Rambling 283: The Lady in White

Who is the Lady in White? How did she get to Clinton Road? What is her Purpose there? The duo investigate the famous Lady in White story in an attempt to better understand the Spacetime Distortions detected at Clinton Road. Arguably the most frequently mentioned paranormal being of all time. 

+Episode Details

Who is the Lady in White? How did she get to Clinton Road? What is her Purpose there? The duo investigate the famous Lady in White story in an attempt to better understand the Spacetime Distortions detected at Clinton Road. Arguably the most frequently mentioned paranormal being of all time.

Topics Discussed:

  • Lady In White
  • Hitchhikers
  • Satanic Rituals
  • Echoes
  • Scientists
  • Escaped Experiments
  • The Shadow Realm

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+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is a show where we ground humanity's most absurd and baffling ideas. Ideas. And look, man, we've. We've been on a road where we learned a lot of information, and we taken.

Cristina: We've been on two roads.

Jack: Yeah, we done took. We done. Yeah, for real, for real. We done took that information, and now we're applying it to the world to try to investigate, using our. Investigate. Because we were kind of stuck over there for a while. So now we're trying to investigate other. With the knowledge we got from our investigations, right? And we decided to go into, like, a weird place where it was clear that something was wrong.

Cristina: We looked.

Jack: We investigated some other places, but we came to, like, the logical one, which is Clinton Road. Now, what we were looking for was initially electrical magnetic distortions, cold spots. We were looking for that. Converging with stories. We were looking for weird anomalies, time anomalies, electrical magnetic fields, anything weird that has happened in any magnitude whatsoever.

Cristina: See?

Jack: And we went through a couple of places, and we land. So one of them was Stonehenge. Right. And we checked out the. What was it? Ranch.

Cristina: Yes, yes.

Jack: Skinwalker Ranch. Yeah, yeah, yeah, yeah. But it made sense. It made sense. And then we landed here, and now we're looking at Clinton Road, which is a logical place. Now, in going through Clinton Road, there were many stories. We broke that into three episodes because it was too much. So in those three episodes, we went down the tremendous amount of things that exist, and the goal was essentially to unpack a lot of those things individually. But after we went down a quick kind of draft, right. Which we did, and then we highlighted the ones we thought were meaningful out of the ones we thought we weren't. And then we just talked about quickly the ones we know factually were meaningful.

Cristina: Mm.

Jack: Just to catch everybody up now, I went ahead and I looked into some of these things, and the point was to dive into these individually and to dissect them. But that immediately became problematic, as all things always become problematic. But it's hard to explain exactly how it's problematic. What. So I think I'm gonna show you how it's problematic instead by telling you what it is. And it's just kind of gonna make sense, and then I'll directly tell you afterwards. Anyway.

Cristina: Okay.

Jack: Right.

Cristina: Okay.

Jack: So I. I called this part of this problem one.

Cristina: That's what he called it.

Jack: Yeah. I'm gonna give you police reports. Just summarize. This isn't the actual word for words. This is. You paraphrase summarize about actual real world police reports from the road, from Clinton Road.

Cristina: Mm.

Jack: So this first one happens roadside. Somewhere along the road, a man calls the local police, reporting a woman in a white dress walking barefoot, disoriented, on the road near the lake. The man reported that he continued driving because he didn't know if she could be, you know, a danger to him and his girlfriend who were in the car. When the officer asked, can he describe anything about her? He looked back and she was gone.

Cristina: I don't understand.

Jack: Like, this is a literal, actual report of. Oh, I don't know what happened. Then the cop came that there was nobody. The people weren't there.

Cristina: Oh, like, it just had. It just happened. And then the cop showed up.

Jack: No, he called the cop.

Cristina: Oh, so he was calling him while it happened.

Jack: Yes, yes, yes. This is recent. This is very recent. These are recent. These are on cell phones.

Cristina: Okay.

Jack: This is self. These are recorded.

Cristina: Calling the cop.

Jack: Yeah. He calls a cop about this.

Cristina: He sees this lady.

Jack: Yeah. He's like, there's something weird going on. I don't know if you want to check it out or whatever. The. About this lady in the woods. Yeah. Now, again, this doesn't mean anything yet. It's as we go through this that the problem arises. This next scenario, again, all police reports so far happens near Cross Castle. On the other side, local police receive a call. A woman wandering by Cross Castle in a large white raincoat or a nightgown. Raincoat or a nightgown. Okay. The report claims the caller thought she was living at Cross Castle. So essentially a squatter.

Cristina: Oh, okay.

Jack: And when the caller approached, she vanished. He suspected she ran into the surrounding woods or behind a tree or something. And he also reported that he thought the squatter was a schizophrenic of some sort because he continued to hear whispers as he was looking for her.

Cristina: Horrified. Okay.

Jack: Very rational man, though. Every step of his report was.

Cristina: I don't know how he made it past. Like, she disappeared. Okay. I'm gonna still investigate, even though I hear all this whispering, like, okay, I predict white guy. Oh, my gosh. Okay.

Jack: Okay. The reservoir. This is by the lake. Local police report that they received a call from a woman seemingly considered a call of a woman. I apologize. A call of a woman seemingly considering suicide by the lake. She was standing by the water's edge to the person who saw her looking like she was, you know, considering hopping in by their interpretation of the scenario. She was standing in front of the water, kind of like just looking at the water for a really long time. And he got concerned.

Cristina: That's a tough one to imagine. Yeah.

Jack: I don't know. You can just call on a person like that. It's crazy. Okay. When asked by the officer to get the woman's attention, the caller yells out to her and she turns to him, then seemingly vanishes before his eyes.

Cristina: What is she wearing?

Jack: Local police report received a woman considering. No, not. No specifics.

Cristina: Oh, no.

Jack: White caller claimed something was weird about her face before she vanished. Unclear. And then this is by a really tight curve called Dead man's Curve on Clinton Road. The report is of a woman standing close the curb, either threatening to jump in front of a car or scaring cars. Driver report, car ahead and car behind. Were swerving to dodge her. And she was in a white trench coat or something similar. He didn't know where she ran off to. When he'd finished dodging her, she'd run away or hidden before scaring the car a few seconds behind.

Cristina: How many cars was involved in that one?

Jack: You must have been in line, like three or four cars coming through.

Cristina: Interesting. Okay.

Jack: Okay. These are random, just police reports. You kind of get the theme going on.

Cristina: Yes, lady.

Jack: Yeah. Ladies tend to be in some kind of white something.

Cristina: Yeah, we're trying to attempt suicide for some reason.

Jack: So I'm going to tell you four different stories that aren't those stories.

Cristina: Okay.

Jack: And we're gonna quickly discuss that. Okay, so we're gonna start with the obvious one, the lady in white. This lady is known as a lady who roams around the lake. There's basically, you know, the myths of the area.

Cristina: Okay.

Jack: She roams around the woods, the road, the lake itself, and is described as looking for something dressed in a white gown or robe, coat or dress of some sort, sad or expressionless. And the lady in white is seen the most often. That's important.

Cristina: These are all different. Ladies. Question mark.

Jack: Question mark indeed. Woman in the gown. A woman in the ground by. In a gown by Cross Castle or the ruins thereof. Only ever reported following KKK gatherings or late 1960s occult rituals. Now, this is where it gets interesting for me because do you. Do you get. Do you follow? Is my thought right? Young girl in a dress reported by the bridge and roadside. Seen often with the kid by the bridge tossing the coins. Seen less often in modern day, but more often in the past.

Cristina: But there's nothing about her.

Jack: No details.

Jack: Hitchhiker or damsel in distress. Always seen roadside. Always trying to catch the attention of a driver while asking for help. Seen way less often now, way more often in the past. Oh man. Okay, so what do you think so far? Let's unpack some of this information. What do you think so far?

Cristina: It's hard to tell if they're like just ghosts. Are these echoes? Cuz like I don't know if they're doing the same thing over and over or what's happening really the big problem, right?

Jack: What the f*** is going on? Because they seem to be a bunch of different instances that aren't the same. One in a loop.

Cristina: And if it's just one lady and she's all these people, then what's that about? I guess that's also another option. But like I don't feel like it is one per.

Jack: Why not?

Cristina: Because sometimes it's a girl, sometimes it's older. Like the age ranges feels different from how they're describing this person. It could be they do.

Jack: They do. But I'll go over some of this again. A hundred percent they do. A hundred percent they do. But I noted something from this very idea. Right. So I'm gonna go over this one again. Lady in white roams the area around the lake, the woods and the road. Described as looking for something. See dress in a white gown, robe, coat or dress of some sort. Sad or expressionless. And this one is seen the most often in modern day. She's the most seen currently. She was less seen in the past. Important. The woman in the gown. The woman in the ground in the gown by Cross Castle. How did I mess that up in the same spot by Cross Castle or the ruins thereof. Only ever reported following the KKK gatherings in the 1960s.

Cristina: What about the one with the boy? The girl that's hanging out with the boy, what is that?

Jack: The young girl in a dress reported by the bridge and roadside. Seen often with the kid by the bridge tossing coins. Seen less often modern day, but seen more often in the past.

Cristina: Like if this is a time thing then it doesn't really matter. So shouldn't they all be seen equally? Even if it's the same person? It's like we're watching their timeline playing over and over.

Jack: Except we are literally getting when these reports are coming from.

Cristina: But why would it be different? Like of how often one is seen versus the other if it's out of time anyway, like we should be seeing her as a girl. And as an adult, equally as much. Because it's unrelated.

Jack: Why do you.

Cristina: Even if it's the same person, why.

Jack: Do we think it's out of time?

Cristina: Because she's probably existing in the. I guess I do feel like maybe it's an echo. I guess it's hard not to see it. Like, just we're seeing different versions of this one person living out their life. But then again, it doesn't make sense. Maybe. I guess the most sense would be it's just an echo person. Not an echo person, a shadow person.

Jack: Why? Wait, wait, wait.

Cristina: I don't know. Because she's playing with a boy. That makes it seem a little different.

Jack: Maybe the boy is an echo too, based on that logic. Right.

Cristina: If he's an echo. Yeah. Like, I don't know, it's easy to see that her as an echo. But then, like, why would one time period be more popular in one time period of ours? Like, what would make the difference of seeing her younger back then and her older now? Unless she's maybe more of a shadow realm person, because then she ages. But if she's an echo, why, it would all be happening right now.

Jack: Yeah, but based on what we're talking about, then she actually is aging because she's already aged. No, no, no. What we're talking about is that basically she was younger in the past and older now. That's just aging through time.

Cristina: Yes. These are all moments of her aging and at a different time, so it wouldn't matter.

Jack: The order is all the older ones in the future, all the older ones are happening now, and all the younger ones are happening earlier, which makes it.

Cristina: Seem less of an echo because why would it matter?

Jack: No. Yeah, it's definitely not an echo.

Cristina: Okay.

Jack: I'm saying it's just a. Like a living something.

Cristina: Yes, yes. It has to be.

Jack: Yeah. It's currently something that's aged. Right. That's what we're looking at. Somebody's been living there.

Cristina: Because if it was just an echo, it would be all versions.

Jack: Yeah, randomly. Why would it be of the same person if it was an echo?

Cristina: But then the way you worded it is like, they see her less now, but they see her more now. Like, of different versions.

Jack: Yeah. They see the lady in the white dress. That lady is seen the most current day.

Cristina: But that doesn't mean they don't see the young girl or the other young lady.

Jack: We also have to remember the place we're talking about and people just talking random s***.

Cristina: So they're just sharing.

Jack: Yeah, this is majority Rules. And by vast majority. Does it rule in all of these instances? It's by vast majority. I summarize it. And I'll explain that later too.

Cristina: Okay.

Jack: But these are ultimately collections of reports.

Cristina: Okay.

Jack: That summarize into this, into these four different groups of people. And those stories were actual police reports that fit these suits very accurately. Like they're not definitely reporting different individuals as opposed to one person who seems to be kind of moving through time, it seems to me.

Cristina: Yeah. Yeah, I guess.

Jack: But that's what we're supposed to find out ultimately, right?

Cristina: Yeah.

Jack: Because I don't actually know. And we have no clue what is. Like, what would she be doing there if she was a person living there?

Cristina: Well, scaring people. She's obviously scaring people. She's jumping to the road. She's pretending she's committing suicide, which could.

Jack: Suggest she's some sort of a shadow.

Cristina: Yeah. All her behaviors seem really shadow realm.

Jack: What other behavior seems shadow realmy to you?

Cristina: Just like throwing pebbles at people while they're driving by with a kid. Like she might be trying to scare them. She just seems like she's trying to scare people. Different. In different ways. In different ways that aren't like horrifying, but like scared for her, which is still.

Jack: But then this brings into question the nature of Clinton Road. Right. Like, is what's happening in there that creatures in the shadow. Like, maybe this place is so tightly connected that people that live in the shadow realm come to their side of this place because it's so well connected. It's a place where feasibly you could have had adrenochrome on this side, cross over when you die. And then come and live around this area and be as close to some earth like place as possible. Because then why is she just living at the castle? And why does it look like a castle to her?

Cristina: We don't know what it looks like to her.

Jack: Fair she's just living there. Unless she's actually living at these. This castle.

Cristina: They're just saying she does because she's by them.

Jack: Yes. She doesn't actually have to live there.

Cristina: No. She lives in the area or she's visiting the area often.

Jack: And then the description I always heard about the white dress, but it got real complicated when it turned into coat. Yeah. In a gown, a robe, a raincoat or a dress. Always white.

Cristina: That sounds like she's just living around that area because you'd have to change clothes eventually. Like, she's not a cartoonist.

Jack: No, I don't think these cases are one Person saying she's changing to all of these. I think all the different cases are like, I think she was.

Cristina: Oh, okay.

Jack: You know, look like this.

Cristina: Yeah. Because we can't really tell.

Jack: Yeah, they can't really tell.

Cristina: Yeah. And like even the color of the clothes maybe we can't really see what color it is. So it looks white.

Jack: Exactly.

Cristina: It might not actually be wherever she is.

Jack: Yes, yes, yes. Or if she is actually on this side.

Cristina: Yeah.

Jack: Like they're moving in a car. Unwilling in most of these cases to get out because they're paranoid and they're like, what if this is just some crazy from the woods and she's just gonna stab me? Or.

Cristina: But they all seem scared, even though it's mostly it's for her. Like, oh, I'm worried about her. Kind of.

Jack: Yeah. It's always fear of some sort. Interesting. That's a different kind of fear. Sympathetic fear.

Cristina: Yes. That's exactly what she seems to be feeding on then.

Jack: Except sometimes she doesn't. She's just like standing in traffic. Maybe she starts fading.

Cristina: Sometimes it gets in traffic. That's horrifying.

Jack: That's f****** horrifying.

Cristina: What are you talking about? Yeah, so horrifying.

Jack: Just a chick shows up out of nowhere in a white.

Cristina: Yeah. Like there's no way you don't get scared in the moment. I don't know.

Jack: No, it's f*****. It's just being there. It doesn't matter. Just being there. It works.

Cristina: Yeah.

Jack: It's a place to live. If you took adrenochrome, I bet that place is CRO. That's why.

Cristina: Yes. I don't know.

Jack: It's just active. There's just people living in the woods together, being cool buddy buddy with one another. Because it's like home instead of whatever the. The shadow realm.

Cristina: She's probably not hanging out with the boy, cuz I think the boy is an echo. So she's just really just watching and amazing like everyone else. Like.

Jack: Yeah, like how weird.

Cristina: Yeah.

Jack: That's an interesting point. I haven't thought about that like actively, but I remember having like the brief moment of do. Does an echo play the same. In the same spatial location of the shadow realm?

Cristina: Possibly because they find this echo, this space where the echoes are living are, is as interesting for some reason.

Jack: Yes. And they can go there easily from their side. So it must physically be the same location somehow, even if warped.

Cristina: So there might be some echoes of our. Of beings that are from here and some echoes that are beings from them over there.

Jack: And that would explain really Weird, like things we can't track. Yeah, because it's like. It's not even even like the weird.

Cristina: Sounds that could be creatures that could. Maybe Those are echo sounds. Like shadow realm echoes.

Jack: Yeah, yeah, yeah, that's what I'm thinking. I'm thinking that definitely. How strange. We've never come across that thought because. Right. But then that's weird. I would not. If it's a time. If an echo is a time distortion, not actually a dead person.

Cristina: Yeah.

Jack: Then it's just a sort of snapshot of one of their moments too, being shown at a random time somewhere in that spot. Somewhere in a realm in that place.

Cristina: Yeah. Yeah, I think so. I think it's important somehow, this whole time distortion thing, for real. I think so. That's why there are scientists working there and doing something and then something horrible is gonna happen. I don't know.

Jack: Now that's interesting. Right, Because I think. I think I found that too, but.

Cristina: More about what's gonna happen.

Jack: Not what's gonna happen or what has happened, but. Well, I'll explain. Now I'm gonna talk about public records, not police records. This is a summarized. This is not literally word for word. This is simplified to get the information across as quickly as possible. There's public records about a lot of different sets of information. Right. Okay. I'm just gonna look at them. We're gonna look at the information together.

Cristina: Okay.

Jack: And we gonna have a conversation about this information. Okay. So the first mention of any female in the woods of Clinton Road in some kind of a white something was in 1965. Described as pale young female, homeless, roughly 5, 4.

Cristina: Okay.

Jack: Just random information.

Cristina: That is random.

Jack: Doesn't mean anything. But this was a robed young lady.

Cristina: Robed?

Jack: Yeah, yeah, yeah. Like a gown type of. She fits this lady obviously fits the. All the women we're talking about fit the dress code.

Cristina: Okay. White, homeless.

Jack: No. Homeless. No. This is just part of what's in this document.

Cristina: Okay.

Jack: Descriptors. I took out the word and put the whole sentence. Okay. Now I'm gonna tell you about a period of time between 1950 and 1970. Okay. In 1952, there were first reports of a satanic ritual or satanic rituals. We'll say satanic activity at Cross Castle. This gets noted. And this is just in the documents being recorded in history. There's been reports, you know, just 1950s, 1952. So Satanists. Ooh, they're Satanists. In. In the. In the ruins of the castle.

Cristina: How old is that castle?

Jack: Ancient.

Cristina: Because. Do you have the Date of when it was a castle.

Jack: It was a ca. I have a date when it stopped being a castle.

Cristina: Oh, what's that?

Jack: 1988.

Cristina: 1988. And it was ruins in 1952.

Jack: It wasn't ruins.

Cristina: It was still a castle.

Jack: It was still a castle. What? It wasn't an inhabited castle.

Cristina: Oh, okay.

Jack: I think you think it was a castle, though.

Cristina: I like the history of this castle. When are we gonna get to that?

Jack: That's happening for sure.

Cristina: Okay, but just not today.

Jack: That's happening for sure. You're gonna understand why we have to look at this castle. Everything. Everything aims at the we. I told you. The castle comes last. There's too much. And it all points to the castle. So obviously we have to save the castle for last. It's the obvious conclusion. There's something weird going on in that.

Cristina: Castle because I want to know about it before the quote, unquote, uncle Today's. I know, I know, but, like, there had to have been weird things happening.

Jack: Yeah.

Cristina: Before.

Jack: Yeah. Yeah.

Cristina: Okay.

Jack: So that castle is gonna be a while.

Cristina: Okay.

Jack: It's gonna be not just from now, but like the cat. The episode is gonna be hefty good stuff.

Cristina: Okay.

Jack: Yeah, yeah, yeah, yeah, yeah. Okay. Okay, okay, okay, okay. So satanic rituals, 1952. First time we get satanic rituals happening at this castle.

Cristina: What do people consider satanic? They're in robes. They've gotta be sultanic.

Jack: Interesting point. Right. Interesting point. Unrelated to this castle per se, but rather spoken of throughout the woods, many different groups of robed people. Consistently, the two most used words are KKK members and druids.

Cristina: And how do they. Like, can you tell the difference? I mean, I guess you assume because they're dressed in white, they're kkk. But, like, what if the druids just happen to be wearing white?

Jack: Exactly.

Cristina: How do you. How do you know what you're like?

Jack: Because it would just be a robe. It doesn't matter the color. Right. It's just the style.

Cristina: Yeah. So is it one or the other.

Jack: Code of a black robe?

Cristina: Exactly. How do they know? How do they know? I don't know. There's something wrong with the story, but.

Jack: Okay. In 1955, investigations are demanded by the mayor of the time, Arthur McAdams. This forced the local police to work with the Newark Watershed Conservation and Development Corporation, or nwcdc, owners of the Clinton Road and the forest surrounding it.

Cristina: To do what?

Jack: To begin investigations to find out about those satanic individuals.

Cristina: How do they do that?

Jack: Are they a danger? I guess patrol and, like, Set up ways to, you know, keep it safe for people so dangerous stuff doesn't happen. So he's just gonna look and see if there was ever anything, Two years later, in 1957, investigations are concluded and produce no proof of any claim. Yeah, checks out. Like, I don't know what you. How you were performing, what were you doing for two years.

Cristina: Like, bruh, they're just walking around and they couldn't see any ghosts because maybe that at the end of the day, these so called satanic ritual people are just ghosts. And like, what are the chances? It's really random though. You stumble upon them. So why would you. When you're looking for them? I mean.

Jack: Yeah, that's fair.

Cristina: And not just ghosts, but like, there could be shadow people, they could be whatever. But like, you don't just look for them, they just. It just happens. And then you have a story, I guess.

Jack: Yeah.

Cristina: So that's probably why Casta didn't find anything because they were just. They were looking. And like, you can't scare someone who's expecting you.

Jack: This fascinating logic. I'm kind of bad. I'm trying to process this because this absolutely, like checks out so heftily. It's like there's so. I'm so baffled by the fact that we've gone through so much data and one of the most consistent things in the world is that the investigators always come out empty handed. But people will sometimes. We've shown. We've shown on the show. I mean, I haven't shown the viewers, but I've shown you. And we've looked at some of these things. Some videos of actual things have happened. We've looked at photos, we've looked at literal speeches. It's never from people who are looking. It's never from the cops, it's never from the authorities. It's from everyone else. The people who are like, oh my God, what the.

Cristina: Because they're going to be affected emotionally. They're the ones that is what's feeding.

Jack: Whatever this is while people looking for it just think they're gonna find something not disturbing already.

Cristina: Yeah.

Jack: And there's no fear to begin the ball rolling.

Cristina: Yeah. And if, like, even if they feel fear, they're gonna push it back because they got a job to do, trained.

Jack: To push it back.

Cristina: Yeah.

Jack: That is. Bravery is pushing the fear down.

Cristina: Weak food. If they were gonna do something about that.

Jack: Interesting. This is interesting. This probably. You could probably find so many moments in which this happened. How very interesting. I know. I remember so many. But now this Is. That's a great point at looking at. Because anytime we see, oh, there's so many reports and the cops just find nothing, there's something weird going on there.

Cristina: Yeah.

Jack: That's another thing that's just weird and unnormal.

Cristina: And I doubt it's that they're hiding it. Yes. They really.

Jack: They found nothing.

Cristina: Can't find anything.

Jack: There's nothing in them. They found nothing interesting. I like that. Fascinating. Also in 1957, Mayor McAdam resigns a month later.

Cristina: That's unrelated to anything.

Jack: Unrelated to any information. Just details.

Cristina: The people were like, you wasted everyone's time. You gotta go, I don't know.

Jack: 1965, this is a huge time leap. This is eight years later. First mention of a female of any description in the woods surrounding Clinton Roads is mentioned. Female in white dress.

Cristina: Mm.

Jack: 1966. This is where it gets kind of. I didn't know about this one. This one just happened while I was looking for things. Black cars are reported coming in and out of Clinton Road day and night. Black cars, black cars, unmarked black cars coming in and out.

Cristina: What do you think that's about?

Jack: There were so many f****** reports of this s***. I don't know how this didn't make, like, national news or some s***. There were so many. There were hundreds people calling in to City hall about, who the f*** are these people coming in out of town. There were reports. I don't know, dude. People calling into the police station like, there's shady people who I've seen. They think it's the same person. Some people. Some people think it's different people. It's like there was so much. There were hundreds of. Just different, like, reports, records, and like, everything. Everything under the sun. This just kept showing up, but only for this short period of time.

Cristina: What was the period again?

Jack: Well, we'll get to the end of the period of time in a bit, but. And it's, like, weird. That's really weird. This just shows up, drowns everything, and then just poof. Never mentioned again. 1969. That's three years later.

Cristina: Mm.

Jack: Final reports of Satanic, druid or black car activity all stop simultaneously. Just done. 1971. First reports of KKK presence in the area.

Cristina: Okay. The Druids transform.

Jack: Now I'm not saying anything. This is just information. I cut this information out specifically because it built an image I thought was important. But let's talk about it. What does this seem like to you? We have, in 1952, satanic rituals are happening in the castle. Then three years later, 1955 people are kind of getting freaked out because they're.

Cristina: Seeing the lady or.

Jack: No, no, this is just about satanic rituals happening in the area, specifically around the castle. So three years later of reports just happening consistently, investigations are demanded, and the mayor goes ahead and jumps into action, and he gets together with the people who own it, the nwcdc, and they start doing whatever the f*** they were gonna do.

Cristina: But then the.

Jack: And then the mayor quits about this random. I'm not saying it's about this random, but like, he quits a month later after the thing is done.

Cristina: And then some suspicious people come, and then some suspicious.

Jack: Well, no, then the lady shows up, the girl.

Cristina: Oh, in a dress.

Jack: A girl in a dress. There's just a girl in a dress. First report of a girl in a dress wandering the woods. And then we get black cars coming in and out for three years straight. Black cars coming in and out. People reporting over and over and over, reports with these f****** weird cars. Final report of satanic druid or black car activity happens at the end of the three year period of the black cars. All three just suddenly, poof, gone. And then two years from that point, oh, there's KKK in the area. That's what's happening.

Cristina: I don't know. That's. I don't know. Tell me what's happening.

Jack: I don't know, man. Like, if you've ever seen a cover up, probably looks like that photo of what?

Cristina: Oh, yeah, like, right.

Jack: Is that what I'm looking at? Am I delusional? Does it look like the narrative changed really hard suddenly?

Cristina: Yes, but what did the cars have to do with anything?

Jack: This is very interesting. Right? So cars show up, but cars show up after the lady does. And that's pretty interesting. The first mention of the lady happens in 1965. And then from 1966 to 1969, black.

Cristina: Cars, druids summoned some creature who looks like a lady.

Jack: And then they came to something weird was happening. Something weird was happening in 1952 where the first reports happened of something. And satanic rituals, whatever. Those are Druids. Those are some Hermes like guys.

Cristina: They were summoning creatures from the shadow realm or something. Something not really summoning. It would be more like opening portals, Something.

Jack: Right. And then people started to panic. So then they tell the mayor or whatever means led to this investigation. And Mayor McAdams is like, okay, whatever, I'm a little gimbal. It's. And so he gets the people who own it to work with the local police and look into it. And they find nothing. And then he quits. Okay, you found nothing that's not worth quitting over. Is this like what they made you do it? Whatever. How would a crazy big political stick handle? Like, no, this s***? Nobody gives a s***. Why'd you quit?

Cristina: He for sure quit.

Jack: He resigned. Was literally what happened. He resigned his position at Monthly. It doesn't have to be related. It could literally just be unrelated. I don't know what the 1950s were like. Maybe everybody was quitting back then.

Cristina: I don't know.

Jack: You know, just pattern. I threw that there because pattern. It looks relative. I don't know.

Cristina: Seems strange.

Jack: Yeah, it's weird. It's notable. Somebody felt like they needed to write it down, so. Right. He works with those people. The investigations are concluded. In 1957, nothing is found. And then that same year, a month later, he quits. Okay. Then in 1965, eight years later, a mention of a lady in white, a girl, a young girl in a white dress in the woods surrounding Clinton Road is reported consistently. Just suddenly everybody saw this girl.

Cristina: Yes.

Jack: 1966, the next year, it's abundantly reported. So presumably began little by little of black cars coming in and out. And then it's just. 1966 is like, this is ridiculous at this point.

Cristina: Why is there so many black cars?

Jack: Why are there so many like, tinted window, black cars coming in and out. These indescript black cars coming in and out.

Cristina: Investigating. The real investigation has started.

Jack: Real investigation has begun. That has to be it. Right? Like, we've never discussed them in a black on this show.

Cristina: No.

Jack: And like, you know, it doesn't seem like they're real to me. It sounds like some crazy people make up. And you know, we watch, we listen to other shows like Mysterious Universe where they often discuss the men in black showing up for things. But like, d***, bro, we cross paths with them now, that kind of looks like what happened right now.

Cristina: I think we'll find out. They're scientists, I don't think.

Jack: I think everybody is.

Cristina: Yeah.

Jack: Or they work for powerful science. Yeah, Big science.

Cristina: Big science, yeah.

Jack: You know, everything is. Everything is ruled by big science ultimately. But yeah, that's weird. Hey, that's. That's really what happened. The real investigation to coming in and out, taking samples and doing research and in shifts, most likely.

Cristina: Yeah, probably for the sea people, I guess. I don't know. Big science.

Jack: I don't know who big science belongs to. Right. And then with the, with the sudden stop of reports of black cars, we also get the sudden stop of reports of Any satanic activity, druid activity, or black cars coming through, all of it's just gone.

Cristina: But we don't know if it's really gone, if there's just KKK. Like, I don't know if those are really KKK's or those are just Juliets who are now in ya. Like, how do I know?

Jack: They're controlling the narrative. Do they own the police?

Cristina: How do I know?

Jack: No, you get my point. Like, nah, bro, it's weird. It all stopped. Yeah, that's where it's weird. It's weird at all.

Cristina: I don't know why we replace one weird thing with another weird thing. Like, yeah, no, because it's more believable.

Jack: It's just racism.

Cristina: I know. Like, but still, it's so bad. Like, wouldn't you still won't people still be complaining?

Jack: Like, I think they'll just leave it alone because the KKK is a legal organization.

Cristina: Okay. That's right.

Jack: Yeah. Even then, weirdly enough, it was illegal and still is a legal organization. Some of them do sketchy s***.

Cristina: They shouldn't, but they're not.

Jack: But it's legal organization.

Cristina: They're not satanic as far as we can tell.

Jack: As far as we can tell. Right. Okay, now I'm gonna tell you about some different mentions of a lady in white. Let me correct that. Of a female in white. That matters. Female in white. This is a collection summarized again, it includes public records, police records, state records, Reddit posts, weird New Jersey blogs, and other related sources of this nature.

Cristina: Everything, everything.

Jack: All the mentions that people are like, I saw something equal parts. I made sure it was equal parts from all of them.

Cristina: Okay.

Jack: To summarize the ultimate logic of what I'm about to explain, this is also focus on time. Now, all these stories that I'm about to give you were told to these people by somebody in their family about this area.

Cristina: These are all stories.

Jack: These are all passed down stories. Not one of these is lived except the police records and the public records, which were literally. And the state records, those all existed prior to the Internet. These were just somehow mentioned one way or another. The Reddit, the weird New Jersey and the blogs, that's all people who've been told.

Cristina: That's what we're gonna do.

Jack: And a lot of the public records were transcribed with notations explaining that they were filling in some of the information that was lost through a flood or something. So a little bit of interpretation needs to be had for the pub, for some of these public records. But it doesn't matter when you see this consistency. 1965, a female in a nightgown is seen wandering the woods near Cross Castle. Female is in white. Either a raincoat. Oh, no, she's in a white raincoat, seen wandering and inspecting Cross Castle. Female in a nightgown exploring the reservoir lake. Those are the three. Female in a nightgown seen wandering the woods near Cross Castle. Female in a white raincoat, seen wandering, inspecting Cross Castle. Female in a nightgown exploring the reservoir lake. All of these happened 1965. Many, many, many, many mentions.

Cristina: Okay, these are like police reports.

Jack: Police reports, public records, state records, stuff like that.

Cristina: Okay.

Jack: And like two of these were, oh, my granddad said something about whatever the f***. Reddit seems to be the most informed about what my grandfather said. 1966, the most consistent mention. Female in a nightgown reported sitting on the edge of the bridge where we would see the kid.

Cristina: Okay.

Jack: This was heftily reported at that time. It's still reported and it's been reported ever since. A lot of people online who see it all the time. There's a lot of people who. But it was so mentioned back then. And this is one year after the first mentions, which were the previous three. One year later. It's important to note that 1965 and 1966, the most common word in reports and mentions of any sort was girl, often paired with the word young. So young girl consistently being a descriptor. 1969, female, again, young girl, white dress, reported coming from the woods, screaming for help before disappearing. Happened consistently. Female, young girl, white dress, seen crying by the bridge, reported consistently. Female, young girl, white dress, seen wandering by the woods, reported consistently. 1972, three years later, female in white, dead now. So those three years, those were the reports we were getting. Basically, that's where that whole period of time, those who were throwing in there. So 1972, female in white dress or gown, scaring traffic and endangering drivers. That happens until 1977. Female in a white raincoat attempting to lure people into the forest.

Cristina: How so?

Jack: Trying to call them in. Help me and come in here.

Cristina: So, yeah, that was the last one of it.

Jack: Yeah.

Cristina: Okay. Shadow Realm creature. I don't know. What else could it be?

Jack: I know, I know, man. I don't know. I don't know. Same person, it seems to be. Or if. If. Okay, let's play devil's advocate and say multiple women. Why are they all this uniform thing. They're all lost in this wood. They're all, oh, my God, help me. Can you take me out of here? Hitchhikers. Oh, please get me out. Some are sad. Oh, please, can I kill myself? Can I die?

Cristina: I don't know. I mean, it could be multiple things.

Jack: Are they running experiments on these girls and they're getting like phase in between and they just can't die. They're just stuck in these woods. Why is it always dressed the same? That's what's with me.

Cristina: Except we don't know if it's really white clothing.

Jack: We don't know. We don't know. But it's always bright enough that everybody thinks it's white at all times.

Cristina: Yeah.

Jack: So it's bright enough that everybody unmistakably.

Cristina: We don't have the same. We don't have enough details to actually know it's the same person.

Jack: We. We don't have any physical details. Yeah, there been some people who gave them, but it varied so widely it didn't matter.

Cristina: Yeah. So it could totally be different people. It could be the same. I don't know if it's the same person. I think shadow realm creature if it's not. I kind of still think shadow realm creature. Creatures who just use the same skill. Like some type of animal or whatever.

Jack: Like incubus or some s***.

Cristina: Yeah. Yeah.

Jack: I don't know, man. I don't know, man. There's some things here that totally throw me off. What's. What is it with raincoat?

Cristina: It's different outfits, though.

Jack: I think the description of the outfit stays pretty consistent though, because we have a raincoat, a nightgown. We have a nightgown. We have a robe or a dress. I would argue the dress is the outlier there.

Cristina: I don't know how. Robe and a raincoat.

Jack: They're all flat down.

Cristina: Are you saying like they look similar?

Jack: I think they all look similar. I think it's the same one outfit. Why? What they. She's got a color preference and can't choose anything but white.

Cristina: That's the.

Jack: They think she's not a Power Ranger, man.

Cristina: She's not wearing white. That's what I think. I don't know.

Jack: But why are they all so bright? Or maybe she's glowing.

Cristina: Maybe she's kiss. She's some type of creature of creatures.

Jack: They're all creatures, always in white. Always in white.

Cristina: Different creatures, same plan.

Jack: Very bright, maybe.

Cristina: Yeah.

Jack: No, but if she's just fluorescent or bright, then she wouldn't look white. Her colors would be more obvious because it wouldn't be dark. Her colors would be unnaturally vibrant.

Cristina: Yes. I don't think she's a Ghost or echo. She's some kind of.

Jack: Seems logical. Like she's moving around. Right. It sees there.

Cristina: Yes. There might be still more than one.

Jack: Well, let me propose some things here. Some experiments were being done. Maybe they're still being done somewhere. The castle's gone, but, you know, somewhere in the woods there on the ground, whatever. And young girls are what they use. And so, you know, they use them. Whatever. We tried whatever experiment that phased you in between the. Whatever the. And it didn't work or did work or I don't know what the they're doing. And then they're like, okay, get the out. We don't care what you do now.

Cristina: Yeah. Because like, even if they ran away, they're stuck because they're in some type.

Jack: Of limbo and they've had some of them survive and figure out if I keep scaring people or saying here that it's scary already, I won't die or whatever, I won't disappear, go crazy or whatever the.

Cristina: Yeah.

Jack: You know, maybe they figured that out. Maybe the few have figured that out. But there was a uniform they were wearing at whatever facility they were being experimented on.

Cristina: Yeah. They're usually dressed in white.

Jack: We know the children are leaving from our realm. That's a fact.

Cristina: Yeah.

Jack: There's no question about it. The fact that we're kidnapping all the children, are being kidnapped by all the rich people and being sold to the shadow realm. So somebody's running experiments. Maybe it's not even the shadow realm of the experiments are being run. Maybe we're still just trying to figure out how to cross realms easily. They're stuck in the woods. Why don't they get out? And we didn't never hear about them getting out. They don't think we have heard about some getting out, but they're stuck on the other side.

Cristina: Yeah.

Jack: They just leave the woods and make it somewhere else in the shadow realm. That happens to be on our side too.

Cristina: What do you mean?

Jack: Because although many of these mentions started here, they do show up all over the world later. Almost all of them.

Cristina: That's true.

Jack: Almost everything that's come from Clinton Road.

Cristina: Yeah.

Jack: And that region.

Cristina: Yeah.

Jack: I didn't even realize. The headless horse. That blows my freaking mind. That that originated there God knows how long ago and that spread everywhere.

Cristina: I guess. That is weird.

Jack: It's weird, right?

Cristina: They're coming from there because of the powerful spots.

Jack: Because it's a powerful spot. They're coming from there. They're leaving there.

Cristina: Which is weird because you think it'd be Where a mountain is. But that has nothing to do with it. Well, that's something related more to the sea people than it does to the shadow realm.

Jack: Yes. Because we know the shadow realm and forests get along the law. The Vikings got it. And it looks like we're. We're getting pretty close to, like, we don't know what happened, but.

Cristina: Gotta be some dead fairies in there, bro.

Jack: There's a dead everything in there.

Cristina: There's dead fairies. There's got to be fairy trees in that forest.

Jack: There must be fairy trees for a fact. I'm sure there are shadow creatures that have been killed in there. And I am so sure that so many people were sacrificed in those woods.

Cristina: Yeah.

Jack: To make it what it is.

Cristina: Yeah. It's too strange. It's too. Too much is happening.

Jack: Too much that runs together. Option number two, Maybe it's not a bunch of little girls. Gown, robe and raincoat are very similar. Not the dress. Another thing that would fit in place of the dress would be lab coat. It fits exactly the same as a robe, as a raincoat or a gown. Could be a lab coat.

Cristina: You're seeing a scientist.

Jack: Could be literal scientists that you're looking at. But that doesn't make sense. So why would they say that? And they wouldn't think that, so they would think robe or this or that instead. Just spitballing. I don't know.

Cristina: That's weird. But, like, if a scientist lady was yelling at you, I don't know if you'd pay attention. I don't know.

Jack: I don't know.

Cristina: It's a weird one. Okay.

Jack: Okay. Now I'm gonna tell you a bit of information, and then I'm gonna tell you all the years in which it happened. All the following years and mentions are all in a white raincoat and identically described. They are all summarized into these specific descriptions. Ultimately, every mention following these years, the descriptions are, one, wandering around the castle, Two, watching cars roadside, Three, throwing something near the bridge. Four, picking something up from under the bridge, and five, collecting water, doing something to the water, or wandering around the water of the lake. And the years that this is mentioned in crazy amounts. It was important to mention the specific years because that was the weirder part. 1991, 1992, 1993 suddenly stops until 1999, then again, 2001-2002-2003-2004, and then it stops until 2009. And then it stops again until 2019-2020-2021-2022, and then it stopped again. No mentions last year, no mentions this.

Cristina: Year of her at all of her.

Jack: In a raincoat, specifically doing any of those things I said all those suddenly stopped any year I didn't mention every year I did mention it was just going on. That's exactly who the f*** she was and what she was doing.

Cristina: Mm.

Jack: 91, 92, 93, huge jump. 99, 91.

Cristina: I mean, 2001, those other years that you didn't mention she was.

Jack: No mention of her in this very description.

Cristina: Yeah.

Jack: And the mentions of her in general were low. But no mentions of her in the lab coat or raincoat.

Cristina: Okay.

Jack: I picked this out because of the lab coat idea. These are just her in what people literally said a raincoat. She's just in a raincoat.

Cristina: Okay.

Jack: And it. 91, 92, 93, jump to 99. 201. 02, 03, 04, jump to 09, jump 10 years to 209 to 2192-020202-12022. And then no mentions for two years. Strange stranger is the fact that 1991, there were the bombings at the Twin Towers that made people think there was a terrorist invasion happening. Weirder is that right before Y2K quote, unquote. 1999, active dies for 2024. I mean, 2000, when nothing is happening. And then 2001 rolls by and the Twin Towers get struck. And again, people have this fear of, oh, okay, terrorism.

Cristina: So now you're leading towards. She's gotta be some type of shadow realm creature.

Jack: And then we have 02, 03, 04, active kind of dies out for a little. And again in 09, not sure what that's about. And then 2019 suddenly pops up and is mentioned all the way to 2022, and then suddenly dies again.

Cristina: And if we look up those years, something bad you think happened, something horrible.

Jack: So somewhere, 01 through 04, she could be coasting off of the fear from, you know, war against terrorism or whatever we were saying at the time. 09, I don't know what happened. I don't know what happened on that. Obama got elected. Were people that scared? I don't know about that. I couldn't figure it out. I couldn't figure that one out. What's weird about 2019 is you showed up before the virus. The virus began in December. These mentions were happening all the way from January.

Cristina: Mm.

Jack: Popped up suddenly. Thick, heavy. How she beat the virus by, like, she beat the mention of even there's something wrong by, like, nine months. That's weird. That wasn't fear. That tells me something very Different. That tells me somebody can either measure when something is gonna happen somehow looking forward and show up ahead of time to get things in order.

Cristina: Yeah, makes sense.

Jack: Or somebody can orchestrate things happening.

Cristina: I don't know. But like, why would she be doing all of that? She's just in the right place at the right time.

Jack: In none of those instances was she not in Clinton Road.

Cristina: Yeah, exactly. She can't do anything. She's just there waiting for these events to happen.

Jack: And Clinton Road is what? Why is it channeling crap that happens elsewhere also just throwing information out there. If Clinton Road is pulling, presumably the castle of Cross Castle or the railroad or whatever the crap is happening. The mines, One of those two. Probably the mines, realistically. But one of those two is pulling in this energy that gets formed on this side so that it could be used by things from the other side. Is that what Santa Claus figured out? A channeling system where little amounts from across the world and get pulled into where he lives that he barely leaves.

Cristina: Okay.

Jack: And he could reserve that to do crazy s*** like move the whole world in one night.

Cristina: I don't know. Because I feel like you need a stone for something like that.

Jack: Maybe he built it with a stone.

Cristina: Okay. Then there's gotta be a stone that was built in that. I guess the conclusion still is that there was or is going to be a stone in that spot.

Jack: Yeah.

Cristina: Because the stones are somehow related.

Jack: This is what I mean. Like, it's obvious. Obviously, the miner, the castle, got something weird. And one of those two places, without a doubt, we're gonna find something nuts that's gonna answer a craft ton of questions. But there's so much going on. I'd rather see if we could figure it out before we get there.

Cristina: Okay.

Jack: Because there's so much to go through.

Cristina: Yeah.

Jack: And like, I don't know, man. What does it look like? It looks like the problem is the aging problem. Right. So it could also be that maybe this is a scientist that grew up there. Not grew up there, but she was young, she aged working here. She understands the woods. And so people have seen her many times. And maybe sometimes she's running experiments. What makes me think that is the collecting water, doing something to the water or wandering around the water by the lake, also running experiments, like try to.

Cristina: Tell them that she needs help.

Jack: I think I have a theory about that. I have a theory about that. I think she is an inevitable scientist. I think she's like one of these other people who went through a weird series of events and then joined something like the. The earth gods or the sun gods or something. It was like, okay, by chance, you seem to fit a weird role we can make for you. I think she kind of fits that in that maybe weird experiments were. In fact, this might. This is my theory in the background, right?

Cristina: You think this is from the past, though, or the future?

Jack: From the past. I think in 1952, Druids showed up and were doing some experiments intentionally trying to do something. Maybe they were experimenting on some chick, probably trying to recreate people or what, I don't know. Probably trying to do something similar to biblical things. I don't know. And this girl that was. Girl at that point was one of the subjects or whatever the crap. And she, you know, got whatever happened phased or stuck or maybe not even. Maybe she can leave and like, who the f*** knows? Maybe she can. Maybe she's the one who can actually f****** just come and go. I don't know. But she then freaks out at the beginning, and we see her a bunch running and asking for help. Help me. Can you see me? Do you see me? And she's crying by the lake and crying by the bridge. And that's all at the beginning, all that together. Young girl, crying and confused. But as she gets older and as the descriptions get more away from girl and start leaning towards lady, then, you know, she's over it. It seems like a person who's been dealing with it for a while. Again, my theory, I don't know. Been dealing with it for a while because the mentions of girl and the mentions of crying and asking for help kind of fizzle out. And then we get to a period where we just see her sad and somber and like, kind of like, you know, depression. Made peace with it.

Cristina: And then she's suicidal, though.

Jack: She seems like, yeah, maybe I'll kill myself. Maybe I'll figure out a way to die or something. But then that also fades away. And eventually we get this person that seems very purposed. They're over here doing this, they're interacting. They're doing that. They're doing. Their sadness is gone now. It's just like a serious individual kind of actively doing things, almost ignoring people who notice them. Like, whatever. Yeah, people on the other side, huh? Sure, whatever.

Cristina: Doing what, though?

Jack: That's the weirdest part. And what makes me most confused is collecting water, doing something to the water. What a weird series of descriptions that was. And wandering around the lake. So some experiments were definitely being run at the lake.

Cristina: Yes, but what.

Jack: And then she was wandering around the castle. She's Been seen wandering roadside. She's been seen throwing something near the bridge and she's been seen picking something up from under the bridge. Just science going and exploring and like checking things out.

Cristina: It's hard to tell these.

Jack: All of these are in lab coat or raincoat, which I am calling a lab coat for this theory.

Cristina: I don't know.

Jack: I don't know.

Cristina: It's just her outfit's so very. It's hard to say just to say that it's a lab coat.

Jack: I don't know if anybody in a panic fear mode can really identify clearly when they're also similar.

Cristina: Just.

Jack: I mean, I guess a gown and a robe are quite distinct.

Cristina: That's tough. Yeah, I don't know.

Jack: Yeah, I don't know. I don't know. Just theories, you know. I don't know. This is just weird patterns that formed looking at this.

Cristina: Is she just a scientist or some type of experiments?

Jack: Yeah, maybe. There's a bunch of these girls, they're actually just stuck out there. I don't know. I don't know. Something about the space time anomaly is affecting them.

Cristina: Yeah.

Jack: If there's multiple girls and yes, they're stuck there because why would there be more than one? They're definitely just trapped there.

Cristina: What do the men in black have to do with anything?

Jack: What was that? About three years of them consistently coming in and out and suddenly narrative changes.

Cristina: I mean, yeah, I guess something changed.

Jack: Yeah. Yeah. Now it's kkk.

Cristina: That's weird because she didn't change.

Jack: When you look and you look for druids, when you look for images of druids, they're usually in white and they have a robe that has a hood. Not only that, if you look at the very robe that druids wore and you look at the same ones the necromancers were, they were identical. They're just often darker. For necromancers it's the same s*** almost down to the T. And you look at the ones that Zoroastrians wore and it was identical to the f****** one that the necromancer is just a whole mess.

Cristina: It's weird that she's never described wearing that type of robe though. All these outfits, but none of them are a rope. Like if it was a science coat, you might confuse that for. I don't know, I don't know. I don't think she's part of it.

Jack: We would have. We would have needed a science person to make one of these reports. Because the problem is this is by casual people, a lot of the Time. So we're like taking randos at their casual non well descriptive words and like their interpretation of whatever random series of situations they saw in plain darkness on a road that literally has nobody living there and no lights. So like, if any situation was ever vaguer, like, I don't know, all of this could be. A hundred percent of this could be unrelated. All of it. It could be unrelated. I don't know if it is because of. D***. The consistency is kind of hefty. Yeah, that's why I'm put it here. I put it like this again, it's just random information. But that's the problem. The problem that I began with. Problem one is that I don't know if all these women are in fact the same women. And if they are, then what the f*** happened? And if they're not, then what the f*** happened?

Cristina: Yeah, yeah.

Jack: You didn't get anywhere other than just come up with more questions and solve anything?

Cristina: No, I don't know either. I'm confused. I don't know. Because it could be either or it.

Jack: Could be many women in experiments. We know experiments were happening and we know somebody's shutting the people who would report on about.

Cristina: Yeah, and we know so many people disappear in that area. Like how many of these women are just one of those disappeared?

Jack: Yes. How is anybody gonna prove it? They disappear if you get close enough.

Cristina: Yeah, tough, tough. Okay.

Jack: I don't know, man. I don't know what to tell you. That's just what I got. Well, the other problem that we definitely can't fit here, but we have to unpack at some point. This problem number two, the fact that there's a little boy and there's so many variations of this little boy in so many places. Little boy?

Cristina: Really? I thought it was just the bridge and the coins.

Jack: No, there's a lot going on and she interacted with them. Anyways.

Cristina: No.

Jack: Anyways, that's for next time.

Cristina: No.

Jack: Okay, so look, if you guys got any input on any of this information. Hey, look, it could be coincidence. I'm just looking at things. I'm comparing and contrasting. None of this matters. It's not important. It could mean nothing. I'm just a crazy person who reports on random things I find. And that's what's happening here and say any of this means anything, I got theories. I could be wrong, probably am wrong. Who knows? It's just more questions. Is it one, is it multiple? And then all the possibilities for either option. So look, if you got theories, hit me up. Hit us up. Let us know usconvopod on Twitter, Instagram on TikTok on Facebook x x remember.

Cristina: To subscribe, rate and review the show.

Jack: And word of the mouth is the most overpowered thing on earth. Tell people that we're figuring out these deep diving problems, solving the world's neediness.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye. Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 282: Clinton Road: The Menu Part 3: Significance

Is there any starting point for researching this Forest surrounding Clinton Road? What could be the most pressing amongst the sea of oddities? What can be found on the other end? The duo unpack the last of the reports from Clinton Road. This time, the clearly important bits are discussed. 

+Episode Details

Topics Discussed:

  • Druid Activity
  • Disappearances
  • Satanic Panic
  • UFO Sightings
  • Mysterious Lights
  • Floating Orbs
  • Cross Castle
  • Mutilated Animals
  • Haunted Mines
  • Gnome Sightings
  • Invisible Barriers
  • Creepy Carvings

Official Website - https://greythoughts.info/podcast

X - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

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+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: I'm your host, Christina.

Jack: And this is the show where you and I ground humanity's most absurd and baffling ideals. Yeah, no, that's legit, bruh. But okay, so recap, recap. Last time on Dragon Ball Z, for anybody who wasn't paying attention, Clinton Road for the hundredth billionth time, many years later, except now we have a lot of information to relook at it with. And so we've broken up the excess of things we have discovered. And we have separated into three categories, of which we discussed two already. Ones are echoes. Any long term listener understands an echo is a type of ghost that doesn't interact with anything. It's just literally a repeating something that isn't there.

Cristina: Yes.

Jack: Then phantoms on the shadow episode, probably shadow people, which is probably shadow people or other things that are just aware and they're physically and are aware of you and try to interact or can react. Those are not echoes. They're not just there not being responsive. They are there explicitly being responsive.

Cristina: Yes.

Jack: And then today. Well, to clarify, in the echoes episode, we had some little details that the point of that was we were basically going down all the major events that happened in Clinton Road, breaking them up into these three categories. And with the echoes episode, it was to completely remove what we know isn't doing anything. But the point of discussing that to begin with was maybe something sticks out and is relevant. Which we have found a couple of things that we should look into. Because of the nature of those things, particularly intense distortions, directions, we could be looking at, whether it be a different realm or into the future to see how we can possibly determine something's happening. These kinds of details you've acquired. The phantoms episode was a sin. Well, the shadow episode is the same idea where we're trying to unpack phantoms. Phantoms are what we call the creatures that do interact, but we normally call ghosts. We've created a distinction. The phantoms are the type of ghosts that can interact, and they're usually just things in the shadow realm that you're interacting with.

Cristina: Yes. And they're spooky.

Jack: Yeah. A lot of them can be definitely.

Cristina: Yeah.

Jack: Some of them are trolls. A pickup truck was definitely a troll.

Cristina: Mm.

Jack: Today's episode is the last part of our branch as we go through the Clinton Road menu.

Cristina: Mm.

Jack: And this is a collection of all the things That I know factually as we go down. Each one of these points is important. Without a doubt.

Cristina: It's all important.

Jack: It's all important. These are the things that all the. The other two sections were composed of things that, I don't know, could or could not be.

Cristina: But these relate to what we're trying to figure out.

Jack: This has ghosts, this has phantoms, this has tech. It's again, everything relevant that was factually relevant.

Cristina: Okay.

Jack: That wasn't in the other two lists. The other two list was just composed of those respective subjects, but that was unclear.

Cristina: May or may not be important.

Jack: Yeah, these are definitely important. And have things that should be on those two lists if they weren't obvious.

Cristina: Okay.

Jack: Every thing here matters now. Okay. The problem is that there was no way to order this more efficiently because of how important everything on this list is. So it's not like I can escalate gradually.

Cristina: Okay.

Jack: So I'm just gonna go for the number one thing here because it's the easiest for us to just kind of get into the groove and start to unpack this. But it is quite commonly stated and believed that human creatures. Human people. Not creatures. People. People. Humans. Humans.

Cristina: Humans. Okay.

Jack: Also wander these woods around Clinton Road. We know this.

Cristina: Yes.

Jack: I personally saw an individual doing something weird. Doing something weird. There was a town, like, adrift in this location where nothing else can get to. There are people now. Where it gets weird is the dialogue people have used to describe the people they have seen.

Cristina: These aren't normal people or they're not. They're. It's obvious that they're doing something sketchy.

Jack: There you go. Yeah. It's more about what they're doing, not who they are.

Cristina: Yeah. Okay.

Jack: So the stories are of cloaked figures, which we know. I personally saw a dude. And they're said to have been seen or glimpsed performing rituals of all sorts in the woods. And the word most commonly used to describe these individuals by people who are informed scholars who search for what people are talking about. Oh, it's spooky and blah, blah, blah. No, it's probably just this. The this they use is Druids. They believe they are Druid activity. Let's simplify. Druid people who work with occult things. Let's specify occult things in the context we're very familiar with. We're in a high energy displacement space time, problematic area. And people have seen cloaked individuals performing things that they would describe as magic if it wasn't technology.

Cristina: Yes. Crazy.

Jack: There was probably a necromancer there at some Point.

Cristina: Okay. Okay.

Jack: That would fit what a druid is.

Cristina: Yeah. A necromancer.

Jack: There could have been.

Cristina: Which I guess, like St. Patrick. He would probably be described as a druid.

Jack: He would be described as a druid. Correct.

Cristina: Yes. Because what we know is they're in hoods. They usually have some kind of staff.

Jack: With a stone either in the staff or in a necklace.

Cristina: Yeah.

Jack: There's definitely a dialogue they're using with intention. And again, the fact that they use this word to describe it kind of reframes immediately the guy I saw instantaneously. You're not a KKK member, dude. You black? You're black. Black. So you're some other s***. But now let's take a step back. We use the word druid. Druid in this context means a magical individual. All the magical individuals we've known. I'm about to ask you to say something I haven't said myself yet. So put your thinking cap on. Where are they from? This is not a difficult question. Where are the people we have talked about doing magic from? Not which country. Which region?

Cristina: Which region?

Jack: Easy.

Cristina: I don't know. It's not a country.

Jack: Not a country.

Cristina: Not a country. The sea people. No. What region?

Jack: Where is Iran? Where is the Middle East? The Middle East.

Cristina: They're doing magic.

Jack: Oh, God. Okay, I got a. Let me grab your hand and walk you through it. The Middle east is the only mention we've seen of every single necromancer, every single magic activity has ever happened that began with somebody wearing a hood. It happened in the Middle East. We have no outside source that ever had a necromancer, ever had somebody who fit these descriptions anywhere else. It's always been in the Middle East.

Cristina: What about Sansa? He's in the North Pole. And the guy, Merlin? He's not in the Middle East.

Jack: They're not wearing hoods. I used these words so specifically. Guys doing magic wearing hoods is literally what I just said. Those individuals have only. We've only found mentions of them in the Middle East. Now another question I have not explicitly said, but is the obvious answer to this. They are in the Middle East. What is their skin color? Not a hard question.

Cristina: They're brown.

Jack: Darker than brown. Oh, they're very bronze.

Cristina: Is this important?

Jack: The guy in the woods that's wearing a hood is dark. I don't. How are you not connecting these dots, bro? Okay, I'm gonna stop trying to get you guessing.

Cristina: Are they saying the same thing, though, in their description?

Jack: No, I'm telling you what I personally Saw.

Cristina: Yeah.

Jack: They're saying there's druids in the woods and he's wearing. They're wearing, you know, they got cloaks and they're doing the things that, you know, necromancers fit. And then I saw a dude wearing a robe and it so happened to be a D skinned dude.

Cristina: Yes, dude.

Jack: The dots are connecting. But no, no worries. I'm gonna just connect all the dots and I'm gonna just flat out explain that.

Cristina: Like, did they describe it like that too?

Jack: No, I would have said that. But the point is I'm making the connection that there's a dude with robe.

Cristina: Yes.

Jack: In the place where they're saying there's people with robes doing things and we see him with a machete. Then we get to a animal sacrifice. Like, all the parts are just lining up.

Cristina: Okay.

Jack: No explanation required, but I will continue to just explain it instead of asking. But the point being that's definitely fitting the suit. Dark skinned dude in a robe definitely did something sketchy with an animal.

Cristina: Yes.

Jack: And he's walking away from it. That's what I see. But that just fits them. Talking about rituals being performed in the woods by druids.

Cristina: That's crazy.

Jack: That's weird. Now I wouldn't have put those things. I was thinking KKK. That's. At the entire time, since 15 years ago when it happened, I've only thought, yeah, it's okay. But it doesn't make sense to have that thought because this guy is dark also.

Cristina: What does it do you have to do with a kkk?

Jack: Yeah, like, well, the area is drowning with them. That's a very, very KKK present area. But why would he be a member? Unless he's a troll who's using it to, like, disappear into. But he was visibly just walking around. You could see his arms. You can see, you know, and it's like, okay, it has a KKK vibe, but I can see your face. So it's not a hood that's literally covering your face. The assumption was, you know, he has it lifted and, like resting on his head. But maybe it's just a literal hood, not a mask. And maybe you're in a robe, not a cloak.

Cristina: Okay.

Jack: And maybe you were performing a ritual.

Cristina: Just out there like that. That's kind of crazy.

Jack: Literally what they say happens.

Cristina: Yeah.

Jack: Rituals in the woods.

Cristina: Yeah, but you weren't in the woods. You're so.

Jack: You wouldn't have to literally be in the woods. They're not in a building would be the point of staying in the woods. It's outdoors. They're outdoors. Performing sketchy things would be the sort of general idea here.

Cristina: Okay.

Jack: They're not hidden doing it because otherwise how would people see them? I'm sure that in the woods has meant some people have seen them on the street as well, just, like, doing weird things.

Cristina: Okay.

Jack: And so you move around them. At least that's what we saw. And the thing is, all of us saw that. All of us saw the animal, and all of us saw the dude. It was unclear what the dude was holding. Two of us thought machete, two of us thought shotgun. But by the time we get to the animal, there's kind of not really a debate here because it's sliced open. Two of us are right, two of us are wrong.

Cristina: Yeah.

Jack: But weird. Anyways, the other weird part about that moment, that quote druid, unquote, is that moment of the machete or the shotgun, because what. How could we not tell? But let's back up and talk about what we know about Clinton Road and what we know about the shadow realm. Clinton Road has high distortions. That guy might have not even been present. That guy could have been in the shadow realm, and we were seeing the distortions of the shadow realm. That would explain both happening.

Cristina: Mm.

Jack: It's a distorted image of somebody on the other side.

Cristina: Yes, but did the deer look like it was from.

Jack: Well, no, the deer was cleared on this side.

Cristina: Okay.

Jack: And maybe he used whatever he got from the deer.

Cristina: Okay.

Jack: And we were seeing him phase in the middle. The veil was thinnest right after he took it.

Cristina: Okay.

Jack: Because he needed the veil to thin for him to cross. And then we're seeing him slowly distorting more and more as it goes through his system and he crosses over to the other side. Weird.

Cristina: Okay, but he didn't, like, disappear in front of you guys. Like, it wasn't, like, that type of spookiness, was it?

Jack: So the debate that we had following this moment, because we're driving and then he's in the back mirror, we assumed it just got so dark that there's, like, a threshold that you just instantly get sucked into the dark.

Cristina: Yeah. Okay. So, like, it appeared like he disappeared.

Jack: It appeared like he tried to make.

Cristina: It make sense, but it could just.

Jack: Be that, again, we were in a car, he was on foot. Like, the dark could have just swallowed him instantly. Beyond some point, he did get smaller and smaller and suddenly gone, which is possible. It's totally possible. We were also spooked by the fact that we just saw some random dude out here in the woods with the machete or shocker. So, yeah, we're maybe not focused. It's already, you know, the sits, the place and the situations already getting to us a little.

Cristina: Yes.

Jack: But we'll leave that there. Who knows? The next one is this. This is one we're definitely gonna have to unpack in detail one day.

Cristina: Okay.

Jack: There are giant lists. Giant lists of people who've gone into these words and never been seen before. Like, again, they're just gone.

Cristina: They're just gone.

Jack: Gone. People missing in these woods all the time. All the time. They disappear. These woods are not big enough for. So for there to be lists and nobody to find them, just. It's not big enough. You'd find them. You'd find them. You'd send crazy search parties and find them.

Cristina: Yeah.

Jack: Nobody's been found. They're just gone. Everybody. All of them.

Cristina: How long is the list at the moment?

Jack: About 300 people.

Cristina: Oh, my gosh.

Jack: Okay, spread out, spread out. It's not like 300 people last year.

Cristina: Yeah.

Jack: Like, through all the time, we've recorded about 300 people wandered, never been seen.

Cristina: Again for like 200 years. For a hundred.

Jack: For the past maybe like 30 years. That's a lot.

Cristina: Oh, okay. 330 years. Whoa.

Jack: Yeah, that's a lot. There's people wandering and vanishing and wandering and vanishing.

Cristina: You know, if there's, like, groups of.

Jack: People that disappeared as well, like entire groups have vanished. Yes.

Cristina: What is that?

Jack: Well, there's an answer for what that is based on the fact that they vanish in an area that shouldn't be so easy to lose so many people. Where are they going?

Cristina: Someone's eating them up.

Jack: I guess they're going to slip into the other side. Yeah. Yeah, they're. They're falling through some of these thin places into different times or falling into different spaces.

Cristina: Oh, you think different times.

Jack: They could just go through one and. I mean, they're still the one that overlooks the lake and is always looking into a time in which there are people at the la.

Cristina: Yeah. And there's. There's a spot like the. The tall grass in there as well.

Jack: There could be. Where everything is intersecting. Yeah. Once you're in your track, that'd be crazy. Maybe that's what they are. Maybe there is a situation like that going on.

Cristina: Those are crazy.

Jack: I would argue the tall grass is kind of based on some concept like that that somebody, you know once read about or something, and, oh, how interesting. And it's like. That's kind of real, man. It's kind of Kicking around reality a little bit crazy.

Cristina: But it could also be that they're being killed off because, like, who knows what's in there? All these stories of monsters.

Jack: Like, not even.

Cristina: They gotta eat.

Jack: Not even stories of monsters. Let's go to how people try to explain this. Because that's the next important thing.

Cristina: How they try.

Jack: How they try to explain it. This takes us back to the castle. They believe that Luciferians inhabit the castle and that their cults operate in that area, leaving behind strange symbols. This is literally written, as I'm saying it. Symbols and sacrifices of unfamiliar animals. Now, how would we identify a Luciferian? Well, you're just guessing who they are. A Luciferian who's performing a ritual would be indistinguishable from a Druid, wouldn't it? Yes, except you call them a cult. You're saying an individual is a Druid and a group is a Luciferian. Why couldn't there be a group of Druids?

Cristina: Yes. And they're sacrificing Shadow Realm creatures.

Jack: Shadow Realm creatures. Now we're getting to something.

Cristina: Yeah, weird.

Jack: There are symbols which are transmutations. You can convince me of anything else. You could not convince me. S*** else is happening. Strange symbols, huh? That's too familiar.

Cristina: Yes.

Jack: And then unfamiliar creatures being sacrificed. There is some sort of a portal somewhere around here that distorted everything. Those creatures are coming in and they're bringing them in. Or something happened in the future, in the past. This is the hotspot and they're keeping it safe. Hence the sacrifices. It's not sacrifices. They're killing whatever comes through that shouldn't be here.

Cristina: But then how, if they're keeping it safe, like they're still mad people going missing.

Jack: That's why they need to be there, keeping it safe. If they're keeping it safe, what would happen if they weren't?

Cristina: Oh, okay, so you're saying it'd be so much worse.

Jack: It'd be so much worse. At least they can keep it contained in the woods of Clinton Road. You see? Now, if they're the ones causing it, then we are talking about an area, and this is gonna. I don't know how the f*** I didn't think about this last week when we were talking about the Phantoms in the Shadow episode. But I literally mentioned that the Vikings had created a forest through continuous sacrifices in order to stay in contact, be able to traverse and communicate with things from the other side. How the f*** is this any different than that?

Cristina: No, it's the same thing. They're probably talking to A co. Uncle God.

Jack: Hella people go missing. That sounds kind of accurate to what the Viking were doing.

Cristina: Yeah.

Jack: Creatures from who knows where. People hear voices when they're there. People slip in and out of places they're unfamiliar with. Everything jumbles around.

Cristina: The same story, just a different location.

Jack: Yes. It's a modern day portal location. It's a sacred forest to cross into the shadow Realm in Clinton Road.

Cristina: Yeah.

Jack: The argument is whatever the h*** happened once we crossed Paradise Road into the town of paradise, we weren't on this side anymore. That's why it was jumbled. But then we didn't consume anything to get there.

Cristina: No.

Jack: So we must have been on this side and it was just because again, if the steps that we're talking about are as we're talking about them, then the Druid I did see needed the thing to cross. We didn't consume anything. So we were watching a really hot spot on this side of that side. Yeah. We were just watching that side essentially. Without being there.

Cristina: Yeah.

Jack: Like the thinnest part of the veil.

Cristina: Yes.

Jack: Without crossing. And so it behaves almost like we're over there.

Cristina: Yeah. But you need something to actually be there.

Jack: So then this brings up another question. Is it possible to thin the veil so much? It's almost the same place.

Cristina: Like you don't need anything.

Jack: Like you don't need anything. If that's what's happening in paradise, then paradise is an actual. And listen to me what I'm about to say, this makes so much sense. If paradise is just the thinning of the veil, then you can coexist. When people from the other side. We go back to the origin of Halloween and Christmas and all these things when they will go to these graveyards. It's where the veil is very, very, very, very thin. And they can just people who are dead and. But also be careful. There's creatures there who might harm you. There is a town in Norway where there are people from the shadow realm, people from Elfim and people from earthrealm living together. In no moment that we ever come across a line that said anybody crossed anything to get there, we just know they're there together. There's two locations like that. That's just one of them. Is it possible that these locations are extremely focused so that you don't need anything and people don't have to cross, but you can still see people from the other side. Additionally, in situations like the judge sleeping in somewhere, these spots, it would just be one. He never went in.

Cristina: He never went in. No. That makes it make so much sense.

Jack: He abused the knowledge of being in this twisted place repeatedly and got familiar because the veil is so thin. It's not the same place.

Cristina: Yeah.

Jack: He didn't slip anywhere. And he could see them like they're standing in front of him even if they're not.

Cristina: Yeah. And his sister probably took something though, once they. She made the deal with the other girl or whatever.

Jack: The other girl actually. They both actually crossed. But they had to learn how to do it.

Cristina: Yeah. But I don't think he did.

Jack: I don't think he did. I think there's a. I think there are places within veils where you can just interact and it's the same place the them into us. And we haven't thought about this before, but it checks out. Because the way that fear thins the veil.

Cristina: Yeah.

Jack: Means you could get it if you can just keep applying the same logic and never have adrenochrome. You never bring adrenochrome into the equation. You just keep applying more and more and more and more and more and more fear.

Cristina: That's why you were there. But it was different.

Jack: But it was different. But there are conflicts to this theory. What Twin towers fall. There's a crazy amount of fear. New York didn't suddenly shift.

Cristina: It's not a hot spot.

Jack: It would have created a hotspot. If the fear is what's doing it. Or are we talking that you need to create technologies to thin the veil to this point?

Cristina: Possibly.

Jack: So from the other side creatures can come to this. I would fear alone. But we need some catalyst.

Cristina: Yeah. Because we see all this time distortion thing going on. That's not happening.

Jack: That's not happening over there.

Cristina: No.

Jack: Another theory for the same idea of the thinning veil is what if it's literally the same thing to get across. How do I put it? We need fear. They can see us. What if there's something on that side they have to do and then we see them give a point. What's the fear equivalent?

Cristina: Okay.

Jack: If it's one to one, what's over there that we need over here to suddenly start seeing them? Ooh, we haven't thought about that.

Cristina: I don't know. That's tricky. I don't know.

Jack: But makes sense.

Cristina: Yeah.

Jack: If that's the case and is the kids in the playground who aren't there, they could get scared and then that, you know, thins that area a little more because foreign and exciting and. Oh my God. Well, we're kind of spooked out. There's people camping out there looking for things too, from the other side.

Cristina: Yeah.

Jack: It could be just as scared.

Cristina: So you think it works both ways? The fear itself.

Jack: Both sides are horrified because it's a fun place to go be scared.

Cristina: Yes.

Jack: And so both sides are going and kind of scaring each other, not knowing. Oh, my God. There's something over there. People. People. It's just people.

Cristina: Yeah.

Jack: There are things. There's dangerous things. There's wolves and there's bears and there's snakes and poisonous and birds and crap and weird chimeras and. But also on the other side too. Just whatever things they got. But also they see weird things. But it's just us and we see weird things and it's just them.

Cristina: That's. Agree. That makes sense.

Jack: Makes so much sense.

Cristina: Yeah. It's just fear works the same over there as it does over here. Okay.

Jack: And if it's not literally fear, we can just put the value of X and call it fear. Anyways, they have something.

Cristina: We got something that works the same.

Jack: Interesting. Useful, right? Yes, interesting. Everything on this list is useful. It's important. And in like crazy thought reframing.

Cristina: Wow. Yeah.

Jack: So there's definitely something weird going on. I don't know if they're causing it or trying to contain it. Unclear. That's what we need to be looking at that castle for.

Cristina: Okay.

Jack: But it brings up the theory that there is something going on. And then the Druid himself walking through having gotten some ambrosia, fades away because he crossed over. Meaning you do need the thing to cross over. But then we connect the fact that we didn't consume anything when we were in paradise and it seemed that we.

Cristina: Did crossover some event happening is important. The time distortion thing, because we would have these still anywhere. Like, why is this the spot?

Jack: No, 100%. 100%. I do agree. I think this is an overlap of many things.

Cristina: Yeah.

Jack: I think things happened here either on the other side in the future or in the past. And that created just enough disturbances had to happen so long ago or so far in the future or somewhere we just can't find that then makes us not know what this is. And it's just a unique place that we can't be like, oh, no. It's unique because of that. We don't have that answer. So we're just like, oh, it's weird and spooky and that gets people excited to go there. And then that sort of perpetuates the fuel of fear and crap.

Cristina: But something had to start.

Jack: Yes.

Cristina: Not sure where, when, but something yeah.

Jack: The distortion seems to be unrelated to the spooky s***, even if it kind of resulted in it.

Cristina: Yeah.

Jack: It's just this came first and it allowed for other s*** to happen and now this s*** happens as a result of the curiosity from that s***. But it's still a super hot spot because it's where the thing, whatever happened.

Cristina: Yes.

Jack: So it's kind of like all of the things overlapping in one spot, making it this kind of complicated amalgamation of all the things we would define as ghosts and horror and mysterious. Now this brings us to the next part, which is again why we have to start looking in this area more seriously. Because the next sentence, I must say it as they describe it, but then we know really what it means, which is there are quite a hefty number of reports that identify flying objects that could only be described by the individuals as aliens.

Cristina: Okay.

Jack: UFOs everywhere. We know who the UFO are.

Cristina: The sea people.

Jack: The sea people.

Cristina: Okay.

Jack: And this is a hot spot that all this ghost activity and then we have UFOs. No, they're observing and probably landing places and checking out. Because they're probably the ones with s***.

Cristina: Yeah. They probably end up doing something there that causes whatever to happen to happen.

Jack: Exactly. You tell me UFOs. I know who we're talking about. You tell me UFOs over weird time lapse hot spots within places and shadow realm creatures. I'm like, bro, yeah. There's only one group of people that's doing this.

Cristina: Yes. And they're a group of scientists. Anyway, like obviously they're doing something weird, even if it's to stop themselves from doing the weird thing. Like some kind of Star Trek thing.

Jack: Yeah.

Cristina: They end up doing it anyways.

Jack: But then this tells us something else interesting. They do come out because these sightings are recent. The spot is recent. This is all recent.

Cristina: Yeah.

Jack: This is the first mention we have modern day of something that is probably the sea people. Now. It would just be UFO and people being crazy if it wasn't where the f*** it is.

Cristina: Yeah. But is the same thing. Does that happen in the ranch that we were talking about a while ago?

Jack: Yes. So, yes. UFOs drowning in there.

Cristina: Yeah.

Jack: Weird, right? I mean, that was the whole thing we're talking about. It's paranormal, but it really means just ghosts and aliens and it's like.

Cristina: Yeah, yes, yes, yes.

Jack: There's a pattern here where you have a lot of quote, ghost unquote activity. You have aliens and it's like neither one of these are what you guys think they are.

Cristina: And before those stories, you had fairy story.

Jack: Yeah. In the same places.

Cristina: Yeah.

Jack: Oh, interesting. In both places. Kind of painting a lovely. It's becoming too easy to find what we're looking for.

Cristina: Yes.

Jack: The. In the collective of what they don't know is all one thing. Paints us the picture we're looking for. Kind of crazy, right?

Cristina: Yeah.

Jack: Now deeper into the rabbit hole. We got creatures that are unfamiliar, creatures that are likely familiar things that are probably the scientists. We know rituals. We got thinning veils. We got the clear shadow realm overlap. We got weird things everywhere.

Cristina: Everywhere. Yeah.

Jack: And then people say they see what they could only describe as sentient lights or orbs moving through the woods, responding to people and avoiding people. Usually the size of a softball.

Cristina: That sounds familiar.

Jack: I'm thinking fairies. I'm thinking this s*** has everything still to this moment.

Cristina: Till this moment.

Jack: I think all of it is in there. I think these are fairies and we're seeing what they would look like without coming through.

Cristina: Mmm.

Jack: We're seeing the shadow realm equivalent of fairies. Never thought about it. How would they look like if they didn't come fully, but they were still on their side watching us, if we thinned that veil.

Cristina: Interesting, because I. I don't know if we've talked about fairies like that.

Jack: Never cross our minds. It would apply the same. If it's all the same.

Cristina: Yeah.

Jack: It would just be a different direction, but the same idea.

Cristina: Yeah. Yeah. They just see them moving around.

Jack: That's like an impossible to catch. Impossible. Just super fast. And seem to, like, not be phased by creatures. And just totally like the overpowered thing that doesn't care about anything is that orb. And it's like, weird. I can't confirm it's a fairy. I cannot.

Cristina: No, but.

Jack: But, like, what else could we be talking about? Yeah, we'll pin that as fairy for now.

Cristina: Mm. Could be a shadow realm creature.

Jack: Yeah, it could be. But the fact that it's a light kind of argue because the shadow realm. They named the shadow realm because of its dark characteristics.

Cristina: Yes. Yeah.

Jack: The fact that this is bright, a bright glowing orb, it's like, oh, okay. That's some whole other thing you're talking about.

Cristina: Okay. You know, yeah, that makes sense.

Jack: But yeah, that. That one caught my attention because I'm like, I've never thought about this, but I could only explain this as the opposite of the shadow realm, which I would say is all fame and, like, how would they look like if these guys look like shadows but they're not?

Cristina: What would the other guys look like?

Jack: They would look like light even if they're not. And definitely the most important thing here is Cross Castle, which is specifically the ruins of the castle that it's said to be haunted by spirits and consistently visited by alien presence. Which is like, bro, it's always being like, aliens are always a UFO's always hanging around. It's like, brother, come on, you just tell me.

Cristina: The Druids are doing rituals.

Jack: That's where Luciferians are at.

Cristina: Yeah, it's.

Jack: It's obviously there. Yeah. You're telling me aliens are watching Luciferians in a place where they're performing rituals and when weird creatures come out of. Come on, bro, that is.

Cristina: That's too much.

Jack: That's too much happening all in one place. None of this is coincidence. The fact that people are talking about it like it's random. Separate is stupid to me.

Cristina: Yeah.

Jack: Like you guys really think all this separate is happening simultaneously? Just maybe it's all one thing. Whoa. Yeah. As I go through it, it's just gonna get dumber because it's gonna be so obvious. You don't even need any of the information we've uncovered to really understand what's happening.

Cristina: Yes.

Jack: At this point, like, bro, obviously, obviously. But yeah. So Cross Castle, that's gonna be the main focal point. And I think as we unpack all of the details that matter to all these right now we're just skimming through, and then we're gonna truly deep dive into all these things. We're. We're in here for the long.

Cristina: Starting at Cross Castle, right?

Jack: No, we're ending at Cross Castle. That is the last point we will get to.

Cristina: All right.

Jack: Because I'm sure when we get to that, all the other points are going to become null and void. So I want to leave that for last so that we just don't run out of s***.

Cristina: All right.

Jack: But Cross Castle will be the very last visit out of all the things we deem are important here. Now, revisiting the mysterious animals that seem to be unknown, there are a couple of things that ring familiar with the descriptions of these animals. Now, oftentimes are considered exotic because people are just unfamiliar with the animals that there are. But there are two descriptions that ring very powerfully. There is an old research paper of a journalist who was digging through these things, John McLean. And John, in looking at these things, says a nearby zoo had animals escape. According to their mention, the zoos.

Cristina: Okay.

Jack: But it seems that there was no forced entry upon police speculation. So it must have been a clean job. It's a zoo. There's no such thing as a clean job. So they gave the animals to somebody. That's weird. One fact random. Other note from a different. These are not journalists, these are people, okay, describing what they've seen, claim that the animals they witnessed are hybrid animals. Chimeras, literally.

Cristina: We do know about a scientist that was working on chimeras in real life.

Jack: Though, about many sciences.

Cristina: Yeah.

Jack: Now where this becomes relevant is when we look at what was taken from the zoo. Lions went missing.

Cristina: Sea people's favorite animal.

Jack: Yeah.

Cristina: Okay, yeah. Were there horses?

Jack: Horses went missing, huh? You got anything else? You're on point.

Cristina: Those are the only two main ones I can think of.

Jack: Horses went missing, lions went missing, eagles went missing.

Cristina: Oh, okay.

Jack: You see where we're going? It's just visually on point.

Cristina: We got the flying horse. The flying horse.

Jack: Eagle, flying lion. Oh, exactly. What the we're supposed to be seeing is what went missing from the. And no broken entry. How'd you take eagles? How'd you take horses? How do you take lions? No broken entry. Come on, you serious? That's a breeding ground. Those animals were donated, by the way.

Cristina: They're donated.

Jack: They were donated to the zoo. Oh, zoo's in on something, isn't it? Oh, you see, it's weird lines. It's like we don't even need to dig deep to understand some of these pictures. You tell me exactly what's missing over there is what people saw. Hybrid over here. What are the odds?

Cristina: Yes.

Jack: Just a coincidence, you know, just like they think isn't this is unrelated to that. It's just all random coincidence. It just so happened to be that only horses, lions and eagles are stolen and you see hybrid lion, horse, eagles over there. It's fine, it's unrelated.

Cristina: Unrelated. Okay, you're going.

Jack: You jump into speculation, man. What are the odds that exactly what's taken over there shows up over there? Fused.

Cristina: Were there any other animals taken?

Jack: No. Okay, horses, lions and eagles specifically. Yeah, no broken entry. The two explanations are escaped and were stolen in neither case could have happened. No, neither could have happened. You guys had to open and let them be taken. That's the only way. Yeah, crazy random details, not saying any of this means anything for anybody who thought this was always just coincidence after seeing everything put together. But whatever, you know, total coincidences. Then we get still on the topic of animals, what people describe as. And we know exactly what these are. Phantom animals, ghostly sightings of long dead pets, including dogs, cats, appearing alone in these areas. Very interesting detail here that these ghost creatures are pets. And that they're in this area because it would be the place where you would see the things from the other side. And if the veil is incredibly thin, then if you live in the area, your dog looking for you follows your scent like a wetchudge would and lands in Clinton Road tracking you. And then you see your long lost dog who's been dead for a while.

Cristina: Do they say like if they behave like an echo or.

Jack: No, these are just fully. Yeah, they feel like these are actually phantoms interacting and like. Oh my God, is that my dog? Oh my God. And then disappears.

Cristina: Oh, okay.

Jack: And it's like. Okay.

Cristina: This makes sense to be a spot where they'd.

Jack: Exactly. Where they would pop up. This fits the graveyard.

Cristina: Mm.

Jack: That very well. People will go there because it's just a beacon for dead s***. And then you can go see your loved ones there.

Cristina: Yeah, yeah.

Jack: This could be the same thing. It's just a beacon for dead s***. And anybody who lives close maybe comes here to scare themselves once in a while, but your s*** is already in there somewhere. And once in a while you might just cross paths and see it. So I think that's very interesting. Weirdly and. Yeah. Yeah. It's weirdly enough. A lot of the visitors, like, this is my first time here. Like I saw my dog in there. It's like. Yeah, it's a beacon for deadship. Yeah, it's the hot spot. One of the. The other point that this makes me think about if the Vikings had one and we have one. Every major populated wooded area where people go missing is probably some s*** like this.

Cristina: Yeah, you gotta look into every.

Jack: There's an easy one. Japan has a forest of death where people allegedly go and commit suicide.

Cristina: Yes. There's gotta be weird stories coming out of there. If anyone just goes in there, they go in for the stories, but they see other s***. They gotta.

Jack: Yeah, I am sure now with the perspective this all we ever get more information. And then it enlightens other situations. And now we know this is probably the same as the Vikings place, which means we have a second one of these. But if there's two, then there are more.

Cristina: So much more. Yes, yes, yes.

Jack: There has to be a lot. And if we're talking Japan has the forest of death and Jesus went to Japan.

Cristina: That has been chosen for a reason. Okay.

Jack: F****** force is old, bro. Ours isn't. That forest is.

Cristina: Mm.

Jack: That's been spooky to people for millennia.

Cristina: Yes. There's got to be some kind of energy or something that is involved.

Jack: Something. There is More important, Jesus himself thought that.

Cristina: Mm

Jack: Now we move to the next part of this. Here we're talking about undeniable s*** that we don't have to theorize about. Specifically with the next thing I'm about to say. People have found items in the woods that they believe look like cursed artifacts and relics. They use the term magic. That oftentimes when somebody tries to reach one of this, they've seen these artifacts begin to glow.

Cristina: Oh.

Jack: Or behave weird. Oh, it looks like a rock. And when I try to reach for the symbols on it light up or something. And it's like, maybe you're just looking at technology.

Cristina: Fairy technology, Shadow Room technology, Elysian technology.

Jack: Why would it look like our stuff unless it was made by earthlings. Okay, which would be the.

Cristina: But you said cursed.

Jack: They're describing it as cursed.

Cristina: Okay.

Jack: People who don't know who wandered through the woods. All of this is just people who don't know. Every description we've given, there's people who don't know and they say cursed. They see a piece of stone with symbols on it, they reach for it and it glows. And they're like, it's cursed. That's an uninformed assessment of a piece of technology you're looking at.

Cristina: Okay. Okay.

Jack: Of course, anything sufficiently advanced enough would look like magic. That makes sense. Oh, I reached for it lit up. It's cursed. It's woods with Luciferians. There seem to be demons in here. And then I find a rock with a diabolical looking symbol. I reach for and it lit up. It's cursed. Checks the narrative. It checks out with the narrative they're painting. Yes, but that means that there's so much activity here that there have been pieces of technology left, left, right. That means that some Alicians maybe have been killed in these woods running experiments. And like a wet judge breaks out.

Cristina: And like, off them, something horrible is happening there. So currently, not just in the future, is there something gonna happen, but there's.

Jack: Something currently happening, energy wise, we don't know. But we do know, activity wise, never stopped.

Cristina: Never stop.

Jack: We don't know if there's a giant machine being run, a machine that was run, or a machine that's gonna be run and where it's at. Exactly. We don't know any of that, but we do know activity wise, since the moment it began, it has not stopped.

Cristina: It's not gonna stop. And it's not gonna stop. Looks like it's not gonna stop.

Jack: Interesting.

Cristina: Yes. And I wonder if we'll see these items Again, yes.

Jack: So I actually have mad stars next to that now. Because we've found images of technology from the past. I want to see what the f*** there. Somebody had to be brave enough and pick one up and be like. Or took a photo on their phone or something. You know, show it to me. So I'm gonna dig and find something. I want to see what it looks like. And then. Is it in a book? Can we find a hieroglyph with an image of it? Yeah, you know, anything. Just give me one image and I will cross reference everything under the sun until I find something.

Cristina: We're gonna find something.

Jack: We have to. They. It's. It's more than one person saying this happened.

Cristina: Yeah.

Jack: There are cursed artifacts that people have talked about. It's like, okay, okay, now we're on to something. And that's unquestionably something obvious.

Cristina: Yeah. But when I think of like, if they're gonna call something cursed, does that mean something happened to the people? You know?

Jack: Like, no, they don't know. They're. If they're reporting it.

Cristina: Yeah.

Jack: Nothing happened to them. They just don't know what they were looking at.

Cristina: Okay.

Jack: Like, if they're telling you about it, they made it out.

Cristina: Mm.

Jack: Otherwise they wouldn't worry about the thing. They'd be like, people died in the wood, you know?

Cristina: Yeah.

Jack: They're like, no, I saw a weird thing. It was probably cursed.

Cristina: Okay.

Jack: Like, okay, then nothing happened. They're just using s***** language because they don't know better.

Cristina: Alright.

Jack: They don't know no better.

Cristina: You gotta check that out though.

Jack: So coming back to the idea of animal rituals, the. This is so related to me. Pretty often people find mutilated animals. That's just like a literal report. Mutilated animals usually on the curbside or roadside. Yeah. And the, the exact descriptions go like, they find animals in the woods. They're speculated to be result of the occult rituals. Oftentimes opened from the chest down to the belly button. You know, kind of that area.

Cristina: That's what you think you saw?

Jack: That's literally what I saw. Literally what I saw.

Cristina: Okay.

Jack: Literally what I saw. Yep. The deer cut straight from its neck all the way to its private parts and then just opened. That's it.

Cristina: And it looked like it just happened.

Jack: It looked like it just happened. I didn't think about this next part until this very moment. And now I'm disturbed because I think about this next part until this very moment. I've told you a thousand times about that deer.

Cristina: Mm.

Jack: I never once saw blood on him or the deer. That's f****** weird. I never thought about that for the last 15 years. Never crossed my mind. There was no blood. Not a bit. I told you. I even f****** walked and was looking at it up close. I was amazed by what the f*** I was looking at. The guy was in a white robe.

Cristina: Yeah. No blood.

Jack: No blood did cross my mind when nobody questioned anything.

Cristina: The deer. No blood.

Jack: Deer, no blood.

Cristina: Mmm.

Jack: Weird.

Cristina: Weird, yes.

Jack: Now I have less idea what I saw. That's weird. Now I have less idea what I saw. I don't remember any blood. I don't know why. I don't know why the f*** doesn't cross my mind.

Cristina: So right now the whole situation's weird.

Jack: Yeah, it is f****** strange as h***. This strange one spectral fog. So a thick, unnatural fog that rolls in suddenly, obscuring vision and often causing travelers to lose their way. Now people say this fog is so confusing, it feels like the Roger movie. Is this fog literally what it looks like? When the veil is thinning more, you're seeing the other side, so it looks unclear.

Cristina: Yes. When you saw. But you didn't see fog?

Jack: I didn't see fog, no. But also we crossed something.

Cristina: Yeah, I don't know.

Jack: I don't know. Something to look at. I got everything here. Something to look at. All of it somehow relevant.

Cristina: Yeah.

Jack: We've never heard this before. First mention of a fog that rolls in right before things start to jumble up.

Cristina: But you saw things jumbling up and no fog.

Jack: No fog. I saw a jumbled up mess and I never saw fog.

Cristina: Strange. I don't know.

Jack: Okay, let me do some f****** rapid fire. Running out of time. G******. Okay, okay. This is important as f*** because I didn't even know this existed. I only found. This is one of the. It's towards the bottom of this list because it's one of the last things I found. Just looking through this and I'm like, what the f***? Nobody's ever mentioned this. There are mines out there. Mine, mine. There's old mine tunnels said to be haunted by spirits of miners who died in them. People have been seen coming in and out of the mines, bruh.

Cristina: People might be going in and out of the mines.

Jack: I don't think that's Rose, bro. Think about this real hard.

Cristina: We know people are experimenting.

Jack: There are mines going way out of sight. Let's take another moment. Eloi built his lab in a cave. When you go into those caves, you see the pipes going in random directions.

Cristina: Yeah. This could be a lab.

Jack: This could be a f****** Lab.

Cristina: I think it's a lamp.

Jack: The castle isn't in the center. The mines are. Of course, if we were to ever find a huge energy displacement, something, something. I think it's more likely to be in the mines. To be in the mines?

Cristina: Yeah, I think so.

Jack: It's also weird that that's the least mentioned thing.

Cristina: Mm.

Jack: There's been mines there this whole time.

Cristina: Well, who's gonna be exploring the mind?

Jack: It's not about exploring them. Why don't people talk about them? That's all. Just mention it more often. I've heard so many of these other things, I've never once heard of the mines.

Cristina: Most people disappear at the mines.

Jack: Fair enough.

Cristina: Who knows?

Jack: Like, fair enough. Fair enough. That's definitely, like. I do believe if we. If we're looking for something, it's the castle or the mines, one or the other. And at this point, knowing the past, it's probably the mines, not the castle. Castle is probably home or, you know, the top of the mountain. The place you get to before you walk to the other place. Yeah.

Cristina: The mines has to do with the sea people, but the castle has to do with the Shadow realm, the necromancers.

Jack: So we're talking just a hot spot for, like, literally, not just for activity of other things, but, like, there. Different groups are coming here to use this.

Cristina: Mm. We got fairies. We don't have any fairy trees.

Jack: We don't have fairy trees, but I'm about to blow your mind. Now that you mentioned fairies. One of the most consistent sightings of things here are gnomes. Weird, weird gnomes.

Cristina: Have we spoken about gnomes somewhere else?

Jack: Yes, we've briefly addressed gnomes. Gnomes, yes.

Cristina: Weird. Okay.

Jack: Oh, yes. And gnomes are fairies. Very type of fairy.

Cristina: Okay. Are they hanging out by the mines or they're just random.

Jack: No. And just in the woods, along with orbs, along with all the weird creatures, just random spottings of these things. Everything is out here. All of it.

Cristina: I bet there's fairy trees. But of course, no one could find the fairy trees.

Jack: If you did, how would you tell? Yeah, how would you tell? I bet there is a fairy tree. I bet if we look hard enough, we could find a fairy fort.

Cristina: Mm.

Jack: I mean, dude, there's the mine and there's the castle. Come on, bro. Everybody has a base here. Yeah, it's not big enough to lose a s*** ton of people, but it's big enough to have a couple of bases in here.

Cristina: Mm.

Jack: You know, it's starting to paint a real vivid picture. I think we're looking at a spot that's kind of like the city up in Norway. I think we're looking at a spot that's kind of like the city in India. These places where, you know, amalgamations of people get together and they can kind of coexist and maybe. Neutral zone. It's a neutral zone. You are beef. Whatever. You know, we got the un. I might hate you as a country, and you hate me as a country, and we're gonna go bomb each other later. But at the un, we all shut the up and we're just. Nothing happens here, or everybody here bombs you.

Cristina: Okay.

Jack: And so that would be the idea, Right? The space. Neutral territory. We can't do anything to each other here or the other groups collectively. F*** you up.

Cristina: All right.

Jack: Neutral territory.

Cristina: Yeah.

Jack: And so a fairy can gladly be here, knowing the Elysian can walk right by him. Be like, I'll get you when we get out of here. You know? Because if you do violate. Well, how many other groups are here that are just gonna. Well, we're not gonna let you violate our safe spot. Even if we don't like them, too. We're gonna you up, because now we can't let you do that because then you might do it to us too. And, like. Okay, so neutral zone where everything weird happens.

Cristina: I think so. That sounds like that.

Jack: Because we've seen too many different things now.

Cristina: Mm.

Jack: Too many conflicting interests coexisting. There must just be enough of something to go around. What is it?

Cristina: What's going on? They're all interested.

Jack: Mm. Now, this next one is definitely gonna be the hardest one to unpack, but it's also like, the clear. Yeah. People have probably even touched one of these buildings. People come across invisible barriers. And there's one group of people who we know are really good at making invisible s***.

Cristina: Just making invisible things.

Jack: The Alicians. The people who make entire mountains vanish. I guess the people who can be in plain sight and their civilization not be in there.

Cristina: Okay. Yes, we know they're in there.

Jack: They're in there.

Cristina: Yeah.

Jack: But, yeah, people have literally, like, come across, like, what the f***? I can't go through?

Cristina: And it's, like, kind of scary.

Jack: Yeah. You're just probably touching a building or some s***. You don't even. You can't see it, so you're like.

Cristina: Which matches the whole. Like, they're going up and down. You're seeing these weird ways that they're walking. Like. Yeah, it could be.

Jack: Well, no, they wouldn't be. You wouldn't see them at all. They would be invisible in the building.

Cristina: Oh, yeah.

Jack: Everything in there would be invisible.

Cristina: So that's the shadow realm, the other one, I guess.

Jack: No, that's the elation. Cloaking technology.

Cristina: No, not that. The people that you do see walking up and down.

Jack: Oh, yeah, yeah, yeah, yeah. Those people must be in the shadow realm. You must be watching movement within the shadow room, for sure. But these people are definitely not like, this is the fact that they. They literally set invisible barriers.

Cristina: Yeah.

Jack: It's like, oh, man, that's so specific, bro. I don't even know what to do with that information. That means we just gotta walk a ton of Clinton Road, broad daylight, and just. Just such things run until we hit something that doesn't. That isn't there, I guess.

Cristina: I don't know.

Jack: I don't know how we would find it, but, like, people have come across it.

Cristina: Yeah, that's. That's tough.

Jack: Tough. But this also suggests something different. Elysians can find their building without uncloaking it. They must have something to show them where it is.

Cristina: Yeah, I guess. They have the technology.

Jack: Other obvious thing that is here are, you know, time slips. Little thin places, people. That's the primary thing we think is dominating this place. A s*** ton of thin places everywhere. And creates the main attraction, which is probably what everybody else is there. Abusing ways in and out of different places.

Cristina: Mmm.

Jack: And that's in abundance. People are like, I f****** went through here. I felt like it was a five minutes. And then when I got to the other side of this tree, it was f****** night.

Cristina: Okay. Now, there's a lot of stories like that.

Jack: That s*** is the most abundant kind of story. That is literally the most common occurrence. There is seeing something weird that can't be explained. The truck and people losing time. Those three events. Those are the most consistent things that happen. People see a truck a lot. That guy's out there desperate, okay. He's desperate. Seeing shadows and crap super common. And then people losing crap tons of time or moving in unbelievably quick. They're going. They began. Two minutes later, they're on the other side.

Cristina: That's strange.

Jack: Yeah.

Cristina: Okay.

Jack: It's 10 miles. How'd you do it?

Cristina: Whoa.

Jack: Going back to odd symbols, there have been symbols found on stones. There have been symbols found on structures. There have been symbol found on odd relics and artifacts. The weirdest one is symbols found on trees that seem to always be in pairs.

Cristina: What do you mean?

Jack: What people describe always seeing two. I want to find images of this. I couldn't.

Cristina: Yeah.

Jack: But people say fine. Always finding to. I had to say, because I know you're gonna ask, are the photos but two trees next to each other with exactly the same symbol on both trees?

Cristina: What could that mean?

Jack: What could that mean? Kind of sounds like a lazy portal.

Cristina: To me, I guess.

Jack: Right. Because it's still the arch. You still have the two walls to it.

Cristina: If you.

Jack: I don't know how. If the top is requirement. But like, I don't know. I'm just thinking, like, what could I picture possibly me. So, yeah, that's. That's what we get. Those are the important things to look at. This is the thing you need to.

Cristina: Look at that there's so much. Yeah, yeah. We gotta look at everything.

Jack: There isn't one thing I mentioned on.

Cristina: This part that we don't need to look at.

Jack: So this is why I called this what's significant.

Cristina: It's all.

Jack: It's all significant. I'm telling you. We're here for the long haul. This is a lot of crap to dig into.

Cristina: Yeah. Whoa.

Jack: There's a lot. Yeah. It's ridiculous. So, yeah, this is what we have, man. There's a crap ton. We, we got fairies, we got thin places. We got creatures from the Shadow Realm, we got Elysians, we got fairies, we got science experiments. We got people desperately trying to get back. People somehow just casually crossing to the other side. We have places with extremely thin veils that make it indistinguishable. We have that as an explanation to how people in the past managed to get in and out without ever actually going in. We have. Have too much information going on. Everything. Everything is here. All of it happens here.

Cristina: You have a lot of missing people.

Jack: We have a lot of. We have a lot of missing people. But that's a clear one, man. Because they're either cultivating a way to get through or there are stones being made. Maybe s***** ones. Could be just enough to do casual things. Yeah, you need something huge. You don't need a crap ton of people. Yes. Need a casual stone. Take two or three people.

Cristina: We have a deer with no blood.

Jack: A deer with no blood. We got chimeras. Obvious chimeras. A zoo that's somehow tied to it.

Cristina: Yeah. Weird.

Jack: So, yeah, that's what we got for you guys. So, you know, if you guys have any input, any ideas, any in. Anything interesting, any information additional. I think I didn't mention that. You guys think is relevant and falls into here, please. We're kind of just. Yeah. Connect Dots connect.

Cristina: Yeah. There's so much connecting we got to do. We tried our best but like anything.

Jack: We didn't see feel free. Call us stupid just give us the answer but what you got to do just tell us what the answer is.

Cristina: Yeah help us.

Jack: And you could do all that by going to our socials. You can contact us at just convopod on X on TikTok on Facebook and not on YouTube because we're not there anymore.

Cristina: And remember to subscribe ran review the show.

Jack: Yes and word of mouth is one of the most important things in the world. Let everybody know that we have discovered so many things and that maybe they want to know about it.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: Sam.

Cristina: The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 280: Clinton Road: Part 1: Echoes

Is Clinton Road actually Haunted? If not, what could explain the odd occurrences? Is there anything we can learn from them? The duo revisits the case of Clinton Road, a place often considered the most haunted region on Earth. Jack’s first hand experiences and the amount of reported cases work together to provide a new perspective on what is truly taking place at this paranormal hot spot. 

+Episode Details

Topics Discussed:

  • Thin Places
  • Spacetime Distortions
  • Ghosts vs Phantoms
  • Wormholes
  • Echoes
  • Slipping Through Time
  • The Bird Theory

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. And we have quite the baffling at the moment. So let's do a little house cleaning. Right. Hella years ago, we did a Halloween episode where I was talking about my experiences at Clinton Road. Yeah, the first time we did this, it took three episodes to really break apart everything that I personally experienced there. And it was just for the sake of Halloween. But then the episode stretched out and it was like a three part thing. And on the last of the three episodes, we called up Reaper and Nune and we had conversations with them relative to the thing so that they can tell us their angles on it. And everybody had a different story.

Cristina: Yeah.

Jack: And everybody talked about different timings and everybody talked about a lot of different things. Now we know the stories say that Clinton Road is an exceptionally haunted place. We've about two years after that point, took another deep dive into Clinton Road. And then we found about thin places. And this kind of lined up pretty heftily that there was just, you know, space time anomalies and distortions taking place and that a lot of what was taking place could have just been echoes that existed in that region.

Cristina: Yeah, yeah.

Jack: Except we've now gotten even more insight and information. We found out how space time distortions in the form of thin places get formed. So in a weird full circle scenario, something that was totally unrelated has suddenly become pressing because it has space time distortions, which could only have been caused by highly advanced electrical magnetic technology, which could only have been done by the ancient civilizations that were extremely advanced, particularly the only ones that had that level of energy, which were either Djinn or f****** Elysians somehow. Full little circle.

Cristina: But why were they there?

Jack: But why were they there?

Cristina: Huh? Interesting.

Jack: Yes. So in figuring this out, it makes sense to once again visit this place. But now with new eyes and the ability to look granularly at all the things that could possibly be happening there. And so I've done that. I've gone and I've looked for a lot. Now here's what I'm gonna preface this with. There's a lot. So this episode is gonna be very surface level. The reason I began this was by talking about how we approached this in Halloween is because I kind of want to keep driving this topic that's probably gonna take us beyond Halloween because of how many things there are here. And we have to unpack some of them. None of which we're going to do here, but we're gonna. We're gonna discuss a couple of these.

Cristina: Points while we refreshing our memories or something.

Jack: We're gonna. We're gonna go through the things that are here and we're gonna talk. It's not anything about me. We're not refreshing memories on anything.

Cristina: No. We're learning the past episodes. No, we're going.

Jack: No, no. We're just. This has nothing to do with us.

Cristina: Okay.

Jack: We're just gonna go through Clinton Road with nothing about us involved. No. No past research. No. Nothing. We at what exists. And then with the new eyes, we have kind of talk about the things that are obviously gonna stick out.

Cristina: Okay.

Jack: We didn't know these things before, although we brushed by them. Now we're gonna look at these things that we've seen before, but now we have fresh eyes and it's suddenly gonna be like, Okay, I've divided this into three different sides that matter at different grades. The first of these sides is called echoes.

Cristina: Okay.

Jack: This part comes first because we're going to easily dismiss it unless something in particular sticks out that we might need to correct for. But otherwise, these are things I believe are echoes.

Cristina: Okay, cool. There's a lot of them.

Jack: There's a lot. The one we'd be going to after that is going to get a little more pressing. These are phantoms. These are. These. Have a little bit of thought to them.

Cristina: Okay. Yeah.

Jack: And we're going to end at a third area that is just labeled under the things that are definitely, without a question, significant.

Cristina: That's what they're just significant.

Jack: Just significant.

Cristina: Well, what a difference.

Jack: Okay, so let us go back and visit this part one of a Clinton Road. Revisit this part one. I am calling the menu. This whole episode is called the menu. This is the menu we're gonna be unpacking. Okay, so let us begin first with a quick description of what we mean by echoes. When people say ghost, they are talking too blanketly. And ghosts have been obscured. So now ghost is a blanket term. It will remain a blanket term, but it highlights several things. It highlights dead humans who are spirits. It highlights creatures from other realms which are phantoms, and it highlights space time distortions and reflections which are echoes, all of which we refer to as ghost. Unanimously, yes. But these three things are now going to be unpacked. So specifically, echoes are the ones we're looking For. Because we can write those off. Those are only being caused by the space time anomaly. We don't know what caused the space time anomaly, but we know that things do cause the spacetime anomaly. We already have that fact in place. So now let's just discard the ones that don't matter. First, the boy at the bridge. There's a child, a ghostly boy. An apparition that shows up. And the boys reported he's reportedly always under a bridge picking up coins that people take.

Cristina: That's what I remember. I don't remember the whole story. I remember there's a boy with a coin.

Jack: And so he goes and gets the coins from underneath the bridge and he puts them back on top of the bridge. People see him consistently doing this one motion. He goes to the bottom of the bridge, grabs coins, bring those to the top of the bridge, goes back to the bottom, gets coins. And so the repetition of this, the fact that nobody sees anything different of this boy tells us that boy is not there. That's either in the past, most likely.

Cristina: Yeah.

Jack: Or in the future. But likely mostly in the past because he tends to look old timey. Tends to look like an 1800s child.

Cristina: Yeah.

Jack: So it fits the suit. He must have actually been there, maybe grabbing coins, collecting them himself to play or something. And we're seeing kind of the moment.

Cristina: Back of that moment.

Jack: Not a flash. Yeah, Sort of a flashback. The echo, the reflection of that instance in time. And this has been. This is upon one of the most mentioned things. But he's always described the same way.

Cristina: Okay. We're saying these are not ghosts. This isn't the ghost of the dead boy or anything. Like he is a person that existed and he's probably dead right now.

Jack: Yeah. But this is echo. This isn't him. This isn't like his spirit is cut in a time loop. No, this is. We're seeing through time back to when he was actually doing that. Yeah, that's literally him. But we're looking through a time window.

Cristina: Yeah.

Jack: The next one is just referred to as the girl. Now, this is a sort of ghostly girl in a white dress. Not to be confused with the lady in the white dress that is originally from Clinton Road too. Two different individuals. So this girl in the white dress is often wandering the road, believed to be searching for her parents. That's different than the hitchhiker lady in the white dress who usually gets a ride. And this is the typical story of you take her home. And then they're like, what the f***? My daughter's been Dead for years. Because she leaves like her hoodie in the back seat or something. And then the guy always comes back, oh, my God, I left the thing. And then, oh, no. So that's a different lady. This other girl is just always walking and she doesn't get in anybody's car. But I remember reading about this when we did this the first time. And it's always that she's looking for her parents and that she has like a really blank stare. Kind of like a nightgown. Not even a dress. It's sort of more like a nightgown. Like she just walked out of her house or something. And she's always walking on the side. She's got lost. Somebody asked, hey, are you okay? I'm just looking for my family.

Cristina: And that I able to take her home.

Jack: She does. She never gets in the car. They ask her to get in. She just walks away. Well, weird. Now, here's the thing about this. This is confusing. This one has a question mark next to it. Because the fact that they can interact with her is weird. But they ask her. But I think some of these echoes are also like, again, maybe somebody stopped by there around that time back then.

Cristina: Yeah.

Jack: That's why you hear her say the same thing.

Cristina: Yeah.

Jack: It's always. She's looking for her parents and she's always walking along the same area.

Cristina: She's saying it's probably something she did say.

Jack: Exactly something somebody did see her. And hey, you're right. And oh, no, I'm just looking for my family. And so we're seeing that moment.

Cristina: Yeah.

Jack: And some enough people, it's, you know, it's a hot spot. It's a tourist attraction. Enough people go through there that occasionally they catch her at that very moment and then they happen to talk to her at that very moment and she happens to say what she would say.

Cristina: Yeah.

Jack: And so it's like, oh, my God. She said, but you're not really talking to her. It's always the same loop. It never changes.

Cristina: Yeah. I think it's still an echo.

Jack: I think that is checks out as an echo. Right. It doesn't seem like this is fantastic.

Cristina: No.

Jack: The next one referred to as the hitchhiker. This one is a person looking for a ride.

Cristina: Oh.

Jack: But there seems to be a cutoff point. So that by default means. Yeah. It's like they're asking for a ride and they just vanish in front of you.

Cristina: Yeah. But it still seems like an echo. Like that's true for sure. That's probably what they were doing once Upon a time. And they did get that ride.

Jack: Yeah. And a lot of people theorize that the hitchhiker got killed by somebody, but that's not how this would work.

Cristina: No, this has nothing to do with how they died.

Jack: No, this has nothing to do with.

Cristina: Everyone's gonna assume all these things are related to ghosts, and therefore they must have died in the area, which probably not. They probably just. They're really from that area. Yeah.

Jack: These are people who were definitely just people who lived around here. It seems to be the case, and it seems to be with echoes. It's always the way that that works. So I think the hitchhiker definitely appropriately put under an echo. The cutoff point makes it too obvious. I think anytime there's a cutoff point to, like, restart, you're objectively an echo.

Cristina: Yep. And it's not a ghost. It's important to know that, yes, they're dead, but they're not. It wasn't like someone murdered them.

Jack: No. Everything is a ghost that we're talking about. That's why we're referring to this as an echo.

Cristina: Yeah.

Jack: The different ghosts are the echoes and the phantoms. But this is a ghost. It's just not.

Cristina: It's not that they were hiking and then getting murdered and now.

Jack: Yeah, it's not a phantom that's over here.

Cristina: Thinking is unrelated to why they're there.

Jack: Yeah, yeah, yeah. This isn't like a lingering spirit. We have the bicyclist, a spectral bicyclist, sometimes seen riding along the road, believed to have died and in a hit and run accident. Always on the same part of the road, always for about the same distance, Always on the bike, always the same outfit. And he's never seen beyond that point or before that point.

Cristina: And they're always gonna assume they died.

Jack: He must have died there.

Cristina: Unless they look like. Like if he looked like he was hit by something and he's.

Jack: Then I would say, okay, okay, you saw the death.

Cristina: Yeah, but it was just a guy riding a bike.

Jack: Yeah, it's just a guy riding a bike and. Yeah, exactly. It's like such a waste of thought ultimately, to be like, oh, his death put him here. It's like, I mean, if you saw him die, maybe, but chances are. Nah, nah. It has nothing to do with it. And the place is distorted. Yeah, the place is distorted. Not the people. Next, the haunted lake. This one is. Weird one. This is the lake near Clinton Road, and it is said to have been haunted by spirits of those who drowned in it. It's off a sharp Right turn, there's like a hard right entering Clinton Road. I'm not sure from which side, the south or the north. But right off of one of those two entrances, there is a little dirt path that goes on, and then it leads to this lake. This lake has two important things that are very weird. One, there are consistently sightings of people fishing there and people, like, hanging out in the lake usually at nighttime. And they're there and like. Like walking around it. You kind of get glimpses of them and stuff, but they're not like, really there. What makes this really weird is there's a high point vantage. This vantage point. We can see the lake. And from that point, people have always said the lake looks populated and full. I think there is an angular distortion that allows a continuous view of a past point. From that vantage point they're looking at.

Cristina: That's cool. And then, like, there's many figures, but they might not even be there at the same time.

Jack: That. Exactly. This could be a. The tall grass scenario where all the different timelines are kind of converging at that one spot. And through this sort of window, you see it all in one spot.

Cristina: The lake is a hot spot. That's where people want to hang out.

Jack: Yes, exactly. You people would normally be there in groups.

Cristina: Yeah. So it would be many groups. But those many groups are not there together.

Jack: They would be there for hours sometimes. So if there's just time slips that last a second, they would have been there to be caught by the time slips so that we can see them.

Cristina: Yeah.

Jack: So it would look populated. And I do believe up there in that vantage point there is that. That is in fact maybe a sustained sort of thin place entrance that you can look through. Maybe you'd have to jump and clear a distance to get through it, but it seems to be sustained because it's always the same spot that people go to to see the lake filled with people.

Cristina: Yeah, that's pretty cool.

Jack: So that's a good. A great example of it being just an echo, but, like, you could probably jump through if we could see the gap. The problem is we can't see the entrance or exit to thin places. We can only see what's on the other side. But if we could somehow make a technology that allows us to detect them, I wonder how many we would see if turned it on. Like, you know, I put thin place detecting glasses. Would it look like bubble gates? Would it just be like a tear in space? I think it would look like a perfect sphere.

Cristina: I have no idea.

Jack: Everything in nature Kind of.

Jack: I think it looks like a perfect sphere.

Cristina: Cool.

Jack: A wormhole.

Cristina: Wormhole looking thing.

Jack: Yeah. We can't see it. And again, it's always positions properly with what you're looking at. So yes, in the past that lake was still there. So it's not like you looking through it. Oh, there's something else there. Yeah, you see a different time of it. But you know, geographically it's the same.

Cristina: It still looks. Yeah, it looks the same.

Jack: So you wouldn't see the entrance. Now if the place changed drastically and there was a place like this. Here would be my next sentence. I think because there is a sustained doorway that allows us to see to the past. Maybe there's a location that we altered somewhere on earth that has the same effect. And when you stand through it, we can see the entrance not because we're seeing the wormhole, but because the other side looks so different that it looks like two images overlapping. And one is a circular sphere of a different place that should exist somewhere. But it should exist as such a weird kind of.

Cristina: It's not like that farm place where we sometimes see the hole sometimes.

Jack: That could totally be the case. Is that a wormhole to a different time? It is a space time distortion. And we know thin places cause this. And those holes are migrating consistently. They're never in the same place.

Cristina: And are those even there now? Like I don't think.

Jack: Yeah, they show up and disappear all the time to this day.

Cristina: Wow. But like I don't know because you're looking at it, but I don't know.

Jack: To this day they move around. Yeah, it's f****** weird. But I think this, the haunted lake gives us a lot of information because the haunted lake tells us that they are thin place sustained entrances that don't move. And that seems to be one presumably one that if we could see and maybe keep open by will we can traverse to whatever alternate time that is. Potential time travel just exists. Yeah, but they would be tiny little gateways that we can't see. And we'd have to accent this also.

Cristina: Would expect multiple times are overlapping in that you're seeing groups of people.

Jack: That depends. It depends. That's a theory where. It depends if that's the actual case that's happening. Because it could have been a day that they were all at the lake, sunny day, you happen to be in the summer and all those people are one moment. And if that's the case and that's one place. And that would create an interesting situation. Right. We're talking about people flying and their planes completely disappearing. And you're going through where? Oh, you're crossing over to Bermuda Triangle. And what the. Do those people have excessively overpowered technology. You'd be making thin places like a m***********.

Cristina: Yeah.

Jack: And then somebody flies over your thing and your plane totally disappears. We never see a crash. We never see anything.

Cristina: No.

Jack: No remnants. When we go and check, you're just gone. Or maybe there are enough sustained thin places that somebody went in. Poof. Popped out in the future. Popped out in the past. And they have no idea what. They can't see it to go right back in. They're just somewhere else.

Cristina: Some other time.

Jack: Some other time. And there's no way back. We've seen glimpses. Maybe there is. Let's say where I'm sitting, there's a thin place, and you are a plane flying parallel. You're not flying towards me, you're flying parallel. Me standing down here, you on the other side of the thin place in whatever time you're in. I'm technically looking through the thin place when you fly in front of it. And I see you from your time. From my angle. In my time, we've seen many things like this. Pictures of planes and hieroglyphs and stuff. That's easily somebody flying right by a bubble. And I see it.

Cristina: Yes.

Jack: And you didn't notice it was here. I didn't notice it was there, except I saw something weird. That's it.

Cristina: You saw something weird, but I didn't see anything.

Jack: You see anything. And so it looks like you blinked in, blinked out, but you never entered my thing. But now let's say that same thin place was in front of you instead. Then you enter it. But then I didn't just see you show up and disappear in my end. You just entered my end. And you'll never get back to yours. Okay, that explains many of the planes that have just disappeared. Boats have just disappeared, all of which happen to be around the premier triangle, which we know has the largest energy displacement on the planet.

Cristina: Yeah, they're just traveling somewhere else.

Jack: A lot of these dots are trying to f****** make sense. Some other time, different time through these sort of portals. And that's all thanks to this lake that gives us a good frame of reference. Now we get to the lady in white, which is a completely different apparition from the girl. This is again the one that always gets in the car and the one that has been dead. But this is a weird one. This has a little star next to it because the. You can interact with Her. But this seems less like. And she gets in your f****** car.

Cristina: But again, the hiker, though, gets in your car.

Jack: No, the hiker asks for a ride. And just. But this lady gets in the car, and you take her where she's going, and then she goes inside. And then the people inside never saw the door open. They never saw anybody come in. You come back with a hoodie, you knock, and they're like, what the.

Cristina: Yeah.

Jack: My question is, how does this story repeat? And the family isn't like, oh, somebody else showed up with the hoodie. That's where I get f***** up.

Cristina: That's also an echo.

Jack: Then they're not there. The family is part of the echo.

Cristina: I would think so.

Jack: Except the girl gets in your car. How are you tactically positioned in the same exact way? How are you moving in such a way that's so identical to how she moved when she was in the previous car that you don't lose. Sink and drive left slightly, and she's just floating next to you. Why doesn't that happen? This is interacting with the person. This isn't an echo, then. But then everything else would suggest an echo. Yeah, except she interacted with the individual and she left the physical object in the car.

Cristina: So then everything plays out just like an echo. That's the weird thing.

Jack: That's a weird thing. This is why this is a unique situation, because all the characteristics of an echo, except it has this one facet of a phantom. It's interacting with you. And the family at the door is too. When you get to the door, they get. They open it. When you get to the door, they're not just. You arrive and they're talking to nobody because you arrived five minutes too late. And they're just. Yeah, you see them talking to nobody. Or you get there too early and nobody answers for the longest. Until it's the time that it's supposed to be triggered. That they would open the door. No, no. It plays always the same. This is a weird one, because I would argue something different is happening. My argument is there's still an echo. I would argue this is. You never left Clinton Road. I would argue this is a person slipping into a thin place.

Cristina: Okay.

Jack: And now you're kind of trapped in a series of events.

Cristina: And once you're done with it, then you're out of it.

Jack: You exit on the other end. Yeah, I think we're seeing a different type of echo, one you're partaking in. You're not really interacting with it, but you've fallen into the Echo space.

Cristina: Yes.

Jack: And now you're part of the echo. Even if they're not there. And you technically are. You're kind of all here at the same time too.

Cristina: And you have to.

Jack: You have to complete the role.

Cristina: Complete the role. Yeah.

Jack: I would argue this is how Groundhog Day happens. In Groundhog Day, there's no way to really know how the role completes.

Cristina: You just have to.

Jack: You have to figure it out. That's the problem. He. He entered the thin place without being in a unique space where only one event is taking place. A thin place like this. You're in the middle of f****** nowhere. There's an obvious step to take. Oh, let me take the girl home. Oh, she forgot the thing. Oh, let me take it back home. Where she. There's obvious conclusions that could lead you to the exit.

Cristina: Yeah.

Jack: Groundhog Day situation is you just fell in, and you don't know where you fell in, what caused it or anything. And there's also no guide on your way out. You don't know where the exit is.

Cristina: No. But you just. You stumble upon it. Like you stumbled upon the entrance.

Jack: Yes. So in this situation, the situation is guiding you towards the exit.

Cristina: Yeah.

Jack: But it's because the echo ends at the other end. Not because the echo literally ends there, but because there happens to be a thin place that's the exit point. And they're sort of connected.

Cristina: Yeah. That's so weird.

Jack: I think this is people falling into him.

Cristina: Yeah.

Jack: As opposed to you seeing it, you're interacting with it, but it's sort of playing like an echo.

Cristina: Yes.

Jack: And again, you get to a house where somebody's interacting with you, but there can't be anybody there that doesn't check out, because they're not just like, oh, somebody else showed up with the same story.

Cristina: Yes. Like, how long could they live? And that's like.

Jack: So it's unique to them.

Cristina: Yeah.

Jack: Now let's take an additional farther step. The proof that that is what's happening is that there are three moments here. There is you who exist in one instant, the family who exists in a second instant, and the girl who died before that family incident. That's why you can exit. Because the family's house is in a different thin place. That's a different echo that happened to happen however many years after the girl died.

Cristina: Yes.

Jack: So there just happens to be another bubble related. But they're not really. They're two different bubbles.

Cristina: Yeah.

Jack: And you'll always fall into one. Interacting with the girl because she's where one is. And then the exit or not the exit, but just a different bubble that would just drop you back in your time. He's where the house is.

Cristina: Yeah. That is so strange. She takes you to the end of her bubble. Is beginning of another bubble. Pretty much.

Jack: Yeah. It's not even the beginning or end. Both of them are just entrances and exits. And you happen to. When you interact with her, the only way you can interact with her is by crossing in because you're not seeing her on one end. The story always happens that if you saw her, you ended up being the guy who delivered the thing. You've never not seen her outside that context. Nobody sees the lady in the white dress and not interact with her. People see the girl in the white dress in the white gown, and then they'll interact with her. But people don't see the lady in the white dress without ever interacting with her. It's almost like there's no option. There's nothing else around you at that moment, which checks out with you're somewhere else.

Cristina: Okay. I think unique.

Jack: That. Yes. That's very, very unique. I think that's definitely among them.

Cristina: So multiple echoes.

Jack: Multiple echoes playing together. That's two different bubbles. And you enter the echo space. Next one is the abandoned mental asylum, which is the typical, you know, oh, my God, something horrible happened there. But now we're in closer to home territory because maybe. Maybe something happened there. Because mental asylum, that's not about who died there. It's about what experiment was secretly being run there. We have a building, and it's haunted. And a haunted building, probably something went down. And the haunted buildings are always. What? They're always asylums where you can experiment on people. They're always prisons where you can experiment on people. It's usually where people aren't gonna miss the people.

Cristina: Those are still echoes.

Jack: Yes, but it is an echo of a place that might be one of the locations resulting in the thin places.

Cristina: Thin places.

Jack: The place matters more. That's why I didn't say the people.

Cristina: Yeah.

Jack: I said the place because the place here matters.

Cristina: It could also probably be a hotspot for Shadow Realm creatures.

Jack: Well, that would be a result of the place. Again, the distortion opens up all these things.

Cristina: Okay.

Jack: That's why the place is what matters. Not the Shadow Realm people, not the humans that might have been tortured. There's the place. Yeah, because the place had whatever event took place that allowed for more thin places.

Cristina: Mm.

Jack: And assuming this is one spot with a bunch of thin places. But there is, as we know, a castle that is Suspected to have sketchy s*** happen with a bunch of thin places. There's a town. They had a bunch of thin. So an area where there might have been a group of people who settled and had a bunch of different facilities doing a bunch of different s***. And this might be one of them. Particularly because out of all the structures there, this is the second most haunted place. It has the most thin places. It has had the most sightings. Even more than the castle. Although the castle is going to be our main attraction for different reasons. This has had hundreds of sightings within a day.

Cristina: Within a day.

Jack: Within a day. Groups of people going to explore, enter, see something. Almost every hallway. Try to get away, see things outside. Only when they get far enough does it start to decrease rapidly. Rapidly. Like the closer you get mad s***, the farther you get. Almost nothing.

Cristina: How big is it? Like, how many floors? Do you know how many rooms?

Jack: No. No details. Diving into nothing. We're eventually gonna unpack that and we'll find out all those details. None of this happens. Try to get deep into nothing because.

Cristina: Right.

Jack: We got too much. We haven't even made it to the next list. We're still on just echoes.

Cristina: Whoa. Okay.

Jack: Yeah, we know. We're not diving into. There's too much.

Cristina: Interesting. All right.

Jack: That everything in here we're going to dive into at some point.

Cristina: Good, good, good.

Jack: So I definitely think this is a very important one. Just like the. The haunted lake and just like are.

Cristina: Going to visit the haunted lake again.

Jack: We're going to visit the haunted lake again. We're going to visit the lady in white again. And we're definitely going to visit this place.

Cristina: Cool.

Jack: The next one is the ghost train.

Cristina: The ghost what?

Jack: The ghost train. This is a weird one because there was never in the past railroads here. Which tells us something really interesting. There's going to be railroads there. Now, that's interesting. Because of a look could be taken through that thin place at the right angle. We would be looking forward.

Cristina: That makes sense. Like you mentioned Egyptians seeing airplanes. Like it's possible.

Jack: No train tracks. But people see the train and they hear it coming from a while away. Like maybe if you're standing next to the thin place, you can hear the. Because you're hearing the sound come through it, and then you see it for a moment. If you happen to be looking in the same. Which checks out with the descriptions. Some people see it, some people hear it. Some people briefly see it after having heard it.

Cristina: Interesting. And if they're not going to have a train there, maybe these time Bubbles are a little more complicated than we think. Like maybe another hotspot in real life has a train. And they're. They're connected in a way.

Jack: Interesting. You think wormholes within. Like it's leading. The problem is. The problem is it doesn't look like that's how it works. What you would be arguing would be that there isn't a thin place, but rather a portal to a different part of our same space.

Cristina: But I don't think you travel. I think you're still seeing through time.

Jack: I think it's the same place we have. Would you be talking about is a portal and if there is, that would be walkable. Every portal we've seen is a traversable thing. So if that's the case, then that's visible. It would always be visible. And also we know portals don't function without structure.

Cristina: Yeah.

Jack: So it couldn't be. It couldn't be a portal. It has to be a thin place because it has to be a space time distortion. There's no such thing as far as we know, as a portal that isn't sustained by technology to the point that we've had several different people had to be taught by somebody how to build a portal.

Cristina: So how are they watching a train?

Jack: I just said it's probably a thin place looking forward forward.

Cristina: And you think in the future there's going to be a train.

Jack: Yeah. I mean, how is that any different than right now? Us seeing thin places looking through the past.

Cristina: Yeah.

Jack: Why wouldn't that exist in the future in the same place? And we're seeing the other end of it.

Cristina: Okay.

Jack: Why would we be the most ahead no matter what? I think it's just as light. And it would have to be that we have just as many looking forward as we would have looking back. There's no logic as to. And if the thin places don't dissipate ever, then there's literally an infinite amount of them looking in every direction infinitely.

Cristina: Yeah.

Jack: You know, so it would have to be tied like that. My question to that would be, are there thin places that work in such a way where this one only looks back to that time and that one only looks back to this time? So only when I'm in that time will I see it. But then there are some that are always. So I'll explain the two differences.

Cristina: Okay.

Jack: There's a bubble that where I'm standing right now in 10 minutes will become visible for 10 minutes and will disappear. And it'll only ever be visible for those 10 minutes in that moment. And so somebody on the other end will only see me ever in that moment through there. Because the bubble isn't gonna sustain. I'll never be able to see the bubble again. And only them on the other end for those 10 minutes could see it. And then it's gone. So it connects 1985 at 3 o' clock to 2024 at 7pm in this one place and only in that. So forever. He saw me and I saw him and that's it. And that bubble doesn't exist. But the next minute a different bubble somewhere else. And so a bunch of bubbles are always coming in and out because the whole place is distorted. That's one situation. Another one will be. Maybe there are fixed ones. This seems to be the case. There are fixed ones that you can always look into.

Cristina: Yeah.

Jack: So that moment you can always see, but the bubble you're looking through in might dissipate and pop up. So I walk to this spot at the bridge and I see the kid. You go to this spot, but you didn't see the kid. But then another person comes by and they do see the kid.

Cristina: So that's what it seems like.

Jack: Yeah, sometimes and sometimes not. So the bubble on this end sometimes is here, but the end it's looking at is always there.

Cristina: I would think that's how it works. Because, like, I don't. I doubt everyone ever sees the kid.

Jack: Yeah, exactly.

Cristina: See the kid.

Jack: Because then it'd be weird. Anytime you walk by that spot, like literally, that means people could get out of their cars and start taking pictures of this pass point. Yeah, but because that doesn't happen, it suggests our end is not fixed. But that end is. But it seems to be in the same spot.

Cristina: Yes.

Jack: That's why I don't think there's ever been. Oh, you're seeing something else. Where the train looks like it's cutting through the woods. It doesn't look like, oh, there's a town on the other side or something.

Cristina: Okay.

Jack: And again, there's no structure. How would you have a portal when literally the most complicated, most sophisticated minds we've ever known about. We're trying to design these things just to get it to work. More about looking forward. Abandoned cars are seen consistently. Many. Some people have sometimes looked and seen the entire street covered with abandoned cars. And then the next second notice, there's nothing there.

Cristina: That's kind of scary. Yes.

Jack: Not only that, it tells us something quite interesting. A train is going to be seen there in the future. Civilization is going to exist there. Follow me on this. What if nothing has happened there yet. And the distortion that's going to cause a space time problem happens in the future. And the wreckage, the train, which suggests civilization, the cars all abandoned on the road, which suggests civilization. That hasn't happened yet. Those people get sacrificed. That creates the space time distortion that we now see. And that's why no matter how far back we look, we never come across it. It's always just distorted. But where's the origin?

Cristina: Yeah.

Jack: It's because it's not happened yet. But the distortion must exist because it's through time. So the distortion is present because it's going to happen.

Cristina: It's going to happen. I think so. That makes sense. It's going to happen.

Jack: The cars, the train.

Cristina: Could be that something in the future leads to whatever's happening right now.

Jack: Yep. That's a really weird one. Right?

Cristina: Yeah.

Jack: The possibility that the reason we can't pinpoint what these distortions origin is is because there is no origin yet.

Cristina: Awesome.

Jack: All right, next on the list is the Haunted playground.

Cristina: Oh my God.

Jack: Which is an old overgrown playground that is said to be haunted by kids, of course. And something crying. Either a woman or some kind of animal imitating humans. Which is way horrifying. The repetition of this very echo. Disembodied. It's always in the same region. Weirdly enough, the area this tends to begin and end at are a dirt road. And where the laughter ends seems to be at the beginning of Paradise Road. And the playground is in the woods off the dirt. Paradise Road is where I took. Where me and the guys ended up. Hearing the kids laughing.

Cristina: Yeah.

Jack: So we were exactly where we would hear kids laughing. I didn't know that was part of this.

Cristina: Okay.

Jack: Last time we didn't stumble upon that.

Cristina: So they're laughing by the park is.

Jack: What by a park? That's by the entrance of Paradise.

Cristina: And there's someone crying.

Jack: And there's somebody crying. The crying we did not hear. We heard the laughing children.

Cristina: Yeah. I don't know what's scarier. It's really hard. I think if you heard both, it might be less scary.

Jack: No, I think if you heard both, it's manic and more scary. Laughing and crying everywhere all at once.

Cristina: That's kind of. Yeah. But they're not sure what the crying sounds like.

Jack: Not in that area. It just sounds like something is crying. It sounds like. Kind of like a woman. But it's unclear. Which is the horrifying part about it. It's like man, it's almost like a woman. But the fact you got a question is what makes it uneasy?

Cristina: Yeah. That's way more scary than, like, children laughing.

Jack: But that ain't even the only thing crying. Because way away from there, towards the center of Clinton Road, about five miles in, there is consistently a baby heard crying in the woods.

Cristina: And they for sure know that's a baby.

Jack: That is for sure a baby screaming quite loud just in the woods. And many people have heard this one. This is among one of the most reported ones. And this is among one of the reasons people evacuate Clinton Road.

Cristina: That's so scary.

Jack: Yep. And screaming quite loud, like, come save me, like, almost is trying to get you to, oh, my God, there's a baby.

Cristina: I don't know. I would convince myself it's a crow pretending to be a baby.

Jack: The other one, people have posited that maybe there are animals pretending to cry because children might have fallen in the park or whatever.

Cristina: And they heard it because birds like to imitate sound. Yes, that's the sounds it's hearing constantly. I mean, like, what if an echo was of a baby crying or a lady laughing? Like, those are real.

Jack: And then the birds hear it.

Cristina: Yeah.

Jack: Yep. Because they would also be in proximity to the thin places. And birds fly. They could be floating in and out all the time, landing in different places they don't even know.

Cristina: And that's why you hear the thing crying. But you're not sure what that one is. But you know, there's a baby crying.

Jack: That actually makes a lot of sense. I think you just solved a lot of the noises. Because it again, birds imitate sounds. Birds fly. A place riddled with thin places. Birds flying, not seeing them, you just hear. Now you're over there now and you heard there was a park there. However long ago you heard it, you go, you're now in the past. You think you're in the same place. You're making the sounds. You heard. There's nothing there. But now kids. People hear kids laughing and baby's crying. And then you fly through the thing again. You're no longer there. Now you're in this time.

Cristina: That's so complicated.

Jack: And it's just birds, usually crows, which happen to be in woody, wooded areas and in farmland. And this is a very recluse removed kind of rural area riddled within places. A couple of flights. You're moving through time. It is easy to. I think that is a great solution for that problem. I think the sounds can't be relied on because it's probably birds imitating. And that would answer a lot. Unless There was a house somewhere near there in a different time. Which again that still holds a possibility. That in the future this place is a bunch of people with the intent to do something horrible eventually.

Cristina: Is there a kids park there currently?

Jack: Yes. Right next to Paradise Road.

Cristina: Okay. Yeah. Like it's.

Jack: The theory, seems to be my theory that Paradise Road is gonna grow and eat all of Clinton Road. Like the entirety is going to become one new town, new city type of thing.

Cristina: Okay.

Jack: And that's going to be sacrificed way in the future to make a different stone. And that's why it's so f****** riddled. We're talking about maybe the largest stone that exists is going to be there.

Cristina: That's crazy.

Jack: Which is why it's also the most haunted place on earth.

Cristina: Whoa.

Jack: I think the largest stone and the fact that people have seen entire wreckage as far as the eye can see.

Cristina: I would like to see that. That's so scary. But cool.

Jack: It's not right? Yeah, it is an absurd thing that could have happened. Next one is ghost carriages.

Cristina: So carriage is like the thing with the horse?

Jack: Yes.

Cristina: Or that old timey.

Jack: Yes, yes, yes. Now again the fact that there doesn't seem to be something traceable far back enough. It just seems like people were using this road the same way all of time. And then sometime in the future there were people living here like a fuckton. But at the moment and looking backwards in time, it's just more empty and more empty and more empty. So something crazy couldn't have happened here with less and less and less and less and less people. But that suggests that the distortion is throughout time and that we do see into the past. Even if this did happen in the future because we do see weird s*** from the past. The kid looked old timey and the carriages are old timey. Yeah, it's just normal New Jersey being old New Jersey. But us seeing those moments because of thin places.

Cristina: But is the carriage like. Do they. They call it ghost carriage because it's like riding along by itself or something?

Jack: Yeah, it's riding on the. On Clinton Road. People when they get close enough it vanishes. And like people have gone through it scared they're gonna hit it and sometimes it's gonna crash into them and just disappears. And it's really probably just went through you and like ghosts the closer you get because they're kind of translucent. You can't really see them up close. You got to be at a distance where what with a plasma looks more concentrated. It's an echo. It seems to be that it's definite. Most definitely an echo.

Cristina: Okay.

Jack: And the last one is last for a reason in the echoes section and with a question mark, which is the Paradise Road cemetery. So Paradise Road Cemetery, like the playground is actually opposite sides of the playground on that same dirt road.

Cristina: Horrifying. Okay.

Jack: And the cemetery, you know, it's a cemetery, so haunted or whatever. The problem is the cemetery doesn't have a lot of people. It's a small cemetery, but the cemetery seems to have an absurd amount of activity. So it's just very, very, very active and happens to be at the same opposite side of the children. But there have been people seen there at all times, always active. Now, what we know about cemeteries is that cemeteries do. People are scared of them inherently. So this doesn't bounce off of a thin place. Because the problem here is that people do see a lot of repetition, but people do see ghosts staring right back at them. People do see ghosts trying to lure them in. Like, they look straight at them and tell them to come over here. But we've seen, when we were doing the Christmas episode, what graveyards really are. Because people are scared of them. Enough potential fear energy exists that creatures from the shadow realm do manifest there.

Cristina: Yes.

Jack: Okay, and so now we're getting to actual. Yes, there's ghosts there because the whole place is riddled with thin places.

Cristina: Yes.

Jack: But this spot actually has phantoms. It has djinn and other s*** from.

Cristina: The shadow realm there just hanging out.

Jack: Because it's fear filled.

Cristina: It's. The whole place is fear filled.

Jack: That is my next sentence. Okay, now the graveyard, extra scary. So you go to Clinton Road, you're extra scared already, and then you see that s***. Extra scary.

Cristina: Yes.

Jack: Now we got to make a distinction because all of Clinton Road is scary to people. And we were just talking about the echoes that people see there. But that does not mean that there isn't a bunch of s*** responding to people and a bunch of s*** that isn't there due to the thin places, but they're due to the fear. Things you can interact with, of course, of which there are more than there are ghosts. People have stories of literally getting harmed. People have physical proof in photos of. I don't know where the f*** this came from. Weird scratches that seem unnatural, Marks on their bodies, things saying their name, things talking.

Cristina: How do they know? Like, do they. I know they're not like us, but, like, does that give them special abilities? I know, like strength and whatever, but, like psychic abilities. Why?

Jack: I don't think it would make them psychic.

Cristina: Like, how would they Say your name.

Jack: I think you're with people who would say your name and they hear your name being said and they're assuring you, yeah, I'm here, too.

Cristina: Okay. Yeah.

Jack: You know who goes to Clinton Road by themselves? You're hanging.

Cristina: That's true.

Jack: Oh, I'm scared, Steve.

Cristina: We're gonna give their nicknames if we ever decide to go. Okay. We're not using our names. Do not call me by my name.

Jack: Fair.

Cristina: Because, like, I do not want to hear something say yes. Oh, my gosh.

Jack: No. It's nuts. And that is. Yeah, it's a really, really meant, often mentioned people with scratch marks. There are people who hear voices talking directly to them, saying their names. There are people who hear conversations that then stop when they're in the area and start referencing things that they're doing. It's just the weirdest f****** thing.

Cristina: That is scary.

Jack: Yeah, yeah, yeah.

Cristina: Okay.

Jack: Now, the problem we're facing is that we are 45 minutes into this episode, and I think the next section is gonna take about as long. So I think I'm not gonna do the Phantoms part. And this first part is entirely the echoes. This is kind of what I meant.

Cristina: By we're gonna be doing this for a while.

Jack: We're gonna be doing this for a while.

Cristina: And even you think past Halloween.

Jack: I think past Halloween. We have to unpack some of these things that I think are going to be full episodes of their own. Just to kind of. This is all just trying to understand the most active spot.

Cristina: Yeah.

Jack: Why beat around looking at other places if we can understand the most active spot? The knowledge we'll get from here will trivialize everything else. It'll be too easy to understand. And I think that's going to be a healthy approach. So instead of going into these next two sections that are just already set up episodes, I think we can, now that we've gone through the whole thing, have a short discussion before we close it off about what this informs us on. So I think the things that definitely don't matter here, because everything we've mentioned here is definitely an echo.

Cristina: Yeah.

Jack: Nothing checks out is not an echo. But the information we acquire by looking at these echoes is quite interesting. I think the boy and the bridge doesn't matter. That's literally an echo. The girl in the gown, literally an echo. There's no interaction. The hitchhiker, literally no interaction. The bicyclist, no interaction. It's when we get to the lake that we have interesting situations happening. A sustained, thin place that seems to always look at the same time or at multiple times, but is always present and you could actively choose to look through it. Interesting.

Cristina: That is interesting. And the girl with the white.

Jack: The woman, the lady in the white dress.

Cristina: Yeah.

Jack: Hers is a different situation because it seems that way. The only place you can or the only time you see her is by.

Cristina: Slipping into the echo itself.

Jack: The echo itself.

Cristina: You have to complete whatever cycle you.

Jack: Have to do the Groundhog Day until you exit on the other end. So that's definitely something exceptionally interesting. And it would suggest that there is the possibility that there are thin places like this elsewhere that two events might be tied together.

Cristina: That's so interesting. I do think that's. That has to be another. I feel like that story has been around in other locations. Like I don't think I've heard. Like I've heard that. But not in Clinton Road.

Jack: It's funny because the original story came from Clinton Road. It was about the 1770s with people showing up. And this story took place with carriages to begin with.

Cristina: Okay. Because I'm pretty sure I've heard one that's like somewhere in the south though.

Jack: Yeah. So this place, this story originated with carriages. It's never an actual car that the original story was with. And this is also why they assume her dress looks like. The dress looks old timey and s***. And that she's out there, just typical girl. And then when you go to the house, the house is kind of like farming looking and stuff. And it's like we're. We're not that far the out there. Why is this house here? Type of vibes. So there's a lot of vibes that suggest that this is really, really, really old echo. Which would explain more how they're connected. Right. Because you give enough time from one echo to the other, there's enough gap that maybe eventually the thing happened. But the problem is how the. Did the other event happen to coincide with a person knocking on the door? Man, that's f****** weird. Unless the family of the girl is somehow involved with the s*** that's causing these thin places. There must be something, because how are they so connected to both the girl and them simultaneously? I get that. That's what's happening.

Cristina: Yeah.

Jack: Hers is the entrance, his is the exit. But how the f***. What are the odds that her way out there and they gotta drive four miles in the opposite direction and the exit just so happens to be there?

Cristina: I don't know if we find other stories like this that'd be interesting.

Jack: That'd be interesting.

Cristina: That's unrelated but like has its own one loop thing. Yeah.

Jack: That you gotta get through it in order to get out.

Cristina: Yeah.

Jack: That's worth evaluating. You see, that's my point. This is very interesting. We don't necessarily acquire too much information, as much as a lot of questions. Yes. But then that brings up another point and I guess it's worth mentioning this house leaves where you find the girl to her family. You know the. How her family's house is in the direction of the asylum. It's one of the closest structures to the asylum. That's a coincidence and a half.

Cristina: Yes. And that's why you think the family's involved somehow.

Jack: The family could have something to do with it. It's possible. The people in this area have always been involved. And the future is people who aren't from the area who gonna be invited for other reasons.

Cristina: Yeah. Okay. Interesting. There's something there. Maybe. I don't know.

Jack: Something there for sure. Same thing goes with the train. That's an interesting. The train in the car is really fascinating because the train in the car suggests the future civilization is going to establish here. Like a lot of people are going to move in here. But although the train tells us enough people are going to be here that we're going to add transportation, the cars tell us far enough from that point.

Cristina: Something that's gonna happen. Okay.

Jack: It's gonna get really hardcore. I think those are the things that definitely matter. I think your description of birds is genius because that does in fact solve a lot. It is. Birds do imitate sounds and this answers a lot when it comes to weird sounds in the woods. And like, this is impossible. And how. And it's like, well, birds imitate babies all the time.

Cristina: Mm. Birds are weird creatures and themselves especially.

Jack: Crows which are drowning in that area.

Cristina: So it makes.

Jack: It checks out. And they're slipping in and out of different thin places, landing in different. That all checks out. So I think out of this episode we definitely already have some topics we're gonna be looking at again, which are the haunted lake, the lady in white, the abandoned asylum, the ghost train and the abandoned cars. All of those things have to be checked out.

Cristina: What about the cemetery?

Jack: The cemetery. I don't think it necessarily has to be checked out as much as it is an interesting sp because it's both phantoms and ghosts. It's clearly things that are present and clearly things that are not. Which checks out with the Christmas episode, which people go to see their dead passed away relatives just present. And then some people are like, no, but Those things are trying to get you. And it's like, okay, both those narratives kind of fit together.

Cristina: Yeah.

Jack: Things from the other side and things from this side at a different time. I think that is the reality of what we're looking at here. I think that's right.

Cristina: You've got a lot just from that.

Jack: Just from echoes. Echoes that are actually going to inform us on the bigger picture, because these are how these technologies have affected space, time and how they work. And understanding them might tell us a lot of ways that we can approach visualizing data from the past that we still haven't understood. Data from the present that might be too ambiguous. Information and. And perspective all working out. Yeah, I think that's pretty much it. I think that's what we're getting from this episode. So instead of. So this is part one, the menu echoes.

Cristina: Whoa.

Jack: Longest thing, I guess. Next one is part two, the menu phantoms.

Cristina: Okay. And what was part three again?

Jack: I forgot that one is just the most important stuff, the significant things.

Cristina: Oh, yeah. Dude, that's so ridiculous.

Jack: Yeah. Because what I just mentioned are things that, again, like I said, it didn't seem important at first, but maybe we'd find some gems, which we did.

Cristina: Yeah.

Jack: The things I know we're gonna look into are in that last section, and that's like 25 different points that are all relevant.

Cristina: Okay.

Jack: So, okay, these are the echoes. You guys heard that if there's anything of these that you guys think are more important or maybe you think I.

Cristina: Can see the connection that we can't. Like the echo that's leading into another echo. Like, if you can help us out with that.

Jack: Yeah, if you can think about that in any kind of manner, shape, or form, or you see patterns that we're missing, or you think we're overvaluing something and you got a way to credit it and make us remove it so we got less to look into. Yeah, all of the above. Reach out to us on our socials. You could find us at just Convopod, on Tick Tock, on Twitter, AKA X, on Facebook, on Instagram. You can't find us on YouTube or on Reddit because we've been banned from both.

Cristina: Remember to subscribe. Right. And review the show.

Jack: Yes. And word of mouth. Tell everyone about this. Any thinker you have who's into the weirdest, fringiest things. Science fiction, science, reality and fantasy, all of this. Tell them it might all actually be real, connected. Yes. Show them this so they know this.

Cristina: Has been the Rambling Podcast. Take nothing personal and thanks for listening. Bye. S.A. good morning. The podcast is hosted by Christina Colazo and Jack Thomas, produced by Lynn Taylor and published by Great Thoughts info, art by Zero Lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 277: The Winchester House

Who was Sarah Lockwood? What is the Winchester House? And what purpose does any of this serve? The duo go back to investigating individual cases and crack open the case of the Winchester House. A mysterious and strange mansion with odd circumstances surrounding it. The discovery made turns out to be more relevant than could have ever been anticipated!!

+Episode Details

Topics Discussed:

  • Sarah Lockwood
  • Geometric Patterns
  • Mazes
  • William Winchester
  • The Seance Room

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurd and baffling ideas. How have you been?

Cristina: Hot.

Jack: It's been hot. You know, the Earth has been hotter. Hotter than usual. Too Hot. It's been painfully hot, I would say.

Cristina: Painfully hot.

Jack: Yeah. It's been global warming, except not because it's climate change. And some places are technically colder. Okay, so rephrasing it to climate change. We're changing the climate. Except we're not, because the climate is always changing. This has nothing to do with anything. I am just ranting. All right, anyways, so I have some images for you to look at, and I want you to just describe what you're seeing in these images, okay?

Cristina: Really?

Jack: Yeah.

Cristina: This is just how we're going to start it.

Jack: This is just how we're going to start it. I want you to look at some image of cosas.

Cristina: If I don't know what I'm looking.

Jack: At, that's totally fine. Go ahead and describe to everybody what you're looking at.

Cristina: A big house.

Jack: Describe this big house.

Cristina: It kind of looks like a puzzle type of house because it's all over the place.

Jack: Interesting.

Cristina: So just boxes here and there. Look at that one down there. Unless. Is that a car? No, that's a house.

Jack: No, this is. That's a room. Yeah. No, this is big. You're looking at something here.

Cristina: It looks like there's a maze in the house. Is it the Resident Evil mansion?

Jack: Interesting. Okay, what else do you see? Point other things out.

Cristina: Palm trees. Are those palm trees? I think that's what palm trees look like.

Jack: Yeah, that's a type of palm tree, for sure.

Cristina: The house is yellow with red. Red tops.

Jack: Okay.

Cristina: I guess. Except some of them are flat. I don't know. It looks like multiple buildings that are just connected to each other with littler buildings.

Jack: Okay, interesting. Interesting, yes.

Cristina: Something like. I don't know, what's the original house there? And maybe like it was just one house, and then they just added onto it over the years.

Jack: Fascinating. Okay. Okay, keep talking. I like where you're going with this.

Cristina: They have a huge. I don't know, it looks. It's huge. It's huge.

Jack: It is f****** huge. But I think you could also probably identify the original house in there.

Cristina: You think so?

Jack: Yeah.

Cristina: Is it the first. The little first section? You'd guess it would be that.

Jack: The bigger first section, right?

Cristina: Yeah, yeah. Although, like, that looks like a complete house right back there. Like, there's the first. The second one. You see that little box there?

Jack: Yeah.

Cristina: That looks like added on stuff, but all the way back there. Looks like a mansion itself.

Jack: Yeah, yeah, yeah, yeah, yeah.

Cristina: But. But it's connected though.

Jack: So. Good guess. Is actually this part and that part that were original.

Cristina: Oh, okay. What?

Jack: That's really on the nose. We'll scroll down to the next one, which is actually a different angle of it.

Cristina: Oh, my gosh. It's a bigger mess than you can see. Oh, my gosh.

Jack: The original.

Cristina: That's the original.

Jack: And you can see the back house.

Cristina: Oh, what is this, though? It's huge. It's like five blocks, eight blocks.

Jack: What is it huge? It is one of the largest mansions in the world.

Cristina: Where is it?

Jack: We'll get to that.

Cristina: It has palm trees, but then it has regular trees behind it. So the palm trees were taken there. Like it's not a natural palm tree or. It is.

Jack: No. Oh, okay. Yeah. Wow. Okay. On point. On point. Yes, it is.

Cristina: Okay.

Jack: Interesting, interesting. Okay, now let's take a look inside. What do you see here? Huh?

Cristina: I don't know. We're looking at a basement. I don't know.

Jack: Right, right. Tell me more about the stairs.

Cristina: Is there something off with the stairs? I don't know.

Jack: You don't see something off about the stairs?

Cristina: I'm not sure. It's the. What's above the stairs? Looks odd. Like we're not. I don't know. No, I don't know. Because that's just doors in the bottom. Right?

Jack: In the bottom?

Cristina: Yeah. Is that not the bottom? The top of the picture is the bottom of the stairs?

Jack: No, that's the top of the stairs.

Cristina: That's the top of the stairs.

Jack: Yeah. You can see because this is a little lift at the bottom of the stairs with the shadow underneath it. Oh.

Cristina: Because it looks like.

Jack: Yeah, no, you're right.

Cristina: It looks weird. It looks like a door. Like you're entering the room.

Jack: Yeah, it looks like a staircase going into a door. But that's the ceiling.

Cristina: That's the ceiling.

Jack: Yeah.

Cristina: But then how would you. So it's just a hole up there.

Jack: That's not even a door. It just looks like a door.

Cristina: It just looks like a door.

Jack: Yeah, the staircase goes nowhere. That staircase literally has no direction.

Cristina: What is it up there that we're looking at?

Jack: A ceiling.

Cristina: What?

Jack: Designed to look like a door. This is a ceiling.

Cristina: Why?

Jack: Okay, here is another Image. What do you see?

Cristina: Another stairs. We're in a. This is some kind of maze. This has to be some kind of maze. I don't understand.

Jack: What are you looking at?

Cristina: It says exit and the stairs. And the stairs are going up to like nothing or a teeny tiny room. I don't know. Is it a tiny room up there?

Jack: Right. And once before the stairs going up.

Cristina: More stairs going up but the other direction.

Jack: So stairs going down.

Cristina: Oh, that stairs going down.

Jack: See, it's going down, its stairs going down, then stairs going up.

Cristina: Oh, okay. Yeah, yeah, yeah, I guess.

Jack: Yeah, that stairs going down, then up again.

Cristina: RV And I don't understand why is there so many stairs? Because it looks like other stairs going up right in the corner. Yeah.

Jack: Stairs up, up and then stairs down. Not sure why.

Cristina: Why? And then is there anything else happening there? I don't know. Is that a window? That's a window, yeah.

Jack: Last one. What do you see in this one?

Cristina: I see a room that's has nothing in it. It has a window that's way small and long. A closet that looks.

Jack: That's not a window, that's a door.

Cristina: Window that up there, that's a window.

Jack: What up. We're here.

Cristina: Yeah, I'm not talking about the door yet.

Jack: No, it's not a window either. Or I guess. Oh, fair enough. Yes, that's a window. That's a window into another room.

Cristina: Oh my gosh. Because. Okay. And the door that's open looks like there's another door behind it. But also it's super high up from the floor.

Jack: Yes.

Cristina: Like it would be really annoying to get out of the room. And the room is empty for some reason.

Jack: Yes. What else?

Cristina: I'm not sure. Hangers on the wall and I don't know. The closet looks like a normal closet. I don't know. Plus that's just another door to another room.

Jack: An average everyday closet.

Cristina: Yeah, maybe.

Jack: Okay, describe to me what you've just seen. Put it all together in your mind. What's going on?

Cristina: It's. I don't know, someone with too much money and too much time making a maze. It looks like an indoor maze. It looks like Willy Wonka's mansion. It looks like, I don't know, Hogwarts. I don't know what's happening.

Jack: I'm gonna go into more detail. So you saw a maze. How was the maze built? Where does the maze come from? What can you extrapolate just by looking at it?

Cristina: Does it come from now where does it come from?

Jack: Fair enough. But like what what is fresh in your memory about what you just saw? What points stand out? If you were to summarize, having looked at these images, what are your bullet points?

Cristina: Okay. Besides that. It's some type of maze. It was made over time.

Jack: It was made over time because of.

Cristina: All the new parts to it.

Jack: Yes.

Cristina: Has made it more complicated. Which is probably why there's some stairs that go to no thing and some that go to, I don't know.

Jack: Interesting.

Cristina: Then there's. There's a lot upstairs going nowhere. And for some reason, that one, that last room with a really high upstair step to get out of it. Like why?

Jack: Why Fact.

Cristina: Does someone actually live there? I don't feel like. Like you. There's too much money that you have to be living there.

Jack: Somebody doesn't live there anymore.

Cristina: They were living in there.

Jack: They were living in.

Cristina: Making this mess.

Jack: Yes. So let me begin telling you about what you just saw.

Cristina: Good. What?

Jack: We'll begin at part one. The widow. So let me tell you about this widow Rich.

Cristina: Widow Rich.

Jack: A widow. Her name is Sarah. She goes by Sally. Her last name is Lockwood. And Sarah Lockwood was named after her grandma, you know.

Cristina: Okay.

Jack: Yeah.

Cristina: Is that important?

Jack: I'm telling you about Sarah.

Cristina: Okay.

Jack: Anything I tell you matters because I'm telling you. So eat it. Whether or not you think it matters, because I don't care if you think it matters.

Cristina: It does matter though.

Jack: It's information.

Cristina: Oh, okay.

Jack: About Sarah.

Cristina: Okay.

Jack: Lockwood.

Cristina: All right.

Jack: Yeah. And Sarah Lockwood was a widow. Sarah Lockwood became a widow eventually because of the situation that happened. Sarah was born in 1839 in New Haven, Connecticut. The Old west, you know, the American Old West. And Sarah married when she was 62 years. That's not 62 years. Crazy. She was in her 30s. 1862 is what I meant to say. How old was she too? I don't know. Let's find out. She was born in 1839 and she got married in 1862. So she was 30? No, she was 20. What?

Cristina: Okay.

Jack: She got married at 21. She gave birth to a still, but not a stillborn daughter, but a daughter that died within a year because the life expectancy of the time at that point. Okay, so she had a baby and her baby didn't make it. Sarah's baby had died. And it haunts her because it haunts her psyche because she's traumatized. Question mark.

Cristina: Okay.

Jack: And so her husband had done died. He dropped dead. I guess I should be doing this with a western accent because I'm talking about the old West.

Cristina: How long after the baby?

Jack: I don't know necessarily when she had that baby to begin with. That's just more of a detail about her life. Telling you about Sarah, telling you details.

Cristina: About what was her job. Tell me about something about her, though.

Jack: I'm telling you things about her. Just let me keep revealing things. I told you the details that seem to be relevant to some degree.

Cristina: Okay.

Jack: And Sarah, she, like I told you, been done married. And eventually her husband died. And her husband died in 1881. It wasn't good times for Sarah when he died. Her husband. What the h*** was her husband's name? I done forgot her husband's name. Oh, his name was William.

Cristina: Okay.

Jack: She was married to a saw William. He wasn't a sir. I'm just saying that because I was cool and fancy. Yeah, he was a Mr. William. Why the did we adopt sirness here in the United States of America?

Cristina: What was his last name?

Jack: His last name is the right question. Finally. His last name is. It's interesting because I figured you would ask his last name. I don't know why I thought you would ask specifically his last name, but I know you would. It's Winchester. His last name is Winchester. Which makes Sarah Lockwood's second last name and thus her entire full name. Sarah Lockwood Winchester. And as you know, the Winchester name has some interesting ideas behind it that have been exploited over time.

Cristina: Gun. There's a gun, right?

Jack: There is a Winchester gun. Yeah, there are. It's a revolver. A Winchester.45 Magnum revolver. The best.45 Magnum revolver.

Cristina: Does that somehow relate to the guy? He is his family. Just his family.

Jack: So this is part of the era where people were named after what they did for a living. And Winchester was the name of the company he worked for. He got his name for working for the Winchester Repeating Arms Company.

Cristina: Oh, okay. And what do they do?

Jack: They sell repeating rifles.

Cristina: Oh, okay.

Jack: It's the Winchester Repeating Arms Company. I don't know what more specific they tried really to be super absurdly specific with that. Winchester, which is the name of the people. Assuming there was a guy actually named Winchester that's unrelated to this new guy named Winchester because of how norms work back then. No, he's one of them Winchester boys. And that really just meant you worked for the Winchester Company. Okay, now Winchester boys last name. But back then it wasn't. And yeah, so he worked for that place.

Cristina: Did he die from a Winchester gun? How did he die?

Jack: Who cares? He died. He died anyways. When he died, he left his widow, Sarah, with quite the fortune. A lot. A lot of money. So much money. Because he had a pretty big chunk of that company. Was there a while. He's one of the original founders money.

Cristina: So then he wasn't named because of what he does.

Jack: No, he wasn't. He was. He was. He wasn't one of the original founders. I have no idea. He was some guy in the company. But he had a lot of money. And no, he wasn't an original founder's lie.

Cristina: Okay?

Jack: And he gave her all that money when he died. And so now Sarah Lockwood Winchester is loaded and she gets arthritis.

Cristina: She joins the call.

Jack: And when she gets arthritis, she goes to her doctor. That's how she knows she's got arthritis. You're developing arthritis. You're becoming an old hang. And she was like, yeah, I'm in my 40s. I'm almost dead.

Cristina: She hasn't had any more children.

Jack: No, she's a widow. You don't do that. You stay widow and sad forever. That's your job.

Cristina: I mean, but like, they only tried once.

Jack: Yeah. And then failed. So she is a failure. In her womb is barren and she's a owl. Because that's how it works. It's them times. Except he died and now she's a rich barren.

Cristina: Okay.

Jack: You know, she's still a barren, but a lot of money landed on her lap. So she could be a rich baron b****.

Cristina: Okay.

Jack: Although she was probably totally fine having the kid, but, you know, also child. But she didn't not. She wasn't barren.

Cristina: So she never has children that could.

Jack: Die after she gave.

Cristina: Exactly.

Jack: She wasn't bad.

Cristina: Like it's possible that she could have had.

Jack: Probably treating her like she was barren. Anyways. Her kid.

Cristina: Okay, so she garbage has no children.

Jack: She has no children.

Cristina: Does she adopt children?

Jack: She does not. Why does it matter?

Cristina: I don't know.

Jack: Why are you asking about her children? What do her children matter to you?

Cristina: I don't know.

Jack: I told you. She had a kid and her kid died.

Cristina: Yeah.

Jack: Why does she need more kids?

Cristina: How does that relate to any.

Jack: She has a dead baby. How does any of this relate to each other?

Cristina: Yes, exactly.

Jack: And so now she got arthritis. She got arthritis. And the doctor is like, you got arthritis? And she's like, dang.

Cristina: She has so much money. She gets a new hand.

Jack: She gets a new hand. So the doctor is then like, look, man, you're out here living in New Haven, Connecticut, you stupid barren. You could go somewhere where the weather isn't so cold and frigid like you, you stupid, barren.

Cristina: So tell her to go to Californ.

Jack: Yeah. They basically say, go somewhere warm so that arthritis doesn't make your fingers represent your soul because you're a stupid barren b****.

Cristina: Did it help her?

Jack: I have no clue. But she does decide at the. At the warm young age. 80s of 42.

Cristina: Oh, okay.

Jack: So then go.

Cristina: I mean, I guess that's still pretty old back then.

Jack: Yeah. And then she goes. She decides that she's gonna go in in 1885.

Cristina: She buys a mansion.

Jack: She goes and she. She goes to California and she brings her three remaining sisters. She had more, but they dead because life expectancy in the 1800s isn't fun.

Cristina: And do they have children or are they, well, parents?

Jack: They don't have children yet.

Cristina: Oh, I don't know. Is that important? Okay.

Jack: I don't know. Now, you know what? You've. You've been asking questions. I gave you answers.

Cristina: How old are they?

Jack: Younger than her. Okay, now that's. That's. That's Sarah.

Cristina: Okay.

Jack: Told you some details about Sarah.

Cristina: About Sarah, though.

Jack: Now we're gonna go back to what you saw. I told you about Sarah.

Cristina: Yeah. Okay.

Jack: Part two. The house.

Cristina: It's haunted. I don't know.

Jack: This house is located in what state?

Cristina: Cali.

Jack: Cali. This house belonged to a man named John Hamm. It's funny that this guy's named John Hamm because there's a photo of a man from the 1800s who looks identical to John Hamm that people say John Hamm is a vampire because of this reason.

Cristina: Okay. But this is not that photo that you're talking about.

Jack: No. I would be very confused. This is also that man.

Cristina: Yes.

Jack: There's no photo of this Jon Hamm. There's nothing on this John Ham.

Cristina: Okay. This Jon Hamm owns the house.

Jack: He owns a house.

Cristina: He's still alive at this point, I.

Jack: Guess, where he owns. I mean, now.

Cristina: I mean, when they went there to get the house with him.

Jack: Yeah, yeah. He was alive. He sold them the house.

Cristina: Okay.

Jack: Jon Hamm had a villa with a back house.

Cristina: Okay. And that's what they got.

Jack: That's what they got. They bought a villa with the back house.

Cristina: Interesting.

Jack: That's great. It's a guest house. And there were three, four of them now because her and her three sisters or whatever.

Cristina: Yeah.

Jack: And now let me tell you about some interesting details about this house. So it's on 40. What was it? 440 acres or some s*** like that Ridiculous land.

Cristina: Yes.

Jack: As you saw in the image.

Cristina: Yes.

Jack: Which Was mostly empty, as you saw by the main two buildings. It's a lot of land, a lot of empty. There were actually forests going through there.

Cristina: Like, how long would it take for the main house to travel to the back house?

Jack: Oh, man. I mean, you saw. Yeah, it was a pretty thick. Like a forest was pretty thick. You were looking at like a minute and a half walk in a straight line from one end to the other. If this is a house with walls and turns, it could take you 5, 10 minutes to traverse one end to the house of the other in a non stop stride in your own house. I'll be there in 10 minutes.

Cristina: Yeah, well, that's too much.

Jack: Yeah, but it didn't begin like that. Again, it was a H, the house. You saw the big chunk, which must have had like what, seven rooms? She was filthy rich. She got her husband's whole estate. Why not? And the back house. So other people came.

Cristina: Which is still a pretty big house. That's a pretty big back house and house. Not including everything that was added.

Jack: Yes, to it.

Cristina: It's what was added just makes no sense. And I don't understand.

Jack: While living at this house, there were a couple of instances that have been left on public record about Sarah's interactions. Sarah Winchester, the widow of William Winchester, who worked for the Winchester Repeating Arms Company.

Cristina: Yes. Yes.

Jack: There have been actual notices of this.

Cristina: Lady in weirdo public records.

Jack: Not her being a weird. Well, fair enough. Possibly. It depends. Depends what you interpret of her being a weirdo. First, there were a couple of calls to the authority, to the authorities of the area about the house, saying there's an intruder on the premises.

Cristina: Okay.

Jack: This happened over and over and over where one of these ladies would run all the way to the authorities to.

Cristina: Say that there's someone at their house.

Jack: Tell them that there's somebody intruding on their property and has been lurking in their property.

Cristina: Is it John Ham?

Jack: It is not John Ham.

Cristina: Oh, okay.

Jack: It'd be weird if it was. John the vampire. John Ham sells people the house and reclaims it through drinking their blood.

Cristina: Yes. Interesting. No, that's not it. Okay.

Jack: No. And in the time, the exact record claims that there was a man with the wheelbarrow pushing something through the property.

Cristina: Mm.

Jack: This happened more than 20 different occasions. Guy with a guy with a wheelbarrow on their property. Always taking something in the same direction.

Cristina: It's a ghost.

Jack: They're too scared to go over there and look.

Cristina: It's a ghost.

Jack: Why is it a ghost?

Cristina: It's. He's doing the Same exact thing.

Jack: It's an echo, right? It's an actual ghost?

Cristina: Yeah.

Jack: It's not like a jinn or like a spirit? No, it's a ghost. An echo ghost of something that happened.

Cristina: In the past, repeating itself over and over. Yeah. Is that what you think too?

Jack: I am also thinking the same thing. I think that man is an echo.

Cristina: Is there more echoes, I guess in the house or around the house?

Jack: This is now where you've asked the most important question. Because this episode is a question of what is in this house. Because I think summer ghosts, echoes of a previous time or future time, ripples as we've established in the past, make sense with math, makes it to quantum physics, most of philosophy. And how we think of an echo in general and what we think of a ghost. So an echo and a ghost are in theory the same, except a ripple through time. Us seeing a moment.

Cristina: Yes.

Jack: Okay. There are instances which seem to be identical and repeating and continuous. Like the man with the wheelbarrow.

Cristina: Okay.

Jack: There are instances that seem fully aware happening in this house. I am going to move into the future now and tell you about this house, current day, without further context so that you know how deep it's about to get. This house is current day a tourist attraction. People go to this house because of how f***** this house is.

Cristina: So it has nothing to do with the size of the house. Pretty crazy.

Jack: All of the above.

Cristina: Oh, okay.

Jack: It's not this or that. It's this and that.

Cristina: Okay.

Jack: It's all of the above. The house is a current day tourist attraction. It's called Winchester House. And the house brings in money purely based on the cryptic nature of its design and the fact that people, when they go there, do come across the echoes that seem to exist. What's in the public record and what's in the current day? Echoes only share the echoes. The current day events do not share anything that doesn't fit a description we would call an echo. But they do have other instances that people would have called ghosts back then.

Cristina: Like what?

Jack: We're going to get to that.

Cristina: But okay, okay.

Jack: That is an important distinction to be made there.

Cristina: Ghosts versus echoes.

Jack: They're definitely ghosts. Which brings up what can cause the ripples in. Because this is a different problem. Right. We're talking space, time, we're talking science. We know that in New Jersey there is the place Paradise Falls and Clemson Road by Clinton Road. And that area.

Cristina: It's weird.

Jack: Yes. But what causes an area like that to happen? We know that there's even thin places there.

Cristina: Yeah. There's just a lot of crap happening there.

Jack: Yes, but this is a space time phenomenon, isn't it? Yes, like a fold in space or something that's allowing things from many, specifically in Clinton Road is excessive. It's things from many different times. The future in the past kind of intersecting here. It's the. The hills. What is it? The tall fields in the tall grass.

Cristina: Oh yeah.

Jack: We're like the future. The past, the present, the now is all one.

Cristina: Yes.

Jack: And so you see impossibly ancient looking things and anomalous things. So futuristic. They might be magic.

Cristina: All happening aliens, but it might not be at all.

Jack: Yeah, because we're saying what, demons, ghosts and aliens all exist in the same place? Get the f*** out of here.

Cristina: No, that's weird.

Jack: No, it's weird.

Cristina: That's what's happening in this house.

Jack: So let's dive deeper into the house. I'll tell you some things that happen with the structure of the house.

Cristina: Yes, that's really. I'm mostly dying to know why.

Jack: There is a 44 staircase that only goes up 10ft inside of this house.

Cristina: What's going on?

Jack: Why it continues at a tiny, super gradual slope. Super gradual. Mad stairs. Mad stairs. Mad stairs. Mad stairs to only go up 10ft.

Cristina: Who did this? Was it her? Is she part of this? Or this is someone else?

Jack: There are stained glass windows hanging inside of rooms, not in walls. Many stained glass windows, many, an absurd amount, have spiderweb designs.

Cristina: Spiderweb designs.

Jack: Many windows have Shakespeare quotes.

Cristina: Okay.

Jack: There are many doors that open to a dead end wall.

Cristina: Weird.

Jack: There are many doors that open to another door.

Cristina: Okay, I think we saw a little bit of that.

Jack: There are many doors that open to a dead end hallway. There are many doors that lead through mazing hallways that go nowhere.

Cristina: Why?

Jack: There are hidden passages hidden beneath almost all the walls.

Cristina: That's weird.

Jack: And they don't connect to each other directly. Some connect to some, some don't.

Cristina: That's awful. Who will do this?

Jack: There are hidden passages underneath the floorboards.

Cristina: Okay.

Jack: Some floors have windows in them.

Cristina: Why?

Jack: There are many chimneys in this house.

Cristina: Okay.

Jack: Kind of makes sense considering its size.

Cristina: Yeah, it's humongous. And find out there's only one door.

Jack: In what the number 13 shows up over and over and over and over. Many, most. Almost all staircases within this size range have about 13 steps. If it could be 9, if it could be 10, if it could be 11, if it could be 14, 15 or 16. It's usually 13 at different sizes.

Cristina: Okay.

Jack: Stained glass windows constructed almost Majority. And his house is surrounded by stained glass windows of 13 panes.

Cristina: You have any of these as photos though, of the stainless stained glass windows? Stained glass windows. That'd be cool to look at. Are you weird?

Jack: There's a bunch of weird s*** going on here.

Cristina: It's not sounds weird.

Jack: It's not weird. These are things you would only notice by looking at detail. We're talking numbers, we're talking shape shapes. You see webs in places. You see odd shapes. You see the panels are made of add up to 13.

Cristina: That's pretty nice, actually. Not weird.

Jack: It's not weird. There's. The ceilings are made of wood and they have these patterns happening that you find.

Cristina: That was a movie.

Jack: It's not. Oh, there are. This is a weird staircase right here.

Cristina: That is a weird staircase.

Jack: So that's going nowhere.

Cristina: Oh, the 44 stairs. Okay.

Jack: Yeah. Many staircases that go nowhere. Rooms that are complete solid colors.

Cristina: And you're saying nothing's based on this? Because I saw a movie and it looks like they based this weird house, their house. On this weird house, though.

Jack: A man's house?

Cristina: Yeah. No, I don't know. I don't know. It just gives me.

Jack: What's the name of it?

Cristina: Thirteen Ghosts, I think. Was it something like that?

Jack: Oh, I don't know. Maybe.

Cristina: Oh, just. Okay, we'll continue. So does this have to do with her, though, or this is someone else that came after?

Jack: What do you mean?

Cristina: Everything that we're seeing have to do with who? Sarah.

Jack: Oh, well, yeah, because Sarah bought this house.

Cristina: But it wasn't like that when she bought it.

Jack: No, it wasn't.

Cristina: So does she turn into that? Is it unrelated to her?

Jack: Let me scroll down and get to that.

Cristina: Oh, okay.

Jack: Since you need to know at this.

Cristina: Moment, I'm just curious. It's really hard to picture.

Jack: This is in the points section to take. There are records of Sarah having hired multiple contractors to renovate the property at different points. The original intention was to add parts to the house in the form of additional rooms connecting through hallways as if.

Cristina: It wasn't big enough. That's so crazy. But okay.

Jack: Every time she would break off the contract and continue on her own.

Cristina: Okay, okay. So she is out of her mind. Maybe.

Jack: Eventually she began to create her own designs in the house where her sister.

Cristina: Still living with her at this time.

Jack: Yes. She was maintaining her entire family and their children.

Cristina: Oh, that's crazy.

Jack: She began to implement the designs herself. And eventually. This is on record. She was approached. This is actually on the newspaper. She was approached by contractor offering assistance and was rejected when he offered free services to fix her. Increasingly, by his opinion, worst house.

Cristina: Okay.

Jack: So, yes, she built this. Now, going back to the things in this house.

Cristina: Yes.

Jack: The walls have 13 panes on average. When you look at the walls and architecture showed influences from around the world with a total lack of consistency, which is what you noticed. It looked like different buildings from different time periods and different locations from around the world. Because it was.

Cristina: That's very crazy. Okay.

Jack: Mm. The inside of the house is structured much like a maze.

Cristina: Okay. Yeah.

Jack: The house itself is designed over a series of geometric shapes.

Cristina: Why?

Jack: All the lines intersect in geometric patterns. All the lines from the top view, it does not represent what an X ray of the place would show us, which would be where a wall looks awkward in our eyes is a straight line connecting a perfect shape elsewhere.

Cristina: Weird.

Jack: Yeah. How. How'd she map it?

Cristina: And why is she doing it?

Jack: And why? That is the question. Why? What's the point of any of this?

Cristina: Yes. And why couldn't any of her family stop her? I understand she's paying.

Jack: She's paying all of it. Additionally, the house features in random parts of design, triangles, circles, and squares that could be found throughout the entire structure, oftentimes as simple details added to something. It doesn't seem like it serves a purpose. It's just aesthetic. It would seem.

Cristina: This seems like too much money. From what? Like, man? How much? Like. No, I don't know.

Jack: There is.

Cristina: I feel like it's adding up.

Jack: Also an additional room in the very, very, very center of the entire structure, which is equal distances from the main house and the back house and both ends of the absolute property, which she successfully built. A house over a hundred percent of the distance, not covering the entire surface area, but rather from one side to the other in each extreme.

Cristina: Okay.

Jack: She managed to make the house touch every extreme. That's nuts.

Cristina: She sounds nuts. It looks nuts.

Jack: Yeah.

Cristina: Yeah.

Jack: But there's a room dead center of all four of those points, and that's the room.

Cristina: You saw the room, the one empty. Okay.

Jack: That's the empty room with 14 hooks. 13. My bad.

Cristina: 13 hooks.

Jack: 13 hooks on the walls. Yeah.

Cristina: What is that about? What's the hooks for?

Jack: Coats.

Cristina: Okay, what's happening?

Jack: Let's unpack this real quick, Because I think with what we have, there's enough geometric patterns, a house structured in a geometric form, and these geometric patterns intersect with a room in the center, an empty room in the center, A room with coat racks, little hooks to put your coat on.

Cristina: Because she's summoning some things. Thirteen of them.

Jack: Interesting, no?

Cristina: Yes.

Jack: So what is that room?

Cristina: The teleporter.

Jack: It's a teleporter of some sort, yeah. Why?

Cristina: Why?

Jack: I don't know why. Also, with all the times they went and ran over talking about there's some dude on the property doing this and that.

Cristina: They were not complaining about her.

Jack: You connected the house all the way to the part of the house you thought that guy was going to. You made the whole house reach that?

Cristina: Yeah.

Jack: Why? You made it cover the whole place. Why? And you put this room, this welcome room in the center of the house. Why? Weird.

Cristina: That is weird.

Jack: Very strange.

Cristina: It has to do with ghosts. Did they say anything about her seances, things like that?

Jack: When asked why she was building the house in this fashion, there is one line in a newspaper talking about the crazy lady. And the line says that her response is, I'm doing it to please the spirits.

Cristina: Okay, okay, that makes sense. That makes sense.

Jack: So then I gotta go down a different rabbit hole. What spirits are we talking about? Wheelbarrow men. One of the many spirits. But that doesn't seem like he would be bothering her. No, because ghosts don't bother anybody. They couldn't. That's not there. Spirits do. But that doesn't look like a spirit. Now, footsteps coming from nowhere and following people in the house is very different. Then footsteps somewhere in the house.

Cristina: That's what was going on.

Jack: Not that she reported. Again, I'm looking for what has been mentioned about this place. Those things have been reported. Not by her, but yes. Footsteps in the house. Now we have things. We have things. We got a guy who always goes to a cabinet. Echo. Had to be. He's always going to cabinet. Getting the same thing. A pantry. Always. And just kind of stops. It gets there and stops. There's a guy darting across the yard. Looks like he's playing sports. Okay, again, just the repetition. Yeah, that would be horrifying in the middle of the night if you're just wandering it straight across. But. Yeah, but like it happens every night. Same time, same kind of way. Okay. Yeah. Echoes. Why so many? I don't know what weird space time event took place here. Except the only one they claimed that has been seen by people afterwards has been the wheelbarrow man. There weren't other disturbances in this area originally. There was only the wheelbarrow then, which was their initial problem later. And as time went by, we get footsteps. Yep. Footsteps coming from nowhere. We get voices of people they think intruded into the house.

Cristina: This Is after her working on the house that more after she starts.

Jack: Yes. Now you get again, 100. As she starts building the house up. And more and more, it starts getting weirder and weirder. It starts getting way weirder. Eventually, there's voices speaking to the women.

Cristina: Oh, my gosh.

Jack: But they're not saying. It's incoherent. They can describe the same voice, and it's legible. You could tell things. It's telling them.

Cristina: Do you know what they're like? They. They have something.

Jack: No, these things weren't on record per se, but it was more just a record of phrase. Yeah, the record of that. They were, in fact, dealing with people in the walls and whatever. Now, here is a problem. These walls have passageways for days. The. Almost all the walls have a secret passageway. Why? You're hearing voices coming from every direction. Your walls have passageways.

Cristina: I don't know.

Jack: It goes from supernatural to what the f***?

Cristina: To like, she's just crazy and she's haunting her own sisters.

Jack: I don't know.

Cristina: It's very strange because, like, yeah, it could just be her. We don't know.

Jack: It could just be her.

Cristina: It could just be a man pranking them real hard. No, he's taking a wheelbarrow and also just running around the house. I don't know.

Jack: Until the things start to move on their own.

Cristina: Okay, then, yes, definitely.

Jack: Hauntings and shapes start to form in dark places.

Cristina: But besides her building random things, is there anything else that she's doing that's weird? I mean, it's pretty weird. I know, but, like, there's nothing else.

Jack: Nothing of now.

Cristina: Just every. What she's doing is somehow summoning or something, you know, like, causing these things.

Jack: She's building a house, and then there's creatures. I can't tell you the house led to the creatures. That's for us to figure out. Yeah, but I can tell you that she built the house and then things started to happen.

Cristina: Okay.

Jack: I don't know that they're connected for a fact. I just couldn't tell you that they're not because that's too prominent.

Cristina: It seems like it has to do. But I'm just saying, like, did she do anything else?

Jack: Built a house?

Cristina: Okay.

Jack: Loud lightning. Figures in shape start to roam the place the sisters described. Seeing other people in the building at this point, but never being able to catch up to the people in the building.

Cristina: That's crazy. They live there their whole life. Like, even with all this crap happening, they're just like.

Jack: Yeah, they're just paying for it. And they just avoid certain parts of the house.

Cristina: Wow.

Jack: Yeah. Now, the empty room. The empty room is the center of the entire geometric pattern. The empty room features one detail we could not see, but it looked like a closet. The closet is a shrine of sorts.

Cristina: What?

Jack: It is used to hold things for a seance. That is described as the seance room.

Cristina: Okay, then that makes a lot of sense. That makes so much sense. Of course. Of course. Well, was her sisters not involved in that, or was she doing it with other people?

Jack: No, she was doing this alone. She would reject help. Well, she, throughout the course of her life, built this house.

Cristina: Well, what was she obsessed with? Was it bringing back her dead husband? Do they know?

Jack: Other detail to add. The house built completely chaotic. The patterns in the house totally random. Different times of architecture, different styles of architecture from around the world, minus one little detail. One thing that took many, many, many years after this house was open to the public to even find out, which was that the entire house is overlaid with subtle hints of Masonic imagery and detailing.

Cristina: It is Masonic.

Jack: She's a Freemason. Sarah Winchester. Sarah Sally Lockwood Winchester was a Freemason before she started building this house. In the middle of the house, she built a room that seems to be the focus, center of whatever's happening in a literal welcome spot, some sort of gateway or something. And the house itself is designed as the key to the portal or whatever.

Cristina: But her being a Freemason, so like, she got the idea from them or something, Like.

Jack: Well, this brings up the next question. Should we be looking at what the. The Freemasons are and how they connect to the bigger picture? This is the first time they cross paths in this kind of way. We've read about their library and things. They hold the knowledge, but. But now we're talking on some s***. We're talking on portal bridging. We're talking on Sarah Sally Lockwood Winchester performing a potentially necromantic trick and her existing in the late 1800s. How would she know? And what the f*** is a Freemason to have the answer to any of that?

Cristina: You think they have some necromancer technology or something? Some knowledge about.

Jack: They know something.

Cristina: They know about Hermes. They know about his studies.

Jack: They might be the rejects. I've had a theory about Alexander, and I've had the theory that he branched off into the weak other fakes that eventually led to the fake philosopher's stones and all this other bullshit that we're familiar with.

Cristina: Really?

Jack: I think Alexander the Great because he couldn't Cut it made his own thing with what he did know.

Cristina: And do you think that's related to the Freemason or whole different.

Jack: Might be directly. I can't prove it, no. But yeah, I would go out of my way to do so eventually. But I do believe that there's some connection between maybe not that group specifically, but a group of people who perform a lesser version of what the necromancers did in fact do.

Cristina: Okay.

Jack: And I think Alexander led to that. There is a group of people who do that. We've seen imitations that we're like this is kind of sort of. But this isn't. Can't be because of this. And that other thing disqualifies him. And it's like, well, you guys don't have a full picture of what being a necromancer is, but you guys know, normal people don't how.

Cristina: And this lady specifically? Yes.

Jack: Like she may be part of these whack noobs who can at least bridge a gap to the other side. And this would bring in then another picture. Everybody we talk about minus a Greek avoid adrenochrome. But we know current day many, many, many people. And in the past many attempts with adrenochrome have been done other than the philosopher's stone. That's the highest literal called the magnum opus process to get to the perfect philosopher's stone. So there are many wack weak philosopher stones. Yes, I think these guys are ones. I think it's them. I think these people that we've read about doing this.

Cristina: Probably what she was doing. Like she's not making philosopher's stones as far as I can tell.

Jack: Philosopher stones. But she knows enough to bridge a gap.

Cristina: A gate into the shadow realm.

Jack: So I think so. I think so. And I have to tell you important detail because that is sort of the cherry on top of this. The most prominent figure that haunts this mansion following their no longer being in that house is Sarah.

Jack: Do you see the problem here? She built a gate the way Jesus did, didn't she?

Cristina: So that she can.

Jack: But it wasn't complete. Something is wrong. Jesus can walk through. They literally said we saw him here, we saw him way the over there.

Cristina: Thank you. Back here.

Jack: Yeah. But we've also heard things that look so close to being a ghost, except there's some form of free will here. So you're not an echo, you're some other thing. And sometimes we've called them demons, but they're the weird fact that you're stuck in an area we've never been able to solve.

Cristina: No, that's why we just call them ghosts.

Jack: We call them ghosts.

Cristina: We call echoes echoes? Yeah, like, because we don't have better names.

Jack: But now, if we assume a ghost is an echo, then what is this thing with free will? Right? People who might have f****** failed at doing the right thing. Let's use Full Metal Alchemist as an example.

Cristina: Okay?

Jack: So you try to bring somebody back to life. You get a homunculus because you don't know how to break. You're not God. You're gonna bring somebody back to life. Now, people do know how to do it. But if you.

Cristina: Is that why these deaths are important? Because, like, maybe she feared death after losing the most important people to her. She was like, this isn't gonna happen to me. Or something. Like, I don't know either. She wanted to bring them back, but then, like, does anyone see them?

Jack: She knows, but that the Freemasons are essentially the Fallout Brotherhood. We don't have the answers, but we know how to get the answers. And although they don't want to give us the answers, we'll try our best to do it by force. And it's like, cool, great and all, but also, you don't know where all of them are. And you don't have the full picture. Everything you do is half a** by default, even if you put your full effort into it. Yeah, because you couldn't go full because you don't know what that looks like. That seems to be the case. And all these cases are people who knew, sort of, kind of on average, the steps did the things, but you don't really get it. And you f***** up somewhere in the process. So you're kind of like an echo, but you're not. You're stuck in the middle ground. You trapped yourself in that other place. Archive 81, the show. Everybody go watch that. It's on Netflix. Archive 81. At the very end. Spoiler warning, anybody who hasn't run away, cover your ears. Count to 50 to get trapped in the place. But why? Because the demon knows how to get through. The people don't. They're playing with fire. They don't understand. So what happens? They end up trapped in the limbo equivalent of where he is and where you began. This portal location. They're stuck in the house forever. But why is that the case? Because the house is within proximity and probably there's borders. I'm sure it's a perfect circle at a certain distance. And you can't exit that perfect circle because you would Cease to exist because you got caught in the sort of ripple you caused in space time crossing rifts.

Cristina: Yes, yes, yes, yes, I see that must have happened.

Jack: And there's a specific spot in Clinton Road where it makes perfect sense. There's a f****** castle dead center.

Cristina: They were doing some more stuff.

Jack: Yes. And people think literally Satanists go and f*** around in that place. It's dead center. But this is way larger than the estate. So they were doing some big f****** things. If that's the case. But then this gives us a f****** look into is science. And you're bending space somehow. And if you f*** it up, you can leave it that way.

Cristina: Yes. And that's what happens to all these places. It's usually in the middle of nowhere. Like Clinton Row. We've heard many stories of just like an area that random things happen.

Jack: Yeah.

Cristina: Mad random things. Not really a house. This is the first time it's a house.

Jack: That's the first time it's a house. We find the center point. But also the castle in Clinton Road is its center point. It just so happens to be that Clinton Road, if you look at the paranormal area, kind of runs far to a side of it. But the entire forest with all the things, the castle's in the center.

Cristina: Weird.

Jack: Weird. And it kind of gives us a lot of information for a lot of things. Again, the slightest perspectives allows us to look at things that we would have ignored otherwise and. Wait a minute. You mean a room in the middle of the. Whatever. Oh wait. Paranormal activity. Maybe there's a gate here now. Maybe there's gates in a bunch of places. Maybe just looking for the most f****** haunted places is gonna lead us to people who connect directly to the necromancers, who connect directly to the Elysians, connect directly to the current day's Rayleighs. Everything is f****** pieced together.

Cristina: Oh my gosh. So where are we going? What's next?

Jack: Finding out what the most haunted places on earth are? Because those are places that were important to fakers.

Cristina: I feel like we have done that in the past. But I don't think we look to see who went there.

Jack: Who went there matters more than what's happening.

Cristina: Yeah.

Jack: Now we know that what's happening is just some bullshit anomaly in space time.

Cristina: But like was a freemason or some type of group involved? Okay.

Jack: Because it could have been a mistake by somebody who knows what they're doing. Or it could have just been somebody who doesn't know what they're doing.

Cristina: Yeah. Gotta find out. Interesting.

Jack: Interesting. All because of Ms. Freemason herself.

Cristina: But does any of her sisters. Are they ghost too? Or is it just her unknown? It's just her unknown.

Jack: We have no idea for sure. People have claimed so that they've seen.

Cristina: Her sisters as well.

Jack: It's been reported.

Cristina: Okay.

Jack: But there's been a bunch of. There's many, many, many, many, many, many, many. If this is what it is, then it's a whacking complete portal and a bunch of s*** comes in and out. But they're trapped within the premises.

Cristina: But it would make sense that her sisters would be trapped. And maybe that's her goal as well. Be like, why would I want to die? What would I want them to die? Type of situation.

Jack: Other things to note. Does she choose this house intentionally because of where it is? Is there a factor you can harness and so you're doing the house here?

Cristina: I don't know. It seems real random because it came from a doctor. It started with the doctor.

Jack: Yeah. The random details about her life. Her moving to San Francisco, California, to begin with. Her and her husband had discussed this before he died. That's their dream. Getaway location.

Cristina: Was to go there.

Jack: Was to go there. So she already had this place in her mind before the story even begins. I don't know why. I don't know if the house was in her mind, but she had the place in her mind.

Cristina: Was he involved? Because then, like, would he know? Like, okay, if I die, this is what you should do.

Jack: Like, unclear.

Cristina: Bring me back or something? Like, was he part of the group? Had they just, like. Was this their plan too?

Jack: Like, it's weird, right?

Cristina: It's weird. Yeah.

Jack: It's a strange, strange situation. It looks like she built a gate.

Cristina: Yes.

Jack: To not only walk through herself, but bring other people through. And she had no idea how to do it the right way.

Cristina: No. But she had at least 13 people in mind. How many sisters are. There's four. No, there's four, including her.

Jack: Yes.

Cristina: And then there's children.

Jack: Yes. And her baby.

Cristina: And her baby and her husband.

Jack: Yeah.

Cristina: How many people there?

Jack: I don't know. Maybe it adds up to 13.

Cristina: Like, what if it did? Everyone's saying, like, it's evil, but what if it's like she's just. There's just 13 of them.

Jack: Yeah. But it is crazy.

Cristina: It is crazy.

Jack: It's a very interesting situation that this lady went ahead and did this. It looks like she built. It looks like she built a portal. The house itself is a design, so it's harder to f*** with. You can't destroy the lines. Unless you break through a wall or some s***.

Cristina: Yeah, that's. It's very intentional.

Jack: Very intentional. It's a mess with a room in the center, and she did it, so. And she wanted contractors help, and she didn't trust them. They're not gonna figure it out.

Cristina: No. No. It would be impossible. I don't understand. I don't understand how she even, like, can they find the blueprints she made for this house? Like, is that even a thing?

Jack: F****** nuts, right?

Cristina: Yes.

Jack: So that's what we got. What do you think?

Cristina: I think that's crazy. I think maybe she is part of a group and we should see if we could find that group.

Jack: About that group. We got this point. We could find that group if we could find a bunch of other s***.

Cristina: Because then that means people know about.

Jack: Hermes nowadays, even if they don't get it.

Cristina: Yeah. There has to be attempts.

Jack: There has to be attempts. People start trying, we know people are still trying. There's. We know that there's so many factories.

Cristina: Of adrenochromes, but this also, like, feels related to necromancy. The other part that we don't really focus on. Of the dead.

Jack: Yes.

Cristina: Like, that's maybe why most people get involved. It has nothing to do with teleporting to other worlds or anything, because they don't even know that's part of the story.

Jack: It could be about coming back themselves.

Cristina: It's just. Yeah. Most of them want to be immortal. Yeah. A lot of them.

Jack: Most of it. Same thing with adrenochrome. If you're doing necromancy, you're thinking immortality. If you're drinking adrenochrome, you're thinking immortality.

Cristina: And you're not ignoring all the. They have no idea about everything else involved. The history, the other worlds, etc.

Jack: None of it. No. 100%. There's a bunch of incomplete images and people f****** s*** up.

Cristina: Yes.

Jack: And I'm sure, based on this perspective.

Cristina: We can find it.

Jack: We can find that. I know that at least some of it has to be more situations like this that if you look at. Wow, this area is really haunted. I'm probably gonna start with Clinton Road.

Cristina: Mm.

Jack: Because what the h***, a castle is there.

Cristina: Yes.

Jack: So what do we have?

Cristina: I don't know. You're gonna find out, though.

Jack: Hopefully.

Cristina: Yes.

Jack: But that's what we got. So that is the Winchester house. You guys can Google that name. And there are a plethora of images. It's open to the public. You can wander. Yeah. Everywhere. You don't need me to show you the images. They are everywhere. Enjoy looking at the Winchester house. There's a lot of information, a lot of it's conflicting, but most of it is out there. Feel free if you want to give us information. Anything you guys figured out, reading, looking, listening to this, ideas you had, whatever. You can hit us on our socials at justconvo, Pod on X, Facebook, Instagram.

Cristina: Tick tock, wherever the Remember to subscribe, rate and review the show.

Jack: Yes. And word of mouth. Tell people about how awesome this show is and how weird. Sarah Winchester, mother of Salmon Dean.

Cristina: No.

Jack: She had one kid and it died because she was a bad parent.

Cristina: That's awful.

Jack: Yeah.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: S.A.

Cristina: Good morning. Good morning. The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 198: Dangerous Imaginary Friend

Why did Jackie imagine Hank? Who is Hank? Is this something Jackie and her family should be concerned about? The duo opens the case of Hank, the Imaginary Friend, and the investigations gets only stranger as the data I reviewed. With a theory that feels right!

  • Episode Details

Topics Discussed:

  • Jackie, the 9 Year Old
  • Hank the British Imaginary Friend
  • Is Hank Real?
  • Hanks Increasingly Odd Behavior
  • Making Threats
  • Abandoned Car
  • Missing Person’s Report
  • Questionable Heart Attack
  • Mental Asylum
  • The Forest
  • Speculations

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And this is the show where we ground humanity's most absurdity, baffling ideas.

Cristina: Wow.

Jack: Yeah, that pause was monumental. So let's recap. Halloween's coming up, so we've been doing some weird. We've been.

Cristina: Yeah, some weird stories.

Jack: We've been digging. We've been digging deep. Deep in the. In the. In the digs.

Cristina: In the digs.

Jack: We. We've been digging deep in the digs.

Cristina: What's that supposed to mean?

Jack: We've been digging.

Cristina: We've been digging.

Jack: We've been digging holes. Yes, like the movie holes.

Cristina: Like the movie holes, except this one has the demons in it.

Jack: It built a character.

Cristina: What, this hole that we found has demons in it?

Jack: Well, we did. Yeah, we did find the hole with demons, but. Okay, so, yeah, there is a hole in some country, Russia or some s***. Like the border of Russia. I don't remember the story of Russian. Something and evil is in the hole. Allegedly. We don't really know.

Cristina: It's the Pepsi Cola.

Jack: Yeah, the Pepsi Cola wormhole. Yes, the Pepsi Cola wormhole is a scary place, but so is the Bio Ventura.

Cristina: The real life resident Evil lab.

Jack: Yeah.

Cristina: Okay.

Jack: Yeah, the Umbrella Corp.

Cristina: Umbrella Corp.

Jack: So, yeah, we. Look, the first story was just looking for some weird thing that happened in real life. The second story that we found was trying to type in exactly the same circumstances that would, in theory, describe the first story. But we just found the flip of it. Right. Originally we were like, what's a real scare? Not scary, but like, what's a real.

Cristina: Weird event that scientists can't explain? Or I guess they might have explained, but we'll never know their explanation.

Jack: Exactly. There wasn't a way to really tell.

Cristina: Yeah.

Jack: But I'm like, okay, what's a real event that has some. Some spooky connotations to it? And then we found the. The. The lab thing, right. It's trying to replicate the whole thing. The whole thing was just. Hey, what's weird? What was it? It was. We. What's some. A scientific thing that has no explanation?

Cristina: Okay. Yes.

Jack: And I was like, okay, but that was by accident. I just. What's something scary we could look up and I found some science related. What was it? No, what's the scary science thing?

Cristina: Something scary that science can explain.

Jack: Yes. Well, I was just looking for something scary and I found Something sciency. I was just looking for something grounded, something that, you know, what's tangible. What do we have evidence for? And so we found the science experiment that was weird. And so then we looked into it or typed in the right. The same combination to try to find something else after we found that story. And instead, what we found was something unexplainable. They happened to be with scientists. Yes, but this one had, like, an alien or ghost vibe to it.

Cristina: Mm. And they weren't doing any research on the thing. I mean, their research was kind of like a normal human research of, like. What's that sound? Let me check it out.

Jack: Yeah, well, there wasn't research. It was more like investigating.

Cristina: Yeah.

Jack: Now we do this, get conclusions, blah, blah, blah. So I'm like, all right, we got to do this again because, you know, now we're by accident, consistent. And it's October. Let's do it. So October. And I got one more. One more chance before Halloween to be spooky.

Cristina: Mm.

Jack: And I started digging.

Cristina: Spooky.

Jack: Well, I start digging, and I can't find anything related. It's sort of the same situation again because I type, okay, like, this time, we have a bunch of police reports and stuff. And I'm like, oh, that's. You know, that's kind of cool. That's pretty dope, because they weren't police reports for the first thing. There was just a bunch of people abandon the s***. And then the second one actually had police reports. That's kind of cool.

Cristina: Yeah.

Jack: So I'm like, is there something else that, like, there's actual police reports for that's creepy and unexplainable? And I go digging and digging and digging, and I actually do find something quite interesting. The question is, is it spooky? So this is potentially hit and miss, but we're gonna find out.

Cristina: Okay.

Jack: Okay, so let's dive into the story of Jackie. Jackie is a little girl.

Cristina: How little? Or I guess how young?

Jack: Very.

Cristina: Okay.

Jack: She's from Oklahoma. She's like eight or nine.

Cristina: Okay.

Jack: She's from Oklahoma. And Jackie has an imaginary friend.

Cristina: That's, like, the first thing I was thinking.

Jack: I said little girl, and you just thought, imaginary friend.

Cristina: Yeah. Okay, continue.

Jack: It's just. Okay, based on me saying imaginary friend, what do you think is gonna happen?

Cristina: I don't know. Because, like, she talks to the friend, and the friend tells her to. I don't know. It's always like, some kind of, like, evil ghost thing. But we'll see.

Jack: We'll see. Okay, so Jackie's Grandmother Stephanie stated that she often spent time playing with her imaginary friend and her dolls.

Cristina: Okay. Okay.

Jack: Basic little girl s***.

Cristina: Mm.

Jack: Imaginary friends, dolls checks out.

Cristina: Yeah.

Jack: So when asked to describe her imaginary friend, she claimed it was an older man named Hank.

Cristina: Always. Why is it always some creepy dude? What is with these creepy dudes hanging out with little kids? Imaginary creepy dudes. It's always a dude ghost. I never hear about a woman ghost hanging out with kids.

Jack: I don't know either. But also, pedos are, like, a thing and quite. This is what. This is the kind of s*** that makes you be like, well, it's probably real. Like, it checks out according to, like, the percentage of creeps that are out there. Yeah. So anyways, Jackie would tell her parents about, like, stories of the. The. Of Hank. Hank would tell Jackie stories, and Jackie would excitedly tell her parents stories. So she would tell. He would tell her about, like, how he used to work at a lighthouse.

Cristina: That's cool.

Jack: He used to work on a lighthouse off the coast of England. Jackie's from Oklahoma, so it's interesting that there's this random guy, and so she, you know, he tells her about his life and. Because his imaginary friend. Right. So he tells about his life, his hobbies, just things. Stuff.

Cristina: Nothing weird that he's telling her, or at least not yet.

Jack: No. Yeah, I suppose so. As a little girl playing with her dolls, I find it strange that it's not just weird that he's a grown man. That's weird. But it's weirder that he's a grown man playing with dolls that's already kind.

Cristina: Of like, okay, he's playing with her. Like, she. It's her playing with dolls with him. You're saying, like, they're playing together?

Jack: Yes.

Cristina: With the dolls?

Jack: Yes.

Cristina: Okay. Okay. I didn't know that. Okay.

Jack: That's weird. It's not that she's playing with him and playing with her dolls. She's playing with him and her dolls.

Cristina: Okay.

Jack: Simultaneously, he's a grown imaginary friend who likes to play with dolls, and he's a dude. An older dude.

Cristina: Yeah.

Jack: Kind of weird. Checks out the whole, you know, I'm grooming your child to do things to it, kind of. But it's imaginary, so what the h*** can anybody do? There's not a problem there. Just a crazy little girl or a normal little girl with imaginary friends.

Cristina: Yeah.

Jack: So one day, Hank approaches Jackie screaming and crying and saying he'd seen something horrible happen. What? Imaginary stuff, you know?

Cristina: Yeah. Okay. Okay.

Jack: So he says he saw somebody fall and get hurt outside Simple.

Cristina: Well, she checks it out.

Jack: Well, she doesn't check it out. She tells her mother and her father and although they didn't believe her, so she, she, they, you know, in order to humor her, they check it out. They go check it out and what they find is an actual kid had broken his leg outside somewhere. Yeah, it was like a block away.

Cristina: Oh, okay.

Jack: She probably heard it or something. You know, typical. She was probably because she was playing outside moments before. She wasn't down the block, but maybe she saw something.

Cristina: Yeah.

Jack: And she tells her parents or whatever. M and I think actually she was in her backyard and this happened a block away, but she probably heard it happen. And you know, as an intelligent child, quick fact. Children with high IQs tend to be the ones who have imaginary friends.

Cristina: Really.

Jack: It is their mind processing information highly, like very fast and it has to compose and composite things. And a lot of the time it superimposes imagery that allows them to process. And if the child is thinking at an extremely adult level, they might manifest an adult that can think for them in that instant psychology fact. Anyways, this child must have heard the kid fall and start crying.

Cristina: Okay, so nothing weird yet.

Jack: Nothing weird to come in from the backyard and tell her parents. And then her parents then went to investigate and found the kid. They're aware that her child is highly intelligent. They've been told things to expect of her child and also to not worry about the imaginary friend because of this very circumstance. Highly normal. It is an extremely intelligent child. Okay, so this is kind of expected. And a child with high intellect is also a child with high intuition. You can have very small pieces of information and piece together quite vivid images that are accurate.

Cristina: Okay.

Jack: Her predictability. Not her predictability, but her ability to predict. Astounding. Because of high intellect, imaginary friend because of high intellect and intuition. Because of high intellect, the kid is essentially psychic. Because of high intellect, she could hear something and piece it together, basically what happened here. So obviously her parents thought nothing of it.

Cristina: Okay. Yeah, I guess there's nothing suspicious there.

Jack: No, nothing at all. Why do you keep saying yet this what you keep saying yet?

Cristina: Cuz something's gonna happen.

Jack: Do you believe something's gonna happen?

Cristina: Yes.

Jack: Okay. Anyways, so. So the child's parents were contacted, the situation was dealt with, blah, blah, blah. And again her parents just brushed it off as something expected something normal. And sometime later, Hank began acting strange again, but in a weirder way. You know, he started think of like nurses from Silent Hill. How they kind of like twitchy and, like, real uncomfortable looking.

Cristina: Yeah.

Jack: So, yeah, doing that and like, screeching and like, at random, he would do this. Almost like he was glitching. But this. This is her describing this to her parents. She wouldn't use the word glitching, but, you know, she would try to explain the motions and how he would just start screaming crap. And then he'd just go back to normal.

Cristina: Mm.

Jack: And like, it never happened.

Cristina: Like, she tried to get an answer from him and he couldn't explain it.

Jack: Yeah, yeah, yeah, exactly. Like, he would. Like it never happened to him. Like. Oh, I don't. I don't know what you're talking about.

Cristina: Okay.

Jack: Yeah. Again, imaginary friend. So whatever weird things are gonna happen. But as a result of this, she began to have a lot of night terrors, consistently night after night after night after night after telling her parents about this. So it became really consistent that she would have these. And she had to go into a child therapist. She started seeing a child therapist consistently because of this. It was becoming intrusive. She would not sleep any night. All the nights were interrupted. All the nights, all the nights. All the nights, all the time.

Cristina: Because she was dreaming about or having nightmares about Frank.

Jack: Yeah, just these weird motions. Screaming. Some of the dreams that she described just kind of looked like a horror scene is basically all black and just him there, nothing else. And him, like, twitching in that manner and screaming in that manner with nothing else but him being the focal point.

Cristina: Oh, my gosh. Okay.

Jack: Yeah. It's kind of horrible because it's unclear whether she. She placed herself in the world of the dreams that she was having. Like, she was physically there or she was just watching nothing but him. Like, is she seeing herself third person, or is she seeing first person so all she sees is him? That was unclear, but it was described as essentially a dark void with nothing but his presence. How she saw him. That made her scared.

Cristina: Yeah. Were they trying to now, like, get her to stop having an imaginary friend? Is that even possible?

Jack: Yes. They tried medication in small doses because she was a child and that wasn't really working. But they immediately stopped that because of. It was kind of numbing her out, but she would still have all the problems. So you'd like drugging your child and not even solving the problem, which is a huge issue I have with giving children medication. Anyways. Your kid has adhd. Maybe that's just your child has a lot of energy and maybe. Don't drug your child.

Cristina: Don't punish your child for energy.

Jack: Don't punish your child for Being a child.

Cristina: Yeah.

Jack: Oh, my child can't focus. Well, they're f****** kid, you know. But yeah. So consistently her parents would chalk it off to emotional stress. The therapist explained that this stuff is expected. You know, her mind has to process even the darker things of life, and as she gets older, she's going to understand those things more. But maybe not consciously, maybe this is all happening subconsciously and manifesting as these twisted images that she's getting from Hank.

Cristina: Okay, so everything's normal so far.

Jack: It's normal. It's very on brand for a intelligent child. Minus the now. This is. According to the doctors, it's totally fine. But what's weird for Jackie particularly is that she's consistently trying to explain. He's always more aggressive than he was before. So the twitching is more vicious, the screaming is more vicious, and he's more confrontational. Consistent. Like he's more aggressive in his words, have a stronger tone and he sounds like he's talking down to her more frequently. That kind of stuff.

Cristina: Mm.

Jack: But. But again, totally normal, according to the doctors, really.

Cristina: What.

Jack: What would be abnormal about an imaginary friend being weird? Unless you're thinking something horrible, which you are.

Cristina: Yes.

Jack: It wouldn't be strange.

Cristina: It's gotta still be weird for the parents. Even if they're being told it's normal, it's still weird.

Jack: Why would it be weird? As opposed to, oh, our kid.

Cristina: But their kids having nightmares and it's. She's telling you her imaginary friends going wild again.

Jack: Just because you're expecting something odd to happen is that you're in the state of mind. Think about how often a little kid leaves his bed and goes and jumps in bed with their parents. And you're like, oh, how cute. But that kid had a nightmare. Some kids do that every night. That's not weird. You're just expecting something weird to happen. So you see it weird. But it's extremely. It's the most common thing.

Cristina: Nightmares, though, if she's saying that she's.

Jack: Experiencing this, well, it's an imaginary friend, which is also incredibly common. It's like a kid saying there's a monster under the bed every night. Again, you're expecting something weird, so you're seeing it as something weird. But what part of this have you never heard before? All of it is extremely common. Kids see crazy s***, though. There's monster, daddy, there's a monster under my bed. And that. That every night has to come and be like, there's not a monster under the bed. No, I saw it. Okay, I'll look under. Or it's in the closet. I'll in the closet. This is normal. This is all normal. You're expecting spooky, so you're thinking about it as weird. Why? Well, it's so weird that she. It's totally normal. There's actually nothing strange about this, about imaginary friends.

Cristina: That glitch out. That's totally normal.

Jack: You gotta understand that none of what's being described is weird in the context that a child's mind is making it up. So I'm using the word glitching out.

Cristina: Okay.

Jack: I could say spasming. Regardless of which word I use, the descriptions of the child are childlike and what. The events that are happening are extremely normal, as explained by therapists who experience it all the time.

Cristina: Okay.

Jack: Professionals who experience this all the time are saying, this is normal. This is absolutely normal.

Cristina: Okay.

Jack: Which means it's so common.

Cristina: Mm.

Jack: That they're not like, your child's f***** up.

Cristina: Okay.

Jack: Do you see?

Cristina: Yeah.

Jack: You're expecting something weird, so you're seeing it weird because you're looking for it. But the people who are trained to spot how normal it is are like, well, this on paper is some s*** I've seen a thousand times.

Cristina: Okay. I have not seen this a thousand times, but okay.

Jack: Yeah. But you're expecting to see something weird, so you're already looking for it. You're like, which part of this is the one that I'm supposed to pay attention to? Don't worry about it.

Cristina: Mm.

Jack: The doctor said it's fine. You just follow the expert.

Cristina: Mm.

Jack: Not the little girl. You focus in too hard on little girl's opinions. Little girl. Why are you putting trust in her? Even her parents are like, f*** this child. She's just a f****** kid.

Cristina: That's awful. I don't know.

Jack: But, like, in most cases, what you gonna do? Humor your child's crazy s***? And then they turn out to be a real nutcase because you made them think this is absolute. Absolutely. Okay. Instead of going out of it. That is where you see you'd messed up your child in this instant. Because you're like, well, this is so weird. My child. Oh, my God. But no, it's not. It's totally normal. It's absolutely normal. It's absolutely normal. Until 8-16-20. I mean, 2001.

Cristina: Okay?

Jack: In August 16, 2001, it stopped being normal.

Cristina: How so?

Jack: Well, Jackie calls Stephanie, which is her grandma, claiming Hank said he would hurt her parents.

Cristina: Mm.

Jack: Now it stopped being normal. Now, if she were to tell the doctor that the doctor would Be like, now we've got a problem. Up until that point, it was totally normal. You were looking for it. Now you got some s*** that is like, is this kid gonna f****** hurt her parents?

Cristina: Is she?

Jack: Well, I don't know. What do you think? So, okay, Stephanie asked to speak to Jackie's parents, and they were fine, obviously, because this f****** kid's crazy, okay? And also, it's a f****** nine year old. Like, what the h*** are you gonna do to hurt your parents if they're paying attention, you gotta catch them while they're sleeping or something if you're crazy like that.

Cristina: Is that what she does? No. Continue the story. Yes. Okay. Okay. So they talked. She talks to the parents. Parents are fine.

Jack: Yes, they're. The parents are perfectly fine. And, you know, nothing. Nothing out of the ordinary. It's just like your kids spazzing out of the nightmares of guy weariness or whatever. She just needs to escape the situation. So Stephanie has to have Jackie for the night, you know, to ease the parents worry. To ease Jackie's worries. And interestingly enough, Jackie said that anytime she was with her grandma, Hank wasn't there. Hank tends to be at home. At her. At Jackie's home, not at her grandma's house.

Cristina: Okay. Because if this was a ghost story, he's just haunting the house she's living in.

Jack: Yeah, yeah. If this is a ghost story, it's haunting the house is living in. And so Jackie goes and stays with her granny at her granny's house, you know?

Cristina: Mm.

Jack: So the next morning, it gets weirder.

Cristina: I don't know what happens.

Jack: The next morning, the police knock on Stephanie's door.

Cristina: Okay, about the parents.

Jack: Right, about the parents. So, okay, this is what happens. The parents car is found parked on the highway, but the parents aren't there. And they did a search to find who the car belongs to, but the parents were also not home. But the car was there. Didn't look like anything weird happened. It kind of looked like they pulled.

Cristina: Up, they just abandoned their car, parked.

Jack: And just abandoned the car. Now the car's abandoned, but they find out that, you know, it belongs to the parents or whatever.

Cristina: How long was it abandoned for? Like, when did someone realize that it was, like, suspicious, or the next morning. Next morning. Oh, okay. And it took them that quickly to, like, look it up of, okay, the parents live there. And then the grandpa, like, did they contact a bunch of people?

Jack: Probably not the next morning. That was just a couple of hours. The girl just stayed overnight.

Cristina: Yeah.

Jack: Which means the car was just parked on the Highway.

Cristina: And then they went to the grandma to look for the parents.

Jack: Well, not really. They probably went to the parent looking for the parents at the parents house. They probably ran the plates and they're like, somebody just parked out here.

Cristina: Mm.

Jack: Chances are that car had a ticket.

Cristina: On it and stolen or something.

Jack: That was probably the initial realization. But the car was just parked there. There was no broken windows or anything. And so they didn't find the parents at the place. But you know, looking for contacts and whatever, they end up finding the grandma. And they're like, okay, yeah, weird, but whatever. And the car is just there. So at this point, the grandma. Stephanie and Jackie have not heard from the parents since the previous night. So they don't actually know why they would park and abandon the car. They just know that they parked and abandoned the car. But they did in fact confirm, yes, that is the car.

Cristina: Okay.

Jack: Very important. Which was the goal of the police being like, does this belong to whoever?

Cristina: Yeah. And they found out. Yes.

Jack: Yeah, yeah, yeah. So the car gets. Because it's on the highway, and the car. They're told that the car's been towed. The car. This is important for you to like, get in contact with these people and tell them. And they. They're like, yeah, whatever.

Cristina: They like, yeah, whatever. Yeah.

Jack: Like, they're gonna go and she's gonna contact them. Eventually she gets in contact with them. She's gonna be like, hey, your car.

Cristina: How long does it take for people to feel like, okay, maybe they're missing or something?

Jack: Or that's like a day, like a week.

Cristina: But she's not worried.

Jack: I mean, the car was just found parked on the highway, so she's very worried. It doesn't. Nothing told us she's worried. But I Like, we can reasonably assume you find a parked car on the highway unless she's dead on the inside. She's probably like, well, that's strange. I should probably be worried. It'd be crazy if the cops knock on the door in the morning and they're like, hey, this car was probably here overnight, but. And also, we didn't find the people in the car. Does this car belong to somebody who you know? Yeah, it's a car of my daughter. Okay. Yeah, it was abandoned.

Cristina: Nothing suspicious about the car.

Jack: It was abandoned in the highway. And besides that, Stephanie is like, oh, that's cool. And then the cops leave, and then she never again gives it a second thought. She's just like, what is. Stupid parents my granddaughter has that they would just park on the highway and walk away don't they know that's what parkings are made for? Not the emergency lane. You know, she's over here cooking, like, stupid child of mine. I taught them how to park. Why are they stopping on the highway? No, of course she's like, what the.

Cristina: F*** do you know which one is her child?

Jack: Her child is the girl.

Cristina: Oh, okay.

Jack: The. The mother.

Cristina: Mother. So she tries to contact her.

Jack: The mother of the daughter. Cc. Yeah, she tries to contact her. That does not work out. This is 2001. Presumably one of them had a cell phone. Probably not. It was probably house phone. And see, here's the problem. This is also why it's, like, less concerning, because there's no. There's not like, any. You can't immediately get in contact with anybody.

Cristina: Yeah. So it's going to be a while for her to be like, this is really dangerous. Or not dangerous, suspicious.

Jack: Like something horrible. No, it's already. Again, there's a car parked on the emergency lane in the highway, and there's nobody in the car. And we cannot seem to find the people whose car it is at home. Have you seen them? Nah, nah, it's already suspicious.

Cristina: Do they know, like, maybe the car. There was something wrong with the car, like it couldn't drive.

Jack: They don't. Which is actually an assumption that was made. Perhaps the cut. That's why they went to the house to find out.

Cristina: Okay.

Jack: Perhaps there was something wrong with the car that prevented the car from moving. They didn't have the car keys, so there was no way to just turn on the car and drive it away. The car was towed.

Cristina: Interesting.

Jack: Yes. But I'm assuming after the car was towed is when it's like, okay, we gotta contact the people whose car it is to then get them to come and get the car. But, oh, we can't find them.

Cristina: We can't find them.

Jack: So we need to do everything in our power to find them. Because we need our money.

Cristina: Yes.

Jack: We gonna get gangster on these mofos. They better give us our guap.

Cristina: That's all they care about.

Jack: Care about. So they show up to the house, and the pope was like, there's nobody here. They probably knock the door down, get, boom, search the house for the money or whatever. Or whatever cops do, you know?

Cristina: Yes.

Jack: And then they dip. Find the money, and they're like, they're hiding. They don't want to pay. We're gonna find them by any means necessary.

Cristina: So they go to the grandma for the money.

Jack: So they go to the grandma, they beat that door down. Too. And they strong armed grandma. It's like, we know you're hiding them. We know. She's like, I've not seen them. You're lying. They tortured her for weeks trying to find out. You will tell us. They waterboarded her every night.

Cristina: But, like, when they dropped her off, the grandma didn't think anything weird was going on. Like, the parents seemed perfectly fine.

Jack: Yeah, yeah, the parents didn't seem. I mean, none of these reports tell me that, but like, the fact that nothing was mentioned. Mm, probably it was just like a normal day.

Cristina: Oh, okay.

Jack: Like their behavior wasn't strange enough that she would say, oh, they were being weird beforehand.

Cristina: Yeah, there's something going on. But okay, yeah, like, clearly I thought.

Jack: Something would happen because they were being so strange. No, that never happened. They were perfectly fine. Fine. But it got weird because although they didn't get in contact with them the first couple of hours, questions start to rise after the first day and they're still not around. And then the second day and they're still not around.

Cristina: Has the grandma told anyone about what the daughter had said?

Jack: No, she. The grandma actually completely forgot that the daughter even said this. It's totally escaped her that the reason this little girl was staying at her house in the first place is because she. Because you gotta understand, this girl has been complaining about this for a long time. So anything and everything that she says relative to Hank, it just goes tuned out to some degree.

Cristina: Okay.

Jack: Because, you know, they've dealt with it for a while.

Cristina: Yeah. And how's the girl behaving during this time while her parents are missing?

Jack: She doesn't know that her parents are missing.

Cristina: Oh, she doesn't.

Jack: She's not told a single thing. Why would you just freak this girl out? Especially if you're just gonna fight. What if you just find her parents and they're perfectly fine? They were just out there f****** somewhere. They went to a hotel. The f***? And you're gonna be like, oh, my God, your parents are missing? No, just, you know, she's protecting a little girl. The girl doesn't know anything, but. So it was totally forgotten. But eventually, after the second day, without hearing from the parents, the police determine, you know, this is. This is. Okay, now this is problematic. This is a missing person's case at this point.

Cristina: Oh, okay.

Jack: Yeah. So they're like, okay, we definitely need to organize a search party. We know where the car was. Let's start sending people out. It's, you know, if they have been kidnapped or if they're hurt, we Gotta get to them before like it's a wrap. So they send the search party and you know, as things go, they were searching the forest around the highway that the car was found.

Cristina: There's a forest around the highway.

Jack: Well, most highways cut through a forest.

Cristina: Oh that's. That sucks. But like the search sucks because it's gonna be hard to find them if they are in there.

Jack: I mean anytime somebody is missing around the highway, there's. You gotta search the forest next to the highway. That's never not been the case.

Cristina: Yeah.

Jack: And like I think the point of a highway is that it cuts through the forest so that you can get to the next location. So I think every highway, unless you live in California through a forest. It's through a forest. Yeah. There might be nothing more normal.

Cristina: Yes. It just sucks as just like to search through though.

Jack: But no, because if this is the case and every highway is surrounded by a forest, you've already trained in searching every forest or not every forest, but you trained in searching through a forest. It's probably easier than searching through a city where there's alleys and buildings with multiple floors that somebody could be missing in.

Cristina: Okay.

Jack: You just got complicated one dimension to look. It's a plane. You just walk through the plane. And that's why it's way easier. You know, it's the whole shallow grave scenario. It's like what's in the woods. It's kind of easy to stumble upon.

Cristina: You probably have search dogs too. That makes it even more easier.

Jack: Way easier. This like there's nothing easier than searching the woods.

Cristina: Okay.

Jack: Hard would be somebody went missing in the city. Well there's, I guess there's 5 million people in the city. How the f*** are you gonna find it?

Cristina: Could.

Jack: They could be walking by us and we might mess up.

Cristina: Mm.

Jack: You know, the woods, ideal location for somebody to go missing. If you're gonna find them. The woods is where you want them to be.

Cristina: Alright.

Jack: And so after the two days they go and they organize a search party and start searching the woods. Now two days of search go by without finding anything.

Cristina: And the girl still doesn't know.

Jack: The girl still doesn't know. She's just staying with her grandma. But at this point the girl hasn't even talked to her parents on the phone or anything.

Cristina: So she's probably getting suspicious that something's.

Jack: Wrong or it's like a nine year old girl. Why would she get suspicious of anything?

Cristina: I don't know. Does that she have school or something to go to or she's Too young for that. You think?

Jack: This child is like, oh, my God, I should. She's like. She's remembering school.

Cristina: Okay.

Jack: This is like a vacation. Yeah. This child's like, man, I need to. I need to go to school. It's important. My education comes first. What's happening?

Cristina: I miss my friends, maybe. I don't know.

Jack: This kid doesn't give a bro.

Cristina: Yeah.

Jack: But two days into the search and they. They find Jonathan, Jackie's father.

Cristina: Okay. Oh, Jonathan. That's good.

Jack: Yes. Yes. And he's actually found dead.

Cristina: Oh, no.

Jack: Yeah, he's. He's. His body is found resting against a tree deep in the forest. It's called a parallel forest, by the way. So deep in parallel forest, he. His body's found. Parallel forest is off. I don't know the name of the highway, but it's off the highway. And this is in Oklahoma. And so his body's just found, like, sitting against a tree.

Cristina: Sitting against the tree?

Jack: Yeah, sitting against the tree. And the coroner's report says that it was just a heart attack.

Cristina: Really?

Jack: Yeah. Like, he got out of the car, traveled the woods, started to have a heart attack, leaned against a tree to kind of like, brace himself, and died there.

Cristina: What? That's pretty insane.

Jack: Yeah. That's f****** crazy, right?

Cristina: Whoa.

Jack: It's like, whoa, dude, you were having a bad day.

Cristina: And then they find the lady?

Jack: They did not immediately. So it was actually.

Cristina: How many search days is this? So far?

Jack: It's been two days of searching without. So it was two days missing?

Cristina: Yeah.

Jack: Then two days of searching. It's been four days since they went. Since Jackie stayed with her grandma when they find her father. Okay, so four days between the day she goes to her grandma's and the day they find her father.

Cristina: Okay. Do they know how long he's been dead?

Jack: That is not established. I do not know.

Cristina: Oh, okay.

Jack: It was probably in. Somewhere in there, and I totally skimmed, so I don't know. The amount of time that comes by nex is three days before her mother is then found.

Cristina: What's her mom doing?

Jack: It's less about what her mom is doing, more about how weird it is what happened. So her mom is found in Modoc National Forest.

Cristina: Is that like super far from the forest that they're in?

Jack: Well, they're in Oklahoma and this forest is in California. What? That's weird.

Cristina: That's weird. What? What? Okay.

Jack: Yes. Also, she's found dead, and she's found sitting against a tree in the woods.

Cristina: From a heart attack.

Jack: The coroner's report claimed it Was a heart attack?

Cristina: No, she got a heart attack after walking from Oklahoma Street.

Jack: There's no way she could have walked that.

Cristina: That's not a four day walk or how long has it been at this point?

Jack: It's seven days. But that's not a seven day walk. You'd never make. You'd die long before then.

Cristina: Okay, but they think that's suspicious though, right?

Jack: She could have taken a ride there and died.

Cristina: I guess. That is so cr.

Jack: Like nobody's like, she walked there and died? No, again, only if you're expecting it to be weird will you conclude that these things are weird. Otherwise she just f****** left and had. Now again, the cops aren't connecting these dots. They're just like cops elsewhere found her. They're not like aware that again, cops in California found there. They're not like, hey man, does this woman over here have family that died elsewhere give a s***. They're just like a dead woman. So yeah, that's. But us observing it is like, whoa.

Cristina: Whoa, what does the grandma think of all this?

Jack: I know the grandma's tripping out, bro. She's like, what the. Because that's her daughter.

Cristina: Her daughter doesn't really believe her daughter ran away and then died.

Jack: Yeah, she didn't think her daughter parked the car, hitchhiked. The California died of a heart attack in the woods. Like, what party were they? Dude, that's some crazy drugs her and her husband were on. D***. I'm sure that probably crossed your mind though, like, what kind of crazy drugs were these crazy kids doing? Bath salts.

Cristina: Oh, maybe.

Jack: Man. Were bath salts even around in 2001? I don't think so. Right?

Cristina: No, it was just happening like Beth's.

Jack: Yeah, bath salts is like 2006. Maybe they had the first batch of bath salts. Yeah, they had like some super dysfunctional no kinks worked out.

Cristina: Oh my gosh.

Jack: Yeah, but that's nuts, bro.

Cristina: That is nuts. That's just like a mystery.

Jack: Yes, yes, it is. That is. That is precisely what it is.

Cristina: The cops don't do any more work. That's the end of their jobs.

Jack: I mean, what the are they supposed to. What do they think?

Cristina: The house, the car, why?

Jack: It's a heart attack. What are they supposed to do? The coroner said a heart attack. It's provably a heart attack. They're gonna be like, it was murder and someh. They caused the heart attack.

Cristina: Yes.

Jack: Like, no, they're just like, it was a heart attack. There's nothing beyond that point that they could do. The crazy cop that's like Dr. Housing it.

Cristina: Yeah.

Jack: He's like, this is a setup. I can feel it. I know the coroner's report says this, but in my gut, for whatever reason, I'm extra invested in this one random case, and I want to find out what really happened to this woman who was in the woods and died of a heart attack.

Cristina: So then what happens with the grandma? What does she do?

Jack: Panic? Her daughter died?

Cristina: Yes.

Jack: It's not like she's thinking clearly anymore. Her daughter died. She's just like, my daughter died of a heart attack. She probably forgot. She's not connecting dots. Her daughter died.

Cristina: Okay. I guess, yeah.

Jack: Your daughter dies, your next thought is, man, this little girl has something to it. Or I gotta investigate the murder of my daughter, who they've told me had.

Cristina: A heart attack like, in some other faraway place, like, I don't know. You don't think she, like, was kidnapped? No.

Jack: You just gotta think, my. What the f***?

Cristina: She had a heart attack in the middle of nowhere.

Jack: Right? Right. So the logic here is she got kidnapped and then had a heart attack and they dropped her in the woods. That's the logic you're expecting your grandma to have? Maybe this little girl's not safe with that grandma. If that's where that lady's mind goes, immediately like, well, the cop said the thing, but I know more has happened, but, like, there's no evidence that more has happened. The pros told you, yeah, it was a heart attack.

Cristina: It was a heart attack, but she ended up so far away.

Jack: That's a f****** nut. But again, her daughter died. She's not over here, like, considering the distance, she's like, oh, my God, what a tragedy.

Cristina: Yeah.

Jack: Like, maybe afterwards, after the waters f****** calm down or whatever.

Cristina: Does she then tell her granddaughter, or is she living a lie now?

Jack: No, she doesn't tell her, Grant. I'm sure eventually she tells your granddaughter.

Cristina: Mm.

Jack: But immediately, it doesn't make sense. You gotta kind of strategize what to do with life. Your daughter's dead. You're stuck with your granddaughter. Your next move isn't, your mom is dead.

Cristina: Mm. No.

Jack: You got like, okay, let me damage control first.

Cristina: Yeah.

Jack: I gotta, like, collect my emotions and I gotta, like, I guess I've adopted my granddaughter. Do you know the least of your concerns are, let me go tell my granddaughter her mom Is that. Then control her. I still don't know what I'm doing with this girl, but now I gotta worry about her emotions and, like, her mental stability, and she was already on edge.

Cristina: Yeah.

Jack: You know, like you're not gonna say s***. You're gonna think about the well being of the child.

Cristina: Yeah. While you're having a meltdown inside.

Jack: That is what parents do. That is what grandparents, that's what adults are supposed to do. You suck it the f*** up. You keep your head down and you problem solve. Because it's not about you or your emotions. It's about that other person you're trying to raise into a functional adult. There's no way her immediate reaction is, oh, my God, your parents are dead, Bo. Your mom is dead. Your dad's dead. Everybody around you is dying. Oh, my God. You're gonna die too one day. Like, that's awesome.

Cristina: I'm gonna die.

Jack: Yeah.

Cristina: What.

Jack: What's that from? I remember that. That was like scary movie or some, right?

Cristina: Probably, I think. Sounds like a scary movie thing.

Jack: Yeah. Your mom is dead. Your dad's dead. I'm gonna die too one day. Oh, my God, you're gonna die. It's just.

Cristina: Yes. I feel like that is one of those movies.

Jack: Yeah, it is, right?

Cristina: I can't making fun of that movie with the seven Days to Die scenario. You know, the one that if you watch the tape.

Jack: No, but I don't think it was out. I know exactly who the guy is saying it is.

Cristina: A kid who watched the tape.

Jack: I don't remember that part. I know the guy. He's. Who's saying it is the guy who was the brother of Char. Or not the brother, but whoever the h*** was Charlie Sheen's co star when he was the main character in Scary Movie. It was that one. It was that scary movie with Charlie Sheen and some other dude. Yes, I remember that much. Maybe that's the one with the ring.

Cristina: Yeah. Yeah. I'm pretty sure they own the farmhouse. That also. With the.

Jack: With the hole.

Cristina: Yeah, whatever. Yeah. Somehow leads all. All the stories are connected. I don't know.

Jack: Yeah. But the grandma is definitely not doing that to the girl. No, that's definitely not happening. That feels like the wrong move when everybody. When it's. That feels like the worst move when it's true, you know, it feels like a good troll, but it doesn't. It doesn't feel like too tasteful when it's real. It feels like bad timing to just freak out like that. But now she just sucked it up and like a good old lady, she's like, I've adopted this child. Now we need to go to her home and get clothing and crap to stay permanently. I suppose.

Cristina: Yeah. Get all the stuff.

Jack: Get Stuff? Yeah. No, I mean, not all the stuff. Just clothes and like, toothbrushes and junk like that, you know. So she goes to do all that stuff. Collects clothing and crap. But while there, the little girl says, Hank's there too. And Hank, now, she hasn't told this little girl s***. Hank tells a little girl, and the little girl tells her grandma that he said he killed her parents.

Cristina: No.

Jack: The chills that this lady must have f****** felt at that moment must be indescribable. She hasn't said anything yet. And this little girl just said Hank said he hurt my parents. Not just hurt. He killed them.

Cristina: He killed them.

Jack: He killed him. Those are words he told her. These are the words she told. She used the words killed. That is in the report. That is what said.

Cristina: What does the grandma do then? Like, what does she think? Does she believe her now? Or does she think her child's not. Child's granddaughter's insane.

Jack: Well, she's horrified by the way there's. This was on the news. This isn't just a bunch of police reports. This was reported on the news because the. The granny. Eventually. I'll let you know. So this was informed to the police about what happened, that the little girl said this.

Cristina: Okay.

Jack: And Stephanie, then. This is where this, like, spins the f*** out. Stephanie explains to the police. Let me take a step back. Stephanie gets institutionalized shortly after this. And the girl gets put into a foster home.

Cristina: What?

Jack: After Stephanie went to the house to collect the things. And the little girl, Jackie tells Stephanie this. She gets institutionalized. Stephanie gets institutionalized. Because Stephanie goes to the police. And Stephanie tells the police what the little girl said, but she proceeds to give some extra details that we did not know until this point. She says that a long, long time ago, when her husband was alive, she cheated on her husband with a guy named Hank.

Cristina: Stop lying. What? Continue. Continue. Yes. That's so crazy. Okay.

Jack: And Hank happened to be a British guy. And she always believed and never told her husband that he. She always believed he was the father of Victoria, her daughter.

Cristina: Wow.

Jack: She was convinced and kept this s*** a secret.

Cristina: Gosh. Okay.

Jack: Yeah. And then in explaining this, they're like, this whole family is nuts. And they institutionalize her. They thought she was, you know, dangerous f****** situation. Because at this point, she's talking about ghosts.

Cristina: Does, like, she know? Does she say what happened to him? Does she know?

Jack: No, she has no idea.

Cristina: Okay. But she's now believes the daughter because of the ex or whatever being the same ghost. Or at least that's what she thinks is Happening. This is her story. Her side of story is that she believes her ghost ex.

Jack: Well, now she's just, like, trying to explain anything. It's just like, I knew a guy named Hank or whatever, and blah, blah, blah. And it's just, you know, she's freaking out.

Cristina: Yeah.

Jack: Now, again, she. She begged the police to listen so consistently, she was like, please, come on. This is totally happening. This is true. Hank f****** killed them or whatever the h*** the story here is. He told the little girl, little girl told me, but little girl isn't telling. The cops told the grandma, and the grandma's on the cops and sounds kind of nuts.

Cristina: And they're not gonna question the girl about it.

Jack: They are. I mean, you can question the little girl about her imaginary friend.

Cristina: If they think she knows something about the murder.

Jack: They don't.

Cristina: They.

Jack: Why would an imaginary friend tell you information about the murder?

Cristina: Isn't that what the grandma is saying that happened?

Jack: Yes, but the cops are like, well, this holds water. Both the parents died of a heart attack. Let's review that.

Cristina: Oh, yes. It's not a murder.

Jack: There is no murder. You're looking for the weird, so you're seeing it. But there's no weird so far because.

Cristina: If it was a murder, they would still talk to the girlies.

Jack: Now there's a problem. Yeah.

Cristina: Okay. But no, there's no murder. This grandma's just crazy.

Jack: This is a crazy grandma. Who said that? Her. Basically, she's spazzing the f*** out because she has crazy guilt.

Cristina: Yes.

Jack: That's what they're saying. The guilt broke her. There was no murder. There's nothing suspicious. The coroner's report said it was a heart attack. So, yeah, this old lady gets put in an asylum and the little girl gets committed because of this crazy, right?

Cristina: Yes.

Jack: It's a nuts story.

Cristina: So, like, the gram. Or for their. They think she just made up these stories. Do they think she made up the stories of the imaginary friend? Like, that's all.

Jack: Maybe her, maybe. I don't know. I don't know why they would ever report that. But. But maybe. I guess it could. I guess the logic would be she made up the stories because she got committed. But, like, I don't know. They. They weren't like. Also, we think, you know, like, we also believe she made up the stories that the little girl was telling us or telling her or whatever.

Cristina: Okay.

Jack: She made up all of it. Well, I guess that part. They think she made up all of it.

Cristina: Yeah.

Jack: Now, after this case, right, the old lady gets committed and Jackie gets Placed in a foster home where she claims to spent her time with Hank. This. The. The. This is where this makes the news. This lady, her friend or something explains that Jackie, through her entire time staying at the foster home, always talked about this guy named Hank who she spent time with, but nobody saw her spend time with. With. Now, she never pretended to be around anybody, but she would always talk about her friend Hank.

Cristina: Okay, wait, the person telling story is a friend of hers?

Jack: Yeah. So there's a bunch of this is pieced together by a bunch of crap.

Cristina: Okay.

Jack: And now we're talking about the news report that Fox had about 9 wondering why is there a report about this? So the news report that Fox had where the friend of her was talking and explaining that she was always talking about this guy Hank. But, like, we spent almost all time together. There's no way she knew a guy named Hank. And she leaves the foster home at 18, so, you know, taking contacts for too long. But on her 21st birthday, Jackie's found.

Cristina: Dead from her heart attack. No. I don't know.

Jack: In a forest.

Cristina: No.

Jack: Leaning against a tree. From a heart attack, according to Connor's report.

Cristina: Oh.

Jack: What?

Cristina: That. What. Who pieced the story together if no one believed any of it, or I guess, like, afterwards. Because this friend at least heard stories about Hank.

Jack: About Hank. Yes, she knew about Hank. She didn't know who the h*** Hank was. She just heard about the guy named Hank. And then working backwards, they come across the information necessary to then claim all these things. So there's enough police reports, there's coroner reports, there's the documents that put the grandma in the asylum, and the grandma is still alive to ask questions to. So. Yeah.

Cristina: So did the grandma have more information?

Jack: Knew Grandma knew what she knew, and that was it.

Cristina: Oh, I don't understand. Like, this is supposed to be some weird ghost story, or is this a real person that's stalking a family?

Jack: I don't know. It's crazy, right?

Cristina: Yeah, because, like, I don't get it. Like, how are they dying from heart attacks?

Jack: That's the craziest part. The immediate thing I thought about when I was checking this out was like, somebody has a death note. Somebody. Like, how is everybody going off of a heart attack, bro?

Cristina: Yes. Walking into a forest. And. Yeah.

Jack: It's like somebody wrote the instructions ahead of time, and then it's like, just put the name a heart attack. How weird. It could have been anything else. They could have just all walked off a bridge.

Cristina: I don't understand. Like, why would. If this was like A ghost story. Why he would have this much hate to do all that? Like, did her husband murder him? Or something like that would make sense, I guess, as revenge. I don't know. Like, we don't know anything.

Jack: Yeah. The problem with the. When stories like this are real is that somebody's withholding information because they don't want to look bad. So maybe if this was a re. If this is a ghost story, if this is a ghost doing this, somebody had to do something to him, right?

Cristina: Yeah. Like, besides lying about. There's no way that that's the whole truth.

Jack: Yeah. That some, like, this old lady knows. Like, my husband died because he was killed by the guy because he went out to kill him in the first place or whatever.

Cristina: Yeah. Or he just killed the guy and then that's it. That's all she knows. Like, oh, my lover just disappeared one day after I got pregnant.

Jack: Well, interesting enough, she did say that she cheated on her husband with the guy, but never told the husband that she thought that was the father of the daughter. But did her husband not know or did he know?

Cristina: What if he did know and then killed the guy? Yeah. And this was his revenge.

Jack: Yeah. 100 it could be. But also, why would he kill his own daughter? Unless that wasn't actually his daughter? She only thought it was.

Cristina: Yes.

Jack: Again, she wasn't sure. She was convinced, but it.

Cristina: She was convinced. And maybe her husband was also convinced.

Jack: Yes. But maybe he just wasn't. And it's like, you killed me for nothing.

Cristina: Yeah. Whoa. That could totally be it. Who knows? But, like, yeah, if that was his daughter, why do this? Why? Murder. It's just too much murder to be like.

Jack: It's no murder.

Cristina: No. Well, whatever.

Jack: To this moment, there has not been a single murder.

Cristina: Suspicious heart attacks.

Jack: Yes. Ex absorbently suspicious heart attacks.

Cristina: Yes. I don't know. Like, if we don't count him in, then what is happening? How did they. Why and what the.

Jack: Do the woods have to do with anything?

Cristina: Yes.

Jack: Or the forest. Whatever.

Cristina: Forest. Yeah.

Jack: Also, weirder question. Why is the mom all the way in California?

Cristina: Yes. How? Why?

Jack: Well, how? She probably hitchhiked there. But, like, what?

Cristina: Maybe Frank was from there. Who knows? I don't know none of that. Hank. Hank. Is it Frank? Yeah, whatever.

Jack: No, he was from England.

Cristina: Yeah, but he lived somewhere in America afterwards. Like, she met him in England.

Jack: Unclear. She dated a British guy and he worked at a lighthouse off the coast of England.

Cristina: Yes, but was she dating him there? I don't think so.

Jack: I mean, how would she date a guy Working at the lighthouse. Yeah, but I guess he worked at the lighthouse. It doesn't necessarily mean. No, it was off the coast. So he wasn't, like, on. On a f****** island, I guess.

Cristina: I'm guessing he vacationed in America or something. Yeah.

Jack: Like, how'd she meet him? You know, unless she vacationed. But no, this. Okay, so if we're trying to make this make sense, he had to come over here.

Cristina: Yeah.

Jack: Not the other way around. So she just had, like, a fling. Probably in California.

Cristina: Exactly, because maybe she was on vacation.

Jack: Maybe they were both on vacation, man. In California. Some s*** went down. Then she confessed to her husband. Her husband went over there immediately and off. The guy. Maybe. She was in vacation with her husband, obviously. And then, you know, wild night where he was just at home. She was, you know, I'm gonna go hang out at the bar. You don't want to come out, whatever. And, you know, things happen. Goes home with Hank or not even goes home. Maybe Hank rents a car. Something happens with Hank, and then she feels. Oh, well, the pregnancy I have isn't my husband. Oh, my God. Yeah, but it was totally. Was your husband. And then your husband finds out because you confess or something. Oh, honey, I'm so sorry.

Cristina: I thought she kept it a secret. I mean, she did keep a secret from her daughter, I'm assuming, because she just let it out after everything happened, but I don't know. Yeah, I think she probably confessed.

Jack: Yeah. Yeah. To her husband.

Cristina: Yeah, Exclusively.

Jack: And so. So then the order of events were going by. Is lady lives in Oklahoma. She then has a vacation in California.

Cristina: Yes.

Jack: By the Murdoch National Forest, actually. When her husband, for whatever reason, isn't with her and she happens to meet a guy named Hank, they have a fling in the forest. Yeah, that's where they f******.

Cristina: Oh, the plot thickens. Yes.

Jack: They f*** in the forest.

Cristina: And he probably was killed in the forest or his body was hidden in the forest after he was killed.

Jack: One of Holy. That's exactly what happened. They didn't f*** in the forest. They probably in the car parked by the forest.

Cristina: Oh, my gosh.

Jack: She explains to her husband what happened. Her husband goes and kills the guy, takes him to the forest. It just so happens to be the nearby forest. So both events take place there.

Cristina: Yes. And she has no clue what he's doing.

Jack: She has no clue that he did this. She just knows she confessed.

Cristina: Mm.

Jack: The end. That's her. The extent of her knowledge. Her husband did the rest, and he has no reason to. He's horrified that he did this. He's not gonna be like, I killed a guy and threw him in the forest.

Cristina: Yeah. That's a secret he dies with.

Jack: Yeah. They go back home. She's pregnant. She does not tell her husband that she believes that's the other guy's baby. But she does believe that the other guy's baby. Which is probably not the case. It's probably just her husband's child. She's just guilty. She feels guilty.

Cristina: Yeah.

Jack: And all these other thoughts are associated with the guilt. Simple. Simple. One plus one equals two. Most cases. But sometimes it could equal one as well. But we're not gonna dive into this. Into the semantics of how math is kind of difficult to understand. So he kills a guy. She doesn't tell him. She thinks it's his baby. Totally not his baby. But this lady grows up, marries a guy named Jonathan, and then they have a daughter named Jackie. And then Jackie has an imaginary, unquote friend.

Cristina: Mm.

Jack: For whatever reason, this guy is messing with this girl. I guess this spirit is just waiting. And then one day, the moment arrives and the whole scenario happens. So car by the woods where she probably f***** in the first place. The guy. Because it's just possibility. And then the bodies in the woods where her late husband had buried. Not literally in the first instance, but that's why the mom, the actual biological one.

Cristina: Mm. Is buried over there.

Jack: Not buried.

Cristina: Found over there.

Jack: Yes. Interesting enough, I wouldn't be surprised if the guy's body is beneath that tree. But they would have had no reason to look.

Cristina: No.

Jack: Also, that happened so f****** long ago. There's no sign on the dirt.

Cristina: Yeah. There's no way that they could piece that together.

Jack: Yeah. So it's just a dead lady.

Cristina: Mm.

Jack: But the guy who isn't her father is buried directly beneath her.

Cristina: Possibly.

Jack: What?

Cristina: That's crazy.

Jack: The idea here is that all of this happened, everybody in this lady's family died because of her f****** cheating on her husband in her first place.

Cristina: The ghost got his revenge by not killing her.

Jack: By not killing her. Letting her stay alive to watch all this. To know her family's dead.

Cristina: Yeah, like he really had it out for her.

Jack: Maybe she could. The problem is, maybe she could have stopped her husband. Maybe just not telling him would have been the right move.

Cristina: Yeah. Or maybe she has suspicious also that he did something to Hank and just never said anything. Like she's living with that guilt.

Jack: Interesting.

Cristina: It's way more than just.

Jack: Yeah, she could definitely have an inkling and, like you didn't avenge his death.

Cristina: Yeah.

Jack: And it's Your fault he's dead. Yeah, like you didn't redeem yourself.

Cristina: But what if it has nothing to do with her story or whatever? Like, what if this girl did have an imaginary friend that was a ghost? Maybe in the house? Is that possible? I don't know. Like. But he has the name of the other guy.

Jack: Yes, yes, yes. The name is where this immediately becomes a ghost story.

Cristina: Yeah.

Jack: If the name didn't line up, then it wouldn't be a ghost. And who he killed. Why wasn't it. Why didn't he just hurt the little girl?

Cristina: Why did he take all these steps? Like. But it feels like it also, it wasn't in his control either. Because you say he like, changed over time. He was friendly at first, and then he just grew more and more hateful.

Jack: And that's interesting, right? What's that about? That's also where it gets kind of creepy. The rest of it is. It's more of a mystery. Everything is mystery until you get to the silent hill aspect of the little girl. That one patch is like, what happened because he was just playing with her, which would then make you think, no, that is your daughter. That's your granddaughter. That's your granddaughter.

Cristina: Unless he didn't have all his memory and he was gaining it. And that's what's all the glitchiness. Not glitchy, but, you know, the odd.

Jack: Behavior that's somehow somewhere, some such is so horrifying. I don't know why that disturbed me. The fact that he's a ghost with no memories. And then suddenly the memories start coming. It's f****** twitching and.

Cristina: Yeah. And then the hate starts growing. But that's real hate that he had before he died. But he just didn't have it at the moment when he met the girl. I guess. Like it just formed.

Jack: Interesting. Interesting.

Cristina: Like that makes sense because he was playing with her. He was normal. He was like, whatever.

Jack: Yes. And then slowly, gradually, more corrupted, broken, more twisted.

Cristina: Yeah. Like that's very strange. Could it be because it. What does that even mean? A ghost gaining memories?

Jack: Yeah.

Cristina: How's that a thing like that means.

Jack: He was a goat. An incomplete ghost to some degree.

Cristina: Yes. I don't know. That's like.

Jack: And why focus on the little girl unless you're actually related? Related?

Cristina: You think? Maybe. I don't know.

Jack: If it wasn't, then he would have just focused on the old lady. But he didn't. In fact, the old lady was completely left out of it. That part right there makes me think that's actually the Victoria Is actually his daughter.

Cristina: Okay. Because he was around her. Well, sort of.

Jack: Daughter. He's around the daughter. Somebody in the family. As opposed to being around Stephanie, the grandmother.

Cristina: Yeah.

Jack: That makes me think. Yes. And I guess it would hold. The story would still hold. So Stephanie and her husband go on vacation. For whatever reason, one night, she's not with her husband. She meets a British man named Hank, who happens to also be in a vacation. They're from Oklahoma, but they're vacationing in California by the Modoc woods. She has a flame in the car parked on the side of the highway with Hank. She does get pregnant by Hank. She confesses to her husband what happened.

Cristina: Yes. And he goes. Fine.

Jack: Yes.

Cristina: Hank. He goes find Hank. Kills him in the woods.

Jack: Well, kills him and.

Cristina: And then buries him in the woods.

Jack: Probably.

Cristina: Yes.

Jack: Could have killed him in the woods, could have killed him somewhere else. Regardless, he kills him.

Cristina: Yes.

Jack: And he puts him in the woods.

Cristina: Mm.

Jack: Then they leave. But she is, in fact, pregnant. She doesn't tell her husband that she's pregnant with his. The other guy's baby. He thinks this is his child.

Cristina: Okay.

Jack: But it's not. Fast forward. Hank's spirit follows the bloodline manifests to the little girl. His granddaughter.

Cristina: Yes.

Jack: Because victorious. His actual daughter.

Cristina: It has to be. Maybe. But I wonder if she had an imaginary friend and the grandma just doesn't remember. But then again, she would have known. Like, this would have.

Jack: Like this would have happened already. Yeah, it would have already happened. There would have been. No, no, Jackie, no. Because Victoria is where it would have ended.

Cristina: Why was a heart attack?

Jack: Why would a heart attack. That's another thing that doesn't make sense. Because why wouldn't they just show up dead and then have no trace as a. Why, like, you know, like, only clearly murdered, stabbed to death, or, like, beat to death or whatever. But there's no trace of who did it. That would make sense. That's like. Okay, whatever happened to you, you did to them.

Cristina: Yeah. Unless he somehow died from a heart attack. Can you cause someone to have a heart attack?

Jack: I don't know. Maybe he hit him in the chest a couple of times, punch him in the chest repeatedly, and kill the guy by accident. Maybe. Maybe he went to beat the guy up, not kill him, and he beat the guy into having a heart attack. Maybe by hitting him in the chest, the guy dies. Then he goes ahead and buries the body in the panic. That's why this was never reported.

Cristina: Yeah, well, no matter how he did it.

Jack: But so the good. So Hank dies of A heart attack. And then he makes sure that the bloodline dies of a heart attack.

Cristina: Yes. Why kill the husband, though?

Jack: Yes. Because he's not related.

Cristina: It's not related. Yeah, but.

Jack: But keeping this in mind, maybe he sees Victoria and Jonathan as individuals that are mirroring what Stephanie did. Maybe they're not doing the same event. But he doesn't have a husband to take revenge out on. He has a daughter and his daughter has a husband to take revenge out on. Yeah, there's a husband somewhere.

Cristina: And I wonder how much the daughter reminds him of the mother of Stephanie.

Jack: Interesting. And then he's just. Yeah, it could totally be. It could totally be.

Cristina: It's just a weird build out. Like I don't feel. It doesn't feel like he planned it out from the beginning. Unless he. Maybe he did. I don't know. But then it's just weird. But we don't know the whole story.

Jack: We don't know the whole story because why would she tell us?

Cristina: Yeah, but I mean, like the little girl story too, of how he was friendly and then he just over times becomes a different person? Pretty much.

Jack: Well, here's what's interesting. The girl in the foster home isn't being tortured by Hank. Hank is just fine. It's just stories of being with Frank and spending time with him.

Cristina: That's also weird because she knows he killed her parents at this point.

Jack: Interesting. I wonder if this girl has some suppression problems going on, huh? Because it is traumatic. It's particularly traumatic. Your parents disappear, you got this crazy f***** tells you he killed them. Your grandma gets put away. You're young.

Cristina: Yeah.

Jack: You just create a blockade.

Cristina: I guess that would be the only way because, like, how are you living with all this nonsense going on? This is nonsense.

Jack: Like, interesting.

Cristina: What? Like she had. Did she believe him? Does she not believe him? You wouldn't know. I mean, her friends weren't worried about it. They were like, ah, she has an imaginary friend. Whatever.

Jack: She's an immature individual. At the end.

Cristina: She wasn't seeing a therapist. Still during that time, I maybe, like.

Jack: She'S already been seeing a therapist, so it wouldn't be like, crazy.

Cristina: Oh, and there's no story from them.

Jack: Why this? It would be illegal.

Cristina: Oh, there.

Jack: There's probably a crap ton of notes that nobody's ever gonna see because that would be illegal.

Cristina: This is. It's just a weird story, man. She did it. No. How did she do it?

Jack: Anyways, that's the story of Jackie and Stephanie.

Cristina: How she killed her parents.

Jack: No, I don't Know how her parents died.

Cristina: Yeah.

Jack: So interesting, though.

Cristina: Yeah. A weird case of random heart attacks.

Jack: Random heart attacks and a crazy old lady with crazy stories.

Cristina: Yeah. Yeah, that's what it sums some.

Jack: Three heart attacks and a crazy old lady with crazy stories. Anyways. Anyways. Anyways. So we're totally way over the time here, but good. Bad, bad. Middle ground.

Cristina: Middle ground.

Jack: I think definitely not as horrifying as whatever the h*** happened last week at the Biovent is like, bro, that's horrifying. But this is just. This is just a weird.

Cristina: It's very weird.

Jack: It's very strange.

Cristina: It's.

Jack: It's probably just like.

Cristina: It's a bit icky. I don't know. Yeah, yeah.

Jack: And there's. Again, there's no murder anywhere.

Cristina: There's no murder, but it's very suspicious. Everything is like. It's not right.

Jack: It's not suspicious. It's very. Yeah, it's just not right. Right. There's just something like. This is weird.

Cristina: Three heart attacks. No way. In the forest. No way.

Jack: Yeah. And all of them in the same.

Cristina: Exact way in different forests. None of them in the same forest. Nope. That's very weird.

Jack: That is weird. Anyways, Anyways. Anyways, if you guys enjoy spooky stuff, we got two other episodes right before this one that are strange circumstances that.

Cristina: Have happened in life, and we have other episodes. Episodes. Older episodes.

Jack: Yes.

Cristina: About weird, strange, real events.

Jack: Yes. There's a bunch. And not just real, there's a bunch of just like mythical crap that's weird, too. And like a bunch of horrifying creatures everywhere. There's a plethora. We. We kind of circle horror often, although we don't word it in horror kind of ways. There's a lot of creepy we talk about when you think about it.

Cristina: Yes.

Jack: And you can find all that on the podcast platforms. Any of them. And if there's one we're not on, like, I don't know, send us a message. And you could actually send us that message on Facebook, Twitter, or Instagram @justcomfopod, as well as find a bunch of clips and crap there.

Cristina: Awesome. And remember to subscribe, rate, and review the show.

Jack: Word of mouth, incredibly important. So, you know, if you. I guess that's not even word of mouth, but. How do I put it? If you rate the show, though, it's the equivalent of word of mouth, I guess, because we move up, you're telling.

Cristina: People, hey, but if you review it, aren't you doing the same thing?

Jack: Yeah, if you rate it, you bring us up and you're like, hey, worth looking at. And if you review it, you're literally letting people know. Letting people know with words. Although not words of mouth. It's words of keyboards.

Cristina: Yes. Words of keyboard. Yes. Okay. I let someone who might like this show know about it.

Jack: Thus insert the word of mouth.

Cristina: Yes. This has been the Rambling podcast. Take nothing personal. Thanks for listening. Bye. And these penguin guards, what are they? They're just. They're just guards.

Jack: They're guards. There's some sort of chimera of some sort or some man made creature. Maybe there's. Maybe there's birds and penguins over the. I don't f****** know, man. I don't pay attention. Yeah, we're. Our job is inside the.

Cristina: Inside the wall. Yeah. That's why we don't really travel outside the wall.

Jack: Yeah. There's no reason to.

Cristina: Yeah. Everything is in here. Yeah.

Jack: Yeah. So that's definitely, you know, that's what's happening there. And the reason that it's connected to Martin Luther King is actually that Martin Luther King, he had to communicate with the people from the other side of the wall to get help to establish laws that would help inside the wall.

Cristina: He had to do that.

Jack: He didn't directly. Basically, Martin Luther King would have secret meetings with President. What the h*** was his name? Lynn? Lyndon.

Cristina: Lyndon.

Jack: Lyndon Johnson. Yeah, President Lyndon Johnson. Martin Luther King would have special meetings with President Lyndon Johnson. This is fact secret meeting. Some of them were recorded unknowing. And these meetings took place because, you know, as, you know, world leaders communicate with higher ups and the chain goes all the way to the top of the Illuminati, top of Freemasons, top of government, all these things that usually manage from outside the wall. And so he needed to talk to the president to get messages from the president to the overseers and overlords on the other side of the wall to then get resources sent back so that we can, you know, they would have advice, they would send people to help and black neighborhoods need help or whatever. And so people would show up that like, where are those people from? But, you know, so much help, we're not gonna question it. And it's because people from over the wall are showing up to help.

Cristina: Good morning. Good morning. This podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.

Rambling 125: Banshees and Women in White

Zero Lupo, La Llorona, Banshee, Creature, Folklore, Death, Reaper, Story, Fantasy, Shadow Realm, Monster Hunter, Podcast, Just Conversation, The Just Conversation Podcast, JustConvoPod, COmedy, Discussion, Radio, Ghost, Paranormal

What are Banshees? What are their origins? Are they related to the Woman in the White Dress? Answers to this and more on this episode!

Story:
The duo unpacks Banshee’s, Women in White and any similar or relate ghost or creature in order to get better informed as they continue to fill their Mars prison with different paranormal beings to study. All in the name of science.

+Episode Details

Topics Discussed

  • Banshees
  • Death Omen
  • The Weeper
  • Woman in the White Dress
  • La Llorona
  • Lilith
  • Shadow Realm
  • Shapeshifters
  • Fear
  • Reapers

Art by IG @Zero_Lupo

Our Links:

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+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean? Welcome to Just Conversation, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Christina.

Jack: And I'm Jack.

Cristina: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Jack: And also, this show is most enjoyable with a listening partner to share opinions and ideas on the topics that we discuss. So be sure to find a single individual, somewhere random, that they wouldn't expect to be found by a different complete stranger, and approach them with this very tone. I'm speaking.

Cristina: You sound like an anime villain or something.

Jack: That's fine.

Cristina: Okay.

Jack: You approach them and you. Hey, Yugi, I have a show for you to listen to. And if you don't, I will fling you to the shadow realm.

Cristina: To the shadow. We're revisiting the shadow realm? Sort of. Not really, but one of the creatures we talked about.

Jack: We are?

Cristina: Yes. The Banshee.

Jack: The banshee? Yes.

Cristina: Remember last time? Well, not last time. Dragon Ball Z, but a few episodes ago, we talked about Ireland creatures. Yes, yes. And we learned about fairies. And I'm still unsure about this fairy ghost thing, if it's a fairy or a ghost or if it's us or not. Like, I know you explained it, but it still makes no sense in my head because it's so many different ideas, but it's all the same. But it's all different, so it's hard to understand for me. But the Banshee, she's a fairy lady, but she's also a ghost.

Jack: Right. Are they different variants of this?

Cristina: Of the banshee?

Jack: Yeah. Is it like, some stories say she's one, some stories say she's the other. Or is it like, collectively, it's unclear.

Cristina: I think she is definitely a fairy lady. Ghost. A ghost fairy lady. Got you for sure. She's usually. I didn't talk about this last time. I didn't realize she was. How short she is. Because, you know, if you remember, the other fairies are the short people.

Jack: Yes.

Cristina: Well, she could be between 1 to.

Jack: 4Ft tall, so not human.

Cristina: Yeah, so that goes. They say it goes along with her being an old lady, but also to show that she's a fairy lady. So although in different stories we talked about she could be a young lady. Little girl. Did we say little girl or just a young lady to old lady age range?

Jack: No, I think we saw this before she was an old lady. So there's more range here.

Cristina: There's more range?

Jack: Yes. Before we establish she was an old lady. And there's more range because she's not just an old lady.

Cristina: She's a fairy lady. No, she's a short lady.

Jack: So short said she could be a young lady.

Cristina: Last time. I'm pretty sure I said she could be a young lady.

Jack: Oh, really?

Cristina: I don't remember. There was like, three age ranges. The young, the middle age, and the very old. You remember that?

Jack: No.

Cristina: Okay, well, that was last time. This time I'm just talking about her being old because I didn't realize how short she was. But that doesn't matter. What matters, though, is that she's usually the ghost of a murdered lady or a ghost of a mother who died at childbirth. Those are important.

Jack: Yes. Okay.

Cristina: And if you remember, she sings or mourns over the death of family members. Because it's like every family in Ireland has a banshee.

Jack: Why?

Cristina: Well, not every, but the ones that come that have their blood from Ireland, of the first people that took over, remember there was a people that fought the fairies, and that's when the fairies disappeared.

Jack: So they're all descendants of St. Patrick?

Cristina: No, of the Malaysians. I think they were called those people. And if you have their blood, then you have a banshee.

Jack: Hold the f*** up. The Irish are just Malaysians.

Cristina: That's how I think it's pronounced. I'm not sure if that's the correct way it's pronounced.

Jack: What is Malaysian people from Malaysia?

Cristina: No. Then it's probably not the same Malaysia that you're thinking about. Is this other word that looks very similar to that.

Jack: Okay.

Cristina: I don't think they're connected. Well, sometimes they could be a predictor of death. They could be crying before someone dies. I don't know how they can tell, because usually you find out the person died afterwards anyways. And even if the person died far away, they'll get the news of the death from her crying. And that would be kind of their warning that something bad happened to their family member. Also, there's some moments where a bunch of banshees are crying. I didn't know that.

Jack: During tragedies, maybe.

Cristina: Well, for them, it means that if a person. For someone who's. For someone who's great or holy, they'll cry. A bunch of them will cry for that person.

Jack: What does that mean?

Cristina: Like, I guess the great. Like king or holy, like a saint? I don't know.

Jack: Okay.

Cristina: And then a bunch of them will cry. I don't know why they care, but they care a lot. And in Welsh folklore, there's also a ghost that cries before a person dies.

Jack: And in similar Dubanche, just in that.

Cristina: Way that it's crying. It's a voice that's crying, but it's.

Jack: Not, like, super short thing.

Cristina: A short thing like a.

Jack: Like a fairy.

Cristina: Oh, I don't know. I don't know if they consider. When it comes to things outside of Ireland, I don't know if they consider it as a ferry. I think they're just ghosts.

Jack: Yeah. I don't mean, like, it's called a fairy.

Cristina: Oh.

Jack: I'm saying, like, is it, like, is the description the same being?

Cristina: The only thing I got from the description of this ghost is that it has a voice that they hear. I don't think they see this ghost.

Jack: Got you, got you, got you.

Cristina: And then in Scottish folklore, there's, like, three different creatures that are like this. Can I call them creatures or ghosts? Three different ghost stories that are similar. One is called the Little washer Woman. And when they see her, she's usually washing clothes of people who are about to die. So if she's washing her clothes, I guess, you know, I'm about to die.

Jack: How do they know it's her? What does she look like?

Cristina: I think she's actually kind of described as the same as the banshee as the old lady. Like, she's an old lady washing clothes.

Jack: Got it, got it.

Cristina: And then in a second one from Scottish folklore, she's called a weeper.

Jack: I have heard that before.

Cristina: The weeper.

Jack: Yeah, I've heard that before.

Cristina: Okay. Well, do you. What do you know about her?

Jack: I don't know anything about the name.

Cristina: Oh, okay. Well, she also cries predicting death from her cries. She likes to cry at night by waterfalls, stream or lakes, and in glens or mountainsides. She's very found in very specific locations in Ireland. I mean, Scottish Scotland.

Jack: And she also looks like a fairy.

Cristina: We'll say old lady. Got you, old lady, because fairy. I don't know. I don't know. I guess, like the fairy banshee. Yes.

Jack: Sure looks like a banshee. We'll leave it there.

Cristina: She cries over the death of people who are killed in battle. Those are the specific weepers. Yeah, the weeper. It's just people who died in battle. She'll cry for them. And her cries cause people anxiety for their children that are in war because, you know, like, they're like, is it my child that's gonna be dead? Or whatever. Pz, you don't know. Who's she crying for? And there was an event, though, the Massacre of glencoe. And the McDonald's weeper was heard crying all night. People who heard her crying left the place before the massacre.

Jack: So those people lived and then everybody else died.

Cristina: Yeah, everyone else died.

Jack: Interesting.

Cristina: Yep. Yep. And she sounds a lot like the banshee, though, in that they're like. Well, I don't know if the banshee really predicts death, but we can't really tell from when she cries to when they find the death of people.

Jack: Yeah.

Cristina: So, like, it seems like she stops crying when you find the body. So it could be that she's predicting as well.

Jack: Does she sound like she's luring you to the body? Is the cry always heard from the direction of the dead?

Cristina: I don't think so. I don't think so. I just think, like, once you do get the news, then the crying stops.

Jack: I wonder if there's a movie about banshees.

Cristina: Probably. I bet Supernatural has all these creatures.

Jack: Yeah, definitely. They've come across a banshee before.

Cristina: Yeah. And then there's the third version of the Scottish folklore thing because they have so many. Many, I guess, of this similar banshee ghost thing. And it's. This one's kind of creepy. It's when you're sick and you're about to die, she's gonna be outside your door crying.

Jack: But you don't know it's her.

Cristina: No, I guess not. But still, if you hear a lady crying, you're probably like, oh, I guess. I guess this is it. If you're sick and dying in bed.

Jack: That means you're probably in a hospital, in which case you just hear some random person you don't know crying.

Cristina: That's so freaky.

Jack: It just probably means somebody already died in the hospital.

Cristina: That's true.

Jack: And that's exactly where you're at.

Cristina: Because maybe before hospitals were a thing and you were just dying at home. That would be creepy then.

Jack: Unless it's so bad you know you're gonna die.

Cristina: Yes.

Jack: Then everybody around you knows it could just be somebody, you know crying.

Cristina: Yeah.

Jack: It's only if you're in your house and you hear somebody who isn't familiar crying.

Cristina: Yeah, I guess that would be very creepy, though. Yeah. There's. In Latin America folklore, her name is La Giorona, and that means the Weeping Woman or the weeper.

Jack: Yes, the same thing.

Cristina: Okay. It's the same thing. The Weeping Woman.

Jack: And I'm assuming all the rule sets.

Cristina: Work the same this One's a little.

Jack: More complicated because La Giorona sounds like the woman in the white dress. That is usually what they call her.

Cristina: Yes. There is some connection with this one, I guess.

Jack: Yes, yes, I'm very familiar with La Giorona in Latin American culture. That one is identical to the lady in the white dress. You take her home and she goes in and she left. Some bullshit. And you try to take it and then they're like. She was always been dead.

Cristina: Yes. She's always wearing white, I guess, is what she has in common with the woman in white.

Jack: So you're telling me the woman in white and the weeper fused to create La Giorona?

Cristina: Well, she's a little more complicated though, than the woman in white, because in her story, you know why she's weeping?

Jack: Somebody died.

Cristina: Her children's dead.

Jack: Got you.

Cristina: That's what makes her different. She's usually. She drowned her children. Is it part of her story? And I know one of her stories which. A woman who was beautiful, marries a rich man, and they had two children. And one day she finds her husband cheating on her. So she kills her children for some reason out of anger, revenge, and she regrets it immediately. And out of the guilt, she drowns herself. But she can't enter the afterlife without her children. So she haunts. She haunts, I don't know, around. She haunts places, children, I guess. I think she tries to kidnap children. Maybe, I'm not sure. But yes, the reoccurring themes though, of her story, because there's a bunch of different versions of it. And that's just one of the stories of her is the white dress, the crying and the water, because she drowns her kids in the water. So I guess.

Jack: Right. Sometimes she's wet, sometimes she looks like she just got. She was drenched.

Cristina: Yes. There are white women stories, though, that the woman is also wet, but not relating to drowning her children, usually because.

Jack: She'S out in the rain.

Cristina: Well, the one that I read, one of them was that she. I think she was in a car accident.

Jack: It was raining.

Cristina: She was in a car accident and she actually. She drowned in a lake or something.

Jack: Oh, I know one that she was in a car accident while it was raining. And there was one where she forgot her purse and in. What was it? She left her purse in a cab, got out or she lost it or some s*** like that. Oh, and then she couldn't get in because her phone or some s*** was in there. Or maybe phones didn't exist. Whatever. She couldn't get in Contact with anybody, and she wandered into the woods or whatever, and she went missing. It's because she died in the woods.

Cristina: Yeah, there's quite a few in the woods.

Jack: Yeah, it was raining. And that's why she's wet.

Cristina: That's why she's wet. The. Oh, there was one in Canada, one of their famous white women. She felt she.

Jack: Women in white.

Cristina: Women in white, they call them both ways for some reason. Either or. But the woman in white is better, I guess. And she was gonna marry someone. I think he went to war. So she. She jumped off a fall that they have over there. They have many falls. Well, she jumped off one of them in her wedding dress. Of course, that was the white dress. Not all of them died in a white dress. In a wedding dress, but they're all usually white still. The dress that they are wearing. Some of them white dresses, Some of them wedding dresses. You've heard of the wedding dress ones?

Jack: I thought they were all either a wedding dress or some variant of it.

Cristina: Oh, okay. Because I'm assuming the lady that kills her children even though she's wearing a white dress, isn't wearing her wedding dress. I don't know. That's kind of crazy. But I mean, maybe she is. Like, who knows?

Jack: Maybe she put the wedding dress on and then killed her skids.

Cristina: Yes. Whoa. I guess that. Then that's really revenge to her husband.

Jack: No, that's madness.

Cristina: That's madness. Okay, well, in Mexico, they tell these stories to the children to encourage them not to wander off after dark. So she's like a boogeyman type of situation. In America, part of their story is that they could hear her screaming or crying while she's walking around near water or in the dark. So to scare the kids from going out there. Yeah, where they don't want the kids to be. In Venezuela, the story is a little different in that she has to raise her children alone because the father died in war. And she just. I guess she got tired of that and decided, I'm gonna kill my kids. And then her spirit now kidnaps and kills other people's kids.

Jack: Okay, so it's basically the same story.

Cristina: Yeah. Except in this story, families put wooden crosses above their doors to ward her.

Jack: Off because they think she's some sort of a demon.

Cristina: Yes. Which is like the Lilith story, which I want to talk about. Lilith. Do you know her?

Jack: Lilith is a biblical creature.

Cristina: Yes. She's from the. Well, she's not really from the Bible. Like, she's not in the Bible, but in an early Jewish interpretation, Of the Bible she appears, I guess. And the first Eve, they call her because she was made like Adam in the beginning, you know, instead of Adam. And then Eve threw Adam's. What is it? His. Something.

Jack: Yes, his rib. While Adam was created. And then Eve was created from Adam to be less than Adam and his servant. To Adam, Lilith was the equivalent. And I believe she predates Adam. She wasn't made at the same time as Adam, if I'm not mistaken. I believe she was made first. As if Lilith was the first person.

Cristina: Really? Well, I'm not sure about when she was made to Adam, but they were both made from the same ground or whatever.

Jack: And Lilith is not a good person.

Cristina: Yes, she. They had problems, her and Adam, because they had sex problems. Lilith didn't want to lay down. She was not happy with that because they're equals. She doesn't want to be the bottom. And he was like, no, you have to be the bottom.

Jack: So she wants to f*** in that way where the guy is on his back with his legs pushed up and then she sits on his d*** as if she were the one f****** him, but his d*** is inside her. Interesting.

Cristina: Yes.

Jack: She was in some weird positions.

Cristina: Yes. Maybe she wanted them standing up together.

Jack: Or maybe she was a lesbian.

Cristina: Maybe she was a lesbian.

Jack: She was the first lesbian. She's considered the first sinner.

Cristina: She's definitely not a lesbian. I think only because she does, like have sex with people. She's. Before she was in this story, she was a. What's it called? A succubus. She's pretty much a succubus.

Jack: Before she was in the Bible, she was a succubus.

Cristina: Yeah. Like they turned that story into this story because everything's based on other things. The Bible's not the first story.

Jack: So the origin from her in a different culture was a succubus.

Cristina: Yes.

Jack: There was a succubus called Lilith that then got incorporated into Christianity and became Lilith, the first woman.

Cristina: Yes. Do you know about that?

Jack: I did not know that. I knew that Lilith was the first woman and I believe she was the first human.

Cristina: You mean like her then Adam? Right?

Jack: I believe it was her then Adam. Except we wouldn't call her human.

Cristina: No.

Jack: Because human was Adam and everything that came from Adam.

Cristina: Oh, really?

Jack: Yes. The idea would be that if you make two different. Even if they look identical.

Cristina: Yeah.

Jack: Adam is one and Lilith is another. So you'd have an entire name of things that came from Lilith.

Cristina: Yes.

Jack: And are like Lilith, made from her literal matter.

Cristina: Well, good.

Jack: And then entire Tree coming from Adam.

Cristina: She does have children.

Jack: They are not human.

Cristina: No, they're not human.

Jack: Yeah, they're not human because human is Adam and anything that came from him. If Adam mated with Lilith, then those would be human because it would be anything that came from Adam. Yeah, but because they did not mate, it did not come from Lilith. And thus no version of Lilith's offspring are human.

Cristina: Although it's weird, because she does steal his seed and have babies from him. But they aren't humans.

Jack: That's weird, because they should be. Anything that comes from Adam is human.

Cristina: Well, I guess because it's mixing with whatever she is. If she's a whole different thing.

Jack: No, no, no. If she mated with Adam, it would still be. It would be half and half. You'd still calling them human because Adam.

Cristina: Okay, they're called Lilium, and they're earthbound demons.

Jack: Earthbound demons.

Cristina: Yes. She ran away, of course, to gain her independence, like an independent lady. Whatever. And then Adam tells on God. He's. He's like a tattletale. And then God sends three angels to her to get her back. The angels find her in a cave giving birth to their children, and they. And she refuses to go to the garden, so they kill a hundred of her children. I wonder how she reproduces. I wonder what the number was. Unless it was 100 kids and they killed. That or there was, like, she had a thousand and they killed 100 of her thousand kids. But they say, we're gonna come here every day and kill a hundred of your kids every single day until you come back to the garden.

Jack: That's crazy.

Cristina: Yes. So in her revenge, she kills children. Regular kids, I guess, because we're all part of Adam now. So she's killing us.

Jack: Fair enough. She's just taking revenge on Adam's entire bloodline.

Cristina: Yeah. So the death of stillborns and crib deaths are blamed on her.

Jack: Interesting.

Cristina: Yep. Lilith is pretty cool. I don't know. There's like, a debate on, like, is she good? Is she bad?

Jack: No. Lilith is bad no matter what.

Cristina: I know. There's just women who look at her.

Jack: Well, she's not bad bad the way Lucifer is bad.

Cristina: What way is that?

Jack: That he didn't really do anything bad.

Cristina: Okay.

Jack: She had an opinion.

Cristina: Yeah, well, raping people is not good. When she got there, I guess that was bad.

Jack: Well, she was initially not bad.

Cristina: Yeah, she was initially not bad until the angels killed her children, which then.

Jack: Makes it questionable whether she's bad or scarred.

Cristina: Or scarred. Yeah. And then there's In Ancient Greek, a lady named Lamia, she was having affair with Zeus. So his wife Hera killed. Well, didn't kill her. Killed her children. That's one of the stories. She killed her children and then Lamia kills other women's children. And then in the second story, Zeus's wife forced Lamia to eat her own children. And then Zeus gave her shape shifting abilities, which I think is interesting, that she's a shape shifting monster that eats children, which she should have been in our other episode about shapeshifters that we did about eating, but that was about blood drinking, shapeshifting.

Jack: Yeah, it was about blood suckers.

Cristina: Yeah. But she's a shapeshifter who eats children and might have eaten her own children because of Seuss wife. And today she's used as a boogeyman to frighten children. Similar to Il Cuckoo. And then the most popular version, this is a white lady. She's everywhere.

Jack: Yeah. There's no country that doesn't have this story.

Cristina: Even the people we mentioned before this point were probably white ladies. They were probably all dressed in white.

Jack: Yeah. That's what's kind of fascinating about the white lady, that out of all these arguments that one might be the possible one because there's so much s***. But then the thing is, people have stories of oh no, she's this and no, she's that. No, there's a f****** creature that happens to look like a lady in a white dress or something.

Cristina: Yes.

Jack: Because it's everywhere. It's similar to the problem of a chupacabra. You've seen it too many places to say. It's just here now there is the regional story equivalent where. Well, we believe in these things. So it has to take this form when we tell the story. Yeah, but there's one thing they're all talking about that's similar enough difference between Sasquatch and Bigfoot and Yeti is there's the same s***. It's regional. But there's a thing you're talking about.

Cristina: Yeah. Like even the white lady would look different in like her facial features or something. If you had a draw her, she.

Jack: Might in the Middle east she probably has reddish skin. If you're in Asia, she has yellowish skin. If you're in Europe, she probably has really milky skin. If you're in Africa, she probably has dark brown skin. But you're talking about the same f****** thing.

Cristina: Yes, she does the same exact thing.

Jack: All the same things.

Cristina: Yes, all the same.

Jack: So it's basically we could just say that the lady in white is A Banshee?

Cristina: Yes.

Jack: They're the same thing.

Cristina: Yeah. The only interesting. Really interesting thing about the Banshee is that it's family related. So I wonder if the white lady. There's stuff like that. Like you hear her or you see her, if you're somehow related to her family and you just don't know how you're related. Because we have no idea how related we are to a stranger we meet.

Jack: Man. Here's the. Here's the interesting division between the lady in white and the Banshee. The problem is that the Banshee is you're totally. It doesn't have to be family related, but it's warning you of a death of somebody close.

Cristina: Yeah.

Jack: And she's crying at your location.

Cristina: Yes.

Jack: The woman in white doesn't do that. You encounter her in the middle of f****** nowhere.

Cristina: She might be crying in some stories, I'm sure there's a story. She's crying.

Jack: Who's lady in white?

Cristina: Yeah.

Jack: No, I'm not saying that she doesn't cry.

Cristina: Oh, okay.

Jack: I think she's always crying.

Cristina: Oh.

Jack: I'm saying she's not at your house.

Cristina: There's no warning.

Jack: Yeah. She's not at your home crying. She's always wandering the f******, like, side of the woods or some s*** when you see her.

Cristina: Yeah.

Jack: On the road or some crap. Hitchhiking.

Cristina: Yeah. She's always. It's about her life because she's always based on a real person who died in a real tragedy.

Jack: But that's when we tell the story. Like if we break it down to what this really might be and we compare it to the banshee.

Cristina: Yeah.

Jack: We have two different things.

Cristina: Okay.

Jack: They're similar.

Cristina: Yes.

Jack: But they're not the same. Now, everything else we've discussed, I think would fall into one of these two categories.

Cristina: The white lady or the Banshee.

Jack: The white lady or the banshee. I think those are the only two real creatures we've heard about so far. And then the story equivalents. So we've heard of either the Chupacabra or the Yeti and everything else. Like, let's say the f****** creature in the middle of this place. And it's a shapeshifter. Okay. You mean the Chupacabra.

Cristina: Yeah.

Jack: Or, well, this. Bigfoot. No, you mean the Yeti.

Cristina: So then Lilith fits more with a white lady.

Jack: Lilith fits more with the white lady. Yes. Or Lilith might be her own thing, though she might be unrelated.

Cristina: Okay. She is a ghost and she's killing kids.

Jack: It sounds like she's Intentional.

Cristina: Okay.

Jack: But then based on the story, she would be the White Lady. Yeah. Yeah, yeah, yeah, yeah, yeah.

Cristina: He's a white lady. It's not the ones that we're about to talk about, but the ones from Mexico. Or not Mexico, but the South American one that we were talking about. She. It sounds like she wants to kill kids too, because she killed her own kids and she wants to take a ghost with her so she can go to the afterlife kind of situation then.

Jack: Man. It's interesting because it defers quite heavily with the lady in White from North America. She's not a. The lady in white isn't a woman with children at all. As far as we know. She usually dies in her teenage years. Maybe like 17 or 18.

Cristina: She's always young.

Jack: Yeah. And you take her to the house. She was just looking for a ride. She didn't do anything weird to you or anything. Just took her home and she forgot something in the car. And then you take it back to find out that's impossible. She's been dead.

Cristina: Yeah. Oh, my gosh. I do remember a connection to her and the Banshee, though. The original version of the Woman in White.

Jack: Right.

Cristina: There's a popular medieval legend about the Woman in White where she appears in the house of a family member who is soon to die. She's seen as the ghost of the deceased ancestor of that person. That sounds exactly like the man.

Jack: She and the lady in White.

Cristina: And yes.

Jack: She's feeling both. Rose. She's feeling both somebody who's already dead showing up and sort of an omen of death at the same time.

Cristina: Yeah. Like now she's not that version, but this. The older version of the original. The origin. Is that better? Origin.

Jack: Now, this is what's crazy. We have the lady in wine too many places. Obviously, she's not one person. Meaning. But it's also problematic to say that there's a bunch of this exact same circumstance happening. Coincidence would be too exaggerated at this point. There'd be thousands of the same scenario.

Cristina: But there are. It feels like there are.

Jack: Well, let's be reasonable about that. Obviously, the story is being told the same. But whatever they're telling the story about.

Cristina: Yeah.

Jack: Is one thing.

Cristina: Yeah.

Jack: So, like, just being reasonable about it. There's a creature, not a person.

Cristina: Yeah.

Jack: Who seems like a person. Could identifiably be a person. But we could also say the same thing about a succubus or a vampire. They look like people.

Cristina: Yeah.

Jack: But they're not mermaid like. It looks like a person, but it's not, you know, Siren.

Cristina: Yes, it.

Jack: It's not, but it looks like it.

Cristina: Okay, so these fairy ghosts are not ghosts, but more fairy, like for their own creature.

Jack: Well, depends on whether they're. Well, I guess we, we at this point we'd be leaving the fairy definition of Ireland fairies and be talking about maybe not necessarily fairies, because western fairies in our region of Western is more like. I guess. No, those aren't even f******. I guess it would be Asian fairies that we here in the United States envision are little people with wings.

Cristina: Oh.

Jack: So it's wrong to say fairy because whether we're talking Irish or North American, we're kind of off about what the f*** we're talking about. But it is some sort of entity.

Cristina: Yes. That's why I feel like the Irish one is the closest, because it is an entity.

Jack: But it's not a fairy tale.

Cristina: It's not a fairy.

Jack: It's not a fairy. Doesn't fit the description of fairy. Which are little people.

Cristina: Well, they don't. They're not always little people. Just a lot of the time. They're little people a lot of the time. But that doesn't mean they're always like that just fits the story. So they mentioned that one the most, maybe to make them all seem the same.

Jack: Got you.

Cristina: But that could have been, you know, like the story could have been different before. Like maybe fairy people did. Were our size before.

Jack: Yes, yes.

Cristina: They only shrunk in Ireland. They could be spread out. Spread out and just as tall as.

Jack: You know, their normal woman in white and the banshee might be the two variants with Lilith as an exception. That is she is a creature of her own. Or the woman in white. She's the only out of the women in white equivalents. She stands out the most. But she still fits the suit in some categories. While the banshee seems to be a whole other s***. Just warning. And then we have this weird cross pollination of that one event of warning.

Cristina: And also being dead. Yeah. So I don't know more than one creature. One creature.

Jack: I think two creatures, bare minimum. I think three creatures max.

Cristina: Three creatures max.

Jack: I think we're talking about two to three different creatures. And everything else is a regional variant.

Cristina: Yeah.

Jack: People just telling the story a different way.

Cristina: Mm. Probably. Yes. Yes, I think so.

Jack: Interesting. And they look like people is one of the characteristics.

Cristina: Mm.

Jack: They usually embody somebody who's dead. They aren't somebody who's dead.

Cristina: No.

Jack: They appear to appear to be the person who said, if you're a Woman in white.

Cristina: Yeah.

Jack: So whatever that creature is always shows up in white. Even if that person was probably not even wearing white. Maybe there's something about their transformation into that person that only allows that to be the color.

Cristina: Yes.

Jack: So they always look to be wearing white. Thus the woman in white, even if she died in a blue dress, when.

Cristina: You see her, it might be the same dress, but not white.

Jack: Exactly. Maybe they can't imitate these colors. Yeah, maybe we are talking about some sort of shapeshifter that can only embody somebody dead.

Cristina: Oh, you think a shapeshifter? But then that's more fairy, like, because they're very shape shifter too, like.

Jack: Yeah. So they could definitely embody somebody who's only dead. And that's why the story is always the same. Oh, no, it's not possible. And somehow they get the memories of the person too, because they often ask to go to the same place that the person used to live.

Cristina: Yes, Yes. A lot of them are the same place.

Jack: They're hunting the children of people similar.

Cristina: Mm.

Jack: Those that are doing that are feeding. So we can say the same creature two different instances. In one case, they still have the memories of the person somehow.

Cristina: Yeah.

Jack: That being said, all of that being said, maybe the lady in white. Holy crap. Isn't even on the side. We forget to keep talking about this, but maybe they're from the shadow freaking realm.

Cristina: That's where the fairies are from. That's where the banshees from. That's why I keep saying she's a banshee.

Jack: Maybe we're seeing. Maybe she's not taking the form of anything. Maybe we're just seeing her shadow form. Her.

Cristina: You know?

Jack: Yeah, her. This side form from the shadow realm.

Cristina: Yes.

Jack: Interesting. And it might appear as this person or that person. Or maybe using that energy from when.

Cristina: We see her feed, though it matches up with Lilith in that it's children.

Jack: Yes. So there are creatures over there feeding on children from over here?

Cristina: Yes.

Jack: Interesting.

Cristina: That's a strange one. So far, I don't think there's any banshee eating children, though. But when it comes to women in.

Jack: White, maybe Lilith is the first. Similar to, like, Dracula.

Cristina: I mean. Yeah. Like she has children. They're demons. But maybe they're not really demons the way we think of demons.

Jack: Maybe she spawned whatever creature the women in white are.

Cristina: Yes. Yes. Oh, you know, that's so crazy. There's a place, though, that there's like 300 stories of the women in white, which, like, they're called. They're actually Called the Maidens of the name of the location of the place. Because there's so many.

Jack: Fascinating. So there might be a breeding ground.

Cristina: That's so crazy now.

Jack: It's not a breeding ground on this.

Cristina: Side, but it seems like it because they do. There are stories of the real ladies that died. Well that match up.

Jack: You know, the creatures aren't breeding on this side. The creatures manifest where there's energy to manifest through, as we've established. And if all these people have died in this area, there is more than enough sorrow and fear.

Cristina: Yeah.

Jack: To go around. And so they can heavily manifest. So haunted areas are just places with enough energy for these creatures to manifest most vividly.

Cristina: Yeah.

Jack: And the more haunted you are.

Cristina: That's why there's so many women in white in a lot of places. But in this specific, in eastern Russia is where they're at, where there's like a ridiculous amount. It says like 350 of them.

Jack: So then the question would be in that area that they're in, was there some sort of tragedy? Is it considered particularly scary place or a haunted place place or something along those lines that could allow there. We know emotions allow shadow beings to manifest.

Cristina: Yeah.

Jack: Specifically fear.

Cristina: Yeah.

Jack: Is the most powerful of them all.

Cristina: That place is scary.

Jack: Are people scared of that place?

Cristina: I don't know if people are.

Jack: Because it could be self perpetuating. It could be. There was one story, people got a little freaked out about that story. But the fear surrounding every time people went through there allowed two or three to manifest. But then the experience is multiplied because their experience, more people had the same story to tell, which then created more fears. People would go through there, which then in return allowed more fear to linger and more to form. And little by little, anyone have to.

Cristina: Die for these things to be born.

Jack: Maybe just the first lady. Somebody saw something, maybe the right person. Here's what usually happens. Right. Somebody who doesn't know the person goes through, sees the lady in white. There was enough energy, enough here. Whatever case might be, pick the lady in white up. Either their children die or they take the lady to her home, quote home, unquote. And her father tells you the same bullshit. Sorry, she's been there. A little weird event that happened.

Cristina: Yeah.

Jack: But maybe this is the one time that the father was the one driving down the street and he sees his f****** daughter and he freaks out and she gets in the car, he's like, what the f***? Or somebody who does know her.

Cristina: Yeah.

Jack: A family member or something like that. Bob. Her cousin, who didn't know and came the visitor or some s*** drives her to the house. Now the fear is so immense because I saw her.

Cristina: Everyone that knows her is seeing her.

Jack: We saw her. We saw her. She was there. We saw her. This place is haunted. That must have been a demon or something. Now the fear is real. Real.

Cristina: That's why certain locations are haunted. Because everyone's seeing her there. But only like it just took one person seeing her there for a bunch of people to see her there. And then she became a real thing there.

Jack: People have seen the lady in white in different places and they're unrelated. So it's not as scary. It had to be. In order for this place to be of mass ground, some series of events had to lead to the amount of fear that there is relative. Because otherwise every place would have that same amount.

Cristina: So then something else must have happened.

Jack: I'm telling you how it happened. It was somebody who might have known her.

Cristina: Yeah.

Jack: Opposite to a stranger. A stranger picked her up. They were only scared after they were told the story. Somebody who knows or sees her. Holy s***. I was at the funeral.

Cristina: Yes. Okay.

Jack: Now you're like, I'm never going down the street again.

Cristina: Yes.

Jack: And you had to go down there one day for whatever reason, but you didn't see her, but you went through there so panicked the person behind you saw her.

Cristina: Have we ever talked about the haunted road like this though? Like maybe that's why it's so freaking.

Jack: Haunted instead of being a space anomaly.

Cristina: Yeah. What if it's not a space anomaly but some weird energy thing is happening? Like this place?

Jack: Definitely could be. It could. Well we've established that maybe it's not the streets, that the street itself that's haunted, but the forest, the woods themselves are haunted. We just didn't know what we meant by haunted. And what we meant by haunted is creatures from the shadow realm.

Cristina: Yes.

Jack: Cut through because of fear.

Cristina: So there's no such thing as haunted in Linton Road? Yeah, there's a hoarder of creatures in there, but not real creatures, shadow creatures.

Jack: They're real creatures. They're just from the shadow realm.

Cristina: Yes. And in this place in Russia, man, that's so crazy. 350. This is a lot of ghosts. Yeah.

Jack: So I think that's how it happened. It self perpetuated. Somebody saw it, freaked out. It was real fear. Like way more fear than just getting told the story. You saw the person you know is dead. You tell they're like, no f****** way, you're losing your mind. But now they're kind of freaked out. Like maybe he's telling the truth. Rolling down the same street. You see her too? Oh, s***.

Cristina: Yeah. It's interesting because none of these stories, it's random lady. Like, you have a real person who's died or supposedly this person really died.

Jack: I think whatever. Creed. I think they're all. I think we could call them all. D*** it. The problem is we don't have a name for it. The question is, is it different from a banshee? And I think it is. I think the lady in white is different from the banshee.

Cristina: But we can agree they're both shadow people.

Jack: I think they're both shadow creatures. Yeah.

Cristina: Okay.

Jack: I think they're both shadow creatures, and I think the banshee is the harmless one.

Cristina: Okay.

Jack: The banshee is probably the more scary one because it's screaming. Cries, yes. Like, you'll be way more horrified to encounter a banshee, but you're way more in danger with the lady in white. The question is, what creature is the lady in white? Because we know the banshee is some sort of warning creature.

Cristina: Yeah. While the lady in white is just sometimes. Sometimes wants to eat some children. There's some, though, ghost stories I just remembered about. She wants to share gold with people. I don't know why. She has like a gold, like, treasures.

Jack: Oh, no, that's a trap.

Cristina: That's. No. Well, it depends because sometimes she's like, you could have half, and if you're greedy, then death on you. But if you listen to her, she'll. She'll really give it to you. I don't know if there's one stories that there are traps, but the ones that I read, she's honest until you're greedy and then you're dead.

Jack: Interesting.

Cristina: But I don't know how that relates. But that's just an interesting thing I remembered about some of the white lady stories or the lady in white stories. There's another ghost that's similar to the lady in white, but she's not the lady in white. She's a ghost in Nigerian and African schools. She haunts the schools and like, the places the kids are sleeping. Like the boarding schools. That's what they're called. Whatever. And her name is Madame Koikoi. Well, she haunts the schools and she wears red heels. And she is popular in Nigeria, Ghana and South Africa. In Nigeria, there are two origin stories for her. In the first story of Lady Kokoi, she was a beautiful teacher. She liked to be her students. And she was fired for slapping a Student. And one day when she was going home, a car hit her and she died. And then she swore revenge on the school and the students for some reason. And then after she died, I guess while she was dying. And then she haunts the school.

Jack: How is she related to anything? Why did we learn about this one?

Cristina: Because she's a ghost lady. I guess that's how she relates.

Jack: There's a lady? Million other ghost ladies. How do you pick this one?

Cristina: I don't remember. Cuz she's really famous. Like the white lady in white. She's famous everywhere.

Jack: Right.

Cristina: This lady's famous everywhere around Africa.

Jack: Yeah, but the lady in white and the Banshee are heavily related in that they're both women, both crying, both surrounding the concept of death.

Cristina: Yes.

Jack: This is just some random lady who died.

Cristina: Yes. Who kills her children. Which is like those ghost stories where they. She kills children.

Jack: Like the white lady in white.

Cristina: Yeah, the lady in white kills children. Except this lady's killing school children because of her death.

Jack: In a specific school?

Cristina: In specific schools. Yes.

Jack: No, in a specific school. Or does she like swear revenge on the board of education?

Cristina: No, no, no. I guess depending on the school you're at, she's haunting your school because that's how spread out her story is. So.

Jack: So her story is too specific. In the case of the lady in white, there is variance.

Cristina: Yeah.

Jack: Here is the same story.

Cristina: Yes. With different origin stories, though just like little changes to them, but which makes.

Jack: This one sound way less likely.

Cristina: Okay. Even though they're all almost the same. Although one of them, the students, killed her by accident. They were tired of her beating them up, so they beat her up themselves. And one of them killed her with her own shoe. And then she started killing them off one by one like a horror movie.

Jack: So Final Destination.

Cristina: Yeah. So that was pretty interesting. And then there's these other things which I think relate more to the Banshee. And that's why I looked this up. But it doesn't. I don't think we'll find any relations with the women. And why? Because there's these things called psychopomp. I think that's how you pronounce it. And it means the guide of spirits. They're the creatures, spirits, angels or deities. And many different cultures and religions that guide the deceased from earth to the afterlife. Because we don't know if the Banshee is doing that.

Jack: Maybe you mean reapers.

Cristina: Yeah, I guess reapers is a version of it. Because there's many different versions of these things that just. They come when you're dead and they take you to the next place. And who says the banshee's not doing that? Like, maybe they're just crying until you die and then they walk away with you.

Jack: We don't know you aren't dying when a banshee shows up. Banshee's crying because somebody died and they're letting you know.

Cristina: No, but they're crying until that person is dead though. Like why? What if they stopped crying because they're now taking the soul to the next place?

Jack: That'd be weird. Because if somebody's dying far away, they're with you while that person far away is dying. So they're warning you about a person they're not around.

Cristina: Well, they're taking it as a warning. They're not. Like it might not really be a warning to you. They just happen to live where you're living. Like they maybe didn't want to leave Ireland because they love Ireland. It's their home.

Jack: No, no, no, no, no. I feel like you totally missed everything I just said. The ban. She warns you about somebody dying or about to die. See, regardless of where the person who's dying or about to die might be.

Cristina: Yes.

Jack: She's around the people that would care. Oh, okay, so she's not around the dying person.

Cristina: Okay.

Jack: She. How she delivering the soul if she's nowhere near the dying person?

Cristina: No, I guess not.

Jack: So she would be just like a warning system.

Cristina: Yes.

Jack: And then the reaper is a deliverer.

Cristina: Yeah.

Jack: This other creature.

Cristina: Yeah, but the reaper, I guess I'm sure there's another creature that's she.

Jack: I think there's a system of creatures that function in non harmful ways, as well as a sisters and ecosystem.

Cristina: Yeah.

Jack: As well as the system of creatures that function in exclusively harmful ways. Like a wet church.

Cristina: Yes.

Jack: Which is vicious and dangerous for no f****** reason. So I'm thinking, yeah, I'm thinking that the banshee in this case is harmless, as is the reaper.

Cristina: Yeah. He's just there to collect the soul.

Jack: Yeah. I think those are delivery beings to some degree.

Cristina: One example of the guide of souls that I like. They, they depict them as animals besides of spirits and creatures and stuff like that. They also see them as animals that are warning, I mean, that are there for the dead. In different cultures. It could be horses, deers, dogs, ravens, crows, vultures. There's a bunch of different animals. But the one that I think is the most famous of the animals are birds. Like if you see a huge amount of birds waiting outside a home of the dying, you're like they're here for that person. Well, I think that's the most famous cyberpunk.

Jack: It's well known for the crows.

Cristina: The crow. Okay. Yeah.

Jack: So crows are considered an omen of death, as well as black cats.

Cristina: Yeah. So those are the animals that are gonna, I guess, take the soul with them.

Jack: Interesting that you would say that, because in both the case of crows and the case of cats, they're usually not being noisy or anything. They're just waiting.

Cristina: They're just waiting.

Jack: They're just waiting. Specifically cats. Black cats. A black cat sitting on you while you are in a hospital is a bad sign.

Cristina: Okay, that's interesting.

Jack: Yeah. Like it's about to wait for your soul.

Cristina: Actually, I've heard of dogs, too. Of dogs in the hospitals would do the same. Like they would go to the person who's about to die.

Jack: Yeah. Before they die. Like they know ahead of time you can smell the death.

Cristina: Mm.

Jack: Well, maybe they're not smelling it. Maybe that's not any normal dog.

Cristina: Yes.

Jack: Or if these deliverers can take over.

Cristina: Creatures, that's possible too.

Jack: Maybe it is a normal dog. Until the liver takes over its body and patiently waits.

Cristina: Mm. What do you think of that? That's pretty interesting.

Jack: So it's a possession that's not violent?

Cristina: No, it's very peaceful in a way. Like the death. Or hopefully the death is as peaceful. Yeah.

Jack: Interesting. Interesting. The shadow realm has quite a couple of weird things in there. We got to keep these investigations going. I must see if I can catch. Like I said, with more information that we get, maybe catching a banshee becomes possible.

Cristina: Oh, snap.

Jack: Using science, using any means, we might come across any information based on what we learned. Right. I'll know more where to find a banshee as well as, apparently, I gotta find a woman in white to see if that is a creature of its own. The banshee doesn't seem harmful. The woman in white seems dangerous.

Cristina: What if she's the bad version of the banshee, like we had? Did we decide to scrap that idea?

Jack: No, I. I know what you're talking about, and I was thinking about it earlier, which was that maybe the woman in white is a type of banshee that has become feral. A feral banshee.

Cristina: That's what you were calling them. Feral. Right.

Jack: But the only difference is that we don't know that a banshee has lost anybody or that the banshee has even died. The banshee might not never have been human.

Cristina: No, I don't think so.

Jack: Then Again, the lady in white might just be inhabiting humans or looking like humans that were once alive.

Cristina: Mm.

Jack: So they might not necessarily have ever been humans either. It's still. They sound so different either way.

Cristina: Yeah.

Jack: Like we can see how a wet judge and a wendingo are the same.

Cristina: But they don't look the same either.

Jack: They behave so similarly.

Cristina: Yeah.

Jack: While these two. Like, they behave so similarly and similar to werewolf, almost.

Cristina: Yeah, There's.

Jack: There's real tight connections there.

Cristina: Well, in.

Jack: While here, there's the big discrepancy in behavior. Like, big. The only commonality is the crying. And not all the women in white cry.

Cristina: No. But a lot of them, I think, do.

Jack: Yeah. So there are some. And the person might have actually died. That's. I guess that's another similarity. They think the person who died became the banshee.

Cristina: Yeah.

Jack: They think it could just be that this creature is taking the shape of somebody dead.

Cristina: Yes.

Jack: To then warn them of death.

Cristina: Yes.

Jack: So I guess there are some similarities to look at.

Cristina: So you might find a connection that we're not even thinking about right now.

Jack: Yeah, exactly. Exactly. There's a line I'm not even thinking about.

Cristina: Yep. Interesting. The psychotrop. In ancient Egypt, they had a God named Anebus. Do you remember him?

Jack: Right, he's the sort of Egyptian God of death or some s***.

Cristina: Yes. He's the. He's a guide of souls.

Jack: Oh, yeah. He's a spirit guide. He's actually not the guide. He's not the death bringer. No, he's the soul deliverer. He's the soul deliverer who delivers it to. Who's gonna weigh it.

Cristina: Yes. Yes, that's exactly. So he's a. Whatever these are called again.

Jack: Reapers.

Cristina: Yep. Reapers. I guess reapers are easier word than calling them psychotomps.

Jack: Maybe it's the same thing. Maybe we're literally talking about the same thing.

Cristina: Yeah. In the Greek mythology, there's the ferryman. Sharon. I don't know his name, but I know the Greek. You know, the ferryman from Hades, that you have to go on his boat to go to the.

Jack: Yes.

Cristina: River. Across the river.

Jack: The river Styx.

Cristina: Yeah. Yeah. So when you die, a family member puts a coin on you so that when your spirit goes there, you could pay. And if you don't pay, you got to stay there a hundred years and wait again to cross. So. And then in Norse mythology, the Valkyries are choosing their favorite warriors to go to Valhalla to be part of Odin's army, because he's preparing for Ragnarok So he's building this army. So they're taking the best warriors for that. And then in modern day, the Jewish reaper is the archangel Samuel, whose row is both as the angel of death and the accuser. I don't know if you heard of that archangel.

Jack: No.

Cristina: And then in many cultures, there's the shaman who both plays the. That person that takes the soul to the dead, but also helps bring people to. Helps in giving birth to people. Like, I guess he would be there when you're. You're giving birth to your child.

Jack: The shaman.

Cristina: The shaman.

Jack: Interesting that I've never heard that name for it. But a very old version of reapers that I've heard are the same, and they're represented with the numbers 1 and 9. And the goal is that they bring their soul delivery in every direction.

Cristina: Yes. Well, the shamans are like that. Yes, exactly like that.

Jack: So the reaper I was thinking about this whole time was a shaman.

Cristina: Yep. Wow. And then in the Philippine culture, they think that the ancestor spirits are the ones that are the reapers. When a person who's dying calls out to call someone's name that's, I guess, dead. Like if you called your mother's name while you were dying, then it's because your mom is there to take you to the next life.

Jack: Interesting.

Cristina: And that's their thing. And that's pretty interesting because a lot of people probably say someone who's dead already name or whatever. But in. And In Christianity, there's St. Peter, Michael the Archangel and Jesus are thought of as the reaper. Yep, yep, yep.

Jack: Anyways, we're out of time, and that is definitely fascinating. I didn't know how closely related to banshees the women in white were, but there's definitely some lines crossing there. So as we go and find ourselves one of these s****, we got a experiment. Experiment. We got to find out. Because if we find two different things, that's crazy, but maybe they are related the way a wendingo wetcha and a werewolf are.

Cristina: Yes. Like, it's. It's gotta be. It's there. Like we can, like, glimpse at it. We can't really see it as well as those creatures, but it's like there's a tiny glimpse of.

Jack: There's some connection.

Cristina: Connection?

Jack: Yeah, they're either similar or the same.

Cristina: In different ways or like they're different types of the same thing.

Jack: Like a beaver and a badger.

Cristina: Yes. Oh, that's a good example. If you guys heard the shadow people story, not the shadow people. Which episode was that with the beaver and the badger?

Jack: And that was the Shadow Realm. Yeah.

Cristina: Okay. Yes. You guys check that episode out.

Jack: Yeah. Interesting.

Cristina: Yeah.

Jack: If you guys are interested in things of this nature, episodes of this type, there are many, many, many. We're building our understanding of the Shadow Realm as we move forward in order to capture some of these f****** on this side and find out what the h*** is going on with that.

Cristina: It feels like we're playing Pokemon.

Jack: Yeah. Catch them all.

Cristina: Yeah.

Jack: And so, I mean, our prison is getting nice and packed. I like it. I mean, it's 95% just like reptilians.

Cristina: Yeah.

Jack: But that's fine. Whatever. It's like, it's realistically 99% reptilian. It's a f****** planet worth of Reptilians and random s*** we added to it.

Cristina: Yeah.

Jack: So it's like really, like 99.99% reptilians.

Cristina: That's a lot of Reptilians.

Jack: Yeah, but we got other s*** in there. Cat people and our guards who are subhumans. Oh, there's a s*** ton of cat people.

Cristina: Yeah. And roach people. I'm not sure. No, no, that's rare because we killed.

Jack: We destroyed a lot of them. Anything that was left was just not on planet.

Cristina: Yeah. So a few roach people, but they probably don't. They multiply like crazy. Yeah.

Jack: They're probably building an army.

Cristina: So. Yeah.

Jack: Yeah, there's probably war gonna happen at some point, but we got Reptilians to toss at them.

Cristina: Yep.

Jack: We're ready. We're getting ready. We just got to brainwash everybody we got.

Cristina: Okay.

Jack: And we might have, like, ethereal beings on our side. Whatever. Anyways, if you guys want to hear more of those episodes, you can find the Shadow Realm episode. There's a Shadow Piece People episode, which is part of Groundhog Day episode, which you found out about all this s*** in the first place. And some Adrenochrome episodes and s*** of that nature to get caught up on what we're talking about.

Cristina: If this lawsuit and the Ireland episode, the Irish folklore.

Jack: Yes. So you can find all of those things@graythoughts.info or on Apple Podcasts, Spotify, or anywhere you get your podcasts.

Cristina: And you can reach us on Facebook, Twitter, Instagram, and TikTok @JustConvopod.

Jack: Yes. And remember to subscribe and to rate. And if you feel so inclined, review.

Cristina: The show and let someone who might like this show know about it.

Jack: Yes, word of mouth. Very important. Find people who watch that garbage f****** show. Ghost. Ghost Adventures, where the guy gets that super Buff, jacked up guy who could, like, knock out a ghost in one shot.

Cristina: Yeah.

Jack: Is just scared of everything he ever sees. See, if you know people who like that, then send them over here like this, tell them about this show, and they'll tune in and realize, oh, that's what they saw over there in Ghost Adventures.

Cristina: That's why they were that scared.

Jack: That's why they were that scared. Or that guy's a b****. That is a total coward. So, yeah, no, you could do that. Tell your friends, be like, hey, you like ghosts? I gotta show about ghosts for you.

Cristina: Ghostbusters. Yes, this has been the Just Conversation podcast. Take nothing personal and thanks for listening.

Jack: Bye. He's scooping the poop.

Cristina: Who's poop?

Jack: He's scooping his own poop.

Cristina: His own pool.

Jack: He says it. He's scoop of the poop. Scoop of the poopa de poop. Scooping the poop that you scoop. He's scooping the poop that.

Cristina: I don't know if that's right.

Jack: Amen. We know he's scooping poop.

Cristina: Yes.

Jack: And we know the poops being scooped.

Cristina: Definitely.

Jack: In order for this poop to be scooped, there must have been poop.

Cristina: Yes.

Jack: So somebody pooped. No other characters are mentioned in the story other than the fact that he's scooping poop.

Cristina: Yes.

Jack: There's no cats, there's no dogs. There's no. No other person. Nothing else is mentioned other than the fact that he, the singular character, is.

Cristina: Cooping poop, but he doesn't say it's his poop. What if it was just poop?

Jack: It's not. It's from where? There's no other characters in the story. No other characters in the story. There's one character.

Cristina: Mention of someone else.

Jack: No, there's one character in the story. Him scooping the poop. Meaning it's his poopy scooping. Okay, this is writing 101.

Cristina: Okay. It's his poop.

Jack: It's not a magical poop that popped out of nowhere and just exists without a beginning and end. How do you know it's just always existed there?

Cristina: Yeah, that's why he's always scooping it, because it keeps reappearing.

Jack: No, the song is about the one time he pooped and then he scooped his poop.

Cristina: Just one moment.

Jack: Yes. It's about. Isn't that all songs are about a moment or an event, a series of events related to each other? If it's not one moment. But this sounds like a song about one moment where he was just scooping poop.

Cristina: Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McAllister. With social media managed by Amber Black.

Rambling 118: The Shadow Realm

The Just Conversation Podcast, The Shadow Realm, Comedy, Funny, Fringe, Jinns, Shadow People, Just Conversation, Weird, Ghosts, Monsters, REalms, Dimensions

Where do shadow people come from? And do we have access to their world? Unpacking the nature of the Shadow Realm and its inhabitants on this exciting episode!

Story:
Following the discoveries and sacrifices of Groundhog Day, the duo embarks on a quest to understand the creatures formerly known as shadow people, now identified as Jinns. As all the investigative research the duo has done over the years seems to point in the same direction, an entirely new realm reveals itself as the source of most fringe activity.

+Episode Details

Topics Discussed

  • Jinns
  • Adrenochrome
  • Genetic Mutations
  • Dimensions
  • Angels & Demons
  • Shadow Realm
  • Limbo
  • Chupacabra
  • Werewolves
  • Powerful Emotions
  • Groundhog Day
  • Sasquatch
  • Reapers

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to Just Conversation, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yes. So be sure to go find people, tell them, hey, listen to the show. Listen to the show with me. Hey, people. You. Yeah, person. Can you listen to the show with me?

Cristina: As long as they say the whole name of the show, yes.

Jack: You gotta say, listen to the Just Conversation podcast with me. Listen to the Just a Conversation. A podcast with me. And then slowly you migrate into a weird, ambiguous accent that doesn't make sense as you follow them through the streets of New York City or wherever you live until they listen because there's no option. And then they will, because you followed them all the way home, asking, they got on the train. You got on the train. They got off the train in a bus. You got off the train in that same bus. They got out of that bus, called the cops, and waited for the cops in the corner. The cop happened to be your friend.

Cristina: What?

Jack: And now you're both there telling them to listen to the show.

Cristina: What?

Jack: They'll listen to the show because they're scared that the cops are going to shoot them.

Cristina: Why?

Jack: I don't know. It might have been black. Because this is America. Oh, wait, that doesn't happen under Biden anymore, right? That was, like, years ago or something. We're in the future. That doesn't happen anymore. Anyways. Talking about the future. Talking about them New Year's resolutions in life. So, yeah, look. Last time on Dragon Ball Z. Last time on Just Conversation. And then, like, some sound that tells you we're flashing back. I don't know who chose that sound, but it's always the same sound.

Cristina: Oh, that'd be amazing to have.

Jack: Yeah. Last time on Just Conversation. Wait, how do we do this? How do we do this? We just gotta say a bunch of stuff that happened. We talked about groundhogs and shadow people and. Okay, Last time on Just Conversation. The shadow people are gonna bite our heads off.

Cristina: The groundhog is gonna look at its shadow and its shadow is gonna communicate with it.

Jack: Shadows can walk on all fours.

Cristina: Beavers, the winter solstice.

Jack: It's spring equinox.

Cristina: Zombies. Aliens.

Jack: Christ, the church. Adrenochrome.

Cristina: A lot of blood. Just so much blood.

Jack: Ghosts and djinns.

Cristina: I don't know. I have no words. And the words.

Jack: The exciting conclusion on this episode of Just Conversation. Okay, now that we got that out of the way. So, as you heard in our exciting recap of what happened last time on Just Conversation, we were talking about Groundhog Day, which led us through this weird vortex of other things that apparently all connected and we never saw the strings connected them in the first place. Which is completely astounding because who the h*** knew that everything is all and all is everything? I guess whoever created the hermetic principles knew it.

Cristina: He knew everything is all and all is everything.

Jack: Yeah, he knew. He knew. He could have told us.

Cristina: Yep.

Jack: He could have been like this. Is that like. Nah, I don't believe you.

Cristina: This shadow, is that alien?

Jack: Yeah, it's all the same thing. What? No, it's not. And like it turned out to be. So a clearer recap is that groundhogs get given adrenochrome, or a specific groundhog gets given adrenochrome. And that groundhog became a super intelligent human level intellect creature that is immortal. At least consciously immortal. Its physical body will eventually die, although its physical life has been elongated significantly. It could live hundreds of thousands of years for all we know.

Cristina: Thanks to that adrenochrome.

Jack: Thanks to that adrenochrome. And he belongs to a group, a club that has many people who take adrenochrome and give it to many animals. They all get abilities and help society or people or cults in some manner, shape or form. Who knows? They help somebody. Either that or the church made up all of this, which is definitely a possibility. But let's ignore that possibility. Anyways, chasing this information deeper, I have uncovered the doors to the truth.

Cristina: You found the truth?

Jack: Well, I found a bunch of crap. I don't know whether it's true or not, but in diving deeper in looking into this, in trying to comprehend the true wokeness. About what? Because we. We established that humans that take adrenochrome become temporary vampires until the day that their body dies. And then they become djinns in the afterlife, which isn't really the afterlife, but rather this plane of existence in some other kind of way.

Cristina: Yeah.

Jack: Anyways, anybody who takes it gets special abilities, lives a very long time and whatnot. Humans become this thing called a djinn. That's kind of like a shadow person. Now I started following the shadow person trail down the yellow brick road.

Cristina: More info than I got.

Jack: Yeah.

Cristina: Cool.

Jack: Yeah, about the yellow brick road.

Cristina: Is that related to the shadow field?

Jack: Anyways, I started following the trail, questioning, finding creatures, murdering creatures, and then asking questions. I kill first, I ask questions later. Okay, but they're immortal anyways, so I kill them, they become their ethereal version. And then I question that. Oh, makes perfect sense, right? I went to the subhumans, the sub humans created for me using their extremely excessive advanced brain power that I don't know why they haven't used it to overthrow us yet, but whatever. And they made me a basically Ghostbusters esque bottle that we've been calling the genie bottle.

Cristina: And you've been catching shadow people?

Jack: I've been murdering anybody who's had adrenochrome, turning them into a shadow person, but having the bottle to catch them in.

Cristina: Ah.

Jack: And so now they're trapped in those bottles and I don't let them out, but I can destroy them in there, so they have to tell me. And I've learned a couple of things. I've learned many things about shadow people.

Cristina: Like what?

Jack: Well, a couple of things. First of all, when you are a shadow person or a shadow being, let's use that term, because to say shadow person entails something very specific. When there is a multitude of bullshit that can take adrenochrome and become a creature that later becomes an ethereal version of itself. And so any creature that takes adrenochrome becomes a sort of shadow creature, crosses over after their body is deceased. And there is usually goes in three stages. They have their normal born form.

Cristina: Yeah, they're the human.

Jack: The human hyped up that we were talking about before and previously on Dragon Ball Z. So just go back and listen to that if you haven't caught up. And when you do, you know what we're talking about.

Jack: Anyways, so we know that there's stages. What we're wrong is about how the stages work. It seems like everything has the same three stages. You have your born form, you become a different thing. When you have adrenochrome, your life is extended dramatically, which from the perspective of the average person seems like immortality. You're mortal, just not physically. You are given in many cases, incredibly heightened intellect, but not in all cases.

Cristina: Really?

Jack: Really. That blew my mind. Your intellect does not skyrocket in every case. In most cases it does.

Cristina: You mean like from case to case are like all humans skyrocket or they're all.

Jack: Yeah, it depends entirely on how your DNA behaves. Okay, to the adrenochrome. Because adrenochrome is not just blood and adrenaline, but there is DNA in that blood. And how this functions is. It's got to become part of your body. You have to digest this. And so it alters the bodies of everything, everything differently. So the abilities that every creature has is completely different. The development they have is completely different. Although there's common strings that show. It seems like in every case your life is extended.

Cristina: Okay.

Jack: It doesn't seem to be in a situation which that's not the case.

Cristina: You haven't seen anything like that or heard, I guess, told of anything like that. Yeah.

Jack: But the intellect seems to vary depending. And that sort of leads to what we were trying to figure out before. About whether what? Like what guides something to be feral in the first place? Place.

Cristina: Yeah.

Jack: So, yes, if you have adrenochrome and then you stop having adrenochrome, you can get feral. But some creatures will immediately become feral, feral off of the adrenochrome. And this leads to some of the creatures we understand as mythical creatures.

Cristina: Okay.

Jack: Because they were simply a normal creature that took. It became this immortal being is already feral. So without it doesn't make a difference because you're already feral. So they don't need it. They don't go for it. Although anytime they kill anybody who's horrified, they still get it anyways.

Cristina: Yes. So feral, like a raccoon or something.

Jack: Pharaoh, like a crazy demon hound that just wants to kill and eat. So there are stories of these creatures spread out throughout folklores. Different religions, different belief systems, different ideologies of all sorts. People who believe in all numbers of things, and they take many different shapes and forms, and we've discussed many of them previously. So again, another reason for you guys to go back and check out previous episodes. Things like the Chupacabra.

Cristina: And what is the chupacabra? Originally, it's a coyote. Coyote.

Jack: Something that would hang out in desert, like, areas mainly.

Cristina: Mm.

Jack: That somehow took adrenochrome. And here's. This is the other problem. You don't have to give an animal adrenochrome for an animal to get adrenochrome.

Cristina: What do you mean?

Jack: Adrenochrome is just blood with high doses of adrenaline. If a person strays out into the desert, a hungry coyote is out there. They're not thinking adrenochrome, but they f****** kill a guy. But that guy trying to survive for that time, adrenaline floods their whole system.

Cristina: So just by eating that person, despite.

Jack: That person, they've consumed adrenochrome. Adrenochrome lands in their body and it changes them. And it changes them.

Cristina: Whaa.

Jack: Now, the reason this doesn't happen so often is because it needs to be a particularly high dose of it. But occasionally that dose does happen and then the mutation takes place, because that is what it is. It's a mutation, a genetic mutation that takes place. In the case of humans, it's particularly difficult to get the mutation to happen unless you have brutally high doses of adrenochrome. And it seems that the DNA that creates adrenochrome is primarily human DNA. You can get it from other sources, but you need so much of it.

Cristina: So you need. So just a living creature eating a human? Pretty much, yes. Is good enough.

Jack: It would have. It's not just any human.

Cristina: Not any human.

Jack: Somebody who produced a lot of it.

Cristina: Yes.

Jack: So just random cases of somebody dying. They might have not produced enough. They could have been horrified and scared, but it wasn't enough. It needs to be a crazy high dose.

Cristina: And what are some of these special adrenochrome creatures?

Jack: Well, primarily the. What we were already talking about, which is, for example, the Chupacabra is just a coyote. We can attribute this to being in the desert, people wandering off, getting lost, being in the territory of f****** coyotes, which are essentially wolves of a type.

Cristina: Yeah.

Jack: And the f****** coyote, you know, it does whatever. F***. It's nature. It's going to do whatever the f*** it's going to do. Then it's a person. Occasionally they come across the right person that has a huge dose of adrenaline as they try to survive and then.

Cristina: They turn into the chupacabra and then they crave blood.

Jack: They don't crave blood necessarily. They're just a mutated feral creature. They are faster, they are stronger, they are more agile, and they consume food differently because of the mutation. This is what leads us to believe they drain creatures of blood. They probably do. But it's not like they're looking for adrenochrome necessarily. It's not that they're actively seeking blood. This is just their method of feeding.

Cristina: You don't think they're all looking for blood?

Jack: I don't think they're looking for blood for the reasons we attribute.

Cristina: Okay.

Jack: I think it's just a creature feeding.

Cristina: Okay.

Jack: I don't think they have any special value other than survive.

Cristina: Yeah. Although if they were looking for adrenochrome, that's what's keeping them alive. Or does just whatever they're eating, keep them alive.

Jack: Then again, maybe they attack enough animals. Because we hear stories of the Chupacabra clearing out entire fields.

Cristina: Yeah.

Jack: In one night. So my cows are fine one night, the next night all my cows are dead. They're drained of blood. Maybe it was just looking for the high dose that it needed to get. Because it's not humans. It needs to get a f*** ton of it.

Cristina: Yeah. Because if it's an adrenochrome thirsty creature, then it's looking for fear of blood. And maybe the animals aren't scared of it like they would be normally.

Jack: But the, the reasoning here is that it's not necessarily looking for adrenochrome.

Cristina: Okay.

Jack: There's no reason for it to. And some of these other cases are going to be the example of it.

Cristina: Okay.

Jack: While some of these are gonna support that argument, the Chupacabra, when we're trying to decide what turns into what when they become their ethereal shadow version. Which is which I should probably specify. The shadow creatures are a sort of energy type. I've been calling it a frequency. The best way to describe it is that the shadow realm is a physical, non physical space. It's a place you can go to.

Cristina: Physically, but you can't physically.

Jack: Sort of kind of it's way.

Cristina: Only these creatures can go there.

Jack: Not necessarily. So the shadow realm, which is what we will title it, is a sort of frequency in that it's a different state of being. Nothing there is dead. There's nothing there that's dead. It is just a different type of thing. If we think of the difference between like an angel, a human. Like an angel isn't dead. It was just born in a different state or something.

Cristina: Yeah. Okay.

Jack: The same idea would apply to a shadow person. You're sort of going into a different state of being. The best way to think about it is one. Oh, what is it? 100.3 the radio station and then 89.5 the radio station. You can't hear both of them at the same time. Not on one radio. But you can hear both of them on one radio.

Cristina: Yeah.

Jack: Just not at the same time.

Cristina: Yeah.

Jack: It's a frequency that you got to tune into to get there.

Cristina: Okay.

Jack: The same way we kind of exist at this frequency where photons create visuals that are processed by a brain and whatnot. There's a different state of being that functions completely different. The laws of physics there work.

Cristina: Completely different laws of physics.

Jack: Yes. Because it is a different state of being.

Cristina: Okay.

Jack: It is a different frequency that doesn't apply. So the best way to think about it is similar to a pocket universe that sort of exists within the same space. It's kind of like that, except it's more of a parallel universe.

Cristina: Okay.

Jack: And it's stacked on top.

Cristina: That's weird. Remember when we were talking about ghosts and how it could be the past or the present? Does that relate somehow?

Jack: Not necessarily, no. Because ghosts are happening actively in our own version of reality.

Cristina: Okay.

Jack: At our own frequency. A ghost is happening at our own frequency, just at a different time.

Cristina: All right?

Jack: While that is taking place at a different frequency entirely, another way to think about this would be to say what does your soul look like?

Cristina: What does my soul look like?

Jack: Yeah, your soul's there. It's your consciousness or it's your spirit or it's something.

Cristina: Something.

Jack: Yeah, but it's sort of doesn't exist at this frequency. Where is your spirit?

Cristina: Are you saying it's in the shadow realm?

Jack: Your spirit is in the shadow realm.

Cristina: Doing what?

Jack: It's connected to this side. Your movements here appear faded and translucent.

Cristina: Over there.

Jack: Over there?

Cristina: Well, the things over there look faded. Over here.

Jack: Over here.

Cristina: What?

Jack: Well, we see as shadows over here are figures that exist on that side and vice versa.

Cristina: So those aren't different creatures. Those aren't the deaths of the creatures that are here.

Jack: Those are the physical release of the creatures that are here so that they take primary existence over there. But what we see doesn't stop them from existing over here. And the same way think of dimensions you exist in the second as a shadow, a literal shadow, not shadow people from this other dimension that we're called. But like when light is cast on you, there's a two dimensional cast on the ground.

Cristina: Okay?

Jack: That is a shadow. That is a two dimensional representation of yourself. Yes, that is still you. Anything you do, it does. But a two dimensional render in the fourth dimension. Your entire timeline exists, but right now you're just a moment of that timeline. Yes, that's still you. And the movements that's making. You're showing a reflection of, this same universe stacked on top is you're behaving the same way over there, except you're not influencing anything over there. Now that does not mean you couldn't influence anything over there if you didn't if you wanted to.

Cristina: How? What do you mean?

Jack: There are many, many, many, many ways to get there.

Cristina: But we're over there. But we can go, go over there too.

Jack: You can manifest control on that side. You have to think of it like this. If you remember the perceptual layout. Yeah, you're at all times one and the other one is the other.

Cristina: Okay. So you're pretty much taking control of that version of you. It's not really you physically going over there.

Jack: Well, it is physically you. I'm using that as an example because the. The perceptual layout is two different beings, but in a different. We gotta assume you and your subconscious is totally different than you and your shadow form. Those are two different things. You are your shadow form.

Cristina: Yes, but I can meet up with my shadow form in the shadow realm.

Jack: You could release control on this side and take control on that side, but you can never control both at once.

Cristina: Okay.

Jack: Some people say that they astral project.

Cristina: Okay, that's what I was thinking of. Okay.

Jack: And the place they wander. The reason that they can't interact with anything here, but they can't interact with things is because they're interacting on that.

Cristina: Side and it looks like this side.

Jack: Yes. This is where we enter a little more nuanced detail about what the shadow realm even is.

Cristina: Okay.

Jack: It looks like the shadow realm. The shadow, I guess. Yeah, shadow realm. We'll call it the shadow realm. And then this is the physical realm.

Cristina: Yes.

Jack: So the shadow realm and the physical realm seem to have been created simultaneously. They've existed since one, the other always. They came paired. Just like whoever made the hermetic principles. Duality took place in the creation of our understanding of the universe. And so the universe we're stacked on top of is the shadow realm. Now we exist on both. And I use universe loosely because universe would be different people, it would be different beings that have nothing to do with you. It's a different universe, but it's.

Cristina: It is you.

Jack: No, I use the term universe loosely. Realm would be the most accurate representation. But using the term universe might help science minded people understand it better. Yes. So realm is the most accurate word because you exist in all realms simultaneously, similar to how you exist in all dimensions, except all dimensions are part of a single universe. Universe.

Cristina: What are.

Jack: All realms are different from one another and don't necessarily exist within the same physical spaces. I guess we could think of vertical axis is dimensions, second dimension, third dimension, fourth dimension, fifth, so on and so forth. Realms we would put in a horizontal axis. So there is a fourth dimension to a shadow person.

Cristina: Okay, that's. But is that fourth, is that related to you?

Jack: That's you. The fourth dimensional shadow you is equal to the fourth dimensional you.

Cristina: Okay. Okay. Yeah.

Jack: Yes. Now you can never be both simultaneously in control and you appear as you. Now, it seems to be that you're stuck on one unless you're in the other. Always so ways that people get there as they're projecting. When monks are discussing sort of using their mind to take apart reality, they're affecting the other side.

Cristina: Okay.

Jack: And this is a duality that you permanently exist in. Now, when your physical body dies, you have nothing to come to this side and hold on to.

Cristina: So you go to that side.

Jack: You primarily exist over there.

Cristina: Okay. But you can still pop up here.

Jack: You can. Yeah. You show up as the shadow that you'd be. Yeah, as the. And you can influence things over here the same way you can influence things over there. But when you're on this side, your influence over there is ethereal and ghost. Like you aren't physically fully there. You could f*** with s*** on that side the way a ghost f**** with s*** on this side. Like you could. Ghost is a loose term, but spirits, demons and crap. Let's say a demon is on that other side and it comes to f*** with you and it's showing up in the middle of the night and you got sleep paralysis and it's just there watching you and scaring you and stuff.

Cristina: Yeah.

Jack: You could do that over there. You won't physically fully be there, but you could interact with things.

Cristina: You won't fully be there.

Jack: Somebody could pass their hand through you.

Cristina: Okay.

Jack: And they can't really make out how you look. Exactly.

Cristina: But there are things that are there that are physical.

Jack: Yes. And the people who are on that side who take adrenochrome and become the vessel that can then cross over, are fully there. And they were on this side fully. Basically, when you die here, you technically also die over there.

Cristina: Okay? What?

Jack: That's exactly how it goes. You will cease to exist on both sides because they're equal.

Cristina: But this shadow version of you still exists.

Jack: Yes, but your physical body ceases to exist. So there's nothing in the physical realm that can contain you. But you've. You have in fact achieved immortality. Yes, that is without a question. So your body dies because your body cannot be immortal. But you as a being have achieved immortality. And in the shadow realm, you don't have a physical presence per se. It's different. It is something. But it's not this physical presence.

Cristina: It's a. Some. But it's not some type of physical presence.

Jack: No, it's some type of something physical is only in the physical world. That only exists in the. That's the importance of that name is only the physical Realm has physical things. Yes, There's a space to travel. And that universe looking thing is infinite and it has structures and places to enter. But physical is the wrong word because it's not. The creatures on the other side have achieved pure immortality, but their bodies cannot. So they just exist on that side. Your existence is fully over there. You should have died. Because we're primarily over here a lot of time. And the creatures that are over there can influence over here, but when they die over there, they cease to exist. But you've achieved immortality that some of them don't even have because they're.

Cristina: They still need adrenochrome to live forever. Like we.

Jack: The creatures that are of that plane naturally and purely, that seem like ghosts to us, but they were born on that side, don't need adrenochrome, they're just gonna die. I guess if they could get a hold of adrenochrome, but they should, they would have to know about adrenal chrome.

Cristina: In the first place. So they can die.

Jack: They can still die.

Cristina: Yeah.

Jack: It is a whole different thing, but very similar. It's again equal, but different. Equal but opposite. And so there is that. That's really what's going on. You achieve an immortality, your body dies, you can cross over, but your body can't cross over because your body will wither away. There's nothing physical over there for your body to cross over as. So that gets abandoned. But you're still present now as a being on that end. You can still influence this end the same way that when you were over here, you could influence over there. And beings naturally born over there can influence this side. And there's a numerous amount of shadow beings over there. But let's discuss what the space that's there is like. Yes, it is identical seeming to this side physically.

Cristina: Yeah.

Jack: So there's buildings that could theoretically be in the same place and look the same. And you could think of it as a reflection, a literal reflection of what we have in the physical realm.

Cristina: So there's nothing off, though.

Jack: There's many things off, which is what's interesting. The best way to describe it is that there are few structures from the material world that have a counterpart. And there are many structures from the material world that don't. The easiest to know, the easiest to understand. Our temples and churches are equal on both sides and usually the easiest gateway between the two places.

Cristina: But regular houses are not.

Jack: No, it requires a person creating the environment that would exist in those places, which is where witchiness comes in.

Cristina: Are these Temples, then they're intentionally doing these gateway things in there.

Jack: I don't. There's no way to really know. There's no way to really know if the gateways are intentional or if it's just a natural product, because arguably they're made on both sides at exactly the same moment. And nobody was intending the crossover, but it's just a place where it's heightened.

Cristina: Interesting.

Jack: Yes.

Cristina: Churches and temples and.

Jack: And the easiest way to think about it is that the energy that you put out in the physical realm when you walk into a church is trying to connect to what you'd consider to be your spirit.

Cristina: Yes.

Jack: And so the signal you're putting out kind of tunes a little better. Yes, you tune in better. And so creatures on the other side are kind of experiencing the same thing. Now, this is a very interesting comparison because one of the creatures born on the opposite side in the shadow realm, one are demons, but the others are celestials.

Cristina: Celestials, Angels. What?

Jack: Both of which come from the shadow realm. Now, we only call it the shadow realm in reference to our world, but they don't refer to that. That's just reality to them. And thinking of it as a dark place is also wrong.

Cristina: Do they call it heaven or h*** or. That's names we gave them.

Jack: That's all names we've provided.

Cristina: Oh, okay.

Jack: Yes. And we don't even. They don't even call themselves demons. This is all titles we've invented.

Cristina: Yes. So they're none of. They're none of those things that we think they are.

Jack: Exactly.

Cristina: Okay.

Jack: They're none of those things that we think they are. They are living creatures like anything else, except unlike anything else. They are part of the shadow realm, which. Shadow realm to us, but their own thing to themselves.

Cristina: Yes.

Jack: They don't. They're not like we're the f****** second s*** to this.

Cristina: No.

Jack: Like we're the main thing that's our f****** reflection over there. They probably call us a shadow realm.

Cristina: Ah. You know, it's interesting. Yeah.

Jack: And so it's interesting that an angel that goes to meditate at the same place would be received by people in the physical realm more easily because they saw something or felt something. And it's because they're also over there praying and tuning into what they consider to be their spirit, which over here is just an energy to us, the same way we show up over there as just an energy to them.

Cristina: So they're looking at us and thinking angel or demon.

Jack: Yeah, exactly. They might see us doing horrible things and call us demons. And they Might see us doing kind and beautiful things and call us angels.

Cristina: Wow.

Jack: And it's entirely just because we're a reflection of what's going on.

Cristina: What.

Jack: Interesting, right? The same way that a demon is just a different creature that often does things we would consider bad, but also their interpretation of good or bad is different. How do you blow up a building if there's no physicality to blow something up with?

Cristina: Yeah.

Jack: You know, different thing going on.

Cristina: Yes.

Jack: Now, those are the obvious buildings that are similar on both sides, of which there are many, many, many. But in comparison to the rest of what there is, is very little.

Cristina: Like what? Like it's just all woods?

Jack: No, I'm saying that the. The churches are what's. There are many churches, but collectively, in comparison to other things, churches are what? Like, the least of it.

Cristina: Yeah.

Jack: And mosques and temples and all these different things. There's very few of them in comparison. Like, how many churches are there per building in the world? You know, it's like maybe a million buildings per church. Who knows? But there are structures over there. Whether they would be considered buildings or I guess they serve the equivalent purpose.

Cristina: They live in them.

Jack: Yeah, you could live in them. You could. They could perform different functions. They have purpose is the best way to put it. They have purpose. There's structures with purpose on that end. And some of them look similar, but many don't. And you could be wandering down something that looks like a street and look similar and get lost. Because the similarities are almost misleading. Because they are no more than just similarities. Only the places that are literally identical are identical. And those are the places that were constructed simultaneously on both sides to connect across.

Cristina: People who do. Astral projections are the only people that are going over there.

Jack: No. People who pray and they think they're praying to something, are communicating directly with the being on the other side, and they're having a conversation. People who pray and they feel like they heard God's voice are probably just having a conversation with another creature who's over there trying to talk to something over here. And they just kind of. Their minds cross paths and they're like having a conversation with one another. This happens pretty often in which people talk to. They talk to the dead. They think they're talking to them. They're talking to. Sometimes it is sometimes literally the dead. And the person on that side doesn't even realize that they're over here thinking, I'm, you know, I'm remembering this person and I have conversation with them in my head occasionally. It's like, you're really f****** talking to them. You just don't know know it because you don't know this realm exists. And so this happens pretty consistently. There is interaction all the time. Whether it be direct interaction or you saw something that you're like, oh, my house is haunted. There's something in there. And it's like in the other side, something lives there.

Cristina: Okay.

Jack: And it's not malicious, it's just living there. It's its home. You're the one haunting it over there.

Cristina: Yes.

Jack: And you're over here screaming because you're scared. And it was just wandering and it's like, holy, did I hear something? But you panicked and screamed and they heard you scream, so they f****** panicked and then knocked something down and you panicked more because f****** the chair just fell. But they f****** dropped the chair because they f****** got scared because, yeah, there's some s*** in here.

Cristina: Yes.

Jack: What the h*** is this?

Cristina: Wow, it's interesting. Connected.

Jack: So what allows this to happen is the adrenal chrome itself connects to certain aspects of the brain. The brain is an antenna. It grabs the signal of the consciousness. And so the alterations that happen in the time that allow your mind to be altered and get crazy high intellect or your mind to your DNA to be altered, it trains your consciousness to take over rather than the brain control the consciousness. Most of us live through life thinking we're the conscious being, but we've run experiments in our quantum computers that tell us we're not. Our brain is doing everything. We are convinced that we're here, the ones in charge. There is a consciousness, and the consciousness will persist, but the consciousness isn't in charge. When you have adrenochrome, the structure, the changes in the DNA allows and trains the conscious mind to literally be the driver.

Cristina: Okay. Instead of being. Becoming a monk and becoming the driver.

Jack: Yes, exactly. Perfect. Perfect. A monk could theoretically cross over because they trained it. Yes, they trained their conscious mind to be the one in control. So adrenochrome is a shortcut.

Cristina: All right.

Jack: But it could do things because it alters your DNA. A monk does it without altering their DNA. They cross over perfectly fine.

Cristina: Yeah, but they're not. They don't have any special abilities.

Jack: Yes. They don't have to cross many thresholds. Yeah, but when you take adrenochrome, not only does your mind get altered so that your conscious mind is in control, but million other things happen.

Cristina: And sometimes your body gets altered, sometimes.

Jack: Your body gets altered. And so when you've taken this and your conscious mind is in control as Your conscious mind is you will sort of disconnect from your body. But now, because it's the leading force, it doesn't dissolve as the brain dissolves, the conscious mind simply goes to the next place it knows. It holds on to the other version of you.

Cristina: Okay.

Jack: The shadow form. And suddenly you exist on that side.

Cristina: But as a shadow in that side, too.

Jack: No. Okay, you're now on that side. You sort of manifest fully on that side.

Cristina: All right.

Jack: Yeah. So you've become part of that world, and now that's your real form. That's how many people have crossed over. And when people are talking about. There are people on the other side, you talk mediums who are talking to somebody and all this stuff. They are talking to individuals who fully crossed over to that place, which brings up how that place is considered by many other places.

Cristina: Okay, what is that?

Jack: The name given to it is a quite popular name, and it makes sense that a medium would be connecting to it. It's called, in particularly the Bible. Which is the most easy way to convey this information for English speakers who are familiar with Christianity, above all other religions, is that it is limbo. It is a space after life. But that only applies to us on this side. It is a space after life. Now, not everybody goes to limbo. That is a true fact. Most people cease to exist. But when you've developed the means, you can enter limbo.

Cristina: And adrenochrome is the easy way.

Jack: Adrenochrome is the easy way.

Cristina: Okay.

Jack: The only real way to be there is to divide your conscious mind from your brain. If your brain controls your conscious mind, when your brain dies, it takes the conscious mind with it.

Cristina: Oh, okay.

Jack: But if you can train your conscious mind to be independent, then your conscious mind can wander and control what, the rest of itself.

Cristina: That sounds difficult. Yes. Okay.

Jack: An adrenal chrome is a shortcut.

Cristina: Yes. What?

Jack: Which is completely fascinating.

Cristina: Yeah. So it's limbo or heaven or h*** or whatever.

Jack: Yeah, exactly. That's all the above. It's the same thing. So people who go to h***, if they really went somewhere when they died, they went to limbo. People who go to heaven, if they really go somewhere when they died, they went to limbo. People who cross, their spirit crosses over finally, after their unfinished business is done, you've merely just crossed into limbo. They all went to limbo or cease to exist. Those are the only two options. You either die and your consciousness leaves your body, or you die and you were apparently mentally strong enough that your.

Cristina: Consciousness is gone to go over there.

Jack: And you're technically still here.

Cristina: Yes.

Jack: It's just your body dies. Immortality is real. But there's a shortcut to get there. And there are many hard ways to get there. And the shortcut has repercussions like losing your body. You lose your body no matter what.

Cristina: Yeah. What are the precautions?

Jack: First, turning into something different while you're on this side.

Cristina: Yeah.

Jack: And second, when your mind continues after your body has died, whatever thing you became, you were for a long time. Your consciousness got trained to believe that's you. And so if you are a coyote who was just a coyote, they become headstrong. Their conscious mind now runs their body. But they're not hyper intelligent the way a human is. They are a Chupacabra, a different kind of intellect. Their consciousness is in control. That being then dies however many years in the future. And they are not a coyote on the other side. Their conscious mind got trained over many decades, centuries, millennia. You were longer the Chupacabra than you were the coyote.

Cristina: Okay. So they go to the other side and they're sort of still like a Chupacabra.

Jack: Yes. Except you are the shadow version of that because you no longer have a physical form.

Cristina: Yeah.

Jack: Which over there, the Chupacabra is the equivalent of what we have called the Wet Judge. That is the Chupacabra. It is a feral beast that is out there influencing and killing and it does it on both sides. Anytime it could influence. Now because its mind is so strong, it can phase in and out. But over here it looks like a shadow.

Cristina: Yes. What? It looks like a shadow?

Jack: Yeah, it looks like some kind of. It looks like a shapeless doggish.

Cristina: They can take a real form.

Jack: No, it doesn't. Nothing takes a form over here. There's no physicality for it to take. It only influences side.

Cristina: Yes.

Jack: And that's the only role something that's lost its body over here can do. You can't manifest on this side. Or if you do manifest, it's not physical.

Cristina: Yeah.

Jack: Like would you say a spirit is physical? No, but it is over here. Yeah, that's exactly how it work. The literal way to describe it is that a Wet Judge is a spirit.

Cristina: Okay.

Jack: It's a demonic spirit. Well, we would call it demonic.

Cristina: It's just an animal that wants to.

Jack: Eat blood, needs it. That's just its food source. Yeah, it's just as food source. So yes, it wants a blood, but it's because it's hungry.

Cristina: Yeah.

Jack: And that sustains it. Now the interesting part is when you're on that side. You don't need the blood to sustain you. You're just over there. The blood allows you to be sustained. Over here. Blood is physical. And what you're getting, you're not drinking the blood as this ethereal being, what.

Cristina: Are you doing with it?

Jack: You're sucking out the emotion that was in it. The fear.

Cristina: Oh, yeah.

Jack: Which somehow now I don't know the answer to this question, which is why can they access it? But I guess the same idea would apply inside of a church. When you're giving out a certain emotion and it's connecting to the other side, something about our emotions is what's important. Yes. It could cross the threshold. And if Chupacabra. Now, a wet judge can be around the place where fear exists, it can manifest something about fear allows beings on the other side to manifest on this end.

Cristina: And with the people that end up killing their family over this. Was it the Wetchaj or the Wendingo?

Jack: Either.

Cristina: Or the person that's involved, is he being influenced by this spirit thing?

Jack: Yes. What happens is the emotions of the opposite side come across as well. Emotions exist perfectly fine on both sides.

Cristina: Okay.

Jack: Something about it connects. Fear seems to be the strongest of all the emotions that drives ever everything again on both sides. Exactly. If we go back to the church and we think of what people are doing when they are praying, they think there's a God who's gonna punish them. Fear is what they're using to connect to this higher thing. And thus the angel gets a clear thing to the. And the angel probably believes that it has a God on that side too. If it's born on that side, it doesn't know where it came from. It's gonna die eventually.

Cristina: It went to its church and prayed.

Jack: It went to his church and prayed. But out of fear, like what happens when I die. That it's ex crisis that we all have on the inside is fear. And somehow that connects us. And a wet judge that receives this can. If you're somewhere where there is way a lot of fear, a lot of fear you can manifest, you don't need to even generate the fear. That's why places like mental asylums where people are delusional and confused and scared about their situation, they don't. They're maybe not even in the right state of mind. And they're just horrified of where. They don't know where they are. They don't know why.

Cristina: They think they're haunted. Or a lot of them are haunted after they're closed down.

Jack: Yes. Because all the emotion that was intensely felt in there stays there.

Cristina: It stays there. But the stuff that's haunting it is really just shadow people.

Jack: Yes, creatures from the shadow realm.

Cristina: Okay.

Jack: It's just they can more easily manifest in those locations. And over there on that side, that might be a place that hasn't shut down. It's just a fully functional place. But as you're wandering through there, you see many things. Maybe on the other side it is abandoned. And so where would creatures that are feral go? They're going to go to abandoned places where they're not going to be hunted and killed by things on the other side. Oh, so they would go to abandoned places.

Cristina: Yeah. And so is there more feral things over there or is it equally on both sides?

Jack: It should theoretically be equal on both sides.

Cristina: Okay, so it's.

Jack: It's very similar to this side. Yeah, it's just not this side.

Cristina: But it's not this side.

Jack: But it's not this side. Then we go to the gray wolf. The gray wolf is similar to the coyote. They're both wolves, but their genetics respond different. Now, every single coyote of the same type would experience adrenochrome the same way.

Cristina: So equaling a chupacabra, always, a wolf.

Jack: Already had a certain genetic structure that was different. And every gray wolf that has adrenochrome will turn into a werewolf. Without exception.

Cristina: All these werewolves work the same.

Jack: All the werewolves work well. All the wolves work the same. Well, all creatures in general are going to turn to something different.

Cristina: Okay.

Jack: Very few scenarios do they not. Most cases, they are physically altered one way or another. And in the case of the gray wolf, they all become werewolves. Now, the circumstances again, have to be quite specific, or you give it to them. You either need to be a person who has adrenochrome, acquired strong doses and gave it to them, or some weird chance led to them consuming a person who's like, horrified. Who had horrified? Doesn't even matter. It needs to be enough to produce the high dose of adrenochrome that could alter it. Because just horrified isn't enough. You could eat somebody horrified. Nothing happens. It wasn't high enough, but you cross the threshold and then you consume that person. Now, that's gonna alter your DNA and.

Cristina: Turn you into a werewolf.

Jack: Yes, you are way more intelligent. Way more intelligent. Now, some creatures have proven to be more intelligent than the werewolf, and we'll get to that shortly. Because the werewolf is, although now bipedal, standing tall, grows in size significantly, grows in intellect significantly, is still primitive. Next To a human thinking brain who hasn't even taken Adrenoc, they just happen to be overpowered a million times faster, physically monstrous, and could wreck walls. Yes. Now, when a werewolf dies, their physical being goes. The adrenochrome gave their conscious mind control. They cross over, they become the Wendigo.

Cristina: All right.

Jack: And that is just a werewolf on the other side.

Cristina: Okay. And they look different. Well, I guess we don't see what they look like. They're just shadows, really.

Jack: Over here, they're just shadows. We have no idea what it looks like over there.

Cristina: Okay.

Jack: We'd have to be there to see.

Cristina: What it looks like. Okay.

Jack: Yeah, we have no idea what it looks like. But over here, what crossed over looks kind of like a wolf. Like a weird, fuzzy shadow wolf. But it's just because we're seeing something that isn't really here.

Cristina: Because it's in the shadow realm.

Jack: Because it's in the shadow realm, humans are already particularly intelligent. They take it. They, again, like everything else, get immortal. Keep in mind the werewolf also became immortal. And it was a werewolf for longer than it was a wolf. It could last many, many decades. Centuries. Millennia. And its conscious mind believes that's it. And that is what manifests on the other side. Humans become vampires.

Cristina: Awesome.

Jack: Yes. Our understanding of vampires are what humans become. They are agile, they are fast, they are way more intelligent than they were previously. They are capable creatures. They are powerful creatures. And when you die, you cross over.

Cristina: A vampire, and then you're a shadow vampire. In a way, yes.

Jack: What we see are these beings that can outsmart us. They seem to trick us everywhere. We often call the humans that continue to interact with us on this side tricksters. We call them gods because their ability. They're super intelligent and they know.

Cristina: They know what they want.

Jack: They know what they want, and they know where they are relative to where they came from, which feral creatures don't seem to be aware of because they're still just creatures.

Cristina: So they're just attacking anything.

Jack: Yeah. They can see over here, when they're around enough emotion to manifest, but they're not thinking, oh, there was enough of emotion. And I'm a manifest. Yeah, A vampire can make that choice.

Cristina: Actively pop up wherever he wants to.

Jack: Because you're aware of the rules, you're aware of how it works, and you could choose to do it while the werewolf is still chaotic and madness is not thinking. I'm a manifest on the other side.

Cristina: And these things need food to survive, too. These shadows. Yes.

Jack: There's food over there. As Normal. And there's food over here as normal. And fear allows you to manifest, and you can sort of influence things on this side. And we feel the emotions of that side the way they feel our emotions that allow them to form. And what happens is when we feel their emotions, what happens when they feel ours? They can be over here a little more, except we're literally over there and over here. So what they're f****** with is a version of us that's being sucked to that side a little more. And they can still hurt us over there and it affect us over here if we're starting to manifest more and more on that end.

Cristina: Okay.

Jack: So that's how somebody gets. For example, the wet judge gets inside of a person's head. This person goes and kills their whole family.

Cristina: Yeah.

Jack: You're feeling the rage that a hungry wetcha just feeling.

Cristina: What about the people who are attacked by what they think are like, their dead family members that are in the grave, and they're like they're drinking the life out of me. Is that really just a shadow person? Those are shadow people maybe drinking their life in that other shadow realm.

Jack: Yes. Well, it looks like when it comes to a lot of these creatures, the feral argument we had seems to take place exclusively over there now. Yeah. Vampire who doesn't have adrenochrome can become a feral and be dangerous on this side before they even die.

Cristina: Yeah.

Jack: And they can live feral. The same idea applies over there, but it doesn't have to do with blood necessarily. It has to do with the fact that maybe too much emotion is overwhelming.

Cristina: Oh, okay.

Jack: And they lose sanity.

Cristina: Yeah.

Jack: And that's just out there attacking anything and everything. This.

Cristina: They stop thinking because of too much emotion.

Jack: Too much emotion.

Cristina: Wow. Yeah.

Jack: It's f****** crazy.

Cristina: Yeah.

Jack: Now, humans cross over, as we discussed. They become the jinn. A jinn is clever. It is smart. Again, over here, we call them humans. Well, we did. Yeah. Those are just humans. When they cross over, they're a jinn. But often over here, we call them tricksters. We call them gods. We call them all these other things, but it's a jinn. It's just a person.

Cristina: Okay. This is unrelated to the vampire.

Jack: This is the vampire. Vampire crosses over.

Cristina: Okay.

Jack: The human is the vampire. The vampire is the gin.

Cristina: All right. It's just a different name.

Jack: Well, the vampire is on this side.

Cristina: Oh, okay.

Jack: The djinn is once. It's over there. That's the title we've accurately. When we're talking about djinns, we're talking about that yes. Now, instances that sort of break the illusion of blood being a necessity are when we consider gorillas.

Cristina: What do you mean?

Jack: Well, a gorilla is not necessarily even a meat eater. They could survive off of fruit and stuff like that. And then you give them adrenochrome and.

Cristina: Then they become something.

Jack: They become a Sasquatch. They become a Sasquatch, their intellect does skyrocket. It becomes almost human, like, just like.

Cristina: They're not after me or anything.

Jack: No, it just follows them by a tiny little bit. We. I mean, they follow hu. It's intellect follows human just by a tiny little bit.

Cristina: It's not for the emotion. What is it for? The emotion?

Jack: No, that has nothing to do with the emotion.

Cristina: Oh, okay.

Jack: When they have adrenochrome, the Sasquatch's intellect goes up as one of the physical responses it has.

Cristina: Oh, okay.

Jack: And its intellect goes almost to that of a human, just not quite there. Just super close, but not quite there. And it doesn't chase meat any more than it did before. It's equally elusive. Sometimes it's more elusive. It uses intellect to like, what the f*** am I? And it's just like, let me stay awake because I know they're gonna kill me if they see me or some s*** like that, you know?

Cristina: Yeah.

Jack: And it doesn't like, strive to kill or anything. And it also doesn't become feral.

Cristina: There's no feral version.

Jack: There's no feral version. And it does stay immortal.

Cristina: Is it just that meat. Meat eaters are turning?

Jack: I don't know. That's an interesting point. That's a very interesting point. It could be additionally a. Like, they're immortal in the sense that they're gonna live way longer than our scope can understand. And when they cross over, they have their own thing over there too. But on this side, their physical transformation and everything, nothing seems to affect it in any kind of negative way. It's just gonna live longer. It's way better and stronger than everything around it.

Cristina: And it hides.

Jack: And it could hide more effectively. Now, when a gorilla dies, it becomes a creature called a Shojo. And a Shojo is literally the translation for a. Now this is. I don't remember what culture it's from, but they've seen many of these repeatedly. And it's a spirit ape.

Cristina: A spirit ape?

Jack: Yep. It's a ethereal, ambiguously shaped. Kind of looks like the cross between an ape and a person. And it's a spirit of some sort.

Cristina: So it's probably the Sasquatch.

Jack: It's the Sasquatch that died?

Cristina: Yeah. Oh my gosh. That's from somewhere.

Jack: Yeah, it's. I believe it's either Shinto or some kind of Chinese mythology that they have that they actively have seen these creatures.

Cristina: And these things are also peaceful.

Jack: Yeah.

Cristina: What?

Jack: They're trolls, but they don't really harm anybody.

Cristina: Oh, they're a bit of a trickster. Like.

Jack: Yes. It seems like intellect leads to trolling pretty often.

Cristina: Okay.

Jack: Which definitely gives way to the argument that when a ghost is haunting you, it's really just a shadow person. Like bored.

Cristina: Yeah.

Jack: And the interesting between the Sasquatch is that there's something very similar to it that we kind of associated with it probably through all of time. But in looking into this, I did not realize that it wasn't this other thing. So bears all have their own forms as well. But there is one particular interesting thing that when you give a bear adrenochrome, specifically a polar bear, it becomes a yeti.

Cristina: A yeti. Okay.

Jack: And the yeti, when you put it next to a Sasquatch, you suddenly realize.

Cristina: They'Re not the same thing.

Jack: They're not the same thing. The features are so ape in a Sasquatch, while the yeti seems to be hair everywhere. It's a. Its hands are fuzzy, its face is fuzzy. It's a f****** bear. But I never thought about this until I started looking for where it comes from, for what's surrounding it.

Cristina: See a picture of a yeti. I can't remember what it looks like. Okay.

Jack: You see the difference?

Cristina: Yes.

Jack: The yeti is just a f******. I don't know why we didn't think about it. We just. Monkey man. It's cuz everything has to be human because we're f****** human. We're like always. It's us. It has to be us.

Cristina: Yeah.

Jack: Like, no f****** way. It's us.

Cristina: And they're peaceful.

Jack: They're also peaceful. Which is weird because it breaks the argument that a meat eater would become a meat eater. A yeti doesn't eat meat. It could survive off of fish and s***, but berries and s***.

Cristina: Yeah.

Jack: Interesting, right?

Cristina: Yes.

Jack: The reactions are so different that it doesn't keep consistent across the board.

Cristina: Is there a ghost version?

Jack: Yes. The ghost version of the yeti is called an onikuma. And that's basically, we've called it a demonic spirit bear. Literally translated to demonic shadow bear.

Cristina: But is it demonic?

Jack: No, it's just again, a spirit. It's shadowy on our side. Yes.

Cristina: Demon.

Jack: It's anomalous on our side. The cultures that have seen it are still relatively primitive cultures that live on the outskirts of the planet rather than in giant societies where we develop quickly. So the stories are still really primitive and it's by people who weren't so developed. So they're still describing anything that's not human as demon, essentially. Okay, and now to keep talking about variants of this. Earlier I said not everything has a physical response to adrenochrome. To adrenochrome. And that's where we have the variants of groundhogs.

Cristina: Groundhogs?

Jack: Well, of rodents particularly. Now, the groundhog himself doesn't change into anything. It takes adrenochrome.

Cristina: And it still looks like.

Jack: And it still looks like a groundhog.

Cristina: But so do humans.

Jack: Yes. We physically don't go through a lot.

Cristina: Okay.

Jack: Yeah, interesting, right?

Cristina: Interesting.

Jack: The groundhog does become faster. It does become smarter. It does live centuries because faster.

Cristina: You had stories of it faster, but.

Jack: It physically remains the same.

Cristina: Whoa.

Jack: But a beaver, that is the cousin, becomes a whole other creature called a kolokolo.

Cristina: Is that a also friendly thing or what? What's going on with that creature?

Jack: Not necessarily. A colo. Colo is. Doesn't have human like intellect, but is quite the savage because of it. While the groundhog has human literally comparable to a human. No other creature matches a human intellect than a groundhog. Than a groundhog it seems to be. Now, there's probably others, but based on what we got in response to questions, this.

Cristina: Is the adrenochrome affecting its intelligence?

Jack: Yes. And it brings it all the way up to humans basic intelligence.

Cristina: Well, it does not do the same for the beaver. The beaver?

Jack: Nope. Now, interesting enough, when they cross over, they both cross over as a very similar creature.

Cristina: And they have different names.

Jack: No, it's exactly the same name because it seems to be exactly the same creature. Whether it's feral or not is the problem because this creature is sometimes perfectly innocent and fine, and other times it's violent and gruesome.

Cristina: So you could assume it might be one or the other.

Jack: Guess based on behavior. And that's called a choppa, a chapa. Yeah. And it's a rodent spirit. But the chapa only comes from beavers and groundhogs and similar things.

Cristina: Yeah.

Jack: So genetically they're so close that they.

Cristina: Look the same on the other side.

Jack: Yes, they look the same on the other side.

Cristina: Okay. But in this side, they look. They don't change at all, pretty much.

Jack: The beaver does change.

Cristina: The beaver changes.

Jack: Okay, Beaver changes into the kola kola, which is basically a gruesome, like Giant rat monster.

Cristina: A giant rat monster. Awesome.

Jack: It looks like a dog's eye size.

Cristina: Dog size. Yeah.

Jack: Imagine a sharp toothed brat the size of a dog. And that's the colo. Colo.

Cristina: Okay.

Jack: Pretty interesting, right?

Cristina: Yes.

Jack: So these are just details from the other side.

Cristina: Details from the other side.

Jack: Now we have a way clear image of what's happening, right?

Cristina: Yes.

Jack: Before it was like, well, it could be this, it could be that. No, this is what's going on.

Cristina: This is from just people collecting stories.

Jack: This is data.

Cristina: Data.

Jack: This is all data. Now focusing entirely just on the shadow realm for a second and talking about the creatures that are on that side. I only mentioned two and I mentioned.

Cristina: The two obvious ones, the demons and angels.

Jack: The demons and angels, which are just beings from that side. And there are many more that behave in different ways the same way. We have animals and we have creatures of different sorts, as are there creatures on the other side, some of which are unbelievably notable. Like what, for example? A leviathan.

Cristina: A leviathan.

Jack: Leviathan is a large serpent like creature and it can shapeshift.

Cristina: Is that from the Bible or from something else?

Jack: It's from many systems, including the Bible.

Cristina: Many systems.

Jack: Many systems have that. Many belief systems, many theologies.

Cristina: Do they all call them that or is it just a giant serpent? And like the descriptions are like the descriptions are the same.

Jack: Funny enough, the descriptions are always identical and the name a good half of the time is leviathan, just in a different language. Well, but a lot of times it's just called giant serpent or it has a different name that is talking about the same creature, but they're all talking about leviathans that are just giant shape shifting snakes, that their main form is the snake. It's like a sea. It's like a sea serpent.

Cristina: It's a shapeshifter.

Jack: Here's an interesting thing about that shapeshifter and it's about a creature we never found. But we found what it was protecting.

Cristina: What do you mean?

Jack: We once took a trip under the lake and we found a base. And what was supposed to be protecting that base that we never found?

Cristina: The sea monster.

Jack: The sea monster. Nessie.

Cristina: Nessie is the one.

Jack: We only see the neck and think there's a body. No, the reason we can't find it is because it's not there. We're seeing. And what do we see in the photos that do get taken? A shadowy serpent.

Cristina: She's a leviathan.

Jack: It's a leviathan. And we're seeing this side. What we would see its shadow form.

Cristina: Okay. And those other sea monsters are probably also leviathans pretty frequently.

Jack: Yes. And this also goes to say that when, for example, we see Sasquatch in the woods and we try to take a picture, it looks like it's. It's literally. It's funny that I've made this joke before, but it is literally that it is fuzzy.

Cristina: It's because it's the Shadow Realm.

Jack: Because it's the Shadow Realms version of it. Oh, we're seeing the Shoju. If we manage to get a clear picture, then we have one from this side.

Cristina: But we've been taking pictures of the Shadow Realm version.

Jack: Yes. Because they have no reason to hide from us.

Cristina: Oh, okay.

Jack: Yeah. So we see a fuzzy. And it's literally because it is fuzzy.

Cristina: Oh, my gosh. Okay.

Jack: Interesting, right?

Cristina: Yes.

Jack: Which takes us to other things that would be considered animals on the other side that we have seen but haven't seen.

Cristina: Like shadow people themselves.

Jack: Shadow people themselves. One of them is unicorns.

Cristina: What?

Jack: We see unicorns, but we never see unicorns. It was there and then suddenly it wasn't there.

Cristina: They live in the Shadow Realm.

Jack: They are creatures from the Shadow Realm.

Cristina: What?

Jack: As well as dragons.

Cristina: No way. What? So everything we thought that we saw but never really saw, most of the.

Jack: Things that we thought we saw but can't prove exist is because we'd have no means to do. And it's because they come from the. We're seeing rough images of something from somewhere else.

Cristina: And they're from the Shadow Realm.

Jack: The Shadow Realm. We only think of it as a dark place because we're using the word shadow. Yes, but it is just different.

Cristina: It's a magical place. Well, they're not magical, though.

Jack: But they're not magical. But it is a different kind of place where these things exist. And talking about magical, there are a couple of beings, naturally, with the ability to exist fully in both places, but. But only exist in one at a time. And I don't know the explanation behind this, but pixies and goblins both have the ability to enter and exit, which we can't even do. Yeah. The Shadow Realm. When they're in the physical realm, they are not in the Shadow Realm. They are not there. They don't have two versions. They have one. And somehow they don't exist in two realms at once, but because of that, they can 100% exit one and enter the other, but they do it at will, as if their shadow version and their physical version are the same. Are the same.

Cristina: Can they die.

Jack: I don't know. I don't know. I don't know.

Cristina: Okay. I'm totally gonna investigate this.

Jack: Yeah. I don't know if they could die. I don't know what's happening. They don't require adrenochrome. There's no. They could just move seamlessly between the two.

Cristina: Oh my gosh. I'm gonna. I'm gonna figure it out.

Jack: And the weirdest part about them is that I found it in many, many, many places. Mentions Pixies and goblins move seamlessly. They seem to disappear in front of you sometimes. There's no way they could have shown up. And they're just f****** there.

Cristina: Yeah.

Jack: And this is consistent. And it's through hundreds of systems that they say the same f****** things about the same two m************. I don't know how the f*** it works. Additionally, reapers are from limbo. Reapers are. When we're talking demons, that's as close as we can get because demons on that side, we're being a*******, essentially calling some conscious, fully thinking creature that's just not following.

Cristina: What exactly is a reaper supposed to be?

Jack: A reaper is a sort of feral being that consumes life force. What it feeds on is your shadow form.

Cristina: Oh, that's the thing that I was talking about. That might be why you're dying and you blame it on the dead. But it might be a reaper.

Jack: S***. I guess it could be a reaper that's doing that. Yeah, I guess it would be. So a reaper feeds on your shadow energy. It feeds on your shadow self and. Because if one dies, the other dies.

Cristina: Exactly. Oh my gosh. That explains those stories.

Jack: Yes. So you could die if your spirit form dies, although if your shadow form dies. But not many things can interact with your shadow form.

Cristina: Do you know what a reaper looks like? Or are there no real good descriptions from over there?

Jack: We have no way of telling. We don't know what a demon really looks like.

Cristina: We have ideas.

Jack: We don't know what an angel looks like. We've literally described them as just pure energy. The reaper is the same idea. It's just their behavior that we can tell is different.

Cristina: Okay.

Jack: And what they look like roughly? Over here, we've seen that the manifestation of some angels looks humanoid, but then there are some angels that look so alien. But it could just be a different creature that we're also bunching into the umbrella term called angel.

Cristina: Yeah.

Jack: And there could just be a 300 eyeball looking creature that is fully sentient thanks to the caliber of a human. And all that. And then we see it and we're like, that's an angel. But wait, that guy that looks like a man is an angel? And they're both. We're calling them both angels, but they're different creatures entirely.

Cristina: Yeah.

Jack: So that's a possibility. There could be many sentient human level intellect creatures. It's impossible to tell without being there.

Cristina: Like a goblin and a pixie.

Jack: Yes.

Cristina: I mean, no, you would know those two specifically because you said they are physically here and physically there.

Jack: Physically here. Physically.

Cristina: Those two we know for sure?

Jack: Yes, yes.

Cristina: Everything else.

Jack: There might be others that could do it, but those were, like, the most prominent. Anytime information on this came up, and anytime I asked these. These creatures for more, all of them talked about how every possible. And I looked, I referenced everything. I checked all of it. Yes, it's mentioned over and over.

Cristina: Check it out. I'm gonna figure it out. What?

Jack: So, yeah, this was amazing. Going in on the Shadow Realm.

Cristina: The Shadow realm. For Happy St. Patrick. No, sorry.

Jack: Happy Groundhog Day.

Cristina: Groundhog Day.

Jack: Well, it all. It all came out of Groundhog's Day, which is great. But, yeah, this is the result of that. I got curious and I had to find out because I don't. I don't believe in mysticism. I do not. And I knew there was an explanation for this stuff.

Cristina: And this is a good enough explanation.

Jack: Yeah. The interesting part about this is the most interesting part about everything we just talked about is the fact that technology could theoretically be built to get you there. Again, my comparison at the very beginning was intentional. It is kind of like a different frequency.

Cristina: And what technology do you need?

Jack: Imagine a time machine that allows you to move forward and back in time. Or imagine taking a chemical that allows you to elevate up and down dimensions. That's all technology.

Cristina: Okay.

Jack: Some are chemicals, some are machines. The same way that you can go up and down dimensions forward and back through time, you can move side to side through realms. Another thing I should point out in saying that is the Shadow Realm isn't the only realm other than ours. That was just all I was talking about.

Cristina: Oh, my God.

Jack: I also found that there is quite the number of realms. Quite the number of realms.

Cristina: Did you check them all out?

Jack: No, but I know they're there.

Cristina: Oh, man, that's interesting.

Jack: Many realms, many dimensions, many universes, many timelines. Everything applies equally. That is not the only one.

Cristina: That's too much. That's too much.

Jack: And we exist in all of us.

Cristina: Simultaneously, and we live in all of them.

Jack: It's basically the X, Y, Z axises, we're thinking, you know, we're always in the Y axis. We're always in the X axis. Time. We're always moving through time, forward and back, depth.

Cristina: But there's so much more going on.

Jack: There's so much more. We have the Y, I guess X is so Z axis is depth. Right. Z axis is time forward and back through the same kind of experience, while the Y axis is dimensions up and down, but the X axis left and right are dimensions. And this is just our interaction with one of them.

Cristina: Amazing, man. But the other realms, there should in.

Jack: Theory be chemicals or technologies that can allow us to access the other realms the same way. And it's not adrenochrome. There would be something else, equal, but opposite.

Cristina: And we gotta find out what that is and what creatures can do it and etc.

Jack: Here's the problem. I think we know creatures that can do it. And that takes us back to the f****** pixies and the goblins. If they are one thing. Are they one thing regardless of how many different realms and can they easily and seamlessly move between them?

Cristina: Okay.

Jack: Alternatively, I only said as an explanation that heaven, h*** and limbo are all the same place. But do we simultaneously exist through all of them and they are all different realms? Because it was just an easy way to summarize it. But we don't f****** know.

Cristina: We don't know. Wow. Well, hopefully I'm gonna at least go through the pixie hunt and see what I find through them and maybe we'll see these other realms mentioned.

Jack: Yeah.

Cristina: Who knows?

Jack: And I'm gonna see if I can find which technolog maybe get us to access the shadow realm. And if that works, there are many other places we can go.

Cristina: Yes.

Jack: Anyways, I hope you guys enjoyed this and if you did, there is a previous part to this and many topics discussing all these creatures and so many.

Cristina: Other episodes to check out.

Jack: Yeah, just it's. It's so much. Just go look at all the other stuff. Yes, and you can find all that other stuff on the official website greythoughts.info or on Apple Podcasts, Spotify or anywhere you get your podcast.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok. UsConvopod.

Jack: Yes, and remember to rate and review.

Cristina: The show and let someone who might like the show know about it.

Jack: Word of mouth people. Always great to kindly ask somebody to listen to the show. Do it peacefully and you know, kindness goes a long way. You tell them lovingly man, I would love if you listen to this with me. And you never know, somebody might be interested.

Cristina: This has been the Just Conversation podcast. Take nothing personal and thanks for listening.

Jack: Bye. And he's one of the four gods.

Cristina: Shaggy 100% can rewrite the last 20 years of their history. 150% can create and destroy planets. 200 to 1000%. Not much. Only his existing abilities become stronger and can rewrite the last 2000 years and can destroy galaxies, etc. Where are these percentages coming from? 1500% can and will destroy Fred, leading to a utopia.

Jack: To a utopia. Here's what's interesting about this and completely fascinating. He's the God of destruction. Shaggy is the God of destruction.

Cristina: He is. Is the cat God.

Jack: Yeah. He's the real Beerus.

Cristina: Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.