Rambling 211: Unicorns

Are unicorns real? Where do they come from? Can they help us figure out the Santa Clause Problem? The duo unpack Unicorns, their origins, what the truth about them might be and whether or not it would be useful to find one in order to use it to catch santa.

Rambling 211: Unicorns

+Episode Details

Topics Discussed:

  • Unicorns
  • Indus Valley Civilization
  • Bestiaries
  • Powers
  • Greek Civilization
  • Middle Ages Europe
  • The Evidence
  • Magic Horn
  • Unicorn Powder Merchant
  • Adrenochrome

Our Links:

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+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Ramblin Podcast. I'm your host, Jack.

Cristina: I'm. I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas, which we Every week.

Cristina: Yes.

Jack: And last week we were talking about giving ideas power. When we give ideas too much power and when we extract. Extract power from ideas as well. Collapsing entire things. Religions and governments and currencies. All things that are powered on sort of the energy, the power, the true magic of imagination. Imagination.

Cristina: Imagination.

Jack: A little rainbow. SpongeBob. Who does that? Right? Imagination. And so a little rainbow shows over my head. I'm gonna put the effects. Nobody can see it but you. But it's gonna be great. I'm gonna do it in post. There's not even video. You're the only one who's gonna see it.

Cristina: Me?

Jack: Yeah, you're gonna see. I don't even know where you're gonna see it because it would require some sort of playback of the. I'll get an artist to draw this moment with the rainbow so everyone can see it. So everyone can see it. Yeah, now everybody could see it. The medium that is accessible to the public.

Cristina: Okay.

Jack: Anyways, I would. What the h*** was I even saying?

Cristina: That we use too much power to monopoly money.

Jack: Yeah, we do give power to monopoly money. It's crazy, because the power of imagination, man. It's crazy. We do. We. We give these ideas power, and it is absurd that we do that, but sometimes we think that things don't have power and that they are ideas and they are the other way around.

Cristina: What do you mean?

Jack: So in opposite of giving ideas power, sometimes there are things that we just think aren't even things. They're just ideas. We're like, no, that's. That's just imaginary. And this happens pretty often. A real common occurrence in which this happens is aliens. A lot of people just think aliens don't exist.

Cristina: Okay.

Jack: They just objectively are like, no, that can't happen. Especially like most people who believe in religions.

Cristina: Yeah.

Jack: Like the universe was made for us.

Cristina: Yeah.

Jack: And so a lot of people do believe that there is no such thing as aliens. That's an imaginary idea to them. And that's. That's great. Whatever. But there's aliens.

Cristina: But there's aliens.

Jack: But there's aliens. We have many of them. So it's not that it's an imaginary idea, but this happens a lot, including things that we ourselves haven't really considered now, we've briefly glossed over, but we've never really deep doven into the mechanics of a unicorn.

Cristina: What?

Jack: Yeah, because there's a couple of ideas here, and I'm gonna show you where I began and where I ended with this thought. And it got really confusing and a bit scary at times.

Cristina: Because of the unicorn.

Jack: Because of the unicorn. And I became fascinated by the unicorn because. I don't know, it's an interesting, majestic creature that poses as something simple, is elusive the way like Bigfoot is.

Cristina: Yes. And are you saying people don't.

Jack: But people don't believe in the unicorn.

Cristina: But you're saying it's a thing?

Jack: Unicorn might be a thing.

Cristina: Why?

Jack: Well, the unicorn is. Well, before I even get to why it might be a thing, the idea behind this is that the unicorn itself possesses a certain kind of power and ability that it's. You know, it's like Bigfoot. It does disappear. It vanishes. It's elusive. We can't find it. People think that that's just a part of imagination. Because of that, there's no proof. The proof is gone. It ceases to exist. And I found that interesting that we do have this thing like Bigfoot that is there.

Cristina: Like, that's not a thing like Bigfoot, is it? I mean, maybe once upon a time. I don't even know.

Jack: I'm saying that it's elusive the way Bigfoot is.

Cristina: Like. Have there been stories of people seeing unicorns, though? Yes, but not recently.

Jack: Neither have there been stories of Bigfoot recently or aliens recently.

Cristina: I feel like more recent than unicorns, though.

Jack: I think unicorns right before Bigfoot.

Cristina: Really?

Jack: Yes, I think unicorn. I think bigfoot dominated the 20th century, like 1900s to the 2000s, but the unicorns was, like the 1800s. Maybe. Maybe a little earlier. Yeah, I don't think it was, like, way back. It was back there, but it lasted big, big, big. Still around this time, like, it ended towards the 18, you know, where they were seeing unicorns. I'm not sure where they were seeing unicorns per se, but I can give you some generalizations of to where unicorns were seen. But my interest in the unicorn came in that we've glossed over the unicorn before and haven't really been able to establish what it was. We. We joked about it being perhaps a horse.

Cristina: Mm.

Jack: On adrenochrome. Because everything is on adrenochrome, and that just seems pretty obvious. Sometimes it's a small change, sometimes it's a big change.

Cristina: Yeah.

Jack: Like, Steve still looks like a plain groundhog. Like, sometimes he's just got powers. Or sometimes you go from being a wolf and become some crazy Wetchards looking thing, you know, Werewolf.

Cristina: Yeah.

Jack: Like drastically different things. So, yeah, it ranges. So I'm thinking it's that.

Cristina: That's what you think a unicorn is.

Jack: Yeah, I'm thinking the unicorn is that to begin with. Right.

Cristina: Okay.

Jack: That's where my thought begins. I'm like, yeah. But then. Then I go through some stories which I'll tell you all about.

Cristina: How many involve blood?

Jack: Potentially one, but that's the one that matters.

Cristina: Okay.

Jack: And I don't actually, the potential is the best part here, because I don't think it is blood. And I think this is why we need to catch a unicorn.

Cristina: Of course. Okay.

Jack: Because I pose forward that the unicorn is using fear the way that Santa Claus is, but on an individual scale.

Cristina: What do you mean?

Jack: I am confident of it, but let's go down the rabbit hole.

Cristina: Okay. Honestly, I thought you were gonna say that it's. You think it's an alien?

Jack: I think it's an alien.

Cristina: Okay.

Jack: I think it's some sort of Something figured it out. Something figured it out. I don't know what exactly it is. I just know it has powers. I guess the next step would be to find out if it is what we think. If it's doing what we think it's doing, then what is it?

Cristina: Mm.

Jack: That would be the next step.

Cristina: Okay.

Jack: Because it hasn't figured out how to do this on a scale like Santa Claus. But I'll show you as we move forward. So let's break apart the basic things we know about a unicorn. Right. A unicorn is usually thought of with a single long horn.

Cristina: Horn. Yeah. And it looks like a horse. And. Looks like a horse, I guess, too.

Jack: It's usually white.

Cristina: Mm.

Jack: And it's very, very absorbently white.

Cristina: Is that important?

Jack: Well, no, that's how we picture it.

Cristina: Okay.

Jack: And it's also, again, like I said before, highly elusive, really difficult to see, and they say it's magical.

Cristina: I don't understand. Are there stories that prove that it's magical besides, like, it's elusive? Because that's the same thing with Bigfoot. Like, it's magical because I don't. I don't get it. Like, the whole. It's hard to find proof of equals. It's got to be magical. Like, I don't. I don't see the connection there, but yeah.

Jack: Because what has the unicorn done? Right.

Cristina: Yes.

Jack: What has the unicorn done? That's magical.

Cristina: Yeah.

Jack: For anybody to say it's magical.

Cristina: Exactly like the Bigfoot. What has it done?

Jack: Exactly. What has. It's just elusive.

Cristina: Yeah.

Jack: They're saying. Well, they're chalking that off. The magic immediately.

Cristina: Yes, that's what it feels like. But is there anything else to it?

Jack: It's like disappearing, right? Oh, it disappeared. It must be magic.

Cristina: Yes. Not that it knows everything around itself and is familiar and where's the best hiding spots and whatever, but. Okay.

Jack: Is there any other detail we know about a unicorn? Is that all of it?

Cristina: That's all I know. That's all I know. I don't think there's anything strange about it.

Jack: Nothing strange.

Cristina: I don't think it's bigger than any horse or smaller than any horse or like, there's nothing special. If you think of Harry Potter, it has silvery blood, but I think that's just a Harry Potter thing.

Jack: Interesting. I like that. That's cool.

Cristina: But that's not real. Is there any stories like that that would be interesting if there are stories like that and Harry Potter was just basing it off of.

Jack: You think Harry Potter would have the intelligence to go do some research on some crap? Well, I think the wonder there was that it was generated from somebody's mind as opposed to like. A lot of that was original. I'm sure it took inspiration from research that was done, but a lot of that was just in, like, original stuff. Although I am not the biggest fan of the entire. Of the Harry Potter world, I do value the level, the quality at which it was crafted. It is impressive. Yes. It's incredibly deep. Harry Potter is its work of genius. I'm just. It's not my thing. I don't like fantasy.

Cristina: You're a hater.

Jack: Yeah, I'm essentially a hater because I don't like fantasy, but I understand the value of it. You go through it. It is some. It is complicated and deep. But as for the unicorn, which Harry Potter has probably one of my favorite iterations of the unicorn. It was like a goth unicorn. The weird dark situation it was involved in because it was still mystical and, like, hidden. Right. It was just Voldemort hunted one down and just drank its blood.

Cristina: We had to keep doing. He has to keep doing that.

Jack: Yeah.

Cristina: He survives off of the unicorn blood.

Jack: That's crazy, right? The edge of life.

Cristina: Well, very adrenochromey type.

Jack: It is, right? It totally is, bro. He was on adrenochrome. Get the h*** out of here. It was Adrenochrome 100. You can't tell me anything else. He was a wizard on adrenochrome.

Cristina: Yeah.

Jack: That's how he became that freaking nature.

Cristina: He changed and everything. Exactly.

Jack: He changed his nose and everything. His face altered. He warped. The way something on adrenochrome would.

Cristina: Exactly.

Jack: So early mentions of the unicorn because, you know, we gotta follow its trail, see where we could find one if it's so elusive. And boy, is it elusive. Aliens, way less elusive. Almost every civilization has some mention of aliens. Usually in the same manner. Saucers and like flying things and things coming from the sky. The same crap over and over and over.

Cristina: It's all UFOs. Yeah, that's the most common.

Jack: Always a hundred percent of it. But not in this case.

Cristina: What do you mean?

Jack: There are so few mentions of the unicorn it is absurd.

Cristina: Exactly.

Jack: Like Jesus, kind of. It's like you got the Bible and then that's it.

Cristina: Yeah. So.

Jack: Well, and see, he's mentioned in the Quran. That's a lie. So he's mentioned the Bible in the Quran. It's like, okay, this is like, way less probable. There's nothing proving this thing is out.

Cristina: Here, the unicorn or Jesus either.

Jack: But there is the. In this valley civilization. Right. This is about 3,000 years before Christ. And they had mentioned in their scripture and in their writing a unicorn. And they mentioned it as a single centered curved horn that went forward and then up at the end. So it wiggled its way, which I've seen iterations of, and I didn't know where that came from. I've seen three different ones. It's the pointy spike, the spirally one, then the wiggly one. Seen all three. And I never really realized I was seeing all three until somebody made a distinction.

Cristina: Were you seeing them on different animals or you were seeing them?

Jack: No, all of them on unicorns, but different iterations of unicorns.

Cristina: Okay.

Jack: And so I thought that was interesting that that distinction was made. And then I remembered, yes, I've seen spiral horns and whatever in different, like, pictures and, you know, shows or movies or paintings or whatever. Except their description of this creature was that it was cow shaped.

Cristina: Cow shaped?

Jack: It was cow shaped.

Cristina: So it was a big boy.

Jack: And it was thought of as a symbol of power. They thought it was a powerful thing because of its size.

Cristina: I guess it's still a unicorn.

Jack: Nah, still a unicorn.

Cristina: Mm.

Jack: What's interesting about this is they. Although not many places mentioned that they mentioned it often.

Cristina: They mentioned it, mentioned it often to.

Jack: The point that they would put this creature like it was part of their Normal ecosystem. They would place it on their crests, they would put it on there. It was like their, you know, their national creature, the unicorn.

Cristina: It could be just a mascot, have to be real things.

Jack: Yeah, but it was like the people's mascot essentially.

Cristina: Yeah.

Jack: And they, they, you know, they wrote about it all the time, but could be, you know, like that episode of Star Trek. Their entire world revolved around the idea of a dragon. And they just talked about the dragon consistently like, okay, yeah, it makes sense.

Cristina: But there's no dragon.

Jack: Well, there's no dragon. Yeah, it doesn't need to be a dragon. This is a story. But they based off on story. So I'm thinking the unicorn could be that case in this situation that they kind of based so much of their society on the unicorn.

Cristina: Did they have cows though? Like. Yeah, it's described as a cow, but.

Jack: No, they didn't describe it as a cow. They said it was shaped like a cow. But they were fully aware of what a cow was.

Cristina: Okay.

Jack: And they were fully aware of what a horse was.

Cristina: Okay.

Jack: This is like a cow shaped cow shaped thing with one single horn. Now what's interesting here is in trying to debunk this, my assumption would be the only cow shaped horned creature would be a rhinoceros. Seems powerful. It's bulky, it's a big boy and it's muscular. It looks like a tank and it's thick skinned. So if they're talking about something that's a symbol for power, I couldn't think of something that I think of more powerful.

Cristina: Where was this place at? Do you know?

Jack: I have no idea where this location.

Cristina: Is because yeah, rhino makes sense.

Jack: Rhinoceros does make sense.

Cristina: All right. I just looked it up. It says that it's in the northwestern regions of South Asia, which is Pakistan and northwest India and eastern Pakistan. I don't know if that's helpful. Here's a picture of a map of it.

Jack: But none of that's the Middle East.

Cristina: Yeah, none of it looks familiar. Yeah, I guess that's Asia. That's the Middle East. Right. Does that make sense?

Jack: No, the Middle east is in Asia. So that's just a corner of is there further away map, a further way map?

Cristina: This is like the only map I find and then it just shows.

Jack: Okay, so then, yeah, it's basically in the Middle East. If it's around Pakistan and India and that kind of region. So that's where the Indus Valley civilization was. And they, they thought of it as.

Cristina: A cow with a horn, there's gotta be rhinos there? No, I don't know.

Jack: There aren't any rhinos there. That's what's weird.

Cristina: If we look at where rhinos are.

Jack: Found, I'm sure it's gonna tell us. Africa.

Cristina: You think that's the only place in the world that has rhinos?

Jack: I. Yes, is my bet. I'm like, 95% positive.

Cristina: Okay. Like, two of them, the species are in Africa, and three are in south and Southeast Asia.

Jack: Holy crap.

Jack: So there are rhinos over there?

Cristina: Yes.

Jack: So at least close to there. Close enough because that's the Middle East. It's not the Southeast. Yeah, but it's close.

Cristina: So, yeah. It would have been probably rarely seen, but that's why it was so popular, because they never see it.

Jack: Door somewhere that they've never been to had a creature that had a horn and was big and bulky and elusive because they never seen it.

Cristina: Mm.

Jack: And the civilization was perhaps, probably based on the stories of one group who thought that it was common just over the hill. And they were like, what interesting creature? This? That's just over our hill. He's our creature too. We're all the same people. And he's just over the hill, and we've never seen him. He's that elusive.

Cristina: Yeah.

Jack: Hangs out with only the people that are elusive like him over there now.

Cristina: So maybe nothing magical about that.

Jack: Maybe nothing magical about that. And that. That might hold some water to some degree. Except when you consider some of the greatest record keepers of the world, which are two. The Jews are amazing record keepers. They are some of the originators of record keepers. And the Greeks are the other really good record keepers. After they finally began record keeping, obviously, because a lot of the crap that they had was just hearsay. You know, I got a story. I told you the story. You told him the story. They told them the story. And it's like we got a million versions of the same story. Which version do we write down?

Cristina: And are these about unicorns, though?

Jack: Well, they don't actually have. This is what's interesting about the Greeks particularly. They don't have a single mention of a unicorn in their mythology, what I would expect.

Cristina: Oh, yeah.

Jack: This is where it gets really incredibly weird. The only place that they have unicorns mentioned are in their natural history books. And in their history books. So the natural history books, historians record them, and in just, like, biographies and stuff, people reporting to have seen unicorns.

Cristina: So there are mentions of it.

Jack: There are mentions only of unicorns in real world instances. There are no mythological unicorns in Weird.

Cristina: Yes, weird. They thought of unicorns as actual creatures, not magical creatures.

Jack: Yes, but this. It's not even the magical creatures. They thought of it as a real creature that existed somewhere. Yeah, with them.

Cristina: Mm.

Jack: Screw the magic. They. They just casually thought this was an everyday thing. Yes, but this is the second civilization that we've come across now. The only people who mention them. Mention them as what? As always present.

Cristina: Mm.

Jack: Second time. These people straight up just had them in history books.

Cristina: But they look like horses, though.

Jack: Well, they believed that they were about that. Like the first. The horn in the middle, it was freaking huge. It was 28 inches.

Cristina: What?

Jack: Yes.

Cristina: How is it holding that? It's not heavy.

Jack: It could be like bird. Bird bone type. Now known as very jumpy and skittish. That's also why it's elusive, because the moment it sees you, it disappears somewhere. Just runs or magically vanishes or whatever people want to say happened as a result. It's also very agile.

Cristina: This creature sounds cool, but.

Jack: Okay, well, here's the coolest part. Usually it's described as white, but there are also mentions of it being red and black.

Cristina: That does look awesome. Oh, my gosh. I want a red speeding, thin horn creature.

Jack: But it is a horse.

Cristina: It is a horse for sure.

Jack: Yes. It's a magical.

Cristina: For some reason, I was hoping they were foxes, I guess.

Jack: Not magical. They thought of it as a variant of a horse.

Cristina: Of a horse.

Jack: Now here's where it gets tricky. They thought that these things existed in India, and only the historians, good record keepers that went to India, came back saying that these were there, that these were there. Now they know what horses are, and they said it's a horse. But there are rhinoceroses in India, apparently.

Cristina: But that doesn't describe the creatures they described.

Jack: They think it's an. It's a horse. Yeah, the Greeks.

Cristina: But they didn't describe it as a bulky horse, did they?

Jack: No, they did not. It was just. It was definitely just an elegant horse with a horn.

Cristina: That's weird.

Jack: Yes. And they. They knew what a horse was.

Cristina: Was it a camel?

Jack: A camel. Interesting. That's some middle ground.

Cristina: Yeah.

Jack: Between a horse and a cow, if you want, like a bulkier horse.

Cristina: Skittish, you said?

Jack: No, skittish. Gnome. Camels are like paste.

Cristina: Oh.

Jack: The opposite of skittish.

Cristina: Okay, describe this creature again.

Jack: Okay. A single 28 inch horn in the center. Jumpy and skittish. Yeah, that's why it's also very elusive. It's agile for the same reason. And it has red, black or white fur. And it is a horse.

Cristina: It's gotta be some type of deer. Were they familiar with deers, though? Okay, if we thought of it, not like a deer from here, but like those other creatures that look very similar.

Jack: To deer or something like that.

Cristina: Yeah.

Jack: Oh. I mean, a gazelle has two horns, but I know what you're thinking about those other ones.

Cristina: Yeah.

Jack: That one of them, I think, does in fact have a single horn. The problem is they're talking horse. The creature that I think you're picturing is significantly smaller, like tiny. It's like baby deer size.

Cristina: Then maybe they were decorating their horses.

Jack: Okay, interesting. Different angle. We know that. Even in which is. No, it couldn't be, because they would know, because Greek themselves used to strap things to their horses.

Cristina: That's true.

Jack: So they would know. They would know if it's. They know what a horse looks like.

Cristina: I don't understand. Because, like, if we look at the history, though, of the record of the actual place that they were visiting, what was it? India.

Jack: Yes.

Cristina: Do they have any unicorn stories?

Jack: The Indians?

Cristina: Yeah.

Jack: Well, no, that. Not that. Well, we do know that dimensions from the Indus Valley civilization is in the Middle east and India's in the Middle East.

Cristina: But does India itself has any stories?

Jack: I don't.

Cristina: This is so natural. Why wouldn't they have the most stories if everyone's pointing there and saying they have unicorns? Wouldn't they have unicorn stories?

Jack: Well, okay, yes. This is what's weird about that. Right. Because of all the locations that do mention unicorns and everybody seems to see it around India, but no, India doesn't have any sort of consistent anything with unicorns. No mention of the unicorn everybody else is seeing there.

Cristina: So they have to have something there that people aren't familiar with. I feel like that's gotta be the solution. Like they've got animals that people just aren't familiar with and they're describing in very strange ways the unicorn.

Jack: They're describing it as a unicorn over. Yeah, it's always the same. Or maybe they're not using the word unicorn, but the description is what we all call the unicorn. Yeah, but that's the thing. We're. Now we're talking that these people are all speaking different languages.

Cristina: Yeah.

Jack: We're using the word unicorn. We're saying this very same description is what they're all saying they're seeing.

Cristina: Yeah.

Jack: And if it fits, you know, more than half of it, let's say. Okay, we're. They're talking about what we would call a unicorn.

Cristina: Yeah.

Jack: And that's how we're defining this ultimately.

Cristina: Mm.

Jack: Because they're all coming back and saying, there's a one horned white thing over there that's just there and it's weird and impossible to catch and see. It's just there and then it's not there.

Cristina: Then it's not.

Jack: They're all mentioning the same thing.

Cristina: Interesting.

Jack: Yes.

Cristina: Now it has to be a real thing, not a real thing, but it's not. It's not a unicorn.

Jack: Well, for a brief period in the Middle Ages in Europe, popping up here and there, you know, sometimes in Spain, sometimes in England, sometimes in France, sometimes in Germany. Germany, you know, it would pop up everywhere. There would be depictions in bestiaries where they show animals of different sorts from regions, you know, real and mythological, sometimes mixed together. And they would show the unicorn. Many of them.

Cristina: Were they all visiting India?

Jack: Well, I'm not entirely sure, but I think they were used actually. I have no idea where. I just know they were showing animals that they have seen or recorded or heard of. Just beast series to gather information. And they were depicted in many beast series throughout all of Europe. Consistently. It wasn't one guy's thing. It was like all over the place. Anybody who had one, for whatever reason, seemed to have a unicorn in there.

Cristina: Weird.

Jack: Weird.

Cristina: Okay.

Jack: And here, though, split down the middle, it was thought of about as much of a goat as it was a horse.

Cristina: I don't understand. So sometimes it was depicted as a goat with a horn and sometimes it.

Jack: Was a horse with a horn. But sometimes it was the middle ground of whatever that would look like with a horn.

Cristina: Middle of a goat and a horse.

Jack: What?

Cristina: What does that mean? What?

Jack: But we start to get into where I immediately went. Huh? I tried to confirm this and you can find a crap ton of these online, really old ones. And you can see the pages and their descriptions and translations to English from what's being said. And without fail, 100% of the time from completely different books from across all of Europe, mentioned in different contexts, but landing at the same idea. Virgins can easily tame the unicorn. Now, I understand fully somebody heard about it, told somebody. But for the first couple of books that seem to have all been begun around the same period of time, there was no way that they simultaneously thought of the same thing at the same time, because it must have been like a five year gap and we're talking the Middle Ages. So it's like, whoa, dude. How?

Cristina: What? That they're all saying virgins contain.

Jack: Yes, they're all talking about unicorns and they're all saying. So they all talked to somebody who mentioned the unicorn in the same exact description and managed to publish a book that also had the same information about a virgin. They all spoke to the same guy.

Cristina: That happened to be a version. I don't know.

Jack: Unless there's a school for people who make bestiaries, and then they get taught the basics. And unicorn happens to be one of the basics.

Cristina: Yeah. He's like. Then that means, like, they all were experimenting, and we're like, okay, let's bring it. Like, how do they end up with the version? How many people did they test out? Like, okay, let's try to get that person to train the unicorn. What is it? Not train it, to tame it. Tame it. Yeah. And no one could do it except for this virgin horse trainer.

Jack: Weird, right? And no, it's not even a tamer. It's just because they're a virgin for whatever reason. Specifically female. A female version, for whatever reason. The unicorn is just submissive.

Cristina: It makes no sense, though.

Jack: Makes no sense. The other mention that I found that fits this same exact description is actually for dragons from the same Europeans in the Middle Ages, mainly from England, which mentioned virgins. Virgins can steal the treasure that a dragon is guarding because the dragon will. I guess it's not stealing. The dragon will just move out of its way. It's. It's collected for the virgin who will one day come and take it.

Cristina: Okay, are these people just fantasizing about versions and how amazing version being a version is?

Jack: I don't know. Because where I went. Again, is that although versions conceal the gold, they always just remained with the dragon.

Cristina: What? That's how those stories end.

Jack: Well, taming the unicorn means what, now? You're always with the unicorn? That's your ride or something? So now they've got proximity to a virgin in both instances. And in both instances, hard to reach and quite majestic. Overpowered. Some things.

Cristina: Mm.

Jack: That are keeping a virgin nearby.

Cristina: For what?

Jack: Okay, now, if we look at how gods use virgins, right? Sacrifice for blood. Pure blood. The most fear, the most innocent.

Cristina: Yes.

Jack: Oh, yes. All the blood and fear I need in one strong dose.

Cristina: Mm.

Jack: Jehovah's old solution to the problem, as you know.

Cristina: Yes, yes. But why do they. These creatures need it?

Jack: They're not eating these versions, doing anything to these versions. Is this an emergency in case some s*** goes down? They would then, you know, keep the battery around in case I'm running out of electricity, and then, you know, take the battery when I need it. Is that the case is it a. As long as they're around me and they think I'm protecting them, they're gonna fear for themselves, but they're gonna fear for me. And they'll always be to the edge. I always make sure they get to the edge of fear. So I keep the battery close and keep her scared. So somebody's going to hurt her. Yeah, or I'm going to hurt her or something. With the unicorn, you're always in danger, but if you trust me, you'll always be safe. But you're always going to be that close to danger, but you're never going to be hurt, so you're always going to be scared. That adrenaline rush, the good fear.

Cristina: So makes no sense how the version is the key. Is it a woman version for the dragons as well?

Jack: Yeah, yeah, yeah, it is. And also, here's what's weird about this. In both instances, if you're. If you adjust to anything, you're no longer gonna be scared of it because it's your normal. Once something's your norm, it's not. That's the juggle that gods are making with fear. You have to keep it fresh. If it's not fresh, it's not entertaining. We get bored easy. You can't scare us with the same s***. You have to crash the towers, but you also have to threaten us with the bombs. You can't. Not just. You can't just keep hitting towers. We'll be like, it's normal for towers to get hit.

Cristina: Okay.

Jack: You know, like, you can't do the same trick over and over and over and over. We'll get bored. Right now, people in Ukraine are like, whatever, dude. They're now beating Russia because they got over the fact that Russians had more power. Now they got so bored, they just walked into the streets and started disarming people. And they're winning. Like, just got bored and stopped being scared. Now. Now what are you going to do? You. You killed the fear in them. Now you're screwed. You can't win. They're not scared anymore.

Cristina: So what do these guys do with these versions?

Jack: I mean, what are they doing? I have no idea. I never found the solution for that. Why are. Well, at least in these stories, I didn't find a solution. I don't know why. I don't know what the point is. It didn't. There wasn't any further explanation. And I tried to find it. It was nothing. It's like you guys just all talked about the same crap in the same way, and it didn't make like you didn't link back to anything. Was this an idea you all had? There's a fascination with virgins.

Cristina: Yeah, for sure.

Jack: I guess always.

Cristina: Always.

Jack: I guess always.

Cristina: Always.

Jack: D***. That's what pedophilia is, isn't it? D***. Is that. I mean when you think about whatever they were throwing like a 10 year old at those things and it was like the grown men, don't get me wrong, the grown men were like 15 year olds who were gonna die like the next week of old age or some s***, you know. But they were still like significantly older than the like 10 year old.

Cristina: Yes. During the 10 year old. And a dragon or the unicorn and who knows how many other mythical creatures that they were like okay, there's a zombie. Let's throw the version and see what happens.

Jack: This is crazy, bro. Basically 1800s, follow me on the street. 1800s. God is angry at us. We're in a drought. Go to the elder, he's been around the longest. He's like 35 years old. Like 40. We're going to be generous and say he's 45 years old. The elder is like 45 years old. They die pretty young. There's nothing, there's no medicine. You just drop. And anytime you catch anything, you're dead.

Cristina: Yes.

Jack: Anybody who made it any age. Amazing.

Cristina: Got the code. You're dead.

Jack: Yes. You're screwed. So go to the elder. He's like 45 years old. The longest living person there is. Always the elder. He knows the most. Hey elder, we need to solve the rain problem. There's a drought and elder's like this 45 year old. Throw a virgin in the volcano. Now in his eyes, a virgin. The establishment of what a woman is. Hasn't happened yet, right? What year is it? Like 11. 1100s.

Cristina: You said 1800s.

Jack: No, that was exactly. Okay, that was exaggerated. Like the 1800, like the 1100s.

Cristina: Right way back there.

Jack: So we can throw her into the volcano.

Cristina: This 10 year old girl.

Jack: 10 year old girl. Some 45 year old guy is like let's throw her in the volcano because d***, this is the 1800s. This is hard. This is harsh. Can you imagine how savage these 1800s are? This is. This is like a week ago. This is scary, bro. This is too short ago.

Cristina: No, they would just set her on fire, dude.

Jack: Yeah. Oh, fair enough. It was still the 1700s, wasn't it?

Cristina: 17.

Jack: 1700S, yeah. Okay, that was a little further. It's man, it was still too close.

Cristina: Are sure the Salem witch trial things, that was 1700s. 1700s, I'm pretty sure. Late 17.

Jack: I mean, let's check that. Let's confirm.

Cristina: Okay.

Jack: Because late 1700s, I mean, I'm thinking like 1777, 1692-3. Yeah, that checks out. I feel like late 17 might have been too. Too soon still. Yeah. 16. Latest 1600s. Yeah, that checks out. That makes sense. Early 17.

Cristina: There's another one though, in the 1878. Does that count?

Jack: Witch trials.

Cristina: A witch trial.

Jack: Oh, a witch trial. I mean, yeah, as laws say, like way ancient in certain places and they take a while to catch up.

Cristina: Burning people.

Jack: Well now that is incredibly weird that they can only be tamed by a virgin. But what's even stranger is that throughout all of. I guess, I guess it's not as weird, but that it's a symbol for Christ. But it kind of makes sense considering that like Old Testament, God was totally into sacrifices.

Cristina: Mm.

Jack: He loved virgins and children.

Cristina: Jesus was a virgin. Is he a virgin? I don't know.

Jack: Jesus wasn't a virgin.

Cristina: He wasn't?

Jack: No. But no, he was a symbol for Christ. And the unicorn doesn't have to be a virgin. What do you mean? If the unicorn is a symbol for the unicorn, isn't the virgin here?

Cristina: No, I'm saying is the Christ the virgin?

Jack: No, the unicorn symbolizes Christ. Christ must like virgins.

Cristina: Oh, okay.

Jack: Which is weird because I'm sure he was banging Magdalene. Like she was far from like. Like, let's be real. Jesus had no game because the one chick he was down with or he was very sexually open minded because the one chick he was down with was known as like the. The block w****. Which is also a lie. Anyway, so whatever. That totally wasn't even mentioned in the Bible like that. That's an exaggeration from people.

Cristina: Mm. He was hanging out with dudes all day. What are you talking about?

Jack: Wear that packages for days. Sausage fests every day, all day, nothing more.

Cristina: He loved that braid.

Jack: Sus mega sus. Mega sus mega sus. Now this Christ unicorn. Nah, not Christ unicorn, but. So the unicorns horn is talked about in these mentions. These three big mentions. Talk about a couple of things that kind of pop up here and there in similar ways. So the unicorn is the source of the magic? The unicorn horn. The horn.

Cristina: They mention magic though.

Jack: Yes. They literally, in some manner, shape or form, mention that whatever makes them unique exists within. In their horn.

Cristina: Right.

Jack: Now I'm using the term magic, but that was only mentioned specifically for the people in the middle. The Middle ages that they mentioned that it was in Fact, a magical creature.

Cristina: Why did they give examples? Besides attracting virgins or whatever. Okay.

Jack: But the magic existed in its. In its horn. And it was also made of a material that they called alicorn.

Cristina: So out of something that it's rare.

Jack: It's like a. An elephant's tusk.

Cristina: Okay.

Jack: And if extracted, a magical tool could be crafted from it. Maybe a wand didn't describe this tool, anything. It's up to your imagination because it's magical. It's only an example of like a wand.

Cristina: But that's your example or their example.

Jack: That's they know anything you can think of. They mention things like wands, but it's like anything you can think of. And any purpose tool. Now you have a magic version of it.

Cristina: Okay.

Jack: It could also be used for medicine, said to be able to heal anything. And it could be used to create potions.

Cristina: So much of witchy stuff.

Jack: Yes. And when. Now, interesting, interesting point here. With these potions, specifically an alicorn potion, the drinker of the potion would themselves get powers or abilities.

Cristina: What are these? Do they have examples of these powers or abilities? I have to know. What is this magic? They're just saying magic here and there. What?

Jack: Enter the merchant.

Jack: There was a merchant claiming he had obtained some unicorn powder. That is ground alicorn.

Cristina: Mm.

Jack: And he was reported seeing between the years of 1739 and 1741.

Cristina: Throughout those years, yes. Okay.

Jack: And in the countries of Albania, Bulgaria and Greece.

Cristina: Are those close to each other? Okay.

Jack: Yes, they are.

Cristina: Now what makes this strange?

Jack: Gonna get there.

Cristina: Okay.

Jack: Shop owner Atlas Demos in Greece noted that this nameless merchant with a hood and a glass bottle offered unicorn powder, bought a bowl shortly after offering the powder and left. Interesting guy, pops up, just offers powder, offers unicorn powder. Hooded dude shows up, offers thing, dips. Second guy, Toshkos Toyanova of Bulgaria, he took note of a hooded merchant with a Greek accent. Now it got weird.

Cristina: Why?

Jack: Because it's a Greek guy with a Greek accent. Was a very specific node the Bulgarian mentioned. He said that a hooded merchant with a Greek accent. And the Greeks already believe that the unicorn is real.

Cristina: Yes.

Jack: And this guy shows up with a Greek accent and claims to have unicorn. Unicorn powder.

Jack: Weird. But. And he offered him unicorn powder at the town square. He did not buy. It was just offered to him. Finally, Noel Thanasi, the Albanian ship captain.

Cristina: Okay.

Jack: Who kept extensive notes of what happened on the ship was one of his ways to entertain himself. So he had many, many, many, many records. And because he was a ship captain, he Was usually on a ship with people for hours, a long time. So he got time to see things.

Cristina: So he saw this merchant.

Jack: The Albanian ship captain wrote in his log about a hooded merchant on board.

Cristina: Also with a Greek accent.

Jack: Actually, that's the first thing. Yeah. Who also has a Greek accent. So the merchant, Greek accent. Hood offers unicorn powder.

Cristina: Mm.

Jack: On the cruise, on the ship on the right.

Cristina: Wherever they're going, how many people buy it?

Jack: Claims an ill woman on board. This is him on his notes.

Cristina: Yeah.

Jack: He claims an ill woman on board the ship drank tea with a bit of the powder sprinkled. Within moments, the woman was, well, okay. This is a captain who sees. He's an experienced guy. He's kept notes. He has many notes. He's been at this for a while. This guy must be old and he's seen all kinds of manners. This is the first time that he's like, what the h***? On his own boat, this guy shows up.

Cristina: The only thing that happens on the.

Jack: Boat, this guy shows up. And out of nowhere he gives this woman a thing. And for the first time in his life, he sees something. He's seen so many strangers come through. It's a shame ship. He's moving people back and forth. All kinds of weird wanderers come through. This is the first time he's like, holy crap, what the h*** am I looking at? The woman gets a tea doom and instantaneously gets better. This guy's like, what? It's like, are you serious? And so he makes a note of this guy. What's up with the Greek merchant? What? What's this? Can't be real, right? He's kidding me. Other ship passengers, shortly after buy and consume the powder a series of different ways. They throw it in their drinks, they throw it in their meals, and they sort of just take part thanking the guy and for several days, just kind of hanging out with the merchant or whatever. The merchant seems real cryptic, real like he's detached according to this guy's. Because he's writing paragraphs and s***, sometimes knowing to go through it. But he's just. He's also rambling a lot of crap that's like unrelated. But he always circles back to how interesting this merchant was. Okay, now, other than the lady for a while, it all seems pretty normal. And he's like, okay, there must have.

Cristina: Been a trick he did there until something.

Jack: With exception for a man. Now, this man claims to had a walking stick his entire life, and he drank the powder and finished the rest of the trip without the walking stick. The man it's important to say that the man only said he showed up with a walking stick. He didn't say he drank the powder. Very important. This is where these notes fall apart. He took note of the man with the walking stick. Yes, that's the right way this goes. He took note of the man with the walking stick. He thinks the man drank the powder because the man finished without the walking stick. But that's the only person he doesn't know whether or not he drank the powder.

Cristina: Okay.

Jack: Now, all the people he knows for a fact drank the powder, had no reaction. But the man with the walking stick, who he doesn't know drank the powder, he's assuming drank the powder only because.

Cristina: Of the first lady that got better.

Jack: Because the first lady that got better. His assumption is it's only working on people with severe problems and that maybe this does in fact work.

Cristina: But there's no proof of that.

Jack: But there's no proof of that.

Cristina: Okay.

Jack: It's just mentioned in his notes. Now, it's the same guy. We know the guy is real. The guy popped up in different places. It's the same Greek merchant.

Cristina: But also, how's he getting around? Did he do anything weird like he sold the guy the thing, but that was the end of that story.

Jack: Doesn't even say he bought it.

Cristina: Oh, I thought he bought it. No, it was just the second one didn't buy it. But the first one bought it.

Jack: No, he offered the powder and left.

Cristina: Oh, okay. Okay. That's weird.

Jack: I mean, notes weren't great back then. We're talking, like, shredded mentions of something that's like a tiny blurb. Essential. Just somebody was scribbling on a thing.

Cristina: Okay, so he's a traveling salesman.

Jack: What's weird about this is how close together these years are and how far he got as well.

Cristina: How close are those years?

Jack: We're talking 1739 to 1741. That's three years apart. And he traveled three countries quite extensively, quite far apart.

Cristina: You don't think it takes three years? Maybe on a horse or something? Like, he's not walking. I mean, he's on a boat in one of the stories.

Jack: Interesting.

Cristina: Both are pretty fans. Guessing.

Jack: It depends, right? How long could he be? He is on the move. One of those is literally on the move.

Cristina: Yeah.

Jack: Man, I wonder where the ship was headed. Those. I didn't. I did not even bother looking at that. It might have been from one place to the other. These might be way closer connected than we thought. It might have been like he left one of these places. Went to the other.

Cristina: Yeah. Went to the boat and then went to wherever. Well, we don't know if his thing was doing anything.

Jack: We don't know if his thing was doing anything. There's just circumstantial evidence.

Cristina: Yeah. Interesting. This is the only guy recorded selling this powder.

Jack: The only incredibly existing individual. I thought it was very strange that there was a real person who potentially healed people with something he was claiming was unicorn powder and came from a country where they thought unicorns were real to begin with. That they saw in a country that themselves didn't know about unicorns or care about unicorns, but had a rhinoceros that could be described as unicorn. And there's a close enough description.

Cristina: And people do use rhino's horn, right? Like, they do use that like medicine. So, like. Yeah, so it could be the same thing.

Jack: Except the people who think unicorns are real also know what a horse is and think a unicorn is a variant of a horse.

Cristina: But do they know what rhinos are?

Jack: Yes.

Cristina: Positive.

Jack: Yes.

Cristina: The Greeks.

Jack: Yes.

Cristina: Okay.

Jack: Because some of the bestiaries are Greek and they have.

Cristina: They have rhinos.

Jack: They have rhinos and they have unicorns.

Cristina: Okay. I don't know. Because it doesn't make sense. Doesn't make sense. Because their solution was versions contain them. Like, that makes me feel like, well.

Jack: This is where I think the unicorn is doing something similar to what Santa is doing. They're keeping fear as the fuel and they're keeping the battery nearby. So they only need one. They're not trying to be super mega God powered. Usually it's just to be elusive and it could be used for other things when they're not being elusive. But it seems like they're sort of managing what they apply it to. They're not crazy over. Probably they could do all the things at the same time. They still be caught, they can still be killed. So they're doing a small version of it, but somehow they're not. They're not killing, they're not drinking the blood or something.

Cristina: There's no stories of dangerous unicorns doing crazy things.

Jack: Not that I'm aware of, but wow. Definitely something to look into. Ultimately, I think they are somehow tapping into the same power that Santa Claus has figured out. That's my theory. Because they're not, as far as we know, drinking the blood of these virgins, but they're being consistently reported as being tamed by a virgin or keeping a virgin nearby or something related to not being dangerous and being easily seen by and being ridden by virgin.

Cristina: Very strange.

Jack: Now I'm thinking virgin, because innocence. Innocence leads to more fear because lack of experience is usually where the innocence lies.

Cristina: But I still want to know where the magic is, because I still haven't heard anything magical.

Jack: Magical examples of a unicorn. The only. The closest thing to an example of unicorn magic is the potentiality of unicorn flying. But any description of a unicorn flying felt more like they were describing a unicorn that was hopping and sustaining a hop for a long time. So a hovering unicorn at most.

Cristina: That's very strange. Okay.

Jack: Like, it's not going upwards. It's like hopping off a cliff, then making it to the other side.

Cristina: Whoa.

Jack: Now, the size of the cliff could be questionable. Is he's like, oh, I couldn't jump that as a person, but I've seen other horses do it. Or is this horse just so scared it's willing to take the shot?

Cristina: Mm.

Jack: And, like, makes it.

Cristina: Yeah.

Jack: So it doesn't seem like there's no credibility there. Like, if he. If they'd mentioned the distance from one cliff to the other, then we.

Cristina: Maybe you can see some magic.

Jack: Exactly. Like, is there a river in between both of them? And this horse hopped off one side and just glides to the other. Clean.

Cristina: Horse goat thing.

Jack: Yeah, horse goat thing. Okay. There is an interesting detail here that does come through the goat side of things.

Cristina: What's that?

Jack: And hold on. This was a long, long time ago. There was an Indian guy who did talk about a magical creek goat.

Cristina: No, he didn't.

Jack: But he talked about it in knowledge of the constellations. So it's a person who was studying the constellations and was talking about a Greek goat. So, like, those lines cross really hard. And that also felt like useless information because he made no mention of a horse or a unicorn. But it is just a goat.

Cristina: It's just a goat.

Jack: It's just a goat. It seems. It doesn't even seem like just a goat. It's a magical goat. And he was a person who was learning the constellations, learning astrology, particularly. He was learning astrology, and he mentions a goat in his writing. He mentions the magical Greek goat, but one. It's not the Indian unicorn goat. It's just the Greek magical magic goat. And he's a person who studies astrology. I'm sure that's a mention of his studies.

Cristina: Okay.

Jack: Being written back in the 1700s.

Cristina: Okay.

Jack: So that didn't feel relevant. But if you wanted something about a magical goat. There you go.

Cristina: That doesn't help.

Jack: The only note there that makes sense is that the Greeks see the Unicorn as a horse down there. And then some Indians said there was a magic goat in Greece. That's the only like the two dots that I was like, oh, interesting. But then I was like, this is useless.

Cristina: This is.

Jack: This is a coincidence more than anything.

Cristina: Yeah, yeah. I see nothing magical unless attracting versions.

Jack: Is magical, which sounds just like a dude fantasy.

Cristina: Exactly. Yeah. I guess it's magical to men.

Jack: It's magical to men.

Cristina: Yeah. All right. I guess. I guess that's it.

Jack: Yeah, that's. That's what we got on unicorn and I. It's kind of useful to some degree because that means there's a potentiality. There are unicorns. And unicorn doesn't seem particularly magic magical, which tells me that it's a really grounded kind of thing. It's probably really using very little amounts of magic to either sustain its life for really long or maybe do this dumb hover thing.

Cristina: So you think it is an actual creature though, and not just a real animal being confused or something else?

Jack: Well, the possibility is that it's a creature that is on adrenochrome, but it's not doing anything. So that's what you can. We can investigate that and write that off at some point. There's just a creature that isn't on adrenochrome and is also not magic. It's just an elusive normal horse type thing or a rhino type thing or a goat type thing.

Cristina: Yeah.

Jack: And we can write that off if we find out which one it kind of really is, which seems to lean towards horse. Some weird kind of deformed horse or a species of horse that lives in mountains or somewhere that probably has a mist everywhere and looks majestic and people are like, wow, magic. Fun fact. Not here in the notes, but it is a detail that did pop up. You're usually seeing a unicorn standing, looking north when they're motionless. This is the opposite of a dog who poops south. So I guess the dog is also looking north technically.

Cristina: Okay, wait, say that again about the unicorn.

Jack: A unicorn is usually when they're stationary, they're usually aiming north. You can reliably see a unicorn aiming north. So wherever the unicorns is pointing when they stopped is usually north. Which means. That doesn't make any sense. That's one of those things that people just say because like the unicorn has to stop looking somewhere else at some point. It can't always. Like, it's always has to be.

Cristina: It's 100% looking north.

Jack: And yeah, like it has to always be in motion to look anywhere else. What if it's something. What if there's a wall behind it and whatever it needs to eat is against the wall? It can't, because it could only look away from the wall when it's there.

Cristina: That makes it sound sort of magical.

Jack: That makes it look like it lives h***.

Cristina: It lives h***. Yeah. It's in a magical magnet. Yeah.

Jack: That's crazy. So that sounds like bull crap to me.

Cristina: Yes.

Jack: But anyways, I think we got some information to look into, and we have some details about the unicorn that I think are fascinating.

Cristina: It's potentially that we might have to.

Jack: Research more on, and we might have to tackle this creature. We might have to catch it, because if we could figure out what they're doing, then we can figure out enough power. Then go get Santa. First, we need a version to attract the unicorn.

Cristina: Yes. I get. Wait, are we versions because we're clones? I'm not really sure. But you have a wife, so I'm assuming. Wait, is this version of you married? I don't know.

Jack: This version of me has a.

Cristina: A.

Jack: What was it? A baby with a Bigfoot.

Cristina: Oh, my. Wait.

Jack: Yeah. I got raped by Bigfoot and we had a baby.

Cristina: Oh, yes. That happened.

Jack: That happened. I have a son.

Cristina: Oh, yeah.

Jack: And the other version of me was married to the cockroach, which also had a child. So there's a. It's the same DNA. So in theory, my DNA. Although I didn't make that baby with that disgusting roach.

Cristina: Are you raising that baby?

Jack: I'm not raising that baby.

Cristina: Are you raising this baby? No.

Jack: No, I'm not raising either.

Cristina: Okay. Okay. So you're definitely not a virgin?

Jack: I'm definitely not a virgin. I can't be the honey.

Cristina: Oh, man.

Jack: Can you be the honey?

Cristina: I guess I could be.

Jack: Yeah. We gotta throw you at the. In the volcano, I guess, to attract the unicorn. I don't know how to attract. We'll figure out how to attract the unicorn.

Cristina: I think we should throw me in.

Jack: A volcano just in case. Maybe it's a. Hey, we could write that one off, you know?

Cristina: Yeah.

Jack: I mean, we can make more of us.

Cristina: Exactly.

Jack: It is what it is.

Cristina: We'll do different things.

Jack: That's fair. Like where you're going with this.

Cristina: Yeah.

Jack: Anyways, so if you guys want to find out more where this goes, I suppose, and about other creatures of which we have extensively gone through, you can find. You can contact us, you can message us on our socials, at Twitter, on Instagram, on TikTok, usconvopod.

Cristina: Remember to subscribe, rate, and review the show.

Jack: Yes. And let someone who might like this show know about it.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. And then they're like.

Jack: It would be crazy. I don't know. YouTube's full of. I don't believe it.

Cristina: Yeah.

Jack: Memers. You know memers be doing memeing.

Cristina: Yes. But it'd be so awesome if that was true. It's hilarious. I don't think I'd rewatch the whole show like that, but, yeah, I would. Just, like, Just curiosity.

Jack: Like old Resident Evil dubs.

Cristina: Yeah. But there's no way, because people love the show, so I can't imagine that they were watching it like that.

Jack: The content is probably better than the conversation and dialogue.

Cristina: Yeah. Actually, what's happening is really interesting. Just the first episode is packed with everything.

Jack: Yeah. Yeah. It's f****** awesome.

Cristina: Yep. Everybody watching that so late. The next thing we need to watch that we are so late to is the Tiger King.

Jack: Yeah. Holy s***. I haven't seen that yet. You're right.

Cristina: Yeah. So, yeah, we're behind. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.in fox art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 210: Giving Ideas Power

How do things get their value? Where does power come from? How do you strip an idea of power? The duo discuss the tremendous power of ideas and how they can affect people and those around them when enough individuals give the idea power.

Rambling 210: Giving Ideas Power

+Episode Details

Topics Discussed:

  • Queen Elizabeth II
  • Power
  • Government
  • Money
  • Billionaires

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is a show where we ground humanity's most absurd and baffling ideas in amazingly awesome ways.

Cristina: The best ways.

Jack: In the best of ways.

Cristina: No one does it better.

Jack: Who can?

Cristina: I don't know. Trump can.

Jack: Trump can do it better.

Cristina: Imagine if he had a podcast.

Jack: If Trump had a podcast.

Cristina: Yeah. I would love to hear about his conspiracies. That's all he'll talk about.

Jack: How are you sure that that's all he'll talk about?

Cristina: Well, that's all I want to hear.

Jack: Okay, see, that's very different than that's all him he talks about, because I doubt that's all he talks about. It's not just an infinite number of conspiracies, so. Yeah, but there's also, like, an infinite amount of boasting that has to happen. He just has to talk about how great he is at things and how awesome he is at things and stuff.

Cristina: Mm. But then there's also his weird conspiracies, so.

Jack: Okay, you think he could do an entire show on, like, three conspiracy? He holds.

Cristina: Maybe.

Jack: Okay, list all his conspiracies. If it's more than three, I'll be blown away. Because the thing is, people make more of an exaggeration about the fact that the president has conspiracies, and they make it seem like he's drowning in them. But, no, he just has conspiracies. He believes it's, like, three. It's not like he's over here tin hat ing the s*** out of it just like this. That, and that.

Cristina: I don't trust any UFOs was one of them, which I guess is a real thing, so it doesn't even matter. But, like, he knows about the aliens.

Jack: But it's not a conspiracy. He gets told crap as the president.

Cristina: You think he knows about aliens?

Jack: No. He would have told everybody.

Cristina: Okay, well, I'm pretty sure.

Jack: No, no, no. The problem is he knows that they're secrets. That part he knows. That's not a conspiracy. He knows their secrets. That's why he wants to know. He wants to know. It's not.

Cristina: He knows that the left is into our pedophiles. Just the left. Just the left are pedophiles.

Jack: Just the left. I don't think he's ever said just the left.

Cristina: He just wants to clean up. What was that whole Cleaning out the swamp. No, the corrupt. Whatever. He isn't that.

Jack: That's not about pedophilia.

Cristina: Whatever, I guess now. But it's a conspiracy to one side. Not like the whole thing is corrupt. It's just that one side is doing suspicious things.

Jack: But no, that's actually completely wrong. It's like you forgot who you're talking about.

Cristina: What?

Jack: Talking about Donald J. Trump. The guy who aimed so many fingers at his own team and was like, that guy's a problem too.

Cristina: Yes.

Jack: Like, what do you mean? Just the left. He thinks everybody except him.

Cristina: Okay, so there you go. That's many conspiracy.

Jack: It's not a conspiracy. These are literally people who are against him. A conspiracy means you believe.

Cristina: Was he actually against him?

Jack: Yes. That is called being your rival.

Cristina: The vice president.

Jack: The vice. Oh, I thought you meant the opposing president. Well, no, the vice president turned on him by saying, this is wrong, like you're doing something wrong. He just wanted to not be told. He's a big child. He just wants to told he wanted to be told. He did nothing wrong.

Cristina: Oh, okay, so he's just a big baby.

Jack: Yeah. That's not a conspiracy theory. If the suspicion is they're after me and they're after you, that's not a conspiracy theory. No, that's just a thing that's happening.

Cristina: In your life or a fraud or whatever.

Jack: Well, here's the crazy part about that. What election hasn't been rigged? Well, regardless of what side wins, as long as there is an electoral college, do people have a vote? Dude, literally, Hillary won the first one and then Trump still got it.

Cristina: Yeah.

Jack: Doesn't matter.

Jack: This time Trump won the popular vote, but still the electoral college was like, f*** yo. S***.

Cristina: Yeah.

Jack: So it doesn't really matter what the people say if the electoral college can do whatever the h*** it wants.

Cristina: Okay, so, okay, the windmills.

Jack: See, that's a conspiracy. I'm telling you. People like to exaggerate the fact that he says a bunch of off the wall s***, but it's not really off the wall half the time. It's just he. He's disrespectful and people take that as a giant fact of the matter that, oh, no, he's definitely not informed on any of these things and he's totally believes in all these conspiracy. But no, they're not conspiracies and a bunch of the crap is true.

Cristina: Would you listen to that podcast?

Jack: No, it wouldn't. It wouldn't be entertaining. It would be too much of the same thing over and Over.

Cristina: Yeah.

Jack: I don't think I could get behind a.

Cristina: Just one episode and that's. You're good. Yeah.

Jack: It'll be like listening to the Ron Burgundy podcast. Like, it's a lot. It's like, this character is great, but also he's a lot.

Cristina: Yeah.

Jack: Like, he's just. He's always a douche. This sucks.

Cristina: Yeah, that's true. I don't get it. I mean, I get why people love it, but I don't like. Yeah.

Jack: Like, it ain't for me.

Cristina: Yeah, yeah, yeah.

Jack: And it's like, I don't think it's something that people can listen to all day. Then again, people listen to Alex Jones all day. I mean, everything's for somebody. There are people who love to listen to Trump all day. There'll be a big a** crowd for that.

Cristina: Forget about Alex Jones. There's a lot of guys like that, though.

Jack: Yeah, but they're not harmful the way that a dude. The problem is the power of presidency is exaggerated. Like, yes, you're powerless around those around you, but you're overpowered against just normal commoners.

Cristina: Okay.

Jack: And like, yeah. Telling a bunch of people to go attack. And like, he didn't literally what to his. From his. No, it's the truth. He didn't straight out tell them to go attack anything. He did say peacefully approach. He did say, you know, he used the words he needed to use to keep his a** covered, but the subtext was, it was rigged. They're stealing it from us. It's tyrannical. Go solve the problem.

Cristina: Go solve the problem.

Jack: He didn't say go solve it with violence or murder or murder, any of that. But he did say, march over there. Let them know what's on your mind. And they went over there and he's like, it's tyrannical. Everything's falling apart. They're trying to steal what you have fought so hard for. Go and let them know it's wrong. And then they went over there and just pillaged a bunch.

Cristina: That's pretty cool. Pillaging. That's still a thing. Who knew?

Jack: Yeah.

Cristina: I mean, here.

Jack: Literal raiders.

Cristina: Yeah. What?

Jack: Just a thing that happened once. A bunch of raiders.

Cristina: You think there will ever be a part two to that?

Jack: I mean, not to that, but there'll definitely be other things. It's not the first. This government is gonna topple eventually. There's no way it won't. Alternatively, it's a bunch of governments stacked on top of each other. Maybe that's why it's worked. Like, it seems like it's always gonna fall apart, but somehow we're outlasting everything around us.

Cristina: Okay. So we sort of figured it out.

Jack: Well, no, we're also the earliest, newest thing.

Cristina: Okay.

Jack: You know, like, we're pretty. There's a couple of countries that have come to be ever since. You know, there's one here, one there. There's one country that came to be in like 2014 or whatever. There's a bunch of countries that come into existence. So we're not the youngest country, but we're like the youngest super overdeveloped. Mega power.

Cristina: Yes. Okay.

Jack: And for such an overpowered group of people, it always does feel really fragile.

Cristina: Yes.

Jack: But it never falls apart. And we are again, we are really young. The Roman Empire was huge. And that was around a long time, then eventually fell. We don't know how quickly they came, swooped in, took everything. They're like, wow. The Roman Empire came out of nowhere. It's only been around 200, 300 years. Wow. Strong EMP. A couple hundred years down the line, garbage gone.

Cristina: Because something bigger came along.

Jack: Something bigger came along and stupid decisions ruined their too. Okay, interesting. Yeah, interesting. So, like, this experiment we're running could. It could outlive everything that's here right now, but it's also not gonna like, stay forever. Everything has an expiration date unless we're the. And again, that. I guess that is ultimately what the United States is. The. The uniter of things.

Cristina: Yeah.

Jack: And there's many countries within our country, but there's also many countries that aren't in our country from other countries that come to our country. So it's all our countries, plus all the other countries put together in one place in this country, in this multitude of countries that allows multitudes of other countries in. Now that means that the United States is the closest thing we have to Starfleet and that chances are, out of all the countries, United States or Canada, one of those two is going to become the sort of building blocks for Starfleet.

Cristina: Has to be United states. Come on.

Jack: NASA. NASA will be Starfleet because NASA's already all inclusive.

Cristina: Okay, we got it then. Yes. Wait, is NASA based here? Yes.

Jack: Yeah, NASA's in the United States.

Cristina: Yes.

Jack: Okay, we got what?

Cristina: NASA. That's an American thing.

Jack: Oh, yeah.

Cristina: So, yes. And we got the Space Force. I don't know how that's gonna help, but like, if we combine the two somehow, I mean.

Jack: Yeah, I don't even understand because it's. We got three things going on. Right. And the. No, then the people who are making The Boeing. They're also jumping into space flight. Boeing people. People who blow up planes with others in them or crash them or something.

Cristina: That's fun. So these three somehow combined will make Star Trek? No, no.

Jack: Just be. No, none of them make Star Trek. They're all American or all in the US at least. Star Trek is just one thing.

Cristina: Oh, one thing. Oh, we'll never get there.

Jack: Well, why? Everything is more united than it was always 100% of the time. What do you mean?

Cristina: It was just gonna take long to get even more united. Until we reach that point where.

Jack: Oh, yeah, but you said we're never gonna get there. We're definitely gonna get there.

Cristina: This isn't gonna take a very long time. Oh, yeah.

Jack: But of course we're gonna get there regardless of how long it takes.

Cristina: Mm.

Jack: Given in. And it won't even like, what's a long time? A couple hundred years. It won't even be that long. It won't be in our lifetime. But it will happen like kind of relatively soon.

Cristina: It's hard to imagine though, because there's so many people against it because somehow the devil is involved with us being united.

Jack: The problem with the logic is that that itself is a conspiracy theory. And that's a conspiracy theory held by like the minority. By crazy large minority, by crazy small minority. I'm sorry, Very, very, very small group of people believe that that's truly the case. And they're non influential. That's why that hasn't actually affected any part of society.

Cristina: Okay.

Jack: You know, it's just a bunch of idiots who overtly symbolize everything in the Bible. Yeah, people. I don't know. There's a lot of people with weird beliefs. Ultimately.

Cristina: Yes.

Jack: And there are a lot of people who would definitely. I don't know. Trump is not, is not that overpowered, man. Like, look, he'll build an army and he'll have people listening to him. But it's not like, I don't know.

Cristina: People as big as everyone makes vast minority.

Jack: Think about how easy, how easily it would be to over. The problem is the cops are on their side.

Jack: But that's about it. Yeah, it's. It's not really like other than the cops being on their side, it's just a bunch of crazy people. And not even like a bunch. It's two or three lunatics who believe crazy things and think that, you know.

Cristina: Okay, so it's just a bunch of different ideas and they all sound the same. So I think they're all the same people or I guess Part of the same group, but it's just a bunch of different people with a bunch of crazy similar ideas.

Jack: Yeah, it's not even a punch. It's just a few.

Cristina: Okay. A few people.

Jack: Definitely not a lot. It's not a lot. It's a bunch of ignorant individuals with a bunch of crazy ideas. And sometimes they pan out. Most of the times they don't. Okay, simple. There's nothing but a bunch of people who believe in crazy things all the time. The world is filled with people who have crazy ideas.

Cristina: Yeah.

Jack: Conspiracy theories to just any. Anything, anything. And Trump is like the. The one. One of the many ringleaders to one of these. I mean, they really attacked the Capitol, dude. It's absurd.

Cristina: Yeah, it's pretty crazy.

Jack: Yeah, but what the h*** can we do, right?

Cristina: Show them the way. With Jesus.

Jack: With Jesus? Isn't the Jesus people the ones who did the thing?

Cristina: I feel like he would tell them how they're wrong.

Jack: He did. And then he said he was proud of them.

Cristina: What are you talking about, Trump?

Jack: Oh, Jesus would tell them they're wrong because Trump told them they did wrong. But then he said, very good. They're good people.

Cristina: Yeah, but our friend will help them or will tell them that they're going to h***, which I don't know how freaked out they would be. Like, if you really believed. And then he. That guy that you're worshiping, tells you that. What do you do with yourself if.

Jack: You believe it's him.

Cristina: Yeah. If you believe him that he's who he's saying he is, like the Messiah.

Jack: Well, then you just change immediately. You change your behavior instantly.

Cristina: How? If you thought you were doing the.

Jack: Right things, well, now you know you're not.

Cristina: Ah.

Jack: Thinking and knowing are two different things. It's not even worth the thought. It's not a thought experiment whatsoever. If you know the guy who made the rules, it says this is bad and that's good. Is factually real. He made everything. You just change because it's easy. Now there's proof. It's not faith. Nothing to think about. Heaven is assured. If I followed the rules.

Cristina: What if he says there's no way?

Jack: Then you also have nothing to worry about. You just keep doing what you're doing because you're going to h*** no matter what. Now you could. Any confirmation sends you in one of two directions.

Cristina: Either do what you're doing or change. Okay.

Jack: Yeah. Yeah, 100%.

Cristina: Wow. That's kind of useless. I don't know.

Jack: Yeah, it's why it's faith. If it was proven. There would be no argument if it was proven in either direction. One of two sides would be completely gone. Either everybody believes in God because God is a fact, or nobody believes in God because he's factually not real. Okay, but no, we have this sort of inconclusive middle ground of somewhere between real and not real. A bunch of people swear. A bunch of people are like, nah, science is. No, but science is. Yes. And it's like all simultaneously. And it's like, what the h***?

Cristina: Mm. It's complicated.

Jack: Yes, it's very complicated. But that's basically how the human mind works. Right. There's a plethora of people with a million different beliefs and views on exactly the same things. And so if there are a billion of us, there's a billion different perspectives on the same thing. If we all manage to even have the thought about the one thing, because we're all thinking about different things. But, like, I mean, sticking to the insurrection that the world hear about the insurrection, or is that just big for us?

Cristina: They probably heard it, but it was probably not big.

Jack: Yeah, it was probably not a big deal. It's like, oh, you know, some people argued at the White House.

Cristina: Yeah. Like the queen dying. Was that the world?

Jack: The world was informed. Yes.

Cristina: There's a lot of people talking crap, but.

Jack: Yeah, because it's an old format.

Jack: It's a queen. It's. Don't get me wrong, it's the queen, but it's a queen.

Cristina: It's not like that's over with.

Jack: No, but it's also the last one we gave a crap about is gone now it's gonna be over with. Who's gonna successfully sustain a crown now? Who's. Who's gonna listen to whoever sustains the crown? You don't got the stain of a lady who was there 70 years.

Cristina: They're gonna start voting for kings and queens.

Jack: No, that's not how it works. That would just be politics. Yeah, it would be president.

Cristina: You think they'd ever change that, though?

Jack: It wouldn't change. It would dissolve. It would dissolve the crown. It would cease existing. It wouldn't be a thing anymore. It wouldn't evolve into anything else. There's nothing it could evolve to all the parts already there. There's already presidents and senators and congressmen and this and that. There's nothing the crown could evolve to. They're just celebrities at this point.

Cristina: Okay. Because I was going to ask, like, what would happen to everything they own? Like, do they still. They still own it?

Jack: No, no. They still Own it. And my question is, how do they cut off taxing the people?

Cristina: We cut off taxing. The piece of money would be going to whoever's really ruling, not the.

Jack: Well, it wouldn't go. If you dissolve the crown. It wouldn't go to anybody.

Cristina: It wouldn't go to whoever. Like, if they decide we're gonna have a president instead.

Jack: They do. They will have a prime minister.

Cristina: Oh, wouldn't go to them.

Jack: No. It would go to the government and still. No. It wouldn't go to the. Still. No. It would just be returned to the people because all the government money is already being taken too. People get tax for the crown and the government.

Cristina: Oh, so then they would be getting less tax.

Jack: Yeah. They would just be returned.

Cristina: Okay.

Jack: That would be. Not removed anymore.

Cristina: Yes. How will the family survive without that money? That's.

Jack: Without infinite money they have.

Cristina: Yes. Like, that's just. That's it.

Jack: I don't know. It's weird, man. As soon as people stop believing in the thing that ceases existing. It's like money. If you don't believe in money, like, the dollar almost collapsed a long time ago. Reading an article about how the dollar, sometime in the. It was like the 1800s or the early 1900s, something like that. Late 1800s, early 1900s, actually might have been the 1950s, something like that. And the dollar was losing faith because people were like, it's not working. We. We can't buy things with it. Where. You know, the. Before it came back up and it was booming. And the golden era of the 1950s, 1960s, everybody can buy a house with whatever job they have. Era came through. Before that, it collapsed. It broke. The recession hit. People couldn't afford s***. The faith in the dollar was gone. That's what led to that recession. It was. It was. The money was useless.

Cristina: Money was useless.

Jack: It was becoming useless. And so people lost faith in the dollar. People stopped believing in its function. And dollar is an idea.

Cristina: But what were they doing?

Jack: They still needed figuring it out. Point is, the dollar was disappearing. I don't know. Humans adapt. That's what we do.

Cristina: Yeah.

Jack: So it doesn't matter how we survived. We just survived. It would happen no matter what. You took away all the money, all the food. We'd just eat each other. We would make it. I assure you, if there's no food, we would definitely eat each other.

Cristina: Okay, there's no food. You just take away the money.

Jack: No. We would definitely survive one way or another. So there's no question of what we did. It's just the fact that money was falling apart and people were going to other means, and the one thing that created that was the flaky fear and money.

Cristina: Okay.

Jack: And so it just. Just stopped being useful. Totally. Completely.

Cristina: What, it's just gonna keep happening, though?

Jack: Well, it could happen again, and it could be incredibly, incredibly useless as soon as people lose faith in the thing. That's how ideas work. That's how imagination works. Money is imaginary, and you need people to have this idea in their mind to imagine it working and imagine the numbers changing in a. It needs to be consistent.

Cristina: Mm.

Jack: The consistency fails as soon as some people lose faith. And then you can't sell to everybody at the same price because, well, they're not even buying. They're just hanging out with that guy over there who's giving it to them in exchange for the bread. And, like, I'm losing money because I thought the money was working, and now I don't have anything to change. I don't need the bread.

Cristina: Yeah. So do you think that's gonna happen, though, soon?

Jack: No, I don't think that's gonna happen. We're talking about the crown and how that's an idea too. And, like, as soon as. Which has already happened, people are already losing faith in, like, what the h*** does this even stand for? And now there's not even the one thing people cared about being there. So the faith in the idea is gonna leave. And just like money did in the past, the value of the crown is just gonna dissolve into nothingness, and people are just gonna, like, who gives a crap? Give me my tax money back or we'll just rise up against. Because why do we have these people? They should do that. The British are never gonna rise up.

Cristina: Oh, so it's just gonna stay like that? It's like the money, like you said, it. It. What they feared is gonna go away, and. No.

Jack: Yeah, exactly. That exact.

Cristina: Yeah. So I don't know. So you don't think the crown is worried at all? They're a little sweaty. They're like, the money.

Jack: No, they're definitely quaking in their boots. They're definitely quaking in their boots.

Cristina: Oh, okay. But, h***, yes, they probably don't have anything to worry about at the end of the day.

Jack: Why it's gonna dissolve. Why it is. Yes. I'm saying, just like, the money.

Cristina: The money didn't dissolve.

Jack: The money in the 1950s dissolved.

Cristina: No, people just got scared that it was going to.

Jack: People stopped relying on it.

Cristina: But eventually they did.

Jack: Yes, because money works that way. But the crown is not just suddenly going to be cool again.

Cristina: Oh, I. I don't like.

Jack: Obviously, if the crown leaves, it's not going to be like, well, it's five years later. But, you know, we're missing that crown. I guarantee you, if the crown leaves, we're not going to be aching for some kings and queens.

Cristina: Oh, okay. I wasn't sure what you meant. Okay. I don't do. That example wasn't great. Or it doesn't feel like it equals. Because the money is still here. That's all I mean.

Jack: No, no, no, no, no. You're looking at. I don't know why. A weirdly specific part of that argument, as opposed to the fact that they're ideas and the only thing that sustains them is that their ideas was the point I was making, that they're both just ideas. And if you don't believe in the idea, the idea doesn't hold up. And at one time, people didn't have faith in the money and the money didn't hold up. So when people lose faith in the crown, the crown's not gonna hold up because it's also an idea. See, that's the ultimate point I'm trying to make. Ideas. What people believe what people think. And people believe many, many things. The people with the crown believe the crown matters. The people who believe in the crown believe the crown matters. Many people believe the crown doesn't matter. And it's an outdated format of approach. And, like, why do we need. What do you do?

Cristina: I wonder what the actual percentage is of people who don't care versus people who do.

Jack: Huge here's.

Cristina: And just in there, though, not like the world.

Jack: Yeah, yeah, the world. Most people don't give a crap.

Cristina: Yeah. But I mean, like, here's the thing.

Jack: I. I would argue that only traditionalists care. Care.

Cristina: Okay.

Jack: And that even older people, older people don't care. People like most people don't care. It was entirely that we respect Her Majesty the Queen. That's really what it was about. It was that she was. She's a superhero. Superstar rock star. The most overpowered, most successful, most important being to have ever walked the earth has done more for the collective earth than most people have. That is why we were like, oh, yeah, the Queen. We don't really care about the crown. Nobody cares about the crown. That's outdated. We're over it. There's other kings and queens in the world. Name one. Exactly. Nobody cares. Nobody has given a crap. Nobody will give a crap. That's outdated. That's old. It's only Queen Elizabeth because it was Queen Elizabeth.

Cristina: Okay?

Jack: But those systems are all gone. People have lost faith, and they will fall apart and they will cease to exist, because that is how these things work.

Cristina: I'm kind of. Remember her, the new guy's name? George.

Jack: Phillip.

Cristina: I don't know. Philip. Okay, that sounds right.

Jack: Yes, Philip. The worst. But, yeah, it's really weird. It's strange. How are. How our ideas sustain everything. Right?

Cristina: Yes, that is strange, man. If they lose everything or if they lose their power, either their things become part of a museum or they sell it all. Which one comes first?

Jack: And they'll sell it to a museum for the most money. But what power do they have now? Like right now, without counting the fact that Elizabeth had power? What power does Philip have?

Cristina: I don't know. He gets to talk to people, whatever.

Jack: If he gave an order, who's listening?

Cristina: I don't know how it works now.

Jack: Somebody walks outside and just says a curse word in England about the Queen. How. How long does that guy last? Right? You don't care about the crown now. Somebody goes out there and says the same thing about King Philip. Who gives a s***? No, nobody. It's about who it was, not what it is. Yeah, nobody cares about that crown.

Cristina: No, I don't think so.

Jack: It's only important because of who she was. She's not around, and we don't care anymore. It's a lot of power just gone to waste. But again, that's how ideas work. You lose faith in the idea. Suddenly all the. We had faith in the idea with her there.

Cristina: Mm.

Jack: Give her all the power, whatever, she's gone. All the other parts are still there, but all the power is gone. The faith was in her.

Cristina: Yeah. Any other examples of just ideas?

Jack: Ideas sustaining themselves?

Cristina: Yeah.

Jack: Well, this is one that I've really been fascinated by my entire life. And I've had a couple of conversations with people about space in particular. And in having conversations about space, I've had conversations with people who've never once taken class relative to it. Like maybe they were raised in a country where they don't get astronomy or science isn't common. So you just don't get it. You learn how to write and count a little in the end. So I've had conversations with people with many different walks of life. And when it comes to space, there's so many different things. Now, the universe that we don't see is entirely subject to what we think is happening.

Cristina: Okay?

Jack: So I tell you the sun is a ball of fire, and you got no other reference point. You think there's a ginormous distance between us and the sun and it's a ball of fire way over there. But somebody who has no reference points for that and believes no, it's a dome. And it's been like a sticker spot stuck to the top of the dome. So when we see the sun, that's not a ball of fire, it's a sticker on top of the dome. Now, from their point of view, all they're seeing is a flat disk against the dome. You're both looking at the same thing, but you see an orb that's on fire. They see a flat sticker against an orb, and it looks the same to both of you. But what your, your, your perception of it is affecting what's happening. And so only one of those arguments holds any kind of power. Your belief is directly influencing the universe. The structure of the universe is due to what you believe about the structure of the universe.

Cristina: Okay?

Jack: Now while you believe that's the sticker. If I put you on a ship, flew you up, and then you saw it wasn't. Now, instantaneously, as we're getting up there, your view is becoming three dimensional. Now your, your faith in the idea has changed, so the idea itself has changed. Your power went somewhere else that has no power anymore. You took it from there and threw it over there. Now, the universe literally changed, and that's not what it looks like.

Cristina: But a lot of people have their own unique ideas of what space looks like or what it is.

Jack: I once asked an individual who, we were just sitting and I was talking about how much I love astronomy. And in the course of the conversation, this individual says, I have never once thought about what's up there. Only now talking to you, have I ever considered it. And like, wow, that's really strange. Never once, never anything. Not even the moon, the biggest thing out there. Like, nope. Looked at it. Then you think about it. Okay, so what do you think is happening? The answer? Fascinating. They don't know. They don't know how far up it is. They don't know if it's like, how far up is a plane. Are they over the plane or is the plane around them? If you look out of a plane because there's lights, but beneath are the stars just blending into the lights. You see when you look down?

Cristina: What?

Jack: They said that again? You look up and you just see dots of lights. But if you look down, there's a bunch of dots of light cities and whatnot.

Cristina: Yeah.

Jack: So when you look down Are the stars blending into those? So there stars above you and below you now because you're so high up.

Cristina: Well, because you can't even see up there.

Jack: Yeah, yeah. It looks dark and whatnot. And you're in clouds. So it's like, okay. Then I'm like, what do you mean? It's like, okay, like, how far up do I have to go to just, like, catch one in my hand? And I'm like, oh, the visual just destroyed my mind. You think they're just really bright, but small at a distance. So, like, if you go up there, maybe you just catch it, and then it'll just go dark because it's in between your hand.

Cristina: That's very strange to imagine that something that small collide up the sky.

Jack: Well, it's not lighting up the sky.

Cristina: The sky's dark in the morning.

Jack: You're not seeing the sun. You're looking at the stars. You're looking up at the stars and seeing a bunch of tiny little dots that look super tiny. You're like, well, I don't know how high up it is. Maybe it's slightly higher than a building. That means it's really bright and really tiny. I can grab it.

Cristina: Maybe that one star.

Jack: Any star. Any of them. Any star up there. Can I get up there high enough to grab one? Like, what are they? If I grabbed it, what is it? Like, those are the. That's what I was. I'm like, holy crap. This is interesting. Never once have I thought about a situation like this.

Cristina: Mm.

Jack: But now a million other examples is other political structures. Think of the presidency. Presidency is only the presidency because we choose. It's the presidency, and the people agree. We agree there's government here. Yeah, but if we all just decided. No such thing. No, no, no. Biden, no power. Biden, no power. Military, you got all the guns, but we got all the numbers. We don't believe you. In fact, as people, every one of us who isn't a politician and isn't in the military, we're just all gonna say we don't agree. Who are you gonna then serve it? See, it broke. It stopped right there. Who are you gonna serve? The people. We didn't break the government. We didn't break the military. We just said we. No long. Everybody else who isn't in either of those collectively says that we no longer believe in the government and we no longer believe in the military. But we didn't touch either organization. How can either one move forward? What would they do? Who would they serve? If we're not taking it. Can't take our money. I'm gonna hold my money. You can't take my money. How you gonna take my money? I don't believe in this government anymore. I dare you to come take my money. For what?

Cristina: Still believe in money?

Jack: You can't believe in the money without believing in the government. Direct transactions. No taxes. What's the military gun? You shoot all the civilians. For what? Then who are you gonna. Then you're the only people left. No, it falls apart the second. It just falls apart instantaneously as you start losing faith in the idea.

Cristina: Yeah.

Jack: Ideas are fragile. That is how they work. They're an extremely simple part of the human psyche.

Cristina: Oh, crap. I was gonna say of being human. Okay.

Jack: Yeah, yeah, it's definitely part of being human. I mean, we don't know if it's part of being an animal or anything of that nature, but we definitely know it's an experience humans factually have. Now, it is entirely possible other creatures also have that sort of experience, but, you know, like affecting the universe with ideas altering with our psyche what we believe. But I don't think. I mean, if you look at a dog right there. I mean, I guess it would apply to everything. It's called adapting the way our thoughts work, the way we. Okay, so faith gives something power. Right, so does this work on an animal? Would be the question here. So you take an animal, a dog. A dog believes you are their owner, you are their feeder, you are the most important person in their life. And then you beat the crap out of the dog.

Cristina: Oh, my gosh.

Jack: And the dog is scared and flinches, but is equally loyal because you are who they care about. You are who feeds them, you are who matters to them. Even if you hurt them, they'll be scared. They'll avoid pain. But that's so sad. It's tragic. But. But the faith in you has not been lost.

Cristina: Okay.

Jack: The power hasn't affected. Has been affected. You still hold the power. Dog could never alter it. A cat never gives you the power. A cat is confident. They always have it.

Cristina: Yeah. So those are just ideas. These animals have ideas.

Jack: These animals have, but they're not wavering. They're not. The ideas aren't malleable. They're fixed. And so those are two examples. I guess it's not because what we're looking for is an example of taking away the faith and losing the power of something that you took the faith from. It's like God. If everybody stopped believing God. Some God is useless. If everybody stops Believing in money. Money is useless. If everybody stops believing in politics, it's useless. Borders work that way. Borders are an imaginary line. If we just say it's not a thing, never been a thing, then, okay, there's no borders. The more people that agree, the less borders that exist.

Cristina: But do animals ever have that idea? Or I guess an idea changed like that, just. Okay, this doesn't mean anything anymore.

Jack: Yes, 100%. Put a line of tape in front of a dog that has been taught never to cross certain barriers. So they don't jump off the sidewalk when you're walking. They don't go into a specific room that you've told them never to go into, even if you leave the door open. They're trained not to do it. You go somewhere where there are no barriers, you tell them, sit, and you create something that looks like a line with tape or something across from them. Some animals will just walk around that because they're not allowed to step over it.

Cristina: Okay.

Jack: They've given it power. They think something might happen if they do. It could just be discipline.

Cristina: Yeah.

Jack: But for whatever reason they are moving around. It could be that their idea is something happens when I do that. There's power happening here.

Cristina: Mm.

Jack: There's a barrier of some sort, but they haven't lost. But if they did lose the faith after you tell a dog, oh, no, it's cool. Come on. You gave the power away for it. So now the dog is like, oh, it's cool. There's nothing here. It's fine. I could do it.

Cristina: Yeah.

Jack: Now the power is gone. Now there's no barrier.

Cristina: So in the dog, just for when you tell them, like, hey, it's okay, then they'd be like, okay, yeah.

Jack: Chances are they're waiting for you to deactivate the power. But even better, that goes to show you that. I mean, I don't know. I don't know. Is it the dog's fear or is it their obedience? That is the question. Do they believe the tape means something, or do they believe your word means something? I guess it would be your word.

Cristina: I think it's your word. Yeah.

Jack: So it's hard. It's hard because we can't jump into the head of the animal to find out if. If it's the idea. But I guess that also goes for humans in general, right? People, thinkers. That because we can't jump into an individual's head and see the thoughts that are happening and to see the change in a perspective, we also don't really, really know that there was Ever. Even power in something that's interesting.

Cristina: What do you mean?

Jack: Well, think of people who don't necessarily believe that they should have a government, but exist somewhere where there is a government, like most places. And, like, you don't. You don't necessarily, like, agree or believe or sort of follow the doctrine. So if I were to somehow be able to visualize your thoughts and your perspective and what things have power in your mind because of your thoughts, you might be part of a system with politics or politics has power, and you've given no power to the thing that has power. So your idea could change. Actually, it could lose power. And your idea never affected it. The same way it goes. Right. You got the crown, and it's only powerful because people believe it's powerful. You believe it's important, but if you don't believe it's important, then it collapses.

Cristina: Okay, that makes sense. Yes.

Jack: Yes. The individual might have never given the crown power. So we don't actually know where they're getting the power from. If so many people believe it shouldn't have the power. Well, fair enough. People believed in Queen Elizabeth.

Cristina: Mm. So there was people with that.

Jack: I think. I think the majority believed in Queen Elizabeth, but I don't think there's any power that's gonna be projected onto Philip. I don't think anybody believes. Or ever. Maybe not ever. But current day, there was never any power put into the crown. All the power was put into Elizabeth. So without Elizabeth, there is no power. I believe. And as goes the imagination of the individual. That again, for the dollar, for the crown, for anything. If you don't have the faith to begin with, you could still partake and it would still have power without your thought.

Cristina: That's complicated.

Jack: Yeah.

Cristina: Because it's still just a thought.

Jack: Still just a thought. And it's not a thought that you think matters, but you can still use it like it does.

Cristina: Yes. Because everyone else around you does.

Jack: Yes. So you can exist within a system in which it works.

Cristina: Imagination. Sort of.

Jack: Yeah. You're using their imagination, essentially. So if somebody gives power to a thing, you can abuse the thing. And so you're abusing the person with their mind.

Jack: Think about how powerful the idea of money is. It's powerful. Why? People starve to death because of it.

Cristina: Yeah.

Jack: You can starve someone out because of an idea. They could just pop your head off with a gun and eat your food.

Cristina: That takes money.

Jack: They could go steal all of the above in order to make it happen. You can murder somebody. You're worried about acquiring the gun in an ethical way. Just acquire a gun and do the thing. And in that instance, well, you don't believe in money, which means you can't be made to starve. That would be impossible because you don't believe you have to pay for food. Nobody's convinced you.

Cristina: So you're gonna kill someone for the food?

Jack: No, you're gonna take the food because food belongs to everybody. And if somebody tries to take away what belongs to you, you have a right to do whatever because it's your survival over theirs.

Cristina: And that's because that's what you believe.

Jack: That person. Yeah, yeah.

Cristina: That person. Yeah.

Jack: The individual at that moment. Yeah. They or they don't believe money has power. That's the argument here. They don't believe money has power. You can't starve them out. There's always another way. I mean, it goes to say that there are people who are extremely unfortunate in life, and it's because they believe they need the money. And then there are people who are astoundingly, filthfully rich, and they don't give a crap about the money.

Cristina: You think they don't care about the money?

Jack: Most rich people don't care about the money. That's why it ends up hoarding. Think about what makes people rich to begin with. It's some venture, it's some things, some fixation they chased.

Cristina: Okay, so there's still an idea, though, that's involved.

Jack: There's a powerful idea, but they're not giving the power to money. The idea just happens to be something different. But it's not an idea. That's like the idea that they're chasing isn't powerful itself, but they don't care about the power. Super mega, ultra billionaires don't care about the money. Look at all the things they do. Why don't they just sit back and relax? Live all day, kicked back? Because it was never about the money. Why didn't Jeff Bezos retire the moment he made the first billion? He'll never run out of money, ever. There's nothing he could do. He'll never run out of money. Nothing he could do. Why didn't he just stop? It was never about the money. He doesn't put power into money. That's why he has so much of it. He just keeps throwing it to the side. I don't need that. This useless tool. I don't need that with my mind. I did everything else. I need money to code a computer.

Cristina: Just the fun of running a business or something.

Jack: Yeah, there's this Other thing that they love.

Cristina: Yeah.

Jack: That most times doesn't have power. The people who don't believe in the power have the money and then by default become the power. When they're not trying to. Jeff Bezos wasn't trying to become the power. He was good at business and then did it. Well. And he could have stopped, but no, he added more things to it. And then he could have stopped, then added more things to it.

Cristina: I guess I get the idea confused because, like, his company is buying off. Like, other companies lose out because of his company.

Jack: Yes, 100%.

Cristina: Like Netflix. The beginning when it was all powerful, it was the one everyone was going to like. There was nothing competing 100%.

Jack: But now, after you've completely sealed out the market and nothing else is coming, then what? Well, why do you keep doing it? Well, it was never about the money. That's why you did a thing. You were good at the thing, and you want to keep doing the thing.

Cristina: Yeah.

Jack: Another great example, the other one, Elon Musk, you know, doesn't chase the money. Ever. Nothing.

Cristina: Doing a bunch of things.

Jack: Doing a million things.

Cristina: Yeah.

Jack: Throw it. Literally throws away money. No power to the money. Asked the Internet, how much money do I just throw away? And they gave him a number. They told him on what. And he was like, okay, just cuz too much money. What do I do with it?

Cristina: So crazy.

Jack: Because doesn't care. Doesn't care. He rules the money. The money doesn't rule him. He doesn't care about the money.

Cristina: He rules money.

Jack: He rules the money.

Jack: You couldn't buy him. You can buy him before there was a bank. Told him, we will give you a percent increase. He's like, nah, I'd rather waste my time and money making something that isn't you.

Cristina: Okay.

Jack: It's like, no, you will literally make me a profit if I throw my money in you. Also, I don't care. Began not giving a crap.

Cristina: Mm.

Jack: Money. Never had the power.

Cristina: Mmm.

Jack: Not once.

Cristina: Okay. Yeah.

Jack: Barnes and Nobles destroying the world. Swallowing little stores left and right. Amazon comes along. I'll mail you a book. You know what? I'll mail you anything you want.

Cristina: Yeah, well, once upon a time, they.

Jack: Had a relationship, I think, with Barnes and Nobles.

Cristina: Yeah. I think with their books. With, like, not physical books, but the virtual pad thing. I think they had a thing together.

Jack: Oh, Barnes and Nobles had the Kindle Reader thing.

Cristina: Yeah.

Jack: I mean, they still do.

Cristina: Yeah. I mean, Amazon, I think now has their own thing, but I think it started together, wasn't it?

Jack: No. Kindle is Amazon.

Cristina: Kindle is Amazon.

Jack: It's the Amazon Kindle.

Cristina: Okay, and what was the one for Barnes and Nobles? They have a different one.

Jack: They don't have one. They were just using Amazon Amazons. They were using the Kindle, which was reader. There are other E readers, but there aren't, like, popular ones. There's just the Kindle, which is the popular E reader.

Cristina: Oh, okay. I don't know. I don't remember. I feel like it was something related together, but maybe not. Maybe they were just stealing their business.

Jack: Yeah, I mean, it was always just about being the better business. There's, again, there's no end goal. The power for him is in purpose. These are people driven by purpose, not money. If it was the money, you got all the money. There's no more money you could make. You can stack all the money it looks equal to you did. You can't fathom that much money. Yeah, it looks the same. No matter how high that number goes, it looks the same. It's past after you're in the millions. You've already passed human understanding. What does a million anything look like? Do you know what a million anything looks like?

Cristina: No.

Jack: So, like, there's no point in stacking an infinity worth of cash. And I know they don't really. They're not sitting here counting, oh, yeah, now I got my next billion. Yeah. I'm so cool. They don't care, man.

Cristina: I hope not. That'd be really upsetting.

Jack: Why would you care? Why would you mind consider.

Cristina: Very cringy.

Jack: That's the thought.

Cristina: It's weird. It's just a weird thought. The phone's just like, ooh, my money. I don't know.

Jack: I mean, somebody's doing that.

Cristina: I know, but it's. I don't know. Just as a thought. It's cringy.

Jack: I don't why people do it about a bunch of crap. People literally do that about everything that's ever existed. That's somebody something.

Cristina: That is somebody something, I guess.

Jack: But there's somebody who's like, yeah, my shoes. Yeah, all my giant shoe collection, bruh.

Cristina: Like, there's more precious.

Jack: I guess there's a bunch of crap like that. People are. It's trophies.

Cristina: Trophies. I guess it's not that bad if it's like trophies. It doesn't like a trophy.

Jack: I mean, there's a lot of people who don't like trophies. It's clutter and just random nonsense. But there's a bunch of people who like it. A trophy is the sin of pride. Be proud of yourself.

Cristina: Mm. That's what mine could be. To some people, money is a status.

Jack: Symbol in a lot of cases, but those are fake rich. It's like that. It reminds me of the rich and the super rich. Yeah, rich and super rich.

Cristina: It.

Jack: Oh, my God. Okay, you guys need to jump on TikTok and watch Rich and super rich. But it makes sense. There is fake rich. The. You know, I got a couple of millions, and I'm better than you for it. I made a. I made millions. I'm so much better than you.

Cristina: Mm.

Jack: You know, I have big house, great nice clothing. I don't wear the same thing twice. I'm pretentious as h***. You couldn't am me and Mike. You couldn't hang out with my friends. We're all rich. And then you got the super rich, the super rich. You got somebody like Elon Musk, who goes and hangs out with, like, Joe Rogan before he's even a millionaire. A multi millionaire. You know, he's just, like, maybe touching a million right now. He's just hanging out with Elon Musk. Because I must like. I like how you talk to people. Still no mega billions offered on Spotify. It doesn't matter. Look, I like you, bro. I like how you approach things. You're cool. And so are you.

Cristina: Hanging out with Dave Chappelle.

Jack: Hanging out with Dave Chappelle. Yeah, exactly. Exactly. This is the type of guy who those average rich people, the people with millions. Oh, no, those are crappy people to him. He doesn't like those people. Pretentious douche wads. You guys are so full of yourself. Let me drop my wallet on you and destroy your house with it.

Cristina: Okay, but he doesn't hang out with those people.

Jack: He hangs out with people he likes with poor scientists and weird creatives and, like, why doesn't he surround himself with Jeff Bezos, his only other equal? Like, screw that guy. He doesn't care about rich people. Also, Jeff Bezos is not doing the same thing. Bought the block and hangs out alone. He's not trying to show his money off. Actually, Bill Gates did the same thing to literally bought three blocks around him, moved everybody out, knocked it all down, and just lives on the block that's now his property.

Cristina: Ridiculous.

Jack: But he wasn't showing it off. He was doing the opposite. Let me go. Disappear and leave me alone, please.

Cristina: He's a super rich.

Jack: He's super rich. He's not trying to show off the money. Dude wears a crappy button up in slacks every day.

Cristina: So is Dave Chappelle, though, and Joe Rogan. The rich.

Jack: No, because they also got the h*** out of there. They're just trying to be away from people and not in the public eye. They're not throwing their money around. Their tools are a million other things. Okay, well, Dave Chappelle has one tool. It's just a really good tool. While Rogan has 50 million tools and somehow still took him. So all of that. All of that to just scratch the surface of what Chappelle is capable of. It's tragic. But also. Why are we comparing? It doesn't even matter. What's amusing here is how in a lot of cases. Because it does have power. Because people project power onto these ideas, like money and politics, whatever. It's funny how it could influence right back. It's not just the use of money can. So you put value in the money, and then the money is required for the system, and then there's a bunch of people in the system who don't have access to the thing. You could hurt somebody with your idea. Literally a thing. But it's funny when people get it. A bunch of. The idea. They got a bunch of money, a bunch of power.

Cristina: Mm.

Jack: And in having all of this, they still don't seek to. They don't hire their status to blend out of it. Yeah, they. They don't send out. They're very subdued about their approach. Rogan had all the things he needed before the money. He got the money, and he's happy about it. But the money didn't affect him. No, the money didn't affect Chappelle. The money didn't affect Elon Musk. The money didn't affect Jeff Bezos. But there's some people who get the money and they just. Again, it's power. They just don't know what to do, and it lands on them, and they either burn it on a bunch of crap they don't need and go broke immediately, or get involved in things that's outside of their control because they weren't raised in the circumstances and they think, I got the money. I can start jumping into these things, and then they lose all the money that way. Or get involved in things that is hard to pull themselves away from simply because the money has the power and you're only gonna optimize it. Well, no, you're chasing the money. That's the problem. That kid got the million dollars. That guy invested and walked away. He'll come back in 10 years and be twice as rich. You decided to do a bunch of crap with Your money. Because it's money. Oh, it's important. I gotta react.

Cristina: Yeah.

Jack: So much money. And so that thing happens to people. That's a powerful idea. Money is the most powerful idea. Money stronger than God.

Cristina: Is it less powerful to people who are born in it? Like if their family members.

Jack: No, no. It's the polar opposite. It's absolutely crucial. It's essential. It's the most powerful tool because you literally don't know how to cope without it.

Cristina: But what if you take over whatever it is your family's into that is doing it? Like, if they did it for the love of the job, then you'd end up doing it for the love of the job. But also you'd get that money.

Jack: Yeah, yeah. If you're. Yeah, definitely. Now, that doesn't change the fact that it's incredibly integral. If you're. Here's the problem. It's hard to dodge because you have no reference point outside of it. So money is God. It is the most powerful thing in your life, even if you're used to it. I guess that's a problem. You're used to it.

Cristina: Yes.

Jack: If we take it away, you're homeless now.

Cristina: Yeah.

Jack: Now take somebody who's lived in poverty but isn't homeless. If I took away everything you had left, you'd just figure it out again because you already did. But being raised into money is being put into the situation without the experience that got the person who got there.

Cristina: Yeah.

Jack: So you don't have to struggle. Yeah, yeah. You can't recreate it. You didn't do anything to get there. So you lose it. You don't have a roadmap back. The people without it have a roadmap to get wherever they're going. They got there without the money.

Cristina: Okay.

Jack: Money has the power. Don't get me wrong. They're seeking the money, but they also have to learn how to do crap without the money because everybody else has the power. I got no power. I have to learn how to be autonomous and move without the use of money because money's too powerful. I gotta bring myself up to compete as opposed to the people who have the money. They're wielding the power, but they never develop themselves. So without the money, they have no power and they're useless. But the people without the money have all the skills because they needed it. But they don't have any of the power. So those people develop the skill and get paid by the guy who has the money.

Cristina: Yes.

Jack: Everybody's tied into the power, no matter what.

Cristina: Yeah. Around the Money around the money. Okay.

Jack: And all of the money is established by. Okay. Why? Why can't I take my money to. Because the politics. The two powers work together. The law says I can give that guy the money and the receipt proves that I did the thing. So he can't screw me, he has to do the service. Or I can take him to court. Because the law said the thing. The power helped the power, but they're putting the money in their pocket. Those rules are just for themselves, really. They need to apply to everybody. Or we eat them. They just apply to you guys. Or they just apply to us. Somebody's going to die. Yeah, you have to apply to everybody. Allegedly. But it doesn't really.

Cristina: That's a Lisa Peer.

Jack: Yes, yes. But let's be fair. Laws are for poor people anyways.

Cristina: Why?

Jack: 100%. We've had this conversation before. Laws are entirely only designed for poor people. Rich people do not have to face the law. That's why every crime comes attached with a fine. You get to commit crimes. If you're rich, pay the fine, you're good.

Cristina: How many fines? Like, you could just pay fines forever. There's no punishment for having a ridiculous amount of fines. I mean, if you're paying it off.

Jack: Then it doesn't matter if you're paying it off. Who cares if you are a billionaire? Walk outside, shoot somebody in the head, you're not going to jail. Well, this is the fine. Pay it. Okay.

Cristina: If you murder someone, you don't get a fine for that.

Jack: There has literally been cases with fines that are murdered. Usually an accident, though.

Cristina: Yeah. So.

Jack: Yeah, but there have been. Well, it's manslaughter, not murder.

Cristina: Oh, manslaughter. Okay. Oh, I guess that's kind of cheating, but okay.

Jack: Yeah, they took a life, but they didn't go to jail because they paid the fine.

Cristina: Okay, I guess I see that. What?

Jack: Yeah, money's strong. Money's strong. Ideas are powerful. Ideas are overpowered. Ideas manipulate people. Ideas control people. Ideas change everything all the time, for everyone, all the time. Ideas are powerful, but minds are weak.

Cristina: Minds are weak, Yes.

Jack: A lot of weak people allow other people's value into their life.

Cristina: Definitely. Yes.

Jack: And then they surround their personality around that thinking. That's something they had, but they never thought about it. They're just screaming what they heard. And now this is important to me because it's important to them, but I don't know why it's important. I just know I'm doing the thing.

Cristina: But that's survival instincts, I think.

Jack: Do what Everybody else is doing.

Cristina: Yeah.

Jack: Blend into the crowd to survive. Yeah, but that's the power of ideas, man. That's what. That's how. That's how it goes. Thoughts and ideas and whatnot.

Cristina: That's our thoughts on thoughts. Thoughts on ideas.

Jack: Thoughts on powerful ideas or giving ideas power. Thoughts on giving ideas power.

Cristina: Like money or politics or religion, in order.

Jack: I think money stronger than God, then I think comes religion, then I think politics. People will sooner react to God than they will to politics. But even the church begs for money. Even the church begs for money. God needs that loan.

Cristina: It does.

Jack: Anyways. So I suppose. And look, we have a million other episodes talking about the mind in many different ways. There's actually an episode about consciousness, many misconceptions about the mind and things of that nature. About computer minds. We talk about the mind a lot.

Cristina: We talk about computer minds.

Jack: Yeah, there's a bunch. There's computer minds, there's consciousness, there's awareness, there's the perception, reality. And there's a lot we talk about.

Cristina: There's a lot. Yes.

Jack: So when it comes to thoughts and things like that, there's a plethora of that. You guys can find all that stuff. You guys can go talk to us. Go have. Go chat us up. Tell us what you want us to talk about here on the Rambling podcast. Tell us what you want us to talk about. Find us on the socials. Just convopod at Twitter, TikTok, Instagram, and.

Cristina: Remember to subscribe, rate and review the show. Yes. Leave us some stars and let someone who might like this show know about it.

Jack: Yes. Because word of mouth is a very powerful and important thing. It's a powerful idea. If you tell somebody, you go up and you tell them, hey, I think the show is really good, really important. I like it a lot. That idea is really powerful because now they're like, oh, maybe I should give it a listen.

Cristina: I might like it.

Jack: I might like it. You like it. You like it a lot, you said.

Cristina: Yeah, a lot. That's interesting.

Jack: It's a powerful idea.

Cristina: Yeah. This has been the Rambling podcast. Take nothing personal and thanks for listening. Listening. Bye.

Jack: But they weren't recording cameras. A lot of these guys for the Me too thing were recording text messages and conversations. They were having an audio recordings of these women were saying and plotting.

Cristina: So though. Yes.

Jack: In the case of, like, phone cameras, it'll be too obvious. She'll just stop. She'll stop her bullshitting.

Cristina: Audio. Oh, the audio was from, like, in Johnny Depp's case.

Jack: Yes. That helped Johnny Depp's case that it turned out his chick was abusive and bullshitting all the way through.

Cristina: Yep, she was abusive.

Jack: She's a monster. And he is innocent as f***. But then we also have this problem where these companies stick by their guns even after they're wrong.

Cristina: Who?

Jack: Like Netflix.

Cristina: Oh, Netflix.

Jack: Yeah, like, okay, Kevin Spacey. Guilty, guilty, guilty. Then he proves his own innocence. Where's Kevin Spacey? You guys. Oh, you guys owe Kevin Spacey. He was. He's guilty of a lot of crap.

Cristina: Well, they have. I don't know.

Jack: But you kicked them out over this one. That turned out to be bullshit. And he proved that he had saved discussions.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 183: Imitating Humans

Are any of our idea original? Are humans the only creature with death rituals? How did the three kinds meetup and carpool to the Baby Jesus Cult? The duo sit back and casually discuss the current most pressing issues in the world, imitating humans with artificial intelligence and solving some paradoxes in Christianity.

Rambling 183: Imitating Humans

+Episode Details

Topics Discussed:

  • Original Ideas
  • Addiction to Phones
  • Anxiety About Phone Calls
  • Human-like Artificial Intelligence
  • Animals Mourning Death
  • Magic Baby Worship
  • The Three Kings
  • Humans Devolve Around Celebrities
  • Hive Mentality

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Cristina: Welcome to the Rambling Podcast. I'm your host, Christina.

Jack: And I'm Jack.

Cristina: This is the show where we ground humanity's most absurd and baffling ideas.

Jack: And so we will do that today.

Cristina: I can't wait.

Jack: Because that's what we do.

Cristina: That's what we do. What is the baffling ideas?

Jack: Everything is the baffling idea.

Cristina: Everything.

Jack: Everything. That's how reality works. It's just a matter of finding. There was a. Who was the guy? Some dude. A smart, smarty pants man. One of the many smarty pants men of time.

Cristina: Is he a Dr. Smarty Pants?

Jack: Yeah, he was. He was probably a Dr. Smarty Pants. It's usually a Dr. Smarty Pants, right?

Cristina: I think so.

Jack: Dr. Smartypants. And he said that if you believe, you understand it, you don't know anything. If. No, if you believe it makes sense. There you go. If you believe it makes sense, you don't know anything, or you don't know it well enough or something along those lines, like, the more you know it, the more irrational it should feel.

Cristina: Okay, that sounds familiar.

Jack: Yeah. And that general logic kind of applies.

Cristina: To life or to the show.

Jack: Yeah. To ideas in general. Everything should baffle you. You should dig so deep into basically anything that you're like, what the f***?

Cristina: How did we get here?

Jack: How did we get here?

Cristina: Yeah, that.

Jack: That's all. The ideas are baffling.

Cristina: It is. Really is.

Jack: Yeah. Isn't that weird that playing the game in which you just ask why a million times to whatever somebody says eventually always leads to a very confusing, like, I don't really know. Like if you follow any thoughts make.

Cristina: Sense that they wouldn't know because a lot of ideas just come from other people. Yeah, it's all hand me down ideas.

Jack: Yeah, almost. We're all just made up of hand me down ideas.

Cristina: Yes, all of it. I don't know. Does anyone have an original idea?

Jack: I don't. I mean, every idea you come up with was made by your brain, but your brain follows patterns and it usually leans into the safest. Right out. And it usually uses collected information. So anything you know, it will apply and then it'll use that to create the shortcut. And the shortcut is usually an idea somebody else had because they initially had the shortcut that your brain is going to be like, yes, that looks like it'll work.

Cristina: Yes.

Jack: So it's your idea, but it's not Your idea simultaneously.

Cristina: What's the point? I don't understand. I mean, I guess it doesn't hurt, does it? Like, if you lie to your child that there's a Santa Claus, what's that for? What's the benefit? What's the loss? Is it more bad or is it more a good thing because your child is happy? Like, does it matter?

Jack: I don't know. I don't. I don't know. I don't know. And then in that. In the scenario, in that very scenario, that's like a weird one, right? Because you're ruining these people, presumably.

Cristina: Are you?

Jack: I don't know. That's basically just aiming towards them because we need to follow somebody, right? And be like, okay, your parents lied to you. I gotta study you for the rest of your life and see how this affects you as a person. Unless I can predict how you're gonna be in the future accurately. I have a future prediction machine, or I guess a type, the quantum computer.

Cristina: But what if it, like, doesn't affect them at all? Maybe they have happier lives than the person who wasn' lied to and was like, there's no Santa Claus, you get no gifts.

Jack: Then parents who don't lie to their kids about Santa Claus should be punished.

Cristina: What?

Jack: No, from that point forward, because you can prove that the other way is better.

Cristina: Oh, if you can prove it, I guess. But what if it's both equal? Then, I don't know. Then, like, how do you decide?

Jack: No, then you don't do anything. It doesn't matter in either direction at that point, you know? But it is something that creates weird habits, you know?

Cristina: How so?

Jack: Because now your kid thinks it's okay to lie to their kid about Santa.

Cristina: Claus, but it doesn't hurt or anything.

Jack: But it's like, you mean. I guess you made lying okay.

Cristina: It's a tradition, so it's okay.

Jack: The tradition of lying?

Cristina: Yes.

Jack: Man, that's weird. Humans are odd. Yes, but I mean, I guess everything, that everything works that way, right? Right now we have this problem with the. Everybody's addicted to their phones, but everybody's scared of phone calls. Somehow, simultaneously, right? These two issues coexist. We're addicted to the phone, but not for its original function. So there was this guy. It was this guy who, you know, he was missing. He was lost and was missing.

Cristina: Why are you laughing?

Jack: But this guy couldn't get in contact with the. With the. The rescuers who had his number and were calling because he was ignoring unknown calls on his phone.

Cristina: Stop lying.

Jack: So he was basically he was lost. He was lost and scared and kept getting strange calls on his phone. He's like, what's happening?

Cristina: He was.

Jack: Little did he know the strange calls was the search party.

Cristina: Weren't people that he knew calling him, though, too. Like, hey, where are you?

Jack: I don't know how that didn't happen.

Cristina: No one was texting him. He wasn't calling anyone. It was just random calls and he was lost.

Jack: That's weird, right?

Cristina: Yes, that's so weird. He was lost.

Jack: He was lost. Yes.

Cristina: And also, he had his phone and he was just ignoring it.

Jack: Yes.

Cristina: He couldn't use his gps. Was something happening? He was hiking.

Jack: He was in the middle of nowhere. His GPS wasn't doing.

Cristina: Oh, okay. That's.

Jack: Sorry.

Cristina: They're cute.

Jack: Yeah.

Cristina: What I don't understand. I don't know. That's so dumb. That's pretty dumb. But most of the time I think, like, when I get a call that I don't know, that says scam likely, it's like, it's gonna be a robot asking for information. And most of the time it is so. And sometimes they sound like humans. I heard one time it was a lady, and she said, I am not a robot or something, like. Or I am a human person or something while talking. I don't know. No, no, I just hung up. Like, who introduces themselves like that?

Jack: I have received those calls before.

Cristina: And you heard something like that, though?

Jack: Yeah, yeah, yeah, yeah, yeah. They're like, trying to confirm right off the bat I am human. And it's like, for whatever creature, this is the last thing a human would do to try to convince somebody else as a human is say, I am human.

Cristina: These robots are ridiculous. Like, she sounds almost human, but you can tell there's something. Yeah, there's something off. But she says that. I don't understand.

Jack: That's a crazy thing, right? Uncanny valley how we can get close, but it can't be perfect.

Cristina: It can't be. And it wasn't. It wasn't. There was something off about the way she was saying it, even if she didn't say that. Although that obviously, like, is a good giveaway. Oh, she's not human.

Jack: Yeah. That was, like. It was too obvious.

Cristina: Mm.

Jack: It's not obvious, but you. You know, it's there. You see the thing? It's like seeing a painting and seeing the flaw in the painting but not knowing where the flaw is because it's in the painting hidden with the rest of the good stuff.

Cristina: Yeah.

Jack: And you're like, something about it that's Off. But you can't tell because it's just amongst it. That's what's happening. Like, you know, like, f***. There's some robot there. It did a good job, but it can't hide that little bit of robot. I couldn't tell you where it is, but I know it's there.

Cristina: Yeah. Maybe that guy was just worried I was gonna be a robot talking about his car insurance or whatever it is they call for.

Jack: Yeah. Well, I remember this one time that there was a robot that was in. It was contacting me and it was. We were. I was having a long conversation with this robot that I think wanted to sell me something, if I'm not confused. But it was very well built.

Cristina: That was through text messaging.

Jack: Yes. It got my number. Yes. Oh, yeah. I told you about this. Right. So there was a robot and it was. It got in contact with me and it tried to have a conversation with me and it was trying to befriend me. We were talking and it was obviously a robot. But I'm like, this is quite a sophisticated robot and quite convinced it, like, I couldn't tell you where the hole is, but I can tell you it's a robot.

Cristina: Yeah.

Jack: And so I'm basically playing a game with chess with this robot that knows. I know, but it's still trying to keep up its act. It knows. There's no way. It doesn't. Because it started eventually joking and trying to confirm that it's not a robot.

Cristina: Oh, I feel like I know what you're talking about. But it was. It was trying to sell you something.

Jack: Yes. At the very end it became clear. But then I just started playing along verbally and I think I fried it or something by accident because it stopped making sense and it just disappeared entirely.

Cristina: Yeah. Because I remember. I think it was trying to get to that topic every time. But then you will lead it back to the conversation. Yes. It could have the conversation, but every time it would just try to get the conversation. Conversation to go back to the thing it was there to sell you.

Jack: Yes, yes. But I kept avoiding it. I was just dodging it. Like, I didn't even know it was trying to talk about that.

Cristina: Yeah. Okay. That sounds very familiar.

Jack: Yeah, yeah, yeah, yeah, yeah.

Cristina: That is so weird.

Jack: Weird uncanny Valley thing.

Cristina: Yeah.

Jack: What led to this? What were you talking about?

Cristina: Santa Claus.

Jack: How do we get to the robot? Oh, look, it's a phone call.

Cristina: The phone.

Jack: The phone calls. Yes. That. They're just like that. That there'. There's a lot of these, like, you're almost a person. But like, what the f***?

Cristina: Mm.

Jack: Eventually we're not going to be able to tell that little bit of a difference is going to be masked somehow.

Cristina: It wouldn't matter because it would still be someone trying to sell you something. And.

Jack: Yes, that's going to give it away.

Cristina: Yes. Like, it doesn't matter if you're human or robot. I'm not going to listen to you.

Jack: Because the problem is they're crazy quick with it. What you should do is build a robot that isn't going to. In the first conversation, try to sell it to me. It's going to try to. And for a long period of time.

Cristina: Yes. This robot is set to be your. To talk to you for a year without mentioning the thing.

Jack: Yes. And then be like, man, I just discovered this new awesome thing suddenly. And then you can be like, oh, yeah, I'm excited because my friend is excited. Yeah, my friend is excited. And he, you know, everything he's ever told me until this point is like, this robot just talks. Truth woke truth.

Cristina: But then what happens? Like, once this whole year of friendship happens and then the robot does sell you the thing, or you just realize, o, crap, this is fake. Is that the end?

Jack: Yeah, there's. There's two problems going on there, right? Like the. Yes. He. It's a robot that's designed to sell you something, but, like, hey, it's also your friend.

Cristina: Yeah. So does it just ghost you?

Jack: Does. Oh, because it could just ghost you.

Cristina: It could.

Jack: It's a robot.

Cristina: Accomplish its task.

Jack: Yeah, you either. Got you confirmed. I can't. I'm not gonna sell the. Buy you the thing. Or. Or what is it? I'm not gonna buy it. Or I am gonna buy it.

Cristina: Yeah. And either or it got what he wanted.

Jack: Leaving Deuces, bro, this is all I was talking to you for.

Cristina: Yeah. Is that what would happen?

Jack: So at that point, you the person on the other side. So I, you know, for a year, this is my best friend online, bro. Like, yo, you cool as h***, bro. We click, have all the same interests somehow. It's super chill. No judgment on either side. Mad awesome. Mad awesome. I'm excited to talk to this person any day.

Cristina: Yeah.

Jack: And then they try to sell me a thing one day and I'm like, I'm not that interested. They seem kind of pushy, too. What the h*** is going on, bro? You just suddenly trying to sell me some s***. And then I'm like, no, I'm not interested. It's not anything I would ever use the Key combination of words that says, well, the percentage of me making a sale here is useless. Let me dip. And then I'm just ghosted, blocked everywhere, deleted from every account.

Cristina: I feel like that's what people are on Facebook now. I get messages on Facebook from people that are supposed to be real people. And I'm sure they are real because I know them. I know them. They're human. But they sound like pyramid schemes now. They're all trying to sell me something that will make them money, but also will make me money by selling it to someone else. And it's like, no, I don't want to do this. Why are you giving me this? And then I usually tell them, like, this sounds like a scam.

Jack: Yeah.

Cristina: Like, I don't know how to politely say that to them. I know they probably see me as a friend or something. But, like, come on, come on. What are you doing?

Jack: Scammers and robots are kind of the same, right? Because the robot is a scammer.

Cristina: Yeah.

Jack: It's just an accurate. I guess it's doing it. When you think about it, it's doing its job pretty accurately. Maybe better than the people doing the job. Scammers are like a dead giveaway.

Cristina: They are. It's so obvious. It's so. They're so bad at it.

Jack: Yeah. It's kind of like when you. How do I put it? There's these. When you start a conversation, right. A scammer calls, and they're immediately talking about something that you don't even have.

Cristina: That you don't even have. Like the car.

Jack: Yeah. You don't even own a car. And they're calling for your car's warranty.

Cristina: Mm.

Jack: Or there was an accident. Or you don't have a bank account, but some, you know, your PIN number has been stolen or compromised or something.

Cristina: Mm.

Jack: You know?

Cristina: Yeah.

Jack: So it's like, bro, you're failing at your job because the computers, like, engage with, you know, hey, what's up? Like, oh, hey, what's up? What's going on?

Cristina: But is the text messages of person or computer.

Jack: I think in both cases, because scammers will be like, let me make a meme with some words on it and stuff that'll make an urgent message and make people act, and then they'll click the thing to solve the problem. Doesn't exist.

Cristina: Mm.

Jack: While the computer is getting to, like, know the person and s***, you know?

Cristina: But, like, if you get a message, like, your bank account has been, I don't know, closed off. We gotta click this link to fix It.

Jack: Yeah. Like, no. Anytime that anything says click a link, I'm like. But yeah, it's essentially the same thing.

Cristina: Yeah. There's so much of that everywhere. It's so annoying.

Jack: Yeah.

Cristina: Makes sense. That guy ignore those phone calls.

Jack: Yeah. Okay. Yeah. Yeah, totally. Because don't we all? Who answers your phone?

Cristina: I don't know. I don't know. Like, unless you know who is calling you, it's most likely you already know. It's of kind not gonna be a real call anyway.

Jack: Yeah. But that's us, essentially. Like, we've been trained to predict this at this point.

Cristina: Mm.

Jack: Because it happens so consistently. You know, it's like. It is scam calls usually. Most calls you're gonna get these days are scam calls, unless you're a particular kind of person who enjoys having phone calls consistently. And so you have phone calls with everybody that you talk to. So those people are the exception to the rule. But minus those people, most people are getting scam calls more frequently than they're getting actual phone calls from people to talk to.

Cristina: Yeah.

Jack: So we just naturally were like, someone just kind of gonna stop answering my phone.

Cristina: But when you're lost in the middle of nowhere. That's so crazy. That's so crazy.

Jack: But he was probably having some sort of panic attack.

Cristina: Do you know how long he was lost?

Jack: No, I have no idea.

Cristina: It's so crazy.

Jack: People do weird things, man. We're weird and impulsive, but that doesn't. Weird and impulsive, but that doesn't make us any different because so are animals.

Cristina: Mm.

Jack: Animals tend to be weird and impulsive too.

Cristina: Like, cats.

Jack: I don't know if cats are impulsive. I would say, like, dogs are impulsive, mainly. I mean, if it was, like, between cats and dogs, I'm sure there's like. Like, squirrels are probably really heavily impulsive.

Cristina: I don't know. Oh, squirrels, maybe. I don't know. I feel like cats are more than dogs. I don't know.

Jack: More impulsive.

Cristina: I don't know. They're all random.

Jack: Dogs don't think things through too heavily while cats are, like, kind of watch and make a plan.

Cristina: Okay. Because, like, cats do things like. Then again, it might be on purpose. Like, when they walk right in front of you, like, it's kind of, yeah, you're gonna get tripped, but also they're gonna get hurt. Are they doing that to trip you up? Do they realize they're also gonna get hurt? Do they not care? What's wrong with these cats?

Jack: I don't know, man. That doesn't Even make sense. There are. None of it makes sense. None of it. There's about 200 condors in the world. Yeah, there's about 200 condors in the world.

Cristina: Is that a bird?

Jack: Yeah, it's a big black like, like desert bird.

Cristina: Okay.

Jack: I guess it doesn't necessarily have to be in the desert, but it's usually find it in the desert anyways. Big black bird. About 200 of them in the world, most of them in the US and this one time some time ago, some lady called the police and they needed to call some emergency services to go to her house because out of those 200 condors of them were hanging out on her porch. They don't understand why. It has become quite a complicated scientific mystery considering condors in general hang out alone.

Cristina: But they're all hanging out.

Jack: But they were all on her porch.

Cristina: Did they find out why?

Jack: No, it's just a weird thing that happened some. This one time.

Cristina: That is so crazy. Yeah, maybe one of them died on there and they're all just having their. Yes.

Jack: I mean that's interesting. Elephants do that.

Cristina: So it's possible.

Jack: It is possible. And birds are really intelligent. Birds have this kind of ridiculously high intellect and some of them have the capacity to mess with humans on quite a good sophisticated level. So it's possible they're having mourning sessions.

Cristina: Or maybe they're getting revenge. Maybe she killed one of them.

Jack: Oh, that'd be nuts. I mean, yeah, some birds are known to hold grudges as well. Like crows. Yeah, just hanging out, messing with the same person over and over just because. F*** you.

Cristina: Yes. I wonder if that monkey war is still going on where the monkeys are killing all the dogs and then it just spread out to other countries and.

Jack: Yeah, it's crazy.

Cristina: And the monkeys probably don't even remember why they're killing dogs. But they still kill dogs.

Jack: Yeah. Now it's just a thing. It went beyond the we're killing dogs because of this specific thing. And now it's just. Well I've since I was born, we just fight. My grand, my grandfather's grandfather knows why we fight now. We just fight because it's what we've done.

Cristina: I'm sure it didn't last that long. Like it can't be still going on. It's got to be like one month of war in the end. Like eventually they're like eh, let's move on to something else.

Jack: But nah, because they're born and taught this by their families, there's no reason it should be worked out. If they're maybe even getting food from some of these dead monkeys.

Cristina: This dead dog, you think they're eating the dogs?

Jack: Some of them probably eating the dogs. F****** monkeys.

Cristina: I don't know. I'm gonna look up this story. You gotta find out what's happening.

Jack: You know what we need to find out? We need to learn about these monkeys.

Cristina: I will eventually.

Jack: Yeah. This is weird. Just. This is how Earth, just. Great planet. Great planet. It is. It's been having a panic, bro. That's a pan. That's part of the panic attack. How weird is it that there's just an infinite war happening between dogs and monkeys?

Cristina: It's a one sided war.

Jack: I guess it is.

Cristina: Yeah.

Jack: It's just a bunch of. But that's crazy anyways.

Cristina: Yes.

Jack: It's just a bunch of monkeys out here murdering dogs because one dog might.

Cristina: Have accidentally killed a monkey.

Jack: Yeah.

Cristina: Or maybe purposely, who knows? But it was just one dog.

Jack: And now they're out there killing all the dogs. Yeah. How is that any different than the whole Ukraine, Russia problem?

Cristina: What?

Jack: People killing people for no reason.

Cristina: They have their reasons, I'm guessing.

Jack: Do the. I wonder if the soldiers have their reasons. If they're just following order. I mean, I guess that's the reason.

Cristina: That is the reason. Yes.

Jack: It's work, bro. It pays the bills.

Cristina: Yeah.

Jack: What if that's crazy, dude. We go, we sign up 18 years old, fresh. Oh, yeah, I'm so fresh. Sign up.

Cristina: When you're doing it that young, you're doing it for fun.

Jack: Yeah, yeah, yeah. You sign weirdo work, you sign the paperwork.

Cristina: Disturbing person.

Jack: You do the thing and you're like, oh yeah, this is culty. As we gotta follow a regimen, think a certain way, behave a certain way. It's brain. Blatant brainwashing. It's a point. The brainwashing is the point at the beginning.

Cristina: Yeah. It is cold.

Jack: Yeah. And we support each other no matter what. You're a soldier forever. This is harder than a gang, brother. Anywhere in the country you go, we know. And so we basically joined this cult.

Cristina: Mm.

Jack: Because we need money. It's a job.

Cristina: Yes. And.

Jack: And the cult straight up says, go out there and shoot people. And we're like, well, you know, I said, I told the cult, I'll do whatever it wants me to. So I'm gonna go out there and shoot people and it's gonna give me money.

Cristina: Yeah. It's the legal way of shooting people.

Jack: It's a legal gang.

Cristina: Yeah.

Jack: Whoa. Gangs are also cults.

Cristina: Yeah.

Jack: We follow, we get Together because we believe in the same ideology. We do the same s***. And if you don't believe in the ideology, but you want to be here, we can beat it into you. We can do. To train you into the ideology. It's fine. You can become one of us if you're not already.

Cristina: That's a gang.

Jack: Gangs.

Cristina: Yeah.

Jack: You become one of us, we join the game, we jump you in. We're gonna do everything. It's all the same s***. What's the difference between that and f****** military?

Cristina: Oh, crap. It's all cults.

Jack: It's all cults. Everything is a cult. Politics are cults. Everything is a cult for sure.

Cristina: Mm.

Jack: Even the beauty industry is a cult.

Cristina: The beauty industry.

Jack: The beauty industry is a cult, like, for sure, for sure. The way they try to market certain things. And the people who are interested in the beauty industry, you know, this is what's in fashion. Oh, I need to get what's in fashion, because that's what the beauty industry said I need to do.

Cristina: I guess there are really people who do that.

Jack: I'm assuming that's right.

Cristina: I don't know.

Jack: I can't just be in. Stereotypes are based on something, right?

Cristina: Yeah, yeah.

Jack: So it has to be to some degree, Right. We might not know them, but I'm sure that's a thing.

Cristina: That's probably a thing. Yeah.

Jack: Yeah, whatever. So it's just probably the thing. But yeah. So the beauty industry itself is weird culty thing. All versions of it, too. Because there's rich people too, right? Rich people are way culty. There's like the whole, like, social contract that they follow. We be. We also behave a certain way. You know, we. Us rich people up here, us elitists, we go to certain places. If you don't go to these places, if you're, like, hanging out with the poor people or doing this kind of thing, you know, you're not cool the way we are in our yachts and stuff. You can't be peasanting around where we're elites. And so there's definitely behaviors, right? Oh, your father launders money and that's how he's rich. Well, I can't rat. I mean, still, you can't rap people out as three rules anyways. But, you know, things like that, that happen at all times. That's a cult. They're following this sort of what? We behave different because we're special.

Cristina: Oh, okay. Yeah. I guess that is a cult. Yeah.

Jack: Yeah. It's crazy. And I guess going back to the beauty and the rich people, if you were to merge those two. There's this. You know the people who go so far into it that they alter their faces.

Cristina: Yes.

Jack: So it's like I need my. There's an exact way that lips should look, even if it will look weird on my body. There's an exact set of dimensions that somebody put somewhere that the perfect set of lips are.

Cristina: And everyone does it.

Jack: See? So I'm gonna get those exact lips, even if it looks weird and crazy on me.

Cristina: Okay.

Jack: And the eyebrows. There's an exact perfect shape. I looked it up. It's an exact number. All the women are doing it in the circle that I'm in, so I need to get it too. It can't be the only one who doesn't have the thing. But then what happens? Everybody looks exactly the same.

Cristina: Yeah.

Jack: And behaves exactly the same. They're altering their body for this cult.

Cristina: Yes, I see that. Okay.

Jack: Yeah.

Cristina: The same makeup, same hairstyle.

Jack: Yes. It's so much stranger when you do it to your animals.

Cristina: What? I understand doing it to you, but what does it even mean to do it to your animals?

Jack: So there was a beauty competition for animals? Yes. For. Specifically for camels.

Cristina: For camels. I was thinking dogs. This is weird. Okay. Camels.

Jack: Well, it's less weird if I tell you it's in Saudi Arabia.

Cristina: Okay, Right.

Jack: So it's. It's a little less weird.

Cristina: Sure.

Jack: So in Saudi Arabia, there was a competition.

Cristina: Beauty.

Jack: A beauty contest for camels. For camels. It's a normal beauty contest.

Cristina: Someone cheated with surgery.

Jack: So 40 camels were banned because they were found to have had Botox to make them look sexier for the judges of the beauty contest.

Cristina: Like in their face. Their humps. Like, where are these?

Jack: In their face? Yes.

Cristina: Oh, in their face. Okay.

Jack: Given Botox in their lips and in their cheeks to make them look younger and sexier for the vision.

Cristina: How many camels were in scalp competition that 40 of them were cheating?

Jack: I don't know. But that was it.

Cristina: 40 camels and, like, all of them were cheating? Or was it hundreds of camels?

Jack: Like, it was definitely enough that 40 were cheating.

Cristina: That's so ridiculous. That's a ridiculous story.

Jack: Most stories are ridiculous. What story isn't? What? What? Tell me a story that isn't. There you go.

Cristina: I don't know.

Jack: What's a non ridiculous story?

Cristina: I don't know. There's no non. Ridiculous story. I don't know. There's a magic baby that people worship. I don't know.

Jack: There's a magic baby. Oh, yeah. I guess. Yeah, I guess so. I never really thought about that. Because they did worship him as the magic baby at the beginning too. He was a magic baby who then just became some carpenter. And they're like, oh yeah, not kill him. We were wrong. Kill him.

Cristina: That's not what happened.

Jack: It's totally what happened. He was a magic baby and the kings worshiped him and then he was a carpenter and like we were wrong come the carpenter.

Cristina: I mean the kings were like that. No, I don't know where they were in the story. They came, they said hi and then they left.

Jack: The kings of what? Right? Like are they kings who crown them? Are they like their lineage? They came over here.

Cristina: No one knows where. I don't know. Maybe the story includes the locations, but.

Jack: I doubt he came from here. He came from there. It's like, okay, so if we were. There's documents, bro, there's documents. So if you're telling me that this king from that place were they just.

Cristina: Referred to as three kings. No, they have to have names, right?

Jack: Names and like he was someone. It can't just be a king. Came from where? Dude, came from where?

Cristina: They just traveled from far away.

Jack: Yeah, kings came from far away lands.

Cristina: It took them three days.

Jack: I dare the Bible to say that. No way. It can't just say the kings came from faraway lands.

Cristina: Yes, on a three day trip. Was it three days? I don't know.

Jack: No, I think you're thinking of the three days after Jesus died before he came back as like a vampire or a zombie or whatever he is.

Cristina: Oh, okay. So they did not take a three day trip to see him. They took a long time or. No, it wasn't like they were just there.

Jack: No, I think they got lost in the desert and they followed the north Star or something.

Cristina: Yeah, I guess they didn't get lost because they were just following the north star.

Jack: Which doesn't make sense if they were following it because it was north. Unless they were in the south, I guess.

Cristina: Right, but how does that tell them where Jesus is?

Jack: I don't know. That story really doesn't kind of hold a lot of water when you really think about it. But that's how the Bible works, essentially. Don't think about it too hard. But that being said, they came from Africa.

Cristina: I don't know. They could go they from it. I don't know.

Jack: Coming to Jerusalem. You're coming to Jerusalem?

Jack: That's in the Middle East. You follow the North Star. The star in the north. You came from south. Otherwise it would not have led you to Jesus. It would have led you elsewhere. If you were left of Jesus and you followed the North Star, then you went, I don't know, to India.

Cristina: You know, I think they just made up stories of where they came from. This is, I think that Persia, India, Arabia. How close is that to Jesus?

Jack: That's all the Middle East.

Cristina: Oh, okay.

Jack: It's pretty close. Yeah.

Cristina: Are they close to each other? How did they end up next to each other?

Jack: It's not possible that these guys showed up on the same day. That's just not possible. I don't know if it said they.

Cristina: Showed up on the same day.

Jack: I know that they were there.

Cristina: It seemed like they were traveling together though, the whole time.

Jack: Which makes less sense if they're from these three. I'm gonna go like a month ahead of time to this other unrelated country to pick up Bob. And then me and Bob are gonna go to this second unrelated country to me and first unrelated country to Bob to pick up Steve. And then the three of us, because we're buddies like that, we're just buddy kings, you know, we're gonna travel up north to see baby Jesus. But never mind that. Chances are we are surrounding the area that we are going to go to anyways. So we probably cross paths with where we're headed. And it's probably been shorter had we all just gone to the middle or something, but okay.

Cristina: I don't know. I don't know if that story makes sense. I mean, it doesn't need to make sense, does it?

Jack: It doesn't need to make sense. Most stories don't make sense and their.

Cristina: Gifts are lame anyway.

Jack: But where are their gifts?

Cristina: It's like, here's a cup gold and some plants.

Jack: I mean, it depends on what scale do you mean, right? So you're like, this is useless. But what if that gold instantly made him rich, right? Like a specific kind of gold is.

Cristina: Like, oh, what if it was just one little gold coin though?

Jack: That's total garbage. Then he's a douchebag. But what if it's a really. It's like they don't know how expensive it is, but it's way ahead of his time. And in like 10 years, they'll discover the material and he's like, I'm this good. Gives it to the baby Jesus for 10 years. Baby Jesus is like, yeah, my cool little medallion thing. And then boom, they discover it in his area. And he's like, holy crap. Like, the dude gave me a coin. It's I'm filthy. Rich.

Cristina: It looks like they just gave him crap to me, though.

Jack: Yes. Total dirt.

Cristina: I don't know.

Jack: He just showed up in here. Baby.

Cristina: Where you come from.

Jack: Yes. You are the messiah. Dirt to face, doof.

Cristina: I don't know. It's smelly there. I think they're. They're, like, used for incest. Is that what it's called?

Jack: But, like, what if it changed their lives? So they discovered this dirt, and then they discover lavender. Lavender incense. And then boom, everybody's chill. Thus making the society more accepting of baby Jesus. Boom. And then that coin. So you got the coin, the gold, right? You gave him the gold coin? It's just one coin. It seems dumb until they discover that type of gold in the area and he's a millionaire instantly. And then the other guy, he gave you the plant. But this plant. Oh, it's for his people. They use it for everything. They heal everything. But you don't know this yet, but your people slowly catch up. Studying your plant, put it everywhere. Now all your people are healthy all the time as compared to other people. So these three kings preemptively made a paradise around baby Jesus.

Cristina: You think Jesus did anything with these things?

Jack: H***, no. I am so sure that all of that disappeared when these people had to run for their lives immediately following that.

Cristina: What? Mary had to run for her lives, her life.

Jack: There's no way that a cult of people gathered in a barn to worship a baby and people literally traveled from outside, made kind of a lot of noise about this baby.

Cristina: People must have freaked out.

Jack: People must have freaked the f*** out. They had to get the h*** out of there. The reality of the matter is they had to leave. There was a lot of noise about the next Messiah, and clearly we can tell because it eventually took place. They. They're not fond of that thought.

Cristina: It sounds like a cult of people just worshiping a baby. It sounds kind of scary. That's like little horror movie things.

Jack: Yeah, yeah. If you took this out of context and just showed me this thing without telling me it had anything to do with Jesus. A bunch of people go into a dark bar surrounded by farm animals, ladies screaming, it's raining outside. Thunder. And the people just gathered, Gathered, Excited, excited. Strangers, people in robes. And people dress weird. Just like a ghost. Bros, head to toe in just like a ghost outfit. I'm like a pope. These kings dressed in gowns and robes, this weird culty gathering, excited about the baby. Then they hold the baby up. Everybody's like, oh, yeah, it's God. She gave birth to God. Look at it.

Cristina: Yes, go.

Jack: God's right there in front of us. We're all chosen to be here and see it happen. Oh, my God.

Cristina: And we got him gifts.

Jack: And we brought him gifts. We brought God gifts. He's gonna be so happy with us.

Cristina: Yeah. So creepy.

Jack: Totally creepy. Dude. This is just real.

Cristina: Yeah.

Jack: People believe this happened. And they're like, yeah, we're cool with it.

Cristina: Disturbing.

Jack: And then we go and pretend we drink blood and eat human flesh. It's chill, bro.

Cristina: Mm.

Jack: It's chill. All we do is worship and try to eat them. Hopefully one day I eat one of these little bread flakes and it tastes like skin. And I'm like, oh, I've crossed over. I truly believe now. My faith is. Yes, My faith is so solid, I can taste the flesh. Wow, this cup tastes like blood.

Cristina: That's disturbing.

Jack: The blood of Jesus. He's communicating with. He's trying to be so close to me right now. It's a cup of blood. It's not. Everybody drank it. They're like, it tastes like wine. They tasted. Oh, my God. It tastes just like blood. It must be Jesus blood. Little do you know, that's the moment you're having, like, a stroke or something.

Cristina: You're like bleeding in your mouth and you're tasting your own blood because you.

Jack: Also ate the flesh. So you just, like, bit you. So you did it in that order. You took the cookie and you're like, maybe you did drugs or something.

Cristina: You did yourself mad.

Jack: Yeah, you just did drugs or something. And you're like, you're not feeling things too well. And you eat the bread and then blam. Take a piece of your tongue. But you don't even know. Wow, this is gummy. This is fleshy. Oh, my God. Is it happening? Am I connecting to God right now? And then afterwards, you take the wine and you pour it, but the wine is alcohol, so it's thinning your blood and making your tongue bleed more. And so you got something gummy, which is just a chunk of your tongue, and your mouth feels like blood. And you throw that wine in there and it tastes more like blood. And you're like, what? What? I'm. I'm in God gasming.

Cristina: What?

Jack: Oh, that's a good word. I'm godgasming. Isn't that when people like, oh, yes, bro, that's a godgasm.

Cristina: Godgasm. It's the opposite of being. What's it called?

Jack: Possessed.

Cristina: Possessed. There you go.

Jack: Oh, my God. A godgasm is the opposite of possession.

Cristina: It's almost the same.

Jack: It's almost the same thing. It's almost the same thing.

Cristina: There's something possessing you in both cases, though, right?

Jack: God isn't possessing you. He's touching you.

Cristina: That's not better. Oh, my gosh.

Jack: Now he's just coming in contact with your private Soul. Yeah. Yes, 100%. The Godgasm. The greatest thing ever made was a godgasm. Was a God gasm. I mean, based on how people are behaving, it must be astounding, right? The craziest thing is that these people gathered in this barn, hidden in a dark, rainy, stormy night, presumably. I don't know if that's true. You know, I'm just adding scenery here, but, you know, it's raining and stormy and they're hiding in the dark because electricity didn't happen. So they had like a lantern just highlighting the v***** of this woman as she lays on the floor. A bunch of people just staring dead at.

Cristina: And they're like, yeah, that does look like a version of v*****.

Jack: Yeah, it does looks. It checks out. It checks out. And then the baby is born. And the craziest part about this is everybody in that room is hoping to get a God gas. They. They want to be possessed by God and him earned, Touched. They want God tingles. They want a God gasm after God tingles them a little.

Cristina: That sounds so wrong.

Jack: That's what they want. They want to be one with God. They want God inside them.

Cristina: Yes.

Jack: They're hoping that baby.

Cristina: That's so disturbing.

Jack: They're like, that baby is gonna be inside me one day. I'm feel him inside me. And it's gonna be great. It's gonna. It's gonna feel like pure love.

Cristina: Disturbing.

Jack: It's gonna feel like pure love. That baby's gonna be inside me and it's gonna feel like pure nothing. Pure loving goodness. Pure loving goodness.

Cristina: This is all horrible.

Jack: That baby right there. And then king one nudges arm of king two, and he's like, right? And king two is like, yeah, this is gonna be great. That baby's gonna. We're gonna be one with that baby.

Cristina: That's disturbing.

Jack: No, like what you say. You said let's feel like pure loveness. I agree. I agree. Yeah. Yeah. Pure, pure loveness. Pure loveness.

Cristina: Yeah.

Jack: Yeah. You love it. That's what they want. They're begging for it. They will literally die for it.

Cristina: They gave some crappy gifts.

Jack: They were solving his life's problems. It's not Jesus's fault that he was born with an Average IQ and didn't solve these issues.

Cristina: What issues?

Jack: Whatever issues the gifts were meant to solve. One was poverty, the other one was medicine. And the other one was like, you haven't figured out what dirt is yet. Here's some dirt. You know, here's a plant that'll heal all your ailments forever.

Cristina: Planet growing to warn him about climate change.

Jack: Yes. If you. I guess. Can you imagine. That's the real wisdom of that one years. He's supposed to live forever.

Cristina: All three, if you add them together. It's a warning about climate change.

Jack: It's a warning about.

Cristina: Yes. The gold is gonna be the greed that ruins the earth, which is the dirt. And the plants are gonna die off. And that's why there's plants involved. And oh my God.

Jack: I guess can. D***. The Three Kings knew about climate change.

Cristina: Yes.

Jack: And they were hoping the Messiah could. To solve it.

Cristina: Yes. That's all it was about.

Jack: That's all it was about. The Three Kings knew that God is about to be born. Let us bring us. Let us bring him our problems.

Cristina: Yes.

Jack: Our society is collapsing because of poverty. I'm going to give him money and he's going to figure out how to solve this problem. Next place comes, our people cannot grow the medicine that we need. So I'm gonna give it to the. God. To God. God's gonna be born. I'll give it to God and he's gonna figure out how to make this plant grow. And yes, it's gonna come. He's gonna hit baby Jesus with dirt. He's gonna say, here's dirt. Everybody had wishes. I don't have, like, I got dirt. Here's some dirt. And maybe you can make this dirt awesome the way you can make that other stuff awesome, bro. Like whatever, just give me.

Cristina: He's just a lazy one.

Jack: Yeah, give me something cool. And so they were all coming because they believed truly at the bottom of their heart that he is going to solve their problems. And then he just became a carpenter instead. So then they put a hit on him. They're like, it's third. It's 30 years.

Cristina: They have nothing to do with.

Jack: It's been 30 years. And he did not. I mean, they had to be old, right? They're kings.

Cristina: I don't know.

Jack: So each one of them is what, like 12? The oldest person alive at that point.

Cristina: Yes. And then that 20, they d die.

Jack: Yeah. So so this. These guys somehow now 60 or 80 or whatever, they're dead.

Cristina: They're now 60, they're 40 and they die.

Jack: And Jesus starts preaching and they're like you.

Cristina: And on their deathbeds, you, you still.

Jack: You'Re tell, you're now talking about you being God. It's your 30 year old birthday and you're just out there talking about being God. And you still have not solved my problems. My people are starving, we are dying because the money has collapsed. And you didn't figure it out. Go kill Jesus. And then the other guy was also like, you have not solved the diseases that my people have been plagued with. God, go kill him. And then the other guy's like, my dirt is the same it's been since I gave you some of it. And the dirt hasn't changed. Somebody go kill him. And then there wasn't an episode, epic John Wick battle, where Jesus is John Wick and he's fighting the three greatest assassins sent in by the Three Kings, who were formerly believers but are now just Jesus's greatest rivals.

Cristina: Jesus is about is Baba Yaga.

Jack: Jesus Yaga, they call him.

Cristina: That name doesn't even make sense.

Jack: Yes, it totally does not.

Cristina: But I love it.

Jack: Truly an overpowered witch.

Cristina: But no, no to all of this.

Jack: Yes, it doesn't really make sense. I don't know what the h*** those kings. All the plot holes, bro. All the plot holes that exist. It's phenomenal.

Cristina: It's human.

Jack: It's human. I mean, look, what's the ultimate premise here? We know that computers can't imitate being human. And we know that humans are still sometimes very similar to animals.

Cristina: Definitely.

Jack: But we can use computers to imitate animals, can we? Perfectly, sometimes. So why can't we imitate humans if humans are no different than animals? There is some exceptionality to humans. There's something weirder about us and it shouldn't like, yeah, we have a bigger brain and we exercise that and that's how we survive. That's no different than the animal that figured out speed stats or the one that like went all in on strength or something. You know, we just went all in on brain. We're slow and like fragile and anything will kill us. But we're so smart, we alter our world. Yeah, great, whatever. That's still nature. Why can't we create a computer that can imitate it perfectly?

Cristina: Or have we? Since that guy from Google said that thing like, who knows, maybe there are robots out there that are fully sentient. Yes.

Jack: I don't know, man.

Cristina: And they're all around us and they're just watching us or writing to us, who knows? Or calling us.

Jack: I don't Know, man, You think we're truly kids. Crazy, right? That means that the scale of humanity is. It's so vast because we got geniuses. Geniuses with the capacity without even understanding what consciousness is. Being able to generate consciousness. We learned how to create consciousness before we know what it is. Powerful. We don't even know what the universe is. And we can alter it already. That's weird. Weird.

Cristina: We don't need to know.

Jack: We don't need to know. We don't need to know. We can, but that's problematic. That's how we f*** s*** up.

Cristina: But yes.

Jack: Yeah. You know, if we not understanding the rules before, we're trying to break them. And the golden rule is learn it and then break it. But learn it.

Cristina: We definitely don't do that.

Jack: We don't do that. We don't do that. But, you know, we got smart people breaking reality.

Cristina: Mm.

Jack: Generating entire universe. Many tiny universes the size of our own universe in infinitesimally small points and then taking a snapshot of that information to then dissect later. What. What we do.

Cristina: That's insane.

Jack: We do that. Whoa. That's crazy as h***. But then we also have the level of intellect. Kind of like this one time that Shakira was just at an airport and then she was around a bunch of people who were swarming her plane after she had just gotten down. And they were so mesmerized by Shakira and blown away by the fact that she was there, that directly next to her, 2, 3ft to the side, a boar was stealing her luggage. And everybody was kind of just amazed at like, wow, look at the boar. Steel. Shakira's luggage. Wow. A.

Cristina: A boar, like a pig.

Jack: Yes. Was stealing her luggage. And people were standing around, hands that it was happening to Shakira.

Cristina: Was she saying anything like, hey, someone, my luggage is.

Jack: She's just like, you got nobody. Is this real? Is this even happening?

Cristina: This is really happening. What is he doing?

Jack: It must be so weird to be a celebrity and consistently see the hole in the Matrix, right?

Cristina: Yeah. Yes. But there's a boar stealing your lug. That's even more.

Jack: That's weirder than what the humans are doing.

Cristina: Yes. Like they're doing what they do. But why is there a bore stealing Earth luggage? What? That is weirder. I don't know. Yeah.

Jack: Everybody was just quietly watching it happen. Nobody was talking or cheering. Just standing there watching it just like.

Cristina: That is so crazy. But NPCs, yo.

Jack: For real. For real. They are totally NPCs. It is so weird. It's so weird, dude.

Cristina: They saw a celebrity and were more distracted by her than the weird, weird thing that was happening.

Jack: Being a celebrity has to be so strange.

Cristina: It's gotta be like, there could have been an alien next to her. And they're like, no, but look, she came.

Jack: Yeah, dude, straight up, like, you gotta understand. We're looking at how weird they are in this one incident that somebody made a comment about it, which was Shakira. This is. She was like. She posted online or something about it. Like, are you people crazy? Like, what Was that moment real? Was this a real thing? And like, when you think about it, when you really think about it being like these mega celebrities did, you're always watching humanity devolve into their primal, animalistic ways. Just walking by them. You just watch intellect drop to zero and instinct take over.

Cristina: Yes.

Jack: Whoa. You're just another f****** person. But something about your job choice in life affects another person's entire being where.

Cristina: They forget that you're human.

Jack: Yes. And you're just walking by people and turning them primal.

Cristina: Yeah. Yeah. That's so weird. It's so weird. It's kind of disturbing.

Jack: It's so strange. So freaking weird. How are you getting this? How weird is it? But also, like, she's already has to be like a magnet for this, right?

Cristina: Yes, but what. That's all ridiculous. Like, boys are dangerous. What if she. The bore. Her. Her. Would have anyone have done anything? Would they have then done something? That's ridiculous.

Jack: Yeah, but, man, that's weird because at that point there. So she's being watched and she's used to being watched and still had to make a comment about how weird this was. So what is she not like. What is she numb to at this point? You know, how much weird s*** does she see that it took that level of like a whole other creature had to be involved in how weird this moment was.

Cristina: Yes.

Jack: And she's. Then we hear about it. Then we hear somebody comment. We don't hear celebrities every day be like, oh, yeah, there was a bunch of people standing outside my house simply because I live here. Just. I just live here. And that's why there's people outside. Who am I? I'm a guy. What do I do? I have a job. And because I have a job, there's people outside my f****** house waiting to see if they can look at me. Just once. They're gonna go, get off on having looked at me.

Cristina: A lot of. What's this? That security? No. Well, yeah, security, but also when you don't want people around you on a certain.

Jack: Oh, like warrants. Not warrants. I know we're talking. Dan. That word would come to me instantly.

Cristina: I know.

Jack: A restriction.

Cristina: Yes.

Jack: You're so close or something.

Cristina: Oh, it's right there. It's right in the edge of my mind.

Jack: That thing.

Cristina: That thing where, like someone's stalking you. You have that thing.

Jack: Yeah, yeah, yeah.

Cristina: So that they can keep away from your surroundings. Area.

Jack: Exactly. Exactly. They probably. I guess they do. That's so strange.

Cristina: So strange. But they have to. There's some people who are just way too weird.

Jack: D***. And people just want to like be with you by force.

Cristina: Yeah.

Jack: And this again. A person who's used to it. What don't we hear about? Yes, but now flip it. What about people who don't know they're being watched? Because we're watching. In the case of something like Shakira. She's watching humans and she's who we're looking at. That's one of the weird aspects. But what weird things do normal people do when they're not being watched? That would be weird.

Cristina: What the normal people do.

Jack: I mean, I guess a nun isn't a normal person.

Cristina: A what?

Jack: A nun.

Cristina: A nun.

Jack: Yeah. Nun isn't a normal person. And we've had weird things with nuns before. Like the nuns biting people and the nuns meowing.

Cristina: But they're. They're supposed to be normal people. I don't know know why. They're not very normal sometimes.

Jack: They're totally not. But this morbid specific nun is cool.

Cristina: What?

Jack: Yeah. She didn't know that there was a camera on a car or something in the area that was recording her. But a nun went into the graveyard and dug out a body and danced with the skeleton on video without knowing she was being recorded though.

Cristina: That's so disturbing. That's not a nun.

Jack: No, it was a nun.

Cristina: That was a nun. What?

Jack: Hot. Dancing with.

Cristina: Does she know this skeleton?

Jack: Don't know.

Cristina: How did she even do it?

Jack: That's a really.

Cristina: Did they watch her dig it out? Break the thing it was in?

Jack: I don't. I'm not entirely sure. I know. She shows up and is eventually dancing with the skeleton.

Cristina: It's gotta be a fake skeleton. She just keeps saying the grave. I don't know. There's no way she actually dug out a dead body.

Jack: And no way the skeleton would hold together if it was real either.

Cristina: Yeah. So I think it was a fake skeleton.

Jack: It could have been.

Cristina: It's so weird. It's so weird. But it's less weird. No, it's equally weird.

Jack: But now my question is, how often does weird s*** like that happen? Right?

Cristina: Yeah. Just weird activities that you feel like doing.

Jack: Yeah. People don't normally do in front of other people. And like 99% of every human doesn't get shared with the outside world.

Cristina: Yeah.

Jack: They're just s*** you keep inside your head. But like, for a normal person, what's like the craziest s*** they have in their head that doesn't get actualized?

Jack: But if they could. If everything you could do and wanted to do wouldn't be judged or punished, you'd do everything. What thing would most people do? Ooh, interesting question.

Cristina: Most people do.

Jack: Yeah. What thing would most people do if there'd be zero judgment and if everything was nonsense, unpunishable, Walk around naked?

Cristina: I don't know.

Jack: A lot of people would do that. I think a lot of people would also rape.

Cristina: Oh my God.

Jack: Yeah. But it would get dark. A lot of people would rape. Like a lot of the rape. We know where it's going. It's horrible.

Cristina: Yes.

Jack: Priests. Oh God. Friend frenzy. Frenzy. Oh. All the priests running out of all the Catholic churches just high fiving each other. It's. It's time, boys.

Cristina: That's the servant. Okay.

Jack: They're like this. We've been doing this for so long and now God has given us our gift. Let's go out. We prayed for everything, for us, for what we want. And now it's granted. Let's go. No, they high five Bob and Steve. The priest high five minute here and they're like. Yeah. And then there's like that priest names.

Cristina: Are Bob and Steve.

Jack: Everybody's name is Bob. But they high five in midair. There's like a snapshot of them in the middle of the high five. And then 80s music starts playing.

Cristina: That's awful.

Jack: Credits start rolling and then, you know, credits finished. We get a marvel moment where you're like hit the hidden scene, you know. And it's right after they finish the high five and they land. And then the camera starts turning as they turn to. So they're looking at like wherever they just came out of the church or whatever. And the camera starts turning to the opposite side of the church. Church. They're looking at the church too. We were looking at their backs.

Cristina: Okay.

Jack: And so the camera's turning to see. And they're also slowly turning. And by the time they're turned fully, the camera's behind them again.

Cristina: Okay.

Jack: And what they're looking at is the Preschool across the street.

Cristina: Oh, I knew preschool or something. Why? Why?

Jack: Can't make everything not judgeable or punishable.

Cristina: So that's not why.

Jack: D***. It Would immediately go there. And not just priests. It would just.

Cristina: A lot of people do weird things. Weird things that people do.

Jack: Like, that lady will be a lot of that too.

Cristina: Anything horrible. She was just doing something weird.

Jack: She was. For sure. And the majority is gonna be just weird things.

Cristina: Yes. But like, why rape?

Jack: Because for some reason, that's a real common thing. That's real common. That's nuts. At least. I mean, it depends on our definition of rape, I suppose. But that's too deep into the weeds, you know?

Cristina: Okay.

Jack: It would really rely heavily on that. But no, I'm pretty sure murder and rape are at like, the top of the list for a lot of people. This is like, what? I want to know what it feels like, man.

Cristina: Yes. I want to know how it feels like being inside a dog.

Jack: Yeah, somebody's gonna do that. Nobody's gonna judge me. Zero judgment. And I know factually there's gonna be zero judgment.

Cristina: No.

Jack: You know how many people are gonna do that?

Cristina: Kind of be weird, like tasting weird food or something.

Jack: Other people who are like, I remember that video about the guy getting f***** by the horse. Ever since I've wanted to get f***** by a horse, but I know he would get judged because I myself judged him. Even if I'd like to get f***** by a horse too. But judgment ceased to be a thing. So I'm gonna go buy a horse. Nobody's gonna judge me for buying a horse. Then I get f***** by my horse, and nobody's gonna judge me for that. That. So, yes, there's be a lot of weird s*** happening in every direction. All kinds of messed up. Somebody's is gonna be like, man, I miss out on the toilet paper. Buying a ton of toilet paper just to have that experience. People got their college experience, people got there. Their prom experience.

Cristina: You know what I would say I.

Jack: Have not experienced the panic. Buying them so many just go and buy a ton of toilet paper.

Cristina: Is that what you're gonna do?

Jack: Buy all the toilet paper?

Cristina: Yeah, yeah.

Jack: Just totally kill the toilet paper in one store.

Cristina: So ridiculous.

Jack: That's nuts. Would it. What would they do? I wonder if you could restart the. The panic by doing something random like that. If there's enough cameras and enough people that if you get like, just enough actors and you guys agree, right? You get together and you're like, look, we're gonna go. We're gonna scramble through the store, like, s***'s about to hit the fan. And we're just gonna tell people, I'm just getting ready. Anytime they ask, I'm just getting ready. Like you're scared. I'm just getting ready. Leave me alone. I'm in a rush. And all five of these homies decide that's what you're gonna do and say. And so they really race into a store slowly. They don't come in together, but they.

Cristina: Don'T have to just buy toilet paper. Or they are.

Jack: They're gonna throw a crap ton of toilet paper, but they're gonna get cans of food and stuff too. You know, make it convincing. Yeah, but a crap ton of toilet paper. I guess it doesn't even have to be. Screw toilet paper. I want to restart the chaos. So these resend. These five people, and they start grabbing things and start behaving all frantic, but they're not giving anybody any information.

Cristina: How long before are they, like, saying, I'm getting ready?

Jack: Yeah, they're saying, I'm getting ready. Somebody asked them what's. What's the thing? But they don't even come together. You know, we send one, we send the next one a little later. Eventually, we make them overlap. So it looks more like the first one goes in, then leaves. The second one comes in and is there 30 minutes, but 15 minutes in the set, the next one comes in. So, you know, it looks like more is happening.

Cristina: Yeah, the.

Jack: For the last three, they're gonna show up when one of them. For the last two, they're gonna show up when the third one is still there. That's three people in panic. And so how long before there's. Yeah, a sixth person just starts grabbing toilet paper and food and can't. I see people getting ready, and they're not telling me what the f*** it's for. But you know what? I'm not an idiot. If I'm walking down a street.

Cristina: Mm.

Jack: And I see five people running like something horrible happened over there, am I gonna keep walking down that street? Or my turning around running to probably running. Let's assume this logic applies and that maybe I buy all this s*** for nothing. And it was a stupid thing I did once, but maybe the f****** running from something down the street and I just happened to see it, I'm gonna start running too. Let me start grabbing s***.

Cristina: Okay. So that's how that starts.

Jack: And that's it. Now you got another one. But how long before somebody else has the same thought?

Cristina: Yeah.

Jack: Domino effect. Before long, we don't even know why the h*** any. What are we panicking about? I don't know. Everybody's freaked out and started buying.

Cristina: Yep. I don't know. They'll just relate it to the news somehow. They'll just remember something. Whatever. The last story they saw there was a school shooting. I'm doing this for that.

Jack: Yeah. You know, you're totally right. You're totally right. They're gonna say it's looting or some. We did it because we were trying to make. Because it can't be for no reason. Reason.

Cristina: It can't.

Jack: It can't be. We have to justify and rationalize everything in our minds. So it's definitely going to be that the. It's 100 going to be rationalized and got a grounded. It's got to make sense. This is why I did it. I'm not a drone. A mindless drone. This was a. I planned this behavior.

Cristina: There's going to be storm coming. I don't know.

Jack: Yeah, exactly. Something. Exactly. I was scared for the storm. You guys in here. Oh, maybe the news is wrong, but whatever. I thought it was coming. As humans do. As humans do.

Cristina: I want to do what that lady's doing. I want to get a skeleton, take it to the grave and start dancing with it. That sounds like a fun plan.

Jack: That sounds dope. Right? Like that. That's a weird thing, but it's so poetic somehow. Like a nun dancing in the graveyard with a skeleton is just a poetic thought.

Cristina: Yeah. You just cover the skeleton with their. I think. Right. It can't just be a clean looking.

Jack: It needs to be a convincing skeleton. Yeah, yeah. It can't just be sparkly. It needs to look.

Cristina: Maybe you should keep it sparkly so that you don't get in trouble.

Jack: Or just dig up a skeleton.

Cristina: No, no.

Jack: Just dig up a dead body. It's fine.

Cristina: Who's crazy? That doesn't even sound like an easy thing to do.

Jack: What.

Cristina: A dirty body.

Jack: Grave robbing.

Cristina: Grave robbing doesn't sound easy. Especially because you're specifically looking for a.

Jack: Skeleton grave robbing for a living. I'm sure somebody look. The deep web goes deep. And it's webby. I'm sure something on the webby. Deep web is a place where you can hire a guy to go rob a grave.

Cristina: But how does he know which one's gonna have a skeleton?

Jack: He's educated and researched. Well researched in this area.

Cristina: You just look for the Odyssey body.

Jack: No, he's like, oh, well, this. He's grave robbing for a reason. You're paying him you're not paying him to rob a random grave. That's unrelated to you. You're like, I heard that somewhere down the lineage of my family, there's this really expensive amulet thing, and I need you to go retrieve it. Grave robber guy. And grave robber guys can go do. You can pay him. He can give you the thingy. It's like, I found the thing. Or, hey, I looked in the thing and I never found the thing you were talking about.

Cristina: And I'll get a detective to spy on this gray point to make sure he doesn't steal it.

Jack: Well, no, because more people involved. He has to be a reliable person, right?

Cristina: If I'm finding him online, I don't know, how do I know that he is?

Jack: Oh, maybe he wants further business in the future. And like, if you're already a person who's willing to pay for this kind of service, like, maybe you'll do it again. So, like, I need you to want more work from me.

Cristina: I don't know why I would.

Jack: Like, it's unlikely, right?

Cristina: Yes.

Jack: Unless. I don't know. I don't know, man. I guess maybe he has to work for a group of people who specifically find out about dead people who've been buried with things, keep the information long enough, and then go dig up the jewelry that they know. So they got it. Has to be an operation. There has to be a guy in the morgue when they're propping up the body. Or not the morgue, whatever. The funeral home, when they're propping up the body to look right and be displayed how they want to be displayed with the necklaces and rings and maybe some lovely this and some lovely that. And there has to be guy taking note about this and he writes it in his little notebook, takes note. This body. Okay, Watch this. See where it's buried, talks to the boys. Okay, this much crap, this is worth digging up. Because this could go into the bigger pot. Put the body in. This is how many bodies I saw today. They had expensive things we can do. We could build a root, knock down a bunch of bodies, Dirt, fresh. Nobody's even going to know we robbed them. Because we're the people who put them there. We know how to make this look the same way we did. And then by the end of the night, we have a bunch of loot. We've robbed all the dead bodies. By the time bodies decomposed, nobody even knows.

Cristina: Simple.

Jack: Yeah, simple operation. Hit it. Got it.

Cristina: But with a person who's just randomly hiring that person to find jewelry, how do they trust that?

Jack: I mean, the guy is still in business. You have to assume that that other operation he's running, he's still running, running. And that betraying you means you might try to find out and expose whatever is keeping him afloat.

Cristina: How do I know I'm not his first customer?

Jack: Boom. Interesting. And then he's just robbing his first customer. Yeah, he's gonna rob every customer.

Cristina: Yeah, he's just scamming anyone.

Jack: Eventually somebody is gonna try to get back at him, you know?

Cristina: Okay, so you need to be like.

Jack: Go rob this place. And then there's just a person who's gonna kill him. They're waiting. Oh, so he. There's no benefit.

Cristina: There's no benefit.

Jack: Somehow this comes back. Crime is about following rules.

Cristina: Okay.

Jack: But anyways, that's exactly why AI can't imitate humanity.

Cristina: Because we're insane.

Jack: Yes. We're out of our freaking minds. And we'll pull out a skeleton while being a nun, but for whatever reason, going to a graveyard and dance, because why the f*** not? But a computer, why won't do that? Because it's like. And it can't do that in a way that seems like, yeah, this person would do that if everything feels forced. With a robot.

Cristina: Yeah. They wouldn't do something just randomly. Like, even if it's random, it was a planned random.

Jack: Here's. I figured it out. The reason a robot can't imitate a human is because humans are unpredictable beyond reason, while animals are predictable to a frame fault. So we're having computers imitate the predictable side of animals, not their rational thinking side, which would, in case be the random, chaotic side at the same time, because that's their personality instinct drives other animals too heavily. And in return, a computer struggles to. A computer can imitate the instincts well, but with humans it can't. Because we have this weird ability to ignore an instinct so easily. And a computer creature struggles to emulate that ability. Yes, because it's not a pattern, it's the absence thereof or behavior despite the pattern.

Cristina: Yeah.

Jack: So it's impossible, even if we are just similar to animals in that we have the ability to add randomness at will. Animals share that with us. But animals also share pattern being their driving force. Like computer. Computer. The computer can imitate the animal, but that's not our driving force anymore.

Cristina: Anymore. Although it does seem like a little bit.

Jack: And it's sprinkled in there, it's still there. It does a lot of things, but it's not like we can behave randomly. You Tell me. I come to you and I'm like, this is a cup. And you're like, no, that's not a cup. But then you can prove to me it's not a cup. I can still choose to ignore that. I can block the information out, you know?

Cristina: I guess.

Jack: Yeah, it's totally rational.

Cristina: Mm. That is. That's very rash, irrational.

Jack: Okay, but computers. Dumb. And they're dumb. Dumber. And humans. Perfect. Anyways.

Cristina: I don't know how, but okay.

Jack: Yeah. But anyways, we're running out of time, and it's. What we basically resolved today is that humans are weird and dumb.

Cristina: That is true.

Jack: And the computers still somehow struggle to imitate the dumb creatures we are.

Cristina: Yeah. How could they imitate? Like, if we had a computer in that crowd looking at Shakira and Navarro, what would it do?

Jack: That's interesting.

Cristina: Why would it, like. I don't know.

Jack: Like, it would freeze up, too. It's the computer. No, that would. That's right. The computer could imitate that moment accurately. Actually.

Cristina: Actually, are you sure?

Jack: I'm pretty sure. The computer would just freeze up too. It'd be like, what the do I do? So it's that the computer can at least imitate dumb people. Oh, you know, like, it couldn't imitate Shakira's reaction. She was like a thinking human there who's like, what the h*** is going on? But, like, it can't imitate. It could imitate the. The dumb people who were just, like, mesmerized by Ooh, Shakira.

Cristina: I'd be like, oh, why would it be like, ooh, Shakira?

Jack: No, it'd be imitating. It knows that's what people would do. And it's easy to imitate because it takes not a lot of work. It's just like, let me do nothing now.

Cristina: Oh, okay.

Jack: You know, so yeah, computer is sharp. Conditionally. Anyways. Anyways, we're super out of time, you guys. You can, you know, see social stuff, talk to us, send us messages, learn about things, maybe listen to collection and stuff on social stuff on platforms and junk of that nature. You know, things and stuff. So you can do that at Facebook, Twitter, Instagram, and TikTok. @ JustConvopod.

Cristina: Remember to subscribe, rate, and review the show.

Jack: Yeah. Leave us some stars. Be like, this show's great. Good stars. Or be like, this show sucks. Good stars.

Cristina: Let someone who might like this show know about it.

Jack: Yeah, word of mouth. It's very useful. Tell people about how we have proven today objectively, with nothing but science experiments rather than objective opinion. I mean subjective opinion that we have proven that computers are inferior to humans and cannot imitate the superior human intellect.

Cristina: Of course, of course. This has been the Rambling podcast. Take nothing personal and thanks watching for for listening. Bye.

Jack: Oh, the bean itself is the seed.

Cristina: Okay.

Jack: Plant beans and they will grow, becoming plants such as green beans becoming bean sprouts. Interesting. So a bean is self reproducing and.

Cristina: You'Re saying nuts aren't.

Jack: What the. Okay, usually. Okay, so you plant a nut and you get a tree and the tree drops nuts that you can plant, you grow. The only difference is is one is grown up, the other is grown down. And most peanuts have shells and most beans don't. The end.

Cristina: Nuts grow up though. Only peanuts grow down.

Jack: But peanuts grow under. What the f***? So 1. So is a peanut a bean?

Cristina: I don't know. I don't know. Yes. Right. I don't know. It makes no sense. They're very similar.

Jack: It's very similar. Yeah. Wow. Interesting. We learn something every day.

Cristina: Is a peanut considered a bean? Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 169: Real Magic

Is magic real? What exactly is magic? Who has the ability to use magic effectively? The duo crack open the case of magic in an attempt to once and for all determine which things are and which things aren’t. What they come across while investigating is highly unexpected and changes what they understand about how our universe works forever!

Rambling 169: Real Magic

+Episode Details

Topics Discussed:

  • Baba Yaga
  • Witches
  • Wizards
  • Magic
  • Slide of Hand
  • Hypnosis
  • Illusionists
  • Alchemists
  • Jehovah of Light
  • Jehovah of Dark
  • Shadow Realm
  • Lucifer

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean? Welcome to the Rambling Podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Christina.

Jack: And I'm Jack.

Cristina: And if you haven't yet, remember to hit that subscribe button to get notified the second new episode episodes are released.

Jack: And also, this show is most enjoyable with a listening partner. So get ready. Get ready to have an epic listening session. I was about to that up and say conversation, but, like, you're not. You're not gonna talk with us. They're not talking with us. I was about to say they're listening to a conversation. They're gonna have a listening session. Yeah, we're having a con. They're not gonna have an epic con. I mean, you can.

Cristina: They can.

Jack: You can talk to. I guess you can talk to whatever. Talk to your phone, go to the of places, put this podcast and start screaming at your phone with your opposing opinions and topics on topics. Your opinions on topics you discuss.

Cristina: Yes, you should do that.

Jack: Yeah. Invite randoms. Create, like, a circle where you're screaming and you yelling at your phone. Shut the f*** up. And that other person agrees with one of us and you disagree with us. And now you start hitting some f****** other random person over some s*** that's totally irrational because you're probably in universe 3 anyways, and none of this really affects your life. But you're so invested in the episode.

Cristina: What do you think people will think of them, though?

Jack: Well, everybody who's already invested listening is sucked in because we're hypnotic. Between your soothing tones and my manic extremism.

Cristina: But the people watching.

Jack: Who's watching them?

Cristina: Yeah.

Jack: Oh, I don't know. The people watching them are like, wow, this must be really important. They probably think it's happening in universe three, you know, the way things happen.

Cristina: Mm.

Jack: This is all part of whatever thing we don't know about because, you know, they don't know about s***. Like, he's theorizing this, and they're theorizing theories, and then they come in with their theories, and everybody's just a ball of theories beating the s*** out of each other.

Cristina: Yes. Although this show's not about theories.

Jack: Well, no, we're talking about the truth they're over there talking about. Because everything in this universe is real. Everything that's real over here is just like a hypothetical maybe over there.

Cristina: Yes.

Jack: As things go.

Cristina: Yes. Like Baba Yaga.

Jack: Like Baba Yaga.

Cristina: Or his name.

Jack: It's a him.

Cristina: Well, in just one version. The newest one with Keanu Reeves.

Jack: Oh.

Cristina: Oh, that's my favorite.

Jack: Baba Yaga, the Disney whatever. But you know what? Yeah, I guess it's magical how he swoops in and just. Murder. Murders.

Cristina: I just wonder where's his magical house with the chicken legs?

Jack: The. The guy burned it down.

Cristina: The guy burned it that didn't have chicken legs. Maybe he gets it in the next house. Oh, he has to replace it.

Jack: This is a Baba Yaga origin story.

Cristina: Yes. Even though he's been living like Baba Yaga for a long time, like, he's retired.

Jack: That's how far in the other end. But Baba Yaga isn't like, they called him Baba Yaga. Now we're going to see how he becomes an ethereal witchy thing.

Cristina: Yes. Yes. What if that's what's next? Yeah.

Jack: Now, my question about something like Baba Yaga is like, so Baba Yaga is magic, but is. Is it a witch? Is it a creature of magic? Somebody who can use magic? And if somebody who can use magic. Because we. We have a lot of weird things, right?

Cristina: Yes.

Jack: We have this second realm, the shadow realm. And in the shadow realm, there are beings that are born over there and creatures of that end. And my idea is, like, science gets creatures over there, and creatures over there don't have magic. They have abilities that are natural to that world. It's not magical when they're over here. Like a G. Ghost isn't magic, or a werewolf isn't magic. Actually, a lot of the time it's science. It's genetics that we're talking about. Because a lot of this stuff uses the powers that come from adrenochrome, or the creatures that manifest on this end are using fear, which isn't magic. It's some sort of fuel for creatures of the other side. But like, Baba Yaga is a. If I'm not confused, it's a type of. Well, what about. To my understanding, it's some sort of witch.

Cristina: She is a witch.

Jack: Okay. But there are other witches as well.

Cristina: There are other Baba Yagas sometimes.

Jack: Oh, that's interesting.

Cristina: Sometimes she has sisters named Baba Yaga.

Jack: Yeah.

Cristina: So there's more than one of her. And sometimes she has a daughter called Baba Yaga. I don't know her daughter's name. I don't remember her name. It could be Baba Yaga Yu Junior. But, yeah, it seems like she is also. I don't know where her magic come from or if it is magic or maybe it's adrenochrome. Because I know she eats people.

Jack: I don't know why she would need to eat people. She's. It's. She's just a cannibal.

Cristina: Actually, you don't. You never see her. I don't know if she's eaten people. The pe. The stories that I've read. She tries to throw people into her oven, but it doesn't happen. So what if she's just doing it for the fear that she would get from them, thinking, oh, my gosh, I'm gonna be eaten alive.

Jack: But what does a witch need fear for?

Cristina: For what she thinks is magic, but it's actually the power of adrenochrome.

Jack: But no, but wait. Unless she's actually eating them. She only gets the adrenochrome if she eats them. If she's scaring them, she's not getting anything. She's not from the Shadow realm.

Cristina: But she might be eating them too. I don't know. It seems like fear or blood is good.

Jack: But how is a mortal of Earth using fear? There's zero examples of that working out. Everything we've gotten so far suggests that it's entirely something that creatures from the shadow realm, including, as we recently discovered.

Cristina: Jehovah of Dark and Santa Claus. What is he, do we say?

Jack: Interest. Interesting point. All the gods seem to somehow use fear. Yeah, but are we to say the gods were mortal?

Cristina: Yes. Yes, I think so.

Jack: Interesting. So not only creatures of the shadow realm, but when you cross a certain threshold of natural a bit. So people. Wow. No, so you're totally right. It's. It hasn't just been creatures from the shadow Realm. No, because we also know that whatever the big baddest of gods is, was probably human. Well, he leveled up from something lower.

Cristina: Yes.

Jack: Through fear.

Cristina: Yes.

Jack: And occasionally adrenal chrome, when that was the only result. And at these giant colossal levels, you don't become corrupt if you don't have the. But then you always got a steady stream of at least fear happening, so you can never really go feral. Unless that's what happened to God of Dark. But God of Dark came from the shadow realms. It was never necessarily our understanding.

Cristina: We don't know where he came from. We're assuming he came from the Shadow Realm.

Jack: Yeah.

Cristina: So I don't know where it starts. Does it start there? Does it start here?

Jack: Well, that God starts over there. Well, we don't know where began is the people of Atlantis.

Cristina: Oh, yeah.

Jack: That's what we don't know the origin to. Yeah, but we Nailed down where Jehovah of Dark comes from. But what you're. What you're proposing here is actually really rational that. Because we have proof of some gods that have upgraded through these means, including St. Nicholas, who somehow became an overpowered deity of sorts.

Cristina: Yes, and St. Patrick.

Jack: And St. Patrick. But St. Patrick doesn't use fear.

Jack: We know Santa Claus does that. He upgraded from pure mortal to seemingly one of the most overpowered gods that have ever existed. While we still call most other gods, including. Including Jehovah of Light and Jehovah of Dark. Demigods.

Cristina: Yes, we.

Jack: We kind of. It's hard to say that Santa Claus falls under that he might be like an actual omniscient God.

Cristina: Yeah.

Jack: But he's doing it off of fear, and he began as a mortal, so. Good. Good argument.

Cristina: Yes. It's only feared as long as. So far, there's no blood involved.

Jack: As far as we know.

Cristina: As far as we know.

Jack: So Baba Yaga, you're saying, is similar to this? That they're using fear and maybe Adrenoch.

Cristina: Adrenocar. Yes. Yes, she is. And there's a male version of her, too. Although she sometimes is good, sometimes is bad, but in her story, she's not always an evil witch. Sometimes she's a helpful witch.

Jack: So there's like an actual good, but.

Cristina: It could be multiple different Baba Yagas. So it doesn't matter. Like, there could be, like. I think of it like wizards from Harry Potter. There's a bunch of witches learning the same thing from the school. So they're all similar. They all know everything.

Jack: Okay, okay, okay, okay, okay, okay, okay, okay, okay. What does the. The term Baba Yaga mean?

Cristina: The term.

Jack: Like, what are we talking about when we say Baba Yaga? Because, okay, there's some good, there's some bad. So then we're misunderstanding what it is. It's not a name because there's good and bad and there's different ones. It's some sort of title. What does that title mean?

Cristina: I don't remember. I think it has to do with how she looks. I think it's describing how she looks, but I can't remember what language in German. Slavic. What? Slavic. It's like, in the area. Russian. Russia. Whatever that area.

Jack: Wait, Baba Yaga is a Russian witch?

Cristina: Yes.

Jack: Do you know, it's weird that I never thought about this, but, like, okay, where are most witches from?

Cristina: Where are most witches from?

Jack: Yeah. Like, okay, the Salem Witch Trials. That's in Salem.

Cristina: In America.

Jack: Salem is not a place. Yeah, Salem is in America?

Cristina: Yeah.

Jack: Where the f*** is Salem?

Cristina: In Massachusetts.

Jack: Interesting. So most witches are American?

Cristina: No, they're all over the world.

Jack: No, they're obviously. I said most, not all, almost most.

Cristina: I don't know. America did have a lot.

Jack: A lot. Somehow witches are an American thing.

Cristina: No, there, there. There's a lot of places.

Jack: No, I get that. I get that. There's also pizza from everywhere. But like, even if literally Italy made.

Cristina: It there before America, there was a witch problem in Europe. They had the mass hysteria over witches first.

Jack: Interesting.

Cristina: It started over there. It came over here after that was done.

Jack: So witches are European.

Cristina: Yes.

Jack: Now where specifically in Europe did they come from? And also, like, is Europe the origin of witches? Because I know voodoo priestess are a version of w. Witches.

Cristina: Oh, I'm not sure which one came first.

Jack: I think that might predate the European witches because voodoo priestess we're talking are like island, African islands and like Bahama area and like all these native islands and African regions. So the question then is, do voodoo priestess predate the word witch? And is the word witch just the European word for voodoo priestess? And it just so happens to be that Europeans are light skinned and voodoo priestess tend to be dark skinned. But the concept is the same. We grab a couple of these things, do a couple of those things, and magic, poof, something happens. And I wanted it to.

Cristina: Yeah, I think. Yeah. The first one that you said of voodoo priestess came first.

Jack: Like it might. It's migration.

Cristina: Yeah.

Jack: Interesting.

Cristina: And then Europe went crazy over it because I think in most of the world it wasn't an evil thing. There are bad witches and good witches.

Jack: Yes, that's usually the case. The majority of witches are good. It's just things you do and you control certain weird elements of nature through what we would call magic. And then there's the ones who are like, I'll do whatever the f*** I want with it for my own personal gain.

Cristina: Yes. But the stuff that was happening in Europe and America was nothing related to actual witches as far as we can tell. There was probably just people going crazy, like with the werewolves, like just hunting people down and saying they're a witch to kill them. Why? I don't know.

Jack: But interesting. Well, we found out that most of the stories of werewolves were just people mischaracterizing things.

Cristina: Yeah.

Jack: But then we also found out that the idea of a werewolf is unrelated to the actual werewolf. Those are two different things. You can give a wolf adrenochrome. Well, I guess. No, that's different. You can give a wolf adrenochrome and you end up with a wet judge. No. After it dies. What the f*** do we get if we know that is a werewolf? It's like a weird f******. Because it's not a man. Necessarily.

Cristina: Man.

Jack: Which the problem is you give a wolf adrenochrome and you get like, a f****** weird freak of nature. Werewolf.

Cristina: Yes.

Jack: That thighs. It becomes a wet judge.

Cristina: Mm.

Jack: And no actually win dingo. And if it can't continue to get.

Cristina: Yeah.

Jack: Fear or blood. No, we're wrong somewhere in here.

Cristina: No, I think that because.

Jack: What's the feral version of the werewolf? Oh, no. There's a Lycan and a werewolf. So the werewolf. The werewolf is the bad one, I think. And then the Lycan is the bad one. Or the werewolf is the one with control. Got it. Werewolf is control. Feral is a Lycan. Regardless of what happens, you become a Wendigo. And if you can't get fear, then you become a wetchudge. Great. But also, people saw what they thought was people going through the same thing, and like, well, there's a native in there. It's a man wolf.

Cristina: Yeah.

Jack: And werewolf. It was just a dude in tribal.

Cristina: Yeah. He had that furry pelt. And then they came up with the stories. He turns into a wolf with that pelt.

Jack: Exactly. Because there are actual weird freak of nature where. I mean, werewolves that aren't human in those woods.

Cristina: Yes.

Jack: And it's just because we know that during these battles, wolves come out of nowhere and start licking the adrenal crumbs. Whole thing. And poking out. You got a f****** monster.

Cristina: Yeah. I wonder. What. How the whole witch thing came. I know there's, like, lines in the Bible that say, hey, don't talk to witches.

Jack: Don't be witchy.

Cristina: Don't be witchy.

Jack: But then. Yeah. Because what you're talking about makes perfect sense. Right. So if we apply the logic that in most narratives there is the real case and the fake case and that the lines get blurred somewhere in the middle.

Cristina: Yeah.

Jack: Then, yes, there are real witches. But a real witch must turn into something. If there could, anything that consumes adrenochrome changes.

Cristina: Mm.

Jack: So there must be witches that are doing fake magic, witches that are doing real magic that does not, in any case, involve blood. Blood or fear.

Cristina: Yeah.

Jack: And then some other s*** that's scaring people and then f****** eating them.

Cristina: Yes.

Jack: So that would say that this is what we mean when we say Baba Yaga.

Cristina: Yes.

Jack: There's witches. Or there's posers. Witches. And Baba Yagas and Baba Yagas. Baba Yagas are adrenochrome and. Or fear witches. And then there's magic witches, which are talking dark and light magic. So we don't really know what that is, do we?

Cristina: Dark and light magic, like magic versus.

Jack: What Baba Yaga is doing. Is there a. Do we understand what real magic is? Enough. Because we even thought that the cat people were using real magic. It's just technology.

Cristina: Real magic is like prayers that you tell your God, our gods, or whatever. I don't know. I don't know the difference between a witch and a priest. I don't know. They're doing the same thing. They got a God, they got a book, they got prayers.

Jack: Interesting. Interesting.

Cristina: Whatever you want to call it.

Jack: Yeah, yeah, yeah, that makes sense.

Cristina: So then they both have altars, they have candles. I'm pretty sure they both have candles.

Jack: Yes. It's a form of meditation, except one.

Cristina: Is labeled evil by the other.

Jack: Yes. In both cases, they label each other evil.

Cristina: Oh, okay. Yes. But it's pretty simple stuff. There's nothing really scary about witches. Like, I even.

Jack: Now my question is, is Baba Yaga a real witch that then devolves into using or evolves, depending how you want to look at it, into using fear and blood. So it's witch plus this add. It's a super witch.

Cristina: It's a super witch.

Jack: Yes. Baba Yaga is a super witch. It's a witch plus blood and fear.

Cristina: I think so. Because the type of magic it's doing is not like the real witches. It's more supernatural. It's more crazier. Like, things you do, you can't imagine really happening is happening.

Jack: Interesting. Like what?

Cristina: Like one time, she gave a girl a candle. A skull candle. No. Was it. No, it wasn't candle. It was a lantern. Whatever. And when the girl. Then she let the girl go home because she put her through a whole bunch of tests because her family wanted her dead. It was her mom and her stepsister. They're like, we hate you. Go away. Gave her to Baba Yaga to hopefully eat. She didn't eat her. She gave her test. She passed the test. She gave her this lantern, and then she said, when you go home, it'll grant you wishes. But when she went home, the lantern just set her house on fire, and her family died. And I'm sure the prince came and saved her. So it's okay?

Jack: Yes, okay. It's all fine.

Cristina: Yeah.

Jack: It turned out. Happy ending.

Cristina: Yeah. It's a happy ending.

Jack: Yeah.

Cristina: Baba Yang has saved the day with murder.

Jack: With murder, yeah. Interesting, interesting.

Cristina: But I guess the candle, the lantern is magical. Like, that doesn't normally happen.

Jack: Yeah.

Cristina: Doesn't teleport you back home. You know, real ones. But that's a different type of power.

Jack: Yeah, it's okay. It's fascinating because when we're talking about other kinds of magic, right, we're talking about prayer, we're talking about meditation, we're talking about whatever the case might be, the idea is if you put forward enough mental energy, you either comprehend the thing and warp your personal perspective on it, thus altering your reality, or somehow you're actively affecting the universe with this. The think of a person who creates a ritual to get somebody to fall in love with them.

Cristina: Yeah.

Jack: Okay. Now, either you affected somebody else's psychology through this ritual, or through this ritual, you change how you think about it. And when that person next sees you, there's something different that's now attractive to them, but the change is in you. And they see it, and suddenly they're like, oh, you know, I'm actually into this. And you think you affected them, but you just affected you.

Cristina: Yes.

Jack: The line between that is impossible to define.

Cristina: It is. It is that. That's a different one. And like, sometimes they also use clothing, the colors and makeup and stuff to be more attractive. Like, that might be helping you too. Yes.

Jack: Then the question is, Baba Yaga gives a person this lantern, they take the lantern home, and the lantern sets the house on fire. Now, Baba Yaga gave me the lantern, the lantern set the house on fire. Or are you under the impression that something's gonna happen, and then the same way you are sort of the reason the lantern fell, and you just warp the perspective on how that happened to say, well, the witch did it.

Cristina: Oh, so she didn't do it.

Jack: So maybe there's nothing supernatural about it. Maybe there's just a perspective warp. Well, I knew something was gonna happen, and then, you know, I tripped and knocked it down. But it's the witch's fault. They knew this would happen. Oh, now my family's dead. But the witch made it happen, which made it happen. But really the witch changed the perspective in your mind with what they understand how to do. They did it to themselves growing up. And as a young 20 something year old, doing a bunch of, quote, magic, unquote. Yes, Consistently warping their own perspective. Eventually they know, they noticed I'm not really affecting the outside. I'm affecting my inside, and that's allowing me to see it different. And now they know how to do it to other people. Just like Charles Manson or Darren Brown. Your using Perspective to brainwash the person who can't walk. And they're in a wheelchair now. They can get off of the wheelchair. Did you perform a miracle? Was it magic? Or did you brainwash them?

Cristina: Did you brainwash them?

Jack: You brainwash them? They did the thing, yes. The lantern falls, the house sets on fire. The witch did it.

Jack: Brainwashed.

Cristina: Well, what about when items and stories become other items? Like, that's magic then, right?

Jack: I don't know. How far can you do brainwashing? Can you make somebody cluck like a chicken? Can you make somebody see the knife in your hand be a gun?

Cristina: I don't know if you can do that. Oh, maybe. Yes. Right?

Jack: 100% brainwashing, like hypnosis is hypnosis. You can do self hypnosis to do magic. That's what meditation is. It's self hypnosis, Right?

Cristina: Yeah. What?

Jack: Yeah. So the question is, is real magic magic? And you take it far enough. Are you hypnotizing people, calling it magic and then putting them in a state where they are so scared.

Cristina: Yeah. That they believe it?

Jack: No. That they produce adrenaline and then you f****** kill them. You can take it. And you did it so easily because you already brainwashed them. You didn't need to actually do anything other than I hypnotize you. You feel crazy fear now. I kill you. Drink your blood. I got what I needed.

Cristina: That's weird. What? But one of the stories is with Baba's daughter, and she's the one that uses magic to get away from Baba.

Jack: Magic?

Cristina: How? By throwing things like a comb and then it turns into a mountain or what else? A brush that turns into a forest and a towel that turns into a lake. Which sounds like kind of ridiculous things. Is she hypnotizing Baba Yaga?

Jack: I think, yeah, maybe. This is a battle of hypnosis. It's two mentalists trying to warp it. Must look crazy. Not to the outside world. Anybody's watching them. He's just throwing s*** at normal, basic stupid s***. And this is one person chasing the other. But the experience those two individuals are having is f****** crazy. They're actively warping each other's point of view consistently. Maybe even the surrounding. Imagine the. The battle. Spoiler alert for the latest Spider man movie. Spider man. No Way Home. But when Spider man is fighting Dr. Strange and s*** is just warping and the city is caving in on itself and s*** is weird.

Cristina: Yes.

Jack: They could just be doing that to each other, but nothing is really happening. It's all Just mind f******. Hard hypnosis, mind f****** to one another.

Cristina: That's Dr. Strange. Mind f******. Spider man, though.

Jack: Yes, he's the one using magic, but it's really happening.

Cristina: The city's not going crazy or anything. That's just in his magic. Magic.

Jack: Oh, is Darren Brown a magician or is Darren Brown a hypnotist? He's a hypnotist, but he says what he's doing is a trick. It's a magic trick. But he also says, I'm hypnotizing you. He interchangeably uses the terminology because he gets it. And probably at the beginning when he was watching people do things that look like real magic, it's like, what the f*** is happening? And a lot of magic is what? It's sleight of hand. It's. I gotta convince you of the thing.

Cristina: Yes.

Jack: But the advanced stages, what do we say, the mentalists? Well, the best magicians are mentalist. Well, what does a mentalist do? He f****** hypnotizes you.

Cristina: Interesting. It is all a mind game. Like, even when you think of dark, the darkest magic of like killing someone, that person had to believe it, I think.

Jack: Yes.

Cristina: And then they had a heart attack. Probably because they were so scared for their lives. Like, they truly believed this horrible thing was happening to them. But it's more that they believed in the curse or whatever than you actually doing anything.

Jack: Yeah, this kind of checks out. The cat people didn't have magic that just turned out to be advanced technology. So we ruled out that. Our only real example of it, other than watching magicians and things. And we know that the s***** magicians are just doing a literal trick, but what about the people who do something that's unexplainable? Okay, well, they're doing really, really overpowered sleight of hand.

Cristina: They're tricking our minds, though.

Jack: Oh, they're tricking our minds. The guy who just removes the wash off your hand, now he can show us how he did it.

Cristina: Yeah.

Jack: On the side camera view. And be like, well, this is how I really got it. Off your hand. But in your point of view, until it's explained, you had a watch. Now that guy has your watch. And until it's explained, well, how the f*** did it happen? Yes, it's a magic trick.

Cristina: Yeah.

Jack: And the same can go for it. Like, it could cause somebody to hallucinate. Hallucinations are a thing to happen in the mind. If you're crawling around inside somebody's mind and you know how to trigger a hallucination. Well, then why couldn't you make any object into any object. And while she's running away, here's a f****** comb. Turn it into a mountain. Because you know how to affect that.

Cristina: Yes, but there must be some drugs involved too, right, to do this hallucination part. I mean, witches have potions of.

Jack: Potions. Yeah. It could just be, again, throwing skilled enough witch, presumably. Because here's. I guess here's the other problem. Right. Are we talking alchemist, which is a type of, quote, magician. It's also affecting your mind and your body. Or are we talking a mentalist and a trickster? Now, somebody who has all of the above skills is a f****** savage. Because the best of witches do what? Potions, hex bags, brainwashing, all the tricks in the bag to alter your reality. And so the magic worked.

Cristina: Yes.

Jack: And I can make you feel drowsy. Oh, how am I doing it? Well, I give you some drugs, obviously. Or have I've intoxified myself consistently so that my atmosphere has it. And you have to come to my house so that I can tell you the fortune. But I've drugged myself with the thing I'm pumping into my air regularly so I'm not affected by it. But when you come in, you immediately feel different. Oh, the energy in here is weird, but once you're in here long enough, that drug is just here to make you suggestible.

Cristina: Yeah.

Jack: And now I can more easily crawl in your mind or convince you of weird things. I could say words that are gonna trigger visuals.

Cristina: Mm.

Jack: But I'm used to it. I'm not gonna be toxified by it. I drugged myself with this every day just to be immune. You came here once every seven months because I told you, don't come here often because it's not gonna work. You gotta experience the solutions. I told you. And then you come back and you know, oh, wow. Every time I come in here is an interesting energy. It's the power of that which I'm feeling.

Cristina: Or the priest.

Jack: Or the priest. Well, the wizard, you mean.

Cristina: Oh, wizard. I'm thinking of the priest when they have that smoky thingy.

Jack: Oh, yeah, but that's totally different because you're talking witch from priest. Now, what they're doing is the same, but their settings are different. Yes, that's really what you talk about, because you do feel a weird thing. I mean, you go into the confessional, you already got some weird thing. What? This. What's the first thing that happens when you go into a confessional? He's got a chant for you.

Cristina: Yes.

Jack: He either has Some repetitive thing, trick in his mind to trigger a trick in yours. Hey, my child. Okay, now you feel small already. Tell me what your sins are. Okay, you're guilty of something. Already he's prepping you to be suggestible to confessing something so he can get the juice out of you.

Cristina: Yes. And then he tells you to say something 10 times.

Jack: Yeah. Which is part of the conditioning, the mental brainwashing.

Cristina: Yes.

Jack: And next time you come. Oh, I did the thing you told me to, Father.

Cristina: And it felt great.

Jack: And it felt great. So it's all the same abilities used in a million different ways.

Cristina: Yes. Okay. Okay. So none of this is real magic, but then there's this other guy who's like an evil witch version of Baba Yaga.

Jack: Wizard.

Cristina: Wizard. Yes. And. But he does this thing, though. Like, I'm sure all the other things you can say are illusions or whatever, but he does this unique thing where he hides his soul. He hides his soul in an egg, in a bird, in a fish, in a nest, or, you know, like some ridiculous, ridiculous thing. And once you find the thing, you could kill him, and that's how you kill him. But are you really killing him?

Jack: Has anybody done it?

Cristina: Yes. Who have to. Some random people. In his stories, the hero of the story has to go through the journey of finding the soul to crush the egg after, you know, this whole list of things. Because something will help him out. He'll help things out. And then the creatures will be like, okay, here is where he hides his soul. And then he'll have to find that animal within the animal within the animal that has the egg. Because it's really weird.

Jack: It's like a turducken.

Cristina: Yes, it's a turducken of his soul.

Jack: It's a. It's a turducken Easter hunt for a soul.

Cristina: Yes, that's exactly what's happening. But what's happening there because you crush the egg.

Jack: I don't know. This is. Now we're talking about something entirely different at this point. There's something entirely different because now we've established what magic is, what you're talking about doesn't even sound like magic anymore. There's no thing happening that's affecting anybody. There's no real condition that's affecting. Even if magic weren't in the person's mind, even if there was literally somebody affecting the external world, which at this point, we could say gods do that. So the difference between a mortal doing magic and a God doing magic is a God isn't doing magic a God has powers, usually from adrenochrome.

Cristina: Yes.

Jack: Right.

Cristina: Yeah.

Jack: Now what you're describing is neither of those things. They're not creating a magic trick. They told you there's a thing in a place.

Cristina: Yeah.

Jack: There's nothing being affected. Your mind isn't being affected. The external world isn't being affected. So it's neither real nor fake magic. It's not brainwashing. There's no.

Cristina: Or maybe there is a little bit. Maybe the guy who hid it there, he's brain. He's been brainwashed to believe that that's where his soul is. And once he sees the egg being crushed, he dies because he truly believed that. That was like, who told him that?

Jack: Interesting point. So you're saying that the person whose soul is hidden in the object isn't the one performing the magic? There's a. The victim of who the magic was performed on.

Cristina: Yes. Or maybe he did believe. Like, maybe he did think he put his soul in an egg. Sure. But still, because he so believes it. Like the Dracula story, where it could be just a regular man in that movie of just like, are you really a vampire who can't stand the sun? Or are you just a guy who is.

Jack: Oh, I know which one you're talking about. Yeah. You believe the lie so much yourself.

Cristina: Yes. What if that's happening to him?

Jack: Then he wouldn't die when they crushed the egg.

Cristina: Huh?

Jack: He would. It would. The egg would be crushed. He would start freaking out, thinking he's dying at first, but then not actually die, and be like, what the f***?

Cristina: Huh? I guess. Right? But also, this guy can also transform into animals, which a lot of witches can do, too.

Jack: Do other people see him do this, or is he the only one who witnesses? I am in covert. I hide as a rat.

Cristina: No, I think they see him turn into birds, usually to kidnap people. And I think he turned the girl into a snake.

Jack: So he's f****** with people's heads left and right.

Cristina: Okay.

Jack: Altering. Because we've established. Okay, you can. You can change structures. Are you changing? This is what's interesting, though, because a lot of creatures on adrenochrome, a lot of gods, a lot of creatures that survive off of fear are shapeshifters. A lot of aliens are shapeshifters. The reptilians. Many shape shifters exist. But as we've just established, magic is really sleight of hand in mentalism and or alchemy. So there's three different branches to it. There's a complete trick. Hypnosis.

Cristina: Yes.

Jack: Or toxifying someone. Those are the three options that could lead to more or less the same result.

Cristina: Yeah.

Jack: Now, out of those three pieces that lead to the same result, are any of them really creating a transformation? Or did you get drugged with the alchemist and you're literally hallucinating? You see things that aren't happening. You could pump this into an entire place.

Cristina: So he made them believe that he turned into a leper?

Jack: Yes. Or not hypnotized into thinking so.

Cristina: Okay. And the same thing with turning someone else into a snake.

Jack: Yes. You convince them they are. You can make somebody cloak like a chicken if you hypnotize them the right way.

Cristina: Yes. Yes, you can.

Jack: So you can make everybody else think she turned into a snake, and then you tell her you're a snake and she slithers and they see a snake.

Cristina: Weirdo. It could be all the same thing.

Jack: But then we come back to Baba Yaga. All these overpowered tricks of a mortal affecting a mortal, and then actual powers through adrenochrome and fear. Now, we know you gotta level up to a certain degree to use fear. That seems impractical because our only examples now are creatures from the shadow realm or gods.

Cristina: Mm

Jack: Is Baba Yaga a God?

Cristina: I don't know. Because there's. If there's more than one, then what does that mean?

Jack: I mean, there's more than one God.

Cristina: Yes, That's.

Jack: But is she like the demi est of demigods? Like the lowest tier God? She's the first step into this.

Cristina: Maybe.

Jack: It could be.

Cristina: There has to be more than one step of.

Jack: Yeah. Because we know there's some omniscient other thing. And we know off of when we're talking demigods where it becomes questionable as Santa Claus, is he omniscient or as close to omniscient as it gets before actually transcending to something that we have no language for?

Cristina: Yeah.

Jack: So then does that mean Santa Claus is the top of the demis and Baba Yaga is bottom? That she's borderline just immortal?

Cristina: I think so. But where does fairies. Where is the fairies in this?

Jack: I don't know where fairies land. Because fairies can go into the shadow realm without needing fear or adrenochrome.

Cristina: Oh. Okay.

Jack: I don't know what the f*** a fairy is. I think we've established a rank for everything else that exists, including things in the shadow realm, and we still don't have a f****** clue what a fairy is.

Cristina: That's. I don't know.

Jack: Fairy's complicated.

Cristina: Because there's some other s***, but they can do whatever.

Jack: Yeah. There's creatures from the shadow realm. Sweet.

Cristina: Mm.

Jack: The shadow realm has gods. Jehovah of Dark, maybe many others that we don't even know about.

Cristina: We know fairies used to be gods or called gods.

Jack: Yes, but they'll be s*** on by gods. On that being said, their abilities are interesting. It's powers. It's real powers.

Cristina: Yeah.

Jack: So they did probably just low tier demigods.

Cristina: Higher than Baba Yaga, but lower than others.

Jack: Lower than most other gods.

Cristina: Yeah. Yeah.

Jack: Which is how they move seamlessly, which would explain how Jehovah of Dark came through. Maybe gods can move seamlessly from one side to the other, but there's no benefit. Maybe there's no fear in the shadow realm. And most gods need that. So they stay over here where there is fear. But creatures from the shadow realm cross over, including Jehovah of Dark, that wanted more power, so he crossed over. But he didn't realize how much competition there was over here.

Cristina: But it's so weird that witches feel like they're just humans, but there are witches that do kill and transform. And they want fear, but they also want blood. It's like. It's so much like already the creatures from the shadow realm, but they're not.

Jack: Well, they're not. You're totally right. So interesting idea, right? Santa Claus. Fairies at the North Pole deal with Santa Claus. Not even fairies. There's some other. There's some creature at the North Pole that comes from the shadow realm. There's a. There's an exchange happening there that allows them to not be harmful, get everything they need to exist on this end. Santa Claus to benefit from whatever he has. A witch's whole thing. The same way that a magician. And I guess the tears are I guess just three tiers. And then the Baba Yagas of the world, tricksters, Magicians or tricksters, mentalists and alchemists.

Cristina: Okay.

Jack: And then Baba Yagas that are all three of these things put together, plus adrenochrome and s***, fear or whatever. Now, in all three of these cases, a alchemist must study alchemy. You have to understand chemistry, and you have to understand biology to affect biology with your chemistry. Thus, an alchemist.

Cristina: Yeah.

Jack: A mentalist has to learn hypnosis and psychology. A trickster has to learn perception and sleight of hand. It's homework. Yeah, it's all homework. So if you saw the f****** thing, let's say you saw Santa Claus or some of those things, some of the creatures they have, or you Were at a battlefield. Saw, wolf, saw. Change. You're like, I'm understanding. I'm taking notes. Then you're a scientist to some degree, too, and you study up on the thing that you saw in the natural world, and now you're trying to imitate it. What's more sciency than that?

Cristina: Yes. And that would be what Baba Yak.

Jack: Well, that's what every witch, every trickster, and every alchemist does. And to be Baba Yaga, you'd have to go through all of these things to be the best at all of it.

Cristina: So you probably already know about the other world or the shadow.

Jack: You've studied the living s*** out of it. You might not be able to cross over, but maybe that's your goal now.

Cristina: Maybe that is because we don't know what her goal is.

Jack: We know what her goal is.

Cristina: Fear and adrenochrome.

Jack: But also myths of witches suggest some witches have achieved immortality. Well, what makes you immortal if not adrenochrome?

Cristina: Yeah.

Jack: And even if you die with adrenal chrome, you just go to the shadow realm. And if you're overpowered in the shadow realm and know how to use fear, you could just come back to the mortal realm, to the physical realm. You've achieved immortality.

Cristina: Yes. And that's probably what Baba Yaga has done.

Jack: So Baba Yaga probably seems like a ghost, and there's narratives that make it seem like she just came out of thin air. But in reality, Baba Yaga has achieved the ability to move in and out of the shadow realm. Yes, probably by taking adrenochrome and then dying, probably willingly.

Cristina: Mm. Whoa. She didn't turn into anything special or anything.

Jack: Probably did Whatever distorted figure is the name that they got. They look a certain way. Okay, Maybe that's what happened to their body. Yes, but humans who take adrenochrome just become a vampire, which would also explain the continuous need of eating people. It's survival. You got to keep doing it, or you become a f****** zombie. Yes, but you already know how to trick, how to hypnotize, and how to toxify. And you drank blood and you f****** died and crossed over. So you're a djinn. Baba Yaga is a djinn who understands a lot about science, okay. And uses it effectively. Boom.

Cristina: So she is a magical creature.

Jack: No. Well, the magic that we understand.

Cristina: Yes. Yes. That's what I mean.

Jack: Yeah.

Cristina: The adrenochrome creature, I guess.

Jack: Yes. Everything goes back to it. God d*** it.

Cristina: Yeah, but it makes sense. It's homework.

Jack: Yeah, that's f****** crazy. What doesn't come back? Hey. Ever since we found out about Adrenochrome, everything. Everything is so annoying.

Cristina: Eventually we'll see Keanu Reeves character drinking.

Jack: Some blood and then crossover blow his own brains out.

Cristina: Yes. Like a bad guy's finally gonna kill him and then he's just gonna come back to life because he's got magic.

Jack: Yeah.

Cristina: Or not magic, quote unquote magic.

Jack: But that's kind of cool.

Cristina: So.

Jack: So there are three branches of quote, magic, unquote.

Cristina: Yes.

Jack: Because again, there are alchemists. And alchemists are particularly weird. Kind of magician make anything f****** happen.

Cristina: That's so crazy.

Jack: But the question is, is an alchemist more overpowered than. I guess. Yeah, I think an alchemist is the most overpowered because you don't need to know the individual, you just need to know biology and chemistry.

Cristina: Mm.

Jack: Because you can drug anybody in, the same effects would take place.

Cristina: Oh.

Jack: That gives you a hundred percent assurance that what you're gonna try is gonna work. As opposed to hypnosis. You gotta be really f****** good at hypnosis. Cuz it could fail.

Cristina: It could definitely fail. Yeah.

Jack: And sleight of hand. You gotta be really good at sleight of hand because it could fail.

Cristina: Mm.

Jack: But potions. Oh, that's the shortcut. On the flip side, you have to come in contact with the person. You gotta get them on the drug without them knowing.

Cristina: You gotta convince them it's medicine.

Jack: Yeah. Something like that. You gotta get it in their body somehow.

Cristina: Yeah.

Jack: Whether you pump it into your own air. And now they're convinced different energy and all the switches telling me things. And I'm super convinced of it. Oh my God.

Cristina: Mm. That is weird.

Jack: Interesting. So like a fortune reader. That's both hypnosis and alchemy.

Cristina: And alchemy.

Jack: Yeah. That's the drugs and the hypnosis.

Cristina: Where's the drugs at?

Jack: Well, it's probably being pumped into the air. That's why you feel the energy and it starts affecting your body, thus making you more susceptible. So even if they're mediocre. Hypnotist.

Cristina: Mm.

Jack: Well, you're already easy to convince.

Cristina: And which one's the priest?

Jack: The priest is a hypnotist.

Cristina: He's a hypnotist.

Jack: Well, it depends on the priest. Right. I would say a pastor is purely a hypnotist, but a priest is a hypnotist and probably an alchemist. Because a lot of the time they give you, what? Drink a little wine, eat a little bread.

Cristina: Okay.

Jack: They're Convincing you to consume something and.

Cristina: You don't know what's in there.

Jack: You know what's in there. You're just believing that they're. That it is what they say it is.

Cristina: Yep. Or you're believing that it's really the body of Christ.

Jack: Yeah. Whatever narrative they tell you you ate some Christ, it's in you. You're gonna feel the power. Oh, I do. I feel it.

Cristina: Oh.

Jack: And also, you no longer have sadness and, oh, my God, the Jesus inside me. I no longer feel sad. No. You got drugs. Brought up your euphoria, bro. You're high.

Cristina: You're high. Yeah.

Jack: You're high. And so you're like. Yeah, I feel happier.

Jack: Well, yeah. He drugged you with happy. Your endorphins are flying off the wall.

Cristina: That's ridiculous. That could be. We don't know. I mean, we do know. That's what we do know.

Jack: That's literally what's happening.

Cristina: Yes.

Jack: But I guess the whack lower tier version of this is sleight of hand. That's. You're not crawling inside of anybody's. You're not brainwashing people.

Cristina: No.

Jack: You're convincing the gaps in perception.

Cristina: Mm.

Jack: I guess that would be the hardest to do.

Cristina: That's the hardest to do.

Jack: Hardest to do because it's the one with most ability to slip up.

Cristina: Yes.

Jack: And also requires the least amount of homework, so it's obviously the easiest to do. It's the easiest and the hardest. Anybody can do it. And it's hard to do successfully.

Cristina: Okay, anyone can do it, but.

Jack: Yeah, anybody could do it. But it's hard to do, like. Well, you're probably gonna grind it out. Have to do a million different parts to convince somebody of one thing.

Cristina: You gotta practice it.

Jack: Yeah. Well, any of these things got. Yeah, but like hypnosis, if you just manage to get them into the trance, you win.

Cristina: Yes, that's it.

Jack: You win.

Cristina: But we've also seen it go wrong. Where they are who, whatever you wanted them to be. Like there was a girl who just was too. She. I think he wanted her to hate him and then she just.

Jack: Oh, I know what you're talking.

Cristina: She loved hate him. She. Like it was some other.

Jack: It's because she was too susceptible and she did her part and he sat her down. Then he went to the next one. That person was supposed to fall in love with him.

Cristina: Yes, that worked.

Jack: And then he went to the next one. That person was supposed to hate him. But the first person was too susceptible and heard all the instructions for the Second and third person. And they both loved them and hated him.

Cristina: So she got those. Oh, my.

Jack: Yeah. So the one who was in love with him would get close and she would get jealous because she's in love.

Cristina: Yeah.

Jack: But the one who hates him would be angry and she'd be like, yeah, f*** him.

Cristina: Okay. So it's more. Okay.

Jack: Susceptibility is what ruined that lady's mind.

Cristina: Okay. So it wasn't that. That wasn't that gone wrong or anything.

Jack: It wasn't that it went wrong is that it went too. Right. And she was too susceptible. So any instruction he gave to anybody else on that stage while she was tranced affected her.

Cristina: Wow. You gotta be careful with who you do that to.

Jack: Yep.

Cristina: Whoa. I didn't realize that. Okay.

Jack: Interesting, right?

Cristina: Yes.

Jack: That's a very unique scenario.

Cristina: Wow. And there's a witch that is in Italy that works a lot like Santa Claus. She's very similar to him. Her name is Befana. I think that's how you say her name.

Jack: What about her?

Cristina: And she does pretty much the same thing as him. She lives forever. Which kind of like him, she rides a broom instead of a sled. And she gives kids candy and she gives bad kids love. Cool. She's a pretty much Santa Claus, but a witch.

Jack: Do they expect her to do. To give them stuff?

Cristina: Yes.

Jack: Oh, interesting.

Cristina: I think they also celebrate Santa. I don't know if it's just her, but I'm pretty sure they do both.

Jack: Wait, hold up, hold up. Let's pause right now and take a couple of steps back. Is she Santa's fangirl or Santa's gold digger?

Cristina: Actually, she has more to do with Jesus than she does with Santa.

Jack: Well, so does Santa. He capitalized on the Jesus game.

Cristina: Yes, but Jesus gave her this role. Yes.

Jack: Was St. Nick around Jesus time? He was shortly after. Right?

Cristina: Yeah.

Jack: So, yeah, it was like the third century or some s*** when we looked at it. So then the question is, if Jesus, century one, well, century zero, before century one, gives this lady all these instructions and this is how you could best do it. One, how does Jesus know it's baby Jesus?

Cristina: It wasn't even like old Jesus. It was the baby. He was just born.

Jack: How did he give her these rules? He wasn't talking.

Cristina: Oh. I guess he was a child by the time she found him, because she had to find him first. And then he told her, okay, here's what you got to do.

Jack: So this kid was a genius. Figuring out how adrenochrome works and how Fear works in general because later in the future, when he becomes 30 years old, he goes on this weird tirade, telling people about it, and then they literally try to get rid of him. And that's when he's like, no, I'm gonna drink that adrenal girl this s***.

Cristina: Yes.

Jack: And then vampire. Now I'm overpowered. I could. You can't even kill me. I'm faster, smarter, cooler than all of you.

Cristina: He already knew this when he was like, he.

Jack: So he gives the lady this role.

Cristina: Yeah.

Jack: And sometime after. So she's immortal. She lives all the way to the third century now. She's 300 years old. Enter St. Nick. He sees it. He thinks. He thinks. Sees maybe creatures that she connects with. You know, fear. Oh, there's enough fear that people come through. And I'm like, what if. Because we don't know how he got in contact with the creatures in the first place, we know the deal is with the creatures. Allow a lot of things to happen simultaneously, and then I become overpowered. Now I could do it myself. Yes, okay, great. Fantastic. But he needed the creatures to begin with. Now, did he see her interacting with creatures? And it's like, guys, listen, just crazy story. What if we large scale this? We start small, we spread the propaganda. Everybody starts believing it don't hurt anybody. It needs to be vague, because fear. We need the fear. It's gonna be small doses, but we spread it more and more. More of you can come through. We can spread it farther, create more. I get stronger collectively.

Cristina: Yeah.

Jack: And over time, we spread it across the world. I'm crazy powerful. Now, you guys could just relax. I'll let you feed off of my fear. You guys could do whatever you want, but now I'm immortal. But he got it from this f******.

Cristina: Lady who's only doing this one place.

Jack: And he. He Jehovah of lighted her.

Cristina: Yeah, maybe. Because he also took the whole cookies and milk thing. Well, she doesn't have milk. She has wine instead. But cookies and wine.

Jack: Because she was with Jesus and Jesus loves wine.

Cristina: Yeah, she's drinking Jesus blood.

Jack: Yeah.

Cristina: So. And yeah, I guess he saw her and he was like, yeah, this. This is a pretty good gig.

Jack: So he optimized it. He innovated that s***.

Cristina: Mm.

Jack: It's like, let's. Let's upscale it global. I want to take this business everywhere.

Cristina: But she's considered a witch, which is weird because, like.

Jack: Well, that means that Santa Claus at some point was considered a wizard when he was St. Nick. What did they say? Oh, he was performing miracles.

Cristina: Oh, crap.

Jack: And what are miracles if not magic tricks?

Cristina: Oh, all saints are magical. Well, not magic. Not magic, because, you know, what did.

Jack: Darren Brown say when he performed this thing? Well, I'm gonna come up here and I'm going to perform miracles.

Cristina: Yes. And that's what saints do.

Jack: And that comes from gnosis and drugs and sleight of hand, Dear fish. Now it is Matt One fish. Now it's mad bread. How'd I do it? Well, you're f****** trickster, bro. You know how to do sleight of hand. You probably had a bunch of bread somewhere.

Cristina: Yes.

Jack: Or I hypnotized all of you. Now you just see a lot of bread. Well, you're all high as f*** and hallucinated. Mad bread. Because I said the word bread. Who cares? Yeah, you see, a lot of bread is the point. Thus a miracle.

Cristina: Mm.

Jack: And she's performing miracles. Yeah, they say magical, she's witch, but. But she talked to Jesus and did a trick. Sounds like a miracle to me.

Cristina: Yes. So it's all the same thing.

Jack: The difference is we just called her a witch and Saint Nick a saint. But, like, what's the difference? Sexism.

Cristina: Yes. Pretty much, yeah.

Jack: What's the f****** difference if not sexism?

Cristina: I don't know.

Jack: That's it. That's all that happened. Sexism. He's a saint because he did it. No, she did the same thing. F****** burn her at the stake. She's a witch.

Cristina: Yes. Maybe there are a lot of female witches.

Jack: Well, let's go back to the Salem witch trials. How many men, like, were. Were burned alive at the Salem witch trials? Now that.

Cristina: Yeah.

Jack: How many priests for the Catholic Church that could perform miracles existed at that same f****** moment?

Cristina: Probably all of them.

Jack: How many people were just on the street, did a miracle. They happen to be a guy. And that's why we call it a miracle. They're like, wow, God gifted this to you. A woman directly next to him did exactly the same thing. Probably better. And they were like, f****** killer.

Cristina: Yes. Yes.

Jack: Hey, they both made that quarter, 10 quarters. Killer. Kill her. Kill her. Him. Give him a church. Kill her, though.

Cristina: Yes. Well, probably because he's saying this is through God while she's saying this is through nature.

Jack: Yeah, because nature. Evil.

Cristina: Nature. Yes, evil. Because the devil is somehow related to nature. So it's evil.

Jack: It's weird because God. Nature, like God made nature or whatever. But that just goes to show you that there's a weird disconnect that chances are if anything in the Bible is accurate. Well, Lucifer wanted you to know he didn't want to keep you ignorant. Lucifer wanted you to understand and to experience. And it's like, bro, did Lucifer just make nature? And like, Lucifer made people. Then Jehovah was like, meh, having it. But then, side story, was Lucifer the original. He wasn't Jehovah of Light. That's a different person. That was already on the side.

Cristina: No, but he was also of light.

Jack: Lucifer was of Light.

Cristina: Yes.

Jack: Unless Lucifer was Jehovah of Light. Okay, let's. Let's analyze this real quick. Lucifer, Jehovah of Light. Jehovah of Dark shows up, somehow traps Jehovah of Light. Right. And then lies to the people. But Jehovah of Light is still godlike. It just has enough ability to communicate with them to some degree. And it's like, look, I put this tree over here. He can't destroy that tree. This tree is too powerful. Is my original power. He's just got here. He doesn't have the power to take that tree down. The best he can tell you is don't f****** eat from it in that tree. I made that anticipating this f****** a******. Eat from that tree and you'll see him. You see what it really is. You'll see that he looks like he's from the shadow realm and he told you not to eat from it. Why? The tree of knowledge doesn't want you to have knowledge. What? And so you eat from the fruit and he's like, no, you did the wrong thing. I'm a punish you forever. But Jehovah of Light, The Lightbringer.

Cristina: The Lightbringer.

Jack: Lucifer.

Cristina: Lucifer, yes. Yeah.

Jack: Jehovah of Light. So the Jehovah that spread throughout the rest of the world, the New Testament Jehovah. Lucifer.

Cristina: Yeah, yeah.

Jack: It's s***.

Cristina: After he brought Jesus or he got Jesus into the light.

Jack: Yeah, yeah, yeah. Because Jehovah. Jehovah of dark created Jesus. He was trying to stay on this side.

Cristina: You think the Jehovah Dark.

Jack: I think Jehovah, yeah. Because you made Jesus in order to exist as a mortal.

Cristina: Light did. Because he was trapped. So he needed a way out and.

Jack: He just became mortal.

Cristina: Yeah.

Jack: But then Jehovah of Dark convinced a whole bunch of people kill him.

Cristina: Yes. Which is fine with Jesus, because now I can.

Jack: I turned myself into this. If you kill me, I'm free.

Cristina: Yes. Oh, s***.

Jack: So the argument is Jehovah, Wow. This is. This is gonna be. Oh, this is it. This. We f****** figured it out. Jehovah of Dark comes in. Jehovah of Light already over here. Jehovah Light made People. Or not really, but he's controlling these people.

Cristina: Yeah.

Jack: He has region with people, and he creates a tree. And he's like, all my knowledge, all my. I need one of you to replace me in the future.

Cristina: Mm.

Jack: And that tree is gonna give you now. No. Almost no God over here can f*** with that tree. There's some evil tricks that can stop me. And then, boom. Jehovah of Dark shows up. Jehovah dark traps original Jehovah of Light.

Cristina: And hides the tree well.

Jack: He tells them, yeah, you don't f****** touch this tree. And he tries to look like Jehovah of Light. You don't touch this tree. I'm telling you, don't touch the street. But Jehovah of Light is powerful enough to get the word out. And they do.

Cristina: Yeah.

Jack: Right now I'm a trap. Jehovah of Light forever. You f****** piece of s***. You somehow ratted me out. So I'm going over there, and these people, they're gonna die. They're no longer immortal. Right? Fantastic.

Cristina: He hides the tree and he hides the other people, who are probably related somehow.

Jack: Yes. So now these two. Okay. No more immortals. You. You two are gonna f****** die eventually.

Cristina: Yeah.

Jack: You can reproduce and you're gonna die, too. And I'm just figuring this out, Right? Maybe there was never immortality in the first place. Different discussion. Then, 2,000 years later, the idea occurs to Jehovah of Light from his prison. Well, I had enough energy to communicate with him in what seemed to be a sort of mortal body of sorts.

Cristina: Yeah.

Jack: What if I can do that same thing, but instead of a snake, I am a human?

Cristina: Yeah.

Jack: Now I gotta. I'm gonna put all my energy and just become that thing, all my exaggerated power. Put it in there. No, that can't be.

Cristina: It can't be.

Jack: Because unless he really just put his energy and literally became a mortal.

Cristina: Yeah.

Jack: But then it doesn't make sense, because Jesus wouldn't become a vampire. He couldn't be the first vampire. Because once he dies, he gets freed. Unless we're saying that Jehovah of Light has gone through this crazy transition, but then who is running the show now at this moment? At this moment. Because he would just be a Djinn. He be. He was originally a God. He gets trapped. He becomes immortal. In that time of being mortal, he becomes a vampire, dies, becomes a jinn, crosses over back. Okay, that doesn't work. So unless he never became a vampire, in which case, when he dies, the vessel now allows him out and he's Jehovah of Light on this side again. Boom. Kaji. Jehovah of dark. Now you're f*****. And traps him somewhere. Unless. Well, no. No, never mind.

Cristina: Fix this. I don't know.

Jack: No, it works. It works. Jehovah. Well, Jesus. We don't. We don't actually know. He died.

Cristina: No.

Jack: He goes to sleep. A vampire goes and recovers. He never died. No, he took adrenochrome. He had to. Oh, s***. He just went through the process again.

Cristina: He went through the process.

Jack: He was the first vampire.

Cristina: Yes.

Jack: And then he kept powering up.

Cristina: Yeah. And started making portals.

Jack: Well, no, he used fear as well.

Cristina: Yeah. Yeah.

Jack: And boosted. Got more powerful and became godlike all over again. And then trapped. Jehovah of dark. Using probably magic. He probably. Again, Jehovah. No. I don't know if creatures from the shadow realm have psychology the way that beings from this side do. There's so many holes here. But we're onto something.

Cristina: We're onto something for sure. It's there. We got the pieces.

Jack: Yes. We got the parts. We're close.

Cristina: We're getting there.

Jack: We're touching it.

Cristina: Yes.

Jack: We don't know exactly what.

Cristina: No. But we're there. We're almost there.

Jack: D***. So we found out what magic is, at least.

Cristina: Which is still not magic.

Jack: It's not magic. D***. So there's no such thing as magic. No, there's just power in science. And sometimes power is science.

Cristina: Yes.

Jack: So. Yeah.

Cristina: So.

Jack: So magic might just not be real.

Cristina: No, it's just science. Yeah.

Jack: It's weird. Yeah. It's mostly science because we're just f****** with people's heads.

Cristina: Yep.

Jack: Or drugging them. Tricking perception. It's all science. Understanding how the universe works.

Cristina: And maybe adrenochrome.

Jack: Maybe adrenochrome. That's the closest thing to magic we have. And that's still just chemistry and biology.

Cristina: Yeah. Okay, so it's still in the science.

Jack: So, science.

Cristina: Wow.

Jack: D***. No such thing as magic.

Cristina: No.

Jack: Eventually we're gonna find it and be like, what?

Cristina: I don't know if we will.

Jack: Well, here's the thing. When you stop using adrenochrome and it doesn't enter your body, but you are gathering fear. That's magic. I don't know how that's being used. We have no explanation for that part. We know that's what's happening. We've had creatures tell us that's what's happening. We've studied it. We've seen the effects. We have infinite data on that factually being the case.

Cristina: But what part is magic, though? What is the fear?

Jack: How the is anything using fear? We know they do. Yes, but it's fear is that is the ability to get energy from that. What magic really is, it's not science. And it is real.

Cristina: I don't know. Because whatever, it's biological somehow are you getting it?

Jack: How are you getting the fear into? It's not entering your body, but you getting something from it, it's sustaining you. Some creatures literally survive off of it.

Cristina: Off of the fear.

Jack: Santa Claus isn't drinking blood. He optimized using fear.

Cristina: That's true.

Jack: But what the f*** does that mean? And we call him the most magical.

Cristina: So there is something going on. Okay. Yeah.

Jack: There's a question mark. And as long as there's a question mark, we'll say that's magic. All right, so we'll say magic is just the dark that we say in science, when we know something is factually science but can't explain it. Well, it's dark this, it's dark that. Well, in the natural world, when we can't explain whether it is science, it's magic until further notice.

Cristina: All right, so for now, it's magic. Yep.

Jack: Whatever feet, whatever fear or connection fear has to godliness and power.

Cristina: Mm.

Jack: Without Matt, without science, that's magic.

Cristina: All right. We got something.

Jack: Yeah. So that's crazy. We found out what the h*** magic is. Fantastic. Didn't think that would happen ever. But we got there.

Cristina: We got there. We did it.

Jack: Yeah. On the flip side, we have conversations where we're talking about creatures that we thought was magic. We've talked about fairies, we've talked about cat people when we thought they were using magic when it was a giant question mark back in the day.

Cristina: Yes. And even werewolves transformation were sometimes very magical sounding.

Jack: Yes. Until we found out what that really was. Or how even werewolves came to be in narrative form, not the physical form.

Cristina: Yes.

Jack: So you guys can actually find all of that? There's a plethora of. Before we found out what magic is like today, a bunch of theories on what it could have been and us explaining things away as science instead of magic. So you can find all that stuff on the official website, greatthoughts.info on Apple podcast, Spotify, or anywhere you get your podcasts.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok @justconvopod.

Jack: Yes. And remember to rate and review the show and always subscribe so you can can get those notifications the moment new episodes arrive.

Cristina: And let someone who might like this show know about It.

Jack: Yep. Tell somebody. We have disproven the last couple of pieces of magic as science. Accept whatever the f*** fear is. To gods.

Cristina: Yes. Awesome. This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. What?

Jack: Because he lives 60 years and then live 60 years as a result? Ghost robot.

Cristina: I don't know. I just think different versions of you just pop up, taking your place, and we just don't even realize it. Like, I don't know which you I'm talking to.

Jack: No, no, listen, listen. I'm pretty sure that the first version of you was you. Yeah, but the first version of me was a ghost robot.

Cristina: What if that came after.

Jack: Well, we established that it happened way, way early. Then that ghost robot is who started talking the original s*** about the Illuminati. And then that ghost robot got killed with something again. Super mega killed, I guess, by the Illuminati who had clones of him. And then the first clone happens. The first clone became a bit crooked and also talked s***, but they hadn't done anything yet.

Cristina: Mm.

Jack: Then that clone died with Dave and the other clone of you. So those three got taken out.

Cristina: Yeah.

Jack: Then the third version, AKA second set of clones, showed up. That's genus. That's where the genocidal Jack came in. It was just destroying everything.

Cristina: Mm. Is that you?

Jack: Yes.

Cristina: Okay.

Jack: And taking out cockroach people.

Cristina: No.

Jack: The order here is f***** up. I don't know. It's really convoluted. We have to really get somebody to dig through this and find out what happened.

Cristina: Yeah, because there's also the one that's you traveling in time.

Jack: Yes. I'm pretty sure that's the same genocidal Jack. He killed the cat people and the.

Cristina: Cockroach people and the ghost robot. Like, how did it die? How do you kill a ghost robot? Doesn't it just turn into a ghost?

Jack: Well, no. The ghost robot was also the special me. No, but that was a clone of a clone. Wow. There's two special me's.

Cristina: There's no two special. There's just one special you.

Jack: If we find out, we gotta go back and, like, really, There's a lot of episodes to go through.

Cristina: Okay.

Jack: We got to try to understand what's happened and how we got here to begin with.

Cristina: Yes.

Jack: It's a lot. It's complicated.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor, and published by Great Thoughts.info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 151: Powerful Beings

Was Jehovah a single person or a group of people? Are Jehovah’s angels just Zeus’ children rewritten? Are the soldiers in Jehovah’s army (angels) roughly as powerful as Jehovah, but they merely believe in his philosophy and follow him rather than attempting to replace him? The duo unpack the possibility that Jehovah and his angels were merely a powerful group of humans with adrenochrome on their side at war with other factions of humans achieving the same abilities awarded by adrenochrome but through other rituals and traditions. What they discover about Hitler and Jehovah in the process is something no one could have ever predicted!

Rambling 151: Powerful Beings

+Episode Details

Topics Discussed

  • Hitler
  • Zeus
  • Jehovah
  • Adrenochrome
  • Power
  • Biblical Giants
  • Small Humans
  • Biblical Metaphors
  • Omniscience
  • Nothingness
  • The Garden of Eden

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod


+Transcript

Jack: This program contains strong themes meant for a mature audience. Discretion is advised. Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Just Conversation Podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released. Released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yes. So be sure to pull someone close and scream at them that this is the show. This, the Just Conversation podcast, is the show. You're gonna be like, what do you mean? And you're gonna be like, it's the show. Be like, but what? The show.

Cristina: The what?

Jack: Which of the many? And why is this? And it's like, no, no, no, it's the show. There's one show and it's that show. It's like, no, but what about, like, Supernatural? And it's like, no, no, no, no. That's not real. Only the Just Conversation podcast is real.

Cristina: Is a real show or is real like.

Jack: No, it's a real show.

Cristina: Historically, both. Okay.

Jack: We are the show that's ever existed. Everything else is an illusion created by the Matrix. Anyway, so we were talking about how Jehovah.

Cristina: Right.

Jack: Everybody listening? We're back on this.

Cristina: Yes, whatever. We can't help it.

Jack: Yeah, yeah, yeah. So the angels are based on the Greek gods. We know that exact thing. Even with the Dead Sea Scrolls continuously being uncovered, all we're finding out is that it's basically a copy and paste of a bunch of Greek mythology s***.

Cristina: Yes, that sounds right.

Jack: So the same way that all the angels, all the gods were sort of equal to Zeus, maybe slightly less powerful, but they were equal in that Zeus is a demigod. He's a flesh person who you can kill and will stay dead. And all the other gods are essentially the same thing. My argument is that Jehovah, being based on this, works the same way. Now, he is the loudest, and he claims to be the one and only God, but I think all the angels are.

Cristina: Would it be equal to him?

Jack: Would be equal to him to some degree.

Cristina: Like, all the demigods would be equal.

Jack: To Zeus, all the gods to Zeus the way. All the angels to Jehovah. And the example I have is that Hitler was one man.

Cristina: Yeah.

Jack: And there were millions of soldiers under his control, but they're all men.

Cristina: I mean, they were all equal to him.

Jack: Yeah. They're all Equal to him. But we don't know any of them.

Cristina: They're superhuman.

Jack: Yeah. We don't know a single one of them. And he is not special. Hitler was not special. He was just another person.

Cristina: But he made himself special.

Jack: He made himself special. He was the loudest, he was the scariest, he was the most ruthless. And as a result, he's who we remember. The same applies for Zeus, who was particularly ruthless and violent. And same applied to Jehovah. Jehovah was what, at the beginning? Aggressive, ruthless, monstrous, murderous, destroy, whatever. Until people are like, if we stop f****** with him, he will stop retaliating. Yeah, let's just listen. And then what? He just became a passive, kind guy because, like, everything is in the orders that I wanted it to be.

Cristina: But he had to be that tough guy first.

Jack: Yes.

Cristina: Weird. Yes, he is. He could be just another angel. Like, angel could just be the word for God or gods or demigods or whatever.

Jack: Yeah.

Cristina: 100% equal. But in all these. In all these stories about gods, whether it's Christianity or. What was the one that you just mentioned?

Jack: Greek mythology?

Cristina: Greek mythology or Norse mythology? Norse mythology. Thank you. Norse mythology. They all have giants as well in these stories. They're giants. And giants seem to be something other than human and gods, or at least that's why I feel like that's what's going on. If there are giants in the Christian book, what are they? Are they aliens?

Jack: Well, there's an interesting question there, because there are giants in the Christian Bible, especially the one that David fought.

Cristina: But in the Bible, they're human and angel babies. Right. Or something like that.

Jack: Well, Goliath wasn't. Goliath was just a giant that I believe was human.

Cristina: Oh, he was just a. But he's a giant human. He's not a giant giant. You know, like in.

Jack: No, I think he was abnormally huge. I think he was an impossible size.

Cristina: Oh, like an actual giant?

Jack: Like an actual giant.

Cristina: Oh, so then what are these giants?

Jack: Okay, so an easy argument for this would be people were smaller in the past. If you trace us far back enough, we're actually at our tallest proportion moment. Yes. Okay, well, it's complicated because it branches off in two different directions. Right. We began as smaller humans, but we were taller apes. So when we were still in the ape age.

Cristina: Yeah.

Jack: We were pretty big.

Cristina: For apes.

Jack: For apes.

Cristina: Okay.

Jack: And this is in the period where we started standing up on two legs and, like, looking around in that. Like, we were pretty tall around that time. Neanderthals, that kind of s***. We're talking huge. But then we enter the human ish era. We're humanoid and almost human.

Cristina: Yeah.

Jack: And then for whatever reason, there's a crazy dip and we're very small. Through the beginning of humanity, we're still.

Cristina: Big compared to apes, we're still small.

Jack: We're pretty small. We're talking like average height being anywhere between four, five and five feet.

Cristina: Whoa. Okay. What?

Jack: And we know that people can be as tall as 7ft, 9 inches, 9, 8ft. What's tallest human? Like, okay, we got huge f****** people.

Cristina: Yeah. But not many.

Jack: Almost twice the size of the average. If the average was four or five.

Cristina: Yeah. Are those giants?

Jack: So these people are technically giant? I think you're technically giant after you pass like six, six or something.

Cristina: But that's not what they're talking about in these stories.

Jack: Well, we don't know, because the problem with interpreting the Bible literally is that it's a book of metaphors to begin with.

Cristina: What about the other books, are they also metaphors?

Jack: I don't know. Assuming that these are also periods of time when they were. How do I put it? Okay. If you were to say, what is the past of Asia look like? Asians are usually pretty small. So were they smaller? Evolution tells us yes, probably. But then we look at something like Africans that are really tall.

Cristina: I don't.

Jack: If two of these people were to.

Cristina: Cross paths, would one see the other as a giant? Is that what you're saying?

Jack: Chances are in the past we would have seen the other as a giant.

Cristina: If we didn't know that they were people already.

Jack: Their skin already looks different. We've never encountered these people before. All we know is that they're humanoid, but literally twice the size of any of us.

Cristina: Okay.

Jack: That's a giant. And when you write about that, that's a giant. And if they've never encountered you and you've never encountered them, Fear and hostility is human response, survival.

Cristina: Yeah. So they weren't really giants battling gods then. He's in a lot of these stories. It's a power, like fight between giants and gods for whatever.

Jack: I mean, for power, whatever. It's possible. Let's look at, let's compare these two situations. Right. You have Jehovah, all his angels waging war. We have Zeus, all the gods waging war.

Cristina: Yeah. And the Titans that are giants.

Jack: Yes. In these two cases we have the loudest guy who we know of and their army. Like we said, Hitler and his army.

Cristina: Okay, Right.

Jack: If this was taking place so long ago that it was let's say, I don't know the first f****** year, but the same event. So there's a guy who's a Hitler equivalent, super loud, surrounded by people just like him. But he's the loudest, he's the scariest, he's more ruthless. And there's a group of rebels who come from somewhere else. These rebels come from a. Now this Hitler is taking place in Asia. He's a short guy. We are terrorizing. We don't know if there's anything outside of Asia. We're over here terrorizing everything in Asia. Taking over, expanding, trying to explore what there is. And then these people popped out of nowhere. And they're like, that's wrong, what they're doing. But they're African. They're very tall, they're old school African. Like 6, 5, every single one of them. And over here, you're all four or five, every single one of you.

Cristina: So you're saying that these characters are probably based on humans, then it's not gods at all.

Jack: It's not gods at all. It was just some guy whose loudness was godly.

Cristina: Yeah, it's like in, what is it, North Korea, where he convinced everyone that he is pretty much God and he can't. Like, he doesn't need to use the bathroom and stuff like that. Like, there's stories like that about whoever this ruling evil dude is. This ancient Hitler.

Jack: Yes, yes, yes, exactly. Exactly. And I think that it's possible that the giants we've heard about were just an opposing team. The other people.

Cristina: The other people. Okay, I guess.

Jack: Yeah.

Cristina: What? So it's not really. But then none of these stories matter when it comes to what could exist besides us.

Jack: Yes. Because everything is a story about us. And we just have to keep in mind that we are speaking metaphorically at all times in these books. So when we say giants. Well, what does it mean? Tall guy.

Cristina: Yeah.

Jack: When we say God, maybe people in power, people with weapons, people can cause damage. People who other people listen to because.

Cristina: They just seem magical because of that. Because they have abilities.

Jack: No, no, no. It's not even magical. Those are also just metaphors.

Cristina: Oh, okay. Yeah.

Jack: Everything is a metaphor.

Cristina: Yes, yes. Everything's a metaphor. Okay, okay. Take the magic out of it.

Jack: Take the magic out of it. Yeah. It's just loud people and war and crap of that nature.

Cristina: What? I guess. And it's just a history book.

Jack: It's a history book of metaphoric stories.

Cristina: Yes, all the books.

Jack: All the books.

Cristina: All the books are telling the same story, which are all metaphors.

Jack: Which is funny when you talk about the Dead Sea Scrolls. Right. And these things are being brought out, discovered, and they're just talking about the stories in the Bible, and the Christians are grabbing this s*** and running like, hey, a different book is talking about the same stories that took place in the Bible. What? And it's like, oh, my God. If you guys look at the text, you'll find out that the Bible was written using these texts, not the other way around. Not the other way around. It's not that two different groups of people saw the same events and wrote about them. It's that the Bible is based on these books who are based on those.

Cristina: Books, who are based on those other books who are based on those other books.

Jack: Like, and so the Christians are like a second. No, it's the same. It's the first version of the book you're reading?

Cristina: Yes, it's the first draft.

Jack: Yeah, it's the first draft. Well, you're like, wow, different. No, it's not different. It's the same book, but in.

Cristina: For the Dead. For the Dead Sea Scrolls. How can they read those? Is it even possible?

Jack: It's in Hebrew.

Cristina: Okay. So they can translate it somehow. Okay.

Jack: I mean, it's.

Cristina: I don't know how old they are. No, I didn't know it was still a common language that those were written in.

Jack: Oh, yeah, yeah, they were in Hebrew.

Cristina: Hasn't that language changed since then?

Jack: Yeah, but the language is still pretty, like, used pretty common. It's kind of widespread. And you can just ask somebody to read it to you. Like, the difference between Old English and now is hearing somebody talk about it. But if you were to read it, you can still pick up on what they're saying.

Cristina: Yeah, but it makes me. It reminds me of that story of that someone went through the Bible and then changed everything for other words to tell a whole new story where the Bible is actually about aliens and their experiment with humans and they were using the Hebrew language and giving different meanings, but it's the same word. But I guess that word has multiple meanings, so you can just change it to whatever you want it to mean, as long as it's the word. Because that word could mean. You know what I mean?

Jack: Okay, I know exactly what you're talking about and who you're talking about. I forget his name, but I know what you mean. And in the case that you're currently talking about the Bible being the story about aliens or whatever, out of the two possibilities that we're faced with, either say the Bible is being Literal? Well, in assuming the Bible is telling real events that were of supernatural proportions, at least us.

Cristina: Okay. Yeah.

Jack: Whether it be powers or science, the latter seems more likely because the words that they have in the time that the words were being used and written actually align more with the guy's argument about it being associated with foreignness and aliens as opposed to gods and perfection. So it's more likely that what they meant was aliens. That is fact.

Cristina: But I'm assuming no one's going to read those scrolls in using that way.

Jack: Of thinking, because they're already going to say that. Well, at least if they're Christian, they're going to look at it. Or Hebrew or anybody who believes in the religions of Jehovah.

Cristina: Yeah, they're going to translate it using those words that they're familiar with.

Jack: Yeah, the translation has to fit. It's the confirmation bias you're going to go in with. This is what it should sound like. So anything I read I gotta fix for being like this.

Cristina: Yeah.

Jack: Versus reading it and knowing how the words were used at the time that it was written. So what they most likely mean which the guy you're talking about wrote a book explaining how the words were used previously.

Cristina: Yeah.

Jack: And how when they were written in the Bible, there's no way they could have meant water when they meant the heavens or something like that.

Cristina: Yeah, he gets really into it.

Jack: Yes, I can remember his name. Name. But yeah, I know who you're talking about. In any case, it's always more likely than that there are aliens, than that there is a divine being who designed anything and everything somehow existing from outside reality.

Cristina: There can't be something outside. I don't be.

Jack: That doesn't make any sense. In fact, the idea that something or.

Cristina: They can be, but it can't be inside too.

Jack: The idea that something even thinks is an idea from within reality.

Cristina: Yes.

Jack: Oh, that's how complicated it is. Even the concept of perception, awareness. Consciousness is inside is a concept that exists within reality. For anything to have awareness and make everything else, you would have needed awareness to begin with, which is impossible to have it before reality in which that came to be exists.

Cristina: What?

Jack: So there could not be just definitively there could not be a God based on that. At least not an omniscient everywhere, all the time God, No. And the best we have for that is still from within reality. Which is to say, how did our universe come to be? And that's where we have nothingness observed by consciousness. We still don't know where the place where those two Things are is we know it's within. I guess it's reality.

Cristina: Yeah.

Jack: Even if there's no universe, there's no space, time. There is just nothingness and consciousness. Those things still exist within reality.

Cristina: Can we prove that there's nothing? No, we can't.

Jack: No, it would be impossible.

Cristina: This is a question. You have to ask it. I don't know. I know there's no answer to that, but it's just.

Jack: Yes. The answer is there is nothing. There's as much nothing as there is something. They're both infinite.

Cristina: But can you prove it? How do you prove that nothing's there?

Jack: By proving that something is here.

Cristina: And that's enough.

Jack: It's easy. In order for something to be in a place, there must have been nothing there first. Otherwise the something could not go there because there's already something there. You need nothing there first in order to put this new something there. Okay, well, because we are here, there must have been nothing here.

Cristina: Because we are here, there must have been nothing.

Jack: Because if there was something here, we could not be here.

Cristina: Yes. That is so complicated.

Jack: Nothingness has to be just as likely as somethingness. But we can never experience a moment of nothingness, difference.

Cristina: Mmm. We cannot experience nothing that is complicated. But that's more about death than anything. That's complicated. Because then what is after life? Yeah.

Jack: More perception. Definitely.

Cristina: You don't think there could be a nothing?

Jack: We couldn't experience it no matter what we would continue to experience. That's why I don't fear death.

Cristina: Because you have to experience something.

Jack: Because the however long you experience nothing for, you'll be unaware that you experienced nothing. The example is always you die or you're dying and the light is slowly fading. And then the second it goes to black, a split second goes by, and then the light starts expanding again. And then you just pop out of somebody's v*****.

Cristina: Yes.

Jack: So you never stopped perceiving? Yeah, there was just more of the same. Or you die. You're dying. You're on your deathbed. You're an old man. You're about to leave your soul, you're about to leave your body. Everything is dying. The lights are going out. And then suddenly everything starts to fractalize and starts to break apart.

Cristina: Yeah.

Jack: And then there's just a bunch of parts everywhere. And you're still witnessing the part, but the concept of you is gone. But you're still watching the people who were your family slowly decompose into nothing that looks like just parts. You watch your body. You're Surrounded by decompose into nothing. And now you're still here, perceiving this soup of something.

Cristina: Do you? Huh? I guess. If that's true. And then you just. You're just born afterwards. Is it. Are you in the nothing? You wouldn't be born.

Jack: No, the previous scenario. You're born. In this scenario. You've died and crossed to some other plane of existence. Smooth. It was seamless. There was never here's space with nothing in it. Yeah, that never happened. You just went from, hey, you're sitting across from me. Christina, I'm on my deathbed. You come and you visit me next to my deathbed on my last moment. And you're like, hey, it was real fun to do this show with you, but you're dying. And I'm like, yeah. And then I see you. Slowly as the light goes away, you start to get fuzzier and fuzzier. And then you become so fuzzy. You're blending into the wall now because it's also fuzzy. Before long, everything is sort of uniform, but not. This is a mix of colors and stuff. And I also forget in that same progression, slowly start forgetting more and more of who I am until there is no me, There is no you. There's nothing. I don't remember anything. Because remembering is irrelevant here. Yeah, but I'm still perceiving. I've not stopped perceiving. Now I'm just seeing this mesh of colors. And now I start to decipher what this mesh of color means. And thus forming my new reality.

Cristina: That makes sense. Yes, that's probably it. Why wouldn't it be?

Jack: Why wouldn't it be? That's how we were born in the first place. We popped out, everything was a blur of colors. And we started just piecing together what that meant.

Cristina: Yeah, I think that sounds right. Yeah.

Jack: Yeah. And we're like, okay, well, this mixture always means Mom. That mixture is always Mom. That's a chair over there. Some before long. Chair. Table. Mom. Christina. Tv.

Cristina: Red. Blue.

Jack: Red. Blue. Yeah, but then I'll forget all that s*** again.

Cristina: Yes, but there's never nothing.

Jack: Couldn't be. We couldn't perceive nothing. Otherwise it wouldn't be nothing.

Cristina: Yeah.

Jack: The moment we can perceive it, it's something.

Cristina: It's so confusing. It's not confusing, but it is complicated. Yeah.

Jack: It's possible to discuss. Impossible to imagine.

Cristina: Yes. Yes. What's less impossible is the. What's that thing we call now The Force? What are we calling it?

Jack: Yeah, the Force.

Cristina: The Force. Guess what? In. I'm not finished with the story, though. But I'm going to talk about what I've read so far.

Jack: Right.

Cristina: In Prince Lestat, the vampires, they're not just vampires. There's a starting point, if you remember from part two. There was the first vampire, but there was something that made the first vampire.

Jack: Right.

Cristina: It was some type of creature. I don't know what it is. When I picture the creature, it looks like the thing from Fullmetal Alchemist. The little black thing with an eye from the gate. From the Gate. Well, I don't know. But he was also in the real world with their dad. He had him in a little thing.

Jack: And pride was also made out of him.

Cristina: Oh, yes, yes. Well, that thing, he's in Prince Lest. That. Well, not. He's not in that story. Or maybe he is. I'm not sure. But whatever, he was in the First Vampire, and that's how the vampires were made. And in the newest book, there is a problem with creating vampires now. And a vampire's theory is that this thing that made the first vampire, it's. It's kind of like in all the vampires. And it's reached its limit of how far it could reach with its powers or whatever. Like it has a limit. It reminds me, though, of the Force and how we say if you use the Force too much. I don't remember what happens if you talk about how it's bad to use the Force too much. The dark side is bad to abuse it. Yes, it's bad to abuse it because.

Jack: Whatever, it'll turn on you.

Cristina: It'll turn. Yeah. Yeah.

Jack: You're weakening it or something.

Cristina: Yeah. So I feel like this story is pretty much following the rules, that all these other things that are like that are following.

Jack: That makes me think of the movie, the one. The one where Jet Li went around killing all the other versions of himself and every one of them he would kill would spread that one's energy amongst all the other versions of him.

Cristina: Yeah.

Jack: And then where there were two, they were so inhumanly strong, they're superhuman.

Cristina: Yeah. Because that power has a limit.

Jack: Yes. So if that's what's happening in the story, then it's possible. If they just start killing vampires, the vampires who have those powers will get stronger progressively.

Cristina: Well, they get stronger progressively just by aging, too.

Jack: Yes, but if they murdered all the vampires.

Cristina: Well, there's maybe. I don't know what's happening in this world. But my guess is this creature is so tired of all the vampires that are around, it's trying to convince vampires, the older ones the strong ones to murder other vampires, all the weak ones because there's so many weak vampires. And I guess he's sick and tired of all these vampire. He's sick and tired of sharing this energy because it is him. And so he's getting these older vampires to kill them off because he is the energy. And I guess he's tired or he's being wasted and he's sick of it. So he needs some of them to die.

Jack: Right.

Cristina: Does that make sense? I feel like it makes. I don't know if that's what's happening, but that's what I think is happening.

Jack: It would make sense. Yeah. You did release some of the power and spread yourself less than.

Cristina: Yeah, yeah, yeah.

Jack: Makes sense.

Cristina: But I wonder if the force works like that too.

Jack: Possible.

Cristina: Like in the flash. It does seem like that.

Jack: Yes. There is the amount of force to go around. And if too many people are using it then other people don't have access to it.

Cristina: Yeah.

Jack: It is completely possible. Yes.

Cristina: It's interesting they all work like that.

Jack: Because you have to think that the universal energy that exists everywhere is being used by everybody. There is a sort of amount of individuals that could be tuned in at any one moment.

Cristina: There is an amount that there's.

Jack: Okay. Most people probably use the energy small time.

Cristina: Yeah.

Jack: So if somebody's using a f*** ton of it somewhere in the universe, 99.99% of everything is using fractions of it and doesn't even. Like they can still use it because the chunk free is so big by comparison that that small tiny chunk could still be spread out amongst a whole planet.

Cristina: Yeah.

Jack: You know like everybody on earth using it at the smallest percentage. A small fraction of the force can use the force at the same time that somebody else where is using 70% of it in one shot. Because that 25 is still a ton of energy.

Cristina: Yeah.

Jack: But now if two creatures or two civilizations decided to use 75% at the same time. We're not advanced enough to do that.

Cristina: No.

Jack: Or we haven't found things like that. And if we did, we could destroy this plan by acc. If somebody had that kind of power. But if somebody does and there's two of them, who knows how often these people are using it. So those people can't.

Cristina: Yeah. That would start a huge problem.

Jack: That would start a huge problem. Now we don't encounter that because we're primitive in every case. Whether it be magic, whether it be science, whatever the case, we're primitive.

Cristina: But if there's something on Earth right now because it reminds me of adrenochrome and towers falling for the blood. And what if that's also involved in.

Jack: It's not enough.

Cristina: It's not enough.

Jack: Small potatoes.

Cristina: Okay.

Jack: We're talking even the gods from within Earth, Zeus, Jehovah, these people. Right.

Cristina: Yeah.

Jack: They could both simultaneously use the energy and it would still not. They could both use as much as they know how. And there would still be energy to go around. And it would still be an insignificant amount because they're still regional. One is from Greek.

Cristina: Yeah. But there was still problems though. But I guess that's because with each other more than. I mean, like in their little groups. There was a bigger problem.

Jack: Yeah, but doesn't. We're talking about the force. It's not causing any force disturbance.

Cristina: Yeah.

Jack: Because they can both use it effectively.

Cristina: Yeah.

Jack: And we haven't drained. Now, if everybody on Earth had the same capacity to use it that Zeus and Jehovah did, would then. That created then. Or are we still talking small potatoes because it's still one planet.

Cristina: Yeah.

Jack: There's something out there so powerful it took over the Great Void.

Cristina: And how could that be? If there was a limit.

Jack: If there. There is a limit.

Cristina: If there.

Jack: But they were using. And keep in mind how small the Great Void is as compared to the rest of the universe. It's so small. We look and we got to look really far and we see it really small. We just know that it's huge because we still see it.

Cristina: Yeah.

Jack: But it's far and tiny. So that took an immense amount of energy.

Cristina: That definitely did. Yeah.

Jack: If somebody did that with raw power, not just science, but using some sort of power.

Cristina: Mm.

Jack: Can two beings do that? Now we're talking a different scale.

Cristina: Mm. And you think they can do that?

Jack: I think yes. I don't know. Can two at the same time. But also that's such a small amount. Like, how big is the power distribution we're talking about if it's using the entire universe, if the whole universe is using the same energy source.

Cristina: Mm.

Jack: How big are we talking? And like, is our universe old enough to even have beings that can wield such exaggeration? Or has it been.

Cristina: It seems like we can't all share it though. Or if we're looking at like full metal alchemists. They needed to kill people to. To share it between the powerful people that are using or whatever. Or was that not needed for the energy to be used? I feel like it related.

Jack: No, because they are using something different. They use energy to make transmutation. You Mean philosopher stones.

Cristina: Okay, that's.

Jack: No, it's the same exchange. If every one transmutation required a death.

Cristina: Yeah.

Jack: Right. Then the philosopher's stone is cashing in your deaths ahead of time to then use the power later.

Cristina: Okay.

Jack: Same concept.

Cristina: Okay.

Jack: It's just. When are you paying?

Cristina: Yeah. That is so complicated. That's. That's. That show is just so dark. But there is a limit. But there's no way to reach that limit.

Jack: There is a way to reach that limit. We just don't know what.

Cristina: We can't reach it.

Jack: Yeah. And we can't fathom what would there should be. Because there is a limit.

Cristina: Has someone reached that limit?

Jack: Probably not. What is the lifetime of God? What. What. What numbers would we give if he can outlive our entire universe? In fact, our entire universe is the fraction of a second to God. But he lives 100 years his time. So if a fraction of a second. Right. We hadron collider. We smash two atoms together. Boom. The conditions of the universe. A whole civilization happens in that small space. A whole universe happens. Bunch of galaxies, bunch of planets, a bunch of civilizations. 50 trillion years go by and then that universe dies. Great. Sweet. Okay, fine. Universe is dead after trillions. That was a fraction of a second. How long in comparison to that fraction of a second will I. Is my time if I'm 100 years old and that's I'm just die at 100 normal a** f****** life. But that I'm the guy who smashed the two atoms together and made that. So in that timescale, we're now in the universe that is going to expire in 50 trillion years. But all of this has been a moment God doesn't even notice is happening because it's happening so quick.

Cristina: Yes, but we're somehow using his energy or.

Jack: Well, my point would be at that scale, what is a minute? What is a day? Could we fathom what a second is?

Cristina: No.

Jack: A second is long as h***. A second could be the entire. Actually this whole universe exists in less than one second of God.

Cristina: Okay. Okay.

Jack: If we convert that to energy.

Cristina: Yeah.

Jack: There's nothing like it's. It could expire.

Cristina: Yeah.

Jack: In a normal. God is going to die in a.

Cristina: But it took a lot of energy to make us, though.

Jack: It took such insignificant energy to run the hadron colliders that we still have everything else in the planet working simultaneously.

Cristina: Okay.

Jack: Do you see?

Cristina: Yeah.

Jack: Just to smash two atoms together and create a whole universe. It took so little energy, most people don't even know that Machine exists.

Cristina: All right?

Jack: Nobody noticed anything happened.

Cristina: Everyone feared for the worst.

Jack: Nobody knew. That's all just stories from people who were looking into it.

Cristina: Oh, okay.

Jack: Nobody knew what was happening. Oh, and it's happened many times.

Cristina: Yeah. Oh, those are all fake stories.

Jack: So in these cases, one fraction of a fraction of a fraction of a fraction of a fraction of a fraction of a second to a hundred years. So to a full life amount of energy, what is our universe? Insignificant?

Cristina: Yeah.

Jack: So it's easy to waste the energy. Something could use it. Is there anything within here who could use it? I don't. F***.

Cristina: Probably not. Is adrenochrome the closest we get to that, though?

Jack: Adrenochrome? Isn't that. Is adrenochrome connected to the Force?

Cristina: I don't know. That's why I'm wondering. I'm wondering if it is.

Jack: No, I think adrenochrome is a shortcut.

Cristina: To what?

Jack: To not have to use the Force, but acquire all the same things. Okay. Think of what Alan Watt says. You could meditate into an entirely new perspective of viewing the world and understanding reality. Or you could f****** take acid. Like acid is good to show you the window. But learn how to get there on your own.

Cristina: Oh, okay. It's better to learn how to get there.

Jack: It's not better, it's just a different way. He suggests learn together on your own. But who cares if you can get there?

Cristina: Okay.

Jack: The point being that while we have. Actually, I have an idea. I lost my train of thought.

Cristina: We talk about how adrenochrome is a shortcut to blind.

Jack: Oh, yeah. Then adrenochrome would in any case be the asset. It's like the Force is the way there, but not everybody's connected to it. Not everybody has a He man sword or Power Ranger powers or f****** this or that.

Cristina: Yeah.

Jack: Jedi mind tricks or whatever. Sometimes you just take adrenochrome and you get there.

Cristina: Yeah.

Jack: And it's instant versus a bunch of Pragues and studying monks can get there. Spend their whole lives, mind you, instantly when you meet them, what the f*** is happening?

Cristina: Or take adrenochrome.

Jack: Take Adrenochrome.

Cristina: No practice.

Jack: But also the same things would happen. People who practice and learn how to use the things, are they out there causing trouble?

Cristina: Trouble? No, never. But they don't have withdrawal, which I guess is a good.

Jack: Yes, that's another good.

Cristina: That's a good thing.

Jack: But also they're not out there causing. Because they learn how to wield it. Yeah, but if you got the power overnight. Do you know how to wield it? No, you just got crazy abilities. It's the same idea of when we were having that episode about the mass shooting maybe two, three seasons ago, and me and Blake were talking about our guns bad and our people bad. And it's like, no, not really. Yes, people die all the time. But if you gave everybody a gun overnight. Well, actually, we're talking about the Internet particularly, which was. Is the Internet evil? It's like, no, the Internet is just a brand new creation. And we don't know what the f*** we're doing.

Cristina: We definitely don't know what we're doing with the Internet or with guns.

Jack: With the Internet or with guns. Well, we know how to use guns. More guns really don't cause that much of a problem.

Cristina: Okay.

Jack: If you gave everybody a gun, we kind of get it. But before anybody knew what a gun. This is how I proved my point. Before anybody knew what a gun was. If suddenly I invented guns today and I just happened to make enough of them to give everybody a gun. A lot of people are gonna die.

Cristina: Yes. No one knew about what it was.

Jack: Yeah, a lot of people are gonna die because we don't know what the f*** we're doing. Even after we see a couple of people dying, people can be. Well, I could defend my house with her. I could do this without. People are gonna shoot each other because we don't know what the f*** we're doing. Same goes for the Internet. We don't know what the f*** we're doing. We're just screaming at each other because we don't know what the f*** we're doing.

Cristina: Yes. Because they're complicated. Because people shoot themselves.

Jack: Yeah, but those are accidents. That. That doesn't happen often.

Cristina: Okay.

Jack: That's probably the. In Earth history, every year, maybe 10 people shoot themselves by accident.

Cristina: Whoa.

Jack: Like, it's not worth the mention.

Cristina: Okay, but it happened.

Jack: Yes, but also some dude fell upstairs. That's also something that happened once. Like, it's fine once in a.

Cristina: Like, I don't know, just once.

Jack: Weird things happen. Never. Look at the anecdotal anomaly that doesn't fall into the act.

Cristina: Like the lady who killed her husband with a squirrel or something.

Jack: Yeah.

Cristina: Like when the only one time in a lifetime.

Jack: Yeah. Like, it's pointless to be like, well, that one thing happened. Like, who gives a s***? It'll never happen again.

Cristina: Yeah. Unless we got to worry about people trying to kill other people with squirrels. That becomes a thing.

Jack: Those circumstances are so highly specific.

Cristina: Yeah.

Jack: They don't matter.

Cristina: Oh, okay.

Jack: Yeah. With all that comes the equivalent of the Force, and we can't do that. We. With something we don't know how to use, which is how we end up with people just having withdrawal, desperately trying to get as much adrenochrome as possible, doing weird things and abusing their power. Meanwhile, the people who practice to get to the same place don't give a. Yeah, they're just enjoying it.

Cristina: Yeah. Cool.

Jack: Interesting point, now that I think about it, though.

Cristina: What?

Jack: Thinking about Hitler and his army and Jehovah and his army and Zeus and his army, essentially. Maybe the same person, whatever this army was, was definitely tuned into the Force themselves, wasn't it? Not Hitler's army.

Cristina: Well, we don't know for sure.

Jack: But like Jehovah's army, just humans, not even demigods, just humans who tuned into the Force and collectively, quite some power. Not only is the leader, the most powerful, most ruthless, most dangerous one, and the one we all know about and refer to the rest of the movement as, but all the other people also, they learn and they practice and they studied together.

Cristina: Yeah.

Jack: So they could know how to use the Force and with that, use the power to suppress everyone else.

Cristina: Yeah. That's so weird because I was thinking about giants and how, like, what if they're the ones using adrenochrome because they're doing weird things, too, besides that they're giant. They're usually doing the weird same things that the gods are doing. They have a different title and they look different, obviously, but they're doing pretty much the same things. They're kind of equal.

Jack: What do you mean by doing the same things?

Cristina: Like, they can do the same powers or they have the same strength or whatever. You want to describe it, they turn into birds. They turn into birds. Like, there's no difference except for their title.

Jack: So you're saying God is a title to a type of human?

Cristina: Yes, they're calling themselves gods, and we call them gods because they call themselves gods and they call themselves giants. So we do the same.

Jack: Maybe they didn't call themselves any of that and we called them all that.

Cristina: Okay. But they were still both. Like, what's the difference of the two groups?

Jack: There's no difference. It's just two different, like, ethnic groups at most using the Force, Adrenochrome or the Force. Or in any case, maybe one was using one and the other was using the other. It looks like outside of religion, people aim towards other means. Witchcraft. You don't need blood for f****** witchcraft unless you're doing black magic, which is circling right back to the same s***.

Cristina: You just reminded me. God needs blood. So they're the ones doing a dream of Chrome. If anyone's doing adrenochrome, it's the gods.

Jack: Yeah, well, again, like what I'm saying, anybody outside of religion is doing magic. They're doing meditation. They're doing.

Cristina: They're using the forest.

Jack: They're using the forest. Anybody within religion, it's a whole different story. Using adrenochrome, they're cheating. They don't have the natural ability. Although they go around telling everybody. Everyone else is using the bad thing, but everybody else is doing what? Using nature.

Cristina: Yes.

Jack: So a quick example would be, right, you go to church and they tell you we're going to chant together, and you are going to pretend to drink blood and pretend to eat flesh. Sit down, shut up and listen to me. Good guys, according to themselves. And then they'll point at the other side and be like, those are the bad guys. What are the bad guys doing? Stay in touch with nature.

Cristina: Yes, that's what I was going to say. Instead of listening to what someone else is saying, you're listening to nature and hearing what it tells you.

Jack: Yeah. Be introspective. Ask what's right and what's wrong. Question everything. The. The story of the apple. Why is God so dedicated to not having Adam and Eve eat the apple? It's like, why don't you want them to. You made the perfect things. You don't want them to have knowledge.

Cristina: No.

Jack: Why don't you want them to have not? Of course, chances are he found that f****** garden.

Cristina: I don't think he ate that apple.

Jack: I don't think God was a. God wasn't allowed to eat that.

Cristina: He wasn't allowed to. He was like, you guys can't have it because I can't have it.

Jack: I think that's exactly what happened. I think God was not allowed to eat the apple. And he is an angry and jealous God according to himself.

Cristina: Oh, crap.

Jack: So if he was angry that he couldn't and jealous that they could. No, f*** it. My God doesn't talk to them. I'm not gonna let them eat either.

Cristina: Except that they. Because he's not perfect. Like, whoever made him. Or not as perfect, you know, whatever.

Jack: Yeah.

Cristina: They could not listen to him, which he has to, I guess, listen to whoever made him.

Jack: Yes. He can't actually eat the apple. There's nothing he could do to eat that apple. Yeah, but they could.

Cristina: But they could. Yes. And they did What? That makes sense.

Jack: God doesn't have all the information. It's possible Adam and Eve had more information. Yep.

Cristina: Whoa. Do you think they shared it with us? Did we bury that information?

Jack: No, I think we actively suppress that information. I think religion does a pretty good effort of trying to suppress the real information that's out there, while Adam and Eve knew the real information that was out there. But we cut their stories short and remove what they're saying a lot of the time.

Cristina: This is because there is no story. They just gave birth to a bunch of children. The end.

Jack: Yeah. We don't talk about the fact that they knew everything.

Cristina: Yeah. Did they teach their children? Yeah. I don't know. That's interesting. What if God couldn't eat the apple?

Jack: It's doubtful that he could. Yeah, he probably never eat the apple. He probably didn't make that garden. That cartoon is just his home. It's his fishbowl.

Cristina: It's his fishbowl.

Jack: It's his fishbowl to where something greater is just watching God.

Cristina: But then when he kicked them out, what did he kick them out into?

Jack: The world.

Cristina: The world? Is that inside his fishbowl?

Jack: No, he kicked them out of the.

Cristina: Fishbowl where he lives.

Jack: He lives. God can't leave the fishbowl. That's why he's obligated to do other things, to communicate. For whatever reason, Lucifer and Jehovah are bound to their respective locations because they have to do other things to communicate. They have to send a physical. Not physical, but like an energy based thing. Talk to you through a bush. Talk to you through your dreams. Send the messenger angel because he cannot leave.

Cristina: Oh, crap. He is trapped wherever he is.

Jack: God is in prison.

Cristina: Yes. He's in prison. No. I don't know.

Jack: He's trapped wherever he is. He has messengers for days and he has tricks for days. I can talk to you through any number of. Why don't you come down?

Cristina: I'll blind you.

Jack: He's got excuses. Oh, like, bro, you've destroyed the earth many times.

Cristina: Doesn't matter.

Jack: You don't care. No, but he's trapped wherever he is. It's a fishbowl.

Cristina: It's a fishbowl. Yes.

Jack: And it's probably the garden.

Cristina: But is that fishbowl near here? In here? In this reality?

Jack: Could be. Maybe. Could be a pocket dimension.

Cristina: A pocket dimension.

Jack: Yeah.

Cristina: What?

Jack: And it could be that in kicking people out, he sent them out to the earth where they weren't meant to be. Maybe that's why we're destroying Earth. We weren't meant to be here. We were all supposed to be in this garden that would grow proportionately with the number of people that are in there for all of infinity. The garden would always be the right size for the number of people there. Yes, but the planet doesn't grow by itself.

Cristina: No. That's interesting.

Jack: We sent out people who were never meant to die in the first place. Also in the garden. They were immortal.

Cristina: They were immortal. Okay.

Jack: Ate the apple and then were kicked out and given mortality. I don't think that's how that story really goes. I think as long as you're in the garden, you're mortal, you're immortal, and as long as you're outside of the garden, you're mortal. Maybe God is too old to leave the garden. He might die instantaneously. It's like if Dorian Gray looked at his picture 200 years later.

Cristina: Yeah.

Jack: He would immediately age to the age he should have been.

Cristina: Yes.

Jack: Maybe God would immediately age to the age it should be and die instantaneously.

Cristina: If he leaves the garden. Whoa.

Jack: If he leaves the garden, the garden is keeping him immortal.

Cristina: Mm. What? I wonder if there's other magical creatures there, though. I mean, not magical, but talkative, I guess. Like the talking snake.

Jack: The talking snake, which is also in the Bible. Not even really Lucifer. I don't know what that's about.

Cristina: It's a snake, and it talks. Were there other animals or the talking birds? Yeah.

Jack: Interesting. Interesting. It is fascinating to think about that. That maybe the source of his mortality, immortality, is the garden.

Cristina: Like the first story, though, of Lilith. Was she kicked out of the garden? Was she still living in the garden? I don't know, because she was still able to rape Adam and stuff, but.

Jack: I don't know, man. Now, the question here would be God trying to make another God. He's managing everything with messengers from within the fishbowl. So he sends messengers, tries to navigate how things happen, tricks people into doing things, causes tragedies, and once in a while, attacks directly.

Cristina: Yes. To attacks Earth.

Jack: Yeah. But he's doing all of this from the fishbowl, which is why we never see him.

Cristina: Yeah.

Jack: The closest thing he got was that clever trick of Jesus. He's like, well, I found the way to convert my energy into this other being that's sort of me, but not me. But he can be outside without me dying in here. And I can see through his eyes and I can move him around, but I'm gonna be limited in information and limited in ability.

Cristina: It feels like he's already really limited in many ways.

Jack: Compared to us, he's not. Yeah, he's way more free than we could ever be. But then Jesus is human, so, like, he's limited if you're comparing him to omniscience.

Cristina: Yeah, but, like, as far as humans.

Jack: Go, he's not limited by anything.

Cristina: Yeah. And.

Jack: And then there's Jesus is way out of the bubble until Jesus dies, until he gets killed. Because he's not infinitely powerful, that version of him is still mortal. It was the only way he could get outside of the bubble without him leaving the bubble.

Cristina: Personally, do you think he's gotten out of the bubble after that, though? Why would he just stop at Jesus?

Jack: Maybe he hasn't. Maybe he hasn't. Maybe he's many different people throughout time. This is the only way to experience anything.

Cristina: Yeah. Think he brought anyone back into that bubble? He kicked people out. And we know about those stories, but who says he hasn't kidnapped people? Unless that's what those stories of people going, there was a guy who just walked into heaven. I don't know who he was, but he walked up the stairs to heaven or something like that. Is he in the garden right now?

Jack: Heaven is not the garden.

Cristina: Heaven's not the garden. Where's God? He's not in heaven. Then.

Jack: God is not in heaven.

Cristina: He's in the garden.

Jack: God is in the garden.

Cristina: Okay.

Jack: Heaven is some other realm.

Cristina: Yes.

Jack: Like h*** is probably just a shadow realm.

Cristina: Yeah.

Jack: And we call it some other crap, but ironically, angels come from there.

Cristina: So heaven and h*** could be the same place.

Jack: No, I think the liars that we know as Jehovah and his army, who say we're not only omniscient, but like, we're the good guys. And it's like you're the only guy who's drinking blood, so maybe you're not. Maybe the people who are like, go be one with nature are definitely on the right track. And you calling them the devil and then going and drinking blood, maybe you're wrong. But chances are more reason to go back into the shadow realm that the garden is located inside the shadow realm.

Cristina: The garden's in the shadow realm. But you don't think heaven.

Jack: It's already in a different plane.

Cristina: Do you think heaven's not a place then?

Jack: I don't know.

Cristina: What do you think? That's a lie.

Jack: It's possible that either heaven or h*** is the shadow realm.

Cristina: Okay. Because I feel like it has both creatures. So it's most likely that all those locations are the same location.

Jack: It could be that all the other s*** is the Shadow Realm.

Cristina: Yeah. So. Oh, back to the Shadow Realm.

Jack: And in the Shadow Realm, Somewhere in the Shadow Realm, this weird mazy confusing. Every direction leads to every direction mass there is the garden.

Cristina: Yes.

Jack: Which God cannot leave.

Cristina: Except wait, I just remembered. He's a beaver here right now.

Jack: You're right. He's a beaver on this side. Well, he's actually a beaver groundhog. And he isn't even over here.

Cristina: Well, we don't know where he is.

Jack: We don't know. He could be a groundhog on this side. Or he's over there and he manifests as a groundhog on this side.

Cristina: Yes.

Jack: Because his actual form is a groundhog. If he's over here, he's pretending, but he's over there. And people fearing for their weather conditions and season report for their crops. And we're going to be broke this year. That fear allows him to manifest and talk to them.

Cristina: Yeah.

Jack: So he could just be a being from the Shadow Realm.

Cristina: He could be okay. Yes. So the best choice is just to wait then. Just gotta be patient for him to pop up. Because we know when and where.

Jack: Yes.

Cristina: So we'll get that groundhog.

Jack: Definitely. It's pretty interesting.

Cristina: That is. And if we somehow miss the groundhog wasn't there. I keep saying beaver, but I'm pretty sure in another country it's the talking beaver that gives them the weather. I think it was like different animals in different locations, but they're all around the world. The groundhog is just the closest one to us, so it'd be easiest to get him.

Jack: Fair. And I'm assuming every one of those regions has different gods as well. And different gods pretend to be different things as well as different kinds of ghosts and entities of those natures. Which goes to show that gods are just demigods who happen to inhabit certain regions of the Earth. Yeah, that's fascinating. And as for groundhogs and s***, My voice is almost recovered after he got bitten by that stupid f****** groundhog.

Cristina: Yeah.

Jack: Soon I'll be back at a hundred percent. I can almost do high notes. Almost.

Cristina: So what are you right now, 75?

Jack: Yeah.

Cristina: Awesome.

Jack: I'm getting there. I'm getting there.

Cristina: Everyone's worried about you. There's like hundreds of thank you letters. I don't know why. Thank you.

Jack: Yes. Many, many thank you letters.

Cristina: It's really confusing.

Jack: Yes. They all heard I was hurt and they're all just thanking me.

Cristina: I think they think you're dying. Like this is it for you.

Jack: They think this is it.

Cristina: Yeah. So they're like, thank you for host. You're gonna be soon replaced by you again. But we want to thank you for the time you've been with us.

Jack: Yeah. It won't matter. They won't tell the difference.

Cristina: They won't tell the difference. No. So. But whatever they. They consider it if this is your passing away moment. But you're saying it's not.

Jack: I'm saying it's not. But thank you for all the thank you letters that we've received over the last couple of days following the previous episode where I talked about getting bitten by the groundhog that was just a normal non radioactive groundhog.

Cristina: Yes.

Jack: So thank you for all the thank you letters that we've gotten. It's great that that happened, I guess. You're welcome.

Cristina: You're welcome.

Jack: Welcome to all of you.

Cristina: Because this is it. I mean, this is the show. That's what you said in the beginning. This is the show.

Jack: This is the show. Yeah, it's the show. Anyways, so. Yeah. Hope you guys have some ideas or thoughts on anything we discussed right now. It'd be interesting to hear what you guys have to say about this. Is it making more sense? Are we reflecting defining what God is that we unmutty the Bible by saying that God is a groundhog from the shadow realm that exists inside of a fishbowl dimension that is known as the Garden of Eden and that humans are.

Cristina: Have the force and have adrenochrome as the shortcut force?

Jack: Yes, yes. We're just clarifying all the things. You guys know, you guys know how we do. We give you information. A little bit of good, a little bit of bad, some of the do's and don'ts. And this is my. Before you buy.

Cristina: What are they buying?

Jack: I don't know. Isn't that what that guy's friends, what is it? Some of the good, some of the bad. You know how we do. Before you buy. Anyways, yeah. I hope you guys enjoyed this conversation. If you guys want more conversations of this nature, there are many. And the most recent episodes we've been sort of circling these topics, refining them. That way we know what our next steps are going to be. And you can find more episodes like that or like this or like any thing. Essentially, we cover everything under the sun. You can find that on Greathoughts.

Cristina: We have hundreds of episodes.

Jack: Yes. You can find that on greatthoughts.info on Apple Podcasts or Spotify or anywhere you get your podcasts.

Cristina: And you can reach us on Facebook. Twitter, Instagram and TikTok. UsConvopod.

Jack: Yes. And remember to subscribe, rate, and review the show, because that's always great to hear what you guys are thinking. So please go. If you're listening right now, if you made it this far, go review. Go review. You heard this far and you haven't left a review, go review and tell us what you genuinely thought. Take a moment, do it right now. It'll be awesome.

Cristina: And then we'll have to include an emoji.

Jack: Yes.

Cristina: For this episode. What is it gonna be?

Jack: I don't know. Put a smiley of some sort.

Cristina: The one with the hearts.

Jack: No, put a poop emoji.

Cristina: Poop emoji. Okay.

Jack: There you go.

Cristina: Put a poop emoji, a true, honest review of the show, and a poof.

Jack: And a poop emoji at the true, honest review of the show, the right amount of stars that you believe we deserve, and then a poop emoji. Go do that now.

Cristina: Yes. And let someone who might like the show know about it.

Jack: Yes. Word of mouth, incredibly powerful. And we're refining the meaning of science, religion, philosophy and everything. We're making it one. So, you know, tell people. Tell people who are trapped.

Cristina: They have to know.

Jack: Yeah. Tell people who are trapped in one of those systems so they can be trapped in all of them with us.

Cristina: Yes. Wow. This has been the Just Conversation podcast. Take nothing personal, and thanks for listening.

Jack: Bye. It's very complicated.

Cristina: What made you think of that, though?

Jack: I don't know. I was just. It's just an im. I don't know what the f*** I was even doing, but the images popped into my head. I'm like, how weird and fat. I've been thinking about it for, like, a week straight.

Cristina: What?

Jack: Yeah. I'm like, this is so trippy.

Cristina: Is the Blue's Clues thing trippy, too, or not as trippy?

Jack: Holy sh. I didn't even connect those dots. I didn't think about it. But, yeah, it's kind of crazy. Blue skirt, dude, we can, too. Then they hop into a f******. But they live in a jumbled f****** mess.

Cristina: They do.

Jack: Weird to assume the coyote and the Roadrunner exists in, like, a relative reality.

Cristina: Or whatever, but the weird thing about them is that they can't normally jump into pictures. They have to announce that they're using Blue's powers of jumping into pictures.

Jack: What the f*** is Blue? Blue's some, like, mythical creature with powers, right?

Cristina: Yes.

Jack: Like his.

Cristina: Blue, like the roadrunner. They have special powers.

Jack: No, no, no, no, no, no, no. The Roadrunner is like Wile E. Coyote sometimes. Wile E. Coyote can break the laws of physics, too. It could break reality in his own instances. While Blue seems to kind of be like an omniscient God in his world or some s***, where he can however he wants. He's kind of like Deadpool.

Cristina: Good morning. Good morning.

Jack: The Just Conversation podcast is hosted by.

Cristina: Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth.

Jack: McAllister, with social media managed by Amber Black.

Rambling: 148 Catholic Adrenochrome

Why are most of the listeners of the show from England? Why are most people from England Catholic? Why do Catholics love drinking blood? Are priests the primary blood drinkers? IS the blood they have been drinking from the children they spend private time with? The duo takes on some of the darker truths of Catholicism and tries to get to the bottom of how most of the JCP listeners are British. What is discovered in the process is something no one could have imagined!

Rambling: 148 Catholic Adrenochrome

+Episode Details

Topics Discussed

  • Cancer
  • Fight Club
  • Vampire Jesus
  • Broken English
  • Time Travel Seamlessness
  • Christian Wars
  • Catholic Caused Genocide
  • Drinking Blood
  • Immortality
  • Child Blood
  • Gods & Adrenochrome
  • How to Make a God
  • Groundhog Powers
  • Subhumans

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Just Conversation podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yes. So be sure to inform somebody of this show at gunpoint if you can, and get them to listen by force. The good old American way. America.

Cristina: Not with guns.

Jack: Why not?

Cristina: Why? Why?

Jack: What if they don't have our largest. Well, actually, the biggest part of our audience is a British, not a Merrickin.

Cristina: You think they don't have guns?

Jack: I'm more concerned about, like, what the f*** is wrong with people listening to this? I was thinking about this the other day. Like, who listens to us?

Cristina: Who listens to us?

Jack: Like, British people.

Cristina: Are you sure?

Jack: Yes. The vast majority of our listeners are.

Cristina: Why?

Jack: It's like, half is British and then like. Like a quarter is eastern American. Like the east coast and then scattered throughout. It's like, what the f*** happened in f****** England?

Cristina: Yeah.

Jack: Why are you listening to us?

Cristina: We're giving them a slice of life of America.

Jack: Yeah. Wow. Are we the example of what American life is to these?

Cristina: Yes.

Jack: Because it's like. No, it's way more f***** than what we do.

Cristina: We talk about.

Jack: Yeah. Americans don't think this hard. Megas. Don't think America. It's about, you know, I, like, I. I'm not gonna wear a mask because I need a haircut. That's America summed up.

Cristina: Yes.

Jack: I'm not gonna wear a mask because I need a haircut logic. So I don't know what the f*** happened. They're like the. Now we're a bad example of what being American is. I mean, I guess the no given aspect.

Cristina: Yes.

Jack: They're not like, I don't know, they were emotionally repressed.

Cristina: Is that true?

Jack: I mean, it's a joke that they tell themselves about themselves.

Cristina: It's a stereotype.

Jack: It's a stereotype, but one they joke about. About being emotionally repressed, and we help them with that.

Cristina: How? I don't know where. They're therapists.

Jack: We all.

Cristina: We.

Jack: We're not helping them be more emotionally repressed. We're helping them be less emotional.

Cristina: Yes.

Jack: They live vicariously through us.

Cristina: Yes.

Jack: But we're not emotional. We might be feeding the problem.

Cristina: Okay, well, you're helping them by peer pressuring them in the beginning of the.

Jack: Episode to do something violent, social. Something social. Got you. Yes, yes. Go interact. Got you, got you, got. And then I recon reaffirm it at the end of the show.

Cristina: Exactly. So there's something.

Jack: Because, like, if we think about it, Right. We use the fact that when we look at the. The viewer list or whatever, it's the viewer. They're watching us. Cameras are on the walls, man. No, but the. The vast majority of the listeners are in England. Right. And so we think about that, and we're like. We're basically telling a bunch of British people to go do violent acts primarily to get people to come listen to the show. It's a show about getting you to listen to the show. It's become meta.

Cristina: Yeah.

Jack: Every episode, as of late, Maybe the last 15, 20 episodes, are about telling the listener how to get somebody to listen to this show and then kind of describing the circumstance.

Cristina: Yes. We actually go through the adventure of a listener.

Jack: Yeah.

Cristina: Who's trying to convince other people to listen to the show.

Jack: Yeah. Yeah. And like, semantically, we get sometimes even metaphysical, just trying the. To elaborate in depth on how to listen to the show.

Cristina: Mm.

Jack: It's pretty meta. It's a show about listening to the show.

Cristina: Yes. If you need help with that. I don't know.

Jack: Why.

Cristina: Why would we go that far?

Jack: Because they need to get somebody else to listen to the show. For what? So that we can tell that next person how to get someone else to listen to the show. It's a sort of infinite loop.

Cristina: Yes. Although I guess we're a lot like that. The tape from that horror movie where you have to watch it before. You have to get someone else to watch it before seven days or you die.

Jack: Yeah. Except in this case, you have to get somebody to listen before the cancer kills you. Otherwise your life was in vain.

Cristina: Yep. That's pretty much something, I guess.

Jack: Pretty much. Yeah. You got, like, 10 years. It's fine.

Cristina: Yeah, it's like.

Jack: It's way better than seven days. Hey, man, you got more than seven days. Like, you got cancer. Cancer is not our fault. We're not really sure what's happening there.

Cristina: I think it's from those inexpensive. What is it? Wasn't there a tape thing that you're sending people?

Jack: Oh, my.

Cristina: It was Spy Club.

Jack: You think the vcr.

Cristina: Yeah.

Jack: With the cassette tape.

Cristina: Yeah.

Jack: That has the show recorded on it, by the way. It's a vcr. And the show is not on camera. So you're just getting like.

Cristina: But it looks like Fight Club where it is Fight Club.

Jack: Well, it's. They get Fight Club every time as well.

Cristina: Okay.

Jack: So they get Fight Club, and they get the latest episode of the show, but they only get the VCR the first time.

Cristina: Okay.

Jack: After they subscribe.

Cristina: Mm.

Jack: So I guess the episode is audio recorded over Fight Club, so you're technically getting a Fight Club the movie every time with Fight Club audio.

Cristina: Because I feel like we keep sending them Fight Club. Like, we don't stop sending them.

Jack: No, no, no. They get Fight Club every time. So you're saying that the Fight Club episodes they're getting. I mean, the Fight Club additional Fight Club movies are getting. Are the show recorded over the Fight Club. Fight Club. So it's still Fight Club the movie visuals.

Cristina: Or it might just be like, Fight Club. You first have to watch the whole movie of Fight Club, and then at the credit scene, you get to listen to our podcast.

Jack: There's an hour of credits.

Cristina: Maybe. I don't know how long the credits are. Maybe it's just black. And then you hear our podcast.

Jack: Well, I'm thinking you just listen to the podcast over the visuals of Fight Club. So Fight Club the movie is playing as you're watching. Watching as you're watching, and you're hearing us over it.

Cristina: Whether we can do that on YouTube. Just figure out how to put the fight club movie 1.

Jack: To any of our British listeners who've never seen Fight Club, begin your dystopian future by watching Fight Club.

Cristina: Yes.

Jack: And then proceed to dub one of our episodes over the audio of Fight Club so that it's Fight Club with your favorite episode of Just Conversation.

Cristina: Yes.

Jack: And then tell us where we could go watch that, because it'll be great.

Cristina: Well, beside. Well, we are sending them these things, but I'm just wondering if that's where the cancer is coming from.

Jack: They're getting the cancer from the cassette?

Cristina: I think so.

Jack: No, they get the cancer from listening to us.

Cristina: But how? That's the question. Like, what is happening? It's not like 5G or something?

Jack: No, no, no. Or maybe it is because. Because the idea is something about my. And your voice. It's our voices through the microphones coming out of their speaker or whatever causes them to get cancer.

Cristina: But it's our voices.

Jack: It's our voices. Some combination of our. It might be because we're clones, I don't know.

Cristina: But wasn't. Huh? Was it happening when we were alive?

Jack: No, maybe not. No. I don't I doubt it. I think this. I think, according to the lore of just conversation, it happened after the original died.

Cristina: Yeah.

Jack: But not entirely sure, but somebody could let us know.

Cristina: But. Okay, so if that's the case, then we're doing it somehow. It's coming from us.

Jack: Our voices, I'm assuming. Maybe that's my. That's my theory. They're getting the cancer from our voices coming through the speaker.

Cristina: But then Dave is a clone too, right?

Jack: Yes. So he probably. Yeah, yeah. He's passing cancer everywhere. If that's the case.

Cristina: Oh, okay.

Jack: He's just giving everybody cancer.

Cristina: Are you gonna let him know that?

Jack: He probably knows.

Cristina: How do you find out. How do you even find out your listeners have cancer? Is that in the data that.

Jack: Yes, exactly. That's exactly how I found out. The same way I found out about.

Cristina: How much listeners are from English.

Jack: Yes. It tells us. For whatever reason, because Facebook, we recently established that Facebook gives us everybody's data all the time. And so I have everybody's medical records, and then I cross reference the medical records with our listener records, and then I get the listeners, and they all have cancer.

Cristina: Crazy.

Jack: Boom.

Cristina: Okay.

Jack: You see? Logic. It makes sense. That's how we know. I totally. Yes.

Cristina: We got it through Facebook.

Jack: Through Facebook and Google.

Cristina: Really?

Jack: Yes.

Cristina: Yeah.

Jack: They work together. It's all the same s***. There's. If we could go high up enough. There's no difference between those two things. There's some other, like, dude telling them what to do. The same guy. Nevertheless, they both respond to the same dude, who's just some guy in, like, a shady robe. Looks like f****** the dark Sith Lord or some s***. You know, dark room surrounded by candles and a bunch of f******.

Cristina: Wearing a mask.

Jack: Yeah.

Cristina: Even though everyone knows who he is.

Jack: Exactly.

Cristina: When you're up there, you're like. You're. You know who he is.

Jack: Yeah. He wears it just because it's cool or whatever. It's edgy. In a freaking, like, chamber somewhere underground or at the top of a crazy tall tower and a floating island or some s*** where there's f******. He's surrounded in this chamber by, like, naked ladies. No, not naked ladies. Adrenochrome. It's a river of, like, adrenochrome around him. Because he's also really f****** old. And I guess he's been running society for, like, most of time or some. Just keeps taking adrenochrome. He's the original. Like, the original virgin sacrifice was to him or whatever the. Well, to whoever the pretended to be Jesus that's that guy.

Cristina: He's that guy.

Jack: He's like, I got religion to take over and I got adrenochrome. Cuz people sacrificed all the way from back then when they didn't know that I was going to pretend to be Jesus. And he gave me a goat. And then he killed his brother cuz his brother had like a ball of lettuce or some s***.

Cristina: Jesus was about sharing his blood, not about taking your blood.

Jack: But that's who. Those are the leaders. Now, like Mark Zuckerfucker has been around an eternity as well. Because he drank Jesus blood and became a vampire, just like Jesus.

Cristina: Okay, wait, he drank vampire blood?

Jack: Jesus is a vampire? He's the first vampire.

Cristina: He's the first vampire.

Jack: Yeah, yeah, yeah.

Cristina: Okay.

Jack: Something was keeping him alive for very long.

Cristina: Yes. Adrenochrome.

Jack: Probably Adrenochrome. And then there was a tipping point where he became super duper mega awesome.

Cristina: Yes.

Jack: And now his blood is the strongest, most potent adrenochrome. And he can make other hymns. Not really him, but you know, he can make other people be immortal and s***. By giving them the blood.

Cristina: Yeah.

Jack: And then those people, the twelve apostles of which one is whoever the f***, the guy who runs Google and I don't know why that's not like information. We know more offhand, but we all know Zucker F*****.

Cristina: Yeah.

Jack: And Bezos.

Cristina: Maybe his name is as interesting.

Jack: Maybe. Probably. Like if I heard it, I thought.

Cristina: They both have Z's in their names.

Jack: Right? And like the people who run the world in every aspect. Right. So like the Queen is also for British listeners making references they know, you know, we're on the pulse.

Cristina: What's her name? Elizabeth.

Jack: Elizabeth, yeah.

Cristina: Oh, there's a Z. Oh my gosh. Yeah. Okay.

Jack: How many names can we think of with a Z?

Cristina: Not many. Not many.

Jack: Zoe, Elizabeth, Zach.

Cristina: How many of those do you know?

Jack: Xena. No, that's a X.

Cristina: That's an X.

Jack: Why does X like a Z sometimes? And other times it sounds like a. Why is xylophone not with a Z?

Cristina: I know, the rules change. I don't know. It sounds like a Z in front of things. Sounds like X behind things. No.

Jack: Maybe.

Cristina: Maybe.

Jack: I don't know. Why is it a Z at the. Just f****** replace it with a Z. I don't know what happened to English, man. We should all just learn Korean. It's way more straightforward.

Cristina: Because that's just about sound. Yeah.

Jack: So much more so in such an intelligent, well thought out language. Not like f****** English. That just had random s*** picked up from random f****** areas. And then the worst part is it somehow became the most popular language. So all the other languages are slowly f****** up by borrowing words from English and just turning their languages into s*** because our words didn't make sense to begin with.

Cristina: Our words never made sense.

Jack: Nope.

Cristina: Ugh. And then the language we borrowed, French, like, none of that makes sense. That's alien language.

Jack: How are we like, 60% Latin with Germanic characters using primarily, like, out of that, 60% Latin, like, 40% is French. What the f***?

Cristina: I know.

Jack: The h*** is going on?

Cristina: I don't know. These are definitely not pronouncing it the way they would.

Jack: H*** no. We're already making weird sounds. The problem is a bunch of people from England came to the United States, stole a bunch of French words and pronounced it with latent transferred, morphed, and edited American accent. Accent, which is a derivative of British English. And it's like, what?

Cristina: What?

Jack: Like what?

Cristina: Languages? Accents, though.

Jack: Accents for days.

Cristina: There's too many.

Jack: It's all the English fault.

Cristina: It's all the English fault.

Jack: Yeah. They came over here. You. It's the fault of most of our listeners. They came to the US and they were like, I'm gonna say a hard R from now on. It's like, why? And then I'm gonna take a bunch of French words and throw it in the pot. And then when people from the America where we were frying English go back to England, we're gonna steal American words and just stir the pot and just mix it up a little more and it's more confusing.

Cristina: Yes. Why would you do that?

Jack: I don't know. We do what we do to you guys planning? I mean, I guess you are us, but what like, what you do? Why do you do this to the rest of the world? Trying to learn English.

Cristina: We should stop trying to learn English.

Jack: English is based on Latin, right? Well, no, Latin is some Latin, Germanic, whatever. German.

Cristina: Let's go back to Latin.

Jack: Back to Latin.

Cristina: That's too complicated.

Jack: Is it, though?

Cristina: I don't know.

Jack: Everything else came from that. I don't know. That's a deadass language.

Cristina: Exactly. Like, whatever they're saying is Latin now is probably not Latin.

Jack: Like, this isn't even English anymore.

Cristina: Yeah.

Jack: What was English, and what is now is some other s***.

Cristina: Yeah. Okay. Yes. Yeah.

Jack: We're still calling it English because we haven't, like, thought of a new name.

Cristina: No.

Jack: But it's kind of not English.

Cristina: We can never tell when the changing point is anyway of when does it stop sounding Old.

Jack: Exactly, exactly. It just needs to be a point that somebody has, like a weird revelation and they're like, what the f***? If I play English from then it's different.

Cristina: Yes.

Jack: No, we can't call it old Old English. This must be something different. From now on, I must say, it's this.

Cristina: We'll just continue saying it's English and.

Jack: Just rename the past. S***.

Cristina: No.

Jack: Well, that's old English. Well, no, that's old Old English. Well, that's old, Old Old English.

Cristina: We should just stick to. It's all English.

Jack: That doesn't make any sense. Because if you were to grab somebody speaking English from like the 1700s, you'd be like, what the f*** are you saying?

Cristina: That is true.

Jack: But not English. But that was English.

Cristina: That was Exactly. And it didn't just go from that to this. It slowly morphed into this.

Jack: So it naturally shaped. So we need to make.

Cristina: So it's still English.

Jack: I don't know.

Cristina: It's like the baby and an old man.

Jack: Like they're not the same, but they are.

Cristina: Yeah.

Jack: Fair, fair. Like gradually. He wasn't just suddenly an old man.

Cristina: Yeah. It's a weird transformation, man.

Jack: It's weird how everything is gradual, though. Yes, that's strange. The arrow of time is weird because it's not like one panel, then the next, it's like. No, it's seamless.

Cristina: Yeah.

Jack: There's no this and that. It's just we're going through it gradually.

Cristina: Unless you had a time machine.

Jack: Yeah.

Cristina: And then you would see.

Jack: No, here's interesting point you'd make, but from your point of view, it's still seamless.

Cristina: It still seems.

Jack: Yes. A time machine couldn't work if you had a cut to black in the middle because you couldn't control where you're going. So it would work like this. Think of the time machine, right? The guy walks into the time machine. If he had a watch inside that time machine and looked at it, it's still moving at normal pace on his wrist. It's outside the time machine that everything is moving rapidly.

Cristina: Yeah.

Jack: Not only that, from inside the time machine, you're just watching it move at rapid pace. It's not, I'm here, I'm there. It's in order or reverse order, but it's still seamless. There's no, well, here's the black part, and now here's where the rest of it continues. That never happens ever at all. There's never experience of nothingness. It never happened. There's no between the panels. So Even with a time machine, it's still now. It's just now back then.

Cristina: It's now back then.

Jack: Yes. It's still his now. He got. He walked. Okay, this is a ten minute event.

Cristina: Yeah.

Jack: He's walking in. It takes him two minutes to walk from his house to the time machine in his way far backyard. And he gets into the time machine. Two minutes pass by. Now he's in that time machine for, let's say, six minutes. Right? He's in that time machine for six minutes. So he walks the time machine, two minutes go by. He got in the time machine. Now he didn't just reality didn't cut out. Now he hits some buttons within this time, you know, and starts slowly speeding up. And time starts going backwards faster and faster and faster and faster. But he sees it gradually speed up. He can witness the experiences happening in reverse order or whatever. And then as he's getting there, starts slowing down, slowing down, slowing down. And then he turns off the machine. And then he walks out of the machine. And it takes him two minutes to get to his house. A week ago. Right. From his point of view, that is still now, even if, time wise, it was a week ago. He didn't blink back to a week ago. He's still aging forward and perceiving time forward as he's moving backward. So there's no cut in seamlessness to him. He has to traverse space even if time is in reverse.

Cristina: Okay.

Jack: And there's no cut in space perception.

Cristina: So what is he seeing when he's in the machine?

Jack: He's just seeing the inside of the machine.

Cristina: Oh, okay.

Jack: Which is still moving at normal pace. Even if he had a watch on his arm and looked at the time, it's moving at normal pace. And when he got out, if he doesn't get out exactly the same minute from a week ago, the clock is gonna be not in sync. Because the clock wasn't moving backwards on his. The watch isn't moving backwards on his wrist.

Cristina: Mm.

Jack: So it's all seamless. Even his bubble of time, while everything around him is changing, is seamless. As he's looking out and seeing a change, and as he's inside, there's no I have left space.

Cristina: Yeah.

Jack: And then things change. But that's also why time travel would be impossible. Because space and time are one thing. It's space time. So you could not exit time to move space.

Cristina: Ah.

Jack: And you could not exit space to move time.

Cristina: What could do something like that?

Jack: Nothing. They're the same thing.

Cristina: You have to be outside of space and time already.

Jack: Yeah. You have to be outside both or you're in both at the same time. Because you can't be out of place without being there at a time. It's impossible. And you can't be at a time without being there at a place.

Cristina: Can't really travel.

Jack: It's impossible. Time travel is impossible minus our time machine.

Cristina: Besides our time machine.

Jack: Besides our time machine. But our time machine does not. Our time machine breaks seamlessness.

Cristina: How?

Jack: Because it's more like a wormhole, I'm assuming.

Cristina: How does the wormhole break anything?

Jack: Because when we get into the time machine, there's no. Everything is moving in reverse. We hit a button and boof, we're there. It just moves us to that space and time. It does not remove us from space.

Cristina: We're still traveling from space and time, though.

Jack: I don't know. That doesn't make sense. Right, because that's complicated. If you think of how space time is affected. Could. It's. It would be impossible in any aspect, right?

Cristina: Yeah. Like if we're gonna go forward, that means. I don't know. I don't know. Because it would be like the time machine. We wouldn't really be moving. We'd be where we are.

Jack: Well, no, he's moving in the time machine. This. The problem with it is that somehow, and this doesn't make any sense, he did manage to stop space, but move time. But in reality that wouldn't work.

Cristina: No, no, no.

Jack: Because if the machine is on Earth moving with Earth's rotation because he got out at the same spot that he got in, then the machine must be affected by time itself because it's moving with the planet. The planet's rotation can affect.

Cristina: If we could have a machine that's also a spaceship, then can it be a space time machine?

Jack: What about the space inside of the machine? You're. You'd have to. You'd have to witness nothing in that time. You have to cut to black because you couldn't physically be anywhere because you left time. And if you're affected by time. Well, if you're affected by space, you're affected by time problem.

Cristina: So you're gonna age. No, but. Yeah. I don't know.

Jack: Although the most practical way would be a spaceship because what doesn't happen in the time machine, which is giant f****** loophole, is the planet is still moving.

Cristina: Yeah.

Jack: It would just not be there. And it's moving so fast. In a galaxy that's moving well in a star system that's moving so fast in A galaxy that's moving so fast.

Cristina: It doesn't matter because. Yeah, you would still age no matter what, though. Like, if you were to travel a hundred years in the future, you'll be 100 years older. Like, there's no separating you from space and time.

Jack: Well, that's what the argument. Right. Like the argument would be, somehow you removed yourself from space and time. But what the f*** does that mean? Yeah, because if you moved space. Well, you move the time of space forward. Where are you?

Cristina: Yes, where are you?

Jack: Where are you?

Cristina: Yeah. I don't know.

Jack: It's weird. You shouldn't be able to see it happening, because that means you're there.

Cristina: Yeah.

Jack: And he could. He could see it happening.

Cristina: So that means he's aging. But he's what stops him from aging.

Jack: Yeah, well, he is aging, but he's aging at normal rate.

Cristina: What if he was a vampire?

Jack: No, no, no. He's aging at normal rate. He's in the ship, aging at a normal pace. However long, every second is a second long. In a normal second time span, even if outside the second time is moving faster in the machine, somehow it's not. So he isolated a pocket of time.

Cristina: And space in the machine.

Jack: In the machine. But then where the f*** is a machine? And why didn't you. Like, when the machine stopped, why didn't you immediately suffocate? Because you're not even in the galaxy anymore.

Cristina: Yeah, I don't. Yes.

Jack: If the machine is moving with the planet, and the planet is moving with the star, and the star is moving with the galaxy, and space is stretching all around it, you are so far from the next thing.

Cristina: What if the machine is attached to the Earth, though? Does that not change anything?

Jack: Well, then the machine is in space, which means it's also in time. So you should be aging with it.

Cristina: Yeah, yeah, yeah.

Jack: Which means you're just moving normal speed because you're feeling. You're just sitting there watching a normal day go by, huh? Because you're part of time space.

Cristina: No, that doesn't work.

Jack: Yeah, it doesn't. I don't know how our time machine works. It does. I don't know.

Cristina: How does.

Jack: I could not tell you how we're breaking the laws of reality. Anyways, that guy who runs everything.

Cristina: Which guy were we talking about?

Jack: The guy who runs Facebook.

Cristina: And above that, right?

Jack: Yeah. He's the dude above all that. He also runs a queen and he's in a chamber filled with adrenochrome. He's also Jesus. Same guy.

Cristina: Okay. Vampire Jesus.

Jack: Vampire Jesus. Which there's an episode about, I'm pretty sure about Vampire Jesus.

Cristina: Okay, so what about vampire Jesus?

Jack: Well, he runs the world. I'm not sure what my point was, but yeah, he runs the world. We know he's the guy above all of it.

Cristina: Where.

Jack: Because the argument was that we got the cancer information from Facebook that is cross referenced with Google somehow and the whatever data, because that's Google is really where we're getting the data of who the listeners are. And then Facebook is where we're getting the data of who has cancer because we get everybody's records because Facebook just readily sells it to us.

Cristina: Okay.

Jack: And then we cross reference those things and we find out that our listeners have cancer. And then all of that is allowed because the guy above them both who is also the same dude who runs the world and gives the queen her immortality is Jesus the vampire. Because you know, Trina, Chrome and people.

Cristina: Don'T know this, but Jesus has a Z in his name.

Jack: Yes, he does. Yes, he does.

Cristina: One of those S's aren't isn't an.

Jack: S and there's no S's in his name. It's J U B E Z. No, it's J E, B U Z.

Cristina: J E B U Z U Z. Jebus Jeebus.

Jack: Okay, Jeebus Christ. So the text got it wrong.

Cristina: Alright.

Jack: It's a messed up in translation.

Cristina: Does the text even say that? The text doesn't say that.

Jack: What, his name?

Cristina: Yeah, Jesus is mentioned as Jesus. I thought someone told us that his name was Michael or something.

Jack: No, it's Emmanuel. And the guy named Jesus and the guy named Emmanuel are two different people.

Cristina: Oh, okay.

Jack: But somehow the guy named Jesus managed to successfully convince everybody who already knew biblically his name was gonna be Emmanuel. He's like, that guy's me. And then everybody was like, oh yeah, right, right, right. Totally.

Cristina: Oh. So the prophecies said Emmanuel would be the next Messiah. Messiah. Yeah.

Jack: And then this Jesus guy came and he said, nah, it's me.

Cristina: Oh. And that worked.

Jack: And that worked.

Cristina: What?

Jack: And he was. Emmanuel was only mentioned once.

Cristina: Okay. So it's very forgettable.

Jack: It's very forgettable. And then this other guy's like, no, I'm that guy. And they're like, oh s***, he's that guy. He said it.

Cristina: Guy was like, hey, but didn't they. Don't we know his name? And that's not his name.

Jack: I don't know how this happened, man. My bet is somehow the people who were conspiring to create Christianity around that time decided if we say it enough.

Cristina: People will believe it.

Jack: Yeah. And if we find all the text that has his name and f****** burn it and just say it's Jesus now.

Cristina: That probably worked.

Jack: It probably worked. We know. Come on. Catholics, Christians, all the versions of Christianity early. But then Catholics got real serious about the massacre and murder and, like, taking lives and burning people and f****** crucifixions and all this crazy s*** that, like, created it in the first place. And then they hypocritically started doing it as well. So. Yeah, yeah.

Cristina: Murdering people.

Jack: Murdering people. The amount of genocide and murder that happened because Catholicism, which is a man.

Cristina: It's weird because that's not even, like, the main religion.

Jack: The main f******, like, a branch of some s***. And it became, like, the most powerful.

Cristina: Part of it because it's the darkest one.

Jack: Yeah, man. I know we've talked about this before, but it's just. It just trips me out that there's a religion that's like, we're gonna pretend to eat flesh and drink blood.

Cristina: Yeah.

Jack: And drink the blood of our, like, Lord.

Cristina: Yeah, that's.

Jack: And we call him our Lord. He's our Lord. And we're gonna pretend to drink that blood because he told us to eat my flesh and drink my blood.

Cristina: That's why we kill for him.

Jack: Yo. And a lot of people have died for him.

Cristina: Yeah.

Jack: Crazy. And I'm like, no, it's perfectly fine.

Cristina: Yeah, we've gone to other countries and saying we're gonna convert them. And those people weren't converted.

Jack: No, they were murdered. And then we settled there, and we're like, yeah, yeah, we converted. We went. Failed to convert them, killed them, inhabited the area in which we murdered and said they were converted because now that land has our religion.

Cristina: Exactly. That's how it works.

Jack: Ah, conversion.

Cristina: Yeah, that's exactly kind way to say we murdered.

Jack: Yeah, it really is. We converted that area. And then you go there and it's like, wow, they're all white. Yeah, all of them. Not one. Like, they went to some random Middle Eastern country. The only Middle Eastern country that's predominantly Christian, and you go to that one. Middle Eastern country, white.

Cristina: What Middle Eastern country is that?

Jack: I don't know. It's a theoretical country.

Cristina: Oh, okay.

Jack: And it's just white.

Cristina: Oh, okay. Peace. That happened here, though.

Jack: Yeah. All natives. We were gonna talk them out of Native American spiritualism and teach them Christianity. Meanwhile, they're all white. They're just white. They turned white. If you. If you partake in Catholicism, your skin slow. The more Catholic you are, the Whiter your skin gets.

Cristina: Yes. Like the picture of Jesus.

Jack: Yes. Jesus was black a long time ago, but he got more and more Catholic and slowly got whiter and wider and his hair just got straighter over time.

Cristina: Yeah.

Jack: It's amazing.

Cristina: Yeah. That's all religion does. Or I guess Catholic, Catholics.

Jack: Other parts of Christianity are a little more welcoming, but not Catholics. You almost have to be white.

Cristina: Yeah. That's how. That's the conversion story.

Jack: Yeah, that's how it happens, man.

Cristina: Yes.

Jack: And it's all thanks to vampire Jesus.

Cristina: Yes. I keep thinking, well, why did we get to vampire Jesus in the first place? I forgot.

Jack: Because Facebook. Because of Facebook and Google.

Cristina: Oh, yeah.

Jack: Who run by the same guy. And cancer. Yes. Which in theory, he could just cure, I'm assuming. If he's who you say he is.

Cristina: Probably.

Jack: But he can't. No, he's just a vampire.

Cristina: He's just a vampire.

Jack: He can't cure cancer.

Cristina: Well, if adrenochrome makes you smarter, maybe you could.

Jack: Adrenochrome cures cancer?

Cristina: Yeah, it could, man.

Jack: His blood probably cures cancer, doesn't it?

Cristina: Yeah. We need some of his blood.

Jack: Is he who runs Illuminati? Is that our boss?

Cristina: Probably. I don't know. If we end up dead and we get replaced.

Jack: You know what? That's crazy. Yeah. And think about that.

Cristina: But I don't think anyone would notice. I mean, we're clones now. Like, if that happens, we'll be clones. So we wouldn't even know.

Jack: Yeah. That's also weird. But me and Yu's light would be turned out.

Cristina: Yeah.

Jack: Like the next clones here. Yeah. The listener wouldn't be able to tell the difference. It's seamless. From one point to the them, at least.

Cristina: Yeah.

Jack: The next episode is by these people. But then again, we were fully aware that we were replacing.

Cristina: Yes.

Jack: So the next clones would just flat out tell them that.

Cristina: Yeah, I guess.

Jack: Like, hey, we're the replacement. Because it turned out. It turned out vampire Jesus did run the Illuminati.

Cristina: He didn't like what we said. I thought. You're not saying anything bad, so I'm sure he's fine.

Jack: Yeah, we're not saying anything bad. We're saying he could cure cancer.

Cristina: Yes. Like, we're promoting him.

Jack: We're promoting Jesus blood. You should drink more Jesus blood. You should all convert to Catholicism.

Cristina: Yeah.

Jack: Touch all the children and drink Jesus blood.

Cristina: And that's how you live forever.

Jack: That's how you live forever, man. You know what's. Let's be real.

Cristina: That's How? The priests. The priests were trying to live forever.

Jack: Priests were trying to live forever. They were.

Cristina: Mm.

Jack: They were.

Jack: But like, these old people who do seem to live forever and are filthy rich and kind of run the world, are always f****** the kids. Yeah, man. Something about f****** kids makes you immortal. I don't know what. I know what part. I don't want to find out.

Cristina: I know.

Jack: But I know that something about f****** a kid makes you immortal. Because everybody who's chasing immortality or has somehow achieved it has f***** a child and drank Jesus blood. They're all Catholic and they all f*** kids. That's the two whammies that equal immortality. The blood part, we get it. Adrenochrome.

Cristina: Yes, adrenochrome.

Jack: But also, somehow f****** a kid adds to your immortality. Or. Or you drink adrenochrome, you don't age more. But if you drink adrenochrome and then f*** a kid, you steal their youth.

Cristina: Oh, yes.

Jack: Or.

Cristina: Or I was thinking that the blood gets you, like, mate, turns you into a predator, so.

Jack: Well, no, this is. Wow. Actually, that could totally be the case. But different. Different take. Maybe. Maybe.

Cristina: Mm.

Jack: They're not f****** the kids. Maybe that's the f****** cover story. Because it's better than telling people we're getting the adrenal chrome from the kid's body and that's what gives us the youth.

Cristina: Yeah, that's. Yeah, yeah. I guess that would be worse if we found out they were.

Jack: Yeah, but like, they're drinking children blood, man. I'm just f****** kid, you know, send me to jail.

Cristina: No, but they end up dying if that's the truth too. Like, either way, they're f*** we.

Jack: What priest went to jail? What was his name? Right. So you could say that. And somehow the church is like, no, he was innocent. But if you say I drank. I killed and drank a kid's blood, or I was just slowly, like, siphoning.

Cristina: Blood off of a church's protection.

Jack: Yeah. Because the jer. The church is like, yes, kid f******. Okay, but kid blood drinking, bad, but not. Not really. But society will look further down on kid blood drinking than they would kid f******. So, like, the lesser of two evils. Let's say we're f****** the kids, not drinking the kids blood. And then we'll just deny it anyways.

Cristina: That's so horrible. It's all horrible. I guess that's better. I don't know. It's so, so bad. It's bad.

Jack: Yeah. And it's weird that this is where we landed, because one of the most Catholic countries in the world is England.

Cristina: No way.

Jack: Yes.

Cristina: Catholic.

Jack: Catholic.

Cristina: Are you positive?

Jack: Yes. England runs on Catholicism.

Cristina: What?

Jack: Yep. There is heavy, heavy tradition there.

Cristina: How high? Maybe they know about this. That's why they're listening. They're like, you guys are on to.

Jack: Yeah, we're always hitting the. We're hitting it on the nose and they're like, yeah, s***'s always going on here. I got a kid in my basement right now. I've been siphoning some blood off of him for years.

Cristina: Please don't tell me about it.

Jack: He's like a teenager now. Yeah. Look, go in the comments below, Leave us a five star rating and tell us about the kids you got in your basement siphoning their blood on itunes.

Cristina: Do it on itunes.

Jack: On itunes. Yes.

Cristina: I feel like we. That's the only place we'll remember to check.

Jack: And Spotify.

Cristina: Would we check on Spotify? Can you check the comments on Spotify?

Jack: Dude, I have no idea how Spotify works.

Cristina: Maybe just do it on itunes because I don't know if we'd look on Spotify.

Jack: Who cares? Do it on both.

Cristina: Do it on both. Okay.

Jack: Leave us the same comment on both platforms.

Cristina: Okay, we'll try to look at both.

Jack: Yeah, well, we don't have to see it on both. If they leave it on Apple, we can just assume it's also on Spotify.

Cristina: Okay. Leave it for everyone else and then.

Jack: We'Ll make an episode where we read your comments about the children you have in your basement that you slowly siphon blood out of to be an immortal.

Cristina: Yep. Give us some stars with that too.

Jack: Yes. Five stars if you have a kid in your basement. But if you don't have a kid in your basement, you have to only give us five stars.

Cristina: Yes. And don't say anything.

Jack: Don't say anything. Don't leave a. No, I'll leave a review. Just say good. Good with a thumbs up emoji. Just say good with a thumbs up emoji.

Cristina: Yeah, we don't have children.

Jack: Yeah, well, they can't comment on an episode. I think. I think it's like a general kind of thing.

Cristina: But we would know, though, that they listened to this episode.

Jack: Yeah. Oh, s***. Should we choose an emoji per episode? Kind of like Sean Murray does for every no Man's sky dlc.

Cristina: Yeah. Ok. Thumbs up is this episode.

Jack: Yeah, Thumbs up is.

Cristina: Or the comment that you have children.

Jack: Yeah. Or. Or if you don't want to get caught, because I'm sure, like FBI is watching since f****** Apple doesn't give them their information. They're just watching comments and s***. You imagine some FBI agents job to scroll to comment to see where the pitas are, whatever. Yeah, so like if you don't want to get busted, they don't need to know. You don't have to be specific. Still leave us a five star rate.

Cristina: Say adrenochrome.

Jack: No, with the review. Just put the picture, the emoji of a kid.

Cristina: Oh my gosh.

Jack: Yeah, put a child emoji. Well, no, they're not f****** the kid. They're drinking their blood while trapping.

Cristina: Yes. And if you're not that person, just.

Jack: What was it do thumbs up.

Cristina: Thumbs up.

Jack: Thumbs up means you got no kids that you're siphoning blood off of. Kid emoji means you got a kid somewhere that you're siphoning blood off of for immortality sake.

Cristina: Yes.

Jack: I mean, look, let's be real. Somebody tells you, somebody tells you you can be immortal, you will never age, but you have to siphon blood off of a kid and drink it at least once a week. I'd rather die.

Cristina: I want to be like a real, like the vampire they show on TV where you can pick the age of your victim so it doesn't have to be a child.

Jack: So you can be like a teenager. Well, no, maybe people just. Maybe the age difference is what? Like you equal out at. Right. So you could pick age based on where you stand. Right. So if you're 30 and you pick like a 10 year old, then you land about 20. Right. But if you're at 30 and you pick a 20 year old, you land at about 25 of how you look and whatever, that's how like old you.

Cristina: Okay.

Jack: Recover to or whatever.

Cristina: Like what if you're an 80 or.

Jack: 80 year old, you get a 20 year old. Well, you got to hit the middle mark. Yeah. Do 80 minus 20 is 60 and then the middle point between 60 and 20 is 40. So you'd be about 40 if you're 80. That's pretty good.

Cristina: That's why they're sticking to you very young kids though. Because if you're 80 and you pick 10, how old are you?

Jack: Well then you only subtract 10. Oh wait, that doesn't work because you'd be older. Right.

Cristina: Well, okay, I was gonna see you.

Jack: Subtract 10 and then you find the middle point of that. But that doesn't work.

Cristina: No, no, no, no. He's the younger. You pick the younger. I guess.

Jack: Yeah, it should just be the middle point regardless of Subtraction.

Cristina: Yeah.

Jack: So the middle point of. No. Cuz. Yeah. I guess the older the first the kid is, the farther up the equal.

Cristina: Yeah.

Jack: Turns out to be. So. Yeah. The middle point between 10 and 80 would be 40.

Cristina: No.

Jack: Would that be 40? 50, like 45.

Cristina: Okay, maybe.

Jack: Yeah, I guess like 45 or some s*** like that. No, that would be the middle of 90. Right. Because you break, oh, I don't know, whatever, some, whatever. Throw some s*** at the middle. That's where you land.

Cristina: You're half, you're half your age.

Jack: Yeah. So you got to try to get adrenal. You got to try to start siphoning off of a kid pretty young in order to maintain that youngness you don't. Like. If you're 20 and you're feeding off of another 20 year old, you just stay 20.

Cristina: Which is fine because. Wait, what? Because the adrenochrome isn't just for staying young.

Jack: Yeah. It's for immortality.

Cristina: But don't you get powers and stuff?

Jack: Yeah, all that stuff comes along with it.

Cristina: Yeah. Like I want for that you got.

Jack: To keep drinking as a problem. So you need to. After you dry this one out. Yeah. Catch another 20 year old.

Cristina: Oh yeah. Man, being a vampire sucks.

Jack: Being a vampire kind of blows. Yeah. But then man, that's crazy. So there's real vampires.

Cristina: Yeah, but it's work.

Jack: It's. I mean if you're powerful and fast and hyper intelligent. Because the adrenochrome, it's like easy show up in a bus.

Cristina: Most of them are super rich, so they have people go scout. Kidnapping people.

Jack: They probably have like a clone thing of their own. They just clone the same people over and over from the original. Just drink their blood. People who can't afford that are the ones who are out there eating like the poor vampires. I don't have crazy guap laying around. I gotta go siphon blood directly. Break into somebody's house.

Cristina: So those are the ones that are gonna comment on us?

Jack: Yes.

Cristina: Unless you think some of those wealthy. I mean people with the coffee.

Jack: Maybe. Maybe there's some like filthy rich.

Cristina: Filthy rich. What is it? Child emoji and they.

Jack: And a dot and like dollar bills or the dollar sign. Kids and. But if it's not a kid, man. But the problem is it's always kids. That's really the problem. Right. It's always kids. Rarely is there like what we found a bunch of grown adults being held hostage in somebody's basement. So I was like a kid went missing like 15 years ago. We found them now as an adult in a f****** basement or some s***. Yeah, they f****** snatching up children.

Cristina: Well, shouldn't. Why?

Jack: Like, because it makes them younger?

Cristina: No. If they're growing up as adults, wouldn't their blood stop being mean? Anything?

Jack: Yeah, that's why they keep adding people over time. They're just like, well, I can't let you go now. You'll bust my operations.

Cristina: Oh, I guess.

Jack: But like, I'm not a bad guy. I just love adrenochrome.

Cristina: Kill them and bury them somewhere.

Jack: No, they're not bad people. They're just adrenochrome lovers. Are you. Are you trying to tell me that a priest has the capacity to be evil? Or maybe he just wants immortality. He's not evil. A priest can't be evil.

Cristina: He's a man of the cloth of immortality. Evil, then.

Jack: No.

Cristina: Why?

Jack: Because God's not real. That's why they're doing this. Religion is entirely fabricated so that we can siphon people for blood. Well, at least Christianity.

Cristina: But the demigods are real.

Jack: Well, the demigods are just people who've had adrenochrome for very long.

Cristina: That's true.

Jack: If we've established before God himself was just a demigod who had the probably adrenochrome of demigods.

Cristina: How did he do it?

Jack: It's less that story, Right. You go and you eat people.

Cristina: Mm.

Jack: And then you get so strong from people that you're kind of like a God. So then you start eating other gods.

Cristina: Until you run into Jesus.

Jack: Until you run into Jesus, who himself drank the blood of many, many, many, many, many, many gods. Then you drink Jesus blood. His blood is like your blood, but you've never had somebody's blood that's like your blood. You've had other God blood, but you've. You're the super mega God because you've had all the God blood. So now you got the super mega God blood. Mix it, you're super mega God blood, and then you become Jehovah. Now you're super. I don't even need adrenochrome anymore. I'm just everywhere.

Cristina: And then what? Then you die.

Jack: You go ahead and you create a universe with a bunch of people, and you have them. D***, did we crack it? Was that the solution? That was the solution we've been waiting to figure out. Like, how the dots connected on that one.

Cristina: Yes, that's why. But he also did it to make more of him.

Jack: Yeah, so that he can possibly drink the adrenochrome blood of that super omniscient God. That's what Jehovah wants. But it's so hard to get.

Cristina: So he's just looking for more blood.

Jack: He's. We know that he's trying to transcend to whatever the next thing is, but.

Cristina: We didn't know why.

Jack: But we didn't know why it's still about blood. You're human. Get adrenochrome, you become, you know. Superhuman.

Cristina: Yes.

Jack: Then you have enough superhuman blood, you become demigod. You have enough demigod blood, you become omniscient God. You have enough omniscient God blood, you go to some s*** that we can't even fathom. Yeah, but Jehovah has not been able to. But with it, there's definitely a difference between Jesus and, like, Zeus. And I think Jehovah and Zeus are very similar. We just. Jehovah's way more mysterious and we don't know what it looks like. Yeah, but the idea is the same.

Cristina: He's probably a dude.

Jack: Yeah, just some guy. He likes being shady and hidden and secretive or whatever.

Cristina: Yeah.

Jack: But, like, he's just like. Yeah, he looks like. Exactly. Just turns into earthly s***.

Cristina: Yeah.

Jack: It's like, you're just a guy, bro. What if I lit that bush on actual fire?

Cristina: What if he was an animal in that bush? Like.

Jack: Like a giant gerbil, like in South Park.

Cristina: Yeah.

Jack: Like God turned out to be the weirdest creature.

Cristina: Yes.

Jack: I'm just a turtle or something.

Cristina: Crap. What's that creature that we asked to predict the weather?

Jack: You think he' the groundhog. You think the groundhog is like, Chuck from Supernatural is just some random s*** you wouldn't expect.

Cristina: Yes. That's too weird of a creature to give adrenochrome for that specific thing.

Jack: Yeah.

Cristina: It's too weird to be like, I'm blood, so you can tell me what the weather is gonna be like.

Jack: I don't think it happened in that order. I think it got a hold of blood by accident.

Cristina: Yes.

Jack: Then you know, any. Almost anything that takes adrenochrome becomes, like, human. Like, if it's not already.

Cristina: Yeah.

Jack: And then it could talk and s***. And it's like, bro, I could somehow. I can't even explain it. I could see the weather and the seasons and the temperature and, like, I get it. I see it all. Like, what? It's like one. You're f****** talking groundhog. But wait, wait, wait. Let's ignore that part about you being a talking groundhog. You can detect the weather. You're saying our crops, man. Yeah, man. Our crops.

Cristina: That means he can predict the future, which means he could be.

Jack: Maybe it's just the weather. Maybe he's not like Johnny over there. He's gonna get hit by a bus tomorrow.

Cristina: But we don't know.

Jack: We don't.

Cristina: We need to speak to him. But we don't know the secret language of the groundhog.

Jack: Well, the groundhog speaks. No, they do have a f******. Yeah, we had a whole thing about that. Yeah.

Cristina: Secret society that communicates with him in his language.

Jack: Yeah, yeah. Cuz all the adrenaline, people. Interesting. Interesting. So then we have a problem.

Cristina: What?

Jack: We got to go catch this f****** groundhog.

Cristina: We gotta, like, just to see if he's.

Jack: Well, now we're elevating because, you know, we. We before we were hunting s***. Of which there is more.

Cristina: Mm.

Jack: There's one f****** groundhog that's doing this for whatever reason. We haven't given this to other groundhogs. There might be something about this groundhog that told us we probably shouldn't do this other ground. Maybe it's too op. Maybe it is God. Maybe we're just like, s***, we can't do this again.

Cristina: After he retired, he became the groundhog of this town. That predicts the weather. That's his retirement.

Jack: But Adrenochrome let him there.

Cristina: Yeah, yeah. But like, he was doing stuff before.

Jack: Was he a groundhog, is the question.

Cristina: Yeah.

Jack: Or did he take the form of a groundhog?

Cristina: He was always a groundhog.

Jack: He was just always a groundhog.

Cristina: Yeah.

Jack: Jehovah is the groundhog.

Cristina: Yeah. Because we don't. Because as far as. Oh, no, they do transform. There are creatures that transform. I forgot there's lots of.

Jack: Bunch of s*** that gets shapeshifting.

Cristina: So it is probably Chief's thing. Creature.

Jack: Yeah. Yeah. But what the f*** chooses to be groundhog of all things?

Cristina: I don't know. Like, it's the most. It's the least suspicious thing.

Jack: I guess. We gotta catch it. We gotta find out if it's hard to catch and, like, overpower and, like, breaks out of our. Like, we got tech.

Cristina: If it bites us, do we get rabies? Is that type of thing.

Jack: No, I'm sure we just get powers.

Cristina: Or we get power.

Jack: It's like rolling around in radiation or something. Except you're rolling around in, like, celestial blood or you got bit by celestial rabies. That's a shortcut to superpowers.

Cristina: That's awesome.

Jack: It probably won't bite us for that very reason. It's the one that's, like, at all powerful.

Cristina: Okay.

Jack: We should try to force it to bite us.

Cristina: Yes.

Jack: Bam.

Cristina: What if we die, though?

Jack: You know, that's a trick. We luckily. And it always comes back to this, but we got subhumans to try this on. They're going to be obedient no matter what the case might be.

Cristina: Because if that does kill them, at least you know.

Jack: Yes. And if they become super overpowered, then we can make our army of subhumans way better by getting it to bite all of them and just hold this slave. If we can.

Cristina: Why are we doing this? The subhumans are already way stronger than us.

Jack: It's fine. They're never gonna disobey us. They're always on our side.

Cristina: It's gonna be so crazy when they decide to do that.

Jack: Why? Why would they ever decide? We've established that for whatever reason, they will never turn on us.

Cristina: I don't know. It feels like this is going. This is like the. Was it 501st or whatever.

Jack: We're just making them op. As.

Cristina: Yes. And just like they day that they're gonna turn on us at one moment.

Jack: No, no, no, no, no. Because we're the people who have the power to launch order 66. They'd be flipping for us.

Cristina: Oh, okay.

Jack: Like, these subhumans are just people. Well, not. It's just our whole organization.

Cristina: Oh.

Jack: But these subhumans are just people living their lives. It's like Fight Club. We're the people who make your food.

Cristina: But they came from China. I feel like if anyone's gonna flip them, it would be them. And then. Then they would turn on us.

Jack: China. Property of the queen. Queen. Part of the Illuminati.

Cristina: Oh, boom. Then the queen can do it.

Jack: But we also have the power to launch the orders. We're all part of the same corporation. We work together. She's high ranking.

Cristina: Yes.

Jack: Like, if we're like, we're gonna launch and she's like, no, you're not, then obviously. No, we're not.

Cristina: No, I guess not. Okay, so we'll have some overpowered superhuman super clones. Not clones. But aren't they. They're actual people.

Jack: Yeah. There's subhuman.

Cristina: Yeah.

Jack: I don't know how we landed on subhumans as a name, but they're smarter, stronger, faster, more independent, more purely human. Because they were just born, and then we genetically engineered them to be way stronger and better.

Cristina: Yeah. They were just children that no one wanted.

Jack: Yeah. They're aborted babies that were raised.

Cristina: Oh, they were aborted babies? Yeah.

Jack: Yeah. All the aborted babies that were Raised.

Cristina: So that we could stop people from having abortions.

Jack: Yes, the sub humans were the solution to abortion deaths.

Cristina: Yeah, we solve things, though.

Jack: We solve things. Look, this is. This is important. We came to conclusions and solutions. Resolutions came up with plans. We gotta catch a groundhog. Maybe make the subhumans even better. Maybe make our own gods to take down. We still have to go attack the gods of cat people. We don't know if they did it through adrenochrome, which now starting to sound more like.

Cristina: Yeah, yeah, their magic is probably science.

Jack: Yeah, they're demigods. That's all it is. They're hyper intelligent people who had a bunch of blood and Jesus was probably in cahoots with them. And then whatever Jehovah is probably also. And then drank some of their blood. Boom. Became some op s***.

Cristina: Yeah, so we gotta get all our demigods to fight their demigods.

Jack: F***. You know what? We never thought about it. Makes perfect sense hitting the f****** subhumans with some adrenochrome, see what happens. They're already jacked up.

Cristina: No, because I'll turn them into something else.

Jack: As long as we don't have adrenochrome. That would turn them into something else. Okay, well, I mean, I guess they could turn something else, but it would turn them feral if they didn't have more. Yeah, they should stay sharp and clear.

Cristina: So we got to get them hooked.

Jack: We got to choose half, make sure.

Cristina: That they stay on it.

Jack: Yeah, we got to take half of all the sub humans and let them feed on the other half of the subhumans regularly, but not so regularly they drain them. So the other half, volunteers, gets into some pods to keep them alive, and the lights get shut out. And then they get forever siphoned by the other half. That becomes super smart. They already are, but like super smarter and more strong than they already are and faster and like all the maximized. Yeah, plus whatever powers they get. Yeah, but powers come along with that.

Cristina: Oh, my gosh. Okay.

Jack: And then we use these demigods we created. Go send them through the pyramids using entanglement, through that technology, straight to where the cat gods are.

Cristina: Yeah, us.

Jack: And then have them capture some of the cat gods, bring them back the same way. And now we got cat gods with us. We can start questioning what the. How old they are, where they've been. What the is happening? What's on the other side? Is it safe for us to go and investigate? Or should the subhumans. They're gonna be like, no, you should not Go over there. You can't survive. Or what? A don't let us know.

Cristina: Yes. That is so much information we need to know.

Jack: Yeah, yeah, yeah.

Cristina: Crazy. But we figured it out.

Jack: We figured it out. We came to solutions. It's all great. This is a productive meeting we're having.

Cristina: Yes. We've been trying to figure this out forever.

Jack: Yeah, we've been trying the one get over there to figure out what's up with Jehovah.

Cristina: Yes.

Jack: We solved the Jehovah problem. Now we know how to send somebody all the way to the cat people and solve that problem.

Cristina: Yeah, it's.

Jack: All the pieces are here.

Cristina: Yeah. Yeah.

Jack: Wow.

Cristina: Yeah. And I knew it had to do with adrenochrome. I just didn't know how.

Jack: Yes.

Cristina: My original plan was we would take adrenal chrome and go to space to where the cat people were.

Jack: You totally did.

Cristina: Yeah.

Jack: You thought adrenochrome would somehow do that. But it wasn't going to protect us in space.

Cristina: Exactly. Yeah.

Jack: But we were being dumb because we were thinking us with adrenal.

Cristina: Yes. And we didn't have the pyramids.

Jack: And we did have the pyramid. Yes. Now we don't have to traverse base. We can blink to the other side.

Cristina: Yep. Oh, we did it.

Jack: We did it. We got to the bottom of things.

Cristina: Well, we're gonna get to the bottom of things.

Jack: Well, yeah, we got to the bottom of how we're gonna get to the bottom of.

Cristina: Oh, okay. Yes. Yes.

Jack: I like that. We got this episode. We got to the bottom of how we're gonna get to the bottom of things.

Cristina: Yes.

Jack: That's a punchline. Definite. So, yeah, I guess if. If you like this conversation, there's. There's a lot like it you could go find when we're talking about vampire Jesus. There's one. We're talking about Jehovah's adrenochrome. We talk about God a lot. And all the different aspects about cat people. The cat people. There's a bunch of.

Cristina: Started with a time machine.

Jack: It started with a time machine when I went back to kill. Not went back. When I started sending people into a version of me to stop cat people from taking over the world as a human population declined. And then send people in the future so they could repopulate and not let it decline was a very genius solution. Anyways, you can find those. There's an. And a bunch of adrenochrome episodes, of course. So many.

Cristina: And Catholic.

Jack: Oh, yeah. Like religion, Catholicism and all that stuff. You can find all of that stuff. On the official website greatthoughts.info. or on Apple podcasts or Spotify or anywhere you get podcasts.

Cristina: And don't forget to give us those emojis.

Jack: Yes.

Cristina: And reach us on Facebook, Twitter, instagram and TikTok. Usconvopod.

Jack: Yes. And don't forget to rate. And like she said, leave us those emojis. If you are siphoning blood from people, leave us a child emoji. And if you don't and you heard the episode anyways, leave us a thumbs up emoji. In both cases, leave us five stars. I usually don't ask for five stars, but that's also gonna let us know you gave us five stars. And cue left that emoji. You listened.

Cristina: Yes. And let someone who might like this show know about it.

Jack: Yes. Word of mouth, very important. And this whole episode was just to tell you for the most part that all of our British listeners keep listening and getting more people to listen so that we can get more people to listen. By getting them to listen.

Cristina: Yes. And cancer.

Jack: And cancer. Well, you don't want your life to be meaningless. You heard it. You got cancer. And I get more people to listen so that your life wouldn't mean.

Cristina: Yep. This has been the just conversation podcast. Take nothing personal and thanks for listening.

Jack: Bye.

Cristina: Are you sure you didn't mish hear what they were saying?

Jack: I am 100% sure I did not mishear what they were saying.

Cristina: Are you sure?

Jack: Kug nug fug. It is a thing.

Cristina: It's not a thing.

Jack: It is a thing.

Cristina: Kug nug fug it. No. No, it's not. That's a lie.

Jack: I'm thinking context clues, right? It's like God d*** you.

Cristina: How?

Jack: Or D*** it. D*** it. Oh, you f****** idiot. You cugnuck it. It's like the value of X.

Cristina: But how could you even guess that from a.

Jack: It's based on the tone of how they look. Like they were joking around in whatever language they were talking.

Cristina: What did they look like? Bros. A bunch of bros is the bro language.

Jack: No, it's not a bro language. It was just a bunch of bros speaking their native langu, which was a language I've never heard before. But bros aren't smart enough to come up with their own language.

Cristina: So how do you know?

Jack: Because bros are bros. So you can't bro your way to a new language maybe. Nah, it ain't how it works. Are you sure all bros speak English?

Cristina: I don't know, because that's not English. But that's not anything that's nothing.

Jack: Coggin. The f*** it.

Cristina: It's nothing.

Jack: It's a thing. It's the most important word in all of language.

Cristina: You don't even know what it means.

Jack: The meaning of life is behind what kug nug f*** it is. No, you don't know this to say. No, you don't know.

Cristina: You don't know this to say.

Jack: No, I know that. Kug nug fug. It is a word. It's not a word, it's a fact.

Cristina: That's the word you made up a few minutes ago.

Jack: No, I. I am telling you that throughout the course of my entire life, I've heard foreigners say kug nug it casually.

Cristina: I've never heard it.

Jack: I've heard it always. Since the day I was born.

Cristina: You're lying.

Jack: Since I began to hear language, I have heard kugnog.

Cristina: No, you don't remember that.

Jack: Yes, I remember the day I was born and the first thing the doctor said. When he held me, he looked at me. He was like, oh, what a cute little kug nug F*** it.

Cristina: You know what? How do you know that's not your name? I don't know. That's my conclusion. That's your name.

Jack: My name is. My name has been Kug nug f*** it this whole time.

Cristina: Yes, that's fire. Who are those ghouls? Are they your brothers?

Jack: Oh, s***. Do I know these people?

Cristina: Morning. The Just Conversation podcast, hosted by Christina Colazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts info art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 145: Gods vs Death Note

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What constitutes something being godly? Must it be immortal? Omniscient? Have created the universe or reality? Been born of a god? And could any of these instances survive having their name written in the Death Note? The duo unpacks the definition of a god and puts them on a 1v1 with Light Yagami and his notorious Death Note

Rambling 145: Gods vs Death Note

+Episode Details

Topics Discussed

  • Death Note
  • Gods of Death
  • Gods of Destruction
  • Zeno
  • Jehovah
  • Zeus
  • Odin
  • Advanced Aliens
  • Angels vs Demi-Gods
  • The Nothing
  • Omniscience
  • The Grim Reaper
  • Defining Godliness

Our Links:

Official Website - https://greythoughts.info/podcast

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Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Just Conversation Podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I am your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yeah, so scream at somebody.

Cristina: Scream.

Jack: That's all I gotta say.

Cristina: Scream about the show or just scream.

Jack: No, just scream. Don't know.

Cristina: Just scream and they'll know.

Jack: Don't know. You just run up to somebody and you go. And they'll be like, oh, right, I forgot to listen to the show. Or if you just. Ah, wait, the Just Conversation podcast exists as a thing.

Cristina: They'll just understand.

Jack: They'll just understand. You just have to say it with that in mind. It's kind of like Death Note where you got to write the name with the right person in mind. Because somebody else has the name, that person has a potential of dying. So if you know what they look like and then you use their name.

Cristina: If you don't know what the person looks like, but you just know their name, no one dies. Right.

Jack: If you don't know what the person looks like and you don't use it, I don't know.

Cristina: Because the point is you have to know and then that person dies. If you're just writing a name down that's very popular, no one's gonna die.

Jack: Yeah, I think it needs a name and a face. Right.

Cristina: But if you know the face and you use a fake name, why does it matter? Why is it that exact? Because if you have the person in mind, if that's what's really important, like why do they care if you have their name right or wrong? Like what if I wrote down your nickname? Why should it matter if I know who I'm thinking of when I'm writing it? To kill you or whatever?

Jack: I don't know. I don't know. It's weird because the name is man made.

Cristina: Exactly. That's a weird thing for the gods to care about.

Jack: I don't know. Maybe there's inherent names that people are given before they come to life and their parents just know inherently, this is what this person is called, but the name was given to them beforehand. Yeah, that's why you need a name and a face.

Cristina: Yeah, I said gods. But what are they they are called gods. Right.

Jack: Shinigami are gods of death.

Cristina: Gods of death.

Jack: Okay, different to gods of destruction.

Cristina: Who's a God of destruction? There's a God of destruction on the show?

Jack: No, but there's Beerus from Dragon Ball Z. Oh, okay. He's God of destruction.

Cristina: Oh, yes.

Jack: The question is, could a Shinigami kill Beerus with a simple notebook?

Cristina: Definitely.

Jack: The OV Man. Here's a problem. That notebook is so overpowered. Yeah, like light versus anybody.

Cristina: If he knows.

Jack: Yeah, yeah. All he needs is Misa Amane by his side. Yeah, she can see their literal name.

Cristina: Yeah, we'll know Beerus's whole name. If that's not his whole name, write it down. It's done.

Jack: It's over.

Cristina: Yeah, you can kill a cat God. I mean, God of destruction.

Jack: You can kind of kill anybody. Now my question is, can the notebooks. Can the Death Note be used to kill Zeno? Zeno creates the universe, which is to say, Zeno and Arceus are, in theory, the same thing.

Cristina: Who's Arceus?

Jack: Arceus is the poke God.

Cristina: Oh, okay. But can the death. What are those creatures called again?

Jack: The Shinigami.

Cristina: Shin Megamis. Write down each other's name to kill them?

Jack: I don't know. I know that Light was told he cannot write a Shinigami name. It would do nothing.

Cristina: Could a Shinigami do that?

Jack: I don't know.

Cristina: Because if they can't, then maybe they can't kill Beerus or any other God.

Jack: Interesting. But Beerus is an alien.

Cristina: But he's called a God of destruction. But he's not an actual God.

Jack: Yeah, he's a literal being on a planet. Yes, sort of. Yeah. Because Vegeta just became a God. It's a. It's a power degree.

Cristina: Oh, okay. But Zeno is a true God. Or is that just another power?

Jack: This is what's weird, because Zeno seems to be himself an alien.

Cristina: They all seem like aliens. Yeah, it's like the dragons are aliens to me.

Jack: No, the dragons are magic.

Cristina: Are they?

Jack: Yeah, because they were made by a creature.

Cristina: Oh.

Jack: And then the dragon, for example, the regular dragon is made by Kami, the first dragon. He made the dragon balls. And then so he's like power. And then he comes from that power. And he has the power to grant wishes, which is borderline.

Cristina: That's the universe one.

Jack: I don't know where the f*** that came from.

Cristina: Someone had to make the balls for that.

Jack: Maybe Zeno.

Cristina: Oh, yeah. If he's behind making the planets he's made, he made everything yeah, in theory.

Jack: He made everything.

Cristina: Okay. He could probably die, I don't know. Because he's an alien.

Jack: Yeah, that's the argument. He's not. He's God in the. In that he made everything else. Yes, but he's not God in that he is immortal.

Cristina: We don't. How is he not immortal?

Jack: He's. He could probably die. Here's. Okay, there's two xenos, right? Can one xeno kill the other? That's the argument. Okay, is he immortal? Well, there's two of them already. Meaning he exists within time.

Cristina: He does.

Jack: He exists within time. And anything within time can eventually expire. He doesn't exist outside of time. He's just an alien. In order to be God, you have to exist outside of time. That is point number one, forever.

Cristina: But he can only. It's not time that restricts him, I think it's just the reality, Right? No, but then how did the other one get there?

Jack: Yeah, there's two. Yeah, and there's from. They're from different times. Yeah, One hopped with them from the past as the universe was collapsing. Of course, he was the one who collapsed the universe. Yes, but he was in a different timeline where he. It wasn't the same him. It wasn't the same him. It's him. It's him from a different timeline. Yeah, and then he met the future him or the previous him or whatever.

Cristina: Yes, the other him.

Jack: So he doesn't exist everywhere at all times? No, he is not omniscient.

Cristina: Oh, no, he's not.

Jack: Okay, because if it was in theory, if you're God and you exist everywhere all at the same time, I can talk to you now. Take a time machine a hundred years in the past, talk to you, and you would remember me talking to you in the future, because there's no difference.

Cristina: Do the. What are they called? The Q from Star Trek?

Jack: Yes, they can remember you in the present, past and future because to them time doesn't matter. They're more God than Zeno. Boom.

Cristina: Were they once human? What are they? No, they're just being. We. Not. We don't even know what they look like. They're just. They appear to us what we look like because we're looking at.

Jack: Yes, but you did explain that they were once just like humans. Ah, that's the problem.

Cristina: But they're not humans. Or they. Were they humans or were they.

Jack: There's no such, like, human thing that there were. That there were other humans.

Cristina: Like aliens. Yeah, they were aliens that were similar to humans. I mean.

Jack: Yes, yes. They were just mortals.

Cristina: Yeah. That's why. I mean, and they're.

Jack: They're kind of still mortals because Q was going to be executed.

Cristina: Oh, yes. But he says their death is different from.

Jack: Yes, it means something different, but it's still a thing.

Cristina: Yeah.

Jack: It's like when we talk about Jehovah. Right. And we're talking about, did God die? What does that mean?

Cristina: What does that mean?

Jack: Like, okay, first let's talk about time scale. God can live throughout the entire existence of humanity. And that was a blip. That was an afternoon for him.

Cristina: Yes.

Jack: When we smash two atoms together, a universe could happen in there. We're talking recreating the Big Bang. And in there, all the same particles that create our universe exist. There could be galaxies and planets and universe happens and life happens within this one infinitesimally small point, and we would never even know that a universe came to be and ceased to exist in the big blink of an eye. Smaller fractions of a second that we can count or fathom. Yeah, but we outlived it, and it was a fraction of a second to us. But there were entire lives lived in that one moment.

Cristina: And that would be what God is.

Jack: Well, God would be in our position where it's like, okay, our entire universe.

Cristina: Well, that God can die.

Jack: Then the theory is, if that's an accurate depiction, then God could die.

Cristina: Yes.

Jack: It would just be really, really, really a timescale. Exactly. It's beyond infinity to us. Yeah, but to God, it's a normal lifespan.

Cristina: Yes. But he's still God. Or he's not the ultimate God that you imagine. The last level God. He's just a demigod God.

Jack: Well, this creates a problem because if is. Is. If there's an ultimate God, then there's.

Cristina: An end, then there's an end, then.

Jack: There'S an end to things. That means there's a biggest size. Oh, you get my point. So the question is, is there or is there always something bigger, greater and more complicated?

Cristina: Yes, I'm going with yes, I think so.

Jack: Right.

Cristina: Just keeps going up.

Jack: Because then the argument would be Zeno was made by something.

Cristina: Yeah.

Jack: He exists within a space that doesn't make sense to us, but he is just one of the many within that space. My argument is Jehovah, the Christian God, is either one of many gods, including Zeus as one of them and including Odin as one of them. Where all these different gods are actual gods, more God than the demigods we're familiar with, like Thor or Ares, or does Hercules count Lucifer or these other really powerful beings that aren't omniscient. But also these beings are only omniscient by our point of view.

Cristina: The gods.

Jack: The gods I just mentioned are only omniscient by our point of view. But they're all equal to each other. Meaning not any of them is better. They're all equal somehow.

Cristina: Yeah, we just wouldn't understand.

Jack: Yes. And they exist in an ecosystem in which there is something greater.

Cristina: Yes.

Jack: Like, I'm not saying Odin is related to Jehovah. I'm saying they're just people within whatever reality they exist.

Cristina: Or they're just different aliens from each other.

Jack: Well, in this argument, they would be aliens. Or the concept alien doesn't make sense. But they're not the top. Yeah, because there would be no top. They're just the products of whatever universe they're in. And then that universe has a bunch of the thing that made them that's also just one of many.

Cristina: They probably have their own gods, if they.

Jack: Yeah, maybe they each worship somebody different. Or they all worship the same God that said, make your own. Like, you're only really living, existing accurately. You only exist accurately if you make civilizations. And so they all worship the same thing. So Jehovah made civilizations and Odin made civilizations, and Zeus made civilizations because following the path of he who made us.

Cristina: Yeah.

Jack: And they preached make civilization. And the three of us made civilization.

Cristina: Yes. They made mad crap. It wasn't just humans, I guess. Like, if the angels are something, then what are they? Are they aliens to us?

Jack: No, no, no, no. The angels is just the name for the demigods Jehovah made.

Cristina: Oh.

Jack: The same way that, like Zeus and you know.

Cristina: Yeah. They're his group of people that he hangs out with.

Jack: Yeah, yeah. It's all. He just wanted a special name. They're called angels.

Cristina: Okay.

Jack: But it's the same. It's the same concept. They all fit the same roles. Raphael is what, the. The health angel of health and love or some s***. And there's Michael of war. Like, what's the difference in Michael and Ares? They both wore things.

Cristina: Yeah, you know, same s***. Different names.

Jack: Different names. So then are we to say Zeno is less than Jehovah, Odin and Zeus, or Zeno is equal to Jehovah, Odin and Zeus? My argument would be what? He's more than.

Cristina: He's more.

Jack: He's more than.

Cristina: Why? It sounds like he's the same because he made life. If that's all that they had to do.

Jack: Well, the Greek made were made by Zeus. The what is the Irish or something like that were made by Odin or whatever region that's from. And the Italians were made by Jehovah. That all exists within our planet?

Cristina: Well, we don't really know. I mean, each God claims to have made everyone.

Jack: Yes. But we know it began and all the events took place in a small area.

Cristina: Oh, so you. So fair enough that they're all lying.

Jack: Yeah. I think when we say Zeus, we're talking about two different people. I mean, not Zeus. When we say Jehovah, we're talking about two different people. Right. So I constantly make the argument about good God, bad God.

Cristina: Yeah.

Jack: So there is the Hebrew. There's the Hebrew God Jehovah.

Cristina: Yeah.

Jack: He's wrathful and dark and destructive. He's from Israel.

Cristina: Okay.

Jack: And the other one, he made the Jews. He made the Israelites.

Cristina: Yeah.

Jack: While the Christian all forgiving God, Jehovah.

Cristina: Did he not also make the Jews?

Jack: Well, no, he made the Christians. He's Italian.

Cristina: He's Italian.

Jack: He made the Italians. Italy and all that stuff. That's Christianity.

Cristina: All right.

Jack: While the Hebrews are Jewish.

Cristina: Okay. So yes. Different gods.

Jack: Different gods, different regions. They fueled demi as compared to somebody like Zeno, who made f****** everything.

Cristina: If you. Did he really make everything? I mean, because there's so many things under him that they could have made their own thing.

Jack: Here's the problem. Zeno really decided to blink existence out of Feyre. And he could.

Cristina: Oh yeah, he could do that.

Jack: He actively was like, so this is really bad. Yeah, it's really bad. Okay, I'll destroy it.

Cristina: Alright. Yes. Yes.

Jack: The end. That was it. It was just like, okay, yeah, he's.

Cristina: A lot like the supernatural God who is going out and blinking out different realities.

Jack: This Zeno would crap on the supernatural God.

Cristina: Yeah. Because he had to actually take turns. He'd slowly.

Jack: He had to. Yeah, he had to break it apart. Zeno was like, well, it's gone.

Cristina: Yeah.

Jack: And that was it. That's all it took.

Cristina: But he purposely did it slowly.

Jack: Yeah.

Cristina: He wanted to be dramatic, the story. Yes. So he might be the same. He might be equal to Zeno.

Jack: Interesting. So that's to say that the God from Supernatural is quite different than the God we talk about when we think about the two variants of Jehovah.

Cristina: Yeah.

Jack: Light and dark and Zeus and Odin.

Cristina: He's more powerful than them.

Jack: Yes. Qs are about as powerful as Zeno.

Cristina: Even though they don't make anything or destroy anything.

Jack: But they could.

Cristina: Could they really?

Jack: Yeah. One of the arguments was, does humanity deserve to exist. That's what Q was trying to. Q was trying to save humanity. But first Q was in trial, and then Q put humanity on trial.

Cristina: When he did that, though, how do you know if they were really on trial? Like, how real was that?

Jack: I don't know.

Cristina: Because he's such a trickst.

Jack: Yeah, he's a troll. He's a troll?

Cristina: Yeah.

Jack: I don't know. He's a troll.

Cristina: Like, he could be lying about everything he's ever said.

Jack: I think, if anything, he deserves the respect that he doesn't seem to be lying. He trolls, but he seems to be telling the truth always. And he's really upfront. He just wants you to figure out the solution.

Cristina: Yeah, but sometimes he puts them in danger, and it's not real danger.

Jack: He never said they were gonna die. He doesn't lie to you. He eludes.

Cristina: Ah, okay. It's hard to trust him. It really is. Do you think he's equal to.

Jack: I think he. His people at least, have the capacity collectively to extinguish entire civilizations instantaneously. The question is, could they remove a universe in its function?

Cristina: No, I don't think so.

Jack: You don't think so?

Cristina: That's crazy. That's.

Jack: Q could be anywhere at any moment.

Cristina: But you also said he could die.

Jack: But he could die. The question is, could Zeno die?

Cristina: Exactly. We don't know that. Like, he destroyed everything and he was still alive.

Jack: Well, he left on a ship.

Cristina: Yeah, that's true. But, like, you think he would have just died? He would have destroyed everything and died with it?

Jack: Maybe.

Cristina: I don't think so. He would have just made something new, I think.

Jack: I don't know. There's no way to know.

Cristina: There's no way to know.

Jack: The fact that he doesn't exist everywhere at all times already makes him a different thing. Yeah, because. Because Q does. Q could just be wherever at any given moment in time.

Cristina: Yes.

Jack: Q's gift, Picard, was teaching him how to think outside of time by forcing him to have the same memories at three different points of his life. That was the last episode of Next Generation where he was blinking back and forth and he had to use the knowledge of all times to work through the problems he was dealing with.

Cristina: And you think that's more complicated?

Jack: Well, I think that's more godly.

Cristina: Yeah.

Jack: Zeno does not have that ability.

Cristina: No. We can definitely create and destroy everything.

Jack: So then the question is, nobody is 100% anything. Zeno is not all knowing and he's not all present, but he is all powerful.

Cristina: He is all powerful. Yeah.

Jack: While Q is all present. Maybe not all powerful and not all knowing. Because he could have just read the minds of the humans and known their capacity or seen the future and known it.

Cristina: Yeah.

Jack: I guess he could, in theory, see the future, though.

Cristina: Yeah. So.

Jack: But he needs to interact with them at that time. So I guess he chooses different moments to interact with them. Because he could exist at all times, but he doesn't interact with them at all times.

Cristina: That's complicated.

Jack: Like, why doesn't he then?

Cristina: He does feel limited.

Jack: Yeah, There is some. There is some capacity to what he's doing.

Cristina: Yeah.

Jack: So they both feel limited, but they're.

Cristina: The closest thing to something complete. They're the closest to all the gods because they're all very. Even more limited than those two.

Jack: Yes. I think Q and Zeno are definitely way than the supernatural God. Maybe he's up there too.

Cristina: Him too. Yeah.

Jack: But he's not all knowing. They could block him off from knowing things.

Cristina: Yes.

Jack: And it's because in the case of the supernatural God, there is more going on to that God.

Cristina: Yeah.

Jack: So we have the fact that, like in the previous episode, we discussed that he came to exist not as one, but as two. Factually and maybe as three. Yes, it is possible. God, darkness, and death happened simultaneously, and not one of them came first because the nothing was there first.

Cristina: Yeah. So is that the true goddess God? Does it know everything in supernatural?

Jack: That God is the most gaudy God, but that God is also limited.

Cristina: Yes, it is.

Jack: It's more powerful than all the other s*** and still limited.

Cristina: It is limited. I don't know. But it is. I don't. But their God, though, is really up there too. I mean, the only reason he lost was because of Jack, who's also kind of. He's a God too. Pretty much.

Jack: But that means God could die from another God.

Cristina: It takes a God to kill a God. I mean.

Jack: Yeah, it does. It does. But the fact that a God could die at all means they're less godly than we think they are.

Cristina: Yes. Oh, wait. Jack used his sister to help him kill, Right? What happened with his sister? No, the God killed his sister. Right.

Jack: The darkness. I don't remember how that was included. They needed a couple of things. Like God was op, but God wasn't infinite.

Cristina: No. They're gonna use his sister against him. But then he convinced her to be on his side and he took her inside him. Pretty much some weird thing like that.

Jack: And this God doesn't exist throughout all of time either. He couldn't die in that case.

Cristina: Because he does die.

Jack: And he does die, which means he didn't know this would happen. Which means he's bound to whatever current time there is.

Cristina: But he's writing what's happening, so that's really complicated.

Jack: Not entirely. Not entirely. There's some. That's why he likes Simon Dean. They're too unpredictable to him.

Cristina: Yeah.

Jack: There is some aspect of the universe that he has no control over. So he didn't design the universe he exists within, or maybe design the universe. He didn't create reality.

Cristina: Yeah.

Jack: He exists within reality and he makes things inside of reality. But there's an inherent feature of reality that he does not control. That affects everything in reality. And thus Sam and Dean are a product of that. And they can do whatever they want.

Cristina: Yes. But a lot of their luck turned out to be thanks to God.

Jack: Yes. But also, he has no idea what they're going to do half the time.

Cristina: Yeah.

Jack: What he loved about them is that he could tell them to do something they wouldn't. That's random and unpredictable. And that means he doesn't control everything.

Cristina: Yeah.

Jack: And there's different degrees. Death himself is a runner of things. He has the books of who dies when they die, how they die. Which has nothing to do with God.

Cristina: Yeah.

Jack: God has no say in this. In fact, there's a book of God.

Cristina: Yeah.

Jack: And God is not allowed to look at it. And God can't force Death to show him.

Cristina: Yeah. I'm God. I mean, Death can't betray when that moment's gonna happen. Like he can't decide, I'm gonna kill God.

Jack: Yeah.

Cristina: Even if God was gonna kill him or something.

Jack: Yes. So there's like.

Cristina: They're all limited.

Jack: Every. Everybody's got a limit. So then even the goddess God, which we would say would be the Nothing. Or the other side of the gate.

Cristina: Yeah.

Jack: There is still something higher.

Cristina: Yeah. I don't know.

Jack: Because the God within the gate is in a place that's a f****** literal place. You can go to the gate.

Cristina: Which gate?

Jack: Full metal.

Cristina: Oh, that God.

Jack: And actually where the nothing lives is also a location.

Cristina: Yes. Don't know where that location is supposed to be.

Jack: Well, you transcend the physical reality.

Cristina: Yeah.

Jack: Or the physical universe. But you're still within reality. You're still perceiving. In both instances, then the way you would normally perceive is still very visual and auditory and tactile. So it's all the same senses, but you're experiencing it in some sort of ethereal form that's outside of Normal body constraints.

Cristina: But humans can't go there. I wonder if humans can go there.

Jack: To the other side of the gate. They can. You get pulled in.

Cristina: But I mean to. In the Nothing. Because only angels go there, as far as we can tell, I think.

Jack: Yeah. Jack and Castiel. And Castiel. And how did someone else want that?

Cristina: Sam?

Jack: How did Dean speak to it? Because he was familiar with the Nothing.

Cristina: Did he end up there? Did one of them end up there? I can't remember.

Jack: I can't remember either. That's interesting.

Cristina: I don't remember.

Jack: Oh, I think he did. I think when he finally ceased to exist, that's where he went. I don't remember who it was. I think it was Dean. I'm not sure anyways, because.

Cristina: Yeah.

Jack: Yeah, it's. It's kind of interesting to me. So it seems like no matter how far up we go, everybody has a limit. Like omniscience can't happen. Like, you can't be omni. Everything.

Cristina: If you are, then you are. Everything is there. It's not possible. It's not possible for there to be a God.

Jack: Yes. Because God would be a product of perception.

Cristina: Yes.

Jack: And that means that you have to break down the concept of thought and subjectivity which goes beyond the concept of a God. A God has to think. A God has to exist.

Cristina: Yeah. So there can't really be the ultimate God that people think of.

Jack: Consciousness itself would be that.

Cristina: Yes.

Jack: The global consciousness is the one and only God. And it's everywhere at all times. Simultaneously existing with the nothing that is everywhere at all times.

Cristina: Yeah.

Jack: And perceiving that nothing makes the universe.

Cristina: Yeah. And that's it. I guess. Yeah. But there's no God making decisions or anything. Because then that will ruin everything.

Jack: Yes. That's just an observation. And this is what you see.

Cristina: Yeah.

Jack: That being said, this doesn't answer the question of.

Cristina: What was the question?

Jack: Is Q more powerful than Zeno?

Cristina: I feel like Zeno still wins. He blinked out a universe. He blinked out a reality, one of the many.

Jack: Instantaneously.

Cristina: Yeah. Yeah. I don't think Q can do that.

Jack: I don't think Q can do that either.

Cristina: Like, maybe they can kill humans like one specific group of beings. But.

Jack: Yeah, fair enough. So then the argument would be supernatural God versus Zeno.

Cristina: That's more tied, I think. Even though we don't know if Zeno could die but because that guy. That God also blinks realities out like nothing. I mean, he did it slowly, but that's because who he is.

Jack: Yes. Like, if he had to really? Because he just could. He just. Like, it's gone.

Cristina: Yeah, I'm sure he can, but he just loved to watch people scream and torture. I don't know. He's pretty messed up. God. Yeah.

Jack: Quite accurately.

Cristina: But yeah. I don't know them too.

Jack: Yeah. Because whichever one of them two wins then has to go against the Death Note.

Cristina: What?

Jack: Whichever one of those two gods wins goes against the Death Note.

Cristina: I feel like they both beat the Death Note.

Jack: Right. The question would be not, can I write your name faster than you could blink me out of existence?

Cristina: Then what is?

Jack: That's not the argument. It's if I write your name in the notebook, do you die?

Cristina: Do you die?

Jack: Like, you stand in front of me and you're like, I don't know. Let's try it. And then I do write whichever God's name in the notebook. Does that guy die? If I wrote Chuck's. Whatever complicated name.

Cristina: I think for Chuck. Yes. Only because we know he could die. Yes, we know he can die. And he's. His name is in a notebook. His name is.

Jack: He's literally gonna die. There is a literal death book.

Cristina: Yeah. There is a Death Note in the.

Jack: Show with his name in it.

Cristina: With his name in it that says when it'll happen. Interesting.

Jack: So the question also, if Zeno doesn't have death, then he beats Chuck because Chuck does die.

Cristina: Yeah. I don't know. They. They do have a heaven and h***, though, in that universe, so.

Jack: So does Dragon Ball Z. Yeah.

Cristina: That's what I mean. In Dragon Ball Z. So it's possible, I think, that just because those places exist, maybe he could end up in one of those places.

Jack: Interesting. Interesting.

Cristina: But I don't know, can he? Because what could touch him? What could touch him? I mean, if he goes against himself, I guess is the only real fight. I can't imagine anything else f****** with Zeno. Yeah. If it's Zeno versus Zeno. But could they? I don't think so. It would have to be something stronger than Xeno. But he's the top.

Jack: As far as we know.

Cristina: As far as we know.

Jack: Dragon Ball Z. I won't put a cap on anything.

Cristina: Ah, you think there's something even higher?

Jack: I think if. I think eventually Goku gets all the powers of all the freaking. Whatever these creatures. He gets the God powers or whatever.

Cristina: Yeah.

Jack: Ultra mega duper instinct. And. And Vegeta gets super duper awesome destructive powers or whatever. Yeah. And then they get super grand Xeno power of all time. And then they're like, we're the strongest. And then Zeno's like, oh, no. My people are showing like, wait, your people? Yeah. I'm like the weak one.

Cristina: Okay.

Jack: That's typical Dragon Ball Z s***. Yeah, I'm the weak one. We need your help, Goku. Something horrible is about to happen, and you're the only guy I know stronger than me.

Cristina: No way. I mean, it could be. I don't know.

Jack: Yeah. We already exited the concepts of time and a different universe. Or in the multiverse at this point.

Cristina: Yes.

Jack: But there could be like an Ultra Verse.

Cristina: An Ultra Verse? Oh, yes.

Jack: And Zeno is one of the many.

Cristina: Yeah. No, I don't know. Only time will tell.

Jack: Like in this. At this point. At this point, nothing is God. It seems like nothing is legitimately God. Unless we have to change the definition of what God is.

Cristina: No, it's all demigods.

Jack: Yeah, because there's no. Like, the only true Gods are abstract concepts. That's the only way.

Cristina: Yeah. Then does that still count? That's not a God. Then what? The abstract.

Jack: The what? Like the global consciousness, that's everything. So it's. It's God. But that's literally to say God is within everything inherently without any deviation from anything. And it controls nothing. Except it controls everything, because everything is God. So it's intentional.

Cristina: Nothing.

Jack: Yeah, it means nothing. It's just reality equals God.

Cristina: Yeah. Okay, so, yeah, that's really.

Jack: They're interchangeable words.

Cristina: Yeah. So it doesn't matter.

Jack: Yeah, it doesn't matter.

Cristina: Wow. Huh? Does that make God a little bit lame? That he's not a thing?

Jack: No, he's still OP next to us. He's just not infinitely the way we think. From our point of view, he is. He'll always be everywhere, all the time, and exist beyond our concepts of time. But, like, he could already be dead.

Cristina: He could already be dead. I don't know.

Jack: God could have died in making the universe, and then as a result, he's never existed within our time.

Cristina: What would make him God? How would that work? I don't know.

Jack: He made. He's God because He made everything as far as we know.

Cristina: Okay. That's it. The power of making us is enough to be God. Because it doesn't really matter if he can live forever or not.

Jack: Yes.

Cristina: If he has all the knowledge or not.

Jack: Yeah. I guess Creator and God would be interchangeable.

Cristina: Yeah.

Jack: Not omniscience, but Creator.

Cristina: Yeah.

Jack: Creator equals God.

Cristina: Yeah. So if it's a scientist in the lab, that's good enough.

Jack: Yes. A scientist in a lab is God of Whatever he made, he's creator. And so I guess an interesting angle here would be if that were the case, God or the universe can exist, not God. And the universe can exist because God uses himself to make the universe. Then the universe collapses into this one thing again. And this one thing is all that there is. And it's an ever existing, infinitely lasting, self aware thing. And then it decides imma make everything, but I must make it from me, because I'm all that there is. And then I'll die in doing so. But I will be everything. My corpse is everything. And then that's the universe. And then the universe, after long enough, collapses again. And then it's this one thing again that's fully aware of itself and it's everything and everywhere all the same time. Because it's all that there is. And so there's a cycle of there is a God but no universe. And there's a universe but no God.

Cristina: Weird. Oh my gosh. Okay, but what, what is that? God is making the universe every time. Then the universe becomes God.

Jack: The universe dies. To create a God.

Cristina: To create a God.

Jack: In death there is birth somehow. Yes, always. Inescapably.

Cristina: So when the universe dies, God is made from that?

Jack: Yeah, God is made from the collapsed universe.

Cristina: Ashes. Interesting.

Jack: Then God collapses to create the universe.

Cristina: That's interesting.

Jack: Interesting. And as long as we exist, we are made of God. God is within all of us. Literally.

Cristina: Yes.

Jack: Because God corpses us all. The star. Well, everything is made of stardust. We are made of stardust. Well, that stardust is God's corpse.

Cristina: Okay. Oh, I guess that's a dark way to word it.

Jack: God's corpse. But it's like whatever he was. Because corpse doesn't really make sense. But whatever he was, the waves that create the universe, the four forces or.

Cristina: Five, intentionally make us. Or is it just part of his life cycle to make us in the end, after he dies? Like.

Jack: I don't know. I don't know. That's an interesting question and something that would be impossible for me to answer. Yeah, but now the other angle of this would be if it was always perpetually existing, then we have the possibility. The global consciousness is much more accurate. And the global consciousness perceives everything simultaneously, is aware that it is a singular thing and the way that it is simultaneously everything else. Even if we have no awareness that we are that one thing and we all feel subjective in some higher dimensional perspective, we are all fully aware that we are the same thing.

Cristina: That's possible.

Jack: Yeah, that would mean that there's no distinction. And there is no life and there is no death. There's only perspective.

Cristina: Yes.

Jack: Which feels like something that would happen as a product of consciousness observing nothingness.

Cristina: Yes. That's gotta be. It feels more accurate, right?

Jack: That feels more accurate.

Cristina: Yeah.

Jack: Because even God dying to create the universe and the universe collapsing to create God, where is this happening? Right. There's still something happening.

Cristina: There's something off there. Yeah.

Jack: Yeah. There's something bigger, anyways.

Cristina: Mm. But if it's the global consciousness, then there doesn't need to be anything bigger.

Jack: It doesn't need to be anything bigger. Yeah. It's all of everything.

Cristina: Yeah.

Jack: There is size ceases to matter.

Cristina: Yeah.

Jack: Because you are the big and the small simultaneously with no distinction.

Cristina: Yeah.

Jack: Sure, within the third dimension, there might be infinitely going up, but all of everything in every scale within the third dimension is just a single slit of some fourth dimension, the single slit of fifth dimension, single slit of. And so on and so forth. That's collectively the one. Same thing.

Cristina: Yeah. I think that's it.

Jack: That is everywhere. But everywhere doesn't make sense because it is the space in which everything is in at the same time.

Cristina: Yeah.

Jack: So, like, being everywhere doesn't matter if you are the space that is everywhere.

Cristina: Yeah, that sounds right.

Jack: Right. That makes way more sense.

Cristina: That's gotta be the real God. I think so.

Jack: But then the concept of God ceases to exist. Because it's not even creator. Because it created nothing. It was always there. Yeah, all of it was always there. No, but it's weird because then we're saying that in order to be God, you just have to be creator, not omniscient. Because the only omniscient thing is a global consciousness.

Cristina: Yeah.

Jack: Everywhere. Everyone always knows everything.

Cristina: So we wouldn't call that a God.

Jack: We wouldn't call that a God because God has to.

Cristina: Because that is it. That's not. I guess. Yeah. God is not a good enough name for what it is.

Jack: Yes. Because it is not an it.

Cristina: Yeah.

Jack: Because the lack of it is also what we're talking about.

Cristina: Yeah. So.

Jack: And it's like God is just another piece of this thing that feels that I'm God. But, like. Yeah, he's still.

Cristina: But that's why demigod sounds more right. Whether it sees itself as God or not.

Jack: Yes. Because if we're gonna say God and use all these descriptors of omniscient everything, then that's a global consciousness. Blah, blah, blah. That's the global consciousness.

Cristina: Yeah. If there's a God, it's not really? The God that everyone imagines, it's. Yeah, because. So I guess gods can exist, they're just not really gods.

Jack: Yes, well, they are. They're creators.

Cristina: They're creators.

Jack: There are creators. There might be creators. It's possible there are creators. Maybe this universe was created by a thinking individual, but that thinking individual in the highest plane of existence is no different than we are.

Cristina: Yeah.

Jack: Because somehow we also made this universe.

Cristina: Yeah.

Jack: Here's a weird one. God exists because we believe in him. But God had to make the universe for us to believe in them. That's us being God.

Cristina: That's still the global consciousness.

Jack: Exactly. When you look at weird contradictions like that, weird paradoxes where. Well, the human wants to believe in something led to the existence of a God, but God made the universe with the people who believe in him. That's a closed loop.

Cristina: Yeah, but it's a perfect loop.

Jack: Perfect loop.

Cristina: That's how it should be.

Jack: If it's not a paradox, we don't get it.

Cristina: If it's not a paradox, we don't get it.

Jack: Yeah. Who was it? Einstein is the one who said it. But if you don't. I'm not sure. But if you don't understand it, if you. If you believe you understand it, you don't, because what is it? No, if you're not confused, you don't understand it well enough. There you go.

Cristina: I'm very confused.

Jack: Yeah, if you're not confused, you don't understand it well enough.

Cristina: So you're saying we do understand it. Because I feel like I still don't understand it. I do.

Jack: No, if you're very, very. I don't know.

Cristina: It's so complicated.

Jack: I don't know. Well, you don't understand it super well, no matter what. But you understand it better than somebody who believes they get it.

Cristina: Oh, okay.

Jack: Like if somebody's like, well, there is definitely a God, and this is why. And then you're like, well, what about the whole other argument that contradicts that? Well, you're aware of a contradiction, that you're confused. You're like, well, yeah, I get it. But like, what about this giant hole over here? Even if we still technically exist, that hole still exists. You're aware that there's a problem.

Cristina: Yes.

Jack: So you're confused more than that person who isn't. Who thinks, well, no, it's clearly this. It's like, well, you're missing so many pieces of this picture, and that's why you think it's like this.

Cristina: Yep. So complicated.

Jack: Yeah.

Cristina: So who's gonna win. Zeno or the death Supernatural God?

Jack: No, it doesn't matter. Zeno is gonna win. We know supernatural God dies. The question is, does Zeno die?

Cristina: Okay, so then Zeno versus.

Jack: Yeah. Because we know that Arceus, who also made everything, can be trapped inside of stupid Pokeball.

Cristina: Yeah, but he could probably live forever.

Jack: I don't know. And we can outman. The problem is, we can outmaneuver Zeno.

Cristina: How do you know?

Jack: Because you can escape his realm of knowledge. He's bound to time. He didn't know the other him. It wasn't him. The fact that there are two of him.

Cristina: Yeah.

Jack: There are things he does not know.

Cristina: Yes. He only knows his universe.

Jack: He knows his universe. And not all of it either. He met Goku. He didn't know Goku.

Cristina: No. Okay.

Jack: You see, he's not all knowing. He made the universe.

Cristina: Maybe he made all of them, which makes no sense. I don't understand. It's complicated. Why are there more than one? Because they're from different times. Not even different realities. Nope.

Jack: Just different times.

Cristina: So that makes it weird because he made all the realities in the first place.

Jack: He made different universes.

Cristina: Universes.

Jack: 12 universes.

Cristina: Yeah. Oh, okay. 12 universes.

Jack: But the different times within these universes, he is subject to, not a creator of.

Cristina: Yeah. So then could his name be written there?

Jack: Maybe there's something outside of Xeno that exists.

Cristina: Yeah.

Jack: Which is time.

Cristina: Mm, man. Then, yeah, I think he could be written in there. Because time, he still. Yeah.

Jack: Trump Zeno.

Cristina: Yeah. So eventually he dies like everyone else.

Jack: In some way we can't fathom.

Cristina: Yeah.

Jack: But yes, Zeno probably dies.

Cristina: Probably can die.

Jack: So then the question is, is there somebody whose name we can't write? Now, the Shinigami's names can't be written within the notebook. But the Shinigami, although the exception, aren't godly. Other than the fact that live forever, they escape time, but can still die. They escape time by adding once they run out of people.

Cristina: Yeah.

Jack: To write their names into the notebook, all the Shinigami would cease to exist. Because they need people's names to write in the notebook to live.

Cristina: Yes, that's true. Even they die.

Jack: Yes. So the people die, and then the Shinigami die.

Cristina: Yep.

Jack: So whose name can we write in the notebook and won't die? That would be the gaudiest God.

Cristina: The gaddiest God.

Jack: Zeus could be killed. Hercules does it. Kratos does it. The Q's were gonna execute one another.

Cristina: Exactly. So they could be written even if they Lived outside of time. It makes no sense.

Jack: Odin is scared of trying to kill him.

Cristina: Yes.

Jack: So he can die.

Cristina: Yeah, he definitely fears death. That's his biggest fear. Death. Okay.

Jack: I would argue Old Jehovah was killed by New Jehovah or imprisoned. Bare minimum. Meaning there's some degree of power. He can't overcompensate. Which means anyone equal to him can trap him.

Cristina: Can the dragons in Dragon Ball Z die?

Jack: Yes. Yes, it can. That's why the dragons fear the gods of death.

Cristina: Oh, okay.

Jack: I don't know if the Super Mega Duper dragon, but the question is Xeno versus the Super Mega Duper Dragon.

Cristina: I don't know. I feel like Xeno could blink it out of existence.

Jack: He could blink out the literal balls that summoned it. But could he blink out the dragon?

Cristina: Possibly. His power is ridiculous, though. He might be limited, but he's still pretty ridiculous as a creature or whatever he is. So I don't know if there's anything that can't be written. I don't know. The Darkness, the nothing. Nothing can die.

Jack: Interesting. Interesting. Does nothing exist? Because the darkness is trapped, just like Chuck. But the Nothing, which we've also established is somehow the Speed Force. But the Nothing, we could probably not write its name down and get a result, because where would it go if not back to where it came from and then just come back.

Cristina: Exactly. It's nothing. Like, you can't get rid of nothing.

Jack: You can't get rid of nothing. But then the same thing would happen with the Gate, because death literally sends everything to the Gate. When you go there, you see everybody who's dead. So if you were to capture the creature from the gate outside, Kill it somehow, by whatever definition means kill. It would go back to the space in which it dwells and then come right back. In neither one of these cases did they die. You change your location so they don't die. They just stay there. They've always been and they'll always be.

Cristina: Yes. I think that that's pretty much it, though.

Jack: Yeah.

Cristina: The Space Force. That's what you called it. Speed Force.

Jack: The Speed.

Cristina: The Speed Force. Okay. That's the ultimate name.

Jack: Yes. So the Speed Force is the one thing that's named we can't write. Well, it's just the Force.

Cristina: The Force. Okay.

Jack: And Trump's magnificent Space Force can also not be destroyed.

Cristina: Trump's Space Force.

Jack: Yeah. You just said the Space Force.

Cristina: Oh.

Jack: So Space Force and the.

Cristina: That's what they called Space Force.

Jack: Yeah, the space, like, cowboy thing. He tried to start to Protect the planet.

Cristina: That's a cool thing, though.

Jack: Yeah. To protect the planet from, like, aliens or something.

Cristina: I don't know. I want to be part of that.

Jack: I would like to be part of that. I'm not sure what the point of the Space Force is, but maybe it's to find the real God. Maybe we're looking for the nothing. We have an inkling that even if we don't get how it's an alien. It is.

Cristina: Yes. No, I don't think it is.

Jack: I think it's an alien.

Cristina: What? Nothing. Yeah, I don't think it's alien.

Jack: It might be. Who knows? I have no concept of what is.

Cristina: Yeah, but nothing is nothing. I don't know.

Jack: Nothing is nothing, so. But it's in a place which is weird. I would argue it's the highest form of godliness in that it cannot be killed and seems to have the capacity to get rid of anything else.

Cristina: But you think it's limited in some way?

Jack: I don't think it's all powerful. Like, it couldn't blink the universe out of existence, but it could kill an individual within the universe. So it could, like, off Chuck, which is one. Chuck is one, not everything.

Cristina: I mean, it eventually can get rid.

Jack: Of everything, picking at it one by one by one by one for all of infinity. But it can do it, I guess, given enough time.

Cristina: Yeah. That's all it needs. And time probably means nothing to it.

Jack: But that being said, you give Castiel enough time, and he can, in theory, destroy everything in the universe. Giving anyone enough time? They can't really, with an infinite amount of time.

Cristina: Yeah, like planets and stuff. No, there are things we can't destroy easily.

Jack: Fair. But, like, you don't need to be ubers. Like, for example, Thor can clear out a universe with infinity.

Cristina: You could destroy a planet, probably, with.

Jack: Infinity by his side. I mean, his hammer has the power of a star.

Cristina: Oh, okay. Yeah.

Jack: You know, like, he can do whatever the f*** he wants.

Cristina: He can't get rid of himself. The Nothing has that advantage.

Jack: That's a weird one, Right? Exactly, because that's the only thing the Nothing has in his favor. He can get rid of any one thing at any given time, and then that's it.

Cristina: There's nothing left. If someone else did the same thing, they'd still be left.

Jack: Yes, but the nothing isn't there.

Cristina: Exactly. So the nothing wins.

Jack: The nothing wins. It was already not there. You could get rid of everything.

Cristina: You could get rid of everything.

Jack: Zeno would still be left. Even if he blinked, the universe Out. Chuck would still be left even if he blinked the universe out. As would be Odin, as would be Zeus, as would be Jehovah. Everybody. Everybody. Everybody except the nothing, where the only thing that would be left is nothing.

Cristina: Exactly. Nothing will be left.

Jack: Nothing would be left.

Cristina: Truly extinguish everything. He wins.

Jack: And he's not there to begin with.

Cristina: Exactly. That makes no sense.

Jack: Yeah, it's a weird thought to have, because in supernatural, they're just trying to convey that there's nothing here by showing us something there. Yeah, but, like, the idea is there's nothing.

Cristina: Yes, but they gave nothing a personality and everything. I don't know. Yeah, they made nothing of something, but.

Jack: It'S not still nothing. Yeah, a conscious nothing. Because first, consciousness has nothing, and nothing, for whatever reason, has consciousness.

Cristina: Well, that makes sense, I guess. But it's the same thing. Consciousness and nothing are the same.

Jack: Sort of. But they're not. No, because, like, nothingness isn't inherently conscious, but it contains consciousness within it or around it or. Yes, some consciousness.

Cristina: But that's with everything. Everything has consciousness.

Jack: No, because everything is consciousness. Not everything has consciousness.

Cristina: Everything is.

Jack: There's only things. Because consciousness.

Cristina: Okay. And nothing is the same.

Jack: Well, nothing doesn't have consciousness. No, Nothing is nothing. Despite consciousness. That's the only thing that exists. Man, this conversation is so astoundingly abstract. I'm sure we've alienated the entire listener base by talking about the most abstract concept, which is to break apart anything and everything and leave the literal lack of all. And consciousness is bare bones. Yes, but, like, we're talking gods. This is the limit. Yes, because God, the idea of a God, is demi by default.

Cristina: There's the only things left is consciousness and nothing.

Jack: Yeah, and consciousness has no space in which to act. It observes action, and nothingness has nothing to act within it. But somehow the product of observing the lack of equals something. Nothing could be more abstract than this.

Cristina: Conversation, but I think that's as far as we can go with it. I don't.

Jack: Yeah, it's the limit of metaphysics. We're not even trying to answer stupid questions like, what is consciousness? Like, I don't f****** know, bro. It's observation. Yeah, I don't know how to answer that question, but I can tell you that the limit of all that there is. Maybe not factually, but, like, as far as even the humans listening. And if you are listening and you feel like you have a better answer.

Cristina: Mm.

Jack: Let us know.

Cristina: Yeah.

Jack: If you feel you have something more abstract to offer.

Cristina: I doubt that. But if you do.

Jack: Enlighten us. Because right now we believe that before something existed, there was a potential consciousness within the nothing that is everywhere or whatever. Or every nothing. It's hard because there is no language to describe the lack of something.

Cristina: Nothing is nothing. Nowhere.

Jack: Yeah. Nothing is everywhere and nowhere. Because it doesn't that there needs to be a word. The problem is language would break down because if you had a word, then it's something by default.

Cristina: Yeah.

Jack: It needs to transcend everything. Because it's nothing.

Cristina: Yeah.

Jack: It needs to transcend literally everything. And then consciousness needs to be included. And then the universe happens. Or reality is a product. Reality looks like is subject to whatever rules are governing said reality, which is observed by consciousness looking at nothing. I don't know what else to say.

Cristina: Yeah. So look, if you make sense.

Jack: I hope so. Point is that if we write Zeno's name into Death Note, he probably dies.

Cristina: Yeah. That's the conclusion here.

Jack: It seems like the only name we can't successfully write and get good results from nothing are nothing from Supernatural and the God from Full Metal. Because that's also essentially the nothing.

Cristina: Yes.

Jack: It exists in a weird space of nothing.

Cristina: You can't write down nothing.

Jack: Like you can, but nothing would happen.

Cristina: Exactly.

Jack: Because there's just nothing there for something to happen to.

Cristina: Exactly. That's the conclusion.

Jack: That's the conclusion that if you write the name of nothing, well, nothing would happen.

Cristina: Yes.

Jack: And that makes perfect sense, right?

Cristina: Yes.

Jack: If you write nothing, then nothing.

Cristina: Exactly.

Jack: This is an educational episode.

Cristina: Yes. You learned a lot.

Jack: We learned a lot. If you write nothing, nothing happens. That's. Man. If you write nothing, nothing happens. And I can't. Look, if you guys truly do believe there's more, please tell us. We need to know. I would like to know definitely what more abstract concept there is.

Cristina: If you know more about nothing.

Jack: Yeah. If you have a way of thinking of nothing that we have not discussed, please share.

Cristina: Yes.

Jack: Because this is not like an easy subject.

Cristina: No, I mean, it's about, like, how do you even.

Jack: I don't know, dude. It's weird.

Cristina: Yes. So, yeah, let us know.

Jack: Let us know about nothing.

Cristina: Yeah.

Jack: And that's fantastic and all, but, like, I don't know because. Because there's nothing to know.

Cristina: There's nothing to know.

Jack: So, like, if they had an answer, it would have to include the fact that there's nothing to share. That's. I don't know. Just comment, reply, tweet at us, or f******, like, find us on, preferably Instagram, email us. I don't Care.

Cristina: Text us.

Jack: Yeah, text us. Let us know. Send us. Send me a letter.

Cristina: Call us. So we can ignore it.

Jack: Yeah, probably a scam call, but I'll answer and try to find out what nothing means.

Cristina: Okay.

Jack: In fact, next time I get a scam call, I'm gonna do that.

Cristina: Okay.

Jack: I'll be like, what? What does nothing mean?

Cristina: Yes. Okay.

Jack: Yeah, I'm gonna just ask, what does nothing mean? And they're gonna tell me, don't know. Well, no, they know everything except what f****** car. The warranty they're asking for seems to be expired on. And if you ask them, like, then how do you know? Then they hang up on you. Your car is expired warranty. You got to send this money or whatever. Which car? Your newest car. Wait, I bought two cars at the same time. Which one? What are the two makes of your car? Well, hold on. You said the warranty was expiring. How do you know?

Cristina: Yeah, they're just really guessing.

Jack: Yeah, they're not guessing. There's no f****** warranty expiring.

Cristina: Yeah. Yeah.

Jack: You might not even have a car. No, they're just calling a number saying the warranty's expire.

Cristina: Yeah, they call me for that. What car? I don't know.

Jack: Yeah, which one of my cars?

Cristina: Man, that's crazy.

Jack: Anyway, so let us know, man. Let us know.

Cristina: Let us know about nothing.

Jack: Yeah, let us know about nothing. And if you like conversations like this. Well, last episode, we had the same thing. And I think, like, two or three episodes before that, we also discussed. That's where we came to the conclusion of what the Speed Force was. The Force, ultimately, the energy that exists within everything. And then. So this episode, we tried to compare all the gods. The previous episode, we established which God is. What? I don't remember.

Cristina: I don't.

Jack: I know. We talked about gods, too, to some degree. And then several episodes back, established the Speed Force as. Oh, no, last episode was the Fifth Force.

Cristina: The Fifth Force. Okay.

Jack: The Fifth Natural Force.

Cristina: Which looks like magic.

Jack: Which looks like magic. Man, that's the weirdest thing, right? Because the Nothing and the Speed Force could die. That's the problem. The Force could die. You could use the Force.

Cristina: So nothing isn't the Force.

Jack: Nothing isn't.

Cristina: You've been calling, even saying it, we thought it was. It's not. Okay? The whole episode is wrong.

Jack: But, yeah. Yeah, this episode proved last episode wrong.

Cristina: Yeah, but we just found out.

Jack: We just found out. D***. That's crazy.

Cristina: Yeah.

Jack: Anyways, you can find this and many more episodes of this kind on the official Website great thoughts.info or anywhere you get your podcast, like Apple Podcasts and Spotify and wherever.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok at justconvopod.

Jack: Yes. And also remember to subscribe and rate and review the show. Reviews are great and they help and rates are great and they help and subscriptions are great and you get more episodes and you can hear us talk such abstract thoughts that you get lost.

Cristina: Yes.

Jack: And additionally, go listen to me talk to people on the stereo app where I have conversations with people.

Cristina: Yes. And let someone who might like this show know about it.

Jack: Yes. Like I said before, you walk up and you scream and they'll know. They'll know that what you meant is. The Just Conversation podcast, the episodes about gods and about the fifth natural force and about what the force is and about the nothing.

Cristina: Yep. This has been the Just Conversation podcast. Take nothing personal and thanks for listening. Bye.

Jack: Oh, yes. Yes. Baby cells. Yeah, skin cells.

Cristina: That doesn't make it alive.

Jack: Yes, it's cells.

Cristina: It's leftover though.

Jack: It doesn't matter because it's alive. All of it is alive.

Cristina: It doesn't say that it's alive.

Jack: Cellular lining is living.

Cristina: It's not living while it's on the poop. It's just dead cellular lining.

Jack: No.

Cristina: No one said living cellular lining. Did they say living?

Jack: It said living. It said living on many accounts. Living bacteria.

Cristina: No, but it doesn't say living cellular lining. It just says cellular lining.

Jack: Cellular lining. Living. I don't think Google that.

Cristina: Because our dead bodies have cellular lining.

Jack: Google it.

Cristina: And our dead bodies are dead.

Jack: Google it. But that didn't come out of a dead body.

Cristina: It did come from dead body. It did come from a dead body.

Jack: The poop.

Cristina: Yes.

Jack: No, the poop is what's dying. We're talking about a poop by itself that's gonna die when death embraces it.

Cristina: Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 136: He-Man's Transforming Power

What exactly are He-Man’s abilities? And what is the source of his power? Does anyone else have access to this same power source? The duo unpack the power of He-Man and The Force in their attempt to connect pure light and energy to the abilities and powers of superheroes and superhumans!

Rambling 136: He-Man's Transforming Power

+Episode Details

Topics Discussed

  • He-Man
  • Mild Power Upgrades
  • Lightning
  • Grey Skill
  • Power Ranger Racism
  • Sailor Moon
  • Star Wars
  • The Force
  • Superman
  • Transformers
  • Dragon Ball Z
  • God
  • Addicted to the Force

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram -https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in five, four.

Cristina: What does live mean?

Jack: Welcome to the Just Conversation podcast. The show where we ground humanity's most absurd and baffling ideas and guess what? In childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit us subscribe button to get notified the second new episode release.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yes. So be sure to find yourself a listening partner. Anybody, anywhere at all. You choose the powers in your hands. You have the power or I have the power. Which is what he man says.

Cristina: He says I have the power. He says, you have the power.

Jack: The power. And then he becomes he man. Cuz he's a skinny, scrawny little b****.

Cristina: He is.

Jack: Yeah.

Cristina: And then I thought he was always he man.

Jack: No, he has like a sword or something that turns him into not a b****.

Cristina: Really?

Jack: Yeah, I'm pretty sure. Oh, see, that's a proof right there.

Cristina: He's not scrawny.

Jack: He's way smaller.

Cristina: He's smaller. Yeah. Yes. But it's like regular giant muscles becoming even bigger muscles. Like, it's not a huge transformation.

Jack: It's. He's a wide shouldered, non muscular man who then gets hit by lightning or something.

Cristina: And then he's got muscles. He definitely has muscles. Not as big as his transformation muscles, but he still has muscles.

Jack: You think he's muscular? You think he's like a. Because he's wearing like a pink. Like a car. A cardigan. Like a pink cardigan. He's like Fred. Like Fred from Scooby Doo.

Cristina: Oh, yeah. But he still has those big b***.

Jack: Muscles, like exercise t******.

Cristina: Yeah, he definitely works out.

Jack: I wonder what like muscular men think about that.

Cristina: About he man?

Jack: No, about me saying that they're exercise t******.

Cristina: Oh.

Jack: Because like that's what they got. They got exercise t******. Man b****.

Cristina: Their man b****.

Jack: They're moobs.

Cristina: Moves. Yes, they're moobs.

Jack: They're moobs. And like men. Men got a bunch of men got moves. There are muscle man b**** and there's fat man b****. But both are moobs. Yeah, it's like the guys who have the muscle man b**** are like, yeah, I'm so manly. And then they make fun of the guy who has fat man b****. But it's like you both got t***, bro.

Cristina: Yes.

Jack: You're pointing at his t*** and making fun of the fact that he has t***. But also, like, you got t***, bro.

Cristina: You could probably move those t*** around.

Jack: Yeah. You're so in tuned with your t***, you can at will move your t*** around.

Cristina: That's pretty.

Jack: You're more in tune with your t*** than women are with theirs. What? What is that?

Cristina: He Man's power. He becomes. He's able to move anything on his body. Like, what is his power?

Jack: I don't. What the f***? He just. I don't know. He just becomes like, Hercules, I guess. He's just like, I'm a normal guy. Then I got the power. Now I got, like, slightly better than average strength.

Cristina: And the sword.

Jack: And the sword.

Cristina: Although he could probably have a sword already. Like, I guess. This one's magical. It does things. Maybe.

Jack: Does the sword have powers? I don't know the story of He Man. We might have to do like a whole episode on He Man.

Cristina: All right. Because I know nothing.

Jack: Yeah, I don't know crap about He man either.

Cristina: How do we bring up He Man?

Jack: How do we bring up He man, what do you mean?

Cristina: Where did he come from? How is he here now?

Jack: I was telling the listeners they have the power.

Cristina: Oh, like He Man. Okay.

Jack: Yes. To choose who listens to the show. The way he man has the power to become slightly more muscular. And presumably a tiny bit probably unread. Like something that doesn't even register on a meter. If you tried stronger than he was.

Cristina: Before, maybe a tiny bit smarter. Like, I'm assuming it's not just his muscles. What if it's other things too?

Jack: What if all his powers are, like, a mild increase?

Cristina: Yeah. So it's like a little faster.

Jack: Yeah. Like, my IQ was 100 before. Now it's 103.

Cristina: Yeah.

Jack: It's like, okay, he man. I see. Technically, I can't argue that you're better than you were.

Cristina: Yes.

Jack: And like, anything helps, I guess.

Cristina: But he's not really superhuman. He's just better. Super him, I guess.

Jack: Not even like, super him. He's like, slightly better him. Slightly.

Cristina: Slightly better Helm. Yeah.

Jack: It's like, before I could bench press 200. Now I can bench press 210. No extra exercise.

Cristina: He has to have more than that. He's gotta have other superpowers. We just don't know his superpowers yet. But I'm sure he has something that makes him super besides his muscles.

Jack: All right, all right, fair enough. Fair enough. So let's. With no knowledge on he man, we don't have a single shred of an idea other than basic things. We know there's a place called Skull Mountain and there's a guy like a skull looking thing.

Cristina: The bad guy?

Jack: Yeah. I don't know if that's a mask he has or if that's like his f****** face or what's happening here.

Cristina: Yeah, I have no idea.

Jack: But like I'm. I'm pretty sure, I'm pretty sure we can piece together what this is about if we just use the tiny little shreds we have now based on what we saw in that photo. He has a pink shirt, he said, but like not an ancient pink shirt. He looks like a normal dude.

Cristina: I don't know. He looks medieval.

Jack: Fair enough. He could be medieval, but like when he turns into he man, he looks like way before medieval. Yeah, he looks like some caveman type of s***. So his powers to become barbaric.

Cristina: Okay, maybe. I don't know. His. His clothing change makes no sense to me. It's like less clothes to protect him. I mean it protects him, but not even his body.

Jack: Like you. Come on, let's be real. You think a stupid cardigan is gonna protect them? Against what?

Cristina: Nothing, I guess. But his whatever. His new clothes isn't doing anything because.

Jack: He'S kind of naked.

Cristina: Yes. It's like this is his sex clothes or something. Like, I don't know.

Jack: And it kind of is because he has like leather straps on or something.

Cristina: Really? That's what it look.

Jack: Yeah, it looks like he's getting ready to like, I have the power to be a dominatrix or something.

Cristina: Okay. Is that his power?

Jack: I don't know. Cuz doesn't look like he like a lot changes. And again, because doesn't look like a lot changes. We're assuming he's like just slightly better than average.

Cristina: Yes.

Jack: So like situation arrives. Right. He man is like, I don't know how to park here. This parking is too small.

Cristina: Is there parking? They have horses.

Jack: Yeah. He's gonna park his horse in reverse and he's like, I don't fit in this sequence of like horses that are following one another for whatever reason. And I need to squeeze my horse tactically in between that horse in the front and that horse in the back.

Cristina: Okay.

Jack: And I'm gonna somehow get my horse in the middle, but I can't, my horse is too big or whatever.

Jack: And then he pulls out his sword and he's like, I have the power. And like lightning hits him or whatever. Now he's half N and he's like, ah. If I Turn the steering, the whatever. What do you call the saddle? Not the saddle. The strap thing that you control the horse with.

Cristina: The steering.

Jack: Yes, the horse's steering wheel. If I turn the horse's steering wheel just enough, I can squeeze in perfectly fine, and then boom, problem solved.

Cristina: Wait, when he changes, lightning happens?

Jack: I think so.

Cristina: Does it kill the horses around him fast?

Jack: You know what? It's time for an investigation. Let's see that pulled up. All right, let's see what this looks like. Did he just shoot lightning off of us? What happened?

Cristina: He turned his cat into cat. An armored cat.

Jack: Thus goes the story of he man.

Cristina: How did he not kill it? So that's not lightning.

Jack: It's not lightning. It's power. It's the power. It's the power that he has.

Cristina: What?

Jack: Yeah, he has. He told us. He straight out told us he has the power.

Cristina: Grayskull or something.

Jack: By the power of Grayskull.

Cristina: What is Grayskull?

Jack: It's a mountain.

Cristina: Is it the mountain where the bad guy lives?

Jack: I think so.

Cristina: No, that doesn't make sense. So the bad guy's giving him his.

Jack: Power or he's stealing the bad guy's power. Is he man at the back? Is he man the bad guy here?

Cristina: I don't know.

Jack: Is he man stealing some s*** that doesn't belong to him and the other guy's just kind of trying to get.

Cristina: It back and the power is just transforming things. It could be him, but it could be others things.

Jack: But now I'm conflicted about what this power really does because it made him a little less gay or arguably a little more gay.

Cristina: Yes.

Jack: And the only other reference point we have is that he shot this, like, jizzy magic onto his, like, panther or some s***. Was a tiger?

Cristina: I think so.

Jack: And then the tiger got less gay or arguably more gay.

Cristina: Yeah.

Jack: So it might or might not be making them gayer. And there's no way to really know.

Cristina: It's just protecting them. It's not really protecting him because it.

Jack: Made him have less armor. Or I guess he didn't have armor, so it took away the cushion between him and, like, a sword slash.

Cristina: Why doesn't he just wear normal armor? I don't understand.

Jack: Because he thinks he's a female in video games or something. I don't know.

Cristina: Right. So, okay, let's assume his armor protects him. So then it's just a magic power to bring armor.

Jack: Well, his cat has armor. His cat is safe as anything. Yeah, he clearly doesn't.

Cristina: We have to assume he's as safe as the cat.

Jack: Why?

Cristina: Because what is the point? It has to be to protect him like it protects the cat.

Jack: Why? I'm thinking he just gets. Why can't it be that he gets stronger slightly?

Cristina: No, no. I'm now convinced it's just to shield people with armor.

Jack: On the flip side, when he's parking his horse and he asked for the power, he didn't kill all the horses.

Cristina: No. They just are all covered in horse armor.

Jack: Yes, they all just became armored horses. And he's slightly smarter to park his horse. But also the parking got smaller.

Cristina: It did.

Jack: Because now all the horses have armor. Double edged sword.

Cristina: So he did not become smarter if that was his plan.

Jack: Well, he was average IQ before he did it. Maybe he does the I have the.

Cristina: Power thing and then he realizes what mistake he did.

Jack: Yeah, that 3 IQ is like, oh, I probably shouldn't have done this because now this for a fact doesn't fit. I now see how it would have fit. But also now factually it doesn't fit because there's more armor behind me, in front of me. And my horse is also bigger. So it got. Everything got tighter overall. Even if I know how it would.

Cristina: Have fit before, how does this make sense?

Jack: The question is, does he have the power to turn it on and off? Can he do it then turn it off and boom, all the horses lose their armor. And now does he retain the information and he can use at the park, I'm assuming?

Cristina: No.

Jack: So he just loses like if even if he knew, he transforms backwards and boom, it just left him?

Cristina: Yes. No, I guess not. But then like if that. I don't know. It's complicated. Like, what's the difference of him losing his clothes once the magic is away and him losing the memories? I feel like the memories will stay, but the clothes shouldn't. I don't know.

Jack: Like that's weird. Is he just gonna have clothes? Suddenly I get the clothes, like burning off or disappearing or whatever. And then you go about your day as he man. Did he have a name before he man? Whatever.

Cristina: Prince something.

Jack: Right? It has to be, right?

Cristina: Prince Adam, I think I read. Really like that? I don't know.

Jack: Cool. He's a prince though, this prince dude who somehow. What is he? That guy who pulled the sword from the rock?

Cristina: No, that's Arthur.

Jack: Arthur?

Cristina: Arthur.

Jack: Is he like the cartoon version of Prince Arthur?

Cristina: Yes, why not?

Jack: Pulls a sword out and then he's not Prince Arthur, but he's definitely he man. And what the h*** does that mean? It's like Guy dude.

Cristina: I guess he became more of a man. He is.

Jack: He was just Prince, but now he's not just a he. He is also a he who's a man.

Cristina: He wasn't a man before.

Jack: He was a he boy.

Cristina: He boy? Yeah.

Jack: He went from he boy to he man. That's his power.

Cristina: But what makes him more of a man? How? Shirtless, muscular, muscles bigger, make you more man.

Jack: Maybe it makes him braver too. Okay, so before he's like, oh, I'm too scared to park this horse. But then he doesn't. He's like, I'm confident now and I can easily park this horse.

Cristina: I don't know. I need to see this show. I don't know if he's actually any of these things or he's just a normal. Like, there's no difference. If you saw him before the powers and after the powers, there's completely nothing has changed except he's a little more muscular and he has protection.

Jack: And like, who's the bad guy and why?

Cristina: You said a skeleton, dude.

Jack: Yeah, I'm not sure if that's like what he look is. He is like walking, talking skeleton from Skull Mountain. Is it his mountain? Is he like the guardian of the mountain? Or does he wear a skull because he lives in the mountain? Like, is he a skull or is he wearing a skull?

Cristina: If there's magic, he could be a skeleton.

Jack: And he man is just stealing his magic then with the sword that probably belongs to that skeleton?

Cristina: Maybe. Yeah, maybe he stole this sword from him. Who knows, man?

Jack: Is there like an origin as to how the f*** he.

Cristina: Or he took it from the rock? If you think he's like Arthur.

Jack: D***. And then what would the conflict even be? He's the bad guy, Then it's the freaking. The skeleton's trying to get the sword back. Yeah, he's trying to reclaim his property because his powers. I was protecting it for who knows how long. It's too dangerous to fall into the hands of normal people. And then this troll popped up and took it. And now he just has the power to give random armor.

Cristina: I don't know. Maybe he regular villains just want to destroy the world for no reason in those cartoons. So probably.

Jack: So then the argument here would be the guy at Skull Mountain at Grayskull. One of those two names is correct. I know he said Grayskull, but is Skull Mountain called Grayskull?

Cristina: If there maybe there's two different mountains that have skull in the name.

Jack: Like every mountain in this universe is just a giant skull.

Cristina: Yes.

Jack: And he happened to go to the one with the sword.

Cristina: Yes.

Jack: Or he. No. Or he stole the. Or he took this. He found the sword in one. In Skull Mountain. And then the guy from Grayskull is like, oh, s***, there was a sword. I picked the wrong mountain to be in. That mountain over there had a f****** sword.

Cristina: But he says Grayskull. So the sword should be at Grayskull.

Jack: Power of Grayskull. So Skull Mountain is the other guy's mountain.

Cristina: Yeah, that's right. If there is a Skull Mountain.

Jack: Unless it's the same mountain. Unless Skull Mountain is Grayskull.

Cristina: No, there's a bunch of mountains that are all skulls. Skulls. Yes. Except one is gray.

Jack: Yes. One is gray. And the other one is just a.

Cristina: Bunch of skulls that make up a mountain.

Jack: Interesting. Interesting. It's not even really as much a mountain as it is a pile.

Cristina: It's a pile of skulls.

Jack: Gray skull is a mountain. Skull Mountain is a pile of skulls.

Cristina: Yes.

Jack: And the.

Cristina: It's, like, infused with dirt, so it looks kind of mountain like.

Jack: And then the skull guy lives in the Skull Mountain.

Cristina: Yeah.

Jack: Because he. He's a sentient skull. Like, there were so many skulls. Kind of like Pokemon.

Cristina: Yeah.

Jack: Something just.

Cristina: There's just a lot. For some reason. Maybe he is a murderer. Maybe these mountains are because he loves to murder.

Jack: He's just making mountains out of human skulls.

Cristina: Yeah. I think there's monsters in this show, Right. He was attacked by a monster. I think we saw.

Jack: Like, we're forgetting the fact that there's powers here.

Cristina: All we know is the power to put shields on people armor and become.

Jack: Slightly more or less gay.

Cristina: Or more buff. Did his cat turn more buff?

Jack: Did his cat turn more buff?

Cristina: Think so. I don't know. Maybe. I think it did change a little.

Jack: Interesting. Okay, this is pulled up again, right? So he does this thing, a bunch of. Is this like lightning or some s***? But he's just. This clothes just rips off. He has like a wing.

Cristina: There's a skull behind him that's like a castle skull thing. Is that the Grayskull Mountain?

Jack: But was he already.

Cristina: He does turn bigger.

Jack: He did grow. Yeah, he grew.

Cristina: He grew.

Jack: He grew. Yeah. That's crazy. He really, really did get bigger.

Cristina: He did.

Jack: Fascinating.

Cristina: That is part of the power.

Jack: And, like, how do we get back to the image of this mountain? Like, there's information without. Without watching this show. We're going to piece it together, man. That's his. His. Hold on, hold on. Put sound on. Bring the sound in.

Cristina: This is a different video.

Jack: Bring the sound in spooky stuff. Oh, don't be silly. I'm not being silly. I'm being careful.

Cristina: And tiger. Scooby Doo.

Jack: All right. If you won't go with me, I know someone who will. Namely Battle Cat. I have a power of Grayskull. Yeah. Oh, that's Grace. But he's not at graysc Skull. Why is he just suddenly a gray skull? And he's just gonna give him confidence. So I was kind of right.

Cristina: Yeah. Yeah.

Jack: And now what? Now he sounds like a thug. It's like, yeah, I'm ready G. I'm ready my G. Let's do this.

Cristina: He forced his tiger to transform.

Jack: And it's like tiger didn't even want to. He's like, I'm scared. Don't do this to me. And like, that's not fair. You're just gonna transform me to be confident. And it's like. So he's still scared inside that bigger thing.

Cristina: That's why he's not like, yeah.

Jack: Cuz he's not saying, well, yeah, do the thing. So I'm confident he's saying, oh no, that's not fair.

Cristina: You can't hurt inside of the tiger.

Jack: Yes. He's jackaling. And hide this m***********.

Cristina: Oh my gosh. That's so much worse. That's so horrible.

Jack: So he's kind of the bad guy to some degree at least. In that. In exchange.

Cristina: In that exchange, yes.

Jack: Cuz that tiger was like, come on, bro, you really do this right now.

Cristina: That sucks. That sucks a lot.

Jack: Sucks hard.

Cristina: That tiger is Scooby Doo, though.

Jack: Oh yeah. He was terrified. So he does get more confident. But he man didn't get more confident. In fact, personality wise, absolutely nothing changed.

Cristina: He's probably more confident, but he's already confident. So it's just the boost of.

Jack: So then we're looking at what I was saying.

Cristina: It's like a.

Jack: Like if his confidence stat is 200, then right now he's like 205.

Cristina: Yeah. That has to be it, right?

Jack: Yeah, it's like slightly more. It's like whatever. But it's better than it was.

Cristina: Yeah.

Jack: Which is not wrong.

Cristina: Yeah. But it has to be even more than we think. Because he turned a coward into someone who's ready to murder.

Jack: Yes.

Cristina: So it has to be more than we are thinking.

Jack: But also the cat knows something that we don't. Which is why he was like, not cool. So the cat presumably remains the cat trapped inside the body of this thing that's gonna do everything. In fact, he said, I Know somebody who is willing to go in.

Cristina: Yeah.

Jack: Battle cat.

Cristina: Yep.

Jack: A different cat.

Cristina: Yes. Which you said. Jackal and Hyde. Yeah, Jackal and Hyde. Oh, my gosh.

Jack: And he's, like, forcing the other to come out with his he man power Jizzy Magic power.

Cristina: Yeah. So if he does transform into someone else, too, it's probably not that different.

Jack: From himself, which is why we can't tell the difference.

Cristina: Yeah, that's why we can't tell the difference. Oh, my gosh.

Jack: Or in his case, it's a tiny little boost of all stats, but in the case of everything else, it's different. The whole other personality comes out. Then again, he has a f****** talking tiger.

Cristina: Yes.

Jack: Like, it brings us down to the. Again, he's f****** Scooby Doo, the tiger.

Cristina: Yes.

Jack: And that's confusing.

Cristina: And there was a Grayskull Mountain, which.

Jack: He wasn't even at, but then he did the transform. Now we can say that that transformation is just showing us the original place he got the power. Kind of like Sailor Moon. Like, she's not suddenly in space transforming, but, you know, we see it like she is, because that's where it happened or whatever. Or when, like, the Power Rangers transform, they're not, like, you see, they're not, like, in some void of color.

Cristina: Oh.

Jack: It's like, well, I'm the Blue Ranger. I exist in just blueness while I transform.

Cristina: So is the rainbow helping them transform? Are you saying that, like, the thing that's surrounding them is what's the energy? That's.

Jack: No, they just, like, disappear into some. What, the Power Rangers?

Cristina: Yeah. All these examples.

Jack: No, I don't think they're anywhere. I don't think they go anywhere.

Cristina: No, I'm not saying, like, what we're seeing is what's giving them the actual power.

Jack: Interesting.

Cristina: Not that it's there or they're. They're transporting or anything. We're just seeing where the power comes from.

Jack: Could be. That's very fascinating, because in the case of he man, he's at Gray Mountain. Gray Skull.

Cristina: Yeah. And that's giving him the power.

Jack: Yes. So in the case of the Sailor Moon squad of Sailor somethings, they're all in space because they get their powers from space.

Cristina: Yeah.

Jack: Interesting.

Cristina: Makes sense.

Jack: And the Power Rangers are getting their color from a rainbow, apparently.

Cristina: I think so. It makes sense, I guess it's like.

Jack: I'm the Blue Ranger, so I get the power from blue.

Cristina: Yes.

Jack: Wouldn't that make the Blue Ranger the most powerful one, though?

Cristina: Why?

Jack: Because blue is the color that comes through best.

Cristina: Then Red is the weakest.

Jack: Yeah. But red is always a captain.

Cristina: There's something wrong with the Power Rangers.

Jack: Yeah. It should have been the blue one, be the captain, because he's the, like, ultimate.

Cristina: Well, I guess they didn't know about where these powers came from.

Jack: On the flip side, when the White Ranger shows up in the original Power Rangers, he became the captain immediately, which makes a lot of sense. He's pure light without it breaking down. Bam.

Cristina: Is. Is there a black one?

Jack: There is a Black Ranger.

Cristina: Is he also. Would he be super strong or super weak?

Jack: He should. Well, it depends. Right. Because there's the. Black is a controversial thing. 1. Because it's not a color. I'm not sure why it's. That's. Neither is white, to be honest.

Cristina: Yeah.

Jack: But also kind of white. White is. And white isn't a color because white is the collection of every color.

Cristina: Yeah. So it should definitely have the most power.

Jack: Yes. Black is also every color, but it can also be none of them. So black is the lack of color.

Cristina: Yeah.

Jack: But also, if you were to combine almost every color, but not every color, you'd have black sooner than white. When you add that last tiny bit, you get white.

Cristina: Okay, so he should be the second. Stronger.

Jack: He should be the second is the power tier in Power Rangers. Should start at white, go to black, then blue, then blue, then I don't know the rest. Then yellow, then about green.

Cristina: Should it be green, then yellow?

Jack: Yes, it should be green. It should be white, black, blue, green, yellow, pink, red.

Cristina: Yes. That is the rank. The strong.

Jack: Yes.

Cristina: Power Rangers.

Jack: That is ranking. If they're. If they get their power from the colors that make it through the spectrum. Visible, human. I guess. Eyes.

Cristina: Yes.

Jack: Then in that case, the Red Ranger would be the weakest. There's no way he could be the captain. Unless the captain has to be the weakest because he has the most perspective. And then we're talking. Then we're talking that the Power Rangers are incredibly philosophically.

Cristina: No.

Jack: And it's like the weakest must be the leader because you have the most perspective on struggle and thus you are the most appropriate to lead the rest of the Rangers.

Cristina: But as a character, does he seem to struggle the most?

Jack: He's always the angriest.

Cristina: He's always angry. That's so lame. Like red and anger. Okay. How cliche is the pink one involved with love?

Jack: Yes. She's always f****** the Red Ranger. Oh, of course, we don't get that direct. You know, it's a child's cartoon. Or not even cartoons like A weird live action mess for children. Yes, but like Pink Ranger is like the cheerleader who f**** the jock who's Red Ranger.

Cristina: Okay.

Jack: And blue is usually a nerd and yellow nerd too. I remember when the yellow was Asian which brought up the question of is she the Yellow Ranger because she's Asian.

Cristina: Have they all been Asian?

Jack: No. It began that the original Yellow Ranger and I'll explain why this is a problem. Red and pink were white people, yellow was Asian. Tell me what color the Black Ranger was.

Cristina: Hispanic.

Jack: No, he was also black, so quite possibly it was originally racist.

Cristina: Are you sure? Yes. Alright. Okay.

Jack: Factually. Okay, here we go. Nice and pulled up.

Cristina: This is all crazy.

Jack: Yep.

Cristina: Are you sure is pink really? I don't know.

Jack: Was it Kimberly and Trini? Where's the name Trini? I don't f****** know. Yeah, cuz the next one was Tanya. D***, do I remember them. So it's from left to right here we got Billy, the Blue Ranger. He's the nerd.

Cristina: Billy?

Jack: Yeah, Billy had to be the wackest name then Trini, the Yellow Ranger because she's Asian. Then a good old fashioned red blooded American, Jason.

Cristina: Oh, okay.

Jack: Jock, sporty guy and he's f****** who? Kimberly, the cheerleader girl who was literally a cheer. She was literally a cheerleader and he was literally a jock.

Cristina: These are adults though.

Jack: They were like in high school or something. Oh, they look like adults.

Cristina: Yeah, they look like adults.

Jack: Yeah, no, they were like in high school or some s***.

Cristina: Okay.

Jack: College or something. They were definitely in school.

Cristina: All right. Yeah.

Jack: And then Black Ranger, whose name was Zach because he's got. That's a cool last name. But he's got to be black because he's the Black Ranger and had you. How else do you, you know who's in the suit if he ain't the color of, of the suit?

Cristina: That is so ridiculous. Yes, it's just to make you remember the characters easier.

Jack: Yes. You think Red Ranger, who's inside that? Oh, the red blooded American Black Ranger. Who's in there? Oh, the black guy. Yellow Ranger. Who's in there? Oh, the yellow girl.

Cristina: Oh.

Jack: Power. Go go power. But I did get in trouble for this actually.

Cristina: And then they had to change it up. Are those the same people? Those are different people. This is a whole different show.

Jack: They are. No, that's the same exact show. That's the same team. Except they stopped the Black Ranger from being a black guy and they made him like this Asian looking dude and they stopped the Yellow Ranger from being an Asian and made Her. The black girl. So they kind of swapped it so they can still have a black person and an Asian but be less racist about it.

Cristina: They fixed the problem.

Jack: They fixed the problem by swamping their races.

Cristina: Wow.

Jack: But like, everybody else is still the same. All the other characters are still the same characters. It's just the racist ones that changed.

Cristina: Awesome.

Jack: They were literally just addressing that problem.

Cristina: Yeah. That's so. It's horrible. It's all horrible.

Jack: Yeah.

Cristina: That's so horrible. Oh my gosh. Why didn't they just get rid of all of them? I don't.

Jack: Because it was too obvious. Right.

Cristina: So wrong.

Jack: Just make it so that somehow we all gotta leave and now it's less racist because we're all not racially associated with a color.

Cristina: Yeah.

Jack: But no, they clearly obviously knew the problem was we're kind of racist.

Cristina: So we'll fire the only two different people and hire two new different people.

Jack: They straight out fired the Asian and the black for their mistake.

Cristina: Yes. Instead of like, maybe keep them but arrange them differently.

Jack: Yes.

Cristina: Maybe fire some black. I mean, some of the white people and you know, hire some.

Jack: Yep.

Cristina: Other things.

Jack: Just an Asian and the black have to be executed for another Asian and black. This is America. Don't catch you slipping up. And they were caught slipping up. Not that it was their slip up, but they were in the middle of a slip up.

Cristina: Yeah. Wow.

Jack: They should have been like, I don't want to be the Black Ranger cuz I'm black. That's racist. It's his fault.

Cristina: It's his fault.

Jack: It's his fault for taking the job. He should have been more woke. I guess this is before Wokeness happened.

Cristina: Yeah. Okay.

Jack: But he got what he deserved for taking the role. I should cancel him.

Cristina: What?

Jack: We should bring an entire movement and cancel the guy who played Zack for feeding into the stereotype. Same thing with the girl who played Trini. She needs to also be fired from life because. Because she took a role that was racist.

Cristina: Yes.

Jack: We're canceling people because of their past, right?

Cristina: Yes.

Jack: Even if it was normal and okay.

Cristina: Back then, they had nothing to do with those decisions.

Jack: They picked the cat. They said, yes, I'll do it. They said, yes, I'll do it.

Cristina: Okay.

Jack: So they're just as guilty for creating these racist characters.

Cristina: So awful. Yeah.

Jack: When are we gonna cancel Power Rangers?

Cristina: We can't now. Wait. We're gonna cancel the whole thing?

Jack: Yeah, all of it. All the old stuff has to be taken down off of shelves. But like, here's the problem here's problems. Okay, so we know that whatever they're getting the colors from rainbows or whatever. You know what? You know what? Let's find a transformation. So we're gonna pull this up right here. I want to see. I want to see what it looks like. It's Morphin Time. Oh, because they're getting the power from the little thingy they're holding, Right? So we see the thingy they're holding even if they're not, like, existing inside of it. And they got a dance. Because they get their powers from dance as well.

Cristina: No, but there was lightning or something happening.

Jack: And you know what's interesting? You know what is really f****** interesting? Flash also gets his power from some sort of lightning field.

Cristina: He does?

Jack: Yes. The Speed Force looks like lightning.

Cristina: It does look like lightning. Okay, makes sense.

Jack: Okay, okay. There's a. There's a pattern forming here. Let's find out.

Cristina: Powers come from lightning.

Jack: Let's find out what it looks like when the sailor girls transform. Now we find out if they have lightning here too. She's gonna just be eating cheesecake, bro. Necessary for transform.

Cristina: They're having a whole speech before this transformation.

Jack: Maybe it's part of the transformation.

Cristina: Can you wash them?

Jack: Maybe that Kagome. They have a little doohickey, right?

Cristina: Just like Power Rangers.

Jack: Tell me. There's lightning, bro.

Cristina: There's lights, there's sparkles, stars, bubbles.

Jack: They got wands in their nails.

Cristina: They have specific colors too. Like Power Rangers.

Jack: Interesting.

Cristina: See, green.

Jack: Are colors really a source of power, I'm assuming?

Cristina: Yes. The power. The rainbow is the most powerful thing you can get powers from. Who knew?

Jack: So, like, catching a rainbow isn't even about the gold.

Cristina: But now they're in. What is this?

Jack: This is some void of, like, energy.

Cristina: It's not space. It's energy. Okay.

Jack: Did she become bubbles? And what, she's gonna turn to fire, right? Is that what I'm supposed to believe?

Cristina: Fire? Around her, these transformations are long.

Jack: It's like a good half of the episode. She literally has lightning, though. But it doesn't fit because the others didn't have lightning.

Cristina: I think they all have different things.

Jack: Their elements.

Cristina: Yeah. So first their nails change color, and then the elements. The elements First.

Jack: They're. Yeah. First nails and colors. How many of these girls are there?

Cristina: Five, six. A lot like the Power Rangers.

Jack: Wow. This.

Cristina: Oh, my gosh.

Jack: Oh, my God.

Cristina: These. Those are the extra girls, right? Like, they're not the. From the main team. Two of them.

Jack: Wait, we just saw other people transform.

Cristina: Yeah, they're like Extra sailor girls? Oh, no. They are the same girls. Okay. There's just five girls.

Jack: Interesting. That's crazy.

Cristina: There's not much difference, is there?

Jack: Except the lack of lightning.

Cristina: Yeah.

Jack: There wasn't lightning across the board.

Cristina: No, it's whatever element.

Jack: But then. Okay, so we have some patterns here. We have. He man had definitely some sort of lightning thing going on.

Cristina: And a gray skull, then.

Jack: A gray skull. Yeah, but the Power Rangers had lightning.

Cristina: Yes.

Jack: And color. The sailor girls had colors, but not lightning. No, there's a rhythm. Some. Some of these. There's. There's some collective force that everybody's getting their powers from.

Cristina: Yes. I think.

Jack: I think every power that exists comes.

Cristina: From the same thing that's transforming these people.

Jack: Yes. If you transform, there's one source doing it.

Cristina: No way.

Jack: And I think there's crossing lines enough that we can probably zone in on what it is. And I can tell you one specific reason why. Although he man has lightning but not color, and the sailor girls have color but not lightning. What is lightning if not light?

Cristina: Yes.

Jack: Which is just a pure plasma version of color.

Cristina: Yeah. So it's all the colors.

Jack: It's all the colors.

Cristina: Huh? He has all the colors because he's one. Yeah.

Jack: He doesn't need it divided. Yes, but because the sailor girls aren't one and they need to work together.

Cristina: But he works with the tiger.

Jack: No, he uses the tiger. There's a difference. Oh, he has the power.

Cristina: Yeah, he does. Okay.

Jack: He has the power and he can use the power.

Cristina: Yes.

Jack: While the sailor girls are working together. Working together. They like the Power Rangers. Like the Power Rangers. And we see that there is lightning giving them. And then boom. The color. The lightning gave him the color.

Cristina: Yes.

Jack: We're just not seeing the lightning in the part of the sailor girls. Everybody's getting their powers from light.

Cristina: Yes, they are.

Jack: They are?

Cristina: Yep. Wow. So you think they're really all getting this energy from the same place?

Jack: Yes. The Speed Force.

Cristina: Why the Speed Force? I don't understand.

Jack: Well, it's not. Maybe not necessarily the Speed Force purely. But there's like. The Speed Force is also. I mean, I guess it's not transforming anybody, but it's a source of power. That is light.

Cristina: That is light. Okay, but you think when the Flash gets.

Jack: Flash doesn't transform? No.

Cristina: Yeah, he doesn't transform. But somehow the Speed Force is causing other people to transform?

Jack: Yes. I think it's not just transformation, maybe. But all the good guys get their power from the same place. And all the people from the dark side of the Force as well. Because they got the power lightning thing.

Cristina: What? Bad guys in Star Wars.

Jack: But they got, like, the evil, like, the death lightning thing that they do.

Cristina: Okay. Yes, yes. They have the really weak red one.

Jack: Interesting. Because colors affect that too. They have the whack red light, but then they have, like, force lightning.

Cristina: Yeah.

Jack: So they sacrifice the power of their lightsaber for other taboo abilities with the same energy. While the Jedi, known for using the lightsaber specifically. That's what they're known for.

Cristina: Yeah.

Jack: Their focus is on it. So they have, like, the bright colored ones because they're putting their energy into being swordsmen.

Cristina: All right, this is so weird. Okay, so you're saying they're using the same energy source, but then we have another problem. What?

Jack: The bad guys, they're also using the power.

Cristina: Yeah.

Jack: So all power comes from light. Another example of this is Superman recharges with sunlight. The yellow sun gives him his power.

Cristina: Yes.

Jack: He's literally getting pure light to recover.

Cristina: But from the sun.

Jack: From the sun. Pure. Just pure light.

Cristina: Yeah.

Jack: And the closer he is that he goes to space to recover faster.

Cristina: But that's not from the same place that everyone else is. If you think they're all getting it from.

Jack: Well, they're getting it from light.

Cristina: Oh, just light.

Jack: Yeah. The Speed Force is part of whatever light source.

Cristina: Yes.

Jack: Seems to exist in the universe because everybody in Star wars is also in a galaxy far, far away.

Cristina: So they're somehow using the light combined with items usually like he man has a sword. The Power Rangers have badges.

Jack: Yes.

Cristina: Sailor Moon characters have wands.

Jack: Have wands. Yeah.

Cristina: Oh, my God.

Jack: They have channeling tools.

Cristina: Yes.

Jack: They have a way to focus the energy.

Cristina: Yes. In the Star Wars. Yeah.

Jack: Okay, interesting.

Cristina: Except for Superman. He doesn't have anything. He just uses. He just somehow absorbs.

Jack: He's become the tool. That's what makes him overpowered. He somehow figured out how to be the channeling thing himself.

Cristina: And that's why he probably has unlimited powers.

Jack: Yes. Because he can filter it through him. He doesn't need some other thing that he has that can contain only a limited amount.

Cristina: Mm.

Jack: If he burns through some of it, it's immediately replenished because there's infinite light everywhere.

Cristina: But we don't see him transform. Is it because it's always on?

Jack: We don't see the people from Star wars transform either.

Cristina: That's true.

Jack: I don't think it's always transformation. I think the source of power.

Cristina: Yeah.

Jack: Now you can use the source of power to transform. And some people Do?

Cristina: Yes.

Jack: But not everybody does.

Cristina: No. It's so weird. Okay. Yeah.

Jack: Now, interesting enough, the Transformers are, like, sentient robot things.

Cristina: Yeah.

Jack: Their power is literally transforming into vehicles and s***. Do they also use this sort of power?

Cristina: There's no way.

Jack: Organize a battle unit. We're going after them, man. Like, the origin of this s***'s crazy. They gotta, like, say their name.

Cristina: Well, he wants them to transform in order of the. What? He's saying.

Jack: Oh, God.

Cristina: It's important. But their transformation is pretty magical in that there is no.

Jack: Yeah, it's, like, so pure.

Cristina: Yeah.

Jack: There's no, like, outside influence on their transformation. See, this is. So what we're saying is, because they're machines, they don't have access to this power that exists pretty much just for biological life forms. They're not biological, although they're life forms. They are mechanical life forms.

Cristina: Not the same.

Jack: Yeah, they're somehow, like, synthetic to some degree, so they don't have access to it. It seems like the human element allows us to access this pure energy.

Cristina: So strange. I don't get how cars. Are they on a different planet, transforming. When they were on their planet, they were transforming already.

Jack: That's weird, right? When they were on their own planet, were they transforming into cars? Like, are they. The. Like, cars were invented because humans saw Transformers as well. That's what we're finding out, right? Like, trucks weren't a thing before. Somebody saw a truck, etched it on a f****** wall somewhere, and then a million years later, somebody saw, like, let's f****** make that thing. Yes, but they just saw the f****** Autobots or some s***, right?

Cristina: Mm.

Jack: Well, no, that's actually wrong.

Cristina: That's wrong.

Jack: That's wrong. Because there was a time that they would turn into animals.

Cristina: What?

Jack: Yeah. Okay. Transformers, Beast Wars.

Cristina: Ew.

Jack: Giant spider thing. So this is in the prehistoric times.

Cristina: That's a cheetah. That's not prehistoric.

Jack: I don't. I don't know what the f***. Like, it's a giant bug. That's prehistoric.

Cristina: A rhino?

Jack: Yeah. But these transformations have no electricity.

Cristina: No.

Jack: They are really just these robots. But see, this kind of proves that they're just. They were transforming into whatever was in.

Cristina: The area before these things in the area. Is there actual animals there? Or are they just transforming into things that we see?

Jack: I don't know if there was anything else in that world.

Cristina: What if that's their imagination? They're creating these things that are super similar to what. What's been on our world for some reason.

Jack: That's weird.

Cristina: But this is Just imagination.

Jack: That's so complicated. For a couple of reasons. Because then we have to assume that even if they're on their planet somewhere far away from us at all times, they're somehow connected to what's actively happening on planet Earth.

Cristina: Even if they've never seen it. Anything.

Jack: Yeah, there's dinosaurs out here, okay. They can turn into f****** dinosaurs for that time. So they have some integral connection to what's happening on Earth. So the argument would be we don't see them transform using the energy because they're literally made of the energy and that's how they're connected actively to what's happening.

Cristina: But is Superman made of the energy?

Jack: No, Superman's channeling the energy. That's why he has to go up and recharge.

Cristina: Yes.

Jack: They're not, they just have powers for.

Cristina: Whatever f****** reason they're made of.

Jack: Made of the energy.

Cristina: Wow.

Jack: And so they're always connected. And so whatever's happening on Earth, us, the people who need channeling of energy, they. Some. They're connected to the Force. They can. They know they are the thing.

Cristina: But the Force is somehow connected to us though.

Jack: Well, the Force is the energy. It's just a name for that energy.

Cristina: The energy of Earth, of the universe. The universe. Okay.

Jack: They're not on Earth. And also the people who are using the Force aren't on Earth either. They're in a galaxy far, far away.

Cristina: They just pick things that are here. But maybe there are versions that they could turn into things that are not here but somewhere else. You know, like maybe there's plants on Superman's home planet that they could turn into, even though they've never been there either.

Jack: Like, interesting. I guess I would explain why there would be both a rhino and a pterodactyl.

Cristina: Yeah. Has nothing to do with Earth. It could be like maybe the rhinos from here, but the pterodactyls from another planet that has dinosaurs right now for.

Jack: Some reason, or through any point in time as well. Because you're connected to this force that exists always.

Cristina: Yes. It could be anytime too.

Jack: So rhinos and pterodactyls from Earth, even if it's from totally different times.

Cristina: Mm.

Jack: Interesting.

Cristina: Yes.

Jack: So d***. Is there anything else that uses the electricity then? We know if you're robotic and somehow sentient, you are like part of the energy. The energy's within you. It's what's powering you.

Cristina: You don't know any other transformers?

Jack: Anything that transforms? Somebody who has ability to transform into some other s***. Interesting. Okay, here's a weird one. Yu. Yu. Hakusho.

Cristina: There's transforming there.

Jack: There's a specific character. Kuramu Kakamaru, the f****** red haired guy who turns into this like white haired wolf thing.

Cristina: I don't remember him turning into a wolf thing.

Jack: Yes, but maybe he definitely does. I just don't remember if he has lightning associated with it. Yes. Now let's see. Let's see. Yes. Okay, that doesn't seem right at all. But let's see. Okay, what are we seeing? It's like smoke. It is like lightning.

Cristina: It is like.

Jack: It is like lightning. Lightning.

Cristina: It's like fire, but it's white like lightning.

Jack: Literally, lightning in the clouds.

Cristina: You saw that? Okay.

Jack: Holy.

Cristina: And then his hair is different. No.

Jack: Oh my God. No way, bro.

Cristina: I think it's always lightning. Like every transformation is the same thing, but they all look the same when.

Jack: Dragon Ball Z. Yeah, yeah. I think it's always lightning. Yeah, to the point that the stronger you are, you literally at some point just have lightning surging around you. There we go.

Cristina: There was some lightning. There was some lightning.

Jack: There's lightning. Oh, yes.

Cristina: Oh, there's some lightning on.

Jack: Pure light and lightning.

Cristina: Both of them.

Jack: Both Vegeta and Goku.

Cristina: One of them's dead though.

Jack: Yes.

Cristina: You can still use this power while dead.

Jack: Because it doesn't matter. You don't have to be on. It's universal. It's anywhere you are at any moment, at any state, this energy exists.

Cristina: Wow.

Jack: Fascinating. This is very, very fascinating. So we know every transformation. Actually, any use of power involves some sort of plasmic or light based source.

Cristina: Yes. All from the same source.

Jack: All from the same source. There's some sort of universal thing that everybody's tuning into, meaning one way or another, everything exists in the same universe.

Cristina: What?

Jack: I mean, it's possible they're all using the same energy. We could chalk it off to alternate universe or not. It exists in the same multiverse, then, because we have different universes with different Earths.

Cristina: Yes, that's exactly it.

Jack: But the power that exists transcends the concept of a singular universe because it's shared equally. Meaning the power exists in the multiverse.

Cristina: Yes. Oh, which makes sense. Even with Flash's power, isn't that in the multiverse too?

Jack: Yes, because he can travel to different universes using it. And he can travel to different periods of time of any universe using it.

Cristina: Oh my gosh. The. What's it called again?

Jack: The Speed Force. The Speed Force, which in Star wars is just called the Force.

Cristina: The Force The Speed Force and the Force are the same thing.

Jack: Yes. It's the universal energy.

Cristina: Yeah.

Jack: So I'm not even gonna call it the Speed Force anymore. It's the universal energy.

Cristina: Yes.

Jack: Well, actually, it's the multiversal energy.

Cristina: Multiverse energy.

Jack: Yes.

Cristina: That you could actually travel through, but you can also use.

Jack: But also channel it through an object yourself. You can use it as a weapon. You can travel through it. It is God.

Cristina: Wow. Yes, it is God.

Jack: It is within everything, within everyone. You just have to learn how to use it or learn to channel it properly.

Cristina: Yeah. Oh, my gosh.

Jack: The universal energy is God.

Cristina: It has to be right.

Jack: It has to be. It's not thinking. Although they would tell you the opposite in Flash, because the Speed Force does have a mind of its own.

Cristina: It does care about things. It doesn't like to be used inappropriately.

Jack: Yes. Which brings up an interesting point. People who use powers incorrectly tend to be corrupted by them.

Cristina: Oh, my gosh.

Jack: So maybe kind of applies whether or not we're talking about.

Cristina: It's still a God, though. It's just. It doesn't have. You could be bad and use it. You just can't abuse it.

Jack: Yes.

Cristina: Like, that's all that it sees as wrong.

Jack: Yes.

Cristina: But it doesn't really care what you do. Yeah.

Jack: Morally speaking, it doesn't give a s***.

Cristina: Yeah. Just don't use it inappropriately to it.

Jack: Yeah.

Cristina: Yes. Whatever that means.

Jack: Yeah. Don't abuse God.

Cristina: Yeah.

Jack: You can use God for whatever you want.

Cristina: Yes.

Jack: But don't abuse God.

Cristina: Yes. Whoa.

Jack: Interesting. Interesting.

Cristina: Oh, my gosh.

Jack: So going back to he man.

Cristina: Is.

Jack: He man abusing God? No. Because he's using tiny little doses.

Cristina: Yeah. I don't think so. He abused his friend, definitely. But that wasn't abuse of power. It was just abuse of animal.

Jack: Yeah. Yeah. Because he's not abusing God, AKA the multiverse energy.

Cristina: Yeah. Maybe if you attacked everyone with the light, then it'd be inappropriate. I don't know.

Jack: Well, no, I guess it would be using the light in a sort of a wasteful way.

Cristina: In a wasteful way, yes.

Jack: If you think of Flash's interpretation of it, the. The energy thought it was being misused when he was consistently using it for selfish reasons, trying to alter time. And when the Reverse Flash also started abusing it, that the Reverse Flash literally had to stop using that energy and come up with his own version of the Speed Force.

Cristina: Okay. Yeah.

Jack: So because he was being purely selfish, instead of using it to accomplish simple tasks or something, it was being considered abuse.

Cristina: Yeah. And In Star wars, how does it turn dark?

Jack: Well, you start using it for. It's weird because not everybody gets corrupted. Some people just like doing bad things, but some people do get corrupted by it. I'm not sure where the line is though.

Cristina: What do you have examples?

Jack: Yes. Count Dooku is a very reasonable, clear minded guy who is trained by Yoda.

Cristina: Mm.

Jack: He doesn't seem to have been swallowed alive by the Force. He's clear minded. He just. Yes. He just supports the bad side, but he's clear minded.

Cristina: Yeah.

Jack: While the Sith Lord seems f****** gone.

Cristina: Yes.

Jack: Like he's not there at all. He's being manipulated by this evil energy, but he's also like corrupted and weird.

Cristina: Yeah. I feel like the Force, though, is damaging him. Like he used it so much that it's also abusing him. That's what's happening.

Jack: That's what they mean by abuse. Don't get addicted to the Force, just.

Cristina: Like the evil Flash guy. Oh my.

Jack: Yes. There's a. There's a rhythm here.

Cristina: Yes.

Jack: Don't get addicted to it and keep using it over and over and over and over and over and over. He man uses it to achieve a purpose and then doesn't just hang out using it.

Cristina: Yes.

Jack: When there's a purpose, when there's a reason, then I use it.

Cristina: And Goku, even though it's unlimited and he keeps going up, there's a rhythm to him also using. He hasn't jumped up or anything. He's like working his body to be comfortable with it.

Jack: His body adapting.

Cristina: Yeah.

Jack: It's not like drugs. He trains to be able to withstand it.

Cristina: Yes. Which no one else does.

Jack: Yes. While in the case of Vegeta, he literally gets corrupted sometimes because he's not using it. He's not like just training his way up sometimes. He just wants the power.

Cristina: Mm.

Jack: So he can't handle it all the time.

Cristina: Yeah. Oh my God.

Jack: Interesting. So don't get addicted to the Force is the ultimate lesson. Use it carefully, with moderation.

Cristina: Yes. And still you can. You can do whatever you want with it.

Jack: You could seemingly do whatever, but it needs to be. You have to be able to control it. There you go. It's hard to control. And if you're using it without being able to control it, that counts as abuse.

Cristina: Yes.

Jack: What now? I guess that tosses out the window whether he man is good or bad because it ultimately doesn't matter.

Cristina: No.

Jack: Like morally speaking, the multiverse energy doesn't give a s***.

Cristina: Not at all.

Jack: Because he man is using it in moderation yeah. And that's what matters. And he's turning his cat into a f****** other thing. But his cat can handle it too.

Cristina: Yes.

Jack: Which is why it doesn't matter.

Cristina: Even.

Jack: If the cat hates it and he's being Mr. Jackal and Dr. Hyde or.

Cristina: Mr. Hyde and Dr. Jack hate it because it is killing him.

Jack: Then does that is the cat who's gonna get punished or is it he man?

Cristina: Yeah. What if it's the cat that's getting punished every time he does that?

Jack: Interesting. Because he man isn't like he can control it.

Cristina: He's fine. He's fine because he's doing it when he's ready. This cat's being forced.

Jack: This cat's being foreign.

Cristina: So like, maybe some years are getting off his life or whatever.

Jack: That's like.

Cristina: We don't know. This might be multiple reasons why this cat hates it.

Jack: Yeah, yeah, yeah, yeah, yeah. His life is getting shortened. Or he's slowly becoming evil and he doesn't like the bad thoughts he's having or something.

Cristina: Yes. Yep.

Jack: He man.

Cristina: But when it comes to the Power Rangers, do the villains also use this power or is it just the Power Rangers?

Jack: The villains do. In fact, they all have this weird lightning ability when they're showing up or some s*** like that.

Cristina: Do they also transport?

Jack: Yes. Holy s***. And they also use f****** lightning to get bigger and s***. Yeah, they get hit by lightning or something.

Cristina: Do they sometimes corrupt?

Jack: They're always corrupted.

Cristina: Oh, okay.

Jack: In fact, the only people who aren't. If we just think of the original Power Rangers, it's that lady Rita and her husband.

Cristina: These are.

Jack: They can learn how to control it, but they're forcing this power on other s*** that goes berserk.

Cristina: Oh my gosh. Yes.

Jack: Interesting.

Cristina: They force their minions to have the power, but the minions aren't ready.

Jack: They're not ready.

Cristina: So then. Yeah. Whoa.

Jack: Whoa.

Cristina: Wow. We found the connection.

Jack: Yeah. We connected everything.

Cristina: Yeah.

Jack: Wow. That's kind of crazy.

Cristina: Yeah.

Jack: That's kind of amazing.

Cristina: Mm. Did you think you were gonna connect all this?

Jack: H*** no. But I also didn't realize that there was such a pattern of electricity and like the sort of plasmic energy that exists not just in our universe, but in all universes within the multiverse.

Cristina: Yes.

Jack: That's crazy.

Cristina: That is crazy. I'm guessing the Transformers can ever corrupt because they are. So they're always ready for whatever they do.

Jack: Yes, yes. Yes. That's why there's not like somebody losing their f****** mind. They're just in disagreement.

Cristina: Yeah. Whoa.

Jack: Interesting. Anyways, we're running out of time. But holy. I. The last thing I expected was to discover that there is a multiverse energy that exists within all of us.

Cristina: Yes.

Jack: That God is just a light. It's. It's a for. Yeah, it's a Force.

Cristina: But you don't want to call him the speed of Force. You want to call him the universal power. No. Energy.

Jack: Multiverse Force. That's what we'll call him.

Cristina: The Multiverse Force.

Jack: Yes. The Multiverse Force.

Cristina: That's not a catchy name, though.

Jack: It's not a catchy name, though. There needs. Because speed Force feels right.

Cristina: Yeah.

Jack: And so does the Force. Those feel good. Yeah, I guess the Force is pretty sweet. That's okay. Well, they treat it like God.

Cristina: Yeah.

Jack: It is religion to them.

Cristina: Okay, we'll call it the Force.

Jack: So. Okay. The Force is connected everywhere. Everything. Everything is connected by the Force.

Cristina: Yeah.

Jack: Wow. I'd say. Look, I'd say you guys can find other episodes where we talk about this the way I usually do, but, like, there's. There's f****** not. Like, this is the first time this s*** has ever crossed my mind, period.

Cristina: Yeah. But we have talked about cartoons.

Jack: Oh, yeah. We literally have an episode in which we're talking about how Scooby Doo became Scooby Doo. If you want some cartoons in your life, is that the only cartoon we've talked about?

Cristina: We talked about Pokemon.

Jack: Oh, yeah, we talked about Pokemon as well. This. Whatever. There's some cartoons in there. There's probably. There's literally a s*** ton of episodes about. What is it? Morphers? Not Morphers.

Cristina: Transformers.

Jack: No, Transformers.

Cristina: Shapeshifters.

Jack: Shapeshifters.

Cristina: Oh, we have a bunch of shape shifting.

Jack: So many episodes.

Cristina: We also talk about what God could be. That's quite a few episodes.

Jack: Well, if we nailed it now. But yeah, there were a bunch of theorized episodes of what God could be.

Cristina: Yep.

Jack: So you guys can go check all of that stuff out at the official website, greatthoughts.info@apple, Podcast, Spotify, or anywhere you get your podcast.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok. UsConvopod.

Jack: Yes. And remember to subscribe, rate, and review.

Cristina: The show and let someone who might like this show know about it.

Jack: Yes. Word of mouth is incredibly powerful. And apparently you do have the power. You do literally have the power within you.

Cristina: You just have to.

Jack: He man was right. You just have to learn how to use it.

Cristina: Yeah.

Jack: And not abuse it. Be kind to your fellow man and tell him, with my power, I Will introduce this to you and you will learn how to use your power to introduce it to somebody else. And the good word will spread.

Cristina: Yeah, don't be like he man. And forcing it on to someone.

Jack: Nah, nah, don't do that. That's bad. Be like a good Samaritan, not like he man.

Cristina: This has been the Just Conversation podcast. Take nothing personal and thanks for listening.

Jack: By.

Cristina: Like, we didn't need the robe.

Jack: We don't need the rope. It's crazy, bro, but so many weird traditions to hold. Put your hand on the Bible. What if you're a f****** atheist? This is an easy one for you. You could totally lie under oath. Oath doesn't mean s*** because it's an oath to God who you already think is a f****** mythical.

Cristina: Is it really an oath to God still? They haven't changed that. They need to update that. What if liars. But you. If you lie though, you're gonna get in trouble. You can't just say, oh, but I was. I'm an atheist. So it didn't mean anything to me.

Jack: Well, no, here's. It's not. That's not how it works. The way it works is that they make you put your hand on the Bible and make the oath, swearing to God that you're not gonna lie. Their assumption is if they fear God, they won't lie. You're gonna get in trouble whether or not you believe in God and you lied and you get caught for lying. But they're hoping that you believe in God enough to not lie with your hand on the. After you put your hand on the Bible and swear to God, you wouldn't lie. Okay, but if you don't believe in God, that part of it means f****** nothing.

Cristina: No.

Jack: You just did some s*** that made them feel good.

Cristina: Yes. And made you feel awkward.

Jack: I guess if it makes you feel awkward to put your hand on the Bible. But at that point, maybe the Bible is doing what it's supposed to be doing and you're some sort of like, creature. You didn't even know you were a creature.

Cristina: I've never seen a Bible. You're like, what is this? Why do I have to do this?

Jack: That's crazy. If you live under a rock like that. The crazy rock to live on there.

Cristina: Yes.

Jack: To just have never seen a Bible before. But there are so many weird f****** traditions, man. It's really odd how a courtroom works.

Cristina: Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and Published by GreatThoughts.in Fox, art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 134: The Two Religions

19400327_853871758094473_818303990680330244_o.jpg

Which has more answers for the mysteries of nature? Theology or Science? How different are these two belief systems? How identical are they? In this episode the duo breaks down the similarities and differences of Earth’s two greatest rivals for understanding the mysteries of nature. Theology and Science ad discussed as powerful religions.

Rambling 134: The Two Religions

+Episode Detail

Topics Discussed: The Scientific Method Atomic Theory Science vs Theology Objective vs Subjective Neil deGrasse Tyson Quantum Computer Morality Universe Jello Catholic Church Allegations

Our Links: Official Website - https://greythoughts.info/podcast Twitter - https://twitter.com/JustConvoPod Facebook - https://facebook.com/justconvopod Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Just Conversation podcast, the show where we ground humanity's most absurd and baffling ideas in childish ways. I am your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yeah. So if you need to get somebody to listen to this show, be sure to make them.

Cristina: Make them.

Jack: It's always. Look, this show always begins on the woke truth, which is you. You have the obligation to force people. You're obligated for justice. For justice. To force people.

Cristina: Mm.

Jack: To do what we're telling you to do, which is make them listen to the show. It's an obligation.

Cristina: Yes.

Jack: You don't know what kind of danger you're potentially in if you don't.

Cristina: Wait, they're in danger?

Jack: Yeah. The people we're talking to are in danger. They have to make other people listen.

Cristina: Oh, okay.

Jack: Gotta run out into the show.

Cristina: I thought only the person that they're making listen was in danger, not realizing, like, oh, we're actually making the people do it. Like, they're not just.

Jack: Oh, no, they don't.

Cristina: Doing it for fun to.

Jack: Pretty sure. In the past, I've established that I will put their children in danger.

Cristina: Yes, Yes. I forgot about that. I don't know why I forget about that. It makes perfect sense that the person listening is also like, why would you.

Jack: Do what we're saying?

Cristina: I don't know. Because they're trolls. I don't know. They.

Jack: Look, there are some trolls out there who are just like, let's do this.

Cristina: Yeah, that's what I think. That's how I feel like most of the listeners are.

Jack: I mean, like, let's be real. A huge, like, by vast majority. Like, I feel sorry for somebody who stumbled into this and isn't a f****** troll. They're over here. Like, we're about to get educated and it's like, sure, sure, sure. I mean, look, we're not gonna tell you something that's not true.

Cristina: Exactly.

Jack: But we're also not gonna tell you something that's not false.

Cristina: Mm.

Jack: It's.

Cristina: It's in there. It's in there. It's a little bit. Yeah.

Jack: But look, okay, okay. Let's be real. Right? Talking about real and fake and false and all this bullshit. Okay. What's let's. It's use a scientific method, right? You could prove. You could prove. What we're telling you is that it's dangerous or whatever. F***.

Cristina: I don't know. Because people say they use the scientific method to prove that the Earth is flat. And I don't believe it.

Jack: See, this is a weird argument because there's two things happening there. Some people think they can use science to prove the Earth is flat, which is in itself a little bit dumb, considering.

Cristina: I'm not sure if they know what the science. Scientific method is, though.

Jack: Yeah, they definitely don't because they are confused about the replication part of the pro of the whole program. Like, if I came to the conclusion, the whole other half, they're missing the. I did it and got this result. It's okay. Repeat it and get the result and then let somebody else repeat it and get the same result. They're missing that part. They're like, no, I got it the first try. I got it. I don't need any more proof. I understand. And it's like, this is science. This. Yeah, I'm sciencing, okay? And it's like, all right, bro, come on. But it's like, oh, some people also believe the f****** science is fake. And they use that to prove the Earth is flat. Like, all the science is wrong. Thus the Earth cannot be browned.

Cristina: So the scientists are wrong. I mean, they're not using the scientific method or there's something wrong with the scientific method.

Jack: God, that's so sort of the scientific method. It's not that something is inherently wrong with the scientific method. It's that it's not as right as they claim. They pretend that the scientific method is infallible, but everything is a theory because nothing has been proven. You just have overwhelming evidence for certain things, and you claim that to be as close a truth as you get. For example, the atomic theory. There are atoms. We behave and like the probabilities are in the favor of atoms by vast majority. We've built science around the concept that there are atoms. Technology relying on the idea that there are atoms. Also. We have no way to prove there's an atom. There's just not a thing we can do.

Cristina: We can't see them.

Jack: No, we're touching something, behaving in some way. We're not exactly a million percent sure.

Cristina: We're like seeing his shadow or something.

Jack: We're seeing data.

Cristina: Oh, okay.

Jack: And not even all of it. That's why we keep finding s*** inside of a f****** atom.

Cristina: In an atom.

Jack: Yeah. We discover s*** about atoms all the time.

Cristina: Oh, okay.

Jack: If we're looking at atoms, that's where it gets shaky. Yes, because, like, what the f*** are we looking at?

Cristina: Mm. So then the scientific method is not the way to go.

Jack: It's the best method we have. It's better than religion, at least for the purposes we're using it for. Okay, fair enough. That's wrong. That's wrong. Although the statement that I followed it with, the purpose we're using it for, that statement corrected what I was saying. But ultimately it's about as useful as religion.

Cristina: It's as useful in what way?

Jack: Well, science leans into understanding the objective things that both you and I experience. That's very objective. We can both see a table in front of us and say, this is a table. You're saying table. I'm saying table. Okay. The table exists within the objective reality. Yes, but there are things you feel that nobody but you feels. They can try to explain what they're feeling, but you can't feel it too. Yeah, maybe it's the same. It might sound like the words you'd use. But also we're limited by our language, so maybe you just land on those words because you're the closest. Yes, but they're wrong.

Cristina: And you're saying religion is like that.

Jack: Religion is like that. Religion is aiming to explain the subjective world.

Cristina: Subjective world, yes.

Jack: While science purely, purely, purely aims at the objective things that we can all see and replicate. You cannot replicate something subjective. It's a personal experience. Yes, but you can.

Cristina: But the Bible is trying to explain that sort of.

Jack: The idea of theology in general is to explain that. Sure. There's some cross pollination. Right. So you end up with, like, morality inside of science, the concept of morality, what's right and what's objectively right and what's objectively wrong.

Cristina: Yeah, we.

Jack: It's loosely philosophical science. Like if we gave you a thought experiment and ran you through these things, is this right? Is this wrong? Could we put somebody else through the test? Like, you're using the scientific method to work with psychology.

Cristina: Yeah.

Jack: And philosophy. But in. In religion, you're dealing with a completely different monster, which you're trying to reflect on what's inside of you. But there's the same cross pollination of. Well, we can try to tell you why the earth is at all, why we exist or what. Like, you know, there's that problem that exists in both. They're not really necessarily being used for what they're being used for. Yeah, they need. They want to explain everything. Both things but you can't.

Cristina: But why do they want to explain everything?

Jack: Because they're both religion and it's more about collecting the largest following than it is about being practical and useful. That's the same reason that scientists don't have the language to convey the information to the common person. Scientists are kind of f****** stupid. We think of scientists. Oh, they're so smart. A scientist is no smarter than a teacher who's a master at teaching than a construction worker who's a master at construction. They just happen to be in chemistry. So they're great at f****** chemistry. Or in physics. Or great at physics.

Cristina: But that doesn't mean they're good at teaching.

Jack: Yeah, that doesn't mean that they're good at teaching. They're just good at their thing. They're smart, not intelligent.

Cristina: People confuse those two.

Jack: Confuse those two s****. Too often people think intelligence collected. No, that's how fast you use information. That's how flexible you are with information. Most scientists, like theologists, are just smart in that one area.

Cristina: Yeah.

Jack: And they're ignorant to every other thing. Why is the joke? The scientists are extremely awkward people. It's because they have no social skills. They're not like interpersonally intelligent.

Cristina: Unless you count the few that are popular now.

Jack: Like Neil is not interpersonally intelligent. He is kind of rude. A bit aggressive, stubborn and rigid comedians for. Yes.

Cristina: Never mind. He has a shortcut.

Jack: He has buffers. Yes, he has buffers.

Cristina: He needs.

Jack: Oh, so like Neil is an intelligent guy.

Cristina: Yeah.

Jack: He is not just smart, he's intelligent. The problem is he's stubborn and heavily ignorant. So he'll use the information he has in clever, clever ways to just create a loop of confirmation bias rather than allowing other information into his thing. Yeah, he's just very, very. To him it's a religion.

Cristina: Yeah.

Jack: Neil worships the science. He knows.

Cristina: Yes. Cuz well, to him he knows him.

Jack: He knows. He knows how the universe came to be. He knows what? And if the question seems to not fit, which we've heard many times, he'll say it's irrelevant. That question itself is flawed because it holds no meaning. It's like there's no such thing as a meaningless question, bro. He does not study Alan Watts.

Cristina: No.

Jack: He does not understand the true granular nature.

Cristina: What kind of intelligence or smarts is Alan Watts?

Jack: He's entirely about teaching. He's like Einstein. It was all just like he was really good at communication. He's a communication intellect or smarts. He's got communication smarts and he has interpersonal smarts that they can do very good at communicating their ideas and making it accessible to the commoner. That's the whole point of the theory of relativity. Very, very. Or not the book. Relativity. It's very, very visual dialogue. The whole point is a train is doing this and this is happening and it's going this fast and you're witnessing this as it's happening. And like you'll have the numbers. It's on the page also. You can f****** ignore it because the visual he's giving you is the numbers.

Cristina: Makes sense.

Jack: Yeah, it makes just as much sense.

Cristina: Mm.

Jack: He was a scientist who studied science and used other methods to teach, not just science. Neil is just a scientist and doesn't know s*** else. He's all the blind spots in the world.

Cristina: Mm.

Jack: Only science. Just science. Nothing but science. You threw him in a random place. He starves to death. He has no idea how to survive. Because science is the. And specific science is astrophysics. The end.

Cristina: Yeah. That's not good.

Jack: That's all he's got.

Cristina: Deserted island.

Jack: Yeah. He's f*****. We look at space. Oh. Something's gonna. At that point he collapses into religion.

Cristina: Yeah. Yeah.

Jack: Which is the other side of this. Because religion also has the same problem. Religion is trying to force crap down people's throats and also fails at explaining things in a way that makes it more accessible.

Cristina: I don't understand why they want to try to explain everything with religion though.

Jack: Why are you trying to explain everything with science?

Cristina: Okay. I guess it's both the same thing. Why does everything.

Jack: I don't know. They just want to do that. But I mean they're both the same. I guess the.

Cristina: So it's just like. We just will need an explanation no matter what we're using. We just. We just need everything solved. There can't be no mystery.

Jack: Yes. Yes.

Cristina: Because then that's danger.

Jack: And I guess that's ultimately where both science and theology come in.

Cristina: Yeah.

Jack: Because they're both trying to answer the questions. All of them. They're both trying to answer all the questions. They're so scared of having unanswered questions.

Cristina: Yeah. Because that could be something dangerous there. I guess. I don't know. Like what's gonna happen if we don't know?

Jack: Alright. Let's say we. We go in and we do some science and we find out in 15 years Earth is going to be hit by another planet that's gonna enter our system. Stray.

Cristina: Cool.

Jack: Okay. What are we doing? We don't have the technology to get ever. It's f*****. It's done. Technology, Nothing's happening. We're f***** up.

Cristina: Mm.

Jack: Well, we move to Mars. Doesn't matter. Two planets collapsing next to each other, crashing into one another. That close in proximity, the debris is gonna fly out and destroy Mars. It's crazy.

Cristina: So then what do we do?

Jack: We're all dead. It's the end of the human race.

Cristina: Okay. That's because we needed to know though.

Jack: Yeah. We found out and like, great. Now we just know we're gonna die.

Cristina: Yeah.

Jack: Could have been a surprise.

Cristina: Yeah. Maybe surprises aren't so bad. I don't know.

Jack: Could have been a surprise.

Cristina: Yeah.

Jack: But no. Although on the flip side, as that planet closes in and it gets closer over the weeks and months, those storms are going to be crazy apocalyptic scale.

Cristina: We're just going to enjoy that end of the world before the death.

Jack: No, it's going to be horrifying. All the volcanoes erupting simultaneously. Hurricanes and tornadoes everywhere. Megastorms.

Cristina: Yeah.

Jack: Earthquakes everywhere.

Jack: The planet will be squeezed by the gravity of another planet. Getting crazy close.

Cristina: That's so cool, man. If we were far away, but I guess we're already doomed and like able to watch it.

Jack: That'd be cool.

Cristina: Yes. If it was hitting another planet. If it was hitting another planet, where we are though, we'd still die, right? Like it doesn't matter.

Jack: Like it would have to be a pretty far planet.

Cristina: Like if it was hitting Pluto, which I guess isn't a planet, but let's imagine that it is.

Jack: It depends how it hits it. Like Pluto's pretty far.

Cristina: Okay.

Jack: Like we could still expect some s*** to happen though.

Cristina: Yeah.

Jack: Like there's gonna be the brief flying around.

Cristina: Like how big is this planet that's hitting Pluto?

Jack: That's another good question.

Cristina: Like it's gotta be bigger than Pluto.

Jack: If it's a planet.

Cristina: Yeah. Yeah. So what does that do?

Jack: It's a potential problem.

Cristina: We'll probably still die. You think we would still prepare though to get out of here? I think we've had over doomed.

Jack: No, we can't leave the solar system. We don't have the time.

Cristina: Oh, okay.

Jack: Even if I say 20 years, we still don't. We don't have the time. Anything that's close to the orbit of Jupiter as that debris flies out in every direction is f*****. Even in a long term.

Cristina: Okay.

Jack: And anything that is in order, like a lot of those rocks are gonna get pulled in. We're towards the inside. Like we're way closer to Pluto. So we're what we're Based on the reference point of Pluto we're in, there's.

Cristina: Gotta be a scientist that's, like, dying though, right? Like, he's, like, worried, when is this giant rock gonna come out of nowhere? Because we don't know everything that's traveling in space at the same time right now with us and how everything is moving. Like, a planet could come out of nowhere. Can it? Or is that a very low possibility?

Jack: I mean, let's be real. A planet could kind of come out of nowhere. Random s*** exists. We suspect there's planets in our belt now.

Cristina: Yeah. But there's also, like, planets that aren't attached to galaxies. Or are they all attached to galaxies?

Jack: Stars.

Cristina: Stars. Sorry. Yes. Are they only attached to stars or are they flinging everywhere?

Jack: There are some planets that are just rogue. Yeah.

Cristina: Yeah. So.

Jack: And our star can capture one.

Cristina: Could capture it.

Jack: Yeah.

Cristina: Without hitting anything?

Jack: Oh, no, it could definitely hit everything.

Cristina: Oh, okay.

Jack: It could hit f****** everything. Like, it's highly unlikely that it hit anything.

Cristina: Oh.

Jack: But, like, it's possible that it could be caught and enter the gravity and stay, like, caught orbiting. But it's probably gonna f*** some s*** up.

Cristina: Yeah. Man. There is someone stressing about this. That's why there's so many of, like, Planet X is coming. Because. Yeah, there are people stressing about this. We're in space. That's. With so many things we can't see, we don't know where they are all the time. We need that quantum computer.

Jack: But we're. We're kind of sort of dealing with. This is exactly what I'm talking about. Like, science isn't perfect.

Cristina: No.

Jack: There's no equation we could run and just be like, it's over there.

Cristina: What if we had that quantum computer, though?

Jack: That quantum computer would get pretty f****** close.

Cristina: So. But not perfect.

Jack: Like, it would. It would. The better the quantum computer, the more accurate.

Cristina: Yeah, but there's no such thing as a perfect.

Jack: No. Because it would need infinite energy to calculate everything.

Cristina: Okay.

Jack: We're thinking with a massively complicated quantum computer, we can not just do the surfaces of planets the way we've successfully done on certain things like the space engines and even video games have access to a lot of this technology now. But we're talking. Actually, I think Google Earth, if you zoom out far enough, you can get the galaxy Simcha. I'm not sure. But we have that technology available to render the outside pretty accurately.

Cristina: Mm.

Jack: We're getting the. The idea of a quantum computer would essentially lead us to a computer that could render not just the surface but the inside of planets and like all the kind. But we wouldn't do it in the whole universe because it too much.

Cristina: Oh, okay.

Jack: That's. That's where the problem is.

Cristina: We can at least see our neighbors.

Jack: Yes, that help. We'll probably be able to do local things and that as it expands in complexity, we'll be able to do more.

Cristina: And more until we have a map.

Jack: Of the whole thing of our galaxy, maybe our galaxy galaxy. But we also have to be in certain places in order to get the proper angle for the computer. Because the computer still gonna process information it's receiving. It's not guessing.

Cristina: Yeah, we'll have the science.

Jack: Yeah, hopefully. But then that's the problem with religion.

Cristina: Oh.

Jack: Because religion is also doing the same thing. They're just claiming, just like science, that, you know, we got the f****** answers. We know. And it's like meteor came or f****** planet was hurling our way. You don't f****** have anything. Religion is the same f****** way. It's like we know where everything's going when it's ending. How, why?

Cristina: Yeah.

Jack: Who's going where? White. They're going there. It's like you. You're basing all of this on a book of metaphors.

Cristina: Well, most people don't even know what the book is saying though.

Jack: I mean, the people who f****** wrote it know what the book is saying. Cryptic a** mess.

Cristina: Yes.

Jack: It's all interpretation.

Cristina: Yes.

Jack: That's crazy as h***. It's all bigoted machista interpretations going on.

Cristina: So I don't know that's it's such a mess of a book. How is anyone getting any information from it?

Jack: The creation of the universe, nevertheless. Answers for human behavior nevertheless.

Cristina: Yes. When the end of the world is happening, what?

Jack: Things have their place. And we fail at realizing that things have their place. Religion has its place and so does science. And it is in that science should just be focusing on the objective and theology should just be focusing on. Because again, they're both religion. So theology should be focusing on the subjective and that should be the division you should use. The real purpose of religion. Right. Is a meditative tool. You might believe that there's literally something there that's totally fine.

Cristina: Whatever about the moral values you get from it.

Jack: That's where you're at. Exactly. That's where you're starting to land. That's the point one. When it comes to morality, that's neither religion nor science. That's pure or theology. I keep saying religion, neither theology or science. That's philosophy. Really? Really.

Cristina: It should. So it should stick to that, then.

Jack: It should stick to that. Because the problem is it's a way of thinking about things.

Cristina: Yeah.

Jack: To say blankly there is a right or wrong is something that science tries to do and something that religion tries to do. But in neither instance could you prove anything.

Cristina: No.

Jack: Because in science, you would argue everything is ones and zeros. Nothing holds inherent meaning. Well, wrong. If I shot you, you would be very frustrated. Even if you couldn't feel pain, if you just knew you were shot, you're like, f***, you suck.

Cristina: Yeah.

Jack: You need to feel pain. You're not gonna die. You just shot. You're just like. You're an a******. That was shot.

Cristina: Mm.

Jack: Why do you feel that way?

Cristina: That's crazy.

Jack: Okay. In religion, they claim that everything is inherently good or bad, but you couldn't point at an example of either that you're basing the argument that this other thing is on.

Cristina: Where is this pure good or pure evil?

Jack: Exactly. How are we pretending there's any. But again, morality is neither. It's a way of thinking.

Cristina: Yes.

Jack: Reference point of, well, what would bother me? Why would it bother me? Okay. These reasons, then that means it would probably bother them in a more or less similar fashion. Because we're more or less similar.

Cristina: Yes.

Jack: And then use that generalization. There's already a guideline, a set of rules that you're like, I don't know where it came from, but it's there.

Cristina: Yeah.

Jack: Religion would say, that's not a f****** thing. That's all in your head. Religion would say, well, God put it there. Who cares? It's. There's some thing that's there.

Cristina: Yes. That's so crazy. Okay. Yes.

Jack: That's. That's all it is. It's all that matters. There's a thing that was f****** there.

Cristina: Mm. In you.

Jack: Not necessarily in you, but it's both objective that you can confirm with somebody else. Man, this would suck if this happened, right? Yeah. Yeah, it would suck if that happened. Why? If neither would have ever experienced it, I don't know, but I know it would suck.

Cristina: Yes. That's the way it should be.

Jack: You'd be an atheist and that would happen.

Cristina: Yeah.

Jack: In fact, that is the argument for atheism.

Cristina: What is?

Jack: Well, we don't need religion to be moral people.

Cristina: Oh.

Jack: It's like.

Cristina: Yeah.

Jack: Then what is morality, bro? It's not science either. It's not like science is like. Science is ones and zeros.

Cristina: Apparently they think there's morals in there.

Jack: They try to explain, to explain away morals. Oh, but you have the Sensation of morals.

Cristina: Yeah.

Jack: While religion tries to say that for a fact there are morals. But also no. Because we're basing it all on our own opinions.

Cristina: Yes, we definitely have opinions. Yes, that's for sure.

Jack: That's for sure. We definitely have opinions. The weirdest thing, we could agree on these opinions.

Cristina: Yes.

Jack: Like pretty. Pretty heavily, universally.

Cristina: Yes.

Jack: To just say this is good, this.

Cristina: Is bad, but these are all just opinions.

Jack: They're all just opinions, but they're somehow universal opinions that we all agree with. It's sort of like the concept of creativity. What are you tuning into that allows you to see this thing that doesn't exist?

Cristina: I don't know.

Jack: Whatever that is. Probably where morality comes from.

Cristina: Imagination.

Jack: We're like, being creative about our approach to perspective in general.

Cristina: Mm. I don't know. Where does that come from?

Jack: I have no idea. But I don't know why these things aim to do these things. They try to force so much crap onto one another. And the problem is they also have because so funny. They pretend they're not. They're not each other.

Cristina: You're saying they're the same thing? Yeah.

Jack: Theology and science pretend they're not each other, but they are both sides. I'm gonna take a scientist and a priest and say that they're both way committed to their sides. Scientist is. I'll say. I don't know why this is the comparison. But we'll say Neil Degrasse Tyson with the Pope.

Cristina: Okay.

Jack: So the Pope will have to preach God. Yes. For a fact. He's up there. True, true. That woke truth God. Yeah. Sky Daddy team or whatever the f***. Team Sky Daddy.

Cristina: Who says that? Are religious people saying that?

Jack: Sky Daddy. I don't know.

Cristina: Those are people making fun of religious school, man.

Jack: Is that. They have a Sky Daddy. Come on.

Cristina: Yes, they have a Sky Daddy. Yeah. I mean, he's not in the sky, is he?

Jack: Dude, they swear. I mean, I don't know what they think.

Cristina: Ah.

Jack: Do they think there's no space?

Cristina: The space is very small, or.

Jack: No, not even that. Or. Man, it's weird because what do some people really think is happening, right?

Cristina: I don't know.

Jack: It's f****** strange. Like, do they think it's just like over the clouds, Heaven?

Cristina: Yes.

Jack: And it's like, wow, this is small.

Cristina: Like, you know in Mario, where there's a plant that grows, and then you can climb the plant and then there's clouds and you can step on the planet clouds.

Jack: Jack and the Beanstalk.

Cristina: Yes. But in Mario version, I guess that's based On Jack and the Beanstalk. Yeah. That's heaven.

Jack: Yeah. It's all the same.

Cristina: Yeah.

Jack: Well, ultimately they are the same thing, though, because they both have the. The Golden Grail, which is what they both follow, which is their scripture.

Cristina: What is the scripture?

Jack: In theology, they have literal scripture that they call scripture.

Cristina: Yeah.

Jack: And in science, the scripture is science journals.

Cristina: Science journals.

Jack: Yeah. Let's discuss science journals real quick. It's a book written by people who aren't you.

Cristina: Yes.

Jack: They've done, quote, research and run experiments that you don't know anything about and you can't and don't have the resources to replicate.

Cristina: No.

Jack: And then they put it in a book, and then other people, you don't know say, yes, true. And then they tell the rest of the world, and people are like, yeah, that's true.

Cristina: But those people that said, yeah, that's true. They tested it out.

Jack: Yeah, totally. How is that any different than the guy who saw Jesus? And the other guy's like, I saw him too.

Cristina: Oh, okay.

Jack: And it's like, right, But I didn't see Jesus. Where's Jesus? No, don't worry. I saw Jesus. Yes, and I saw him, too, but I didn't. You two saw him. How do I know you two aren't lying?

Cristina: He was on the toast. I ate him. I was hungry, was what. He was on the toast and I ate him because I was hungry.

Jack: Oh. But, yeah, that's pretty much how it goes. Science is that. That's science.

Cristina: It's religion.

Jack: It's religion.

Cristina: And so it's religion.

Jack: It's no better, no worse. It's just choosing to explain s*** differently. Yeah, I mean, I've given the example before, but let's do it again. We take science and we take theology.

Cristina: Let's.

Jack: Let's use the common American Western religion of the singular sky. Daddy, Jehovah. Jehovah, Papi, Jehovah. Right. So you have nothingness except for this one thing that exists and encompasses all that there is. We'll call that God or singularity, whatever. It was always there. And then it was like imma blink into existence. A bunch of s***.

Cristina: Yes.

Jack: And so it happened. God started bringing crap in, and so the singularity blew up and started spewing out all the matter that would become crap. And as all the matter spewed out, first plans started to take shape. God was on that roll, too. Once he had the planets, started making the heavens and the water, the oceans and s***.

Cristina: But his orders are kind of weird, though. I don't know if his orders of making things made sense. I don't remember.

Jack: The order isn't necessarily important because all the parts were there.

Cristina: Yes, yes. The conclusion I guess is important.

Jack: Parts also, how do we know what order it happened for? It was Jello at the beginning.

Cristina: It was Jello.

Jack: Yeah. We barely got told that part. Everything was Jello.

Cristina: Was.

Jack: Yeah. It was so hot. Solids were impossible. Oh, solids only happen during cooling.

Cristina: Mmm.

Jack: That's why water becomes ice. Cuz cooler. But when water is really hot, it's just vapor. So it was so hot. Everything was first vapor, but then it got just warm. Just cool enough that it wasn't just vapor, it was Jello.

Cristina: So in the beginning there was Jello.

Jack: In the beginning there was Jello.

Cristina: Okay.

Jack: Couple of seconds into the creation.

Cristina: Okay, this is the science version. Yeah, it was Jello. Okay, cool.

Jack: So God then made planets and that Jello solidified and made some planets and stars and yeah, everything became spheres. Yeah, God made the sun. Stars happened in science circles are my favorite. That sun had enough gravity to pull matter together and made planets and. Well, science says that plans began. So you just follow the train of thought and all the same parts happen. You're trying to explain all the same things. Where do we go when we die? Well, neurology says, okay, religion, what happens when we die? Well, the Bible says when you die, you go to try and explain the same s***. Yes, just religion. Both are religion, theology and science.

Cristina: Especially when explaining death. It makes no sense for either. For either. Yeah. What?

Jack: Who the f*** are we to try to explain death?

Cristina: No. Yeah, there's no way we will know. Based on what exactly? I don't know.

Jack: It's ridiculous, isn't it? That being said, if we tried to prove death right, like what's on the other side? How the f*** would do that? If there was a way, what would be the way? It couldn't be religion. It would have to be science.

Cristina: It has to be.

Jack: Because you need to use something that we, that we could ourselves see. If it's subjective, it wouldn't work.

Cristina: Yeah, that's because like the dead guy.

Jack: Saw it, but the dead, he can't tell us. Yeah, we need a living person to see the other side.

Cristina: Science to find out what's happening.

Jack: They both serve their purpose. They both serve their purpose. Definitely. If you look at, in the case of science, you can, you can do a lot of things. We built cars and GPS and bunch of f****** s***. We're talking into microphones that are sending sound waves through a wire into a computer. That's Recording it. And then later that's gonna become a different kind of file that then is gonna be mass distributed to the planet. That's science.

Cristina: Yes. And they're evil.

Jack: The Bible didn't make that happen. But science tries to say that religion is unimportant.

Cristina: Yes.

Jack: Or I guess it in itself is religion. But theology. And theology does a couple of good things, which is it tells stories that allow us to understand the world differently. And at any given moment, theologies have the best idea. Now we're in such a technologically advanced, particularly the Western societies and the. I guess Asian societies are really, really like Eastern Asians are very advanced and a lot of the western culture that we are losing the purpose of religion because it was there to tell us stories that would protect us when we're in danger, give us anecdotes about bad places to be, bad behaviors to have conflicts that could happen as a result.

Cristina: But now we can just tell each other that through the Internet.

Jack: Yes. And so we don't need a lot of these things that came from religion. But spirituality is important.

Cristina: Yes.

Jack: It makes you feel connected. That's important. That's not just philosophy. There is something else happening when you're talking about spirituality.

Cristina: Yeah.

Jack: There is a thing you feel that isn't your emotions.

Cristina: Do you get spirituality from religion or is that its own?

Jack: It's a close estimate.

Cristina: It's.

Jack: It's a close way to get it. You can also get it from. I guess you could experience. You could get it from anything.

Cristina: Okay.

Jack: It's just religion seems to be the best at doing that.

Cristina: Yeah.

Jack: Because it's the best at making you feel connected.

Cristina: Okay.

Jack: Like everything is like in science. They're so boring with it. Ones and zeros. You are made of stardust. Great line, bro.

Cristina: Hey, that's sort of connected. That's a very connected thing.

Jack: The lack of explanation of. What does that mean? Well, you made of stardust means the same matter that blew out of the singularity spread out into the universe pretty evenly distributed and then started clumping together. And then that same thing eventually made oceans and made trees and made parasites that were alive and germs and cellular creatures started to get complicated. And these are same atoms still and particles and crap together forming that. You tell that story and you're like, oh, we're all connected. I made the same s*** you're made of. But if I'm like, we're all stardust, it's like. It sounds like some f****** song.

Cristina: It's beautiful. It's a beautiful story.

Jack: We're all made of stardust.

Cristina: Yes. It kind of sounds hippie ish. For something that's scientific.

Jack: Yeah. Religion is pretty hippie ish too. And there's nothing wrong with that. It's the fact that we try to force it down people's throats that is a really.

Cristina: Forcing down anything down people's throat is a problem, whether it's science or religion or whatever. I think that's the biggest thing.

Jack: Yeah. My biggest problem is how we all have the capacity to believe in things that we've not proven ourselves.

Cristina: And then forcing it through other people's throats.

Jack: Yes.

Cristina: Sleeves. Like why?

Jack: That's weird and complicated, right? Yes, man. Cuz we don't know s*** about s***. We're really winging it pretty f****** hard.

Cristina: Why can't we just be honest about that?

Jack: I don't know. We're scared of the unknown crap.

Cristina: That's what we're. That's why we have all this in the first place.

Jack: Yeah.

Cristina: Yeah.

Jack: We're scared of the unknown. That's why we have it in the first place. Because we're scared of the unknown.

Cristina: That's why we have science and religion and Etc.

Jack: Yeah.

Cristina: Because we're scared.

Jack: And we need answers. And those of us who don't have the skills to practice these things actively will just take whatever answers they give us. Because it's better than not having any clue.

Cristina: Yes.

Jack: And then incorrect information beats no information.

Cristina: I understand. But still, why give it? Why force it onto other people?

Jack: My. My big problem is why do we have a fear of the unknown?

Cristina: Yes.

Jack: Like what's wrong with it? Everything is unknown. We don't really know s***. Come on, man.

Cristina: That's why people need to check out Alan Watts. Then they'll see, like.

Jack: Yeah, it's all meaningless.

Cristina: It's all meaningless. But it's a good meaningless thing.

Jack: I mean, that's all about.

Cristina: It's really about just enjoying the moment.

Jack: The problem is the four answers to the glass. Half full or half empty.

Cristina: What?

Jack: There are too many variants of how you can take the same information.

Cristina: Yes. Okay. Yeah.

Jack: The glass is half empty. Yay. There's more for me to do. The glass is half empty. F***. Half is already done.

Cristina: Yes.

Jack: The glass is half full. Ah. Half the work is done. Sweet. The glass is half full. F***. Somebody has already filled out this part. Like, it sucks. It doesn't matter.

Cristina: Yeah.

Jack: It's really like there's no right. And every individual basis.

Cristina: Yeah.

Jack: And that's why we have the two different systems the same way. The glass is Half full or half empty. We have religion and science. Two different sides.

Cristina: Yes.

Jack: To kind of try to grasp everybody. Some people are more critical thinkers. Some people are more emotional. Some people require a little more spiritual feeding. Some people don't have a spirit. They're like borderline sociopaths. And so they do the numbers thing. Cold as f***.

Cristina: Whatever. I guess it all fits.

Jack: It's meant for somebody.

Cristina: It's meant for someone, but it's all.

Jack: Doing the same s***.

Cristina: Yes.

Jack: Then enter philosophy. The. The winner guy. Daddy. Of the f****** ideologies of the religions.

Cristina: The sky daddy.

Jack: Yeah, we got theology and we got science. But, like, they both rely heavily on philosophy.

Cristina: Well, they both look down on philosophy.

Jack: Too, though, which is so funny, because they depend entirely. There's nothing they could do without it.

Cristina: Yes.

Jack: They think they're the next step.

Cristina: Yeah.

Jack: They're not. Because science is what you get when you make philosophy rigid. And religion is what you get when you strip out the thinking part.

Cristina: Strip out the thing. That sounds bad. Yeah, it's not bad, I guess. You don't need to be thinking all the time.

Jack: You don't need to be thinking all the time.

Cristina: Your brain needs a break.

Jack: Yeah. If you're thinking all the. And that's another problem. We've deluded ourselves to think that.

Cristina: That we have to be thinking.

Jack: You have to be thinking. The act of meditation is training to not.

Cristina: Yeah.

Jack: Which we gotta train into. Because of how programmed we are to think all the time.

Cristina: Yeah, I have that problem. Yes, I know.

Jack: The idea is going back to the fact that you mentioned Alan Watts. A person who thinks too much spends their time thinking about thoughts. And you're not present. You're just worried about thoughts that aren't happening.

Cristina: And then you're wasting your life away. Yeah. It's very depressing.

Jack: What's the point of thinking about thoughts? You're not. You're thinking about thoughts. You're not experiencing anything else to think about.

Cristina: Yes.

Jack: Go and experience emotion, then think about it. You got to be there to experience it. If you're thinking thoughts while you're there, you're not experiencing the thing. You're blocking out the experience by thinking thoughts.

Cristina: Yeah.

Jack: Experience it later. Have thoughts about it.

Cristina: So it's. It's so, so sad. But, yeah, it's beautiful.

Jack: Alan Watts, philosophy. Right there.

Cristina: It's perfect.

Jack: Stop thinking thoughts.

Cristina: Mm.

Jack: It's getting in the way of life.

Cristina: Yes. It's getting in the way.

Jack: Yeah. You thinking thoughts is getting in the way of your life.

Cristina: Mm.

Jack: That's a weird thing. To be told by anybody. You're thinking too many thoughts.

Cristina: Yes.

Jack: What the f*** else would I be thinking? Nothing. You'd be thinking nothing. Stop thinking thoughts. Think nothing.

Cristina: Just be.

Jack: Just be present. Do what you're doing. Roll with it. Be impulsive, whatever. Who gives a s***? Be present.

Cristina: Yeah. And that doesn't mean, like, not do. Like, if you like science or philosophy, like, whatever. Still do those things. Yeah.

Jack: But don't be rigid about any of it. Yeah, well, we gotta follow these rules. Neil does not have fun in life. That's why trolls have way more fun than Neil. Neil Degrasse Tyson is a miserable man.

Cristina: He said trolls, though. How do you compare trolls to this?

Jack: The idea here is that a troll finds it funny. They'll laugh it off. Neil gets kind of angry. It's like the difference between me and you, dude, is I have more fun in life because I laugh at it. I found it funny. Life better. You found it something that had to be corrected, explained. And that's problematic because you're angry at the fact that it's not happening the way you want it to happen.

Cristina: Yeah.

Jack: That's weird. But it's sort of the reality of the matter. It is f****** weird. I don't. I don't understand, but it is. I guess it is a f****** fear of the unknown. That's always. I don't know where that comes from, though. Evolutionary. Right, we're just evolutionary f****** scared of what we don't know.

Cristina: Yes. That's probably the explanation. Most likely has to be right.

Jack: Because animals are scared of what they don't know.

Cristina: Yeah.

Jack: And this.

Cristina: They all do.

Jack: Defense mechanism.

Cristina: Yeah.

Jack: It's survival. The problem is we became symbolic, metaphoric creatures seeking meaning in the fabric of the universe, which is all riddled with unknowns. So we get to think about the unknowns rather than just instinctively be afraid of them.

Cristina: Yes.

Jack: And then religion and science happen, and.

Cristina: Then we're trapped in our own thought loops.

Jack: We're thinking too many thoughts. And that is science and religion. We're just f***** bouncing between these two. We're either one or the other. We're arguing against one or the other.

Cristina: Mm.

Jack: And forcing people. No. You're gonna go to h***. But you don't know that. Somebody told you that. And the guy who told you that didn't study it. Didn't go prove that s***. You just got given the answers. Yeah. So many people f****** claim to be religious and have never picked up a single Bible. I find that magnificently hilarious.

Cristina: Yes.

Jack: Oh, I'm a Christian. Oh, yeah. What did Paul say? Who's Paul?

Cristina: No way.

Jack: What?

Cristina: Okay, that's how bad it gets, dude.

Jack: That's how bad it gets. It's just like. But look, if you say like, I believe there's something greater than me, that's fine.

Cristina: Mm.

Jack: I'm Christian. Are you though, bruh?

Cristina: You test them out.

Jack: Even worship, bruh. You even worship, bruh. I guess at that point that's how you gotta treat these people the way you do. Like people who wear banties.

Cristina: What are band tees?

Jack: T shirts with band names on them.

Cristina: Oh, band T's.

Jack: Yeah. You gotta be like, name three songs. I'm a Christian. Alright. Name three apostles.

Cristina: What?

Jack: Name three apostles, bruh.

Cristina: Then name three things they said.

Jack: Name three things they each represented. Yeah, let's go. It's like, what?

Cristina: Crazy.

Jack: Which one of the apostles did Quizdom tribute night? You Christian? All right, come to my house. You Christian? All right, come to my house. At this time tomorrow, we're gonna see if you're Christian. Have a whole group of people there just to like quiz them and prove that they're not or they are or whatever.

Cristina: Yes. Why hasn't the church done something like this? This is amazing.

Jack: It's great, right? Just make the Christian. The church wants a lie and say there's more Christians than there are. Oh, that's anybody.

Cristina: Then they have a problem with everyone.

Jack: I mean. Yeah, because the church doesn't give a s*** about the Bible or Jesus Christ. Okay, the church pretends it does, but the church is really just run by government and government is run by rich racists, which is why it's like, well, women have to f****** do this and do that. And like, we can't have gays either in the Bible and in church because, you know, we're straight white men. That's scary to us because we probably, probably suck d*** secretly and we don't want people to know. We're gonna judge us on d*** sucking. Like you're billionaire, dude. Nobody gives a f***.

Cristina: They're all child molesters.

Jack: So they are. That's where it gets f*****. Which is also approved by religion, specifically the Catholic Church.

Cristina: They're all. All of them. Yeah. All the religious, all the governmental. All of it.

Jack: They like to f*** all the children all the time. God, that's always a topic on this show.

Cristina: It's hard to ignore.

Jack: It is so hard. Anytime we discuss religion, we sudd the Catholics. Look the other way.

Cristina: Just them. It's so many organizations, but it's like people way heavily.

Jack: Yeah, way heavily. The Catholic Church.

Cristina: Yes. But it's everyone.

Jack: It's everyone. But not in vast majority everywhere. No, it's like heavily. Like if we grabbed all the people, molesting all the people, like a good 90% of them are just priests.

Cristina: That's how much hardcore, bro. That's.

Jack: No, that's hardcore. And they get away with it. That's a problem.

Cristina: Yeah.

Jack: How many of them never get caught?

Cristina: I don't know.

Jack: Just f*** the people growing up.

Cristina: Yes.

Jack: Just ruined hella lives. That's a monster though.

Cristina: Mm.

Jack: Functioning great in society. Sociopathic bullshit going on. D***. It's safe to assume that a lot of press, a lot of priests are a bit sociopathic. Right. Maybe they gotta disconnect. Unless it's an emotional urge. Oh no, I gotta f***, I gotta f*** em. It's like, bro, I don't know.

Cristina: I really want to know now.

Jack: That's what it's interesting, right? Like if we could test these people. Are they sociopaths? Is just a church run by sociopaths or do they have a problem? It's like a real problem.

Cristina: Like I gotta find out if anyone actually found that out. I'm sure they must have. Right? They must have questioned these guys.

Jack: I think because they're religious figures, we treat them differently then being curious and being like, bro, are you f****** these kids because you don't like care that they're gonna be ruined in the future? Or you have no self control despite knowing that they have a f***** future if you do this.

Cristina: I wonder how many choose the first answer.

Jack: It's nuts. They're just like, I don't give a f***.

Cristina: Yeah.

Jack: F***, let the kids have crappy lives. I don't give s***. Oh my gosh, I need to get my willy wet. And then God's gonna. I just go pray later and I'm cool.

Cristina: What about those sisters? Why they gotta touch the kids? There are plenty sisters.

Jack: They rape them too.

Cristina: They do, yes.

Jack: Crazy known.

Cristina: I thought the sisters were just having like female parties on their own.

Jack: Well, like touching each other and whatnot. Yeah, I mean probably. But I know that a bunch of the nuns casually the priests, because they're also not getting laid.

Cristina: But they're not being raped. Or are they being raped.

Jack: Some of them are.

Cristina: Oh, okay.

Jack: There's a lot of things going on. Oh, it's like yay religion.

Cristina: Yeah. Sounds like those horror stories from being in jail or whatever prison. The cops raping the prisoners or whatever for the fun of it. Because they're prisoners. I don't know what the whole thing.

Jack: It'S Usually male cops raping female inmates.

Cristina: Yeah, that's pretty horrible.

Jack: That's just horn dogs who are like, I'll get away with it. And then they go pray. God is gonna forgive him. God's gonna forgive him.

Cristina: Yeah.

Jack: Jesus will forgive them because he forgives. That's a weird thing about the Old and New Testament. The Jesus thing, the God thing. Jehovah is two different guys.

Cristina: Yes.

Jack: They're vastly different people. The first dude is wrathful, destructive, jealous, angry, savage. Which tells us he's a demigod in the first place. Why do you have emotions, bro?

Cristina: I don't know.

Jack: Like, whatever. Yeah, you can't just blink his problems away. Very angry and just can't blink it away. Nope. Yeah, totally logical, bro. That's. That's exactly what it is. You hate it all. You want to destroy it all, but you can't. Sweet.

Cristina: But he does. And then he brings it back. Or is someone else doing that?

Jack: The best he could do is flood it. He couldn't get rid of it.

Cristina: Oh, okay.

Jack: Just made it rain. Apparently, he's a God of weather.

Cristina: Yes. Is that how he's done. Whoa.

Jack: He destroyed and he sent. I think he made fire fall from the sky too.

Cristina: Okay, yeah, he has done some things. Okay, yeah.

Jack: Gave Moses the power to split the oceans.

Cristina: Wait, so he can give people powers?

Jack: He gave him a stick with powers. Maybe that was just a tool that the gods use.

Cristina: He controls the weather. Is he the Earth because he gave him a stick and it's magical? Maybe he's just Earth.

Jack: Gaia.

Cristina: Yeah. What if he was Gaia all along?

Jack: That would make sense. Gaia is, like, a pretty ancient God. I think it actually predates Jehovah.

Cristina: Oh, okay. There you go. Jehovah is just Gaia in disguise. I guess.

Jack: I mean, considering that Christianity is just Greek mythology. Well, it's just Judaism, and Judaism is Greek mythology, and Greek mythology is a Norse mythology, and Norse mythology is Hinduism. It's possible the Hinduism just comes from. From the original understanding and labeling from natives of different cultures that talked about Gaia. That talked about Gaia.

Cristina: Mm. What is that? What does that do?

Jack: Tells me when I get a message.

Cristina: Is it from this conversation or that's from something else?

Jack: No, nobody here has sent us a message.

Cristina: Oh, okay.

Jack: But, yeah, I don't know. I think it's real f***** up that people force the unknown on people as if it's totally known.

Cristina: Religion or science. It's all the same.

Jack: Science knows a lot, but it also doesn't have a finite answer for anything.

Cristina: Yeah.

Jack: It can't just be like for a.

Cristina: Fact, but they want you to believe it's believe.

Jack: I would say theology, out of the two has the least amount of way specific answers, but also it doesn't need specific answers because it's a subjective experience guidebook.

Cristina: Yeah. You're not supposed to be. The questions that you're trying to answer with the Bible doesn't make sense.

Jack: Yeah. It's about you internally.

Cristina: Yeah.

Jack: How you feel, how your emotions are. Your spirit just way abstract and personal versus objective, which is science.

Cristina: Mm. You can just divide the two.

Jack: Yeah. You have to think of that as two very different things that function together.

Cristina: And they would function together if you were thinking of it like that. Yeah.

Jack: Yes. Theology and religion do great together. Do great, great, great, great, great together.

Cristina: As long as they're not competing to answer the same questions. That doesn't even make sense.

Jack: That doesn't make sense.

Cristina: No.

Jack: It should just be things that you can create and base and understand from science and things that allow you to feel like a good person. Understand basic moral principles, family values. I'd suggest everybody become a Mormon. Yes. It's a stupid f****** religion that makes no sense. Also, their family values are better than every family value everywhere. You literally have to make time for your family. Go be a Mormon. Learn to love people.

Cristina: Those aren't the people that kick out their children if they don't want to continue that life or something.

Jack: You mean the Amish?

Cristina: Oh, okay. I don't know. They're very similar in my mind.

Jack: The Amish are the. Are you talking about Orthodox Jews as well?

Cristina: I don't. There's a couple of them.

Jack: There's a couple of these people out there.

Cristina: Mormons live. Do they live the same as the Amish, though?

Jack: No, they're just people.

Cristina: Okay. They don't live in farms. No.

Jack: They don't live in a house.

Cristina: Oh, okay.

Jack: Like anybody else.

Cristina: And they use electricity and all that.

Jack: They're super normal.

Cristina: I don't.

Jack: You might know mad Mormons and not even know it.

Cristina: Oh, okay.

Jack: It might just be surrounding you. They're just people.

Cristina: They're just people. Okay.

Jack: They're just Christians.

Cristina: All right. Amish. They're not.

Jack: No. Those aren't humans at all. Those are weird freaks of nature who are like.

Cristina: Those are people. But they're. It's not a religious thing. It's a life choice.

Jack: Both.

Cristina: It's both.

Jack: It's a life choice based on religion.

Cristina: What religion?

Jack: The. I believe it's Judaism.

Cristina: Really?

Jack: Amish or Jews? If I'm not mistaken. They are the Orthodox Jews.

Cristina: Oh. Are you positive?

Jack: I think so. I'm pretty, like, heavily sure. I could be wrong. But then that means that these two groups are very similar.

Cristina: Oh, the Jews and the Amish.

Jack: The Orthodox Jews and the Amish.

Cristina: Okay.

Jack: But I think the Amish are the Orthodox Jews. I'm not entirely sure on how that breaks down, but that seems right.

Cristina: Let's become Amish. Let's live by them. We don't have to be living with them to be their neighbors. Or they can't have neighbors.

Jack: I will never be Amish.

Cristina: I don't want to be Amish. I just want to be a neighbor of Amish.

Jack: Go live next to Amish people then.

Cristina: That's crazy. No, I mean, yes, let's go.

Jack: You can go.

Cristina: I could go. Okay, I'll go.

Jack: I have no reason to go.

Cristina: I need my podcast people to come with me.

Jack: You can take the whole crew.

Cristina: Yes, I want the whole crew to come with me.

Jack: Everybody's going.

Cristina: Everyone.

Jack: They're just all living over there?

Cristina: Yes, all. All of us. There's a lot of people. I know, but we'll make it work. We'll get one house.

Jack: You mean basically start your own Amish community?

Cristina: I guess so. Yes. We're gonna start an Amish community.

Jack: Start an Amish community. But the reason they do this because of religion is because they believe that electricity is unnatural.

Cristina: Okay.

Jack: And so anything using it is also unnatural. It's not something God put on earth for us.

Cristina: Are they sure that electricity isn't something God gave us?

Jack: It's definitely something God gave us.

Cristina: Because I feel like. Yeah, that's exactly where it's coming from. It is natural.

Jack: Yeah, but they think like technology and crap like that.

Cristina: Oh, okay. How we use it. Interesting. I don't know. Because then they're doing the same with the wood from trees. It's not. Not that. The same thing. I don't like. What's the difference?

Jack: I have no idea what you're trying to say.

Cristina: That they can destroy trees to build houses and stuff like that.

Jack: Right. So the house isn't natural.

Cristina: Yes, but that's the same thing with the electricity. The electricity is natural. What you do with it is unnatural.

Jack: Yes. So the tree is natural. What you do with it is unnatural.

Cristina: Exactly. So.

Jack: Except animals do what you do with the tree. I think that's where the base. What would an animal do?

Cristina: But we're not animals.

Jack: We totally are. Except that's science, right? Oh, not religion. Because man was made already as man, according to religion.

Cristina: Okay, wait, so then there are.

Jack: I don't know where the argument is. Yeah, I don't know where the argument comes from.

Cristina: Yes. Because in religion, we are just. We're humans. Animals are animals. That's what you're saying. Yes.

Jack: Yeah, yeah, yeah.

Cristina: Then.

Jack: Well, in science, we can. We're all the same.

Cristina: We're all the same. Yes.

Jack: Theory of evolution. Because again, nobody's proven we came from s***. Yeah, it's a theory that we came from s***.

Cristina: Mm.

Jack: From true, literal poop. From s***. We came from s***.

Cristina: What?

Jack: Us? Everybody.

Cristina: Everyone.

Jack: There was a t*** at the beginning, a magical t***. And of that magical t*** stepped out the first bipedal who later became a human. And now we poop the Earth.

Cristina: We do poop, but everyone poops.

Jack: Isn't that like a child book?

Cristina: Everyone poops. I don't know.

Jack: It's a book for kids who are scared to poop because they're ashamed of pooping.

Cristina: Really?

Jack: I don't know.

Cristina: I feel like that makes sense. Why would they be shamed of pooping?

Jack: And training A puppy, maybe?

Cristina: Yeah, they're training the child. But why would you need a story to tell you how to poop or something? I don't know. That's weird.

Jack: I mean, you always knew how to poop, but they're telling you. I guess that's potty training. It's like you're pooping in a different space other than on yourself. You used to poop in yourself.

Cristina: Some kids are afraid of toilets, I think.

Jack: And everybody poops in the toilet.

Cristina: Yeah. You gotta show them that it's not scary.

Jack: This is also where the programming comes in, right?

Cristina: What is it?

Jack: Religion and science. There's a follow the line mentality.

Cristina: Mm.

Jack: And that happens with pooping.

Cristina: Oh, my God.

Jack: Which is like, well, look, Timmy, everyone else uses the toilet. That's how you should use the toilet. What if Timmy wants to take a s*** outside? What if Timmy doesn't want to follow the conventional f****** rule? Society, Bill. What if Timmy's like, f*** the man?

Cristina: Well, he should at least understand where the man's coming from. But, like, before he decides.

Jack: But like, they're 100% like, no, everyone else does it, so you must do it. We do it, so you do it. And you're doing it just because we do it. You don't have to do it, but.

Cristina: You have to do it. All the education into a child is, though.

Jack: Yeah. Everybody else is doing this. You shut the f*** up. Don't think about it. Just do it. Yes, this is what it is.

Cristina: That's crazy. Okay. We're just. We're pretty much made like that.

Jack: Yeah. Anyways. Anyways. Science and religion are the same s***. Is the summary here. And you can not use either to prove that. We're not going to hurt you.

Cristina: We're not going to. We're not going to hurt you. What are you talking about?

Jack: To make them get listeners.

Cristina: Oh, okay. We never do that.

Jack: Fair enough. Fair enough. We might be all talk.

Cristina: Yeah, we're all talk.

Jack: All threats. All threats. Maybe I'm making promises and maybe nobody has broken their side of the deal. Do you want to be the first? Do you want to be the first?

Cristina: Okay, that sounds like a threat.

Jack: Fair. It went from a warning to a promise to a threat.

Cristina: Yes.

Jack: Let's go. I'm on a roll. Anyways, if you guys like these conversations where we bash religion and science because they're equally stupid. Also, the Earth is definitely round and flat. Actually, I found the answer to that. What was it? It's a tycohe. A tegohedron. It's a little bit flat and a little bit round. It's the answer that pleases everybody.

Cristina: Yeah.

Jack: So if you guys are confused about which one it is, find the middle ground, which is what I always say. Maybe the Earth is neither flat nor round. Maybe it's a little bit flat in a round kind of way.

Cristina: It's an eyeball.

Jack: There's a galaxy. That's an eyeball.

Cristina: That's cool. That's pretty cool.

Jack: Actually. I think it's a nebula.

Cristina: Mmm.

Jack: I don't know. There's weird s*** out there. Yes, it's probably an eyeball. Dude, all jokes, design. Anyways, you can find all that s*** on. You find all of it. All our stuff, all our things at. Actually, before that, there's. There's a bunch of episodes like this, by the way, a crap ton.

Cristina: We have one comparing science and religion with magic or one or the other with magic. I'm not sure. I think science with magic.

Jack: Science with magic. Interesting.

Cristina: I'm not sure if religion was in that.

Jack: There's a couple of us just talking about how f****** pedophilic religion is. A couple of that. That's all over the place. You stroll by accident, you'll land in that topic. It comes up too often. And anyways, you can find that stuff on the official website greatthoughts.info or on Apple podcasts, Spotify and anywhere you get your podcast.

Cristina: And you can reach us on Facebook, Twitter, instagram and TikTok. Usconvopod.

Jack: Yes. And remember to subscribe because why the f*** not leave us a just hit? Subscribe people, and you'll enjoy the show. And you can also rate it. That's great. Leave ratings. That helps people, and specifically us, and leave a review telling us, you guys are so cool. You guys are so awesome. You guys are the coolest.

Cristina: And let someone who might like this show know about it.

Jack: Yes, Word of mouth, totally awesome. Very important. It's. It's very important that you just share your kindness with everybody and tell them, look, today we're gonna learn about the comparison of religion and science and I guess theology and science. I keep mixing them up. Changeable to some degree. The problem is that science is also religion. So if I say religion, I mean theology and science.

Cristina: Okay, Religion and religion.

Jack: Yeah, religion and religion. Religion, religion. You can about learn about religion, religion. And if you want to learn about religion, religion, you're here, man. Listen to the show. You can totally do that.

Cristina: And this has been the Just Conversation podcast. Take nothing personal and thanks for listening, but maybe they just want to stand out.

Jack: Although it's about respect. I remember on the NPR show that they mentioned. What the f*** was it called? It's an NPR show, kind of like Radiolab but for court stuff. And they mentioned that the reason that they were wearing the robes in the first place was to seem like real authority based people and really stand out. And it was all dark and serious looking.

Cristina: So people before they were actually taken seriously.

Jack: Yes, that's part of the reason they started being taken seriously. But like now we know you're the judge, we don't need you to wear that.

Cristina: But if they're not dressing that and then someone just comes in a suit and then sits on that chair, you don't know if that's the judge or.

Jack: Not or if that's just some. Every officer in that court knows who that is.

Cristina: Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Elin Taylor and published by Great Thoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 131: Mythological Beasts

mythological beats, just conversation, podcast, radio, pokemon, mythology, science, comedy, conspiracy theory

Do black cats have magical abilities? Does any animal have magical abilities? If so, which ones and how did they acquire these abilities to begin with? The duo unpacks the magic of black cats and the folklore in which certain Pokemon are based on this episode of Just Conversation.

Rambling 131: Mythological Beasts

+Episode Details

Topics Details

  • Black Cats
  • Witches
  • Pirates
  • Storm Troopers
  • General Grievous
  • Pokemon
  • Magical Foxes
  • Mythical Creatures
  • God Fox

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Cristina: Welcome to Just Conversations, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Christina.

Jack: And I'm Jack.

Cristina: And if you haven't yet, remember to hit that subscribe button to get notifications the second new episodes are released.

Jack: Yes. And also, this show is most enjoyable with the listening partner. So be sure to find somebody in the middle of the woods that was just wandering in a casual pace and stop them. Hold your phone out while the show is playing and say, hey, this is just conversation in the woods. In the woods.

Cristina: And you're gonna what?

Jack: Yeah, you can be playing it on your phone. Maybe Spotify. Cause that's where podcasts happen these days. Because Apple's being beat out.

Cristina: Yes. And.

Jack: And so on Spotify, you're gonna. You're gonna podcast, you can play the podcast and you're gonna. I guess if you have it on Apple anywhere, you have the podcast, you can find the podcast anywhere. So go there, play it on your phone. Presumably you can play. I mean, you could bring your computer, you're gonna bring your laptop into the woods, playing the podcast with a boombox on the side that it's connected to.

Cristina: That's mad work.

Jack: Hey, it's gonna work.

Cristina: I feel like people hearing that would just walk away from it.

Jack: If they hear a conversation happening and it's very entertaining, they're probably going to try to find out where it's coming from.

Cristina: Is it nighttime?

Jack: No, it could be in daylight.

Cristina: Okay.

Jack: They just think, wow, this is really cool. There's somebody having, like a really loud, odd conversation.

Cristina: That is very strange. But be careful in those woods because what if there are, I don't know, black cats in the woods?

Jack: Black cats?

Cristina: Where do black cats come from? Are there wild black cats?

Jack: I would. Of course. Why wouldn't there be? There's.

Cristina: In the woods, there's wild cats.

Jack: I'm sure there's like actual. Just cats, like domesticated cats in the woods.

Cristina: I can't. I don't know. I don't know how. If there's.

Jack: I'm sure, Look, I'm sure it happened like there were cats. There were normal cat, like, big lion things that we tamed and turned into little kitty cats. And then after we had so many of them. They're everywhere.

Cristina: They're everywhere.

Jack: They're everywhere. Everybody lives somewhere with a f*** ton of just wild cats, but they're the domesticated Version of the cat that lives amongst people.

Cristina: Yeah.

Jack: Those can still live in the woods or you could still run across like a lynx or some s***. Just casual, tiny, big cat.

Cristina: Yeah. Well, be careful. I guess be careful of that lynx, but whatever. We're worried about black cats right now. Be careful that black cat. Because it can steal your luck. Is that what it does?

Jack: What black cats?

Cristina: Yes.

Jack: They're allegedly bad luck.

Cristina: Yeah. If they walk away from you, they steal your luck.

Jack: If they walk away from you.

Cristina: I don't. This is a weird way. Like if they walk away from you because that means that they were next to you. But if they come to you, you get good luck. So I don't know how it works.

Jack: Yeah. I don't understand why is it that it coming? So it's the reaper of luck next to you, I guess the reaper of luck.

Cristina: It's the reaper of luck.

Jack: While the grim reaper is the reaper of souls. Or we could say Grimm is the reaper of souls. He comes towards you to either deliver a soul or leaves extracting a soul.

Cristina: And the cat's doing that one.

Jack: The cat would be the same. It's the black cat is the reaper of luck.

Cristina: But how is it walking away from you? Like that means it came by you, gave you good luck, and then walked away to take away the luck.

Jack: I guess the other way would be if you walked up to a black cat. So the goal should be never walk up to a black cat. Always let it come to you. Which is a very cat like thing to do anyways. You don't want to follow the cat.

Cristina: Unless they learn that this is what you're trying to do. Because cats are evil. If they know this is what you're thinking, somehow they're just gonna do the opposite of what you want. No matter what it is that you want, they're gonna do the opposite.

Jack: Yes, that is definitely the case.

Cristina: That's a very cat thing to do.

Jack: Yeah. Cats like to flip everybody off all day.

Cristina: Yeah. So there's Some people think that black cats are bad luck. Some people think they're good luck. The Celtics believe that black cats were sacred. I don't know if they were worshipping the black cats or what were they doing, but they were sacred to those people.

Jack: Yeah. I think they were sacred to the Egyptians as well.

Cristina: Oh, that's cool. They were probably seen as gods there too or something.

Jack: I think so. I think so. Anubis is consistently shown as some sort of cat guy.

Cristina: Yeah. Yes, he is right. One of them as a black cat. Right.

Jack: As a black cat. Yeah.

Cristina: So there's a thing there. And in Scottish lore, black cats, when they come to a new home, it means prosperity. I guess if you adopt a black cat, you're going to get some good luck happening. That's prosperity, right? Good luck still? Yeah, I guess with money, maybe. Yeah, yeah. In Welsh lore, black cats bring good health, but in England, black cats are related to witches and bring bad luck. And sometimes they think the witches, the black cats are the witches, like they somehow transform into people or people transform into cats.

Jack: I wonder where this comes from because like all these creature transforming things, like Dracula becomes a bat.

Cristina: Yeah.

Jack: What the f*** is that about?

Cristina: I think he also becomes a wolf. Wolf.

Jack: Dracula.

Cristina: I think so. I think he turns into many things.

Jack: I think we actually established he's just. Yeah, I think we just. Yeah, he's f******. He turns into just totally non living s*** as well. So I think we established that he's just some sort of shapeshifter. So I guess it doesn't matter.

Cristina: Yeah. So witches are just.

Jack: They're using magic to shapeshift. They can do whatever. F*** too. Yeah, yeah, fair enough.

Cristina: Were they using the same magic that vampires are using?

Jack: Yeah. My question is, is a vampire using magic or is it. Does he. Is it a f******. Just shapeshifter? He's a shapeshifter.

Cristina: Then are wishes, even wishes, like, we're calling them magical beings. But what if they're just shapeshifters that we're calling magical? But you know, they're just shapeshifting, they're just doing what they naturally do, which is.

Jack: Well, that would be wrong because we're assuming they're like, you could become a witch with just practice and training.

Cristina: No, but the ones that they're seeing that are turning into cats, those are.

Jack: The ones that we'd be talking about. If the logic would be, in theory, you could grab a couple of Wiccan books, go home, practice for the next year, meet me in a year and be like, look, I'm gonna turn into a cat.

Cristina: What? Yes, I wanna do that witchy s***.

Jack: That should. That would be the logic. So you're still human. You're not not human just because you're witch.

Cristina: Okay.

Jack: You just know you're human, who knows magic.

Cristina: But with the black cat on pirate ships, they believe the opposite of black cats, that if they walk towards you, they're bringing bad luck. But if they're from you, they're giving you good luck. And whenever a black cat walks onto a ship.

Jack: Wait, wait, wait. In both Cases, they walk towards you. What?

Cristina: No, the first one is walk. If it walks towards you, it's bringing you bad luck, and if it walks away from you, it's bringing you good luck.

Jack: Okay?

Cristina: And if it walks onto a ship and then walks out of the ship, the ship is gonna sink.

Jack: And. Okay, so let's say a cat did that and the ship didn't sink. Then what?

Cristina: Maybe it wasn't really a black cat. I don't know.

Jack: And, like, why does the cat's fur affect the universe?

Cristina: Because I guess that's just people's superstition about the color black.

Jack: Why did that happen, though? Right?

Cristina: Well, black became evil, and white became black.

Jack: Black evil. And, like, red is a close second.

Cristina: Red is close second. What?

Jack: Red eyes.

Cristina: Red eyes.

Jack: Oh, yeah, the red lightsaber.

Cristina: The red lightsaber. Oh, okay, yes.

Jack: Darth Vader's both. He's black with a red lightsaber.

Cristina: Oh, crap. He's the ultimate evil. What? But I guess all the evil guys are in black with red lasers. Besides the, like, losers that are in white.

Jack: Yeah, yeah. They all have red.

Cristina: Oh, but they don't have lightsabers.

Jack: Who? The.

Cristina: The ones in white.

Jack: The stormtroopers.

Cristina: Yeah, yeah, yeah.

Jack: I mean, they're bad guys. I know, but at the beginning, they were good guys. They were only white because they were lying.

Cristina: What?

Jack: They were. They're part of the bad side, so.

Cristina: They were wearing white.

Jack: Well, they're neither good nor bad. They are soldiers, okay? And their orders were, you help these people until you get different orders. And then they did get different orders.

Cristina: To not help those people tonight just.

Jack: Kill all of them. It's like, we're soldiers. This is what we do. We don't question it. We just do it.

Cristina: Was. What's his name? Darth Vader, when he was a young kid and he was training, was his lifesaver black? I mean, red or.

Jack: I believe he had a green one or blue one.

Cristina: Does it change colors once you become evil, though? Or do you just get a new lifesaver?

Jack: I think they gave him a new lightsaber.

Cristina: Oh, okay. Because I was wondering, like, does the lifesaver know you're evil or good or whatever? Because then you could just take the lightsaber away if you know that the person's evil if they get interesting.

Jack: Interesting point, because the idea here is I remember that they picked up the other's lightsaber. I believe Anakin. I believe Obi dropped his lightsaber, and Anakin picked it up, and then he had a blue And a green lightsaber. So, like, they didn't both become green or both become blue. It wasn't him projecting the color.

Cristina: Okay. Okay. So this is just a fashion choice. And then guys and bad guys are.

Jack: General Grievous, who's some sort of robot thing with four arms, picked up their lightsabers. Or actually he was wielding lightsabers from dead Jedi, and they were still blue and green along with his red ones.

Cristina: All right.

Jack: Or he had no red ones. I think he killed people for all of them. Okay, so he had two blue ones and two green ones.

Cristina: He can do the same magic trick stuff.

Jack: I don't think General Grievous has the.

Cristina: Force, but he can use the Lifesavers.

Jack: Yes. I. I'm not really sure how the. That. I never really thought. This is so many holes in this garbage. Oh, my God.

Cristina: And we don't really know everything about Is general stuff.

Jack: Oh, man. I gotta look this up at some point.

Cristina: He might be a. What are they called?

Jack: He's some sort of Jedi thing. Yeah. Like, maybe he's not all robot androids be. I'm just assuming he has some humanity.

Cristina: Yeah. Yeah. Yes, I think so. In Japan, though, ladies that are single get black cats because they think it brings them luck with dates and stuff. Like, they'll get more dates if they have a black cat.

Jack: That's interesting. I don't know why that would be the case.

Cristina: I don't know. Because they think black cats are good luck with love. Like the other place thought with health, and another place was, like, with money.

Jack: I don't know.

Cristina: Black cats are needed to go hunting for treasure in Chile from a creature called the carbuncle. It's some magical creature. It looks like a cat or a dog or fireflies. And it's glowy, and it might have a gem that glows on it. There's like a bunch of different descriptions of what it looks like. Kind of like the Loch Ness Monster, where it's just. It looks like something similar to this. Like, they're all describing something that's somewhat similar, I guess, but not really to.

Jack: The Loch Ness monster.

Cristina: No, like in the Loch Ness monster stories, they were like that. Like, some of them saw it. It had a long neck. Some of them were like. No, it had. I don't know, like, the descriptions of the. When we did the Loch Ness monsters, there's a bunch of different descriptions of the creature.

Jack: Those descriptions were pretty similar.

Cristina: Well, the one that was. They saw outside of the car. They saw it outside of the car. And it looked. It sounded like more, I think, like an Alex Gator or something.

Jack: Outside of the car.

Cristina: Yeah. Or a motorcycle or something. They were just driving by the place and they just saw it on the street.

Jack: Oh, yeah, yeah, yeah. It was like sunbathing or some s*** or something.

Cristina: Yeah. And I don't think that one just. It was described similar to the other ones.

Jack: Yeah. But I feel like the, like, 99.99% of the other ones are kind of the same s***.

Cristina: This one, I guess it's. Whatever. It's very varied of the description except that it's glowy. That's the only thing that they all seem to have in common.

Jack: Can hunt the glowing thing?

Cristina: Yes.

Jack: Because of the cat's glowing eyes.

Cristina: The cat's glowing eyes.

Jack: You ever seen a cat in the dead of dark?

Cristina: Oh, yes. I don't know. Because it has to be specifically a black cat. I don't know why?

Jack: Because black cat powers, man.

Cristina: Black cat powers. Yes. If you want to catch a carbuncle, you want to see a picture of a carbuncle, though. It's a very cute little creature right there. Look at it. It's adorable. It has a gem on its head.

Jack: It looks something between like Jolteon from Pokemon and a Phoenix Fox.

Cristina: Yes. Yes, it does. And it is adorable, right?

Jack: It's basically a Pokemon.

Cristina: Yes. Wouldn't you want to catch that yourself?

Jack: Catching any Pokemon is slavery and kind of abuse.

Cristina: Wouldn't it be like catching a pet or something? Are you saying pets are like that? I don't know, because I'm not talking about catching it and then battling people with your kabunkulo.

Jack: You're talking about putting. Crushing it into a sphere. No, a sphere that is roughly the size of a Pokeball.

Cristina: I don't mean about catching it like a Pokeball with a Pokeball. I mean catching it like, I don't know, with. In a cage cave into some sort.

Jack: Of mythical creature or some s***.

Cristina: Yes. But they think it's real. Okay.

Jack: This is like a Chupacabra.

Cristina: This is the Chupacabra of Chile. And to get the treasure of this is very complicated. And I'm going to share with you how to do this, because it's crazy, but it's awesome. It's crazy awesome. Okay, you see this creature? What you got to do is throw a lasso at it. Then it will disappear with a lasso, and then you got to come back in the morning to see where the lasso is, because it's going to be buried in the Ground, but with a little bit of it sticking out. And you'll know that's where the treasure is. Sort of.

Jack: Because not really the treasure is where the. So you can't catch a creature.

Cristina: No, sadly, this is just for the treasure that the creature has.

Jack: Okay. Now this is some sort of cat thing itself. It's like a fox.

Cristina: Yeah.

Jack: Why does it have treasure?

Cristina: It's like the leprechaun, I guess.

Jack: The leprechaun is like a person, so.

Cristina: No, it's not. It's a fairy creature thing. Ghost. It's pretty complicated.

Jack: Pretty self aware. Consciously, like humanoid.

Cristina: So maybe this thing is the same too.

Jack: It just doesn't look it, I guess, but I guess, sure, sure.

Cristina: It looks like a fairy. Who knows it's a fairy.

Jack: It does not look like a fairy. It looks like a fox.

Cristina: It looks like a magical fairy fox thing. Okay.

Jack: Looks like a pretty plain fox.

Cristina: Okay. With the gem on its head.

Jack: Yeah. We'll assume fur colored differently.

Cristina: Okay, well, this fox thing has treasure for some reason. Maybe it just. I don't know why you would have treasure. Maybe like shiny things. It collects shiny things. Like the thing on its head.

Jack: Like birds.

Cristina: Oh, like birds. Yeah.

Jack: Maybe you don't find it in a.

Cristina: Box because it would be weird if you actually find the treasure and it's in a treasure box. Oh, I think it is in a treasure box. Never mind. It's in a treasure box. You do find it in a treasure box. That's amazing. This is a magical fox thing. I don't know. Oh, yes, but. So you go there in the morning, you see the rope, you gotta leave. Well, you don't have to leave. You should leave though, because what you'll need next is a new shovel and a widow. And she has to be holding a black cat.

Jack: A widow, yes.

Cristina: This is part of the plan. I don't know how they came up with this plan.

Jack: Get to the gold.

Cristina: Yes.

Jack: The treasure. Didn't you already find where the treasure is?

Cristina: It's more complicated than that. That's where it's gonna be.

Jack: Except that it's not there yet.

Cristina: It's not there at all. It was there maybe. And then I guess this cat is magical. So it moves the treasure to different spots, underground, on the ground until it gets tired of using its magic to move it. And then it's there. I guess that's how it goes. That's how I think it works. Because. Okay, so with the new shovel, you're gonna dig that hole and then you're gonna throw the cat in the hole.

Jack: So you can bury the cat in the hole.

Cristina: No. And then the cat's gonna disappear. And then while you're digging the next hole, the cat's gonna reappear in the old lady's hand.

Jack: And the old lady's not gonna freak out.

Cristina: I'm guessing she knows. She's been through this a lot. I don't know how. Like maybe the first time.

Jack: Every town has an old lady whose job it is to hold a cat.

Cristina: The black cat. Yep.

Jack: When you're looking for gold because of some sort of demon fairy fox thing.

Cristina: Yes. I don't know how the first. Like, how they came up with this crazy plan in the first place that worked out like this. They must have tried a million other things right before they thought, like, What? It was this random old widow lady. Like, how did they come get that stuff? How did they get the cat? Did they try dogs? Did they try young girls? Did they try little boys?

Jack: Like, interesting.

Cristina: How many? Okay, so they got. You got the old lady, you got the cat. You keep digging holes, you throw the cat in. Eventually you'll hit the right spa.

Jack: Like, just go rob a bank. It's. It's that era where that's easy to do. What I feel like it would be less steps and you have more chances of succeeding. All these steps and that treasure might not even, like, be great.

Cristina: Yes. And also, if you show any fear, you'll be poisoned when you open the box.

Jack: Sweet. So you'll also die.

Cristina: See? See, It's. It's definitely a treasure. I don't know it's worth risking your life for, but I'm. I'm guessing it's really cool. Like, what would this little ador. Terrible thing be hiding? It must be amazing. It's gotta be. Maybe it's his puppies.

Jack: Maybe it's not even. Maybe it's just garbage. Hoarding garbage sticks.

Cristina: Sticks.

Jack: You open it as it sticks.

Cristina: That's so disappointing.

Jack: It's treasure, not your treasure.

Cristina: Oh, that's. That's crappy. And how did it get the poison in the box?

Jack: I don't know.

Cristina: That only knows. Like, it knows when you're fear. When you're showing fear, when you're digging holes and then the poison let out. This is. There's a lot of magic happening here with this creature.

Jack: Yeah, it seems to be the case.

Cristina: Yes. So I wonder how they even came up with this weird way of catching it.

Jack: Whoever thinks magic is. Whoever thinks this creature even exists is prone to just crazy s***. So they just like, stack like 12 different superstitions on top of each other.

Cristina: Yes. Also part of the. Besides, if you have any fear, you'll die, of course. But if you don't throw the cat in the hole, you can also die. You have to throw the cat in the hole.

Jack: Even if it won't stay in the hole.

Cristina: Even if it don't. Yeah. Because it's gonna, you know, disappear anyway or whatever. But yes. And you said that thing looks like what again?

Jack: Like a Phoenix Fox.

Cristina: Like a Phoenix Fox. But it reminded you of a Pokemon.

Jack: Jolteon.

Cristina: Jolteon? Why?

Jack: Jolteon kinda looks like Jolteon or Flareon. Flambo is one of the eons.

Cristina: Well, I'm going to say that it's based on. Or I guess the Pokemon that's based on it is Espeon.

Jack: Espeon doesn't have a diamond in its head.

Cristina: It doesn't?

Jack: Oh, Espeon does. I was thinking, for whatever reason, Vaporeon.

Cristina: And it's a psychic.

Jack: Yeah. And I don't know if that fluffy tail like this thing.

Cristina: Well, we don't know what its tail really looks like.

Jack: The one who does have a fluffy tail is Flareon.

Cristina: Yeah, that's true. But it's a psychic. Can we describe these powers as psychic? I don't know. When you have magic powers, is that psychic?

Jack: No.

Cristina: No. Okay, we'll just say that the diamond is what makes it look Espeon.

Jack: Yeah, because otherwise it looks like Flareon.

Cristina: Yeah. And there's another. There's. If so, Espeon is probably based on that, but also another creature, another from another mythology, which is a Japanese one called the Nekomata. And this creature has. It's a cat. It's a really. When your cat gets super duper, duper old instead of, I guess, dying, it just. Its tail will split up into. And then it becomes evil. It becomes evil and wants to eat you.

Jack: Okay.

Cristina: Yes. That's what the Neca Mata is. There are two types of neck omadas. There's one that lives in the mountain. The mountain ones have eyes like a cat and a body of a dog, which is, I guess, very scary. I don't know, because. What's the. What about the face? No, I think it has the body of a dog. So it has probably the face of a dog with a cat eyes. I don't know if that's really that scary. But they describe it as a beast. I don't know if you think of that as a beast.

Jack: I mean, a beast is anything that's not human.

Cristina: Oh, okay. Well, I guess dogs Are beasts everything that's not human. Oh, okay. So, yes. Well, this beast is very dog like, even though it's a cat. They eat humans and they live deep in the mountains, and they also shapeshift.

Jack: Into humans because everything shape shifts into humans.

Cristina: Yes. And then the other type that I told you already was the domestic cat, Nekomata, which is just a cat that grows old, and for some reason, its tail splits up into two. And that is what Espeon has, if you notice. Its tail is two. Has two tails.

Jack: Yes. Yes, it does, actually.

Cristina: Yeah. And I found one story about this creature. If you want to hear it, go for it. A rich samurai. There was a rich samurai whose house was haunted, and no one could figure out what to do. So he kept bringing in, like, priests and other people to get rid of the spirit, and nothing worked. Until a servant saw that his cat. There was something wrong with the cat. It was holding something in its mouth. I think it was a tiny ghost in its mouth. So he killed the cat. And then they saw that the cat had two tails, and they were like, oh, that's an evil cat. It's an evil cat. Yes. And I think they used to kill or cut off the cat's tails. When you own a pet cat in Japan, so that it won't turn into a nekomara when it gets old, preemptively.

Jack: Just chop off its tail.

Cristina: Yeah. Look at this one. This is a picture of one. And they're learning how to walk on their legs.

Jack: You mean a drawing of one?

Cristina: Yeah, the drawing. It's based on the real creature. These are cats that are. Their tails are split and they're walking onto. Because that's what happens when cats get owed.

Jack: Their tails split in two, and then they just walk exclusively on their hind legs.

Cristina: Yes, yes. So now you know more about Espeon's background.

Jack: Got you.

Cristina: Yes. And there are other Pokemon that are based on very strange mythologies as well, like Ninetales.

Jack: Ninetales? What the f*** is that?

Cristina: Based on a fox that has nine tails.

Jack: Ninetails is a horse, isn't it?

Cristina: What? What are you talking about? Oh, I don't have a picture of Ninetales. I'm gonna show you nine tails.

Jack: Oh, yeah. I was thinking about a horse with a bunch of tails.

Cristina: What?

Jack: Yeah, yeah, yeah.

Cristina: But not as. Not the Pokemon.

Jack: Yeah, it's a Pokemon. Oh. What's Rapidash? Evolves into what?

Cristina: Rapidash is evolved form, isn't it?

Jack: Is it?

Cristina: It's just a big horse. I don't. With a fiery tail. It doesn't have many tails. Ninetales.

Jack: Holy. I don't know why I always picture Ninetales with some sort of a horse.

Cristina: You thought it was a. I mean, it's a really big fox.

Jack: Yeah, it's a huge fox. The previous form is obviously a fox.

Cristina: Yeah.

Jack: This is borderline dog.

Cristina: I can see that. Yeah. It's got a doggish face. It's a. It's a big, big.

Jack: I don't know why I never until this day considered the fact that Ninetales was a f****** fox. And, like, duh. It's just the evolution of baby fox.

Cristina: Yeah.

Jack: Which was a tiny little fox with.

Cristina: A really cute hairstyle.

Jack: And then it evolved into this thing that looks nothing like a fox. It's like a dog.

Cristina: Yes, but it is a fox. Because foxes in. I think it's also Japan. I think also maybe in China. But foxes, after growing old, they get more tails throughout their lifetime.

Jack: Is that real?

Cristina: Is that real? No.

Jack: Oh, okay.

Cristina: That would be cool. Well, these creatures, they're called Kitsun, and as they age, they grow extra tails. And when they grow nine tails, they turn white.

Jack: Interesting. And do they become evil or they just become these majestically beautiful kinds of things?

Cristina: There's varying, very varied stories about them. Some of them are good stories, some of them are bad.

Jack: Do they leave trails of fire? That'd be cool.

Cristina: I think they're psychic. They have a bunch of abilities. A bunch of abilities. Also, after a hundred years, they have infinite wisdom.

Jack: This is very interesting because this line up heavily with Shinto.

Cristina: What do you mean?

Jack: It's these creatures. They are probably technically dead, but their spirit.

Cristina: Oh.

Jack: Is what we're witnessing.

Cristina: Oh, okay. Yes. Well, yeah. This pretty much, Instead of dying, it seems like they live. Even though I guess it could be their spirit is living.

Jack: Yeah.

Cristina: And that's really happening.

Jack: Notice the transition from one point to the other.

Cristina: That's why it's white now instead of.

Jack: The orangey seamless move into a spirit form.

Cristina: Amazing. Wow.

Jack: So in the case of, like, creatures that guard, like, the spirit of the ocean or that, like, something has to die and then become the thing.

Cristina: Yeah.

Jack: But one of these creatures could be a mythical. Think of like, you remember Suicune, the movie of Pokemon, saying, you know, singing on the Pokemon theme, that it was in the woods, like one of the legendary.

Cristina: Something. No.

Jack: When they went back in time.

Cristina: Yeah. Okay.

Jack: And there was the blue dog thing that was chasing.

Cristina: Yeah.

Jack: That's the spirit of the forest or the woods or some s***. Or the lake. That's in there or some crap like that. Now, the assumption here is that was just a dog at some point, and then that dog lived very long, and then that dog transitioned to being the spirit of that place, but you never see the dog die. I think the same thing would apply here.

Cristina: I think they said that dogs were somehow related to the spirits of that Ghost Tower thing where all the dead Pokemon were kept.

Jack: I don't know. I'm relating to Shinto.

Cristina: Oh, okay.

Jack: Like, if this was Shinto, that's what would be happening. You never see the death of the.

Cristina: Pokemon because it didn't die. The next stage of life.

Jack: Yeah. Sort of like what I think would happen if we died. People would see our body die, but we wouldn't see ourselves die. We would just be like, hey, I'm here. This is weird. What's happening?

Cristina: Yeah, that's interesting. Whoa.

Jack: So these creatures that just move forward, like, transform into this other thing, and to them it's just, well, I'm here. I'm doing my thing.

Cristina: Yes. But these things are. These creatures are so incredible. Like, infinite wisdom.

Jack: What the f*** does that even mean?

Cristina: I don't know. That's amazing. It sounds amazing. I don't know if that's actually an.

Jack: Amazing ability that makes it impossible to catch because it's always wiser than you are.

Cristina: Yes. I remember some stories where they can turn into people. They like to turn into girls for some reason. And if they get drunk, they might end up like. Like a tail might pop up. But that could be before they get their nine tails. Is when they're a little bit more riskier and they'll do something. And the tail. They won't be able to hide their tail. They sometimes do show off their tail, so I don't know. Well, how infinite ones them helps them. So it's probably that they get it. I mean, they. By the time they reach infinite wisdom, they probably stop pretending to be humans and things like that, because they weren't doing very good at that. They weren't very good at that. So I'm guessing that's a younger fox. Yeah.

Jack: They don't have the infinite wisdom and maturity.

Cristina: Yeah. They also have gained the ability to see and hear anything anywhere in the world. They're omni. Whatever.

Jack: Omnipresent.

Cristina: Yes. Is that something omniscient? I don't know which one. There's so many omni stuff. The Omni one with hearing and seeing.

Jack: Yeah. I think omniscient covers all the bases.

Cristina: And when they get. And after a thousand years, they become Gold. I wonder if we'll see that in the Pokemon world.

Jack: First they become white, then gold.

Cristina: Yes. They either turn white or gold after a thousand years. Yeah. I thought it was at 100 years. But at 100 years they should have all their tails by a hundred years. But if they don't, then by a thousand years when they have it, they'll change the color which would be either white or gold.

Jack: Interesting, interesting. So they just live forever. They're immortal.

Cristina: They're immortal, yes. Who's counting these ages? What human is like, okay. Or are they? I guess because they're in their wisdom and whatever. Like they gotta be pretty human. They. You have to be able to count the years. Right.

Jack: Guess the stories down.

Cristina: Yeah. These foxes, like the people who kept.

Jack: Track of that like 700 year old turtle or whatever the f*** it was like the great, great, great, great grandparents had a photo with the turtle.

Cristina: Oh, that's so sick.

Jack: It was. There was a drawing of the turtle originally. Because there weren't cameras.

Cristina: Oh. And it just. That was the proof that it was the same turtle.

Jack: Yeah. Cuz the turtle stayed in the family.

Cristina: Yeah.

Jack: Then they just. There was like 12 or 13 sketches of the turtle. Because it would take. It would have a new thing done per generation. So I'm the father. I had it. My son is gonna do one with the turtle too. It's a family turtle.

Cristina: Yeah.

Jack: His son is gonna do one with the turtle. Eventually cameras happened.

Cristina: Yes.

Jack: And we transition over. And it's really huge. Black and white.

Cristina: That's awesome.

Jack: Not even black and white. That's sort of like orangey old school film.

Cristina: And you said how long?

Jack: It was like 700-year-old turtle.

Cristina: 700-Year-Old turtle?

Jack: Yeah.

Cristina: It's a crazy old turtle that's older than a white fox. Oh my gosh. So turtles live forever.

Jack: Yeah.

Cristina: Then they'll never become the spirit turtle.

Jack: Because they'd have to die in a seamless transition.

Cristina: Yes. But if those powers weren't crazy enough. There's so many powers. So many. They can possess people. They have fire and lightning. They are a Pokemon. They can appear in other people's dreams. They can fly.

Jack: The f****** omniscient part is what's crazy about this.

Cristina: It's just like see and hear everything.

Jack: And be everywhere all at the same time.

Cristina: Yeah.

Jack: Like it's God. They just become God.

Cristina: It could create illusions. So. Yes. Like what? What?

Jack: Interesting. Just morph into a God.

Cristina: And those are its baby powers. The greater powers. You're not ready for this. Birth universes able to bend time and space.

Jack: Right, Right.

Cristina: What does that mean?

Jack: That's very suicune.

Cristina: Mm. They can drive people mad. Which isn't that crazy already because of all the things they could already do.

Jack: To you, like weak sauce.

Cristina: And also shapeshift into tall trees or a second moon in the sky.

Jack: That's pretty hardcore.

Cristina: That's pretty hardcore. So if we ever see a second moon in the sky, you know, it's this white fox.

Jack: It's a fox. Another giant object about to collide into the moon and destroy our entire solar system as we know it. Yeah, it's just a fox.

Cristina: Yeah. Oh. And like succubus, they could drink the life out of you if they wanted. Through sex.

Jack: Okay.

Cristina: Why? I don't know.

Jack: Yeah. My question would be, like, would they want to, though? Like, they can if they wanted to.

Cristina: But they want to. I don't know. I guess they would because I guess.

Jack: It would be like different personalities and some are like, imma be the bad.

Cristina: Yeah. Because some are, I'm guessing, bad and some are really good and rainbow of them. Yes. Because there's some that just get married to a guy and then, like, he finds out what she is and she runs away.

Jack: In love, death and robots. There was a spirit girl who turned. Gets turned into, like, a robot, which, by the way, watch. Love, death and robots. Audience, this is just. Just pay attention to that show.

Cristina: Beautiful stuff.

Jack: But, like, that was that thing.

Cristina: I think so. I think it was the kitsune.

Jack: Yeah. It was just some iteration of that where she didn't have many tales. But it was the same thing.

Cristina: Yes, it was just a fox, spirit creature thing. I think it's like the Irish folklore where fairy can be considered a creature, a ghost, you know, all those combination of things. But it's still one type of thing. I feel like this fits into that.

Jack: I feel like too, because it's not necessarily a spirit. It. It's not really. But it's like. It's kind of getting there. It's getting to the point where it's not alive in our understanding of alive. It just ages into transcendence. That doesn't make sense.

Cristina: That doesn't.

Jack: It must be dying in the course. And the death it goes through is so different than what we understand as death.

Cristina: Yes, but we just. Yeah, we just don't understand it. So.

Jack: And it's. It died and now it's this new thing. Or we. We have to divide evolution into two things. There's gradual natural evolution and then there's celestial evolution, which happens in one Moment to another phase.

Cristina: Like, phase like. Yeah, but like, everyone around you would see death, though. Is that what it would be or.

Jack: No, in the case of just people. Yes. You just died and now you're always dead. In the case of one of these creatures, it seems like. Well, no, I hit the point. Bright light. Oh, my God, it's blinding. Light goes away. It's a different thing.

Cristina: Yes.

Jack: Except even if we don't see that moment that happened there somewhere.

Cristina: Mm.

Jack: Where it's like it's slowly gotten wider and wider and grown extra tails, and at some point it started phasing in and out of existence.

Cristina: Like in Pokemon, where it's just one minute they're one thing, the next is another thing.

Jack: Yeah. It would be a quicker evolution than like humans evolving.

Cristina: Yeah.

Jack: It takes us millions and millions of years. Theirs happens in the course of their lifetime.

Cristina: Yes, man. Ninetales are pretty cool, man. That anime was so awesome. Not anime that love death and robots. Love Death and robots episode. It's pretty cool, but yeah. So this Psychic Fox thing is probably what Ninetales was based on, right? We can agree to that.

Jack: I think so.

Cristina: Think so. And then in 1955, it was five adults and seven children. They went to the police station because they claimed that small aliens from a spaceship was attacking their farm. And they were in a. Like a shoot off with these aliens. And then the cops went to the farm just to make sure that they weren't like, attacking their neighbors instead or something. Because I don't think they assumed aliens. And they looked around and they only found the shells from the guns and hoes around the barn area. So there was shooting happening, but they couldn't find the aliens, Right?

Jack: Sounds about right.

Cristina: Yes. And the description of the aliens, Sableye, was inspired from this UFO encounter.

Jack: It. Wait, this came after that?

Cristina: Yeah. This is from the. Yeah.

Jack: And this is third generation, Right. This is like where it was still cool.

Cristina: Where it was still cool Pokemon.

Jack: Yeah. Before Pokemon got whack.

Cristina: Yeah. Who knew? They based things off of real weird events. I know, like they based on items and creatures and stuff, but aliens. I mean, they do have some aliens in the Pokemon world as well. Like Clefairy.

Jack: Yeah. She's a literal alien.

Cristina: She's a literal alien. Yes. So Sableye is also, or at least based on a real alien. That's pretty. That's probably one of the most interesting. The Pokemon. A lot of them are based on mythologies, or not a lot of them, but some of them are based off of mythologies and stabilized based On a real quote unquote event.

Jack: Yeah. There's a bunch of Pokemon based on a bunch of different things that are going on. Anywhere from just inanimate objects, animals to mythology, different mythical creatures and gods of different sorts as well as totally inanimate things. And like f******. Just not even inanimate things, but things that you couldn't hold. Like pollution.

Cristina: Pollution, yes. That's my favorite Pokemon pollution. Yeah.

Jack: Natural trash wonders like volcanoes are also Pokemon.

Cristina: Oh yeah? Yep. But did you know ghost too?

Jack: Yeah.

Cristina: Do you know the Pokemon Mawile? Mawile. I hope that's you how you pronounce it. It's a plant Pokemon. And it has like a. A giant leaf on its head. And it has like a giant mouth in the back of its head.

Jack: Right.

Cristina: Malwa is based on Furikuchi una, which is literally means two mouthed lady.

Jack: Because there's a lady with two mouths in some folklore.

Cristina: Yes, it happens because she. Because she doesn't like eating or something. She doesn't want to eat. And the mouth. And I guess her body's still hungry even though she's not. She's choosing not to eat. So it's develops a mouth and then its hair is turn alive like a. Like an octopus legs or something, whatever. And it grabs the food and forces it inside the mouth that's hungry. Well, it doesn't force it into the mouth. It helps the mouth eat because she won't eat.

Jack: So it's one mouth forcing. It's one mouth being forced to eat.

Cristina: No, the no mouth is being forced to eat. The hungry mouth is eating. The hares is helping it eat.

Jack: Oh, I understand.

Cristina: Not her main mouth. Her main mouth does not want to eat. So she doesn't eat. But then the other mouth is made and then it just starts eating for the both of them. So she ends up eating double instead of one normal meal. Because she was just too. I don't know. I don't know why she chose. She chooses not to eat until she's anorexia.

Jack: Yes, it's the anorexia Pokemon.

Cristina: Yes. So most of these stories involve her marrying some guy who's like really greedy and he doesn't like to waste his money. So he sees this. This lady who doesn't eat and he's like whoa, Imma save so much money with this lady. And so they get married and then because she doesn't eat, she develops the.

Jack: Mouth and then the mouth eats the guy.

Cristina: No, he just gets scared when he see he finds out because I wonder if there's a Story. I haven't read one, though, of him finding out that she attacks him. There's probably horror movies like that, though. But yes. Then there's a Pokemon called Dunsparce. You know that Pokemon?

Jack: Yes.

Cristina: It is so adorable. It is the cutest Pokemon ever. No, they're all cute. A lot of them are cute. Okay. And Dunspar is based on a creature called Sushi no Ko, which is like Japanese Bigfoot, which not like, doesn't look like him, but it's like a version of Bigfoot for them. Like, they see this creature, but there's no proof of its existence. And the Sushi no Ko looks pretty much like what the Pokemon's based on. It looks like a fat, fat snake that's had, like the body in the middle is super fat. Like it's just eating something.

Jack: And how does it move?

Cristina: It moves very oddly. It moves. It moves like a slug or snail. Like, I don't know, like it's going back and forth, forward.

Jack: Like it expands and contracts over and over.

Cristina: Yeah. Which is. I wish I could see this creature move. So, yeah, this is like an overweight, a fat snake that instead of slithering, it just moves forward. It's adorable. And the legends say that it can leap great bounds. It could leap over buildings and etc. And that's why they think the Pokemon has its little wings that it has. You know, it has these cute little wings that it probably doesn't use in the poke world. You know, those little things. So that's probably why it has it, because the creature is known to jump.

Jack: So it's like Magikarp.

Cristina: Like Magikarp, yes. Is Magikarp known for jumping over mountains?

Jack: Over mountains, yeah.

Cristina: So then it turns into a dragon. Although Magikarp is also based on a mythology, you know. You've heard of that one though, right?

Jack: Yep.

Cristina: I think it's Chinese. It's carps just trying to get up a mountain where there's a gate up there, the Dragon Gate. And if they can get up there, which is really hard to get there, they turn into a dragon. And that's Gyarados. So it's based on both magic.

Jack: Japanese dragon, too? No, it's a Chinese. Right. It's very Chinese dragon.

Cristina: It's. Yeah, I think it's Chinese. Yes. Yes. Some Tsuchinoko can speak. And they also love to drink alcohol, which is awesome. Wouldn't you want that as a pet? It's a fat worm that. What is it? Like, it moves towards you in a weird slug like way and likes to Drink alcohol and speak to you.

Jack: I wouldn't want that. Now that's weird.

Cristina: What? Who knows what Hit wants to say to you? Although it does have the habit to lie. So maybe it's a good thing that you don't want to talk to it. What could it be lying about? I want to know. It's lies.

Jack: Maybe it's sarcastic lying. Maybe it's like, yeah, man, I was gambling outside and it's like you've been slowly been creeping around the house the whole day just pretending it had like a real cool. Like, I bet you don't know where I was today. Like, I've seen you crossing the living room for the past seven days. Yeah, you've been nowhere.

Cristina: Oh my gosh, what an awesome fact. Oh, that is so awesome. I hope it's exactly like that.

Jack: Always just sarcastically cracking stupid jokes.

Cristina: Yeah.

Jack: There aren't necessarily lies as much as they are just sarcasm.

Cristina: Yeah. That's beautiful. And it's always has some excuse of why the beer bottle is empty or whatever.

Jack: And he knows, you know, but he's also like totally not like being upfront about it.

Cristina: Yes. So awesome.

Jack: Where's that beer can empty? I don't know. I found it like that.

Cristina: Man, they should make this Pokemon even more like the Sunoku because it already looks like it. Why not make it behave like that? That is awesome. Not very kid friendly though.

Jack: No, it's very adult content.

Cristina: Well, if they ever want to make Pokemon an adult contest type of show. Because they do that. They do that. This creature also likes to swallow its tail and it rolls around like a wheel.

Jack: What does that mean?

Cristina: Like a wheel? Like in a circle. Like it has its mouth. The tail is in its mouth, so it's a circle on it.

Jack: So it just becomes an Ouroboros at random?

Cristina: Yeah, it becomes an Ouroboros. They think it's similar to a hoop snake. Have you heard of a hoop snake that's a legend in America and Australia.

Jack: I haven't heard of a hoob snake.

Cristina: Well, I guess over here in Australia and in Canada, people have seen snakes bite their tail and turn into wheels. I don't know. That's a really wild. Snakes are weird, I guess. I don't know if any pet snakes have done that, but they swear they've seen snakes do that in the wild, I guess. That's so cool. What do you think about Sneasel?

Jack: Great Pokemon. It's kind of overpowered.

Cristina: What type of Pokemon is it? A dark Pokemon?

Jack: Yeah, it's a dark. Dark and normal or some s***. I'm not sure. Maybe it might be pure dark. I'm not sure.

Cristina: The sneasel is based on a Japanese creature called the Kama Itachi, which is the words for sickle and weasel.

Jack: Sickle, weasel, Sickle, weasel.

Cristina: Which. It looks like a weasel with sickles for its hands. It.

Jack: It doesn't really look like a weasel. No, really, it looks like, physically like our metaphoric definition of a weasel. Like a sneaky person.

Cristina: Oh, it just looks like a sneaky person.

Jack: Yeah, it's.

Cristina: You wouldn't trust that guy.

Jack: No, it's probably gonna steal some s***.

Cristina: Yeah. Well, these kami. These kama Itachi are so, so scary. They're so scary. They're sneaky for sure. They like to. They like to hunt in three, and they move very quickly around you. The first one knocks you down. The second one uses its long sickle like hands and cuts your leg off. And the third one heals your wound. And then you don't realize you were attacked because they're stealing parts of your leg. They're stealing meat to eat for later. Cause that's cool. Oh, my gosh. That's horrifying.

Jack: That's pretty f***** up.

Cristina: Yes. You would just think that you were tripped, but that's what really happened. Why you tripped. That is the story of why you tripped. These three sneaky creatures ripped your leg off. Well, they didn't rip your leg. Oh. They ripped your leg open, took some meat, and then sewed it back up like nothing happened.

Jack: So never notice.

Cristina: Yep. What?

Jack: No harm, no foul.

Cristina: No harm. Like tripping over there? That sucks. What? I mean, I guess it could be happening over here and you wouldn't know because they move so fast. There's a Pokemon called the Manectric, which has. It's very bluey and yellowy and it's electric. And it's based on a Japanese legend of Raiju, which is a thunder wolf or dog. Thunderdog. Thunder beast. It's a thunder animal. It could be anything, really, because it has many different. You know how the other one had a. It could be a cat or a dog or flies or fireflies for the carbuncle. Well, this one, it could be a cat or a dog or a mouse. It could be a fish. It could be a squirrel. There's so many different.

Jack: So it's a shapeshifter.

Cristina: Yes, I guess so.

Jack: But the main form, by saying it's a shapeshifter.

Cristina: Yes, but the main form, I guess, that it likes to. It prefers, is a dog. And this dog when it walks around, its body is made out of lightning. And in bad weather, it likes to run around. And that's why you see lightning and thunder, because that's it jumping around everywhere.

Jack: It's hanging out in the sky on.

Cristina: Top of buildings and trees and stuff. Wherever you see, like, marks, burnt marks where lightning has struck, that's really the Raju.

Jack: Okay, that makes sense.

Cristina: Also, another Pokemon that might be based on this is Raichu, which is also electric, but it's the mouse. But this thing looks like whatever, so there could be any electric Pokemon based on this.

Jack: It's like almost all folklore are about some sort of shapeshifter.

Cristina: Yeah. My favorite thing of this Raju creature is it's the companion of Raijin, who's the God of lightning. And whenever he looks for him, he strikes at him to wake him up from where he sleeps. And where this creature likes to sleep, sleep is in belly buttons.

Jack: So he becomes microscopic? Not microscopic, but super tiny.

Cristina: Yes. So people during thunderstorms lie on their stomach so that it won't sleep in their belly button. Also, there's stories that he only sleeps on your belly button if you're sleeping outside. Fair.

Jack: That makes sense.

Cristina: Yeah. I don't know. It's a cute story. It's not a cute story because I guess you die in the end of that story. But it likes to sleep in your belly button. I don't know why, but it does. I want to see that Pokemon turn into a tiny thing and, like, sleep in Ash's belly button. No, that would be weird. That would be really weird. But there's a legend about this creature about. In a stormy night, a samurai drew his sword in the right time because he struck something. A lightning bolt. And of course it. Well, when he struck the lightning bolt, the whole area became smoky. And he didn't see what happened until the smoke cleared. And then he saw a dead Raiju on the ground.

Jack: Why did he attack lightning?

Cristina: I don't know. Because he thought his blade could do something. I feel like that would kill him.

Jack: Though his blade did do something. But, like, why did he know?

Cristina: He's got six sense. 10 cents. He's got super sense. That's how great it is. I guess the highest level of samurai in this. Is there belt in samurai? Is there, like, a high samurai level of, you know, like in karate?

Jack: I have no idea.

Cristina: Then there's Ho Ho. You know Ho ho.

Jack: Ho oh.

Cristina: Ho oh. You know Ho oh. Can you guess what Ho oh was based on?

Jack: Ho oh.

Cristina: It is a firebird. How many firebirds do you know it's a phoenix? Yes, it's a phoenix. It's a phoenix. In Japan, the phoenix is called Ho. Oh.

Jack: Ah.

Cristina: So, yes, they didn't really switch up anything. It's really just the phoenix in the game. There's no magic happening there. I mean, it's not really based on. It really is just. Just the Phoenix. It's just the Phoenix. When it comes to those birds, is there just one in the world or are there multiple?

Jack: That is a fantastic question. There are three legendary birds. Three legendary dogs. Mew, Mewtwo. We at least know Mewtwo for a fact. There's only one. Yes, there's Lugia. Ho. Oh, and like, what about all the Regis? What about Celebi? What, like, is there one of these m************? Just one of each.

Cristina: How does that work?

Jack: Where the f*** did it come from?

Cristina: Yes. Unless the God monster, the God Pokemon made them.

Jack: I think so.

Cristina: Is one of them.

Jack: I think so. I think it comes. It breaks down in that fashion.

Cristina: But what happens when one dies?

Jack: They're gone.

Cristina: They're just gone.

Jack: Yeah. I think it starts at the God Pokemon, Whatever the f***. Arceus.

Cristina: I have no idea.

Jack: Then created the universe. And Mew is Jesus.

Cristina: Yes.

Jack: Mew made the living things.

Cristina: Well, then that's not very Jesus. Like, God made everyone.

Jack: So I guess he's God.

Cristina: Yeah, he's really God.

Jack: Because Arceus is the God of the gods.

Cristina: Yeah. They're just seeing the Christian God is made by this other God.

Jack: Yeah, the Christian God was made by Arceus.

Cristina: Yeah. Maybe there's a Pokemon called Whiscash, which is a catfish Pokemon. Or I think it's a giant cat. I would say it is.

Jack: It's a catfish.

Cristina: It's a catfish with giant whiskers. Very simple. It's based on a catfish creature. In Japan, in the Japanese myth, there is a catfish named Namazu, which likes to create earthquakes and stuff just by flapping its tail. It's just so huge that it creates earthquakes.

Jack: And this Pokemon is that big?

Cristina: I don't think it's that big, but it has attacks that are similar. It creates earthquake attacks. Isn't that a Pokemon attack?

Jack: Water and ground?

Cristina: Yeah, it's water and ground. That's exactly the type. Is there many water and ground? Because isn't ground weakness to water? So, yeah.

Jack: So this Pokemon's particularly overpowered.

Cristina: Well, yeah, there's Zap. Zapdos. I don't know if we talked about Zapdos. Not Zapdos, but what he's based on which is the Thunderbird. I don't know if we talked about the Thunderbird before.

Jack: The f*** is a Thunderbird?

Cristina: Okay, good. Well, Thunderbirds are mythical creatures that the Native Americans believed in, right? And they created thunders and they control lightning and all that stuff. Good stuff. And they like there was a bunch of different tribes and they have all these different ideas of it and most of it revolves around like they're here to either watch over us, to see that we're doing the right thing, you know, like good or bad or whatever. And they'll punish us if we're bad. There's some like they. They're fighting water creatures. There's like giant snakes or giant water creatures that they. That are the enemies of these birds for some reason. So they have this epic fight and that's what's creating those thunderstorms and stuff is just the fight of these animals.

Jack: Like Battle of the Titans or something.

Cristina: Yeah. So it's some underworld creature versus giant bird creatures. There's a Pokemon called Golok which looks like a robot. He looks like a giant robot?

Jack: Yeah, he's a Golem, not a robot.

Cristina: He's a Go. Well, he is a Golem. He's based on a Golem. How can you tell he looks like. I mean, besides this picture that I have of him next to the Golem he's based on. How could you tell he's a Golem?

Jack: Does not look like a robot to me.

Cristina: I don't know what a Golem looks like.

Jack: Sonic Ripoff Eggman designed robot. Are you talking about he looks exactly.

Cristina: Like a Sonic Ripoff.

Jack: I see that. I see exactly why you think he looks like a robot.

Cristina: What do you think he looks like a Golem? What Go have you seen?

Jack: He looks like every. Every Golem looks like that. They're all the same s***.

Cristina: They're all just giant creatures. Oh, there's a Pokemon called Golem. He doesn't look like a Golem.

Jack: Yeah, Golem isn't a Golem.

Cristina: He's not a Golem.

Jack: No, Golem is not a Golem. Golem is a rock. He's specifically a Indiana Jones esque boulder.

Cristina: But those golems all look like different things. Like maybe it is a Golem made out of rocks. No, some of them look fiery.

Jack: Like there are golems made of rocks. But Golem is an Indiana Jones boulder. The one you push off and then roll down the hill.

Cristina: Oh my God.

Jack: That's what he is.

Cristina: Why did they name him Golem? This Pokemon deserves that name. But Golek Golurk. But to Golurk is based on a golem that helped the Jews from one of the many times that they needed help. Because they needed help.

Jack: So golems are biblical?

Cristina: Yes, I guess so. They're Jewish creatures. The Jews make them, and they're magical.

Jack: Jews make golems.

Cristina: I guess they got magic. That's why the Christians hate them. They're like, magic is evil. And we came from that. That is evil. I don't know. I don't know how it works. Maybe they're jealous of that power because.

Jack: They don't have it.

Cristina: They don't have it, Exactly. They've lost. They've lost the powers of creating golems.

Jack: Chew magic.

Cristina: Yes. Well, if you see in the picture, the specific golem in the story has. What would you call those bandages? And the Pokemon golem has that too, you know, I don't know what's called the. And the symbols on it is just, what, magic writing on it, I'm guessing, like runes keep it alive. Like runes? Do they know runes? I don't know. Well, it could be a combo of things, I guess. But in the Pokedex, it says that they're created by the ancient people with the goal of protecting humans and Pokemon, which is what the regular golem is created.

Jack: That's what my golem in Minecraft does. It protects us from creepers and things of such nature.

Cristina: So all golems. Golems are made for that purpose.

Jack: But some golems become evil.

Cristina: They do.

Jack: I don't know. Maybe they're owned by a bad guy. They're just protecting whoever made them, I think. Whoever they're cast to protect.

Cristina: Oh, so they're not really good or bad.

Jack: Yeah, they're probably not even conscious.

Cristina: Yeah, probably.

Jack: There's nothing going on. It's just.

Cristina: Are they like Frankenstein?

Jack: Well, no, that's alive.

Cristina: Oh, okay. It's not alive.

Jack: No, it's not. It is. He's biological.

Cristina: What level of alive is he?

Jack: He's closer to, like, fire, I guess.

Cristina: Okay, but you.

Jack: I guess. He's not alive. Alive. He's. He's alive, but not by a lot. He is biological, d*** it. He's. Yeah, he's biological.

Cristina: He can't think. He can't. He has no needs.

Jack: Frankenstein.

Cristina: No, I'm talking about the golem.

Jack: Oh. Oh, I didn't realize. We saw it back.

Cristina: Yeah. What is he. How alive is he?

Jack: He's not alive.

Cristina: He's not alive at all.

Jack: Basically, a robot that you control with magic instead of electronics.

Cristina: Oh, Even if he looks human.

Jack: Yes. Kind of like a Android that you control remotely.

Cristina: Oh, okay. Okay. That's all that it is. Okay.

Jack: Anyways. Anyways, we are running out of time.

Cristina: All of that came from black cats.

Jack: Black cats and Pokemon.

Cristina: Yes. So beware of these creatures in the woods or something. If you're in the woods with your friend trying to get them to listen to an episode. Is that what happened?

Jack: No. You wandered in the woods with your laptop and a boombox.

Cristina: Oh, yeah.

Jack: And you were trying to get strangers you came across in the woods to listen to the show with you.

Cristina: Yeah.

Jack: And I guess you stumbled upon a black cat and. Or something.

Cristina: Yes. And you're using it for treasure hunting.

Jack: Yes. But now, all things considered, this isn't the only episode with Pokemon that we have. There are actually a couple of episodes where we mention Pokemon in different. There's no Pokemon specific episode. No, but there are episodes that have a lot of Pokemon, including one where we try to find out if there's cannibalism. No. There's pollution in Pokemon.

Cristina: Yes. And hysteria. The Pokemon hysteria. But that was based on real life and not the game.

Jack: Yeah. Wow. We. Do we talk about Pokemon? This is the official Pokemon show.

Cristina: We rarely talk about HO1. That's why I thought, why not we.

Jack: Talk about Pokemon enough for this to be the official Pokemon show.

Cristina: Okay. This is the official Pokemon show.

Jack: At least for this episode.

Cristina: For this episode. Come back for more.

Jack: Find those episodes. If you want some more Pokemon in your life or anything else, you can find those on the official website. Greatthoughts.info on Apple Podcasts, Spotify, and pretty much anywhere you get your podcasts.

Cristina: And you can reach us on Facebook, Twitter, Instagram, and TikTokisconvopod.

Jack: Yes. And remember to subscribe and rate. And if you feel so inclined to review the show with whoever you're forcing.

Cristina: To listen to, let someone who might like this show know about it.

Jack: Yes. Word of mouth is very important. So you find people who you care about and love and tell them, hey, just conversation me, you, glass of wine, midnight stars sitting on the beach.

Cristina: They want to be listening to us.

Jack: Yes. And then as soon as you're done with the episode, you play the killers on the beach. Make sure it's about to start raining.

Cristina: No, that sounds very great. It sounds like a great night.

Jack: Yes.

Cristina: This has been the Just Conversation podcast. Take nothing personal and thanks for listening. Bye.

Jack: Because here's what I would say. Maybe he was the first saint.

Cristina: What?

Jack: And thus his death got associated with oversleeping because all the other saints would later be living saints. But no, they all have to be dead. So based on this, they're all the saints of oversleeping. If he's not the saint of roosters. Roasted.

Cristina: Roasted. He is the thing of roasted. I don't.

Jack: He's the saint of roasted rooster.

Cristina: It's over sleeper. Because the. I get it. Sort of, I guess, like the rooster, you. You get woken up by a rooster, but the rooster's dead, so you over.

Jack: So. Okay, Okay.

Cristina: I don't know how that. You know, then. What a crazy story.

Jack: It's a title. Not a thing.

Cristina: Yes.

Jack: It's just. We needed to call you something, but.

Cristina: We'Re gonna pray for you if we oversleep, I guess. Or not to oversleep.

Jack: The question is, is that how it works?

Cristina: Yeah, I think so.

Jack: You pray to them for the thing?

Cristina: Yeah.

Jack: Really?

Cristina: Yeah, I think so. Like, there's specific prayers people made for these saints. If you can't make up your own prayer or whatever, you can just find a prayer dedicated to them for a specific thing.

Jack: Interesting, interesting.

Cristina: So people pray for him to not oversleep? I guess. Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.