Moses does not have golems.

Cristina: Okay.

Jack: This. The way to create a golem was taught by the voice of God to these newer people. Newer people. While Moses knew how to make the matzo in order to achieve A form of immortality.

Cristina: Okay?

Jack: Craziness, okay, that's to clarify. So that's the 1500s. The rabbi lives his life. He eventually dies, dies, like 1590 ish. Now it's 1883. Long time has passed. Shortly before the synagogue is renovated, a group of fully robed individuals, it's unknown whether they are men or women, fully robed, top to bottom, visited and stayed for three days and three nights in the synagogue. It was closed off. These people showed up and stayed. People were like, okay, I don't know what the h*** is happening, but they were there for three days, three nights, and then they left the premises.

Cristina: Simple, okay?

Jack: Now the attic of the synagogue has been closed off because of the Golem. It's a holy ground that nobody's allowed to walk into.

Cristina: Okay? They don't use the golem at all.

Jack: The golem hasn't been used. The only people allowed ever up there were the rabbi and his successor. That's it. Nobody else. So following these people leaving and during the renovation, no evidence is found of the Golem. So they don't know. Maybe it was a lie, maybe it was a bullshit. Sorry, whatever the case, yeah, but the three men were followed as they arrived and left with six black boxes, small boxes, you know, maybe. Maybe a foot, a square foot each, and six square boxes. Each one carried two. Three men, three boxes. I mean, six boxes, three nights, three days in the synagogue. They. Nobody knows who the h*** they are. They came, they left. So the men are followed because it's actually some thieves that record this next part because they wanted the boxes.

Cristina: Oh, okay.

Jack: They don't know what the h*** the boxes were, but when the guys arrived, they were watching them. That's why the same reason the thieves never reported to people staying at the synagogue.

Cristina: Okay? Because they were planning, like, maybe this is the best time to.

Jack: Yeah, yeah. So then they follow these people that became of interest to these thieves and they followed them to a place in Ziskov, there's a graveyard. They follow these men to a graveyard in Ziskov where they are then witnessed burying the six boxes. And they bury the boxes in a very specific formation. There are three in a horizontal line, one in the center, two to the sides. Above the one in the center there is one, and below the two, extreme left and right are two more. That's all six boxes, okay? So if you put a horizontal line down the middle, off the top of the center one, you put one, and below the other two you put vertically, and that's all six boxes creating a upside Down y. Of sorts.

Cristina: Okay. Yeah, that's very strange shape.

Jack: Okay, the last thing we find out about this.

Cristina: What? That is weird. And it's related to the Golem or. No, no one knows.

Jack: No one knows.

Cristina: Why? Why? Have your suspicions?

Jack: Not a clue. I tried to find anything about that.

Cristina: That's the end of that story.

Jack: Nah. The notes of the thieves that were tracking their steps in order to calculate how to rob these guys were found at the graveyard. But the thieves weren't. There's no information.

Cristina: No one tried to find those boxes.

Jack: It looks like they tried, but couldn't find the boxes. Because again, the thieves didn't write down where they don't want anybody to find that they wanted to be the ones. But the thieves themselves can't be found.

Cristina: So he disappeared.

Jack: Yeah, thieves essentially disappeared.

Cristina: Whoa. So they murdered the Golem? Maybe. Question mark. Not murdered. Well, I don't know. It's a thing.

Jack: Well, the Golem is disabled, as far as we know.

Cristina: Yeah, they cut it up in pieces, put it in a box.

Jack: How would they fit it in these small boxes? The golem was 15 to 20ft. They're gonna fit it in six square foot boxes.

Cristina: I don't know. What are these boxes? What could they possibly have put in those boxes?

Jack: I have no idea. It's unclear whether they put anything in the boxes. They showed up with the boxes and then left with the boxes.

Cristina: Mm. But you said the Golem isn't there anymore.

Jack: The Golem has never been seen after it went into the attic for the last time.

Cristina: Okay, so it might still be there.

Jack: They went up there and there was nothing up there during the renovation.

Cristina: Okay.

Jack: Which was roughly 200 years later.

Cristina: Yes. So they were there before the renovations.

Jack: Almost 300 years. Who was there?

Cristina: The six.

Jack: Yes. When the. When the building was closed off for the renovation. Before the renovation began. But the property was already closed up. They showed up. They stayed there for.

Cristina: Maybe it's not. Not the golem parts, but maybe they did break apart the Golem. Like they hid pieces of it in that place, Never actually removing the Golem from there. But hiding the Golem?

Jack: Well, no. The renovation would have found it.

Cristina: Because you can't. Yeah, that's weird. Because it can't be in those boxes. No, but that makes the most obvious or makes sense. It would be. But those boxes are too small.

Jack: Well, I'll give you the conclusion as to what I believe. Not conclusion, but my theory. Because we gotta use what we know. If they went up there and they removed the blanket from the Golem. Then the golem can move again.

Cristina: Mm.

Jack: The golem doesn't have a master anymore. That guy's been dead for how long? Not serving anybody. So the golem could have just phased out where it's going.

Cristina: Oh yeah. So they just maybe just helped it.

Jack: Maybe help to get out.

Cristina: Get out? Yeah. That's interesting. That's even better.

Jack: What important follow up detail. I believe the three people that showed up. The number three very important. Might have been the Magi.

Cristina: Of course. That's what I was thinking. But I don't get the boxes even if that's true.

Jack: The boxes either.

Cristina: The boxes don't make sense. But I feel like what if they did destroy the golem and it's made out of mud? So like maybe it could fit in those boxes. I don't know.

Jack: It's 15ft of mud.

Cristina: But maybe murdering it trunk it or something. Or maybe the time trunk it. Maybe it wasn't the same size. If it was there for super long.

Jack: Why would they need any of that?

Cristina: Why would they need what?

Jack: Like how. How would this play out? This doesn't make any sense. That's hard speculation without anything to back it up.

Cristina: It's weird that they bury these boxes.

Jack: It is. It totally is. That's very strange. But it's most definitely not the golem in the boxes. That couldn't be the case. How? It doesn't make sense. It makes more sense that they went up there, did some kind of a deal or something. Use some maybe that contained their technology. Whatever technology they used to stop the again. They could control magic. Yeah, they can create magic dampening fields. Maybe the boxes contained whatever they had to stop the golem from leaving. Giving it only the option to phase out. Or yeah. Maybe it just phase out with the body and all. And then wherever it went to the other side, whatever spell or whatever, collapse it so that the body breaks down and it can't come back. Or something. Or something. Theories. But shrinking it into six tiny square foot boxes?

Cristina: No. Like it shrunk over time though.

Jack: Why would that make sense?

Cristina: Because it's made out of mud?

Jack: No, it would just dry out. It would be a giant stone sculpture at this point.

Cristina: Yeah.

Jack: It's clay as well.

Cristina: It's clay.

Jack: It's mud.

Cristina: And clay that's not going to make it shrink for a very long time. Like how long was it up there?

Jack: Why would it shrink at all? I don't understand what you. What you think mud is.

Cristina: It's magical mud though. It's not normal mud.

Jack: It's normal mud when it's not alive. It should just be a hard sculpture.

Cristina: The boxes, though.

Jack: The boxes are weird. I know. They are confusing.

Cristina: Yes.

Jack: But we know that they don't literally use magic. They use technology.

Cristina: It's hard to look past those boxes. Especially that they buried it in such a weird way too.

Jack: They did. That was very strange. The whole boxes part is such a freaky mess. I don't understand why this is huge mystery. And then the only people who saw it happen vanished, Disappear.

Cristina: Like, come on. That's very strange.

Jack: What if we assume the maji are being watched for their own safety, then that means the thieves that were plotting on the maji were being watched.

Cristina: Yes.

Jack: You know, and then there's just. Okay, let's just get rid of them.

Cristina: Yes. But they kept the records there. Like they could have got rid of them and the work that they were.

Jack: You're right. Or maybe they weren't aware of the records.

Cristina: Why bury the boxes like that? Like they just buried them three by three and it was like, whatever. That's normal. Who cares? But the way they buried it also is just really weird.

Jack: It was almost in the shape of a golem.

Cristina: That's really weird.

Jack: Yeah. It's like the body, the head and the torso, the arms and the legs. Yeah, it's weird.

Cristina: It's very weird. Not telling me. That thing maybe shrink through time and then they just.

Jack: That doesn't make any sense. The shrinking part that doesn't check out.

Cristina: You don't know how.

Jack: My bet is that there is technology in the boxes and they, in those three days created some sort of a field. I do believe that might be the case. This is just thinking of how the sea people work on average. And the maji, being sea people, they go out of their way. They perform this thing to prevent it from leaving. We know it because it's on Mount Athos. They prevent magic. And this is a magical creature?

Cristina: Yeah. Do we have any more stories about not golems, but mud creatures?

Jack: No.

Cristina: No. Because maybe they helped. Maybe they made him smaller before disappearing. Like maybe it is full of parts of the golem, but the golem now looks more human.

Jack: Why and how?

Cristina: I don't know. Shrinking technology is not shrinking, but like, it's a sculpture. They just like rip some parts of it to make it look more normal. So you can just live a normal life when it feels like.

Jack: I understand what you're saying.

Cristina: So piece is still gonna phase here? It's every once in a while.

Jack: Well, not unless they're stopping that from.

Cristina: Making kids or that. Yeah.

Jack: So your idea would be that they created a smaller sculpture that they could fit into the boxes using the already parts of the golem, moved the creature into this smaller sculpture and then dismantled it and put it in the boxes. So we have a 15 foot golem.

Cristina: Yes.

Jack: We then take pieces off while it's disabled. It still has the blanket or whatever. We take out the parts and make a smaller sculpture. Then somehow they move the. The shadow realm creature from inside the golem, Inside the big version of the golem. Into. It's already trapped.

Cristina: Yeah.

Jack: So just move it somehow, using technology or something. They move it.

Cristina: Mm.

Jack: From one to the other. Now it's in the smaller version. Then they dismantle the smaller version, put it in these boxes, presumably using the same incantation that the blanket has.

Cristina: Probably.

Jack: Or the blanket is inside those boxes too. So you move the creature, you chop the blanket up, wrap each individual part, put each part into each box, wrapped inside of the blanket.

Cristina: Yeah.

Jack: So that each part is completely immobile. The boxes are closed. You go to the middle of nowhere, you bury it in this graveyard. And now you have a golem in the graveyard.

Cristina: Maybe. I don't know. It's all weird. I don't know. It's very weird. So weird. Just the way they bury those boxes.

Jack: Yes. Everything else, as crazy as it is, checks out 100%. With everything else we know. Everything else works. The magic, the blood, the ichor, how they used adrenochrome, the fact that they took children, the Greek and the Egyptians being involved. Everything checks out 100%. The bread, all of it. All of it. All of it. Even, weirdly enough, us seeing the first bringing of something from the shadow realm, whatever, checks out with what we're learning little by little.

Cristina: Yeah.

Jack: Yes. A hundred percent. And then we get to these boxes and I don't f****** know.

Cristina: I don't know.

Jack: It just spins out of f****** control.

Cristina: Yeah, Yeah.

Jack: I have no idea.

Cristina: And that's the only story? Just some thieves.

Jack: That's the only mention of this.

Cristina: Okay. Just some thieves disappears after that.

Jack: Yep.

Cristina: Interesting.

Jack: And so do they. The golem is gone. Keep in mind there have been other golem, but this is the only golem. This is the reason. This is the first golem and the most important golem is because this is the golem with sentience.

Cristina: So the. Wait, what?

Jack: The other golems were essentially machines of some sort. They weren't creatures from the shadow realm, presumably. They were something else.

Cristina: Do you know how they made this one different?

Jack: I Don't know. I don't know. This rabbi was a g. This rabbi did something weird. The steps for all the other golems.

Cristina: Are the same with this one.

Jack: But this one had sentience.

Cristina: That's so crazy.

Jack: This golem took direct direction. It was made with direction from the voice of God. The other golems aren't. So they were cheap imitations.

Cristina: Yes. So that might be something to do with that. Okay. What?

Jack: The ritual was performed, but the voice of God had something specific it wanted to come through. And the stage was set for that to happen. And it worked. None of the other golems are of significance. None of the other. The other golems fall apart over time. They just wither away. The other golems don't have the ability to bring things from the shadow realm. They're just golems. They're what we know of golems.

Cristina: Okay.

Jack: They're just golems. This golem, on the other hand, something unique had.

Cristina: It was alive and it could live forever and it could go back and forth. It had everything.

Jack: It had everything. It was something unique.

Cristina: Jesus. It's Jesus, but not.

Jack: It's Jesus. The golem.

Cristina: The golem.

Jack: It was called Joseph.

Cristina: Joseph.

Jack: Which is actually, weirdly enough, the Jewish translation of Jesus. Although we know Jesus real name was Emmanuel. But Joseph. And there's probably something happening there in which Jesus is being called Jesus when we know his name is Emmanuel and the Jewish word for Jesus is Joseph. And this golem was called Joseph.

Cristina: They're somehow based. One is based on the other.

Jack: Joseph is based on Jesus.

Cristina: Yes. He came after. Yes. Okay.

Jack: Long after. 1500 years later.

Cristina: Forgot. He's in the 1500s. So weird.

Jack: Yep.

Cristina: What? And have golems been seen in any stories recently, though?

Jack: There are stories of golems everywhere, but all the golems seem to. Although the process is more or less the same, to making them. They're just golems. Golems are just golems.

Cristina: Yeah. Nothing like.

Jack: Nothing like Joseph.

Cristina: The closest thing to Jesus.

Jack: Whoa. Made by the Jews in the 1500s. They had 1500 years to consider what Jesus was and make their own version of it.

Cristina: Well, they weren't doing that. The God. Whatever.

Jack: Yes, yes, exactly. Which we stopped coming in contact with following the birth of Jesus.

Cristina: I thought Jesus was in relation with him, but I guess not.

Jack: No, that's. With who? With the.

Cristina: This evil God probably is. Why would he try to base something off of Jesus, though?

Jack: Maybe Jesus was along for the ride on this one.

Cristina: Yeah.

Jack: What has Jesus been doing for the last 1500 years?

Cristina: I have no idea.

Jack: And let's think about this real quick. Yes, Jesus is born, Mount Kaf disappears, and Jehovah of Dark vanishes all in one. That seems like it's all connected.

Cristina: Okay.

Jack: Yeah, it checks out 100%.

Cristina: Yes. So, okay, Jesus is working with this guy and making another version of him. Jesus 2.0.

Jack: Or trying to figure out how to just bring things from the Shadow Realm over. Jesus can come over.

Cristina: Why do they want to have more come over? Like, what benefit do they get from it?

Jack: Well, they already try to set up a bunch of ways to come over. Tragedies and s***. To get people from this side who take adrenochrome and hear these things to commit tragedies. Intentionally create mass blood loss and horror. Absolutely.

Cristina: Because they enjoy feeding off of it.

Jack: Well, they need it to come through. The blood doesn't make them come through. The fear does. The fear mongering is the media. The fear mongering is these crazy stories and scary. Everything is scary. Oh, the coronavirus, also scary. Threats of war, also scary. Nothing ever happens. But the fear is what's necessary to bring these creatures over.

Cristina: But these creatures are. They're in love with our blood. Like where we get addicted to adrenochrome. They get addicted to our blood.

Jack: Those creatures don't give a s*** about our blood. Only things on this side care about our blood.

Cristina: Oh, okay. We don't have stories about creatures who are just murder for blood. That's not a thing.

Jack: Creatures trying to go to the Shadow Realm.

Cristina: Okay.

Jack: It's just things trying to go to the Shadow Realm. Fear brings creatures from the Shadow Realm over.

Cristina: And you don't think they're here drinking blood.

Jack: I mean, it's not giving them a benefit, I suppose. Yes, there's like, for example, Wechuj or a Wendingo is what you're thinking about. That they'll, like, come and ravage somebody. But there's just. It's not even about the blood. They're just killing s***.

Cristina: Yeah, but then what's the point of them coming from there to here if it's not for something?

Jack: I mean, they're probably after the blood, but for no reason. A wechojino and dingo are just creatures addicted to the blood. That's all it is. And they die and cross over, and then they want to get back desperately. Because blood doesn't exist in the Shadow Realm.

Cristina: But why would Jesus want other things to come here?

Jack: Because the Djinn are sentient, thinking, clear minded, Creatures. And just like the Jinn, Jehovah of Dark is a thinking, sentient creature. There are things that think that want to come through that never existed on this side first. They're not after the blood.

Cristina: They just want to be over here.

Jack: There's something over here that they want. But again, we have no way of telling what that is. How would we?

Cristina: Yeah. Unless it has something to do with the other realm that we don't really know anything about.

Jack: Which could all come down to the sea people have something closer than everybody else does. And apparently maybe the Jews do too. That might allow. I still think the sea people might be miles ahead of the Jews. Yeah, which might. Again, I think the goal is ultimately getting into Elfame.

Cristina: Okay.

Jack: Yes, by any means that makes sense. And if that means crossover and steal the tech from people who are figuring it out, then so be it. Which then might be the original conflict between Jehovah of Light and Jehovah of Dark and all the other gods that do not like Jehovah of Light.

Cristina: It's about stealing that technology.

Jack: Yes. And moving from the palace of Alcaraz in the Persian Gulf oasis to Atlantis in the Atlantic Ocean is entirely about avoiding the elves and the gods of this realm and the gods of that realm. It's just. You're not getting to our s***. Our s*** is our s***.

Cristina: This is. Man, I don't know if we're closer to something or not. If we're closer, are we closer? Did we figure it out yet?

Jack: We got more info?

Cristina: Yeah, more info for sure.

Jack: The boxes are confusing. Like, everything checks out. The boxes are weird.

Cristina: The boxes are weird.

Jack: Everything else makes perfect sense. But the boxes are very strange. I don't know what that's about. There's something. There has to be a way to figure out what's up with these boxes. Now I gotta go all the way back and see what history exists between the Egyptians, what they have to say about these boxes, what the Mayans have to say about these boxes, what the Jews have to say about these boxes. They're the only people who know anything about the sea people and the magi or sea people.

Cristina: I want to know what the Jews thought. What was the evil technology? What were they calling evil technology?

Jack: Just referencing the technology of the sea people.

Cristina: But, like, they don't have any examples of that. Anyway.

Jack: I didn't find anything, but I can look harder, try to see if there's some mention of specifically what they're talking about. But I think it was a general statement as to the sea people defy God's way by following the path of technology, essentially.

Cristina: Okay.

Jack: I think that's the general idea. I don't think there's more depth to it. I think it's like the usual argument of technology versus nature. I'm God, I am nature. And technology violates the usual. Science is evil because God is better. I think that's the argument. I don't think it's like that specific technology. I think it's just f*** technology because God said so.

Cristina: Well, what are these golem things? They're not technology.

Jack: It's magic. It's magic or it's not even magic. What's stopping it is magic. Then again, what's containing it? I don't understand. I don't. I don't. I don't understand. It's really complicated. The argument would be, yes, it's technology. It's technology using a combination of magic and power and science, which is all three realms which I feel like Earth realm of science. Elfame, the fairy realm of magic, the shadow realm of power. It's using of all three.

Cristina: Somehow the Egyptians had to have been doing something similar. No way. There has been.

Jack: It wouldn't make sense that the Egyptians are doing something and then the Jews are like, nah, that's horrible. Let's do it ourselves. That doesn't make any sense. For that, they should have just infiltrated the existing system and stolen that. Okay, but they leave and come up with a different way.

Cristina: Yeah, but if there is any stories, you should still check to see if there's.

Jack: Yeah, yeah, I'll look into it and.

Cristina: See if I can find anything, because maybe there's not. But it'd be very interesting if there's at least.

Jack: Yeah, I gotta look through all of these things just to answer any questions we haven't been able to answer. So it is what it is. If it's there, I'll stumble upon it. Yes, but that's what we got.

Cristina: That is so disturbing.

Jack: Golems.

Cristina: Golems from a statue in Switzerland?

Jack: Yep. Well, presumably that statue itself is a golem.

Cristina: Golem dressed up as Santa.

Jack: Jewish golem eating children.

Cristina: So horrible. Why. Why did someone want to share this story?

Jack: And it's unknown who funded this either. This is just put in plain sight. Nobody knows who paid for this.

Cristina: I mean, it's nowhere near this church or anything. Right. That'd be crazy. Yeah, that's true. Is there anything near the statue that.

Jack: Nope, I looked.

Cristina: Any churches?

Jack: No, no, nothing important. Nothing relative.

Cristina: Okay. It's just so random too.

Jack: The location, I think that was intentional. I think it's about putting it somewhere that it's hard to connect to the bigger picture so that it stands the test of time.

Cristina: Okay. Whoa.

Jack: Anyways, that's what we got disturbing. So if you guys want to hear about all other things relative to this crazy a** story that keeps unfolding for all of anything, you guys can message us about it. Anything you find when you do that, hit us up on our socials. Twitter now x Facebook, Instagram, tick tock@justconvopod.

Cristina: Remember to subscribe, rate and review the.

Jack: Show and word of mouth is important. Tell people that we are uncovering truth. The dark truths of everything that Jewish people have sacrificial things to make matzos and then eat that and then pour their blood over clay statues to then make golems.

Cristina: Whoa. This has been the Rambling podcast. Take nothing further though. Thanks for listening.

Jack: Bye.

Cristina: S.A. good morning. The podcast is hosted by Christina Colazo and Jack Thomas, produced by Lynn Taylor and published by Great Dots info, art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 214: The Missing Link

When did life start? Who made the first tools? Who spoke the first word? The duo unpack the origin of humanity to better understand when and how the structures on the old equator were built. The conclusion goes down a familiar road that the duo could not have predicted would play out how it does!

Rambling 214: The Missing Link

+Episode Details

  • Ancient Advanced Civilizations
  • Mount Athos
  • First life
  • Oldowan
  • Homo sapiens
  • Atlantis is first mentioned in Greece
  • Unicorn Dust
  • Unicorn Horn
  • Old Equator
  • Prehistoric Era
  • Oldest Structures

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas. I am your host, Jack.

Cristina: I am your host, Christina.

Jack: And today I have some interesting things to talk about. Particularly interesting things. So let me begin by reminding everybody that we recently just took a deep dive into unicorns and found out that there's an actual location where it seems that people consistently spot unicorns on top of a hill, a mountain. It's Mount Ethos in Greece. Well, trying. We found this because we had to. As you know, we did an episode on unicorns. You wanted to know how they were actually magical. I went on that trip to find out how they're actually magical and found a bunch of things. But looking through that, in the original thing, we found the merchant. Then we traced the merchant through the. The second episode where we came back to find out how they're actually magical. And in between that, we also talked about the. The really, really old equator.

Cristina: Yes, the one that changed.

Jack: Yes, the equator's always moving. But where it was 450 million years ago was magical. I don't think it was magical. Why was it magical?

Cristina: I don't know. Because everything was on that line or whatever.

Jack: Oh, yeah, A bunch of things land on the line. But I don't know how that would make it magical. I know that things land on the line. It's just a weird situation that's going on that we might actually have to unpack for a bunch of different reasons. So first, I was very curious as to. Now, keep in mind, everything I just mentioned is connected. And I will also say we had an episode like three years ago about ancient advanced civilizations. And funny enough, when we were talking about the old equator, we mentioned Atlantis as well, I believe.

Cristina: Yes. Somewhere in the Gulf. The gulf, yes. I think.

Jack: Yeah. So we have a couple of things that are all quite possibly connected.

Cristina: Atlantis is somehow connected.

Jack: Well, Atlantis is connected to ancient civilizations, okay. Particularly ancient advanced civilizations. And the old equator, okay. So it touches a lot.

Cristina: Okay. Yeah.

Jack: So here's my problem with the old equator. The old equator was 450 million years ago.

Cristina: That's a lot of years ago.

Jack: That's a lot of years ago. The oldest man made structure is only 12,000 years ago. Okay, that is a ridiculous discrepancy.

Cristina: Mm. It is.

Jack: That is.

Cristina: That's ridiculous.

Jack: It makes you wonder why they put it there when the place didn't exist. And Also, how do you know about it?

Cristina: How do you know about what?

Jack: About the old equator. Okay, so in order to answer some of these questions and explain how all of this connects, we have to go way back, which I'll do. This goes all the way back to 3.7 billion years ago.

Cristina: What's happening back then? Dinosaurs? No.

Jack: Well, first let me talk about how time works. I was listening to a clip, and the guy explained how a million seconds is 11 days, but a billion seconds is 31 years. You got to think about the fact that we have no idea what a billion is. We have no clue how monumentous of a distance A billion is.450 million years is half a billion. That's hardcore for, like, we can't fathom that many years. And he still built a line of structures across a thing that didn't exist anymore. What? That's already weird. But let's go all the way back. 13. I mean, 3.7 billion years ago is the original earliest life. That's how far back I'm going. The first life to leave any trace. We have not found anything older than this, the oldest, anything. So at some point, boom, life happened. Well, this happened 3.7 billion years ago. We don't know why, but something triggered it. Then we enter about 450 million years ago where the old equator was. Okay, this is about seven, eight times away. Like, if you have to. You'd have to multiply this a couple of times to make it backwards to where life began. Okay, so you already have a pretty substantial gap. Everything got complicated. We still don't have a brutally advanced life. It's dinosaurs and s*** roaming the Earth. There's no humans. There's no. No advanced intellect happening yet.

Cristina: But there's dinosaurs.

Jack: There's dinosaurs. Yeah. Okay, 2.5 million years ago. Now we enter what we call the prehistoric era. The prehistoric era is particularly important because what it really means is the era in which there are humans, but we are not recording history yet.

Cristina: Okay?

Jack: We have not started recording humans have happened now, but we have not recorded any history. And this is gonna happen for a while. And keep in mind, we're talking prehistoric humans. Yes, Cave people.

Cristina: Okay?

Jack: Nothing we would call a H*** sapien yet.

Cristina: How long does that take?

Jack: A while. Okay, but so we entered this era 2.5 million years ago. We come across the prehistoric era, and then in this, we come across the original tools. Now, this is very important. This is why I chose this exact era, because obviously exactly 2.5 million years ago isn't where it started. The prehistoric era. It started a couple of years and not millions of years in. And maybe not too many. Might have been five, six years into the 2.5 million years ago, obviously. But what's important about this is these are the first tools ever made. They were not made by H*** sapiens, though.

Cristina: What do you mean?

Jack: They were made by ancient primitive cave people, most of which actually went extinct. These are tools from bloodlines that don't connect to us.

Cristina: Oh.

Jack: Oh, fascinating.

Cristina: Weird. Okay.

Jack: Yes. They are called the Old Duvai.

Cristina: Oh.

Jack: Well, the. The technique is called Olduan, and it is in Olduvai Gorge in Tanzania. So this was all found there. And it's a series of different shaped rocks collected. So they were like. This is a natural that they were just all together like this. A bunch of pointy rocks. It would look like if you were make an arrowhead.

Cristina: Mm.

Jack: They were used to pierce things. A bunch of blunt flat ones were used to squash things. A bunch of perfectly round ones were used to crack things. So they weren't shaping these stones yet. They were picking these stones up.

Cristina: Okay.

Jack: Yeah. Oh, my bad. They. They were actually making these stones. These are the. What is it? These are the. The first tools made that weren't picked up in the wild. That was.

Cristina: I was trying to kick it up in the wild.

Jack: Yeah, because the original tools that were picked up were just picked up. It was just. You're walking around, you picked up a stick and you swung it.

Cristina: Okay. Yeah.

Jack: Well, you had a rock and you threw it. But these rocks were shaped. They made these rocks. Now, it's still primitive, but it worked. Interestingly enough, it's compound. So complicated. I'll come back to that. I'll give you a little more background, and then we'll circle back. About 315,000 years ago is where H*** sapiens came to be. That is such a far stretch from 2.5 million years ago.

Cristina: The 2.5 is the tools.

Jack: Yeah. 2.5 million years ago is where the tools are made by primitive civilizations. Not even civilizations yet. We haven't gotten there. But 315,000 years ago, we come to be H*** sapiens. Who we are.

Cristina: What's the gap?

Jack: That gap is about 2,200,000 years.

Cristina: Oh, okay.

Jack: Pretty hefty number.

Cristina: Yeah.

Jack: And then we enter the hundred thousand years ago mark. Now, important details to also establish the first long form discussions ever occurred. 100,000 years ago, conversations were not had by anyone other than H*** sapiens. Okay, this is a problem.

Cristina: Why?

Jack: How did you communicate creating tools? How do you have an advanced tool crafting system. And so many of them. If you don't even have language yet, how did you arrive at tools before language.

Cristina: Sign language?

Jack: I had the same conclusion. So in studying what was happening, incorrect. Because h*** sapiens used side language that they learned from apes and merged it with sounds they heard from birds to then create a scenario where I can give you tone so you know what I mean and pitch, so you kind of get my, you can understand my, my, my motives and my tone. And like, I don't mean you harm or I do me new harm or I'm angry based on the sounds I'm making in their tone. And I can be very specific by pointing at things and like doing very ph goldest plays. Okay, that was primitive conversation, but the first long form conversation was that. So that was not 2.5 million years ago. That was just 100,000 years ago that we did that. We're immediately coming across problems just following history.

Cristina: So then what were they doing?

Jack: We'll figure that out. We got quite a ways to go and we're already hitting knowledge issues. How do you have tools? You don't have communication? Okay. This was experimented on, this was tested. There was an archaeologic experiment done. A bunch of students were taken, college students, and they were broken down half. You know, split them into two groups and you're gonna teach them the methods that these people use to make the stones. We can teach them two different ways. First one, you're gonna tell them how to do it, but you're not gonna show them. The second one, you're gonna show them how to do it, but you're not gonna tell them. The people who were shown how to do it performed four times faster, better, and with more proficiency without language than the people who were told how to do it.

Cristina: Whoa. We're better at communicating without actually communicating.

Jack: That's not. Without communicating. That's still communicating. We're just not using language.

Cristina: Yeah. Yeah. That's crazy.

Jack: Yeah. We're better communicating without language.

Cristina: Yeah.

Jack: Well, you gotta understand, we were already creatures 2.5 million years ago when we went that entire time for 2 million years of existence without ever talking to then just having started that a hundred thousand years ago. We don't know how the f*** to do that. We don't know how to communicate, but.

Cristina: It makes sense that they would be able to make those tools.

Jack: Yes. We don't know how to talk. We figuring that out, but we could probably, hands on, show each other how to do things easily. This experiment proved it. So it immediately raises the problem of how do you have mass production of tools? We'll just show the guy how to do it.

Cristina: Yeah.

Jack: And he shows the next guy, and he shows the next guy, and before long, everybody saw how to do it, and everybody can make it.

Cristina: Mm.

Jack: Still don't have language, but it works.

Cristina: Yes.

Jack: Now, when you apply this to some of these structures that we have in the world, where we're like, how do we build it if we don't have the. If we didn't have the tools or the technology at the time? It's like, okay, there is a gap in knowledge that we have that would make this real easy, like the language barrier. How did you make tools when you couldn't communicate them? Okay. How do you make pyramids when you couldn't feasibly craft the stone and then carry it? It's the same question, just applying it differently.

Cristina: So they just had another way.

Jack: There was just another way, and we just don't know what that way is. But the structures there. There had to be another way.

Cristina: Yeah.

Jack: And it's simple. It's nothing extraterrestrial couldn't be. It's just another way. We don't know.

Cristina: That makes sense. Yes.

Jack: This experiment proved that, again, people thought that these stones were shown to them by aliens and that they kept providing them simple things to not advance them. Technologies like theories and s*** that, you know, they kept providing them and collecting them and giving it to them so they wouldn't have to, like. So they wouldn't push their advancement too far, too quickly. You know, prime directive kind of thing. You don't want to screw up their development. But it's like, no, we can prove that wrong. We can easily prove that wrong. People who were shown how to do it are way more efficient than people who were told how to do it. You don't need language. It's actually easier without it.

Cristina: That's crazy.

Jack: Language is convoluting things and messes it up.

Cristina: Yeah. What?

Jack: Enter 5,50,000 years ago. 50,000 years ago, we finally got to the place where these bird songs and lexical sign language things come in. And we establish what we would now call language, the primitive versions of them. But this is language that we can actually sustain conversation with. Before we had small, it was the first long form conversation. But language didn't happen yet.

Cristina: Long form conversation happened 100,000 years ago.

Jack: Long form conversation happened, but it wasn't language.

Cristina: Okay.

Jack: It was figuring out how to make language. You could sustain a conversation, but it was a lot of hands and Stuff. And it was like a bunch of other crap. Yes, By. It only took 50,000 years for this to get so complicated. We completely dropped off hand gestures and words had such vast complexity. I could send images from my head into yours, by the way. Language is weird.

Cristina: Yes. Yes, it is.

Jack: It's a form of psychic telepathy or something. I can throw an image into your head. I can say spider, and you can picture spider. Yeah, I sent that image from my head to your head. I can say, there's nothing purple in here, but I sent a purple image to your head. This weird thing we could do that's telepathic. And we're like, well, it's so weird that a dolphin can send a sonar signal and then another dolphin and gets an exact image in his head. Don't get me wrong, that's way more precise. Yes, but it's the same idea. Yeah, it's just.

Cristina: It's very similar. It's.

Jack: Yes, the same concept. They just mastered the h*** out of it. Okay, so we. We know that language gets complicated, but we also know that we don't need the language for these tools. Problem erased. Great. Fantastic. Let's move on. The first form of record happened about 45,000 years ago, and it was a cave drawing.

Cristina: It doesn't feel so long compared to everything else.

Jack: No, we solved the problem, and then we immediately came across a different one, which is quite problematic because if people have been around for 2.5 billion million years, why didn't anybody draw anything out of curiosity? Just handprints on a wall or something.

Cristina: But that's what cave drawings are.

Jack: Yeah, essentially. But okay, that's 2.5 million years ago. And we're talking that the first one, we've. The oldest one, is 45,000 years ago. There's a quite substantial gap going on. There's a problem there.

Cristina: Is that a problem? This is weird.

Jack: Nobody has touched any. Anything that would leave any form of a trace.

Jack: Are you kidding me? You didn't kill an animal. Go hide in your cave. And your hand just happened to have blood. And you're just, oh, let me take a break and lean against the wall. And I got a handprint. No, we don't have any of that. None of that has ever happened. 45 thou. Now, the ongoing discussion with this is because we're talking cave drawings and we hadn't invented erecting structures yet that it's possible we just haven't found the caves. They have the drawings, but then we haven't found the caves that have the drawings. That are older.

Cristina: Okay.

Jack: You think we found every cave?

Cristina: No, of course not.

Jack: Yeah. There has to be so many caves. But then that creates another problem again, where the h*** would these people. It would have to be people we didn't know existed. We'd have to find even more civilizations that didn't exist to then find caves that we didn't. That we didn't follow the people we already know about to. We got to follow people we don't know about the caves that we didn't think people would be in.

Cristina: Oh, my gosh. How do you even do something like that?

Jack: Exactly. And why haven't we stumbled upon these civilizations before that would then lead us to these caves?

Cristina: It sounds complicated. Okay.

Jack: Yeah. Weird gap in knowledge there. Now, another interesting detail there is. We're still in the prehistoric era. Nothing has been recorded. And the closest thing to a record is cave paintings.

Cristina: Okay.

Jack: We don't have proof of life of anything other than fossils and stuff.

Cristina: Mmm.

Jack: That's it. Like, there's no record of anything. And so we assume because fossils that there wasn't intervention and that people made things themselves. And that checks out pretty hard. And again, we can prove it through these experiments and know that we don't need the language interventions. Like aliens in aliens advanced older civilizations that we don't know about anything of any of that nature. Just something way more advanced.

Cristina: Okay.

Jack: Like, it doesn't seem necessary until we get to this problem of where are all the people who would have drawn in the caves?

Cristina: What do you mean? There's no bones of people or something.

Jack: They would have led us to the caves.

Cristina: Oh, okay.

Jack: It's an easy statement I am making. There are caves with the oldest drawings we've seen. 45,000 years ago, humans existed. Not humans, but, you know, creatures that can make things and think on a higher level. Since 2.5 million years ago, if there were other people who ever left a cave to go catch their food and a single one of their bones were left behind, we then have the trail picked up and it would have led us to the cave. Hasn't happened. The old. There's too many of us all over the place looking. We haven't found any of it. And the oldest we can go is 45,000 years ago. We have a 2.5 million year gap from the knowledge that there are intelligent beings to the full first record by accident.

Cristina: Mm.

Jack: You don't see an issue with that? You don't see how weird that is?

Cristina: Why would it. I don't know. Like, were they all living in Caves. Why is caves important?

Jack: Because it's shelter. Yes. They were all living in caves. Shelter. Yes. A cave stops the sun from hitting you consistently.

Cristina: Mm.

Jack: It stops rain from making you sick and die. Actually, it stops the sun from killing you. It stops rain from killing you. It stops the wind from killing you. Kind of. If you made it, you lived in a cave. Until we invented structures, okay? That's the rule. You had to. Where else would you be? Oh, that's why we called them cavemen.

Cristina: Oh.

Jack: Because you had to. It was the only solid thing. Like if a hurricane came by. Okay, you're all dead then. Well, no, because the cave saved you.

Cristina: Okay. Okay.

Jack: Nature's f*****.

Cristina: Yes.

Jack: And without shelter, you're not making it.

Cristina: So it was only caves.

Jack: It was only caves.

Cristina: Okay?

Jack: But that's a problem, because in the caves, we don't find anything as old as the people are.

Cristina: Nothing as old as the people. That's strange.

Jack: Not even my accent. No drawings, Weirdly enough, you have access to blood because you hunt, because you eat. Why don't we have drawings in blood? Why? If you have higher intellect, if you have language, if you have tools, and by this point, you have advanced tools, we're talking about entering a complex. It's 2.5 million years later. You've made s*** by now.

Cristina: But not homes yet.

Jack: You've not made homes. You got tools, simple things.

Cristina: Okay?

Jack: And deal. You didn't make the one thing simpler than your tools. A drawing. Weird. Extremely weird. Extremely strange.

Cristina: Yeah.

Jack: It would take 1% of the effort that it would to make a stone tool.

Cristina: If you're living like. Like you're surviving your life is survival. What's the point of doing a drawing? I don't.

Jack: Then what was the point of making the tools in the first place if they weren't all for hunting? And that was 2.5 million years ago. Where's your logic that, what, 2.5 million years ago, they had the tools. They didn't need the tools other than something to pierce skin. Why do you need the blunt one to make other things with? Why do you need anything other than what you're going to pierce the creature with? But you had many tools. For what? If it's just survival, like you're saying. Yes, way before 45,000 years ago, 2.5 million years ago. If it's just survival, why are you wasting valuable hunting time making tools? Go fish. It's way easier than making tools.

Cristina: But the tools aren't for fishing. The tools aren't.

Jack: There were many different kinds of tools.

Cristina: Yes, but you don't know what these tools are for.

Jack: There's theories of what the tools are for making cloth, making things, cups and crap like that. But it's also like, you could hold your hands or whatever. Some stones are meant. Meant to break. Other stones they would make. And they would make like it was. It's hard to explain because it's a bunch of anomalous things. But the point being, how do we not have our. I feel like this is not landing on you. Like, you're not seeing why this is troubling. The fact that we just have a gap where everything complexifies in intellect and somehow the first thing that even a child does did not happen to the most advanced fans of people at the time. Our children now are still dumber than they were at their peak. That is how it works. And still our children now draw, even if we would never show them. Children just start f****** with walls and doing things. It's natural.

Cristina: Yes.

Jack: Where is this? It would have naturally. You had kids. You had kids in those caves. Curiosity and things would have happened.

Cristina: But why would those things stay in the caves? Like, why wouldn't it just.

Jack: Because what's going. Why, what's going to bring it down if it' protected from the elements, Even from water. What water if it's in a cave? The point of the cave was that it was protecting you from the water. All right, I'll move on, since that one's not landing. 5,500 years ago, we end the prehistoric era because the first record is made, the first word is written. It appears in Mesopotamia, which is, I believe, Iraq, now Iran, something like that. Anyways. So, yeah, that's the first word ever written. And it shows up in, you know, written document.

Cristina: Just a word, like words.

Jack: I'm sure there was like a sentence.

Cristina: A sentence or something.

Jack: I'm sure something more than just like, hey, it was like a text message. It was probably something important. And yeah, that was about 5500 years ago. The first mention of Atlantis happens. 2,300 years ago, it's going to be. Okay, that's about 2300 years ago. Now, year five, we end ancient history and come into the next, which is, you know, a little more modern or whatever. And then when we get way farther, 1700 years later, 1730, we have the first documented unicorn information.

Cristina: 1730.

Jack: Yeah.

Cristina: Okay.

Jack: And then. Well, maybe not the first documented, but specifically the merchants first encounter.

Cristina: Okay, okay.

Jack: And then in 1817, I mean, 1811 is when we get two different mentions of unicorn horns from two different Greek record keepers that both say it came from Mount Athos. That happens to be the same place that it seems the guy John, who gave it to our merchant in the first place got it from. So we had three different accounts of it coming from a mountain in Greece, Mount Athos.

Cristina: This is a very strange timeline.

Jack: Yeah. And it all holds together. It's all vastly connected.

Cristina: Okay, okay.

Jack: So I went down and I hunted down all the oldest structures in history. What are all the oldest things and where do they land? And what we find is that the oldest man made structure ever is 12,000 years ago. So way after language, but problematic because even farther from the equator, even farther, like where?

Cristina: Do you know?

Jack: Not location wise.

Cristina: Time wise.

Jack: Okay, this is entirely a discussion about time.

Cristina: Yes, yes.

Jack: 450 million years ago. Meanwhile, the oldest structure happened just 12,000 years ago.

Cristina: Okay, but is it on the old equator?

Jack: Yes.

Cristina: Okay, yeah, okay.

Jack: No, no, that's actually wrong. So the oldest structure on Earth is not on the equator.

Cristina: Okay.

Jack: But the surprising amount of the structures that we have are. Which is fascinating. But yeah. The oldest structure is called Gobleki. Gobekli. Gobekli. And it is 12,000 years old and some weird anomalous object. So we still have a problem that we don't know how these people found the equator. And we still haven't begun recording history for them to like. No archaeologists exist yet because nobody's written anything down 12,000 years ago. We just found out that they started writing 5,500 years ago. So there's no proof of where anything would land. There's nothing. So then we start thinking, okay, 5,500 years ago, this structure isn't on the equator. What about the ones that do land on the equator? Several of them are 400 or 4,500 years old. And if the basic words began 5,500 years ago, we only give it a thousand years. We still don't have any kind of way to track how an old equator. And even if we had somebody who did the science and figured it out, how did he get the document to you? So that then you could make your structure across the world on the length. But you did.

Cristina: Yes, because a lot of places did.

Jack: Many places did. A ridiculous upwards of 20 different magnificent.

Cristina: Structures all land on that before, handwriting.

Jack: Or no, a bunch of these structures were made after records began, but with no ability. Like archeology hadn't happened, science hadn't begun. There's no way to get it across before. Like the person who wrote it dies of old age because of how far it is.

Cristina: Yeah. Okay.

Jack: And the fact that it crosses the entire globe when everybody still thought it was flat, you know, these kinds of things. If you still. But actually, this is another weird thing. Apparently that is not true.

Cristina: That. What's not true?

Jack: The ancients actually had.

Cristina: They believe it was round.

Jack: They believed it's round. And they had some pretty solid science not dating as back as 5,500, but, you know, it was out there. There's some ancient believers in this going as far back as, like, about a thousand bc.

Cristina: Did their science make sense of why they believed it was round?

Jack: Or maybe it was a real complicated science, but, like, science is the wrong word. But they had their calculations and they figured their things out, and, yeah, they checked out. Like, it wasn't wrong. But again, it's after the fact that.

Cristina: After what fact?

Jack: After. After the fact that these structures were made.

Cristina: Oh, okay. Okay.

Jack: That that happened after the fact that the structures were made is still younger than all the structures that land on the equator.

Cristina: Mm. It seems so random, though.

Jack: Okay, well, it seems random.

Cristina: Mm.

Jack: Until I scroll right back to the top, the document I'm using to communicate with you, and we start again, but this time with the knowledge we got by the time we got to the bottom. So let's begin about 3.7 billion years ago, the first sign of life.

Cristina: Okay.

Jack: 450 million years ago. The old equator. 2.5 million years ago. Random sounds and rocks.

Cristina: Okay.

Jack: That we would call tools. You're using it as tools. And prehistory begins because we are now officially calling these people the Rela. Not relatives, but parallel to the cave people that would later become us. Those aren't them.

Cristina: Okay.

Jack: But, you know, they're living amongst. There's like, six or seven different equal things, by the way, I don't know if you knew that. That the cave people were like many and they were about equal, but they murdered each other off until our people made it.

Cristina: Yeah. Okay.

Jack: But actually, for a long time, there was a second group that was surviving, which is why a lot of people have, like, a lot of that DNA in there.

Cristina: But there's, like, three. There's more. There's like, seven.

Jack: There's a lot. There's a lot. They just kept murdering each other over time, and there's probably some still hanging out in some forest somewhere that hasn't been discovered now. So we go. We see humans 315,000 years ago, they start doing words that start to make sense 100,000 years ago. 50,000 years ago, we got full language. But we're still not recording anything. Very important information. We get to 5,500 again, the prehistoric era ends, and we have writing. That's why the prehistoric era ended. Now, around this time, we're also starting to construct the first writing is actually related to Greek mythology. Not literally the first writing.

Cristina: Okay.

Jack: But as writing started to begin, the people who most quickly took advantage of it were the Greek. They made small notes. It was nothing complicated. Although later they had some of the. As we found out a couple of episodes ago, they had ridiculous notes on irrelevant thing. They recorded everything at some point.

Cristina: Okay.

Jack: But here's where this gets really important. Prehistory ends in 5500. But Greek mythology predates that because the stories were being told before we could record them.

Cristina: Yes.

Jack: We immediately come across a problem. Why we don't know where the stories began because history began being recorded here.

Cristina: Isn't that like in everywhere, everyone had stories before we wrote the stories?

Jack: Right.

Cristina: So I don't understand. There's a problem.

Jack: No, I'm saying that that's like we don't. We just don't know when the stories were made is what I'm telling you.

Cristina: Okay. Okay.

Jack: I don't understand what you were trying to tell me.

Cristina: No, I was just confused. Like, if that was a big deal or not.

Jack: It could be the fact that we don't know where the stories came from, then they got written. I'll explain why it's relevant in a second.

Cristina: Okay.

Jack: So the proto Indo Europeans, which, by the way, we also had an episode about when we're talking about how their stories became all the stories, and then all the religions and all the mythologies came from this one place. They told the original stories that later became everything. Now, that happened about 10,000 years ago. So before the records happened, the stories that would later become Greek mythology were told about 5,000 years before they started being written down. Okay, fantastic. Okay. Glad we got that out of the way. Because there's a story that is of unknown origin in Greek mythology that seems to actually have Russian roots, which is weird until you remember the Indo Europeans split in equal mass in every direction when their little volcano. Wow. And so they spread everywhere. And so the same people who became the Greek leader, or the same people who became, like, at the same time they became the Russians, and they left with the same narrative before writing happened. Then the stories went and evolved as, you know, telephone happened, and people kept changing the story as they told it.

Cristina: Yeah.

Jack: The one very important thing that shows up in both Russian and Greek lore written two different ways and vastly like the context seems to be entirely cultural, but it's the same exact story happens to be about a unicorn. A unicorn on Mount Athos. Okay, that's completely fascinating considering that the first recorded anything about that happened thousands and thousands and thousands and thousands and thousands of years later. There's a story that is 5,000 years old, about a. Actually 7,000 years old, if we're talking 5,000 BC. But a unicorn on them on Mount Athos, long, long, long, long before our merchant comes across a Russian named John. Okay, who got it from Mount Athos.

Cristina: Do you have these stories though, or you have no idea?

Jack: It was very brief. It's literally just mentioned as a beast called Indrik. That happens to be a unit. I'm telling you, it's a bare minimum.

Cristina: Oh, okay.

Jack: It's just mentions of things. I would have told you the story if it was more complicated. Oh, this is bit like there are people who've expanded on it, but that's not the original stuff people have added to it. That's very different. Okay, but fascinating that we have again, mentions of a unicorn from exactly this. So actually it's four different mentions of a unicorn. One is the same story, but in two different places. Now, people did not know of Greece from Russia 10,000 years ago. I mean, in Indo Europe, you know, they didn't. Didn't know. Didn't know about Mount Athos or any of that. So why is it that when this story does happen way, way, way later, it so specifically references Mount Athos? Somebody went to Mount Athos and saw what they would also describe as a unicorn and then wrote that down in Russia. Yes. And they said it was in that mountain that I saw it.

Cristina: Okay.

Jack: This happens to be just maybe like 200, 300 years before it's mentioned in the Greek folklore. So somebody from over there that came over here side before you reported it over here. Very interesting.

Cristina: Yeah.

Jack: Four different sightings of the same thing in the same place.

Cristina: Mm, definitely.

Jack: Something weird is happening.

Cristina: Yes.

Jack: Now we have a giant, giant, giant issue here. We know that the recordings came later and eventually mentioned the unicorn that existed in stories before that. So 10,000 years ago, first Indo European stories. Nice, nice sum. Considering that language complexifies so much so quickly because it only took 50,000 years to get to real complicated conversation.

Cristina: Okay.

Jack: We started a hundred thousand years ago, and then we made it to 50,000 years ago. We're like, what's up, dude? You know, like, okay, whoa. So, yeah, you do for 40,000 more years and you're At a place where you could be like, well, yeah, there was a thing in a place and stuff happened. And then the volcano blows up. You all run away in every direction and you left with the. Yeah, the thing. But you wouldn't know about the place these other people went to. There's one consistent thing that we cannot fix about this narrative. I'm telling you right now, there is no way any of this information could travel. There's no way. We haven't made any methods for this information to go from one place to another in such short times.

Cristina: Yes.

Jack: And information that is consistent. So there is a story that is in both Russia and Greece is right on the verge of when things started to be written. How do you get it from one place to another? There is many, many, many, many structures along an equator line that doesn't even exist. And there wasn't science in order to track it in the first place, but the information still got out. Do you see the pattern? We have a lot of information that's moving quickly in speeds that are impossible for the time that the people existed. This leads to one single thing. There had to be higher advanced technologies that existed around this time that we have no knowledge of for them to.

Cristina: Get the story from one place here.

Jack: Yes. And we're talking the further back we go, the harder it gets. So the equator is the hard one. That's the real hard one. Because how did you get the structures? It's easier to move the word than it is to move the rock. You know, how do you get the information all the way up there and then they build it? Problematic. And we're talking some of these structures are right there at the edge of when writing began. There's no way this was so complicated that you could send the coordinates. So we got a problem. Definitely. There had to be some ancient advanced civilization. But there's no trace. Funny enough, there's also no trace.

Cristina: What's the fastest way to, like, send the message, though? Like when they were saying horseback. Okay. I was gonna say birds, but that's. Horseback is faster.

Jack: I mean, a bird would be faster, but you'd need to know where you're sending the bird to in the first place. But with a horse, you are the explorer.

Cristina: Yeah. Okay.

Jack: You would have already needed to get to where you're going, show the bird how to get there. And now you have a messenger bird.

Cristina: Ah, okay. Okay.

Jack: You need to show the bird where to go.

Cristina: That's difficult. Okay, I see.

Jack: You already have to travel there.

Cristina: Yeah, yeah.

Jack: So there's a problem. So we have no evidence of past advanced civilizations, but we simultaneously don't have any accidental cave drawings or markings left behind anywhere. Now, why is this relevant? Because we know of a past advanced civilization that might have existed, and it might be Atlantis. Okay, now, interesting part about that. It also falls on the equator, the ancient one. And, okay, we know mentions of Atlantis are abundant in records all over the place. They really believe those people existed. But also, there's no trace of those people. But also, they claim those people were highly advanced. Yeah, but also, the structures that are lining the equator are way more advanced than the people who built them were. So let me explain. There was an advanced civilization on the equator who did have the capacity to create the science and then pass that on and probably had the ability to transport it where it need needed to go and existed roughly around the same time that we needed for that to be the case for the information to get where it needed to. So then the structures got built afterwards. It completely solves every problem that this timeline has to just say Atlantis that is actually on the equator existed. And if that's the case, then, yes, they had the science. They could do the math and find out where this line goes.

Cristina: You think they have the caves?

Jack: We'll get there.

Cristina: Oh, okay.

Jack: He's got to stay on topic, man. We get there. You know, you going over there when I'm over here trying to explain to you what's going on. Atlantis had the science, and if they have the science and they're as advanced as claiming, then they are the first advanced civilization.

Cristina: Mm.

Jack: But we're talking technology to our scale or greater. Yes, factually. Now, the other thing that's interesting here is we're thinking of people like the Egyptians that built the pyramids, and we're like, oh, how complicated? But actually, we forget that these people were about as advanced as we are. We just think back. We're like, oh, they had to be ancient, but no, they had to be about at our level. Which is complicated because, yes, everything you built would suggest that unless somebody helped you, but then they. They sort of violated the prime directive and moved you quicker. But it's fine, because they're just like you. They're people like you. They're human, too. So. Because here's why that's important information. How did we so fast get to the Egyptians Popped up, and suddenly they're just the way we are. How did these civilizations so quickly get from point A to point B so long ago that they were where we are? Unless this information is wrong and they started further back.

Cristina: Okay.

Jack: But they didn't. Because we can prove that there's no trace of that. We can date these people to where they began. So the fact that they were at our stage does not make sense. But we know they were. Which is weird. So again, we came across a problem. Unless we insert Atlantis into the equation. Again.

Cristina: And how does that help?

Jack: Because you have people who are already sharing the knowledge. That's how you got the coordinates. That's how you traveled across the world. You have the people gonna see you.

Cristina: Okay. These are the special people who are helping everyone else advance.

Jack: Yes. They are so advanced themselves that they're helping everyone else. Two things conflict. One. Where are they? There are things that suggest underwater. There are pillars. There are structures. Quite advanced structures. Complicated rock designs and decorations leading into the water.

Cristina: Mm.

Jack: They could have sunk. But then we go in the water and we find nothing but these structures. Highly advanced people wouldn't just die out.

Cristina: You're gonna say they went into space.

Jack: They went into space.

Cristina: Okay.

Jack: Interesting things that are gonna follow. Now we know that not only did Atlantis kind of plop off the face of the Earth with everything they had, but we know that there are two different groups of people on other parts of Earth that just also suddenly disappeared. And we believe some of them went down. But we also believe some of them went down. Up. Now we have no proof that anybody went down. That's just you guys seem to be quite introverted as a civilization and not going outward at all. So we assume based on the fact that there's catacombs and tunnels that we can't unclog and follow, that you're probably underneath all your structures. Buried.

Cristina: Yes.

Jack: Or plugged into some matrixy crap. Because it happened. Like, how did everybody do it?

Cristina: Okay.

Jack: Weird. How did everybody just. Overnight. Everybody's gone. That's the weirdest part about the mayans. It under 50 years every. Unless some crazy plague got ripped. But then where all the remains.

Cristina: Like if they were underground and dead.

Jack: That's possible. But we would see something. We would have seen some groups of people or something. The fact that there's almost no trace of these people other than, like all their stuff is there. But where the bodies. That's why they have to be underground until you remember that. We also don't have the cave drawings and no link in those directions. Like where this should be older. The idea would be maybe there are cave drawings but there aren't remains. Because somebody took those people. And the people who took those people might have been the same People who are sharing the knowledge. Because you need to take people of every walk of life if you're gonna go explore. So Atlantis people not only advanced Earth by giving everybody information that would allow them to advance way beyond. We're talking that the Egypt, in a 1500 time period, managed to become as sophisticated as we are. Are you kidding me? And then afterwards, it took us longer to get to the same point.

Cristina: So they help everyone and they took some of everyone.

Jack: Yeah, but think about the logic of what I just said. In about 1500 years, they came to exist and got to where we are technologically, and we are still getting to where we are technologically. And it's been like 10,000 years. Do you see the problem? Huge discrepancies in what's happening. Either we are nowhere near as sophisticated as the Egyptians were and as the Mayans were, or they weren't as sophisticated as they were.

Cristina: They got help.

Jack: They got help, and then a bunch of them disappeared with literal no trace. And we're talking from advanced civilizations to primitive people.

Cristina: Are you saying the Egyptians disappeared?

Jack: No, the Egyptians didn't disappear. The structures are complex. Mines. As a beard.

Cristina: Okay.

Jack: And there are. I don't remember the other one that we talked about that they had the thing that opens, and then they could, like, in theory, have a rocket, which the Egyptians also had, but the Egyptians didn't actually use it. And it's more likely that theirs is.

Cristina: A laser or battery. Yeah.

Jack: While there was a different pyramid that had the ability to open at the tip. We know that only one of the pyramids in of the ancient Egypt pyramids does because they actually capped with a metallic or gold tip.

Cristina: Mm.

Jack: So a bunch of them couldn't open. I don't remember where this other one was, but it's in the Ancient Advanced Civilizations episode, if you guys want to listen to that. Okay, so we need to connect the Atlanteans to the last bit of information we have here in order to complete our informational circle.

Cristina: Okay.

Jack: The first written mention Atlantis just so happened to come from Greece. And the first mention of Atlantis in the Greek documents happens to talk about how they have bestiaries globally. And one of the most interesting parts about Atlantis and their bestiary is that according to. Because we don't have them, according to the Greeks, their creatures were of magic. What? And the Greeks only describe one other creature, but they say that creature is not magic. So weird. But in both cases, we seem to be talking about a very similar creature, because the Atlanteans had what would, in theory, now just be considered a Pegasus.

Cristina: Wait, what?

Jack: Yeah, Atlanteans had Pegasus, which then goes ahead and explains how you're locally traveling. And then you probably have advanced technologies that are also getting you across the world. So we have travel established very monstrously here.

Cristina: If they have flying horses. Yes. Okay. What?

Jack: Weirdly enough, how are you saying these people have flying horses but you have a unicorn? That doesn't happen. It's real. It's real. But it is magic. Yeah, but it's real. As opposed to. But they also believe that the Atlanteans had real Pegasus.

Cristina: Yes.

Jack: Okay. Actually, they believe all of this is real. They do believe that there's mythology, but unicorns don't show up in Greek mythology. They show up in Greek documents.

Cristina: Okay.

Jack: These same documents. And go ahead and mention the Pegasus.

Cristina: Yes.

Jack: And the fact that the Atlanteans had bestiaries with creatures that they'd never seen before.

Cristina: Not just like the Pegasus.

Jack: Not just the Pegasus. There's a plethora. But that's the important one right now.

Cristina: Okay.

Jack: Because the fact that they can ride a Pegasus, that is magic. They can travel and that there is a horse that is also magic and happens to be in Greece. We're getting close now. We're getting to similarities. Both have magical horses. The one important thing about this document from Greece is the weirdest part about this.

Cristina: What?

Jack: The people from Atlantis would visit and they would fly their horse to one location.

Cristina: Mountain.

Jack: A mountain. And they would unmount there and then come out. Where was it? It was Mount f****** Athos.

Cristina: Is that why they had those horses there? Like did the. The unicorns.

Jack: No, no, I didn't meet them. Did not meet them. I know that there were unicorns and they were landing up there with Pegasus.

Cristina: Yes.

Jack: That mountain, for whatever reason, is sacred for horses.

Cristina: Yes.

Jack: And the mention of this mountain relative to unicorns. And the mention of this mountain then relative to Pegasus. Weird.

Cristina: That is very strange.

Jack: Not the strangest part.

Cristina: What?

Jack: The strangest part is that they apparently, without having to be virgins, can easily interact with unicorns. That's the weirdest part about these documents. That the Atlanteans can. That they're what?

Cristina: How do you know that are inversions.

Jack: How did they multiply science. Then they're not human and they're aliens by default. Okay, Immediately broke the argument.

Cristina: They're aliens to begin with.

Jack: So anyways, these aliens that came from outer space and are totally not human helped everybody out and that's the end of the story. Then obviously they had to reproduce. But we Have Atlanteans that have Pegasus land on a mountain that's claimed to have a bunch of unicorns. They seem to tame the unicorns. People have actually come with parts of unicorns from up there to prove that there are unicorns. These people had advanced technologies long before advanced technologies from people who are still here left. They seem to have dipped out because there's no trace of any of their stuff. But a bunch of other people also dipped out. And we know that these people didn't just leave, but they were also communicating with everybody everywhere. So they would have come across these more primitive people, presumably the Atlanteans, to be this far advanced and way above our heads by miles and would have been around much, much, much, much, much longer than even the Indo. The proto Indo Europeans, in fact, so far ago that they were beating maybe. Perhaps language. Maybe they were at the inception of language, which is also around the time that we started seeing the first cave signs. If they predate that and they're helping people consistently, then maybe they're consistently plucking people from different walks of life to bring them and incorporate their knowledge. Oh, you start developing a different way. Let's incorporate you so that we can move up quicker with you.

Cristina: Okay.

Jack: Oh, you guys are also. Okay, we're gonna. And then as we get knowledge, we're also gonna share it. We're also gonna share it everywhere. Share it everywhere. Where'd you get the idea to start cutting these rocks in the first place? Somebody gave it to you.

Cristina: Mm. You didn't just idea.

Jack: Yeah. You didn't just stumble, but somebody gave it to you. But it wasn't aliens. That doesn't make any sense.

Cristina: Mm.

Jack: But somebody did gave it to you. And yeah, language got complex really quickly, and words started pretty basic off, but you would have started drawing at that time. Unless when you started coming up with language, somebody took note and they're like, oh, these guys are smart enough to start coming up with language. Let's start scooping some up and see how it goes.

Cristina: Oh, okay.

Jack: So you took the people who would leave the least amount of trays but you would keep safe. And then we never find their bodies, which means they never lead us to the caves in the first place. And boom, we answered that question too. On top of the fact that then with all their science, they go ahead and share with everybody, because apparently they have flying horses and extremely advanced technologies that then allow them to give other groups of people. Hey, if you put it right here, you align perfectly, and then that would explain everything. That's happening in Egypt with extremely detailed information. Something about that spot is particularly sacred to the people of Atlantis. Which would be because it is itself an area of advanced technology With a really complicated laser. That's probably not even a laser. But rather a transportation which we've established has a literal chamber inside.

Cristina: Yes.

Jack: That you would connect straight to the beam. That has the battery design and happens to be in Egypt. Which is the most advanced of all. And it's also the most mathematically complicated position wise. And we know people disappeared. There is something that could matter you out of here without a trace.

Cristina: And only the Atlantic people knew. How?

Jack: I don't know because I didn't talk to those people. But according to what we're talking about, the people of Atlantis disappeared. And there is a transport device on the equator. And how did they even get that level of technology themselves? Because we know that's not possible. But they did have it. So you had things you shouldn't have. There are people missing. And you have a transport device that happens to be on the line that those people who did have the tech also happen to be on.

Cristina: Yes.

Jack: And they could travel to you even if you can't travel to them.

Cristina: And they're all just gone.

Jack: Yeah. So the idea here is all these structures aren't just normal structures. These are structures that were plotted by the people of Atlantis for different purposes. Including our transport device. But there's also giant clocks. There's space measurement devices. There's constellation measurement devices. Timekeeping. Just really highly advanced stone structures that wouldn't savagely disrupt a civilization. But would give them enough advantage over the people around them. And all happened around exactly the same time. I'll show you how weird this is. I'm just gonna give you the years of when a lot of these structures happen to line together. We have one, two, three different structures that happened about 4,500 years ago. And they are all on the equator. And they are about equal distance from each other circling the earth.

Cristina: Okay.

Jack: How did you all manage to get exactly the same information, Put your structures in exactly the same place and not have any means of transportation to cross Earth?

Cristina: How many of them? Four. You said three. Three. Okay, three.

Jack: That's not even the biggest problem. Considering that there's another three that also happen to be around the same time. And again the same issue arises. You guys are too spread out across the Earth. How? These are 6,500 years apart. The other one is 4,500 years apart. And in both cases three structures separated by a planet all landed on the equator at the same time. At the same time.

Cristina: Crazy. Okay.

Jack: And this happened 2,000 years later again.

Cristina: Okay.

Jack: Three different structures around the world. Too far apart.

Cristina: Okay, that is very strange.

Jack: Somebody's telling them.

Cristina: Yes.

Jack: And they're not doing it because how. How are you getting all the way from India all the way to Australia? Not getting lost. Dropping something in Australia, Dropping something in India. Dropping something in Europe. Like what?

Cristina: Okay, what?

Jack: So the solution would be that the people that there were highly advanced people helping that would solve the problem. The people that were. They were literally on the equator, and we know their structures on the equator. The people went missing because they probably just dipped out with a bunch of other people that they got information from as they started seeing intelligence happen elsewhere. Yeah, it's. It's quite possible.

Cristina: Do you think they're related to the unicorns that are on that hill, though, because of the Pegasus that they have, or you think those are unrelated?

Jack: I don't think the unicorns belong to them. It's just the fact that there are highly advanced people that are both gone and claim to have been real by the same people also claim to have a flying horse and fly that horse to where there's already allegedly unicorns and say that these people can interact and tame the creature. You can't even come across. So it's just a bunch of random crap that somehow happened altogether interesting. And so as of now, with the mention of unicorns even existing outside of Greece, I thought Greece was the only people who thought it was real. But no, Russia believes so too many.

Cristina: Think it's in Greece, and they think.

Jack: It'S in Greece and they mention the mountain by name.

Cristina: Okay, okay.

Jack: Not only that, John was Russian and he handed our merchant the powder.

Cristina: Yes.

Jack: Or it was the horn. Yeah, it was a horn. Yeah, he gave the whole horn to.

Cristina: The guy and it pretty much became powder at the end of the story. Okay.

Jack: He's given it by a Russian.

Cristina: Yes.

Jack: Who said it came from Mount Athos. There happens to be a story in Russia about Mount Athos and unicorns. And the only other people who believe that there are unicorns in Mount Athos and there aren't just mythology, but rather real, are the Greek who own Mount Athos and also said the Atlanteans are the weirdest people because they just go there and the horses don't run away.

Cristina: How many stories? Like, is Atlantis mentioned in a lot of places around the world?

Jack: Yes, it is an absurd amount.

Cristina: Okay.

Jack: It's like. But the problem is Atlantis spun into mythology real quick.

Cristina: Oh, yeah.

Jack: The idea is, why did that happen? Why did it so. Because the main reason is you can't find them. So it so easily became mythology. It's the same thing as the Mayans, but for some reason we're like, oh, they were people. Yes, but the Atlantis.

Cristina: No.

Jack: It would be crazy if. But us. Our narcissism is in there too. Like, they couldn't have been more than us. We're the people peak at the moment.

Cristina: Of course. Yeah.

Jack: We're always the peak, bro. We always think that before when we were in the stones, we're like, we're the peak. And there were like, people better than us. Whatever. Yeah. So that's basically the idea here. Definitely. Unicorns seem to have been at least tamed in the slightest way by the same Russians who did believe that they. Not the same Russians. The Atlanteans, in the place that both the Russians and the Greek believe that they would be.

Cristina: Yes.

Jack: And the same people mentioning the unicorns, the Atlanteans and the Pegasus that happened to also have a bunch of records of other encounters with unicorns. Mention the high advanced nature of the Atlanteans. And then the Atlanteans land on the equator that was old. That then happens to be where all the other structures are that the only people who could access that would be the Atlanteans.

Cristina: Because they could just fly to each location.

Jack: Bare minimum. If we don't know that they have the technology.

Cristina: The.

Jack: That was the point of mentioning the Pegasus.

Cristina: Yeah.

Jack: Bare minimum. You have a horse that doesn't have to slow down. You have flight. You beat everybody. You have flight, bare minimum. You got no tech, you have flight.

Cristina: Mm.

Jack: Bare minimum. But if that's the case, you also have magic because they still mention the fact that you're taming horses that literally disappear in front of people's eyes and you have a horse that freaking flies.

Cristina: Mm.

Jack: So if you don't have technology, you are literally messing around with magic. In either instance, you are way above everybody else.

Cristina: Yes. Yes.

Jack: The only answer to every problem we have come across is that the Atlanteans must exist. Is that.

Cristina: And they must be like a super advanced civilization, at least compared to everyone else at the time. Yes, they were.

Jack: They were so far advanced even back then that they are more advanced than us by like a thousand years. That's how crazy that is. Okay. So, yeah, basically I'd say I want to. There's. There's way more we didn't get to. There's like half of this, though, to go And I didn't get to it because there's a lot. And it's just. Just trying to conclude that all of this is possible. If we insert Atlantis, but it all falls apart, and we don't know how anything functions. If we extract them, but we believe reality that's accurate is the one with them extracted, which is like. You guys realize the solution is literally right there. If you insert that, everything works out. Which is funny because scientists jokingly have joke papers suggesting the same thing, but none of it is official. And it's all in joke. And it's like. But. But you saw what. Yeah, you saw what the rest of us concluded. Sort of. But they don't believe it's real.

Cristina: That is lame.

Jack: And they do not connect the. The. The unicorn that had. That was complicated research to tie all that back in a circle that led back to the unicorn.

Cristina: Mm.

Jack: Because that's actually where I started. That was the hardest part, figuring that out. And then everything else just kind of fell out of that.

Cristina: That's so crazy. And there's still more.

Jack: Still more. Because it was weird. I chased the unicorn, just digging deeper, and then the very Pegasus. Well, I was like. I was just trying to expand on it. I didn't find a Pegasus. That happened to happen after Atlantis connected to everything.

Cristina: Yeah.

Jack: But looking for it, I found the story that the Russians had. And then going through that, I'm like, okay, so this is pretty hefty mention. And it's about the same mountain. What else happens in this mountain? What is. What are all the things that happen in this mountain? Atlantis. Why is Atlantis touching this mountain? That's sketchy.

Cristina: That is. Is there more? Did you look at a bunch more?

Jack: No, there wasn't a lot. It's pretty bare minimum that's happening on that mountain. It just happens to be like, Atlantis, the Pegasus. There is a fight that happened between a giant, and it's either his burial site or the giant through a rock. That is the mountain. One of those two. But that's mythology. That's Greek mythology.

Cristina: Okay.

Jack: When it comes to actual records that they believe are real and wrote in honesty, believing this were like, these were events. They truly believe the Atlanteans would park a Pegasus on top of the mountain, hang out with some unicorns, and then come out and trade.

Cristina: Interesting.

Jack: Well, so anytime Atlanteans showed up, you would expect them to come from Mount Athos. Even if they were not living on Mount Athos.

Cristina: Didn't they have any idea where Atlantis was?

Jack: The Gulf.

Cristina: That's what they knew that too, yeah.

Jack: Everybody believes it was in the prison.

Cristina: Oh, okay.

Jack: Yeah.

Cristina: Okay.

Jack: So, yeah. Fascinating couple of details there. See, also, wouldn't that suggest that Atlantis. They were Middle Eastern?

Cristina: Mm.

Jack: Right.

Cristina: Yeah.

Jack: The most advanced people in the world were Middle Eastern. Yeah, that checks out. It would have been some of the earliest people. In fact, the Middle east is directly above Africa, where we believe everything began.

Cristina: So that makes sense too.

Jack: Checks out that. Yeah, I didn't even think about that before, but, yeah, that totally fits. Even more.

Cristina: Yes.

Jack: The narrative just got tighter by remembering that. Oh, yeah, the first people are the north of Africa, the south of the Middle east, which would essentially just surround the Persian Gulf. If you wait long enough, they could migrate there, established civilization at the beginning of time, quickly move forward, and boom, we have what we now know. The one detail I'll add, we're way over time, so we're gonna close this right here. Is that if that's the case. And yes, they're the Middle Eastern people, and they are in this very specific region. In order for them to get to that level of advance, they also needed to go through trials and tribulations like all the other creatures that then became advanced. This would mean that they probably weren't from our time. They're not H*** sapiens. They might have been one of the other groups.

Cristina: Okay, okay. One of the other.

Jack: One of the other human.

Cristina: Humans. Yeah.

Jack: Okay, interesting. That makes sense, because they would have outdated us, moved faster forward, because we know that the ones that were ancient humans, not ANC humans, but those other cave people, were roughly at the same level we were. If you just say there were some that happened much earlier, which we know, 2.5 million years ago.

Cristina: Yes.

Jack: One of those groups could have wandered off, landed here, isolated, become just between each other. Yes, we're working on it. Working on it. Working on an isolation until they're so advanced. By the time we start getting to where we should be seeing things that we're not seeing, they were already too advanced.

Cristina: They were interesting. Okay, so they're not even human, or. They are.

Jack: They are humanoid. They're not alien.

Cristina: Yeah. Yes.

Jack: Yeah. They're different caveman. That is not our lineage likely. So, yeah. Anyways, just food for thought. So, yeah. Many episodes you guys can look at relative to all this information to catch up. If you are not caught up there. We got unicorn episode. We got an episode with the Merchant. We have an episode talking about the old, old equator. We have a couple of episodes about the ancient advanced civilizations. We have episodes about Atlantis. We have, you know, Quite a lot going on. Aliens intervening. We got the Mayans disappearing. We got all of the Egyptians. The Egyptians and how we used it as well. There's a lot. There's a lot. You guys can find all that stuff on all our feeds and you can get in contact with us and let us know if you like any of it or if you have ideas. Look, if you got input to this, like, something that could fall in here, message us and let us know. You can hit us up on just convopod at TikTok, Instagram, Facebook, Twitter, wherever.

Cristina: And remember to subscribe, rate and review the show.

Jack: Yes. And tell people, tell everybody. And this is actually a really interesting, weird thing that isn't normally talked about, but there's a lot of, like, documents that could connect you easily to all this information. You could research this and land at real science. Research that has been done by real scientists, real professionals looking into this and being like, well, that's a weird coincidence. And it's like, maybe stop calling it a coincidence, bro.

Cristina: What if it's not?

Jack: If it solves all your problems, you call that a theory, and then you hypothesize and try to experiment. Simple.

Cristina: Yeah. This has been the rhyming podcast. Thanks for listening. Bye. So let's put kind of that. That's great. Then they could talk about it. The point is to discuss.

Jack: Well, they're gonna be fascinated by watching. They're gonna be so excited watching and being like, what could they possibly be talking about? Oh, my God, I wish I could know. They're not gonna be worried about the fact that they're tied up or anything. Being held, horrified. No, they're like, what could they possibly be talking about in that episode?

Cristina: And then the person hearing it is not going to want to talk about it.

Jack: No, they're just. They're probably not even really paying attention. They're just truly horrified. They're super scared because that other person doesn't even seem to want to help. They just seem to want to be in on it.

Cristina: Yes. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.