Rambling 282: Clinton Road: The Menu Part 3: Significance

Is there any starting point for researching this Forest surrounding Clinton Road? What could be the most pressing amongst the sea of oddities? What can be found on the other end? The duo unpack the last of the reports from Clinton Road. This time, the clearly important bits are discussed. 

+Episode Details

Topics Discussed:

  • Druid Activity
  • Disappearances
  • Satanic Panic
  • UFO Sightings
  • Mysterious Lights
  • Floating Orbs
  • Cross Castle
  • Mutilated Animals
  • Haunted Mines
  • Gnome Sightings
  • Invisible Barriers
  • Creepy Carvings

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+Transcript

Cristina: Warning. This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to the Rambling Podcast. I'm your host, Jack.

Cristina: I'm your host, Christina.

Jack: And this is the show where you and I ground humanity's most absurd and baffling ideals. Yeah, no, that's legit, bruh. But okay, so recap, recap. Last time on Dragon Ball Z, for anybody who wasn't paying attention, Clinton Road for the hundredth billionth time, many years later, except now we have a lot of information to relook at it with. And so we've broken up the excess of things we have discovered. And we have separated into three categories, of which we discussed two already. Ones are echoes. Any long term listener understands an echo is a type of ghost that doesn't interact with anything. It's just literally a repeating something that isn't there.

Cristina: Yes.

Jack: Then phantoms on the shadow episode, probably shadow people, which is probably shadow people or other things that are just aware and they're physically and are aware of you and try to interact or can react. Those are not echoes. They're not just there not being responsive. They are there explicitly being responsive.

Cristina: Yes.

Jack: And then today. Well, to clarify, in the echoes episode, we had some little details that the point of that was we were basically going down all the major events that happened in Clinton Road, breaking them up into these three categories. And with the echoes episode, it was to completely remove what we know isn't doing anything. But the point of discussing that to begin with was maybe something sticks out and is relevant. Which we have found a couple of things that we should look into. Because of the nature of those things, particularly intense distortions, directions, we could be looking at, whether it be a different realm or into the future to see how we can possibly determine something's happening. These kinds of details you've acquired. The phantoms episode was a sin. Well, the shadow episode is the same idea where we're trying to unpack phantoms. Phantoms are what we call the creatures that do interact, but we normally call ghosts. We've created a distinction. The phantoms are the type of ghosts that can interact, and they're usually just things in the shadow realm that you're interacting with.

Cristina: Yes. And they're spooky.

Jack: Yeah. A lot of them can be definitely.

Cristina: Yeah.

Jack: Some of them are trolls. A pickup truck was definitely a troll.

Cristina: Mm.

Jack: Today's episode is the last part of our branch as we go through the Clinton Road menu.

Cristina: Mm.

Jack: And this is a collection of all the things That I know factually as we go down. Each one of these points is important. Without a doubt.

Cristina: It's all important.

Jack: It's all important. These are the things that all the. The other two sections were composed of things that, I don't know, could or could not be.

Cristina: But these relate to what we're trying to figure out.

Jack: This has ghosts, this has phantoms, this has tech. It's again, everything relevant that was factually relevant.

Cristina: Okay.

Jack: That wasn't in the other two lists. The other two list was just composed of those respective subjects, but that was unclear.

Cristina: May or may not be important.

Jack: Yeah, these are definitely important. And have things that should be on those two lists if they weren't obvious.

Cristina: Okay.

Jack: Every thing here matters now. Okay. The problem is that there was no way to order this more efficiently because of how important everything on this list is. So it's not like I can escalate gradually.

Cristina: Okay.

Jack: So I'm just gonna go for the number one thing here because it's the easiest for us to just kind of get into the groove and start to unpack this. But it is quite commonly stated and believed that human creatures. Human people. Not creatures. People. People. Humans. Humans.

Cristina: Humans. Okay.

Jack: Also wander these woods around Clinton Road. We know this.

Cristina: Yes.

Jack: I personally saw an individual doing something weird. Doing something weird. There was a town, like, adrift in this location where nothing else can get to. There are people now. Where it gets weird is the dialogue people have used to describe the people they have seen.

Cristina: These aren't normal people or they're not. They're. It's obvious that they're doing something sketchy.

Jack: There you go. Yeah. It's more about what they're doing, not who they are.

Cristina: Yeah. Okay.

Jack: So the stories are of cloaked figures, which we know. I personally saw a dude. And they're said to have been seen or glimpsed performing rituals of all sorts in the woods. And the word most commonly used to describe these individuals by people who are informed scholars who search for what people are talking about. Oh, it's spooky and blah, blah, blah. No, it's probably just this. The this they use is Druids. They believe they are Druid activity. Let's simplify. Druid people who work with occult things. Let's specify occult things in the context we're very familiar with. We're in a high energy displacement space time, problematic area. And people have seen cloaked individuals performing things that they would describe as magic if it wasn't technology.

Cristina: Yes. Crazy.

Jack: There was probably a necromancer there at some Point.

Cristina: Okay. Okay.

Jack: That would fit what a druid is.

Cristina: Yeah. A necromancer.

Jack: There could have been.

Cristina: Which I guess, like St. Patrick. He would probably be described as a druid.

Jack: He would be described as a druid. Correct.

Cristina: Yes. Because what we know is they're in hoods. They usually have some kind of staff.

Jack: With a stone either in the staff or in a necklace.

Cristina: Yeah.

Jack: There's definitely a dialogue they're using with intention. And again, the fact that they use this word to describe it kind of reframes immediately the guy I saw instantaneously. You're not a KKK member, dude. You black? You're black. Black. So you're some other s***. But now let's take a step back. We use the word druid. Druid in this context means a magical individual. All the magical individuals we've known. I'm about to ask you to say something I haven't said myself yet. So put your thinking cap on. Where are they from? This is not a difficult question. Where are the people we have talked about doing magic from? Not which country. Which region?

Cristina: Which region?

Jack: Easy.

Cristina: I don't know. It's not a country.

Jack: Not a country.

Cristina: Not a country. The sea people. No. What region?

Jack: Where is Iran? Where is the Middle East? The Middle East.

Cristina: They're doing magic.

Jack: Oh, God. Okay, I got a. Let me grab your hand and walk you through it. The Middle east is the only mention we've seen of every single necromancer, every single magic activity has ever happened that began with somebody wearing a hood. It happened in the Middle East. We have no outside source that ever had a necromancer, ever had somebody who fit these descriptions anywhere else. It's always been in the Middle East.

Cristina: What about Sansa? He's in the North Pole. And the guy, Merlin? He's not in the Middle East.

Jack: They're not wearing hoods. I used these words so specifically. Guys doing magic wearing hoods is literally what I just said. Those individuals have only. We've only found mentions of them in the Middle East. Now another question I have not explicitly said, but is the obvious answer to this. They are in the Middle East. What is their skin color? Not a hard question.

Cristina: They're brown.

Jack: Darker than brown. Oh, they're very bronze.

Cristina: Is this important?

Jack: The guy in the woods that's wearing a hood is dark. I don't. How are you not connecting these dots, bro? Okay, I'm gonna stop trying to get you guessing.

Cristina: Are they saying the same thing, though, in their description?

Jack: No, I'm telling you what I personally Saw.

Cristina: Yeah.

Jack: They're saying there's druids in the woods and he's wearing. They're wearing, you know, they got cloaks and they're doing the things that, you know, necromancers fit. And then I saw a dude wearing a robe and it so happened to be a D skinned dude.

Cristina: Yes, dude.

Jack: The dots are connecting. But no, no worries. I'm gonna just connect all the dots and I'm gonna just flat out explain that.

Cristina: Like, did they describe it like that too?

Jack: No, I would have said that. But the point is I'm making the connection that there's a dude with robe.

Cristina: Yes.

Jack: In the place where they're saying there's people with robes doing things and we see him with a machete. Then we get to a animal sacrifice. Like, all the parts are just lining up.

Cristina: Okay.

Jack: No explanation required, but I will continue to just explain it instead of asking. But the point being that's definitely fitting the suit. Dark skinned dude in a robe definitely did something sketchy with an animal.

Cristina: Yes.

Jack: And he's walking away from it. That's what I see. But that just fits them. Talking about rituals being performed in the woods by druids.

Cristina: That's crazy.

Jack: That's weird. Now I wouldn't have put those things. I was thinking KKK. That's. At the entire time, since 15 years ago when it happened, I've only thought, yeah, it's okay. But it doesn't make sense to have that thought because this guy is dark also.

Cristina: What does it do you have to do with a kkk?

Jack: Yeah, like, well, the area is drowning with them. That's a very, very KKK present area. But why would he be a member? Unless he's a troll who's using it to, like, disappear into. But he was visibly just walking around. You could see his arms. You can see, you know, and it's like, okay, it has a KKK vibe, but I can see your face. So it's not a hood that's literally covering your face. The assumption was, you know, he has it lifted and, like resting on his head. But maybe it's just a literal hood, not a mask. And maybe you're in a robe, not a cloak.

Cristina: Okay.

Jack: And maybe you were performing a ritual.

Cristina: Just out there like that. That's kind of crazy.

Jack: Literally what they say happens.

Cristina: Yeah.

Jack: Rituals in the woods.

Cristina: Yeah, but you weren't in the woods. You're so.

Jack: You wouldn't have to literally be in the woods. They're not in a building would be the point of staying in the woods. It's outdoors. They're outdoors. Performing sketchy things would be the sort of general idea here.

Cristina: Okay.

Jack: They're not hidden doing it because otherwise how would people see them? I'm sure that in the woods has meant some people have seen them on the street as well, just, like, doing weird things.

Cristina: Okay.

Jack: And so you move around them. At least that's what we saw. And the thing is, all of us saw that. All of us saw the animal, and all of us saw the dude. It was unclear what the dude was holding. Two of us thought machete, two of us thought shotgun. But by the time we get to the animal, there's kind of not really a debate here because it's sliced open. Two of us are right, two of us are wrong.

Cristina: Yeah.

Jack: But weird. Anyways, the other weird part about that moment, that quote druid, unquote, is that moment of the machete or the shotgun, because what. How could we not tell? But let's back up and talk about what we know about Clinton Road and what we know about the shadow realm. Clinton Road has high distortions. That guy might have not even been present. That guy could have been in the shadow realm, and we were seeing the distortions of the shadow realm. That would explain both happening.

Cristina: Mm.

Jack: It's a distorted image of somebody on the other side.

Cristina: Yes, but did the deer look like it was from.

Jack: Well, no, the deer was cleared on this side.

Cristina: Okay.

Jack: And maybe he used whatever he got from the deer.

Cristina: Okay.

Jack: And we were seeing him phase in the middle. The veil was thinnest right after he took it.

Cristina: Okay.

Jack: Because he needed the veil to thin for him to cross. And then we're seeing him slowly distorting more and more as it goes through his system and he crosses over to the other side. Weird.

Cristina: Okay, but he didn't, like, disappear in front of you guys. Like, it wasn't, like, that type of spookiness, was it?

Jack: So the debate that we had following this moment, because we're driving and then he's in the back mirror, we assumed it just got so dark that there's, like, a threshold that you just instantly get sucked into the dark.

Cristina: Yeah. Okay. So, like, it appeared like he disappeared.

Jack: It appeared like he tried to make.

Cristina: It make sense, but it could just.

Jack: Be that, again, we were in a car, he was on foot. Like, the dark could have just swallowed him instantly. Beyond some point, he did get smaller and smaller and suddenly gone, which is possible. It's totally possible. We were also spooked by the fact that we just saw some random dude out here in the woods with the machete or shocker. So, yeah, we're maybe not focused. It's already, you know, the sits, the place and the situations already getting to us a little.

Cristina: Yes.

Jack: But we'll leave that there. Who knows? The next one is this. This is one we're definitely gonna have to unpack in detail one day.

Cristina: Okay.

Jack: There are giant lists. Giant lists of people who've gone into these words and never been seen before. Like, again, they're just gone.

Cristina: They're just gone.

Jack: Gone. People missing in these woods all the time. All the time. They disappear. These woods are not big enough for. So for there to be lists and nobody to find them, just. It's not big enough. You'd find them. You'd find them. You'd send crazy search parties and find them.

Cristina: Yeah.

Jack: Nobody's been found. They're just gone. Everybody. All of them.

Cristina: How long is the list at the moment?

Jack: About 300 people.

Cristina: Oh, my gosh.

Jack: Okay, spread out, spread out. It's not like 300 people last year.

Cristina: Yeah.

Jack: Like, through all the time, we've recorded about 300 people wandered, never been seen.

Cristina: Again for like 200 years. For a hundred.

Jack: For the past maybe like 30 years. That's a lot.

Cristina: Oh, okay. 330 years. Whoa.

Jack: Yeah, that's a lot. There's people wandering and vanishing and wandering and vanishing.

Cristina: You know, if there's, like, groups of.

Jack: People that disappeared as well, like entire groups have vanished. Yes.

Cristina: What is that?

Jack: Well, there's an answer for what that is based on the fact that they vanish in an area that shouldn't be so easy to lose so many people. Where are they going?

Cristina: Someone's eating them up.

Jack: I guess they're going to slip into the other side. Yeah. Yeah, they're. They're falling through some of these thin places into different times or falling into different spaces.

Cristina: Oh, you think different times.

Jack: They could just go through one and. I mean, they're still the one that overlooks the lake and is always looking into a time in which there are people at the la.

Cristina: Yeah. And there's. There's a spot like the. The tall grass in there as well.

Jack: There could be. Where everything is intersecting. Yeah. Once you're in your track, that'd be crazy. Maybe that's what they are. Maybe there is a situation like that going on.

Cristina: Those are crazy.

Jack: I would argue the tall grass is kind of based on some concept like that that somebody, you know once read about or something, and, oh, how interesting. And it's like. That's kind of real, man. It's kind of Kicking around reality a little bit crazy.

Cristina: But it could also be that they're being killed off because, like, who knows what's in there? All these stories of monsters.

Jack: Like, not even.

Cristina: They gotta eat.

Jack: Not even stories of monsters. Let's go to how people try to explain this. Because that's the next important thing.

Cristina: How they try.

Jack: How they try to explain it. This takes us back to the castle. They believe that Luciferians inhabit the castle and that their cults operate in that area, leaving behind strange symbols. This is literally written, as I'm saying it. Symbols and sacrifices of unfamiliar animals. Now, how would we identify a Luciferian? Well, you're just guessing who they are. A Luciferian who's performing a ritual would be indistinguishable from a Druid, wouldn't it? Yes, except you call them a cult. You're saying an individual is a Druid and a group is a Luciferian. Why couldn't there be a group of Druids?

Cristina: Yes. And they're sacrificing Shadow Realm creatures.

Jack: Shadow Realm creatures. Now we're getting to something.

Cristina: Yeah, weird.

Jack: There are symbols which are transmutations. You can convince me of anything else. You could not convince me. S*** else is happening. Strange symbols, huh? That's too familiar.

Cristina: Yes.

Jack: And then unfamiliar creatures being sacrificed. There is some sort of a portal somewhere around here that distorted everything. Those creatures are coming in and they're bringing them in. Or something happened in the future, in the past. This is the hotspot and they're keeping it safe. Hence the sacrifices. It's not sacrifices. They're killing whatever comes through that shouldn't be here.

Cristina: But then how, if they're keeping it safe, like they're still mad people going missing.

Jack: That's why they need to be there, keeping it safe. If they're keeping it safe, what would happen if they weren't?

Cristina: Oh, okay, so you're saying it'd be so much worse.

Jack: It'd be so much worse. At least they can keep it contained in the woods of Clinton Road. You see? Now, if they're the ones causing it, then we are talking about an area, and this is gonna. I don't know how the f*** I didn't think about this last week when we were talking about the Phantoms in the Shadow episode. But I literally mentioned that the Vikings had created a forest through continuous sacrifices in order to stay in contact, be able to traverse and communicate with things from the other side. How the f*** is this any different than that?

Cristina: No, it's the same thing. They're probably talking to A co. Uncle God.

Jack: Hella people go missing. That sounds kind of accurate to what the Viking were doing.

Cristina: Yeah.

Jack: Creatures from who knows where. People hear voices when they're there. People slip in and out of places they're unfamiliar with. Everything jumbles around.

Cristina: The same story, just a different location.

Jack: Yes. It's a modern day portal location. It's a sacred forest to cross into the shadow Realm in Clinton Road.

Cristina: Yeah.

Jack: The argument is whatever the h*** happened once we crossed Paradise Road into the town of paradise, we weren't on this side anymore. That's why it was jumbled. But then we didn't consume anything to get there.

Cristina: No.

Jack: So we must have been on this side and it was just because again, if the steps that we're talking about are as we're talking about them, then the Druid I did see needed the thing to cross. We didn't consume anything. So we were watching a really hot spot on this side of that side. Yeah. We were just watching that side essentially. Without being there.

Cristina: Yeah.

Jack: Like the thinnest part of the veil.

Cristina: Yes.

Jack: Without crossing. And so it behaves almost like we're over there.

Cristina: Yeah. But you need something to actually be there.

Jack: So then this brings up another question. Is it possible to thin the veil so much? It's almost the same place.

Cristina: Like you don't need anything.

Jack: Like you don't need anything. If that's what's happening in paradise, then paradise is an actual. And listen to me what I'm about to say, this makes so much sense. If paradise is just the thinning of the veil, then you can coexist. When people from the other side. We go back to the origin of Halloween and Christmas and all these things when they will go to these graveyards. It's where the veil is very, very, very, very thin. And they can just people who are dead and. But also be careful. There's creatures there who might harm you. There is a town in Norway where there are people from the shadow realm, people from Elfim and people from earthrealm living together. In no moment that we ever come across a line that said anybody crossed anything to get there, we just know they're there together. There's two locations like that. That's just one of them. Is it possible that these locations are extremely focused so that you don't need anything and people don't have to cross, but you can still see people from the other side. Additionally, in situations like the judge sleeping in somewhere, these spots, it would just be one. He never went in.

Cristina: He never went in. No. That makes it make so much sense.

Jack: He abused the knowledge of being in this twisted place repeatedly and got familiar because the veil is so thin. It's not the same place.

Cristina: Yeah.

Jack: He didn't slip anywhere. And he could see them like they're standing in front of him even if they're not.

Cristina: Yeah. And his sister probably took something though, once they. She made the deal with the other girl or whatever.

Jack: The other girl actually. They both actually crossed. But they had to learn how to do it.

Cristina: Yeah. But I don't think he did.

Jack: I don't think he did. I think there's a. I think there are places within veils where you can just interact and it's the same place the them into us. And we haven't thought about this before, but it checks out. Because the way that fear thins the veil.

Cristina: Yeah.

Jack: Means you could get it if you can just keep applying the same logic and never have adrenochrome. You never bring adrenochrome into the equation. You just keep applying more and more and more and more and more and more fear.

Cristina: That's why you were there. But it was different.

Jack: But it was different. But there are conflicts to this theory. What Twin towers fall. There's a crazy amount of fear. New York didn't suddenly shift.

Cristina: It's not a hot spot.

Jack: It would have created a hotspot. If the fear is what's doing it. Or are we talking that you need to create technologies to thin the veil to this point?

Cristina: Possibly.

Jack: So from the other side creatures can come to this. I would fear alone. But we need some catalyst.

Cristina: Yeah. Because we see all this time distortion thing going on. That's not happening.

Jack: That's not happening over there.

Cristina: No.

Jack: Another theory for the same idea of the thinning veil is what if it's literally the same thing to get across. How do I put it? We need fear. They can see us. What if there's something on that side they have to do and then we see them give a point. What's the fear equivalent?

Cristina: Okay.

Jack: If it's one to one, what's over there that we need over here to suddenly start seeing them? Ooh, we haven't thought about that.

Cristina: I don't know. That's tricky. I don't know.

Jack: But makes sense.

Cristina: Yeah.

Jack: If that's the case and is the kids in the playground who aren't there, they could get scared and then that, you know, thins that area a little more because foreign and exciting and. Oh my God. Well, we're kind of spooked out. There's people camping out there looking for things too, from the other side.

Cristina: Yeah.

Jack: It could be just as scared.

Cristina: So you think it works both ways? The fear itself.

Jack: Both sides are horrified because it's a fun place to go be scared.

Cristina: Yes.

Jack: And so both sides are going and kind of scaring each other, not knowing. Oh, my God. There's something over there. People. People. It's just people.

Cristina: Yeah.

Jack: There are things. There's dangerous things. There's wolves and there's bears and there's snakes and poisonous and birds and crap and weird chimeras and. But also on the other side too. Just whatever things they got. But also they see weird things. But it's just us and we see weird things and it's just them.

Cristina: That's. Agree. That makes sense.

Jack: Makes so much sense.

Cristina: Yeah. It's just fear works the same over there as it does over here. Okay.

Jack: And if it's not literally fear, we can just put the value of X and call it fear. Anyways, they have something.

Cristina: We got something that works the same.

Jack: Interesting. Useful, right? Yes, interesting. Everything on this list is useful. It's important. And in like crazy thought reframing.

Cristina: Wow. Yeah.

Jack: So there's definitely something weird going on. I don't know if they're causing it or trying to contain it. Unclear. That's what we need to be looking at that castle for.

Cristina: Okay.

Jack: But it brings up the theory that there is something going on. And then the Druid himself walking through having gotten some ambrosia, fades away because he crossed over. Meaning you do need the thing to cross over. But then we connect the fact that we didn't consume anything when we were in paradise and it seemed that we.

Cristina: Did crossover some event happening is important. The time distortion thing, because we would have these still anywhere. Like, why is this the spot?

Jack: No, 100%. 100%. I do agree. I think this is an overlap of many things.

Cristina: Yeah.

Jack: I think things happened here either on the other side in the future or in the past. And that created just enough disturbances had to happen so long ago or so far in the future or somewhere we just can't find that then makes us not know what this is. And it's just a unique place that we can't be like, oh, no. It's unique because of that. We don't have that answer. So we're just like, oh, it's weird and spooky and that gets people excited to go there. And then that sort of perpetuates the fuel of fear and crap.

Cristina: But something had to start.

Jack: Yes.

Cristina: Not sure where, when, but something yeah.

Jack: The distortion seems to be unrelated to the spooky s***, even if it kind of resulted in it.

Cristina: Yeah.

Jack: It's just this came first and it allowed for other s*** to happen and now this s*** happens as a result of the curiosity from that s***. But it's still a super hot spot because it's where the thing, whatever happened.

Cristina: Yes.

Jack: So it's kind of like all of the things overlapping in one spot, making it this kind of complicated amalgamation of all the things we would define as ghosts and horror and mysterious. Now this brings us to the next part, which is again why we have to start looking in this area more seriously. Because the next sentence, I must say it as they describe it, but then we know really what it means, which is there are quite a hefty number of reports that identify flying objects that could only be described by the individuals as aliens.

Cristina: Okay.

Jack: UFOs everywhere. We know who the UFO are.

Cristina: The sea people.

Jack: The sea people.

Cristina: Okay.

Jack: And this is a hot spot that all this ghost activity and then we have UFOs. No, they're observing and probably landing places and checking out. Because they're probably the ones with s***.

Cristina: Yeah. They probably end up doing something there that causes whatever to happen to happen.

Jack: Exactly. You tell me UFOs. I know who we're talking about. You tell me UFOs over weird time lapse hot spots within places and shadow realm creatures. I'm like, bro, yeah. There's only one group of people that's doing this.

Cristina: Yes. And they're a group of scientists. Anyway, like obviously they're doing something weird, even if it's to stop themselves from doing the weird thing. Like some kind of Star Trek thing.

Jack: Yeah.

Cristina: They end up doing it anyways.

Jack: But then this tells us something else interesting. They do come out because these sightings are recent. The spot is recent. This is all recent.

Cristina: Yeah.

Jack: This is the first mention we have modern day of something that is probably the sea people. Now. It would just be UFO and people being crazy if it wasn't where the f*** it is.

Cristina: Yeah. But is the same thing. Does that happen in the ranch that we were talking about a while ago?

Jack: Yes. So, yes. UFOs drowning in there.

Cristina: Yeah.

Jack: Weird, right? I mean, that was the whole thing we're talking about. It's paranormal, but it really means just ghosts and aliens and it's like.

Cristina: Yeah, yes, yes, yes.

Jack: There's a pattern here where you have a lot of quote, ghost unquote activity. You have aliens and it's like neither one of these are what you guys think they are.

Cristina: And before those stories, you had fairy story.

Jack: Yeah. In the same places.

Cristina: Yeah.

Jack: Oh, interesting. In both places. Kind of painting a lovely. It's becoming too easy to find what we're looking for.

Cristina: Yes.

Jack: The. In the collective of what they don't know is all one thing. Paints us the picture we're looking for. Kind of crazy, right?

Cristina: Yeah.

Jack: Now deeper into the rabbit hole. We got creatures that are unfamiliar, creatures that are likely familiar things that are probably the scientists. We know rituals. We got thinning veils. We got the clear shadow realm overlap. We got weird things everywhere.

Cristina: Everywhere. Yeah.

Jack: And then people say they see what they could only describe as sentient lights or orbs moving through the woods, responding to people and avoiding people. Usually the size of a softball.

Cristina: That sounds familiar.

Jack: I'm thinking fairies. I'm thinking this s*** has everything still to this moment.

Cristina: Till this moment.

Jack: I think all of it is in there. I think these are fairies and we're seeing what they would look like without coming through.

Cristina: Mmm.

Jack: We're seeing the shadow realm equivalent of fairies. Never thought about it. How would they look like if they didn't come fully, but they were still on their side watching us, if we thinned that veil.

Cristina: Interesting, because I. I don't know if we've talked about fairies like that.

Jack: Never cross our minds. It would apply the same. If it's all the same.

Cristina: Yeah.

Jack: It would just be a different direction, but the same idea.

Cristina: Yeah. Yeah. They just see them moving around.

Jack: That's like an impossible to catch. Impossible. Just super fast. And seem to, like, not be phased by creatures. And just totally like the overpowered thing that doesn't care about anything is that orb. And it's like, weird. I can't confirm it's a fairy. I cannot.

Cristina: No, but.

Jack: But, like, what else could we be talking about? Yeah, we'll pin that as fairy for now.

Cristina: Mm. Could be a shadow realm creature.

Jack: Yeah, it could be. But the fact that it's a light kind of argue because the shadow realm. They named the shadow realm because of its dark characteristics.

Cristina: Yes. Yeah.

Jack: The fact that this is bright, a bright glowing orb, it's like, oh, okay. That's some whole other thing you're talking about.

Cristina: Okay. You know, yeah, that makes sense.

Jack: But yeah, that. That one caught my attention because I'm like, I've never thought about this, but I could only explain this as the opposite of the shadow realm, which I would say is all fame and, like, how would they look like if these guys look like shadows but they're not?

Cristina: What would the other guys look like?

Jack: They would look like light even if they're not. And definitely the most important thing here is Cross Castle, which is specifically the ruins of the castle that it's said to be haunted by spirits and consistently visited by alien presence. Which is like, bro, it's always being like, aliens are always a UFO's always hanging around. It's like, brother, come on, you just tell me.

Cristina: The Druids are doing rituals.

Jack: That's where Luciferians are at.

Cristina: Yeah, it's.

Jack: It's obviously there. Yeah. You're telling me aliens are watching Luciferians in a place where they're performing rituals and when weird creatures come out of. Come on, bro, that is.

Cristina: That's too much.

Jack: That's too much happening all in one place. None of this is coincidence. The fact that people are talking about it like it's random. Separate is stupid to me.

Cristina: Yeah.

Jack: Like you guys really think all this separate is happening simultaneously? Just maybe it's all one thing. Whoa. Yeah. As I go through it, it's just gonna get dumber because it's gonna be so obvious. You don't even need any of the information we've uncovered to really understand what's happening.

Cristina: Yes.

Jack: At this point, like, bro, obviously, obviously. But yeah. So Cross Castle, that's gonna be the main focal point. And I think as we unpack all of the details that matter to all these right now we're just skimming through, and then we're gonna truly deep dive into all these things. We're. We're in here for the long.

Cristina: Starting at Cross Castle, right?

Jack: No, we're ending at Cross Castle. That is the last point we will get to.

Cristina: All right.

Jack: Because I'm sure when we get to that, all the other points are going to become null and void. So I want to leave that for last so that we just don't run out of s***.

Cristina: All right.

Jack: But Cross Castle will be the very last visit out of all the things we deem are important here. Now, revisiting the mysterious animals that seem to be unknown, there are a couple of things that ring familiar with the descriptions of these animals. Now, oftentimes are considered exotic because people are just unfamiliar with the animals that there are. But there are two descriptions that ring very powerfully. There is an old research paper of a journalist who was digging through these things, John McLean. And John, in looking at these things, says a nearby zoo had animals escape. According to their mention, the zoos.

Cristina: Okay.

Jack: But it seems that there was no forced entry upon police speculation. So it must have been a clean job. It's a zoo. There's no such thing as a clean job. So they gave the animals to somebody. That's weird. One fact random. Other note from a different. These are not journalists, these are people, okay, describing what they've seen, claim that the animals they witnessed are hybrid animals. Chimeras, literally.

Cristina: We do know about a scientist that was working on chimeras in real life.

Jack: Though, about many sciences.

Cristina: Yeah.

Jack: Now where this becomes relevant is when we look at what was taken from the zoo. Lions went missing.

Cristina: Sea people's favorite animal.

Jack: Yeah.

Cristina: Okay, yeah. Were there horses?

Jack: Horses went missing, huh? You got anything else? You're on point.

Cristina: Those are the only two main ones I can think of.

Jack: Horses went missing, lions went missing, eagles went missing.

Cristina: Oh, okay.

Jack: You see where we're going? It's just visually on point.

Cristina: We got the flying horse. The flying horse.

Jack: Eagle, flying lion. Oh, exactly. What the we're supposed to be seeing is what went missing from the. And no broken entry. How'd you take eagles? How'd you take horses? How do you take lions? No broken entry. Come on, you serious? That's a breeding ground. Those animals were donated, by the way.

Cristina: They're donated.

Jack: They were donated to the zoo. Oh, zoo's in on something, isn't it? Oh, you see, it's weird lines. It's like we don't even need to dig deep to understand some of these pictures. You tell me exactly what's missing over there is what people saw. Hybrid over here. What are the odds?

Cristina: Yes.

Jack: Just a coincidence, you know, just like they think isn't this is unrelated to that. It's just all random coincidence. It just so happened to be that only horses, lions and eagles are stolen and you see hybrid lion, horse, eagles over there. It's fine, it's unrelated.

Cristina: Unrelated. Okay, you're going.

Jack: You jump into speculation, man. What are the odds that exactly what's taken over there shows up over there? Fused.

Cristina: Were there any other animals taken?

Jack: No. Okay, horses, lions and eagles specifically. Yeah, no broken entry. The two explanations are escaped and were stolen in neither case could have happened. No, neither could have happened. You guys had to open and let them be taken. That's the only way. Yeah, crazy random details, not saying any of this means anything for anybody who thought this was always just coincidence after seeing everything put together. But whatever, you know, total coincidences. Then we get still on the topic of animals, what people describe as. And we know exactly what these are. Phantom animals, ghostly sightings of long dead pets, including dogs, cats, appearing alone in these areas. Very interesting detail here that these ghost creatures are pets. And that they're in this area because it would be the place where you would see the things from the other side. And if the veil is incredibly thin, then if you live in the area, your dog looking for you follows your scent like a wetchudge would and lands in Clinton Road tracking you. And then you see your long lost dog who's been dead for a while.

Cristina: Do they say like if they behave like an echo or.

Jack: No, these are just fully. Yeah, they feel like these are actually phantoms interacting and like. Oh my God, is that my dog? Oh my God. And then disappears.

Cristina: Oh, okay.

Jack: And it's like. Okay.

Cristina: This makes sense to be a spot where they'd.

Jack: Exactly. Where they would pop up. This fits the graveyard.

Cristina: Mm.

Jack: That very well. People will go there because it's just a beacon for dead s***. And then you can go see your loved ones there.

Cristina: Yeah, yeah.

Jack: This could be the same thing. It's just a beacon for dead s***. And anybody who lives close maybe comes here to scare themselves once in a while, but your s*** is already in there somewhere. And once in a while you might just cross paths and see it. So I think that's very interesting. Weirdly and. Yeah. Yeah. It's weirdly enough. A lot of the visitors, like, this is my first time here. Like I saw my dog in there. It's like. Yeah, it's a beacon for deadship. Yeah, it's the hot spot. One of the. The other point that this makes me think about if the Vikings had one and we have one. Every major populated wooded area where people go missing is probably some s*** like this.

Cristina: Yeah, you gotta look into every.

Jack: There's an easy one. Japan has a forest of death where people allegedly go and commit suicide.

Cristina: Yes. There's gotta be weird stories coming out of there. If anyone just goes in there, they go in for the stories, but they see other s***. They gotta.

Jack: Yeah, I am sure now with the perspective this all we ever get more information. And then it enlightens other situations. And now we know this is probably the same as the Vikings place, which means we have a second one of these. But if there's two, then there are more.

Cristina: So much more. Yes, yes, yes.

Jack: There has to be a lot. And if we're talking Japan has the forest of death and Jesus went to Japan.

Cristina: That has been chosen for a reason. Okay.

Jack: F****** force is old, bro. Ours isn't. That forest is.

Cristina: Mm.

Jack: That's been spooky to people for millennia.

Cristina: Yes. There's got to be some kind of energy or something that is involved.

Jack: Something. There is More important, Jesus himself thought that.

Cristina: Mm

Jack: Now we move to the next part of this. Here we're talking about undeniable s*** that we don't have to theorize about. Specifically with the next thing I'm about to say. People have found items in the woods that they believe look like cursed artifacts and relics. They use the term magic. That oftentimes when somebody tries to reach one of this, they've seen these artifacts begin to glow.

Cristina: Oh.

Jack: Or behave weird. Oh, it looks like a rock. And when I try to reach for the symbols on it light up or something. And it's like, maybe you're just looking at technology.

Cristina: Fairy technology, Shadow Room technology, Elysian technology.

Jack: Why would it look like our stuff unless it was made by earthlings. Okay, which would be the.

Cristina: But you said cursed.

Jack: They're describing it as cursed.

Cristina: Okay.

Jack: People who don't know who wandered through the woods. All of this is just people who don't know. Every description we've given, there's people who don't know and they say cursed. They see a piece of stone with symbols on it, they reach for it and it glows. And they're like, it's cursed. That's an uninformed assessment of a piece of technology you're looking at.

Cristina: Okay. Okay.

Jack: Of course, anything sufficiently advanced enough would look like magic. That makes sense. Oh, I reached for it lit up. It's cursed. It's woods with Luciferians. There seem to be demons in here. And then I find a rock with a diabolical looking symbol. I reach for and it lit up. It's cursed. Checks the narrative. It checks out with the narrative they're painting. Yes, but that means that there's so much activity here that there have been pieces of technology left, left, right. That means that some Alicians maybe have been killed in these woods running experiments. And like a wet judge breaks out.

Cristina: And like, off them, something horrible is happening there. So currently, not just in the future, is there something gonna happen, but there's.

Jack: Something currently happening, energy wise, we don't know. But we do know, activity wise, never stopped.

Cristina: Never stop.

Jack: We don't know if there's a giant machine being run, a machine that was run, or a machine that's gonna be run and where it's at. Exactly. We don't know any of that, but we do know activity wise, since the moment it began, it has not stopped.

Cristina: It's not gonna stop. And it's not gonna stop. Looks like it's not gonna stop.

Jack: Interesting.

Cristina: Yes. And I wonder if we'll see these items Again, yes.

Jack: So I actually have mad stars next to that now. Because we've found images of technology from the past. I want to see what the f*** there. Somebody had to be brave enough and pick one up and be like. Or took a photo on their phone or something. You know, show it to me. So I'm gonna dig and find something. I want to see what it looks like. And then. Is it in a book? Can we find a hieroglyph with an image of it? Yeah, you know, anything. Just give me one image and I will cross reference everything under the sun until I find something.

Cristina: We're gonna find something.

Jack: We have to. They. It's. It's more than one person saying this happened.

Cristina: Yeah.

Jack: There are cursed artifacts that people have talked about. It's like, okay, okay, now we're on to something. And that's unquestionably something obvious.

Cristina: Yeah. But when I think of like, if they're gonna call something cursed, does that mean something happened to the people? You know?

Jack: Like, no, they don't know. They're. If they're reporting it.

Cristina: Yeah.

Jack: Nothing happened to them. They just don't know what they were looking at.

Cristina: Okay.

Jack: Like, if they're telling you about it, they made it out.

Cristina: Mm.

Jack: Otherwise they wouldn't worry about the thing. They'd be like, people died in the wood, you know?

Cristina: Yeah.

Jack: They're like, no, I saw a weird thing. It was probably cursed.

Cristina: Okay.

Jack: Like, okay, then nothing happened. They're just using s***** language because they don't know better.

Cristina: Alright.

Jack: They don't know no better.

Cristina: You gotta check that out though.

Jack: So coming back to the idea of animal rituals, the. This is so related to me. Pretty often people find mutilated animals. That's just like a literal report. Mutilated animals usually on the curbside or roadside. Yeah. And the, the exact descriptions go like, they find animals in the woods. They're speculated to be result of the occult rituals. Oftentimes opened from the chest down to the belly button. You know, kind of that area.

Cristina: That's what you think you saw?

Jack: That's literally what I saw. Literally what I saw.

Cristina: Okay.

Jack: Literally what I saw. Yep. The deer cut straight from its neck all the way to its private parts and then just opened. That's it.

Cristina: And it looked like it just happened.

Jack: It looked like it just happened. I didn't think about this next part until this very moment. And now I'm disturbed because I think about this next part until this very moment. I've told you a thousand times about that deer.

Cristina: Mm.

Jack: I never once saw blood on him or the deer. That's f****** weird. I never thought about that for the last 15 years. Never crossed my mind. There was no blood. Not a bit. I told you. I even f****** walked and was looking at it up close. I was amazed by what the f*** I was looking at. The guy was in a white robe.

Cristina: Yeah. No blood.

Jack: No blood did cross my mind when nobody questioned anything.

Cristina: The deer. No blood.

Jack: Deer, no blood.

Cristina: Mmm.

Jack: Weird.

Cristina: Weird, yes.

Jack: Now I have less idea what I saw. That's weird. Now I have less idea what I saw. I don't remember any blood. I don't know why. I don't know why the f*** doesn't cross my mind.

Cristina: So right now the whole situation's weird.

Jack: Yeah, it is f****** strange as h***. This strange one spectral fog. So a thick, unnatural fog that rolls in suddenly, obscuring vision and often causing travelers to lose their way. Now people say this fog is so confusing, it feels like the Roger movie. Is this fog literally what it looks like? When the veil is thinning more, you're seeing the other side, so it looks unclear.

Cristina: Yes. When you saw. But you didn't see fog?

Jack: I didn't see fog, no. But also we crossed something.

Cristina: Yeah, I don't know.

Jack: I don't know. Something to look at. I got everything here. Something to look at. All of it somehow relevant.

Cristina: Yeah.

Jack: We've never heard this before. First mention of a fog that rolls in right before things start to jumble up.

Cristina: But you saw things jumbling up and no fog.

Jack: No fog. I saw a jumbled up mess and I never saw fog.

Cristina: Strange. I don't know.

Jack: Okay, let me do some f****** rapid fire. Running out of time. G******. Okay, okay. This is important as f*** because I didn't even know this existed. I only found. This is one of the. It's towards the bottom of this list because it's one of the last things I found. Just looking through this and I'm like, what the f***? Nobody's ever mentioned this. There are mines out there. Mine, mine. There's old mine tunnels said to be haunted by spirits of miners who died in them. People have been seen coming in and out of the mines, bruh.

Cristina: People might be going in and out of the mines.

Jack: I don't think that's Rose, bro. Think about this real hard.

Cristina: We know people are experimenting.

Jack: There are mines going way out of sight. Let's take another moment. Eloi built his lab in a cave. When you go into those caves, you see the pipes going in random directions.

Cristina: Yeah. This could be a lab.

Jack: This could be a f****** Lab.

Cristina: I think it's a lamp.

Jack: The castle isn't in the center. The mines are. Of course, if we were to ever find a huge energy displacement, something, something. I think it's more likely to be in the mines. To be in the mines?

Cristina: Yeah, I think so.

Jack: It's also weird that that's the least mentioned thing.

Cristina: Mm.

Jack: There's been mines there this whole time.

Cristina: Well, who's gonna be exploring the mind?

Jack: It's not about exploring them. Why don't people talk about them? That's all. Just mention it more often. I've heard so many of these other things, I've never once heard of the mines.

Cristina: Most people disappear at the mines.

Jack: Fair enough.

Cristina: Who knows?

Jack: Like, fair enough. Fair enough. That's definitely, like. I do believe if we. If we're looking for something, it's the castle or the mines, one or the other. And at this point, knowing the past, it's probably the mines, not the castle. Castle is probably home or, you know, the top of the mountain. The place you get to before you walk to the other place. Yeah.

Cristina: The mines has to do with the sea people, but the castle has to do with the Shadow realm, the necromancers.

Jack: So we're talking just a hot spot for, like, literally, not just for activity of other things, but, like, there. Different groups are coming here to use this.

Cristina: Mm. We got fairies. We don't have any fairy trees.

Jack: We don't have fairy trees, but I'm about to blow your mind. Now that you mentioned fairies. One of the most consistent sightings of things here are gnomes. Weird, weird gnomes.

Cristina: Have we spoken about gnomes somewhere else?

Jack: Yes, we've briefly addressed gnomes. Gnomes, yes.

Cristina: Weird. Okay.

Jack: Oh, yes. And gnomes are fairies. Very type of fairy.

Cristina: Okay. Are they hanging out by the mines or they're just random.

Jack: No. And just in the woods, along with orbs, along with all the weird creatures, just random spottings of these things. Everything is out here. All of it.

Cristina: I bet there's fairy trees. But of course, no one could find the fairy trees.

Jack: If you did, how would you tell? Yeah, how would you tell? I bet there is a fairy tree. I bet if we look hard enough, we could find a fairy fort.

Cristina: Mm.

Jack: I mean, dude, there's the mine and there's the castle. Come on, bro. Everybody has a base here. Yeah, it's not big enough to lose a s*** ton of people, but it's big enough to have a couple of bases in here.

Cristina: Mm.

Jack: You know, it's starting to paint a real vivid picture. I think we're looking at a spot that's kind of like the city up in Norway. I think we're looking at a spot that's kind of like the city in India. These places where, you know, amalgamations of people get together and they can kind of coexist and maybe. Neutral zone. It's a neutral zone. You are beef. Whatever. You know, we got the un. I might hate you as a country, and you hate me as a country, and we're gonna go bomb each other later. But at the un, we all shut the up and we're just. Nothing happens here, or everybody here bombs you.

Cristina: Okay.

Jack: And so that would be the idea, Right? The space. Neutral territory. We can't do anything to each other here or the other groups collectively. F*** you up.

Cristina: All right.

Jack: Neutral territory.

Cristina: Yeah.

Jack: And so a fairy can gladly be here, knowing the Elysian can walk right by him. Be like, I'll get you when we get out of here. You know? Because if you do violate. Well, how many other groups are here that are just gonna. Well, we're not gonna let you violate our safe spot. Even if we don't like them, too. We're gonna you up, because now we can't let you do that because then you might do it to us too. And, like. Okay, so neutral zone where everything weird happens.

Cristina: I think so. That sounds like that.

Jack: Because we've seen too many different things now.

Cristina: Mm.

Jack: Too many conflicting interests coexisting. There must just be enough of something to go around. What is it?

Cristina: What's going on? They're all interested.

Jack: Mm. Now, this next one is definitely gonna be the hardest one to unpack, but it's also like, the clear. Yeah. People have probably even touched one of these buildings. People come across invisible barriers. And there's one group of people who we know are really good at making invisible s***.

Cristina: Just making invisible things.

Jack: The Alicians. The people who make entire mountains vanish. I guess the people who can be in plain sight and their civilization not be in there.

Cristina: Okay. Yes, we know they're in there.

Jack: They're in there.

Cristina: Yeah.

Jack: But, yeah, people have literally, like, come across, like, what the f***? I can't go through?

Cristina: And it's, like, kind of scary.

Jack: Yeah. You're just probably touching a building or some s***. You don't even. You can't see it, so you're like.

Cristina: Which matches the whole. Like, they're going up and down. You're seeing these weird ways that they're walking. Like. Yeah, it could be.

Jack: Well, no, they wouldn't be. You wouldn't see them at all. They would be invisible in the building.

Cristina: Oh, yeah.

Jack: Everything in there would be invisible.

Cristina: So that's the shadow realm, the other one, I guess.

Jack: No, that's the elation. Cloaking technology.

Cristina: No, not that. The people that you do see walking up and down.

Jack: Oh, yeah, yeah, yeah, yeah. Those people must be in the shadow realm. You must be watching movement within the shadow room, for sure. But these people are definitely not like, this is the fact that they. They literally set invisible barriers.

Cristina: Yeah.

Jack: It's like, oh, man, that's so specific, bro. I don't even know what to do with that information. That means we just gotta walk a ton of Clinton Road, broad daylight, and just. Just such things run until we hit something that doesn't. That isn't there, I guess.

Cristina: I don't know.

Jack: I don't know how we would find it, but, like, people have come across it.

Cristina: Yeah, that's. That's tough.

Jack: Tough. But this also suggests something different. Elysians can find their building without uncloaking it. They must have something to show them where it is.

Cristina: Yeah, I guess. They have the technology.

Jack: Other obvious thing that is here are, you know, time slips. Little thin places, people. That's the primary thing we think is dominating this place. A s*** ton of thin places everywhere. And creates the main attraction, which is probably what everybody else is there. Abusing ways in and out of different places.

Cristina: Mmm.

Jack: And that's in abundance. People are like, I f****** went through here. I felt like it was a five minutes. And then when I got to the other side of this tree, it was f****** night.

Cristina: Okay. Now, there's a lot of stories like that.

Jack: That s*** is the most abundant kind of story. That is literally the most common occurrence. There is seeing something weird that can't be explained. The truck and people losing time. Those three events. Those are the most consistent things that happen. People see a truck a lot. That guy's out there desperate, okay. He's desperate. Seeing shadows and crap super common. And then people losing crap tons of time or moving in unbelievably quick. They're going. They began. Two minutes later, they're on the other side.

Cristina: That's strange.

Jack: Yeah.

Cristina: Okay.

Jack: It's 10 miles. How'd you do it?

Cristina: Whoa.

Jack: Going back to odd symbols, there have been symbols found on stones. There have been symbols found on structures. There have been symbol found on odd relics and artifacts. The weirdest one is symbols found on trees that seem to always be in pairs.

Cristina: What do you mean?

Jack: What people describe always seeing two. I want to find images of this. I couldn't.

Cristina: Yeah.

Jack: But people say fine. Always finding to. I had to say, because I know you're gonna ask, are the photos but two trees next to each other with exactly the same symbol on both trees?

Cristina: What could that mean?

Jack: What could that mean? Kind of sounds like a lazy portal.

Cristina: To me, I guess.

Jack: Right. Because it's still the arch. You still have the two walls to it.

Cristina: If you.

Jack: I don't know how. If the top is requirement. But like, I don't know. I'm just thinking, like, what could I picture possibly me. So, yeah, that's. That's what we get. Those are the important things to look at. This is the thing you need to.

Cristina: Look at that there's so much. Yeah, yeah. We gotta look at everything.

Jack: There isn't one thing I mentioned on.

Cristina: This part that we don't need to look at.

Jack: So this is why I called this what's significant.

Cristina: It's all.

Jack: It's all significant. I'm telling you. We're here for the long haul. This is a lot of crap to dig into.

Cristina: Yeah. Whoa.

Jack: There's a lot. Yeah. It's ridiculous. So, yeah, this is what we have, man. There's a crap ton. We, we got fairies, we got thin places. We got creatures from the Shadow Realm, we got Elysians, we got fairies, we got science experiments. We got people desperately trying to get back. People somehow just casually crossing to the other side. We have places with extremely thin veils that make it indistinguishable. We have that as an explanation to how people in the past managed to get in and out without ever actually going in. We have. Have too much information going on. Everything. Everything is here. All of it happens here.

Cristina: You have a lot of missing people.

Jack: We have a lot of. We have a lot of missing people. But that's a clear one, man. Because they're either cultivating a way to get through or there are stones being made. Maybe s***** ones. Could be just enough to do casual things. Yeah, you need something huge. You don't need a crap ton of people. Yes. Need a casual stone. Take two or three people.

Cristina: We have a deer with no blood.

Jack: A deer with no blood. We got chimeras. Obvious chimeras. A zoo that's somehow tied to it.

Cristina: Yeah. Weird.

Jack: So, yeah, that's what we got for you guys. So, you know, if you guys have any input, any ideas, any in. Anything interesting, any information additional. I think I didn't mention that. You guys think is relevant and falls into here, please. We're kind of just. Yeah. Connect Dots connect.

Cristina: Yeah. There's so much connecting we got to do. We tried our best but like anything.

Jack: We didn't see feel free. Call us stupid just give us the answer but what you got to do just tell us what the answer is.

Cristina: Yeah help us.

Jack: And you could do all that by going to our socials. You can contact us at just convopod on X on TikTok on Facebook and not on YouTube because we're not there anymore.

Cristina: And remember to subscribe ran review the show.

Jack: Yes and word of mouth is one of the most important things in the world. Let everybody know that we have discovered so many things and that maybe they want to know about it.

Cristina: This has been the Rambling podcast. Take nothing personal and thanks for listening. Bye.

Jack: Sam.

Cristina: The podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McCallister with social media managed by Amber Black.

Rambling 125: Banshees and Women in White

Zero Lupo, La Llorona, Banshee, Creature, Folklore, Death, Reaper, Story, Fantasy, Shadow Realm, Monster Hunter, Podcast, Just Conversation, The Just Conversation Podcast, JustConvoPod, COmedy, Discussion, Radio, Ghost, Paranormal

What are Banshees? What are their origins? Are they related to the Woman in the White Dress? Answers to this and more on this episode!

Story:
The duo unpacks Banshee’s, Women in White and any similar or relate ghost or creature in order to get better informed as they continue to fill their Mars prison with different paranormal beings to study. All in the name of science.

+Episode Details

Topics Discussed

  • Banshees
  • Death Omen
  • The Weeper
  • Woman in the White Dress
  • La Llorona
  • Lilith
  • Shadow Realm
  • Shapeshifters
  • Fear
  • Reapers

Art by IG @Zero_Lupo

Our Links:

Official Website - https://greythoughts.info/podcast

Twitter - https://twitter.com/JustConvoPod

Facebook - https://facebook.com/justconvopod

Instagram - https://instagram.com/justconvopod


+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean? Welcome to Just Conversation, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Christina.

Jack: And I'm Jack.

Cristina: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Jack: And also, this show is most enjoyable with a listening partner to share opinions and ideas on the topics that we discuss. So be sure to find a single individual, somewhere random, that they wouldn't expect to be found by a different complete stranger, and approach them with this very tone. I'm speaking.

Cristina: You sound like an anime villain or something.

Jack: That's fine.

Cristina: Okay.

Jack: You approach them and you. Hey, Yugi, I have a show for you to listen to. And if you don't, I will fling you to the shadow realm.

Cristina: To the shadow. We're revisiting the shadow realm? Sort of. Not really, but one of the creatures we talked about.

Jack: We are?

Cristina: Yes. The Banshee.

Jack: The banshee? Yes.

Cristina: Remember last time? Well, not last time. Dragon Ball Z, but a few episodes ago, we talked about Ireland creatures. Yes, yes. And we learned about fairies. And I'm still unsure about this fairy ghost thing, if it's a fairy or a ghost or if it's us or not. Like, I know you explained it, but it still makes no sense in my head because it's so many different ideas, but it's all the same. But it's all different, so it's hard to understand for me. But the Banshee, she's a fairy lady, but she's also a ghost.

Jack: Right. Are they different variants of this?

Cristina: Of the banshee?

Jack: Yeah. Is it like, some stories say she's one, some stories say she's the other. Or is it like, collectively, it's unclear.

Cristina: I think she is definitely a fairy lady. Ghost. A ghost fairy lady. Got you for sure. She's usually. I didn't talk about this last time. I didn't realize she was. How short she is. Because, you know, if you remember, the other fairies are the short people.

Jack: Yes.

Cristina: Well, she could be between 1 to.

Jack: 4Ft tall, so not human.

Cristina: Yeah, so that goes. They say it goes along with her being an old lady, but also to show that she's a fairy lady. So although in different stories we talked about she could be a young lady. Little girl. Did we say little girl or just a young lady to old lady age range?

Jack: No, I think we saw this before she was an old lady. So there's more range here.

Cristina: There's more range?

Jack: Yes. Before we establish she was an old lady. And there's more range because she's not just an old lady.

Cristina: She's a fairy lady. No, she's a short lady.

Jack: So short said she could be a young lady.

Cristina: Last time. I'm pretty sure I said she could be a young lady.

Jack: Oh, really?

Cristina: I don't remember. There was like, three age ranges. The young, the middle age, and the very old. You remember that?

Jack: No.

Cristina: Okay, well, that was last time. This time I'm just talking about her being old because I didn't realize how short she was. But that doesn't matter. What matters, though, is that she's usually the ghost of a murdered lady or a ghost of a mother who died at childbirth. Those are important.

Jack: Yes. Okay.

Cristina: And if you remember, she sings or mourns over the death of family members. Because it's like every family in Ireland has a banshee.

Jack: Why?

Cristina: Well, not every, but the ones that come that have their blood from Ireland, of the first people that took over, remember there was a people that fought the fairies, and that's when the fairies disappeared.

Jack: So they're all descendants of St. Patrick?

Cristina: No, of the Malaysians. I think they were called those people. And if you have their blood, then you have a banshee.

Jack: Hold the f*** up. The Irish are just Malaysians.

Cristina: That's how I think it's pronounced. I'm not sure if that's the correct way it's pronounced.

Jack: What is Malaysian people from Malaysia?

Cristina: No. Then it's probably not the same Malaysia that you're thinking about. Is this other word that looks very similar to that.

Jack: Okay.

Cristina: I don't think they're connected. Well, sometimes they could be a predictor of death. They could be crying before someone dies. I don't know how they can tell, because usually you find out the person died afterwards anyways. And even if the person died far away, they'll get the news of the death from her crying. And that would be kind of their warning that something bad happened to their family member. Also, there's some moments where a bunch of banshees are crying. I didn't know that.

Jack: During tragedies, maybe.

Cristina: Well, for them, it means that if a person. For someone who's. For someone who's great or holy, they'll cry. A bunch of them will cry for that person.

Jack: What does that mean?

Cristina: Like, I guess the great. Like king or holy, like a saint? I don't know.

Jack: Okay.

Cristina: And then a bunch of them will cry. I don't know why they care, but they care a lot. And in Welsh folklore, there's also a ghost that cries before a person dies.

Jack: And in similar Dubanche, just in that.

Cristina: Way that it's crying. It's a voice that's crying, but it's.

Jack: Not, like, super short thing.

Cristina: A short thing like a.

Jack: Like a fairy.

Cristina: Oh, I don't know. I don't know if they consider. When it comes to things outside of Ireland, I don't know if they consider it as a ferry. I think they're just ghosts.

Jack: Yeah. I don't mean, like, it's called a fairy.

Cristina: Oh.

Jack: I'm saying, like, is it, like, is the description the same being?

Cristina: The only thing I got from the description of this ghost is that it has a voice that they hear. I don't think they see this ghost.

Jack: Got you, got you, got you.

Cristina: And then in Scottish folklore, there's, like, three different creatures that are like this. Can I call them creatures or ghosts? Three different ghost stories that are similar. One is called the Little washer Woman. And when they see her, she's usually washing clothes of people who are about to die. So if she's washing her clothes, I guess, you know, I'm about to die.

Jack: How do they know it's her? What does she look like?

Cristina: I think she's actually kind of described as the same as the banshee as the old lady. Like, she's an old lady washing clothes.

Jack: Got it, got it.

Cristina: And then in a second one from Scottish folklore, she's called a weeper.

Jack: I have heard that before.

Cristina: The weeper.

Jack: Yeah, I've heard that before.

Cristina: Okay. Well, do you. What do you know about her?

Jack: I don't know anything about the name.

Cristina: Oh, okay. Well, she also cries predicting death from her cries. She likes to cry at night by waterfalls, stream or lakes, and in glens or mountainsides. She's very found in very specific locations in Ireland. I mean, Scottish Scotland.

Jack: And she also looks like a fairy.

Cristina: We'll say old lady. Got you, old lady, because fairy. I don't know. I don't know. I guess, like the fairy banshee. Yes.

Jack: Sure looks like a banshee. We'll leave it there.

Cristina: She cries over the death of people who are killed in battle. Those are the specific weepers. Yeah, the weeper. It's just people who died in battle. She'll cry for them. And her cries cause people anxiety for their children that are in war because, you know, like, they're like, is it my child that's gonna be dead? Or whatever. Pz, you don't know. Who's she crying for? And there was an event, though, the Massacre of glencoe. And the McDonald's weeper was heard crying all night. People who heard her crying left the place before the massacre.

Jack: So those people lived and then everybody else died.

Cristina: Yeah, everyone else died.

Jack: Interesting.

Cristina: Yep. Yep. And she sounds a lot like the banshee, though, in that they're like. Well, I don't know if the banshee really predicts death, but we can't really tell from when she cries to when they find the death of people.

Jack: Yeah.

Cristina: So, like, it seems like she stops crying when you find the body. So it could be that she's predicting as well.

Jack: Does she sound like she's luring you to the body? Is the cry always heard from the direction of the dead?

Cristina: I don't think so. I don't think so. I just think, like, once you do get the news, then the crying stops.

Jack: I wonder if there's a movie about banshees.

Cristina: Probably. I bet Supernatural has all these creatures.

Jack: Yeah, definitely. They've come across a banshee before.

Cristina: Yeah. And then there's the third version of the Scottish folklore thing because they have so many. Many, I guess, of this similar banshee ghost thing. And it's. This one's kind of creepy. It's when you're sick and you're about to die, she's gonna be outside your door crying.

Jack: But you don't know it's her.

Cristina: No, I guess not. But still, if you hear a lady crying, you're probably like, oh, I guess. I guess this is it. If you're sick and dying in bed.

Jack: That means you're probably in a hospital, in which case you just hear some random person you don't know crying.

Cristina: That's so freaky.

Jack: It just probably means somebody already died in the hospital.

Cristina: That's true.

Jack: And that's exactly where you're at.

Cristina: Because maybe before hospitals were a thing and you were just dying at home. That would be creepy then.

Jack: Unless it's so bad you know you're gonna die.

Cristina: Yes.

Jack: Then everybody around you knows it could just be somebody, you know crying.

Cristina: Yeah.

Jack: It's only if you're in your house and you hear somebody who isn't familiar crying.

Cristina: Yeah, I guess that would be very creepy, though. Yeah. There's. In Latin America folklore, her name is La Giorona, and that means the Weeping Woman or the weeper.

Jack: Yes, the same thing.

Cristina: Okay. It's the same thing. The Weeping Woman.

Jack: And I'm assuming all the rule sets.

Cristina: Work the same this One's a little.

Jack: More complicated because La Giorona sounds like the woman in the white dress. That is usually what they call her.

Cristina: Yes. There is some connection with this one, I guess.

Jack: Yes, yes, I'm very familiar with La Giorona in Latin American culture. That one is identical to the lady in the white dress. You take her home and she goes in and she left. Some bullshit. And you try to take it and then they're like. She was always been dead.

Cristina: Yes. She's always wearing white, I guess, is what she has in common with the woman in white.

Jack: So you're telling me the woman in white and the weeper fused to create La Giorona?

Cristina: Well, she's a little more complicated though, than the woman in white, because in her story, you know why she's weeping?

Jack: Somebody died.

Cristina: Her children's dead.

Jack: Got you.

Cristina: That's what makes her different. She's usually. She drowned her children. Is it part of her story? And I know one of her stories which. A woman who was beautiful, marries a rich man, and they had two children. And one day she finds her husband cheating on her. So she kills her children for some reason out of anger, revenge, and she regrets it immediately. And out of the guilt, she drowns herself. But she can't enter the afterlife without her children. So she haunts. She haunts, I don't know, around. She haunts places, children, I guess. I think she tries to kidnap children. Maybe, I'm not sure. But yes, the reoccurring themes though, of her story, because there's a bunch of different versions of it. And that's just one of the stories of her is the white dress, the crying and the water, because she drowns her kids in the water. So I guess.

Jack: Right. Sometimes she's wet, sometimes she looks like she just got. She was drenched.

Cristina: Yes. There are white women stories, though, that the woman is also wet, but not relating to drowning her children, usually because.

Jack: She'S out in the rain.

Cristina: Well, the one that I read, one of them was that she. I think she was in a car accident.

Jack: It was raining.

Cristina: She was in a car accident and she actually. She drowned in a lake or something.

Jack: Oh, I know one that she was in a car accident while it was raining. And there was one where she forgot her purse and in. What was it? She left her purse in a cab, got out or she lost it or some s*** like that. Oh, and then she couldn't get in because her phone or some s*** was in there. Or maybe phones didn't exist. Whatever. She couldn't get in Contact with anybody, and she wandered into the woods or whatever, and she went missing. It's because she died in the woods.

Cristina: Yeah, there's quite a few in the woods.

Jack: Yeah, it was raining. And that's why she's wet.

Cristina: That's why she's wet. The. Oh, there was one in Canada, one of their famous white women. She felt she.

Jack: Women in white.

Cristina: Women in white, they call them both ways for some reason. Either or. But the woman in white is better, I guess. And she was gonna marry someone. I think he went to war. So she. She jumped off a fall that they have over there. They have many falls. Well, she jumped off one of them in her wedding dress. Of course, that was the white dress. Not all of them died in a white dress. In a wedding dress, but they're all usually white still. The dress that they are wearing. Some of them white dresses, Some of them wedding dresses. You've heard of the wedding dress ones?

Jack: I thought they were all either a wedding dress or some variant of it.

Cristina: Oh, okay. Because I'm assuming the lady that kills her children even though she's wearing a white dress, isn't wearing her wedding dress. I don't know. That's kind of crazy. But I mean, maybe she is. Like, who knows?

Jack: Maybe she put the wedding dress on and then killed her skids.

Cristina: Yes. Whoa. I guess that. Then that's really revenge to her husband.

Jack: No, that's madness.

Cristina: That's madness. Okay, well, in Mexico, they tell these stories to the children to encourage them not to wander off after dark. So she's like a boogeyman type of situation. In America, part of their story is that they could hear her screaming or crying while she's walking around near water or in the dark. So to scare the kids from going out there. Yeah, where they don't want the kids to be. In Venezuela, the story is a little different in that she has to raise her children alone because the father died in war. And she just. I guess she got tired of that and decided, I'm gonna kill my kids. And then her spirit now kidnaps and kills other people's kids.

Jack: Okay, so it's basically the same story.

Cristina: Yeah. Except in this story, families put wooden crosses above their doors to ward her.

Jack: Off because they think she's some sort of a demon.

Cristina: Yes. Which is like the Lilith story, which I want to talk about. Lilith. Do you know her?

Jack: Lilith is a biblical creature.

Cristina: Yes. She's from the. Well, she's not really from the Bible. Like, she's not in the Bible, but in an early Jewish interpretation, Of the Bible she appears, I guess. And the first Eve, they call her because she was made like Adam in the beginning, you know, instead of Adam. And then Eve threw Adam's. What is it? His. Something.

Jack: Yes, his rib. While Adam was created. And then Eve was created from Adam to be less than Adam and his servant. To Adam, Lilith was the equivalent. And I believe she predates Adam. She wasn't made at the same time as Adam, if I'm not mistaken. I believe she was made first. As if Lilith was the first person.

Cristina: Really? Well, I'm not sure about when she was made to Adam, but they were both made from the same ground or whatever.

Jack: And Lilith is not a good person.

Cristina: Yes, she. They had problems, her and Adam, because they had sex problems. Lilith didn't want to lay down. She was not happy with that because they're equals. She doesn't want to be the bottom. And he was like, no, you have to be the bottom.

Jack: So she wants to f*** in that way where the guy is on his back with his legs pushed up and then she sits on his d*** as if she were the one f****** him, but his d*** is inside her. Interesting.

Cristina: Yes.

Jack: She was in some weird positions.

Cristina: Yes. Maybe she wanted them standing up together.

Jack: Or maybe she was a lesbian.

Cristina: Maybe she was a lesbian.

Jack: She was the first lesbian. She's considered the first sinner.

Cristina: She's definitely not a lesbian. I think only because she does, like have sex with people. She's. Before she was in this story, she was a. What's it called? A succubus. She's pretty much a succubus.

Jack: Before she was in the Bible, she was a succubus.

Cristina: Yeah. Like they turned that story into this story because everything's based on other things. The Bible's not the first story.

Jack: So the origin from her in a different culture was a succubus.

Cristina: Yes.

Jack: There was a succubus called Lilith that then got incorporated into Christianity and became Lilith, the first woman.

Cristina: Yes. Do you know about that?

Jack: I did not know that. I knew that Lilith was the first woman and I believe she was the first human.

Cristina: You mean like her then Adam? Right?

Jack: I believe it was her then Adam. Except we wouldn't call her human.

Cristina: No.

Jack: Because human was Adam and everything that came from Adam.

Cristina: Oh, really?

Jack: Yes. The idea would be that if you make two different. Even if they look identical.

Cristina: Yeah.

Jack: Adam is one and Lilith is another. So you'd have an entire name of things that came from Lilith.

Cristina: Yes.

Jack: And are like Lilith, made from her literal matter.

Cristina: Well, good.

Jack: And then entire Tree coming from Adam.

Cristina: She does have children.

Jack: They are not human.

Cristina: No, they're not human.

Jack: Yeah, they're not human because human is Adam and anything that came from him. If Adam mated with Lilith, then those would be human because it would be anything that came from Adam. Yeah, but because they did not mate, it did not come from Lilith. And thus no version of Lilith's offspring are human.

Cristina: Although it's weird, because she does steal his seed and have babies from him. But they aren't humans.

Jack: That's weird, because they should be. Anything that comes from Adam is human.

Cristina: Well, I guess because it's mixing with whatever she is. If she's a whole different thing.

Jack: No, no, no. If she mated with Adam, it would still be. It would be half and half. You'd still calling them human because Adam.

Cristina: Okay, they're called Lilium, and they're earthbound demons.

Jack: Earthbound demons.

Cristina: Yes. She ran away, of course, to gain her independence, like an independent lady. Whatever. And then Adam tells on God. He's. He's like a tattletale. And then God sends three angels to her to get her back. The angels find her in a cave giving birth to their children, and they. And she refuses to go to the garden, so they kill a hundred of her children. I wonder how she reproduces. I wonder what the number was. Unless it was 100 kids and they killed. That or there was, like, she had a thousand and they killed 100 of her thousand kids. But they say, we're gonna come here every day and kill a hundred of your kids every single day until you come back to the garden.

Jack: That's crazy.

Cristina: Yes. So in her revenge, she kills children. Regular kids, I guess, because we're all part of Adam now. So she's killing us.

Jack: Fair enough. She's just taking revenge on Adam's entire bloodline.

Cristina: Yeah. So the death of stillborns and crib deaths are blamed on her.

Jack: Interesting.

Cristina: Yep. Lilith is pretty cool. I don't know. There's like, a debate on, like, is she good? Is she bad?

Jack: No. Lilith is bad no matter what.

Cristina: I know. There's just women who look at her.

Jack: Well, she's not bad bad the way Lucifer is bad.

Cristina: What way is that?

Jack: That he didn't really do anything bad.

Cristina: Okay.

Jack: She had an opinion.

Cristina: Yeah, well, raping people is not good. When she got there, I guess that was bad.

Jack: Well, she was initially not bad.

Cristina: Yeah, she was initially not bad until the angels killed her children, which then.

Jack: Makes it questionable whether she's bad or scarred.

Cristina: Or scarred. Yeah. And then there's In Ancient Greek, a lady named Lamia, she was having affair with Zeus. So his wife Hera killed. Well, didn't kill her. Killed her children. That's one of the stories. She killed her children and then Lamia kills other women's children. And then in the second story, Zeus's wife forced Lamia to eat her own children. And then Zeus gave her shape shifting abilities, which I think is interesting, that she's a shape shifting monster that eats children, which she should have been in our other episode about shapeshifters that we did about eating, but that was about blood drinking, shapeshifting.

Jack: Yeah, it was about blood suckers.

Cristina: Yeah. But she's a shapeshifter who eats children and might have eaten her own children because of Seuss wife. And today she's used as a boogeyman to frighten children. Similar to Il Cuckoo. And then the most popular version, this is a white lady. She's everywhere.

Jack: Yeah. There's no country that doesn't have this story.

Cristina: Even the people we mentioned before this point were probably white ladies. They were probably all dressed in white.

Jack: Yeah. That's what's kind of fascinating about the white lady, that out of all these arguments that one might be the possible one because there's so much s***. But then the thing is, people have stories of oh no, she's this and no, she's that. No, there's a f****** creature that happens to look like a lady in a white dress or something.

Cristina: Yes.

Jack: Because it's everywhere. It's similar to the problem of a chupacabra. You've seen it too many places to say. It's just here now there is the regional story equivalent where. Well, we believe in these things. So it has to take this form when we tell the story. Yeah, but there's one thing they're all talking about that's similar enough difference between Sasquatch and Bigfoot and Yeti is there's the same s***. It's regional. But there's a thing you're talking about.

Cristina: Yeah. Like even the white lady would look different in like her facial features or something. If you had a draw her, she.

Jack: Might in the Middle east she probably has reddish skin. If you're in Asia, she has yellowish skin. If you're in Europe, she probably has really milky skin. If you're in Africa, she probably has dark brown skin. But you're talking about the same f****** thing.

Cristina: Yes, she does the same exact thing.

Jack: All the same things.

Cristina: Yes, all the same.

Jack: So it's basically we could just say that the lady in white is A Banshee?

Cristina: Yes.

Jack: They're the same thing.

Cristina: Yeah. The only interesting. Really interesting thing about the Banshee is that it's family related. So I wonder if the white lady. There's stuff like that. Like you hear her or you see her, if you're somehow related to her family and you just don't know how you're related. Because we have no idea how related we are to a stranger we meet.

Jack: Man. Here's the. Here's the interesting division between the lady in white and the Banshee. The problem is that the Banshee is you're totally. It doesn't have to be family related, but it's warning you of a death of somebody close.

Cristina: Yeah.

Jack: And she's crying at your location.

Cristina: Yes.

Jack: The woman in white doesn't do that. You encounter her in the middle of f****** nowhere.

Cristina: She might be crying in some stories, I'm sure there's a story. She's crying.

Jack: Who's lady in white?

Cristina: Yeah.

Jack: No, I'm not saying that she doesn't cry.

Cristina: Oh, okay.

Jack: I think she's always crying.

Cristina: Oh.

Jack: I'm saying she's not at your house.

Cristina: There's no warning.

Jack: Yeah. She's not at your home crying. She's always wandering the f******, like, side of the woods or some s*** when you see her.

Cristina: Yeah.

Jack: On the road or some crap. Hitchhiking.

Cristina: Yeah. She's always. It's about her life because she's always based on a real person who died in a real tragedy.

Jack: But that's when we tell the story. Like if we break it down to what this really might be and we compare it to the banshee.

Cristina: Yeah.

Jack: We have two different things.

Cristina: Okay.

Jack: They're similar.

Cristina: Yes.

Jack: But they're not the same. Now, everything else we've discussed, I think would fall into one of these two categories.

Cristina: The white lady or the Banshee.

Jack: The white lady or the banshee. I think those are the only two real creatures we've heard about so far. And then the story equivalents. So we've heard of either the Chupacabra or the Yeti and everything else. Like, let's say the f****** creature in the middle of this place. And it's a shapeshifter. Okay. You mean the Chupacabra.

Cristina: Yeah.

Jack: Or, well, this. Bigfoot. No, you mean the Yeti.

Cristina: So then Lilith fits more with a white lady.

Jack: Lilith fits more with the white lady. Yes. Or Lilith might be her own thing, though she might be unrelated.

Cristina: Okay. She is a ghost and she's killing kids.

Jack: It sounds like she's Intentional.

Cristina: Okay.

Jack: But then based on the story, she would be the White Lady. Yeah. Yeah, yeah, yeah, yeah, yeah.

Cristina: He's a white lady. It's not the ones that we're about to talk about, but the ones from Mexico. Or not Mexico, but the South American one that we were talking about. She. It sounds like she wants to kill kids too, because she killed her own kids and she wants to take a ghost with her so she can go to the afterlife kind of situation then.

Jack: Man. It's interesting because it defers quite heavily with the lady in White from North America. She's not a. The lady in white isn't a woman with children at all. As far as we know. She usually dies in her teenage years. Maybe like 17 or 18.

Cristina: She's always young.

Jack: Yeah. And you take her to the house. She was just looking for a ride. She didn't do anything weird to you or anything. Just took her home and she forgot something in the car. And then you take it back to find out that's impossible. She's been dead.

Cristina: Yeah. Oh, my gosh. I do remember a connection to her and the Banshee, though. The original version of the Woman in White.

Jack: Right.

Cristina: There's a popular medieval legend about the Woman in White where she appears in the house of a family member who is soon to die. She's seen as the ghost of the deceased ancestor of that person. That sounds exactly like the man.

Jack: She and the lady in White.

Cristina: And yes.

Jack: She's feeling both. Rose. She's feeling both somebody who's already dead showing up and sort of an omen of death at the same time.

Cristina: Yeah. Like now she's not that version, but this. The older version of the original. The origin. Is that better? Origin.

Jack: Now, this is what's crazy. We have the lady in wine too many places. Obviously, she's not one person. Meaning. But it's also problematic to say that there's a bunch of this exact same circumstance happening. Coincidence would be too exaggerated at this point. There'd be thousands of the same scenario.

Cristina: But there are. It feels like there are.

Jack: Well, let's be reasonable about that. Obviously, the story is being told the same. But whatever they're telling the story about.

Cristina: Yeah.

Jack: Is one thing.

Cristina: Yeah.

Jack: So, like, just being reasonable about it. There's a creature, not a person.

Cristina: Yeah.

Jack: Who seems like a person. Could identifiably be a person. But we could also say the same thing about a succubus or a vampire. They look like people.

Cristina: Yeah.

Jack: But they're not mermaid like. It looks like a person, but it's not, you know, Siren.

Cristina: Yes, it.

Jack: It's not, but it looks like it.

Cristina: Okay, so these fairy ghosts are not ghosts, but more fairy, like for their own creature.

Jack: Well, depends on whether they're. Well, I guess we, we at this point we'd be leaving the fairy definition of Ireland fairies and be talking about maybe not necessarily fairies, because western fairies in our region of Western is more like. I guess. No, those aren't even f******. I guess it would be Asian fairies that we here in the United States envision are little people with wings.

Cristina: Oh.

Jack: So it's wrong to say fairy because whether we're talking Irish or North American, we're kind of off about what the f*** we're talking about. But it is some sort of entity.

Cristina: Yes. That's why I feel like the Irish one is the closest, because it is an entity.

Jack: But it's not a fairy tale.

Cristina: It's not a fairy.

Jack: It's not a fairy. Doesn't fit the description of fairy. Which are little people.

Cristina: Well, they don't. They're not always little people. Just a lot of the time. They're little people a lot of the time. But that doesn't mean they're always like that just fits the story. So they mentioned that one the most, maybe to make them all seem the same.

Jack: Got you.

Cristina: But that could have been, you know, like the story could have been different before. Like maybe fairy people did. Were our size before.

Jack: Yes, yes.

Cristina: They only shrunk in Ireland. They could be spread out. Spread out and just as tall as.

Jack: You know, their normal woman in white and the banshee might be the two variants with Lilith as an exception. That is she is a creature of her own. Or the woman in white. She's the only out of the women in white equivalents. She stands out the most. But she still fits the suit in some categories. While the banshee seems to be a whole other s***. Just warning. And then we have this weird cross pollination of that one event of warning.

Cristina: And also being dead. Yeah. So I don't know more than one creature. One creature.

Jack: I think two creatures, bare minimum. I think three creatures max.

Cristina: Three creatures max.

Jack: I think we're talking about two to three different creatures. And everything else is a regional variant.

Cristina: Yeah.

Jack: People just telling the story a different way.

Cristina: Mm. Probably. Yes. Yes, I think so.

Jack: Interesting. And they look like people is one of the characteristics.

Cristina: Mm.

Jack: They usually embody somebody who's dead. They aren't somebody who's dead.

Cristina: No.

Jack: They appear to appear to be the person who said, if you're a Woman in white.

Cristina: Yeah.

Jack: So whatever that creature is always shows up in white. Even if that person was probably not even wearing white. Maybe there's something about their transformation into that person that only allows that to be the color.

Cristina: Yes.

Jack: So they always look to be wearing white. Thus the woman in white, even if she died in a blue dress, when.

Cristina: You see her, it might be the same dress, but not white.

Jack: Exactly. Maybe they can't imitate these colors. Yeah, maybe we are talking about some sort of shapeshifter that can only embody somebody dead.

Cristina: Oh, you think a shapeshifter? But then that's more fairy, like, because they're very shape shifter too, like.

Jack: Yeah. So they could definitely embody somebody who's only dead. And that's why the story is always the same. Oh, no, it's not possible. And somehow they get the memories of the person too, because they often ask to go to the same place that the person used to live.

Cristina: Yes, Yes. A lot of them are the same place.

Jack: They're hunting the children of people similar.

Cristina: Mm.

Jack: Those that are doing that are feeding. So we can say the same creature two different instances. In one case, they still have the memories of the person somehow.

Cristina: Yeah.

Jack: That being said, all of that being said, maybe the lady in white. Holy crap. Isn't even on the side. We forget to keep talking about this, but maybe they're from the shadow freaking realm.

Cristina: That's where the fairies are from. That's where the banshees from. That's why I keep saying she's a banshee.

Jack: Maybe we're seeing. Maybe she's not taking the form of anything. Maybe we're just seeing her shadow form. Her.

Cristina: You know?

Jack: Yeah, her. This side form from the shadow realm.

Cristina: Yes.

Jack: Interesting. And it might appear as this person or that person. Or maybe using that energy from when.

Cristina: We see her feed, though it matches up with Lilith in that it's children.

Jack: Yes. So there are creatures over there feeding on children from over here?

Cristina: Yes.

Jack: Interesting.

Cristina: That's a strange one. So far, I don't think there's any banshee eating children, though. But when it comes to women in.

Jack: White, maybe Lilith is the first. Similar to, like, Dracula.

Cristina: I mean. Yeah. Like she has children. They're demons. But maybe they're not really demons the way we think of demons.

Jack: Maybe she spawned whatever creature the women in white are.

Cristina: Yes. Yes. Oh, you know, that's so crazy. There's a place, though, that there's like 300 stories of the women in white, which, like, they're called. They're actually Called the Maidens of the name of the location of the place. Because there's so many.

Jack: Fascinating. So there might be a breeding ground.

Cristina: That's so crazy now.

Jack: It's not a breeding ground on this.

Cristina: Side, but it seems like it because they do. There are stories of the real ladies that died. Well that match up.

Jack: You know, the creatures aren't breeding on this side. The creatures manifest where there's energy to manifest through, as we've established. And if all these people have died in this area, there is more than enough sorrow and fear.

Cristina: Yeah.

Jack: To go around. And so they can heavily manifest. So haunted areas are just places with enough energy for these creatures to manifest most vividly.

Cristina: Yeah.

Jack: And the more haunted you are.

Cristina: That's why there's so many women in white in a lot of places. But in this specific, in eastern Russia is where they're at, where there's like a ridiculous amount. It says like 350 of them.

Jack: So then the question would be in that area that they're in, was there some sort of tragedy? Is it considered particularly scary place or a haunted place place or something along those lines that could allow there. We know emotions allow shadow beings to manifest.

Cristina: Yeah.

Jack: Specifically fear.

Cristina: Yeah.

Jack: Is the most powerful of them all.

Cristina: That place is scary.

Jack: Are people scared of that place?

Cristina: I don't know if people are.

Jack: Because it could be self perpetuating. It could be. There was one story, people got a little freaked out about that story. But the fear surrounding every time people went through there allowed two or three to manifest. But then the experience is multiplied because their experience, more people had the same story to tell, which then created more fears. People would go through there, which then in return allowed more fear to linger and more to form. And little by little, anyone have to.

Cristina: Die for these things to be born.

Jack: Maybe just the first lady. Somebody saw something, maybe the right person. Here's what usually happens. Right. Somebody who doesn't know the person goes through, sees the lady in white. There was enough energy, enough here. Whatever case might be, pick the lady in white up. Either their children die or they take the lady to her home, quote home, unquote. And her father tells you the same bullshit. Sorry, she's been there. A little weird event that happened.

Cristina: Yeah.

Jack: But maybe this is the one time that the father was the one driving down the street and he sees his f****** daughter and he freaks out and she gets in the car, he's like, what the f***? Or somebody who does know her.

Cristina: Yeah.

Jack: A family member or something like that. Bob. Her cousin, who didn't know and came the visitor or some s*** drives her to the house. Now the fear is so immense because I saw her.

Cristina: Everyone that knows her is seeing her.

Jack: We saw her. We saw her. She was there. We saw her. This place is haunted. That must have been a demon or something. Now the fear is real. Real.

Cristina: That's why certain locations are haunted. Because everyone's seeing her there. But only like it just took one person seeing her there for a bunch of people to see her there. And then she became a real thing there.

Jack: People have seen the lady in white in different places and they're unrelated. So it's not as scary. It had to be. In order for this place to be of mass ground, some series of events had to lead to the amount of fear that there is relative. Because otherwise every place would have that same amount.

Cristina: So then something else must have happened.

Jack: I'm telling you how it happened. It was somebody who might have known her.

Cristina: Yeah.

Jack: Opposite to a stranger. A stranger picked her up. They were only scared after they were told the story. Somebody who knows or sees her. Holy s***. I was at the funeral.

Cristina: Yes. Okay.

Jack: Now you're like, I'm never going down the street again.

Cristina: Yes.

Jack: And you had to go down there one day for whatever reason, but you didn't see her, but you went through there so panicked the person behind you saw her.

Cristina: Have we ever talked about the haunted road like this though? Like maybe that's why it's so freaking.

Jack: Haunted instead of being a space anomaly.

Cristina: Yeah. What if it's not a space anomaly but some weird energy thing is happening? Like this place?

Jack: Definitely could be. It could. Well we've established that maybe it's not the streets, that the street itself that's haunted, but the forest, the woods themselves are haunted. We just didn't know what we meant by haunted. And what we meant by haunted is creatures from the shadow realm.

Cristina: Yes.

Jack: Cut through because of fear.

Cristina: So there's no such thing as haunted in Linton Road? Yeah, there's a hoarder of creatures in there, but not real creatures, shadow creatures.

Jack: They're real creatures. They're just from the shadow realm.

Cristina: Yes. And in this place in Russia, man, that's so crazy. 350. This is a lot of ghosts. Yeah.

Jack: So I think that's how it happened. It self perpetuated. Somebody saw it, freaked out. It was real fear. Like way more fear than just getting told the story. You saw the person you know is dead. You tell they're like, no f****** way, you're losing your mind. But now they're kind of freaked out. Like maybe he's telling the truth. Rolling down the same street. You see her too? Oh, s***.

Cristina: Yeah. It's interesting because none of these stories, it's random lady. Like, you have a real person who's died or supposedly this person really died.

Jack: I think whatever. Creed. I think they're all. I think we could call them all. D*** it. The problem is we don't have a name for it. The question is, is it different from a banshee? And I think it is. I think the lady in white is different from the banshee.

Cristina: But we can agree they're both shadow people.

Jack: I think they're both shadow creatures. Yeah.

Cristina: Okay.

Jack: I think they're both shadow creatures, and I think the banshee is the harmless one.

Cristina: Okay.

Jack: The banshee is probably the more scary one because it's screaming. Cries, yes. Like, you'll be way more horrified to encounter a banshee, but you're way more in danger with the lady in white. The question is, what creature is the lady in white? Because we know the banshee is some sort of warning creature.

Cristina: Yeah. While the lady in white is just sometimes. Sometimes wants to eat some children. There's some, though, ghost stories I just remembered about. She wants to share gold with people. I don't know why. She has like a gold, like, treasures.

Jack: Oh, no, that's a trap.

Cristina: That's. No. Well, it depends because sometimes she's like, you could have half, and if you're greedy, then death on you. But if you listen to her, she'll. She'll really give it to you. I don't know if there's one stories that there are traps, but the ones that I read, she's honest until you're greedy and then you're dead.

Jack: Interesting.

Cristina: But I don't know how that relates. But that's just an interesting thing I remembered about some of the white lady stories or the lady in white stories. There's another ghost that's similar to the lady in white, but she's not the lady in white. She's a ghost in Nigerian and African schools. She haunts the schools and like, the places the kids are sleeping. Like the boarding schools. That's what they're called. Whatever. And her name is Madame Koikoi. Well, she haunts the schools and she wears red heels. And she is popular in Nigeria, Ghana and South Africa. In Nigeria, there are two origin stories for her. In the first story of Lady Kokoi, she was a beautiful teacher. She liked to be her students. And she was fired for slapping a Student. And one day when she was going home, a car hit her and she died. And then she swore revenge on the school and the students for some reason. And then after she died, I guess while she was dying. And then she haunts the school.

Jack: How is she related to anything? Why did we learn about this one?

Cristina: Because she's a ghost lady. I guess that's how she relates.

Jack: There's a lady? Million other ghost ladies. How do you pick this one?

Cristina: I don't remember. Cuz she's really famous. Like the white lady in white. She's famous everywhere.

Jack: Right.

Cristina: This lady's famous everywhere around Africa.

Jack: Yeah, but the lady in white and the Banshee are heavily related in that they're both women, both crying, both surrounding the concept of death.

Cristina: Yes.

Jack: This is just some random lady who died.

Cristina: Yes. Who kills her children. Which is like those ghost stories where they. She kills children.

Jack: Like the white lady in white.

Cristina: Yeah, the lady in white kills children. Except this lady's killing school children because of her death.

Jack: In a specific school?

Cristina: In specific schools. Yes.

Jack: No, in a specific school. Or does she like swear revenge on the board of education?

Cristina: No, no, no. I guess depending on the school you're at, she's haunting your school because that's how spread out her story is. So.

Jack: So her story is too specific. In the case of the lady in white, there is variance.

Cristina: Yeah.

Jack: Here is the same story.

Cristina: Yes. With different origin stories, though just like little changes to them, but which makes.

Jack: This one sound way less likely.

Cristina: Okay. Even though they're all almost the same. Although one of them, the students, killed her by accident. They were tired of her beating them up, so they beat her up themselves. And one of them killed her with her own shoe. And then she started killing them off one by one like a horror movie.

Jack: So Final Destination.

Cristina: Yeah. So that was pretty interesting. And then there's these other things which I think relate more to the Banshee. And that's why I looked this up. But it doesn't. I don't think we'll find any relations with the women. And why? Because there's these things called psychopomp. I think that's how you pronounce it. And it means the guide of spirits. They're the creatures, spirits, angels or deities. And many different cultures and religions that guide the deceased from earth to the afterlife. Because we don't know if the Banshee is doing that.

Jack: Maybe you mean reapers.

Cristina: Yeah, I guess reapers is a version of it. Because there's many different versions of these things that just. They come when you're dead and they take you to the next place. And who says the banshee's not doing that? Like, maybe they're just crying until you die and then they walk away with you.

Jack: We don't know you aren't dying when a banshee shows up. Banshee's crying because somebody died and they're letting you know.

Cristina: No, but they're crying until that person is dead though. Like why? What if they stopped crying because they're now taking the soul to the next place?

Jack: That'd be weird. Because if somebody's dying far away, they're with you while that person far away is dying. So they're warning you about a person they're not around.

Cristina: Well, they're taking it as a warning. They're not. Like it might not really be a warning to you. They just happen to live where you're living. Like they maybe didn't want to leave Ireland because they love Ireland. It's their home.

Jack: No, no, no, no, no. I feel like you totally missed everything I just said. The ban. She warns you about somebody dying or about to die. See, regardless of where the person who's dying or about to die might be.

Cristina: Yes.

Jack: She's around the people that would care. Oh, okay, so she's not around the dying person.

Cristina: Okay.

Jack: She. How she delivering the soul if she's nowhere near the dying person?

Cristina: No, I guess not.

Jack: So she would be just like a warning system.

Cristina: Yes.

Jack: And then the reaper is a deliverer.

Cristina: Yeah.

Jack: This other creature.

Cristina: Yeah, but the reaper, I guess I'm sure there's another creature that's she.

Jack: I think there's a system of creatures that function in non harmful ways, as well as a sisters and ecosystem.

Cristina: Yeah.

Jack: As well as the system of creatures that function in exclusively harmful ways. Like a wet church.

Cristina: Yes.

Jack: Which is vicious and dangerous for no f****** reason. So I'm thinking, yeah, I'm thinking that the banshee in this case is harmless, as is the reaper.

Cristina: Yeah. He's just there to collect the soul.

Jack: Yeah. I think those are delivery beings to some degree.

Cristina: One example of the guide of souls that I like. They, they depict them as animals besides of spirits and creatures and stuff like that. They also see them as animals that are warning, I mean, that are there for the dead. In different cultures. It could be horses, deers, dogs, ravens, crows, vultures. There's a bunch of different animals. But the one that I think is the most famous of the animals are birds. Like if you see a huge amount of birds waiting outside a home of the dying, you're like they're here for that person. Well, I think that's the most famous cyberpunk.

Jack: It's well known for the crows.

Cristina: The crow. Okay. Yeah.

Jack: So crows are considered an omen of death, as well as black cats.

Cristina: Yeah. So those are the animals that are gonna, I guess, take the soul with them.

Jack: Interesting that you would say that, because in both the case of crows and the case of cats, they're usually not being noisy or anything. They're just waiting.

Cristina: They're just waiting.

Jack: They're just waiting. Specifically cats. Black cats. A black cat sitting on you while you are in a hospital is a bad sign.

Cristina: Okay, that's interesting.

Jack: Yeah. Like it's about to wait for your soul.

Cristina: Actually, I've heard of dogs, too. Of dogs in the hospitals would do the same. Like they would go to the person who's about to die.

Jack: Yeah. Before they die. Like they know ahead of time you can smell the death.

Cristina: Mm.

Jack: Well, maybe they're not smelling it. Maybe that's not any normal dog.

Cristina: Yes.

Jack: Or if these deliverers can take over.

Cristina: Creatures, that's possible too.

Jack: Maybe it is a normal dog. Until the liver takes over its body and patiently waits.

Cristina: Mm. What do you think of that? That's pretty interesting.

Jack: So it's a possession that's not violent?

Cristina: No, it's very peaceful in a way. Like the death. Or hopefully the death is as peaceful. Yeah.

Jack: Interesting. Interesting. The shadow realm has quite a couple of weird things in there. We got to keep these investigations going. I must see if I can catch. Like I said, with more information that we get, maybe catching a banshee becomes possible.

Cristina: Oh, snap.

Jack: Using science, using any means, we might come across any information based on what we learned. Right. I'll know more where to find a banshee as well as, apparently, I gotta find a woman in white to see if that is a creature of its own. The banshee doesn't seem harmful. The woman in white seems dangerous.

Cristina: What if she's the bad version of the banshee, like we had? Did we decide to scrap that idea?

Jack: No, I. I know what you're talking about, and I was thinking about it earlier, which was that maybe the woman in white is a type of banshee that has become feral. A feral banshee.

Cristina: That's what you were calling them. Feral. Right.

Jack: But the only difference is that we don't know that a banshee has lost anybody or that the banshee has even died. The banshee might not never have been human.

Cristina: No, I don't think so.

Jack: Then Again, the lady in white might just be inhabiting humans or looking like humans that were once alive.

Cristina: Mm.

Jack: So they might not necessarily have ever been humans either. It's still. They sound so different either way.

Cristina: Yeah.

Jack: Like we can see how a wet judge and a wendingo are the same.

Cristina: But they don't look the same either.

Jack: They behave so similarly.

Cristina: Yeah.

Jack: While these two. Like, they behave so similarly and similar to werewolf, almost.

Cristina: Yeah, There's.

Jack: There's real tight connections there.

Cristina: Well, in.

Jack: While here, there's the big discrepancy in behavior. Like, big. The only commonality is the crying. And not all the women in white cry.

Cristina: No. But a lot of them, I think, do.

Jack: Yeah. So there are some. And the person might have actually died. That's. I guess that's another similarity. They think the person who died became the banshee.

Cristina: Yeah.

Jack: They think it could just be that this creature is taking the shape of somebody dead.

Cristina: Yes.

Jack: To then warn them of death.

Cristina: Yes.

Jack: So I guess there are some similarities to look at.

Cristina: So you might find a connection that we're not even thinking about right now.

Jack: Yeah, exactly. Exactly. There's a line I'm not even thinking about.

Cristina: Yep. Interesting. The psychotrop. In ancient Egypt, they had a God named Anebus. Do you remember him?

Jack: Right, he's the sort of Egyptian God of death or some s***.

Cristina: Yes. He's the. He's a guide of souls.

Jack: Oh, yeah. He's a spirit guide. He's actually not the guide. He's not the death bringer. No, he's the soul deliverer. He's the soul deliverer who delivers it to. Who's gonna weigh it.

Cristina: Yes. Yes, that's exactly. So he's a. Whatever these are called again.

Jack: Reapers.

Cristina: Yep. Reapers. I guess reapers are easier word than calling them psychotomps.

Jack: Maybe it's the same thing. Maybe we're literally talking about the same thing.

Cristina: Yeah. In the Greek mythology, there's the ferryman. Sharon. I don't know his name, but I know the Greek. You know, the ferryman from Hades, that you have to go on his boat to go to the.

Jack: Yes.

Cristina: River. Across the river.

Jack: The river Styx.

Cristina: Yeah. Yeah. So when you die, a family member puts a coin on you so that when your spirit goes there, you could pay. And if you don't pay, you got to stay there a hundred years and wait again to cross. So. And then in Norse mythology, the Valkyries are choosing their favorite warriors to go to Valhalla to be part of Odin's army, because he's preparing for Ragnarok So he's building this army. So they're taking the best warriors for that. And then in modern day, the Jewish reaper is the archangel Samuel, whose row is both as the angel of death and the accuser. I don't know if you heard of that archangel.

Jack: No.

Cristina: And then in many cultures, there's the shaman who both plays the. That person that takes the soul to the dead, but also helps bring people to. Helps in giving birth to people. Like, I guess he would be there when you're. You're giving birth to your child.

Jack: The shaman.

Cristina: The shaman.

Jack: Interesting that I've never heard that name for it. But a very old version of reapers that I've heard are the same, and they're represented with the numbers 1 and 9. And the goal is that they bring their soul delivery in every direction.

Cristina: Yes. Well, the shamans are like that. Yes, exactly like that.

Jack: So the reaper I was thinking about this whole time was a shaman.

Cristina: Yep. Wow. And then in the Philippine culture, they think that the ancestor spirits are the ones that are the reapers. When a person who's dying calls out to call someone's name that's, I guess, dead. Like if you called your mother's name while you were dying, then it's because your mom is there to take you to the next life.

Jack: Interesting.

Cristina: And that's their thing. And that's pretty interesting because a lot of people probably say someone who's dead already name or whatever. But in. And In Christianity, there's St. Peter, Michael the Archangel and Jesus are thought of as the reaper. Yep, yep, yep.

Jack: Anyways, we're out of time, and that is definitely fascinating. I didn't know how closely related to banshees the women in white were, but there's definitely some lines crossing there. So as we go and find ourselves one of these s****, we got a experiment. Experiment. We got to find out. Because if we find two different things, that's crazy, but maybe they are related the way a wendingo wetcha and a werewolf are.

Cristina: Yes. Like, it's. It's gotta be. It's there. Like we can, like, glimpse at it. We can't really see it as well as those creatures, but it's like there's a tiny glimpse of.

Jack: There's some connection.

Cristina: Connection?

Jack: Yeah, they're either similar or the same.

Cristina: In different ways or like they're different types of the same thing.

Jack: Like a beaver and a badger.

Cristina: Yes. Oh, that's a good example. If you guys heard the shadow people story, not the shadow people. Which episode was that with the beaver and the badger?

Jack: And that was the Shadow Realm. Yeah.

Cristina: Okay. Yes. You guys check that episode out.

Jack: Yeah. Interesting.

Cristina: Yeah.

Jack: If you guys are interested in things of this nature, episodes of this type, there are many, many, many. We're building our understanding of the Shadow Realm as we move forward in order to capture some of these f****** on this side and find out what the h*** is going on with that.

Cristina: It feels like we're playing Pokemon.

Jack: Yeah. Catch them all.

Cristina: Yeah.

Jack: And so, I mean, our prison is getting nice and packed. I like it. I mean, it's 95% just like reptilians.

Cristina: Yeah.

Jack: But that's fine. Whatever. It's like, it's realistically 99% reptilian. It's a f****** planet worth of Reptilians and random s*** we added to it.

Cristina: Yeah.

Jack: So it's like really, like 99.99% reptilians.

Cristina: That's a lot of Reptilians.

Jack: Yeah, but we got other s*** in there. Cat people and our guards who are subhumans. Oh, there's a s*** ton of cat people.

Cristina: Yeah. And roach people. I'm not sure. No, no, that's rare because we killed.

Jack: We destroyed a lot of them. Anything that was left was just not on planet.

Cristina: Yeah. So a few roach people, but they probably don't. They multiply like crazy. Yeah.

Jack: They're probably building an army.

Cristina: So. Yeah.

Jack: Yeah, there's probably war gonna happen at some point, but we got Reptilians to toss at them.

Cristina: Yep.

Jack: We're ready. We're getting ready. We just got to brainwash everybody we got.

Cristina: Okay.

Jack: And we might have, like, ethereal beings on our side. Whatever. Anyways, if you guys want to hear more of those episodes, you can find the Shadow Realm episode. There's a Shadow Piece People episode, which is part of Groundhog Day episode, which you found out about all this s*** in the first place. And some Adrenochrome episodes and s*** of that nature to get caught up on what we're talking about.

Cristina: If this lawsuit and the Ireland episode, the Irish folklore.

Jack: Yes. So you can find all of those things@graythoughts.info or on Apple Podcasts, Spotify, or anywhere you get your podcasts.

Cristina: And you can reach us on Facebook, Twitter, Instagram, and TikTok @JustConvopod.

Jack: Yes. And remember to subscribe and to rate. And if you feel so inclined, review.

Cristina: The show and let someone who might like this show know about it.

Jack: Yes, word of mouth. Very important. Find people who watch that garbage f****** show. Ghost. Ghost Adventures, where the guy gets that super Buff, jacked up guy who could, like, knock out a ghost in one shot.

Cristina: Yeah.

Jack: Is just scared of everything he ever sees. See, if you know people who like that, then send them over here like this, tell them about this show, and they'll tune in and realize, oh, that's what they saw over there in Ghost Adventures.

Cristina: That's why they were that scared.

Jack: That's why they were that scared. Or that guy's a b****. That is a total coward. So, yeah, no, you could do that. Tell your friends, be like, hey, you like ghosts? I gotta show about ghosts for you.

Cristina: Ghostbusters. Yes, this has been the Just Conversation podcast. Take nothing personal and thanks for listening.

Jack: Bye. He's scooping the poop.

Cristina: Who's poop?

Jack: He's scooping his own poop.

Cristina: His own pool.

Jack: He says it. He's scoop of the poop. Scoop of the poopa de poop. Scooping the poop that you scoop. He's scooping the poop that.

Cristina: I don't know if that's right.

Jack: Amen. We know he's scooping poop.

Cristina: Yes.

Jack: And we know the poops being scooped.

Cristina: Definitely.

Jack: In order for this poop to be scooped, there must have been poop.

Cristina: Yes.

Jack: So somebody pooped. No other characters are mentioned in the story other than the fact that he's scooping poop.

Cristina: Yes.

Jack: There's no cats, there's no dogs. There's no. No other person. Nothing else is mentioned other than the fact that he, the singular character, is.

Cristina: Cooping poop, but he doesn't say it's his poop. What if it was just poop?

Jack: It's not. It's from where? There's no other characters in the story. No other characters in the story. There's one character.

Cristina: Mention of someone else.

Jack: No, there's one character in the story. Him scooping the poop. Meaning it's his poopy scooping. Okay, this is writing 101.

Cristina: Okay. It's his poop.

Jack: It's not a magical poop that popped out of nowhere and just exists without a beginning and end. How do you know it's just always existed there?

Cristina: Yeah, that's why he's always scooping it, because it keeps reappearing.

Jack: No, the song is about the one time he pooped and then he scooped his poop.

Cristina: Just one moment.

Jack: Yes. It's about. Isn't that all songs are about a moment or an event, a series of events related to each other? If it's not one moment. But this sounds like a song about one moment where he was just scooping poop.

Cristina: Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by great dots.info art by Zero Lupo and logo by Seth McAllister. With social media managed by Amber Black.

Rambling 118: The Shadow Realm

The Just Conversation Podcast, The Shadow Realm, Comedy, Funny, Fringe, Jinns, Shadow People, Just Conversation, Weird, Ghosts, Monsters, REalms, Dimensions

Where do shadow people come from? And do we have access to their world? Unpacking the nature of the Shadow Realm and its inhabitants on this exciting episode!

Story:
Following the discoveries and sacrifices of Groundhog Day, the duo embarks on a quest to understand the creatures formerly known as shadow people, now identified as Jinns. As all the investigative research the duo has done over the years seems to point in the same direction, an entirely new realm reveals itself as the source of most fringe activity.

+Episode Details

Topics Discussed

  • Jinns
  • Adrenochrome
  • Genetic Mutations
  • Dimensions
  • Angels & Demons
  • Shadow Realm
  • Limbo
  • Chupacabra
  • Werewolves
  • Powerful Emotions
  • Groundhog Day
  • Sasquatch
  • Reapers

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+Transcript

Cristina: This program contains strong themes meant for a mature audience. Discretion is advised.

Jack: Going live in 5, 4.

Cristina: What does live mean?

Jack: Welcome to Just Conversation, the show where we ground humanity's most absurd and baffling ideas in childish ways. I'm your host, Jack.

Cristina: And I'm your host, Christina.

Jack: And if you haven't yet, remember to hit that subscribe button to get notified the second new episodes are released.

Cristina: Also, this show is most enjoyable with a listening partner to share opinions and ideas on topics we discuss.

Jack: Yes. So be sure to go find people, tell them, hey, listen to the show. Listen to the show with me. Hey, people. You. Yeah, person. Can you listen to the show with me?

Cristina: As long as they say the whole name of the show, yes.

Jack: You gotta say, listen to the Just Conversation podcast with me. Listen to the Just a Conversation. A podcast with me. And then slowly you migrate into a weird, ambiguous accent that doesn't make sense as you follow them through the streets of New York City or wherever you live until they listen because there's no option. And then they will, because you followed them all the way home, asking, they got on the train. You got on the train. They got off the train in a bus. You got off the train in that same bus. They got out of that bus, called the cops, and waited for the cops in the corner. The cop happened to be your friend.

Cristina: What?

Jack: And now you're both there telling them to listen to the show.

Cristina: What?

Jack: They'll listen to the show because they're scared that the cops are going to shoot them.

Cristina: Why?

Jack: I don't know. It might have been black. Because this is America. Oh, wait, that doesn't happen under Biden anymore, right? That was, like, years ago or something. We're in the future. That doesn't happen anymore. Anyways. Talking about the future. Talking about them New Year's resolutions in life. So, yeah, look. Last time on Dragon Ball Z. Last time on Just Conversation. And then, like, some sound that tells you we're flashing back. I don't know who chose that sound, but it's always the same sound.

Cristina: Oh, that'd be amazing to have.

Jack: Yeah. Last time on Just Conversation. Wait, how do we do this? How do we do this? We just gotta say a bunch of stuff that happened. We talked about groundhogs and shadow people and. Okay, Last time on Just Conversation. The shadow people are gonna bite our heads off.

Cristina: The groundhog is gonna look at its shadow and its shadow is gonna communicate with it.

Jack: Shadows can walk on all fours.

Cristina: Beavers, the winter solstice.

Jack: It's spring equinox.

Cristina: Zombies. Aliens.

Jack: Christ, the church. Adrenochrome.

Cristina: A lot of blood. Just so much blood.

Jack: Ghosts and djinns.

Cristina: I don't know. I have no words. And the words.

Jack: The exciting conclusion on this episode of Just Conversation. Okay, now that we got that out of the way. So, as you heard in our exciting recap of what happened last time on Just Conversation, we were talking about Groundhog Day, which led us through this weird vortex of other things that apparently all connected and we never saw the strings connected them in the first place. Which is completely astounding because who the h*** knew that everything is all and all is everything? I guess whoever created the hermetic principles knew it.

Cristina: He knew everything is all and all is everything.

Jack: Yeah, he knew. He knew. He could have told us.

Cristina: Yep.

Jack: He could have been like this. Is that like. Nah, I don't believe you.

Cristina: This shadow, is that alien?

Jack: Yeah, it's all the same thing. What? No, it's not. And like it turned out to be. So a clearer recap is that groundhogs get given adrenochrome, or a specific groundhog gets given adrenochrome. And that groundhog became a super intelligent human level intellect creature that is immortal. At least consciously immortal. Its physical body will eventually die, although its physical life has been elongated significantly. It could live hundreds of thousands of years for all we know.

Cristina: Thanks to that adrenochrome.

Jack: Thanks to that adrenochrome. And he belongs to a group, a club that has many people who take adrenochrome and give it to many animals. They all get abilities and help society or people or cults in some manner, shape or form. Who knows? They help somebody. Either that or the church made up all of this, which is definitely a possibility. But let's ignore that possibility. Anyways, chasing this information deeper, I have uncovered the doors to the truth.

Cristina: You found the truth?

Jack: Well, I found a bunch of crap. I don't know whether it's true or not, but in diving deeper in looking into this, in trying to comprehend the true wokeness. About what? Because we. We established that humans that take adrenochrome become temporary vampires until the day that their body dies. And then they become djinns in the afterlife, which isn't really the afterlife, but rather this plane of existence in some other kind of way.

Cristina: Yeah.

Jack: Anyways, anybody who takes it gets special abilities, lives a very long time and whatnot. Humans become this thing called a djinn. That's kind of like a shadow person. Now I started following the shadow person trail down the yellow brick road.

Cristina: More info than I got.

Jack: Yeah.

Cristina: Cool.

Jack: Yeah, about the yellow brick road.

Cristina: Is that related to the shadow field?

Jack: Anyways, I started following the trail, questioning, finding creatures, murdering creatures, and then asking questions. I kill first, I ask questions later. Okay, but they're immortal anyways, so I kill them, they become their ethereal version. And then I question that. Oh, makes perfect sense, right? I went to the subhumans, the sub humans created for me using their extremely excessive advanced brain power that I don't know why they haven't used it to overthrow us yet, but whatever. And they made me a basically Ghostbusters esque bottle that we've been calling the genie bottle.

Cristina: And you've been catching shadow people?

Jack: I've been murdering anybody who's had adrenochrome, turning them into a shadow person, but having the bottle to catch them in.

Cristina: Ah.

Jack: And so now they're trapped in those bottles and I don't let them out, but I can destroy them in there, so they have to tell me. And I've learned a couple of things. I've learned many things about shadow people.

Cristina: Like what?

Jack: Well, a couple of things. First of all, when you are a shadow person or a shadow being, let's use that term, because to say shadow person entails something very specific. When there is a multitude of bullshit that can take adrenochrome and become a creature that later becomes an ethereal version of itself. And so any creature that takes adrenochrome becomes a sort of shadow creature, crosses over after their body is deceased. And there is usually goes in three stages. They have their normal born form.

Cristina: Yeah, they're the human.

Jack: The human hyped up that we were talking about before and previously on Dragon Ball Z. So just go back and listen to that if you haven't caught up. And when you do, you know what we're talking about.

Jack: Anyways, so we know that there's stages. What we're wrong is about how the stages work. It seems like everything has the same three stages. You have your born form, you become a different thing. When you have adrenochrome, your life is extended dramatically, which from the perspective of the average person seems like immortality. You're mortal, just not physically. You are given in many cases, incredibly heightened intellect, but not in all cases.

Cristina: Really?

Jack: Really. That blew my mind. Your intellect does not skyrocket in every case. In most cases it does.

Cristina: You mean like from case to case are like all humans skyrocket or they're all.

Jack: Yeah, it depends entirely on how your DNA behaves. Okay, to the adrenochrome. Because adrenochrome is not just blood and adrenaline, but there is DNA in that blood. And how this functions is. It's got to become part of your body. You have to digest this. And so it alters the bodies of everything, everything differently. So the abilities that every creature has is completely different. The development they have is completely different. Although there's common strings that show. It seems like in every case your life is extended.

Cristina: Okay.

Jack: It doesn't seem to be in a situation which that's not the case.

Cristina: You haven't seen anything like that or heard, I guess, told of anything like that. Yeah.

Jack: But the intellect seems to vary depending. And that sort of leads to what we were trying to figure out before. About whether what? Like what guides something to be feral in the first place? Place.

Cristina: Yeah.

Jack: So, yes, if you have adrenochrome and then you stop having adrenochrome, you can get feral. But some creatures will immediately become feral, feral off of the adrenochrome. And this leads to some of the creatures we understand as mythical creatures.

Cristina: Okay.

Jack: Because they were simply a normal creature that took. It became this immortal being is already feral. So without it doesn't make a difference because you're already feral. So they don't need it. They don't go for it. Although anytime they kill anybody who's horrified, they still get it anyways.

Cristina: Yes. So feral, like a raccoon or something.

Jack: Pharaoh, like a crazy demon hound that just wants to kill and eat. So there are stories of these creatures spread out throughout folklores. Different religions, different belief systems, different ideologies of all sorts. People who believe in all numbers of things, and they take many different shapes and forms, and we've discussed many of them previously. So again, another reason for you guys to go back and check out previous episodes. Things like the Chupacabra.

Cristina: And what is the chupacabra? Originally, it's a coyote. Coyote.

Jack: Something that would hang out in desert, like, areas mainly.

Cristina: Mm.

Jack: That somehow took adrenochrome. And here's. This is the other problem. You don't have to give an animal adrenochrome for an animal to get adrenochrome.

Cristina: What do you mean?

Jack: Adrenochrome is just blood with high doses of adrenaline. If a person strays out into the desert, a hungry coyote is out there. They're not thinking adrenochrome, but they f****** kill a guy. But that guy trying to survive for that time, adrenaline floods their whole system.

Cristina: So just by eating that person, despite.

Jack: That person, they've consumed adrenochrome. Adrenochrome lands in their body and it changes them. And it changes them.

Cristina: Whaa.

Jack: Now, the reason this doesn't happen so often is because it needs to be a particularly high dose of it. But occasionally that dose does happen and then the mutation takes place, because that is what it is. It's a mutation, a genetic mutation that takes place. In the case of humans, it's particularly difficult to get the mutation to happen unless you have brutally high doses of adrenochrome. And it seems that the DNA that creates adrenochrome is primarily human DNA. You can get it from other sources, but you need so much of it.

Cristina: So you need. So just a living creature eating a human? Pretty much, yes. Is good enough.

Jack: It would have. It's not just any human.

Cristina: Not any human.

Jack: Somebody who produced a lot of it.

Cristina: Yes.

Jack: So just random cases of somebody dying. They might have not produced enough. They could have been horrified and scared, but it wasn't enough. It needs to be a crazy high dose.

Cristina: And what are some of these special adrenochrome creatures?

Jack: Well, primarily the. What we were already talking about, which is, for example, the Chupacabra is just a coyote. We can attribute this to being in the desert, people wandering off, getting lost, being in the territory of f****** coyotes, which are essentially wolves of a type.

Cristina: Yeah.

Jack: And the f****** coyote, you know, it does whatever. F***. It's nature. It's going to do whatever the f*** it's going to do. Then it's a person. Occasionally they come across the right person that has a huge dose of adrenaline as they try to survive and then.

Cristina: They turn into the chupacabra and then they crave blood.

Jack: They don't crave blood necessarily. They're just a mutated feral creature. They are faster, they are stronger, they are more agile, and they consume food differently because of the mutation. This is what leads us to believe they drain creatures of blood. They probably do. But it's not like they're looking for adrenochrome necessarily. It's not that they're actively seeking blood. This is just their method of feeding.

Cristina: You don't think they're all looking for blood?

Jack: I don't think they're looking for blood for the reasons we attribute.

Cristina: Okay.

Jack: I think it's just a creature feeding.

Cristina: Okay.

Jack: I don't think they have any special value other than survive.

Cristina: Yeah. Although if they were looking for adrenochrome, that's what's keeping them alive. Or does just whatever they're eating, keep them alive.

Jack: Then again, maybe they attack enough animals. Because we hear stories of the Chupacabra clearing out entire fields.

Cristina: Yeah.

Jack: In one night. So my cows are fine one night, the next night all my cows are dead. They're drained of blood. Maybe it was just looking for the high dose that it needed to get. Because it's not humans. It needs to get a f*** ton of it.

Cristina: Yeah. Because if it's an adrenochrome thirsty creature, then it's looking for fear of blood. And maybe the animals aren't scared of it like they would be normally.

Jack: But the, the reasoning here is that it's not necessarily looking for adrenochrome.

Cristina: Okay.

Jack: There's no reason for it to. And some of these other cases are going to be the example of it.

Cristina: Okay.

Jack: While some of these are gonna support that argument, the Chupacabra, when we're trying to decide what turns into what when they become their ethereal shadow version. Which is which I should probably specify. The shadow creatures are a sort of energy type. I've been calling it a frequency. The best way to describe it is that the shadow realm is a physical, non physical space. It's a place you can go to.

Cristina: Physically, but you can't physically.

Jack: Sort of kind of it's way.

Cristina: Only these creatures can go there.

Jack: Not necessarily. So the shadow realm, which is what we will title it, is a sort of frequency in that it's a different state of being. Nothing there is dead. There's nothing there that's dead. It is just a different type of thing. If we think of the difference between like an angel, a human. Like an angel isn't dead. It was just born in a different state or something.

Cristina: Yeah. Okay.

Jack: The same idea would apply to a shadow person. You're sort of going into a different state of being. The best way to think about it is one. Oh, what is it? 100.3 the radio station and then 89.5 the radio station. You can't hear both of them at the same time. Not on one radio. But you can hear both of them on one radio.

Cristina: Yeah.

Jack: Just not at the same time.

Cristina: Yeah.

Jack: It's a frequency that you got to tune into to get there.

Cristina: Okay.

Jack: The same way we kind of exist at this frequency where photons create visuals that are processed by a brain and whatnot. There's a different state of being that functions completely different. The laws of physics there work.

Cristina: Completely different laws of physics.

Jack: Yes. Because it is a different state of being.

Cristina: Okay.

Jack: It is a different frequency that doesn't apply. So the best way to think about it is similar to a pocket universe that sort of exists within the same space. It's kind of like that, except it's more of a parallel universe.

Cristina: Okay.

Jack: And it's stacked on top.

Cristina: That's weird. Remember when we were talking about ghosts and how it could be the past or the present? Does that relate somehow?

Jack: Not necessarily, no. Because ghosts are happening actively in our own version of reality.

Cristina: Okay.

Jack: At our own frequency. A ghost is happening at our own frequency, just at a different time.

Cristina: All right?

Jack: While that is taking place at a different frequency entirely, another way to think about this would be to say what does your soul look like?

Cristina: What does my soul look like?

Jack: Yeah, your soul's there. It's your consciousness or it's your spirit or it's something.

Cristina: Something.

Jack: Yeah, but it's sort of doesn't exist at this frequency. Where is your spirit?

Cristina: Are you saying it's in the shadow realm?

Jack: Your spirit is in the shadow realm.

Cristina: Doing what?

Jack: It's connected to this side. Your movements here appear faded and translucent.

Cristina: Over there.

Jack: Over there?

Cristina: Well, the things over there look faded. Over here.

Jack: Over here.

Cristina: What?

Jack: Well, we see as shadows over here are figures that exist on that side and vice versa.

Cristina: So those aren't different creatures. Those aren't the deaths of the creatures that are here.

Jack: Those are the physical release of the creatures that are here so that they take primary existence over there. But what we see doesn't stop them from existing over here. And the same way think of dimensions you exist in the second as a shadow, a literal shadow, not shadow people from this other dimension that we're called. But like when light is cast on you, there's a two dimensional cast on the ground.

Cristina: Okay?

Jack: That is a shadow. That is a two dimensional representation of yourself. Yes, that is still you. Anything you do, it does. But a two dimensional render in the fourth dimension. Your entire timeline exists, but right now you're just a moment of that timeline. Yes, that's still you. And the movements that's making. You're showing a reflection of, this same universe stacked on top is you're behaving the same way over there, except you're not influencing anything over there. Now that does not mean you couldn't influence anything over there if you didn't if you wanted to.

Cristina: How? What do you mean?

Jack: There are many, many, many, many ways to get there.

Cristina: But we're over there. But we can go, go over there too.

Jack: You can manifest control on that side. You have to think of it like this. If you remember the perceptual layout. Yeah, you're at all times one and the other one is the other.

Cristina: Okay. So you're pretty much taking control of that version of you. It's not really you physically going over there.

Jack: Well, it is physically you. I'm using that as an example because the. The perceptual layout is two different beings, but in a different. We gotta assume you and your subconscious is totally different than you and your shadow form. Those are two different things. You are your shadow form.

Cristina: Yes, but I can meet up with my shadow form in the shadow realm.

Jack: You could release control on this side and take control on that side, but you can never control both at once.

Cristina: Okay.

Jack: Some people say that they astral project.

Cristina: Okay, that's what I was thinking of. Okay.

Jack: And the place they wander. The reason that they can't interact with anything here, but they can't interact with things is because they're interacting on that.

Cristina: Side and it looks like this side.

Jack: Yes. This is where we enter a little more nuanced detail about what the shadow realm even is.

Cristina: Okay.

Jack: It looks like the shadow realm. The shadow, I guess. Yeah, shadow realm. We'll call it the shadow realm. And then this is the physical realm.

Cristina: Yes.

Jack: So the shadow realm and the physical realm seem to have been created simultaneously. They've existed since one, the other always. They came paired. Just like whoever made the hermetic principles. Duality took place in the creation of our understanding of the universe. And so the universe we're stacked on top of is the shadow realm. Now we exist on both. And I use universe loosely because universe would be different people, it would be different beings that have nothing to do with you. It's a different universe, but it's.

Cristina: It is you.

Jack: No, I use the term universe loosely. Realm would be the most accurate representation. But using the term universe might help science minded people understand it better. Yes. So realm is the most accurate word because you exist in all realms simultaneously, similar to how you exist in all dimensions, except all dimensions are part of a single universe. Universe.

Cristina: What are.

Jack: All realms are different from one another and don't necessarily exist within the same physical spaces. I guess we could think of vertical axis is dimensions, second dimension, third dimension, fourth dimension, fifth, so on and so forth. Realms we would put in a horizontal axis. So there is a fourth dimension to a shadow person.

Cristina: Okay, that's. But is that fourth, is that related to you?

Jack: That's you. The fourth dimensional shadow you is equal to the fourth dimensional you.

Cristina: Okay. Okay. Yeah.

Jack: Yes. Now you can never be both simultaneously in control and you appear as you. Now, it seems to be that you're stuck on one unless you're in the other. Always so ways that people get there as they're projecting. When monks are discussing sort of using their mind to take apart reality, they're affecting the other side.

Cristina: Okay.

Jack: And this is a duality that you permanently exist in. Now, when your physical body dies, you have nothing to come to this side and hold on to.

Cristina: So you go to that side.

Jack: You primarily exist over there.

Cristina: Okay. But you can still pop up here.

Jack: You can. Yeah. You show up as the shadow that you'd be. Yeah, as the. And you can influence things over here the same way you can influence things over there. But when you're on this side, your influence over there is ethereal and ghost. Like you aren't physically fully there. You could f*** with s*** on that side the way a ghost f**** with s*** on this side. Like you could. Ghost is a loose term, but spirits, demons and crap. Let's say a demon is on that other side and it comes to f*** with you and it's showing up in the middle of the night and you got sleep paralysis and it's just there watching you and scaring you and stuff.

Cristina: Yeah.

Jack: You could do that over there. You won't physically fully be there, but you could interact with things.

Cristina: You won't fully be there.

Jack: Somebody could pass their hand through you.

Cristina: Okay.

Jack: And they can't really make out how you look. Exactly.

Cristina: But there are things that are there that are physical.

Jack: Yes. And the people who are on that side who take adrenochrome and become the vessel that can then cross over, are fully there. And they were on this side fully. Basically, when you die here, you technically also die over there.

Cristina: Okay? What?

Jack: That's exactly how it goes. You will cease to exist on both sides because they're equal.

Cristina: But this shadow version of you still exists.

Jack: Yes, but your physical body ceases to exist. So there's nothing in the physical realm that can contain you. But you've. You have in fact achieved immortality. Yes, that is without a question. So your body dies because your body cannot be immortal. But you as a being have achieved immortality. And in the shadow realm, you don't have a physical presence per se. It's different. It is something. But it's not this physical presence.

Cristina: It's a. Some. But it's not some type of physical presence.

Jack: No, it's some type of something physical is only in the physical world. That only exists in the. That's the importance of that name is only the physical Realm has physical things. Yes, There's a space to travel. And that universe looking thing is infinite and it has structures and places to enter. But physical is the wrong word because it's not. The creatures on the other side have achieved pure immortality, but their bodies cannot. So they just exist on that side. Your existence is fully over there. You should have died. Because we're primarily over here a lot of time. And the creatures that are over there can influence over here, but when they die over there, they cease to exist. But you've achieved immortality that some of them don't even have because they're.

Cristina: They still need adrenochrome to live forever. Like we.

Jack: The creatures that are of that plane naturally and purely, that seem like ghosts to us, but they were born on that side, don't need adrenochrome, they're just gonna die. I guess if they could get a hold of adrenochrome, but they should, they would have to know about adrenal chrome.

Cristina: In the first place. So they can die.

Jack: They can still die.

Cristina: Yeah.

Jack: It is a whole different thing, but very similar. It's again equal, but different. Equal but opposite. And so there is that. That's really what's going on. You achieve an immortality, your body dies, you can cross over, but your body can't cross over because your body will wither away. There's nothing physical over there for your body to cross over as. So that gets abandoned. But you're still present now as a being on that end. You can still influence this end the same way that when you were over here, you could influence over there. And beings naturally born over there can influence this side. And there's a numerous amount of shadow beings over there. But let's discuss what the space that's there is like. Yes, it is identical seeming to this side physically.

Cristina: Yeah.

Jack: So there's buildings that could theoretically be in the same place and look the same. And you could think of it as a reflection, a literal reflection of what we have in the physical realm.

Cristina: So there's nothing off, though.

Jack: There's many things off, which is what's interesting. The best way to describe it is that there are few structures from the material world that have a counterpart. And there are many structures from the material world that don't. The easiest to know, the easiest to understand. Our temples and churches are equal on both sides and usually the easiest gateway between the two places.

Cristina: But regular houses are not.

Jack: No, it requires a person creating the environment that would exist in those places, which is where witchiness comes in.

Cristina: Are these Temples, then they're intentionally doing these gateway things in there.

Jack: I don't. There's no way to really know. There's no way to really know if the gateways are intentional or if it's just a natural product, because arguably they're made on both sides at exactly the same moment. And nobody was intending the crossover, but it's just a place where it's heightened.

Cristina: Interesting.

Jack: Yes.

Cristina: Churches and temples and.

Jack: And the easiest way to think about it is that the energy that you put out in the physical realm when you walk into a church is trying to connect to what you'd consider to be your spirit.

Cristina: Yes.

Jack: And so the signal you're putting out kind of tunes a little better. Yes, you tune in better. And so creatures on the other side are kind of experiencing the same thing. Now, this is a very interesting comparison because one of the creatures born on the opposite side in the shadow realm, one are demons, but the others are celestials.

Cristina: Celestials, Angels. What?

Jack: Both of which come from the shadow realm. Now, we only call it the shadow realm in reference to our world, but they don't refer to that. That's just reality to them. And thinking of it as a dark place is also wrong.

Cristina: Do they call it heaven or h*** or. That's names we gave them.

Jack: That's all names we've provided.

Cristina: Oh, okay.

Jack: Yes. And we don't even. They don't even call themselves demons. This is all titles we've invented.

Cristina: Yes. So they're none of. They're none of those things that we think they are.

Jack: Exactly.

Cristina: Okay.

Jack: They're none of those things that we think they are. They are living creatures like anything else, except unlike anything else. They are part of the shadow realm, which. Shadow realm to us, but their own thing to themselves.

Cristina: Yes.

Jack: They don't. They're not like we're the f****** second s*** to this.

Cristina: No.

Jack: Like we're the main thing that's our f****** reflection over there. They probably call us a shadow realm.

Cristina: Ah. You know, it's interesting. Yeah.

Jack: And so it's interesting that an angel that goes to meditate at the same place would be received by people in the physical realm more easily because they saw something or felt something. And it's because they're also over there praying and tuning into what they consider to be their spirit, which over here is just an energy to us, the same way we show up over there as just an energy to them.

Cristina: So they're looking at us and thinking angel or demon.

Jack: Yeah, exactly. They might see us doing horrible things and call us demons. And they Might see us doing kind and beautiful things and call us angels.

Cristina: Wow.

Jack: And it's entirely just because we're a reflection of what's going on.

Cristina: What.

Jack: Interesting, right? The same way that a demon is just a different creature that often does things we would consider bad, but also their interpretation of good or bad is different. How do you blow up a building if there's no physicality to blow something up with?

Cristina: Yeah.

Jack: You know, different thing going on.

Cristina: Yes.

Jack: Now, those are the obvious buildings that are similar on both sides, of which there are many, many, many. But in comparison to the rest of what there is, is very little.

Cristina: Like what? Like it's just all woods?

Jack: No, I'm saying that the. The churches are what's. There are many churches, but collectively, in comparison to other things, churches are what? Like, the least of it.

Cristina: Yeah.

Jack: And mosques and temples and all these different things. There's very few of them in comparison. Like, how many churches are there per building in the world? You know, it's like maybe a million buildings per church. Who knows? But there are structures over there. Whether they would be considered buildings or I guess they serve the equivalent purpose.

Cristina: They live in them.

Jack: Yeah, you could live in them. You could. They could perform different functions. They have purpose is the best way to put it. They have purpose. There's structures with purpose on that end. And some of them look similar, but many don't. And you could be wandering down something that looks like a street and look similar and get lost. Because the similarities are almost misleading. Because they are no more than just similarities. Only the places that are literally identical are identical. And those are the places that were constructed simultaneously on both sides to connect across.

Cristina: People who do. Astral projections are the only people that are going over there.

Jack: No. People who pray and they think they're praying to something, are communicating directly with the being on the other side, and they're having a conversation. People who pray and they feel like they heard God's voice are probably just having a conversation with another creature who's over there trying to talk to something over here. And they just kind of. Their minds cross paths and they're like having a conversation with one another. This happens pretty often in which people talk to. They talk to the dead. They think they're talking to them. They're talking to. Sometimes it is sometimes literally the dead. And the person on that side doesn't even realize that they're over here thinking, I'm, you know, I'm remembering this person and I have conversation with them in my head occasionally. It's like, you're really f****** talking to them. You just don't know know it because you don't know this realm exists. And so this happens pretty consistently. There is interaction all the time. Whether it be direct interaction or you saw something that you're like, oh, my house is haunted. There's something in there. And it's like in the other side, something lives there.

Cristina: Okay.

Jack: And it's not malicious, it's just living there. It's its home. You're the one haunting it over there.

Cristina: Yes.

Jack: And you're over here screaming because you're scared. And it was just wandering and it's like, holy, did I hear something? But you panicked and screamed and they heard you scream, so they f****** panicked and then knocked something down and you panicked more because f****** the chair just fell. But they f****** dropped the chair because they f****** got scared because, yeah, there's some s*** in here.

Cristina: Yes.

Jack: What the h*** is this?

Cristina: Wow, it's interesting. Connected.

Jack: So what allows this to happen is the adrenal chrome itself connects to certain aspects of the brain. The brain is an antenna. It grabs the signal of the consciousness. And so the alterations that happen in the time that allow your mind to be altered and get crazy high intellect or your mind to your DNA to be altered, it trains your consciousness to take over rather than the brain control the consciousness. Most of us live through life thinking we're the conscious being, but we've run experiments in our quantum computers that tell us we're not. Our brain is doing everything. We are convinced that we're here, the ones in charge. There is a consciousness, and the consciousness will persist, but the consciousness isn't in charge. When you have adrenochrome, the structure, the changes in the DNA allows and trains the conscious mind to literally be the driver.

Cristina: Okay. Instead of being. Becoming a monk and becoming the driver.

Jack: Yes, exactly. Perfect. Perfect. A monk could theoretically cross over because they trained it. Yes, they trained their conscious mind to be the one in control. So adrenochrome is a shortcut.

Cristina: All right.

Jack: But it could do things because it alters your DNA. A monk does it without altering their DNA. They cross over perfectly fine.

Cristina: Yeah, but they're not. They don't have any special abilities.

Jack: Yes. They don't have to cross many thresholds. Yeah, but when you take adrenochrome, not only does your mind get altered so that your conscious mind is in control, but million other things happen.

Cristina: And sometimes your body gets altered, sometimes.

Jack: Your body gets altered. And so when you've taken this and your conscious mind is in control as Your conscious mind is you will sort of disconnect from your body. But now, because it's the leading force, it doesn't dissolve as the brain dissolves, the conscious mind simply goes to the next place it knows. It holds on to the other version of you.

Cristina: Okay.

Jack: The shadow form. And suddenly you exist on that side.

Cristina: But as a shadow in that side, too.

Jack: No. Okay, you're now on that side. You sort of manifest fully on that side.

Cristina: All right.

Jack: Yeah. So you've become part of that world, and now that's your real form. That's how many people have crossed over. And when people are talking about. There are people on the other side, you talk mediums who are talking to somebody and all this stuff. They are talking to individuals who fully crossed over to that place, which brings up how that place is considered by many other places.

Cristina: Okay, what is that?

Jack: The name given to it is a quite popular name, and it makes sense that a medium would be connecting to it. It's called, in particularly the Bible. Which is the most easy way to convey this information for English speakers who are familiar with Christianity, above all other religions, is that it is limbo. It is a space after life. But that only applies to us on this side. It is a space after life. Now, not everybody goes to limbo. That is a true fact. Most people cease to exist. But when you've developed the means, you can enter limbo.

Cristina: And adrenochrome is the easy way.

Jack: Adrenochrome is the easy way.

Cristina: Okay.

Jack: The only real way to be there is to divide your conscious mind from your brain. If your brain controls your conscious mind, when your brain dies, it takes the conscious mind with it.

Cristina: Oh, okay.

Jack: But if you can train your conscious mind to be independent, then your conscious mind can wander and control what, the rest of itself.

Cristina: That sounds difficult. Yes. Okay.

Jack: An adrenal chrome is a shortcut.

Cristina: Yes. What?

Jack: Which is completely fascinating.

Cristina: Yeah. So it's limbo or heaven or h*** or whatever.

Jack: Yeah, exactly. That's all the above. It's the same thing. So people who go to h***, if they really went somewhere when they died, they went to limbo. People who go to heaven, if they really go somewhere when they died, they went to limbo. People who cross, their spirit crosses over finally, after their unfinished business is done, you've merely just crossed into limbo. They all went to limbo or cease to exist. Those are the only two options. You either die and your consciousness leaves your body, or you die and you were apparently mentally strong enough that your.

Cristina: Consciousness is gone to go over there.

Jack: And you're technically still here.

Cristina: Yes.

Jack: It's just your body dies. Immortality is real. But there's a shortcut to get there. And there are many hard ways to get there. And the shortcut has repercussions like losing your body. You lose your body no matter what.

Cristina: Yeah. What are the precautions?

Jack: First, turning into something different while you're on this side.

Cristina: Yeah.

Jack: And second, when your mind continues after your body has died, whatever thing you became, you were for a long time. Your consciousness got trained to believe that's you. And so if you are a coyote who was just a coyote, they become headstrong. Their conscious mind now runs their body. But they're not hyper intelligent the way a human is. They are a Chupacabra, a different kind of intellect. Their consciousness is in control. That being then dies however many years in the future. And they are not a coyote on the other side. Their conscious mind got trained over many decades, centuries, millennia. You were longer the Chupacabra than you were the coyote.

Cristina: Okay. So they go to the other side and they're sort of still like a Chupacabra.

Jack: Yes. Except you are the shadow version of that because you no longer have a physical form.

Cristina: Yeah.

Jack: Which over there, the Chupacabra is the equivalent of what we have called the Wet Judge. That is the Chupacabra. It is a feral beast that is out there influencing and killing and it does it on both sides. Anytime it could influence. Now because its mind is so strong, it can phase in and out. But over here it looks like a shadow.

Cristina: Yes. What? It looks like a shadow?

Jack: Yeah, it looks like some kind of. It looks like a shapeless doggish.

Cristina: They can take a real form.

Jack: No, it doesn't. Nothing takes a form over here. There's no physicality for it to take. It only influences side.

Cristina: Yes.

Jack: And that's the only role something that's lost its body over here can do. You can't manifest on this side. Or if you do manifest, it's not physical.

Cristina: Yeah.

Jack: Like would you say a spirit is physical? No, but it is over here. Yeah, that's exactly how it work. The literal way to describe it is that a Wet Judge is a spirit.

Cristina: Okay.

Jack: It's a demonic spirit. Well, we would call it demonic.

Cristina: It's just an animal that wants to.

Jack: Eat blood, needs it. That's just its food source. Yeah, it's just as food source. So yes, it wants a blood, but it's because it's hungry.

Cristina: Yeah.

Jack: And that sustains it. Now the interesting part is when you're on that side. You don't need the blood to sustain you. You're just over there. The blood allows you to be sustained. Over here. Blood is physical. And what you're getting, you're not drinking the blood as this ethereal being, what.

Cristina: Are you doing with it?

Jack: You're sucking out the emotion that was in it. The fear.

Cristina: Oh, yeah.

Jack: Which somehow now I don't know the answer to this question, which is why can they access it? But I guess the same idea would apply inside of a church. When you're giving out a certain emotion and it's connecting to the other side, something about our emotions is what's important. Yes. It could cross the threshold. And if Chupacabra. Now, a wet judge can be around the place where fear exists, it can manifest something about fear allows beings on the other side to manifest on this end.

Cristina: And with the people that end up killing their family over this. Was it the Wetchaj or the Wendingo?

Jack: Either.

Cristina: Or the person that's involved, is he being influenced by this spirit thing?

Jack: Yes. What happens is the emotions of the opposite side come across as well. Emotions exist perfectly fine on both sides.

Cristina: Okay.

Jack: Something about it connects. Fear seems to be the strongest of all the emotions that drives ever everything again on both sides. Exactly. If we go back to the church and we think of what people are doing when they are praying, they think there's a God who's gonna punish them. Fear is what they're using to connect to this higher thing. And thus the angel gets a clear thing to the. And the angel probably believes that it has a God on that side too. If it's born on that side, it doesn't know where it came from. It's gonna die eventually.

Cristina: It went to its church and prayed.

Jack: It went to his church and prayed. But out of fear, like what happens when I die. That it's ex crisis that we all have on the inside is fear. And somehow that connects us. And a wet judge that receives this can. If you're somewhere where there is way a lot of fear, a lot of fear you can manifest, you don't need to even generate the fear. That's why places like mental asylums where people are delusional and confused and scared about their situation, they don't. They're maybe not even in the right state of mind. And they're just horrified of where. They don't know where they are. They don't know why.

Cristina: They think they're haunted. Or a lot of them are haunted after they're closed down.

Jack: Yes. Because all the emotion that was intensely felt in there stays there.

Cristina: It stays there. But the stuff that's haunting it is really just shadow people.

Jack: Yes, creatures from the shadow realm.

Cristina: Okay.

Jack: It's just they can more easily manifest in those locations. And over there on that side, that might be a place that hasn't shut down. It's just a fully functional place. But as you're wandering through there, you see many things. Maybe on the other side it is abandoned. And so where would creatures that are feral go? They're going to go to abandoned places where they're not going to be hunted and killed by things on the other side. Oh, so they would go to abandoned places.

Cristina: Yeah. And so is there more feral things over there or is it equally on both sides?

Jack: It should theoretically be equal on both sides.

Cristina: Okay, so it's.

Jack: It's very similar to this side. Yeah, it's just not this side.

Cristina: But it's not this side.

Jack: But it's not this side. Then we go to the gray wolf. The gray wolf is similar to the coyote. They're both wolves, but their genetics respond different. Now, every single coyote of the same type would experience adrenochrome the same way.

Cristina: So equaling a chupacabra, always, a wolf.

Jack: Already had a certain genetic structure that was different. And every gray wolf that has adrenochrome will turn into a werewolf. Without exception.

Cristina: All these werewolves work the same.

Jack: All the werewolves work well. All the wolves work the same. Well, all creatures in general are going to turn to something different.

Cristina: Okay.

Jack: Very few scenarios do they not. Most cases, they are physically altered one way or another. And in the case of the gray wolf, they all become werewolves. Now, the circumstances again, have to be quite specific, or you give it to them. You either need to be a person who has adrenochrome, acquired strong doses and gave it to them, or some weird chance led to them consuming a person who's like, horrified. Who had horrified? Doesn't even matter. It needs to be enough to produce the high dose of adrenochrome that could alter it. Because just horrified isn't enough. You could eat somebody horrified. Nothing happens. It wasn't high enough, but you cross the threshold and then you consume that person. Now, that's gonna alter your DNA and.

Cristina: Turn you into a werewolf.

Jack: Yes, you are way more intelligent. Way more intelligent. Now, some creatures have proven to be more intelligent than the werewolf, and we'll get to that shortly. Because the werewolf is, although now bipedal, standing tall, grows in size significantly, grows in intellect significantly, is still primitive. Next To a human thinking brain who hasn't even taken Adrenoc, they just happen to be overpowered a million times faster, physically monstrous, and could wreck walls. Yes. Now, when a werewolf dies, their physical being goes. The adrenochrome gave their conscious mind control. They cross over, they become the Wendigo.

Cristina: All right.

Jack: And that is just a werewolf on the other side.

Cristina: Okay. And they look different. Well, I guess we don't see what they look like. They're just shadows, really.

Jack: Over here, they're just shadows. We have no idea what it looks like over there.

Cristina: Okay.

Jack: We'd have to be there to see.

Cristina: What it looks like. Okay.

Jack: Yeah, we have no idea what it looks like. But over here, what crossed over looks kind of like a wolf. Like a weird, fuzzy shadow wolf. But it's just because we're seeing something that isn't really here.

Cristina: Because it's in the shadow realm.

Jack: Because it's in the shadow realm, humans are already particularly intelligent. They take it. They, again, like everything else, get immortal. Keep in mind the werewolf also became immortal. And it was a werewolf for longer than it was a wolf. It could last many, many decades. Centuries. Millennia. And its conscious mind believes that's it. And that is what manifests on the other side. Humans become vampires.

Cristina: Awesome.

Jack: Yes. Our understanding of vampires are what humans become. They are agile, they are fast, they are way more intelligent than they were previously. They are capable creatures. They are powerful creatures. And when you die, you cross over.

Cristina: A vampire, and then you're a shadow vampire. In a way, yes.

Jack: What we see are these beings that can outsmart us. They seem to trick us everywhere. We often call the humans that continue to interact with us on this side tricksters. We call them gods because their ability. They're super intelligent and they know.

Cristina: They know what they want.

Jack: They know what they want, and they know where they are relative to where they came from, which feral creatures don't seem to be aware of because they're still just creatures.

Cristina: So they're just attacking anything.

Jack: Yeah. They can see over here, when they're around enough emotion to manifest, but they're not thinking, oh, there was enough of emotion. And I'm a manifest. Yeah, A vampire can make that choice.

Cristina: Actively pop up wherever he wants to.

Jack: Because you're aware of the rules, you're aware of how it works, and you could choose to do it while the werewolf is still chaotic and madness is not thinking. I'm a manifest on the other side.

Cristina: And these things need food to survive, too. These shadows. Yes.

Jack: There's food over there. As Normal. And there's food over here as normal. And fear allows you to manifest, and you can sort of influence things on this side. And we feel the emotions of that side the way they feel our emotions that allow them to form. And what happens is when we feel their emotions, what happens when they feel ours? They can be over here a little more, except we're literally over there and over here. So what they're f****** with is a version of us that's being sucked to that side a little more. And they can still hurt us over there and it affect us over here if we're starting to manifest more and more on that end.

Cristina: Okay.

Jack: So that's how somebody gets. For example, the wet judge gets inside of a person's head. This person goes and kills their whole family.

Cristina: Yeah.

Jack: You're feeling the rage that a hungry wetcha just feeling.

Cristina: What about the people who are attacked by what they think are like, their dead family members that are in the grave, and they're like they're drinking the life out of me. Is that really just a shadow person? Those are shadow people maybe drinking their life in that other shadow realm.

Jack: Yes. Well, it looks like when it comes to a lot of these creatures, the feral argument we had seems to take place exclusively over there now. Yeah. Vampire who doesn't have adrenochrome can become a feral and be dangerous on this side before they even die.

Cristina: Yeah.

Jack: And they can live feral. The same idea applies over there, but it doesn't have to do with blood necessarily. It has to do with the fact that maybe too much emotion is overwhelming.

Cristina: Oh, okay.

Jack: And they lose sanity.

Cristina: Yeah.

Jack: And that's just out there attacking anything and everything. This.

Cristina: They stop thinking because of too much emotion.

Jack: Too much emotion.

Cristina: Wow. Yeah.

Jack: It's f****** crazy.

Cristina: Yeah.

Jack: Now, humans cross over, as we discussed. They become the jinn. A jinn is clever. It is smart. Again, over here, we call them humans. Well, we did. Yeah. Those are just humans. When they cross over, they're a jinn. But often over here, we call them tricksters. We call them gods. We call them all these other things, but it's a jinn. It's just a person.

Cristina: Okay. This is unrelated to the vampire.

Jack: This is the vampire. Vampire crosses over.

Cristina: Okay.

Jack: The human is the vampire. The vampire is the gin.

Cristina: All right. It's just a different name.

Jack: Well, the vampire is on this side.

Cristina: Oh, okay.

Jack: The djinn is once. It's over there. That's the title we've accurately. When we're talking about djinns, we're talking about that yes. Now, instances that sort of break the illusion of blood being a necessity are when we consider gorillas.

Cristina: What do you mean?

Jack: Well, a gorilla is not necessarily even a meat eater. They could survive off of fruit and stuff like that. And then you give them adrenochrome and.

Cristina: Then they become something.

Jack: They become a Sasquatch. They become a Sasquatch, their intellect does skyrocket. It becomes almost human, like, just like.

Cristina: They're not after me or anything.

Jack: No, it just follows them by a tiny little bit. We. I mean, they follow hu. It's intellect follows human just by a tiny little bit.

Cristina: It's not for the emotion. What is it for? The emotion?

Jack: No, that has nothing to do with the emotion.

Cristina: Oh, okay.

Jack: When they have adrenochrome, the Sasquatch's intellect goes up as one of the physical responses it has.

Cristina: Oh, okay.

Jack: And its intellect goes almost to that of a human, just not quite there. Just super close, but not quite there. And it doesn't chase meat any more than it did before. It's equally elusive. Sometimes it's more elusive. It uses intellect to like, what the f*** am I? And it's just like, let me stay awake because I know they're gonna kill me if they see me or some s*** like that, you know?

Cristina: Yeah.

Jack: And it doesn't like, strive to kill or anything. And it also doesn't become feral.

Cristina: There's no feral version.

Jack: There's no feral version. And it does stay immortal.

Cristina: Is it just that meat. Meat eaters are turning?

Jack: I don't know. That's an interesting point. That's a very interesting point. It could be additionally a. Like, they're immortal in the sense that they're gonna live way longer than our scope can understand. And when they cross over, they have their own thing over there too. But on this side, their physical transformation and everything, nothing seems to affect it in any kind of negative way. It's just gonna live longer. It's way better and stronger than everything around it.

Cristina: And it hides.

Jack: And it could hide more effectively. Now, when a gorilla dies, it becomes a creature called a Shojo. And a Shojo is literally the translation for a. Now this is. I don't remember what culture it's from, but they've seen many of these repeatedly. And it's a spirit ape.

Cristina: A spirit ape?

Jack: Yep. It's a ethereal, ambiguously shaped. Kind of looks like the cross between an ape and a person. And it's a spirit of some sort.

Cristina: So it's probably the Sasquatch.

Jack: It's the Sasquatch that died?

Cristina: Yeah. Oh my gosh. That's from somewhere.

Jack: Yeah, it's. I believe it's either Shinto or some kind of Chinese mythology that they have that they actively have seen these creatures.

Cristina: And these things are also peaceful.

Jack: Yeah.

Cristina: What?

Jack: They're trolls, but they don't really harm anybody.

Cristina: Oh, they're a bit of a trickster. Like.

Jack: Yes. It seems like intellect leads to trolling pretty often.

Cristina: Okay.

Jack: Which definitely gives way to the argument that when a ghost is haunting you, it's really just a shadow person. Like bored.

Cristina: Yeah.

Jack: And the interesting between the Sasquatch is that there's something very similar to it that we kind of associated with it probably through all of time. But in looking into this, I did not realize that it wasn't this other thing. So bears all have their own forms as well. But there is one particular interesting thing that when you give a bear adrenochrome, specifically a polar bear, it becomes a yeti.

Cristina: A yeti. Okay.

Jack: And the yeti, when you put it next to a Sasquatch, you suddenly realize.

Cristina: They'Re not the same thing.

Jack: They're not the same thing. The features are so ape in a Sasquatch, while the yeti seems to be hair everywhere. It's a. Its hands are fuzzy, its face is fuzzy. It's a f****** bear. But I never thought about this until I started looking for where it comes from, for what's surrounding it.

Cristina: See a picture of a yeti. I can't remember what it looks like. Okay.

Jack: You see the difference?

Cristina: Yes.

Jack: The yeti is just a f******. I don't know why we didn't think about it. We just. Monkey man. It's cuz everything has to be human because we're f****** human. We're like always. It's us. It has to be us.

Cristina: Yeah.

Jack: Like, no f****** way. It's us.

Cristina: And they're peaceful.

Jack: They're also peaceful. Which is weird because it breaks the argument that a meat eater would become a meat eater. A yeti doesn't eat meat. It could survive off of fish and s***, but berries and s***.

Cristina: Yeah.

Jack: Interesting, right?

Cristina: Yes.

Jack: The reactions are so different that it doesn't keep consistent across the board.

Cristina: Is there a ghost version?

Jack: Yes. The ghost version of the yeti is called an onikuma. And that's basically, we've called it a demonic spirit bear. Literally translated to demonic shadow bear.

Cristina: But is it demonic?

Jack: No, it's just again, a spirit. It's shadowy on our side. Yes.

Cristina: Demon.

Jack: It's anomalous on our side. The cultures that have seen it are still relatively primitive cultures that live on the outskirts of the planet rather than in giant societies where we develop quickly. So the stories are still really primitive and it's by people who weren't so developed. So they're still describing anything that's not human as demon, essentially. Okay, and now to keep talking about variants of this. Earlier I said not everything has a physical response to adrenochrome. To adrenochrome. And that's where we have the variants of groundhogs.

Cristina: Groundhogs?

Jack: Well, of rodents particularly. Now, the groundhog himself doesn't change into anything. It takes adrenochrome.

Cristina: And it still looks like.

Jack: And it still looks like a groundhog.

Cristina: But so do humans.

Jack: Yes. We physically don't go through a lot.

Cristina: Okay.

Jack: Yeah, interesting, right?

Cristina: Interesting.

Jack: The groundhog does become faster. It does become smarter. It does live centuries because faster.

Cristina: You had stories of it faster, but.

Jack: It physically remains the same.

Cristina: Whoa.

Jack: But a beaver, that is the cousin, becomes a whole other creature called a kolokolo.

Cristina: Is that a also friendly thing or what? What's going on with that creature?

Jack: Not necessarily. A colo. Colo is. Doesn't have human like intellect, but is quite the savage because of it. While the groundhog has human literally comparable to a human. No other creature matches a human intellect than a groundhog. Than a groundhog it seems to be. Now, there's probably others, but based on what we got in response to questions, this.

Cristina: Is the adrenochrome affecting its intelligence?

Jack: Yes. And it brings it all the way up to humans basic intelligence.

Cristina: Well, it does not do the same for the beaver. The beaver?

Jack: Nope. Now, interesting enough, when they cross over, they both cross over as a very similar creature.

Cristina: And they have different names.

Jack: No, it's exactly the same name because it seems to be exactly the same creature. Whether it's feral or not is the problem because this creature is sometimes perfectly innocent and fine, and other times it's violent and gruesome.

Cristina: So you could assume it might be one or the other.

Jack: Guess based on behavior. And that's called a choppa, a chapa. Yeah. And it's a rodent spirit. But the chapa only comes from beavers and groundhogs and similar things.

Cristina: Yeah.

Jack: So genetically they're so close that they.

Cristina: Look the same on the other side.

Jack: Yes, they look the same on the other side.

Cristina: Okay. But in this side, they look. They don't change at all, pretty much.

Jack: The beaver does change.

Cristina: The beaver changes.

Jack: Okay, Beaver changes into the kola kola, which is basically a gruesome, like Giant rat monster.

Cristina: A giant rat monster. Awesome.

Jack: It looks like a dog's eye size.

Cristina: Dog size. Yeah.

Jack: Imagine a sharp toothed brat the size of a dog. And that's the colo. Colo.

Cristina: Okay.

Jack: Pretty interesting, right?

Cristina: Yes.

Jack: So these are just details from the other side.

Cristina: Details from the other side.

Jack: Now we have a way clear image of what's happening, right?

Cristina: Yes.

Jack: Before it was like, well, it could be this, it could be that. No, this is what's going on.

Cristina: This is from just people collecting stories.

Jack: This is data.

Cristina: Data.

Jack: This is all data. Now focusing entirely just on the shadow realm for a second and talking about the creatures that are on that side. I only mentioned two and I mentioned.

Cristina: The two obvious ones, the demons and angels.

Jack: The demons and angels, which are just beings from that side. And there are many more that behave in different ways the same way. We have animals and we have creatures of different sorts, as are there creatures on the other side, some of which are unbelievably notable. Like what, for example? A leviathan.

Cristina: A leviathan.

Jack: Leviathan is a large serpent like creature and it can shapeshift.

Cristina: Is that from the Bible or from something else?

Jack: It's from many systems, including the Bible.

Cristina: Many systems.

Jack: Many systems have that. Many belief systems, many theologies.

Cristina: Do they all call them that or is it just a giant serpent? And like the descriptions are like the descriptions are the same.

Jack: Funny enough, the descriptions are always identical and the name a good half of the time is leviathan, just in a different language. Well, but a lot of times it's just called giant serpent or it has a different name that is talking about the same creature, but they're all talking about leviathans that are just giant shape shifting snakes, that their main form is the snake. It's like a sea. It's like a sea serpent.

Cristina: It's a shapeshifter.

Jack: Here's an interesting thing about that shapeshifter and it's about a creature we never found. But we found what it was protecting.

Cristina: What do you mean?

Jack: We once took a trip under the lake and we found a base. And what was supposed to be protecting that base that we never found?

Cristina: The sea monster.

Jack: The sea monster. Nessie.

Cristina: Nessie is the one.

Jack: We only see the neck and think there's a body. No, the reason we can't find it is because it's not there. We're seeing. And what do we see in the photos that do get taken? A shadowy serpent.

Cristina: She's a leviathan.

Jack: It's a leviathan. And we're seeing this side. What we would see its shadow form.

Cristina: Okay. And those other sea monsters are probably also leviathans pretty frequently.

Jack: Yes. And this also goes to say that when, for example, we see Sasquatch in the woods and we try to take a picture, it looks like it's. It's literally. It's funny that I've made this joke before, but it is literally that it is fuzzy.

Cristina: It's because it's the Shadow Realm.

Jack: Because it's the Shadow Realms version of it. Oh, we're seeing the Shoju. If we manage to get a clear picture, then we have one from this side.

Cristina: But we've been taking pictures of the Shadow Realm version.

Jack: Yes. Because they have no reason to hide from us.

Cristina: Oh, okay.

Jack: Yeah. So we see a fuzzy. And it's literally because it is fuzzy.

Cristina: Oh, my gosh. Okay.

Jack: Interesting, right?

Cristina: Yes.

Jack: Which takes us to other things that would be considered animals on the other side that we have seen but haven't seen.

Cristina: Like shadow people themselves.

Jack: Shadow people themselves. One of them is unicorns.

Cristina: What?

Jack: We see unicorns, but we never see unicorns. It was there and then suddenly it wasn't there.

Cristina: They live in the Shadow Realm.

Jack: They are creatures from the Shadow Realm.

Cristina: What?

Jack: As well as dragons.

Cristina: No way. What? So everything we thought that we saw but never really saw, most of the.

Jack: Things that we thought we saw but can't prove exist is because we'd have no means to do. And it's because they come from the. We're seeing rough images of something from somewhere else.

Cristina: And they're from the Shadow Realm.

Jack: The Shadow Realm. We only think of it as a dark place because we're using the word shadow. Yes, but it is just different.

Cristina: It's a magical place. Well, they're not magical, though.

Jack: But they're not magical. But it is a different kind of place where these things exist. And talking about magical, there are a couple of beings, naturally, with the ability to exist fully in both places, but. But only exist in one at a time. And I don't know the explanation behind this, but pixies and goblins both have the ability to enter and exit, which we can't even do. Yeah. The Shadow Realm. When they're in the physical realm, they are not in the Shadow Realm. They are not there. They don't have two versions. They have one. And somehow they don't exist in two realms at once, but because of that, they can 100% exit one and enter the other, but they do it at will, as if their shadow version and their physical version are the same. Are the same.

Cristina: Can they die.

Jack: I don't know. I don't know. I don't know.

Cristina: Okay. I'm totally gonna investigate this.

Jack: Yeah. I don't know if they could die. I don't know what's happening. They don't require adrenochrome. There's no. They could just move seamlessly between the two.

Cristina: Oh my gosh. I'm gonna. I'm gonna figure it out.

Jack: And the weirdest part about them is that I found it in many, many, many places. Mentions Pixies and goblins move seamlessly. They seem to disappear in front of you sometimes. There's no way they could have shown up. And they're just f****** there.

Cristina: Yeah.

Jack: And this is consistent. And it's through hundreds of systems that they say the same f****** things about the same two m************. I don't know how the f*** it works. Additionally, reapers are from limbo. Reapers are. When we're talking demons, that's as close as we can get because demons on that side, we're being a*******, essentially calling some conscious, fully thinking creature that's just not following.

Cristina: What exactly is a reaper supposed to be?

Jack: A reaper is a sort of feral being that consumes life force. What it feeds on is your shadow form.

Cristina: Oh, that's the thing that I was talking about. That might be why you're dying and you blame it on the dead. But it might be a reaper.

Jack: S***. I guess it could be a reaper that's doing that. Yeah, I guess it would be. So a reaper feeds on your shadow energy. It feeds on your shadow self and. Because if one dies, the other dies.

Cristina: Exactly. Oh my gosh. That explains those stories.

Jack: Yes. So you could die if your spirit form dies, although if your shadow form dies. But not many things can interact with your shadow form.

Cristina: Do you know what a reaper looks like? Or are there no real good descriptions from over there?

Jack: We have no way of telling. We don't know what a demon really looks like.

Cristina: We have ideas.

Jack: We don't know what an angel looks like. We've literally described them as just pure energy. The reaper is the same idea. It's just their behavior that we can tell is different.

Cristina: Okay.

Jack: And what they look like roughly? Over here, we've seen that the manifestation of some angels looks humanoid, but then there are some angels that look so alien. But it could just be a different creature that we're also bunching into the umbrella term called angel.

Cristina: Yeah.

Jack: And there could just be a 300 eyeball looking creature that is fully sentient thanks to the caliber of a human. And all that. And then we see it and we're like, that's an angel. But wait, that guy that looks like a man is an angel? And they're both. We're calling them both angels, but they're different creatures entirely.

Cristina: Yeah.

Jack: So that's a possibility. There could be many sentient human level intellect creatures. It's impossible to tell without being there.

Cristina: Like a goblin and a pixie.

Jack: Yes.

Cristina: I mean, no, you would know those two specifically because you said they are physically here and physically there.

Jack: Physically here. Physically.

Cristina: Those two we know for sure?

Jack: Yes, yes.

Cristina: Everything else.

Jack: There might be others that could do it, but those were, like, the most prominent. Anytime information on this came up, and anytime I asked these. These creatures for more, all of them talked about how every possible. And I looked, I referenced everything. I checked all of it. Yes, it's mentioned over and over.

Cristina: Check it out. I'm gonna figure it out. What?

Jack: So, yeah, this was amazing. Going in on the Shadow Realm.

Cristina: The Shadow realm. For Happy St. Patrick. No, sorry.

Jack: Happy Groundhog Day.

Cristina: Groundhog Day.

Jack: Well, it all. It all came out of Groundhog's Day, which is great. But, yeah, this is the result of that. I got curious and I had to find out because I don't. I don't believe in mysticism. I do not. And I knew there was an explanation for this stuff.

Cristina: And this is a good enough explanation.

Jack: Yeah. The interesting part about this is the most interesting part about everything we just talked about is the fact that technology could theoretically be built to get you there. Again, my comparison at the very beginning was intentional. It is kind of like a different frequency.

Cristina: And what technology do you need?

Jack: Imagine a time machine that allows you to move forward and back in time. Or imagine taking a chemical that allows you to elevate up and down dimensions. That's all technology.

Cristina: Okay.

Jack: Some are chemicals, some are machines. The same way that you can go up and down dimensions forward and back through time, you can move side to side through realms. Another thing I should point out in saying that is the Shadow Realm isn't the only realm other than ours. That was just all I was talking about.

Cristina: Oh, my God.

Jack: I also found that there is quite the number of realms. Quite the number of realms.

Cristina: Did you check them all out?

Jack: No, but I know they're there.

Cristina: Oh, man, that's interesting.

Jack: Many realms, many dimensions, many universes, many timelines. Everything applies equally. That is not the only one.

Cristina: That's too much. That's too much.

Jack: And we exist in all of us.

Cristina: Simultaneously, and we live in all of them.

Jack: It's basically the X, Y, Z axises, we're thinking, you know, we're always in the Y axis. We're always in the X axis. Time. We're always moving through time, forward and back, depth.

Cristina: But there's so much more going on.

Jack: There's so much more. We have the Y, I guess X is so Z axis is depth. Right. Z axis is time forward and back through the same kind of experience, while the Y axis is dimensions up and down, but the X axis left and right are dimensions. And this is just our interaction with one of them.

Cristina: Amazing, man. But the other realms, there should in.

Jack: Theory be chemicals or technologies that can allow us to access the other realms the same way. And it's not adrenochrome. There would be something else, equal, but opposite.

Cristina: And we gotta find out what that is and what creatures can do it and etc.

Jack: Here's the problem. I think we know creatures that can do it. And that takes us back to the f****** pixies and the goblins. If they are one thing. Are they one thing regardless of how many different realms and can they easily and seamlessly move between them?

Cristina: Okay.

Jack: Alternatively, I only said as an explanation that heaven, h*** and limbo are all the same place. But do we simultaneously exist through all of them and they are all different realms? Because it was just an easy way to summarize it. But we don't f****** know.

Cristina: We don't know. Wow. Well, hopefully I'm gonna at least go through the pixie hunt and see what I find through them and maybe we'll see these other realms mentioned.

Jack: Yeah.

Cristina: Who knows?

Jack: And I'm gonna see if I can find which technolog maybe get us to access the shadow realm. And if that works, there are many other places we can go.

Cristina: Yes.

Jack: Anyways, I hope you guys enjoyed this and if you did, there is a previous part to this and many topics discussing all these creatures and so many.

Cristina: Other episodes to check out.

Jack: Yeah, just it's. It's so much. Just go look at all the other stuff. Yes, and you can find all that other stuff on the official website greythoughts.info or on Apple Podcasts, Spotify or anywhere you get your podcast.

Cristina: And you can reach us on Facebook, Twitter, Instagram and TikTok. UsConvopod.

Jack: Yes, and remember to rate and review.

Cristina: The show and let someone who might like the show know about it.

Jack: Word of mouth people. Always great to kindly ask somebody to listen to the show. Do it peacefully and you know, kindness goes a long way. You tell them lovingly man, I would love if you listen to this with me. And you never know, somebody might be interested.

Cristina: This has been the Just Conversation podcast. Take nothing personal and thanks for listening.

Jack: Bye. And he's one of the four gods.

Cristina: Shaggy 100% can rewrite the last 20 years of their history. 150% can create and destroy planets. 200 to 1000%. Not much. Only his existing abilities become stronger and can rewrite the last 2000 years and can destroy galaxies, etc. Where are these percentages coming from? 1500% can and will destroy Fred, leading to a utopia.

Jack: To a utopia. Here's what's interesting about this and completely fascinating. He's the God of destruction. Shaggy is the God of destruction.

Cristina: He is. Is the cat God.

Jack: Yeah. He's the real Beerus.

Cristina: Good morning. Good morning. The Just Conversation podcast is hosted by Christina Collazo and Jack Thomas, produced by Lynn Taylor and published by greatthoughts.info art by 0lupo and logo by Seth McAllister with social media managed by Amber Black.